1
00:00:00,120 --> 00:00:06,720
Speaker 1: M HM. Welcome to episode to we'll talk to Tyler

2
00:00:06,800 --> 00:00:09,559
Speaker 1: Farr and a special guest with Tyler far that we

3
00:00:09,560 --> 00:00:12,880
Speaker 1: weren't expecting to show up that did. We'll talk about

4
00:00:13,000 --> 00:00:16,800
Speaker 1: musicians who went broke, which meant at some point they

5
00:00:16,800 --> 00:00:19,520
Speaker 1: had a whole lot of money. We'll also at the

6
00:00:19,600 --> 00:00:21,080
Speaker 1: very end of the podcast have a little chat with

7
00:00:21,200 --> 00:00:23,920
Speaker 1: Robin kimbro Hayes, who I met while running, who's running

8
00:00:23,920 --> 00:00:27,000
Speaker 1: for a US Senate. So we've got a pretty good

9
00:00:27,000 --> 00:00:30,160
Speaker 1: low episode here for you. As always as Friday, just

10
00:00:30,200 --> 00:00:32,319
Speaker 1: the day we put out these now white yeah, pretty much.

11
00:00:32,920 --> 00:00:35,760
Speaker 1: It's we kind of got off for a while not

12
00:00:35,800 --> 00:00:38,640
Speaker 1: really knowing what day because it was who can come

13
00:00:38,680 --> 00:00:40,159
Speaker 1: by since we do two a week, and it was

14
00:00:40,200 --> 00:00:41,360
Speaker 1: like we'll just throw it up when we get it.

15
00:00:41,400 --> 00:00:42,680
Speaker 1: But it seems like now Friday is just kind of

16
00:00:42,720 --> 00:00:46,600
Speaker 1: the day, huh. New music. There are two songs from

17
00:00:46,600 --> 00:00:49,559
Speaker 1: Marion Morris throughout today. They're both they're called Just for

18
00:00:49,640 --> 00:00:52,800
Speaker 1: Now and Takes two? Which one do you like better?

19
00:00:53,159 --> 00:01:02,160
Speaker 1: Takes two? Okay, here's Takes two and this is old

20
00:01:02,240 --> 00:01:04,240
Speaker 1: stuff that she didn't put out that she ended up

21
00:01:04,280 --> 00:01:07,679
Speaker 1: putting out. Yeah, so not a new project of music.

22
00:01:07,959 --> 00:01:09,680
Speaker 1: It was stuff that didn't make it because what happens

23
00:01:09,680 --> 00:01:12,800
Speaker 1: a lot of artists. They will cut twenty two songs

24
00:01:13,000 --> 00:01:14,640
Speaker 1: and then put out thirteen or fourteen. So they have

25
00:01:14,680 --> 00:01:17,160
Speaker 1: these other songs which I feel are in case they die.

26
00:01:17,959 --> 00:01:22,000
Speaker 1: Then it's like they're still alive. Luke Brian shared his

27
00:01:22,000 --> 00:01:23,680
Speaker 1: new song, which I was just watching the music video

28
00:01:23,720 --> 00:01:25,840
Speaker 1: for a minute ago on my phone, called build Me

29
00:01:25,880 --> 00:01:33,280
Speaker 1: a Daddy. So here's a lot. Could you build me

30
00:01:33,360 --> 00:01:42,160
Speaker 1: a daddy? Strongest superman making timty tone with the Southern

31
00:01:42,240 --> 00:01:49,440
Speaker 1: drawn and a crioked smile. If key shoot, maybe you

32
00:01:49,480 --> 00:01:54,120
Speaker 1: could bring him back if I walked in with him,

33
00:01:54,160 --> 00:01:59,040
Speaker 1: which you'll make mom a happy. If you could build

34
00:01:59,040 --> 00:02:04,080
Speaker 1: me a daddy? Give him a bit that that song

35
00:02:04,160 --> 00:02:08,760
Speaker 1: inspired by his nephew's dad dying. I didn't know that.

36
00:02:09,080 --> 00:02:12,320
Speaker 1: I believe it is because he's now his nephew's dads.

37
00:02:14,440 --> 00:02:19,160
Speaker 1: You could build me a dead I'm pretty sure that's

38
00:02:19,160 --> 00:02:21,080
Speaker 1: what what that. I just knowing Luke in his story

39
00:02:22,040 --> 00:02:24,920
Speaker 1: he's now, you know, the guardian of his nephew, and

40
00:02:24,960 --> 00:02:29,000
Speaker 1: I think that's why you may look that up. Canyons,

41
00:02:29,240 --> 00:02:31,919
Speaker 1: which is the debut of Gone West. It's the country

42
00:02:31,960 --> 00:02:34,440
Speaker 1: band featuring Colby Calais, and here was a song called

43
00:02:34,520 --> 00:02:50,919
Speaker 1: new You Have You Always been changed? This little bit

44
00:02:51,320 --> 00:03:02,160
Speaker 1: make changes? I never see you? Do you? That one

45
00:03:02,200 --> 00:03:07,560
Speaker 1: sounds pretty beechy for the country record they put out. Yeah,

46
00:03:09,200 --> 00:03:10,960
Speaker 1: Zach Brown Band put out a song called The Man

47
00:03:11,040 --> 00:03:13,400
Speaker 1: That Loves You Most. Here you go, Ali be the

48
00:03:13,440 --> 00:03:32,480
Speaker 1: man Sum's gone to school his back smart turn to

49
00:03:32,639 --> 00:03:36,120
Speaker 1: help you. Pulled some stories about this Luke song. Yeah,

50
00:03:36,200 --> 00:03:38,080
Speaker 1: I don't look, didn't write it. No, I'm seeing it's

51
00:03:38,080 --> 00:03:41,160
Speaker 1: about like a father's in a soldier type of situation.

52
00:03:42,200 --> 00:03:45,360
Speaker 1: So somebody died, okay. I think in the music video

53
00:03:45,440 --> 00:03:47,680
Speaker 1: it's his kids in it, So Luke's kids, right, Yeah,

54
00:03:48,360 --> 00:03:50,360
Speaker 1: maybe that's why I thought there was. But Luke stories

55
00:03:50,400 --> 00:03:55,480
Speaker 1: also that too, I think. Yeah. All right, all right,

56
00:03:56,400 --> 00:04:00,160
Speaker 1: let's do Matt still his song called If I Was

57
00:04:00,200 --> 00:04:12,400
Speaker 1: a Bar, I have a little blue and fiddling s

58
00:04:16,480 --> 00:04:19,920
Speaker 1: all right, let's do I like Larkin whole a lot.

59
00:04:20,279 --> 00:04:23,640
Speaker 1: I played a writer's round or at the Bluebird Cafe.

60
00:04:23,640 --> 00:04:26,080
Speaker 1: I guess it wouldn't be writers around Bluebird Cafe. It's

61
00:04:26,080 --> 00:04:27,480
Speaker 1: sort of like a writer's around, but you're all in

62
00:04:27,520 --> 00:04:29,719
Speaker 1: the middle and you're going around, but it's a little more.

63
00:04:29,920 --> 00:04:32,239
Speaker 1: I guess that's a writer's round, but it's a cool

64
00:04:32,279 --> 00:04:35,760
Speaker 1: writer's round, because what a writer gen normally is you

65
00:04:35,800 --> 00:04:37,839
Speaker 1: get four people up on stage and you just take

66
00:04:37,839 --> 00:04:40,400
Speaker 1: turns one to three, four, then you go back to one.

67
00:04:40,600 --> 00:04:42,600
Speaker 1: You tell a story and you play a song. At

68
00:04:42,600 --> 00:04:45,640
Speaker 1: the Bluebird Cafe, you're in the middle of everyone, and

69
00:04:45,720 --> 00:04:48,440
Speaker 1: it's a little more famous than just a regular stage,

70
00:04:48,960 --> 00:04:50,919
Speaker 1: and sometimes people play with each other, you bring people.

71
00:04:50,960 --> 00:04:52,680
Speaker 1: I don't know, we'll just call it a writer's gen,

72
00:04:53,040 --> 00:04:54,880
Speaker 1: a cool writers roun. So I did Want with Larkin

73
00:04:54,960 --> 00:04:58,880
Speaker 1: Po and their sister group. They're awesome. This is called

74
00:04:58,920 --> 00:05:02,719
Speaker 1: Self Made Man. It's from their fifth album and the

75
00:05:02,720 --> 00:05:05,839
Speaker 1: the The Self Made Man is the fifth album. Here's

76
00:05:05,880 --> 00:05:26,719
Speaker 1: a song called Tears of Blue to Gold. They're very bluesy.

77
00:05:26,760 --> 00:05:30,080
Speaker 1: I think one plays like a guitar, like a steel guitar.

78
00:05:30,120 --> 00:05:33,680
Speaker 1: Another one plays another smaller instrument. But they're really, really,

79
00:05:33,680 --> 00:05:36,600
Speaker 1: really good. John Prine, I remember everything came out today.

80
00:05:36,600 --> 00:05:38,920
Speaker 1: It's the last song that he recorded before he passed

81
00:05:38,920 --> 00:05:43,560
Speaker 1: earlier this year. I haven't done this rule before. I

82
00:05:43,640 --> 00:05:51,520
Speaker 1: remember every tree, every single player of graves. It's a

83
00:05:51,640 --> 00:05:55,520
Speaker 1: special place for me. Bad Land Sons. They have a

84
00:05:55,520 --> 00:05:57,720
Speaker 1: new song not called Can't Look Away, which I haven't

85
00:05:57,720 --> 00:05:59,120
Speaker 1: heard yet. I was like, I was gonna listen to

86
00:05:59,120 --> 00:06:01,840
Speaker 1: it after this is over. What you want to hear it?

87
00:06:02,640 --> 00:06:33,080
Speaker 1: Go ahead? I'm sorry, I swear I like Bad Lansons

88
00:06:33,080 --> 00:06:34,719
Speaker 1: a lot because Brandon raising that band. That's why I

89
00:06:34,720 --> 00:06:36,400
Speaker 1: was going to give it its own time later Today,

90
00:06:37,040 --> 00:06:42,480
Speaker 1: let's do Laurie McKenna, who wanted to love junkies solo

91
00:06:42,640 --> 00:06:45,279
Speaker 1: artist I mean, has written so many number ones. She

92
00:06:45,320 --> 00:06:52,080
Speaker 1: has a new song out called good Fight, Still still working,

93
00:06:52,400 --> 00:07:05,400
Speaker 1: look still my offside a great I'll roll the two

94
00:07:05,400 --> 00:07:07,160
Speaker 1: more here. I don't want to spend too much time

95
00:07:07,160 --> 00:07:11,320
Speaker 1: to playing songs, but um, Liam Gallagher from Oasis he

96
00:07:11,360 --> 00:07:14,720
Speaker 1: did an EMPTYV unplugged and he's playing Oasis songs by himself,

97
00:07:15,400 --> 00:07:17,600
Speaker 1: not full Oasis songs. He did like maybe one or

98
00:07:17,600 --> 00:07:19,960
Speaker 1: two in the whole set. Okay, the one he ends

99
00:07:19,960 --> 00:07:28,600
Speaker 1: with Champaion Supernova. Okay, Someday will find me company, boy,

100
00:07:28,920 --> 00:07:31,760
Speaker 1: I can't go high anymore, can you can't? He's like,

101
00:07:33,080 --> 00:07:41,200
Speaker 1: someday you will find me. Someday will find me company. Wow,

102
00:07:41,280 --> 00:07:45,440
Speaker 1: that been needs too because he goes cabanied Carbon News

103
00:07:45,440 --> 00:07:52,240
Speaker 1: a loans soupers. I'm only gonna do this because you

104
00:07:52,240 --> 00:07:57,760
Speaker 1: put this on the list. Mike, Uh, Tyler yea your way?

105
00:07:58,000 --> 00:08:02,280
Speaker 1: What Tyler Yo? Does that mean? Like Tyler your way?

106
00:08:03,080 --> 00:08:05,240
Speaker 1: I don't know how what the meaning of the last

107
00:08:05,320 --> 00:08:07,559
Speaker 1: name is. Has a new song featuring Post Malone called

108
00:08:07,640 --> 00:08:16,200
Speaker 1: Tommy Lee of Rock Stop Stretch that Feed on My Feet.

109
00:08:18,240 --> 00:08:21,800
Speaker 1: But that's not post I thought you'd have a clip

110
00:08:22,280 --> 00:08:25,200
Speaker 1: post all right, there you go. I think what we

111
00:08:25,240 --> 00:08:29,520
Speaker 1: should do is we should do like a top five.

112
00:08:30,960 --> 00:08:32,520
Speaker 1: All we should do is do a top five new

113
00:08:32,600 --> 00:08:34,439
Speaker 1: songs out this week with clips and then roll through

114
00:08:34,440 --> 00:08:35,880
Speaker 1: the rest of them. Okay, you know what I mean.

115
00:08:36,280 --> 00:08:37,960
Speaker 1: I think it's pretty good because we can still mention

116
00:08:38,040 --> 00:08:41,520
Speaker 1: all this crap because some of us crap. But in

117
00:08:41,600 --> 00:08:44,480
Speaker 1: my opinion, some people, Hey, one person's craps, another person's treasure,

118
00:08:44,600 --> 00:08:46,840
Speaker 1: you know. But I'm not gonna go on. The six

119
00:08:46,960 --> 00:08:48,760
Speaker 1: nine six nine has a new song with Nicki Minaj

120
00:08:48,840 --> 00:08:53,200
Speaker 1: called Trolls. You know, Okay, there it is, you play

121
00:08:53,240 --> 00:08:57,640
Speaker 1: you can play go ahead. See I would have played that.

122
00:08:58,080 --> 00:09:02,679
Speaker 1: I would be like, that's kind of crap from my opinion. Um,

123
00:09:02,840 --> 00:09:04,520
Speaker 1: So we didn't mention that one. We didn't mention the

124
00:09:04,559 --> 00:09:06,360
Speaker 1: one from Norah Jones. She's got a new album out.

125
00:09:08,120 --> 00:09:13,000
Speaker 1: I like Nora Jones though, but there you go. Yeah, okay,

126
00:09:13,200 --> 00:09:15,120
Speaker 1: as a lot of new music. So for now on,

127
00:09:15,240 --> 00:09:16,920
Speaker 1: starting next week, we'll do the top five songs with

128
00:09:17,000 --> 00:09:19,200
Speaker 1: clips and then we'll throw out the rest of them.

129
00:09:19,200 --> 00:09:20,760
Speaker 1: Be like, hey, this is also coming out as a list.

130
00:09:20,960 --> 00:09:24,120
Speaker 1: Got it? Feel good about that? All right? Enjoy the podcast.

131
00:09:24,120 --> 00:09:26,120
Speaker 1: The Tyler far conversation you're bout to here is pretty good.

132
00:09:26,120 --> 00:09:30,280
Speaker 1: I like Tyler a lot. Good dude, fun interview Musicians

133
00:09:30,280 --> 00:09:32,120
Speaker 1: who Went Broke with Eddie and I were talking about

134
00:09:32,160 --> 00:09:34,560
Speaker 1: that um and then talk with Robin kimbro Hayes. Thanks

135
00:09:34,559 --> 00:09:36,640
Speaker 1: for listening to the Bobbycast. Appreciate you guys. That by

136
00:09:36,679 --> 00:09:42,319
Speaker 1: the right by what's happening, man, Hey, what's going on?

137
00:09:42,520 --> 00:09:45,959
Speaker 1: A long time no talk? I know, man, I've been

138
00:09:46,160 --> 00:09:49,760
Speaker 1: keeping up with you and your stories there on my

139
00:09:49,800 --> 00:09:54,280
Speaker 1: Instagram on the Instagram. Yeah, Like you're so disconnected sometimes

140
00:09:54,320 --> 00:09:56,480
Speaker 1: and you're only not. I see the game you're playing

141
00:09:56,480 --> 00:09:59,920
Speaker 1: a little bit, so you think it's just a big play.

142
00:10:00,040 --> 00:10:02,880
Speaker 1: I don't think it's a big play, but you know,

143
00:10:02,960 --> 00:10:06,280
Speaker 1: you walk that line because you are legitimate out in

144
00:10:06,320 --> 00:10:09,160
Speaker 1: the woods, live your country boy at local turkey hunting.

145
00:10:09,200 --> 00:10:11,000
Speaker 1: But you know enough about Instagram. Do not call it

146
00:10:11,080 --> 00:10:17,920
Speaker 1: the Instagram you got. Are you down in Florida right now?

147
00:10:19,360 --> 00:10:24,280
Speaker 1: I am. It was my wife's birthday Saturday, and this

148
00:10:24,360 --> 00:10:26,199
Speaker 1: was kind of her birthday present. I brought her down

149
00:10:26,320 --> 00:10:29,840
Speaker 1: here and just to hang out. I bet she loves

150
00:10:29,840 --> 00:10:33,280
Speaker 1: that you're doing an interview then on her birthday. Well, yeah,

151
00:10:33,360 --> 00:10:38,199
Speaker 1: you know, it's not like, yeah, sorry, we just had

152
00:10:38,200 --> 00:10:41,520
Speaker 1: a jet fly over me here, apologize about that. I've

153
00:10:41,640 --> 00:10:44,880
Speaker 1: got a little nervous No, she's she's good. She don't mind.

154
00:10:44,920 --> 00:10:47,560
Speaker 1: She's she's hanging by the beach. So she gives her

155
00:10:47,559 --> 00:10:51,280
Speaker 1: a beach and she's happy. Is she still nursing for

156
00:10:51,520 --> 00:10:55,600
Speaker 1: a lot of the COVID folks? Uh, not so much

157
00:10:56,120 --> 00:10:58,800
Speaker 1: COVID folks anymore. I mean to be honest, I don't.

158
00:10:59,360 --> 00:11:02,040
Speaker 1: I don't think she necesary working in the COVID unit. Still,

159
00:11:02,120 --> 00:11:05,880
Speaker 1: she might a little bit, But it was when it

160
00:11:06,000 --> 00:11:10,400
Speaker 1: was real tough, is uh? When back when Diffy passed away,

161
00:11:11,000 --> 00:11:14,480
Speaker 1: and you know she had him as a patient right

162
00:11:14,520 --> 00:11:16,720
Speaker 1: before he passed, and you know, he's a good friend

163
00:11:16,720 --> 00:11:19,280
Speaker 1: of all y'all's and mine, and and she was worse.

164
00:11:19,360 --> 00:11:22,080
Speaker 1: She worked like fifty hours and four days around that time,

165
00:11:22,120 --> 00:11:24,920
Speaker 1: and it just, you know, it drained her so and

166
00:11:25,000 --> 00:11:28,440
Speaker 1: she was just emotionally, uh, just buried in that and

167
00:11:28,480 --> 00:11:31,079
Speaker 1: physically too. And she so I'm glad I got to

168
00:11:31,080 --> 00:11:33,160
Speaker 1: bring her down here to let her kind of relax.

169
00:11:33,720 --> 00:11:36,040
Speaker 1: She's she's earned that. She's been one of those full

170
00:11:36,160 --> 00:11:39,760
Speaker 1: heroes behind the scenes. You know what you bring up Joe.

171
00:11:40,000 --> 00:11:43,080
Speaker 1: And the thing about Joe was there was a conspiracy theory.

172
00:11:43,080 --> 00:11:44,320
Speaker 1: I don't know if you saw it. They said he

173
00:11:44,360 --> 00:11:49,160
Speaker 1: didn't have COVID at all. Did you ever see that? Yeah,

174
00:11:49,320 --> 00:11:50,960
Speaker 1: I mean I saw to him about it. I don't

175
00:11:50,960 --> 00:11:54,360
Speaker 1: know how true that is, because he did right. And

176
00:11:54,720 --> 00:11:57,000
Speaker 1: I never spoke out because any conversation you and I

177
00:11:57,040 --> 00:11:58,880
Speaker 1: had was kind of offline because I know you and

178
00:11:58,920 --> 00:12:00,599
Speaker 1: I had talked to you. You mentioned it to me

179
00:12:00,640 --> 00:12:03,079
Speaker 1: and so that's not my business share. But um, now

180
00:12:03,080 --> 00:12:05,400
Speaker 1: that we talked about it here, I knew that he

181
00:12:05,520 --> 00:12:07,920
Speaker 1: was in for for COVID or for Corona. Yet there

182
00:12:08,000 --> 00:12:10,320
Speaker 1: was this weird conspiracy theory that Joe Diffy got sick

183
00:12:10,360 --> 00:12:13,000
Speaker 1: and just said it was Corona. Any light you'd like

184
00:12:13,040 --> 00:12:16,880
Speaker 1: to shut on that at all. Yeah, I mean, I don't.

185
00:12:17,559 --> 00:12:20,760
Speaker 1: I don't know what. I don't know much about that conspiracy.

186
00:12:20,800 --> 00:12:23,640
Speaker 1: I mean I heard something about it, but he definitely,

187
00:12:24,320 --> 00:12:27,559
Speaker 1: you know, definitely had it. Hey, because my wife was

188
00:12:27,800 --> 00:12:31,559
Speaker 1: nursed and she knows that. I'm just my whole thing

189
00:12:31,600 --> 00:12:34,200
Speaker 1: with that is, I don't know why receiving a conspiracy

190
00:12:34,240 --> 00:12:37,840
Speaker 1: going around. Uh well, I don't know, first of all,

191
00:12:37,840 --> 00:12:40,520
Speaker 1: why you didn't make that up for something. I don't.

192
00:12:40,559 --> 00:12:43,120
Speaker 1: I'm just kind of confused by that whole deal. Yeah,

193
00:12:43,120 --> 00:12:45,200
Speaker 1: I mean too. Right now, we have Tyler Farr with us,

194
00:12:45,440 --> 00:12:47,240
Speaker 1: and uh, I want to play a few of your

195
00:12:47,320 --> 00:12:49,080
Speaker 1: number one before we get into some of the new

196
00:12:49,200 --> 00:13:00,199
Speaker 1: music talk here. But here is Redneck crazy Room, Here

197
00:13:00,280 --> 00:13:05,559
Speaker 1: is whiskey in my water goes down, get a little hotter,

198
00:13:05,880 --> 00:13:10,680
Speaker 1: making little and here is guy walks into a bar.

199
00:13:11,400 --> 00:13:21,320
Speaker 1: It goes again. She's a good Jesus. So, just a

200
00:13:21,320 --> 00:13:23,920
Speaker 1: few days ago you put out a whole EP, which

201
00:13:23,920 --> 00:13:25,640
Speaker 1: is a bunch of songs, the first leg body of

202
00:13:25,679 --> 00:13:29,080
Speaker 1: work you put out since so basically five years. What

203
00:13:29,200 --> 00:13:34,160
Speaker 1: in the world took so long? Man? It? Uh it

204
00:13:34,200 --> 00:13:39,080
Speaker 1: really wasn't about taking long. I mean honestly, I was.

205
00:13:39,640 --> 00:13:41,040
Speaker 1: I've been looking forward to putting out in the new

206
00:13:41,120 --> 00:13:43,640
Speaker 1: music for a while because, like you said, it's been sent.

207
00:13:43,880 --> 00:13:45,559
Speaker 1: I had to look it up just I got to

208
00:13:45,559 --> 00:13:48,280
Speaker 1: ask that the other day. And it was two thousand

209
00:13:48,320 --> 00:13:51,040
Speaker 1: and fifteen when Suffering Peace, when the album came out,

210
00:13:51,120 --> 00:13:56,280
Speaker 1: my last project, UM and Guy Walks in the Bar. Uh,

211
00:13:56,559 --> 00:14:00,480
Speaker 1: my last hit was UM. So it's been five years ago,

212
00:14:00,520 --> 00:14:03,040
Speaker 1: it feels like twenty years just because you know, you

213
00:14:03,120 --> 00:14:07,440
Speaker 1: got the anxiety and we just overthinking stuff. But man,

214
00:14:07,600 --> 00:14:11,160
Speaker 1: it was a spot. We went through some change over Sony.

215
00:14:11,240 --> 00:14:15,440
Speaker 1: There was some people, you know, a lot of um,

216
00:14:15,559 --> 00:14:18,440
Speaker 1: a lot of job change going on. Different different roles

217
00:14:18,480 --> 00:14:20,960
Speaker 1: got swapped out and stuff, and you know how that goes.

218
00:14:21,080 --> 00:14:23,280
Speaker 1: And it was just kind of a weird time. And

219
00:14:23,480 --> 00:14:25,880
Speaker 1: I got to a spot where I needed to move

220
00:14:25,960 --> 00:14:30,480
Speaker 1: on and I wanted to the next stuff I wanted

221
00:14:30,520 --> 00:14:32,160
Speaker 1: to put out. I didn't I didn't want to mess

222
00:14:32,160 --> 00:14:34,440
Speaker 1: around anymore. I wanted to do what I wanted to,

223
00:14:35,200 --> 00:14:37,480
Speaker 1: uh like, put out the stuff I wanted to because

224
00:14:37,480 --> 00:14:40,520
Speaker 1: I didn't feel like I was getting to for UM

225
00:14:40,560 --> 00:14:42,920
Speaker 1: the last the last couple of years of the last

226
00:14:43,240 --> 00:14:46,520
Speaker 1: few songs, and put out that we were kind of

227
00:14:46,560 --> 00:14:49,800
Speaker 1: going getting off track, um and not doing you know

228
00:14:50,000 --> 00:14:52,480
Speaker 1: my stuff. Um. Now I wanted to be with the

229
00:14:52,560 --> 00:14:55,640
Speaker 1: right producer and the right label. I knew I didn't

230
00:14:55,680 --> 00:14:57,680
Speaker 1: need to be there anymore. Was time to move on.

231
00:14:57,760 --> 00:15:02,160
Speaker 1: And Jason out An, he was over his house and

232
00:15:02,200 --> 00:15:04,280
Speaker 1: he had mentioned it, and you know, kind of thought

233
00:15:04,280 --> 00:15:06,880
Speaker 1: he was joking, because that's not you know, usually something

234
00:15:06,880 --> 00:15:12,320
Speaker 1: you bring up while you're having tea and uh, cocktails whatever. Um,

235
00:15:12,360 --> 00:15:14,600
Speaker 1: but it's not like, hey, I'll start a label, I'll

236
00:15:14,600 --> 00:15:17,240
Speaker 1: sign you tomorrow. You know, that's usually something that just

237
00:15:17,280 --> 00:15:21,520
Speaker 1: gets thrown out there. So but he was serious and

238
00:15:21,560 --> 00:15:27,360
Speaker 1: I signed with him, and uh, it's been what how

239
00:15:27,480 --> 00:15:30,760
Speaker 1: I want to work where I can feel comfortable with

240
00:15:30,840 --> 00:15:34,680
Speaker 1: Broken Bow and Night Train Records started in France. It's

241
00:15:34,680 --> 00:15:37,240
Speaker 1: just it's just a lot easier. So it's I want

242
00:15:37,240 --> 00:15:39,840
Speaker 1: to be in the right spot, right headspace, and I'm

243
00:15:39,880 --> 00:15:42,280
Speaker 1: there now. So I'm glad to just get music out

244
00:15:42,320 --> 00:15:45,600
Speaker 1: for the fans. And finally after five years, it is

245
00:15:45,640 --> 00:15:49,160
Speaker 1: the first music via Jason al Dean's Night Train Records.

246
00:15:49,520 --> 00:15:51,360
Speaker 1: Does he have anybody else yet or is he banking

247
00:15:51,400 --> 00:15:52,840
Speaker 1: it all on you? And if you go down he

248
00:15:52,880 --> 00:15:55,440
Speaker 1: loses all the property, all the bank account, all that.

249
00:15:57,720 --> 00:16:01,200
Speaker 1: I don't the good thing. I think you've got enough

250
00:16:01,320 --> 00:16:04,400
Speaker 1: money where Donna put all the chips on me, which

251
00:16:04,440 --> 00:16:07,480
Speaker 1: I like because that's a hell of a lot of pressure.

252
00:16:08,280 --> 00:16:10,720
Speaker 1: But no, he doesn't have anybody, and I'm fine with that.

253
00:16:10,800 --> 00:16:13,040
Speaker 1: I think he's just you know, ride ride old Sea

254
00:16:13,080 --> 00:16:15,640
Speaker 1: Biscuit over here and just keeping a one man band. Nice.

255
00:16:16,200 --> 00:16:18,720
Speaker 1: I'm gonna play a little bit of let's see only

256
00:16:18,760 --> 00:16:30,280
Speaker 1: truck in town. Let's see if we like this one

257
00:16:30,680 --> 00:16:39,240
Speaker 1: makes me all right? The verdicts in yeah, I like it.

258
00:16:39,440 --> 00:16:41,320
Speaker 1: I was worried. I was worried wouldn't, but I do.

259
00:16:41,360 --> 00:16:44,920
Speaker 1: I like it, so rest of shared Tyler, Well, thank you,

260
00:16:45,000 --> 00:16:47,680
Speaker 1: man Um. You know it is nervous, though you're you're

261
00:16:47,760 --> 00:16:51,400
Speaker 1: joking about that. You know it's fine, but it is nervous.

262
00:16:51,400 --> 00:16:54,480
Speaker 1: He was nervous for me releasing the CP and the

263
00:16:54,520 --> 00:16:57,280
Speaker 1: first single. You know I've released in a while. Getting

264
00:16:57,320 --> 00:16:59,280
Speaker 1: back to the business side now, as you know, I've

265
00:16:59,360 --> 00:17:02,680
Speaker 1: kept two ring over over the past you know, four years.

266
00:17:02,720 --> 00:17:04,880
Speaker 1: I haven't just been sitting at home, you know, milk

267
00:17:04,920 --> 00:17:08,760
Speaker 1: and goats and stuff and making so I've been traveling,

268
00:17:09,040 --> 00:17:11,520
Speaker 1: you know, the country playing shows. Just I've been away

269
00:17:11,520 --> 00:17:14,119
Speaker 1: from the business point, so it was nerve wracking putting

270
00:17:14,119 --> 00:17:18,200
Speaker 1: stuff out. Uh, you know, because I don't know, I've

271
00:17:18,200 --> 00:17:19,719
Speaker 1: been away from it for a minute. I was like,

272
00:17:19,800 --> 00:17:21,280
Speaker 1: I hope they liked me. I hope they'll like me,

273
00:17:21,359 --> 00:17:23,840
Speaker 1: you know that whole thing. You know, it's always weird

274
00:17:23,880 --> 00:17:26,119
Speaker 1: when people put out new music, and I'll get hit up.

275
00:17:26,160 --> 00:17:28,320
Speaker 1: I never listened to anything because that's a slippery slope

276
00:17:28,320 --> 00:17:30,280
Speaker 1: for me. But they'll go, hey, here's a song. Tell

277
00:17:30,280 --> 00:17:32,440
Speaker 1: me what you think, and that means here's a song,

278
00:17:32,480 --> 00:17:35,399
Speaker 1: tell me what what you like? Right, because I just

279
00:17:35,440 --> 00:17:37,399
Speaker 1: can't imagine you would send a song out not to

280
00:17:37,440 --> 00:17:40,199
Speaker 1: one of your like closest people, but someone in like

281
00:17:40,240 --> 00:17:43,360
Speaker 1: your secondary circle. I would say, I mean like your

282
00:17:43,359 --> 00:17:46,240
Speaker 1: secondary third dary circle. Tyler like me and you you

283
00:17:46,520 --> 00:17:48,760
Speaker 1: know you you you'll text me, but we don't hang

284
00:17:48,760 --> 00:17:51,120
Speaker 1: out on Fridays or anything like that. But if we did,

285
00:17:51,160 --> 00:17:54,360
Speaker 1: it wouldn't be weird. But we don't. Um. But if

286
00:17:54,359 --> 00:17:55,960
Speaker 1: you say, if you send me a song and you

287
00:17:55,960 --> 00:17:57,680
Speaker 1: were like, hey, what do you think about this one?

288
00:17:57,880 --> 00:18:00,639
Speaker 1: Has anyone ever been like, dude, it's not from this

289
00:18:00,680 --> 00:18:02,359
Speaker 1: is not good. This is a big pile of crap

290
00:18:02,440 --> 00:18:06,120
Speaker 1: on any song you've ever sent out like that? Uh yeah,

291
00:18:06,160 --> 00:18:08,680
Speaker 1: And I have a perfect example sitting right here next

292
00:18:08,720 --> 00:18:11,000
Speaker 1: to me. He's the he's the king of doing that,

293
00:18:11,080 --> 00:18:13,600
Speaker 1: and he don't. He's not even nice about it. It's

294
00:18:13,640 --> 00:18:16,159
Speaker 1: my producer, Boundine. I'm over here at his place and

295
00:18:16,160 --> 00:18:19,119
Speaker 1: he's sitting there with me that you talked to him.

296
00:18:19,119 --> 00:18:21,399
Speaker 1: But I'll send him song I swarted. I wrote my

297
00:18:21,440 --> 00:18:24,280
Speaker 1: eye tail off for this album before I knew we

298
00:18:24,280 --> 00:18:26,640
Speaker 1: were going into produce Jasance. I get on a book,

299
00:18:26,640 --> 00:18:29,240
Speaker 1: start writing. You know, I'm not telling I'm not telling you.

300
00:18:29,240 --> 00:18:31,560
Speaker 1: I'm not gonna I ain't gonna say I love stuff

301
00:18:31,560 --> 00:18:34,159
Speaker 1: that you're sending me just because you wrote it, showing up.

302
00:18:34,200 --> 00:18:36,399
Speaker 1: I sent him to him. He's like, and listen, literally,

303
00:18:36,480 --> 00:18:38,920
Speaker 1: this is the email I get back after sending this

304
00:18:39,359 --> 00:18:42,040
Speaker 1: masterpiece of a song I thought, and it just simply

305
00:18:42,080 --> 00:18:48,479
Speaker 1: says one word, and that's nope. You know, It's just

306
00:18:48,600 --> 00:18:51,119
Speaker 1: it's that's why I record these songs like damn good friends,

307
00:18:51,119 --> 00:18:53,600
Speaker 1: just because of the friendship we have to where you

308
00:18:53,640 --> 00:18:56,280
Speaker 1: send them, pour your heart out, you get vulnerable with him,

309
00:18:56,440 --> 00:18:58,560
Speaker 1: and then you get an email back that says Nope,

310
00:18:58,800 --> 00:19:02,000
Speaker 1: is Jason there with you right now? Yeah? You want

311
00:19:02,000 --> 00:19:03,520
Speaker 1: to talk to the produce not every day. You got

312
00:19:03,520 --> 00:19:05,439
Speaker 1: the producer right there next to the artist. Let me

313
00:19:05,480 --> 00:19:08,000
Speaker 1: talk to the head of Night Train Records for a second,

314
00:19:08,119 --> 00:19:12,640
Speaker 1: Jason Aldean, I put you on here at the CEO. Hey,

315
00:19:12,640 --> 00:19:14,920
Speaker 1: what's up? Bobby? Hey? So, why in the world would

316
00:19:14,960 --> 00:19:19,720
Speaker 1: you invest in Tyler Farr Well? I mean, Tyler toured

317
00:19:19,720 --> 00:19:21,439
Speaker 1: with me for a couple of years, and I actually

318
00:19:21,520 --> 00:19:23,000
Speaker 1: met him. I think the first time I met him

319
00:19:23,040 --> 00:19:26,000
Speaker 1: was that the b m I Awards one year and

320
00:19:26,240 --> 00:19:28,560
Speaker 1: he was getting ready to go out on tour tour

321
00:19:28,640 --> 00:19:32,560
Speaker 1: with me like the following year, I think. And so, man,

322
00:19:32,600 --> 00:19:34,040
Speaker 1: we went on on for a couple of years to

323
00:19:34,080 --> 00:19:36,480
Speaker 1: hit it off. And I just always thought from the

324
00:19:36,680 --> 00:19:38,359
Speaker 1: you know, from Red Knick crazy the first time I

325
00:19:38,400 --> 00:19:41,359
Speaker 1: heard that, I just thought he had a really unique

326
00:19:41,400 --> 00:19:43,439
Speaker 1: thing about his voice, and and just you know, I

327
00:19:43,440 --> 00:19:46,720
Speaker 1: think in Nashville people are always saying, you know, you

328
00:19:46,760 --> 00:19:49,240
Speaker 1: know what, what sets you apart from everybody else? And

329
00:19:49,280 --> 00:19:51,760
Speaker 1: I think for him, it's it's pretty easy to hear

330
00:19:51,800 --> 00:19:53,320
Speaker 1: it when he's singing. So I just thought he always

331
00:19:53,359 --> 00:19:55,680
Speaker 1: had a really cool saying about his voice. And I

332
00:19:55,680 --> 00:19:57,880
Speaker 1: always thought that when the songs were right, it was

333
00:19:58,080 --> 00:20:00,199
Speaker 1: it was really really cool what I felt like, you know,

334
00:20:00,240 --> 00:20:01,880
Speaker 1: for a while there he had kind of gotten off

335
00:20:01,920 --> 00:20:05,080
Speaker 1: track of what it is that he does best. And

336
00:20:05,080 --> 00:20:08,200
Speaker 1: and really for me, you know, signing him and talking

337
00:20:08,240 --> 00:20:09,639
Speaker 1: to him, and I feel like I know him as

338
00:20:09,680 --> 00:20:12,320
Speaker 1: well as anybody, and I felt like, you know, we

339
00:20:12,320 --> 00:20:14,520
Speaker 1: could get in the studio and record stuff that was

340
00:20:15,000 --> 00:20:17,159
Speaker 1: that was him. That kind of got back to so

341
00:20:17,240 --> 00:20:18,679
Speaker 1: what it is. But I felt like he does the

342
00:20:18,680 --> 00:20:21,440
Speaker 1: best and and so that was that was really the

343
00:20:21,480 --> 00:20:25,120
Speaker 1: main thing. When you're producing him, will you tell him, hey, dude,

344
00:20:25,240 --> 00:20:26,880
Speaker 1: just go a little higher here, or you'd be like, hey,

345
00:20:26,960 --> 00:20:28,960
Speaker 1: you need more guitar, Like what does Jason I need

346
00:20:28,960 --> 00:20:32,480
Speaker 1: the producer do? Um? Well, I mean I'm in there.

347
00:20:32,520 --> 00:20:35,000
Speaker 1: You know. For me, it's it's songs. I mean, funding

348
00:20:35,080 --> 00:20:38,680
Speaker 1: songs is a big part of it. Um. Sorry, I

349
00:20:38,680 --> 00:20:42,840
Speaker 1: gotta dude with a blower out here. But where are

350
00:20:42,840 --> 00:20:45,080
Speaker 1: you guys? Even there's a plane flying over and there's

351
00:20:45,080 --> 00:20:48,480
Speaker 1: a blower blowing you guys. Yeah, we're We're actually in

352
00:20:48,560 --> 00:20:51,640
Speaker 1: my garage at my house out of Florida, and uh,

353
00:20:51,760 --> 00:20:54,639
Speaker 1: somebody's doing yard work across the street, it sounds like,

354
00:20:56,119 --> 00:20:58,000
Speaker 1: I mean, I'm gonna have tylerk over there until the

355
00:20:58,080 --> 00:21:01,480
Speaker 1: just chill out for like in minutes. But anyway, UM,

356
00:21:01,640 --> 00:21:03,760
Speaker 1: so no, I mean for me, it's finding songs. I mean,

357
00:21:04,040 --> 00:21:05,560
Speaker 1: that's the that's the huge part of it for me,

358
00:21:05,680 --> 00:21:07,640
Speaker 1: is it's finding songs that I feel like I righte

359
00:21:07,960 --> 00:21:11,560
Speaker 1: and uh, things that that are gonna work for for him.

360
00:21:11,600 --> 00:21:13,680
Speaker 1: And when I'm cutting my own records me as well,

361
00:21:13,760 --> 00:21:16,520
Speaker 1: and um, and then going in you know, on the

362
00:21:16,520 --> 00:21:18,879
Speaker 1: track and side of things, making sure that the music

363
00:21:19,000 --> 00:21:22,600
Speaker 1: is is cool and edgy, and then on vocals, I

364
00:21:22,600 --> 00:21:24,359
Speaker 1: mean I kind of beat him up pretty good and

365
00:21:24,760 --> 00:21:28,639
Speaker 1: they're cutting vocals and making sure vocals were right, and

366
00:21:28,640 --> 00:21:30,320
Speaker 1: you know, and and a lot of times, I think

367
00:21:30,440 --> 00:21:32,720
Speaker 1: whenever you do something different, you know, Tyler had always

368
00:21:33,040 --> 00:21:36,080
Speaker 1: recorded a completely different way than the way we do things,

369
00:21:36,160 --> 00:21:39,160
Speaker 1: and so, um, you know, the first couple of times

370
00:21:39,200 --> 00:21:42,400
Speaker 1: we went in, I think he was he didn't really

371
00:21:42,400 --> 00:21:44,480
Speaker 1: know how we did things, you know. And and so

372
00:21:44,600 --> 00:21:47,640
Speaker 1: I think after getting a couple of songs cut and

373
00:21:47,840 --> 00:21:49,879
Speaker 1: him here in the final version, I think, you know,

374
00:21:49,960 --> 00:21:52,199
Speaker 1: he finally kind of saw where we were, where we

375
00:21:52,200 --> 00:21:54,880
Speaker 1: were going, and how we did things, and we kinda

376
00:21:55,080 --> 00:21:57,480
Speaker 1: want him over that way, and and from then on

377
00:21:57,520 --> 00:21:59,000
Speaker 1: out it was it was great. But you know what

378
00:21:59,040 --> 00:22:02,359
Speaker 1: I mean, I'm I'm a perfectionist in the studio a

379
00:22:02,359 --> 00:22:05,480
Speaker 1: little bit, especially when it comes to two vocals and

380
00:22:05,480 --> 00:22:07,879
Speaker 1: and just how things should sound. And and uh so

381
00:22:07,960 --> 00:22:10,240
Speaker 1: I beat him up pretty good in the studio. You're

382
00:22:10,280 --> 00:22:12,480
Speaker 1: betting on him, though, Jason Aldean is betting on Tyler

383
00:22:12,560 --> 00:22:16,120
Speaker 1: far I am, man. I you know, I think, uh,

384
00:22:16,160 --> 00:22:18,239
Speaker 1: I think Tyler is a great artist. Man. I think

385
00:22:18,280 --> 00:22:22,560
Speaker 1: he's a great singer and and great live performer. And um,

386
00:22:22,600 --> 00:22:24,480
Speaker 1: you know, the one thing I still like with people,

387
00:22:24,600 --> 00:22:26,720
Speaker 1: you know, once they always tell people it's like if

388
00:22:26,720 --> 00:22:28,679
Speaker 1: you ever get in a room with him, you know,

389
00:22:28,720 --> 00:22:31,040
Speaker 1: he wins you over. You know, it's like you may

390
00:22:31,240 --> 00:22:33,520
Speaker 1: not even know him yet, but once you get in

391
00:22:33,560 --> 00:22:34,960
Speaker 1: the room and just talk to him for a little bit,

392
00:22:35,000 --> 00:22:36,480
Speaker 1: I mean, he's just one of those guys it's hard

393
00:22:36,560 --> 00:22:40,000
Speaker 1: not to like. And and um, you know, and and

394
00:22:40,040 --> 00:22:43,119
Speaker 1: just being you know, really good friends with him. I

395
00:22:43,119 --> 00:22:45,120
Speaker 1: mean it's just, uh, I think on the other side

396
00:22:45,119 --> 00:22:47,880
Speaker 1: of it is like, you know, on one side, it's

397
00:22:47,880 --> 00:22:49,280
Speaker 1: like you want to help out your buddy. On the

398
00:22:49,280 --> 00:22:52,719
Speaker 1: other side. It's like, you know, I believe in him

399
00:22:52,760 --> 00:22:56,280
Speaker 1: as an artist too, obviously, or I wouldn't have, you know,

400
00:22:56,359 --> 00:22:58,680
Speaker 1: wouldn't have started the label. And it was something I

401
00:22:58,760 --> 00:23:02,920
Speaker 1: kind of wanted to do eventually at some point. Anyway, Um,

402
00:23:03,080 --> 00:23:05,000
Speaker 1: this just kind of split up the process a little

403
00:23:05,040 --> 00:23:07,040
Speaker 1: bit and just kind of made us put it into gear.

404
00:23:07,400 --> 00:23:09,560
Speaker 1: So right now he's he's the only guy we got.

405
00:23:09,600 --> 00:23:12,200
Speaker 1: We're kind of focused on him and and getting things

406
00:23:12,240 --> 00:23:14,080
Speaker 1: up and running for him, and then we'll kind of

407
00:23:14,080 --> 00:23:16,719
Speaker 1: expand down the road there. He is CEO of Night

408
00:23:16,760 --> 00:23:19,600
Speaker 1: Train Records and producer to Tyler Farr. Hey, Jason, good

409
00:23:19,640 --> 00:23:23,960
Speaker 1: to talk to you too many Good we got more

410
00:23:23,960 --> 00:23:27,560
Speaker 1: to talk about with Tyler. Man. This sounds like a

411
00:23:27,680 --> 00:23:32,520
Speaker 1: tractors hole here. I mean, does it make you feel

412
00:23:32,560 --> 00:23:35,200
Speaker 1: like you're back in Arkansas? Hey? Listen, and my house

413
00:23:35,240 --> 00:23:37,119
Speaker 1: has all yard noises. I work from home most of

414
00:23:37,160 --> 00:23:40,880
Speaker 1: the time, and now that I it's just all the time.

415
00:23:41,320 --> 00:23:44,080
Speaker 1: So hey, let me ask you this. I saw on Instagram.

416
00:23:44,119 --> 00:23:47,960
Speaker 1: You were a Turkey outing. How's that going? Uh? Well,

417
00:23:48,040 --> 00:23:52,040
Speaker 1: season's over, and I'll be honest with you. My wife

418
00:23:52,200 --> 00:23:55,840
Speaker 1: was ready for Turkey season and oh my gosh, she was.

419
00:23:56,040 --> 00:23:57,680
Speaker 1: She I heard her saying it when she is on

420
00:23:57,720 --> 00:24:00,399
Speaker 1: her knees praying before bed. One night you floored and

421
00:24:00,520 --> 00:24:02,920
Speaker 1: to make turkey teas and the end early my house

422
00:24:02,960 --> 00:24:06,320
Speaker 1: looks like a redneck frat house. Your beef jerky laying

423
00:24:06,400 --> 00:24:09,359
Speaker 1: on the table, cant of dip mountain dews. I mean,

424
00:24:09,920 --> 00:24:12,560
Speaker 1: I had buddy, three of my buddies from Realtree staying

425
00:24:12,600 --> 00:24:17,520
Speaker 1: at my house for two weeks, and so so do

426
00:24:17,600 --> 00:24:19,240
Speaker 1: you have to feed them when they're stay in your

427
00:24:19,280 --> 00:24:21,040
Speaker 1: house for two weeks? Are you also paying for dinner?

428
00:24:22,920 --> 00:24:25,760
Speaker 1: I do? I mean, I don't have to, but I like,

429
00:24:26,080 --> 00:24:29,200
Speaker 1: I like entertaining people. I'm I'm a people pleaser and

430
00:24:29,240 --> 00:24:31,960
Speaker 1: I like to make people happy and tell jokes. And

431
00:24:32,280 --> 00:24:34,159
Speaker 1: it was awful goodness to get it was one of

432
00:24:34,240 --> 00:24:37,040
Speaker 1: my good best friends from Georgia, and I hadn't got

433
00:24:37,080 --> 00:24:38,879
Speaker 1: the turkey hunt was it in a while. And you

434
00:24:38,960 --> 00:24:41,520
Speaker 1: know that whole thing about this pandemics like when something

435
00:24:41,600 --> 00:24:44,440
Speaker 1: looks like really bad going on, you can either sit

436
00:24:44,560 --> 00:24:47,520
Speaker 1: and poud about it and and wine and moan and

437
00:24:47,600 --> 00:24:50,520
Speaker 1: go oh my god and go full e or or

438
00:24:50,680 --> 00:24:52,280
Speaker 1: you can like make the best out of it and

439
00:24:52,320 --> 00:24:54,200
Speaker 1: actually make something really good come out of it, and

440
00:24:54,280 --> 00:24:56,879
Speaker 1: for me, that was being able to be outdoors and

441
00:24:57,040 --> 00:24:59,120
Speaker 1: take some time just to think by myself and catch

442
00:24:59,240 --> 00:25:01,560
Speaker 1: up with friends. And I normally wouldn't get to spend

443
00:25:01,640 --> 00:25:04,760
Speaker 1: time with turkey hunting, so it was it was good

444
00:25:04,840 --> 00:25:07,480
Speaker 1: for me, and I did tag out. I ain't done

445
00:25:07,520 --> 00:25:09,920
Speaker 1: that in like five years, but I think I turkey

446
00:25:10,000 --> 00:25:12,760
Speaker 1: hunted every week about five days a week. So if

447
00:25:12,800 --> 00:25:14,840
Speaker 1: I enjoyed it, my wife not so much. I've got

448
00:25:15,000 --> 00:25:17,040
Speaker 1: two more questions for you, speaking your wife. I saw

449
00:25:17,160 --> 00:25:19,280
Speaker 1: with a gamer headset and a controller on your Instagram.

450
00:25:19,440 --> 00:25:21,280
Speaker 1: Do you guys play video games together or is she

451
00:25:21,400 --> 00:25:25,120
Speaker 1: just a gamer? No, she does not play video games.

452
00:25:25,119 --> 00:25:27,160
Speaker 1: I just thought it was funny. I was on there

453
00:25:27,240 --> 00:25:31,040
Speaker 1: playing uh. I think it was on that there was

454
00:25:31,080 --> 00:25:33,399
Speaker 1: a couple of songwriters all there. I was playing with

455
00:25:33,600 --> 00:25:36,000
Speaker 1: on like Call of Duty, and I was like, honey,

456
00:25:36,720 --> 00:25:39,120
Speaker 1: uh don't put take take the game here. I gotta

457
00:25:39,119 --> 00:25:40,680
Speaker 1: go pee. And I was like, hey, guys, my wife's

458
00:25:40,680 --> 00:25:42,520
Speaker 1: gonna get on here. She's like they I don't know

459
00:25:42,560 --> 00:25:43,879
Speaker 1: what to do. So I put her on there and

460
00:25:43,920 --> 00:25:45,399
Speaker 1: I just had to get a picture of it, and

461
00:25:45,440 --> 00:25:48,000
Speaker 1: then I put again a candidate by and make her

462
00:25:48,000 --> 00:25:52,360
Speaker 1: look like that, are you gonna stop dipping? Though? For real?

463
00:25:52,480 --> 00:25:54,960
Speaker 1: I I get it, you've been doing it. It's but

464
00:25:55,119 --> 00:25:56,920
Speaker 1: when are you gonna like put a bosch on that

465
00:25:58,520 --> 00:26:02,080
Speaker 1: I need to. I mean, you're kind of going throughout

466
00:26:02,160 --> 00:26:04,040
Speaker 1: my wife takes with me. You're kind of sound like

467
00:26:04,160 --> 00:26:06,440
Speaker 1: my wife here because she gets on me. She's like,

468
00:26:06,520 --> 00:26:09,040
Speaker 1: you need to stop that and listen. I'm not one

469
00:26:09,080 --> 00:26:10,920
Speaker 1: of those guys like, oh, oh crap, if I'm so

470
00:26:11,280 --> 00:26:14,320
Speaker 1: country red neck. Kiss you know I've been different since

471
00:26:14,320 --> 00:26:16,879
Speaker 1: I was three. Trust me, I know I have a problem.

472
00:26:17,000 --> 00:26:19,680
Speaker 1: I know it's not healthy. I want to stop. I

473
00:26:19,800 --> 00:26:24,480
Speaker 1: did stop one time for about a week, and you're

474
00:26:24,480 --> 00:26:26,320
Speaker 1: gonna think I'm joking, but look it up. Only in

475
00:26:26,440 --> 00:26:30,080
Speaker 1: that I was hallucinating. I withdraw all so bad. I

476
00:26:30,200 --> 00:26:32,400
Speaker 1: saw cats. Now we do have a lot of cats

477
00:26:32,440 --> 00:26:34,080
Speaker 1: in my house, but I was seeing like twelve and

478
00:26:34,160 --> 00:26:37,960
Speaker 1: when we have four. I'm not lecturing you because I

479
00:26:38,119 --> 00:26:40,720
Speaker 1: also probably eat too much sugar at times. I probably

480
00:26:40,760 --> 00:26:43,640
Speaker 1: do as well. I'm just asking if, in your mind,

481
00:26:43,720 --> 00:26:46,520
Speaker 1: if there's a point where when kids come along, when

482
00:26:46,960 --> 00:26:48,840
Speaker 1: you're like, I need to stop dipping for the well

483
00:26:48,920 --> 00:26:52,720
Speaker 1: being of not just for me, but for others. Yeah, No,

484
00:26:53,680 --> 00:26:55,800
Speaker 1: I'm glad you said that because that's the one thing

485
00:26:57,080 --> 00:27:01,520
Speaker 1: that I feel like over the years matured. I don't

486
00:27:01,520 --> 00:27:04,000
Speaker 1: think I'm a full maturity level. I don't know if

487
00:27:04,040 --> 00:27:05,879
Speaker 1: I ever will be. My life praised for it, but

488
00:27:06,040 --> 00:27:08,919
Speaker 1: we just don't note. Um, I think the kid thing

489
00:27:09,000 --> 00:27:12,080
Speaker 1: because we just we just started, uh, I want, I

490
00:27:12,080 --> 00:27:14,280
Speaker 1: don't want to say trying to have kids. We just

491
00:27:14,480 --> 00:27:20,399
Speaker 1: recently made it, uh made ourselves able to have kids. Um,

492
00:27:20,800 --> 00:27:24,800
Speaker 1: it's a weird way to say it. Oh well, I

493
00:27:24,840 --> 00:27:26,920
Speaker 1: want to say how I would say, we she pulled

494
00:27:26,960 --> 00:27:31,359
Speaker 1: the goalie. Okay, we gotta we gotta open that there.

495
00:27:31,880 --> 00:27:34,560
Speaker 1: We got a penalty shoot out. But no, and I

496
00:27:34,640 --> 00:27:36,280
Speaker 1: really look forward to being a dad and stuff. And

497
00:27:36,359 --> 00:27:39,200
Speaker 1: that's the one thing that will get me to you know,

498
00:27:39,440 --> 00:27:42,359
Speaker 1: put it. I mean, that's not like a choice for me.

499
00:27:42,640 --> 00:27:45,719
Speaker 1: That's a absolutely not different when we have a kid.

500
00:27:46,040 --> 00:27:48,640
Speaker 1: All Right, listen, I'm gonna let you get back to vacation. Um,

501
00:27:49,240 --> 00:27:50,920
Speaker 1: we we're gonna do and we'll leave all this in

502
00:27:50,960 --> 00:27:52,439
Speaker 1: the podcast. We're gonna do this on the podcast. We're

503
00:27:52,440 --> 00:27:53,840
Speaker 1: gonna do this on the radio show. We're gonna do

504
00:27:53,920 --> 00:27:56,240
Speaker 1: this on I'm gonna feature you in next week's National

505
00:27:56,359 --> 00:27:59,280
Speaker 1: Countdown as well. So what I want you to do

506
00:27:59,600 --> 00:28:01,520
Speaker 1: is just that up your song. So let's say I'm

507
00:28:01,520 --> 00:28:03,480
Speaker 1: doing the countdown because we do cut ins, I'd be like,

508
00:28:03,480 --> 00:28:05,880
Speaker 1: all right, Tyler Fars here, Uh, Tyler, tell me about

509
00:28:05,920 --> 00:28:07,760
Speaker 1: your song here that we're gonna feature called only Truck

510
00:28:07,840 --> 00:28:12,160
Speaker 1: in Town? All right, and then I'll go in after that. Yeah,

511
00:28:12,160 --> 00:28:13,639
Speaker 1: and then you're going and you you actually do what

512
00:28:13,720 --> 00:28:19,960
Speaker 1: I said. You want me, you want me do it

513
00:28:20,080 --> 00:28:21,320
Speaker 1: right now? Yeah, we'll do it again. Here we go,

514
00:28:21,440 --> 00:28:23,720
Speaker 1: we go all right on with us right now? Is

515
00:28:23,880 --> 00:28:26,520
Speaker 1: Tyler far He's our spotlight Artist of the Week. It's

516
00:28:26,560 --> 00:28:29,159
Speaker 1: got a new EP called Only Truck in Town. And

517
00:28:29,240 --> 00:28:31,080
Speaker 1: that's what this song is. To Tyler talking about the

518
00:28:31,160 --> 00:28:35,119
Speaker 1: song and this song, uh is the song me and

519
00:28:35,280 --> 00:28:37,800
Speaker 1: Jake's and out. Then we picked this song to be

520
00:28:37,920 --> 00:28:40,280
Speaker 1: the first single and uh to be the title of

521
00:28:40,360 --> 00:28:43,880
Speaker 1: the EP, Only Truck in Town, because we first heard

522
00:28:43,920 --> 00:28:46,640
Speaker 1: it and just instantly thought it was a hit. It

523
00:28:46,800 --> 00:28:49,400
Speaker 1: was something you could sing to, was rocket science. It

524
00:28:49,520 --> 00:28:53,560
Speaker 1: was just ninety nine on our fastball, right down the middle,

525
00:28:53,720 --> 00:28:57,040
Speaker 1: just country music, country love song. My people, my fans

526
00:28:57,080 --> 00:28:58,800
Speaker 1: can relate to it and that's as simple as that.

527
00:28:59,200 --> 00:29:01,360
Speaker 1: All right. Here he is Tyler Farr. Follow him on

528
00:29:01,440 --> 00:29:05,000
Speaker 1: Instagram at Tyler far with two rs only truck in

529
00:29:05,080 --> 00:29:08,440
Speaker 1: town here on the country top thirty. All right, that's

530
00:29:08,440 --> 00:29:10,400
Speaker 1: how we do it, hey, Tyler. Good to talk to you, Bud.

531
00:29:11,080 --> 00:29:12,720
Speaker 1: When everything gets back to normal, I'd love to see

532
00:29:12,720 --> 00:29:15,440
Speaker 1: again and uh be safe down there. Tell Jason, I said, hello,

533
00:29:15,480 --> 00:29:18,480
Speaker 1: we'll talk to you soon. Yeah. Man, I'll just happen

534
00:29:18,480 --> 00:29:22,400
Speaker 1: to become Jason. So I text Micla, So I was like, Bob,

535
00:29:22,520 --> 00:29:23,960
Speaker 1: we care if I put Jason on and I'll be

536
00:29:24,000 --> 00:29:26,040
Speaker 1: at this house from all on doing this. I didn't

537
00:29:26,080 --> 00:29:27,760
Speaker 1: even know. I had no idea that you were over there.

538
00:29:28,320 --> 00:29:30,120
Speaker 1: I knew that you were underneath an Air Force base

539
00:29:30,160 --> 00:29:33,480
Speaker 1: and apparently there was a lawn championship happening next door.

540
00:29:33,520 --> 00:29:36,160
Speaker 1: That's all I could figure out. Yeah, we were tanning

541
00:29:36,200 --> 00:29:38,760
Speaker 1: by an Air Force base, stace that was doing moulching.

542
00:29:40,640 --> 00:29:42,200
Speaker 1: All right, man, I'll talk to you soon. He thank you,

543
00:29:42,520 --> 00:29:44,960
Speaker 1: You're welcome, see you later. Thanks, thanks, thanks for doing this.

544
00:29:45,200 --> 00:29:54,160
Speaker 1: I appreciate it, all right. See dude, So I have

545
00:29:54,280 --> 00:29:57,400
Speaker 1: Eddie back on with me to talk about these famous

546
00:29:57,600 --> 00:30:01,360
Speaker 1: musicians who went broke because I think the association is

547
00:30:01,440 --> 00:30:04,160
Speaker 1: if you're if you're famous, you're rich, and that's not

548
00:30:04,280 --> 00:30:07,240
Speaker 1: always the case. I hate this subject, by the way.

549
00:30:07,560 --> 00:30:10,040
Speaker 1: It makes me feel so bad for these people. Why

550
00:30:10,720 --> 00:30:12,880
Speaker 1: because they just blew their money. Well, some of them

551
00:30:12,920 --> 00:30:15,600
Speaker 1: blew their money. Other people just got screwed. Well. Willie

552
00:30:15,640 --> 00:30:18,120
Speaker 1: Nelson is one of those people. File for bankruptcy in

553
00:30:18,200 --> 00:30:21,320
Speaker 1: nineteen had one of the highest tax bills in history.

554
00:30:22,240 --> 00:30:25,080
Speaker 1: A federal investigation revealed he had sixteen point seven million

555
00:30:25,160 --> 00:30:29,600
Speaker 1: dollars in In fact, so did we ever get like

556
00:30:29,680 --> 00:30:33,320
Speaker 1: the story of like did he just forget or he knew? What?

557
00:30:33,720 --> 00:30:35,520
Speaker 1: How did that go down? Well? His lawyers able to

558
00:30:35,800 --> 00:30:38,240
Speaker 1: negotiate the bill down to six million dollars in cash,

559
00:30:39,080 --> 00:30:41,240
Speaker 1: but he still couldn't afford it. The I r S

560
00:30:41,320 --> 00:30:45,520
Speaker 1: rated his Texas home. They raised did they seized his assets.

561
00:30:45,560 --> 00:30:49,480
Speaker 1: He lost everything except four do you know no trigger?

562
00:30:50,040 --> 00:30:53,120
Speaker 1: His guitar. The guitar lost everything except for trigger, and

563
00:30:53,200 --> 00:30:55,560
Speaker 1: he just had to start over. He made a bizarre

564
00:30:55,680 --> 00:30:57,440
Speaker 1: deal with the I r S. The revenue from his

565
00:30:57,560 --> 00:31:00,560
Speaker 1: next album would go towards his debt. He's set up

566
00:31:01,000 --> 00:31:03,800
Speaker 1: and went on tour, recorded his album. The I R

567
00:31:03,960 --> 00:31:06,479
Speaker 1: S tapes, who will buy my memories to help put

568
00:31:06,520 --> 00:31:07,880
Speaker 1: the bill? He managed play all of his debt by

569
00:31:08,880 --> 00:31:10,960
Speaker 1: is continue to release music ever since. But I don't

570
00:31:11,040 --> 00:31:15,080
Speaker 1: know what happened. If he just didn't pay tax I'm

571
00:31:15,080 --> 00:31:16,800
Speaker 1: assuming that's it. He just went a lot of years

572
00:31:16,840 --> 00:31:19,440
Speaker 1: making money and not paying taxes, right, But he had

573
00:31:19,480 --> 00:31:21,240
Speaker 1: no one saying, hey, Willy, you know that we have

574
00:31:21,280 --> 00:31:23,160
Speaker 1: to pay taxes on all this stuff. Well, the only

575
00:31:23,200 --> 00:31:24,719
Speaker 1: time you get someone to tell you that is when

576
00:31:24,760 --> 00:31:26,960
Speaker 1: you hire someone to tell you to tell you that.

577
00:31:27,800 --> 00:31:29,600
Speaker 1: Like I now in my life have someone because I

578
00:31:29,600 --> 00:31:31,600
Speaker 1: have to pay percentages to people. I mean, we do reaging,

579
00:31:31,680 --> 00:31:33,880
Speaker 1: DA shows or comedy, have agents, and if I didn't

580
00:31:33,920 --> 00:31:35,440
Speaker 1: have a business manager, I would be in charge of

581
00:31:35,480 --> 00:31:38,600
Speaker 1: paying all that and my taxes because on necking track

582
00:31:38,640 --> 00:31:41,000
Speaker 1: of it is hard. I understand that, Like, especially when

583
00:31:41,000 --> 00:31:42,920
Speaker 1: you have income coming from different directions, it's hard to

584
00:31:42,960 --> 00:31:44,960
Speaker 1: keep track of that. But I don't know. I would

585
00:31:45,000 --> 00:31:47,560
Speaker 1: just assume that Willie, at the height of his career,

586
00:31:47,680 --> 00:31:50,960
Speaker 1: would have someone. Well you also have to understand too

587
00:31:51,040 --> 00:31:53,440
Speaker 1: that whenever you have and you have this a little bit,

588
00:31:54,120 --> 00:31:55,840
Speaker 1: but what I have have a lot of jobs that

589
00:31:55,880 --> 00:31:58,680
Speaker 1: don't take taxes, out of my money. Now our radio

590
00:31:58,840 --> 00:32:02,600
Speaker 1: jobs do we get a paycheck taxes taken out. But

591
00:32:02,760 --> 00:32:05,960
Speaker 1: when I'm touring stand up or comedy or writing books

592
00:32:06,200 --> 00:32:08,680
Speaker 1: or that money comes straight to me. And if I

593
00:32:08,720 --> 00:32:10,440
Speaker 1: didn't want to, if I did, it was like no

594
00:32:10,600 --> 00:32:12,360
Speaker 1: taxes would go in and eventually they'd be like, we

595
00:32:12,440 --> 00:32:14,240
Speaker 1: need all that money back. But Willie Nelson is a

596
00:32:14,320 --> 00:32:16,120
Speaker 1: hundred percent that he doesn't have a job that takes

597
00:32:16,200 --> 00:32:19,960
Speaker 1: the taxes outum, so people forget about that. Sometimes they're like,

598
00:32:19,960 --> 00:32:22,320
Speaker 1: how does Aaron Carter have a million dollars in tow? Well,

599
00:32:22,480 --> 00:32:25,160
Speaker 1: nobody's taking it out. He the guy's probably I'll get

600
00:32:25,160 --> 00:32:29,400
Speaker 1: to that eventually, And you never do. Mc hammer, Oh

601
00:32:29,560 --> 00:32:31,600
Speaker 1: this is a bad one. He had an estimated worth

602
00:32:31,600 --> 00:32:33,880
Speaker 1: about thirty three million dollars when he released the album

603
00:32:33,920 --> 00:32:37,400
Speaker 1: Please Hammer don't hurt him. His success didn't last long

604
00:32:37,440 --> 00:32:42,240
Speaker 1: because in he filed for bankruptcy protection. I said he

605
00:32:42,320 --> 00:32:45,400
Speaker 1: was ten million dollars in debt. He went broke because

606
00:32:45,480 --> 00:32:49,120
Speaker 1: basically he employed two hundred people, five dozens of luxury

607
00:32:49,160 --> 00:32:51,640
Speaker 1: sports cars and airplanes. He also spent thirty million to

608
00:32:51,680 --> 00:32:55,760
Speaker 1: build a home in a twelve acre land plot in Fremont, California,

609
00:32:56,760 --> 00:32:58,440
Speaker 1: so he spent thirty million to build the home. The

610
00:32:58,480 --> 00:33:01,720
Speaker 1: house was later sold for six point eight million. What

611
00:33:01,760 --> 00:33:07,000
Speaker 1: do you think, friends, his entourage just came from nothing,

612
00:33:07,160 --> 00:33:09,920
Speaker 1: went too hard, went back to nothing, and is now

613
00:33:10,120 --> 00:33:12,200
Speaker 1: rebuilt back up somewhat. I think he's doing all right

614
00:33:12,240 --> 00:33:15,360
Speaker 1: now right when he's I think he's a preacher and

615
00:33:15,520 --> 00:33:19,320
Speaker 1: has some money now. But yeah, you hire two hundred people, Listen,

616
00:33:19,360 --> 00:33:23,320
Speaker 1: I got like four people. That's breaking me. Yeah, but

617
00:33:23,400 --> 00:33:27,040
Speaker 1: we all charge you a lot. He's this is what

618
00:33:27,120 --> 00:33:30,280
Speaker 1: Hammer said. He said this to Oprah. His bankruptcy wasn't

619
00:33:30,360 --> 00:33:36,480
Speaker 1: due to frivolous spending, but rather expanding his business too quickly. So, um,

620
00:33:37,440 --> 00:33:40,200
Speaker 1: you know, it could be both. When you're building a

621
00:33:40,240 --> 00:33:43,080
Speaker 1: house that big that that's not it's probably a little

622
00:33:43,080 --> 00:33:45,760
Speaker 1: bit of both. Um. A fun fact on the mc

623
00:33:45,880 --> 00:33:51,840
Speaker 1: hammer pants. Hammer pants are customized modified baggy pants suitable

624
00:33:51,840 --> 00:33:53,440
Speaker 1: for hip hop dancing. By the way, when I bought

625
00:33:53,480 --> 00:33:57,280
Speaker 1: some at Walmart when I was like eleven, Hammer popularized

626
00:33:57,280 --> 00:33:59,000
Speaker 1: the pants while wearing him during live concerts. He had

627
00:33:59,040 --> 00:34:03,040
Speaker 1: his own outlandish amber pants costume made as well. Vanilla

628
00:34:03,080 --> 00:34:05,600
Speaker 1: Ice boasted that he got paid one million dollars by

629
00:34:05,640 --> 00:34:08,880
Speaker 1: his record label for wearing hammer pants during a show. Wow,

630
00:34:09,640 --> 00:34:11,640
Speaker 1: the hammer pants are a big deal. They were a

631
00:34:11,680 --> 00:34:14,440
Speaker 1: big big deal. You really wore him as a kid, though, Like, yeah,

632
00:34:14,480 --> 00:34:16,960
Speaker 1: I got something at Walmart Red Ones. I saved up bottom.

633
00:34:18,320 --> 00:34:21,920
Speaker 1: They weren't really hammer pants, but yeah, I have a

634
00:34:21,960 --> 00:34:23,640
Speaker 1: pair of my closet still from Dancing with the Stars

635
00:34:23,640 --> 00:34:26,239
Speaker 1: because I did mc hammer twice as he did the dance.

636
00:34:26,320 --> 00:34:31,560
Speaker 1: Love him, Billy Joel. He declared bankruptcy multiple times. His

637
00:34:31,680 --> 00:34:36,400
Speaker 1: most famous one his former manager, Frank Webber, siphon thirty

638
00:34:36,480 --> 00:34:39,719
Speaker 1: million from him for personal loans and dicey business investments,

639
00:34:39,760 --> 00:34:41,279
Speaker 1: none of which Billy Joel was aware of. I mean,

640
00:34:41,320 --> 00:34:43,120
Speaker 1: that's what gets you too, when you trust somebody and

641
00:34:43,280 --> 00:34:47,440
Speaker 1: they're not trustworthy. This thing Or filed for bankruptcy, but

642
00:34:47,520 --> 00:34:49,360
Speaker 1: he lost more than just a large sum of money.

643
00:34:49,920 --> 00:34:52,000
Speaker 1: He had been Billy Joel's brother in law and also

644
00:34:52,040 --> 00:34:55,120
Speaker 1: the god daughter to his the godfather to his daughter Alexa.

645
00:34:55,239 --> 00:34:57,440
Speaker 1: So how can you not trust someone like that thinking

646
00:34:57,480 --> 00:35:00,399
Speaker 1: they would do the best with your money. He's sued

647
00:35:00,440 --> 00:35:03,920
Speaker 1: Howeber for ninety million. I don't know how much he

648
00:35:04,040 --> 00:35:06,439
Speaker 1: got from that, but he's okay as of an owl

649
00:35:06,640 --> 00:35:08,959
Speaker 1: like he's bounced back. As of today, he's worth about

650
00:35:08,960 --> 00:35:12,440
Speaker 1: two five million dollars. Oh, then that's okay. Well it's

651
00:35:12,480 --> 00:35:15,480
Speaker 1: not okay because you should never have money stolen from you.

652
00:35:15,840 --> 00:35:20,279
Speaker 1: But I'm saying he's not eating rice and beans right

653
00:35:20,360 --> 00:35:26,719
Speaker 1: now to fill his belly. He's ye Mick Fleetwood. Well,

654
00:35:26,760 --> 00:35:28,040
Speaker 1: I don't know this one. What do you know about

655
00:35:28,080 --> 00:35:31,319
Speaker 1: Mick Fleetwood. He's just Fleetwood Mac, part of Fleetwood Mac.

656
00:35:31,760 --> 00:35:34,920
Speaker 1: Mick Fleetwood's a drummer for Fleetwood Mac. You know the

657
00:35:35,000 --> 00:35:44,680
Speaker 1: song here, you know the album. Rumors would have been

658
00:35:44,840 --> 00:35:47,360
Speaker 1: enough to set him for life with royalties, but he

659
00:35:47,480 --> 00:35:50,439
Speaker 1: spent his money quicker than he got it. He bought

660
00:35:50,480 --> 00:35:53,440
Speaker 1: millions of dollars in real estate and the old C word.

661
00:35:55,320 --> 00:35:58,160
Speaker 1: We can't say that. You can say, okaine several dollars

662
00:35:58,280 --> 00:36:02,800
Speaker 1: per month, like thousands, thousand, thousands per month um. This

663
00:36:02,960 --> 00:36:05,840
Speaker 1: is what McK fleetwood said about eight million dollars in

664
00:36:05,920 --> 00:36:10,640
Speaker 1: cocaine is what he spent. What? Uh? And okay, okay,

665
00:36:10,680 --> 00:36:12,520
Speaker 1: So I think this could be taking the wrong way,

666
00:36:12,560 --> 00:36:15,840
Speaker 1: but it is parties, probably cocaine parties. This isn't like

667
00:36:16,040 --> 00:36:17,880
Speaker 1: his addiction where he had to just do that over

668
00:36:17,960 --> 00:36:21,200
Speaker 1: and over by his own estimate, Fleetwood's years of nose

669
00:36:21,320 --> 00:36:26,200
Speaker 1: candy consumption cost him roughly eight million dollars and all

670
00:36:26,200 --> 00:36:29,080
Speaker 1: of his money was gone. It is crazy file for

671
00:36:29,120 --> 00:36:31,040
Speaker 1: bankruptcy to take him almost ten years to get back

672
00:36:31,040 --> 00:36:34,479
Speaker 1: on speed again. He's been clean sober since nine Wow.

673
00:36:36,400 --> 00:36:39,759
Speaker 1: Crazy huh? Even next step like next level stuff. He

674
00:36:39,920 --> 00:36:43,200
Speaker 1: was supplying Pablo Escobar Like that's that's just crazy to me.

675
00:36:44,719 --> 00:36:48,520
Speaker 1: Like that that the connection because I mean cocaine he

676
00:36:48,760 --> 00:36:53,520
Speaker 1: was inadvertently. Yeah, I would assume there's probably some there.

677
00:36:53,719 --> 00:36:57,759
Speaker 1: Eight an eight million dollars back then is a lot

678
00:36:57,800 --> 00:36:59,840
Speaker 1: more than a million dollars now. By the way, correct

679
00:37:01,560 --> 00:37:06,760
Speaker 1: ted nugent. Maybe you know cat scrash, fever horse the news.

680
00:37:07,640 --> 00:37:13,239
Speaker 1: He never indulged in drugs or alcohol, so his was

681
00:37:13,760 --> 00:37:19,040
Speaker 1: hunting and running a quote camp for kids, okay, camp

682
00:37:19,120 --> 00:37:22,960
Speaker 1: for kids. Unfortunately, still broke. He found himself after his

683
00:37:23,080 --> 00:37:25,279
Speaker 1: managers invested a bunch of his money and all kinds

684
00:37:25,360 --> 00:37:31,320
Speaker 1: of stuff clide Clydesdale horses, mink farms. He declared bankruptcy

685
00:37:31,360 --> 00:37:34,920
Speaker 1: in nineteen eighty but recovered. He's still busy today. At

686
00:37:34,920 --> 00:37:37,520
Speaker 1: two thousand three, was host of a reality television show

687
00:37:37,560 --> 00:37:42,239
Speaker 1: called surviving nugent. Is he the n r A guy.

688
00:37:42,800 --> 00:37:45,920
Speaker 1: He's a big higu alright, He's been married twice, his

689
00:37:45,960 --> 00:37:48,839
Speaker 1: eight kids, he's worth twenty million dollars. But yeah, it's

690
00:37:48,880 --> 00:37:52,920
Speaker 1: just people invest in his money for him. But by

691
00:37:52,960 --> 00:37:54,279
Speaker 1: the way, you have you hire people to do that.

692
00:37:55,040 --> 00:37:56,719
Speaker 1: But when they're going hard on the mink farms, you're

693
00:37:56,719 --> 00:38:01,399
Speaker 1: probably like, hey, are you sure about this? Marvin Gay

694
00:38:02,000 --> 00:38:04,799
Speaker 1: you would know from let's get it on m hmm.

695
00:38:08,320 --> 00:38:12,560
Speaker 1: Come on. He filed for bankruptcy after falling behind on

696
00:38:12,600 --> 00:38:16,000
Speaker 1: alimony payments in v six and said, hey, you gotta

697
00:38:16,040 --> 00:38:19,000
Speaker 1: pay your ex wife six hundred thousand dollars from royalties

698
00:38:19,640 --> 00:38:24,279
Speaker 1: from an upcoming album. He filed and that was a

699
00:38:24,320 --> 00:38:27,640
Speaker 1: whole je mean, and then he died. You know, he

700
00:38:27,719 --> 00:38:30,919
Speaker 1: was shot and killed by his dad. He still loaded

701
00:38:30,920 --> 00:38:33,160
Speaker 1: a bunch of money in backup. Yeah, his dad killed him.

702
00:38:33,160 --> 00:38:35,840
Speaker 1: A't that crazy? Yeah? What's that story? Do you remember

703
00:38:35,840 --> 00:38:39,839
Speaker 1: exactly how that went down? Remember there was a fight

704
00:38:39,960 --> 00:38:44,800
Speaker 1: or something like hot water like boiling one. You know,

705
00:38:45,560 --> 00:38:47,160
Speaker 1: I bet Mike can find it real quick. I don't

706
00:38:47,160 --> 00:38:49,280
Speaker 1: want to say the wrong thing because I get trashed

707
00:38:49,320 --> 00:38:52,839
Speaker 1: on it. But yeah, we're known to do that don't

708
00:38:52,880 --> 00:38:58,120
Speaker 1: let me take creative liberty with history. TLC was super

709
00:38:58,200 --> 00:39:03,000
Speaker 1: popular in the nineties. T bas Left Eye Chili. They

710
00:39:03,040 --> 00:39:06,279
Speaker 1: were killing it, but they filed Chapter eleven bankruptcy July third.

711
00:39:07,920 --> 00:39:10,400
Speaker 1: The declared debts total three point five million dollars. A

712
00:39:10,480 --> 00:39:14,400
Speaker 1: lot of the debt came from Left Eyes insurance payments

713
00:39:14,440 --> 00:39:18,560
Speaker 1: from the arson incident in h is that with the

714
00:39:18,680 --> 00:39:23,120
Speaker 1: Atlanta Falcons receiver Andre Risen Andre Risen? Wow? And then

715
00:39:23,160 --> 00:39:27,319
Speaker 1: they was a bad deal. That's it, bad record deal,

716
00:39:27,800 --> 00:39:30,560
Speaker 1: So so just didn't look at the deal right and

717
00:39:30,640 --> 00:39:32,640
Speaker 1: then signed a bad one and didn't get paid for stuff.

718
00:39:35,680 --> 00:39:37,960
Speaker 1: Cindy Lauper now she's worth thirty million bucks, but she

719
00:39:38,000 --> 00:39:39,840
Speaker 1: had a rough start. She had to file for bancrust

720
00:39:39,920 --> 00:39:43,240
Speaker 1: before she made it big. She obviously has the songs

721
00:39:43,280 --> 00:39:45,880
Speaker 1: like girls Just Want to Have Fun and um, but

722
00:39:46,000 --> 00:39:48,560
Speaker 1: this is before that. She was in a group called

723
00:39:48,640 --> 00:39:52,280
Speaker 1: Blue Angel. The band's first and only album was a flop,

724
00:39:52,800 --> 00:39:55,200
Speaker 1: and to make managed worse, their manager sued them for

725
00:39:55,239 --> 00:39:59,120
Speaker 1: eighty thousand dollars. This force Lawfer to file for bankruptcy.

726
00:39:59,800 --> 00:40:02,400
Speaker 1: One she's saying in a Japanese restaurant, dresses a geishaw

727
00:40:02,400 --> 00:40:05,120
Speaker 1: and worked in retail before she released her hit album

728
00:40:05,200 --> 00:40:11,600
Speaker 1: She's So Unusual in nine Amazing, and now she's now

729
00:40:11,719 --> 00:40:16,400
Speaker 1: she's doing psoriasis commercials on one of those. Good for her.

730
00:40:16,560 --> 00:40:22,920
Speaker 1: And I think the Kinky Boots, Yeah, yeah, yeah, I

731
00:40:22,960 --> 00:40:24,799
Speaker 1: think I know what you're talking about. She wrote that's all.

732
00:40:25,120 --> 00:40:28,200
Speaker 1: She wrote that the music for Kinky Boots, so she

733
00:40:28,239 --> 00:40:31,320
Speaker 1: would have made a ton of money from that. And

734
00:40:31,400 --> 00:40:33,600
Speaker 1: I think she's still collapsed with like other people and

735
00:40:33,680 --> 00:40:36,919
Speaker 1: still tours, well, not now, but I think she still

736
00:40:36,960 --> 00:40:39,399
Speaker 1: plays performs. Did you find the Marvin Gay stuff? Mike?

737
00:40:39,719 --> 00:40:41,239
Speaker 1: I just said his dad shot him in the chest

738
00:40:41,280 --> 00:40:45,919
Speaker 1: after an argument. Yeah, does it? Mentioning about some hot water?

739
00:40:47,320 --> 00:40:49,560
Speaker 1: Maybe they meant like he was in hot water and

740
00:40:49,680 --> 00:40:56,200
Speaker 1: thinking about that fifty cent. He's earned at leastwo hundred

741
00:40:56,200 --> 00:40:59,719
Speaker 1: and sixty million dollars from everything he has spent lavishly,

742
00:40:59,800 --> 00:41:03,239
Speaker 1: the especially on real estate, cars, and lawsuits, which caused

743
00:41:03,280 --> 00:41:06,719
Speaker 1: him to file Chapter eleven and two thousand fifteen. He

744
00:41:06,880 --> 00:41:09,360
Speaker 1: filed Chapter eleven and side a thirty six million in

745
00:41:09,520 --> 00:41:12,520
Speaker 1: debt in less than twenty million in assets. That'd be like,

746
00:41:12,840 --> 00:41:16,960
Speaker 1: you know, sixteen negative. Yeah, the rapper file for bankruptcy

747
00:41:17,120 --> 00:41:19,200
Speaker 1: right as he was ordered to pay Lestonia levist and

748
00:41:19,280 --> 00:41:21,600
Speaker 1: nearly seven million after he released a sex tape without

749
00:41:21,600 --> 00:41:25,040
Speaker 1: her permission. So I guess he put out one of

750
00:41:25,120 --> 00:41:27,239
Speaker 1: him and her and he didn't get the permission, slip

751
00:41:27,280 --> 00:41:30,960
Speaker 1: sign or what. She didn't take it home with her. Yeah,

752
00:41:31,000 --> 00:41:33,880
Speaker 1: he's brought a bunch of money now about thirty million,

753
00:41:34,080 --> 00:41:35,520
Speaker 1: but he was worth a hundred and fifty million at

754
00:41:35,520 --> 00:41:37,920
Speaker 1: one point. I don't know, man, I I try to

755
00:41:38,040 --> 00:41:40,280
Speaker 1: understand it, but I don't understand that lots of cars.

756
00:41:40,640 --> 00:41:43,520
Speaker 1: I just don't. I don't understand that me either, but

757
00:41:43,640 --> 00:41:45,520
Speaker 1: people will say to me, I don't understand the lots

758
00:41:45,560 --> 00:41:48,839
Speaker 1: of shoes, and I have lots of shoes. What's your

759
00:41:48,880 --> 00:41:51,279
Speaker 1: most expensive pair of shoes. It's not even closed to

760
00:41:51,360 --> 00:41:54,640
Speaker 1: a car, might even close to focus. My point is, though,

761
00:41:54,760 --> 00:41:56,719
Speaker 1: is that we were not comparing them all money, because

762
00:41:56,719 --> 00:41:58,920
Speaker 1: money is different for everybody. I got. I got that

763
00:41:59,760 --> 00:42:02,120
Speaker 1: that some people don't understand. I don't understand all the cars,

764
00:42:02,120 --> 00:42:03,440
Speaker 1: but I do understand a lot lots of shoes, but

765
00:42:03,440 --> 00:42:06,200
Speaker 1: people like I don't understand. It's a different. I guess

766
00:42:06,200 --> 00:42:07,600
Speaker 1: if you love cars, you probably want a bunch of

767
00:42:07,600 --> 00:42:10,800
Speaker 1: cars around you. I don't know anything about cars. I

768
00:42:10,840 --> 00:42:12,840
Speaker 1: don't know. I just can't imagine what we talked about this.

769
00:42:12,880 --> 00:42:15,560
Speaker 1: I can't imagine when someone has like fifty plus cars.

770
00:42:15,840 --> 00:42:18,040
Speaker 1: I mean, you're not are you driving one of those

771
00:42:18,080 --> 00:42:20,719
Speaker 1: cars every single day? Or should you go a whole year?

772
00:42:20,760 --> 00:42:22,600
Speaker 1: And you know what, I forgot to drive that car.

773
00:42:22,719 --> 00:42:25,600
Speaker 1: I went to a guy's house who owns the tackle app,

774
00:42:26,080 --> 00:42:28,360
Speaker 1: and he has like five cars, millions of dollars in car.

775
00:42:28,440 --> 00:42:29,680
Speaker 1: But he's just a collector and he has a bunch

776
00:42:29,680 --> 00:42:31,560
Speaker 1: of money, and he's like, I got a bunch of money.

777
00:42:31,560 --> 00:42:33,560
Speaker 1: I give a lot to people. And my thing is

778
00:42:33,600 --> 00:42:36,440
Speaker 1: I love cars. Everybody has a thing. I love shooting.

779
00:42:37,160 --> 00:42:38,920
Speaker 1: I wish I loved cars and could buy a whole

780
00:42:38,920 --> 00:42:41,120
Speaker 1: bunch of them. That'd be awesome. But I don't even

781
00:42:41,200 --> 00:42:46,919
Speaker 1: love cars. So teeth paining, Like yeah, yeah, tea pain.

782
00:42:47,360 --> 00:42:48,840
Speaker 1: I went from having forty million of the bank to

783
00:42:48,880 --> 00:42:50,640
Speaker 1: having to borrow money to get his kids burger king.

784
00:42:51,400 --> 00:42:53,480
Speaker 1: Really yeah. I did interview with the Brex Club and

785
00:42:54,239 --> 00:42:56,080
Speaker 1: he said once he had forty million at the height

786
00:42:56,120 --> 00:42:58,200
Speaker 1: of his career. Then he had so little he had

787
00:42:58,239 --> 00:43:00,520
Speaker 1: to quote borrow money to get my kids urger king.

788
00:43:00,840 --> 00:43:05,279
Speaker 1: It was bad. Investments and other bad spending habits. He's

789
00:43:05,320 --> 00:43:07,200
Speaker 1: doing much better now, he says. But he won the

790
00:43:07,239 --> 00:43:09,320
Speaker 1: mass Singer on the first season, which kind of repopped

791
00:43:09,360 --> 00:43:10,839
Speaker 1: him a little bit. I don't know if he's won

792
00:43:10,880 --> 00:43:12,799
Speaker 1: the other seasons, but that was a big thing for him,

793
00:43:13,239 --> 00:43:15,200
Speaker 1: they think for anybody, because that show was blowing up.

794
00:43:16,680 --> 00:43:20,400
Speaker 1: Meat Loaf had to file for bankruptcy in the eighties.

795
00:43:21,320 --> 00:43:27,680
Speaker 1: Forty five lawsuits day he back in eighty three, he said,

796
00:43:27,719 --> 00:43:30,600
Speaker 1: had forty five lawsuits tolding eighty million dollars thrown at me.

797
00:43:30,719 --> 00:43:32,920
Speaker 1: What heck was he doing to have something lawsuits thrown

798
00:43:32,920 --> 00:43:35,359
Speaker 1: at Why did he get sued so much? He doesn't

799
00:43:35,360 --> 00:43:37,239
Speaker 1: talk about that because every time we'd get one case,

800
00:43:37,280 --> 00:43:39,680
Speaker 1: it's a miss, I throw another at me. Yeah, I

801
00:43:39,800 --> 00:43:42,920
Speaker 1: want to talk about it. It's probably over it. This

802
00:43:43,040 --> 00:43:48,560
Speaker 1: song that was still kind of a jam I do anything?

803
00:43:49,239 --> 00:43:51,719
Speaker 1: What One of these days, I'm gonna listen to that

804
00:43:51,800 --> 00:43:53,640
Speaker 1: song and pay attention to the lyrics because I still

805
00:43:53,680 --> 00:43:56,760
Speaker 1: don't know what he won't do. I think, but stuff?

806
00:43:57,560 --> 00:43:59,480
Speaker 1: Is that what it is? Because that's in my mind

807
00:43:59,520 --> 00:44:03,320
Speaker 1: that I'm sure that's not what I go back and

808
00:44:03,400 --> 00:44:05,239
Speaker 1: listen to him, like sure enough, Bones you're right, but

809
00:44:05,400 --> 00:44:08,359
Speaker 1: stuff they asked him and he said no, and then

810
00:44:08,360 --> 00:44:10,520
Speaker 1: they kept asking, so he wrote the song We pull

811
00:44:10,600 --> 00:44:12,000
Speaker 1: up an all interview. It was like, you know, it

812
00:44:12,120 --> 00:44:14,520
Speaker 1: was me and Teresa and the year was nineteen seventy

813
00:44:14,560 --> 00:44:16,239
Speaker 1: two and we were, you know, we had a little

814
00:44:16,239 --> 00:44:17,640
Speaker 1: too much to drink. We've done a little drugs, and

815
00:44:17,719 --> 00:44:18,759
Speaker 1: she was like, hey, you want to and I was like,

816
00:44:18,800 --> 00:44:20,640
Speaker 1: I don't. I don't want to do that. And so

817
00:44:20,840 --> 00:44:22,359
Speaker 1: she came to the next day said we were they're

818
00:44:22,360 --> 00:44:24,680
Speaker 1: getting together or you're gonna do it, And he goes,

819
00:44:24,719 --> 00:44:26,320
Speaker 1: I went to a room. There's an old piano, and

820
00:44:26,400 --> 00:44:28,440
Speaker 1: I sat down at it, and this is what came out.

821
00:44:29,960 --> 00:44:34,800
Speaker 1: Anything he love. He goes, The original name of the

822
00:44:34,880 --> 00:44:39,080
Speaker 1: song was but stuff quote before do that. The label

823
00:44:39,080 --> 00:44:46,200
Speaker 1: didn't love the idea of that. Um. Alright, alright, check

824
00:44:46,200 --> 00:44:48,360
Speaker 1: out Eddie's podcast at you talking about that? Yeah, The

825
00:44:48,440 --> 00:44:51,040
Speaker 1: Sore Losers were a sports podcast, but let's be real,

826
00:44:51,080 --> 00:44:52,640
Speaker 1: there aren't a lot of sports going on right now.

827
00:44:53,160 --> 00:44:55,359
Speaker 1: Just three guys, me, Lunchbox, and Ray. We talked about

828
00:44:55,360 --> 00:44:58,359
Speaker 1: our lives and we all do live very different lives.

829
00:44:58,400 --> 00:44:59,719
Speaker 1: So it's it's a fun show. We get to have

830
00:44:59,719 --> 00:45:02,040
Speaker 1: a lot of fun doing it three days a week, Monday, Wednesday,

831
00:45:02,040 --> 00:45:04,680
Speaker 1: and Friday. Coming up next, I'm gonna talk to Robin

832
00:45:04,760 --> 00:45:07,640
Speaker 1: kimbro Hayes, running for the United States Senate. I know

833
00:45:07,719 --> 00:45:10,040
Speaker 1: this music podcast, but I decided to have her on

834
00:45:10,040 --> 00:45:11,640
Speaker 1: because I was running and I saw her and we

835
00:45:11,680 --> 00:45:14,400
Speaker 1: started talking. And if you wanna hear my conversation with

836
00:45:14,480 --> 00:45:16,799
Speaker 1: her talking about all kinds of stuff. She's running for senate,

837
00:45:16,880 --> 00:45:20,279
Speaker 1: why uh talking about the protests that are happening. And

838
00:45:20,320 --> 00:45:21,600
Speaker 1: I was trying to find a way to connect it

839
00:45:21,640 --> 00:45:23,719
Speaker 1: to music. And here's what I've connected to it ready, Eddie.

840
00:45:24,120 --> 00:45:27,840
Speaker 1: I was listening to music when I saw her, perfect

841
00:45:27,880 --> 00:45:29,160
Speaker 1: and I took it up. But I just thought it

842
00:45:29,200 --> 00:45:31,080
Speaker 1: was interesting. I was like, hey, let me interview, and

843
00:45:31,239 --> 00:45:33,319
Speaker 1: I thought it was a pretty good conversation. So it's

844
00:45:33,320 --> 00:45:36,120
Speaker 1: not a political podcast, but um and I it's just

845
00:45:36,200 --> 00:45:38,160
Speaker 1: what she's running on. So check it out if you want.

846
00:45:38,200 --> 00:45:43,320
Speaker 1: If not, cool, Okay, we're on now with Robin kimbro Hayes,

847
00:45:43,600 --> 00:45:45,920
Speaker 1: who is running for senate. But I guess I met

848
00:45:45,960 --> 00:45:48,279
Speaker 1: in a really odd way. Hey, hi, Robin kimbro Hayes.

849
00:45:48,320 --> 00:45:49,560
Speaker 1: You have three names. I don't know what to call

850
00:45:49,600 --> 00:45:54,920
Speaker 1: you honestly, Well, I am Robbing Kimbro. Hey, I'm on

851
00:45:55,040 --> 00:45:59,200
Speaker 1: the ballot as Robin Kimbro. I just got married to

852
00:46:00,040 --> 00:46:03,200
Speaker 1: the full man named what do your friends call you? Robin?

853
00:46:04,200 --> 00:46:07,040
Speaker 1: They call me Robin. Okay, Well three names is always

854
00:46:07,040 --> 00:46:08,759
Speaker 1: confusing to me because I didn't know if, like, your

855
00:46:08,800 --> 00:46:12,919
Speaker 1: first name was Robin Kimbro or well, uh, Robin Kimbro. Hayes,

856
00:46:12,960 --> 00:46:14,880
Speaker 1: it is a pleasure to have you on. I mentioned

857
00:46:15,320 --> 00:46:17,400
Speaker 1: that we met in a pretty odd way as I

858
00:46:17,640 --> 00:46:20,239
Speaker 1: was finishing up a run and it was really hot

859
00:46:20,360 --> 00:46:24,120
Speaker 1: this day, and I'm struggling, and I look over and

860
00:46:24,480 --> 00:46:25,960
Speaker 1: you have a big smile on your face and you're

861
00:46:25,960 --> 00:46:28,279
Speaker 1: like all right, and you're looking into a phone and

862
00:46:28,760 --> 00:46:31,320
Speaker 1: you know a friend of yours is recording you, and

863
00:46:31,560 --> 00:46:32,799
Speaker 1: you're like, all right, we can do it. We can

864
00:46:32,840 --> 00:46:34,759
Speaker 1: get together. And I look over at you and I go, hey,

865
00:46:34,840 --> 00:46:36,560
Speaker 1: that's awesome. I don't even know what you're talking about,

866
00:46:36,600 --> 00:46:38,239
Speaker 1: but I'm into it because that's a there's a lot

867
00:46:38,280 --> 00:46:41,360
Speaker 1: of positivity happening there. What exactly were you talking about

868
00:46:41,400 --> 00:46:44,479
Speaker 1: over in the field. Well, I want to first say

869
00:46:44,600 --> 00:46:48,360
Speaker 1: that that person film with me was my son Adrik Avid. Golfer,

870
00:46:48,600 --> 00:46:51,799
Speaker 1: and so he was helping me to make a campaign video.

871
00:46:52,600 --> 00:46:55,640
Speaker 1: So we were wreaking a video about how we need

872
00:46:55,760 --> 00:46:58,920
Speaker 1: to mooove the needle um in Tennessee on issues that

873
00:46:59,040 --> 00:47:04,200
Speaker 1: are really important to me and I believe to Tennessee.

874
00:47:05,040 --> 00:47:08,600
Speaker 1: And my thing for my campaign is passion for Tennessee,

875
00:47:09,200 --> 00:47:11,960
Speaker 1: and I believe that we're to put this seat um.

876
00:47:12,360 --> 00:47:15,560
Speaker 1: Just with the Senate, we need to have a candidate

877
00:47:15,640 --> 00:47:19,360
Speaker 1: who is going to inspire people with energy and passion

878
00:47:19,520 --> 00:47:22,040
Speaker 1: to get out to vote. But I just don't bring

879
00:47:22,200 --> 00:47:25,120
Speaker 1: energy and passion. But I bring a whole set of

880
00:47:25,200 --> 00:47:28,920
Speaker 1: skills to handle this job as United States Senator. I'm

881
00:47:28,960 --> 00:47:32,399
Speaker 1: a lawyer and I'm a chaplain, so I know how

882
00:47:32,520 --> 00:47:35,759
Speaker 1: to draft legislation, i know how to read policies, and

883
00:47:35,840 --> 00:47:39,080
Speaker 1: I've argue cases all across the state of Tennessee. And

884
00:47:39,160 --> 00:47:42,120
Speaker 1: as a chaplain, I know how to sit with anger, suffering,

885
00:47:42,160 --> 00:47:46,799
Speaker 1: and fears and even during times of of joy and excitement.

886
00:47:47,640 --> 00:47:49,960
Speaker 1: So that's what I was talking about on that rock

887
00:47:50,239 --> 00:47:53,000
Speaker 1: I was standing on. Well, when you see me come

888
00:47:53,080 --> 00:47:54,680
Speaker 1: running by and I like wave at you and I'm

889
00:47:54,680 --> 00:47:56,600
Speaker 1: moss sweaty, Are you like, what is this guy even doing?

890
00:47:56,719 --> 00:48:01,000
Speaker 1: Right here. Well, I'm going to make sure that I

891
00:48:01,120 --> 00:48:05,320
Speaker 1: wighed at everybody that passed by. UM, I'm a friendly

892
00:48:05,440 --> 00:48:08,759
Speaker 1: person anyhow, And that's that where your job is kind

893
00:48:08,800 --> 00:48:12,600
Speaker 1: of like the Greenway area and UM, and so we're

894
00:48:12,640 --> 00:48:16,320
Speaker 1: pretty familiar with with that space. But I caught a

895
00:48:16,360 --> 00:48:19,040
Speaker 1: lot of attention out there and I said, hey, UM,

896
00:48:19,200 --> 00:48:22,440
Speaker 1: this message is exactly what I wanted to be powerful,

897
00:48:22,719 --> 00:48:26,800
Speaker 1: engaging and getting people excited. And UM, I'm glad that

898
00:48:26,920 --> 00:48:30,160
Speaker 1: I inspired you to allow me to share with your

899
00:48:30,320 --> 00:48:33,200
Speaker 1: listeners today. Well, so let's talk about your background a

900
00:48:33,200 --> 00:48:35,560
Speaker 1: little bit. So you're an attorney. Where did you go

901
00:48:35,640 --> 00:48:37,560
Speaker 1: to school and what kind of law did you study.

902
00:48:38,880 --> 00:48:43,120
Speaker 1: I went to Emory School of Law UM, and I

903
00:48:44,000 --> 00:48:47,440
Speaker 1: ended up practicing in the public sector of law because

904
00:48:47,520 --> 00:48:50,600
Speaker 1: I have a calling to do service. So I worked

905
00:48:50,640 --> 00:48:53,960
Speaker 1: for the Attorney General's Office here in Tennessee and I

906
00:48:54,080 --> 00:48:57,279
Speaker 1: also worked for the Department of Children's Services. I've been

907
00:48:57,320 --> 00:49:01,560
Speaker 1: a decade of doing work with THEE with a with

908
00:49:01,760 --> 00:49:04,919
Speaker 1: the Tennessee Coalition to End Domestic and Sexual Violence, where

909
00:49:04,960 --> 00:49:08,919
Speaker 1: I drafted policy UM conducted training all over the state

910
00:49:08,960 --> 00:49:12,280
Speaker 1: of Kindnessey on issues related to domestic violence and sexual assault.

911
00:49:12,760 --> 00:49:15,279
Speaker 1: But what's really exciting about my background is that I

912
00:49:15,360 --> 00:49:17,880
Speaker 1: grew up in a trailer park and elected to Kentucky.

913
00:49:18,520 --> 00:49:20,680
Speaker 1: And if it had not been for that trailer park,

914
00:49:21,360 --> 00:49:23,840
Speaker 1: I don't think I would have the passionate energy I

915
00:49:23,920 --> 00:49:26,560
Speaker 1: have now to run for this seat. The trailer park

916
00:49:26,640 --> 00:49:29,520
Speaker 1: taught me have to stretch resources and make lots out

917
00:49:29,560 --> 00:49:32,279
Speaker 1: of a little. And it also gave me the drive

918
00:49:32,440 --> 00:49:36,040
Speaker 1: to go college assist and Emory school ball. But most

919
00:49:36,080 --> 00:49:38,239
Speaker 1: of poorly, it taught me that no matter what the

920
00:49:38,640 --> 00:49:42,080
Speaker 1: situation is, there is still hope. And it's that same

921
00:49:42,280 --> 00:49:44,279
Speaker 1: fight that can hope that got me out of the

922
00:49:44,360 --> 00:49:47,520
Speaker 1: trailer park that I want to bring to Washington as

923
00:49:47,600 --> 00:49:50,719
Speaker 1: the United States Senator for the state of Tennessee. You know,

924
00:49:50,719 --> 00:49:52,480
Speaker 1: I think we have a lot of similarities. I also

925
00:49:52,760 --> 00:49:54,880
Speaker 1: and a former trailer park kid, and so it's my producer,

926
00:49:54,960 --> 00:49:56,880
Speaker 1: Mike with We have three trailer park kids all here

927
00:49:56,920 --> 00:50:00,040
Speaker 1: hanging out with each other. Oh my gosh. I have

928
00:50:00,200 --> 00:50:02,600
Speaker 1: met so many people on this journey who grew up

929
00:50:02,640 --> 00:50:06,480
Speaker 1: in the trailer park. I talked to um Um, a

930
00:50:06,560 --> 00:50:09,880
Speaker 1: constituent in Knoxville, and we were sharing about the trailer

931
00:50:09,960 --> 00:50:11,919
Speaker 1: park and we kind of had like a really quick

932
00:50:12,120 --> 00:50:15,640
Speaker 1: moment of silence. UM. Because both of our trailer park

933
00:50:15,800 --> 00:50:18,520
Speaker 1: situations were very difficult. And I will say that most

934
00:50:18,600 --> 00:50:21,000
Speaker 1: people who grew up in the trailer park it really

935
00:50:21,080 --> 00:50:25,200
Speaker 1: had some really hard UM struggles. UM would added to

936
00:50:25,280 --> 00:50:28,880
Speaker 1: my struggle not just the the priority issues, but I

937
00:50:29,120 --> 00:50:31,680
Speaker 1: also my mother and I were also the only African

938
00:50:31,719 --> 00:50:36,480
Speaker 1: Americans in that trailer park. And um, and so I was.

939
00:50:36,880 --> 00:50:40,120
Speaker 1: I was five years old when moved in the trailer park,

940
00:50:40,200 --> 00:50:42,680
Speaker 1: and I was going on seventeen when we moved out.

941
00:50:43,480 --> 00:50:45,560
Speaker 1: So even in the midst of that, I was able

942
00:50:45,640 --> 00:50:49,279
Speaker 1: to build community and and relationships. And it was some

943
00:50:49,880 --> 00:50:52,719
Speaker 1: white folks in that trailer park that stood up for

944
00:50:52,840 --> 00:50:55,359
Speaker 1: my mother and myself. And if it had not been

945
00:50:55,480 --> 00:50:57,960
Speaker 1: for them, UM, we probably would not have made it

946
00:50:58,040 --> 00:51:02,120
Speaker 1: out of the trailer park. So UM, that's what it's

947
00:51:02,120 --> 00:51:04,760
Speaker 1: all about. It's all about not only being in the ally,

948
00:51:04,960 --> 00:51:07,640
Speaker 1: of being an accomplice of getting down in the fight,

949
00:51:08,000 --> 00:51:11,520
Speaker 1: um for social justice and and moving the needle on

950
00:51:12,400 --> 00:51:14,799
Speaker 1: the systemic issues that we see going on in our

951
00:51:14,880 --> 00:51:19,080
Speaker 1: country today. You talk about social justice, do you feel

952
00:51:19,120 --> 00:51:22,399
Speaker 1: with what's happening now? Are you seeing the needle move

953
00:51:23,200 --> 00:51:26,320
Speaker 1: to a place that you think it will actually stay moved.

954
00:51:26,719 --> 00:51:29,600
Speaker 1: That's a that's a really good question, because sometimes these

955
00:51:29,719 --> 00:51:34,279
Speaker 1: issues UM come in waves. But I really believe and

956
00:51:34,400 --> 00:51:38,719
Speaker 1: I'm hopeful that this that the needle is moving. So

957
00:51:39,120 --> 00:51:42,759
Speaker 1: in UM the news, you've probably seen UM that on

958
00:51:43,000 --> 00:51:46,360
Speaker 1: this Senate or the Congress floor. Now UM that we

959
00:51:46,600 --> 00:51:52,040
Speaker 1: have UM legislation UM called the Justice and Policing Act,

960
00:51:52,680 --> 00:51:56,879
Speaker 1: and that Act is a really big deal. And one

961
00:51:56,920 --> 00:52:00,279
Speaker 1: of the things that that Act does it removed the

962
00:52:00,760 --> 00:52:04,520
Speaker 1: UM cloak of qualified immunity. That is a huge deal.

963
00:52:04,719 --> 00:52:08,720
Speaker 1: So when you remove qualified immunity on Section three cases,

964
00:52:08,800 --> 00:52:12,920
Speaker 1: particularly against police officers, that is a very radical move

965
00:52:13,000 --> 00:52:16,040
Speaker 1: and it needs to happen. Qualified immunity is a creature

966
00:52:16,239 --> 00:52:19,799
Speaker 1: of case law by the Supreme Court, and now UM

967
00:52:19,880 --> 00:52:23,320
Speaker 1: Congress is taken in taking it under and and and

968
00:52:23,640 --> 00:52:27,279
Speaker 1: and making and doing some revisions to that. Actually they're

969
00:52:27,560 --> 00:52:30,880
Speaker 1: getting rid of it. And what qualified immunity does is

970
00:52:31,040 --> 00:52:34,640
Speaker 1: essentially protect police officers from being to civilly for some

971
00:52:34,800 --> 00:52:38,080
Speaker 1: of the actions that we've seen UM with with George

972
00:52:38,120 --> 00:52:41,560
Speaker 1: Floyd and Brianna Taylor and here in Nashville of Daniel

973
00:52:41,719 --> 00:52:47,640
Speaker 1: Hambrick and Jack McClements. So UM that removing that UM

974
00:52:47,760 --> 00:52:53,160
Speaker 1: qualified immunity is going to allow more accountability with police behavior.

975
00:52:53,600 --> 00:52:56,600
Speaker 1: And I'm really hoping that the statue would pass because

976
00:52:56,680 --> 00:53:01,359
Speaker 1: it will also include UM progressive led station regarding UM

977
00:53:01,640 --> 00:53:05,719
Speaker 1: policing in terms of wearing body cameras and UM and

978
00:53:05,920 --> 00:53:10,400
Speaker 1: requiring independent investigations of these of these matters, and and

979
00:53:10,600 --> 00:53:13,600
Speaker 1: and and additional training for police officers. So I think

980
00:53:13,640 --> 00:53:17,000
Speaker 1: this is a really important piece of legislation. If it

981
00:53:17,080 --> 00:53:20,440
Speaker 1: gets past, I believe the country is going to be

982
00:53:20,600 --> 00:53:23,800
Speaker 1: moving in the right direction. But I will say this

983
00:53:23,960 --> 00:53:27,160
Speaker 1: to everyone that if this legislation does not get passed

984
00:53:27,400 --> 00:53:30,920
Speaker 1: from this go around, when I become Unit Center, I'm

985
00:53:30,960 --> 00:53:34,560
Speaker 1: going to continue to fight UM for justice and policing,

986
00:53:34,680 --> 00:53:38,719
Speaker 1: and I'm gonna fight for the anti lynching UM legislation

987
00:53:38,800 --> 00:53:41,600
Speaker 1: that's also on the heel of this time. So I

988
00:53:41,800 --> 00:53:44,600
Speaker 1: really am hopeful that the needle has been moved, and

989
00:53:44,680 --> 00:53:48,280
Speaker 1: it's being moved because we see a it's a new time.

990
00:53:48,400 --> 00:53:51,880
Speaker 1: We're a pivotal stage in our history and our country,

991
00:53:52,320 --> 00:53:55,319
Speaker 1: and we need to act upon it. Now. We can

992
00:53:55,400 --> 00:53:59,279
Speaker 1: see now that this movement involves all people. We have

993
00:53:59,440 --> 00:54:03,879
Speaker 1: people from all walks of life, all races, ethnicities. It's

994
00:54:03,880 --> 00:54:07,840
Speaker 1: an intergenerational movement because they're, in the words of Fanny Luhimer,

995
00:54:07,880 --> 00:54:10,560
Speaker 1: they're sick and tired of being sick and tired, and

996
00:54:10,640 --> 00:54:13,080
Speaker 1: they want to change the culture of our nation just

997
00:54:13,480 --> 00:54:15,759
Speaker 1: like I do. They want to take back the rule

998
00:54:15,800 --> 00:54:18,520
Speaker 1: of law, they want to take back democracy, and we

999
00:54:18,640 --> 00:54:21,960
Speaker 1: need leadership that that's going to work with the movement

1000
00:54:22,320 --> 00:54:26,040
Speaker 1: that has happened now in our country. So I'm personally

1001
00:54:26,080 --> 00:54:29,480
Speaker 1: excited about it. I'm hopeful that we don't definitely move

1002
00:54:29,560 --> 00:54:32,919
Speaker 1: the needle on where we need to go in terms

1003
00:54:33,040 --> 00:54:37,040
Speaker 1: of breaking the cycle of hate and ending systemic racism

1004
00:54:37,080 --> 00:54:40,200
Speaker 1: in our country. Doing Black lives matter and the saying

1005
00:54:40,280 --> 00:54:43,040
Speaker 1: and people say it, uh, and then you have people

1006
00:54:43,360 --> 00:54:47,719
Speaker 1: tweeting back or hashtagging back all lives matter, and it

1007
00:54:47,800 --> 00:54:50,200
Speaker 1: almost now has become a political thing, which is odd

1008
00:54:50,920 --> 00:54:53,960
Speaker 1: that it's almost a political thing to say one thing

1009
00:54:54,840 --> 00:54:57,560
Speaker 1: to reply back with an all lives matter, Um, how

1010
00:54:57,600 --> 00:55:01,240
Speaker 1: do you feel about Black lives matter and where it stands?

1011
00:55:01,840 --> 00:55:03,840
Speaker 1: And a lot of the folks that are coming going, well, no, no,

1012
00:55:04,000 --> 00:55:05,960
Speaker 1: all lives matter. Where where do you stand on that?

1013
00:55:06,400 --> 00:55:08,640
Speaker 1: This is a great question. I just had this conversation

1014
00:55:08,719 --> 00:55:11,800
Speaker 1: with my son this morning. When we talk about black

1015
00:55:11,880 --> 00:55:15,480
Speaker 1: lives matter, what we're saying is that reclaim where we

1016
00:55:15,920 --> 00:55:20,719
Speaker 1: are claiming the humanity of being a black person in America.

1017
00:55:21,360 --> 00:55:25,080
Speaker 1: And as we reclaim our humanity, it does not deny

1018
00:55:25,360 --> 00:55:30,040
Speaker 1: the humanity and someone else's. It is saying that we matter.

1019
00:55:30,200 --> 00:55:34,160
Speaker 1: So let's look at this historically. When when our country

1020
00:55:34,320 --> 00:55:37,160
Speaker 1: was founded, Um and I'm gonna talk about this in

1021
00:55:37,320 --> 00:55:40,960
Speaker 1: terms of voting, Okay, So only white men who own

1022
00:55:41,040 --> 00:55:45,560
Speaker 1: property could vote. Okay, So a poor, poor a poor

1023
00:55:45,760 --> 00:55:49,239
Speaker 1: person who's white, Um, and I'm letna speak about in

1024
00:55:49,239 --> 00:55:52,640
Speaker 1: that context could stand up and say, well, poor people matter. Okay,

1025
00:55:52,719 --> 00:55:56,040
Speaker 1: they're reclaiming their humanity, their rights as a citizen of

1026
00:55:56,040 --> 00:55:59,440
Speaker 1: the United States. So then all white men could vote.

1027
00:55:59,640 --> 00:56:02,240
Speaker 1: So women were saying what white women that are? Okay,

1028
00:56:02,400 --> 00:56:05,280
Speaker 1: And here we have another group of people, slaves, black

1029
00:56:05,480 --> 00:56:08,640
Speaker 1: black lafe during the time, who are counted as three

1030
00:56:08,880 --> 00:56:12,240
Speaker 1: fifths of a person. That means they weren't even counted

1031
00:56:12,320 --> 00:56:17,960
Speaker 1: as a full human. Then as things progressed, Um, black

1032
00:56:18,080 --> 00:56:20,880
Speaker 1: men got the right to vote. And then white women

1033
00:56:21,000 --> 00:56:24,680
Speaker 1: and black women got together and they said we matter

1034
00:56:25,360 --> 00:56:28,120
Speaker 1: and we deserve the right to vote. It doesn't when

1035
00:56:28,160 --> 00:56:31,399
Speaker 1: when when that When that messaging comes out, it does

1036
00:56:31,480 --> 00:56:35,600
Speaker 1: not deny who someone else's but it is a group

1037
00:56:35,760 --> 00:56:39,320
Speaker 1: claiming who they are. And I love to get the

1038
00:56:39,640 --> 00:56:42,640
Speaker 1: theological here, but I won't. But claiming who they are

1039
00:56:43,239 --> 00:56:47,400
Speaker 1: and who they are in humanity and in creation and

1040
00:56:47,600 --> 00:56:50,799
Speaker 1: so um so. Women did eventually get the right to vote,

1041
00:56:50,840 --> 00:56:54,719
Speaker 1: but still we see, as as history has progressed, still

1042
00:56:54,800 --> 00:56:59,759
Speaker 1: see this systematic, systemic oppression within our community. And what

1043
00:57:00,000 --> 00:57:04,319
Speaker 1: are saying is the black lives matter. It matters when

1044
00:57:04,440 --> 00:57:09,240
Speaker 1: black people are killed by a police officer, It matters

1045
00:57:09,360 --> 00:57:12,640
Speaker 1: when Ahmad Aubrey was shot down run over by a

1046
00:57:12,719 --> 00:57:15,520
Speaker 1: truck in the middle of the streets while he was jogging.

1047
00:57:16,000 --> 00:57:19,400
Speaker 1: We matter. We just our lives are just as as

1048
00:57:19,480 --> 00:57:23,480
Speaker 1: important as anyone else's. And so Black Lives Matter is

1049
00:57:23,520 --> 00:57:28,280
Speaker 1: not packing a humanity or power from anyone else, is

1050
00:57:28,360 --> 00:57:32,640
Speaker 1: actually reclaiming power for uh our community. And this is

1051
00:57:32,720 --> 00:57:35,320
Speaker 1: why the mayor had Black Lives Matter painted in the

1052
00:57:35,400 --> 00:57:38,160
Speaker 1: street all the way to the White House, because it

1053
00:57:38,360 --> 00:57:42,840
Speaker 1: is a statement that we matter, our voice counts, we exist,

1054
00:57:43,400 --> 00:57:46,920
Speaker 1: and when we claim black lives matter, we claim that

1055
00:57:47,200 --> 00:57:51,760
Speaker 1: everyone matters. Because I believe that all this oppressions we're

1056
00:57:51,800 --> 00:57:55,680
Speaker 1: seeing in systemic racism is the reflection of much of

1057
00:57:55,720 --> 00:57:59,040
Speaker 1: the oppression that we see in our community, whether it's

1058
00:57:59,080 --> 00:58:05,360
Speaker 1: oppression based upon raised, gender or class. UM. So, so please,

1059
00:58:05,520 --> 00:58:10,040
Speaker 1: I hope people understand the black lives matter. You're claiming, Hey,

1060
00:58:10,400 --> 00:58:13,840
Speaker 1: that this person just like me is human too and

1061
00:58:14,000 --> 00:58:16,960
Speaker 1: there and they deserve to be valued in terms of

1062
00:58:17,520 --> 00:58:22,480
Speaker 1: not being killed by police officers, UM, not having UM

1063
00:58:23,040 --> 00:58:26,360
Speaker 1: having health insurance, like, I believe that people who are uninsured,

1064
00:58:26,720 --> 00:58:29,320
Speaker 1: their lives matter. And this is why I'm for medicare

1065
00:58:29,400 --> 00:58:32,080
Speaker 1: for all. So I believe that all of this needs

1066
00:58:32,200 --> 00:58:36,320
Speaker 1: to speak to all the layers of oppression in our community.

1067
00:58:36,720 --> 00:58:39,160
Speaker 1: So this is why we got white people saying black

1068
00:58:39,520 --> 00:58:42,480
Speaker 1: black lives matter, because they know is they claim the

1069
00:58:42,640 --> 00:58:46,800
Speaker 1: humanity of another person, they claim the humanity of all

1070
00:58:46,880 --> 00:58:50,880
Speaker 1: of us. Well, said Robin kimbro Hayes. She is running

1071
00:58:50,920 --> 00:58:54,439
Speaker 1: for United States Senate. She'll be on the ballot August six.

1072
00:58:54,680 --> 00:58:57,920
Speaker 1: Now there is early voting July all the way through

1073
00:58:58,040 --> 00:59:02,400
Speaker 1: August one. That's right, right, that's exactly That's exactly right.

1074
00:59:02,480 --> 00:59:05,520
Speaker 1: And I ask that you please vote for me. I'm

1075
00:59:05,560 --> 00:59:08,800
Speaker 1: a progressive candidate. UM. Not only can I speak to

1076
00:59:08,920 --> 00:59:13,000
Speaker 1: these issues, but I'm going to bring action. I care.

1077
00:59:13,240 --> 00:59:15,240
Speaker 1: I have a I have a care about all people,

1078
00:59:15,320 --> 00:59:18,120
Speaker 1: and I have a wonderful platform that will change the

1079
00:59:18,280 --> 00:59:20,960
Speaker 1: culture of our nation as we look at healthcare, as

1080
00:59:21,000 --> 00:59:23,360
Speaker 1: you look at labor rights, as we look at social

1081
00:59:23,480 --> 00:59:26,680
Speaker 1: justice issues in criminal form, and as we look at

1082
00:59:26,760 --> 00:59:31,840
Speaker 1: women's rights, women's um, women's right to choose, and equal

1083
00:59:31,920 --> 00:59:35,360
Speaker 1: pay for equal work. Who's your biggest contender over on

1084
00:59:35,440 --> 00:59:37,440
Speaker 1: that on your side over there? Who who do you

1085
00:59:37,480 --> 00:59:41,760
Speaker 1: gotta take down? I gotta I gotta take down some folks.

1086
00:59:45,160 --> 00:59:48,680
Speaker 1: I gotta take down some folks. But um, I'm working,

1087
00:59:48,800 --> 00:59:53,720
Speaker 1: and I'm I'm the progressive candidate on the agenda. I'm

1088
00:59:53,760 --> 00:59:55,840
Speaker 1: the one that has the passion. I'm the one that

1089
00:59:55,920 --> 00:59:59,000
Speaker 1: has the energy. I'm the one that has the the

1090
01:00:00,040 --> 01:00:03,720
Speaker 1: deals as a lawyer and a chaplain to bring our

1091
01:00:03,880 --> 01:00:09,320
Speaker 1: party in Tennessee together because we are one nation under God,

1092
01:00:09,680 --> 01:00:14,560
Speaker 1: indivisible with liberty and justice for all. Nice. I love that. Well,

1093
01:00:15,120 --> 01:00:17,040
Speaker 1: it was a great meeting you uh, you know, we

1094
01:00:17,080 --> 01:00:18,800
Speaker 1: didn't spend a lot of time together with Corona and

1095
01:00:18,880 --> 01:00:22,240
Speaker 1: me sweating like a big gross human, but I did

1096
01:00:22,320 --> 01:00:24,080
Speaker 1: say I was like, hey, this message me I'd love

1097
01:00:24,080 --> 01:00:25,960
Speaker 1: to talk to you. And I think your son was like,

1098
01:00:26,040 --> 01:00:28,040
Speaker 1: what is this real? How? Why is some sweaty guy

1099
01:00:28,360 --> 01:00:30,480
Speaker 1: offering to I was like, No, I really have like

1100
01:00:30,600 --> 01:00:32,560
Speaker 1: a bunch of shows and I would love to talk

1101
01:00:32,600 --> 01:00:35,200
Speaker 1: to you guys, and just funny how things work out.

1102
01:00:35,360 --> 01:00:38,360
Speaker 1: So I really appreciate your time I have. I gotta

1103
01:00:38,360 --> 01:00:40,240
Speaker 1: be honest with you. I haven't looked up you don't

1104
01:00:40,240 --> 01:00:42,640
Speaker 1: wanted to talk to you first, Um, but I'm definitely

1105
01:00:42,640 --> 01:00:45,000
Speaker 1: gonna spend a little time now seeing you know what

1106
01:00:45,200 --> 01:00:47,240
Speaker 1: more you're about, like the in the trenches. You know,

1107
01:00:48,920 --> 01:00:52,560
Speaker 1: I really appreciate that. And UM, please share me with

1108
01:00:52,680 --> 01:00:55,880
Speaker 1: your over one million hours on Instagram. Well we'll see

1109
01:00:55,880 --> 01:00:58,640
Speaker 1: about that. I got. I got a little more research myself. Um,

1110
01:00:59,080 --> 01:01:01,160
Speaker 1: Robin kimbro Hayes, it's really been a pleasure talking to you.

1111
01:01:01,280 --> 01:01:05,600
Speaker 1: Can follow her on Instagram kimbro Hayes, T n uh

1112
01:01:05,760 --> 01:01:08,160
Speaker 1: So kimbro k I M B R o U G

1113
01:01:08,480 --> 01:01:11,240
Speaker 1: h Hayes h A y E S and then T

1114
01:01:11,400 --> 01:01:13,920
Speaker 1: n as in Tennessee. Robin kimbro Heyes, thank you for

1115
01:01:14,000 --> 01:01:16,520
Speaker 1: your time. I hope you stay safe and good luck

1116
01:01:17,320 --> 01:01:19,640
Speaker 1: you too, and thank you very much. You're welcome Kin,

1117
01:01:19,920 --> 01:01:20,880
Speaker 1: see you later. Bye,