1
00:00:01,280 --> 00:00:01,880
Speaker 1: The volume.

2
00:00:05,280 --> 00:00:08,799
Speaker 2: As I woke up today, Nicki Minaj's versus Dez Bryant happened.

3
00:00:10,680 --> 00:00:12,000
Speaker 2: I don't even think they're trying to hide.

4
00:00:11,840 --> 00:00:14,320
Speaker 3: The simulation from us anymore. What has happened?

5
00:00:14,360 --> 00:00:17,520
Speaker 2: The confusion I had in traffic of how this even began.

6
00:00:17,320 --> 00:00:20,000
Speaker 3: Like we are putting so many sentences together these days

7
00:00:20,000 --> 00:00:22,639
Speaker 3: that I never thought we would hear putting so many

8
00:00:22,680 --> 00:00:25,040
Speaker 3: people together that I thought we would nervous, Like, what

9
00:00:25,160 --> 00:00:28,520
Speaker 3: is going on? How's happening? Because y'all, you know, I

10
00:00:28,560 --> 00:00:30,240
Speaker 3: get a lot of the news and the current shit

11
00:00:30,240 --> 00:00:32,600
Speaker 3: from y'all when I come here. What is happening with

12
00:00:33,000 --> 00:00:34,680
Speaker 3: Dez Bryant and Nicki?

13
00:00:34,880 --> 00:00:38,320
Speaker 2: Well, the first thing I saw, I got, like I

14
00:00:38,400 --> 00:00:41,199
Speaker 2: was in round six, is when I've realized anything was

15
00:00:41,240 --> 00:00:46,600
Speaker 2: even happening. When I saw Nicki offer up her husband

16
00:00:48,200 --> 00:00:52,360
Speaker 2: to fight an NFL player. Do you think she consulted

17
00:00:52,400 --> 00:00:55,080
Speaker 2: with with her husband before that? Wait, she did what

18
00:00:55,240 --> 00:00:57,640
Speaker 2: she said, she would get ten million dollars so that

19
00:00:58,440 --> 00:01:02,280
Speaker 2: des Bryant and her husband can fight. And I'm not saying,

20
00:01:03,640 --> 00:01:07,000
Speaker 2: you know, Kenny is not who he is, or not

21
00:01:07,040 --> 00:01:09,360
Speaker 2: where he's from, or not the past that he has.

22
00:01:09,560 --> 00:01:13,800
Speaker 2: I'm just saying des Brian is des Brian, don't offer.

23
00:01:13,880 --> 00:01:18,240
Speaker 2: I don't care my wife, my girl, demeris anybody do

24
00:01:18,440 --> 00:01:20,520
Speaker 2: never never offer me to fight des Bryan.

25
00:01:23,120 --> 00:01:27,039
Speaker 3: Do not do that. But imagine, imagine you sleep and

26
00:01:27,080 --> 00:01:29,160
Speaker 3: your wife is another room doing that, and then you

27
00:01:29,200 --> 00:01:31,920
Speaker 3: wake up to seeing that you gotta fight a NFL player.

28
00:01:32,120 --> 00:01:35,920
Speaker 3: Wait what happened? Which just happened? But what is all

29
00:01:35,920 --> 00:01:36,560
Speaker 3: of the stimming from?

30
00:01:36,680 --> 00:01:36,840
Speaker 4: Is it?

31
00:01:36,920 --> 00:01:39,120
Speaker 3: Like? So I had to go back. I'm like, I'm

32
00:01:39,160 --> 00:01:42,120
Speaker 3: completely lost, Like how did we even get to Deaz

33
00:01:42,200 --> 00:01:43,880
Speaker 3: and Nikki even having a conversation.

34
00:01:45,240 --> 00:01:48,440
Speaker 2: I thought she was still talking about Dez from frog Nation.

35
00:01:50,400 --> 00:01:52,480
Speaker 2: Then I got really confied, like, wait, this is des Bryant.

36
00:01:52,520 --> 00:01:57,960
Speaker 3: It's up for ever for any days? Is you know,

37
00:01:58,040 --> 00:02:03,440
Speaker 3: Nikky going at any deaths? But wait, is that part

38
00:02:03,480 --> 00:02:06,600
Speaker 3: of it? Like maybe he thought that she says something

39
00:02:06,640 --> 00:02:07,320
Speaker 3: by him or so?

40
00:02:07,320 --> 00:02:09,040
Speaker 5: So I went back right before we started recording.

41
00:02:09,600 --> 00:02:13,919
Speaker 2: So initially there was something about Jerry Jones and des

42
00:02:14,000 --> 00:02:20,239
Speaker 2: Bryant's contract where Hole negotiated that deal without being like

43
00:02:20,280 --> 00:02:23,440
Speaker 2: a licensed NFL agent at the time, so it caused

44
00:02:23,480 --> 00:02:24,400
Speaker 2: controversy or whatever.

45
00:02:24,639 --> 00:02:28,600
Speaker 3: So then Dez like just I don't know, commented on it.

46
00:02:28,760 --> 00:02:31,080
Speaker 2: And then Nicki, who has been on her tirade with

47
00:02:31,200 --> 00:02:34,880
Speaker 2: rock Nation, saw this and obviously wanted to take advantage

48
00:02:34,919 --> 00:02:36,519
Speaker 2: of any Rock Nation slander.

49
00:02:36,639 --> 00:02:38,560
Speaker 5: Okay, she says, does anyone want to play a game?

50
00:02:38,960 --> 00:02:42,280
Speaker 2: And then Des Bryant innocently was like, I love games,

51
00:02:42,960 --> 00:02:45,600
Speaker 2: not knowing that this was about to talk about child rape,

52
00:02:46,280 --> 00:02:48,320
Speaker 2: offering ten million dollar bounties for fights.

53
00:02:48,919 --> 00:02:51,560
Speaker 3: Like I think he thought it was just going to

54
00:02:51,639 --> 00:02:52,080
Speaker 3: be a game.

55
00:02:52,320 --> 00:02:56,560
Speaker 2: Okay, NICKI thought otherwise, and then Des said, get to

56
00:02:56,600 --> 00:02:57,480
Speaker 2: ten million in cash.

57
00:02:57,520 --> 00:02:59,760
Speaker 5: I'm ready now, well.

58
00:02:59,639 --> 00:03:02,720
Speaker 3: We know, well it's safe to say that Dez is ready.

59
00:03:03,040 --> 00:03:05,520
Speaker 3: Now he's probably still in that. He doesn't play anymore,

60
00:03:05,560 --> 00:03:07,640
Speaker 3: does he not? Okay, so he's probably still you know,

61
00:03:07,639 --> 00:03:08,799
Speaker 3: he still has a workout regimen.

62
00:03:08,800 --> 00:03:13,120
Speaker 5: I'm sure Jaz Bryant is like up there with Cam Newton.

63
00:03:13,160 --> 00:03:15,400
Speaker 2: It is like one of the most athletic people I've

64
00:03:15,400 --> 00:03:18,079
Speaker 2: ever seen in my life. Like, I don't care if

65
00:03:18,080 --> 00:03:20,480
Speaker 2: he's never thrown a punch. You're still going to have

66
00:03:20,480 --> 00:03:24,799
Speaker 2: trouble with Debro. Absolutely, Yes, that is a fucking monster. Yes,

67
00:03:24,960 --> 00:03:28,160
Speaker 2: but this is just so. But how again you explained

68
00:03:28,200 --> 00:03:29,320
Speaker 2: everything and I'm still confused?

69
00:03:29,520 --> 00:03:31,160
Speaker 3: Oh no, I didn't say it made sense. I was

70
00:03:31,200 --> 00:03:34,240
Speaker 3: just telling you because I'm still like, how did we

71
00:03:34,280 --> 00:03:37,560
Speaker 3: get here? Though? Like, what is going on? Why is

72
00:03:37,640 --> 00:03:42,600
Speaker 3: everybody like? What is everybody's upset? Everybody's mad, everybody's are like,

73
00:03:42,600 --> 00:03:44,520
Speaker 3: what is going on in the world? Like I thought

74
00:03:44,560 --> 00:03:48,200
Speaker 3: everybody was supposed to be happy, healthy and just chill.

75
00:03:48,480 --> 00:03:49,400
Speaker 6: How would you think that?

76
00:03:50,240 --> 00:03:53,200
Speaker 3: I mean, because that's just the best way to be

77
00:03:53,600 --> 00:03:58,160
Speaker 3: in my room, everybody just mind your business. Yeah, man,

78
00:03:58,200 --> 00:03:58,640
Speaker 3: I don't know.

79
00:03:59,040 --> 00:04:02,840
Speaker 2: I don't know, imittedly don't know too much about either cases.

80
00:04:02,920 --> 00:04:06,640
Speaker 2: I just don't understand how a Jerry Jones and jay

81
00:04:06,720 --> 00:04:11,520
Speaker 2: Z negotiation ten years ago led to me finding out

82
00:04:11,640 --> 00:04:16,080
Speaker 2: that des Bryant allegedly beat up his mother, and I

83
00:04:16,160 --> 00:04:20,039
Speaker 2: found out even more about the alleged rapist activities of

84
00:04:20,240 --> 00:04:24,200
Speaker 2: the Minaje family. You're learning things about Nikki's brother, her dad,

85
00:04:24,240 --> 00:04:26,160
Speaker 2: Like why is des Bryant telling me this?

86
00:04:26,680 --> 00:04:28,680
Speaker 3: Yeah, but I don't think. I don't think Dez beat

87
00:04:28,680 --> 00:04:31,280
Speaker 3: his mom up. I think he his mom was abusing.

88
00:04:31,000 --> 00:04:33,719
Speaker 2: Him, saying all alleged fans on both sides. I'm admitting

89
00:04:33,800 --> 00:04:34,960
Speaker 2: I didn't even want to look.

90
00:04:34,800 --> 00:04:35,520
Speaker 3: Further into him.

91
00:04:35,560 --> 00:04:37,760
Speaker 2: Yeah, I was sitting there wondering why it was even

92
00:04:37,760 --> 00:04:40,480
Speaker 2: being talked about when all we were talking about before

93
00:04:40,880 --> 00:04:44,200
Speaker 2: was Jerry Jones and Juan making a deal.

94
00:04:44,480 --> 00:04:47,640
Speaker 3: Yeah, I mean, listen, man, I again, nothing surprises me,

95
00:04:47,680 --> 00:04:50,160
Speaker 3: but this one is close as close to being surprising

96
00:04:50,240 --> 00:04:52,800
Speaker 3: as it gets. Like, I never thought I would come

97
00:04:52,800 --> 00:04:55,080
Speaker 3: in here and hear that Nicki Minaj and Desbriant are

98
00:04:55,279 --> 00:04:59,520
Speaker 3: negotiating a ten million dollar fight, Like, I just never

99
00:04:59,600 --> 00:05:02,000
Speaker 3: thought that would be a part of our talking points.

100
00:05:02,000 --> 00:05:04,400
Speaker 3: But I don't know, man, I don't know what's going

101
00:05:04,440 --> 00:05:06,640
Speaker 3: on with people. I think everybody just needs to relax,

102
00:05:07,080 --> 00:05:11,120
Speaker 3: you know, just just just chill, be happy. Life is beautiful.

103
00:05:11,560 --> 00:05:13,600
Speaker 3: We cause a lot of issues that don't need to

104
00:05:13,600 --> 00:05:16,120
Speaker 3: be caused, and we don't, you know, need to go

105
00:05:16,120 --> 00:05:18,880
Speaker 3: down certain paths, but you know, it is what it is.

106
00:05:18,920 --> 00:05:21,120
Speaker 2: But I feel like they needed to respect the audience

107
00:05:21,120 --> 00:05:22,440
Speaker 2: a little bit more in this one, because I was

108
00:05:22,440 --> 00:05:25,200
Speaker 2: still trying to figure out how Johnny Manziel and Gilly

109
00:05:25,240 --> 00:05:28,520
Speaker 2: were beefing. I wasn't even ready for Nicky Well. I

110
00:05:28,560 --> 00:05:30,360
Speaker 2: was still trying to figure out that one.

111
00:05:30,440 --> 00:05:32,720
Speaker 3: Yeah, I didn't understand that either. Johnny just jumped in that.

112
00:05:32,800 --> 00:05:34,560
Speaker 3: I think he just was like Yo, I'm gonna slap

113
00:05:34,600 --> 00:05:36,680
Speaker 3: the shit out here, just like I was, just like

114
00:05:36,839 --> 00:05:39,760
Speaker 3: whoa like Johnny wit it that that just came out

115
00:05:39,800 --> 00:05:40,720
Speaker 3: of you came in.

116
00:05:40,720 --> 00:05:44,120
Speaker 2: Hot because the Cam Newton and Gilly, I wouldn't call

117
00:05:44,200 --> 00:05:46,600
Speaker 2: it a beef, but they're war of words back and forth.

118
00:05:47,880 --> 00:05:48,480
Speaker 3: That's funny.

119
00:05:48,600 --> 00:05:50,800
Speaker 2: Like I mean, it hasn't gotten, in my opinion, that

120
00:05:50,960 --> 00:05:53,880
Speaker 2: serious from what I've seen, It's been kind of playful

121
00:05:53,920 --> 00:05:55,719
Speaker 2: slash serious banter back and forth.

122
00:05:55,839 --> 00:05:59,000
Speaker 5: Yeah, I thought Cam's response was hilarious.

123
00:05:59,040 --> 00:06:03,200
Speaker 2: I just then when mister football, fucking mister Ohio just

124
00:06:03,240 --> 00:06:05,080
Speaker 2: comes out of left field and it's like y'all slapped

125
00:06:05,080 --> 00:06:07,600
Speaker 2: the ship out of Gilly, Like, wait, that has to

126
00:06:07,600 --> 00:06:10,400
Speaker 2: be a fake Johnny Manziel count No, that no account

127
00:06:10,440 --> 00:06:11,560
Speaker 2: what the fuck is going on in the world.

128
00:06:11,600 --> 00:06:13,280
Speaker 3: I don't know, man, he says, Yo, Gilly the kid,

129
00:06:13,279 --> 00:06:15,080
Speaker 3: you may be the biggest fucking lose on the planet

130
00:06:15,120 --> 00:06:17,200
Speaker 3: talking like you've fucking done anything on the football field.

131
00:06:17,400 --> 00:06:19,039
Speaker 3: If I see you, just know I'm gonna slap the

132
00:06:19,040 --> 00:06:21,400
Speaker 3: fuck out of you. Trust shout out to thirty eight Special.

133
00:06:21,640 --> 00:06:26,240
Speaker 3: But I don't know if I'm as surprised as that Johnny.

134
00:06:27,040 --> 00:06:28,840
Speaker 3: I didn't look up. I thought he really said, shout

135
00:06:28,839 --> 00:06:32,360
Speaker 3: out to thirty eight special. No, but he said, mister

136
00:06:32,400 --> 00:06:34,560
Speaker 3: thirty eight spress shout but he said, trust you know

137
00:06:34,640 --> 00:06:36,479
Speaker 3: that's that's that's thirty eight special Ship. So you know,

138
00:06:36,480 --> 00:06:40,080
Speaker 3: shout out the spech. Yeah, this one, this one doesn't

139
00:06:40,160 --> 00:06:42,840
Speaker 3: really surprise me because you know, Johnny is a he's

140
00:06:42,880 --> 00:06:44,800
Speaker 3: a wild boy man. So I don't you know, he's

141
00:06:44,800 --> 00:06:48,120
Speaker 3: sticking up with his his I guess his NFL counterpart

142
00:06:49,560 --> 00:06:51,640
Speaker 3: in that regard, right, he's sticking up for Cam Newton,

143
00:06:51,680 --> 00:06:54,600
Speaker 3: Like yo, listen, don't disrespect Cam. Cam is a great athlete,

144
00:06:54,600 --> 00:06:58,040
Speaker 3: great quarterback. You know, stop trying to talk. Stop talking

145
00:06:58,080 --> 00:06:59,480
Speaker 3: shit about him. Stop shit, and you can kind of

146
00:06:59,480 --> 00:07:00,400
Speaker 3: see why he can.

147
00:07:00,520 --> 00:07:03,200
Speaker 2: Oh no, no, I get you know that Heisman community,

148
00:07:03,240 --> 00:07:04,520
Speaker 2: I'm sure they always look out for you.

149
00:07:04,600 --> 00:07:07,160
Speaker 3: It's a fraternity, you know. Think about that.

150
00:07:09,400 --> 00:07:11,440
Speaker 2: If one of my friend Ross was playfully going back

151
00:07:11,440 --> 00:07:14,120
Speaker 2: and forth with somebody, I wouldn't then step in. I'm

152
00:07:14,160 --> 00:07:17,200
Speaker 2: sure Cam and Johnny Manziela had maybe three conversations in

153
00:07:17,200 --> 00:07:19,320
Speaker 2: their entire life. I'm not stepping in and saying I'm

154
00:07:19,320 --> 00:07:21,400
Speaker 2: gonna slap the ship out of you. When you guys

155
00:07:21,400 --> 00:07:22,440
Speaker 2: were doing playful banter.

156
00:07:22,680 --> 00:07:26,120
Speaker 3: Well, Gilly responded as Gilly, you know, Gilly ain't gonna

157
00:07:26,120 --> 00:07:28,960
Speaker 3: miss a moment to respond to anybody. But Gilly responded

158
00:07:29,000 --> 00:07:31,400
Speaker 3: and he had a face full of let's say, substance.

159
00:07:31,440 --> 00:07:32,920
Speaker 3: I don't know what it was. He had a face

160
00:07:33,000 --> 00:07:35,760
Speaker 3: face full of substance, facetance, he had a face full

161
00:07:35,760 --> 00:07:38,280
Speaker 3: of substance, and he just was like, yo, listen. You know, Johnny,

162
00:07:38,520 --> 00:07:40,720
Speaker 3: I don't know what you over there doing, but I

163
00:07:40,720 --> 00:07:43,680
Speaker 3: can only guess that you must be high tama right

164
00:07:43,720 --> 00:07:46,320
Speaker 3: now thinking that you're just gonna slap the shit out

165
00:07:46,320 --> 00:07:48,440
Speaker 3: of me, Like, I don't know, man, I just again,

166
00:07:48,440 --> 00:07:51,720
Speaker 3: we're putting sentences together, We're saying things, putting names together

167
00:07:51,760 --> 00:07:55,000
Speaker 3: that I never thought would happen. This is what the

168
00:07:55,040 --> 00:07:57,000
Speaker 3: Internet does, and this is one of those people together

169
00:07:57,600 --> 00:07:58,680
Speaker 3: even if we don't ask for it.

170
00:07:59,120 --> 00:08:02,880
Speaker 2: Johnny manzelv Court is an incredible athlete at one one time.

171
00:08:03,080 --> 00:08:04,760
Speaker 2: I watched the doc. I don't know if he's stayed

172
00:08:04,760 --> 00:08:08,320
Speaker 2: in shape. I've seen Gilly box before. Gilly knows how

173
00:08:08,320 --> 00:08:10,360
Speaker 2: to fight. I don't know how this one will go.

174
00:08:11,880 --> 00:08:14,880
Speaker 2: And Johnny Maziel, obviously, if you go to the NFL

175
00:08:14,920 --> 00:08:17,240
Speaker 2: you're a fucking top tier athlete.

176
00:08:17,400 --> 00:08:18,960
Speaker 3: But they always said he was too small for the NFL.

177
00:08:19,000 --> 00:08:22,480
Speaker 2: Anyways, Yeah, I mean he's not that much bigger than Gilly.

178
00:08:23,000 --> 00:08:25,720
Speaker 3: Is this something that we think we'll see Logan the

179
00:08:25,720 --> 00:08:29,720
Speaker 3: Paul brothers get behind what Johnny was on that side.

180
00:08:30,040 --> 00:08:31,880
Speaker 3: He said, let's set up the fight, which I after

181
00:08:32,040 --> 00:08:32,520
Speaker 3: I thought.

182
00:08:32,360 --> 00:08:34,280
Speaker 2: It was kind of weird when he just butted in

183
00:08:34,280 --> 00:08:35,559
Speaker 2: and said I slapped the shatot of you. But once

184
00:08:35,600 --> 00:08:37,120
Speaker 2: he said, like, let's actually set the fight up, I

185
00:08:37,160 --> 00:08:38,000
Speaker 2: was like, I respect it.

186
00:08:38,120 --> 00:08:41,200
Speaker 3: I mean, you're not just tweeting. I mean, listen for

187
00:08:41,240 --> 00:08:43,160
Speaker 3: the for the right, for the right, for the right

188
00:08:43,160 --> 00:08:46,840
Speaker 3: pay there. I mean, we know Gilly ain't ducking it, no, Gill,

189
00:08:47,120 --> 00:08:48,800
Speaker 3: He'll get in a ring with Johnny Manzil for the

190
00:08:48,840 --> 00:08:54,120
Speaker 3: right person. Gill. Yeah, that's what I'm saying, barstool, But

191
00:08:54,160 --> 00:08:56,440
Speaker 3: he can't throw his own box in event. Kenny like,

192
00:08:56,640 --> 00:08:58,120
Speaker 3: is it like kind of inside trader?

193
00:08:59,000 --> 00:09:02,760
Speaker 2: Literally, every even Mayweather fight was money, money Boy Productions

194
00:09:02,800 --> 00:09:03,600
Speaker 2: or whatever the shit was.

195
00:09:04,320 --> 00:09:05,440
Speaker 5: He was paying his opponent.

196
00:09:05,480 --> 00:09:07,240
Speaker 2: That's how that's how Ill Floyd Madewe it was as

197
00:09:07,240 --> 00:09:11,080
Speaker 2: a businessman like he was paying his opponent. They got

198
00:09:11,080 --> 00:09:13,840
Speaker 2: their check, win or lose, well, all losses because's undfeed

199
00:09:13,880 --> 00:09:16,760
Speaker 2: of but from Floyd Mayweather LLC.

200
00:09:16,960 --> 00:09:20,559
Speaker 3: Like I seen when the documentary come out some years,

201
00:09:20,600 --> 00:09:23,360
Speaker 3: they'd be like some niggas took the fall for that second.

202
00:09:24,080 --> 00:09:26,320
Speaker 3: I'm just saying, you get when you when you are

203
00:09:26,400 --> 00:09:28,600
Speaker 3: promoting the fight and paying the fighter, you leave room

204
00:09:28,600 --> 00:09:30,880
Speaker 3: for that speculation for them to be like, yo, you

205
00:09:30,960 --> 00:09:32,680
Speaker 3: was paying these fighters, like how we know he wasn't

206
00:09:32,679 --> 00:09:35,719
Speaker 3: paying them to lose. I'm just saying you leave room

207
00:09:35,760 --> 00:09:36,400
Speaker 3: for that speculation.

208
00:09:36,480 --> 00:09:40,160
Speaker 2: We're also some about Floyd probably the best defensive boxer.

209
00:09:39,920 --> 00:09:42,600
Speaker 3: Ever, without a doubt, without a doubt. I'm just saying

210
00:09:42,600 --> 00:09:45,079
Speaker 3: it wouldn't surprise me if ten years from never get

211
00:09:45,080 --> 00:09:47,400
Speaker 3: a documentary where one of the fighters that he fought

212
00:09:47,480 --> 00:09:48,880
Speaker 3: come out and say, yeah, no, you know, they paid

213
00:09:48,920 --> 00:09:51,520
Speaker 3: me a little extra to just you know, take it easy.

214
00:09:51,760 --> 00:09:55,280
Speaker 2: The only time Zab almost got him, I thought that

215
00:09:55,320 --> 00:09:56,880
Speaker 2: was like one of the only fights he was gonna lose.

216
00:09:56,960 --> 00:10:01,440
Speaker 3: But other than that, Mayweather's won pretty za Zab caught

217
00:10:01,480 --> 00:10:04,920
Speaker 3: him with one and Zab caught him calling him, and

218
00:10:04,960 --> 00:10:08,080
Speaker 3: Shane Moseley caught him yeah as well. Shane caught him

219
00:10:08,120 --> 00:10:09,640
Speaker 3: with one of the cleanup, cleanup punches.

220
00:10:09,640 --> 00:10:11,440
Speaker 2: I think they were and Ricky had in a few

221
00:10:11,480 --> 00:10:13,720
Speaker 2: rounds kind of looked like it may go the other way,

222
00:10:13,800 --> 00:10:14,959
Speaker 2: but I don't know.

223
00:10:15,160 --> 00:10:18,240
Speaker 3: I many Manny caught him with some clean ones too. Yeah,

224
00:10:18,440 --> 00:10:20,599
Speaker 3: he didn't fight Manny when Nanny was Manny No.

225
00:10:20,800 --> 00:10:23,000
Speaker 2: I mean, well, you know that's what Manny had been

226
00:10:23,080 --> 00:10:25,400
Speaker 2: laid out on the canvas a docu three times for

227
00:10:25,720 --> 00:10:26,559
Speaker 2: the documentary.

228
00:10:26,640 --> 00:10:28,080
Speaker 3: The documentary would wait to see.

229
00:10:29,440 --> 00:10:31,640
Speaker 2: Well, yeah, I'm I can't make any sense of this.

230
00:10:31,720 --> 00:10:34,760
Speaker 2: I will be ringsid if Johnny manziel and Gilly fight, though,

231
00:10:34,800 --> 00:10:36,280
Speaker 2: I would definitely go to that fight.

232
00:10:36,920 --> 00:10:39,920
Speaker 3: I think that's gonna be funny to watch. That's just

233
00:10:39,960 --> 00:10:43,200
Speaker 3: gonna be funny. Yeah, I bet money or Johnny Manziela

234
00:10:43,200 --> 00:10:44,440
Speaker 3: and Gilly. I would.

235
00:10:44,480 --> 00:10:47,440
Speaker 5: I would say Gilly.

236
00:10:47,080 --> 00:10:49,439
Speaker 3: Without seeing what Johnny manzil walks in the ring looking like,

237
00:10:49,440 --> 00:10:52,160
Speaker 3: like if he's in shape, if he's like how much time?

238
00:10:53,920 --> 00:10:54,600
Speaker 3: Two months?

239
00:10:55,160 --> 00:10:58,960
Speaker 2: Oh, I'm taking Gilly Okay, But I mean boxing is

240
00:10:58,960 --> 00:11:01,920
Speaker 2: an art, like even if you're if you're a world

241
00:11:01,920 --> 00:11:05,400
Speaker 2: class fighter, like, yeah, this is not the the des

242
00:11:05,440 --> 00:11:10,000
Speaker 2: Brant Kenneth fight, like in a boxing ring, just you

243
00:11:10,080 --> 00:11:12,120
Speaker 2: got to know how to box, or you will get

244
00:11:12,200 --> 00:11:16,240
Speaker 2: chipped up, like no matter how strong you are two months, Nah,

245
00:11:16,520 --> 00:11:18,520
Speaker 2: Gilly been boxing his whole life as Yeah.

246
00:11:18,880 --> 00:11:23,680
Speaker 3: Yeah, but Johnny is probably bigger than Gilly. We can assume, yes, yeah, yeah,

247
00:11:23,720 --> 00:11:26,320
Speaker 3: so it's not you know, he has the advantage there

248
00:11:26,840 --> 00:11:28,080
Speaker 3: size strength.

249
00:11:28,440 --> 00:11:31,640
Speaker 5: I don't care how toyo. You've never seen an angle like.

250
00:11:31,760 --> 00:11:33,760
Speaker 3: You know, I get that, but I'm just saying it's size.

251
00:11:34,280 --> 00:11:36,560
Speaker 2: Let Gilly swing his foot one time and give Johnny

252
00:11:36,600 --> 00:11:37,720
Speaker 2: an angle he's never seen.

253
00:11:39,080 --> 00:11:39,720
Speaker 3: That's true.

254
00:11:40,280 --> 00:11:42,000
Speaker 2: I mean, I'm going Gilly, I'll watch it though, I'll

255
00:11:42,000 --> 00:11:42,840
Speaker 2: definitely tune in for that.

256
00:11:42,840 --> 00:11:43,880
Speaker 3: I will definitely want to see that.

257
00:11:44,320 --> 00:11:49,040
Speaker 2: And like I watched The Doctor, Johnny was getting thrown

258
00:11:49,040 --> 00:11:53,199
Speaker 2: out of house parties, just fucking civilians, small limbs, spitting.

259
00:11:52,800 --> 00:11:54,480
Speaker 5: In his face, get the fuck out of our house party.

260
00:11:54,480 --> 00:11:55,320
Speaker 3: And Johnny just leaving.

261
00:11:56,160 --> 00:11:59,439
Speaker 2: Nah's Gilly from Philly though you couldn't do that with

262
00:11:59,559 --> 00:12:00,840
Speaker 2: Tanner in Ohio.

263
00:12:01,080 --> 00:12:04,559
Speaker 3: Yeah. Well back to this, Jalen hurts cam Newton thing. No,

264
00:12:04,600 --> 00:12:08,080
Speaker 3: why do people why are people like so upset about that?

265
00:12:08,840 --> 00:12:11,559
Speaker 3: Like saying that Jalen like that, Gilly said, Jalen uh

266
00:12:12,080 --> 00:12:14,640
Speaker 3: Jalen Hurts is better than Cam. I don't know if

267
00:12:14,640 --> 00:12:16,800
Speaker 3: I'm on the side of that. Honestly, I don't know

268
00:12:16,840 --> 00:12:18,720
Speaker 3: if Jalen Hurchs is a better quarterback than Cam Newton.

269
00:12:18,720 --> 00:12:20,760
Speaker 2: I don't think it is, But I mean someone said it.

270
00:12:20,760 --> 00:12:21,680
Speaker 2: I wouldn't want to slap the.

271
00:12:21,640 --> 00:12:26,040
Speaker 3: Ship out of them now. Now, granted, granted, Jalen Hurts

272
00:12:26,160 --> 00:12:30,240
Speaker 3: won a super Bowl, but again that goes to speaks

273
00:12:30,240 --> 00:12:35,200
Speaker 3: to a better team. You know that the healthy Cam

274
00:12:35,280 --> 00:12:38,520
Speaker 3: got to the super Bowl, didn't win it, But y'all

275
00:12:38,640 --> 00:12:40,240
Speaker 3: know I hi for theball. I think Cam Newton is

276
00:12:40,280 --> 00:12:43,240
Speaker 3: the greatest college football player ever. In my opinion, I

277
00:12:43,240 --> 00:12:45,280
Speaker 3: don't think I've ever seen a college football player better

278
00:12:45,280 --> 00:12:48,360
Speaker 3: than Cam Newton. Again, him winning that National championship with

279
00:12:48,400 --> 00:12:51,600
Speaker 3: Auburn beating Alabama. I still don't know how he pulled

280
00:12:51,600 --> 00:12:56,239
Speaker 3: that off with that team he had versus Alabama. Insane.

281
00:12:57,720 --> 00:12:59,760
Speaker 3: He got to the Super Bowl, didn't win it, didn't

282
00:12:59,800 --> 00:13:02,160
Speaker 3: you know, didn't leave with the jewelry. But Cam Newton

283
00:13:02,160 --> 00:13:05,719
Speaker 3: had a great professional career. He can't. But you know

284
00:13:05,760 --> 00:13:08,120
Speaker 3: what I'm saying, I don't just because you want it now,

285
00:13:08,200 --> 00:13:10,120
Speaker 3: you get it when you win the Super Bowl as

286
00:13:10,160 --> 00:13:12,000
Speaker 3: a quarterback. You get to talk a little, you know,

287
00:13:12,480 --> 00:13:14,640
Speaker 3: in the locker room with the other quarterbacks. You talk slick,

288
00:13:14,800 --> 00:13:16,480
Speaker 3: you show that jewelry. It's a different it's.

289
00:13:16,400 --> 00:13:22,320
Speaker 2: A different level jewelry, all right. Derek Fisher incredible point guard.

290
00:13:22,520 --> 00:13:24,680
Speaker 2: I don't think he's better than Iverson just because he

291
00:13:24,760 --> 00:13:29,360
Speaker 2: has rings. Yeah, but that's not a fair said Mario Thomas.

292
00:13:29,400 --> 00:13:32,360
Speaker 2: I'm trying to find like that, but a quality point guard.

293
00:13:32,480 --> 00:13:38,880
Speaker 3: But Cam Newton was League MVP. Everson's been that, Yeah,

294
00:13:39,920 --> 00:13:42,120
Speaker 3: Jalen Hurts was Was he league MVP as well? Yeah? Yes,

295
00:13:42,200 --> 00:13:44,880
Speaker 3: League MVP twice? Right or just once?

296
00:13:46,000 --> 00:13:47,640
Speaker 5: They're both great. I just side with Cam.

297
00:13:47,679 --> 00:13:50,600
Speaker 2: I really honestly wouldn't be mad at either side.

298
00:13:50,600 --> 00:13:53,719
Speaker 3: But I don't think Jalen Hurts is a better quarterback

299
00:13:54,400 --> 00:13:56,480
Speaker 3: than Cam Newton. I think that if we have Cam

300
00:13:56,520 --> 00:13:59,079
Speaker 3: Newton and Jalen Hurts on the draft board at the

301
00:13:59,120 --> 00:14:01,480
Speaker 3: same time, knowing we know right now like who he's taking,

302
00:14:02,800 --> 00:14:06,680
Speaker 3: I've just seen Cam Newton do more with less, So

303
00:14:06,920 --> 00:14:08,280
Speaker 3: I'm gonna have to go with Cam Newton.

304
00:14:11,640 --> 00:14:14,559
Speaker 2: Okay, who do you think is better? DJ quick Er,

305
00:14:14,600 --> 00:14:19,360
Speaker 2: Doctor Dre Black thought, jay Z. This has been a

306
00:14:19,400 --> 00:14:21,400
Speaker 2: wild week, Like quiet as kept because we had so

307
00:14:21,440 --> 00:14:24,000
Speaker 2: much fun this weekend, we didn't discuss how insane the

308
00:14:24,000 --> 00:14:26,600
Speaker 2: internet has been in the last five, six, seven days.

309
00:14:26,720 --> 00:14:30,520
Speaker 3: I will say this in regards to the DJ Quick

310
00:14:30,600 --> 00:14:34,840
Speaker 3: Doctor Dre thing, because I did see somebody tweeted the

311
00:14:34,960 --> 00:14:38,800
Speaker 3: art of dialogue Pace tweeted DJ Quick reacts and agrees

312
00:14:38,840 --> 00:14:41,560
Speaker 3: with a fan who says he's legendary producer everyone thinks

313
00:14:41,600 --> 00:14:44,600
Speaker 3: doctor Dre is. So somebody says DJ Quick is actually

314
00:14:44,640 --> 00:14:47,880
Speaker 3: who everyone thinks Doctor Dre is, and Quick responded with

315
00:14:47,920 --> 00:14:51,200
Speaker 3: finally someone had the balls to say it. I thought

316
00:14:51,280 --> 00:14:52,520
Speaker 3: Quick and Dre weren't a good place.

317
00:14:52,560 --> 00:14:52,720
Speaker 1: Now.

318
00:14:53,040 --> 00:14:55,440
Speaker 2: I know there's been some ups and downs, but I

319
00:14:55,480 --> 00:14:57,480
Speaker 2: thought everything was all good.

320
00:14:57,520 --> 00:14:59,040
Speaker 3: Now you can still be in a good place. And

321
00:14:59,120 --> 00:15:01,680
Speaker 3: just when somebody as something that I think a lot

322
00:15:01,720 --> 00:15:03,920
Speaker 3: of the industry, a lot of artists, a lot of

323
00:15:03,960 --> 00:15:05,920
Speaker 3: other producers have known to be true.

324
00:15:06,000 --> 00:15:08,880
Speaker 2: But just like on Twitter, yeah, but I felt like, like,

325
00:15:09,200 --> 00:15:11,200
Speaker 2: you don't do that unless you like dislike that person.

326
00:15:11,520 --> 00:15:13,160
Speaker 2: It wasn't like in an interview where something we were

327
00:15:13,160 --> 00:15:14,960
Speaker 2: having a healthy music debaate and Quick was like, yo,

328
00:15:15,000 --> 00:15:16,840
Speaker 2: I don't think I get my problem because DJ Quick

329
00:15:17,000 --> 00:15:19,920
Speaker 2: is a legend and the reason why the way it sounds, the.

330
00:15:19,840 --> 00:15:25,920
Speaker 3: Way it's incredibly underrated. Yeah, incredibly underrated. So I think

331
00:15:25,680 --> 00:15:27,480
Speaker 3: I think that someone has the bass to say it.

332
00:15:27,560 --> 00:15:31,120
Speaker 3: Part was kind of like, Okay, so you've been waiting

333
00:15:31,200 --> 00:15:33,240
Speaker 3: for somebody to say that, that's what it feels like,

334
00:15:33,280 --> 00:15:36,240
Speaker 3: that's what it reads as. Okay, you've been waiting for

335
00:15:36,280 --> 00:15:39,680
Speaker 3: somebody to finally say what a lot of people behind

336
00:15:39,720 --> 00:15:42,240
Speaker 3: the scenes have been saying for years and have had

337
00:15:42,280 --> 00:15:49,600
Speaker 3: conversations about when you say better. Okay, Doctor Dre probably

338
00:15:49,720 --> 00:15:54,160
Speaker 3: is credited with more hit records, right, well, more classic albums,

339
00:15:56,320 --> 00:15:59,040
Speaker 3: but then you get to the conversation of how much

340
00:15:59,080 --> 00:16:02,640
Speaker 3: of that is credited to Dre? Yeah, he actually did.

341
00:16:03,400 --> 00:16:05,880
Speaker 3: Versus Quick, I told your funny story Hop always says

342
00:16:05,920 --> 00:16:08,800
Speaker 3: about DJ Quick is he's the only guy I've ever

343
00:16:08,840 --> 00:16:10,880
Speaker 3: been in the studio with who I've seen touch every

344
00:16:10,960 --> 00:16:17,440
Speaker 3: knob on the soundboard, literally touched every single Now yeah, yeah,

345
00:16:17,480 --> 00:16:20,040
Speaker 3: you've been in a studio. Do you know how many knobs?

346
00:16:21,560 --> 00:16:24,280
Speaker 3: Hop said, Yo, I was in the studio Quick he

347
00:16:24,400 --> 00:16:27,680
Speaker 3: touched every knob on the soundboard. Yeah.

348
00:16:27,800 --> 00:16:30,640
Speaker 2: I have been in studios where full orchestras were playing

349
00:16:30,720 --> 00:16:33,760
Speaker 2: and every single line nob was attached to every single

350
00:16:33,840 --> 00:16:34,840
Speaker 2: instrument and they were.

351
00:16:34,760 --> 00:16:36,360
Speaker 3: Still only using one or two exactly.

352
00:16:36,400 --> 00:16:38,400
Speaker 2: They didn't need the other seventeen above it, Like right,

353
00:16:38,880 --> 00:16:40,440
Speaker 2: it made beautiful lights.

354
00:16:40,560 --> 00:16:42,760
Speaker 3: Yeah, but you like but to see somebody, I mean,

355
00:16:42,800 --> 00:16:45,840
Speaker 3: I think that quick probably is alluding to. You know,

356
00:16:45,920 --> 00:16:48,280
Speaker 3: people say doctor Dre has a lot of ghost producers,

357
00:16:48,720 --> 00:16:50,640
Speaker 3: a lot of things he hasn't produced but has his

358
00:16:50,760 --> 00:16:54,040
Speaker 3: name on. It's just him having some younger, hungry guys

359
00:16:54,040 --> 00:16:55,800
Speaker 3: in the studio and then you know, they just want

360
00:16:55,800 --> 00:16:57,640
Speaker 3: to work and get paid for it. They don't care

361
00:16:57,680 --> 00:17:00,320
Speaker 3: if they get credited for it. That's been the for

362
00:17:00,360 --> 00:17:00,800
Speaker 3: some years.

363
00:17:00,840 --> 00:17:03,280
Speaker 2: I hear him my thing though, Like all right, yes,

364
00:17:03,520 --> 00:17:07,280
Speaker 2: doctor Dre has definitely collabsed with other producers for sure,

365
00:17:07,960 --> 00:17:10,080
Speaker 2: Still dre Be's one of my favorite Dre beats, but

366
00:17:10,119 --> 00:17:12,200
Speaker 2: that's Scott Storch on the piano. But like, I don't

367
00:17:12,240 --> 00:17:15,280
Speaker 2: think that's a bad thing. Dre has proven that he

368
00:17:15,359 --> 00:17:18,000
Speaker 2: is a legend by himself as well. So I always

369
00:17:18,119 --> 00:17:20,600
Speaker 2: find that those types of stats when you're having these

370
00:17:20,640 --> 00:17:22,800
Speaker 2: debates kind of weird, Like, so what was Dre's supposed

371
00:17:22,800 --> 00:17:24,680
Speaker 2: to do? You shouldn't grow his sound and like work

372
00:17:24,800 --> 00:17:26,920
Speaker 2: with other people, Dre has proven to you he can

373
00:17:27,000 --> 00:17:29,560
Speaker 2: do this by himself. Yeah, now the rapper conversation, I'm

374
00:17:29,560 --> 00:17:31,320
Speaker 2: not even having that one. This is a strictly production.

375
00:17:31,440 --> 00:17:31,880
Speaker 3: Yeah.

376
00:17:32,160 --> 00:17:35,160
Speaker 2: Now, would Dre's sound be the same if DJ Quick

377
00:17:35,200 --> 00:17:36,320
Speaker 2: never existed.

378
00:17:36,280 --> 00:17:37,240
Speaker 3: That's a conversation.

379
00:17:37,320 --> 00:17:40,320
Speaker 2: I think, m H that could be had here and

380
00:17:40,520 --> 00:17:43,359
Speaker 2: is should be credited to DJ Quick. I don't think

381
00:17:43,400 --> 00:17:46,480
Speaker 2: we get the Dre sound without DJ Quick setting the

382
00:17:46,520 --> 00:17:48,320
Speaker 2: tone of what the West Coast sound was.

383
00:17:48,480 --> 00:17:51,040
Speaker 5: Yeah at the time, now better.

384
00:17:53,440 --> 00:17:53,480
Speaker 1: Not.

385
00:17:53,640 --> 00:17:56,600
Speaker 2: Dre's just had a longer career with bigger artists like Unfortunately.

386
00:17:56,640 --> 00:17:58,080
Speaker 3: That is also a stat to me as well.

387
00:17:58,480 --> 00:18:03,440
Speaker 2: Absolutely like global fucking music like no, I'm sorry, Drey

388
00:18:03,520 --> 00:18:06,200
Speaker 2: is better, But I don't think he's Drey without Quick.

389
00:18:06,840 --> 00:18:11,399
Speaker 3: I think you definitely need DJ Quick in order to

390
00:18:11,400 --> 00:18:14,640
Speaker 3: have a doctor Dre. I think you know people who

391
00:18:14,640 --> 00:18:17,720
Speaker 3: don't know DJ Quick, don't know his work, don't know

392
00:18:17,720 --> 00:18:20,040
Speaker 3: what he's done in the industry. Please go do your

393
00:18:20,040 --> 00:18:22,679
Speaker 3: homework on him. You'll probably will be very surprised to

394
00:18:22,760 --> 00:18:28,040
Speaker 3: know that some of your favorite songs he produced. Now,

395
00:18:28,040 --> 00:18:31,320
Speaker 3: when you say better, I think that's that comes down

396
00:18:31,359 --> 00:18:33,679
Speaker 3: to taste. If we go with what you what you

397
00:18:33,720 --> 00:18:36,600
Speaker 3: prefer things like that, Like, you know, that's that's for

398
00:18:36,680 --> 00:18:38,960
Speaker 3: people to always argue, Like, I can't tell you what

399
00:18:39,040 --> 00:18:41,720
Speaker 3: you're supposed to like, But I'm just going from a

400
00:18:42,080 --> 00:18:45,560
Speaker 3: you know, just just a producer's standpoint. I do feel

401
00:18:45,560 --> 00:18:48,760
Speaker 3: like DJ quick is definitely underrated as a producer. Yeah,

402
00:18:48,760 --> 00:18:50,800
Speaker 3: he doesn't get he doesn't get talked about enough. When

403
00:18:50,840 --> 00:18:54,000
Speaker 3: we start telling my legendary producers in hip hop and music,

404
00:18:54,040 --> 00:18:57,120
Speaker 3: we don't talk about DJ quick enough. So I do understand,

405
00:18:57,760 --> 00:19:00,720
Speaker 3: you know why he may feel a way because he

406
00:19:01,040 --> 00:19:03,920
Speaker 3: kind of gets overlooked a lot. Not kind of gets

407
00:19:03,920 --> 00:19:06,679
Speaker 3: overlooked a lot when it comes to conversations in the

408
00:19:06,720 --> 00:19:09,920
Speaker 3: culture about the greatest producers of all time. DJ quick

409
00:19:10,040 --> 00:19:13,160
Speaker 3: name needs to be in those conversations a lot more. Yeah,

410
00:19:13,200 --> 00:19:15,040
Speaker 3: Like I mean, do I think.

411
00:19:16,520 --> 00:19:20,000
Speaker 2: Premiere would say Marty Moore probably like inspired him.

412
00:19:20,040 --> 00:19:22,480
Speaker 3: Sure, but I think Freame's better.

413
00:19:22,680 --> 00:19:25,480
Speaker 2: Yeah, but Marley is still a legend and having strums

414
00:19:25,520 --> 00:19:27,080
Speaker 2: wouldn't sound the same if it wasn't verim.

415
00:19:26,920 --> 00:19:29,520
Speaker 5: Like he he's just like.

416
00:19:29,480 --> 00:19:31,159
Speaker 2: The genesis of the whole thing, so you have to

417
00:19:31,280 --> 00:19:34,359
Speaker 2: give him that credit. But I mean, Drake took it

418
00:19:34,560 --> 00:19:38,320
Speaker 2: to a way different level from R. And B to

419
00:19:38,359 --> 00:19:41,080
Speaker 2: pop to hip hop like it's it's doctor Dre. Yeah, Like,

420
00:19:41,160 --> 00:19:43,919
Speaker 2: I don't really know what to tell you now. In

421
00:19:43,960 --> 00:19:49,639
Speaker 2: the same breath, will I Am was he promoted?

422
00:19:49,800 --> 00:19:51,880
Speaker 3: What is will I Am doing? I don't know, man,

423
00:19:51,960 --> 00:19:55,560
Speaker 3: I just I'm just always laughed whenever people find a

424
00:19:55,560 --> 00:19:59,320
Speaker 3: way to mention jay Z's name, like Jabi and this

425
00:19:59,359 --> 00:20:01,600
Speaker 3: is how you know, and sometimes you just got to

426
00:20:01,640 --> 00:20:03,720
Speaker 3: step back and just look at the common fact. And

427
00:20:03,800 --> 00:20:06,639
Speaker 3: a lot of these conversations and debates, there's a reason

428
00:20:06,680 --> 00:20:09,080
Speaker 3: why they always go to Jay's name. I think it's

429
00:20:09,080 --> 00:20:12,320
Speaker 3: because we all know that, Yes, jay Z is the

430
00:20:12,359 --> 00:20:14,960
Speaker 3: greatest rapper of all time. Anytime you start talking about

431
00:20:15,280 --> 00:20:18,240
Speaker 3: who's better than who, they're always going to say some

432
00:20:18,240 --> 00:20:21,159
Speaker 3: some somebody's better than jay Z because jay Z is

433
00:20:21,160 --> 00:20:23,440
Speaker 3: the bar we all think. We all know that, whether

434
00:20:23,480 --> 00:20:26,480
Speaker 3: you want to recognize that or not. I mean, jay

435
00:20:26,560 --> 00:20:29,520
Speaker 3: Z is the greatest rapper of all time. You can

436
00:20:29,520 --> 00:20:31,439
Speaker 3: have your you can have your preference on who you like,

437
00:20:31,560 --> 00:20:34,680
Speaker 3: and Black Thought is amazing. But to say, for will

438
00:20:34,720 --> 00:20:37,120
Speaker 3: I Am to say that Black Thought is a trillion

439
00:20:37,200 --> 00:20:41,919
Speaker 3: times better rapper than jay Z, I mean, come on,

440
00:20:42,000 --> 00:20:43,639
Speaker 3: will I Am, Like, I get it. Black Thought as

441
00:20:43,840 --> 00:20:50,800
Speaker 3: he's on our Alien list, Incredible MC, incredible rapper. Jays Is,

442
00:20:50,840 --> 00:20:53,240
Speaker 3: I'm sure is a huge fan of Black Thought, has

443
00:20:53,280 --> 00:20:55,640
Speaker 3: worked with him before, Like, you know, he has respect,

444
00:20:55,680 --> 00:20:58,120
Speaker 3: a ton of respect for him. But when you say

445
00:20:58,160 --> 00:21:00,960
Speaker 3: a trillion times like that's just you're just you know,

446
00:21:01,640 --> 00:21:03,600
Speaker 3: that's when it because you can say I think Black

447
00:21:03,640 --> 00:21:05,040
Speaker 3: Thought is a better rapping than jay Z, and I

448
00:21:05,040 --> 00:21:07,080
Speaker 3: don't think that that stings as much as he's a

449
00:21:07,119 --> 00:21:09,840
Speaker 3: trillion times better. Right, that's like sounding like Jay is

450
00:21:09,880 --> 00:21:11,120
Speaker 3: what he's a dog shit rapper.

451
00:21:11,320 --> 00:21:15,000
Speaker 2: I'm like the funniest part of his statement was when

452
00:21:15,040 --> 00:21:17,280
Speaker 2: he's like, don't get me wrong, Jay is dope, Like,

453
00:21:17,280 --> 00:21:19,639
Speaker 2: oh thanks, thanks, Like we needed.

454
00:21:19,359 --> 00:21:21,919
Speaker 3: That confirmation, Like, Okay, glad you said it. I know

455
00:21:21,960 --> 00:21:22,880
Speaker 3: I think jay Z is dope.

456
00:21:22,960 --> 00:21:28,200
Speaker 2: Yeah, but he's trillion times worse than fucking Black Thought, Right,

457
00:21:29,040 --> 00:21:30,679
Speaker 2: how do you gage with them? His top five rappers

458
00:21:30,720 --> 00:21:33,080
Speaker 2: rock him, Big Daddy, Kane, Karris, one nos, Black Thought,

459
00:21:33,200 --> 00:21:35,760
Speaker 2: and I'm mad at this list whatsoever? That's your preference, Jay,

460
00:21:36,760 --> 00:21:39,600
Speaker 2: So we're just talkingpperty rap. I still think Jay and

461
00:21:39,680 --> 00:21:42,520
Speaker 2: Black Thought are comparable there, but are we adding in

462
00:21:42,560 --> 00:21:44,760
Speaker 2: all the other factors to Black Thought does have hits.

463
00:21:44,760 --> 00:21:48,760
Speaker 3: I'm not saying he doesn't. That was callback to I

464
00:21:48,760 --> 00:21:50,639
Speaker 3: got it, I got it. I got what you was

465
00:21:50,640 --> 00:21:53,960
Speaker 3: doing there. What are we talking about again? Preference and

466
00:21:54,040 --> 00:21:56,000
Speaker 3: taste is all you know, That's who you are, and

467
00:21:56,080 --> 00:21:58,119
Speaker 3: I'm not you know, where I am is A is

468
00:21:58,200 --> 00:22:00,639
Speaker 3: A is A is a legendary musician, artists, you know

469
00:22:00,680 --> 00:22:03,720
Speaker 3: what I'm saying. Like, he knows what he likes. He

470
00:22:03,800 --> 00:22:05,919
Speaker 3: knows a lot more about music than I probably do.

471
00:22:06,040 --> 00:22:08,520
Speaker 3: So I'm not arguing his teach he does. Yeah, I'm

472
00:22:08,560 --> 00:22:11,600
Speaker 3: not arguing his taste level. But then anyone in this

473
00:22:11,680 --> 00:22:15,600
Speaker 3: room combined, Yeah, I'm not arguing Will I AM's taste level.

474
00:22:15,640 --> 00:22:19,639
Speaker 3: It's just the trillion times better then. I'm just like that.

475
00:22:19,880 --> 00:22:24,040
Speaker 3: Just you got to understand how that just smells and

476
00:22:24,080 --> 00:22:25,600
Speaker 3: feels like disrespect to jay Z.

477
00:22:26,240 --> 00:22:28,960
Speaker 2: And let's not act like all of us haven't held

478
00:22:29,240 --> 00:22:32,840
Speaker 2: a bit of resentment towards Will I Am for the

479
00:22:32,920 --> 00:22:36,800
Speaker 2: last fifteen years. There was a time he was quietly

480
00:22:37,200 --> 00:22:40,640
Speaker 2: ruining music. I think he's a legendary producer. I think

481
00:22:40,640 --> 00:22:43,280
Speaker 2: he's an incredible musician. I think he's one of the

482
00:22:43,280 --> 00:22:46,919
Speaker 2: ones Lamar generation. But when he started doing that watered

483
00:22:46,920 --> 00:22:50,800
Speaker 2: down electronic pop music with Black Eyed Peas. I mean

484
00:22:51,240 --> 00:22:53,879
Speaker 2: I resented him the same way I resented Nori for

485
00:22:54,240 --> 00:22:57,720
Speaker 2: reggazzon like you were so good, and like now now

486
00:22:57,760 --> 00:23:02,840
Speaker 2: I have this that's spilling over into every genre of music.

487
00:23:03,080 --> 00:23:04,960
Speaker 2: I don't even think we get to the Ron Brows

488
00:23:06,400 --> 00:23:09,359
Speaker 2: era without will I am making pop music sound that

489
00:23:10,119 --> 00:23:14,160
Speaker 2: awfully electronic. That was like when they were doing Let's

490
00:23:14,200 --> 00:23:18,080
Speaker 2: get retarded in here is when I think music took

491
00:23:18,359 --> 00:23:21,480
Speaker 2: a shift, pop music specifically, and had to get saved

492
00:23:21,480 --> 00:23:22,200
Speaker 2: around twenty ten.

493
00:23:22,480 --> 00:23:24,119
Speaker 3: It was so fucking bad.

494
00:23:24,400 --> 00:23:26,120
Speaker 2: I'm not saying what the Black Eyed Peas was doing bad,

495
00:23:26,119 --> 00:23:29,000
Speaker 2: the results of everyone trying to copy that awful sound.

496
00:23:29,160 --> 00:23:31,919
Speaker 3: Ye oh my god, pop was so fun. I mean,

497
00:23:31,920 --> 00:23:33,800
Speaker 3: he gave us one of the greatest New Year songs ever,

498
00:23:33,840 --> 00:23:39,160
Speaker 3: though I got a feeling that's a night it's gonna

499
00:23:39,200 --> 00:23:41,879
Speaker 3: be good. Not You can't bring in a new year

500
00:23:41,920 --> 00:23:43,399
Speaker 3: without turning that over. It's not even a new year

501
00:23:43,400 --> 00:23:44,159
Speaker 3: if you don't listen to that.

502
00:23:44,280 --> 00:23:50,600
Speaker 2: I'd probably leave that party, probably through the balcony exit.

503
00:23:52,640 --> 00:23:55,240
Speaker 3: Window, taking the window. If that were to play at midnight,

504
00:23:55,400 --> 00:23:57,320
Speaker 3: that would probably be a ry.

505
00:23:57,359 --> 00:24:01,040
Speaker 2: This was my last time yeah, I'll take the window.

506
00:24:01,880 --> 00:24:04,199
Speaker 2: I mean, it's gonna sound like hater shit because the

507
00:24:04,240 --> 00:24:07,200
Speaker 2: Black Eyed Peas are legendary and they have a great catalog. Yeah,

508
00:24:07,200 --> 00:24:09,960
Speaker 2: but you got to cut it when you got Then

509
00:24:10,000 --> 00:24:13,800
Speaker 2: he had that song with him and Nikki. It was

510
00:24:13,840 --> 00:24:16,639
Speaker 2: just getting to a weird place with Will I Am.

511
00:24:16,680 --> 00:24:18,919
Speaker 2: That one the futuristic. Anytime an artist tries to do

512
00:24:18,960 --> 00:24:21,200
Speaker 2: their space futuristic phase.

513
00:24:20,960 --> 00:24:24,520
Speaker 3: Is usually when I check out. Yeah, and all.

514
00:24:24,400 --> 00:24:26,240
Speaker 5: Of our favorite producers have probably tried that.

515
00:24:27,480 --> 00:24:29,520
Speaker 3: Will I Am, you can't say that black thoughters a

516
00:24:29,560 --> 00:24:32,560
Speaker 3: trillion times better rapping than jay Z. You can't say that.

517
00:24:32,560 --> 00:24:38,000
Speaker 3: That's just disrespectful. That's that's definitely that was intended with disrespect.

518
00:24:39,080 --> 00:24:41,359
Speaker 3: And he knows that. You can't say a trillion times

519
00:24:41,359 --> 00:24:44,520
Speaker 3: you can't, that's just disrespectful. Is there? Do we think

520
00:24:44,520 --> 00:24:48,359
Speaker 3: there's something there? Well? Will I Am and jay Z, Yeah,

521
00:24:51,600 --> 00:24:55,440
Speaker 3: it seems like it's something there with get something there.

522
00:24:55,960 --> 00:25:00,600
Speaker 3: Jay Z has ruined everybody's lives as far as everybody concerned,

523
00:25:00,640 --> 00:25:03,720
Speaker 3: Like jay Z is the reason why everybody either doesn't

524
00:25:03,720 --> 00:25:07,600
Speaker 3: have a platinum record, either doesn't have a successful relationship,

525
00:25:07,920 --> 00:25:11,520
Speaker 3: either doesn't have a successful sports franchise, like jay Z

526
00:25:11,680 --> 00:25:14,800
Speaker 3: is the reason behind everyone's failures. So it seems if

527
00:25:14,840 --> 00:25:17,359
Speaker 3: you let people tell it, there's got to be something.

528
00:25:17,800 --> 00:25:19,440
Speaker 5: Did he sign Fergie or something?

529
00:25:20,600 --> 00:25:24,159
Speaker 3: No? No, but then again, I don't know. Maybe it

530
00:25:24,160 --> 00:25:26,760
Speaker 3: could just be his opinion. No no, but but your opinion.

531
00:25:26,760 --> 00:25:30,120
Speaker 3: You can't say a trillion times better people exactly. That's yeah,

532
00:25:30,119 --> 00:25:32,360
Speaker 3: but that's disrespect. You can't you can't do that when

533
00:25:32,400 --> 00:25:34,400
Speaker 3: it comes to jay Z as the rapper. You can't

534
00:25:34,400 --> 00:25:35,320
Speaker 3: disrespect Jay like that.

535
00:25:35,400 --> 00:25:40,240
Speaker 2: We've all been podcasting and doing media long enough to

536
00:25:40,359 --> 00:25:43,280
Speaker 2: know when somebody says something, there's something that we don't

537
00:25:43,320 --> 00:25:45,760
Speaker 2: know that's attached to it. Yeah, Like you don't just

538
00:25:45,800 --> 00:25:49,440
Speaker 2: say that, there's got to be some history show there's

539
00:25:49,480 --> 00:25:52,400
Speaker 2: something that nobody knows, maybe only them to know. Maybe

540
00:25:52,480 --> 00:25:55,200
Speaker 2: j passed on a record that there has to be something. Yeah,

541
00:25:55,320 --> 00:25:57,560
Speaker 2: he said he was going to do a feature, didn't

542
00:25:57,560 --> 00:26:00,920
Speaker 2: do it. There's there's always something, I promise.

543
00:26:00,640 --> 00:26:04,200
Speaker 3: There's always something behind the words that people say.

544
00:26:04,600 --> 00:26:07,720
Speaker 2: And I totally get why people always say, I'm sure

545
00:26:07,760 --> 00:26:09,480
Speaker 2: everything always has to do with a woman.

546
00:26:09,520 --> 00:26:10,639
Speaker 3: That's usually why men beef.

547
00:26:10,680 --> 00:26:13,680
Speaker 2: You're not wrong, but there are also fragile male ego

548
00:26:13,720 --> 00:26:14,919
Speaker 2: shit like you said he was going to do a

549
00:26:14,920 --> 00:26:17,800
Speaker 2: feature for me, and then you didn't, And I didn't

550
00:26:17,840 --> 00:26:19,760
Speaker 2: even look into what was going on in your life,

551
00:26:20,200 --> 00:26:21,800
Speaker 2: Like maybe he had a death in the family, but

552
00:26:21,840 --> 00:26:23,520
Speaker 2: you just holding on a resentment because you just think

553
00:26:23,560 --> 00:26:24,320
Speaker 2: this person played you.

554
00:26:24,480 --> 00:26:28,240
Speaker 3: Yeah, I could see that either way. I mean, I

555
00:26:28,320 --> 00:26:29,960
Speaker 3: like Black Dought well, I love Black Daughter as a

556
00:26:30,000 --> 00:26:32,200
Speaker 3: rap in the MC one of my favorites for sure,

557
00:26:32,320 --> 00:26:35,480
Speaker 3: But obviously to me and to many others, I think

558
00:26:35,520 --> 00:26:37,720
Speaker 3: it is clear that jay Z is the greatest rap

559
00:26:37,760 --> 00:26:46,760
Speaker 3: of all time. Yet, Bryson Tiler The Vices is out.

560
00:26:48,320 --> 00:26:51,160
Speaker 3: I'm looking forward to this anytime. I think Bryson Tilla

561
00:26:51,200 --> 00:26:53,560
Speaker 3: is one of the artists that his discography is incredible.

562
00:26:53,840 --> 00:26:55,639
Speaker 3: I don't think Bryson Till has ever put out a

563
00:26:56,000 --> 00:26:58,679
Speaker 3: terrible project for the most part. All of his projects

564
00:26:58,720 --> 00:27:01,120
Speaker 3: are dope. Bunch of you there, And it's always good

565
00:27:01,119 --> 00:27:03,639
Speaker 3: to see artists that we like, that we've listened to

566
00:27:03,680 --> 00:27:06,320
Speaker 3: over the years still be relevant, still be able to

567
00:27:06,359 --> 00:27:08,680
Speaker 3: put out good work. I'm looking forward to devices.

568
00:27:08,960 --> 00:27:12,200
Speaker 2: Also gunna announce the last one that is out as

569
00:27:12,200 --> 00:27:16,280
Speaker 2: well right now, A very quick announcement. Did that not

570
00:27:16,359 --> 00:27:18,440
Speaker 2: throw you all off a little bit. I mean, gun

571
00:27:18,440 --> 00:27:20,560
Speaker 2: has been putting a crazy numbers since he's been home. Like,

572
00:27:21,640 --> 00:27:24,800
Speaker 2: I didn't expect him to just throw something out. I

573
00:27:24,800 --> 00:27:27,159
Speaker 2: feel like that would have been a longer rollout of

574
00:27:27,200 --> 00:27:30,359
Speaker 2: how important you know, Gunna is to the label music

575
00:27:30,359 --> 00:27:33,600
Speaker 2: period right now? Yeah, because he's doing numbers, numbers since

576
00:27:33,600 --> 00:27:36,320
Speaker 2: he got out to just throw some shit out.

577
00:27:36,840 --> 00:27:39,760
Speaker 3: Gunn has been through a lot, man, He's been through

578
00:27:39,800 --> 00:27:42,040
Speaker 3: a lot of ups. Like you know, had his moment

579
00:27:42,040 --> 00:27:44,119
Speaker 3: where it looked like he was being exiled from the culture,

580
00:27:44,240 --> 00:27:47,240
Speaker 3: nobody was fucking with him, came home, put out a

581
00:27:47,400 --> 00:27:53,360
Speaker 3: dope project, hit the gym, got in shape, and back

582
00:27:53,400 --> 00:27:56,639
Speaker 3: with another album, sold out shows, had Baby d crying

583
00:27:57,280 --> 00:28:01,040
Speaker 3: at the Barclays shout out the Gunner Man. He was

584
00:28:01,080 --> 00:28:02,480
Speaker 3: able to overcome that that moment.

585
00:28:03,440 --> 00:28:07,439
Speaker 2: Okay, they's got a whiz Kid Burning Boy. Do we

586
00:28:07,440 --> 00:28:09,400
Speaker 2: think it's gonna be a different type of sound?

587
00:28:10,200 --> 00:28:12,560
Speaker 3: Are we gonna shake ass whiz Kid and Burning Boy

588
00:28:13,200 --> 00:28:14,040
Speaker 3: his features? Yeah?

589
00:28:15,080 --> 00:28:17,320
Speaker 2: Yeah, I can see this being an ass shaken album

590
00:28:18,240 --> 00:28:21,399
Speaker 2: for sure. But that's a lot of drops tomorrow.

591
00:28:23,000 --> 00:28:26,320
Speaker 3: This is a Gunner Bryce Until which.

592
00:28:26,080 --> 00:28:29,240
Speaker 2: One are you listening to first? At midnight tonight, We're

593
00:28:29,240 --> 00:28:31,040
Speaker 2: recording this on August seventh.

594
00:28:30,760 --> 00:28:35,280
Speaker 3: At midnight, I gotta go Bryson too late to hear rap.

595
00:28:36,160 --> 00:28:37,920
Speaker 3: I'm trying to settle down for the night.

596
00:28:38,120 --> 00:28:40,680
Speaker 4: More don't like rap at night. More don't like rap

597
00:28:41,000 --> 00:28:42,600
Speaker 4: like running Mall, don't like rap.

598
00:28:42,880 --> 00:28:45,960
Speaker 3: Rap rap like real rap, like JID is rap. I'm

599
00:28:45,960 --> 00:28:47,360
Speaker 3: definitely gonna listen to JID, but I don't know if

600
00:28:47,360 --> 00:28:49,120
Speaker 3: I'm listening to JID at midnight.

601
00:28:49,200 --> 00:28:52,000
Speaker 6: So in between the hours of two PM and like

602
00:28:52,080 --> 00:28:53,120
Speaker 6: commute PM.

603
00:28:53,000 --> 00:28:56,920
Speaker 3: Commute like around like twelve one, two three, the hours

604
00:28:57,000 --> 00:28:59,920
Speaker 3: up until like ten and then after that we're going

605
00:29:00,160 --> 00:29:01,880
Speaker 3: we're gonna we're gonna mellow down, We're gonna R and

606
00:29:01,880 --> 00:29:03,040
Speaker 3: b it after ten pm.

607
00:29:03,280 --> 00:29:05,200
Speaker 2: All right, More you're saying that, But there was the rumor,

608
00:29:05,280 --> 00:29:09,680
Speaker 2: which I think is confirmed now that the Vices disc

609
00:29:09,760 --> 00:29:12,480
Speaker 2: one that comes out tomorrow is a full rap album.

610
00:29:13,360 --> 00:29:16,520
Speaker 2: He's putting out too, and the first one comes out tomorrow,

611
00:29:16,520 --> 00:29:20,160
Speaker 2: and that's supposed to be a full rap album. Boss

612
00:29:20,200 --> 00:29:23,760
Speaker 2: Man Dilo, Rick Ross t paying Plows Bumbee, Uh Baby

613
00:29:23,800 --> 00:29:26,800
Speaker 2: Drill like this. I think I think it's gonna be

614
00:29:26,840 --> 00:29:28,680
Speaker 2: more of a rap album than JIDS is gonna be.

615
00:29:29,040 --> 00:29:32,320
Speaker 3: By by your Midnight standards. All right, is it just

616
00:29:32,480 --> 00:29:35,800
Speaker 3: up to it's rap on it and Tiller has the

617
00:29:35,840 --> 00:29:40,520
Speaker 3: hook maybe a bridge? Or is it like Bryson rapping?

618
00:29:40,680 --> 00:29:44,680
Speaker 2: This is how I know, y'all, not by Bryson rapped

619
00:29:45,680 --> 00:29:48,480
Speaker 2: on so much of trap, so he's very good too.

620
00:29:48,880 --> 00:29:51,880
Speaker 2: Like Rambo, he's rapping rap like he rapped on a

621
00:29:51,880 --> 00:29:52,520
Speaker 2: lot of trap.

622
00:29:52,520 --> 00:29:55,400
Speaker 3: So nobody. I'm not saying Bryce until it can't rap.

623
00:29:55,840 --> 00:29:57,840
Speaker 3: But just when you tell me he has a disc,

624
00:29:57,920 --> 00:30:01,200
Speaker 3: he's dropping a double disc in one distance him all rapping. Yeah,

625
00:30:01,360 --> 00:30:04,400
Speaker 3: with rappers, I'm a little concerned now if it's just

626
00:30:04,480 --> 00:30:06,640
Speaker 3: him and it's on the record, it's an up tempo

627
00:30:06,680 --> 00:30:09,880
Speaker 3: and he's you know, and it's melodic rap. Ship. Oh

628
00:30:09,920 --> 00:30:12,280
Speaker 3: we know that that's his that's his fade away, we

629
00:30:12,400 --> 00:30:15,920
Speaker 3: know that. But is it that or is he like

630
00:30:16,040 --> 00:30:19,320
Speaker 3: trying to give us bars like Bryson on He ain't

631
00:30:19,320 --> 00:30:22,760
Speaker 3: trying to metaphor you and bar you down. He got flows,

632
00:30:22,800 --> 00:30:26,200
Speaker 3: he got melodies. But if he on there trying to

633
00:30:26,440 --> 00:30:29,280
Speaker 3: stand toe to toe with Rick Ross, I'm gonna be

634
00:30:29,320 --> 00:30:30,200
Speaker 3: a little disappointed.

635
00:30:30,520 --> 00:30:32,400
Speaker 4: I mean, but what if he does a good job.

636
00:30:32,680 --> 00:30:35,880
Speaker 4: I don't I don't doubt, doubt that Bryson can do that.

637
00:30:36,720 --> 00:30:39,320
Speaker 3: If it's the melodic Bryson where it's like that.

638
00:30:39,280 --> 00:30:41,160
Speaker 4: It's like, why do you think that he can't rap rap?

639
00:30:41,160 --> 00:30:42,400
Speaker 4: That's gonna ask you.

640
00:30:42,840 --> 00:30:45,200
Speaker 3: I'm not saying I don't. I just don't want that

641
00:30:45,400 --> 00:30:48,640
Speaker 3: from Bryson Tiller. Give us what give us goat, don't

642
00:30:48,680 --> 00:30:50,320
Speaker 3: go away from the mid range.

643
00:30:50,480 --> 00:30:52,240
Speaker 6: He's gonna do a second disc though.

644
00:30:52,400 --> 00:30:55,760
Speaker 2: But and also, wouldn't you say, like even where Gunna

645
00:30:55,800 --> 00:31:00,520
Speaker 2: has even gone, it's like full melodic rapping. That's kind

646
00:31:00,520 --> 00:31:03,440
Speaker 2: of everybody now. So for somebody as a pen like Bryson, yeah,

647
00:31:03,480 --> 00:31:05,680
Speaker 2: I wouldn't mind him leaning more into the rap shit,

648
00:31:05,800 --> 00:31:09,600
Speaker 2: no melodic, just straight bar Like everything for the most

649
00:31:09,640 --> 00:31:12,560
Speaker 2: part now is melodic outside of the legacy.

650
00:31:12,680 --> 00:31:14,960
Speaker 3: That's what I'm saying. If he's doing that, great, I'm saying.

651
00:31:14,960 --> 00:31:18,200
Speaker 3: If he's on it rapping like how Ross rap Ross

652
00:31:18,200 --> 00:31:20,920
Speaker 3: ton't wrap with no melodies, he giving you straight bars.

653
00:31:21,320 --> 00:31:24,360
Speaker 3: If Bryson is doing that, I'm just a you know,

654
00:31:24,400 --> 00:31:26,080
Speaker 3: it's just kind of like I'm going into a little

655
00:31:26,120 --> 00:31:27,320
Speaker 3: apprehensiveness like.

656
00:31:28,240 --> 00:31:31,920
Speaker 2: Did you hear his feature on Keano Today's album Gone?

657
00:31:33,760 --> 00:31:35,840
Speaker 3: How long ago? Was that? It's something that feels like two.

658
00:31:35,760 --> 00:31:39,120
Speaker 2: Years ago, two years ago, one of the best verses

659
00:31:39,160 --> 00:31:41,280
Speaker 2: of the year. He's rapping on that. But yes, it

660
00:31:41,320 --> 00:31:43,320
Speaker 2: is very much melodic. I want to use as that

661
00:31:43,360 --> 00:31:46,200
Speaker 2: as an example. If it's if he's saying there's going

662
00:31:46,240 --> 00:31:47,640
Speaker 2: to be a rap album, I think it'll be even

663
00:31:47,680 --> 00:31:51,440
Speaker 2: more rap than what that feature was. That was very melodic.

664
00:31:51,440 --> 00:31:54,240
Speaker 2: But he's skilled as bars. But scared, No, I'm not.

665
00:31:54,360 --> 00:31:54,920
Speaker 6: I'm not scared.

666
00:31:54,920 --> 00:31:57,960
Speaker 3: Actually, if it's if it's if it's melodic, he in

667
00:31:58,000 --> 00:32:00,719
Speaker 3: his bag, that's his that's his bread butter. But if

668
00:32:00,760 --> 00:32:04,560
Speaker 3: it's just Bryson on there and he's trying to bar

669
00:32:04,720 --> 00:32:06,680
Speaker 3: you down, like like kiss, I'm gonna.

670
00:32:06,520 --> 00:32:09,200
Speaker 4: Be like, I can't hear him be melodic with boss

671
00:32:09,240 --> 00:32:11,280
Speaker 4: Man di Loo why not?

672
00:32:12,720 --> 00:32:18,120
Speaker 2: Absolutely, I can't hear it. I mean with bum Beeh

673
00:32:18,880 --> 00:32:19,080
Speaker 2: to me?

674
00:32:19,160 --> 00:32:22,840
Speaker 3: Was melodic? Be's melodic to me? No, But you know

675
00:32:22,880 --> 00:32:27,000
Speaker 3: the melodic I'm talking about. I know what PIMC was. Yeah,

676
00:32:27,000 --> 00:32:29,840
Speaker 3: but I don't know. I'm a little I thought this

677
00:32:29,960 --> 00:32:34,240
Speaker 3: was Bryce until it going back to you know, giving

678
00:32:34,320 --> 00:32:36,480
Speaker 3: us that that R and B that that that bad.

679
00:32:36,520 --> 00:32:38,880
Speaker 3: But I mean, listen, man, it's gonna double double dust.

680
00:32:38,880 --> 00:32:39,680
Speaker 3: This is just the first one.

681
00:32:39,680 --> 00:32:39,800
Speaker 1: Thing.

682
00:32:39,840 --> 00:32:42,280
Speaker 3: I will say Bryson is gained my trust as an artist.

683
00:32:42,360 --> 00:32:43,320
Speaker 3: I trust him as an artist.

684
00:32:43,400 --> 00:32:47,440
Speaker 2: Yeah, I actually think Bryson is very much underrated with

685
00:32:47,680 --> 00:32:48,520
Speaker 2: his desography.

686
00:32:48,840 --> 00:32:50,560
Speaker 5: He got a lot of slack for his follow up.

687
00:32:50,680 --> 00:32:51,600
Speaker 5: I think after.

688
00:32:51,640 --> 00:32:54,040
Speaker 2: Trap Soul and mixed reviews on one after that, I

689
00:32:54,040 --> 00:32:55,960
Speaker 2: think everything is put out is great.

690
00:32:56,120 --> 00:32:57,160
Speaker 3: The last album was crazy.

691
00:32:57,200 --> 00:33:00,280
Speaker 2: I really fucked with Bryson, and I don't know where

692
00:33:00,320 --> 00:33:02,720
Speaker 2: the disconnect has been at least I only speak to

693
00:33:02,720 --> 00:33:05,640
Speaker 2: the social media world, like where people have started to

694
00:33:05,720 --> 00:33:09,280
Speaker 2: doubt Bryson was it because Trapsoul was just like the

695
00:33:09,320 --> 00:33:11,320
Speaker 2: biggest thing ever that year, and the only way you

696
00:33:11,320 --> 00:33:13,840
Speaker 2: can go from there is down Like no, I've never

697
00:33:13,920 --> 00:33:17,360
Speaker 2: understood why people keep overlooking the quality music that Bryson

698
00:33:17,400 --> 00:33:18,080
Speaker 2: keeps putting on.

699
00:33:18,080 --> 00:33:20,440
Speaker 4: Well, I think at this point now, maybe after his

700
00:33:20,520 --> 00:33:22,640
Speaker 4: second album, but I'm talking about at this point now.

701
00:33:22,720 --> 00:33:25,160
Speaker 4: I don't think it's that it was because of Trap Soul.

702
00:33:25,240 --> 00:33:28,360
Speaker 4: I think that the people who are really pushing music

703
00:33:28,440 --> 00:33:31,440
Speaker 4: or paying attention to music right now barely remember Trap

704
00:33:31,480 --> 00:33:33,200
Speaker 4: Soul like they were younger. Like, I don't think the

705
00:33:33,240 --> 00:33:36,160
Speaker 4: young kids he doesn't mean as much to them an.

706
00:33:36,240 --> 00:33:38,880
Speaker 2: Yeh, but even like the build up of him being

707
00:33:38,920 --> 00:33:42,960
Speaker 2: the next guy, going from trap soul to then the

708
00:33:43,080 --> 00:33:47,880
Speaker 2: Kalid and Rihanna record, which I was a timeless record

709
00:33:47,920 --> 00:33:49,920
Speaker 2: like that could play now, it'd be fine. Yeah, But

710
00:33:49,920 --> 00:33:52,120
Speaker 2: there was a he was set well, he was setting

711
00:33:52,160 --> 00:33:54,080
Speaker 2: up to be the guy, and then he took a break.

712
00:33:54,120 --> 00:33:55,880
Speaker 3: I mean, didn't he get married or.

713
00:33:55,880 --> 00:33:59,240
Speaker 2: Something something happened where he took a break when I

714
00:33:59,280 --> 00:34:02,280
Speaker 2: think when the Mayor was going on, and then he

715
00:34:02,320 --> 00:34:04,360
Speaker 2: put out an album that just didn't have a single

716
00:34:04,400 --> 00:34:06,800
Speaker 2: that works. But I thought it was a dope album.

717
00:34:07,120 --> 00:34:08,920
Speaker 2: You gotta d on there with Drake that's fire that

718
00:34:09,040 --> 00:34:10,400
Speaker 2: I just for some reason. I don't know if it

719
00:34:10,440 --> 00:34:12,359
Speaker 2: was if it was the label not working it, but

720
00:34:13,520 --> 00:34:15,640
Speaker 2: I don't know. I'm excited for this, this price and shit,

721
00:34:15,680 --> 00:34:17,080
Speaker 2: and I love that it's a double disc.

722
00:34:18,680 --> 00:34:21,200
Speaker 3: Do you think he's mad that having plows t pain?

723
00:34:22,320 --> 00:34:27,040
Speaker 2: Is he going the route the nostalgia route that Metro

724
00:34:27,200 --> 00:34:31,040
Speaker 2: just went with features like that hope from the same era,

725
00:34:32,239 --> 00:34:34,040
Speaker 2: like we're all the same age like that. That's when

726
00:34:34,080 --> 00:34:36,600
Speaker 2: I see those two combined. To me, that feels like

727
00:34:36,640 --> 00:34:39,200
Speaker 2: you're trying to do a two thousands thing. If you

728
00:34:39,360 --> 00:34:41,040
Speaker 2: have plows and he paining together on yourself.

729
00:34:41,520 --> 00:34:44,160
Speaker 3: Why you keep saying plows or you don't know something? Yeah? Maybe?

730
00:34:44,239 --> 00:34:48,320
Speaker 6: Okay, did you got speaking of Metro's album, did you

731
00:34:48,360 --> 00:34:48,880
Speaker 6: guys like it?

732
00:34:51,640 --> 00:34:51,799
Speaker 2: No?

733
00:34:52,280 --> 00:34:54,560
Speaker 6: Is that a loyalty or like actual? Ada lady like?

734
00:34:54,800 --> 00:34:57,640
Speaker 3: They played like four records in here and Peach told

735
00:34:57,640 --> 00:34:59,040
Speaker 3: me the whole album sounds like that, and I was like,

736
00:34:59,040 --> 00:35:01,600
Speaker 3: I can't listen to that. I understand what he's doing though.

737
00:35:01,719 --> 00:35:04,400
Speaker 3: They say he wants music to go back regional and

738
00:35:04,480 --> 00:35:06,560
Speaker 3: keep things like if you're from Atlanta, your music will

739
00:35:06,640 --> 00:35:07,839
Speaker 3: sound like I.

740
00:35:07,800 --> 00:35:12,479
Speaker 2: Respect that, but that sound wasn't. Well, yes it was regional,

741
00:35:12,520 --> 00:35:14,839
Speaker 2: don't get me wrong. That's in Atlanta all day, but

742
00:35:14,880 --> 00:35:17,000
Speaker 2: it went everywhere.

743
00:35:17,160 --> 00:35:19,799
Speaker 3: Yeah, no, and I get that that's cool, but I

744
00:35:19,920 --> 00:35:24,000
Speaker 3: just listen, man, I'm everything is just not for me.

745
00:35:24,239 --> 00:35:26,399
Speaker 3: I can't hear that. I don't I will. I don't

746
00:35:26,440 --> 00:35:29,520
Speaker 3: even know where to play that. Definitely not playing that

747
00:35:29,560 --> 00:35:32,200
Speaker 3: in the crib, not playing that on the drive, like,

748
00:35:32,239 --> 00:35:35,239
Speaker 3: I'm not where am I playing at at? Somebody? That's

749
00:35:35,239 --> 00:35:37,760
Speaker 3: for somebody. Somebody's gonna love that and play that somewhere

750
00:35:37,760 --> 00:35:40,080
Speaker 3: at a day party something like you know they gonna

751
00:35:40,120 --> 00:35:43,240
Speaker 3: they're gonna have fun with it. I'm just saying me personally,

752
00:35:43,280 --> 00:35:45,319
Speaker 3: I think Metro is dope. But I'm just saying that

753
00:35:45,440 --> 00:35:48,480
Speaker 3: album I can't that music is not is not for me.

754
00:35:49,360 --> 00:35:52,600
Speaker 2: I mean it was. I haven't gotten through the entire thing.

755
00:35:53,000 --> 00:35:57,319
Speaker 2: And without getting through the entire thing, my point is,

756
00:35:57,719 --> 00:35:59,960
Speaker 2: did it need to be a double disc?

757
00:36:00,280 --> 00:36:00,400
Speaker 1: Like?

758
00:36:00,640 --> 00:36:02,279
Speaker 3: Again, I get it, you're doing the nostalgia shit.

759
00:36:02,320 --> 00:36:04,640
Speaker 2: This is what I was listening to in high school

760
00:36:04,800 --> 00:36:08,239
Speaker 2: into freshman year college. Like I love Roscoe Dash, I

761
00:36:08,280 --> 00:36:11,640
Speaker 2: love Travis Porter. Here in Gushi they want to have fun,

762
00:36:11,680 --> 00:36:14,880
Speaker 2: Like I like that record a lot.

763
00:36:15,200 --> 00:36:17,520
Speaker 3: Do we need what is this?

764
00:36:17,719 --> 00:36:21,640
Speaker 5: Twenty twenty five records of this sound?

765
00:36:22,040 --> 00:36:22,120
Speaker 4: Like?

766
00:36:22,160 --> 00:36:23,840
Speaker 2: This could have been a really because you know, Metro

767
00:36:23,920 --> 00:36:27,239
Speaker 2: does really good EPs, whether it be Sean Quabo, like

768
00:36:27,360 --> 00:36:30,520
Speaker 2: he just throws out his high volume like he puts

769
00:36:30,520 --> 00:36:31,160
Speaker 2: out a lot of shit.

770
00:36:32,440 --> 00:36:34,400
Speaker 3: Do we need this much of this sound?

771
00:36:34,760 --> 00:36:34,840
Speaker 2: Like?

772
00:36:34,880 --> 00:36:35,680
Speaker 3: Could it be anything?

773
00:36:36,040 --> 00:36:38,680
Speaker 2: I would really appreciate an EP of this type of

774
00:36:38,680 --> 00:36:41,640
Speaker 2: shit based off my age and the era that this

775
00:36:41,719 --> 00:36:44,160
Speaker 2: music came out, I can really appreciate it.

776
00:36:44,160 --> 00:36:45,080
Speaker 3: It's nostalgic to me.

777
00:36:45,560 --> 00:36:48,640
Speaker 2: Love Waka, Like all this shit is great, But why

778
00:36:48,719 --> 00:36:50,239
Speaker 2: twenty five fucking songs.

779
00:36:49,960 --> 00:36:52,759
Speaker 3: Of this Yes, like so much, it's too much. It's

780
00:36:52,800 --> 00:36:54,920
Speaker 3: just such thing as too much for me. Again, if

781
00:36:54,960 --> 00:36:57,920
Speaker 3: somebody's gonna love it, somebody's gonna be excited to hear

782
00:36:57,960 --> 00:36:59,959
Speaker 3: that sound again and go back to to that time.

783
00:37:01,480 --> 00:37:04,160
Speaker 3: You know, I'm more on the side of you know,

784
00:37:04,320 --> 00:37:06,480
Speaker 3: give me something more current, give me something that we

785
00:37:06,600 --> 00:37:09,279
Speaker 3: probably didn't get, you know what I mean, change the

786
00:37:09,320 --> 00:37:11,680
Speaker 3: sound a little bit, like I'm on that side of it.

787
00:37:11,760 --> 00:37:13,880
Speaker 3: Like I respect what he did, and I think it

788
00:37:13,920 --> 00:37:16,319
Speaker 3: makes sense to try to get music back to a

789
00:37:16,320 --> 00:37:19,319
Speaker 3: place where it's more regional, you represent where you're from

790
00:37:19,360 --> 00:37:21,919
Speaker 3: more instead of you know, everybody being on social media

791
00:37:21,920 --> 00:37:24,799
Speaker 3: and try to chase what the wave is. Just like, no,

792
00:37:24,840 --> 00:37:27,600
Speaker 3: stay in your corner, stay in your pocket, do what

793
00:37:27,680 --> 00:37:30,719
Speaker 3: you do. I respect that. I'm just saying, not to

794
00:37:30,760 --> 00:37:34,840
Speaker 3: this extent. Twenty five tracks of that sound from was

795
00:37:34,880 --> 00:37:38,960
Speaker 3: that like five yeah, six, so four maybe around there

796
00:37:40,160 --> 00:37:42,600
Speaker 3: four to six, Yeah, don't take me twenty years back.

797
00:37:42,880 --> 00:37:45,880
Speaker 3: Don't do that, like, give me something that we didn't get.

798
00:37:45,920 --> 00:37:47,719
Speaker 3: It was LIKEO, this is crazy, this is innovative. This

799
00:37:47,800 --> 00:37:49,440
Speaker 3: is you know what I'm saying, Give me that before

800
00:37:49,800 --> 00:37:52,759
Speaker 3: you take me back. Twenty five tracks of a sound

801
00:37:52,800 --> 00:37:53,600
Speaker 3: from twenty years ago.

802
00:37:53,719 --> 00:37:55,319
Speaker 2: He put it it's spent on it a little bit

803
00:37:55,320 --> 00:37:57,000
Speaker 2: like I liked that it was hosted by DJ Too

804
00:37:57,040 --> 00:37:58,359
Speaker 2: that went back to that era.

805
00:37:58,480 --> 00:38:02,000
Speaker 3: Yeah, I get it. Install This is my theory. I

806
00:38:02,040 --> 00:38:02,600
Speaker 3: can't prove this.

807
00:38:02,719 --> 00:38:04,799
Speaker 2: Why this is twenty five records is because I think

808
00:38:04,880 --> 00:38:06,839
Speaker 2: and there's no disrespect to that era, because I love

809
00:38:06,920 --> 00:38:09,520
Speaker 2: that era. So I got pussy for the first time

810
00:38:09,520 --> 00:38:12,040
Speaker 2: in that era, like I hold a special place, sure place,

811
00:38:12,040 --> 00:38:14,880
Speaker 2: special place in my fucking heart. This was this sound

812
00:38:15,080 --> 00:38:18,480
Speaker 2: was high school dances part like that was our shit.

813
00:38:19,760 --> 00:38:22,879
Speaker 5: I think Metro found out how fucking easy.

814
00:38:22,600 --> 00:38:24,719
Speaker 2: It was to make those type of beats, and that's

815
00:38:24,760 --> 00:38:26,160
Speaker 2: why we have twenty five of them.

816
00:38:26,520 --> 00:38:28,319
Speaker 5: I think he made every one of these beats.

817
00:38:28,360 --> 00:38:31,880
Speaker 2: He said, oh my god, with this stuff, that technology

818
00:38:31,920 --> 00:38:35,600
Speaker 2: we have now, I could make this beat in five seconds. Yeah,

819
00:38:36,080 --> 00:38:38,600
Speaker 2: that's what I think happened because Metro, if you go

820
00:38:38,680 --> 00:38:41,520
Speaker 2: back to his last album and the one with Future

821
00:38:41,560 --> 00:38:45,520
Speaker 2: as well, like how intricate Metro's beats are are incredible.

822
00:38:46,440 --> 00:38:48,960
Speaker 2: Metro can do this shit when he's taking a shit

823
00:38:49,040 --> 00:38:51,759
Speaker 2: on the toilet. That's why I think there's so much here,

824
00:38:51,760 --> 00:38:55,279
Speaker 2: because he found out that sound is extremely easy to

825
00:38:55,320 --> 00:38:58,120
Speaker 2: make in this era, like Able to they was doing

826
00:38:58,160 --> 00:38:59,799
Speaker 2: that shit on fruity loops everything like that.

827
00:39:00,040 --> 00:39:00,719
Speaker 3: It took some time.

828
00:39:01,360 --> 00:39:03,520
Speaker 2: Listen, you could do it in five minutes, Lable. I'm

829
00:39:03,520 --> 00:39:06,040
Speaker 2: i saying it's bad. Yeah, and quick doesn't mean bad.

830
00:39:06,320 --> 00:39:09,239
Speaker 2: But that's why I think Metro had an idea and

831
00:39:09,360 --> 00:39:12,560
Speaker 2: just kept pumping out like ten bts a day with

832
00:39:12,640 --> 00:39:15,560
Speaker 2: this sound because it's so easy to fucking make it. Yeah.

833
00:39:15,600 --> 00:39:17,960
Speaker 3: I'm cool though, but respect to him, you know what

834
00:39:18,000 --> 00:39:20,440
Speaker 3: I'm saying. He's obviously one of the most talented producers

835
00:39:20,480 --> 00:39:24,080
Speaker 3: we have and things like that. But this is this

836
00:39:24,239 --> 00:39:29,560
Speaker 3: project is just not for me, that's all. I had

837
00:39:30,040 --> 00:39:32,799
Speaker 3: another bit of a viral moment last year when we

838
00:39:32,800 --> 00:39:36,560
Speaker 3: were talking about uh Drake in regards to you know,

839
00:39:36,560 --> 00:39:38,799
Speaker 3: people calling him a culture vulture and things like that,

840
00:39:39,680 --> 00:39:43,640
Speaker 3: and in one of my rants, I said, if it

841
00:39:43,680 --> 00:39:45,880
Speaker 3: wasn't for Drake, we might not have never even known

842
00:39:45,880 --> 00:39:48,759
Speaker 3: who the migos was. That was in regards to me

843
00:39:49,480 --> 00:39:53,080
Speaker 3: saying when Drake remixed was it Vasaces?

844
00:39:53,520 --> 00:39:58,000
Speaker 1: Yeah, I thought, my buddy, nigga, that's my mans what

845
00:39:58,600 --> 00:40:01,880
Speaker 1: he stapped niggas and put it in And but just

846
00:40:01,880 --> 00:40:03,040
Speaker 1: do that, do that though.

847
00:40:03,040 --> 00:40:06,920
Speaker 3: He's niggas right, right, But people didn't understand what I

848
00:40:07,000 --> 00:40:08,320
Speaker 3: was saying. They were saying like I was trying to

849
00:40:08,320 --> 00:40:10,600
Speaker 3: give Drake oli, but it was like no, but one

850
00:40:10,600 --> 00:40:14,920
Speaker 3: of the biggest artists remixed a record from a group

851
00:40:15,680 --> 00:40:18,319
Speaker 3: that was making noise and was known in Atlanta and

852
00:40:18,320 --> 00:40:20,480
Speaker 3: and kind of bubbling around the country a little bit

853
00:40:20,520 --> 00:40:21,480
Speaker 3: in different pockets.

854
00:40:21,600 --> 00:40:24,399
Speaker 1: That's it's sound a different type of way. So I'm

855
00:40:24,440 --> 00:40:25,320
Speaker 1: the artist that's.

856
00:40:25,120 --> 00:40:27,880
Speaker 3: Coming from that was coming from off set. It stamped

857
00:40:28,239 --> 00:40:30,839
Speaker 3: the migos. So y'all can stop killing me every time

858
00:40:30,880 --> 00:40:32,680
Speaker 3: that clip goes viral and say, I don't know what

859
00:40:32,719 --> 00:40:34,000
Speaker 3: the fuck I'm talking about.

860
00:40:34,480 --> 00:40:36,520
Speaker 1: Saying, because they've be trying to say like they're gonna

861
00:40:36,520 --> 00:40:37,800
Speaker 1: say like we're gonna be great regard, we will be

862
00:40:37,840 --> 00:40:38,440
Speaker 1: great regardless.

863
00:40:38,440 --> 00:40:41,840
Speaker 5: But you can't skip this down. Yeahh No. That definitely

864
00:40:41,920 --> 00:40:43,200
Speaker 5: changed the Versace record for sure.

865
00:40:43,360 --> 00:40:46,759
Speaker 3: She was going and you know, and then I saw

866
00:40:46,800 --> 00:40:49,200
Speaker 3: Coach k On he was doing an interview somewhere where

867
00:40:49,239 --> 00:40:52,799
Speaker 3: he basically reiterated that, like nah, when Drake did that,

868
00:40:53,760 --> 00:40:55,440
Speaker 3: he just did that on the love like he fucked

869
00:40:55,480 --> 00:40:57,400
Speaker 3: with the record, and it was just like yeah.

870
00:40:57,200 --> 00:40:59,160
Speaker 1: It wasn't even know if all like give me all

871
00:40:59,200 --> 00:41:01,239
Speaker 1: the record behind the scene, like I own everything because

872
00:41:01,239 --> 00:41:03,680
Speaker 1: I'm doing it. No, but every start, I know, we

873
00:41:03,719 --> 00:41:05,680
Speaker 1: went from doing the type show to the Type show

874
00:41:06,840 --> 00:41:08,200
Speaker 1: changed she changed up.

875
00:41:08,680 --> 00:41:10,200
Speaker 3: I don't know what that was.

876
00:41:10,239 --> 00:41:15,560
Speaker 2: What twenty fourteen, fifteen, fourteen fourteen, what what was that? Like?

877
00:41:15,760 --> 00:41:18,560
Speaker 1: Thirteen it was Bando, that was Atlanta Ship. Yeah, that

878
00:41:18,640 --> 00:41:19,120
Speaker 1: was bubbling.

879
00:41:19,480 --> 00:41:21,479
Speaker 2: Yeah, I mean Bando made it up to New York

880
00:41:21,600 --> 00:41:24,120
Speaker 2: a little bit, a little bit right towards the thirteen.

881
00:41:24,160 --> 00:41:28,319
Speaker 3: I think then when that then drivers then we did

882
00:41:28,400 --> 00:41:31,440
Speaker 3: Birthday I'm in jail by the way, did Birthday bash.

883
00:41:31,640 --> 00:41:33,920
Speaker 1: And then when Buddy got on it and motherfucker.

884
00:41:33,520 --> 00:41:34,120
Speaker 3: Went to the moon.

885
00:41:34,440 --> 00:41:36,479
Speaker 1: Yeah, and after that it was it.

886
00:41:36,400 --> 00:41:39,879
Speaker 3: Was like what was that called? Like when you got vocals?

887
00:41:40,239 --> 00:41:44,480
Speaker 3: I was in a bad situation, I was I heard

888
00:41:44,480 --> 00:41:45,719
Speaker 3: it like that the word heard it?

889
00:41:45,920 --> 00:41:50,480
Speaker 1: Yeah, whenever fucking came out like over the phone, damn

890
00:41:51,080 --> 00:41:54,200
Speaker 1: you locked up and you hear that verse? Yes, sir, Oh.

891
00:41:54,200 --> 00:41:56,520
Speaker 3: Them walls got smaller. Man. You couldn't wait to get

892
00:41:56,520 --> 00:41:59,080
Speaker 3: out that what wait? Got that?

893
00:41:59,200 --> 00:42:00,799
Speaker 2: I was like that was like yoo, and get Rich

894
00:42:00,880 --> 00:42:03,720
Speaker 2: dropped like wait, hold on you the biggest I gotta get.

895
00:42:03,600 --> 00:42:06,520
Speaker 3: The outre we going crazy right now?

896
00:42:06,760 --> 00:42:08,480
Speaker 1: I heard that's one now.

897
00:42:08,520 --> 00:42:10,399
Speaker 3: We and Rory went to the Scorpion Show when y'all

898
00:42:10,440 --> 00:42:12,719
Speaker 3: won tour with Drake, and I remember telling Rory when

899
00:42:12,719 --> 00:42:15,520
Speaker 3: we left, I said, I always knew that Migos had

900
00:42:15,560 --> 00:42:17,359
Speaker 3: records and they was dope and you know all of that.

901
00:42:18,080 --> 00:42:21,479
Speaker 3: But seeing y'all perform that set list on the Scorpion Tour,

902
00:42:22,840 --> 00:42:25,239
Speaker 3: for me, it gained a different level of respect for

903
00:42:25,320 --> 00:42:28,600
Speaker 3: y'all because I was like, Yo, they was doing back

904
00:42:28,640 --> 00:42:33,240
Speaker 3: to back to back to back hit records the entire set.

905
00:42:33,760 --> 00:42:36,000
Speaker 3: There wasn't no opening fifteen minute, no no, no, no,

906
00:42:36,000 --> 00:42:38,680
Speaker 3: no no. They could have easily headlined a tour like that.

907
00:42:39,040 --> 00:42:43,799
Speaker 3: But is that a testament to just y'all always knowing that, Yo,

908
00:42:43,840 --> 00:42:46,600
Speaker 3: we dope, We're gonna be who we are and when

909
00:42:46,600 --> 00:42:48,319
Speaker 3: the time comes, everybody to catch on.

910
00:42:49,120 --> 00:42:52,279
Speaker 1: Yeah, that's been the story of that shit since the

911
00:42:52,320 --> 00:42:56,200
Speaker 1: beginning of time. I always caught catch I'd be liking

912
00:42:56,200 --> 00:42:58,960
Speaker 1: this shit, ookkay. I feel like the ship that hit

913
00:42:59,040 --> 00:43:00,000
Speaker 1: fast go fast.

914
00:43:00,280 --> 00:43:03,640
Speaker 3: Oh yeah, it phades quick, especially now, Yeah, they get

915
00:43:03,640 --> 00:43:05,200
Speaker 3: over it super quick, super quick.

916
00:43:05,239 --> 00:43:07,640
Speaker 1: Like I rather a record I'd rather start from twenty

917
00:43:07,680 --> 00:43:09,600
Speaker 1: five on board and clown in No More. I didn't

918
00:43:09,640 --> 00:43:12,520
Speaker 1: go no More and then next week come ninety eight.

919
00:43:13,719 --> 00:43:15,360
Speaker 1: I rather do that be cause that mean the record

920
00:43:15,360 --> 00:43:18,479
Speaker 1: ain't sticking. Yeah, it's just some hype, right, the type

921
00:43:18,480 --> 00:43:19,120
Speaker 1: should be down on.

922
00:43:19,560 --> 00:43:21,440
Speaker 3: Yeah, now that's working the record as one of the

923
00:43:21,480 --> 00:43:25,520
Speaker 3: more fashionable guys in the culture. Yeah, being from Atlanta. Now,

924
00:43:25,640 --> 00:43:28,080
Speaker 3: Yachty had some things to say about New York and

925
00:43:28,080 --> 00:43:30,759
Speaker 3: it's fashion sense a few months ago, and then they

926
00:43:30,840 --> 00:43:32,399
Speaker 3: kind of killed him. You spend a lot of time

927
00:43:32,440 --> 00:43:34,239
Speaker 3: in New York. You do a lot of shopping in

928
00:43:34,239 --> 00:43:38,000
Speaker 3: New York. Being from Atlanta, where do you feel like

929
00:43:38,239 --> 00:43:42,080
Speaker 3: which city has more sense of fashion and style and

930
00:43:42,160 --> 00:43:44,280
Speaker 3: taste between New York and Atlanta.

931
00:43:45,640 --> 00:43:48,080
Speaker 1: I'm gonna say it like this, you can't never play

932
00:43:48,120 --> 00:43:52,279
Speaker 1: with New York. Okay, ever, it's just it's a it's

933
00:43:52,320 --> 00:43:53,800
Speaker 1: a it's just it's the brain.

934
00:43:53,920 --> 00:43:55,320
Speaker 3: So the semester it's the mecca.

935
00:43:55,400 --> 00:43:56,719
Speaker 1: That it's the mecca.

936
00:43:57,280 --> 00:44:04,520
Speaker 3: Now we got house and like how we do it,

937
00:44:04,719 --> 00:44:05,560
Speaker 3: how we carry it.

938
00:44:05,640 --> 00:44:08,799
Speaker 1: Yeah, I feel like if I want to shot, I'm

939
00:44:08,800 --> 00:44:11,160
Speaker 1: gonna come to New York for sure. Ain't no planing,

940
00:44:12,040 --> 00:44:13,560
Speaker 1: But I'm not gonna copy high in New York and

941
00:44:13,640 --> 00:44:14,239
Speaker 1: get dressed though.

942
00:44:14,320 --> 00:44:15,759
Speaker 3: Okay, you ain't gonna put it on, you ain't gonna

943
00:44:15,760 --> 00:44:17,319
Speaker 3: put it. Put it together the same way I'm gonna

944
00:44:17,320 --> 00:44:19,040
Speaker 3: put together the same way. Okay, got you, I'm gonna

945
00:44:19,040 --> 00:44:21,600
Speaker 3: respect it now. I would never say what was the question?

946
00:44:22,120 --> 00:44:24,319
Speaker 3: Was what they asked him, and then he said, he said,

947
00:44:24,760 --> 00:44:27,359
Speaker 3: got exactly what yacht he said, but it was like

948
00:44:27,480 --> 00:44:28,160
Speaker 3: who's flyer?

949
00:44:29,000 --> 00:44:30,960
Speaker 2: And then they pulled up a million photos of him

950
00:44:31,040 --> 00:44:34,279
Speaker 2: dressing just like DMX, and it was just like, I

951
00:44:34,280 --> 00:44:41,480
Speaker 2: mean that, you can't say New York doesn't dress better

952
00:44:41,480 --> 00:44:44,360
Speaker 2: than Atlanta and all these photos you just taken influence

953
00:44:44,360 --> 00:44:47,040
Speaker 2: from New York fashion. Yeah, but I mean I get

954
00:44:47,719 --> 00:44:49,399
Speaker 2: Atlanta's put their their sauce on.

955
00:44:50,880 --> 00:44:53,640
Speaker 3: So then we're having sauce man. But it's a cheat

956
00:44:53,680 --> 00:44:55,720
Speaker 3: coote now. And I always say this with social media

957
00:44:56,320 --> 00:44:59,560
Speaker 3: because before social media, if you was flying your city,

958
00:44:59,719 --> 00:45:01,840
Speaker 3: it was because you really went and looked for pieces.

959
00:45:02,239 --> 00:45:05,120
Speaker 3: You can put pieces together. Now with social media, I

960
00:45:05,160 --> 00:45:06,759
Speaker 3: could just follow off set and be like, Yo, what

961
00:45:06,840 --> 00:45:09,200
Speaker 3: hoodie off set got on? I'm gonna go get that, Yo,

962
00:45:09,239 --> 00:45:11,319
Speaker 3: what shorts off set got on? I'm gonna go get

963
00:45:11,320 --> 00:45:13,080
Speaker 3: that yo. How he did his socks with the with

964
00:45:13,160 --> 00:45:15,400
Speaker 3: the lacers. It's easy.

965
00:45:15,840 --> 00:45:18,960
Speaker 2: That doesn't mean ship fashion me is also like Colonne,

966
00:45:19,040 --> 00:45:21,920
Speaker 2: it's gonna smell different on everybody. Like you could copy

967
00:45:22,000 --> 00:45:24,680
Speaker 2: somebody's whole fit. You could look nothing.

968
00:45:24,640 --> 00:45:27,279
Speaker 3: Absolutely you see we see the mannequins that got the

969
00:45:27,280 --> 00:45:32,560
Speaker 3: whole bill, Like you, bro, you want to tell you that?

970
00:45:32,960 --> 00:45:34,120
Speaker 3: Finally one person.

971
00:45:33,920 --> 00:45:35,920
Speaker 1: Like, yeah, I don't like that.

972
00:45:35,920 --> 00:45:38,200
Speaker 3: I don't like niggas to go print crazy too. Yeah,

973
00:45:38,560 --> 00:45:41,520
Speaker 3: grab some pieces in there and then like you said, sauce,

974
00:45:41,680 --> 00:45:42,560
Speaker 3: how you throw it together?

975
00:45:42,560 --> 00:45:43,320
Speaker 1: How you throw it together?

976
00:45:43,440 --> 00:45:45,439
Speaker 3: Yeah? Because it ain't no rules and this ship right,

977
00:45:45,640 --> 00:45:47,400
Speaker 3: So it's it's a free book.

978
00:45:47,880 --> 00:45:50,160
Speaker 1: Some niggas. I hate man calling niggas man.

979
00:45:51,840 --> 00:45:55,319
Speaker 3: It's funny. I just said that about yes, nigg straight

980
00:45:55,440 --> 00:45:59,280
Speaker 3: Louis every time that Lois Louis sock short pants. Bet

981
00:45:59,520 --> 00:46:05,879
Speaker 3: that's now before we let you get out of here.

982
00:46:06,200 --> 00:46:09,759
Speaker 2: We do have fans and listeners that call in and

983
00:46:09,800 --> 00:46:11,920
Speaker 2: ask for advice, tell us stories. We want to do

984
00:46:11,960 --> 00:46:14,760
Speaker 2: one quick voicemail with you, so we give a fan advice.

985
00:46:15,280 --> 00:46:18,920
Speaker 7: You have got mail, how it's going game? Fuck with

986
00:46:18,960 --> 00:46:22,239
Speaker 7: the pod? Uhy to come down to Louisiana for a

987
00:46:22,280 --> 00:46:27,239
Speaker 7: live show year. I'm a beat up, but uh, the

988
00:46:27,280 --> 00:46:29,200
Speaker 7: reason I was hitting your love man is because the

989
00:46:29,239 --> 00:46:30,240
Speaker 7: nigga needs some advice.

990
00:46:30,320 --> 00:46:30,560
Speaker 4: You know.

991
00:46:31,200 --> 00:46:33,040
Speaker 7: Nah, I haven't been around the block a few times.

992
00:46:33,040 --> 00:46:34,880
Speaker 3: You know, I'm not new to this.

993
00:46:35,800 --> 00:46:38,600
Speaker 7: Still, I still like to hear different perspectives. So that

994
00:46:38,880 --> 00:46:41,480
Speaker 7: shorty I'm talking to you know, I love I love

995
00:46:41,600 --> 00:46:44,520
Speaker 7: my life type ship like you know, our interests a line,

996
00:46:44,560 --> 00:46:47,080
Speaker 7: our morals a line. Everything like were good and every

997
00:46:47,120 --> 00:46:51,960
Speaker 7: everything good, everything pure, everything great except one problem.

998
00:46:52,280 --> 00:46:53,080
Speaker 3: Trust the shoes.

999
00:46:53,640 --> 00:46:57,000
Speaker 7: She got trusted shoes and they are bad now I

1000
00:46:57,040 --> 00:46:59,319
Speaker 7: know where they stem from. Like she ain't had the best,

1001
00:46:59,400 --> 00:47:00,719
Speaker 7: Like you know what I'm saying. She's been through a lot,

1002
00:47:00,760 --> 00:47:02,200
Speaker 7: and one of the things I love about it is

1003
00:47:02,480 --> 00:47:05,640
Speaker 7: her perseverance, Like how she how she's still such a

1004
00:47:05,640 --> 00:47:07,640
Speaker 7: great person after dinner with all the stuff that she's

1005
00:47:07,680 --> 00:47:11,799
Speaker 7: been through in life. But that caused this issue is

1006
00:47:11,800 --> 00:47:13,439
Speaker 7: you know, and she needs therapy. But that's a whole

1007
00:47:13,480 --> 00:47:16,279
Speaker 7: nother conversation. We ain't about to have no time, but

1008
00:47:17,680 --> 00:47:20,000
Speaker 7: I'll be killing bro. I don't be doing nothing wrong

1009
00:47:20,080 --> 00:47:21,719
Speaker 7: like a nigga, don't. I don't text noll the bitches.

1010
00:47:21,719 --> 00:47:23,560
Speaker 7: I don't fucking all the bitches, like you know what

1011
00:47:23,600 --> 00:47:25,440
Speaker 7: I'm saying, I ain't. I'm not on that, like I'm

1012
00:47:25,440 --> 00:47:28,120
Speaker 7: off there. I wanna I want a real relationship or whatever,

1013
00:47:28,160 --> 00:47:32,040
Speaker 7: you know. So basically like how would y'all deal with

1014
00:47:32,040 --> 00:47:34,000
Speaker 7: that without I don't want to break up with her,

1015
00:47:34,040 --> 00:47:35,600
Speaker 7: like she'd be trying to go through a nigga phone,

1016
00:47:35,640 --> 00:47:37,040
Speaker 7: Like she went through my phone. She don't find nothing,

1017
00:47:37,080 --> 00:47:39,560
Speaker 7: but it's still oh, you must be hiding something, must

1018
00:47:39,560 --> 00:47:41,440
Speaker 7: delete messages, like it's all kind of bullshit and not

1019
00:47:41,600 --> 00:47:43,719
Speaker 7: just I don't want to break up with her, but

1020
00:47:44,760 --> 00:47:45,399
Speaker 7: nigga kind of.

1021
00:47:45,360 --> 00:47:50,120
Speaker 3: Tired of it, Yo, maw leave. Yeah, I feel like

1022
00:47:50,160 --> 00:47:52,840
Speaker 3: it sounds like she's already like just way too insecure

1023
00:47:52,840 --> 00:47:54,359
Speaker 3: and it's not gonna get no better. If she going

1024
00:47:54,400 --> 00:47:56,000
Speaker 3: through your phone and she don't find nothing and she

1025
00:47:56,040 --> 00:47:59,000
Speaker 3: still feel like you hiding something. She got to do

1026
00:47:59,040 --> 00:48:00,799
Speaker 3: the work. Get out of that man, Get up out

1027
00:48:00,800 --> 00:48:05,040
Speaker 3: of there, he said, he got.

1028
00:48:04,719 --> 00:48:09,959
Speaker 2: You know, she has she she has, she passed, has those,

1029
00:48:10,360 --> 00:48:10,879
Speaker 2: so she'd be.

1030
00:48:10,800 --> 00:48:13,080
Speaker 3: Going through his phone, Yeah, going through a ship. He's

1031
00:48:13,080 --> 00:48:14,760
Speaker 3: gonna be doing nothing, he said, he's chilling.

1032
00:48:14,800 --> 00:48:20,520
Speaker 1: No holes, I'm saying though he had to do it,

1033
00:48:20,680 --> 00:48:22,440
Speaker 1: like is it like a past.

1034
00:48:22,719 --> 00:48:25,640
Speaker 3: Well her previous relationships, she's been through some ship before

1035
00:48:26,239 --> 00:48:29,640
Speaker 3: now that day. Sometimes people do that to the oh yeah,

1036
00:48:29,960 --> 00:48:34,080
Speaker 3: what she doing, what she got going on? Check her phone?

1037
00:48:34,160 --> 00:48:39,040
Speaker 3: That's that's y'all check phones. But I'm just saying, like

1038
00:48:39,160 --> 00:48:42,120
Speaker 3: she keep pressing, she checking him? See it too, like

1039
00:48:42,160 --> 00:48:45,120
Speaker 3: he heard about that ship, like he in love with her.

1040
00:48:45,120 --> 00:48:46,200
Speaker 3: He'saying like he want to be with her, but he

1041
00:48:46,320 --> 00:48:48,520
Speaker 3: like she making it all like damn, I'm not fucking around.

1042
00:48:48,520 --> 00:48:49,960
Speaker 3: Why you keep pressing me about this?

1043
00:48:51,239 --> 00:48:52,200
Speaker 1: They don't want my advice.

1044
00:48:53,920 --> 00:48:59,120
Speaker 3: He wants to trust me. He didn't want said like, hell, yeah,

1045
00:48:59,120 --> 00:49:00,960
Speaker 3: I'm going I'm rolling with that. So what does all said?

1046
00:49:01,000 --> 00:49:02,320
Speaker 3: Tell a gentleman like that.

1047
00:49:05,000 --> 00:49:09,880
Speaker 1: What you're telling? She too? Like maybe maybe maybe you

1048
00:49:09,920 --> 00:49:11,600
Speaker 1: got you make it feel a little bit more secure

1049
00:49:11,600 --> 00:49:16,200
Speaker 1: than maybe okay, maybe you maybe you the trauma, look

1050
00:49:16,200 --> 00:49:18,200
Speaker 1: at the trauma she's been through and try to do

1051
00:49:18,320 --> 00:49:22,600
Speaker 1: the opposite of that. Yeah, maybe that can help, but

1052
00:49:22,920 --> 00:49:23,440
Speaker 1: I don't know.

1053
00:49:23,800 --> 00:49:26,280
Speaker 2: I hear that, but I'm not changing my whole life

1054
00:49:26,280 --> 00:49:28,200
Speaker 2: for you to look through my phone like I'm on

1055
00:49:28,320 --> 00:49:30,600
Speaker 2: fucking parole every night because you went through some ship

1056
00:49:30,640 --> 00:49:32,719
Speaker 2: before me, like, I'm just not really.

1057
00:49:32,640 --> 00:49:36,400
Speaker 3: I can't pay for his the other guy likes.

1058
00:49:35,680 --> 00:49:37,000
Speaker 2: To me, that's odd because I'm not going to go

1059
00:49:37,040 --> 00:49:40,520
Speaker 2: through your phone. To me, that's if she don't work

1060
00:49:40,560 --> 00:49:44,080
Speaker 2: on that ship by herself, I would leave because that's

1061
00:49:44,120 --> 00:49:45,759
Speaker 2: only going to get word. You can't cure that ship

1062
00:49:46,520 --> 00:49:48,399
Speaker 2: just by showing your phone every fucking night.

1063
00:49:48,520 --> 00:49:51,360
Speaker 3: Right, What I didn't do anything? Is that one of

1064
00:49:51,400 --> 00:49:53,640
Speaker 3: your things? Though? Never never go through a woman's phone,

1065
00:49:54,280 --> 00:49:56,040
Speaker 3: even if you feel like there may be some shit

1066
00:49:56,120 --> 00:49:58,279
Speaker 3: going on, like you just never like, I'm never doing it.

1067
00:49:58,480 --> 00:50:02,920
Speaker 3: I ain't gonna say I have done it. But did

1068
00:50:02,960 --> 00:50:05,400
Speaker 3: you find what you was looking for? That shit hurt you?

1069
00:50:05,600 --> 00:50:10,439
Speaker 1: Just no, actually don't find nothing. That's what hers When you.

1070
00:50:10,360 --> 00:50:13,120
Speaker 3: Don't find nothing, explain that when you hurted as a man,

1071
00:50:13,280 --> 00:50:15,840
Speaker 3: like that's the lame ash like after you okay, s

1072
00:50:16,120 --> 00:50:18,120
Speaker 3: just when you when you you do some shit that

1073
00:50:18,160 --> 00:50:20,240
Speaker 3: as you're like, what the fuck? Why would I playing

1074
00:50:20,239 --> 00:50:21,279
Speaker 3: myself go in the phone.

1075
00:50:21,680 --> 00:50:24,960
Speaker 1: Ain't nothing in there? Yeah damn I'm laming. Then you

1076
00:50:25,040 --> 00:50:27,240
Speaker 1: just sitting there laying head going through the girl phone.

1077
00:50:27,080 --> 00:50:28,680
Speaker 3: All right, now, do you tie them went through it

1078
00:50:28,800 --> 00:50:30,600
Speaker 3: and you didn't find nothing, or you just just tuck

1079
00:50:30,680 --> 00:50:32,360
Speaker 3: that and be like, damn, that's fucking corny. I just

1080
00:50:32,360 --> 00:50:33,040
Speaker 3: some corny ship.

1081
00:50:33,239 --> 00:50:37,480
Speaker 1: It's so corny you gotta took that.

1082
00:50:37,680 --> 00:50:39,480
Speaker 2: There's no winning going through far. You're gonna find something

1083
00:50:39,480 --> 00:50:40,799
Speaker 2: you don't like it. If you don't find something you

1084
00:50:40,800 --> 00:50:42,880
Speaker 2: don't like, you don't think she deleted something. So now

1085
00:50:42,880 --> 00:50:44,399
Speaker 2: you're just walking around the house pacing like.

1086
00:50:44,440 --> 00:50:48,239
Speaker 3: Don't get in the phone, stay away from from the phone.

1087
00:50:48,280 --> 00:50:50,600
Speaker 3: Don't go through no phones. I don't recommend going through

1088
00:50:50,600 --> 00:50:52,960
Speaker 3: no phones. Either you're gonna find a reason to leave

1089
00:50:53,040 --> 00:50:55,319
Speaker 3: or find a reason to stay. Either way, don't do it. No,

1090
00:50:55,440 --> 00:50:57,000
Speaker 3: my ego can handle it. That's why I've never went

1091
00:50:57,000 --> 00:50:57,399
Speaker 3: through a phone.