WEBVTT - Bellamy Young

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<v Speaker 1>I think no, I think changing a tire sewing at least,

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<v Speaker 1>I'm not talking about making a dress or a pair

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<v Speaker 1>of pants, But I mean, like just getting a button

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<v Speaker 1>back on. It seems like a skill you should have,

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<v Speaker 1>I think, right, I think that's something you can't accomplish.

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<v Speaker 1>Will work on this. Oh yeah, it's a big year,

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<v Speaker 1>I feel it for on. You're gonna put buttons on everything, on,

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<v Speaker 1>just on everything, just no snaps, too easy. You gotta

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<v Speaker 1>work for it and then you really love it. All right.

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<v Speaker 1>Hey there, I'm Fella me Young, and I'm Brian's friends

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<v Speaker 1>from work. Hi there, listeners, Welcome back to another brand

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<v Speaker 1>spanking new episode of Off the Beat. As always, I'm

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<v Speaker 1>your host, Brian Baumgartner, and you just heard from the wonderful,

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<v Speaker 1>the delightful, the hilarious Bellamy Young. You probably know Bellamy

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<v Speaker 1>from her role as President of the United States, Melly

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<v Speaker 1>Grant in Scandal, or for playing Jessica Whitley in Prodigal Son,

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<v Speaker 1>or maybe Margaret Honeycroft in Promised Land. Whatever you saw

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<v Speaker 1>her in, I can only promise you this, she was excellent.

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<v Speaker 1>And Bellamy has had well, she's had an incredible journey

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<v Speaker 1>which somehow includes being North Carolina's Junior Miss, becoming spokesperson

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<v Speaker 1>for the Humane Society, and winning celebrity Jeopardy. Oh and

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<v Speaker 1>also going to Yale to study physics. That's right, Bellamy

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<v Speaker 1>seems to be very good at well, just about everything,

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<v Speaker 1>and now her journey will include being a guest on

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<v Speaker 1>Off the Beat, a title. Well, I'm sure she's going

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<v Speaker 1>to add this to her long list of accomplishments. I'm

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<v Speaker 1>excited to dive into her story. It has taken her

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<v Speaker 1>from the Blue Ridge Mountains to the Gulf Stream Waters,

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<v Speaker 1>to Broadway and back. I'm not going to make you

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<v Speaker 1>wait here. She is Bellamy Young, Bubble and Squeak. I

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<v Speaker 1>love Bubble and Squeak on Bubble and Squeaker Cookie every

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<v Speaker 1>month left over from the nutby Hi. What, I'm so

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<v Speaker 1>happy to see you. I miss you. I am so

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<v Speaker 1>happy to see you. What's going on? You know? It's

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<v Speaker 1>just a rain a day in New York City trying

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<v Speaker 1>to make meet its possibility? How about you? What is

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<v Speaker 1>is that? An? I love New York? Fuck it is?

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<v Speaker 1>Can we curse on your show? Yes? It is? Wow?

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<v Speaker 1>I mean that is I know that you live there,

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<v Speaker 1>but that mug is a cliche. I love it. I'm

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<v Speaker 1>a cliche. It's just how it happens. Be It's like

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<v Speaker 1>how I roll. I literally got this apartment. I was

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<v Speaker 1>here after college for like a decade and then I

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<v Speaker 1>was you know, l A was so good to me,

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<v Speaker 1>and I'm so grateful to her, but she and I

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<v Speaker 1>do not understand each other. And so when I got back,

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<v Speaker 1>I literally went downstairs to the choky shop and got

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<v Speaker 1>this mug and it is the only thing I drink

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<v Speaker 1>out of the only thing. Oh, I love that. That

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<v Speaker 1>is so that is amazing, the big apple and everything.

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<v Speaker 1>It's just perfect. Um, here is a well, first off,

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<v Speaker 1>we should mention we have just worked together. And do

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<v Speaker 1>you know what's crazy is we may have worked together

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<v Speaker 1>before you worked Did we work together? We were never

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<v Speaker 1>appeared on Criminal Minds. Oh yes, I did recur upon that,

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<v Speaker 1>So there is a bit of a chance I was

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<v Speaker 1>hotches woman. Right, Maybe maybe it wasn't this Did you

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<v Speaker 1>kill people? Or did I killed people? Did you kill them? What? What?

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<v Speaker 1>Tell me more? Well? I was a serial killer? You

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<v Speaker 1>know that show. It's the craziest show where the lead

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<v Speaker 1>of every episode is the guest star. Yeah, so it's

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<v Speaker 1>like you you literally show up and you don't know

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<v Speaker 1>where anything is or who anybody is, and it's like, Okay,

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<v Speaker 1>it's your show. It's all resting on your shoulder. It's

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<v Speaker 1>all on you. And then every and he comes and

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<v Speaker 1>you know, arrest you at the end and all that.

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<v Speaker 1>But yeah, no, it's a crazy show. It is a

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<v Speaker 1>crazy show. And I I will swear those fans are

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<v Speaker 1>so devoted of the time that anyone notices me and

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<v Speaker 1>I you know, I'm very grateful for any of it,

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<v Speaker 1>and but usually it's scandal, but no, forty percent of

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<v Speaker 1>the time it's criminal minds. And I couldn't have done

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<v Speaker 1>six episodes. I mean, I was a blip on that radar,

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<v Speaker 1>but that's a throw. You know they're back. They're making

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<v Speaker 1>shows again, are they? Oh? They surely are. I think

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<v Speaker 1>he said you can creak out. I think I'm in jail.

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<v Speaker 1>I think I'm not. I don't think I'm coming back.

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<v Speaker 1>They didn't call me about the about the reboot, then

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<v Speaker 1>call me yet. Um, but we should mention, being very

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<v Speaker 1>careful not to say too much. Bellamy and I are

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<v Speaker 1>working together on a new show. Do you want to

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<v Speaker 1>tell us about it? In Atlanta, Georgia? Oh, yeah, and

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<v Speaker 1>actually show we are doing a show h called The

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<v Speaker 1>Other Black Girl, which was a book that came out

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<v Speaker 1>I think last year by Zekia Delilah Harris, and she

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<v Speaker 1>and Rashida Jones have made it into a series, like

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<v Speaker 1>the most interesting thing to me, because I don't want

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<v Speaker 1>people to feel like, oh, I can't read the book,

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<v Speaker 1>I don't want to spoil the show, or I don't

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<v Speaker 1>watch I don't want to watch the show. I read

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<v Speaker 1>the book. It's a second swing at this, I p

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<v Speaker 1>where we've really diverged from the book. Uh. There's some,

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<v Speaker 1>of course, amazing similarities and parallel paths, but it's it's

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<v Speaker 1>a really cool project to be a part of. On

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<v Speaker 1>our sweet Sinclair Daniels is our very leading, beautiful work.

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<v Speaker 1>And I don't know that hack Eric McCormick. He hangs

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<v Speaker 1>around sometimes, he's around occasionally. Well, it's been so much

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<v Speaker 1>fun getting to know you and working with you. I've

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<v Speaker 1>loved it. It's been so much fun, and back in

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<v Speaker 1>in my hometown, which I'm going to transition like seamlessly to.

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<v Speaker 1>I think maybe the greatest similarity between you and I

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<v Speaker 1>is this is what I would say that no one

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<v Speaker 1>on first meeting us would guess that we're from the South.

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<v Speaker 1>Do you think that's true? I think that's true. I

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<v Speaker 1>think we re give it. You do. I think we're

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<v Speaker 1>there's a kind openness to both of us. Tell me,

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<v Speaker 1>you know, you can have a conversation with a plastic bowl,

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<v Speaker 1>and so can I. And that's definitely like a Southern superpower,

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<v Speaker 1>you know. I mean, no one, no one would think

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<v Speaker 1>we're from the Bronx and no one would think we're

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<v Speaker 1>like Silicon Valley. Where where would you peg us? I? No, see,

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<v Speaker 1>I would peg you New York. I would You're just

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<v Speaker 1>flirting with me, now, No, I would. And maybe that's

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<v Speaker 1>because I know how much you love it. Maybe that's it.

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<v Speaker 1>Maybe that's it. I don't know. Yeah I would. I

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<v Speaker 1>would put you there for sure. Well that's really very kind,

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<v Speaker 1>but I don't think I merit that. But you're not

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<v Speaker 1>your Carolina Ashville, North Carolina, ash Vegas to those in

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<v Speaker 1>the KNOWE whatever, I don't know Asheville, home of the

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<v Speaker 1>I'm gonna screw it up. Pig Nut Chicken Farm, Hot

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<v Speaker 1>pig Chicken Chicken nut Farm. You don't know what I'm

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<v Speaker 1>talking about? No, all right, what are you talking about? No?

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<v Speaker 1>There's a big farm there in Ashville, ash by the

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<v Speaker 1>way Asheville without the end, not Nashville Ashville in case

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<v Speaker 1>I'm not Yeah, it's a totally different place. We have

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<v Speaker 1>to build more house the Vanderbilt estate, right. We have

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<v Speaker 1>a growth park in we have the parkway. I'm sure

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<v Speaker 1>we have a lot of beauty, full and scenic farms.

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<v Speaker 1>I am not aware of this one of which you speak.

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<v Speaker 1>We have twelve Bones, which is the big barbecue place,

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<v Speaker 1>so Vegan, I don't know how many bones there are.

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<v Speaker 1>You don't count the ball you no, no, no, I'm

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<v Speaker 1>want to leave that one alone too. Um. How do

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<v Speaker 1>you think that shaped you? Oh? My goodness, what a

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<v Speaker 1>beautiful question, because I really can feel, particularly in people's

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<v Speaker 1>singing voices, I feel like I can feel the topography

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<v Speaker 1>that shaped them. So I feel the mountains inside of me,

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<v Speaker 1>like the places to hide and then the places of

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<v Speaker 1>wide open wonder and um, you know, home life was

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<v Speaker 1>not the best. So that shaped you too, because you're like, hey,

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<v Speaker 1>I'm going to leave here. But but then once you

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<v Speaker 1>get out, then you know, just knowing that you've come

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<v Speaker 1>from a place of such beauty and art and food,

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<v Speaker 1>and you know, like really um culture. Yeah, I love

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<v Speaker 1>I love my hometown. I really do. I feel it

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<v Speaker 1>with me always. Oh that's awesome. You started singing early.

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<v Speaker 1>I did three. Wow, Santa Celle has been chatting you up.

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<v Speaker 1>Wait is that three? Like professionally? Is that when you

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<v Speaker 1>did your first album? I think we were still you know,

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<v Speaker 1>pressing things into vinyl in the seventies. But um, yeah,

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<v Speaker 1>I'm adopted, and UM, they at the hospital, you know,

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<v Speaker 1>I was in foster care for like two months, and

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<v Speaker 1>so some wires must have gotten crossed. But the papers

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<v Speaker 1>that were given to my adopted parents, UM, I had

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<v Speaker 1>like two lines on My father had like a paragraph

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<v Speaker 1>on my birth mother and um, and it said she

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<v Speaker 1>like just so and singing, and you know, she was

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<v Speaker 1>an English major. And so my parents who had opted me,

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<v Speaker 1>we're like, oh, we gotta, we gotta follow up on this,

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<v Speaker 1>you know, in case we are not supplying what she

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<v Speaker 1>needs genetically, you know. And uh, come to find out

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<v Speaker 1>it was none of it true. It was none of true.

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<v Speaker 1>She didn't I was so pretty in pink in high school,

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<v Speaker 1>assoed everything war and I sang everywhere and I did

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<v Speaker 1>all those things. Yeah yeah, yeah no, but I mean

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<v Speaker 1>it turned out to be right for me, but just

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<v Speaker 1>not necessarily true in the abstract. So they encouraged you

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<v Speaker 1>to sew, and well, they just sort of were like,

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<v Speaker 1>here are some things you might turn we hear that

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<v Speaker 1>you might be into. And honey, I loved it. Oh sing,

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<v Speaker 1>and my goodness, I would definitely be in jail somewhere

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<v Speaker 1>if I couldn't sing. It is absolutely my personal freedom.

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<v Speaker 1>Can Catharsis and joy and I'll be fussy, you know,

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<v Speaker 1>I'll be cranky and I'll not know what's going on,

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<v Speaker 1>but I'll get a song like going in my head

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<v Speaker 1>and I'll be like, oh really, like literally, it's just

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<v Speaker 1>how my body deals with being alive. But then they,

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<v Speaker 1>you know, put me in dance. I was never quite

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<v Speaker 1>as good at that, but I love still loved to sew.

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<v Speaker 1>Oh yeah, I love all that stuff. Interesting, did you

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<v Speaker 1>ever sew? No, I still can't sew. I'm gonna watch

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<v Speaker 1>season two. That's our goal that I learned to sew. Yeah, No,

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<v Speaker 1>I don't sew. I think I should. There are a

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<v Speaker 1>few things I think I should know how to do.

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<v Speaker 1>And well, I mean I tried recently and I failed

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<v Speaker 1>at trying to change attire the first thing I said

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<v Speaker 1>to we really need to do that. No, I know

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<v Speaker 1>I couldn't get the nuts. I couldn't get the nuts off.

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<v Speaker 1>And I'm not just saying that to try to sound

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<v Speaker 1>like I'm being perverse. I could not get I could

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<v Speaker 1>not get the the lug nuts off of the off

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<v Speaker 1>the tire. Turns out I called someone who also couldn't,

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<v Speaker 1>so there I think there was an issue. But um,

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<v Speaker 1>I think no. I think changing a tire sewing at least.

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<v Speaker 1>I'm not talking about making a dress or a pair

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<v Speaker 1>of pants. But I mean, like just getting a button

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<v Speaker 1>back on. It seems like a skill you should have,

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<v Speaker 1>I think, right, I think that's something you can accomplish.

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<v Speaker 1>Will work on this. Oh yeah, it's a big year.

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<v Speaker 1>I feel it. For buttons on. You're gonna put buttons

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<v Speaker 1>on everything, on, just on everything, just no snaps, too easy.

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<v Speaker 1>You gotta work for it. And then you really love it?

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<v Speaker 1>All right? So singing was cathartic for you? Did you

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<v Speaker 1>enjoy the act of performing? Was that a part of it?

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<v Speaker 1>I've always loved to not be me, like the chance

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<v Speaker 1>to not be me, for if it's three minutes, if

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<v Speaker 1>it's three hours, if it's three years, what a delight?

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<v Speaker 1>What what of? What of rest? Getting a job is

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<v Speaker 1>always like getting a vacation. I love it so much.

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<v Speaker 1>And but even then, yeah, I know you feel similarly.

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<v Speaker 1>I think you must like the story telling the story.

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<v Speaker 1>It's such a joy. I'm not a person like I

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<v Speaker 1>don't want to be the center of attention at parties

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<v Speaker 1>scare me. Like Pedro and I got married and it

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<v Speaker 1>was just us, you know, like I'm not ever going

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<v Speaker 1>to be like a look at me if human. But

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<v Speaker 1>I love to escape into something and deliver it and

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<v Speaker 1>have it, you know, have an effect on people. That's

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<v Speaker 1>fun and so on. Songs are the best because you

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<v Speaker 1>can feel like you can feel the energy in a

0:14:48.680 --> 0:14:52.360
<v Speaker 1>room change. You know, it's magical to go on that

0:14:52.440 --> 0:14:54.960
<v Speaker 1>with somebody. But they you know. It was the seventies

0:14:54.960 --> 0:14:57.480
<v Speaker 1>and eighties in North Carolina and so most of the

0:14:57.480 --> 0:15:03.080
<v Speaker 1>places you had to perform were pageants. And so that

0:15:03.120 --> 0:15:07.480
<v Speaker 1>was my next question, because that that feels like like

0:15:07.560 --> 0:15:11.280
<v Speaker 1>one would think that that's about being the center of attention.

0:15:11.320 --> 0:15:13.240
<v Speaker 1>By the way, I totally get you. I feel like

0:15:13.320 --> 0:15:16.600
<v Speaker 1>I'm the same way. It's something actually my I think

0:15:16.760 --> 0:15:22.360
<v Speaker 1>my especially my mom doesn't understand the difference between acting

0:15:22.640 --> 0:15:25.400
<v Speaker 1>and doing that in front of people, but actually wanting

0:15:25.480 --> 0:15:29.440
<v Speaker 1>that attention. That's not something that that I ever felt

0:15:29.520 --> 0:15:32.280
<v Speaker 1>like or you know, that I wanted. But being a

0:15:32.280 --> 0:15:38.280
<v Speaker 1>pageant now you North Carolina Junior miss sure, Now that's

0:15:38.280 --> 0:15:42.960
<v Speaker 1>a scholarship program, Brian. It's a very different feat. Oh

0:15:43.040 --> 0:15:46.160
<v Speaker 1>it is. I did pay for most of my freshman

0:15:46.200 --> 0:15:49.960
<v Speaker 1>year at college, so yeah, it did. So were you singing?

0:15:50.160 --> 0:15:52.560
<v Speaker 1>Was that your talent? Did you? Oh? That was I

0:15:52.560 --> 0:15:55.240
<v Speaker 1>mean that's a that's a thing though, because you have to, um,

0:15:55.680 --> 0:15:59.360
<v Speaker 1>they look at your academics and your interview and your

0:15:59.640 --> 0:16:03.400
<v Speaker 1>you know whatever pageant dress walking around stuff. Then you

0:16:03.560 --> 0:16:10.400
<v Speaker 1>do your talent and wait for it, athletics, which is

0:16:10.520 --> 0:16:17.320
<v Speaker 1>not something I've ever excelled at. So what kind of athletics? Honey.

0:16:17.480 --> 0:16:19.240
<v Speaker 1>We had to do a little, like you know, a

0:16:19.280 --> 0:16:22.240
<v Speaker 1>little Jane Fonda routine, and I mean little. It was

0:16:22.280 --> 0:16:26.920
<v Speaker 1>really really, really hard, and they assessed us because it's

0:16:27.000 --> 0:16:30.960
<v Speaker 1>really clear who was good good at that? Wait a

0:16:31.000 --> 0:16:36.480
<v Speaker 1>second second, you had to like like do I almost

0:16:36.480 --> 0:16:38.960
<v Speaker 1>said jumping jacks, but no, like push up there? Yea.

0:16:39.200 --> 0:16:41.160
<v Speaker 1>It was like a five minute routine and you had

0:16:41.200 --> 0:16:43.800
<v Speaker 1>to hold one of those v things. I can't even

0:16:43.840 --> 0:16:44.880
<v Speaker 1>do it. I was going to do it for you,

0:16:44.880 --> 0:16:46.520
<v Speaker 1>but I can't. You know, like where your abs hold

0:16:46.560 --> 0:16:48.800
<v Speaker 1>your whole body in the shape of a V and

0:16:48.840 --> 0:16:50.400
<v Speaker 1>you have to do push ups and you have to

0:16:50.400 --> 0:16:57.040
<v Speaker 1>do jumping jacks and run around and fitness fitness, why wow,

0:16:58.440 --> 0:17:02.000
<v Speaker 1>this was a part of it. But you but you

0:17:03.000 --> 0:17:06.280
<v Speaker 1>in North Carolina, I didn't win in at Nationals. They

0:17:06.400 --> 0:17:09.959
<v Speaker 1>they liked my singing. I had a talent award at Nationals.

0:17:09.960 --> 0:17:13.320
<v Speaker 1>But but I stress. But I when I was little,

0:17:13.600 --> 0:17:17.560
<v Speaker 1>because you know, this all starts. It starts in nineteen

0:17:17.640 --> 0:17:21.399
<v Speaker 1>seventy five, which was bicentennial year. My mother made this

0:17:21.480 --> 0:17:28.080
<v Speaker 1>spectacular long dress hoop skirt bicentennial on PSMB but complete

0:17:28.080 --> 0:17:33.440
<v Speaker 1>with bicentennial parasol. And you gott you know, five years old,

0:17:33.480 --> 0:17:35.800
<v Speaker 1>and like walk around with your parasol and your hoop

0:17:35.880 --> 0:17:39.680
<v Speaker 1>skirt and yeah, but I very quickly. I am not

0:17:39.760 --> 0:17:44.240
<v Speaker 1>at all competitive except with like myself, I mean mean

0:17:44.280 --> 0:17:46.719
<v Speaker 1>inside to myself. But I'm always like, you should get this,

0:17:46.880 --> 0:17:49.400
<v Speaker 1>or you know, I hope you went. So I started

0:17:49.840 --> 0:17:52.399
<v Speaker 1>in seeing really she had all her friends were there,

0:17:52.440 --> 0:17:54.119
<v Speaker 1>My mom's friends were there. So we're still gonna have

0:17:54.160 --> 0:17:57.399
<v Speaker 1>to go, but I just like I would say, you know,

0:17:57.720 --> 0:18:01.159
<v Speaker 1>Scarlet's in a beautiful future dressed to to lighter shield

0:18:01.160 --> 0:18:04.120
<v Speaker 1>tap forest while twirling her baton. I'd say, climb every

0:18:04.160 --> 0:18:08.560
<v Speaker 1>mountain while they tabulated the boats. And your southern accent

0:18:08.640 --> 0:18:11.760
<v Speaker 1>just came out when you were chick channeling that. It

0:18:11.960 --> 0:18:16.760
<v Speaker 1>must it must. How big was your hair? Oh? Higher,

0:18:16.800 --> 0:18:21.520
<v Speaker 1>the hair closer to God? That's right, as big as

0:18:21.520 --> 0:18:25.560
<v Speaker 1>it could get. Yes, Wait, I have to ask, did

0:18:25.600 --> 0:18:31.400
<v Speaker 1>you ever have to in Atlanta pageantify yourself? No, well

0:18:31.400 --> 0:18:35.200
<v Speaker 1>there wasn't. I don't. I don't think there are pagets

0:18:35.200 --> 0:18:40.120
<v Speaker 1>for boys. I don't know there was like cotillion respect

0:18:41.400 --> 0:18:43.400
<v Speaker 1>as well. Alright, I'm gonna need it when I see

0:18:43.440 --> 0:18:47.600
<v Speaker 1>your next I must see those pictures. Okay, I don't know,

0:18:48.160 --> 0:18:50.360
<v Speaker 1>I don't know how much still be all right, we'll

0:18:50.400 --> 0:18:55.119
<v Speaker 1>see um. Also probably google bule and be to everyone listening,

0:18:56.720 --> 0:19:20.960
<v Speaker 1>I hope not. Okay, So this is insane. You basically

0:19:21.240 --> 0:19:26.080
<v Speaker 1>you're doing padgets and then you decide you want to

0:19:26.119 --> 0:19:30.639
<v Speaker 1>go to Yale for physics. Now you want to be

0:19:30.680 --> 0:19:35.120
<v Speaker 1>a scientist. Yeah, yeah, it was most and you're giving

0:19:35.160 --> 0:19:37.639
<v Speaker 1>up performing. You're like that. That isn't a thing that

0:19:37.720 --> 0:19:40.840
<v Speaker 1>you think you're gonna wait so talk to me. You

0:19:40.920 --> 0:19:44.680
<v Speaker 1>think you're really not gonna you enjoy performing, but then

0:19:44.720 --> 0:19:46.679
<v Speaker 1>you decide you you want to be a scientist. Is

0:19:46.720 --> 0:19:50.919
<v Speaker 1>this what happens? Well, I wanted to leave North Carolina,

0:19:51.600 --> 0:19:55.679
<v Speaker 1>and I UM don't know how. Honestly, I don't know

0:19:55.760 --> 0:20:00.800
<v Speaker 1>how Yale even came into my sphere of knowledge. But

0:20:01.000 --> 0:20:03.719
<v Speaker 1>somehow I heard that you could. They had singing groups,

0:20:04.240 --> 0:20:07.240
<v Speaker 1>um acapella singing groups, and I was like, oh I

0:20:07.240 --> 0:20:09.520
<v Speaker 1>could still sing. I was like, if I could get

0:20:09.520 --> 0:20:12.320
<v Speaker 1>in there, my mom cannot say no, right, Like that's

0:20:12.320 --> 0:20:15.719
<v Speaker 1>a good enough reason to leave North Carolina. So I

0:20:15.760 --> 0:20:19.520
<v Speaker 1>applied early, and I loved physics. I was never I

0:20:19.560 --> 0:20:21.960
<v Speaker 1>got to Catholic school and then like public school and

0:20:22.080 --> 0:20:26.120
<v Speaker 1>like I never caught onto the like an exclusionary God,

0:20:26.720 --> 0:20:29.679
<v Speaker 1>but like physics and science made me feel like I

0:20:29.680 --> 0:20:31.520
<v Speaker 1>was seeing the face of God, like the truth, like

0:20:31.560 --> 0:20:34.520
<v Speaker 1>you could really work to the truth. And oh, I

0:20:34.600 --> 0:20:38.160
<v Speaker 1>just loved it. But again, just I wasn't. I didn't.

0:20:38.200 --> 0:20:39.679
<v Speaker 1>I didn't turn out to being great at it on

0:20:39.720 --> 0:20:41.920
<v Speaker 1>the world stage, but I was good at it where

0:20:41.960 --> 0:20:47.640
<v Speaker 1>I was. Um. So I applied early and they put

0:20:47.680 --> 0:20:49.800
<v Speaker 1>me on the wait list. But I'm Southern, so you know,

0:20:49.840 --> 0:20:52.160
<v Speaker 1>I thought they were just being polite and that they

0:20:52.200 --> 0:20:54.960
<v Speaker 1>would tell me no later and just let me get used.

0:20:55.000 --> 0:20:57.919
<v Speaker 1>To the know. I applied to twelve other schools and

0:20:57.960 --> 0:21:01.639
<v Speaker 1>got really good at applications. Re submitted an entire application

0:21:01.680 --> 0:21:04.760
<v Speaker 1>to y'all, and likely they thought, dear God, just to

0:21:04.880 --> 0:21:08.960
<v Speaker 1>hush her up. Just let her in, Just let her in.

0:21:10.680 --> 0:21:13.879
<v Speaker 1>So you might be the only person in history that

0:21:13.960 --> 0:21:17.239
<v Speaker 1>went to Yale for physics. But really, because they had

0:21:17.240 --> 0:21:20.840
<v Speaker 1>an acapella singing group. You don't know that. Maybe you

0:21:20.880 --> 0:21:23.119
<v Speaker 1>don't know. I think you are. I'm going to go

0:21:23.160 --> 0:21:26.320
<v Speaker 1>out on a room. Let's say. Let's say that's it.

0:21:26.800 --> 0:21:30.439
<v Speaker 1>So you started, you started singing, You get there, and

0:21:30.480 --> 0:21:33.760
<v Speaker 1>you you discover you might not be a scientist after all.

0:21:34.320 --> 0:21:36.840
<v Speaker 1>But but the singing you enjoyed. I loved it. I

0:21:36.880 --> 0:21:38.840
<v Speaker 1>loved it so much. And we I was in like

0:21:38.920 --> 0:21:41.800
<v Speaker 1>the funny singing group that like co ed funny singing

0:21:41.800 --> 0:21:44.480
<v Speaker 1>group because there's like you know, single sex and serious

0:21:44.480 --> 0:21:46.000
<v Speaker 1>ones and all that kind of stuff, and I wanted

0:21:46.000 --> 0:21:49.159
<v Speaker 1>to be I wanted to laughs and to sing that

0:21:49.320 --> 0:21:51.800
<v Speaker 1>like you know, Todd Rundgren and like you know, stuff

0:21:51.800 --> 0:21:54.480
<v Speaker 1>that I thought was cool, and I had a really

0:21:54.480 --> 0:21:58.080
<v Speaker 1>good time. But then it all, like those last few

0:21:58.200 --> 0:22:01.239
<v Speaker 1>years in North Carolina kind caught up with me, and

0:22:01.280 --> 0:22:07.719
<v Speaker 1>so my beginning of college was extraordinary and diverse and thriving,

0:22:07.800 --> 0:22:10.520
<v Speaker 1>and by the end I was a bit of a

0:22:10.520 --> 0:22:15.040
<v Speaker 1>wallflower and just going through stuff. Right, you do start

0:22:15.200 --> 0:22:18.480
<v Speaker 1>taking theater classes. I do. I finished with a double

0:22:18.480 --> 0:22:23.040
<v Speaker 1>major English and theater. Are you career committed? Then? At

0:22:23.040 --> 0:22:25.320
<v Speaker 1>that point, what a what a fun way to ask that?

0:22:25.640 --> 0:22:28.760
<v Speaker 1>Thank you? I think that's it's such a great I

0:22:28.800 --> 0:22:31.840
<v Speaker 1>was committed to staying out in the world. I didn't

0:22:31.840 --> 0:22:34.680
<v Speaker 1>want to go home. I was game for whatever I

0:22:34.760 --> 0:22:37.680
<v Speaker 1>was going to do. Ah Actor's Theater of Louisville had

0:22:37.720 --> 0:22:40.800
<v Speaker 1>this internship program that everybody was always in the hospital.

0:22:40.840 --> 0:22:43.479
<v Speaker 1>I mean, they worked you horribly, I think, but I

0:22:43.520 --> 0:22:46.199
<v Speaker 1>was like, yes, I'm gonna do that. Um, and my

0:22:46.320 --> 0:22:50.560
<v Speaker 1>friend Mike Zimmer, who was now real Marshall's like homeless partner,

0:22:50.840 --> 0:22:54.639
<v Speaker 1>you know second hand. Um, Michael was like, calm down

0:22:54.760 --> 0:22:58.040
<v Speaker 1>to New York with me today. I'm an audition for

0:22:58.080 --> 0:23:00.320
<v Speaker 1>a tour of meeting in St. Louis And like I

0:23:00.320 --> 0:23:02.959
<v Speaker 1>should write my paper, but of course, I'm not going

0:23:03.000 --> 0:23:05.120
<v Speaker 1>to write my paper. So I go down and got

0:23:05.160 --> 0:23:06.919
<v Speaker 1>the job. And so I did the first national let

0:23:06.960 --> 0:23:12.280
<v Speaker 1>me meet St. Louis instead unbelievable and that and that's

0:23:12.800 --> 0:23:17.040
<v Speaker 1>and that's how your career began. Yeah, and then that,

0:23:17.280 --> 0:23:19.760
<v Speaker 1>you know, after the tour, I got a little apartment

0:23:19.880 --> 0:23:24.000
<v Speaker 1>on the like where was it, I guess, and between

0:23:24.040 --> 0:23:26.919
<v Speaker 1>second and third and just start going to the calls

0:23:27.000 --> 0:23:30.160
<v Speaker 1>and doing summer stock and doing regional theater and doing

0:23:30.200 --> 0:23:34.280
<v Speaker 1>stuff off Broadway, and but musical musical, musical, musical, and

0:23:34.480 --> 0:23:38.679
<v Speaker 1>you know, a couple of law and orders as you do. Okay,

0:23:38.680 --> 0:23:42.400
<v Speaker 1>so you so you were dipping, you were dipping your

0:23:42.440 --> 0:23:47.040
<v Speaker 1>toes into some film and television stuff as you were

0:23:47.600 --> 0:23:50.760
<v Speaker 1>auditioning for theater. I mean, you really have the stink

0:23:50.880 --> 0:23:53.720
<v Speaker 1>of musical theater on you, and like, especially back then

0:23:53.800 --> 0:23:57.560
<v Speaker 1>New York was pretty bifurcated, you know, so I feel

0:23:57.880 --> 0:24:00.840
<v Speaker 1>lucky I got in there, right. I do want to

0:24:00.880 --> 0:24:04.800
<v Speaker 1>mention In nine you make your Broadway debut as Mary

0:24:04.920 --> 0:24:09.200
<v Speaker 1>in the original cast of psy Coleman's The Life. Did

0:24:09.200 --> 0:24:12.200
<v Speaker 1>that feel like a dream come true? Yeah? It really did,

0:24:12.480 --> 0:24:16.080
<v Speaker 1>And it came out of nowhere, and I just moved

0:24:16.119 --> 0:24:18.840
<v Speaker 1>to my apartment on Sunday six between Broadway and West End,

0:24:19.280 --> 0:24:22.560
<v Speaker 1>and my mom was actually here and we were unloading boxes.

0:24:22.560 --> 0:24:24.800
<v Speaker 1>I got a super last minute audition. I wasn't gonna

0:24:24.840 --> 0:24:28.399
<v Speaker 1>go because we're moving, and she's like, just go. And

0:24:28.800 --> 0:24:32.320
<v Speaker 1>I don't even take like dance clothes. I have to

0:24:32.359 --> 0:24:36.479
<v Speaker 1>pull sheet music out of the file cabinet at the

0:24:36.480 --> 0:24:39.320
<v Speaker 1>casting offices. Um, they kept me a long time, but

0:24:39.400 --> 0:24:42.600
<v Speaker 1>then they're like, okay, thank you. And I walked from

0:24:42.640 --> 0:24:45.600
<v Speaker 1>forty three to seventy six because I was like, my

0:24:45.640 --> 0:24:47.359
<v Speaker 1>mother is gonna be so mad at me because I

0:24:47.440 --> 0:24:51.359
<v Speaker 1>like left her unpacking. And then I tanked this audition

0:24:51.560 --> 0:24:54.439
<v Speaker 1>and I swear as I walked into the apartment, my

0:24:54.680 --> 0:24:58.920
<v Speaker 1>landline telephone rang and my son my mom was there

0:24:58.960 --> 0:25:02.800
<v Speaker 1>for me to get my Broadway show. That's amazing, I know.

0:25:03.040 --> 0:25:05.080
<v Speaker 1>And then we got the sewing machine out and we

0:25:05.119 --> 0:25:12.320
<v Speaker 1>made some curtains, not kidding at all. Oh my god,

0:25:12.840 --> 0:25:18.800
<v Speaker 1>that's amazing. Um, so you you decide, because you're a

0:25:18.880 --> 0:25:21.479
<v Speaker 1>musical theater actor. And at this point, merrily we roll

0:25:21.560 --> 0:25:24.840
<v Speaker 1>a long fous book of days. You've done all this theater.

0:25:25.040 --> 0:25:27.359
<v Speaker 1>You're gonna move to l A now, this is true.

0:25:27.680 --> 0:25:30.200
<v Speaker 1>Your agent said you're too old. Yeah yeah, oh yeah,

0:25:30.240 --> 0:25:33.280
<v Speaker 1>oh yeah, I was twenty nine. Yeah, yeah, yeah. I

0:25:33.320 --> 0:25:37.040
<v Speaker 1>moved like right before I turned to thirty. And of

0:25:37.080 --> 0:25:39.200
<v Speaker 1>course that there was a guy. There's always a guy.

0:25:39.359 --> 0:25:41.480
<v Speaker 1>So there was a guy. We've done a little movie.

0:25:42.440 --> 0:25:45.520
<v Speaker 1>But so I went with very low expectations and I

0:25:46.040 --> 0:25:47.960
<v Speaker 1>you know, the stuff I'd been sent out, but I

0:25:48.040 --> 0:25:49.800
<v Speaker 1>was with Garish at that point, and the stuff they

0:25:49.840 --> 0:25:52.200
<v Speaker 1>were sending me out on wasn't that interesting. And I

0:25:52.280 --> 0:25:57.639
<v Speaker 1>had absolutely no concept of Los Angeles, either it's physical

0:25:57.800 --> 0:26:01.000
<v Speaker 1>geographical scope or like because there's a lot of work

0:26:01.440 --> 0:26:04.240
<v Speaker 1>um or there was at that point, and um, I

0:26:04.359 --> 0:26:07.440
<v Speaker 1>just got really lucky, really fast, not in terms of

0:26:07.600 --> 0:26:09.639
<v Speaker 1>a big break that put me on the map, but

0:26:09.760 --> 0:26:12.840
<v Speaker 1>just you know, working after, which is the thing that

0:26:12.840 --> 0:26:15.760
<v Speaker 1>makes me the happiest of all. You know. Now it's

0:26:15.800 --> 0:26:18.040
<v Speaker 1>at a little bit at different level, but all I

0:26:18.119 --> 0:26:20.560
<v Speaker 1>want is like to get to work. I love it.

0:26:21.200 --> 0:26:24.720
<v Speaker 1>So I was l A was always very kind to

0:26:24.760 --> 0:26:28.560
<v Speaker 1>me in that regard, and yet we were both LA

0:26:28.640 --> 0:26:30.679
<v Speaker 1>and I would look at each other like total side.

0:26:30.680 --> 0:26:33.480
<v Speaker 1>I like, really, you are you gonna wear that? And

0:26:33.520 --> 0:26:36.360
<v Speaker 1>I'd be like, are you judging? Me. So it's always

0:26:36.560 --> 0:26:39.359
<v Speaker 1>it was very much square peg, round hole, and I'm

0:26:39.359 --> 0:26:44.119
<v Speaker 1>grateful for every minute. I mean, this is not exaggerating, truly.

0:26:44.480 --> 0:26:50.560
<v Speaker 1>During this time, you begin guest starring on literally the

0:26:50.600 --> 0:26:54.440
<v Speaker 1>biggest shows in television. I never did Friends. I really

0:26:54.480 --> 0:26:56.400
<v Speaker 1>regret that I never got to do Friends. I never

0:26:56.440 --> 0:27:01.280
<v Speaker 1>did The Office either. Whatever. Okay, well, first all, sorry

0:27:01.400 --> 0:27:06.480
<v Speaker 1>I misspoke. You start doing guest stars during this time

0:27:06.600 --> 0:27:12.760
<v Speaker 1>on literally the biggest dramas in television. Yeah, I mean

0:27:13.320 --> 0:27:17.600
<v Speaker 1>X Files, E Er, West, Wing, n C, I S.

0:27:17.720 --> 0:27:21.640
<v Speaker 1>Gray's Anatomy, Private Practice. Yeah, there was a Fraser but

0:27:21.920 --> 0:27:26.080
<v Speaker 1>I no, But I mean that. I mean you were

0:27:26.119 --> 0:27:32.760
<v Speaker 1>getting amazing experience on huge shows at the time, and

0:27:33.000 --> 0:27:35.680
<v Speaker 1>you're loving you and you're loving it, loving it because

0:27:35.720 --> 0:27:39.480
<v Speaker 1>you learn everything you know, from how people treat each other,

0:27:40.000 --> 0:27:42.920
<v Speaker 1>to like what's expected of you, to all the things

0:27:42.960 --> 0:27:46.399
<v Speaker 1>that they didn't cover. All my acting classes were very like,

0:27:46.520 --> 0:27:48.320
<v Speaker 1>let's you know, are we going to read the scene cold?

0:27:48.400 --> 0:27:51.040
<v Speaker 1>Or should we rehearse it? But it wasn't like how

0:27:51.119 --> 0:27:54.240
<v Speaker 1>to deal with a line producer or you know, get

0:27:54.240 --> 0:27:56.400
<v Speaker 1>there early enough so that you're in the makeup chair

0:27:56.440 --> 0:27:59.120
<v Speaker 1>at your call time, not ten minutes after your called,

0:27:59.240 --> 0:28:01.959
<v Speaker 1>you know, like just how to work, and then you

0:28:02.040 --> 0:28:05.399
<v Speaker 1>see who you want to be like and who you don't,

0:28:05.600 --> 0:28:11.879
<v Speaker 1>and it's the best, you know, grad school of my life.

0:28:11.920 --> 0:28:16.520
<v Speaker 1>Just a job around and eavesdrop on everyone. And they

0:28:16.560 --> 0:28:19.320
<v Speaker 1>were always like, Okay, David Crusoe, did you ever go

0:28:19.359 --> 0:28:22.560
<v Speaker 1>over there and do those Miami whatever c s? I'm like,

0:28:22.920 --> 0:28:28.119
<v Speaker 1>what that? There's plenty of you know, you're just like

0:28:28.320 --> 0:28:32.800
<v Speaker 1>draw on the floor behavior from Caruso on those days.

0:28:32.800 --> 0:28:34.800
<v Speaker 1>He's maybe he's a wonderful human now and I have

0:28:34.880 --> 0:28:37.080
<v Speaker 1>no way of knowing that, but you know, there was

0:28:37.119 --> 0:28:40.840
<v Speaker 1>a time at an APEX moment where they were just like, wow,

0:28:41.360 --> 0:28:44.360
<v Speaker 1>that's not what I want to be, you know, other

0:28:44.480 --> 0:28:49.200
<v Speaker 1>than other than employed and a franchise that's gonna go forever.

0:28:50.040 --> 0:28:52.400
<v Speaker 1>I'm a happy girl. I'm not the girl that's like

0:28:53.480 --> 0:28:58.520
<v Speaker 1>another season. I'm like five more. She's I just I

0:28:58.600 --> 0:29:02.600
<v Speaker 1>just want to show up, right. Um. I don't want

0:29:02.600 --> 0:29:04.880
<v Speaker 1>to bore people because I have discussed this before, but

0:29:04.920 --> 0:29:08.040
<v Speaker 1>I want your impression of this because you seem so

0:29:08.040 --> 0:29:13.840
<v Speaker 1>so positive. I have said many times the hardest job

0:29:14.760 --> 0:29:16.880
<v Speaker 1>is the guest start job, you know, and I think

0:29:16.880 --> 0:29:20.000
<v Speaker 1>it teaches you one as you said who you want

0:29:20.040 --> 0:29:23.080
<v Speaker 1>to be, but two really teaches you how to work

0:29:23.160 --> 0:29:25.720
<v Speaker 1>and adapt in different settings because as a guest starre

0:29:25.920 --> 0:29:28.960
<v Speaker 1>often you don't know the crew, You don't know anyone's name.

0:29:29.120 --> 0:29:32.160
<v Speaker 1>I mean, did you find that to be challenging as well?

0:29:32.720 --> 0:29:36.000
<v Speaker 1>Every time? Because every time it's different, and you know,

0:29:36.080 --> 0:29:39.440
<v Speaker 1>it helps you practice humility because you just have to

0:29:39.480 --> 0:29:42.160
<v Speaker 1>ask questions. The hardest part for me is always the

0:29:42.320 --> 0:29:45.080
<v Speaker 1>crew because you don't know how they're used, like how

0:29:45.200 --> 0:29:47.360
<v Speaker 1>fast or solo they're used to running. You don't know

0:29:47.680 --> 0:29:49.600
<v Speaker 1>are they going to do thirty five takes? Or do

0:29:49.640 --> 0:29:52.760
<v Speaker 1>I need to do this in one? And asking every

0:29:52.840 --> 0:29:56.040
<v Speaker 1>question that comes to mind just wastes everybody's time. So

0:29:56.120 --> 0:29:59.320
<v Speaker 1>that that's sixth sense of trying to mind read and

0:29:59.360 --> 0:30:02.960
<v Speaker 1>into it. You know, it's like those child of alcoholic days,

0:30:02.960 --> 0:30:05.000
<v Speaker 1>sort of like walking on eggshells all the time. It's

0:30:05.080 --> 0:30:07.760
<v Speaker 1>those like it's that sixth sense that you kind of

0:30:07.760 --> 0:30:10.680
<v Speaker 1>pull into play and it's different on a on a

0:30:10.760 --> 0:30:13.000
<v Speaker 1>one hour than it is on a half hour, And

0:30:13.440 --> 0:30:15.880
<v Speaker 1>like those are big lessons, but I always just sort

0:30:15.920 --> 0:30:19.479
<v Speaker 1>of stepped to it from the like it was school.

0:30:20.280 --> 0:30:22.600
<v Speaker 1>School was always something I was good at, Like I could.

0:30:22.760 --> 0:30:27.000
<v Speaker 1>I understood that paradigm, and so I just sort of

0:30:27.040 --> 0:30:29.600
<v Speaker 1>always stayed in that paradigm for all those years, like, ooh,

0:30:29.680 --> 0:30:31.600
<v Speaker 1>what am I going to learn it? Oh? That's really interesting.

0:30:31.640 --> 0:30:34.120
<v Speaker 1>Oh I'm not gonna put my chair there. Okay, alright,

0:30:34.240 --> 0:30:38.760
<v Speaker 1>you know, but it's so hard, and it never gets easier.

0:30:39.480 --> 0:30:43.720
<v Speaker 1>You're always other. So it's it's humbling, it's it's instructive,

0:30:43.840 --> 0:30:48.240
<v Speaker 1>but it's hard. Yeah. A couple of shows I mentioned,

0:30:48.560 --> 0:30:52.640
<v Speaker 1>Gray's Anatomy, Private Practice, they have a little something in

0:30:52.680 --> 0:30:56.360
<v Speaker 1>common under rhymes. While you were working on those shows,

0:30:56.360 --> 0:31:00.400
<v Speaker 1>did you have any direct contact with her or did

0:31:00.400 --> 0:31:03.760
<v Speaker 1>you get to know her for her team a lot

0:31:03.800 --> 0:31:06.520
<v Speaker 1>as you're working on those shows. Sweet Linda Lowey cast

0:31:06.560 --> 0:31:10.480
<v Speaker 1>for Shanda for a hundred years, and I auditioned for

0:31:10.600 --> 0:31:13.280
<v Speaker 1>Linda a lot. So it's Linda that I knew and

0:31:13.400 --> 0:31:16.640
<v Speaker 1>all of her beautiful team. And I was in the

0:31:16.720 --> 0:31:21.160
<v Speaker 1>Private Practice world as they spun off from Gray's Anatomy,

0:31:21.200 --> 0:31:23.520
<v Speaker 1>so it was like a two hour Grays but I

0:31:23.560 --> 0:31:27.800
<v Speaker 1>was within the womb of the national little private practice. Um,

0:31:27.880 --> 0:31:30.480
<v Speaker 1>so I wasn't with her then at all, And the

0:31:30.520 --> 0:31:33.160
<v Speaker 1>first time I met her was in my audition and

0:31:33.280 --> 0:31:37.600
<v Speaker 1>my audition was, I mean, quicker than you can, you know,

0:31:37.680 --> 0:31:45.360
<v Speaker 1>drink adver. No, I had two lines three lines in

0:31:45.400 --> 0:31:47.400
<v Speaker 1>the pilot, and I was going to work the next

0:31:47.480 --> 0:31:49.960
<v Speaker 1>day for Scandal, and so they brought like five of

0:31:50.040 --> 0:31:53.160
<v Speaker 1>us it and I go in and there's only so

0:31:53.200 --> 0:31:56.280
<v Speaker 1>many ways you can say two lines, and so it's

0:31:56.280 --> 0:31:59.800
<v Speaker 1>all very fast, and it's also a little intimidating because

0:32:00.120 --> 0:32:03.800
<v Speaker 1>she's there and also her producing partner Betsy. Everybody's sort

0:32:03.840 --> 0:32:06.280
<v Speaker 1>of playing the room, but Shonda this time to give

0:32:06.320 --> 0:32:09.720
<v Speaker 1>the adjustment, and all I could think about Tony. I

0:32:09.800 --> 0:32:11.760
<v Speaker 1>just worked with Tony Goldwin. He just directed me on

0:32:12.720 --> 0:32:15.560
<v Speaker 1>Dirty Sexy Money, and so I was just thinking about

0:32:15.600 --> 0:32:19.040
<v Speaker 1>like like standing beside him. He was just always sort

0:32:19.040 --> 0:32:20.760
<v Speaker 1>of beside me in the room in my mind, and

0:32:20.800 --> 0:32:23.360
<v Speaker 1>those were sort of informing it. And then they you know,

0:32:23.480 --> 0:32:25.360
<v Speaker 1>I I was the one that day they got the

0:32:25.400 --> 0:32:28.640
<v Speaker 1>call and worked the next day and was supposed to

0:32:28.680 --> 0:32:30.239
<v Speaker 1>just be on a couple of shows, and then they

0:32:30.320 --> 0:32:32.320
<v Speaker 1>let me stay the whole damn time. So I got

0:32:32.360 --> 0:32:35.040
<v Speaker 1>to know Shawn pretty well. But no, I think at

0:32:35.080 --> 0:32:38.680
<v Speaker 1>that point not a bit in the world. So really,

0:32:39.360 --> 0:32:42.000
<v Speaker 1>you don't have any idea this is going to exist

0:32:42.200 --> 0:32:45.760
<v Speaker 1>beyond a couple of three episodes. And now that you're

0:32:45.760 --> 0:32:48.680
<v Speaker 1>telling me this story, it sure sounds like it. Because

0:32:48.760 --> 0:32:50.960
<v Speaker 1>when you go in and you're working the next day

0:32:51.080 --> 0:32:54.520
<v Speaker 1>or two days later whatever, like this is not they're

0:32:54.520 --> 0:32:56.840
<v Speaker 1>not taking their time with it because they don't think

0:32:56.880 --> 0:33:01.120
<v Speaker 1>that they need to. No, that's crazy. And then you

0:33:01.320 --> 0:33:04.520
<v Speaker 1>just stayed. You just put your name on the trailer.

0:33:05.600 --> 0:33:11.400
<v Speaker 1>I'm not I'm not leaving. Well, they I dressed up

0:33:11.440 --> 0:33:14.840
<v Speaker 1>for that second table read honey, there's a Southern there's

0:33:14.840 --> 0:33:16.880
<v Speaker 1>another Southern superpower. I dressed up. I was like, oh,

0:33:16.960 --> 0:33:20.160
<v Speaker 1>we got picked up the series and um shan we

0:33:20.200 --> 0:33:23.000
<v Speaker 1>read this script and Shawna came around and sort of

0:33:23.000 --> 0:33:26.040
<v Speaker 1>told everybody what they'd be doing. That first season was

0:33:26.080 --> 0:33:28.440
<v Speaker 1>only seven episodes, so she kind of went around. She

0:33:28.480 --> 0:33:30.200
<v Speaker 1>got to me and she's like, and I want to

0:33:30.200 --> 0:33:32.360
<v Speaker 1>write a presidential divorce, and so I think you'll be

0:33:32.400 --> 0:33:35.760
<v Speaker 1>here to maybe three episodes. And my heart like tried

0:33:35.760 --> 0:33:38.800
<v Speaker 1>to keep smiling, but my heart like went through the floor.

0:33:39.360 --> 0:33:42.479
<v Speaker 1>I was so sad. I think they just I don't know,

0:33:42.800 --> 0:33:45.800
<v Speaker 1>they just let me fight with people. They were like, hey,

0:33:45.840 --> 0:33:49.360
<v Speaker 1>that kid does out to fight with people. I was like, yeah,

0:33:49.480 --> 0:33:51.160
<v Speaker 1>let me do it. I'm do it. But they didn't

0:33:51.160 --> 0:33:53.160
<v Speaker 1>buy me a wig till that second season. That was

0:33:53.200 --> 0:33:56.360
<v Speaker 1>just my thel Bins. So that's how that's how you

0:33:56.400 --> 0:34:01.160
<v Speaker 1>know they're not taking you seriously. Wow, what do you

0:34:01.200 --> 0:34:05.440
<v Speaker 1>think it was about the character or you that the

0:34:05.440 --> 0:34:10.319
<v Speaker 1>writers started to latch onto the fight? I think they

0:34:10.480 --> 0:34:13.080
<v Speaker 1>I don't It's not me. I think they started to

0:34:13.120 --> 0:34:16.759
<v Speaker 1>realize them they could attenuate the leverage of the love

0:34:16.840 --> 0:34:20.320
<v Speaker 1>triangle like that. There was there was more to explore

0:34:20.440 --> 0:34:22.440
<v Speaker 1>there than just to like make it so easy and

0:34:22.480 --> 0:34:25.400
<v Speaker 1>get rid of the wife. And you know, not that

0:34:25.440 --> 0:34:28.400
<v Speaker 1>it would have been easy in that scenario with those characters,

0:34:28.440 --> 0:34:32.160
<v Speaker 1>but it was messier to keep the other woman around,

0:34:32.400 --> 0:34:35.319
<v Speaker 1>the other woman being the wife. Right when did you

0:34:35.400 --> 0:34:38.400
<v Speaker 1>find out that you were going to be sticking around?

0:34:38.680 --> 0:34:42.280
<v Speaker 1>They called? I went to India with my friend Jules,

0:34:42.360 --> 0:34:45.719
<v Speaker 1>who's great production designer, and I reckon I didn't have

0:34:45.719 --> 0:34:48.359
<v Speaker 1>a phone that worked out of the country, and so

0:34:48.520 --> 0:34:51.040
<v Speaker 1>I got back in the country and my manager was like,

0:34:51.080 --> 0:34:54.120
<v Speaker 1>I've been trying to call you, and I was like,

0:34:54.160 --> 0:34:56.960
<v Speaker 1>oh no, thinking I've done something wrong or you know,

0:34:57.000 --> 0:34:58.480
<v Speaker 1>I was going to get fired from a job. I

0:34:58.480 --> 0:35:01.240
<v Speaker 1>didn't have or it's like the making you a series

0:35:01.320 --> 0:35:04.440
<v Speaker 1>regular on Scandal, and I was like, I wish I

0:35:04.560 --> 0:35:10.240
<v Speaker 1>bought that ring in Jaipor. I've gone so super budged

0:35:10.360 --> 0:35:12.920
<v Speaker 1>India and I was like, Oh, I find only known

0:35:13.080 --> 0:35:14.719
<v Speaker 1>we could have slept in a hotel that night. It

0:35:14.760 --> 0:35:21.000
<v Speaker 1>would have been great. How did you find out that

0:35:21.080 --> 0:35:24.120
<v Speaker 1>eventually you were going to become president? I don't even remember.

0:35:24.200 --> 0:35:27.120
<v Speaker 1>I think it was something you were expecting, not at all.

0:35:27.160 --> 0:35:29.560
<v Speaker 1>I think Jeffy was supposed to be president. I mean

0:35:29.600 --> 0:35:31.840
<v Speaker 1>he gets voted president destiny. Do you find that you

0:35:31.840 --> 0:35:34.399
<v Speaker 1>don't really remember what happened on shows that you've done,

0:35:34.600 --> 0:35:41.880
<v Speaker 1>because I just consistently we also we like, I don't know,

0:35:42.040 --> 0:35:44.480
<v Speaker 1>I'll see you there, though we also shot a lot

0:35:44.520 --> 0:35:49.880
<v Speaker 1>of alternate stories, like I still don't really Lena Donald

0:35:49.920 --> 0:35:52.399
<v Speaker 1>was on Scandal at one point, and either she lives

0:35:52.480 --> 0:35:54.120
<v Speaker 1>or dies, but we shot at both ways. And I

0:35:54.120 --> 0:35:58.680
<v Speaker 1>don't remember at any rate. Jeffy was supposed to win,

0:35:59.320 --> 0:36:01.560
<v Speaker 1>which if I think he still did and then something

0:36:01.600 --> 0:36:05.240
<v Speaker 1>happened we shot him or had a hardttorthing. But everyone

0:36:05.440 --> 0:36:09.480
<v Speaker 1>thought Hillary was going to win, and Shanda had put

0:36:09.480 --> 0:36:12.800
<v Speaker 1>a lot of sweat equity into that in that direction,

0:36:13.520 --> 0:36:16.840
<v Speaker 1>and I think was really gutted as some of the

0:36:16.880 --> 0:36:19.920
<v Speaker 1>rest of us about that that that you know that

0:36:19.960 --> 0:36:22.239
<v Speaker 1>it went another way, And so I think it is

0:36:22.280 --> 0:36:27.120
<v Speaker 1>only because she did not win that Melli became president.

0:36:27.200 --> 0:36:29.320
<v Speaker 1>I mean, I've never had a long conversation with Shunda

0:36:29.360 --> 0:36:31.879
<v Speaker 1>about this, and I don't know that she's ever gone

0:36:31.880 --> 0:36:35.000
<v Speaker 1>on record, but I don't think it was ever the plan.

0:36:36.080 --> 0:36:43.360
<v Speaker 1>Interesting you shoot scandal, I mean Awards Critics Choice Television

0:36:43.400 --> 0:36:49.400
<v Speaker 1>Award for your role there, beloved character on an amazing show,

0:36:49.760 --> 0:36:54.319
<v Speaker 1>seven year run? How was that for you? Having to

0:36:54.320 --> 0:36:58.160
<v Speaker 1>say goodbye when it was over? It was um, I

0:36:58.200 --> 0:37:04.040
<v Speaker 1>think everybody was tired and understood because she had She

0:37:04.160 --> 0:37:08.320
<v Speaker 1>had been very forthright from the beginning about saying that

0:37:08.400 --> 0:37:11.399
<v Speaker 1>this was a story to juxtapose with Gray's Anatomy, which

0:37:12.040 --> 0:37:14.759
<v Speaker 1>can and probably will go forever. She was like, this

0:37:14.800 --> 0:37:16.239
<v Speaker 1>is a story. I know where it starts and I

0:37:16.239 --> 0:37:19.160
<v Speaker 1>know where it is. So we always knew we were

0:37:19.400 --> 0:37:22.480
<v Speaker 1>on borrowed time, uh, and so we were grateful for

0:37:22.520 --> 0:37:25.200
<v Speaker 1>every season. Every season was a different number of episodes,

0:37:25.680 --> 0:37:28.480
<v Speaker 1>Like everything was very fluid, and every time we get

0:37:28.480 --> 0:37:31.040
<v Speaker 1>another season would be like yeah, and then when she

0:37:31.160 --> 0:37:35.279
<v Speaker 1>was like, we're finishing, we were like copy. Um Josh,

0:37:35.320 --> 0:37:37.799
<v Speaker 1>Milena was like, but my daughter still in college, and

0:37:37.840 --> 0:37:44.759
<v Speaker 1>he was like sorry. But also at that point I

0:37:44.840 --> 0:37:47.439
<v Speaker 1>was sweet Buckers, I love them so much, like we

0:37:47.440 --> 0:37:50.040
<v Speaker 1>were a family. There was no way, like we weren't

0:37:50.040 --> 0:37:51.680
<v Speaker 1>going to be together every day, but there was no

0:37:51.719 --> 0:37:53.799
<v Speaker 1>way we were not going to always be together. So

0:37:54.280 --> 0:37:58.440
<v Speaker 1>it didn't feel so um grievous because we get to

0:37:58.480 --> 0:38:02.680
<v Speaker 1>watch everybody do magical other things. What do you think

0:38:02.719 --> 0:38:05.600
<v Speaker 1>it was about that group that makes it because it's

0:38:05.600 --> 0:38:07.680
<v Speaker 1>not always like that. What do you think it was

0:38:07.719 --> 0:38:12.239
<v Speaker 1>about that ensemble that made you all so close? I mean,

0:38:12.280 --> 0:38:16.080
<v Speaker 1>I think Carrie, I think she's just a wonderful, humble,

0:38:17.040 --> 0:38:20.680
<v Speaker 1>big hearted leader. She was like the quarterback of the

0:38:20.719 --> 0:38:23.520
<v Speaker 1>team when she still is. Like it was just very

0:38:23.600 --> 0:38:26.240
<v Speaker 1>clear from the beginning that it was, you know, nobody

0:38:26.320 --> 0:38:30.520
<v Speaker 1>left behind sort of situation. Even when we renegotiated. You know,

0:38:30.600 --> 0:38:34.120
<v Speaker 1>so often there's a squeaky wheel somewhere, or just people

0:38:34.120 --> 0:38:37.000
<v Speaker 1>who are super young and think they're now is there forever,

0:38:37.680 --> 0:38:41.319
<v Speaker 1>or you know, so many different dynamics that can sort

0:38:41.360 --> 0:38:44.120
<v Speaker 1>of pull you apart. But we were all old enough

0:38:44.160 --> 0:38:48.680
<v Speaker 1>to be grateful and and if Carrie wasn't gonna remember

0:38:48.800 --> 0:38:52.279
<v Speaker 1>day Today's Show, like Season five Today Show wanted to

0:38:52.320 --> 0:38:57.080
<v Speaker 1>do something live about the premiere, and we were all like,

0:38:57.320 --> 0:38:59.239
<v Speaker 1>I don't want to get a bit one thirty to

0:38:59.320 --> 0:39:02.480
<v Speaker 1>be ready for Hamera three thirty, but you know, like complaining.

0:39:03.080 --> 0:39:04.800
<v Speaker 1>You know, Carrie's just sitting in the makeup chair and

0:39:04.840 --> 0:39:06.440
<v Speaker 1>listening to us all. She's like, well, I'm going to

0:39:06.520 --> 0:39:08.879
<v Speaker 1>be here. I think it's amazing. A season five shows

0:39:08.920 --> 0:39:11.319
<v Speaker 1>should get attention like this, And we were all like,

0:39:12.960 --> 0:39:16.720
<v Speaker 1>you know, just yeah, that's right, you're right, right, I'm sorry,

0:39:16.840 --> 0:39:20.920
<v Speaker 1>that's fun, You're right. What am I thinking? So? And

0:39:20.960 --> 0:39:25.080
<v Speaker 1>everybody's just also family people, So it's been nice to

0:39:25.080 --> 0:39:28.640
<v Speaker 1>see everybody's kids grow up, and it's a long time

0:39:28.719 --> 0:39:32.160
<v Speaker 1>to share. You have that, You have that with your

0:39:32.239 --> 0:39:35.799
<v Speaker 1>PiZZ Yes, no, we do, and it's special and you

0:39:35.800 --> 0:39:39.200
<v Speaker 1>you bring up age. I think is a part of it.

0:39:39.440 --> 0:39:43.719
<v Speaker 1>People who have diverse experience in the industry and know

0:39:44.680 --> 0:39:47.200
<v Speaker 1>how difficult it can be and feel very lucky to

0:39:47.280 --> 0:39:50.799
<v Speaker 1>have found a show that you feel good about and

0:39:51.000 --> 0:39:53.359
<v Speaker 1>a collection of people that you're lucky to be with.

0:39:53.920 --> 0:39:58.719
<v Speaker 1>I think that brings appreciation exactly what you said. Yeah,

0:39:58.760 --> 0:40:01.799
<v Speaker 1>and nobody was ignored. Everybody had heavy lifting to do.

0:40:01.880 --> 0:40:05.239
<v Speaker 1>Everybody got great monologues, everybody gets a great storyline. So

0:40:06.000 --> 0:40:07.799
<v Speaker 1>everybody felt like they left it on the field and

0:40:07.840 --> 0:40:29.759
<v Speaker 1>it was time to go take a shower. When you leave,

0:40:29.920 --> 0:40:32.800
<v Speaker 1>you immediately have another show. Now it was a pilot

0:40:32.840 --> 0:40:35.840
<v Speaker 1>that didn't get picked up, and then you take a

0:40:35.840 --> 0:40:40.040
<v Speaker 1>little personal hiatus, do I I probably just didn't have

0:40:40.080 --> 0:40:44.000
<v Speaker 1>a job. What did I do? You you went traveling? Oh? Well, yes,

0:40:44.200 --> 0:40:46.839
<v Speaker 1>oh I did. I did. I went my suite. Now,

0:40:46.960 --> 0:40:50.400
<v Speaker 1>husband he performs a lot, and I was like, well,

0:40:50.719 --> 0:40:52.960
<v Speaker 1>I don't have anything to do. I'm gonna go be

0:40:53.120 --> 0:40:57.960
<v Speaker 1>his groupie. But then sweet Scott Foley was doing Whiskey

0:40:58.000 --> 0:41:00.640
<v Speaker 1>Cavalier and so he let you do a job with

0:41:00.719 --> 0:41:03.160
<v Speaker 1>him in Prague while I was over there, and so

0:41:03.239 --> 0:41:05.200
<v Speaker 1>there we know, we've got a little bit of working

0:41:05.560 --> 0:41:07.080
<v Speaker 1>here and there. But yeah, I did. I saw a

0:41:07.120 --> 0:41:10.680
<v Speaker 1>lot of stuff. How long were you traveling? As long

0:41:10.719 --> 0:41:13.160
<v Speaker 1>as they'd let me. I don't even remember. I mean

0:41:13.200 --> 0:41:15.800
<v Speaker 1>I feel like I was gone a couple of months.

0:41:16.280 --> 0:41:21.080
<v Speaker 1>I went to Okay, like eight places maybe remember, Yeah,

0:41:21.360 --> 0:41:24.360
<v Speaker 1>Brevnick and Warsaw and Prague and Stockholm and then just

0:41:24.600 --> 0:41:29.160
<v Speaker 1>all over the place. Um, you begin in twenty nineteen

0:41:29.239 --> 0:41:35.439
<v Speaker 1>working on Prodigal Son, a procedural show that I've heard

0:41:35.480 --> 0:41:37.920
<v Speaker 1>you talk a little bit about. To me, that is

0:41:38.000 --> 0:41:41.719
<v Speaker 1>a got to be a challenge as an actor to

0:41:41.840 --> 0:41:44.840
<v Speaker 1>work on a procedural show where there is kind of

0:41:44.880 --> 0:41:48.840
<v Speaker 1>a reset. There was more of a continuing storyline in

0:41:48.880 --> 0:41:54.120
<v Speaker 1>that than on most But talk to me about Jessica. Well,

0:41:54.960 --> 0:41:57.520
<v Speaker 1>the good I can say. I hear you about the

0:41:57.560 --> 0:42:01.680
<v Speaker 1>procedural and it's tricky when you're with a cod within

0:42:01.800 --> 0:42:04.600
<v Speaker 1>that was part of the machine. But Jessica was so

0:42:04.800 --> 0:42:07.880
<v Speaker 1>on the periphery of that and uh, such a nutbar

0:42:08.040 --> 0:42:12.040
<v Speaker 1>and like a real character that is never boring. And

0:42:12.440 --> 0:42:14.359
<v Speaker 1>it brought me back to New York. You know. They

0:42:14.360 --> 0:42:16.640
<v Speaker 1>were like the show, but it's in New York. I

0:42:16.680 --> 0:42:18.560
<v Speaker 1>was like, I'll do it, and I said, you want

0:42:18.560 --> 0:42:23.320
<v Speaker 1>to know what it is? No, not really, but do

0:42:23.440 --> 0:42:26.080
<v Speaker 1>we know? But it's Tom Payne and Michael Shane and

0:42:26.160 --> 0:42:30.440
<v Speaker 1>just lose Sweet Loue Diamond Phillips and you know, not

0:42:30.520 --> 0:42:34.360
<v Speaker 1>everybody was easy on that show to juxtapose it with scandal,

0:42:34.719 --> 0:42:37.920
<v Speaker 1>but um, but the people I love is still love really,

0:42:37.920 --> 0:42:41.320
<v Speaker 1>really deeply, and the work was always like a masterclass,

0:42:41.600 --> 0:42:45.040
<v Speaker 1>so that I never had to be like, you know

0:42:45.200 --> 0:42:46.960
<v Speaker 1>who we who we killed this week, and how we

0:42:46.960 --> 0:42:48.560
<v Speaker 1>can figure it out. I never had to do any

0:42:48.640 --> 0:42:52.120
<v Speaker 1>of that. I just had to spar with like really

0:42:52.160 --> 0:42:57.160
<v Speaker 1>great actors and be this fantastic I mean a character.

0:42:57.200 --> 0:43:01.840
<v Speaker 1>I would just never that sort of love about our jobs. Brian.

0:43:01.920 --> 0:43:05.319
<v Speaker 1>We get to live so many lives in one lifetime,

0:43:05.760 --> 0:43:09.520
<v Speaker 1>and that life was so fun. Drunk sucking Upper east

0:43:09.520 --> 0:43:13.160
<v Speaker 1>Side Jessica. I miss her horribly. I missed her a

0:43:13.160 --> 0:43:15.920
<v Speaker 1>little snark. I missed that she was really in on

0:43:15.960 --> 0:43:18.600
<v Speaker 1>her own joke, like I really missed her. She was

0:43:18.640 --> 0:43:21.719
<v Speaker 1>a ball of fun. Did the darkness of the show

0:43:21.760 --> 0:43:26.480
<v Speaker 1>get you down? I was mostly safe from it, I

0:43:26.520 --> 0:43:28.759
<v Speaker 1>really was. I wouldn't have wanted to, you know, like

0:43:28.880 --> 0:43:32.440
<v Speaker 1>have to spend all days staring at someone locked in

0:43:32.440 --> 0:43:34.520
<v Speaker 1>a box or you know, like all that kind of stuff.

0:43:35.200 --> 0:43:38.120
<v Speaker 1>I look at people who do years and years of

0:43:38.160 --> 0:43:41.279
<v Speaker 1>like vampire shows or something, and I think I think

0:43:41.320 --> 0:43:45.840
<v Speaker 1>that would really that's hard, especially because I mean I

0:43:45.840 --> 0:43:47.799
<v Speaker 1>get a little higher at work. It makes me real happy,

0:43:47.840 --> 0:43:49.680
<v Speaker 1>and I get joyful. They have to call me down

0:43:49.760 --> 0:43:55.520
<v Speaker 1>you know. So I know it's hard, but Jessica didn't

0:43:55.520 --> 0:43:58.040
<v Speaker 1>have to mess with any of that. She just and

0:43:58.080 --> 0:44:00.040
<v Speaker 1>if she was around it, she was drunk and so

0:44:00.200 --> 0:44:03.120
<v Speaker 1>checked out. So in that way she was baked from

0:44:03.120 --> 0:44:10.960
<v Speaker 1>it all. What's the darkest thing you ever did? Oh? Boy? Well,

0:44:11.000 --> 0:44:13.920
<v Speaker 1>I mean, I mean we were referring to be playing

0:44:13.920 --> 0:44:18.120
<v Speaker 1>a serial killer, so I don't know, by inherent definition

0:44:18.160 --> 0:44:21.440
<v Speaker 1>if you can be darker than that. I do get

0:44:22.719 --> 0:44:31.160
<v Speaker 1>more comments from my family about playing a pedophile. Deep. Yes, okay,

0:44:31.200 --> 0:44:35.560
<v Speaker 1>that's fairly dark. That's that. That's definitely dark. That's no

0:44:35.760 --> 0:44:41.319
<v Speaker 1>fairly about it. Yeah, no, that's well. The character was

0:44:41.800 --> 0:44:44.839
<v Speaker 1>that was oh that was the law and order, Law

0:44:44.840 --> 0:44:48.560
<v Speaker 1>and order s vu that. The thing about that one

0:44:48.560 --> 0:44:52.160
<v Speaker 1>to me is it wasn't It was not a large role.

0:44:52.600 --> 0:44:55.080
<v Speaker 1>It was not a whole lot of exploring to have

0:44:55.320 --> 0:44:57.960
<v Speaker 1>been done. So it didn't I didn't really have to

0:44:58.000 --> 0:45:02.279
<v Speaker 1>like get internal right, Yeah, I didn't have to. Yeah,

0:45:02.320 --> 0:45:07.719
<v Speaker 1>it was um killer. I did a lot of darkness,

0:45:07.760 --> 0:45:11.000
<v Speaker 1>and we were the opposite in that in theater, I

0:45:11.040 --> 0:45:13.840
<v Speaker 1>was it was dark. There was a lot of darkness,

0:45:14.600 --> 0:45:19.080
<v Speaker 1>whereas you were like merely we roll along happy. Well,

0:45:19.160 --> 0:45:22.719
<v Speaker 1>I mean I was a hooker who I mean a

0:45:22.760 --> 0:45:25.000
<v Speaker 1>stripper who became a hooker who went to l A

0:45:25.040 --> 0:45:30.160
<v Speaker 1>to be a porn star. So it's not all Leven. Fine,

0:45:31.600 --> 0:45:37.319
<v Speaker 1>that's true. What's the darkest you've ever played? Oh? You know,

0:45:37.719 --> 0:45:43.400
<v Speaker 1>the deepest I went on prepping darkness was Lou Diamond

0:45:43.400 --> 0:45:47.200
<v Speaker 1>Phillips and I did a movie about Richard Ramirez, The

0:45:48.600 --> 0:45:51.600
<v Speaker 1>night Stalker, and that was I feel like that was

0:45:51.640 --> 0:45:54.520
<v Speaker 1>the time that I got scared the most. That's the

0:45:54.560 --> 0:45:56.680
<v Speaker 1>project because it was a film, and so it was

0:45:57.200 --> 0:45:59.440
<v Speaker 1>it happened from a very long amount of time. It

0:45:59.520 --> 0:46:01.600
<v Speaker 1>was a slee a two hander, so a lot of

0:46:01.640 --> 0:46:05.239
<v Speaker 1>it was just me and Lou and oh it was

0:46:05.440 --> 0:46:09.799
<v Speaker 1>really tricky. It was really tricky. It was a rewarding work.

0:46:09.840 --> 0:46:13.360
<v Speaker 1>We had a great director. Um Lou is obviously a

0:46:13.480 --> 0:46:16.239
<v Speaker 1>wonderful man, and I adore working with him, and I

0:46:16.280 --> 0:46:19.400
<v Speaker 1>adore um he just he takes care of you in

0:46:19.440 --> 0:46:22.440
<v Speaker 1>a lot of wonderful ways. Um. But I just that

0:46:22.560 --> 0:46:27.720
<v Speaker 1>was a to get like to go inside that world,

0:46:27.760 --> 0:46:30.239
<v Speaker 1>that mind. I don't want to call it to me.

0:46:30.440 --> 0:46:33.560
<v Speaker 1>I don't want to be near it. You know, Yeah,

0:46:33.920 --> 0:46:36.799
<v Speaker 1>just scares me. Do you want to go back and

0:46:36.800 --> 0:46:40.000
<v Speaker 1>do theater. Yes, I do. Oh my god. I did

0:46:40.000 --> 0:46:44.320
<v Speaker 1>a play this fall, just a fundraiser for a new

0:46:44.640 --> 0:46:49.399
<v Speaker 1>UM beautiful like called Bonded, And it was very hard work.

0:46:49.560 --> 0:46:54.120
<v Speaker 1>It was very deep issue, but it felt so rewarding.

0:46:54.160 --> 0:46:55.640
<v Speaker 1>And again just to be in the room and to

0:46:55.840 --> 0:46:59.280
<v Speaker 1>feel to right, it's like surfing, right, It's like emotional surfing.

0:46:59.320 --> 0:47:02.000
<v Speaker 1>You just have the You just go on the ride

0:47:02.000 --> 0:47:06.920
<v Speaker 1>with people. Do you ever think about it going back? Yeah? Yeah,

0:47:07.000 --> 0:47:09.919
<v Speaker 1>I've started two more. Is there a role that you're

0:47:09.960 --> 0:47:14.440
<v Speaker 1>just like, I've got to do? Well, here's the here's

0:47:14.440 --> 0:47:18.160
<v Speaker 1>the crazy thing, like of the like American cannon. I'm

0:47:18.200 --> 0:47:20.200
<v Speaker 1>not going to mention any role specifically. I'm not going

0:47:20.239 --> 0:47:22.680
<v Speaker 1>to do that, but I will say this that a

0:47:22.840 --> 0:47:28.120
<v Speaker 1>lot that I played, I'm now more of the age

0:47:28.200 --> 0:47:35.560
<v Speaker 1>four correctly understand. I understand so that that intrigues me.

0:47:36.239 --> 0:47:40.960
<v Speaker 1>That intrigues me. Um, you released an album speaking of

0:47:41.960 --> 0:47:47.320
<v Speaker 1>Far Away So Close about growing up in North Carolina.

0:47:48.160 --> 0:47:51.960
<v Speaker 1>It's just all songs I love and songs that have stories.

0:47:52.400 --> 0:47:56.160
<v Speaker 1>I had sung the national anthem at a Dodgers game

0:47:56.239 --> 0:47:59.080
<v Speaker 1>we like scandal went and like did the whole somebody

0:47:59.080 --> 0:48:02.239
<v Speaker 1>throughout the pitch and like Carrie called the names and

0:48:02.280 --> 0:48:03.799
<v Speaker 1>I saying that, you know, it's like the whole thing,

0:48:04.080 --> 0:48:09.359
<v Speaker 1>and then are very very kind gladiators. Uh, We're like

0:48:09.640 --> 0:48:11.239
<v Speaker 1>start really started, and I mean like you need to

0:48:11.280 --> 0:48:12.919
<v Speaker 1>make an album. And I was like, oh my god,

0:48:12.960 --> 0:48:14.879
<v Speaker 1>you know what, I'm never gonna have this chance again.

0:48:14.920 --> 0:48:18.080
<v Speaker 1>I better do that. They're so right, and I'm so good.

0:48:18.120 --> 0:48:21.680
<v Speaker 1>I did. I loved every second of it. And yeah,

0:48:21.719 --> 0:48:25.920
<v Speaker 1>and I'm still proud of it. Yeah, congratulations, You're You're amazing.

0:48:25.920 --> 0:48:28.160
<v Speaker 1>All right, talk to me about the other black girl.

0:48:28.440 --> 0:48:32.920
<v Speaker 1>Are you having fun? I'm having the best time. Oh

0:48:32.960 --> 0:48:35.480
<v Speaker 1>my god. I got to work with this guy named Brian.

0:48:35.600 --> 0:48:37.520
<v Speaker 1>He's sort of fun. I don't know if you know him,

0:48:37.560 --> 0:48:40.680
<v Speaker 1>but he like he raises, He like raises every scene.

0:48:40.840 --> 0:48:42.839
<v Speaker 1>It's just it's like they're on the page. And then

0:48:43.080 --> 0:48:47.640
<v Speaker 1>Bryan and then Sinclair. Oh my god. I love her

0:48:47.680 --> 0:48:52.080
<v Speaker 1>so much. We've had real we've had really beautiful times,

0:48:52.200 --> 0:48:54.560
<v Speaker 1>she and I. But I've loved all of our directors.

0:48:55.040 --> 0:48:58.080
<v Speaker 1>I'm interested in the story. This is the character I'm playing.

0:48:58.080 --> 0:49:02.359
<v Speaker 1>In particular, I wasn't so much flux Um, Like they

0:49:02.360 --> 0:49:05.320
<v Speaker 1>really didn't know who she was. They wanted to change

0:49:05.440 --> 0:49:07.359
<v Speaker 1>so much from the book, but then they didn't want

0:49:07.400 --> 0:49:08.719
<v Speaker 1>to go too far and is she going to be

0:49:08.760 --> 0:49:11.000
<v Speaker 1>super comedic or is she going to be super dry?

0:49:11.120 --> 0:49:14.080
<v Speaker 1>And just to this wig, no to that wig, use

0:49:14.160 --> 0:49:16.680
<v Speaker 1>your own hair, don't wear this clothes, don't wear that.

0:49:16.719 --> 0:49:25.000
<v Speaker 1>It was really existentially disorienting. So that challenge was also fraught,

0:49:25.200 --> 0:49:28.279
<v Speaker 1>but um rewarding, Like I feel like we came out

0:49:28.280 --> 0:49:31.280
<v Speaker 1>the other side of it. But yeah, it's been wild.

0:49:31.680 --> 0:49:34.200
<v Speaker 1>I love our show runners. Do you love our showrunners?

0:49:34.239 --> 0:49:41.399
<v Speaker 1>Don't say no, I too. I uh, yeah, it's it's

0:49:41.680 --> 0:49:47.080
<v Speaker 1>very interesting. Tonally, I think it's really interesting. And I

0:49:47.200 --> 0:49:50.040
<v Speaker 1>you know, I get nervous because I don't ever want

0:49:50.080 --> 0:49:52.920
<v Speaker 1>to say something that I'm not supposed to say. I've

0:49:52.920 --> 0:49:55.239
<v Speaker 1>been accused of that, of saying the wrong thing in

0:49:55.280 --> 0:49:58.399
<v Speaker 1>the past. So I can't really say much about it.

0:49:58.480 --> 0:50:00.799
<v Speaker 1>But here's what I think we should do. What is

0:50:00.840 --> 0:50:02.960
<v Speaker 1>I think when it I think when it comes out,

0:50:03.880 --> 0:50:07.400
<v Speaker 1>then we should we should reconvene again, maybe get maybe

0:50:07.440 --> 0:50:10.479
<v Speaker 1>get that guy Eric and Sinclair and the whole gang.

0:50:10.880 --> 0:50:13.320
<v Speaker 1>Let's do that. It's such a good group of people.

0:50:13.400 --> 0:50:15.879
<v Speaker 1>And then and then we can really talk about it. Yes,

0:50:16.640 --> 0:50:18.560
<v Speaker 1>we can tell we can tell the stories that we

0:50:18.640 --> 0:50:22.640
<v Speaker 1>can't tell. Now, Okay, it's a deal. It's a deal. Listen.

0:50:23.239 --> 0:50:26.239
<v Speaker 1>I am so glad to have met you. You are

0:50:26.800 --> 0:50:33.000
<v Speaker 1>so you are so one talented and funny and genuine

0:50:33.239 --> 0:50:36.600
<v Speaker 1>and just. I mean, let me tell you guys something. Amy.

0:50:36.640 --> 0:50:39.640
<v Speaker 1>By the way, Amy is her real name. Yeah, I mean,

0:50:39.680 --> 0:50:41.439
<v Speaker 1>I don't know if we're I don't know if that's

0:50:41.440 --> 0:50:45.880
<v Speaker 1>a secret, but it's not a secret. I don't actually

0:50:46.040 --> 0:50:48.319
<v Speaker 1>tell tell the tell the story. I mean, I don't

0:50:48.320 --> 0:50:53.280
<v Speaker 1>know if people know this. You in the history of Hollywood,

0:50:54.040 --> 0:50:57.480
<v Speaker 1>there can only be one person with your name, that's right.

0:50:57.880 --> 0:51:00.400
<v Speaker 1>And some little girl took Amy on thought it was

0:51:00.400 --> 0:51:03.480
<v Speaker 1>gonna perhaps be sort of like Rose at the end

0:51:03.520 --> 0:51:06.040
<v Speaker 1>of Titanic or something, right, and I go to her

0:51:06.160 --> 0:51:09.200
<v Speaker 1>like and pay, like, oh my should be like please,

0:51:09.280 --> 0:51:11.880
<v Speaker 1>may I use my name now? And she would give

0:51:11.880 --> 0:51:14.680
<v Speaker 1>me your blessing. But now it's some child, and so

0:51:14.719 --> 0:51:16.839
<v Speaker 1>it was impossible for me to be Amy. I could

0:51:16.880 --> 0:51:22.320
<v Speaker 1>be Amy in Young in Equity the Theater Union, But sang,

0:51:22.520 --> 0:51:25.360
<v Speaker 1>that's why you have so many weird named actors is

0:51:25.400 --> 0:51:28.160
<v Speaker 1>because she can only be one person. I think the

0:51:28.440 --> 0:51:32.680
<v Speaker 1>asterisk is Vanessa Williams. Because the other Vanessa Williams had

0:51:32.719 --> 0:51:35.919
<v Speaker 1>the name first, but then we knew Vanessa from Miss

0:51:35.960 --> 0:51:38.880
<v Speaker 1>America and from her singing and everything, so that they

0:51:38.920 --> 0:51:41.439
<v Speaker 1>sort of like maybe did make her use her middle

0:51:41.440 --> 0:51:44.719
<v Speaker 1>and I don't know anyway, grandfather grandfather her in. She's

0:51:44.760 --> 0:51:46.719
<v Speaker 1>the only person I know of that has a name

0:51:47.000 --> 0:51:49.840
<v Speaker 1>that is another person's name. How did you come up

0:51:49.880 --> 0:51:54.120
<v Speaker 1>with Bellamy? I mean, just tragic. I was trying to

0:51:54.160 --> 0:51:57.160
<v Speaker 1>be Amanda or I am a realist or anything that

0:51:57.160 --> 0:51:59.640
<v Speaker 1>I could still be Amy, and they were all not

0:51:59.719 --> 0:52:02.799
<v Speaker 1>am Else wasn't taken. But you can see why. But

0:52:03.040 --> 0:52:05.880
<v Speaker 1>my dad's best friend sort of did all the dad's

0:52:05.880 --> 0:52:10.960
<v Speaker 1>stuff like a tillion when he passed away, And um,

0:52:11.040 --> 0:52:13.759
<v Speaker 1>so it's like a mushing of our names sounds like

0:52:14.040 --> 0:52:17.200
<v Speaker 1>I'm Southern, so I thought people I kind of called

0:52:17.320 --> 0:52:23.160
<v Speaker 1>myself Tennessee or Raleigh. Raleigh was on the list, young,

0:52:23.880 --> 0:52:26.880
<v Speaker 1>I'll tell you honestly, I just told Pedro, does I

0:52:26.960 --> 0:52:29.000
<v Speaker 1>know it is? But then I couldn't get back to Amy.

0:52:29.280 --> 0:52:33.759
<v Speaker 1>The name I wanted was Susannah Grant. That's the name

0:52:33.800 --> 0:52:37.040
<v Speaker 1>I wanted. She's already a very famous producer and good

0:52:37.040 --> 0:52:39.279
<v Speaker 1>at what she does, and so I couldn't have that

0:52:39.360 --> 0:52:41.880
<v Speaker 1>name either, but I got to be Melly Grant, so

0:52:42.320 --> 0:52:45.680
<v Speaker 1>I think it's close Susannah. So you were just making

0:52:45.680 --> 0:52:49.160
<v Speaker 1>that out of thin air, making things up. But Raleigh

0:52:49.239 --> 0:52:53.600
<v Speaker 1>Young was on the list. Raleigh Young. Oh wait a minute,

0:52:53.640 --> 0:52:56.600
<v Speaker 1>but what was Susannah Grant something you considered or were

0:52:56.600 --> 0:52:59.120
<v Speaker 1>you going to keep Young? I was just making a list,

0:52:59.400 --> 0:53:02.920
<v Speaker 1>just a spirt desperate list. Yeah. I mean that's a

0:53:02.960 --> 0:53:06.720
<v Speaker 1>crazy thing, right, is like like if you have to change,

0:53:07.280 --> 0:53:09.600
<v Speaker 1>there's no rules, and it was I was like, I

0:53:09.640 --> 0:53:13.560
<v Speaker 1>want to not make people uncomfortable. And I was like, oh,

0:53:13.600 --> 0:53:17.200
<v Speaker 1>but I could be this whole violent boat regard or

0:53:17.239 --> 0:53:20.520
<v Speaker 1>whatever you know. So yeah, but then I just tried

0:53:20.560 --> 0:53:22.319
<v Speaker 1>to fix something that had Amy at it, so people

0:53:22.360 --> 0:53:25.839
<v Speaker 1>can still call me Amy. All right, Well, whatever your

0:53:25.880 --> 0:53:33.480
<v Speaker 1>name is, you're delightful. No no, no, Like seriously, I

0:53:33.520 --> 0:53:37.359
<v Speaker 1>can be a curmudgeon and people get scared of me.

0:53:37.640 --> 0:53:41.239
<v Speaker 1>You're a light yours. I don't believe it. I am

0:53:41.280 --> 0:53:43.919
<v Speaker 1>just reflecting back your son. You're a delight and I'm

0:53:43.960 --> 0:53:46.479
<v Speaker 1>so happy to know you now I am, And thanks

0:53:46.520 --> 0:53:49.919
<v Speaker 1>for inviting me on for this fun. Well I'm gonna

0:53:49.960 --> 0:53:52.759
<v Speaker 1>come to New York and I want a mug, I

0:53:52.800 --> 0:53:58.640
<v Speaker 1>want to I want a mum. No, no, I want

0:53:58.680 --> 0:54:03.760
<v Speaker 1>to I want to have a Okay, okay, sorry, sorry,

0:54:03.800 --> 0:54:10.120
<v Speaker 1>I thought you all yours. Oh it's too much. Luck

0:54:10.200 --> 0:54:13.160
<v Speaker 1>now it's too much. Loving it all right? Thank you

0:54:13.280 --> 0:54:32.279
<v Speaker 1>so much. I love you too that Thank you so

0:54:32.360 --> 0:54:34.839
<v Speaker 1>much for coming on the podcast. And I'm with you.

0:54:35.239 --> 0:54:38.560
<v Speaker 1>I am not a guy who says another season. No,

0:54:38.760 --> 0:54:42.800
<v Speaker 1>I'm with you five more seasons of the Other Black Girl.

0:54:43.320 --> 0:54:46.400
<v Speaker 1>That sounds just fine to me. To all of you

0:54:46.480 --> 0:54:49.080
<v Speaker 1>out there listening, thanks for stopping by, I'm gonna be

0:54:49.080 --> 0:54:56.000
<v Speaker 1>back next week, same time, same place, with another phenomenal guest. Also,

0:54:56.320 --> 0:54:59.120
<v Speaker 1>make sure to follow us on Instagram if you haven't

0:54:59.160 --> 0:55:03.360
<v Speaker 1>already at Off the Beat and uh leave us a

0:55:03.400 --> 0:55:08.760
<v Speaker 1>review on Apple podcast. Please all right, subscribe to the show.

0:55:08.960 --> 0:55:13.719
<v Speaker 1>I cannot tell you how important that is. Thank you

0:55:13.760 --> 0:55:17.560
<v Speaker 1>for all your support and we will see you next week.

0:55:25.360 --> 0:55:28.279
<v Speaker 1>Off the Beat is hosted an executive produced by me

0:55:28.640 --> 0:55:33.680
<v Speaker 1>Brian Baumgartner, alongside our executive producer Langley. Our senior producer

0:55:33.840 --> 0:55:37.760
<v Speaker 1>is Diego Tapia. Our producers are Liz Hayes, Hannah Harris,

0:55:37.880 --> 0:55:42.080
<v Speaker 1>and Emily Carr. Our talent producer is Ryan Papa Zachary

0:55:42.280 --> 0:55:46.000
<v Speaker 1>and our intern is Sammy Cats. Our theme song Bubble

0:55:46.080 --> 0:55:50.040
<v Speaker 1>and Squeak, performed by the one and only Creed Bratton