1 00:00:00,360 --> 00:00:02,840 Speaker 1: Music Saved Me. There are times a song will come 2 00:00:02,880 --> 00:00:05,280 Speaker 1: to me so fast I can't write, and that's when 3 00:00:05,320 --> 00:00:07,760 Speaker 1: we know. We call it the song ads. And you 4 00:00:07,840 --> 00:00:09,960 Speaker 1: write and like when somebody says talk to you like 5 00:00:10,000 --> 00:00:12,000 Speaker 1: no no, no, no no, because if I forget that note, 6 00:00:12,039 --> 00:00:14,040 Speaker 1: I'll never get it back. It's like, if it's given 7 00:00:14,120 --> 00:00:16,200 Speaker 1: to you, you have to stop and serve it or 8 00:00:16,239 --> 00:00:16,840 Speaker 1: you forget it. 9 00:00:16,880 --> 00:00:20,360 Speaker 2: I'm Lynn Hoffman and welcome to the Music Saved Me Podcast, 10 00:00:20,560 --> 00:00:24,680 Speaker 2: the podcast that delves deep into the power of music. Now, 11 00:00:24,720 --> 00:00:27,400 Speaker 2: if you love this podcast, please spread the word. Thank 12 00:00:27,440 --> 00:00:30,040 Speaker 2: you so much and share this episode with others if 13 00:00:30,080 --> 00:00:34,080 Speaker 2: you don't mind. We also work with a very proud 14 00:00:34,120 --> 00:00:37,800 Speaker 2: supporters of an organization called Musicians on Call and all 15 00:00:37,880 --> 00:00:40,640 Speaker 2: the wonderful great work they do that showcases the power 16 00:00:40,720 --> 00:00:45,320 Speaker 2: of music. Our guest today is Danelia Cotton, an award 17 00:00:45,360 --> 00:00:49,880 Speaker 2: winning musician, singer songwriter known for her trademark gritty, rich 18 00:00:49,920 --> 00:00:54,200 Speaker 2: and soulful blues and rock and Americana. And she also 19 00:00:54,240 --> 00:00:56,320 Speaker 2: has some new music out that we're going to talk about. 20 00:00:56,360 --> 00:01:01,200 Speaker 2: But she's also an artist who deeply knows firsthand about 21 00:01:01,200 --> 00:01:05,000 Speaker 2: the power of music. Danelia, Welcome to Music saved me. 22 00:01:05,560 --> 00:01:08,080 Speaker 1: Thank you, thank you, thank you so much for having me. 23 00:01:08,520 --> 00:01:10,360 Speaker 2: It's so great to have you. I want to start 24 00:01:10,400 --> 00:01:15,160 Speaker 2: off with a quote from Guitar World about you, because 25 00:01:15,200 --> 00:01:17,080 Speaker 2: I just think that it really gets to the heart 26 00:01:17,120 --> 00:01:22,120 Speaker 2: of why we're together today. Danelia Cotton, this is let's 27 00:01:22,120 --> 00:01:25,480 Speaker 2: start with a quote. Danelia Cotton has not had it easy, 28 00:01:25,760 --> 00:01:29,280 Speaker 2: but lucky for us, she channels her pain and suffering 29 00:01:29,319 --> 00:01:33,120 Speaker 2: into kick ass musical creations that we can all enjoy. 30 00:01:33,760 --> 00:01:37,080 Speaker 2: I can't agree more with that quote. And my first question. 31 00:01:37,280 --> 00:01:39,319 Speaker 2: We have so much to talk about in so little time, 32 00:01:39,360 --> 00:01:42,440 Speaker 2: but my first question is how did your journey as 33 00:01:42,480 --> 00:01:46,280 Speaker 2: a cancer survivor shape you as an artist and as 34 00:01:46,319 --> 00:01:46,800 Speaker 2: a person. 35 00:01:48,440 --> 00:01:51,160 Speaker 1: I think the fact that I had it late in 36 00:01:51,200 --> 00:01:55,000 Speaker 1: life and that I first didn't understand the severity of it. 37 00:01:55,160 --> 00:01:57,320 Speaker 1: Like the doctor even said, this is the good cancer, 38 00:01:57,600 --> 00:02:00,000 Speaker 1: what cancer is good? But he's like, I can remove 39 00:02:00,080 --> 00:02:03,760 Speaker 1: your thyroid and then it's gone. And the chances of 40 00:02:04,000 --> 00:02:07,640 Speaker 1: most people who have thyroid cancer is that it never 41 00:02:07,680 --> 00:02:11,359 Speaker 1: comes back. So I still have two appointments a year 42 00:02:11,400 --> 00:02:13,600 Speaker 1: where they check my blood and we monitor that kind 43 00:02:13,600 --> 00:02:18,120 Speaker 1: of thing. But it's been good for me. That operation 44 00:02:18,520 --> 00:02:21,840 Speaker 1: gave me another octave, which was not that, which was 45 00:02:21,960 --> 00:02:26,880 Speaker 1: very unexpected. But I've always worked with a throat coach. 46 00:02:27,040 --> 00:02:29,840 Speaker 1: The first time I went on tour, I believe it 47 00:02:29,880 --> 00:02:33,239 Speaker 1: was an Italy tour, and it was like six days 48 00:02:33,240 --> 00:02:36,560 Speaker 1: in this Mercedes band driving around, which seems like, oh, 49 00:02:36,560 --> 00:02:40,360 Speaker 1: that's so awesome. It was deep and I just sang, sang, sang, 50 00:02:40,520 --> 00:02:43,440 Speaker 1: and then drank red wine and sang and talked and 51 00:02:43,720 --> 00:02:47,280 Speaker 1: came back with like a scab scabs on my vocal cords, 52 00:02:47,360 --> 00:02:50,600 Speaker 1: which weren't nodes. But I was like, whoa, it had 53 00:02:50,639 --> 00:02:55,919 Speaker 1: never happened. So when I went to a odorologist here 54 00:02:55,919 --> 00:02:58,079 Speaker 1: in New York, Rosemary Delouch, who I love, who's done 55 00:02:58,080 --> 00:03:02,000 Speaker 1: like Adele and what have you, she recommended a vocal 56 00:03:02,160 --> 00:03:05,200 Speaker 1: coach who I have seen ever since and been with 57 00:03:05,240 --> 00:03:07,959 Speaker 1: for over two decades. And I, you know, my advice 58 00:03:08,000 --> 00:03:10,880 Speaker 1: to everybody there is that just like an athlete and 59 00:03:10,919 --> 00:03:13,800 Speaker 1: you have coaches and you have spring training, your your 60 00:03:13,880 --> 00:03:17,200 Speaker 1: voice is a muscle, and so having somebody teach you 61 00:03:17,240 --> 00:03:18,880 Speaker 1: how to use it in the correct manner. Like we 62 00:03:18,919 --> 00:03:22,440 Speaker 1: can all have natural ability. But I was an actress, 63 00:03:22,440 --> 00:03:24,880 Speaker 1: but I went to school, and you take that natural 64 00:03:25,120 --> 00:03:29,320 Speaker 1: ability and you apply it to whatever method Stanislawski, You know, 65 00:03:29,400 --> 00:03:34,160 Speaker 1: like it's we can all have natural ability of anything, sports, vocal, whatever, 66 00:03:34,520 --> 00:03:37,600 Speaker 1: but you need that person to help you sort of 67 00:03:37,600 --> 00:03:40,440 Speaker 1: develop it and help it and shape it, you know. 68 00:03:41,040 --> 00:03:46,000 Speaker 1: So that changed the way that I sang just her, 69 00:03:46,560 --> 00:03:49,400 Speaker 1: and when I got done with the procedure, I went 70 00:03:49,480 --> 00:03:52,000 Speaker 1: back to her, and then we discovered that I had 71 00:03:52,040 --> 00:03:54,120 Speaker 1: some more range in there that might have been walked 72 00:03:54,200 --> 00:03:58,040 Speaker 1: by whatever wherever the cancer was, which was a bonus. 73 00:03:59,440 --> 00:04:02,520 Speaker 1: And I think more and more even after that, I 74 00:04:02,600 --> 00:04:06,720 Speaker 1: really adhere to the correct way of singing because I 75 00:04:06,800 --> 00:04:10,640 Speaker 1: believe it's just my Buddha kind of way. We're here 76 00:04:10,680 --> 00:04:13,200 Speaker 1: to serve others, and so a lot of times when 77 00:04:13,240 --> 00:04:16,000 Speaker 1: you sing, it isn't about you getting off. A lot 78 00:04:16,000 --> 00:04:19,120 Speaker 1: of times you sing technically to get them off, and 79 00:04:19,600 --> 00:04:23,680 Speaker 1: it's me taking my story and giving it to them 80 00:04:23,680 --> 00:04:26,440 Speaker 1: and then finding their way in it and figuring out 81 00:04:26,600 --> 00:04:28,839 Speaker 1: whatever it is that they want to do. And sometimes 82 00:04:28,839 --> 00:04:32,200 Speaker 1: that has to be very technical. I tend to like 83 00:04:32,279 --> 00:04:35,000 Speaker 1: to be able to go back into it, but doesn't 84 00:04:35,040 --> 00:04:38,840 Speaker 1: always happen that way. And it's when it's for the audience, 85 00:04:39,000 --> 00:04:41,960 Speaker 1: you technically sing so that they get it and they 86 00:04:41,960 --> 00:04:45,160 Speaker 1: go where they go, and you don't always get that side. 87 00:04:44,920 --> 00:04:48,680 Speaker 1: You get the thrill and knowing that you moved them. 88 00:04:48,800 --> 00:04:54,720 Speaker 2: Yeah, so wow, experiencing that hard enough. I mean, let 89 00:04:54,760 --> 00:04:57,920 Speaker 2: alone the fact that nobody ever talks about cancer. You know, 90 00:04:58,000 --> 00:05:00,719 Speaker 2: it's it's like this, it's like mental health. Cancer. You 91 00:05:00,720 --> 00:05:03,000 Speaker 2: don't discuss it. But how do we learn and how 92 00:05:03,000 --> 00:05:06,960 Speaker 2: can we you know, get past? And speaking of that, 93 00:05:08,240 --> 00:05:12,760 Speaker 2: having faced a similar situation, racism, I mean, cancer is 94 00:05:12,800 --> 00:05:15,080 Speaker 2: hard enough, but at a young age, it can be 95 00:05:15,200 --> 00:05:19,960 Speaker 2: very painful and terribly confusing, especially when you're growing up, 96 00:05:20,520 --> 00:05:23,039 Speaker 2: and it can also kind of bring you to a 97 00:05:23,040 --> 00:05:25,279 Speaker 2: crossroads in your life. You know, do I go one 98 00:05:25,320 --> 00:05:27,600 Speaker 2: way or the other? You know, am I going to 99 00:05:27,640 --> 00:05:32,200 Speaker 2: be stronger or weaker? How did that experience lead you 100 00:05:32,240 --> 00:05:35,039 Speaker 2: to music to help process what you were dealing with? 101 00:05:36,200 --> 00:05:41,200 Speaker 1: Well, I mean cancer came later, but when I first 102 00:05:41,279 --> 00:05:43,919 Speaker 1: started to run marathons, which I did to raise money 103 00:05:43,920 --> 00:05:49,080 Speaker 1: for cancer awareness because my husband's father's brother was one 104 00:05:49,080 --> 00:05:53,760 Speaker 1: of the four guys that did Woodstock and we called 105 00:05:53,839 --> 00:05:55,839 Speaker 1: him Jock, but his name was John Roberts. And I 106 00:05:55,960 --> 00:05:59,880 Speaker 1: ran the first marathon because he died of leukemia, and 107 00:06:01,320 --> 00:06:03,880 Speaker 1: then I kept running for cancer, and now my other 108 00:06:03,960 --> 00:06:07,880 Speaker 1: half is living with mantle cell lymphoma, which is incurable, 109 00:06:08,360 --> 00:06:10,800 Speaker 1: so it is in our house. Like this year, I 110 00:06:10,839 --> 00:06:15,400 Speaker 1: will tackle At fifty five, I tackled two marathons. Now 111 00:06:15,480 --> 00:06:24,720 Speaker 1: I'm about to do three in Chicago. I'll be I mean, 112 00:06:24,760 --> 00:06:26,440 Speaker 1: I know they don't like you and say it, but 113 00:06:26,680 --> 00:06:30,960 Speaker 1: I'll be fifty seven, but they are. I'm doing Chicago, 114 00:06:31,160 --> 00:06:39,240 Speaker 1: Savannah and then Texas. And I run because it helps 115 00:06:39,279 --> 00:06:43,960 Speaker 1: me not think about everything, because we had such a 116 00:06:44,000 --> 00:06:46,080 Speaker 1: journey to get to this place with this little girl 117 00:06:46,080 --> 00:06:49,920 Speaker 1: that we had at fifty and I just felt like 118 00:06:50,080 --> 00:06:53,880 Speaker 1: the world everything was great and then bam, really Karma, 119 00:06:54,440 --> 00:06:57,919 Speaker 1: what did I do? And here's cancer re entering my 120 00:06:58,000 --> 00:07:02,920 Speaker 1: life again and the love of my life. But like 121 00:07:03,080 --> 00:07:07,400 Speaker 1: running and raising money and awareness has saved me. It's 122 00:07:07,560 --> 00:07:12,200 Speaker 1: I found Neil Young running. I found a lot of 123 00:07:12,280 --> 00:07:14,720 Speaker 1: artists running just listening because I put my little doctor 124 00:07:14,720 --> 00:07:18,840 Speaker 1: beats in and I run and I work through whatever 125 00:07:18,880 --> 00:07:22,680 Speaker 1: it is from that day. I just get through it 126 00:07:22,720 --> 00:07:27,120 Speaker 1: all because I don't really I live incredibly healthy, even 127 00:07:27,200 --> 00:07:29,360 Speaker 1: you know, since the cancer. I don't drink, I don't smoke, 128 00:07:29,800 --> 00:07:33,920 Speaker 1: so it's very I just the running really helps and 129 00:07:34,440 --> 00:07:36,440 Speaker 1: I don't know. I find somewhere in that rhythm and 130 00:07:36,480 --> 00:07:38,840 Speaker 1: the music and everything when I go walk back into 131 00:07:38,880 --> 00:07:41,640 Speaker 1: my house and greet my six year old or my 132 00:07:41,720 --> 00:07:44,320 Speaker 1: other half, who's usually in a good mood, but he 133 00:07:44,440 --> 00:07:48,200 Speaker 1: is a legal aid defender for and he deals only 134 00:07:48,200 --> 00:07:50,640 Speaker 1: in the murders, so that can be heavy in our house. 135 00:07:50,960 --> 00:07:53,200 Speaker 1: And then he has his things, so if I don't 136 00:07:53,240 --> 00:07:55,520 Speaker 1: come in in a good place, I can tend to 137 00:07:55,560 --> 00:07:58,720 Speaker 1: set the tone for the entire house. So it is 138 00:07:58,800 --> 00:08:01,160 Speaker 1: kind of good that I'm pretty balanced at this point, 139 00:08:01,520 --> 00:08:04,800 Speaker 1: because I think he's got so much on his shoulders, 140 00:08:05,000 --> 00:08:07,040 Speaker 1: and she's just a little girl, and so she's just 141 00:08:07,080 --> 00:08:08,800 Speaker 1: going to be whatever she's going to be, and so 142 00:08:09,200 --> 00:08:12,200 Speaker 1: I'm sort of I have to come in and always 143 00:08:12,280 --> 00:08:15,280 Speaker 1: balance it out, which probably was not my strength early 144 00:08:15,320 --> 00:08:18,880 Speaker 1: in my life, but now I've learned how to do it. 145 00:08:20,200 --> 00:08:22,440 Speaker 1: And music, you know, that's another place I can go 146 00:08:22,720 --> 00:08:28,760 Speaker 1: to just siphon whatever it is, or reacycle whatever pain 147 00:08:28,800 --> 00:08:31,960 Speaker 1: i'm having into something that somebody inevitably comes up to 148 00:08:32,000 --> 00:08:34,640 Speaker 1: me and says something. Even the last perfour months, a 149 00:08:34,640 --> 00:08:37,960 Speaker 1: painter I was going to quit, and I realize I 150 00:08:38,000 --> 00:08:40,440 Speaker 1: have some of her art and my walls that she was, 151 00:08:41,240 --> 00:08:44,280 Speaker 1: you know, inspired by me. I'm inspired by her and 152 00:08:45,000 --> 00:08:48,160 Speaker 1: somehow I touched her, she touched me, and that's kind 153 00:08:48,160 --> 00:08:52,760 Speaker 1: of what you live for those moments. So yeah, so 154 00:08:52,800 --> 00:08:56,679 Speaker 1: it's I mean, there's just so much, but everything is 155 00:08:56,760 --> 00:08:57,560 Speaker 1: shaped me. 156 00:08:59,040 --> 00:08:59,240 Speaker 2: You know. 157 00:09:00,000 --> 00:09:02,559 Speaker 1: Answer remains a huge part of my life because until 158 00:09:02,559 --> 00:09:05,000 Speaker 1: they find a cure for what he has, it is 159 00:09:05,040 --> 00:09:07,240 Speaker 1: what it is. But I don't think about it every day, 160 00:09:07,440 --> 00:09:10,120 Speaker 1: and you know, I just wake up because the fact 161 00:09:10,240 --> 00:09:12,240 Speaker 1: is all of us could walk out the door and 162 00:09:12,480 --> 00:09:14,320 Speaker 1: I have one hundred and three year old grandmother who 163 00:09:14,440 --> 00:09:18,040 Speaker 1: is alive, and all five generations of my family are alive, 164 00:09:18,520 --> 00:09:36,720 Speaker 1: and so she'll tell you some story. Yeah, yeah, I 165 00:09:36,760 --> 00:09:39,440 Speaker 1: mean it led to the newest project, which is a 166 00:09:39,440 --> 00:09:43,760 Speaker 1: tribute to Charlie Pride, which is another genre I never 167 00:09:43,800 --> 00:09:48,760 Speaker 1: thought i'd go into. But my grandfather where I was raised, like, 168 00:09:48,800 --> 00:09:52,320 Speaker 1: my first album was called small White Town. It was 169 00:09:52,320 --> 00:09:56,280 Speaker 1: a small town, yeah, and it was primarily occupied but 170 00:09:57,240 --> 00:10:01,199 Speaker 1: not my color. But that so I found music. I mean, 171 00:10:01,280 --> 00:10:03,600 Speaker 1: people are like, how did a girl that looks like you? 172 00:10:03,600 --> 00:10:06,280 Speaker 1: They expect me to sing R and B or something, 173 00:10:06,480 --> 00:10:08,800 Speaker 1: And I walked out with rock and I said, I 174 00:10:08,840 --> 00:10:10,840 Speaker 1: wanted to have blond hair and blue eyes and I didn't. 175 00:10:11,080 --> 00:10:13,679 Speaker 1: And I heard rock and it sounded how it sounded 176 00:10:13,679 --> 00:10:16,120 Speaker 1: exactly how I felt. Boom. It was love at first 177 00:10:16,640 --> 00:10:19,920 Speaker 1: or first listen in first bar, and I was like, oh, 178 00:10:19,960 --> 00:10:23,320 Speaker 1: that's how I feel. And there I was. So it was, 179 00:10:24,000 --> 00:10:26,240 Speaker 1: you know, it wasn't that I wasn't, you know, exposed 180 00:10:26,280 --> 00:10:28,080 Speaker 1: to Stevie Wonder songs in the Key of Life, but 181 00:10:28,160 --> 00:10:30,719 Speaker 1: not a lot of the music that most kids who 182 00:10:30,720 --> 00:10:33,640 Speaker 1: were raised in a more black neighborhood. I was, you know, 183 00:10:33,880 --> 00:10:37,560 Speaker 1: exposed to Jonathan Winters and Bonnie Raid and you know 184 00:10:37,640 --> 00:10:40,080 Speaker 1: early Choka Khan, and my brother was listening to Todd 185 00:10:40,160 --> 00:10:43,719 Speaker 1: run Grant and you know Foreigner and Zeppelin. I mean, 186 00:10:43,760 --> 00:10:45,800 Speaker 1: it was just there was. And then my aunts were 187 00:10:45,880 --> 00:10:48,880 Speaker 1: backup singers and she had like a Dan Fogelbulga album. 188 00:10:49,640 --> 00:10:53,080 Speaker 1: Everything around me was intense. And then college I studied 189 00:10:53,120 --> 00:10:55,720 Speaker 1: with a jazz trumpet player who made me like he's like, 190 00:10:56,600 --> 00:10:59,240 Speaker 1: Holy Grail is the Johnny Hartman John Coltrane album. So 191 00:10:59,640 --> 00:11:03,000 Speaker 1: I was luckily around a lot, and I didn't feel 192 00:11:03,040 --> 00:11:05,520 Speaker 1: that I had to define myself by one particular thing. 193 00:11:06,960 --> 00:11:09,400 Speaker 1: So it doesn't it's not odd to me that I 194 00:11:09,400 --> 00:11:12,480 Speaker 1: would do this next project. You know, a song is 195 00:11:12,520 --> 00:11:14,679 Speaker 1: a song. You know it's going to be what it's 196 00:11:14,679 --> 00:11:16,480 Speaker 1: going to be, And all music is sort of in 197 00:11:16,520 --> 00:11:22,240 Speaker 1: some way inevitably influenced by another genre. So I don't know. 198 00:11:22,600 --> 00:11:25,520 Speaker 1: It's kind of a long answer to that. 199 00:11:27,440 --> 00:11:29,680 Speaker 2: I covered a lot of stuff there, and what was 200 00:11:30,200 --> 00:11:33,840 Speaker 2: my next question would be? Do you believe that there 201 00:11:34,000 --> 00:11:37,560 Speaker 2: is a healing power in music? And if you do, 202 00:11:38,320 --> 00:11:42,520 Speaker 2: can you help me pinpoint it? Because it's words, it's melody, 203 00:11:42,800 --> 00:11:46,560 Speaker 2: it's vibration. I mean, there are so many things that 204 00:11:46,679 --> 00:11:49,320 Speaker 2: happen because of it. Have you been able to figure 205 00:11:49,320 --> 00:11:51,160 Speaker 2: out what it exactly. 206 00:11:50,880 --> 00:11:53,920 Speaker 1: Knows that you know? It's just like being in a 207 00:11:53,960 --> 00:11:57,280 Speaker 1: black church and the choir starts and there's one person 208 00:11:57,360 --> 00:12:01,480 Speaker 1: standing up and everybody gets like ohh and they feel 209 00:12:01,520 --> 00:12:06,120 Speaker 1: the spirit. You can't really pinpoint it, but I mean 210 00:12:06,160 --> 00:12:09,599 Speaker 1: even biblically music singing, that gift is one of the 211 00:12:09,679 --> 00:12:13,400 Speaker 1: highest that you can be blessed with. And so for me, 212 00:12:13,760 --> 00:12:16,160 Speaker 1: oh yeah, it's where you can go. It is a 213 00:12:16,200 --> 00:12:21,000 Speaker 1: place to go and live when reality is either overwhelming 214 00:12:21,200 --> 00:12:24,520 Speaker 1: or too intense. It's a place to hide, it's a 215 00:12:24,559 --> 00:12:27,160 Speaker 1: place to revel in. It's a place to dance, and 216 00:12:27,559 --> 00:12:30,160 Speaker 1: it's a place to sort of be whatever it is 217 00:12:30,200 --> 00:12:34,120 Speaker 1: you want to be. And it can take you to 218 00:12:34,200 --> 00:12:36,040 Speaker 1: a high place, it can take you to a low place. 219 00:12:37,240 --> 00:12:43,440 Speaker 1: But I mean music is literally it transports on many 220 00:12:43,520 --> 00:12:47,040 Speaker 1: levels and in many ways. It can make people. I 221 00:12:47,040 --> 00:12:52,160 Speaker 1: mean in religions, it's always inspirational, in churches and synagogues 222 00:12:52,200 --> 00:12:55,640 Speaker 1: and what have you. I mean, it is a serious tool. 223 00:12:55,880 --> 00:12:59,439 Speaker 1: It is a high it's a deep thing. So I 224 00:12:59,480 --> 00:13:04,040 Speaker 1: think I feel blessed to be blessed with you know, 225 00:13:04,880 --> 00:13:07,559 Speaker 1: whatever it is. And there are times a song will 226 00:13:07,600 --> 00:13:09,840 Speaker 1: come to me so fast I can't write, and that 227 00:13:09,840 --> 00:13:12,440 Speaker 1: that's when we know. We call it the song ads. 228 00:13:13,160 --> 00:13:15,319 Speaker 1: And you write and like when somebody says talk to 229 00:13:15,360 --> 00:13:17,360 Speaker 1: you like no no, no, no no, Because if I forget 230 00:13:17,360 --> 00:13:19,160 Speaker 1: that note, I'll never get it back. It's like if 231 00:13:19,200 --> 00:13:21,480 Speaker 1: it's given to you, you have to stop and serve 232 00:13:21,520 --> 00:13:23,720 Speaker 1: it or you'd forget it. It's like the phone. The 233 00:13:23,720 --> 00:13:27,720 Speaker 1: best thing about the iPhone is that I could be 234 00:13:27,760 --> 00:13:31,360 Speaker 1: somewhere and you sing the melody. Keith Regers the famous 235 00:13:31,400 --> 00:13:33,440 Speaker 1: story about him having the tape recorder next to his 236 00:13:33,520 --> 00:13:36,959 Speaker 1: bed and he sang hyeah, you know, get no satisfaction 237 00:13:37,040 --> 00:13:38,880 Speaker 1: with somewhere in there on one of the tapes, and 238 00:13:38,920 --> 00:13:40,400 Speaker 1: then he hit it the next day and it was 239 00:13:40,440 --> 00:13:42,520 Speaker 1: there because it was right next to his bed, so 240 00:13:43,000 --> 00:13:45,440 Speaker 1: it could come to you at any time. It definitely 241 00:13:45,440 --> 00:13:48,600 Speaker 1: feels like a gift. And sometimes you were like, I 242 00:13:48,640 --> 00:13:54,560 Speaker 1: wrote that, and you know, so it does feel that way, 243 00:13:54,600 --> 00:13:58,120 Speaker 1: but it's definitely I go there. I mean, music was 244 00:13:58,160 --> 00:14:00,200 Speaker 1: everything for me as a kid. It helped me get out, 245 00:14:00,280 --> 00:14:02,920 Speaker 1: It helped me not have to be in my reality 246 00:14:03,080 --> 00:14:06,480 Speaker 1: or anything dark. It helped me fly when I couldn't. 247 00:14:06,800 --> 00:14:11,560 Speaker 1: So yeah, I have immense respects for it. 248 00:14:12,360 --> 00:14:17,680 Speaker 2: You come from a huge music state, New Jersey. There's 249 00:14:17,679 --> 00:14:21,320 Speaker 2: so much that that you were surrounded by pretty much everything, 250 00:14:21,400 --> 00:14:24,640 Speaker 2: and also a place that you had to work hard 251 00:14:25,040 --> 00:14:27,520 Speaker 2: and you know, things that influenced you when you were 252 00:14:27,560 --> 00:14:31,080 Speaker 2: younger came from probably what you grew up around, which 253 00:14:31,120 --> 00:14:34,040 Speaker 2: seems to me that you were able to really, you know, 254 00:14:34,120 --> 00:14:37,560 Speaker 2: work your way through it through music. I'm curious, was 255 00:14:37,600 --> 00:14:40,840 Speaker 2: it led Zeppelin that you were the first huge family. 256 00:14:42,600 --> 00:14:46,280 Speaker 1: I mean I liked the one rock group where I 257 00:14:46,320 --> 00:14:48,120 Speaker 1: heard the song and I was like, and you think 258 00:14:48,160 --> 00:14:51,200 Speaker 1: it sometimes it would be like the most skilled singer 259 00:14:51,520 --> 00:14:55,520 Speaker 1: was I heard. I remember listening driving up state and 260 00:14:55,600 --> 00:15:01,080 Speaker 1: Ruby Tuesday came on on a tape and I don't 261 00:15:01,120 --> 00:15:03,960 Speaker 1: know like I was. It was like I was in 262 00:15:04,000 --> 00:15:09,200 Speaker 1: a trance and it's Mick Jagger. So it's you know, 263 00:15:09,520 --> 00:15:12,720 Speaker 1: which is my sort of issue today, was singing. It 264 00:15:12,760 --> 00:15:17,240 Speaker 1: isn't about runs and or my niece would say, don't 265 00:15:17,240 --> 00:15:20,160 Speaker 1: say that, okay, So I take that back. A person 266 00:15:20,200 --> 00:15:24,040 Speaker 1: with one octave can do so much. It's what you 267 00:15:24,160 --> 00:15:28,840 Speaker 1: do with it. It's telling the story and so it 268 00:15:28,880 --> 00:15:33,880 Speaker 1: isn't so much a technical thing. It's a thing which 269 00:15:33,960 --> 00:15:39,440 Speaker 1: I hope we don't lose that some older artists have. 270 00:15:39,680 --> 00:15:43,480 Speaker 1: That's just extraordinary. I was lucky early in my career 271 00:15:43,480 --> 00:15:44,800 Speaker 1: to go out with a lot of people. But I 272 00:15:44,840 --> 00:15:49,520 Speaker 1: remember going to see going to a concert in Colorado 273 00:15:49,560 --> 00:15:51,320 Speaker 1: and there was Chemo and there was all these people 274 00:15:51,360 --> 00:15:53,640 Speaker 1: performing and Joe Cocker got up and it was like, 275 00:15:54,160 --> 00:15:57,520 Speaker 1: it's maybe he's got one octave he was. I never 276 00:15:57,560 --> 00:16:01,600 Speaker 1: sat down, I was. He looked first. He was so intense. 277 00:16:01,640 --> 00:16:03,640 Speaker 1: I thought he was going to just combust and blow up. 278 00:16:04,120 --> 00:16:07,440 Speaker 1: It was so much energy. It was like nothing I 279 00:16:07,480 --> 00:16:10,240 Speaker 1: have ever seen, and it was I'll never forget it, 280 00:16:10,320 --> 00:16:13,560 Speaker 1: and that is like, that's what you do, that's what 281 00:16:13,600 --> 00:16:17,560 Speaker 1: you do, and so he connected. It was just it 282 00:16:17,600 --> 00:16:22,000 Speaker 1: was a power like nothing else. So it isn't it's 283 00:16:22,160 --> 00:16:25,440 Speaker 1: just it is what it is. I mean, Taylor Swift 284 00:16:25,480 --> 00:16:28,720 Speaker 1: doesn't do one run and she's you know, she's captivating 285 00:16:29,520 --> 00:16:32,920 Speaker 1: you know, billion people. So it's some people have the thing, 286 00:16:33,640 --> 00:16:37,400 Speaker 1: they tell, the story, they connect. It's the thing, just 287 00:16:37,440 --> 00:16:39,760 Speaker 1: like whatever it is. And I think if you get 288 00:16:39,840 --> 00:16:42,480 Speaker 1: far from that, then you've lost the art of what 289 00:16:42,600 --> 00:16:45,600 Speaker 1: it is to do what we do and the beautiful 290 00:16:45,600 --> 00:16:47,440 Speaker 1: thing that we can do with what we do. And 291 00:16:47,520 --> 00:16:49,480 Speaker 1: I think it's the calling of those who do it, 292 00:16:49,880 --> 00:16:55,000 Speaker 1: and that is it's far more than skill, and it's 293 00:16:55,120 --> 00:16:58,840 Speaker 1: much more than that. It's telling a story. It's like 294 00:16:59,440 --> 00:17:03,280 Speaker 1: inspire the human spirit, it's healing the human spirit. It's 295 00:17:03,280 --> 00:17:04,399 Speaker 1: a lot, it's a lot. 296 00:17:04,800 --> 00:17:08,919 Speaker 2: When did you first realize that your music affected people 297 00:17:09,240 --> 00:17:11,440 Speaker 2: in a way that you probably didn't expect. 298 00:17:12,000 --> 00:17:14,119 Speaker 1: I mean touring and you finally get in front of 299 00:17:14,160 --> 00:17:16,760 Speaker 1: big audiences and you're like, whoa and they sing your 300 00:17:16,800 --> 00:17:21,080 Speaker 1: song back. It's deep. But I think the first time 301 00:17:21,160 --> 00:17:24,640 Speaker 1: was an artist who came up to me early in 302 00:17:24,640 --> 00:17:28,520 Speaker 1: my first tour and said she couldn't paint, and she 303 00:17:28,680 --> 00:17:31,320 Speaker 1: put on Shame, a song on my first album, and 304 00:17:31,359 --> 00:17:34,359 Speaker 1: then she painted and I didn't even know what to say, 305 00:17:34,440 --> 00:17:37,680 Speaker 1: like she was choked up. I was choked up, and 306 00:17:38,520 --> 00:17:42,480 Speaker 1: I was just like wow, like you know, or and 307 00:17:42,520 --> 00:17:44,720 Speaker 1: then it just started along the way somebody pulls you 308 00:17:44,760 --> 00:17:48,439 Speaker 1: aside and tells you how something made them realize something 309 00:17:48,480 --> 00:17:52,520 Speaker 1: and they made the change, or it just yeah, it 310 00:17:52,600 --> 00:17:55,040 Speaker 1: had a profound effect in a moment in their life 311 00:17:55,040 --> 00:17:59,280 Speaker 1: that enabled them to either break a cycle or something. 312 00:17:59,359 --> 00:18:02,359 Speaker 1: And that's where you're like whoa. And then as an 313 00:18:02,440 --> 00:18:05,600 Speaker 1: artist that it pushes you to really take a look 314 00:18:05,640 --> 00:18:07,760 Speaker 1: at what you're writing and the stories that you're telling. 315 00:18:08,080 --> 00:18:10,359 Speaker 1: And the way I craft a song now is much different. 316 00:18:11,680 --> 00:18:14,520 Speaker 1: I don't do it as like, not that I ever 317 00:18:14,560 --> 00:18:17,360 Speaker 1: did it carelessly, but I sort of just say, oh, 318 00:18:17,400 --> 00:18:19,920 Speaker 1: that's good. Now. I think about the art of it 319 00:18:20,080 --> 00:18:23,879 Speaker 1: and the power of what it can do and what 320 00:18:23,920 --> 00:18:25,520 Speaker 1: you want to say and what I want to say, 321 00:18:25,920 --> 00:18:28,240 Speaker 1: And if I only get one last song, what would 322 00:18:28,240 --> 00:18:31,320 Speaker 1: I say or how do I want the person listening 323 00:18:31,320 --> 00:18:34,399 Speaker 1: to it to feel? And that's it. That's kind of 324 00:18:34,400 --> 00:18:36,480 Speaker 1: where I go now, Yeah. 325 00:18:36,200 --> 00:18:39,680 Speaker 2: Well, on keeping on that and I we'll wrap it 326 00:18:39,760 --> 00:18:43,679 Speaker 2: up with this last question. What allows you I always 327 00:18:43,800 --> 00:18:45,960 Speaker 2: compare it to birthing a child, But when you're putting 328 00:18:45,960 --> 00:18:49,240 Speaker 2: your music out there for people to judge, it's not 329 00:18:49,280 --> 00:18:52,720 Speaker 2: an easy thing, and anyone who thinks it is doesn't understand. 330 00:18:53,200 --> 00:18:58,440 Speaker 2: And so being as difficult as it is what allows 331 00:18:58,480 --> 00:19:02,240 Speaker 2: you to be so transparent with your stories and sharing 332 00:19:02,240 --> 00:19:06,040 Speaker 2: with people and putting it out there each time you 333 00:19:06,119 --> 00:19:08,360 Speaker 2: do it. It's kind of a risk, it. 334 00:19:08,240 --> 00:19:11,159 Speaker 1: Is, but it's important to me to be able to 335 00:19:11,200 --> 00:19:14,080 Speaker 1: tell a story and for it to be moving. So 336 00:19:14,200 --> 00:19:16,560 Speaker 1: I'm careful about what I choose, which I said early 337 00:19:16,640 --> 00:19:20,240 Speaker 1: in an interview with MPR that which I learned actually 338 00:19:20,240 --> 00:19:22,880 Speaker 1: from acting. I don't go into moments that I can't 339 00:19:22,920 --> 00:19:26,080 Speaker 1: safely get in and out of, and so if I 340 00:19:26,119 --> 00:19:28,000 Speaker 1: haven't made peace with it, there's no way for me 341 00:19:28,080 --> 00:19:30,280 Speaker 1: to put it out there. And when an artist makes 342 00:19:30,280 --> 00:19:33,359 Speaker 1: a mistake of writing something that is really not something 343 00:19:33,400 --> 00:19:35,120 Speaker 1: that they've dealt with, you can see it. You don't 344 00:19:35,119 --> 00:19:38,280 Speaker 1: know what it is, but it makes your uncomfortable. It is, 345 00:19:38,840 --> 00:19:42,399 Speaker 1: I think. So I choose moments that I have had 346 00:19:42,520 --> 00:19:45,480 Speaker 1: and worked and moved through, and then this is that 347 00:19:45,600 --> 00:19:47,360 Speaker 1: story and I can go in and out of there 348 00:19:47,480 --> 00:19:51,320 Speaker 1: in a way that is powerful and valuable for the 349 00:19:51,400 --> 00:19:54,920 Speaker 1: listener at least that's what I think that. I mean, 350 00:19:55,240 --> 00:19:58,000 Speaker 1: that's kind of a rule of thumb for me, and 351 00:19:58,800 --> 00:20:01,479 Speaker 1: you know that you have to be and if I 352 00:20:01,520 --> 00:20:03,320 Speaker 1: can't move safely in and out of it, then it's 353 00:20:03,359 --> 00:20:05,600 Speaker 1: going to have an effect that you can't explain and 354 00:20:05,640 --> 00:20:09,800 Speaker 1: you don't like it. So I just try to, Yeah, 355 00:20:09,800 --> 00:20:12,000 Speaker 1: and I have just I can only speak from where 356 00:20:12,040 --> 00:20:13,800 Speaker 1: I know a moment that I've moved through and that 357 00:20:13,840 --> 00:20:17,320 Speaker 1: has done something or changed me, and that's all. And 358 00:20:17,400 --> 00:20:19,399 Speaker 1: I hope that you can get what it did for me, 359 00:20:20,080 --> 00:20:22,800 Speaker 1: or that I can show you this thing that I 360 00:20:22,880 --> 00:20:27,960 Speaker 1: figured out too. So yeah, but I think clearly about songs, 361 00:20:28,440 --> 00:20:31,239 Speaker 1: and you know, you put yourself out there. It's you 362 00:20:31,280 --> 00:20:33,040 Speaker 1: hope when people don't like it, you just let it go. 363 00:20:33,920 --> 00:20:35,639 Speaker 1: In the beginning, it was a little bit different, but 364 00:20:35,880 --> 00:20:38,880 Speaker 1: you know, I did acting, so you get how many 365 00:20:38,880 --> 00:20:41,600 Speaker 1: times people tell you're not right for the part. So 366 00:20:41,680 --> 00:20:43,879 Speaker 1: I was kind of used to that part and this 367 00:20:44,240 --> 00:20:48,640 Speaker 1: just I don't know, I've been lucky so far. Once 368 00:20:48,760 --> 00:20:51,200 Speaker 1: or twice somebody said somewhere. I was like, ooh, ouch. 369 00:20:51,880 --> 00:20:57,240 Speaker 1: But you know, everybody's entitled to their opinion. But yeah, 370 00:20:57,440 --> 00:21:00,920 Speaker 1: I definitely try to choose things that I've made peace with, 371 00:21:02,080 --> 00:21:03,320 Speaker 1: whether it was big or Somon. 372 00:21:03,400 --> 00:21:05,440 Speaker 2: It's in your DNA. Isn't it like you're tough? 373 00:21:07,000 --> 00:21:11,639 Speaker 1: I mean Springsteen we're all talking about. Yeah, it's like 374 00:21:11,680 --> 00:21:14,000 Speaker 1: we're all trying to get out. I mean, we love Jersey, 375 00:21:14,000 --> 00:21:15,840 Speaker 1: but we want to get out of Jersey. But we 376 00:21:15,920 --> 00:21:18,840 Speaker 1: want to, you know, see the world. But we're still 377 00:21:19,040 --> 00:21:22,840 Speaker 1: but Jersey made us who we are. Okay, It's yeah, 378 00:21:22,880 --> 00:21:23,960 Speaker 1: there's a lot. It's a lot. 379 00:21:24,280 --> 00:21:26,640 Speaker 2: That exact quote you said came out of the mouth 380 00:21:27,080 --> 00:21:29,280 Speaker 2: one blondie also from New Jersey. 381 00:21:29,359 --> 00:21:33,080 Speaker 1: So the World Company. 382 00:21:33,160 --> 00:21:37,560 Speaker 2: Yes, where can people find you and tell us about 383 00:21:37,560 --> 00:21:39,840 Speaker 2: your tour? Your most current tour. 384 00:21:41,080 --> 00:21:43,639 Speaker 1: So you can find me. Danelia Cotton is such a 385 00:21:43,720 --> 00:21:48,960 Speaker 1: rare name that at Danelia Cotton at Instagram, at TikTok, 386 00:21:49,680 --> 00:21:54,880 Speaker 1: Dania Cotton website, it's all Danielia gut. But I will 387 00:21:54,920 --> 00:21:59,080 Speaker 1: be in Nashville next month during the Americana Fest and 388 00:21:59,160 --> 00:22:02,440 Speaker 1: I'm going to be one of the people headlining at Papapalooza, 389 00:22:02,480 --> 00:22:05,919 Speaker 1: which is kind of awesome during the Americana Fest that Saturday, 390 00:22:06,480 --> 00:22:11,680 Speaker 1: and I will be at Stephen Talkhouse out here back 391 00:22:11,680 --> 00:22:15,680 Speaker 1: in the Hamptons on the twenty six Beautiful the Hampson's 392 00:22:15,680 --> 00:22:19,560 Speaker 1: Beautiful like in the Fall. I'm trying to think that's 393 00:22:19,760 --> 00:22:22,520 Speaker 1: kind of what I know so far. The EP is 394 00:22:22,560 --> 00:22:27,880 Speaker 1: about to drop on the twenty ninth, and it is country, 395 00:22:27,920 --> 00:22:31,040 Speaker 1: but it's definitely Danelia. It's me sort of once again 396 00:22:31,119 --> 00:22:34,760 Speaker 1: going into another genre, and I like country. They tell 397 00:22:34,800 --> 00:22:38,080 Speaker 1: stories and it's I don't know that I can get into. 398 00:22:38,480 --> 00:22:41,360 Speaker 1: So that's great. And the you know, the only thing 399 00:22:41,400 --> 00:22:43,239 Speaker 1: I say is that this is a new age of 400 00:22:43,760 --> 00:22:46,639 Speaker 1: we have. You know, in this country, an older group 401 00:22:47,119 --> 00:22:49,720 Speaker 1: is what was considered old is sort of now running 402 00:22:49,760 --> 00:22:54,920 Speaker 1: the country. And so I hope for women and for 403 00:22:55,280 --> 00:22:58,120 Speaker 1: young girls. I took the long route. I went to college. 404 00:22:58,400 --> 00:23:00,240 Speaker 1: You know, I've had a career, I had some time, 405 00:23:00,280 --> 00:23:02,760 Speaker 1: I built a family, and I'm just now sort of 406 00:23:02,840 --> 00:23:06,239 Speaker 1: hitting a peek at this age, which means that you know, 407 00:23:06,280 --> 00:23:09,639 Speaker 1: you take care of yourself. It's different. We have different 408 00:23:09,680 --> 00:23:11,680 Speaker 1: tools in different ways to take care of us now. 409 00:23:11,800 --> 00:23:14,240 Speaker 1: So we go longer and you can live your life 410 00:23:14,240 --> 00:23:15,720 Speaker 1: and you can do some of those things that you 411 00:23:15,720 --> 00:23:18,240 Speaker 1: didn't have. There's no rush to the finish line. Just 412 00:23:18,240 --> 00:23:20,639 Speaker 1: take care of yourself and you can do it. You 413 00:23:20,680 --> 00:23:23,160 Speaker 1: can go there. I'd like that. Well. 414 00:23:23,240 --> 00:23:28,080 Speaker 2: Yeah, Danelia Cotton, you are truly inspiring with your story, 415 00:23:28,280 --> 00:23:31,600 Speaker 2: your music, and everything going on with you. I wish 416 00:23:31,640 --> 00:23:35,040 Speaker 2: you nothing but the best in your future and it 417 00:23:35,119 --> 00:23:37,760 Speaker 2: seems to me that you're on to great things and 418 00:23:38,119 --> 00:23:40,360 Speaker 2: continue on that path, and please come back and see 419 00:23:40,440 --> 00:23:40,840 Speaker 2: us again. 420 00:23:41,080 --> 00:23:43,560 Speaker 1: Thank you for being on music Save Me No, Thank 421 00:23:43,600 --> 00:23:45,600 Speaker 1: you so much. Thank you