1 00:00:00,520 --> 00:00:04,600 Speaker 1: Ridiculous Crime is a production of iHeartRadio Yo, Elizabeth Duttons 2 00:00:04,800 --> 00:00:07,120 Speaker 1: Zaren Vernet. You got a second, I got a question, Chris. 3 00:00:07,280 --> 00:00:10,040 Speaker 1: I've been waiting to see you. Yeah, okay, thank god. 4 00:00:10,280 --> 00:00:15,000 Speaker 1: Do you know what's ridiculous? Yes? I knew you would know. Okay, 5 00:00:15,080 --> 00:00:18,880 Speaker 1: it's a mashup. It's okay, I take it back. Let 6 00:00:18,960 --> 00:00:22,479 Speaker 1: me let me read you some of the descriptions and 7 00:00:22,520 --> 00:00:25,160 Speaker 1: then you can fill in the blanks for me. Oh yay. 8 00:00:25,800 --> 00:00:30,440 Speaker 1: A tribute to the mastery of crisp spiced curled potato 9 00:00:31,120 --> 00:00:36,360 Speaker 1: with hints of cayenne and paprika. This innovative blank preserves 10 00:00:36,400 --> 00:00:40,640 Speaker 1: the distinctive and authentic tasting notes of the traditional blank 11 00:00:41,479 --> 00:00:46,640 Speaker 1: m potato crispy holds the flavor of blank. Let me 12 00:00:46,640 --> 00:00:50,000 Speaker 1: give you another one, okay. Honoring the rich tradition of 13 00:00:50,159 --> 00:00:54,880 Speaker 1: salted potato shapes, this premium blank features a blend of 14 00:00:54,920 --> 00:00:58,200 Speaker 1: fine kosh or salt and sugar, a subtle homage to 15 00:00:58,240 --> 00:01:03,280 Speaker 1: the simple perfection of blank. Um. Is it a pair 16 00:01:03,280 --> 00:01:06,600 Speaker 1: of shoes? No, it's let me just let me just 17 00:01:06,720 --> 00:01:09,560 Speaker 1: break it to you. It's not pretty. Is it a liquor? Yes? 18 00:01:10,000 --> 00:01:12,000 Speaker 1: Oh okay, So that's a liquor. I'm close. It's something 19 00:01:12,120 --> 00:01:17,960 Speaker 1: you drink. Yeah, and it's potato flavor. It's a vodka. 20 00:01:18,080 --> 00:01:21,400 Speaker 1: So we're on the right track now, Vodka potato flavor 21 00:01:21,600 --> 00:01:26,080 Speaker 1: or honoring potatoes. So there's two, no, there's two kinds. 22 00:01:26,680 --> 00:01:30,800 Speaker 1: One is all about the you know, spicy curled potato 23 00:01:30,840 --> 00:01:33,680 Speaker 1: with cayenne and paprika, and the other one is the 24 00:01:33,800 --> 00:01:40,360 Speaker 1: salted potatoes shapes salt sugar. So I'm telling you today 25 00:01:40,400 --> 00:01:48,520 Speaker 1: about Arbie's vodka. What one is arbie curly fry vodka, 26 00:01:48,680 --> 00:01:51,800 Speaker 1: and then they also have a crinkle fry flavored vodka. 27 00:01:52,200 --> 00:01:55,280 Speaker 1: Oh god, they don't have like a meat sauce flavored vodka. No, 28 00:01:55,360 --> 00:01:59,200 Speaker 1: but they have like bloody mary recipes you can and 29 00:01:59,240 --> 00:02:01,800 Speaker 1: then you shove the fries up in the top, just 30 00:02:01,920 --> 00:02:04,280 Speaker 1: like as like a little dressing on the top curly hair. 31 00:02:04,480 --> 00:02:07,000 Speaker 1: What is going on in the boardrooms of these businesses 32 00:02:07,040 --> 00:02:10,960 Speaker 1: that they're like, look, we got a moment. What happens? 33 00:02:10,960 --> 00:02:14,480 Speaker 1: They gather around, they're like, check this out. Ridiculous crime 34 00:02:14,520 --> 00:02:18,200 Speaker 1: is recording again and Elizabeth needs a mashup. Let's get 35 00:02:18,240 --> 00:02:20,600 Speaker 1: on these guys, and they like take their jackets off 36 00:02:20,639 --> 00:02:22,880 Speaker 1: and loosen the ties and the gals in the room 37 00:02:22,919 --> 00:02:25,600 Speaker 1: who are really the bosses, you know, they just like 38 00:02:25,919 --> 00:02:28,959 Speaker 1: crack their knuckles. They get up to the whiteboard, huh, 39 00:02:29,200 --> 00:02:31,640 Speaker 1: start scribbling them out, and they're like, Okay, she's gonna 40 00:02:31,680 --> 00:02:34,800 Speaker 1: love this. God. Yeah, so that makes absolutely no sense. 41 00:02:34,880 --> 00:02:39,440 Speaker 1: No one will buy this five French Fry vodka eighty proof. 42 00:02:39,880 --> 00:02:44,280 Speaker 1: Oh perfect, It's all sold out. If you go to 43 00:02:44,440 --> 00:02:48,200 Speaker 1: Arby's Vodka dot com. The bottles are like they're supposed 44 00:02:48,240 --> 00:02:50,480 Speaker 1: to be like sixty bucks when they say sold out, 45 00:02:50,480 --> 00:02:52,359 Speaker 1: do they make like five hundred? And then like that's 46 00:02:52,360 --> 00:02:55,639 Speaker 1: why do they make any at all? Oh good question, Elizabeth, 47 00:02:55,840 --> 00:03:01,280 Speaker 1: Like your suspicions, I am very suspicious. Yeah, if you 48 00:03:01,280 --> 00:03:05,120 Speaker 1: got a second, I do I have one for you? Yes? Okay, 49 00:03:05,160 --> 00:03:09,280 Speaker 1: this this is right up your alley, right right up 50 00:03:09,280 --> 00:03:13,600 Speaker 1: my shooter alley at the shooter alley. Jagger Hoover and 51 00:03:13,800 --> 00:03:17,000 Speaker 1: the FBI and the US Air Force once went to 52 00:03:17,080 --> 00:03:20,440 Speaker 1: war against one woman. Oh yes, this one woman. She 53 00:03:20,560 --> 00:03:23,720 Speaker 1: was an aviation pioneer. But she'd run a foul of 54 00:03:23,760 --> 00:03:28,280 Speaker 1: the decency police because this one woman. Dare dared, Elizabeth 55 00:03:28,480 --> 00:03:31,000 Speaker 1: to let men and women have fun at a place 56 00:03:31,040 --> 00:03:54,200 Speaker 1: called the Happy Bottom Riding Club. This is Ridiculous Crime, 57 00:03:54,280 --> 00:03:57,920 Speaker 1: a podcast about absurd and outrageous capers, heights and cons. 58 00:03:58,160 --> 00:04:07,520 Speaker 1: It's always sent murder free and one ridiculous Elizabeth Elizabeth. Today, 59 00:04:07,640 --> 00:04:09,360 Speaker 1: I got a special one for you. I told you this. 60 00:04:09,440 --> 00:04:11,320 Speaker 1: I think you're gonna like this lady. She's one of 61 00:04:11,320 --> 00:04:17,479 Speaker 1: my favorite American legends. Okay, her name Poncho Barnes. Poncho Barnes, 62 00:04:17,760 --> 00:04:20,440 Speaker 1: that's a great name. Okay. To give you a sense 63 00:04:20,440 --> 00:04:22,600 Speaker 1: of her, I'm just gonna lay out her life philosophy. 64 00:04:22,720 --> 00:04:24,560 Speaker 1: She used to say, I thought you'd dig this when 65 00:04:24,560 --> 00:04:27,520 Speaker 1: you have a chance. She's happy. Oh yeah, that's good. 66 00:04:27,640 --> 00:04:29,680 Speaker 1: I like that. So you're ready to hear the Ballad 67 00:04:29,720 --> 00:04:34,440 Speaker 1: of Poncho Barnes. She was born Florence Leontine Low. She 68 00:04:34,480 --> 00:04:37,799 Speaker 1: came into this world on July twenty second, nineteen oh one. Basically, 69 00:04:37,880 --> 00:04:40,080 Speaker 1: you know, almost with the New century. She came by 70 00:04:40,120 --> 00:04:43,240 Speaker 1: her adventurous spirit naturally. Her grandfather was Thaddius S. C. 71 00:04:43,440 --> 00:04:44,920 Speaker 1: Low in a case you don't know, who was an 72 00:04:44,920 --> 00:04:48,320 Speaker 1: inventor who specialized in balloons, and he was an aviation pioneer. 73 00:04:48,360 --> 00:04:51,640 Speaker 1: And you're wondering, how is she an avination pioneer. Great question, Elizabeth. 74 00:04:52,080 --> 00:04:54,400 Speaker 1: He was the founder of the Army of the Potomac's 75 00:04:54,600 --> 00:04:57,279 Speaker 1: Balloon Corps, which means he fought for the Union Army 76 00:04:57,360 --> 00:05:00,520 Speaker 1: under Lincoln, which also means his balloon War affair was 77 00:05:00,520 --> 00:05:06,400 Speaker 1: the start of American military aviation. Wow, father of right. Yeah, 78 00:05:06,480 --> 00:05:10,680 Speaker 1: So her grandfather, Daddiuslowe also inspired her, this young tomboy 79 00:05:10,800 --> 00:05:13,359 Speaker 1: to dream of her own life among the clouds. So 80 00:05:13,360 --> 00:05:15,080 Speaker 1: when she's ten years old, he takes her to her 81 00:05:15,080 --> 00:05:17,880 Speaker 1: first air show. She loves it. Now, you gotta keep 82 00:05:17,920 --> 00:05:20,039 Speaker 1: in mind the Right brothers had just flown for the 83 00:05:20,040 --> 00:05:22,880 Speaker 1: first time when she was three years old. Now seven 84 00:05:22,960 --> 00:05:27,440 Speaker 1: years later, they are aviation pioneers, right. So she sees 85 00:05:27,480 --> 00:05:30,400 Speaker 1: this and she's like, oh, I gotta be in the sky. Right, 86 00:05:30,480 --> 00:05:32,400 Speaker 1: But first she's a young tom boy. She's like, I 87 00:05:32,440 --> 00:05:35,240 Speaker 1: should run away from home. So she runs away from home. Now, 88 00:05:35,279 --> 00:05:37,159 Speaker 1: she grew up in southern California in a town called 89 00:05:37,160 --> 00:05:40,679 Speaker 1: sam Marino. So for Pancho Barnes, running away meant grabbing 90 00:05:40,680 --> 00:05:44,160 Speaker 1: a horse and riding to Tijuana. That sounds great, right. Yeah. 91 00:05:44,200 --> 00:05:45,960 Speaker 1: She was like, you know, in southern California back when 92 00:05:45,960 --> 00:05:52,000 Speaker 1: was mostly ranches, exactly orange orchards. So she just, you know, 93 00:05:52,160 --> 00:05:54,360 Speaker 1: takes off for Tijuana and has a good old time. 94 00:05:54,400 --> 00:05:56,480 Speaker 1: Her family finally catches up her and they force her 95 00:05:56,480 --> 00:05:58,760 Speaker 1: back to America. They enroll her in a religious school. 96 00:05:58,760 --> 00:06:00,960 Speaker 1: How old was she when she about twelve thirteen, so 97 00:06:01,080 --> 00:06:03,960 Speaker 1: one of many religious schools she goes to. Finally she 98 00:06:04,000 --> 00:06:06,800 Speaker 1: graduates and she's like, oh, I want to become a veterinarian. 99 00:06:06,839 --> 00:06:08,599 Speaker 1: And her mother's like, no, no, no, that's not a 100 00:06:08,720 --> 00:06:10,919 Speaker 1: right profession for a young lady. And she's like, but 101 00:06:11,000 --> 00:06:12,760 Speaker 1: I really love animals, and she's like, no, no, no no, 102 00:06:13,240 --> 00:06:14,880 Speaker 1: We're gonna put you in art school. That's a good 103 00:06:14,880 --> 00:06:17,000 Speaker 1: thing for a lady who's creative in fiery like you. 104 00:06:17,240 --> 00:06:19,039 Speaker 1: And her grandma's like no, no no, no, no, no art school, 105 00:06:19,040 --> 00:06:20,880 Speaker 1: no no, no no. We're gonna get her married, like 106 00:06:20,920 --> 00:06:24,039 Speaker 1: all good wayward girls should be. So they arrange a marriage. 107 00:06:24,040 --> 00:06:26,440 Speaker 1: At this point, she's nineteen years old. The marriage is 108 00:06:26,440 --> 00:06:29,840 Speaker 1: to this reverend. It doesn't last long, it doesn't sound 109 00:06:29,839 --> 00:06:32,440 Speaker 1: like a good match. They were intimate just once on 110 00:06:32,480 --> 00:06:35,800 Speaker 1: their wedding night. That's it. And eventually a couple years later, 111 00:06:35,839 --> 00:06:38,840 Speaker 1: her mother passes away, and this kind of sets something 112 00:06:38,880 --> 00:06:42,039 Speaker 1: loose and poncho. She's like, I gotta get free. You know. 113 00:06:42,360 --> 00:06:45,279 Speaker 1: It reawakens in her that sense of longing for adventure. 114 00:06:45,440 --> 00:06:49,039 Speaker 1: She runs off from her husband Rome's America, starts having fairs. 115 00:06:49,080 --> 00:06:52,040 Speaker 1: She's also a footloose and fancy free young heiress, a 116 00:06:52,080 --> 00:06:55,000 Speaker 1: tomboy with money to spend because when her mother died 117 00:06:55,040 --> 00:06:58,400 Speaker 1: she left her about eight million dollars in twenty twenty 118 00:06:58,440 --> 00:07:01,760 Speaker 1: three dollars. Whoa, So she uses her inheritance to party 119 00:07:01,839 --> 00:07:06,680 Speaker 1: and enjoy. Yeah, she's twenty three years. I was sorry 120 00:07:06,920 --> 00:07:09,320 Speaker 1: when she when this first happens, she gets married, she's nineteen. 121 00:07:09,440 --> 00:07:11,640 Speaker 1: When the mother passes, she's twenty three, so there's nineteen 122 00:07:11,640 --> 00:07:14,240 Speaker 1: twenty four. Yeah right, so yeah, Flapper era total like, 123 00:07:14,640 --> 00:07:16,360 Speaker 1: you know, the it girl. Clara Bow is the thing, 124 00:07:16,440 --> 00:07:18,560 Speaker 1: and she, by the way, is a pilot, so you 125 00:07:18,600 --> 00:07:22,280 Speaker 1: know this is in the air. Right. So she decides, 126 00:07:22,320 --> 00:07:23,480 Speaker 1: you know what, I'm gonna go out and keep me 127 00:07:23,520 --> 00:07:25,080 Speaker 1: some adventure. Now that I got some money, I don't 128 00:07:25,080 --> 00:07:28,160 Speaker 1: need to work unless she goes to South America, takes 129 00:07:28,160 --> 00:07:31,000 Speaker 1: a cruise down South America, has a ball, just enjoys 130 00:07:31,000 --> 00:07:33,680 Speaker 1: herself all the heck. She gets back to America and 131 00:07:33,720 --> 00:07:36,000 Speaker 1: she's like, you know what, forget this, I'm going back 132 00:07:36,000 --> 00:07:37,680 Speaker 1: to South America. But this time she's like, I'm gonna 133 00:07:37,680 --> 00:07:39,000 Speaker 1: do things a little bit different. I want to have 134 00:07:39,440 --> 00:07:42,360 Speaker 1: more adventure than I could last time. I'm ditching the dresses. 135 00:07:42,640 --> 00:07:45,800 Speaker 1: I'm gonna go and be, you know, dressed as a man. Huh. 136 00:07:45,840 --> 00:07:48,240 Speaker 1: So this is how she earned her nickname Poncho. She 137 00:07:48,320 --> 00:07:50,960 Speaker 1: goes back to South America and she rides on a 138 00:07:50,960 --> 00:07:55,120 Speaker 1: banana boat and she gets okay, dresses a man exactly. 139 00:07:55,320 --> 00:07:57,880 Speaker 1: She books passed it down to banana boat. And uh, 140 00:07:57,920 --> 00:08:00,240 Speaker 1: while she's on banana boat, she discovers it. The true 141 00:08:00,240 --> 00:08:02,360 Speaker 1: has this little secret that they did not tell her before. 142 00:08:02,400 --> 00:08:05,240 Speaker 1: She said sale. Turns out they are smuggling guns to 143 00:08:05,280 --> 00:08:08,600 Speaker 1: the Mexican revolutionaries. Oh well, she gets caught up in 144 00:08:08,600 --> 00:08:12,240 Speaker 1: the Mexican Revolution. This is the Cristero Revolution, when you 145 00:08:12,320 --> 00:08:16,480 Speaker 1: had warriors for Christ fighting against thee the Constitution nineteen 146 00:08:16,720 --> 00:08:18,720 Speaker 1: it must have been much safer for her to travel 147 00:08:19,000 --> 00:08:23,440 Speaker 1: in men's cloth completely. Yeah, you're right on with that, 148 00:08:23,560 --> 00:08:26,480 Speaker 1: I know I am. When she gets caught in her 149 00:08:26,480 --> 00:08:29,400 Speaker 1: men's clothes with all the other revolutionaries, Mexican officials, they 150 00:08:29,400 --> 00:08:32,040 Speaker 1: take the boat. The guns are seas. The revolutionaries are 151 00:08:32,040 --> 00:08:34,680 Speaker 1: in prison, which includes Poncho Barnes. So she gets locked 152 00:08:34,760 --> 00:08:36,960 Speaker 1: up as a revolutionary for about a month and a half. 153 00:08:37,080 --> 00:08:40,440 Speaker 1: While she's inside, she bonds with this other American who 154 00:08:40,480 --> 00:08:42,120 Speaker 1: was on the boat as well. His name was Roger 155 00:08:42,160 --> 00:08:44,800 Speaker 1: Shoot and Rogers Shoot is the helmsman on the but 156 00:08:45,040 --> 00:08:49,080 Speaker 1: on a boat. No, he's a well off American, you know, 157 00:08:49,360 --> 00:08:51,360 Speaker 1: rich kid, and he's out there for quote the thrill 158 00:08:51,440 --> 00:08:54,320 Speaker 1: of it. Interesting. Yeah, he's a Stanford graduate. He's a 159 00:08:54,360 --> 00:08:57,040 Speaker 1: marine biologist, studies fishery. So he's like a smart cat, 160 00:08:57,160 --> 00:08:59,760 Speaker 1: you know, well to do footloose, fancy free, just like Poncho. 161 00:09:00,040 --> 00:09:02,319 Speaker 1: Two of them decide, you know, we need to escape 162 00:09:02,320 --> 00:09:06,319 Speaker 1: this Mexican prison. So they managed to steal a horse 163 00:09:06,360 --> 00:09:09,160 Speaker 1: and a burrow and they take off on burrowback and 164 00:09:09,320 --> 00:09:12,120 Speaker 1: horseball and they head for the American border. But then, 165 00:09:12,160 --> 00:09:13,840 Speaker 1: you know what, now that we're free and in Mexico, 166 00:09:13,880 --> 00:09:16,160 Speaker 1: maybe we should kick around for a little bit. So 167 00:09:16,200 --> 00:09:18,280 Speaker 1: they kick around Mexico. I figure you'd enjoy this. They're 168 00:09:18,280 --> 00:09:21,000 Speaker 1: eating good food, enjoying all the sites, learning some Spanish. 169 00:09:21,000 --> 00:09:22,920 Speaker 1: They decide, you know what, we should become lovers. So 170 00:09:23,320 --> 00:09:26,600 Speaker 1: they become lovers. They spend seven months bouncing around Mexico. 171 00:09:27,040 --> 00:09:29,000 Speaker 1: At one point they're like, we should probably get back 172 00:09:29,000 --> 00:09:31,840 Speaker 1: to America. So they're in Mexico City and they decide 173 00:09:31,880 --> 00:09:34,800 Speaker 1: we'll walk down to Vera Cruz. So they walked down 174 00:09:34,840 --> 00:09:36,680 Speaker 1: to Ericaus, which is on the Gulf Coast. For those 175 00:09:36,720 --> 00:09:38,920 Speaker 1: who don't know, it's about a two hundred and fifty 176 00:09:38,960 --> 00:09:41,720 Speaker 1: mile overland walk. But they want a book passage. So 177 00:09:42,280 --> 00:09:46,160 Speaker 1: they're traversing the Mexican countryside. And at this point, she's 178 00:09:46,160 --> 00:09:49,080 Speaker 1: still known as Florence Leontine. So Flow is like, you know, 179 00:09:49,160 --> 00:09:51,360 Speaker 1: making a joke about her lover Roger, and she's like, oh, 180 00:09:51,360 --> 00:09:55,120 Speaker 1: you're hit like that windmill jousting hero don Quixote. And 181 00:09:55,200 --> 00:09:57,320 Speaker 1: he laughs and he's well educated, so he's like, oh, 182 00:09:57,400 --> 00:10:00,640 Speaker 1: then that makes you Poncho. She it's a moun props them. 183 00:10:00,720 --> 00:10:04,960 Speaker 1: She corrects them. She's like, don Quixote's sidekick was Sancho Panza. Yeah, 184 00:10:05,000 --> 00:10:07,680 Speaker 1: and he's like, ah, right, right. He's like, well, no matter, 185 00:10:07,800 --> 00:10:10,480 Speaker 1: the nickname sticks. They start calling her Poncho, so she 186 00:10:10,640 --> 00:10:12,840 Speaker 1: becomes Poncho for the rest of her life. That's a 187 00:10:12,880 --> 00:10:15,560 Speaker 1: great nickname, right, totally. Yeah, I mean it's it's not 188 00:10:15,640 --> 00:10:18,520 Speaker 1: as good as Dizzy, but it's good. Uh, you see 189 00:10:18,559 --> 00:10:22,600 Speaker 1: me looking away for the camera. So Florence Leontine Low 190 00:10:22,679 --> 00:10:26,319 Speaker 1: is now Poncho Barnes, right, Poncho and Roger. They head 191 00:10:26,360 --> 00:10:29,000 Speaker 1: back to America and leave Mexico behind. They try to 192 00:10:29,000 --> 00:10:31,160 Speaker 1: go up to the Mississippi, like where the waters are 193 00:10:31,160 --> 00:10:33,720 Speaker 1: coming out in New Orleans. They make it to New Orleans, 194 00:10:33,720 --> 00:10:36,120 Speaker 1: they get off the boat, and then they now have 195 00:10:36,160 --> 00:10:39,400 Speaker 1: to cross America because they're both from California. So they hitchhike, 196 00:10:39,640 --> 00:10:43,400 Speaker 1: they train hop when there's no vehicle available, they walk. 197 00:10:43,520 --> 00:10:47,880 Speaker 1: They end up taking another huge trek seventeen hundred miles 198 00:10:47,920 --> 00:10:50,600 Speaker 1: from New Orleans to California. But these are like trust 199 00:10:50,600 --> 00:10:53,120 Speaker 1: fund kids in totally, and they're gonna cross the Southwest, 200 00:10:53,120 --> 00:10:55,080 Speaker 1: which is no easy place. You miss that train, you're 201 00:10:55,080 --> 00:10:58,200 Speaker 1: stuck in the Arizona desert, right, Yeah, So they're like managing, 202 00:10:58,360 --> 00:11:01,319 Speaker 1: right exactly. So on this they get back to California, 203 00:11:01,360 --> 00:11:03,240 Speaker 1: and now the lover's part way, so they both you know, 204 00:11:03,400 --> 00:11:06,760 Speaker 1: young and impetuous boom. Pancho settles into her life as 205 00:11:06,800 --> 00:11:08,760 Speaker 1: a rich girl in San Marino. She's got this cousin 206 00:11:08,840 --> 00:11:12,840 Speaker 1: who's got this new hobby. She's taking flying lessons ponchos like, oh, 207 00:11:12,880 --> 00:11:15,280 Speaker 1: I'll ride down with you. She sees the plane, she 208 00:11:15,320 --> 00:11:17,800 Speaker 1: sees the instructors, She's like, I gotta fly too, So 209 00:11:17,920 --> 00:11:20,920 Speaker 1: she hops in there instant pilot. She just takes to 210 00:11:21,000 --> 00:11:24,640 Speaker 1: it immediately. So she's you know, she has like this 211 00:11:24,679 --> 00:11:27,800 Speaker 1: is biplane error right, So right, this is like you know, uh, 212 00:11:27,800 --> 00:11:31,599 Speaker 1: like when you're imagining like the leather sided, open cockpit, 213 00:11:31,760 --> 00:11:35,080 Speaker 1: double wings. So this is how she's flying now. These planes, 214 00:11:35,280 --> 00:11:37,000 Speaker 1: least the one that she learned on, it had just 215 00:11:37,240 --> 00:11:39,800 Speaker 1: one instrument, like didn't have an instrument panel like an 216 00:11:39,840 --> 00:11:42,600 Speaker 1: on off switch. Basically, there was an oil gage to 217 00:11:42,679 --> 00:11:44,560 Speaker 1: let her know how much oil the engine had. That 218 00:11:44,640 --> 00:11:48,480 Speaker 1: was that's it. That's the only girl. No fuel, no altimeter, 219 00:11:48,760 --> 00:11:51,680 Speaker 1: no spiedometer, no. So for the altimeter, what she had 220 00:11:51,800 --> 00:11:53,559 Speaker 1: was you look over the side of the cockpit. That's 221 00:11:53,559 --> 00:11:58,240 Speaker 1: how high like a string they have that that's kidding. 222 00:11:58,320 --> 00:12:00,240 Speaker 1: That's how she knows how much a gas there is. 223 00:12:00,240 --> 00:12:02,280 Speaker 1: There is a string that you dip into the gas 224 00:12:02,320 --> 00:12:05,360 Speaker 1: and it's I could have built these early planes. If 225 00:12:05,400 --> 00:12:09,040 Speaker 1: it's wet, there's fuel. If it's dry, try to land exactly, 226 00:12:10,000 --> 00:12:12,640 Speaker 1: but also the the you know, there's like a horizon 227 00:12:12,720 --> 00:12:14,679 Speaker 1: gage in a plane. The horizon gage is just a 228 00:12:14,840 --> 00:12:18,720 Speaker 1: key chain tide. So if it's level, your level, if hey, 229 00:12:18,880 --> 00:12:21,319 Speaker 1: I want to look out the window. So that's how 230 00:12:21,360 --> 00:12:23,520 Speaker 1: she learns to fly in this early flying machine. And 231 00:12:23,600 --> 00:12:28,200 Speaker 1: she absolutely like the long flowing scarf and the level completely, 232 00:12:28,880 --> 00:12:31,800 Speaker 1: the leather like like helmet, and then the goggles on top, 233 00:12:32,120 --> 00:12:34,880 Speaker 1: and then the white like flowing scarooy in the back 234 00:12:35,120 --> 00:12:38,200 Speaker 1: and snoopy in woodstock both yes, you know it. I 235 00:12:38,280 --> 00:12:40,920 Speaker 1: was there. So it took her only six hours before 236 00:12:40,960 --> 00:12:43,200 Speaker 1: she could fly solo for the first time. That's like 237 00:12:43,320 --> 00:12:45,520 Speaker 1: unheard of six hours. And she's like, I'm good to go. 238 00:12:47,520 --> 00:12:49,400 Speaker 1: She's like hey, hey, And so she earns her pilot's 239 00:12:49,440 --> 00:12:52,959 Speaker 1: license pretty quickly. She was so early in aviation history 240 00:12:53,080 --> 00:12:57,400 Speaker 1: that Orville Wright signed her pilot's license. No, No, that's 241 00:12:57,440 --> 00:13:00,679 Speaker 1: like a joke, like exactly, like what you're doing the 242 00:13:00,760 --> 00:13:05,199 Speaker 1: dozens like your mom's So she got rrible right on exactly. 243 00:13:05,280 --> 00:13:07,800 Speaker 1: So now she's a pilot, she's got horrible rights in 244 00:13:07,840 --> 00:13:10,320 Speaker 1: premature on her license. She's like, I need a plane. 245 00:13:10,360 --> 00:13:12,280 Speaker 1: So what does she do? Well, she's rich, so she 246 00:13:12,320 --> 00:13:14,480 Speaker 1: goes and buys herself a nice biplane. She buys the 247 00:13:14,559 --> 00:13:17,360 Speaker 1: travel Air speed Wing, which is like a real cutting 248 00:13:17,440 --> 00:13:20,240 Speaker 1: edge plane. Can people walk on the wing? Yeah? They could. Actually, 249 00:13:20,280 --> 00:13:21,960 Speaker 1: it's that type of plane. So this one was owned 250 00:13:21,960 --> 00:13:24,680 Speaker 1: by Howard Hawks, the film director of Screwball Comedies like 251 00:13:24,760 --> 00:13:27,760 Speaker 1: Bringing a Baby. Oh really okay, So it's like a 252 00:13:27,920 --> 00:13:29,520 Speaker 1: you know, it's a well maintained plane, but it's still 253 00:13:29,520 --> 00:13:32,080 Speaker 1: pretty experimental, right, So the first time she flies it, 254 00:13:32,280 --> 00:13:33,960 Speaker 1: she sides, I don't want to fly it across country. 255 00:13:34,000 --> 00:13:36,480 Speaker 1: So she tries flying it. The first time. She has 256 00:13:36,520 --> 00:13:40,199 Speaker 1: to set it down eight times for emergency landings, eight times, 257 00:13:42,360 --> 00:13:45,920 Speaker 1: almost gonna tootle up to a pebble beach exactly. She's like, not, 258 00:13:46,040 --> 00:13:49,360 Speaker 1: I'll make it up bouncing down again. So she's like, 259 00:13:49,400 --> 00:13:51,240 Speaker 1: you know, pretty good at flying. None of this is 260 00:13:51,280 --> 00:13:54,079 Speaker 1: really terribly scary for her. So she starts competing in 261 00:13:54,160 --> 00:13:57,160 Speaker 1: air races, and she starts doing barnstorming exhibitions. At one 262 00:13:57,200 --> 00:13:59,839 Speaker 1: point she has Poncho Barnes's Mystery Circus of the Air. 263 00:14:00,679 --> 00:14:04,000 Speaker 1: Mystery Circus of the Air. That's flying spectacle, that's amazing. 264 00:14:04,120 --> 00:14:07,200 Speaker 1: She also has the her favorite sunt that she would 265 00:14:07,200 --> 00:14:13,640 Speaker 1: pull was called the surprise parachute. She would invite a 266 00:14:13,720 --> 00:14:16,240 Speaker 1: member of the audience to take their first airplane flight. 267 00:14:16,320 --> 00:14:18,240 Speaker 1: And because she's like, you know, she'd remember herself as 268 00:14:18,240 --> 00:14:19,800 Speaker 1: a young girl, she'd usually pick a girl. Said she 269 00:14:19,880 --> 00:14:21,480 Speaker 1: get a girl out on the plane. She strapped the 270 00:14:21,480 --> 00:14:23,680 Speaker 1: girl into a parachute, so she's the kid would be safe. 271 00:14:24,000 --> 00:14:26,000 Speaker 1: She'd take them up in the biplane and once they 272 00:14:26,000 --> 00:14:27,880 Speaker 1: are high enough that everyone can see them and the 273 00:14:28,160 --> 00:14:30,400 Speaker 1: people look tiny from the ground, she would toss the 274 00:14:30,480 --> 00:14:33,320 Speaker 1: child out of the plane. No, without telling the child, 275 00:14:33,360 --> 00:14:35,800 Speaker 1: they're going to be taught out of the plane. Elizabeth, 276 00:14:36,160 --> 00:14:40,720 Speaker 1: wait and the total surprise is injected from the byplane 277 00:14:40,880 --> 00:14:43,960 Speaker 1: rang a parachute. The child plummets back to the air surprise. 278 00:14:44,680 --> 00:14:46,640 Speaker 1: The child doesn't know how to like yank the parachute 279 00:14:46,800 --> 00:14:49,040 Speaker 1: yard right, So they had like a string attached to 280 00:14:49,080 --> 00:14:51,600 Speaker 1: the plane that would pull the rip cord from the plane. 281 00:14:51,720 --> 00:14:53,200 Speaker 1: Oh my god. And it's like if that didn't work, 282 00:14:53,200 --> 00:14:55,120 Speaker 1: I don't know what's gonna happen. It always worked, so 283 00:14:55,440 --> 00:14:57,680 Speaker 1: no kids were hurt, and the kid would parachute to Earth. 284 00:14:57,760 --> 00:15:01,600 Speaker 1: Now I'm not a parent, right, could you imagine someone 285 00:15:03,360 --> 00:15:06,840 Speaker 1: Oh my god, so it was a different time. Yeah, yeah, 286 00:15:07,080 --> 00:15:11,000 Speaker 1: this is like far less lutitious exactly, which is interesting 287 00:15:11,040 --> 00:15:13,840 Speaker 1: because later on her life she sued everybody. Well, yeah, sue, 288 00:15:13,880 --> 00:15:16,120 Speaker 1: sue you exact, but like, how many times was her 289 00:15:16,160 --> 00:15:19,400 Speaker 1: life threatened by an angry father or mother? No reports 290 00:15:19,400 --> 00:15:21,160 Speaker 1: to that that I could find, but I assume that 291 00:15:21,160 --> 00:15:24,640 Speaker 1: that I didn't make the papers. I don't know. Nineteen 292 00:15:24,680 --> 00:15:27,000 Speaker 1: twenty nine, a couple years later, she's doing the powder 293 00:15:27,040 --> 00:15:30,520 Speaker 1: Puff Air Derby. This it's a race specifically for female 294 00:15:30,560 --> 00:15:32,960 Speaker 1: pilots because there's a bunch now female pilots growing because 295 00:15:32,960 --> 00:15:36,440 Speaker 1: Emilie aarhart Is is blowing everyone's mind. Flying is a 296 00:15:36,520 --> 00:15:40,480 Speaker 1: gendered event exactly. So she's coming in for a landing 297 00:15:40,480 --> 00:15:42,520 Speaker 1: at one point and the truck is trying to cross 298 00:15:42,600 --> 00:15:45,560 Speaker 1: the runway ahead of her planning and the driver misjudges 299 00:15:45,600 --> 00:15:48,120 Speaker 1: the distance, doesn't realize how fast she's trying to come in. 300 00:15:48,440 --> 00:15:51,440 Speaker 1: She nails the truck on the runway, totally walks away 301 00:15:51,480 --> 00:15:53,480 Speaker 1: on scathe, just like, yeah, well you know. It can 302 00:15:53,520 --> 00:15:55,680 Speaker 1: reinded me of the film The Great Waldo Pepper, which 303 00:15:55,720 --> 00:15:58,000 Speaker 1: is a Robert Redford film about the flying days, and 304 00:15:58,080 --> 00:15:59,960 Speaker 1: he has a couple of crashes. I just kept picturing 305 00:16:00,040 --> 00:16:02,240 Speaker 1: her doing that. The plane's upside down in the grass. 306 00:16:02,480 --> 00:16:09,920 Speaker 1: She walks away like exactly lucky. So meanwhile, August first, 307 00:16:09,960 --> 00:16:12,960 Speaker 1: nineteen thirty, she's flying in her new travel air type 308 00:16:13,040 --> 00:16:15,920 Speaker 1: our Mystery Ships, the new fastest plane that she can buy. 309 00:16:15,920 --> 00:16:19,240 Speaker 1: Mystery Ship. Yeah right, great name. So Ponto Barnes officially 310 00:16:19,280 --> 00:16:23,160 Speaker 1: becomes the fastest woman alive. Yes. Wow. She shatters Amelia 311 00:16:23,200 --> 00:16:26,320 Speaker 1: Earhart speed record and the record at the time she 312 00:16:26,360 --> 00:16:28,720 Speaker 1: gets his one hundred and ninety six point one nine 313 00:16:28,800 --> 00:16:31,400 Speaker 1: miles an hour. Whoa yeah. So about the same time, 314 00:16:31,440 --> 00:16:34,400 Speaker 1: she becomes friends with aviation Maverick Howard Hughes, friend of 315 00:16:34,400 --> 00:16:38,040 Speaker 1: the show, right, and Hughes was designing aircraft like unlike 316 00:16:38,040 --> 00:16:40,000 Speaker 1: anyone else, but she's doing this in like an air 317 00:16:40,080 --> 00:16:44,200 Speaker 1: GLOPPI well, at this point she's buying nicer and nicer place. No, no, 318 00:16:44,320 --> 00:16:47,120 Speaker 1: nothing like that. These are all like propeller planes were 319 00:16:47,520 --> 00:16:51,360 Speaker 1: nineteen thirty, So you can't even really fly. It's an 320 00:16:51,360 --> 00:16:56,320 Speaker 1: air gloppy with a big ratchette spinning. She and Howard 321 00:16:56,360 --> 00:16:58,480 Speaker 1: Hughes have the same love of speed, so he hires 322 00:16:58,520 --> 00:17:01,680 Speaker 1: her to fly in his movie Be the Hell's Angels. Right, Okay. 323 00:17:01,960 --> 00:17:04,800 Speaker 1: That so she becomes a stunt pilot in Hollywood, and 324 00:17:04,840 --> 00:17:07,600 Speaker 1: then she starts a union for pilots called the Associated 325 00:17:07,640 --> 00:17:10,080 Speaker 1: Motion Picture Pilots, And this is one of the first 326 00:17:10,200 --> 00:17:12,720 Speaker 1: unions in Hollywood. So you can probably now start to 327 00:17:12,720 --> 00:17:16,560 Speaker 1: see why she's a personal heroine, total badass, right, okay, 328 00:17:16,560 --> 00:17:18,160 Speaker 1: So let's take a quick break and then I'll get 329 00:17:18,160 --> 00:17:20,800 Speaker 1: back into how Poncho Barnes got into a fight with 330 00:17:20,840 --> 00:17:45,920 Speaker 1: the US Air Force and became friends with Chuck Yeager. Now, Elizabeth, yes, sar, 331 00:17:46,119 --> 00:17:48,480 Speaker 1: we're back. Oh we are, Yeah, that's us cool. Now. 332 00:17:48,520 --> 00:17:50,600 Speaker 1: You may have noticed when I was talking before that 333 00:17:50,640 --> 00:17:52,960 Speaker 1: we were bouncing around in the early days of aviation. Yes, 334 00:17:53,000 --> 00:17:55,359 Speaker 1: I noticed that. I thought, you once, you're pretty quick, 335 00:17:55,960 --> 00:17:58,520 Speaker 1: and you you've heard some iconic names, Howard Hughes, a 336 00:17:58,560 --> 00:18:02,360 Speaker 1: millionaire heart. So we are kind of sidestepping the fact 337 00:18:02,400 --> 00:18:05,280 Speaker 1: that in nineteen thirty there is another major social trend 338 00:18:05,320 --> 00:18:09,399 Speaker 1: other than aviation shaping lives nineteen thirty. Yeah, the Great Depression. Yeah, 339 00:18:09,480 --> 00:18:11,880 Speaker 1: so yeah, exactly, the Great In nineteen twenty nine stock 340 00:18:11,880 --> 00:18:15,119 Speaker 1: market crash and kicks off the Great Depression. Pancho Barns 341 00:18:15,119 --> 00:18:18,040 Speaker 1: and Heiress, you'd think Oh, she's somewhat buffeted from all 342 00:18:18,080 --> 00:18:20,760 Speaker 1: of the undulations of the stock market. But she isn't 343 00:18:20,800 --> 00:18:22,879 Speaker 1: immune to the Great Depression. Pretty much, no one was 344 00:18:22,960 --> 00:18:25,919 Speaker 1: unless they're super wealthy. So in early nineteen thirties, she 345 00:18:25,920 --> 00:18:28,040 Speaker 1: has to rent out her family estate in San Marino. 346 00:18:28,240 --> 00:18:29,960 Speaker 1: Later on, this is the family home she grew up 347 00:18:30,000 --> 00:18:32,159 Speaker 1: in where she had horses that she ride in Tijuana. Right, 348 00:18:32,200 --> 00:18:35,440 Speaker 1: So the depression drags on. She then has to sell 349 00:18:35,480 --> 00:18:38,719 Speaker 1: the family estate. She leaves her life in Hollywood behind, 350 00:18:38,880 --> 00:18:41,760 Speaker 1: and she leaves all of her hard partying, high flying days, 351 00:18:41,760 --> 00:18:44,480 Speaker 1: and she moves out to the desert. Huh. She buys 352 00:18:44,480 --> 00:18:47,320 Speaker 1: herself a four room ranch house. It's located in a 353 00:18:47,400 --> 00:18:51,960 Speaker 1: super rural area known as the Antelope Valley to Antelope 354 00:18:52,000 --> 00:18:54,080 Speaker 1: Valley Okay, yeah, yeah, high desert if you take the 355 00:18:54,119 --> 00:18:56,840 Speaker 1: five out of La Yeah. Okay, So it's east of 356 00:18:56,960 --> 00:18:59,080 Speaker 1: La it's in the mountains. It's on this high desert plain. 357 00:18:59,160 --> 00:19:01,399 Speaker 1: And she buys this, and surrounding her is this one 358 00:19:01,440 --> 00:19:05,120 Speaker 1: hundred and eighty acre alfalfa farm. And meanwhile her neighbors 359 00:19:05,240 --> 00:19:08,520 Speaker 1: are this place called Muroc Dry Lake. Murroc Dry Lake. 360 00:19:08,520 --> 00:19:10,879 Speaker 1: It's a huge expanse of land unsuitable for farming or 361 00:19:10,880 --> 00:19:13,560 Speaker 1: anything else. It's pretty much just a dry riverbed, all dusty, 362 00:19:13,560 --> 00:19:15,760 Speaker 1: brooke and earth. But it's the home of the young 363 00:19:15,920 --> 00:19:18,200 Speaker 1: Army Air Corps. They use the dry lake to as 364 00:19:18,200 --> 00:19:21,480 Speaker 1: a testing ground for plane pilots. Yeah, the training camp 365 00:19:21,560 --> 00:19:23,840 Speaker 1: would one day grow and spread and become Edwards Air 366 00:19:23,840 --> 00:19:27,359 Speaker 1: Force Base. No way, Okay, it starts back then. Yeah, 367 00:19:27,359 --> 00:19:31,120 Speaker 1: that was putting the map in my head right now, right, 368 00:19:31,520 --> 00:19:34,520 Speaker 1: So Ponto Barn she's sets up shop next to Murroc 369 00:19:34,640 --> 00:19:38,199 Speaker 1: Dry Lake Training Camp. Being a pilot aviation pioneer herself, 370 00:19:38,200 --> 00:19:40,920 Speaker 1: she becomes fast friends with all the pilots and officers. 371 00:19:40,960 --> 00:19:43,000 Speaker 1: Soon enough she's like opened it up her place for 372 00:19:43,080 --> 00:19:45,200 Speaker 1: pilots to come and drink and eat and relax. There's 373 00:19:45,200 --> 00:19:47,200 Speaker 1: not really plenty places to go, and they're all really 374 00:19:47,280 --> 00:19:50,800 Speaker 1: enjoying the wildflowers in the spring, which is Antelope Valley 375 00:19:50,960 --> 00:19:54,840 Speaker 1: super booms. Yes, So the government signs contracts with her 376 00:19:54,880 --> 00:19:56,879 Speaker 1: and they have her supply the Army Air car with 377 00:19:57,119 --> 00:19:59,920 Speaker 1: not only pilots and planes that she recommends and instructor 378 00:20:00,160 --> 00:20:02,320 Speaker 1: that she knows, but also to sell them hog meat 379 00:20:02,359 --> 00:20:04,920 Speaker 1: and milk. So she gets the trash from the base 380 00:20:04,960 --> 00:20:06,639 Speaker 1: she feeds it to the pigs and then sells the 381 00:20:06,640 --> 00:20:08,399 Speaker 1: pigs back to the base. Hey, it's the circle of 382 00:20:08,480 --> 00:20:11,440 Speaker 1: lights exactly. So by the end of the decade the depression, 383 00:20:11,680 --> 00:20:14,200 Speaker 1: it's nineteen thirty nine. Ponto Barnes has created quite a 384 00:20:14,240 --> 00:20:16,400 Speaker 1: spread for herself. She's managed her way through the depression. 385 00:20:16,480 --> 00:20:19,359 Speaker 1: She's now named the place Rancho autroo Verde, which, for 386 00:20:19,359 --> 00:20:22,120 Speaker 1: those who don't speak Spanish means green gold ranch. So 387 00:20:22,240 --> 00:20:25,119 Speaker 1: World War two probably a reference to the poppies and 388 00:20:25,160 --> 00:20:30,000 Speaker 1: the wildfli exactly, and the alfalfa. Well. World War two 389 00:20:30,119 --> 00:20:32,480 Speaker 1: kicks off in nineteen thirty nine. Two years later, the 390 00:20:32,520 --> 00:20:35,800 Speaker 1: US enters the fight after Pearl Harbor. Poncho Barnes's business 391 00:20:35,920 --> 00:20:38,760 Speaker 1: is now a booming as the military ramps up its operations. 392 00:20:39,600 --> 00:20:42,280 Speaker 1: That same year, in nineteen forty one, Ponto Barnes enlarges 393 00:20:42,280 --> 00:20:44,639 Speaker 1: her ranch. So now she adds a swimming pool. She 394 00:20:44,680 --> 00:20:46,920 Speaker 1: adds a fish pond that shaped like the new Air 395 00:20:46,920 --> 00:20:48,920 Speaker 1: Force emblem, because the Air Force is now the US 396 00:20:49,240 --> 00:20:51,760 Speaker 1: the Army Air Force, so they become the Air Force 397 00:20:51,800 --> 00:20:53,840 Speaker 1: on their own. Because she makes it like that laurel 398 00:20:53,880 --> 00:20:55,439 Speaker 1: wreath that they have, She's like, oh, I'll make a 399 00:20:55,480 --> 00:20:58,560 Speaker 1: pool like that. Yes, so she also she creates a 400 00:20:58,640 --> 00:21:02,560 Speaker 1: private hangar plane for fan totally. She's like people who 401 00:21:02,640 --> 00:21:06,760 Speaker 1: love an NFL team and everything in the for the 402 00:21:06,760 --> 00:21:09,679 Speaker 1: pool in the backyard. So she also has a private 403 00:21:09,720 --> 00:21:11,919 Speaker 1: hanger because she's stole pilot, so she has planes being 404 00:21:11,960 --> 00:21:14,560 Speaker 1: able to land. She has two airstrips, and she puts 405 00:21:14,560 --> 00:21:16,800 Speaker 1: in a race track. Oh why not because you wants 406 00:21:16,800 --> 00:21:19,760 Speaker 1: to get Hollywood people who come out speed exact, you 407 00:21:19,800 --> 00:21:22,520 Speaker 1: get it. That's why she's my girl, right the drum 408 00:21:22,560 --> 00:21:24,879 Speaker 1: up business. She starts advertising in the LA paper. She 409 00:21:24,880 --> 00:21:28,560 Speaker 1: claims that she has a quote modern flying dude ranch. Right, 410 00:21:28,680 --> 00:21:30,359 Speaker 1: So it's the perfect place for the famous and the 411 00:21:30,400 --> 00:21:32,400 Speaker 1: wealthy to come and kick up their heels and get 412 00:21:32,400 --> 00:21:34,760 Speaker 1: away from it all. For forty nine dollars a week, 413 00:21:34,800 --> 00:21:36,680 Speaker 1: she'll give you food, board and all the fun you 414 00:21:36,720 --> 00:21:39,720 Speaker 1: can manage. That. That's such like an old Hollywood. This 415 00:21:39,800 --> 00:21:42,679 Speaker 1: is a perfect time. Total. Yeah, I love I Just 416 00:21:42,920 --> 00:21:44,679 Speaker 1: if I could go to a place like this, Oh 417 00:21:44,760 --> 00:21:47,880 Speaker 1: you know how much I would spend exactly? You would 418 00:21:47,920 --> 00:21:50,000 Speaker 1: be holed up in there? Oh my god. Yes. Anyway, 419 00:21:50,080 --> 00:21:52,280 Speaker 1: so the Hollywood crowd begins to wing out to Poncho 420 00:21:52,320 --> 00:21:54,639 Speaker 1: Barnes is modern flying dude ranch. They mix with the 421 00:21:54,680 --> 00:21:57,600 Speaker 1: pilots and the clientele. They all love each other. The 422 00:21:57,680 --> 00:22:00,160 Speaker 1: pilots like the stars, the stars like the pilot. It's 423 00:22:00,160 --> 00:22:02,320 Speaker 1: a fusion of both of her world. So now she 424 00:22:02,359 --> 00:22:05,560 Speaker 1: can talk planes and plane crashes. She can spill gossip 425 00:22:05,560 --> 00:22:09,080 Speaker 1: and talk shop. Both crowds are also hard drinkers, so 426 00:22:09,160 --> 00:22:12,359 Speaker 1: everybody's really enjoying themselves. And she becomes this desert legend 427 00:22:12,359 --> 00:22:14,040 Speaker 1: of like all you gotta go out to Poncho Barnes's 428 00:22:14,119 --> 00:22:16,959 Speaker 1: place the war ends. And so now Poncho renames her 429 00:22:17,000 --> 00:22:21,040 Speaker 1: place Ponchos fly in Like yeah, okay, right, because it's 430 00:22:21,119 --> 00:22:24,320 Speaker 1: super super fly girl. So she upgrades it again. I 431 00:22:24,320 --> 00:22:26,920 Speaker 1: thought you want to know this time. She adds riding stables, 432 00:22:27,200 --> 00:22:29,760 Speaker 1: she adds motel rooms, she adds a rock fountain to 433 00:22:29,800 --> 00:22:32,720 Speaker 1: go with the fish pond. Beautiful. She also expands her airport, 434 00:22:32,760 --> 00:22:36,120 Speaker 1: adds a control tower and for her two airstrips. Yeah, 435 00:22:36,119 --> 00:22:40,080 Speaker 1: and so the thing is is that she loves horses, 436 00:22:40,160 --> 00:22:42,359 Speaker 1: right yack, I told you that. So she wants to 437 00:22:42,400 --> 00:22:44,640 Speaker 1: make it so everybody can ride horses all around the ramp. 438 00:22:44,680 --> 00:22:46,280 Speaker 1: But when they get done riding. They shouldn't have to 439 00:22:46,320 --> 00:22:48,840 Speaker 1: go back to the paddock, and like in the stables, 440 00:22:48,840 --> 00:22:50,840 Speaker 1: She's like, why didn't you just ride right into the pool. 441 00:22:50,920 --> 00:22:52,960 Speaker 1: So she creates a ramp so you can ride a 442 00:22:53,000 --> 00:22:57,840 Speaker 1: horse ride into the giant pool. What yes? Wait? Was 443 00:22:57,920 --> 00:23:01,760 Speaker 1: she in reference in that movie The Right Stuff? Yes? Okay, 444 00:23:01,920 --> 00:23:05,800 Speaker 1: totally is the bar where they all go okay, yeah, 445 00:23:05,840 --> 00:23:08,439 Speaker 1: yeah yeah. So nineteen forty seven, the Ranch earns a 446 00:23:08,520 --> 00:23:10,760 Speaker 1: new nickname. A friend of Poncho Barnes is out there. 447 00:23:10,760 --> 00:23:12,800 Speaker 1: He's at the ranch taking a horseback ride because she 448 00:23:12,840 --> 00:23:15,000 Speaker 1: loves doing that, in racing across the desert all fast. 449 00:23:15,160 --> 00:23:17,000 Speaker 1: When they get back out from the trail, he tells 450 00:23:17,040 --> 00:23:18,920 Speaker 1: Poncho He's like, man, I love being back in the 451 00:23:18,960 --> 00:23:24,240 Speaker 1: saddle again. It quote gave me a happy bottom. After 452 00:23:24,280 --> 00:23:27,360 Speaker 1: a little teasing of her friends, the name sticks. Pablo 453 00:23:27,440 --> 00:23:30,320 Speaker 1: renames her ranch the Happy Bottom Riding Club. Did you 454 00:23:30,359 --> 00:23:33,960 Speaker 1: feel happy in your bottom? Exactly? How happy is your bottom? 455 00:23:34,560 --> 00:23:36,760 Speaker 1: So it made me feel so happy at the same 456 00:23:36,800 --> 00:23:40,800 Speaker 1: time the bottom, my bottom is grinning the same time 457 00:23:40,800 --> 00:23:43,159 Speaker 1: the test pilots stationed out amrock Dry Lake. But I 458 00:23:43,320 --> 00:23:52,800 Speaker 1: was sad in my chest? Are you going? I'm just 459 00:23:53,080 --> 00:23:54,760 Speaker 1: I'm just I'm just working out. You got like a 460 00:23:54,800 --> 00:23:59,320 Speaker 1: mournful elbow. So the pilots of Rock Dry Lake, we're 461 00:23:59,359 --> 00:24:02,480 Speaker 1: nineteen forties. Even a big thing happens in nineteen forty seven. 462 00:24:02,480 --> 00:24:04,720 Speaker 1: That's not the Roswell air crash, but another big thing 463 00:24:04,760 --> 00:24:06,879 Speaker 1: in the air. Do you know what it is? Uh no, 464 00:24:07,160 --> 00:24:09,760 Speaker 1: break the sound barrier? Oh right, this is the right 465 00:24:09,800 --> 00:24:13,560 Speaker 1: different exactly that you were talking about earlier. So this 466 00:24:13,640 --> 00:24:16,560 Speaker 1: is super movie. I'm pretending I saw it. I just 467 00:24:16,680 --> 00:24:19,640 Speaker 1: you know me. Yeah, it's fuzzy. Yeah, you're younger, pilots, 468 00:24:19,640 --> 00:24:23,040 Speaker 1: you're young. It was a different time. So the problem 469 00:24:23,080 --> 00:24:26,119 Speaker 1: of the speed barrier is, you like, the pilots just 470 00:24:26,160 --> 00:24:28,600 Speaker 1: couldn't manage to get up to it and break problem. 471 00:24:29,960 --> 00:24:32,520 Speaker 1: So it becomes this impenetrable wall in the air. Right, 472 00:24:32,600 --> 00:24:34,200 Speaker 1: So the pilots are all trying to do it. They're 473 00:24:34,200 --> 00:24:35,399 Speaker 1: trying to figure out how to do it. They've got 474 00:24:35,480 --> 00:24:37,840 Speaker 1: jets now, so that's the key that Obviously peller won't 475 00:24:37,840 --> 00:24:39,960 Speaker 1: get them fast enough that the jets will, but they 476 00:24:39,960 --> 00:24:42,480 Speaker 1: still can't get up to Mock one. They're trying and trying. 477 00:24:42,520 --> 00:24:45,000 Speaker 1: They don't know how to do it. So she she 478 00:24:45,160 --> 00:24:47,080 Speaker 1: makes a bet. Pancho Barnes says, I'll give a free 479 00:24:47,119 --> 00:24:49,760 Speaker 1: steak dinner to whichever one of you flyboys manages to 480 00:24:49,800 --> 00:24:52,960 Speaker 1: break the speed of sound barrier. Right, So they all 481 00:24:53,000 --> 00:24:55,240 Speaker 1: these young test pilots and future as They're like, oh, 482 00:24:55,240 --> 00:24:58,359 Speaker 1: there's a steak dinner on the line. Okay, now, now 483 00:24:58,400 --> 00:25:00,240 Speaker 1: I'm really going to put my back and so yeah 484 00:25:00,240 --> 00:25:03,720 Speaker 1: they do. And there's one young pilot who is a 485 00:25:03,760 --> 00:25:06,200 Speaker 1: favorite of hers. And this dude his name is Chuck Yeager. 486 00:25:06,720 --> 00:25:08,480 Speaker 1: So he was a hero of mine as a boy, 487 00:25:08,640 --> 00:25:11,479 Speaker 1: fastest man alive, the first person to break the sound barrier. 488 00:25:11,840 --> 00:25:13,680 Speaker 1: I was a little sad to find out later on 489 00:25:13,720 --> 00:25:16,320 Speaker 1: that he specifically worked to make sure that there were 490 00:25:16,320 --> 00:25:19,520 Speaker 1: no black pilots at at the morocc Try training camp. 491 00:25:19,680 --> 00:25:21,840 Speaker 1: There was one, and he made him leave, like yeah, 492 00:25:21,880 --> 00:25:23,800 Speaker 1: So I was like, oh, Chuck, I used to love 493 00:25:23,840 --> 00:25:27,359 Speaker 1: you anyway. So whatever racism in the military in nineteen forties, 494 00:25:27,400 --> 00:25:29,360 Speaker 1: no great surprise. Yeah, And he's like a good old 495 00:25:29,359 --> 00:25:31,720 Speaker 1: boy anyway. So Pacho Barnes has her standing off for 496 00:25:32,080 --> 00:25:34,280 Speaker 1: Chuck Yeager. He goes, I'm getting that free steak dinner. 497 00:25:34,640 --> 00:25:36,879 Speaker 1: Everyone knows that Chuck Yeager is most likely going to 498 00:25:36,960 --> 00:25:39,000 Speaker 1: break it. But they don't know is that He and 499 00:25:39,080 --> 00:25:41,160 Speaker 1: Pacho Barnes to go out the night before. The riding 500 00:25:41,240 --> 00:25:42,719 Speaker 1: horse is all fast in the desert because I love 501 00:25:42,760 --> 00:25:45,200 Speaker 1: to go fast. He falls off the horse, breaks his ribs. 502 00:25:45,240 --> 00:25:49,840 Speaker 1: The next days power the next day he has to 503 00:25:49,880 --> 00:25:52,480 Speaker 1: go up and fly with broken ribs. Doesn't want anybody 504 00:25:52,480 --> 00:25:54,520 Speaker 1: to know he does it. He goes up and he 505 00:25:54,560 --> 00:25:57,720 Speaker 1: breaks the speed of sound with broken ribs. That night 506 00:25:57,760 --> 00:26:00,159 Speaker 1: he goes back to the Happy Bottom Riding Club. They 507 00:26:00,160 --> 00:26:03,399 Speaker 1: have an epic party and so begins a tradition that 508 00:26:03,520 --> 00:26:05,960 Speaker 1: every time a speed record follows steak dinner at the 509 00:26:06,040 --> 00:26:09,480 Speaker 1: Happy Bottom. Okay, so she's digging this because it's all 510 00:26:09,480 --> 00:26:12,439 Speaker 1: like her early days in the aviation and everything's about speed, 511 00:26:12,480 --> 00:26:15,160 Speaker 1: you know. She she brokes a million air hearts speed record. 512 00:26:15,200 --> 00:26:18,200 Speaker 1: They all know that. So everybody's just fast, fast, faster, 513 00:26:18,280 --> 00:26:21,120 Speaker 1: and they're just so happy. In nineteen forty seven, the war, 514 00:26:21,359 --> 00:26:23,480 Speaker 1: they've they've won the war. Now they're about to be 515 00:26:23,520 --> 00:26:25,760 Speaker 1: able to go into space. And they know this because 516 00:26:25,760 --> 00:26:27,960 Speaker 1: these are they also the young astronauts. She pointed out 517 00:26:27,960 --> 00:26:30,920 Speaker 1: with right stuff. So Pancho Barnes then it's like gets 518 00:26:30,920 --> 00:26:33,439 Speaker 1: bored with speed being the new prize. So she's like, 519 00:26:33,480 --> 00:26:35,439 Speaker 1: you know, no more steak dinners. I'm gonna come up 520 00:26:35,440 --> 00:26:37,640 Speaker 1: with something else. So she comes up with the Booby Prize. 521 00:26:38,000 --> 00:26:42,120 Speaker 1: So the Booby Prize is a pilot gets to walk 522 00:26:42,160 --> 00:26:45,320 Speaker 1: across a sheet of rubber falsies, like a whole sheet 523 00:26:45,400 --> 00:26:50,040 Speaker 1: like fake breasts. Yeah, so it's like I guess, so 524 00:26:50,160 --> 00:26:52,960 Speaker 1: I don't know. She knows somebody in Los Angeles is like, 525 00:26:53,040 --> 00:26:55,680 Speaker 1: I got plenty of fake chesticles for you, and they're 526 00:26:55,680 --> 00:26:57,560 Speaker 1: just and they walk on them. They walk on them 527 00:26:57,600 --> 00:27:01,720 Speaker 1: like a like hot coals, and the embarrassed and I 528 00:27:01,720 --> 00:27:06,360 Speaker 1: don't know, it's so happy and like I'm so masculing, 529 00:27:06,400 --> 00:27:09,240 Speaker 1: and the boobies are touching like weird. Wait I gotta okay, 530 00:27:09,240 --> 00:27:12,000 Speaker 1: so wait when the sheets like how many? Why do 531 00:27:12,040 --> 00:27:14,840 Speaker 1: you think it is? Like it does briefly so I 532 00:27:14,880 --> 00:27:18,920 Speaker 1: don't know how many. I have no idea. And these 533 00:27:18,920 --> 00:27:23,320 Speaker 1: were like plastics. These are rubber breasts that you would 534 00:27:23,320 --> 00:27:26,480 Speaker 1: put in like as either replacement or like as for 535 00:27:26,680 --> 00:27:28,399 Speaker 1: cup girth, you know, if you want to build up 536 00:27:28,400 --> 00:27:31,040 Speaker 1: the cup of the falsees. Okay, So that's what it is. 537 00:27:31,080 --> 00:27:33,439 Speaker 1: It was just like a whole little that's what it is. 538 00:27:33,480 --> 00:27:36,080 Speaker 1: That's what it is, Elizabeth. It's just false. What can 539 00:27:36,119 --> 00:27:38,600 Speaker 1: I tell you? And this and this was the what'd 540 00:27:38,600 --> 00:27:41,240 Speaker 1: you say? This was the second prize. Ye, this is 541 00:27:41,280 --> 00:27:43,520 Speaker 1: the booby prize. So if you don't get a steak dinner, 542 00:27:43,520 --> 00:27:45,320 Speaker 1: then you got to walk on talk on the boobies 543 00:27:45,520 --> 00:27:49,879 Speaker 1: on the booby and everyone goes, he all right, all right. 544 00:27:49,920 --> 00:27:53,240 Speaker 1: So anyway, the Happy Bottom is now officially a pilot's hangout. 545 00:27:53,320 --> 00:27:57,120 Speaker 1: It's just super masculine. Their whining the walls, we want 546 00:27:57,119 --> 00:27:59,760 Speaker 1: to step on boots. Okay, well, I see where you're 547 00:28:00,160 --> 00:28:03,920 Speaker 1: respect go. So they have their decals everywhere. Their propellers 548 00:28:03,920 --> 00:28:07,120 Speaker 1: are decorations. You can kind of imagine it. And there's 549 00:28:07,160 --> 00:28:11,000 Speaker 1: also a strong female presence on the floor. And it's 550 00:28:11,080 --> 00:28:14,200 Speaker 1: dude to Poncho Barnes because she hires out. She goes, 551 00:28:14,200 --> 00:28:16,400 Speaker 1: she's a tomboy. She's like, we need some women in here, right, 552 00:28:16,520 --> 00:28:19,000 Speaker 1: So she hires hostesses to take care of the clientele. 553 00:28:19,200 --> 00:28:22,119 Speaker 1: These hostesses would wait tables, they'd serve drinks, they'd entertain 554 00:28:22,280 --> 00:28:25,000 Speaker 1: all the pilots and the other Hollywood clientele. She also 555 00:28:25,000 --> 00:28:27,240 Speaker 1: had a legal liquor flown in to keep the party going. 556 00:28:27,400 --> 00:28:29,680 Speaker 1: So She was like having a liquor flown in from Mexico. 557 00:28:30,240 --> 00:28:33,320 Speaker 1: And I was all well enjoyed and much like the hostesses, 558 00:28:33,440 --> 00:28:35,600 Speaker 1: and but Poncho assisted. It was all on the up 559 00:28:35,600 --> 00:28:37,840 Speaker 1: and up. And I swear she once said, and I quote, 560 00:28:37,840 --> 00:28:40,360 Speaker 1: we're not responsible for the bustling and the hustling that 561 00:28:40,400 --> 00:28:43,360 Speaker 1: may go on here. Lots of people bustle and some hustle, 562 00:28:43,720 --> 00:28:45,800 Speaker 1: but that's their business and a very old one. Did 563 00:28:45,840 --> 00:28:54,040 Speaker 1: the hostesses have to wear outfits like sexy penguins. Sexy penguins, 564 00:28:54,080 --> 00:28:57,560 Speaker 1: sexy pelicans? Where are you coming up? It was seaking 565 00:28:57,640 --> 00:29:01,000 Speaker 1: like birds because in the air sick. See pelicans are 566 00:29:01,040 --> 00:29:07,640 Speaker 1: sexy to you, like big gold sexy seagulls. Sey seas 567 00:29:07,840 --> 00:29:12,320 Speaker 1: to talk about sexy after this, right, I don't want 568 00:29:12,360 --> 00:29:15,160 Speaker 1: to talk about Ponto. Barnes again expands the resort. Things 569 00:29:15,160 --> 00:29:20,440 Speaker 1: are going well. The Booby prizes success. A booby is 570 00:29:20,560 --> 00:29:23,440 Speaker 1: the blue footed booby, So there you go, sexy boobies. 571 00:29:23,960 --> 00:29:26,360 Speaker 1: She regularly hires bands and artists from LA to come 572 00:29:26,400 --> 00:29:29,880 Speaker 1: out and play a ranches exactly just like guns and 573 00:29:31,000 --> 00:29:36,720 Speaker 1: LA guns and with guns as. She also built a 574 00:29:36,760 --> 00:29:39,800 Speaker 1: stadium for a rodeo, a stadium yes, like not. And 575 00:29:39,840 --> 00:29:41,800 Speaker 1: this isn't something like fly by Night affair. This was 576 00:29:42,040 --> 00:29:44,480 Speaker 1: like with three quarter Mexican bulls. I'm talking like a 577 00:29:44,600 --> 00:29:50,120 Speaker 1: real rodeo, real stadium, officially sanctioned rodeo on the circuit. Wow, yeah, exactly. No. 578 00:29:50,640 --> 00:29:53,160 Speaker 1: I should also tell you Elizabeth much like you. She 579 00:29:53,400 --> 00:29:58,680 Speaker 1: was a singer of popular standards. Yes, just much like 580 00:29:59,520 --> 00:30:03,240 Speaker 1: get me. She wrote a number of songs, she recorded 581 00:30:03,280 --> 00:30:05,720 Speaker 1: a few. She had a hit song called buy Your Side, 582 00:30:05,720 --> 00:30:07,640 Speaker 1: which was about her love of the Air Force and 583 00:30:07,920 --> 00:30:11,000 Speaker 1: the relationships she wrote. A love song to the Air 584 00:30:11,040 --> 00:30:17,560 Speaker 1: Force was about their next door relationship. Exactly. It sold 585 00:30:17,640 --> 00:30:21,640 Speaker 1: a million digits. Yes, your units. She shifted a million 586 00:30:21,840 --> 00:30:25,400 Speaker 1: fingers digits, big buckets. People are like, I'll give you 587 00:30:25,440 --> 00:30:28,200 Speaker 1: fifteen fingers for this forty pime how much for the boobies? 588 00:30:29,360 --> 00:30:32,959 Speaker 1: So okay, buy your Side? Yes, by your Side. I'm 589 00:30:32,960 --> 00:30:34,880 Speaker 1: gonna have to look that up. Yeah, it's a banger. 590 00:30:34,960 --> 00:30:37,240 Speaker 1: I learn it. You could probably do it at weddings, 591 00:30:37,240 --> 00:30:42,080 Speaker 1: probably generals, retirement parties. Probably so around the same time. 592 00:30:43,040 --> 00:30:45,440 Speaker 1: I just show up and I am dressed as a 593 00:30:45,480 --> 00:30:48,880 Speaker 1: sexy Pelican, and then I lay down my floormat of 594 00:30:49,640 --> 00:30:53,120 Speaker 1: prosthetics and then I go and a one and a 595 00:30:53,200 --> 00:30:59,240 Speaker 1: two runs for the door, performing next at slots. You 596 00:30:59,280 --> 00:31:02,200 Speaker 1: got to perform at Ponto Barnes's wedding. I probably should 597 00:31:02,240 --> 00:31:04,440 Speaker 1: have did I I don't remember a whole lot. Well, 598 00:31:04,440 --> 00:31:08,200 Speaker 1: i'll read it to you. It sounds familiar. Year nineteen 599 00:31:08,240 --> 00:31:11,240 Speaker 1: fifty two. Her it's her fourth wedding. None have lasted 600 00:31:11,320 --> 00:31:13,760 Speaker 1: very long, and this time she falls for a younger man, 601 00:31:13,920 --> 00:31:16,240 Speaker 1: some one who she hopes can keep up with her. 602 00:31:16,560 --> 00:31:19,120 Speaker 1: So her husband. His name is Mac McKendry. He was 603 00:31:19,160 --> 00:31:23,239 Speaker 1: thirty two. Thirty two, Yeah, fifty two. Good for her? 604 00:31:23,360 --> 00:31:25,760 Speaker 1: Yeah right. So she gets yourself from young meat and 605 00:31:25,800 --> 00:31:28,600 Speaker 1: then says, let's get married, Chuck yeager, you're going to 606 00:31:28,680 --> 00:31:31,320 Speaker 1: be there. He's like, you bet you. So he stands 607 00:31:31,320 --> 00:31:34,080 Speaker 1: as her wedding attendant, the commanding Officer of Edwards Air 608 00:31:34,120 --> 00:31:37,040 Speaker 1: Force based General Boyd. He gives her away six hundred 609 00:31:37,040 --> 00:31:40,520 Speaker 1: and fifty guests chair on Ponto Barns fifty. It's a 610 00:31:40,560 --> 00:31:44,240 Speaker 1: super short ceremony. It's a Native American Blackfoot ceremony. She 611 00:31:44,360 --> 00:31:46,600 Speaker 1: after the ceremony, she changes out of her wedding dress 612 00:31:46,600 --> 00:31:48,760 Speaker 1: and puts on a quote a pair of jodpurs a 613 00:31:48,840 --> 00:31:52,400 Speaker 1: blouse and white cowboy boots. Oh, just a sensible bout. 614 00:31:53,680 --> 00:31:56,040 Speaker 1: The happy couples serve their wedding guests and I quote, 615 00:31:56,160 --> 00:32:00,360 Speaker 1: four whole roasted pigs, eighty eighty pounds of potatoes salad, 616 00:32:00,560 --> 00:32:04,280 Speaker 1: sixteen gallons of jello, and a fifty pound wedding cake. 617 00:32:04,480 --> 00:32:09,480 Speaker 1: So wait, pork potato salad and a fifty poundell. Well, 618 00:32:09,480 --> 00:32:11,520 Speaker 1: there's a lot of people, but dang, like you show 619 00:32:11,600 --> 00:32:14,040 Speaker 1: up and they're like, just so, Jello has been sitting 620 00:32:14,080 --> 00:32:18,560 Speaker 1: out in the sun and Jello. Wow. Well, things are 621 00:32:18,560 --> 00:32:21,680 Speaker 1: going well in fifty two. Everyone is happy. The music 622 00:32:21,800 --> 00:32:23,959 Speaker 1: was a bouncing or hits were going The illegal Mexican 623 00:32:24,000 --> 00:32:27,760 Speaker 1: liquors are flowing, the pilots in clientele. Everyone's enjoying themselves, hostesses, 624 00:32:27,760 --> 00:32:31,000 Speaker 1: they're having fun. The booby prizes are being given out right. 625 00:32:31,320 --> 00:32:33,440 Speaker 1: But it should be no surprise to you nor I 626 00:32:33,640 --> 00:32:36,280 Speaker 1: that the decency police decided to step in and break 627 00:32:36,360 --> 00:32:38,680 Speaker 1: up all the good times. The issue got there in 628 00:32:38,720 --> 00:32:40,880 Speaker 1: the desert. Yeah, the issue wasn't the fight. It wasn't 629 00:32:40,880 --> 00:32:43,840 Speaker 1: like a fight between drunken officers. It wasn't drunk pilots 630 00:32:43,920 --> 00:32:46,520 Speaker 1: driving back to the base streaking across the desert in 631 00:32:46,560 --> 00:32:49,680 Speaker 1: their mid century steel sleds. Nope, that's not the issue. 632 00:32:49,920 --> 00:32:52,600 Speaker 1: Wasn't the illegal Mexican liquor being flown over the border. 633 00:32:53,200 --> 00:32:56,720 Speaker 1: The issue was the young women, the hostesses. Oh, the 634 00:32:56,800 --> 00:32:59,600 Speaker 1: sexy Pelican. Yeah, they ain't hurt nobody, but they were 635 00:32:59,600 --> 00:33:02,080 Speaker 1: the problem them. So the young women Ponto Barnes had 636 00:33:02,120 --> 00:33:05,120 Speaker 1: hired to play hostesses. They were mostly beautiful, vivacious people, 637 00:33:05,160 --> 00:33:06,920 Speaker 1: the kind of women who would like to hang out 638 00:33:06,920 --> 00:33:10,440 Speaker 1: with hard drinking, hard charging pilots, Hollywood types selected Crows 639 00:33:10,760 --> 00:33:12,840 Speaker 1: and Ponto Barnes. She ran a tight ship. She had 640 00:33:12,840 --> 00:33:15,560 Speaker 1: house rules for her the women. They were instructed to quote, 641 00:33:15,640 --> 00:33:17,880 Speaker 1: never be vulgar, never to drink too much. In fact, 642 00:33:18,120 --> 00:33:20,600 Speaker 1: the full set of house rules was this, never spend 643 00:33:20,640 --> 00:33:23,719 Speaker 1: an undue length of time with any one guest, circulate, 644 00:33:24,400 --> 00:33:26,720 Speaker 1: be charming and pleasant to all guests. Don't just go 645 00:33:26,800 --> 00:33:29,720 Speaker 1: for the guy with the wavy hair. Don't be vulgar 646 00:33:29,760 --> 00:33:32,240 Speaker 1: at any time. Don't sit on guest laps in public. 647 00:33:32,560 --> 00:33:36,720 Speaker 1: Don't go automobile riding or flying without permission. Never are 648 00:33:36,720 --> 00:33:39,280 Speaker 1: you allowed to accept money and remuneration For the more 649 00:33:39,320 --> 00:33:42,640 Speaker 1: intimate aspects of romance. Oh yes. So one of the 650 00:33:42,720 --> 00:33:45,840 Speaker 1: hostess was a woman named Dallas Morley. She eventually became 651 00:33:45,880 --> 00:33:48,720 Speaker 1: the head hostess. She cooked and bartended, and she could 652 00:33:48,720 --> 00:33:53,640 Speaker 1: also play a mean hockey talk piano. Nice sound, now, 653 00:33:53,720 --> 00:33:56,200 Speaker 1: Dallas Morley one set of Ponto Barnes quote. I got 654 00:33:56,240 --> 00:33:58,720 Speaker 1: along with Poncho because when she'd cuss me out, I'd 655 00:33:58,720 --> 00:34:01,280 Speaker 1: just cuss her right back and she'd laugh. But she 656 00:34:01,360 --> 00:34:04,560 Speaker 1: had most of the girls scared to death. Yeah, see 657 00:34:04,760 --> 00:34:06,680 Speaker 1: the idea. Like I said, most of these women, they 658 00:34:06,680 --> 00:34:09,080 Speaker 1: were vivacious women. Some were like Dallas morally, they had 659 00:34:09,120 --> 00:34:12,280 Speaker 1: strong independence streaks. Many of them were somewhat sexually liberated, 660 00:34:12,320 --> 00:34:14,799 Speaker 1: more sexually liberated than their times. They were sort of 661 00:34:14,800 --> 00:34:17,279 Speaker 1: women like to sunbathe the naked, swim nude in the 662 00:34:17,280 --> 00:34:19,680 Speaker 1: hotel pool when no guests were around. And in the 663 00:34:19,760 --> 00:34:23,320 Speaker 1: nineteen fifties this got lips a wagon right, so rumors 664 00:34:23,320 --> 00:34:25,600 Speaker 1: were swirling. They took on a life for their own. 665 00:34:25,640 --> 00:34:27,560 Speaker 1: Soon there was talk that the sex that they were 666 00:34:27,600 --> 00:34:30,520 Speaker 1: sex workers, and that Poncho Barnes was the madam of 667 00:34:30,560 --> 00:34:33,799 Speaker 1: this flyboy cat house team. Things a bit private. She 668 00:34:33,840 --> 00:34:36,560 Speaker 1: had restricted access. She had made it a members only club. 669 00:34:36,680 --> 00:34:40,120 Speaker 1: She said no enlisted men could go. Only officers. She 670 00:34:40,120 --> 00:34:43,520 Speaker 1: had nine thousand person membership who had to personally know 671 00:34:43,640 --> 00:34:46,880 Speaker 1: her and she had to vouch for Wow. Yeah. And 672 00:34:46,880 --> 00:34:49,720 Speaker 1: as for the rumors about it being a casual sex resort, 673 00:34:50,480 --> 00:34:54,560 Speaker 1: my morally rigid yet albeit wildly racist Chuck Yeager said, 674 00:34:55,040 --> 00:34:58,080 Speaker 1: Poncho's wasn't a cat house, but it wasn't a church either, 675 00:34:58,560 --> 00:35:01,400 Speaker 1: So that gives you a little idea. Despite having the 676 00:35:01,440 --> 00:35:04,960 Speaker 1: reendorsement of respected aviation hero Chuck Yeager and the tacit 677 00:35:05,000 --> 00:35:08,799 Speaker 1: approval of the top brass at the rock Dry Lake 678 00:35:08,880 --> 00:35:12,000 Speaker 1: Camp now Edwards Air Force Base, the good times had 679 00:35:12,040 --> 00:35:13,840 Speaker 1: to come to an end because that's just what happens 680 00:35:13,880 --> 00:35:16,600 Speaker 1: to a a good time. So why as I told you 681 00:35:16,840 --> 00:35:21,640 Speaker 1: the aforementioned decency police decency. Yeah, so after the short break, Elizabeth, 682 00:35:21,680 --> 00:35:24,200 Speaker 1: I will tell you how Poncho Barnes went to war 683 00:35:24,320 --> 00:35:48,319 Speaker 1: against the US Air Force and their decency pleasing. All right, 684 00:35:48,360 --> 00:35:51,200 Speaker 1: so where are were? We just listen to some really 685 00:35:51,200 --> 00:35:54,200 Speaker 1: great ads. Yes they were so good. Huh oh right, No, 686 00:35:54,560 --> 00:35:58,000 Speaker 1: Antelope Valley, California, there's that too. Yeah, yeah, yeah, super Blooms. Yes, 687 00:35:58,200 --> 00:36:01,920 Speaker 1: we're talking about Poncho Barnes. Yes, Okay, so the trouble 688 00:36:01,960 --> 00:36:05,080 Speaker 1: starts for my girl when the whispered rumors about her 689 00:36:05,080 --> 00:36:09,399 Speaker 1: hostesses at the Happy Bottom Riding Club turn into an 690 00:36:09,440 --> 00:36:12,920 Speaker 1: issue for the young and reputation obsessed air Force. We 691 00:36:12,920 --> 00:36:15,160 Speaker 1: can't have our fly boys doing this right now. Some 692 00:36:15,360 --> 00:36:17,280 Speaker 1: say it was just an excuse to get the land 693 00:36:17,400 --> 00:36:20,600 Speaker 1: that was underneath Poncho Barnes's resort and private air That 694 00:36:20,640 --> 00:36:23,240 Speaker 1: makes sense, right. So there was his cat, General Boyd. 695 00:36:23,960 --> 00:36:25,640 Speaker 1: He was the head pauncho of the base. He was 696 00:36:25,640 --> 00:36:28,280 Speaker 1: the one who gave Poncho Barnes away at her wedding. Okay, 697 00:36:28,480 --> 00:36:31,200 Speaker 1: totally tight with her. They would hug and embrace and everything. Right, 698 00:36:31,840 --> 00:36:34,920 Speaker 1: he gets replaced by Johnny good Boy. This this the 699 00:36:35,160 --> 00:36:41,680 Speaker 1: General General J. Stanley. It was so excited, was like, 700 00:36:41,680 --> 00:36:43,840 Speaker 1: that's perfect. That's a perfect name for who he is. 701 00:36:44,520 --> 00:36:46,480 Speaker 1: A tall drink of water and his name is Johnny 702 00:36:46,480 --> 00:36:49,799 Speaker 1: good Boy. Hey, General Johnny good Boy here. So General J. 703 00:36:50,000 --> 00:36:53,759 Speaker 1: Stanley Holtner, that's no fun Yeah, well exactly. He is 704 00:36:53,800 --> 00:36:56,160 Speaker 1: not a fun guy. He is what we in the 705 00:36:56,200 --> 00:36:59,560 Speaker 1: good times industry call a kill joy. So when he 706 00:36:59,560 --> 00:37:01,799 Speaker 1: heard about this bar where hostess has had fun with 707 00:37:01,840 --> 00:37:04,160 Speaker 1: his test pilots, he decided someone needs to put a 708 00:37:04,200 --> 00:37:08,040 Speaker 1: stop to this, and that's someone is J Stanley hole Toner. Well, 709 00:37:08,040 --> 00:37:11,279 Speaker 1: it doesn't seem like it was negatively impacting their performance, No, 710 00:37:11,320 --> 00:37:13,400 Speaker 1: not at all. Nothing. It was, if anything, good for 711 00:37:13,440 --> 00:37:17,440 Speaker 1: their performance. She's incentivizing their success with steak Dinners exactly 712 00:37:17,440 --> 00:37:20,440 Speaker 1: and Booby Price. And they're they're they're flying like they're stress. 713 00:37:20,480 --> 00:37:21,960 Speaker 1: They need to place to unwind the Blacks to be 714 00:37:21,960 --> 00:37:24,719 Speaker 1: able to be themselves. Let them be. But he's like, 715 00:37:24,760 --> 00:37:28,200 Speaker 1: no fun on my watch, no carousing, no sexy pool time, 716 00:37:28,640 --> 00:37:31,600 Speaker 1: none of it. So and since he's military General hole 717 00:37:32,120 --> 00:37:35,000 Speaker 1: hole Toner, he can't come down on Pacho Barnes because 718 00:37:35,040 --> 00:37:37,160 Speaker 1: she's a private industry, right, So he's got to figure 719 00:37:37,160 --> 00:37:39,560 Speaker 1: out an angle. So he waits. There's a fight at 720 00:37:39,600 --> 00:37:42,759 Speaker 1: the bar. So he's like, oh, my pilots, this is 721 00:37:42,880 --> 00:37:45,160 Speaker 1: enough for him to step in. He goes, no, pilots, 722 00:37:45,239 --> 00:37:48,399 Speaker 1: no military personnel can go to the Happy Bottom Riding Club. 723 00:37:48,480 --> 00:37:51,160 Speaker 1: It is off limits for all base personnel. Huh, that's 724 00:37:51,200 --> 00:37:53,719 Speaker 1: pretty much gonna be the death sir, Yes, sir, yeah right, 725 00:37:53,760 --> 00:37:56,360 Speaker 1: But this isn't enough for Captain Kildre. He's like, you 726 00:37:56,400 --> 00:37:59,480 Speaker 1: know what I should also call the FBI. So what 727 00:37:59,560 --> 00:38:02,200 Speaker 1: do you call the FBI? Elizabeth? Oh? Is that who's 728 00:38:02,200 --> 00:38:05,200 Speaker 1: in charge of that? Good? Right? So he calls f 729 00:38:05,400 --> 00:38:07,719 Speaker 1: JAG and he's like, yoh, but not literally, but he 730 00:38:07,760 --> 00:38:11,880 Speaker 1: sends like a like he sends like memos and letters. 731 00:38:12,000 --> 00:38:14,919 Speaker 1: Jaygger gets this. He's like, what the Happy Bottom Riding Club? 732 00:38:15,000 --> 00:38:18,239 Speaker 1: Why don't I know about this? Exactly? So he's all, like, 733 00:38:18,280 --> 00:38:20,560 Speaker 1: I got to hear about these sealastious rumors. I love 734 00:38:20,600 --> 00:38:23,680 Speaker 1: selacious rumors to try and get a job as a hostess. 735 00:38:24,040 --> 00:38:26,720 Speaker 1: He Inclinde. There was a memo sad from future Chief 736 00:38:26,800 --> 00:38:30,840 Speaker 1: Justice of the Supreme Court Warren Jay Burger to Jayagger Hoover. 737 00:38:31,560 --> 00:38:34,040 Speaker 1: At the time, Burger was the Assistant Attorney General. In 738 00:38:34,120 --> 00:38:36,759 Speaker 1: his nineteen fifty three memo to Hoover, Burger writes that 739 00:38:36,840 --> 00:38:40,120 Speaker 1: the US Attorney General's Office will initiate a deep and 740 00:38:40,239 --> 00:38:42,880 Speaker 1: wide investigation to answer the question of how happy the 741 00:38:42,920 --> 00:38:45,640 Speaker 1: Happy Bottom Riding Club is? Just how happy? And he 742 00:38:45,719 --> 00:38:48,560 Speaker 1: quotes wants to know if miss Barnes was operating a 743 00:38:48,600 --> 00:38:52,000 Speaker 1: disorderly house. So Jagger's like, yeah, get on it and 744 00:38:52,000 --> 00:38:56,839 Speaker 1: give me all the details. So the picture the investigation 745 00:38:56,880 --> 00:38:59,880 Speaker 1: of Pacho Barnes kicks off and now, Elizabeth, I know 746 00:39:00,080 --> 00:39:03,799 Speaker 1: you can imagine what this all leads to. It. Just 747 00:39:03,880 --> 00:39:06,319 Speaker 1: for kicks, I'd like you to close your eyes, yes, 748 00:39:06,760 --> 00:39:12,520 Speaker 1: and picture it. Okay. It's August nineteen fifty three, Murrock 749 00:39:12,640 --> 00:39:16,560 Speaker 1: Dry Lake, Annelipe Valley, California, three thirty pm. There's a 750 00:39:16,560 --> 00:39:19,319 Speaker 1: wide blue sky above you, a slight breeze from the 751 00:39:19,360 --> 00:39:22,960 Speaker 1: northwest on a fresh air break. You've seated yourself outside 752 00:39:22,960 --> 00:39:25,240 Speaker 1: the private club just to enjoy the sights and sounds 753 00:39:25,280 --> 00:39:27,680 Speaker 1: of the desert vistas. It stretches off into the horizon. 754 00:39:27,960 --> 00:39:30,640 Speaker 1: You've left your job behind in Hollywood. You were making 755 00:39:30,760 --> 00:39:33,640 Speaker 1: lifts for short actors and you wanted a new start, 756 00:39:33,680 --> 00:39:35,319 Speaker 1: so you headed out to the desert, where you've been 757 00:39:35,360 --> 00:39:37,680 Speaker 1: working as the head hostess at a small private club 758 00:39:37,680 --> 00:39:40,279 Speaker 1: and airport. You've only worked at the Happy Bottom Riding 759 00:39:40,320 --> 00:39:42,520 Speaker 1: Club for the last few months, but you're loving the 760 00:39:42,600 --> 00:39:44,920 Speaker 1: vibe of this place. You love the women you work with, 761 00:39:45,080 --> 00:39:47,520 Speaker 1: and you like the mercurial, hard cuss and hard drinking 762 00:39:47,600 --> 00:39:50,399 Speaker 1: boss Poncho Barnes. For the first time in a long time, 763 00:39:50,480 --> 00:39:53,360 Speaker 1: you're happy at work. In the flight tests for the 764 00:39:53,440 --> 00:39:55,120 Speaker 1: day are done, so the skies above you right now 765 00:39:55,120 --> 00:39:57,240 Speaker 1: are quiet, but in the distance you spot a cloud 766 00:39:57,280 --> 00:39:59,600 Speaker 1: of dust approaching. It looks like a Ford Sedan. The 767 00:39:59,640 --> 00:40:01,919 Speaker 1: beige car up here's dust covered. Could be a Blue 768 00:40:01,960 --> 00:40:04,239 Speaker 1: Sedan for all you know. It's that dust cover. But 769 00:40:04,840 --> 00:40:07,440 Speaker 1: you watch the fifty two FOURD approach. He grows louder 770 00:40:07,440 --> 00:40:10,359 Speaker 1: and louder as it grows closer and closer. Finally, sand 771 00:40:10,360 --> 00:40:12,560 Speaker 1: an pulls up just outside of the Happy Bottom Riding 772 00:40:12,560 --> 00:40:15,480 Speaker 1: Club doors O. Two men in gray flannel suits step out. 773 00:40:15,520 --> 00:40:18,320 Speaker 1: They flash badges at you and identify themselves as FBI. 774 00:40:19,120 --> 00:40:21,160 Speaker 1: One of the agents asked the question he knows the 775 00:40:21,200 --> 00:40:23,880 Speaker 1: answer to, He says, is this the Happy Bottom Riding Club. 776 00:40:23,960 --> 00:40:25,880 Speaker 1: Now you don't like to be asked a lot of questions, 777 00:40:25,920 --> 00:40:28,600 Speaker 1: so you sasd the FBI agent. Of course, No, this 778 00:40:28,680 --> 00:40:32,560 Speaker 1: is the pushy Bottom Beach Club, Happy bottoms down the road, 779 00:40:32,760 --> 00:40:37,120 Speaker 1: so neither agent laughs. I'm not surprised. These are the 780 00:40:37,160 --> 00:40:40,400 Speaker 1: new IBM punch card agents. These are the humorless agents. 781 00:40:40,440 --> 00:40:43,279 Speaker 1: These are gone are the charming and daring spies of 782 00:40:43,320 --> 00:40:46,359 Speaker 1: the war years, as if they never really existed. What 783 00:40:46,480 --> 00:40:48,759 Speaker 1: you don't know is these are also really good at 784 00:40:48,800 --> 00:40:51,440 Speaker 1: their job. Spies. Nineteen fifty three is a banner year 785 00:40:51,480 --> 00:40:55,319 Speaker 1: for the FBI. Jager Hoover has his bureau humming. They 786 00:40:55,320 --> 00:40:57,640 Speaker 1: stay busy hunting down fugitives and bagging names on the 787 00:40:57,719 --> 00:41:00,279 Speaker 1: FBI's Most Wanted liss. They've been catching two fugitive a 788 00:41:00,280 --> 00:41:02,879 Speaker 1: month every month this entire year. It's one of their 789 00:41:02,920 --> 00:41:05,640 Speaker 1: record years. They catch twenty four felons this year. It 790 00:41:05,680 --> 00:41:08,120 Speaker 1: will be a record that will not be surpassed until 791 00:41:08,440 --> 00:41:12,200 Speaker 1: the social upheaval of nineteen sixty eight. Now, how could 792 00:41:12,239 --> 00:41:14,640 Speaker 1: you know that these two gray flannel suit wearing paper 793 00:41:14,640 --> 00:41:16,719 Speaker 1: cutouts are good at their job? Why would they look 794 00:41:16,760 --> 00:41:19,920 Speaker 1: like a joke to you? You're used to Flyboy, future astronauts, 795 00:41:19,960 --> 00:41:23,560 Speaker 1: aging test pilots. Who are these bozos? Yeah? The FBI 796 00:41:23,640 --> 00:41:27,200 Speaker 1: agent tells you we're gonna need to interrogate all the hostesses, 797 00:41:27,840 --> 00:41:30,839 Speaker 1: and you're like, on whose authority? You're like, US Constitution, 798 00:41:31,080 --> 00:41:33,239 Speaker 1: But of course you know they mean Jagger Hoover, So 799 00:41:33,280 --> 00:41:35,120 Speaker 1: you're like, okay, whatever. You walk back to the hotel 800 00:41:35,160 --> 00:41:36,879 Speaker 1: rooms where all the hostess are saying, You're like, look, 801 00:41:36,920 --> 00:41:38,719 Speaker 1: the fbis here. They're like, what do you mean? Some 802 00:41:38,760 --> 00:41:40,920 Speaker 1: of them they're naked, some are in silk robe, some 803 00:41:41,000 --> 00:41:42,719 Speaker 1: are in bathing suits. You're like, girls, you gotta get 804 00:41:42,719 --> 00:41:45,080 Speaker 1: together yourself together. You gotta come into the bar and 805 00:41:45,120 --> 00:41:47,200 Speaker 1: talk to them stiff bas like, look, it's not a request. 806 00:41:47,239 --> 00:41:50,279 Speaker 1: They're here, like okay. So they go in and now 807 00:41:50,320 --> 00:41:53,120 Speaker 1: Poncho Barnes, she's gone right now, she's away getting hogs 808 00:41:53,120 --> 00:41:55,560 Speaker 1: for a big pig rows. So you're in charge, and 809 00:41:55,680 --> 00:41:58,160 Speaker 1: you've learned from the House un American Activities Commission in 810 00:41:58,200 --> 00:42:00,239 Speaker 1: the Red Scared you saw in Hollywood, don't lie to 811 00:42:00,280 --> 00:42:02,120 Speaker 1: the FBI? Right? Do you tell the girls that? And 812 00:42:02,239 --> 00:42:04,120 Speaker 1: so then you send them in to go get grilled 813 00:42:04,120 --> 00:42:06,080 Speaker 1: by the FBI agents. Want at a time. They go 814 00:42:06,120 --> 00:42:08,960 Speaker 1: and sit down the FBI agents and you're watching them agonizing, 815 00:42:09,000 --> 00:42:11,879 Speaker 1: hoping that they're doing okay. Then once they're excused to leave, 816 00:42:11,880 --> 00:42:13,239 Speaker 1: you pull them aside and you go, what did they 817 00:42:13,280 --> 00:42:14,960 Speaker 1: ask you? Yeah? And then the girls like, oh, they 818 00:42:15,000 --> 00:42:16,880 Speaker 1: ask any of these weird questions like what Well, like 819 00:42:17,000 --> 00:42:20,520 Speaker 1: they're like, have you ever been in the white slave trade? 820 00:42:20,960 --> 00:42:25,239 Speaker 1: Slave trade? Spreading? They're like, well, they're like, also, if 821 00:42:25,280 --> 00:42:27,239 Speaker 1: there is there any gambling going on? Is there are 822 00:42:27,239 --> 00:42:29,520 Speaker 1: there like Mexicans being flown in and They're like, what 823 00:42:29,560 --> 00:42:32,120 Speaker 1: are you talking about? Yees Mexicans and dope are they 824 00:42:32,200 --> 00:42:34,600 Speaker 1: flying that in? People are like, I don't know what 825 00:42:34,640 --> 00:42:37,359 Speaker 1: you're talking about. So when they're done, the hostesses are 826 00:42:37,400 --> 00:42:39,040 Speaker 1: barely able to get the place set up in time 827 00:42:39,080 --> 00:42:41,640 Speaker 1: for the evening crowd. You secretly are waiting for the 828 00:42:41,640 --> 00:42:43,680 Speaker 1: sheriff to show up that night and rescue all and 829 00:42:43,760 --> 00:42:45,719 Speaker 1: drag you off the sex workers. They don't come, nor 830 00:42:45,760 --> 00:42:48,040 Speaker 1: do his deputies. Despite of all this talk of the 831 00:42:48,040 --> 00:42:50,759 Speaker 1: white slave trade and smuggling Mexicans into the country, the 832 00:42:50,800 --> 00:42:54,239 Speaker 1: FBI agents conclude their investigation. They find no evidence of 833 00:42:54,239 --> 00:42:57,840 Speaker 1: any crimes. No one will say anything against Poncho Barnes, 834 00:42:57,840 --> 00:43:01,480 Speaker 1: so you are free to continue your leisure and happiness 835 00:43:01,480 --> 00:43:05,719 Speaker 1: with all your friends. Elizabeth. Yeah, you might think having 836 00:43:05,719 --> 00:43:07,759 Speaker 1: a legal tussle with the FBI, well, that couldn't get 837 00:43:07,800 --> 00:43:10,360 Speaker 1: any worse than that for Poncho Barnes. And you'd be 838 00:43:10,360 --> 00:43:13,160 Speaker 1: wrong because the Air Force is like, that's not damn it. 839 00:43:13,520 --> 00:43:16,520 Speaker 1: I sick Jagger Hoover's boys on why didn't that work? Well, 840 00:43:16,560 --> 00:43:19,520 Speaker 1: I guess we're gonna have to go one step beyond that, 841 00:43:19,680 --> 00:43:22,920 Speaker 1: So they go up to eminent domain. Yeah, because Poncho 842 00:43:22,960 --> 00:43:25,440 Speaker 1: Barnes has been spinning all of this to her benefit. 843 00:43:25,520 --> 00:43:28,280 Speaker 1: She'd been talking about, you know, let the rumors persist, 844 00:43:28,280 --> 00:43:30,839 Speaker 1: she decided. Once the FBI declared I'm fine, She's like, yeah, 845 00:43:30,960 --> 00:43:32,840 Speaker 1: let them go tell them we're all sex workers. I 846 00:43:32,880 --> 00:43:35,560 Speaker 1: don't care anymore. So, you know, basically like P. T. 847 00:43:35,680 --> 00:43:38,399 Speaker 1: Barnum and Kanye West, she decided, Look, there's no such 848 00:43:38,400 --> 00:43:41,640 Speaker 1: thing as bad blab. So now her friend Chuck Yeager, 849 00:43:41,640 --> 00:43:44,000 Speaker 1: he used to say, Poncho Barnes quote for rumor enhance 850 00:43:44,040 --> 00:43:46,600 Speaker 1: her personality. She didn't dispute it if it didn't have 851 00:43:46,640 --> 00:43:48,440 Speaker 1: to be true or not true. But that's the way 852 00:43:48,480 --> 00:43:50,840 Speaker 1: Poncho was. She wasn't dumb. She was a very smart 853 00:43:50,840 --> 00:43:53,840 Speaker 1: old gal. So now this smart old gal has to 854 00:43:53,840 --> 00:43:56,360 Speaker 1: deal with the US Air Force bringing full power that 855 00:43:56,400 --> 00:43:59,440 Speaker 1: they can against her during the Cold War, so they 856 00:43:59,480 --> 00:44:02,680 Speaker 1: have all sorts of powers. They use emminite domain cut 857 00:44:02,680 --> 00:44:06,759 Speaker 1: to Captain Kiljoy jer Odin rolled Hoole Toner squares up 858 00:44:06,760 --> 00:44:09,000 Speaker 1: for a round two. He decides he's gonna make public 859 00:44:09,120 --> 00:44:11,920 Speaker 1: his oh, I mean, the Air Force's plans to seize 860 00:44:11,960 --> 00:44:14,640 Speaker 1: all the land underneath the Happy Bottom Riding Club. He 861 00:44:14,760 --> 00:44:16,279 Speaker 1: lets it be known that they're gonna put in a 862 00:44:16,280 --> 00:44:19,640 Speaker 1: new twenty two mile super runway complex for the a 863 00:44:19,719 --> 00:44:22,440 Speaker 1: new atomic powered airplanes the Air Force has on the 864 00:44:22,520 --> 00:44:25,120 Speaker 1: drawing board. I'm gonna say that one more time. Atomic 865 00:44:25,200 --> 00:44:29,040 Speaker 1: powered airplanes, Elizabeth, Like, automic powered subs are one thing, 866 00:44:29,040 --> 00:44:32,640 Speaker 1: but nuclear powered aircraft that's terrified crash. You have an 867 00:44:32,640 --> 00:44:35,759 Speaker 1: aerogical disaster, like where that plane crashes. The Air Force 868 00:44:35,800 --> 00:44:37,239 Speaker 1: took him a little while. They're like, you know what, 869 00:44:37,280 --> 00:44:39,680 Speaker 1: we're probably not gonna do. Maybe not such a good idea, 870 00:44:39,760 --> 00:44:42,520 Speaker 1: but anyway, it doesn't matter. Captain Killjoys like, yeah, runways, 871 00:44:42,520 --> 00:44:45,160 Speaker 1: atomic plane. So he's like shaking this at her, and 872 00:44:45,200 --> 00:44:47,680 Speaker 1: so Pancho Barnes decides, you know what, sue you sue them, 873 00:44:47,760 --> 00:44:50,279 Speaker 1: Sue everybody. She goes after the Air Force, and she 874 00:44:50,400 --> 00:44:53,279 Speaker 1: goes into court to quote roused out the scoundrels and 875 00:44:53,360 --> 00:44:56,440 Speaker 1: the government who could perpetrate such an injustice? Right, she 876 00:44:56,480 --> 00:44:59,960 Speaker 1: sounds like Mark Twain. So she acts as her own attorney. 877 00:45:00,200 --> 00:45:01,960 Speaker 1: Never a good move, but it works out for her. 878 00:45:02,239 --> 00:45:06,520 Speaker 1: She's the rare right every single time. Well, the LA 879 00:45:06,560 --> 00:45:09,960 Speaker 1: newspapers they're siding with her. She's given them good press coverage, 880 00:45:09,960 --> 00:45:12,440 Speaker 1: great quotes to fight. It is not brief, it lasts 881 00:45:12,440 --> 00:45:14,759 Speaker 1: a long time. But the people and the papers are 882 00:45:14,760 --> 00:45:17,319 Speaker 1: on her side. The Air Force because it's once again 883 00:45:17,400 --> 00:45:19,640 Speaker 1: told the early days of the Cold War, and much 884 00:45:19,680 --> 00:45:21,880 Speaker 1: like the FBI, they're pretty much feeling themselves. They just 885 00:45:21,880 --> 00:45:24,880 Speaker 1: seize the land anyway, eminent domain. Yeah, and they're like, 886 00:45:24,920 --> 00:45:27,080 Speaker 1: you know what we're into, like killing joy, making things 887 00:45:27,200 --> 00:45:30,160 Speaker 1: less sexy, no fun. We love that. It's the fifties. 888 00:45:30,160 --> 00:45:32,480 Speaker 1: What do you want from us? You're like, dude, you 889 00:45:32,560 --> 00:45:34,640 Speaker 1: want a world war for this? Like what the hell? 890 00:45:34,800 --> 00:45:38,040 Speaker 1: But anyway, Poncho Barnes, living spirit of early aviation, reckless 891 00:45:38,040 --> 00:45:40,600 Speaker 1: and joyful days are pretty much over. She's now fighting 892 00:45:40,600 --> 00:45:42,600 Speaker 1: the US Air Force in court all the time. It 893 00:45:42,640 --> 00:45:45,279 Speaker 1: gets mad, costly, but she won't give up. She's like 894 00:45:45,320 --> 00:45:49,960 Speaker 1: the Happy Bottom Riding Club deserves a fight. So things though, 895 00:45:49,960 --> 00:45:53,560 Speaker 1: didn't take a fatal turn, because in November nineteen fifty three, 896 00:45:53,600 --> 00:45:56,880 Speaker 1: there's an explosion inside the dance hall. Fire tears to 897 00:45:56,920 --> 00:45:59,800 Speaker 1: the resort. It's mostly wood, it's in the desert. Firefighters 898 00:45:59,840 --> 00:46:02,720 Speaker 1: can't get there in time. The Happy Bottom Riding Club 899 00:46:02,800 --> 00:46:05,520 Speaker 1: burns to the ground. That is suspicious. There was a 900 00:46:05,600 --> 00:46:09,520 Speaker 1: lot of accusations of arson. Sure, I accuse them of 901 00:46:09,760 --> 00:46:13,319 Speaker 1: hay duration in the dancery like Mary jay BlimE would not. 902 00:46:14,840 --> 00:46:17,480 Speaker 1: But anyway, no one gets got no one gets arrested 903 00:46:17,480 --> 00:46:20,040 Speaker 1: for the fire. Mary Jabies would also be upset about that, yes, 904 00:46:20,200 --> 00:46:22,319 Speaker 1: But Poncho Barnes, you know, as I said, she's like, 905 00:46:22,320 --> 00:46:24,440 Speaker 1: this is arson, but there's nothing she can do about that. 906 00:46:25,120 --> 00:46:27,080 Speaker 1: People there who were there that night of the fire, though, 907 00:46:27,120 --> 00:46:29,560 Speaker 1: they risked their lives to run in over and over 908 00:46:29,600 --> 00:46:36,680 Speaker 1: again to save all the priceless a replaceable memorabilia. You 909 00:46:36,760 --> 00:46:41,480 Speaker 1: love that movie. Back to so Ponto Barnes, she'd kept 910 00:46:41,520 --> 00:46:43,520 Speaker 1: a scrapbook of her life in the clouds. One of 911 00:46:43,520 --> 00:46:46,720 Speaker 1: her her friends, like the coworkers, the one of the hostesses. 912 00:46:46,800 --> 00:46:48,440 Speaker 1: They managed to get in and get the scrapbook and 913 00:46:48,440 --> 00:46:50,839 Speaker 1: save it. So that's like the big thing that she's 914 00:46:50,920 --> 00:46:53,520 Speaker 1: most happy about. And in her ongoing battle to save 915 00:46:53,560 --> 00:46:55,799 Speaker 1: her land after it's burned down, the Air Force has 916 00:46:55,800 --> 00:46:58,359 Speaker 1: already seized the land underneath it. She then pretty much 917 00:46:58,400 --> 00:47:00,279 Speaker 1: has to go back into court and remind the Air 918 00:47:00,280 --> 00:47:03,560 Speaker 1: Force that her grandfather Thaddius Lowe founded the US Air Force, 919 00:47:03,600 --> 00:47:05,560 Speaker 1: and they're like, oh, that's right, she's in the days 920 00:47:06,800 --> 00:47:11,200 Speaker 1: like yeah, that's true, he made you, and they're like okay, fine, 921 00:47:11,320 --> 00:47:13,720 Speaker 1: and so she wins her legal battle. The Air Force 922 00:47:13,760 --> 00:47:15,920 Speaker 1: backs off. They give her four hundred thousand dollars for 923 00:47:16,000 --> 00:47:18,680 Speaker 1: her land, and they also then clear her name, and 924 00:47:18,719 --> 00:47:20,839 Speaker 1: she insists they cleared the names of reputations of all 925 00:47:20,840 --> 00:47:23,920 Speaker 1: the women who they've besmirched as hostess, which, yeah, I 926 00:47:23,920 --> 00:47:26,160 Speaker 1: thought you'd like that. Yeah. So the Air Force later 927 00:47:26,239 --> 00:47:29,120 Speaker 1: then scraps its plans for its new super runway complex 928 00:47:29,160 --> 00:47:31,640 Speaker 1: and the runways never get built. All that fight for nothing. 929 00:47:31,880 --> 00:47:35,279 Speaker 1: No atomic planes ever hit the air. In her retiring years, though, 930 00:47:35,320 --> 00:47:37,560 Speaker 1: Ponto Barnes begins to turn her that scrap book that 931 00:47:37,600 --> 00:47:39,960 Speaker 1: was saved into an autobiography, and she also, I thought 932 00:47:40,000 --> 00:47:43,439 Speaker 1: you'd like this, spend her time breeding Yorkshire terriers. Like that, 933 00:47:44,080 --> 00:47:46,560 Speaker 1: She gets back to her animal lover ways full circle, 934 00:47:46,560 --> 00:47:48,480 Speaker 1: and in nineteen seventy one, one of her friends, a 935 00:47:48,480 --> 00:47:51,560 Speaker 1: former test pilot from the Murrock Dry Lake Days, invites 936 00:47:51,600 --> 00:47:54,680 Speaker 1: her to Edwards Air Force Base to celebrate her seventieth birthday. 937 00:47:54,800 --> 00:47:59,720 Speaker 1: That friend was friend of the show buzz Aldron. Oh okay, 938 00:48:00,040 --> 00:48:02,040 Speaker 1: And now each year the Air Force sets aside one 939 00:48:02,080 --> 00:48:05,320 Speaker 1: calendar day to celebrate her. Fittingly, it's called Poncho Barnes Day, 940 00:48:05,520 --> 00:48:07,359 Speaker 1: and it's kind of like a small maya culpa from 941 00:48:07,360 --> 00:48:09,799 Speaker 1: the Air Force, like, yeah, we totally jacked up on 942 00:48:09,840 --> 00:48:11,640 Speaker 1: that one. And it ends up though, in a nice 943 00:48:11,680 --> 00:48:13,319 Speaker 1: little turn of events, at the end of the night 944 00:48:13,320 --> 00:48:16,120 Speaker 1: there's an adult's only portion of the evening they brought 945 00:48:16,120 --> 00:48:19,760 Speaker 1: back to sexy. So Ponto Barnes once said, and I quote, 946 00:48:19,800 --> 00:48:22,200 Speaker 1: the most important thing is to be yourself. So don't 947 00:48:22,239 --> 00:48:25,040 Speaker 1: even don't even try to be like someone else, because 948 00:48:25,239 --> 00:48:28,600 Speaker 1: we've seen that already. Oh I like that a lot. 949 00:48:28,800 --> 00:48:30,680 Speaker 1: So Elizabeth, I got to ask you, since you'll never 950 00:48:30,719 --> 00:48:34,000 Speaker 1: ask me, what's our ridiculous takeaway? Here? My ridiculous takeaway 951 00:48:34,040 --> 00:48:38,440 Speaker 1: is whatever, you're ridiculous. No. I love the dynamic nature 952 00:48:38,520 --> 00:48:41,560 Speaker 1: of her life, all the different elements of it, but 953 00:48:41,640 --> 00:48:44,359 Speaker 1: also the fact that she, you know, went toe to 954 00:48:44,360 --> 00:48:47,399 Speaker 1: toe with some serious dude Jagger Hoover, US Air Force, 955 00:48:47,520 --> 00:48:52,120 Speaker 1: the Mexican authorities, and the revolution didn't back down exactly. Zaren, 956 00:48:52,560 --> 00:48:56,240 Speaker 1: what's your ridiculous takeaway? We said that again, Zaren, what's 957 00:48:56,360 --> 00:49:00,520 Speaker 1: your ridiculous takace sounds nice? Doesn't sound good? Ever? Heard that, 958 00:49:00,719 --> 00:49:05,520 Speaker 1: thank you for asking. Mine is if someone isn't hurting 959 00:49:05,520 --> 00:49:08,239 Speaker 1: anyone and they're just being sexy or whatever they're doing, 960 00:49:08,360 --> 00:49:12,439 Speaker 1: let people be mind your own decency. Don't worry about 961 00:49:12,480 --> 00:49:14,960 Speaker 1: my decency. My decency is between me and God and 962 00:49:15,000 --> 00:49:17,560 Speaker 1: the devil or whoever I believe in. But you know, look, look, 963 00:49:17,640 --> 00:49:20,160 Speaker 1: some women know some people they want to get naked 964 00:49:20,160 --> 00:49:23,319 Speaker 1: into pool at them. Who cares. We all need all 965 00:49:23,360 --> 00:49:26,200 Speaker 1: the sexy we can get on this planet. We'll think 966 00:49:26,239 --> 00:49:29,840 Speaker 1: about it too. The amount of man hours and money 967 00:49:29,880 --> 00:49:36,839 Speaker 1: and resources spent to fight sexy pool time ridiculous hours. 968 00:49:36,840 --> 00:49:38,360 Speaker 1: I think there are a lot of other things you 969 00:49:38,360 --> 00:49:41,160 Speaker 1: could be doing. And it's like those pilots needed that. 970 00:49:41,320 --> 00:49:42,920 Speaker 1: I mean, not just the sexy it's but all of it. 971 00:49:42,960 --> 00:49:44,960 Speaker 1: Being able to cut loose and just be themselves and 972 00:49:44,960 --> 00:49:46,440 Speaker 1: out in the desert. It's not like, oh, we have 973 00:49:46,480 --> 00:49:52,080 Speaker 1: to write about any specific subculture exactly, very specific, you know, 974 00:49:52,400 --> 00:49:56,560 Speaker 1: lifestyle and mindset for we need to make room for It's. 975 00:49:56,600 --> 00:49:58,719 Speaker 1: I always say, if you're gonna make a plan in 976 00:49:58,760 --> 00:50:01,120 Speaker 1: the future, you need the a little space for crime 977 00:50:01,400 --> 00:50:03,920 Speaker 1: because it's going to be there. Yeah, surely you're not 978 00:50:04,000 --> 00:50:06,279 Speaker 1: going to get rid of crime. You can talk about 979 00:50:06,320 --> 00:50:08,600 Speaker 1: what crimes occur, you can talk about which crimes you allow, 980 00:50:08,680 --> 00:50:11,680 Speaker 1: but there's going to be somebody who breaks. The question 981 00:50:11,920 --> 00:50:16,879 Speaker 1: is just like debauchery, exactly is this really a crime? 982 00:50:17,000 --> 00:50:20,200 Speaker 1: Doesn't sound like those women were exploited working there? What 983 00:50:20,239 --> 00:50:21,920 Speaker 1: I can tell? What I could tell, they were all 984 00:50:22,040 --> 00:50:25,319 Speaker 1: willingly being there and there wasn't any active prostitution. Now, 985 00:50:25,320 --> 00:50:27,160 Speaker 1: maybe some of them got a little sideways and did 986 00:50:27,160 --> 00:50:29,640 Speaker 1: some hot side picking up handsome fly boys. I don't 987 00:50:29,640 --> 00:50:31,800 Speaker 1: blame them. Yeah, the ones with the wavey here, that's right, 988 00:50:32,480 --> 00:50:34,600 Speaker 1: the ones with like they're bald on the top and 989 00:50:34,680 --> 00:50:40,719 Speaker 1: just the edges, a very specific one like Ben Franklin. 990 00:50:42,760 --> 00:50:45,239 Speaker 1: He liked air bats, so I could see them. There 991 00:50:45,239 --> 00:50:47,719 Speaker 1: you go. That's all. It's all there, All of the 992 00:50:47,800 --> 00:50:51,120 Speaker 1: evidence is there. Well, that's all I got for you today, Elizabeth. Well, 993 00:50:51,160 --> 00:50:53,239 Speaker 1: it's pretty good. Thank you. Well, you know, well, you 994 00:50:53,239 --> 00:50:55,920 Speaker 1: can find us online Ridiculous Crime on Twitter and Instagram 995 00:50:55,920 --> 00:50:58,080 Speaker 1: if you'd like some more. That's on the bird we 996 00:50:58,120 --> 00:51:00,000 Speaker 1: got the words and on the ground we got the pictures, 997 00:51:00,120 --> 00:51:02,040 Speaker 1: so check them out. And also if you want to 998 00:51:02,080 --> 00:51:04,840 Speaker 1: hit us up, you know, we've got these talkbacks you 999 00:51:04,840 --> 00:51:07,360 Speaker 1: can do on the iron Heart app. You can email 1000 00:51:07,440 --> 00:51:10,160 Speaker 1: us at Ridiculous Crime at gmail dot com. You can 1001 00:51:10,200 --> 00:51:12,000 Speaker 1: also just shout into the women. You can write a 1002 00:51:12,040 --> 00:51:15,479 Speaker 1: fun rap yeah about us and write it on fun 1003 00:51:15,640 --> 00:51:22,040 Speaker 1: Rap just a fun wrap that would be amazing. Well, 1004 00:51:22,080 --> 00:51:29,439 Speaker 1: thanks for listening. We'll catch you next time. Ridiculous Crime 1005 00:51:29,520 --> 00:51:32,200 Speaker 1: is used by Elizabeth Dutton and Zaron Brunett's produced and 1006 00:51:32,360 --> 00:51:34,719 Speaker 1: edited by the Ratchet Daddy of the Happy Bottom Riding 1007 00:51:34,719 --> 00:51:37,480 Speaker 1: Club Dave cas. Research is by the Fastest Women in 1008 00:51:37,520 --> 00:51:40,520 Speaker 1: Facts Mersa Brown and Andrea Song Sharp and Tier. Our 1009 00:51:40,600 --> 00:51:43,680 Speaker 1: theme song is by Thomas travel Air Special Lee and 1010 00:51:43,800 --> 00:51:47,959 Speaker 1: Travis type Awe Mystery Ship Dutton Executive producers are Ben 1011 00:51:48,040 --> 00:51:59,080 Speaker 1: Buzz Bowland and Noel Neil Brownie See It One More Time, 1012 00:51:59,600 --> 00:52:04,560 Speaker 1: Geeks Crime. Ridiculous Crime is a production of iHeartRadio. Four 1013 00:52:04,600 --> 00:52:08,360 Speaker 1: more podcasts of iHeartRadio. Visit the iHeartRadio app, Apple Podcasts, 1014 00:52:08,440 --> 00:52:10,280 Speaker 1: or wherever you listen to your favorite shows.