1 00:00:00,080 --> 00:00:01,240 Speaker 1: First of all, you don't know me. 2 00:00:02,240 --> 00:00:05,600 Speaker 2: We all about that high school drama. Girl drama girl, 3 00:00:05,680 --> 00:00:08,800 Speaker 2: all about them high school queens. We'll take you for 4 00:00:08,920 --> 00:00:12,600 Speaker 2: a ride. And our comic girl shared for the right teams. 5 00:00:12,440 --> 00:00:16,000 Speaker 3: Drama queens up girl fashion, but your. 6 00:00:15,960 --> 00:00:17,480 Speaker 2: Tough girl, you could sit with us. 7 00:00:17,520 --> 00:00:23,319 Speaker 1: Girl drama, Queens, drama, Queens drama, Queens drama, Drahna, Queens Drama, Queens. 8 00:00:24,600 --> 00:00:27,800 Speaker 3: Friends and listeners, Welcome to a Q and A. I 9 00:00:28,960 --> 00:00:32,320 Speaker 3: know we do this very excitedly for us because you 10 00:00:32,400 --> 00:00:35,200 Speaker 3: all send us such good questions. But I'm the most excited, 11 00:00:35,640 --> 00:00:39,560 Speaker 3: and I want to give Robert Buckley his flowers because 12 00:00:39,680 --> 00:00:43,000 Speaker 3: nearly every question in our Q and A is from 13 00:00:43,159 --> 00:00:44,360 Speaker 3: somebody with a nickname. 14 00:00:44,920 --> 00:00:49,000 Speaker 4: Yeah. I just saw that Wait and go people. You 15 00:00:49,320 --> 00:00:53,400 Speaker 4: crushed it, Rob oh Man, I like it. I mean, listen, 16 00:00:53,440 --> 00:00:55,320 Speaker 4: we got some great ones, and we also have some 17 00:00:55,360 --> 00:00:58,160 Speaker 4: people with just some regular government names. So there's room 18 00:00:58,200 --> 00:00:58,760 Speaker 4: for improvement. 19 00:00:58,840 --> 00:01:01,320 Speaker 3: Gang, there is, there is, But you know, it's something 20 00:01:01,360 --> 00:01:04,240 Speaker 3: I think we can build into. It's it's not dissimilar 21 00:01:04,319 --> 00:01:07,399 Speaker 3: to you know, the energy around the holidays where people 22 00:01:07,400 --> 00:01:09,759 Speaker 3: are like, what are your traditions, And it turns out 23 00:01:09,800 --> 00:01:14,199 Speaker 3: the traditions of drama queens are to build code names. 24 00:01:14,400 --> 00:01:16,680 Speaker 2: Yes, thank you for this contribution. Wrong, I think we 25 00:01:16,760 --> 00:01:17,400 Speaker 2: really needed this. 26 00:01:17,440 --> 00:01:18,280 Speaker 3: We were we did. 27 00:01:18,880 --> 00:01:21,319 Speaker 4: If this is all that I end up contributing to 28 00:01:21,319 --> 00:01:24,160 Speaker 4: this podcast, and let's be honest, it very well may 29 00:01:24,200 --> 00:01:26,320 Speaker 4: be now I would consider it a win. 30 00:01:28,760 --> 00:01:30,920 Speaker 3: It feels a lot like when you came to join 31 00:01:31,040 --> 00:01:35,319 Speaker 3: us on the show, Like we were seven seasons in 32 00:01:35,360 --> 00:01:37,560 Speaker 3: and we didn't even realize what we needed until you 33 00:01:37,600 --> 00:01:38,679 Speaker 3: got there and we were like. 34 00:01:38,760 --> 00:01:41,920 Speaker 4: Yes, that's right, yes, you charmer. 35 00:01:42,080 --> 00:01:45,080 Speaker 2: Turn up making things better all the time. 36 00:01:45,040 --> 00:01:47,280 Speaker 4: And then you shot me and put me in a coma. 37 00:01:47,480 --> 00:01:52,520 Speaker 3: Thank and listen not not the call of anyone on 38 00:01:52,520 --> 00:01:56,560 Speaker 3: this zoom. You did great, this is true. 39 00:01:56,640 --> 00:01:57,440 Speaker 4: How are you guys doing? 40 00:01:57,960 --> 00:01:58,520 Speaker 3: Good? 41 00:01:59,240 --> 00:01:59,480 Speaker 4: Joy? 42 00:01:59,520 --> 00:02:00,880 Speaker 3: Where are you you're traveling? 43 00:02:01,440 --> 00:02:04,240 Speaker 2: I'm in New York. You're home Portland, right, and so 44 00:02:04,440 --> 00:02:05,080 Speaker 2: where are you at? 45 00:02:05,400 --> 00:02:09,400 Speaker 3: I'm on my way to the airport. I'm heading to Paris, 46 00:02:09,400 --> 00:02:13,800 Speaker 3: Oh dalling. I don't know why we both just like 47 00:02:14,360 --> 00:02:17,239 Speaker 3: lent into our English accents, even though I'm going to France. 48 00:02:17,320 --> 00:02:17,919 Speaker 3: But it's fine. 49 00:02:18,080 --> 00:02:20,040 Speaker 2: It's because it's continental, you know. 50 00:02:20,160 --> 00:02:23,720 Speaker 3: It just feels exciting to go to Europe. I'm hoping 51 00:02:23,760 --> 00:02:27,200 Speaker 3: that I have. I want it to just feel a 52 00:02:27,240 --> 00:02:30,080 Speaker 3: little bit like a Netflix Christmas movie, you know, like, 53 00:02:30,160 --> 00:02:32,440 Speaker 3: I really hope that on one of the two days 54 00:02:32,440 --> 00:02:35,240 Speaker 3: I have in town that i'm off, it snows and 55 00:02:35,280 --> 00:02:37,160 Speaker 3: I can like walk through the streets of Paris with 56 00:02:37,200 --> 00:02:41,480 Speaker 3: a crepe and just feel like I'm in a rom com. 57 00:02:41,520 --> 00:02:43,040 Speaker 3: I would love that, yeh. 58 00:02:43,040 --> 00:02:45,760 Speaker 4: Send send me that picture so I could live curiously. 59 00:02:46,040 --> 00:02:48,080 Speaker 4: I want to see you on a Parisian street with 60 00:02:48,120 --> 00:02:51,640 Speaker 4: hopefully some holiday lighting behind you, and then you can 61 00:02:51,720 --> 00:02:55,040 Speaker 4: pick the dessert, crape, what whatever you're in the mood 62 00:02:55,080 --> 00:02:57,280 Speaker 4: for corn dog if they serve them there. 63 00:02:57,480 --> 00:02:59,440 Speaker 3: Listen, if I could get a corn dog in Paris, 64 00:02:59,480 --> 00:03:03,480 Speaker 3: I would probably spontaneously combust from the excitement. 65 00:03:04,360 --> 00:03:06,600 Speaker 4: Jenny is like, why are you smiling? And I'm like, 66 00:03:06,680 --> 00:03:09,119 Speaker 4: I just have a feeling somewhere in the world. Sofia 67 00:03:09,200 --> 00:03:11,560 Speaker 4: is eating a corn dog and explain it? 68 00:03:12,080 --> 00:03:15,320 Speaker 2: Can You're Madine? I started selling corn dogs at the 69 00:03:15,360 --> 00:03:18,200 Speaker 2: Eiffel Tower. It's just like this is just the official 70 00:03:18,240 --> 00:03:20,600 Speaker 2: epitome of American culture. They're like, we give in and 71 00:03:20,680 --> 00:03:22,640 Speaker 2: you're all coming here for the Eiffel Tower. Here's your 72 00:03:22,639 --> 00:03:23,160 Speaker 2: corn dogs. 73 00:03:23,840 --> 00:03:26,160 Speaker 3: Here's what I will tell you and Rob and I 74 00:03:26,200 --> 00:03:29,680 Speaker 3: were texting about this. I had a major friend fail recently, 75 00:03:30,200 --> 00:03:35,800 Speaker 3: because the corn dogs at Disneyland are famous. Yeah, and 76 00:03:35,880 --> 00:03:39,920 Speaker 3: I went to Disneyland and I did this not once, 77 00:03:40,000 --> 00:03:43,160 Speaker 3: but twice. We went for Jenny's birthday. And then I 78 00:03:43,240 --> 00:03:45,400 Speaker 3: was telling Rob how good the corn dogs were. He said, 79 00:03:45,440 --> 00:03:47,000 Speaker 3: how dare you not send me a photo? I said, 80 00:03:47,000 --> 00:03:50,280 Speaker 3: you're right, and then I went back and I don't 81 00:03:50,280 --> 00:03:55,080 Speaker 3: know what happens to me. I get near that breaded 82 00:03:55,160 --> 00:03:58,080 Speaker 3: dog and it's like I black out and I ate it. 83 00:03:58,120 --> 00:04:00,120 Speaker 3: And then I was looking at my empty little stick 84 00:04:00,160 --> 00:04:03,520 Speaker 3: and I was like, I did it again. Two times 85 00:04:04,000 --> 00:04:06,960 Speaker 3: this year. I have not sent Rob a photo. I 86 00:04:07,000 --> 00:04:09,280 Speaker 3: have failed. So if I find a corn dog in Paris, 87 00:04:09,600 --> 00:04:12,040 Speaker 3: I'm going to send you multiple photos. 88 00:04:12,200 --> 00:04:15,200 Speaker 4: I would appreciate that because we spoke ahead of time, 89 00:04:15,280 --> 00:04:18,240 Speaker 4: like I specifically said, please send me a pic of 90 00:04:18,279 --> 00:04:20,880 Speaker 4: you eating a corn dog and Achua would be a 91 00:04:20,880 --> 00:04:23,960 Speaker 4: bonus picture. Not only did I not get a single 92 00:04:24,080 --> 00:04:27,240 Speaker 4: picture from you now, then two days later you sent 93 00:04:27,279 --> 00:04:30,320 Speaker 4: me a text asking me for something, and I was like, 94 00:04:30,440 --> 00:04:32,120 Speaker 4: how dare you Okay? 95 00:04:32,200 --> 00:04:35,200 Speaker 3: It was your address to send you a gift? Still 96 00:04:35,200 --> 00:04:39,240 Speaker 3: a big ask, but yes, you're right. It's like a 97 00:04:39,279 --> 00:04:42,560 Speaker 3: blackout and I am an adult woman who should be 98 00:04:42,640 --> 00:04:45,760 Speaker 3: able to do this, and it's like I'm incapable. I 99 00:04:45,800 --> 00:04:46,960 Speaker 3: lose all self control. 100 00:04:47,160 --> 00:04:50,919 Speaker 4: But as someone who also blacks out around their favorite foods, 101 00:04:51,200 --> 00:04:53,680 Speaker 4: I totally get it. No judgment, thank you. 102 00:04:53,920 --> 00:04:55,560 Speaker 2: I think you should just lean into it and start 103 00:04:55,600 --> 00:04:57,200 Speaker 2: sending him photos of the empty stick. 104 00:04:57,279 --> 00:05:09,160 Speaker 3: The empty stick, Oh, just so cold, so cold. The 105 00:05:09,279 --> 00:05:11,960 Speaker 3: questions I really think we should, especially because the first 106 00:05:11,960 --> 00:05:15,359 Speaker 3: one is about food, rob take it away. 107 00:05:15,839 --> 00:05:18,359 Speaker 4: Listen. What better way to kick it off than with 108 00:05:18,400 --> 00:05:23,160 Speaker 4: a question from little pants? Well done, little Pants. You 109 00:05:23,200 --> 00:05:25,960 Speaker 4: guys have mentioned the Great British Bake Off on multiple 110 00:05:25,960 --> 00:05:28,400 Speaker 4: occasions recently, so I wanted to know, if you were 111 00:05:28,400 --> 00:05:31,599 Speaker 4: a contestant, what would your ideal bake that you think 112 00:05:31,640 --> 00:05:33,960 Speaker 4: you could earn? What would be your ideal bake that 113 00:05:34,040 --> 00:05:37,560 Speaker 4: you think you could earn a prestigious Hollywood handshake with. 114 00:05:39,520 --> 00:05:41,760 Speaker 4: For those who don't watch the show, there is a judge, 115 00:05:41,800 --> 00:05:46,960 Speaker 4: Paul Hollywood, and on rare occasions when a dish is exceptional, 116 00:05:47,160 --> 00:05:49,480 Speaker 4: he shakes the hand of the contestant and it has 117 00:05:49,520 --> 00:05:54,240 Speaker 4: become this coveted thing. You got a Hollywood handshake. This 118 00:05:54,360 --> 00:05:56,039 Speaker 4: question is really for you, Joy, because I think you 119 00:05:56,080 --> 00:05:59,440 Speaker 4: are you are the best baker. I don't want to 120 00:06:00,320 --> 00:06:01,680 Speaker 4: if I'm wrong. So if I just feel like she's 121 00:06:01,760 --> 00:06:04,200 Speaker 4: she's probably the best baker of the three, absolutely, no. 122 00:06:04,279 --> 00:06:04,880 Speaker 3: You're correct. 123 00:06:05,240 --> 00:06:08,240 Speaker 2: I don't know. I'm I feel like I'm a really 124 00:06:08,240 --> 00:06:12,719 Speaker 2: good decorator of baked goods, Like if you give me 125 00:06:13,440 --> 00:06:16,039 Speaker 2: cake and fondant and all the tools for it. Like 126 00:06:16,040 --> 00:06:20,000 Speaker 2: if I could just walk in to one of those 127 00:06:20,040 --> 00:06:23,279 Speaker 2: steel blocks, like steel butcher blocks, you know, and have 128 00:06:23,600 --> 00:06:26,240 Speaker 2: all the things laid out for me, the icings and 129 00:06:26,320 --> 00:06:29,680 Speaker 2: the tops of the icings that make the different shapes 130 00:06:29,720 --> 00:06:32,440 Speaker 2: and all that, like, I can probably design something really, 131 00:06:32,480 --> 00:06:36,440 Speaker 2: really beautiful. I feel confident in my sculpting abilities, but 132 00:06:36,880 --> 00:06:40,640 Speaker 2: my baking. Baking is so much chemistry, and I get 133 00:06:40,680 --> 00:06:42,640 Speaker 2: things wrong all the time, and it's like one little 134 00:06:42,680 --> 00:06:44,520 Speaker 2: you know, you add a little too much egg or 135 00:06:44,560 --> 00:06:48,159 Speaker 2: a little too much flour, baking soda, and it ruins 136 00:06:48,160 --> 00:06:52,560 Speaker 2: the whole thing. And I like to be a whimsical 137 00:06:52,600 --> 00:06:55,560 Speaker 2: when I bake, and I don't love following recipes. So 138 00:06:56,160 --> 00:06:59,040 Speaker 2: often I just get lost in my whimsy and then 139 00:06:59,440 --> 00:07:03,560 Speaker 2: I'll end up the baked good that's not terribly delicious. 140 00:07:03,600 --> 00:07:05,520 Speaker 2: It's not bad, but it's like, oh, it could be better. 141 00:07:05,720 --> 00:07:09,000 Speaker 2: But I'll tell you what. I did once make an 142 00:07:09,040 --> 00:07:13,800 Speaker 2: olive oil bunt cake. It was like an orange rosemary 143 00:07:14,160 --> 00:07:19,760 Speaker 2: olive oil bunt cake that was covered in this crystallized 144 00:07:20,200 --> 00:07:25,320 Speaker 2: rosemary sugar orange peel marmalady thing all over the top 145 00:07:25,360 --> 00:07:28,720 Speaker 2: of it. And it was so delicious. And I have 146 00:07:28,880 --> 00:07:31,440 Speaker 2: had friends ask me for it for the recipe for it. 147 00:07:31,520 --> 00:07:33,720 Speaker 2: One of them, I think, baked it for their wedding cake. 148 00:07:34,120 --> 00:07:38,480 Speaker 2: It's a really, really good cake, So I would say 149 00:07:38,600 --> 00:07:40,960 Speaker 2: that might be my move. 150 00:07:41,680 --> 00:07:44,000 Speaker 4: I was gonna say, I think Cake Week would be 151 00:07:43,640 --> 00:07:45,640 Speaker 4: your best opportunity to shine. 152 00:07:45,800 --> 00:07:47,520 Speaker 2: Yeah, which is weird because I don't like cake, Like 153 00:07:47,560 --> 00:07:50,720 Speaker 2: I don't really eat cake, but I don't. Yeah, I can't. 154 00:07:50,760 --> 00:07:52,680 Speaker 2: I can't really make anything else I don't eat. I 155 00:07:52,720 --> 00:07:55,120 Speaker 2: don't make pie. I don't make cookies. Do you guys 156 00:07:55,160 --> 00:07:55,640 Speaker 2: bake at all? 157 00:07:55,640 --> 00:07:59,640 Speaker 4: What do you make? I? Funnily enough, When I applied 158 00:07:59,680 --> 00:08:02,760 Speaker 4: for college, I also applied to the pastry program at 159 00:08:02,800 --> 00:08:06,520 Speaker 4: the Culinary Institute of America what and I got in 160 00:08:07,000 --> 00:08:10,400 Speaker 4: and I but it was very expensive, so I applied. 161 00:08:10,680 --> 00:08:13,280 Speaker 4: I entered this contest for a scholarship. 162 00:08:13,560 --> 00:08:15,320 Speaker 2: I can't tell if you're being sarcastic or I. 163 00:08:15,320 --> 00:08:18,080 Speaker 4: Think entirely serious. I'm being entirely serious. And I had 164 00:08:18,120 --> 00:08:19,920 Speaker 4: the chef from the restaurants where he can't help me, 165 00:08:20,040 --> 00:08:25,480 Speaker 4: and we did a Grandpa Smith's Prohibition apple pie and 166 00:08:24,920 --> 00:08:27,560 Speaker 4: I didn't win though, so I didn't get a scholarship. 167 00:08:27,600 --> 00:08:28,760 Speaker 4: And I remember I looked and it was going to 168 00:08:28,800 --> 00:08:31,160 Speaker 4: be thirty grand a year to go to culinary school, 169 00:08:31,280 --> 00:08:33,160 Speaker 4: or like twelve grand a year to go to UC 170 00:08:33,320 --> 00:08:36,760 Speaker 4: San Diego, and I thought I should probably just do 171 00:08:37,080 --> 00:08:39,880 Speaker 4: try college because what if I spend thirty grand a 172 00:08:39,920 --> 00:08:42,160 Speaker 4: year to find out I just like eating food. So 173 00:08:43,080 --> 00:08:45,559 Speaker 4: that was the start and the end of my baking career. 174 00:08:45,880 --> 00:08:47,600 Speaker 2: You were blowing my mind right now. 175 00:08:47,920 --> 00:08:51,360 Speaker 3: Same Also, I'm like, did you write that recipe down? 176 00:08:52,320 --> 00:08:56,840 Speaker 3: Because much like Joy, I'm not I'm a great cook. 177 00:08:57,480 --> 00:09:04,959 Speaker 3: Cooking is very emotional and you rely on like feeling taste, 178 00:09:05,040 --> 00:09:07,040 Speaker 3: give it a shot at a little here, do it. 179 00:09:07,320 --> 00:09:12,400 Speaker 3: You have to trust trust yourself. Baking is so scientific 180 00:09:12,640 --> 00:09:15,760 Speaker 3: and yeah, I always think baking again, going back to 181 00:09:16,040 --> 00:09:20,080 Speaker 3: the Paris and the snow, I pray moment like baking 182 00:09:21,000 --> 00:09:24,800 Speaker 3: in my brain looks like the Holiday movie that's so 183 00:09:25,040 --> 00:09:26,800 Speaker 3: cute and the family's in the kitchen and there's like 184 00:09:26,840 --> 00:09:29,400 Speaker 3: powdered sugar flying through the air. That's not what it is. 185 00:09:29,440 --> 00:09:34,080 Speaker 3: It's so stressful and specific and scientific, and it's not 186 00:09:34,240 --> 00:09:39,959 Speaker 3: my skill set, though I wish it were. But you, pastry, 187 00:09:40,520 --> 00:09:42,920 Speaker 3: I'm having a hard time getting my words together. You've 188 00:09:43,000 --> 00:09:45,720 Speaker 3: blown my mind that that is a niche for you. 189 00:09:46,200 --> 00:09:48,160 Speaker 4: But in a way it makes sense, right, And that's 190 00:09:48,160 --> 00:09:49,840 Speaker 4: why I'm kind of surprised that you There isn't a 191 00:09:49,880 --> 00:09:52,280 Speaker 4: part of you that's drawn to pastry. Because one thing 192 00:09:52,320 --> 00:09:54,880 Speaker 4: that is great about pastry is it is it's math. 193 00:09:55,320 --> 00:09:59,880 Speaker 4: It is precision, it is calculated control. So there is 194 00:10:00,160 --> 00:10:02,679 Speaker 4: part of my brain that really likes knowing there is 195 00:10:02,679 --> 00:10:05,280 Speaker 4: no guesswork. This isn't a taste and maybe a pinch more. 196 00:10:05,320 --> 00:10:07,280 Speaker 4: It is three quarters of a cup. It is one 197 00:10:07,320 --> 00:10:09,320 Speaker 4: eighth of fatigue, you know what I mean? Like, there 198 00:10:09,360 --> 00:10:11,959 Speaker 4: is that part of my brain that loves black and 199 00:10:12,000 --> 00:10:16,280 Speaker 4: white structure. I get that, Yeah, there's no guesswork there. 200 00:10:16,679 --> 00:10:18,000 Speaker 2: So are you baking at home? 201 00:10:18,559 --> 00:10:18,760 Speaker 3: No? 202 00:10:19,080 --> 00:10:22,079 Speaker 4: Literally, the last thing I baked was that pie Jenny. 203 00:10:22,760 --> 00:10:26,520 Speaker 4: Jenny's an amazing baker, so I've just never there's never 204 00:10:26,559 --> 00:10:28,640 Speaker 4: been like any slack to pick up in the family, 205 00:10:28,720 --> 00:10:31,079 Speaker 4: and I've just kind of lazily been like, you're great, 206 00:10:31,280 --> 00:10:35,000 Speaker 4: keep crushing. Wow, But think about it's a good thing 207 00:10:35,040 --> 00:10:37,520 Speaker 4: I didn't win that scholarship because we probably would not 208 00:10:37,640 --> 00:10:40,520 Speaker 4: have met had I gotten it and gotten to Hyde Park, 209 00:10:40,600 --> 00:10:42,960 Speaker 4: New York, to basically spend a lot of money to 210 00:10:42,960 --> 00:10:46,000 Speaker 4: find out I probably just like eating food. Wow, that's 211 00:10:46,040 --> 00:10:48,320 Speaker 4: a big investment just to find out you actually just 212 00:10:48,400 --> 00:10:50,520 Speaker 4: like eating if. 213 00:10:50,360 --> 00:10:53,160 Speaker 2: You didn't really pursue it, if it's not something that's 214 00:10:53,160 --> 00:10:56,120 Speaker 2: stuck with you as like I still do it in 215 00:10:56,160 --> 00:10:57,680 Speaker 2: my spare time. I love it. I have to be 216 00:10:57,720 --> 00:11:00,000 Speaker 2: in the kitchen regardless of whether I'm at school or whatever. 217 00:11:00,120 --> 00:11:02,400 Speaker 2: I mean, really, that's the last thing you bake and 218 00:11:02,400 --> 00:11:05,560 Speaker 2: you're like, never mind. So I guess I guess it's 219 00:11:05,600 --> 00:11:08,360 Speaker 2: just as well. It would keep coming back to haunt 220 00:11:08,360 --> 00:11:10,079 Speaker 2: you if it was something that you really were meant 221 00:11:10,160 --> 00:11:11,600 Speaker 2: to pursue. I guess exactly. 222 00:11:12,200 --> 00:11:15,640 Speaker 4: There's been not a single moment of regret or what if, 223 00:11:15,960 --> 00:11:17,440 Speaker 4: which tells me I made the right call. 224 00:11:17,800 --> 00:11:21,199 Speaker 3: Absolutely. I mean, it's like, sometimes it feels silly to 225 00:11:21,280 --> 00:11:25,800 Speaker 3: repeat cliches but I think cliches become cliches because they're 226 00:11:25,960 --> 00:11:29,880 Speaker 3: so true for so many people. That that phrase nothing 227 00:11:29,920 --> 00:11:34,199 Speaker 3: that's meant for you will miss you. It's like if 228 00:11:34,240 --> 00:11:37,320 Speaker 3: it's missed you ever since, then it wasn't meant for you. Yeah, 229 00:11:37,360 --> 00:11:38,280 Speaker 3: that's kind of nice. 230 00:11:38,440 --> 00:11:40,559 Speaker 4: But it's also funny that what I did choose was 231 00:11:40,600 --> 00:11:42,560 Speaker 4: to get a degree in economics that I use for 232 00:11:42,640 --> 00:11:46,120 Speaker 4: precisely one point five years and then quit to join 233 00:11:46,480 --> 00:11:50,199 Speaker 4: the circus. That's kind of like, either way, you're not 234 00:11:50,200 --> 00:11:52,120 Speaker 4: gonna end up using these long term buddies, so just 235 00:11:52,160 --> 00:11:53,000 Speaker 4: pick the cheaper one. 236 00:11:53,400 --> 00:12:09,000 Speaker 3: Yeah, cold in Nebraska. Oh, I like it. It sort of 237 00:12:09,000 --> 00:12:13,040 Speaker 3: sounds like you've got mail the scripts. Are you allowed 238 00:12:13,080 --> 00:12:15,840 Speaker 3: to keep them? Do you keep them? Do you just 239 00:12:15,960 --> 00:12:17,760 Speaker 3: toss them when you're done? Do you keep ones that 240 00:12:17,800 --> 00:12:19,520 Speaker 3: are special to you and your part? 241 00:12:20,160 --> 00:12:23,360 Speaker 2: Kept a lot of my scripts, I mean, not everyone, 242 00:12:23,400 --> 00:12:25,800 Speaker 2: that's a lot of scripts. Yeah, I did keep some 243 00:12:25,840 --> 00:12:26,600 Speaker 2: special ones. 244 00:12:26,840 --> 00:12:29,760 Speaker 3: Same. I mean, you guys know me. I'm so sentimental, 245 00:12:29,920 --> 00:12:33,880 Speaker 3: Like I'll open a suitcase and be like, oh dear God, 246 00:12:33,920 --> 00:12:37,679 Speaker 3: it's filled with like scripts, sides, concert tickets, like I 247 00:12:37,760 --> 00:12:41,079 Speaker 3: need this to go somewhere. But I've been squirreling away 248 00:12:41,200 --> 00:12:43,719 Speaker 3: memories in it. So I am working on kind of 249 00:12:45,360 --> 00:12:50,120 Speaker 3: you know, filtering through those things. I same. I've saved 250 00:12:50,160 --> 00:12:53,360 Speaker 3: certain scripts, like I have the script for episode one 251 00:12:53,440 --> 00:12:56,120 Speaker 3: oh one that I started in on our show with 252 00:12:56,160 --> 00:12:58,439 Speaker 3: all my notes in it. I kept most of our 253 00:12:58,480 --> 00:13:03,160 Speaker 3: season finale scripts. I normally keep a script, you know, 254 00:13:03,320 --> 00:13:05,920 Speaker 3: some version, whether it's in the middle or the last, 255 00:13:06,600 --> 00:13:10,800 Speaker 3: from every film I've done. Now I use that app scriptation. 256 00:13:11,040 --> 00:13:13,880 Speaker 3: Do you guys use that on your iPad? Oh my god. 257 00:13:14,360 --> 00:13:18,440 Speaker 3: Scriptation changed my life on Good Sam because having to 258 00:13:18,640 --> 00:13:25,360 Speaker 3: transfer copious notes and medical definitions and phonetic pronunciation like 259 00:13:25,400 --> 00:13:28,240 Speaker 3: that I would have to do with every new script, 260 00:13:28,320 --> 00:13:32,040 Speaker 3: with every new draft and every new page literally made 261 00:13:32,080 --> 00:13:36,000 Speaker 3: me want a SOB And scriptation is a digital It's 262 00:13:36,040 --> 00:13:38,959 Speaker 3: a digital script on your You get an iPad and 263 00:13:39,040 --> 00:13:40,719 Speaker 3: you can make notes. You can do them in all 264 00:13:40,760 --> 00:13:44,000 Speaker 3: sorts of different colors. You can add stickies so you can, like, 265 00:13:44,360 --> 00:13:46,679 Speaker 3: you know, for a I don't know, something like paracardial 266 00:13:46,720 --> 00:13:49,880 Speaker 3: sentisis needle. I could like copy an image of what 267 00:13:50,000 --> 00:13:53,079 Speaker 3: that was from Google and literally put it in a 268 00:13:53,160 --> 00:13:56,600 Speaker 3: virtual post it note on the script. And then every 269 00:13:56,720 --> 00:14:00,280 Speaker 3: time you get marrigold pages or a new draft aft. 270 00:14:00,760 --> 00:14:04,760 Speaker 3: You click combine and it transfers all your notes over 271 00:14:05,120 --> 00:14:07,600 Speaker 3: and if any scenes have been omitted, it just deletes 272 00:14:07,679 --> 00:14:11,280 Speaker 3: those notes. And like it literally changed my life. 273 00:14:11,520 --> 00:14:11,880 Speaker 4: Wow. 274 00:14:12,360 --> 00:14:14,640 Speaker 3: And then so in kind of a nice way, now 275 00:14:14,679 --> 00:14:17,240 Speaker 3: I have every script, but they only take up the 276 00:14:17,240 --> 00:14:22,680 Speaker 3: width of an iPad, which is cool. Weirdly, I find 277 00:14:22,680 --> 00:14:26,040 Speaker 3: that I like to keep a couple pairs of sides 278 00:14:26,080 --> 00:14:30,320 Speaker 3: from things because everybody's stuff is on it. And years ago, 279 00:14:30,400 --> 00:14:33,840 Speaker 3: actually I tried to start this thing, you know, because 280 00:14:33,840 --> 00:14:35,680 Speaker 3: I remember how much fans used to love to come 281 00:14:35,720 --> 00:14:37,960 Speaker 3: to our set in particular and get our sides and 282 00:14:38,000 --> 00:14:39,960 Speaker 3: ask us to sign them because crew would give them 283 00:14:39,960 --> 00:14:42,640 Speaker 3: to people like out on Front Street or whatever. And 284 00:14:42,680 --> 00:14:44,640 Speaker 3: I was like, we could do something really cool and 285 00:14:44,840 --> 00:14:48,040 Speaker 3: I'll hit up all my friends and anytime somebody does 286 00:14:48,040 --> 00:14:50,880 Speaker 3: a really nice thing and can like share it, can 287 00:14:50,920 --> 00:14:54,200 Speaker 3: send it to us. This was back when Twitter was Twitter. Well, like, 288 00:14:54,280 --> 00:14:56,320 Speaker 3: we'll send out a signed copy of sides to people 289 00:14:56,440 --> 00:14:59,520 Speaker 3: just for fun. And the network I was working on 290 00:14:59,560 --> 00:15:02,880 Speaker 3: at the time literally was like, that is an absolute violation. Legally, 291 00:15:02,920 --> 00:15:06,600 Speaker 3: you can't do that. Their production office phone numbers are 292 00:15:06,600 --> 00:15:09,200 Speaker 3: on they went so ballistic they made me take the 293 00:15:09,240 --> 00:15:10,800 Speaker 3: Twitter down. I was like, oh my god. I was 294 00:15:10,800 --> 00:15:13,280 Speaker 3: trying to do this like a really nice thing because 295 00:15:13,320 --> 00:15:15,080 Speaker 3: all these people I know are in the circus, and 296 00:15:15,080 --> 00:15:18,280 Speaker 3: they were like, don't you dare give sides away? And 297 00:15:18,640 --> 00:15:21,280 Speaker 3: I really got reprimanded for it. So I have this 298 00:15:21,440 --> 00:15:24,920 Speaker 3: like envelope of sides from our shows and other people's shows, 299 00:15:24,960 --> 00:15:27,440 Speaker 3: who would like send them to me for this thing. 300 00:15:27,640 --> 00:15:29,440 Speaker 3: But then I was like, I guess I should shred 301 00:15:29,480 --> 00:15:33,280 Speaker 3: these whenever you're rude, Like I don't know. It made 302 00:15:33,280 --> 00:15:35,240 Speaker 3: me really scared. I haven't thought about that in a 303 00:15:35,240 --> 00:15:38,200 Speaker 3: long time either, but clearly I'm I'm a hoarder of 304 00:15:38,760 --> 00:15:43,440 Speaker 3: script pages of every variety. Are you sentimental like that? 305 00:15:43,640 --> 00:15:44,120 Speaker 3: Rob or No? 306 00:15:44,680 --> 00:15:48,080 Speaker 4: I used to be where I would save scripts. Funny, 307 00:15:48,120 --> 00:15:49,800 Speaker 4: I did the same thing with sides. I remember there 308 00:15:49,840 --> 00:15:52,400 Speaker 4: was a specific project that worked on and it was 309 00:15:52,440 --> 00:15:54,520 Speaker 4: the first time where like the script was in. It 310 00:15:54,920 --> 00:15:57,640 Speaker 4: was not television, right, and I'd mostly done television in 311 00:15:57,640 --> 00:16:00,720 Speaker 4: my career, which they don't generally, they don't encourage ad 312 00:16:00,760 --> 00:16:04,360 Speaker 4: libbing and rewriting, and this wasn't and it was in. 313 00:16:04,440 --> 00:16:07,040 Speaker 4: The script was not in the best shape, and it 314 00:16:07,080 --> 00:16:10,840 Speaker 4: was the first time where I started like rewriting and 315 00:16:10,840 --> 00:16:15,000 Speaker 4: pitching stuff and it actually ended up like being what 316 00:16:15,040 --> 00:16:17,240 Speaker 4: we used. And I remember I saved the sides because 317 00:16:17,280 --> 00:16:18,880 Speaker 4: it was like the first time I got to feel 318 00:16:18,920 --> 00:16:22,320 Speaker 4: like I was collaborating and I was so proud of myself. 319 00:16:22,640 --> 00:16:24,720 Speaker 4: So those I kept for a long time. But no, 320 00:16:25,120 --> 00:16:28,560 Speaker 4: you know, because also as a parent in moving, I 321 00:16:28,720 --> 00:16:30,640 Speaker 4: just it's like when you're trying to load up an 322 00:16:30,760 --> 00:16:32,520 Speaker 4: entire house and it's just a box of scripts I 323 00:16:32,520 --> 00:16:34,520 Speaker 4: haven't looked at in three years, it was like, okay, 324 00:16:34,560 --> 00:16:38,040 Speaker 4: I can I can let this go, you know. So nowadays, no, 325 00:16:38,680 --> 00:16:40,880 Speaker 4: like you, though, I have a digital app that I 326 00:16:40,920 --> 00:16:42,320 Speaker 4: sort of have them all if I ever wanted to 327 00:16:42,320 --> 00:16:42,880 Speaker 4: revisit them. 328 00:16:43,560 --> 00:16:43,760 Speaker 3: Yeah. 329 00:16:44,480 --> 00:16:46,800 Speaker 2: Yeah, At some point, it just becomes paper that's just 330 00:16:46,840 --> 00:16:49,040 Speaker 2: taking up space in your house. And it's like I 331 00:16:49,840 --> 00:16:52,600 Speaker 2: like knowing that it's there just for this sort of 332 00:16:53,560 --> 00:16:56,400 Speaker 2: hoarding comfort sense. I don't know what it is, but 333 00:16:56,440 --> 00:16:58,560 Speaker 2: I like knowing that it's in a drawer. But what 334 00:16:58,640 --> 00:17:00,040 Speaker 2: am I ever going to do with it? Like you, So, 335 00:17:00,120 --> 00:17:02,920 Speaker 2: if I have a bunch of sides that I was 336 00:17:02,960 --> 00:17:04,399 Speaker 2: going to send out and then realize there were a 337 00:17:04,440 --> 00:17:06,120 Speaker 2: bunch of phone numbers and stuff on them. I was like, well, 338 00:17:06,160 --> 00:17:07,719 Speaker 2: how long do I wait? Do I just wait for 339 00:17:07,760 --> 00:17:11,760 Speaker 2: like five years? And I've got a file cabinet full 340 00:17:11,800 --> 00:17:14,840 Speaker 2: of sides from our show that I a lot of 341 00:17:14,880 --> 00:17:17,280 Speaker 2: stuff I kept for the sake of auctioning, Like I've 342 00:17:17,280 --> 00:17:20,520 Speaker 2: got a bunch of DVDs and you know, wardrobe pieces 343 00:17:20,520 --> 00:17:22,080 Speaker 2: and stuff. And I'm like, you know, things will come 344 00:17:22,160 --> 00:17:24,200 Speaker 2: up and somebody wants an item for charity and I'll 345 00:17:24,200 --> 00:17:27,639 Speaker 2: sign it and send it off, but I don't do 346 00:17:27,840 --> 00:17:29,680 Speaker 2: you know, I also hate the post office, so I 347 00:17:29,720 --> 00:17:33,560 Speaker 2: don't do it as often as I mean too. But 348 00:17:33,600 --> 00:17:34,639 Speaker 2: it's nice to have them around. 349 00:17:35,240 --> 00:17:37,840 Speaker 4: You said exactly, it's the knowing they're there, which I 350 00:17:37,840 --> 00:17:41,640 Speaker 4: think is like the beginning of the hoarder trap. Because 351 00:17:41,640 --> 00:17:45,119 Speaker 4: I have three boxes of eye zombie cereal in our 352 00:17:45,160 --> 00:17:47,679 Speaker 4: guest closet right now, and about once a year, Jenny's like, 353 00:17:47,960 --> 00:17:50,800 Speaker 4: are you ready to throw these out? I'm like, absolutely 354 00:17:50,880 --> 00:17:52,720 Speaker 4: not no, because what if I want to send one? 355 00:17:52,840 --> 00:17:54,800 Speaker 4: Exactly like you said, you know, but what if? But 356 00:17:54,840 --> 00:17:55,240 Speaker 4: what if? 357 00:17:55,520 --> 00:17:58,240 Speaker 3: By the way, what you should do is take one 358 00:17:58,280 --> 00:18:01,720 Speaker 3: of them and be really careful when you open the 359 00:18:02,040 --> 00:18:05,480 Speaker 3: is there actual cereal in it? It's just okay, or 360 00:18:05,520 --> 00:18:07,639 Speaker 3: you could leave it in there, I guess, but I 361 00:18:07,640 --> 00:18:10,959 Speaker 3: would take one to a great framer and have it 362 00:18:11,080 --> 00:18:13,840 Speaker 3: framed in like a shadow box so it could be mounted, 363 00:18:14,680 --> 00:18:18,240 Speaker 3: you know, some sort of like cool textured linen, you know, 364 00:18:18,359 --> 00:18:22,600 Speaker 3: background or whatever, and then like put it in you know, 365 00:18:23,240 --> 00:18:25,360 Speaker 3: wherever you have a version of like a gallery wall 366 00:18:25,400 --> 00:18:29,080 Speaker 3: or behind your desk or some sort of officey space 367 00:18:29,200 --> 00:18:32,280 Speaker 3: like that is such a cool piece of memorabilia to 368 00:18:32,320 --> 00:18:35,879 Speaker 3: have for you and eventually for the kids and stuff. 369 00:18:35,920 --> 00:18:39,520 Speaker 3: But yeah, like three of them in a dark upper 370 00:18:39,560 --> 00:18:41,320 Speaker 3: closet shelf. You're like, what am I? What am I 371 00:18:41,400 --> 00:18:41,800 Speaker 3: doing with that? 372 00:18:41,920 --> 00:18:45,600 Speaker 2: Do you guys know? Okay? So so concert artists. I 373 00:18:45,640 --> 00:18:47,720 Speaker 2: know this because a friend of mine who's a stylist 374 00:18:47,920 --> 00:18:56,000 Speaker 2: also runs a housing business for artists like musicians outfits 375 00:18:56,080 --> 00:18:59,160 Speaker 2: like things that they wore on stage for award shows 376 00:18:59,320 --> 00:19:01,760 Speaker 2: or whatever that they just don't have room in their 377 00:19:01,760 --> 00:19:05,160 Speaker 2: closet for every special thing that they've worn on stage 378 00:19:05,320 --> 00:19:07,520 Speaker 2: at all these different events over the years. And so 379 00:19:07,560 --> 00:19:12,320 Speaker 2: she's got this super secure warehouse where people send their 380 00:19:12,800 --> 00:19:14,720 Speaker 2: artists will send their items when they're done with the 381 00:19:14,760 --> 00:19:16,639 Speaker 2: concert tour, and it just goes you know, I mean 382 00:19:16,680 --> 00:19:18,720 Speaker 2: Taylor Swiftcott when it's in an airplane hanger. I think 383 00:19:18,760 --> 00:19:24,919 Speaker 2: in Nashville. Yeah, somebody maybe already does or should do 384 00:19:25,040 --> 00:19:28,320 Speaker 2: this for actors who want to save their stuff for 385 00:19:28,359 --> 00:19:29,960 Speaker 2: the sake of like auction to get off to charity. 386 00:19:29,960 --> 00:19:31,560 Speaker 2: Because if we all just sign a bunch of stuff 387 00:19:31,560 --> 00:19:34,000 Speaker 2: and then send it in to somebody who would keep 388 00:19:34,040 --> 00:19:36,320 Speaker 2: it in a warehouse and send it off whenever there's like, oh, 389 00:19:36,480 --> 00:19:39,120 Speaker 2: hey there's a charity blah blah blah needs this, can 390 00:19:39,160 --> 00:19:40,680 Speaker 2: you send it off? We give them the address and 391 00:19:40,720 --> 00:19:43,639 Speaker 2: they do it for us. Like I'd pay a monthly 392 00:19:43,640 --> 00:19:48,560 Speaker 2: feet a house a little cubicle of my memorabilia. 393 00:19:49,119 --> 00:19:52,800 Speaker 3: Sure, and if it were a big enough warehouse, the 394 00:19:52,840 --> 00:19:57,960 Speaker 3: fee per person would be so minimal. Yeah, but it 395 00:19:58,000 --> 00:20:00,320 Speaker 3: would be very That could be like a cool kind 396 00:20:00,359 --> 00:20:02,800 Speaker 3: of collaborative thing. Yeah. 397 00:20:04,040 --> 00:20:06,000 Speaker 4: Have you noticed every time the three of us get 398 00:20:06,040 --> 00:20:07,800 Speaker 4: on a Q and A, we come up with this 399 00:20:07,960 --> 00:20:11,760 Speaker 4: one random business idea. Yeah, this genuinely is like the 400 00:20:11,800 --> 00:20:13,560 Speaker 4: third or fourth business ideas. 401 00:20:14,520 --> 00:20:16,280 Speaker 3: We've had to cut some out of the show because 402 00:20:16,280 --> 00:20:19,200 Speaker 3: we're like, wait, that's a great idea, don't tell anyone 403 00:20:19,200 --> 00:20:19,480 Speaker 3: about it. 404 00:20:19,560 --> 00:20:22,040 Speaker 4: We've actually done that listeners, we've actually cut stuff out 405 00:20:22,040 --> 00:20:24,760 Speaker 4: of the show. Maybe maybe we do that. Maybe we 406 00:20:24,800 --> 00:20:25,040 Speaker 4: do that. 407 00:20:25,119 --> 00:20:41,160 Speaker 2: Once shefally, I was asking, what's the best date you've 408 00:20:41,200 --> 00:20:43,760 Speaker 2: ever had? And the worst? 409 00:20:44,119 --> 00:20:47,119 Speaker 4: Okay, I know one of my worst. I was in 410 00:20:47,160 --> 00:20:51,320 Speaker 4: college and got Everything I talk about revolves around food. 411 00:20:51,320 --> 00:20:54,840 Speaker 4: That's so, that's so raven. Anyways, We're on a day 412 00:20:55,440 --> 00:20:57,720 Speaker 4: and I'm kind of broke, and but we go to 413 00:20:57,720 --> 00:21:00,199 Speaker 4: this nice Italian restaurant and I'm excited because obviously I 414 00:21:00,200 --> 00:21:03,520 Speaker 4: love food, and I'm very excited about this gallon on 415 00:21:03,560 --> 00:21:07,200 Speaker 4: the date with We get our food and she had 416 00:21:07,200 --> 00:21:12,080 Speaker 4: got lobster ravioli and she went to one ravioli and 417 00:21:12,119 --> 00:21:16,040 Speaker 4: she halved it and then she quartered it and she 418 00:21:16,160 --> 00:21:19,600 Speaker 4: had two bites aka half of a ravioli, and she 419 00:21:19,680 --> 00:21:23,240 Speaker 4: was like, I'm stuffed. And I remember in that moment 420 00:21:23,359 --> 00:21:26,560 Speaker 4: just thinking this can this will never work. This is 421 00:21:26,600 --> 00:21:28,639 Speaker 4: the last time we're going to see each other, because 422 00:21:28,640 --> 00:21:32,080 Speaker 4: I can't be with someone who just doesn't eat and 423 00:21:32,200 --> 00:21:35,520 Speaker 4: doesn't like food. I remember just sitting out the rest 424 00:21:35,520 --> 00:21:37,080 Speaker 4: of the time. It was like I was seven minutes 425 00:21:37,080 --> 00:21:40,159 Speaker 4: into the date going, oh, farts. 426 00:21:42,000 --> 00:21:42,640 Speaker 2: I love that. 427 00:21:43,080 --> 00:21:44,800 Speaker 4: Swinging a miss Yeah, how about y'all. 428 00:21:45,480 --> 00:21:47,600 Speaker 3: I have a one that's really not great. It was 429 00:21:47,680 --> 00:21:55,159 Speaker 3: actually in the early years of our show. Sorry for 430 00:21:55,200 --> 00:21:58,280 Speaker 3: the pause. I'm figuring out how to tell the story 431 00:21:58,320 --> 00:22:02,960 Speaker 3: without revealing who it's about. But I I was sent 432 00:22:03,040 --> 00:22:08,080 Speaker 3: a script by someone in our industry that I really respect, 433 00:22:08,640 --> 00:22:14,240 Speaker 3: and it was fabulous and you know the story. You 434 00:22:14,320 --> 00:22:18,040 Speaker 3: join knows the story. And the feedback was, you know, 435 00:22:18,400 --> 00:22:23,359 Speaker 3: you met this person, you know, writer, producer, actor, award winner, 436 00:22:24,160 --> 00:22:26,119 Speaker 3: and they want to know if you're interested in, like, 437 00:22:26,240 --> 00:22:29,000 Speaker 3: you know, playing this sort of like amazing like wild 438 00:22:29,119 --> 00:22:32,560 Speaker 3: Child in this movie. And I was like, yeah, totally 439 00:22:32,600 --> 00:22:34,320 Speaker 3: tracks Brooke Davis at this point, it was still kind 440 00:22:34,320 --> 00:22:35,720 Speaker 3: of a wild Child great and I read it and 441 00:22:35,760 --> 00:22:37,159 Speaker 3: I was like, oh my god, this is so amazing. 442 00:22:37,160 --> 00:22:39,359 Speaker 3: And I was like this is this is like someone 443 00:22:39,400 --> 00:22:41,680 Speaker 3: who made me want to be an actor, Like, oh 444 00:22:41,680 --> 00:22:45,399 Speaker 3: my god, I can't wait. And I remember driving to 445 00:22:45,440 --> 00:22:48,080 Speaker 3: the meeting. I had to fly to LA and I 446 00:22:48,119 --> 00:22:51,280 Speaker 3: had to like, you know, go for this like late 447 00:22:51,359 --> 00:22:53,840 Speaker 3: lunch meeting because they had something at noon. So we 448 00:22:53,840 --> 00:22:56,800 Speaker 3: were going to meet it too, at this very famous 449 00:22:56,800 --> 00:22:58,960 Speaker 3: restaurant in Malibu because it was like, you know, near 450 00:22:59,000 --> 00:23:01,760 Speaker 3: their fancy house. Uh, and it was a Friday, and 451 00:23:01,800 --> 00:23:04,280 Speaker 3: so like, listen, they don't do Friday afternoon meetings. But 452 00:23:04,320 --> 00:23:05,840 Speaker 3: get that you're on a show and this is the 453 00:23:05,840 --> 00:23:08,520 Speaker 3: one day you have off for you know, the next 454 00:23:08,520 --> 00:23:11,240 Speaker 3: three episodes or whatever. So this is how we're going 455 00:23:11,320 --> 00:23:12,760 Speaker 3: to make it work. And I was like totally. I 456 00:23:12,840 --> 00:23:15,560 Speaker 3: like thought nothing of it. So I get out there 457 00:23:15,560 --> 00:23:17,159 Speaker 3: and I'm like talking to my best friend on the way, 458 00:23:17,200 --> 00:23:19,280 Speaker 3: and I'm like, how do I like be cool but 459 00:23:19,320 --> 00:23:21,320 Speaker 3: be excited but not be too excited, and like, what 460 00:23:21,320 --> 00:23:24,000 Speaker 3: do I I've made notes through the whole script, things 461 00:23:24,040 --> 00:23:26,119 Speaker 3: to talk about, character beats, all the things, you know, 462 00:23:28,119 --> 00:23:30,200 Speaker 3: And I get out there and it's, you know, so sorry, 463 00:23:30,240 --> 00:23:33,119 Speaker 3: the noon was at Universal and now coming from the 464 00:23:33,200 --> 00:23:37,040 Speaker 3: valley to Malibu is taking forever. You know, this person 465 00:23:37,080 --> 00:23:39,000 Speaker 3: will be there at three, And I was like okay. 466 00:23:39,600 --> 00:23:41,080 Speaker 3: And then at like two point fifty, I get a 467 00:23:41,080 --> 00:23:43,639 Speaker 3: phone call from you know, the agent's assistant on the 468 00:23:43,680 --> 00:23:47,000 Speaker 3: desk being like, traffic's really bad. You're so lucky you 469 00:23:47,040 --> 00:23:48,880 Speaker 3: went out there early to like make sure you were 470 00:23:48,880 --> 00:23:53,280 Speaker 3: on time, looking like maybe three forty five. Anyway, you 471 00:23:53,320 --> 00:23:55,040 Speaker 3: get the story. It pushes and it pushes and it 472 00:23:55,040 --> 00:23:56,680 Speaker 3: pushes and it pushes and then it's five thirty and 473 00:23:56,720 --> 00:23:58,480 Speaker 3: then this person walks in almost at six. 474 00:23:58,840 --> 00:24:00,120 Speaker 2: Oh my god. 475 00:24:00,560 --> 00:24:03,719 Speaker 4: By the way, that's not just traffic, that's the terrible 476 00:24:04,240 --> 00:24:04,840 Speaker 4: and says, I've. 477 00:24:04,800 --> 00:24:08,159 Speaker 3: Kept you here all day. I am so sorry. My apologies. 478 00:24:08,200 --> 00:24:12,040 Speaker 3: Were pitching this other film we're so excited about. Unfortunately, 479 00:24:12,080 --> 00:24:13,679 Speaker 3: just you know, guys, my age in it. You know, 480 00:24:14,280 --> 00:24:15,600 Speaker 3: if there was a role in it, I would have 481 00:24:15,600 --> 00:24:16,880 Speaker 3: had them send it to you so you could read 482 00:24:16,880 --> 00:24:19,240 Speaker 3: it while you were waiting. But let's talk about this one. 483 00:24:19,240 --> 00:24:21,320 Speaker 3: And since I've kept you waiting, let me buy you dinner. 484 00:24:21,760 --> 00:24:24,600 Speaker 3: And I was like, I just got date napped. I 485 00:24:24,640 --> 00:24:27,560 Speaker 3: am on a fucking date. But I didn't agree to 486 00:24:27,600 --> 00:24:30,359 Speaker 3: go on with someone that until this moment I have 487 00:24:30,560 --> 00:24:33,760 Speaker 3: literally respected for like my whole life. And now I'm 488 00:24:33,880 --> 00:24:39,800 Speaker 3: stuck here and what do I do? And it was 489 00:24:40,880 --> 00:24:45,679 Speaker 3: such a bummer, But now it's like a pretty hilarious story. 490 00:24:46,000 --> 00:24:48,240 Speaker 2: How was the dinner? I mean, did you like, was 491 00:24:48,280 --> 00:24:49,240 Speaker 2: it interesting at least? 492 00:24:49,359 --> 00:24:51,479 Speaker 3: Or was it I had fish, it was lovely. 493 00:24:52,600 --> 00:24:56,480 Speaker 4: Was this guy even trying to make it a business 494 00:24:56,480 --> 00:24:58,439 Speaker 4: mean or was it clear he was just trying to 495 00:24:58,960 --> 00:24:59,560 Speaker 4: now have a date. 496 00:25:00,400 --> 00:25:04,439 Speaker 3: It became like pretty clear, because there was definitely a 497 00:25:04,560 --> 00:25:06,720 Speaker 3: like here's you know, this was still when our agents 498 00:25:06,720 --> 00:25:09,920 Speaker 3: were sending us physical scripts, and I was like, okay, 499 00:25:09,920 --> 00:25:11,439 Speaker 3: well here's my script and here's my notes, and I 500 00:25:11,440 --> 00:25:14,240 Speaker 3: have questions and then these are my thoughts, and you know, 501 00:25:15,200 --> 00:25:17,560 Speaker 3: I know you obviously you know you co wrote it. 502 00:25:17,560 --> 00:25:19,840 Speaker 3: And if you don't want thoughts but you just want questions, 503 00:25:19,920 --> 00:25:21,720 Speaker 3: let me know, like trying to be kind of funny. 504 00:25:23,320 --> 00:25:27,560 Speaker 3: And the immediate response was we we'll get to that, 505 00:25:28,000 --> 00:25:31,200 Speaker 3: like how are you? And then and then commentary was 506 00:25:31,240 --> 00:25:33,520 Speaker 3: made about what this person knew about what had been 507 00:25:33,520 --> 00:25:35,720 Speaker 3: going on in my life. That was, you know, very 508 00:25:35,720 --> 00:25:39,720 Speaker 3: public and sad at the time. And my favorite line 509 00:25:39,760 --> 00:25:41,440 Speaker 3: was you know, well, you know you can't date men 510 00:25:41,480 --> 00:25:44,239 Speaker 3: your own age. They're all useless idiots. And I was like, 511 00:25:44,320 --> 00:25:46,320 Speaker 3: oh my god. I was like I got to get 512 00:25:46,320 --> 00:25:49,160 Speaker 3: out of here, Like, bro, you're not like old enough 513 00:25:49,200 --> 00:25:51,440 Speaker 3: to be my dad, but you're way closer in age 514 00:25:51,440 --> 00:25:55,000 Speaker 3: to my dad than I am, so I'm going to 515 00:25:55,040 --> 00:25:56,359 Speaker 3: have to leave. Yeah. 516 00:25:56,440 --> 00:25:59,399 Speaker 4: Gross, But he also wasn't wrong. Let's be honest, guys, 517 00:25:59,560 --> 00:26:00,800 Speaker 4: guys that genuinely have that. 518 00:26:01,040 --> 00:26:04,560 Speaker 3: Here's the thing turns out in our mid twenties. Yes, 519 00:26:04,960 --> 00:26:07,960 Speaker 3: you all are very stupid, and then you grow out 520 00:26:07,960 --> 00:26:09,560 Speaker 3: of it and look at what charmers you are now. 521 00:26:09,560 --> 00:26:13,199 Speaker 3: I adore you all, But my god, I was just like, 522 00:26:13,960 --> 00:26:16,119 Speaker 3: how long do I have to stay here? Not to 523 00:26:16,160 --> 00:26:20,840 Speaker 3: get like blacklisted? But how quickly can I leave? 524 00:26:21,640 --> 00:26:25,600 Speaker 2: Yeah? Those situations are the worst. It's so so uncomfortable. 525 00:26:25,640 --> 00:26:28,160 Speaker 2: It's easier now that I'm older, obviously, but yeah, when 526 00:26:28,160 --> 00:26:30,560 Speaker 2: you get young, you don't know what the what are 527 00:26:30,560 --> 00:26:33,480 Speaker 2: the rules of play? How do I And that's kind 528 00:26:33,480 --> 00:26:36,399 Speaker 2: of what that personality banks on, is you being uncomfortable 529 00:26:36,440 --> 00:26:39,040 Speaker 2: and not knowing what to do and being like a 530 00:26:39,040 --> 00:26:40,760 Speaker 2: deer in the headlights. It's so gross. 531 00:26:41,080 --> 00:26:44,560 Speaker 4: Well, by the way, go ahead, rob as you can say, 532 00:26:44,600 --> 00:26:48,639 Speaker 4: the audacity and the stupidity of going ah yeah, you know, 533 00:26:48,880 --> 00:26:51,159 Speaker 4: probably the best way to kick off a date is 534 00:26:51,200 --> 00:26:55,320 Speaker 4: the keeper waiting for about three to four hours. That's 535 00:26:55,320 --> 00:26:57,520 Speaker 4: a power play, right, that's the power play? 536 00:26:57,880 --> 00:26:59,800 Speaker 2: Yeah, it isn't And it's to see how much you'll 537 00:26:59,800 --> 00:27:01,920 Speaker 2: put up with ahead of yeah. 538 00:27:02,119 --> 00:27:05,840 Speaker 3: Yeah, And that was the interesting thing for me looking back, 539 00:27:05,920 --> 00:27:08,679 Speaker 3: I realized, you know, and we were doing this all 540 00:27:08,720 --> 00:27:12,560 Speaker 3: the time. I mean, you know, Joy and I everybody 541 00:27:12,640 --> 00:27:14,439 Speaker 3: and especially in the early days of the show, you 542 00:27:14,480 --> 00:27:17,719 Speaker 3: had to fly everywhere for a meeting. Yeah, and it's like, 543 00:27:17,800 --> 00:27:20,720 Speaker 3: if you know, I flew out from Wilmington on the 544 00:27:20,840 --> 00:27:23,159 Speaker 3: five thirty am flight, like it was a whole thing, 545 00:27:23,200 --> 00:27:24,479 Speaker 3: and I was like, well, I flew all the way here. 546 00:27:24,480 --> 00:27:27,159 Speaker 3: I took two planes. I came here for this meeting, 547 00:27:27,280 --> 00:27:28,879 Speaker 3: like I'm going to have this meeting. It could be 548 00:27:28,920 --> 00:27:32,840 Speaker 3: a really big deal, and you know, somebody with an 549 00:27:33,000 --> 00:27:36,879 Speaker 3: iconic filmography that I really again respect. And then it 550 00:27:36,920 --> 00:27:39,960 Speaker 3: was like, oh, I have to do two things at once. 551 00:27:40,000 --> 00:27:41,919 Speaker 3: I have to be bummed as a human that this 552 00:27:42,000 --> 00:27:44,240 Speaker 3: is what's happening. And on the other side, I have 553 00:27:44,320 --> 00:27:49,399 Speaker 3: to figure out how to sort of strategically make my 554 00:27:49,600 --> 00:27:57,880 Speaker 3: boundaries very clear but also not risk like she's terrible 555 00:27:58,000 --> 00:28:01,640 Speaker 3: or difficult or whatever. Story per me an industry from 556 00:28:01,640 --> 00:28:04,479 Speaker 3: someone where there's such a power imbalance. So it was 557 00:28:04,520 --> 00:28:07,280 Speaker 3: like a really it was kind of a curious thing. 558 00:28:07,280 --> 00:28:10,199 Speaker 3: And I look back now and like, yeah, now, like 559 00:28:10,320 --> 00:28:12,120 Speaker 3: this version of me, i'd be like, are you looking 560 00:28:12,200 --> 00:28:16,520 Speaker 3: for real? I'm leaving. But at the time I had 561 00:28:16,560 --> 00:28:19,400 Speaker 3: to sort of try to figure out what I could 562 00:28:19,440 --> 00:28:23,560 Speaker 3: say and what I couldn't and sort of shoot the 563 00:28:23,560 --> 00:28:26,600 Speaker 3: shit about you know, the movie i'd just made and 564 00:28:26,640 --> 00:28:29,320 Speaker 3: the movie I knew they'd just made. And then of 565 00:28:29,359 --> 00:28:31,199 Speaker 3: course when like should we get around to drinks? I 566 00:28:31,240 --> 00:28:33,720 Speaker 3: was like, oh, I live like really far from here 567 00:28:33,760 --> 00:28:35,480 Speaker 3: and I drove, so no, like I don't. I don't 568 00:28:35,520 --> 00:28:37,200 Speaker 3: drink and drive. That's a that's a big no no 569 00:28:37,359 --> 00:28:40,200 Speaker 3: for me. And at least I had the wherewithal to 570 00:28:40,400 --> 00:28:43,120 Speaker 3: like not say I'm not going to have drinks with you, dude, 571 00:28:43,400 --> 00:28:45,160 Speaker 3: but to be like, I'm not going to have drinks 572 00:28:45,200 --> 00:28:49,440 Speaker 3: with you, sir father figure, like goodbye. 573 00:28:49,200 --> 00:28:55,080 Speaker 2: Or gross gross wow, whoa, that's a bad date. 574 00:28:55,520 --> 00:28:59,240 Speaker 3: It also, like the lore of it is quite funny, 575 00:28:59,280 --> 00:29:01,640 Speaker 3: and there are details that Joy knows, which I'll tell 576 00:29:01,640 --> 00:29:05,320 Speaker 3: you offline, Rob, that are so ridiculous. So it is 577 00:29:05,360 --> 00:29:07,640 Speaker 3: one of those things where like in my group of friends, 578 00:29:07,720 --> 00:29:09,480 Speaker 3: someone will go on a bad date and be like, 579 00:29:09,560 --> 00:29:12,520 Speaker 3: but you didn't get date napped by like fill in 580 00:29:12,560 --> 00:29:16,000 Speaker 3: the blank, and everybody laughs, like it's given to us 581 00:29:16,040 --> 00:29:16,960 Speaker 3: for twenty years. 582 00:29:17,040 --> 00:29:17,480 Speaker 4: Oh yeah. 583 00:29:17,520 --> 00:29:19,720 Speaker 2: It's one of those stories that like when you write 584 00:29:19,720 --> 00:29:23,040 Speaker 2: a memoir eventually and everyone is year old and it 585 00:29:23,080 --> 00:29:25,320 Speaker 2: doesn't matter. Yes, it's good. 586 00:29:25,640 --> 00:29:27,400 Speaker 3: I'll be like, let me tell you who it was. 587 00:29:28,840 --> 00:29:29,560 Speaker 3: It'll be great. 588 00:29:30,200 --> 00:29:32,000 Speaker 4: I can't wait to find out. Joy. Do you want 589 00:29:32,000 --> 00:29:33,600 Speaker 4: to jump in on this bad date train? Yeah? 590 00:29:33,680 --> 00:29:36,080 Speaker 2: I mean I've had a few bad datesn't. I didn't 591 00:29:36,160 --> 00:29:38,240 Speaker 2: date a lot because you know, I kind of got 592 00:29:38,280 --> 00:29:41,880 Speaker 2: married right away and then like afterward was I was 593 00:29:41,960 --> 00:29:44,600 Speaker 2: pretty in monogamous relationships. I don't have a ton of 594 00:29:44,600 --> 00:29:47,840 Speaker 2: bad dates. One bad date I had while I was 595 00:29:47,880 --> 00:29:52,120 Speaker 2: in a relationship, I went we went to a friend's 596 00:29:52,120 --> 00:29:54,800 Speaker 2: birthday dinner at one of those restaurants where they waiters sing, 597 00:29:55,600 --> 00:30:05,360 Speaker 2: and my date was drinking heavily as per usual, and 598 00:30:07,600 --> 00:30:10,080 Speaker 2: really wanted me to get up and sing a duet 599 00:30:10,160 --> 00:30:13,560 Speaker 2: with one of the waiters. So he's like trying to crawl. 600 00:30:13,680 --> 00:30:15,680 Speaker 3: I'm like, well, no, I have to fix my hair 601 00:30:15,760 --> 00:30:18,400 Speaker 3: even though it's messy. I I need to touch something I 602 00:30:18,440 --> 00:30:19,120 Speaker 3: want to buy. 603 00:30:19,200 --> 00:30:23,320 Speaker 2: So good, And I I didn't mind. I thought. I 604 00:30:23,360 --> 00:30:25,600 Speaker 2: was like, I mean, sure, whatever, Like it's it's a 605 00:30:25,720 --> 00:30:28,320 Speaker 2: it was a casual environment. It's like, yeah, this would 606 00:30:28,320 --> 00:30:29,840 Speaker 2: be fun if he So he's like, I'm going to 607 00:30:29,880 --> 00:30:31,200 Speaker 2: go talk to the I'm going to go back to 608 00:30:31,240 --> 00:30:33,040 Speaker 2: the guy playing the piano and tell him what the 609 00:30:33,040 --> 00:30:34,960 Speaker 2: song you want to sing? But I was like whatever, 610 00:30:35,320 --> 00:30:36,880 Speaker 2: if he wants to do something, I'd be happy to. 611 00:30:37,000 --> 00:30:38,880 Speaker 2: But there's I mean, we're here for my friend's birthday. 612 00:30:38,880 --> 00:30:40,440 Speaker 2: But it was like a big casual thing, so like 613 00:30:40,560 --> 00:30:42,680 Speaker 2: I was whatever. Anyway, So he goes up there and 614 00:30:42,720 --> 00:30:45,240 Speaker 2: the guy says, oh, we don't. It's really just the 615 00:30:45,280 --> 00:30:48,640 Speaker 2: staff here that's sing. And I was like, thumbs up, great, 616 00:30:48,960 --> 00:30:53,560 Speaker 2: let's get back to dinner. And he got really insistent, 617 00:30:53,760 --> 00:30:55,480 Speaker 2: like no, no, you got to hear her sing, like 618 00:30:55,480 --> 00:30:57,040 Speaker 2: she's got to say. And I was like, no, dude, 619 00:30:57,040 --> 00:30:59,120 Speaker 2: like we're here for our friend's birthday dinner. Just sit down. 620 00:30:59,200 --> 00:31:05,400 Speaker 2: Let's just our dinner. And the waiter comes over and 621 00:31:05,480 --> 00:31:08,680 Speaker 2: he he starts arguing with the waiter, and the waiter's like, 622 00:31:08,720 --> 00:31:11,440 Speaker 2: I don't. I mean, it's fine, I'll sing with her. 623 00:31:11,440 --> 00:31:12,440 Speaker 2: And I was like, I don't want to. I don't 624 00:31:12,440 --> 00:31:14,000 Speaker 2: want to sing. I don't. I'm not, it's fine. Let's 625 00:31:14,040 --> 00:31:17,040 Speaker 2: just eat our pasta. It's good. And he stands up 626 00:31:17,080 --> 00:31:21,040 Speaker 2: and starts yelling at the waiter of this whole restaurant 627 00:31:21,120 --> 00:31:22,720 Speaker 2: like you could hear a pin drop. Everybody in the 628 00:31:22,760 --> 00:31:25,120 Speaker 2: restaurant gets quiet and We're just listening to him like 629 00:31:25,800 --> 00:31:29,640 Speaker 2: burreat this poor waiter about not letting me sing with him, 630 00:31:29,680 --> 00:31:31,960 Speaker 2: and I was like, oh my god, I want to 631 00:31:32,000 --> 00:31:35,560 Speaker 2: crawl into a hole. Everybody at the table is just like, 632 00:31:35,600 --> 00:31:37,640 Speaker 2: hey man, sit down, like girl, it's all good, it's 633 00:31:37,640 --> 00:31:40,680 Speaker 2: all good. And uh, you know, of course we went 634 00:31:40,760 --> 00:31:43,920 Speaker 2: I like went to check on the waiter and left him. 635 00:31:44,040 --> 00:31:46,320 Speaker 2: We all left him at Big Tip. But it was 636 00:31:46,480 --> 00:31:48,880 Speaker 2: like that was one of those moments where you're just 637 00:31:48,920 --> 00:31:50,400 Speaker 2: like what am I? What am I doing here? Why 638 00:31:51,480 --> 00:31:54,200 Speaker 2: I'm by my hair? What is this life? 639 00:31:54,480 --> 00:31:56,800 Speaker 3: The when you go up on the ceiling and you're like, 640 00:31:57,240 --> 00:32:00,520 Speaker 3: how has it gotten here? Yeah? How did it get 641 00:32:00,520 --> 00:32:01,840 Speaker 3: away from me? And now we're here? 642 00:32:02,200 --> 00:32:04,280 Speaker 2: How is this a part of any day in my life? 643 00:32:04,640 --> 00:32:08,640 Speaker 2: I'm not understanding where this came from, or I guess 644 00:32:08,680 --> 00:32:10,160 Speaker 2: I knew where it came from. I just didn't know 645 00:32:10,200 --> 00:32:14,160 Speaker 2: I had made allowances for so many little things to 646 00:32:14,200 --> 00:32:16,880 Speaker 2: the point where now we're here. Yeah, So that was 647 00:32:16,920 --> 00:32:18,600 Speaker 2: a bad date night. 648 00:32:20,840 --> 00:32:23,000 Speaker 4: All of a sudden, two bites of ravioli isn't looking 649 00:32:23,040 --> 00:32:26,680 Speaker 4: so bad. I'm glad I went first, because I certainly 650 00:32:26,680 --> 00:32:31,840 Speaker 4: couldn't follow either of those. All right, let's with old 651 00:32:32,000 --> 00:32:36,200 Speaker 4: Brandon's question. I'm sure it's Brandon, but your nickname should 652 00:32:36,240 --> 00:32:38,800 Speaker 4: have been in there. He calls himself the Dawn for short. 653 00:32:39,040 --> 00:32:43,680 Speaker 4: Uh absolutely asks who would win in an arm wrestling contest, Rob, 654 00:32:43,960 --> 00:32:47,480 Speaker 4: Chad or James. I can give you definitive answer. James 655 00:32:47,520 --> 00:32:50,120 Speaker 4: would win. Yeah, and then it would be Chad n 656 00:32:50,160 --> 00:32:52,600 Speaker 4: I and the loser's bracket and we would get so 657 00:32:52,760 --> 00:32:55,400 Speaker 4: lost in each other's eyes that it would be a tie. 658 00:32:55,720 --> 00:32:58,560 Speaker 2: Okay, yeah, nobody else can answer that except you. 659 00:32:58,680 --> 00:33:02,480 Speaker 4: If you asked, Brandon, you asked there, you go, all. 660 00:33:02,520 --> 00:33:05,600 Speaker 3: Right, definitively. I like, I like the button on it. Rob, 661 00:33:06,680 --> 00:33:07,480 Speaker 3: It's very good. 662 00:33:07,960 --> 00:33:09,960 Speaker 2: I can see that. I can see how like James 663 00:33:10,040 --> 00:33:14,200 Speaker 2: has a has a switch flip thing where he can 664 00:33:15,000 --> 00:33:17,840 Speaker 2: it's like when he when he's decided he's going to 665 00:33:17,880 --> 00:33:20,040 Speaker 2: do something and commit to it and go for it. 666 00:33:20,120 --> 00:33:23,120 Speaker 2: I think there's like just absolutely no chance he doesn't 667 00:33:24,320 --> 00:33:26,720 Speaker 2: succeed at whatever that is. And so I think if 668 00:33:26,720 --> 00:33:29,640 Speaker 2: he decided in that moment, I don't know, is it 669 00:33:29,680 --> 00:33:30,920 Speaker 2: like psychological warfare? 670 00:33:32,920 --> 00:33:35,120 Speaker 4: Just like he's kind of built like Superman, you know, 671 00:33:35,280 --> 00:33:38,080 Speaker 4: I just feel like he's he's not just vanity strong 672 00:33:38,160 --> 00:33:41,040 Speaker 4: he's just strong, strong, and he's not even a dad yet. 673 00:33:41,040 --> 00:33:44,320 Speaker 4: He's his strength is going to be something out of 674 00:33:44,320 --> 00:33:46,280 Speaker 4: this world. But he's just a very strong guy. 675 00:33:46,760 --> 00:33:47,240 Speaker 2: That's true. 676 00:33:47,320 --> 00:33:50,360 Speaker 4: Yes, it's like you know how people in cold weather 677 00:33:50,440 --> 00:33:55,400 Speaker 4: are just different, like lumberjacks in the Arctic or just different. Yes, 678 00:33:55,480 --> 00:33:58,440 Speaker 4: just different. Yes, yes, that is that is James is 679 00:33:58,440 --> 00:34:02,160 Speaker 4: the Hollywood equivalent of that. Maybe asks an interesting question? 680 00:34:02,280 --> 00:34:04,040 Speaker 4: Is going to jump back in here again? She said, 681 00:34:04,040 --> 00:34:06,160 Speaker 4: is there a reason that only certain members of the 682 00:34:06,240 --> 00:34:10,879 Speaker 4: cast have nicknames? I e. Junk Mouth, Fergie Skills. What 683 00:34:11,000 --> 00:34:13,480 Speaker 4: nickname would you give Clay, Brooke and. 684 00:34:13,360 --> 00:34:18,359 Speaker 2: Haley Well Hailey as tutor girl Brook. 685 00:34:18,560 --> 00:34:21,400 Speaker 4: Yes, I liked Jayley when you went to jail. 686 00:34:21,640 --> 00:34:22,359 Speaker 3: Yeah, I like that. 687 00:34:22,360 --> 00:34:24,120 Speaker 2: That's fun. I forgot about that. 688 00:34:24,400 --> 00:34:30,240 Speaker 3: Yes, when when Brooks parents went broke in high school, 689 00:34:30,239 --> 00:34:33,239 Speaker 3: everyone called her Broke Davis, which was sad it was 690 00:34:33,280 --> 00:34:33,880 Speaker 3: a nickname. 691 00:34:35,160 --> 00:34:38,160 Speaker 4: I was going to say, given the last episode we watched, 692 00:34:38,200 --> 00:34:41,239 Speaker 4: which is close over bros Getting in financial trouble and 693 00:34:41,280 --> 00:34:43,479 Speaker 4: Brooke getting arrested, I was thinking we could just change 694 00:34:43,520 --> 00:34:44,400 Speaker 4: Brook to crook. 695 00:34:45,880 --> 00:34:50,160 Speaker 2: Brooke Davis. Yeah, I what is Clay? 696 00:34:50,560 --> 00:34:51,760 Speaker 3: What's Clay's nickname? 697 00:34:51,880 --> 00:34:55,279 Speaker 4: I feel like I was thinking, like something along lines 698 00:34:55,320 --> 00:35:01,560 Speaker 4: of Memento or like Doctor Forgetful. I feel like that's Goldfish. 699 00:35:01,719 --> 00:35:03,239 Speaker 3: Sure, gold Fish is good. 700 00:35:03,680 --> 00:35:07,120 Speaker 4: I feel like we need to circle the amnesia part 701 00:35:07,120 --> 00:35:07,439 Speaker 4: of it. 702 00:35:07,760 --> 00:35:12,680 Speaker 2: Yeah, Goldfish, okay. Man Ali wants to know what your 703 00:35:12,960 --> 00:35:15,880 Speaker 2: top three favorite shows are, like of all time? 704 00:35:16,480 --> 00:35:20,120 Speaker 4: Oh today though your favorite all time shows? Today? 705 00:35:20,440 --> 00:35:21,239 Speaker 2: Wait? What do you mean? 706 00:35:21,719 --> 00:35:23,600 Speaker 4: It's the way of hedging your bets right where it's like, 707 00:35:23,600 --> 00:35:25,560 Speaker 4: what's your favorite food? And that's an impossible question. I 708 00:35:25,560 --> 00:35:27,640 Speaker 4: freeze up, so I answered, and I go today my 709 00:35:27,719 --> 00:35:30,640 Speaker 4: favorite food is because it's me giving my brain the 710 00:35:30,680 --> 00:35:33,080 Speaker 4: out that you're allowed to change this at a different time. 711 00:35:34,760 --> 00:35:36,560 Speaker 2: Mad Men, Friends, Game of Friends. 712 00:35:36,920 --> 00:35:40,960 Speaker 3: Ooh good, okay? I mean Orphan Black will always be 713 00:35:41,080 --> 00:35:45,560 Speaker 3: in my in my top as of today, I just 714 00:35:45,680 --> 00:35:49,640 Speaker 3: binged the first three episodes of the Madness with Coleman Domingo, 715 00:35:49,880 --> 00:35:53,640 Speaker 3: and I have not seen a show that good in years. 716 00:35:54,320 --> 00:36:02,840 Speaker 3: I am beside myself. Oh this is so hard. What else? 717 00:36:03,360 --> 00:36:07,839 Speaker 3: What have I been watching? I've been watching I've been 718 00:36:07,880 --> 00:36:10,080 Speaker 3: watching something on HBO and I can't think of what 719 00:36:10,160 --> 00:36:12,640 Speaker 3: it is. This is it that these questions are too 720 00:36:12,719 --> 00:36:14,320 Speaker 3: high pressure for me and my brain goes blank. 721 00:36:15,200 --> 00:36:18,880 Speaker 4: Okay, I'm gonna buy you a moment, buy me a minute. Patriot. 722 00:36:20,040 --> 00:36:22,880 Speaker 3: I love The Patriots. 723 00:36:22,920 --> 00:36:26,920 Speaker 4: Such a great show, arrested development. To be fair, though, 724 00:36:26,960 --> 00:36:31,640 Speaker 4: like specifically seasons one through three especially Yes, yeah uh 725 00:36:31,680 --> 00:36:34,920 Speaker 4: and oh man, it's tough. I'd say thirty Rock. 726 00:36:35,000 --> 00:36:37,799 Speaker 3: Oh my god, iconic, you know what in the in 727 00:36:37,800 --> 00:36:42,160 Speaker 3: the comedy vein, Yes, in the third spot. I think 728 00:36:42,160 --> 00:36:46,120 Speaker 3: I'd actually have to give a tie. It would tie 729 00:36:46,160 --> 00:36:48,600 Speaker 3: for me between VEEP and Parks and rec. 730 00:36:49,560 --> 00:36:49,799 Speaker 4: Yeah. 731 00:36:51,040 --> 00:36:53,680 Speaker 2: So genius, so genius, genius. 732 00:36:54,080 --> 00:36:54,319 Speaker 4: Rob. 733 00:36:54,360 --> 00:36:58,960 Speaker 2: I started watching Detroiters on your recommendation. I really like 734 00:36:59,040 --> 00:37:02,360 Speaker 2: it. It's great, really great. I was I mean the episode 735 00:37:02,360 --> 00:37:04,640 Speaker 2: where they're trying to break the glass wind the glass 736 00:37:04,640 --> 00:37:06,480 Speaker 2: window and I'm still in the beginning, but I was 737 00:37:06,600 --> 00:37:08,640 Speaker 2: laughing my ass off. It was like late at night 738 00:37:08,680 --> 00:37:10,720 Speaker 2: in bed and I'm just crying laughing. 739 00:37:11,560 --> 00:37:13,600 Speaker 4: I love that show. That would make my short list 740 00:37:13,760 --> 00:37:14,160 Speaker 4: as well. 741 00:37:14,400 --> 00:37:16,320 Speaker 2: Yeah, all right, that's great. 742 00:37:17,000 --> 00:37:19,240 Speaker 3: That feels fun. I want to ask this question because 743 00:37:19,280 --> 00:37:23,880 Speaker 3: we all we've we've bonded over many and made many 744 00:37:23,920 --> 00:37:27,760 Speaker 3: for one another. Mikayla, uh, let's call her a little Mikayla. 745 00:37:27,880 --> 00:37:30,399 Speaker 3: She she We're just going to keep it going. Wants 746 00:37:30,440 --> 00:37:33,520 Speaker 3: to know what cocktail reminds you of your oth days. 747 00:37:33,880 --> 00:37:36,120 Speaker 2: I was a wine drinker back then. I wasn't drinking 748 00:37:36,160 --> 00:37:39,040 Speaker 2: a lot of a lot of liquor, were you, guys? 749 00:37:39,640 --> 00:37:44,800 Speaker 4: Yeah, I would. 750 00:37:44,880 --> 00:37:47,399 Speaker 3: I would go for wine. And I feel like we've 751 00:37:47,400 --> 00:37:49,080 Speaker 3: talked about this. We all really got to learn a 752 00:37:49,120 --> 00:37:52,680 Speaker 3: lot about wine thanks to Paul. Yeah, and Hank at Deluxe, 753 00:37:52,719 --> 00:37:55,520 Speaker 3: Like that was always so nice. But when we were 754 00:37:55,520 --> 00:37:57,439 Speaker 3: shooting One Tree Hill is when I started to get 755 00:37:57,520 --> 00:38:02,960 Speaker 3: really into old fashions. And my sort of favorite like 756 00:38:03,000 --> 00:38:05,480 Speaker 3: ha ha moment at a bar was always ordering an 757 00:38:05,480 --> 00:38:07,680 Speaker 3: old fashion and like you know, some golf dad would 758 00:38:07,680 --> 00:38:09,880 Speaker 3: be like, who's that for? And I'd be like me, 759 00:38:10,760 --> 00:38:13,719 Speaker 3: it's for me, And it always felt so nice. 760 00:38:13,800 --> 00:38:16,080 Speaker 2: Yeah, when you're like twenty two, you're like, look, look 761 00:38:16,160 --> 00:38:19,239 Speaker 2: what a what an unexpected girl I am. 762 00:38:19,520 --> 00:38:22,359 Speaker 3: I'm twenty six and I'm drinking a sixty two year 763 00:38:22,360 --> 00:38:25,000 Speaker 3: old men's drink And I like that about myself. 764 00:38:25,680 --> 00:38:31,080 Speaker 4: Yeah. I Season nine, Steven Coletti and I discovered the 765 00:38:31,160 --> 00:38:34,799 Speaker 4: Jamison pickleback, which is a shot of jamison and a 766 00:38:34,840 --> 00:38:38,520 Speaker 4: shot of pickle juice. Here's the weirdest thing. It tastes 767 00:38:38,520 --> 00:38:42,239 Speaker 4: like a McDonald's hamburger. I can't expect it. And we 768 00:38:42,560 --> 00:38:46,000 Speaker 4: went so hard that we would just we There was 769 00:38:46,040 --> 00:38:47,880 Speaker 4: a couple of bars that we went to. We're like, guys, 770 00:38:47,880 --> 00:38:49,000 Speaker 4: we're out of pickle juice. 771 00:38:49,040 --> 00:38:51,560 Speaker 3: Like they're like, please leave us alone. 772 00:38:51,800 --> 00:38:55,480 Speaker 4: Yeah, So that's that would be my my nostalgia. 773 00:38:55,560 --> 00:38:58,400 Speaker 2: It's kind of genius. I think in terms of not 774 00:38:58,640 --> 00:39:03,399 Speaker 2: making the the pickle juice being such a hydrator that 775 00:39:03,560 --> 00:39:06,399 Speaker 2: it's not gonna the alcohol maybe doesn't have the same 776 00:39:06,440 --> 00:39:09,319 Speaker 2: effect as it would if you were just taking it 777 00:39:09,360 --> 00:39:10,239 Speaker 2: straight right. 778 00:39:10,280 --> 00:39:11,839 Speaker 4: I don't know if that chemistry checks out. 779 00:39:11,880 --> 00:39:12,359 Speaker 2: Is it now? 780 00:39:12,480 --> 00:39:15,640 Speaker 4: Juice highly sodium content? Isn't there a massive Yeah? 781 00:39:15,640 --> 00:39:19,040 Speaker 2: But it's lights. It's all. It's like athletes will drink 782 00:39:19,080 --> 00:39:21,640 Speaker 2: pickle juice or pickle water or whatever. 783 00:39:22,320 --> 00:39:25,280 Speaker 4: Are you telling me? We were actually just really taking 784 00:39:25,320 --> 00:39:26,600 Speaker 4: good care of ourselves with. 785 00:39:27,440 --> 00:39:29,840 Speaker 2: Yes, this is top tier help. 786 00:39:31,280 --> 00:39:35,640 Speaker 3: I did remember reading something because Jenny Smart is also 787 00:39:35,680 --> 00:39:37,880 Speaker 3: a real fan of a pickleback. I personally am not, 788 00:39:38,160 --> 00:39:42,360 Speaker 3: but that was also her jam in our Willington days. 789 00:39:44,239 --> 00:39:49,120 Speaker 3: I remember forwarding her the little video clip about it. 790 00:39:49,760 --> 00:39:53,920 Speaker 3: Pickle juice does something like really incredible. I think it 791 00:39:53,960 --> 00:39:56,000 Speaker 3: can stop a migraine. Maybe I'm going to need to 792 00:39:56,000 --> 00:39:59,240 Speaker 3: do this. Yeah, it was something that when I saw, 793 00:39:59,640 --> 00:40:02,160 Speaker 3: you know, some person talking about it online, I was like, 794 00:40:02,480 --> 00:40:04,640 Speaker 3: do you know about this? Is this why you're healthy? 795 00:40:05,560 --> 00:40:08,440 Speaker 3: So there's something too what you're saying, enjoy pickle juice 796 00:40:08,640 --> 00:40:10,120 Speaker 3: does something. 797 00:40:10,400 --> 00:40:12,759 Speaker 2: Vinegar is great. Vinegar is so great for you. 798 00:40:13,239 --> 00:40:16,360 Speaker 3: Except thinking about it, I have cravings. 799 00:40:16,400 --> 00:40:18,160 Speaker 2: I totally have pickle juice cravens. I just go in 800 00:40:18,160 --> 00:40:19,719 Speaker 2: the fridge and I'll just like drink a little. 801 00:40:19,480 --> 00:40:23,200 Speaker 4: Lot of pickle chart go on joy wellst listeners, you 802 00:40:23,320 --> 00:40:25,760 Speaker 4: heard it here. First, the Drama Queens and the medical 803 00:40:25,760 --> 00:40:29,160 Speaker 4: community encourage you to drink your pickle juice. 804 00:40:29,800 --> 00:40:31,920 Speaker 3: Everyone except for me. I'm trying not to throw up, 805 00:40:32,400 --> 00:40:35,520 Speaker 3: but I love it for all of you. Congratulations. I'll 806 00:40:35,560 --> 00:40:37,200 Speaker 3: be in the corner with my whiskey and a little 807 00:40:37,239 --> 00:40:38,040 Speaker 3: sugar cube. 808 00:40:38,239 --> 00:40:42,720 Speaker 2: Yeah bye, guys, Thanks. 809 00:40:40,640 --> 00:40:43,520 Speaker 4: He drink your pickle juice. 810 00:40:43,560 --> 00:40:47,759 Speaker 3: Bye bye. Hey, thanks for listening. Don't forget to leave 811 00:40:47,800 --> 00:40:50,560 Speaker 3: us a review. You can also follow us on Instagram 812 00:40:50,600 --> 00:40:52,360 Speaker 3: at Drama Queen's ot. 813 00:40:52,920 --> 00:40:57,040 Speaker 2: Or email us at Drama Queens at iHeartRadio dot com. 814 00:40:57,320 --> 00:40:58,360 Speaker 2: See you next time. 815 00:41:00,120 --> 00:41:02,959 Speaker 1: You all about that high school Drama Girl, Drama girl, 816 00:41:03,040 --> 00:41:06,160 Speaker 1: all about them high school queens will take you for 817 00:41:06,239 --> 00:41:09,960 Speaker 1: a ride, and our comic girl cheering for the right teams. 818 00:41:09,760 --> 00:41:12,840 Speaker 2: Drama queenslise my girl, rough girl fashion. 819 00:41:12,920 --> 00:41:15,160 Speaker 1: With your tough girl, you could sit with us Girl 820 00:41:15,239 --> 00:41:19,320 Speaker 1: Drama Queens, Drama Queise Drama Queens, Drama Drama Queens, Drama 821 00:41:19,400 --> 00:41:20,600 Speaker 1: Queens