WEBVTT - S2E11 The Magnificent Archibalds with John Patrick Amedori

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<v Speaker 1>I am John patche Damagory, I played Aaron Rose and

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<v Speaker 1>Gossip Grow. We are rewatching the Magnificent Archibles. Welcome back

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<v Speaker 1>listeners to your one and only source into all things

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<v Speaker 1>Gossip Grow. You know you love it. XO x O. Hello,

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<v Speaker 1>and welcome back to x O XL. I'm your host

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<v Speaker 1>Jessica Zoor and today we are getting right into season two,

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<v Speaker 1>episode eleven, The Magnificent Archibalds. This is a Thanksgiving episode,

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<v Speaker 1>which in the Gossip Girl world means a lot of

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<v Speaker 1>Upper east Side drama. This episode is all about what's

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<v Speaker 1>beneath the surface. Serena hides her pass from Aaron Blair,

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<v Speaker 1>learns that Cyrus wants to propose, and Vanessa gets caught

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<v Speaker 1>up in the Archibald family's secrets. Joining me in this

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<v Speaker 1>amazing episode is John Patrick Amadori, who plays Aaron Rose,

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<v Speaker 1>serena artsy boyfriend and Cyrus's son. He was such a

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<v Speaker 1>fun time on set and Aaron had some of the

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<v Speaker 1>best moments in season two. So here he is to

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<v Speaker 1>answer some of our questions. I can't wait to talk

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<v Speaker 1>to him, so let's jump right in. He how's it going,

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<v Speaker 1>Where are you? How are you? I'm in I'm well,

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<v Speaker 1>I do all right, you know, yeah, but I'm in

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<v Speaker 1>l at a friend in our bank room. I'm having

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<v Speaker 1>work done in my house at the moment, some foundational renovations,

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<v Speaker 1>se renovations and stuff, so I can't be there to

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<v Speaker 1>do this. So yeah, things are things are good. I'm

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<v Speaker 1>so glad you're here. We are so pumped of you.

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<v Speaker 1>I'm like fully in your whole storyline right now, so

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<v Speaker 1>I like feel like i'm seeing I feel like it's

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<v Speaker 1>not been so long since I've seen you, because you've

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<v Speaker 1>been on my screen a lot lately, but it's really

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<v Speaker 1>in life, been really since we were filming. I feel like, right,

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<v Speaker 1>it has been like over over a decade, like sharing

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<v Speaker 1>the same vicinity. Yeah, for sure. But we're so pumped

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<v Speaker 1>to have you. I'm so pumped to have you, and um,

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<v Speaker 1>so yeah, thanks for coming on, and things are good.

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<v Speaker 1>This has just been so fun because it's like I

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<v Speaker 1>hadn't seen a lot of this, and I remember reading

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<v Speaker 1>your all of your stuff because I was like, who's

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<v Speaker 1>going to be this like mysterious artists. It's like hot

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<v Speaker 1>mysterious artists coming on. So we were all excited to

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<v Speaker 1>see who was going to book Aaron Rose and we're

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<v Speaker 1>pumped when it was you so so welcome, And I

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<v Speaker 1>don't have you watched the show or was this I watched?

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<v Speaker 1>I remember, I've seen clips of the show. I remember

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<v Speaker 1>like over the years, I've seen little bits and things

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<v Speaker 1>that have popped up periodically. I did kind of like

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<v Speaker 1>retouch the episode that we're talking about today to kind

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<v Speaker 1>of like refamiliarized with myself. And there were some things

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<v Speaker 1>that I completely forgot. To be honest, I don't remember

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<v Speaker 1>a whole lot, right, you know. I just remember that

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<v Speaker 1>Aaron had a problem with like dating a lot of women.

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<v Speaker 1>Like every time he was like, no, no, everything's cool,

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<v Speaker 1>Like she would find him with another person, with another girl,

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<v Speaker 1>and I was just like another one, Oh my god,

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<v Speaker 1>yeah that's yeah. But I didn't I didn't know. I

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<v Speaker 1>didn't really watch the show. I woul also go through

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<v Speaker 1>a period of time where like I really wasn't watching

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<v Speaker 1>a lot of my own work, so like I was

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<v Speaker 1>just very separated. Was in my early twenties, and I

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<v Speaker 1>was just like, no, I do it, and I'm done

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<v Speaker 1>with it. And then I learned that like it's okay

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<v Speaker 1>to be a fan of the things that you're like

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<v Speaker 1>doing stuff on and you know, yeah it is. But

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<v Speaker 1>I get that because I was for years I was

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<v Speaker 1>I didn't want to watch either because I always said

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<v Speaker 1>your own worst critic. It's like even if you, you know,

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<v Speaker 1>played it in a soccer game and scored, you'd be like,

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<v Speaker 1>why didn't I pass it the other way? Why didn't

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<v Speaker 1>I do it this way? So sometimes I'm like, I'm

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<v Speaker 1>just better off not watching because I'm just taking it apart.

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<v Speaker 1>I start to enjoy if you get to critically. Yeah, yeah, okay,

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<v Speaker 1>So you're in l a um. We have John Patrick

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<v Speaker 1>Amadori here to rewatch and break down or talk about

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<v Speaker 1>and reminisce about the Magnificent Archibald episode, which is season two,

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<v Speaker 1>episode eleven. And before we jump into it, how did

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<v Speaker 1>it come about? Like do you remember getting the call?

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<v Speaker 1>Was in an audition? Was it a meeting? Were you

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<v Speaker 1>super pumped? Did you hear about the show? Like, give

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<v Speaker 1>us a little rundown of like what was up? Okay,

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<v Speaker 1>a little extra bit of it would be Pen and

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<v Speaker 1>I used to test against each other for Warner Brothers

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<v Speaker 1>pilots for like three years, from from like fourteen into

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<v Speaker 1>like in our early twenties. I guess every year every

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<v Speaker 1>other year, and Pen Pen book predominantly mostly. I just

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<v Speaker 1>said I didn't book any of them, so if it

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<v Speaker 1>wasn't me, it was either Pen or like something else.

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<v Speaker 1>Uh So I remember Gossip Girl coming around pilot season

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<v Speaker 1>and me kind of having a moment being like, Penn

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<v Speaker 1>Badgel's going to get it. So I turned it like

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<v Speaker 1>the like the initial pilot down and then yeah, then

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<v Speaker 1>and then a year later casting had reached out and

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<v Speaker 1>said there's another role. So I pretty much went in,

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<v Speaker 1>and I think I was like the only person to

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<v Speaker 1>go in. I've read a scene that was either from

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<v Speaker 1>the book or was just a dummy scene that they

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<v Speaker 1>had written where he Aaron is talking to Serena, and

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<v Speaker 1>I just remember like the little notes just saying like

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<v Speaker 1>he was an artist. I knew that he knew a

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<v Speaker 1>little bit about him being based off of a loosely

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<v Speaker 1>based off of an actual artist named Aaron Rhodes. I think,

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<v Speaker 1>if I recall correctly, there was a note about if

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<v Speaker 1>he was any skinnier, that he'd beat Morrissey. I think

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<v Speaker 1>he's a vegan in the book. Yes, I actually do

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<v Speaker 1>remember that. Okay, Yes, I took that to heart, like

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<v Speaker 1>I walked around every day and I looked off of

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<v Speaker 1>cigarettes and peanut butter stuffed pretzels and I feel like

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<v Speaker 1>I'm getting skinny. I was just like I just didn't

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<v Speaker 1>stop moving and just it didn't stop the caffeine and

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<v Speaker 1>the nicotine, and I was just like of been constantly

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<v Speaker 1>and I really I held it down. I think you did.

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<v Speaker 1>I mean you was. Aaron Rose is great. He's he's

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<v Speaker 1>so interesting and lovely, and you just played it so well.

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<v Speaker 1>Also before getting into this episode, Um, Almost Famous is

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<v Speaker 1>one of my most favorite movies, and that's just like

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<v Speaker 1>so dope that you were in that. How did that

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<v Speaker 1>come about? Like you sent a tape to Cameron correct. Yeah, yeah,

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<v Speaker 1>it was kind of pre pre internet days, so I

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<v Speaker 1>don't really know how my mom kind of figured out

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<v Speaker 1>during this time how to get it there. Yeah, like

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<v Speaker 1>it was kind of like all of a sudden. I

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<v Speaker 1>just remember seeing Variety and Hollywood Reporter, like the trades

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<v Speaker 1>like magazines around and I know that like at some

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<v Speaker 1>point she've been reading and she found out there was

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<v Speaker 1>a there was an open casting call to Cameron Crow

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<v Speaker 1>untitled Basic movie based off based on music. So I

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<v Speaker 1>was really I was already playing guitar at the time

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<v Speaker 1>and starting man and uh. And she came in and

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<v Speaker 1>I was watching television. She said like, hey, Cameron Crowe,

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<v Speaker 1>the director of Jerry McGuire, is making a move about music.

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<v Speaker 1>I think we should put you on tape. And I said, yeah, sure.

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<v Speaker 1>So I got on tape and I played about a

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<v Speaker 1>Girl by Nirvana. I talked about how music was universal

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<v Speaker 1>and how we can relate to it through different languages,

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<v Speaker 1>and essentially that was how I felt about music. And

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<v Speaker 1>then I played Stairway to Heaven. And then like a

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<v Speaker 1>week later, I got a phone call that they wanted

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<v Speaker 1>me to come to l A to essentially play the

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<v Speaker 1>lead character. And they asked how old I was, and

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<v Speaker 1>my mom lied and said that I was twelve, but

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<v Speaker 1>I was only eleven and it still wasn't old enough.

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<v Speaker 1>They're like, he really has to be fifteen. And then

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<v Speaker 1>another week or a couple of days went by, and

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<v Speaker 1>they called back and said that Cameron loved my audition

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<v Speaker 1>tape so much that he's going to write apart for me.

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<v Speaker 1>That's incredible. Yeah, it's John, that's so cool. Yeah, it's

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<v Speaker 1>looking back on it, like I just I was like,

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<v Speaker 1>you know, I just went along for the ride. But

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<v Speaker 1>now when I look back, I'm like, that was a

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<v Speaker 1>pretty pretty neat, not normal way to kind of like

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<v Speaker 1>have to book my first John. But essentially in a

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<v Speaker 1>weird way, like I feel like just being myself and

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<v Speaker 1>kind of following my instincts of things has been probably

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<v Speaker 1>the way that I've been able to carry on for

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<v Speaker 1>so long. It was just kind of like like you know,

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<v Speaker 1>the precursor for you know what was to come ahead.

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<v Speaker 1>That's like, that's so great. I love that. And how

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<v Speaker 1>did you get into did you just fall you were

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<v Speaker 1>always in love with music? And did you teach yourself

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<v Speaker 1>guitar take guitar lessons or what? How did that? Yeah?

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<v Speaker 1>I mean I was pretty self taught when it came

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<v Speaker 1>to like movies and music. I don't know how. I

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<v Speaker 1>just like I would go to the library and I

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<v Speaker 1>would just grab CDs and stuff, and I would I

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<v Speaker 1>listened to a lot of movie soundtracks, Like I really

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<v Speaker 1>loved the movie when I was a kid, and there

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<v Speaker 1>was a lot of ex Stone table pilots on it

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<v Speaker 1>and the Cure did a cover of Joy Division. So

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<v Speaker 1>I just kind of like around eight nine eleven, my health,

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<v Speaker 1>my entire world was just about like emotions and emoting

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<v Speaker 1>and you know, grading worlds and stuff. Right, that's awesome.

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<v Speaker 1>Were you more pumped to get almost famous or Aaron

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<v Speaker 1>Rose on gossip or No, I'm just kidding, don't. I

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<v Speaker 1>don't know the kidding. It's a totally different thing. But

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<v Speaker 1>that's just that's also so cool because you are such

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<v Speaker 1>different roles and you know, projects and the whole thing.

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<v Speaker 1>It's just really rat and it's very like, I'm like,

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<v Speaker 1>oh my god, that was him. I knew that back

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<v Speaker 1>in the day when you came on and remember being like,

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<v Speaker 1>oh my god, He's been one of my favorite movies.

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<v Speaker 1>And then because it's just been so far, we've all

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<v Speaker 1>been so removed from Gossip Girl, I like forget so

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<v Speaker 1>much stuff. Yeah, like even in the episode. Well, let's

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<v Speaker 1>get into this. Here we go, let's get into this.

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<v Speaker 1>But here's a here's a fan question before before we go.

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<v Speaker 1>The fan question is, if you had to pick an

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<v Speaker 1>actress to play Aaron's mom, who would it be considering

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<v Speaker 1>that someone plus Wallace Shawn equals Aaron Rose, which, yeah,

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<v Speaker 1>who who would you have thought or picked? Hands down,

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<v Speaker 1>Diane Weest is the only answer ever. Yeah, I love

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<v Speaker 1>I love that. Okay, that's great. Okay, So here's where

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<v Speaker 1>we left off. Here we go, We're getting into the

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<v Speaker 1>Magnificent Archibalds Season two, episode eleven with John here today

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<v Speaker 1>who plays Aaron Rose. Okay, so we left off Aaron

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<v Speaker 1>wants an open relationship with Serena. Lily found out that

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<v Speaker 1>Bart has a background file on her. Jenny wants to

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<v Speaker 1>be emancipated to start her own business, but Rufus doesn't

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<v Speaker 1>want to sign the papers. I mean gossip girl, Okay,

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<v Speaker 1>and then here is what this episode is going to

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<v Speaker 1>bring us. Thanksgiving in the Waldorf House gets off to

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<v Speaker 1>a rough start as Blair finds that her mother's boyfriend

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<v Speaker 1>is getting in the way of her favorite traditions. Meanwhile,

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<v Speaker 1>Lily finds herself trying to broker a peace treaty between

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<v Speaker 1>Rufus and Jenny, and Serena is not quite ready to

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<v Speaker 1>come clean with Aaron about her complicated past. Vanessa and

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<v Speaker 1>Chuck come to Nate's aid when he is being forced

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<v Speaker 1>to confront his father's crimes. Finally, Eric discovers a secret

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<v Speaker 1>that Bart has been keeping from Lily. Okay, sometimes I

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<v Speaker 1>read these, I'm like, this is one episode would not

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<v Speaker 1>like and one episode there's so much going on and

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<v Speaker 1>then and nothing gets resolved. It's it's an exactly and

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<v Speaker 1>then another bomb is dropped. Aaron has another girlfriend and

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<v Speaker 1>another and then yeah, I don't know, and then he's

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<v Speaker 1>just yeah, we're gonna get We're gonna get there. Okay.

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<v Speaker 1>So um, this is the Thanksgiving episode and blarn Serena

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<v Speaker 1>by the lockers and she's complaining about Cyrus's family being

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<v Speaker 1>in town, which includes you, um and the whole Also,

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<v Speaker 1>by the way, him playing your father is just like

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<v Speaker 1>awesome and that when that happened, I forgot that that

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<v Speaker 1>that was even a relation, like you were related to him.

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<v Speaker 1>I don't know in what world that actually criss cross

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<v Speaker 1>and why. I've been such a huge fan of Wallace

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<v Speaker 1>Sean for so long, and I was fortunate and a

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<v Speaker 1>couple of rides to set with him and I at

0:11:54.640 --> 0:11:56.280
<v Speaker 1>the end of the first ride, I told him I

0:11:56.360 --> 0:11:59.040
<v Speaker 1>want to start the Church of Wally Sean because we

0:11:59.080 --> 0:12:01.760
<v Speaker 1>would get stuck in araffic and anything. Just these little

0:12:01.800 --> 0:12:05.679
<v Speaker 1>soliloquies that just would just calm the entire situation, and

0:12:05.800 --> 0:12:08.400
<v Speaker 1>I feel like they were somehow food related, and I

0:12:08.480 --> 0:12:11.440
<v Speaker 1>thought that was just matchic. I mean, the man's matching.

0:12:12.520 --> 0:12:15.280
<v Speaker 1>He's so wonderfully I've loved him and so many things too.

0:12:15.720 --> 0:12:18.360
<v Speaker 1>When I when his entrance, but I just wanted they

0:12:18.480 --> 0:12:20.319
<v Speaker 1>dropped that he was your dad. I'm like, wait what,

0:12:21.520 --> 0:12:24.280
<v Speaker 1>I was like shocked, But I love it. I know

0:12:25.200 --> 0:12:30.720
<v Speaker 1>I'm for And when Blair is saying like how she feels, um,

0:12:31.120 --> 0:12:34.040
<v Speaker 1>how do you feel about what Blair is saying about Aaron, Like,

0:12:34.080 --> 0:12:37.000
<v Speaker 1>do you think she's being unfair to you? Well, I mean,

0:12:37.440 --> 0:12:39.319
<v Speaker 1>I think she's got a little bit of bias. I

0:12:39.400 --> 0:12:41.400
<v Speaker 1>do think she if I remember, if I would call

0:12:41.400 --> 0:12:44.000
<v Speaker 1>it correctly, she compares him to Bill Paxton, and I'm

0:12:44.040 --> 0:12:47.040
<v Speaker 1>also so I was like, well, I feel like this

0:12:47.160 --> 0:12:51.200
<v Speaker 1>is kind of a compliment. Yeah, you're like, thanks blairguided

0:12:51.280 --> 0:12:54.719
<v Speaker 1>because she just doesn't understand who he is, right, But

0:12:54.920 --> 0:12:56.959
<v Speaker 1>you know, I think she's validated and her kind of

0:12:57.120 --> 0:12:59.840
<v Speaker 1>you know, she likes tradition. Traditions are fine. He's involved

0:12:59.880 --> 0:13:05.040
<v Speaker 1>in that little so he is a little bit. But

0:13:05.200 --> 0:13:08.280
<v Speaker 1>he's just so cute and his little voice, and he's

0:13:08.360 --> 0:13:10.559
<v Speaker 1>just like I'm like, can you get you can't get

0:13:10.640 --> 0:13:13.240
<v Speaker 1>cuter than that? And I thought the whole thing, I

0:13:13.320 --> 0:13:15.439
<v Speaker 1>don't you probably didn't watch the episode before this, but

0:13:15.520 --> 0:13:17.880
<v Speaker 1>when she's or a couple, she's excited to see her

0:13:17.960 --> 0:13:20.120
<v Speaker 1>mom and meet her mom's boyfriend, and she's like, you know,

0:13:20.600 --> 0:13:22.800
<v Speaker 1>comparing him to Hugh Grant. That's who she thinks gonna

0:13:23.000 --> 0:13:24.440
<v Speaker 1>is gonna walk in. And then she's like, I got

0:13:24.559 --> 0:13:26.800
<v Speaker 1>Danny de Vito, not Hugh Grant, and I'm like, whoa,

0:13:27.360 --> 0:13:29.520
<v Speaker 1>this is like the best step dad situation you can have.

0:13:29.720 --> 0:13:34.679
<v Speaker 1>Like Mr Hall from Clueless is everything? Yes, right, I

0:13:34.800 --> 0:13:39.319
<v Speaker 1>mean he's amazing. Okay, So it's Thanksgiving, everyone's you know,

0:13:39.920 --> 0:13:42.200
<v Speaker 1>getting ready to go grub down, and there's a lot

0:13:42.240 --> 0:13:45.280
<v Speaker 1>of family stuff going on from Nates to Bart with Lily,

0:13:45.920 --> 0:13:49.559
<v Speaker 1>your family with Blair's coming together, and now Nate's back

0:13:49.600 --> 0:13:53.319
<v Speaker 1>at school. So this whole family situation with Nate is

0:13:53.400 --> 0:13:56.920
<v Speaker 1>that his dad has been lying and stealing and if

0:13:56.960 --> 0:14:01.280
<v Speaker 1>it's all these things with money or something too. Yeah.

0:14:01.400 --> 0:14:04.080
<v Speaker 1>So now yeah, he's back at school and Nate's kind

0:14:04.080 --> 0:14:06.679
<v Speaker 1>of like shut everyone out because you know, he was trying.

0:14:06.760 --> 0:14:09.319
<v Speaker 1>He had this flirtation with Jenny. Then Dan found out.

0:14:09.600 --> 0:14:12.040
<v Speaker 1>Dan was upset and he was kind of talking to Vanessa,

0:14:12.040 --> 0:14:15.000
<v Speaker 1>and then Jenny went behind her back. So he's now

0:14:15.080 --> 0:14:19.360
<v Speaker 1>back at school. Um, but in this situation with this family,

0:14:19.480 --> 0:14:22.720
<v Speaker 1>like can you imagine, like I'm torn for Nate because

0:14:22.760 --> 0:14:24.840
<v Speaker 1>it's like it's your dad and you like for me,

0:14:25.000 --> 0:14:27.640
<v Speaker 1>like I look up to my parents and no one's perfect,

0:14:27.720 --> 0:14:30.200
<v Speaker 1>but I'm you still like your parents shine in a

0:14:30.280 --> 0:14:32.080
<v Speaker 1>different light to you. I feel like or for me.

0:14:33.000 --> 0:14:34.720
<v Speaker 1>So when all this is going on, I feel like

0:14:34.800 --> 0:14:37.280
<v Speaker 1>he's still like forgiving and feels bad for what his

0:14:37.400 --> 0:14:41.440
<v Speaker 1>dad's all doing, but like it's pretty intense, like he

0:14:41.560 --> 0:14:45.520
<v Speaker 1>doesn't he's like squatting at different people's homes, Like what, Yeah,

0:14:45.560 --> 0:14:49.840
<v Speaker 1>when you're talking about the things that Nate's father actually

0:14:49.920 --> 0:14:53.040
<v Speaker 1>going through, I mean they're they're they're wild wold scenarios.

0:14:53.200 --> 0:14:57.400
<v Speaker 1>I can't imagine my folks going to those like, you know, extremes.

0:14:57.680 --> 0:15:00.440
<v Speaker 1>But I do feel like, right, there's the internal battle

0:15:00.720 --> 0:15:03.440
<v Speaker 1>is the inherent amount of empathy you have for your

0:15:03.520 --> 0:15:07.240
<v Speaker 1>parents when they do wrong or they rub something Differently

0:15:07.720 --> 0:15:09.160
<v Speaker 1>you grow up, you start to see your for me

0:15:09.280 --> 0:15:10.640
<v Speaker 1>Like I grew up, I start of see my my

0:15:10.800 --> 0:15:14.000
<v Speaker 1>folks as you know, people not just like my parents.

0:15:14.120 --> 0:15:15.720
<v Speaker 1>So you know, I still love them and you know

0:15:15.800 --> 0:15:18.280
<v Speaker 1>they're my my guides but at the same time, it's

0:15:18.320 --> 0:15:20.160
<v Speaker 1>like I can see a lot of their faults and

0:15:20.240 --> 0:15:22.080
<v Speaker 1>who they are and what makes them who they are,

0:15:22.200 --> 0:15:25.360
<v Speaker 1>And I think what's kind of interesting for me to

0:15:25.440 --> 0:15:27.840
<v Speaker 1>go in like that kind of how I read into

0:15:27.920 --> 0:15:31.960
<v Speaker 1>things is Nate having to confront such an outside kind

0:15:32.040 --> 0:15:35.000
<v Speaker 1>of thing about his father is going to make him realize,

0:15:35.160 --> 0:15:37.960
<v Speaker 1>you know, what it means to to to be a

0:15:38.040 --> 0:15:40.800
<v Speaker 1>part of a family and growing up. It kind of

0:15:40.800 --> 0:15:42.560
<v Speaker 1>makes you like grow up a little faster. And maybe

0:15:42.600 --> 0:15:44.800
<v Speaker 1>that in turn goes into why like you know, he's

0:15:44.840 --> 0:15:47.200
<v Speaker 1>reaching out and finds a little bit solace and like

0:15:47.240 --> 0:15:50.320
<v Speaker 1>it's a little crush on Jenny, you know, right, Yeah,

0:15:50.760 --> 0:15:54.160
<v Speaker 1>that's true. You know we we we associate our minds

0:15:54.200 --> 0:15:57.000
<v Speaker 1>and our bodies with different things. Something's missing over here,

0:15:57.080 --> 0:16:00.720
<v Speaker 1>we go over here. Yeah, I just I'm like, I'm

0:16:00.800 --> 0:16:03.040
<v Speaker 1>feeling so bad for Nate because he's just like I

0:16:03.120 --> 0:16:05.040
<v Speaker 1>really feel like he has this big heart and is always,

0:16:05.120 --> 0:16:07.760
<v Speaker 1>you know, trying to do the right thing, and he

0:16:08.240 --> 0:16:10.560
<v Speaker 1>you know, the people that he's supposed to feel the

0:16:10.640 --> 0:16:13.600
<v Speaker 1>safest with is like are lying and cheating and stealing

0:16:13.720 --> 0:16:16.720
<v Speaker 1>and leaving, and it's like, fun, those are your parents,

0:16:16.840 --> 0:16:19.960
<v Speaker 1>you know what I mean, every time he turns around,

0:16:19.960 --> 0:16:26.040
<v Speaker 1>it's like, really, yeah bad. But yeah, and I agree

0:16:26.080 --> 0:16:28.240
<v Speaker 1>with what you were saying and these and I just

0:16:28.400 --> 0:16:30.760
<v Speaker 1>I have a sixteen month old and a little stepdaughter

0:16:30.840 --> 0:16:32.680
<v Speaker 1>that's six, and there's no book to tell you how

0:16:32.720 --> 0:16:35.840
<v Speaker 1>to be, you know, a great parent or the right parent,

0:16:35.920 --> 0:16:38.240
<v Speaker 1>you know what I'm saying. So I think you when

0:16:38.240 --> 0:16:39.840
<v Speaker 1>you get older, it's like you were saying, you see

0:16:39.880 --> 0:16:42.400
<v Speaker 1>your parents as people, and when they do make mistakes,

0:16:42.440 --> 0:16:45.400
<v Speaker 1>you realize it's okay, Like they aren't these perfect people

0:16:45.480 --> 0:16:47.280
<v Speaker 1>that when you're little, you do you think your parents

0:16:47.360 --> 0:16:49.920
<v Speaker 1>do no wrong, no harm ar you know, and that's

0:16:50.080 --> 0:16:52.320
<v Speaker 1>just not the reality. When you kind of get older

0:16:52.320 --> 0:16:55.160
<v Speaker 1>and you see that, it's it's a little bit of like, oh, okay,

0:16:55.360 --> 0:16:57.120
<v Speaker 1>you know what I mean. I mean that's what you

0:16:57.160 --> 0:17:04.600
<v Speaker 1>were saying. Yeah, came from place, so you did things right. Yeah,

0:17:05.400 --> 0:17:09.880
<v Speaker 1>growing up is silly. It's actually speaking of this whole

0:17:09.920 --> 0:17:13.679
<v Speaker 1>situation with Jenny trying to be emancipated from her parents,

0:17:13.920 --> 0:17:16.400
<v Speaker 1>I mean, you're basically trying to divorce your parents, That's

0:17:16.400 --> 0:17:19.040
<v Speaker 1>what That's what that is. Yeah, exactly, You're you're you're

0:17:19.080 --> 0:17:23.000
<v Speaker 1>pretty much saying that I'm capable of making my own decisions.

0:17:23.080 --> 0:17:25.720
<v Speaker 1>I'm living on my own, and I don't want you

0:17:25.840 --> 0:17:28.200
<v Speaker 1>to have any saying which seems, you know, like a

0:17:28.240 --> 0:17:30.000
<v Speaker 1>middle finger to your parents and you know, if they've

0:17:30.040 --> 0:17:34.640
<v Speaker 1>been supportive to you. Yeah, I mean I I remember

0:17:34.840 --> 0:17:37.119
<v Speaker 1>reading this at the time because I was thinking, I

0:17:37.160 --> 0:17:39.680
<v Speaker 1>don't know anyone that's wanted to do this or anyone

0:17:39.720 --> 0:17:42.600
<v Speaker 1>that's trying to do this, and I didn't. I was like, Wow,

0:17:42.680 --> 0:17:44.400
<v Speaker 1>this is like a real thing. There's like kids out

0:17:44.400 --> 0:17:46.880
<v Speaker 1>there that are literally trying to like go to a lawyer,

0:17:46.960 --> 0:17:50.280
<v Speaker 1>get paper signed and leave their parents. Like that's gnarly

0:17:50.880 --> 0:17:54.119
<v Speaker 1>and really sad. I feel like, like you can't, you know.

0:17:54.880 --> 0:17:57.320
<v Speaker 1>So when she's doing this, I remember reading that, I'm like,

0:17:57.640 --> 0:18:00.680
<v Speaker 1>oh my god, gossip Girl, like she wants to just

0:18:00.840 --> 0:18:03.280
<v Speaker 1>like go be on her own at fifteen or fourteen.

0:18:03.640 --> 0:18:06.240
<v Speaker 1>That's like a theme though, I think in Gossip Girl

0:18:06.359 --> 0:18:09.639
<v Speaker 1>or even just this this slight genre of television, as

0:18:09.680 --> 0:18:12.840
<v Speaker 1>you take you take like a teen ankst feeling and

0:18:12.920 --> 0:18:15.200
<v Speaker 1>then you hype you know, you you hypen it to

0:18:15.280 --> 0:18:17.879
<v Speaker 1>almost one hundred to kind of really be able to

0:18:17.960 --> 0:18:20.359
<v Speaker 1>see the black and white and the balance of a

0:18:20.480 --> 0:18:23.520
<v Speaker 1>struggle with something right, Like it's not just her trying

0:18:23.560 --> 0:18:25.040
<v Speaker 1>to get her dad to be like, hey, can you

0:18:25.119 --> 0:18:27.359
<v Speaker 1>do that? She like wants to start a business, leave school.

0:18:28.400 --> 0:18:30.159
<v Speaker 1>You know, I see what you mean, and you're right,

0:18:30.400 --> 0:18:34.080
<v Speaker 1>it's like so far one way exactly. Like I didn't

0:18:34.119 --> 0:18:35.840
<v Speaker 1>go to a party and get grounded because I was

0:18:35.920 --> 0:18:38.640
<v Speaker 1>like trying to like get the fabric for my clothing line.

0:18:38.720 --> 0:18:41.600
<v Speaker 1>She's like, I want to divorce you get my clothing line,

0:18:41.640 --> 0:18:46.760
<v Speaker 1>and Barney's leave school, like the furthest It's so true.

0:18:47.119 --> 0:18:50.480
<v Speaker 1>It's yeah, but you know, I don't know, Yeah, I don't.

0:18:50.480 --> 0:18:52.760
<v Speaker 1>I don't know if I can. I've had some very

0:18:52.760 --> 0:18:54.960
<v Speaker 1>supportive parents and like I said, like you know, they're

0:18:55.119 --> 0:18:57.359
<v Speaker 1>they're really important in my life. Family is very important.

0:18:57.359 --> 0:19:00.960
<v Speaker 1>We've always stuck together for still to this day. Like

0:19:01.240 --> 0:19:04.159
<v Speaker 1>my mom and my grandmother are in town, so I

0:19:04.320 --> 0:19:07.320
<v Speaker 1>love that. So you know, we're very close. So we

0:19:07.440 --> 0:19:09.399
<v Speaker 1>talked to each other every day and that sort of thing.

0:19:09.560 --> 0:19:12.560
<v Speaker 1>So I know I did. I was around other kids

0:19:12.640 --> 0:19:15.119
<v Speaker 1>that were very independent and didn't have the same relationship

0:19:15.200 --> 0:19:17.840
<v Speaker 1>and I have with life folks. So you know, it happens.

0:19:17.960 --> 0:19:19.960
<v Speaker 1>But like I said, like it's just ing of like

0:19:20.119 --> 0:19:22.200
<v Speaker 1>what is like Hey, I want to get a job

0:19:22.440 --> 0:19:23.600
<v Speaker 1>and I want to be able to take care of

0:19:23.720 --> 0:19:27.080
<v Speaker 1>myself somebody reliant on you versus I want nothing to

0:19:27.160 --> 0:19:29.119
<v Speaker 1>do with you and you can't tell me what to do,

0:19:30.080 --> 0:19:34.280
<v Speaker 1>you know, And when she's like when she's in shock,

0:19:34.280 --> 0:19:36.720
<v Speaker 1>when they're in like this office, her and Eric, she

0:19:36.840 --> 0:19:39.440
<v Speaker 1>didn't obviously know because it's also that it's that age

0:19:39.440 --> 0:19:41.720
<v Speaker 1>where you think you know more than you do and

0:19:41.880 --> 0:19:44.800
<v Speaker 1>you don't understand it until you're about ten years later.

0:19:45.200 --> 0:19:47.520
<v Speaker 1>Maybe not ten, but like, but there's there's a weird

0:19:47.560 --> 0:19:49.720
<v Speaker 1>balance between that age where like do you think that

0:19:49.800 --> 0:19:53.359
<v Speaker 1>everything is permanent, but also at the same time, like

0:19:53.800 --> 0:19:56.159
<v Speaker 1>you don't understand like how much of the future is

0:19:56.520 --> 0:20:01.920
<v Speaker 1>going to last? He did, Yeah, and everything isn't so

0:20:02.200 --> 0:20:06.520
<v Speaker 1>black and white and as dramatic or you know, urgent.

0:20:07.080 --> 0:20:09.320
<v Speaker 1>Everything is real urgent at that age, like you need

0:20:09.400 --> 0:20:12.080
<v Speaker 1>it now, you need it this every like, don't you

0:20:12.200 --> 0:20:14.239
<v Speaker 1>think I know? I I yeah, I agree. I think

0:20:14.280 --> 0:20:17.480
<v Speaker 1>there's a very urgent like is a really good word

0:20:17.600 --> 0:20:20.680
<v Speaker 1>for it. I used to call it in patience, Yeah

0:20:20.760 --> 0:20:23.040
<v Speaker 1>that too. You're just yeah, you just want ship now,

0:20:23.320 --> 0:20:25.600
<v Speaker 1>like it's like come on, come on, come on, and

0:20:25.720 --> 0:20:29.040
<v Speaker 1>you don't think things through, Like Ruth is a really

0:20:29.119 --> 0:20:32.320
<v Speaker 1>great dad, like he really is as a single dad.

0:20:32.359 --> 0:20:34.400
<v Speaker 1>I feel like he does a great job. So I'm like, oh,

0:20:34.480 --> 0:20:36.680
<v Speaker 1>she's not seeing like how much he does care and

0:20:36.760 --> 0:20:39.440
<v Speaker 1>what he how supportive he really is, but at that

0:20:39.560 --> 0:20:42.200
<v Speaker 1>age and how determined she is and how the urgency

0:20:42.320 --> 0:20:45.159
<v Speaker 1>so I need it, need it. It's like washes that away. Well,

0:20:45.280 --> 0:20:48.880
<v Speaker 1>feelings are very the impulsive feelings of a teenager definitely

0:20:48.960 --> 0:20:53.080
<v Speaker 1>outweighed the logistical kind of mindset that you eventually grow

0:20:53.160 --> 0:20:56.680
<v Speaker 1>into as an adult. You know, yeah, so yeah, I

0:20:56.760 --> 0:20:59.840
<v Speaker 1>think it does something too. There's a rebellious nature to

0:21:00.240 --> 0:21:02.679
<v Speaker 1>you know, not wanting to think that you know more

0:21:02.760 --> 0:21:05.080
<v Speaker 1>than your parents. And sometimes like we're we are like

0:21:05.200 --> 0:21:07.680
<v Speaker 1>we do know something our folks don't when it comes

0:21:07.720 --> 0:21:09.600
<v Speaker 1>to our own bodies, our own minds, and like what

0:21:09.720 --> 0:21:12.440
<v Speaker 1>we're doing. Yeah, yeah, sometimes we just don't have that

0:21:12.600 --> 0:21:14.439
<v Speaker 1>kind of like sit back and let me hear from

0:21:14.520 --> 0:21:17.960
<v Speaker 1>your side and then I'll make my decision later. Right. No,

0:21:18.440 --> 0:21:22.280
<v Speaker 1>we don't question if you could go back for like

0:21:22.400 --> 0:21:25.119
<v Speaker 1>a year to like that age, would you do it?

0:21:25.359 --> 0:21:29.720
<v Speaker 1>Or are you like happy it's overdone? It's an odd

0:21:29.800 --> 0:21:32.119
<v Speaker 1>question because it's like I do feel like as you

0:21:32.160 --> 0:21:34.000
<v Speaker 1>get all their life just gets better. Like even in

0:21:34.080 --> 0:21:36.440
<v Speaker 1>my thirties, I've liked it more than my twenties. But

0:21:36.920 --> 0:21:38.520
<v Speaker 1>I don't know, like when I'm watching this show and

0:21:38.840 --> 0:21:41.000
<v Speaker 1>like even just like the falling in love and the

0:21:41.520 --> 0:21:43.600
<v Speaker 1>fashion and the things I'm like, the things that aren't

0:21:43.640 --> 0:21:47.400
<v Speaker 1>like as dramatic and yeah, well you know, I think, yeah,

0:21:47.400 --> 0:21:51.679
<v Speaker 1>I think the the sensation of a nostalgia is definitely

0:21:51.880 --> 0:21:54.480
<v Speaker 1>stronger than the actual like will to want to go

0:21:54.600 --> 0:21:58.040
<v Speaker 1>back to being a teenager, Yeah that's fair. Yeah, yeah,

0:21:58.240 --> 0:22:01.240
<v Speaker 1>being around other teenagers who don't know what they're talking

0:22:01.280 --> 0:22:02.879
<v Speaker 1>about but make you feel like you don't know what

0:22:03.000 --> 0:22:05.920
<v Speaker 1>you're talking about, and not feeling where you belong and

0:22:06.440 --> 0:22:07.920
<v Speaker 1>you know what you want to do, but you don't

0:22:07.960 --> 0:22:10.639
<v Speaker 1>know how to express it to anybody. It's a very confusing,

0:22:10.920 --> 0:22:16.520
<v Speaker 1>interesting time, it is. And then it's like all of

0:22:16.600 --> 0:22:19.600
<v Speaker 1>a sudden, you are out of high school and it's

0:22:19.920 --> 0:22:21.840
<v Speaker 1>I mean, you're still figuring it out three r twenties,

0:22:21.920 --> 0:22:24.280
<v Speaker 1>three or thirties through life. I'm in my mid thirties, sown.

0:22:24.359 --> 0:22:29.000
<v Speaker 1>I still I have no qualms whatsoever about announcing that

0:22:29.040 --> 0:22:31.640
<v Speaker 1>I have no idea what's going on at any given

0:22:31.720 --> 0:22:34.520
<v Speaker 1>moment that like I don't know. There's just stuff that

0:22:34.560 --> 0:22:36.960
<v Speaker 1>I had, I don't know anything about it, and I like,

0:22:37.080 --> 0:22:41.360
<v Speaker 1>I'm told, you're like, okay, see, oh, but that's good.

0:22:41.480 --> 0:22:44.240
<v Speaker 1>It's okay to not be okay, it's okay to be okay. Okay,

0:22:44.359 --> 0:22:46.800
<v Speaker 1>so okay to like not know things. And people are

0:22:46.840 --> 0:22:50.080
<v Speaker 1>really that you know, No, people don't like to admit

0:22:50.160 --> 0:22:52.280
<v Speaker 1>that they don't and I think, like, I think we

0:22:52.320 --> 0:22:54.880
<v Speaker 1>would all benefit from just saying like, hey, I don't

0:22:54.920 --> 0:22:58.000
<v Speaker 1>know what I'm talking about. I don't know what I'm

0:22:58.000 --> 0:23:13.480
<v Speaker 1>talking like a lot. Okay. So now we're moving into

0:23:13.600 --> 0:23:16.159
<v Speaker 1>like the captain returning and Nate and his mom are

0:23:16.240 --> 0:23:20.879
<v Speaker 1>staying out of friends and when the captain when he

0:23:20.960 --> 0:23:24.000
<v Speaker 1>has this offer, I mean, do you trust? Do you

0:23:24.080 --> 0:23:27.040
<v Speaker 1>trust what the Captain's saying and doing? It's I mean,

0:23:27.080 --> 0:23:31.240
<v Speaker 1>it's like hard too, but it's like the captain is

0:23:31.280 --> 0:23:35.479
<v Speaker 1>that what everybody calls him, except Nate maybe calls him

0:23:35.520 --> 0:23:46.440
<v Speaker 1>just dad the captain. You can't trust him, like he's

0:23:46.440 --> 0:23:51.800
<v Speaker 1>got his own kid in the Captain. So now you know.

0:23:52.080 --> 0:23:54.520
<v Speaker 1>But I think I'm like, you're in the Caribbean, which,

0:23:54.600 --> 0:23:56.320
<v Speaker 1>by the way, everything you've got going on, and you're

0:23:56.400 --> 0:23:58.400
<v Speaker 1>chilling in the Caribbean. I'm like, even when their ship

0:23:58.520 --> 0:24:01.560
<v Speaker 1>is bad, sometimes I'm like, the sounds pretty nice. Oh yeah,

0:24:01.560 --> 0:24:03.520
<v Speaker 1>I know we got to go to a private island

0:24:03.560 --> 0:24:09.159
<v Speaker 1>to escape the one. Yeah you know, okay. Yeah. It

0:24:09.320 --> 0:24:11.160
<v Speaker 1>was like when he was like squatting at his place

0:24:11.200 --> 0:24:12.560
<v Speaker 1>on the Upper east Side, but he's just gonna go

0:24:12.640 --> 0:24:15.240
<v Speaker 1>to his Hampton's home. I'm like, Nate, that's you're pretty

0:24:15.320 --> 0:24:18.680
<v Speaker 1>You're doing much better than the people in the world.

0:24:19.160 --> 0:24:21.600
<v Speaker 1>You have two homes within two hours apart. I mean,

0:24:21.800 --> 0:24:25.920
<v Speaker 1>you're good. Champagne problems. Champagne problems is exactly what it is.

0:24:26.080 --> 0:24:28.520
<v Speaker 1>Because that being said, he may have the house on

0:24:28.560 --> 0:24:31.399
<v Speaker 1>the Upper east Side his dad maybe you know, in

0:24:31.480 --> 0:24:33.920
<v Speaker 1>the Caribbean, and then this house in the Hampton's but

0:24:34.119 --> 0:24:36.440
<v Speaker 1>as you see, everything's falling apart. So all the money

0:24:36.440 --> 0:24:38.520
<v Speaker 1>in the world is not even building a good foundation

0:24:38.680 --> 0:24:40.840
<v Speaker 1>for for this kid in high school. Right now, I mean,

0:24:40.880 --> 0:24:42.840
<v Speaker 1>this is gonna this is gonna Funcnate up a little

0:24:42.840 --> 0:24:45.080
<v Speaker 1>bit for a minute. Yeah, I think so. I didn't

0:24:45.080 --> 0:24:47.040
<v Speaker 1>continue to watch the show after this, but now I

0:24:47.200 --> 0:24:50.040
<v Speaker 1>feel like Nate might be like my favorite character because

0:24:50.920 --> 0:24:54.320
<v Speaker 1>he's kind of yea. He he seems to be the

0:24:54.320 --> 0:24:56.560
<v Speaker 1>guy who's always trying to make the good decision and

0:24:56.800 --> 0:24:58.840
<v Speaker 1>the world is always crumbling around him, and he's a

0:24:58.920 --> 0:25:02.440
<v Speaker 1>boy of privilege, and but he has like an emotional

0:25:02.560 --> 0:25:06.879
<v Speaker 1>turmoil around him. Yeah, oh my god, you're like, so

0:25:07.160 --> 0:25:09.919
<v Speaker 1>right on the nose. I I yeah, I mean, I agree.

0:25:10.080 --> 0:25:12.400
<v Speaker 1>I didn't articulate it that way at all since I've

0:25:12.440 --> 0:25:14.840
<v Speaker 1>been watching, but that's exactly how I would like to

0:25:14.920 --> 0:25:19.199
<v Speaker 1>say it. So right on. And then okay, so now

0:25:19.280 --> 0:25:22.560
<v Speaker 1>we're coming. Aaron's coming up soon. So Serena calls Blair

0:25:23.000 --> 0:25:25.359
<v Speaker 1>from Aaron's studio and says that she's worried that he's

0:25:25.400 --> 0:25:29.080
<v Speaker 1>seeing another woman, or that you saw another woman earlier

0:25:29.160 --> 0:25:32.600
<v Speaker 1>that day. And here's the thing Aaron with Serena a

0:25:32.680 --> 0:25:35.359
<v Speaker 1>couple episodes ago when you got introduced, and I'm like,

0:25:35.480 --> 0:25:37.600
<v Speaker 1>I get it why she likes him, Like he's hot,

0:25:37.760 --> 0:25:40.640
<v Speaker 1>he's mysterious, he's an artist, she's his mus like there's

0:25:40.640 --> 0:25:42.760
<v Speaker 1>all these things going on. I'm like, it's it's dope,

0:25:42.800 --> 0:25:45.359
<v Speaker 1>it's rad, it's amazing. I love it. And I'm like,

0:25:45.520 --> 0:25:48.080
<v Speaker 1>what my thing was At one point, I'm like, if

0:25:48.160 --> 0:25:50.880
<v Speaker 1>Aaron was like seeing all these girls, maybe just tell

0:25:50.920 --> 0:25:53.320
<v Speaker 1>her from Jump, because that's maybe, and I'm not meaning,

0:25:53.400 --> 0:25:55.480
<v Speaker 1>what's the norm? People to each throne whatever you want

0:25:55.480 --> 0:25:58.320
<v Speaker 1>to do. But she ends up like having all these

0:25:58.400 --> 0:26:00.480
<v Speaker 1>vibes and feelings for you that she is willing to

0:26:00.600 --> 0:26:03.119
<v Speaker 1>try that. Because the Serena that I've been watching and

0:26:03.440 --> 0:26:05.280
<v Speaker 1>knowing and when I was working on the show and

0:26:05.440 --> 0:26:08.080
<v Speaker 1>you know, reading the scripts and all the things, I'm like,

0:26:08.160 --> 0:26:10.360
<v Speaker 1>Serena is not doing that. She's not sharing her man,

0:26:10.720 --> 0:26:13.040
<v Speaker 1>you know what I mean. So at first I'm like, Aaron,

0:26:13.119 --> 0:26:15.080
<v Speaker 1>just tell her from Jump. I think you need to

0:26:15.200 --> 0:26:17.800
<v Speaker 1>like tell her. But but then he's like, I'm just

0:26:17.920 --> 0:26:19.960
<v Speaker 1>living my life. We haven't had the conversation. It's that

0:26:20.040 --> 0:26:21.760
<v Speaker 1>kind of gray air in a relationship, you know, when

0:26:21.800 --> 0:26:24.120
<v Speaker 1>you start dating someone. It's like, well, they didn't ask

0:26:24.200 --> 0:26:25.720
<v Speaker 1>me if I'm seeing someone else, I don't really have

0:26:25.920 --> 0:26:28.520
<v Speaker 1>to tell them. But it's like, yeah, but if they're

0:26:28.560 --> 0:26:30.959
<v Speaker 1>like giving you all this energy and stuff, you probably

0:26:31.000 --> 0:26:33.000
<v Speaker 1>owe it to them, maybe, you know what I mean? Yeah, No,

0:26:33.160 --> 0:26:36.520
<v Speaker 1>I think No, I agree. I I believe that nearly

0:26:36.640 --> 0:26:41.719
<v Speaker 1>almost every like problem argument is all from stemming from

0:26:41.760 --> 0:26:45.960
<v Speaker 1>like miscommunication or a non communication. So I agree I

0:26:46.040 --> 0:26:48.000
<v Speaker 1>think that, like, maybe he should have set it up front.

0:26:48.400 --> 0:26:50.879
<v Speaker 1>You know, she's gonna wind up, you know what she

0:26:51.040 --> 0:26:53.520
<v Speaker 1>goes through, and because I think actually the only thing

0:26:53.560 --> 0:26:56.840
<v Speaker 1>that I it's previously like she didn't there's an episode

0:26:56.840 --> 0:26:59.439
<v Speaker 1>where Serena like gets really drunk and she's doing drugs.

0:26:59.520 --> 0:27:02.800
<v Speaker 1>There's something thing was that that happened before this? Yes,

0:27:03.080 --> 0:27:07.920
<v Speaker 1>it was before your character came in. Yes, well, you

0:27:08.000 --> 0:27:10.080
<v Speaker 1>know in the b in a couple episodes when you

0:27:10.119 --> 0:27:12.800
<v Speaker 1>were kind of being introduced, and it's the very beginning

0:27:12.800 --> 0:27:14.600
<v Speaker 1>where we find out you guys went to camp years

0:27:15.320 --> 0:27:19.440
<v Speaker 1>before and was up after she was just like she

0:27:19.600 --> 0:27:21.840
<v Speaker 1>was just there and he's already cooking dinner for someone

0:27:21.960 --> 0:27:26.119
<v Speaker 1>like the next day. Yeah. But what I think they

0:27:26.200 --> 0:27:28.720
<v Speaker 1>did a good job of because I did not see

0:27:28.760 --> 0:27:30.800
<v Speaker 1>it going to where it was where you were, you know,

0:27:31.040 --> 0:27:33.480
<v Speaker 1>dating all these different people and kind of not an

0:27:33.520 --> 0:27:38.119
<v Speaker 1>open relationship, but open relationship, you know, open relationships. So

0:27:38.280 --> 0:27:40.639
<v Speaker 1>when you got on the motorcycle, I thought, oh, he

0:27:40.760 --> 0:27:42.600
<v Speaker 1>gave her time, she didn't figure out the riddles, she

0:27:42.640 --> 0:27:44.399
<v Speaker 1>didn't come back to him, So he's moved on and

0:27:44.520 --> 0:27:46.639
<v Speaker 1>people don't move on from Serena. So here's gonna be

0:27:46.680 --> 0:27:49.119
<v Speaker 1>a whole thing that's crashing down for Serena in the

0:27:49.160 --> 0:27:51.720
<v Speaker 1>Gossip Girl world. And that's why the show I think

0:27:51.800 --> 0:27:54.600
<v Speaker 1>is so good because looking back, I didn't I hadn't

0:27:54.680 --> 0:27:56.800
<v Speaker 1>seen all these things. So I'm like, they have so

0:27:57.000 --> 0:27:59.000
<v Speaker 1>much ship going on all the time, and I still

0:27:59.160 --> 0:28:01.680
<v Speaker 1>was like, Oh, he's just moving on, and then I'm like, wait,

0:28:01.760 --> 0:28:04.119
<v Speaker 1>he's in like so many more episodes. You fall more

0:28:04.160 --> 0:28:05.920
<v Speaker 1>in love with there and you want Serena to I

0:28:05.960 --> 0:28:08.920
<v Speaker 1>mean I was like date him, and then especially in

0:28:09.000 --> 0:28:12.600
<v Speaker 1>this episode when later on when you we'll get there

0:28:12.600 --> 0:28:14.280
<v Speaker 1>in a second, I want to jump too far forward.

0:28:14.440 --> 0:28:16.200
<v Speaker 1>It just made me so happy. I'm like, oh, he's

0:28:16.240 --> 0:28:18.000
<v Speaker 1>like going to just dial in with her now, and

0:28:18.119 --> 0:28:21.439
<v Speaker 1>I just liked that. But do you remember all that stuff?

0:28:21.600 --> 0:28:24.720
<v Speaker 1>I remember. I remember kind of judging how like Aaron

0:28:24.880 --> 0:28:26.760
<v Speaker 1>was coming about. I didn't know that he's gonna be,

0:28:26.960 --> 0:28:31.639
<v Speaker 1>you know, such a polygamist I was, And then you

0:28:31.720 --> 0:28:34.560
<v Speaker 1>know me as John like that so wasn't me. I

0:28:34.720 --> 0:28:39.280
<v Speaker 1>was pure monogamy. Yeah, there's like my first long relationship

0:28:39.360 --> 0:28:42.080
<v Speaker 1>at this point in my life, and so playing that

0:28:42.320 --> 0:28:45.600
<v Speaker 1>kind of character. I just remember thinking while reading the

0:28:45.640 --> 0:28:46.960
<v Speaker 1>script of things, I just like oh, I just have

0:28:47.080 --> 0:28:49.480
<v Speaker 1>to play it straight and kind of oh, this is

0:28:49.560 --> 0:28:52.960
<v Speaker 1>just how things are, which I felt I was hoping

0:28:53.120 --> 0:28:56.640
<v Speaker 1>was the right way to go about it, because it

0:28:56.840 --> 0:28:59.920
<v Speaker 1>wasn't a direct you know, something I could directly associate,

0:29:00.520 --> 0:29:03.800
<v Speaker 1>you know and like my regular life. But yeah, and

0:29:03.880 --> 0:29:07.200
<v Speaker 1>then so I did like when he said no, I think, uh,

0:29:08.160 --> 0:29:11.000
<v Speaker 1>I'm a one woman man exclusively right now. You know,

0:29:11.040 --> 0:29:14.840
<v Speaker 1>it's a big and again I didn't see that happening

0:29:14.840 --> 0:29:17.520
<v Speaker 1>because the whole thing was like, and it's saying something

0:29:17.600 --> 0:29:20.040
<v Speaker 1>to Serena, you know, hey, this is a big moment

0:29:20.120 --> 0:29:24.200
<v Speaker 1>for me. I officially stopped dating other women, which seems

0:29:24.280 --> 0:29:26.160
<v Speaker 1>kind of like you could have done that before. But

0:29:26.520 --> 0:29:29.440
<v Speaker 1>you know, it's ever teach thorough. He's also a little older, right,

0:29:29.480 --> 0:29:34.720
<v Speaker 1>she's like seven, right, It's yeah, this is a you

0:29:34.760 --> 0:29:37.520
<v Speaker 1>know he's been he's been sober and stuff for a

0:29:37.560 --> 0:29:41.240
<v Speaker 1>while too in this scene, right, yeah, what is I

0:29:41.280 --> 0:29:43.360
<v Speaker 1>don't know. I also I was remembering, like, well, what

0:29:43.520 --> 0:29:45.360
<v Speaker 1>is this age difference here? Because Blake and I have

0:29:45.920 --> 0:29:48.680
<v Speaker 1>like the same age, right, and I don't. It doesn't

0:29:48.720 --> 0:29:52.680
<v Speaker 1>really say, but you definitely feel older than Serena. Like

0:29:52.760 --> 0:29:55.560
<v Speaker 1>Aaron feels like he's like you know, been around the

0:29:55.640 --> 0:29:57.840
<v Speaker 1>block a little bit, a little you know, he's traveled,

0:29:57.880 --> 0:30:00.760
<v Speaker 1>you know, like he's you're not in high s. Well yeah,

0:30:01.040 --> 0:30:03.120
<v Speaker 1>it's a little bit, and you didn't just graduate. He's

0:30:03.160 --> 0:30:05.760
<v Speaker 1>an artist. He's got his own loft. He he gets

0:30:05.800 --> 0:30:08.080
<v Speaker 1>paid to do the thing that he loves to do.

0:30:08.280 --> 0:30:12.160
<v Speaker 1>He has installations. He's conceptually you drive a motorcycle, I

0:30:12.240 --> 0:30:17.080
<v Speaker 1>mean exactly, like seventy two, like B S A or something.

0:30:17.160 --> 0:30:20.400
<v Speaker 1>It's like yes, which is like left right foot clutch too,

0:30:20.640 --> 0:30:22.920
<v Speaker 1>So it's like, you know, he's a talented guy. Look

0:30:22.960 --> 0:30:27.360
<v Speaker 1>at you dropping down the facts with that. I would

0:30:27.360 --> 0:30:30.720
<v Speaker 1>have never known that. That's okay. Are you into motorcycles?

0:30:31.000 --> 0:30:35.080
<v Speaker 1>Oh yeahycle okay. Question about that? When you had to

0:30:35.200 --> 0:30:37.880
<v Speaker 1>drive away on that, did you actually or was it

0:30:37.920 --> 0:30:40.000
<v Speaker 1>a stunt? Double? Because on set there always weird about

0:30:40.000 --> 0:30:42.600
<v Speaker 1>ship like that. Yeah. It's funny because there's only been

0:30:42.600 --> 0:30:44.719
<v Speaker 1>two times on step where I showed up and there

0:30:44.800 --> 0:30:47.160
<v Speaker 1>was either like a stunt that was occurring that we

0:30:47.200 --> 0:30:49.920
<v Speaker 1>didn't talk about it beforehand, so no one asked me

0:30:49.960 --> 0:30:52.920
<v Speaker 1>if I could ride, and I didn't sign anything about

0:30:53.000 --> 0:30:54.920
<v Speaker 1>being able to do stunts. I don't think because it's

0:30:54.960 --> 0:30:57.360
<v Speaker 1>gossip girlhood. How often do people really do stunts on

0:30:57.440 --> 0:31:01.000
<v Speaker 1>the show. So yeah, I got there and they had

0:31:01.080 --> 0:31:04.440
<v Speaker 1>me get on the motorcycle. I just started learning at

0:31:04.480 --> 0:31:06.240
<v Speaker 1>the time, like I haven't kind of license and I

0:31:06.280 --> 0:31:08.440
<v Speaker 1>hadn't written like anything other than like the smoke dirt

0:31:08.480 --> 0:31:10.760
<v Speaker 1>bike in ten years at that point, so I was

0:31:10.800 --> 0:31:12.600
<v Speaker 1>just like, no, I'll let the guy pull out. Plus

0:31:12.640 --> 0:31:14.320
<v Speaker 1>I've never ridden with anybody on the bank, so I

0:31:14.440 --> 0:31:17.880
<v Speaker 1>decided to stay away from it. But yeah, yeah, but

0:31:17.920 --> 0:31:20.880
<v Speaker 1>I remember being like pretty pretty stoked on the bike

0:31:21.000 --> 0:31:23.760
<v Speaker 1>and it's an old school bench seat, which is so

0:31:23.920 --> 0:31:27.160
<v Speaker 1>My first bike was a Triumph which mimics that old style,

0:31:27.880 --> 0:31:31.040
<v Speaker 1>and right, it was pretty rap. That was pretty That's

0:31:31.200 --> 0:31:36.280
<v Speaker 1>very cool. Um okay, So while you're telling Serena that

0:31:36.400 --> 0:31:39.600
<v Speaker 1>you're sober, yeah, and she tells you that, do you

0:31:40.560 --> 0:31:43.160
<v Speaker 1>I remember when when I was watching this, I'm like thinking,

0:31:43.920 --> 0:31:46.120
<v Speaker 1>why not just tell him just say, like, listen, this

0:31:46.280 --> 0:31:48.040
<v Speaker 1>is my past and I had a crazy pat you

0:31:48.040 --> 0:31:50.239
<v Speaker 1>know what I mean. I don't I don't know if

0:31:50.280 --> 0:31:53.640
<v Speaker 1>she's like so trying to like get you to like

0:31:54.040 --> 0:31:56.760
<v Speaker 1>her or a version of her, you know what I mean,

0:31:56.840 --> 0:31:59.400
<v Speaker 1>Because I just don't understand, like Sreena just straight up

0:31:59.440 --> 0:32:02.560
<v Speaker 1>tell him. He's a pretty like open dude, doesn't seem judgmental,

0:32:03.080 --> 0:32:05.120
<v Speaker 1>is very into you, you know what I mean. It's

0:32:05.160 --> 0:32:06.760
<v Speaker 1>not like Aaron was coming across where she was going

0:32:06.840 --> 0:32:08.000
<v Speaker 1>to be like, I used to drink and you're gonna

0:32:08.000 --> 0:32:10.200
<v Speaker 1>be like bye. Oh yeah. I mean, obviously he used

0:32:10.240 --> 0:32:13.560
<v Speaker 1>to drink too, and he stopped for whatever reason he did.

0:32:13.760 --> 0:32:17.280
<v Speaker 1>He was obviously either drinking too much or just decided

0:32:17.320 --> 0:32:19.040
<v Speaker 1>like he was doing it to fit in or whatever

0:32:19.200 --> 0:32:21.200
<v Speaker 1>his reasons were, and he decided like, hey, I'm better

0:32:21.320 --> 0:32:22.800
<v Speaker 1>not doing it. So she would have just said the

0:32:22.880 --> 0:32:25.560
<v Speaker 1>same thing. But I think maybe it comes from a

0:32:25.640 --> 0:32:27.920
<v Speaker 1>little bit of the fact that he just said I'm

0:32:27.920 --> 0:32:30.560
<v Speaker 1>going to be exclusive with you, and then she is

0:32:30.640 --> 0:32:33.800
<v Speaker 1>afraid of being judged, and her being a little younger too,

0:32:33.960 --> 0:32:35.840
<v Speaker 1>thinking that like, oh well, if I just jump on

0:32:36.520 --> 0:32:39.840
<v Speaker 1>his bandwagon immediately, then we don't have to talk about it.

0:32:40.200 --> 0:32:42.440
<v Speaker 1>And I think, you know, that's that's the two side

0:32:42.480 --> 0:32:45.040
<v Speaker 1>of thing. She's he just said I want to be

0:32:45.080 --> 0:32:47.400
<v Speaker 1>exclusive with you, she doesn't want to mess that up.

0:32:48.000 --> 0:32:51.520
<v Speaker 1>And they're also just people wanted to keep things to themselves.

0:32:52.320 --> 0:32:54.840
<v Speaker 1>Yeah I do. I'm that age thing. Is like a

0:32:55.160 --> 0:32:56.960
<v Speaker 1>you know what I mean, if you're you know, seventeen

0:32:57.000 --> 0:32:59.680
<v Speaker 1>and dating someone in the mid twenties, early to mid twenties,

0:32:59.840 --> 0:33:03.640
<v Speaker 1>you are going to shift things a little bit. Sure, Yeah, yeah,

0:33:03.640 --> 0:33:05.160
<v Speaker 1>I don't want to seem like you don't have your

0:33:05.200 --> 0:33:09.240
<v Speaker 1>stuff together, because people even in early twenties seem like

0:33:09.320 --> 0:33:13.680
<v Speaker 1>they hamper stuff together. They go, right, what I'm doing

0:33:13.800 --> 0:33:20.400
<v Speaker 1>tomorrow exactly. Okay. So while that's going on, Eric finds

0:33:20.480 --> 0:33:25.880
<v Speaker 1>out that bart Bass knows like things on the family

0:33:26.040 --> 0:33:28.400
<v Speaker 1>like has a p I and and goes in with

0:33:28.520 --> 0:33:31.320
<v Speaker 1>Chuck and sees the whole like, yeah, you know this,

0:33:31.520 --> 0:33:36.960
<v Speaker 1>like what are they called with the luck the safe?

0:33:37.280 --> 0:33:39.920
<v Speaker 1>I could not think of the word um, And there's

0:33:39.960 --> 0:33:43.160
<v Speaker 1>like gold bars in there, like but he finds out

0:33:43.760 --> 0:33:47.560
<v Speaker 1>is this a set phone? Yeah? And I was like,

0:33:48.680 --> 0:33:50.719
<v Speaker 1>he's excited the fact that like, oh I can make

0:33:50.760 --> 0:33:53.200
<v Speaker 1>a call from anywhere without roaming. And I was like,

0:33:53.400 --> 0:33:58.080
<v Speaker 1>the dated this show is so dated compared to that's true,

0:33:58.400 --> 0:34:00.600
<v Speaker 1>there's so much fun. Oh my god. But but I'm like,

0:34:00.680 --> 0:34:04.480
<v Speaker 1>oh my god, but I'm also like it's true. But

0:34:04.600 --> 0:34:07.400
<v Speaker 1>I'm also like in this moment when they're like looking

0:34:07.480 --> 0:34:10.759
<v Speaker 1>in here and there's files with everyone's names, you know,

0:34:10.920 --> 0:34:14.799
<v Speaker 1>from Serena to Lily to Eric. I'm like, who, bar Pass,

0:34:14.840 --> 0:34:16.400
<v Speaker 1>who are you? I know you're a millionaire, I know

0:34:16.480 --> 0:34:19.200
<v Speaker 1>you have this empire, but like really, who who are you?

0:34:19.400 --> 0:34:21.239
<v Speaker 1>Or who do you think you are? Like? Who does that?

0:34:21.680 --> 0:34:24.520
<v Speaker 1>You know what I'm saying, I'm like, titled man, He's

0:34:24.520 --> 0:34:26.840
<v Speaker 1>an entitled guy. I mean he feels like they're that

0:34:27.080 --> 0:34:31.160
<v Speaker 1>entitled to like everyone's like personal private like background ship,

0:34:31.640 --> 0:34:34.759
<v Speaker 1>Like come on, yeah, it's too much. I just feel like, like,

0:34:35.000 --> 0:34:38.200
<v Speaker 1>you know, it's respectful. Like even in that conversation about

0:34:38.320 --> 0:34:41.600
<v Speaker 1>like should Aaron be mad at Serena for not fess

0:34:41.680 --> 0:34:44.279
<v Speaker 1>enough to drinking, It's like, well, at the same time,

0:34:44.400 --> 0:34:47.560
<v Speaker 1>I can't judge somebody for whatever reason they decided to

0:34:47.680 --> 0:34:50.680
<v Speaker 1>like disclose that maybe you know, it really hurts whatever.

0:34:50.880 --> 0:34:53.479
<v Speaker 1>And like, you know, if I find out something, maybe

0:34:53.560 --> 0:34:56.040
<v Speaker 1>hopefully they'll tell me in their own time the way

0:34:56.080 --> 0:34:57.880
<v Speaker 1>that they want to tell me. It's not really my

0:34:58.320 --> 0:35:01.160
<v Speaker 1>place to say how they do it. So this guy

0:35:01.400 --> 0:35:04.320
<v Speaker 1>going into every like deep diving into everybody's looks and

0:35:04.400 --> 0:35:07.759
<v Speaker 1>crannies is really invasive to me, and I don't like it.

0:35:07.920 --> 0:35:12.040
<v Speaker 1>I don't like it. Yeah, it was messed up. I'm

0:35:12.080 --> 0:35:15.680
<v Speaker 1>like what, oh man, and then you're like, no, wonder,

0:35:16.080 --> 0:35:18.399
<v Speaker 1>Chuck has these like issues, you know what I mean,

0:35:18.520 --> 0:35:21.600
<v Speaker 1>Like his dad's like looking into stuff and listen, if

0:35:21.640 --> 0:35:24.320
<v Speaker 1>you're doing that, you feel judged no matter what. It

0:35:24.400 --> 0:35:26.360
<v Speaker 1>doesn't matter what my past is. I could have a

0:35:26.440 --> 0:35:28.920
<v Speaker 1>clean live in a glasshouse and whatever, which no one does.

0:35:29.040 --> 0:35:31.479
<v Speaker 1>But like, no matter what it is, I feel really

0:35:31.600 --> 0:35:34.600
<v Speaker 1>judged and violated that you thought it was okay to

0:35:34.680 --> 0:35:39.360
<v Speaker 1>do that, and like, why are you doing it? It's ridiculous,

0:35:39.840 --> 0:35:45.040
<v Speaker 1>It's insane. Okay, So now your dad Cyrus's family, your

0:35:45.120 --> 0:35:51.680
<v Speaker 1>family is Cyrus are you know? At the Waldorf's and

0:35:52.360 --> 0:35:55.319
<v Speaker 1>Blair's just like really, she's tripping over this. I mean,

0:35:55.480 --> 0:35:57.279
<v Speaker 1>I feel like there's she's like torn. She wants to

0:35:57.400 --> 0:36:00.360
<v Speaker 1>like him because he's so likable and lovely, she like

0:36:00.600 --> 0:36:04.960
<v Speaker 1>can't and she can't do it. And that's that's important.

0:36:05.600 --> 0:36:12.959
<v Speaker 1>It's very important, Yeah, with teenagers and emotionally selfish people,

0:36:13.960 --> 0:36:18.960
<v Speaker 1>as we all are as teenagers. Yeah, And at this point,

0:36:19.080 --> 0:36:22.120
<v Speaker 1>de Rhoda kind of gives her like a secret, which

0:36:22.239 --> 0:36:24.520
<v Speaker 1>is like I'm going to tell you a big thing.

0:36:24.600 --> 0:36:27.480
<v Speaker 1>When you're a teenager in high school and my parents

0:36:27.560 --> 0:36:30.200
<v Speaker 1>got divorced when I was in high school. My mom

0:36:30.200 --> 0:36:32.560
<v Speaker 1>didn't remarried till I was out of high school. But

0:36:33.000 --> 0:36:35.880
<v Speaker 1>I mean to know that, like there's going to be

0:36:35.960 --> 0:36:38.080
<v Speaker 1>a marriage and someone else that is really coming in

0:36:38.160 --> 0:36:41.080
<v Speaker 1>and really sharing your space and your life and your

0:36:41.200 --> 0:36:44.239
<v Speaker 1>relationship to your mother. Um, I think is like a

0:36:44.440 --> 0:36:47.479
<v Speaker 1>big thing. It doesn't always need to be messy or bad,

0:36:48.000 --> 0:36:49.400
<v Speaker 1>you know what I mean, Not that mine was, but

0:36:49.840 --> 0:36:51.680
<v Speaker 1>it could be a good thing, you know what I mean,

0:36:52.120 --> 0:36:54.759
<v Speaker 1>Like she does really make her happy. But I still

0:36:54.840 --> 0:36:58.239
<v Speaker 1>think in that teenage it's like a very heavy thing

0:36:58.360 --> 0:37:00.640
<v Speaker 1>to take on because it's it is it. It's a lot,

0:37:00.840 --> 0:37:03.839
<v Speaker 1>it's a lot of stuff. Change is a really big deal.

0:37:04.000 --> 0:37:06.200
<v Speaker 1>I mean, even as an adult, change can be a

0:37:06.360 --> 0:37:09.040
<v Speaker 1>really really big deal. You know. So if you know

0:37:09.120 --> 0:37:11.880
<v Speaker 1>a teenager, like I was saying earlier, we feel like

0:37:12.000 --> 0:37:15.800
<v Speaker 1>things are permanent and things happen really fast. All of

0:37:15.800 --> 0:37:18.040
<v Speaker 1>a sudden, my mom is dating somebody. Oh my god,

0:37:18.120 --> 0:37:19.960
<v Speaker 1>he's gonna move in and I see him every day.

0:37:19.960 --> 0:37:22.000
<v Speaker 1>I'm like, you know, I'm gonna know what kind of

0:37:22.080 --> 0:37:28.680
<v Speaker 1>toothbrush he uses, and I my stepbrother might be Serena's husband,

0:37:28.800 --> 0:37:33.080
<v Speaker 1>Like that will never get away from these people. Yeah,

0:37:34.440 --> 0:37:36.719
<v Speaker 1>Green and I stop being friends, and the he's still

0:37:36.760 --> 0:37:38.400
<v Speaker 1>got to bring her over. I mean, it's a this

0:37:38.560 --> 0:37:40.680
<v Speaker 1>is a mess. It's a it's a it's a puzzle.

0:37:41.160 --> 0:37:44.840
<v Speaker 1>It is. How about then, now when Lily finds the

0:37:44.880 --> 0:37:49.400
<v Speaker 1>papers that Jenny wants to present to divorce her parents essentially,

0:37:50.200 --> 0:37:52.319
<v Speaker 1>and Rufus is like tripping, He's like, I just don't

0:37:52.360 --> 0:37:55.000
<v Speaker 1>know where Jenny's ben. We can't find her. I mean,

0:37:55.560 --> 0:37:57.680
<v Speaker 1>as a parent, that's like my first nightmare that my

0:37:57.840 --> 0:38:00.279
<v Speaker 1>child would want to have nothing to do with me. Yeah,

0:38:00.320 --> 0:38:02.520
<v Speaker 1>And can you imagine if I didn't see it coming,

0:38:02.800 --> 0:38:05.680
<v Speaker 1>Like if my if my child was you know, an asshole,

0:38:05.920 --> 0:38:11.880
<v Speaker 1>and everybody knew it. Yeah, I mean, it would it

0:38:11.920 --> 0:38:13.640
<v Speaker 1>would hurt. It would hurt by you know, it would

0:38:13.640 --> 0:38:16.200
<v Speaker 1>definitely hurt my feelings. I don't have it. I don't

0:38:16.239 --> 0:38:18.960
<v Speaker 1>have children. But I remember there's a movie I think

0:38:18.960 --> 0:38:22.239
<v Speaker 1>but Drew Barrymore in the eighties or late seven Days,

0:38:22.360 --> 0:38:25.560
<v Speaker 1>where she divorces her parents. You know what, Eric mentions

0:38:25.600 --> 0:38:33.719
<v Speaker 1>that in the movie, uh something differences Mercostyle, what is it? Yes, yep,

0:38:34.800 --> 0:38:38.400
<v Speaker 1>four it's Ryan O'Neill, Shelley Long and Drew barrymorek He

0:38:38.560 --> 0:38:40.439
<v Speaker 1>tells Eric tells him that when they're with the lawyer,

0:38:40.560 --> 0:38:42.880
<v Speaker 1>she made me watch it fifteen times. So funny that

0:38:42.960 --> 0:38:45.520
<v Speaker 1>you said that, that's so silly. Yeah. I remember watching

0:38:45.680 --> 0:38:48.560
<v Speaker 1>or seeing a lot of that movie, you know, a

0:38:48.640 --> 0:38:50.920
<v Speaker 1>couple of times in my like youth, youth, and I

0:38:51.000 --> 0:38:53.360
<v Speaker 1>didn't really understand it. My mom had, you know, slain

0:38:53.480 --> 0:38:56.000
<v Speaker 1>to me what it was about. And the thing about

0:38:56.080 --> 0:38:58.560
<v Speaker 1>that is that Drew Barrymore's character is very young. She's

0:38:58.600 --> 0:39:01.839
<v Speaker 1>like six seventy nine years old. She's a young kid.

0:39:03.280 --> 0:39:06.399
<v Speaker 1>She's not a teenager, right, So you know, it's kind

0:39:06.440 --> 0:39:08.240
<v Speaker 1>of interest. So I think that's why I like that story,

0:39:08.360 --> 0:39:11.960
<v Speaker 1>is what it is. But yeah, I mean, you know

0:39:12.000 --> 0:39:13.239
<v Speaker 1>you would, you would take it to heart. I mean,

0:39:13.320 --> 0:39:16.640
<v Speaker 1>nobody likes rejection and any capacity. And when your child,

0:39:17.040 --> 0:39:19.319
<v Speaker 1>you know, the person you're supposed to protect doesn't want

0:39:19.360 --> 0:39:22.719
<v Speaker 1>you to protect them anymore, that, yeah, that's a that's

0:39:22.719 --> 0:39:26.680
<v Speaker 1>a heartbreaking thing, heartbreaking. And then Lily has the information,

0:39:26.840 --> 0:39:29.560
<v Speaker 1>so she's got to deliver this information to Rufus, who's

0:39:29.800 --> 0:39:32.080
<v Speaker 1>she has obviously a special place for in her heart,

0:39:32.200 --> 0:39:35.239
<v Speaker 1>obviously cares about Jenny, but is also a mother so

0:39:35.400 --> 0:39:37.520
<v Speaker 1>to note, like if I had to call my you know,

0:39:37.600 --> 0:39:40.439
<v Speaker 1>someone I care about dearly and say, hey, your child,

0:39:40.760 --> 0:39:42.920
<v Speaker 1>you know, they're trying to be done. I mean, like

0:39:43.320 --> 0:39:46.400
<v Speaker 1>that's a really tough position to be in two And

0:39:46.560 --> 0:39:49.800
<v Speaker 1>I think that Kelly really sees, she knows that Jenny

0:39:49.840 --> 0:39:52.239
<v Speaker 1>really is a good kid at heart, and she just

0:39:52.360 --> 0:39:55.080
<v Speaker 1>doesn't She's just in that. It's the urgent thing I

0:39:55.160 --> 0:39:57.560
<v Speaker 1>think with Jenny, but she also just knows, like this

0:39:57.719 --> 0:40:00.280
<v Speaker 1>is gonna crush Rufus. He's the single dad that tries

0:40:00.360 --> 0:40:03.640
<v Speaker 1>so hard to give these kids this good education. They're

0:40:03.640 --> 0:40:05.279
<v Speaker 1>going to the school in the Upper east Side, yet

0:40:05.360 --> 0:40:08.680
<v Speaker 1>they come from a totally different, you know, walk of life. Absolutely,

0:40:09.000 --> 0:40:10.760
<v Speaker 1>So I feel like that was like a tough situation,

0:40:10.840 --> 0:40:13.200
<v Speaker 1>you know what I mean, Like for Lily and to

0:40:13.320 --> 0:40:16.919
<v Speaker 1>have to tell that to Rufus, I mean, that's tough.

0:40:17.200 --> 0:40:20.720
<v Speaker 1>I couldn't handle it. No, how about can you handle

0:40:20.760 --> 0:40:23.520
<v Speaker 1>your run in with Dan and Rufus? Then that comes

0:40:23.600 --> 0:40:26.320
<v Speaker 1>up next, which, by the way, you look like you

0:40:26.400 --> 0:40:28.759
<v Speaker 1>could have been Rufus's son, you know what I mean.

0:40:28.800 --> 0:40:30.560
<v Speaker 1>I guess you did say they called you to go in,

0:40:30.680 --> 0:40:33.960
<v Speaker 1>but all in this scene, I'm like, wait, yeah, I did.

0:40:34.040 --> 0:40:36.680
<v Speaker 1>I could see the resemblance. Absolutely, I just look a

0:40:37.520 --> 0:40:41.880
<v Speaker 1>little funny note about this scene is that when they

0:40:41.960 --> 0:40:45.200
<v Speaker 1>come around the corner and I, as Aaron Rose, I'm

0:40:45.239 --> 0:40:48.600
<v Speaker 1>looking at two cands of like holiday peanuts, and I'm

0:40:48.680 --> 0:40:53.680
<v Speaker 1>comparing them, but they're both the same exact can. Did

0:40:53.719 --> 0:40:55.960
<v Speaker 1>you notice that when you just rewatched it or on

0:40:56.080 --> 0:40:59.520
<v Speaker 1>the day. I remember whenever we watched it, I saw that.

0:40:59.680 --> 0:41:02.239
<v Speaker 1>Every remember they were like, you know, you're just looking

0:41:02.320 --> 0:41:04.560
<v Speaker 1>at stuff, and I remember them saying, hey, can you

0:41:04.680 --> 0:41:07.120
<v Speaker 1>lift those like whatever you're looking at higher? And I

0:41:07.239 --> 0:41:09.399
<v Speaker 1>saw that, and for some reason I thought it would

0:41:09.400 --> 0:41:11.880
<v Speaker 1>be really funny that, like this idiot I was just

0:41:12.000 --> 0:41:14.560
<v Speaker 1>looking at the same things and comparing the same cans

0:41:14.640 --> 0:41:18.000
<v Speaker 1>of nuts together. So they're just the same, the same,

0:41:18.680 --> 0:41:21.359
<v Speaker 1>the same can. It's the same. It's literally the same can,

0:41:21.480 --> 0:41:25.800
<v Speaker 1>the identity. And he's comparing them for price or sodium

0:41:25.920 --> 0:41:28.160
<v Speaker 1>or something weight. I don't know what he's doing, but

0:41:28.200 --> 0:41:31.520
<v Speaker 1>I thought that was really funny. It is funny he's

0:41:31.560 --> 0:41:33.680
<v Speaker 1>looking at two the same things. I think we shot

0:41:33.719 --> 0:41:35.840
<v Speaker 1>that in an actual grocery store. They just threw up

0:41:35.920 --> 0:41:38.360
<v Speaker 1>some like lights and then we shot it in like

0:41:38.480 --> 0:41:40.800
<v Speaker 1>three takes or something. Was it a grocery store in

0:41:40.920 --> 0:41:43.879
<v Speaker 1>Brooklyn in like Dumbo. I feel like it might have been.

0:41:44.400 --> 0:41:47.920
<v Speaker 1>I don't know why I think that, but I feel

0:41:48.000 --> 0:41:49.680
<v Speaker 1>like I don't know if our trailers were there and

0:41:49.719 --> 0:41:52.840
<v Speaker 1>I was in the next scene. I just remember it

0:41:52.960 --> 0:41:54.920
<v Speaker 1>was a really cute grocery store too. I remember being like,

0:41:55.000 --> 0:41:57.200
<v Speaker 1>I like this, Yeah it was. It was always small.

0:41:57.200 --> 0:41:58.759
<v Speaker 1>I was really queen. It was really cute, and I

0:41:58.840 --> 0:42:01.279
<v Speaker 1>remember it was a day which like it was almost like, hey,

0:42:01.320 --> 0:42:03.239
<v Speaker 1>we're gonna shoot this scene really quick because we've got

0:42:03.440 --> 0:42:06.759
<v Speaker 1>bigger fish to fry. And it was just like, yeah, so, yeah,

0:42:07.360 --> 0:42:09.480
<v Speaker 1>I'm looking at nuts, I'm gonna find out some stuff

0:42:09.480 --> 0:42:12.399
<v Speaker 1>about my girlfriend, and I don't think it's very nice

0:42:12.520 --> 0:42:27.120
<v Speaker 1>that this guy's telling me about How is that you

0:42:27.200 --> 0:42:29.920
<v Speaker 1>feel like in real life, like in that situation, is

0:42:29.960 --> 0:42:32.640
<v Speaker 1>it as awkward as you guys made it seem in

0:42:32.680 --> 0:42:35.799
<v Speaker 1>the scene? You feel like, yeah, I think it's awkward. Yeah,

0:42:36.239 --> 0:42:38.640
<v Speaker 1>I mean I don't remember, you know, I think it's

0:42:38.719 --> 0:42:42.399
<v Speaker 1>more awkward when you meet somebody. If you meet someone

0:42:42.560 --> 0:42:46.120
<v Speaker 1>like an ex significant other, and and then after the

0:42:46.239 --> 0:42:48.440
<v Speaker 1>fact they're like, oh, yeah, I used to date that person.

0:42:48.680 --> 0:42:52.840
<v Speaker 1>I kind of like before him going in. Yeah, not

0:42:53.000 --> 0:42:55.440
<v Speaker 1>that it really makes a huge difference, but just no,

0:42:55.600 --> 0:42:57.160
<v Speaker 1>but it's better to not be in the dark. It's

0:42:57.239 --> 0:42:59.319
<v Speaker 1>just like then there's it doesn't make you feel weird.

0:42:59.320 --> 0:43:00.719
<v Speaker 1>It's like I already knew, So that's fine. It is

0:43:00.760 --> 0:43:03.600
<v Speaker 1>what it is. I totally agree with you. So, yeah,

0:43:03.680 --> 0:43:07.360
<v Speaker 1>I think it is awkward. Obviously, Dan them have a past.

0:43:08.200 --> 0:43:11.560
<v Speaker 1>You know, the way that Penn plays Dan is he's

0:43:11.640 --> 0:43:17.719
<v Speaker 1>so naturally like nonchalant about, you know things, isn't so

0:43:17.880 --> 0:43:21.040
<v Speaker 1>nonchalant about He's notchalant in a different way. So and

0:43:21.320 --> 0:43:24.040
<v Speaker 1>I always kind of felt that, like Aaron was kind

0:43:24.080 --> 0:43:26.839
<v Speaker 1>of the butting of hands is more about their both

0:43:26.960 --> 0:43:30.320
<v Speaker 1>nachalant demeanor and both of them. Yeah, those guys an artists.

0:43:30.320 --> 0:43:33.400
<v Speaker 1>And he's actually super laid back f him. And then

0:43:33.480 --> 0:43:36.360
<v Speaker 1>he got Aaron who's like, yeah, but this dude's like

0:43:36.440 --> 0:43:39.000
<v Speaker 1>her age and like vivid friends and has known her

0:43:39.080 --> 0:43:41.440
<v Speaker 1>for years and they actually have been together for a

0:43:41.520 --> 0:43:44.399
<v Speaker 1>while and he's really cool and then like laid back

0:43:44.520 --> 0:43:48.880
<v Speaker 1>in him too. Right, Yeah, but in the way you

0:43:48.960 --> 0:43:51.200
<v Speaker 1>guys played off each other was really great because there

0:43:51.480 --> 0:43:54.279
<v Speaker 1>there was that tension, but yet you're like your nonchalant

0:43:54.520 --> 0:43:56.719
<v Speaker 1>is like not what I gathered from it when I

0:43:56.840 --> 0:43:59.680
<v Speaker 1>was watching, like nonchalant but also pretty direct. It was

0:43:59.719 --> 0:44:02.240
<v Speaker 1>well that that was really I thought, you guys, chemistry

0:44:02.360 --> 0:44:05.560
<v Speaker 1>and that whole like tension in that scene was really

0:44:05.880 --> 0:44:09.360
<v Speaker 1>really good. I thought. Yeah, I mean, I think I

0:44:09.440 --> 0:44:11.600
<v Speaker 1>can't remember how many scenes that I had with Pen,

0:44:12.320 --> 0:44:14.120
<v Speaker 1>but like I said, like I've known Pen for a

0:44:14.280 --> 0:44:18.240
<v Speaker 1>long long time and we still like Incubus songs together,

0:44:18.440 --> 0:44:22.919
<v Speaker 1>like like tar and Singingcubus, and then then he moved

0:44:22.960 --> 0:44:24.480
<v Speaker 1>to New York and I had't see him for like

0:44:24.560 --> 0:44:26.840
<v Speaker 1>a while, so and yeah, we spent a lot of

0:44:26.880 --> 0:44:30.480
<v Speaker 1>time like we're both too mellow cats and yeah, music

0:44:31.080 --> 0:44:33.960
<v Speaker 1>got on pretty well. So I think I think what

0:44:34.200 --> 0:44:37.160
<v Speaker 1>bleeds into the scene is probably just like us being

0:44:37.200 --> 0:44:38.759
<v Speaker 1>able to like hang out and play off of each

0:44:38.760 --> 0:44:41.399
<v Speaker 1>other a little bit. Yeah, it was it. I thought

0:44:41.440 --> 0:44:43.200
<v Speaker 1>it was great. Yeah. There was like a couple of

0:44:43.239 --> 0:44:45.120
<v Speaker 1>times we'd go and watch some of his shows when

0:44:45.160 --> 0:44:47.160
<v Speaker 1>he would play out in about in l A. I

0:44:47.200 --> 0:44:48.960
<v Speaker 1>remember one night, like Layton and Chase and I went

0:44:49.040 --> 0:44:51.600
<v Speaker 1>and it's like so interesting to see like him on

0:44:51.640 --> 0:44:53.799
<v Speaker 1>a stage and you know what I mean outside because

0:44:53.800 --> 0:44:56.239
<v Speaker 1>we just were on that set so long, so many years.

0:44:56.360 --> 0:44:58.600
<v Speaker 1>So it was like really nice and refreshing, and he

0:44:58.760 --> 0:45:01.759
<v Speaker 1>just felt real comfortable all on stage. I felt like, yeah,

0:45:01.800 --> 0:45:05.279
<v Speaker 1>he's he's a natural performer for sure. Yeah he's great.

0:45:05.520 --> 0:45:10.160
<v Speaker 1>He is. Okay, So now we have Nate runs into

0:45:10.239 --> 0:45:13.040
<v Speaker 1>Vanessa at the gallery and he is giving her a

0:45:13.120 --> 0:45:16.279
<v Speaker 1>box of Pixie Box at c D s, which, by

0:45:16.360 --> 0:45:18.680
<v Speaker 1>the way, let's talk about CDs for a minute, because

0:45:18.719 --> 0:45:22.040
<v Speaker 1>you're you're an age, were like you had c d s, right, yeah,

0:45:23.600 --> 0:45:25.080
<v Speaker 1>I mean you had to like make sure you had

0:45:25.120 --> 0:45:27.239
<v Speaker 1>like a CD player at home. When you've eventually got

0:45:27.280 --> 0:45:29.239
<v Speaker 1>a car that like it had a CD player in it,

0:45:29.840 --> 0:45:32.440
<v Speaker 1>I was like so o c D about them getting scratched,

0:45:32.520 --> 0:45:35.480
<v Speaker 1>like they needed to go the case and you had

0:45:35.480 --> 0:45:38.200
<v Speaker 1>a line, you know, slip them in a little sleeves

0:45:38.400 --> 0:45:40.200
<v Speaker 1>so you could flip through them, and you had it

0:45:40.320 --> 0:45:44.279
<v Speaker 1>memorized to like and like, yeah, the organizing and which

0:45:44.360 --> 0:45:47.399
<v Speaker 1>we had to do to have keep our CDs in order.

0:45:47.520 --> 0:45:49.640
<v Speaker 1>And then I do you ever have like the friends

0:45:49.640 --> 0:45:52.360
<v Speaker 1>who would get the CD players that like they hooked

0:45:52.440 --> 0:45:54.520
<v Speaker 1>up into the car so it was like an aftermarket

0:45:54.600 --> 0:45:56.880
<v Speaker 1>part and they would have like a CD changer in

0:45:56.920 --> 0:45:59.560
<v Speaker 1>their trump so you'd have to like, yeah, trunk before

0:45:59.560 --> 0:46:01.640
<v Speaker 1>you got six of them, and you would put six

0:46:01.760 --> 0:46:04.880
<v Speaker 1>CDs in, didn't get in the car and travel and

0:46:04.960 --> 0:46:07.759
<v Speaker 1>that's what you chose from. And I thought that was

0:46:07.840 --> 0:46:10.239
<v Speaker 1>just normal. It was just kind of yes, we could

0:46:10.239 --> 0:46:16.160
<v Speaker 1>listen to that. I had a three changer radio stereo thing. Yeah, yeah,

0:46:16.360 --> 0:46:18.040
<v Speaker 1>I forgot about that in the trunk of the car.

0:46:18.120 --> 0:46:20.240
<v Speaker 1>Oh my god, that just brought back so many feelings

0:46:20.360 --> 0:46:22.239
<v Speaker 1>right now. I'm like thinking of all my friends and

0:46:22.520 --> 0:46:24.279
<v Speaker 1>like Mike Emmer from high school, like, oh my god,

0:46:24.360 --> 0:46:27.600
<v Speaker 1>he had that. John Mandel, Oh my god, it's a trip,

0:46:28.000 --> 0:46:31.600
<v Speaker 1>it really is. We've come a long long we really have.

0:46:32.400 --> 0:46:35.279
<v Speaker 1>Remember the cover, like you would take up the little

0:46:35.320 --> 0:46:37.040
<v Speaker 1>booklet of the cover of the thing and you could

0:46:37.080 --> 0:46:38.600
<v Speaker 1>open it up and they'd have like the lyrics of

0:46:38.680 --> 0:46:42.160
<v Speaker 1>the song and different photos. I mean, wow, this was

0:46:42.239 --> 0:46:45.040
<v Speaker 1>like a real it was it was the whole thing.

0:46:45.120 --> 0:46:47.719
<v Speaker 1>It had photos and the liner notes and people they

0:46:47.840 --> 0:46:52.800
<v Speaker 1>sank and who produced different records. Yeah, a lot about

0:46:52.840 --> 0:46:54.960
<v Speaker 1>the bands. And you would listen to the thing from

0:46:55.000 --> 0:46:58.280
<v Speaker 1>start to finish too, oh, start to finish for sure, absolutely,

0:46:59.280 --> 0:47:01.920
<v Speaker 1>And they skipped the CDs if you like, if you

0:47:02.040 --> 0:47:04.600
<v Speaker 1>had your walkman and he bumped into it, it would skip,

0:47:05.160 --> 0:47:06.920
<v Speaker 1>And I remember, like, you know, you wouldn't try to

0:47:07.040 --> 0:47:10.160
<v Speaker 1>like the bump persistant and the base boost. You know,

0:47:10.280 --> 0:47:12.880
<v Speaker 1>there's a lot of things going on to like to

0:47:13.040 --> 0:47:16.200
<v Speaker 1>carry this big thing around in your pocket. I mean yeah,

0:47:16.280 --> 0:47:18.920
<v Speaker 1>And I was so o c d about them getting scratched,

0:47:18.960 --> 0:47:21.000
<v Speaker 1>like I'd have like the towel thing to wipe it off.

0:47:21.080 --> 0:47:23.520
<v Speaker 1>I'd never like when I would see people take it

0:47:23.640 --> 0:47:25.759
<v Speaker 1>out and their fingerprints would go all over it. I'd

0:47:25.800 --> 0:47:29.080
<v Speaker 1>be like, you're a psycho. Like I just the idea

0:47:29.200 --> 0:47:31.440
<v Speaker 1>that my my song would skip would send me into

0:47:31.520 --> 0:47:33.759
<v Speaker 1>a frenzy because I know that, like potentially I will

0:47:33.840 --> 0:47:36.200
<v Speaker 1>hit a bump or sneeze and somehow the song will

0:47:36.239 --> 0:47:39.359
<v Speaker 1>be really extretly. I'm trying to think what my first

0:47:39.400 --> 0:47:41.719
<v Speaker 1>CD was, but I can't. I don't even remember. Do

0:47:41.840 --> 0:47:45.480
<v Speaker 1>you remember my first cassettes? I remember my first albums

0:47:45.520 --> 0:47:48.480
<v Speaker 1>that I bought a cassette about Green Day Dukie, and

0:47:48.600 --> 0:47:52.520
<v Speaker 1>then I bought Smashy Pumpkins Melancholinly in Infinite Sadness. It

0:47:52.600 --> 0:47:54.520
<v Speaker 1>was the first two records ever about with my own money.

0:47:56.120 --> 0:47:58.239
<v Speaker 1>Now you could be any agent click a button and listen.

0:47:58.320 --> 0:48:03.200
<v Speaker 1>No matter what, your parents won't know into anything, anything anything,

0:48:03.360 --> 0:48:06.840
<v Speaker 1>any music from any era, and nobody's going to know

0:48:07.000 --> 0:48:12.719
<v Speaker 1>any better for it. Yeah, that's not spoiled. Okay. So

0:48:13.320 --> 0:48:17.560
<v Speaker 1>Blair now is upset that Eleanor didn't tell her about

0:48:17.760 --> 0:48:22.360
<v Speaker 1>Cyrus's proposal, and she takes to Rhoda and they leave Thanksgiving,

0:48:23.000 --> 0:48:27.120
<v Speaker 1>Blair's favorite holiday, and Deronda suggests, why don't they go

0:48:27.200 --> 0:48:29.080
<v Speaker 1>feed the ducks because that's what Blair like to do

0:48:29.160 --> 0:48:31.440
<v Speaker 1>when she was little, which I thought was so cute

0:48:31.480 --> 0:48:34.720
<v Speaker 1>and I love their just little relationship and they're walking

0:48:34.800 --> 0:48:37.680
<v Speaker 1>and then how funny. I was literally laughing out loud

0:48:37.760 --> 0:48:40.960
<v Speaker 1>that her ring tone was I'm a slave, I'm a

0:48:41.040 --> 0:48:45.600
<v Speaker 1>slave for you by Britney Spear. I was dying. I'm like,

0:48:45.840 --> 0:48:50.040
<v Speaker 1>come on, it's pretty, it's pretty fantastic, and there's like,

0:48:50.080 --> 0:48:52.719
<v Speaker 1>don't answer that. I'm like, oh my god. We used

0:48:52.760 --> 0:48:55.640
<v Speaker 1>to record those. I remember the first time, like I

0:48:55.719 --> 0:48:57.600
<v Speaker 1>could get it. You could download like the eight bit

0:48:57.760 --> 0:49:01.160
<v Speaker 1>versions of songs onto like your flip, and then people

0:49:01.200 --> 0:49:04.000
<v Speaker 1>who had the razors couldn't get the actual song. I

0:49:04.080 --> 0:49:06.320
<v Speaker 1>mean that was I didn't never do that, but I

0:49:06.440 --> 0:49:08.440
<v Speaker 1>kind of wish I would have. I had some like

0:49:08.640 --> 0:49:11.800
<v Speaker 1>weird eight bit version, like it sounded like Nintendo playing

0:49:11.880 --> 0:49:15.080
<v Speaker 1>Pantera for like a long time and they are Queens

0:49:15.120 --> 0:49:17.239
<v Speaker 1>of the Stone Age song too, and I had it

0:49:17.320 --> 0:49:20.800
<v Speaker 1>for like a way too long. But some people I

0:49:20.840 --> 0:49:23.320
<v Speaker 1>didn't really have too much stuff going on. I'm surprised

0:49:23.360 --> 0:49:25.360
<v Speaker 1>that's not more of a thing now, or is it

0:49:25.800 --> 0:49:27.800
<v Speaker 1>like different ring Jones, like if we used to be

0:49:27.880 --> 0:49:30.080
<v Speaker 1>way more. I don't maybe maybe maybe I don't know,

0:49:30.160 --> 0:49:32.080
<v Speaker 1>maybe I'm just out of out of the loop. But

0:49:32.400 --> 0:49:35.680
<v Speaker 1>I think the personalization of things seemed very important at

0:49:35.680 --> 0:49:38.600
<v Speaker 1>the time. You know, even though our voicemails used to

0:49:38.680 --> 0:49:41.960
<v Speaker 1>be songs. I used to record songs like while driving

0:49:42.000 --> 0:49:44.239
<v Speaker 1>in the car before I would get a new phone,

0:49:44.280 --> 0:49:46.000
<v Speaker 1>and then instead of a voicemail saying like hey, it's

0:49:46.000 --> 0:49:49.760
<v Speaker 1>my phone, I would just play like thirty four seconds

0:49:50.000 --> 0:49:54.239
<v Speaker 1>of anything. Yeah, just music. It was like, you know,

0:49:54.360 --> 0:49:57.080
<v Speaker 1>call waiting like oh I put you on. You know,

0:49:57.320 --> 0:50:01.680
<v Speaker 1>the people happen at some point, I'm gonna do that,

0:50:01.880 --> 0:50:04.840
<v Speaker 1>I think, just wait for the beat, but enjoy the

0:50:04.960 --> 0:50:09.000
<v Speaker 1>music for a moment. Um. Okay, so now we're back

0:50:09.040 --> 0:50:12.360
<v Speaker 1>at the pent House and there's chaos. You're there and

0:50:12.719 --> 0:50:16.359
<v Speaker 1>Dan has brought up Serena's past, and Serena is telling

0:50:16.400 --> 0:50:19.480
<v Speaker 1>you that Dan's lying. And you know what's funny because

0:50:19.560 --> 0:50:23.040
<v Speaker 1>I've I've obviously watched it more lately than you probably have.

0:50:23.760 --> 0:50:25.680
<v Speaker 1>I didn't realize this back in the day when I

0:50:25.760 --> 0:50:29.120
<v Speaker 1>was working on the show. Serena's always seems to be

0:50:29.200 --> 0:50:31.120
<v Speaker 1>getting caught and lie even if she's not lying, and

0:50:31.200 --> 0:50:33.880
<v Speaker 1>Dan's like, just say it. So I feel like this

0:50:34.000 --> 0:50:36.960
<v Speaker 1>is a moment where it's Serena says that Dan's lying,

0:50:37.200 --> 0:50:39.839
<v Speaker 1>even though it was really her that was lying. Um.

0:50:40.000 --> 0:50:41.839
<v Speaker 1>I just felt like, I'm like, Dan's probably like, here

0:50:41.880 --> 0:50:43.799
<v Speaker 1>we go against Serena, like you should have just told

0:50:43.880 --> 0:50:47.360
<v Speaker 1>him that you haven't been sober that long? Um, But

0:50:47.600 --> 0:50:49.480
<v Speaker 1>what did you think about When she gives you the

0:50:50.080 --> 0:50:55.080
<v Speaker 1>history folder from Bart Bass? He doesn't read it right.

0:50:55.200 --> 0:50:58.640
<v Speaker 1>He decides that I think you know what this is

0:50:58.680 --> 0:51:00.520
<v Speaker 1>something that he doesn't read it. He gives her and

0:51:00.520 --> 0:51:02.120
<v Speaker 1>says like I don't need to know, And I think

0:51:02.600 --> 0:51:04.839
<v Speaker 1>I don't remember what he says exactly, but it maybe

0:51:04.880 --> 0:51:07.239
<v Speaker 1>it alludes to like how I actually am as a person,

0:51:07.320 --> 0:51:09.839
<v Speaker 1>where it's like you can tell me that a lot

0:51:09.880 --> 0:51:12.200
<v Speaker 1>of stuff happened to you, and then you can unfold

0:51:12.280 --> 0:51:14.720
<v Speaker 1>that stuff at your own pace when you feel comfortable

0:51:14.800 --> 0:51:17.839
<v Speaker 1>to do it. You know. Sometimes, you know, I've met

0:51:17.880 --> 0:51:20.839
<v Speaker 1>people that give you a lot of information all at once.

0:51:21.000 --> 0:51:23.279
<v Speaker 1>I know people that have held stuff back, and you know,

0:51:23.400 --> 0:51:26.200
<v Speaker 1>everyone deals with their traumas or their triggers or whatever

0:51:26.239 --> 0:51:29.080
<v Speaker 1>it is differently. So I feel like, you know, I

0:51:29.320 --> 0:51:31.960
<v Speaker 1>think it's a very adult or you know, just a

0:51:32.120 --> 0:51:35.120
<v Speaker 1>very self aware kind of move to say you can

0:51:35.160 --> 0:51:37.040
<v Speaker 1>tell me when you want to tell me, because I

0:51:37.200 --> 0:51:39.560
<v Speaker 1>like who you are now, and that's something else that happens,

0:51:39.640 --> 0:51:41.960
<v Speaker 1>like you grow older, and it's not I don't really

0:51:42.000 --> 0:51:43.840
<v Speaker 1>care if you get dated or what you did or

0:51:43.920 --> 0:51:47.080
<v Speaker 1>what that is where people when you're a teenager, that

0:51:47.120 --> 0:51:50.360
<v Speaker 1>stuff is very important. How many how many people have

0:51:50.520 --> 0:51:52.560
<v Speaker 1>you kissed? It is like like one of the first

0:51:52.680 --> 0:51:56.040
<v Speaker 1>questions you asked somebody that's sixteen years old, you know,

0:51:56.280 --> 0:51:59.880
<v Speaker 1>And it's kind of like I don't really care, right exactly.

0:52:01.000 --> 0:52:05.479
<v Speaker 1>We all got all got faces and uh you know right, yeah,

0:52:06.080 --> 0:52:08.560
<v Speaker 1>oh my goodness, oh my gosh, I'm like looking. There's

0:52:08.560 --> 0:52:10.560
<v Speaker 1>like still so much that happens in this episode, and

0:52:10.640 --> 0:52:13.439
<v Speaker 1>it's like almost done with so many things like drop again,

0:52:13.600 --> 0:52:18.279
<v Speaker 1>like rufus, it's just like nuts. When Nate confronts his dad.

0:52:18.480 --> 0:52:20.799
<v Speaker 1>Do you think at that point when Nate and his dad,

0:52:20.880 --> 0:52:23.120
<v Speaker 1>he's like talking about like I'm you know, I'm sick

0:52:23.200 --> 0:52:26.040
<v Speaker 1>of living in this mess that you've created for us.

0:52:26.160 --> 0:52:28.120
<v Speaker 1>Like did you think he was going to turn himself

0:52:28.160 --> 0:52:31.000
<v Speaker 1>in the Captain? No? I didn't think so I think

0:52:31.040 --> 0:52:34.080
<v Speaker 1>I was in the person the captain is kind of

0:52:34.160 --> 0:52:37.120
<v Speaker 1>a coward, And I think that's why I like Nate

0:52:37.200 --> 0:52:40.200
<v Speaker 1>stepping up right there is the kind of talking to

0:52:40.880 --> 0:52:44.080
<v Speaker 1>that his father needs. When you're that it almost father

0:52:44.160 --> 0:52:46.120
<v Speaker 1>is reflective. When we were saying earlier, like when you're

0:52:46.600 --> 0:52:48.400
<v Speaker 1>when your kid kind of knows more than you do

0:52:49.040 --> 0:52:51.400
<v Speaker 1>or is more self aware of like what needs to

0:52:51.520 --> 0:52:53.839
<v Speaker 1>kind of happen, that's a it's an eye opening thing.

0:52:54.280 --> 0:52:57.040
<v Speaker 1>So yeah, I mean there's that thing going on. And

0:52:57.120 --> 0:52:59.840
<v Speaker 1>then Eric finds out from Lily where they're sitting in

0:52:59.880 --> 0:53:04.400
<v Speaker 1>the restaurant and Thanksgiving not with you know that she

0:53:04.760 --> 0:53:07.440
<v Speaker 1>was in you know that at nineteen she kind of

0:53:07.520 --> 0:53:10.040
<v Speaker 1>was going through what he just went through from trying

0:53:10.120 --> 0:53:13.680
<v Speaker 1>to take his life, and he's kind of obviously shocked

0:53:13.719 --> 0:53:15.480
<v Speaker 1>by it because He's like, why when I was going

0:53:15.520 --> 0:53:17.920
<v Speaker 1>through this and fighting this and all these emotions and

0:53:18.440 --> 0:53:21.120
<v Speaker 1>figuring things out and not wanting to talk about it,

0:53:21.360 --> 0:53:23.640
<v Speaker 1>you know, with the world and the way that that

0:53:23.760 --> 0:53:26.759
<v Speaker 1>whole Upper East Side is so gossipy and clicky and

0:53:27.080 --> 0:53:31.759
<v Speaker 1>all the things. To have this big, heavy, dark thing

0:53:31.880 --> 0:53:33.680
<v Speaker 1>that you're fighting, and then your mom went through it

0:53:33.680 --> 0:53:35.239
<v Speaker 1>and doesn't mention it to you. I mean, like, I

0:53:35.400 --> 0:53:37.680
<v Speaker 1>was literally like pissed for Eric. I'm like, why wouldn't

0:53:37.760 --> 0:53:40.160
<v Speaker 1>you say that? It's not like you, he went through

0:53:40.239 --> 0:53:42.560
<v Speaker 1>what you went through. I mean, I know everyone's path

0:53:42.680 --> 0:53:44.520
<v Speaker 1>is a little bit different, but I like, really, why

0:53:44.520 --> 0:53:47.480
<v Speaker 1>wouldn't you have said something? Yeah, I would think that

0:53:48.280 --> 0:53:51.000
<v Speaker 1>by opening up, I think especially when you're going through

0:53:51.080 --> 0:53:53.759
<v Speaker 1>dark times like that, you feel like you're alone. So

0:53:54.160 --> 0:53:56.840
<v Speaker 1>that's that's the thing. To know that someone else is

0:53:56.880 --> 0:54:01.440
<v Speaker 1>going through something similar or whatever. Doesn't always help, but

0:54:01.600 --> 0:54:05.640
<v Speaker 1>it definitely can, especially if it's your mother. Yeah, I

0:54:05.800 --> 0:54:08.040
<v Speaker 1>just maybe not, Yeah, it may not always help, but

0:54:08.080 --> 0:54:09.480
<v Speaker 1>I just feel like when it's your mother and it's

0:54:09.520 --> 0:54:10.920
<v Speaker 1>your son, and that's you know what I mean, Like

0:54:11.040 --> 0:54:13.479
<v Speaker 1>that to me, I'm like, wow, that's wild. But again,

0:54:13.560 --> 0:54:17.399
<v Speaker 1>it's like what you said earlier about Serena not telling

0:54:17.440 --> 0:54:21.399
<v Speaker 1>you what the being sober or drinking rather is. Maybe

0:54:21.480 --> 0:54:24.320
<v Speaker 1>Lily had her reasons and we shouldn't judge her for that.

0:54:24.400 --> 0:54:26.440
<v Speaker 1>Maybe she there's a reason why she maybe that she

0:54:26.560 --> 0:54:28.520
<v Speaker 1>was protecting him in a way or that a way

0:54:28.600 --> 0:54:31.600
<v Speaker 1>that you know, so there's probably something that I just remember.

0:54:31.680 --> 0:54:33.520
<v Speaker 1>That was another shocking moment for me. I'm like, wait,

0:54:33.719 --> 0:54:35.640
<v Speaker 1>what you went through that and we know what Eric

0:54:35.840 --> 0:54:39.920
<v Speaker 1>was like fighting and you didn't mention it. But you know,

0:54:40.400 --> 0:54:43.279
<v Speaker 1>when I was younger, during that almost famous era, I

0:54:43.480 --> 0:54:46.239
<v Speaker 1>was quite chubby and I had long hair, and people

0:54:46.320 --> 0:54:47.880
<v Speaker 1>used to call me girl and make fun of me

0:54:47.960 --> 0:54:51.440
<v Speaker 1>a lot. I had my ear pierce and I got

0:54:51.520 --> 0:54:55.879
<v Speaker 1>a phone call from my grandmother and she said, she goes,

0:54:55.920 --> 0:54:59.080
<v Speaker 1>John Patrick, I hear that some kids are giving you

0:54:59.120 --> 0:55:02.759
<v Speaker 1>a hard time, And I said yeah. She says, do

0:55:02.840 --> 0:55:04.520
<v Speaker 1>you know what the kids used to call me when

0:55:04.560 --> 0:55:08.360
<v Speaker 1>I was in school? I said no. She said I

0:55:08.400 --> 0:55:12.359
<v Speaker 1>am a dorky? And I was like that's not nice.

0:55:12.719 --> 0:55:14.800
<v Speaker 1>She's like, no, it wasn't. But you know what, it

0:55:14.880 --> 0:55:17.879
<v Speaker 1>doesn't matter, and I was like, that's right, it doesn't matter.

0:55:18.640 --> 0:55:22.959
<v Speaker 1>So yeah, oh my god, your grandma's so cute. She's

0:55:23.000 --> 0:55:26.720
<v Speaker 1>she's fantastic. You know, she saw me going through something

0:55:26.840 --> 0:55:29.120
<v Speaker 1>and she wanted to kind of say like, hey, kids

0:55:29.160 --> 0:55:32.400
<v Speaker 1>are goofy and they do the wrong thing, and that

0:55:32.600 --> 0:55:36.399
<v Speaker 1>made me feel better. So I wanting Lily to open

0:55:36.520 --> 0:55:39.960
<v Speaker 1>up to her son, who's going through almost an identical situation,

0:55:41.080 --> 0:55:43.640
<v Speaker 1>seems kind of a miss a misstep on her part.

0:55:43.760 --> 0:55:46.600
<v Speaker 1>And I also agree that it's hard to not judge

0:55:46.680 --> 0:55:49.920
<v Speaker 1>somebody because you know, I think being judgmental and judging

0:55:50.000 --> 0:55:54.360
<v Speaker 1>people for their mistakes or whatever is it's not necessarily

0:55:54.400 --> 0:55:58.160
<v Speaker 1>conducive to a healthy relationship. So it's it's it's a

0:55:58.239 --> 0:56:02.799
<v Speaker 1>really tough line there, you know whatever, especially as a parent. Right.

0:56:03.800 --> 0:56:05.879
<v Speaker 1>I just also was like, wait that was in that folder.

0:56:06.440 --> 0:56:07.719
<v Speaker 1>There was a part of me that's like, do I

0:56:07.840 --> 0:56:10.520
<v Speaker 1>want to know what's in everyone's folder? And everyone's pat

0:56:10.680 --> 0:56:15.160
<v Speaker 1>like you never know. On this show, they bring out

0:56:15.200 --> 0:56:18.959
<v Speaker 1>some skelet tins on this show. Um and then okay,

0:56:19.040 --> 0:56:21.560
<v Speaker 1>so now we have Blair and Rhoda are still walking

0:56:21.600 --> 0:56:23.840
<v Speaker 1>around the city and they run into a crying Jenny.

0:56:24.080 --> 0:56:27.080
<v Speaker 1>Who when Jenny has some of these emotional breakdown scenes,

0:56:27.120 --> 0:56:29.800
<v Speaker 1>I'm like so feeling for her. I'm like, oh my god,

0:56:29.960 --> 0:56:33.160
<v Speaker 1>you know, like she she's a little she's lost, like literally,

0:56:33.239 --> 0:56:36.360
<v Speaker 1>like she wants to leave her parents. She's at this age.

0:56:36.440 --> 0:56:39.680
<v Speaker 1>There's a weird thing going on with Nate. She's not

0:56:39.800 --> 0:56:42.759
<v Speaker 1>sure if she piste off Vanessa, Dan's upset with her.

0:56:43.280 --> 0:56:46.200
<v Speaker 1>There's just a lot going on. It's way way too much,

0:56:46.480 --> 0:56:51.080
<v Speaker 1>yeah or sixteen years old. Yeah, emotionally it's just yeah.

0:56:51.360 --> 0:56:55.000
<v Speaker 1>So they see her and this moment between all of them,

0:56:55.080 --> 0:56:57.800
<v Speaker 1>like de Rhoda seeing Blair's mom get out of the

0:56:57.920 --> 0:57:00.359
<v Speaker 1>taxi to find her, which is such a love moment

0:57:00.440 --> 0:57:03.239
<v Speaker 1>for Blair because she's literally just telling Jenny like, you

0:57:03.360 --> 0:57:05.640
<v Speaker 1>have parents that fight for you, Like my parents don't

0:57:05.640 --> 0:57:08.240
<v Speaker 1>pay attention. You know, my mom doesn't pay attention to me, essentially,

0:57:08.320 --> 0:57:10.759
<v Speaker 1>is what she's saying, which is really also sad, do

0:57:10.800 --> 0:57:12.320
<v Speaker 1>you know what I mean? So it's like and I

0:57:12.440 --> 0:57:16.000
<v Speaker 1>find that like when when Blair's telling Jenny that it's like,

0:57:16.640 --> 0:57:18.960
<v Speaker 1>here you are, you have like someone who loves you

0:57:19.040 --> 0:57:20.800
<v Speaker 1>and cares for you and wants to support you in

0:57:20.880 --> 0:57:23.200
<v Speaker 1>certain ways, and also it is like trying to protect

0:57:23.240 --> 0:57:25.120
<v Speaker 1>you in certain ways and you want nothing, you know,

0:57:25.480 --> 0:57:27.280
<v Speaker 1>to me. I was like, and then she wants nothing.

0:57:27.400 --> 0:57:30.320
<v Speaker 1>She wants to leave her dad. And here is Blair

0:57:30.400 --> 0:57:33.320
<v Speaker 1>who's like, that's all I want is for my mom

0:57:33.440 --> 0:57:36.280
<v Speaker 1>to like support me, love me. So I liked the

0:57:36.320 --> 0:57:38.600
<v Speaker 1>way that kind of when I was watching, I'm like, wow,

0:57:38.640 --> 0:57:40.600
<v Speaker 1>you have me thinking all these different things about this

0:57:41.200 --> 0:57:46.640
<v Speaker 1>right now. It's heartbreaking. Yeah, when she puts the code

0:57:46.680 --> 0:57:50.640
<v Speaker 1>over Jenny like and de Rhoda is just always so cute.

0:58:03.960 --> 0:58:07.360
<v Speaker 1>Then okay, here's this is like interesting too. Now. So

0:58:08.080 --> 0:58:11.160
<v Speaker 1>Nate's there and it's talking with Vanessa and Chuck are

0:58:11.200 --> 0:58:13.720
<v Speaker 1>there to like kind of be like, hey, glad, you're

0:58:13.720 --> 0:58:15.080
<v Speaker 1>you know, you got your house back and you're gonna

0:58:15.120 --> 0:58:18.040
<v Speaker 1>be here and he then him and Vanessa kind of

0:58:18.200 --> 0:58:21.000
<v Speaker 1>something sparks again and they decided to maybe meet up,

0:58:21.480 --> 0:58:24.080
<v Speaker 1>and you know, he says, I haven't heard from Jenny

0:58:24.120 --> 0:58:26.160
<v Speaker 1>in a while, and she's like, okay, yeah, maybe we

0:58:26.280 --> 0:58:29.760
<v Speaker 1>can you know, hang soon or whatever. So cut to

0:58:30.160 --> 0:58:33.560
<v Speaker 1>then we get to the Humphrey Loft and Dan and

0:58:33.720 --> 0:58:35.480
<v Speaker 1>Rufus get there and they're hoping Jenny's there and she

0:58:35.520 --> 0:58:37.360
<v Speaker 1>comes around the corner. I started crying. I'm like, oh

0:58:37.440 --> 0:58:41.080
<v Speaker 1>my god, this baby girls there she comes around the corner.

0:58:41.160 --> 0:58:46.480
<v Speaker 1>She ripped it all. Yeah, and then um, Vanessa is

0:58:46.560 --> 0:58:49.400
<v Speaker 1>there and the whole Like I was like, wait, what's

0:58:49.400 --> 0:58:51.960
<v Speaker 1>going to happen with this? Like the mail? I remember

0:58:52.000 --> 0:58:54.000
<v Speaker 1>when Dan was like bringing up the magazines and like

0:58:54.040 --> 0:58:55.520
<v Speaker 1>that's kind of a weird moment to bring it up.

0:58:55.520 --> 0:58:59.280
<v Speaker 1>They're just getting just tell her later. So I'm like, wait, oh, yeah,

0:58:59.520 --> 0:59:01.320
<v Speaker 1>she's going to see the letter from Nate that he

0:59:01.400 --> 0:59:04.400
<v Speaker 1>wrote in the mail. And she sees this letter. And

0:59:04.640 --> 0:59:06.680
<v Speaker 1>what the funniest thing is is when she when Vanessa

0:59:06.720 --> 0:59:08.640
<v Speaker 1>decides to get up and go read the letter, I'm

0:59:08.680 --> 0:59:10.480
<v Speaker 1>watching it and she opens it and reads it and

0:59:10.520 --> 0:59:12.080
<v Speaker 1>it's not my hands and like, those are not my

0:59:12.160 --> 0:59:16.320
<v Speaker 1>hands one percent. Someone else did the insert that day,

0:59:16.400 --> 0:59:18.720
<v Speaker 1>whether I was like filming another scene or left for

0:59:18.760 --> 0:59:21.200
<v Speaker 1>the day. But I rewounded three times and like that's

0:59:21.240 --> 0:59:23.360
<v Speaker 1>so weird because I would have never remembered if I

0:59:23.520 --> 0:59:26.600
<v Speaker 1>if you know, they filmed me. But I was actually

0:59:26.640 --> 0:59:29.680
<v Speaker 1>shocked that I didn't. I couldn't remember if she actually

0:59:29.760 --> 0:59:31.400
<v Speaker 1>opened the letter or not. And then when when she

0:59:31.480 --> 0:59:33.360
<v Speaker 1>was leaving the table, I'm like, oh, ship Vanessa does

0:59:33.400 --> 0:59:35.840
<v Speaker 1>because that's not something Vanessa would do. Like there's times

0:59:35.880 --> 0:59:38.600
<v Speaker 1>where she could have opened computers and looked and doesn't

0:59:39.320 --> 0:59:42.280
<v Speaker 1>and like, you know, peek around it, and she just didn't.

0:59:42.440 --> 0:59:44.200
<v Speaker 1>So I always kind of, you know, that was me.

0:59:44.240 --> 0:59:46.720
<v Speaker 1>I'm like, that's that's great, Vanessa, That's like a nice

0:59:46.920 --> 0:59:49.720
<v Speaker 1>quality to have. And here she takes the note and

0:59:49.840 --> 0:59:53.600
<v Speaker 1>opens opens it and reads it, and I'm like, whoa okay,

0:59:53.760 --> 0:59:56.080
<v Speaker 1>and I'm like, in you know how gossip Girl is,

0:59:56.120 --> 0:59:57.840
<v Speaker 1>I'm like, oh, ship, it's going to go down in

0:59:57.880 --> 1:00:01.120
<v Speaker 1>the next couple episodes now. So yeah, I was a

1:00:01.160 --> 1:00:02.520
<v Speaker 1>little Did you think she was going to open it

1:00:02.640 --> 1:00:04.600
<v Speaker 1>or did you remember? I was? I was. I was

1:00:04.640 --> 1:00:06.800
<v Speaker 1>a little shocked. I didn't remember it at all. I

1:00:06.960 --> 1:00:09.440
<v Speaker 1>was shocked though I didn't. The reason why I'm not

1:00:09.720 --> 1:00:12.240
<v Speaker 1>shocked is because what you just said, it's almost like

1:00:12.880 --> 1:00:15.160
<v Speaker 1>the writers know how to take you on one direction

1:00:15.320 --> 1:00:17.200
<v Speaker 1>and then when you think like, oh, everything's gonna be

1:00:17.280 --> 1:00:20.440
<v Speaker 1>hunky dory, like did they make your character do something

1:00:20.480 --> 1:00:22.360
<v Speaker 1>in which like, oh, I wouldn't. I would not have

1:00:22.480 --> 1:00:28.680
<v Speaker 1>done that with the character. There's a whole right, it's insane.

1:00:29.360 --> 1:00:31.760
<v Speaker 1>We all have talked about this a lot doing the answerts,

1:00:31.800 --> 1:00:34.840
<v Speaker 1>because there's so much stuff on the phone. If you

1:00:34.960 --> 1:00:36.680
<v Speaker 1>found out that you had to be at work, you know,

1:00:36.800 --> 1:00:39.000
<v Speaker 1>for another four hours during inserts like your hand on,

1:00:39.120 --> 1:00:41.680
<v Speaker 1>like your elbow on like a pad said, it had

1:00:41.720 --> 1:00:44.400
<v Speaker 1>to be so perfect, like yes, tilted a little to

1:00:44.440 --> 1:00:48.000
<v Speaker 1>the right, focus like how far away? How close there

1:00:48.040 --> 1:00:51.440
<v Speaker 1>touching the moving I mean, I feel like I've gotten

1:00:51.480 --> 1:00:54.760
<v Speaker 1>pretty good at it. It's such an essential part of

1:00:54.880 --> 1:00:59.080
<v Speaker 1>being on television these days. It's using phones. Yeah, how

1:00:59.120 --> 1:01:02.400
<v Speaker 1>about that? Like there was a time where you wouldn't

1:01:02.480 --> 1:01:03.920
<v Speaker 1>have a scene where there was a phone in it.

1:01:04.400 --> 1:01:06.720
<v Speaker 1>I feel like I asked some friends years back that

1:01:06.800 --> 1:01:09.200
<v Speaker 1>we're writers. I'm like, how much does that change? There?

1:01:09.280 --> 1:01:12.200
<v Speaker 1>Like everything you used to have to like have obstacles

1:01:12.240 --> 1:01:13.680
<v Speaker 1>to figure out how you were going to get you know,

1:01:13.760 --> 1:01:16.360
<v Speaker 1>figure out the conflict and the solution and all these things,

1:01:16.480 --> 1:01:18.320
<v Speaker 1>or figure out what the conflict was and do this

1:01:18.480 --> 1:01:20.560
<v Speaker 1>to get that. Now you just are like, oh, text

1:01:20.600 --> 1:01:22.080
<v Speaker 1>the person or google it or do that. They're like,

1:01:22.160 --> 1:01:24.320
<v Speaker 1>so you it's so much actually more difficult, is what

1:01:24.600 --> 1:01:27.120
<v Speaker 1>my friend was saying. And I'm like, that makes sense. Yeah.

1:01:27.200 --> 1:01:29.920
<v Speaker 1>I was watching something the other day and someone was

1:01:30.040 --> 1:01:32.920
<v Speaker 1>leaving a voicemail for somebody and it was a split

1:01:33.000 --> 1:01:36.560
<v Speaker 1>screen and the person is ignoring the phone call for

1:01:36.680 --> 1:01:38.840
<v Speaker 1>whatever reasons. But then the person instead of hanging up

1:01:38.880 --> 1:01:41.200
<v Speaker 1>the phone and then texting them what they said in

1:01:41.280 --> 1:01:43.720
<v Speaker 1>the voicemail, they like waited and we're like, well, hopefully

1:01:43.800 --> 1:01:45.600
<v Speaker 1>she'll call back. I was like, no, no, no, no,

1:01:45.920 --> 1:01:49.400
<v Speaker 1>send the text message and send an email. It's urgent.

1:01:49.520 --> 1:01:53.080
<v Speaker 1>This is a life and death situation exactly. It was

1:01:53.160 --> 1:01:55.280
<v Speaker 1>like that was that was a huge platform to me.

1:01:55.400 --> 1:01:58.680
<v Speaker 1>I was like, we have the means, Like, exactly, you

1:01:58.760 --> 1:02:03.240
<v Speaker 1>have the means we can build. It's good. It's so true.

1:02:03.920 --> 1:02:06.920
<v Speaker 1>Well I jumped before when when I said that she

1:02:07.240 --> 1:02:10.240
<v Speaker 1>Vanessa saw the letter. There's a moment though, back where

1:02:10.320 --> 1:02:13.680
<v Speaker 1>your whole family is, where Blair's dad is there to

1:02:13.840 --> 1:02:17.320
<v Speaker 1>kind of give his blessing about your dad to marry Eleanor,

1:02:17.480 --> 1:02:19.480
<v Speaker 1>which I thought was so cute, like like turn and

1:02:19.520 --> 1:02:21.800
<v Speaker 1>then you see her like Blair's dad like pop around

1:02:21.800 --> 1:02:24.000
<v Speaker 1>the corner. I'm like, that's so sweet and cute. And

1:02:24.160 --> 1:02:28.840
<v Speaker 1>he has the largest pumpkin pie I've ever seen, literally

1:02:28.920 --> 1:02:33.280
<v Speaker 1>I've ever seen. I'm like, who, where'd you get that? For?

1:02:33.560 --> 1:02:37.919
<v Speaker 1>Like an fe or something? It was so big. Job

1:02:38.040 --> 1:02:42.240
<v Speaker 1>you're so right, Holy crap, do you remember filming on

1:02:42.360 --> 1:02:45.840
<v Speaker 1>that set with the stairs and yeah, yeah, I do

1:02:46.600 --> 1:02:48.640
<v Speaker 1>think I always liked filming in Blair's. I think we

1:02:48.720 --> 1:02:52.919
<v Speaker 1>had the wedding scene there and uh yeah. It's also

1:02:53.000 --> 1:02:55.800
<v Speaker 1>when I found out that Eric Rose was Jewish because

1:02:55.800 --> 1:03:00.600
<v Speaker 1>I worried. Yeah, yeah, in that episode found out because

1:03:00.600 --> 1:03:03.600
<v Speaker 1>they're all right, here you go. I was like, oh,

1:03:03.880 --> 1:03:05.880
<v Speaker 1>I didn't put I didn't put any of these numbers

1:03:05.920 --> 1:03:09.000
<v Speaker 1>together to like write, I mean, you got Wallace Seawan

1:03:09.080 --> 1:03:11.439
<v Speaker 1>and my last name is Rose. I don't know what where,

1:03:11.560 --> 1:03:16.240
<v Speaker 1>what planet I was on. Oh my god, that was

1:03:16.280 --> 1:03:21.439
<v Speaker 1>a nice I really did. Yeah. They were beautiful. Yeah,

1:03:21.840 --> 1:03:25.280
<v Speaker 1>well that's pretty much wraps up the episode. Um, because

1:03:25.320 --> 1:03:28.200
<v Speaker 1>you're a musician and love music so much, which I'm

1:03:28.240 --> 1:03:31.000
<v Speaker 1>not a musician at all, but I'm very into music

1:03:31.160 --> 1:03:34.000
<v Speaker 1>and live music and festivals and all the things. The

1:03:34.560 --> 1:03:37.920
<v Speaker 1>soundtracks and the playlist that I've made while watching these

1:03:38.000 --> 1:03:41.919
<v Speaker 1>they they are so great, like the music on Gossip Girls,

1:03:42.000 --> 1:03:44.600
<v Speaker 1>so great, like some I'm like, I talked to Josh

1:03:44.640 --> 1:03:46.160
<v Speaker 1>and Stephanie on their episode about it. I'm like, you

1:03:46.280 --> 1:03:49.960
<v Speaker 1>guys killed it. Yeah, I remember. I think I heard

1:03:50.480 --> 1:03:51.840
<v Speaker 1>I think in one of the scenes that wear a

1:03:51.880 --> 1:03:54.680
<v Speaker 1>sonic youth T shirt and that's outside the hotel. We

1:03:54.760 --> 1:03:57.480
<v Speaker 1>used to shoot at a lot and it was because

1:03:57.600 --> 1:04:01.400
<v Speaker 1>we found out that Thurston Moore and Kim Gordon from

1:04:02.000 --> 1:04:05.520
<v Speaker 1>Sonic Youth their daughter. It was a huge show and

1:04:05.560 --> 1:04:07.600
<v Speaker 1>they used to watch the show with her, and I

1:04:07.720 --> 1:04:10.000
<v Speaker 1>think they actually want up be on the show or

1:04:10.120 --> 1:04:12.920
<v Speaker 1>using some of their music. I believe. So yeah, A

1:04:13.000 --> 1:04:16.640
<v Speaker 1>couple episodes after, I wasn't after Aaron Rose the story

1:04:17.000 --> 1:04:18.720
<v Speaker 1>ended and I was like kind of bummed about it.

1:04:18.840 --> 1:04:24.360
<v Speaker 1>I was like I could have been around. Yeah, it

1:04:24.480 --> 1:04:27.040
<v Speaker 1>was really cool. And also the Pixies reference. I've seen

1:04:27.080 --> 1:04:31.880
<v Speaker 1>the Pixies play loads of times, so I was reflecting

1:04:31.920 --> 1:04:33.560
<v Speaker 1>on it. I can kind of say like, yeah, like

1:04:33.720 --> 1:04:36.520
<v Speaker 1>you know gossip Girl, they had some good chase they

1:04:36.600 --> 1:04:38.680
<v Speaker 1>did and it went all over. I mean, it would

1:04:38.680 --> 1:04:40.880
<v Speaker 1>be the populist song and then some like indie band

1:04:40.960 --> 1:04:43.040
<v Speaker 1>that I'm like, I forgot they even had this song,

1:04:43.240 --> 1:04:46.560
<v Speaker 1>and then it would be some like weird like front song,

1:04:46.800 --> 1:04:48.480
<v Speaker 1>and I'm like this is dope too, Like I just

1:04:48.760 --> 1:04:51.000
<v Speaker 1>it was like right on that. I like it. Like

1:04:51.080 --> 1:04:52.880
<v Speaker 1>it so much. Every time I'm like watching episode, I'm

1:04:52.880 --> 1:04:54.600
<v Speaker 1>like I'm making this a playlist, and man, this and

1:04:54.640 --> 1:04:56.440
<v Speaker 1>then I'm like, wait, I forgot about them. I have

1:04:56.560 --> 1:04:59.080
<v Speaker 1>to go back and like dig out my CDs. I've

1:04:59.080 --> 1:05:02.280
<v Speaker 1>never rewatched the show just for the playlists. Yeah, we

1:05:02.400 --> 1:05:05.040
<v Speaker 1>discover some old stuff. Yeah I should. I'll send you

1:05:05.120 --> 1:05:08.720
<v Speaker 1>a couple that I mean it's literally Misha zamming and

1:05:08.760 --> 1:05:12.120
<v Speaker 1>then adding it to my playlist. It's literally just from

1:05:12.200 --> 1:05:15.360
<v Speaker 1>the show. But um, yeah, okay. So here is our

1:05:15.440 --> 1:05:19.680
<v Speaker 1>Gossip Girl closing quote. As the end of another holiday

1:05:19.760 --> 1:05:22.160
<v Speaker 1>draws near, I'd like to take a moment to list

1:05:22.240 --> 1:05:25.040
<v Speaker 1>all the things I'm thankful for. I'm thankful that, no

1:05:25.200 --> 1:05:28.400
<v Speaker 1>matter how dark things might get, old friendships can still

1:05:28.440 --> 1:05:32.000
<v Speaker 1>be rekindled. I'm thankful for new relationships that help us

1:05:32.080 --> 1:05:34.920
<v Speaker 1>realize how far we've come from who we were, and

1:05:35.000 --> 1:05:37.600
<v Speaker 1>how close we get when we can really be ourselves.

1:05:38.240 --> 1:05:40.560
<v Speaker 1>I'm thankful to know that, no matter what they say,

1:05:41.160 --> 1:05:43.600
<v Speaker 1>you can go home again, whether it's your home or not.

1:05:44.400 --> 1:05:47.080
<v Speaker 1>But the thing I'm most thankful for how even the

1:05:47.200 --> 1:05:50.880
<v Speaker 1>most giving of days, people can still do something unforgivable.

1:05:51.240 --> 1:05:56.320
<v Speaker 1>Sign stealed delivered, I'm yours XO x O Gossip Girl.

1:05:58.800 --> 1:06:02.360
<v Speaker 1>Well man, Yeah, I feel like ship's really about to

1:06:02.440 --> 1:06:04.919
<v Speaker 1>hit the fan. With with V and J and Little

1:06:05.000 --> 1:06:08.439
<v Speaker 1>Ja like all the things. But uh, and I don't

1:06:08.480 --> 1:06:10.760
<v Speaker 1>remember really, so I'm like, that's what's been so fun.

1:06:10.880 --> 1:06:12.880
<v Speaker 1>Like I get to go like be like, what what

1:06:13.000 --> 1:06:14.720
<v Speaker 1>did they do or what happened? Or does she end

1:06:14.800 --> 1:06:17.080
<v Speaker 1>up dating Nate or you know. It's so fun because

1:06:17.080 --> 1:06:20.880
<v Speaker 1>it's just been so long and so many storylines, you know,

1:06:21.000 --> 1:06:23.360
<v Speaker 1>like everyone hooked up and everyone did things and you

1:06:23.440 --> 1:06:27.040
<v Speaker 1>know on the show. Like so anyways, I'm looking forward

1:06:27.040 --> 1:06:30.600
<v Speaker 1>to seeing what happens. It's very very exciting. Yeah, yeah, okay,

1:06:30.640 --> 1:06:32.960
<v Speaker 1>So let's talk about Dear White People if you want to.

1:06:33.360 --> 1:06:36.640
<v Speaker 1>How was that that was? I loved working on that show.

1:06:37.160 --> 1:06:41.240
<v Speaker 1>It was probably we did four seasons over five years,

1:06:41.440 --> 1:06:44.000
<v Speaker 1>and we all grew up. We're all like in our

1:06:44.080 --> 1:06:46.320
<v Speaker 1>late twenties, we're all in our mid thirties. You know,

1:06:46.720 --> 1:06:50.439
<v Speaker 1>we been through together. We were kind of our own little,

1:06:50.680 --> 1:06:53.080
<v Speaker 1>our little punk rock show. You know. We had our

1:06:53.120 --> 1:06:55.560
<v Speaker 1>little circle we walked in like the Outsiders and every

1:06:55.600 --> 1:06:58.479
<v Speaker 1>event together like arm and arm Us against the world

1:06:58.600 --> 1:07:01.120
<v Speaker 1>sort of thing. No, it was really great. I really

1:07:01.200 --> 1:07:04.920
<v Speaker 1>missed like the writers and Jacqueline Moore and Justin Simeon,

1:07:05.000 --> 1:07:06.920
<v Speaker 1>the creator and show runner of the show for the

1:07:07.000 --> 1:07:09.080
<v Speaker 1>last couple of seasons, Like, you know, been a huge

1:07:09.120 --> 1:07:12.120
<v Speaker 1>influence on just kind of helping me kind of just

1:07:12.600 --> 1:07:15.680
<v Speaker 1>be more present with things. You know. It was really

1:07:15.800 --> 1:07:19.320
<v Speaker 1>good experience, not just as a performer, but on a

1:07:19.360 --> 1:07:23.480
<v Speaker 1>personal level. Yeah, that's so cool. And m are you

1:07:23.560 --> 1:07:26.680
<v Speaker 1>working on anything now or you doing music? Still? You're

1:07:26.680 --> 1:07:28.840
<v Speaker 1>doing You're like always doing music, all right? Yeah, I'm

1:07:28.840 --> 1:07:31.200
<v Speaker 1>always playing. I haven't had time to kind of like

1:07:31.320 --> 1:07:33.280
<v Speaker 1>record anything in a long time. I've recorded a lot

1:07:33.320 --> 1:07:36.680
<v Speaker 1>of demos. Um showed the film that I don't know

1:07:36.720 --> 1:07:39.040
<v Speaker 1>if it has a title at the moment, back in

1:07:39.280 --> 1:07:42.440
<v Speaker 1>October of twenty one. I just did ad R for that.

1:07:42.640 --> 1:07:45.479
<v Speaker 1>I just wrapped the first season of a show called

1:07:45.600 --> 1:07:49.280
<v Speaker 1>Three Women. It's gonna be on Showtime. It's Shark starring

1:07:49.600 --> 1:07:57.480
<v Speaker 1>do Wanda Wise, Sharing Woodley, and Benny Gilton Blair Underwood's Yeah,

1:07:57.520 --> 1:08:01.360
<v Speaker 1>it's as whatever Spectacular Asked is based off of a

1:08:02.240 --> 1:08:06.200
<v Speaker 1>nonfiction novel. So it's based off of the three women

1:08:06.280 --> 1:08:09.720
<v Speaker 1>and about their encounters of like their relationships and stuff,

1:08:09.760 --> 1:08:13.479
<v Speaker 1>but also semi autobiographical to shaming plays about the writer

1:08:13.600 --> 1:08:17.000
<v Speaker 1>and how she's writing the book and I play her

1:08:17.720 --> 1:08:20.880
<v Speaker 1>love interests on that and we just wrapped that and

1:08:21.320 --> 1:08:24.479
<v Speaker 1>hopefully that'll be out of like November. Yeah, oh my god,

1:08:24.479 --> 1:08:26.760
<v Speaker 1>I'm so excited. I love that what could come all

1:08:26.840 --> 1:08:28.640
<v Speaker 1>of you, all of you together. That's just like some

1:08:28.800 --> 1:08:32.000
<v Speaker 1>magic there. That's so cool. It's it's amazing. I mean

1:08:32.520 --> 1:08:34.360
<v Speaker 1>these days, you know, we don't do real table reads.

1:08:34.360 --> 1:08:38.360
<v Speaker 1>It's all zoom related and like they make the silly

1:08:38.520 --> 1:08:41.880
<v Speaker 1>zooms unsilly, like they just you know, we sit down,

1:08:42.160 --> 1:08:46.080
<v Speaker 1>we read it. Betty Gilbin is crying through like laughing

1:08:46.240 --> 1:08:49.760
<v Speaker 1>fits because her character is just out of control and

1:08:49.880 --> 1:08:52.400
<v Speaker 1>she brings it all and you know to Wanda's in

1:08:52.479 --> 1:08:54.920
<v Speaker 1>the same thing, and I just you don't feel silly

1:08:54.960 --> 1:08:59.599
<v Speaker 1>about performing and it's really really great experience working. Wow.

1:09:00.080 --> 1:09:02.840
<v Speaker 1>And this is called Three Women, Three Women. Yeah, okay,

1:09:02.880 --> 1:09:05.000
<v Speaker 1>I'm very excited. It feels like it's like right up

1:09:05.040 --> 1:09:07.479
<v Speaker 1>my alley and like I'm fans of all. Yeah, I'm

1:09:07.560 --> 1:09:11.040
<v Speaker 1>very pumped. Yeah, I really there's something in that. It's

1:09:11.120 --> 1:09:13.760
<v Speaker 1>you know, it's a show about traumas and judgment and

1:09:14.000 --> 1:09:16.760
<v Speaker 1>judging ourselves and self awareness and how we deal with

1:09:16.840 --> 1:09:19.880
<v Speaker 1>our own stuff and uh, you know, it's it's from

1:09:19.960 --> 1:09:23.720
<v Speaker 1>the woman's perspective and a woman's gaze, dealing with the

1:09:23.800 --> 1:09:26.439
<v Speaker 1>male gaze and how that affects it's it's you know,

1:09:26.760 --> 1:09:28.479
<v Speaker 1>I feel like I've been very fortunate to work on

1:09:28.600 --> 1:09:32.840
<v Speaker 1>projects that are also learning experiences. You know. I enjoy people,

1:09:33.200 --> 1:09:35.639
<v Speaker 1>and this is a very like it's a very human show.

1:09:35.880 --> 1:09:40.479
<v Speaker 1>So yeah, I think you'll like it all. Yeah, that's awesome.

1:09:40.520 --> 1:09:43.160
<v Speaker 1>I'm very excited. Oh my gosh, yeah, I have my

1:09:43.280 --> 1:09:45.720
<v Speaker 1>new show. I'm like, I'll be waiting, like I'll be

1:09:45.760 --> 1:09:49.080
<v Speaker 1>the first person to like tune in. Um, well, thank

1:09:49.120 --> 1:09:51.400
<v Speaker 1>you so much. And I'm also I want to come

1:09:51.560 --> 1:09:53.360
<v Speaker 1>watch you when you play music, like Brad and I

1:09:53.400 --> 1:09:55.200
<v Speaker 1>will come. We like it's our favorite thing to do.

1:09:55.280 --> 1:09:57.280
<v Speaker 1>We like met at a music festival. Our daughter's name

1:09:57.320 --> 1:09:59.720
<v Speaker 1>is Bowie, so we love I'd love to like come

1:10:00.040 --> 1:10:02.559
<v Speaker 1>watching like every every band and things you were dropping.

1:10:02.560 --> 1:10:04.880
<v Speaker 1>I'm like, Okay, he's got great taste and this is dope,

1:10:04.960 --> 1:10:09.320
<v Speaker 1>so I'm into it. I'm playing on recording an album

1:10:09.520 --> 1:10:12.800
<v Speaker 1>or record or whatever. My amalgamation of different sounds is

1:10:12.880 --> 1:10:16.040
<v Speaker 1>over the next couple of months, and uh so I'll

1:10:16.080 --> 1:10:17.720
<v Speaker 1>send you some music and then when I get to

1:10:17.920 --> 1:10:20.000
<v Speaker 1>get some people together to play because I record and

1:10:20.000 --> 1:10:24.599
<v Speaker 1>play all their instruments myself. So awesome. Oh my god,

1:10:26.840 --> 1:10:29.840
<v Speaker 1>that's so great. I'm coming for sure, coming so and

1:10:30.000 --> 1:10:32.600
<v Speaker 1>thank you for coming on. This was great, This was

1:10:32.720 --> 1:10:40.800
<v Speaker 1>like so great. Yeah, it was fun, John Patrick, this

1:10:41.120 --> 1:10:44.760
<v Speaker 1>was such a treat. Glad life is treating you so well.

1:10:44.840 --> 1:10:46.800
<v Speaker 1>And I can't wait to catch up again soon and

1:10:46.960 --> 1:10:49.720
<v Speaker 1>catch you in your new projects and come listen to

1:10:49.840 --> 1:10:53.840
<v Speaker 1>you jam out. You are really a wonderful, real artist

1:10:53.880 --> 1:10:56.280
<v Speaker 1>in real life, not just what you played on Gossip Girl.

1:10:56.439 --> 1:10:59.639
<v Speaker 1>I really dig your vibe, dude, I dig it. Thank

1:10:59.680 --> 1:11:02.480
<v Speaker 1>you so much for joining me today. For you listeners,

1:11:02.720 --> 1:11:05.000
<v Speaker 1>you know the drill. I'll be back next week. I'm

1:11:05.040 --> 1:11:09.479
<v Speaker 1>so excited, y'all. Okay, so we'll see you soon. M

1:11:14.520 --> 1:11:17.320
<v Speaker 1>x O XO is produced by Propagate Content and Meat

1:11:17.520 --> 1:11:20.840
<v Speaker 1>Jessica's Or. Our show is executive produced by Lingley. Our

1:11:20.880 --> 1:11:24.920
<v Speaker 1>producers are Diego Tapia, Kristin Vermilia, Emily Carr, and Hannah Harris.

1:11:25.200 --> 1:11:28.040
<v Speaker 1>Original music by Moxie and Lune and the episode was

1:11:28.080 --> 1:11:29.200
<v Speaker 1>mixed by Seth o Landsky.