WEBVTT - One Tree Thrill (part 38)

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<v Speaker 1>First of all, you don't know me.

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<v Speaker 2>We all about that high school drama. Girl drama girl,

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<v Speaker 2>all about them high school queens. We'll take you for

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<v Speaker 2>a ride. And our comic girl shared for the right teams.

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<v Speaker 3>Drama queens up girl fashion, but your.

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<v Speaker 2>Tough girl, you could sit with us.

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<v Speaker 1>Girl drama, Queens, drama, Queens drama, Queens drama, Drahna, Queens Drama, Queens.

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<v Speaker 3>Friends and listeners, Welcome to a Q and A. I

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<v Speaker 3>know we do this very excitedly for us because you

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<v Speaker 3>all send us such good questions. But I'm the most excited,

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<v Speaker 3>and I want to give Robert Buckley his flowers because

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<v Speaker 3>nearly every question in our Q and A is from

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<v Speaker 3>somebody with a nickname.

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<v Speaker 4>Yeah. I just saw that Wait and go people. You

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<v Speaker 4>crushed it, Rob oh Man, I like it. I mean, listen,

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<v Speaker 4>we got some great ones, and we also have some

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<v Speaker 4>people with just some regular government names. So there's room

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<v Speaker 4>for improvement.

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<v Speaker 3>Gang, there is, there is, But you know, it's something

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<v Speaker 3>I think we can build into. It's it's not dissimilar

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<v Speaker 3>to you know, the energy around the holidays where people

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<v Speaker 3>are like, what are your traditions, And it turns out

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<v Speaker 3>the traditions of drama queens are to build code names.

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<v Speaker 2>Yes, thank you for this contribution. Wrong, I think we

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<v Speaker 2>really needed this.

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<v Speaker 3>We were we did.

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<v Speaker 4>If this is all that I end up contributing to

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<v Speaker 4>this podcast, and let's be honest, it very well may

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<v Speaker 4>be now I would consider it a win.

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<v Speaker 3>It feels a lot like when you came to join

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<v Speaker 3>us on the show, Like we were seven seasons in

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<v Speaker 3>and we didn't even realize what we needed until you

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<v Speaker 3>got there and we were like.

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<v Speaker 4>Yes, that's right, yes, you charmer.

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<v Speaker 2>Turn up making things better all the time.

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<v Speaker 4>And then you shot me and put me in a coma.

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<v Speaker 3>Thank and listen not not the call of anyone on

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<v Speaker 3>this zoom. You did great, this is true.

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<v Speaker 4>How are you guys doing?

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<v Speaker 3>Good?

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<v Speaker 4>Joy?

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<v Speaker 3>Where are you you're traveling?

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<v Speaker 2>I'm in New York. You're home Portland, right, and so

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<v Speaker 2>where are you at?

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<v Speaker 3>I'm on my way to the airport. I'm heading to Paris,

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<v Speaker 3>Oh dalling. I don't know why we both just like

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<v Speaker 3>lent into our English accents, even though I'm going to France.

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<v Speaker 3>But it's fine.

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<v Speaker 2>It's because it's continental, you know.

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<v Speaker 3>It just feels exciting to go to Europe. I'm hoping

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<v Speaker 3>that I have. I want it to just feel a

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<v Speaker 3>little bit like a Netflix Christmas movie, you know, like,

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<v Speaker 3>I really hope that on one of the two days

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<v Speaker 3>I have in town that i'm off, it snows and

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<v Speaker 3>I can like walk through the streets of Paris with

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<v Speaker 3>a crepe and just feel like I'm in a rom com.

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<v Speaker 3>I would love that, yeh.

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<v Speaker 4>Send send me that picture so I could live curiously.

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<v Speaker 4>I want to see you on a Parisian street with

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<v Speaker 4>hopefully some holiday lighting behind you, and then you can

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<v Speaker 4>pick the dessert, crape, what whatever you're in the mood

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<v Speaker 4>for corn dog if they serve them there.

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<v Speaker 3>Listen, if I could get a corn dog in Paris,

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<v Speaker 3>I would probably spontaneously combust from the excitement.

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<v Speaker 4>Jenny is like, why are you smiling? And I'm like,

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<v Speaker 4>I just have a feeling somewhere in the world. Sofia

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<v Speaker 4>is eating a corn dog and explain it?

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<v Speaker 2>Can You're Madine? I started selling corn dogs at the

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<v Speaker 2>Eiffel Tower. It's just like this is just the official

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<v Speaker 2>epitome of American culture. They're like, we give in and

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<v Speaker 2>you're all coming here for the Eiffel Tower. Here's your

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<v Speaker 2>corn dogs.

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<v Speaker 3>Here's what I will tell you and Rob and I

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<v Speaker 3>were texting about this. I had a major friend fail recently,

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<v Speaker 3>because the corn dogs at Disneyland are famous. Yeah, and

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<v Speaker 3>I went to Disneyland and I did this not once,

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<v Speaker 3>but twice. We went for Jenny's birthday. And then I

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<v Speaker 3>was telling Rob how good the corn dogs were. He said,

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<v Speaker 3>how dare you not send me a photo? I said,

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<v Speaker 3>you're right, and then I went back and I don't

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<v Speaker 3>know what happens to me. I get near that breaded

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<v Speaker 3>dog and it's like I black out and I ate it.

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<v Speaker 3>And then I was looking at my empty little stick

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<v Speaker 3>and I was like, I did it again. Two times

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<v Speaker 3>this year. I have not sent Rob a photo. I

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<v Speaker 3>have failed. So if I find a corn dog in Paris,

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<v Speaker 3>I'm going to send you multiple photos.

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<v Speaker 4>I would appreciate that because we spoke ahead of time,

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<v Speaker 4>like I specifically said, please send me a pic of

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<v Speaker 4>you eating a corn dog and Achua would be a

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<v Speaker 4>bonus picture. Not only did I not get a single

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<v Speaker 4>picture from you now, then two days later you sent

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<v Speaker 4>me a text asking me for something, and I was like,

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<v Speaker 4>how dare you Okay?

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<v Speaker 3>It was your address to send you a gift? Still

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<v Speaker 3>a big ask, but yes, you're right. It's like a

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<v Speaker 3>blackout and I am an adult woman who should be

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<v Speaker 3>able to do this, and it's like I'm incapable. I

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<v Speaker 3>lose all self control.

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<v Speaker 4>But as someone who also blacks out around their favorite foods,

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<v Speaker 4>I totally get it. No judgment, thank you.

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<v Speaker 2>I think you should just lean into it and start

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<v Speaker 2>sending him photos of the empty stick.

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<v Speaker 3>The empty stick, Oh, just so cold, so cold. The

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<v Speaker 3>questions I really think we should, especially because the first

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<v Speaker 3>one is about food, rob take it away.

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<v Speaker 4>Listen. What better way to kick it off than with

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<v Speaker 4>a question from little pants? Well done, little Pants. You

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<v Speaker 4>guys have mentioned the Great British Bake Off on multiple

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<v Speaker 4>occasions recently, so I wanted to know, if you were

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<v Speaker 4>a contestant, what would your ideal bake that you think

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<v Speaker 4>you could earn? What would be your ideal bake that

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<v Speaker 4>you think you could earn a prestigious Hollywood handshake with.

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<v Speaker 4>For those who don't watch the show, there is a judge,

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<v Speaker 4>Paul Hollywood, and on rare occasions when a dish is exceptional,

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<v Speaker 4>he shakes the hand of the contestant and it has

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<v Speaker 4>become this coveted thing. You got a Hollywood handshake. This

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<v Speaker 4>question is really for you, Joy, because I think you

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<v Speaker 4>are you are the best baker. I don't want to

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<v Speaker 4>if I'm wrong. So if I just feel like she's

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<v Speaker 4>she's probably the best baker of the three, absolutely, no.

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<v Speaker 3>You're correct.

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<v Speaker 2>I don't know. I'm I feel like I'm a really

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<v Speaker 2>good decorator of baked goods, Like if you give me

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<v Speaker 2>cake and fondant and all the tools for it. Like

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<v Speaker 2>if I could just walk in to one of those

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<v Speaker 2>steel blocks, like steel butcher blocks, you know, and have

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<v Speaker 2>all the things laid out for me, the icings and

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<v Speaker 2>the tops of the icings that make the different shapes

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<v Speaker 2>and all that, like, I can probably design something really,

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<v Speaker 2>really beautiful. I feel confident in my sculpting abilities, but

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<v Speaker 2>my baking. Baking is so much chemistry, and I get

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<v Speaker 2>things wrong all the time, and it's like one little

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<v Speaker 2>you know, you add a little too much egg or

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<v Speaker 2>a little too much flour, baking soda, and it ruins

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<v Speaker 2>the whole thing. And I like to be a whimsical

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<v Speaker 2>when I bake, and I don't love following recipes. So

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<v Speaker 2>often I just get lost in my whimsy and then

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<v Speaker 2>I'll end up the baked good that's not terribly delicious.

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<v Speaker 2>It's not bad, but it's like, oh, it could be better.

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<v Speaker 2>But I'll tell you what. I did once make an

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<v Speaker 2>olive oil bunt cake. It was like an orange rosemary

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<v Speaker 2>olive oil bunt cake that was covered in this crystallized

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<v Speaker 2>rosemary sugar orange peel marmalady thing all over the top

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<v Speaker 2>of it. And it was so delicious. And I have

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<v Speaker 2>had friends ask me for it for the recipe for it.

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<v Speaker 2>One of them, I think, baked it for their wedding cake.

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<v Speaker 2>It's a really, really good cake, So I would say

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<v Speaker 2>that might be my move.

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<v Speaker 4>I was gonna say, I think Cake Week would be

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<v Speaker 4>your best opportunity to shine.

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<v Speaker 2>Yeah, which is weird because I don't like cake, Like

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<v Speaker 2>I don't really eat cake, but I don't. Yeah, I can't.

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<v Speaker 2>I can't really make anything else I don't eat. I

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<v Speaker 2>don't make pie. I don't make cookies. Do you guys

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<v Speaker 2>bake at all?

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<v Speaker 4>What do you make? I? Funnily enough, When I applied

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<v Speaker 4>for college, I also applied to the pastry program at

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<v Speaker 4>the Culinary Institute of America what and I got in

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<v Speaker 4>and I but it was very expensive, so I applied.

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<v Speaker 4>I entered this contest for a scholarship.

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<v Speaker 2>I can't tell if you're being sarcastic or I.

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<v Speaker 4>Think entirely serious. I'm being entirely serious. And I had

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<v Speaker 4>the chef from the restaurants where he can't help me,

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<v Speaker 4>and we did a Grandpa Smith's Prohibition apple pie and

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<v Speaker 4>I didn't win though, so I didn't get a scholarship.

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<v Speaker 4>And I remember I looked and it was going to

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<v Speaker 4>be thirty grand a year to go to culinary school,

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<v Speaker 4>or like twelve grand a year to go to UC

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<v Speaker 4>San Diego, and I thought I should probably just do

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<v Speaker 4>try college because what if I spend thirty grand a

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<v Speaker 4>year to find out I just like eating food. So

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<v Speaker 4>that was the start and the end of my baking career.

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<v Speaker 2>You were blowing my mind right now.

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<v Speaker 3>Same Also, I'm like, did you write that recipe down?

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<v Speaker 3>Because much like Joy, I'm not I'm a great cook.

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<v Speaker 3>Cooking is very emotional and you rely on like feeling taste,

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<v Speaker 3>give it a shot at a little here, do it.

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<v Speaker 3>You have to trust trust yourself. Baking is so scientific

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<v Speaker 3>and yeah, I always think baking again, going back to

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<v Speaker 3>the Paris and the snow, I pray moment like baking

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<v Speaker 3>in my brain looks like the Holiday movie that's so

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<v Speaker 3>cute and the family's in the kitchen and there's like

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<v Speaker 3>powdered sugar flying through the air. That's not what it is.

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<v Speaker 3>It's so stressful and specific and scientific, and it's not

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<v Speaker 3>my skill set, though I wish it were. But you, pastry,

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<v Speaker 3>I'm having a hard time getting my words together. You've

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<v Speaker 3>blown my mind that that is a niche for you.

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<v Speaker 4>But in a way it makes sense, right, And that's

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<v Speaker 4>why I'm kind of surprised that you There isn't a

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<v Speaker 4>part of you that's drawn to pastry. Because one thing

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<v Speaker 4>that is great about pastry is it is it's math.

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<v Speaker 4>It is precision, it is calculated control. So there is

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<v Speaker 4>part of my brain that really likes knowing there is

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<v Speaker 4>no guesswork. This isn't a taste and maybe a pinch more.

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<v Speaker 4>It is three quarters of a cup. It is one

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<v Speaker 4>eighth of fatigue, you know what I mean? Like, there

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<v Speaker 4>is that part of my brain that loves black and

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<v Speaker 4>white structure. I get that, Yeah, there's no guesswork there.

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<v Speaker 2>So are you baking at home?

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<v Speaker 3>No?

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<v Speaker 4>Literally, the last thing I baked was that pie Jenny.

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<v Speaker 4>Jenny's an amazing baker, so I've just never there's never

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<v Speaker 4>been like any slack to pick up in the family,

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<v Speaker 4>and I've just kind of lazily been like, you're great,

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<v Speaker 4>keep crushing. Wow, But think about it's a good thing

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<v Speaker 4>I didn't win that scholarship because we probably would not

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<v Speaker 4>have met had I gotten it and gotten to Hyde Park,

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<v Speaker 4>New York, to basically spend a lot of money to

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<v Speaker 4>find out I probably just like eating food. Wow, that's

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<v Speaker 4>a big investment just to find out you actually just

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<v Speaker 4>like eating if.

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<v Speaker 2>You didn't really pursue it, if it's not something that's

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<v Speaker 2>stuck with you as like I still do it in

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<v Speaker 2>my spare time. I love it. I have to be

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<v Speaker 2>in the kitchen regardless of whether I'm at school or whatever.

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<v Speaker 2>I mean, really, that's the last thing you bake and

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<v Speaker 2>you're like, never mind. So I guess I guess it's

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<v Speaker 2>just as well. It would keep coming back to haunt

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<v Speaker 2>you if it was something that you really were meant

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<v Speaker 2>to pursue. I guess exactly.

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<v Speaker 4>There's been not a single moment of regret or what if,

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<v Speaker 4>which tells me I made the right call.

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<v Speaker 3>Absolutely. I mean, it's like, sometimes it feels silly to

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<v Speaker 3>repeat cliches but I think cliches become cliches because they're

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<v Speaker 3>so true for so many people. That that phrase nothing

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<v Speaker 3>that's meant for you will miss you. It's like if

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<v Speaker 3>it's missed you ever since, then it wasn't meant for you. Yeah,

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<v Speaker 3>that's kind of nice.

0:11:38.440 --> 0:11:40.559
<v Speaker 4>But it's also funny that what I did choose was

0:11:40.600 --> 0:11:42.560
<v Speaker 4>to get a degree in economics that I use for

0:11:42.640 --> 0:11:46.120
<v Speaker 4>precisely one point five years and then quit to join

0:11:46.480 --> 0:11:50.199
<v Speaker 4>the circus. That's kind of like, either way, you're not

0:11:50.200 --> 0:11:52.120
<v Speaker 4>gonna end up using these long term buddies, so just

0:11:52.160 --> 0:11:53.000
<v Speaker 4>pick the cheaper one.

0:11:53.400 --> 0:12:09.000
<v Speaker 3>Yeah, cold in Nebraska. Oh, I like it. It sort of

0:12:09.000 --> 0:12:13.040
<v Speaker 3>sounds like you've got mail the scripts. Are you allowed

0:12:13.080 --> 0:12:15.840
<v Speaker 3>to keep them? Do you keep them? Do you just

0:12:15.960 --> 0:12:17.760
<v Speaker 3>toss them when you're done? Do you keep ones that

0:12:17.800 --> 0:12:19.520
<v Speaker 3>are special to you and your part?

0:12:20.160 --> 0:12:23.360
<v Speaker 2>Kept a lot of my scripts, I mean, not everyone,

0:12:23.400 --> 0:12:25.800
<v Speaker 2>that's a lot of scripts. Yeah, I did keep some

0:12:25.840 --> 0:12:26.600
<v Speaker 2>special ones.

0:12:26.840 --> 0:12:29.760
<v Speaker 3>Same. I mean, you guys know me. I'm so sentimental,

0:12:29.920 --> 0:12:33.880
<v Speaker 3>Like I'll open a suitcase and be like, oh dear God,

0:12:33.920 --> 0:12:37.679
<v Speaker 3>it's filled with like scripts, sides, concert tickets, like I

0:12:37.760 --> 0:12:41.079
<v Speaker 3>need this to go somewhere. But I've been squirreling away

0:12:41.200 --> 0:12:43.719
<v Speaker 3>memories in it. So I am working on kind of

0:12:45.360 --> 0:12:50.120
<v Speaker 3>you know, filtering through those things. I same. I've saved

0:12:50.160 --> 0:12:53.360
<v Speaker 3>certain scripts, like I have the script for episode one

0:12:53.440 --> 0:12:56.120
<v Speaker 3>oh one that I started in on our show with

0:12:56.160 --> 0:12:58.439
<v Speaker 3>all my notes in it. I kept most of our

0:12:58.480 --> 0:13:03.160
<v Speaker 3>season finale scripts. I normally keep a script, you know,

0:13:03.320 --> 0:13:05.920
<v Speaker 3>some version, whether it's in the middle or the last,

0:13:06.600 --> 0:13:10.800
<v Speaker 3>from every film I've done. Now I use that app scriptation.

0:13:11.040 --> 0:13:13.880
<v Speaker 3>Do you guys use that on your iPad? Oh my god.

0:13:14.360 --> 0:13:18.440
<v Speaker 3>Scriptation changed my life on Good Sam because having to

0:13:18.640 --> 0:13:25.360
<v Speaker 3>transfer copious notes and medical definitions and phonetic pronunciation like

0:13:25.400 --> 0:13:28.240
<v Speaker 3>that I would have to do with every new script,

0:13:28.320 --> 0:13:32.040
<v Speaker 3>with every new draft and every new page literally made

0:13:32.080 --> 0:13:36.000
<v Speaker 3>me want a SOB And scriptation is a digital It's

0:13:36.040 --> 0:13:38.959
<v Speaker 3>a digital script on your You get an iPad and

0:13:39.040 --> 0:13:40.719
<v Speaker 3>you can make notes. You can do them in all

0:13:40.760 --> 0:13:44.000
<v Speaker 3>sorts of different colors. You can add stickies so you can, like,

0:13:44.360 --> 0:13:46.679
<v Speaker 3>you know, for a I don't know, something like paracardial

0:13:46.720 --> 0:13:49.880
<v Speaker 3>sentisis needle. I could like copy an image of what

0:13:50.000 --> 0:13:53.079
<v Speaker 3>that was from Google and literally put it in a

0:13:53.160 --> 0:13:56.600
<v Speaker 3>virtual post it note on the script. And then every

0:13:56.720 --> 0:14:00.280
<v Speaker 3>time you get marrigold pages or a new draft aft.

0:14:00.760 --> 0:14:04.760
<v Speaker 3>You click combine and it transfers all your notes over

0:14:05.120 --> 0:14:07.600
<v Speaker 3>and if any scenes have been omitted, it just deletes

0:14:07.679 --> 0:14:11.280
<v Speaker 3>those notes. And like it literally changed my life.

0:14:11.520 --> 0:14:11.880
<v Speaker 4>Wow.

0:14:12.360 --> 0:14:14.640
<v Speaker 3>And then so in kind of a nice way, now

0:14:14.679 --> 0:14:17.240
<v Speaker 3>I have every script, but they only take up the

0:14:17.240 --> 0:14:22.680
<v Speaker 3>width of an iPad, which is cool. Weirdly, I find

0:14:22.680 --> 0:14:26.040
<v Speaker 3>that I like to keep a couple pairs of sides

0:14:26.080 --> 0:14:30.320
<v Speaker 3>from things because everybody's stuff is on it. And years ago,

0:14:30.400 --> 0:14:33.840
<v Speaker 3>actually I tried to start this thing, you know, because

0:14:33.840 --> 0:14:35.680
<v Speaker 3>I remember how much fans used to love to come

0:14:35.720 --> 0:14:37.960
<v Speaker 3>to our set in particular and get our sides and

0:14:38.000 --> 0:14:39.960
<v Speaker 3>ask us to sign them because crew would give them

0:14:39.960 --> 0:14:42.640
<v Speaker 3>to people like out on Front Street or whatever. And

0:14:42.680 --> 0:14:44.640
<v Speaker 3>I was like, we could do something really cool and

0:14:44.840 --> 0:14:48.040
<v Speaker 3>I'll hit up all my friends and anytime somebody does

0:14:48.040 --> 0:14:50.880
<v Speaker 3>a really nice thing and can like share it, can

0:14:50.920 --> 0:14:54.200
<v Speaker 3>send it to us. This was back when Twitter was Twitter. Well, like,

0:14:54.280 --> 0:14:56.320
<v Speaker 3>we'll send out a signed copy of sides to people

0:14:56.440 --> 0:14:59.520
<v Speaker 3>just for fun. And the network I was working on

0:14:59.560 --> 0:15:02.880
<v Speaker 3>at the time literally was like, that is an absolute violation. Legally,

0:15:02.920 --> 0:15:06.600
<v Speaker 3>you can't do that. Their production office phone numbers are

0:15:06.600 --> 0:15:09.200
<v Speaker 3>on they went so ballistic they made me take the

0:15:09.240 --> 0:15:10.800
<v Speaker 3>Twitter down. I was like, oh my god. I was

0:15:10.800 --> 0:15:13.280
<v Speaker 3>trying to do this like a really nice thing because

0:15:13.320 --> 0:15:15.080
<v Speaker 3>all these people I know are in the circus, and

0:15:15.080 --> 0:15:18.280
<v Speaker 3>they were like, don't you dare give sides away? And

0:15:18.640 --> 0:15:21.280
<v Speaker 3>I really got reprimanded for it. So I have this

0:15:21.440 --> 0:15:24.920
<v Speaker 3>like envelope of sides from our shows and other people's shows,

0:15:24.960 --> 0:15:27.440
<v Speaker 3>who would like send them to me for this thing.

0:15:27.640 --> 0:15:29.440
<v Speaker 3>But then I was like, I guess I should shred

0:15:29.480 --> 0:15:33.280
<v Speaker 3>these whenever you're rude, Like I don't know. It made

0:15:33.280 --> 0:15:35.240
<v Speaker 3>me really scared. I haven't thought about that in a

0:15:35.240 --> 0:15:38.200
<v Speaker 3>long time either, but clearly I'm I'm a hoarder of

0:15:38.760 --> 0:15:43.440
<v Speaker 3>script pages of every variety. Are you sentimental like that?

0:15:43.640 --> 0:15:44.120
<v Speaker 3>Rob or No?

0:15:44.680 --> 0:15:48.080
<v Speaker 4>I used to be where I would save scripts. Funny,

0:15:48.120 --> 0:15:49.800
<v Speaker 4>I did the same thing with sides. I remember there

0:15:49.840 --> 0:15:52.400
<v Speaker 4>was a specific project that worked on and it was

0:15:52.440 --> 0:15:54.520
<v Speaker 4>the first time where like the script was in. It

0:15:54.920 --> 0:15:57.640
<v Speaker 4>was not television, right, and I'd mostly done television in

0:15:57.640 --> 0:16:00.720
<v Speaker 4>my career, which they don't generally, they don't encourage ad

0:16:00.760 --> 0:16:04.360
<v Speaker 4>libbing and rewriting, and this wasn't and it was in.

0:16:04.440 --> 0:16:07.040
<v Speaker 4>The script was not in the best shape, and it

0:16:07.080 --> 0:16:10.840
<v Speaker 4>was the first time where I started like rewriting and

0:16:10.840 --> 0:16:15.000
<v Speaker 4>pitching stuff and it actually ended up like being what

0:16:15.040 --> 0:16:17.240
<v Speaker 4>we used. And I remember I saved the sides because

0:16:17.280 --> 0:16:18.880
<v Speaker 4>it was like the first time I got to feel

0:16:18.920 --> 0:16:22.320
<v Speaker 4>like I was collaborating and I was so proud of myself.

0:16:22.640 --> 0:16:24.720
<v Speaker 4>So those I kept for a long time. But no,

0:16:25.120 --> 0:16:28.560
<v Speaker 4>you know, because also as a parent in moving, I

0:16:28.720 --> 0:16:30.640
<v Speaker 4>just it's like when you're trying to load up an

0:16:30.760 --> 0:16:32.520
<v Speaker 4>entire house and it's just a box of scripts I

0:16:32.520 --> 0:16:34.520
<v Speaker 4>haven't looked at in three years, it was like, okay,

0:16:34.560 --> 0:16:38.040
<v Speaker 4>I can I can let this go, you know. So nowadays, no,

0:16:38.680 --> 0:16:40.880
<v Speaker 4>like you, though, I have a digital app that I

0:16:40.920 --> 0:16:42.320
<v Speaker 4>sort of have them all if I ever wanted to

0:16:42.320 --> 0:16:42.880
<v Speaker 4>revisit them.

0:16:43.560 --> 0:16:43.760
<v Speaker 3>Yeah.

0:16:44.480 --> 0:16:46.800
<v Speaker 2>Yeah, At some point, it just becomes paper that's just

0:16:46.840 --> 0:16:49.040
<v Speaker 2>taking up space in your house. And it's like I

0:16:49.840 --> 0:16:52.600
<v Speaker 2>like knowing that it's there just for this sort of

0:16:53.560 --> 0:16:56.400
<v Speaker 2>hoarding comfort sense. I don't know what it is, but

0:16:56.440 --> 0:16:58.560
<v Speaker 2>I like knowing that it's in a drawer. But what

0:16:58.640 --> 0:17:00.040
<v Speaker 2>am I ever going to do with it? Like you, So,

0:17:00.120 --> 0:17:02.920
<v Speaker 2>if I have a bunch of sides that I was

0:17:02.960 --> 0:17:04.399
<v Speaker 2>going to send out and then realize there were a

0:17:04.440 --> 0:17:06.120
<v Speaker 2>bunch of phone numbers and stuff on them. I was like, well,

0:17:06.160 --> 0:17:07.719
<v Speaker 2>how long do I wait? Do I just wait for

0:17:07.760 --> 0:17:11.760
<v Speaker 2>like five years? And I've got a file cabinet full

0:17:11.800 --> 0:17:14.840
<v Speaker 2>of sides from our show that I a lot of

0:17:14.880 --> 0:17:17.280
<v Speaker 2>stuff I kept for the sake of auctioning, Like I've

0:17:17.280 --> 0:17:20.520
<v Speaker 2>got a bunch of DVDs and you know, wardrobe pieces

0:17:20.520 --> 0:17:22.080
<v Speaker 2>and stuff. And I'm like, you know, things will come

0:17:22.160 --> 0:17:24.200
<v Speaker 2>up and somebody wants an item for charity and I'll

0:17:24.200 --> 0:17:27.639
<v Speaker 2>sign it and send it off, but I don't do

0:17:27.840 --> 0:17:29.680
<v Speaker 2>you know, I also hate the post office, so I

0:17:29.720 --> 0:17:33.560
<v Speaker 2>don't do it as often as I mean too. But

0:17:33.600 --> 0:17:34.639
<v Speaker 2>it's nice to have them around.

0:17:35.240 --> 0:17:37.840
<v Speaker 4>You said exactly, it's the knowing they're there, which I

0:17:37.840 --> 0:17:41.640
<v Speaker 4>think is like the beginning of the hoarder trap. Because

0:17:41.640 --> 0:17:45.119
<v Speaker 4>I have three boxes of eye zombie cereal in our

0:17:45.160 --> 0:17:47.679
<v Speaker 4>guest closet right now, and about once a year, Jenny's like,

0:17:47.960 --> 0:17:50.800
<v Speaker 4>are you ready to throw these out? I'm like, absolutely

0:17:50.880 --> 0:17:52.720
<v Speaker 4>not no, because what if I want to send one?

0:17:52.840 --> 0:17:54.800
<v Speaker 4>Exactly like you said, you know, but what if? But

0:17:54.840 --> 0:17:55.240
<v Speaker 4>what if?

0:17:55.520 --> 0:17:58.240
<v Speaker 3>By the way, what you should do is take one

0:17:58.280 --> 0:18:01.720
<v Speaker 3>of them and be really careful when you open the

0:18:02.040 --> 0:18:05.480
<v Speaker 3>is there actual cereal in it? It's just okay, or

0:18:05.520 --> 0:18:07.639
<v Speaker 3>you could leave it in there, I guess, but I

0:18:07.640 --> 0:18:10.959
<v Speaker 3>would take one to a great framer and have it

0:18:11.080 --> 0:18:13.840
<v Speaker 3>framed in like a shadow box so it could be mounted,

0:18:14.680 --> 0:18:18.240
<v Speaker 3>you know, some sort of like cool textured linen, you know,

0:18:18.359 --> 0:18:22.600
<v Speaker 3>background or whatever, and then like put it in you know,

0:18:23.240 --> 0:18:25.360
<v Speaker 3>wherever you have a version of like a gallery wall

0:18:25.400 --> 0:18:29.080
<v Speaker 3>or behind your desk or some sort of officey space

0:18:29.200 --> 0:18:32.280
<v Speaker 3>like that is such a cool piece of memorabilia to

0:18:32.320 --> 0:18:35.879
<v Speaker 3>have for you and eventually for the kids and stuff.

0:18:35.920 --> 0:18:39.520
<v Speaker 3>But yeah, like three of them in a dark upper

0:18:39.560 --> 0:18:41.320
<v Speaker 3>closet shelf. You're like, what am I? What am I

0:18:41.400 --> 0:18:41.800
<v Speaker 3>doing with that?

0:18:41.920 --> 0:18:45.600
<v Speaker 2>Do you guys know? Okay? So so concert artists. I

0:18:45.640 --> 0:18:47.720
<v Speaker 2>know this because a friend of mine who's a stylist

0:18:47.920 --> 0:18:56.000
<v Speaker 2>also runs a housing business for artists like musicians outfits

0:18:56.080 --> 0:18:59.160
<v Speaker 2>like things that they wore on stage for award shows

0:18:59.320 --> 0:19:01.760
<v Speaker 2>or whatever that they just don't have room in their

0:19:01.760 --> 0:19:05.160
<v Speaker 2>closet for every special thing that they've worn on stage

0:19:05.320 --> 0:19:07.520
<v Speaker 2>at all these different events over the years. And so

0:19:07.560 --> 0:19:12.320
<v Speaker 2>she's got this super secure warehouse where people send their

0:19:12.800 --> 0:19:14.720
<v Speaker 2>artists will send their items when they're done with the

0:19:14.760 --> 0:19:16.639
<v Speaker 2>concert tour, and it just goes you know, I mean

0:19:16.680 --> 0:19:18.720
<v Speaker 2>Taylor Swiftcott when it's in an airplane hanger. I think

0:19:18.760 --> 0:19:24.919
<v Speaker 2>in Nashville. Yeah, somebody maybe already does or should do

0:19:25.040 --> 0:19:28.320
<v Speaker 2>this for actors who want to save their stuff for

0:19:28.359 --> 0:19:29.960
<v Speaker 2>the sake of like auction to get off to charity.

0:19:29.960 --> 0:19:31.560
<v Speaker 2>Because if we all just sign a bunch of stuff

0:19:31.560 --> 0:19:34.000
<v Speaker 2>and then send it in to somebody who would keep

0:19:34.040 --> 0:19:36.320
<v Speaker 2>it in a warehouse and send it off whenever there's like, oh,

0:19:36.480 --> 0:19:39.120
<v Speaker 2>hey there's a charity blah blah blah needs this, can

0:19:39.160 --> 0:19:40.680
<v Speaker 2>you send it off? We give them the address and

0:19:40.720 --> 0:19:43.639
<v Speaker 2>they do it for us. Like I'd pay a monthly

0:19:43.640 --> 0:19:48.560
<v Speaker 2>feet a house a little cubicle of my memorabilia.

0:19:49.119 --> 0:19:52.800
<v Speaker 3>Sure, and if it were a big enough warehouse, the

0:19:52.840 --> 0:19:57.960
<v Speaker 3>fee per person would be so minimal. Yeah, but it

0:19:58.000 --> 0:20:00.320
<v Speaker 3>would be very That could be like a cool kind

0:20:00.359 --> 0:20:02.800
<v Speaker 3>of collaborative thing. Yeah.

0:20:04.040 --> 0:20:06.000
<v Speaker 4>Have you noticed every time the three of us get

0:20:06.040 --> 0:20:07.800
<v Speaker 4>on a Q and A, we come up with this

0:20:07.960 --> 0:20:11.760
<v Speaker 4>one random business idea. Yeah, this genuinely is like the

0:20:11.800 --> 0:20:13.560
<v Speaker 4>third or fourth business ideas.

0:20:14.520 --> 0:20:16.280
<v Speaker 3>We've had to cut some out of the show because

0:20:16.280 --> 0:20:19.200
<v Speaker 3>we're like, wait, that's a great idea, don't tell anyone

0:20:19.200 --> 0:20:19.480
<v Speaker 3>about it.

0:20:19.560 --> 0:20:22.040
<v Speaker 4>We've actually done that listeners, we've actually cut stuff out

0:20:22.040 --> 0:20:24.760
<v Speaker 4>of the show. Maybe maybe we do that. Maybe we

0:20:24.800 --> 0:20:25.040
<v Speaker 4>do that.

0:20:25.119 --> 0:20:41.160
<v Speaker 2>Once shefally, I was asking, what's the best date you've

0:20:41.200 --> 0:20:43.760
<v Speaker 2>ever had? And the worst?

0:20:44.119 --> 0:20:47.119
<v Speaker 4>Okay, I know one of my worst. I was in

0:20:47.160 --> 0:20:51.320
<v Speaker 4>college and got Everything I talk about revolves around food.

0:20:51.320 --> 0:20:54.840
<v Speaker 4>That's so, that's so raven. Anyways, We're on a day

0:20:55.440 --> 0:20:57.720
<v Speaker 4>and I'm kind of broke, and but we go to

0:20:57.720 --> 0:21:00.199
<v Speaker 4>this nice Italian restaurant and I'm excited because obviously I

0:21:00.200 --> 0:21:03.520
<v Speaker 4>love food, and I'm very excited about this gallon on

0:21:03.560 --> 0:21:07.200
<v Speaker 4>the date with We get our food and she had

0:21:07.200 --> 0:21:12.080
<v Speaker 4>got lobster ravioli and she went to one ravioli and

0:21:12.119 --> 0:21:16.040
<v Speaker 4>she halved it and then she quartered it and she

0:21:16.160 --> 0:21:19.600
<v Speaker 4>had two bites aka half of a ravioli, and she

0:21:19.680 --> 0:21:23.240
<v Speaker 4>was like, I'm stuffed. And I remember in that moment

0:21:23.359 --> 0:21:26.560
<v Speaker 4>just thinking this can this will never work. This is

0:21:26.600 --> 0:21:28.639
<v Speaker 4>the last time we're going to see each other, because

0:21:28.640 --> 0:21:32.080
<v Speaker 4>I can't be with someone who just doesn't eat and

0:21:32.200 --> 0:21:35.520
<v Speaker 4>doesn't like food. I remember just sitting out the rest

0:21:35.520 --> 0:21:37.080
<v Speaker 4>of the time. It was like I was seven minutes

0:21:37.080 --> 0:21:40.159
<v Speaker 4>into the date going, oh, farts.

0:21:42.000 --> 0:21:42.640
<v Speaker 2>I love that.

0:21:43.080 --> 0:21:44.800
<v Speaker 4>Swinging a miss Yeah, how about y'all.

0:21:45.480 --> 0:21:47.600
<v Speaker 3>I have a one that's really not great. It was

0:21:47.680 --> 0:21:55.159
<v Speaker 3>actually in the early years of our show. Sorry for

0:21:55.200 --> 0:21:58.280
<v Speaker 3>the pause. I'm figuring out how to tell the story

0:21:58.320 --> 0:22:02.960
<v Speaker 3>without revealing who it's about. But I I was sent

0:22:03.040 --> 0:22:08.080
<v Speaker 3>a script by someone in our industry that I really respect,

0:22:08.640 --> 0:22:14.240
<v Speaker 3>and it was fabulous and you know the story. You

0:22:14.320 --> 0:22:18.040
<v Speaker 3>join knows the story. And the feedback was, you know,

0:22:18.400 --> 0:22:23.359
<v Speaker 3>you met this person, you know, writer, producer, actor, award winner,

0:22:24.160 --> 0:22:26.119
<v Speaker 3>and they want to know if you're interested in, like,

0:22:26.240 --> 0:22:29.000
<v Speaker 3>you know, playing this sort of like amazing like wild

0:22:29.119 --> 0:22:32.560
<v Speaker 3>Child in this movie. And I was like, yeah, totally

0:22:32.600 --> 0:22:34.320
<v Speaker 3>tracks Brooke Davis at this point, it was still kind

0:22:34.320 --> 0:22:35.720
<v Speaker 3>of a wild Child great and I read it and

0:22:35.760 --> 0:22:37.159
<v Speaker 3>I was like, oh my god, this is so amazing.

0:22:37.160 --> 0:22:39.359
<v Speaker 3>And I was like this is this is like someone

0:22:39.400 --> 0:22:41.680
<v Speaker 3>who made me want to be an actor, Like, oh

0:22:41.680 --> 0:22:45.399
<v Speaker 3>my god, I can't wait. And I remember driving to

0:22:45.440 --> 0:22:48.080
<v Speaker 3>the meeting. I had to fly to LA and I

0:22:48.119 --> 0:22:51.280
<v Speaker 3>had to like, you know, go for this like late

0:22:51.359 --> 0:22:53.840
<v Speaker 3>lunch meeting because they had something at noon. So we

0:22:53.840 --> 0:22:56.800
<v Speaker 3>were going to meet it too, at this very famous

0:22:56.800 --> 0:22:58.960
<v Speaker 3>restaurant in Malibu because it was like, you know, near

0:22:59.000 --> 0:23:01.760
<v Speaker 3>their fancy house. Uh, and it was a Friday, and

0:23:01.800 --> 0:23:04.280
<v Speaker 3>so like, listen, they don't do Friday afternoon meetings. But

0:23:04.320 --> 0:23:05.840
<v Speaker 3>get that you're on a show and this is the

0:23:05.840 --> 0:23:08.520
<v Speaker 3>one day you have off for you know, the next

0:23:08.520 --> 0:23:11.240
<v Speaker 3>three episodes or whatever. So this is how we're going

0:23:11.320 --> 0:23:12.760
<v Speaker 3>to make it work. And I was like totally. I

0:23:12.840 --> 0:23:15.560
<v Speaker 3>like thought nothing of it. So I get out there

0:23:15.560 --> 0:23:17.159
<v Speaker 3>and I'm like talking to my best friend on the way,

0:23:17.200 --> 0:23:19.280
<v Speaker 3>and I'm like, how do I like be cool but

0:23:19.320 --> 0:23:21.320
<v Speaker 3>be excited but not be too excited, and like, what

0:23:21.320 --> 0:23:24.000
<v Speaker 3>do I I've made notes through the whole script, things

0:23:24.040 --> 0:23:26.119
<v Speaker 3>to talk about, character beats, all the things, you know,

0:23:28.119 --> 0:23:30.200
<v Speaker 3>And I get out there and it's, you know, so sorry,

0:23:30.240 --> 0:23:33.119
<v Speaker 3>the noon was at Universal and now coming from the

0:23:33.200 --> 0:23:37.040
<v Speaker 3>valley to Malibu is taking forever. You know, this person

0:23:37.080 --> 0:23:39.000
<v Speaker 3>will be there at three, And I was like okay.

0:23:39.600 --> 0:23:41.080
<v Speaker 3>And then at like two point fifty, I get a

0:23:41.080 --> 0:23:43.639
<v Speaker 3>phone call from you know, the agent's assistant on the

0:23:43.680 --> 0:23:47.000
<v Speaker 3>desk being like, traffic's really bad. You're so lucky you

0:23:47.040 --> 0:23:48.880
<v Speaker 3>went out there early to like make sure you were

0:23:48.880 --> 0:23:53.280
<v Speaker 3>on time, looking like maybe three forty five. Anyway, you

0:23:53.320 --> 0:23:55.040
<v Speaker 3>get the story. It pushes and it pushes and it

0:23:55.040 --> 0:23:56.680
<v Speaker 3>pushes and it pushes and then it's five thirty and

0:23:56.720 --> 0:23:58.480
<v Speaker 3>then this person walks in almost at six.

0:23:58.840 --> 0:24:00.120
<v Speaker 2>Oh my god.

0:24:00.560 --> 0:24:03.719
<v Speaker 4>By the way, that's not just traffic, that's the terrible

0:24:04.240 --> 0:24:04.840
<v Speaker 4>and says, I've.

0:24:04.800 --> 0:24:08.159
<v Speaker 3>Kept you here all day. I am so sorry. My apologies.

0:24:08.200 --> 0:24:12.040
<v Speaker 3>Were pitching this other film we're so excited about. Unfortunately,

0:24:12.080 --> 0:24:13.679
<v Speaker 3>just you know, guys, my age in it. You know,

0:24:14.280 --> 0:24:15.600
<v Speaker 3>if there was a role in it, I would have

0:24:15.600 --> 0:24:16.880
<v Speaker 3>had them send it to you so you could read

0:24:16.880 --> 0:24:19.240
<v Speaker 3>it while you were waiting. But let's talk about this one.

0:24:19.240 --> 0:24:21.320
<v Speaker 3>And since I've kept you waiting, let me buy you dinner.

0:24:21.760 --> 0:24:24.600
<v Speaker 3>And I was like, I just got date napped. I

0:24:24.640 --> 0:24:27.560
<v Speaker 3>am on a fucking date. But I didn't agree to

0:24:27.600 --> 0:24:30.359
<v Speaker 3>go on with someone that until this moment I have

0:24:30.560 --> 0:24:33.760
<v Speaker 3>literally respected for like my whole life. And now I'm

0:24:33.880 --> 0:24:39.800
<v Speaker 3>stuck here and what do I do? And it was

0:24:40.880 --> 0:24:45.679
<v Speaker 3>such a bummer, But now it's like a pretty hilarious story.

0:24:46.000 --> 0:24:48.240
<v Speaker 2>How was the dinner? I mean, did you like, was

0:24:48.280 --> 0:24:49.240
<v Speaker 2>it interesting at least?

0:24:49.359 --> 0:24:51.479
<v Speaker 3>Or was it I had fish, it was lovely.

0:24:52.600 --> 0:24:56.480
<v Speaker 4>Was this guy even trying to make it a business

0:24:56.480 --> 0:24:58.439
<v Speaker 4>mean or was it clear he was just trying to

0:24:58.960 --> 0:24:59.560
<v Speaker 4>now have a date.

0:25:00.400 --> 0:25:04.439
<v Speaker 3>It became like pretty clear, because there was definitely a

0:25:04.560 --> 0:25:06.720
<v Speaker 3>like here's you know, this was still when our agents

0:25:06.720 --> 0:25:09.920
<v Speaker 3>were sending us physical scripts, and I was like, okay,

0:25:09.920 --> 0:25:11.439
<v Speaker 3>well here's my script and here's my notes, and I

0:25:11.440 --> 0:25:14.240
<v Speaker 3>have questions and then these are my thoughts, and you know,

0:25:15.200 --> 0:25:17.560
<v Speaker 3>I know you obviously you know you co wrote it.

0:25:17.560 --> 0:25:19.840
<v Speaker 3>And if you don't want thoughts but you just want questions,

0:25:19.920 --> 0:25:21.720
<v Speaker 3>let me know, like trying to be kind of funny.

0:25:23.320 --> 0:25:27.560
<v Speaker 3>And the immediate response was we we'll get to that,

0:25:28.000 --> 0:25:31.200
<v Speaker 3>like how are you? And then and then commentary was

0:25:31.240 --> 0:25:33.520
<v Speaker 3>made about what this person knew about what had been

0:25:33.520 --> 0:25:35.720
<v Speaker 3>going on in my life. That was, you know, very

0:25:35.720 --> 0:25:39.720
<v Speaker 3>public and sad at the time. And my favorite line

0:25:39.760 --> 0:25:41.440
<v Speaker 3>was you know, well, you know you can't date men

0:25:41.480 --> 0:25:44.239
<v Speaker 3>your own age. They're all useless idiots. And I was like,

0:25:44.320 --> 0:25:46.320
<v Speaker 3>oh my god. I was like I got to get

0:25:46.320 --> 0:25:49.160
<v Speaker 3>out of here, Like, bro, you're not like old enough

0:25:49.200 --> 0:25:51.440
<v Speaker 3>to be my dad, but you're way closer in age

0:25:51.440 --> 0:25:55.000
<v Speaker 3>to my dad than I am, so I'm going to

0:25:55.040 --> 0:25:56.359
<v Speaker 3>have to leave. Yeah.

0:25:56.440 --> 0:25:59.399
<v Speaker 4>Gross, But he also wasn't wrong. Let's be honest, guys,

0:25:59.560 --> 0:26:00.800
<v Speaker 4>guys that genuinely have that.

0:26:01.040 --> 0:26:04.560
<v Speaker 3>Here's the thing turns out in our mid twenties. Yes,

0:26:04.960 --> 0:26:07.960
<v Speaker 3>you all are very stupid, and then you grow out

0:26:07.960 --> 0:26:09.560
<v Speaker 3>of it and look at what charmers you are now.

0:26:09.560 --> 0:26:13.199
<v Speaker 3>I adore you all, But my god, I was just like,

0:26:13.960 --> 0:26:16.119
<v Speaker 3>how long do I have to stay here? Not to

0:26:16.160 --> 0:26:20.840
<v Speaker 3>get like blacklisted? But how quickly can I leave?

0:26:21.640 --> 0:26:25.600
<v Speaker 2>Yeah? Those situations are the worst. It's so so uncomfortable.

0:26:25.640 --> 0:26:28.160
<v Speaker 2>It's easier now that I'm older, obviously, but yeah, when

0:26:28.160 --> 0:26:30.560
<v Speaker 2>you get young, you don't know what the what are

0:26:30.560 --> 0:26:33.480
<v Speaker 2>the rules of play? How do I And that's kind

0:26:33.480 --> 0:26:36.399
<v Speaker 2>of what that personality banks on, is you being uncomfortable

0:26:36.440 --> 0:26:39.040
<v Speaker 2>and not knowing what to do and being like a

0:26:39.040 --> 0:26:40.760
<v Speaker 2>deer in the headlights. It's so gross.

0:26:41.080 --> 0:26:44.560
<v Speaker 4>Well, by the way, go ahead, rob as you can say,

0:26:44.600 --> 0:26:48.639
<v Speaker 4>the audacity and the stupidity of going ah yeah, you know,

0:26:48.880 --> 0:26:51.159
<v Speaker 4>probably the best way to kick off a date is

0:26:51.200 --> 0:26:55.320
<v Speaker 4>the keeper waiting for about three to four hours. That's

0:26:55.320 --> 0:26:57.520
<v Speaker 4>a power play, right, that's the power play?

0:26:57.880 --> 0:26:59.800
<v Speaker 2>Yeah, it isn't And it's to see how much you'll

0:26:59.800 --> 0:27:01.920
<v Speaker 2>put up with ahead of yeah.

0:27:02.119 --> 0:27:05.840
<v Speaker 3>Yeah, And that was the interesting thing for me looking back,

0:27:05.920 --> 0:27:08.679
<v Speaker 3>I realized, you know, and we were doing this all

0:27:08.720 --> 0:27:12.560
<v Speaker 3>the time. I mean, you know, Joy and I everybody

0:27:12.640 --> 0:27:14.439
<v Speaker 3>and especially in the early days of the show, you

0:27:14.480 --> 0:27:17.719
<v Speaker 3>had to fly everywhere for a meeting. Yeah, and it's like,

0:27:17.800 --> 0:27:20.720
<v Speaker 3>if you know, I flew out from Wilmington on the

0:27:20.840 --> 0:27:23.159
<v Speaker 3>five thirty am flight, like it was a whole thing,

0:27:23.200 --> 0:27:24.479
<v Speaker 3>and I was like, well, I flew all the way here.

0:27:24.480 --> 0:27:27.159
<v Speaker 3>I took two planes. I came here for this meeting,

0:27:27.280 --> 0:27:28.879
<v Speaker 3>like I'm going to have this meeting. It could be

0:27:28.920 --> 0:27:32.840
<v Speaker 3>a really big deal, and you know, somebody with an

0:27:33.000 --> 0:27:36.879
<v Speaker 3>iconic filmography that I really again respect. And then it

0:27:36.920 --> 0:27:39.960
<v Speaker 3>was like, oh, I have to do two things at once.

0:27:40.000 --> 0:27:41.919
<v Speaker 3>I have to be bummed as a human that this

0:27:42.000 --> 0:27:44.240
<v Speaker 3>is what's happening. And on the other side, I have

0:27:44.320 --> 0:27:49.399
<v Speaker 3>to figure out how to sort of strategically make my

0:27:49.600 --> 0:27:57.880
<v Speaker 3>boundaries very clear but also not risk like she's terrible

0:27:58.000 --> 0:28:01.640
<v Speaker 3>or difficult or whatever. Story per me an industry from

0:28:01.640 --> 0:28:04.479
<v Speaker 3>someone where there's such a power imbalance. So it was

0:28:04.520 --> 0:28:07.280
<v Speaker 3>like a really it was kind of a curious thing.

0:28:07.280 --> 0:28:10.199
<v Speaker 3>And I look back now and like, yeah, now, like

0:28:10.320 --> 0:28:12.120
<v Speaker 3>this version of me, i'd be like, are you looking

0:28:12.200 --> 0:28:16.520
<v Speaker 3>for real? I'm leaving. But at the time I had

0:28:16.560 --> 0:28:19.400
<v Speaker 3>to sort of try to figure out what I could

0:28:19.440 --> 0:28:23.560
<v Speaker 3>say and what I couldn't and sort of shoot the

0:28:23.560 --> 0:28:26.600
<v Speaker 3>shit about you know, the movie i'd just made and

0:28:26.640 --> 0:28:29.320
<v Speaker 3>the movie I knew they'd just made. And then of

0:28:29.359 --> 0:28:31.199
<v Speaker 3>course when like should we get around to drinks? I

0:28:31.240 --> 0:28:33.720
<v Speaker 3>was like, oh, I live like really far from here

0:28:33.760 --> 0:28:35.480
<v Speaker 3>and I drove, so no, like I don't. I don't

0:28:35.520 --> 0:28:37.200
<v Speaker 3>drink and drive. That's a that's a big no no

0:28:37.359 --> 0:28:40.200
<v Speaker 3>for me. And at least I had the wherewithal to

0:28:40.400 --> 0:28:43.120
<v Speaker 3>like not say I'm not going to have drinks with you, dude,

0:28:43.400 --> 0:28:45.160
<v Speaker 3>but to be like, I'm not going to have drinks

0:28:45.200 --> 0:28:49.440
<v Speaker 3>with you, sir father figure, like goodbye.

0:28:49.200 --> 0:28:55.080
<v Speaker 2>Or gross gross wow, whoa, that's a bad date.

0:28:55.520 --> 0:28:59.240
<v Speaker 3>It also, like the lore of it is quite funny,

0:28:59.280 --> 0:29:01.640
<v Speaker 3>and there are details that Joy knows, which I'll tell

0:29:01.640 --> 0:29:05.320
<v Speaker 3>you offline, Rob, that are so ridiculous. So it is

0:29:05.360 --> 0:29:07.640
<v Speaker 3>one of those things where like in my group of friends,

0:29:07.720 --> 0:29:09.480
<v Speaker 3>someone will go on a bad date and be like,

0:29:09.560 --> 0:29:12.520
<v Speaker 3>but you didn't get date napped by like fill in

0:29:12.560 --> 0:29:16.000
<v Speaker 3>the blank, and everybody laughs, like it's given to us

0:29:16.040 --> 0:29:16.960
<v Speaker 3>for twenty years.

0:29:17.040 --> 0:29:17.480
<v Speaker 4>Oh yeah.

0:29:17.520 --> 0:29:19.720
<v Speaker 2>It's one of those stories that like when you write

0:29:19.720 --> 0:29:23.040
<v Speaker 2>a memoir eventually and everyone is year old and it

0:29:23.080 --> 0:29:25.320
<v Speaker 2>doesn't matter. Yes, it's good.

0:29:25.640 --> 0:29:27.400
<v Speaker 3>I'll be like, let me tell you who it was.

0:29:28.840 --> 0:29:29.560
<v Speaker 3>It'll be great.

0:29:30.200 --> 0:29:32.000
<v Speaker 4>I can't wait to find out. Joy. Do you want

0:29:32.000 --> 0:29:33.600
<v Speaker 4>to jump in on this bad date train? Yeah?

0:29:33.680 --> 0:29:36.080
<v Speaker 2>I mean I've had a few bad datesn't. I didn't

0:29:36.160 --> 0:29:38.240
<v Speaker 2>date a lot because you know, I kind of got

0:29:38.280 --> 0:29:41.880
<v Speaker 2>married right away and then like afterward was I was

0:29:41.960 --> 0:29:44.600
<v Speaker 2>pretty in monogamous relationships. I don't have a ton of

0:29:44.600 --> 0:29:47.840
<v Speaker 2>bad dates. One bad date I had while I was

0:29:47.880 --> 0:29:52.120
<v Speaker 2>in a relationship, I went we went to a friend's

0:29:52.120 --> 0:29:54.800
<v Speaker 2>birthday dinner at one of those restaurants where they waiters sing,

0:29:55.600 --> 0:30:05.360
<v Speaker 2>and my date was drinking heavily as per usual, and

0:30:07.600 --> 0:30:10.080
<v Speaker 2>really wanted me to get up and sing a duet

0:30:10.160 --> 0:30:13.560
<v Speaker 2>with one of the waiters. So he's like trying to crawl.

0:30:13.680 --> 0:30:15.680
<v Speaker 3>I'm like, well, no, I have to fix my hair

0:30:15.760 --> 0:30:18.400
<v Speaker 3>even though it's messy. I I need to touch something I

0:30:18.440 --> 0:30:19.120
<v Speaker 3>want to buy.

0:30:19.200 --> 0:30:23.320
<v Speaker 2>So good, And I I didn't mind. I thought. I

0:30:23.360 --> 0:30:25.600
<v Speaker 2>was like, I mean, sure, whatever, Like it's it's a

0:30:25.720 --> 0:30:28.320
<v Speaker 2>it was a casual environment. It's like, yeah, this would

0:30:28.320 --> 0:30:29.840
<v Speaker 2>be fun if he So he's like, I'm going to

0:30:29.880 --> 0:30:31.200
<v Speaker 2>go talk to the I'm going to go back to

0:30:31.240 --> 0:30:33.040
<v Speaker 2>the guy playing the piano and tell him what the

0:30:33.040 --> 0:30:34.960
<v Speaker 2>song you want to sing? But I was like whatever,

0:30:35.320 --> 0:30:36.880
<v Speaker 2>if he wants to do something, I'd be happy to.

0:30:37.000 --> 0:30:38.880
<v Speaker 2>But there's I mean, we're here for my friend's birthday.

0:30:38.880 --> 0:30:40.440
<v Speaker 2>But it was like a big casual thing, so like

0:30:40.560 --> 0:30:42.680
<v Speaker 2>I was whatever. Anyway, So he goes up there and

0:30:42.720 --> 0:30:45.240
<v Speaker 2>the guy says, oh, we don't. It's really just the

0:30:45.280 --> 0:30:48.640
<v Speaker 2>staff here that's sing. And I was like, thumbs up, great,

0:30:48.960 --> 0:30:53.560
<v Speaker 2>let's get back to dinner. And he got really insistent,

0:30:53.760 --> 0:30:55.480
<v Speaker 2>like no, no, you got to hear her sing, like

0:30:55.480 --> 0:30:57.040
<v Speaker 2>she's got to say. And I was like, no, dude,

0:30:57.040 --> 0:30:59.120
<v Speaker 2>like we're here for our friend's birthday dinner. Just sit down.

0:30:59.200 --> 0:31:05.400
<v Speaker 2>Let's just our dinner. And the waiter comes over and

0:31:05.480 --> 0:31:08.680
<v Speaker 2>he he starts arguing with the waiter, and the waiter's like,

0:31:08.720 --> 0:31:11.440
<v Speaker 2>I don't. I mean, it's fine, I'll sing with her.

0:31:11.440 --> 0:31:12.440
<v Speaker 2>And I was like, I don't want to. I don't

0:31:12.440 --> 0:31:14.000
<v Speaker 2>want to sing. I don't. I'm not, it's fine. Let's

0:31:14.040 --> 0:31:17.040
<v Speaker 2>just eat our pasta. It's good. And he stands up

0:31:17.080 --> 0:31:21.040
<v Speaker 2>and starts yelling at the waiter of this whole restaurant

0:31:21.120 --> 0:31:22.720
<v Speaker 2>like you could hear a pin drop. Everybody in the

0:31:22.760 --> 0:31:25.120
<v Speaker 2>restaurant gets quiet and We're just listening to him like

0:31:25.800 --> 0:31:29.640
<v Speaker 2>burreat this poor waiter about not letting me sing with him,

0:31:29.680 --> 0:31:31.960
<v Speaker 2>and I was like, oh my god, I want to

0:31:32.000 --> 0:31:35.560
<v Speaker 2>crawl into a hole. Everybody at the table is just like,

0:31:35.600 --> 0:31:37.640
<v Speaker 2>hey man, sit down, like girl, it's all good, it's

0:31:37.640 --> 0:31:40.680
<v Speaker 2>all good. And uh, you know, of course we went

0:31:40.760 --> 0:31:43.920
<v Speaker 2>I like went to check on the waiter and left him.

0:31:44.040 --> 0:31:46.320
<v Speaker 2>We all left him at Big Tip. But it was

0:31:46.480 --> 0:31:48.880
<v Speaker 2>like that was one of those moments where you're just

0:31:48.920 --> 0:31:50.400
<v Speaker 2>like what am I? What am I doing here? Why

0:31:51.480 --> 0:31:54.200
<v Speaker 2>I'm by my hair? What is this life?

0:31:54.480 --> 0:31:56.800
<v Speaker 3>The when you go up on the ceiling and you're like,

0:31:57.240 --> 0:32:00.520
<v Speaker 3>how has it gotten here? Yeah? How did it get

0:32:00.520 --> 0:32:01.840
<v Speaker 3>away from me? And now we're here?

0:32:02.200 --> 0:32:04.280
<v Speaker 2>How is this a part of any day in my life?

0:32:04.640 --> 0:32:08.640
<v Speaker 2>I'm not understanding where this came from, or I guess

0:32:08.680 --> 0:32:10.160
<v Speaker 2>I knew where it came from. I just didn't know

0:32:10.200 --> 0:32:14.160
<v Speaker 2>I had made allowances for so many little things to

0:32:14.200 --> 0:32:16.880
<v Speaker 2>the point where now we're here. Yeah, So that was

0:32:16.920 --> 0:32:18.600
<v Speaker 2>a bad date night.

0:32:20.840 --> 0:32:23.000
<v Speaker 4>All of a sudden, two bites of ravioli isn't looking

0:32:23.040 --> 0:32:26.680
<v Speaker 4>so bad. I'm glad I went first, because I certainly

0:32:26.680 --> 0:32:31.840
<v Speaker 4>couldn't follow either of those. All right, let's with old

0:32:32.000 --> 0:32:36.200
<v Speaker 4>Brandon's question. I'm sure it's Brandon, but your nickname should

0:32:36.240 --> 0:32:38.800
<v Speaker 4>have been in there. He calls himself the Dawn for short.

0:32:39.040 --> 0:32:43.680
<v Speaker 4>Uh absolutely asks who would win in an arm wrestling contest, Rob,

0:32:43.960 --> 0:32:47.480
<v Speaker 4>Chad or James. I can give you definitive answer. James

0:32:47.520 --> 0:32:50.120
<v Speaker 4>would win. Yeah, and then it would be Chad n

0:32:50.160 --> 0:32:52.600
<v Speaker 4>I and the loser's bracket and we would get so

0:32:52.760 --> 0:32:55.400
<v Speaker 4>lost in each other's eyes that it would be a tie.

0:32:55.720 --> 0:32:58.560
<v Speaker 2>Okay, yeah, nobody else can answer that except you.

0:32:58.680 --> 0:33:02.480
<v Speaker 4>If you asked, Brandon, you asked there, you go, all.

0:33:02.520 --> 0:33:05.600
<v Speaker 3>Right, definitively. I like, I like the button on it. Rob,

0:33:06.680 --> 0:33:07.480
<v Speaker 3>It's very good.

0:33:07.960 --> 0:33:09.960
<v Speaker 2>I can see that. I can see how like James

0:33:10.040 --> 0:33:14.200
<v Speaker 2>has a has a switch flip thing where he can

0:33:15.000 --> 0:33:17.840
<v Speaker 2>it's like when he when he's decided he's going to

0:33:17.880 --> 0:33:20.040
<v Speaker 2>do something and commit to it and go for it.

0:33:20.120 --> 0:33:23.120
<v Speaker 2>I think there's like just absolutely no chance he doesn't

0:33:24.320 --> 0:33:26.720
<v Speaker 2>succeed at whatever that is. And so I think if

0:33:26.720 --> 0:33:29.640
<v Speaker 2>he decided in that moment, I don't know, is it

0:33:29.680 --> 0:33:30.920
<v Speaker 2>like psychological warfare?

0:33:32.920 --> 0:33:35.120
<v Speaker 4>Just like he's kind of built like Superman, you know,

0:33:35.280 --> 0:33:38.080
<v Speaker 4>I just feel like he's he's not just vanity strong

0:33:38.160 --> 0:33:41.040
<v Speaker 4>he's just strong, strong, and he's not even a dad yet.

0:33:41.040 --> 0:33:44.320
<v Speaker 4>He's his strength is going to be something out of

0:33:44.320 --> 0:33:46.280
<v Speaker 4>this world. But he's just a very strong guy.

0:33:46.760 --> 0:33:47.240
<v Speaker 2>That's true.

0:33:47.320 --> 0:33:50.360
<v Speaker 4>Yes, it's like you know how people in cold weather

0:33:50.440 --> 0:33:55.400
<v Speaker 4>are just different, like lumberjacks in the Arctic or just different. Yes,

0:33:55.480 --> 0:33:58.440
<v Speaker 4>just different. Yes, yes, that is that is James is

0:33:58.440 --> 0:34:02.160
<v Speaker 4>the Hollywood equivalent of that. Maybe asks an interesting question?

0:34:02.280 --> 0:34:04.040
<v Speaker 4>Is going to jump back in here again? She said,

0:34:04.040 --> 0:34:06.160
<v Speaker 4>is there a reason that only certain members of the

0:34:06.240 --> 0:34:10.879
<v Speaker 4>cast have nicknames? I e. Junk Mouth, Fergie Skills. What

0:34:11.000 --> 0:34:13.480
<v Speaker 4>nickname would you give Clay, Brooke and.

0:34:13.360 --> 0:34:18.359
<v Speaker 2>Haley Well Hailey as tutor girl Brook.

0:34:18.560 --> 0:34:21.400
<v Speaker 4>Yes, I liked Jayley when you went to jail.

0:34:21.640 --> 0:34:22.359
<v Speaker 3>Yeah, I like that.

0:34:22.360 --> 0:34:24.120
<v Speaker 2>That's fun. I forgot about that.

0:34:24.400 --> 0:34:30.240
<v Speaker 3>Yes, when when Brooks parents went broke in high school,

0:34:30.239 --> 0:34:33.239
<v Speaker 3>everyone called her Broke Davis, which was sad it was

0:34:33.280 --> 0:34:33.880
<v Speaker 3>a nickname.

0:34:35.160 --> 0:34:38.160
<v Speaker 4>I was going to say, given the last episode we watched,

0:34:38.200 --> 0:34:41.239
<v Speaker 4>which is close over bros Getting in financial trouble and

0:34:41.280 --> 0:34:43.479
<v Speaker 4>Brooke getting arrested, I was thinking we could just change

0:34:43.520 --> 0:34:44.400
<v Speaker 4>Brook to crook.

0:34:45.880 --> 0:34:50.160
<v Speaker 2>Brooke Davis. Yeah, I what is Clay?

0:34:50.560 --> 0:34:51.760
<v Speaker 3>What's Clay's nickname?

0:34:51.880 --> 0:34:55.279
<v Speaker 4>I feel like I was thinking, like something along lines

0:34:55.320 --> 0:35:01.560
<v Speaker 4>of Memento or like Doctor Forgetful. I feel like that's Goldfish.

0:35:01.719 --> 0:35:03.239
<v Speaker 3>Sure, gold Fish is good.

0:35:03.680 --> 0:35:07.120
<v Speaker 4>I feel like we need to circle the amnesia part

0:35:07.120 --> 0:35:07.439
<v Speaker 4>of it.

0:35:07.760 --> 0:35:12.680
<v Speaker 2>Yeah, Goldfish, okay. Man Ali wants to know what your

0:35:12.960 --> 0:35:15.880
<v Speaker 2>top three favorite shows are, like of all time?

0:35:16.480 --> 0:35:20.120
<v Speaker 4>Oh today though your favorite all time shows? Today?

0:35:20.440 --> 0:35:21.239
<v Speaker 2>Wait? What do you mean?

0:35:21.719 --> 0:35:23.600
<v Speaker 4>It's the way of hedging your bets right where it's like,

0:35:23.600 --> 0:35:25.560
<v Speaker 4>what's your favorite food? And that's an impossible question. I

0:35:25.560 --> 0:35:27.640
<v Speaker 4>freeze up, so I answered, and I go today my

0:35:27.719 --> 0:35:30.640
<v Speaker 4>favorite food is because it's me giving my brain the

0:35:30.680 --> 0:35:33.080
<v Speaker 4>out that you're allowed to change this at a different time.

0:35:34.760 --> 0:35:36.560
<v Speaker 2>Mad Men, Friends, Game of Friends.

0:35:36.920 --> 0:35:40.960
<v Speaker 3>Ooh good, okay? I mean Orphan Black will always be

0:35:41.080 --> 0:35:45.560
<v Speaker 3>in my in my top as of today, I just

0:35:45.680 --> 0:35:49.640
<v Speaker 3>binged the first three episodes of the Madness with Coleman Domingo,

0:35:49.880 --> 0:35:53.640
<v Speaker 3>and I have not seen a show that good in years.

0:35:54.320 --> 0:36:02.840
<v Speaker 3>I am beside myself. Oh this is so hard. What else?

0:36:03.360 --> 0:36:07.839
<v Speaker 3>What have I been watching? I've been watching I've been

0:36:07.880 --> 0:36:10.080
<v Speaker 3>watching something on HBO and I can't think of what

0:36:10.160 --> 0:36:12.640
<v Speaker 3>it is. This is it that these questions are too

0:36:12.719 --> 0:36:14.320
<v Speaker 3>high pressure for me and my brain goes blank.

0:36:15.200 --> 0:36:18.880
<v Speaker 4>Okay, I'm gonna buy you a moment, buy me a minute. Patriot.

0:36:20.040 --> 0:36:22.880
<v Speaker 3>I love The Patriots.

0:36:22.920 --> 0:36:26.920
<v Speaker 4>Such a great show, arrested development. To be fair, though,

0:36:26.960 --> 0:36:31.640
<v Speaker 4>like specifically seasons one through three especially Yes, yeah uh

0:36:31.680 --> 0:36:34.920
<v Speaker 4>and oh man, it's tough. I'd say thirty Rock.

0:36:35.000 --> 0:36:37.799
<v Speaker 3>Oh my god, iconic, you know what in the in

0:36:37.800 --> 0:36:42.160
<v Speaker 3>the comedy vein, Yes, in the third spot. I think

0:36:42.160 --> 0:36:46.120
<v Speaker 3>I'd actually have to give a tie. It would tie

0:36:46.160 --> 0:36:48.600
<v Speaker 3>for me between VEEP and Parks and rec.

0:36:49.560 --> 0:36:49.799
<v Speaker 4>Yeah.

0:36:51.040 --> 0:36:53.680
<v Speaker 2>So genius, so genius, genius.

0:36:54.080 --> 0:36:54.319
<v Speaker 4>Rob.

0:36:54.360 --> 0:36:58.960
<v Speaker 2>I started watching Detroiters on your recommendation. I really like

0:36:59.040 --> 0:37:02.360
<v Speaker 2>it. It's great, really great. I was I mean the episode

0:37:02.360 --> 0:37:04.640
<v Speaker 2>where they're trying to break the glass wind the glass

0:37:04.640 --> 0:37:06.480
<v Speaker 2>window and I'm still in the beginning, but I was

0:37:06.600 --> 0:37:08.640
<v Speaker 2>laughing my ass off. It was like late at night

0:37:08.680 --> 0:37:10.720
<v Speaker 2>in bed and I'm just crying laughing.

0:37:11.560 --> 0:37:13.600
<v Speaker 4>I love that show. That would make my short list

0:37:13.760 --> 0:37:14.160
<v Speaker 4>as well.

0:37:14.400 --> 0:37:16.320
<v Speaker 2>Yeah, all right, that's great.

0:37:17.000 --> 0:37:19.240
<v Speaker 3>That feels fun. I want to ask this question because

0:37:19.280 --> 0:37:23.880
<v Speaker 3>we all we've we've bonded over many and made many

0:37:23.920 --> 0:37:27.760
<v Speaker 3>for one another. Mikayla, uh, let's call her a little Mikayla.

0:37:27.880 --> 0:37:30.399
<v Speaker 3>She she We're just going to keep it going. Wants

0:37:30.440 --> 0:37:33.520
<v Speaker 3>to know what cocktail reminds you of your oth days.

0:37:33.880 --> 0:37:36.120
<v Speaker 2>I was a wine drinker back then. I wasn't drinking

0:37:36.160 --> 0:37:39.040
<v Speaker 2>a lot of a lot of liquor, were you, guys?

0:37:39.640 --> 0:37:44.800
<v Speaker 4>Yeah, I would.

0:37:44.880 --> 0:37:47.399
<v Speaker 3>I would go for wine. And I feel like we've

0:37:47.400 --> 0:37:49.080
<v Speaker 3>talked about this. We all really got to learn a

0:37:49.120 --> 0:37:52.680
<v Speaker 3>lot about wine thanks to Paul. Yeah, and Hank at Deluxe,

0:37:52.719 --> 0:37:55.520
<v Speaker 3>Like that was always so nice. But when we were

0:37:55.520 --> 0:37:57.439
<v Speaker 3>shooting One Tree Hill is when I started to get

0:37:57.520 --> 0:38:02.960
<v Speaker 3>really into old fashions. And my sort of favorite like

0:38:03.000 --> 0:38:05.480
<v Speaker 3>ha ha moment at a bar was always ordering an

0:38:05.480 --> 0:38:07.680
<v Speaker 3>old fashion and like you know, some golf dad would

0:38:07.680 --> 0:38:09.880
<v Speaker 3>be like, who's that for? And I'd be like me,

0:38:10.760 --> 0:38:13.719
<v Speaker 3>it's for me, And it always felt so nice.

0:38:13.800 --> 0:38:16.080
<v Speaker 2>Yeah, when you're like twenty two, you're like, look, look

0:38:16.160 --> 0:38:19.239
<v Speaker 2>what a what an unexpected girl I am.

0:38:19.520 --> 0:38:22.359
<v Speaker 3>I'm twenty six and I'm drinking a sixty two year

0:38:22.360 --> 0:38:25.000
<v Speaker 3>old men's drink And I like that about myself.

0:38:25.680 --> 0:38:31.080
<v Speaker 4>Yeah. I Season nine, Steven Coletti and I discovered the

0:38:31.160 --> 0:38:34.799
<v Speaker 4>Jamison pickleback, which is a shot of jamison and a

0:38:34.840 --> 0:38:38.520
<v Speaker 4>shot of pickle juice. Here's the weirdest thing. It tastes

0:38:38.520 --> 0:38:42.239
<v Speaker 4>like a McDonald's hamburger. I can't expect it. And we

0:38:42.560 --> 0:38:46.000
<v Speaker 4>went so hard that we would just we There was

0:38:46.040 --> 0:38:47.880
<v Speaker 4>a couple of bars that we went to. We're like, guys,

0:38:47.880 --> 0:38:49.000
<v Speaker 4>we're out of pickle juice.

0:38:49.040 --> 0:38:51.560
<v Speaker 3>Like they're like, please leave us alone.

0:38:51.800 --> 0:38:55.480
<v Speaker 4>Yeah, So that's that would be my my nostalgia.

0:38:55.560 --> 0:38:58.400
<v Speaker 2>It's kind of genius. I think in terms of not

0:38:58.640 --> 0:39:03.399
<v Speaker 2>making the the pickle juice being such a hydrator that

0:39:03.560 --> 0:39:06.399
<v Speaker 2>it's not gonna the alcohol maybe doesn't have the same

0:39:06.440 --> 0:39:09.319
<v Speaker 2>effect as it would if you were just taking it

0:39:09.360 --> 0:39:10.239
<v Speaker 2>straight right.

0:39:10.280 --> 0:39:11.839
<v Speaker 4>I don't know if that chemistry checks out.

0:39:11.880 --> 0:39:12.359
<v Speaker 2>Is it now?

0:39:12.480 --> 0:39:15.640
<v Speaker 4>Juice highly sodium content? Isn't there a massive Yeah?

0:39:15.640 --> 0:39:19.040
<v Speaker 2>But it's lights. It's all. It's like athletes will drink

0:39:19.080 --> 0:39:21.640
<v Speaker 2>pickle juice or pickle water or whatever.

0:39:22.320 --> 0:39:25.280
<v Speaker 4>Are you telling me? We were actually just really taking

0:39:25.320 --> 0:39:26.600
<v Speaker 4>good care of ourselves with.

0:39:27.440 --> 0:39:29.840
<v Speaker 2>Yes, this is top tier help.

0:39:31.280 --> 0:39:35.640
<v Speaker 3>I did remember reading something because Jenny Smart is also

0:39:35.680 --> 0:39:37.880
<v Speaker 3>a real fan of a pickleback. I personally am not,

0:39:38.160 --> 0:39:42.360
<v Speaker 3>but that was also her jam in our Willington days.

0:39:44.239 --> 0:39:49.120
<v Speaker 3>I remember forwarding her the little video clip about it.

0:39:49.760 --> 0:39:53.920
<v Speaker 3>Pickle juice does something like really incredible. I think it

0:39:53.960 --> 0:39:56.000
<v Speaker 3>can stop a migraine. Maybe I'm going to need to

0:39:56.000 --> 0:39:59.240
<v Speaker 3>do this. Yeah, it was something that when I saw,

0:39:59.640 --> 0:40:02.160
<v Speaker 3>you know, some person talking about it online, I was like,

0:40:02.480 --> 0:40:04.640
<v Speaker 3>do you know about this? Is this why you're healthy?

0:40:05.560 --> 0:40:08.440
<v Speaker 3>So there's something too what you're saying, enjoy pickle juice

0:40:08.640 --> 0:40:10.120
<v Speaker 3>does something.

0:40:10.400 --> 0:40:12.759
<v Speaker 2>Vinegar is great. Vinegar is so great for you.

0:40:13.239 --> 0:40:16.360
<v Speaker 3>Except thinking about it, I have cravings.

0:40:16.400 --> 0:40:18.160
<v Speaker 2>I totally have pickle juice cravens. I just go in

0:40:18.160 --> 0:40:19.719
<v Speaker 2>the fridge and I'll just like drink a little.

0:40:19.480 --> 0:40:23.200
<v Speaker 4>Lot of pickle chart go on joy wellst listeners, you

0:40:23.320 --> 0:40:25.760
<v Speaker 4>heard it here. First, the Drama Queens and the medical

0:40:25.760 --> 0:40:29.160
<v Speaker 4>community encourage you to drink your pickle juice.

0:40:29.800 --> 0:40:31.920
<v Speaker 3>Everyone except for me. I'm trying not to throw up,

0:40:32.400 --> 0:40:35.520
<v Speaker 3>but I love it for all of you. Congratulations. I'll

0:40:35.560 --> 0:40:37.200
<v Speaker 3>be in the corner with my whiskey and a little

0:40:37.239 --> 0:40:38.040
<v Speaker 3>sugar cube.

0:40:38.239 --> 0:40:42.720
<v Speaker 2>Yeah bye, guys, Thanks.

0:40:40.640 --> 0:40:43.520
<v Speaker 4>He drink your pickle juice.

0:40:43.560 --> 0:40:47.759
<v Speaker 3>Bye bye. Hey, thanks for listening. Don't forget to leave

0:40:47.800 --> 0:40:50.560
<v Speaker 3>us a review. You can also follow us on Instagram

0:40:50.600 --> 0:40:52.360
<v Speaker 3>at Drama Queen's ot.

0:40:52.920 --> 0:40:57.040
<v Speaker 2>Or email us at Drama Queens at iHeartRadio dot com.

0:40:57.320 --> 0:40:58.360
<v Speaker 2>See you next time.

0:41:00.120 --> 0:41:02.959
<v Speaker 1>You all about that high school Drama Girl, Drama girl,

0:41:03.040 --> 0:41:06.160
<v Speaker 1>all about them high school queens will take you for

0:41:06.239 --> 0:41:09.960
<v Speaker 1>a ride, and our comic girl cheering for the right teams.

0:41:09.760 --> 0:41:12.840
<v Speaker 2>Drama queenslise my girl, rough girl fashion.

0:41:12.920 --> 0:41:15.160
<v Speaker 1>With your tough girl, you could sit with us Girl

0:41:15.239 --> 0:41:19.320
<v Speaker 1>Drama Queens, Drama Queise Drama Queens, Drama Drama Queens, Drama

0:41:19.400 --> 0:41:20.600
<v Speaker 1>Queens