1 00:00:01,400 --> 00:00:04,360 Speaker 1: Hey, time travelers, This is Heather iron Horn, co creator 2 00:00:04,400 --> 00:00:07,880 Speaker 1: of Nicki Fixes Time Mix Up. Next, be kind and 3 00:00:08,000 --> 00:00:10,600 Speaker 1: rewind to the nineties for a most epic episode of 4 00:00:10,680 --> 00:00:13,600 Speaker 1: Nicki Fix. But first, a quick word from our sponsor, 5 00:00:17,400 --> 00:00:20,760 Speaker 1: iron Horn's Epic productions, and I Heart Radio present Nikki 6 00:00:20,840 --> 00:00:29,200 Speaker 1: Fixes Time mix What have you done? You destroyed the guitar? 7 00:00:30,080 --> 00:00:34,640 Speaker 1: Why you belong here in this arena, on that stage 8 00:00:35,080 --> 00:00:38,760 Speaker 1: right now is your time? Summer that was my only 9 00:00:38,800 --> 00:00:42,960 Speaker 1: way home. Your home is with me. This is my destiny, 10 00:00:43,040 --> 00:00:47,120 Speaker 1: our destiny. Do you realize everything I put into making 11 00:00:47,120 --> 00:00:51,120 Speaker 1: this happen, into getting the label, the promoters, the radio stations, 12 00:00:51,560 --> 00:00:55,720 Speaker 1: the entire machine that runs this industry to rally behind you, 13 00:00:56,080 --> 00:00:58,320 Speaker 1: because it could have been a thousand other girls, but 14 00:00:58,440 --> 00:01:02,280 Speaker 1: I made it happen for you. Listen to that crowd chanting. 15 00:01:02,400 --> 00:01:08,080 Speaker 1: Your name is not my name, My name is Nikki. 16 00:01:08,520 --> 00:01:12,680 Speaker 1: But as Summer, you're more, you're better. That's your potential 17 00:01:12,720 --> 00:01:16,440 Speaker 1: out there, your future. However, Ben made that guitar. It 18 00:01:16,520 --> 00:01:19,959 Speaker 1: was just like him, a ticket to nowhere. You won't 19 00:01:19,959 --> 00:01:24,119 Speaker 1: get away with this, Dante. I just did. Now you 20 00:01:24,440 --> 00:01:26,720 Speaker 1: slap a smile on your face, get on stage and 21 00:01:26,760 --> 00:01:48,480 Speaker 1: start singing, well, what are you waiting for? You promised 22 00:01:48,480 --> 00:01:52,080 Speaker 1: these people a show. You promised them summer rains. Time 23 00:01:52,120 --> 00:01:55,080 Speaker 1: to be a big girl and keep your promises. No, 24 00:01:55,560 --> 00:01:59,120 Speaker 1: I'm done, Dante. I won't do it. I'm done being Summer. 25 00:01:59,560 --> 00:02:03,800 Speaker 1: It's for a girl. Be quiet. You and you, Nikki, 26 00:02:03,960 --> 00:02:07,520 Speaker 1: the summer I pulled off a miracle for you. Took 27 00:02:07,560 --> 00:02:10,120 Speaker 1: you from being nothing to having thousands of people on 28 00:02:10,160 --> 00:02:12,840 Speaker 1: the edge of their seats waiting for you to step 29 00:02:12,840 --> 00:02:17,120 Speaker 1: on stage. This isn't just your moment, it's mine. I 30 00:02:17,160 --> 00:02:19,560 Speaker 1: could have done this with anyone, and I chose you. 31 00:02:20,240 --> 00:02:22,400 Speaker 1: So it's your job to say thank you for the 32 00:02:22,440 --> 00:02:28,000 Speaker 1: opportunity and fulfill your end of the bargain. Now let's go. 33 00:02:29,919 --> 00:02:33,040 Speaker 1: All rights are right, Get your hands off me. Time 34 00:02:33,440 --> 00:02:38,080 Speaker 1: to get out there and sing hey hants off of 35 00:02:38,080 --> 00:02:48,080 Speaker 1: her pal l or what else? That if you broke it, 36 00:02:48,720 --> 00:02:51,239 Speaker 1: I just had it done. Do you know how much 37 00:02:51,320 --> 00:02:53,960 Speaker 1: that cost me? I don't care about your nose job. 38 00:02:54,040 --> 00:02:58,280 Speaker 1: You're sniveling, creepy. You're a little man. You know that. 39 00:02:58,520 --> 00:03:01,600 Speaker 1: And I let you control me for too long. I 40 00:03:01,760 --> 00:03:04,400 Speaker 1: let you make me think I didn't have any other choice. 41 00:03:04,600 --> 00:03:07,280 Speaker 1: But I have a choice now. And I choose to 42 00:03:07,320 --> 00:03:10,840 Speaker 1: give Nikki a chance. Get out of here. Don't do that, 43 00:03:11,200 --> 00:03:14,040 Speaker 1: don't go anywhere. She doesn't know what she's talking about. 44 00:03:14,240 --> 00:03:19,080 Speaker 1: Look at him, Nikki, he's terrified, terrified that he's nothing 45 00:03:19,560 --> 00:03:23,480 Speaker 1: without your talent. That's why you kept me locked away 46 00:03:23,520 --> 00:03:27,160 Speaker 1: for so long so I couldn't leave. You are afraid 47 00:03:27,160 --> 00:03:30,040 Speaker 1: that the second I realized I didn't need you, you'd 48 00:03:30,040 --> 00:03:33,119 Speaker 1: be worthless. That I'd take your top selling product out 49 00:03:33,120 --> 00:03:37,320 Speaker 1: the door with me and you'd be left with nothing. Ridiculous, Nicki. 50 00:03:37,600 --> 00:03:40,120 Speaker 1: No one else could have gotten you here. It may 51 00:03:40,160 --> 00:03:41,960 Speaker 1: be too late for me now, but I have a 52 00:03:42,040 --> 00:03:45,200 Speaker 1: chance to stop it from happening all over again. Run, 53 00:03:45,640 --> 00:03:48,280 Speaker 1: don't look back. What about you. I'll be fine as 54 00:03:48,320 --> 00:03:52,040 Speaker 1: long as you're fine. I'm you. Now go, Do not 55 00:03:52,240 --> 00:03:58,440 Speaker 1: step out that door. Wow, why oh oh jeez, it's 56 00:03:58,440 --> 00:04:01,440 Speaker 1: really broken this time. You have to go you know where. 57 00:04:01,720 --> 00:04:04,760 Speaker 1: If I never see you again. Thank you for helping 58 00:04:04,800 --> 00:04:08,600 Speaker 1: me see the truth. I can never repay you, of 59 00:04:08,640 --> 00:04:11,720 Speaker 1: course you can. All you have to do is not 60 00:04:11,880 --> 00:04:31,840 Speaker 1: become me. Now, go right, stop get away from me. 61 00:04:32,120 --> 00:04:34,760 Speaker 1: So it's starting. We have to bring you back. I'm 62 00:04:34,800 --> 00:04:44,680 Speaker 1: not going back here. Whoever you are let me go 63 00:04:45,920 --> 00:05:03,080 Speaker 1: hop in your charity. It's a wait, Stan Kevin, what 64 00:05:03,120 --> 00:05:05,320 Speaker 1: are you too doing here? We got tickets to your 65 00:05:05,400 --> 00:05:07,919 Speaker 1: big show. I mean, we're always open to being on 66 00:05:07,920 --> 00:05:10,320 Speaker 1: the list though for future reference. But when we saw 67 00:05:10,400 --> 00:05:13,520 Speaker 1: security kicking out Bobby and Lamb, we knew something was wrong. 68 00:05:13,680 --> 00:05:15,719 Speaker 1: And they told us that you were trying to get 69 00:05:15,720 --> 00:05:19,640 Speaker 1: through to you, which was confusing. What on earth does 70 00:05:19,640 --> 00:05:23,000 Speaker 1: that need? Well, it means I'm here with you because 71 00:05:23,320 --> 00:05:27,640 Speaker 1: I did get through to me. Cryptic much. Sorry, I 72 00:05:27,680 --> 00:05:31,119 Speaker 1: can't explain it any better. Well, they also said something 73 00:05:31,160 --> 00:05:34,040 Speaker 1: about finding the other guitar and that you might need 74 00:05:34,080 --> 00:05:37,200 Speaker 1: some help. So I said, Dan, we need to be 75 00:05:37,279 --> 00:05:41,440 Speaker 1: that girl's nights and shining arm. You really are you 76 00:05:41,520 --> 00:05:45,240 Speaker 1: always have been. I love you, guys, Oh my god, 77 00:05:45,279 --> 00:05:48,400 Speaker 1: I love you too. Seriously. You came into my life 78 00:05:48,440 --> 00:05:51,640 Speaker 1: a year ago I don't know where and gave me 79 00:05:51,880 --> 00:05:54,680 Speaker 1: exactly the push I needed. I told him, if that's 80 00:05:54,720 --> 00:05:57,520 Speaker 1: not a guardian angel, I don't know what is now 81 00:05:57,720 --> 00:06:01,080 Speaker 1: where to Also, there are some car jasons I need 82 00:06:01,120 --> 00:06:03,920 Speaker 1: to get to the rink, but also I need them 83 00:06:03,960 --> 00:06:10,160 Speaker 1: to not follow me. You got it? Hang on, Okay, 84 00:06:10,760 --> 00:06:13,800 Speaker 1: we're gonna lose them down this alley. I can shake 85 00:06:13,880 --> 00:06:16,520 Speaker 1: him for a few seconds, enough time for you to 86 00:06:16,600 --> 00:06:19,240 Speaker 1: jump out before they catch up. I feel like we're 87 00:06:19,240 --> 00:06:21,159 Speaker 1: in speed. Do you know how to get to the 88 00:06:21,200 --> 00:06:24,120 Speaker 1: rink from Chalmers Park Road from home? Yeah? I do. 89 00:06:24,520 --> 00:06:27,160 Speaker 1: I've been taking that walk since forever. All right, we're 90 00:06:27,200 --> 00:06:33,840 Speaker 1: coming up on it. Jump out, go. Thank you both 91 00:06:33,880 --> 00:07:08,679 Speaker 1: so much for everything, See you soon, I really hope. So, Ben, Ben, 92 00:07:08,800 --> 00:07:12,720 Speaker 1: are you here well? Bobby? I thought you went to 93 00:07:12,760 --> 00:07:15,480 Speaker 1: meet Nikki and other nicky at the Styland. We try 94 00:07:15,520 --> 00:07:18,200 Speaker 1: to get in, but my dad had a scoons looking 95 00:07:18,240 --> 00:07:20,920 Speaker 1: for us. The second we got inside, they stopped us 96 00:07:20,920 --> 00:07:23,920 Speaker 1: and threw us out. Has anyone called here? Have you 97 00:07:23,960 --> 00:07:26,600 Speaker 1: heard from either of them or from Dan and Kevin? 98 00:07:26,840 --> 00:07:30,200 Speaker 1: We saw them outside the show. Dante probably didn't think 99 00:07:30,200 --> 00:07:34,640 Speaker 1: to flag them with security. Nope, no called. What are 100 00:07:34,680 --> 00:07:37,640 Speaker 1: we going to do? Nikki will make it back here. 101 00:07:37,760 --> 00:07:41,280 Speaker 1: I know it. It's all going to be okay, and 102 00:07:41,360 --> 00:07:45,920 Speaker 1: if not, well to night. These aren't so bad. We're 103 00:07:45,960 --> 00:07:48,760 Speaker 1: going to make the best of it. You know, there's 104 00:07:48,800 --> 00:07:51,960 Speaker 1: no YouTube for like another eight years. This is the 105 00:07:51,960 --> 00:07:58,360 Speaker 1: worst in Everything about this decade is stupid, nitty right on, 106 00:07:58,600 --> 00:08:05,480 Speaker 1: cue Bobby, Liam, I'm so glad you're here, and I 107 00:08:05,560 --> 00:08:11,880 Speaker 1: have so so much to apologize for. Ben, No apology needed. 108 00:08:12,040 --> 00:08:15,720 Speaker 1: You're young, you make mistakes, you learn, you grow. I've 109 00:08:15,760 --> 00:08:17,960 Speaker 1: always meant this ring to be someplace for people to 110 00:08:18,040 --> 00:08:22,200 Speaker 1: do exactly that. You have no idea how much I 111 00:08:22,240 --> 00:08:28,560 Speaker 1: needed that. But I have bad news. Dante destroyed the guitar. 112 00:08:29,080 --> 00:08:33,000 Speaker 1: What smashed it into pieces? No? Does that mean we're 113 00:08:33,679 --> 00:08:37,440 Speaker 1: stuck here? Unless you have any other magical time traveling 114 00:08:37,440 --> 00:08:41,200 Speaker 1: instruments in your back pocket? Unleft my four dimensional two. 115 00:08:41,200 --> 00:08:43,760 Speaker 1: But back at home, what are we going to do? 116 00:08:45,800 --> 00:08:49,600 Speaker 1: You're going to let time grab you by the risk, 117 00:08:50,120 --> 00:08:57,400 Speaker 1: direct you where to go. Then the guitar you finished it? Well, 118 00:08:57,800 --> 00:09:02,160 Speaker 1: what do you think it looks? Her fixed? Exactly the same. 119 00:09:02,480 --> 00:09:04,360 Speaker 1: I thought I needed your version of it to make 120 00:09:04,360 --> 00:09:07,000 Speaker 1: the match, But then I realized if I made the 121 00:09:07,040 --> 00:09:09,559 Speaker 1: first one on instinct, then I'd have to make this 122 00:09:09,600 --> 00:09:13,040 Speaker 1: one the same way. But what about the time tone strings? 123 00:09:13,280 --> 00:09:16,760 Speaker 1: Take a look? Well, they look like the right strings. 124 00:09:16,960 --> 00:09:20,640 Speaker 1: Flip it over and look the middle time tone tag 125 00:09:20,720 --> 00:09:28,120 Speaker 1: is here. Use only genuine time tone strings. But how 126 00:09:28,640 --> 00:09:32,000 Speaker 1: well you'll never believe it. But are all grown up friends? Summer? 127 00:09:32,440 --> 00:09:35,720 Speaker 1: She added that part and wound the strings herself. So 128 00:09:35,840 --> 00:09:39,959 Speaker 1: does that mean the whole time? I don't believe it. 129 00:09:40,679 --> 00:09:44,760 Speaker 1: Believe it. She saved me at the show too. I 130 00:09:44,840 --> 00:09:47,640 Speaker 1: owe her so much. You have a whole lifetime to 131 00:09:47,640 --> 00:09:50,920 Speaker 1: pay her back. Now, I think you kids might need 132 00:09:50,960 --> 00:09:52,960 Speaker 1: the rink, and I don't want to be here for 133 00:09:53,040 --> 00:09:58,360 Speaker 1: whatever craziness is about to go down. Attention all skaters, 134 00:09:58,720 --> 00:10:01,240 Speaker 1: we sadly have to call earlier to night. Please pack 135 00:10:01,320 --> 00:10:04,840 Speaker 1: up your skates immediately. But as my way of saying sorry, 136 00:10:04,880 --> 00:10:07,400 Speaker 1: I'll be handing out cool ponds for a free night 137 00:10:07,559 --> 00:10:13,880 Speaker 1: on your way out the doors. Thank you so much, Ben, Seriously, Now, 138 00:10:14,080 --> 00:10:15,960 Speaker 1: just don't burn the place down, at least not with 139 00:10:16,040 --> 00:10:20,000 Speaker 1: you inside. Before we go. Then, I just want to 140 00:10:20,040 --> 00:10:25,880 Speaker 1: say thank you and I'm sorry. And I guess invest 141 00:10:25,960 --> 00:10:28,839 Speaker 1: in Apple, do not listen to her. We have no 142 00:10:28,920 --> 00:10:32,160 Speaker 1: information about the future, no worries. I'm not much of 143 00:10:32,200 --> 00:10:41,600 Speaker 1: the investing type. Good luck kids. Well, Nikki put it on. 144 00:10:42,400 --> 00:10:45,960 Speaker 1: Let's get back to where we belong. All right, here 145 00:10:45,960 --> 00:10:51,240 Speaker 1: goes nothing? Wait, stop, what is it? Liam? It's time 146 00:10:51,280 --> 00:10:54,280 Speaker 1: to go. Dante is bound to come here looking for me. 147 00:10:54,480 --> 00:10:59,240 Speaker 1: The wishes, the what oh yeah, Nikki he's right. Remember 148 00:10:59,280 --> 00:11:02,040 Speaker 1: the night we first went into the portal, we were 149 00:11:02,080 --> 00:11:04,839 Speaker 1: holding the vigil for the rank we had just found 150 00:11:04,840 --> 00:11:07,400 Speaker 1: out the landlord was kicking Ben out and I stumbled in, 151 00:11:07,520 --> 00:11:10,000 Speaker 1: and you had all kinds of candles lit, and then 152 00:11:10,040 --> 00:11:13,640 Speaker 1: we all made wishes. That seems like so long ago 153 00:11:13,880 --> 00:11:16,280 Speaker 1: for you, it was for us. It's only been like 154 00:11:16,320 --> 00:11:19,959 Speaker 1: a week. I remember, though, I wish that my music 155 00:11:20,000 --> 00:11:25,160 Speaker 1: career would still take off even if the rink was closing. Man, 156 00:11:26,120 --> 00:11:28,360 Speaker 1: it seemed like the only thing that mattered at the time, 157 00:11:28,720 --> 00:11:33,400 Speaker 1: But now it sounds and then it came true, didn't it. 158 00:11:35,080 --> 00:11:37,760 Speaker 1: I guess it did. Do you remember what I said? 159 00:11:38,240 --> 00:11:41,040 Speaker 1: I wish that I had never been born? And then 160 00:11:41,120 --> 00:11:45,080 Speaker 1: guess what? It came true? Sure did. In summer's time 161 00:11:45,679 --> 00:11:48,240 Speaker 1: before we brought her back here. Your rise to famous 162 00:11:48,280 --> 00:11:52,520 Speaker 1: Summer meant my dad's career skyrocketed, and he was too famous, 163 00:11:52,640 --> 00:11:55,520 Speaker 1: too rich, and too self absorbed to have time for kids. 164 00:11:56,320 --> 00:11:59,000 Speaker 1: He never got together with my mom and never had me. 165 00:11:59,640 --> 00:12:04,560 Speaker 1: You were never born. Your wish came true, and Bobby, 166 00:12:04,800 --> 00:12:11,040 Speaker 1: your wish was was Wait, what was your wish? I 167 00:12:11,040 --> 00:12:15,560 Speaker 1: I never said it out loud, but go ahead, you 168 00:12:15,640 --> 00:12:19,959 Speaker 1: have to tell her. I wished that my best friend 169 00:12:20,000 --> 00:12:27,400 Speaker 1: needed me as much as I need her. Oh, Bobby, 170 00:12:27,920 --> 00:12:32,760 Speaker 1: I am so sorry. I have been such a jerk 171 00:12:33,120 --> 00:12:39,480 Speaker 1: for so long. Of course they need you. We all 172 00:12:39,480 --> 00:12:43,640 Speaker 1: saw what happened to me without you. Summer was alone, 173 00:12:44,520 --> 00:12:49,000 Speaker 1: full of regret, and I could tell why her fame 174 00:12:49,160 --> 00:12:52,640 Speaker 1: was all worthless without her best friend by her side, 175 00:12:53,760 --> 00:12:57,880 Speaker 1: and I felt it too. After all the radio interviews, 176 00:12:57,920 --> 00:13:01,400 Speaker 1: the shows, the photo shoots, I get back to whatever 177 00:13:01,440 --> 00:13:04,280 Speaker 1: hotel we were in and the door would close behind me, 178 00:13:05,640 --> 00:13:09,800 Speaker 1: and then I'd be alone. No one to be excited 179 00:13:09,880 --> 00:13:13,319 Speaker 1: for me or happy for me. No one to hang 180 00:13:13,320 --> 00:13:17,240 Speaker 1: out with, to watch bad TV, to laugh at dumb 181 00:13:17,280 --> 00:13:21,240 Speaker 1: inside jokes that are only funny to us, no one 182 00:13:21,320 --> 00:13:26,560 Speaker 1: to have fun with. Just Dante waking me up for 183 00:13:26,600 --> 00:13:30,600 Speaker 1: the next day, the next interview, the next bus ride, 184 00:13:31,240 --> 00:13:33,240 Speaker 1: reminding me that I was only as good as my 185 00:13:33,320 --> 00:13:37,440 Speaker 1: last performance, and no one to tell me I was 186 00:13:37,520 --> 00:13:41,880 Speaker 1: good for anything else. I don't want this life if 187 00:13:41,880 --> 00:13:44,480 Speaker 1: it means being as alone as I've been this past year. 188 00:13:45,679 --> 00:13:49,280 Speaker 1: This whole messed up industry can shove it. I want 189 00:13:49,320 --> 00:13:53,680 Speaker 1: it to be over. I want to go home. I 190 00:13:53,840 --> 00:14:02,840 Speaker 1: wish to go home. It's good to have you back, NIGGI, 191 00:14:03,440 --> 00:14:06,320 Speaker 1: the real you. I'm glad I was here to save 192 00:14:06,360 --> 00:14:11,520 Speaker 1: you from being a giant, famous superstar. But part of 193 00:14:11,559 --> 00:14:15,719 Speaker 1: my wish is me figuring out myself too. I'll always 194 00:14:15,880 --> 00:14:18,240 Speaker 1: need my best friend, but I also need to need 195 00:14:18,240 --> 00:14:20,880 Speaker 1: you less. To not put the weight of all my 196 00:14:20,960 --> 00:14:24,360 Speaker 1: stuff on your shoulders, because that's not fair to you. 197 00:14:25,480 --> 00:14:27,240 Speaker 1: I don't know what my thing is going to be, 198 00:14:28,040 --> 00:14:30,680 Speaker 1: but it's gonna be something I love, and if it's 199 00:14:30,680 --> 00:14:34,360 Speaker 1: not being your drummer, that's okay. I shouldn't be guilting 200 00:14:34,440 --> 00:14:37,520 Speaker 1: you into including me just so I don't feel left out. 201 00:14:38,120 --> 00:14:41,160 Speaker 1: I never had a problem loving you, Nikki. You're my 202 00:14:41,320 --> 00:14:44,760 Speaker 1: best friend, but I need to love myself more too. 203 00:14:45,960 --> 00:14:52,640 Speaker 1: I wish to go home. Jeez, feeling pretty third wheel 204 00:14:52,720 --> 00:14:57,320 Speaker 1: over here, not even well, I've decided I definitely like 205 00:14:57,480 --> 00:15:04,840 Speaker 1: being born five stars, at least on rotten tomatoes. Let's 206 00:15:04,880 --> 00:15:11,160 Speaker 1: not be greedy. Well. I don't know how much telling 207 00:15:11,160 --> 00:15:15,080 Speaker 1: off a future alternate reality version of my dad will help. 208 00:15:15,640 --> 00:15:19,600 Speaker 1: The time travel rules are unclear on that, but it's 209 00:15:19,640 --> 00:15:22,880 Speaker 1: certainly made me feel better. I mean, it'd be great 210 00:15:22,920 --> 00:15:25,360 Speaker 1: to have someone who was there for me more, who 211 00:15:25,560 --> 00:15:28,800 Speaker 1: saw me for me, but that wasn't the hand I 212 00:15:28,840 --> 00:15:32,400 Speaker 1: was dealt, and I've spent a lot of time focused 213 00:15:32,400 --> 00:15:34,840 Speaker 1: on what I don't have instead of what I do have. 214 00:15:35,520 --> 00:15:37,920 Speaker 1: It's time for me to start living my life instead 215 00:15:37,960 --> 00:15:41,680 Speaker 1: of just being a walking and talking reaction to him, 216 00:15:41,720 --> 00:15:45,480 Speaker 1: because that still means he has all the power. It's 217 00:15:45,520 --> 00:15:48,240 Speaker 1: time for me to grow up, and that means I 218 00:15:48,240 --> 00:15:50,920 Speaker 1: can still watch as much anime as I want, but 219 00:15:51,040 --> 00:15:55,320 Speaker 1: because it's cool and awesome and not just to troll 220 00:15:55,520 --> 00:16:03,080 Speaker 1: my dad. I wish to go home. Now, play us off, Nicky. 221 00:16:03,960 --> 00:16:08,040 Speaker 1: Let's hurry it up. Nicky. All right, I'm going it's 222 00:16:08,040 --> 00:16:12,240 Speaker 1: glowing again. Everyone get ready. I hope you're still there 223 00:16:12,240 --> 00:16:15,280 Speaker 1: in the picture raining, but it's not to be okay. 224 00:16:15,480 --> 00:16:19,120 Speaker 1: Thank you for all you've done for us. Oh, I 225 00:16:19,160 --> 00:16:22,680 Speaker 1: hope this works, Hey, Bubby, If I don't land on 226 00:16:22,720 --> 00:16:26,160 Speaker 1: the other side, you will. Um. I really love me. 227 00:16:26,800 --> 00:16:46,680 Speaker 1: I like you to know. Here we go, hey, Nicky stands. 228 00:16:47,000 --> 00:16:50,120 Speaker 1: Want to uncover more epic time travel secrets. It's an 229 00:16:50,200 --> 00:16:53,520 Speaker 1: e ep universe on Instagram and TikTok for more totally 230 00:16:53,520 --> 00:16:57,320 Speaker 1: twisty details. More Nicky fixes up next. The first A 231 00:16:57,440 --> 00:17:07,480 Speaker 1: quick word from our sponsor. Hey, time travelers, welcome back. 232 00:17:07,800 --> 00:17:10,640 Speaker 1: I want to uncover more totally twisty time travel secrets. 233 00:17:10,960 --> 00:17:13,680 Speaker 1: Head to e ep universe dot com to learn more. 234 00:17:21,160 --> 00:17:31,240 Speaker 1: Oh it worked, We're back her. At least we went somewhere. Wait, 235 00:17:31,880 --> 00:17:35,200 Speaker 1: where's Liam? Oh my gosh, I have to go back. 236 00:17:35,480 --> 00:17:38,280 Speaker 1: Liam isn't and the portal's gone. Play the guitar again. 237 00:17:39,880 --> 00:17:49,720 Speaker 1: I can't look, it's completely disintegrated. Look how out out? 238 00:17:50,720 --> 00:17:56,640 Speaker 1: Did I seriously land on a box of nails? Yep? Yes, 239 00:17:56,720 --> 00:18:05,680 Speaker 1: I m hmm. Oh you scared me. I thought I 240 00:18:05,720 --> 00:18:10,080 Speaker 1: thought I had been reabsorbed into the universe. Yeah, for 241 00:18:10,160 --> 00:18:14,560 Speaker 1: a minute, there I did too. So where are we 242 00:18:15,080 --> 00:18:18,880 Speaker 1: some sort of construction site? Does that mean it means 243 00:18:18,920 --> 00:18:23,040 Speaker 1: we failed again? We're probably standing in the middle of 244 00:18:23,080 --> 00:18:25,919 Speaker 1: whatever your dad is building on top of the rink's grave, 245 00:18:26,200 --> 00:18:29,960 Speaker 1: the future home of the Temple of Dante Diamond, the 246 00:18:30,160 --> 00:18:36,000 Speaker 1: Perfect Genius. Wait do you hear that? Wait? I hear 247 00:18:36,000 --> 00:18:38,520 Speaker 1: it too. Remember when we came back to the present 248 00:18:38,640 --> 00:18:42,480 Speaker 1: last time, Bobby, we landed in the parking lot next door, 249 00:18:43,119 --> 00:18:46,480 Speaker 1: not directly in the rink. Well what are we waiting for? 250 00:18:46,920 --> 00:19:14,400 Speaker 1: Let's go h what is all this? A vigil? Protest um. 251 00:19:14,400 --> 00:19:16,920 Speaker 1: How many protests have you been to? With the beer tents, 252 00:19:17,080 --> 00:19:20,760 Speaker 1: food trucks and a stage. There's the rank. It's still standing, 253 00:19:21,359 --> 00:19:24,199 Speaker 1: but the doors are all boarded up. I guess we 254 00:19:24,359 --> 00:19:27,000 Speaker 1: still didn't save it. None of this is adding up. 255 00:19:28,200 --> 00:19:33,040 Speaker 1: I'm gonna go find out what's happening. Excuse me, sorry, 256 00:19:33,680 --> 00:19:38,960 Speaker 1: excuse me, Okay, I lost you. I'm sorry. I need 257 00:19:38,960 --> 00:19:42,040 Speaker 1: to get back. My money is paying for this whole thing. 258 00:19:42,200 --> 00:19:45,800 Speaker 1: How about you go around me. Don't you know who 259 00:19:45,880 --> 00:19:52,640 Speaker 1: I am? The name is Dante. Keep me the girl yup, 260 00:19:52,760 --> 00:19:58,480 Speaker 1: that's me, just some girl here to uh celebrate what 261 00:19:58,760 --> 00:20:02,679 Speaker 1: are we celebrate eating? Again? Sorry, young lady, It's just 262 00:20:02,800 --> 00:20:07,720 Speaker 1: that you look remarkably like someone I used to nicky. 263 00:20:07,920 --> 00:20:13,160 Speaker 1: There you are. Then they landed in the construction site 264 00:20:13,160 --> 00:20:15,359 Speaker 1: next door, and we didn't know what was happening, and 265 00:20:15,440 --> 00:20:18,560 Speaker 1: this all looks different and whoa, whoa, whoa. Don't worry, 266 00:20:18,680 --> 00:20:22,760 Speaker 1: chill out, everything's fine, Dante, My man, it's like you've 267 00:20:22,760 --> 00:20:26,200 Speaker 1: seen a ghost. This is one of your son's friends. 268 00:20:26,320 --> 00:20:30,879 Speaker 1: Yeah right, that must be why you look familiar. What 269 00:20:30,920 --> 00:20:35,399 Speaker 1: did you say your name was? Again? Not important? I 270 00:20:35,520 --> 00:20:37,960 Speaker 1: promise I'll explain everything. But first I have a little 271 00:20:38,000 --> 00:20:40,000 Speaker 1: speech I have to give one that stage over there, 272 00:20:40,320 --> 00:20:42,240 Speaker 1: everyone's waiting for me to kick off. Save the rink. 273 00:20:43,040 --> 00:20:46,639 Speaker 1: Speaking of saving things, you keeping one eye on the 274 00:20:46,680 --> 00:20:50,359 Speaker 1: safe back in your office. Wouldn't want anyone sneaking in 275 00:20:50,400 --> 00:20:58,359 Speaker 1: there while you're on stage, right, Leonard, I will I 276 00:20:58,720 --> 00:21:02,240 Speaker 1: m Dante go sit down to something. You don't look 277 00:21:02,280 --> 00:21:05,199 Speaker 1: too good? All right? Wish me luck? Good luck with 278 00:21:05,240 --> 00:21:13,119 Speaker 1: your speech. Ben there you are? Wait Dad, Hey Liam, 279 00:21:13,119 --> 00:21:19,280 Speaker 1: perfect timing. You have a minute to talk? Sure, what 280 00:21:19,440 --> 00:21:22,640 Speaker 1: took you too so long? We stopped to make out 281 00:21:22,680 --> 00:21:28,680 Speaker 1: a little bit? Get it girl? So what is all this? 282 00:21:30,080 --> 00:21:32,600 Speaker 1: Is this going to be the new Diamond Center? My 283 00:21:32,680 --> 00:21:35,080 Speaker 1: business team said it would be better for pr if 284 00:21:35,119 --> 00:21:38,160 Speaker 1: it was, but I decided to put our family name 285 00:21:38,200 --> 00:21:45,120 Speaker 1: on it instead. Mkowski, I figured, wait, what really surprised? 286 00:21:45,600 --> 00:21:48,920 Speaker 1: It just doesn't sound like you. Well, a long time ago, 287 00:21:49,040 --> 00:21:51,560 Speaker 1: when my career was just starting, I had my top 288 00:21:51,640 --> 00:21:54,359 Speaker 1: artist bail out on me right before the biggest show 289 00:21:54,560 --> 00:21:57,679 Speaker 1: either of us had ever put on. After that, I 290 00:21:57,720 --> 00:22:01,080 Speaker 1: had nothing. The whole industry went from kissing my butt 291 00:22:01,119 --> 00:22:04,600 Speaker 1: to not answering my calls except for one guy. Can 292 00:22:04,640 --> 00:22:08,560 Speaker 1: you guess who been Yep? He picked me back up 293 00:22:08,600 --> 00:22:10,640 Speaker 1: when he should have been first in line to rub 294 00:22:10,720 --> 00:22:13,320 Speaker 1: my failure in my face. Why are you telling me 295 00:22:13,359 --> 00:22:16,879 Speaker 1: this now? Because you're growing up and when I was 296 00:22:16,960 --> 00:22:19,560 Speaker 1: your age, I spent too much time focused on getting 297 00:22:19,600 --> 00:22:22,879 Speaker 1: ahead and lost sight of who was behind me lifting 298 00:22:22,880 --> 00:22:25,600 Speaker 1: me up. I don't want you to make the same 299 00:22:25,680 --> 00:22:29,600 Speaker 1: mistake the second things start going well for you. Everyone 300 00:22:29,640 --> 00:22:32,919 Speaker 1: wants to be your friend, but the only real friends 301 00:22:32,920 --> 00:22:35,439 Speaker 1: you'll ever have are the ones who are there for 302 00:22:35,520 --> 00:22:40,600 Speaker 1: you at your lowest. Do you understand I think I do. 303 00:22:43,840 --> 00:22:47,280 Speaker 1: I see Ben up on stage. Here comes Lamb. How 304 00:22:47,280 --> 00:22:53,480 Speaker 1: did everything go with your dad? I? Uh, weird? Different? 305 00:22:53,880 --> 00:22:58,560 Speaker 1: Different good? Or different good? Wait? Is that Ben up there? Ye? 306 00:22:59,000 --> 00:23:05,359 Speaker 1: He's about to give a sp Well, I love you 307 00:23:05,440 --> 00:23:12,800 Speaker 1: all too. We couldn't figure out exactly what to call 308 00:23:12,880 --> 00:23:16,000 Speaker 1: this little event here, whether we should be celebrating the 309 00:23:16,760 --> 00:23:20,680 Speaker 1: anniversary of the original Save the Ring show that revitalized 310 00:23:20,720 --> 00:23:23,200 Speaker 1: this old place, or whether we should name it after 311 00:23:23,240 --> 00:23:26,680 Speaker 1: the new thing we're building here. Well, if you know me, 312 00:23:27,040 --> 00:23:31,240 Speaker 1: tradition is important, but even more important is building something 313 00:23:31,280 --> 00:23:34,280 Speaker 1: for the next generation to enjoy just as much as 314 00:23:34,320 --> 00:23:41,760 Speaker 1: we all folks have enjoyed this place so hold on that. 315 00:23:42,240 --> 00:23:45,679 Speaker 1: Even though we're still under construction. Let me welcome you 316 00:23:45,800 --> 00:23:48,679 Speaker 1: to the first ever benefits show for the soon to 317 00:23:48,720 --> 00:23:58,200 Speaker 1: be completed Brown Mkowski Cultural Center. The first save the 318 00:23:58,280 --> 00:24:01,600 Speaker 1: Ring show was almost perfect. We were supposed to have 319 00:24:01,720 --> 00:24:05,240 Speaker 1: one brand new act that I adored, but she disappeared 320 00:24:05,240 --> 00:24:09,760 Speaker 1: on us. I'll admit I was a bit heartbroken. Yeah, yeah, 321 00:24:09,800 --> 00:24:12,560 Speaker 1: I know, I know, play the tiny violin. But since 322 00:24:12,600 --> 00:24:15,080 Speaker 1: this little shin dig is all about blending the new 323 00:24:15,200 --> 00:24:18,240 Speaker 1: with the old, we're going to do something similar with 324 00:24:18,359 --> 00:24:21,679 Speaker 1: some help from one of our original favorite bands. So 325 00:24:22,440 --> 00:24:26,360 Speaker 1: let's start with the old. Everyone put your hands together 326 00:24:26,480 --> 00:24:37,840 Speaker 1: for the Odeon. Hey, everyone, so excited to be back. Then, 327 00:24:38,080 --> 00:24:40,640 Speaker 1: We love you and everything you do and will continue 328 00:24:40,640 --> 00:24:44,119 Speaker 1: to do to support this amazing community. And don't forget 329 00:24:44,480 --> 00:24:48,760 Speaker 1: we're also a sponsor Odeon Realty number one in a 330 00:24:48,960 --> 00:24:53,880 Speaker 1: gridge and joining them on lead vocals and drums, respectively, 331 00:24:54,240 --> 00:25:00,120 Speaker 1: my favorite up and coming artists, Nicky Fitz and Bobby Boy. 332 00:25:01,160 --> 00:25:03,800 Speaker 1: Wait did you just head on? Jos? I think you 333 00:25:03,920 --> 00:25:07,879 Speaker 1: two better get up there. Bobby grab my hand, let's go. 334 00:25:08,880 --> 00:25:11,760 Speaker 1: Everyone would give it up. This is their debut here 335 00:25:11,960 --> 00:25:15,720 Speaker 1: together and you all get to say you were there, Dad, 336 00:25:18,760 --> 00:25:21,560 Speaker 1: It's so good to see you both. Hey Mr and 337 00:25:21,680 --> 00:25:24,560 Speaker 1: Mr Fix. Hi Bobby, good to see you. Wait, we're 338 00:25:24,600 --> 00:25:29,560 Speaker 1: playing together? Of course this was all your idea. You 339 00:25:29,840 --> 00:25:33,719 Speaker 1: feeling okay, honey? Never better? Wait what are we playing? 340 00:25:34,200 --> 00:25:37,040 Speaker 1: I've never been on stage before and there are all 341 00:25:37,080 --> 00:25:41,000 Speaker 1: these people. Don't worry about it too much, Bobby, it's 342 00:25:41,040 --> 00:25:43,159 Speaker 1: in your muscle memory. I don't know, but thank you 343 00:25:43,400 --> 00:25:46,680 Speaker 1: just playing. But play what you only made us practice 344 00:25:46,720 --> 00:25:49,600 Speaker 1: a thousand times? Nicky, Well you said, because it was 345 00:25:49,640 --> 00:25:52,600 Speaker 1: at the rain. There was only one choice. Of course, 346 00:25:53,200 --> 00:25:57,920 Speaker 1: Let's go. The crowd is waiting. Thanks everyone for coming out. 347 00:25:58,920 --> 00:26:02,280 Speaker 1: Give it up for Bobby Boyd, Daniel Fix and Kevin Park. 348 00:26:03,119 --> 00:26:08,240 Speaker 1: I'm Nicki Fix and we are the new Oudion. Now 349 00:26:08,920 --> 00:26:12,280 Speaker 1: get ready for everyone's favorite one hit wonder, throwing it 350 00:26:12,359 --> 00:26:15,800 Speaker 1: back to the nineties from the ever mysterious Summer Rains. 351 00:26:16,400 --> 00:26:31,040 Speaker 1: Get ready to roll with it. Say so whatever one thing, 352 00:26:31,240 --> 00:26:39,840 Speaker 1: some just fun song, A cocky every day feels like 353 00:26:41,320 --> 00:26:45,040 Speaker 1: as I watched the World Gold find and to mad 354 00:26:47,240 --> 00:27:33,840 Speaker 1: so wain O great, there we go. That sounds amazing. 355 00:27:34,240 --> 00:27:38,440 Speaker 1: Now a big welcome for another old Bridge institution still 356 00:27:38,480 --> 00:27:43,720 Speaker 1: spinning on w NFX. After all these years us, old King, 357 00:27:44,800 --> 00:27:50,920 Speaker 1: thank you, Old Bridge. I was pretty rusty out there. 358 00:27:51,200 --> 00:27:54,439 Speaker 1: Not that for a couple of old guys, though. And Nikki, 359 00:27:54,920 --> 00:27:59,840 Speaker 1: you were fantastic. You really channeled summer Rains up there. 360 00:28:00,359 --> 00:28:03,680 Speaker 1: It's like the song was written for you. Thanks Papa, 361 00:28:03,920 --> 00:28:07,240 Speaker 1: Thanks Dad. Did we ever tell you we knew summer rains? 362 00:28:08,080 --> 00:28:11,000 Speaker 1: We'll tell you the whole story sometimes I love that. 363 00:28:11,680 --> 00:28:17,560 Speaker 1: But what did you think about Bobby's big debut? Incredible, unbelievable. Thanks. 364 00:28:18,359 --> 00:28:21,440 Speaker 1: That was nerve racking, but I didn't mess up too much. 365 00:28:21,600 --> 00:28:25,119 Speaker 1: I hope you were amazing. Bobby. Well, if you'll excuse us, 366 00:28:25,160 --> 00:28:30,880 Speaker 1: we have to do the events sponsors schmoozing thing duty calls. Well, 367 00:28:31,520 --> 00:28:33,520 Speaker 1: I'm not sure if I'm meant to be a drummer 368 00:28:33,640 --> 00:28:36,439 Speaker 1: or not, but it really means a lot that I 369 00:28:36,480 --> 00:28:38,640 Speaker 1: got to be up on stage with you. I wouldn't 370 00:28:38,680 --> 00:28:42,000 Speaker 1: have it any other way. The spots yours whenever you 371 00:28:42,040 --> 00:28:48,160 Speaker 1: want it. Bobby, you chilled it. Holy cow. Oh come on, 372 00:28:48,520 --> 00:28:51,479 Speaker 1: p d a much that one from zero to sixty 373 00:28:51,720 --> 00:28:55,360 Speaker 1: real quick. Don't be jealous, NIGGI come on, we just 374 00:28:56,400 --> 00:28:59,200 Speaker 1: fix the entire timeline. I think it's caused for a 375 00:28:59,200 --> 00:29:03,000 Speaker 1: little celebration and okay, okay, I get it. Go to 376 00:29:03,000 --> 00:29:06,240 Speaker 1: town New Animals. I actually see someone I need to 377 00:29:06,280 --> 00:29:12,160 Speaker 1: talk to. That was incredible, Nikki. Thanks for doing the 378 00:29:12,160 --> 00:29:15,280 Speaker 1: show and for actually showing up for your set this time. 379 00:29:15,280 --> 00:29:19,240 Speaker 1: Well I owed you one ben or maybe more than one. 380 00:29:19,800 --> 00:29:22,080 Speaker 1: Think you might stick around in Old Bridge long enough 381 00:29:22,120 --> 00:29:25,120 Speaker 1: to play the opener once constructions all done, you can 382 00:29:25,160 --> 00:29:28,640 Speaker 1: bet on it. Sleepy little old bitch is sounding pretty 383 00:29:28,720 --> 00:29:32,280 Speaker 1: good about now. Oh, someone dropped up this envelope backstage 384 00:29:32,280 --> 00:29:38,160 Speaker 1: while you were playing. What is it? No idea? Open it? Well? 385 00:29:38,440 --> 00:29:42,080 Speaker 1: What is it? It's a package of time tone strings 386 00:29:42,760 --> 00:29:47,840 Speaker 1: with a note in case you ever need a fix again. 387 00:29:53,720 --> 00:29:57,120 Speaker 1: Iron Horn's Epic Productions and I Heart Radio presented Nikki 388 00:29:57,200 --> 00:30:01,200 Speaker 1: Fixes Time Mix created an executive produ used by Heather 389 00:30:01,320 --> 00:30:06,840 Speaker 1: Ironhorn and Adam Stafferni. Executive produced by iHeart Radio head 390 00:30:06,840 --> 00:30:13,840 Speaker 1: writer Cecil Castellucci, writers Blue Beckford Burrow, Louis Cornfeld, Natalia 391 00:30:13,920 --> 00:30:18,920 Speaker 1: yan Check, and Adam Stafferoni directed by Rebecca Cunningham, with 392 00:30:19,080 --> 00:30:23,000 Speaker 1: performances by Judy Alice Lee as Nicky fix To, Lea 393 00:30:23,120 --> 00:30:27,280 Speaker 1: Romina as Bobby, Joshua Evans as Leah Tyler, Kayes as 394 00:30:27,360 --> 00:30:32,240 Speaker 1: Dante Diamond and Leonard and Baron Bass as Ben. Additional 395 00:30:32,360 --> 00:30:38,080 Speaker 1: voices more of Vincent Haleb Yet, David Shattrow, Late Walsh Leiker, 396 00:30:38,440 --> 00:30:42,240 Speaker 1: and Scott Hoffman as record shop clerk. Post sound by 397 00:30:42,640 --> 00:30:47,400 Speaker 1: Chapter four Sound supervision and sound designed by Sarah Gibble Lasker. 398 00:30:48,080 --> 00:30:53,240 Speaker 1: Assistant sound editor by Andrew Berger, Natalie Escudera and Zachary Spizer. 399 00:30:53,920 --> 00:30:59,280 Speaker 1: Music composed by Murray A lightburn Lyrics by Natalia Yanchick 400 00:30:59,480 --> 00:31:03,479 Speaker 1: and Murray A light Burner. Produced by Rupe Santa Kaila, 401 00:31:04,000 --> 00:31:10,320 Speaker 1: Development writer, Scott Hoffman, Development executive Greg Lockard, line producer 402 00:31:10,560 --> 00:31:16,400 Speaker 1: Anna Stepcom, Production coordinator and script supervisor Laura Martin Operations 403 00:31:16,600 --> 00:31:22,880 Speaker 1: Laura Coffman, Marketing and Publicity, Jesse Post Digital Marketing, Jennifer Gennaro, 404 00:31:23,640 --> 00:31:28,400 Speaker 1: Social Media Ashley Lynn Nichol. Greative direction and designed by 405 00:31:28,480 --> 00:31:32,840 Speaker 1: Ryan mccannon. A special thank you to the Shadow Uniforn, 406 00:31:33,920 --> 00:31:37,360 Speaker 1: Eine Horn's Epic Productions and I Heart Radio present Nikki 407 00:31:37,440 --> 00:31:47,240 Speaker 1: Fixes Times Any Time Travelers check out more incredible adventures 408 00:31:47,280 --> 00:31:50,480 Speaker 1: at e ep universe dot com. Dig into the secrets 409 00:31:50,480 --> 00:31:54,000 Speaker 1: of time travel or explore our other shows. Lethalt a 410 00:31:54,080 --> 00:31:57,600 Speaker 1: tick Toah's mystery, see you in your nightmares, Daughters of 411 00:31:57,680 --> 00:31:58,840 Speaker 1: DC and more,