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Speaker 1: Hello, and welcome back to Movie Mike's Movie Podcast. I

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Speaker 1: am your host Movie Mike. Today I want to talk

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Speaker 1: about movie memorabilia because some crazy cool items are going

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Speaker 1: up for auction. I'll tell you how much I think

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Speaker 1: they're going to go for and what movie props from

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Speaker 1: history I would want to own. In the movie review. Oh,

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Speaker 1: I'm so excited for this project. Hail Mary Kelsey and

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Speaker 1: I got to go see it early in Imax seventy millimeter.

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Speaker 1: Was it better than the book? We'll talk about that.

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Speaker 1: And in the trailer park we'll be talking about a

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Speaker 1: new action movie from director Guy Richie called In the

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Speaker 1: Gray starring Jake Gillenhall and Henry Cavill, and I will

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Speaker 1: talk about why I have been unfair to Jake Gillenhall,

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Speaker 1: and I'm gonna apologize. So thank you for being here,

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Speaker 1: Thank you for being subscribed. Shout out to the Monday

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Speaker 1: Morning Movie crew. And now let's talk movies.

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Speaker 2: Podcast network Movie Mike's Movie Podcast.

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Speaker 1: There's a company called prop Store and they are having

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Speaker 1: their first entertainment memorabilia line auction. It's going down later

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Speaker 1: this month in Los Angeles, and there are some really

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Speaker 1: cool items on this list. Things I have never seen

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Speaker 1: listed for sale before, So I want to get into

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Speaker 1: the list how much they think these movie items are

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Speaker 1: going to go for if for some reason, you just

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Speaker 1: came into some money and you want to buy some

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Speaker 1: of these things, although they are so expensive, I just

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Speaker 1: don't know anybody who actually purchases these items. If I

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Speaker 1: ever won the lottery, I would not tell anybody, but

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Speaker 1: there would be signs because I would start buying things

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Speaker 1: like this from these lists. But before we get into that,

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Speaker 1: let's talk about what is driving up the price of memorabilia,

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Speaker 1: which I think there has been a big boom since

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Speaker 1: twenty twenty when everybody got stuck in their homes. We

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Speaker 1: all started realizing, Man, there's some stuff I have around

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Speaker 1: here that might be a little bit valuable, and the

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Speaker 1: collecting of memorabilia has really exploded. For me, it was

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Speaker 1: Pokemon cards. I have never lost interest in Pokemon cards,

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Speaker 1: but it was twenty twenty where I think a bunch

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Speaker 1: of people realize that, man, let me dig up this

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Speaker 1: whole binder and see what I've had here since my childhood.

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Speaker 1: And then it has been crazy to see how much

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Speaker 1: just that industry has exploded, where Pokemon cards alone have

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Speaker 1: been outpacing the stock market. But let's get into the list. First.

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Speaker 1: Up is an item from Star Wars The Empire Strikes Back,

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Speaker 1: which came out back in nineteen eighty. It is a

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Speaker 1: C three PO light up head. Back when they made

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Speaker 1: the movie, this item had an estimated production cost of

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Speaker 1: about two thousand to five thousand dollars, which I think

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Speaker 1: is a pretty good price for something from back in

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Speaker 1: the eighties. And I think a big reason why the

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Speaker 1: movies from that first trilogy really hold up is because

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Speaker 1: they had a lot of practical effects. C three Po

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Speaker 1: was a physical thing that you could touch, which I

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Speaker 1: think is going to be something that is going to

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Speaker 1: change an auction like this in the next twenty to thirty,

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Speaker 1: even forty years. Is how many movies now have physical

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Speaker 1: props like this where it's not just cgi, the character

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Speaker 1: actually exists in the human world. So this is an

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Speaker 1: actual light up head built from fiberglass. You have all

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Speaker 1: the electronics in it, the chrome plating. It is one

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Speaker 1: of the rare surviving light up heads used for C

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Speaker 1: three PO and the only known head from this movie

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Speaker 1: that has hit the market. So it has an estimated

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Speaker 1: auction value of three hundred and fifty thousand could go

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Speaker 1: to upwards of seven hundred thousand dollars. I am only

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Speaker 1: going to allow myself to buy one item in my

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Speaker 1: imaginary world with my imaginary money from this list. I

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Speaker 1: do think this would be really cool because anything Star

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Speaker 1: Wars is iconic. C three po not my favorite character.

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Speaker 1: My favorite character from Star Wars is R two D two,

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Speaker 1: so this is his buddy. It would be cool to have,

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Speaker 1: but I'm not going to spend my imaginary money on

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Speaker 1: this one right now. But I think this one would

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Speaker 1: be really cool, and if I owned it, I would

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Speaker 1: definitely put it on my head and wear it around

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Speaker 1: the house. I don't know if you can actually put

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Speaker 1: it on, but I would find a way to put

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Speaker 1: this thing on. But that is first up on the list.

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Speaker 1: Next up an item from Jaws, which came out back

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Speaker 1: in nineteen seventy five. It is the harpoon gun used

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Speaker 1: by Quint and Hooper. Had a production cost back in

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Speaker 1: the day of three hundred to one thousand dollars to

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Speaker 1: make this, so this isn't one that is a crazy

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Speaker 1: expensive item. If you just saw this thing randomly at

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Speaker 1: a garage sale or in a pawn shop, You probably

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Speaker 1: wouldn't think anything about it, but you have to know

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Speaker 1: the history behind this one, so I don't think necessarily

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Speaker 1: this is one that you put in your house and

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Speaker 1: everybody instantly recognizes. But as soon as you tell somebody

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Speaker 1: that this was used in Jaws, it automatically becomes cool

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Speaker 1: because it was actually used by the actors Robert Shaw

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Speaker 1: and Richard Dreyfuss during that famous shark hunt scene, iconic

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Speaker 1: scenes of all the time, from the first ever summer

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Speaker 1: blockbuster in American movie history, and it was essentially a

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Speaker 1: modified spear gun that they used in the movie. Because

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Speaker 1: if you think back on the actual making of Jaws

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Speaker 1: was made for a relatively modest budget compared to now

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Speaker 1: modern day blockbusters. They had to operate in a way

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Speaker 1: that was cost effective. Even if you think about the

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Speaker 1: character Jaws himself, you don't really see a whole lot

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Speaker 1: of them. And that was the thing that Steven Spielberg

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Speaker 1: made famous of, how you reveal your monsters in movies.

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Speaker 1: You get the glimpses of them at the beginning, You

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Speaker 1: see the Finn more than anything, and it's not until

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Speaker 1: the third act of the movie where you see Jaws

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Speaker 1: in his full glory, and that is what makes it

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Speaker 1: more terrifying, because you build up this suspense in your

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Speaker 1: head of what this giant killer shark looks like, and

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Speaker 1: this is the actual item used to take him down.

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Speaker 1: I would really like to own this one, but I

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Speaker 1: think the fact that it's not instantly recognizable is what

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Speaker 1: would keep me from spending my imaginary money on this.

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Speaker 1: So a really cool one, but I think the fact

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Speaker 1: that you'd have to explain it every single time makes

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Speaker 1: it a little bit less cool. But it has an

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Speaker 1: estimated auction value of a quarter million all the way

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Speaker 1: up to half a million dollars, So pretty good for

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Speaker 1: this one, but still not one I'm adding to my

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Speaker 1: fictional collection right now, but that is sick. Next step

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Speaker 1: is a prop from the movie Castaway, which came out

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Speaker 1: in two thousand. It is the Wilson Volleyball. This is

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Speaker 1: a really fascinating one and maybe a hard sell because

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Speaker 1: the actual production cost for this prop is only about

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Speaker 1: twenty dollars maybe forty dollars, because it is an actual

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Speaker 1: Wilson branded volleyball, so what you're really getting is an

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Speaker 1: actual volleyball. It has the bloodprint on it that at

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Speaker 1: this point is pretty faded but still really distinct. On

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Speaker 1: the front of it has the hole through the top

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Speaker 1: with all of the I think it was like pieces

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Speaker 1: of tree or some kind of brush sticking out to

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Speaker 1: kind of make it look like his hair. But this

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Speaker 1: thing is basically yellow at this point, so it's just

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Speaker 1: a flat volleyball. But this is one that is instantly recognizable.

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Speaker 1: If somebody came over to your house and saw this,

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Speaker 1: they would initially see it and say well Son every

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Speaker 1: single time. And the fact that it only costs about

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Speaker 1: twenty to forty dollars to make and has an estimated

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Speaker 1: auction value of eighty thousand to three hundred thousand dollars

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Speaker 1: is wild, I think because it is associated with such

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Speaker 1: an iconic movie and actor Tom Hanks knowing that he

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Speaker 1: actually used this one on screen, and a previous Wilson

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Speaker 1: sold at an auction for over three hundred thousand dollars,

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Speaker 1: so there are other Wilson's on there. I'm going to

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Speaker 1: put this in my man. This is going in the

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Speaker 1: maybe pile of movie props I'm gonna buy in this episode,

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Speaker 1: So Wilson is right up there above all the other

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Speaker 1: two so far. Next up is a prop from Gladiator,

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Speaker 1: which came out back in two thousand. It is the

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Speaker 1: arena helmet and mask worn by Maximus played by Russell

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Speaker 1: Crowe in the movie during the big arena combat scenes.

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Speaker 1: This had an estimated production cost of about fifteen hundred

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Speaker 1: to five thousand dollars back when this movie was made.

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Speaker 1: This mask looks sick. It is big, It has like

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Speaker 1: those almost fang looking things coming down from it. The

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Speaker 1: level of detail on this helmet is fantastic. You have

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Speaker 1: not really a rusted helmet whatsoever, but it is made

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Speaker 1: to look like it has been through some crap, been

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Speaker 1: through some fights. It has a little bit of wear

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Speaker 1: and tear on the sides. You kind of see some

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Speaker 1: of the paint peeling off on the right side of it.

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Speaker 1: But overall, I think that adds to what this problem

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Speaker 1: actually is and what it represents. I think the fact

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Speaker 1: that it's not in pristine condition actually makes it a

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Speaker 1: bit cooler, and just the fact that it was actually

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Speaker 1: worn by Russell Crowe. I don't care about the imperfections

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Speaker 1: when it comes to this mask, and maybe that means

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Speaker 1: you could get a better deal from it. But this

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Speaker 1: is one that I would buy and instantly put on

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Speaker 1: I would just wear this around the house on a

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Speaker 1: random Tuesday because it looks so cool, and if you

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Speaker 1: look at the inside of the mask where you actually

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Speaker 1: put it on, it looks like it's going to be

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Speaker 1: something that is really uncomfortable to wear. I have to

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Speaker 1: imagine Russell Crowe probably got to a point where he

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Speaker 1: was sick of putting this mask on. I think actors

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Speaker 1: really hate any role that requires a mask, and you

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Speaker 1: even see some people who go on to play superheroes

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Speaker 1: now they don't want to wear one. Anthony mack You

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Speaker 1: did not want to wear a mask when he was

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Speaker 1: doing Captain America, so much so that in some scenes

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Speaker 1: they found a way to put a CGI mask on him.

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Speaker 1: I think you gotta make the sacrifice. If you're getting

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Speaker 1: paid millions and millions of dollars and you were complaining

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Speaker 1: about being uncomfortable, I think you have to fight through

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Speaker 1: that uncomfortability. A lot of actors have done it. I

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Speaker 1: think you get such a better product when you are

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Speaker 1: actually wearing a mask. And with the Marvel movies using

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Speaker 1: nanotech so much now where they just essentially press a

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Speaker 1: button and the entire suit appears, I don't like that trend.

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Speaker 1: I think we need to go back to the trend

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Speaker 1: of putting our actors in actual suits, because then what

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Speaker 1: is that going to do to the memorabilia market. I

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Speaker 1: don't want to buy an NFT of the costume. I

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Speaker 1: want the actual thing. But this one is great. It's historic,

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Speaker 1: it's made of fiberglass and resin, and you have that

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Speaker 1: metal detailing in it. I'm also going to put this

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Speaker 1: one in the maybe pile because I think it's so cool.

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Speaker 1: Even though Gladiator I wouldn't put even in my top

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Speaker 1: twenty five or fifty movies of all time maybe if

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Speaker 1: I was doing a two thousand specific list, But I

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Speaker 1: think this one is really cool, so I'll put that

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Speaker 1: one in the maybe file. Next up, from the turn

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Speaker 1: Terminator that came out back in nineteen eighty four, It

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Speaker 1: is the T eight hundred leather jacket. And even though

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Speaker 1: it's described as being a leather jacket, i'm looking at

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Speaker 1: it now on the site, which they also have it

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Speaker 1: written as the punk jacket, it's not the leather jacket

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Speaker 1: I'm thinking of that I associate with Terminator. This one

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Speaker 1: is khaki and it has some metal chains at the

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Speaker 1: top of it. The collar inside looks to be a

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Speaker 1: bit leather, but I don't really look at this and

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Speaker 1: think this is the leather jacket from Terminator. It has

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Speaker 1: some bullet holes in it with some movie blood around it.

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Speaker 1: You see about three in the chest and maybe one

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Speaker 1: or two in the arms, but it looks really distressed.

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Speaker 1: I don't feel like this is the iconic one that

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Speaker 1: I would expect and want to pay a lot of

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Speaker 1: money for. It kind of just looks like a really

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Speaker 1: old jacket that you would get from the thrift store.

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Speaker 1: But it's still one that is associated with Arnold Schwarzenegger

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Speaker 1: and his Terminator look, and one that he actually wore

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Speaker 1: in the movie. And it cost about three hundred to

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Speaker 1: seven hundred dollars when they made this movie in the eighties,

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Speaker 1: has an estimated auction value of one hundred and twenty

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Speaker 1: thousand to two hundred and fifty thousand dollars. I really

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Speaker 1: think the only cool thing about this is the fact

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Speaker 1: that Arnold Schwarzenegger actually wore it. So while the film

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Speaker 1: is iconic, the actor is iconic, I don't think the

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Speaker 1: item itself is that cool. So I'm not even going

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Speaker 1: to put this in the maybe pile. This is one

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Speaker 1: that I would maybe take a picture of if it

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Speaker 1: was in a museum, maybe want to try it on,

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Speaker 1: But I'm good without this one. Next up from Harry

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Speaker 1: Potter and The Prisoner of Azkaban that came out back

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Speaker 1: in two thousand and four, it is Marauders Map, which

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Speaker 1: is a hand illustrated folding prop that was used by

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Speaker 1: the students at Hogwarts. Had an estimated production cost of

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Speaker 1: about five hundred to two thousand dollars. This one does

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00:12:49,440 --> 00:12:51,360
Speaker 1: look really cool. But when I think about The Prisoner

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Speaker 1: of Azkaban, this would it be one of the items

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Speaker 1: that I would think I would really want that from

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Speaker 1: that movie. Seeing in now, I do remember it, and

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Speaker 1: I think the fact that it looks very hairy potter

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Speaker 1: ish is what really makes it cool. It is pretty big.

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Speaker 1: You look at it and it looks like a giant menu,

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Speaker 1: and it opens kind of from the center where you

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Speaker 1: fold it in and you can read all the text

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Speaker 1: in the front, and then when you open it up,

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Speaker 1: it essentially turns into this big map and you see

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Speaker 1: inside it says Hogwarts School of Witchcraft and Wizardry. You

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Speaker 1: see a lot of fine details. You see this map.

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Speaker 1: It essentially looks like a big Treasure map has a

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Speaker 1: lot of wear and tear to it. It looks like

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Speaker 1: a really old document, like if you had the Declaration

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Speaker 1: of Independence right in front of you, and it is

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00:13:36,920 --> 00:13:40,080
Speaker 1: pretty big, it opens up really wide. This one just

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Speaker 1: feels like it would be really hard to display to

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Speaker 1: make it cool, because I'm not gonna want to have

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Speaker 1: people come over and touch it and run the risk

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Speaker 1: of ripping it. So therefore I would have to display

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00:13:51,880 --> 00:13:55,360
Speaker 1: it like a Declaration of Independence, get some bulletproof glass,

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00:13:55,360 --> 00:13:57,120
Speaker 1: and then I would have to worry about Nick Cage

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Speaker 1: coming to my house to steal it because there's some

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Speaker 1: other hidden map on the back that he would expose

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Speaker 1: with lemon juice. I don't want all that. I don't

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Speaker 1: need Nick Cage in my house. So it does look cool.

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Speaker 1: I think anything associated with Harry Potter that was actually

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Speaker 1: used on screen is going to have no problem selling.

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Speaker 1: The estimated auction value is between forty thousand to eighty

270
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Speaker 1: thousand dollars, so again, not one of the biggest items

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Speaker 1: on this list as far as what it's going to

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Speaker 1: go for. And I think the fact that it's just

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Speaker 1: a piece of paper essentially, and I don't want to

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00:14:27,680 --> 00:14:29,480
Speaker 1: reduce a movie prop to just a piece of paper.

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Speaker 1: It's not really just a piece of paper. But if

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Speaker 1: I'm going to spend forty to eighty thousand dollars on something,

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00:14:36,120 --> 00:14:39,720
Speaker 1: unless it's an iconic piece of art like the first

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Speaker 1: illustrations from the Books or something like that, I don't

279
00:14:44,720 --> 00:14:48,840
Speaker 1: think it is worth the money here. So, although it's cool,

280
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Speaker 1: although anything Harry Potter is going to make a great

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Speaker 1: talking point if somebody comes over to your house to

282
00:14:54,640 --> 00:14:57,720
Speaker 1: see it, not really one I would need to own,

283
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Speaker 1: So I'm not putting this one in the maybe pilot.

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Speaker 1: Next up on the list from Willy Wonka and the

285
00:15:02,920 --> 00:15:07,360
Speaker 1: Chocolate Factory, which came out in nineteen seventy one, it

286
00:15:07,520 --> 00:15:11,440
Speaker 1: is Charlie's Golden Ticket. I have never seen one of

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00:15:11,480 --> 00:15:15,360
Speaker 1: these for sale before, had a production cost of under

288
00:15:15,840 --> 00:15:20,200
Speaker 1: fifty dollars under fifty dollars, and it is one of

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00:15:20,280 --> 00:15:24,880
Speaker 1: the most recognizable movie props of all time. But it

290
00:15:24,960 --> 00:15:30,160
Speaker 1: is literally just a piece of shiny paper. I know

291
00:15:30,240 --> 00:15:32,040
Speaker 1: exactly what this looks like in my head, but if

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00:15:32,080 --> 00:15:34,920
Speaker 1: I click into the site, ah, this takes me back.

293
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Speaker 1: On the top it is written Wonka's Golden Ticket, Greetings

294
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Speaker 1: to you the Lucky finder of this Golden Ticket from

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Speaker 1: mister Willy Wonka. Present this ticket at the factory gates

296
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Speaker 1: at ten o'clock in the morning of the first day

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Speaker 1: of October, and do not be late. You may bring

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Speaker 1: with you one member of your own family, and only one,

299
00:15:54,000 --> 00:15:57,600
Speaker 1: but no one else. In your wildest dreams, you cannot

300
00:15:57,640 --> 00:16:02,840
Speaker 1: imagine the marvelous surprises that await you. This is so cool,

301
00:16:03,480 --> 00:16:06,720
Speaker 1: I think the only thing that has distracted me a

302
00:16:06,760 --> 00:16:08,960
Speaker 1: little bit as I look at this. I know they

303
00:16:09,000 --> 00:16:11,280
Speaker 1: say this is the actual one you used in the movie.

304
00:16:11,920 --> 00:16:14,680
Speaker 1: But it's not as shiny as I hoped. It kind

305
00:16:14,680 --> 00:16:17,120
Speaker 1: of looks like a manilla piece of paper, still cut

306
00:16:17,160 --> 00:16:19,640
Speaker 1: out like the Golden Ticket. And it's in this really

307
00:16:19,760 --> 00:16:22,200
Speaker 1: nice glass case that you could easily just put on

308
00:16:22,240 --> 00:16:24,880
Speaker 1: your wall, which I like that easy to display, which

309
00:16:24,920 --> 00:16:26,920
Speaker 1: was the issue I had with the Harry Potter prop.

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00:16:27,160 --> 00:16:29,000
Speaker 1: This one kind of already has it ready to go

311
00:16:29,120 --> 00:16:33,160
Speaker 1: for you. But when I think about Charlie unwrapping that

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00:16:33,280 --> 00:16:35,800
Speaker 1: chocolate and you just see it peek out, that is

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00:16:35,840 --> 00:16:38,600
Speaker 1: such a great movie moment where he has been going

314
00:16:38,600 --> 00:16:41,760
Speaker 1: the entire time opening all these pieces of candy and nothing,

315
00:16:42,000 --> 00:16:45,080
Speaker 1: but he immediately knows and sees that little sliver of

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00:16:45,200 --> 00:16:49,600
Speaker 1: gold and immediately all his wildest dreams have come true.

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Speaker 1: When Grandpa Joe told him, I know you're gonna find

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00:16:52,720 --> 00:16:55,120
Speaker 1: one of those tickets because you want it more. That

319
00:16:55,240 --> 00:16:57,880
Speaker 1: is such a great moment. You see the excitement on

320
00:16:57,920 --> 00:17:00,880
Speaker 1: his face from just that little sliver of gold and

321
00:17:00,960 --> 00:17:03,920
Speaker 1: to own something from this movie to me, one of

322
00:17:03,920 --> 00:17:06,919
Speaker 1: my favorite movies of all time. I would put it

323
00:17:06,960 --> 00:17:09,439
Speaker 1: in my top ten. Also, the return on investment for

324
00:17:09,480 --> 00:17:11,800
Speaker 1: this thing made under fifty bucks and could go for

325
00:17:12,320 --> 00:17:15,119
Speaker 1: up to fifty thousand, definitely putting this one in my

326
00:17:15,160 --> 00:17:18,200
Speaker 1: maybe pile, Probably putting it in that top slot right now.

327
00:17:18,280 --> 00:17:20,240
Speaker 1: I wish it was a little bit shinier, but we

328
00:17:20,280 --> 00:17:22,840
Speaker 1: will take it for what it is. Up next from

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00:17:22,880 --> 00:17:27,399
Speaker 1: twenty eighteen's Black Panther. It is a Black Panther stunt

330
00:17:27,440 --> 00:17:31,200
Speaker 1: helmet that was created from a life cast of Chadwick Boseman.

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Speaker 1: Marvel movie props just do really well. There was one

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Speaker 1: point that a warehouse in Atlanta who was doing a

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00:17:39,640 --> 00:17:42,560
Speaker 1: sale where they were selling off a bunch of props

334
00:17:42,640 --> 00:17:46,200
Speaker 1: from movies and Marvel TV shows, and I thought, man,

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00:17:46,240 --> 00:17:47,960
Speaker 1: I would love to drive to Atlanta to go check

336
00:17:48,000 --> 00:17:49,760
Speaker 1: that out. And when I saw some of the items,

337
00:17:50,160 --> 00:17:52,760
Speaker 1: the interesting thing was it was just a lot of

338
00:17:52,840 --> 00:17:56,520
Speaker 1: random pieces of furniture or like a chair from wa Division,

339
00:17:56,840 --> 00:17:58,919
Speaker 1: which was kind of cool if you were trying to

340
00:17:59,280 --> 00:18:02,159
Speaker 1: maybe readeck or ate your house or your apartment and

341
00:18:02,200 --> 00:18:05,880
Speaker 1: you just wanted a chair or a table with the story.

342
00:18:06,200 --> 00:18:08,439
Speaker 1: But I just thought that was interesting where it wasn't

343
00:18:08,560 --> 00:18:13,159
Speaker 1: Captain America's shield or Spider Man's mask. It was just

344
00:18:13,640 --> 00:18:17,159
Speaker 1: maybe a bench that Loki sat on, or a mug

345
00:18:17,359 --> 00:18:20,480
Speaker 1: used at the DBA, something like that that is still

346
00:18:20,520 --> 00:18:24,000
Speaker 1: associated with a Marvel project. But never in a million

347
00:18:24,080 --> 00:18:26,600
Speaker 1: years is someone going to recognize that. But you think

348
00:18:26,640 --> 00:18:28,479
Speaker 1: about all these things that they have to get together

349
00:18:28,520 --> 00:18:31,520
Speaker 1: for movies, and then they just don't have anywhere to

350
00:18:31,640 --> 00:18:33,880
Speaker 1: store these things, some of these things that are massive,

351
00:18:34,280 --> 00:18:36,280
Speaker 1: so you just have a sale where you're selling off

352
00:18:36,359 --> 00:18:40,320
Speaker 1: these really random things. But I also remember going to

353
00:18:40,440 --> 00:18:44,000
Speaker 1: see Black Panther in La. I was out there. I

354
00:18:44,040 --> 00:18:47,080
Speaker 1: think Bobby was doing American Idol back in twenty eighteen.

355
00:18:47,680 --> 00:18:51,320
Speaker 1: We were staying downtown right off Sunset Boulevard, and I

356
00:18:51,359 --> 00:18:54,240
Speaker 1: went to go see it at the Cinerama Doome right

357
00:18:54,240 --> 00:18:56,879
Speaker 1: there on Sunset, which is shut down now. It is

358
00:18:56,920 --> 00:18:59,919
Speaker 1: an iconic theater. I was happy to be able to

359
00:18:59,920 --> 00:19:03,080
Speaker 1: go see a movie there because even when I went

360
00:19:03,119 --> 00:19:06,159
Speaker 1: back in twenty eighteen, I didn't realize how iconic it was.

361
00:19:06,520 --> 00:19:08,920
Speaker 1: If you saw a picture of it, you would probably recognize.

362
00:19:08,960 --> 00:19:12,560
Speaker 1: It has a really iconic marquee outside of the theater

363
00:19:12,640 --> 00:19:16,159
Speaker 1: that said Pacific's Cinerama Theater. It kind of looks like

364
00:19:16,160 --> 00:19:19,119
Speaker 1: a big golf ball, kind of similar to what Epcot

365
00:19:19,119 --> 00:19:22,600
Speaker 1: looks like. But it was a fantastic place to watch

366
00:19:22,760 --> 00:19:25,679
Speaker 1: this movie, specifically to go see a movie like this

367
00:19:25,920 --> 00:19:29,840
Speaker 1: in La on opening weekend, because they had a lot

368
00:19:29,880 --> 00:19:33,280
Speaker 1: of the black panther props and suits in the lobby,

369
00:19:33,359 --> 00:19:35,320
Speaker 1: which was so cool that you could just walk around

370
00:19:35,400 --> 00:19:37,640
Speaker 1: and look at all the things from Wakonda and then

371
00:19:37,720 --> 00:19:40,600
Speaker 1: go see the movie. But this theater opened back on

372
00:19:40,640 --> 00:19:45,840
Speaker 1: November seventh, nineteen sixty three, and sadly closed down back

373
00:19:45,880 --> 00:19:49,280
Speaker 1: in March twenty twenty, just a couple of years after

374
00:19:49,320 --> 00:19:52,240
Speaker 1: I went to it, and I remember them having an

375
00:19:52,320 --> 00:19:56,840
Speaker 1: actual black panther suit there. This one would be really

376
00:19:56,880 --> 00:19:59,920
Speaker 1: cool to own. Had an estimated production cost of about

377
00:20:00,080 --> 00:20:03,359
Speaker 1: two thousand to ten thousand dollars. It is going to

378
00:20:03,400 --> 00:20:06,560
Speaker 1: go for at least forty thousand to upwards of one

379
00:20:06,640 --> 00:20:10,119
Speaker 1: hundred and twenty thousand dollars. I think it will go

380
00:20:10,200 --> 00:20:13,160
Speaker 1: for more than that because it is an iconic movie

381
00:20:13,640 --> 00:20:16,159
Speaker 1: from an actor who is no longer with us, So

382
00:20:16,280 --> 00:20:19,119
Speaker 1: obviously anything associated with an actor who is no longer

383
00:20:19,160 --> 00:20:22,240
Speaker 1: living is going to sell for more. All right, we

384
00:20:22,280 --> 00:20:24,320
Speaker 1: have a couple more here before we have to make

385
00:20:24,320 --> 00:20:27,639
Speaker 1: our final decisions. This is essentially when you go to

386
00:20:27,680 --> 00:20:29,800
Speaker 1: a store and they make that announcement overhead like it

387
00:20:29,800 --> 00:20:32,480
Speaker 1: will be closing in ten minutes. Please make your final

388
00:20:32,480 --> 00:20:34,840
Speaker 1: selections and hits a register. That is what we are

389
00:20:34,920 --> 00:20:39,280
Speaker 1: doing right now. But we have a movie franchise listed

390
00:20:39,280 --> 00:20:42,119
Speaker 1: from two thousand and three to twenty seventeen, so it

391
00:20:42,160 --> 00:20:45,320
Speaker 1: looks like they probably use this same prop throughout in

392
00:20:45,480 --> 00:20:49,000
Speaker 1: this auction is Pirates at the Caribbean, the Curse of

393
00:20:49,040 --> 00:20:54,800
Speaker 1: the Black Pearl. It is Captain Jack Sparrow's flint lock pistol.

394
00:20:55,520 --> 00:20:58,760
Speaker 1: It is the hero prop associated with Johnny Depp's character.

395
00:20:59,320 --> 00:21:02,040
Speaker 1: Had an estimate made a production cost of about five

396
00:21:02,119 --> 00:21:06,280
Speaker 1: hundred to two thousand dollars. There are a lot of

397
00:21:06,280 --> 00:21:09,560
Speaker 1: fine details on the gun. When you look on all

398
00:21:09,600 --> 00:21:13,520
Speaker 1: the parts that's all silver, it looks really worn down

399
00:21:13,760 --> 00:21:16,480
Speaker 1: in age, so it has that effect to it. But

400
00:21:16,600 --> 00:21:18,600
Speaker 1: somehow I think the coolest part of this prop is

401
00:21:18,640 --> 00:21:20,639
Speaker 1: the case that it comes in. It's a soft case

402
00:21:20,640 --> 00:21:23,879
Speaker 1: for this gun. It has a piece of white tape

403
00:21:23,920 --> 00:21:27,560
Speaker 1: on it that is written on with sharpie that says

404
00:21:27,600 --> 00:21:33,880
Speaker 1: Pirates of the Caribbean, Johnny Depp, Kennedy, Flintlock, sn JD

405
00:21:34,320 --> 00:21:36,359
Speaker 1: or maybe O two, so maybe they had a couple

406
00:21:36,359 --> 00:21:38,520
Speaker 1: of these. And then you also have this other yellow

407
00:21:38,520 --> 00:21:41,040
Speaker 1: tag on it that just says Pirates of the Caribbean

408
00:21:41,480 --> 00:21:46,320
Speaker 1: and in quotation marks is Kennedy, Perry London, Johnny Depp.

409
00:21:46,720 --> 00:21:48,760
Speaker 1: So I think the fact that it actually comes in

410
00:21:48,880 --> 00:21:52,440
Speaker 1: something that you know was used on set from production

411
00:21:53,080 --> 00:21:55,520
Speaker 1: just has another layer of oh, this is actually something

412
00:21:55,560 --> 00:21:58,040
Speaker 1: cool that was used in the movie. Because I think

413
00:21:58,080 --> 00:22:01,760
Speaker 1: the gun itself isn't one of the most recognizable guns

414
00:22:01,800 --> 00:22:05,080
Speaker 1: in movie history, So while it looks cool and historic,

415
00:22:05,200 --> 00:22:07,520
Speaker 1: I don't think it is the coolest to me. I'm

416
00:22:07,520 --> 00:22:10,560
Speaker 1: not putting this in my maybe pile, but finally on

417
00:22:10,600 --> 00:22:13,399
Speaker 1: the list, and I say butt finally because it is

418
00:22:13,480 --> 00:22:19,439
Speaker 1: the mechanical rhino that ace Ventura gave a butt berth

419
00:22:19,600 --> 00:22:23,240
Speaker 1: in in this sequel back in nineteen ninety five's ace

420
00:22:23,359 --> 00:22:27,399
Speaker 1: Ventura When Nature Calls, the mechanical rhino was used for

421
00:22:27,440 --> 00:22:31,000
Speaker 1: the exterior shots. When you see ace Venta spying on

422
00:22:31,040 --> 00:22:34,760
Speaker 1: a suspect, he is essentially holding a stake out inside

423
00:22:34,760 --> 00:22:37,040
Speaker 1: of this rhino. You see all the mechanics in there,

424
00:22:37,720 --> 00:22:40,399
Speaker 1: and then the thing shuts down. He has no ac

425
00:22:40,600 --> 00:22:44,600
Speaker 1: he has no fan, and he just starts sweating like crazy.

426
00:22:45,200 --> 00:22:48,199
Speaker 1: He strips all the way down to his underwear, and

427
00:22:48,200 --> 00:22:51,200
Speaker 1: then you see the underwear go to can't get out

428
00:22:51,240 --> 00:22:53,960
Speaker 1: of the thing, finds a little hole in the back,

429
00:22:54,160 --> 00:22:58,800
Speaker 1: and then gives birth to himself by going outside of

430
00:22:58,840 --> 00:23:02,919
Speaker 1: the butt of this rhino. This family is onlooking thinking

431
00:23:02,960 --> 00:23:05,680
Speaker 1: they're seeing a rhino give birth, and then they see

432
00:23:05,720 --> 00:23:09,159
Speaker 1: this big naked man come out. What a great opening

433
00:23:09,200 --> 00:23:12,760
Speaker 1: scene from such a fantastic comedy. I actually enjoy When

434
00:23:12,840 --> 00:23:17,119
Speaker 1: Nature Calls more than the original acefin Tura movie. The

435
00:23:17,200 --> 00:23:19,960
Speaker 1: prop itself is about ten feet long. It's made from

436
00:23:19,960 --> 00:23:23,560
Speaker 1: fiberglass and styrofoam. They didn't even say on this one

437
00:23:23,680 --> 00:23:26,480
Speaker 1: how much it actually cost them to make, but this

438
00:23:26,760 --> 00:23:29,560
Speaker 1: is one that you would have to have some good

439
00:23:29,600 --> 00:23:32,679
Speaker 1: space in your house to display this thing, because it

440
00:23:32,760 --> 00:23:37,240
Speaker 1: is pretty big. You can actually see the seat inside.

441
00:23:37,560 --> 00:23:40,119
Speaker 1: There is also what appears to be a slit in

442
00:23:40,200 --> 00:23:42,879
Speaker 1: the back, so it doesn't look like it's completely wrecked.

443
00:23:43,160 --> 00:23:45,800
Speaker 1: It actually looks like it was designed to have a

444
00:23:45,920 --> 00:23:48,000
Speaker 1: human male go through the backs. They might have even

445
00:23:48,080 --> 00:23:50,320
Speaker 1: repaired it a little bit, because if you look at

446
00:23:50,320 --> 00:23:54,040
Speaker 1: some of the textures on the main skin of the

447
00:23:54,119 --> 00:23:57,359
Speaker 1: rhino to the butt of the rhino, they are two

448
00:23:57,400 --> 00:24:01,520
Speaker 1: different shades. I'm looking way too it do the details

449
00:24:01,560 --> 00:24:04,439
Speaker 1: of this thing, but even the nose where the black

450
00:24:04,560 --> 00:24:07,159
Speaker 1: holes are in the nose, it looks like they have

451
00:24:07,280 --> 00:24:10,240
Speaker 1: some vents in there, so it is designed for you

452
00:24:10,280 --> 00:24:12,200
Speaker 1: going to be able to breathe in it. I think

453
00:24:12,240 --> 00:24:14,960
Speaker 1: the coolest part to me is if you actually look inside,

454
00:24:15,640 --> 00:24:18,359
Speaker 1: you see what Jim Carrey saw inside of there. You

455
00:24:18,440 --> 00:24:21,200
Speaker 1: see the metal fan, you see the controls in there.

456
00:24:21,680 --> 00:24:23,920
Speaker 1: But what are you going to do with this thing?

457
00:24:24,200 --> 00:24:26,399
Speaker 1: But I'm looking at it on the auction site and

458
00:24:26,480 --> 00:24:28,720
Speaker 1: at the time of recording this, there are twenty seven

459
00:24:28,800 --> 00:24:31,760
Speaker 1: bids on it and the current bid is that twenty

460
00:24:32,040 --> 00:24:35,600
Speaker 1: thousand dollars. They initially thought this thing was only going

461
00:24:35,600 --> 00:24:38,360
Speaker 1: to go for about four thousand to eight thousand dollars.

462
00:24:38,840 --> 00:24:41,600
Speaker 1: I think because it is not one of the most

463
00:24:41,840 --> 00:24:44,960
Speaker 1: memorable Jim Carrey movies, I think more people think about

464
00:24:44,960 --> 00:24:47,840
Speaker 1: the original, even though this one is my favorite. I

465
00:24:47,880 --> 00:24:49,600
Speaker 1: think it comes down to what are you going to

466
00:24:49,640 --> 00:24:51,040
Speaker 1: do with this? Where are you going to put this

467
00:24:51,119 --> 00:24:54,200
Speaker 1: in your house? Who really has space for a ten

468
00:24:54,320 --> 00:24:57,159
Speaker 1: foot rhino? But it is one of the coolest I

469
00:24:57,160 --> 00:24:59,960
Speaker 1: would say on this list, just because it's a funny part.

470
00:25:00,560 --> 00:25:03,720
Speaker 1: I think the difference here is the shots of ace

471
00:25:03,840 --> 00:25:07,639
Speaker 1: Venta inside of the rhino were actually completed on a

472
00:25:07,760 --> 00:25:10,920
Speaker 1: sound stage, so this thing was actually just built for

473
00:25:11,320 --> 00:25:14,560
Speaker 1: the exterior shots of the rhino. So this one is

474
00:25:14,600 --> 00:25:17,520
Speaker 1: really cool, But again it is massive. I have nowhere

475
00:25:17,520 --> 00:25:20,120
Speaker 1: to put this thing. Even if I had the space,

476
00:25:20,240 --> 00:25:23,919
Speaker 1: I just could not justify a giant mechanical rhino in

477
00:25:24,040 --> 00:25:26,400
Speaker 1: my house. So I'm not going to put this one

478
00:25:26,720 --> 00:25:28,600
Speaker 1: even into the maybe pile. But now it is time

479
00:25:28,640 --> 00:25:32,159
Speaker 1: to make our final purchase with our imaginary money. In

480
00:25:32,280 --> 00:25:36,280
Speaker 1: the pile, we have Wilson's volleyball from Castaway, we have

481
00:25:36,960 --> 00:25:41,639
Speaker 1: the helmet and mask from Gladiator, and we have Charlie's

482
00:25:41,680 --> 00:25:46,080
Speaker 1: Golden Ticket from Willy Wonka and the Chocolate Factory. I'm

483
00:25:46,080 --> 00:25:48,280
Speaker 1: gonna go with my heart here, and out of all

484
00:25:48,359 --> 00:25:51,320
Speaker 1: those movies, the only one I would put in my

485
00:25:51,400 --> 00:25:54,720
Speaker 1: favorite movies of all time. It is not Castaway. That's

486
00:25:54,760 --> 00:25:57,640
Speaker 1: not even my favorite Tom Hanks movie. But it is

487
00:25:57,800 --> 00:26:02,240
Speaker 1: instantly recognizable. But again, it is still just a Wilson volleyball,

488
00:26:03,160 --> 00:26:05,840
Speaker 1: not the coolest thing to own. Owning that thing would

489
00:26:05,840 --> 00:26:07,479
Speaker 1: be really no different than me back in the day

490
00:26:07,520 --> 00:26:10,639
Speaker 1: at the trailer park, just randomly discovering some ball in

491
00:26:10,760 --> 00:26:13,399
Speaker 1: the creek. But the Gladiator mask it is just so

492
00:26:13,600 --> 00:26:16,320
Speaker 1: cool looking all the details on it. But again, if

493
00:26:16,320 --> 00:26:18,760
Speaker 1: I have to go with my heart here, it's not

494
00:26:18,960 --> 00:26:22,280
Speaker 1: one of my favorite movies. So I think the coolest

495
00:26:22,320 --> 00:26:24,840
Speaker 1: thing to me that I would actually really want to

496
00:26:24,880 --> 00:26:27,640
Speaker 1: own if I had the money, it would be Charlie's

497
00:26:27,680 --> 00:26:30,720
Speaker 1: Golden Ticket. I also think it would make the coolest

498
00:26:31,080 --> 00:26:34,920
Speaker 1: to display realistically, because it's already in that glass case.

499
00:26:34,960 --> 00:26:36,840
Speaker 1: You easily just put a nail up on the wall

500
00:26:37,119 --> 00:26:39,840
Speaker 1: put that thing on there. I think I'm spending my

501
00:26:39,920 --> 00:26:44,560
Speaker 1: imaginary money on Charlie's Golden Ticket. The estimated cost again

502
00:26:44,680 --> 00:26:49,040
Speaker 1: was fifteen thousand to fifty thousand dollars. Also probably one

503
00:26:49,040 --> 00:26:51,919
Speaker 1: of the most affordable things on this entire list. I

504
00:26:51,960 --> 00:26:55,119
Speaker 1: am a frugal person. Even with my imaginary money. I

505
00:26:55,119 --> 00:26:59,480
Speaker 1: always think sensibly, so I'm going to purchase Charlie's Golden

506
00:26:59,520 --> 00:27:03,760
Speaker 1: ticket from Willy Wonka and the Chocolate Factory. If there

507
00:27:03,880 --> 00:27:07,480
Speaker 1: was just a list of random movie memorabilia items that

508
00:27:07,560 --> 00:27:09,520
Speaker 1: I would own no matter what, even if they're not

509
00:27:09,640 --> 00:27:12,320
Speaker 1: up for auction, I'm talking if I had all the

510
00:27:12,359 --> 00:27:15,120
Speaker 1: money in the world, this would be my top five.

511
00:27:15,280 --> 00:27:18,720
Speaker 1: At number five, I would get the wooden mask from

512
00:27:18,760 --> 00:27:22,560
Speaker 1: The Mask. As a kid, I love that scene and

513
00:27:23,160 --> 00:27:25,440
Speaker 1: I always wanted the mask from The Mask. I just

514
00:27:25,440 --> 00:27:27,040
Speaker 1: thought it would be cool to put it on my face,

515
00:27:27,080 --> 00:27:29,720
Speaker 1: even though I know I'm not going to change into

516
00:27:29,720 --> 00:27:32,000
Speaker 1: the mask. I always thought that was such a cool

517
00:27:32,080 --> 00:27:36,679
Speaker 1: movie prop, especially the scene where Stanley Ipkiz first discovers

518
00:27:36,680 --> 00:27:40,199
Speaker 1: it and you see that cgi like glimmer on it

519
00:27:40,200 --> 00:27:42,280
Speaker 1: that looks kind of holographic, where he's like, WHOA, what

520
00:27:42,480 --> 00:27:45,520
Speaker 1: is this? I always thought that was the coolest movie prop.

521
00:27:45,800 --> 00:27:48,359
Speaker 1: So at number five on movie prop items I would

522
00:27:48,400 --> 00:27:50,960
Speaker 1: want to own is the wooden mask from the mask.

523
00:27:51,400 --> 00:27:56,040
Speaker 1: At number four is the briefcase from Pulp Fiction, which

524
00:27:56,080 --> 00:27:58,600
Speaker 1: I love that detail in that movie, the fact that

525
00:27:58,640 --> 00:28:02,679
Speaker 1: you never know what is inside the briefcase, even in

526
00:28:02,720 --> 00:28:04,840
Speaker 1: that scene in the diner where they open it up

527
00:28:04,840 --> 00:28:07,359
Speaker 1: when they're robbing the place, and the guy robbing the

528
00:28:07,359 --> 00:28:09,320
Speaker 1: place is like, is that what I think it is?

529
00:28:09,760 --> 00:28:12,679
Speaker 1: And you still just don't know. It's that mystery of

530
00:28:12,800 --> 00:28:15,719
Speaker 1: you as the viewer associating what is in there. If

531
00:28:15,720 --> 00:28:17,960
Speaker 1: they just said it was drugs, if they just said

532
00:28:18,000 --> 00:28:20,080
Speaker 1: it was a gun, it wouldn't be that cool. You

533
00:28:20,119 --> 00:28:22,040
Speaker 1: would just know, Oh, it's just some random thing. But

534
00:28:22,040 --> 00:28:24,479
Speaker 1: the fact that you don't know is what makes it

535
00:28:24,520 --> 00:28:28,320
Speaker 1: so mysterious. Inside the actual prop, I believe it was

536
00:28:28,400 --> 00:28:30,480
Speaker 1: just a light bulb to make it look like it

537
00:28:30,560 --> 00:28:33,960
Speaker 1: was illuminated, and just that glow of the briefcase on

538
00:28:34,440 --> 00:28:38,000
Speaker 1: the characters' faces throughout the movie I think was so cool.

539
00:28:38,440 --> 00:28:42,160
Speaker 1: So I would love to own the briefcase from Pulp Fiction.

540
00:28:42,880 --> 00:28:46,000
Speaker 1: At number three. I would want to own one of

541
00:28:46,000 --> 00:28:49,400
Speaker 1: the heads of the Teenage Mutant Ninja Turtles, any head

542
00:28:49,600 --> 00:28:52,680
Speaker 1: from any movie, preferably from the first TM and T

543
00:28:52,840 --> 00:28:55,080
Speaker 1: movie back in nineteen ninety. I would even take one

544
00:28:55,240 --> 00:28:59,440
Speaker 1: from the sequel. The thing about those heads is they

545
00:28:59,520 --> 00:29:01,920
Speaker 1: are to tear, and that is sad because now those

546
00:29:01,920 --> 00:29:04,880
Speaker 1: movies are over thirty years old, which is sad, but

547
00:29:05,040 --> 00:29:09,040
Speaker 1: sometimes those materials just break down over time. And as

548
00:29:09,120 --> 00:29:11,000
Speaker 1: much as I would want to put one of those

549
00:29:11,040 --> 00:29:13,360
Speaker 1: heads on if I ever own one of those things,

550
00:29:13,880 --> 00:29:16,320
Speaker 1: I just couldn't do it because they are so old

551
00:29:16,480 --> 00:29:19,160
Speaker 1: and the materials that they made it out of weren't

552
00:29:19,200 --> 00:29:22,840
Speaker 1: meant to be a thing forever. And you think about

553
00:29:22,960 --> 00:29:25,920
Speaker 1: the actors wearing those things and sweating in them and

554
00:29:26,000 --> 00:29:28,640
Speaker 1: doing all of the fight moves in those It just

555
00:29:28,720 --> 00:29:30,760
Speaker 1: had a lot of wear and tear on those things.

556
00:29:31,120 --> 00:29:33,120
Speaker 1: So every now and then I will see one of

557
00:29:33,160 --> 00:29:36,480
Speaker 1: those pop up on an auction site, and it's kind

558
00:29:36,480 --> 00:29:38,960
Speaker 1: of sad to see because it's like their faces are

559
00:29:39,000 --> 00:29:41,960
Speaker 1: like chopped off. It looks like they're dead. So part

560
00:29:42,000 --> 00:29:43,880
Speaker 1: of that is sad. I would just want to preserve

561
00:29:43,960 --> 00:29:46,960
Speaker 1: those pieces of movie history and knowing that they won't

562
00:29:47,000 --> 00:29:50,000
Speaker 1: be around forever. So at number three, any of the

563
00:29:50,040 --> 00:29:54,120
Speaker 1: heads specifically, I would love Rafaelle's head, but would settle

564
00:29:54,160 --> 00:29:57,320
Speaker 1: for Mi Galangelo's head. Then I'd go Leo and Dona Tello,

565
00:29:57,440 --> 00:30:01,760
Speaker 1: but first up would be Rafael at number two. I'm

566
00:30:01,760 --> 00:30:03,720
Speaker 1: going to go with the Spider Man suit from The

567
00:30:03,760 --> 00:30:07,600
Speaker 1: Amazing Spider Man, which is the Andrew Garfield version. I

568
00:30:07,720 --> 00:30:10,680
Speaker 1: just think that is the most detailed suit of all

569
00:30:10,800 --> 00:30:13,800
Speaker 1: the suits, where to me, it is the most comic

570
00:30:13,840 --> 00:30:16,440
Speaker 1: book accurate from the era of Spider Man that I

571
00:30:16,480 --> 00:30:19,560
Speaker 1: grew up with in the nineties. I'm talking my favorite

572
00:30:19,560 --> 00:30:24,560
Speaker 1: comic book artist, Todd McFarlane, who designed the artwork to

573
00:30:24,800 --> 00:30:27,920
Speaker 1: my favorite Spider Man cover, which is the Tattoo I have.

574
00:30:28,440 --> 00:30:30,920
Speaker 1: It has the big bug eyes, the great webbing, the

575
00:30:30,960 --> 00:30:34,080
Speaker 1: fine detail on the suit. A lot of the poses

576
00:30:34,200 --> 00:30:37,640
Speaker 1: that Andrew Garfield Spider Man did in that movie were

577
00:30:37,720 --> 00:30:40,640
Speaker 1: based on a lot of his art, making Spider Man

578
00:30:40,760 --> 00:30:44,080
Speaker 1: very fluid looking. But aside from that, it is just

579
00:30:44,480 --> 00:30:47,520
Speaker 1: my favorite look of Spider Man in the movies because

580
00:30:47,520 --> 00:30:49,880
Speaker 1: it has, to me the best eyes. I love the

581
00:30:49,920 --> 00:30:52,760
Speaker 1: glossy look of it. The color of red and blue

582
00:30:53,160 --> 00:30:56,120
Speaker 1: that they decided to use on all the parts of

583
00:30:56,120 --> 00:30:59,320
Speaker 1: that suit I think are perfect, even at times where

584
00:30:59,320 --> 00:31:01,560
Speaker 1: it has a bit of the the orangish eyes. I

585
00:31:01,680 --> 00:31:04,960
Speaker 1: love it all. Even though Andrew Garfield's movies are not

586
00:31:05,040 --> 00:31:08,240
Speaker 1: my favorite Spider Man movies. I just think that suit

587
00:31:08,480 --> 00:31:11,120
Speaker 1: is the sickest, So I would have that one at

588
00:31:11,200 --> 00:31:14,720
Speaker 1: number two, But at number one, I would love to

589
00:31:14,880 --> 00:31:19,920
Speaker 1: have a movie accurate Thanos Gauntlet. And I know Thanos

590
00:31:20,000 --> 00:31:22,560
Speaker 1: is a CGI character, but Josh Brolin, who played him,

591
00:31:22,680 --> 00:31:27,320
Speaker 1: actually wore a physical, weighted, detailed prop of the Infinity

592
00:31:27,360 --> 00:31:30,160
Speaker 1: Gauntlet on the set of Avengers Infinity War, which is

593
00:31:30,200 --> 00:31:33,920
Speaker 1: my favorite Avengers movie, and he wore it while playing

594
00:31:33,960 --> 00:31:37,360
Speaker 1: Thanos and doing all of the motion capture. That actual

595
00:31:37,440 --> 00:31:41,320
Speaker 1: physical prop helped Josh Brolin with the physical performance and

596
00:31:41,360 --> 00:31:44,920
Speaker 1: it also provided a proper lighting reference for the visual

597
00:31:44,960 --> 00:31:48,120
Speaker 1: effects team. So you actually need a physical prop to

598
00:31:48,240 --> 00:31:50,640
Speaker 1: make it feel real to the actor and also to

599
00:31:50,680 --> 00:31:54,200
Speaker 1: give the team designing all the things going around Thanos

600
00:31:54,280 --> 00:31:56,880
Speaker 1: in that movie a point of reference how to light

601
00:31:56,960 --> 00:32:00,560
Speaker 1: the character. It has such great detail. Some of the

602
00:32:00,600 --> 00:32:02,760
Speaker 1: parts are kind of ripped out of it where you

603
00:32:02,840 --> 00:32:04,680
Speaker 1: kind of know that they need to have points of

604
00:32:04,720 --> 00:32:08,760
Speaker 1: reference that they can put CGI graphics over it. But

605
00:32:08,880 --> 00:32:11,320
Speaker 1: this thing would be on the top of my list

606
00:32:11,400 --> 00:32:14,720
Speaker 1: of items I would love to own. And unlike how

607
00:32:14,800 --> 00:32:16,920
Speaker 1: it is really bright and gold and the comics and

608
00:32:17,000 --> 00:32:20,480
Speaker 1: really shiny, the actual prop was designed to look darker

609
00:32:20,760 --> 00:32:23,600
Speaker 1: and heavier and more dangerous. It looks like a piece

610
00:32:23,640 --> 00:32:25,880
Speaker 1: of gold that you would find at the bottom of

611
00:32:25,920 --> 00:32:29,400
Speaker 1: the ocean from a shipwreck. I learn it, so really

612
00:32:29,440 --> 00:32:32,160
Speaker 1: this thing was just used for the performance, and the

613
00:32:32,200 --> 00:32:36,000
Speaker 1: final thing you see on screen is completely different in CGI.

614
00:32:36,520 --> 00:32:40,520
Speaker 1: Even the Infinity Stones themselves were all added later through CGI,

615
00:32:40,920 --> 00:32:43,160
Speaker 1: so you don't even get that in this prop. But

616
00:32:43,320 --> 00:32:46,840
Speaker 1: I don't care. Number one on my list of movie

617
00:32:46,880 --> 00:32:49,120
Speaker 1: props I would love to own if I had all

618
00:32:49,160 --> 00:32:52,360
Speaker 1: the money in the world would be Thanos's gauntlet from

619
00:32:52,360 --> 00:32:55,880
Speaker 1: Infinity War, actually worn by Josh Brolin during the making

620
00:32:55,880 --> 00:32:58,960
Speaker 1: of this movie. That is the list. I'll come back,

621
00:32:59,280 --> 00:33:02,000
Speaker 1: Kelsey will join me and we'll give our spoiler free

622
00:33:02,040 --> 00:33:06,160
Speaker 1: review of Project hill Mary, which we saw in Imax

623
00:33:06,240 --> 00:33:08,440
Speaker 1: seventy millimeter and we got to see it early. We

624
00:33:08,480 --> 00:33:10,760
Speaker 1: are so excited to tell you was it better than

625
00:33:10,760 --> 00:33:13,680
Speaker 1: the book because I finally read a book before seeing

626
00:33:13,680 --> 00:33:23,160
Speaker 1: a movie again. Let's get into it now. A spoiler

627
00:33:23,200 --> 00:33:26,520
Speaker 1: free movie review of Project hail Mary. Joined by my

628
00:33:26,560 --> 00:33:28,440
Speaker 1: wife and co host Kelsey. On this review, we both

629
00:33:28,480 --> 00:33:30,760
Speaker 1: read the book going into it. I don't think I've

630
00:33:30,800 --> 00:33:33,320
Speaker 1: read a book going into a movie since Hunger Games,

631
00:33:33,680 --> 00:33:36,320
Speaker 1: it's been a minute over a decade. But we saw

632
00:33:36,360 --> 00:33:39,000
Speaker 1: it in seventy millimeter IMAX, which is what I want

633
00:33:39,040 --> 00:33:41,160
Speaker 1: to dive into before we even get into our review,

634
00:33:41,440 --> 00:33:43,280
Speaker 1: because a lot of people were asking me online. First

635
00:33:43,280 --> 00:33:44,680
Speaker 1: of all, we got to see it early, a week

636
00:33:44,760 --> 00:33:45,560
Speaker 1: before it came out.

637
00:33:45,600 --> 00:33:45,920
Speaker 3: We did.

638
00:33:46,040 --> 00:33:49,240
Speaker 4: I randomly got an email from Regal and it said

639
00:33:49,680 --> 00:33:53,520
Speaker 4: Project Hill Mary seventy milimeter IMAX early access, and I

640
00:33:53,680 --> 00:33:56,040
Speaker 4: was like, buying tickets. I think I texted you and

641
00:33:56,040 --> 00:33:57,480
Speaker 4: I was like, got us tickets to see it early.

642
00:33:57,520 --> 00:33:59,400
Speaker 4: Didn't even ask because I'm buying these now and.

643
00:33:59,360 --> 00:34:01,280
Speaker 1: A lot of people are wondering what does that even mean.

644
00:34:01,640 --> 00:34:03,840
Speaker 1: First of all, it's on actual film, which not every

645
00:34:03,840 --> 00:34:05,840
Speaker 1: movie you go see in theaters is on actual film.

646
00:34:05,960 --> 00:34:09,200
Speaker 4: You hear the film reels like scroll, not scrolling, what's

647
00:34:09,200 --> 00:34:12,720
Speaker 4: sort of humming. Yes, you hear the and it also

648
00:34:12,760 --> 00:34:13,480
Speaker 4: heats up the room.

649
00:34:13,600 --> 00:34:16,040
Speaker 1: Yeah, so that was a big deal, even being able

650
00:34:16,080 --> 00:34:18,279
Speaker 1: to see it here in Nashville, because there's only like

651
00:34:18,320 --> 00:34:21,239
Speaker 1: thirteen theaters in the entire country where you can see it.

652
00:34:21,320 --> 00:34:23,480
Speaker 1: On this it's like the largest format you can see it,

653
00:34:23,760 --> 00:34:27,160
Speaker 1: but the equipment is so expensive, and the room to

654
00:34:27,200 --> 00:34:30,240
Speaker 1: cool it down here, like the equipment broke. So whenever

655
00:34:30,239 --> 00:34:33,759
Speaker 1: Oppenheimer came out, Christopher Nolan actually paid to have our

656
00:34:33,800 --> 00:34:34,840
Speaker 1: theater here fixed.

657
00:34:34,880 --> 00:34:36,439
Speaker 3: It's cool, so they could cool the room.

658
00:34:36,480 --> 00:34:38,120
Speaker 1: But we felt it getting hotter. I don't know if

659
00:34:38,120 --> 00:34:40,080
Speaker 1: that's exactly what it was or there were just more people.

660
00:34:40,320 --> 00:34:42,160
Speaker 5: I think it's also just the weather. But about halfway

661
00:34:42,160 --> 00:34:43,600
Speaker 5: through the movie it got a little warm in there.

662
00:34:43,760 --> 00:34:46,080
Speaker 4: Yeah, you started to sweat. You like did like subtle

663
00:34:46,160 --> 00:34:48,200
Speaker 4: take your jacket off. You're like rolling up the sleeves

664
00:34:48,200 --> 00:34:48,680
Speaker 4: of your shirt.

665
00:34:48,719 --> 00:34:50,080
Speaker 5: I was like, are you goun But it could have

666
00:34:50,160 --> 00:34:52,160
Speaker 5: been the room where the projector is, because the movie

667
00:34:52,239 --> 00:34:54,839
Speaker 5: itself is six hundred pounds eleven miles long.

668
00:34:54,920 --> 00:34:56,560
Speaker 3: It is massive, that's crazy.

669
00:34:56,640 --> 00:34:59,960
Speaker 1: So you were getting so much information on the screen

670
00:35:00,080 --> 00:35:01,960
Speaker 1: seeing it in this format. So if you're somebody like

671
00:35:01,960 --> 00:35:04,000
Speaker 1: me who cares about that type of thing, that is

672
00:35:04,000 --> 00:35:05,759
Speaker 1: why I get so excited about it. I think it's

673
00:35:05,760 --> 00:35:08,840
Speaker 1: like eighteen K that is really cool, which your TV

674
00:35:08,960 --> 00:35:11,880
Speaker 1: in your house gets four K and the screen itself

675
00:35:12,000 --> 00:35:15,000
Speaker 1: is like forty percent bigger than a normal movie theater screen.

676
00:35:15,080 --> 00:35:17,360
Speaker 1: So you walk in there and seeing it blank is

677
00:35:17,400 --> 00:35:20,239
Speaker 1: like man that is a massive screen, strigantic, and not

678
00:35:20,320 --> 00:35:23,120
Speaker 1: only that, the colors are richer where even the stuff

679
00:35:23,160 --> 00:35:26,320
Speaker 1: that wasn't in space in this movie, the color grading

680
00:35:27,040 --> 00:35:29,680
Speaker 1: so cinematic, almost like you were taking like your old

681
00:35:29,719 --> 00:35:32,680
Speaker 1: school like actual film pictures and you get like that

682
00:35:32,800 --> 00:35:35,000
Speaker 1: quality battle even if you have those disposable cameras back

683
00:35:35,000 --> 00:35:37,640
Speaker 1: in the day, they had like this crispness and this

684
00:35:37,800 --> 00:35:40,719
Speaker 1: richness to it. It just feels like real film and

685
00:35:40,760 --> 00:35:43,160
Speaker 1: it feels alive. That's why I like seeing it. You

686
00:35:43,200 --> 00:35:47,000
Speaker 1: come alive when you're talking about it's so awesome. And

687
00:35:47,280 --> 00:35:49,840
Speaker 1: it also sounds better in imax, which a movie like

688
00:35:49,880 --> 00:35:53,400
Speaker 1: this that is so immersive. That is why it's beneficial

689
00:35:53,400 --> 00:35:56,960
Speaker 1: to see it like this. So I like this format

690
00:35:57,080 --> 00:36:00,000
Speaker 1: versus like those RPX or forever where the things like

691
00:36:00,239 --> 00:36:01,520
Speaker 1: start spraying stuff.

692
00:36:01,239 --> 00:36:05,080
Speaker 3: At you that is too much, that's a lot.

693
00:36:05,480 --> 00:36:08,840
Speaker 1: I just want the immersive experience where the screen is

694
00:36:08,840 --> 00:36:11,120
Speaker 1: as massive as it can be in the best form,

695
00:36:11,160 --> 00:36:13,040
Speaker 1: in the highest format that you can watch it in.

696
00:36:13,520 --> 00:36:15,800
Speaker 1: That is why I get excited about this. Even before

697
00:36:15,840 --> 00:36:18,080
Speaker 1: the movie ran. If you go see a movie like this,

698
00:36:18,520 --> 00:36:21,960
Speaker 1: there aren't previews, no, because they don't have the format

699
00:36:22,040 --> 00:36:25,280
Speaker 1: to fit a projector of this side like a trailer.

700
00:36:25,400 --> 00:36:27,880
Speaker 4: There was a trailer for Odyssey, which the next movie

701
00:36:27,920 --> 00:36:29,040
Speaker 4: on Imax.

702
00:36:28,840 --> 00:36:31,080
Speaker 1: So that was really cool. That also made me excited

703
00:36:31,080 --> 00:36:32,359
Speaker 1: for that movie. I don't want to spen too much

704
00:36:32,360 --> 00:36:33,560
Speaker 1: on that one, but that was cool.

705
00:36:33,760 --> 00:36:35,399
Speaker 3: I didn't think I was gonna be that excited about

706
00:36:35,400 --> 00:36:35,719
Speaker 3: that one.

707
00:36:35,760 --> 00:36:38,560
Speaker 1: But let's get into talking about the movie. We both

708
00:36:38,719 --> 00:36:42,799
Speaker 1: read the book. I will say there are some things

709
00:36:42,840 --> 00:36:46,040
Speaker 1: that are better and some things that are I don't

710
00:36:46,080 --> 00:36:48,320
Speaker 1: want to say worse, but in my head, while reading

711
00:36:48,360 --> 00:36:50,839
Speaker 1: the book I enjoyed certain aspects of the story more.

712
00:36:50,960 --> 00:36:53,000
Speaker 3: I'll be honest, I forget some of the little things.

713
00:36:53,239 --> 00:36:56,319
Speaker 4: I read it last fall, and I've genuinely probably read

714
00:36:56,360 --> 00:36:57,359
Speaker 4: thirty books since then.

715
00:36:57,280 --> 00:36:59,839
Speaker 1: And I finished it probably three weeks ago, two weeks,

716
00:37:00,000 --> 00:37:02,680
Speaker 1: two weeks ago, but he finished it pretty recently. If

717
00:37:02,760 --> 00:37:05,560
Speaker 1: you haven't read the book, we won't give a This

718
00:37:05,600 --> 00:37:07,239
Speaker 1: is a tough review to do because I don't want

719
00:37:07,239 --> 00:37:09,640
Speaker 1: to spoil stuff from the book. I won't talk in

720
00:37:09,680 --> 00:37:12,080
Speaker 1: spoilers in regard of the movie. But what the movie

721
00:37:12,160 --> 00:37:15,840
Speaker 1: is about. You have a school teacher named Ryland Grace

722
00:37:16,480 --> 00:37:20,640
Speaker 1: who is essentially hired by scientists to save the world.

723
00:37:20,680 --> 00:37:23,600
Speaker 1: They discover that something is killing the son and he

724
00:37:23,680 --> 00:37:27,359
Speaker 1: has to find a way to stop that otherwise it's

725
00:37:27,360 --> 00:37:29,960
Speaker 1: going to wipe out food. We're all going to start revolting.

726
00:37:30,280 --> 00:37:33,600
Speaker 1: It is his job to figure out what is going on,

727
00:37:33,719 --> 00:37:36,279
Speaker 1: because he's a really bright mind. He came up with

728
00:37:36,360 --> 00:37:38,600
Speaker 1: like this they a while back that the head scientist

729
00:37:38,719 --> 00:37:41,400
Speaker 1: is fascinated with and thinks that is the solution. But

730
00:37:41,560 --> 00:37:43,759
Speaker 1: essentially he's just trying to save the world, but he's

731
00:37:43,800 --> 00:37:46,160
Speaker 1: not really cut out for it. I find there were

732
00:37:46,200 --> 00:37:48,839
Speaker 1: certain things in the book, which my only other point

733
00:37:48,880 --> 00:37:51,160
Speaker 1: of reference is The Hunger Games, where I think some

734
00:37:51,239 --> 00:37:54,239
Speaker 1: things just don't translate on screen. A big part of

735
00:37:54,280 --> 00:37:55,920
Speaker 1: it is he wakes up at the beginning of the

736
00:37:55,960 --> 00:37:58,279
Speaker 1: story and he doesn't know where he is, why he's

737
00:37:58,280 --> 00:37:58,720
Speaker 1: in space.

738
00:37:58,840 --> 00:38:00,680
Speaker 3: There's a lot more time spent on that in the book.

739
00:38:00,760 --> 00:38:02,880
Speaker 1: Yeah, and he's like trying to figure it out and

740
00:38:02,920 --> 00:38:05,440
Speaker 1: like learn his name. All that stuff is not really

741
00:38:05,440 --> 00:38:08,080
Speaker 1: in the book in the movie, I mean, and I

742
00:38:08,120 --> 00:38:10,520
Speaker 1: find like that's probably hard to do because a lot

743
00:38:10,520 --> 00:38:13,319
Speaker 1: of this story is in his head when you're reading it, yes,

744
00:38:13,480 --> 00:38:16,840
Speaker 1: and it's hard to turn that into a cinema, Like,

745
00:38:16,840 --> 00:38:20,040
Speaker 1: when there's so many things to explore cinematically, it is

746
00:38:20,080 --> 00:38:23,000
Speaker 1: hard to spend the time on all of the science stuff.

747
00:38:23,000 --> 00:38:26,520
Speaker 4: Really, one thing that I noticed is there's a point

748
00:38:27,280 --> 00:38:32,760
Speaker 4: where like kind of the gravity of the ship gets

749
00:38:32,920 --> 00:38:34,920
Speaker 4: changed and he like can't figure out how to move.

750
00:38:34,960 --> 00:38:36,360
Speaker 4: They spend a lot more time on that in the

751
00:38:36,360 --> 00:38:38,040
Speaker 4: book too, and then they just kind of cut to

752
00:38:38,080 --> 00:38:39,279
Speaker 4: it in the movie, but there's a lot of time

753
00:38:39,320 --> 00:38:41,880
Speaker 4: of him trying to figure out, like, how do I

754
00:38:41,920 --> 00:38:44,400
Speaker 4: get about the ship when the gravity is not the

755
00:38:44,400 --> 00:38:45,000
Speaker 4: gravity I know?

756
00:38:45,160 --> 00:38:47,440
Speaker 1: And I guess the thing I found that some of

757
00:38:47,480 --> 00:38:50,080
Speaker 1: the action felt more intense in the book to me,

758
00:38:50,680 --> 00:38:52,600
Speaker 1: And I don't know if it's a result of since

759
00:38:52,640 --> 00:38:54,960
Speaker 1: I know what is going to happen since I already

760
00:38:55,000 --> 00:38:58,080
Speaker 1: read it, that it didn't have as much of an

761
00:38:58,080 --> 00:39:00,799
Speaker 1: impact seeing it on screen. Where there were certain points

762
00:39:00,840 --> 00:39:02,000
Speaker 1: in the book where like at the end of a

763
00:39:02,040 --> 00:39:03,600
Speaker 1: chapter you're like, oh man, how's he canna get out

764
00:39:03,640 --> 00:39:06,200
Speaker 1: of this one? And in the movie it wasn't the

765
00:39:06,239 --> 00:39:08,400
Speaker 1: exact same way, because I think the pacing is just

766
00:39:08,440 --> 00:39:11,040
Speaker 1: a little bit different. But I'm trying not to hold

767
00:39:11,040 --> 00:39:13,759
Speaker 1: that against the movie version is just different. The other

768
00:39:13,840 --> 00:39:16,560
Speaker 1: thing for me is same thing I experienced in The

769
00:39:16,640 --> 00:39:19,440
Speaker 1: Hunger Games, where a lot of that story was associated

770
00:39:19,440 --> 00:39:22,560
Speaker 1: with like Catnus being hungry because of the Hunger Games.

771
00:39:23,080 --> 00:39:26,640
Speaker 1: His whole struggle with food in this wasn't as intense

772
00:39:26,640 --> 00:39:27,520
Speaker 1: as it is in the book.

773
00:39:27,640 --> 00:39:29,239
Speaker 3: Yeah, they didn't really give that a plot line in

774
00:39:29,280 --> 00:39:30,080
Speaker 3: the movie.

775
00:39:29,920 --> 00:39:31,880
Speaker 1: Like that was the main plot point. Even him waking

776
00:39:31,960 --> 00:39:34,560
Speaker 1: up and like having a meal for the first time

777
00:39:35,280 --> 00:39:38,440
Speaker 1: and his food supplied kind of being an issue throughout

778
00:39:38,480 --> 00:39:41,520
Speaker 1: the book wasn't really that big of a deal in

779
00:39:41,560 --> 00:39:42,040
Speaker 1: the movie.

780
00:39:42,360 --> 00:39:44,880
Speaker 4: Listen, they only had two and a half hour a lot.

781
00:39:45,040 --> 00:39:47,440
Speaker 4: It's like an almost It's like over four hundred pages.

782
00:39:47,560 --> 00:39:50,760
Speaker 1: Yeah, it's a big book for sixty seven I believe

783
00:39:50,800 --> 00:39:54,839
Speaker 1: because I counted them. But overall, I found that the

784
00:39:54,880 --> 00:39:59,400
Speaker 1: things that they changed wasn't anything drastic that kept me

785
00:39:59,440 --> 00:40:02,719
Speaker 1: from thinking, oh, the book was better. I feel like

786
00:40:02,760 --> 00:40:05,120
Speaker 1: to me, it's one of those where it's pretty on par.

787
00:40:05,520 --> 00:40:06,120
Speaker 3: Just loved it.

788
00:40:06,120 --> 00:40:09,839
Speaker 1: It's slightly different experiences, But I don't think somebody is

789
00:40:09,880 --> 00:40:14,359
Speaker 1: going to read the book and go see the movie

790
00:40:14,360 --> 00:40:15,640
Speaker 1: and think they didn't do it justice.

791
00:40:15,680 --> 00:40:17,040
Speaker 3: I don't think you're going to be disappointed.

792
00:40:17,280 --> 00:40:21,080
Speaker 1: All of the space stuff is so cinematic that anything

793
00:40:21,120 --> 00:40:24,640
Speaker 1: they don't get to from the book, it doesn't even matter.

794
00:40:25,000 --> 00:40:28,360
Speaker 4: And they didn't change the integrity of the book. And

795
00:40:28,400 --> 00:40:31,360
Speaker 4: there are sometimes where I think, like, you know, an

796
00:40:31,440 --> 00:40:33,920
Speaker 4: adaptation doesn't need to be the exact same, but this

797
00:40:34,080 --> 00:40:36,120
Speaker 4: was one where I was like, there are certain things.

798
00:40:36,120 --> 00:40:38,120
Speaker 4: If they change, it is not going to have the

799
00:40:38,120 --> 00:40:43,640
Speaker 4: same integrity revolted And they did not disrespect the integrity

800
00:40:43,680 --> 00:40:44,120
Speaker 4: of the book.

801
00:40:44,120 --> 00:40:44,839
Speaker 3: That's all I'll say.

802
00:40:45,200 --> 00:40:47,520
Speaker 5: How do you feel about Ryan Gosling? Was he the

803
00:40:47,560 --> 00:40:49,880
Speaker 5: perfect person for this? Couldn't have picked a better person.

804
00:40:50,040 --> 00:40:51,799
Speaker 1: I was trying to think of somebody who could have fit.

805
00:40:52,920 --> 00:40:55,440
Speaker 3: No, he was so so good.

806
00:40:55,480 --> 00:40:59,400
Speaker 4: He has that perfect like cynicism and wit, but it

807
00:40:59,440 --> 00:41:02,080
Speaker 4: doesn't come up cross like condescending or an act like.

808
00:41:02,160 --> 00:41:05,080
Speaker 4: He is just so good at being like funny and

809
00:41:05,160 --> 00:41:07,920
Speaker 4: having those one liners and the sarcasm like.

810
00:41:09,520 --> 00:41:10,200
Speaker 3: Chef's kiss.

811
00:41:10,640 --> 00:41:14,000
Speaker 1: He has the right amount of comedic timing, but you

812
00:41:14,040 --> 00:41:17,640
Speaker 1: can also still take him seriously, which is I found

813
00:41:17,640 --> 00:41:20,160
Speaker 1: this character to be a little bit more comical in

814
00:41:20,239 --> 00:41:20,680
Speaker 1: the movie.

815
00:41:20,760 --> 00:41:23,560
Speaker 5: Then I got from the book, Oh I see, I

816
00:41:23,600 --> 00:41:26,320
Speaker 5: read the book with because they'd already cast the movie

817
00:41:26,360 --> 00:41:29,200
Speaker 5: and I read the book, like my inner monologue when

818
00:41:29,200 --> 00:41:31,200
Speaker 5: I was reading was Ryan Gosling's voice. That was a

819
00:41:31,239 --> 00:41:34,399
Speaker 5: hard thing for me, is like I already envisioned him, yep,

820
00:41:34,920 --> 00:41:37,440
Speaker 5: And it was hard for me not to associate Ryan Gosling.

821
00:41:37,880 --> 00:41:40,040
Speaker 4: I think in comparison, is like you think about a

822
00:41:40,120 --> 00:41:43,719
Speaker 4: character like Ryan Reynolds's Deadpool, m hm, he takes it

823
00:41:43,840 --> 00:41:48,000
Speaker 4: too far almost and the like has to be comic,

824
00:41:48,200 --> 00:41:50,759
Speaker 4: doesn't hit the sarcasm in the cynicism, right, And then

825
00:41:50,800 --> 00:41:53,799
Speaker 4: you go to Gossling in this one nailed it.

826
00:41:53,960 --> 00:41:55,320
Speaker 3: I think one of his best roles.

827
00:41:55,360 --> 00:41:56,880
Speaker 1: I would put that in the top tier of right.

828
00:41:57,200 --> 00:42:02,200
Speaker 4: He is still putting out incredible movies, Like think about

829
00:42:02,680 --> 00:42:07,680
Speaker 4: twenty years ago, The Notebook Years, Phenomenal Crazy Stupid Love.

830
00:42:07,680 --> 00:42:10,239
Speaker 1: Yeah, phenomenal Drive, twenty eleven.

831
00:42:10,080 --> 00:42:13,439
Speaker 4: Place Beyond the Pines, Like, he is still putting out

832
00:42:13,640 --> 00:42:16,120
Speaker 4: such good films.

833
00:42:15,840 --> 00:42:19,480
Speaker 1: Because I think the role also requires a lot of range,

834
00:42:19,480 --> 00:42:21,160
Speaker 1: even when it comes to him getting a little bit

835
00:42:21,160 --> 00:42:23,839
Speaker 1: of like a lot of emotional yeah, where he has

836
00:42:23,880 --> 00:42:26,200
Speaker 1: to cry in this movie. So he goes from being

837
00:42:26,480 --> 00:42:28,920
Speaker 1: a little bit more comedic at the beginning, which some

838
00:42:28,960 --> 00:42:31,439
Speaker 1: people were having a real good time laughing.

839
00:42:31,120 --> 00:42:33,319
Speaker 3: In our theater a person behind us.

840
00:42:33,400 --> 00:42:35,520
Speaker 1: I didn't find it as laugh out loud funny as

841
00:42:35,520 --> 00:42:37,520
Speaker 1: some people were, but more power to them for really

842
00:42:37,560 --> 00:42:38,480
Speaker 1: enjoying those moments.

843
00:42:38,560 --> 00:42:41,359
Speaker 4: You know. I'm like, have fun as long as you're

844
00:42:41,400 --> 00:42:43,360
Speaker 4: not like disrupting a movie.

845
00:42:43,480 --> 00:42:45,440
Speaker 1: I think, I pu it is hard for me to

846
00:42:45,480 --> 00:42:48,600
Speaker 1: put this at my favorite Ryan Gossling movie when Drive

847
00:42:48,640 --> 00:42:50,560
Speaker 1: has been one of my favorite movies for the last

848
00:42:51,000 --> 00:42:51,960
Speaker 1: fifteen years.

849
00:42:52,040 --> 00:42:54,399
Speaker 4: I think Crazy Stupid Love is my favorite Gossling maybe

850
00:42:54,480 --> 00:42:57,160
Speaker 4: just because it's so it's just such a good one,

851
00:42:57,160 --> 00:42:58,960
Speaker 4: but this is I think this is my second favorite.

852
00:42:59,040 --> 00:43:02,160
Speaker 1: I also think for me, hits different because I read

853
00:43:02,200 --> 00:43:05,120
Speaker 1: the book and I haven't written proud of like this

854
00:43:05,280 --> 00:43:08,799
Speaker 1: in so long that I felt this emotional attachment to

855
00:43:08,840 --> 00:43:13,040
Speaker 1: these characters and I just got to see all the

856
00:43:13,080 --> 00:43:16,359
Speaker 1: things that I didn't exactly know how they looked while

857
00:43:16,400 --> 00:43:18,880
Speaker 1: reading it. Same because it was a very science heavy

858
00:43:18,880 --> 00:43:22,799
Speaker 1: book and there were some things that I knew, like

859
00:43:22,880 --> 00:43:24,759
Speaker 1: I tried to grasp it around my head and I

860
00:43:24,840 --> 00:43:26,759
Speaker 1: got the actions of it and the results of it.

861
00:43:26,840 --> 00:43:30,400
Speaker 1: But seeing it actually portrayed on the big screen, I

862
00:43:30,440 --> 00:43:32,760
Speaker 1: was like, Okay, now I finally get that part. Also,

863
00:43:32,800 --> 00:43:34,759
Speaker 1: the fact that they didn't use green screen or blue

864
00:43:34,800 --> 00:43:36,040
Speaker 1: screen in this entire movie.

865
00:43:36,200 --> 00:43:38,839
Speaker 4: Yeah, and this isn't a This isn't a spoiler because

866
00:43:38,880 --> 00:43:42,520
Speaker 4: this is something on all like spaceships, but the idea

867
00:43:42,600 --> 00:43:46,960
Speaker 4: of where they like pressurize and depressurize like that like airlock,

868
00:43:47,040 --> 00:43:48,680
Speaker 4: I couldn't get in my head even though I've watched

869
00:43:48,680 --> 00:43:49,920
Speaker 4: a lot of space stuff that was part of it.

870
00:43:50,000 --> 00:43:53,200
Speaker 4: Just seeing that helped me. And I won't give it

871
00:43:53,200 --> 00:43:54,799
Speaker 4: an me elseway, but that was one that I like

872
00:43:54,920 --> 00:43:58,160
Speaker 4: just couldn't conceptualize for some reason this movie.

873
00:43:58,239 --> 00:44:01,759
Speaker 1: Also seeing it in imax made me feel like we

874
00:44:01,800 --> 00:44:03,359
Speaker 1: went to space, like this is as close as I'm

875
00:44:03,360 --> 00:44:05,600
Speaker 1: going to get to going to outer space. The scenes

876
00:44:05,600 --> 00:44:08,760
Speaker 1: where it's just him out there with all those stars

877
00:44:09,200 --> 00:44:11,640
Speaker 1: it for the first time, it really felt like just

878
00:44:11,719 --> 00:44:12,400
Speaker 1: crazy to me.

879
00:44:12,680 --> 00:44:17,359
Speaker 4: I this is gonna sound like an oxymoron. I felt claustrophobic.

880
00:44:17,760 --> 00:44:21,040
Speaker 4: Even though there was not much like space, like I

881
00:44:21,120 --> 00:44:24,880
Speaker 4: can't imagine being out there and they're just being nothing.

882
00:44:27,360 --> 00:44:29,440
Speaker 1: There were some really just beautiful shots, like when they

883
00:44:29,440 --> 00:44:33,840
Speaker 1: get to a point where like everything is green. It

884
00:44:33,920 --> 00:44:37,640
Speaker 1: was just like that looks so good. So I think

885
00:44:37,640 --> 00:44:41,440
Speaker 1: the visuals exceeded my expectation. The performances were great all

886
00:44:41,719 --> 00:44:43,680
Speaker 1: all throughout the cast. There were just so many, all

887
00:44:43,680 --> 00:44:48,879
Speaker 1: the characters so well. The storytelling obviously was great because

888
00:44:48,920 --> 00:44:52,719
Speaker 1: you have a great source material to work with. There

889
00:44:52,840 --> 00:44:55,719
Speaker 1: was This was one of those movies where even though

890
00:44:55,719 --> 00:44:58,359
Speaker 1: it was two and a half hours long, I never

891
00:44:58,400 --> 00:45:02,120
Speaker 1: thought about the runtime. Well, when it comes to Project

892
00:45:02,239 --> 00:45:04,320
Speaker 1: hil Mary, if you read the book, you have to

893
00:45:04,320 --> 00:45:08,000
Speaker 1: see the movie in theaters. If there is any form

894
00:45:08,040 --> 00:45:12,040
Speaker 1: of IMAX around you, I would highly recommend it.

895
00:45:12,440 --> 00:45:14,880
Speaker 4: I also think if you haven't read the book and

896
00:45:14,920 --> 00:45:16,279
Speaker 4: you still want to, but you also really want to

897
00:45:16,280 --> 00:45:17,959
Speaker 4: see the movie, I think you could read it after.

898
00:45:18,520 --> 00:45:19,800
Speaker 1: Oh you think so, mm hmmm.

899
00:45:19,920 --> 00:45:21,800
Speaker 4: We were having this discussion in book club because my

900
00:45:21,840 --> 00:45:24,680
Speaker 4: book club read it last fall and a couple people

901
00:45:24,760 --> 00:45:26,360
Speaker 4: just didn't have the time to read it, and we

902
00:45:26,400 --> 00:45:27,840
Speaker 4: were like, I think you could see the movie and

903
00:45:27,880 --> 00:45:29,719
Speaker 4: then read it. It's not the preferred way, but I

904
00:45:29,760 --> 00:45:31,719
Speaker 4: don't think it takes away anything, because, like you said,

905
00:45:31,719 --> 00:45:34,400
Speaker 4: there are different aspects of storytelling.

906
00:45:35,040 --> 00:45:37,200
Speaker 1: Yeah, I guess it's the reverse experience because for me

907
00:45:37,239 --> 00:45:39,640
Speaker 1: it's hard. It was hard because I knew what was

908
00:45:39,680 --> 00:45:44,120
Speaker 1: coming to where I wonder how I would have experienced

909
00:45:44,120 --> 00:45:45,719
Speaker 1: this movie without knowing that.

910
00:45:46,280 --> 00:45:48,040
Speaker 3: Well, my family's going to see it next week. None

911
00:45:48,040 --> 00:45:49,520
Speaker 3: of them read the book, so we'll ask them.

912
00:45:49,560 --> 00:45:51,520
Speaker 1: But I loved it. If I had to give it

913
00:45:51,560 --> 00:45:54,880
Speaker 1: a rating, I haven't given a movie a perfect score

914
00:45:54,960 --> 00:45:57,680
Speaker 1: since twenty twenty three in December when I saw Godzilla

915
00:45:57,719 --> 00:46:01,360
Speaker 1: minus one. But due to the fact I took no notes,

916
00:46:01,400 --> 00:46:03,839
Speaker 1: which I always take notes during a movie of like oh,

917
00:46:03,920 --> 00:46:07,440
Speaker 1: maybe they could have done this better, I always completely immersed

918
00:46:07,440 --> 00:46:09,680
Speaker 1: the entire time. Ryan Gosling is also one of my

919
00:46:10,120 --> 00:46:12,040
Speaker 1: top ten, if not top five actors.

920
00:46:12,480 --> 00:46:14,880
Speaker 4: He was so he was on SNL last week and

921
00:46:14,960 --> 00:46:17,920
Speaker 4: he's such a bad host in the way that he

922
00:46:18,000 --> 00:46:20,000
Speaker 4: breaks on everything, but it makes him a good host.

923
00:46:20,160 --> 00:46:20,440
Speaker 1: Yeah.

924
00:46:21,320 --> 00:46:24,080
Speaker 3: I just my favorite of the Ryans.

925
00:46:24,200 --> 00:46:26,120
Speaker 1: I liked his style in the entire movie, which I

926
00:46:26,120 --> 00:46:29,160
Speaker 1: wonder if I wonder if he works with those teams

927
00:46:29,200 --> 00:46:31,120
Speaker 1: of like, this is what I want the character to

928
00:46:31,160 --> 00:46:33,840
Speaker 1: look like, because it does feel like very much his personality,

929
00:46:35,280 --> 00:46:37,719
Speaker 1: his haircut, even like his socks and his shirt, his

930
00:46:37,760 --> 00:46:41,239
Speaker 1: T shirts throwat glasses. Yeah, I think I have to

931
00:46:41,280 --> 00:46:45,640
Speaker 1: give this a five out of five spaceships. I rarely

932
00:46:45,640 --> 00:46:49,960
Speaker 1: hand those out because I find it is hard to

933
00:46:50,040 --> 00:46:52,960
Speaker 1: find what I consider a perfect movie. But I have

934
00:46:53,040 --> 00:46:58,240
Speaker 1: to remove all my cynicism, all my little critiques, because

935
00:46:58,280 --> 00:47:00,560
Speaker 1: this was one where I was just I just felt

936
00:47:00,560 --> 00:47:02,840
Speaker 1: like I watched it even as a fan, and not

937
00:47:02,920 --> 00:47:04,880
Speaker 1: as like somebody who has a movie podcast, like I

938
00:47:04,880 --> 00:47:07,239
Speaker 1: didn't take any notes, I didn't look at the time.

939
00:47:08,080 --> 00:47:11,560
Speaker 1: I felt excited after the movie, and now I want

940
00:47:11,560 --> 00:47:14,520
Speaker 1: to see it again to see how I experience it

941
00:47:15,000 --> 00:47:17,200
Speaker 1: now knowing what's going to happen because I read the

942
00:47:17,239 --> 00:47:19,080
Speaker 1: book and because I watched a movie. What would you

943
00:47:19,120 --> 00:47:19,440
Speaker 1: give it?

944
00:47:19,600 --> 00:47:21,839
Speaker 3: Five out of five Hacky sacks five out of five.

945
00:47:22,239 --> 00:47:25,360
Speaker 1: Well, there is our perfect score of Project hill Mary,

946
00:47:25,440 --> 00:47:27,200
Speaker 1: five out of fives, all the way around.

947
00:47:27,560 --> 00:47:28,120
Speaker 3: Phenomenal.

948
00:47:29,800 --> 00:47:33,600
Speaker 2: It's time to head down to movie Mike Traylor Park,

949
00:47:34,760 --> 00:47:40,000
Speaker 2: Let's talk about In the Gray, starring Jake Gyllenhall Henry Cavell,

950
00:47:40,080 --> 00:47:41,440
Speaker 2: directed by Guy Ritchie.

951
00:47:42,520 --> 00:47:44,960
Speaker 1: This is the first time that Jake Gillenhall and Henry

952
00:47:44,960 --> 00:47:47,319
Speaker 1: Cavill have been in a movie together. And to think

953
00:47:47,360 --> 00:47:50,440
Speaker 1: in twenty twenty six that you can have two actors

954
00:47:50,440 --> 00:47:53,480
Speaker 1: on the level of these guys, Why'd I say like that,

955
00:47:53,560 --> 00:47:57,279
Speaker 1: Like these guys who still haven't worked together. That makes

956
00:47:57,280 --> 00:48:00,719
Speaker 1: me excited for the future of film, that we can

957
00:48:00,800 --> 00:48:04,600
Speaker 1: still have unique combinations where we're not watching the same

958
00:48:04,680 --> 00:48:07,239
Speaker 1: thing over and over again. And I know I'm talking

959
00:48:07,280 --> 00:48:10,080
Speaker 1: about an action movie that maybe to some feels a

960
00:48:10,120 --> 00:48:12,440
Speaker 1: little bit formulaic. But I think when you go to

961
00:48:13,040 --> 00:48:15,440
Speaker 1: Guy Ritchie for action, you know you're going to get

962
00:48:15,480 --> 00:48:18,920
Speaker 1: something that's a little bit elevated, It's a little bit nicer.

963
00:48:19,000 --> 00:48:21,520
Speaker 1: It's like whenever I was first updating my wardrobe, the

964
00:48:21,680 --> 00:48:24,719
Speaker 1: advice I got was just update your basics. If you

965
00:48:24,760 --> 00:48:26,600
Speaker 1: wear a normal white T shirt that maybe you get

966
00:48:26,600 --> 00:48:29,520
Speaker 1: at Walmart, a pack of Haynes, elevate that a little bit.

967
00:48:29,560 --> 00:48:32,000
Speaker 1: Find something a little bit nicer. That is how I

968
00:48:32,040 --> 00:48:34,880
Speaker 1: feel about Guy Ritchie movies. And after watching this trailer

969
00:48:35,440 --> 00:48:37,920
Speaker 1: where yes, on the surface, it looks like a shoot

970
00:48:37,960 --> 00:48:40,560
Speaker 1: them up, turn your brain off action movie with two

971
00:48:40,600 --> 00:48:44,040
Speaker 1: guys who are essentially the people you call in if

972
00:48:44,080 --> 00:48:46,280
Speaker 1: you can't call the cops or you can't call the Feds.

973
00:48:46,600 --> 00:48:49,040
Speaker 1: In this movie, they play two elite operatives who are

974
00:48:49,080 --> 00:48:52,880
Speaker 1: called on to recover a stolen billion dollar fortune from

975
00:48:53,040 --> 00:48:55,680
Speaker 1: this bad guy. By the looks of this action, it

976
00:48:55,840 --> 00:48:59,160
Speaker 1: just has a little bit more style than another movie.

977
00:48:59,160 --> 00:49:00,880
Speaker 1: I'm probably going to rip here in a minute that

978
00:49:00,920 --> 00:49:03,680
Speaker 1: it reminded me of where when it comes to the

979
00:49:03,680 --> 00:49:07,360
Speaker 1: cinematography that angles the camera in a way that feels

980
00:49:07,400 --> 00:49:09,560
Speaker 1: like you are right there a part of the action,

981
00:49:10,239 --> 00:49:13,160
Speaker 1: the explosions just have an entirely different look to them.

982
00:49:13,239 --> 00:49:17,799
Speaker 1: Guy Ritchie knows how to make a captivating explosion, and

983
00:49:17,840 --> 00:49:20,799
Speaker 1: I think the stories are always solid. So I do

984
00:49:20,920 --> 00:49:24,120
Speaker 1: want to get into more about his work, about these

985
00:49:24,160 --> 00:49:26,640
Speaker 1: two actors, and about the movie I just watched on

986
00:49:26,680 --> 00:49:29,239
Speaker 1: Netflix that it reminds me of that. I'm hoping this

987
00:49:29,400 --> 00:49:32,239
Speaker 1: is a better version of that. But before I do,

988
00:49:32,680 --> 00:49:34,400
Speaker 1: here is just a little bit of the in the

989
00:49:34,520 --> 00:49:38,560
Speaker 1: Gray trailer coming out in theaters on May fifteenth. Manny

990
00:49:38,640 --> 00:49:41,280
Speaker 1: sallisar He's not really the guy you loan a billion

991
00:49:41,320 --> 00:49:42,680
Speaker 1: dollars and expect to see it back.

992
00:49:42,840 --> 00:49:43,960
Speaker 3: You think you can recover it.

993
00:49:44,120 --> 00:49:44,879
Speaker 1: You know I can.

994
00:49:46,200 --> 00:49:49,480
Speaker 3: And this job, when mistakes are made, you need insurance.

995
00:49:49,840 --> 00:49:53,319
Speaker 3: Bronco insid will now solve it.

996
00:49:53,360 --> 00:49:56,880
Speaker 1: Their way fame work between the moral and the and

997
00:49:56,920 --> 00:50:07,600
Speaker 1: moral the block in the way they operate in the Gray.

998
00:50:07,960 --> 00:50:11,360
Speaker 1: Bonus points for getting the name of the movie in

999
00:50:11,480 --> 00:50:13,480
Speaker 1: the trailer that is always my favorite thing when I

1000
00:50:13,520 --> 00:50:15,920
Speaker 1: go watch something in theaters and they say the name

1001
00:50:15,960 --> 00:50:18,800
Speaker 1: of the movie, they already said it in the trailer.

1002
00:50:19,080 --> 00:50:21,920
Speaker 1: I will also give bonus points to the fact that

1003
00:50:21,920 --> 00:50:25,520
Speaker 1: they have great names, Bronco and Sid. I think there

1004
00:50:25,560 --> 00:50:29,320
Speaker 1: is a loss art of giving characters memorable names where

1005
00:50:29,880 --> 00:50:32,239
Speaker 1: they could easily just be Hank and Tom and you

1006
00:50:32,280 --> 00:50:34,280
Speaker 1: would be like, Oh, it's that movie with Hank and Tom.

1007
00:50:34,440 --> 00:50:37,080
Speaker 1: But that is so unmemorable, especially when it comes to

1008
00:50:37,120 --> 00:50:39,439
Speaker 1: action movies. When you think about some of the most

1009
00:50:39,440 --> 00:50:43,200
Speaker 1: famous action characters, like a John McClain from die Hard,

1010
00:50:43,280 --> 00:50:46,640
Speaker 1: you remember that name. You remember John McClain, a name

1011
00:50:46,760 --> 00:50:49,880
Speaker 1: like Bronco and Sid. I don't think I'm going to forget,

1012
00:50:50,000 --> 00:50:51,560
Speaker 1: And after watching this movie, I want to be like,

1013
00:50:51,600 --> 00:50:53,960
Speaker 1: that was a cool story about Bronco and Sid because

1014
00:50:54,000 --> 00:50:57,520
Speaker 1: those are two memorable characters. So bonus points there, and

1015
00:50:57,640 --> 00:51:01,600
Speaker 1: bonus points for putting two actors on a screen that

1016
00:51:01,680 --> 00:51:04,319
Speaker 1: I didn't know would it looks so good together. Two

1017
00:51:04,360 --> 00:51:08,160
Speaker 1: actors who compliment and contrast each other in the best way.

1018
00:51:08,640 --> 00:51:11,840
Speaker 1: They were both recently and two other Guy Ritchie films.

1019
00:51:12,200 --> 00:51:14,600
Speaker 1: Jake Gillenhall was in the Covenant in twenty twenty three,

1020
00:51:14,640 --> 00:51:18,240
Speaker 1: which was solid, and Henry cavill was in the Ministry

1021
00:51:18,280 --> 00:51:20,560
Speaker 1: of Ungentlemanly Warfare, which is a title that is a

1022
00:51:20,560 --> 00:51:22,279
Speaker 1: bit of a mouthful that came out in twenty twenty

1023
00:51:22,320 --> 00:51:26,800
Speaker 1: four that I felt was an underappreciated film. Really great story,

1024
00:51:26,920 --> 00:51:29,719
Speaker 1: really great cast. It looked amazing all the scenes they

1025
00:51:29,760 --> 00:51:32,480
Speaker 1: had out on the water. Water is so blue. I

1026
00:51:32,560 --> 00:51:34,480
Speaker 1: don't care if it would kill me. I wanted to

1027
00:51:34,600 --> 00:51:36,640
Speaker 1: leap into the screen and drink it because it looks

1028
00:51:36,680 --> 00:51:40,520
Speaker 1: so delicious. But that movie also starred Alan Richson, who

1029
00:51:40,560 --> 00:51:45,160
Speaker 1: I just watched in War Machine on Netflix, which talking

1030
00:51:45,160 --> 00:51:49,120
Speaker 1: about really solid action movies and talking about really bad

1031
00:51:49,160 --> 00:51:53,640
Speaker 1: action movies. That movie was atrocious, and it was weird

1032
00:51:54,160 --> 00:51:56,480
Speaker 1: that while I was watching war Machine, before I even

1033
00:51:56,520 --> 00:51:58,960
Speaker 1: knew this trailer was going to drop, I immediately went

1034
00:51:59,000 --> 00:52:01,759
Speaker 1: back to Alan Richsion in that movie, and he was

1035
00:52:01,840 --> 00:52:04,799
Speaker 1: so good in that where he played this guy who

1036
00:52:04,880 --> 00:52:07,839
Speaker 1: was a little bit more on the quiet side, but

1037
00:52:07,920 --> 00:52:10,080
Speaker 1: really good at his job because he was so huge

1038
00:52:10,520 --> 00:52:14,200
Speaker 1: and a big, massive muscle. But then I watched him

1039
00:52:14,200 --> 00:52:16,560
Speaker 1: in War Machine and I thought, man, this movie just

1040
00:52:16,600 --> 00:52:21,320
Speaker 1: does not work. It was so predictable, especially in the beginning,

1041
00:52:21,360 --> 00:52:23,920
Speaker 1: and I'm getting a little bit tired on the Netflix

1042
00:52:24,000 --> 00:52:26,799
Speaker 1: formula of trying to suck you in within those first

1043
00:52:26,840 --> 00:52:30,120
Speaker 1: five minutes with a big action scene that I'm starting

1044
00:52:30,120 --> 00:52:33,439
Speaker 1: to feel is just added in there in a very

1045
00:52:33,480 --> 00:52:37,320
Speaker 1: formulaic process to keep you to continue watching on Netflix,

1046
00:52:37,680 --> 00:52:40,919
Speaker 1: rather than it impacting the story in a positive way.

1047
00:52:41,400 --> 00:52:44,160
Speaker 1: But very rarely do I watch a movie that is

1048
00:52:44,200 --> 00:52:47,960
Speaker 1: made worse with aliens. Not even aliens could say in

1049
00:52:47,960 --> 00:52:51,120
Speaker 1: that movie because it was such a generic story, port acting,

1050
00:52:51,239 --> 00:52:54,520
Speaker 1: bad special effects. And I like Alan Richson. I think

1051
00:52:54,560 --> 00:52:56,880
Speaker 1: he is a good actor. He looks the part. I

1052
00:52:56,880 --> 00:52:59,480
Speaker 1: would watch a movie just because he is a spectacle

1053
00:52:59,520 --> 00:53:02,160
Speaker 1: to look at on his own. But that was a

1054
00:53:02,200 --> 00:53:05,640
Speaker 1: really tough watch on Netflix and proves to me that

1055
00:53:05,760 --> 00:53:08,719
Speaker 1: action is not just the easiest genre to do where

1056
00:53:08,719 --> 00:53:11,200
Speaker 1: you think, oh, yeah, you just have this guy and

1057
00:53:11,239 --> 00:53:12,880
Speaker 1: he's going to go through a lot of explosions. The

1058
00:53:12,960 --> 00:53:16,239
Speaker 1: explosions look so weak in that movie. It is a

1059
00:53:16,320 --> 00:53:19,400
Speaker 1: reminder you also have to create some characters that you

1060
00:53:19,480 --> 00:53:22,520
Speaker 1: care about. They can't be flat and two dimensional, and

1061
00:53:22,560 --> 00:53:26,560
Speaker 1: that is what you get in a Guy Ritchie movie. Now,

1062
00:53:26,560 --> 00:53:30,799
Speaker 1: they are nothing that is going to revolutionize the genre itself.

1063
00:53:31,239 --> 00:53:35,040
Speaker 1: But it's kind of like Chipotle, where I'm never super

1064
00:53:35,200 --> 00:53:37,879
Speaker 1: excited to go to Chipotle. I usually just eat it

1065
00:53:37,920 --> 00:53:40,239
Speaker 1: when I'm on a trip or when I'm out of

1066
00:53:40,239 --> 00:53:42,600
Speaker 1: my element. But if I see Chipotle, I'm like, ah, yes,

1067
00:53:42,680 --> 00:53:45,400
Speaker 1: I know I can go there get a solid meal.

1068
00:53:45,719 --> 00:53:48,799
Speaker 1: Chipotle isn't necessarily a place that I would go have

1069
00:53:48,880 --> 00:53:52,279
Speaker 1: my birthday dinner at, but when it hits right, it

1070
00:53:52,400 --> 00:53:56,560
Speaker 1: is perfect. It is never bad. It is always just solid,

1071
00:53:56,680 --> 00:53:58,600
Speaker 1: never really going to WOWU in a way of like,

1072
00:53:58,600 --> 00:54:02,320
Speaker 1: oh man, that was so good lunch, but it comes

1073
00:54:02,480 --> 00:54:07,400
Speaker 1: in clutch. Guy Ritchie is the Chipotle of directors. He

1074
00:54:07,520 --> 00:54:11,200
Speaker 1: is dependable, he is solid, he is tasty, and you

1075
00:54:11,320 --> 00:54:13,840
Speaker 1: know you are gonna get a quality product when you

1076
00:54:13,880 --> 00:54:16,239
Speaker 1: sit down to watch his movie, much like you know

1077
00:54:16,280 --> 00:54:18,239
Speaker 1: you're going to get a quality product when you sit

1078
00:54:18,280 --> 00:54:20,920
Speaker 1: down to eat your Chipotle. Even if they skimp on

1079
00:54:21,000 --> 00:54:22,680
Speaker 1: the beans and the meat a little bit. I don't

1080
00:54:22,680 --> 00:54:24,719
Speaker 1: get meat, but the veggie. Sometimes they're like, ah, I

1081
00:54:24,800 --> 00:54:26,720
Speaker 1: gotta get a little bit more of that. And according

1082
00:54:26,719 --> 00:54:28,160
Speaker 1: to the CEO, if you just kind of give them

1083
00:54:28,200 --> 00:54:30,719
Speaker 1: that little grimace and threaten them a little bit, they'll

1084
00:54:30,719 --> 00:54:33,800
Speaker 1: give you more but aside from that, you were always

1085
00:54:34,000 --> 00:54:37,520
Speaker 1: getting a solid product. Because I felt that way about

1086
00:54:37,560 --> 00:54:39,960
Speaker 1: The Covenant, I felt that way about the ministry of

1087
00:54:40,040 --> 00:54:46,080
Speaker 1: ungentlemanly warfare, so hopefully that will translate into In the Gray.

1088
00:54:46,400 --> 00:54:48,520
Speaker 1: Jake Gyllenhome was also just in The Bride. Had a

1089
00:54:48,560 --> 00:54:50,520
Speaker 1: bit of a smaller role, not a major role, so

1090
00:54:50,560 --> 00:54:53,239
Speaker 1: I didn't even mention him much in the review of

1091
00:54:53,280 --> 00:54:56,439
Speaker 1: that movie last week. But I think if you look

1092
00:54:56,440 --> 00:54:59,839
Speaker 1: at actors who have been working steadily for the last

1093
00:55:00,000 --> 00:55:04,600
Speaker 1: twenty years, Jake Gillenholme, I don't want to calm underrated,

1094
00:55:05,280 --> 00:55:07,520
Speaker 1: but he is somebody who can really do it all.

1095
00:55:07,560 --> 00:55:11,200
Speaker 1: I think he is just so incredibly likable, especially seeing

1096
00:55:11,239 --> 00:55:13,560
Speaker 1: the behind the scenes of him and Julianne Huff working

1097
00:55:13,600 --> 00:55:16,440
Speaker 1: on their dance, which I kind of forgot she was

1098
00:55:16,480 --> 00:55:19,080
Speaker 1: in that movie even during the scene, maybe because I

1099
00:55:19,120 --> 00:55:21,319
Speaker 1: was so focused on him, I forgot that was her

1100
00:55:21,360 --> 00:55:24,360
Speaker 1: and how good of a dancer she is, obviously, but

1101
00:55:24,440 --> 00:55:27,200
Speaker 1: seeing the behind the scenes of them working together on

1102
00:55:27,320 --> 00:55:30,960
Speaker 1: that dance number and you realize he just has chemistry

1103
00:55:31,320 --> 00:55:34,520
Speaker 1: with everybody, and that is really hard to do, which

1104
00:55:34,560 --> 00:55:37,319
Speaker 1: is what you look for in your leading actor. They

1105
00:55:37,360 --> 00:55:40,360
Speaker 1: need to be able to connect with whoever is starring

1106
00:55:40,400 --> 00:55:44,200
Speaker 1: across from them and be able to sell that. And

1107
00:55:44,239 --> 00:55:46,720
Speaker 1: I know that they are in no way a couple,

1108
00:55:47,200 --> 00:55:49,920
Speaker 1: but just watching that behind the scenes, I'm like, oh, man,

1109
00:55:50,120 --> 00:55:52,839
Speaker 1: they are definitely hooking up or something. That is how

1110
00:55:52,840 --> 00:55:55,040
Speaker 1: good she is at her job, and that is how

1111
00:55:55,120 --> 00:55:58,200
Speaker 1: good he is at his job. You don't have that

1112
00:55:58,320 --> 00:56:00,840
Speaker 1: long of a career if you can't do that. And

1113
00:56:00,880 --> 00:56:03,640
Speaker 1: I've been watching him in movies as far back as

1114
00:56:03,680 --> 00:56:06,040
Speaker 1: I can remember, all the way back to October Sky,

1115
00:56:06,600 --> 00:56:09,759
Speaker 1: where I don't know why I've never considered him to

1116
00:56:09,840 --> 00:56:12,719
Speaker 1: be one of my top ten or at least top

1117
00:56:12,760 --> 00:56:15,880
Speaker 1: fifteen actors When people ask me who are your favorite actors?

1118
00:56:16,560 --> 00:56:20,240
Speaker 1: For some reason, maybe unfairly, I never go to Jake Gillenhall,

1119
00:56:20,280 --> 00:56:22,560
Speaker 1: But I think about movies like October Sky, like I

1120
00:56:22,600 --> 00:56:25,640
Speaker 1: just mentioned Donnie Darko, even his most recent work from

1121
00:56:25,680 --> 00:56:29,000
Speaker 1: Spider Man to Ambulance, which was another good action movie

1122
00:56:29,280 --> 00:56:32,080
Speaker 1: that also features some of the casts of that in

1123
00:56:32,120 --> 00:56:35,040
Speaker 1: this movie in the Gray. Now, he has been consistent

1124
00:56:35,160 --> 00:56:37,960
Speaker 1: for decades now, and I know I'm always gonna have

1125
00:56:38,000 --> 00:56:40,520
Speaker 1: at least a three point five out of five experience

1126
00:56:40,520 --> 00:56:42,880
Speaker 1: if I go see a Jake Gillenhall movie in theaters.

1127
00:56:43,120 --> 00:56:46,640
Speaker 1: The movie also stars Isa Gonzalez, who I love representation

1128
00:56:46,760 --> 00:56:49,799
Speaker 1: of Mexican actors in movies. She was also in the

1129
00:56:49,800 --> 00:56:53,000
Speaker 1: Ministry of Ungentlemanly Warfare. She was also in that movie

1130
00:56:53,000 --> 00:56:56,040
Speaker 1: I just mentioned with Jake Jillen Hall, Ambulance, Godzilla Versus

1131
00:56:56,160 --> 00:56:59,560
Speaker 1: kong I, Caro Lot and Baby Driver. She seems to

1132
00:56:59,600 --> 00:57:03,360
Speaker 1: be the person and responsible for hiring out Bronco and Sid.

1133
00:57:03,680 --> 00:57:07,000
Speaker 1: This movie will feature their characters going into the Bad

1134
00:57:07,040 --> 00:57:10,480
Speaker 1: Guys Layer invading a private island with their own militia.

1135
00:57:10,880 --> 00:57:12,920
Speaker 1: It looks like towards the end of this trailer you

1136
00:57:12,960 --> 00:57:15,440
Speaker 1: see them on the island going down a zip tie,

1137
00:57:15,520 --> 00:57:18,840
Speaker 1: basically telling their people here's what you do in order

1138
00:57:18,880 --> 00:57:21,000
Speaker 1: to not get hurt and crush your body. It looks

1139
00:57:21,080 --> 00:57:25,960
Speaker 1: jam packed with fast cars, automatic weapons, explosives, everything I

1140
00:57:26,040 --> 00:57:29,240
Speaker 1: have come to expect from a Guy Ritchie movie. So

1141
00:57:29,400 --> 00:57:31,320
Speaker 1: is it going to be the best movie of the year.

1142
00:57:31,600 --> 00:57:33,720
Speaker 1: I don't think so. Will it even be the best

1143
00:57:33,800 --> 00:57:36,640
Speaker 1: action movie of the year. I don't think that either.

1144
00:57:37,000 --> 00:57:38,680
Speaker 1: But I know what I'm gonna get is a high

1145
00:57:38,800 --> 00:57:42,439
Speaker 1: level of entertainment, fun action. So for that reason, I'm

1146
00:57:42,480 --> 00:57:45,080
Speaker 1: all in for In the Gray coming out in theaters

1147
00:57:45,120 --> 00:57:47,880
Speaker 1: on May fifteenth, And that was.

1148
00:57:47,880 --> 00:57:56,640
Speaker 2: This week's edition of Movie Mikes Trailer Bars.

1149
00:57:53,840 --> 00:57:56,160
Speaker 1: And that is going to do it for another episode

1150
00:57:56,200 --> 00:57:58,479
Speaker 1: here of the podcast. But before I go, I gotta

1151
00:57:58,480 --> 00:58:01,600
Speaker 1: get my listeners shout out of the this week, I'm

1152
00:58:01,640 --> 00:58:04,880
Speaker 1: going over to TikTok, which is just at Mike Distro.

1153
00:58:05,240 --> 00:58:07,480
Speaker 1: You can always find all the links to my socials

1154
00:58:07,480 --> 00:58:10,560
Speaker 1: in the episode notes, but I am shouting out Kim Grant,

1155
00:58:10,640 --> 00:58:13,080
Speaker 1: who said, in response to my Hopper's clip that I

1156
00:58:13,120 --> 00:58:15,840
Speaker 1: posted over there, I can't wait to see it. Thanks

1157
00:58:15,880 --> 00:58:18,720
Speaker 1: for the review. Also, when are they gonna stop making

1158
00:58:18,760 --> 00:58:21,360
Speaker 1: toy story movies? Aren't there enough? Thank you Kim for

1159
00:58:21,440 --> 00:58:25,160
Speaker 1: that comment. Hopefully you do go watch Hoppers. Which sometimes

1160
00:58:25,200 --> 00:58:27,720
Speaker 1: when I am really excited about a movie and I

1161
00:58:27,840 --> 00:58:29,880
Speaker 1: post about it, I dubbed that movie to be the

1162
00:58:29,880 --> 00:58:33,080
Speaker 1: best Pixar movie of the decade. Oftentimes, when I make

1163
00:58:33,080 --> 00:58:34,800
Speaker 1: a claim like that, I am met with a lot

1164
00:58:34,840 --> 00:58:38,080
Speaker 1: of pushback of people saying, you thought this movie was great?

1165
00:58:38,720 --> 00:58:42,600
Speaker 1: What an idiot, It's not better than Inside Out to you,

1166
00:58:42,600 --> 00:58:46,520
Speaker 1: you suck stop doing your podcast. I am always anticipating

1167
00:58:46,840 --> 00:58:49,840
Speaker 1: that feedback but for the first time in a while,

1168
00:58:50,800 --> 00:58:54,560
Speaker 1: my level of excitement was met with that same level

1169
00:58:54,680 --> 00:58:57,320
Speaker 1: of excitement of people who went to go see it

1170
00:58:57,600 --> 00:58:59,560
Speaker 1: and felt the same way about it that I did.

1171
00:59:00,520 --> 00:59:05,000
Speaker 1: Unexpectedly going through some emotional stages after watching it had

1172
00:59:05,040 --> 00:59:08,080
Speaker 1: some lass. So I really think this is one of

1173
00:59:08,080 --> 00:59:12,360
Speaker 1: those movies that most everybody can agree on that it

1174
00:59:12,400 --> 00:59:14,640
Speaker 1: is one of the best Pixar movies in a very

1175
00:59:15,040 --> 00:59:19,280
Speaker 1: long time. Both adults and kids, I feel have that

1176
00:59:19,360 --> 00:59:22,720
Speaker 1: sentiment about this movie. So, Kim, I hope that you

1177
00:59:22,760 --> 00:59:25,240
Speaker 1: don't go watch it and think, man, that movie was overhyped.

1178
00:59:25,520 --> 00:59:27,520
Speaker 1: As for the second part of your comment, Kim, I

1179
00:59:27,560 --> 00:59:29,840
Speaker 1: don't think they are ever going to stop making toy

1180
00:59:29,880 --> 00:59:32,760
Speaker 1: story movies. They should have stopped it three. But when

1181
00:59:32,800 --> 00:59:35,560
Speaker 1: you're Disney and you are in the business of making

1182
00:59:35,680 --> 00:59:40,160
Speaker 1: billion dollar movies and you have this megafranchise on your hands,

1183
00:59:40,360 --> 00:59:43,240
Speaker 1: you're never gonna let it go. I think eventually, maybe

1184
00:59:43,280 --> 00:59:47,160
Speaker 1: after this one, we see the end of these characters

1185
00:59:47,240 --> 00:59:50,040
Speaker 1: where maybe Tom Hanks and Tim Allen don't want to

1186
00:59:50,080 --> 00:59:53,080
Speaker 1: do it anymore, or maybe we get a six and

1187
00:59:53,120 --> 00:59:55,400
Speaker 1: then they eventually get to that point where some of

1188
00:59:55,440 --> 00:59:58,520
Speaker 1: the people start retiring. But I don't think that means

1189
00:59:58,960 --> 01:00:02,240
Speaker 1: Disney will end toy story. Pixar will just create some

1190
01:00:02,360 --> 01:00:05,320
Speaker 1: new characters and we'll go on with a whole new

1191
01:00:05,320 --> 01:00:08,680
Speaker 1: toy story. Forget about Woody, forget about Buzz. You have

1192
01:00:08,720 --> 01:00:11,920
Speaker 1: a whole new set of characters, maybe even change the decade.

1193
01:00:12,160 --> 01:00:14,040
Speaker 1: And sadly, that is just the name of the game

1194
01:00:14,080 --> 01:00:18,160
Speaker 1: in Hollywood. When you have an ip this lucrative, you

1195
01:00:18,280 --> 01:00:21,200
Speaker 1: don't really let it go. So Kim appreciate that comment.

1196
01:00:21,280 --> 01:00:23,360
Speaker 1: Hope you go and watch it and enjoy that movie. And

1197
01:00:23,400 --> 01:00:26,680
Speaker 1: to anybody else listening who still hasn't seen Hoppers, still

1198
01:00:26,920 --> 01:00:29,840
Speaker 1: highly recommended, writing off the hype of that movie. Still,

1199
01:00:29,960 --> 01:00:32,360
Speaker 1: it is a great time to go to the movies

1200
01:00:32,440 --> 01:00:34,360
Speaker 1: right now. And I'm not just saying that because I

1201
01:00:34,440 --> 01:00:36,360
Speaker 1: do it every single week and have a movie podcast.

1202
01:00:36,400 --> 01:00:39,520
Speaker 1: So thank you for being here, thank you for being subscribed.

1203
01:00:39,720 --> 01:00:42,920
Speaker 1: You can watch spoiler Free move reviews individually on my

1204
01:00:43,000 --> 01:00:46,720
Speaker 1: YouTube channel YouTube dot com slash Mike dstro And until

1205
01:00:46,800 --> 01:00:49,480
Speaker 1: next time, go out and watch good movies and I

1206
01:00:49,520 --> 01:00:51,120
Speaker 1: will talk to you later.