1 00:00:01,600 --> 00:00:04,880 Speaker 1: Hi, I'm Kristin Davis, and I want to know are 2 00:00:04,880 --> 00:00:10,480 Speaker 1: you a Charlotte? Welcome back everybody to Are You a Charlotte? 3 00:00:10,720 --> 00:00:14,600 Speaker 1: Part two? Thanks for joining us. Here we go. Now 4 00:00:14,680 --> 00:00:17,160 Speaker 1: we're gonna get to my favorite favorite storyline of the 5 00:00:17,200 --> 00:00:19,840 Speaker 1: whole thing, probably because I'm sober. I've been sober a 6 00:00:19,960 --> 00:00:22,800 Speaker 1: very long time. This carry storyline. 7 00:00:23,000 --> 00:00:26,800 Speaker 2: Oh, I thought, actually, oh, you go ahead, but you okay, 8 00:00:26,840 --> 00:00:30,480 Speaker 2: I was gonna say this storyline felt like more real 9 00:00:31,120 --> 00:00:33,280 Speaker 2: than a not that the other ones are, but this 10 00:00:33,360 --> 00:00:37,640 Speaker 2: felt like very relatable, more than the usual I'm with. 11 00:00:37,840 --> 00:00:41,200 Speaker 2: Usually it's a little more like salacious or like extreme, 12 00:00:41,479 --> 00:00:44,639 Speaker 2: and this was like something most people have been through the. 13 00:00:44,600 --> 00:00:49,080 Speaker 1: Story and I loved it so much. And I remember zero, 14 00:00:49,520 --> 00:00:52,880 Speaker 1: absolutely zero. And this guy I don't remember this guy, 15 00:00:52,880 --> 00:00:55,560 Speaker 1: but he's incredible. That guy is so good. We're gonna 16 00:00:55,560 --> 00:00:57,880 Speaker 1: figure out his name. Okay. So this is Carrie's storyline, 17 00:00:57,880 --> 00:00:59,720 Speaker 1: you guys, And if you haven't seen this episode, do 18 00:00:59,720 --> 00:01:01,880 Speaker 1: you need watch it only for Carrie's storyline, if for 19 00:01:01,960 --> 00:01:04,360 Speaker 1: nothing else. So this is the episode wasn't good for you? 20 00:01:04,720 --> 00:01:08,200 Speaker 1: And basically, so this is the one thing that I 21 00:01:08,240 --> 00:01:11,000 Speaker 1: love as well. You know, Carrie smokes back back in 22 00:01:11,040 --> 00:01:13,840 Speaker 1: the day, right and later on too. But you know, 23 00:01:14,000 --> 00:01:17,400 Speaker 1: this is funny because now no one smokes. No one 24 00:01:17,440 --> 00:01:21,920 Speaker 1: gets to smoke now in film and TV basically, which 25 00:01:21,959 --> 00:01:24,319 Speaker 1: is a very interesting thing. My kids think smoking is 26 00:01:24,400 --> 00:01:28,160 Speaker 1: like like anyone who has a cigarette. I mean, we 27 00:01:28,240 --> 00:01:30,600 Speaker 1: drove by the other day someone who had their arm 28 00:01:30,680 --> 00:01:32,839 Speaker 1: out of a car with a cigarette, and my daughter 29 00:01:32,920 --> 00:01:35,400 Speaker 1: was like, oh no, like you thought like a fire 30 00:01:35,560 --> 00:01:38,839 Speaker 1: was gonna start. Like they have such a fascinating reaction, 31 00:01:39,600 --> 00:01:43,199 Speaker 1: and I'm like, yeah, they're terrible. Cigarettes are terrible, because 32 00:01:43,200 --> 00:01:45,039 Speaker 1: of course I don't want my kids to smoke, right, 33 00:01:45,200 --> 00:01:49,520 Speaker 1: but it's just funny, like it was a rite of 34 00:01:49,680 --> 00:01:52,960 Speaker 1: passage in a way for us to have the little 35 00:01:53,000 --> 00:01:56,160 Speaker 1: smoking face. Don't tell my mother I said that. If 36 00:01:56,200 --> 00:01:58,720 Speaker 1: you're listening, mom, I never had a smoking face. And 37 00:01:58,760 --> 00:02:00,800 Speaker 1: really when I smoked, it was when I was in 38 00:02:00,840 --> 00:02:02,480 Speaker 1: college and we would come into the city and we 39 00:02:02,520 --> 00:02:05,520 Speaker 1: would go to village cigars. Oh yeah, yeah, it was 40 00:02:05,560 --> 00:02:08,160 Speaker 1: really fun and I would get like those French cigarettes 41 00:02:08,200 --> 00:02:11,600 Speaker 1: that are wrapped in different colorful papers, you know, and 42 00:02:11,639 --> 00:02:16,120 Speaker 1: then yeah, exactly right, like the colorful papers. They were cool. 43 00:02:16,400 --> 00:02:18,640 Speaker 1: And then we would go and sit on some strangers stoop, 44 00:02:18,680 --> 00:02:21,239 Speaker 1: which is all very funny ending up where I did, 45 00:02:21,480 --> 00:02:23,160 Speaker 1: you know, filming a show on a stoop in the 46 00:02:23,240 --> 00:02:26,000 Speaker 1: village and we would sit and smoke. I would try 47 00:02:26,000 --> 00:02:28,960 Speaker 1: to smoke and they would laugh. I was the comic. 48 00:02:30,120 --> 00:02:32,600 Speaker 1: I couldn't pull it off, could not pull it off. 49 00:02:32,600 --> 00:02:34,760 Speaker 1: So thank god I am not a smoker in Sex 50 00:02:34,800 --> 00:02:36,880 Speaker 1: and the City or and just like that, thank god. 51 00:02:37,040 --> 00:02:40,320 Speaker 1: But Carrie is So Carrie's walking down the street and 52 00:02:40,360 --> 00:02:42,800 Speaker 1: this handsome guy has his back to her. He's standing 53 00:02:43,320 --> 00:02:46,800 Speaker 1: leaning on a building and he finishes his cigarette and 54 00:02:47,080 --> 00:02:51,080 Speaker 1: flicks it and it hits Carrie and she's like oh, 55 00:02:51,240 --> 00:02:54,840 Speaker 1: and she's really like peeved, you know, which is funny 56 00:02:54,880 --> 00:02:58,240 Speaker 1: since she is also a smoker. But it burned her, 57 00:02:58,280 --> 00:03:00,560 Speaker 1: you know, it hits her arm, and he he's like, 58 00:03:00,600 --> 00:03:02,920 Speaker 1: oh my god, oh my god, and you know, didn't 59 00:03:03,000 --> 00:03:06,799 Speaker 1: leave a mark. Well also, he's very cute, right, So 60 00:03:06,960 --> 00:03:10,440 Speaker 1: this cute smoker guy has you know, thrown a cigarette 61 00:03:10,480 --> 00:03:14,240 Speaker 1: at her inadvertently on a village street in the summer. 62 00:03:14,800 --> 00:03:18,560 Speaker 1: I mean, it's pretty fantastic, right, these are the days, 63 00:03:18,680 --> 00:03:23,760 Speaker 1: these are the days. So she decides that he's cute. 64 00:03:23,880 --> 00:03:28,359 Speaker 1: Let's see what is this guy's name, Oh, Patrick Casey, Yes, Patrick. 65 00:03:29,440 --> 00:03:32,760 Speaker 1: She says his name a lot too, which is interesting. Yeah, yeah, 66 00:03:32,800 --> 00:03:35,960 Speaker 1: she seems fond of his name. This is an important 67 00:03:35,960 --> 00:03:41,240 Speaker 1: central question of the show, this particular episode, your performance 68 00:03:41,320 --> 00:03:46,840 Speaker 1: in bed, not your Rachel's. This is so you know, 69 00:03:46,920 --> 00:03:50,000 Speaker 1: how how Charlotte you know the guy sleeping? Yeah one, 70 00:03:50,080 --> 00:03:52,960 Speaker 1: they're theoretically have you said? Then we go to the 71 00:03:53,000 --> 00:03:56,200 Speaker 1: coffee shop and I'm like, you know, you know, and 72 00:03:56,520 --> 00:03:59,280 Speaker 1: everybody has their different like two cents to say about 73 00:03:59,440 --> 00:04:05,600 Speaker 1: you know, like whether right right? And it is an 74 00:04:05,640 --> 00:04:08,600 Speaker 1: interesting question. And I wonder now in the days of 75 00:04:08,760 --> 00:04:14,120 Speaker 1: you know, Riah and whatnot, where apparently people sex and 76 00:04:14,320 --> 00:04:17,520 Speaker 1: or you know, engage in I don't know, some kind 77 00:04:17,520 --> 00:04:21,599 Speaker 1: of very sexual flirtation early on, as opposed to the 78 00:04:21,600 --> 00:04:24,520 Speaker 1: olden days where it might have taken a while. Right. 79 00:04:25,040 --> 00:04:31,200 Speaker 1: I wonder what the young people feel about performance? Do 80 00:04:31,240 --> 00:04:31,839 Speaker 1: you know what I mean? 81 00:04:33,720 --> 00:04:36,000 Speaker 3: What do you mean? Like the young people. 82 00:04:35,720 --> 00:04:37,200 Speaker 1: Wonder if they worry about it? 83 00:04:37,360 --> 00:04:37,520 Speaker 3: Oh? 84 00:04:37,800 --> 00:04:46,240 Speaker 2: Oh ah, I don't talk to many young people. Line, 85 00:04:46,320 --> 00:04:48,680 Speaker 2: I get it, but this is your job. It is 86 00:04:48,720 --> 00:04:51,240 Speaker 2: my job now is I'm not really let me ask 87 00:04:51,240 --> 00:04:53,840 Speaker 2: you this question. Have you ever listened to. 88 00:04:54,200 --> 00:04:57,440 Speaker 1: The call her Daddy podcast. No let me. 89 00:04:57,360 --> 00:05:02,640 Speaker 2: Tell you no, No, I mean you heard of it. 90 00:05:02,880 --> 00:05:07,560 Speaker 1: Yes. So this woman, Alex Cooper, Yes, fascinating individual okay, 91 00:05:07,680 --> 00:05:12,520 Speaker 1: an incredible interviewer okay. But one of the things, she's 92 00:05:12,640 --> 00:05:18,640 Speaker 1: extremely sex positive. Yes, she's like, in my mind, if 93 00:05:18,720 --> 00:05:21,800 Speaker 1: Carrie and Samantha had a baby, it would be Alex okay, 94 00:05:21,960 --> 00:05:25,120 Speaker 1: because she has the Carrie like I'm gonna understand it, 95 00:05:25,160 --> 00:05:26,880 Speaker 1: I'm going to get to the bottom of it. But 96 00:05:26,920 --> 00:05:29,560 Speaker 1: then she has the Samantha sex positive you know, just 97 00:05:29,680 --> 00:05:34,000 Speaker 1: like like non judgmental, like let's get in there, let's 98 00:05:34,040 --> 00:05:36,920 Speaker 1: talk it through. So one of the things that she did, 99 00:05:37,040 --> 00:05:39,240 Speaker 1: and I have not listened to this actual episode, I 100 00:05:39,279 --> 00:05:43,000 Speaker 1: feel I should, just from a female perspective, she gives 101 00:05:43,480 --> 00:05:47,840 Speaker 1: like very specific instructions on how to give a good 102 00:05:48,960 --> 00:05:51,160 Speaker 1: and I mean specific. Do you guys know what I'm 103 00:05:51,200 --> 00:05:54,240 Speaker 1: talking about? Yes, they're all not in they know they know. 104 00:05:54,600 --> 00:05:58,760 Speaker 1: So it's like it's in depth, okay, like in depth. 105 00:05:59,200 --> 00:06:03,320 Speaker 3: Direction tantric sex class you guys watched in your episodes. 106 00:06:03,960 --> 00:06:11,920 Speaker 1: More so even like more so yeah, I know. So, 107 00:06:11,920 --> 00:06:15,040 Speaker 1: so that reminded me of the young people and their performance. Right, 108 00:06:15,080 --> 00:06:18,880 Speaker 1: So I do think that like the kind of you know, 109 00:06:19,000 --> 00:06:25,040 Speaker 1: the normalizing of talking about sex, right, talking about specifics 110 00:06:25,520 --> 00:06:27,159 Speaker 1: and you know, like what are you into? What are 111 00:06:27,160 --> 00:06:30,080 Speaker 1: you not into? And empowering everybody like don't do things 112 00:06:30,080 --> 00:06:32,200 Speaker 1: you're not into. Like she's like that. She's not saying, 113 00:06:32,560 --> 00:06:37,039 Speaker 1: you know, let him pressure you or and she's very empowering, right, 114 00:06:37,080 --> 00:06:39,760 Speaker 1: which is great. And I mean she's really my main, 115 00:06:40,360 --> 00:06:45,320 Speaker 1: my main like viewpoint into the young ladies perspective. Right, 116 00:06:45,680 --> 00:06:48,360 Speaker 1: She's she's out there, okay, and I love her for it. 117 00:06:48,360 --> 00:06:52,000 Speaker 1: I think it's like she's providing a service. Yes, you know, 118 00:06:54,760 --> 00:06:57,599 Speaker 1: so She's what I thought of when I was watching 119 00:06:57,600 --> 00:07:00,400 Speaker 1: this because I feel I feel for for us in 120 00:07:00,440 --> 00:07:04,280 Speaker 1: the nineties, right, there's no one was talking about this 121 00:07:04,320 --> 00:07:05,520 Speaker 1: stuff in a public. 122 00:07:05,200 --> 00:07:08,000 Speaker 2: I mean you your show was kind of the thing 123 00:07:08,200 --> 00:07:11,720 Speaker 2: like exactly your show was the version yep of that 124 00:07:11,920 --> 00:07:16,600 Speaker 2: we had the more yeah intro version to the present. 125 00:07:16,320 --> 00:07:19,000 Speaker 1: Day exactly, for better or worse. 126 00:07:19,680 --> 00:07:22,240 Speaker 2: I call her daddy, call her daddy cut that I 127 00:07:22,240 --> 00:07:23,920 Speaker 2: forgot the name of the that's okay. 128 00:07:23,760 --> 00:07:26,280 Speaker 1: Okay, well, because it's confusing if you haven't listened to it. 129 00:07:26,280 --> 00:07:28,960 Speaker 1: It's basically she's kind of taking on the power of 130 00:07:29,000 --> 00:07:32,400 Speaker 1: like I'm your daddy. Don't call them daddy, your daddy, 131 00:07:32,440 --> 00:07:36,600 Speaker 1: I think, Yes, okay, thank god. Yeah, I mean it's scary. 132 00:07:36,680 --> 00:07:38,680 Speaker 2: But I feel like sex and the City back then 133 00:07:38,960 --> 00:07:42,000 Speaker 2: was the like, you know, opening all these topics. Yeah, 134 00:07:42,000 --> 00:07:46,800 Speaker 2: that like, you know, no topic was too embarrassing. 135 00:07:46,280 --> 00:07:51,040 Speaker 3: Or whatever whatever, That's what was. It made it take 136 00:07:51,040 --> 00:07:53,720 Speaker 3: off so much. Yes, yeah, and I'm. 137 00:07:53,560 --> 00:07:55,360 Speaker 1: So thankful that we were there to do it, you 138 00:07:55,400 --> 00:07:56,760 Speaker 1: know what I mean. And I feel like it's a 139 00:07:56,800 --> 00:07:59,000 Speaker 1: good thing for people to talk about sex and the 140 00:07:59,040 --> 00:08:03,720 Speaker 1: specifics because I mean, it's a very you know, relatable 141 00:08:04,720 --> 00:08:09,239 Speaker 1: situation that doesn't serve anyone to be just hidden under rocks, 142 00:08:09,240 --> 00:08:22,040 Speaker 1: you know what I'm saying, right, Yeah, Yeah, So that's 143 00:08:22,200 --> 00:08:25,080 Speaker 1: part of what I thought about with this particular storyline 144 00:08:25,080 --> 00:08:27,920 Speaker 1: of of you know, are we good and better are 145 00:08:27,920 --> 00:08:30,480 Speaker 1: we bad in bed? Does it matter? Does it not matter? 146 00:08:30,840 --> 00:08:34,200 Speaker 1: Like for Charlotte, it definitely definitely matters, right, And so 147 00:08:34,240 --> 00:08:37,280 Speaker 1: then she goes to the thing that she finds that's helpful, 148 00:08:37,320 --> 00:08:39,560 Speaker 1: which is this tantric sex class. And at the end 149 00:08:39,640 --> 00:08:41,439 Speaker 1: I left this out. At the end, you see her 150 00:08:41,520 --> 00:08:45,480 Speaker 1: performing this tantric sex linga massage on the guy and 151 00:08:45,520 --> 00:08:48,480 Speaker 1: it's going really well, do you remember that there's a 152 00:08:48,520 --> 00:08:53,320 Speaker 1: final little scene. Yeah, it's you know, below the camera. 153 00:08:53,440 --> 00:08:54,040 Speaker 1: Thank goodness. 154 00:08:54,480 --> 00:08:56,520 Speaker 3: Okay, yeah, I'm trying to remember. 155 00:08:56,880 --> 00:08:59,840 Speaker 1: Anyway, He's like, ah, you're so good, you know whatever, 156 00:09:00,160 --> 00:09:04,640 Speaker 1: and she feels empowered, like Charlotte feels empowered exactly. I mean, 157 00:09:04,640 --> 00:09:08,240 Speaker 1: this is what's important. Right to feel empowered, I think 158 00:09:08,360 --> 00:09:10,960 Speaker 1: is the important thing and whatever it is you want 159 00:09:11,000 --> 00:09:15,080 Speaker 1: to do right right. So anyway, back to Carrie. So 160 00:09:15,559 --> 00:09:20,000 Speaker 1: I love the storyline so so much. So she meets 161 00:09:20,000 --> 00:09:24,560 Speaker 1: this very cute guy. First she wonders about, you know, 162 00:09:24,760 --> 00:09:27,440 Speaker 1: she's writing, and she's like, I wonder you know she 163 00:09:27,480 --> 00:09:32,640 Speaker 1: does that, And then they talk about you know, performance 164 00:09:32,640 --> 00:09:34,560 Speaker 1: blah blah blah. Then she's walking down the street she 165 00:09:34,600 --> 00:09:39,040 Speaker 1: meets Patrick Casey and they flirt. They go to coffee. 166 00:09:39,040 --> 00:09:42,760 Speaker 1: We find out that he's a movie music composer, which 167 00:09:42,760 --> 00:09:46,360 Speaker 1: is also interesting. I'm like, hmm, who is this based on. 168 00:09:46,600 --> 00:09:49,959 Speaker 1: We need to know, we need to know. And then 169 00:09:50,040 --> 00:09:52,760 Speaker 1: she does something that's also so cute. So they're having 170 00:09:52,760 --> 00:09:56,959 Speaker 1: coffee after he's you know, burned her, and then she's 171 00:09:57,080 --> 00:10:03,760 Speaker 1: leaving and she thinks to herself, many smoking cute guys 172 00:10:04,440 --> 00:10:08,640 Speaker 1: single cute guys are left in Manhattan, maybe seven, I think, 173 00:10:08,679 --> 00:10:11,240 Speaker 1: she says, which is funny. So she goes back and 174 00:10:11,240 --> 00:10:13,200 Speaker 1: gives them her number. She's like, I never do this, 175 00:10:13,679 --> 00:10:15,720 Speaker 1: but she gives them her number because of course back then, 176 00:10:15,840 --> 00:10:18,400 Speaker 1: you know, it wasn't this common common thing of like 177 00:10:18,800 --> 00:10:20,880 Speaker 1: everyone with their cell phones. Take that out and she 178 00:10:21,360 --> 00:10:25,120 Speaker 1: writes it in a real old fashioned book right with 179 00:10:25,120 --> 00:10:27,320 Speaker 1: a pen. I think, oh no, maybe she types it 180 00:10:27,360 --> 00:10:30,520 Speaker 1: in his little little page you're looking thing. I can't 181 00:10:30,559 --> 00:10:37,320 Speaker 1: remember something old fashion. So then but dude, then he 182 00:10:37,360 --> 00:10:42,520 Speaker 1: doesn't call her right and she trips out, which I 183 00:10:42,520 --> 00:10:48,080 Speaker 1: also thought was funny, like Carrie of such confidence with 184 00:10:48,320 --> 00:10:51,920 Speaker 1: you know men, you know what I'm saying, like men. 185 00:10:52,520 --> 00:10:54,520 Speaker 1: And then so she's talking to Miranda. This is when 186 00:10:54,559 --> 00:10:56,719 Speaker 1: Miranda tells her about her beautiful sheets that she spent 187 00:10:56,840 --> 00:10:59,400 Speaker 1: so much money on, which I also remember. It's kind 188 00:10:59,400 --> 00:11:02,400 Speaker 1: of a like a rite of passage to go buy 189 00:11:02,440 --> 00:11:04,440 Speaker 1: expensive sheets. Did you ever do this? 190 00:11:04,600 --> 00:11:08,440 Speaker 3: I don't think I did. What I know, I don't 191 00:11:08,440 --> 00:11:09,280 Speaker 3: think I went and like. 192 00:11:09,440 --> 00:11:10,600 Speaker 1: You didn't have like the fress. 193 00:11:11,920 --> 00:11:15,000 Speaker 2: No, I don't know, Wow I should, It's one of 194 00:11:15,040 --> 00:11:18,600 Speaker 2: my things worth itbet? 195 00:11:19,160 --> 00:11:22,040 Speaker 1: I order ABC carpet in La Man. I'm like, yeah, 196 00:11:22,160 --> 00:11:25,200 Speaker 1: ABC carpet has some good stuff. The good stuff that's. 197 00:11:25,160 --> 00:11:28,240 Speaker 2: Like, this is how royalty lives. Like when you go 198 00:11:28,280 --> 00:11:31,720 Speaker 2: over their sheets, I'm like five hundred dollars or one sheet. 199 00:11:31,840 --> 00:11:33,480 Speaker 3: I mean that's not really my style. 200 00:11:33,640 --> 00:11:34,040 Speaker 1: I get it. 201 00:11:34,120 --> 00:11:37,040 Speaker 3: But anyway again, tangent, I get it. 202 00:11:37,160 --> 00:11:40,720 Speaker 2: No, I love, go ahead, go ahead. 203 00:11:40,840 --> 00:11:45,400 Speaker 1: She has beautiful peach colored sheet, which seems odd, okay, 204 00:11:45,679 --> 00:11:49,520 Speaker 1: like Miranda buys peach. Strange to me, but whatever, she 205 00:11:49,559 --> 00:11:52,679 Speaker 1: buys peach. And she's talking about how there's no action 206 00:11:52,840 --> 00:11:55,360 Speaker 1: in her bed, so she's going to make her bed 207 00:11:55,480 --> 00:11:59,480 Speaker 1: beautiful and maybe they will come. And Carrie says, like, 208 00:11:59,559 --> 00:12:02,400 Speaker 1: feel the dreams. If you feel this, they will come. 209 00:12:02,880 --> 00:12:05,720 Speaker 1: This dude, what is the name, the real dude, the 210 00:12:05,720 --> 00:12:09,960 Speaker 1: Patrick Casey. His name is Richard Joseph Paul. Okay, is 211 00:12:10,000 --> 00:12:14,120 Speaker 1: that not confusing? Three and you have? His name is 212 00:12:14,200 --> 00:12:17,120 Speaker 1: Richard Joseph. I don't know where he is now. I 213 00:12:17,120 --> 00:12:20,439 Speaker 1: wish I looked it up, because my god, he is 214 00:12:20,600 --> 00:12:21,199 Speaker 1: so good. 215 00:12:21,920 --> 00:12:22,840 Speaker 3: He was very good. 216 00:12:22,960 --> 00:12:25,400 Speaker 1: Oh, my god, so good. So he doesn't call Carrie. 217 00:12:25,559 --> 00:12:28,959 Speaker 1: Carrie trips out and thinks that she is somehow unattractive 218 00:12:29,280 --> 00:12:33,040 Speaker 1: and misread him, which of course is very unlike Carrie, right, 219 00:12:33,440 --> 00:12:35,800 Speaker 1: and Maranda's like, what are you tripping out for? You know, 220 00:12:35,880 --> 00:12:39,839 Speaker 1: calm down like how she is then carries back out 221 00:12:39,880 --> 00:12:41,840 Speaker 1: on the street in the village on a Saturday, she 222 00:12:42,040 --> 00:12:47,120 Speaker 1: sees him again smoking on the street corner with a 223 00:12:47,240 --> 00:12:53,679 Speaker 1: handsome guy. Another handsome guy, so she decides, maybe he's gay, right, No, 224 00:12:53,840 --> 00:12:56,520 Speaker 1: maybe that's not fair, but there's some two cute guys 225 00:12:56,520 --> 00:12:59,200 Speaker 1: in the village. We've been there, I mean, we really have, right, 226 00:12:59,600 --> 00:13:02,520 Speaker 1: So she sees him, she decides to walk up to him. 227 00:13:02,840 --> 00:13:07,560 Speaker 1: He seems a little strange, like like uncomfortable, and she's like, well, okay, 228 00:13:07,720 --> 00:13:09,880 Speaker 1: you know, and she kind of walks off. He chases. 229 00:13:09,920 --> 00:13:12,680 Speaker 1: He runs after her, and he says, Carrie, I'm sorry 230 00:13:12,760 --> 00:13:15,319 Speaker 1: I didn't introduce you to my friend. You know, I'm 231 00:13:15,320 --> 00:13:18,080 Speaker 1: an alcoholic. We're waiting for our meeting to start, which, 232 00:13:18,080 --> 00:13:20,280 Speaker 1: of course, now it all makes sense. This is what 233 00:13:20,320 --> 00:13:22,880 Speaker 1: people do. They stand outside the meeting. They smoke cigarettes 234 00:13:22,920 --> 00:13:25,000 Speaker 1: and eat candy and drink coffee. This is what you do, 235 00:13:25,600 --> 00:13:28,120 Speaker 1: you know, being an alcoholic. This is what you do 236 00:13:28,160 --> 00:13:30,840 Speaker 1: when you're in the program, right, yeah, And she's like, oh, 237 00:13:31,320 --> 00:13:32,880 Speaker 1: you know, I thought you were gay, and he's like, 238 00:13:32,920 --> 00:13:35,600 Speaker 1: I'm not gay. And I didn't call you because I've 239 00:13:35,640 --> 00:13:38,880 Speaker 1: only been the program eleven months and my sponsor told 240 00:13:38,880 --> 00:13:41,160 Speaker 1: me I cannot date un till it's been a year, 241 00:13:41,360 --> 00:13:44,120 Speaker 1: which is a very very real thing. I've been on 242 00:13:44,200 --> 00:13:47,960 Speaker 1: both sides of this situation, right, my own self having 243 00:13:48,000 --> 00:13:50,559 Speaker 1: to try out to date, which is so hard when 244 00:13:50,600 --> 00:13:53,880 Speaker 1: you're young, you're trying to get sober. You just want 245 00:13:53,960 --> 00:13:57,960 Speaker 1: some comfort or some fun. You don't name me, you 246 00:13:58,200 --> 00:14:01,760 Speaker 1: really want to date. And also it is very much 247 00:14:01,760 --> 00:14:05,160 Speaker 1: an addiction type of a situation, right, like the thrill 248 00:14:05,280 --> 00:14:08,600 Speaker 1: of a flirtation, the thrill of a new relationship, right, 249 00:14:09,040 --> 00:14:13,599 Speaker 1: so understandable that addicts would want to transfer that energy 250 00:14:14,040 --> 00:14:15,280 Speaker 1: over to another person. 251 00:14:16,520 --> 00:14:17,280 Speaker 3: So then he goes. 252 00:14:18,080 --> 00:14:21,560 Speaker 1: Then he goes, well, it's only a few weeks until 253 00:14:21,560 --> 00:14:24,960 Speaker 1: it's been a month, Right, let's go out. Because he's 254 00:14:25,040 --> 00:14:27,760 Speaker 1: hemming and hauling in his own head, you know, so 255 00:14:27,920 --> 00:14:31,520 Speaker 1: relatable and so real. That guy's so good And Carrie 256 00:14:31,640 --> 00:14:34,840 Speaker 1: doesn't really know about this that much, it seems like, right, 257 00:14:34,880 --> 00:14:36,960 Speaker 1: which is interesting, And I do feel like back then 258 00:14:37,080 --> 00:14:41,520 Speaker 1: people were not as aware of what happens in a 259 00:14:41,560 --> 00:14:46,800 Speaker 1: twelve step program, maybe so much. So they go out 260 00:14:47,440 --> 00:14:49,720 Speaker 1: the scene that I love the most. There's a lot 261 00:14:49,720 --> 00:14:51,920 Speaker 1: of good scenes, but the scene that I love the most. 262 00:14:52,240 --> 00:14:56,040 Speaker 1: So she goes out on many like coffee and then dinner, 263 00:14:56,480 --> 00:14:58,800 Speaker 1: and she tries to kiss him on her stupid I mean, 264 00:14:58,840 --> 00:15:00,880 Speaker 1: my god, how this guy doesn't because I don't even know? 265 00:15:01,520 --> 00:15:03,600 Speaker 1: It's a lot. She puts the full court press on 266 00:15:04,040 --> 00:15:06,000 Speaker 1: and he somehow just just gets out. 267 00:15:06,120 --> 00:15:07,440 Speaker 3: Stone faced walks away. 268 00:15:07,520 --> 00:15:09,960 Speaker 1: Yeah, yes, stone face walks away, And she did this 269 00:15:10,040 --> 00:15:11,360 Speaker 1: really funny thing on this tube. 270 00:15:11,520 --> 00:15:15,240 Speaker 3: She goes like, oh yeah, you know, like what. 271 00:15:14,600 --> 00:15:16,560 Speaker 1: What am I doing wrong? What am I doing wrong? 272 00:15:16,600 --> 00:15:20,440 Speaker 1: And listen, okay, Carrie, uh we we feel you because 273 00:15:20,720 --> 00:15:23,600 Speaker 1: I would kiss you. I mean my god, right like she's. 274 00:15:23,680 --> 00:15:25,760 Speaker 3: It was definitely a movie moment, ready to. 275 00:15:25,720 --> 00:15:31,800 Speaker 1: Go, big time, big time beautiful, you know village, yeah time, 276 00:15:32,080 --> 00:15:40,040 Speaker 1: so evocative. So finally she says something like, uh wait, 277 00:15:40,080 --> 00:15:42,320 Speaker 1: does she just go and grab and kiss him? And 278 00:15:42,360 --> 00:15:46,640 Speaker 1: then he says something like he's never had sex sober 279 00:15:47,200 --> 00:15:50,320 Speaker 1: and he's scared to do it. He doesn't know if 280 00:15:50,360 --> 00:15:54,280 Speaker 1: he'll be any good, connecting back to the performance question. 281 00:15:54,720 --> 00:15:56,560 Speaker 3: Together does it all together? 282 00:15:56,720 --> 00:15:59,640 Speaker 1: Which I think this is We're just newly weaving it 283 00:15:59,680 --> 00:16:02,560 Speaker 1: together in the show. It took a while for that 284 00:16:02,600 --> 00:16:05,160 Speaker 1: to get going, like how we think of it when 285 00:16:05,160 --> 00:16:07,040 Speaker 1: we think of it in the past, you know. So 286 00:16:07,080 --> 00:16:09,480 Speaker 1: they go up there and they have sex, and they 287 00:16:09,520 --> 00:16:12,200 Speaker 1: have some kind This is Sarah Jessica's Sextyes, she does 288 00:16:12,240 --> 00:16:15,000 Speaker 1: not like sex scenes. She does not like nudity. So 289 00:16:15,120 --> 00:16:18,040 Speaker 1: they kind of pan across the apartment and you see 290 00:16:18,040 --> 00:16:21,320 Speaker 1: his back. That's you don't even see her. She's hidden 291 00:16:21,360 --> 00:16:24,960 Speaker 1: in the sheets. You assume she's there, might not be 292 00:16:25,080 --> 00:16:28,760 Speaker 1: there for the exactly exactly that's how she would like it. Okay, 293 00:16:28,840 --> 00:16:35,320 Speaker 1: So then it goes really great and he starts he's like, 294 00:16:36,240 --> 00:16:40,560 Speaker 1: sex is amazing, and she's like ah, and he goes 295 00:16:40,600 --> 00:16:43,800 Speaker 1: does everyone know this? And he starts jumping up and 296 00:16:43,960 --> 00:16:48,440 Speaker 1: down and it is so adorable and great. And I 297 00:16:48,520 --> 00:16:50,720 Speaker 1: sometimes feel that, like if you haven't had sex for 298 00:16:50,760 --> 00:16:52,280 Speaker 1: a while and then they have sex, you're just like, 299 00:16:52,880 --> 00:16:58,320 Speaker 1: oh my god, it is amazing. I mean, theoretically, theoretically 300 00:16:58,360 --> 00:17:01,240 Speaker 1: it might not be, but then something hope it is. 301 00:17:01,600 --> 00:17:03,560 Speaker 1: You hope it is and what it is it really is. 302 00:17:04,200 --> 00:17:09,240 Speaker 1: But then when this isn't so sad right anyway, I'm 303 00:17:09,240 --> 00:17:13,520 Speaker 1: on attention. So when that guy with the many names 304 00:17:13,960 --> 00:17:21,240 Speaker 1: Thomas Thomas John John, Yes, something that Richard Joseph Joseph Paul. 305 00:17:21,520 --> 00:17:23,359 Speaker 1: I feel you when you jump on that bed. I 306 00:17:23,400 --> 00:17:25,600 Speaker 1: really do. I was with you, and I think he's 307 00:17:25,720 --> 00:17:30,080 Speaker 1: so relieved that he can enjoy sex without being high 308 00:17:30,240 --> 00:17:32,760 Speaker 1: or stoned or drunk or whatever he says. Right, so 309 00:17:32,960 --> 00:17:36,720 Speaker 1: then he's like, let's do it again right there. Oh, 310 00:17:36,840 --> 00:17:40,840 Speaker 1: the addict sees the addict. I was like, we're going 311 00:17:40,880 --> 00:17:41,560 Speaker 1: down a road. 312 00:17:43,040 --> 00:17:47,440 Speaker 3: This is the sees the addict. Oh yeah that's good. 313 00:17:47,600 --> 00:17:52,359 Speaker 1: Oh yeah you can, Yeah, you can totally, you know 314 00:17:52,440 --> 00:17:54,440 Speaker 1: what I mean. Yeah, I mean it's not to say 315 00:17:54,480 --> 00:17:57,280 Speaker 1: it's not fun. Right, I've been in many a situations 316 00:17:57,280 --> 00:18:03,199 Speaker 1: where I'm like, oh, this person has this addiction or 317 00:18:03,200 --> 00:18:05,360 Speaker 1: that addiction or whatever, and then you're like, okay, I'm 318 00:18:05,400 --> 00:18:07,800 Speaker 1: just waiting waiting for it to be a problem. But 319 00:18:08,000 --> 00:18:10,399 Speaker 1: you know what, I relate. I relate. I mean I'm sober, 320 00:18:10,480 --> 00:18:12,919 Speaker 1: thank God. But yeah, you can. You can transfer to 321 00:18:12,920 --> 00:18:15,760 Speaker 1: a lot. You know, chocolate. Chocolate's a good addiction, you 322 00:18:15,760 --> 00:18:16,280 Speaker 1: know what I mean. 323 00:18:16,359 --> 00:18:16,879 Speaker 3: Yeah. 324 00:18:16,920 --> 00:18:21,920 Speaker 1: So basically, this adorable guy, Patrick Casey's his character name. 325 00:18:22,720 --> 00:18:24,800 Speaker 1: They have a lot of sex At one point we 326 00:18:24,840 --> 00:18:27,840 Speaker 1: cut to the to the coffee shop and Carrie's ordering 327 00:18:27,920 --> 00:18:29,920 Speaker 1: like twelve orders. Now all of us are like, what's 328 00:18:29,920 --> 00:18:32,480 Speaker 1: the problem. She's like, Oh, we've just been here having 329 00:18:32,520 --> 00:18:35,000 Speaker 1: so much sex. And Charlotte of course takes that personally 330 00:18:35,080 --> 00:18:37,080 Speaker 1: because she's still living in the fact that she's bad 331 00:18:37,119 --> 00:18:39,920 Speaker 1: in bed, which I forgot to mention that Samantha also 332 00:18:40,000 --> 00:18:42,159 Speaker 1: agrees on. Do you remember when they're walking down the 333 00:18:42,200 --> 00:18:45,080 Speaker 1: street and she's like, look at her hips, there's no movement. 334 00:18:45,640 --> 00:18:50,560 Speaker 3: Oh line, I know. They have a whole. 335 00:18:50,440 --> 00:18:54,280 Speaker 1: Conversation about yeah, And I remember this because there's another 336 00:18:54,359 --> 00:18:56,399 Speaker 1: time earlier in the show where he's like she's like, 337 00:18:56,440 --> 00:19:10,000 Speaker 1: your hips don't move and I'm like what. We go 338 00:19:10,160 --> 00:19:14,119 Speaker 1: down the road with Carrie and the guy, and at 339 00:19:14,160 --> 00:19:16,720 Speaker 1: a certain point she kind of has like a light 340 00:19:16,720 --> 00:19:22,400 Speaker 1: bulb moment you know that he's got a new addiction. Yes, 341 00:19:22,840 --> 00:19:26,359 Speaker 1: And she says to him, you know I think that that, 342 00:19:26,560 --> 00:19:28,679 Speaker 1: you know, we should just just have a little moment 343 00:19:28,720 --> 00:19:31,280 Speaker 1: apart and you should go home. Oh. I forgot. He 344 00:19:31,359 --> 00:19:35,480 Speaker 1: confesses that he loves her first right after a week 345 00:19:35,520 --> 00:19:38,920 Speaker 1: and a hot yeah, which is so funny and adorable, 346 00:19:39,320 --> 00:19:44,760 Speaker 1: and she's just like oh, thank you. Like how uncomfortable, 347 00:19:45,080 --> 00:19:46,400 Speaker 1: you know, But also he's. 348 00:19:46,160 --> 00:19:52,640 Speaker 3: So he's so exuberant, exuberant, and like, yeah, he seems 349 00:19:52,680 --> 00:19:53,840 Speaker 3: like genuine. 350 00:19:54,359 --> 00:19:58,240 Speaker 1: I mean, of course, I mean believes yes, yes, Alex, 351 00:19:58,359 --> 00:20:02,200 Speaker 1: he's addict, but yes, he doesn't mean doesn't mean it right, right. 352 00:20:02,560 --> 00:20:06,359 Speaker 1: So she's flattered. This is one my notes say. She's flattered. 353 00:20:06,640 --> 00:20:08,600 Speaker 1: But that's not what you want when you tell someone 354 00:20:08,600 --> 00:20:11,600 Speaker 1: that she loved them. And basically she says, you know, 355 00:20:11,640 --> 00:20:13,480 Speaker 1: we need some time apart, and he's like, are you 356 00:20:13,520 --> 00:20:15,240 Speaker 1: breaking up with me? And she goes, no, I just 357 00:20:15,280 --> 00:20:16,680 Speaker 1: want you to go home and I'll see you in 358 00:20:16,720 --> 00:20:20,800 Speaker 1: a couple of days. And this does not go well. 359 00:20:21,119 --> 00:20:24,879 Speaker 1: She goes to bed with a very beautiful hairdoo. I 360 00:20:24,960 --> 00:20:30,280 Speaker 1: might add she got a real nice top knot, and 361 00:20:31,280 --> 00:20:34,880 Speaker 1: she hears some shouting. She looks out her window. This 362 00:20:34,920 --> 00:20:38,439 Speaker 1: guy's in her beautiful street. He's on Ferry Street and 363 00:20:38,480 --> 00:20:41,240 Speaker 1: he is stripping off his clothes and he is drunk. 364 00:20:41,240 --> 00:20:43,800 Speaker 1: I forgot about this. Oh my god, it's so good. 365 00:20:44,400 --> 00:20:47,720 Speaker 1: It's so good. I don't remember any of it either. 366 00:20:47,960 --> 00:20:52,080 Speaker 1: He's stripping off his clothes, yelling at her like I'm drunk. 367 00:20:52,080 --> 00:20:54,439 Speaker 1: It is your fault because you didn't love me back, 368 00:20:54,880 --> 00:20:58,840 Speaker 1: you know, like just gone off the wagon is terrible, terrible, 369 00:21:00,200 --> 00:21:02,600 Speaker 1: and she's torn between like wanting to help him, but 370 00:21:02,640 --> 00:21:04,840 Speaker 1: then she goes at one point like, but he taught 371 00:21:04,880 --> 00:21:07,199 Speaker 1: me that that would be codependent, so I can't go 372 00:21:07,280 --> 00:21:10,080 Speaker 1: down there and help, right, And then like some neighbors 373 00:21:10,080 --> 00:21:13,520 Speaker 1: shouting it in like get your clothes on, So he 374 00:21:13,640 --> 00:21:16,160 Speaker 1: screams all kinds of things that are as he takes 375 00:21:16,200 --> 00:21:20,960 Speaker 1: off all his clothes, even his underwear, on the street 376 00:21:21,200 --> 00:21:24,320 Speaker 1: in the middle of the night. It's very interesting and 377 00:21:24,640 --> 00:21:28,119 Speaker 1: I can't say that I've ever seen that exactly happen 378 00:21:28,600 --> 00:21:31,760 Speaker 1: in New York, I know. And then later she says 379 00:21:31,800 --> 00:21:34,080 Speaker 1: that three weeks later she gets a letter from him 380 00:21:34,080 --> 00:21:38,320 Speaker 1: making amends. Oh, I know. And then she never talks 381 00:21:38,359 --> 00:21:41,640 Speaker 1: to him again, but she wonders if he stays sober 382 00:21:42,280 --> 00:21:45,800 Speaker 1: and if she was really that good in bed, because 383 00:21:45,880 --> 00:21:48,600 Speaker 1: he tells her over and over again, like you're amazing, 384 00:21:48,640 --> 00:21:52,800 Speaker 1: You're the fast, You're amazing, And I mean, what even 385 00:21:53,040 --> 00:21:54,800 Speaker 1: is good in bed? Like good in bed is very 386 00:21:54,840 --> 00:21:58,040 Speaker 1: very subjective, you know what I'm saying? Yeah, yeah, like 387 00:21:58,119 --> 00:22:00,280 Speaker 1: I think and I don't know that we act actually 388 00:22:00,359 --> 00:22:03,520 Speaker 1: say that in the episode. But that's what I took 389 00:22:03,560 --> 00:22:06,720 Speaker 1: from it, is like, you know, Samantha obviously is good 390 00:22:06,720 --> 00:22:08,159 Speaker 1: in bed, but the gay guys don't. I was like, so, 391 00:22:08,320 --> 00:22:10,879 Speaker 1: but that's because they're gay. It's not related, you know 392 00:22:10,920 --> 00:22:14,640 Speaker 1: what I'm saying, right, Like, it's a very subjective kind 393 00:22:14,680 --> 00:22:18,240 Speaker 1: of a conversation. That's what I think about it. And 394 00:22:18,280 --> 00:22:22,600 Speaker 1: I think that if you're you know, I guess you 395 00:22:22,720 --> 00:22:26,440 Speaker 1: need to just be yourself in bed is the big thing, 396 00:22:27,160 --> 00:22:27,720 Speaker 1: don't you think. 397 00:22:28,000 --> 00:22:32,320 Speaker 2: I mean, I was just seeing this as like Charlotte's journey, 398 00:22:32,720 --> 00:22:36,040 Speaker 2: and then the other things kind of get woven in, 399 00:22:36,560 --> 00:22:36,760 Speaker 2: you know. 400 00:22:36,960 --> 00:22:40,639 Speaker 3: Yeah, that's true and so unusual. 401 00:22:40,880 --> 00:22:43,120 Speaker 1: Like I feel like that's the first time that we've 402 00:22:43,160 --> 00:22:48,240 Speaker 1: started on Charlotte and Charlotte's issue gets kind of fun out. 403 00:22:49,400 --> 00:22:51,960 Speaker 1: But I totally agree with you. It is interesting how 404 00:22:53,200 --> 00:22:56,639 Speaker 1: even though I love Carrie's storyline the most, because I 405 00:22:56,720 --> 00:22:59,960 Speaker 1: think that guy is so good and also so real, 406 00:23:00,200 --> 00:23:04,159 Speaker 1: like you said, not like just an extreme something like 407 00:23:04,240 --> 00:23:10,160 Speaker 1: it has so many ups and downs and emotional elements 408 00:23:10,200 --> 00:23:12,120 Speaker 1: to it. I mean, I think. 409 00:23:11,920 --> 00:23:15,480 Speaker 2: It's also I thought it was kind of interesting that 410 00:23:16,920 --> 00:23:22,880 Speaker 2: Carrie had the wherewithal because a lot of times when 411 00:23:22,960 --> 00:23:26,280 Speaker 2: you're that age, you just like go with. 412 00:23:26,240 --> 00:23:27,720 Speaker 3: This addictive behavior. 413 00:23:28,240 --> 00:23:32,480 Speaker 2: IM no, but but yeah, Like I thought that was 414 00:23:32,560 --> 00:23:35,359 Speaker 2: kind of interesting that she like recognized it and laid 415 00:23:35,359 --> 00:23:37,800 Speaker 2: down a boundary instead of going to like hooking onto 416 00:23:37,840 --> 00:23:40,359 Speaker 2: the drama train and the crazy. 417 00:23:40,640 --> 00:23:44,520 Speaker 1: I mean, that's the other thing. When people talk about 418 00:23:44,560 --> 00:23:47,080 Speaker 1: Carrie's faults or whatever they perceive Carrie's faults to be, 419 00:23:47,520 --> 00:23:50,000 Speaker 1: sometimes you'll get her and you're like, she's incredibly mature 420 00:23:50,119 --> 00:23:53,600 Speaker 1: and thoughtful. You know, like when he's down there screaming, 421 00:23:53,880 --> 00:23:57,560 Speaker 1: I would have gone down there and helped that guy, right, 422 00:23:58,440 --> 00:23:59,880 Speaker 1: Like who would? 423 00:24:00,320 --> 00:24:02,320 Speaker 2: I mean, more like the guy says I love you 424 00:24:02,400 --> 00:24:05,720 Speaker 2: after week You're like, okay, I mean, I don't know. 425 00:24:05,240 --> 00:24:09,160 Speaker 1: I don't know that part. That part kind of because 426 00:24:09,160 --> 00:24:12,720 Speaker 1: it's kind of uncomfortable. And I think because it's a 427 00:24:12,760 --> 00:24:14,360 Speaker 1: week and a half, right. 428 00:24:14,280 --> 00:24:16,040 Speaker 2: It's a little rash. 429 00:24:16,119 --> 00:24:17,720 Speaker 1: It's a lot. And the thing that I do think 430 00:24:17,760 --> 00:24:21,560 Speaker 1: about her, which I think is is impressive because she 431 00:24:21,640 --> 00:24:25,040 Speaker 1: is a sex columnist, right, so she's hearing so many 432 00:24:25,119 --> 00:24:30,480 Speaker 1: different stories about relationships and sex and different things. Right, 433 00:24:30,600 --> 00:24:34,440 Speaker 1: she's kind of like this receptacle of all the Manhattan stories. 434 00:24:34,880 --> 00:24:38,600 Speaker 1: You know, she knows enough intellectually like, oh, yeah, that's 435 00:24:38,640 --> 00:24:42,840 Speaker 1: probably not a good thing that he's investing his love 436 00:24:42,880 --> 00:24:45,160 Speaker 1: after a week and a half, right, you know, yes, 437 00:24:45,680 --> 00:24:48,359 Speaker 1: but that is a very rational thing. But I have 438 00:24:48,520 --> 00:24:53,000 Speaker 1: had certainly times where people seem overboard, and I feel 439 00:24:53,040 --> 00:24:55,120 Speaker 1: like that the issue is that you're not in it 440 00:24:55,160 --> 00:24:57,920 Speaker 1: with them, Like, it's not so great if you're not 441 00:24:58,440 --> 00:25:01,480 Speaker 1: also feeling right. I mean, I have also gone too 442 00:25:01,480 --> 00:25:05,440 Speaker 1: fast myself, right, But as long as you're in it together, hey, fun, 443 00:25:05,760 --> 00:25:12,280 Speaker 1: probably not gonna last, but really a good time. Yeah, yeah, 444 00:25:12,440 --> 00:25:13,800 Speaker 1: oh my god, we did. We're done. 445 00:25:13,920 --> 00:25:17,440 Speaker 3: We did. We did. My gosh, thank you, rach sure, 446 00:25:20,200 --> 00:25:21,280 Speaker 3: thank you for having me. 447 00:25:21,520 --> 00:25:24,399 Speaker 1: It was wonderful. Yeah, I'm gonna come visit you on 448 00:25:24,440 --> 00:25:24,800 Speaker 1: the wool. 449 00:25:24,880 --> 00:25:26,639 Speaker 3: Yes, you know, Chris is gonna come. 450 00:25:26,720 --> 00:25:31,080 Speaker 2: We're gonna talk about being Pisces and beyond. Yes, be woo. 451 00:25:31,200 --> 00:25:34,000 Speaker 2: Let's be some woo wool together. Okay, good, I love it. 452 00:25:34,000 --> 00:25:34,640 Speaker 2: It'll be fun. 453 00:25:34,800 --> 00:25:36,440 Speaker 1: I know it's good that you were on talk about 454 00:25:36,440 --> 00:25:39,400 Speaker 1: the tantric sex. We need a woo woo talk about 455 00:25:39,400 --> 00:25:40,240 Speaker 1: the sex. 456 00:25:41,000 --> 00:25:43,680 Speaker 3: Not I'm no expert on tantric sex. 457 00:25:43,480 --> 00:25:47,919 Speaker 1: That's okay, but category it is definitely right. 458 00:25:48,200 --> 00:25:51,600 Speaker 3: Yes, all right, what. 459 00:25:53,400 --> 00:25:54,480 Speaker 1: Are you a Charlotte? 460 00:25:55,240 --> 00:25:57,440 Speaker 3: Oh do you ask that at the end of you 461 00:25:58,960 --> 00:26:00,959 Speaker 3: I'm a Charlotte. 462 00:26:02,200 --> 00:26:03,399 Speaker 1: In what way? I don't know. 463 00:26:03,440 --> 00:26:05,520 Speaker 2: I just relate to the person that's kind of like 464 00:26:05,680 --> 00:26:08,159 Speaker 2: what what did you do? You know, like like that 465 00:26:08,240 --> 00:26:10,400 Speaker 2: kind of thing to one of my friends. 466 00:26:12,000 --> 00:26:14,600 Speaker 3: Well, I guess I'm thinking back to like being that age. 467 00:26:14,680 --> 00:26:17,880 Speaker 2: But I mean, I guess I'm like, well, I guess 468 00:26:17,920 --> 00:26:21,760 Speaker 2: I think of like Charlotte and Miranda and Carrie kind 469 00:26:21,760 --> 00:26:24,359 Speaker 2: of in one thing, and then there's like the Samantha. 470 00:26:24,400 --> 00:26:25,240 Speaker 3: I mean, I'm. 471 00:26:25,040 --> 00:26:29,040 Speaker 2: Definitely not a Samantha Casy can't tell from my vibes, 472 00:26:29,440 --> 00:26:33,360 Speaker 2: but I'd say I'm somewhere in the other three realm Yes. 473 00:26:33,400 --> 00:26:35,719 Speaker 1: Got it, but different ones at different times. 474 00:26:35,840 --> 00:26:38,000 Speaker 3: Yes, But I relate. 475 00:26:38,119 --> 00:26:40,520 Speaker 1: I I also relate to the to the huh what, 476 00:26:40,720 --> 00:26:45,680 Speaker 1: huh yeah what Yeah, that's kind of the easiest part 477 00:26:45,960 --> 00:26:46,199 Speaker 1: of me. 478 00:26:46,440 --> 00:26:47,880 Speaker 3: Yeah, I mean that seems. 479 00:26:47,600 --> 00:26:52,159 Speaker 2: Really fun to play and to be on a comedy, 480 00:26:52,280 --> 00:26:57,760 Speaker 2: you know, the innocent, wide eyed like what. 481 00:26:59,040 --> 00:27:00,800 Speaker 1: And when I look back at the show, one of 482 00:27:00,800 --> 00:27:03,600 Speaker 1: the things that I think about, compared to and just 483 00:27:03,640 --> 00:27:06,840 Speaker 1: like that is that I was often just responding to 484 00:27:06,880 --> 00:27:09,120 Speaker 1: them until I get into the whole like I'm gonna 485 00:27:09,160 --> 00:27:12,520 Speaker 1: get married and I've got this recond and then when 486 00:27:12,600 --> 00:27:14,919 Speaker 1: and just like that came, Michael Patrick would say to me, like, 487 00:27:15,480 --> 00:27:20,560 Speaker 1: you're driving this scene. I'd be like, oh no, I 488 00:27:20,600 --> 00:27:27,439 Speaker 1: want them to drive. 489 00:27:24,760 --> 00:27:27,960 Speaker 3: Right right, that's your vibe is to be the the 490 00:27:28,040 --> 00:27:28,800 Speaker 3: reactor and. 491 00:27:28,800 --> 00:27:30,960 Speaker 1: That Yeah, I mean I had to still react, but 492 00:27:31,000 --> 00:27:33,680 Speaker 1: then I also had to drive the scene, especially like 493 00:27:33,800 --> 00:27:42,520 Speaker 1: in Charlotte's Family. Ya dynamic, yes, like the captain or whatever. Exhausting, gosh, 494 00:27:43,160 --> 00:27:45,480 Speaker 1: I like the reacting fun time. 495 00:27:45,440 --> 00:27:46,200 Speaker 3: Too, right. 496 00:27:46,920 --> 00:27:49,440 Speaker 2: I've kind of learned that, like just over the years, 497 00:27:49,440 --> 00:27:51,480 Speaker 2: like I kind of like being the person like comes 498 00:27:51,480 --> 00:27:53,800 Speaker 2: out and says the little thing goes back like it's 499 00:27:53,840 --> 00:27:54,879 Speaker 2: fun the person. 500 00:27:54,880 --> 00:27:57,480 Speaker 3: It's like, you know, I feel the same. 501 00:27:58,119 --> 00:27:58,880 Speaker 1: I feel the same. 502 00:27:59,080 --> 00:28:00,760 Speaker 3: Just know thyself, I know. 503 00:28:01,200 --> 00:28:04,960 Speaker 4: And we all contribute, Yes we do, right, Yeah, they 504 00:28:05,000 --> 00:28:08,320 Speaker 4: need us, they're saying, right, I won't be up there 505 00:28:08,359 --> 00:28:12,840 Speaker 4: by myself now, all right, all. 506 00:28:12,800 --> 00:28:15,200 Speaker 3: Right, Well that was fun. 507 00:28:15,240 --> 00:28:19,880 Speaker 1: Thank you, two pieces, Thank you, two pieces in a room, yes, 508 00:28:19,920 --> 00:28:20,679 Speaker 1: with some mics