1 00:00:00,440 --> 00:00:04,480 Speaker 1: Special announcement starts now. Hello listeners, Yeah, we're coming at 2 00:00:04,519 --> 00:00:06,520 Speaker 1: you pre episode to tell you that we are actually 3 00:00:06,519 --> 00:00:10,080 Speaker 1: doing a live show at the Bell House on July 4 00:00:10,320 --> 00:00:15,040 Speaker 1: eight at seven thirty pm, and tickets are available. Now, 5 00:00:15,440 --> 00:00:18,280 Speaker 1: this is gonna be We're doing a little summer break 6 00:00:18,360 --> 00:00:20,600 Speaker 1: after not for too long. We'll be back soon, but 7 00:00:20,680 --> 00:00:23,680 Speaker 1: this is I would say this is doubles as a 8 00:00:23,760 --> 00:00:26,880 Speaker 1: season wrap party, wouldn't you say? Oh, you know, I 9 00:00:26,920 --> 00:00:30,479 Speaker 1: actually would. I'd say this is our season two rap 10 00:00:30,600 --> 00:00:34,440 Speaker 1: party where we can oh celebrate um finally, first of all, 11 00:00:34,520 --> 00:00:38,440 Speaker 1: celebrate us, yes, Second, I'll celebrate you all, and third 12 00:00:38,440 --> 00:00:42,239 Speaker 1: of all, celebrate well summer. And also, do you know 13 00:00:42,240 --> 00:00:46,239 Speaker 1: what else? We're celebrating both our birthdays. That's true. My 14 00:00:46,280 --> 00:00:48,440 Speaker 1: birthday will have been one week before and yours will 15 00:00:48,440 --> 00:00:50,000 Speaker 1: be a little over a week a little over a 16 00:00:50,040 --> 00:00:54,360 Speaker 1: week after. And it honestly, listen, I'm literally just saying 17 00:00:54,360 --> 00:00:56,080 Speaker 1: this now, talking out of my ask. But I'm like, 18 00:00:56,360 --> 00:00:59,160 Speaker 1: maybe we call party afterwards. Maybe it could be a 19 00:00:59,240 --> 00:01:03,760 Speaker 1: joint birthday. It is a Friday, It's a Friday, and 20 00:01:03,840 --> 00:01:06,840 Speaker 1: the show is at seven thirty, meaning like it won't 21 00:01:06,880 --> 00:01:09,039 Speaker 1: be too late. It's not like a late show. I 22 00:01:09,040 --> 00:01:12,280 Speaker 1: mean to pretend that we won't party afterwards. That's like ignorant, 23 00:01:12,560 --> 00:01:15,640 Speaker 1: Like it's ignorant, and it's it's not to make some 24 00:01:15,760 --> 00:01:18,039 Speaker 1: kind of cliche joke, but it is homophobic in a 25 00:01:18,080 --> 00:01:21,600 Speaker 1: sense to assume something like that would happen. I mean, 26 00:01:21,640 --> 00:01:24,560 Speaker 1: I would even argue it's like heterophobic, like it's like 27 00:01:24,959 --> 00:01:28,440 Speaker 1: it's it's it's um I almost want to say conservative, 28 00:01:28,520 --> 00:01:31,080 Speaker 1: it's family values. It's family values. To assume that there 29 00:01:31,120 --> 00:01:34,479 Speaker 1: won't be a party on a Friday night after it 30 00:01:34,480 --> 00:01:36,680 Speaker 1: it's heater and order because you're assuming straight people are 31 00:01:36,680 --> 00:01:39,039 Speaker 1: family values, and it's homophobic because you're assuming eight people 32 00:01:39,080 --> 00:01:42,000 Speaker 1: are straight people. And let's not look too much into 33 00:01:42,000 --> 00:01:45,800 Speaker 1: that comparison. Yeah, it all checks out. And in this description, 34 00:01:45,920 --> 00:01:49,000 Speaker 1: obviously by people do exist. They just are somewhere in 35 00:01:49,000 --> 00:01:53,600 Speaker 1: the middle. Yeah, they party some of the time. All right? 36 00:01:54,160 --> 00:01:55,920 Speaker 1: Is that good? This is a good announcement. This is 37 00:01:56,000 --> 00:01:58,200 Speaker 1: really good announcement. And you know, before we start recording this, 38 00:01:58,280 --> 00:01:59,640 Speaker 1: we said we'll just put this in the beginning of 39 00:01:59,680 --> 00:02:02,400 Speaker 1: every episode for the next four weeks. Let's see how 40 00:02:02,440 --> 00:02:05,000 Speaker 1: that goes. Yeah, we'll put in one episode the record, 41 00:02:05,240 --> 00:02:07,760 Speaker 1: are right, We love you and we can't wait to 42 00:02:07,800 --> 00:02:09,600 Speaker 1: see you at the show. And we'll put the event 43 00:02:09,720 --> 00:02:13,320 Speaker 1: right link in the episode descriptions. You can just click click, 44 00:02:13,360 --> 00:02:37,239 Speaker 1: click away. I can google it by enjoy. The Okay 45 00:02:37,400 --> 00:02:42,640 Speaker 1: podcast starts now. Hello Studio Lab listeners. Boy, do we 46 00:02:42,720 --> 00:02:46,359 Speaker 1: have an episode for you? Because George has told me 47 00:02:46,440 --> 00:02:49,520 Speaker 1: already so much. He has told me he is the 48 00:02:49,520 --> 00:02:51,519 Speaker 1: most hunger he's ever been. He told me he can't 49 00:02:51,560 --> 00:02:55,840 Speaker 1: see or hear, but he has. You know, when you 50 00:02:55,880 --> 00:02:59,240 Speaker 1: give up certain senses, you actually gain others. And while 51 00:02:59,280 --> 00:03:02,680 Speaker 1: he cannot see, he cannot hear, his um ability to 52 00:03:02,760 --> 00:03:06,880 Speaker 1: storytell has only gotten stronger. That's right. It's really interesting 53 00:03:06,880 --> 00:03:10,160 Speaker 1: how that works. Much like Ben Affleck and Daredevil. People 54 00:03:10,200 --> 00:03:13,200 Speaker 1: are talking and I'm I can almost sense it as 55 00:03:13,200 --> 00:03:16,239 Speaker 1: though I'm reading a book. I have my proverbial highlighter out. 56 00:03:16,280 --> 00:03:18,440 Speaker 1: You know, my eyes are in fact crossed, and each 57 00:03:18,480 --> 00:03:21,280 Speaker 1: is looking at a different direction, and I'm taking both in. 58 00:03:22,520 --> 00:03:25,160 Speaker 1: You're seeing things on a plane that you know, we 59 00:03:25,240 --> 00:03:28,280 Speaker 1: can't even comprehend. People think the math Lady meme is 60 00:03:28,320 --> 00:03:31,760 Speaker 1: just a joke. That's my life, Like, there are equations 61 00:03:31,760 --> 00:03:34,800 Speaker 1: happening all around me, and I am solving them. Oh, 62 00:03:34,840 --> 00:03:37,800 Speaker 1: my gosh, well do you want to get into it? 63 00:03:37,920 --> 00:03:42,280 Speaker 1: Do you wanna properly talking about Well, so, I unfortunately 64 00:03:42,280 --> 00:03:44,400 Speaker 1: we do have to anonymize some of the people involved 65 00:03:44,440 --> 00:03:46,720 Speaker 1: in My night last night, because they are in fact 66 00:03:46,760 --> 00:03:49,960 Speaker 1: friends of the show, close friends of mine, and people 67 00:03:49,960 --> 00:03:53,600 Speaker 1: are listeners might know. But I had an experience after 68 00:03:53,760 --> 00:03:56,760 Speaker 1: the famous party I went to and someone told me 69 00:03:56,800 --> 00:03:58,840 Speaker 1: I was acting like I was seventy five years old. 70 00:03:59,000 --> 00:04:01,520 Speaker 1: I'm now trying to be as youthful as possible in 71 00:04:01,600 --> 00:04:04,280 Speaker 1: my going out habits. I am even going out, yeah, 72 00:04:04,360 --> 00:04:06,720 Speaker 1: once a week. Last night, you know, I was that 73 00:04:06,880 --> 00:04:09,320 Speaker 1: a show and people said that they're going out in 74 00:04:09,360 --> 00:04:11,760 Speaker 1: Bushwick and I said, what are you talking about. It's 75 00:04:11,800 --> 00:04:16,080 Speaker 1: midnight and we are in gones. And then I had 76 00:04:16,120 --> 00:04:18,760 Speaker 1: myself to tequila sodas and I said, whoa, let's do this. 77 00:04:18,880 --> 00:04:20,960 Speaker 1: And so we got there and I had a very 78 00:04:21,040 --> 00:04:23,360 Speaker 1: nice time. And what I was saying to Sam earlier 79 00:04:23,440 --> 00:04:26,240 Speaker 1: was at the end of the night, I suddenly found myself. 80 00:04:26,440 --> 00:04:28,040 Speaker 1: I don't know how I ended up there. I suddenly 81 00:04:28,080 --> 00:04:31,320 Speaker 1: found myself in a group that was let's say, one 82 00:04:31,600 --> 00:04:36,320 Speaker 1: heterosexual couple and then two other hetero passing people, and 83 00:04:36,520 --> 00:04:39,159 Speaker 1: suddenly there were swinger vibes among the four of them, 84 00:04:39,240 --> 00:04:42,400 Speaker 1: these two SIS men and two SIS women, And suddenly 85 00:04:42,440 --> 00:04:44,960 Speaker 1: I was like, wait a minute, I'm the game guy 86 00:04:45,160 --> 00:04:47,800 Speaker 1: at the Gate Club, and I'm the one not being 87 00:04:47,839 --> 00:04:50,760 Speaker 1: sexually adventurous and in fact not even being sexual period. 88 00:04:51,120 --> 00:04:53,640 Speaker 1: Quite frankly, I was dancing my little butt off to 89 00:04:53,720 --> 00:04:57,080 Speaker 1: The Killer's remix, and meanwhile, these four people are doing 90 00:04:57,200 --> 00:04:59,479 Speaker 1: that movie A Door with Naomi Watts where they suck 91 00:04:59,520 --> 00:05:03,359 Speaker 1: each other. Well, I haven't seen the film, but you 92 00:05:03,400 --> 00:05:06,039 Speaker 1: are painting a beautiful picture for me. It's it's two 93 00:05:06,080 --> 00:05:08,800 Speaker 1: moms and then they suck each other. Sounds well, that's 94 00:05:09,200 --> 00:05:13,039 Speaker 1: that's just sounds like cinema. Um. Yeah. And I was 95 00:05:13,080 --> 00:05:15,760 Speaker 1: trying to kind of describe this to Matthew today and 96 00:05:15,800 --> 00:05:18,120 Speaker 1: I was like, it was weird me being the one 97 00:05:18,160 --> 00:05:21,560 Speaker 1: gay person and the one person not in a sexual situation. 98 00:05:21,640 --> 00:05:22,840 Speaker 1: He was like, when you could have made out with 99 00:05:22,880 --> 00:05:24,440 Speaker 1: someone if you wanted, And I was like, that's not 100 00:05:24,520 --> 00:05:27,279 Speaker 1: really what this is about. This is about the principle 101 00:05:27,320 --> 00:05:31,320 Speaker 1: of the thing. It's almost like it's unnatural, that's not 102 00:05:31,360 --> 00:05:33,640 Speaker 1: what should happen at a gay club. And I also 103 00:05:33,800 --> 00:05:35,640 Speaker 1: was like, I was not even in that mode. I 104 00:05:35,640 --> 00:05:38,480 Speaker 1: honestly was not really like in the mood to look 105 00:05:38,560 --> 00:05:40,440 Speaker 1: up with anyone or like there wasn't anyone I was 106 00:05:40,800 --> 00:05:42,920 Speaker 1: into that. It was like not, it was not even 107 00:05:43,080 --> 00:05:45,080 Speaker 1: that I was like, oh God, if only I could 108 00:05:45,200 --> 00:05:47,360 Speaker 1: make out with someone tonight, and these straight people are 109 00:05:47,360 --> 00:05:49,240 Speaker 1: doing it and I'm not. It was just like some 110 00:05:49,279 --> 00:05:51,320 Speaker 1: things have to be a certain way, and you're really 111 00:05:51,360 --> 00:05:54,000 Speaker 1: messing with nature if if this is the kind of 112 00:05:54,000 --> 00:05:56,040 Speaker 1: story you're writing. It felt very much like when they 113 00:05:56,040 --> 00:05:59,440 Speaker 1: advertise Brokeback Mountain using the photo of an half away 114 00:05:59,560 --> 00:06:02,320 Speaker 1: victual and pretending it's a straight movie. Well, yeah, it's 115 00:06:02,320 --> 00:06:05,599 Speaker 1: definitely disconcerting for you as as gay men in a 116 00:06:05,600 --> 00:06:07,320 Speaker 1: gay space, we're supposed to be the ones that are 117 00:06:07,360 --> 00:06:10,719 Speaker 1: sexually deviant and sort of be like, you know, oh, 118 00:06:10,760 --> 00:06:13,320 Speaker 1: you probably don't know how crazy we can get. And 119 00:06:13,360 --> 00:06:15,719 Speaker 1: then for them to sort of surpass that and actually 120 00:06:15,760 --> 00:06:19,040 Speaker 1: get crazier than you, and then they made you, they 121 00:06:19,200 --> 00:06:21,719 Speaker 1: turned you into like a little librarian. Well I haven't 122 00:06:21,720 --> 00:06:25,560 Speaker 1: even said the biggest punchline. This is Brandy Carlyle is 123 00:06:25,600 --> 00:06:32,600 Speaker 1: the joke. Suddenly the men made out the two men 124 00:06:32,839 --> 00:06:36,880 Speaker 1: of this group. I mean, I mean, while I'm over here, 125 00:06:36,960 --> 00:06:40,640 Speaker 1: like could I bumb a cigarette? I mean I guess, 126 00:06:40,680 --> 00:06:43,680 Speaker 1: Like did it seem like I guess you couldn't have 127 00:06:43,720 --> 00:06:45,839 Speaker 1: like hopped in, Like it would have been weird. No. 128 00:06:46,520 --> 00:06:48,919 Speaker 1: And it's also like, again, that's like, that's not what 129 00:06:49,000 --> 00:06:51,080 Speaker 1: I want to that's not what I wanted to do. 130 00:06:51,240 --> 00:06:54,320 Speaker 1: You know what I made sure. It's also like if 131 00:06:54,360 --> 00:06:56,719 Speaker 1: I hopped in, that would have been the most pathetic 132 00:06:56,760 --> 00:06:58,960 Speaker 1: thing of all, Like these two straight guys making out 133 00:06:59,040 --> 00:07:03,080 Speaker 1: and me being like room for one more. I mean, 134 00:07:03,120 --> 00:07:06,200 Speaker 1: that's the cruelest thing is when two straight guys make out, 135 00:07:06,680 --> 00:07:08,479 Speaker 1: or when two straight guys like like, do you know 136 00:07:08,640 --> 00:07:11,040 Speaker 1: there's like infinite stories like two straight guys jerking off 137 00:07:11,040 --> 00:07:14,000 Speaker 1: together in high school or whatever, and it's like, hey, 138 00:07:14,200 --> 00:07:16,440 Speaker 1: how come I never got to do that? And it's 139 00:07:16,480 --> 00:07:19,200 Speaker 1: like it only works because they're two straight guys. It's 140 00:07:19,240 --> 00:07:21,600 Speaker 1: so crazy to think of those memories and to think 141 00:07:21,640 --> 00:07:23,760 Speaker 1: of people doing that and you being like, oh, so 142 00:07:23,800 --> 00:07:28,280 Speaker 1: we're gay, Like no, no, no, sweetie, we're jerking off together. 143 00:07:28,520 --> 00:07:31,840 Speaker 1: Get your homosexual mind out of this. Also that your story. 144 00:07:32,000 --> 00:07:33,840 Speaker 1: I am sorry to say this, but I think it 145 00:07:33,880 --> 00:07:37,640 Speaker 1: needs to be said. It's Costanza esque. Oh yeah, I 146 00:07:37,680 --> 00:07:42,120 Speaker 1: mean it's Costanza esque or other kind of joker flop 147 00:07:42,240 --> 00:07:45,440 Speaker 1: characters that constantly make a fool of themselves in film 148 00:07:45,440 --> 00:07:48,840 Speaker 1: and TV. I mean it's honestly, it's the sidekick. It's like, 149 00:07:49,120 --> 00:07:52,000 Speaker 1: it's also it's like Monica Geller in Friends. Oh I'm 150 00:07:52,040 --> 00:07:56,440 Speaker 1: not a friend's head, Cortney Cox. It's literally like a flashback, 151 00:07:56,600 --> 00:07:59,200 Speaker 1: or it's also like Chandler Bank. Sure there we go. 152 00:07:59,480 --> 00:08:02,679 Speaker 1: I mean literally at like the Seinfeld Diner right now, 153 00:08:02,840 --> 00:08:05,960 Speaker 1: and you're being like the straight guys and they were kissing, 154 00:08:07,720 --> 00:08:10,080 Speaker 1: and then I'm like straight guys and you're like straight out, 155 00:08:10,280 --> 00:08:12,720 Speaker 1: I mean the indignities. You know, it's now kind of 156 00:08:12,760 --> 00:08:16,760 Speaker 1: a pattern of me recounting these small humiliations after going 157 00:08:16,760 --> 00:08:19,000 Speaker 1: out on this podcast. And I want to make clear 158 00:08:19,040 --> 00:08:21,240 Speaker 1: I had a very good time both nights, both the 159 00:08:21,320 --> 00:08:23,600 Speaker 1: time I was accused of being seventy five years old 160 00:08:23,600 --> 00:08:26,560 Speaker 1: and the time I was desexualized in front of my 161 00:08:26,640 --> 00:08:30,080 Speaker 1: community by four great people. But you know what you 162 00:08:30,120 --> 00:08:33,760 Speaker 1: live and you learn. Yeah, it's a bumpy ride. You know, 163 00:08:33,840 --> 00:08:38,439 Speaker 1: you're on a journey I think towards your next form, Yeah, 164 00:08:38,440 --> 00:08:40,640 Speaker 1: which is what I think it's supposed to be, like 165 00:08:40,720 --> 00:08:44,600 Speaker 1: sort of a tasteful going out person. Yeah, I mean, 166 00:08:44,640 --> 00:08:47,480 Speaker 1: I guess it just seems like that's sort of where 167 00:08:47,480 --> 00:08:50,360 Speaker 1: you're headed, or that's where your this friction is coming from. 168 00:08:50,480 --> 00:08:53,000 Speaker 1: It's Going Out Troubles. If you had a little book 169 00:08:53,200 --> 00:08:57,400 Speaker 1: called Going Out Troubles by George Sparris, well, if anyone 170 00:08:57,400 --> 00:09:00,040 Speaker 1: wants to publish it. Like I said, I'm a the 171 00:09:00,080 --> 00:09:03,760 Speaker 1: incredible storyteller. It's flowing out of me like lava there was. 172 00:09:03,920 --> 00:09:05,840 Speaker 1: And you also said we have more to discuss, and 173 00:09:05,880 --> 00:09:07,800 Speaker 1: I didn't know what that meant. Well, I mean I 174 00:09:07,800 --> 00:09:10,080 Speaker 1: almost feel like maybe this is too much for one episode, 175 00:09:10,080 --> 00:09:12,720 Speaker 1: but we have to discuss our experience going to an event. Yes, 176 00:09:12,880 --> 00:09:15,800 Speaker 1: we went to the event of the season. We went 177 00:09:15,800 --> 00:09:18,959 Speaker 1: to the Fire Island premiere streaming on Hulu. Let's say 178 00:09:19,000 --> 00:09:21,520 Speaker 1: that first, and it is now out on Hulu. How 179 00:09:21,559 --> 00:09:26,240 Speaker 1: many people in it have been guests? Three? Let's say three? Well, 180 00:09:26,559 --> 00:09:29,120 Speaker 1: here's what do you think of the party? No? I? Well, no, 181 00:09:29,320 --> 00:09:31,520 Speaker 1: I I had I had a great nothing but good 182 00:09:31,520 --> 00:09:34,040 Speaker 1: things to say about all our dear, delightful friends. What 183 00:09:34,360 --> 00:09:36,720 Speaker 1: defined the party? And this is also okay, this is 184 00:09:36,720 --> 00:09:39,079 Speaker 1: also George Costanza. You know what I'm gonna say my experience, 185 00:09:39,720 --> 00:09:45,120 Speaker 1: this is actually it's actually crazy. The two of these 186 00:09:45,120 --> 00:09:47,120 Speaker 1: things happened to be in one week. So basically what 187 00:09:47,200 --> 00:09:50,559 Speaker 1: happened is our dear friend Joel had tickets for everyone. 188 00:09:50,600 --> 00:09:52,080 Speaker 1: It was like, who you know I have, I have 189 00:09:52,160 --> 00:09:54,319 Speaker 1: a set amount of tickets from my friends. Who wants one? Whatever? 190 00:09:54,400 --> 00:09:56,120 Speaker 1: And then I was like, you know, Joe, I actually 191 00:09:56,160 --> 00:09:58,760 Speaker 1: already bought two tickets because you know, I didn't know 192 00:09:58,800 --> 00:10:00,200 Speaker 1: if they were going to be extra and I wanted 193 00:10:00,200 --> 00:10:03,040 Speaker 1: to support the film made by our friends and peers 194 00:10:03,080 --> 00:10:05,800 Speaker 1: and sisters, and actually already bought tickets online. Are the 195 00:10:05,800 --> 00:10:08,040 Speaker 1: ones you have better ones? Like, are the ones you 196 00:10:08,120 --> 00:10:10,120 Speaker 1: have like VAP ones? Because IF's not If if that's 197 00:10:10,160 --> 00:10:11,760 Speaker 1: the case, then I can sell mine and like take 198 00:10:11,760 --> 00:10:14,160 Speaker 1: the ones you're offering. And Joel was like, Joel was like, oh, 199 00:10:14,200 --> 00:10:15,880 Speaker 1: I asked him, they're all the same, So just like, 200 00:10:15,960 --> 00:10:17,400 Speaker 1: go with the ones you have. This is in no 201 00:10:17,440 --> 00:10:19,760 Speaker 1: way Joel's fault, and no no part of me blames Joel. 202 00:10:19,800 --> 00:10:21,520 Speaker 1: It is truly a clerical error on my end and 203 00:10:21,600 --> 00:10:23,960 Speaker 1: on the people Joel was communicating with. But what ended 204 00:10:24,040 --> 00:10:27,240 Speaker 1: up happening was we get there and everyone else has 205 00:10:27,320 --> 00:10:29,800 Speaker 1: va AP tickets, and I have a general admission ticket, 206 00:10:30,760 --> 00:10:34,839 Speaker 1: so suddenly at every stage of the night, I am 207 00:10:34,880 --> 00:10:37,120 Speaker 1: I'm with my friends, and then I am forced to 208 00:10:37,120 --> 00:10:39,480 Speaker 1: go into a different line than them. And this happened 209 00:10:39,760 --> 00:10:42,520 Speaker 1: twice at the actual screening and then once at the 210 00:10:42,640 --> 00:10:46,400 Speaker 1: after party. And the peak of this was that as 211 00:10:46,440 --> 00:10:49,319 Speaker 1: we were entering the theater, Matthew and I were put 212 00:10:49,360 --> 00:10:53,440 Speaker 1: into the overflow room that screened the film in a separate, 213 00:10:53,480 --> 00:10:56,720 Speaker 1: smaller theater next to the larger one. I love this 214 00:10:56,880 --> 00:11:00,920 Speaker 1: so much. It's so George Costanza. It's like, because of 215 00:11:00,960 --> 00:11:04,959 Speaker 1: course it would be like you like you almost cared, 216 00:11:05,000 --> 00:11:07,320 Speaker 1: more like you like, we're doing the right thing. And 217 00:11:07,360 --> 00:11:09,920 Speaker 1: then I also was like, yes, no exactly, and it's 218 00:11:09,960 --> 00:11:13,319 Speaker 1: no one's fault exactly. It was truly like a miscommunication, 219 00:11:13,480 --> 00:11:15,920 Speaker 1: and in retrospect, it was so dumb that I didn't 220 00:11:15,960 --> 00:11:18,720 Speaker 1: just like do the thing that was the safest option 221 00:11:18,840 --> 00:11:22,840 Speaker 1: and even honestly cell tickets and made money, but it 222 00:11:22,920 --> 00:11:25,440 Speaker 1: was just like it all kind of happened in slow motion. 223 00:11:25,520 --> 00:11:27,679 Speaker 1: And then also, I know this was not intentional on 224 00:11:27,760 --> 00:11:29,480 Speaker 1: your guys part, but it really did feel like as 225 00:11:29,520 --> 00:11:31,760 Speaker 1: soon as the lines were drawn, suddenly you guys were 226 00:11:31,760 --> 00:11:34,680 Speaker 1: acting like I was less than like I was that 227 00:11:34,760 --> 00:11:38,439 Speaker 1: you were better than me. I know that's in my head, 228 00:11:38,480 --> 00:11:40,840 Speaker 1: but suddenly I felt like people were like, um, see 229 00:11:40,880 --> 00:11:45,560 Speaker 1: you inside. I guess No, I didn't think I was 230 00:11:45,600 --> 00:11:49,680 Speaker 1: better than you. I felt bad for you. One, let's 231 00:11:49,679 --> 00:11:52,080 Speaker 1: start there. I've almostly felt I knew that it would 232 00:11:52,120 --> 00:11:54,360 Speaker 1: like really funk with your head, like because you were 233 00:11:54,400 --> 00:11:56,080 Speaker 1: texting me like I'm in the other theater, I can't 234 00:11:56,080 --> 00:11:58,160 Speaker 1: believe this is happening. And it was truly like if 235 00:11:58,200 --> 00:11:59,920 Speaker 1: you had not told me that, I would just assumed, 236 00:12:00,040 --> 00:12:02,240 Speaker 1: because the theater was quite large, like I would just 237 00:12:02,480 --> 00:12:06,200 Speaker 1: assumed you were somewhere else. And instead it was like 238 00:12:07,840 --> 00:12:11,280 Speaker 1: it was just eating at you. I texted like three 239 00:12:11,559 --> 00:12:16,120 Speaker 1: different people, increasingly kind of dramatic texts, and I was also, 240 00:12:16,360 --> 00:12:18,280 Speaker 1: it's so frustrating when you don't know where to turn 241 00:12:18,320 --> 00:12:22,240 Speaker 1: your anger to. I'm like, am I mad at Fox Searchlights? 242 00:12:24,920 --> 00:12:26,760 Speaker 1: Especially because when I went to pick up my tickets, 243 00:12:27,000 --> 00:12:29,000 Speaker 1: I showed the ticket, I showed my the email to 244 00:12:29,000 --> 00:12:31,920 Speaker 1: the woman who was the one getting you guys your tickets, 245 00:12:31,960 --> 00:12:35,080 Speaker 1: and she was like, oh, you purchased it through you fast. 246 00:12:37,280 --> 00:12:40,200 Speaker 1: You know this is people are punished for trying to 247 00:12:40,280 --> 00:12:43,000 Speaker 1: be good. You know you're much better at all. I mean, here, 248 00:12:43,040 --> 00:12:46,080 Speaker 1: I am supporting an lgbt Q plus film festival. My 249 00:12:46,120 --> 00:12:49,480 Speaker 1: money is going directly towards more rights for our brothers 250 00:12:49,480 --> 00:12:52,160 Speaker 1: and sisters in the community. And who's rewarded. You know, 251 00:12:52,800 --> 00:12:56,199 Speaker 1: the people who were rewarded were me, who like just 252 00:12:56,320 --> 00:12:58,719 Speaker 1: responded to it, who like waited till the movie was 253 00:12:58,760 --> 00:13:01,600 Speaker 1: sold out, and then when Joel texted, like who wants tickets, 254 00:13:01,640 --> 00:13:04,320 Speaker 1: says like, oh, yeah, yeah, I want to go. Yeah, 255 00:13:04,360 --> 00:13:06,200 Speaker 1: I guess I'll come. I guess I'll come. I guess 256 00:13:06,200 --> 00:13:09,520 Speaker 1: I didn't. You know, I didn't care about supporting my friends, 257 00:13:09,520 --> 00:13:12,600 Speaker 1: but now that you mentioned it, sure I'm free that day. Yeah, 258 00:13:12,679 --> 00:13:16,120 Speaker 1: it's toxic. Meanwhile, here I am financially supporting the quick 259 00:13:16,160 --> 00:13:20,440 Speaker 1: community being upstaged by straight men making out and hung 260 00:13:20,480 --> 00:13:24,560 Speaker 1: over at one p m. With no sign of a bathing. No, 261 00:13:24,840 --> 00:13:26,800 Speaker 1: I think you're gonna have a great day. I think 262 00:13:26,840 --> 00:13:29,800 Speaker 1: it's gonna be a great episode. I'm already I think 263 00:13:29,840 --> 00:13:32,160 Speaker 1: I actually do kind of love this plot line for you. 264 00:13:32,280 --> 00:13:34,880 Speaker 1: I think it's a new journey for you, and I 265 00:13:34,920 --> 00:13:37,960 Speaker 1: think it's really funny and it's really working for me. Wait, yeah, 266 00:13:38,000 --> 00:13:39,560 Speaker 1: well wait, we do need to bring in our guests, 267 00:13:39,559 --> 00:13:41,560 Speaker 1: but I just like, this is actually exactly the kind 268 00:13:41,559 --> 00:13:43,560 Speaker 1: of narrative I'm trying to move away from in my life. No, 269 00:13:43,679 --> 00:13:45,840 Speaker 1: it's genius. You gotta run it towards it, you gotta 270 00:13:45,880 --> 00:13:50,800 Speaker 1: lean in. Okay, I really have to reclaim being George Costanza. Yeah, 271 00:13:51,040 --> 00:13:53,640 Speaker 1: I think it could be huge. I think this. I mean, 272 00:13:54,360 --> 00:13:56,480 Speaker 1: this is one of the most famous comedic characters of 273 00:13:56,520 --> 00:13:59,520 Speaker 1: all time, and you're living in babies like I think 274 00:13:59,760 --> 00:14:02,480 Speaker 1: as my namesake. I mean, you're literally named after him. 275 00:14:02,520 --> 00:14:05,439 Speaker 1: Your parents named you because of that. And now we 276 00:14:05,520 --> 00:14:10,280 Speaker 1: said it, Okay, we have to bring our There's truly 277 00:14:10,280 --> 00:14:14,679 Speaker 1: no way around it. This next guest is actually one 278 00:14:14,679 --> 00:14:17,160 Speaker 1: of the only peoples and we've said this on the patreon, 279 00:14:17,320 --> 00:14:20,120 Speaker 1: but many people might not subscribe to the Patreon. Perhaps 280 00:14:20,200 --> 00:14:23,880 Speaker 1: we because we never promoted because we are bad businessmen 281 00:14:24,120 --> 00:14:28,120 Speaker 1: and capitalist. We're anti capitalists and also terrible at our jobs, 282 00:14:28,240 --> 00:14:30,720 Speaker 1: and it is having a detrimental effect on our income 283 00:14:30,720 --> 00:14:34,040 Speaker 1: and our livelihood. But this next guest is the first 284 00:14:34,080 --> 00:14:38,920 Speaker 1: guest who has a fan army that created a Gmail 285 00:14:38,960 --> 00:14:41,520 Speaker 1: account called and this is not a joke called craig 286 00:14:41,560 --> 00:14:44,920 Speaker 1: Head Nation that then emailed a Straighter Lab account and said, 287 00:14:44,960 --> 00:14:48,760 Speaker 1: we demand Olivia Craighead on the pod. Best wishes craig 288 00:14:48,800 --> 00:14:51,640 Speaker 1: head Nation. And at the time, as many people know, 289 00:14:52,120 --> 00:14:55,680 Speaker 1: I had a very kind of fascistic almost band on 290 00:14:55,720 --> 00:14:58,520 Speaker 1: Gawker employees on the podcast, and I said, but at 291 00:14:58,520 --> 00:14:59,840 Speaker 1: the same time, I'm not going to be a victim 292 00:14:59,880 --> 00:15:03,280 Speaker 1: of stand wars. I'm gonna bow down to this stand 293 00:15:03,320 --> 00:15:04,880 Speaker 1: army that is emailing us. So I said, you know, 294 00:15:04,920 --> 00:15:06,640 Speaker 1: what's the best that we could do. We'll have her 295 00:15:06,680 --> 00:15:08,120 Speaker 1: on a Patreot up. So we had her on a 296 00:15:08,120 --> 00:15:10,400 Speaker 1: Patriot up and we it was one of our movie apps, 297 00:15:10,400 --> 00:15:13,280 Speaker 1: and we discussed the matrix. But then you know, the 298 00:15:13,320 --> 00:15:16,040 Speaker 1: stand army got more and more powerful, and I said, yeah, 299 00:15:16,120 --> 00:15:18,160 Speaker 1: I'm lifting the band. I'm not going to be the one. 300 00:15:18,160 --> 00:15:20,280 Speaker 1: I'm not gonna be one of these people found dead 301 00:15:20,280 --> 00:15:23,000 Speaker 1: in a ditch and with like one direction written on 302 00:15:23,040 --> 00:15:25,120 Speaker 1: them in blood from a one direction stand you know 303 00:15:25,120 --> 00:15:27,520 Speaker 1: what they mean. So the point is the guest is 304 00:15:27,520 --> 00:15:31,960 Speaker 1: a later Crackhead Olivia Hello, And I'm sure that is 305 00:15:32,040 --> 00:15:35,720 Speaker 1: maybe the longest we've ever talked without introducing a guests. Well, 306 00:15:35,760 --> 00:15:37,840 Speaker 1: there was so much to get to there really was, 307 00:15:38,120 --> 00:15:39,600 Speaker 1: and at every point I was like, I wish I 308 00:15:39,600 --> 00:15:41,280 Speaker 1: had your input on this. Okay, So I have a 309 00:15:41,320 --> 00:15:43,800 Speaker 1: couple of things to say. First of you, erase Robin 310 00:15:43,880 --> 00:15:46,760 Speaker 1: Wright from a door, who was the other mom that's 311 00:15:46,880 --> 00:15:50,200 Speaker 1: in that movie m Second of all, with the when 312 00:15:50,240 --> 00:15:53,720 Speaker 1: the two guys started making out, like, is the thing that, like, 313 00:15:54,560 --> 00:15:56,760 Speaker 1: is what you your dream scenario for that is that 314 00:15:56,800 --> 00:15:58,720 Speaker 1: one of them tries to make out with you and 315 00:15:58,760 --> 00:16:01,360 Speaker 1: you're like no, So that's like, that's a that's a 316 00:16:01,440 --> 00:16:03,280 Speaker 1: valid question because that is that is a question that 317 00:16:03,320 --> 00:16:05,080 Speaker 1: makes sense based on the fact that I am pissed 318 00:16:05,120 --> 00:16:08,080 Speaker 1: about this. And what I'm trying to articulate is that 319 00:16:08,120 --> 00:16:09,960 Speaker 1: it's not really about like I literally don't want to 320 00:16:10,000 --> 00:16:11,520 Speaker 1: make out with either of the straight guys. It's not 321 00:16:12,000 --> 00:16:15,920 Speaker 1: It's more like, if anyone's gonna be making out, it 322 00:16:15,960 --> 00:16:18,360 Speaker 1: should be me. That That's kind of where I'm coming from, 323 00:16:18,400 --> 00:16:21,120 Speaker 1: and I'm I'm saying that even though at the time 324 00:16:21,160 --> 00:16:22,800 Speaker 1: there was no one I wanted to make out with 325 00:16:22,880 --> 00:16:26,000 Speaker 1: and I wasn't even in that like mood. But it's like, 326 00:16:26,360 --> 00:16:31,000 Speaker 1: this is wrong, Okay, Okay, this is very castanza of 327 00:16:31,080 --> 00:16:33,520 Speaker 1: you and I think if you're going to be a 328 00:16:33,600 --> 00:16:36,720 Speaker 1: Seinfeld character like number one, you want to be away 329 00:16:37,320 --> 00:16:41,480 Speaker 1: number two, and then a significant drop and then probably 330 00:16:41,520 --> 00:16:46,160 Speaker 1: George last is Jerry because the worst of all. Yes, 331 00:16:47,880 --> 00:16:50,760 Speaker 1: I guess like one more question about last night totally 332 00:16:50,800 --> 00:16:54,680 Speaker 1: it's like, were you like, were you angry or was 333 00:16:54,720 --> 00:17:00,480 Speaker 1: it more like, um, what was the the emotion behind it? Um? 334 00:17:00,520 --> 00:17:02,320 Speaker 1: Because at first I think I interpreted it as like 335 00:17:02,400 --> 00:17:05,000 Speaker 1: you were sort of like making almost a quirky observation, 336 00:17:05,240 --> 00:17:06,920 Speaker 1: and now I'm starting to see that maybe there was 337 00:17:06,960 --> 00:17:09,600 Speaker 1: more emotion behind it than what I'm I think. I 338 00:17:09,640 --> 00:17:12,480 Speaker 1: think what it was is so this this what I'm 339 00:17:12,480 --> 00:17:14,240 Speaker 1: describing was at the tail end of the night. It 340 00:17:14,280 --> 00:17:16,920 Speaker 1: was a very very fun night. It was also started 341 00:17:16,920 --> 00:17:19,240 Speaker 1: out as a much bigger group. We were all dancing together, 342 00:17:19,359 --> 00:17:23,960 Speaker 1: the music was really good and um and suddenly you 343 00:17:23,960 --> 00:17:26,080 Speaker 1: know when you like blink and open your eyes and 344 00:17:26,119 --> 00:17:28,760 Speaker 1: suddenly the situation is different. I kind of felt that 345 00:17:28,840 --> 00:17:31,439 Speaker 1: like in the last truly like fifteen minutes of the night, 346 00:17:31,840 --> 00:17:35,000 Speaker 1: there was a point where like two of them we're 347 00:17:35,119 --> 00:17:37,399 Speaker 1: in a photo booth and two of them were ordering 348 00:17:37,480 --> 00:17:40,040 Speaker 1: drinks and there was a flirty energy in both groups 349 00:17:40,080 --> 00:17:43,800 Speaker 1: and I suddenly found myself drunkenly just walking from one 350 00:17:43,880 --> 00:17:46,560 Speaker 1: couple to the other because I didn't have anything else 351 00:17:46,640 --> 00:17:50,119 Speaker 1: to do. And it took like a couple of walks 352 00:17:50,119 --> 00:17:52,040 Speaker 1: back and forth to be like, oh, what I'm doing 353 00:17:52,119 --> 00:17:56,840 Speaker 1: is embarrassing. So it was it was the feeling was 354 00:17:56,880 --> 00:17:59,480 Speaker 1: more like, especially because I was a little you know, 355 00:17:59,520 --> 00:18:02,600 Speaker 1: it was obviously drunk and so interpreting everything very dramatically. 356 00:18:02,920 --> 00:18:05,800 Speaker 1: I think the thought I had was like, Wow, after 357 00:18:05,920 --> 00:18:08,040 Speaker 1: such a good night, it's going to end on this note. 358 00:18:08,160 --> 00:18:10,720 Speaker 1: Like that's That's kind of what it was. Yeah, okay, 359 00:18:10,840 --> 00:18:14,000 Speaker 1: I know that feeling when like the energy shifts, yeah, 360 00:18:14,440 --> 00:18:17,199 Speaker 1: really dramatically and you're like, wait, I'm actually not supposed 361 00:18:17,240 --> 00:18:21,320 Speaker 1: to be there. It was also no one's fault. Wow. 362 00:18:21,960 --> 00:18:24,080 Speaker 1: Well subscribed to the Patreon will I really hope, I 363 00:18:24,119 --> 00:18:26,160 Speaker 1: really hope they're not. I will list their names first 364 00:18:26,160 --> 00:18:29,800 Speaker 1: and last, maybe their addresses, So follow along. Olivia, did 365 00:18:29,840 --> 00:18:33,320 Speaker 1: you do anything like last night or what's going on 366 00:18:33,359 --> 00:18:35,920 Speaker 1: with Oh my god, No, I haven't done anything thrilling 367 00:18:35,960 --> 00:18:39,359 Speaker 1: in a minute, because I've been moving into this apartment 368 00:18:39,960 --> 00:18:43,040 Speaker 1: and unpacking all of my ship, which just makes me 369 00:18:43,080 --> 00:18:45,840 Speaker 1: realize how much shit I have that I don't care about, 370 00:18:46,000 --> 00:18:50,360 Speaker 1: don't need, I have never wanted in my life. Um, 371 00:18:50,400 --> 00:18:53,320 Speaker 1: Like why do I own so many like stupid novelty 372 00:18:53,359 --> 00:18:56,840 Speaker 1: T shirts? I don't know? Um, And that's just something 373 00:18:56,840 --> 00:18:58,639 Speaker 1: I'm kind of coming to terms with. That's what I 374 00:18:58,680 --> 00:19:00,639 Speaker 1: was doing right before I logged off. That's what I 375 00:19:00,680 --> 00:19:04,600 Speaker 1: was doing last night. It really is confronting your own 376 00:19:04,640 --> 00:19:07,520 Speaker 1: belongings and being like, this is what I've made of 377 00:19:07,560 --> 00:19:10,560 Speaker 1: my life, like this, these are this is the proof 378 00:19:10,600 --> 00:19:12,879 Speaker 1: that I have lived. This is what I've accumulated over 379 00:19:12,920 --> 00:19:15,119 Speaker 1: the years, and not one of the things has value, 380 00:19:15,200 --> 00:19:17,160 Speaker 1: you know, Like I'm looking at like a T shirt 381 00:19:17,240 --> 00:19:19,919 Speaker 1: I brought I bought at like the art book fair 382 00:19:19,960 --> 00:19:22,000 Speaker 1: that has a fur beyond it that says the first 383 00:19:22,000 --> 00:19:26,880 Speaker 1: time I smoked weed, I died like like why why? 384 00:19:26,880 --> 00:19:29,160 Speaker 1: Why is this me? Who is this who? I thought 385 00:19:29,280 --> 00:19:32,240 Speaker 1: I wanted to like project myself as to the world. 386 00:19:32,880 --> 00:19:34,840 Speaker 1: I haven't passed it yet, haven't put in the good 387 00:19:34,840 --> 00:19:37,520 Speaker 1: little pile yet, so we'll see. Yeah. Well, it's tough 388 00:19:37,560 --> 00:19:39,560 Speaker 1: with things like that because sometimes they come back around 389 00:19:39,560 --> 00:19:41,320 Speaker 1: and you're like, it's so cool that I was this 390 00:19:41,440 --> 00:19:43,000 Speaker 1: and now I get to redo it and be like 391 00:19:43,040 --> 00:19:46,840 Speaker 1: I've had this for ten years exactly. Um, well that's 392 00:19:46,840 --> 00:19:49,520 Speaker 1: me and my legalized gay T shirt. I firmly believe 393 00:19:49,640 --> 00:19:52,000 Speaker 1: it's going to come back. Ironically, I think it's fully back, 394 00:19:52,080 --> 00:19:54,200 Speaker 1: like when you wear it and back, and I brought 395 00:19:54,200 --> 00:19:57,080 Speaker 1: it back. But I will say this time around, I did. 396 00:19:57,640 --> 00:20:01,960 Speaker 1: It pains me to say I did. Finally, after two moves, 397 00:20:02,000 --> 00:20:05,280 Speaker 1: including to a different city, take my the futurist female 398 00:20:05,320 --> 00:20:11,960 Speaker 1: shirt too, good will? I think that's smart? Um, And yeah, 399 00:20:11,960 --> 00:20:14,600 Speaker 1: it was in fact a crew Next sweatshirt. Well, I 400 00:20:14,640 --> 00:20:17,359 Speaker 1: will docks George and say that. The other day he 401 00:20:17,640 --> 00:20:19,479 Speaker 1: said that he kind of wants one of those New 402 00:20:19,560 --> 00:20:23,119 Speaker 1: York Times like the Truth as a joke, as like 403 00:20:23,160 --> 00:20:28,720 Speaker 1: a fun ironic joke, and merchants says the truth. I'm 404 00:20:28,760 --> 00:20:32,280 Speaker 1: thinking birthday birthdays kind of coming up. Well it is, 405 00:20:32,320 --> 00:20:35,160 Speaker 1: in fact, it's next month, and I am that would 406 00:20:35,160 --> 00:20:41,000 Speaker 1: be a great gay right we're both cancer. I forget 407 00:20:41,040 --> 00:20:44,119 Speaker 1: about that. To the T shirt point, I also feel 408 00:20:44,119 --> 00:20:47,879 Speaker 1: that sometimes though, sometimes life gets really serious and you're like, 409 00:20:47,920 --> 00:20:49,800 Speaker 1: no more T shirts for me, like no more silly 410 00:20:49,800 --> 00:20:52,520 Speaker 1: T shirts, and then you find yourself like four years 411 00:20:52,600 --> 00:20:55,560 Speaker 1: down the road, like actually with only plain T shirts 412 00:20:55,720 --> 00:20:57,399 Speaker 1: I kind of had the opposite experience. I was like, 413 00:20:57,400 --> 00:21:00,119 Speaker 1: what happened to me? Like? Where the joy go? Why 414 00:21:00,119 --> 00:21:02,240 Speaker 1: do I only have plain T shirts? I used to 415 00:21:02,280 --> 00:21:05,280 Speaker 1: be someone with with a sense of humor and and 416 00:21:05,640 --> 00:21:07,760 Speaker 1: didn't take life so seriously, and now look at me, 417 00:21:07,800 --> 00:21:10,000 Speaker 1: I have no novelty T shirts. Well, what also happens 418 00:21:10,040 --> 00:21:13,399 Speaker 1: is like when you spend so many years buying things 419 00:21:13,720 --> 00:21:16,520 Speaker 1: almost as a joke, and then you're like, okay, time 420 00:21:16,560 --> 00:21:18,760 Speaker 1: to grow up. But then you never actually invested in basics, 421 00:21:18,840 --> 00:21:21,600 Speaker 1: so you throw away your novelty T shirts and you're like, okay, well, 422 00:21:22,320 --> 00:21:25,960 Speaker 1: I guess I have these Haynes like undershirts. That is 423 00:21:26,520 --> 00:21:28,119 Speaker 1: kind of where I'm at, where I'm like, okay, so 424 00:21:28,160 --> 00:21:29,879 Speaker 1: I have my novelty T shirts and I have like 425 00:21:30,080 --> 00:21:32,320 Speaker 1: clothes where when I have to look like an adult 426 00:21:32,400 --> 00:21:36,200 Speaker 1: and in the middle, I have no idea what to wear. 427 00:21:37,160 --> 00:21:40,080 Speaker 1: I've never had any idea what to wear. Samini is 428 00:21:40,080 --> 00:21:43,000 Speaker 1: a fashion way to talk about this, and this is 429 00:21:43,040 --> 00:21:46,800 Speaker 1: a fashion podcast. All we talk is clothes and what 430 00:21:46,880 --> 00:21:48,959 Speaker 1: we can and can't wear and why and what our 431 00:21:49,040 --> 00:21:52,199 Speaker 1: issues are, especially in the summer. What am I? What 432 00:21:52,280 --> 00:21:56,600 Speaker 1: am I supposed to be wearing? I feel like shorts 433 00:21:56,600 --> 00:21:59,399 Speaker 1: are kind of fraud. Cannib worms are opening up right now? 434 00:21:59,640 --> 00:22:04,040 Speaker 1: Is like so deep? Should should we go? All linen? 435 00:22:04,400 --> 00:22:07,760 Speaker 1: Is that kind of the move? Okay, talk about and 436 00:22:08,000 --> 00:22:10,880 Speaker 1: talk about like finding old novelty T shirts. I had 437 00:22:10,920 --> 00:22:14,159 Speaker 1: a summer where truly I blacked out and bought like 438 00:22:14,320 --> 00:22:16,600 Speaker 1: fifteen Linen shirts. I was like, this is me now, 439 00:22:16,960 --> 00:22:18,919 Speaker 1: and I now have like a whole section in my 440 00:22:18,960 --> 00:22:22,080 Speaker 1: closet that has I think like probably ten Linen shirts. 441 00:22:22,840 --> 00:22:26,199 Speaker 1: I probably have warned each of them like once, and 442 00:22:26,240 --> 00:22:30,840 Speaker 1: I'm like, what do I do with this? But I do. 443 00:22:31,280 --> 00:22:33,199 Speaker 1: I do think, Olivia, you would actually look great in 444 00:22:33,320 --> 00:22:35,640 Speaker 1: like an all Innen. I think I could. I think 445 00:22:35,640 --> 00:22:36,960 Speaker 1: I could make it work. I think I need to 446 00:22:37,080 --> 00:22:42,400 Speaker 1: start investing in like linen where for summer? Yeah, that's fun. 447 00:22:42,920 --> 00:22:45,640 Speaker 1: I feel like you could pull off of Hampton's sque 448 00:22:45,640 --> 00:22:50,160 Speaker 1: cloak well. That whole coastal Grandma coast is happening on 449 00:22:50,240 --> 00:22:52,800 Speaker 1: TikTok right. Oh, I didn't know this was happening. Yeah, 450 00:22:52,880 --> 00:22:55,800 Speaker 1: it's like this, my mom. Someone wrote about it in 451 00:22:55,840 --> 00:22:59,639 Speaker 1: the Atlantic and my mom sent it, sent the article 452 00:22:59,680 --> 00:23:02,679 Speaker 1: to me, said I feel like my culture is being appropriate, 453 00:23:03,720 --> 00:23:05,600 Speaker 1: And I said which part, and she said all of it. 454 00:23:06,640 --> 00:23:09,600 Speaker 1: Your mom sounds to make that joke and have it 455 00:23:09,920 --> 00:23:14,239 Speaker 1: because your mom she's fine, Yeah, pretty much. That's so 456 00:23:14,240 --> 00:23:17,399 Speaker 1: cool that your mom is Me and my mom are 457 00:23:17,440 --> 00:23:20,280 Speaker 1: like the same age. She's literally she's texting you like 458 00:23:20,359 --> 00:23:27,720 Speaker 1: not me reading the Atlantic. Okay. Also, Sam and I 459 00:23:27,960 --> 00:23:32,639 Speaker 1: both humiliatingly both of us bought a new shirt to 460 00:23:32,720 --> 00:23:35,800 Speaker 1: wear to that event the day of, and in fact, 461 00:23:35,920 --> 00:23:37,840 Speaker 1: we have to recognize that we did that. I've done 462 00:23:37,840 --> 00:23:40,959 Speaker 1: that so many times. I've realized I had to go 463 00:23:41,040 --> 00:23:44,159 Speaker 1: to something and I feel like I have nothing in 464 00:23:44,240 --> 00:23:47,320 Speaker 1: my many pieces of clothes that could ever possibly fit 465 00:23:47,359 --> 00:23:51,879 Speaker 1: the occasion, and then suddenly you're at Aritzia Panic. Have 466 00:23:51,960 --> 00:23:54,919 Speaker 1: you guys ever? I have been because I wanted to 467 00:23:54,920 --> 00:23:57,800 Speaker 1: buy a puffer? Isn't that what they specialize in? Okay? 468 00:23:57,880 --> 00:24:00,919 Speaker 1: It is hell on Earth. It is the worst place 469 00:24:01,000 --> 00:24:04,520 Speaker 1: in the entire world. It was like designed by whoever 470 00:24:04,560 --> 00:24:09,639 Speaker 1: designed Abu Grade to make you feel horrible about yourself. 471 00:24:09,680 --> 00:24:11,439 Speaker 1: So you go in and they don't do this as 472 00:24:11,520 --> 00:24:13,520 Speaker 1: much anymore, but they used to like send a girl 473 00:24:13,560 --> 00:24:15,040 Speaker 1: to you and be like, do you need a fitting room? 474 00:24:15,080 --> 00:24:16,919 Speaker 1: Can I pull some stuff for you? What's your size. 475 00:24:17,960 --> 00:24:20,080 Speaker 1: I think you're like probably like an eight, okay, And 476 00:24:20,119 --> 00:24:22,280 Speaker 1: then she would go to the fitting room, and like 477 00:24:22,359 --> 00:24:24,159 Speaker 1: you would go to your fitting room, there'd suddenly be 478 00:24:24,200 --> 00:24:28,280 Speaker 1: clothes you didn't pick out, and then there are no 479 00:24:28,359 --> 00:24:31,080 Speaker 1: mirrors in the fitting room. You have to walk out 480 00:24:31,160 --> 00:24:35,920 Speaker 1: into this like communal space to look at their mirror, 481 00:24:36,160 --> 00:24:38,159 Speaker 1: and there's always like the girl who you hand your 482 00:24:38,160 --> 00:24:40,600 Speaker 1: clothes back to, and she always like, there's likely get 483 00:24:40,640 --> 00:24:42,800 Speaker 1: on you even though you're looking in the mirror, and 484 00:24:42,840 --> 00:24:46,720 Speaker 1: you're like, no, they don't. These leather pants look really 485 00:24:46,720 --> 00:24:50,560 Speaker 1: bad on me. It's horrible. And I've had I've panicked 486 00:24:50,560 --> 00:24:53,080 Speaker 1: in there trying to find something for an event more 487 00:24:53,119 --> 00:24:56,240 Speaker 1: than I So I found this shirt. It's truly like 488 00:24:56,880 --> 00:24:59,399 Speaker 1: two hours before the event, because I was like going 489 00:24:59,440 --> 00:25:01,760 Speaker 1: to commit just looking bad. And then I was like 490 00:25:01,800 --> 00:25:04,960 Speaker 1: passing a store. I was just like, here's a store. 491 00:25:05,000 --> 00:25:07,720 Speaker 1: There has to be something. And I found the shirt 492 00:25:07,760 --> 00:25:10,119 Speaker 1: and I kind of liked it actually, But then every 493 00:25:10,119 --> 00:25:12,720 Speaker 1: time someone would be like I actually really like your shirt, 494 00:25:13,320 --> 00:25:16,239 Speaker 1: I felt like I was lying, Like I felt like 495 00:25:16,280 --> 00:25:17,879 Speaker 1: I would have to tell them like, yeah, I actually 496 00:25:17,880 --> 00:25:20,040 Speaker 1: just just just bought it, like and it was like 497 00:25:20,680 --> 00:25:23,000 Speaker 1: why couldn't I just accept the compliment and move on. 498 00:25:23,320 --> 00:25:27,040 Speaker 1: Where did you put the shirt you were wearing beforehand? No? Okay, 499 00:25:27,040 --> 00:25:29,120 Speaker 1: so I did have time to stop home, but truly 500 00:25:29,400 --> 00:25:31,600 Speaker 1: stopped home, took my shirt off, put the new one on, 501 00:25:31,680 --> 00:25:34,800 Speaker 1: and left. And also in this journey, I went to 502 00:25:34,920 --> 00:25:37,280 Speaker 1: a like I had these like casual suit pants and 503 00:25:37,320 --> 00:25:39,679 Speaker 1: I was considering wearing but they were a little bit big, 504 00:25:39,840 --> 00:25:43,520 Speaker 1: and I tried to exchange them at Jay Crew and 505 00:25:44,000 --> 00:25:48,040 Speaker 1: the woman I got absolutely nagged by this like manager 506 00:25:48,080 --> 00:25:50,800 Speaker 1: at Jay Crew. She was like, you can't exchange these 507 00:25:50,960 --> 00:25:53,440 Speaker 1: they are so dirty. And I was like, I wore 508 00:25:53,480 --> 00:25:56,160 Speaker 1: them once and she was like, she was like they're 509 00:25:56,160 --> 00:25:57,920 Speaker 1: clearly worn. And I was like, yeah, I'm not trying 510 00:25:57,960 --> 00:25:59,439 Speaker 1: to hide the back that I wore them, Like I 511 00:25:59,480 --> 00:26:01,800 Speaker 1: wore them one. They don't fit me, so I want 512 00:26:01,840 --> 00:26:04,640 Speaker 1: a different size, and she's like, they're like stains all 513 00:26:04,680 --> 00:26:06,879 Speaker 1: over them, they're kind of stinky. And I was like 514 00:26:07,080 --> 00:26:10,919 Speaker 1: that's literally not possible, Like that's not true. She was 515 00:26:10,960 --> 00:26:13,320 Speaker 1: like I believe like I thought I was trying to 516 00:26:13,359 --> 00:26:15,719 Speaker 1: steal or something like. She was just like I'm not, 517 00:26:15,760 --> 00:26:17,480 Speaker 1: I'm you're not allowed to exchange these pants. Because then 518 00:26:17,520 --> 00:26:19,200 Speaker 1: I took the pants to a different JAY crew because 519 00:26:19,200 --> 00:26:21,920 Speaker 1: I was piste off and they were like, oh yeah, 520 00:26:22,160 --> 00:26:25,240 Speaker 1: we can absolutely return exchange these, and I was like yeah. 521 00:26:25,359 --> 00:26:28,440 Speaker 1: This woman was like on one well, also if you 522 00:26:28,480 --> 00:26:31,600 Speaker 1: want to you were trying to exchange them, not even 523 00:26:31,600 --> 00:26:34,800 Speaker 1: return them for cash, like just it was crazy. She's like, 524 00:26:34,840 --> 00:26:36,719 Speaker 1: did you wear these to your job at the instructions? 525 00:26:36,880 --> 00:26:40,480 Speaker 1: She called them stinky. I could not believe her. She 526 00:26:40,600 --> 00:26:44,119 Speaker 1: actually called, actually said the word they are stinky. And 527 00:26:44,160 --> 00:26:47,080 Speaker 1: it was like, I wore them one night. They were 528 00:26:47,119 --> 00:26:51,480 Speaker 1: not stinky. Quite frankly, I cannot believe if someone did 529 00:26:51,480 --> 00:26:53,960 Speaker 1: that to me. That's even more humiliating than straight people 530 00:26:54,000 --> 00:26:57,160 Speaker 1: making out. I was like, truly, I was like, wait, 531 00:26:57,200 --> 00:26:59,760 Speaker 1: how do I like get back at her? Like I 532 00:26:59,800 --> 00:27:02,920 Speaker 1: was like this woman specifically, how do I get revenge? 533 00:27:03,800 --> 00:27:08,880 Speaker 1: And I'm I'm choosing love. I'm running away from the darkness. 534 00:27:09,000 --> 00:27:13,040 Speaker 1: But oh baby, the Fifth Avenue j crew will feel 535 00:27:13,080 --> 00:27:17,520 Speaker 1: my wrath at some point. It is difficult sometimes um 536 00:27:17,880 --> 00:27:21,360 Speaker 1: dealing with dealing with sounds so condescending, but interacting with 537 00:27:21,720 --> 00:27:25,280 Speaker 1: sales reps or customer service reps at fans not the 538 00:27:25,320 --> 00:27:27,240 Speaker 1: JA Cruise fancy, but like, let's say, at a at 539 00:27:27,280 --> 00:27:30,040 Speaker 1: a nice store because you're like, I know you have 540 00:27:30,119 --> 00:27:32,160 Speaker 1: to treat me like I'm trashed, but like we are 541 00:27:32,680 --> 00:27:37,560 Speaker 1: all like we're both workers in this system, like are 542 00:27:39,119 --> 00:27:41,959 Speaker 1: believe this store. You and I are like the same 543 00:27:42,480 --> 00:27:45,560 Speaker 1: kind of person, Like I'm sorry and I don't I 544 00:27:45,600 --> 00:27:49,160 Speaker 1: don't want to be offensive, but like you can't afford 545 00:27:49,880 --> 00:27:52,199 Speaker 1: like like you're not you were given the suit to 546 00:27:52,200 --> 00:27:54,320 Speaker 1: where in order to be mean to me in my 547 00:27:54,480 --> 00:27:56,600 Speaker 1: quest to get like one pair of pants on clear. 548 00:27:56,680 --> 00:27:59,200 Speaker 1: It's like you can talk to me like a person 549 00:27:59,240 --> 00:28:01,040 Speaker 1: to person. It was I also like when I first 550 00:28:01,000 --> 00:28:02,560 Speaker 1: woked to New York, I used to work at j Cruz, 551 00:28:02,600 --> 00:28:06,080 Speaker 1: Like I understand their return policies. I was like, why 552 00:28:06,080 --> 00:28:08,359 Speaker 1: are you being like this? This is fully your choice. 553 00:28:09,000 --> 00:28:12,560 Speaker 1: The company does not make you do this. It was insane. 554 00:28:12,640 --> 00:28:15,879 Speaker 1: Oh my god, I of course, I mean Sam and 555 00:28:15,920 --> 00:28:17,960 Speaker 1: I talked about the eternal quest to find just a 556 00:28:18,000 --> 00:28:20,199 Speaker 1: pair of effortless dress pants that you can just like 557 00:28:20,800 --> 00:28:24,480 Speaker 1: wear a cute shirt over and be done. Has never 558 00:28:24,520 --> 00:28:26,960 Speaker 1: happened with me. Somehow, somehow, when I wear pants, suddenly 559 00:28:27,240 --> 00:28:29,600 Speaker 1: my butt becomes like a different shape, and it's not 560 00:28:29,640 --> 00:28:33,800 Speaker 1: a good one. I recently found a pair of like 561 00:28:34,160 --> 00:28:38,200 Speaker 1: nice pants that are like like a light fabric. They're 562 00:28:38,240 --> 00:28:41,760 Speaker 1: like a mint green. They're like nice trousers, and I 563 00:28:41,800 --> 00:28:44,800 Speaker 1: am clinging onto them for your dear life. I was 564 00:28:44,880 --> 00:28:47,800 Speaker 1: like in shock and awe when I found them because 565 00:28:47,840 --> 00:28:53,000 Speaker 1: I had never stumbled upon such a such a prize. Well, 566 00:28:53,040 --> 00:28:55,320 Speaker 1: I hope we can all be so lucky one day, 567 00:28:55,480 --> 00:28:57,360 Speaker 1: I do. Should we do our first seg We should? 568 00:28:57,440 --> 00:29:00,120 Speaker 1: I just want to say, if any fashion brands want 569 00:29:00,120 --> 00:29:02,280 Speaker 1: to send us things like I do, feel like at 570 00:29:02,280 --> 00:29:06,000 Speaker 1: this point we are open to that. Yeah, We've done 571 00:29:06,000 --> 00:29:08,280 Speaker 1: a lot of soul searching and we are now open 572 00:29:08,360 --> 00:29:13,840 Speaker 1: to receiving free items J crew. Um, Okay. The thing 573 00:29:13,880 --> 00:29:15,560 Speaker 1: of that rates yet we need to do our first 574 00:29:15,560 --> 00:29:19,440 Speaker 1: segment is that they have like literally seventeen million kinds 575 00:29:19,440 --> 00:29:22,360 Speaker 1: of puffers and all of their names are like the one, 576 00:29:23,120 --> 00:29:27,320 Speaker 1: but it's like they can't all be the one anyway. Okay, 577 00:29:27,640 --> 00:29:31,840 Speaker 1: our first segment is called straight Shooter. I love that 578 00:29:31,880 --> 00:29:33,640 Speaker 1: we were both like, Okay, can we just get to 579 00:29:33,680 --> 00:29:38,200 Speaker 1: the segment already? I know, I know, sometimes an observation 580 00:29:38,320 --> 00:29:40,640 Speaker 1: is just an observation and like doesn't need to well, 581 00:29:40,680 --> 00:29:43,640 Speaker 1: and this is why you're Costanza, not Jerry. Jerry leave 582 00:29:43,680 --> 00:29:47,960 Speaker 1: the observations to Jerry. Are you Jerry? I don't know. 583 00:29:48,440 --> 00:29:51,240 Speaker 1: I don't know who's Jerry yet, But the underlying narrative 584 00:29:51,280 --> 00:29:57,600 Speaker 1: of this podcast is like searching for Arry. Yeah. We 585 00:29:57,640 --> 00:29:59,680 Speaker 1: have various guests on it, like are you Jerry? Like 586 00:29:59,720 --> 00:30:02,080 Speaker 1: we need someone to helm this operation because like it's 587 00:30:02,080 --> 00:30:05,680 Speaker 1: not gonna be us, Okay. The we ask you a 588 00:30:05,720 --> 00:30:08,040 Speaker 1: series of rapid fire questions to gage your familiarity with 589 00:30:08,360 --> 00:30:11,320 Speaker 1: and complicity in straight culture. And the one rule, as 590 00:30:11,360 --> 00:30:12,960 Speaker 1: you know, is that you can't ask any follow up 591 00:30:13,000 --> 00:30:16,440 Speaker 1: questions and if you do, you will be assassinated. Let 592 00:30:16,440 --> 00:30:21,800 Speaker 1: me find mine, okay? Olivia got Seve the Queen or 593 00:30:21,880 --> 00:30:26,560 Speaker 1: Pod Save America, Pod Save America? Okay? Lip service or 594 00:30:26,640 --> 00:30:33,800 Speaker 1: Church Service, Church Service, the Golden Compass or the Platinum Jubilee, 595 00:30:33,800 --> 00:30:40,760 Speaker 1: the Platinum Jubilee, okay. Paying homage or paying for showtime? Um, 596 00:30:40,800 --> 00:30:44,360 Speaker 1: paying for showtime something that I don't do but someone 597 00:30:44,400 --> 00:30:46,880 Speaker 1: else does for me. I need to find someone to 598 00:30:46,880 --> 00:30:49,840 Speaker 1: do that for me. I need searching for Daddy so 599 00:30:49,880 --> 00:30:55,000 Speaker 1: I can watch um yellow Jackets Um, Olivia the Bay 600 00:30:55,040 --> 00:31:01,040 Speaker 1: of Pigs or FK twigs twigs. You know, I actually 601 00:31:01,040 --> 00:31:04,520 Speaker 1: think I have done this one before, but nevertheless, she persisted, Um, 602 00:31:04,600 --> 00:31:11,040 Speaker 1: the Coen brothers, the Safti brothers, or the Mario brothers. Um, 603 00:31:11,080 --> 00:31:14,760 Speaker 1: that's a hard one. Actually, yeah, I'm going to listen 604 00:31:14,800 --> 00:31:17,880 Speaker 1: to my heart and say the Cohen bro this girl 605 00:31:17,960 --> 00:31:21,280 Speaker 1: is on fire, or this man may kill me. Parentheses 606 00:31:21,320 --> 00:31:25,480 Speaker 1: from this man may kill me, parentheses from gone girls. 607 00:31:27,400 --> 00:31:32,840 Speaker 1: Oh I love that? Okay, Alan Cumming, Alyssa Nutting or 608 00:31:32,920 --> 00:31:39,600 Speaker 1: b J Novak? Hey, pretty good? Right? How did how 609 00:31:39,600 --> 00:31:43,960 Speaker 1: did take in there? Because blow job? Okay, all of 610 00:31:44,000 --> 00:31:50,760 Speaker 1: them are sexual? Man Nutting coming, got it, gotta got it. 611 00:31:51,200 --> 00:31:58,640 Speaker 1: Listening intellectual. She's a reader, um wow, studying tense tents, 612 00:31:58,680 --> 00:32:03,320 Speaker 1: tents across the dubs. I would say, I have a question, 613 00:32:03,400 --> 00:32:07,840 Speaker 1: inspired by your straight shooter about brothers. Do we feel 614 00:32:07,880 --> 00:32:11,160 Speaker 1: like siblings are having a moment? Really? Well? What makes 615 00:32:11,160 --> 00:32:16,160 Speaker 1: you ask this question? I guess just like, Okay, I 616 00:32:16,160 --> 00:32:20,840 Speaker 1: feel like the Olsen twins have never been cooler simultaneously, 617 00:32:21,160 --> 00:32:23,320 Speaker 1: I mean, g G and Bella hadid to have like 618 00:32:23,560 --> 00:32:28,160 Speaker 1: sisters be two of the biggest supermodels. That's something that's 619 00:32:28,160 --> 00:32:32,080 Speaker 1: never really happened before. The Kardashians have gone from just 620 00:32:32,280 --> 00:32:34,520 Speaker 1: Kim to now all the sister has have crawled their 621 00:32:34,560 --> 00:32:40,840 Speaker 1: way into like the met Gala of course him, of course, Um, 622 00:32:41,000 --> 00:32:46,520 Speaker 1: Chloe and Hallie. So these are all sisters, which I 623 00:32:46,520 --> 00:32:50,320 Speaker 1: think is interesting our sisters possibly having a moment. I 624 00:32:50,320 --> 00:32:53,400 Speaker 1: actually think sisters are having a huge moment. Meanwhile, brothers 625 00:32:53,560 --> 00:32:56,600 Speaker 1: kind of found dead in a ditch. But you know 626 00:32:56,640 --> 00:32:59,840 Speaker 1: what has never really popped off is one of beach 627 00:33:00,240 --> 00:33:05,560 Speaker 1: like that, Yes, you're so right, like like Jake and 628 00:33:05,600 --> 00:33:08,520 Speaker 1: Maggie Gillett hall are kind of the only way. Yeah, 629 00:33:08,600 --> 00:33:11,120 Speaker 1: and even then they're not really up there. They almost 630 00:33:11,160 --> 00:33:14,960 Speaker 1: seemed mad at each other, like they're like avoiding each other. Yeah, yeah, 631 00:33:15,880 --> 00:33:19,840 Speaker 1: Phineas and Billie Eilish are actually one of them. But 632 00:33:19,360 --> 00:33:22,520 Speaker 1: then but then it's like this is but then it's weird, weird. 633 00:33:22,720 --> 00:33:26,120 Speaker 1: It's weird when one of each Wait, you know what 634 00:33:26,200 --> 00:33:29,120 Speaker 1: you really need is like a gay guy and his 635 00:33:30,360 --> 00:33:36,520 Speaker 1: Frankie and Grande. Okay, well not that because all of these, 636 00:33:36,560 --> 00:33:39,080 Speaker 1: all the ones you're saying are like they're not on 637 00:33:39,120 --> 00:33:42,320 Speaker 1: the same It's not like it's not like him where 638 00:33:42,560 --> 00:33:46,040 Speaker 1: all of them are unequal footing like or the dart sisters, 639 00:33:46,080 --> 00:33:49,320 Speaker 1: like we need we need like a duo a gay 640 00:33:49,320 --> 00:33:52,480 Speaker 1: guy and and his straight sister, and they need to 641 00:33:52,520 --> 00:33:56,280 Speaker 1: be like co CEOs of the couple. That would be 642 00:33:56,320 --> 00:34:01,600 Speaker 1: really power, I agree, like to be someone I'm like, 643 00:34:01,640 --> 00:34:04,320 Speaker 1: Anne Hathaway has a gay brother. I of course, yeah, 644 00:34:04,320 --> 00:34:06,280 Speaker 1: but it's like no, because his name is Anne has 645 00:34:06,640 --> 00:34:15,279 Speaker 1: brother legally, Um, we just need if any imagine a 646 00:34:15,400 --> 00:34:19,480 Speaker 1: band that was a gay guy and his sister that 647 00:34:19,600 --> 00:34:22,360 Speaker 1: has to exist, even a gay guy and his two sisters. 648 00:34:22,360 --> 00:34:25,680 Speaker 1: Maybe it's me and my sister. Now that that would 649 00:34:25,680 --> 00:34:30,800 Speaker 1: be something to Yeah, I wonder, I wonder if it's possible. 650 00:34:30,840 --> 00:34:35,160 Speaker 1: I would also accept a lesbian literally lesbian and her 651 00:34:35,239 --> 00:34:39,279 Speaker 1: straight brother like that. I almost prefer that. I'm not 652 00:34:39,400 --> 00:34:41,640 Speaker 1: realizing that would be like that would be a really 653 00:34:41,680 --> 00:34:45,120 Speaker 1: good band. Yeah. Yeah, it's like Tegan and Sarah. What 654 00:34:45,200 --> 00:34:53,399 Speaker 1: about Teagan and Michael? Okay, well that's the straighter lab 655 00:34:53,480 --> 00:34:57,560 Speaker 1: challenges start a small business while being siblings where one 656 00:34:57,640 --> 00:35:00,720 Speaker 1: is gay and they're a different gender. Um. We also, 657 00:35:01,400 --> 00:35:03,880 Speaker 1: we don't need to get into this, but like we did. Also, 658 00:35:04,200 --> 00:35:06,479 Speaker 1: we haven't talked about seeing him on the podcast yet. 659 00:35:07,719 --> 00:35:10,480 Speaker 1: What the oh my god, George has been talking about this? 660 00:35:14,080 --> 00:35:15,759 Speaker 1: Do I mean, I'm like, do we have too much. 661 00:35:16,480 --> 00:35:17,880 Speaker 1: We can say that for the I don't know. We 662 00:35:17,920 --> 00:35:21,680 Speaker 1: have to Okay, we have to get to the topic. Yeah, okay, 663 00:35:21,719 --> 00:35:23,759 Speaker 1: we'll tease it a little bit. And what I'll say 664 00:35:23,800 --> 00:35:28,200 Speaker 1: is Sam started the concert by yelling him I forgive 665 00:35:28,239 --> 00:35:31,600 Speaker 1: you at the stage, and then when we left he 666 00:35:31,960 --> 00:35:34,440 Speaker 1: revealed to me that he had unforgiven them throughout the 667 00:35:34,440 --> 00:35:37,319 Speaker 1: course of the concert. So if you want to learn more, 668 00:35:37,560 --> 00:35:41,400 Speaker 1: subscribe to the Padre. We'll talk about it there. Olivia, 669 00:35:41,760 --> 00:35:45,759 Speaker 1: you have brought a topic with you. How about Are 670 00:35:45,760 --> 00:35:49,680 Speaker 1: you ready for proverbial unboxing of the topic. Yes? Um, 671 00:35:49,719 --> 00:35:56,320 Speaker 1: so my topic is Netflix streaming giant um money loser Netflix? 672 00:35:56,640 --> 00:36:02,680 Speaker 1: Yeah wow yeah yeah? So what made you think of Netflix? 673 00:36:02,680 --> 00:36:06,239 Speaker 1: And what is straight about it? Too? Okay, So a 674 00:36:06,280 --> 00:36:10,120 Speaker 1: couple of things. One, Netflix was the first big streamer, 675 00:36:10,200 --> 00:36:13,880 Speaker 1: kind of the Adam and Eve of streaming services. We 676 00:36:13,920 --> 00:36:15,800 Speaker 1: can figure out which one is the Adam and Steve 677 00:36:15,960 --> 00:36:21,239 Speaker 1: perhaps later. Um. And then I just feel like it 678 00:36:21,400 --> 00:36:27,200 Speaker 1: is the perceived like default of streaming services. Like have 679 00:36:27,320 --> 00:36:29,680 Speaker 1: you ever heard like ask someone what they did with 680 00:36:29,719 --> 00:36:32,279 Speaker 1: their night and they're like, oh, yeah, we just like 681 00:36:32,760 --> 00:36:35,000 Speaker 1: went home and we like ate food and watch Netflix, 682 00:36:35,080 --> 00:36:37,759 Speaker 1: and it's like that tells me nothing about what you 683 00:36:37,800 --> 00:36:41,160 Speaker 1: did with your night, like I what's going on? But 684 00:36:41,320 --> 00:36:44,840 Speaker 1: just the idea that it's like a shorthand for watching 685 00:36:44,840 --> 00:36:48,320 Speaker 1: a movie, watching a show, whatever. UM is very straight 686 00:36:48,680 --> 00:36:53,280 Speaker 1: to me. Um, and then everything on it it's straight. 687 00:36:54,760 --> 00:36:58,400 Speaker 1: Like Jason Bateman has an Emmy for directing an episode 688 00:36:58,400 --> 00:37:03,759 Speaker 1: of Ozark. Is not the streatest thing. I had no 689 00:37:04,040 --> 00:37:06,560 Speaker 1: right to your senators, And if you're in line to vote, 690 00:37:06,680 --> 00:37:10,959 Speaker 1: stay in line. This is absurd. Just like the defaultness 691 00:37:10,960 --> 00:37:13,360 Speaker 1: of it, I think is that is what makes it straight. 692 00:37:13,400 --> 00:37:16,759 Speaker 1: It's like it's like the Kleenex of streaming services. It's 693 00:37:16,800 --> 00:37:20,560 Speaker 1: a shorthand for streaming. I don't even know where to 694 00:37:20,560 --> 00:37:24,240 Speaker 1: start on this. It is insane. The yeah, the defaultness, 695 00:37:24,280 --> 00:37:27,040 Speaker 1: like the phrases around it, like the culture that came 696 00:37:27,239 --> 00:37:31,960 Speaker 1: sprouted up around it, like Netflix and chill and sort 697 00:37:32,000 --> 00:37:35,759 Speaker 1: of being like it like replaced like going to the 698 00:37:35,760 --> 00:37:39,600 Speaker 1: movies as like a colloquialism or something. If you think 699 00:37:39,640 --> 00:37:43,080 Speaker 1: about the narrative of Netflix, it actually is an incredibly 700 00:37:43,200 --> 00:37:47,799 Speaker 1: straight narrative and that okay, so here we out. It 701 00:37:47,960 --> 00:37:51,480 Speaker 1: had its heyday when and now it's kind of coasting 702 00:37:51,480 --> 00:37:54,520 Speaker 1: off the fumes of when it was good, and meanwhile, 703 00:37:54,840 --> 00:37:58,040 Speaker 1: when it was good was in fact that it like 704 00:37:58,520 --> 00:38:01,480 Speaker 1: put people put Blockbuster out of business, which was a 705 00:38:01,560 --> 00:38:04,279 Speaker 1: much better which was which was a much better point 706 00:38:04,320 --> 00:38:06,239 Speaker 1: in our lives. It was almost like it almost like 707 00:38:06,320 --> 00:38:10,360 Speaker 1: colonized the viewing of films, and now it's trying to 708 00:38:10,440 --> 00:38:13,080 Speaker 1: like pretend that's a good thing, and it's like remember 709 00:38:13,080 --> 00:38:17,000 Speaker 1: our heyday when we were colonized. It's like, well, so 710 00:38:17,160 --> 00:38:20,200 Speaker 1: the thing is that also is that like, okay, so Blockbuster. 711 00:38:20,360 --> 00:38:24,800 Speaker 1: When you would walk into a Blockbuster, they're all they're 712 00:38:24,800 --> 00:38:26,719 Speaker 1: all the cases in front of you, and it's like, 713 00:38:26,760 --> 00:38:29,240 Speaker 1: oh my god, I can sit here and like read 714 00:38:29,280 --> 00:38:31,959 Speaker 1: the back of this VHS tape and like really think 715 00:38:32,000 --> 00:38:34,520 Speaker 1: about what I want to watch. And somehow Netflix has 716 00:38:34,560 --> 00:38:38,120 Speaker 1: replaced that with the most infuriating home screed I've ever 717 00:38:38,200 --> 00:38:40,600 Speaker 1: seen in my life, where things will just start like 718 00:38:41,160 --> 00:38:44,560 Speaker 1: making noise and like you just see the little thing 719 00:38:44,680 --> 00:38:47,759 Speaker 1: and you have no idea what it's about. I didn't 720 00:38:47,840 --> 00:38:51,319 Speaker 1: understand that they had remade The Lincoln Lawyer into a 721 00:38:51,360 --> 00:38:56,719 Speaker 1: TV show until, like very the number of things they 722 00:38:56,760 --> 00:38:59,480 Speaker 1: have remade recently, this was actually one of the most 723 00:38:59,480 --> 00:39:02,279 Speaker 1: insane kind of discoveries of my life. Recently, I was 724 00:39:02,560 --> 00:39:04,239 Speaker 1: I went away for a more really weekend and we 725 00:39:04,280 --> 00:39:08,240 Speaker 1: watched two films. We watched Point Break and Minority Report, 726 00:39:08,400 --> 00:39:11,799 Speaker 1: both class straight classics. One could say, I then, you know, 727 00:39:12,000 --> 00:39:14,040 Speaker 1: was kind of like, you know, you're looking up reviews 728 00:39:14,120 --> 00:39:16,880 Speaker 1: and wanting to read more about them. Come to find 729 00:39:17,360 --> 00:39:22,360 Speaker 1: both of those randomly selected films were remade. They remade 730 00:39:22,360 --> 00:39:26,800 Speaker 1: Minority Report into a show with Megan Good. I believe 731 00:39:26,880 --> 00:39:33,759 Speaker 1: what that is really show insane to me because I 732 00:39:33,800 --> 00:39:37,080 Speaker 1: knew that and it was really bad. So they remade 733 00:39:37,080 --> 00:39:38,960 Speaker 1: Point Bring into a movie, and then they remade Minority 734 00:39:39,000 --> 00:39:41,600 Speaker 1: Report into a television series. And these are just movies. 735 00:39:41,640 --> 00:39:43,360 Speaker 1: I like, we happen to decide to watch that, and 736 00:39:43,360 --> 00:39:47,480 Speaker 1: they both were remade and flopped in Things are happening 737 00:39:47,520 --> 00:39:53,920 Speaker 1: right under our nose and we're standing by the Netflix 738 00:39:53,920 --> 00:39:57,480 Speaker 1: flops Like Netflix flops makes me feel joy. I like 739 00:39:57,600 --> 00:40:00,120 Speaker 1: to see them fail. Unfortunately, sorry, I can't help it, 740 00:40:00,320 --> 00:40:04,440 Speaker 1: but I do. The It makes me hurt emotionally when 741 00:40:04,440 --> 00:40:07,400 Speaker 1: they actually have like a giant hit because it's like, wait, 742 00:40:07,640 --> 00:40:09,759 Speaker 1: what is going It feels very like did you know? 743 00:40:09,840 --> 00:40:11,880 Speaker 1: The Big Bang Theory is the most popular show on 744 00:40:12,120 --> 00:40:14,600 Speaker 1: like in the universe. It makes me feel exactly like 745 00:40:14,640 --> 00:40:16,239 Speaker 1: that where it's like, but you guys know this is 746 00:40:16,840 --> 00:40:19,920 Speaker 1: this is kind of bad, right Like, and obviously not 747 00:40:20,000 --> 00:40:22,520 Speaker 1: all Netflix shows are bad. Some are good, but like 748 00:40:22,560 --> 00:40:25,239 Speaker 1: the ones that pop off and get extremely popular, it's 749 00:40:25,239 --> 00:40:28,240 Speaker 1: always like why this. I do not remember the time 750 00:40:28,600 --> 00:40:31,719 Speaker 1: the last time I watched a Netflix original television show 751 00:40:31,800 --> 00:40:35,719 Speaker 1: and was like, I'm loving this. This is quality television 752 00:40:35,960 --> 00:40:38,759 Speaker 1: and I'm really enjoying it. I mean again, much like 753 00:40:39,120 --> 00:40:42,719 Speaker 1: the old guard television channels, it's like they're coasting off 754 00:40:42,719 --> 00:40:45,520 Speaker 1: of remember when Cheers was on this and it's like, yeah, 755 00:40:45,560 --> 00:40:48,919 Speaker 1: but let's try something new. Phrases like Netflix and chill 756 00:40:49,440 --> 00:40:51,680 Speaker 1: are kind of like it's it's kind of like half joke, 757 00:40:52,160 --> 00:40:53,880 Speaker 1: like you're meant to it's like you're saying it with 758 00:40:53,920 --> 00:40:57,480 Speaker 1: a wink, but like, what's the joke. Well, it's very 759 00:40:57,520 --> 00:41:01,719 Speaker 1: you know, it's very it's very adult. Ng it's very 760 00:41:01,880 --> 00:41:06,120 Speaker 1: like almost something to acknowledge that you're in contemporary culture 761 00:41:06,120 --> 00:41:09,080 Speaker 1: in a playful way but sort of not saying anything 762 00:41:09,080 --> 00:41:12,520 Speaker 1: of substance about it. Um sort of sort of that 763 00:41:12,600 --> 00:41:16,040 Speaker 1: style of internet culture. Yea. And of course, the first 764 00:41:16,080 --> 00:41:19,279 Speaker 1: big Netflix hit was literally starring Kevin Spacey. You're right, 765 00:41:19,320 --> 00:41:22,640 Speaker 1: we cannot forget I cannot forget that House of Cards 766 00:41:22,840 --> 00:41:25,960 Speaker 1: and yeah, House of Cards was huge, and Oranges in 767 00:41:25,960 --> 00:41:28,560 Speaker 1: Your Black was The House of Cards was good though, 768 00:41:29,360 --> 00:41:34,319 Speaker 1: it was really good. Yeah, Robin right, Robin, start of 769 00:41:34,320 --> 00:41:38,799 Speaker 1: the door. But now it's like, you will log on 770 00:41:38,880 --> 00:41:43,120 Speaker 1: and the number one show is like some random show 771 00:41:43,280 --> 00:41:47,359 Speaker 1: about like women in Georgia who like baked pies for 772 00:41:47,400 --> 00:41:50,440 Speaker 1: their church or whatever, and they're like, who millions of 773 00:41:50,480 --> 00:41:53,600 Speaker 1: people do you know? Okay, this is gonna sound so mean. 774 00:41:53,800 --> 00:41:57,320 Speaker 1: I have a I have a horny Instagram account that 775 00:41:57,360 --> 00:42:00,680 Speaker 1: I used to follow all the horny bears because I 776 00:42:00,719 --> 00:42:04,000 Speaker 1: don't want to have just horny bears on my normal account. 777 00:42:04,400 --> 00:42:07,760 Speaker 1: So sometimes I'll log into it and I'll just see 778 00:42:08,000 --> 00:42:12,040 Speaker 1: like an entire feed of like the most like insane 779 00:42:12,360 --> 00:42:16,480 Speaker 1: Midwestern horny bears that like have just a completely different world, 780 00:42:16,480 --> 00:42:19,279 Speaker 1: and I'm like flooded with all this stuff. And they 781 00:42:19,400 --> 00:42:22,520 Speaker 1: are always the ones that are like thrilled for season 782 00:42:22,560 --> 00:42:26,120 Speaker 1: three of like random ass Netflix show and I'm like, 783 00:42:26,640 --> 00:42:30,560 Speaker 1: how who so this is? Who's watching this like random 784 00:42:31,400 --> 00:42:34,160 Speaker 1: random horny bears in the Midwest, And it's like that 785 00:42:34,320 --> 00:42:37,400 Speaker 1: like kind of taste level I feel, and I sound 786 00:42:37,400 --> 00:42:39,080 Speaker 1: like a rude bit right now. I'm sorry. If you're 787 00:42:39,080 --> 00:42:40,799 Speaker 1: a bear in the Midwest, I love you, I see you. 788 00:42:40,840 --> 00:42:44,480 Speaker 1: I think you're beautiful, and um, I probably follow you, 789 00:42:44,640 --> 00:42:46,799 Speaker 1: but I do think you can push yourself to have 790 00:42:47,280 --> 00:42:53,000 Speaker 1: different content intake you. Guys are everyone's mad at me. 791 00:42:53,000 --> 00:42:56,279 Speaker 1: Everyone stopped talking. Everyone I said one thing, I'm trying 792 00:42:56,280 --> 00:42:59,759 Speaker 1: to be vulnerable for one second out everyone's throwing with you. 793 00:43:00,239 --> 00:43:02,160 Speaker 1: I completely agree with you. Like it's the same thing 794 00:43:02,280 --> 00:43:04,600 Speaker 1: is when I see like people I went to high 795 00:43:04,640 --> 00:43:07,600 Speaker 1: school with being like so excited. Stranger Things is back, 796 00:43:07,680 --> 00:43:10,319 Speaker 1: and I'm like, what are you talking about? Are we 797 00:43:10,400 --> 00:43:14,320 Speaker 1: all like you're still watching that show? I guess it's huge. 798 00:43:14,600 --> 00:43:18,600 Speaker 1: Stranger Things. I cannot stress this enough started when Obama 799 00:43:18,640 --> 00:43:21,399 Speaker 1: was present, when it is an Obama era show. When 800 00:43:21,400 --> 00:43:24,200 Speaker 1: you said that, it actually stressed me out, Like it 801 00:43:24,280 --> 00:43:26,680 Speaker 1: bummed me out in such a weird way. You can 802 00:43:26,719 --> 00:43:30,040 Speaker 1: tell because like all the in all the screenshots I've 803 00:43:30,040 --> 00:43:32,400 Speaker 1: seen of it so far, all the kids look like 804 00:43:32,440 --> 00:43:35,000 Speaker 1: they're doing twenty one Jump Street in that high school, 805 00:43:35,239 --> 00:43:39,000 Speaker 1: like they all look so old. I watched I like 806 00:43:39,080 --> 00:43:41,560 Speaker 1: season one and two I haven't seen the new one, 807 00:43:41,719 --> 00:43:43,879 Speaker 1: but I guess I will. It's just a matter of when, 808 00:43:44,160 --> 00:43:47,040 Speaker 1: So drag me. I guess I'm I'm the gay Midwestern 809 00:43:47,040 --> 00:43:51,400 Speaker 1: beyer that no. I want to even push back on 810 00:43:51,480 --> 00:43:53,200 Speaker 1: the because I feel like that, you know, when you 811 00:43:53,239 --> 00:43:57,160 Speaker 1: say gay Midwestern bear, it's almost like that could never 812 00:43:57,200 --> 00:44:00,479 Speaker 1: happen in New York. Well, honey, take a roll around 813 00:44:00,560 --> 00:44:03,480 Speaker 1: Chelsea and tell me if those bears, I mean, if 814 00:44:03,520 --> 00:44:09,880 Speaker 1: those emaciated points are not watching Stranger Things season four. That. Yeah, 815 00:44:09,960 --> 00:44:13,440 Speaker 1: it is interesting when you meet a gay person who 816 00:44:13,719 --> 00:44:16,560 Speaker 1: has bad taste and then you're like, we're supposed to 817 00:44:16,600 --> 00:44:20,200 Speaker 1: be the people moving culture forward. It's always tough. Yeah, 818 00:44:20,239 --> 00:44:23,879 Speaker 1: I do think that, like not asking for a very 819 00:44:23,960 --> 00:44:28,399 Speaker 1: high quality in like your culture is a very straight thing. 820 00:44:28,680 --> 00:44:32,160 Speaker 1: Just like looking at like how they shoot Netflix movies, 821 00:44:32,200 --> 00:44:35,359 Speaker 1: like they all look like Ship unless they're like one 822 00:44:35,360 --> 00:44:36,839 Speaker 1: of the ones where they were like, we're gonna let 823 00:44:36,840 --> 00:44:39,799 Speaker 1: Martin Scorsese do that, but like anything that's made for 824 00:44:40,000 --> 00:44:43,279 Speaker 1: Netflix is meant to be watched on your phone, and 825 00:44:43,320 --> 00:44:45,560 Speaker 1: so they're like, we're it's just gonna look like Ship 826 00:44:45,680 --> 00:44:48,759 Speaker 1: and that's fine, and it's like, actually, maybe a movie 827 00:44:48,760 --> 00:44:50,680 Speaker 1: could look good. Maybe for once some of you could 828 00:44:50,680 --> 00:44:54,680 Speaker 1: look good. We actually need to specifically address the film 829 00:44:54,760 --> 00:44:57,839 Speaker 1: Red Notice, which is the elephant in the room here. 830 00:44:58,040 --> 00:45:00,640 Speaker 1: So Red Notice is the most success us full movie 831 00:45:00,719 --> 00:45:04,080 Speaker 1: on Netflix. It is with Ryan Reynolds The Rock And 832 00:45:04,400 --> 00:45:07,560 Speaker 1: that's right, my girl, Gal Gadotte, I'm I'm a gal 833 00:45:07,640 --> 00:45:11,960 Speaker 1: stand actually say more. Well. I think she's like one 834 00:45:12,000 --> 00:45:14,719 Speaker 1: of the more like I'm always like what are you 835 00:45:14,840 --> 00:45:17,359 Speaker 1: up to? Like she's kind of like in Hollywood, she's 836 00:45:17,400 --> 00:45:20,880 Speaker 1: like so quickly been like turned into star and like 837 00:45:20,960 --> 00:45:22,840 Speaker 1: the things that she chooses to do. It's not like 838 00:45:22,920 --> 00:45:26,000 Speaker 1: she has like a cool art movie background. It's just 839 00:45:26,080 --> 00:45:29,360 Speaker 1: like no, she's just been like launched from person to 840 00:45:29,440 --> 00:45:31,920 Speaker 1: star and is like kind of just down for whatever 841 00:45:31,960 --> 00:45:33,440 Speaker 1: Hollywood wants to do with her in a way that 842 00:45:33,480 --> 00:45:36,400 Speaker 1: makes me laugh so much. She feels like the like 843 00:45:36,440 --> 00:45:41,000 Speaker 1: the movie version of like industry plans in the industry 844 00:45:41,040 --> 00:45:43,280 Speaker 1: where everyone is like she's it and I'm like looking 845 00:45:43,280 --> 00:45:45,919 Speaker 1: with my eyes and I'm like no, that's not. Yeah. 846 00:45:45,920 --> 00:45:48,799 Speaker 1: It's like I can see this film like I will 847 00:45:48,880 --> 00:45:52,040 Speaker 1: never forget people try to erase history and it's like 848 00:45:52,080 --> 00:45:54,480 Speaker 1: now it's no longer cool to like Gal Gadote or whatever. 849 00:45:54,840 --> 00:45:57,560 Speaker 1: When Wonder Woman came out, serious film critics were like, 850 00:45:58,120 --> 00:46:01,240 Speaker 1: the charisma and presence she has on screen when telling 851 00:46:01,239 --> 00:46:05,720 Speaker 1: this feminist epic, and it's like she is not good. 852 00:46:08,320 --> 00:46:12,040 Speaker 1: She's not good. Her eyes are dead, completely dead, like 853 00:46:12,800 --> 00:46:15,799 Speaker 1: really like the most interesting thing she's ever done is 854 00:46:15,880 --> 00:46:20,839 Speaker 1: say with me. Imagine that was the only time where 855 00:46:20,840 --> 00:46:24,000 Speaker 1: I was like, oh, real person who has like instincts, 856 00:46:24,000 --> 00:46:29,480 Speaker 1: but those instincts are bad. Yes, God, the psychology of 857 00:46:29,520 --> 00:46:34,400 Speaker 1: the imagined video is so fascinating, Like to process something 858 00:46:34,440 --> 00:46:37,080 Speaker 1: like COVID is like what we need now is all 859 00:46:37,120 --> 00:46:41,040 Speaker 1: of us coming together to seeing John Lennon. It's it's 860 00:46:41,120 --> 00:46:44,560 Speaker 1: so weird. It's really like that is the only thing 861 00:46:44,600 --> 00:46:47,719 Speaker 1: you need to know about which famous people is that? 862 00:46:47,800 --> 00:46:51,239 Speaker 1: Like that is their response to a global pandemic is 863 00:46:51,239 --> 00:46:56,120 Speaker 1: to all saying in a different key, I mean yeah, 864 00:46:56,320 --> 00:46:59,480 Speaker 1: I see how Like I also see how you would 865 00:46:59,480 --> 00:47:01,640 Speaker 1: get roped into that because like Hollywood, it's like you 866 00:47:01,680 --> 00:47:03,960 Speaker 1: get a text from gal Gadot and she's like, will 867 00:47:04,000 --> 00:47:05,560 Speaker 1: you like make a video for this? And you're like, 868 00:47:05,600 --> 00:47:07,520 Speaker 1: am I going to say no to? Like Gal Gado? 869 00:47:07,600 --> 00:47:09,040 Speaker 1: What if I see her at the Emmys and she's 870 00:47:09,040 --> 00:47:12,000 Speaker 1: mad at me now, and your manager is probably like this, 871 00:47:12,320 --> 00:47:15,799 Speaker 1: everyone's Kristen Wigg is doing this. Jamie Dornan is going 872 00:47:15,840 --> 00:47:18,160 Speaker 1: to be like if, literally, if you have texted me, 873 00:47:18,200 --> 00:47:21,080 Speaker 1: if Galgado at texted me, Hey, I'm making a little video, 874 00:47:21,200 --> 00:47:24,839 Speaker 1: will you shoot ten seconds of you singing and yeah, 875 00:47:24,920 --> 00:47:29,520 Speaker 1: Kristin Wiggs in it, and and I would be like yeah, Like, 876 00:47:29,640 --> 00:47:31,640 Speaker 1: let me know. I'd be on my way to buy 877 00:47:31,640 --> 00:47:33,640 Speaker 1: a new shirt in the middle of a pandemic and 878 00:47:33,680 --> 00:47:36,200 Speaker 1: wouldn't care about being unvaccinated. Yeah, I mean, I'd be 879 00:47:36,280 --> 00:47:38,120 Speaker 1: hiring a crew. I'd be like, come over, I don't 880 00:47:38,160 --> 00:47:39,520 Speaker 1: care if you live or die. I'm about to be 881 00:47:39,600 --> 00:47:45,000 Speaker 1: in Galgado's video. I would love love to know if 882 00:47:45,040 --> 00:47:48,760 Speaker 1: anyone said now, like who was like, no, that's good, 883 00:47:48,960 --> 00:47:52,040 Speaker 1: I'm not going to do that today. That's a good investigation. 884 00:47:52,280 --> 00:47:55,040 Speaker 1: I'm sure like Hugh Jackman was asked yeah, but you 885 00:47:55,080 --> 00:47:57,560 Speaker 1: think he said no. I think he said no. I 886 00:47:57,560 --> 00:47:59,080 Speaker 1: think he was like, if I'm going to do this, 887 00:47:59,120 --> 00:48:03,960 Speaker 1: I'll do it on my own. Wow. Wow, that's so funny, 888 00:48:03,960 --> 00:48:06,600 Speaker 1: because to me, Hugh Jackman's like a classic case of 889 00:48:06,640 --> 00:48:09,120 Speaker 1: someone who like wouldn't pass up an opportunity to say yeah, 890 00:48:09,160 --> 00:48:12,040 Speaker 1: but I feel like he if they didn't ask him, 891 00:48:12,040 --> 00:48:16,120 Speaker 1: it's confusing. Yeah, you're right, you're right, right, Okay, wait, 892 00:48:16,160 --> 00:48:19,920 Speaker 1: so this Red Notice movie, have you guys seen it? No? Oh, Olivia, 893 00:48:20,000 --> 00:48:22,680 Speaker 1: you have right. I think I watched the first five 894 00:48:22,719 --> 00:48:26,160 Speaker 1: minutes of it and couldn't parse it or stand to 895 00:48:26,200 --> 00:48:29,160 Speaker 1: look at it longer. But it does star the man 896 00:48:29,200 --> 00:48:31,120 Speaker 1: who I was going to be my other topic if 897 00:48:31,160 --> 00:48:33,920 Speaker 1: we didn't do this one, which is Ryan Reynolds, who 898 00:48:34,000 --> 00:48:37,759 Speaker 1: is maybe the straightest man in Hollywood and also the 899 00:48:38,080 --> 00:48:40,920 Speaker 1: object of every straight man's affection, like he is to 900 00:48:41,000 --> 00:48:44,719 Speaker 1: them the pinnacle of male beauty. They're like, oh, he's 901 00:48:44,760 --> 00:48:50,799 Speaker 1: a he's a ten man. If you ask a Midwestern, 902 00:48:51,360 --> 00:48:56,399 Speaker 1: non gay guy not familiar who they think is like 903 00:48:56,800 --> 00:49:00,319 Speaker 1: a hot guy, they're gonna say Ryan Reynolds. That is 904 00:49:00,320 --> 00:49:04,479 Speaker 1: going to be confusing to people who are attracted because 905 00:49:04,520 --> 00:49:06,160 Speaker 1: he just looks like he just looks like it does 906 00:49:06,239 --> 00:49:08,960 Speaker 1: look like a guy. He also there's something about it 907 00:49:08,960 --> 00:49:12,320 Speaker 1: where it's like, in the same way that Blake Lively 908 00:49:12,400 --> 00:49:15,480 Speaker 1: also just looks like a blonde woman. Like they're kind 909 00:49:15,480 --> 00:49:17,839 Speaker 1: of like, well, we're doing everything right, and it's like, yeah, 910 00:49:17,920 --> 00:49:20,000 Speaker 1: but you'll never be a Brad pitt in Jennifer Anison 911 00:49:21,160 --> 00:49:24,480 Speaker 1: to Catalog. Yeah, exactly, it's to catalog. It's a little 912 00:49:24,560 --> 00:49:31,960 Speaker 1: Banana Republic. Yeah, and he's like good enough, he's not bad, 913 00:49:32,200 --> 00:49:36,320 Speaker 1: you know, asks Blake Lively quite frankly, I think actually 914 00:49:36,560 --> 00:49:38,759 Speaker 1: for some reason, I feel such I feel a very 915 00:49:38,800 --> 00:49:41,480 Speaker 1: positive vibe towards Blake Lively. I can't I can't explain it. 916 00:49:41,960 --> 00:49:44,799 Speaker 1: Ryan Reynolds um a little less. Sometimes I feel like 917 00:49:44,840 --> 00:49:47,160 Speaker 1: he's made in a like I think he's a bot. 918 00:49:47,320 --> 00:49:50,200 Speaker 1: Sometimes he seems to just like have a cadence and 919 00:49:50,239 --> 00:49:53,480 Speaker 1: it's always what he's going to do. That being said, Oh, 920 00:49:53,680 --> 00:49:59,879 Speaker 1: Detective Pikachu was a slay. He voices he's the voice 921 00:49:59,880 --> 00:50:05,040 Speaker 1: of the voice of that movie is do you know 922 00:50:05,120 --> 00:50:08,800 Speaker 1: it is actually a huge sligh just friends. Okay, see 923 00:50:08,880 --> 00:50:14,120 Speaker 1: like pre Deadpool renults, we love that, and then it's 924 00:50:14,160 --> 00:50:18,200 Speaker 1: like the Aviation Gin and dead Pool and like being 925 00:50:18,440 --> 00:50:23,239 Speaker 1: a smarmy guy as your whole Well, this isn't the like. 926 00:50:23,560 --> 00:50:27,200 Speaker 1: Despite the other problems with the Marvel industrial Complex, one 927 00:50:27,200 --> 00:50:29,080 Speaker 1: of the biggest ones is just that they're like robbing 928 00:50:29,120 --> 00:50:32,160 Speaker 1: us of people who could be interesting actors. Yeah, like 929 00:50:32,360 --> 00:50:36,399 Speaker 1: imagine Robert Downey Junior's career, you know, post rehab, if 930 00:50:36,440 --> 00:50:39,480 Speaker 1: he had not done Iron Man. I was actually just 931 00:50:39,520 --> 00:50:48,120 Speaker 1: saying this about Jeremy Renner, where it's like, listen, okay, 932 00:50:48,120 --> 00:50:50,160 Speaker 1: you watched The heart Locker and you're like, this guy 933 00:50:50,200 --> 00:50:52,680 Speaker 1: is crazy. This is like a cool, good performance, and 934 00:50:53,120 --> 00:50:55,840 Speaker 1: is the next twelve years of his life playing the 935 00:50:56,040 --> 00:50:59,839 Speaker 1: B tier like Archer in Marvel Universe. And he could 936 00:50:59,880 --> 00:51:02,600 Speaker 1: have just been like a cool character actor, playing like 937 00:51:02,719 --> 00:51:06,319 Speaker 1: freaks in various indie movies. You're actually absolutely right, or 938 00:51:06,320 --> 00:51:09,640 Speaker 1: even like a villain in Oh maybe he already played 939 00:51:09,640 --> 00:51:11,920 Speaker 1: a villain in the Born films. And okay, so he 940 00:51:12,000 --> 00:51:15,399 Speaker 1: was supposed to take over for Matt Damon. They gave 941 00:51:15,480 --> 00:51:19,800 Speaker 1: him his own Born movie. They also tried to replace 942 00:51:19,880 --> 00:51:23,920 Speaker 1: Tom Cruise in the Mission Impossible movies. The Jeremy Renner. 943 00:51:23,960 --> 00:51:25,759 Speaker 1: But I think you're right in your assessment that he's 944 00:51:25,800 --> 00:51:27,759 Speaker 1: more of a character actor, like he does not have 945 00:51:27,760 --> 00:51:29,320 Speaker 1: what it takes to be a leading man. Some people 946 00:51:29,440 --> 00:51:32,640 Speaker 1: need to actually understand that they are character actors. I 947 00:51:32,800 --> 00:51:34,560 Speaker 1: mean a lot of people want to be stars and 948 00:51:34,880 --> 00:51:37,080 Speaker 1: there's just not enough room. There's not room for everybody. 949 00:51:37,680 --> 00:51:39,360 Speaker 1: You can still be a star in your own way. 950 00:51:40,080 --> 00:51:43,880 Speaker 1: It's also there's more longevity in being a character. You 951 00:51:44,040 --> 00:51:47,279 Speaker 1: get to have a normal life somewhat. God, I'm head 952 00:51:47,280 --> 00:51:50,040 Speaker 1: and Elizabeth Olson's career, it's like it's too painful to 953 00:51:50,040 --> 00:51:53,200 Speaker 1: even talk about. She's trapped. We actually have to free her. 954 00:51:54,360 --> 00:51:56,879 Speaker 1: She's literally trying to sabotage her own She keeps giving 955 00:51:56,920 --> 00:51:59,920 Speaker 1: these interviews where she's like trying intentionally to offend Marvel 956 00:52:00,040 --> 00:52:01,880 Speaker 1: so that they can fire her, and it's not working, 957 00:52:01,920 --> 00:52:04,120 Speaker 1: and we literally have to like fly to Atlanta and 958 00:52:04,440 --> 00:52:12,160 Speaker 1: break her out of the concrete. Oh okay, So I 959 00:52:12,239 --> 00:52:16,200 Speaker 1: actually I want to attempt to braid some of these 960 00:52:16,200 --> 00:52:20,359 Speaker 1: threads together because I think something that Netflix and Ryan 961 00:52:20,400 --> 00:52:24,640 Speaker 1: Reynolds and Galgadotte and Marvel and whatever as a concept 962 00:52:24,680 --> 00:52:28,160 Speaker 1: have in common is that they basically it's this internal 963 00:52:28,200 --> 00:52:30,680 Speaker 1: thing of like they feel like they were created by algorithms. 964 00:52:30,719 --> 00:52:33,560 Speaker 1: Like that's the issue with Netflix movies and shows that 965 00:52:33,600 --> 00:52:36,439 Speaker 1: are bad. That's the issue with these like manufactured movie 966 00:52:36,440 --> 00:52:38,880 Speaker 1: stars like Gal Gadotte, who like are sprung on you 967 00:52:38,960 --> 00:52:41,960 Speaker 1: without the public actually wanting them. And I feel like 968 00:52:42,040 --> 00:52:44,359 Speaker 1: that is the essence of Netflix, is like they found 969 00:52:44,400 --> 00:52:47,680 Speaker 1: an algorithmic way to make entertainment, So it always has 970 00:52:47,760 --> 00:52:51,040 Speaker 1: this like Uncanny Valley quality because it's not because no 971 00:52:51,080 --> 00:52:53,480 Speaker 1: one asked for it, and because it wasn't created by humans. 972 00:52:53,480 --> 00:52:57,919 Speaker 1: It was created by literally Sirie, she's the head writer. 973 00:52:59,800 --> 00:53:03,240 Speaker 1: It's like Netflix. Back to Netflix and chill. Is Netflix 974 00:53:03,280 --> 00:53:06,279 Speaker 1: meant to be watched or is it just like and 975 00:53:06,920 --> 00:53:09,359 Speaker 1: just to be in the background. Remember there was like 976 00:53:09,480 --> 00:53:12,319 Speaker 1: when Friends left Netflix, everyone was like, what am I 977 00:53:12,360 --> 00:53:17,040 Speaker 1: gonna do my laundry to now? Like Netflix is meant 978 00:53:17,120 --> 00:53:21,440 Speaker 1: to have on in the background while you're like otherwise 979 00:53:21,480 --> 00:53:30,279 Speaker 1: preoccupied unless you're watching Roma. I guess yeah. I mean 980 00:53:30,280 --> 00:53:33,560 Speaker 1: this is more like maybe less um straight and more 981 00:53:33,640 --> 00:53:36,479 Speaker 1: just like industry. And I can't tell how I feel 982 00:53:36,480 --> 00:53:40,320 Speaker 1: about this even but sometimes like Netflix, I feel like 983 00:53:40,320 --> 00:53:43,440 Speaker 1: they don't have like classically like development people in the 984 00:53:43,480 --> 00:53:46,600 Speaker 1: way that like networks used to. And it's like I 985 00:53:46,600 --> 00:53:49,040 Speaker 1: don't think networks were doing a great job. They were 986 00:53:49,080 --> 00:53:52,759 Speaker 1: not killing um. But it was also like I have 987 00:53:52,760 --> 00:53:55,080 Speaker 1: a better track record than Netflix at this point. Like 988 00:53:55,280 --> 00:53:58,799 Speaker 1: sometimes in the effort to disrupt, it wasn't to like 989 00:53:59,080 --> 00:54:03,480 Speaker 1: make more interesting things. It was like, how can we 990 00:54:03,960 --> 00:54:08,040 Speaker 1: just make more money more quickly and with less caring 991 00:54:08,080 --> 00:54:11,320 Speaker 1: about what we put out. I think because their decisions 992 00:54:11,320 --> 00:54:15,120 Speaker 1: are so driven by data than it actually makes it 993 00:54:15,200 --> 00:54:18,480 Speaker 1: so that humans because there aren't development exacts and and 994 00:54:18,520 --> 00:54:21,400 Speaker 1: a lot of them are like from big you know, 995 00:54:21,440 --> 00:54:26,279 Speaker 1: formerly from big studios and big TV places. But it's like, 996 00:54:26,400 --> 00:54:29,560 Speaker 1: when you train yourself to make decisions in this data 997 00:54:29,640 --> 00:54:32,640 Speaker 1: driven way, then in fact you become the algorithm. Like 998 00:54:32,800 --> 00:54:35,799 Speaker 1: you become, you change, you rewire yourself so that you 999 00:54:35,840 --> 00:54:40,359 Speaker 1: are thinking in this like non human way. And now 1000 00:54:40,360 --> 00:54:42,520 Speaker 1: we're talking about the matrix And now we're talking about 1001 00:54:42,520 --> 00:54:45,080 Speaker 1: the Matrix um which you can stream on HBO Max. 1002 00:54:45,080 --> 00:54:47,560 Speaker 1: It flopped well. I loved it though, so that's all 1003 00:54:47,600 --> 00:54:50,319 Speaker 1: that matters. Yeah, I ultimately did too, I think. I 1004 00:54:50,360 --> 00:54:53,920 Speaker 1: also it's just like the algorithm of it all is 1005 00:54:54,000 --> 00:54:58,040 Speaker 1: literally just it is fully like most things are about business. 1006 00:54:58,080 --> 00:55:01,040 Speaker 1: They're like, oh, if too hot to handle works, we're 1007 00:55:01,040 --> 00:55:03,680 Speaker 1: going to do love is blind. So we're also going 1008 00:55:03,719 --> 00:55:08,480 Speaker 1: to do the ultimatum to like keep people here when 1009 00:55:08,520 --> 00:55:13,040 Speaker 1: it's like it's ultimately this is also like the problem 1010 00:55:13,120 --> 00:55:16,720 Speaker 1: with all tech, which is that growth has to stop 1011 00:55:16,760 --> 00:55:21,120 Speaker 1: at some point, and Netflix has never really grappled with 1012 00:55:21,200 --> 00:55:23,520 Speaker 1: that fact, and so now they're losing all their money 1013 00:55:23,560 --> 00:55:25,120 Speaker 1: and they're like, what do we do? And it's like, 1014 00:55:25,160 --> 00:55:28,239 Speaker 1: maybe you should just make things that are good. Well, 1015 00:55:28,239 --> 00:55:31,960 Speaker 1: it's also like scaling something inherently makes the quality worse. 1016 00:55:32,040 --> 00:55:35,280 Speaker 1: That's just like how the world works. If you scale 1017 00:55:35,320 --> 00:55:37,720 Speaker 1: something and the quality becomes worse and worse and worse, 1018 00:55:37,880 --> 00:55:39,560 Speaker 1: at some point the growth is going to stop, and 1019 00:55:39,560 --> 00:55:42,200 Speaker 1: then what you're left with is just bad content, which 1020 00:55:42,239 --> 00:55:44,520 Speaker 1: is why you have to actually also invest in some 1021 00:55:44,560 --> 00:55:47,280 Speaker 1: more boutique stuff so that at least you can rely 1022 00:55:47,480 --> 00:55:50,920 Speaker 1: on like Scorsese having a movie on your platform. And 1023 00:55:50,960 --> 00:55:53,320 Speaker 1: it appears that they're even giving up on those. Yeah, 1024 00:55:53,520 --> 00:55:55,760 Speaker 1: so now what are we left with? Too hot to handle? 1025 00:55:56,239 --> 00:55:59,600 Speaker 1: Three they're all bisexual. I mean that sounds great. I 1026 00:55:59,600 --> 00:56:02,600 Speaker 1: want to lie that would be a good one. We 1027 00:56:02,680 --> 00:56:05,560 Speaker 1: have to address the elephant in the room, which is 1028 00:56:05,560 --> 00:56:09,040 Speaker 1: to me, queer at oh. I thought the elephant in 1029 00:56:09,040 --> 00:56:14,400 Speaker 1: the room was going to be the transphobic standard specials right. Also, 1030 00:56:14,520 --> 00:56:16,799 Speaker 1: we can get into both of them, which is just 1031 00:56:16,840 --> 00:56:19,000 Speaker 1: like yours is more all the knows of what this 1032 00:56:19,080 --> 00:56:21,920 Speaker 1: podcast is about. I do want to I would prefer 1033 00:56:22,000 --> 00:56:24,640 Speaker 1: to talk about queer, right, but the stand up thing 1034 00:56:24,680 --> 00:56:28,000 Speaker 1: is also is almost like a side show that's happening 1035 00:56:28,000 --> 00:56:31,320 Speaker 1: where it's like somehow, even though the quality and everything 1036 00:56:31,320 --> 00:56:34,440 Speaker 1: else has decreased, they somehow still have these contracts with 1037 00:56:34,520 --> 00:56:38,920 Speaker 1: these like top top tier comedians. Like it actually is 1038 00:56:38,960 --> 00:56:41,840 Speaker 1: strange that Dave Chappelle and Ricky Gervais are at Netflix, 1039 00:56:41,840 --> 00:56:46,799 Speaker 1: considering they don't have the equivalent like film directors. But 1040 00:56:46,840 --> 00:56:49,120 Speaker 1: it's almost like a legacy thing where like they started 1041 00:56:49,120 --> 00:56:51,239 Speaker 1: out like really bullish on comedy and now they just 1042 00:56:51,280 --> 00:56:52,759 Speaker 1: like still have these people and have to deal with 1043 00:56:52,800 --> 00:56:56,480 Speaker 1: the fact that they all their specials are like increasingly transphobic, 1044 00:56:56,760 --> 00:56:59,440 Speaker 1: but they're also they're not even like like the interview 1045 00:56:59,440 --> 00:57:01,839 Speaker 1: with Ted's Randos in The Times where he was like 1046 00:57:02,400 --> 00:57:04,480 Speaker 1: I'm not going to apologize for it, Like he's allowed 1047 00:57:04,480 --> 00:57:08,480 Speaker 1: to say whatever he wants. It's like should he be like, well, 1048 00:57:08,520 --> 00:57:11,600 Speaker 1: that's sort of stance. Yeah. Well it's also like if 1049 00:57:11,680 --> 00:57:15,600 Speaker 1: that's your stance and that's like a perfectly you know, 1050 00:57:15,960 --> 00:57:18,400 Speaker 1: I would contest some parts of it, but that's like 1051 00:57:18,840 --> 00:57:21,160 Speaker 1: that is a stance you could have as like the 1052 00:57:21,200 --> 00:57:23,720 Speaker 1: CEO of a company, But then you can't also be 1053 00:57:23,800 --> 00:57:26,920 Speaker 1: like we are changing the way people of you Queer 1054 00:57:26,960 --> 00:57:30,360 Speaker 1: people like nets like celebrates queer voices every day. It's like, 1055 00:57:30,440 --> 00:57:32,160 Speaker 1: it's not you can't have it both ways. Seems you 1056 00:57:32,200 --> 00:57:38,000 Speaker 1: can't have it both ways, but but celebrating queer voices 1057 00:57:39,200 --> 00:57:44,520 Speaker 1: the Ultimate Strade show. Um my straight boyfriend loves queer 1058 00:57:44,520 --> 00:57:47,280 Speaker 1: eyes kind of get. A recent development in the past 1059 00:57:47,320 --> 00:57:50,800 Speaker 1: few months is that he loves to like wind down 1060 00:57:50,800 --> 00:57:53,760 Speaker 1: from the day by watching those those five like go 1061 00:57:53,920 --> 00:57:57,600 Speaker 1: into someone's house in Kansas City and remake their lives. 1062 00:57:57,920 --> 00:58:00,280 Speaker 1: He finds it moving every single time I will on 1063 00:58:00,320 --> 00:58:02,560 Speaker 1: this podcast. I've said it before. I also find it moving. 1064 00:58:02,760 --> 00:58:05,040 Speaker 1: It really works on me. I mean it's like again 1065 00:58:05,080 --> 00:58:07,640 Speaker 1: it's an algorithm, Like they really know how to package 1066 00:58:07,680 --> 00:58:11,680 Speaker 1: that show to make you be like this is starting, 1067 00:58:11,840 --> 00:58:15,360 Speaker 1: I am like crying because this person like got their 1068 00:58:15,400 --> 00:58:18,439 Speaker 1: life together after their wife died. Or also do feel 1069 00:58:18,480 --> 00:58:22,240 Speaker 1: like those five to their as people For the most part, 1070 00:58:22,320 --> 00:58:25,120 Speaker 1: not all of them, I wouldn't would you know, we 1071 00:58:25,160 --> 00:58:27,120 Speaker 1: know who, But a lot of them are like actually 1072 00:58:27,240 --> 00:58:30,320 Speaker 1: very good at like being sincere in this way that 1073 00:58:30,480 --> 00:58:33,080 Speaker 1: is like so annoying and unnatural to me, but like 1074 00:58:33,640 --> 00:58:36,520 Speaker 1: is disarming because they're just unrelenting in it. I don't know, 1075 00:58:37,360 --> 00:58:44,520 Speaker 1: Oh please, I'm like I draw the line at like no, 1076 00:58:44,680 --> 00:58:48,840 Speaker 1: it's like have some have some friction. Like it's like 1077 00:58:49,640 --> 00:58:52,840 Speaker 1: everything is it's too streamlined. Like you want one of 1078 00:58:52,840 --> 00:58:55,520 Speaker 1: them to like say something. You want one of them 1079 00:58:55,520 --> 00:58:58,120 Speaker 1: to like offense to someone like you. You want one 1080 00:58:58,120 --> 00:59:00,800 Speaker 1: of them to like make a bad joke like or 1081 00:59:00,880 --> 00:59:04,120 Speaker 1: like you know kind of like make you know, say 1082 00:59:04,160 --> 00:59:06,880 Speaker 1: something like overtly sexual, and then someone to be uncomfortable. 1083 00:59:06,920 --> 00:59:10,000 Speaker 1: Like it's like you gotta have like you can't just 1084 00:59:10,120 --> 00:59:15,960 Speaker 1: have the gay guys and the queer representatives be like 1085 00:59:16,200 --> 00:59:20,560 Speaker 1: there to make heartwarming television. I watched an episode recently 1086 00:59:20,640 --> 00:59:25,040 Speaker 1: where the whole thing was like this divorced farmer who 1087 00:59:25,280 --> 00:59:29,640 Speaker 1: was like in the middle of the Midwest somewhere, and 1088 00:59:29,680 --> 00:59:32,520 Speaker 1: he kept saying like, I've never had five gay guys 1089 00:59:32,800 --> 00:59:35,280 Speaker 1: here before. He kept saying the phrase like five gay guys, 1090 00:59:35,280 --> 00:59:37,240 Speaker 1: like I've never even met a gay person, blah blah 1091 00:59:37,280 --> 00:59:40,000 Speaker 1: blah blah. And he was like kind of very visibly 1092 00:59:40,040 --> 00:59:42,960 Speaker 1: like shocked and awed about the whole thing, and they 1093 00:59:43,000 --> 00:59:45,360 Speaker 1: were just like it was very clear that he was 1094 00:59:45,400 --> 00:59:50,320 Speaker 1: like homophobic and was like and they just never addressed it. 1095 00:59:50,320 --> 00:59:53,080 Speaker 1: It was like very obvious that he was trying to 1096 00:59:53,120 --> 00:59:55,480 Speaker 1: like smooth over the fact that he doesn't think they 1097 00:59:55,480 --> 00:59:58,760 Speaker 1: should be married. But like I was like, okay, there 1098 00:59:58,840 --> 01:00:02,880 Speaker 1: is actual tension here, but that's not for Netflix, sure right, 1099 01:00:03,000 --> 01:00:05,400 Speaker 1: Well to me, it's like then respond to that with 1100 01:00:05,440 --> 01:00:08,640 Speaker 1: like a really kind of with a joke, like like 1101 01:00:08,760 --> 01:00:11,000 Speaker 1: make like I think it would be so much more 1102 01:00:11,040 --> 01:00:13,800 Speaker 1: impactful if they were all like really funny and we're 1103 01:00:13,840 --> 01:00:16,120 Speaker 1: like making fun of the shortcomings of the people they 1104 01:00:16,160 --> 01:00:18,320 Speaker 1: were helping or something, rather than than like cutting to 1105 01:00:18,320 --> 01:00:21,880 Speaker 1: an interview where they're like, well, animal homelessness is a 1106 01:00:21,880 --> 01:00:24,680 Speaker 1: really big problem, and it's like, well, Okay, that's not 1107 01:00:24,680 --> 01:00:29,840 Speaker 1: what I'm here for. I'm not articulating myself very well today, 1108 01:00:29,880 --> 01:00:33,040 Speaker 1: but needless to say, I expect more. No, I think 1109 01:00:33,040 --> 01:00:35,000 Speaker 1: you're right. I do think that like part of the 1110 01:00:35,040 --> 01:00:39,040 Speaker 1: straightness of Netflix is that that is there like pioneering 1111 01:00:39,600 --> 01:00:45,400 Speaker 1: queer show, is that it's like the straightest possible queer show. 1112 01:00:45,960 --> 01:00:51,040 Speaker 1: They really do make queer content for straight people. I 1113 01:00:51,040 --> 01:00:53,320 Speaker 1: mean Coming Out Colton, I think is on Netflix, which 1114 01:00:53,360 --> 01:00:59,200 Speaker 1: is about The Bachelor. Yeah you've seen heart Stopper yet no, no, 1115 01:00:59,320 --> 01:01:01,760 Speaker 1: but the TikTok TikTok kids love it, and it does 1116 01:01:02,000 --> 01:01:03,960 Speaker 1: I haven't seen it either, and I don't think I 1117 01:01:04,000 --> 01:01:06,800 Speaker 1: will like it, but who knows. But it does feel like, yeah, 1118 01:01:06,800 --> 01:01:09,120 Speaker 1: a gay story four teens, which you know they need 1119 01:01:09,360 --> 01:01:15,400 Speaker 1: their Okay. I do think sometimes when people like over 1120 01:01:15,480 --> 01:01:18,960 Speaker 1: analyze like something that is clearly for teens or for kids, 1121 01:01:19,000 --> 01:01:21,360 Speaker 1: and they're like this is neoliberal, I'm like, no, no, 1122 01:01:23,000 --> 01:01:28,680 Speaker 1: go read a book. Um, okay, what's everybody's favorite Netflix product? Go? 1123 01:01:29,840 --> 01:01:32,840 Speaker 1: Oh my goodness, Well, you know, I really have been 1124 01:01:32,880 --> 01:01:38,120 Speaker 1: enjoying Alite. Okay, I have no idea. Maybe it's like mank, 1125 01:01:38,280 --> 01:01:44,560 Speaker 1: I don't know, Mac. Yeah that does not surprise me. Yeah, 1126 01:01:44,840 --> 01:01:49,800 Speaker 1: I still need to watch the Fantastic. She's really having 1127 01:01:49,800 --> 01:01:52,600 Speaker 1: a moment. I'm very proud of her. I know, I'm 1128 01:01:52,600 --> 01:01:54,600 Speaker 1: excited for when the awards happen and she's going to 1129 01:01:54,680 --> 01:02:01,480 Speaker 1: win everything exactly. Um my, every complex thing is Actually 1130 01:02:02,160 --> 01:02:04,160 Speaker 1: I asked the question and I'm like, A, right, I 1131 01:02:04,200 --> 01:02:06,600 Speaker 1: don't actually have an answer to that. I will say 1132 01:02:06,640 --> 01:02:09,920 Speaker 1: the first season of Love is Blind that came out 1133 01:02:10,160 --> 01:02:14,160 Speaker 1: during the pandemic, I think was really really got me 1134 01:02:14,320 --> 01:02:17,440 Speaker 1: through some of that terror because I was just like, oh, 1135 01:02:17,480 --> 01:02:21,480 Speaker 1: these people are so stupid and I'm having such a 1136 01:02:21,520 --> 01:02:26,080 Speaker 1: great time kind of watching them from an anthropological standpoint, 1137 01:02:26,240 --> 01:02:27,880 Speaker 1: because I'm like, I would never make any of these 1138 01:02:27,960 --> 01:02:30,840 Speaker 1: choices or say any of these things, but these people 1139 01:02:31,040 --> 01:02:35,680 Speaker 1: really believe that. There's one little scene where one of 1140 01:02:35,720 --> 01:02:38,800 Speaker 1: the women, they're back home from the pods, and she's 1141 01:02:38,880 --> 01:02:40,760 Speaker 1: drinking a glass of wine and then she lowers it 1142 01:02:40,800 --> 01:02:44,520 Speaker 1: and her dog has to tongue folds of it, and 1143 01:02:44,520 --> 01:02:47,800 Speaker 1: she just very like, as an aside, it's not even 1144 01:02:47,840 --> 01:02:49,280 Speaker 1: a big part of the scene, just goes he loves 1145 01:02:49,280 --> 01:02:52,560 Speaker 1: wine and then just keeps keeps having a conversation she's having. 1146 01:02:52,800 --> 01:02:59,040 Speaker 1: That was Jessica. Jessica, she fan favorite, she like won 1147 01:02:59,080 --> 01:03:03,040 Speaker 1: the season. She was so crazy it was perfect. I 1148 01:03:03,080 --> 01:03:05,440 Speaker 1: could not I mean, she kept just being like, I 1149 01:03:05,520 --> 01:03:08,400 Speaker 1: really want this to work, but I, unfortunately don't like 1150 01:03:08,520 --> 01:03:11,120 Speaker 1: anything about this man. I don't know what to do. 1151 01:03:12,480 --> 01:03:17,360 Speaker 1: It's like break up. It's like, yeah, he's like a rando. 1152 01:03:17,840 --> 01:03:20,520 Speaker 1: Literally don't know him. You don't know him and he's 1153 01:03:20,560 --> 01:03:23,080 Speaker 1: twenty four. Well, I was proud of myself on Love's 1154 01:03:23,080 --> 01:03:25,560 Speaker 1: Blind two came out and I said, no, I don't 1155 01:03:25,560 --> 01:03:28,240 Speaker 1: need it. No. I watched the pod episodes because those 1156 01:03:28,240 --> 01:03:30,280 Speaker 1: are the best ones. It's kind of like how the 1157 01:03:30,400 --> 01:03:32,360 Speaker 1: on the voice, It's like you want to watch them 1158 01:03:32,520 --> 01:03:36,480 Speaker 1: spin around in the chair. Everything anything else is like 1159 01:03:36,520 --> 01:03:39,240 Speaker 1: I don't care about this. Um so I watched those 1160 01:03:39,280 --> 01:03:42,280 Speaker 1: which is always fun. I have a question, how does 1161 01:03:42,320 --> 01:03:45,160 Speaker 1: everyone watch all these shows? I feel like every time 1162 01:03:45,240 --> 01:03:48,800 Speaker 1: something comes out suddenly within twenty four hours, people are like, 1163 01:03:48,800 --> 01:03:51,440 Speaker 1: oh my god, the finale. Though, George, thank you so 1164 01:03:51,520 --> 01:03:54,360 Speaker 1: much for asking this question. I actually have no idea 1165 01:03:54,800 --> 01:03:57,320 Speaker 1: how everyone has so much damn time on their hands. 1166 01:03:57,800 --> 01:04:00,640 Speaker 1: And it sounds like girl boss to be like, I'm 1167 01:04:00,640 --> 01:04:03,640 Speaker 1: so freaking busy with my multiple entrepreneurs ships that I 1168 01:04:03,680 --> 01:04:06,520 Speaker 1: can't watch TV while you are and you should celebrate that. 1169 01:04:06,600 --> 01:04:08,880 Speaker 1: But it is like when I actually think of the 1170 01:04:08,920 --> 01:04:11,320 Speaker 1: things that are on my list to watch, I'm just like, 1171 01:04:11,520 --> 01:04:14,280 Speaker 1: I can't watch anything because now it's like we're looking 1172 01:04:14,320 --> 01:04:16,760 Speaker 1: at a hundred hours of TV that I have, like 1173 01:04:16,920 --> 01:04:21,680 Speaker 1: let go down the dream and especially with reality programming. Sorry, 1174 01:04:21,720 --> 01:04:25,640 Speaker 1: I have friends who like watch everything, and I to wonder, 1175 01:04:25,800 --> 01:04:27,880 Speaker 1: where do you have the time to do it? Like 1176 01:04:28,720 --> 01:04:31,840 Speaker 1: you all have jobs, I imagine, and then there's only 1177 01:04:31,880 --> 01:04:34,360 Speaker 1: so many hours in the evening that you can commit 1178 01:04:34,400 --> 01:04:39,480 Speaker 1: to like watching The Staircase or whatever. There's so many 1179 01:04:39,600 --> 01:04:42,680 Speaker 1: I also, okay, I just especially with reality programming, this 1180 01:04:42,800 --> 01:04:45,880 Speaker 1: really like when people, you know, we have so many 1181 01:04:45,880 --> 01:04:47,919 Speaker 1: people in our lives that like, at any given point 1182 01:04:48,080 --> 01:04:51,800 Speaker 1: are fully caught up on all housewife franchises and also 1183 01:04:51,840 --> 01:04:55,040 Speaker 1: watch Love Is Blind and also watch Selling Sunset and 1184 01:04:55,080 --> 01:04:57,720 Speaker 1: whatever else. It's like I have only ever done little 1185 01:04:57,760 --> 01:05:01,160 Speaker 1: dives into reality TV kind of you know, randomly watch 1186 01:05:01,240 --> 01:05:03,600 Speaker 1: vander Pump Rules and and binge it over weekend. Then 1187 01:05:03,600 --> 01:05:05,680 Speaker 1: I'll forget about all, you know whatever, Like it's like 1188 01:05:05,720 --> 01:05:09,960 Speaker 1: a twice three times a year type thing. The emotional 1189 01:05:10,080 --> 01:05:14,480 Speaker 1: toll it takes to watch people be so depraved and 1190 01:05:14,600 --> 01:05:19,080 Speaker 1: self destructive and and kind of I would say, stupid 1191 01:05:19,080 --> 01:05:22,600 Speaker 1: in an existential way that makes you like rethink how 1192 01:05:22,680 --> 01:05:26,600 Speaker 1: you feel about your fellow man. Like to be bombarded 1193 01:05:26,600 --> 01:05:29,400 Speaker 1: with that on a constant daily basis, I think would 1194 01:05:29,440 --> 01:05:34,120 Speaker 1: break me. Yeah, I don't disagree. It's got to do 1195 01:05:34,200 --> 01:05:36,600 Speaker 1: something to your brain. I would argue though, that like 1196 01:05:36,920 --> 01:05:42,520 Speaker 1: the best Housewives franchises are usually like like, there are 1197 01:05:42,600 --> 01:05:45,880 Speaker 1: stupid people, but you were also watching an right, you 1198 01:05:45,880 --> 01:05:51,080 Speaker 1: were watching like people Vie for Power, like season I'll 1199 01:05:51,080 --> 01:05:55,479 Speaker 1: say two of Vanderbump Rules is Shakespeare. To me, it's 1200 01:05:55,560 --> 01:05:58,000 Speaker 1: like it's I mean, unfortunately, it is true. And I 1201 01:05:59,160 --> 01:06:01,800 Speaker 1: when people say things like that, I'm like, I'm almost 1202 01:06:01,800 --> 01:06:04,840 Speaker 1: like it's like, no, no, go watch Like it's like 1203 01:06:05,560 --> 01:06:06,880 Speaker 1: it's like because people will be like, this is an 1204 01:06:06,880 --> 01:06:09,560 Speaker 1: ancient Greek tragedy, and you're like, name one ancient Greek tragedy. 1205 01:06:10,640 --> 01:06:13,240 Speaker 1: Not to be elitist, but I'm like, what do you 1206 01:06:13,280 --> 01:06:16,640 Speaker 1: think speare? But then, but then when you do watch 1207 01:06:16,680 --> 01:06:19,880 Speaker 1: it is true, You're like, how is this so well executed? 1208 01:06:20,120 --> 01:06:22,160 Speaker 1: And I actually don't think it has that much to 1209 01:06:22,160 --> 01:06:23,960 Speaker 1: do with the people on the show. I think it 1210 01:06:24,000 --> 01:06:26,880 Speaker 1: has everything to do with the people who edit the show, 1211 01:06:27,000 --> 01:06:30,240 Speaker 1: and I know who produce the show, which is crazy 1212 01:06:30,280 --> 01:06:32,920 Speaker 1: because I have a good friend of mine is a 1213 01:06:33,080 --> 01:06:35,680 Speaker 1: story editor on one of the Real Housewives franchises, and 1214 01:06:35,760 --> 01:06:39,120 Speaker 1: she was saying, it's mostly straight men editing it, like 1215 01:06:39,160 --> 01:06:42,880 Speaker 1: it's not even that it's like, which actually adds another 1216 01:06:42,960 --> 01:06:44,880 Speaker 1: layer to it where you're like, it's almost like when 1217 01:06:44,880 --> 01:06:48,040 Speaker 1: they're editing, they're not even doing it in a campy way. 1218 01:06:48,080 --> 01:06:51,960 Speaker 1: They're literally making fun of these women they think are disgusting, 1219 01:06:53,040 --> 01:06:55,480 Speaker 1: and then we as women and gay men watch it 1220 01:06:55,520 --> 01:07:02,760 Speaker 1: and we're like icon Slay editor go off. I mean, 1221 01:07:02,760 --> 01:07:06,320 Speaker 1: do we feel like we figured out Netflix? Yeah, I 1222 01:07:06,320 --> 01:07:10,080 Speaker 1: mean we figured out that it is like an algorithm 1223 01:07:10,080 --> 01:07:14,160 Speaker 1: that's meant to make money and not create anything actually 1224 01:07:14,800 --> 01:07:19,440 Speaker 1: of worth, and like that is upsetting as people who 1225 01:07:19,600 --> 01:07:25,120 Speaker 1: enjoy quality things, right, what is good? Like what is 1226 01:07:25,160 --> 01:07:28,600 Speaker 1: a good streaming service? You know? I do believe in 1227 01:07:29,680 --> 01:07:34,280 Speaker 1: HBO Max. I agree, she's the girl. I also am 1228 01:07:34,320 --> 01:07:37,360 Speaker 1: a bit of a lu Standum, I'm being honest. I agree. Actually, 1229 01:07:37,440 --> 01:07:40,520 Speaker 1: I actually think Hulu is Hulu is really good at 1230 01:07:40,600 --> 01:07:42,760 Speaker 1: this kind of like I mean, as we said fire 1231 01:07:42,880 --> 01:07:45,120 Speaker 1: on this ring on who, like they're actually really good 1232 01:07:45,120 --> 01:07:49,160 Speaker 1: at like the mid budget comedy Like actually they had 1233 01:07:49,240 --> 01:07:51,000 Speaker 1: that I don't know if you watch that Jenny Slate 1234 01:07:51,080 --> 01:07:54,320 Speaker 1: one that came out recently it's want You Back, So fun? 1235 01:07:54,800 --> 01:07:59,480 Speaker 1: Or they had like Pomp Spring It's that's right, Pen fifteen. 1236 01:07:59,800 --> 01:08:02,040 Speaker 1: They also had like difficult people back in the day, 1237 01:08:02,160 --> 01:08:04,600 Speaker 1: like when they were first coming out, Like, I think 1238 01:08:04,640 --> 01:08:07,919 Speaker 1: they're actually really good at comedy. And listen, someone wants 1239 01:08:07,920 --> 01:08:10,120 Speaker 1: to offer me an overall deal to create trade Lab 1240 01:08:10,200 --> 01:08:14,000 Speaker 1: the musical the series. Yeah, I'll take it, and we 1241 01:08:14,040 --> 01:08:20,760 Speaker 1: can replace Sam with Andy Cohen like, all right, shall 1242 01:08:20,800 --> 01:08:24,920 Speaker 1: we do shout out? Yeah? Yeah, we should. I can 1243 01:08:24,960 --> 01:08:27,559 Speaker 1: sense you hesitating. No, no, no, I wanted to look up. 1244 01:08:28,240 --> 01:08:29,559 Speaker 1: I have a shout out, but I want to make 1245 01:08:29,600 --> 01:08:32,320 Speaker 1: sure I know the right name. Okay, oh my god, 1246 01:08:32,479 --> 01:08:35,120 Speaker 1: I had one and it truly just escaped me. Okay, 1247 01:08:35,200 --> 01:08:39,559 Speaker 1: I'll go first. Okay, wait, do we explain? Oh yes, 1248 01:08:40,560 --> 01:08:42,680 Speaker 1: shout outs. We give a shout out to anything that 1249 01:08:42,720 --> 01:08:44,880 Speaker 1: we enjoy in the style of its two thousand one. 1250 01:08:44,920 --> 01:08:46,920 Speaker 1: And you're at TRL times square shouting out to your 1251 01:08:46,920 --> 01:08:50,080 Speaker 1: squad back home to just saying something you like in 1252 01:08:50,280 --> 01:08:54,400 Speaker 1: omanage to the great straight tradition of shoutouts, and I 1253 01:08:54,479 --> 01:09:00,960 Speaker 1: will kick us off. Well, what's uh up? Your Lina's 1254 01:09:01,000 --> 01:09:04,760 Speaker 1: and Freaky Leaky's it's Sam. I want to give a 1255 01:09:04,840 --> 01:09:11,040 Speaker 1: huge shout out to um. The song Potion by Calvin Harris, 1256 01:09:11,120 --> 01:09:15,519 Speaker 1: Dualipa and Young Thug. Oh Baby. I put this song 1257 01:09:15,560 --> 01:09:18,960 Speaker 1: on last weekend and I said, it's summertime. I feel 1258 01:09:19,000 --> 01:09:23,559 Speaker 1: like dancing casually, sort of in a backyard, maybe as 1259 01:09:23,600 --> 01:09:27,519 Speaker 1: the lights dim from the the sun is going down, 1260 01:09:27,720 --> 01:09:31,040 Speaker 1: and oh it's it's it's it's a little dancing. It's 1261 01:09:31,040 --> 01:09:34,679 Speaker 1: also chill it's it's summary and it's gonna be a hit. 1262 01:09:34,880 --> 01:09:39,000 Speaker 1: And um, whenever I like a song, I'm always like Wow, 1263 01:09:39,240 --> 01:09:44,040 Speaker 1: life moves on. Before I heard this, I was struggling 1264 01:09:44,080 --> 01:09:46,760 Speaker 1: to what if I never liked another thing again? And 1265 01:09:46,760 --> 01:09:49,040 Speaker 1: then I hear this and I say, Nope, there's always 1266 01:09:49,040 --> 01:09:52,400 Speaker 1: more to discover in this world. Thank you, Calvin Harris. 1267 01:09:52,439 --> 01:09:54,880 Speaker 1: You're one of the greatest artists of our time. And 1268 01:09:54,920 --> 01:09:58,679 Speaker 1: every time you team up with Dua Lipa, it's magic. 1269 01:09:59,240 --> 01:10:02,439 Speaker 1: And I'm a full du leaper stand now and I 1270 01:10:02,560 --> 01:10:05,360 Speaker 1: stand by it. And she's a better live performer than 1271 01:10:05,439 --> 01:10:07,800 Speaker 1: all the Him sisters combined. And if you want to 1272 01:10:07,800 --> 01:10:09,559 Speaker 1: hear the more, then come to the Patreon because I'm 1273 01:10:09,560 --> 01:10:12,720 Speaker 1: gonna tear them to shreds and I forgive them. I 1274 01:10:12,720 --> 01:10:14,680 Speaker 1: think they're good at music, but there's more to it 1275 01:10:14,720 --> 01:10:20,160 Speaker 1: than that. Um. Sam's review of Him is, I think 1276 01:10:20,160 --> 01:10:21,920 Speaker 1: they're good at music, but there's more to it than that. 1277 01:10:24,200 --> 01:10:27,880 Speaker 1: So Georgie got one. Um okay, yeah, I'm I'm changing 1278 01:10:27,880 --> 01:10:30,400 Speaker 1: it last minute because I was inspired to do music later. One. Okay, 1279 01:10:31,320 --> 01:10:34,960 Speaker 1: what's up? Little st him stas in the crowd and 1280 01:10:35,040 --> 01:10:37,479 Speaker 1: the audience and up in the nose Bleeds, we see 1281 01:10:37,479 --> 01:10:40,960 Speaker 1: you too, even though you didn't get VAPREW tickets. Throwback 1282 01:10:41,000 --> 01:10:43,400 Speaker 1: to my story earlier, UM, I want to give a 1283 01:10:43,400 --> 01:10:47,559 Speaker 1: shout out to the two three Madonna album American Life. 1284 01:10:48,080 --> 01:10:51,679 Speaker 1: I'm actually very tired of staying silent about the fact 1285 01:10:51,680 --> 01:10:54,559 Speaker 1: that this album is a masterpiece. I try every few 1286 01:10:54,640 --> 01:10:56,439 Speaker 1: years to convince people that this is the case, and 1287 01:10:56,479 --> 01:10:59,920 Speaker 1: they actually laugh in my face. And then I tried 1288 01:11:00,040 --> 01:11:03,240 Speaker 1: play at parties and people make me literally change the music, 1289 01:11:03,680 --> 01:11:07,400 Speaker 1: and I will not be silenced anymore. This album is 1290 01:11:07,840 --> 01:11:10,720 Speaker 1: truly if you want to talk about like Madonna at 1291 01:11:10,760 --> 01:11:14,280 Speaker 1: her core, this was kind of her blank Chuck album 1292 01:11:14,439 --> 01:11:18,400 Speaker 1: in the parliamance of Sister podcast playing Check, and she 1293 01:11:19,280 --> 01:11:23,400 Speaker 1: let her free flag fly unsupervised in a way that 1294 01:11:23,840 --> 01:11:27,040 Speaker 1: maybe should not have been allowed in retrospects. It contains 1295 01:11:27,040 --> 01:11:29,960 Speaker 1: such lyrics as there are too many questions, there is 1296 01:11:30,000 --> 01:11:32,360 Speaker 1: not one solution. Those are opening lyrics of a song, 1297 01:11:33,479 --> 01:11:37,960 Speaker 1: and the series of there's three songs called oh in fact, 1298 01:11:39,640 --> 01:11:44,960 Speaker 1: nothing fails to intervention to ecstatic process is really I 1299 01:11:44,960 --> 01:11:47,200 Speaker 1: mean it, you know, right, is what we're talking about, 1300 01:11:47,280 --> 01:11:49,840 Speaker 1: Joni Mitchell. I mean, I have never seen this kind 1301 01:11:49,880 --> 01:11:53,960 Speaker 1: of songwriting in pop music before or since. And I 1302 01:11:54,040 --> 01:11:56,360 Speaker 1: literally listened to this album every year. It literally makes 1303 01:11:56,560 --> 01:11:59,760 Speaker 1: it makes my Spotify top one every year, and no 1304 01:11:59,800 --> 01:12:01,479 Speaker 1: one cares, and no one's going to care even now 1305 01:12:01,520 --> 01:12:04,120 Speaker 1: after a shout out because people are afraid of new things. 1306 01:12:04,240 --> 01:12:07,280 Speaker 1: So that's my shout act I want to say, I 1307 01:12:07,280 --> 01:12:09,760 Speaker 1: mean the music video for the So there are two 1308 01:12:09,840 --> 01:12:13,760 Speaker 1: music videos for the the titular track American Life, one 1309 01:12:13,800 --> 01:12:17,679 Speaker 1: of which was like canceled because or like not released 1310 01:12:17,720 --> 01:12:20,200 Speaker 1: in America because it was like right after nine eleven, 1311 01:12:20,560 --> 01:12:26,160 Speaker 1: And it's like a very anti war video and I'm like, honestly, 1312 01:12:26,400 --> 01:12:29,120 Speaker 1: you guys should watch it. She is so she's so 1313 01:12:29,320 --> 01:12:31,679 Speaker 1: like full, like not what's the word, not full of herself, 1314 01:12:31,720 --> 01:12:34,760 Speaker 1: but like confident, like almost in a stupid way where 1315 01:12:34,760 --> 01:12:37,240 Speaker 1: it's like she just knows what she wants and it 1316 01:12:37,320 --> 01:12:39,280 Speaker 1: is embarrassing. But at the end of that video almost 1317 01:12:39,360 --> 01:12:41,040 Speaker 1: like that was kind of cool. That was like she 1318 01:12:41,080 --> 01:12:45,280 Speaker 1: actually made a statement. Well yeah, it's almost like the 1319 01:12:45,280 --> 01:12:48,719 Speaker 1: the other end of the gal Gadot Imagine Impulse, where 1320 01:12:48,760 --> 01:12:52,920 Speaker 1: like it's like Madonna has an equally incorrect understanding of 1321 01:12:52,960 --> 01:12:55,880 Speaker 1: the world, but then her response is making her idea 1322 01:12:55,880 --> 01:12:59,080 Speaker 1: of provocative art because she thinks, like Gal Gadotte thinks, 1323 01:12:59,080 --> 01:13:01,439 Speaker 1: bringing people together they're through imagine is going to help, 1324 01:13:01,479 --> 01:13:05,800 Speaker 1: and Madonna thinks kind of like saying completely unrelated, irrelevant, 1325 01:13:05,800 --> 01:13:09,280 Speaker 1: provocative things and like showing her ass is gonna help. 1326 01:13:09,360 --> 01:13:11,679 Speaker 1: Like it is. It is different solutions to the same 1327 01:13:11,920 --> 01:13:17,120 Speaker 1: imaginary problem, but Madonna's is more correct. Also, that features 1328 01:13:17,160 --> 01:13:20,479 Speaker 1: one of the funniest the rap. Rap section in that 1329 01:13:20,560 --> 01:13:24,280 Speaker 1: song means the most iconic thing. And I think this 1330 01:13:24,320 --> 01:13:26,880 Speaker 1: is what I'm like. I didn't say she wraps. Yes, 1331 01:13:26,920 --> 01:13:32,120 Speaker 1: I'm drinking, do a double shot. It goes, but I 1332 01:13:32,120 --> 01:13:36,479 Speaker 1: do yoga and I'm checking out the bodies, and you know, 1333 01:13:36,520 --> 01:13:41,559 Speaker 1: I'm satisfied. I gotta and the manager, an agent and 1334 01:13:41,600 --> 01:13:45,720 Speaker 1: a chef and agent and a chef. Fuck uh, I'm 1335 01:13:45,720 --> 01:13:48,800 Speaker 1: not wait, okay, okay, I'd like to express I'm not 1336 01:13:48,840 --> 01:13:51,000 Speaker 1: looking at it. I promise I actually, I just remember 1337 01:13:51,000 --> 01:13:53,280 Speaker 1: the final the final verse. I'd like to express my 1338 01:13:53,320 --> 01:13:55,280 Speaker 1: extreme point of view. I'm not a Christian and I'm 1339 01:13:55,320 --> 01:13:57,479 Speaker 1: not a Jew. I'm just living out the American dream. 1340 01:13:57,520 --> 01:14:02,280 Speaker 1: And I just realized that is what it's. It's the 1341 01:14:02,360 --> 01:14:08,680 Speaker 1: most insane thing in the world. Because also it's it's 1342 01:14:08,680 --> 01:14:11,000 Speaker 1: also like musically, I'm sorry, it's a good song, like 1343 01:14:11,080 --> 01:14:14,880 Speaker 1: it is such a fun try. I mean, but I guess, my, my, my, 1344 01:14:14,880 --> 01:14:17,720 Speaker 1: my point that I didn't really mention. It's just like, yes, 1345 01:14:17,760 --> 01:14:19,519 Speaker 1: I know it's like technically bad with it, but like, 1346 01:14:19,800 --> 01:14:22,200 Speaker 1: if you want to talk about camp value, truly look 1347 01:14:22,200 --> 01:14:24,680 Speaker 1: at these lyrics. It is some of the most incredible, 1348 01:14:24,720 --> 01:14:27,240 Speaker 1: like unintentionally funny lyrics that have ever been. I mean, 1349 01:14:27,240 --> 01:14:34,760 Speaker 1: it's a pop for sure, it really is absolutely Um. Okay, Olivia, 1350 01:14:34,840 --> 01:14:40,000 Speaker 1: whenever you are ready, Okay, what's up? My girls want 1351 01:14:40,080 --> 01:14:42,160 Speaker 1: to go? I would like to give a quick shout 1352 01:14:42,240 --> 01:14:44,640 Speaker 1: out to a cliff bar that you buy at the 1353 01:14:44,640 --> 01:14:46,880 Speaker 1: Delhi on the corner when you were running late for 1354 01:14:46,960 --> 01:14:50,680 Speaker 1: something and you did not have the time to eat beforehand. 1355 01:14:50,680 --> 01:14:53,080 Speaker 1: This cliff bar has gotten me through so many things 1356 01:14:53,120 --> 01:14:55,360 Speaker 1: in my life. I am probably going to eat one 1357 01:14:55,400 --> 01:14:58,559 Speaker 1: today as I had to a daytime housewarming party after this. 1358 01:14:59,360 --> 01:15:03,879 Speaker 1: I love every flavor. They're all bad, um, but sometimes 1359 01:15:03,880 --> 01:15:05,640 Speaker 1: it is exactly what you need. You're going to a 1360 01:15:05,680 --> 01:15:08,559 Speaker 1: movie at six o'clock, it's two hours. Those are prime 1361 01:15:08,640 --> 01:15:11,519 Speaker 1: dinner time. You are going to get hungry. We need 1362 01:15:11,560 --> 01:15:14,320 Speaker 1: to eat a little protein beforehand. So shout out to 1363 01:15:14,360 --> 01:15:17,160 Speaker 1: all my girls who understand this. Um no, shout out 1364 01:15:17,160 --> 01:15:19,840 Speaker 1: to my girls were on an eating schedule that makes 1365 01:15:19,840 --> 01:15:23,720 Speaker 1: sense for their day. And to the to the men 1366 01:15:23,760 --> 01:15:27,040 Speaker 1: who are talking what I imagine our old Cliff Bars 1367 01:15:27,120 --> 01:15:29,879 Speaker 1: in their delis, shout out to you, you are keeping 1368 01:15:30,080 --> 01:15:33,200 Speaker 1: my life running. Uh and my life does run on 1369 01:15:33,479 --> 01:15:39,040 Speaker 1: cliff Bar. Wow. That genuinely could have been an app. 1370 01:15:39,560 --> 01:15:41,559 Speaker 1: It's very much like make this your own, like with 1371 01:15:41,600 --> 01:15:45,479 Speaker 1: your own sense of humor, but promote the product. It 1372 01:15:45,520 --> 01:15:49,920 Speaker 1: will be on my TikTok hashtag ad um. Do you 1373 01:15:49,920 --> 01:15:54,200 Speaker 1: guys know Kind Bars. Yeah, I'm not a big fan. Yeah. 1374 01:15:54,240 --> 01:15:56,840 Speaker 1: I only realized this after. But they were founded by 1375 01:15:56,880 --> 01:15:59,799 Speaker 1: someone who is it is an alum of the college 1376 01:15:59,800 --> 01:16:01,360 Speaker 1: I went too. So when I was in college, they 1377 01:16:01,360 --> 01:16:03,759 Speaker 1: were everywhere because I think they were doing like guerrilla 1378 01:16:04,200 --> 01:16:07,200 Speaker 1: like they were like starting home and then like broadening 1379 01:16:07,200 --> 01:16:09,479 Speaker 1: it out. So I it was one of those things 1380 01:16:09,479 --> 01:16:11,639 Speaker 1: where like it's like something you know from your family 1381 01:16:11,680 --> 01:16:13,880 Speaker 1: that no one else knows. And then I graduated and no, 1382 01:16:13,960 --> 01:16:15,760 Speaker 1: when you what kind Bars were? And then now I 1383 01:16:15,800 --> 01:16:19,160 Speaker 1: guess they are. Um, I guess they are everywhere. But 1384 01:16:19,200 --> 01:16:21,599 Speaker 1: that was like the option on campus if you were 1385 01:16:21,640 --> 01:16:25,880 Speaker 1: like trying to buy something on the go. Wow, so 1386 01:16:25,920 --> 01:16:30,880 Speaker 1: you kind of like knew them first. I knew them 1387 01:16:30,920 --> 01:16:33,240 Speaker 1: before they were famous. It was I kind of yeah, 1388 01:16:33,240 --> 01:16:35,720 Speaker 1: it was like the people that knew Nicki Minage and 1389 01:16:35,760 --> 01:16:39,680 Speaker 1: the Mixed Tape era. But with kind bars. Well, I 1390 01:16:39,720 --> 01:16:42,479 Speaker 1: still support neutral grain bars no matter how many tweets 1391 01:16:42,520 --> 01:16:45,320 Speaker 1: talk about how much they crumble and how crunchy they are. Wait, 1392 01:16:45,479 --> 01:16:48,760 Speaker 1: but those are nature valley bars. Neutra grain is like 1393 01:16:49,080 --> 01:16:56,760 Speaker 1: the soft with the fruit. Huge child. My dad had 1394 01:16:56,760 --> 01:17:00,760 Speaker 1: an almost religious devotion to Neutral grain bar, specifically the 1395 01:17:00,760 --> 01:17:04,559 Speaker 1: apple is the best one. It actually still brings me 1396 01:17:04,560 --> 01:17:07,160 Speaker 1: back to my childhood in such a violent way. That 1397 01:17:07,240 --> 01:17:11,599 Speaker 1: And do you know Cuti's ice cream sandwiches. Yes, that 1398 01:17:11,680 --> 01:17:16,840 Speaker 1: was also well stocked in in our New Jersey era. Well, 1399 01:17:16,960 --> 01:17:19,640 Speaker 1: maybe we all enter our New Jersey era soon. I 1400 01:17:19,680 --> 01:17:21,240 Speaker 1: just want to say, snack bars would be a really 1401 01:17:21,280 --> 01:17:24,679 Speaker 1: good topic. God, like a snack bar at the pool, 1402 01:17:24,720 --> 01:17:30,639 Speaker 1: Oh my god. Also just a day at the pool. Yeah. 1403 01:17:30,680 --> 01:17:35,439 Speaker 1: Also that, Um well, Olivia, I hope craig Head Nation 1404 01:17:35,600 --> 01:17:39,519 Speaker 1: is satiated. Um. I think they will be, and I 1405 01:17:39,560 --> 01:17:41,600 Speaker 1: think I really think so. I also think they'll have 1406 01:17:41,640 --> 01:17:45,519 Speaker 1: some new members after this episode. If the person who 1407 01:17:45,560 --> 01:17:49,040 Speaker 1: created craig Head nation Um would like to come forward 1408 01:17:49,080 --> 01:17:51,720 Speaker 1: and reveal who they are, I would love to know. 1409 01:17:53,000 --> 01:17:55,080 Speaker 1: I know, but it's like, you know, I also I 1410 01:17:55,160 --> 01:17:56,680 Speaker 1: understand wanting to know, and I also want to know. 1411 01:17:56,720 --> 01:17:59,719 Speaker 1: But I'm also like, maybe the Joys in the mystery, 1412 01:18:00,000 --> 01:18:04,320 Speaker 1: it could be anyone. It could be That's right. She's like, 1413 01:18:04,479 --> 01:18:13,240 Speaker 1: only Olivia craig Head will bring us together. All right, Well, folks, Georgia, 1414 01:18:15,479 --> 01:18:18,000 Speaker 1: I'm like, I guess this is well. I really thought 1415 01:18:18,000 --> 01:18:19,320 Speaker 1: I had. I really thought I had pulled it off 1416 01:18:19,360 --> 01:18:22,280 Speaker 1: mostly to be going to end with George makes taken 1417 01:18:22,280 --> 01:18:25,160 Speaker 1: out that last moment I could sense how exhausted and 1418 01:18:25,240 --> 01:18:28,360 Speaker 1: hung over you I really am running on fumes. It is. 1419 01:18:28,479 --> 01:18:31,720 Speaker 1: I need a neutral grain box stat well, go get 1420 01:18:31,800 --> 01:18:35,120 Speaker 1: yourself one, and I well, thanks Olivia. This has been 1421 01:18:35,160 --> 01:18:42,360 Speaker 1: a treat. Joy Bye bye bye. I'm drinking. Get a shot. 1422 01:18:42,439 --> 01:18:44,800 Speaker 1: It goes through my body, and you know, I'm says sad. 1423 01:18:44,960 --> 01:18:47,160 Speaker 1: I drove my many people and I'm feeling super TUPI 1424 01:18:47,240 --> 01:18:48,760 Speaker 1: you they tell me I'm a chrier, and you know 1425 01:18:48,800 --> 01:18:51,559 Speaker 1: I'm satisfied. I do yoga, laties and the room frollo 1426 01:18:51,600 --> 01:18:53,439 Speaker 1: pat is still I'm checking at the bodies, and you know, 1427 01:18:53,520 --> 01:18:56,400 Speaker 1: I'm said it's bad. I'm digging on the beause she 1428 01:18:56,520 --> 01:18:58,160 Speaker 1: just dope it bo. This can give me hope, you know, 1429 01:18:58,200 --> 01:19:00,080 Speaker 1: look at its fad. I got a lawyer and the 1430 01:19:00,160 --> 01:19:03,559 Speaker 1: German agent Annischettree, nanny's an assistant and a driver, energet 1431 01:19:03,800 --> 01:19:05,680 Speaker 1: a trainer, and a brother and a body guard, a 1432 01:19:05,760 --> 01:19:08,400 Speaker 1: five a gardner as a scotis do you think I'm satisfied. 1433 01:19:08,520 --> 01:19:11,200 Speaker 1: I'd like to express my extreme point of view. I'm 1434 01:19:11,240 --> 01:19:13,519 Speaker 1: not a Christian and I'm not a Jew. I'm just 1435 01:19:13,680 --> 01:19:16,800 Speaker 1: living out the American dream and I just realized that 1436 01:19:16,880 --> 01:19:17,800 Speaker 1: nothing is