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Speaker 1: I have a story about my mug.

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Speaker 2: Oh it's a very big it's very very loud.

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Speaker 1: Gorgo about rushmore mug. So this is this is it.

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Speaker 1: This is one of the camper van stories from the summer.

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Speaker 2: The summer of twenty twenty three.

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Speaker 1: Oh, the summer of twenty twenty three, which was man,

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Speaker 1: guys had some eyes, that had some lows. Was our

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Speaker 1: our family was put to the test and one of

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Speaker 1: the you know, it was great, it was ultimately really

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Speaker 1: worth it. We're all in therapy.

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Speaker 3: It's fine.

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Speaker 1: But the one one of the best worst moments is

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Speaker 1: we're camping. We okay, let me just say you guys

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Speaker 1: will be not shocked to discover I don't really like

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Speaker 1: touristy things.

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Speaker 2: No, no, that's impossible. You love that, right, So it

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Speaker 2: a lot.

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Speaker 1: Of character that I have a right okay. So and

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Speaker 1: you know, and while we were traveling, I started to realize,

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Speaker 1: like I get stressed out by very specific things, and

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Speaker 1: I realized a lot of it goes back to my

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Speaker 1: dad when we used to travel as kids. He just

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Speaker 1: we were always getting screwed, like money was just like

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Speaker 1: you know, he grew up with with nothing.

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Speaker 2: So taken advantage of everybody.

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Speaker 1: We were taking being taken advantage of by everything. So

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Speaker 1: if you have to pay for this, you have to

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Speaker 1: hire somebody to take you something, you know, And so

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Speaker 1: he never wanted to buy anything, never wanted to pay

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Speaker 1: for anything, and so traveling was always this like crazy

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Speaker 1: stressful time of like, oh my god, everyone's out to

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Speaker 1: get us. We're not gonna you know, we have to

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Speaker 1: save money. So we would always be like, you know,

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Speaker 1: camping in like the worst situation on the side of

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Speaker 1: the road.

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Speaker 2: Okay, I just want to clarify, because you weren't.

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Speaker 4: You don't think you were actually being taken advantage of

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Speaker 4: all the time. Your dad's perception was that anytime you

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Speaker 4: needed to pay for something, that person was trying to

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Speaker 4: screw you.

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Speaker 1: Absolutely never, you don't have to pay for hotel rooms,

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Speaker 1: you don't have to pay for anything. So we would

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Speaker 1: always be like in London in a rain storm, like

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Speaker 1: doing great trips, like we were very adventurous, but we

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Speaker 1: would always be stuck without a place to sleep because

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Speaker 1: my dad to do with it. And it's taken a

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Speaker 1: lot of time for me to realize this and be

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Speaker 1: like why am I so stressed out about like traveling

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Speaker 1: it's like it's okay if you budget correctly, you know.

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Speaker 1: But it's just my dad thing.

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Speaker 5: You know.

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Speaker 1: He grew up with nothing, like no money, and it's just,

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Speaker 1: you know, it's hard to get over that. He's gotten

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Speaker 1: a lot better now. Now he enjoys himself. And I

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Speaker 1: tell him all the time, like, you it's okay, you know,

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Speaker 1: you can buy the plane ticket and enjoy yourself. It's fun.

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Speaker 1: So he's and he's gotten very good at it. But

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Speaker 1: I so here. So we we're camping and we find

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Speaker 1: out that we're where we're camping is like right next

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Speaker 1: to Amount rush And like it was like we see all

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Speaker 1: the signs everywhere, and Alex is like, oh, tomorrow morning

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Speaker 1: and when you know we wake up, we should you know,

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Speaker 1: we'll see Mount Rushmore. And I'm like, oh yeah, well,

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Speaker 1: we're definitely it's on our path. And we're driving and

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Speaker 1: we're you know, waiting for it's a beautiful part of

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Speaker 1: the country South Dakota, and then like, you know, you

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Speaker 1: see it. It was like, no, there it is on

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Speaker 1: that hill and you look, there's Mount Rushmore and it's like, oh,

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Speaker 1: is it as big as we thought?

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Speaker 5: You know?

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Speaker 1: And then we're driving and then Alex is like what

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Speaker 1: are you doing? And I'm like, oh, we saw it,

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Speaker 1: and she's like, no, we're going. I thought we were going.

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Speaker 1: We're gonna park. I'm like, do you know how much

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Speaker 1: they charge you to park? Like, no, we're not. That's

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Speaker 1: that's like, but what you want to park at?

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Speaker 2: And then what then when we can drive by it?

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Speaker 3: We just saw it?

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Speaker 1: What do you want to do? We're to spend fifteen dollars?

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Speaker 1: This is how they get you. This is who's getting.

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Speaker 2: Yeah, they're getting my father.

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Speaker 1: And I'm sitting I'm like screaming at my wife like no,

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Speaker 1: there's no way I am paying money to go to

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Speaker 1: my and she's like, what is wrong with you? I'm like,

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Speaker 1: oh god, oh my god, you know, and poor Indies

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Speaker 1: in the back like what's happening? And and then pulling

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Speaker 1: in of angrily paying for the thing, and.

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Speaker 6: Then unbelievable sighteen dollars to see a national monumental Oh.

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Speaker 1: Yeah, we're going to celebrate the presidents. What's next? Right?

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Speaker 1: And and then we get out and of course you know,

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Speaker 1: by now we're laughing, and then Indy has like the

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Speaker 1: best time, and then Alex is like, well, let's go

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Speaker 1: to the gift shop. I'm like, oh, of course we're

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Speaker 1: going to the gift shop. So I bought the biggest.

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Speaker 3: Mug I could for you, Indy.

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Speaker 1: We got India Glue in the dark Mount Rushmore T

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Speaker 1: shirt and like he loves it. And now it's like

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Speaker 1: we come home and all we do is just laugh.

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Speaker 1: We're like, oh, this was that's amazing.

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Speaker 3: Writer.

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Speaker 2: How much was the mug? I guarantee you it is

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Speaker 2: more than the parking.

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Speaker 1: Oh, I'm sure it was more. That's how they get you.

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Speaker 3: They get you. They get you.

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Speaker 2: In with the marketing and then then they charge all

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Speaker 2: the stuff.

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Speaker 1: Capitalists people trying to make money off and make money.

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Speaker 1: That's why you don't want to have fun. You have

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Speaker 1: to save your money.

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Speaker 5: Don't let at least Danielle doesn't want to have fun

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Speaker 5: because she's just not a fun person.

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Speaker 3: You don't want to pay for fun. That's the strange part.

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Speaker 4: If I know other people are going to have a

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Speaker 4: good time, I'm more than willing to pay for it.

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Speaker 4: I want other people to have fun, and I'll give

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Speaker 4: you a ton of money to make the fun easy

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Speaker 4: for me.

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Speaker 2: I have no bride. I'm going to a concert. Oh

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Speaker 2: the parking right next to the place I'm going is

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Speaker 2: seventy five dollars. That's reasonable. It'll get me out of

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Speaker 2: here faster. I'm in for it from.

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Speaker 4: The fun fastest. When the fun is over, when how

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Speaker 4: can I get out of here?

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Speaker 5: Yeah, I'm just the opposite, by the way, meaning like

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Speaker 5: if I'm in a gift shop and it's like it's

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Speaker 5: an eighty dollars Viking helmet, I'm like.

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Speaker 3: I have to have this, And Sue's like, for.

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Speaker 5: What what do you need a plastic Viking helmet for?

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Speaker 3: And I'm like, because I have to be a Viking today.

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Speaker 1: Like it was just one giant storage unit, Like where.

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Speaker 5: Is no And that's the thing is we don't we

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Speaker 5: don't have a whole bunch of jobs.

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Speaker 1: Do you have a storage do you have multiple storage.

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Speaker 3: In I don't have any storage in it. And we

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Speaker 3: just keep all this filled.

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Speaker 5: We just filled a full size I'm so forty by

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Speaker 5: seven foot dumpster with junk and now.

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Speaker 3: It was magical.

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Speaker 5: It was truly did you like paid for a dumpster

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Speaker 5: to come and like we had it for a week.

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Speaker 5: We had a dumpster in front of our house for

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Speaker 5: a week and we fill it was five hundred bucks

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Speaker 5: for the entire week, and it was the best money

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Speaker 5: I think I spent water.

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Speaker 2: It's five hundred dollars to park a dumpster.

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Speaker 3: Dumpster in front of your house, but you get a

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Speaker 3: moment dumpster mode. It was the great thing. It was

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Speaker 3: the great well.

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Speaker 5: By the way, while you're at Mount Rushmore, did you

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Speaker 5: find Sibyla?

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Speaker 3: No, you didn't find the City of Gold. Have you

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Speaker 3: not seen National Treasure too?

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Speaker 5: Uh?

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Speaker 1: No. It was funny because there is a plague that

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Speaker 1: says National Treasure too, and we're like, you should probably.

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Speaker 7: Yeah.

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Speaker 3: Poor Ed Harris died Abla.

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Speaker 4: My thing with your story is that I'm with you.

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Speaker 4: Drive by and see it. You've seen it. There's nothing

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Speaker 4: else to see. I went and saw the Grand Canyon.

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Speaker 4: I took a road trip from California to Oklahoma and

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Speaker 4: stopped at a bunch of different places on the way.

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Speaker 4: We took Root sixty six as much as we could

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Speaker 4: and stayed in all the cool places and got to

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Speaker 4: the Grand Canyon, got.

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Speaker 2: Out and I was like, oh my gosh, this is gorgeous.

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Speaker 2: Stood there for maybe two minutes and then was like,

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Speaker 2: let's go see.

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Speaker 1: That's a problem. It's a parking lot. I mean it's

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Speaker 1: still it's you have to. Yeah, we actually did the

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Speaker 1: Grand Canyon really well. We found a tour where you

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Speaker 1: are in a private car with somebody who lives on

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Speaker 1: the Navajo property that and they take you onto the

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Speaker 1: Navajo land where no one else is. And it was

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Speaker 1: literally us on the edge of the Grand Canyon in

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Speaker 1: like three different spots, like a four hour tour. It

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Speaker 1: was amazing.

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Speaker 5: Yeah, that's I did something I should not have done

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Speaker 5: at the Grand Canyon. And to this day, it's one

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Speaker 5: of those things when I'm a kid. Like as a kid,

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Speaker 5: I look back.

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Speaker 1: And go, you threw something over the edge.

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Speaker 2: No.

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Speaker 5: I My friend and I waited till dark and snuck

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Speaker 5: under all the security things and literally hung our legs

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Speaker 5: off of the edge and laid back and just.

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Speaker 3: Looked at all the stars for like four hours.

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Speaker 2: It was that sounds pretty awesome.

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Speaker 3: Unbelievable, But you look back and it's like one slip

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Speaker 3: and you're done. It's the hitch black. I so it.

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Speaker 1: Wasn't handle like like Indie. Walking towards the edge of

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Speaker 1: things freaks me out more than anything in the world.

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Speaker 1: I'm like, no, dude, I can't be with you. Around

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Speaker 1: the edge of something like I'm just too stressed. It's like,

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Speaker 1: I don't especially.

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Speaker 5: If you paid for to be around that thing, you

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Speaker 5: actually paid, how they.

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Speaker 1: Get you, You're gonna you get screwed. Man.

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Speaker 3: See Danielle and I rider.

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Speaker 5: This is why we missed you on our part of

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Speaker 5: the road trip, because even though the r part of

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Speaker 5: the road trip was small, we still ended up in

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Speaker 5: some pretty marvelous places, like Danielle, where was the one

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Speaker 5: place where it was just all the wind chimes.

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Speaker 3: For some reason, that.

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Speaker 2: Was the place with all the chocolate.

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Speaker 5: Yes, it had chocolate wind chimes and puzzles, lots of

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Speaker 5: puzzles and kids toys from like the eighteen hundreds, where it's.

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Speaker 2: Like it was pretty cool.

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Speaker 3: It was cool, it was really cool. I can't remember

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Speaker 3: where we were though.

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Speaker 4: I don't remember where we were either, because I actually

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Speaker 4: don't remember the names of the places we went at

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Speaker 4: all either.

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Speaker 1: I don't. You have to keep a road journal. That's

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Speaker 1: what we started doing because we realized, like we don't

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Speaker 1: remember anything from previous trips, they all blend together. So

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Speaker 1: now we keep a road journal and we go through

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Speaker 1: it every night together as a family, and we all

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Speaker 1: write notes and then we left it out in the

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Speaker 1: rain and it got soaked and a lot of the

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Speaker 1: pages bled together, So that will be interesting.

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Speaker 2: But that's how they get to a road journal.

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Speaker 3: They get you.

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Speaker 2: Welcome to podme That welcome to pod Meats, That's how

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Speaker 2: they get you.

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Speaker 5: I'm Danielle Fitchelm, writer Strow, and I am not paying

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Speaker 5: fifteen dollars to park here.

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Speaker 2: WHOA.

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Speaker 4: We're now smack dab in the middle of October, a

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Speaker 4: very spooky season, but instead of fear, we're bringing laughter

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Speaker 4: to some of our favorite cities.

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Speaker 3: Speak for yourself. I'm bringing fear, HI will bring angst.

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Speaker 2: Sounds like a plan.

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Speaker 1: We will be in Cleveland, Ohio, on October thirteenth at

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Speaker 1: the Mimi Theater, Toronto on October fourteenth at Queen Elizabeth Theater,

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Speaker 1: and in Pittsburgh on the fifteenth at baym Theater.

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Speaker 2: Tickets are still available for these shows, so go to

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Speaker 2: Podmeetsworldshow dot com now to join us.

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Speaker 3: And get your costumes ready.

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Speaker 5: We've had an incredible time seeing what you've all decided

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Speaker 5: to dress up as.

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Speaker 3: So what have been some of your favorites?

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Speaker 2: I mean, Corey and Feoenie and the roller coaster.

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Speaker 3: That's pretty great.

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Speaker 1: There have been some great Minkisesian guys.

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Speaker 3: Kai I love that. Yes, I have once.

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Speaker 4: And now it is your chance. Go to Podmeets Worldshow

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Speaker 4: dot com now for your tickets and we will see

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Speaker 4: you soon. So today we are recapping season three, episode thirteen,

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Speaker 4: New Friends and Old. It originally air January nineteenth, nineteen

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Speaker 4: ninety six. The synopsis Frankie becomes friends with Corey and

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Speaker 4: Sewan in hopes of turning over a new leaf, but

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Speaker 4: ends up hurt when he discovers the guy's had ulterior motives.

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Speaker 4: It was directed by John Tracy. It was written by

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Speaker 4: Matthew Nelson. Rest in Peace and Uh guest starring Ethan

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Speaker 4: Sipplea is Frankie Stacchino. Now worth noting we have now

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Speaker 4: seen the end of Blake's Joey the Rat.

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Speaker 2: He did not.

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Speaker 3: I was wondering about that.

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Speaker 1: It's ever comes back.

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Speaker 2: He never comes back.

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Speaker 3: Yes, yes he does, Yes he does. The graduation we.

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Speaker 1: Have like thanksgiving his house.

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Speaker 4: Yes, there are still more solo episodes of Ethan Is,

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Speaker 4: but Blake is done. So we have now seen the

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Speaker 4: end of blake Joey the Rat. They do come back

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Speaker 4: for the reunion or the graduation episode where there's a

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Speaker 4: little reunion, but such a bummer because I was man

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Speaker 4: just so thoroughly enjoying all of that.

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Speaker 2: We have the return of Leon Vader White.

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Speaker 4: As Frankie Stacchino Senior, so obviously they thoroughly were impressed

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Speaker 4: with him during that last because.

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Speaker 2: And then we have Eliza Coyle as Melanie.

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Speaker 4: She's still appearing on TV, most recently heals, and she

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Speaker 4: is married to actor director Joel Murray, the brother of

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Speaker 4: Bill Murray. And we have Adam Wiley as Robert. He's

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Speaker 4: best known as Zachary on Picket Fences and tons of

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Speaker 4: other things.

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Speaker 1: So no memory of this episode. And like I would,

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Speaker 1: I I know Adam like I've run into him over

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Speaker 1: the years, and I knew him, but I never knew

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Speaker 1: he was on our show. I did not know.

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Speaker 3: I remember Adam was. I think he might have even

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Speaker 3: done more than one.

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Speaker 1: He might.

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Speaker 5: You know him, but I didn't remember that he was

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Speaker 5: on our show. But we're just about the Magic Castle.

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Speaker 5: He was a magician also working at the Magic Castle.

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Speaker 5: He was a very good magician.

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Speaker 1: And then his brother was the host of Grinders in Line.

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Speaker 2: Oh my god, no, his.

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Speaker 1: Older brother was right. He was like he was the guy.

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Speaker 1: He was like an actor MC host dude guy. And

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Speaker 1: we I think through Adam we knew him or somehow

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Speaker 1: or maybe just Angel and Vicky we knew him. So

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Speaker 1: he's the his brother, Adam's older brother was the host

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Speaker 1: of Grinders Inline. All these people out there clutching in

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Speaker 1: their vages.

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Speaker 2: Yes, everyone just watched it last night.

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Speaker 3: I still mine, still can't stop, but I still.

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Speaker 4: So let's hop into our recab. Well, I mean, do

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Speaker 4: you guys want to You didn't remember it. I didn't

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Speaker 4: remember it either.

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Speaker 3: I remember it.

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Speaker 2: I fly the first scenes. I enjoyed it too.

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Speaker 5: Yeah, I liked watching Ethan, Yeah you know, he's so good,

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Speaker 5: and watching the kind of depth of of what they

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Speaker 5: did with the Frankie character in this episode.

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Speaker 3: I've thoroughly enjoyed it.

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Speaker 4: I really I was a little on the fence about

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Speaker 4: some of that. We'll talk about it as we get

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Speaker 4: to it.

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Speaker 2: But there's like this overall idea that like, Frankie is

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Speaker 2: a Frankie is more than what you know of him

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Speaker 2: to be, and it's your fault you haven't noticed it,

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Speaker 2: And yet I'm like, is it though.

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Speaker 3: He's also a bully. Yeah, he's also a boy.

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Speaker 4: He's he's they've never seen him as anything else.

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Speaker 1: And he we had the love We had the love

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Speaker 1: episode where.

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Speaker 4: The guys have, right, Corey and Sean have. It was

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Speaker 4: more about when Sean gets on his soapbox about you guys,

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Speaker 4: have you even bothered to look past him?

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Speaker 2: Have you ever really looked at him?

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Speaker 4: And you know, the poor Robert characters like yeah, upside down.

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Speaker 4: I'm like, so when he's been holding you upside down?

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Speaker 6: Yeah, you're supposed to be like, maybe there's more to

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Speaker 6: this born.

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Speaker 3: It was certainly interesting, but I just I liked watching him.

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Speaker 5: And by the way, and we'll get into this too,

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Speaker 5: another no Rusty episode, get vials again.

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Speaker 1: He must have been busy.

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Speaker 2: Yeah, he had to have been working on something.

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Speaker 3: He must have.

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Speaker 5: He must have gone out to do something, because it's

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Speaker 5: too many now in season three that he.

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Speaker 3: Hasn't been in.

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Speaker 4: I know, I agree, he must have been doing a feature. Yeah,

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Speaker 4: all right, so let's hop into our recap. We're in

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Speaker 4: Phoene's office. Phoene, sitting at his desk, says, all right,

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Speaker 4: I have enough information, and then we pull out to

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Speaker 4: see Sean and Corey sitting in his office dressed in

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Speaker 4: cheerleader outfits. Corey says, mister Feoenie, we didn't do anything

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Speaker 4: to provoke Frankie and Joey. Phoene then thanks them and

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Speaker 4: tells them they can go.

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Speaker 1: Now. I didn't remember this at all, but we had

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Speaker 1: people come to our live show dressed ere cheerleader outfits

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Speaker 1: and they were like, you know, it's the time, and

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Speaker 1: then I was like, oh right, and I had the memory.

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Speaker 1: But what I have a memory of is a photo

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Speaker 1: that was taken on the set this day and someone

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Speaker 1: has it. I don't know who.

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Speaker 2: I think I have it. I have a holoid of

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Speaker 2: you guys in this.

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Speaker 1: Hour, which I never remembered what that was from. I

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Speaker 1: was like, is that from chick like me? Why were

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Speaker 1: we in?

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Speaker 2: That's what I always thought.

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Speaker 1: Yeah, But it's funny because the reason I wouldn't remember

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Speaker 1: this is because we only did it one day. Right.

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Speaker 1: It's a costume gag, so it's.

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Speaker 4: Not really Sphoene's office, so it wasn't filmed in front

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Speaker 4: of the audience.

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Speaker 1: No, so we did we do the hallway too, so

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Speaker 1: we could have Like but it's just funny because like

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Speaker 1: it was obviously like, you know, an hour of my life.

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Speaker 1: It was not like like chick like me. We were

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Speaker 1: in makeup. It's a whole thing.

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Speaker 2: So I remember that week you're talking about it.

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Speaker 1: This is just one, you know, in one hour of

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Speaker 1: our lives in so I totally didn't remember it. It's funny, though.

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Speaker 1: It's a funny gag, so a surprise.

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Speaker 4: Scory asks like this, referring to their outfits. Sean asks,

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Speaker 4: how are we supposed to get home? Phoene tells them

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Speaker 4: to wait until it's dark and then run very quickly.

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Speaker 4: Corey gives him a week's and they walked toward the door.

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Speaker 4: Their heads poke out of the office to check if

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Speaker 4: anyone's around in the hallway. Corey says, everyone's in class.

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Speaker 4: We couldn't have picked a better time, and then it's

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Speaker 4: a non cutting optical flip.

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Speaker 2: They walk into the school hallway and as they exit

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Speaker 2: the office.

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Speaker 4: The bell rings. Cory says, that's bad, and kids start

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Speaker 4: to flood the hallways. Everyone looks at Corey and Sean.

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Speaker 4: People are whistling and owing, and one guy even comes

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Speaker 4: up to Corey to try to touch his butt.

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Speaker 1: That was so weird, bizarre.

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Speaker 3: Yeah, I thought the same thing.

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Speaker 5: I was like, Oh, they really and they obviously told

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Speaker 5: that guy to do that. That's not that's not a

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Speaker 5: choice that that a background actor is going to make.

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Speaker 3: Somebody came up and said, go try Ton't.

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Speaker 1: You took us? Is this John Tracy? Yeah, that's that's

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Speaker 1: on on on character, okay, yep on brand.

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Speaker 4: Eric and Topanga are now in the crowd and Eric says,

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Speaker 4: check out the new competition.

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Speaker 2: Pretty hot. Huh. Tapanga responds, look at them. They must

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Speaker 2: starve themselves.

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Speaker 3: Eric sits together. I know, can you believed together since.

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Speaker 2: The last to Panga.

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Speaker 5: I think I had your face in my hand the

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Speaker 5: last time we actually acted together. And as I watched

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00:17:06,119 --> 00:17:07,879
Speaker 5: it last time, I was like, hey, kind of a

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Speaker 5: scene with the two of us, a little bit of

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Speaker 5: a scene.

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Speaker 2: Sure, we don't look at each other, bro ever seen together.

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Speaker 3: That's okay, we know each other.

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Speaker 4: Apparently that's exactly Eric pats Sean's cheek and says, I

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Speaker 4: get nervous around such beauties. Eric and Topanga walk off,

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Speaker 4: and I say, no, wonder I never made the squad.

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Speaker 2: To Panga tried out for the cheerleading squad, I doubt not.

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Speaker 2: It's I don't think so. She's just yeah, it.

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Speaker 1: Doesn't seem jarring to you guys that were just not

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Speaker 1: acknowledging Cordy' to Panga after after that montage, Like I

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Speaker 1: mean that was it was. It was like the like

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Speaker 1: at least a longing looker.

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Speaker 3: I don't know, man, you're just well, I'm telling you there,

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Speaker 3: you're just supporting. This is the problem I had that

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Speaker 3: everybody that you guys were like, no, I'm in now,

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Speaker 3: it's I they You're just supposed to buy it now.

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Speaker 1: I was waiting for the joke. I was waiting for

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Speaker 1: the joke of like this is why we're not dating anymore,

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Speaker 1: or something about like to a just reference and just

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Speaker 1: acknowledge that it's like now we're or we're gonna be okay.

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Speaker 1: But it's like nothing. I was like, oh, maybe it

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Speaker 1: was out of order. But then if it was out

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Speaker 1: of order, then they would have been together.

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Speaker 3: Yeah, gosh's you know what.

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Speaker 4: By the way, it would have seemed more reasonable that

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Speaker 4: they were still together in this episode because we've had

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Speaker 4: other episodes when they were together where they you know,

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Speaker 4: just kind of passed each other and she was just like, oh, sorry,

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Speaker 4: that's happening bye.

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Speaker 2: And then she walks away.

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Speaker 4: That part did bump me as much as I enjoyed

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Speaker 4: the overall episode.

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Speaker 2: I did.

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Speaker 4: Then after this scene, say, wait a minute, wasn't the

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Speaker 4: last time we saw them this montage breakup? And and

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Speaker 4: it was supposed to be hard. So yeah, the the.

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Speaker 2: Non continuity of a sitcom, I know.

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Speaker 5: Also, this is a this is an episode with so

444
00:18:46,000 --> 00:18:49,040
Speaker 5: they're trying to put everybody in. I mean, Rusty's not there,

445
00:18:49,080 --> 00:18:51,840
Speaker 5: but you've got Eli, You've got Tony, You've got that

446
00:18:51,880 --> 00:18:55,520
Speaker 5: whole storyline there, You've got Blake, you are are Ethan,

447
00:18:55,600 --> 00:18:58,080
Speaker 5: You've got I mean, there's there's a lot going on,

448
00:18:58,640 --> 00:19:02,280
Speaker 5: uh in this episode with with with with different actors,

449
00:19:02,280 --> 00:19:05,159
Speaker 5: different characters. I mean, the entire episode, the focus is

450
00:19:05,160 --> 00:19:06,439
Speaker 5: different characters than we normally do.

451
00:19:06,600 --> 00:19:08,000
Speaker 3: So that's true. What's so strange?

452
00:19:08,840 --> 00:19:11,280
Speaker 4: Yeah, Sean looks at Corey and tells him those Buns

453
00:19:11,320 --> 00:19:13,200
Speaker 4: of Steel videos must have paid off.

454
00:19:13,320 --> 00:19:14,840
Speaker 2: I remember those Buns of Steel videos.

455
00:19:14,920 --> 00:19:15,520
Speaker 3: They were great.

456
00:19:15,840 --> 00:19:17,920
Speaker 2: Yeah, and then we're back in Phoene's office.

457
00:19:17,920 --> 00:19:20,520
Speaker 4: Phoene is thinking Frankie and his father, who is Vader

458
00:19:20,720 --> 00:19:24,320
Speaker 4: now in his great suit, He's coming down to discuss

459
00:19:24,359 --> 00:19:28,040
Speaker 4: this matter. Feenie addresses mister Stakino and Frankie and Frankie's

460
00:19:28,040 --> 00:19:30,119
Speaker 4: father both say yes, I mean.

461
00:19:30,840 --> 00:19:32,399
Speaker 2: He is just so great.

462
00:19:32,680 --> 00:19:35,240
Speaker 3: I love this whole scene me too, This whole bit

463
00:19:35,359 --> 00:19:35,800
Speaker 3: is amazing.

464
00:19:36,560 --> 00:19:38,440
Speaker 1: I was sitting there going like, why is the blocking

465
00:19:38,600 --> 00:19:41,359
Speaker 1: so awkward? And I was like to criticize the blocking,

466
00:19:41,400 --> 00:19:44,679
Speaker 1: and then the reveal of her is like perfect, but

467
00:19:45,240 --> 00:19:47,639
Speaker 1: was like, why would you possibly stand the actors like

468
00:19:47,720 --> 00:19:49,480
Speaker 1: that up there right? And I was like, this is

469
00:19:49,520 --> 00:19:51,800
Speaker 1: really poorly directed. I was like, no, it's perfectly directed.

470
00:19:51,800 --> 00:19:53,960
Speaker 1: It's just so good.

471
00:19:54,280 --> 00:19:56,520
Speaker 4: So Phoene clarifies he was talking to Frankie and his

472
00:19:56,600 --> 00:19:57,360
Speaker 4: father says yes.

473
00:19:57,400 --> 00:19:57,680
Speaker 2: Again.

474
00:19:57,760 --> 00:20:00,159
Speaker 4: He tries clarifying he was talking to little Frankie and

475
00:20:00,160 --> 00:20:01,760
Speaker 4: both of them look at each other and they shrug.

476
00:20:02,040 --> 00:20:04,480
Speaker 4: Phoene walks over to Frankie Junior, saying he was talking

477
00:20:04,520 --> 00:20:06,760
Speaker 4: to this lad right here. As he pats Ethan on

478
00:20:06,800 --> 00:20:09,560
Speaker 4: the shoulder. Phoene asks whose idea was to burn students

479
00:20:09,600 --> 00:20:12,080
Speaker 4: clothes and make them dress up and cheerleader outfits. Frankie

480
00:20:12,119 --> 00:20:14,560
Speaker 4: tells him he cannot say. He must protect his friend

481
00:20:14,680 --> 00:20:17,960
Speaker 4: Joey the Rat. Phoene tells him it's too late, Joey's

482
00:20:17,960 --> 00:20:20,320
Speaker 4: already been suspended. This meeting is to try and save

483
00:20:20,400 --> 00:20:23,239
Speaker 4: Frankie from a similar fate. Frankie's father cuts Phenie off

484
00:20:23,240 --> 00:20:25,359
Speaker 4: and tells him that won't happen to his boy, and

485
00:20:25,400 --> 00:20:30,080
Speaker 4: then he cuts an excellent promo and explaining that it

486
00:20:30,119 --> 00:20:30,920
Speaker 4: won't happen again.

487
00:20:31,119 --> 00:20:33,400
Speaker 1: My boy, he's gonna straighten up and he's gonna fly ride.

488
00:20:33,400 --> 00:20:35,879
Speaker 1: It's an eleven times heavyweight. Can't read out the world.

489
00:20:37,000 --> 00:20:39,640
Speaker 2: It's so good, he guarantees, and then he barks over

490
00:20:39,640 --> 00:20:40,080
Speaker 2: and over again.

491
00:20:40,080 --> 00:20:42,240
Speaker 4: He guarantees his boy is gonna toe the line and

492
00:20:42,320 --> 00:20:46,880
Speaker 4: starts barking at Phoene. We actually see Bill's hair, yes,

493
00:20:47,480 --> 00:20:48,560
Speaker 4: blow in the.

494
00:20:49,480 --> 00:20:50,760
Speaker 1: Breath a second.

495
00:20:51,000 --> 00:20:52,200
Speaker 3: I could watch that all day.

496
00:20:53,440 --> 00:20:57,280
Speaker 1: Him just like shaking his head is like the.

497
00:20:56,560 --> 00:20:59,560
Speaker 2: Wind, the wind of his blatch.

498
00:21:00,000 --> 00:21:03,240
Speaker 3: He almost like he almost fumbles his next line.

499
00:21:03,320 --> 00:21:05,199
Speaker 1: Yeah, because that's why I thought he was gonna But

500
00:21:05,240 --> 00:21:07,440
Speaker 1: he's not. He's just dealing with the dude in front

501
00:21:07,440 --> 00:21:07,840
Speaker 1: of him.

502
00:21:07,880 --> 00:21:13,720
Speaker 4: So good, so good, beautiful. Phoene assures mister Staquino. He

503
00:21:13,760 --> 00:21:17,200
Speaker 4: appreciates his passion, but he doesn't have to bark. Frankie

504
00:21:17,200 --> 00:21:19,520
Speaker 4: looks upset as he says, poor Joey, poor me.

505
00:21:19,640 --> 00:21:22,040
Speaker 2: What will I ever do without my best friend? Phoene

506
00:21:22,160 --> 00:21:22,479
Speaker 2: tells him.

507
00:21:22,480 --> 00:21:24,560
Speaker 4: Someone who drags you down is not your best friend.

508
00:21:24,720 --> 00:21:26,760
Speaker 4: I suggest you find a better crowd, or you'll end

509
00:21:26,840 --> 00:21:29,199
Speaker 4: up like your friend Joey. Frankie's dad yells at him,

510
00:21:29,200 --> 00:21:31,359
Speaker 4: telling him to do what Phoene says. Phoene butts in

511
00:21:31,400 --> 00:21:33,159
Speaker 4: and tells him he doesn't have to yell, and Frankie

512
00:21:33,200 --> 00:21:35,399
Speaker 4: Junior says he's not yelling as his dad puts his

513
00:21:35,480 --> 00:21:38,280
Speaker 4: arm around him in smiles. Phoene shakes his father's hand

514
00:21:38,280 --> 00:21:39,240
Speaker 4: and thanks him for stopping by.

515
00:21:39,280 --> 00:21:41,520
Speaker 2: As Frankie and his dad walk away, we see there's

516
00:21:41,560 --> 00:21:45,360
Speaker 2: been a woman standing behind Frankie this whole time, completely

517
00:21:45,400 --> 00:21:46,560
Speaker 2: blocked until this moment.

518
00:21:48,000 --> 00:21:52,159
Speaker 1: She just looks so sad. Yeah, she's just a trod

519
00:21:52,240 --> 00:21:54,800
Speaker 1: upon woman's her poor life.

520
00:21:54,680 --> 00:21:58,000
Speaker 4: Is just she obviously was a background actor and so

521
00:21:58,119 --> 00:22:01,919
Speaker 4: probably somebody d d picked, right, I mean yeah.

522
00:22:02,000 --> 00:22:03,960
Speaker 1: Her look on her face is just so.

523
00:22:04,000 --> 00:22:08,400
Speaker 5: Really it's such a good clever joke though, I mean

524
00:22:08,440 --> 00:22:10,480
Speaker 5: it just you don't need a single word.

525
00:22:10,680 --> 00:22:14,919
Speaker 3: It's just the reveal. Oh missus, Oh my god.

526
00:22:14,440 --> 00:22:16,960
Speaker 2: I'm so sorry, And she nods at him and shrugs,

527
00:22:17,000 --> 00:22:18,720
Speaker 2: are you gonna do just no good.

528
00:22:18,960 --> 00:22:21,439
Speaker 3: Also one thing that it's so funny.

529
00:22:21,440 --> 00:22:23,800
Speaker 5: We've talked about this a little bit, but everybody always

530
00:22:23,800 --> 00:22:26,399
Speaker 5: comes up to me, especially well I'm sure they do

531
00:22:26,440 --> 00:22:27,720
Speaker 5: it to you as well, but they come up to

532
00:22:27,800 --> 00:22:30,800
Speaker 5: us and they say, you're a lot smaller than I

533
00:22:30,800 --> 00:22:31,480
Speaker 5: thought you're gonna be.

534
00:22:31,560 --> 00:22:33,159
Speaker 3: Like, you're a lot shorter than I thought you're gonna be.

535
00:22:33,160 --> 00:22:34,600
Speaker 3: You're a lot smaller than I thought you're gonna be.

536
00:22:35,119 --> 00:22:38,320
Speaker 5: The the opposite is also true. When you're a really

537
00:22:38,359 --> 00:22:41,040
Speaker 5: big person, you look smaller on camera.

538
00:22:41,920 --> 00:22:43,360
Speaker 3: Being next to Leon.

539
00:22:44,119 --> 00:22:48,040
Speaker 8: He was a mountain of a man, and you got

540
00:22:48,119 --> 00:22:53,119
Speaker 8: that sense in this episode from the size of his suit. Yeah, Like,

541
00:22:53,160 --> 00:22:55,720
Speaker 8: if you look at that suit he's wearing, you forget

542
00:22:55,760 --> 00:22:58,280
Speaker 8: how big this guy really was in person.

543
00:22:58,359 --> 00:23:00,199
Speaker 5: I mean he was a mountain of a man. And

544
00:23:00,240 --> 00:23:01,600
Speaker 5: this actually, when I watched it was like.

545
00:23:01,760 --> 00:23:03,720
Speaker 3: Oh that's right. I forgot how big he was because

546
00:23:03,720 --> 00:23:06,159
Speaker 3: you see the suit. It's like it's huge, huge man.

547
00:23:06,320 --> 00:23:07,879
Speaker 3: Such a nice guy too. We always talk about it,

548
00:23:07,880 --> 00:23:08,720
Speaker 3: what a guy.

549
00:23:08,720 --> 00:23:09,360
Speaker 2: Was, What a man.

550
00:23:09,880 --> 00:23:11,680
Speaker 4: So then we're in the school hallway, Corey and Sean

551
00:23:11,720 --> 00:23:13,800
Speaker 4: are wearing new John Adams hoodies.

552
00:23:14,000 --> 00:23:17,399
Speaker 2: I love these hoodies. I still have on one, Julia,

553
00:23:17,520 --> 00:23:20,520
Speaker 2: really I still have that's I wish we had that.

554
00:23:21,000 --> 00:23:23,720
Speaker 1: I want Penbrook. I want a whole Penbrooke outfit.

555
00:23:23,840 --> 00:23:27,520
Speaker 5: And I know, and just make that merch have the

556
00:23:27,520 --> 00:23:29,359
Speaker 5: one that Ben's wearing, the dark the dark gray one.

557
00:23:29,400 --> 00:23:30,400
Speaker 3: It's I use it to work out.

558
00:23:30,520 --> 00:23:31,720
Speaker 2: Rider's wearing the gray one.

559
00:23:31,720 --> 00:23:34,399
Speaker 3: I think I think gray and dark has whatever the

560
00:23:34,480 --> 00:23:35,040
Speaker 3: darker one is.

561
00:23:35,160 --> 00:23:37,440
Speaker 2: I think it's green, is it? I think it was green.

562
00:23:37,480 --> 00:23:38,560
Speaker 2: I don't know, Okay.

563
00:23:39,400 --> 00:23:42,199
Speaker 4: Rider also has a sweater tied around his waist, So

564
00:23:42,280 --> 00:23:44,680
Speaker 4: he's wearing a hoodie and a sweater tight around his waist.

565
00:23:44,720 --> 00:23:48,560
Speaker 2: He must get very cold. Sean says, well, it sure

566
00:23:48,560 --> 00:23:51,239
Speaker 2: feels better than those skirts, and Corey says he doesn't know.

567
00:23:51,280 --> 00:23:53,200
Speaker 4: There's something to be said for the freedom they gave.

568
00:23:53,359 --> 00:23:56,000
Speaker 4: Sean looks at Corey and degrees Yeah you thought that too.

569
00:23:56,280 --> 00:23:57,960
Speaker 4: They both look at each other quickly and laugh as

570
00:23:58,000 --> 00:24:01,200
Speaker 4: they say, No, No, maybe you guys just are gonna

571
00:24:01,200 --> 00:24:01,720
Speaker 4: wear kilts.

572
00:24:02,080 --> 00:24:04,359
Speaker 5: Yeah, I was gonna say, kilt spread around for hundreds

573
00:24:04,400 --> 00:24:05,280
Speaker 5: of years for a reason.

574
00:24:05,320 --> 00:24:07,160
Speaker 3: There's obviously a comfort to that. My god.

575
00:24:07,160 --> 00:24:10,760
Speaker 1: Absolutely, the insanity of a guy wearing a dress.

576
00:24:10,600 --> 00:24:14,440
Speaker 4: No, you would it Sean says they better get out

577
00:24:14,440 --> 00:24:17,520
Speaker 4: of there before Frankie comes looking for them, and Frankie

578
00:24:17,520 --> 00:24:19,720
Speaker 4: has quickly become the boy's main op here. He is

579
00:24:19,880 --> 00:24:22,960
Speaker 4: just number one. Corey says, there's no need to worry.

580
00:24:23,000 --> 00:24:24,920
Speaker 4: If he Nee just read him the Riot Act, even

581
00:24:24,960 --> 00:24:27,119
Speaker 4: Frankie wouldn't be stupid enough to mess with them. After that,

582
00:24:27,480 --> 00:24:29,199
Speaker 4: Frankie walks up to Sean and Corey and puts his

583
00:24:29,280 --> 00:24:31,400
Speaker 4: arms around them, saying, Oh, you'd be pained at how

584
00:24:31,440 --> 00:24:33,800
Speaker 4: stupid I could be, And he pushes them into a classroom.

585
00:24:34,240 --> 00:24:36,000
Speaker 4: And then we're in the school classroom and Frankie tells

586
00:24:36,000 --> 00:24:38,159
Speaker 4: Sean and Corey you ratted me out and Joey, and

587
00:24:38,160 --> 00:24:40,560
Speaker 4: as Joey used to say, live by the rat, Die by.

588
00:24:40,400 --> 00:24:43,040
Speaker 2: The rat, he does a very cute little impression by

589
00:24:43,040 --> 00:24:46,320
Speaker 2: the ract die bidies so cute.

590
00:24:46,760 --> 00:24:48,880
Speaker 4: Corey asks what that means, and Frankie says, why don't

591
00:24:48,920 --> 00:24:51,439
Speaker 4: we ask him? Oh wait, we cannot. My one and

592
00:24:51,520 --> 00:24:54,399
Speaker 4: only friend, Joey has been suspended. I walk alone in

593
00:24:54,440 --> 00:24:57,320
Speaker 4: this world except for the grilled cheese sandwich in my pocket.

594
00:24:57,800 --> 00:25:02,280
Speaker 4: Famous quote alert, Isn't that the the quote Ethan told us?

595
00:25:02,320 --> 00:25:04,040
Speaker 4: People come up and quote to him all the time,

596
00:25:04,080 --> 00:25:06,560
Speaker 4: and he likes it and he didn't really remember.

597
00:25:06,200 --> 00:25:08,360
Speaker 2: The context of it. I think that's the one people

598
00:25:08,440 --> 00:25:09,200
Speaker 2: always say to him.

599
00:25:09,320 --> 00:25:10,560
Speaker 1: It's a really funny one.

600
00:25:10,720 --> 00:25:11,560
Speaker 2: It is funny.

601
00:25:11,800 --> 00:25:14,640
Speaker 1: This whole scene, though, kind of bumped me in that

602
00:25:15,440 --> 00:25:18,399
Speaker 1: it's like a repeat of the other episode where he

603
00:25:18,720 --> 00:25:20,720
Speaker 1: did this touch in the cafeteria.

604
00:25:20,480 --> 00:25:22,720
Speaker 2: For the post Yeah, for the when he loves somebody.

605
00:25:22,480 --> 00:25:24,639
Speaker 1: Almost down to the lines where I'm like doing the

606
00:25:24,640 --> 00:25:28,119
Speaker 1: what wo thing? Like almost it's it's the same beat,

607
00:25:28,640 --> 00:25:31,800
Speaker 1: and which is fine, Like obviously it's a repeating but

608
00:25:32,119 --> 00:25:34,600
Speaker 1: why why don't we acknowledge it? Like I feel like

609
00:25:34,640 --> 00:25:37,600
Speaker 1: we act like we've never had any relationship or connection

610
00:25:37,720 --> 00:25:40,720
Speaker 1: with Frankie. But the truth is, at this point we've

611
00:25:40,720 --> 00:25:43,480
Speaker 1: had so many interactions. It's like it wouldn't be that

612
00:25:43,560 --> 00:25:45,080
Speaker 1: hard for us to be like, we know you're a

613
00:25:45,080 --> 00:25:47,520
Speaker 1: sensitive guy, likes poetry, and we've been a poetry readings

614
00:25:47,560 --> 00:25:49,600
Speaker 1: with him, Like why are we acting like we have

615
00:25:49,720 --> 00:25:51,920
Speaker 1: no idea who he is? Besides, you know, it's weird.

616
00:25:52,000 --> 00:25:55,080
Speaker 4: It's like, yeah, that is, You're right that they're they're

617
00:25:55,160 --> 00:25:57,920
Speaker 4: they kind of I think they when they love something,

618
00:25:58,080 --> 00:26:00,440
Speaker 4: they want to find a way to read do it

619
00:26:00,480 --> 00:26:02,320
Speaker 4: with a new spin on it because they loved it

620
00:26:02,359 --> 00:26:04,639
Speaker 4: and it worked well. So they loved the dynamic of

621
00:26:04,640 --> 00:26:07,159
Speaker 4: Ethan with the two of you, so they were like,

622
00:26:07,200 --> 00:26:09,159
Speaker 4: how do we do that? Well, we can't have Ethan

623
00:26:09,240 --> 00:26:11,480
Speaker 4: go to the boys again and say would you guys

624
00:26:11,480 --> 00:26:13,520
Speaker 4: be my new friends, because that's kind of what he

625
00:26:13,560 --> 00:26:16,159
Speaker 4: did he asked for your advice the first time. So

626
00:26:16,200 --> 00:26:18,520
Speaker 4: in this one, you guys are offering yourselves to him.

627
00:26:18,640 --> 00:26:20,800
Speaker 4: But we're going to just forget that we know anything

628
00:26:20,800 --> 00:26:23,960
Speaker 4: about each other. So you know, when you binge a

629
00:26:24,040 --> 00:26:28,240
Speaker 4: show like we are, we're realizing how many things get regurgitated. Yep,

630
00:26:28,640 --> 00:26:31,600
Speaker 4: But I think when you're watching it a week at

631
00:26:31,600 --> 00:26:33,960
Speaker 4: a time, within a long break in the summer, people

632
00:26:34,000 --> 00:26:35,960
Speaker 4: may not even remember that that ever.

633
00:26:36,160 --> 00:26:39,639
Speaker 1: Even in fact, it's like it's beholden on the writers

634
00:26:39,720 --> 00:26:45,920
Speaker 1: to declare, like to re re establish who characters are everyone. Yeah,

635
00:26:45,960 --> 00:26:47,399
Speaker 1: you know what I mean. Like, in other words, if

636
00:26:47,440 --> 00:26:49,679
Speaker 1: Ethan were if we were too friendly and relaxed with

637
00:26:49,760 --> 00:26:52,480
Speaker 1: him too early in this episode, there'd be no story, right,

638
00:26:52,720 --> 00:26:54,720
Speaker 1: So you have to like make it more extreme, which

639
00:26:54,800 --> 00:26:58,440
Speaker 1: just makes everything more cartoony and less realistic.

640
00:26:58,600 --> 00:27:02,520
Speaker 4: Yes's yeah, yeah, So Frankie raises his fist, asking who

641
00:27:02,560 --> 00:27:04,479
Speaker 4: dies first, and Corey says, whoa, whoa, Frankie.

642
00:27:04,520 --> 00:27:06,600
Speaker 2: What I'm getting here is that friendship is very important

643
00:27:06,600 --> 00:27:08,440
Speaker 2: to you. So how about this? You let us live.

644
00:27:08,520 --> 00:27:11,160
Speaker 4: You got two new friends, and just like writer said,

645
00:27:11,200 --> 00:27:13,760
Speaker 4: he turns to Corey in surprise and says who Corey

646
00:27:13,800 --> 00:27:14,760
Speaker 4: tells him us.

647
00:27:14,640 --> 00:27:15,119
Speaker 2: Think about it.

648
00:27:15,119 --> 00:27:17,720
Speaker 4: We can hang out, go to movies, ballgames, whatever. Frankie,

649
00:27:17,760 --> 00:27:20,160
Speaker 4: now interested, asks if they could go to poetry readings,

650
00:27:20,320 --> 00:27:22,640
Speaker 4: and Corey says, we're there. Sean turns to him and says,

651
00:27:22,680 --> 00:27:26,359
Speaker 4: I hate poetry. Corey reassured that if their friend this.

652
00:27:26,280 --> 00:27:29,560
Speaker 1: Is like the defining characteristic of Sean within that yet

653
00:27:30,040 --> 00:27:32,960
Speaker 1: a year, I already wrote poems. Remember, we're like we

654
00:27:33,040 --> 00:27:35,720
Speaker 1: discovered that that was established earlier. I mean there.

655
00:27:35,720 --> 00:27:38,600
Speaker 5: Was FROs and all that kind I mean, it's like,

656
00:27:38,640 --> 00:27:40,359
Speaker 5: obviously you've got that kind of poetic soul.

657
00:27:40,720 --> 00:27:43,399
Speaker 1: Why and like like we're surprised that he likes poetry.

658
00:27:43,440 --> 00:27:45,879
Speaker 1: We've sweeped into a poetry reading with him. I know

659
00:27:46,359 --> 00:27:48,960
Speaker 1: this was throwing this was throwing Sean under the bus.

660
00:27:49,119 --> 00:27:51,600
Speaker 2: Yeah, it was throwing Sean under the bus. Just making

661
00:27:51,640 --> 00:27:54,840
Speaker 2: Sean a bit of a you know, uh dumb dumb

662
00:27:55,080 --> 00:27:57,920
Speaker 2: a dumb dumb here and the liver joke is really weird.

663
00:27:58,440 --> 00:28:02,720
Speaker 2: I thought it was very funny that it's I.

664
00:28:02,720 --> 00:28:05,720
Speaker 4: I just like that it's something that couldn't sound anything

665
00:28:05,840 --> 00:28:15,080
Speaker 4: less like poetry reading. Sean turns to Frankie and says, oh, poetry,

666
00:28:15,240 --> 00:28:16,359
Speaker 4: How you said liver?

667
00:28:16,840 --> 00:28:18,200
Speaker 2: Cory asks what do you say? Frankie?

668
00:28:18,200 --> 00:28:19,960
Speaker 4: Friends, and he sticks out his hand to shake on it.

669
00:28:20,000 --> 00:28:22,159
Speaker 4: Frankie asks him if this is a sincere effort and

670
00:28:22,160 --> 00:28:25,160
Speaker 4: not just a phony move to avoid agonizing pain and suffering.

671
00:28:25,560 --> 00:28:28,920
Speaker 4: Sean and Corey say it's sincere, absolutely heartfelt. So this

672
00:28:29,000 --> 00:28:31,320
Speaker 4: is where he says, the agonizing pain and suffering. This

673
00:28:31,359 --> 00:28:34,959
Speaker 4: is one of those moments where I was like, you

674
00:28:35,000 --> 00:28:38,960
Speaker 4: want everyone to see you as something more than this bully.

675
00:28:39,400 --> 00:28:42,080
Speaker 4: But in both of the times, like in this time,

676
00:28:42,200 --> 00:28:44,080
Speaker 4: he's the only reason they're agreeing to be his friend

677
00:28:44,120 --> 00:28:47,480
Speaker 4: is because he's threatening to kill agonizing, Yeah, I'm going

678
00:28:47,520 --> 00:28:50,719
Speaker 4: to beat you, and then they say okay, let's be friends.

679
00:28:50,800 --> 00:28:53,560
Speaker 4: And then later in the hallway too, he says when

680
00:28:53,760 --> 00:28:56,480
Speaker 4: you get on, and then he goes, are you doing

681
00:28:56,520 --> 00:28:58,880
Speaker 4: this just to avoid agonizing pain and suffering? It's like,

682
00:28:58,920 --> 00:29:01,840
Speaker 4: so you are still you're not actually trying to turn

683
00:29:01,880 --> 00:29:02,680
Speaker 4: over a new leave.

684
00:29:02,920 --> 00:29:04,720
Speaker 3: No, this is also all right.

685
00:29:04,760 --> 00:29:06,640
Speaker 5: After he helds up his fist and says, which one

686
00:29:06,640 --> 00:29:09,320
Speaker 5: of you dies first? Right, So it's like, yeah, you're

687
00:29:09,640 --> 00:29:11,160
Speaker 5: he's a bully.

688
00:29:10,440 --> 00:29:13,280
Speaker 4: I mean, Frankie starts to cheer up and tells them

689
00:29:13,280 --> 00:29:15,520
Speaker 4: it makes him very happy. He grabs them and pulls

690
00:29:15,560 --> 00:29:17,160
Speaker 4: them into a hug. Shawn and Corey yell out in

691
00:29:17,200 --> 00:29:19,400
Speaker 4: pain as Frankie grabs tighter, and Corey says, we never

692
00:29:19,440 --> 00:29:22,280
Speaker 4: do anything right, and then we're in Turner's apartment the

693
00:29:22,320 --> 00:29:22,920
Speaker 4: phone rings.

694
00:29:23,160 --> 00:29:26,280
Speaker 1: Well, lay this scene, there's this there was this look

695
00:29:26,280 --> 00:29:30,920
Speaker 1: in my eyes like like like I'm I'm, I'm like

696
00:29:31,120 --> 00:29:34,280
Speaker 1: I feel sorry for him, Like there's this really intense

697
00:29:34,320 --> 00:29:37,520
Speaker 1: it was. It was like, wow, Sean is like pitying

698
00:29:37,960 --> 00:29:41,000
Speaker 1: and then also kind of like worried that he's it's

699
00:29:41,080 --> 00:29:45,000
Speaker 1: it's it's it was like and it's almost like Sean

700
00:29:45,080 --> 00:29:49,479
Speaker 1: is not sure yet if how do I put this?

701
00:29:50,560 --> 00:29:53,960
Speaker 1: I almost feel like like like Sean is is thinking

702
00:29:54,000 --> 00:29:56,040
Speaker 1: that he might be joking the whole time, like that

703
00:29:56,120 --> 00:29:59,160
Speaker 1: Frankie at any point is going to be like no, no, no,

704
00:29:59,200 --> 00:30:01,800
Speaker 1: I'm really not you of like, and it's it adds

705
00:30:01,840 --> 00:30:03,840
Speaker 1: like this level of tension. I was like, Oh, that's

706
00:30:03,920 --> 00:30:05,800
Speaker 1: that's funny. But I also don't know if I was

707
00:30:05,840 --> 00:30:08,320
Speaker 1: planning it or if I just was actually sitting there, going,

708
00:30:08,600 --> 00:30:09,560
Speaker 1: what is Ethan gonna do?

709
00:30:11,080 --> 00:30:13,600
Speaker 2: The scene in the classroom, I mean, yeah, in this scene, like.

710
00:30:13,560 --> 00:30:15,000
Speaker 1: If you look at the way I'm looking at him,

711
00:30:15,000 --> 00:30:18,080
Speaker 1: it's like I am so weirded out, like it's almost

712
00:30:18,120 --> 00:30:20,760
Speaker 1: like I'm pitying him. But then I'm also like, is

713
00:30:20,840 --> 00:30:23,880
Speaker 1: this gonna work? Is this gonna And it's so real,

714
00:30:24,040 --> 00:30:26,400
Speaker 1: Like I was watching I was like, I like, did

715
00:30:26,440 --> 00:30:28,440
Speaker 1: I not know what Ethan was going to say or

716
00:30:28,480 --> 00:30:31,520
Speaker 1: do from moment to moment? Like it's it's really intense

717
00:30:31,880 --> 00:30:35,640
Speaker 1: and it's funny. No, I think something was going on.

718
00:30:35,720 --> 00:30:39,440
Speaker 1: I think either like Even was, because Even was a

719
00:30:39,560 --> 00:30:42,240
Speaker 1: very intense actor, Like I feel like he might have

720
00:30:42,320 --> 00:30:44,200
Speaker 1: been changing up the performance on the night of the

721
00:30:44,240 --> 00:30:47,480
Speaker 1: show or like been messing with us in some way

722
00:30:47,520 --> 00:30:50,800
Speaker 1: to get that look out of me because it is intense,

723
00:30:50,840 --> 00:30:52,880
Speaker 1: and I'm like, that's not me acting. That is me

724
00:30:53,080 --> 00:30:55,160
Speaker 1: like actually not sure what's going to happen next, or

725
00:30:55,160 --> 00:30:56,760
Speaker 1: maybe I was just trying not to laugh, which we

726
00:30:56,800 --> 00:30:57,280
Speaker 1: know good.

727
00:30:57,600 --> 00:31:00,800
Speaker 4: Yes, well, and later in the cafeteria you fully break.

728
00:31:00,960 --> 00:31:04,160
Speaker 1: Yeah, and I thought it was in Turner's apartment I broke,

729
00:31:04,240 --> 00:31:05,280
Speaker 1: But whenever.

730
00:31:05,000 --> 00:31:07,000
Speaker 4: I breaks, all the I mean maybe you also broke

731
00:31:07,000 --> 00:31:10,640
Speaker 4: in Turner's apartment. But with with Joey you fully break

732
00:31:10,840 --> 00:31:15,320
Speaker 4: and it's great. I'm sorry, not Joey with Ethan, with yeah,

733
00:31:15,360 --> 00:31:17,840
Speaker 4: with Frankie. As he leaves and says, I have I

734
00:31:17,880 --> 00:31:21,320
Speaker 4: have to go and have time to reflect, and you

735
00:31:21,400 --> 00:31:25,640
Speaker 4: just talk through your laughing, and it's it's it's just unbelievable.

736
00:31:26,320 --> 00:31:29,240
Speaker 4: So we're in Turner's apartment. The phone rings. It's right

737
00:31:29,240 --> 00:31:32,240
Speaker 4: next to a CD tower. Do you guys remember CD towers?

738
00:31:32,320 --> 00:31:33,840
Speaker 3: Of course? Of course.

739
00:31:34,120 --> 00:31:37,520
Speaker 2: Oh I still have a well that's not surprising.

740
00:31:37,720 --> 00:31:40,360
Speaker 3: Yeah, I just I have them all. They're all upstairs. Yes,

741
00:31:40,400 --> 00:31:41,120
Speaker 3: thank you very much.

742
00:31:42,040 --> 00:31:44,680
Speaker 4: As Turner cooks in the kitchen, Sean and Eli are nearby,

743
00:31:44,720 --> 00:31:46,600
Speaker 4: sitting on the couch. Eli walks over to the ringing

744
00:31:46,640 --> 00:31:48,400
Speaker 4: phone and asks Turner, are you going to get that?

745
00:31:48,640 --> 00:31:51,120
Speaker 4: Turner looks up and says no. Sean responds, you think

746
00:31:51,120 --> 00:31:53,360
Speaker 4: it's her again. The machine beeps and a woman's voice

747
00:31:53,360 --> 00:31:55,920
Speaker 4: says hi, it's me again, Sean says, and we have

748
00:31:55,960 --> 00:31:58,960
Speaker 4: an answer. The voicemail continues and the woman says, John,

749
00:31:59,080 --> 00:32:01,280
Speaker 4: I'm not saying you're a void me. Maybe you're standing

750
00:32:01,320 --> 00:32:02,840
Speaker 4: right in front of the phone and doing that thing

751
00:32:02,880 --> 00:32:05,600
Speaker 4: with your hand covering your mouth. Turner moves his hand immediately,

752
00:32:05,640 --> 00:32:07,960
Speaker 4: and Ei tells him she always did give him the willies.

753
00:32:08,520 --> 00:32:11,200
Speaker 4: The voicemail continues, Anyway, I'm in town until Sunday. I

754
00:32:11,240 --> 00:32:12,520
Speaker 4: just think we owe it to each other to sit

755
00:32:12,560 --> 00:32:15,600
Speaker 4: down and talk. Everyone's silent, and Sean says, man gets

756
00:32:15,600 --> 00:32:18,600
Speaker 4: a call. Lots of calls from remember very attractively.

757
00:32:19,040 --> 00:32:21,800
Speaker 5: The only part of the entire episode I remember is

758
00:32:21,840 --> 00:32:26,880
Speaker 5: writer doing this, writer doing the manner table read or

759
00:32:26,920 --> 00:32:27,440
Speaker 5: from the show.

760
00:32:27,520 --> 00:32:28,320
Speaker 3: It's great.

761
00:32:28,440 --> 00:32:32,600
Speaker 1: I remember the dude payoff. Remember this episode with Indian.

762
00:32:32,720 --> 00:32:33,600
Speaker 1: He loved this.

763
00:32:33,480 --> 00:32:36,720
Speaker 3: By I remembered this whole thing, Remember this entire thing.

764
00:32:36,800 --> 00:32:38,840
Speaker 2: Yeah, this is all very funny, and I love that

765
00:32:38,920 --> 00:32:41,000
Speaker 2: you call yourself his little buddy Sean.

766
00:32:41,040 --> 00:32:43,040
Speaker 4: He doesn't say a word of it to his little buddy, Sean.

767
00:32:43,200 --> 00:32:45,680
Speaker 4: Huh interesting. Turner looks at him and says, there's nothing

768
00:32:45,720 --> 00:32:48,680
Speaker 4: to tell. Sean responds responds with man gets all squirrely.

769
00:32:48,720 --> 00:32:50,840
Speaker 4: Every time this girl calls makes a guy think man's

770
00:32:50,880 --> 00:32:53,240
Speaker 4: keeping secrets from him. Turner tells Sean to stop what

771
00:32:53,280 --> 00:32:55,680
Speaker 4: the whole man thing, and Sean says, man seems.

772
00:32:55,400 --> 00:32:58,160
Speaker 2: A little irritated lately. Turner says, it's no big deal.

773
00:32:58,240 --> 00:32:59,680
Speaker 4: It's a girl he dated a long time ago, and

774
00:32:59,680 --> 00:33:01,560
Speaker 4: it's own over, and then looking at Sean, he says,

775
00:33:01,600 --> 00:33:03,440
Speaker 4: don't you dare start the next sentence with man.

776
00:33:03,720 --> 00:33:06,280
Speaker 2: Sean responds with, dude's got a problem with the word

777
00:33:06,320 --> 00:33:10,120
Speaker 2: many very right.

778
00:33:10,320 --> 00:33:15,440
Speaker 5: Yeah, there were several times in this scene where it was,

779
00:33:15,560 --> 00:33:19,120
Speaker 5: especially with you writer, you were completely out of focus.

780
00:33:19,960 --> 00:33:23,760
Speaker 3: Really, yes, it was just bizarre. It was like, oh,

781
00:33:23,880 --> 00:33:26,720
Speaker 3: that's jarring. It was just all it was whoever is

782
00:33:26,800 --> 00:33:27,640
Speaker 3: doing your coverage?

783
00:33:27,720 --> 00:33:31,120
Speaker 2: Especially right who was on camera X? They were just.

784
00:33:31,680 --> 00:33:32,880
Speaker 3: Really out of focus.

785
00:33:32,920 --> 00:33:34,240
Speaker 1: It was it was weird.

786
00:33:34,680 --> 00:33:39,160
Speaker 2: It was weird. I thought he was I thought Ray

787
00:33:39,240 --> 00:33:40,400
Speaker 2: was a But do.

788
00:33:40,520 --> 00:33:46,480
Speaker 1: We really remember our camera? I saw them.

789
00:33:46,480 --> 00:33:50,080
Speaker 3: We would know them in a heart, heavy, heavy smoker.

790
00:33:50,480 --> 00:33:54,840
Speaker 4: Brian mackenzie was one of our camera coordinators and he's

791
00:33:54,920 --> 00:33:59,760
Speaker 4: now my associate director on two different shows I directed. Yeah,

792
00:33:59,760 --> 00:34:01,920
Speaker 4: he's great. He's a director too. He's fantastic. He was

793
00:34:01,960 --> 00:34:03,640
Speaker 4: nominated for an Emmy with me last year.

794
00:34:05,880 --> 00:34:07,560
Speaker 2: So yeah, we still see each other all the time.

795
00:34:09,040 --> 00:34:12,880
Speaker 4: So as Turners chopping stops chopping his vegetables, Eli encouraged

796
00:34:12,920 --> 00:34:15,520
Speaker 4: Turner to share something with Sean, and Turner says, okay,

797
00:34:15,680 --> 00:34:17,640
Speaker 4: you know those three little words that are very difficult

798
00:34:17,640 --> 00:34:19,359
Speaker 4: to say to a woman unless you really mean them,

799
00:34:19,680 --> 00:34:21,800
Speaker 4: And Sean asks, is father home?

800
00:34:22,120 --> 00:34:22,680
Speaker 3: Father is?

801
00:34:25,360 --> 00:34:28,400
Speaker 4: Turner says no, Sean, I love you. Sean smiles at

802
00:34:28,480 --> 00:34:30,959
Speaker 4: him and says, oh, you're just a little vulnerable right now.

803
00:34:31,280 --> 00:34:34,040
Speaker 4: Turner says, man needs to take a little walk and

804
00:34:34,120 --> 00:34:36,840
Speaker 4: he leaves. I love him, turning that on you. Sean,

805
00:34:36,880 --> 00:34:38,920
Speaker 4: now alone with Eli, asks who this girl is and

806
00:34:38,960 --> 00:34:40,799
Speaker 4: Eli says, you ever hear of the one that got away?

807
00:34:41,080 --> 00:34:43,720
Speaker 4: Eli tells Sean she left him, but he thinks John's

808
00:34:43,719 --> 00:34:46,080
Speaker 4: the one that got away. Sean asks away from what?

809
00:34:46,239 --> 00:34:49,160
Speaker 4: And Eli says you know everything about John right. Sean

810
00:34:49,239 --> 00:34:50,880
Speaker 4: laughs and says, are you kidding me? I live with

811
00:34:50,960 --> 00:34:53,520
Speaker 4: the guy. I'm his little buddy. We have no secrets.

812
00:34:53,840 --> 00:34:56,160
Speaker 4: Eli says, so you know his parents are real rich

813
00:34:56,360 --> 00:34:58,000
Speaker 4: and Sean's surprised.

814
00:34:57,520 --> 00:35:00,760
Speaker 2: And says he has parents rich? Is this is brilliant.

815
00:35:00,840 --> 00:35:01,959
Speaker 3: This is a great scene. I see.

816
00:35:02,000 --> 00:35:05,040
Speaker 1: I loved this scene, and I guess it was a

817
00:35:05,040 --> 00:35:09,120
Speaker 1: bummer to me that that Sean wasn't involved in the

818
00:35:09,120 --> 00:35:12,480
Speaker 1: rest of the storyline, like I wanted aunt Eli for

819
00:35:12,480 --> 00:35:14,440
Speaker 1: that matter, like the fact that it just kind of

820
00:35:14,440 --> 00:35:17,040
Speaker 1: becomes a Turner in a new character of the week.

821
00:35:17,160 --> 00:35:19,759
Speaker 1: Who's fine, but it's it just like it doesn't really

822
00:35:19,800 --> 00:35:22,680
Speaker 1: And I also was waiting for the fact that Turner

823
00:35:22,719 --> 00:35:26,560
Speaker 1: comes from money to affect Sean in some like real way,

824
00:35:26,760 --> 00:35:30,480
Speaker 1: like right, because that's a really interesting and version of

825
00:35:30,480 --> 00:35:33,160
Speaker 1: Sean's character, right, Like Seawn comes from nothing and is

826
00:35:33,200 --> 00:35:35,879
Speaker 1: now in this situation. If Turner came from a lot

827
00:35:35,880 --> 00:35:39,560
Speaker 1: of money and is in this situation like that, that's

828
00:35:39,600 --> 00:35:41,960
Speaker 1: so cool. But it doesn't. I mean, besides, there was

829
00:35:42,000 --> 00:35:43,680
Speaker 1: a couple jokes of Sean you know, Oh, I guess

830
00:35:43,719 --> 00:35:46,040
Speaker 1: we're just gonna be poor forever whatever, like that's funny.

831
00:35:46,080 --> 00:35:48,000
Speaker 1: But like, I don't know, like this was such a

832
00:35:48,000 --> 00:35:48,760
Speaker 1: cool dynamic.

833
00:35:49,040 --> 00:35:53,239
Speaker 2: I want to I know, maybe it does in future episodes.

834
00:35:53,280 --> 00:35:54,120
Speaker 2: I don't, I don't know.

835
00:35:54,440 --> 00:35:57,440
Speaker 4: Yeah, but it is one of those things, like Will said,

836
00:35:57,520 --> 00:35:59,759
Speaker 4: there there are a lot of characters in this and

837
00:35:59,800 --> 00:36:02,279
Speaker 4: a lot of storylines and we have very little time,

838
00:36:02,840 --> 00:36:03,640
Speaker 4: so I think.

839
00:36:03,480 --> 00:36:05,640
Speaker 1: They just you know, it's one of those things, like

840
00:36:06,000 --> 00:36:09,480
Speaker 1: the rioting staff, I think would intentionally pull away from

841
00:36:09,600 --> 00:36:11,919
Speaker 1: our main storylines with the little you know, these sort

842
00:36:11,920 --> 00:36:14,840
Speaker 1: of like one offs of like let's do a bully storyline,

843
00:36:14,960 --> 00:36:17,319
Speaker 1: you know, because I had the Harley last season, that

844
00:36:17,400 --> 00:36:20,120
Speaker 1: whole Harley with his girlfriend episode kind of out of nowhere,

845
00:36:21,120 --> 00:36:24,000
Speaker 1: and then and and and always. Corey gets completely lost

846
00:36:24,040 --> 00:36:30,319
Speaker 1: in these situations, right like where is boy break up? Yeah?

847
00:36:30,640 --> 00:36:32,759
Speaker 5: Yeah, this is another one of those standalone episodes though,

848
00:36:32,760 --> 00:36:34,200
Speaker 5: where if you were to turn on the show and

849
00:36:34,200 --> 00:36:35,839
Speaker 5: you'd never seen it before, you would have no idea

850
00:36:35,840 --> 00:36:36,680
Speaker 5: that Ben was the start.

851
00:36:37,920 --> 00:36:43,439
Speaker 3: So it's that's where Yeah, this was one of those.

852
00:36:43,520 --> 00:36:45,040
Speaker 5: And this was also, I mean one of those weeks

853
00:36:45,080 --> 00:36:48,440
Speaker 5: where you could tell I did the tag and I

854
00:36:48,480 --> 00:36:50,160
Speaker 5: did that first scene in the hallway, but I think

855
00:36:50,200 --> 00:36:51,680
Speaker 5: we probably pre shot the tag.

856
00:36:51,960 --> 00:36:54,600
Speaker 3: Maybe I was not.

857
00:36:55,040 --> 00:36:57,279
Speaker 5: I'm sure we did that one scene and I was out,

858
00:36:57,440 --> 00:36:59,759
Speaker 5: so yeah, I didn't see. Yeah, we were gone by

859
00:37:00,040 --> 00:37:00,640
Speaker 5: eight fifteen.

860
00:37:01,040 --> 00:37:04,480
Speaker 4: Yeah, so Eli explains all John had to do was

861
00:37:04,480 --> 00:37:06,040
Speaker 4: stay in the family business, and he would have been

862
00:37:06,040 --> 00:37:07,840
Speaker 4: set for the rest of his life. Sean, taking a

863
00:37:07,840 --> 00:37:10,720
Speaker 4: glimpse at their apartment, says, clearly he chose a different route.

864
00:37:10,880 --> 00:37:13,160
Speaker 4: Eli continues, Yeah, but before he chose this route, he

865
00:37:13,200 --> 00:37:15,440
Speaker 4: had a girlfriend, Melanie, and Melanie's family grew up in

866
00:37:15,440 --> 00:37:17,719
Speaker 4: a big, old house too, so everyone figured they'd get

867
00:37:17,719 --> 00:37:19,120
Speaker 4: married and have rich little kids.

868
00:37:19,560 --> 00:37:21,120
Speaker 2: Sean asks why they are skipping.

869
00:37:21,400 --> 00:37:23,120
Speaker 3: You're you're not going to give any shout out to

870
00:37:23,160 --> 00:37:25,880
Speaker 3: where he's actually from. I get, I get you know

871
00:37:26,320 --> 00:37:27,200
Speaker 3: snap about this?

872
00:37:27,280 --> 00:37:27,480
Speaker 5: Is that?

873
00:37:27,520 --> 00:37:29,920
Speaker 3: What I get your snap? I don't know what it is?

874
00:37:29,960 --> 00:37:30,799
Speaker 3: What is it? What's when?

875
00:37:30,800 --> 00:37:33,680
Speaker 1: You might still be the part of what is the

876
00:37:33,800 --> 00:37:36,160
Speaker 1: term that I want to say about it?

877
00:37:36,200 --> 00:37:37,200
Speaker 3: But he can't say that.

878
00:37:37,160 --> 00:37:40,760
Speaker 5: About being from Connecticut. We find out Jonathan Turner's from Connecticut,

879
00:37:40,760 --> 00:37:42,319
Speaker 5: and you're going to blow right past it like most

880
00:37:42,360 --> 00:37:43,640
Speaker 5: people are driving through Connecticut.

881
00:37:44,760 --> 00:37:47,520
Speaker 3: So it just wow, he's from Connecticut, My.

882
00:37:47,520 --> 00:37:49,960
Speaker 2: Boy from Connecticut. You're right, You're right.

883
00:37:49,840 --> 00:37:52,000
Speaker 3: You should shout out to the Nutmeg state.

884
00:37:52,400 --> 00:38:00,320
Speaker 2: There we go.

885
00:38:04,800 --> 00:38:07,359
Speaker 4: So Sean asks why they didn't, and Eli tells him

886
00:38:07,400 --> 00:38:10,120
Speaker 4: Jonathan wanted his own life, which caused disagreements between him

887
00:38:10,120 --> 00:38:12,920
Speaker 4: and Melanie. You understand, Sean questions that he gave up

888
00:38:12,920 --> 00:38:14,200
Speaker 4: the good life and all that money to be a

889
00:38:14,200 --> 00:38:17,680
Speaker 4: school teacher and teach kids like him. Eli laughs and asks,

890
00:38:17,680 --> 00:38:19,640
Speaker 4: so what do you think of your roommate now, And

891
00:38:19,680 --> 00:38:24,120
Speaker 4: Sean mutters that is one sad, twisted man. And then

892
00:38:24,120 --> 00:38:26,319
Speaker 4: we're in the Matthew's backyard. Corey and Frankie are walking

893
00:38:26,400 --> 00:38:29,200
Speaker 4: home and right into the backyard sideyard, Frankie tells Corey

894
00:38:29,200 --> 00:38:30,840
Speaker 4: he had a wonderful day in school today.

895
00:38:30,880 --> 00:38:31,839
Speaker 2: He thinks he's going to.

896
00:38:31,840 --> 00:38:34,240
Speaker 4: Be like being a regular guy and having regular friends

897
00:38:34,280 --> 00:38:37,719
Speaker 4: like him. Corey says, that's really great, Frankie, so thanks

898
00:38:37,719 --> 00:38:39,719
Speaker 4: for walking me home. Frankie says, you're welcome, and he

899
00:38:39,840 --> 00:38:42,000
Speaker 4: just blindly walks in the door and goes inside the

900
00:38:42,040 --> 00:38:44,200
Speaker 4: hat and we're in Matthew's kitchen.

901
00:38:44,320 --> 00:38:44,800
Speaker 2: So funny.

902
00:38:44,880 --> 00:38:47,240
Speaker 4: Amy's in the kitchen and Frankie says, hello, missus Matthews.

903
00:38:47,360 --> 00:38:49,279
Speaker 4: Is it okay if Corey sleeps over at my house

904
00:38:49,280 --> 00:38:52,280
Speaker 4: this Friday night? And I do think there is nothing

905
00:38:52,360 --> 00:38:58,160
Speaker 4: cuter than seeing Ethan ask permission in the house for

906
00:38:58,239 --> 00:38:59,440
Speaker 4: his friend to spend the night.

907
00:38:59,520 --> 00:39:00,400
Speaker 2: There's just something.

908
00:39:00,480 --> 00:39:02,719
Speaker 1: So Ethan was in the house and we were like,

909
00:39:02,760 --> 00:39:04,520
Speaker 1: whoa Ethan was in the living room? It was such

910
00:39:04,560 --> 00:39:06,840
Speaker 1: a good deal. It never happened, but it happened.

911
00:39:06,960 --> 00:39:08,879
Speaker 2: It happened, happened a few times.

912
00:39:08,880 --> 00:39:13,200
Speaker 4: Apparently, uh Corey runs up behind Frankie shaking his head

913
00:39:13,239 --> 00:39:15,880
Speaker 4: and telling his mom to say no. Amy tells Frankie Sure.

914
00:39:16,160 --> 00:39:17,759
Speaker 4: Corey says he needs to talk to his mom real

915
00:39:17,840 --> 00:39:20,960
Speaker 4: quick and asks, or what part of this didn't he understand?

916
00:39:21,000 --> 00:39:23,200
Speaker 4: Didn't she understand? And I guess we're just supposed to

917
00:39:23,239 --> 00:39:25,640
Speaker 4: assume that Frankie's walked out. We didn't ever go to

918
00:39:25,680 --> 00:39:27,960
Speaker 4: a master where we could see him walk out into.

919
00:39:27,840 --> 00:39:28,759
Speaker 3: The living room left.

920
00:39:28,800 --> 00:39:31,400
Speaker 4: I think he's supposed to have left, but not seeing it,

921
00:39:31,400 --> 00:39:34,280
Speaker 4: it was a little jarring to see him just loudly

922
00:39:34,880 --> 00:39:35,359
Speaker 4: did he go?

923
00:39:35,680 --> 00:39:37,799
Speaker 5: He went to the living room, living room, because then

924
00:39:37,840 --> 00:39:39,480
Speaker 5: he comes back in with Eric, So I was gonna say,

925
00:39:39,520 --> 00:39:41,680
Speaker 5: I do I did actually stay here longer than I thought. Oh.

926
00:39:41,719 --> 00:39:44,160
Speaker 5: And the other thing is we need to start making

927
00:39:44,160 --> 00:39:46,480
Speaker 5: little check marks by certain jokes, because.

928
00:39:46,239 --> 00:39:49,120
Speaker 3: I think that this what part of this, don't you?

929
00:39:49,360 --> 00:39:53,120
Speaker 5: I think that comes back and I don't know if

930
00:39:53,120 --> 00:39:55,000
Speaker 5: it's another character that does it, but this was kind

931
00:39:55,040 --> 00:39:57,040
Speaker 5: of ringing in my ears that this is a reoccurring

932
00:39:57,120 --> 00:39:59,160
Speaker 5: joke that happens more often on the show.

933
00:39:59,360 --> 00:40:02,080
Speaker 4: We'll see so Amy asks Cory what's going on, and

934
00:40:02,080 --> 00:40:03,040
Speaker 4: Corey says, it's Frankie.

935
00:40:03,040 --> 00:40:04,799
Speaker 2: Suddenly, the guy's like my new best friend. He's not

936
00:40:04,880 --> 00:40:05,680
Speaker 2: leaving me alone.

937
00:40:05,760 --> 00:40:07,560
Speaker 4: Amy tells Corey that he may be lonely, he just

938
00:40:07,600 --> 00:40:09,960
Speaker 4: needs people to hang with. Corey says he doesn't need friends.

939
00:40:09,960 --> 00:40:13,000
Speaker 4: He's Frankie the enforcer. Amy tells him everybody needs friend

940
00:40:13,120 --> 00:40:15,600
Speaker 4: needs friends. Deep down inside, He's probably has some good

941
00:40:15,680 --> 00:40:18,080
Speaker 4: qualities and Corey should try to find them. Corey tells

942
00:40:18,080 --> 00:40:20,400
Speaker 4: her Frankie's a thug. He scares people. He's made Corey's

943
00:40:20,440 --> 00:40:22,920
Speaker 4: life miserable ever since his first day at John Adams,

944
00:40:23,440 --> 00:40:26,880
Speaker 4: and Amy questions that sweet polite boy. She motions behind

945
00:40:26,880 --> 00:40:29,040
Speaker 4: Corey and we see Eric with his arm around Frankie

946
00:40:29,040 --> 00:40:32,840
Speaker 4: walking into the kitchen. Eric says, oh, yeah, Corey loves sleepovers,

947
00:40:33,080 --> 00:40:35,399
Speaker 4: you know. In fact, with Monday being a holiday, why

948
00:40:35,400 --> 00:40:38,040
Speaker 4: don't you keep him all weekend. Frankie asks if he

949
00:40:38,080 --> 00:40:39,840
Speaker 4: can do that, and Eric tells him, you wouldn't be

950
00:40:39,840 --> 00:40:42,640
Speaker 4: a friend if you didn't. Corey, of course, looks panicked

951
00:40:42,680 --> 00:40:45,239
Speaker 4: as Eric pulls Corey in for a hug and says, right,

952
00:40:45,320 --> 00:40:48,919
Speaker 4: little bro. So then we're back in Turner's apartment. Sean

953
00:40:48,960 --> 00:40:50,920
Speaker 4: is walking down the stairs and Turner appears from his room,

954
00:40:50,960 --> 00:40:52,120
Speaker 4: patting coloone on his neck.

955
00:40:52,920 --> 00:40:56,640
Speaker 3: It's kind of bitwa it is, but this is the start.

956
00:40:56,680 --> 00:41:00,560
Speaker 5: I had two sweaters in this episode, was the first,

957
00:41:00,680 --> 00:41:03,200
Speaker 5: and so that's how I knew that Sarah mark Witz

958
00:41:03,239 --> 00:41:04,839
Speaker 5: by this point was also dressing me.

959
00:41:06,400 --> 00:41:08,759
Speaker 4: Right, because I was like, I was so happy with

960
00:41:08,800 --> 00:41:10,920
Speaker 4: your clothes. You were like, can you get two of

961
00:41:10,960 --> 00:41:12,320
Speaker 4: these please for me?

962
00:41:12,560 --> 00:41:15,200
Speaker 5: That black sweater with the red stripe, and then in

963
00:41:15,239 --> 00:41:17,640
Speaker 5: the next scene that green sweater that Ben's wearing with

964
00:41:17,680 --> 00:41:18,560
Speaker 5: the diamonds.

965
00:41:18,840 --> 00:41:21,400
Speaker 3: Yeah, I had that until the argyle.

966
00:41:21,280 --> 00:41:23,759
Speaker 5: Four months ago, and so insisted I throw it out

967
00:41:23,760 --> 00:41:25,920
Speaker 5: because it was so had so many holes from moths.

968
00:41:26,400 --> 00:41:27,799
Speaker 3: She's like, this has to go.

969
00:41:28,000 --> 00:41:29,600
Speaker 5: So I would put it on over a white shirt

970
00:41:29,600 --> 00:41:31,360
Speaker 5: and you would just see my white shirt all the

971
00:41:31,400 --> 00:41:31,880
Speaker 5: way through it.

972
00:41:32,280 --> 00:41:34,680
Speaker 3: So it's been for twenty some odd years. Yeah. I

973
00:41:34,840 --> 00:41:37,000
Speaker 3: literally just got rid of that a couple months ago.

974
00:41:37,320 --> 00:41:38,440
Speaker 2: Oh that's so funny.

975
00:41:39,400 --> 00:41:41,600
Speaker 4: Sean says, whoa, You've been doing some heavy cleaning today

976
00:41:41,600 --> 00:41:43,279
Speaker 4: as he fans the air, but he follows it up

977
00:41:43,280 --> 00:41:45,960
Speaker 4: with oops, that's your cologne. Turn Her fake laughs and

978
00:41:46,000 --> 00:41:48,279
Speaker 4: responds with oops, you've got no place to live?

979
00:41:49,440 --> 00:41:52,480
Speaker 2: A little harsh, pretty quick escalations.

980
00:41:54,080 --> 00:41:57,120
Speaker 1: Okay, he and the kid who's been kicked out of

981
00:41:57,160 --> 00:41:59,040
Speaker 1: every home and abandoned my parents.

982
00:41:59,160 --> 00:42:03,480
Speaker 2: Yeah, make any jokes, kid. Sean asks Turner if he

983
00:42:03,520 --> 00:42:05,560
Speaker 2: called Melanie and if they're all going to move into

984
00:42:05,560 --> 00:42:06,600
Speaker 2: a big house in Connecticut.

985
00:42:06,680 --> 00:42:09,839
Speaker 4: Turner realizes he's been talking to Eli. Turner clarifies that's

986
00:42:09,840 --> 00:42:11,839
Speaker 4: only who she thought I was, Sean. That's not who

987
00:42:11,840 --> 00:42:13,840
Speaker 4: I am, and Sean asks, why do you think she

988
00:42:13,920 --> 00:42:16,120
Speaker 4: called you? Turner says, she just wants to find out

989
00:42:16,160 --> 00:42:18,120
Speaker 4: how he turned out, how unhappy he is, how she

990
00:42:18,200 --> 00:42:20,040
Speaker 4: made the right choice and he made the wrong one.

991
00:42:20,280 --> 00:42:22,040
Speaker 2: The doorbell buzzes, and Turner says, get.

992
00:42:21,920 --> 00:42:24,640
Speaker 4: Ready, Sean, You're about to meet Melanie Clifton, the richest

993
00:42:24,640 --> 00:42:25,840
Speaker 4: girl in Westport, Connecticut.

994
00:42:26,120 --> 00:42:27,000
Speaker 2: West real place.

995
00:42:27,480 --> 00:42:30,399
Speaker 3: Westport is a real place, and Westport has lots of money. Yep.

996
00:42:30,480 --> 00:42:32,719
Speaker 4: Okay, So she's going to walk through that door with

997
00:42:32,760 --> 00:42:35,120
Speaker 4: a big fur coat, jewelry. She's going to take one

998
00:42:35,160 --> 00:42:37,400
Speaker 4: look around this apartment and criticize my lifestyle.

999
00:42:37,760 --> 00:42:45,600
Speaker 2: Then she's going to go on back and Money door opens.

1000
00:42:46,840 --> 00:42:48,680
Speaker 1: She's got a leather jacket off.

1001
00:42:51,680 --> 00:43:00,520
Speaker 5: Email surprised he didn't hear the motorcycle roll up outside.

1002
00:43:01,760 --> 00:43:03,960
Speaker 1: You know they debated it, you know, they talked about it,

1003
00:43:04,040 --> 00:43:06,239
Speaker 1: and its too much. They too much.

1004
00:43:06,320 --> 00:43:17,040
Speaker 7: They Hey, Matthew, Hey, how you doing you doing?

1005
00:43:18,000 --> 00:43:18,200
Speaker 3: Read?

1006
00:43:20,239 --> 00:43:21,840
Speaker 1: Then? Why does he have a New York accent?

1007
00:43:21,960 --> 00:43:24,680
Speaker 5: We'll never find there's just the New York accents for

1008
00:43:24,760 --> 00:43:26,000
Speaker 5: in Philly.

1009
00:43:25,600 --> 00:43:28,520
Speaker 1: But he's definitely like he came in with a fake

1010
00:43:28,560 --> 00:43:29,440
Speaker 1: New York accent.

1011
00:43:29,719 --> 00:43:32,640
Speaker 5: And it's like, especially when you're from Westport, trust me,

1012
00:43:32,640 --> 00:43:39,040
Speaker 5: if you have any accent, you know, it's like.

1013
00:43:40,600 --> 00:43:43,640
Speaker 2: So when Turner opens the door, Melanie appears, She's wearing

1014
00:43:43,880 --> 00:43:45,040
Speaker 2: very normal clothing.

1015
00:43:45,440 --> 00:43:47,640
Speaker 4: She says it's been way too long, and Turner is

1016
00:43:47,680 --> 00:43:50,360
Speaker 4: in shock. She even says his apartment is a nice place,

1017
00:43:50,440 --> 00:43:53,800
Speaker 4: reminds her of her own apartment. She she sees Sean

1018
00:43:53,880 --> 00:43:55,960
Speaker 4: and says, Hi, you must be Sean. Sean sticks his

1019
00:43:56,000 --> 00:43:57,839
Speaker 4: hand out to shake hers and says, Hi, you must

1020
00:43:57,880 --> 00:44:01,720
Speaker 4: be Money Melanie, and she smiles, and Turner is still shook.

1021
00:44:02,080 --> 00:44:04,600
Speaker 5: I have to say something so he's because he's such

1022
00:44:04,600 --> 00:44:06,360
Speaker 5: a good friend of mine, I think I can I

1023
00:44:06,400 --> 00:44:11,680
Speaker 5: can say this, his reaction when she walks in is

1024
00:44:11,719 --> 00:44:16,360
Speaker 5: the first false beat I've seen from Tony since.

1025
00:44:16,120 --> 00:44:17,640
Speaker 2: What do you mean make fake surprise?

1026
00:44:17,840 --> 00:44:19,960
Speaker 5: It was the first one where I was like, oh that,

1027
00:44:20,160 --> 00:44:22,400
Speaker 5: like he just it just wasn't on his face. And

1028
00:44:22,440 --> 00:44:24,400
Speaker 5: it's the only time I've seen it in that the

1029
00:44:24,480 --> 00:44:26,640
Speaker 5: so long he's been on the show. The only time

1030
00:44:26,680 --> 00:44:28,399
Speaker 5: I've seen I was like, oh that. There was one

1031
00:44:28,440 --> 00:44:30,480
Speaker 5: quick moment of Tony where I was like, that.

1032
00:44:30,400 --> 00:44:32,960
Speaker 3: Wasn't that wasn't perfect. Oh my god, it wasn't ming

1033
00:44:33,400 --> 00:44:34,800
Speaker 3: so so funny.

1034
00:44:34,800 --> 00:44:36,719
Speaker 4: It's so not him, you know when I when you

1035
00:44:36,760 --> 00:44:39,359
Speaker 4: see those moments for any of us, it always makes

1036
00:44:39,400 --> 00:44:42,560
Speaker 4: me wonder what the notes were we were getting about

1037
00:44:42,760 --> 00:44:47,280
Speaker 4: about whether or not they wanted a bigger reaction from Tony.

1038
00:44:47,400 --> 00:44:50,080
Speaker 4: You know, it was like, yeah, get bigger, bigger, yeah,

1039
00:44:50,320 --> 00:44:53,600
Speaker 4: because remember remember how every now and then we would

1040
00:44:53,600 --> 00:44:55,480
Speaker 4: get those notes of like I need to I need

1041
00:44:55,520 --> 00:44:57,520
Speaker 4: to see it more, open the door and it should

1042
00:44:57,560 --> 00:45:01,000
Speaker 4: be a whoo, and you're like, it feels very false.

1043
00:45:01,440 --> 00:45:03,920
Speaker 4: But this, for some reason in that week or in

1044
00:45:03,960 --> 00:45:07,840
Speaker 4: that moment, they didn't want any sort of subtlety. So

1045
00:45:09,560 --> 00:45:11,759
Speaker 4: how much of a note he was getting of like

1046
00:45:12,120 --> 00:45:15,000
Speaker 4: and really play up the shop, big, big, big ye.

1047
00:45:15,080 --> 00:45:16,880
Speaker 3: I easily could have been that. It was so funny,

1048
00:45:17,239 --> 00:45:17,880
Speaker 3: so funny.

1049
00:45:18,160 --> 00:45:20,240
Speaker 4: So then we're in Chubby's. Corey walks in and Sean

1050
00:45:20,280 --> 00:45:22,320
Speaker 4: asks if he's alone. Corey says no, he tried to

1051
00:45:22,320 --> 00:45:24,160
Speaker 4: get away on his bike, but Frankie jog behind him

1052
00:45:24,200 --> 00:45:26,680
Speaker 4: the entire way. Pound for pound, he's the fastest man

1053
00:45:26,719 --> 00:45:29,359
Speaker 4: on earth. Frankie jogs in and thanks Corey for their

1054
00:45:29,360 --> 00:45:33,040
Speaker 4: little workout. He excuses himself to go replenish fluids. Sean

1055
00:45:33,080 --> 00:45:34,879
Speaker 4: says to Corey, the guy invited me to his house

1056
00:45:34,880 --> 00:45:37,359
Speaker 4: for a slumber party, and in a very funny beat,

1057
00:45:37,480 --> 00:45:40,960
Speaker 4: Corey says, oh, you're gonna be there too, Yes, yes, correct.

1058
00:45:41,320 --> 00:45:45,919
Speaker 1: Ben's performance in that moment, Oh my god, it's so.

1059
00:45:47,320 --> 00:45:51,120
Speaker 2: Yes, you're gonna be there too. Yes, this is the best.

1060
00:45:51,280 --> 00:45:52,000
Speaker 2: I love it.

1061
00:45:52,360 --> 00:45:54,279
Speaker 1: And you know Ben loved that joke. You can tell

1062
00:45:54,400 --> 00:45:56,920
Speaker 1: that he was just like, yes, into it, Yes.

1063
00:45:57,160 --> 00:45:57,760
Speaker 2: So funny.

1064
00:45:58,160 --> 00:46:00,799
Speaker 4: Sean tells him he's not helping. Gory says, my mom

1065
00:46:00,840 --> 00:46:03,560
Speaker 4: told me everyone has good qualities. Sean laughs and says,

1066
00:46:03,560 --> 00:46:05,000
Speaker 4: Frankie doesn't have any good qualities.

1067
00:46:05,040 --> 00:46:05,560
Speaker 2: He's a thug.

1068
00:46:05,800 --> 00:46:08,120
Speaker 4: Cory says, well, now he's our thug. Let's just find

1069
00:46:08,160 --> 00:46:10,160
Speaker 4: the good. Frankie walks back toward them, and all the

1070
00:46:10,200 --> 00:46:12,400
Speaker 4: kids and Chubbies run away when they see him. Sean

1071
00:46:12,400 --> 00:46:15,280
Speaker 4: asks Cory, how is Frankie good? Wherever he goes? People scatter.

1072
00:46:15,640 --> 00:46:17,759
Speaker 4: A very small boy walks up to Frankie to hand

1073
00:46:17,840 --> 00:46:20,280
Speaker 4: him as burger and says, from your humble servant, turkey,

1074
00:46:20,360 --> 00:46:21,440
Speaker 4: I hope that's not a problem.

1075
00:46:21,600 --> 00:46:27,880
Speaker 1: And why are there all these kids? So it was

1076
00:46:27,960 --> 00:46:30,480
Speaker 1: just that gang at the end. So because I was like,

1077
00:46:30,520 --> 00:46:33,799
Speaker 1: we would never have a like under eighteen unless it's

1078
00:46:33,800 --> 00:46:35,360
Speaker 1: like a big thing. And then of course he is

1079
00:46:35,400 --> 00:46:35,799
Speaker 1: a big thing.

1080
00:46:36,000 --> 00:46:36,560
Speaker 2: It's a big thing.

1081
00:46:36,560 --> 00:46:38,839
Speaker 5: All of a sudden, everyone at Chubby's. It was ten

1082
00:46:38,880 --> 00:46:41,920
Speaker 5: and under night at Chubby's exactly, and why I.

1083
00:46:41,880 --> 00:46:43,560
Speaker 1: Didn't understand it. I was like, why isn't this taking

1084
00:46:43,560 --> 00:46:45,719
Speaker 1: place in the cafeteria. It makes a lot more sense.

1085
00:46:45,719 --> 00:46:48,000
Speaker 1: And then of course the next scene or two scenes later,

1086
00:46:48,120 --> 00:46:50,080
Speaker 1: we are in the so they just had to like

1087
00:46:50,160 --> 00:46:53,160
Speaker 1: diversify locations. But it really doesn't make much sense that

1088
00:46:53,200 --> 00:46:54,000
Speaker 1: there's all these kids.

1089
00:46:54,080 --> 00:46:56,880
Speaker 4: Just met children everywhere. It looked like it was like

1090
00:46:56,960 --> 00:46:58,560
Speaker 4: take your kid to work week at born.

1091
00:47:00,360 --> 00:47:02,320
Speaker 2: So Frankie goes to sit down at the nearest table

1092
00:47:02,360 --> 00:47:04,440
Speaker 2: and everyone gets up and runs away to let him

1093
00:47:04,440 --> 00:47:04,719
Speaker 2: have it.

1094
00:47:05,600 --> 00:47:07,400
Speaker 4: Corey admits they bow down to him like he's the

1095
00:47:07,480 --> 00:47:10,160
Speaker 4: king of the school. Sean smiles as he figures it out.

1096
00:47:10,480 --> 00:47:13,399
Speaker 4: He and Corey have found the good. Corey says, let

1097
00:47:13,440 --> 00:47:15,880
Speaker 4: us be sure. Corey yells to everyone in Chubby's if

1098
00:47:15,880 --> 00:47:17,759
Speaker 4: anyone needs me or Sean, We'll be sitting right here

1099
00:47:17,800 --> 00:47:18,720
Speaker 4: with our new best friends.

1100
00:47:18,719 --> 00:47:23,200
Speaker 2: Stanky Stankyanky.

1101
00:47:25,560 --> 00:47:29,120
Speaker 1: You ever met stanky Stinky? Oh my god, I love

1102
00:47:29,160 --> 00:47:35,719
Speaker 1: that stankyin family. Yeah, you know, don't mess with you.

1103
00:47:38,160 --> 00:47:42,480
Speaker 2: Just call me, thank you.

1104
00:47:42,600 --> 00:47:44,680
Speaker 1: This is where I was just like, I just you know,

1105
00:47:45,800 --> 00:47:48,120
Speaker 1: it's one thing to not acknowledge that we don't remember

1106
00:47:48,120 --> 00:47:51,759
Speaker 1: that he is this poetry loving, sensitive person, which we've

1107
00:47:51,800 --> 00:47:54,600
Speaker 1: known since the moment we write, but then we don't

1108
00:47:54,640 --> 00:47:55,720
Speaker 1: remember he's a bully?

1109
00:47:56,280 --> 00:48:00,920
Speaker 2: What bully? You just don't remember how that helps you?

1110
00:48:01,480 --> 00:48:04,400
Speaker 1: Which is like like what we like? I don't know

1111
00:48:04,520 --> 00:48:06,839
Speaker 1: is I was like, what it? No, none of this

1112
00:48:06,880 --> 00:48:09,719
Speaker 1: is all false on such a I don't know. I

1113
00:48:09,719 --> 00:48:11,520
Speaker 1: guess it's cute whatever, fine, who.

1114
00:48:11,480 --> 00:48:12,759
Speaker 2: Can no, I know I agree with you.

1115
00:48:13,120 --> 00:48:15,040
Speaker 1: It's trying to be heartful, and the fact that at

1116
00:48:15,080 --> 00:48:18,000
Speaker 1: lands somewhere with a message that I do like, which is,

1117
00:48:18,280 --> 00:48:20,120
Speaker 1: don't judge a book by its cover, you know, like

1118
00:48:20,239 --> 00:48:22,600
Speaker 1: people are more than just what they seem to be.

1119
00:48:23,000 --> 00:48:24,520
Speaker 1: It could have been a way to say that and

1120
00:48:24,560 --> 00:48:26,719
Speaker 1: do that without having to go this far, you know,

1121
00:48:26,800 --> 00:48:29,040
Speaker 1: to me, it was just like so forced on our

1122
00:48:29,200 --> 00:48:31,440
Speaker 1: on our character, you know, like our assessment of his

1123
00:48:31,560 --> 00:48:34,120
Speaker 1: character is just okay, yeah, predictable.

1124
00:48:34,640 --> 00:48:37,600
Speaker 2: So Sean smiles as he walks over to the table, saying, Frankie, buddy,

1125
00:48:37,640 --> 00:48:40,400
Speaker 2: where you've been all our lives? Frankie shrugs and says around.

1126
00:48:40,400 --> 00:48:42,759
Speaker 2: Does Corey and Sean sit down to join him? And

1127
00:48:42,800 --> 00:48:49,919
Speaker 2: then we are at a new restaurant exterior very fancy, fancy, fancy, Yeah,

1128
00:48:51,520 --> 00:48:54,680
Speaker 2: just like it. Turner admits this is a different look

1129
00:48:54,719 --> 00:48:56,280
Speaker 2: for Melanie. Jeans and a T shirt.

1130
00:48:56,320 --> 00:48:59,120
Speaker 4: He asks, if Daddy cut off the credit cards again,

1131
00:48:59,640 --> 00:49:03,359
Speaker 4: little John settle down, just no reason to.

1132
00:49:03,920 --> 00:49:04,799
Speaker 2: Come in so hot?

1133
00:49:04,920 --> 00:49:06,120
Speaker 3: Well she broke up with him.

1134
00:49:06,520 --> 00:49:09,120
Speaker 4: Yeah, I guess, Melanie corrects him and says she has

1135
00:49:09,160 --> 00:49:11,760
Speaker 4: her own credit cards now, she started her own little business.

1136
00:49:12,080 --> 00:49:14,239
Speaker 4: Turner says, so you just dressed this way to make

1137
00:49:14,280 --> 00:49:16,520
Speaker 4: me feel comfortable. Melanie says, no, this is what she

1138
00:49:16,520 --> 00:49:18,760
Speaker 4: wears to make herself comfortable. This is what she wears

1139
00:49:18,800 --> 00:49:22,040
Speaker 4: to work. She started her own little bookstore. Turner is

1140
00:49:22,080 --> 00:49:23,880
Speaker 4: shocked as he says, so you don't work for your

1141
00:49:23,920 --> 00:49:26,439
Speaker 4: father anymore? She says no, not for a few years now.

1142
00:49:26,719 --> 00:49:32,320
Speaker 4: John touches his heart like feigning shock again. John settle down.

1143
00:49:32,600 --> 00:49:34,720
Speaker 3: We don't know the whole backstory, Danielle.

1144
00:49:34,760 --> 00:49:37,839
Speaker 5: This this person could have really hurt him, and now

1145
00:49:37,880 --> 00:49:39,160
Speaker 5: he's in the driver's seat.

1146
00:49:39,280 --> 00:49:41,960
Speaker 2: So it's like, I'm sure she did, but.

1147
00:49:42,360 --> 00:49:46,240
Speaker 1: This scene is just it's not it's it's just not it.

1148
00:49:46,239 --> 00:49:47,120
Speaker 2: It doesn't have it.

1149
00:49:47,480 --> 00:49:48,120
Speaker 3: I'm sorry.

1150
00:49:48,239 --> 00:49:50,440
Speaker 5: The things the thing that bothered me the most was

1151
00:49:50,480 --> 00:49:52,560
Speaker 5: how cheap the wine looked that they ordered.

1152
00:49:52,600 --> 00:49:53,919
Speaker 3: I mean it was like.

1153
00:49:53,680 --> 00:49:59,319
Speaker 5: It's red drink in the next scene, the.

1154
00:50:00,440 --> 00:50:02,040
Speaker 1: Which I was like, oh, the return of the red drink,

1155
00:50:02,120 --> 00:50:05,080
Speaker 1: because I actually had the thought just yesterday I was going,

1156
00:50:05,480 --> 00:50:07,680
Speaker 1: know that I haven't been eating as much on this show,

1157
00:50:07,760 --> 00:50:10,840
Speaker 1: Like I was like, finally Sean stopped eating like seasons.

1158
00:50:10,880 --> 00:50:13,759
Speaker 3: Now you get regular meals, right, yeah it's at home, Yeah,

1159
00:50:14,080 --> 00:50:15,920
Speaker 3: at home, you get regular meals with We used to.

1160
00:50:15,960 --> 00:50:18,560
Speaker 1: On Girl Meets World. I had the line about when

1161
00:50:18,560 --> 00:50:20,440
Speaker 1: Shawn shows up on Girlmy's World. I had the line like,

1162
00:50:20,840 --> 00:50:23,000
Speaker 1: I don't get a lot of home cooked meals. I

1163
00:50:23,360 --> 00:50:25,480
Speaker 1: remember this and that Sabrina just thought it was the

1164
00:50:25,520 --> 00:50:27,799
Speaker 1: funniest thing in the world. So like that's still something

1165
00:50:27,840 --> 00:50:29,600
Speaker 1: Sabrina and I say to each other. I don't get

1166
00:50:29,600 --> 00:50:32,319
Speaker 1: a lot of It's like the puppy dog home cooked

1167
00:50:32,360 --> 00:50:34,520
Speaker 1: me Anyway, I guess you're right, But yeah, see here

1168
00:50:34,560 --> 00:50:36,600
Speaker 1: I am in this episode. I was drinking the red drink.

1169
00:50:36,640 --> 00:50:38,279
Speaker 1: But no, my problem with this scene is she's a

1170
00:50:38,440 --> 00:50:40,920
Speaker 1: very good actress, so I feel bad because it's not

1171
00:50:41,120 --> 00:50:45,520
Speaker 1: her fault. But this is the most expositional dialogue and

1172
00:50:45,600 --> 00:50:47,920
Speaker 1: like this is like that classic thing of like we

1173
00:50:47,920 --> 00:50:50,120
Speaker 1: don't have enough time, so let's just have characters talk

1174
00:50:50,160 --> 00:50:53,360
Speaker 1: about themselves basically in third person, like yeh, here's the

1175
00:50:53,360 --> 00:50:55,239
Speaker 1: way I feel about my life and what I went

1176
00:50:55,280 --> 00:50:57,319
Speaker 1: through from stage this to this stage and now I

1177
00:50:57,360 --> 00:50:59,279
Speaker 1: found myself and I'm this and now I feel that

1178
00:50:59,320 --> 00:50:59,960
Speaker 1: it's a bone mine.

1179
00:51:00,640 --> 00:51:04,800
Speaker 5: It is just to get you to all this scene

1180
00:51:04,840 --> 00:51:07,080
Speaker 5: is is to get you to wait a second. I

1181
00:51:07,160 --> 00:51:10,360
Speaker 5: need to see Frankie for who he isn't because a

1182
00:51:10,440 --> 00:51:11,600
Speaker 5: person is who they are.

1183
00:51:11,680 --> 00:51:13,080
Speaker 3: So that's what you're learning.

1184
00:51:13,239 --> 00:51:16,040
Speaker 5: Jonathan's learning that she didn't he didn't see her for

1185
00:51:16,080 --> 00:51:18,480
Speaker 5: what's and that's bothted b It's like I got it,

1186
00:51:18,520 --> 00:51:20,600
Speaker 5: but it just was not done well it's not.

1187
00:51:20,840 --> 00:51:23,239
Speaker 1: And then the fact that it's that I have the

1188
00:51:23,239 --> 00:51:27,279
Speaker 1: realization of the episode, yes, and then Corey piggybacks onto

1189
00:51:27,320 --> 00:51:29,960
Speaker 1: my realization and the weirdest way. So it's like the

1190
00:51:29,960 --> 00:51:33,040
Speaker 1: thematics and like the character arcs are completely out of

1191
00:51:33,120 --> 00:51:36,680
Speaker 1: wrack and they're not tracking, and so it's a weird like, yeah,

1192
00:51:36,719 --> 00:51:38,640
Speaker 1: I wish that she has just been more of a

1193
00:51:38,840 --> 00:51:42,080
Speaker 1: yeah yeah, but like this scenems like is trying to

1194
00:51:42,120 --> 00:51:44,600
Speaker 1: be heartfelt and trying to develop Turner and it's a

1195
00:51:44,600 --> 00:51:47,040
Speaker 1: bummer that it's just it's telling, not showing, right, that's

1196
00:51:47,080 --> 00:51:49,080
Speaker 1: the writing rule. It's like you show, don't tell, and

1197
00:51:49,120 --> 00:51:51,480
Speaker 1: instead these are characters just telling at each other what

1198
00:51:51,520 --> 00:51:53,799
Speaker 1: their characters are like, which is a trap that I

1199
00:51:53,800 --> 00:51:56,320
Speaker 1: feel Boy Mets World falls into. It's a bummer, you

1200
00:51:56,400 --> 00:51:57,319
Speaker 1: know it is.

1201
00:51:57,840 --> 00:52:00,400
Speaker 2: It's it is because we don't have enough time. I

1202
00:52:00,400 --> 00:52:01,520
Speaker 2: wrote at the end of the scene.

1203
00:52:01,640 --> 00:52:06,160
Speaker 4: This is a perfect representation of how only TV characters

1204
00:52:06,200 --> 00:52:09,400
Speaker 4: talk never do this, would never This is not a

1205
00:52:09,440 --> 00:52:12,319
Speaker 4: realistic conversation between two people who are seeing each other

1206
00:52:12,360 --> 00:52:13,000
Speaker 4: for the first time.

1207
00:52:12,840 --> 00:52:13,359
Speaker 2: In a long time.

1208
00:52:13,800 --> 00:52:15,359
Speaker 1: So much backstory, but you have to.

1209
00:52:15,320 --> 00:52:18,320
Speaker 4: Get out everything in probably what a two minute scene.

1210
00:52:18,680 --> 00:52:20,600
Speaker 3: You have to have meals like this all the time.

1211
00:52:20,600 --> 00:52:22,680
Speaker 3: We still this is still conversation between.

1212
00:52:24,040 --> 00:52:25,759
Speaker 4: What are you wearing? Are you just wearing that to

1213
00:52:25,760 --> 00:52:26,719
Speaker 4: make me comfortable?

1214
00:52:26,880 --> 00:52:27,520
Speaker 2: You know it's not.

1215
00:52:27,800 --> 00:52:30,239
Speaker 1: I have my own life past interactions with each other.

1216
00:52:30,480 --> 00:52:32,960
Speaker 1: Will is that when you first asked me to marry you,

1217
00:52:33,040 --> 00:52:35,360
Speaker 1: I was, and now I've this type of person.

1218
00:52:35,440 --> 00:52:38,319
Speaker 5: That's the things these things about Jesus, Like okay, that's

1219
00:52:38,360 --> 00:52:41,520
Speaker 5: how people from Connecticut talk from Westport.

1220
00:52:41,600 --> 00:52:43,960
Speaker 2: Yeah. But basically we find out she's no longer a

1221
00:52:44,040 --> 00:52:44,440
Speaker 2: rich kid.

1222
00:52:44,520 --> 00:52:46,279
Speaker 4: She went out and found her own life because John

1223
00:52:46,320 --> 00:52:48,640
Speaker 4: went out and found his own life, and that's ultimately

1224
00:52:48,640 --> 00:52:50,600
Speaker 4: why she ended up being upset with him when he

1225
00:52:50,640 --> 00:52:51,840
Speaker 4: went and found his own life.

1226
00:52:51,960 --> 00:52:53,799
Speaker 2: She says, So, I guess the reason I called on

1227
00:52:54,120 --> 00:52:54,760
Speaker 2: I wanted.

1228
00:52:54,640 --> 00:52:59,879
Speaker 1: Him for a second, like like I like why did

1229
00:53:00,080 --> 00:53:02,560
Speaker 1: and her give up money? Like why not like go

1230
00:53:02,640 --> 00:53:05,440
Speaker 1: into teaching and use money for good? Like why not?

1231
00:53:05,640 --> 00:53:07,400
Speaker 3: Like do you know, why do you want.

1232
00:53:07,320 --> 00:53:09,759
Speaker 1: To be poor to be a better person? Like both of.

1233
00:53:09,680 --> 00:53:13,200
Speaker 4: Them, the idea is that the idea is that his

1234
00:53:13,360 --> 00:53:17,480
Speaker 4: parents cut him off, Yes, because in the family business,

1235
00:53:17,680 --> 00:53:19,680
Speaker 4: because he wouldn't go into the family business.

1236
00:53:19,320 --> 00:53:21,439
Speaker 3: Which is what we didn't ever talk about it. Yeah,

1237
00:53:21,640 --> 00:53:22,640
Speaker 3: we don't building.

1238
00:53:23,160 --> 00:53:23,839
Speaker 2: Yeah, we don't know.

1239
00:53:23,760 --> 00:53:26,520
Speaker 1: What it was kind of important, right, like like if

1240
00:53:26,520 --> 00:53:28,920
Speaker 1: it's something really like what if the family business is

1241
00:53:28,920 --> 00:53:30,040
Speaker 1: great for the world.

1242
00:53:29,840 --> 00:53:32,640
Speaker 5: Like, yeah, my guess is it's something it's something that

1243
00:53:32,680 --> 00:53:34,200
Speaker 5: wouldn't be considered altruistic.

1244
00:53:34,239 --> 00:53:35,120
Speaker 3: It's it's you know.

1245
00:53:35,160 --> 00:53:39,480
Speaker 5: Pharmaceutical capitalist, capitalist, their their venture capitalist, whatever it is.

1246
00:53:39,920 --> 00:53:41,800
Speaker 3: And he's like, no, I want to go and help people.

1247
00:53:41,800 --> 00:53:44,239
Speaker 5: Well, if you don't mean, miss John, we're cutting you off,

1248
00:53:44,280 --> 00:53:46,120
Speaker 5: and so I don't care. I'm getting on my very

1249
00:53:46,120 --> 00:53:48,719
Speaker 5: expensive motorcycle that you probably bought me anyway and leaving.

1250
00:53:49,920 --> 00:53:52,080
Speaker 5: And I think that's probably what happened. So yeah, I

1251
00:53:52,120 --> 00:53:52,920
Speaker 5: think that's what they were.

1252
00:53:53,239 --> 00:53:55,480
Speaker 1: They're eluding to her own bookstore.

1253
00:53:56,080 --> 00:53:59,920
Speaker 4: She saw John that she was when he left her

1254
00:54:00,440 --> 00:54:02,840
Speaker 4: and left the life because he wanted his own life.

1255
00:54:03,200 --> 00:54:05,600
Speaker 4: What she realized was that deep down she knew that

1256
00:54:05,760 --> 00:54:08,600
Speaker 4: was now going to force her to do the same thing.

1257
00:54:08,760 --> 00:54:10,400
Speaker 4: And she knew that that was going to be hard,

1258
00:54:10,560 --> 00:54:13,520
Speaker 4: and so but she did it, and now here she

1259
00:54:13,719 --> 00:54:15,880
Speaker 4: is and she's come through the other side of it,

1260
00:54:15,920 --> 00:54:17,040
Speaker 4: and she just now wants.

1261
00:54:16,920 --> 00:54:19,560
Speaker 2: Him to think of a leather dish. I mean, they're

1262
00:54:19,640 --> 00:54:21,920
Speaker 2: meant to be guys.

1263
00:54:21,480 --> 00:54:23,400
Speaker 3: On it's leather.

1264
00:54:24,120 --> 00:54:29,560
Speaker 2: You don't know if you're wealthy. So then Seohn lifts

1265
00:54:29,640 --> 00:54:32,480
Speaker 2: up his wineglasses and says, you still have that beamer

1266
00:54:32,800 --> 00:54:35,120
Speaker 2: And she says, hey, a girl's got to get around,

1267
00:54:35,160 --> 00:54:40,000
Speaker 2: you know, real quickly. Yeah, red drink.

1268
00:54:40,320 --> 00:54:43,920
Speaker 3: Hey you still got that? Oh I've got coolie, Yeah.

1269
00:54:43,800 --> 00:54:47,400
Speaker 4: Exactly, so yeah, yeah. Then we're in the cafeteria. Corey, Frankie,

1270
00:54:47,400 --> 00:54:49,399
Speaker 4: and Sean are walking into the lunch room. As Cory says, ah,

1271
00:54:49,440 --> 00:54:52,200
Speaker 4: the lunchtime rush, nowhere to sit. Sewan chimes in asking

1272
00:54:52,239 --> 00:54:54,759
Speaker 4: what shall they do? Frankie, everyone at the table runs away,

1273
00:54:54,800 --> 00:54:56,800
Speaker 4: and Corey says, well, look a convenient opening.

1274
00:54:57,160 --> 00:54:59,919
Speaker 2: Again. This is where we see these kids are very

1275
00:55:00,400 --> 00:55:00,879
Speaker 2: very young.

1276
00:55:01,760 --> 00:55:04,360
Speaker 4: We at one point had forty five year old background

1277
00:55:04,400 --> 00:55:08,960
Speaker 4: actors as in the cafeteria, and now we have nine

1278
00:55:09,000 --> 00:55:09,399
Speaker 4: year olds.

1279
00:55:09,520 --> 00:55:10,279
Speaker 3: It's amazing.

1280
00:55:11,160 --> 00:55:13,080
Speaker 4: So they sit down at the table and Sean says, yeah,

1281
00:55:13,120 --> 00:55:15,080
Speaker 4: you see that, Frankie, you hang with us. The seat's

1282
00:55:15,160 --> 00:55:18,040
Speaker 4: just open. Frankie says he sees it differently. He's been

1283
00:55:18,040 --> 00:55:20,520
Speaker 4: thinking about their friendships and asks what kind of friends

1284
00:55:20,520 --> 00:55:23,359
Speaker 4: they are. Sean says they're best friends. Corey tells him

1285
00:55:23,360 --> 00:55:25,759
Speaker 4: they value his friendship very much, and then Corey yells

1286
00:55:25,760 --> 00:55:29,359
Speaker 4: out drag cleaning. Frankie questions dry cleaning, and a small boy,

1287
00:55:29,440 --> 00:55:31,640
Speaker 4: the same one who served Frankie as burger at Chubby's,

1288
00:55:31,760 --> 00:55:34,000
Speaker 4: runs up with a freshly pressed sweater and says they

1289
00:55:34,000 --> 00:55:36,319
Speaker 4: got the stain out. Sean thanks him and says he's

1290
00:55:36,320 --> 00:55:38,520
Speaker 4: too kind. He asks what the kid's name is, and

1291
00:55:38,560 --> 00:55:41,000
Speaker 4: the kid says Robert. Sean tells him not anymore. From

1292
00:55:41,000 --> 00:55:43,760
Speaker 4: now on, his name is Dances with Sweaters.

1293
00:55:43,760 --> 00:55:46,200
Speaker 1: A funny bit. I thought this funny, So I think

1294
00:55:46,200 --> 00:55:49,880
Speaker 1: what happened in the writing of this episode is like

1295
00:55:50,160 --> 00:55:54,600
Speaker 1: the choice for Frankie, like the voice of Frankie on

1296
00:55:54,640 --> 00:55:57,759
Speaker 1: the page, is that he has no subtext, that he

1297
00:55:58,440 --> 00:56:04,040
Speaker 1: just says expositional dialogue around himself. He has no filter.

1298
00:56:04,200 --> 00:56:06,680
Speaker 1: And that's what's so funny, right, is that he's just

1299
00:56:06,719 --> 00:56:08,879
Speaker 1: like I like poetry. I am also going to beat

1300
00:56:08,880 --> 00:56:11,040
Speaker 1: you up. I walk alone in this world, and it's

1301
00:56:11,080 --> 00:56:17,759
Speaker 1: like that declarative expositional language like voice is very funny. Yeah,

1302
00:56:18,040 --> 00:56:21,839
Speaker 1: it doesn't work with Turner and Melanie right like. But

1303
00:56:21,920 --> 00:56:23,880
Speaker 1: the problem is, I think they got trapped in this

1304
00:56:23,960 --> 00:56:27,320
Speaker 1: idea of like you can have expositional dialogue because somebody

1305
00:56:27,400 --> 00:56:29,719
Speaker 1: like Ethan, you know, Frankie is doing that. But it

1306
00:56:29,719 --> 00:56:32,320
Speaker 1: doesn't work, like and so it's like, in a weird way,

1307
00:56:32,360 --> 00:56:34,799
Speaker 1: the whole episode lost all of its subtext because I

1308
00:56:34,800 --> 00:56:39,880
Speaker 1: think it was built around Frankie's voice. Yeah, because Frankie.

1309
00:56:39,440 --> 00:56:41,840
Speaker 3: Is Mango from Blazing Saddles.

1310
00:56:42,320 --> 00:56:44,600
Speaker 1: I don't remember playing, so I mean.

1311
00:56:44,480 --> 00:56:46,600
Speaker 5: It's you know, it's if you go back and you

1312
00:56:46,640 --> 00:56:48,719
Speaker 5: watch it, that's what that's. I think what it even

1313
00:56:48,800 --> 00:56:50,680
Speaker 5: based the character on is that same kind of thing.

1314
00:56:50,719 --> 00:56:53,840
Speaker 5: And you're right, it works. It's it makes things different

1315
00:56:53,920 --> 00:56:57,319
Speaker 5: when it's driving the story right as opposed to it's

1316
00:56:57,440 --> 00:57:00,640
Speaker 5: just another great character that's there right know when but

1317
00:57:00,840 --> 00:57:01,520
Speaker 5: I see what you're saying.

1318
00:57:01,520 --> 00:57:04,120
Speaker 3: It's like, now all the characters are kind of talking

1319
00:57:04,360 --> 00:57:07,040
Speaker 3: like that, which you have.

1320
00:57:07,239 --> 00:57:11,840
Speaker 2: So many storylines imagine this, Imagine how long the episode

1321
00:57:11,880 --> 00:57:14,920
Speaker 2: would have to be totally you know, it's so it is.

1322
00:57:15,000 --> 00:57:16,160
Speaker 2: It makes it really difficult.

1323
00:57:16,160 --> 00:57:18,240
Speaker 4: But you know, I also would like to point out

1324
00:57:18,280 --> 00:57:21,000
Speaker 4: that I I love that Will is now the Michael

1325
00:57:21,040 --> 00:57:24,840
Speaker 4: Jacobs of this podcast, and he he points out things like, yeah,

1326
00:57:25,000 --> 00:57:25,960
Speaker 4: like Daniel's.

1327
00:57:25,560 --> 00:57:35,640
Speaker 2: Red Daniels from Blaze, but.

1328
00:57:35,600 --> 00:57:37,560
Speaker 1: You know who actually when you said that was the

1329
00:57:37,640 --> 00:57:38,680
Speaker 1: character from Galaxy?

1330
00:57:40,440 --> 00:57:41,520
Speaker 2: Are talking to you again?

1331
00:57:42,080 --> 00:57:47,080
Speaker 5: Just what my serious for some reasons popped out of it.

1332
00:57:47,160 --> 00:57:51,040
Speaker 5: I'm sorry, I do not know Daniel's red Lap. Can

1333
00:57:51,080 --> 00:57:52,280
Speaker 5: you please try again?

1334
00:57:53,560 --> 00:57:54,760
Speaker 1: Even doesn't know.

1335
00:57:57,520 --> 00:58:00,200
Speaker 3: No idea what Daniel I was gonn.

1336
00:58:00,080 --> 00:58:02,000
Speaker 1: To say that there's a character, what's the character from

1337
00:58:02,000 --> 00:58:04,800
Speaker 1: Gardens of the Galaxy who takes everything literally drack and

1338
00:58:04,920 --> 00:58:07,280
Speaker 1: just right. It's similar to that, right, and you have

1339
00:58:07,360 --> 00:58:10,160
Speaker 1: like a big guy who just declares his fumings and

1340
00:58:10,360 --> 00:58:32,400
Speaker 1: you know, yeah.

1341
00:58:22,440 --> 00:58:25,920
Speaker 2: So Seawan's just told him his new name is of

1342
00:58:26,280 --> 00:58:29,960
Speaker 2: dances with Sweaters, Dances with sweaters, which is what Harley does.

1343
00:58:30,040 --> 00:58:33,360
Speaker 5: By the way, the first time Harley meets Corey changes

1344
00:58:33,400 --> 00:58:34,720
Speaker 5: his name to Baboons, So.

1345
00:58:34,640 --> 00:58:37,000
Speaker 3: It's you know, Sean.

1346
00:58:38,240 --> 00:58:41,200
Speaker 5: Harley of the Trap of like, oh this is now,

1347
00:58:41,200 --> 00:58:42,640
Speaker 5: I got the enforcer next to me.

1348
00:58:43,200 --> 00:58:45,840
Speaker 2: Let's see, well, no, that's not your name, changing your

1349
00:58:46,000 --> 00:58:47,200
Speaker 2: nice parallels.

1350
00:58:47,440 --> 00:58:49,240
Speaker 1: Yeah, yeah, good catch.

1351
00:58:49,760 --> 00:58:52,240
Speaker 4: So Robert smiles and shrugs, says he likes it. Frankie

1352
00:58:52,280 --> 00:58:54,000
Speaker 4: shakes his head at Sean and Corey and he stands

1353
00:58:54,080 --> 00:58:56,240
Speaker 4: up to walk away. Corey asks him where he's going,

1354
00:58:56,280 --> 00:58:58,160
Speaker 4: and he says he needs to be alone to reflect,

1355
00:58:58,440 --> 00:58:59,040
Speaker 4: and Sean.

1356
00:58:58,880 --> 00:59:00,360
Speaker 2: Says, what's the matter with him?

1357
00:59:00,520 --> 00:59:04,600
Speaker 4: While you're just laughing, You're just you're just so desperately

1358
00:59:04,640 --> 00:59:06,520
Speaker 4: trying to hold it back, but it is terrible.

1359
00:59:06,560 --> 00:59:09,480
Speaker 2: You're like, what's the matter with whom?

1360
00:59:09,560 --> 00:59:12,800
Speaker 4: Just oh my gosh. And Corey throws his arms up

1361
00:59:12,800 --> 00:59:15,480
Speaker 4: in shrugs. And then I think, you guys must have

1362
00:59:15,560 --> 00:59:19,000
Speaker 4: really found the way he was delivering the time to reflect,

1363
00:59:19,120 --> 00:59:20,760
Speaker 4: like he must have been doing it in a way

1364
00:59:20,760 --> 00:59:22,760
Speaker 4: that was really funny to you guys, Because I also

1365
00:59:23,040 --> 00:59:25,320
Speaker 4: I rewatched it a few times when I saw writer breaking,

1366
00:59:25,640 --> 00:59:28,080
Speaker 4: I realized when Ben turns around to ask him, where

1367
00:59:28,120 --> 00:59:30,960
Speaker 4: are you going? Ben is also starting to break, of course,

1368
00:59:31,040 --> 00:59:33,120
Speaker 4: so there was something between the three of you that

1369
00:59:33,280 --> 00:59:35,240
Speaker 4: was very funny, or maybe.

1370
00:59:35,040 --> 00:59:37,200
Speaker 1: Just I remember that when I said the line, and

1371
00:59:37,240 --> 00:59:41,200
Speaker 1: the next scene in the in the hallway, I say dances.

1372
00:59:41,480 --> 00:59:43,640
Speaker 1: I remember Ben, and I could not could not get

1373
00:59:43,720 --> 00:59:46,840
Speaker 1: through that. Every time I called him dances he lost it.

1374
00:59:46,920 --> 00:59:48,560
Speaker 1: So the idea of like the two of us being

1375
00:59:48,640 --> 00:59:50,640
Speaker 1: bullied was clearly cracking us up.

1376
00:59:52,280 --> 00:59:56,560
Speaker 5: It's also there is nothing as contagious as the giggles

1377
00:59:56,600 --> 01:00:00,160
Speaker 5: on show night. I mean, it would just sweep through

1378
01:00:00,280 --> 01:00:02,800
Speaker 5: you like a blaze, and you just couldn't you.

1379
01:00:02,720 --> 01:00:05,040
Speaker 3: Couldn't hold it together. It was some of the.

1380
01:00:05,000 --> 01:00:07,160
Speaker 5: Hardest laughing I've ever done in my entire life. Will

1381
01:00:07,160 --> 01:00:09,440
Speaker 5: always be when you're breaking on a set. It's just

1382
01:00:10,080 --> 01:00:10,560
Speaker 5: it's amazing.

1383
01:00:10,760 --> 01:00:13,000
Speaker 1: It's all the nervous energy and it's all the excitement.

1384
01:00:13,000 --> 01:00:16,880
Speaker 1: But then it's also the sense of community underneath, you know,

1385
01:00:16,960 --> 01:00:19,240
Speaker 1: like the performance that you're doing, you're like aware of

1386
01:00:19,240 --> 01:00:21,880
Speaker 1: each other as actors and friends. So you're sitting there

1387
01:00:22,080 --> 01:00:24,440
Speaker 1: like if you have any in jokes or anything between

1388
01:00:24,440 --> 01:00:26,760
Speaker 1: the two of you, that's it. And then it's just

1389
01:00:26,800 --> 01:00:29,080
Speaker 1: like you and you have to you know you shouldn't,

1390
01:00:29,160 --> 01:00:31,600
Speaker 1: but you you. Also it's so funny to act.

1391
01:00:31,800 --> 01:00:34,920
Speaker 4: Remember I remember there being an added element when you

1392
01:00:35,000 --> 01:00:38,400
Speaker 4: were doing things like a promo, Like remember those holiday

1393
01:00:38,400 --> 01:00:40,600
Speaker 4: promos where we'd all have to stand around behind the

1394
01:00:40,640 --> 01:00:44,520
Speaker 4: house and we'd be like from our family, yours may Christmas,

1395
01:00:44,560 --> 01:00:46,000
Speaker 4: and we'd all have to say it at the same time,

1396
01:00:46,400 --> 01:00:48,360
Speaker 4: and somebody would be like, somebody would have a weird

1397
01:00:48,400 --> 01:00:49,920
Speaker 4: voice or would be a little bit late, and then

1398
01:00:49,920 --> 01:00:52,640
Speaker 4: you start giggling about that. And the added element with

1399
01:00:52,760 --> 01:00:57,520
Speaker 4: that is the fact that deep down this feels so ridiculous,

1400
01:00:57,840 --> 01:01:01,320
Speaker 4: but it's very pressurized because you of you're cramming having

1401
01:01:01,400 --> 01:01:03,760
Speaker 4: to do this additional promo into what would be your

1402
01:01:03,800 --> 01:01:06,760
Speaker 4: normal workday, so now there's less time for everything else, and.

1403
01:01:06,680 --> 01:01:09,520
Speaker 2: We have to get this promo, and so deep down

1404
01:01:09,600 --> 01:01:10,439
Speaker 2: your lilts.

1405
01:01:10,520 --> 01:01:14,400
Speaker 6: We've got this very serious Merry Christmas message. It's like

1406
01:01:14,480 --> 01:01:16,760
Speaker 6: and now you're just laughing because also like I can't

1407
01:01:16,760 --> 01:01:19,280
Speaker 6: believe we're making such a big deal about this, and like, oh,

1408
01:01:19,320 --> 01:01:21,480
Speaker 6: you're right, we definitely shouldn't be having any fun while

1409
01:01:21,480 --> 01:01:24,040
Speaker 6: we're telling people Marry Christmas, and we should definitely look

1410
01:01:24,080 --> 01:01:26,160
Speaker 6: like we're the hostage lay with it.

1411
01:01:26,080 --> 01:01:28,320
Speaker 5: Too, because they, like you said, like everyone you hear

1412
01:01:28,360 --> 01:01:30,760
Speaker 5: Marry Christmas, and then you just hear what Personsthmus like

1413
01:01:30,920 --> 01:01:33,560
Speaker 5: after everybody else, It's like, okay, now you're doing that

1414
01:01:33,640 --> 01:01:34,080
Speaker 5: on purpose.

1415
01:01:34,160 --> 01:01:37,600
Speaker 2: It was exactly so much fun. Good times. Sullivan We're

1416
01:01:37,600 --> 01:01:38,360
Speaker 2: in the school hallway.

1417
01:01:38,400 --> 01:01:40,560
Speaker 4: Frankie goes up to the bench where students are sitting down.

1418
01:01:40,600 --> 01:01:42,439
Speaker 4: He asks if he can join them. They don't answer,

1419
01:01:42,560 --> 01:01:45,280
Speaker 4: They just run away. Frankie looks discouraged and walks in

1420
01:01:45,320 --> 01:01:47,960
Speaker 4: circles with his head down. And here is where again,

1421
01:01:48,040 --> 01:01:50,600
Speaker 4: I was like, right, but why would you ever expect

1422
01:01:50,640 --> 01:01:53,560
Speaker 4: anything else just because suddenly you like, could I join you?

1423
01:01:54,000 --> 01:01:56,680
Speaker 4: These people are supposed to who are normally terrified of

1424
01:01:56,720 --> 01:01:58,840
Speaker 4: you are supposed to think, Oh, he must mean he.

1425
01:01:58,840 --> 01:02:00,640
Speaker 2: Wants to actually hang out with us like a friend.

1426
01:02:00,920 --> 01:02:02,520
Speaker 2: But okay, this.

1427
01:02:02,720 --> 01:02:05,320
Speaker 1: Lack of Joey really right? I mean, he misses Joey

1428
01:02:05,320 --> 01:02:08,120
Speaker 1: and that seems to be like what he should be expressed,

1429
01:02:08,520 --> 01:02:09,560
Speaker 1: Oh I miss my friend.

1430
01:02:09,880 --> 01:02:13,120
Speaker 5: But it could also be his self realization of Wow,

1431
01:02:13,240 --> 01:02:15,880
Speaker 5: I've done this to myself because I'm a bully.

1432
01:02:16,640 --> 01:02:18,200
Speaker 3: No one wants to be with me, No one wants

1433
01:02:18,240 --> 01:02:21,160
Speaker 3: to sit with me. No, that's not what happens at all.

1434
01:02:21,160 --> 01:02:24,960
Speaker 4: It's not what happened. People start taking stop taking advantage

1435
01:02:25,000 --> 01:02:28,040
Speaker 4: of me. And I wanted to be like, sir, there's

1436
01:02:28,080 --> 01:02:30,800
Speaker 4: a little bit of owners ownership here you have to.

1437
01:02:30,760 --> 01:02:32,080
Speaker 3: Take You've been a bad guy.

1438
01:02:32,480 --> 01:02:35,480
Speaker 2: Yeah, you you you shouldn't have children. Yeah. If he

1439
01:02:35,640 --> 01:02:37,200
Speaker 2: said to those kids.

1440
01:02:37,600 --> 01:02:40,440
Speaker 4: I really miss my friend, could I sit with you guys,

1441
01:02:40,600 --> 01:02:42,720
Speaker 4: and they still all ran away. I could see him

1442
01:02:42,720 --> 01:02:45,600
Speaker 4: feeling like, no one will give me a chance. But

1443
01:02:45,720 --> 01:02:48,560
Speaker 4: throughout this whole episode, he hasn't been trying to turn

1444
01:02:48,600 --> 01:02:51,480
Speaker 4: over a new leave. He's actually still been a massive bully.

1445
01:02:51,520 --> 01:02:53,560
Speaker 4: So there was a little bit of that element missing.

1446
01:02:53,840 --> 01:02:55,560
Speaker 4: That's what I was getting this episode.

1447
01:02:55,600 --> 01:02:57,360
Speaker 5: I don't know, because that's what I was so hoping

1448
01:02:57,440 --> 01:03:00,480
Speaker 5: was gonna happen in the Feene episode Phoene scene, this

1449
01:03:00,560 --> 01:03:03,280
Speaker 5: scene now, because I so wanted to love this scene,

1450
01:03:03,280 --> 01:03:05,680
Speaker 5: and I thought it was going to be Bill being

1451
01:03:06,400 --> 01:03:09,240
Speaker 5: mister Feenie in that. Hey, I'm gonna give you some advice,

1452
01:03:09,280 --> 01:03:11,440
Speaker 5: but you also need to take ownership of who you

1453
01:03:11,520 --> 01:03:12,520
Speaker 5: are and who you've been.

1454
01:03:12,720 --> 01:03:14,600
Speaker 2: Yeah, and you can make choices.

1455
01:03:14,280 --> 01:03:16,320
Speaker 5: Yes, and some of the choices you've made so far

1456
01:03:16,440 --> 01:03:19,040
Speaker 5: have been terrible. And why do you think people look

1457
01:03:19,080 --> 01:03:20,919
Speaker 5: at you this way? But it wasn't that at all.

1458
01:03:21,080 --> 01:03:23,520
Speaker 1: No, it becomes Corey and Shawn's realization.

1459
01:03:23,400 --> 01:03:27,800
Speaker 5: Right, and it's we've all everybody's been looking at Frankie

1460
01:03:27,800 --> 01:03:31,240
Speaker 5: the wrong way. Not wait, you've cultivated this reputation of

1461
01:03:31,240 --> 01:03:33,880
Speaker 5: being a bad guy. You need to change who you

1462
01:03:34,000 --> 01:03:36,560
Speaker 5: are and accept that, and none of that happened. So

1463
01:03:36,600 --> 01:03:38,320
Speaker 5: it was a little strange for me. I so is

1464
01:03:38,400 --> 01:03:40,280
Speaker 5: hoping because I love the scene between the two of

1465
01:03:40,320 --> 01:03:44,000
Speaker 5: them as actors, right, I just wish it hit.

1466
01:03:44,160 --> 01:03:45,320
Speaker 3: More of what I was hoping.

1467
01:03:45,120 --> 01:03:47,400
Speaker 1: Which is funny because the Harley episode, what it did

1468
01:03:47,440 --> 01:03:50,800
Speaker 1: turn on Harley's realization about like the way his romantic

1469
01:03:50,840 --> 01:03:53,920
Speaker 1: life was and he needed to change. So there's precedent

1470
01:03:54,040 --> 01:03:56,480
Speaker 1: for you know, giving the episode to Ethan, you know,

1471
01:03:56,480 --> 01:04:00,200
Speaker 1: and letting his character grow in a way. Yep, Yeah, yeah.

1472
01:04:00,200 --> 01:04:02,560
Speaker 1: I think this episode just it feels off in that

1473
01:04:02,600 --> 01:04:05,160
Speaker 1: it probably should have just been a farce. It probably

1474
01:04:05,160 --> 01:04:07,400
Speaker 1: shouldn't have taken itself so seriously by the end, because

1475
01:04:07,680 --> 01:04:08,720
Speaker 1: that's where I'm kind of like.

1476
01:04:08,720 --> 01:04:13,040
Speaker 4: What or they should have just leaned fully into the

1477
01:04:13,120 --> 01:04:16,560
Speaker 4: idea of Frankie saying I am alone in this world.

1478
01:04:16,840 --> 01:04:20,560
Speaker 4: I will forge a new path and lean into him

1479
01:04:21,080 --> 01:04:24,439
Speaker 4: him doing making every a real valiant effort to show

1480
01:04:24,480 --> 01:04:26,840
Speaker 4: other sides of him, and no matter what he shows,

1481
01:04:27,120 --> 01:04:29,640
Speaker 4: people still keep closing doors in his face and him saying,

1482
01:04:29,640 --> 01:04:31,240
Speaker 4: will I ever have a chance to be.

1483
01:04:31,200 --> 01:04:33,800
Speaker 5: Someone else trying to change, and now no one wants

1484
01:04:33,840 --> 01:04:35,800
Speaker 5: me to change, and maybe I needed to change that,

1485
01:04:35,880 --> 01:04:36,960
Speaker 5: but none of that was there.

1486
01:04:36,880 --> 01:04:39,400
Speaker 2: When will pep, Yeah, like that I could everyone.

1487
01:04:39,080 --> 01:04:42,680
Speaker 5: Else's problem because they hadn't seen Frankie in the right light.

1488
01:04:42,760 --> 01:04:44,640
Speaker 3: And it's like, no, that's not accurate.

1489
01:04:45,240 --> 01:04:48,120
Speaker 4: Well, Feene appears and he asks, lost your way, mister Stakino.

1490
01:04:48,200 --> 01:04:51,440
Speaker 4: Frankie responds metaphorically, speaking, yes, mister Feoene, I found some

1491
01:04:51,520 --> 01:04:54,560
Speaker 4: new friends, as yourself suggested. Phoenie in rejects and says yes,

1492
01:04:54,600 --> 01:04:57,280
Speaker 4: mister Hunter and mister Matthews, well done. Frankie says, I'm

1493
01:04:57,320 --> 01:04:59,080
Speaker 4: not so sure you told me hanging out with a

1494
01:04:59,120 --> 01:05:01,160
Speaker 4: better crowd would make me a better person. Yet here

1495
01:05:01,200 --> 01:05:03,840
Speaker 4: I wander like the Israelites in the days of Yule Brenner.

1496
01:05:04,040 --> 01:05:05,840
Speaker 4: And this is a joe clearly for the young children.

1497
01:05:06,520 --> 01:05:09,560
Speaker 4: You yeah, so.

1498
01:05:09,440 --> 01:05:11,480
Speaker 3: Far as to say it's a great Yule Brenner joke.

1499
01:05:11,680 --> 01:05:12,120
Speaker 2: Okay.

1500
01:05:12,760 --> 01:05:15,520
Speaker 4: Phoenie tells him, you're over my head, mister Sikino, which

1501
01:05:15,720 --> 01:05:16,280
Speaker 4: I loved.

1502
01:05:16,440 --> 01:05:17,000
Speaker 2: I love that.

1503
01:05:17,120 --> 01:05:21,640
Speaker 4: Bill is like, I'm not following. Uh, Frankie says, I'm

1504
01:05:21,680 --> 01:05:24,600
Speaker 4: still Frankie the enforcer, and Phoenie understands, Ah, so your

1505
01:05:24,640 --> 01:05:26,760
Speaker 4: new friends are not what you'd hope they'd be. He

1506
01:05:26,800 --> 01:05:29,479
Speaker 4: tells Phoenie it's always the same Harley, Joey, Corey, Sean.

1507
01:05:29,520 --> 01:05:31,440
Speaker 4: They just see this big guy who everybody is afraid of,

1508
01:05:31,480 --> 01:05:34,360
Speaker 4: and they use his power for evil. Phoene asks Frankie

1509
01:05:34,360 --> 01:05:36,240
Speaker 4: why he lets them, and Frankie says, I want him

1510
01:05:36,240 --> 01:05:36,600
Speaker 4: to like me.

1511
01:05:36,760 --> 01:05:37,480
Speaker 2: Is that so wrong?

1512
01:05:37,800 --> 01:05:41,000
Speaker 4: Phoene assures him everyone wants to be liked. Phoene wants

1513
01:05:41,280 --> 01:05:44,000
Speaker 4: Frankie wants to know, even you, mister Phoenie, and Phoene

1514
01:05:44,000 --> 01:05:45,480
Speaker 4: shakes his head yes, but he tells him not to

1515
01:05:45,480 --> 01:05:48,560
Speaker 4: tell the students. It would only create chaos. Frankie asks

1516
01:05:48,600 --> 01:05:50,560
Speaker 4: when his new friends will stop taking advantage of him,

1517
01:05:50,600 --> 01:05:52,440
Speaker 4: and Phoene says, as soon as you stand up to them,

1518
01:05:52,520 --> 01:05:54,640
Speaker 4: let them know how you feel. Phoene tells him that

1519
01:05:54,720 --> 01:05:57,640
Speaker 4: is the test of a real friendship, and Frankie asks

1520
01:05:57,680 --> 01:05:59,680
Speaker 4: what will happen to Corey and if they fail that test?

1521
01:05:59,720 --> 01:06:02,080
Speaker 2: And he laughs and says, welcome to my life.

1522
01:06:04,200 --> 01:06:06,560
Speaker 4: So then we're back in Turner's apartment. A voicemail from

1523
01:06:06,600 --> 01:06:09,120
Speaker 4: Frankie is playing for sewn on the answering machine from earlier,

1524
01:06:09,160 --> 01:06:11,720
Speaker 4: we hear Sean, this is Frankie Stacchino. I feel that

1525
01:06:11,800 --> 01:06:13,680
Speaker 4: you and Corey and me need to talk if we're

1526
01:06:13,720 --> 01:06:15,680
Speaker 4: really going to be friends, because it occurs to me

1527
01:06:15,720 --> 01:06:17,960
Speaker 4: that you do not know who I really am. Please

1528
01:06:17,960 --> 01:06:21,160
Speaker 4: call me at your earliest convenience. Frankie's dad starts barking

1529
01:06:21,240 --> 01:06:24,120
Speaker 4: and growling in the background, and we hear Frankie say, please, Dad,

1530
01:06:24,160 --> 01:06:25,120
Speaker 4: I'm on the phone.

1531
01:06:25,880 --> 01:06:27,520
Speaker 2: I want to know more about that household.

1532
01:06:27,640 --> 01:06:28,560
Speaker 3: Yeah.

1533
01:06:28,640 --> 01:06:30,040
Speaker 2: So Turner and Eli walked through the door.

1534
01:06:30,080 --> 01:06:32,960
Speaker 4: As Eli is clarifying that Melanie is actually apologizing for

1535
01:06:32,960 --> 01:06:35,280
Speaker 4: the way the relationship ended, Turner says, yeah, she did,

1536
01:06:35,280 --> 01:06:36,560
Speaker 4: but I got to tell you, man, we had a

1537
01:06:36,560 --> 01:06:39,240
Speaker 4: great time last night. Sean smiles and asks when they're

1538
01:06:39,240 --> 01:06:42,080
Speaker 4: moving to Connecticut. Turner says they're not. They're staying right here.

1539
01:06:42,240 --> 01:06:44,919
Speaker 4: Sewn says that's probably better. All the money would spoil him.

1540
01:06:44,960 --> 01:06:46,560
Speaker 4: Then he adds, by the way, would a pillow be

1541
01:06:46,600 --> 01:06:47,480
Speaker 4: too much to ask for?

1542
01:06:47,720 --> 01:06:49,720
Speaker 3: I thought that was cute.

1543
01:06:50,040 --> 01:06:51,960
Speaker 4: Turner tells them she was the most sorry that she

1544
01:06:52,040 --> 01:06:53,960
Speaker 4: knew him as this rich man's kid. She never really

1545
01:06:54,040 --> 01:06:56,120
Speaker 4: knew who he was or tried to know him for real.

1546
01:06:56,400 --> 01:06:58,640
Speaker 4: Eli adds that they spent all that time together and

1547
01:06:58,640 --> 01:07:01,400
Speaker 4: they were never really friends. Turner tells them, when you're young,

1548
01:07:01,480 --> 01:07:04,960
Speaker 4: first impressions are everything. Sometimes you completely miss who someone

1549
01:07:05,000 --> 01:07:07,920
Speaker 4: really is, you know. Sean looks around, realizing that he

1550
01:07:07,960 --> 01:07:10,320
Speaker 4: did that to Frankie, and it looks like this hits

1551
01:07:10,320 --> 01:07:12,280
Speaker 4: you very harsh.

1552
01:07:12,800 --> 01:07:17,280
Speaker 1: You got to hit that moment, beggar, No, I want

1553
01:07:17,280 --> 01:07:19,200
Speaker 1: to see it on your face, begar.

1554
01:07:18,960 --> 01:07:22,520
Speaker 2: No camera zoom in, jo music swelling.

1555
01:07:23,400 --> 01:07:26,520
Speaker 5: It's so yeah, this is just so often really because

1556
01:07:26,560 --> 01:07:28,640
Speaker 5: as I wanted to, as he's punching you in the face,

1557
01:07:28,720 --> 01:07:29,840
Speaker 5: you should realize that.

1558
01:07:30,320 --> 01:07:32,720
Speaker 2: The insensitive man likes poetry.

1559
01:07:32,840 --> 01:07:35,360
Speaker 5: Yeah, I'm not seeing you for who you are through

1560
01:07:35,360 --> 01:07:36,360
Speaker 5: the blood in my eyes.

1561
01:07:37,640 --> 01:07:39,400
Speaker 4: And then we're in this school hallway. As they meet

1562
01:07:39,400 --> 01:07:41,560
Speaker 4: at the locker, Sean asks Cory what he wants. Cory

1563
01:07:41,560 --> 01:07:42,960
Speaker 4: says he didn't call for this meeting. He got a

1564
01:07:43,000 --> 01:07:45,040
Speaker 4: message that Sean wanted to talk. Seawan is confused. That

1565
01:07:45,080 --> 01:07:48,560
Speaker 4: makes no sense. Then Robert, that little seventh grader dances

1566
01:07:48,560 --> 01:07:51,280
Speaker 4: with sweaters, pops up from behind the trash can and says,

1567
01:07:51,320 --> 01:07:52,360
Speaker 4: makes a lot of sense to me.

1568
01:07:52,800 --> 01:07:57,160
Speaker 2: Sean says, dancing dances. Robert says, twas I who called

1569
01:07:57,200 --> 01:07:57,520
Speaker 2: you both?

1570
01:07:57,600 --> 01:07:59,280
Speaker 4: We seventh graders aren't going to take it anymore, and

1571
01:07:59,280 --> 01:08:01,080
Speaker 4: no we're giving up our food or doing your errands.

1572
01:08:01,240 --> 01:08:04,120
Speaker 4: Cory asks what about my dry cleaning and Robert Yell's finished.

1573
01:08:04,200 --> 01:08:07,160
Speaker 4: Sean responds, yeah you and what army and Robert snaps

1574
01:08:07,200 --> 01:08:08,920
Speaker 4: his fingers and all the seventh graders.

1575
01:08:08,600 --> 01:08:11,800
Speaker 1: Walking attention to the background. For the rest of the

1576
01:08:11,840 --> 01:08:15,560
Speaker 1: previous five scenes. They might have had an idea of

1577
01:08:15,600 --> 01:08:16,439
Speaker 1: what's about to happen.

1578
01:08:16,680 --> 01:08:20,120
Speaker 2: They were coming. They come out of the lockers around and.

1579
01:08:20,160 --> 01:08:23,479
Speaker 1: The exact number that you are allowed to have with

1580
01:08:23,840 --> 01:08:25,280
Speaker 1: one studio teacher right right.

1581
01:08:25,360 --> 01:08:27,560
Speaker 4: So probably I was going to say I was to

1582
01:08:27,640 --> 01:08:30,200
Speaker 4: say eighteen, but maybe maybe it was only twelve.

1583
01:08:30,400 --> 01:08:31,759
Speaker 2: Corey laughs and says, we're kidding.

1584
01:08:31,760 --> 01:08:35,520
Speaker 4: We love you guys. Robert questions changing your tune tune changers.

1585
01:08:35,840 --> 01:08:38,160
Speaker 4: Corey tells Robert, we can work this out. Robert responds,

1586
01:08:38,200 --> 01:08:39,639
Speaker 4: not so tough without your enforcer.

1587
01:08:39,880 --> 01:08:40,200
Speaker 2: Boys.

1588
01:08:40,520 --> 01:08:43,080
Speaker 1: Frank Weird thought that this is the size we were

1589
01:08:43,120 --> 01:08:44,120
Speaker 1: in first season.

1590
01:08:44,560 --> 01:08:46,640
Speaker 5: So I thought that the entire time, and then I

1591
01:08:46,680 --> 01:08:51,320
Speaker 5: thought maybe they specific I mean, Adam was a small kid.

1592
01:08:51,400 --> 01:08:52,880
Speaker 5: And it still was kind of grew up to us

1593
01:08:52,920 --> 01:08:56,280
Speaker 5: be a small man. So maybe they specifically cast you know,

1594
01:08:56,400 --> 01:08:57,600
Speaker 5: even smaller.

1595
01:08:57,240 --> 01:09:01,400
Speaker 1: But I know it definitely like you know, like we

1596
01:09:01,479 --> 01:09:04,120
Speaker 1: talked about, I was already pretty tall. But yeah, it's

1597
01:09:04,400 --> 01:09:06,000
Speaker 1: it's just like we look like.

1598
01:09:06,280 --> 01:09:08,599
Speaker 4: Well, it'd be no, he looks like it would be

1599
01:09:08,600 --> 01:09:11,320
Speaker 4: interesting to know how old Adam was, how much younger

1600
01:09:11,320 --> 01:09:12,439
Speaker 4: Adam is than you.

1601
01:09:12,840 --> 01:09:15,000
Speaker 3: Because Adam was thirty two when he shot that.

1602
01:09:16,400 --> 01:09:18,320
Speaker 2: I would not be surprised if he was.

1603
01:09:19,920 --> 01:09:22,120
Speaker 4: But yeah, but I wouldn't be surprised if these kids

1604
01:09:22,120 --> 01:09:24,200
Speaker 4: are like ten and not twelve.

1605
01:09:25,320 --> 01:09:29,479
Speaker 3: Okay, maybe, but again that's he was like sixty thirty nine.

1606
01:09:29,520 --> 01:09:31,120
Speaker 1: Now, don't we sold them six three?

1607
01:09:31,160 --> 01:09:31,640
Speaker 2: How old are you?

1608
01:09:31,680 --> 01:09:31,800
Speaker 3: Right?

1609
01:09:32,560 --> 01:09:33,080
Speaker 1: Forty three?

1610
01:09:33,400 --> 01:09:35,080
Speaker 2: Forty three? He's thirty nine, so he is four years

1611
01:09:35,120 --> 01:09:35,600
Speaker 2: younger than you.

1612
01:09:35,680 --> 01:09:38,439
Speaker 1: So if you were, he's twelve, I was sixteen.

1613
01:09:38,600 --> 01:09:40,320
Speaker 2: You were sixteen, Okay, so he was you were.

1614
01:09:40,640 --> 01:09:42,719
Speaker 3: You were sixteen already in season three.

1615
01:09:42,840 --> 01:09:46,360
Speaker 1: No, we're ninety five, right, the end of ninety five

1616
01:09:46,439 --> 01:09:49,479
Speaker 1: is when this episode aired, So I turned sixteen.

1617
01:09:51,120 --> 01:09:53,840
Speaker 2: Were nineteenth? Ninety six is when it aired, So yeah,

1618
01:09:54,240 --> 01:09:55,479
Speaker 2: of end of ninety five.

1619
01:09:55,960 --> 01:09:59,000
Speaker 1: Yeah, you're sixteen so I was I turned sixteen. I

1620
01:09:59,040 --> 01:10:01,400
Speaker 1: turned sixteen that December.

1621
01:10:02,040 --> 01:10:03,160
Speaker 3: December eleven eleven.

1622
01:10:03,479 --> 01:10:05,360
Speaker 2: Don't forget to say the Magical.

1623
01:10:05,080 --> 01:10:08,759
Speaker 1: Run even repeated again eleventh eleven eleventh.

1624
01:10:22,160 --> 01:10:24,840
Speaker 4: Frankie walks into the hallway and Corey eels Frankie. Robert

1625
01:10:24,880 --> 01:10:26,799
Speaker 4: turns to see him and screams to all the seventh

1626
01:10:26,800 --> 01:10:30,360
Speaker 4: graders run. They start to run away when Sean yells, wait,

1627
01:10:30,680 --> 01:10:33,320
Speaker 4: what are you running from? Robert says Frankie the Enforcer.

1628
01:10:33,360 --> 01:10:35,840
Speaker 4: Sean corrects him, saying that's only what you think of

1629
01:10:35,920 --> 01:10:36,320
Speaker 4: him as.

1630
01:10:37,320 --> 01:10:41,400
Speaker 2: No, that's not true. He is really Frankie the.

1631
01:10:41,439 --> 01:10:45,400
Speaker 4: Enforcer, yell at the television. Corey asks Sean what he's doing.

1632
01:10:45,439 --> 01:10:47,360
Speaker 4: Sean has something to say. Sean asks, I mean, have

1633
01:10:47,439 --> 01:10:50,280
Speaker 4: any of you really looked at Frankie Stacchino. Robert scoffs

1634
01:10:50,280 --> 01:10:52,599
Speaker 4: and says yeah, upside down. Sean says, no, I mean

1635
01:10:52,680 --> 01:10:54,720
Speaker 4: really looked at him. I bet nobody here knows that

1636
01:10:54,760 --> 01:10:58,439
Speaker 4: this man has a very poetic soul. Corey smiles and says, yeah,

1637
01:10:58,520 --> 01:11:00,599
Speaker 4: you know he does. And now and then of a sudden,

1638
01:11:00,600 --> 01:11:01,360
Speaker 4: he just gets it.

1639
01:11:01,560 --> 01:11:04,040
Speaker 1: Why does Corey have this transition? It's and then he

1640
01:11:04,080 --> 01:11:07,400
Speaker 1: takes over the speech speechifying, and I was like, no,

1641
01:11:07,840 --> 01:11:10,439
Speaker 1: this is Sean's moment. Sean is the only one that

1642
01:11:10,520 --> 01:11:12,320
Speaker 1: this makes any sense that he would have this kind

1643
01:11:12,320 --> 01:11:14,200
Speaker 1: of leap, And I can see Corey just being like

1644
01:11:14,360 --> 01:11:18,320
Speaker 1: but then Corey like immediately gets it, immediately understands Turner's

1645
01:11:18,360 --> 01:11:20,800
Speaker 1: speech that he wasn't there for right, And but.

1646
01:11:20,840 --> 01:11:23,920
Speaker 4: It's because it's it's even weirder because it's almost like

1647
01:11:23,960 --> 01:11:26,759
Speaker 4: he goes, oh, yeah, I remember that episode from season

1648
01:11:26,840 --> 01:11:29,800
Speaker 4: two where we hung out with him exactly like we're

1649
01:11:29,800 --> 01:11:31,840
Speaker 4: hanging out with him this week and learn the lesson

1650
01:11:31,880 --> 01:11:33,320
Speaker 4: that he is multifaceted.

1651
01:11:33,520 --> 01:11:37,000
Speaker 5: Yes, I think you're supposed to remember that. He kind

1652
01:11:37,040 --> 01:11:40,360
Speaker 5: of got the same speech from his mom, which is

1653
01:11:41,600 --> 01:11:44,120
Speaker 5: you're not looking at him the right way, You're not

1654
01:11:44,160 --> 01:11:44,800
Speaker 5: seeing enough.

1655
01:11:44,840 --> 01:11:47,400
Speaker 3: I mean tried to try the kitchen, but it was

1656
01:11:47,600 --> 01:11:48,760
Speaker 3: like twenty pages ago.

1657
01:11:48,840 --> 01:11:51,439
Speaker 1: I think, yeah, I think the problem is that it's yeah,

1658
01:11:51,520 --> 01:11:54,880
Speaker 1: it's it's not connected enough. So that's that's the point

1659
01:11:54,960 --> 01:11:57,320
Speaker 1: is that Corey and Seawan each independently get advice from

1660
01:11:57,360 --> 01:12:00,920
Speaker 1: their parental figures, right, which then pays off he and

1661
01:12:01,000 --> 01:12:05,040
Speaker 1: Frankie gets his advice from Feeney to then test us.

1662
01:12:05,120 --> 01:12:08,400
Speaker 4: And test you by Then what he says next is

1663
01:12:09,000 --> 01:12:10,760
Speaker 4: all that stuff you said, did you mean it? Or

1664
01:12:10,800 --> 01:12:14,679
Speaker 4: once again, were you just trying to avoid an indescribable pain?

1665
01:12:14,880 --> 01:12:18,080
Speaker 4: So he says it while also threatening you still, so

1666
01:12:18,120 --> 01:12:19,720
Speaker 4: I'm not really sure how it was too much of

1667
01:12:19,760 --> 01:12:23,040
Speaker 4: a of him standing up to you to say, listen,

1668
01:12:23,080 --> 01:12:24,639
Speaker 4: I no longer want to be that person.

1669
01:12:24,720 --> 01:12:25,840
Speaker 2: Stop trying to force me.

1670
01:12:25,920 --> 01:12:26,400
Speaker 1: To be it.

1671
01:12:26,800 --> 01:12:31,559
Speaker 4: No, Sean asks, what do you think? Frankie looks at

1672
01:12:31,600 --> 01:12:33,479
Speaker 4: Corey and then back at Shawn. He smiles, I think

1673
01:12:33,520 --> 01:12:35,559
Speaker 4: I want to grab a burger with my two new friends.

1674
01:12:36,080 --> 01:12:38,320
Speaker 4: And then Corey says that sounds good to me. Frankie

1675
01:12:38,360 --> 01:12:39,920
Speaker 4: brings them both in for a hug, and they all

1676
01:12:39,960 --> 01:12:42,599
Speaker 4: start walking together. Cory says, yeah, we can get to

1677
01:12:42,600 --> 01:12:46,599
Speaker 4: know each other. No punchline, just sweet little no button

1678
01:12:46,840 --> 01:12:51,559
Speaker 4: no button. Walking out Roll really feels like, well, the

1679
01:12:51,600 --> 01:12:54,200
Speaker 4: three of these guys are now going to be inseparable friends.

1680
01:12:54,240 --> 01:12:56,840
Speaker 2: They're like starting a new thing. So then we're in

1681
01:12:56,880 --> 01:12:57,599
Speaker 2: the Matthew's kitchen.

1682
01:12:57,640 --> 01:12:59,559
Speaker 4: Sean and Frankie are sitting at the table as Corey

1683
01:12:59,600 --> 01:13:02,519
Speaker 4: comes over with what looks like Midnight Pie's.

1684
01:13:02,560 --> 01:13:03,160
Speaker 2: The first thing I.

1685
01:13:03,080 --> 01:13:06,840
Speaker 4: Thought of was midnight pie in the afternoon. He says,

1686
01:13:06,840 --> 01:13:08,599
Speaker 4: you know, Frankie, We're lucky to have a friend like you.

1687
01:13:08,680 --> 01:13:11,360
Speaker 4: Frankie smiles and says right back at you. Sean says

1688
01:13:11,360 --> 01:13:13,479
Speaker 4: he can't wait to watch Frankie's dad tonight. He asks

1689
01:13:13,479 --> 01:13:15,760
Speaker 4: what time the matches, and then Frankie's dad walks in

1690
01:13:15,760 --> 01:13:20,120
Speaker 4: in is full WWE wrestling costume, yelling Vader time starts barking.

1691
01:13:20,479 --> 01:13:22,719
Speaker 4: Frankie looks at him and says, Pa, Paul, you don't

1692
01:13:22,720 --> 01:13:26,040
Speaker 4: have to be in character all the time. His dad says, sorry, son,

1693
01:13:26,080 --> 01:13:27,760
Speaker 4: I just get so worked up when I'm defending my

1694
01:13:27,800 --> 01:13:30,439
Speaker 4: belt and no one, I mean no one's gonna take

1695
01:13:30,439 --> 01:13:32,880
Speaker 4: it from me, and that includes you, little man, and

1696
01:13:32,880 --> 01:13:34,840
Speaker 4: he yells and points at Corey. He says to a

1697
01:13:34,920 --> 01:13:37,200
Speaker 4: terrified Corey, try it, go ahead, try it. Corey says

1698
01:13:37,320 --> 01:13:38,960
Speaker 4: it's too much metal for me. Really, I'd never make

1699
01:13:38,960 --> 01:13:41,320
Speaker 4: it through airport security. I'm sorry, and he runs away

1700
01:13:41,320 --> 01:13:44,080
Speaker 4: in fear. Amy comes down the stairs who's barking in

1701
01:13:44,120 --> 01:13:46,360
Speaker 4: the kitchen. Frankie's dad walks up to her and says, I.

1702
01:13:46,320 --> 01:13:48,120
Speaker 2: Am little lady. You got a problem with Vader.

1703
01:13:48,160 --> 01:13:51,559
Speaker 4: Bring it on, and I love what happens next, She

1704
01:13:51,600 --> 01:13:54,280
Speaker 4: looks at him and pushes back, Oh, knock it off, Francis,

1705
01:13:54,439 --> 01:13:57,479
Speaker 4: you know you don't act this way at the PTA meetings.

1706
01:13:57,520 --> 01:13:58,200
Speaker 2: So cute.

1707
01:13:58,280 --> 01:14:01,920
Speaker 1: Andy lost it at that point. I think that like

1708
01:14:01,960 --> 01:14:05,519
Speaker 1: the confrontation between this crazy big guy and then the

1709
01:14:05,680 --> 01:14:09,280
Speaker 1: mom he was. He loved that she like you know.

1710
01:14:11,320 --> 01:14:13,479
Speaker 2: Him, and I thought that was so funny. It's so

1711
01:14:13,479 --> 01:14:16,040
Speaker 2: so funny. And I love that it isn't like you

1712
01:14:16,080 --> 01:14:16,800
Speaker 2: know not.

1713
01:14:17,040 --> 01:14:19,120
Speaker 4: I love that she didn't meet him by doing the

1714
01:14:19,160 --> 01:14:21,400
Speaker 4: same thing back and that that that's the big laugh

1715
01:14:21,439 --> 01:14:22,320
Speaker 4: that I can do it too.

1716
01:14:22,800 --> 01:14:26,280
Speaker 2: And I love also that she's like, I know the

1717
01:14:26,320 --> 01:14:26,720
Speaker 2: real you.

1718
01:14:26,960 --> 01:14:28,760
Speaker 4: I see you at PTA meetings, which I also love

1719
01:14:28,800 --> 01:14:30,280
Speaker 4: imagining him at PTA.

1720
01:14:30,000 --> 01:14:33,559
Speaker 2: Meetings school and what's going on?

1721
01:14:33,680 --> 01:14:35,560
Speaker 1: I just could be a tag to the tag. It

1722
01:14:35,600 --> 01:14:36,640
Speaker 1: would be a PTA.

1723
01:14:36,439 --> 01:14:40,200
Speaker 2: Meeting correctly, great, right, you're right? And he francis sitting.

1724
01:14:39,920 --> 01:14:43,160
Speaker 1: There with like little classes going okay, so who's next

1725
01:14:43,160 --> 01:14:43,759
Speaker 1: on the agenda?

1726
01:14:43,880 --> 01:14:44,360
Speaker 3: What's uh?

1727
01:14:46,160 --> 01:14:46,280
Speaker 2: So?

1728
01:14:47,000 --> 01:14:49,160
Speaker 4: Eric walks into the kitchen and says, so, Frankie, word

1729
01:14:49,200 --> 01:14:51,519
Speaker 4: around the halls is you've gone softy and not seeing

1730
01:14:51,760 --> 01:14:52,600
Speaker 4: the giants.

1731
01:14:54,760 --> 01:14:57,400
Speaker 1: That's what this is one of those so between yeah,

1732
01:14:57,640 --> 01:15:00,160
Speaker 1: Cory doing this, like, what a part of this? Do

1733
01:15:00,200 --> 01:15:01,880
Speaker 1: you not spin like this? I was like, oh, we

1734
01:15:01,920 --> 01:15:04,120
Speaker 1: need some visual, some eyelines work.

1735
01:15:04,400 --> 01:15:07,160
Speaker 3: Yeah, it doesn't quite make sense. I always like to

1736
01:15:07,160 --> 01:15:12,320
Speaker 3: think Eric is laser focused. He's known for us focused.

1737
01:15:13,040 --> 01:15:15,200
Speaker 4: Corey tells Eric to leave him alone, and Eric says,

1738
01:15:15,200 --> 01:15:17,080
Speaker 4: after all he's done to me over the years, give me.

1739
01:15:17,040 --> 01:15:17,799
Speaker 2: One good reason.

1740
01:15:17,920 --> 01:15:20,200
Speaker 4: Frankie's dad grabs Eric and says, I'm going to give

1741
01:15:20,200 --> 01:15:23,719
Speaker 4: you three as he chokes Eric and lifts his body

1742
01:15:23,800 --> 01:15:25,639
Speaker 4: up over his head to sling him around his shoulder.

1743
01:15:26,000 --> 01:15:28,080
Speaker 2: Eric yells, somebody get him a bone.

1744
01:15:28,720 --> 01:15:30,400
Speaker 4: And I could totally see in one of the close

1745
01:15:30,479 --> 01:15:32,920
Speaker 4: ups Vader how he was all oiled up yep, And

1746
01:15:33,000 --> 01:15:34,920
Speaker 4: I thought of you telling us that story.

1747
01:15:34,680 --> 01:15:38,519
Speaker 5: About how he's all he's always oiled click, yep guy.

1748
01:15:38,800 --> 01:15:40,679
Speaker 1: And he always smells like gold bondpowder.

1749
01:15:40,840 --> 01:15:42,639
Speaker 3: He did gold bond powder, slick guy.

1750
01:15:42,680 --> 01:15:44,320
Speaker 5: And he by that point he told me, I mean

1751
01:15:44,320 --> 01:15:47,639
Speaker 5: his shoulders were shot, so he's like, before we would

1752
01:15:47,680 --> 01:15:49,559
Speaker 5: do any of the things, he's sitting with the rubber bands,

1753
01:15:49,600 --> 01:15:51,360
Speaker 5: like warming up even just to pick me up. I mean,

1754
01:15:51,360 --> 01:15:53,679
Speaker 5: this poor man was his body was broken by this point,

1755
01:15:54,120 --> 01:15:55,320
Speaker 5: but even that was tough.

1756
01:15:55,120 --> 01:15:56,760
Speaker 3: But yeah it was. He did it. He did it

1757
01:15:56,800 --> 01:15:57,240
Speaker 3: every time.

1758
01:15:58,439 --> 01:16:01,400
Speaker 4: Well that's the end of our episode. That's really where

1759
01:16:01,439 --> 01:16:04,240
Speaker 4: I noticed too. No Rusty again. Not a single moment

1760
01:16:04,320 --> 01:16:06,479
Speaker 4: of Alan Matthews. He's just gone.

1761
01:16:06,840 --> 01:16:07,799
Speaker 3: Maybe it's not finals.

1762
01:16:07,800 --> 01:16:11,360
Speaker 1: Maybe he's off on a fishing trip for months at

1763
01:16:11,400 --> 01:16:11,760
Speaker 1: a time.

1764
01:16:12,040 --> 01:16:16,680
Speaker 5: Yeah, Morgan are traveling Europe.

1765
01:16:17,920 --> 01:16:22,960
Speaker 3: Situation, grocer's convention. That's what yerks. Bring your daughter to

1766
01:16:23,040 --> 01:16:23,599
Speaker 3: work month.

1767
01:16:27,240 --> 01:16:29,080
Speaker 4: Well, thank you for joining us for this episode of

1768
01:16:29,080 --> 01:16:31,240
Speaker 4: Pod Meets World. Join us for our next episode, which

1769
01:16:31,240 --> 01:16:33,960
Speaker 4: will be season three episode fourteen, A Kiss Is More

1770
01:16:34,000 --> 01:16:37,320
Speaker 4: Than a Kiss. It originally aired January twenty sixth, nineteen

1771
01:16:37,400 --> 01:16:40,160
Speaker 4: ninety six. As always, you can follow us on Instagram

1772
01:16:40,160 --> 01:16:42,160
Speaker 4: pod Meets World Show. You can send us your emails

1773
01:16:42,160 --> 01:16:45,479
Speaker 4: pod meets World Show at gmail dot com and we have.

1774
01:16:45,520 --> 01:16:49,879
Speaker 8: Merch even rider would pay for parking at Mount Merch Moore.

1775
01:16:51,479 --> 01:16:54,439
Speaker 4: Ond Meets Worldshow dot com writer send us out.

1776
01:16:54,800 --> 01:16:59,400
Speaker 1: We love you all, pod dismissed. Pod Meets World is

1777
01:16:59,400 --> 01:17:02,680
Speaker 1: an iheartpod podcast producer hosted by Danielle Fischel, Wilfridell and

1778
01:17:02,800 --> 01:17:06,759
Speaker 1: Ryder Strong. Executive producers Jensen Karp and Amy Sugarman. Executive

1779
01:17:06,760 --> 01:17:10,919
Speaker 1: in charge of production, Danielle Romo, producer and editor, Taras Subasch, producer,

1780
01:17:11,000 --> 01:17:14,200
Speaker 1: Maddi Moore, engineer and Boy Meets World Superman Easton outen.

1781
01:17:14,360 --> 01:17:17,519
Speaker 1: Our theme song is by Kyle Morton of Typhoon. Follow

1782
01:17:17,600 --> 01:17:20,400
Speaker 1: us on Instagram at Podmeats World Show or email us

1783
01:17:20,439 --> 01:17:26,440
Speaker 1: at Podmeats World Show at gmail dot com