1 00:00:00,080 --> 00:00:01,960 Speaker 1: My guest there the show to day is You're Londa Ross. 2 00:00:02,160 --> 00:00:05,680 Speaker 1: She's an actress, writer, director, and activist who was starting 3 00:00:05,760 --> 00:00:09,080 Speaker 1: Netflix to Get Down, which I enjoyed, abs how ABC 4 00:00:09,240 --> 00:00:11,680 Speaker 1: is How to Get Away with Murdered Lifetimes When Own 5 00:00:11,720 --> 00:00:14,360 Speaker 1: and Own and Owing and on. She's also currently car 6 00:00:14,520 --> 00:00:17,960 Speaker 1: starting in a very popular Showtime hit drama, The Shy 7 00:00:18,800 --> 00:00:21,520 Speaker 1: Move by personal Relationships and our character. On the show, 8 00:00:21,920 --> 00:00:25,400 Speaker 1: she got involved with Chicago's w OC Breast Cancer Survivor 9 00:00:25,400 --> 00:00:28,960 Speaker 1: community and inspired over one hundred thousand dollars in donations 10 00:00:28,960 --> 00:00:33,760 Speaker 1: from the Fineberg Foundation, the three grassroots organizations in Chicago 11 00:00:34,600 --> 00:00:37,879 Speaker 1: this season on the Shore, the show deals deeply into 12 00:00:38,320 --> 00:00:43,280 Speaker 1: many joys and complications of black love. Please welcome to 13 00:00:43,360 --> 00:00:46,440 Speaker 1: Money Making Conversation master Class, the expert on the show 14 00:00:46,479 --> 00:00:49,800 Speaker 1: because she's head highs that she has had loads. You're 15 00:00:49,880 --> 00:00:55,319 Speaker 1: Londa Ross. How are you doing in London? First of all, 16 00:00:55,400 --> 00:00:57,360 Speaker 1: thank you for coming on Money Make Conversation mastically. How 17 00:00:57,400 --> 00:01:00,360 Speaker 1: are you doing to day? I don't know. I'm here 18 00:01:00,360 --> 00:01:04,800 Speaker 1: in l a um working, so that's great, which is 19 00:01:04,840 --> 00:01:07,360 Speaker 1: really great. You know, I did just just set back 20 00:01:07,400 --> 00:01:10,040 Speaker 1: a couple of years because you know, when the COVID 21 00:01:10,120 --> 00:01:13,320 Speaker 1: hit you know, and the world shut down. There's a 22 00:01:13,360 --> 00:01:16,680 Speaker 1: lot of uncertainty. How did you I gotta I gotta 23 00:01:16,680 --> 00:01:19,040 Speaker 1: have that. You share that with my fans? How did 24 00:01:19,080 --> 00:01:22,520 Speaker 1: you deal with that? A whole uncertainty period and the 25 00:01:22,600 --> 00:01:26,720 Speaker 1: the embargo from working and actually traveling in your in 26 00:01:26,760 --> 00:01:28,600 Speaker 1: your in the work that you were trying to accomplish 27 00:01:28,800 --> 00:01:32,880 Speaker 1: being a successful actor, writer and director. You know, it 28 00:01:32,959 --> 00:01:37,240 Speaker 1: was funny because, um, I always start the year off 29 00:01:37,480 --> 00:01:39,840 Speaker 1: in Los Angeles because so much is happening at the 30 00:01:39,880 --> 00:01:42,960 Speaker 1: top of the year here, and um, you know, so 31 00:01:43,000 --> 00:01:45,120 Speaker 1: I went to the place with a friend and we 32 00:01:45,120 --> 00:01:47,400 Speaker 1: were just like, you know, we're gonna have a great 33 00:01:47,680 --> 00:01:51,000 Speaker 1: you know, summer and then go off to work afterwards. 34 00:01:51,320 --> 00:01:57,279 Speaker 1: And when things started to shut down, you know, nobody 35 00:01:57,280 --> 00:01:59,160 Speaker 1: thought it was gonna be as long as it was, 36 00:01:59,560 --> 00:02:02,800 Speaker 1: so you know, I just took the time to you know, 37 00:02:02,840 --> 00:02:05,960 Speaker 1: do pre us with the show, um, because we were 38 00:02:05,960 --> 00:02:09,840 Speaker 1: still airing at the same time. UM, lots of walks, 39 00:02:10,560 --> 00:02:15,400 Speaker 1: um nature and uh. I was still kind of pushing 40 00:02:16,320 --> 00:02:18,920 Speaker 1: to you know, make appointment to do things for my 41 00:02:18,960 --> 00:02:23,440 Speaker 1: own projects. But as time went on, you know, the 42 00:02:23,600 --> 00:02:27,080 Speaker 1: uncertainty really started to show itself because people didn't know 43 00:02:27,160 --> 00:02:30,480 Speaker 1: what was happening when things would get back you know, 44 00:02:30,840 --> 00:02:34,240 Speaker 1: um back on track, and they didn't want to make 45 00:02:34,240 --> 00:02:40,639 Speaker 1: any moves. So you really found yourself shutting down, sitting down, 46 00:02:42,000 --> 00:02:45,320 Speaker 1: you know, knowing that there's no into this that we 47 00:02:45,400 --> 00:02:48,960 Speaker 1: see or know of, and um, you know, just in 48 00:02:48,960 --> 00:02:51,360 Speaker 1: the back of my head, I was like, well, you know, 49 00:02:51,440 --> 00:02:54,200 Speaker 1: by this time, we should be back to work, like 50 00:02:54,880 --> 00:02:58,440 Speaker 1: we have to figure something out by a certain time. 51 00:02:59,320 --> 00:03:01,960 Speaker 1: And you know, that time went by, and uh, I 52 00:03:02,080 --> 00:03:04,400 Speaker 1: was like, well, I'm gonna go stay with my family 53 00:03:04,680 --> 00:03:08,040 Speaker 1: because I forgot this time and I don't ever get 54 00:03:08,080 --> 00:03:11,120 Speaker 1: to do that for as long as I did. I 55 00:03:11,120 --> 00:03:15,120 Speaker 1: think I stayed with my parents about like seven months. 56 00:03:15,639 --> 00:03:19,000 Speaker 1: That's a long time. It's a long long time now. 57 00:03:19,040 --> 00:03:21,799 Speaker 1: You know. Interesting thing about you as an actress is 58 00:03:22,080 --> 00:03:24,160 Speaker 1: I've been fortunate to work around a lot of talented 59 00:03:24,200 --> 00:03:27,200 Speaker 1: actress and sitcom and drama in movies. And when I 60 00:03:27,240 --> 00:03:30,720 Speaker 1: watch you, one of the great gifts that you have 61 00:03:30,919 --> 00:03:33,720 Speaker 1: is your face. You know, you your face tells a 62 00:03:33,720 --> 00:03:36,920 Speaker 1: lot of stories even when you're not speaking. Is that 63 00:03:37,480 --> 00:03:39,800 Speaker 1: am I accurate and saying that's That's one of your 64 00:03:40,120 --> 00:03:42,880 Speaker 1: great attributes is do you have a very animated face 65 00:03:42,920 --> 00:03:46,520 Speaker 1: your eyes to be happy. They could be sad, but 66 00:03:46,600 --> 00:03:49,800 Speaker 1: they still deliver on script and with their words they 67 00:03:49,840 --> 00:03:54,240 Speaker 1: only deliver more magic. Comment on that, Yeah, I think 68 00:03:54,280 --> 00:03:58,720 Speaker 1: you're exactly right, um, and something I've been told from 69 00:03:58,760 --> 00:04:04,000 Speaker 1: the beginning, right, And I'm expressive in that way. And 70 00:04:04,000 --> 00:04:07,200 Speaker 1: and I think I use it because it's like I 71 00:04:07,240 --> 00:04:10,600 Speaker 1: think about everything that comes to me, UM said to me. 72 00:04:10,760 --> 00:04:15,000 Speaker 1: So you can see my mind working through my face 73 00:04:15,360 --> 00:04:19,000 Speaker 1: right processing, right, So you know you don't need to 74 00:04:19,040 --> 00:04:22,240 Speaker 1: say as much. UM, I don't. I don't feel you know, 75 00:04:22,320 --> 00:04:24,920 Speaker 1: you don't need as many words all the time. Well, 76 00:04:25,680 --> 00:04:28,560 Speaker 1: use it, I use it. That's true. But I think 77 00:04:28,600 --> 00:04:31,440 Speaker 1: that what what what I like is that especially in 78 00:04:31,440 --> 00:04:33,960 Speaker 1: the drama series. You know, sitcoms are differently you gotta 79 00:04:34,000 --> 00:04:37,760 Speaker 1: move fast. Drama allows you to, you know, building the more. 80 00:04:37,800 --> 00:04:41,320 Speaker 1: I always telling people differently sitcoms and dramas that in 81 00:04:41,360 --> 00:04:44,160 Speaker 1: the sitcom when they when the doorbell rings, they at 82 00:04:44,200 --> 00:04:47,000 Speaker 1: the door, and the drama doorbell rings, they walked to 83 00:04:47,040 --> 00:04:48,920 Speaker 1: the door and you actually see them walk through the door. 84 00:04:49,520 --> 00:04:51,839 Speaker 1: And yeah, and that's the big difference because it's about 85 00:04:51,880 --> 00:04:55,880 Speaker 1: movement and speed and then watching you in this upcoming season, 86 00:04:55,960 --> 00:04:58,960 Speaker 1: that season five on this shot, I'm speaking with you 87 00:04:59,040 --> 00:05:02,880 Speaker 1: Land the Ross is the incredible. Um, I wasn't. I 88 00:05:02,880 --> 00:05:05,400 Speaker 1: wouldn't see the word animated because she she plays a 89 00:05:05,400 --> 00:05:10,279 Speaker 1: low key but very uh, very proud, hard working single mom, 90 00:05:10,320 --> 00:05:14,640 Speaker 1: correct who's dealing with life issues. And we've seen your 91 00:05:14,720 --> 00:05:17,440 Speaker 1: character evolved to this point. But before I get into 92 00:05:17,440 --> 00:05:21,480 Speaker 1: the season five, let's talk about the overall first fourth season, 93 00:05:21,560 --> 00:05:26,000 Speaker 1: because I've been the fancies day wont and the series 94 00:05:26,040 --> 00:05:28,680 Speaker 1: has kind of changed because of the fact you could 95 00:05:28,720 --> 00:05:32,839 Speaker 1: correct me. It felt very unsafe and all the characters 96 00:05:32,839 --> 00:05:35,880 Speaker 1: felt very unsafe. The first two seasons. A lot of violence, 97 00:05:36,240 --> 00:05:39,120 Speaker 1: a lot of uncertainty. You had these young kids running 98 00:05:39,160 --> 00:05:41,680 Speaker 1: around and every I didn't know if they survived the 99 00:05:41,680 --> 00:05:45,400 Speaker 1: next episode, would they be a sad sad sad the 100 00:05:45,480 --> 00:05:49,640 Speaker 1: testament of the violence of Chicago. So what have you noticed? 101 00:05:49,680 --> 00:05:51,760 Speaker 1: And let's start with season one and this season two, 102 00:05:51,839 --> 00:05:55,560 Speaker 1: season three, season four, the changes in each season and 103 00:05:55,680 --> 00:05:58,200 Speaker 1: has impacted your character in London? Is that all right 104 00:05:58,240 --> 00:06:02,240 Speaker 1: to talk like that? Yeah? And you know, and I 105 00:06:02,279 --> 00:06:06,760 Speaker 1: agree with you. I think the uncertainty of people making 106 00:06:06,760 --> 00:06:10,720 Speaker 1: it through the season. You know, it's like, who's gonna 107 00:06:10,720 --> 00:06:13,480 Speaker 1: be off this season? We'll be right back with more 108 00:06:13,560 --> 00:06:19,920 Speaker 1: Money Making Conversations Masterclass with Rushan McDonald. Now, let's return 109 00:06:20,000 --> 00:06:24,960 Speaker 1: to Money Making Conversations Masterclass with Rushan McDonald. And Chicago 110 00:06:25,040 --> 00:06:28,240 Speaker 1: was a beautiful city during the summer, amazing food. But 111 00:06:28,320 --> 00:06:30,960 Speaker 1: in the black community, it's a tremendous amount of black violence, 112 00:06:31,480 --> 00:06:35,560 Speaker 1: especially during the holidays in the summer. Yeah, I mean 113 00:06:35,600 --> 00:06:39,120 Speaker 1: it's it's it's unfortunate, but it's I feel like it's 114 00:06:39,120 --> 00:06:43,880 Speaker 1: not just Chicago, you know, um people, I don't know 115 00:06:45,279 --> 00:06:48,440 Speaker 1: what's going on with people, especially like after COVID it 116 00:06:48,440 --> 00:06:52,240 Speaker 1: seems like it's gotten worse where people don't care about 117 00:06:52,279 --> 00:06:55,520 Speaker 1: life or I don't know, if it's just that they're 118 00:06:55,560 --> 00:06:59,000 Speaker 1: not thinking of the realities of what you do that 119 00:07:00,200 --> 00:07:04,479 Speaker 1: you know that could be it for somebody. Um. So yeah, 120 00:07:04,520 --> 00:07:07,159 Speaker 1: there there is a lot of violence happening everywhere. Okay, 121 00:07:07,160 --> 00:07:10,760 Speaker 1: So you get cast in this great series season one 122 00:07:11,160 --> 00:07:12,960 Speaker 1: and we know as actors, I know, as a writer, 123 00:07:13,440 --> 00:07:16,160 Speaker 1: you know, you know, you don't buy anything because you 124 00:07:16,160 --> 00:07:17,960 Speaker 1: don't know if that's gonna last. You know, you kind 125 00:07:17,960 --> 00:07:20,240 Speaker 1: of like you just put in the bank and pray 126 00:07:20,280 --> 00:07:22,640 Speaker 1: a lot and hopefully you know this is the one 127 00:07:22,680 --> 00:07:24,800 Speaker 1: because I've been on shows at great ratings and somebodw 128 00:07:24,920 --> 00:07:28,240 Speaker 1: somebody with you know, that's not right for our network. Huh. 129 00:07:28,400 --> 00:07:30,360 Speaker 1: I thought this is the one, this is the one 130 00:07:30,400 --> 00:07:32,520 Speaker 1: to go keep, get to my house, get to my 131 00:07:32,600 --> 00:07:35,520 Speaker 1: real car. You know. So season one, let's talk about 132 00:07:35,520 --> 00:07:38,320 Speaker 1: your character and what did you see and expect and 133 00:07:38,400 --> 00:07:40,320 Speaker 1: did you get the things that you wanted out of 134 00:07:40,360 --> 00:07:43,880 Speaker 1: the first season. Let's talk about the first season. Yeah, well, 135 00:07:43,960 --> 00:07:47,440 Speaker 1: you know, when I got a part um, it was 136 00:07:47,480 --> 00:07:49,280 Speaker 1: one of two things that I had read in the 137 00:07:49,400 --> 00:07:53,400 Speaker 1: year as far as auditioning that made sense to me 138 00:07:53,400 --> 00:07:57,560 Speaker 1: and that I really liked and responded to. So you know, 139 00:07:57,760 --> 00:08:01,520 Speaker 1: I didn't get it at first, and it came back 140 00:08:01,560 --> 00:08:04,000 Speaker 1: around at the end of the year where it just 141 00:08:04,080 --> 00:08:08,200 Speaker 1: all happened really fast, and to get to do it, 142 00:08:08,640 --> 00:08:12,480 Speaker 1: and then working with Jacob as immit, it's just all 143 00:08:13,160 --> 00:08:20,880 Speaker 1: a handful, by the way, a handful. That dude is 144 00:08:21,120 --> 00:08:25,440 Speaker 1: so funny. Um, he's such a joy to work with, 145 00:08:26,080 --> 00:08:28,760 Speaker 1: where it's like, you know, if you are in a 146 00:08:28,800 --> 00:08:32,520 Speaker 1: bad mood for any reason, that will not last around him, 147 00:08:33,840 --> 00:08:38,000 Speaker 1: will not last, cannot last. He is a joy. So 148 00:08:39,080 --> 00:08:41,800 Speaker 1: you know, the dynamic of those two I just think 149 00:08:41,800 --> 00:08:45,760 Speaker 1: it is so special because we all know single mothers 150 00:08:46,200 --> 00:08:50,320 Speaker 1: with sons. We all know single mothers, so you know, 151 00:08:50,360 --> 00:08:54,200 Speaker 1: a lot of times that child is everything. Well I 152 00:08:54,200 --> 00:08:56,000 Speaker 1: mean not a lot of times that that child is 153 00:08:56,080 --> 00:09:00,000 Speaker 1: everything to that person. You know, um, she is pretty 154 00:09:00,080 --> 00:09:03,160 Speaker 1: texting him. He is her company. You know, he is 155 00:09:04,200 --> 00:09:07,800 Speaker 1: her partner. They are in it together. And I just 156 00:09:07,840 --> 00:09:10,960 Speaker 1: thought it was really important to show that, and I 157 00:09:11,000 --> 00:09:14,240 Speaker 1: felt like, you know, we did that. And also the 158 00:09:14,280 --> 00:09:16,480 Speaker 1: fact that, you know, especially first season, when he had 159 00:09:16,520 --> 00:09:19,240 Speaker 1: so much going on with the baby's mama's and all 160 00:09:19,280 --> 00:09:23,440 Speaker 1: that stuff, it was like how she was hands off, 161 00:09:23,600 --> 00:09:26,679 Speaker 1: like letting him. You know, she was there for him, 162 00:09:26,720 --> 00:09:29,480 Speaker 1: but at the same time, you handle your He was 163 00:09:29,520 --> 00:09:33,280 Speaker 1: a very frustrating character that first season, okay, because because 164 00:09:33,480 --> 00:09:38,040 Speaker 1: sex was his number one missing Okay, And as a 165 00:09:38,040 --> 00:09:40,200 Speaker 1: as a single moment was killing you. It was killing you. 166 00:09:40,800 --> 00:09:43,120 Speaker 1: And as a view I was going, come on, really 167 00:09:43,840 --> 00:09:48,120 Speaker 1: really well, yeah, more kids than she did. Absolutely, at 168 00:09:48,160 --> 00:09:50,000 Speaker 1: least you would take care of your kids and had 169 00:09:50,040 --> 00:09:53,320 Speaker 1: a job as a job. He didn't have neither, Okay, 170 00:09:53,559 --> 00:09:55,480 Speaker 1: And that was a high maturity factor. You're a good 171 00:09:55,520 --> 00:09:57,720 Speaker 1: looking kid, and I was just saying that that's how 172 00:09:57,720 --> 00:09:59,640 Speaker 1: it plays out in community a lot of time all 173 00:09:59,679 --> 00:10:01,960 Speaker 1: this island, but where is it going? All he's doing 174 00:10:02,000 --> 00:10:06,040 Speaker 1: is repopulating community, create more debt and unwarranted kids because 175 00:10:06,080 --> 00:10:08,200 Speaker 1: nobody is there to take care of That was the 176 00:10:08,200 --> 00:10:11,120 Speaker 1: first season. And then your relationship with your ex, which 177 00:10:11,120 --> 00:10:15,480 Speaker 1: started to start to build to build, was like, I 178 00:10:15,480 --> 00:10:18,600 Speaker 1: didn't know where that was going now when they introduced 179 00:10:18,600 --> 00:10:22,160 Speaker 1: that character, And did you see a particular arc that 180 00:10:22,200 --> 00:10:24,000 Speaker 1: they was talking about doing with it or they just 181 00:10:24,040 --> 00:10:26,840 Speaker 1: said we're gonna bring it in okay, And how did 182 00:10:26,880 --> 00:10:31,760 Speaker 1: you know? You know, we don't know, um. And also 183 00:10:32,000 --> 00:10:36,440 Speaker 1: I feel when you're doing things on the series, seeing 184 00:10:36,440 --> 00:10:42,040 Speaker 1: how people work together and sparks off helps the writers, 185 00:10:42,559 --> 00:10:45,319 Speaker 1: you know, right well, you know the interesting thing about 186 00:10:45,320 --> 00:10:48,760 Speaker 1: it just left. When you've been on a series this long, 187 00:10:49,360 --> 00:10:52,520 Speaker 1: some of the relationships do feel like family, you know, 188 00:10:52,840 --> 00:10:56,200 Speaker 1: especially when the characters play a certain role in your 189 00:10:56,280 --> 00:10:59,880 Speaker 1: in your there was season five of this series. You know, 190 00:11:00,760 --> 00:11:04,240 Speaker 1: I feel that that journey we all know your actors 191 00:11:04,240 --> 00:11:08,600 Speaker 1: and actresses, feels like there's a real emotional connection and 192 00:11:08,640 --> 00:11:11,760 Speaker 1: you and very relatable. Who are your thoughts on that? 193 00:11:13,240 --> 00:11:17,240 Speaker 1: We are we are totally a family, like we are totally. 194 00:11:17,280 --> 00:11:21,240 Speaker 1: I mean, especially the three of us, uh, myself, Jacob, 195 00:11:21,240 --> 00:11:24,960 Speaker 1: and Lando, we get along so well. The two of 196 00:11:24,960 --> 00:11:27,720 Speaker 1: them go off and do things and it's like it's 197 00:11:27,720 --> 00:11:30,320 Speaker 1: like I'm the wife at home doing whatever, and the 198 00:11:30,360 --> 00:11:32,400 Speaker 1: boys go off and do their things and then we 199 00:11:32,440 --> 00:11:34,880 Speaker 1: meet it for dinner or something like that. So it's 200 00:11:35,240 --> 00:11:39,520 Speaker 1: it's just really nice to see and it plays through 201 00:11:39,679 --> 00:11:44,319 Speaker 1: our characters. I feel, you know, um, we have an 202 00:11:44,360 --> 00:11:47,120 Speaker 1: ease with each other on the screen and in in 203 00:11:47,520 --> 00:11:50,839 Speaker 1: scenes that you know, we can do little playful things 204 00:11:51,000 --> 00:11:54,280 Speaker 1: and you know that it's it's part of the characters, 205 00:11:54,320 --> 00:11:58,880 Speaker 1: but it's also it's genuine. So you could just sort 206 00:11:58,880 --> 00:12:01,880 Speaker 1: of be yourself, but you're self as the character, right 207 00:12:02,040 --> 00:12:04,240 Speaker 1: And and I think that that's what you know when 208 00:12:04,240 --> 00:12:06,960 Speaker 1: I'm watching you as a single mom, I'm watching you 209 00:12:07,040 --> 00:12:10,200 Speaker 1: as a frustrated parent, I'm watching you as a seeing 210 00:12:10,200 --> 00:12:12,560 Speaker 1: a person that I found very relatable. I'm talking about 211 00:12:12,600 --> 00:12:16,439 Speaker 1: your son, and then I'm watching the world. Because the 212 00:12:16,480 --> 00:12:18,560 Speaker 1: show took a shift when some of the characters left 213 00:12:18,559 --> 00:12:21,439 Speaker 1: the series, and I think it would I think it 214 00:12:21,559 --> 00:12:23,400 Speaker 1: for the good, I'll be honest with you, because it 215 00:12:23,400 --> 00:12:27,040 Speaker 1: allowed us to focus on family dynamics and I think 216 00:12:27,040 --> 00:12:30,839 Speaker 1: that's what drives to show now family parenting, and I 217 00:12:31,000 --> 00:12:33,600 Speaker 1: agree and that that's been important to me. So let's 218 00:12:33,640 --> 00:12:36,760 Speaker 1: let's talk about that whole parenting, that family dynamic, because 219 00:12:36,760 --> 00:12:38,840 Speaker 1: that's why, that's why I'm a fan, not saying I 220 00:12:38,840 --> 00:12:41,679 Speaker 1: want a fan of the beginning, but sometimes when I 221 00:12:41,720 --> 00:12:44,320 Speaker 1: find things that are relatable to me, Ya Landa, I'm 222 00:12:44,320 --> 00:12:48,880 Speaker 1: more engaged. It's it's true, you know, Um, I feel 223 00:12:48,880 --> 00:12:52,360 Speaker 1: like the first I mean, the second season you started 224 00:12:52,360 --> 00:12:55,920 Speaker 1: to see some of the family stuff about. But I 225 00:12:55,960 --> 00:12:59,320 Speaker 1: would say the first season it really was about sort 226 00:12:59,360 --> 00:13:04,080 Speaker 1: of like the street and what's happening. Yeah, yeah, And 227 00:13:04,120 --> 00:13:07,520 Speaker 1: then you know, second season you started to see the 228 00:13:07,600 --> 00:13:11,960 Speaker 1: background of these people who their families were, those dynamics, 229 00:13:12,520 --> 00:13:16,400 Speaker 1: and then um, you know, third season we were in 230 00:13:16,520 --> 00:13:20,600 Speaker 1: it and then introduced more characters and more themes. Uh. 231 00:13:20,760 --> 00:13:24,480 Speaker 1: Last season, I think the family thing really started to 232 00:13:24,559 --> 00:13:29,840 Speaker 1: hit home, you know, because you see uh Jake's family, 233 00:13:30,160 --> 00:13:34,280 Speaker 1: you know, with do To and how that was I got. 234 00:13:35,200 --> 00:13:38,160 Speaker 1: I'm a fan of that guy. I am such a 235 00:13:38,200 --> 00:13:43,280 Speaker 1: fan of that I he says he entered the room 236 00:13:43,679 --> 00:13:48,720 Speaker 1: like nobody else on It's sort of like Dracula up 237 00:13:49,920 --> 00:13:52,040 Speaker 1: at that dude, right there. I fell in love with 238 00:13:52,160 --> 00:13:56,280 Speaker 1: last season. Candy Burrows was fired. Okay, she was straight fired. 239 00:13:56,800 --> 00:13:59,480 Speaker 1: I was like that whole run with the marit off 240 00:13:59,559 --> 00:14:02,400 Speaker 1: of weight when you came in as a politician, was 241 00:14:02,480 --> 00:14:05,480 Speaker 1: you her character and Papa and his dad. It was 242 00:14:05,520 --> 00:14:07,280 Speaker 1: a lot of you know, it was a lot of 243 00:14:07,360 --> 00:14:10,800 Speaker 1: grandeur last season. But it was something that I enjoyed 244 00:14:10,920 --> 00:14:12,920 Speaker 1: because Chicago was like that. They took me back to 245 00:14:12,960 --> 00:14:16,960 Speaker 1: the Harold Washington days where black politics were powerful and 246 00:14:17,000 --> 00:14:21,600 Speaker 1: black people ran city hall and dooda ooh that ball 247 00:14:21,720 --> 00:14:25,840 Speaker 1: right there. Now, come on, yeah, the the's the two 248 00:14:25,920 --> 00:14:30,200 Speaker 1: sides of dooda. Um, you know all of that. Then 249 00:14:30,480 --> 00:14:33,200 Speaker 1: it's still you know, still family was there, you know 250 00:14:33,360 --> 00:14:38,560 Speaker 1: because of you know, Marcus whose Jimma's dad, and then 251 00:14:38,840 --> 00:14:41,200 Speaker 1: you know my family was going through a certain thing 252 00:14:41,360 --> 00:14:44,360 Speaker 1: with the cancer and all that. It just it was 253 00:14:44,360 --> 00:14:46,920 Speaker 1: really interesting to see all the dynamics. We'll be right 254 00:14:46,960 --> 00:14:51,280 Speaker 1: back with more Money Making Conversations Master Class with Rushan McDonald. 255 00:14:53,360 --> 00:14:58,560 Speaker 1: Now let's return to Money Making Conversations Masterclass with Rashan McDonald. 256 00:14:58,680 --> 00:15:01,720 Speaker 1: You know that when I look at back to your storyline, 257 00:15:01,800 --> 00:15:04,280 Speaker 1: which which which to me? You know, when I look 258 00:15:04,280 --> 00:15:06,240 Speaker 1: at it. When I look at your storyline, you know, 259 00:15:06,680 --> 00:15:11,160 Speaker 1: it's kind of like kind of ties everybody together. And 260 00:15:11,200 --> 00:15:13,720 Speaker 1: now we're going to season five, you know, because of 261 00:15:13,720 --> 00:15:16,960 Speaker 1: the fact that season five, it is when they sent 262 00:15:17,040 --> 00:15:19,160 Speaker 1: me the bio over about the series that they mentioned 263 00:15:19,160 --> 00:15:21,920 Speaker 1: Black Love. And I've been fortunate to see the first 264 00:15:21,920 --> 00:15:26,520 Speaker 1: three episodes, and I'm telling everybody, UH, can't wait, show 265 00:15:26,600 --> 00:15:29,120 Speaker 1: up DVR, make sure you make sure you watch the 266 00:15:29,200 --> 00:15:32,000 Speaker 1: first three. That's what I've been fortunate to watch. And 267 00:15:32,120 --> 00:15:36,880 Speaker 1: there are some nice moments consistently in the series that 268 00:15:36,920 --> 00:15:40,360 Speaker 1: attracts me to the series. More importantly, the development of 269 00:15:40,400 --> 00:15:44,520 Speaker 1: your character in season five, and we've always seen you 270 00:15:44,640 --> 00:15:47,880 Speaker 1: with these emotional highs. You know. I thought the first 271 00:15:47,880 --> 00:15:50,240 Speaker 1: season was by parenting, and then they evolved to you 272 00:15:50,520 --> 00:15:53,720 Speaker 1: being a survivor, and now this is about love. I 273 00:15:53,760 --> 00:16:01,280 Speaker 1: think a season for you. Correct. Yeah, and love is messy. 274 00:16:03,960 --> 00:16:06,360 Speaker 1: I you know, you got to see it. I haven't 275 00:16:06,400 --> 00:16:08,600 Speaker 1: seen it yet. Well I'll tell you girl, you gonna 276 00:16:08,600 --> 00:16:13,320 Speaker 1: love it. They've got some girlfriend scenes in there. I could, 277 00:16:13,360 --> 00:16:17,120 Speaker 1: I could. I loved it, y'all felt so you know 278 00:16:17,120 --> 00:16:19,280 Speaker 1: what I'm saying that you know that goes back to 279 00:16:19,360 --> 00:16:23,760 Speaker 1: the uh it felt so fun. If that was a 280 00:16:23,800 --> 00:16:25,520 Speaker 1: show too, in the sales right there, if I got 281 00:16:25,520 --> 00:16:27,240 Speaker 1: to put a camera and there and just watch women 282 00:16:27,640 --> 00:16:31,760 Speaker 1: talk about relationships. I never saw that. You know, you 283 00:16:31,800 --> 00:16:34,000 Speaker 1: see a lot of TV, you see a lot of movies, 284 00:16:34,080 --> 00:16:37,120 Speaker 1: you see a lot of fun stuff. It was so engaging. 285 00:16:37,560 --> 00:16:40,560 Speaker 1: So I've seen that. What was it like when you 286 00:16:40,680 --> 00:16:44,960 Speaker 1: was doing those scenes, those girlfriend type scenes? Was it 287 00:16:45,320 --> 00:16:51,080 Speaker 1: live all scripted? Well, it's totally scripted. Um, it's just 288 00:16:51,240 --> 00:16:55,600 Speaker 1: funny when you're because I don't always have scenes with 289 00:16:55,640 --> 00:16:58,080 Speaker 1: all of them, you know, I'm usually like a one 290 00:16:58,080 --> 00:17:03,600 Speaker 1: on one person in my scenes, and so it's funny 291 00:17:03,720 --> 00:17:08,560 Speaker 1: to hear the different dynamics to focus on one person 292 00:17:08,680 --> 00:17:11,600 Speaker 1: during the whole thing and see what they're doing. Because 293 00:17:11,680 --> 00:17:15,439 Speaker 1: as an actor, you're you're fully engaged in the moment, 294 00:17:15,960 --> 00:17:18,480 Speaker 1: but like, what are they doing in this moment while 295 00:17:18,520 --> 00:17:21,960 Speaker 1: we're you know, talking about all this stuff, and as 296 00:17:22,000 --> 00:17:24,439 Speaker 1: the character, you know, all of it's just it's just 297 00:17:24,600 --> 00:17:27,639 Speaker 1: very interesting for me to see it and and to 298 00:17:27,720 --> 00:17:32,239 Speaker 1: see how they how they deal with the things that 299 00:17:32,280 --> 00:17:37,120 Speaker 1: we're talking about. So, yeah, I thought they were fun. 300 00:17:37,240 --> 00:17:39,520 Speaker 1: I mean, there's you saw one through three. There's some 301 00:17:39,600 --> 00:17:41,919 Speaker 1: towards the end that are really hilarious. Well, you know 302 00:17:41,920 --> 00:17:45,199 Speaker 1: the thing about it, I can't wait now now, And 303 00:17:45,240 --> 00:17:48,040 Speaker 1: that that's why I like about the series now because 304 00:17:48,440 --> 00:17:51,760 Speaker 1: the series was about the city not as serious to 305 00:17:51,800 --> 00:17:56,200 Speaker 1: me is about the people. And yeah, you and so 306 00:17:56,359 --> 00:17:58,359 Speaker 1: when when I look at that and trying to connect 307 00:17:58,400 --> 00:18:02,760 Speaker 1: the dots, because you're right, I never saw everybody together, 308 00:18:03,080 --> 00:18:05,680 Speaker 1: you know, I never saw that, you know, each one 309 00:18:05,800 --> 00:18:08,959 Speaker 1: really had a strong relationship because actually sitting there, I 310 00:18:08,960 --> 00:18:10,640 Speaker 1: never saw that. I was kind of like caught off 311 00:18:10,680 --> 00:18:14,840 Speaker 1: guard that, oh you guys, well god like our friends. 312 00:18:16,440 --> 00:18:19,920 Speaker 1: Well yeah, I mean for like say, the first couple 313 00:18:19,960 --> 00:18:24,480 Speaker 1: of years, I only worked with Jacob, right, I didn't 314 00:18:24,480 --> 00:18:26,359 Speaker 1: see the other actors, you know what I mean. I 315 00:18:26,480 --> 00:18:29,399 Speaker 1: worked with Jacob and then Orlando came in and we 316 00:18:29,400 --> 00:18:33,000 Speaker 1: would have a couple of scenes. That was it. We 317 00:18:33,080 --> 00:18:37,080 Speaker 1: never overlapped stories and that's important. And so this is 318 00:18:37,080 --> 00:18:39,760 Speaker 1: the fifth season of the shot. I'm starting with talking 319 00:18:39,760 --> 00:18:43,199 Speaker 1: to the incredible yelland the Ross. But as anybody, you know, 320 00:18:43,200 --> 00:18:45,320 Speaker 1: when I bring them on Money May Conversation master Class, 321 00:18:45,359 --> 00:18:48,560 Speaker 1: they started somewhere. You know. She she's very secretive. She 322 00:18:48,560 --> 00:18:51,399 Speaker 1: don't wanna tell nobody anybody. Yeah, I respect that you 323 00:18:51,480 --> 00:18:53,400 Speaker 1: know a little key on social media and all that, 324 00:18:53,520 --> 00:18:55,800 Speaker 1: but this money may comes to these master class you know. 325 00:18:56,080 --> 00:18:57,800 Speaker 1: I try to bring people on the shows that let 326 00:18:57,840 --> 00:18:59,680 Speaker 1: them know that you come from here and get here. 327 00:19:00,119 --> 00:19:02,080 Speaker 1: You know, you can be down on your luck and 328 00:19:02,080 --> 00:19:05,160 Speaker 1: and luck and change through prayer and motivation and consistency 329 00:19:05,160 --> 00:19:08,320 Speaker 1: and relationship and you can accomplish your dreams. So when 330 00:19:08,320 --> 00:19:10,440 Speaker 1: I when I look at a person like you who 331 00:19:10,480 --> 00:19:13,320 Speaker 1: resume is pretty pretty pretty broad. When I say broad, 332 00:19:13,359 --> 00:19:17,080 Speaker 1: that's a compliment. How did you decide to become an actress? 333 00:19:18,720 --> 00:19:22,280 Speaker 1: It wasn't a decision. Um. I feel like I was 334 00:19:22,400 --> 00:19:25,919 Speaker 1: led to it because I mean, you know, as myself, 335 00:19:26,800 --> 00:19:28,800 Speaker 1: I would never say that I would be able to 336 00:19:28,800 --> 00:19:31,960 Speaker 1: get up in front of people and you know, become 337 00:19:32,040 --> 00:19:37,880 Speaker 1: other people and act or whatever. Uh for what I do, 338 00:19:38,760 --> 00:19:41,679 Speaker 1: I become other people. I feel like they come through me, 339 00:19:42,480 --> 00:19:50,840 Speaker 1: and I feel that, you know, I've always been creative um, musically, writing, um, singing, 340 00:19:51,320 --> 00:19:55,199 Speaker 1: making clothes. Like, I'm just a creative person. I just 341 00:19:55,359 --> 00:19:59,800 Speaker 1: never thought of acting, and in this case I ended 342 00:19:59,880 --> 00:20:03,120 Speaker 1: up up. Um. I was working in the fashion business 343 00:20:03,280 --> 00:20:06,119 Speaker 1: and this girl that I worked with used to background 344 00:20:06,119 --> 00:20:08,639 Speaker 1: work for us and now, well, you know, I had 345 00:20:08,680 --> 00:20:12,600 Speaker 1: gotten bored with fashion and one day she was sick 346 00:20:13,119 --> 00:20:15,760 Speaker 1: and I asked if I could fill in. So, I mean, 347 00:20:15,800 --> 00:20:18,680 Speaker 1: I live in New York City, so everything's expensive in 348 00:20:18,840 --> 00:20:20,679 Speaker 1: some you got an opportunity to make a little bit 349 00:20:20,680 --> 00:20:24,920 Speaker 1: of money, hey whenever, you know. So they led me 350 00:20:25,280 --> 00:20:27,919 Speaker 1: and then they kept hiring me. So I got my 351 00:20:28,040 --> 00:20:31,240 Speaker 1: union card, I got an agent, and then my first 352 00:20:31,280 --> 00:20:38,200 Speaker 1: audition was um, New York Undercover. So that was what 353 00:20:38,400 --> 00:20:44,360 Speaker 1: really made me feel something like, you know, becoming this character, 354 00:20:44,960 --> 00:20:47,720 Speaker 1: learning how to break down the script, which I break 355 00:20:47,760 --> 00:20:53,119 Speaker 1: down scripts like music because that's how that's how I 356 00:20:53,240 --> 00:20:57,760 Speaker 1: function is musically. So you know, it's like I was 357 00:20:57,920 --> 00:21:03,680 Speaker 1: learning stuff. I was learning things about myself. And with acting, 358 00:21:05,119 --> 00:21:08,960 Speaker 1: you utilize every gift that you have, every gift that 359 00:21:09,040 --> 00:21:14,679 Speaker 1: you have, because no character is the same, no, you know, 360 00:21:14,800 --> 00:21:17,680 Speaker 1: you you go to different places to shoot, you are 361 00:21:17,720 --> 00:21:22,040 Speaker 1: around different kinds of people, um, different disciplines that you 362 00:21:22,119 --> 00:21:24,520 Speaker 1: have to learn. I mean, I feel like a good 363 00:21:24,560 --> 00:21:29,119 Speaker 1: actor can do anything good for a short amount of 364 00:21:29,160 --> 00:21:33,120 Speaker 1: time to make it because you become that character, whatever 365 00:21:33,160 --> 00:21:35,920 Speaker 1: their skill is, you know how to do it for 366 00:21:36,000 --> 00:21:38,760 Speaker 1: this amount of time. When that cameras like you, and 367 00:21:40,280 --> 00:21:42,679 Speaker 1: it is what I do. It is what I do. 368 00:21:42,720 --> 00:21:46,639 Speaker 1: I become other people and I write worlds for people 369 00:21:46,680 --> 00:21:50,320 Speaker 1: to be in, in words for them to say, and 370 00:21:50,400 --> 00:21:53,720 Speaker 1: I just feel like, um, it's that's why I say 371 00:21:53,800 --> 00:21:56,560 Speaker 1: I was led to it, because I wouldn't have thought 372 00:21:56,600 --> 00:21:59,760 Speaker 1: to do it on my own. You know, the beautiful 373 00:22:00,080 --> 00:22:02,840 Speaker 1: order this. I didn't say anything for like two minutes. 374 00:22:03,560 --> 00:22:06,119 Speaker 1: It was all you, and it was about you. You know, 375 00:22:06,160 --> 00:22:08,320 Speaker 1: we weren't talking about the shot, we weren't talking about 376 00:22:08,359 --> 00:22:12,560 Speaker 1: anything you have done, but talking that that personal journey 377 00:22:12,640 --> 00:22:15,280 Speaker 1: is what excites me about you and what I see 378 00:22:15,359 --> 00:22:17,960 Speaker 1: on screen. You know, this is not a job to you. 379 00:22:18,080 --> 00:22:20,919 Speaker 1: This is something that that that's when you're embodied to 380 00:22:21,000 --> 00:22:23,280 Speaker 1: your success. I've done a lot of successful things in 381 00:22:23,280 --> 00:22:26,560 Speaker 1: my life and sometimes God has just given me the 382 00:22:26,600 --> 00:22:29,160 Speaker 1: gift to be able to accomplish it. But then when 383 00:22:29,200 --> 00:22:31,240 Speaker 1: I tell people what I really do, I said, marking 384 00:22:31,240 --> 00:22:34,440 Speaker 1: it in Brandy, I can I can sell you a 385 00:22:34,600 --> 00:22:38,320 Speaker 1: can of coke in Alaska and you can be freezing. 386 00:22:38,560 --> 00:22:39,960 Speaker 1: I can do that. I didn't tell you anybody. I 387 00:22:39,960 --> 00:22:41,960 Speaker 1: didn't do that. Now now, now I could do a 388 00:22:41,960 --> 00:22:44,159 Speaker 1: lot of other things. And when I watch you on 389 00:22:44,280 --> 00:22:47,959 Speaker 1: the shot, I see a gifted person that you know. 390 00:22:48,240 --> 00:22:50,879 Speaker 1: It's almost like you're not even acting. Now. This is 391 00:22:50,920 --> 00:22:55,119 Speaker 1: a compliment in your Linda, because it feels so comfortable. 392 00:22:55,680 --> 00:22:58,679 Speaker 1: Whether it's dramatic or that the brilliant smile or that 393 00:22:58,720 --> 00:23:03,480 Speaker 1: little flirtations looked at you have sometimes and a mischievous 394 00:23:03,560 --> 00:23:05,800 Speaker 1: look that you have some time as well, leads to 395 00:23:05,800 --> 00:23:08,280 Speaker 1: me to believe that your future is already bright, but 396 00:23:08,359 --> 00:23:10,960 Speaker 1: it's only gonna get brighter. You already start, my friend. 397 00:23:11,359 --> 00:23:14,639 Speaker 1: You know that. Let's stranger tell you that so you 398 00:23:14,640 --> 00:23:18,280 Speaker 1: can feel good. Okay. This season on this shy, the 399 00:23:18,320 --> 00:23:22,040 Speaker 1: show delves into many joys and complications more important as 400 00:23:22,080 --> 00:23:24,000 Speaker 1: black love. I've been fortunate to see the first three 401 00:23:24,000 --> 00:23:27,439 Speaker 1: episodes and the journey that she's in our characters embarking on. 402 00:23:27,520 --> 00:23:30,600 Speaker 1: By the third episode, it's gonna like I didn't see 403 00:23:30,640 --> 00:23:33,080 Speaker 1: that coming, but it's gonna be good. I didn't see 404 00:23:33,080 --> 00:23:35,040 Speaker 1: that coming. So you's long to thank you for coming 405 00:23:35,040 --> 00:23:37,960 Speaker 1: on my show. You're a blessing and continue to as 406 00:23:37,960 --> 00:23:44,280 Speaker 1: they say, not say much, but do a lot. I 407 00:23:44,280 --> 00:23:45,600 Speaker 1: appreciate it. If you want to see any of my 408 00:23:45,680 --> 00:23:49,159 Speaker 1: episodes of money Making Conversation dot Com. Money Making Conversation 409 00:23:49,240 --> 00:23:51,680 Speaker 1: Massive last, please go to Money Making Conversation dot Com 410 00:23:51,880 --> 00:23:53,960 Speaker 1: I with Sean McDonald. I am your host,