WEBVTT - Episode 326 w/ NE-YO

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<v Speaker 1>Don't mix that drink. Hit it's straight cast. So bo

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<v Speaker 1>up now, I was too late. Don't mix that drink

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<v Speaker 1>hit it's straight cast, so bar up now. I was

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<v Speaker 1>too late. Drink Japanese whiskey preferably Yeah Mazaka eight teams definitely,

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<v Speaker 1>I still got you, like who gottat you spending big

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<v Speaker 1>money since big hat who shot you? Time and is everything?

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<v Speaker 1>So why you gotta whack watch? I got security and

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<v Speaker 1>snipers on the black block. They're thinking keto when I'm

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<v Speaker 1>saying one mill of day, ain't talking fact that when

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<v Speaker 1>I'm talking one mill of day, could probably double it

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<v Speaker 1>by leaving out the country before gez keep my ass home.

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<v Speaker 1>I'm happy Monthfuley secure like Ray, I interview with Easter

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<v Speaker 1>raymore blunts against the hips to be on Lisa. Ray

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<v Speaker 1>makes that drink and it's straight and it's straight cast.

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<v Speaker 1>So bo up now, I was too late. Don't mix

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<v Speaker 1>that drink and it's straight cast, So bar up now,

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<v Speaker 1>I was too late. Coming drinking me, Get get drunk too,

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<v Speaker 1>coming drink with me, get your cousin come through time.

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<v Speaker 1>I'm really happy. I'm really yappy, really drinking your jews

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<v Speaker 1>because y'all drink happy fad Winkle my suit stone Winkle

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<v Speaker 1>always had the piss. I never had the twinkle, nor

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<v Speaker 1>re masculine. Yes, we had to masculate big boy trucks.

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<v Speaker 1>In the big boys, we had to left. I see

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<v Speaker 1>they claiming that they rich to the bill, come to

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<v Speaker 1>they accident or I got him, like they tell drawing

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<v Speaker 1>a new life to me? Like new life to me?

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<v Speaker 1>Is cocaine a whole new white to me? I see

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<v Speaker 1>they copy me without a gun. It's still a robbery.

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<v Speaker 1>Drink camces ahnomenally looks that drink and it's straight cast.

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<v Speaker 1>Sole up now, I was too late. Don't make that

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<v Speaker 1>drink and it's straight cast. So up now I was

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<v Speaker 1>too late. Come in drink with me, Get shook and

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<v Speaker 1>drunk too. Come in drink with me, Get your cousin

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<v Speaker 1>come through. Welcome to Drink Champs, the production of The

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<v Speaker 1>Black Effect and I Heart Radio and it's Drink chas

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<v Speaker 1>motherfucking podcast. He's a legendary queen's rapper. He's like Green

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<v Speaker 1>is your boy in O R. He's a Miami hip

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<v Speaker 1>hop pioneer d J E f N. Together, they drink

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<v Speaker 1>it up with some of the biggest players in the

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<v Speaker 1>most professional unprofessional podcast and yet number one sort for

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<v Speaker 1>drunk fast drink is New year Z does time for

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<v Speaker 1>drink Champs drink up. What would it good be? Hopeys?

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<v Speaker 1>What it should be? This is your boy and right

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<v Speaker 1>what up is d J E f N and it

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<v Speaker 1>is drink chance make some when when you talk about

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<v Speaker 1>a man that got eight albums, been in the game,

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<v Speaker 1>making hits after hits, his he got his own, his playlist,

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<v Speaker 1>pop listening to his playlist, and she just keep going

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<v Speaker 1>and just keep going because he just making world music

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<v Speaker 1>and then writing music for others. We talk about songwriter, composer,

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<v Speaker 1>all of that. Actor, he was even on a mass singer.

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<v Speaker 1>I think she's wild out his motherfucker. This motherfuckers out

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<v Speaker 1>there doing it, still making the still making baby, making music.

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<v Speaker 1>He got he got a little bit stuck up in

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<v Speaker 1>the pandemic and then he then the pandemic helped him

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<v Speaker 1>fixes goddamn marriage like a man to post him In

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<v Speaker 1>case you don't know who were talking about, you don't

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<v Speaker 1>a matter one. The only I remember one time I've

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<v Speaker 1>seen you at soho house. This is right when you

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<v Speaker 1>was going through the break up. I knew nothing. I

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<v Speaker 1>knew not the interview. I was like, oh no, I

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<v Speaker 1>never seen you like that. Yeah, that might that might

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<v Speaker 1>have been a bad I think I think I made

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<v Speaker 1>the good. Was like, nah, but how how is that?

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<v Speaker 1>Because um uh I was I was getting the world

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<v Speaker 1>knew you was breaking up, but the pandemic actually helped

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<v Speaker 1>you out. Yeah, man, so we um. But right before

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<v Speaker 1>the pandemic was was when things was at his worst.

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<v Speaker 1>You know what I'm saying, Like, just couldn't talk to

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<v Speaker 1>each other, you know, like it's clearly beef. But I'm

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<v Speaker 1>on tour, I see you win three weeks, you know

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<v Speaker 1>what I'm saying, that type of thing. So when the

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<v Speaker 1>pandemic hit and everybody had to go home, it kind

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<v Speaker 1>of forced us to sit in each other's face and

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<v Speaker 1>talk about the stuff that we had that we just

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<v Speaker 1>wasn't talking. No, we mean, it wasn't. So when the

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<v Speaker 1>pandemic hit, there was a multitude of places that I

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<v Speaker 1>could have went, but my in the beginning, they wasn't

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<v Speaker 1>really telling us nothing. So I'm like, listen, Cats is dying.

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<v Speaker 1>And when we got to go home and the NBA

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<v Speaker 1>has shut down already, I'm gonna go to my house

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<v Speaker 1>house I'm gonna go where I know my kids is

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<v Speaker 1>at when my why I know my mama at where

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<v Speaker 1>I know my you know, my wife don't like me

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<v Speaker 1>right now, But it's alright, because if we're gonna die,

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<v Speaker 1>we're gonna figure it out. Yeah, it was, it was.

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<v Speaker 1>It was that that was the thought process. It's pretty harsh.

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<v Speaker 1>I'm just saying, really had to confront yeah, talk, I mean,

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<v Speaker 1>and it was. It was scary because you know, I mean,

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<v Speaker 1>I think the whole concept of the pandemic and just

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<v Speaker 1>just you know, people was dying every week and all that.

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<v Speaker 1>I definitely feel like that helped us really go, like, listen,

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<v Speaker 1>people say life is short all the time, but it's

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<v Speaker 1>in our face now we might want to just go

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<v Speaker 1>ahead and figure out if get right whatever it is

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<v Speaker 1>we need to get right, you know, just just just

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<v Speaker 1>in case, just in case, because life is short, let's

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<v Speaker 1>let's figure it out now. I heard you say somewhere

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<v Speaker 1>that you said, uh you said, he was like, yo, man,

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<v Speaker 1>if this album doesn't do well, I wouldn't lose no sleep. Nope.

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<v Speaker 1>Is that is that? Is that the time when when

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<v Speaker 1>you think like that, is it time to hang it up? Okay?

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<v Speaker 1>Not at all. No. So so here's the thing. My

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<v Speaker 1>my definition of success has changed a little bit over

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<v Speaker 1>the years. Like I did them, I got, I got

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<v Speaker 1>the money, I got the fame and recognition, I got

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<v Speaker 1>the accolades, I got grand mus I got all that.

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<v Speaker 1>So like now and now, my my definition of success

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<v Speaker 1>is like you know, people using my music for their

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<v Speaker 1>first dance as they marriage at their wedding, or or

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<v Speaker 1>you know, uh yeah, I got three kids because of

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<v Speaker 1>your music, or what I'm sorry your congratulations. One of

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<v Speaker 1>the two are so so now it's it's like I'm

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<v Speaker 1>not I'm not just I'm not out here on from

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<v Speaker 1>oh man, I hope, I hope I sell a trillion

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<v Speaker 1>records like if I mean, don't get me wrong, nobody

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<v Speaker 1>wants they product to not do well. But if it

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<v Speaker 1>don't do well, my kids are still gonna eat. You

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<v Speaker 1>know what I'm saying. My house ain't going nowhere. I'm

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<v Speaker 1>I'm gonna be right, I'm gonna be right. So so

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<v Speaker 1>at this point, I'm having fun with the music. So no,

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<v Speaker 1>it's the exact opposite. It's not time to not time

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<v Speaker 1>to it up. At this point, I'm I'm enjoying myself

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<v Speaker 1>with this. I'm not letting the the pressure of oh,

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<v Speaker 1>we gotta do so well. I'm not letting that bother me. Man, Like,

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<v Speaker 1>if if I'm doing what makes sense to me, I'm

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<v Speaker 1>doing what feels good to me, and I'm rocking with

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<v Speaker 1>like minded people. And if you don't dig what I'm doing,

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<v Speaker 1>there's so many other options for you, Like you can

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<v Speaker 1>go anywhere. You know, I'm rocking with the Fox is

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<v Speaker 1>rocking with me. Okay, do you do you want some rock?

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<v Speaker 1>H come? Because because you know why, um, you know

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<v Speaker 1>the fans critiqued us when when we didn't give them

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<v Speaker 1>the drink because yeah, if they brought their own bottles, Yeah,

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<v Speaker 1>drink Champs. I'm kind of what's the lady actually gonna

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<v Speaker 1>for the drink? Because we fired Mr. Yeah, we used

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<v Speaker 1>to only have a bottom boy, Jack Bottom. Can the

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<v Speaker 1>bottom boy get their us? What's I go with the

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<v Speaker 1>regular drink? Regular rock? Yeah? Blue Die, Yeah, we upgraded that.

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<v Speaker 1>We we we've got RB nigger head. We can't having

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<v Speaker 1>no dudes for him, No goddamn drink than you're going straight.

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<v Speaker 1>You're going straight? Now? Give me Ginger? Okay, alright, Ginger, Okay,

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<v Speaker 1>that's a unique one. You drink vodka and ginger. Ain't

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<v Speaker 1>gonna lie. Listening to your records, just going through and

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<v Speaker 1>preparing for this. I saw what he was gonna drink.

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<v Speaker 1>Jack Daniels, Jack Danner, how did you get that? I

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<v Speaker 1>don't know what I mentioned you writing music? Slip? You

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<v Speaker 1>cave me slipping, I sweeping, came in slippers and I

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<v Speaker 1>been to you with like a big cue and just

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<v Speaker 1>sitting there just right. Yeah, I mean that's that's a

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<v Speaker 1>flop picture. Yeah, okay, you might have to take a

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<v Speaker 1>photograph like I'm abouta dude. Man, honestly, can't really drink

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<v Speaker 1>much else like wee tequila. We we ain't friends. Man,

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<v Speaker 1>I'm killer at all bad. Yeah, and then call yourself

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<v Speaker 1>with Japanese DELI on that's a killer. It's okay, I've

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<v Speaker 1>never had that. You never had. You're experious today by

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<v Speaker 1>eight pieces, you're getting prepared because we're gonna come right. Okay,

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<v Speaker 1>but alright, so not you're not a Jack James guy.

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<v Speaker 1>Not not a come yet guy. I mean I can

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<v Speaker 1>make me mad. I don't know, it's weird if you

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<v Speaker 1>if you drinking, I'm like, all right, he's gonna he's

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<v Speaker 1>gonna start some ship indeed, Yeah, especially Hennessey. But it's

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<v Speaker 1>great space. You already know how I feel about that.

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<v Speaker 1>You don't drink rare occasions that I drink? Did I drink? Coming?

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<v Speaker 1>Could have do? I definitely like do se, but I

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<v Speaker 1>just can't drink a lot of it because I'd be

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<v Speaker 1>ready to fight. And none of my people ever let

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<v Speaker 1>me fight. And I get even matter because they won't

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<v Speaker 1>let me fight. No, we don't want to see Neo fight.

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<v Speaker 1>Some white want to see Neo fight unless it's like

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<v Speaker 1>get another R and B dude, and we want to

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<v Speaker 1>see like we want. We want you to push each

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<v Speaker 1>other like you hit me, because don't you don't want

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<v Speaker 1>to see you make it great? You make great music?

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<v Speaker 1>And what what what makes you? What makes you stay

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<v Speaker 1>stay doing it? Like you said you got the one?

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<v Speaker 1>You got everything? Um does an artist always be making

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<v Speaker 1>an artist all? I mean, I can't speak for nobody else,

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<v Speaker 1>but I do this because I love it like I didn't.

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<v Speaker 1>I didn't get into the game to be rich and

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<v Speaker 1>famous and all of that, like I mean, those things

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<v Speaker 1>are French benefit cool. But I got into this because

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<v Speaker 1>somebody told me that I can make a living doing

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<v Speaker 1>some ship that I was just gonna do anyway. Like

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<v Speaker 1>I literally I have a studio in my crib. If

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<v Speaker 1>you can't find me, that's where I'm at. Like I

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<v Speaker 1>don't need to, I don't. I don't do it for

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<v Speaker 1>that for that reason. So that's the thing that keeps

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<v Speaker 1>me going, just just a genuine love for the craft.

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<v Speaker 1>Like I'll do music for free. Let me not say that,

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<v Speaker 1>because something can come something stop getting right now, everybody,

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<v Speaker 1>I gotta do it before and then you give us

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<v Speaker 1>wonder no man, because man, the the level of of

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<v Speaker 1>substance in your music, that the it's just remarkable, like

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<v Speaker 1>I and and for you to be so successful and

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<v Speaker 1>can still tap into that area is that's that's like

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<v Speaker 1>how do you do that? Because I'm not defined by

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<v Speaker 1>my success? Like that's not what that will free you? Yeah? Absolutely,

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<v Speaker 1>I mean there's there's definitely a point in your career

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<v Speaker 1>where all right, you have to top of your game

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<v Speaker 1>and and and everybody you know, everybody's favorite, and everybody's

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<v Speaker 1>your best friend or long lost family member, whatever case

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<v Speaker 1>may be. And there there's a point where if you're

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<v Speaker 1>not careful, you could start smelling your own ship, you know,

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<v Speaker 1>so you can start feeling like, wait, maybe I am

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<v Speaker 1>that dude, right, but I've I've I thank God for

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<v Speaker 1>my team because I've always had a type of people

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<v Speaker 1>around me that that was gonna let me know, like, hey,

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<v Speaker 1>if that ain't it, yo, Neil, that ain't it you

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<v Speaker 1>know what I mean? Like that's that's the kind of

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<v Speaker 1>folks that I keep around me. I don't have no

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<v Speaker 1>yes men. I can't do that, you know what I'm saying.

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<v Speaker 1>I need people arond me that I know are looking

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<v Speaker 1>out for me, and that that's the kind of cast

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<v Speaker 1>that I wrote with so being them. And then on

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<v Speaker 1>top of that, I'm just not that dude, Like I've

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<v Speaker 1>always been the kind of cat that wanted what I

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<v Speaker 1>was doing to speak for itself, Like I don't. I

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<v Speaker 1>don't got to sit here and bragg on what I've done.

0:12:20.480 --> 0:12:24.840
<v Speaker 1>Push play that's me right? So um, because because you

0:12:24.880 --> 0:12:27.760
<v Speaker 1>did like a versus But yeah, but we did it

0:12:27.840 --> 0:12:32.040
<v Speaker 1>when it was like you know, in the pandemic. We

0:12:33.240 --> 0:12:34.400
<v Speaker 1>I mean, we did what we had to do at

0:12:34.400 --> 0:12:37.400
<v Speaker 1>the time, so it wasn't that yet. And if you

0:12:37.440 --> 0:12:39.920
<v Speaker 1>were doing over what you should, who would you want

0:12:39.920 --> 0:12:42.640
<v Speaker 1>to do against Because I was honestly going to ask y'all.

0:12:42.679 --> 0:12:45.280
<v Speaker 1>That because I've been talking to the versus people because

0:12:45.280 --> 0:12:46.720
<v Speaker 1>I told him I'm down to do it. They want

0:12:46.720 --> 0:12:48.520
<v Speaker 1>me to do it, like who, and I'm like, I

0:12:48.520 --> 0:12:55.000
<v Speaker 1>don't know Chris Brown. Now, I see, I was on

0:12:55.120 --> 0:12:57.040
<v Speaker 1>an impression that the world wanted to see Chris and

0:12:57.040 --> 0:13:02.800
<v Speaker 1>I should go at it. So you and dream, Okay,

0:13:03.120 --> 0:13:07.200
<v Speaker 1>you're kind of like j Z both for y'all. From

0:13:07.200 --> 0:13:09.040
<v Speaker 1>a songwriter standpoint, I feel like that would be a

0:13:09.080 --> 0:13:21.000
<v Speaker 1>really dope versus You need to relax. No, no, I

0:13:21.040 --> 0:13:23.160
<v Speaker 1>gotta love about be shot about you. But come on,

0:13:23.400 --> 0:13:26.439
<v Speaker 1>it'll be I mean, it would have to make sense, man,

0:13:26.480 --> 0:13:29.400
<v Speaker 1>I mean mind. So it's twenty records, you know, records.

0:13:29.440 --> 0:13:31.640
<v Speaker 1>So as long as the cat got twenty records, we

0:13:31.720 --> 0:13:35.080
<v Speaker 1>can rack out. But tony records versus twenty hits, it's

0:13:35.120 --> 0:13:39.079
<v Speaker 1>gonna be difficult for anybody, you know what I mean? Hey, listen,

0:13:39.760 --> 0:13:42.400
<v Speaker 1>my flex is like it's it's minimal, you know, like

0:13:42.480 --> 0:13:47.600
<v Speaker 1>the machine off. It's minimal, like the machine up. Holy,

0:13:48.000 --> 0:13:50.960
<v Speaker 1>I ain't gonna lie though you ain't bullshit And though

0:13:51.440 --> 0:13:54.320
<v Speaker 1>I went to your catalog said, damn, can you miss

0:13:54.480 --> 0:13:59.600
<v Speaker 1>we've been moving? Can you something you don't work please Jesus,

0:13:59.640 --> 0:14:02.680
<v Speaker 1>can you be you moving? Man? Man, I'm like, damn

0:14:02.800 --> 0:14:05.400
<v Speaker 1>after then at that and you know, um, what's the

0:14:05.440 --> 0:14:07.600
<v Speaker 1>record with Jeremy It was the name of You Love

0:14:08.160 --> 0:14:11.280
<v Speaker 1>You Love shout out to the boy jam. Whenever I

0:14:11.280 --> 0:14:13.280
<v Speaker 1>feel like my my wife is getting a little mad

0:14:13.280 --> 0:14:16.280
<v Speaker 1>at me, I'm like, huh I put that on. Yeah,

0:14:16.559 --> 0:14:20.400
<v Speaker 1>I'm like, I only want you. That's no, that's what

0:14:20.400 --> 0:14:28.880
<v Speaker 1>it's flaying. Thank you for you so put out for

0:14:28.880 --> 0:14:31.320
<v Speaker 1>real versus who who? I don't know that I like

0:14:31.400 --> 0:14:33.400
<v Speaker 1>you and dream like that. I like you and dream

0:14:33.600 --> 0:14:38.720
<v Speaker 1>somebody saying me and Trey one time? Yes a good No,

0:14:38.880 --> 0:14:43.120
<v Speaker 1>I think that dose. I'm with whatever who smoke, let's go.

0:14:43.600 --> 0:14:45.840
<v Speaker 1>And if Chris Brown don't do it, I think you

0:14:45.960 --> 0:14:48.920
<v Speaker 1>and Chris I think I think you gotta be against them,

0:14:48.920 --> 0:14:50.760
<v Speaker 1>the real R and B guys like these people you

0:14:50.880 --> 0:14:54.080
<v Speaker 1>name it. Because now it's a performance. Now it's just

0:14:54.160 --> 0:14:58.120
<v Speaker 1>not just it's just not just play. Yeah, before it

0:14:58.200 --> 0:15:02.400
<v Speaker 1>was remember Chris, me, Chris and USh altogether. That would

0:15:02.400 --> 0:15:04.880
<v Speaker 1>be good. That would did a crazy concert. Did you

0:15:04.920 --> 0:15:09.080
<v Speaker 1>see um the Marion? I was there, I was I

0:15:09.120 --> 0:15:11.480
<v Speaker 1>was in the house. Yeah, yeah, yeah, you heard my

0:15:11.480 --> 0:15:19.720
<v Speaker 1>boy ray Jack listen. Rey Ja is a marketing genius. Okay,

0:15:20.360 --> 0:15:23.520
<v Speaker 1>bad mad at the film Hip Hope with him The

0:15:23.520 --> 0:15:25.840
<v Speaker 1>next day he was acting like it wasn't bother with

0:15:29.080 --> 0:15:36.560
<v Speaker 1>ke freaking because Yo, what the funk were you doing?

0:15:36.640 --> 0:15:40.400
<v Speaker 1>Ray Jack? I kill you that. But as a vocalist,

0:15:41.120 --> 0:15:51.920
<v Speaker 1>what did he do wrong? Um? Okay um everybody. So

0:15:52.000 --> 0:15:54.040
<v Speaker 1>as a singer, you're gonna have good days, you're gonna

0:15:54.040 --> 0:15:56.120
<v Speaker 1>have bad days, and you have to take care of

0:15:56.160 --> 0:15:58.320
<v Speaker 1>your instrument, you know what I'm saying. So if you

0:15:58.440 --> 0:16:01.280
<v Speaker 1>thinking and smoking and and you know, going wild and

0:16:01.320 --> 0:16:03.440
<v Speaker 1>then grab the mic and get on stage, you're probably

0:16:03.440 --> 0:16:05.440
<v Speaker 1>not gonna sound your best. It's just the reality of it.

0:16:05.680 --> 0:16:07.280
<v Speaker 1>So I don't know what. I don't know what what

0:16:07.400 --> 0:16:09.800
<v Speaker 1>Ray was doing prior to get on stage, but it

0:16:10.840 --> 0:16:13.960
<v Speaker 1>was it was not taking care of the situation, you know,

0:16:14.080 --> 0:16:16.440
<v Speaker 1>And and it's it's all good. It happens. Happens. I

0:16:16.480 --> 0:16:18.800
<v Speaker 1>don't have some bad ones. I don't have some Yeah, man,

0:16:19.360 --> 0:16:21.720
<v Speaker 1>he was off beat. It was off key. It happens.

0:16:21.960 --> 0:16:25.120
<v Speaker 1>I don't never beat off key. I definitely had some

0:16:25.120 --> 0:16:27.280
<v Speaker 1>some questions for somebody that don't know what was off

0:16:27.360 --> 0:16:31.200
<v Speaker 1>key and off beat? Yeah, off key is if the

0:16:31.360 --> 0:16:33.160
<v Speaker 1>if the key, if the key of the song is

0:16:33.160 --> 0:16:34.800
<v Speaker 1>is here and you're singing over here, didn't you have

0:16:34.880 --> 0:16:37.800
<v Speaker 1>your off key? Yeah? And that happens. That happens off

0:16:37.880 --> 0:16:40.640
<v Speaker 1>beat is when you can't catch the the beat of

0:16:40.720 --> 0:16:43.480
<v Speaker 1>the record. You know. What I'm saying is that that

0:16:43.480 --> 0:16:46.680
<v Speaker 1>clap that goes everywhere but where everyone else is clapping

0:16:46.680 --> 0:16:50.160
<v Speaker 1>at all, if everybody's here in your right. So you

0:16:50.280 --> 0:16:54.240
<v Speaker 1>had some off key, yes, just never been off because

0:16:54.280 --> 0:16:56.480
<v Speaker 1>your souls ain't gonna let you do. So, will not

0:16:56.520 --> 0:16:58.960
<v Speaker 1>allow me to be off beat? And let it happened? Yes,

0:16:59.600 --> 0:17:04.159
<v Speaker 1>my friend would let me be off meul with me

0:17:04.240 --> 0:17:09.640
<v Speaker 1>like you. You really need friends. Yeah, you know sometimes

0:17:09.640 --> 0:17:13.840
<v Speaker 1>you see. But you made the kind of slightly off

0:17:13.920 --> 0:17:18.560
<v Speaker 1>beat thing fly like you made like you made you

0:17:18.600 --> 0:17:21.240
<v Speaker 1>made that the thing. Okay, became a style. Okay. Now

0:17:22.800 --> 0:17:25.760
<v Speaker 1>I'm saying, I'm feelings. You're trying to get your flowers.

0:17:25.760 --> 0:17:30.280
<v Speaker 1>Baby doesn't look on them. But let's get you show

0:17:30.359 --> 0:17:33.400
<v Speaker 1>every better. When I'm over there to him, I'm did

0:17:33.520 --> 0:17:37.040
<v Speaker 1>we got good energy going on in here? God? Did

0:17:37.040 --> 0:17:39.159
<v Speaker 1>I ask you? Are you smoking? Yeah? Man, let's go.

0:17:39.280 --> 0:17:41.840
<v Speaker 1>That's a smoke chap right there, that's in your local

0:17:41.840 --> 0:17:45.360
<v Speaker 1>dispensary in the California. Wait wait wait yeah, and it's

0:17:45.480 --> 0:17:48.200
<v Speaker 1>organic paper, so it's no tobacco, you know what I mean?

0:17:48.560 --> 0:17:55.520
<v Speaker 1>God damnit, we got you. It's smokers. Now did you

0:17:55.600 --> 0:17:57.840
<v Speaker 1>did you? Did you hear? Tank came on here and

0:17:57.880 --> 0:18:02.240
<v Speaker 1>take sad He said, he said that black love it's

0:18:02.320 --> 0:18:06.600
<v Speaker 1>more threatened than than black violence. Like they accept more

0:18:06.680 --> 0:18:10.199
<v Speaker 1>black violence than they do black love. They said that

0:18:10.240 --> 0:18:12.880
<v Speaker 1>black love's a threat. I thought that was very That's

0:18:12.920 --> 0:18:14.960
<v Speaker 1>really I feel like. I feel like because you think

0:18:14.960 --> 0:18:17.560
<v Speaker 1>about it, if we if we as black people was

0:18:17.640 --> 0:18:20.280
<v Speaker 1>to ever was to ever at any point really come together,

0:18:21.320 --> 0:18:23.119
<v Speaker 1>Come on, man, ain't it ain't nothing that we couldn't

0:18:23.280 --> 0:18:25.040
<v Speaker 1>take over it and a' nothing that we couldn't accomplish it.

0:18:25.040 --> 0:18:27.000
<v Speaker 1>The ain't nothing that we couldn't we we would run

0:18:27.000 --> 0:18:29.760
<v Speaker 1>this if we ever decided to come together. But you know,

0:18:29.800 --> 0:18:31.640
<v Speaker 1>we were crabs in the barrel we do that thing.

0:18:32.280 --> 0:18:34.960
<v Speaker 1>It's unfortunate. I kind of I kind of I need.

0:18:35.000 --> 0:18:36.600
<v Speaker 1>I need my folks to get to get their life

0:18:36.640 --> 0:18:39.080
<v Speaker 1>together on that because it's like any city you go

0:18:39.160 --> 0:18:40.800
<v Speaker 1>to in the world is trying to sound you know

0:18:40.800 --> 0:18:43.159
<v Speaker 1>what I'm saying. They go to where they go the

0:18:44.119 --> 0:18:46.360
<v Speaker 1>literal italy. You know what I'm saying, Like every other

0:18:46.440 --> 0:18:49.240
<v Speaker 1>race doesn't, but us, it's just us. We need a

0:18:49.280 --> 0:18:51.640
<v Speaker 1>little black town. But why not maybe that's the word,

0:18:51.720 --> 0:18:56.400
<v Speaker 1>but maybe that little black we could find creative name.

0:18:56.480 --> 0:18:59.600
<v Speaker 1>But I'm saying just the fact that they'll go somewhere,

0:19:00.000 --> 0:19:01.760
<v Speaker 1>figure out how to get money and then tell their

0:19:01.800 --> 0:19:04.440
<v Speaker 1>people and then they people come and then everybody's getting money.

0:19:04.520 --> 0:19:07.639
<v Speaker 1>Like we don't do that. That's that's that's sad. You

0:19:07.640 --> 0:19:09.400
<v Speaker 1>know what's sucked up when we do it. They call

0:19:09.440 --> 0:19:16.440
<v Speaker 1>it rico. Wow, jeez, why Yeah, that wasn't a joke.

0:19:16.600 --> 0:19:19.240
<v Speaker 1>It wasn't. I mean, it cut like one. But I

0:19:19.440 --> 0:19:22.240
<v Speaker 1>just think about it was trying to do that. He

0:19:22.280 --> 0:19:24.919
<v Speaker 1>was trying to put his people on and they actually

0:19:25.000 --> 0:19:27.480
<v Speaker 1>flipped that on him to make that a bad thing.

0:19:27.600 --> 0:19:30.320
<v Speaker 1>So maybe like sometimes damn if you do damn people don't.

0:19:30.320 --> 0:19:32.199
<v Speaker 1>But listen, I mean, the odds is always against us.

0:19:32.240 --> 0:19:34.200
<v Speaker 1>That ain't never not been true. However, if it was

0:19:34.240 --> 0:19:36.359
<v Speaker 1>impossible for us to get there, there would be no

0:19:36.440 --> 0:19:39.520
<v Speaker 1>black billionaires. There would be there. We wouldn't we wouldn't

0:19:39.520 --> 0:19:41.639
<v Speaker 1>be in there if it wasn't possible possible for us

0:19:41.640 --> 0:19:43.680
<v Speaker 1>to get in there. So it's about once we get

0:19:43.720 --> 0:19:46.000
<v Speaker 1>in there, what we do when we're in there, that's

0:19:46.000 --> 0:19:48.840
<v Speaker 1>what that's what's importing. Well, Neo, our show is about

0:19:48.840 --> 0:19:51.360
<v Speaker 1>giving people the flowers. So we want to personally give

0:19:51.400 --> 0:19:53.720
<v Speaker 1>you your flowers. You got, we got them ready, want

0:19:53.720 --> 0:19:56.200
<v Speaker 1>to personal to give your flowers. You know what I'm saying,

0:19:56.880 --> 0:20:05.360
<v Speaker 1>you know what I mean? Yeah, yeah, yeah, yeah, yeah yeah.

0:20:05.520 --> 0:20:07.680
<v Speaker 1>Snoop Dogg said it's better than when the Grammy because

0:20:07.680 --> 0:20:09.760
<v Speaker 1>it's from his people. But you got Graham, come on now,

0:20:09.880 --> 0:20:14.480
<v Speaker 1>so it might not be better for you now that

0:20:14.560 --> 0:20:16.760
<v Speaker 1>you got Yeah, you know they you know they took

0:20:16.840 --> 0:20:18.440
<v Speaker 1>time when they put your name on it. That's right,

0:20:18.560 --> 0:20:22.920
<v Speaker 1>that's right. Somebody sat there life, that's right, goddamn it straight.

0:20:23.040 --> 0:20:29.159
<v Speaker 1>That's why I appreciate it. Man. So the more to

0:20:29.200 --> 0:20:32.520
<v Speaker 1>gram me have to wait to put this put to it.

0:20:32.880 --> 0:20:35.560
<v Speaker 1>But um so what are you like more making the

0:20:35.600 --> 0:20:39.000
<v Speaker 1>record or performing the record? Making the record straight away

0:20:39.160 --> 0:20:41.479
<v Speaker 1>straight away? Um so, I'm forty two years old at

0:20:41.480 --> 0:20:44.320
<v Speaker 1>this point, right, Uh, the knees don't be knee and

0:20:44.359 --> 0:20:46.720
<v Speaker 1>like that. You keep it all the way with perform

0:20:47.160 --> 0:20:49.720
<v Speaker 1>even I love to perform. I love you know just

0:20:49.760 --> 0:20:52.399
<v Speaker 1>that that energy exchange that happens between the artists and

0:20:52.600 --> 0:20:57.280
<v Speaker 1>the crowd. But I can write. If my knees decided

0:20:57.320 --> 0:20:58.960
<v Speaker 1>to stop working on Mark, I can still write a song,

0:20:59.040 --> 0:21:00.840
<v Speaker 1>you know what I'm saying. So it's always going to

0:21:00.920 --> 0:21:04.400
<v Speaker 1>be the writing for me, which is how you started. Yeah, Yeah,

0:21:04.400 --> 0:21:06.640
<v Speaker 1>that was my first love. That was my first big break,

0:21:06.720 --> 0:21:08.840
<v Speaker 1>you know what I'm saying. I got success as a

0:21:08.840 --> 0:21:10.600
<v Speaker 1>writer before I got success as an artist. What was

0:21:10.600 --> 0:21:13.399
<v Speaker 1>your first big break? Mario's You Should Let Me Love You?

0:21:14.400 --> 0:21:16.560
<v Speaker 1>That was the first one. Yes, damn, I don't counting

0:21:16.560 --> 0:21:24.160
<v Speaker 1>your pockets. Yeah, man, that got your deal. That got

0:21:24.200 --> 0:21:26.560
<v Speaker 1>you your deal kind of kind of. I got my

0:21:26.640 --> 0:21:29.440
<v Speaker 1>deal somewhat by accident. I mean I don't I don't

0:21:29.440 --> 0:21:32.159
<v Speaker 1>believe an accident. Don't believe coincidences. All I know is

0:21:32.200 --> 0:21:34.280
<v Speaker 1>we didn't walk into the Deaf Gym building that day

0:21:34.600 --> 0:21:36.560
<v Speaker 1>with the hopes of leaving what the record did? We

0:21:36.600 --> 0:21:39.880
<v Speaker 1>went in there that day so that my homeboy Sauce UH,

0:21:40.080 --> 0:21:43.600
<v Speaker 1>amazing producer UH used to be the group something for

0:21:43.640 --> 0:21:46.399
<v Speaker 1>the people like Early nine, you remember them. So we

0:21:46.440 --> 0:21:48.480
<v Speaker 1>went to Deaf Jam that day so that he could

0:21:48.520 --> 0:21:51.760
<v Speaker 1>reunite with an old friend of his from high school. Uh,

0:21:52.000 --> 0:21:54.159
<v Speaker 1>little known to me at the time. That friend was

0:21:54.240 --> 0:21:56.920
<v Speaker 1>Tina David at the time, was you know, David was

0:21:56.960 --> 0:22:03.280
<v Speaker 1>a legend. David cover you and Chris. Yeah, absolutely absolutely.

0:22:03.400 --> 0:22:04.840
<v Speaker 1>We went up there so that they could, you know,

0:22:04.960 --> 0:22:06.520
<v Speaker 1>get there, you're not in it feels so good on

0:22:07.080 --> 0:22:09.080
<v Speaker 1>um And by the time we left the building, I

0:22:09.119 --> 0:22:11.920
<v Speaker 1>had performed for l. A. Reid and the whole nine

0:22:11.960 --> 0:22:14.399
<v Speaker 1>and then yeah, we left for the record there, not

0:22:14.560 --> 0:22:16.040
<v Speaker 1>for the record there. It was cool, It was cool.

0:22:16.160 --> 0:22:17.560
<v Speaker 1>It was weird because it's like, you know, it's the

0:22:17.560 --> 0:22:19.359
<v Speaker 1>whole situation was like you're looking for your keys. You

0:22:19.359 --> 0:22:20.959
<v Speaker 1>can't find the damn keys to flip the whole house

0:22:20.960 --> 0:22:22.359
<v Speaker 1>and down looking for these keys. You said, you know what,

0:22:22.400 --> 0:22:24.159
<v Speaker 1>to hell with it, I'll find another way to get there.

0:22:24.160 --> 0:22:26.879
<v Speaker 1>And then the ship's falling a lap. That's what it was.

0:22:27.200 --> 0:22:30.879
<v Speaker 1>That's what it was because I so many different times

0:22:30.880 --> 0:22:33.080
<v Speaker 1>that we, you know, trying to get a deal talking

0:22:33.080 --> 0:22:35.440
<v Speaker 1>to this rep. That rep. Center songs over here, this,

0:22:35.440 --> 0:22:37.640
<v Speaker 1>this is and everything is thanks for no thanks all right? Cool?

0:22:37.920 --> 0:22:39.840
<v Speaker 1>So I said, you know what, I'm just right. It

0:22:39.880 --> 0:22:41.480
<v Speaker 1>would just be right. It's my money over here anyway,

0:22:41.480 --> 0:22:43.880
<v Speaker 1>I just write so we went and we went over there.

0:22:44.280 --> 0:22:45.560
<v Speaker 1>I mean, we was in New York because we were

0:22:45.560 --> 0:22:47.359
<v Speaker 1>shopping music around. We didn't go to Damn Jam on

0:22:47.440 --> 0:22:49.440
<v Speaker 1>purpose because we had already went like two days prior.

0:22:50.040 --> 0:22:51.760
<v Speaker 1>So on the way back to the hotel, he's like, yo,

0:22:51.880 --> 0:22:53.679
<v Speaker 1>let me stop here quick and say, what's uping at home? Girl?

0:22:53.680 --> 0:22:56.359
<v Speaker 1>I ain't seen it forever? All right? Cool? So you

0:22:56.400 --> 0:22:59.000
<v Speaker 1>know they're doing that. I'm sitting in the corner waiting. Uh.

0:22:59.040 --> 0:23:02.320
<v Speaker 1>He starts playing her some the music that. Yeah. So

0:23:02.400 --> 0:23:04.640
<v Speaker 1>she looked at me. She goes, your does your music? Yeah?

0:23:04.680 --> 0:23:07.560
<v Speaker 1>You wrote this? Yeah that you're singing too? Yeah? Can

0:23:07.600 --> 0:23:11.200
<v Speaker 1>you dance a little bit? Yeah, Okay, let's turn the

0:23:11.280 --> 0:23:14.280
<v Speaker 1>music up. She said, go for it. I'm like, what, no,

0:23:14.400 --> 0:23:17.040
<v Speaker 1>mind you again. I'm just I'm well, I'm hungry, Like,

0:23:17.480 --> 0:23:19.400
<v Speaker 1>can y'all pick this up so we can go eat

0:23:19.480 --> 0:23:25.280
<v Speaker 1>Damn I'm hung already go I'm like, all right, y'all

0:23:25.440 --> 0:23:29.720
<v Speaker 1>know in in Tina Davis's office. Yeah, so she turns

0:23:29.760 --> 0:23:31.760
<v Speaker 1>your music up and she says back, like, go for it,

0:23:32.480 --> 0:23:35.720
<v Speaker 1>stone face go oh ship, Well, I'm not gonna challenge me.

0:23:35.760 --> 0:23:38.200
<v Speaker 1>So I got up. I'm performed before the whole not again,

0:23:38.280 --> 0:23:40.720
<v Speaker 1>no response whatsoever. So I'm like, all right, this is

0:23:40.760 --> 0:23:42.520
<v Speaker 1>a waste of time. As soon as I got finished,

0:23:42.520 --> 0:23:46.439
<v Speaker 1>she said, hey, yeah, Mr Reed, I think I got

0:23:46.480 --> 0:23:50.280
<v Speaker 1>somebody you should beat. And the rest of his root

0:23:50.280 --> 0:23:56.080
<v Speaker 1>from there, the rest is history. Accidentally got a record

0:23:56.080 --> 0:23:59.719
<v Speaker 1>there in the midst of you actively trying to shop

0:24:00.160 --> 0:24:02.200
<v Speaker 1>this moment, you wasn't trying to shut not at all,

0:24:02.880 --> 0:24:06.600
<v Speaker 1>not at all. And Read and l a Read he

0:24:06.680 --> 0:24:09.440
<v Speaker 1>doesn't put on baby face all this Now? Is this

0:24:09.520 --> 0:24:11.159
<v Speaker 1>surreal for you? Do you know who? L A Read? Is?

0:24:11.720 --> 0:24:14.040
<v Speaker 1>Absolutely a matter of fact. When she got off the phone,

0:24:14.080 --> 0:24:19.840
<v Speaker 1>I said, you said, Mr Read, that's that's that's She's like, yeah, yeah,

0:24:20.080 --> 0:24:23.480
<v Speaker 1>we're about to go meet him right now. Okay cool.

0:24:23.760 --> 0:24:29.439
<v Speaker 1>So yeah it was. It was definitely a surreal situation. Um,

0:24:29.600 --> 0:24:32.199
<v Speaker 1>you got in there, he says his first words to me,

0:24:32.200 --> 0:24:34.440
<v Speaker 1>and so you're the next big thing. Huh, Like funk,

0:24:34.480 --> 0:24:36.879
<v Speaker 1>what the fund is happening right now? Because the selling

0:24:36.920 --> 0:24:39.440
<v Speaker 1>you or something else. So I performed for him, him

0:24:39.440 --> 0:24:41.959
<v Speaker 1>and his tastemakers. It's him and like like nine other

0:24:42.000 --> 0:24:44.439
<v Speaker 1>people in the room. Everybody. I feel like the Chinese

0:24:44.480 --> 0:24:47.040
<v Speaker 1>woman was in there. There was definitely a Chinese woman

0:24:47.080 --> 0:24:49.840
<v Speaker 1>in there. You don't come about Yeah, you know what

0:24:49.840 --> 0:24:54.560
<v Speaker 1>I'm talking about, Karen Karen kwak, God damn it. So

0:24:55.000 --> 0:24:57.560
<v Speaker 1>the performer, performer, performer, I get done. He goes, all right,

0:24:57.600 --> 0:24:59.040
<v Speaker 1>thank you very much. Can I talk to about people?

0:24:59.320 --> 0:25:02.240
<v Speaker 1>Step outside. We sat outside in the lobby of his

0:25:02.440 --> 0:25:05.080
<v Speaker 1>of his office for like an hour, like a solid hour,

0:25:05.160 --> 0:25:06.560
<v Speaker 1>to the point I turned this offs like yeah, man,

0:25:06.600 --> 0:25:09.320
<v Speaker 1>let's just go. Clearly they ain't interested. It wouldn't be

0:25:09.359 --> 0:25:11.719
<v Speaker 1>taking this long. Let's just go. So as we're leaving,

0:25:12.480 --> 0:25:14.320
<v Speaker 1>somebody pokes their head out the wind like, hey, um,

0:25:14.480 --> 0:25:17.520
<v Speaker 1>what is your lawyer information? Because Mystery wants to give

0:25:17.520 --> 0:25:20.680
<v Speaker 1>you a record deal? And it was it was like

0:25:20.800 --> 0:25:24.920
<v Speaker 1>a I'm trying to find the words to explain how

0:25:26.520 --> 0:25:28.359
<v Speaker 1>I was there, but I wasn't there, you know what

0:25:28.440 --> 0:25:30.560
<v Speaker 1>I mean. It's like, this is this is not really

0:25:30.640 --> 0:25:32.560
<v Speaker 1>this can't be really happening. You know how hard, how

0:25:32.680 --> 0:25:34.680
<v Speaker 1>long we've been trying to make this happen, and and

0:25:34.800 --> 0:25:37.120
<v Speaker 1>just on the on the humbug it happens. This can't

0:25:37.160 --> 0:25:38.920
<v Speaker 1>be real now I'm gonna wake up in a minute.

0:25:39.240 --> 0:25:43.400
<v Speaker 1>But yeah, it was. It was a beautiful situation. Man,

0:25:43.480 --> 0:25:50.399
<v Speaker 1>what's up you ain't got quick time, so I'm ready. Okay,

0:25:50.640 --> 0:25:53.200
<v Speaker 1>cool cool, cool cool, Holy mo, get on my notes,

0:25:53.880 --> 0:25:58.120
<v Speaker 1>Let me go on my notes. Okay, yes, yes, yes,

0:25:58.240 --> 0:26:01.440
<v Speaker 1>yes yes. So what are the writers? Were you inspired

0:26:01.480 --> 0:26:05.200
<v Speaker 1>by that? Other song writers that I was inspired or

0:26:05.240 --> 0:26:07.600
<v Speaker 1>any artists that you're inspired by? Um, well, you know

0:26:07.680 --> 0:26:09.880
<v Speaker 1>what it's It's actually funny in that moment when I'm

0:26:09.920 --> 0:26:12.960
<v Speaker 1>in Tina David's office and uh, she's asking me about

0:26:13.000 --> 0:26:15.359
<v Speaker 1>the music I got finished performing. He was waiting to

0:26:15.400 --> 0:26:17.240
<v Speaker 1>go in l A's office, and she said to me,

0:26:17.640 --> 0:26:19.480
<v Speaker 1>is there any artists out there that kind of like

0:26:19.600 --> 0:26:21.440
<v Speaker 1>keeps you on your toes? You know what I'm saying,

0:26:21.440 --> 0:26:23.159
<v Speaker 1>somebody that you always check them for it just to

0:26:23.400 --> 0:26:25.200
<v Speaker 1>you know, keeps you on your toes. And the second

0:26:25.240 --> 0:26:28.440
<v Speaker 1>she said that, usher's yeah, video came on. Yeah that

0:26:28.520 --> 0:26:30.919
<v Speaker 1>dude right there. She's like, interesting, I'm about to put

0:26:30.960 --> 0:26:33.359
<v Speaker 1>you in front of the man and made him shit.

0:26:34.000 --> 0:26:36.840
<v Speaker 1>It was it was yeah, it was right moment. Yeah,

0:26:37.960 --> 0:26:42.320
<v Speaker 1>Holy moli GUACAMOLEI man, this is some good ship. This

0:26:42.480 --> 0:26:45.280
<v Speaker 1>is some good ship, all right? Um play hard with

0:26:45.400 --> 0:26:48.600
<v Speaker 1>David Gutta at a calm. Yeah. I don't know how

0:26:48.600 --> 0:26:52.199
<v Speaker 1>to pronounce this ship. How how did how did they

0:26:52.240 --> 0:26:54.480
<v Speaker 1>call you? How who called you? What was happening? How

0:26:54.520 --> 0:26:57.639
<v Speaker 1>did you so? I? Um I did something with David

0:26:57.640 --> 0:27:01.600
<v Speaker 1>Ghetto already and then um so okay, so the funny thing,

0:27:02.440 --> 0:27:04.600
<v Speaker 1>damn can I even say this? Yeah? The music is

0:27:04.680 --> 0:27:08.320
<v Speaker 1>all right? So that hook that work hard, play hard?

0:27:08.960 --> 0:27:12.200
<v Speaker 1>That was supposed to be uh for the remix to

0:27:12.600 --> 0:27:17.159
<v Speaker 1>with Wiz Khalifa's uh the WIRs Khalifa joint? Which one?

0:27:17.160 --> 0:27:19.560
<v Speaker 1>He got a lot of joints. The wonder where the

0:27:19.600 --> 0:27:21.280
<v Speaker 1>one way he says something about work hard, play hard

0:27:21.320 --> 0:27:24.280
<v Speaker 1>on which one it would the record he probably don't

0:27:24.280 --> 0:27:29.639
<v Speaker 1>even remember. He got to huh, you've been sucking up

0:27:29.680 --> 0:27:40.240
<v Speaker 1>all down you ain't been well. It wasn't that record,

0:27:40.280 --> 0:27:42.359
<v Speaker 1>but it was supposed to be the remix to to

0:27:42.560 --> 0:27:46.080
<v Speaker 1>wis Wis Kalifa joint, and Uh I finished it and

0:27:46.200 --> 0:27:48.080
<v Speaker 1>David get David was like, no, this is this is

0:27:48.160 --> 0:27:49.960
<v Speaker 1>this is bigger than the remix. This is this is

0:27:50.000 --> 0:27:52.640
<v Speaker 1>a record. So then he put uh put a con

0:27:52.720 --> 0:27:54.600
<v Speaker 1>on it akin been a friend for a long time,

0:27:54.680 --> 0:27:57.320
<v Speaker 1>you know, it's just the hommy Yeah, man, it was

0:27:57.400 --> 0:28:00.200
<v Speaker 1>it was It was easy. David Gjenna is one of

0:28:00.280 --> 0:28:04.200
<v Speaker 1>them cats. That before he became David Getta. He's just

0:28:04.280 --> 0:28:05.959
<v Speaker 1>he's just a music dude. You know. Some of these

0:28:06.000 --> 0:28:08.159
<v Speaker 1>cats that do it clearly for for the money and

0:28:08.240 --> 0:28:09.760
<v Speaker 1>for the recognition of it. David ghett to do it

0:28:09.800 --> 0:28:11.960
<v Speaker 1>because he loved music, you know. And and that's that

0:28:12.080 --> 0:28:16.120
<v Speaker 1>was our initial connection. We've been cool ever since. Trying

0:28:16.119 --> 0:28:25.280
<v Speaker 1>to sell you properly in Africa. He didn't, Yeah, but

0:28:25.400 --> 0:28:26.840
<v Speaker 1>he didn't. He didn't do it like I'm trying to

0:28:26.920 --> 0:28:28.440
<v Speaker 1>sell you something. He was like, he was like, this

0:28:28.560 --> 0:28:30.640
<v Speaker 1>is cool, right, yeah, yeah, you should be a part

0:28:30.640 --> 0:28:36.960
<v Speaker 1>of the Yea, he got me. What's the price? Man?

0:28:37.119 --> 0:28:41.000
<v Speaker 1>You're going? Man? All right, I just want to say that. Man,

0:28:41.000 --> 0:28:43.880
<v Speaker 1>I gotta gon do it Africa. That's just hard. That's

0:28:43.880 --> 0:28:49.960
<v Speaker 1>just even if Yeah yeah Africa. Man, he's still building

0:28:50.040 --> 0:28:55.840
<v Speaker 1>Wakando over there. Yea, I might ride. Oh man, Man,

0:28:55.880 --> 0:28:57.600
<v Speaker 1>We've got a quick time of slim. Okay, this is

0:28:57.640 --> 0:28:59.560
<v Speaker 1>a game. It's a game played with all the guests.

0:28:59.600 --> 0:29:02.400
<v Speaker 1>All right, so we ask you do you are a

0:29:02.720 --> 0:29:05.840
<v Speaker 1>b choice if you be politically to conrect and do

0:29:05.880 --> 0:29:09.720
<v Speaker 1>you wanna uh not please the fifth? The fifth, then

0:29:09.720 --> 0:29:12.000
<v Speaker 1>you gotta take a shot both and if you say

0:29:12.080 --> 0:29:15.280
<v Speaker 1>neither you take a shot. But so it's pretty pretty

0:29:15.360 --> 0:29:16.880
<v Speaker 1>much FO you want to take, you want to stick

0:29:16.920 --> 0:29:20.680
<v Speaker 1>with the rock, We take the shots. We don't leave

0:29:20.680 --> 0:29:24.160
<v Speaker 1>you the same. I'm gonna drink this Japanese whiskey. I

0:29:24.200 --> 0:29:27.880
<v Speaker 1>mean streaming Japanese deadly. Y'all know what I'm saying. You

0:29:27.920 --> 0:29:31.520
<v Speaker 1>know what I'm saying. You know. Yeah, I'm from Japan,

0:29:31.680 --> 0:29:39.880
<v Speaker 1>you know, by the way. But yeah, smoke, Okay, I'm

0:29:39.920 --> 0:29:45.680
<v Speaker 1>gonna get mine, Juanna, I'm gonna get mine ready in

0:29:45.760 --> 0:29:48.520
<v Speaker 1>the building. You're ready? Yeah? Why do I feel like

0:29:48.560 --> 0:29:50.960
<v Speaker 1>you're about to give me in trouble? No? No, no,

0:29:52.320 --> 0:29:53.840
<v Speaker 1>I mean you can't play and safe. We just drink

0:29:53.880 --> 0:29:58.560
<v Speaker 1>a lot. Yeah, you want to go first? You all right?

0:29:58.640 --> 0:30:01.320
<v Speaker 1>Got it? Oh? This is good. It's a good you're

0:30:01.360 --> 0:30:09.000
<v Speaker 1>drinking off top. Uh, Michael Jackson or Prince, I don't

0:30:09.360 --> 0:30:16.960
<v Speaker 1>get my shot ready? Uh just take the shot, damn shot?

0:30:18.360 --> 0:30:25.080
<v Speaker 1>What I got? Yeah? Leave him the bottom. Just kind

0:30:25.080 --> 0:30:31.160
<v Speaker 1>of question a moment. Okay, you're drinking. Look that was

0:30:31.240 --> 0:30:34.960
<v Speaker 1>either don't have to you can take half of that.

0:30:35.280 --> 0:30:45.880
<v Speaker 1>You can take half. You might as well get your

0:30:46.080 --> 0:30:49.000
<v Speaker 1>shot ready. You definitely don't have to pull that heaven

0:30:49.000 --> 0:30:51.720
<v Speaker 1>because you're definitely you're not gonna do that. You definitely

0:30:51.880 --> 0:30:55.320
<v Speaker 1>you definitely. UM have to be politically correct on this one.

0:30:55.400 --> 0:31:00.959
<v Speaker 1>All right, let's go Beyonce or just take this up.

0:31:01.400 --> 0:31:06.239
<v Speaker 1>Let take that off. Let me just hold o my god. Okay, wait,

0:31:06.280 --> 0:31:10.520
<v Speaker 1>what's what's what's the question? Exactly? Whatever? It is? It

0:31:10.720 --> 0:31:17.280
<v Speaker 1>musically being reality period your mind? Yeah, you just take

0:31:17.360 --> 0:31:23.440
<v Speaker 1>literally correct. I can't. Yeah, I can't. I can Okay,

0:31:23.600 --> 0:31:27.720
<v Speaker 1>don't you just do Yeah? Yeah, you gotta go crazy

0:31:28.320 --> 0:31:31.760
<v Speaker 1>solottle kid. I feel like this game is fixed. Let

0:31:31.760 --> 0:31:36.959
<v Speaker 1>me just say that I've been set up. Yes you have, sir.

0:31:38.560 --> 0:31:40.120
<v Speaker 1>This is one I don't know, but it could go

0:31:40.240 --> 0:31:48.800
<v Speaker 1>either way. Tupac or dmx A Tupac, Alicia Keys or

0:31:48.960 --> 0:31:59.840
<v Speaker 1>Kadu sh uh uh okay note against Alicia. I love

0:31:59.840 --> 0:32:01.560
<v Speaker 1>you to death. I love you. Don't don't don't think

0:32:01.600 --> 0:32:04.320
<v Speaker 1>I'm hey, did you did you? Did you support Erica

0:32:04.360 --> 0:32:08.800
<v Speaker 1>bardus incense? I did not. I don't think no married man,

0:32:08.920 --> 0:32:13.200
<v Speaker 1>you have pussy instance, my wife loves you too. But

0:32:14.440 --> 0:32:16.560
<v Speaker 1>like that, I don't even act likely notable. But the

0:32:16.560 --> 0:32:21.440
<v Speaker 1>product is I did. I did, But because I think

0:32:21.480 --> 0:32:26.520
<v Speaker 1>that's women empowerment. I believe in our house to smell

0:32:26.600 --> 0:32:30.080
<v Speaker 1>like Erica. But I don't think so, sir, I don't

0:32:30.120 --> 0:32:35.440
<v Speaker 1>think I think that's accurate. Uh, ice cube or iced tea, mhm,

0:32:40.040 --> 0:32:41.720
<v Speaker 1>all of them. Respect for ice Cube, but I'm gonna

0:32:41.760 --> 0:32:43.560
<v Speaker 1>say ice because he let me see call go booty

0:32:43.600 --> 0:32:48.760
<v Speaker 1>one time. I'm sorry, said, what did you say, doesn't

0:32:49.160 --> 0:32:52.320
<v Speaker 1>mean squeeze called booty ones like? Respectfully? Yes it was,

0:32:52.640 --> 0:32:55.240
<v Speaker 1>it was respectfully. It was a Halloween party, right, And

0:32:55.320 --> 0:32:57.560
<v Speaker 1>how does this work? You have grappy, wife's asked, I

0:32:57.640 --> 0:32:59.040
<v Speaker 1>literally walked up to your mind. I had had a

0:32:59.080 --> 0:33:00.800
<v Speaker 1>couple of drinks at this point. I walked up to

0:33:00.920 --> 0:33:03.680
<v Speaker 1>him and I said, because she had on like she has.

0:33:05.040 --> 0:33:06.400
<v Speaker 1>So I walked up to him and I was like, bro,

0:33:06.760 --> 0:33:10.920
<v Speaker 1>all due respect, h I've wanted to squeeze Coco's asked

0:33:10.920 --> 0:33:12.440
<v Speaker 1>for a really long time. And he said, you know what,

0:33:12.560 --> 0:33:14.120
<v Speaker 1>and I'm just kind of pimp to let you do it.

0:33:15.520 --> 0:33:18.120
<v Speaker 1>And he called over and he whispered something in her ear,

0:33:18.560 --> 0:33:20.200
<v Speaker 1>and she looked at him and smiled, and it looked

0:33:20.240 --> 0:33:21.960
<v Speaker 1>at me and smiled and turned around and bent the

0:33:22.040 --> 0:33:24.240
<v Speaker 1>thing over and I grabbed as much of a handful

0:33:24.320 --> 0:33:28.880
<v Speaker 1>as I could. He gave me a pound and we

0:33:28.960 --> 0:33:30.880
<v Speaker 1>finished and we drinking hung out for its to night.

0:33:30.960 --> 0:33:34.160
<v Speaker 1>That was that. I'm trying to figure out who's more

0:33:34.240 --> 0:33:38.760
<v Speaker 1>gainst in the situation, him or cocoa or is it

0:33:38.920 --> 0:33:42.560
<v Speaker 1>all It might just be a I'm taking a shot

0:33:42.600 --> 0:33:46.000
<v Speaker 1>for that. I'm sorry that the shot shut up. My

0:33:46.080 --> 0:33:54.200
<v Speaker 1>friend shot right now outside just because of that. That was.

0:33:54.840 --> 0:33:57.920
<v Speaker 1>That was a moment for me. He got there, a

0:33:58.120 --> 0:34:03.440
<v Speaker 1>moment weized all of us. He threw me off with

0:34:03.520 --> 0:34:05.560
<v Speaker 1>that one. You got. I ain't never been I'm not

0:34:05.760 --> 0:34:08.319
<v Speaker 1>able to say something on my show like I'm saying

0:34:08.360 --> 0:34:11.600
<v Speaker 1>here like this is good. Okay, you know what I think.

0:34:11.760 --> 0:34:13.919
<v Speaker 1>I think he knew that I ain't posed no threat

0:34:14.520 --> 0:34:16.800
<v Speaker 1>met him on adition that it was cool. It was

0:34:16.840 --> 0:34:19.879
<v Speaker 1>a no no, we understand. And that thing is very soft.

0:34:23.120 --> 0:34:28.840
<v Speaker 1>Chris Brown or Usher Ussher only because Chris Brown is

0:34:28.880 --> 0:34:31.279
<v Speaker 1>talented as hell, but Usher, I grew up Usher. You

0:34:31.320 --> 0:34:33.440
<v Speaker 1>know what I'm saying, Like, that's Ushers part of the

0:34:33.520 --> 0:34:35.719
<v Speaker 1>reason that Neo exists. I'm keep it all the shop

0:34:35.840 --> 0:34:44.560
<v Speaker 1>like that's Jackson five or new addition, damn uh, new addition,

0:34:45.520 --> 0:34:47.920
<v Speaker 1>new edition. Because my I was I was a fan

0:34:48.000 --> 0:34:49.360
<v Speaker 1>of the Jackson five, but I was more of a

0:34:49.440 --> 0:34:51.600
<v Speaker 1>fan of Mike than what Michael was doing as opposed

0:34:51.640 --> 0:34:54.680
<v Speaker 1>to the whole Jackson five situations. New addition. The first

0:34:55.040 --> 0:34:56.840
<v Speaker 1>first concert I even went to in life was a

0:34:56.880 --> 0:35:00.800
<v Speaker 1>new edition. It was a coming home concert. Well you

0:35:00.840 --> 0:35:03.040
<v Speaker 1>know everybody like BBD got a section, Bobby Brown got

0:35:03.120 --> 0:35:05.279
<v Speaker 1>a section, Rob Tredsman got a section, and they all

0:35:05.360 --> 0:35:07.120
<v Speaker 1>came back that they broke up. This is after they

0:35:07.120 --> 0:35:11.120
<v Speaker 1>broke up. Agamea first concert ever in life, and they

0:35:11.160 --> 0:35:14.080
<v Speaker 1>came out in these red suits with this embroidered tiger

0:35:14.160 --> 0:35:16.120
<v Speaker 1>on the joint and these these red baller caps. And

0:35:16.160 --> 0:35:19.879
<v Speaker 1>I'm like, yo, one day, one day, like if you saw,

0:35:20.000 --> 0:35:22.000
<v Speaker 1>if you saw me a lovers and friends, that whole

0:35:22.040 --> 0:35:29.040
<v Speaker 1>red ensemble that was inspired by the addition. H Jeremiah,

0:35:29.200 --> 0:35:31.600
<v Speaker 1>he got quiet because or trade songs on my bad

0:35:33.640 --> 0:35:39.799
<v Speaker 1>Jeremiah Trade songs, Uh, Jeremiah much love of trade song,

0:35:39.920 --> 0:35:43.880
<v Speaker 1>But jeremiahs is a Jeremiah is a is a. I

0:35:43.960 --> 0:35:45.960
<v Speaker 1>look at Jeremy Moore as a writer and a musician

0:35:46.000 --> 0:35:47.600
<v Speaker 1>than an artist, you know what I'm saying, Like like,

0:35:47.640 --> 0:35:49.319
<v Speaker 1>don't get me on his art His artistry is dope,

0:35:49.320 --> 0:35:52.200
<v Speaker 1>his songs is dope. But I have the respect for

0:35:52.280 --> 0:35:54.800
<v Speaker 1>that man, for the way that he makes music and

0:35:54.840 --> 0:35:57.320
<v Speaker 1>the music that he the music that he makes. Jeremah

0:35:57.440 --> 0:35:59.480
<v Speaker 1>Jeremiah the big up Jeremond. I don't think I forgot

0:35:59.600 --> 0:36:02.640
<v Speaker 1>forgot bro. He looked out for me when I needed

0:36:02.719 --> 0:36:05.640
<v Speaker 1>them when I'm very thankful for that. When when the

0:36:05.719 --> 0:36:08.400
<v Speaker 1>you love record. So I'm sending the studio with a man,

0:36:08.560 --> 0:36:10.839
<v Speaker 1>rock star, and we're just having a random conversation about

0:36:10.840 --> 0:36:13.080
<v Speaker 1>people that I haven't worked withducing rock star, rock Star,

0:36:13.400 --> 0:36:16.200
<v Speaker 1>shout out the boy rock star. So we're just talking

0:36:16.200 --> 0:36:18.279
<v Speaker 1>about people that I've never worked with. To get my

0:36:18.360 --> 0:36:26.359
<v Speaker 1>light mynd like that I would, but rock star sending

0:36:26.400 --> 0:36:28.480
<v Speaker 1>the studio, rock started talking about people ain't working with

0:36:28.600 --> 0:36:32.640
<v Speaker 1>yet Jeremie's name popped up. He was like, work, hold on, hey,

0:36:32.960 --> 0:36:35.320
<v Speaker 1>pull up. Nick pulled up. He pulled up with with

0:36:35.440 --> 0:36:38.360
<v Speaker 1>the bag he had, putting me like seven records, seven

0:36:38.400 --> 0:36:41.680
<v Speaker 1>amazing records. I'm like, listen as my pride won't let

0:36:41.719 --> 0:36:43.960
<v Speaker 1>me pick more than one because because I'm looking, I'm

0:36:44.000 --> 0:36:46.439
<v Speaker 1>listening to these records like, damn, why ain't thinking that? Damn?

0:36:46.520 --> 0:36:49.920
<v Speaker 1>I don't know how many of crazy that lyric it was.

0:36:50.000 --> 0:36:51.680
<v Speaker 1>It was one of those moments. So I picked the

0:36:51.719 --> 0:36:54.239
<v Speaker 1>one that I felt safe with and that was the

0:36:54.520 --> 0:36:57.840
<v Speaker 1>Love Record And yeah, man, rest history. Shout out to

0:36:57.840 --> 0:37:02.200
<v Speaker 1>the boy Jereminda. She already got my shot ready, Yeah,

0:37:02.560 --> 0:37:05.759
<v Speaker 1>because I don't think I could choose in this one.

0:37:06.480 --> 0:37:12.600
<v Speaker 1>Jay z or Nas got my shot ready set up.

0:37:13.880 --> 0:37:20.919
<v Speaker 1>Look at what solo? This is not cool. It's not cool.

0:37:21.120 --> 0:37:24.640
<v Speaker 1>Has anybody ever been carried out of this show? Afterwards?

0:37:25.280 --> 0:37:28.600
<v Speaker 1>Everyone survives afterwards? Is it's a little bit crazy afterwards.

0:37:28.680 --> 0:37:35.879
<v Speaker 1>But okay, we've had some wild ones h that I mentioned.

0:37:35.880 --> 0:37:38.320
<v Speaker 1>I'm not a shot taker that I mentioned that nobody is.

0:37:38.360 --> 0:37:40.400
<v Speaker 1>We're just here. We just he we all side. We

0:37:40.480 --> 0:37:50.040
<v Speaker 1>celebrated yo yo yo shuh The Dream or Ryan Leslie? Wow, Um,

0:37:51.920 --> 0:37:54.040
<v Speaker 1>all right. I've always felt like they never got the

0:37:54.040 --> 0:37:57.120
<v Speaker 1>flowers deserved, but I never got the recognition deserved. But

0:37:57.200 --> 0:38:00.040
<v Speaker 1>I do it as a genius. Um. But from the

0:38:00.120 --> 0:38:02.680
<v Speaker 1>standpoint of you know who took it and did and

0:38:02.760 --> 0:38:04.480
<v Speaker 1>did what they were supposed to do with it for

0:38:04.560 --> 0:38:06.799
<v Speaker 1>whatever reason, I gotta give it to the day Dream.

0:38:07.640 --> 0:38:09.880
<v Speaker 1>Bryan Leslie is dope, dope as hell. We've act. We

0:38:09.880 --> 0:38:12.000
<v Speaker 1>actually got records together that the world has never heard.

0:38:12.640 --> 0:38:16.239
<v Speaker 1>But yeah, the Dream. Yeah, man, you know what, you

0:38:16.280 --> 0:38:18.800
<v Speaker 1>know what's dope about the Dream? I okay, So I

0:38:18.920 --> 0:38:22.040
<v Speaker 1>personally don't like the songs where it'd be like one

0:38:22.080 --> 0:38:24.120
<v Speaker 1>word repeated over and over and over and over and

0:38:24.239 --> 0:38:27.680
<v Speaker 1>fucking over again. That's just annoyed at me. But the Dream,

0:38:28.560 --> 0:38:30.480
<v Speaker 1>for whatever reason, when he do it, it don't annoy me.

0:38:30.800 --> 0:38:33.040
<v Speaker 1>Like when he doing that's I was like that, Yeah,

0:38:33.040 --> 0:38:35.200
<v Speaker 1>all right, that's seventeen times you say that one word.

0:38:36.239 --> 0:38:38.839
<v Speaker 1>But the ship is dope though, like I like, yo,

0:38:38.960 --> 0:38:41.479
<v Speaker 1>I have respect for that dude because like I've tried

0:38:41.560 --> 0:38:43.279
<v Speaker 1>that before, Like let me, let me see if I can. No,

0:38:43.480 --> 0:38:45.400
<v Speaker 1>I don't like this ship. I'm annoyed by myself. I

0:38:45.440 --> 0:38:47.600
<v Speaker 1>can't do it, but he should be working, So shout

0:38:47.640 --> 0:38:50.719
<v Speaker 1>out to the Dream. It was dope. Tory Lanes or

0:38:50.760 --> 0:38:56.640
<v Speaker 1>the Weekend, Uh, the weekend, the weekend Tory Lanes. I'm

0:38:56.640 --> 0:38:59.600
<v Speaker 1>gonna lie Tory Lanes. It's cool, little dude, talented, a

0:38:59.600 --> 0:39:02.400
<v Speaker 1>little dude, but the Weekend is a is a and

0:39:02.640 --> 0:39:04.439
<v Speaker 1>that that thing is like an entity like I don't

0:39:04.440 --> 0:39:06.440
<v Speaker 1>even know. I don't even know where to how to

0:39:06.520 --> 0:39:09.040
<v Speaker 1>categorize him. He's something else. I agree with you everything

0:39:09.080 --> 0:39:10.759
<v Speaker 1>something else. These things about that a hunted house that

0:39:11.040 --> 0:39:14.920
<v Speaker 1>goddamn uh uh one of them damn amusement parks. What

0:39:15.120 --> 0:39:17.879
<v Speaker 1>what R and B cat is doing that haunted house? Yeah,

0:39:18.080 --> 0:39:22.040
<v Speaker 1>his own haunted house. Like it's different, different dudes and

0:39:22.080 --> 0:39:33.840
<v Speaker 1>different dude Mario or Marian. Uh the set up question, No, No,

0:39:35.800 --> 0:39:41.080
<v Speaker 1>I can make a distinction here. I'm gonna Mario. So

0:39:41.200 --> 0:39:44.279
<v Speaker 1>I broke this down for somebody, uh during the BT

0:39:44.400 --> 0:39:46.640
<v Speaker 1>weekend because everyone because of course everybody's asking me about

0:39:46.640 --> 0:39:52.880
<v Speaker 1>the damn versus I don't. A performer, Mario will always

0:39:52.920 --> 0:39:57.920
<v Speaker 1>have issue against a singer Mario because a singer Mario

0:39:58.520 --> 0:40:02.640
<v Speaker 1>can get all everybody in the room with just his voice.

0:40:02.920 --> 0:40:05.959
<v Speaker 1>He can literally stand in one spot and just sing

0:40:06.440 --> 0:40:10.160
<v Speaker 1>and get the whole room. Whereas the performer Marian, he

0:40:10.239 --> 0:40:11.719
<v Speaker 1>gott to do a double flipping land on his head

0:40:11.760 --> 0:40:14.160
<v Speaker 1>and then turn around and split and eat some watermelon.

0:40:14.280 --> 0:40:18.960
<v Speaker 1>That's There's so much that has to happen. Was a

0:40:18.960 --> 0:40:21.360
<v Speaker 1>little uncoming. It was a little uncoming. It was I

0:40:21.480 --> 0:40:23.719
<v Speaker 1>think I think that I think everyone It was a

0:40:23.760 --> 0:40:29.440
<v Speaker 1>little uncoming. But but yeah, so I'm always gonna go

0:40:29.440 --> 0:40:31.600
<v Speaker 1>away with a singer, you know, remind you I I

0:40:31.719 --> 0:40:34.399
<v Speaker 1>dubbed myself a performer. I'm a performer that can sing,

0:40:35.160 --> 0:40:37.640
<v Speaker 1>but I wouldn't. I wouldn't. I wouldn't go up against

0:40:37.719 --> 0:40:40.920
<v Speaker 1>Mario in a battle, in a singing battle like nobody's

0:40:41.040 --> 0:40:44.200
<v Speaker 1>doing that was doing that, that's what that dude does. No,

0:40:44.520 --> 0:40:48.319
<v Speaker 1>that's not so shot. Marian and Mario, everybody, everybody knows

0:40:48.320 --> 0:40:59.759
<v Speaker 1>who want that thing? S soso double xl uh. You

0:40:59.840 --> 0:41:03.080
<v Speaker 1>know what? The source? The source? Because the source actually

0:41:03.120 --> 0:41:05.640
<v Speaker 1>put me on a cover at one time. Yeah me

0:41:05.719 --> 0:41:09.040
<v Speaker 1>and keeps your cold it's fire. Yeah, that was weird.

0:41:11.480 --> 0:41:13.680
<v Speaker 1>I'm gonna get my shot ready for this next one.

0:41:15.000 --> 0:41:19.160
<v Speaker 1>Fifty cents or jeezy damn, just get my shot ready.

0:41:22.320 --> 0:41:27.880
<v Speaker 1>Get that pop got ready for both of them? I do,

0:41:28.160 --> 0:41:32.160
<v Speaker 1>and they are both friends. Solo, can't you slottle slot

0:41:32.520 --> 0:41:41.480
<v Speaker 1>good choice, get easier as you go. Yeah, it's getting

0:41:41.480 --> 0:41:45.080
<v Speaker 1>easier right now. It's not Jermaine depris on pop daddy.

0:41:45.480 --> 0:41:54.399
<v Speaker 1>Damn uh that's a shot. Damn the fucking set up. Damn,

0:41:56.160 --> 0:42:02.239
<v Speaker 1>come on, come on, this is thank god. I ain't

0:42:02.280 --> 0:42:06.759
<v Speaker 1>had nothing to do today different so I'm going to

0:42:06.840 --> 0:42:13.840
<v Speaker 1>bed after Oh oh, just get the good one. This

0:42:14.000 --> 0:42:22.440
<v Speaker 1>is my favorite major or independent independent. Wow comes, I'm

0:42:22.440 --> 0:42:28.480
<v Speaker 1>not gonna you have debates over no. Speaking from personal experience,

0:42:28.600 --> 0:42:30.319
<v Speaker 1>major label is dope when it's done the right way.

0:42:30.960 --> 0:42:33.560
<v Speaker 1>But nowadays, how often is it done the right way? Right?

0:42:33.800 --> 0:42:35.080
<v Speaker 1>You know what I mean? We we've got to a

0:42:35.120 --> 0:42:39.040
<v Speaker 1>point where where all you really use a major label

0:42:39.080 --> 0:42:40.719
<v Speaker 1>four is a bank. You know what I'm saying. It's

0:42:40.760 --> 0:42:42.400
<v Speaker 1>it's it's money that you don't gotta pull out your

0:42:42.400 --> 0:42:44.759
<v Speaker 1>own pocket. But as far as the legwork, as far

0:42:44.800 --> 0:42:46.960
<v Speaker 1>as you know, all of that, that's that's that has

0:42:47.040 --> 0:42:49.759
<v Speaker 1>to happen. Like castes that are doing it theirself, catch

0:42:49.800 --> 0:42:52.319
<v Speaker 1>that are promoting themselves, cats is making records in their

0:42:52.400 --> 0:42:55.520
<v Speaker 1>bathroom on Monday and dropping them ships on Spotify Tuesday.

0:42:55.920 --> 0:42:57.879
<v Speaker 1>You know, it's a real thing. It's it's happening there.

0:42:58.320 --> 0:43:01.720
<v Speaker 1>And the more are the more these young artists realized

0:43:01.760 --> 0:43:03.200
<v Speaker 1>that the power is kind of in their own hands.

0:43:03.960 --> 0:43:06.520
<v Speaker 1>The less and less the less unless you feel like

0:43:06.600 --> 0:43:09.080
<v Speaker 1>you would need a major label. And mind you, I'm

0:43:09.080 --> 0:43:11.000
<v Speaker 1>talking about the major labels that don't the way they

0:43:11.000 --> 0:43:12.680
<v Speaker 1>said the EXXL had you on the cup and not

0:43:15.320 --> 0:43:24.120
<v Speaker 1>for that you sucked up me with you. I just

0:43:24.200 --> 0:43:26.200
<v Speaker 1>got to text, so you know, what I mean, we

0:43:26.280 --> 0:43:31.640
<v Speaker 1>just got the tex little gun, salut the clock, Let's go,

0:43:32.880 --> 0:43:40.000
<v Speaker 1>let's go Independence, shout of clock. But I'll tell you,

0:43:40.320 --> 0:43:43.279
<v Speaker 1>I'm gonna tell you something I got spoiled after having

0:43:43.360 --> 0:43:46.480
<v Speaker 1>hit records, after having streaked records. When I first came

0:43:46.520 --> 0:43:49.520
<v Speaker 1>out was the warri Port we me and Capone, we

0:43:49.640 --> 0:43:52.160
<v Speaker 1>had records that was was considered hits. But just in

0:43:52.239 --> 0:43:55.200
<v Speaker 1>New York said that that streak records right the minute

0:43:55.239 --> 0:43:59.360
<v Speaker 1>I touched hit all fifty markets, the minute I hit

0:43:59.400 --> 0:44:02.040
<v Speaker 1>the number one. It was hard not to try to

0:44:02.120 --> 0:44:04.600
<v Speaker 1>not have that same feeling. So it's like it's like

0:44:04.640 --> 0:44:06.880
<v Speaker 1>if they say when when a person does drugs or

0:44:06.920 --> 0:44:09.799
<v Speaker 1>does crack, that that first hit is always the best,

0:44:09.880 --> 0:44:11.759
<v Speaker 1>So you always go out there and you're chasing that.

0:44:12.200 --> 0:44:14.480
<v Speaker 1>That's the same thing like when I was here when

0:44:14.520 --> 0:44:17.600
<v Speaker 1>I hit, When I hit a different it's a different

0:44:17.640 --> 0:44:20.000
<v Speaker 1>time period of social media that pre social media all that.

0:44:20.080 --> 0:44:22.560
<v Speaker 1>So I had to sell a million records. I had

0:44:22.600 --> 0:44:24.680
<v Speaker 1>to go to a million places, you know what I mean.

0:44:24.719 --> 0:44:26.719
<v Speaker 1>Like it wasn't as easy as what like I used

0:44:26.760 --> 0:44:28.680
<v Speaker 1>to be called on that Like I'm like people look

0:44:28.719 --> 0:44:30.520
<v Speaker 1>at me like I'm prehistoric, you know what, I'm saying,

0:44:30.560 --> 0:44:36.080
<v Speaker 1>I'm doing you I heard you know, people know what

0:44:36.200 --> 0:44:37.880
<v Speaker 1>the fact is, I came out of the nineties. So

0:44:37.920 --> 0:44:40.440
<v Speaker 1>people think that I'm prehistoric because they just think everybody

0:44:40.440 --> 0:44:42.680
<v Speaker 1>everything in the nineties is you know what I mean.

0:44:42.800 --> 0:44:44.840
<v Speaker 1>But I did get it. I did get used to

0:44:46.000 --> 0:44:48.759
<v Speaker 1>um that major label look and that you know, going

0:44:48.960 --> 0:44:51.840
<v Speaker 1>being able to go to every morning show throughout the

0:44:51.920 --> 0:44:53.800
<v Speaker 1>whole country, being able to go and then when you

0:44:53.840 --> 0:44:56.520
<v Speaker 1>get the independent you don't get that same look. You

0:44:56.560 --> 0:44:57.759
<v Speaker 1>know what I'm saying, You have to you have to

0:44:57.840 --> 0:45:01.160
<v Speaker 1>work very, very harder to get the little results that

0:45:01.239 --> 0:45:03.920
<v Speaker 1>you actually get when you get them when you're work,

0:45:04.000 --> 0:45:05.840
<v Speaker 1>when you're with a record label, they believe in you

0:45:05.960 --> 0:45:08.279
<v Speaker 1>and wants to actually do the work. That's that's all

0:45:08.320 --> 0:45:10.839
<v Speaker 1>switch which should be to the combination of both being

0:45:10.920 --> 0:45:14.239
<v Speaker 1>independent to the point where the major is just your distribution.

0:45:14.560 --> 0:45:16.719
<v Speaker 1>It's the right deal for you, and then they take

0:45:16.760 --> 0:45:19.480
<v Speaker 1>you to the next level. That that's always all componis

0:45:19.520 --> 0:45:21.879
<v Speaker 1>when we argue about that, that's all we we where

0:45:21.920 --> 0:45:25.520
<v Speaker 1>we see out of eyes. Stay independent, but get that

0:45:25.600 --> 0:45:28.279
<v Speaker 1>major labeled distribution. You know what I'm saying. So when

0:45:28.320 --> 0:45:30.960
<v Speaker 1>you because man, I ain't gonna lie it'd be hard

0:45:31.120 --> 0:45:35.319
<v Speaker 1>to go to go back to the non suitets. What's

0:45:38.080 --> 0:45:41.080
<v Speaker 1>the economy, loud, I don't want to stay there. I

0:45:41.200 --> 0:45:53.600
<v Speaker 1>can season, you don't have to. I've never been independent. Okay,

0:45:56.120 --> 0:45:58.120
<v Speaker 1>we're taking a shot for you're not going independent. Keep

0:45:58.160 --> 0:46:03.360
<v Speaker 1>that big check money man talking to check money. Let's go.

0:46:04.080 --> 0:46:10.040
<v Speaker 1>Mm hmmm h Japanese Delion is fighting back. Yes, sir, yeah, yes,

0:46:10.080 --> 0:46:15.480
<v Speaker 1>stay stay stay Major, stay Major. No no, no, I'm so.

0:46:15.680 --> 0:46:18.960
<v Speaker 1>I've never been an independent artist, so I don't completely

0:46:19.000 --> 0:46:22.240
<v Speaker 1>know the struggle of independent artists other than you basically

0:46:22.320 --> 0:46:25.360
<v Speaker 1>have to do everything yourself, right, I get, I understand

0:46:25.400 --> 0:46:27.000
<v Speaker 1>what that is. I get that, you know. Shout out

0:46:27.040 --> 0:46:29.319
<v Speaker 1>to my motown team. They do me absolutely, talking right

0:46:29.360 --> 0:46:31.920
<v Speaker 1>over there right spending their motown money, baby, definitely, But

0:46:32.200 --> 0:46:35.239
<v Speaker 1>start spending your own money. It's different. There are also

0:46:35.239 --> 0:46:37.520
<v Speaker 1>about give up ownership. Let's keep that in mind as well.

0:46:37.640 --> 0:46:39.560
<v Speaker 1>To be on the major label, you don't have to

0:46:39.640 --> 0:46:43.160
<v Speaker 1>go up. I don't mind. I don't mean. Well, you

0:46:43.239 --> 0:46:44.880
<v Speaker 1>know what, So I watched something the other day and

0:46:45.000 --> 0:46:46.640
<v Speaker 1>I think it was older. I'm not sure, but it

0:46:46.760 --> 0:46:51.080
<v Speaker 1>was it was the boy uh that made sense. It

0:46:51.160 --> 0:46:53.440
<v Speaker 1>made sense. He was like he was like he just

0:46:53.520 --> 0:46:55.319
<v Speaker 1>wanted to buy his masters back. He wanted to get

0:46:55.360 --> 0:46:57.200
<v Speaker 1>his masters back, and and they was giving him a

0:46:57.239 --> 0:46:58.640
<v Speaker 1>hard time about getting the masters back. He said, what

0:46:58.680 --> 0:47:00.239
<v Speaker 1>are you gonna do with the master? Yeah, it's like

0:47:00.320 --> 0:47:01.840
<v Speaker 1>what you're gonna do put the ships on your on

0:47:01.880 --> 0:47:03.279
<v Speaker 1>your dress, Like what you're gonna do with the ship?

0:47:03.560 --> 0:47:04.759
<v Speaker 1>If you don't know what to do? It it's worth

0:47:04.920 --> 0:47:07.640
<v Speaker 1>it's worthless, it's worth. So I get that. I get that.

0:47:08.080 --> 0:47:13.120
<v Speaker 1>I think the independent route just is attractive to me

0:47:13.280 --> 0:47:16.040
<v Speaker 1>because it's like your own agenda, you know what I'm saying.

0:47:16.440 --> 0:47:19.600
<v Speaker 1>They're definitely on a Record Labels agenda, you know, on

0:47:19.640 --> 0:47:22.600
<v Speaker 1>their timeline. You gotta do ship when when they need

0:47:22.680 --> 0:47:23.880
<v Speaker 1>you to do it, when they want you to do it.

0:47:24.120 --> 0:47:25.799
<v Speaker 1>Whereas the independent you could just do your own thing.

0:47:25.920 --> 0:47:27.880
<v Speaker 1>Like I would love to do a so on Monday

0:47:27.920 --> 0:47:29.719
<v Speaker 1>and drop the ship too, say, because I felt like it.

0:47:29.760 --> 0:47:32.200
<v Speaker 1>I would love to do that, Like that's that's that's

0:47:32.239 --> 0:47:33.960
<v Speaker 1>the kind of freedom. That that's the kind of freedom

0:47:34.040 --> 0:47:36.919
<v Speaker 1>that I feel like, you work, you work this hard

0:47:37.000 --> 0:47:39.240
<v Speaker 1>for this long to get to get that kind of freedom.

0:47:39.680 --> 0:47:41.839
<v Speaker 1>It's like the same. Not all money is good money.

0:47:42.640 --> 0:47:44.920
<v Speaker 1>So you might make some less money as an independent,

0:47:45.000 --> 0:47:48.719
<v Speaker 1>but that freedom is just as less money as an

0:47:48.760 --> 0:47:50.680
<v Speaker 1>independent I mean say, if if that was the case,

0:47:51.200 --> 0:47:53.480
<v Speaker 1>that freedom might be just as valuable for someone made

0:47:53.480 --> 0:47:55.759
<v Speaker 1>a little bit more. Always is always the exception. Like

0:47:55.920 --> 0:47:59.120
<v Speaker 1>you're looking at the rocket Fellers where they own their masters.

0:47:59.200 --> 0:48:00.600
<v Speaker 1>You look at the master each to look at the

0:48:01.000 --> 0:48:03.280
<v Speaker 1>you know, um, the cash money is always the exception

0:48:03.360 --> 0:48:04.600
<v Speaker 1>to that rule, you know what I mean with with

0:48:04.800 --> 0:48:08.360
<v Speaker 1>people like that, like those, But I mean that's the

0:48:08.760 --> 0:48:10.919
<v Speaker 1>they're there are definitely exceptions to the rule. They're they're

0:48:10.960 --> 0:48:15.640
<v Speaker 1>the rare occasions where the independent thing work, not only work,

0:48:15.719 --> 0:48:18.960
<v Speaker 1>but but flourish. Yeah, completely, I bet you. I bet

0:48:18.960 --> 0:48:23.000
<v Speaker 1>you little Wayne, I bet you, um Turk. All of

0:48:23.040 --> 0:48:24.800
<v Speaker 1>them never felt like they was on an independent label

0:48:25.160 --> 0:48:31.000
<v Speaker 1>because they have those independent labels. Was sucking conglomerates be

0:48:31.160 --> 0:48:36.120
<v Speaker 1>then theirselves like it's the like independent because it's independently owned.

0:48:36.200 --> 0:48:38.239
<v Speaker 1>Like it's just y'all know I think y'all are y'all

0:48:38.280 --> 0:48:44.960
<v Speaker 1>are a major label? Okay, all right? A connoty pain?

0:48:48.239 --> 0:48:49.760
<v Speaker 1>Why do you want to put all my friends against

0:48:49.800 --> 0:48:54.400
<v Speaker 1>each other? That's the evil Dominican and the evil Columbia.

0:48:54.760 --> 0:49:03.359
<v Speaker 1>I'm gonna say, uh, I'm man, let's do it. I'm

0:49:03.400 --> 0:49:06.080
<v Speaker 1>glad you're playing the game. He's playing the game. He

0:49:06.320 --> 0:49:08.120
<v Speaker 1>is playing the game. I love it. I love it.

0:49:08.200 --> 0:49:10.520
<v Speaker 1>Thank thank you, thank you. You be a little too

0:49:10.560 --> 0:49:15.960
<v Speaker 1>for Okay, you know a little so little okay, m

0:49:16.239 --> 0:49:23.359
<v Speaker 1>M Quincy Jones or Stevie Wonder, this is you might

0:49:23.360 --> 0:49:33.080
<v Speaker 1>as well kept pouring out of here. This was a

0:49:33.200 --> 0:49:40.279
<v Speaker 1>great idea. We're right second, Quincy Jones or you said,

0:49:40.320 --> 0:49:44.960
<v Speaker 1>Quincy Jones, step Wonder okay, Uh Stevie Wonder. And I

0:49:45.000 --> 0:49:46.800
<v Speaker 1>would say this because because he could see it on

0:49:46.840 --> 0:49:51.240
<v Speaker 1>the low, Shock said he see him in the elevator.

0:49:51.320 --> 0:50:00.160
<v Speaker 1>He pressed the body because boys up to big walking. Well,

0:50:00.880 --> 0:50:08.960
<v Speaker 1>come on, I think you see y'all finger pop and

0:50:09.000 --> 0:50:14.800
<v Speaker 1>ship for years. That's the one that I love you

0:50:14.840 --> 0:50:18.040
<v Speaker 1>to death. I ain't say that with me, no, God,

0:50:18.320 --> 0:50:21.719
<v Speaker 1>Stevie Wonder, because I learned. I learned how to sing

0:50:22.440 --> 0:50:25.439
<v Speaker 1>listening to Stevie Wonder and Michael Jackson. I hate more voice,

0:50:25.680 --> 0:50:29.560
<v Speaker 1>so okay. So I come from uh musical family. Everybody

0:50:29.600 --> 0:50:31.759
<v Speaker 1>and my family do something. My sister came out the

0:50:31.840 --> 0:50:36.480
<v Speaker 1>wound just blowing right, so it's effortless for her. My

0:50:36.520 --> 0:50:38.000
<v Speaker 1>ship was not effortless. I had to had to like

0:50:38.320 --> 0:50:41.799
<v Speaker 1>learn how to sing and drink tea and definitely drink.

0:50:43.400 --> 0:50:47.200
<v Speaker 1>But my mom used to listen to like, you know, temptations,

0:50:47.280 --> 0:50:51.520
<v Speaker 1>Oh Jay's teddy pentagrams, turn them off, big heavy voices,

0:50:51.880 --> 0:50:53.239
<v Speaker 1>and I ain't had that ship. And my mom was

0:50:53.320 --> 0:50:55.439
<v Speaker 1>my hero. That was that was like, that was my person,

0:50:55.520 --> 0:50:56.959
<v Speaker 1>you know what I'm saying. So I wanted to sound

0:50:57.040 --> 0:50:59.160
<v Speaker 1>like the ship that she liked to listen to, but

0:50:59.200 --> 0:51:01.320
<v Speaker 1>I ain't sound like that. So she introduced me to

0:51:01.360 --> 0:51:04.200
<v Speaker 1>Michael Jackson. She introduced me to Stephen want because it

0:51:04.280 --> 0:51:08.480
<v Speaker 1>was kind of a similar tone to what huh literally

0:51:08.560 --> 0:51:17.440
<v Speaker 1>not Michael Jackson, kids your coaches. All I met was

0:51:17.520 --> 0:51:25.279
<v Speaker 1>Kennyson growing up. I was mad jealous one second met

0:51:25.360 --> 0:51:27.840
<v Speaker 1>Michael and one of the steve me one as a

0:51:27.920 --> 0:51:30.400
<v Speaker 1>job I met as an adult. Wait, we could get

0:51:30.400 --> 0:51:33.000
<v Speaker 1>into that. Hold on, don't don't go too fast, you're

0:51:33.000 --> 0:51:35.040
<v Speaker 1>going too fat. Now we're going to beat That's the

0:51:35.120 --> 0:51:37.680
<v Speaker 1>first way we're gonna We're gonna straight to Michael and

0:51:37.840 --> 0:51:42.279
<v Speaker 1>print stories if you have, we love them here. Yeah,

0:51:43.400 --> 0:51:45.800
<v Speaker 1>when Patty the Bell print story was kind of crazy,

0:51:45.960 --> 0:51:49.480
<v Speaker 1>it was that was a good show speaking of that

0:51:50.680 --> 0:51:53.919
<v Speaker 1>wall of Drilla. Never expected to see Patty the mail

0:51:54.520 --> 0:51:58.280
<v Speaker 1>as she drank. We didn't expect everything that was amazing.

0:51:58.400 --> 0:52:00.640
<v Speaker 1>And she drank and she signed my guacam only company too.

0:52:00.719 --> 0:52:07.360
<v Speaker 1>Let's make some noise for me close up and I

0:52:07.440 --> 0:52:09.360
<v Speaker 1>made it deal immediately, let's go back to you. You

0:52:09.480 --> 0:52:12.800
<v Speaker 1>might distribution. I went mad, I went I went independent

0:52:12.840 --> 0:52:21.600
<v Speaker 1>this time. Okay, okay, off the water, throw off the wall. Because,

0:52:21.840 --> 0:52:23.759
<v Speaker 1>as I was just saying, I learned how to sing

0:52:24.360 --> 0:52:27.000
<v Speaker 1>listening to Mike and Steve. The first Michael Jackson music

0:52:27.040 --> 0:52:34.040
<v Speaker 1>that I ever heard was off the Wall. Kanye Wessel

0:52:34.120 --> 0:52:44.239
<v Speaker 1>for Rell fu fuck um fuck that blue Dotter is

0:52:44.280 --> 0:52:49.239
<v Speaker 1>looking at Emmett. I'm too nice. I mean, this is

0:52:49.320 --> 0:52:54.960
<v Speaker 1>this is, this game is made. I told you I

0:52:55.000 --> 0:52:57.280
<v Speaker 1>don't take shots. I don't know. I don't have shot etiquette.

0:52:57.280 --> 0:53:09.239
<v Speaker 1>I don't know what I'm just say etiquette it because

0:53:09.239 --> 0:53:11.840
<v Speaker 1>it's long long, we're not even have we all have

0:53:11.960 --> 0:53:14.799
<v Speaker 1>way through? Were not with the show? Over the show? Yea, yeah,

0:53:14.960 --> 0:53:17.600
<v Speaker 1>we have way through. My answers is about changing on

0:53:18.760 --> 0:53:22.920
<v Speaker 1>this one. This one. It's gonna be ill all right,

0:53:23.200 --> 0:53:29.800
<v Speaker 1>tank or keep sweat, uh, keep sweat. Gotta go with

0:53:29.840 --> 0:53:37.960
<v Speaker 1>the history go absolute o G radio or podcast that's

0:53:38.000 --> 0:53:42.719
<v Speaker 1>independent of major all over, and I can honestly say

0:53:43.520 --> 0:53:46.759
<v Speaker 1>that in the history of me, I've made my money

0:53:46.840 --> 0:53:49.279
<v Speaker 1>via radio. Then I have your podcast. We can respect that.

0:53:49.960 --> 0:53:52.000
<v Speaker 1>Respect that, you know, as soon as the podcast checks

0:53:52.000 --> 0:53:57.040
<v Speaker 1>are rolling in, Hey, yeah, no problem, no problem, we

0:53:57.239 --> 0:54:00.880
<v Speaker 1>respect that, all right, e F And you want to go, Okay,

0:54:01.840 --> 0:54:03.680
<v Speaker 1>I get it now. I didn't. I didn't get it before.

0:54:04.160 --> 0:54:10.680
<v Speaker 1>For Dora's or baseball hats, I didn't get it that first, sorry,

0:54:12.320 --> 0:54:22.440
<v Speaker 1>or because it sounds like a new clearly you live

0:54:22.600 --> 0:54:26.239
<v Speaker 1>quality and else the number three topic wearing niggers in

0:54:26.320 --> 0:54:30.360
<v Speaker 1>the world cats or had the shower back there? I do?

0:54:31.320 --> 0:54:33.480
<v Speaker 1>That was a lot. I know, k I'm saying something,

0:54:35.719 --> 0:54:40.759
<v Speaker 1>so all right, I feel like world world known people

0:54:40.800 --> 0:54:43.160
<v Speaker 1>know the for door like if you if you you

0:54:43.239 --> 0:54:47.279
<v Speaker 1>think neo, you think for door world. However, they both

0:54:47.600 --> 0:54:50.879
<v Speaker 1>embodied me like it's just it's just it's just who

0:54:50.920 --> 0:54:55.320
<v Speaker 1>the hell I am for doors for do? Okay? I

0:54:55.400 --> 0:54:57.480
<v Speaker 1>love a baseball cat, but I feel like I look

0:54:57.560 --> 0:55:00.680
<v Speaker 1>better at the door. I love that they a little

0:55:00.719 --> 0:55:04.360
<v Speaker 1>emoji for the big but the cat, like you, like,

0:55:04.400 --> 0:55:10.160
<v Speaker 1>we wouldn't know what that Okay, Our Green or Curtis Mayfield, Damn,

0:55:11.719 --> 0:55:15.160
<v Speaker 1>let's go, come on, let's drink it. Yeah, I'm ahead. Uh,

0:55:16.520 --> 0:55:18.680
<v Speaker 1>I'm gonna get mine ready at least I really don't

0:55:18.719 --> 0:55:22.799
<v Speaker 1>want to take another shot. Fuck y'all. Damn damn. Yeah,

0:55:23.160 --> 0:55:26.080
<v Speaker 1>that's not a you can't do that. Yeah, you gotta

0:55:26.200 --> 0:55:29.840
<v Speaker 1>show respect to the old JS. So I look serious.

0:55:30.400 --> 0:55:38.359
<v Speaker 1>M hm awk our Green grets may that man find

0:55:38.440 --> 0:55:42.000
<v Speaker 1>christ def Jam. We've been talking about that, people telling

0:55:42.000 --> 0:55:48.160
<v Speaker 1>about the Grits Jef Jam my Motown. Who um, you

0:55:48.239 --> 0:56:02.960
<v Speaker 1>know what think's drinking that? I'm take a shot. I'm

0:56:03.000 --> 0:56:07.400
<v Speaker 1>gonna advise, I'm gonna listen to your advisorysory committee, not

0:56:07.560 --> 0:56:09.880
<v Speaker 1>real ship because def Jam set it up in Motown,

0:56:09.920 --> 0:56:12.920
<v Speaker 1>spiked at home. You know. So they both played very

0:56:13.000 --> 0:56:18.920
<v Speaker 1>intricate injurgle role in my success. So I can't slot

0:56:19.000 --> 0:56:25.040
<v Speaker 1>to both pick up tons of two tons of tongs.

0:56:25.320 --> 0:56:27.560
<v Speaker 1>He's doing a great jobs, gonna get it ready and

0:56:27.960 --> 0:56:37.040
<v Speaker 1>the tinay Rick James and Bobby Brown Bobby Brown head

0:56:37.840 --> 0:56:40.920
<v Speaker 1>No I fock Rick James, Rick James. But as far

0:56:41.000 --> 0:56:45.880
<v Speaker 1>as influenced me personally, Bobby Brown is my imagination. Did

0:56:45.960 --> 0:56:49.719
<v Speaker 1>you hear that Bobby Brown frog um chicken with cocaine.

0:56:52.080 --> 0:56:54.920
<v Speaker 1>I did not hear that. However, I am not shocked

0:56:56.200 --> 0:56:58.120
<v Speaker 1>surprised by that at all, as they said he had

0:56:58.160 --> 0:57:03.400
<v Speaker 1>so much cocaine one time that he got he bred chicken.

0:57:03.719 --> 0:57:06.920
<v Speaker 1>He bred. I ain't gonna lie to that work. I

0:57:07.000 --> 0:57:09.360
<v Speaker 1>don't know where. I ain't allow to you order me.

0:57:09.480 --> 0:57:14.200
<v Speaker 1>He wants to know how that part like, because that

0:57:14.320 --> 0:57:18.640
<v Speaker 1>was either some complete bullshit like it was going to

0:57:18.720 --> 0:57:21.960
<v Speaker 1>be the best chicken regards, this is the best you

0:57:22.040 --> 0:57:25.120
<v Speaker 1>taking by and that it's the best, yo, don't let you.

0:57:31.200 --> 0:57:35.120
<v Speaker 1>Who told us that Rick James their babysitter? Wow? Who

0:57:35.200 --> 0:57:40.040
<v Speaker 1>told that? Was it snow that Rick James? Was it? Conway?

0:57:41.680 --> 0:57:45.080
<v Speaker 1>It was snow that Rick James was just babysitter somebody kids?

0:57:45.320 --> 0:57:47.720
<v Speaker 1>By the way, that snow by the way, whoever that

0:57:48.000 --> 0:57:50.560
<v Speaker 1>was your parents is out of live. I'm saying he

0:57:50.680 --> 0:57:58.400
<v Speaker 1>talked about his mom. That's a strange I'm not I'm

0:57:58.440 --> 0:58:02.680
<v Speaker 1>a good babysittering. What are you doing as what are

0:58:02.680 --> 0:58:04.560
<v Speaker 1>you doing as a parent to where it becomes a

0:58:04.600 --> 0:58:08.760
<v Speaker 1>good idea for Richard James to watch the I gotta

0:58:08.840 --> 0:58:12.160
<v Speaker 1>be there, I gotta Rick you mean slide you gotta

0:58:12.200 --> 0:58:19.040
<v Speaker 1>be there. What's happening? What does that Evan? It was

0:58:19.080 --> 0:58:29.360
<v Speaker 1>definitely picture what you got to go? Something was ship hey, listen,

0:58:29.880 --> 0:58:36.600
<v Speaker 1>ship hold little man, damn bottle every two hours. Okay,

0:58:37.040 --> 0:58:43.360
<v Speaker 1>Whitney Houston or Amy wine House. Whitney Houston Love Amy

0:58:43.400 --> 0:58:45.120
<v Speaker 1>wine House. But there will be no Amy wine House

0:58:45.120 --> 0:58:51.400
<v Speaker 1>where wit Houston, Adele or Mariah Maria Love be now Adele.

0:58:51.880 --> 0:58:53.680
<v Speaker 1>I got record with Mariah. She came to the studio

0:58:53.680 --> 0:58:57.160
<v Speaker 1>and didn't my record and drink and I ain't gonna lie.

0:58:57.160 --> 0:58:58.960
<v Speaker 1>I was so embarrassed when she came to the studio

0:58:59.120 --> 0:59:00.840
<v Speaker 1>because we didn't clean up. You know, I had like

0:59:00.920 --> 0:59:04.280
<v Speaker 1>a clubhouse studio. And then Marian carry walls to like,

0:59:04.320 --> 0:59:06.040
<v Speaker 1>what do you do? You do you take the garbage out?

0:59:06.080 --> 0:59:08.000
<v Speaker 1>Now like he's not so much like you just go

0:59:08.240 --> 0:59:12.840
<v Speaker 1>with it, but but hold on. But I deflected, Neil.

0:59:12.880 --> 0:59:14.600
<v Speaker 1>You know what I did. I said, you drinking wine?

0:59:14.640 --> 0:59:17.600
<v Speaker 1>She said yes, I yeah, and we went and then

0:59:17.680 --> 0:59:20.080
<v Speaker 1>she had her eyes on the wine and not how

0:59:20.160 --> 0:59:24.640
<v Speaker 1>filthy my studio was. Riots in the back of her head.

0:59:24.680 --> 0:59:26.880
<v Speaker 1>She was like, it's dirtiest hand, but let me just

0:59:26.960 --> 0:59:29.160
<v Speaker 1>say good, let me just tell your something. So we

0:59:29.240 --> 0:59:32.240
<v Speaker 1>had so so she was walking around and like I've

0:59:32.320 --> 0:59:34.520
<v Speaker 1>never seen my my my niggas groupy out like this,

0:59:34.680 --> 0:59:37.640
<v Speaker 1>like my niggas was really following her up and down

0:59:37.720 --> 0:59:40.800
<v Speaker 1>the studios. So I said, I said, I said, I said,

0:59:40.840 --> 0:59:43.720
<v Speaker 1>my Ryan, I said, you can't show stop following my rife.

0:59:44.000 --> 0:59:46.200
<v Speaker 1>And then Mariant hits me to to the side. She said,

0:59:46.400 --> 0:59:49.360
<v Speaker 1>they may never see me again. Just left them, just

0:59:49.560 --> 0:59:55.160
<v Speaker 1>left them. And because I was taking the too far,

0:59:55.240 --> 0:59:56.400
<v Speaker 1>because this is my guest, you know what I mean,

0:59:56.480 --> 1:00:01.720
<v Speaker 1>I'm like this before cameras and U Instagram. But she said,

1:00:01.760 --> 1:00:05.000
<v Speaker 1>she said, she leaned over so politely said no, they

1:00:05.080 --> 1:00:08.160
<v Speaker 1>may never see me again. Let them you know. You

1:00:08.200 --> 1:00:10.480
<v Speaker 1>know what she meant was, I ain't never coming back.

1:00:15.200 --> 1:00:23.040
<v Speaker 1>I am coming back different. That's like a life that's

1:00:23.080 --> 1:00:26.600
<v Speaker 1>a life accomplishment. Yes, yes, I got a record. I did.

1:00:26.760 --> 1:00:28.600
<v Speaker 1>I did ship with Mariah. I did shout out the

1:00:28.600 --> 1:00:32.280
<v Speaker 1>big shout out the big life accomplished that that line

1:00:32.360 --> 1:00:37.440
<v Speaker 1>is all because everybody felt like, yeah, yeah, that's it.

1:00:38.080 --> 1:00:43.560
<v Speaker 1>That's it. Dicky Smalls or big punt Biggie Smalls, a

1:00:43.720 --> 1:00:47.200
<v Speaker 1>big pun Biggie Smalls, all respect to Big Punk. But

1:00:48.160 --> 1:00:50.080
<v Speaker 1>I was introduced a Biggie Smallest first, I fell in

1:00:50.160 --> 1:00:53.920
<v Speaker 1>love with Biggie word played first, big smalls good. It's

1:00:53.960 --> 1:00:56.680
<v Speaker 1>the last one, the last one the interview, but the

1:00:56.760 --> 1:00:59.920
<v Speaker 1>last for quick Time and slide Everyone these is a

1:01:00.200 --> 1:01:03.200
<v Speaker 1>m a trick question. It really is a trick question.

1:01:06.600 --> 1:01:10.920
<v Speaker 1>Isn't what it kind of is? Loyalty or respect? Loyalty

1:01:11.360 --> 1:01:15.240
<v Speaker 1>or respect? Can you be loyal to somebody that you

1:01:15.320 --> 1:01:22.080
<v Speaker 1>don't respect? Step? Not really right? If I don't. If

1:01:22.080 --> 1:01:23.760
<v Speaker 1>I don't respect you, why would I Why would I

1:01:23.760 --> 1:01:26.960
<v Speaker 1>waste my loyalty? Only final respect you? So it's a

1:01:27.360 --> 1:01:32.880
<v Speaker 1>definitely loyalty. Let me respect respect, definitely respect. Okay, yeah,

1:01:33.560 --> 1:01:36.000
<v Speaker 1>god damn it. We survived quick time, you did it.

1:01:36.560 --> 1:01:41.320
<v Speaker 1>I'm gonna take a shot for surviving. I'm gonna take surviving. Yeah,

1:01:42.160 --> 1:01:46.760
<v Speaker 1>quick time yet. Okay, okay, And let me just tell

1:01:46.760 --> 1:01:49.840
<v Speaker 1>you something. We've been doing this for six years. There's

1:01:49.880 --> 1:01:54.920
<v Speaker 1>only two people who came here and changed cheers. You

1:01:55.120 --> 1:01:57.880
<v Speaker 1>just made a list. But who else you think is

1:01:57.920 --> 1:02:00.960
<v Speaker 1>the other person came here and changed? Changed like I

1:02:01.040 --> 1:02:06.440
<v Speaker 1>mean change clothes, like clothes changed. But actually actually I didn't.

1:02:06.440 --> 1:02:09.920
<v Speaker 1>I was going you had a whole plan was changed.

1:02:11.160 --> 1:02:13.000
<v Speaker 1>You know what I'm about to drink and smoke and

1:02:13.040 --> 1:02:15.960
<v Speaker 1>it's probably gonna be bad. I love rock. Let me right,

1:02:16.880 --> 1:02:19.000
<v Speaker 1>I'm with family and friends. Let the rock. Why I'm

1:02:19.080 --> 1:02:21.200
<v Speaker 1>good good? Who's the only I ain't got dressed up

1:02:21.200 --> 1:02:23.880
<v Speaker 1>for you? Who's the other person that you think that

1:02:24.000 --> 1:02:31.440
<v Speaker 1>came here and came here and changed? Clowes did Patty

1:02:31.520 --> 1:02:40.920
<v Speaker 1>the change and love it. She she came ready to

1:02:41.040 --> 1:02:42.800
<v Speaker 1>rock hat out here and make a lot of people there.

1:02:43.000 --> 1:02:45.440
<v Speaker 1>We picked up my boy, go go. We picked up

1:02:45.480 --> 1:02:47.520
<v Speaker 1>with the ghost. We had a red carpet for because

1:02:47.520 --> 1:02:50.080
<v Speaker 1>we don't even have to you know what I'm saying.

1:02:50.280 --> 1:02:53.600
<v Speaker 1>And yeah, but she she stayed ready. But she didn't

1:02:53.600 --> 1:02:56.320
<v Speaker 1>take my easies. He took my easy slippers because he

1:02:56.360 --> 1:02:58.160
<v Speaker 1>wanted to go to the bathroom. Wanted to go to

1:02:58.160 --> 1:02:59.920
<v Speaker 1>the bathroom, and I had my slippers right there, and

1:03:00.040 --> 1:03:01.960
<v Speaker 1>so I opened it up and she did it. And

1:03:02.040 --> 1:03:05.160
<v Speaker 1>then when she when she didn't, she started she started dancing.

1:03:05.280 --> 1:03:08.200
<v Speaker 1>I said, holy movie, we want, we want. We got

1:03:08.320 --> 1:03:12.160
<v Speaker 1>hanging about dancing. And soon as she put the easiest

1:03:12.200 --> 1:03:15.920
<v Speaker 1>off slippers off, I'm framing them right now, I'm framing them.

1:03:15.960 --> 1:03:17.720
<v Speaker 1>And so when you walk in my crib, you first

1:03:17.720 --> 1:03:20.160
<v Speaker 1>walk in my crib. You're gonna see the yeasies that

1:03:20.240 --> 1:03:22.680
<v Speaker 1>Palliati about war because see the video footage of her

1:03:22.760 --> 1:03:26.800
<v Speaker 1>wearing it, Because that implies you have a very large crib. No, no, no,

1:03:26.960 --> 1:03:29.600
<v Speaker 1>actually actually don't. Yeah, because actually next to that, I

1:03:29.680 --> 1:03:32.680
<v Speaker 1>got memorabil you just said doing the six years. But

1:03:32.800 --> 1:03:35.840
<v Speaker 1>actually I got Floyd may Whether his whole outfit that

1:03:35.880 --> 1:03:37.760
<v Speaker 1>he wore a drink chance is, I'm the biggest Floyd

1:03:37.800 --> 1:03:40.240
<v Speaker 1>Mayweather fan, So he sent me that. And then I

1:03:40.320 --> 1:03:44.080
<v Speaker 1>got um Lennox Lewis boxing gloves. I got a memorable bill.

1:03:44.160 --> 1:03:46.240
<v Speaker 1>You like a sting going on. You know what I'm saying,

1:03:48.080 --> 1:03:51.000
<v Speaker 1>If you know what, I'll take that. I'll take that. Yeah, yeah, yeah,

1:03:51.000 --> 1:03:52.720
<v Speaker 1>I'll take that. I'm just saying that. Yeah, yeah, you'll

1:03:52.720 --> 1:03:55.760
<v Speaker 1>be up in there amongst the gad that's cool, and

1:03:55.840 --> 1:03:57.560
<v Speaker 1>we're taking a shot for that. I think we shouldn't

1:03:57.560 --> 1:04:01.440
<v Speaker 1>take a shot of that. Let take a shot for yourself.

1:04:02.320 --> 1:04:08.520
<v Speaker 1>Everyone shot yourself. I know, I knew I was coming

1:04:08.520 --> 1:04:12.480
<v Speaker 1>to gym saying take a shot, take a shot with

1:04:12.520 --> 1:04:20.680
<v Speaker 1>you're heavy short, I'm drunk, God damn man. Oh I

1:04:20.760 --> 1:04:23.320
<v Speaker 1>stick got my drink on the side too. My spade.

1:04:23.840 --> 1:04:31.440
<v Speaker 1>You sad she chose violence. Yes, listen, listen, listen. We

1:04:31.560 --> 1:04:34.240
<v Speaker 1>used to have a Dominican guy named Mr Lee pouring drinks.

1:04:34.280 --> 1:04:36.960
<v Speaker 1>Now we got a girl for you. You know what? Yes, yes, yes,

1:04:37.400 --> 1:04:39.400
<v Speaker 1>because it would have been weird if you're having a

1:04:39.520 --> 1:04:46.880
<v Speaker 1>un all his love songs. You're saying strange dynamic. Yeah, Joe,

1:04:46.960 --> 1:04:49.200
<v Speaker 1>do you like being married? I like being married. I'm sorry,

1:04:50.240 --> 1:04:52.360
<v Speaker 1>you know I love being married. Yeah, I love streets

1:04:52.440 --> 1:04:55.320
<v Speaker 1>is gross? Yeah, I'm sorry. It's it's true. It's true.

1:04:55.320 --> 1:04:57.360
<v Speaker 1>It ain't it ain't it ain't ship. It ain't ship

1:04:57.440 --> 1:04:59.040
<v Speaker 1>out there, but some ships you don't want. It's real,

1:04:59.360 --> 1:05:02.200
<v Speaker 1>it's real. Like you see somebody do some whole ship.

1:05:02.200 --> 1:05:05.480
<v Speaker 1>You'd be like, I'm going home pretty much, yo, real talk.

1:05:05.560 --> 1:05:08.520
<v Speaker 1>I don't really, I ain't really ain't really outside like that,

1:05:08.960 --> 1:05:12.600
<v Speaker 1>you know what. I gotta say that. I realized that.

1:05:12.640 --> 1:05:14.240
<v Speaker 1>I'm sorry to cut you off. I know. That's the

1:05:14.280 --> 1:05:20.680
<v Speaker 1>other day. My fun. My fun is being bored, like

1:05:20.840 --> 1:05:22.840
<v Speaker 1>that's fun to me. But see, I ain't bory. It

1:05:22.920 --> 1:05:27.000
<v Speaker 1>may be boring to maybe, but I'm having a fucking ball.

1:05:27.120 --> 1:05:30.720
<v Speaker 1>I'm at the crib. I'm killing the refrigerators right there.

1:05:31.000 --> 1:05:33.760
<v Speaker 1>My bedroom is right there, my kids is here. I

1:05:33.800 --> 1:05:37.080
<v Speaker 1>got my video game, nigger, I'm good a good video games.

1:05:37.120 --> 1:05:41.160
<v Speaker 1>Oh damn yeah, I mean well, not all that Zelda

1:05:41.720 --> 1:05:46.120
<v Speaker 1>I have, Legend of Zelda I have. I'm gonna play.

1:05:46.320 --> 1:05:49.200
<v Speaker 1>I'm a PlayStation dude. Yeah yeah, I'm waiting on that

1:05:49.240 --> 1:05:51.240
<v Speaker 1>Street Fight of six to come. Ain't got that Nintendo,

1:05:52.120 --> 1:05:56.400
<v Speaker 1>I don't. That's all the games. This nigger got all

1:05:56.480 --> 1:06:00.280
<v Speaker 1>the games I've not seen that he got. He got.

1:06:00.440 --> 1:06:03.040
<v Speaker 1>That's in the Super Mario Brothers. He had Mike Tyson

1:06:03.120 --> 1:06:05.439
<v Speaker 1>punch Out and Rob knew how to play that. Nick

1:06:05.560 --> 1:06:08.280
<v Speaker 1>Ros is not his age Ross is alright, age bro,

1:06:08.800 --> 1:06:12.640
<v Speaker 1>this this young and you know to play Mike Typson,

1:06:15.240 --> 1:06:19.680
<v Speaker 1>come on home, Bro, even lying us Bro, Bro like

1:06:20.160 --> 1:06:21.720
<v Speaker 1>and this is a crazy ship. This is a is

1:06:21.720 --> 1:06:25.880
<v Speaker 1>a cheat colde and Mike Tyson. How the funk he

1:06:25.960 --> 1:06:32.320
<v Speaker 1>knew that I said this? He yeah, yeah, yeah. I

1:06:32.320 --> 1:06:33.880
<v Speaker 1>think it's be out your lying, bro, at least be

1:06:34.000 --> 1:06:37.560
<v Speaker 1>keeping it real. You forty two, yeah, I'm forty four. Goddamn,

1:06:37.600 --> 1:06:42.480
<v Speaker 1>Holy moly, holy ship. Okay, we said, okay, stay down

1:06:42.600 --> 1:06:46.160
<v Speaker 1>with featuring Young Blue or just just Blue. He took

1:06:46.200 --> 1:06:48.840
<v Speaker 1>the young offer. He took the young He just Blue

1:06:48.880 --> 1:06:52.040
<v Speaker 1>now okay, shout out to the boy Blue. Yeah, man,

1:06:52.400 --> 1:06:55.000
<v Speaker 1>so how did this happen? What was going on? Um?

1:06:56.080 --> 1:06:57.840
<v Speaker 1>Stay down was one of my favorite actually one of

1:06:57.920 --> 1:07:01.200
<v Speaker 1>my favorite joints on this album because uh so it's

1:07:01.200 --> 1:07:02.880
<v Speaker 1>all right, so real ship. What happened is I wrote

1:07:03.160 --> 1:07:06.120
<v Speaker 1>two songs about the same thing, right, and I didn't

1:07:06.160 --> 1:07:07.960
<v Speaker 1>want to get rid of either song, so I just

1:07:08.080 --> 1:07:10.680
<v Speaker 1>chopped the bitches in half and put them together. Um uh.

1:07:10.880 --> 1:07:15.080
<v Speaker 1>The the addition of Blue, that was my nigga. Mr.

1:07:15.120 --> 1:07:18.320
<v Speaker 1>Shout out to my man, Mr. Uh, that's that's my

1:07:18.440 --> 1:07:20.640
<v Speaker 1>cat that just keep his ears to the street. Right.

1:07:20.720 --> 1:07:22.880
<v Speaker 1>He introduced me to Blue, introduced me to blues music,

1:07:23.200 --> 1:07:24.960
<v Speaker 1>and I was impressed by the young boy, you know,

1:07:25.840 --> 1:07:27.920
<v Speaker 1>went over to his house, you know, to to kick

1:07:27.960 --> 1:07:29.440
<v Speaker 1>it with him, to just kind of fill him out,

1:07:29.800 --> 1:07:32.560
<v Speaker 1>and like, I feel like he's getting he's getting love

1:07:32.720 --> 1:07:35.480
<v Speaker 1>right now. But just that's that's that's the that's the

1:07:35.520 --> 1:07:38.400
<v Speaker 1>nigg to watch for real real because like what he's

1:07:38.400 --> 1:07:42.040
<v Speaker 1>giving y'all is good. But like I've heard some ship

1:07:42.360 --> 1:07:44.920
<v Speaker 1>like like he come with some ship ship like for

1:07:45.440 --> 1:07:50.400
<v Speaker 1>shout out to the boy Blue. Has it been on

1:07:50.600 --> 1:07:53.760
<v Speaker 1>another thing? How has it been filming the World of

1:07:53.880 --> 1:07:57.280
<v Speaker 1>Dance Show. So The World of Dance Show unfortunately is

1:07:57.360 --> 1:08:00.760
<v Speaker 1>not coming back now. They they did it, so I

1:08:00.920 --> 1:08:03.080
<v Speaker 1>didn't realize that it was such an expensive show to shoot.

1:08:03.880 --> 1:08:06.200
<v Speaker 1>It's a very very expensive show to shoot. I mean,

1:08:06.320 --> 1:08:08.640
<v Speaker 1>I mean Jelos on the show. Of course, it's an

1:08:08.720 --> 1:08:11.360
<v Speaker 1>expensive show to shoot. But I will say that the

1:08:11.480 --> 1:08:14.040
<v Speaker 1>four years that we did that ship, it was amazing. Um.

1:08:15.280 --> 1:08:16.680
<v Speaker 1>You know what it feel like when you come to

1:08:16.760 --> 1:08:18.680
<v Speaker 1>work and everybody at work feel like they want to

1:08:18.720 --> 1:08:20.920
<v Speaker 1>be there, and I'm talking about it is that. It

1:08:21.040 --> 1:08:23.360
<v Speaker 1>was that thing like like this, the energy from the

1:08:23.479 --> 1:08:26.160
<v Speaker 1>production people, to the dancers that's doing it, to to me,

1:08:26.640 --> 1:08:29.120
<v Speaker 1>j Lo Derek, it was just it's just a great

1:08:29.160 --> 1:08:31.479
<v Speaker 1>experience all the way across the board. Yeah, my girl

1:08:31.560 --> 1:08:34.640
<v Speaker 1>forced me to watch it and I ended up liking it,

1:08:34.720 --> 1:08:37.200
<v Speaker 1>like she's a jail fanatic. And then and then we've

1:08:37.200 --> 1:08:39.799
<v Speaker 1>watched all the ladies. You know she's talking about sometimes

1:08:40.320 --> 1:08:42.479
<v Speaker 1>now you know what you're talking about. So how was

1:08:42.520 --> 1:08:45.679
<v Speaker 1>the Mass Singer? Yo? So I did the Mass Singer

1:08:45.800 --> 1:08:48.040
<v Speaker 1>UK and I did that because I felt like if

1:08:48.080 --> 1:08:49.720
<v Speaker 1>I did it here, I would have got caught easy.

1:08:49.720 --> 1:08:51.840
<v Speaker 1>I feel like people have recognized my voice. But in

1:08:51.920 --> 1:08:53.760
<v Speaker 1>the Massing of UK there was like, yo, if you

1:08:53.800 --> 1:08:56.400
<v Speaker 1>can change your voice, change it, like whatever it is

1:08:56.439 --> 1:08:58.120
<v Speaker 1>you gotta do to not get caught. Do that. And

1:08:58.200 --> 1:09:01.200
<v Speaker 1>I'm like, oh, ship, all right, we're cool. So that

1:09:01.280 --> 1:09:05.040
<v Speaker 1>ship is beautiful and weird. It's fun. I can't breathe. No, no, no,

1:09:05.479 --> 1:09:07.479
<v Speaker 1>I mean, aside from the fact that you can't breathe,

1:09:07.520 --> 1:09:11.400
<v Speaker 1>don't you see units in those elaborate suits. No, little fans, Nah,

1:09:12.080 --> 1:09:17.080
<v Speaker 1>come on, Disney characters, give that ship. I mean that's Disney. No.

1:09:17.240 --> 1:09:23.120
<v Speaker 1>But the wow ship is that even backstage, nobody knows

1:09:23.160 --> 1:09:25.439
<v Speaker 1>who anybody is. Like, okay, so it's it's it's like

1:09:25.560 --> 1:09:27.400
<v Speaker 1>one cat that helps you, like you know, work through

1:09:27.400 --> 1:09:29.800
<v Speaker 1>the music and then like a handler and that's the

1:09:29.960 --> 1:09:33.080
<v Speaker 1>only people that see your actual face everywhere, like you

1:09:33.160 --> 1:09:35.680
<v Speaker 1>walk them around backstage. They give you this, uh it's

1:09:35.720 --> 1:09:38.200
<v Speaker 1>like a like a it's like a visor, like a

1:09:38.280 --> 1:09:42.280
<v Speaker 1>mirror advisor over your face and it's COVID pretty much.

1:09:42.800 --> 1:09:44.720
<v Speaker 1>And it's big black hoodie with the words don't talk

1:09:44.760 --> 1:09:47.479
<v Speaker 1>to me right across the front of it. You. No

1:09:47.640 --> 1:09:49.960
<v Speaker 1>one knows who anybody is even after the show, even

1:09:49.960 --> 1:09:51.360
<v Speaker 1>after I got limited. I was like, all right, so

1:09:51.479 --> 1:09:55.000
<v Speaker 1>real talk, Who's who's who's in the sausage suit. I

1:09:55.040 --> 1:09:56.519
<v Speaker 1>can't tell you, gotta wait till the show comes out.

1:09:56.560 --> 1:09:58.680
<v Speaker 1>Come on, man, I'm going home tomorrow. You can tell me.

1:09:59.479 --> 1:10:01.840
<v Speaker 1>I can't at you. But yeah, it was. It was

1:10:01.920 --> 1:10:05.080
<v Speaker 1>a dope experience. I loved it, especially because because they

1:10:05.120 --> 1:10:08.040
<v Speaker 1>allowed me to like try to change my voice, try

1:10:08.080 --> 1:10:09.920
<v Speaker 1>to sing a different way to not get caught. And

1:10:10.040 --> 1:10:12.599
<v Speaker 1>honestly I was. I was a little piste off because

1:10:12.680 --> 1:10:14.360
<v Speaker 1>read the aora you know what you know read or

1:10:15.320 --> 1:10:17.640
<v Speaker 1>I know read or read it or knows me. We

1:10:17.760 --> 1:10:20.479
<v Speaker 1>worked together. I'm like, if anybody gonna catch me read

1:10:20.479 --> 1:10:23.400
<v Speaker 1>it or read it or did not catch me. It

1:10:23.520 --> 1:10:25.600
<v Speaker 1>was some guest judge that came in on like the

1:10:25.680 --> 1:10:27.680
<v Speaker 1>last two shows and finally tig out who the hella was.

1:10:28.200 --> 1:10:31.400
<v Speaker 1>I'm like, readA real for real, that's what it is, Okay,

1:10:31.479 --> 1:10:34.400
<v Speaker 1>I get She's like, no, no, they I knew who

1:10:34.479 --> 1:10:37.240
<v Speaker 1>you were. The second shodow, I couldn't say anything bullshit,

1:10:37.680 --> 1:10:39.640
<v Speaker 1>you didn't know what hell it was? But it was.

1:10:39.800 --> 1:10:41.240
<v Speaker 1>It was all good though it was. It was. It

1:10:41.320 --> 1:10:44.080
<v Speaker 1>was a great experience. I just feel like I really

1:10:44.120 --> 1:10:48.639
<v Speaker 1>don't want to. I really don't want one. I'm about

1:10:48.680 --> 1:10:50.880
<v Speaker 1>to hear me slurn over here. Come on, that's what

1:10:51.000 --> 1:10:54.320
<v Speaker 1>you can skip one. You can skip one. We're gonna

1:10:54.960 --> 1:10:56.880
<v Speaker 1>rocket y'all girl, mand I can't tell you what, but

1:10:56.920 --> 1:10:59.920
<v Speaker 1>we're gonna take a shot for you. And you would

1:11:00.000 --> 1:11:03.960
<v Speaker 1>read the order in the mask. No that she was fun.

1:11:04.320 --> 1:11:10.160
<v Speaker 1>I didn't saying right, should not read the plan. Mhmm,

1:11:15.040 --> 1:11:19.360
<v Speaker 1>you're good. You're good, Yo. Listen, listen Neal, I'm gonna

1:11:19.360 --> 1:11:24.240
<v Speaker 1>be honest your whole lection out here. Bro. Appreciate that

1:11:26.200 --> 1:11:27.760
<v Speaker 1>I got to see your career from the beginning, from

1:11:27.760 --> 1:11:29.880
<v Speaker 1>when you first worked with Pete Crack. Yeah. Man, you

1:11:29.960 --> 1:11:33.559
<v Speaker 1>never gave Peter Cracker record back though she asked one,

1:11:34.240 --> 1:11:38.160
<v Speaker 1>he won the crack he asked one. He record. He

1:11:38.280 --> 1:11:39.920
<v Speaker 1>didn't tell me you want to record. Shout out to

1:11:39.960 --> 1:11:41.720
<v Speaker 1>Pete Crack. I was in Philly just recently, like a

1:11:41.800 --> 1:11:46.479
<v Speaker 1>couple of days ago. Yo. So so I was there.

1:11:46.960 --> 1:11:49.280
<v Speaker 1>We was at the Dall Center. It was ridiculous. We

1:11:49.360 --> 1:11:52.519
<v Speaker 1>pulled up and I'm like, oh wait, funk, we're in Philly. Yo.

1:11:52.880 --> 1:11:55.800
<v Speaker 1>Can somebody get ahold of Petty Crack? Compete Crack come

1:11:55.840 --> 1:11:59.000
<v Speaker 1>out on stay, Pete Crack pulled him. He was like, Bro,

1:11:59.080 --> 1:12:00.439
<v Speaker 1>I was at a whole family the bart with you.

1:12:00.479 --> 1:12:01.840
<v Speaker 1>I was on the grill, I was getting it in,

1:12:02.520 --> 1:12:04.519
<v Speaker 1>but I paused that to come fork with you. And

1:12:04.560 --> 1:12:08.519
<v Speaker 1>I'm like, yo, yo when this nigga came out on stage,

1:12:08.640 --> 1:12:11.880
<v Speaker 1>because mind you, it's Philly. You know, it's hot everywhere

1:12:11.960 --> 1:12:14.200
<v Speaker 1>right now, but it's it's dumb hot. It's like nine

1:12:14.680 --> 1:12:16.960
<v Speaker 1>degrees at night. It's nuts to the point where even

1:12:17.000 --> 1:12:19.160
<v Speaker 1>the crowd is like, hey, n ship, you know what,

1:12:19.560 --> 1:12:21.599
<v Speaker 1>I'm gonna rock with you sitting down near this hot

1:12:21.640 --> 1:12:26.559
<v Speaker 1>out here. Right when this nigga came out on stage, Nick,

1:12:26.880 --> 1:12:30.160
<v Speaker 1>the whole place went nuts. Shout out to the boy,

1:12:30.200 --> 1:12:31.880
<v Speaker 1>Petty Crack, because he literally pulled up on me in

1:12:31.880 --> 1:12:33.080
<v Speaker 1>the last I called it. I called him in the

1:12:33.200 --> 1:12:35.320
<v Speaker 1>last minute. I called him in the night in the

1:12:35.439 --> 1:12:37.719
<v Speaker 1>ninth and he pulled up on me and he rocked

1:12:37.720 --> 1:12:40.000
<v Speaker 1>out and it was beautiful. Let me look at you

1:12:40.479 --> 1:12:43.160
<v Speaker 1>face to face, man, and man, you gotta get Pete

1:12:43.200 --> 1:12:46.720
<v Speaker 1>Crack ahead. Petty, how let you pet you have my

1:12:46.800 --> 1:12:52.080
<v Speaker 1>personal phone. Numb nigga could call me bro. That's literally

1:12:52.160 --> 1:12:54.439
<v Speaker 1>from the beginning, and that was my first single as

1:12:54.479 --> 1:12:57.479
<v Speaker 1>an artist on that gym why I Got You, Brother,

1:12:57.600 --> 1:13:02.439
<v Speaker 1>and they did. They asked you to Crack brought that

1:13:02.840 --> 1:13:08.120
<v Speaker 1>so they wanted So they knew that they wanted to

1:13:08.200 --> 1:13:09.920
<v Speaker 1>go with Stay as the first record, and mind you,

1:13:10.120 --> 1:13:13.240
<v Speaker 1>l A had like like a whole game plan and

1:13:13.280 --> 1:13:14.760
<v Speaker 1>he was like, right, so we're gonna put this out first.

1:13:15.120 --> 1:13:17.360
<v Speaker 1>This record is not gonna go to number one, but

1:13:17.439 --> 1:13:19.360
<v Speaker 1>it's gonna do just well enough to get attention, to

1:13:19.400 --> 1:13:22.680
<v Speaker 1>get people, and then we gonna hear him was so

1:13:22.760 --> 1:13:25.519
<v Speaker 1>sick and we and we off. J. L A re

1:13:25.640 --> 1:13:28.000
<v Speaker 1>told me this like months before it happened. I'm like,

1:13:28.080 --> 1:13:30.800
<v Speaker 1>this is a psychic But anyway, so they knew they

1:13:30.800 --> 1:13:32.200
<v Speaker 1>wanted to go with Stay, but they felt like it

1:13:32.280 --> 1:13:35.080
<v Speaker 1>needed something. So that's when Jay was like, we gotta

1:13:35.080 --> 1:13:36.680
<v Speaker 1>get a hip hop feature on there. And I was like,

1:13:36.720 --> 1:13:39.200
<v Speaker 1>all right, well, I'm it's jay Z soly listen whoever

1:13:39.240 --> 1:13:41.920
<v Speaker 1>you decide, I'm rocking whatever. So he came with Pete.

1:13:42.200 --> 1:13:45.360
<v Speaker 1>I wasn't familiar with who Pete Crack was when he

1:13:45.439 --> 1:13:48.080
<v Speaker 1>put him on the record, but I loved what he

1:13:48.160 --> 1:13:51.840
<v Speaker 1>did to it. He killed it. Dully Kelly, Damn Kelly.

1:13:52.400 --> 1:13:54.519
<v Speaker 1>I'm like I don't know who you are, but I

1:13:54.720 --> 1:13:59.240
<v Speaker 1>don't even know what right, So so yeah, so Jay

1:13:59.280 --> 1:14:01.679
<v Speaker 1>brought him around and and it was it was love.

1:14:01.800 --> 1:14:04.000
<v Speaker 1>It was all up. He'd been a real nick for

1:14:04.040 --> 1:14:07.559
<v Speaker 1>a long long time. Is my brother? We both Nicko Rican,

1:14:08.520 --> 1:14:11.719
<v Speaker 1>We're both black and Puerto Rican. Yeah, yeah, I love Beattie.

1:14:11.800 --> 1:14:14.960
<v Speaker 1>We haven't spoken a long time, but shas beatty crack.

1:14:15.000 --> 1:14:18.280
<v Speaker 1>I love. He's a Drink Chance of alumni, straight up

1:14:22.560 --> 1:14:25.479
<v Speaker 1>and working and working with Pitt. Yeah, that's the next picture.

1:14:26.640 --> 1:14:30.479
<v Speaker 1>That's another dude. That's another drink Chance and family. Listen,

1:14:30.520 --> 1:14:32.080
<v Speaker 1>I'm gonna keep a funk with ya because I'm drunk.

1:14:32.600 --> 1:14:34.519
<v Speaker 1>I don't have a lot of industry friends because I

1:14:34.600 --> 1:14:36.800
<v Speaker 1>don't do funny. Well, Like, if I don't funk with you,

1:14:36.880 --> 1:14:38.880
<v Speaker 1>you're gonna you're gonna know, like right away, you know

1:14:38.920 --> 1:14:41.880
<v Speaker 1>what I mean. And the whole concept of hanging out

1:14:41.920 --> 1:14:44.800
<v Speaker 1>with somebody, taking pictures with somebody because it's it's it's

1:14:44.840 --> 1:14:47.760
<v Speaker 1>good for your image. Like if y'all take a picture together,

1:14:47.760 --> 1:14:48.720
<v Speaker 1>you know what I mean? He likes that. To guy,

1:14:48.760 --> 1:14:50.680
<v Speaker 1>I don't. I don't give a damn. I don't rock

1:14:50.800 --> 1:14:53.760
<v Speaker 1>like that. If I don't, I don't sunk with a

1:14:53.800 --> 1:14:57.840
<v Speaker 1>lot of people funk with pit Bull because he's because

1:14:57.960 --> 1:14:59.920
<v Speaker 1>aside from this music ship, aside from all of that,

1:15:00.040 --> 1:15:02.560
<v Speaker 1>he's like a straight up, like just real you know.

1:15:02.760 --> 1:15:05.240
<v Speaker 1>He's a genuine cat, you know, and he's always been

1:15:05.280 --> 1:15:08.000
<v Speaker 1>at from from before the success, from before the success.

1:15:08.040 --> 1:15:11.040
<v Speaker 1>He's always been just a genuine dude. And uh yeah, man,

1:15:11.120 --> 1:15:14.679
<v Speaker 1>that's that's that's one of my real friends, not industry friends.

1:15:15.080 --> 1:15:16.920
<v Speaker 1>Not we see each other and we say what's up,

1:15:16.920 --> 1:15:18.479
<v Speaker 1>because that's what you're supposed to do in the industry. Like,

1:15:18.560 --> 1:15:20.679
<v Speaker 1>that's one of my real friends. Like if the ship

1:15:20.760 --> 1:15:22.840
<v Speaker 1>hit the fan, I would call people and he would

1:15:22.840 --> 1:15:24.320
<v Speaker 1>pick the phone up for me, you know what I mean,

1:15:24.400 --> 1:15:28.360
<v Speaker 1>Like real friendship. Did you get to watch his drink Champs?

1:15:28.439 --> 1:15:33.960
<v Speaker 1>It was class try to get because he's friend. He

1:15:34.040 --> 1:15:37.439
<v Speaker 1>brought they brought the vodka through. Yeah, he brought. He

1:15:37.520 --> 1:15:39.400
<v Speaker 1>brought the first Mama Wanna that I started drinking and

1:15:39.479 --> 1:15:42.280
<v Speaker 1>it was crazy. Is he came by himself, by himself

1:15:42.320 --> 1:15:46.600
<v Speaker 1>because he literally that that speaks to the kind of

1:15:46.640 --> 1:15:49.000
<v Speaker 1>cat is like you know what, I'm at home. I'm

1:15:49.000 --> 1:15:50.479
<v Speaker 1>at home and pull up on my home boys. We're

1:15:50.479 --> 1:15:52.400
<v Speaker 1>gonna do this it's gonna be fun like the career

1:15:52.400 --> 1:15:54.759
<v Speaker 1>of only nobody with me. That's that's that's that speaks

1:15:54.760 --> 1:15:56.280
<v Speaker 1>to the kind of cat that people shout out to

1:15:56.280 --> 1:15:58.640
<v Speaker 1>the boy shout out to Mr. Worldwide. The time of

1:15:58.720 --> 1:16:01.760
<v Speaker 1>my life, It's time of our lives. That's the It

1:16:01.840 --> 1:16:04.280
<v Speaker 1>was the second one we did, the second one, we did?

1:16:04.960 --> 1:16:07.280
<v Speaker 1>Uh when we did the first one? This is the

1:16:07.760 --> 1:16:11.120
<v Speaker 1>super Yeah. Well, I mean, I mean give me. Everything

1:16:11.960 --> 1:16:16.719
<v Speaker 1>was was massive. Like I've performed at Womley Stadium before,

1:16:17.320 --> 1:16:19.960
<v Speaker 1>but when I performed at Womeny Stadium with this cat,

1:16:20.560 --> 1:16:23.040
<v Speaker 1>It's eighty people jumping up and down at the same time.

1:16:23.080 --> 1:16:27.360
<v Speaker 1>Grab somebody sexy, tell him electric, nigga, it was. It

1:16:27.439 --> 1:16:32.880
<v Speaker 1>was electric. You have no idea. So it was different.

1:16:32.880 --> 1:16:35.040
<v Speaker 1>It's different with that dude. So so he hit me

1:16:35.080 --> 1:16:36.720
<v Speaker 1>with the second When he sent me the track, he

1:16:36.840 --> 1:16:38.000
<v Speaker 1>was like, we gotta we gotta hit him again. We

1:16:38.040 --> 1:16:42.200
<v Speaker 1>gotta do something. And mind you the concept of because

1:16:42.479 --> 1:16:44.479
<v Speaker 1>at this point, I'm rich, I'm not paying rent, I'm

1:16:45.400 --> 1:16:48.680
<v Speaker 1>I'm ownership at this point. But you know, I got

1:16:48.800 --> 1:16:51.280
<v Speaker 1>casts around me. That's that's you know, up and coming

1:16:51.320 --> 1:16:52.760
<v Speaker 1>and you know, trying to make it happy and I'm

1:16:52.760 --> 1:16:54.519
<v Speaker 1>working with young writers and trying to get them right.

1:16:54.880 --> 1:16:58.120
<v Speaker 1>And I'm listening to I'm listening to somebody tell their story,

1:16:58.680 --> 1:17:00.960
<v Speaker 1>you know, about the whole. I knew my real was

1:17:01.000 --> 1:17:05.840
<v Speaker 1>gonna be later by the week ago. I knew I

1:17:05.960 --> 1:17:08.200
<v Speaker 1>worked my ass off, but I still can't pay it though.

1:17:08.479 --> 1:17:10.920
<v Speaker 1>I'm sitting listening to this cat tell the story to

1:17:11.040 --> 1:17:13.559
<v Speaker 1>his home. But like yo, I knew I wasn't gonna

1:17:13.560 --> 1:17:15.519
<v Speaker 1>be able to pay the rent, but it only costs

1:17:15.520 --> 1:17:17.840
<v Speaker 1>twenty bucks again the club. So I went to the

1:17:17.880 --> 1:17:23.080
<v Speaker 1>mother club and I'm like, yea, that is the realist ship. Ever,

1:17:23.240 --> 1:17:25.439
<v Speaker 1>it's like I can't pay it today, I ain't gonna

1:17:25.439 --> 1:17:28.320
<v Speaker 1>be able to pay it tomorrow. But tonight I can

1:17:28.320 --> 1:17:30.320
<v Speaker 1>get this guy damn club. I can get in there

1:17:30.320 --> 1:17:32.280
<v Speaker 1>to have a good time. And I'm like, that's that's it,

1:17:32.720 --> 1:17:34.479
<v Speaker 1>that's it. I knew my real was gonna be later.

1:17:34.520 --> 1:17:36.240
<v Speaker 1>By the week ago. I worked my ass off. I

1:17:36.280 --> 1:17:38.679
<v Speaker 1>still can't pay it, though, but I got just enough

1:17:39.120 --> 1:17:41.160
<v Speaker 1>to get off in this club, had me a good

1:17:41.240 --> 1:17:45.160
<v Speaker 1>time before my time is up. N you just wrote

1:17:45.200 --> 1:17:49.560
<v Speaker 1>the hook come in hugs love yeah, and sent that

1:17:49.680 --> 1:17:53.160
<v Speaker 1>to bit and the rest is history. The rest is history. Yeah, man. Yeah,

1:17:54.320 --> 1:17:57.280
<v Speaker 1>I write from personal experience. I write from the experience

1:17:57.320 --> 1:17:59.519
<v Speaker 1>of the people around me that's willing to tell me

1:17:59.600 --> 1:18:01.599
<v Speaker 1>the story. You know what I'm saying. I always try

1:18:01.640 --> 1:18:04.559
<v Speaker 1>to make it relatable. You know, everybody knows I ain't

1:18:04.560 --> 1:18:07.240
<v Speaker 1>paying rent right now. I mean, at least if you're smart,

1:18:07.240 --> 1:18:08.960
<v Speaker 1>you know I ain't paying on that rent. So you

1:18:09.080 --> 1:18:12.479
<v Speaker 1>know I wasn't talking about myself. Same way, same way.

1:18:12.560 --> 1:18:15.320
<v Speaker 1>It's like, I'm a married man, but I cannot write

1:18:15.360 --> 1:18:18.080
<v Speaker 1>every song from the aspect of a married man. Ain't married.

1:18:18.160 --> 1:18:20.519
<v Speaker 1>I heard you said, because everybody ain't married, I don't

1:18:20.840 --> 1:18:24.639
<v Speaker 1>write sauce like when you was depressed. You don't even

1:18:24.720 --> 1:18:29.000
<v Speaker 1>right it for fully, for all depressed people, because everybody's

1:18:29.000 --> 1:18:31.599
<v Speaker 1>not depressed, because everybody ain't depressed. I try. I try

1:18:31.640 --> 1:18:35.120
<v Speaker 1>to tap into the different aspects of what the human

1:18:35.160 --> 1:18:37.679
<v Speaker 1>beings is going through. That's just what I'm going Also

1:18:37.760 --> 1:18:41.000
<v Speaker 1>heard you say that hurt music like when when you

1:18:41.080 --> 1:18:43.519
<v Speaker 1>go through a hurt situation, it makes for better music. Yo.

1:18:45.120 --> 1:18:47.880
<v Speaker 1>I've never been able to completely understand it, but I

1:18:48.280 --> 1:18:51.880
<v Speaker 1>have I have an understanding of it. It's like, okay,

1:18:51.960 --> 1:18:55.000
<v Speaker 1>so everybody on the face of the planet knows what

1:18:55.280 --> 1:18:58.479
<v Speaker 1>love is to us to a degree, even if you've

1:18:58.560 --> 1:19:00.720
<v Speaker 1>never felt it, you know that it exists. You know

1:19:00.800 --> 1:19:02.599
<v Speaker 1>that it's a force that exists, and it's and it's

1:19:02.960 --> 1:19:04.560
<v Speaker 1>it's hard to put a finger on, but but you

1:19:04.640 --> 1:19:07.679
<v Speaker 1>know that it's there. So if you take the number

1:19:07.720 --> 1:19:10.719
<v Speaker 1>of people that are in love or experiencing love versus

1:19:10.800 --> 1:19:13.479
<v Speaker 1>the people that are not, versus the people that are

1:19:13.520 --> 1:19:15.800
<v Speaker 1>searching for it, versus the people that are that are

1:19:15.840 --> 1:19:20.040
<v Speaker 1>in in in the darker elements of love, I promise

1:19:20.080 --> 1:19:22.120
<v Speaker 1>you was more people over here than it is over here.

1:19:22.680 --> 1:19:25.880
<v Speaker 1>So for whatever, so so them them, them funked up

1:19:25.920 --> 1:19:29.720
<v Speaker 1>situations just make four amazing song lyrics. Because it's like,

1:19:29.720 --> 1:19:31.920
<v Speaker 1>all right, if I need to cry, I need something

1:19:31.960 --> 1:19:33.680
<v Speaker 1>to cry too. I need I need a song, I

1:19:33.760 --> 1:19:36.360
<v Speaker 1>need some If I can't find a person that can

1:19:36.400 --> 1:19:38.760
<v Speaker 1>relate to what I'm going through, I'm gonna put this

1:19:38.840 --> 1:19:41.160
<v Speaker 1>song on because I know that whoever wrote this song

1:19:41.280 --> 1:19:45.160
<v Speaker 1>knows exactly what I'm feeling. With Pinky Ring, Pinky Ring,

1:19:45.280 --> 1:19:47.560
<v Speaker 1>you made pinky ring. That was different. That was that

1:19:47.680 --> 1:19:51.240
<v Speaker 1>was anger, That wasn't that was I was. I was

1:19:51.360 --> 1:19:54.920
<v Speaker 1>upset and no, no, no, no, it wasn't a disrecord.

1:19:55.240 --> 1:19:59.120
<v Speaker 1>I didn't say anything about her, so to speak. I

1:19:59.160 --> 1:20:01.679
<v Speaker 1>didn't say anything all about her. I was just speaking

1:20:01.720 --> 1:20:05.640
<v Speaker 1>on the way that I was handling this situation. Straight up,

1:20:06.200 --> 1:20:11.599
<v Speaker 1>shut up. We forgive you, thank you, and she gave

1:20:11.680 --> 1:20:16.600
<v Speaker 1>me some good. That was when I seed you at Shoolls.

1:20:16.640 --> 1:20:19.599
<v Speaker 1>I ain't gonna lie because I met you very early

1:20:19.680 --> 1:20:23.600
<v Speaker 1>on with Tina Davis, and I seed you very very successful.

1:20:24.160 --> 1:20:28.439
<v Speaker 1>And when I knew that, I knew. I knew he

1:20:28.600 --> 1:20:30.639
<v Speaker 1>was going to work it out for some reason, because

1:20:30.760 --> 1:20:32.840
<v Speaker 1>because I believe in love. I'm sorry, I know I

1:20:33.280 --> 1:20:37.120
<v Speaker 1>made all these gangster records mean stuffing. You're passion the nigger.

1:20:37.120 --> 1:20:39.719
<v Speaker 1>I get it, I get it. But but I knew

1:20:40.640 --> 1:20:42.920
<v Speaker 1>even because at that time, I can tell you what hurt,

1:20:43.280 --> 1:20:46.439
<v Speaker 1>I don't know what we were going through. Bro. So okay,

1:20:46.640 --> 1:20:51.160
<v Speaker 1>So the peaky ring record, right, she came back, the

1:20:51.240 --> 1:20:54.200
<v Speaker 1>wedding ring, I turned into a pinky ring that was

1:20:55.080 --> 1:20:59.559
<v Speaker 1>completing other cap that was me moving around hurt as hell,

1:21:00.040 --> 1:21:03.559
<v Speaker 1>trying to not look hurt like I'm out with my niggas.

1:21:03.560 --> 1:21:06.120
<v Speaker 1>We had strip clubs like and I get back to

1:21:06.200 --> 1:21:07.680
<v Speaker 1>the room at the end of the night and just

1:21:07.840 --> 1:21:10.200
<v Speaker 1>cry myself to sleep. I was fucked up. I was

1:21:10.320 --> 1:21:12.400
<v Speaker 1>fucked up for real, for real, and I couldn't. I

1:21:12.439 --> 1:21:14.519
<v Speaker 1>couldn't show people that, you know what I'm saying that

1:21:14.720 --> 1:21:16.519
<v Speaker 1>the pride of me was like, no, I'm good. Yeah,

1:21:16.640 --> 1:21:18.040
<v Speaker 1>she didn't want to be you know what, I'm straight,

1:21:18.400 --> 1:21:19.840
<v Speaker 1>and in the back of my head, I wanted to

1:21:19.880 --> 1:21:23.200
<v Speaker 1>go home, nigger. I was hurt, hurt like it was bad.

1:21:23.280 --> 1:21:25.360
<v Speaker 1>It was bad. So so the fact that you could

1:21:25.360 --> 1:21:28.200
<v Speaker 1>see that means that I wasn't hiding that ship as

1:21:28.240 --> 1:21:30.720
<v Speaker 1>well as I thought. No, No, I saw this and

1:21:30.800 --> 1:21:32.640
<v Speaker 1>we had so hard. So we just me and you,

1:21:32.720 --> 1:21:36.360
<v Speaker 1>a bunch of white people. And I looked at it

1:21:36.439 --> 1:21:40.160
<v Speaker 1>and I said, no, that didn't need He's not gonna

1:21:40.200 --> 1:21:44.560
<v Speaker 1>say you know what. And by the way, this is

1:21:44.640 --> 1:21:47.680
<v Speaker 1>the time when we really first started drink champs. But

1:21:47.800 --> 1:21:50.080
<v Speaker 1>I didn't want to pause. I didn't want to take

1:21:50.080 --> 1:21:52.320
<v Speaker 1>advantage of you. I didn't want to. I was just like,

1:21:52.479 --> 1:21:56.000
<v Speaker 1>you know what, nigga, that drink chaps. Yeah, that would

1:21:56.000 --> 1:22:02.720
<v Speaker 1>have been hard, that ship would have been because Beau,

1:22:02.920 --> 1:22:07.040
<v Speaker 1>you know what, the crazy you've ever been a guy

1:22:07.160 --> 1:22:10.200
<v Speaker 1>that told the dude you'll leave that bitch and did

1:22:10.240 --> 1:22:14.960
<v Speaker 1>he get back? That don't have a good seat. Now

1:22:19.560 --> 1:22:21.640
<v Speaker 1>you know the children that you don't never want to

1:22:21.680 --> 1:22:24.519
<v Speaker 1>be that dude to be like yo man yo, and

1:22:24.640 --> 1:22:26.560
<v Speaker 1>then you get back when you get back with a

1:22:26.720 --> 1:22:33.280
<v Speaker 1>whole that's that's real. That's real now. I uh, I

1:22:33.400 --> 1:22:35.519
<v Speaker 1>knew that I didn't want to get to get a divorce.

1:22:35.560 --> 1:22:37.800
<v Speaker 1>I mean coming, you know, you know what it is

1:22:37.920 --> 1:22:41.920
<v Speaker 1>for negative even decide to get married, like especially like,

1:22:42.080 --> 1:22:45.800
<v Speaker 1>let's keeping a nig in my position to be like

1:22:45.920 --> 1:22:49.240
<v Speaker 1>you know what, cool on all, y'all, this one is

1:22:49.479 --> 1:22:52.920
<v Speaker 1>just this one right, like that ship ain't like that's heavy.

1:22:53.120 --> 1:22:56.320
<v Speaker 1>That's heavy. So if I go there, if I go

1:22:56.479 --> 1:22:58.880
<v Speaker 1>to that extreme like I wanted to be just you,

1:22:59.520 --> 1:23:02.280
<v Speaker 1>I ain't trying to get divorced. That's an all moment, y'all.

1:23:03.240 --> 1:23:14.400
<v Speaker 1>To three, that's a woman's Yeah, that's a shot moment. Yeah,

1:23:15.800 --> 1:23:18.960
<v Speaker 1>that's also a shot clock time. We can do it

1:23:19.040 --> 1:23:22.519
<v Speaker 1>because we're taking a shot for your wife, kid, say no,

1:23:22.800 --> 1:23:26.560
<v Speaker 1>it's also a for my wife's also a let's go

1:23:28.240 --> 1:23:31.640
<v Speaker 1>and for y'alla for year, Yeah you go too far.

1:23:32.640 --> 1:23:36.200
<v Speaker 1>This is for y'all. Kindling y'all, and you believe in it.

1:23:36.360 --> 1:23:40.200
<v Speaker 1>Love because I love love and I love love. Let's

1:23:40.200 --> 1:23:46.439
<v Speaker 1>get it in and I also love love thanks Mr Lee.

1:23:47.000 --> 1:23:50.600
<v Speaker 1>I've been together. I've been together. I've been together with

1:23:50.680 --> 1:23:53.599
<v Speaker 1>my wife fifteen years. We've been married ten. I've been

1:23:53.640 --> 1:23:57.519
<v Speaker 1>married six, we've been together eight. God damnit make some

1:23:57.640 --> 1:24:01.680
<v Speaker 1>noise for that. I how did you count wrong? How

1:24:01.720 --> 1:24:04.799
<v Speaker 1>did you count that wrong? Taking a lot of shots?

1:24:05.640 --> 1:24:09.880
<v Speaker 1>I didn't want he was married for no I I

1:24:09.960 --> 1:24:12.400
<v Speaker 1>was telling him how long I was married. He shared

1:24:12.439 --> 1:24:15.400
<v Speaker 1>his information with me. Because you're not married, right, technically

1:24:16.760 --> 1:24:19.280
<v Speaker 1>you better relax. I mean, I'm pretty pretty much married, man,

1:24:19.320 --> 1:24:21.320
<v Speaker 1>So what are you gonna do it? Hey? Man? Relaxed?

1:24:24.120 --> 1:24:28.519
<v Speaker 1>You want to get and then you want to tell

1:24:28.560 --> 1:24:34.360
<v Speaker 1>me to relax. Come straight up, don't do that. We

1:24:35.040 --> 1:24:37.439
<v Speaker 1>we lived together, we're married as far as i'm that's

1:24:37.439 --> 1:24:46.040
<v Speaker 1>that's Latino marriage. You don't like you, but let me

1:24:46.080 --> 1:24:50.720
<v Speaker 1>ask you. You got to work with Beyonce and wed. Yes,

1:24:51.200 --> 1:24:53.920
<v Speaker 1>let's let's let's talk about that. Man. So in which

1:24:53.960 --> 1:24:55.680
<v Speaker 1>one you want to talk about first? But your we one?

1:24:56.360 --> 1:25:02.639
<v Speaker 1>So pick the wrong one? We got drinks ship. I'm

1:25:02.680 --> 1:25:06.439
<v Speaker 1>being carried out. Um No. So when I first met Rihanna,

1:25:06.520 --> 1:25:10.880
<v Speaker 1>she was a brother was not I was perform broy

1:25:11.600 --> 1:25:13.479
<v Speaker 1>she was young, young. She was like this might have

1:25:13.560 --> 1:25:16.080
<v Speaker 1>been sixteen and seventeen somewhere there when first when I

1:25:16.200 --> 1:25:19.880
<v Speaker 1>first first met her death Jamp had Tianna Taylor too.

1:25:19.920 --> 1:25:25.120
<v Speaker 1>It was it was Rihanna, Tianna just got uh black Butterfly.

1:25:28.040 --> 1:25:33.479
<v Speaker 1>Oh damn you? Hey, hey, Spike Tea, what's pop? Listen?

1:25:33.600 --> 1:25:39.639
<v Speaker 1>We drunk? That was all of Yes, Uh, I don't

1:25:39.640 --> 1:25:42.040
<v Speaker 1>want to what I meant sa Marie Rihanna and and

1:25:42.280 --> 1:25:48.800
<v Speaker 1>uh black Butterfly? That yeah, uh still Yeah. When I

1:25:48.840 --> 1:25:51.400
<v Speaker 1>first met Rihanna, she was very much still. She was

1:25:51.439 --> 1:25:54.280
<v Speaker 1>a kid, you know. Always we started working together, you know,

1:25:54.439 --> 1:25:56.360
<v Speaker 1>japol me and studio what you know, I'm writing with

1:25:56.520 --> 1:25:58.160
<v Speaker 1>or whatever the case may be. I'm sorry, man, you

1:25:58.240 --> 1:26:00.160
<v Speaker 1>can't just be saying it. That's so nonchally to my

1:26:00.360 --> 1:26:03.760
<v Speaker 1>jay Z. Yes, I'm sorry. Jay Z put me in

1:26:03.800 --> 1:26:05.840
<v Speaker 1>the studio with Rihanna very very young, which she was

1:26:05.960 --> 1:26:09.000
<v Speaker 1>very very young, and you know, we're writing and I'm

1:26:09.040 --> 1:26:11.680
<v Speaker 1>taking the Jimmy jam Terry Lewis approach like I'm just

1:26:11.720 --> 1:26:15.040
<v Speaker 1>sitting having conversations about what's going on with her so

1:26:15.200 --> 1:26:17.000
<v Speaker 1>that I can then turn around right the record. Right.

1:26:17.720 --> 1:26:21.400
<v Speaker 1>So the odds ship is that as Rihanna is growing

1:26:21.520 --> 1:26:26.040
<v Speaker 1>up and becoming the sex symbol that Rihanna is and

1:26:26.240 --> 1:26:29.479
<v Speaker 1>all of my nigga's run. He's like, yo, yo, you

1:26:29.560 --> 1:26:33.639
<v Speaker 1>saw Rihanna in them shorts. And I'm like, because it's

1:26:33.680 --> 1:26:36.760
<v Speaker 1>like baby sisters, you know, my little sister. I'm like

1:26:37.360 --> 1:26:40.120
<v Speaker 1>the DJ record out, yet this is not this is

1:26:40.200 --> 1:26:45.240
<v Speaker 1>this is after the DJ Okay cool out and us

1:26:45.280 --> 1:26:47.479
<v Speaker 1>have seen her and the niggas is on it, and

1:26:47.880 --> 1:26:51.640
<v Speaker 1>I'm like, I'm like, I'm I'm pretty to these conversations,

1:26:51.720 --> 1:26:55.080
<v Speaker 1>but I can't engage. It's like, yeah, yo, nigga Rihanna.

1:26:55.200 --> 1:26:59.880
<v Speaker 1>Yeah yeah, trying to down can't. Yeah, I can't engage

1:27:00.000 --> 1:27:02.760
<v Speaker 1>these conversations because she's weird because like we've had like

1:27:02.960 --> 1:27:07.160
<v Speaker 1>in depth conversations about real ship, like this is literally

1:27:08.439 --> 1:27:10.400
<v Speaker 1>yeah yeah at this point, you know what, because I'm

1:27:10.439 --> 1:27:13.200
<v Speaker 1>trying to write records for so we're talking about everything.

1:27:13.240 --> 1:27:16.120
<v Speaker 1>We're talking about dudes, We're talking about all of that ship, right,

1:27:17.439 --> 1:27:21.040
<v Speaker 1>And it's just weird because it's like as she gets older, act,

1:27:21.240 --> 1:27:23.840
<v Speaker 1>you know, act, she's growing into a young woman. It's

1:27:23.920 --> 1:27:27.439
<v Speaker 1>like every nig around me is like yo, Rihanna, and

1:27:27.520 --> 1:27:31.439
<v Speaker 1>I'm like, uh stop, She's weird. She was just weird

1:27:31.560 --> 1:27:33.200
<v Speaker 1>for me, Like I couldn't. I couldn't look at us

1:27:34.200 --> 1:27:37.320
<v Speaker 1>that little from from the first day I met her,

1:27:37.400 --> 1:27:42.400
<v Speaker 1>it was like I under the wing protecting you after that,

1:27:42.760 --> 1:27:44.519
<v Speaker 1>and then it's still that. You know what I'm saying,

1:27:44.840 --> 1:27:46.960
<v Speaker 1>Like we ain't as close as we once was, but

1:27:47.080 --> 1:27:48.880
<v Speaker 1>like you know what I'm saying to this day, and

1:27:49.200 --> 1:27:51.519
<v Speaker 1>was like, yo, Rihanna get it. I'm like, yeah, right, cool, Yeah,

1:27:51.560 --> 1:27:54.320
<v Speaker 1>that's that's cool. I can't. I can't engage in that

1:27:54.360 --> 1:27:56.800
<v Speaker 1>because that's because because of where we started at, you

1:27:56.840 --> 1:27:59.080
<v Speaker 1>know what I mean, But you do respect Brihanna is.

1:28:00.320 --> 1:28:05.320
<v Speaker 1>Rihanna is a worse Rihanna is the chick that's gonna

1:28:05.360 --> 1:28:08.360
<v Speaker 1>show first and leave last, which is why when I

1:28:08.479 --> 1:28:10.080
<v Speaker 1>heard she was a billionaire, I was like, yeah, that

1:28:10.200 --> 1:28:14.200
<v Speaker 1>makes sense because she's accordable. Period. It's like, what we're doing,

1:28:15.080 --> 1:28:17.360
<v Speaker 1>it ain't done yet. How many days it's been four

1:28:17.439 --> 1:28:19.679
<v Speaker 1>or five, We're still here. Fuck it until it's done.

1:28:19.720 --> 1:28:23.920
<v Speaker 1>I'm here, Like that's who Rihanna is. Yeah man, yeah man.

1:28:26.280 --> 1:28:28.200
<v Speaker 1>And that's what it takes to get to that billion

1:28:28.320 --> 1:28:30.280
<v Speaker 1>straight up, that's what it takes. You gotta you gotta

1:28:30.360 --> 1:28:32.920
<v Speaker 1>do this ship, like like you ain't got nothing else

1:28:32.960 --> 1:28:34.400
<v Speaker 1>to do, or even if you've got something else to do,

1:28:34.479 --> 1:28:37.120
<v Speaker 1>you've chosen to be here. Goddamn it. That's that's Rihanna.

1:28:37.720 --> 1:28:41.080
<v Speaker 1>Now let's just get to be So is your first

1:28:41.120 --> 1:28:44.760
<v Speaker 1>time working, first time working with Beyonce. I'm in the

1:28:44.840 --> 1:28:48.200
<v Speaker 1>studio and uh, I'm I'm I'm in the studio as

1:28:48.240 --> 1:28:50.400
<v Speaker 1>a writer at this point. You know, I gotta deal.

1:28:50.479 --> 1:28:52.240
<v Speaker 1>I'm on def Jam and I'm working on my album,

1:28:52.280 --> 1:28:56.560
<v Speaker 1>but I'm also just righting. Period. We get a commission

1:28:56.600 --> 1:29:00.120
<v Speaker 1>to do some ship for Britney Spears. M interesting, I'm like,

1:29:00.400 --> 1:29:11.160
<v Speaker 1>oh ship before Brie she was Britney. Motherfucker brit Oh Ship. Yeah,

1:29:11.280 --> 1:29:13.920
<v Speaker 1>let's get it. So, I'm in the studio, I'm working

1:29:13.960 --> 1:29:16.200
<v Speaker 1>and writing them, writing songs with Britney Spears in mind.

1:29:16.880 --> 1:29:20.280
<v Speaker 1>Uh shout out to my nigger, Top Time. Top Times

1:29:20.320 --> 1:29:22.920
<v Speaker 1>comes in the studio every other day, just listening to

1:29:23.040 --> 1:29:25.920
<v Speaker 1>what I'm doing and every other song. He was like, yo, yeah,

1:29:25.960 --> 1:29:29.560
<v Speaker 1>let me copy of that, and I'm thinking and for

1:29:29.840 --> 1:29:32.360
<v Speaker 1>for the label. It's cool. Yeah, yeah, go ahead, go ahead.

1:29:33.200 --> 1:29:35.320
<v Speaker 1>If I'm doing it for somebody specifically, you're not supposed

1:29:35.320 --> 1:29:37.120
<v Speaker 1>to give away a copy of the ship, but again

1:29:38.560 --> 1:29:43.200
<v Speaker 1>my nigger. So Um, I did a song called Flaws

1:29:43.240 --> 1:29:46.320
<v Speaker 1>and All like the Gun again, Flaws and All. If

1:29:46.360 --> 1:29:49.439
<v Speaker 1>anybody knows this record, Flaws and All, but it's Beyonce

1:29:49.640 --> 1:29:52.880
<v Speaker 1>record now, But it started out as a Britney Spears record.

1:29:52.920 --> 1:29:56.600
<v Speaker 1>I wrote the record for Britney Spears. Talk comes in

1:29:57.280 --> 1:29:59.920
<v Speaker 1>listening shout out to my boy shor shout out ty talk.

1:30:00.000 --> 1:30:02.040
<v Speaker 1>I'm saying, listen, listen to what me and she is doing.

1:30:02.040 --> 1:30:03.200
<v Speaker 1>It's like, yo, let me get let me get a

1:30:03.240 --> 1:30:05.559
<v Speaker 1>copy of that. I'm ride home to the ship whatever.

1:30:05.760 --> 1:30:08.080
<v Speaker 1>Al Right, cool, yeah, whatever, we give them the ship nigga.

1:30:08.920 --> 1:30:10.439
<v Speaker 1>Maybe a week later he was like, yeah, so that

1:30:10.520 --> 1:30:13.639
<v Speaker 1>flaws on All ship. Yeah, don't put that into Brittany pack. Yeah,

1:30:13.720 --> 1:30:18.599
<v Speaker 1>Beyonce is taking that. What what the fun? What? Wait?

1:30:19.200 --> 1:30:21.120
<v Speaker 1>Yeah you know yeah, yeah, Beyonce is taking it. Don't worry, boy,

1:30:21.120 --> 1:30:24.200
<v Speaker 1>don't worry. I don't worry about beyonest is taking that. So, um,

1:30:25.080 --> 1:30:28.400
<v Speaker 1>what's the other one? What's the other one? Uh? Question

1:30:28.479 --> 1:30:34.840
<v Speaker 1>exists question existence on Rihanna's Uh Good Girl Girl, Good Girl,

1:30:34.920 --> 1:30:39.080
<v Speaker 1>Gone Bad album, another song that was supposed to go

1:30:39.200 --> 1:30:43.040
<v Speaker 1>to Britney Spears. So Outside came in. It was like, yeah,

1:30:43.160 --> 1:30:44.600
<v Speaker 1>let me get a copy of that. I'm ever just

1:30:44.720 --> 1:30:46.080
<v Speaker 1>ride to it. Let me get a copy of that.

1:30:48.080 --> 1:30:50.519
<v Speaker 1>A week later, he's like, yeah, that's that's on Rihanna ship. Yeah,

1:30:50.520 --> 1:30:54.439
<v Speaker 1>don't put that in the Brittney pack. That's Brianna Nigga.

1:30:55.120 --> 1:30:59.040
<v Speaker 1>Every Beyonce is the replaceable was not for Britney Spears.

1:30:59.040 --> 1:31:01.440
<v Speaker 1>I wrote that. I wrote that it for my everyplaceable.

1:31:02.080 --> 1:31:04.960
<v Speaker 1>It must not know about me, sir, that one. That

1:31:05.040 --> 1:31:07.760
<v Speaker 1>one wrote that for me. And that's sound good. It

1:31:07.800 --> 1:31:14.599
<v Speaker 1>sound good. You didn't drink that tea, Honey, you alive?

1:31:16.080 --> 1:31:19.360
<v Speaker 1>Text me to curse good. I love like you said.

1:31:19.840 --> 1:31:23.439
<v Speaker 1>He was blown before, Like you don't have vocals before,

1:31:23.479 --> 1:31:28.080
<v Speaker 1>and then I have not. The police don't hear my

1:31:28.600 --> 1:31:30.960
<v Speaker 1>super ballot. Listen when you get ready, I'll let your

1:31:30.960 --> 1:31:35.960
<v Speaker 1>boy ballots all that. No, but but yeah, Beyonce is

1:31:36.120 --> 1:31:39.000
<v Speaker 1>a placeable. I wrote that ship to keep. Initially I

1:31:39.040 --> 1:31:41.759
<v Speaker 1>wrote that ship for myself. Yeah, I mean the story

1:31:41.920 --> 1:31:43.720
<v Speaker 1>is okay. So I grew up in the house with

1:31:43.960 --> 1:31:48.240
<v Speaker 1>my mother, my grandmother, my sister, and five aunts all

1:31:48.360 --> 1:31:52.519
<v Speaker 1>women until I was like sixteen, right, So I have

1:31:52.760 --> 1:31:56.200
<v Speaker 1>one aunt in particular that was This was the aunt

1:31:56.280 --> 1:31:59.040
<v Speaker 1>that had a new boyfriend like every fucking month. Every month.

1:31:59.120 --> 1:32:02.160
<v Speaker 1>It was, girl, I love him, he makes me feel

1:32:02.200 --> 1:32:06.080
<v Speaker 1>he makes me right there to say the least. So

1:32:07.320 --> 1:32:10.000
<v Speaker 1>this was then in the house that had a little

1:32:10.040 --> 1:32:12.160
<v Speaker 1>bit more money than everybody else. She was by no

1:32:12.240 --> 1:32:14.200
<v Speaker 1>means rich. She was living in the house with us. However,

1:32:15.160 --> 1:32:18.760
<v Speaker 1>she had more money than everybody else. So when she

1:32:18.880 --> 1:32:21.160
<v Speaker 1>started so when she bought a car for this dude,

1:32:21.400 --> 1:32:25.720
<v Speaker 1>she bought a jag for this dude. Mind, you you

1:32:26.040 --> 1:32:30.800
<v Speaker 1>are living in a house with seventeen other people and

1:32:30.920 --> 1:32:34.880
<v Speaker 1>you bought a shag for this dude. It was so

1:32:35.000 --> 1:32:37.320
<v Speaker 1>it was it was like it was the talk of

1:32:37.439 --> 1:32:41.559
<v Speaker 1>the crib for like, mind, I'm like eight eight years old,

1:32:41.640 --> 1:32:44.720
<v Speaker 1>but I remember this because every conversation, like like my

1:32:44.880 --> 1:32:47.559
<v Speaker 1>mom and my grandma Aunties, they used to like commune

1:32:47.600 --> 1:32:49.840
<v Speaker 1>in the kitchen, you know, get their little wine and

1:32:49.960 --> 1:32:52.759
<v Speaker 1>you know, their their little reef and just just talk

1:32:53.320 --> 1:33:04.920
<v Speaker 1>that this this is nineteen, this might be this be nicety, right,

1:33:05.960 --> 1:33:08.000
<v Speaker 1>and they were just sitting just just talk about, you know,

1:33:08.080 --> 1:33:10.560
<v Speaker 1>just what's going on, talking about her, Like you you

1:33:10.720 --> 1:33:12.559
<v Speaker 1>you you're spending money on this dude. You didn't even

1:33:12.600 --> 1:33:15.599
<v Speaker 1>got you, ain't got a jag? Which was wrong with you? Right?

1:33:16.120 --> 1:33:17.840
<v Speaker 1>And I'm privy to all of this because I'm not

1:33:18.120 --> 1:33:21.679
<v Speaker 1>I'm literally the only male in the carib So I'm

1:33:21.680 --> 1:33:23.439
<v Speaker 1>sitting watching Time and Jerry, but all of this is

1:33:23.520 --> 1:33:25.320
<v Speaker 1>going on. I have no idea that this ship is

1:33:25.360 --> 1:33:27.800
<v Speaker 1>gonna be song lyrics later on in life. I'm just

1:33:27.880 --> 1:33:29.920
<v Speaker 1>I'm just locking I'm just locking it in. So I

1:33:30.080 --> 1:33:34.960
<v Speaker 1>remember when she found out that this dude was rolling

1:33:35.000 --> 1:33:37.599
<v Speaker 1>around in that same jack But like with other bitches

1:33:37.840 --> 1:33:41.280
<v Speaker 1>type ship, I remember, I was privy to all the

1:33:41.400 --> 1:33:44.840
<v Speaker 1>conversations like girls, right, you're gonna be high. I ain't

1:33:44.840 --> 1:33:54.560
<v Speaker 1>gonna I love you. But that ain't her name, that's

1:33:54.560 --> 1:33:56.479
<v Speaker 1>her nickname because that no, no, no, that that's what

1:33:56.520 --> 1:33:59.920
<v Speaker 1>I'm talking about. You take a shot, cook y'all talk.

1:34:00.000 --> 1:34:02.680
<v Speaker 1>I can take a shot. You can you can't leave

1:34:02.680 --> 1:34:06.240
<v Speaker 1>cooking suddenly become the person that is not succumbing to

1:34:06.360 --> 1:34:10.040
<v Speaker 1>pure preser all of a sudden, miss me, we got you?

1:34:15.040 --> 1:34:18.720
<v Speaker 1>So I so the song is a true story, is

1:34:18.760 --> 1:34:22.000
<v Speaker 1>a completely true story, like I remember, because I remember

1:34:22.080 --> 1:34:24.519
<v Speaker 1>this dude. He stuck around just a little bit longer

1:34:24.560 --> 1:34:27.519
<v Speaker 1>than everybody else, right, and he was always the dude

1:34:27.560 --> 1:34:29.519
<v Speaker 1>that like, like wanted to rub your head when you

1:34:29.560 --> 1:34:31.160
<v Speaker 1>come in the group. It's going on a little man,

1:34:31.479 --> 1:34:35.120
<v Speaker 1>You'll get the hell off me, bro, know you. I

1:34:35.160 --> 1:34:40.760
<v Speaker 1>feel like I did not like this dude because he

1:34:40.880 --> 1:34:43.439
<v Speaker 1>was just trying so hard to be liked, you know

1:34:43.479 --> 1:34:47.040
<v Speaker 1>what I mean. So I remember the day that he

1:34:47.160 --> 1:34:49.559
<v Speaker 1>pulled up and mind you, because mind you, the auntie

1:34:49.560 --> 1:34:51.200
<v Speaker 1>hasn't talked about it. Hold on, He's like, oh, yeah,

1:34:51.200 --> 1:34:53.640
<v Speaker 1>you know we're coming over tomorrow. Oh no, I got

1:34:53.680 --> 1:34:55.320
<v Speaker 1>all this stuff in this box right here. Yeah, all

1:34:55.400 --> 1:34:58.439
<v Speaker 1>his stuff is right here. So he pulls up. I'm

1:34:58.479 --> 1:35:00.720
<v Speaker 1>watching Tom and Jerry walking in house. You do look

1:35:00.880 --> 1:35:04.400
<v Speaker 1>rub my head was on America. Fuck me off that

1:35:05.680 --> 1:35:11.280
<v Speaker 1>to this day, to this day, here part of you

1:35:11.439 --> 1:35:14.639
<v Speaker 1>called trauma? You did you? You called trauma in my life?

1:35:15.200 --> 1:35:20.320
<v Speaker 1>Did no? No? So so he go back in the

1:35:20.439 --> 1:35:23.880
<v Speaker 1>room where where we're cookie at, and he's looking for

1:35:24.000 --> 1:35:26.600
<v Speaker 1>something specifically, like baby, hey, where my mother jacket that.

1:35:26.760 --> 1:35:29.400
<v Speaker 1>She's like, oh yeah, to the left, yeah, in that

1:35:29.520 --> 1:35:31.519
<v Speaker 1>box right there, to the left of the closet. That's

1:35:31.520 --> 1:35:36.800
<v Speaker 1>all your ship right there. And I'm like, mind you,

1:35:36.920 --> 1:35:45.200
<v Speaker 1>I'm eight, So I'm like you so like they get

1:35:45.240 --> 1:35:46.880
<v Speaker 1>into it. You know what I'm saying. You you roll

1:35:46.960 --> 1:35:48.680
<v Speaker 1>around in the car and I bought you with this bit,

1:35:50.200 --> 1:35:51.920
<v Speaker 1>and I'm just sitting there just soaking it all in.

1:35:52.320 --> 1:35:54.559
<v Speaker 1>It's hilarious to me at this I'm eight years old.

1:35:54.560 --> 1:35:56.720
<v Speaker 1>It's hilarious, is funny said, because I didn't like to

1:35:56.760 --> 1:35:59.360
<v Speaker 1>snik in no way. So I'm like, I'm I'm enjoying

1:35:59.400 --> 1:36:02.519
<v Speaker 1>the fact that he's getting it. Remember his name, I

1:36:02.600 --> 1:36:04.720
<v Speaker 1>ain't ain't gonna ain't. I ain't gonna get his ning.

1:36:05.280 --> 1:36:07.600
<v Speaker 1>Not now. You caused tarum in my life where I

1:36:07.640 --> 1:36:11.439
<v Speaker 1>wear hats because of you know, give you know credit, bro. No.

1:36:12.400 --> 1:36:16.840
<v Speaker 1>But so the cat, like I vividly recalled this cat

1:36:16.960 --> 1:36:19.439
<v Speaker 1>walking out of the house with that box, with all

1:36:19.479 --> 1:36:21.599
<v Speaker 1>this stuff, and they're talking about you don't never find

1:36:21.880 --> 1:36:24.880
<v Speaker 1>a little you're like little you know up today, You'll

1:36:24.880 --> 1:36:27.200
<v Speaker 1>never find somebody little you like me, And it's like

1:36:27.479 --> 1:36:30.799
<v Speaker 1>and all the aunties just just laughing, just dying laughing.

1:36:30.920 --> 1:36:32.439
<v Speaker 1>And I wanted to be a part of the laughter

1:36:32.680 --> 1:36:34.040
<v Speaker 1>like I was. I was eight years old. I just

1:36:34.439 --> 1:36:36.280
<v Speaker 1>it was joy in the house and I wanted to

1:36:36.360 --> 1:36:38.360
<v Speaker 1>be a part of that joy. So I'm laughing too.

1:36:38.400 --> 1:36:39.800
<v Speaker 1>I don't know what the hell I'm laughing, and I'm

1:36:39.840 --> 1:36:44.200
<v Speaker 1>just laughing with them, and I remember so fast forward

1:36:44.240 --> 1:36:47.880
<v Speaker 1>to Stargate, I mean the studio with him and they

1:36:47.960 --> 1:36:50.439
<v Speaker 1>played me at the beginning. It's just just the guitar,

1:36:50.640 --> 1:36:53.080
<v Speaker 1>the guitar sound that you hear on a replaceable. It's

1:36:53.200 --> 1:36:56.400
<v Speaker 1>just that initially, and I'm like, I wanted to country

1:36:56.439 --> 1:37:00.240
<v Speaker 1>ship today and like, yeah, let's try this. Saw some

1:37:00.240 --> 1:37:02.640
<v Speaker 1>country ship. So I'm listening to this ship and for

1:37:02.760 --> 1:37:05.559
<v Speaker 1>whatever reason that that that that image of old boy

1:37:05.920 --> 1:37:08.639
<v Speaker 1>talking at the crib with this box, with this cardboard

1:37:08.680 --> 1:37:11.400
<v Speaker 1>box with all this ship in it just pops into

1:37:11.479 --> 1:37:14.600
<v Speaker 1>my head. So so I wrote the song and I'm like,

1:37:14.680 --> 1:37:17.000
<v Speaker 1>I'm like, but but this was this was my Auntie story.

1:37:17.280 --> 1:37:18.640
<v Speaker 1>Let me try to flip it to where it's like

1:37:19.000 --> 1:37:20.920
<v Speaker 1>like I'm telling the girl to leave because she did

1:37:21.000 --> 1:37:22.760
<v Speaker 1>some foul ship or whatever, like, yeah, let me try that.

1:37:23.200 --> 1:37:24.840
<v Speaker 1>So I wrote it like that. I wrote it in

1:37:24.960 --> 1:37:27.960
<v Speaker 1>first person, like it's me telling the girl, awesome, you

1:37:28.080 --> 1:37:30.040
<v Speaker 1>must not know I can have another U in a minute.

1:37:30.080 --> 1:37:32.479
<v Speaker 1>Matter of fact, she'll be here in a minute. But

1:37:32.560 --> 1:37:34.080
<v Speaker 1>then I listened back to the ship and I'm like,

1:37:34.120 --> 1:37:37.320
<v Speaker 1>all right, at this point in life. The problem the

1:37:37.720 --> 1:37:41.880
<v Speaker 1>majority of my fan basis female. Do chicks really want

1:37:41.920 --> 1:37:43.800
<v Speaker 1>to hear me say I can have another U in

1:37:43.840 --> 1:37:45.679
<v Speaker 1>a minute, matter of fact, she'll be here in a minute.

1:37:47.240 --> 1:37:51.960
<v Speaker 1>Maybe not maybe not right? That's that? Yeah, like that

1:37:52.160 --> 1:37:56.080
<v Speaker 1>that that ship comes across real mean, real misogynistic, you

1:37:56.120 --> 1:37:59.200
<v Speaker 1>know what I'm saying. So but but then a little bit,

1:37:59.360 --> 1:38:04.280
<v Speaker 1>a little bit, I'm sitting with starting and I'm like, yo, okay,

1:38:04.320 --> 1:38:08.200
<v Speaker 1>so there's clearly something to this record, but this, this

1:38:08.280 --> 1:38:10.360
<v Speaker 1>ship might not be for me, y'all. This we might

1:38:10.439 --> 1:38:12.160
<v Speaker 1>need to we might need to get a female to

1:38:12.240 --> 1:38:15.200
<v Speaker 1>sing this. Because if you take that same concept, that

1:38:15.320 --> 1:38:17.519
<v Speaker 1>same lyric, I can have another U in a minute,

1:38:17.560 --> 1:38:19.600
<v Speaker 1>matter of fact, he'll be here in a minute, and

1:38:19.720 --> 1:38:21.479
<v Speaker 1>you give it. You let a chick sing, and it's

1:38:21.560 --> 1:38:26.120
<v Speaker 1>it's it becomes empowering. You see a seeing women behind

1:38:26.200 --> 1:38:27.760
<v Speaker 1>her with the fist of like, that's right, girl, we

1:38:27.760 --> 1:38:29.280
<v Speaker 1>ain't gonna take it. Like you can see that ship.

1:38:29.800 --> 1:38:31.280
<v Speaker 1>So I'm like, yeah, this, we might need to get

1:38:31.320 --> 1:38:34.479
<v Speaker 1>this to a female. So basically, you sold men out,

1:38:35.640 --> 1:38:39.639
<v Speaker 1>I mean, boyfriends and baby Daddy's all over the world

1:38:39.760 --> 1:38:41.599
<v Speaker 1>was mad at me for a little while behind that ship.

1:38:41.680 --> 1:38:49.800
<v Speaker 1>They was, they were let's listen all up. But at

1:38:49.840 --> 1:38:54.040
<v Speaker 1>the end of the day, if I can't get if

1:38:54.080 --> 1:38:56.120
<v Speaker 1>I can get in good with the smarter race, I'm

1:38:56.160 --> 1:38:59.680
<v Speaker 1>problemnna do that. You can't. That's the start of this.

1:38:59.840 --> 1:39:06.200
<v Speaker 1>That's that vision. I can't figure some sh out my wife,

1:39:06.320 --> 1:39:09.800
<v Speaker 1>come and figure it out, because I was like, why

1:39:10.240 --> 1:39:12.040
<v Speaker 1>the same ship? And then again, I can't hook up

1:39:12.040 --> 1:39:14.800
<v Speaker 1>with Nintendo. You can't hook up with Nintendo. I don't

1:39:14.800 --> 1:39:17.320
<v Speaker 1>know how to look up. I'm not the fact that

1:39:17.400 --> 1:39:22.280
<v Speaker 1>you said Nintendo and not Xbox or he's still it

1:39:22.400 --> 1:39:24.639
<v Speaker 1>speaks to the fact that you can't help Nintendo. Let's

1:39:24.680 --> 1:39:35.240
<v Speaker 1>all good. You can't, so good, keep the like this

1:39:35.520 --> 1:39:39.960
<v Speaker 1>is not worth Let's go on, let's go, Let's get

1:39:40.000 --> 1:39:42.760
<v Speaker 1>that week guds going again. You met Michael Jackson. I

1:39:42.880 --> 1:39:47.960
<v Speaker 1>met Michael Jackson. How was it? Um threal? Which Michael

1:39:48.040 --> 1:39:51.000
<v Speaker 1>Jackson's What era of Michael Jackson is? I met my

1:39:51.120 --> 1:39:57.439
<v Speaker 1>definitely white. I met Mike roughly eight months before he passed.

1:39:57.640 --> 1:40:00.200
<v Speaker 1>Oh wow, yeah, that's when you first met. That's for

1:40:00.360 --> 1:40:06.360
<v Speaker 1>the first first minute that so I get a phone

1:40:06.439 --> 1:40:10.880
<v Speaker 1>call one day my personal cell phone. I'm actually in

1:40:10.960 --> 1:40:13.559
<v Speaker 1>the car en route to rehearsal because he was getting

1:40:13.560 --> 1:40:15.640
<v Speaker 1>we was gearing up to get on tour. So I

1:40:15.720 --> 1:40:18.160
<v Speaker 1>get a call. I answered. The call is an unknown

1:40:18.240 --> 1:40:20.559
<v Speaker 1>I normally don't answer unknown numbers, like if I don't

1:40:20.560 --> 1:40:23.040
<v Speaker 1>got you saved in my phone, enough with you. But

1:40:23.160 --> 1:40:25.120
<v Speaker 1>I answered this one just because on a humbug. I'm

1:40:25.120 --> 1:40:29.760
<v Speaker 1>in the car. Whatever, So I pick it up. Hello, Hi, Hey,

1:40:30.920 --> 1:40:35.040
<v Speaker 1>who is this? It's Michael because it was a crank caller.

1:40:35.640 --> 1:40:44.360
<v Speaker 1>Michael Who Michael Jackson? All right, click because clearly somebody's

1:40:44.400 --> 1:40:46.640
<v Speaker 1>working with me at this click. Somebody messing with me, right,

1:40:47.200 --> 1:40:49.680
<v Speaker 1>So within five minutes of that phone call, I get

1:40:49.680 --> 1:40:52.080
<v Speaker 1>another phone call from my assistant. At this point, he's like, Yo,

1:40:52.720 --> 1:40:55.160
<v Speaker 1>so um are you sitting down? I'm like, I'm in

1:40:55.240 --> 1:40:57.040
<v Speaker 1>the car. We're talking about it. It's like, Yo, Michael

1:40:57.120 --> 1:40:59.280
<v Speaker 1>Jackson is about to call you and talk to you

1:40:59.280 --> 1:41:03.000
<v Speaker 1>about some music. I'm like about to call me or

1:41:03.080 --> 1:41:06.680
<v Speaker 1>already called me like ten minutes ago. Down. Oh she

1:41:06.760 --> 1:41:09.400
<v Speaker 1>didn't already call you? Yeah? I hung up in his thinking,

1:41:09.600 --> 1:41:15.200
<v Speaker 1>hung up on, Michael, you're being late with this call, baby,

1:41:15.320 --> 1:41:23.920
<v Speaker 1>hang up with Michael was so so he calls me back,

1:41:24.360 --> 1:41:25.880
<v Speaker 1>and of course our front. I'm like, yeah, you know,

1:41:25.920 --> 1:41:28.240
<v Speaker 1>I was, I was, I was going under a bridge.

1:41:28.760 --> 1:41:33.080
<v Speaker 1>We got this bad reception. But he was like he

1:41:33.200 --> 1:41:35.880
<v Speaker 1>basically said, I would love to get in the studio

1:41:36.040 --> 1:41:40.640
<v Speaker 1>and work with you. And I'm like, I'm literally not

1:41:40.880 --> 1:41:43.360
<v Speaker 1>inside my body right now, Like, what do you want

1:41:43.400 --> 1:41:46.599
<v Speaker 1>to work with me? Alright, cool, let's let's let's set

1:41:46.640 --> 1:41:48.160
<v Speaker 1>it up. Let's get it together. You know there's people,

1:41:48.280 --> 1:41:50.720
<v Speaker 1>call my people whatever. Whatever. He said, he wanted to meet.

1:41:50.760 --> 1:41:52.280
<v Speaker 1>I want to I want to meet with you, and

1:41:52.320 --> 1:41:53.439
<v Speaker 1>I want to talk to you about the kind of

1:41:53.520 --> 1:41:55.720
<v Speaker 1>music I want to produce. So we set it up.

1:41:56.680 --> 1:41:58.760
<v Speaker 1>We set up to meet at Leo Cohen's shout out

1:41:58.800 --> 1:42:01.040
<v Speaker 1>to Leo Cohen. Up set up to me that Leo

1:42:01.120 --> 1:42:03.599
<v Speaker 1>Cohen's crib because he wanted to meet somewhere private out

1:42:03.640 --> 1:42:05.839
<v Speaker 1>the way, you know what I'm saying. And I completely

1:42:05.880 --> 1:42:12.800
<v Speaker 1>understood that York in New York Y, so I don't

1:42:12.800 --> 1:42:19.080
<v Speaker 1>I don't know, you get details. So I go. I

1:42:19.160 --> 1:42:22.760
<v Speaker 1>go to Leo Cohen's house, whichever one it was in

1:42:23.040 --> 1:42:25.680
<v Speaker 1>at the time, right, you know, we chopped up for

1:42:25.760 --> 1:42:27.760
<v Speaker 1>him and he's like, he's here, he's just just going.

1:42:28.280 --> 1:42:30.320
<v Speaker 1>He put me in like a study, like because because

1:42:30.360 --> 1:42:32.599
<v Speaker 1>it's Leo Cohen, so he has a study in his house.

1:42:33.760 --> 1:42:36.479
<v Speaker 1>He's there, he's yeah, he answered the door. It's there.

1:42:37.280 --> 1:42:39.479
<v Speaker 1>So he puts me in the study, which is like

1:42:39.560 --> 1:42:41.760
<v Speaker 1>a room three times besides of this room just full

1:42:41.800 --> 1:42:44.559
<v Speaker 1>of books. It's Leo Cohen. All right, cool. So Michael

1:42:44.640 --> 1:42:46.880
<v Speaker 1>Jackson walks in. He has on an all black suit,

1:42:47.120 --> 1:42:52.439
<v Speaker 1>sup sup shirt, whole suit, he Nigga. So I'm gonna

1:42:52.479 --> 1:42:56.920
<v Speaker 1>tell you, so I knew. I knew that Michael Jackson

1:42:57.000 --> 1:42:59.400
<v Speaker 1>was like six ft tall, but like when he walked

1:42:59.439 --> 1:43:02.679
<v Speaker 1>in the room, he's six ft tall. Michael jacks sick. Yeah,

1:43:02.680 --> 1:43:06.320
<v Speaker 1>he's sixty six too big. His tall dude, Michael is

1:43:06.320 --> 1:43:08.800
<v Speaker 1>a tall dude. Yeah right now, you didn't know that

1:43:09.920 --> 1:43:12.960
<v Speaker 1>Michael Jackson was easily six ft tall. Yeah, tall dude.

1:43:13.439 --> 1:43:15.040
<v Speaker 1>But when he walked in the room and Nigga was

1:43:15.080 --> 1:43:18.400
<v Speaker 1>ten feet tall, Like like he walked in he had

1:43:18.479 --> 1:43:25.320
<v Speaker 1>on these aviator the aviator glasses with the mirror joints though,

1:43:25.400 --> 1:43:28.280
<v Speaker 1>like this ship that like the bike cops were like,

1:43:28.360 --> 1:43:30.439
<v Speaker 1>you know, how fast you were going? Like them cops?

1:43:30.640 --> 1:43:32.960
<v Speaker 1>He had on them ships right with the fucking with

1:43:33.120 --> 1:43:34.720
<v Speaker 1>the with the whole ship on his wrist, like he

1:43:34.920 --> 1:43:37.680
<v Speaker 1>broke his thumb with some ship. And he walks in

1:43:38.320 --> 1:43:40.719
<v Speaker 1>and his first words to me are, oh my gosh,

1:43:40.760 --> 1:43:43.760
<v Speaker 1>you know what my favorite song of yours is? Now?

1:43:43.920 --> 1:43:46.920
<v Speaker 1>Mind you? Tom stops at this moment because I'm like,

1:43:47.040 --> 1:43:50.360
<v Speaker 1>Michael Jackson is asking me if I know what his

1:43:50.520 --> 1:43:58.840
<v Speaker 1>favorite song? This is Michael, he had like like an

1:43:58.920 --> 1:44:01.720
<v Speaker 1>arm break, like a break some ship. Like like, I'm saying,

1:44:01.720 --> 1:44:03.439
<v Speaker 1>that's that's on the left hand, the whole joint on

1:44:03.560 --> 1:44:09.120
<v Speaker 1>the right glove finger with the whole joint with didn't

1:44:09.120 --> 1:44:10.760
<v Speaker 1>have that on. You didn't have it on, Okay, So

1:44:10.920 --> 1:44:12.800
<v Speaker 1>mind you. He says to me, oh my god, you

1:44:12.840 --> 1:44:14.840
<v Speaker 1>know what my favorite song of yours is, and then

1:44:14.960 --> 1:44:18.400
<v Speaker 1>the nigga commences to singing the song. Please don't worry

1:44:18.479 --> 1:44:21.280
<v Speaker 1>about me. I'm fine with the hand pop on the

1:44:21.280 --> 1:44:23.559
<v Speaker 1>whole line. Now. I never felt like a twelve year

1:44:23.560 --> 1:44:28.439
<v Speaker 1>old girl in my life. In that moment, I was

1:44:28.479 --> 1:44:30.720
<v Speaker 1>a twelve year old girl. Did you compose yourself? I

1:44:30.840 --> 1:44:33.360
<v Speaker 1>kept I kept it cool, And I'm like, this is Mike.

1:44:33.479 --> 1:44:35.240
<v Speaker 1>I can't. I can't fan out of front of this

1:44:37.360 --> 1:44:41.360
<v Speaker 1>nor hands. No, I cannot this is Michael fucking Jackson. No,

1:44:41.439 --> 1:44:46.439
<v Speaker 1>I gotta, I gotta maintain. But inside it was oh

1:44:46.520 --> 1:44:49.200
<v Speaker 1>my god, I say my music, it was that inside,

1:44:49.560 --> 1:44:52.040
<v Speaker 1>But I kept on the inside, right, So we said

1:44:52.120 --> 1:44:53.800
<v Speaker 1>we talked for about an hour and a half, which

1:44:53.800 --> 1:44:57.920
<v Speaker 1>is about music in general and how choreography looks like

1:44:58.160 --> 1:45:02.400
<v Speaker 1>he said, he said, choreo your feet now looks like Calistenics.

1:45:03.960 --> 1:45:08.800
<v Speaker 1>And I was like, okay, that's interesting. No, no, he

1:45:08.880 --> 1:45:11.080
<v Speaker 1>was like. He was like, it's like people aren't dancing

1:45:11.160 --> 1:45:13.040
<v Speaker 1>for the joy of dancing anymore. Like it looks it

1:45:13.120 --> 1:45:16.000
<v Speaker 1>looks like a robix now. And I'm like, okay, okay,

1:45:16.120 --> 1:45:18.400
<v Speaker 1>that's interesting. So so we talked about, you know, what

1:45:18.520 --> 1:45:20.000
<v Speaker 1>he wanted to do with the next album, what he

1:45:20.040 --> 1:45:22.640
<v Speaker 1>wanted to sound like the whole nine and uh, he

1:45:22.720 --> 1:45:25.800
<v Speaker 1>gave me a phone number. So for the next like

1:45:26.000 --> 1:45:28.479
<v Speaker 1>two weeks, I'm back and forth on the phone with

1:45:28.640 --> 1:45:33.120
<v Speaker 1>Michael fucking Jackson. I'm sending him records. He's critiquing the records.

1:45:33.120 --> 1:45:35.599
<v Speaker 1>They called me like, yo, I really love number three.

1:45:36.200 --> 1:45:38.960
<v Speaker 1>Number three is so special, but I feel like the

1:45:39.040 --> 1:45:41.160
<v Speaker 1>hook is just not right, Like if you just just

1:45:41.400 --> 1:45:44.400
<v Speaker 1>just retouch the hook on number three, and like so

1:45:44.640 --> 1:45:47.800
<v Speaker 1>so it's like about six records that me and Mike

1:45:48.040 --> 1:45:50.760
<v Speaker 1>put together via just on the phone, just talking about

1:45:50.760 --> 1:45:52.760
<v Speaker 1>the ship's right if she's to send in a hard driver.

1:45:53.080 --> 1:45:56.360
<v Speaker 1>I've done nothing with him, but um, the plan was

1:45:56.439 --> 1:46:00.080
<v Speaker 1>to get in and record these records after the so

1:46:00.320 --> 1:46:03.439
<v Speaker 1>you saw the film, this is it. So after that tour,

1:46:03.880 --> 1:46:05.639
<v Speaker 1>we were supposed to get in the record these records.

1:46:05.680 --> 1:46:07.720
<v Speaker 1>And of course, you know, he passed before he even

1:46:07.720 --> 1:46:10.439
<v Speaker 1>got a chance to do that tour. So yeah, so

1:46:10.640 --> 1:46:13.240
<v Speaker 1>I still got the records. They're just sitting You're sitting

1:46:13.320 --> 1:46:14.639
<v Speaker 1>waiting for me to figure out what the hell I'm

1:46:14.640 --> 1:46:17.479
<v Speaker 1>gonna do with him. It's just it's never filed any

1:46:17.520 --> 1:46:19.439
<v Speaker 1>of his no, no, no, so I saw it's all

1:46:19.479 --> 1:46:21.639
<v Speaker 1>me on the vocals. But it's records that I wrote

1:46:21.680 --> 1:46:24.439
<v Speaker 1>with Mike. The prep we was prepping them for him

1:46:24.520 --> 1:46:27.840
<v Speaker 1>to get them after the tour. He died before the tour.

1:46:28.080 --> 1:46:30.479
<v Speaker 1>We didn't get a chance to get him. So I

1:46:30.560 --> 1:46:34.920
<v Speaker 1>got the records, and nothing feels right, if that makes sense, Like,

1:46:34.960 --> 1:46:36.680
<v Speaker 1>it don't feel right to drop him as my own

1:46:36.720 --> 1:46:38.880
<v Speaker 1>because I wrote them from Mike. Don't feel right to

1:46:38.920 --> 1:46:41.000
<v Speaker 1>sell them because I wrote them from Mike. You know what,

1:46:41.080 --> 1:46:42.640
<v Speaker 1>I mean, and I would never want the motherfucker to

1:46:42.680 --> 1:46:44.880
<v Speaker 1>fix their mouth, to be like Neo trying to make

1:46:44.920 --> 1:46:46.960
<v Speaker 1>some money off of Mike's name. If I just put

1:46:47.040 --> 1:46:49.160
<v Speaker 1>them ships out like these as the records and me

1:46:49.200 --> 1:46:51.560
<v Speaker 1>and Michael's gonna do before he passed, you know what

1:46:51.600 --> 1:46:53.680
<v Speaker 1>I mean? So so I would you sell it to

1:46:53.760 --> 1:46:58.160
<v Speaker 1>like Chris Brown or something like that would be crazy.

1:46:59.680 --> 1:47:01.960
<v Speaker 1>All the love in the world to Chris Brown, all

1:47:02.040 --> 1:47:06.439
<v Speaker 1>of that, But these records were written for Michael Jackson.

1:47:06.840 --> 1:47:09.920
<v Speaker 1>I'm not putting another voice on his records. I'm not

1:47:10.160 --> 1:47:12.560
<v Speaker 1>doing it. I can't. I personally can't do it. I

1:47:12.640 --> 1:47:14.920
<v Speaker 1>can't do it. I can't do it, and I and

1:47:15.040 --> 1:47:18.920
<v Speaker 1>I don't. I don't doubt that that Chris or or

1:47:19.080 --> 1:47:21.880
<v Speaker 1>Bruno Mars and some elements were smashed these ships, I

1:47:21.880 --> 1:47:23.960
<v Speaker 1>don't doubt it at all. But the fact that I

1:47:24.040 --> 1:47:26.920
<v Speaker 1>wrote them for Mike, intended for Mike and Mike's voice,

1:47:26.960 --> 1:47:30.000
<v Speaker 1>I can't. I can't. I can't tell you my Mike story.

1:47:30.080 --> 1:47:34.200
<v Speaker 1>I've never met Mike, but um for roll called me.

1:47:35.400 --> 1:47:38.040
<v Speaker 1>This is the most exciting for Rolls every story man,

1:47:38.360 --> 1:47:40.720
<v Speaker 1>and and It's and and It's life. He called me,

1:47:40.800 --> 1:47:44.560
<v Speaker 1>and It's like, yo, Mike called us and said that

1:47:44.640 --> 1:47:47.760
<v Speaker 1>he wants records from us. So it's like, yo, that's

1:47:47.800 --> 1:47:50.639
<v Speaker 1>fucking dope. He said, we seen them all these fucking

1:47:50.680 --> 1:47:54.720
<v Speaker 1>records and if it goes so, then were seen on

1:47:54.800 --> 1:47:56.800
<v Speaker 1>these records. And then Mike gets on the phone with

1:47:56.920 --> 1:48:00.280
<v Speaker 1>us and says, no, we don't want this, we want something.

1:48:00.360 --> 1:48:05.760
<v Speaker 1>Nor we wild wrapped one, nor would wrap one. I

1:48:05.840 --> 1:48:08.880
<v Speaker 1>want super Doug, but nor wouldn't rap on it. Don't

1:48:09.479 --> 1:48:11.200
<v Speaker 1>You didn't know that till for real said it, right? No?

1:48:11.479 --> 1:48:13.439
<v Speaker 1>I did not on the show. No, no, no, I

1:48:13.520 --> 1:48:16.880
<v Speaker 1>knew that because he called He called me. He was like,

1:48:17.040 --> 1:48:22.560
<v Speaker 1>how I would walk around knowing that. I was like,

1:48:22.640 --> 1:48:34.639
<v Speaker 1>oh yeah, just having Mike reference from oh yeah, I'm

1:48:34.680 --> 1:48:45.040
<v Speaker 1>taking a show that now, Yeah, thank you. Okay, look

1:48:45.120 --> 1:48:49.320
<v Speaker 1>that's different. Yeah, that's different. That's yo. The whole Fellers.

1:48:49.880 --> 1:48:55.960
<v Speaker 1>So it was crazy. The whole concept of the people

1:48:56.040 --> 1:48:58.800
<v Speaker 1>comparing like Drake to Michael Jackson. People are preparing Chris

1:48:58.920 --> 1:49:03.799
<v Speaker 1>to Michael Jackson. It's a compliment. It's an absolute compliment,

1:49:03.840 --> 1:49:06.839
<v Speaker 1>and I hope the book has taken it as such. However,

1:49:09.120 --> 1:49:12.880
<v Speaker 1>how dare you like the numbers that this man was

1:49:12.960 --> 1:49:16.200
<v Speaker 1>doing at the time that he was doing them. Mind you,

1:49:16.320 --> 1:49:20.720
<v Speaker 1>this is before YouTube, Spotify, all these different things that

1:49:20.880 --> 1:49:23.080
<v Speaker 1>allows the whole world to get the music. At the

1:49:23.120 --> 1:49:26.280
<v Speaker 1>same time, that ship didn't exist when Michael was doing

1:49:26.360 --> 1:49:29.200
<v Speaker 1>what he was doing, and the numbers that he was doing,

1:49:29.320 --> 1:49:32.280
<v Speaker 1>Like even if you matching Mike's numbers right now, it's like,

1:49:32.400 --> 1:49:34.840
<v Speaker 1>you still can't compare NI because you're doing it right now.

1:49:35.560 --> 1:49:40.280
<v Speaker 1>Do that in the eighties the video market, Come on,

1:49:41.560 --> 1:49:45.320
<v Speaker 1>there is no comparison. That's not You can never say

1:49:45.360 --> 1:49:47.800
<v Speaker 1>that talent ain't going to exist after Michael Jackson yet,

1:49:47.960 --> 1:49:50.160
<v Speaker 1>sure of course. So let me just tell you. So.

1:49:50.320 --> 1:49:52.439
<v Speaker 1>The funny thing is so all the records that he

1:49:52.560 --> 1:49:56.600
<v Speaker 1>made for Mike, he gave the Justini I know I

1:49:56.720 --> 1:50:00.639
<v Speaker 1>heard that, and and one of them the baby face,

1:50:02.080 --> 1:50:06.759
<v Speaker 1>so it's crazy. And then he was basically telling me, Laurie,

1:50:06.840 --> 1:50:08.960
<v Speaker 1>I need you to pick these beats for me, Like

1:50:09.120 --> 1:50:11.960
<v Speaker 1>I had to kind of go pick the worst beats

1:50:13.520 --> 1:50:16.160
<v Speaker 1>because because you know, I like, I like gangs, this,

1:50:16.520 --> 1:50:17.920
<v Speaker 1>I like, you know what I mean. And that was

1:50:17.960 --> 1:50:19.560
<v Speaker 1>an honor though it was it was it was a

1:50:19.680 --> 1:50:21.240
<v Speaker 1>real honor. But I never got to meet Mike. At

1:50:21.280 --> 1:50:24.479
<v Speaker 1>least you got to know that Mike was sitting somewhere

1:50:24.520 --> 1:50:31.360
<v Speaker 1>in the world like I need something like this, call it,

1:50:31.760 --> 1:50:44.600
<v Speaker 1>then call it. There's no bigger accolade than that. But

1:50:45.000 --> 1:50:50.160
<v Speaker 1>that might be the best Michael Jackson depression. Other people tried,

1:50:50.280 --> 1:50:57.720
<v Speaker 1>but I believed him. Just now listen, this is this

1:50:57.880 --> 1:51:00.800
<v Speaker 1>is the machine. We are trying to get everyone in

1:51:00.880 --> 1:51:03.920
<v Speaker 1>the room high because we are good people and I'm not.

1:51:04.439 --> 1:51:06.640
<v Speaker 1>Can I tell you how genius of a concept this

1:51:06.760 --> 1:51:10.400
<v Speaker 1>whole show is because you you already know you're dealing

1:51:10.439 --> 1:51:13.560
<v Speaker 1>with artists, artists coming in there with the politically correct like,

1:51:13.720 --> 1:51:17.280
<v Speaker 1>let me they got, they got The answer to your

1:51:17.360 --> 1:51:19.720
<v Speaker 1>question is already set, like I'm gonna say this as

1:51:19.800 --> 1:51:22.439
<v Speaker 1>to not to say that, and you get him a

1:51:22.520 --> 1:51:28.800
<v Speaker 1>fucking and you get him drunk. You listen, you're gonna

1:51:28.800 --> 1:51:32.240
<v Speaker 1>say the real ship the girls want, not you don't

1:51:32.320 --> 1:51:35.720
<v Speaker 1>talk to real ship. Genius concept. But by the way,

1:51:35.880 --> 1:51:38.120
<v Speaker 1>me and him was in the locker room with you guys,

1:51:38.800 --> 1:51:40.760
<v Speaker 1>I mean, work your records. I worked for them, Jim.

1:51:41.920 --> 1:51:48.679
<v Speaker 1>So he's a real real DJ, re create DJ motherfuckers

1:51:48.720 --> 1:51:54.960
<v Speaker 1>with the c driving you know what I mean. He's

1:51:55.000 --> 1:51:57.120
<v Speaker 1>that type of any gigs who worked your records to

1:51:57.280 --> 1:51:59.920
<v Speaker 1>the part of the Street Team. Nowords too as well.

1:52:00.240 --> 1:52:02.200
<v Speaker 1>So now only is a DJ. He he ran the

1:52:02.280 --> 1:52:05.800
<v Speaker 1>street team. So and then me, I was, I'm a

1:52:05.880 --> 1:52:07.960
<v Speaker 1>real artist. Like I'm a real artist. I don't know

1:52:07.960 --> 1:52:10.400
<v Speaker 1>what I got platform blacks, you know what. I don't

1:52:10.400 --> 1:52:16.120
<v Speaker 1>want to reproduce your fan So I'm fancies. Don't tell

1:52:16.160 --> 1:52:18.560
<v Speaker 1>me you staff somebody to come porn. I mean I

1:52:18.680 --> 1:52:22.160
<v Speaker 1>thought about it. You heard of many that may consider right,

1:52:22.240 --> 1:52:24.439
<v Speaker 1>but now I didn't go there. But so that's the

1:52:24.520 --> 1:52:26.960
<v Speaker 1>reason why. Like, and you know what it is. Oh,

1:52:27.800 --> 1:52:31.519
<v Speaker 1>bring it on, bring it on rental. It's gonna make

1:52:31.600 --> 1:52:39.760
<v Speaker 1>him talk more. Yeah, the way you do it is hilarious. Yea.

1:52:39.840 --> 1:52:41.679
<v Speaker 1>I need one of them ships at the crib bl

1:52:43.200 --> 1:52:44.800
<v Speaker 1>you know what I'm saying. I need I need this

1:52:44.920 --> 1:52:47.720
<v Speaker 1>ship set up to the A C system in my house.

1:52:48.120 --> 1:52:50.320
<v Speaker 1>A C. Oh. So when you walk in my house,

1:52:51.320 --> 1:52:56.600
<v Speaker 1>no choice but to take the shoes. He went to

1:52:56.680 --> 1:52:59.880
<v Speaker 1>the room. He went to the room, cleanse the rooms.

1:53:00.000 --> 1:53:03.799
<v Speaker 1>At this stage, Nig's gonna be in the house. Honest.

1:53:04.600 --> 1:53:07.360
<v Speaker 1>I don't know why. I don't know why. I just

1:53:07.400 --> 1:53:09.400
<v Speaker 1>gotta tell you the truth right now. Then we gotta

1:53:09.439 --> 1:53:20.360
<v Speaker 1>take a shot. Yo. I was having a uh, I

1:53:20.479 --> 1:53:24.400
<v Speaker 1>was having a conversation just recently, what somebody about about

1:53:24.439 --> 1:53:26.680
<v Speaker 1>the state of R and B. State of R and B.

1:53:27.040 --> 1:53:28.680
<v Speaker 1>You know, the album is out, so everybody want to

1:53:28.720 --> 1:53:29.960
<v Speaker 1>talk to me about the state of R and B.

1:53:31.360 --> 1:53:34.760
<v Speaker 1>And I had I had a realization, like in the

1:53:35.000 --> 1:53:39.040
<v Speaker 1>in the midst of this of this question. So you

1:53:39.120 --> 1:53:41.439
<v Speaker 1>know that, like right this second, hip hop is the

1:53:41.520 --> 1:53:45.080
<v Speaker 1>biggest genre of music in the world period, in the world,

1:53:45.479 --> 1:53:47.960
<v Speaker 1>right and it's been that for like the last few years.

1:53:48.920 --> 1:53:52.479
<v Speaker 1>So when that happened, because before that it was like

1:53:52.600 --> 1:53:55.320
<v Speaker 1>what it was rock or country or some ship. But

1:53:55.400 --> 1:53:57.599
<v Speaker 1>then it then it happened with hip hop, and then

1:53:57.640 --> 1:54:00.680
<v Speaker 1>all of a sudden, every other genre gets the hip

1:54:00.720 --> 1:54:04.400
<v Speaker 1>hop makeover. Now we got trap country records, you know, everything,

1:54:05.200 --> 1:54:10.479
<v Speaker 1>everything has gotten trap country basically. That's that's I mean,

1:54:10.520 --> 1:54:11.960
<v Speaker 1>that's how it started. I don't know what you call

1:54:12.040 --> 1:54:15.960
<v Speaker 1>him now, but that's how it started. So it occurred

1:54:16.000 --> 1:54:19.000
<v Speaker 1>to me that like, yo, everything got like a hip

1:54:19.080 --> 1:54:23.679
<v Speaker 1>hop makeover. When hip hop became the most special genre

1:54:23.720 --> 1:54:25.880
<v Speaker 1>of music on the face of the planet, R and

1:54:25.960 --> 1:54:29.080
<v Speaker 1>B included, and you look at the new generational R

1:54:29.160 --> 1:54:31.200
<v Speaker 1>and B and what and how they do what they do.

1:54:31.520 --> 1:54:34.920
<v Speaker 1>And mind you, some people have issue with today's R

1:54:34.960 --> 1:54:37.000
<v Speaker 1>and B because it don't feel like R and B

1:54:37.080 --> 1:54:39.040
<v Speaker 1>in the nineties and nineties was the last time R

1:54:39.080 --> 1:54:42.000
<v Speaker 1>and B had its own identity like traditional, It wasn't

1:54:42.440 --> 1:54:45.800
<v Speaker 1>the ugly cousin of hip hop right kind of what

1:54:45.960 --> 1:54:48.200
<v Speaker 1>it is now. So but you look at the new

1:54:49.040 --> 1:54:52.080
<v Speaker 1>the new generation that's coming up, and you look at

1:54:52.280 --> 1:54:55.160
<v Speaker 1>what they're coming coming up on. They're coming up on

1:54:55.280 --> 1:54:58.400
<v Speaker 1>hip hop. So of course that even they R and

1:54:58.520 --> 1:55:01.600
<v Speaker 1>B is gonna feel like hip hop because they came

1:55:01.680 --> 1:55:04.960
<v Speaker 1>up looking up to the hip hop niggas. So you

1:55:05.040 --> 1:55:07.960
<v Speaker 1>know when people actually like the whole concept of the

1:55:08.120 --> 1:55:10.800
<v Speaker 1>vulnerability of R and B and what that was like

1:55:11.280 --> 1:55:13.080
<v Speaker 1>we we we came up in the air where niggas

1:55:13.120 --> 1:55:15.200
<v Speaker 1>was begging on the record and that was what it was.

1:55:15.320 --> 1:55:18.320
<v Speaker 1>That was what it was like, Baby baby please was

1:55:18.440 --> 1:55:21.640
<v Speaker 1>what it was. You know what I'm saying, We're singing

1:55:21.680 --> 1:55:24.600
<v Speaker 1>and the wife beat up like this is what it was.

1:55:25.880 --> 1:55:28.240
<v Speaker 1>But these young cast is coming up off of the

1:55:28.360 --> 1:55:32.000
<v Speaker 1>hip hop niggas. They want to be that, you know

1:55:32.000 --> 1:55:34.240
<v Speaker 1>what I'm saying. It's like, all right, I say, and

1:55:34.280 --> 1:55:36.920
<v Speaker 1>I gotta be that. And that's a blurry line something

1:55:37.080 --> 1:55:39.480
<v Speaker 1>I'm not even saying. The R and B. They straight

1:55:39.800 --> 1:55:43.520
<v Speaker 1>rapping with auto tune, really right, it's rapping to a melody,

1:55:44.040 --> 1:55:45.160
<v Speaker 1>a lot of a lot of the R and B

1:55:45.360 --> 1:55:47.840
<v Speaker 1>right now. But but it's like, I can't be mad

1:55:47.920 --> 1:55:49.640
<v Speaker 1>at them because I have to look at where they're

1:55:49.680 --> 1:55:52.640
<v Speaker 1>coming from, what they're coming up, listening to who they're

1:55:52.640 --> 1:55:55.800
<v Speaker 1>coming up on. Hip Hop became the biggest genre music

1:55:55.880 --> 1:55:58.800
<v Speaker 1>in the world, so not everybody is paying paying attention

1:55:58.880 --> 1:56:01.440
<v Speaker 1>to hip hop. So no matter what genre you doing,

1:56:02.400 --> 1:56:05.000
<v Speaker 1>you got hip hop right here. So even if it's

1:56:05.040 --> 1:56:06.680
<v Speaker 1>if it's country, if it's R and B, if it's

1:56:06.720 --> 1:56:10.080
<v Speaker 1>if it's if it's uh, if it's Spanish, whatever the fuck,

1:56:10.480 --> 1:56:12.200
<v Speaker 1>it's going to have a hip hop element to it

1:56:12.320 --> 1:56:22.960
<v Speaker 1>because everybody sucks with hip hop. Take a selfies, what happened? No, no, no, no,

1:56:23.080 --> 1:56:27.240
<v Speaker 1>no no. So I can't be mad at these names

1:56:27.320 --> 1:56:30.280
<v Speaker 1>for that. I can't be mad because cats ain't singing

1:56:30.320 --> 1:56:31.960
<v Speaker 1>the way they were singing when I was coming up.

1:56:32.040 --> 1:56:34.360
<v Speaker 1>You know, I grew up on fucking boys man in

1:56:34.520 --> 1:56:38.560
<v Speaker 1>jeto see. And you also sunk in church a little bit,

1:56:38.640 --> 1:56:42.840
<v Speaker 1>a little bit like church, like church. No disrespected church,

1:56:42.880 --> 1:56:46.520
<v Speaker 1>no respected religion in Christian Christianity would have a m

1:56:47.560 --> 1:56:49.720
<v Speaker 1>I went to church with my grandmother because I had

1:56:49.760 --> 1:56:51.440
<v Speaker 1>to go to church with my grandmother because she was

1:56:51.480 --> 1:56:55.200
<v Speaker 1>not accepting the kids not being in church on Sunday.

1:56:56.120 --> 1:56:59.760
<v Speaker 1>I am a spiritual person. I believe in God. I

1:57:00.040 --> 1:57:04.960
<v Speaker 1>don't so much lock into commercial religion, not really, you

1:57:05.000 --> 1:57:07.040
<v Speaker 1>know what I'm saying. I know that God exists. I

1:57:07.160 --> 1:57:09.320
<v Speaker 1>know that there's a power higher than myself. I know

1:57:09.480 --> 1:57:11.440
<v Speaker 1>that I felt a hand on my back though my

1:57:11.760 --> 1:57:14.040
<v Speaker 1>entire life. You know what I'm saying, so many different

1:57:14.080 --> 1:57:15.760
<v Speaker 1>situations where I was supposed to be sucked up and

1:57:15.800 --> 1:57:18.880
<v Speaker 1>I wasn't because of his hand on my back. Right,

1:57:19.160 --> 1:57:21.880
<v Speaker 1>So I know that that exists. The fine print of

1:57:21.960 --> 1:57:24.200
<v Speaker 1>it is where it is where it gets questionable to me,

1:57:24.320 --> 1:57:27.240
<v Speaker 1>because I know that the nature of man, you know

1:57:27.280 --> 1:57:30.200
<v Speaker 1>what I'm saying, and and and man is about control,

1:57:30.400 --> 1:57:32.680
<v Speaker 1>is about power. And if I can say something to

1:57:32.760 --> 1:57:36.520
<v Speaker 1>you that's gonna make you let me control you, I'm

1:57:36.560 --> 1:57:39.520
<v Speaker 1>gonna say that as the human being. You know what

1:57:39.560 --> 1:57:41.200
<v Speaker 1>I mean. So, so that's so that's what makes me

1:57:41.320 --> 1:57:49.280
<v Speaker 1>go spirituality, God, Sure, Christianity, UH, Catholicism. All of these

1:57:50.000 --> 1:57:54.000
<v Speaker 1>these commercial choices, all of these, all of these businesses. Ye,

1:57:55.440 --> 1:57:57.200
<v Speaker 1>I'm in, but I'm not in, you know what I mean.

1:57:57.480 --> 1:58:00.240
<v Speaker 1>I ain't gonna never show on what nobody believes. You

1:58:00.280 --> 1:58:01.480
<v Speaker 1>know what I'm saying. At the at the end of that,

1:58:01.520 --> 1:58:03.800
<v Speaker 1>if it's if it's making you smile, rock by all

1:58:03.920 --> 1:58:06.280
<v Speaker 1>means rock, and who am I to take that from you?

1:58:07.160 --> 1:58:10.360
<v Speaker 1>But at the same time, I'm not going to sit

1:58:10.440 --> 1:58:14.320
<v Speaker 1>up and feel like my destiny, vert uh past, this

1:58:14.520 --> 1:58:18.080
<v Speaker 1>life is determined on whether or not I apply to

1:58:18.160 --> 1:58:20.720
<v Speaker 1>your fucking program, you know what I mean? Like it

1:58:20.800 --> 1:58:23.360
<v Speaker 1>ain't it ain't that for me. I'll talk to guy personally.

1:58:23.480 --> 1:58:26.120
<v Speaker 1>I'll sit by myself and talk to God. I don't

1:58:26.160 --> 1:58:28.920
<v Speaker 1>need to go to your building every Sunday and put

1:58:29.000 --> 1:58:31.280
<v Speaker 1>on my Sunday best and watch the women in the

1:58:31.320 --> 1:58:33.520
<v Speaker 1>hats talk crazy about me when I walk away, Like,

1:58:33.600 --> 1:58:35.280
<v Speaker 1>I don't have to do that. I don't have to

1:58:35.320 --> 1:58:36.840
<v Speaker 1>give you ten percent of what the hell I what

1:58:36.960 --> 1:58:39.720
<v Speaker 1>the hell I worked hard for to prove that I

1:58:39.840 --> 1:58:43.320
<v Speaker 1>believe in a higher power. That's not that's not necessary.

1:58:43.760 --> 1:58:46.120
<v Speaker 1>As parts of the Bible that will tell you churches

1:58:46.120 --> 1:58:48.160
<v Speaker 1>two or three four two three, two or three and

1:58:48.680 --> 1:58:51.840
<v Speaker 1>joined in my presence. That's church. Church could be your money.

1:58:51.880 --> 1:58:53.960
<v Speaker 1>Gotta go over there. Yeah, I do all that. I

1:58:54.000 --> 1:58:56.480
<v Speaker 1>ain't gotta sit back and feel judged by y'all because

1:58:56.480 --> 1:58:58.760
<v Speaker 1>I ain't been here in months. You know what I'm saying.

1:58:58.760 --> 1:59:06.480
<v Speaker 1>It's like you see Neo in here praise God whenever

1:59:06.520 --> 1:59:09.440
<v Speaker 1>the last time we saw him praise God. I'm not.

1:59:09.520 --> 1:59:11.200
<v Speaker 1>I don't got to sit through that. I ain't got

1:59:11.240 --> 1:59:12.760
<v Speaker 1>to deal with all that. You know what I'm saying,

1:59:13.440 --> 1:59:15.160
<v Speaker 1>Me and my wife, my kids will sit down and

1:59:15.200 --> 1:59:17.280
<v Speaker 1>pray and then have a conversation about the higher power.

1:59:17.320 --> 1:59:19.720
<v Speaker 1>And that's the church. Were good good, you know what

1:59:19.720 --> 1:59:21.960
<v Speaker 1>I'm saying. That's me go back to your training. Thought

1:59:22.000 --> 1:59:23.840
<v Speaker 1>though you were talking about, Oh yeah, I'm drunk, so

1:59:23.880 --> 1:59:25.520
<v Speaker 1>I'm under tangent. What was I talking? You were talking

1:59:25.520 --> 1:59:27.600
<v Speaker 1>about like that. You grew up on Jody C Boys

1:59:27.680 --> 1:59:31.600
<v Speaker 1>de Man, right, I grew up on R and B Cats.

1:59:32.240 --> 1:59:33.960
<v Speaker 1>You know what I'm saying. Jody C was in leather

1:59:34.360 --> 1:59:36.640
<v Speaker 1>in the desert talking about I'll cry for you and

1:59:36.720 --> 1:59:39.400
<v Speaker 1>then got on stage at the MTVV the Music Awards

1:59:39.440 --> 1:59:43.600
<v Speaker 1>and masks and machete's like this Thuggist ship. Ever, Stuggists

1:59:43.680 --> 1:59:46.040
<v Speaker 1>R and B Ever, however, and Niggas was like, do

1:59:46.160 --> 1:59:48.960
<v Speaker 1>you believe in love and the power that it gives? Right?

1:59:49.320 --> 1:59:51.200
<v Speaker 1>I grew up on that. I didn't grow up on

1:59:51.960 --> 1:59:54.120
<v Speaker 1>what some of the newer generation is coming up on it.

1:59:54.400 --> 1:59:56.440
<v Speaker 1>So I can't fault them for the way that they

1:59:56.520 --> 1:59:59.320
<v Speaker 1>do what they do because they're following the ship that

1:59:59.440 --> 2:00:02.480
<v Speaker 1>inspired in them, you know what I mean. Like people

2:00:02.480 --> 2:00:03.720
<v Speaker 1>are like, how do you feel about what do you

2:00:03.760 --> 2:00:05.800
<v Speaker 1>feel about the state of R and B right now?

2:00:06.080 --> 2:00:08.440
<v Speaker 1>And I think back to like my uncle's and how

2:00:08.520 --> 2:00:10.280
<v Speaker 1>my uncle's used to run up on me and my friends,

2:00:10.320 --> 2:00:13.560
<v Speaker 1>Like that ain't real music now, listen is bullshit? You

2:00:13.760 --> 2:00:16.360
<v Speaker 1>just listen to listen to that, And it's like I've

2:00:16.480 --> 2:00:19.600
<v Speaker 1>become my uncle's to my son's, you know what I mean.

2:00:19.800 --> 2:00:23.920
<v Speaker 1>Like I'm listening to what they listening to like a

2:00:24.120 --> 2:00:26.760
<v Speaker 1>ship what they are right now? My old my older

2:00:26.840 --> 2:00:29.200
<v Speaker 1>son is nine. He's weird. So it's some other some

2:00:29.280 --> 2:00:32.720
<v Speaker 1>other ship. But it's not music to me. It's like, Okay,

2:00:32.760 --> 2:00:35.040
<v Speaker 1>so there's there's some game and I'm about to give

2:00:35.040 --> 2:00:37.320
<v Speaker 1>your props. You should send me a check. Uh, there's

2:00:37.360 --> 2:00:41.280
<v Speaker 1>this game called Friday Night Funking, right it's a it's

2:00:41.280 --> 2:00:45.440
<v Speaker 1>a video game. But in the video game, the characters

2:00:45.520 --> 2:00:50.960
<v Speaker 1>are quote unquote battle rapping against each other. But it's

2:00:51.000 --> 2:00:54.560
<v Speaker 1>no lyrics. It ain't even words. It's just sounds and

2:00:54.680 --> 2:01:01.840
<v Speaker 1>beeps and ship. Yeah. And my son's loves this ship

2:01:02.520 --> 2:01:04.440
<v Speaker 1>to where they feel like this is a battle rap

2:01:04.480 --> 2:01:10.280
<v Speaker 1>and I'm like, son, just so lost, oh so lost,

2:01:10.800 --> 2:01:13.120
<v Speaker 1>but they love this ship and I'm like, that is

2:01:13.240 --> 2:01:15.720
<v Speaker 1>not battle rap. What are you doing? What are you

2:01:16.200 --> 2:01:18.800
<v Speaker 1>And and instantly I'm like, oh ship, I'm My uncle's

2:01:19.280 --> 2:01:21.400
<v Speaker 1>sitting listening to me and my friends listen to what

2:01:21.480 --> 2:01:25.480
<v Speaker 1>we listened to, like Nigga, that ain't music, earth fire

2:01:26.600 --> 2:01:29.800
<v Speaker 1>if it's legit just noises. That's not being uncle, mind

2:01:29.880 --> 2:01:32.720
<v Speaker 1>you mind you to my uncle's What I was listening

2:01:32.760 --> 2:01:36.680
<v Speaker 1>to at the time was just just I don't know, man,

2:01:36.800 --> 2:01:39.920
<v Speaker 1>I think of a Niggai group on Earth win and

2:01:39.960 --> 2:01:43.520
<v Speaker 1>fire and listening to dos effects, no no facts. That's yeah,

2:01:43.560 --> 2:01:45.360
<v Speaker 1>that makes sense, you feel me so so so it's

2:01:45.440 --> 2:01:48.640
<v Speaker 1>it's the same thing. It's secular. All this ship happens

2:01:49.040 --> 2:01:51.280
<v Speaker 1>in cycles. I'm looking at my son's like, yo, that

2:01:51.360 --> 2:01:53.800
<v Speaker 1>ain't music, And instantly my uncle's popping in the back

2:01:53.840 --> 2:01:55.920
<v Speaker 1>of my head, like, Yo, that ain't music, and I'm like, fuck,

2:01:56.360 --> 2:01:59.720
<v Speaker 1>it's music to him. It's music to him, And what

2:01:59.840 --> 2:02:02.400
<v Speaker 1>the funk he decided to do with music behind? This

2:02:02.960 --> 2:02:05.960
<v Speaker 1>is going to come from this inspiration and I can't.

2:02:06.040 --> 2:02:09.120
<v Speaker 1>I can't. I can't shoot on him for that. I

2:02:09.240 --> 2:02:12.080
<v Speaker 1>can't talk. I can't talk bad. I can't talk down

2:02:12.200 --> 2:02:14.680
<v Speaker 1>for him for that because that's my uncle's talking down

2:02:14.760 --> 2:02:16.800
<v Speaker 1>for me, down to me for listening to the docs

2:02:16.840 --> 2:02:19.680
<v Speaker 1>effects talking the far side of ship, like when he

2:02:20.160 --> 2:02:21.560
<v Speaker 1>was on Earth, Wind and Fire and all of that.

2:02:22.440 --> 2:02:24.960
<v Speaker 1>So I can't. I can't fault him for it. But

2:02:25.040 --> 2:02:27.680
<v Speaker 1>at the same time, I can also go, you know what, Okay,

2:02:27.680 --> 2:02:31.360
<v Speaker 1>all right, that's music, but this is music too, the

2:02:31.440 --> 2:02:35.080
<v Speaker 1>way your mom and your aunt put on the exactly exactly.

2:02:35.200 --> 2:02:37.720
<v Speaker 1>So that's that's the that's the place I'm taking right now.

2:02:38.000 --> 2:02:40.200
<v Speaker 1>But just to hold just to sit back and realize

2:02:40.760 --> 2:02:43.840
<v Speaker 1>that this ship is secular. Like like, so, I got

2:02:43.920 --> 2:02:48.360
<v Speaker 1>five kids. My oldest is twelve, my girls twelve, my

2:02:48.520 --> 2:02:53.080
<v Speaker 1>youngest is one, and I find myself saying things to

2:02:53.160 --> 2:02:56.320
<v Speaker 1>my kids that my mama said said to me, like

2:02:56.480 --> 2:02:58.840
<v Speaker 1>the second I said it's like, yo, I remember this

2:02:59.480 --> 2:03:02.720
<v Speaker 1>to the point we're like, I gotta call my mom Like, yo, yo,

2:03:02.800 --> 2:03:07.960
<v Speaker 1>I'm sorry. I apologize because you was literally just really

2:03:08.040 --> 2:03:10.920
<v Speaker 1>just trying to figure it out, like just trying to

2:03:11.000 --> 2:03:13.320
<v Speaker 1>make it make sense as you went alone, Like you

2:03:13.520 --> 2:03:15.840
<v Speaker 1>was really on that because I'm in this ship, like, oh,

2:03:16.480 --> 2:03:19.080
<v Speaker 1>how do I in this climate make sure that my

2:03:19.240 --> 2:03:22.960
<v Speaker 1>young prince understands that he's a young prince? You feel me?

2:03:24.160 --> 2:03:27.760
<v Speaker 1>How do I do that right now when when he's

2:03:27.760 --> 2:03:30.080
<v Speaker 1>being bombarded with everything else? Like how do I do that?

2:03:30.240 --> 2:03:32.280
<v Speaker 1>And so so. Yeah, I literally had to call my

2:03:32.360 --> 2:03:37.920
<v Speaker 1>mom ast Yo. I appreciate the way that you made

2:03:37.960 --> 2:03:40.640
<v Speaker 1>it make sense, even if it barely made sense to

2:03:40.720 --> 2:03:42.480
<v Speaker 1>you in the moment, you made it make sense to me.

2:03:42.560 --> 2:03:44.680
<v Speaker 1>And I appreciate that because I'm going through it right

2:03:44.720 --> 2:03:50.680
<v Speaker 1>now and that ship is hard. It's hard. I'm sorry,

2:03:50.760 --> 2:03:58.200
<v Speaker 1>I'm drunk. You're living living at different times. Yo. Bob's

2:03:58.240 --> 2:04:02.320
<v Speaker 1>cart telling a spice flipped your miss independent. Yeah, did

2:04:02.400 --> 2:04:06.080
<v Speaker 1>you clear it? I didn't not clear it, but the

2:04:06.200 --> 2:04:10.280
<v Speaker 1>star the streets cleared it right away, which which made

2:04:10.320 --> 2:04:12.600
<v Speaker 1>it virtually impossible for me to not clear it even

2:04:12.640 --> 2:04:14.360
<v Speaker 1>if I was thinking about not clearing it, which, by

2:04:14.400 --> 2:04:17.200
<v Speaker 1>the way, I was never thinking about not clearing it.

2:04:18.480 --> 2:04:22.640
<v Speaker 1>I'm saying, first and foremost, before the song was presented

2:04:22.680 --> 2:04:25.600
<v Speaker 1>to me, the concept of vibes Cartel and who he

2:04:25.840 --> 2:04:28.880
<v Speaker 1>was was presented to me like this is that dude?

2:04:29.800 --> 2:04:32.600
<v Speaker 1>Oh and by the way, he did this with your song.

2:04:32.840 --> 2:04:34.760
<v Speaker 1>It was presented to me like that. So I'm like, so,

2:04:35.400 --> 2:04:38.320
<v Speaker 1>what are we talking about right now? Of course it's fine.

2:04:39.680 --> 2:04:41.960
<v Speaker 1>Why would I have a problem with this? To this day,

2:04:42.240 --> 2:04:44.760
<v Speaker 1>I can't, like you know, I can't be over there

2:04:45.120 --> 2:04:49.080
<v Speaker 1>and perform misindependent without showing, without giving props to what

2:04:49.240 --> 2:04:53.960
<v Speaker 1>the funk he did? You know what I'm saying? Yeah, man,

2:04:54.080 --> 2:04:57.280
<v Speaker 1>like you created a whole another vibe and essence off

2:04:57.320 --> 2:04:59.640
<v Speaker 1>of this ship that I was trying to do. I

2:04:59.760 --> 2:05:04.040
<v Speaker 1>got give you love for that. Yeah. Like, uh, I

2:05:04.160 --> 2:05:06.320
<v Speaker 1>think his name is a Monti White, Mony White. He

2:05:06.440 --> 2:05:11.720
<v Speaker 1>did my song over nothing on boy Um and I

2:05:11.840 --> 2:05:14.280
<v Speaker 1>co signed it to you. You gotta have to bro,

2:05:14.880 --> 2:05:17.640
<v Speaker 1>you gotta realize it's a whole. It's it's generations coming

2:05:17.760 --> 2:05:21.720
<v Speaker 1>behind you, like generations on generations on generations, and if

2:05:21.760 --> 2:05:23.720
<v Speaker 1>you decide to not let nobody funk with what you

2:05:23.800 --> 2:05:25.440
<v Speaker 1>did because it's what you did, and you can have

2:05:25.520 --> 2:05:28.600
<v Speaker 1>this pride about it. Them generations don't get it. Them

2:05:28.720 --> 2:05:30.680
<v Speaker 1>generations don't get to experience it. They don't get to

2:05:30.840 --> 2:05:32.720
<v Speaker 1>enjoy it. They don't get to they don't get to

2:05:32.760 --> 2:05:35.280
<v Speaker 1>know who Noriega was, you know what. But but but

2:05:35.600 --> 2:05:38.840
<v Speaker 1>I don't always co sign everything. I mean, of course

2:05:38.840 --> 2:05:40.600
<v Speaker 1>I can't lie to you. I can't look at you're

2:05:40.600 --> 2:05:44.080
<v Speaker 1>looking for. I can't because there's been a certain records

2:05:44.120 --> 2:05:46.960
<v Speaker 1>that sample like there's certain people that be like, yo,

2:05:47.040 --> 2:05:49.360
<v Speaker 1>this is this is no real or whatever, and they're

2:05:49.400 --> 2:05:52.320
<v Speaker 1>trying to like like immulate me, and I don't like it,

2:05:54.680 --> 2:05:59.000
<v Speaker 1>but they shouldn't that. Why would you okay some ship

2:05:59.120 --> 2:06:01.320
<v Speaker 1>that that's a whacker version of what you did? Why

2:06:07.000 --> 2:06:10.960
<v Speaker 1>I wouldn't do if certain records I do love um

2:06:11.520 --> 2:06:15.320
<v Speaker 1>Um Flow right of the artists she did, super dog Over,

2:06:15.720 --> 2:06:20.680
<v Speaker 1>I approved it, um Amani White Billy Irish, I approved it.

2:06:21.280 --> 2:06:25.240
<v Speaker 1>But let us say everything does that like I hate

2:06:25.280 --> 2:06:28.160
<v Speaker 1>when someone touches bad from TV. From TV is my

2:06:28.280 --> 2:06:32.360
<v Speaker 1>record with Big Pun. Pun will never be able to

2:06:32.480 --> 2:06:35.280
<v Speaker 1>come and redo this again. So why the fund would

2:06:35.280 --> 2:06:36.880
<v Speaker 1>you do it? Yeah? You know what I'm saying, So

2:06:37.000 --> 2:06:39.640
<v Speaker 1>don't touch So I won't. I won't if anything from

2:06:39.720 --> 2:06:42.640
<v Speaker 1>bad from TV, I won't clear if Beyonce sample man

2:06:42.720 --> 2:06:54.960
<v Speaker 1>from TV is good he got do you know right now,

2:06:58.000 --> 2:07:01.320
<v Speaker 1>y'all such and such from whatever? Not but that But

2:07:01.440 --> 2:07:03.480
<v Speaker 1>that's also what I like though. I like when a

2:07:03.600 --> 2:07:06.840
<v Speaker 1>person take the record and make it their own. When

2:07:06.880 --> 2:07:09.680
<v Speaker 1>they take it and try to remake minds, that's what

2:07:09.880 --> 2:07:12.600
<v Speaker 1>makes me angry. Same ships like, So, I rather you

2:07:12.760 --> 2:07:15.280
<v Speaker 1>take it and you don't reproduce it like like like

2:07:15.480 --> 2:07:17.840
<v Speaker 1>remix it or complimented like make something else. No, So

2:07:17.960 --> 2:07:19.680
<v Speaker 1>it's it's the plight of it's the plight of a

2:07:19.840 --> 2:07:23.600
<v Speaker 1>a songwriter that is also an artist, which you know,

2:07:23.800 --> 2:07:26.120
<v Speaker 1>back day every hip hop artist was. If you was

2:07:26.160 --> 2:07:29.160
<v Speaker 1>writing your own lyrics, you're a songwriter and an artist, right.

2:07:29.560 --> 2:07:31.760
<v Speaker 1>So somebody come along and want to sample something that

2:07:31.880 --> 2:07:34.160
<v Speaker 1>you did. If you're not gonna take it and take

2:07:34.200 --> 2:07:37.560
<v Speaker 1>if you're not gonna bring it to another level, leave

2:07:37.560 --> 2:07:39.720
<v Speaker 1>it the funk alone, Because why would I ever want

2:07:39.760 --> 2:07:41.640
<v Speaker 1>the last memory of my ship to be the whack

2:07:41.680 --> 2:07:43.880
<v Speaker 1>ship that you created? Why would I ever want that

2:07:43.960 --> 2:07:46.040
<v Speaker 1>to be? Nah? I wanted to when they think of

2:07:46.080 --> 2:07:47.200
<v Speaker 1>my ship, I don't want them to think of the

2:07:47.720 --> 2:07:50.000
<v Speaker 1>greatness that I brought to it. Now, if you're gonna

2:07:50.040 --> 2:07:53.600
<v Speaker 1>add to that greatness, yeah, rock out ba all means,

2:07:54.000 --> 2:07:56.120
<v Speaker 1>but you ain't for to bring my ship down. It

2:07:56.200 --> 2:07:58.000
<v Speaker 1>ain't gonna lead people back to the rand. It's like,

2:07:58.120 --> 2:07:59.400
<v Speaker 1>you know, I used to funk with this song and

2:07:59.440 --> 2:08:01.080
<v Speaker 1>it's such as sample and I was like, fun that

2:08:01.160 --> 2:08:10.520
<v Speaker 1>song that happened. That's true, that's real. I'm like real ship.

2:08:13.120 --> 2:08:16.560
<v Speaker 1>So as a songwriter, I always respect the artists that's

2:08:16.600 --> 2:08:19.080
<v Speaker 1>gonna take this ship and make it their's Beyonce. Like,

2:08:19.160 --> 2:08:22.520
<v Speaker 1>if you listen to my demo of Irreplaceable and listen

2:08:22.600 --> 2:08:26.000
<v Speaker 1>to Beyonce is Irreplaceable, you hear slight differences, you'll hear

2:08:26.000 --> 2:08:29.080
<v Speaker 1>the nuances that make that ship a Beyonce record. Right,

2:08:29.560 --> 2:08:31.800
<v Speaker 1>she didn't follow what I did to the fucking t

2:08:32.720 --> 2:08:35.840
<v Speaker 1>because for all that, nigga, let me keep it and

2:08:35.920 --> 2:08:38.280
<v Speaker 1>let me just do it myself. So I always have,

2:08:38.360 --> 2:08:40.560
<v Speaker 1>I always have. I've always had the utmost respect for

2:08:40.560 --> 2:08:42.520
<v Speaker 1>the artist is gonna take it and make it. There's

2:08:43.040 --> 2:08:45.280
<v Speaker 1>you know what I'm saying, Like, it's don't don't don't

2:08:46.280 --> 2:08:48.040
<v Speaker 1>don't do it just for the fucking take of doing it,

2:08:48.720 --> 2:08:50.840
<v Speaker 1>because you're working with my legacy. Like that. You know

2:08:50.880 --> 2:08:53.080
<v Speaker 1>what I'm saying. Like the last time somebody heard my

2:08:53.120 --> 2:08:55.280
<v Speaker 1>ship was on some white ass remix. That's something did

2:08:55.360 --> 2:08:57.800
<v Speaker 1>because he just felt felt like it. No, I'm not.

2:08:58.000 --> 2:09:01.200
<v Speaker 1>I'm not rocking with Da Nola's time you heard a

2:09:01.200 --> 2:09:05.040
<v Speaker 1>remix of my ship was something that Beyonce touched. Mie

2:09:05.080 --> 2:09:09.400
<v Speaker 1>Floss Life Floss. Yeah, you know what I mean. Difference.

2:09:09.640 --> 2:09:17.240
<v Speaker 1>How about Prince You ever met Prince? Yes? Yes, yes, Lesten.

2:09:18.840 --> 2:09:20.800
<v Speaker 1>I live on this planet, in this and in this

2:09:21.000 --> 2:09:24.120
<v Speaker 1>realm of reality with everybody else. Prince could fly. I

2:09:24.120 --> 2:09:27.160
<v Speaker 1>don't get with nobody. Everyone says this motherfucker could deny,

2:09:27.320 --> 2:09:34.240
<v Speaker 1>could defy gravity anyone. Everyone said so. It's right after

2:09:35.160 --> 2:09:37.720
<v Speaker 1>Year and a Gentleman, which was my biggest album ever,

2:09:38.000 --> 2:09:41.480
<v Speaker 1>right next album Leabre Scale. I go into the label,

2:09:41.520 --> 2:09:43.120
<v Speaker 1>I tell them, yo, I want to do like a

2:09:43.240 --> 2:09:46.240
<v Speaker 1>thirty minute like mini movie and let the album be

2:09:46.360 --> 2:09:48.360
<v Speaker 1>the soundtrack to the movie. And they're like, Yo, that's

2:09:48.400 --> 2:09:52.080
<v Speaker 1>a dope idea, let's do it. Mind you this. I'm

2:09:52.120 --> 2:09:54.880
<v Speaker 1>fresh off the heels of Red Tails. I did red

2:09:54.920 --> 2:09:57.960
<v Speaker 1>Sales with with George Lucas Life Flex, and then I

2:09:58.080 --> 2:10:05.880
<v Speaker 1>did uh Battles with George Lucas George star Wars. George

2:10:05.960 --> 2:10:08.640
<v Speaker 1>Lucas said, I want to pick up the Red Tails,

2:10:08.720 --> 2:10:13.960
<v Speaker 1>the Tuskegee Airman, the Black, the Black Fleet of fighters

2:10:14.160 --> 2:10:17.080
<v Speaker 1>in the Air Force. So he did Red Tails and

2:10:17.120 --> 2:10:18.360
<v Speaker 1>then let me be a part of that, and that

2:10:18.440 --> 2:10:21.280
<v Speaker 1>she was amazing. She was beautiful. So I'm fresh off

2:10:21.320 --> 2:10:23.600
<v Speaker 1>the hills of that, and I come into the label excited, like, Yo,

2:10:23.840 --> 2:10:25.560
<v Speaker 1>I'm off this movie ship. I want to do some

2:10:25.640 --> 2:10:27.200
<v Speaker 1>movie ship. I want to do like a thirty minute

2:10:27.200 --> 2:10:29.080
<v Speaker 1>movie and let the album beet the soundtrack. This is

2:10:29.160 --> 2:10:32.600
<v Speaker 1>what lever Scale was supposed to be. What I didn't

2:10:32.640 --> 2:10:36.480
<v Speaker 1>realize that in the realm of screen and script writing,

2:10:37.120 --> 2:10:41.280
<v Speaker 1>a page equates to a minute, right, so one page

2:10:41.360 --> 2:10:43.240
<v Speaker 1>is one minute. I told him I want to do

2:10:43.360 --> 2:10:46.080
<v Speaker 1>like a thirty minute mini movie. I brought them a

2:10:46.080 --> 2:10:49.320
<v Speaker 1>script with a hundred forty five pages in it. It

2:10:49.440 --> 2:10:51.640
<v Speaker 1>was like, that's that's that's not a mini movie to

2:10:51.720 --> 2:10:54.120
<v Speaker 1>teach your film what what the funk are you doing?

2:10:54.480 --> 2:10:56.520
<v Speaker 1>So my mind, I didn't know. I didn't know this.

2:10:57.120 --> 2:10:59.000
<v Speaker 1>So I learned that through that process. Al right, cool.

2:10:59.040 --> 2:11:00.440
<v Speaker 1>So I had to take this hun of forty five

2:11:00.440 --> 2:11:02.280
<v Speaker 1>pages and busted down the thirty. By the time I

2:11:02.400 --> 2:11:04.800
<v Speaker 1>figured out how to do that, the clock is ticking.

2:11:04.840 --> 2:11:06.800
<v Speaker 1>We gotta get this ship out. We don't have time

2:11:06.880 --> 2:11:10.200
<v Speaker 1>to cast and shoot a whole fucking movie for thirty minutes.

2:11:10.520 --> 2:11:15.080
<v Speaker 1>So all right, let's do Let's do six long form videos. Right.

2:11:15.360 --> 2:11:18.560
<v Speaker 1>So you got you got Champagne Life, you got uh,

2:11:18.720 --> 2:11:22.200
<v Speaker 1>you got beautiful Monster, you got one in a million.

2:11:23.120 --> 2:11:25.000
<v Speaker 1>One are the million ins with it to be continued.

2:11:25.280 --> 2:11:27.920
<v Speaker 1>That never continues because Devin jam was like, Nigga, we

2:11:27.960 --> 2:11:29.440
<v Speaker 1>don't give you no more money for this ship, Like

2:11:29.560 --> 2:11:32.400
<v Speaker 1>this is nuts because mind you, I'm literally just do

2:11:32.680 --> 2:11:35.360
<v Speaker 1>I'm figuring it out as I go along, right, and

2:11:35.400 --> 2:11:37.080
<v Speaker 1>they rock you with me. They let me do it

2:11:37.160 --> 2:11:40.600
<v Speaker 1>because like you're the Genleman was like, I ain't get

2:11:40.600 --> 2:11:44.480
<v Speaker 1>what you wanna do, and and I'm just really figuring

2:11:44.520 --> 2:11:47.240
<v Speaker 1>the ship out as I go. So the album didn't

2:11:47.240 --> 2:11:49.240
<v Speaker 1>perform well, you know, and the singles did I but

2:11:49.280 --> 2:11:51.200
<v Speaker 1>the album didn't perform when I was fucked up about it.

2:11:52.320 --> 2:11:56.200
<v Speaker 1>That same year, we get invited to Prince's Grammy party.

2:11:56.640 --> 2:11:58.560
<v Speaker 1>Prince used to throw a party at his house for

2:11:58.640 --> 2:12:01.760
<v Speaker 1>the Grammys. Every everything purple. There was a lot of

2:12:01.840 --> 2:12:06.480
<v Speaker 1>purple there was an I'll say there was an overabundance

2:12:06.920 --> 2:12:09.600
<v Speaker 1>of purple, and not everything was purple. But if it

2:12:09.680 --> 2:12:11.400
<v Speaker 1>was ten ships in the room, not at them ships

2:12:11.480 --> 2:12:15.360
<v Speaker 1>was purple. Anyway, So I go to we go to

2:12:15.440 --> 2:12:18.520
<v Speaker 1>the party. We're in the pool house, right because it's paid,

2:12:18.760 --> 2:12:21.040
<v Speaker 1>it's it's the spot, and in this pool house and

2:12:21.080 --> 2:12:24.160
<v Speaker 1>there's like a plex glass ship or we're literally standing

2:12:24.200 --> 2:12:26.040
<v Speaker 1>on top of the swimming pool. And I just think

2:12:26.080 --> 2:12:27.840
<v Speaker 1>this is the coolest ship ever because I'm a little

2:12:27.880 --> 2:12:30.560
<v Speaker 1>green at this point. But anyway, Prince is on the

2:12:30.680 --> 2:12:34.280
<v Speaker 1>stage with his band rocking out, just just all some

2:12:34.480 --> 2:12:37.120
<v Speaker 1>freestyle and just rocking out, crooning, just just rocking out

2:12:37.160 --> 2:12:40.560
<v Speaker 1>and playing his guitar. He sees me, he puts his

2:12:40.640 --> 2:12:43.840
<v Speaker 1>guitar down and be line straight to me. He gets

2:12:43.960 --> 2:12:46.120
<v Speaker 1>right up on my ear because because this is how

2:12:46.160 --> 2:12:48.880
<v Speaker 1>Prince speaks to you. If you've ever talked, if you've

2:12:48.880 --> 2:12:51.040
<v Speaker 1>ever spoken to Prince, you know this. He'll get real

2:12:51.160 --> 2:12:53.440
<v Speaker 1>close so that he don't gotta talk real loud. He

2:12:53.520 --> 2:12:55.760
<v Speaker 1>got right up on my air and he said Leebra

2:12:55.800 --> 2:12:58.080
<v Speaker 1>Scale was a good album and don't let anybody tell

2:12:58.120 --> 2:13:01.920
<v Speaker 1>you different, and walked away and say ship to me

2:13:01.960 --> 2:13:03.480
<v Speaker 1>for the rest of the night. That's all they say

2:13:03.520 --> 2:13:08.760
<v Speaker 1>to me. The whole night. I was fucked up about

2:13:08.840 --> 2:13:10.800
<v Speaker 1>Leabra Scale, like I really wanted it to be really

2:13:10.880 --> 2:13:13.720
<v Speaker 1>good and it wasn't good, and it was it was

2:13:13.800 --> 2:13:16.800
<v Speaker 1>performing poorly the whole nine and you know, the label

2:13:16.880 --> 2:13:19.080
<v Speaker 1>is trying to be nice about ship, but the ship

2:13:19.200 --> 2:13:22.320
<v Speaker 1>is not working. He walked up to me and was like, yo,

2:13:22.600 --> 2:13:25.120
<v Speaker 1>Libra Scale is a good album, and don't let anybody

2:13:25.200 --> 2:13:27.280
<v Speaker 1>tell you different. I was like, nig we could go

2:13:27.400 --> 2:13:29.960
<v Speaker 1>double wood. I don't give a fuck. Prince said that

2:13:30.080 --> 2:13:38.960
<v Speaker 1>this is a good album straight princess, so I wouldn't.

2:13:39.720 --> 2:13:42.400
<v Speaker 1>That was a great moment. That's that's that's one print story.

2:13:43.200 --> 2:13:45.840
<v Speaker 1>I really wasn't trying to get you to take another shot.

2:13:46.240 --> 2:13:47.920
<v Speaker 1>We gotta take a shot to that print story. We

2:13:48.000 --> 2:13:50.600
<v Speaker 1>have to take the shot. Print story. I'm sorry, I'm

2:13:50.640 --> 2:13:55.200
<v Speaker 1>sorry you disrespect for this because you know what, Oh,

2:13:58.480 --> 2:14:01.160
<v Speaker 1>I'm gonna take and then went the whole was like,

2:14:04.120 --> 2:14:06.760
<v Speaker 1>but now self explanatory, I'm gonna take a piss, guys,

2:14:06.800 --> 2:14:12.760
<v Speaker 1>I'll be back. That's the most humbling, disrespectful statement that

2:14:15.080 --> 2:14:18.600
<v Speaker 1>it's humble because it's like, yeah, I shouldn't know but

2:14:18.960 --> 2:14:24.000
<v Speaker 1>it's disrespectful because it's like straight up, straight up and

2:14:24.080 --> 2:14:27.920
<v Speaker 1>that was the intend um did I hit it on?

2:14:28.160 --> 2:14:35.200
<v Speaker 1>Pretty much? Okay? So I called. I called the album

2:14:35.480 --> 2:14:39.160
<v Speaker 1>for a couple of reasons. As as I said earlier

2:14:39.360 --> 2:14:42.760
<v Speaker 1>in this in this whole situation, I've always prided myself

2:14:42.920 --> 2:14:47.320
<v Speaker 1>on my my products speaking for itself. I don't got

2:14:47.400 --> 2:14:49.040
<v Speaker 1>to sit here and sell you on what the funk

2:14:49.120 --> 2:14:51.200
<v Speaker 1>I do. I don't got to sit him brag to

2:14:51.280 --> 2:14:55.320
<v Speaker 1>you about what I've done. I can push play and

2:14:56.240 --> 2:14:59.080
<v Speaker 1>that is going to be enough for you to understand

2:14:59.160 --> 2:15:00.960
<v Speaker 1>who I am, what I am, how I am, how

2:15:01.040 --> 2:15:04.240
<v Speaker 1>I rocked right. So that and then on top of that,

2:15:04.800 --> 2:15:08.000
<v Speaker 1>I think it's been it's been sixteen, it's been almost

2:15:08.040 --> 2:15:11.000
<v Speaker 1>twenty years at this point. Do you really need like

2:15:11.760 --> 2:15:15.280
<v Speaker 1>a full on explanation to a neo album at this

2:15:15.560 --> 2:15:17.680
<v Speaker 1>point in the game, you know what I'm saying. So

2:15:18.680 --> 2:15:21.840
<v Speaker 1>it's like, neo music is music to live life too,

2:15:22.040 --> 2:15:27.440
<v Speaker 1>write be it be it the nigga you just broke

2:15:27.520 --> 2:15:29.680
<v Speaker 1>up with, or the chicken just broke up with, or

2:15:29.920 --> 2:15:33.240
<v Speaker 1>the new love that you just found, or it's Sunday

2:15:33.240 --> 2:15:35.520
<v Speaker 1>and you just want to clean the crib or it's

2:15:35.560 --> 2:15:37.800
<v Speaker 1>Saturday and you're gearing up to go out and turn up.

2:15:38.200 --> 2:15:41.120
<v Speaker 1>There's not an aspect of life that you can name

2:15:41.520 --> 2:15:43.760
<v Speaker 1>that you can't put a neo song too and allow

2:15:43.880 --> 2:15:48.080
<v Speaker 1>that song to be the soundtrack to that moment. And

2:15:48.200 --> 2:15:49.800
<v Speaker 1>that's and that's how I rock, and that's how I've

2:15:49.800 --> 2:15:52.480
<v Speaker 1>always rocked, and this album is kind of a celebration

2:15:52.560 --> 2:15:58.360
<v Speaker 1>of that. Straight up. My flexes light blow, my flexes light.

2:15:58.560 --> 2:16:00.920
<v Speaker 1>I ain't gonna you know, I don't gotta point the

2:16:00.960 --> 2:16:03.760
<v Speaker 1>diamonds out, but when you see him, goddamn you feel me.

2:16:04.040 --> 2:16:09.280
<v Speaker 1>That's what I said. I gotta put it out. Any

2:16:09.400 --> 2:16:12.880
<v Speaker 1>song that you wrote for somebody and gave him and

2:16:12.960 --> 2:16:17.520
<v Speaker 1>that you regretted that, I was like, damn. This is

2:16:17.560 --> 2:16:20.040
<v Speaker 1>a question that has been popping up a lot lately,

2:16:20.640 --> 2:16:23.600
<v Speaker 1>and I can only think of, really and truly one

2:16:23.800 --> 2:16:26.400
<v Speaker 1>instance where it happened like that. And I don't like

2:16:26.520 --> 2:16:28.520
<v Speaker 1>talking about it because people like to take ship and

2:16:28.600 --> 2:16:31.400
<v Speaker 1>turn it into hate. And I'm not hating because I

2:16:31.560 --> 2:16:33.240
<v Speaker 1>love this nigga. You know what I'm saying. This is

2:16:33.320 --> 2:16:36.040
<v Speaker 1>my guy shout out to my man Luke James. We

2:16:36.120 --> 2:16:39.199
<v Speaker 1>did a record together, right, well, mind you, we didn't

2:16:39.240 --> 2:16:41.920
<v Speaker 1>necessarily do a record together. It was a record that

2:16:42.000 --> 2:16:44.440
<v Speaker 1>I wrote, and he fused with it, and he was

2:16:44.520 --> 2:16:46.720
<v Speaker 1>like and he sucked with his people fun with it.

2:16:46.800 --> 2:16:50.280
<v Speaker 1>It was like, Yo, let's let's cut this on Luke James, right,

2:16:50.520 --> 2:16:52.200
<v Speaker 1>And I was all for it because Luke James one

2:16:52.240 --> 2:16:55.320
<v Speaker 1>of the dopest voices right now period. The nigga is dope.

2:16:55.640 --> 2:16:59.240
<v Speaker 1>So I'm like, yeah, let's do it. So the song

2:16:59.760 --> 2:17:02.640
<v Speaker 1>was the way that I did. The song was in

2:17:02.720 --> 2:17:07.080
<v Speaker 1>a key and a pitch higher then Luke James regularly sings.

2:17:07.800 --> 2:17:10.440
<v Speaker 1>So they took the song and they dropped it down

2:17:10.520 --> 2:17:14.280
<v Speaker 1>to a key that was comfortable for Luke James. Now,

2:17:14.480 --> 2:17:16.960
<v Speaker 1>anybody that knows anything about music, when you take a

2:17:17.040 --> 2:17:19.720
<v Speaker 1>song and you dropped the key, you take a city,

2:17:19.760 --> 2:17:22.000
<v Speaker 1>you take a little bit of energy from the record,

2:17:22.560 --> 2:17:24.560
<v Speaker 1>you know what I'm saying. And in the case of this,

2:17:24.800 --> 2:17:27.800
<v Speaker 1>it was exactly that. It was like what the record

2:17:27.959 --> 2:17:31.320
<v Speaker 1>was versus what the record became. It just wasn't as good,

2:17:31.760 --> 2:17:34.160
<v Speaker 1>And I felt away because I'm like, fun man, for

2:17:34.280 --> 2:17:36.200
<v Speaker 1>all of that, we could have just gotten a lab

2:17:36.240 --> 2:17:39.200
<v Speaker 1>and did some did something from scratch, you know what

2:17:39.240 --> 2:17:42.160
<v Speaker 1>I'm saying, Because again, a funk with Luke James's my guy.

2:17:42.520 --> 2:17:44.320
<v Speaker 1>The name of the joint was was making Love to Me?

2:17:45.160 --> 2:17:48.280
<v Speaker 1>And if you listen to my demo of it and

2:17:48.360 --> 2:17:50.560
<v Speaker 1>then you listen to his version of it, you see

2:17:50.600 --> 2:17:52.720
<v Speaker 1>how many keys they dropped it down, and it just

2:17:53.120 --> 2:17:55.000
<v Speaker 1>it just didn't make the song work for what it

2:17:55.080 --> 2:17:57.600
<v Speaker 1>was supposed to be, you know what I mean. So again,

2:17:57.959 --> 2:18:00.720
<v Speaker 1>all love to Luke James. This is not a dead Okay,

2:18:01.040 --> 2:18:03.160
<v Speaker 1>fuck any blog that's trying to turn this into a disc.

2:18:03.400 --> 2:18:05.560
<v Speaker 1>It's not that I got love for Luke James. I

2:18:05.640 --> 2:18:08.280
<v Speaker 1>love that dude, but that particular song just didn't become

2:18:08.320 --> 2:18:09.879
<v Speaker 1>what it should have been. You know what I mean?

2:18:10.280 --> 2:18:12.200
<v Speaker 1>Is that a risk? Because when you write a song

2:18:12.320 --> 2:18:15.560
<v Speaker 1>for somebody, is it is it? Is it you laying

2:18:15.720 --> 2:18:18.240
<v Speaker 1>your your vocals down and then sending it to them

2:18:18.560 --> 2:18:22.680
<v Speaker 1>Because if this ever comes out, now, this is your

2:18:23.440 --> 2:18:27.039
<v Speaker 1>what do they call that ship? Uh? Your reference track?

2:18:27.800 --> 2:18:29.840
<v Speaker 1>So it has that ever been a problem for you

2:18:29.959 --> 2:18:32.680
<v Speaker 1>because you gotta you gotta realize like hip hop and

2:18:32.760 --> 2:18:35.840
<v Speaker 1>hip hop, because if I don't move them and being

2:18:35.920 --> 2:18:42.600
<v Speaker 1>myself could have done at the same time, look at

2:18:42.640 --> 2:18:44.880
<v Speaker 1>me crazy. Let's just let's just take the band aid

2:18:44.920 --> 2:18:49.039
<v Speaker 1>off the thing right, UM and R and B yes,

2:18:49.520 --> 2:18:52.879
<v Speaker 1>you know um having someone help you with your your stuff.

2:18:53.200 --> 2:18:58.680
<v Speaker 1>It's not not at all, But so is that? Has

2:18:58.720 --> 2:19:00.680
<v Speaker 1>that ever been a problem for you? Like you're sitting

2:19:00.720 --> 2:19:04.240
<v Speaker 1>in reference tracks and maybe the engineer got mad at

2:19:04.320 --> 2:19:08.880
<v Speaker 1>somebody and sent it out. Now, the version that Neo

2:19:09.040 --> 2:19:14.240
<v Speaker 1>just did for Selee Dion, it's out there, and it's

2:19:14.280 --> 2:19:18.000
<v Speaker 1>Neo's version as opposed to Slean Dion's version. Like I'll

2:19:18.000 --> 2:19:20.440
<v Speaker 1>just give your example. Have you ever had a ranto

2:19:20.480 --> 2:19:24.000
<v Speaker 1>a problem? Like? Um, it never became a problem, but

2:19:24.120 --> 2:19:26.520
<v Speaker 1>it was a It was a lesson to learn in

2:19:26.600 --> 2:19:30.760
<v Speaker 1>the realm of uh songwriting and trying to shop records.

2:19:31.240 --> 2:19:35.440
<v Speaker 1>So if I write a record, right, I I can sing.

2:19:35.560 --> 2:19:37.520
<v Speaker 1>So if I write a record, I'm gonna sing the

2:19:37.600 --> 2:19:41.800
<v Speaker 1>reference to that record. Not every songwriter right can sing

2:19:42.200 --> 2:19:45.560
<v Speaker 1>get somebody else to sing it. But the smart songwriter

2:19:46.520 --> 2:19:49.440
<v Speaker 1>is gonna tell the person referencing the record to keep

2:19:49.480 --> 2:19:53.240
<v Speaker 1>it as basic and minimal as humanly possible. Because what

2:19:53.360 --> 2:19:55.120
<v Speaker 1>you don't want to do, You don't want to outsing

2:19:56.280 --> 2:19:58.080
<v Speaker 1>the pression that you're trying to shop it to you

2:19:58.160 --> 2:19:59.760
<v Speaker 1>know what I mean? Like you want to you want

2:19:59.760 --> 2:20:01.240
<v Speaker 1>to keep and you want to keep it in a

2:20:01.320 --> 2:20:04.880
<v Speaker 1>realm where the person listening to it can hear whether

2:20:04.959 --> 2:20:08.000
<v Speaker 1>they can bring to it in order to make it

2:20:08.360 --> 2:20:10.680
<v Speaker 1>their record. You know, if you're going there and you're

2:20:10.680 --> 2:20:13.280
<v Speaker 1>doing all the libs and you're singing this ship like you,

2:20:13.480 --> 2:20:15.480
<v Speaker 1>like you're trying to audition for the Ship to be

2:20:15.560 --> 2:20:18.440
<v Speaker 1>your record, you're probably not gonna sell that joint. Even

2:20:18.480 --> 2:20:20.680
<v Speaker 1>if it's dope, even if it's amazing, You're not gonna

2:20:20.720 --> 2:20:23.280
<v Speaker 1>sell that record because nobody's gonna listen to it and

2:20:23.360 --> 2:20:26.560
<v Speaker 1>be able to hear themselves on it. They can only

2:20:26.640 --> 2:20:29.920
<v Speaker 1>hear you, right, So it's only it's only ever really

2:20:30.000 --> 2:20:32.280
<v Speaker 1>been that, you know. I had to I had to

2:20:32.400 --> 2:20:35.040
<v Speaker 1>learn that. Uh. I had to learn that early on

2:20:35.160 --> 2:20:38.879
<v Speaker 1>because in the beginning writing the record, I'm excited about

2:20:38.920 --> 2:20:41.160
<v Speaker 1>the ship and I'm singing that, I'm doing the harmonies

2:20:41.200 --> 2:20:43.400
<v Speaker 1>and the lives and I'm doing this ship like like

2:20:43.520 --> 2:20:46.720
<v Speaker 1>it could potentially be my record, to where it's like

2:20:47.120 --> 2:20:50.280
<v Speaker 1>people people are listening to it and giving it the

2:20:50.400 --> 2:20:52.600
<v Speaker 1>love and giving it the respect, but nobody wants to

2:20:52.680 --> 2:20:55.080
<v Speaker 1>buy it because it's like this, this is your record,

2:20:55.160 --> 2:20:57.600
<v Speaker 1>this is you, you know what I mean. So it's

2:20:57.600 --> 2:21:00.440
<v Speaker 1>always only been that. That's that that type of situation.

2:21:01.320 --> 2:21:06.199
<v Speaker 1>Let's talk about crazy with jay Z. How man, how'm

2:21:06.280 --> 2:21:12.080
<v Speaker 1>this happened? Oh so so l a read signed me

2:21:12.320 --> 2:21:16.880
<v Speaker 1>to death Jam And it was right when jay Z

2:21:17.120 --> 2:21:24.439
<v Speaker 1>had become president of Death Chance. Jay Z is president,

2:21:25.360 --> 2:21:30.040
<v Speaker 1>he's my friend. I can say he took anybody the whole.

2:21:30.280 --> 2:21:32.120
<v Speaker 1>He took the whole label budget, and nobody had a

2:21:32.120 --> 2:21:40.200
<v Speaker 1>budget of that. Dog. I just so. I mean when

2:21:40.240 --> 2:21:43.320
<v Speaker 1>I when I first met jay Z, uh when I

2:21:43.440 --> 2:21:45.880
<v Speaker 1>first got to deal and I don't mean where then was.

2:21:45.920 --> 2:21:47.800
<v Speaker 1>I think it was in the l A office and

2:21:49.280 --> 2:21:51.960
<v Speaker 1>I walked to the age to jay Z and I,

2:21:52.440 --> 2:21:55.080
<v Speaker 1>you know, I extend my hand and he he shakes

2:21:55.120 --> 2:21:57.120
<v Speaker 1>my hand. But his first words to me it was like, Nigga,

2:21:57.120 --> 2:22:00.320
<v Speaker 1>why you get that song away? I don't. And he's

2:22:00.320 --> 2:22:03.600
<v Speaker 1>talking about Marios. You should let me love you like Nicka,

2:22:03.600 --> 2:22:06.080
<v Speaker 1>Why you get that song away? Not hey, how you doing?

2:22:06.160 --> 2:22:08.160
<v Speaker 1>Welcome to the label, none of that ship. Nigga, why

2:22:08.200 --> 2:22:10.800
<v Speaker 1>you get that song away? It was that and and

2:22:11.120 --> 2:22:13.680
<v Speaker 1>and that kind of like set the set the tone

2:22:13.800 --> 2:22:17.520
<v Speaker 1>for like our entire relationship. Like jay Z has always

2:22:17.600 --> 2:22:22.320
<v Speaker 1>been that dude that's gonna just keep it funky about whatever,

2:22:22.600 --> 2:22:24.000
<v Speaker 1>you know what I'm saying. That was a point where

2:22:24.000 --> 2:22:28.120
<v Speaker 1>I was questioning, questioning my worth and my value in

2:22:28.200 --> 2:22:30.640
<v Speaker 1>the game because I hadn't reached the level of some

2:22:30.879 --> 2:22:33.800
<v Speaker 1>of some of my peers. And he and jay Z

2:22:33.959 --> 2:22:36.840
<v Speaker 1>said to me, He's like, Nigga, you will never not

2:22:37.040 --> 2:22:39.959
<v Speaker 1>be all right because you can always right yourself out

2:22:40.000 --> 2:22:43.440
<v Speaker 1>of whatever situation. Regardless of what's going on with you.

2:22:43.800 --> 2:22:46.480
<v Speaker 1>You can always right your way out like you have.

2:22:46.959 --> 2:22:49.960
<v Speaker 1>You have that. It's cats out here that couldn't write

2:22:49.959 --> 2:22:52.000
<v Speaker 1>a song that will sing, that will sing the ship

2:22:52.080 --> 2:22:54.120
<v Speaker 1>out of a song, but couldn't write a song if

2:22:54.160 --> 2:22:56.400
<v Speaker 1>their life depending on it, That person is depending on

2:22:56.520 --> 2:22:59.680
<v Speaker 1>somebody to write a song for them. You're not that

2:23:00.080 --> 2:23:01.920
<v Speaker 1>and you will never be that dude, So you'll never

2:23:02.040 --> 2:23:04.560
<v Speaker 1>be fucked up. You'll never be in a position that

2:23:04.640 --> 2:23:07.040
<v Speaker 1>you can't get out of. And like I took that

2:23:07.080 --> 2:23:08.480
<v Speaker 1>ship to heart, you know what I mean, Like he

2:23:08.680 --> 2:23:11.400
<v Speaker 1>like he's he's always been that dude to me, Like

2:23:11.800 --> 2:23:22.800
<v Speaker 1>I'm doing yeah, yeah, reasons to take shots, Like I'm

2:23:22.840 --> 2:23:25.480
<v Speaker 1>sitting over here trying to be cordial, but you over here,

2:23:26.879 --> 2:23:29.560
<v Speaker 1>like listen, there there's a reason that I got to

2:23:29.640 --> 2:23:31.520
<v Speaker 1>the levels that I got to because I had some

2:23:31.640 --> 2:23:34.840
<v Speaker 1>of the most amazing motherfucker's in my corner in my

2:23:35.000 --> 2:23:37.800
<v Speaker 1>ear telling me how to move, you know, from from

2:23:37.920 --> 2:23:40.040
<v Speaker 1>jay Z to l A. Reid to you know, to

2:23:40.200 --> 2:23:42.800
<v Speaker 1>my Nigga Tango to Sean like it was it was

2:23:42.879 --> 2:23:46.280
<v Speaker 1>people around me that genuinely wanted to see me win.

2:23:46.440 --> 2:23:49.280
<v Speaker 1>And I feel like that's rare nowadays, you know what

2:23:49.320 --> 2:23:51.680
<v Speaker 1>I'm saying. I had people in my corner that was like, Nah,

2:23:51.800 --> 2:23:54.440
<v Speaker 1>we want to see this dude get there, and we're

2:23:54.440 --> 2:23:56.400
<v Speaker 1>gonna make sure that he has the tools that he

2:23:56.520 --> 2:24:00.040
<v Speaker 1>needs to get there. Like I've never not recogned, not

2:24:00.120 --> 2:24:02.560
<v Speaker 1>eyes that, you know what I'm saying, Like, like I

2:24:02.840 --> 2:24:05.440
<v Speaker 1>know that this ship don't happen for everybody, and you know,

2:24:05.600 --> 2:24:07.800
<v Speaker 1>for this, for the way that it does happen for

2:24:07.840 --> 2:24:12.400
<v Speaker 1>certain people, it's it's it's always uh, it's always something interesting,

2:24:12.480 --> 2:24:14.360
<v Speaker 1>it's always something traumatic, you know what I'm saying. Like

2:24:15.120 --> 2:24:18.640
<v Speaker 1>my journey from where I was to where I am

2:24:19.760 --> 2:24:24.360
<v Speaker 1>has been paved in fucking gold bro and I don't,

2:24:24.440 --> 2:24:27.960
<v Speaker 1>I don't, I do not not recognize that as a

2:24:28.040 --> 2:24:30.680
<v Speaker 1>blessing because it don't happen like that for everybody, So

2:24:31.160 --> 2:24:39.520
<v Speaker 1>it's a blessing. I appreciate everybody. For you. I'll run

2:24:39.600 --> 2:24:46.800
<v Speaker 1>for that for you. Meal, You're a remarkable motherfucker. You're impeccable. Motherfucker.

2:24:48.080 --> 2:24:50.880
<v Speaker 1>You out here, you got hits after hits. Not only

2:24:50.959 --> 2:24:54.560
<v Speaker 1>you got hits for yourself, you got features with other people.

2:24:54.640 --> 2:24:59.520
<v Speaker 1>That's hits. And then you have writing you're right for

2:25:00.040 --> 2:25:04.440
<v Speaker 1>mother motherfucker. That's crazy. They try to give me the

2:25:04.520 --> 2:25:07.720
<v Speaker 1>right for another fucker. I was too lazy, Like you

2:25:07.840 --> 2:25:15.640
<v Speaker 1>gotta like shot because what is exactly you gotta do

2:25:15.720 --> 2:25:17.840
<v Speaker 1>the right for motherfucker. You gotta hang out with them.

2:25:18.080 --> 2:25:25.000
<v Speaker 1>You gotta have no listen, you don't gotta either. If

2:25:25.080 --> 2:25:28.440
<v Speaker 1>you are blessed with the opportunity to sit and talk

2:25:28.520 --> 2:25:31.600
<v Speaker 1>to the artists that you're writing for, that's a blessing, bro,

2:25:31.840 --> 2:25:34.880
<v Speaker 1>because like in the beginning, the beginning to talk to

2:25:34.920 --> 2:25:39.040
<v Speaker 1>you writing records and hoping that somebody here that ship

2:25:39.160 --> 2:25:41.320
<v Speaker 1>and can't relate to it, like you ain't had no

2:25:41.680 --> 2:25:44.240
<v Speaker 1>inside track on who this person is, what this person

2:25:44.240 --> 2:25:46.680
<v Speaker 1>is going through, how this person would deal with X

2:25:46.800 --> 2:25:49.160
<v Speaker 1>y Z situations. You don't know none of that with

2:25:49.320 --> 2:25:51.680
<v Speaker 1>with those situations where you're not with them. Are you

2:25:51.800 --> 2:25:55.280
<v Speaker 1>writing general records where you right yere like they're just

2:25:55.440 --> 2:25:58.120
<v Speaker 1>like these general records that are gonna work. I have

2:25:58.200 --> 2:26:01.320
<v Speaker 1>always tried to lock myself in two things that are timeless,

2:26:01.920 --> 2:26:04.400
<v Speaker 1>things that are never gonna go anywhere. The sound of

2:26:04.480 --> 2:26:06.880
<v Speaker 1>a piano that ship ain't gonna go out of style,

2:26:07.400 --> 2:26:09.680
<v Speaker 1>the sound of a guitar, the sound of a drum

2:26:09.760 --> 2:26:12.039
<v Speaker 1>that ship ain't will never go out of style. Love

2:26:12.320 --> 2:26:14.680
<v Speaker 1>as a feeling, as an emotion, as a topic, and

2:26:14.800 --> 2:26:18.280
<v Speaker 1>gonn never go out of style. Anybody love love? Yeah,

2:26:18.879 --> 2:26:20.720
<v Speaker 1>if you felt it, if you've never felt it, if

2:26:20.720 --> 2:26:22.480
<v Speaker 1>you're craving it, you you ain't never felt that you

2:26:22.520 --> 2:26:24.400
<v Speaker 1>want to feel it? You have felt it, you know,

2:26:24.480 --> 2:26:26.640
<v Speaker 1>the black, white and gray that ship, That ship will

2:26:26.680 --> 2:26:29.760
<v Speaker 1>never go away. It's water, bro, It's just it's kind

2:26:29.800 --> 2:26:32.800
<v Speaker 1>of needed and necessary for us to survive. Right So

2:26:32.920 --> 2:26:36.480
<v Speaker 1>I've always locked myself into things that I felt like,

2:26:36.560 --> 2:26:39.480
<v Speaker 1>we're never gonna go away, you know. And that's the

2:26:39.520 --> 2:26:41.959
<v Speaker 1>way that you that's the way that you stay timeless.

2:26:42.840 --> 2:26:45.440
<v Speaker 1>I don't I don't, I don't pay I pay attention

2:26:45.520 --> 2:26:49.560
<v Speaker 1>to trend, but I don't lock into trend, you know

2:26:49.600 --> 2:26:52.240
<v Speaker 1>what I mean? Music is always going to evolve and

2:26:52.360 --> 2:26:56.240
<v Speaker 1>expand and change as times change, as the people producing

2:26:56.280 --> 2:26:59.240
<v Speaker 1>the music change. It's never gonna stay the same, you

2:26:59.280 --> 2:27:03.560
<v Speaker 1>know what. Concept Actually, it could be consistent conceptually, it

2:27:03.640 --> 2:27:05.560
<v Speaker 1>could because people are always going to go through what

2:27:05.600 --> 2:27:13.279
<v Speaker 1>they're gonna go through, but they're they're uh their description

2:27:13.360 --> 2:27:15.560
<v Speaker 1>of that or there or there there the art that

2:27:15.640 --> 2:27:18.280
<v Speaker 1>they create based on that, it's always going to change

2:27:18.320 --> 2:27:21.080
<v Speaker 1>with the times, you know what I mean. So so

2:27:21.240 --> 2:27:26.400
<v Speaker 1>I've I've always kind of prided myself on being being flexible,

2:27:26.560 --> 2:27:29.160
<v Speaker 1>like I can't not be me. I'm gonna be me,

2:27:29.640 --> 2:27:31.520
<v Speaker 1>Like even in even in this new album, this is

2:27:31.560 --> 2:27:34.680
<v Speaker 1>the self explanatory album, there are out there are songs

2:27:34.760 --> 2:27:37.680
<v Speaker 1>on this album that are classic Neo. If you've been

2:27:37.680 --> 2:27:40.280
<v Speaker 1>a Neo fan from since, in my own words, you're

2:27:40.320 --> 2:27:43.360
<v Speaker 1>gonna relate to these records right right the funk away right.

2:27:44.320 --> 2:27:48.400
<v Speaker 1>But there's also out records on this album that are

2:27:48.760 --> 2:27:52.800
<v Speaker 1>me acknowledging the fact that the times have changed, the

2:27:52.920 --> 2:27:56.520
<v Speaker 1>sound has changed, the vibe has changed. I can never

2:27:56.640 --> 2:27:59.600
<v Speaker 1>not be me, I'm always be me. But I'm but

2:27:59.760 --> 2:28:02.240
<v Speaker 1>I'm even me that I can apply to whatever. I've

2:28:02.280 --> 2:28:04.280
<v Speaker 1>always been flexible. I've always been able to move in

2:28:04.360 --> 2:28:08.280
<v Speaker 1>and make sense with whatever's going on. And and though

2:28:08.560 --> 2:28:11.440
<v Speaker 1>those records, you know, so to the die hard Neo fan,

2:28:12.000 --> 2:28:15.440
<v Speaker 1>you know, these are new records to you because you're

2:28:15.440 --> 2:28:18.280
<v Speaker 1>accustomed to a certain sound from Neo. I just need

2:28:18.320 --> 2:28:20.280
<v Speaker 1>you to jump into this album with an open mind.

2:28:20.440 --> 2:28:24.760
<v Speaker 1>Just jump into this album anticipating quality, because even if

2:28:24.800 --> 2:28:26.840
<v Speaker 1>you don't so much understand what the music is doing,

2:28:27.160 --> 2:28:29.320
<v Speaker 1>even if it's not so much your bag, even if

2:28:29.360 --> 2:28:31.520
<v Speaker 1>it's not so much your cup of tea, you will

2:28:31.600 --> 2:28:34.160
<v Speaker 1>never ever be able to deny the quality. I do

2:28:34.320 --> 2:28:36.720
<v Speaker 1>that for y'all. I make sure that my ship is

2:28:36.840 --> 2:28:40.200
<v Speaker 1>quality period, so that at the end of the day,

2:28:40.320 --> 2:28:43.160
<v Speaker 1>if you can't say nothing else, you can say that

2:28:43.200 --> 2:28:46.560
<v Speaker 1>sh sounded amazing, like that's that's how I rock. Sorry,

2:28:49.560 --> 2:28:52.240
<v Speaker 1>are you? Are you composing the music as well? Are

2:28:52.280 --> 2:28:55.199
<v Speaker 1>you composing music as well? To a to a degree,

2:28:55.520 --> 2:28:59.800
<v Speaker 1>to a degree. Uh. There's a a group of producers

2:28:59.840 --> 2:29:02.360
<v Speaker 1>that I work with. I don't even I don't it's

2:29:02.360 --> 2:29:04.280
<v Speaker 1>not even fair to call them producers. I call them

2:29:04.360 --> 2:29:06.800
<v Speaker 1>composers because these are the kind of cast that you

2:29:06.840 --> 2:29:08.680
<v Speaker 1>can tell them that you have an idea that sounds

2:29:08.760 --> 2:29:11.000
<v Speaker 1>like this, and they go take that idea and run

2:29:11.080 --> 2:29:14.240
<v Speaker 1>with it as opposed to giving you these are these

2:29:14.280 --> 2:29:16.040
<v Speaker 1>are kind of tracks I do. And that's just what

2:29:16.200 --> 2:29:19.000
<v Speaker 1>I do. You know what I'm saying. I've always I've

2:29:19.040 --> 2:29:24.120
<v Speaker 1>always had an appreciation for the versatile, versatile producer. You know,

2:29:24.200 --> 2:29:26.200
<v Speaker 1>I can give you hip hop ship, I can give

2:29:26.240 --> 2:29:29.320
<v Speaker 1>you some quote unquote neo soul ship, I can give

2:29:29.360 --> 2:29:33.680
<v Speaker 1>you some this like, yeah, all of it. Because at

2:29:33.680 --> 2:29:36.200
<v Speaker 1>the end of the day, I'm a I'm a I

2:29:36.280 --> 2:29:39.200
<v Speaker 1>can apply me to whatever, nigga. I could do a

2:29:39.240 --> 2:29:41.400
<v Speaker 1>fucking rock song. I could do a poker record if

2:29:41.440 --> 2:29:44.600
<v Speaker 1>I felt like I could apply me to a poker record,

2:29:44.640 --> 2:29:49.920
<v Speaker 1>straight up. Yeah, not the not the game. Wooden Shoes,

2:29:50.400 --> 2:29:54.480
<v Speaker 1>Wooden Shoes and Netflix. Yeah check it out, you see

2:29:55.040 --> 2:29:58.160
<v Speaker 1>yeah don't Yeah, I seen it. Yeah they started it.

2:30:00.120 --> 2:30:05.920
<v Speaker 1>We'll talking about off air alright. Look um the fabulous

2:30:06.040 --> 2:30:10.520
<v Speaker 1>record make Me Better, Make You Better that was recorded

2:30:10.600 --> 2:30:15.640
<v Speaker 1>for jay Z written when I did that hook, I

2:30:15.800 --> 2:30:19.360
<v Speaker 1>was in the studio with jay Z and and I'll

2:30:19.440 --> 2:30:22.800
<v Speaker 1>never forget this session because I had always heard that

2:30:23.040 --> 2:30:26.640
<v Speaker 1>jay Z doesn't write anything down. I had heard that,

2:30:26.920 --> 2:30:29.640
<v Speaker 1>like multiple times, like he's not a cat that will

2:30:29.680 --> 2:30:32.240
<v Speaker 1>sit because because there was a point in my career

2:30:32.280 --> 2:30:33.840
<v Speaker 1>where I was a slave to a pen and pad.

2:30:33.920 --> 2:30:35.360
<v Speaker 1>I had to write it down. I had to, I

2:30:35.440 --> 2:30:37.920
<v Speaker 1>had to be able to visualize. I could see it.

2:30:38.720 --> 2:30:40.920
<v Speaker 1>So I'm in a studio with Jay and the beat

2:30:41.040 --> 2:30:43.280
<v Speaker 1>is playing and it's a beat from Timberland. Shout out,

2:30:43.600 --> 2:30:46.600
<v Speaker 1>shout out to Timberland. And he's like, what what you

2:30:46.720 --> 2:30:49.160
<v Speaker 1>hear to this? I'm like, all, give me a minute.

2:30:49.480 --> 2:30:51.920
<v Speaker 1>So I sit with my pad and pen and I write.

2:30:52.959 --> 2:30:54.680
<v Speaker 1>I'm sitting there trying to figure out what to right.

2:30:55.240 --> 2:30:56.800
<v Speaker 1>And as I'm sitting there trying to figure it out,

2:30:57.120 --> 2:31:01.080
<v Speaker 1>Beyonce comes to the studio and they find and they

2:31:01.160 --> 2:31:03.240
<v Speaker 1>kind of like find a corner and like dip off

2:31:03.360 --> 2:31:07.000
<v Speaker 1>from everybody. This is Sony Studios in New York. She

2:31:07.120 --> 2:31:09.440
<v Speaker 1>won't exist, you know what I'm talking about, My nigga

2:31:09.879 --> 2:31:12.800
<v Speaker 1>and she don't exist no more. But so much history

2:31:12.920 --> 2:31:15.320
<v Speaker 1>was made in that building. So we're in that building

2:31:15.800 --> 2:31:19.480
<v Speaker 1>and it's J and B in the corner like nigger.

2:31:19.520 --> 2:31:21.040
<v Speaker 1>It might as well not have been nobody else in

2:31:21.120 --> 2:31:23.800
<v Speaker 1>the because they just they just in there, just in

2:31:23.959 --> 2:31:26.480
<v Speaker 1>each other, you know what I'm saying. So I'm looking

2:31:26.520 --> 2:31:28.960
<v Speaker 1>at this and I write, I I'm thinking about j

2:31:29.840 --> 2:31:33.640
<v Speaker 1>jay Z. I'm a moving by myself, jay Z. I'm

2:31:33.680 --> 2:31:38.280
<v Speaker 1>a movement by myself, jay Z and Beyonce. But I'm

2:31:38.320 --> 2:31:43.440
<v Speaker 1>a force. We're together. You know what I'm saying, Mommy,

2:31:43.520 --> 2:31:48.400
<v Speaker 1>I'm good all by myself, but you you make me better.

2:31:49.480 --> 2:31:54.440
<v Speaker 1>You feel me, you feel me. I'm watched. I'm watching

2:31:54.520 --> 2:31:56.000
<v Speaker 1>him in the corner, like trying not to be a

2:31:56.080 --> 2:31:59.520
<v Speaker 1>creep because most weird. If anybody turned around and look

2:31:59.560 --> 2:32:00.880
<v Speaker 1>at me in every right, now, they can be nigga,

2:32:00.879 --> 2:32:06.920
<v Speaker 1>what then you staring at my bad? Bad? Bro, my bad,

2:32:08.720 --> 2:32:10.880
<v Speaker 1>But you can't help but feel the energy in the

2:32:10.959 --> 2:32:13.800
<v Speaker 1>corner because they they're in the corner and their own

2:32:13.959 --> 2:32:16.200
<v Speaker 1>fucking world they might have will not have been nobody

2:32:16.240 --> 2:32:18.640
<v Speaker 1>else in the room, Like this is the vibe that

2:32:18.760 --> 2:32:21.240
<v Speaker 1>they got and I'm just looking at it, like all right,

2:32:21.720 --> 2:32:25.520
<v Speaker 1>I'm jay Z, I'm fucking jay Z. I'm a movement

2:32:26.959 --> 2:32:29.280
<v Speaker 1>just by me, just by myself. I can walk in

2:32:29.320 --> 2:32:32.039
<v Speaker 1>the room by myself and ship is gonna change because

2:32:32.080 --> 2:32:35.280
<v Speaker 1>I'm in the room. I'm a movement, nigga. But when

2:32:35.320 --> 2:32:39.680
<v Speaker 1>I walk in with you, now, I'm a force now,

2:32:39.840 --> 2:32:42.520
<v Speaker 1>regardless of what you thought regardless of what you felt like,

2:32:43.120 --> 2:32:47.320
<v Speaker 1>your mood, everything about you changes because we are in

2:32:47.440 --> 2:32:50.400
<v Speaker 1>the room. You feel me like, that's that's different, bro,

2:32:50.600 --> 2:32:53.200
<v Speaker 1>that's that ship is different. So I wrote that ship

2:32:53.800 --> 2:32:56.200
<v Speaker 1>and I presented it to Jay and he was like,

2:32:56.360 --> 2:32:58.960
<v Speaker 1>this is dope. This is R and B ship. You

2:32:59.000 --> 2:33:04.080
<v Speaker 1>should keep it. And it was like yeah and boo

2:33:04.200 --> 2:33:08.320
<v Speaker 1>at the same time, because like Nick, I just took

2:33:08.520 --> 2:33:13.200
<v Speaker 1>your whole No, of course not, I'm not not not,

2:33:14.200 --> 2:33:17.320
<v Speaker 1>But in my mind, I'm like, you don't want it? Wait,

2:33:17.400 --> 2:33:20.360
<v Speaker 1>wait what Like I just I just took your whole

2:33:20.480 --> 2:33:23.120
<v Speaker 1>element and and and put it in words like your

2:33:23.160 --> 2:33:26.680
<v Speaker 1>whole ship and this is this is y'all you and

2:33:26.800 --> 2:33:31.240
<v Speaker 1>be supposed to get a ship and and spas out right. Yeah,

2:33:31.320 --> 2:33:33.080
<v Speaker 1>this ship is dope, some R and B ship that

2:33:33.120 --> 2:33:41.080
<v Speaker 1>you should keep it. Thank you, thank you, thank thanks

2:33:41.120 --> 2:33:45.280
<v Speaker 1>so much, thank you, sir. I appreciate it. Thank you.

2:33:47.240 --> 2:33:52.320
<v Speaker 1>Now like I thought I was onto something like Nick,

2:33:52.400 --> 2:33:55.480
<v Speaker 1>I have figured out I have. I have cracked the code.

2:33:55.520 --> 2:33:58.040
<v Speaker 1>I have, I have cracked the matrix on Jay Z

2:33:58.080 --> 2:34:01.200
<v Speaker 1>and Beyonce boom. And then they said, yeah, that's do

2:34:01.360 --> 2:34:04.080
<v Speaker 1>keep it for yourself. I'm good. He's a great story. Buddy. Right,

2:34:04.959 --> 2:34:08.120
<v Speaker 1>So I so at this mind you, this is jay

2:34:08.200 --> 2:34:09.720
<v Speaker 1>Z telling me I should keep it for myself something,

2:34:09.760 --> 2:34:11.680
<v Speaker 1>and I'm gona keep it for myself. So I write

2:34:11.800 --> 2:34:15.000
<v Speaker 1>versus to the ship. I create a whole record. Right,

2:34:15.480 --> 2:34:18.000
<v Speaker 1>Everybody likes the record, you know, the team likes the record,

2:34:18.080 --> 2:34:20.119
<v Speaker 1>but they don't love the record. It's other ship that's

2:34:20.160 --> 2:34:22.880
<v Speaker 1>that's getting the attention. So this record kind of becomes

2:34:23.000 --> 2:34:25.920
<v Speaker 1>just a fucking archives just sitting in the archive. Right.

2:34:26.400 --> 2:34:28.879
<v Speaker 1>I don't honestly even know how it got to FAB,

2:34:29.640 --> 2:34:31.600
<v Speaker 1>to be honest with you, I don't know how it

2:34:31.720 --> 2:34:35.880
<v Speaker 1>got to Fab. But Fab No, no, but Fab just

2:34:35.959 --> 2:34:38.720
<v Speaker 1>hit me up and they're like, yo, hey this this

2:34:38.920 --> 2:34:40.880
<v Speaker 1>makes me better. Ship, Nigga, you need to let me

2:34:41.000 --> 2:34:42.760
<v Speaker 1>rock on this. And I'm like, bird, go for it,

2:34:43.360 --> 2:34:45.480
<v Speaker 1>because again, it's it's an archive record. At this point,

2:34:45.520 --> 2:34:49.400
<v Speaker 1>it was using it. It's just sitting. He's like, bro,

2:34:49.720 --> 2:34:52.600
<v Speaker 1>you need to let me do your thing. So he

2:34:52.720 --> 2:34:55.280
<v Speaker 1>does his thing, sends it back to me. I'm like, yeah, nigga,

2:34:55.320 --> 2:35:00.120
<v Speaker 1>that's yeah, Yeah, that's yeah. That's one and and the

2:35:00.240 --> 2:35:02.280
<v Speaker 1>rest is history. The label runs with it and it

2:35:02.440 --> 2:35:05.600
<v Speaker 1>becomes that makes me better that everybody knows, but the

2:35:05.800 --> 2:35:08.840
<v Speaker 1>and originally I wrote that ship with the intent that

2:35:09.080 --> 2:35:11.640
<v Speaker 1>night I was like, Yo, Beyonce and jay Z is

2:35:11.680 --> 2:35:15.000
<v Speaker 1>going to do a song to this tonight is happening

2:35:15.200 --> 2:35:17.480
<v Speaker 1>right now, And I played the ship with j He

2:35:17.600 --> 2:35:20.160
<v Speaker 1>was like, Yeah, that's dope. That's some R and B ship.

2:35:21.080 --> 2:35:26.080
<v Speaker 1>Keep it for yourself. Records. Timber Land shout out to

2:35:26.120 --> 2:35:29.640
<v Speaker 1>the boy, tim God, what a fucking amazing story. Man,

2:35:35.120 --> 2:35:38.840
<v Speaker 1>God had no singing, Like, this is dope for you.

2:35:39.720 --> 2:35:44.200
<v Speaker 1>For you, Timberlands, take on all of that Fab too, right,

2:35:44.840 --> 2:35:47.760
<v Speaker 1>I don't. I literally you might want to ask fact.

2:35:47.800 --> 2:35:50.520
<v Speaker 1>I literally don't know how Fab heard the record because

2:35:50.680 --> 2:35:55.080
<v Speaker 1>I didn't. I didn't. Maybe I don't know because saying

2:35:55.120 --> 2:35:57.080
<v Speaker 1>I'm gonna sit on this record. To all I know

2:35:57.480 --> 2:35:59.840
<v Speaker 1>is I get a hit from Fab to Blue like, Yo,

2:36:00.040 --> 2:36:01.640
<v Speaker 1>this ship is dope. You need to let me funk

2:36:01.720 --> 2:36:04.200
<v Speaker 1>with this. And I'm like, Nigga, go for it, go

2:36:04.440 --> 2:36:07.440
<v Speaker 1>for it, because at this point it's literally just sitting

2:36:07.480 --> 2:36:09.600
<v Speaker 1>in the archives like I'm not doing nothing with it,

2:36:09.680 --> 2:36:12.200
<v Speaker 1>it's just there. So he's like, Yo, let me throw

2:36:12.240 --> 2:36:15.640
<v Speaker 1>some verses this. Nigga do it, and he did it,

2:36:15.760 --> 2:36:18.240
<v Speaker 1>and that ship became you know, the song we know

2:36:18.400 --> 2:36:25.920
<v Speaker 1>now and the rest is history. Broa, it's just that, yo, fat,

2:36:28.200 --> 2:36:39.000
<v Speaker 1>what's going on? Yeah? We got Neo dream. I thought

2:36:39.040 --> 2:36:44.480
<v Speaker 1>you usually FaceTime FaceTime of you right now FaceTime you

2:36:46.640 --> 2:36:49.000
<v Speaker 1>just face on your FaceTime. I don't want you want

2:36:49.000 --> 2:36:52.440
<v Speaker 1>some creepy ship. WI not working in my face. Oh

2:36:52.640 --> 2:36:54.480
<v Speaker 1>I'm hitting the wrong but and I'm sorry. I'm old school.

2:36:58.600 --> 2:37:11.160
<v Speaker 1>I'm old school. Family's going on, Kevin, we got Leo here,

2:37:11.320 --> 2:37:15.600
<v Speaker 1>we got Leo here. Yeah, I dropped. I'm telling the troup.

2:37:15.800 --> 2:37:17.760
<v Speaker 1>He dropped. You want to or you want me to

2:37:17.800 --> 2:37:26.039
<v Speaker 1>ask the questions in so so so so, but look

2:37:26.360 --> 2:37:29.960
<v Speaker 1>check it. He he wants to know, how did you

2:37:30.160 --> 2:37:34.160
<v Speaker 1>hear about of the record you made me better? How

2:37:34.240 --> 2:37:41.000
<v Speaker 1>did I hear about it? Yeah? I said this hall

2:37:41.040 --> 2:37:46.200
<v Speaker 1>of s okay. Yeah, he was like, he got a

2:37:46.280 --> 2:37:51.520
<v Speaker 1>smash record. But it's but it's and his words I

2:37:51.640 --> 2:37:53.920
<v Speaker 1>want to say. He said, it's a fat record, like

2:37:54.320 --> 2:37:58.240
<v Speaker 1>like it's too, it's too. I mean, home could have

2:37:58.320 --> 2:38:00.840
<v Speaker 1>did it in my eyes, but he said it was

2:38:02.240 --> 2:38:06.520
<v Speaker 1>something and it was really fat. Now he's he said,

2:38:06.640 --> 2:38:08.520
<v Speaker 1>he said, he said, it's an R and B record.

2:38:08.680 --> 2:38:12.160
<v Speaker 1>Hold on, hold on, so the night so the night

2:38:12.240 --> 2:38:16.160
<v Speaker 1>that I did this ship, telling the story. I'm sitting

2:38:16.160 --> 2:38:17.680
<v Speaker 1>and telling the story. The night that I did this

2:38:17.720 --> 2:38:19.680
<v Speaker 1>ship was like the first night that I really saw

2:38:20.240 --> 2:38:23.360
<v Speaker 1>any interaction between him and B and that's what made

2:38:23.400 --> 2:38:25.960
<v Speaker 1>me right the way I wrote it. So I'm sitting

2:38:25.959 --> 2:38:29.440
<v Speaker 1>there like, yo, I didn't I've cracked the code to

2:38:29.640 --> 2:38:32.720
<v Speaker 1>Jay and Beyonce. I'm moving by myself, but I'm a force.

2:38:32.800 --> 2:38:34.960
<v Speaker 1>One were together and I played this ship for the

2:38:35.040 --> 2:38:37.000
<v Speaker 1>nick and he was like, yeah, that's dope, you should

2:38:37.080 --> 2:38:51.360
<v Speaker 1>keep it, nigger. I was. I was so honored and

2:38:51.520 --> 2:38:59.200
<v Speaker 1>hurt at the same time, Like sometimes you can see

2:38:59.280 --> 2:39:06.240
<v Speaker 1>records that and the right, but but you're running. I

2:39:06.360 --> 2:39:11.640
<v Speaker 1>can't see how that that's that's a j B bro.

2:39:12.040 --> 2:39:15.440
<v Speaker 1>The ship was inspired by just watching them sitting in

2:39:15.520 --> 2:39:18.280
<v Speaker 1>the corner of the studio, spassing out, just being them,

2:39:19.320 --> 2:39:21.440
<v Speaker 1>and the nigga was like, yeah, that's dope, Yeah, hold on,

2:39:21.920 --> 2:39:24.920
<v Speaker 1>keep that on me. That's yours. I'm like, oh, hey, damn,

2:39:25.560 --> 2:39:28.600
<v Speaker 1>but no, I literally never knew how how the record

2:39:28.680 --> 2:39:32.279
<v Speaker 1>got to you. I just niggas was like, yo, fathers

2:39:32.360 --> 2:39:34.160
<v Speaker 1>like he loved that ship. Let's rock. I'm like, all right,

2:39:34.240 --> 2:39:36.320
<v Speaker 1>fucking let's rock, Like but I never knew how it

2:39:36.520 --> 2:39:38.440
<v Speaker 1>got to you. So yeah, that's that's where this whole

2:39:38.480 --> 2:39:42.240
<v Speaker 1>came up. Definitely was the whole out of you. Um.

2:39:43.400 --> 2:39:44.960
<v Speaker 1>And he came to me. It was like, Yo, I

2:39:45.040 --> 2:39:48.119
<v Speaker 1>got this joint. He said, I think it's a smash

2:39:49.280 --> 2:39:52.480
<v Speaker 1>And he was like, I think he explained to me

2:39:52.600 --> 2:39:56.280
<v Speaker 1>it was kind of originally set for him, but he

2:39:56.440 --> 2:40:00.800
<v Speaker 1>think it was more of my lane. And I said,

2:40:00.879 --> 2:40:02.680
<v Speaker 1>y'all this joining us out of here. I said, I

2:40:02.680 --> 2:40:05.520
<v Speaker 1>don't know why hold giving me this record, but I

2:40:05.640 --> 2:40:09.920
<v Speaker 1>asked a little question. That's crazy, straight up, straight up,

2:40:10.200 --> 2:40:12.120
<v Speaker 1>when the God give you a blessing you on your

2:40:12.120 --> 2:40:20.480
<v Speaker 1>only question, straight up straight up? My name a man.

2:40:20.640 --> 2:40:24.920
<v Speaker 1>Good to see you, brother, hold on your yo. Father.

2:40:25.000 --> 2:40:26.720
<v Speaker 1>I just want to tell y'all man, y're making New

2:40:26.800 --> 2:40:30.840
<v Speaker 1>York looks so good you Jim Jones, Dave East every

2:40:30.920 --> 2:40:33.680
<v Speaker 1>time I see y'all all together. May no, man, I

2:40:34.240 --> 2:40:37.800
<v Speaker 1>really really appreciate y'all man for keeping that you know Camaraddie,

2:40:37.879 --> 2:40:40.680
<v Speaker 1>Joel said, Tanner and that and that tightness. Man, you're

2:40:40.760 --> 2:40:43.160
<v Speaker 1>making us look good. Man. I'm gonna coming and and

2:40:43.640 --> 2:40:47.240
<v Speaker 1>and come hang out y'all very soon. We can't wait.

2:40:47.360 --> 2:40:53.800
<v Speaker 1>We can't are you on rock the bells? Because if

2:40:53.840 --> 2:41:00.080
<v Speaker 1>you're not, can I bring you out of special guests? Know?

2:41:01.600 --> 2:41:04.920
<v Speaker 1>I hate y'all. Let you know my y'all. All right, y'all, well, look,

2:41:05.040 --> 2:41:11.480
<v Speaker 1>thank you so much. That's crazy that you didn't know

2:41:11.680 --> 2:41:15.160
<v Speaker 1>that you didn't know that jay Z that that that

2:41:15.360 --> 2:41:18.920
<v Speaker 1>that's a lot about Jay because not only did he

2:41:19.080 --> 2:41:21.960
<v Speaker 1>notice it was a hit, but he gave it a Yo,

2:41:22.120 --> 2:41:24.400
<v Speaker 1>it's it's a You gotta be a different kind of

2:41:24.560 --> 2:41:27.600
<v Speaker 1>dude to be like this is a hit, but this

2:41:27.800 --> 2:41:31.160
<v Speaker 1>is a hit that's not for me. That's different. What

2:41:31.360 --> 2:41:33.760
<v Speaker 1>was the time frame between the time that he told

2:41:33.800 --> 2:41:37.000
<v Speaker 1>you it's not for him, that's for you that night?

2:41:37.160 --> 2:41:41.200
<v Speaker 1>It was? What was that time? Uh? Yo? It was

2:41:41.280 --> 2:41:44.640
<v Speaker 1>it was easily like a like a year, like a

2:41:44.760 --> 2:41:48.959
<v Speaker 1>year because when he told me that, when he said,

2:41:49.040 --> 2:41:50.960
<v Speaker 1>when he said, like, Yo, this is dope, you should

2:41:50.959 --> 2:41:53.480
<v Speaker 1>hold on to it, I wrote versus to it like

2:41:53.600 --> 2:41:55.360
<v Speaker 1>I wrote it like on some All right, I'm gonna

2:41:55.360 --> 2:41:58.040
<v Speaker 1>hold on to it for myself and and and as

2:41:58.120 --> 2:42:00.959
<v Speaker 1>much as we love the record, it just didn't feel

2:42:01.080 --> 2:42:03.200
<v Speaker 1>right for the moves that we was making. It just

2:42:03.320 --> 2:42:06.440
<v Speaker 1>never felt right. And then all of a sudden fab

2:42:06.600 --> 2:42:08.920
<v Speaker 1>him be like, Yo, that makes me better join nigger.

2:42:09.000 --> 2:42:11.520
<v Speaker 1>That's me Like, and I'm like, ah, yeah, let's rock.

2:42:12.480 --> 2:42:15.520
<v Speaker 1>But but it wasn't it. It happens like that sometimes

2:42:15.560 --> 2:42:18.600
<v Speaker 1>it's like it's you know, all the records that you're right,

2:42:18.959 --> 2:42:22.279
<v Speaker 1>the records that the world here's you need to understand.

2:42:22.320 --> 2:42:25.240
<v Speaker 1>It was like maybe twenty records that happened before that record,

2:42:25.640 --> 2:42:27.480
<v Speaker 1>you know what I mean, And the is just sitting

2:42:27.920 --> 2:42:31.560
<v Speaker 1>waiting to be groomed properly, to be presented to the

2:42:31.640 --> 2:42:34.080
<v Speaker 1>world like and that. And that was what made me

2:42:34.160 --> 2:42:36.080
<v Speaker 1>better was it was it was written for this, it

2:42:36.160 --> 2:42:38.440
<v Speaker 1>was intended for this, didn't so much work for that.

2:42:38.879 --> 2:42:40.880
<v Speaker 1>We re freaked it and worked it for this, and

2:42:40.959 --> 2:42:42.360
<v Speaker 1>it worked, you know what I'm saying. That's That's what

2:42:42.640 --> 2:42:44.800
<v Speaker 1>I think it's crazy, is that he told you the record,

2:42:44.879 --> 2:42:48.040
<v Speaker 1>you should just take the record for yourself. So he

2:42:48.280 --> 2:42:51.039
<v Speaker 1>obviously a year later, was like, this is a hit record.

2:42:51.120 --> 2:42:53.720
<v Speaker 1>This guy did not put it out for himself. This

2:42:53.879 --> 2:42:57.760
<v Speaker 1>needs to go somewhere. Yeah. Yeah, And and to this day,

2:42:57.800 --> 2:43:00.520
<v Speaker 1>I got records I'm sitting on right now that are hits,

2:43:01.080 --> 2:43:04.160
<v Speaker 1>just not exactly hits for me. I'm waiting on you

2:43:04.280 --> 2:43:06.520
<v Speaker 1>know the right. I don't believe in a coincidence or

2:43:06.560 --> 2:43:09.640
<v Speaker 1>an accident. I feel like everything that happens is supposed

2:43:09.640 --> 2:43:12.400
<v Speaker 1>to happen, and it doesn't happen a second before it's

2:43:12.440 --> 2:43:16.560
<v Speaker 1>supposed to happen. So there's there's there's a multitude of

2:43:16.640 --> 2:43:19.240
<v Speaker 1>songs that I've written that I feel like if the

2:43:19.320 --> 2:43:21.800
<v Speaker 1>world heard this, it would be a hit. But it's

2:43:21.800 --> 2:43:24.320
<v Speaker 1>about who they hear it on, you know what I mean.

2:43:24.600 --> 2:43:26.520
<v Speaker 1>If they heard it from me, maybe not so much.

2:43:26.600 --> 2:43:28.840
<v Speaker 1>If they heard it from this cat maybe, you know,

2:43:29.000 --> 2:43:31.800
<v Speaker 1>So it doesn't I have like a whole folder full

2:43:31.840 --> 2:43:34.560
<v Speaker 1>of records that I'm just waiting on the right artist

2:43:35.120 --> 2:43:37.720
<v Speaker 1>to jump up to be like, yo, yeah, all right

2:43:37.920 --> 2:43:39.960
<v Speaker 1>here this is for you. Take this and go in

2:43:40.040 --> 2:43:44.120
<v Speaker 1>the world and rock with this. Yeah. Yeah. Can you

2:43:44.240 --> 2:43:50.960
<v Speaker 1>write a record for like uh Santana? I can write anything, bro, anything.

2:43:51.760 --> 2:43:55.320
<v Speaker 1>Words are words and and they have power. And if

2:43:55.400 --> 2:43:57.920
<v Speaker 1>you learn the power of words, you could run the

2:43:58.000 --> 2:44:00.120
<v Speaker 1>planet if you felt like it. I could on the

2:44:00.160 --> 2:44:02.600
<v Speaker 1>planet if I felt like it. That's the lightweight drunk drunk,

2:44:02.640 --> 2:44:04.960
<v Speaker 1>but lightweight me telling the truth. I could write a

2:44:05.000 --> 2:44:07.360
<v Speaker 1>record for anybody, bro, I could write a rock record.

2:44:07.440 --> 2:44:09.360
<v Speaker 1>I could write a poker record, I could write a

2:44:09.480 --> 2:44:13.920
<v Speaker 1>Spanish record that matter, It doesn't matter. I can speak

2:44:13.959 --> 2:44:18.800
<v Speaker 1>passionately about a subject matter, and that's part of what's

2:44:18.879 --> 2:44:21.200
<v Speaker 1>needed to be able to write. The other part is

2:44:21.280 --> 2:44:24.960
<v Speaker 1>melody and and and creativity. I have all these things.

2:44:25.240 --> 2:44:27.160
<v Speaker 1>So yeah, I can write a record for anybody. It

2:44:27.200 --> 2:44:30.160
<v Speaker 1>don't matter, don't matter. So of course you just come

2:44:30.200 --> 2:44:33.680
<v Speaker 1>to you and say you listen man. I think I

2:44:33.760 --> 2:44:39.080
<v Speaker 1>think he's saying, if I come to you, I think

2:44:39.120 --> 2:44:46.000
<v Speaker 1>I'm coming back what we're doing, Yo, listen, send me,

2:44:46.120 --> 2:44:51.080
<v Speaker 1>send me to beat with your verses on it. I

2:44:51.320 --> 2:45:04.240
<v Speaker 1>want to do that too. I got you. We're taking

2:45:04.280 --> 2:45:06.039
<v Speaker 1>the shot of that. We're taking the shot of neo

2:45:06.120 --> 2:45:10.720
<v Speaker 1>biking me out of retirement, but now we're bringing you

2:45:10.760 --> 2:45:14.720
<v Speaker 1>out of retirement. When you're doing versus against Acorn, would

2:45:14.760 --> 2:45:19.320
<v Speaker 1>I absolutely? And you're smoking him. Let's just I mean,

2:45:19.720 --> 2:45:23.400
<v Speaker 1>that's for a free apartment in Africa. That's the best

2:45:23.760 --> 2:45:28.800
<v Speaker 1>for the free apartment. It's a five million dollars Joe,

2:45:29.959 --> 2:45:33.160
<v Speaker 1>I would happily do versus against a con. That's my brother,

2:45:33.280 --> 2:45:35.400
<v Speaker 1>that's my guy, and I feel like it would be

2:45:35.520 --> 2:45:39.440
<v Speaker 1>entertaining his his his category his his catalog versus my catalog.

2:45:39.520 --> 2:45:42.360
<v Speaker 1>I feel like that would be super entertaining. Yeah, but

2:45:42.680 --> 2:45:43.920
<v Speaker 1>at the end of the day, Yeah, I felt like

2:45:43.959 --> 2:45:45.680
<v Speaker 1>I take that. I take I feel like I take that.

2:45:45.760 --> 2:45:57.840
<v Speaker 1>On Holy we're supposed to salute y'all. Y'all did this.

2:45:59.080 --> 2:46:05.000
<v Speaker 1>That's a good versus the prizes is a condo in Africa.

2:46:05.760 --> 2:46:08.880
<v Speaker 1>If I win and I don't get some residency and

2:46:08.959 --> 2:46:11.680
<v Speaker 1>this this city that he's creating, I'm gon fell away here. Okay,

2:46:11.720 --> 2:46:13.400
<v Speaker 1>but let me just ask you something because we just

2:46:13.520 --> 2:46:16.720
<v Speaker 1>came up with a question these workers that she wrote

2:46:16.760 --> 2:46:20.160
<v Speaker 1>from Michael, Yeah, would you give him the janet? That's

2:46:20.200 --> 2:46:22.760
<v Speaker 1>what I said. That's what I told him, and nobody

2:46:23.240 --> 2:46:28.000
<v Speaker 1>to somebody. Somebody I said it to him, and then

2:46:28.200 --> 2:46:33.720
<v Speaker 1>y'all was talking over we didn't rewind the tape. No

2:46:33.879 --> 2:46:36.040
<v Speaker 1>real ship. That's not a bad idea. That's not a

2:46:36.120 --> 2:46:48.760
<v Speaker 1>bad idea because that don't point of this guy. Yes, No,

2:46:49.040 --> 2:46:52.280
<v Speaker 1>that that allows me to keep it genuine, to keep

2:46:52.320 --> 2:46:54.240
<v Speaker 1>it real, you know what I'm saying. At the same time,

2:46:55.000 --> 2:46:57.240
<v Speaker 1>taking sure that the records just gonna get the recognition

2:46:57.320 --> 2:47:03.960
<v Speaker 1>that they need. Wait, what happened? Freddie Jackson? Freddie Jackson.

2:47:04.280 --> 2:47:06.320
<v Speaker 1>I don't know, Freddy Jackson, he got the finger ways

2:47:09.879 --> 2:47:14.560
<v Speaker 1>I'm definitely I'm not wrong. Freddy Jackson. Come on with

2:47:14.959 --> 2:47:17.560
<v Speaker 1>with'a laughing Freddie Jackson got the figure where he out

2:47:17.640 --> 2:47:22.680
<v Speaker 1>was out Michael Brother. Shout out the shout you know what,

2:47:23.080 --> 2:47:26.800
<v Speaker 1>shout out the iconic he parted the Jackson five and

2:47:26.879 --> 2:47:29.600
<v Speaker 1>he is not he was not he not. I went

2:47:29.640 --> 2:47:35.040
<v Speaker 1>too far, My bad Jackson was. Freddy Jackson was devil,

2:47:35.720 --> 2:47:42.160
<v Speaker 1>he was the smartest. He was not. You are, my lady,

2:47:42.200 --> 2:47:46.400
<v Speaker 1>Freddie Jackson. He wasn't in. He wasn't in Jackson five. No,

2:47:46.640 --> 2:47:51.840
<v Speaker 1>my bad. Everything I need and more. Hey, man, shout

2:47:51.840 --> 2:47:56.440
<v Speaker 1>out Freddy Jackson. I don't know, Freddy, I don't know.

2:47:56.520 --> 2:48:00.560
<v Speaker 1>I'm gonna take a shot to Freddy Jackson taking the shot.

2:48:00.800 --> 2:48:04.920
<v Speaker 1>He didn't. He deserved fun to take a shot. But

2:48:05.040 --> 2:48:08.520
<v Speaker 1>Freddy Jackson, listen, man, get back, get back to my

2:48:08.600 --> 2:48:14.720
<v Speaker 1>original Jackson. That's that's an idea. That's actually a really

2:48:14.800 --> 2:48:20.359
<v Speaker 1>good idea. That's that because that uh represents and respects

2:48:20.600 --> 2:48:23.640
<v Speaker 1>Michael Jackson's legacy while at the same time not being

2:48:24.520 --> 2:48:27.560
<v Speaker 1>you know, so far outside of what he was and

2:48:27.640 --> 2:48:30.000
<v Speaker 1>what he would have done anyway, so now that's that's

2:48:30.000 --> 2:48:32.120
<v Speaker 1>a really good idea. You know, his daughter and her

2:48:32.240 --> 2:48:35.320
<v Speaker 1>son is an artist too. For that, Mike, Mike got

2:48:36.000 --> 2:48:38.600
<v Speaker 1>or a son that's being an artis or you got done?

2:48:39.160 --> 2:48:42.080
<v Speaker 1>Which one? I think you're both both both being artists.

2:48:42.440 --> 2:48:43.600
<v Speaker 1>Well I don't know if they both artists, but you

2:48:43.640 --> 2:48:46.880
<v Speaker 1>got a daughter and the son legacy doesn't validate you

2:48:47.080 --> 2:48:51.360
<v Speaker 1>for me and the talent, I don't given who he dad,

2:48:51.440 --> 2:48:53.400
<v Speaker 1>he was, what can you know? I think Janet would

2:48:53.400 --> 2:48:56.080
<v Speaker 1>be the right. I'm gonna tell you what my grandfather

2:48:56.160 --> 2:48:59.039
<v Speaker 1>told me the first time my grandfather met me after

2:48:59.240 --> 2:49:03.080
<v Speaker 1>I was famous part of Wecan grandfather he said, you're

2:49:03.120 --> 2:49:08.360
<v Speaker 1>telling cups from what dick. He was totally correct, He

2:49:08.480 --> 2:49:10.760
<v Speaker 1>was totally correct. He was like, Jesus said, your mother

2:49:10.840 --> 2:49:13.800
<v Speaker 1>little sing. If I don't know sing, it's me. It's

2:49:13.840 --> 2:49:18.400
<v Speaker 1>like and I was like, damn you adressed dude. That's dumb.

2:49:18.840 --> 2:49:21.879
<v Speaker 1>That's dumb. Because because he was, you call it one

2:49:21.920 --> 2:49:28.800
<v Speaker 1>of them. The base he played, the beating. He got

2:49:28.879 --> 2:49:32.400
<v Speaker 1>you straight. Was like, he was like, Rover, get sucked up.

2:49:32.440 --> 2:49:39.800
<v Speaker 1>He comes from me. Good your mom me. He dead

2:49:39.920 --> 2:49:42.360
<v Speaker 1>seriously said that to me. That Then I looked at

2:49:42.440 --> 2:49:45.320
<v Speaker 1>pictures and then they showed me pictures of him touring,

2:49:46.040 --> 2:49:50.280
<v Speaker 1>and I was like, damn, he's kind of correct, but

2:49:50.560 --> 2:49:54.160
<v Speaker 1>because he's Puerto Rican and he's like this, he tells

2:49:54.200 --> 2:49:57.480
<v Speaker 1>a couple of Monday. Wait a minute, we just kind

2:49:57.480 --> 2:49:59.720
<v Speaker 1>of mad. And you said, that's like a shot to that.

2:50:01.000 --> 2:50:06.040
<v Speaker 1>You know what I'm saying. I didn't say. We went

2:50:06.080 --> 2:50:08.560
<v Speaker 1>to take a shot to that. Got the neo because

2:50:08.640 --> 2:50:12.320
<v Speaker 1>your career is truly rather than thank you, truly beautiful,

2:50:13.800 --> 2:50:17.960
<v Speaker 1>truly dope man. And to see the level that you act,

2:50:19.520 --> 2:50:25.959
<v Speaker 1>to see the uh, humbleness that you still display because

2:50:25.959 --> 2:50:28.160
<v Speaker 1>you don't gotta be humble. You definitely don't have to

2:50:28.240 --> 2:50:30.480
<v Speaker 1>be hume. I don't have to be. But it's more fun.

2:50:30.840 --> 2:50:33.800
<v Speaker 1>How many Grammars you I got? Only only three? Only three?

2:50:34.240 --> 2:50:43.039
<v Speaker 1>Three more than three? I say three. I was nominated

2:50:43.080 --> 2:50:48.680
<v Speaker 1>and they said, don't come though, Why they didn't want

2:50:48.720 --> 2:50:54.560
<v Speaker 1>my kind company? They no, I say, I say, only three,

2:50:54.640 --> 2:50:56.920
<v Speaker 1>But I got to take a shot to your three Grammys.

2:50:57.160 --> 2:51:00.360
<v Speaker 1>We can do that. Please, come on, Stephen winning double

2:51:00.440 --> 2:51:05.680
<v Speaker 1>digit Grammys, you know, come on, man, listen. I'm up

2:51:05.680 --> 2:51:07.800
<v Speaker 1>for myself in the category of the greats. How else

2:51:07.840 --> 2:51:10.680
<v Speaker 1>can I achieve that greatness if I don't rock with

2:51:10.800 --> 2:51:14.960
<v Speaker 1>the greats. Steven want to got double digit grammars, which

2:51:15.000 --> 2:51:16.720
<v Speaker 1>means I got more. I got more work to do,

2:51:16.959 --> 2:51:19.200
<v Speaker 1>got more work to do. What I'm saying, right, I've done.

2:51:20.040 --> 2:51:23.240
<v Speaker 1>I've done great things. I'm gracious and I appreciate all

2:51:23.280 --> 2:51:25.879
<v Speaker 1>the love that I've received. But there's so much more

2:51:25.920 --> 2:51:29.280
<v Speaker 1>ship to do, so much more ship to do. So

2:51:29.360 --> 2:51:34.000
<v Speaker 1>as long as y'are giving the fun rockets? Who Who's who? Who?

2:51:34.120 --> 2:51:36.880
<v Speaker 1>Who's the record that you have never done that you

2:51:36.959 --> 2:51:40.840
<v Speaker 1>want to do? Okay, So I've written records for Beyonce.

2:51:41.879 --> 2:51:47.520
<v Speaker 1>We've never done anything record together. Right, I've write, I've done,

2:51:47.560 --> 2:51:51.520
<v Speaker 1>I've done songs like you know with certain motherfucker's that

2:51:51.560 --> 2:51:53.920
<v Speaker 1>I would love to do a song with them, not

2:51:54.200 --> 2:51:58.640
<v Speaker 1>just me writing for them. You know, I'm anxious to

2:51:58.800 --> 2:52:04.120
<v Speaker 1>see what me and Drake would come up with, like

2:52:04.320 --> 2:52:07.080
<v Speaker 1>that might be, that might be interesting. I could see

2:52:07.120 --> 2:52:09.199
<v Speaker 1>that it might be trash, but it might be interesting.

2:52:10.920 --> 2:52:14.760
<v Speaker 1>It's I'm willing to take the chance and just see

2:52:15.520 --> 2:52:18.280
<v Speaker 1>we're not We're not doing that. It's not gonna be trash.

2:52:18.360 --> 2:52:21.240
<v Speaker 1>What are you going to be? It's gonna be as

2:52:21.280 --> 2:52:23.840
<v Speaker 1>we won't call it panty wet music. I like it.

2:52:24.040 --> 2:52:26.360
<v Speaker 1>I like it. That should be the last two panty

2:52:26.480 --> 2:52:30.680
<v Speaker 1>wet music because how let your boy, let's figure it out.

2:52:32.000 --> 2:52:37.640
<v Speaker 1>This gota yes start off, that should be your logo

2:52:37.760 --> 2:52:41.800
<v Speaker 1>right there when he goes, and that's the logo. And

2:52:41.840 --> 2:52:43.840
<v Speaker 1>then you just see the panties and then it just

2:52:43.959 --> 2:52:48.960
<v Speaker 1>it just turned dry and just turn wet, you know

2:52:49.000 --> 2:52:50.840
<v Speaker 1>what I mean? Like it just like it's like I

2:52:50.920 --> 2:52:57.960
<v Speaker 1>did that West sitting over the crowd, like like a

2:52:58.000 --> 2:53:02.760
<v Speaker 1>hologram or holographic you and then you're in the range.

2:53:05.000 --> 2:53:08.080
<v Speaker 1>Doesn't Drake do a record and not? I mean people

2:53:08.120 --> 2:53:16.400
<v Speaker 1>don't get pregnant? Yeah, failed true pregnant nine million. Hey, Aubrey,

2:53:16.560 --> 2:53:19.480
<v Speaker 1>how let your boy listen. Let's let's Aubrey I did

2:53:19.640 --> 2:53:22.600
<v Speaker 1>I prospected. It's his name, Yeah, it's his name. It's

2:53:22.640 --> 2:53:25.840
<v Speaker 1>just your rappers by the real name. Why not. I

2:53:25.879 --> 2:53:28.880
<v Speaker 1>would never call elko J Tard. I would call you

2:53:29.000 --> 2:53:30.879
<v Speaker 1>by your real name if I knew your real name,

2:53:31.200 --> 2:53:34.000
<v Speaker 1>because I funk with you. If I was just a fan,

2:53:34.760 --> 2:53:36.960
<v Speaker 1>then I would call you by your artist name. You

2:53:37.000 --> 2:53:39.000
<v Speaker 1>know what I'm saying. No, that fused you as a person,

2:53:39.120 --> 2:53:41.120
<v Speaker 1>But you as a person to would call you call

2:53:41.200 --> 2:53:49.800
<v Speaker 1>your name day record though we're gonna get petty. How

2:53:49.879 --> 2:53:52.360
<v Speaker 1>did your boy what You're Gonna be? A crazy record?

2:53:55.360 --> 2:53:58.680
<v Speaker 1>What was it? Pet crack record? Sound like? I don't know,

2:53:59.200 --> 2:54:02.280
<v Speaker 1>I don't know. But if it has any if Wedy

2:54:02.800 --> 2:54:05.960
<v Speaker 1>has any entrance on that, you know that it's gonna

2:54:06.000 --> 2:54:08.240
<v Speaker 1>be some fire ships come to dark because you ain't

2:54:08.240 --> 2:54:10.039
<v Speaker 1>doing you don't do no, you don't do no bullshit.

2:54:11.600 --> 2:54:14.920
<v Speaker 1>You refused to do mediocre records. Why what forward? It's

2:54:15.040 --> 2:54:17.120
<v Speaker 1>enough of that in the world. You don't need it

2:54:17.200 --> 2:54:27.039
<v Speaker 1>for me. Ella, my bad, bad bad. It's a surf

2:54:27.120 --> 2:54:29.400
<v Speaker 1>way of the way you pop ship is fucking dope.

2:54:31.440 --> 2:54:34.760
<v Speaker 1>You know. We have everybody on here kind of humble.

2:54:34.840 --> 2:54:38.080
<v Speaker 1>But it's not like the title of your your album.

2:54:38.360 --> 2:54:41.000
<v Speaker 1>It's like going there, it's gonna be based in fact.

2:54:41.560 --> 2:54:44.760
<v Speaker 1>I'm never I'm never the nigger popping ship. And then

2:54:44.920 --> 2:54:48.160
<v Speaker 1>you go and do the research and it ain't valid. No. Now,

2:54:48.320 --> 2:54:50.240
<v Speaker 1>if I'm a pop ship in mind you, I don't

2:54:50.280 --> 2:54:52.080
<v Speaker 1>have to pop ship because you can google it. You

2:54:52.160 --> 2:54:54.160
<v Speaker 1>can see it. You know what you see if you

2:54:54.240 --> 2:54:56.160
<v Speaker 1>really want to see it, you can see it. I

2:54:56.240 --> 2:54:59.039
<v Speaker 1>don't gotta point you in the direction. Nah, if you're

2:54:59.040 --> 2:55:01.320
<v Speaker 1>really thirsty, the it is over there. I don't have

2:55:01.440 --> 2:55:03.440
<v Speaker 1>to I don't have to lead you there. You can

2:55:03.520 --> 2:55:06.800
<v Speaker 1>go there yourself and get fulfilled. It's that's what it is.

2:55:06.959 --> 2:55:08.760
<v Speaker 1>That's what it is. I do what I do. I've

2:55:08.760 --> 2:55:11.560
<v Speaker 1>been doing what I've done for roughly twenty years at

2:55:11.600 --> 2:55:13.920
<v Speaker 1>this point, and I'm doing it like I do it

2:55:13.959 --> 2:55:17.320
<v Speaker 1>for TV. Goddamn it. That's what it is. I'm done.

2:55:17.400 --> 2:55:21.760
<v Speaker 1>You gotta make some noise for that. My last question,

2:55:23.160 --> 2:55:27.800
<v Speaker 1>let it go? That's that worldwide music which one? Let

2:55:27.879 --> 2:55:32.760
<v Speaker 1>it go? Let it go? Uh, how's it dance go?

2:55:34.920 --> 2:55:37.560
<v Speaker 1>I ain't mad? I ain't Madsten, you bring your sh

2:55:37.600 --> 2:55:39.000
<v Speaker 1>it out of me. Did you get a thug to

2:55:39.040 --> 2:55:41.960
<v Speaker 1>put his hands up perfect? He didn't say. He did

2:55:42.040 --> 2:55:46.200
<v Speaker 1>something like that and a purpose. So yeah, I see

2:55:48.840 --> 2:55:59.280
<v Speaker 1>easy music. He sent me just move altering, just and

2:55:59.520 --> 2:56:05.120
<v Speaker 1>he may he's always on time. I make ship. You

2:56:05.200 --> 2:56:07.720
<v Speaker 1>work out for me, y'all. He told me, this is

2:56:07.920 --> 2:56:15.280
<v Speaker 1>this is the key to make it to making girl music. Listen,

2:56:15.320 --> 2:56:17.520
<v Speaker 1>this is this is the big thing. I can't. I

2:56:17.640 --> 2:56:20.959
<v Speaker 1>can't make a girl record if it hurt. I can

2:56:21.040 --> 2:56:24.280
<v Speaker 1>help you. I love you at least one girl can

2:56:24.360 --> 2:56:27.720
<v Speaker 1>help you record. I can help you listen. I'm okay,

2:56:27.760 --> 2:56:29.080
<v Speaker 1>so let me let me work this out for you.

2:56:29.240 --> 2:56:31.920
<v Speaker 1>Let me please. If any woman on the planet has

2:56:32.040 --> 2:56:35.800
<v Speaker 1>ever danced to a to a Noriega record, you can

2:56:35.879 --> 2:56:39.240
<v Speaker 1>make a girl record girl. Because they funk with your voice,

2:56:39.280 --> 2:56:41.480
<v Speaker 1>They funk with your tone, they funk with your vibe.

2:56:41.920 --> 2:56:44.039
<v Speaker 1>You just need to You just need somebody to step

2:56:44.080 --> 2:56:46.320
<v Speaker 1>in and remind them that they funk with your vibe.

2:56:46.360 --> 2:56:48.560
<v Speaker 1>It's like, no, you know this vibe, mind them that

2:56:48.640 --> 2:56:51.600
<v Speaker 1>I'm a finger pop straight up? Shut up? May me

2:56:51.680 --> 2:57:01.280
<v Speaker 1>stop there, shut up. I can gonna word. No, no, no,

2:57:02.879 --> 2:57:05.199
<v Speaker 1>we got great. Well, we don't find a fly away

2:57:05.280 --> 2:57:08.680
<v Speaker 1>to express to get you the finger pop. You don't

2:57:08.720 --> 2:57:15.720
<v Speaker 1>find a fly away to let it be. No, oh, guys,

2:57:16.280 --> 2:57:23.080
<v Speaker 1>I'm joining aboutself and always singing my light along like

2:57:23.200 --> 2:57:25.560
<v Speaker 1>I don't know if let me my light back. But

2:57:27.080 --> 2:57:29.680
<v Speaker 1>he don't inject you. He's been on some smooth, army

2:57:29.800 --> 2:57:38.760
<v Speaker 1>ship thinking that I see you y'all came around, But

2:57:38.920 --> 2:57:45.160
<v Speaker 1>you made a record called mad, Yes, absolutely did. Why

2:57:45.280 --> 2:57:48.960
<v Speaker 1>were you mad? I wasn't mad. I was telling her

2:57:49.040 --> 2:57:53.720
<v Speaker 1>that I find it sexy when she's mad. That's director.

2:57:56.040 --> 2:57:57.680
<v Speaker 1>Wait wait wait wait wait wait wait wait wait wait

2:57:57.720 --> 2:57:59.520
<v Speaker 1>wait wait wait wait wait, let me get that right. So,

2:57:59.720 --> 2:58:03.920
<v Speaker 1>because so there's two records. There's mad and then there's

2:58:04.280 --> 2:58:07.160
<v Speaker 1>when You're mad. When You're mad is a joint the

2:58:07.240 --> 2:58:09.959
<v Speaker 1>telling the check that she's sexy when she's mad, because

2:58:09.959 --> 2:58:13.720
<v Speaker 1>I remember, I recall the female that I wrote the

2:58:13.800 --> 2:58:18.040
<v Speaker 1>song about, like she was about three ft tall, itty bitty, right,

2:58:18.720 --> 2:58:21.160
<v Speaker 1>but she was a little firecracker. So whenever she would

2:58:21.160 --> 2:58:25.040
<v Speaker 1>get whenever she would get upset, like crinkle her nose up,

2:58:25.120 --> 2:58:27.160
<v Speaker 1>like like she was a little thug. But it's like

2:58:27.480 --> 2:58:29.680
<v Speaker 1>like three ft tall, your three ft tall, cut it out.

2:58:29.959 --> 2:58:32.080
<v Speaker 1>So it was just beautiful, right, it was. I just

2:58:32.240 --> 2:58:34.920
<v Speaker 1>really used to get off on what she would look

2:58:34.959 --> 2:58:36.720
<v Speaker 1>at me like when she was upset. So that's where

2:58:36.720 --> 2:58:44.840
<v Speaker 1>that's saying. That's pretty much pretty much pretty much, man, Listen.

2:58:45.320 --> 2:58:50.000
<v Speaker 1>I've always been I've always been a fan of convenience,

2:58:50.440 --> 2:58:52.240
<v Speaker 1>you know what I'm saying. If I if I can

2:58:52.320 --> 2:58:55.039
<v Speaker 1>just stand where I'm at and you can stand where

2:58:55.080 --> 2:58:57.920
<v Speaker 1>you're at and get it going, that's that's convenient for everyone,

2:58:58.160 --> 2:59:01.280
<v Speaker 1>you know what I mean. Thing became her, So that

2:59:01.440 --> 2:59:05.520
<v Speaker 1>was that's when You're mad. Mad is a whole other

2:59:05.600 --> 2:59:08.800
<v Speaker 1>song talking about being in a relationship and not going

2:59:08.879 --> 2:59:12.840
<v Speaker 1>to bed mad at a situation same person. No, that's

2:59:12.840 --> 2:59:15.880
<v Speaker 1>a different persons difference. Now this this person. You're in

2:59:15.959 --> 2:59:18.960
<v Speaker 1>a relationship with this person, and the whole concept of

2:59:19.480 --> 2:59:22.039
<v Speaker 1>y'all beefing and you go to bed with the beef

2:59:22.120 --> 2:59:24.880
<v Speaker 1>still hot, like that's not cool. That ship ain't cool.

2:59:25.280 --> 2:59:27.520
<v Speaker 1>Nobody wants to wake up beef and I don't want cool.

2:59:28.080 --> 2:59:29.960
<v Speaker 1>I don't want that. So I've always been I've always

2:59:29.959 --> 2:59:32.360
<v Speaker 1>been the cat. Like, listen, let's try to figure this

2:59:32.360 --> 2:59:35.920
<v Speaker 1>ship out right now. Let's let's find the resolution right now,

2:59:36.080 --> 2:59:38.720
<v Speaker 1>as opposed to going to sleeping on it and waking

2:59:38.800 --> 2:59:41.240
<v Speaker 1>up tomorrow still funked up, trying to figure out what

2:59:41.280 --> 2:59:42.800
<v Speaker 1>we're doing. I don't want to do that. I don't

2:59:42.800 --> 2:59:44.600
<v Speaker 1>want to do that. Let's figure out what we're doing

2:59:44.720 --> 2:59:51.520
<v Speaker 1>right now. That's me again. Okay, you take a picture

2:59:54.480 --> 2:59:59.000
<v Speaker 1>process like in the movie Stoping the Haitian. There wasn't

2:59:59.240 --> 3:00:02.279
<v Speaker 1>any haze process. They didn't didn't hit you with the paddle.

3:00:02.400 --> 3:00:06.560
<v Speaker 1>I will say this. I moved to Atlanta after I

3:00:06.640 --> 3:00:10.680
<v Speaker 1>shot from Vegas. From Vegas, I moved to after shot

3:00:10.720 --> 3:00:14.600
<v Speaker 1>Stumped Yard. Yeah I did. I was not aware of

3:00:15.360 --> 3:00:19.320
<v Speaker 1>a place where every female that I came in contact

3:00:19.400 --> 3:00:23.880
<v Speaker 1>with had just the most amazing and most beautiful ass

3:00:24.000 --> 3:00:27.000
<v Speaker 1>I've ever seen in life until I came to Atlanta

3:00:27.280 --> 3:00:29.640
<v Speaker 1>to shoot Stump the Yard. So I moved there after

3:00:29.720 --> 3:00:33.199
<v Speaker 1>we shot the film, and rightfully, so, okay, I'm gonna

3:00:33.200 --> 3:00:41.360
<v Speaker 1>go yearn it I bury back. So there wasn't no hazing,

3:00:42.200 --> 3:00:45.879
<v Speaker 1>no hazing, not not for something to Yard the Canada

3:00:46.360 --> 3:00:51.200
<v Speaker 1>inviolate you. Nick Cannon was not there. Yard was not

3:00:51.320 --> 3:01:01.080
<v Speaker 1>Nick thinking drum It's okay, it happened. You know. Cats

3:01:01.160 --> 3:01:04.680
<v Speaker 1>regularly run up and me like, Yo, you was doping drumline.

3:01:05.560 --> 3:01:16.760
<v Speaker 1>I don't but you was doping drumline. You killed that.

3:01:19.480 --> 3:01:25.560
<v Speaker 1>Oh good man, let's talk about that. Good Man the

3:01:25.720 --> 3:01:33.080
<v Speaker 1>album's song the Whole Night. Yes, uh, because I'm a

3:01:33.120 --> 3:01:36.320
<v Speaker 1>good man. I believe you, Yes, please believe that. Genuinely

3:01:36.400 --> 3:01:40.120
<v Speaker 1>believe you. I believe that you can't be a good

3:01:40.200 --> 3:01:43.360
<v Speaker 1>man without exploring what it is to not be a

3:01:43.440 --> 3:01:48.600
<v Speaker 1>good man. You need the contrast, you need it. You know, Um,

3:01:49.480 --> 3:01:51.440
<v Speaker 1>it's not a chore to be a bad man. That's

3:01:51.520 --> 3:01:53.840
<v Speaker 1>just easy. You know, it's easy. To run around and

3:01:53.920 --> 3:01:55.840
<v Speaker 1>just doing whatever fun did you want to do because

3:01:55.879 --> 3:01:59.400
<v Speaker 1>you want to do it. The chore is to be

3:01:59.720 --> 3:02:04.480
<v Speaker 1>a good man. It requires disciplines, it requires restraint, it

3:02:04.600 --> 3:02:07.240
<v Speaker 1>requires self control. You know what I'm saying something that

3:02:08.000 --> 3:02:10.879
<v Speaker 1>is raring us. You know, just as a human being.

3:02:11.000 --> 3:02:16.240
<v Speaker 1>As a human being, we pick desire over necessity all

3:02:16.320 --> 3:02:19.520
<v Speaker 1>day long. You know what I'm saying. This ship you

3:02:19.680 --> 3:02:22.520
<v Speaker 1>want to do versus the ship you need to do

3:02:23.360 --> 3:02:25.800
<v Speaker 1>all day long, you pick the ship you want to do, right,

3:02:26.320 --> 3:02:30.760
<v Speaker 1>you know, So so to to to on purpose say

3:02:31.680 --> 3:02:33.640
<v Speaker 1>this is what I want to do, but this is

3:02:33.720 --> 3:02:36.360
<v Speaker 1>what I should do. And then to do what you

3:02:36.520 --> 3:02:40.040
<v Speaker 1>should do. That's that's a thing. That's a thing you

3:02:40.160 --> 3:02:44.840
<v Speaker 1>can't you can't overlook that like it's small, because it's

3:02:44.920 --> 3:02:47.960
<v Speaker 1>not small. Because again, people do what they want to

3:02:48.000 --> 3:02:51.280
<v Speaker 1>do all day long, men and women, men and women,

3:02:51.360 --> 3:02:54.840
<v Speaker 1>all right, they ain't just us. Ain't just us. So

3:02:56.000 --> 3:03:00.040
<v Speaker 1>to have the to have the level of discipline to

3:03:00.120 --> 3:03:01.959
<v Speaker 1>do what you're supposed to do versus what you want

3:03:02.000 --> 3:03:05.160
<v Speaker 1>to do, that's something that should be celebrated, you know.

3:03:05.560 --> 3:03:09.400
<v Speaker 1>And and anybody acting holy er than now, to hell

3:03:09.520 --> 3:03:11.880
<v Speaker 1>with you, because because you can't sit here and act

3:03:11.959 --> 3:03:14.600
<v Speaker 1>like I'm not telling the truth just because it's anotherly,

3:03:14.640 --> 3:03:19.320
<v Speaker 1>truth is still the truth, see the truth. So you

3:03:19.440 --> 3:03:23.440
<v Speaker 1>also made a record where you said don't love Me. Yeah,

3:03:23.760 --> 3:03:28.400
<v Speaker 1>so the new album self Explanatory. Um, the song don't

3:03:28.480 --> 3:03:31.880
<v Speaker 1>love Me? I wrote that, mind you. It didn't start

3:03:31.920 --> 3:03:34.920
<v Speaker 1>out as a song. It started out as a letter.

3:03:35.280 --> 3:03:37.440
<v Speaker 1>There's a letter that I wrote to my wife. And

3:03:37.720 --> 3:03:40.520
<v Speaker 1>feel like you expressed yourself more when you write it down. Yeah,

3:03:40.680 --> 3:03:43.040
<v Speaker 1>I've always been better writing it down, like to to

3:03:43.160 --> 3:03:45.560
<v Speaker 1>speak it out in the in the in the heat

3:03:45.600 --> 3:03:47.160
<v Speaker 1>of the moment. You know what I'm saying. When you

3:03:47.320 --> 3:03:50.200
<v Speaker 1>she pissed off and you pissed off, but you're still

3:03:50.280 --> 3:03:52.279
<v Speaker 1>trying to figure out a way to get your point across.

3:03:52.720 --> 3:03:55.160
<v Speaker 1>I've never been good at that ship And and I've

3:03:55.240 --> 3:03:58.400
<v Speaker 1>always been the cat to say, know myself, know what

3:03:58.560 --> 3:04:00.320
<v Speaker 1>you're not good at, know what you are good at.

3:04:00.360 --> 3:04:04.480
<v Speaker 1>Work towards your strengths, work on your your weaknesses. Right. So,

3:04:05.200 --> 3:04:08.880
<v Speaker 1>if I know that I can't in the moment say

3:04:08.959 --> 3:04:11.879
<v Speaker 1>this to you and get it across to you, I'm

3:04:11.920 --> 3:04:14.240
<v Speaker 1>gonna fall back. I'm a retreat for the moment, and

3:04:14.280 --> 3:04:17.320
<v Speaker 1>I'm gonna write it down right. So that song, that

3:04:17.440 --> 3:04:19.640
<v Speaker 1>particular song started out as a letter that I wrote

3:04:19.680 --> 3:04:23.560
<v Speaker 1>to my wife basically saying to her, I know you

3:04:23.680 --> 3:04:27.400
<v Speaker 1>want to be here, but I don't think that you

3:04:27.440 --> 3:04:29.640
<v Speaker 1>should be here because I don't think that I can

3:04:29.760 --> 3:04:33.320
<v Speaker 1>be the kind of man that you deserve, you know

3:04:33.360 --> 3:04:36.320
<v Speaker 1>what I mean. And it takes a level of vulnerability,

3:04:36.400 --> 3:04:39.480
<v Speaker 1>it takes a level of just just kind of taking

3:04:39.560 --> 3:04:42.960
<v Speaker 1>pride off the table to even come to that realization,

3:04:43.800 --> 3:04:45.720
<v Speaker 1>you know. So, so it's it's a it's a it's

3:04:45.760 --> 3:04:48.400
<v Speaker 1>a no viself moment, Like if you you're in a

3:04:48.480 --> 3:04:52.080
<v Speaker 1>relationship with somebody and you definitely dig that somebody, but

3:04:52.240 --> 3:04:54.920
<v Speaker 1>you know in your heart of hearts and in your

3:04:54.959 --> 3:04:57.520
<v Speaker 1>mind of minds that you're not gonna do what that

3:04:57.640 --> 3:05:01.240
<v Speaker 1>somebody wants you to do. So so I'm sorry because

3:05:01.280 --> 3:05:03.760
<v Speaker 1>it's not It's probably the realest questional party asked on

3:05:03.840 --> 3:05:06.520
<v Speaker 1>this show. So at one point, because this this is

3:05:06.640 --> 3:05:09.360
<v Speaker 1>this is ill, you felt like you couldn't be there

3:05:09.400 --> 3:05:11.160
<v Speaker 1>for your wife so much that you was willing to

3:05:11.240 --> 3:05:17.000
<v Speaker 1>give her away, not give her away, but in the

3:05:17.120 --> 3:05:21.200
<v Speaker 1>relationship because I knew that I was hurting her. I

3:05:21.320 --> 3:05:23.520
<v Speaker 1>knew that the person that I was in the moment

3:05:24.160 --> 3:05:27.680
<v Speaker 1>was hurting her and I was so enthralled, and being

3:05:27.760 --> 3:05:32.360
<v Speaker 1>that person that I was, I looked at it like,

3:05:32.400 --> 3:05:34.680
<v Speaker 1>all right, me being this person is hurting her to

3:05:34.760 --> 3:05:36.879
<v Speaker 1>the point where I'll let her go before I allowed

3:05:36.959 --> 3:05:40.280
<v Speaker 1>myself to continue hurting her, you know what I mean?

3:05:41.000 --> 3:05:43.560
<v Speaker 1>And and and so all right, So so here's the flip.

3:05:43.680 --> 3:05:46.840
<v Speaker 1>Here's the flip, because that was that was honest on me.

3:05:46.959 --> 3:05:49.480
<v Speaker 1>I was being honest. But at the end of the

3:05:49.520 --> 3:05:52.680
<v Speaker 1>same day, we just discussed how we choose desire over

3:05:52.800 --> 3:05:56.720
<v Speaker 1>necessity all day long. Right, So here's what she here's

3:05:56.720 --> 3:05:59.920
<v Speaker 1>what her response to that was. Okay, so you tell

3:06:00.040 --> 3:06:03.800
<v Speaker 1>of me that you can't be this person. Is it

3:06:03.920 --> 3:06:06.440
<v Speaker 1>that you can't be this person? Or is it that

3:06:06.600 --> 3:06:10.160
<v Speaker 1>you won't be this person? Because it's not like there's

3:06:10.240 --> 3:06:13.320
<v Speaker 1>somebody physically holding you back from being this person. Like

3:06:13.480 --> 3:06:16.880
<v Speaker 1>it's it's all decision. It's what you decide to be,

3:06:17.160 --> 3:06:19.920
<v Speaker 1>is who you decide to be, is what you decide

3:06:19.959 --> 3:06:22.840
<v Speaker 1>to do versus what you decide to not do. So

3:06:22.959 --> 3:06:25.080
<v Speaker 1>it's all on you. So if you have told me

3:06:25.160 --> 3:06:26.920
<v Speaker 1>that you can't be this person, you're telling me that

3:06:27.040 --> 3:06:31.360
<v Speaker 1>there's something outside of you that is preventing you from

3:06:31.400 --> 3:06:35.240
<v Speaker 1>being this person. It's either that or it's not that

3:06:35.400 --> 3:06:39.000
<v Speaker 1>you can't be this person, is that you won't be

3:06:39.200 --> 3:06:43.040
<v Speaker 1>this person because again, it's all decision based, So you're

3:06:43.120 --> 3:06:47.240
<v Speaker 1>deciding to not be who you know I need. That's

3:06:47.360 --> 3:06:50.040
<v Speaker 1>that's a decision that you're making. And if that's the

3:06:50.720 --> 3:06:53.000
<v Speaker 1>decision you're making, then yeah, we should get a divorce.

3:06:55.920 --> 3:06:58.280
<v Speaker 1>I have too from a relationship prior to from up

3:06:58.600 --> 3:07:00.520
<v Speaker 1>shout out to money, had a SHOT's mother, my two

3:07:00.560 --> 3:07:03.480
<v Speaker 1>oldest children, it's my home girls, my folks, and then

3:07:03.600 --> 3:07:06.760
<v Speaker 1>we have three together, me and my wife Crystal. Yeah,

3:07:07.680 --> 3:07:11.360
<v Speaker 1>so it but it literally took her pointing that out

3:07:11.400 --> 3:07:15.520
<v Speaker 1>to me for me to realize, Yo, I'm I'm I'm lightweight,

3:07:15.600 --> 3:07:18.840
<v Speaker 1>trying to cop out right now, and she's not letting me.

3:07:19.879 --> 3:07:23.880
<v Speaker 1>She's not letting me cop out. Like there's something to that, man,

3:07:23.879 --> 3:07:26.720
<v Speaker 1>you gotta pay attention to that, Like this woman's love

3:07:26.800 --> 3:07:29.000
<v Speaker 1>for you was so strong that she's not allowing you

3:07:30.400 --> 3:07:33.320
<v Speaker 1>to be a fucking coward right now. She's not allowing

3:07:33.360 --> 3:07:36.400
<v Speaker 1>you to do that. You know, she's holding you accountable

3:07:36.840 --> 3:07:38.840
<v Speaker 1>and making you stand up for what it is as

3:07:38.879 --> 3:07:40.960
<v Speaker 1>you truly want, If you want to be that, Go

3:07:41.200 --> 3:07:44.160
<v Speaker 1>be that, and that's that. But don't tell me that

3:07:44.280 --> 3:07:46.000
<v Speaker 1>you want to be over here but you don't feel

3:07:46.040 --> 3:07:49.240
<v Speaker 1>like you can, because that's bullshit. If you want to

3:07:49.320 --> 3:07:53.080
<v Speaker 1>be here, you're gonna be here. And that's what that's

3:07:53.120 --> 3:07:54.920
<v Speaker 1>the reality of it, and that's the reason that we

3:07:54.959 --> 3:07:57.680
<v Speaker 1>see together because you can't you can't come across somebody

3:07:57.840 --> 3:08:01.920
<v Speaker 1>that is that enlightened and that willing to hold you

3:08:02.000 --> 3:08:04.560
<v Speaker 1>accountable on your bullsheet, even at the level that you are,

3:08:04.680 --> 3:08:08.360
<v Speaker 1>like a nigga, I'm I'm I'm the breadwinner. I take

3:08:08.400 --> 3:08:10.840
<v Speaker 1>care of my family, period. No one has to worry

3:08:11.080 --> 3:08:15.800
<v Speaker 1>or about anything because of me. Right, So there's a

3:08:15.920 --> 3:08:17.920
<v Speaker 1>level of me that says within myself that I'm within

3:08:18.040 --> 3:08:19.440
<v Speaker 1>my right to do whatever the funk I want to

3:08:19.520 --> 3:08:21.000
<v Speaker 1>do because of the fact that I take care of

3:08:21.080 --> 3:08:26.200
<v Speaker 1>everybody in my family. You feel that, but at the

3:08:26.320 --> 3:08:30.000
<v Speaker 1>same time, but at the same time, you decided to

3:08:30.080 --> 3:08:32.760
<v Speaker 1>be married, you decided to take that choice, you decided

3:08:32.760 --> 3:08:36.800
<v Speaker 1>to take that step. That is you saying that though

3:08:36.920 --> 3:08:40.200
<v Speaker 1>you understand, you have the right to do whatever the

3:08:40.280 --> 3:08:41.760
<v Speaker 1>funk you want to do, whatever the funk you want

3:08:41.760 --> 3:08:44.120
<v Speaker 1>to do, because you provide for your whole family, You

3:08:44.160 --> 3:08:49.800
<v Speaker 1>are deciding to consider the emotions and feelings and concern

3:08:49.879 --> 3:08:52.960
<v Speaker 1>of another person. You're you're you're deciding to do that

3:08:53.520 --> 3:08:57.160
<v Speaker 1>to choice that you're making to then turn around and

3:08:57.280 --> 3:08:59.440
<v Speaker 1>like be to then turn around and and and to

3:08:59.560 --> 3:09:03.120
<v Speaker 1>be fun up towards that, Like it's it's it's like,

3:09:03.720 --> 3:09:06.039
<v Speaker 1>it's like you sucking yourself. Fuck you know what I mean.

3:09:06.959 --> 3:09:11.080
<v Speaker 1>It's self destructive self understand mind you, I don't never,

3:09:11.280 --> 3:09:12.760
<v Speaker 1>I don't rever want of my mother fucker to feel like.

3:09:12.959 --> 3:09:16.240
<v Speaker 1>What I'm saying is that it's not it's easy. Na.

3:09:16.959 --> 3:09:20.600
<v Speaker 1>Of course, temptation wouldn't be temptation if it wasn't difficult.

3:09:20.720 --> 3:09:24.360
<v Speaker 1>Like that's the reason that it's called what it's called temptation. Yeah,

3:09:25.440 --> 3:09:27.280
<v Speaker 1>but there's a point in life where you gotta be like,

3:09:27.440 --> 3:09:31.720
<v Speaker 1>all right, do I genuinely care about this person? If

3:09:31.959 --> 3:09:34.480
<v Speaker 1>and if I genuinely care about this person, am I

3:09:34.600 --> 3:09:37.040
<v Speaker 1>going to continue doing the ship that I know is

3:09:37.160 --> 3:09:41.560
<v Speaker 1>genuinely hurting me? As person? You have to outmaneuver temptation

3:09:41.600 --> 3:09:44.960
<v Speaker 1>as well. Yeah, you know what, what what tempts you? Indeed?

3:09:45.280 --> 3:09:49.480
<v Speaker 1>Get out that absolutely absolutely? But see but see so

3:09:49.920 --> 3:10:02.119
<v Speaker 1>does it does a concept? Oh no, only anybody that's

3:10:02.160 --> 3:10:05.440
<v Speaker 1>never seen Neo's head, and it's just just it's just

3:10:05.520 --> 3:10:08.600
<v Speaker 1>a big gas head. The baby. That's it. That's it.

3:10:09.240 --> 3:10:12.800
<v Speaker 1>Ain't nothing wrong and no bucals and a weird tree.

3:10:15.520 --> 3:10:32.520
<v Speaker 1>That's all it is. If m m m m damn,

3:10:32.600 --> 3:10:35.480
<v Speaker 1>my brother, you Yo, you really allegend, though, Bro, you

3:10:35.600 --> 3:10:38.640
<v Speaker 1>really allegend. You really kept it to the R and

3:10:38.720 --> 3:10:44.080
<v Speaker 1>B core. If you know what's strange, I'm gonna tell

3:10:44.080 --> 3:10:52.600
<v Speaker 1>you my my compliment has changed so like now like

3:10:53.120 --> 3:10:54.960
<v Speaker 1>people will run up on me and be like, yo,

3:10:56.000 --> 3:10:59.920
<v Speaker 1>you were my entire high school career, like my entire

3:11:00.120 --> 3:11:08.880
<v Speaker 1>high school experience was you. I'm forty two right names.

3:11:10.320 --> 3:11:15.119
<v Speaker 1>But I have to accept that that is a compliment

3:11:15.280 --> 3:11:17.960
<v Speaker 1>for nigger to be like, yo, you thought it wasn't

3:11:18.640 --> 3:11:21.000
<v Speaker 1>I loved Jim music since I was eleven years old,

3:11:21.080 --> 3:11:25.280
<v Speaker 1>And I'm like, oh shit, oh wow, can I stop

3:11:25.320 --> 3:11:26.560
<v Speaker 1>you for one second. Let me just tell you what

3:11:26.680 --> 3:11:29.320
<v Speaker 1>niggas tell me, Like I did a big to your ship.

3:11:29.440 --> 3:11:35.120
<v Speaker 1>That's fucked up. Why don't you're like back in the day,

3:11:35.240 --> 3:11:38.240
<v Speaker 1>let's be like world up. I'm like, I'm like, my nigger,

3:11:38.280 --> 3:11:41.400
<v Speaker 1>do I owe you someone? Like why didn't you want

3:11:41.480 --> 3:11:43.240
<v Speaker 1>didn't you go to jail for me? Why did you

3:11:43.320 --> 3:11:51.520
<v Speaker 1>feel like you listen to my music? Music? So at

3:11:51.560 --> 3:11:56.640
<v Speaker 1>least but they made mute, they made babies. Yeah, No,

3:11:56.800 --> 3:12:01.039
<v Speaker 1>it's just I feel like the music industry is very

3:12:01.120 --> 3:12:05.800
<v Speaker 1>good at, uh hiding from you, from you the fact

3:12:05.879 --> 3:12:11.400
<v Speaker 1>that you were aging. They're forty two years old. That

3:12:11.520 --> 3:12:19.200
<v Speaker 1>listener after her, he agent, you're looking good. No no, no, no,

3:12:19.320 --> 3:12:22.280
<v Speaker 1>no no, no, I'm nothing. I'm handsome as funk. I

3:12:22.360 --> 3:12:25.680
<v Speaker 1>know that, say that. I say that with zero ego.

3:12:25.720 --> 3:12:30.000
<v Speaker 1>I'm a beautiful motherfucker. What I'm saying is to know

3:12:30.320 --> 3:12:32.960
<v Speaker 1>that my album came out and like, oh what it was?

3:12:33.080 --> 3:12:37.640
<v Speaker 1>Oh six oh six were in you know what I'm saying,

3:12:37.760 --> 3:12:41.560
<v Speaker 1>Like he came out of oh six were two years after?

3:12:41.680 --> 3:12:49.200
<v Speaker 1>I don't know, and you know your officiology. But yeah,

3:12:49.440 --> 3:12:52.200
<v Speaker 1>so it's it's like I'm either uncle or o g now.

3:12:53.240 --> 3:12:56.200
<v Speaker 1>And it's different. It's different from when I first came

3:12:56.240 --> 3:12:58.520
<v Speaker 1>out and the love that I would get when I

3:12:58.560 --> 3:13:00.560
<v Speaker 1>first came out versus the love that I get now.

3:13:00.920 --> 3:13:03.720
<v Speaker 1>It's still loves, but it's a different kind of love.

3:13:03.800 --> 3:13:06.240
<v Speaker 1>It's like I grew up to you the type of

3:13:06.320 --> 3:13:10.680
<v Speaker 1>love and and I mean I guess it's just me.

3:13:11.040 --> 3:13:13.400
<v Speaker 1>Like when I'm in the moment, when I'm moving to shaking,

3:13:13.840 --> 3:13:16.560
<v Speaker 1>I don't realize the time this passing. Like Nigga, we

3:13:16.720 --> 3:13:21.400
<v Speaker 1>we toured off of in my own work, not in

3:13:21.440 --> 3:13:24.360
<v Speaker 1>my own words. You're the gentleman. We toured off a

3:13:24.440 --> 3:13:27.640
<v Speaker 1>year to the general for three years straight. We're talking

3:13:27.640 --> 3:13:33.840
<v Speaker 1>about this Niga on the road three years. You come

3:13:33.879 --> 3:13:36.680
<v Speaker 1>home for two days and you back out like three

3:13:36.800 --> 3:13:44.280
<v Speaker 1>years straight. Once that ship is done and you come

3:13:44.360 --> 3:13:47.320
<v Speaker 1>home and it's like, oh, ship Nigga, we did win

3:13:47.400 --> 3:13:50.360
<v Speaker 1>three Grammys. Oh ship Nigga. We did. We did sell

3:13:50.440 --> 3:13:53.400
<v Speaker 1>this many records. Oh ship Nigga, we did do Wimbley

3:13:53.440 --> 3:13:56.480
<v Speaker 1>Stadium eighty thousand. Motherfucker's jumping up and jumping up and

3:13:56.520 --> 3:13:58.920
<v Speaker 1>down at the same time, Like you know what I'm saying,

3:13:58.959 --> 3:14:02.040
<v Speaker 1>It hits you all at one moment, like yo, we

3:14:02.200 --> 3:14:05.120
<v Speaker 1>have fucking we have made moves in this ship, but

3:14:05.280 --> 3:14:09.600
<v Speaker 1>not until until you sit still. So to sit still now,

3:14:09.720 --> 3:14:12.120
<v Speaker 1>it's like I'm forty two years old, you know what

3:14:12.160 --> 3:14:16.360
<v Speaker 1>I'm saying. And I'll do these little walk through these

3:14:16.400 --> 3:14:19.840
<v Speaker 1>little host things or whatever, and it's like a little

3:14:19.920 --> 3:14:21.879
<v Speaker 1>chicks run up on me. Like, oh my god, I've

3:14:21.920 --> 3:14:25.360
<v Speaker 1>loved you since I was twelve, and it's like, how

3:14:25.400 --> 3:14:29.320
<v Speaker 1>do you take that? You know? I mean, it's love,

3:14:29.560 --> 3:14:32.560
<v Speaker 1>She's given love. I've loved you since I was twelve,

3:14:32.720 --> 3:14:34.960
<v Speaker 1>So sick came out when I was twelve years old.

3:14:36.640 --> 3:14:40.520
<v Speaker 1>Fuck she's but listen, listen, you know how you take this.

3:14:41.120 --> 3:14:43.640
<v Speaker 1>Let's let's think about the icons we've spoke about on

3:14:43.760 --> 3:14:49.680
<v Speaker 1>the show already, the Stevie Wonders, the Bobby Browns, the

3:14:49.800 --> 3:14:57.160
<v Speaker 1>Michael Jackson's, the Princess. It's generational. Age is age. We're

3:14:57.280 --> 3:15:04.920
<v Speaker 1>all gonna age understand age to do it. That's no, no, no,

3:15:05.080 --> 3:15:08.039
<v Speaker 1>that's reality. That's that's actually true. I'm like, yo, I'm

3:15:08.080 --> 3:15:09.720
<v Speaker 1>not gonna try fuck it. This is good. I didn't

3:15:09.720 --> 3:15:12.440
<v Speaker 1>think it was good white, but that's another story. Good,

3:15:12.800 --> 3:15:15.880
<v Speaker 1>he's good. He's good. But it's true. It's ages, and

3:15:16.000 --> 3:15:21.360
<v Speaker 1>that doesn't make sense. We're all do it. We want

3:15:21.360 --> 3:15:24.039
<v Speaker 1>to be legend. Look and what we're doing in entertainment.

3:15:24.640 --> 3:15:26.720
<v Speaker 1>Listen to the legends that we talked about, the icons

3:15:26.760 --> 3:15:30.440
<v Speaker 1>we've spoken about. You can't let that bother you because

3:15:30.480 --> 3:15:36.160
<v Speaker 1>you are leading to that icon status. You want to

3:15:36.200 --> 3:15:40.640
<v Speaker 1>be that person that transcends generations, not that one eleven

3:15:40.720 --> 3:15:42.680
<v Speaker 1>year old or that seventeen year old, or someone calls

3:15:42.720 --> 3:15:46.200
<v Speaker 1>it o G. Someone calls you onto your own gole

3:15:46.320 --> 3:15:50.600
<v Speaker 1>or whatever your fingers. That don't matter. M that's real.

3:15:50.920 --> 3:15:54.560
<v Speaker 1>That's real with ticktok'll funk with TikTok. I have I

3:15:54.640 --> 3:15:57.000
<v Speaker 1>have a I have a love hate relationship with TikTok.

3:15:57.480 --> 3:16:01.000
<v Speaker 1>It feels say that because mind you, because of TikTok.

3:16:02.200 --> 3:16:05.080
<v Speaker 1>My my record because of you is charting right now.

3:16:05.360 --> 3:16:08.000
<v Speaker 1>You know what I'm saying. That's from my second fucking album.

3:16:08.240 --> 3:16:10.600
<v Speaker 1>I've been here damn to twenty years. A song from

3:16:10.640 --> 3:16:15.800
<v Speaker 1>my second album's charting because of TikTok because some little

3:16:15.840 --> 3:16:19.160
<v Speaker 1>cats somewhere decided to get on there and and and

3:16:19.360 --> 3:16:23.440
<v Speaker 1>and figure out to dance whatever to my ship. So

3:16:23.600 --> 3:16:28.920
<v Speaker 1>I can't I can't ever, I can't what I'm saying,

3:16:29.080 --> 3:16:31.280
<v Speaker 1>I can't ever feel a way about TikTok because that

3:16:31.600 --> 3:16:36.440
<v Speaker 1>that reality is reality. However, at the same time, there

3:16:36.480 --> 3:16:40.240
<v Speaker 1>are songs that I've discovered via TikTok. There's artists that

3:16:40.360 --> 3:16:44.000
<v Speaker 1>I've discovered via TikTok, And it's like what happens more

3:16:44.080 --> 3:16:47.040
<v Speaker 1>often than not is that you hear the song on

3:16:47.120 --> 3:16:50.920
<v Speaker 1>TikTok for the first time, well whatever, you know, clever

3:16:51.040 --> 3:16:55.360
<v Speaker 1>ass video or creative whatever, whatever the case may be.

3:16:56.040 --> 3:16:58.920
<v Speaker 1>And then you go to Apple Music, you go to Spotify,

3:16:59.120 --> 3:17:02.000
<v Speaker 1>pandor or whatever Top two, and you listen to the

3:17:02.080 --> 3:17:06.200
<v Speaker 1>whole record and you realize the only part of the

3:17:06.280 --> 3:17:14.480
<v Speaker 1>song that you like is the TikTok that is damaging there,

3:17:14.760 --> 3:17:17.199
<v Speaker 1>that is damaging to the point where there's literally cats

3:17:17.320 --> 3:17:22.000
<v Speaker 1>going to the studio creating records specifically for the TikTok.

3:17:24.360 --> 3:17:27.360
<v Speaker 1>You get fifteen minutes of quality, you get thirty minutes

3:17:27.400 --> 3:17:30.160
<v Speaker 1>of quality. Anything after that it don't even fucking matter

3:17:30.360 --> 3:17:33.040
<v Speaker 1>because you got your fifteen seconds. You got your fifteen

3:17:33.160 --> 3:17:35.840
<v Speaker 1>your thirty seconds, right, you know what I mean. So

3:17:36.160 --> 3:17:40.720
<v Speaker 1>that's that's the love and hate again. I've discovered artists

3:17:40.760 --> 3:17:45.120
<v Speaker 1>off of TikTok. I've discovered music off of TikTok. But

3:17:45.240 --> 3:17:47.360
<v Speaker 1>at the same time, for a cat to go into

3:17:47.440 --> 3:17:51.199
<v Speaker 1>the studio and create art based off of what based

3:17:51.240 --> 3:17:55.840
<v Speaker 1>off of the boundaries that TikTok has created, that's a

3:17:55.959 --> 3:17:59.119
<v Speaker 1>problem for me personally, you know what I mean, that's

3:17:59.120 --> 3:18:02.640
<v Speaker 1>a problem for me. I had to accept the fact

3:18:02.720 --> 3:18:08.840
<v Speaker 1>that as music evolves. Attentions fans are shorter. Now, so

3:18:09.000 --> 3:18:11.080
<v Speaker 1>where you know, shout out to the boy, what's what's

3:18:11.360 --> 3:18:15.000
<v Speaker 1>what's my boy? Cappella? Cappella Gray, what's his name? It's

3:18:15.040 --> 3:18:20.240
<v Speaker 1>about the gallus Gallas. This is my palace. But I'm

3:18:20.240 --> 3:18:23.240
<v Speaker 1>gonna do this song is like two songs amazing. Don't

3:18:23.240 --> 3:18:26.400
<v Speaker 1>talk about shouted to the boy I made you Cappella Gray.

3:18:26.520 --> 3:18:28.280
<v Speaker 1>I don't know his name. I'm whack. I'm right now,

3:18:28.360 --> 3:18:31.080
<v Speaker 1>but shout out to him. But but that is just

3:18:31.920 --> 3:18:35.279
<v Speaker 1>prime example of the fact that attention spans are shorter.

3:18:35.480 --> 3:18:38.960
<v Speaker 1>Now that that's not a like for the standard of

3:18:39.080 --> 3:18:41.720
<v Speaker 1>what a song is supposed to be. That's not a

3:18:41.800 --> 3:18:45.840
<v Speaker 1>full So it's two it's two minutes, it's a two

3:18:45.920 --> 3:18:53.320
<v Speaker 1>minute records shorter. Second, bro right, this is TikTok's This

3:18:53.480 --> 3:18:59.040
<v Speaker 1>is TikTok's uh algorithm. Yeah, this is there, this is

3:18:59.360 --> 3:19:03.000
<v Speaker 1>this is why it is what it is. TikTok text

3:19:03.160 --> 3:19:06.800
<v Speaker 1>has created this to where anything over two minutes too long.

3:19:07.879 --> 3:19:10.600
<v Speaker 1>Then they banked on the fact that attention spans are shorter,

3:19:11.160 --> 3:19:14.560
<v Speaker 1>and they and and they played to that you get

3:19:14.640 --> 3:19:18.720
<v Speaker 1>fifteen seconds. That does that make you make records different?

3:19:19.920 --> 3:19:23.360
<v Speaker 1>Not me? That will make an artist make records different.

3:19:23.760 --> 3:19:26.400
<v Speaker 1>But I don't make music specifically for TikTok. I make

3:19:26.520 --> 3:19:29.640
<v Speaker 1>music for people. Now, if a person finds it within

3:19:29.760 --> 3:19:32.560
<v Speaker 1>theirselfs to take fifteen seconds of a song that I

3:19:32.640 --> 3:19:36.240
<v Speaker 1>created and do something TikTok to it, I'm not gonna

3:19:36.280 --> 3:19:38.920
<v Speaker 1>stand in this way. But I will never go in

3:19:38.959 --> 3:19:42.640
<v Speaker 1>the studio like, all right, let's create some records. I'm

3:19:42.680 --> 3:19:47.400
<v Speaker 1>not that's I'm not doing that. I'm not doing I'm

3:19:47.440 --> 3:19:50.320
<v Speaker 1>not doing Come on. I came in, but I came

3:19:50.400 --> 3:19:52.960
<v Speaker 1>up in an era where Luther Andres could do a

3:19:53.000 --> 3:19:55.480
<v Speaker 1>ten minutes song and he didn't realize it was ten

3:19:55.480 --> 3:19:58.480
<v Speaker 1>minutes until it was over. You know I'm talking about

3:19:58.959 --> 3:20:02.440
<v Speaker 1>because you was just in the whole time, every fun,

3:20:02.640 --> 3:20:07.200
<v Speaker 1>every swell, every lyric, every every fucking uh violin lick

3:20:07.480 --> 3:20:10.600
<v Speaker 1>whatever that you was in, and then the ship was over,

3:20:10.720 --> 3:20:15.840
<v Speaker 1>and you're like, oh ship, but in minutes. That's where

3:20:15.879 --> 3:20:19.400
<v Speaker 1>I come from. That's where I come from. And to

3:20:19.520 --> 3:20:21.800
<v Speaker 1>truly get your point across, I'm sorry. Sometimes to take

3:20:21.840 --> 3:20:23.800
<v Speaker 1>a look takes a little longer than two minutes. It

3:20:23.879 --> 3:20:28.359
<v Speaker 1>takes a little longer than you know. In my opinion,

3:20:29.120 --> 3:20:32.480
<v Speaker 1>it might be you need three verses. Yeah, at least

3:20:32.959 --> 3:20:35.960
<v Speaker 1>at least so let me ask you out. When John

3:20:36.080 --> 3:20:39.080
<v Speaker 1>comes to you, that actually about so he said Tanna earlier.

3:20:39.320 --> 3:20:42.119
<v Speaker 1>I don't know if you called it. But Elton John

3:20:42.640 --> 3:20:46.960
<v Speaker 1>comes to you, Old John says, I want you the

3:20:47.040 --> 3:20:52.280
<v Speaker 1>writer record for me. But it gives you the subject matter.

3:20:52.560 --> 3:20:55.720
<v Speaker 1>It's not necessarily something that you are part of your

3:20:55.800 --> 3:20:59.320
<v Speaker 1>straight man. Yes, we want to stand there, but John

3:20:59.440 --> 3:21:02.640
<v Speaker 1>want to go ranching right, he wanted to do that.

3:21:03.000 --> 3:21:06.240
<v Speaker 1>How do you how do you go about saying, oh, John,

3:21:06.320 --> 3:21:11.440
<v Speaker 1>I got you to be a To be a songwriter,

3:21:12.680 --> 3:21:15.240
<v Speaker 1>to step out in front of the world and declare

3:21:15.320 --> 3:21:20.160
<v Speaker 1>yourself a songwriter is to declare yourself a public servant,

3:21:21.440 --> 3:21:25.119
<v Speaker 1>meaning I am a person that writes music for the world.

3:21:25.720 --> 3:21:28.200
<v Speaker 1>I'm a person that writes music for the world to enjoy.

3:21:28.840 --> 3:21:31.280
<v Speaker 1>If Elton John comes to me and says he wants

3:21:31.360 --> 3:21:35.440
<v Speaker 1>to write a gay anthem, but I'm not gay. But

3:21:35.560 --> 3:21:37.480
<v Speaker 1>he comes to me and says he likes the way

3:21:37.560 --> 3:21:41.039
<v Speaker 1>that I use words, then I'm gonna jump in. I'm

3:21:41.040 --> 3:21:43.640
<v Speaker 1>gonna jump in. And that's what it's that. That's that's

3:21:43.640 --> 3:21:44.840
<v Speaker 1>what I try to get a lot of these young

3:21:44.959 --> 3:21:49.960
<v Speaker 1>songwriters to understand. The more versaustl you are, the bigger

3:21:50.000 --> 3:21:53.160
<v Speaker 1>the potential for your bag. If a gay artist comes

3:21:53.160 --> 3:21:54.959
<v Speaker 1>to you and ask for a song and you're not gay,

3:21:56.160 --> 3:21:58.240
<v Speaker 1>so what You're not gonna write the song doesn't mean

3:21:58.280 --> 3:22:00.720
<v Speaker 1>you're The way you write it is for you, it's

3:22:01.440 --> 3:22:04.119
<v Speaker 1>no you find you find a way to tap into

3:22:04.320 --> 3:22:07.920
<v Speaker 1>their ship. You find a way. That's I got into songwriting.

3:22:08.000 --> 3:22:12.120
<v Speaker 1>I can't friend about this. I got into songwriting because

3:22:12.160 --> 3:22:15.440
<v Speaker 1>of the ability to not be me. There was a

3:22:15.480 --> 3:22:17.400
<v Speaker 1>point in my life where I ain't want to be me.

3:22:17.680 --> 3:22:19.560
<v Speaker 1>I ain't want to I ain't want my reality. I

3:22:19.680 --> 3:22:23.680
<v Speaker 1>want any other reality but mine. Songwriting allows that. If

3:22:23.680 --> 3:22:25.880
<v Speaker 1>I write a song for Beyonce in that moment, I'm

3:22:25.959 --> 3:22:30.520
<v Speaker 1>sucking Beyonce, Goddamn, I'm I'm hurt, I'm here, I'm whoever

3:22:30.640 --> 3:22:33.320
<v Speaker 1>the fuck? You know what I'm saying, I'm not I'm

3:22:33.360 --> 3:22:38.440
<v Speaker 1>not me, And that was the the attraction to songwriting. Initially.

3:22:38.560 --> 3:22:40.360
<v Speaker 1>I ain't want to be me for a minute. You

3:22:40.400 --> 3:22:42.840
<v Speaker 1>know what I'm saying. It's it's it's it's it's deep,

3:22:42.879 --> 3:22:44.800
<v Speaker 1>and it's darkness, dumb, and I don't want to go there.

3:22:44.920 --> 3:22:47.160
<v Speaker 1>But there was a point in my life where anything

3:22:47.320 --> 3:22:50.520
<v Speaker 1>outside of who I was was good for me, and

3:22:50.680 --> 3:22:54.680
<v Speaker 1>that's what helped me really lock into songwriting, you know

3:22:54.720 --> 3:22:57.480
<v Speaker 1>what I mean. So if you're writing for somebody other

3:22:57.560 --> 3:23:00.920
<v Speaker 1>than yourself, you have to consider the fact that you're

3:23:00.959 --> 3:23:05.240
<v Speaker 1>writing for somebody other than you. This is not about

3:23:06.160 --> 3:23:09.840
<v Speaker 1>a person that likes Mexican food and digs of color red. No,

3:23:10.080 --> 3:23:13.720
<v Speaker 1>you're writing for somebody else. This is somebody outside of you.

3:23:13.879 --> 3:23:17.280
<v Speaker 1>This motherfucker likes purple and and and fucking Italian food,

3:23:17.320 --> 3:23:20.520
<v Speaker 1>whatever the fuck. Whatever the fuck, you lock into that

3:23:20.680 --> 3:23:24.080
<v Speaker 1>and you're right from there. That's that's that's how I've

3:23:24.120 --> 3:23:26.280
<v Speaker 1>always got it in and that ship is works for me.

3:23:27.240 --> 3:23:30.440
<v Speaker 1>Anybody could come to you, anybody write a subject about

3:23:30.440 --> 3:23:33.560
<v Speaker 1>anybody like abody, if a person like pistachio ice cream.

3:23:34.080 --> 3:23:40.680
<v Speaker 1>M hm hm no, no, no, because I see what

3:23:40.760 --> 3:23:43.880
<v Speaker 1>you're doing. Go and you have you ever had past

3:23:44.560 --> 3:23:46.959
<v Speaker 1>I have. I'm not a fan. I'm not a fan.

3:23:49.600 --> 3:23:53.360
<v Speaker 1>And Beyonce came to me and said, yo, I love

3:23:53.520 --> 3:23:55.760
<v Speaker 1>pistachio ice cream and I want to sing about it.

3:23:57.240 --> 3:24:00.600
<v Speaker 1>I'm gonna writer. I don't write, just want to make

3:24:00.720 --> 3:24:04.640
<v Speaker 1>you like pistachio ice cream. If you don't your cream.

3:24:05.160 --> 3:24:08.520
<v Speaker 1>You will do something like it too. I'm gonna write

3:24:08.560 --> 3:24:10.320
<v Speaker 1>this song to make you go yo. I ain't never

3:24:10.400 --> 3:24:15.400
<v Speaker 1>had pistetio ice cream, but let's get some. I'm gonna

3:24:15.400 --> 3:24:18.920
<v Speaker 1>write that record. That's that's the that's the mentality, you

3:24:19.000 --> 3:24:21.199
<v Speaker 1>know what I'm saying. That's that's what it is. Ice

3:24:21.280 --> 3:24:23.959
<v Speaker 1>King in Queens, New York. That was y'all shout out

3:24:23.959 --> 3:24:30.000
<v Speaker 1>because that's my favorite Italian excuse me, ice cream shout

3:24:30.040 --> 3:24:36.320
<v Speaker 1>out for staff your ice cream. I'm sorry, well I would, Yes,

3:24:36.959 --> 3:24:38.960
<v Speaker 1>you want to smoke a blood with me, I've been

3:24:39.800 --> 3:24:43.520
<v Speaker 1>I've been smoking a blood. Let's smoke a blood together,

3:24:43.760 --> 3:24:47.360
<v Speaker 1>real blood. Give my blood blood. Listen. I came here

3:24:47.440 --> 3:24:53.440
<v Speaker 1>from the airport, right, we try to give straight here.

3:24:54.480 --> 3:24:56.680
<v Speaker 1>The newcases in the back room over there, all right, okay,

3:24:57.040 --> 3:25:01.840
<v Speaker 1>funk with y'all. It's like funk with y'all. I just

3:25:02.200 --> 3:25:04.800
<v Speaker 1>I've worked hard enough in this business to be like, hey,

3:25:05.280 --> 3:25:08.320
<v Speaker 1>I understand y'all got a time frame, but I'm gonna

3:25:08.320 --> 3:25:10.840
<v Speaker 1>go to the hotel and get my ships straight and

3:25:10.879 --> 3:25:14.280
<v Speaker 1>get him with y'all. I've worked hard enough to you

3:25:14.680 --> 3:25:26.120
<v Speaker 1>to demand that. Came here the airport when job you

3:25:26.240 --> 3:25:28.280
<v Speaker 1>know why you know why, I'm gonna be honest. Man,

3:25:28.720 --> 3:25:31.400
<v Speaker 1>were so artists friendly, were so artists basic, and we

3:25:31.520 --> 3:25:34.640
<v Speaker 1>so the thing about it is, I've lived this life

3:25:34.879 --> 3:25:38.360
<v Speaker 1>that you're living. I lived it, and I want to

3:25:38.480 --> 3:25:40.960
<v Speaker 1>I want to salute it, like I love this life

3:25:41.000 --> 3:25:43.880
<v Speaker 1>so much. Has changed my life. Like I literally had

3:25:44.000 --> 3:25:45.880
<v Speaker 1>six months to find a job when I came home

3:25:45.920 --> 3:25:49.600
<v Speaker 1>from jail, and my job that I found was hip hop.

3:25:51.080 --> 3:25:53.880
<v Speaker 1>That's saved my life. So this is my way of

3:25:53.959 --> 3:25:56.440
<v Speaker 1>giving back, And this is my way of seeing people

3:25:56.520 --> 3:26:01.240
<v Speaker 1>like you, you know who came up probably after me,

3:26:01.840 --> 3:26:05.760
<v Speaker 1>but you came up and you got that. You deserve

3:26:05.840 --> 3:26:08.840
<v Speaker 1>your flowers, You deserved people to tell you how great

3:26:08.920 --> 3:26:11.880
<v Speaker 1>you are to your motherfucking face. And I'm gonna do it.

3:26:12.360 --> 3:26:14.480
<v Speaker 1>And then you don't take nothing away from me. I

3:26:14.520 --> 3:26:16.560
<v Speaker 1>don't take nothing. I'm still I'm still the ill nigger

3:26:16.600 --> 3:26:20.520
<v Speaker 1>that I am. But to tell you that motherfucking Neo

3:26:20.640 --> 3:26:28.840
<v Speaker 1>is a motherfucking and all the ship you did and

3:26:29.240 --> 3:26:31.920
<v Speaker 1>continue to do, and all the artists that you work with.

3:26:32.000 --> 3:26:34.400
<v Speaker 1>When I looked at your discography, and I looked at

3:26:34.440 --> 3:26:36.280
<v Speaker 1>because you know that's what I do. I google, but

3:26:36.360 --> 3:26:38.920
<v Speaker 1>I like I like Foogo it's not like really Google,

3:26:39.000 --> 3:26:41.880
<v Speaker 1>like I like half freegoogl right, So because guys, but

3:26:42.200 --> 3:26:45.240
<v Speaker 1>all I and then when I see your name and

3:26:45.320 --> 3:26:48.280
<v Speaker 1>when I see your name attached to all these other names,

3:26:48.320 --> 3:26:51.280
<v Speaker 1>and I was just like, damn, this is this is

3:26:51.400 --> 3:26:54.160
<v Speaker 1>so dope for my homie to come because because I

3:26:54.320 --> 3:26:56.920
<v Speaker 1>know you from back there, but but for my homie

3:26:57.000 --> 3:26:59.920
<v Speaker 1>to come and bless us because that's what you choose

3:27:00.160 --> 3:27:01.600
<v Speaker 1>is you could have been in any world in the

3:27:01.720 --> 3:27:05.440
<v Speaker 1>world tonight. You can't here though, but you're here with

3:27:05.560 --> 3:27:15.320
<v Speaker 1>drink chance, So thank you so much. And don't mix

3:27:15.400 --> 3:27:18.440
<v Speaker 1>that drink. Hit it straight cast. So bo up now.

3:27:18.520 --> 3:27:23.040
<v Speaker 1>I was too late. Don't mix that drink. It's straight cast.

3:27:23.160 --> 3:27:26.439
<v Speaker 1>So bo up now, I was too late. Drink Japanese

3:27:26.520 --> 3:27:32.160
<v Speaker 1>whiskey preferably yeah Zaka eight teams. Definitely, I still got you,

3:27:32.640 --> 3:27:35.200
<v Speaker 1>like who got out? You spending big money since big

3:27:35.320 --> 3:27:37.959
<v Speaker 1>hat who shot you? Time? And is everything? So why

3:27:38.040 --> 3:27:40.920
<v Speaker 1>you gotta whack watch? I got security and snipers on

3:27:40.959 --> 3:27:43.640
<v Speaker 1>the black block. They thinking Keto when I'm saying one

3:27:43.720 --> 3:27:46.080
<v Speaker 1>mill of day, ain't talking fact that when I'm talking

3:27:46.160 --> 3:27:48.760
<v Speaker 1>one mill of day, could probably double it by leaving

3:27:48.800 --> 3:27:52.000
<v Speaker 1>out the country before keep my at home. I'm happy, mom,

3:27:52.040 --> 3:27:55.920
<v Speaker 1>fleet secure like Ray. I interview with Isasa raymore blush

3:27:56.000 --> 3:27:58.120
<v Speaker 1>against the hips that be on Lisa Ray wikes that

3:27:58.320 --> 3:28:01.120
<v Speaker 1>drink and it's straight and it's cast. So for up now,

3:28:01.160 --> 3:28:04.440
<v Speaker 1>I was too late. Don't make that drink and it's

3:28:04.480 --> 3:28:07.400
<v Speaker 1>straight cast, So war up now, I was too late

3:28:08.480 --> 3:28:14.040
<v Speaker 1>coming drink with me. Get shook and drunk to come

3:28:14.160 --> 3:28:19.280
<v Speaker 1>and drink with me. Get your coups to come through time.

3:28:19.320 --> 3:28:22.960
<v Speaker 1>I'm really happy. I'm really yeappy, really drinking your jews

3:28:23.000 --> 3:28:26.879
<v Speaker 1>because y'all drink pappy fad winkle. My suits don't winkle.

3:28:27.160 --> 3:28:31.040
<v Speaker 1>Always had the piss. I never had the twinkle, nor remasculine.

3:28:31.440 --> 3:28:34.240
<v Speaker 1>We had Tomasgulate, big boy trumps in the big boys.

3:28:34.280 --> 3:28:36.360
<v Speaker 1>We had to left. I see they claiming that they

3:28:36.480 --> 3:28:39.040
<v Speaker 1>rich to the bill, come to they accident or I

3:28:39.120 --> 3:28:41.520
<v Speaker 1>got him, like they tell drawing a new life to me,

3:28:41.680 --> 3:28:44.959
<v Speaker 1>like new life to me is cocaine a whole new

3:28:45.080 --> 3:28:47.920
<v Speaker 1>white to me? I see they copy me without a gun.

3:28:48.000 --> 3:28:51.480
<v Speaker 1>It's still a robbery drink. Chances a phenomenalone looks that

3:28:51.640 --> 3:28:54.560
<v Speaker 1>drink and it's straight cast, So w up now, I

3:28:54.720 --> 3:28:59.080
<v Speaker 1>was too late, don't make that drink and it's straight cast.

3:28:59.120 --> 3:29:03.000
<v Speaker 1>So up now it's too late. Come in drink with me,

3:29:03.440 --> 3:29:08.960
<v Speaker 1>Get get drunk, to come in drink with me, Get

3:29:11.120 --> 3:29:15.280
<v Speaker 1>come through. Thanks for joining us for another episode of

3:29:15.360 --> 3:29:17.840
<v Speaker 1>Drink Champs, hosted by Yours truly, d J E F

3:29:18.320 --> 3:29:20.440
<v Speaker 1>and n O r E. Please make sure to follow

3:29:20.520 --> 3:29:23.080
<v Speaker 1>us on all our socials. Let's add Drink Champs across

3:29:23.120 --> 3:29:27.439
<v Speaker 1>all platforms at the Real Noriegan I g at Noriega

3:29:27.480 --> 3:29:30.200
<v Speaker 1>on Twitter, mine is at Who's Crazy on I g

3:29:31.000 --> 3:29:33.800
<v Speaker 1>at d J e f N on Twitter, and most importantly,

3:29:33.840 --> 3:29:36.640
<v Speaker 1>stay up to date with the latest releases, news and

3:29:36.840 --> 3:29:46.320
<v Speaker 1>merge by going to drink Champs dot com. For more

3:29:46.400 --> 3:29:49.680
<v Speaker 1>podcasts from my Heart Radio, visit the iHeart Radio app,

3:29:50.280 --> 3:29:53.320
<v Speaker 1>Apple podcast, or wherever you listen to your favorite shows.