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Speaker 1: Are you leaving? I you wanna way back home? Either way,

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Speaker 1: we want to be there, doesn't matter how much baggage

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Speaker 1: you claim and give us time and a terminol and

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Speaker 1: gaye ad. We want to send you off inside. We

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Speaker 1: wanna welcome you back home. Tell us all about it.

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Speaker 1: We scared? Or was it fine? Malborn? Do you need

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Speaker 1: to ride? Do you need to ride? Do you need

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Speaker 1: to ride? Do you need to ride? Do you need

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Speaker 1: to ride? Do you need to ride? Ride?

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Speaker 2: Do you need with Karen and Chris welcome to Do

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Speaker 2: you need to ride? This is Chris.

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Speaker 3: Fairbanks and this is Karen Tilgareth the entire way. You know,

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Speaker 3: I do a lot of research whenever we have a guest.

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Speaker 3: I read the sheet and I was reminded of today's

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Speaker 3: guests comic book called Minor Threats, which made me listen

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Speaker 3: to Minor threat the whole way nice, which is high octane,

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Speaker 3: high energy punk rock, punk rock, which.

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Speaker 2: You know I'm into now.

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Speaker 1: Is that your new name? Punk rock?

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Speaker 3: It has to sort of be, because I've been practicing.

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Speaker 3: I had another Curb Dogs show and we yes, I'd

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Speaker 3: say that so hesitantly. But I do karaoke with a

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Speaker 3: live band of songs none of you have ever heard

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Speaker 3: of except for the Dinosaur Junior one probably, and I

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Speaker 3: need to listen to it to get into that mode.

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Speaker 2: It helped.

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Speaker 3: And then we rehearsed more than once this last time,

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Speaker 3: and that helped a lot. Yeah, and the audience was

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Speaker 3: all fifty something skateboarders, which really really helped.

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Speaker 1: Man, I have to go to those shows.

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Speaker 3: I yeah, we have yet to do one that isn't

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Speaker 3: somewhere in Montana or Washington at a skate park opening.

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Speaker 3: But this was in a town called Big Sandy, which

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Speaker 3: can't even be a thousand people Big Sandy, Montana. It's

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Speaker 3: where one of the Montana senators is from and where

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Speaker 3: Jeff meant from Pearl Jam is from Nice. And so

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Speaker 3: once we hit this little town driving around, I just

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Speaker 3: was thinking of Jeff as a little kid, thinking, oh,

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Speaker 3: I want to be a rock star one day in

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Speaker 3: this town that is eight blocks wide and high.

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Speaker 2: And then all of.

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Speaker 1: A sudden, there he was on a bike, and oh

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Speaker 1: you saw.

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Speaker 3: Yeah, he was just adult Jeff Man riding a bike around,

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Speaker 3: reminiscing about when he was a child riding a bike around.

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Speaker 1: So he moved back to his hometown or maybe never

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Speaker 1: moved out.

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Speaker 2: He goes back. He lives a few places.

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Speaker 3: I think because Pearl Jam I think makes good money

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Speaker 3: for him.

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Speaker 4: I bet they do.

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Speaker 1: I bet they do.

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Speaker 3: And no, he's got like a skate team with little

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Speaker 3: kids in the area that skate for his team. It's

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Speaker 3: quite wholesome and fun. And then we played a loud

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Speaker 3: show in a bar. So I've been listening to punk

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Speaker 3: rock and that is my story that I've started on

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Speaker 3: this episode of Do You Need a Bride?

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Speaker 2: Great story, thank you.

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Speaker 1: I think at the end it kind of went down.

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Speaker 1: He did well energy wise. I think it was still

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Speaker 1: very compelling.

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Speaker 2: Well, there's a lot of.

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Speaker 3: Pressure with stories at the end because we're comics to

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Speaker 3: have a big closing statement.

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Speaker 1: What would you be doing, sir?

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Speaker 4: Like what?

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Speaker 1: He wasn't turning the wheel at all. He was just

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Speaker 1: coming into me.

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Speaker 3: There was no reason for him to turn that wide.

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Speaker 3: That car was twenty feet away. He just wanted to

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Speaker 3: kiss our lane to feel like what it felt like.

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Speaker 1: It looked like he was looking at this huge median

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Speaker 1: blocker like he was thinking about driving over it to

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Speaker 1: get to go left, like you wanted to go left

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Speaker 1: so bad. He was just going to drive through some

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Speaker 1: bushes to do it.

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Speaker 3: I like to give people the benefit of a doubt

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Speaker 3: or the doubt or any doubt, a doubt. Perhaps he

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Speaker 3: was having a medical emergency. His mouth was foaming, he

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Speaker 3: was biting on a belt, and that makes.

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Speaker 2: You take a wide turn. Yeah, I wish him well.

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Speaker 1: As what I'm saying, I don't, you don't. I was

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Speaker 1: more like, I'll kill you La style, yeah, road.

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Speaker 2: Rage style, or you just do it with your eyes.

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Speaker 1: Yeah, and just kind of like any chance to kind

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Speaker 1: of get bad feeling going about your fellow man in

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Speaker 1: another car who might be making a mistake, Just jump

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Speaker 1: on that chance, because it just makes your life awful.

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Speaker 3: Yeah, that was one thing I got used to in

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Speaker 3: Los Angeles. That kind of aggression doesn't usually go anywhere.

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Speaker 3: People get very they'll honk their horn, they'll flip you off,

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Speaker 3: which in Montana means both cars are going to pull

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Speaker 3: over and you're going to square off on the dirt shoulder,

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Speaker 3: the soft shoulder, and people get real hard in the

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Speaker 3: soft shoulder when it comes to WHOA, I'm still I

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Speaker 3: have terrible memories.

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Speaker 1: That's kind of funny because Los Angeles being how it is,

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Speaker 1: You're right, it's all fake threats from people who have

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Speaker 1: no intention of ever getting out of their car to

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Speaker 1: fight you or really to do anything.

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Speaker 3: I'm starting home, I'm starting to not even believe a

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Speaker 3: lot of the like NWA lyrics and rap groups.

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Speaker 2: I grew up listening to you.

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Speaker 1: You think they were lying.

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Speaker 2: I think ice Cube was always are we there yet?

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Speaker 4: Ice Cube?

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Speaker 3: I don't think caps were busted ever. And I hope

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Speaker 3: you're listening.

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Speaker 1: Cube. Oh my god, Cube, if you're listening, I love you.

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Speaker 2: Yeah.

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Speaker 3: I mean I wanted your approval when we were both

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Speaker 3: on the same Conan episode, but I ended up just

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Speaker 3: talking to Wayne Gratsky.

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Speaker 1: The idea that you would. I mean, it's very natural

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Speaker 1: to want approval from ice Cube, yes, but to expect it,

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Speaker 1: I don't.

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Speaker 3: That's I did not expect it. I went into it

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Speaker 3: with low expectations. And once he walked down the hall

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Speaker 3: and I saw his eyebrows that are just like a

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Speaker 3: caricature drawing of ice Cube.

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Speaker 2: They are not welcoming.

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Speaker 3: They are furrowed right, and they come up in the

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Speaker 3: middle at the top of his nose and curl up

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Speaker 3: and it seems like.

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Speaker 1: And he also has those flared nostrils can like consistently

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Speaker 1: flared nostrils. He does absolutely look like he's waiting for

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Speaker 1: a fight at any point, and of course, being the

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Speaker 1: person I am, I really love that. I relate to it.

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Speaker 1: I love a resting bitch face. I love the energy

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Speaker 1: of shut the fuck up. It's my favorite.

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Speaker 3: Yeah, and it'll stop me from going Hi. I'm a

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Speaker 3: big fan because he doesn't need to hear that.

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Speaker 1: But did you did anyone tell you? Did he watch

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Speaker 1: your set? Like when it was all I doubt.

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Speaker 2: He probably was in and out. I didn't watch his set. Wait.

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Speaker 1: I mean that's understandable because you can't, like five minutes

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Speaker 1: before you do stand up kality on TV, you can't

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Speaker 1: hear or see anything.

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Speaker 3: And I remember you called me before that set and said,

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Speaker 3: very reassure you got this, you belong there, you know

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Speaker 3: what you're doing. I did, yes, and we were just

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Speaker 3: getting to know each other at the time.

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Speaker 2: Right, So thank you for that.

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Speaker 1: You're welcome. I meant it.

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Speaker 3: I'm afraid it didn't work as nervous as hell, but

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Speaker 3: I appreciate.

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Speaker 1: But the nervousness is good because it's the it's the

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Speaker 1: engine you had it. That set is legendary. The sweater

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Speaker 1: was legendary funny.

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Speaker 3: I was doubting that sweater, and I right before I

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Speaker 3: went through the curtains, I looked at just the guy that.

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Speaker 2: Works on the crew.

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Speaker 3: That was his job in that moment to open the curtain,

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Speaker 3: and he had a headset and like, I'm gonna take

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Speaker 3: that sweater off, and he's like, you keep that sweater off,

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Speaker 3: very much approof of the sweater, and it gave me

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Speaker 3: that final boost of confidence.

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Speaker 2: I hated the.

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Speaker 1: Unsung crew members on shows, daily shows where people it's

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Speaker 1: so hard. On talk shows, it's hard work. People are

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Speaker 1: under pressure constantly. It's very hard to make a show

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Speaker 1: every day, and there are crew members like that. They

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Speaker 1: understand that, especially stand up comics like a crew member

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Speaker 1: on Conan would understand this is like a chance is

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Speaker 1: being given. There's a lot of pressure, but they know

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Speaker 1: that ultimately it's like you're here to do what you do.

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Speaker 1: You got picked because you're good. But the idea that

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Speaker 1: they're then conveying that to you like you've got this, yeah,

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Speaker 1: I just love that. Or I felt I had the

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Speaker 1: same experience with those with the crew on Conan, where

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Speaker 1: they're just like, there, you do it, and they they

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Speaker 1: allow you to kind of like entertain them. They're not

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Speaker 1: like jaded or looking down or anything. They're in it

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Speaker 1: with you.

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Speaker 4: It's beautiful.

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Speaker 2: Yeah, they were, and they know what they're doing.

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Speaker 3: When I the first thing I did was Kimmel and

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Speaker 3: that was a new show.

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Speaker 2: It was live with like a radio delay.

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Speaker 3: Button and there was a you had to walk out

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Speaker 3: on a catwalk that wasn't even near the audience. They

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Speaker 3: could choose to wrench their neck ninety degrees to look

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Speaker 3: at you or just not look at you, which most

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Speaker 3: of them did. And at the last minute, Super Dave

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Speaker 3: Osborne went too long with something and the guy, instead

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Speaker 3: of saying, hey, that's a nice sweater, said hey, can

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Speaker 3: you do a couple minutes less or come back tomorrow.

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Speaker 2: I don't even think it was his call. And I

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Speaker 2: said I can't.

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Speaker 3: I have to leave town tomorrow, and he's like, okay,

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Speaker 3: just do less time, and so I did different jokes

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Speaker 3: and the prompter person was freaking out and pointing out

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Speaker 3: the cards as if I were had lost my mind,

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Speaker 3: and they bleeped me like a whole sentence.

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Speaker 2: I thought it went well.

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Speaker 3: I went to a bar to watch it and it

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Speaker 3: was just like because.

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Speaker 1: You were talking about something you can't talk about.

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Speaker 3: I don't fully remember, but I didn't swear, and they

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Speaker 3: beat it like I said, shit, fuck ass poop.

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Speaker 1: Well, huh, I wonder if you were talking about like

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Speaker 1: an area that there said Jesus oh as an exploited

204
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Speaker 1: But also that's so ridiculous that the stage manager would

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Speaker 1: be the one saying, can you do extra time?

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Speaker 2: Exactly?

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Speaker 3: That's what I'm saying, like it was his call, and

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Speaker 3: I don't think it is his call.

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Speaker 1: Well, but it would unless him doing that independently would

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Speaker 1: not be happening. It's the director talking through him.

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Speaker 3: Oh perhaps, okayeah, well then I feel better, but I'm

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Speaker 3: about to make a noise.

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Speaker 2: Oh that was a bodily function. A lot of people

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Speaker 2: think I'm opening a soda.

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Speaker 1: But that was one of Chris's specialty farts.

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Speaker 2: Yeah.

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Speaker 3: I have signatures, and that was one of my specialty signatures.

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Speaker 1: The barbecue.

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Speaker 2: To play Frisbee or Cornal.

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Speaker 1: Welcome to the barbecue at the Cornal this okay, wait,

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Speaker 1: what's the address?

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Speaker 3: I looked at it on Google Maps and so I

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Speaker 3: will know what it looks like.

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Speaker 1: You did.

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Speaker 2: Okay, I think it might be here on.

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Speaker 4: The right and it is.

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Speaker 1: Okay, great, this is it free?

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Speaker 2: So yeah, I do my research. I look at a

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Speaker 2: picture of the home.

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Speaker 1: Creepy.

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Speaker 2: Excuse me.

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Speaker 3: That was a quick pickup, Yes, it was. My fear

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Speaker 3: is that I've said everything I've said in the past,

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Speaker 3: because I have two patent to our our audience. But

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Speaker 3: it's been decades and by that I mean five six

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Speaker 3: years since I retold.

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Speaker 2: That last story.

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Speaker 1: Oh yeah, I don't even remember that last story.

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Speaker 2: Okay, good, yeah, yeah, yeah good.

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Speaker 1: That means to me, I'll immediately start criticizing you if

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Speaker 1: you're doing something incorrect.

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Speaker 3: And I'm I'm constantly in a state of fear because.

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Speaker 2: And I thank you.

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Speaker 1: It's great for podcasting, it.

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Speaker 2: Is, it is. What would a mobile podcast be without.

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Speaker 1: Fear, without fear and pressure?

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Speaker 4: Yeah, yeah, yeah.

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Speaker 3: He does clubs and colleges across the country. Everyone Alex Bennett.

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Speaker 4: To go on Alex Bennett or just stay We're going

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Speaker 4: on like everyone else on the show.

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Speaker 1: Depending, Hi guys, Hi Pat are you still.

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Speaker 4: Coming from Teluca Lake or have you moved? Karen?

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Speaker 1: I am also now where I am in the same

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Speaker 1: city you live in?

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Speaker 4: What Yes, we're like two minutes from each other. Yes,

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Speaker 4: everyone lives your Seth Green and his wife lived down here.

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Speaker 4: Flannagan lives here. I like Seth Green, Seth Green. Zoe

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Speaker 4: Lister Jones is down the street. I see her out

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Speaker 4: on my walks, on my perambulations that you do when

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Speaker 4: you're fifty.

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Speaker 1: Four and you got to move that.

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Speaker 4: There are a lot of flat streets here, a nice

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Speaker 4: flat ones now day, then I'll do that. It's my ankle.

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Speaker 1: My ankles can't do those hills.

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Speaker 4: I can go uphill fights the down hill, Oh my god, yeah,

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Speaker 4: you're not yours.

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Speaker 2: We're all warned about going down.

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Speaker 4: Yeah. And where are you living now, Chris?

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Speaker 3: I am thank you for asking that you. I was

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Speaker 3: in Venice Beach for like seventeen years, and I now

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Speaker 3: live in Echo Park where they shot the movie Training Day,

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Speaker 3: right on those streets. Yeah, right where Denzel's yelling at

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Speaker 3: Ethan Hawk while they're front and in front of my garages.

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Speaker 4: So you went, you went from both ends of the

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Speaker 4: Bohemian spectrum, Vennis and then Echo Park.

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Speaker 2: Yes, I really yeah.

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Speaker 3: And I find it covered to be friendlier and more

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Speaker 3: of a community. I love where I live. Oh that's great, Yeah,

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Speaker 3: it's terrific.

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Speaker 4: The only thing I need to do. If we could

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Speaker 4: stop by Flair Cleaners on Laurel Canyon, I'm going down

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Speaker 4: there to do all right. Otherwise, let's just drive around.

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Speaker 4: Hell yeah, maybe go further up north Laurel Canyon to

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Speaker 4: where it's weird.

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Speaker 1: Should we go?

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Speaker 4: Where do you want to go?

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Speaker 1: I mean we could go there. We could also go

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Speaker 1: down mulholland we could do a little classic La drive.

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Speaker 1: Come around.

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Speaker 2: You're so right, let's do Should we do that?

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Speaker 4: God? Damn it? Yes, that's way better. You know what?

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Speaker 4: Fuck it? Make a left, I'll get I can get

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Speaker 4: Flair Cleaners tomorrow. I got all day open.

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Speaker 1: We can do both. We can do both.

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Speaker 2: Yeah, we can do it.

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Speaker 4: Well, let's do Mohan and we loop back around. We'll

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Speaker 4: grab it.

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Speaker 2: Okay, let's talk about David Lynch movies, and then we'll go.

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Speaker 4: Get your suits press.

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Speaker 2: When did you get done at the dry cleaners?

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Speaker 4: A bunch of shirts and a couple of them. I

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Speaker 4: had some labels removed because they have those The gap

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Speaker 4: puts like fifteen unnecessary labels down on the right scene yep,

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Speaker 4: And and they're just flapping around and smell you when

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Speaker 4: you're walking around, Like what is theo that was Karen's call.

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Speaker 2: Actually she used to work at the Gap.

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Speaker 1: Oh yeah, for real, please explain to people how to

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Speaker 1: iron this over and over in every language that you

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Speaker 1: can come up with.

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Speaker 4: And then let's also have a pocket with spare buttons

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Speaker 4: in it for no reason. Yeah, because, as you know,

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Speaker 4: twenty somethings love to darn and sew. That's what they

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Speaker 4: always do.

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Speaker 2: I have never ever used those spare buttons.

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Speaker 4: No, no, why are you giving If I lose a button,

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Speaker 4: it's lost?

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Speaker 2: Yeah yeah.

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Speaker 1: Or also you can just open your drunk drawer and

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Speaker 1: find like a kind of purlescent button to replace it.

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Speaker 4: Exactly.

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Speaker 1: They're not rare, although thank you to the Gap for

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Speaker 1: even being that considerate, because you would think that they

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Speaker 1: would be like, get your own.

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Speaker 4: Buttons, right, yeah, but they're not. Yeah, and they also

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Speaker 4: wanted to give gen X the illusion that we were

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Speaker 4: somehow self reliant. Here here's what we've also added a

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Speaker 4: little sew inc it great? Yeah yeah yeah, I'll be

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Speaker 4: getting rid of this as well.

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Speaker 3: Take the needle, the tiny tomato pin cushion, and do

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Speaker 3: what all your grandma's taught you.

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Speaker 4: Well, I have a thumb ring with a little mushroom

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Speaker 4: cat that I that I needle pointed, and that's where

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Speaker 4: I keep all my supplies.

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Speaker 3: I wonder I would like to know on a calendar

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Speaker 3: when the last time a thimble was used.

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Speaker 4: Oh, that's a good question.

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Speaker 1: I mean down at a like Milton Edies, you know

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Speaker 1: where they do alterations twenty four hours. That's one of

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Speaker 1: my favorite things. I used to live by and listener.

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Speaker 1: Milton Edies is a very famous kind of Hollywood in Burbank,

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Speaker 1: h Taylor, where you can go there twenty four hours

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Speaker 1: a day and get your ship fixed, although it'll cost

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Speaker 1: you eighty dollars minimum no matter what it is.

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Speaker 4: Yes, but I bet they get a lot of meth

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Speaker 4: heads that at two am decide to go through their closets. Yeah,

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Speaker 4: I'm gonna reorganize, gonna alter some things, Yeah, and they

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Speaker 4: take them off. I used to go to Milton Needies

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Speaker 4: all the time, to the point where I just stopped

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Speaker 4: eating that goddamn popcorn that because I would eat it

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Speaker 4: and then I would just have greasy fingers and then

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Speaker 4: get my clothes all messed up again like an idiot.

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Speaker 1: I remember, I remember Danny Sebaio's for do I remember

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Speaker 1: a true legend?

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Speaker 2: I remember the name, And I don't even know Danny Sebi.

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Speaker 1: He was, Oh boy, he's the greatest non stand up

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Speaker 1: comic hangout person in our group.

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Speaker 2: Yeah.

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Speaker 4: He was one of the there's that weird subgroup of

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Speaker 4: the non comics that are just as funny as the comics.

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Speaker 1: Yeah, he was that guy. And him when he and

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Speaker 1: his wife Sarah got married, I was a bridesmaid and

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Speaker 1: and she she asked me to be a bridesmaid, which

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Speaker 1: is really nice. And of course six months prior when

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Speaker 1: she asked me, we all want to try on bridesmaid's dresses.

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Speaker 1: And I was so embarrassed because I mean it was

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Speaker 1: like not just strapless and sleeveless, but it like it

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00:17:50,680 --> 00:17:53,840
Speaker 1: only just hooked around your neck, like it was high

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Speaker 1: pressure of kind of bridesmaid challenge. And so I left.

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Speaker 4: They were challenged dresses.

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Speaker 1: They were challenge dresses of what do you actually want

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Speaker 1: to look like when you show up for this thing?

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Speaker 1: So I immediately went on the most intense starvation diet,

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Speaker 1: to the point where when I walked in for the wedding.

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Speaker 5: All the people that knew me went, oh, oh God, okay, Karen, Karen,

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00:18:18,960 --> 00:18:22,840
Speaker 5: Karen juice, let me check your get her a saline

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Speaker 5: and right down.

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Speaker 1: But I had to take that dress. So I was

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Speaker 1: doing it thinking, oh, hopefully I can just like my

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Speaker 1: arms will be slightly small or whatever. I had to

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Speaker 1: take that dress into Milton Eaties and get it. This

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Speaker 1: woman's like folding the things over going, Oh my god,

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Speaker 1: why did you buy the dress so big? And I'm like,

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Speaker 1: I can't explain this, I can't talk to you about this.

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Speaker 2: Wow, look at this ankle rolling vista.

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Speaker 1: Get up there, climb up there, you little goats.

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Speaker 4: I remember Karen and I were in Seattle for some reason.

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Speaker 1: I was opening for you or was it bumber shoes?

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Speaker 4: Great word to say in Terry Lewis. But Danny would

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Speaker 4: do this character called the Contessa and it was this

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Speaker 4: old like wealthy dowager and are you people dumb? And

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Speaker 4: we were. We were in some vintage clothing store and

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Speaker 4: we saw a hat and we both went the Contessa

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Speaker 4: and we bought it. We brought it back for him.

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Speaker 4: I just remember like that, that's how funny.

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Speaker 1: That guy was that because normally the hat that he

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Speaker 1: would make would be like a napkin. He would pick up.

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Speaker 1: Where we were at a party at Laura Milligan's house

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Speaker 1: and he would just pick a napkin up wrap it

399
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Speaker 1: around his head. Because that's how you knew how drunk

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Speaker 1: he was. Oh that he would turn into the contesta

401
00:19:48,520 --> 00:19:50,080
Speaker 1: and start yelling at people.

402
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Speaker 4: Exactly why isn't everyone paying attention to me?

403
00:19:52,760 --> 00:19:55,320
Speaker 1: And remember when I think you actually put in a

404
00:19:55,440 --> 00:19:58,520
Speaker 1: video because it was some It was like the compilation

405
00:19:58,600 --> 00:20:01,240
Speaker 1: of bloopers from CNN or whatever. So we all sat

406
00:20:01,280 --> 00:20:03,119
Speaker 1: down to watch TV in the middle of his party,

407
00:20:03,160 --> 00:20:05,359
Speaker 1: and he walked in, stood in front of the TV

408
00:20:05,480 --> 00:20:07,960
Speaker 1: with this weird raincoat around his head and what are

409
00:20:08,000 --> 00:20:12,280
Speaker 1: you people don't Yes, that's right, he was so mad

410
00:20:12,320 --> 00:20:13,399
Speaker 1: we were watching TV.

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00:20:13,600 --> 00:20:17,840
Speaker 4: Oh god, yeah. Boy. When he would get drunk, he

412
00:20:17,920 --> 00:20:21,359
Speaker 4: went all the way. I remember seeing John Mattat like

413
00:20:21,560 --> 00:20:25,639
Speaker 4: carrying him out of the Uh oh my god, what

414
00:20:25,680 --> 00:20:27,640
Speaker 4: was the place the cat in the fiddle? Oh yeah,

415
00:20:27,720 --> 00:20:30,639
Speaker 4: like literally like he had picked up a mannequin and

416
00:20:30,880 --> 00:20:33,240
Speaker 4: was like, like at squares, but like we're changing the mannequins.

417
00:20:33,320 --> 00:20:36,560
Speaker 4: He would like pick Danny was so slim and light. Yeah,

418
00:20:36,600 --> 00:20:38,119
Speaker 4: you could just pick him up. Well, we got to

419
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Speaker 4: take him somewhere you can't walk, and so amored. Oh

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Speaker 4: my god, Danny. What's Danny doing now? So is he

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Speaker 4: still married?

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Speaker 1: He's still married and his wife is a musicologist. She

423
00:20:48,480 --> 00:20:52,400
Speaker 1: got a job as a professor. I think it's called

424
00:20:52,440 --> 00:20:55,919
Speaker 1: Lawrence College and Appleton, Wisconsin. So they live way fucking

425
00:20:55,960 --> 00:21:00,679
Speaker 1: north in Wisconsin and he's and they've there for like

426
00:21:00,800 --> 00:21:03,639
Speaker 1: it's been fifteen years probably and they love it.

427
00:21:03,760 --> 00:21:06,200
Speaker 2: Yeah, so it just does sets it's skyline.

428
00:21:06,480 --> 00:21:11,919
Speaker 4: Yeah, or he goes he goes to the local supermarket,

429
00:21:12,000 --> 00:21:13,679
Speaker 4: not the chain one, but the mom and pop and

430
00:21:13,800 --> 00:21:16,360
Speaker 4: just and every now and then he'll kind of half

431
00:21:16,400 --> 00:21:21,000
Speaker 4: go into the contesta like glas as Zuchinis, like just

432
00:21:21,200 --> 00:21:26,320
Speaker 4: undertick too soon. Damn, Yeah, my god.

433
00:21:26,680 --> 00:21:29,320
Speaker 1: I miss that. I miss people doing characters.

434
00:21:29,680 --> 00:21:32,359
Speaker 4: Yeah, we would. There was always people would go into

435
00:21:33,440 --> 00:21:37,439
Speaker 4: just whatever at a party and it didn't have to

436
00:21:37,520 --> 00:21:38,800
Speaker 4: necessarily go anywhere.

437
00:21:39,840 --> 00:21:42,919
Speaker 3: But yeah, I miss that too, like during stand up,

438
00:21:43,000 --> 00:21:46,280
Speaker 3: not as a TikTok persona.

439
00:21:46,560 --> 00:21:48,399
Speaker 4: And again you know what, And it was all it

440
00:21:48,480 --> 00:21:53,560
Speaker 4: was truly for ourselves because we weren't tiktoking or posting shit, right,

441
00:21:53,600 --> 00:21:56,119
Speaker 4: it was just we're amusing ourselves right now. Yes, and

442
00:21:56,160 --> 00:21:57,600
Speaker 4: this is all going into the ether.

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00:21:58,280 --> 00:22:00,480
Speaker 1: Yeah, it was the big because of everything was a

444
00:22:00,480 --> 00:22:02,679
Speaker 1: big riff contest, So it was like, what can you

445
00:22:02,720 --> 00:22:06,000
Speaker 1: bring if you're just going to do regular hard jokes,

446
00:22:06,119 --> 00:22:10,200
Speaker 1: will then stand over there because I'm about to unveil

447
00:22:10,280 --> 00:22:11,160
Speaker 1: my new character.

448
00:22:12,680 --> 00:22:16,159
Speaker 2: You're right, there was a time as weird.

449
00:22:15,920 --> 00:22:20,320
Speaker 3: As I and not well received occasionally as I can

450
00:22:20,359 --> 00:22:25,439
Speaker 3: be in a mainstream setting. I felt sometimes like I

451
00:22:25,560 --> 00:22:27,919
Speaker 3: was some road hack because I was wanting to do

452
00:22:28,000 --> 00:22:30,280
Speaker 3: my bits and everyone else was like, well, I bought

453
00:22:30,320 --> 00:22:32,400
Speaker 3: a box of crackers. I'm going to be the rints

454
00:22:34,240 --> 00:22:39,080
Speaker 3: because I just picked these up, and I felt and

455
00:22:39,160 --> 00:22:41,320
Speaker 3: I'm just talking about way later. For me, it just

456
00:22:41,520 --> 00:22:45,399
Speaker 3: used to be an embar Yeah, I am I putting

457
00:22:45,640 --> 00:22:49,600
Speaker 3: am I. I memorized all these things and then the

458
00:22:49,640 --> 00:22:52,919
Speaker 3: next week I could just be chewing it at the

459
00:22:52,960 --> 00:22:53,760
Speaker 3: comedy store.

460
00:22:53,920 --> 00:22:54,399
Speaker 2: I liked that.

461
00:22:54,520 --> 00:22:57,760
Speaker 4: There's that right, Yeah. I remember there was a There

462
00:22:57,880 --> 00:22:59,920
Speaker 4: used to be a message board called a Special Thing,

463
00:23:00,080 --> 00:23:03,240
Speaker 4: and it was kind of very mbar Largo centric. Yeah,

464
00:23:03,240 --> 00:23:06,359
Speaker 4: all the all the m bar Largo fans, like the

465
00:23:06,400 --> 00:23:09,600
Speaker 4: alt comedy fan base was on this message board, and

466
00:23:10,119 --> 00:23:11,919
Speaker 4: a lot of us would go on there and just

467
00:23:11,960 --> 00:23:15,119
Speaker 4: you know, answer fans and talked about something. But I

468
00:23:15,119 --> 00:23:18,160
Speaker 4: would remember them. They would review m Bar shows every week,

469
00:23:18,200 --> 00:23:19,920
Speaker 4: like you would do the Nbar and you'd come home

470
00:23:20,320 --> 00:23:22,000
Speaker 4: and go on that message board. In like an hour later,

471
00:23:22,040 --> 00:23:25,479
Speaker 4: someone had written up the entire show. Yes, but I

472
00:23:25,560 --> 00:23:28,920
Speaker 4: remember one night and this is no slam on anyone

473
00:23:28,960 --> 00:23:31,440
Speaker 4: in this, but it was. It was a night where

474
00:23:32,040 --> 00:23:36,120
Speaker 4: everyone went up and just absolutely killed. Boom boom boom.

475
00:23:36,160 --> 00:23:38,119
Speaker 4: And David Cross went up and he was trying a

476
00:23:38,119 --> 00:23:40,440
Speaker 4: but he goes, I'm trying a munch new stuff because

477
00:23:40,440 --> 00:23:42,280
Speaker 4: he was working on a new special and a lot

478
00:23:42,280 --> 00:23:44,960
Speaker 4: of the new stuff just didn't work. It just didn't land.

479
00:23:44,960 --> 00:23:48,000
Speaker 4: He didn't have a great set. Still David Cross, still funny,

480
00:23:48,000 --> 00:23:50,680
Speaker 4: but it just didn't work. And so this guy wrote

481
00:23:50,680 --> 00:23:53,679
Speaker 4: there's review and he's like the only you know. Everyone

482
00:23:53,680 --> 00:23:58,000
Speaker 4: else went up all prepared and rehearsed, and it was disgusting.

483
00:23:58,119 --> 00:24:01,000
Speaker 4: The only real comedian that night was David Cross. It

484
00:24:01,200 --> 00:24:04,639
Speaker 4: was like he didn't but it was that ethos had

485
00:24:04,760 --> 00:24:08,639
Speaker 4: leaked into the board. Yeah, like they anyone can go

486
00:24:08,720 --> 00:24:11,000
Speaker 4: up and just get lashed. Actually no, you can't. Then

487
00:24:11,000 --> 00:24:13,800
Speaker 4: that whole point of comedy. That's the hard thing to do.

488
00:24:13,960 --> 00:24:15,320
Speaker 1: So it's quite rehearsed.

489
00:24:15,520 --> 00:24:19,119
Speaker 2: Yes, was the review written by like David X.

490
00:24:21,840 --> 00:24:23,600
Speaker 4: I don't think he ever went on those boards, don't do.

491
00:24:23,760 --> 00:24:27,800
Speaker 4: There were some like very specific personalities that came out

492
00:24:27,840 --> 00:24:29,959
Speaker 4: of that board that I feel a lot of them

493
00:24:30,000 --> 00:24:33,600
Speaker 4: probably went all right years rolled on just as they

494
00:24:33,640 --> 00:24:37,600
Speaker 4: became more disaffected, they suddenly just started posting on once

495
00:24:37,720 --> 00:24:40,639
Speaker 4: that board closed. They're like, well, I guess it's storm

496
00:24:40,680 --> 00:24:41,199
Speaker 4: front for me.

497
00:24:42,880 --> 00:24:47,160
Speaker 3: How much is it to fly to Washington, DC? Yeah,

498
00:24:47,280 --> 00:24:50,800
Speaker 3: I used to search for my name on there. I

499
00:24:50,920 --> 00:24:53,360
Speaker 3: just I totally forgot about that until.

500
00:24:53,160 --> 00:24:56,440
Speaker 4: You brought it up, and oh yeah, oh yeah.

501
00:24:56,480 --> 00:24:59,040
Speaker 3: That person kind of said something nice and I'd think

502
00:24:59,080 --> 00:24:59,560
Speaker 3: about it.

503
00:25:00,680 --> 00:25:03,760
Speaker 4: You could always see the early There were always rough

504
00:25:03,840 --> 00:25:07,240
Speaker 4: drafts of the Internet out there. They just weren't there yet.

505
00:25:07,720 --> 00:25:09,960
Speaker 4: Like I remember when there's when I was living in

506
00:25:10,000 --> 00:25:12,240
Speaker 4: San Francisco. You I don't know if you ever did this, Karen,

507
00:25:12,280 --> 00:25:14,399
Speaker 4: but there was a thing in the cafes for a

508
00:25:14,400 --> 00:25:18,040
Speaker 4: while called the coffee Net and they were these little stations,

509
00:25:18,080 --> 00:25:21,160
Speaker 4: little keyboards with a screen and you fed a quarter

510
00:25:21,320 --> 00:25:24,600
Speaker 4: into a slot and then you could chat. It was

511
00:25:24,600 --> 00:25:26,480
Speaker 4: just a chat room, and there were other monitors and

512
00:25:26,560 --> 00:25:29,320
Speaker 4: keyboards in other coffee shops. That's all. It was. So

513
00:25:29,359 --> 00:25:31,520
Speaker 4: there was never more than twelve people in the chat room,

514
00:25:31,920 --> 00:25:35,040
Speaker 4: but Blaine and I and Mark Marin would put a

515
00:25:35,160 --> 00:25:37,719
Speaker 4: stack of cour like we were immediately addicted to this,

516
00:25:37,840 --> 00:25:40,360
Speaker 4: and you would think that I would observe, like, wait

517
00:25:40,400 --> 00:25:43,119
Speaker 4: a minute, I'm in a coffee shop with my friends,

518
00:25:43,119 --> 00:25:46,639
Speaker 4: and I'd rather feed quarters and just type non sequitors

519
00:25:46,920 --> 00:25:51,280
Speaker 4: at these random people. There's clearly money in this. Yeah,

520
00:25:51,280 --> 00:25:53,639
Speaker 4: and I just didn't even bother. Yeah, you could have

521
00:25:53,760 --> 00:25:56,720
Speaker 4: been this will never catch on, hang on, I need

522
00:25:56,920 --> 00:25:58,600
Speaker 4: this five dollar Can I get this in quarters? This

523
00:25:58,640 --> 00:25:59,280
Speaker 4: five dollar bill?

524
00:25:59,320 --> 00:26:01,639
Speaker 1: Thank you part of it that they figured out a

525
00:26:01,640 --> 00:26:05,800
Speaker 1: way to make you pay for it, like that is hilarious, Like, yeah,

526
00:26:05,840 --> 00:26:06,320
Speaker 1: a quarter.

527
00:26:06,640 --> 00:26:08,240
Speaker 4: It was like playing a video. A quarter got you

528
00:26:08,280 --> 00:26:11,520
Speaker 4: ten minutes. And we would sit there and just and

529
00:26:11,640 --> 00:26:16,399
Speaker 4: I was I think we had different names. I think

530
00:26:17,560 --> 00:26:19,359
Speaker 4: I forgot what. But we would go on and just

531
00:26:19,440 --> 00:26:22,000
Speaker 4: like start talking and then you get into arguments, and

532
00:26:22,000 --> 00:26:25,240
Speaker 4: the arguments were But apparently back in the seventies and eighties,

533
00:26:25,240 --> 00:26:26,400
Speaker 4: weren't their party.

534
00:26:26,080 --> 00:26:27,679
Speaker 1: Lines on the phone.

535
00:26:27,800 --> 00:26:29,840
Speaker 4: Yeah, yeah, and you could call up and just talk

536
00:26:29,880 --> 00:26:30,280
Speaker 4: to people.

537
00:26:30,359 --> 00:26:33,119
Speaker 1: Yeah, that turned into the sex lines. Yeah, like.

538
00:26:37,359 --> 00:26:42,760
Speaker 3: Thousands of women are waiting to talk to me, Wow, wow.

539
00:26:43,640 --> 00:26:47,640
Speaker 4: Remember that. There's a scene in I think it's Shortcuts.

540
00:26:47,760 --> 00:26:50,560
Speaker 4: Jennifer Jason Leigh is a phone sex operator where people

541
00:26:50,600 --> 00:26:54,639
Speaker 4: just call up and she's saying the most filthy stuff

542
00:26:54,680 --> 00:26:56,960
Speaker 4: and her either boyfriend or husband played by Chris Penn

543
00:26:57,720 --> 00:27:01,000
Speaker 4: is clearly like she's making a lot of money for them,

544
00:27:01,000 --> 00:27:02,480
Speaker 4: and he's like, why don't you never talk that way

545
00:27:02,520 --> 00:27:06,960
Speaker 4: to me because it's disgusting, Like she's not personally attached

546
00:27:06,960 --> 00:27:09,359
Speaker 4: to it, but it's like that's probably who you're talking

547
00:27:09,359 --> 00:27:10,520
Speaker 4: to when you're on the sex lines.

548
00:27:10,600 --> 00:27:13,320
Speaker 1: Oh yeah, yeah, yeah, I had a friend who did

549
00:27:13,320 --> 00:27:18,000
Speaker 1: that really yeah, because it was really good money. So

550
00:27:18,119 --> 00:27:19,639
Speaker 1: all of a sudden, it's like, yeah, you don't have

551
00:27:19,680 --> 00:27:22,040
Speaker 1: to go be a waitress for eight hours. You can

552
00:27:22,080 --> 00:27:24,800
Speaker 1: just do this for two and as long as you're

553
00:27:24,800 --> 00:27:26,879
Speaker 1: willing to just be kind of gross and some guys

554
00:27:26,920 --> 00:27:29,560
Speaker 1: being gross back to you, you make a bank. My

555
00:27:29,680 --> 00:27:32,160
Speaker 1: friend was just like, yeah, who gives a ship. I'd

556
00:27:32,200 --> 00:27:35,960
Speaker 1: way rather get this big payout and it's like worth

557
00:27:35,960 --> 00:27:36,440
Speaker 1: her time.

558
00:27:36,840 --> 00:27:39,199
Speaker 4: Yeah, well that's like all the I don't know if

559
00:27:39,200 --> 00:27:42,200
Speaker 4: those still exist. Cam girls, web girls. Oh yeah, wasn't

560
00:27:42,200 --> 00:27:42,800
Speaker 4: that a whole thing?

561
00:27:43,880 --> 00:27:47,840
Speaker 1: Yes, I mean that's now it's like the only fans accounts, right, yeah.

562
00:27:47,560 --> 00:27:49,200
Speaker 4: Oh that's right. Yeah.

563
00:27:49,200 --> 00:27:50,679
Speaker 1: I don't pretend you don't know.

564
00:27:52,720 --> 00:27:56,600
Speaker 4: This is this is fucking oh, this is mortifying. Right

565
00:27:56,680 --> 00:27:59,520
Speaker 4: When only fans started, when I had heard the term

566
00:27:59,640 --> 00:28:03,080
Speaker 4: only fans, but I didn't know yet that it was

567
00:28:03,119 --> 00:28:06,879
Speaker 4: for porn. I just thought only fans artists have a

568
00:28:06,960 --> 00:28:09,680
Speaker 4: page and people paid to see your new work. And

569
00:28:10,520 --> 00:28:13,320
Speaker 4: I was talking with Amy Mann and she was like, yeah,

570
00:28:13,320 --> 00:28:14,879
Speaker 4: I'm trying to put this new album out, but you know,

571
00:28:14,880 --> 00:28:17,879
Speaker 4: you gotta the labels are all collapsing, and you know,

572
00:28:17,920 --> 00:28:19,200
Speaker 4: I don't know how to get the word out. And

573
00:28:19,240 --> 00:28:20,640
Speaker 4: then I just said, well, you should start an only

574
00:28:20,680 --> 00:28:24,120
Speaker 4: fans page, like in my mind, thinking because that's where

575
00:28:24,119 --> 00:28:27,360
Speaker 4: you put She's like, what, I go where you put

576
00:28:27,400 --> 00:28:28,960
Speaker 4: your music on? She goes, do you know what? Only

577
00:28:30,119 --> 00:28:33,439
Speaker 4: but what? And the kid to explained. I'm like, oh jesus, right,

578
00:28:33,600 --> 00:28:34,520
Speaker 4: that's not what I was saying.

579
00:28:34,600 --> 00:28:36,920
Speaker 2: You know people do do that, though you're not off.

580
00:28:38,160 --> 00:28:38,960
Speaker 4: Yeah, now they do.

581
00:28:39,200 --> 00:28:42,400
Speaker 2: Yeah, I have seen that in recent days.

582
00:28:42,600 --> 00:28:46,720
Speaker 4: Yeah, there's someone who has an only fans page. Wait

583
00:28:46,760 --> 00:28:48,200
Speaker 4: a minute, they just announced it and they're not like

584
00:28:48,240 --> 00:28:49,440
Speaker 4: a porn person.

585
00:28:49,160 --> 00:28:53,160
Speaker 1: Who No, there's people that are doing comedy specials on OnlyFans.

586
00:28:52,680 --> 00:28:54,640
Speaker 2: Right why yeah, yeah, that's what I'm saying.

587
00:28:54,680 --> 00:28:59,040
Speaker 1: Yeah, it's I think I think Whitney Cummings produced a

588
00:28:59,200 --> 00:29:07,800
Speaker 1: roast that I can't remember the person who is that? True? No, yeah,

589
00:29:07,800 --> 00:29:11,760
Speaker 1: I think they're they're trying to basically like sidestep all

590
00:29:11,800 --> 00:29:14,680
Speaker 1: the middlemen and all the people that take all their percentages.

591
00:29:14,560 --> 00:29:16,840
Speaker 4: Exactly, just I'll put it up and pay whatever, or

592
00:29:17,400 --> 00:29:20,080
Speaker 4: not even pay what you want. They're like Dana Gould

593
00:29:20,160 --> 00:29:23,360
Speaker 4: has a Patreon, but it's like, I'm not doing levels,

594
00:29:23,400 --> 00:29:25,800
Speaker 4: I'm not doing tears. It's five bucks a month and

595
00:29:25,800 --> 00:29:28,760
Speaker 4: you get everything. Yeah, and when you do it that way,

596
00:29:28,840 --> 00:29:31,360
Speaker 4: actually more people sign up. I'm because like, oh this

597
00:29:31,480 --> 00:29:32,040
Speaker 4: is so easy.

598
00:29:32,320 --> 00:29:34,400
Speaker 3: I'm not one hundred percent sold on it, and I

599
00:29:34,520 --> 00:29:37,400
Speaker 3: might do it. Yeah it's good I want and then

600
00:29:37,600 --> 00:29:43,520
Speaker 3: just have asualtry image that suggests I'm doing anything more

601
00:29:43,560 --> 00:29:44,720
Speaker 3: interesting high everybody.

602
00:29:44,720 --> 00:29:44,880
Speaker 2: Well.

603
00:29:44,920 --> 00:29:47,160
Speaker 4: Then there's also writers that have sub stacks and you

604
00:29:47,240 --> 00:29:49,600
Speaker 4: pay for that every month and they're like, I don't

605
00:29:49,600 --> 00:29:51,560
Speaker 4: need to worry about getting it published. You want to

606
00:29:51,560 --> 00:29:52,520
Speaker 4: read my stuff here it is.

607
00:29:52,640 --> 00:29:53,440
Speaker 1: Yeah.

608
00:29:53,600 --> 00:29:55,960
Speaker 4: Yeah, all the self publishing stuff that's going on.

609
00:29:56,360 --> 00:29:58,880
Speaker 1: Also Cameo, where you can if people want you to

610
00:29:58,960 --> 00:29:59,840
Speaker 1: say happy birth there.

611
00:30:00,520 --> 00:30:04,640
Speaker 4: Yeah, although from what I heard, cameo can end up

612
00:30:04,680 --> 00:30:07,480
Speaker 4: taking over your life, like it is, what so much work?

613
00:30:07,520 --> 00:30:09,720
Speaker 4: It becomes your Well, it's not that it's so much work.

614
00:30:10,080 --> 00:30:14,360
Speaker 4: If you have any kind of cachet, you will get

615
00:30:14,480 --> 00:30:16,680
Speaker 4: you know, one hundred of quests today and you're like, well,

616
00:30:16,720 --> 00:30:19,880
Speaker 4: I'm here, you know, it becomes an eight hour workday

617
00:30:20,280 --> 00:30:24,280
Speaker 4: during the guy who played like one of the characters

618
00:30:24,280 --> 00:30:27,760
Speaker 4: on Office Space and not obviously the Office, the American

619
00:30:27,760 --> 00:30:32,600
Speaker 4: Office who's the tall bald guy kind of talks like,

620
00:30:32,800 --> 00:30:35,640
Speaker 4: oh yeah, yeah, he made a million dollars a year

621
00:30:35,680 --> 00:30:36,200
Speaker 4: on Cameo.

622
00:30:36,400 --> 00:30:37,080
Speaker 1: Holy shit.

623
00:30:37,280 --> 00:30:39,080
Speaker 4: Yeah, And people basically just ask him to say the

624
00:30:39,120 --> 00:30:40,800
Speaker 4: same phrase over and over and he just sits in

625
00:30:40,800 --> 00:30:41,720
Speaker 4: his house and does it.

626
00:30:42,080 --> 00:30:46,240
Speaker 1: Hell yes, I mean, get that bag however you can

627
00:30:46,600 --> 00:30:47,000
Speaker 1: get it.

628
00:30:47,120 --> 00:30:47,360
Speaker 2: Yeah.

629
00:30:47,400 --> 00:30:52,640
Speaker 3: I was in Portland and there's this skateboarding Jesus guy.

630
00:30:53,040 --> 00:30:58,320
Speaker 2: He rides along for just one's.

631
00:30:57,160 --> 00:31:00,840
Speaker 6: There's competing skateboard That's all he's talked about was the

632
00:31:01,320 --> 00:31:06,240
Speaker 6: other skateboarding Jesus' and he but he we did a

633
00:31:06,320 --> 00:31:09,000
Speaker 6: little interview and he's very sweet and He took me

634
00:31:09,120 --> 00:31:11,600
Speaker 6: to his office and he had a whole setup.

635
00:31:11,760 --> 00:31:14,680
Speaker 3: One was for Cameo and then all these other apps.

636
00:31:14,800 --> 00:31:17,960
Speaker 3: He did them for churches. He did, and he wasn't

637
00:31:18,120 --> 00:31:22,440
Speaker 3: like a Christian guy, but he he did it.

638
00:31:22,880 --> 00:31:27,640
Speaker 1: Very much for wow, for churches like, hey, guys, Jesus here,

639
00:31:27,720 --> 00:31:32,360
Speaker 1: I highly recommend St. Andrews. Yes, right, Eucharist.

640
00:31:32,080 --> 00:31:35,760
Speaker 4: Always just got some fresh trucks on the board.

641
00:31:35,920 --> 00:31:40,600
Speaker 3: He did it in the many Texas high school football teams.

642
00:31:40,760 --> 00:31:45,640
Speaker 3: Oh really he did, wow, And it made me whoever

643
00:31:46,360 --> 00:31:49,440
Speaker 3: was requesting those obviously had a sense of humor because

644
00:31:50,120 --> 00:31:51,400
Speaker 3: he wasn't that serious.

645
00:31:51,720 --> 00:31:53,560
Speaker 2: Yeah, so I'm like, well, he must be doing it

646
00:31:53,640 --> 00:31:54,320
Speaker 2: for the cool church.

647
00:31:54,480 --> 00:31:57,040
Speaker 1: But you're saying skateboarding Jesus is not evangelical.

648
00:31:57,320 --> 00:31:58,840
Speaker 4: No, no, it was.

649
00:31:59,080 --> 00:32:00,960
Speaker 3: I mean he put a little like kind of a

650
00:32:01,040 --> 00:32:03,320
Speaker 3: bed skirt around his skateboard so it looked like he

651
00:32:03,480 --> 00:32:04,280
Speaker 3: was floating.

652
00:32:06,720 --> 00:32:11,840
Speaker 2: Yes, I love him. The skateboard was shaped like a crucifix. Yeah,

653
00:32:12,080 --> 00:32:14,400
Speaker 2: of course, so you could take someone out at the ankle.

654
00:32:16,880 --> 00:32:17,680
Speaker 4: I know, I know.

655
00:32:18,200 --> 00:32:22,600
Speaker 2: I didn't throw a log on the fire at church camp.

656
00:32:22,800 --> 00:32:25,920
Speaker 3: I was offended, but he made such a living and

657
00:32:26,240 --> 00:32:28,160
Speaker 3: told me, here's what you need to do, and that's

658
00:32:28,200 --> 00:32:31,120
Speaker 3: when I signed up for Cameo and yes, during quarantine,

659
00:32:31,720 --> 00:32:33,680
Speaker 3: even just for me, it was a daily thing and

660
00:32:33,840 --> 00:32:36,680
Speaker 3: sometimes they were, oh, you have twenty.

661
00:32:36,440 --> 00:32:39,360
Speaker 2: Four hours to do this, and it's our sweet fans.

662
00:32:39,600 --> 00:32:42,720
Speaker 4: Yeah it was wow, But yeah.

663
00:32:42,560 --> 00:32:44,680
Speaker 2: I kind of dried up because you have to advertise it.

664
00:32:44,880 --> 00:32:47,800
Speaker 4: I've been pitched a couple of cruises. I've never been

665
00:32:47,840 --> 00:32:50,600
Speaker 4: in a cruise and I'll never do one, but I

666
00:32:50,720 --> 00:32:52,880
Speaker 4: did stand up to do yo. Yeah, stand up and

667
00:32:52,960 --> 00:32:55,240
Speaker 4: music cruises or a very big thing.

668
00:32:55,400 --> 00:32:56,720
Speaker 1: It's good money, right, yeah.

669
00:32:56,800 --> 00:33:00,960
Speaker 4: And especially here's what's amazing. So many of our alt

670
00:33:01,160 --> 00:33:06,480
Speaker 4: rock nineties heroes are either doing the soundtracks for children's shows.

671
00:33:07,240 --> 00:33:10,960
Speaker 4: Kay Hanley from Letters to Cleo does Doc mcstuffians and

672
00:33:12,560 --> 00:33:14,920
Speaker 4: I'm not kidding she does not MC stuff. That's awesome,

673
00:33:15,000 --> 00:33:17,640
Speaker 4: and they might be giants. Does Mickey Mouse Clubhouse?

674
00:33:17,760 --> 00:33:21,880
Speaker 2: Oh yeah they always did, yeah yeah yeah. But now

675
00:33:22,000 --> 00:33:25,360
Speaker 2: there are these cruises I know that like three eleven.

676
00:33:25,960 --> 00:33:29,080
Speaker 4: Yeah, like they will do and it's it's it's it's

677
00:33:29,120 --> 00:33:31,960
Speaker 4: no different than like when there's a package torn now

678
00:33:32,160 --> 00:33:34,120
Speaker 4: of all your Like there was that thing that was

679
00:33:34,160 --> 00:33:38,920
Speaker 4: just touring with like the Cure and ye just like yes, yeah, yeah,

680
00:33:39,000 --> 00:33:44,240
Speaker 4: where it's they just we're going to it's package nostalgia. Yeah.

681
00:33:44,280 --> 00:33:46,520
Speaker 4: And the artists that are honored I apparently make banks.

682
00:33:46,520 --> 00:33:48,240
Speaker 4: They're like why not? Why wouldn't I do this?

683
00:33:48,600 --> 00:33:48,760
Speaker 2: Right?

684
00:33:49,040 --> 00:33:52,120
Speaker 4: But but there's something about a cruise, because isn't there

685
00:33:52,160 --> 00:33:54,880
Speaker 4: a specific kind of person that likes to go on

686
00:33:54,960 --> 00:33:55,960
Speaker 4: a cruise? I don't know.

687
00:33:56,480 --> 00:34:00,640
Speaker 1: Well, it's it's really good. The marketing concept is amazing

688
00:34:00,720 --> 00:34:02,880
Speaker 1: because they're probably pulling in all these people who would

689
00:34:02,920 --> 00:34:05,800
Speaker 1: never go on a cruise. Oh yeah right, they're tapping

690
00:34:05,880 --> 00:34:08,279
Speaker 1: in new markets that kind of stuff.

691
00:34:08,400 --> 00:34:12,680
Speaker 4: Yeah, makes sense. I just can't imagine Julianna Hatfield's fans,

692
00:34:13,400 --> 00:34:16,400
Speaker 4: you know, wanting like salivating for the all night buffet

693
00:34:17,040 --> 00:34:19,200
Speaker 4: and going, God, I hope she does a Babe.

694
00:34:18,960 --> 00:34:24,880
Speaker 1: Today wandering and she's like, because I'm ugly, so upset.

695
00:34:25,000 --> 00:34:25,799
Speaker 4: She's not ugly.

696
00:34:26,000 --> 00:34:30,600
Speaker 1: She's not ugly. And plus, look at the ambrosia, Marie,

697
00:34:30,719 --> 00:34:32,680
Speaker 1: keep your voice down. She's singing a ballot.

698
00:34:34,840 --> 00:34:41,840
Speaker 3: Ambrosia is like that lime green yellow marshmallowy.

699
00:34:40,239 --> 00:34:43,360
Speaker 4: Like like cool whip. It's it's just that we have

700
00:34:43,440 --> 00:34:45,080
Speaker 4: a bunch of cold things in the fridge.

701
00:34:45,120 --> 00:34:49,120
Speaker 1: That's just mad togetheres grapes down.

702
00:34:50,520 --> 00:34:54,080
Speaker 4: In that basically sugar water, Yes, just just soaking in

703
00:34:54,120 --> 00:34:54,680
Speaker 4: sugar water.

704
00:34:54,800 --> 00:34:57,080
Speaker 1: It's the stuff that if it gets left out at

705
00:34:57,120 --> 00:34:59,320
Speaker 1: a barbecue on a picnic table, don't eat that.

706
00:34:59,600 --> 00:35:02,600
Speaker 4: Yeah, well, or if it gets left out, it ferments

707
00:35:03,120 --> 00:35:07,400
Speaker 4: and the kids can catch a tiny buzz man like,

708
00:35:07,640 --> 00:35:11,720
Speaker 4: oh that was, mommy, that was the oranges were fizzy.

709
00:35:13,000 --> 00:35:15,120
Speaker 2: We're just saving money on your penicillain.

710
00:35:16,239 --> 00:35:16,560
Speaker 4: Yeah that.

711
00:35:17,040 --> 00:35:20,040
Speaker 3: I don't know if i'd want to do my subtle word,

712
00:35:20,360 --> 00:35:23,680
Speaker 3: make them ups in front of it, you know, oz

713
00:35:23,800 --> 00:35:24,560
Speaker 3: fest just.

714
00:35:25,640 --> 00:35:28,200
Speaker 4: I remember when I was eight, I was visiting my

715
00:35:28,320 --> 00:35:30,520
Speaker 4: grandparents in Arizona and we all went out to dinner

716
00:35:30,560 --> 00:35:34,560
Speaker 4: one night with my Aunt Debbie. And Aunt Debbie ordered

717
00:35:34,640 --> 00:35:39,360
Speaker 4: a uh Vodkatonic and I ordered a seven up. And

718
00:35:39,560 --> 00:35:43,000
Speaker 4: it was the late seventies and all the all the

719
00:35:43,040 --> 00:35:45,719
Speaker 4: glasses were just the same, there was no and they

720
00:35:45,840 --> 00:35:48,479
Speaker 4: put her Vodkatonic in front of me and my seven

721
00:35:48,560 --> 00:35:51,000
Speaker 4: up in front of her, and I wasn't really you know,

722
00:35:51,680 --> 00:35:54,279
Speaker 4: like seven or eight. I just straws in and I

723
00:35:55,000 --> 00:35:56,880
Speaker 4: drink like half of it without even thinking of it

724
00:35:57,040 --> 00:36:00,560
Speaker 4: me while my Aunt Debbie is sipping her as she goes, man,

725
00:36:00,640 --> 00:36:05,880
Speaker 4: they really make great fun jes fantastic. It's just but

726
00:36:06,000 --> 00:36:08,040
Speaker 4: it took her a second, like she got maybe a

727
00:36:08,040 --> 00:36:09,239
Speaker 4: fourth way through it, and then she looked at me

728
00:36:09,239 --> 00:36:11,360
Speaker 4: and was like, no, no, no, no grab it. But

729
00:36:11,480 --> 00:36:14,479
Speaker 4: I I remember, I remember distinctly getting a weird little

730
00:36:14,480 --> 00:36:17,439
Speaker 4: buzz because I didn't. I just drank at how old

731
00:36:17,560 --> 00:36:18,799
Speaker 4: seven or eight?

732
00:36:18,960 --> 00:36:22,360
Speaker 2: Oh wow, that is when you're shirtless dancing on the piano.

733
00:36:24,200 --> 00:36:27,760
Speaker 4: That's so great, diving into the ballpit.

734
00:36:28,000 --> 00:36:29,080
Speaker 2: I actually.

735
00:36:33,080 --> 00:36:34,160
Speaker 1: Put your shirt back on.

736
00:36:34,360 --> 00:36:35,520
Speaker 4: What are you doing? God?

737
00:36:35,719 --> 00:36:39,640
Speaker 1: An Italian restaurant, just swimming in.

738
00:36:45,280 --> 00:36:45,560
Speaker 2: Lord.

739
00:36:46,760 --> 00:36:49,719
Speaker 4: So to the listeners that can't that have no visual

740
00:36:49,760 --> 00:36:53,239
Speaker 4: to that, we are heading east on Venture Boulevard and

741
00:36:53,920 --> 00:36:57,920
Speaker 4: Ventura Studio City is where all of the hipsters who

742
00:36:57,960 --> 00:37:01,240
Speaker 4: aged out of Los Felice have moved. Because we're about

743
00:37:01,280 --> 00:37:05,120
Speaker 4: to enter an area of Ventura Boulevard where the restaurants

744
00:37:05,160 --> 00:37:09,239
Speaker 4: and coffee shops are actually kind of good, and there

745
00:37:09,320 --> 00:37:13,440
Speaker 4: was a weird migration of services over here. Oh my god. Yeah,

746
00:37:13,440 --> 00:37:17,560
Speaker 4: there's Mark's Garden Marks beautifully decorated. But there's a bunch

747
00:37:17,600 --> 00:37:21,200
Speaker 4: of restaurants along here that are great, like shockingly great.

748
00:37:21,520 --> 00:37:23,839
Speaker 3: Yeah, And I every time I drive down that street,

749
00:37:23,880 --> 00:37:25,480
Speaker 3: I'm like, I'm gonna hang out over here.

750
00:37:25,600 --> 00:37:30,560
Speaker 4: Yeah, wait a minute, I never do. Because if you

751
00:37:30,640 --> 00:37:35,080
Speaker 4: have Echo Park Park, there's pet Tit Twa. That's the

752
00:37:35,080 --> 00:37:38,560
Speaker 4: guys who do animal That's her little French place. Amazing.

753
00:37:38,719 --> 00:37:41,800
Speaker 4: There is a little pub there, the one up that

754
00:37:41,960 --> 00:37:47,000
Speaker 4: has got video games and really good pub food. The

755
00:37:47,080 --> 00:37:49,360
Speaker 4: Woodman is really tasty, coming up on our left, and

756
00:37:49,440 --> 00:37:53,040
Speaker 4: a second will be a place got please put please

757
00:37:53,080 --> 00:37:58,040
Speaker 4: put your headphones off out. But there's a place coming

758
00:37:58,200 --> 00:38:03,200
Speaker 4: up called Wood and Water that is so goddamn good,

759
00:38:04,480 --> 00:38:08,120
Speaker 4: just amazing food, just amazing dinner. And then they do

760
00:38:08,480 --> 00:38:13,080
Speaker 4: like Sunday brunch, but all of their food is fantastic.

761
00:38:13,239 --> 00:38:16,440
Speaker 4: And it's on Ventura in the goddamn valley and you

762
00:38:16,600 --> 00:38:18,719
Speaker 4: do not expect it to be that good, and it is.

763
00:38:19,760 --> 00:38:21,160
Speaker 4: It's right past men che See.

764
00:38:22,640 --> 00:38:25,640
Speaker 1: And there's a home state over here, and yes, there's.

765
00:38:25,440 --> 00:38:29,000
Speaker 3: A home state in which if you are from Austin

766
00:38:29,160 --> 00:38:31,719
Speaker 3: and you moved to Los Angeles and you miss hot

767
00:38:31,800 --> 00:38:32,279
Speaker 3: bowls of.

768
00:38:32,360 --> 00:38:36,640
Speaker 2: Cheese, which which used to I used to eat so

769
00:38:36,800 --> 00:38:37,160
Speaker 2: much of it.

770
00:38:37,520 --> 00:38:41,920
Speaker 3: You had a slight limp. Martha Kelly and I would

771
00:38:42,040 --> 00:38:44,640
Speaker 3: eat she would just call me up.

772
00:38:45,640 --> 00:38:48,320
Speaker 2: She would just call me up and go, Hi, fair Banks,

773
00:38:49,239 --> 00:38:50,800
Speaker 2: you want to get a big bull.

774
00:38:50,600 --> 00:38:53,279
Speaker 4: Of cheese, Like, yeah, we might want to do it,

775
00:38:53,680 --> 00:38:57,959
Speaker 4: and you're like, but I have gouts it my foot

776
00:38:58,080 --> 00:39:00,680
Speaker 4: is numb. I'm like to live you Coleman in.

777
00:39:00,680 --> 00:39:04,800
Speaker 1: The Favors right now, be get me my bunnies.

778
00:39:05,360 --> 00:39:07,799
Speaker 4: We also just passed on our lapt back there Cosavega,

779
00:39:07,920 --> 00:39:13,319
Speaker 4: which is the site of many a nineteen seventies drunken debauchery.

780
00:39:13,760 --> 00:39:18,839
Speaker 4: I think Cosavega features in Licorice Pizza. It does, yeah, yeah, yeah, yeah,

781
00:39:18,880 --> 00:39:19,880
Speaker 4: they all drinking.

782
00:39:19,719 --> 00:39:21,759
Speaker 2: Line on the tip of my tongue. And then other

783
00:39:21,800 --> 00:39:25,440
Speaker 2: than that, just like the movie Barfly or something, Well

784
00:39:25,480 --> 00:39:26,360
Speaker 2: that's all downtown.

785
00:39:26,440 --> 00:39:28,799
Speaker 4: Although I also think Cosavega is in a once upon

786
00:39:28,800 --> 00:39:31,319
Speaker 4: a time in Hollywood. I think they go drinking there.

787
00:39:31,600 --> 00:39:34,320
Speaker 1: I also went. I went to dinner there once in

788
00:39:34,360 --> 00:39:37,920
Speaker 1: the nineties before I stopped drinking, and I forgot that

789
00:39:38,080 --> 00:39:40,080
Speaker 1: I had even been there. So then the next time

790
00:39:40,160 --> 00:39:42,319
Speaker 1: people are like, should we go to Cosavega, I'm like, yeah,

791
00:39:42,320 --> 00:39:44,120
Speaker 1: I've never been there, and whoever was with me it

792
00:39:44,200 --> 00:39:46,800
Speaker 1: was like we were there last month, and what is

793
00:39:46,880 --> 00:39:47,400
Speaker 1: wrong with you?

794
00:39:48,080 --> 00:39:48,400
Speaker 2: Nothing?

795
00:39:48,680 --> 00:39:52,040
Speaker 1: Nothing is wrong with me until I decide there's something

796
00:39:52,440 --> 00:39:53,440
Speaker 1: super wrong with me.

797
00:39:53,600 --> 00:39:56,160
Speaker 4: Can't a girl decide when she bought him out?

798
00:39:57,360 --> 00:39:59,239
Speaker 1: All black out as many times as.

799
00:39:59,160 --> 00:40:01,800
Speaker 4: I need to. You do not blackout. Explain to me

800
00:40:03,440 --> 00:40:09,239
Speaker 4: this is sexist, this is very And then of course

801
00:40:09,280 --> 00:40:12,320
Speaker 4: you have the class still the classic Valley five guys,

802
00:40:12,400 --> 00:40:15,880
Speaker 4: Western Bagel, Starbucks like boom boom boom. Also then you

803
00:40:15,960 --> 00:40:17,200
Speaker 4: got but then there's an out for.

804
00:40:17,320 --> 00:40:18,320
Speaker 1: Coffee, Alfred.

805
00:40:18,760 --> 00:40:19,640
Speaker 2: It's all border.

806
00:40:19,760 --> 00:40:23,160
Speaker 4: There's a Jones on third over off of Laurel Canyon.

807
00:40:23,239 --> 00:40:24,600
Speaker 1: Now that place is the greatest.

808
00:40:24,680 --> 00:40:28,440
Speaker 4: Oh my god. If you want to go see pissed

809
00:40:28,480 --> 00:40:32,040
Speaker 4: off people about to go audition at CBS Radford, that

810
00:40:32,280 --> 00:40:33,560
Speaker 4: is where you go.

811
00:40:34,040 --> 00:40:35,959
Speaker 1: And the and the people who aren't going to choose

812
00:40:36,000 --> 00:40:37,040
Speaker 1: them for their projects.

813
00:40:37,280 --> 00:40:41,759
Speaker 4: They're also there, all sitting together putting their punch cards in.

814
00:40:42,239 --> 00:40:45,719
Speaker 3: Well, gotta go fire you now also pass on you

815
00:40:46,080 --> 00:40:49,800
Speaker 3: Sportsman's Lodge hotel they have like a pool side.

816
00:40:50,920 --> 00:40:52,480
Speaker 2: You can just go there. You don't need to even

817
00:40:52,520 --> 00:40:53,040
Speaker 2: be in a room.

818
00:40:53,239 --> 00:40:55,600
Speaker 1: Yeah, I don't think that that the hotel's there anymore

819
00:40:55,640 --> 00:40:56,359
Speaker 1: though it's now.

820
00:40:56,520 --> 00:40:58,200
Speaker 2: It didn't look like it was in great shape.

821
00:40:58,320 --> 00:41:01,080
Speaker 4: It's well, no, they refurbished the Who, But is the

822
00:41:01,200 --> 00:41:02,080
Speaker 4: actual hotel there?

823
00:41:02,160 --> 00:41:05,920
Speaker 1: Didn't they turn it into like an Equinox strip mop Yes, yeah.

824
00:41:05,960 --> 00:41:07,960
Speaker 4: They did, but the pool side thing is still there. Oh,

825
00:41:08,000 --> 00:41:11,920
Speaker 4: it is one of my favorite names. Muffin can stop us? Right,

826
00:41:13,320 --> 00:41:15,759
Speaker 4: that's not real that we just passed Muffin can stop it?

827
00:41:15,840 --> 00:41:16,520
Speaker 1: Are you serious?

828
00:41:18,000 --> 00:41:20,759
Speaker 4: It's right next to Element's pharmacy. Why can I pay

829
00:41:20,880 --> 00:41:23,800
Speaker 4: three hundred dollars for my COVID vaccine? That's why you

830
00:41:23,880 --> 00:41:25,880
Speaker 4: want to go to Element's pharmacy where the stars.

831
00:41:27,840 --> 00:41:29,040
Speaker 2: I want that to be a tailor.

832
00:41:29,200 --> 00:41:31,040
Speaker 4: I don't want to go get it for free at CVS,

833
00:41:31,120 --> 00:41:33,399
Speaker 4: like I'm some kind of proll. Well, then you want

834
00:41:33,440 --> 00:41:35,040
Speaker 4: to head down to Element's pharmacy.

835
00:41:35,840 --> 00:41:38,480
Speaker 1: I'm trying to think of wordplay on We built the

836
00:41:38,560 --> 00:41:41,560
Speaker 1: city so hard right now that my brain is bleeding.

837
00:41:42,239 --> 00:41:44,560
Speaker 4: God damn. I mean, you know there was always that Who.

838
00:41:44,719 --> 00:41:46,320
Speaker 4: There was some road comic. I'm sure that what we

839
00:41:46,400 --> 00:41:50,520
Speaker 4: built this titty. Yes, we built this titty on sil

840
00:41:52,200 --> 00:41:55,440
Speaker 4: you know somebody. Yeah, there's no way they did.

841
00:41:55,640 --> 00:42:00,360
Speaker 2: Think it was Mark Cohen didn't kill He did a

842
00:42:00,440 --> 00:42:03,279
Speaker 2: parody of like here make fun of those guys. Yeah,

843
00:42:04,239 --> 00:42:07,239
Speaker 2: but then it's the funniest thing in the world to me.

844
00:42:07,960 --> 00:42:09,480
Speaker 4: Yeah, he would do it to make fun of it,

845
00:42:09,600 --> 00:42:11,760
Speaker 4: but it always kill Also.

846
00:42:11,680 --> 00:42:13,480
Speaker 1: He would do it in the middle of a party

847
00:42:13,560 --> 00:42:15,879
Speaker 1: everyone had just smoked pot, and then he would pick

848
00:42:16,000 --> 00:42:18,680
Speaker 1: up a guitar and be making eye contact with you,

849
00:42:19,160 --> 00:42:21,040
Speaker 1: like the craziest person on the planet.

850
00:42:21,080 --> 00:42:24,640
Speaker 4: And he's like this kid, I can't do this right

851
00:42:24,719 --> 00:42:28,919
Speaker 4: now to whoop away constipation. You always ate the rays

852
00:42:29,000 --> 00:42:34,040
Speaker 4: and coco. Please, I'm so goddamn high right now, Blaine

853
00:42:34,080 --> 00:42:37,800
Speaker 4: brought some lighter weed and I cannot please just stop,

854
00:42:37,920 --> 00:42:38,480
Speaker 4: I'm gonna die.

855
00:42:39,719 --> 00:42:42,000
Speaker 3: I have three other versions in my head, but they're

856
00:42:42,320 --> 00:42:45,080
Speaker 3: offensive now I can't right them.

857
00:42:45,440 --> 00:42:45,560
Speaker 2: Right.

858
00:42:45,800 --> 00:42:49,759
Speaker 3: He always made me laugh the funniest. Oh god, I

859
00:42:49,840 --> 00:42:52,040
Speaker 3: think he's now got a regular Vegas.

860
00:42:52,080 --> 00:42:54,840
Speaker 4: Yes, he has a residency somewhere.

861
00:42:55,120 --> 00:42:55,600
Speaker 1: Oh great.

862
00:42:55,800 --> 00:42:59,279
Speaker 4: Yeah, and look, Oh there's the Licorice Pizza pop up

863
00:42:59,320 --> 00:43:02,200
Speaker 4: store on a right, nice arts delicatess And oh I

864
00:43:02,239 --> 00:43:04,560
Speaker 4: got to go back to breakfast there. I love that place.

865
00:43:05,000 --> 00:43:08,600
Speaker 2: Are you do regularly? Do stand up in Vegas? Paton?

866
00:43:08,960 --> 00:43:12,000
Speaker 4: Not as as? Oh, by the way, Annabel's Book Club

867
00:43:12,040 --> 00:43:16,960
Speaker 4: on our right, amazing tween young adult bookstore. Oh, amazing,

868
00:43:17,280 --> 00:43:19,960
Speaker 4: nice I don't do as much stand up as I

869
00:43:20,000 --> 00:43:21,759
Speaker 4: would like in Vegas. I like to go in there

870
00:43:21,800 --> 00:43:24,080
Speaker 4: and do like one show. I just don't like a

871
00:43:24,160 --> 00:43:25,560
Speaker 4: lot of the clubs. They would like you to come

872
00:43:25,640 --> 00:43:28,800
Speaker 4: in Monday through Friday, and that drives me insane.

873
00:43:28,880 --> 00:43:31,600
Speaker 3: No, I'm I would assume you're doing one show and

874
00:43:31,680 --> 00:43:34,600
Speaker 3: then getting out, since I'm guessing you're not a.

875
00:43:34,680 --> 00:43:38,840
Speaker 4: Guy like me. I love Vegas, but not after two days,

876
00:43:39,160 --> 00:43:41,400
Speaker 4: right then I got to get out. Yeah. Oh, by

877
00:43:41,440 --> 00:43:43,480
Speaker 4: the way, I'm Karen Blasphemer pass. Coming up on the

878
00:43:43,560 --> 00:43:45,359
Speaker 4: right is Wasteland.

879
00:43:46,680 --> 00:43:48,440
Speaker 1: Get me an outfit now.

880
00:43:48,840 --> 00:43:52,400
Speaker 4: My daughter is now obsessed with Wasteland. Loves it so exciting.

881
00:43:52,520 --> 00:43:55,360
Speaker 4: I got her a gift certificate for Easter. She's so excited.

882
00:43:56,000 --> 00:43:58,120
Speaker 2: I feel like I went there when I first Has

883
00:43:58,200 --> 00:43:59,239
Speaker 2: that been there a long time?

884
00:44:00,120 --> 00:44:00,480
Speaker 4: Wild?

885
00:44:00,840 --> 00:44:03,120
Speaker 1: Not that long, but yeah, like ten years maybe?

886
00:44:03,280 --> 00:44:03,480
Speaker 4: Yeah?

887
00:44:03,880 --> 00:44:04,080
Speaker 2: Yeah.

888
00:44:04,120 --> 00:44:06,320
Speaker 4: I like the Wasteland on hate oh.

889
00:44:06,480 --> 00:44:09,040
Speaker 1: Because Wasteland is like a It's like a bit of

890
00:44:09,080 --> 00:44:12,120
Speaker 1: a step up Crossroads. Yes, cross Roads is more like

891
00:44:12,520 --> 00:44:14,120
Speaker 1: you need to pay your rent so you have to

892
00:44:14,120 --> 00:44:15,880
Speaker 1: get rid of like the new issues you.

893
00:44:16,280 --> 00:44:18,920
Speaker 4: Wasteland is more curated, yes, yes.

894
00:44:18,960 --> 00:44:21,960
Speaker 1: And Wasteland's more like you're some sort of a NEPO

895
00:44:22,080 --> 00:44:24,680
Speaker 1: baby trust fund kid and you've been cut off, so

896
00:44:24,800 --> 00:44:27,959
Speaker 1: you have to start slowly selling your produst ship.

897
00:44:28,239 --> 00:44:31,640
Speaker 4: That's why I know, right Yeah. And also at Wasteland

898
00:44:32,120 --> 00:44:34,080
Speaker 4: you have a you actually have a better chance of

899
00:44:34,160 --> 00:44:37,879
Speaker 4: getting some good things for yourself to buy. At Crossroads,

900
00:44:37,920 --> 00:44:40,440
Speaker 4: the really good ship comes in is clearly nabbed by

901
00:44:40,440 --> 00:44:43,160
Speaker 4: the employees. Never make it to the rack, Yeah for sure.

902
00:44:43,320 --> 00:44:43,480
Speaker 5: Yeah.

903
00:44:43,800 --> 00:44:46,240
Speaker 3: They I remember going there with a bag of clothes

904
00:44:46,239 --> 00:44:47,840
Speaker 3: and I'm like, I'm going to make a killing, and

905
00:44:47,920 --> 00:44:48,720
Speaker 3: they turned down.

906
00:44:48,719 --> 00:44:51,680
Speaker 2: All of it. And I was like, like, these are

907
00:44:51,760 --> 00:44:56,680
Speaker 2: specific skate brands. It's a streak Where ever heard of Streak?

908
00:44:56,760 --> 00:44:59,720
Speaker 4: Where? Yeh uh? Ever heard of Gator?

909
00:45:02,000 --> 00:45:02,239
Speaker 3: Yeah?

910
00:45:02,600 --> 00:45:09,160
Speaker 4: I know, I keep going a little more of it, right, the.

911
00:45:09,200 --> 00:45:11,960
Speaker 2: Flair, I very much like that. You just brought up

912
00:45:12,680 --> 00:45:17,040
Speaker 2: Mark Gator ra man he lost his mind and killed So, yes.

913
00:45:18,040 --> 00:45:19,160
Speaker 1: I almost killed two people.

914
00:45:19,360 --> 00:45:21,720
Speaker 2: For the record, we are going to the cleaner.

915
00:45:23,360 --> 00:45:25,560
Speaker 1: Take it. We're literally taking to the cleaners.

916
00:45:25,960 --> 00:45:30,040
Speaker 4: When I remember, keep in mind, I'm going to listen

917
00:45:30,120 --> 00:45:31,920
Speaker 4: to this podcast later, so whatever you say about me

918
00:45:31,960 --> 00:45:34,200
Speaker 4: when i'm later.

919
00:45:37,640 --> 00:45:42,560
Speaker 1: In the nineties, Pattern was such a slut for the

920
00:45:42,680 --> 00:45:47,279
Speaker 1: door shows. Oh man fit it in there, but I

921
00:45:47,400 --> 00:45:50,080
Speaker 1: just got like five restaurant recommendations.

922
00:45:50,360 --> 00:45:51,920
Speaker 2: Yeah, I love that.

923
00:45:52,080 --> 00:45:57,080
Speaker 3: That's his instinct to do a street tour. Yes, people

924
00:45:57,360 --> 00:46:00,560
Speaker 3: like it, even though they can't see it. We're talking

925
00:46:00,600 --> 00:46:01,960
Speaker 3: about You're right, people like that.

926
00:46:02,320 --> 00:46:04,920
Speaker 2: What was the muffing? Muffin can stop me?

927
00:46:05,480 --> 00:46:10,680
Speaker 1: Muffin can stop us, which also isn't not to argue

928
00:46:10,719 --> 00:46:13,600
Speaker 1: because it's a great name. Although if you actually look

929
00:46:13,640 --> 00:46:17,480
Speaker 1: at it, you're saying it can stop you. Maybe that

930
00:46:17,640 --> 00:46:20,160
Speaker 1: is good because you're like muffin. Nothing can stop us

931
00:46:20,200 --> 00:46:21,080
Speaker 1: except for a muffin.

932
00:46:21,520 --> 00:46:23,840
Speaker 2: Yes, and by stop as it means pull over and.

933
00:46:23,880 --> 00:46:26,520
Speaker 1: Get one, get come and stop and get us. Yeah,

934
00:46:27,040 --> 00:46:28,000
Speaker 1: Oh that's the best.

935
00:46:29,280 --> 00:46:35,920
Speaker 2: Look at those fun Prince, those are fun shirts.

936
00:46:37,600 --> 00:46:38,400
Speaker 1: True professional.

937
00:46:38,880 --> 00:46:42,360
Speaker 4: Yeah, we want to clean. Other words, you got to

938
00:46:42,400 --> 00:46:44,279
Speaker 4: do well. I gotta do the whole goddamn thing again.

939
00:46:44,920 --> 00:46:45,799
Speaker 4: Go back in your house.

940
00:46:45,840 --> 00:46:47,600
Speaker 1: We'll pull up, go back to Mulholland.

941
00:46:49,120 --> 00:46:52,920
Speaker 4: Boy. Hey, have Chris Karen have aither of you together

942
00:46:53,080 --> 00:46:54,240
Speaker 4: or alone played Vegas?

943
00:46:55,280 --> 00:46:59,000
Speaker 2: I know haven't for a long time, but you played it.

944
00:46:59,239 --> 00:47:03,919
Speaker 3: Yes, just opening for people. I've never had my own

945
00:47:04,960 --> 00:47:09,880
Speaker 3: private showcase. I haven't done Brad Garrett's Yet I.

946
00:47:10,000 --> 00:47:12,480
Speaker 4: Did way back in the day. I did The Riviera

947
00:47:13,040 --> 00:47:16,120
Speaker 4: when it was booked by Steve Shirippa from The Sopranos.

948
00:47:16,200 --> 00:47:19,000
Speaker 4: He was the booker really and oh god, and that's

949
00:47:19,080 --> 00:47:22,800
Speaker 4: that's the one where you came in Monday morning and

950
00:47:22,920 --> 00:47:25,000
Speaker 4: you worked Monday through Sunday and you and you got

951
00:47:25,040 --> 00:47:27,600
Speaker 4: the little card that would let you into that weird

952
00:47:27,719 --> 00:47:32,839
Speaker 4: there's that. There's that subterranean tunnels where you Materia. Yeah, yeah,

953
00:47:32,960 --> 00:47:35,799
Speaker 4: it's really bizarre. It's it's a world. It's a city

954
00:47:36,040 --> 00:47:39,040
Speaker 4: underneath the hotel that the workers live in.

955
00:47:39,200 --> 00:47:41,400
Speaker 3: Well, now I know how many times I've worked there,

956
00:47:41,400 --> 00:47:44,440
Speaker 3: because many times I've eaten down there. I just am

957
00:47:44,520 --> 00:47:48,040
Speaker 3: not remembering the details of the show, which was a

958
00:47:48,080 --> 00:47:48,640
Speaker 3: bad show.

959
00:47:48,840 --> 00:47:51,279
Speaker 4: Is the one thing about Vegas that they will tell

960
00:47:51,280 --> 00:47:53,840
Speaker 4: you is, you know, just do fifteen minutes. We just

961
00:47:53,880 --> 00:47:55,480
Speaker 4: want them back on the floor. You don't need to

962
00:47:55,520 --> 00:47:58,279
Speaker 4: do it like we just get him out there, which I.

963
00:47:58,320 --> 00:48:01,080
Speaker 2: Wish they were just telling you that. It's much less pressure.

964
00:48:01,239 --> 00:48:04,560
Speaker 4: Yeah. I also remember that was the Riviera. Was the

965
00:48:04,640 --> 00:48:08,040
Speaker 4: first time I came off stage and the manager, Steve Strippa,

966
00:48:08,800 --> 00:48:12,160
Speaker 4: just went, fuck these people, they're idiots, like, because that's

967
00:48:12,200 --> 00:48:15,439
Speaker 4: how badly I done. It's just like them, don't worry

968
00:48:15,480 --> 00:48:15,800
Speaker 4: about it.

969
00:48:16,160 --> 00:48:19,080
Speaker 3: There for a little while, these guys that did the

970
00:48:19,239 --> 00:48:21,760
Speaker 3: Ramada in basement show?

971
00:48:22,400 --> 00:48:27,880
Speaker 2: What where there was? It was? Yeah, on Vermont it

972
00:48:28,160 --> 00:48:29,919
Speaker 2: was wait, I know that place?

973
00:48:30,000 --> 00:48:31,080
Speaker 4: There was a show there?

974
00:48:31,360 --> 00:48:31,560
Speaker 2: Yes?

975
00:48:31,960 --> 00:48:35,480
Speaker 4: Oh lord, and it was totally haunted there. I wait,

976
00:48:35,680 --> 00:48:37,440
Speaker 4: what what the fuck was in the basement? Was it

977
00:48:37,560 --> 00:48:41,160
Speaker 4: a theater or there's a little bar down there? Oh yeah.

978
00:48:41,400 --> 00:48:44,880
Speaker 3: And these guys had a show suddenly at the Palms

979
00:48:45,000 --> 00:48:45,920
Speaker 3: Casino where.

980
00:48:45,800 --> 00:48:47,120
Speaker 4: Sorry, they had a show suddenly.

981
00:48:47,360 --> 00:48:49,680
Speaker 3: They suddenly they were like, hey, do you want to

982
00:48:49,719 --> 00:48:52,200
Speaker 3: do our show at the Palms? And I drove to

983
00:48:52,320 --> 00:48:56,120
Speaker 3: Vegas and Sean reaped the does that thing have a

984
00:48:56,200 --> 00:48:58,400
Speaker 3: hemy mm hmm comic?

985
00:48:58,719 --> 00:49:02,320
Speaker 2: And I were on this billboard and I ate it.

986
00:49:02,480 --> 00:49:05,279
Speaker 3: So they were It was like NASCAR weekend and it

987
00:49:05,440 --> 00:49:09,880
Speaker 3: was an audience of home depot jackets and they were

988
00:49:10,080 --> 00:49:12,640
Speaker 3: screaming at me to get off stage, like I was

989
00:49:12,800 --> 00:49:15,920
Speaker 3: eating it so hard. And John, who I don't didn't

990
00:49:16,000 --> 00:49:17,960
Speaker 3: know that well, came out and said, this is my

991
00:49:18,120 --> 00:49:20,360
Speaker 3: friend and you guys are being rude.

992
00:49:20,160 --> 00:49:22,120
Speaker 2: To him, which just made everything worse.

993
00:49:23,600 --> 00:49:28,239
Speaker 4: Your mom came to school bullies you're dead.

994
00:49:28,560 --> 00:49:31,960
Speaker 2: Yeah it was I have never and it was hosted

995
00:49:32,080 --> 00:49:33,800
Speaker 2: by a playboy bunny.

996
00:49:34,320 --> 00:49:34,520
Speaker 4: Sure.

997
00:49:34,760 --> 00:49:38,120
Speaker 2: That was the most. That's what I blocked out.

998
00:49:38,200 --> 00:49:41,360
Speaker 3: I only remember eating with the staff in the underground.

999
00:49:42,320 --> 00:49:44,520
Speaker 3: I remember why I took it out of my memory.

1000
00:49:45,160 --> 00:49:48,120
Speaker 1: Well, I just everyone I know that ever attempted to

1001
00:49:48,160 --> 00:49:51,279
Speaker 1: play Vegas. Almost everyone got fired, like a day or

1002
00:49:51,320 --> 00:49:53,880
Speaker 1: two in. That was always the story. People would be

1003
00:49:53,960 --> 00:49:55,759
Speaker 1: coming back like, yeah, they fired me.

1004
00:49:57,719 --> 00:49:59,279
Speaker 4: I made it through the whole week, which I wish

1005
00:49:59,320 --> 00:50:02,760
Speaker 4: I had because after a while, because you're in the casino,

1006
00:50:03,280 --> 00:50:08,120
Speaker 4: there's no windows, there's no clocks, you lose that circadian

1007
00:50:08,200 --> 00:50:11,200
Speaker 4: rhythm and you're just and there's nothing to do. After all,

1008
00:50:11,239 --> 00:50:13,440
Speaker 4: you think, oh, there's me, but there's actually not that

1009
00:50:13,640 --> 00:50:16,600
Speaker 4: much to do because you're doing a show at night.

1010
00:50:17,239 --> 00:50:19,880
Speaker 4: There's no bookstores, there's no movie theaters here. But they

1011
00:50:19,920 --> 00:50:22,080
Speaker 4: don't want you do They want people in the casinos.

1012
00:50:22,120 --> 00:50:25,239
Speaker 4: So you're like, I don't have anything to do, and

1013
00:50:25,400 --> 00:50:27,719
Speaker 4: you start to go crazy, like I'm down in that

1014
00:50:27,840 --> 00:50:32,160
Speaker 4: subterranean cafeteria at five o'clock having a bowl of fruit

1015
00:50:32,200 --> 00:50:33,360
Speaker 4: loops and some ravioli.

1016
00:50:33,440 --> 00:50:35,000
Speaker 1: I don't know what.

1017
00:50:35,080 --> 00:50:36,000
Speaker 4: Happens if I do this?

1018
00:50:36,360 --> 00:50:37,640
Speaker 1: Yeah, it's dinner breakfast.

1019
00:50:39,480 --> 00:50:44,840
Speaker 3: It's breakfast, and I don't gamble, so I really I

1020
00:50:45,600 --> 00:50:47,120
Speaker 3: guess I'll smoke a pack of cigarettes.

1021
00:50:47,160 --> 00:50:48,040
Speaker 2: And that's elevator.

1022
00:50:48,880 --> 00:50:51,120
Speaker 4: Blaine told me. Blainco Patch told me that he did

1023
00:50:51,200 --> 00:50:54,840
Speaker 4: the Maximum Casino one time and he went up and

1024
00:50:54,960 --> 00:50:57,440
Speaker 4: he did really well, and he came off and the

1025
00:50:57,840 --> 00:51:02,160
Speaker 4: club owner was just glaring at him like murder, and

1026
00:51:02,320 --> 00:51:04,279
Speaker 4: Bla was like, Oh, I bet I cursed or said

1027
00:51:04,320 --> 00:51:07,560
Speaker 4: something he's not happy about. And then the guy just

1028
00:51:07,840 --> 00:51:09,239
Speaker 4: comes up to him and he goes, this is a

1029
00:51:09,280 --> 00:51:15,480
Speaker 4: hard shoe gig, like blame sneakers, hard shoe gig.

1030
00:51:15,719 --> 00:51:18,080
Speaker 2: Have you guys got the phrase hard shoe?

1031
00:51:18,239 --> 00:51:18,399
Speaker 1: Now?

1032
00:51:18,520 --> 00:51:21,440
Speaker 4: It's all that old school like you're gonna those are

1033
00:51:21,480 --> 00:51:23,959
Speaker 4: your show clothes. The stuff you're wearing in the street,

1034
00:51:23,960 --> 00:51:27,000
Speaker 4: you just wear it, but those at your show clothes. Yeah, yeah, jeez.

1035
00:51:27,920 --> 00:51:30,040
Speaker 4: Like the guys that hang around backstage with no pants

1036
00:51:30,080 --> 00:51:31,520
Speaker 4: on because they want to keep the crease to the

1037
00:51:31,719 --> 00:51:35,040
Speaker 4: last second. That's what when you see like pictures of

1038
00:51:35,760 --> 00:51:37,560
Speaker 4: Jerry Lewis and Don Rickles, even at the end of

1039
00:51:37,560 --> 00:51:40,080
Speaker 4: their career, like when they're backstage, they they have the

1040
00:51:40,120 --> 00:51:42,200
Speaker 4: full dress shirt on in the jacket and no pants

1041
00:51:42,600 --> 00:51:44,719
Speaker 4: because when they came up, you put your pants on

1042
00:51:45,160 --> 00:51:47,600
Speaker 4: at the last possible second, so you went up with

1043
00:51:47,680 --> 00:51:50,160
Speaker 4: a really sharp crease. I mean, not weird.

1044
00:51:50,440 --> 00:51:54,360
Speaker 1: It's hilarious, but it's also like saying, I insist that

1045
00:51:54,480 --> 00:51:57,520
Speaker 1: it's seventy years ago and you have to be where

1046
00:51:57,560 --> 00:52:00,959
Speaker 1: I am where it's like Jesus, sir, hard shoes aren't

1047
00:52:01,000 --> 00:52:01,800
Speaker 1: a thing anymore.

1048
00:52:02,480 --> 00:52:04,680
Speaker 4: Hey, I didn't even know what that phrase meant. Yeah,

1049
00:52:05,120 --> 00:52:08,960
Speaker 4: you just threw me your insult through me because I

1050
00:52:09,040 --> 00:52:11,600
Speaker 4: didn't know, Well what was that? Oh my god, you

1051
00:52:11,800 --> 00:52:14,600
Speaker 4: had that great joke caring about your dad saying like

1052
00:52:15,000 --> 00:52:17,759
Speaker 4: you're funny Karen, but you're no Bob here, and you go,

1053
00:52:17,880 --> 00:52:19,080
Speaker 4: I don't even what is it. I don't know what

1054
00:52:19,160 --> 00:52:20,920
Speaker 4: to say to that because I don't know who he is.

1055
00:52:21,719 --> 00:52:23,480
Speaker 4: So why don't you sit down before you fall?

1056
00:52:24,800 --> 00:52:26,359
Speaker 2: The military promoter.

1057
00:52:29,440 --> 00:52:30,040
Speaker 1: So insane?

1058
00:52:30,160 --> 00:52:32,600
Speaker 4: Oh god, that that just made me laugh. I remember

1059
00:52:32,719 --> 00:52:34,160
Speaker 4: the first time I heard you say that, like, oh

1060
00:52:34,239 --> 00:52:36,200
Speaker 4: my god, you know what's really funny?

1061
00:52:36,360 --> 00:52:40,520
Speaker 1: I think recently I watched an episode of either Cheers

1062
00:52:41,000 --> 00:52:45,560
Speaker 1: or some eighties sitcom and I saw a person say

1063
00:52:45,719 --> 00:52:47,640
Speaker 1: sit down before you fall down. I was like, oh, no,

1064
00:52:47,800 --> 00:52:53,000
Speaker 1: I stole that. No, it was like in a it

1065
00:52:53,160 --> 00:52:55,680
Speaker 1: was in a like an old sitcom where I was like,

1066
00:52:56,200 --> 00:52:57,720
Speaker 1: that's why that was in my brain.

1067
00:52:57,920 --> 00:53:02,120
Speaker 3: Oh wow, wow, well enough time has passed. I'm yeah,

1068
00:53:02,239 --> 00:53:04,080
Speaker 3: jerious it was.

1069
00:53:04,280 --> 00:53:05,279
Speaker 4: It was in the air.

1070
00:53:05,680 --> 00:53:08,400
Speaker 1: That's that thing, like you know. Ross o'donald tells that

1071
00:53:08,480 --> 00:53:11,160
Speaker 1: story of that her first set, and she killed it

1072
00:53:11,280 --> 00:53:13,879
Speaker 1: was all Jerry Seinfeld's material that she had just seen

1073
00:53:13,960 --> 00:53:16,120
Speaker 1: on TV. And she thought, that's what That's how you

1074
00:53:16,200 --> 00:53:17,560
Speaker 1: did stand up is you just do.

1075
00:53:18,040 --> 00:53:19,680
Speaker 4: Jokes, hope, and you tell those jokes.

1076
00:53:19,800 --> 00:53:20,800
Speaker 1: You just tell jokes, you know.

1077
00:53:22,280 --> 00:53:26,360
Speaker 4: No, I like, here's some jokes. I like, yeah, you

1078
00:53:26,400 --> 00:53:28,239
Speaker 4: guys might like this one. I know I do.

1079
00:53:28,400 --> 00:53:30,840
Speaker 1: Apparently all the comics in the back were like horrifying,

1080
00:53:30,920 --> 00:53:31,880
Speaker 1: Like what are you doing?

1081
00:53:32,160 --> 00:53:36,920
Speaker 4: She's like, what I annihilated? I was watching as an

1082
00:53:37,000 --> 00:53:41,080
Speaker 4: old Warren Baty film called Mickey One that he made

1083
00:53:41,120 --> 00:53:44,239
Speaker 4: in the early sixties with Arthur Penney plays a stand

1084
00:53:44,320 --> 00:53:47,120
Speaker 4: up comedian who's on the run from the Bob. This

1085
00:53:47,280 --> 00:53:50,319
Speaker 4: is early sixties, and so there's a scene where he's

1086
00:53:50,400 --> 00:53:53,439
Speaker 4: hiding out in like a in like the lower part

1087
00:53:53,480 --> 00:53:56,759
Speaker 4: of showbiz, like he's hanging out in a strip club.

1088
00:53:56,840 --> 00:53:59,160
Speaker 4: So the strip club comedian goes up, who's like this

1089
00:53:59,600 --> 00:54:03,640
Speaker 4: old baggy pants style comedian, and Warren is drunk and

1090
00:54:03,719 --> 00:54:07,480
Speaker 4: he starts heckling him, and the guy starts using heckler

1091
00:54:07,560 --> 00:54:11,359
Speaker 4: comebacks on him, but Warren knows them all. At one

1092
00:54:11,400 --> 00:54:13,319
Speaker 4: point the guy goes and then again, this is movie

1093
00:54:13,440 --> 00:54:15,600
Speaker 4: made in the early sixties, and the character in the

1094
00:54:15,640 --> 00:54:17,920
Speaker 4: scene is someone who's been doing comedy since like the forties.

1095
00:54:17,960 --> 00:54:19,840
Speaker 4: That's what this is, you know, they're making fun of

1096
00:54:20,160 --> 00:54:22,040
Speaker 4: And he goes, I don't come to where you work.

1097
00:54:22,120 --> 00:54:25,680
Speaker 4: And then Warren goes and jiggle the mop handle like

1098
00:54:25,880 --> 00:54:26,440
Speaker 4: that's how.

1099
00:54:26,440 --> 00:54:28,560
Speaker 1: Old that fucking insult is?

1100
00:54:28,960 --> 00:54:31,160
Speaker 4: Wow, because that was everywhere in the eighties. I don't

1101
00:54:31,200 --> 00:54:34,279
Speaker 4: come to where you work. The slurping machine, Yeah, there's

1102
00:54:34,440 --> 00:54:38,239
Speaker 4: been It's almost like comedian Lord that's been passed down right,

1103
00:54:38,840 --> 00:54:39,680
Speaker 4: the weird.

1104
00:54:39,600 --> 00:54:43,160
Speaker 2: Yeah, and there's still comics that will do that work

1105
00:54:43,239 --> 00:54:44,160
Speaker 2: and not.

1106
00:54:44,360 --> 00:54:48,160
Speaker 1: Sure well and when you're desperate, I mean I remember

1107
00:54:48,400 --> 00:54:51,360
Speaker 1: there was I remember having to do colleges and freaking

1108
00:54:51,400 --> 00:54:55,040
Speaker 1: out because I had an LA thirty and a college

1109
00:54:55,320 --> 00:54:56,360
Speaker 1: five essentially.

1110
00:54:56,440 --> 00:54:58,759
Speaker 4: Yes, Oh my god, that's exactly. Yes.

1111
00:54:58,960 --> 00:55:01,320
Speaker 1: One of the worst feelings in the world where you're like,

1112
00:55:01,560 --> 00:55:05,080
Speaker 1: I actually don't have material. This is all personality based.

1113
00:55:05,440 --> 00:55:08,640
Speaker 4: Who gives a shit, it's all inside joke shit too. Yes.

1114
00:55:08,880 --> 00:55:10,840
Speaker 4: And about the industry yes, and.

1115
00:55:10,920 --> 00:55:13,400
Speaker 1: Stuff that like no one actually cares about in the

1116
00:55:13,480 --> 00:55:14,000
Speaker 1: real world.

1117
00:55:14,160 --> 00:55:14,319
Speaker 4: Yes.

1118
00:55:14,640 --> 00:55:17,800
Speaker 1: And having those like realizations on stage. And I remember

1119
00:55:17,880 --> 00:55:20,120
Speaker 1: before I left, Karen Anderson goes, you can do any

1120
00:55:20,120 --> 00:55:22,920
Speaker 1: of my material, and I absolutely went into her as

1121
00:55:25,160 --> 00:55:27,719
Speaker 1: I was like, it was like help car, seriously, I

1122
00:55:27,800 --> 00:55:30,319
Speaker 1: was drowning, and it just like, I'm sure I did

1123
00:55:30,400 --> 00:55:33,399
Speaker 1: something of Blaine's too, because Blaine has those jokes, those

1124
00:55:33,480 --> 00:55:36,400
Speaker 1: like hard jokes that stick in your mind. Were just like,

1125
00:55:36,680 --> 00:55:38,759
Speaker 1: oh wait, that just go that was Blaine's. But I'm

1126
00:55:38,880 --> 00:55:40,000
Speaker 1: just losing my mind.

1127
00:55:43,440 --> 00:55:45,480
Speaker 4: He does this stuff now on stage where he'll stop

1128
00:55:45,560 --> 00:55:48,759
Speaker 4: and rattle off his sponsors for yeah, yeah, I love

1129
00:55:49,040 --> 00:55:51,520
Speaker 4: brought to you by Swiffer. When you don't feel like cleaning,

1130
00:55:51,760 --> 00:55:54,719
Speaker 4: don't really clean by Axe.

1131
00:55:54,560 --> 00:56:00,800
Speaker 1: Body spray ed Hardy for the blind. I hadn't do that,

1132
00:56:00,840 --> 00:56:02,960
Speaker 1: and I kind of started crying because I'm like, that's

1133
00:56:03,040 --> 00:56:04,640
Speaker 1: the best joker. I'll never write it.

1134
00:56:05,280 --> 00:56:08,560
Speaker 4: Sitting there for I was talking we went I'm on

1135
00:56:08,680 --> 00:56:10,840
Speaker 4: a thread with him and a bunch of other comedians.

1136
00:56:10,920 --> 00:56:13,279
Speaker 4: We were talking about for some reason, you know, you've

1137
00:56:13,280 --> 00:56:16,399
Speaker 4: got in those weird rabbit holes about people, famous people,

1138
00:56:16,440 --> 00:56:18,800
Speaker 4: and he went down for some reason, went down to

1139
00:56:18,920 --> 00:56:22,960
Speaker 4: Peter Wolf rabbit hole, so right there, but he was

1140
00:56:23,040 --> 00:56:26,080
Speaker 4: on his Wikipedia and Peter Wolf, lead singer of the

1141
00:56:26,120 --> 00:56:29,560
Speaker 4: Jay Giles Band, was married to Faye Dunaway for three

1142
00:56:29,640 --> 00:56:33,719
Speaker 4: years in the early seventies. And then and I said, oh,

1143
00:56:33,800 --> 00:56:36,520
Speaker 4: you know, Peter Wolf and Amy Mann, we used to

1144
00:56:36,560 --> 00:56:39,239
Speaker 4: be boyfriend girlfriend way back in the day. And then

1145
00:56:39,320 --> 00:56:41,960
Speaker 4: Blaine just text me back, did they break up because

1146
00:56:42,000 --> 00:56:50,400
Speaker 4: of all the wolfman jokes? Wolfman that would have been

1147
00:56:50,480 --> 00:56:51,960
Speaker 4: their portmanteau, that's.

1148
00:56:51,880 --> 00:56:53,600
Speaker 1: Right, or their child's hyphen it?

1149
00:56:53,920 --> 00:56:54,560
Speaker 4: Oh god?

1150
00:56:55,560 --> 00:56:55,719
Speaker 2: Oh.

1151
00:56:55,760 --> 00:56:58,920
Speaker 4: And then so they gotta name him Harry Harry wolf Man.

1152
00:57:03,239 --> 00:57:05,279
Speaker 1: I love those those kind of people that are just like,

1153
00:57:05,400 --> 00:57:08,279
Speaker 1: let's give our child a joke name, yes, and to

1154
00:57:08,560 --> 00:57:09,480
Speaker 1: entertain ourselves.

1155
00:57:09,640 --> 00:57:12,120
Speaker 4: Yeah, well that was who's the His name now is.

1156
00:57:13,600 --> 00:57:13,960
Speaker 1: C Q.

1157
00:57:14,280 --> 00:57:17,560
Speaker 4: Jones. He's a director, but he's David Bowie's son. Oh,

1158
00:57:18,040 --> 00:57:19,600
Speaker 4: and he was when he was growing up, he was

1159
00:57:19,720 --> 00:57:22,160
Speaker 4: Zoey Bows Oh right, And then he was like, yeah,

1160
00:57:23,040 --> 00:57:27,160
Speaker 4: c Q, we're done with this. I'm glad that you

1161
00:57:27,280 --> 00:57:31,440
Speaker 4: lived on cocaine and milk and klipino peppers the seventies,

1162
00:57:31,600 --> 00:57:32,920
Speaker 4: red peppers, red peppers.

1163
00:57:33,040 --> 00:57:35,040
Speaker 2: Yes he really, yes, yes.

1164
00:57:35,000 --> 00:57:37,800
Speaker 4: He had this weird diet. He would just drink milk,

1165
00:57:37,800 --> 00:57:41,120
Speaker 4: snort coke and eat red peppers for like years, for years,

1166
00:57:41,440 --> 00:57:41,920
Speaker 4: for years.

1167
00:57:42,440 --> 00:57:45,520
Speaker 1: Yeah, but then he was started hallucinating. There's a really

1168
00:57:45,560 --> 00:57:47,720
Speaker 1: good story where like he saw something in the bottom.

1169
00:57:47,840 --> 00:57:50,280
Speaker 1: There was an indoor pool in some mansion they had

1170
00:57:50,360 --> 00:57:53,880
Speaker 1: in La Do you know that story? And he hallucinated

1171
00:57:53,960 --> 00:57:56,880
Speaker 1: this thing where basically the devil was coming up out

1172
00:57:56,920 --> 00:57:58,800
Speaker 1: of the pool and somebody is like, hey, we got

1173
00:57:58,920 --> 00:58:00,960
Speaker 1: to get you off the coke. The peers.

1174
00:58:01,240 --> 00:58:02,760
Speaker 2: Yeah, you know that's the peppers.

1175
00:58:04,720 --> 00:58:07,840
Speaker 4: Yeah, we got to get you a steak, a steak

1176
00:58:07,880 --> 00:58:08,840
Speaker 4: and some mashed potato.

1177
00:58:09,160 --> 00:58:10,960
Speaker 1: Stat gotta take it easy.

1178
00:58:11,160 --> 00:58:11,960
Speaker 4: Holy shit.

1179
00:58:13,120 --> 00:58:15,400
Speaker 2: Have you guys seen that Bowie documentary?

1180
00:58:15,720 --> 00:58:18,520
Speaker 4: No mine is. My daughter has demanded I wait till

1181
00:58:18,560 --> 00:58:20,360
Speaker 4: she gets back from camp because she's obsessed with bow

1182
00:58:20,440 --> 00:58:21,360
Speaker 4: We guys can watch it together.

1183
00:58:21,520 --> 00:58:24,160
Speaker 2: Oh, she's at camp right, yeah, camp right now?

1184
00:58:24,360 --> 00:58:26,760
Speaker 4: Is it out in Vermont? She just wow, thats running

1185
00:58:26,800 --> 00:58:27,480
Speaker 4: around in the Woods.

1186
00:58:27,600 --> 00:58:28,760
Speaker 2: That's where I wanted it to be.

1187
00:58:30,200 --> 00:58:31,280
Speaker 1: That's like dream camp.

1188
00:58:31,520 --> 00:58:33,360
Speaker 4: Yeah, I know, she's very very happy.

1189
00:58:33,480 --> 00:58:34,480
Speaker 2: Good. That's great.

1190
00:58:34,760 --> 00:58:36,640
Speaker 4: And I just did a you know, I have a

1191
00:58:36,760 --> 00:58:40,480
Speaker 4: new trade paperback that's coming out July twelfth. Listeners. Yeah,

1192
00:58:40,520 --> 00:58:43,600
Speaker 4: you want to go to your called Minor Threats. First

1193
00:58:43,720 --> 00:58:45,560
Speaker 4: four issues of my comic Minor Threats.

1194
00:58:45,720 --> 00:58:48,880
Speaker 3: I mentioned that because on the way to Karen's I

1195
00:58:49,760 --> 00:58:52,600
Speaker 3: listened to Minor threat Oh there you go.

1196
00:58:52,880 --> 00:58:54,200
Speaker 2: Yeah, yeah, unrelated.

1197
00:58:54,520 --> 00:58:57,720
Speaker 4: But we had a big release party out at in

1198
00:58:58,560 --> 00:59:02,840
Speaker 4: Eagle Rock at a place called Revenge of So we

1199
00:59:03,000 --> 00:59:05,240
Speaker 4: did a signing, we had barbecue, we had a couple

1200
00:59:05,240 --> 00:59:07,640
Speaker 4: of comedians, and we had a band play. And the

1201
00:59:07,720 --> 00:59:09,600
Speaker 4: band that I got to play was Bleached, which is

1202
00:59:09,680 --> 00:59:10,680
Speaker 4: my daughter's favorite.

1203
00:59:10,720 --> 00:59:11,560
Speaker 2: Oh they're great.

1204
00:59:11,960 --> 00:59:14,600
Speaker 4: So I got to like meet them backstage and then

1205
00:59:15,120 --> 00:59:18,000
Speaker 4: watch their sound check and and she was just like

1206
00:59:18,240 --> 00:59:21,680
Speaker 4: you it was she was. So I'm just so happy

1207
00:59:21,760 --> 00:59:25,280
Speaker 4: that she's into really really cool music and that music

1208
00:59:25,720 --> 00:59:30,120
Speaker 4: leads her forward into people like Lana del Rey. And

1209
00:59:30,200 --> 00:59:32,560
Speaker 4: then then also like if they mentioned she what is

1210
00:59:32,600 --> 00:59:35,920
Speaker 4: this line? I listened to Sabbath You know that it's real?

1211
00:59:36,040 --> 00:59:38,160
Speaker 4: She goes, Oh, that's a band called Black Sabbath and

1212
00:59:38,160 --> 00:59:40,520
Speaker 4: then I'll play her paranoid. Now she loves Black Sabbathe.

1213
00:59:40,560 --> 00:59:41,200
Speaker 1: Oh, that's great.

1214
00:59:41,520 --> 00:59:46,160
Speaker 2: I went to a Bleach show the Sisters, right, yes, sisters.

1215
00:59:46,360 --> 00:59:48,880
Speaker 3: It was an all ages show and I couldn't believe

1216
00:59:48,920 --> 00:59:51,760
Speaker 3: how many cool parents brought their little kids with the

1217
00:59:51,920 --> 00:59:53,040
Speaker 3: little ear muffs on.

1218
00:59:53,400 --> 00:59:56,919
Speaker 2: And it was the best show. I knew nothing about

1219
00:59:56,960 --> 00:59:57,400
Speaker 2: that band.

1220
00:59:57,560 --> 01:00:00,240
Speaker 4: They do the best songs about growing up and being

1221
01:00:00,280 --> 01:00:03,640
Speaker 4: a little punk in the valley and being and you know.

1222
01:00:04,040 --> 01:00:08,080
Speaker 4: And we were backstage and here's something, Here's how, here's

1223
01:00:08,120 --> 01:00:09,880
Speaker 4: how your kids get away from you in great ways.

1224
01:00:10,480 --> 01:00:13,480
Speaker 4: So Jennifer was saying, yeah, we were just touring and

1225
01:00:13,560 --> 01:00:17,400
Speaker 4: we were supposed to open for Bikini Kill at the

1226
01:00:17,480 --> 01:00:22,520
Speaker 4: Greek and the day of my sister Jessica got COVID.

1227
01:00:22,640 --> 01:00:25,240
Speaker 4: We couldn't do it. And my daughter's like, you didn't

1228
01:00:25,280 --> 01:00:27,400
Speaker 4: get to open for Bikini Kill. And I go, do

1229
01:00:27,440 --> 01:00:30,640
Speaker 4: you know who Bikini Kill is? She goes, yeah, Kathleen hand.

1230
01:00:30,720 --> 01:00:33,439
Speaker 4: And when we drove home, she she plugged her phone

1231
01:00:33,480 --> 01:00:35,560
Speaker 4: into the thing and played me all the Bikini Kill songs.

1232
01:00:35,640 --> 01:00:36,000
Speaker 4: She loves.

1233
01:00:36,160 --> 01:00:38,880
Speaker 1: Oh, I didn't know she was into bikini I'm so happy.

1234
01:00:39,360 --> 01:00:42,720
Speaker 2: Yeah, that is. Yeah, it's a beaut a surprise.

1235
01:00:42,920 --> 01:00:43,120
Speaker 4: Yeah.

1236
01:00:43,240 --> 01:00:46,080
Speaker 1: And also it's so cool to me because it's this

1237
01:00:46,520 --> 01:00:50,280
Speaker 1: it's like whatever it is now, fourth wave feminism or whatever. Yeah,

1238
01:00:50,320 --> 01:00:53,880
Speaker 1: where it's cool to be into those bands which were

1239
01:00:54,000 --> 01:00:56,920
Speaker 1: like you had to in the nineties, no cool people

1240
01:00:57,000 --> 01:00:57,640
Speaker 1: to find.

1241
01:00:57,440 --> 01:00:59,080
Speaker 4: Out about those things. Yes, exactly.

1242
01:00:59,240 --> 01:01:01,960
Speaker 1: And now it's kind of like somebody is on the

1243
01:01:02,320 --> 01:01:05,560
Speaker 1: circuit going listen to this, do this, pay attention to this.

1244
01:01:05,880 --> 01:01:06,800
Speaker 1: Miss this the best.

1245
01:01:06,840 --> 01:01:07,480
Speaker 4: You're gonna love it.

1246
01:01:07,680 --> 01:01:13,040
Speaker 1: Yeah, that's so was the like that was perfection.

1247
01:01:13,960 --> 01:01:18,000
Speaker 3: You are out of the gates. You were hilarious. You

1248
01:01:18,360 --> 01:01:21,560
Speaker 3: you had the instincts to do a street tour eventure.

1249
01:01:23,040 --> 01:01:24,320
Speaker 1: We got something done for you.

1250
01:01:24,560 --> 01:01:26,360
Speaker 4: I can't believe you lived two minutes from me, Karen.

1251
01:01:26,440 --> 01:01:28,720
Speaker 4: Let's go get coffee soon, yes, please, God damn it.

1252
01:01:28,880 --> 01:01:29,000
Speaker 1: Yes.

1253
01:01:29,160 --> 01:01:31,680
Speaker 4: I can't imagine how busy you are because I know

1254
01:01:31,760 --> 01:01:34,720
Speaker 4: that you're running an empire. But Slate, if you can

1255
01:01:35,040 --> 01:01:37,520
Speaker 4: talk to your assistant, have a take open an hour

1256
01:01:38,320 --> 01:01:39,440
Speaker 4: and we'll get some caffeine.

1257
01:01:39,520 --> 01:01:41,160
Speaker 1: That would be great. Let's go to Jones on third.

1258
01:01:41,720 --> 01:01:45,000
Speaker 2: Yes, okay, you've been listening to do you need to ride?

1259
01:01:46,400 --> 01:01:47,920
Speaker 2: I am a r.

1260
01:01:49,520 --> 01:01:53,880
Speaker 1: This has been an Exactly Right production produced by Annalise Nelson,

1261
01:01:54,320 --> 01:01:58,040
Speaker 1: mixed by Edson Choi. Our talent booker is Patrick Cottner.

1262
01:01:58,320 --> 01:02:02,120
Speaker 2: Theme song by Karen Kilca, artwork by Chris Fairbanks.

1263
01:02:02,360 --> 01:02:05,440
Speaker 1: Follow the show on Instagram, Twitter, and Facebook at dinar

1264
01:02:05,560 --> 01:02:08,600
Speaker 1: podcast That's d y n ar Podcast.

1265
01:02:09,080 --> 01:02:12,280
Speaker 2: For more information, go to exactlyrightmedia dot com.

1266
01:02:12,640 --> 01:02:14,880
Speaker 4: Thank you, Oh, You're welcome.