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Speaker 1: Welcome to Drink Champs, the production of The Black Effect

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Speaker 1: and I Heart Radio and its drinks motherfucking podcast. He's

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Speaker 1: a legendary queen's rapper. He's agreed is your boy in

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Speaker 1: O R E. He's a Miami hip hop pioneer. Up

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Speaker 1: is d J e f N. Together they drink it

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Speaker 1: up with some of the biggest players in the most professional,

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Speaker 1: unprofessional podcast. And yet number one sorts for drunk fast

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Speaker 1: drink is New year' z. That's time for drink Champs.

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Speaker 1: Trink up, mother would it could be Hopeully's want to

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Speaker 1: ship me to see your point? In O R what?

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Speaker 1: Up is d J e f N. And it's really

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Speaker 1: taming crazy war radio drink Chaps. Now, you look up

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Speaker 1: the word hustler, you look up the word survivor, you

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Speaker 1: look at the world, you look up the word classic, legendary.

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Speaker 1: This man name would be there. I knew him from

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Speaker 1: you know, the beginning, from the DVD stages. You know

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Speaker 1: what I mean to the you know what I mean

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Speaker 1: to the to the Him and Max Wave they started

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Speaker 1: the wave. They like, let's be clear, everyone is wave

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Speaker 1: riders in wave surface. But the first time y'all heard

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Speaker 1: the waves with him and his homie was together. He

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Speaker 1: has made countless hits, back to back to back to

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Speaker 1: back to back. Every time they counted them out, he

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Speaker 1: counted himself and y'all thought it was over. Yeah, you

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Speaker 1: motherfucker's right now, got amnesia and he's given y'all recommeniable record. Talia.

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Speaker 1: Remember the conciliation, Remember the yes. I don't know what

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Speaker 1: those words mean. But the man to the left of me,

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Speaker 1: he has survived. He has done everything. When people counted

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Speaker 1: them out, he came back and he hits you with

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Speaker 1: another one, and then when you said you couldn't do that,

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Speaker 1: hit you with another one. This album is the most

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Speaker 1: focused out of him, slur. I didn't him do nothing

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Speaker 1: on this album but be focused Montana. His name is

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Speaker 1: not French. Montana's focused Montanna. It used to be Honing Montana.

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Speaker 1: Gonna get into that a little while. But in case

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Speaker 1: you don't know I'm talking about, we talking about what

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Speaker 1: the French French. I can't lie to you. You know

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Speaker 1: I knew you throughout the whole tel This seems like

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Speaker 1: the most focused you've ever been. Like I can say

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Speaker 1: back in the days, you was focused getting into the game,

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Speaker 1: like being focused on getting into the game. But this

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Speaker 1: is this is a hard spot you at right, because

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Speaker 1: you've actually made one. We've got a lot of sponsors.

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Speaker 1: By the oh yeah, we're outside. Yeah yeah, just like

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Speaker 1: like the first ten of our episodes. He looked at

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Speaker 1: us the candle we call the at hell. You know.

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Speaker 1: But but but you you made one of the biggest facts.

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Speaker 1: So one of the things that I made, I'm gonna

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Speaker 1: relate you to me for a second. One of the

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Speaker 1: hillest things that I ever did was make super Dog. Right.

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Speaker 1: When I made super Dog, it was a blessing and

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Speaker 1: a curse. It was a blessing because no one made

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Speaker 1: that sound. It was a curse because even though oh

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Speaker 1: No came out right after that and did bigger numbers,

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Speaker 1: everyone said, it's not oh no, it's not super thing.

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Speaker 1: I mean, it's not super what. I thank you for

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Speaker 1: thinking for me. That's how I felt. Shot caller, what

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Speaker 1: shot caller? Damn you went straight into shot call I

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Speaker 1: thought it we unforgivable. Nah shot caller, Okay, I mean

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Speaker 1: when I when I first made shot I mean I

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Speaker 1: made like chop it down a different But once I

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Speaker 1: have the shot call, it was just like that's what

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Speaker 1: the culture sometimes bigger than than than the charts, you

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Speaker 1: know what I'm saying. So it's like when you make

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Speaker 1: certain certain hit records, it's just like, you know, I

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Speaker 1: don't forget why I can't. I can't perform that for example,

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Speaker 1: like the tunnel was still popping like certain things. You

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Speaker 1: know what I'm saying. It's like too sold for ship

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Speaker 1: like that. You know I would, I would agree with you,

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Speaker 1: but Jah will pull me different. When I'm watching the verses,

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Speaker 1: when I see Matters the Square Garden, all them tough

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Speaker 1: guys start singing you always on time, I say, holy ship,

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Speaker 1: I can't believe I've seen games this like this, always

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Speaker 1: on time all the time. But look at to you.

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Speaker 1: So I give what you're saying. I forgive a bodshot caller. Yeah,

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Speaker 1: and um, what's the um fun with me? Get a

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Speaker 1: bad high? Let's let's get onto that one right now.

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Speaker 1: Friends going through you know, surviving the Kardashians, you um

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Speaker 1: you um, the I see you, which you're getting into later.

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Speaker 1: But it's now it's coming to time to make this

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Speaker 1: new album you we've had these is there two rumors

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Speaker 1: of you right one that you use everybody for your single, right,

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Speaker 1: and then two that you that you your sample right?

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Speaker 1: What made you say when we get a back one,

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Speaker 1: let me do it by myself? Well, let me bring

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Speaker 1: it back to the Bronx. Made you do that? Um man?

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Speaker 1: I mean first it was like the like the tenure

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Speaker 1: anniversary and me dropping shot caller. Man, that's why I

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Speaker 1: made sure years. So I made sure I produced it

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Speaker 1: the same way like I've made sure the Horns is

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Speaker 1: in the beginning, you know, just like you know New

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Speaker 1: York music. Man. I had to you know, I had

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Speaker 1: to get back to the essence. That's that Harry Ford

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Speaker 1: of the hit Maker. Um, that's that's Harry Froud. Harry

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Speaker 1: Frod shot back. Yeah, Harry Frod shot caller and stupid

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Speaker 1: on the beat and young from the Bronx. He was

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Speaker 1: on the umum fun with me get it back, you

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Speaker 1: know what I'm saying. But most of them joints like

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Speaker 1: even Pop that I remember Pop that Rest in Peace

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Speaker 1: Chinks he gave me that beat. Wow, you know what

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Speaker 1: I'm saying. So gave that. Yeah, it was Chins. So

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Speaker 1: I'm about going to going to Ross Crib and um,

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Speaker 1: I had said that the Drake Drake was in Europe

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Speaker 1: and he likes nice floor. Just throw that in there. No, no,

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Speaker 1: That's what I'm saying. So I want I wanted to

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Speaker 1: go see Ross. Ross is working on his his album

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Speaker 1: and I remember Ross did Diverse and he hit me.

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Speaker 1: He hit me. He was like, yo, I want to

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Speaker 1: keep pop that, you know what I mean. I'm like yeah,

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Speaker 1: I'm like, yeah, bro, take it. I remember the chances

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Speaker 1: in the back seat with me was like Yo, no,

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Speaker 1: we're not doing that. It was like, Yo, I need

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Speaker 1: my beat back if you're gonna do that. Oh he's

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Speaker 1: saying this out loud of to to like me and

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Speaker 1: him like arguing Danny about the fight. I'm like, yo, bro,

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Speaker 1: that's a big bro. Give it to him. You know.

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Speaker 1: That's how we raised. He was like, nah, I need

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Speaker 1: my need my song back. So I had us like, yo, bro,

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Speaker 1: I can't give you that, you know what I'm saying. So,

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Speaker 1: but pop that and no stylists and records like that.

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Speaker 1: But it was just you on Ross on pop that

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Speaker 1: first or it was just me just you okay you

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Speaker 1: sent it to Yeah, it was it was just me.

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Speaker 1: You know what I'm saying. We was in the studio

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Speaker 1: and that's that's how it came about. What was It

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Speaker 1: was like, I don't think you know, Drake is sound

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Speaker 1: crazy on this, This is not you know. That's that's

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Speaker 1: how we worked. But I knew pop that would have

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Speaker 1: been popped that without nobody on it. That was the

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Speaker 1: lane I was going because you're coming up from the

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Speaker 1: Bronx you basically like my first song was chopping down

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Speaker 1: Me by myself. First it was straight cash me by myself.

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Speaker 1: Chopping down me by myself? Um um um what you

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Speaker 1: call it? Shot calling me by myself? Ain't worried about

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Speaker 1: nothing mean about myself. That's one of my favorite thenner

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Speaker 1: like when we got the pop that, I'm like, bro,

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Speaker 1: that's four back to back, let me rose what you

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Speaker 1: think I should do? Let me get it? So we

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Speaker 1: did that. I mean from that to the No Status,

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Speaker 1: there's certain joints that I had. I knew I didn't

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Speaker 1: need nobody, but what's better than doing it with yours?

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Speaker 1: And you got to perform pop that will all for you? Yeah, okay,

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Speaker 1: I remember I gave it to um to test for Wayne.

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Speaker 1: I was at a show like quartet. Yeah, when they

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Speaker 1: had the CDs was popping. I'm not ye. I left

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Speaker 1: the open verse for Wayne. I only had to hook

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Speaker 1: you know what I'm saying. And I remember he called

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Speaker 1: me a day before it went out and he was like, yo,

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Speaker 1: bro um, well he just did this verse playing the

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Speaker 1: play this like this, remember like that out put some

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Speaker 1: chump fit. He was getting fit. And I remember I

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Speaker 1: said that song to Puff and Puff was like it

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Speaker 1: sounds like a good mix show record. Oh wow, I

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Speaker 1: don't let your puff man. You lost it the way?

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Speaker 1: What kind of right? Yeah? Yeah? Nah? In his defense, yeah,

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Speaker 1: in his defense, he's a radio air. When we hear Luke,

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Speaker 1: we don't hear radio Yeah. I mean, God bless me

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Speaker 1: because you from Miami, you might have the total opposite opinion,

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Speaker 1: but I'm not wrong, and you're you're not wrong right

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Speaker 1: with neither one of them, but different from New York.

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Speaker 1: When we hear Luke were like, this is not getting played?

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Speaker 1: Are you the exact opposite coming from I am absolutely okay, wow,

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Speaker 1: But I can see what you can see what Puff

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Speaker 1: is coming from. What was like you but you think

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Speaker 1: it was that's what Puff was thinking? Luke angle, Yeah,

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Speaker 1: I believe so ye did you feel like it was that?

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Speaker 1: I just when you pressed play on that song, it

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Speaker 1: was just like it's just like it's just it's just

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Speaker 1: took it to another level. And that someone went number

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Speaker 1: one and you know, I called puff. I'm like, yo, bro,

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Speaker 1: you're wrong. Next time, I'm make sure I won't hit you.

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Speaker 1: You gotta make no noise. So so boring, all right,

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Speaker 1: let's get to know worry about nothing. You just said that.

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Speaker 1: It was like so appropriate at the time, Like I

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Speaker 1: just I felt like everyone that was everyone's anthem. Yeah,

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Speaker 1: I ain't worry about nothing, an't worry about like like

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Speaker 1: what made you made Obviously he wasn't worried about nothing.

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Speaker 1: But besides that, what made you go in the studio

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Speaker 1: and say, you know what this this is? This is

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Speaker 1: where my my frame is at um Man, I think

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Speaker 1: we were just going through a period where, um I

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Speaker 1: think Max b had just got locked up, you know

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Speaker 1: what I'm saying. We had what was going through like

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Speaker 1: a lot of turmoili and ship. So it was just

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Speaker 1: like it was to the point where it's like you

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Speaker 1: know when it when it forced you into that corner

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Speaker 1: and you just gotta shown what you you know, what

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Speaker 1: you could do. It was one of those moments how

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Speaker 1: I was feeling. I was feeling like the underdog. Everybody

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Speaker 1: counted me out because you gotta remember, like me and

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Speaker 1: Max be had the most beef in New York at

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Speaker 1: one point, so it's like when he got locked up,

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Speaker 1: everybody counted me out. And that was during the process

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Speaker 1: when I was making Excuse My French the album. I

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Speaker 1: had just made Mac and Cheese three and we had

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Speaker 1: Yeah and Sanctuary and all that joints on there. But

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Speaker 1: in order for me to leave New York, I needed

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Speaker 1: to make something like that was just gonna be like

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Speaker 1: like a no brainer, like once you pressed play, like

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Speaker 1: you don't even gotta ask none. So that's that's where

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Speaker 1: we was at. Remember, had just dropped Pop That and

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Speaker 1: I was getting, you know, the same the same talk

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Speaker 1: that they're doing now of your French need features. It

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Speaker 1: was the same talk back then. I was like, oh,

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Speaker 1: yeah that after pop that pop That came first. Okay, yeah,

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Speaker 1: I'm pop that came first, then the joint when Nicki

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Speaker 1: Minaj came second Freaks, so there was like, oh, you

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Speaker 1: can't make a joint by yourself again. That's when I

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Speaker 1: hit him at work by nothing smack that at all.

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Speaker 1: So let's take it to the beginning. A little bit, right.

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Speaker 1: It's always these rumors of mcs from New York that

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Speaker 1: dude couldn't get put on from New York or New

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Speaker 1: York didn't pay attention to. The Pretty Center is probably

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Speaker 1: one of the most famous of that happening too. But

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Speaker 1: very next up is you and Nicki Minah. Right, Um,

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Speaker 1: how did that? How was it transitioning from New York? Right?

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Speaker 1: And I imagine New York wasn't give you the retention

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Speaker 1: that you liked it at that time, or wasn't because

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Speaker 1: because the management. Um, how did you wind up in Atlanta? Um? Well,

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Speaker 1: when I came out of New York, UM first came

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Speaker 1: out of the Cocaine City DVDs. You know what I'm saying.

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Speaker 1: We dropped like fourteen fifteen volumes of that, and I

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Speaker 1: was putting myself on on Area joint. There were did

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Speaker 1: the Mac and Cheese UM series? Then me and Max

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Speaker 1: be got together, you know what I mean? So I

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Speaker 1: was getting the love from New York. You know what

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Speaker 1: I'm saying. I was getting the love from New York CT.

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Speaker 1: You know, once you start popping in New York, you

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Speaker 1: automatically get Yeah, everybody know that run if you know

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Speaker 1: what I'm saying if you came out of New York, Delaware,

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Speaker 1: but you don't get past that, right, I think it

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Speaker 1: stops like Virginia. Yeah, if you look in that time

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Speaker 1: period in that time because because it jumps, it jumps

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Speaker 1: from Virginia to Miami for some reason. So you missed

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Speaker 1: on that had that bounce. Yeah, if to get past that,

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Speaker 1: That's what I'm saying. So that that's when I made

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Speaker 1: Chopper Chopper down because they had that down South bounce.

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Speaker 1: You and know what I'm saying. So that that's so

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Speaker 1: that Chopper Chopper downs when I made that transition to um,

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Speaker 1: when I went to A t L. You know what

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Speaker 1: I'm saying. So he was managed by dev yeah, right,

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Speaker 1: So after after Max b got locked up, Um, that's

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Speaker 1: when I dropped Shot Caller. I was on fire, you

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Speaker 1: know what I'm saying. Then, Um, after that, I dropped

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Speaker 1: Chopping down. Then I met with with Deb and we

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Speaker 1: started management to down South. Right, So because we had

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Speaker 1: on the show obviously, so of course you kind of

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Speaker 1: responded to it already and h l A Leaka's freestyle.

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Speaker 1: He said, back then I gave Gucci five K just

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Speaker 1: to get a verse asked for my money back and

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Speaker 1: still use the verse. Let's break that down. But I

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Speaker 1: feel like that was feel like when I'm asking you,

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Speaker 1: you kind of answered in that verse, but I want

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Speaker 1: you to wait. So yeah, shot the Gucci man, you know, um,

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Speaker 1: you know, me and him went through the same thing.

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Speaker 1: He you know, I'm proud of his sobriety and what

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Speaker 1: I'm saying, that's that's the hard thing to do. But yeah,

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Speaker 1: I mean back then when um, this way before I

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Speaker 1: met that, this this this was like a couple of

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Speaker 1: years before I met that. I remember I was working

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Speaker 1: on Straight Cash and Straight Cash was popping, and we

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Speaker 1: was like, yo, we can't get this joint to leave

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Speaker 1: New York, like or leave what I'm saying CT this

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Speaker 1: and that imber Gucci was popping at the time. So

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Speaker 1: me and my man com a couple of people over there,

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Speaker 1: we went like, let's go down south, Let's get Gucci Universe.

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Speaker 1: And this is after so I see obviously right, yeah,

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Speaker 1: this is during the time when he had to joining

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Speaker 1: with Maraya. Okay, okay, before he got locked up. Okay, okay,

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Speaker 1: So it was like, yeah, we was gonna go down

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Speaker 1: there and get and get Gucci on the joint. We knew,

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Speaker 1: we knew my people's I think it was a little

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Speaker 1: friend sheep that new goog. She was like, yo, five

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Speaker 1: thousand and get diverse. How we flew down there. Um,

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Speaker 1: Gucci did diverse, you know what I'm saying. Um, but

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Speaker 1: I think when he did diverse, you know, Gucci was

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Speaker 1: being Gucci, you know what I'm saying. So he was

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Speaker 1: he was blasted. And I say when he did diverse.

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Speaker 1: So the next day we heard the joint and um,

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Speaker 1: I was like, Yo, I'm not funk with diverse, you

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Speaker 1: know what I'm saying. So me and my man was like, yo,

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Speaker 1: let's call it that and get the money back. People

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Speaker 1: like the verse. So we called up who said that.

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Speaker 1: Gucci said that him. My man, he was like he

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Speaker 1: was called to get the money back like a hit up.

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Speaker 1: Got the money back, you know what I'm saying. But

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Speaker 1: then the verse ended up getting verse. Yeah, and the

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Speaker 1: verse ended up getting to me not the same verse,

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Speaker 1: and we just ended up putting it out on YouTube

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Speaker 1: and ship like that. You know what I'm saying. But yeah,

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Speaker 1: it was now like I mean like Gucha never showed

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Speaker 1: me that, but love like it wasn't not like that

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Speaker 1: like it wasn't like no altercation between me and him,

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Speaker 1: just like he did averse. He was slearned. He was

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Speaker 1: being gucci, you know what I'm saying. I just asked him,

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Speaker 1: you know, for the money back. We got the money

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Speaker 1: back that you know, I mean, great business and that

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Speaker 1: was it. And then just moving on. So we just

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Speaker 1: get off this topic. Um, yours in the works of working,

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Speaker 1: y'all things out all just I mean, she took me

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Speaker 1: to the court. We're in court right now, you know

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Speaker 1: what I'm saying, shot the death, shot the walker, and

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Speaker 1: I mean there wasn't nothing but family to me. So

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Speaker 1: you know, we go, I mean, we're gonna square them off,

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Speaker 1: you know what I mean. And yeah and out of court.

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Speaker 1: Yeah yeah, I mean I didn't look at her like

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Speaker 1: now but a mother, you know, I mean, motherfucker. So

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Speaker 1: you know, I mean I can't say that bad about it.

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Speaker 1: So what in your opinion, if we know the kind

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Speaker 1: of you got, I think I got caught with her

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Speaker 1: next week or something like. It's crazy in your opinion,

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Speaker 1: what was the thing that went wrong? Um with them? Honestly,

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Speaker 1: I just ain't that um moving down there. It was

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Speaker 1: just like a lot of a lot of things going

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Speaker 1: on around the time. Okay when you say, yeah, it

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Speaker 1: was like a lot of things going on at the time,

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Speaker 1: and and and and um, I think Nikki had left,

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Speaker 1: Gucci had left, everybody had left, and it was just like,

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Speaker 1: you know, a lot of things going on. I was

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Speaker 1: just like, you know what, I think, maybe it's time

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Speaker 1: time for me, you know what I'm saying. Step away

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Speaker 1: and handle. See when I met when I met with Dead,

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Speaker 1: I wasn't like I was fresh off like you know

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Speaker 1: what I'm saying, like coke Waves and like that was

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Speaker 1: the hottest thing smoking out in New York. Like I

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Speaker 1: was just about to drop my album, you know what

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Speaker 1: I'm saying. So it wasn't like I got with Dead

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Speaker 1: or not when I wasn't nobody you know what I'm saying.

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Speaker 1: And she built me up to that to that point

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Speaker 1: where we're just like, okay, like like you made me

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Speaker 1: French Montana, Like French Montana made French Montana. And I

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Speaker 1: respected for everything that she did, you know what I mean.

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Speaker 1: But it was just at the time that you know,

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Speaker 1: things was going on, and she was getting left them

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Speaker 1: right and this and that, you know what I'm saying.

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Speaker 1: So I was like, you know, I'm gonna step out

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Speaker 1: of do my thing, and I for God planning for

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Speaker 1: us to get back together. We're gonna get back together.

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Speaker 1: Well we hope everything worked out with that, so moving on.

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00:17:12,119 --> 00:17:15,119
Speaker 1: Boom okay, okay, alright, cool, see because I forgot to

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00:17:15,160 --> 00:17:17,920
Speaker 1: say in your intro and you like top three sniper

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Speaker 1: in the game, I forgot that, like you're not theirything

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Speaker 1: there your fingers like right now, let me show that out.

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Speaker 1: He was knocking a lot of things down, man, I mean,

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Speaker 1: I mean were drinking. So that's we're gonna get back

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Speaker 1: to that. We're gonna get back You got I got

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Speaker 1: mad questions, I did studies, baby, all right, all right, cool,

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00:17:38,920 --> 00:17:41,520
Speaker 1: bom okay, I've got the box, you know. So Fransk

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Speaker 1: just want you to know our shows about giving people flowers.

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Speaker 1: Literally we we we didn't make that phrase up, but

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00:17:47,040 --> 00:17:49,200
Speaker 1: we made it famous. So many people want to give

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Speaker 1: people so much love when they they're gone up there

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Speaker 1: or something happened to them. We wanted to make that

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Speaker 1: known right now that whilere you alive, how dope you are,

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Speaker 1: how proud I am. I see your whole struggle from

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Speaker 1: the beginning until too and I can't even say to

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Speaker 1: the end, because there's nowhere near the end. You're gonna

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00:18:03,160 --> 00:18:05,480
Speaker 1: keep going and going and going. So while you here,

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00:18:05,520 --> 00:18:07,320
Speaker 1: while you let why you every day, we want to

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Speaker 1: give your flowers to your face, brother, and tell you

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Speaker 1: face to face man and man out of eye you

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Speaker 1: mean the world, tell us be fun with you and

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Speaker 1: motherfucker's shout out at what the flowershower? When the flowers?

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Speaker 1: I always say, what the flock? It's what the flowers?

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00:18:24,440 --> 00:18:30,520
Speaker 1: So so French? You've been on yeah, yeah, so you've

366
00:18:30,560 --> 00:18:41,600
Speaker 1: been on ah a carn label. Right, Um, bad boy?

367
00:18:42,000 --> 00:18:46,000
Speaker 1: Now are you all epic? Um? Well, this album I

368
00:18:46,119 --> 00:18:49,040
Speaker 1: just dropped was my last album and Puff so bad

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Speaker 1: boy because I can see bad Boy logo on the

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Speaker 1: digital version. What I'm saying this this this, this is

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Speaker 1: my last album with Puff, so I'm officially the first artist.

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Speaker 1: Maybe I'm wrong to make it through trying to say

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Speaker 1: shot shot my brother pup. That was my last album

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Speaker 1: with him. Man, I had had a great round with

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Speaker 1: my brother, you know what I'm saying, Like we did

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Speaker 1: the amazing how many albums that you have to do together? Five?

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00:19:14,080 --> 00:19:17,800
Speaker 1: Five albums? Okay, okay, wow, God damna, this is so

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00:19:17,960 --> 00:19:20,240
Speaker 1: why isn't there that boy logo on there? Or is

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00:19:20,320 --> 00:19:23,000
Speaker 1: it me being blond? It is? Look, I ain't see

380
00:19:23,040 --> 00:19:25,320
Speaker 1: that along. I bought the album Nigger. I ain't do

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00:19:25,400 --> 00:19:28,600
Speaker 1: the access, you know, because you already got iTunes. No,

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00:19:28,680 --> 00:19:33,560
Speaker 1: I bought the retail part. You know. I'm Buortrican talking

383
00:19:33,560 --> 00:19:40,480
Speaker 1: about that the Jamaica so so friends. Right now, I'm

384
00:19:40,560 --> 00:19:43,520
Speaker 1: bouncing around a little bit. One thing for short too.

385
00:19:43,560 --> 00:19:46,560
Speaker 1: Things for certain about me is I always every other

386
00:19:46,640 --> 00:19:49,960
Speaker 1: month I'll do like thirty days sober, right, And one

387
00:19:50,000 --> 00:19:52,560
Speaker 1: of my biggest things is to change my environment when

388
00:19:52,600 --> 00:19:55,280
Speaker 1: I'm sober, us when I hang around my friends like

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00:19:55,320 --> 00:19:57,800
Speaker 1: Sunny d BT and he's drinking. Yeah, so what you

390
00:19:58,240 --> 00:20:00,240
Speaker 1: I'm talking about you? Yeah, in your face though behind

391
00:20:00,280 --> 00:20:04,080
Speaker 1: it back, like he'll come over like he just recently.

392
00:20:04,119 --> 00:20:06,600
Speaker 1: He'll come over the crib, he'll smoke cigarettes, he'll leave

393
00:20:06,640 --> 00:20:11,080
Speaker 1: cigarettes and the ash trade ship stinks. Like I literally

394
00:20:11,160 --> 00:20:14,239
Speaker 1: gotta like, like, I gotta maintain my relationship with him

395
00:20:14,280 --> 00:20:17,399
Speaker 1: because because I'm sober, that doesn't mean I gotta change

396
00:20:17,640 --> 00:20:20,480
Speaker 1: him to be so. So how do you maintain that? Like?

397
00:20:20,520 --> 00:20:22,840
Speaker 1: You know what I'm saying, because from what I know,

398
00:20:23,040 --> 00:20:24,800
Speaker 1: you've always been a fun guy, you know what I'm saying.

399
00:20:24,880 --> 00:20:27,119
Speaker 1: So I know you're not gonna stop being a you know,

400
00:20:27,800 --> 00:20:30,399
Speaker 1: fun dude. So how do you maintain that? Like? How

401
00:20:30,520 --> 00:20:32,240
Speaker 1: long have you did? You? Did you do story the

402
00:20:32,280 --> 00:20:35,399
Speaker 1: other day? How do you maintain going to environments like

403
00:20:35,520 --> 00:20:39,879
Speaker 1: that and still you know, I mean, when you think

404
00:20:39,880 --> 00:20:43,840
Speaker 1: about how much they pay you to do your job drunk,

405
00:20:45,280 --> 00:20:47,240
Speaker 1: I think I think I think you snapped at whatever

406
00:20:47,359 --> 00:20:50,680
Speaker 1: drugs you want or whatever you want. I think, you know,

407
00:20:52,000 --> 00:20:57,000
Speaker 1: actually I think it was in Africa. Um, I knew,

408
00:20:57,480 --> 00:20:59,600
Speaker 1: I knew I had to stop because it was the

409
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Speaker 1: first time that somebody paid me for something and I

410
00:21:02,840 --> 00:21:06,560
Speaker 1: returned the money because you felt you did a terrible job. No,

411
00:21:06,680 --> 00:21:11,040
Speaker 1: because I felt like I was too drunk job you

412
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Speaker 1: never did. That was my breaking point. Okay. And it's

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Speaker 1: just since I started. Since I started, I never turned

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00:21:17,920 --> 00:21:22,200
Speaker 1: down the back cool, right, I mean unless it's you know, yes, terrible. Yeah,

415
00:21:22,359 --> 00:21:27,879
Speaker 1: that's a terrible look. Don't like terrible backly, but definitely so.

416
00:21:28,640 --> 00:21:31,520
Speaker 1: So I never turned down the back. So you know,

417
00:21:31,680 --> 00:21:34,240
Speaker 1: twenty years and twenty years he said, Yeah, when I

418
00:21:34,400 --> 00:21:36,520
Speaker 1: when I when I get back, when I get back

419
00:21:36,800 --> 00:21:38,960
Speaker 1: some money that somebody paid me to do a video.

420
00:21:40,200 --> 00:21:41,600
Speaker 1: When I went back to the hotel, I'm like, yo,

421
00:21:41,680 --> 00:21:43,960
Speaker 1: I'm sick, you know what I'm saying. That's when I

422
00:21:44,040 --> 00:21:45,439
Speaker 1: knew I was sick. I was like, no, I'm I'm

423
00:21:45,480 --> 00:21:48,000
Speaker 1: bugging the funk out right now. So that was that

424
00:21:48,160 --> 00:21:51,000
Speaker 1: was the point, and it just it just so happened

425
00:21:51,040 --> 00:21:52,560
Speaker 1: to be like two or three weeks after that, I

426
00:21:52,880 --> 00:21:54,720
Speaker 1: ended up and I See You because that's the first

427
00:21:54,800 --> 00:21:57,320
Speaker 1: song when the happen, Yeah, it's I See You. So

428
00:21:57,520 --> 00:22:01,879
Speaker 1: at first I listen to the album as if this

429
00:22:02,080 --> 00:22:04,800
Speaker 1: was a skit, like if this was just something, and

430
00:22:04,880 --> 00:22:07,240
Speaker 1: then I seen you on ebro you know, no, that's

431
00:22:07,320 --> 00:22:09,000
Speaker 1: that's like true Story in the morning. Yeah, and then

432
00:22:09,080 --> 00:22:12,280
Speaker 1: I said, whoa holy shite, Like I'm looking at this

433
00:22:12,359 --> 00:22:15,000
Speaker 1: as a cinematic thing that stoped instead of looking at

434
00:22:15,040 --> 00:22:17,480
Speaker 1: this as a human Yeah. So yeah, I mean the

435
00:22:17,520 --> 00:22:20,000
Speaker 1: album was based on like true Story abbe you know.

436
00:22:20,160 --> 00:22:21,560
Speaker 1: So it's like, yeah, I ended up in I c

437
00:22:21,720 --> 00:22:23,560
Speaker 1: U and that was like puff cooling around and it

438
00:22:23,680 --> 00:22:26,480
Speaker 1: was just like, you know, I just reenacted everything that happened,

439
00:22:26,800 --> 00:22:30,800
Speaker 1: I think. So, so what was that after Africa? Yeah,

440
00:22:30,840 --> 00:22:33,200
Speaker 1: that was after Africa when I came back you know

441
00:22:33,200 --> 00:22:35,280
Speaker 1: what I'm saying. I had, I had just went to UM.

442
00:22:35,960 --> 00:22:37,639
Speaker 1: I had just when I got my first, you know,

443
00:22:37,840 --> 00:22:40,000
Speaker 1: over a million dollar deal, the first show I ever

444
00:22:40,080 --> 00:22:46,560
Speaker 1: did for over a million dollars show. Yeah, you know,

445
00:22:46,720 --> 00:22:49,280
Speaker 1: coming from the Brons some Cocaine City DVDs. Again a

446
00:22:49,320 --> 00:22:51,400
Speaker 1: million dollars shows that. So that happened like the day

447
00:22:51,440 --> 00:22:54,080
Speaker 1: before my birthday. So I was celebrating that I had

448
00:22:54,119 --> 00:22:55,760
Speaker 1: to go. Then I had to go fly to Egypt

449
00:22:56,119 --> 00:22:58,119
Speaker 1: to go do a show for the for the for

450
00:22:58,200 --> 00:23:00,000
Speaker 1: the King Doughter, I think he was. She got married,

451
00:23:00,400 --> 00:23:03,840
Speaker 1: You got due citizenship, right, You're like, yeah, Morocco, Morocco.

452
00:23:03,920 --> 00:23:06,320
Speaker 1: And I got a green passport and blue one. I

453
00:23:06,400 --> 00:23:08,080
Speaker 1: just finally got my blue on like like like three

454
00:23:08,119 --> 00:23:10,560
Speaker 1: or four years ago. To be careful, yeah, definitely Joe

455
00:23:10,600 --> 00:23:16,680
Speaker 1: Biden different. So yeah, So I remember I took my

456
00:23:16,800 --> 00:23:18,400
Speaker 1: mother there for the first time, I for like twenty

457
00:23:18,480 --> 00:23:20,320
Speaker 1: years back to Africa. So I was there for like

458
00:23:20,440 --> 00:23:23,439
Speaker 1: a week. Then when I flew back, I got right

459
00:23:23,480 --> 00:23:25,840
Speaker 1: into my album promo and that's when I just collapsed.

460
00:23:26,600 --> 00:23:29,679
Speaker 1: And what album was this? This was Montana album two

461
00:23:29,760 --> 00:23:33,359
Speaker 1: years ago. M hmm. And all right, so most people

462
00:23:34,280 --> 00:23:36,680
Speaker 1: be level with you. Most people, you know, they have

463
00:23:36,760 --> 00:23:40,919
Speaker 1: a little episode. They come home, they boys are smoking.

464
00:23:40,960 --> 00:23:43,760
Speaker 1: But yeah, not not. The doctor told me if I drink,

465
00:23:43,760 --> 00:23:46,879
Speaker 1: I'll die. No, I didn't know that. Yeah, but I

466
00:23:46,960 --> 00:23:50,000
Speaker 1: was liver like was completely fucked up. Yeah, my ship

467
00:23:51,119 --> 00:23:54,720
Speaker 1: really disconnected. So that's how much my ship wireless? So

468
00:23:54,840 --> 00:23:57,040
Speaker 1: that's how much like damage? Yeah, I mean yeah, I

469
00:23:57,080 --> 00:23:59,400
Speaker 1: mean it was going hard bro for like for like years,

470
00:23:59,640 --> 00:24:02,080
Speaker 1: like it was going hard hard, like you know what

471
00:24:02,080 --> 00:24:03,879
Speaker 1: I'm said. I never sniffed no coke. I never did,

472
00:24:04,000 --> 00:24:05,919
Speaker 1: not like that was I mean, we're come from the Bronx,

473
00:24:06,040 --> 00:24:09,320
Speaker 1: like you know, you know, anybody sniff coke was like crackhead. Anyway.

474
00:24:09,400 --> 00:24:12,240
Speaker 1: What I'm saying, I'm just popping pills, perks, addies and

475
00:24:12,400 --> 00:24:15,520
Speaker 1: drinking and when you mix both of them combinations together

476
00:24:16,320 --> 00:24:18,200
Speaker 1: and just take a toll on your liver and your kids.

477
00:24:18,520 --> 00:24:21,240
Speaker 1: What I'm saying, yeah, because you know, because you know,

478
00:24:21,359 --> 00:24:23,240
Speaker 1: like the adderals, you think you could drink bottles of

479
00:24:23,280 --> 00:24:25,800
Speaker 1: liquor and ship like the white kids take the study

480
00:24:26,240 --> 00:24:30,280
Speaker 1: so the ad Yeah, yeah, don't get a blunt. Yeah

481
00:24:30,320 --> 00:24:32,120
Speaker 1: that's what the white kids take that. Yeah, So it's

482
00:24:32,119 --> 00:24:33,840
Speaker 1: like you take it the drink to be able to

483
00:24:33,920 --> 00:24:36,320
Speaker 1: handle your liquor. But you don't know when that adderal

484
00:24:36,400 --> 00:24:39,240
Speaker 1: wear off your blackout? Wow, you know you don't remember

485
00:24:39,320 --> 00:24:41,720
Speaker 1: nothing that Yeah, so you don't be remembering ship that happened.

486
00:24:41,760 --> 00:24:44,520
Speaker 1: I'm saying, so you keep taking addies and drinking when

487
00:24:44,560 --> 00:24:49,960
Speaker 1: that ship were off your blackout? So um. Also, you

488
00:24:50,119 --> 00:24:52,520
Speaker 1: said in a rhyme, well let's stay on this for

489
00:24:52,520 --> 00:24:57,399
Speaker 1: a second that I'm I'm so and it's never tempting,

490
00:24:57,520 --> 00:25:00,840
Speaker 1: like how long you've been sober? Like no, relax two years?

491
00:25:01,800 --> 00:25:03,639
Speaker 1: And I gotta apologize to you because last time I

492
00:25:03,640 --> 00:25:05,480
Speaker 1: saw your turk goes, I did not know you was

493
00:25:05,560 --> 00:25:08,920
Speaker 1: so And I'm like to take a shot with me. Friends,

494
00:25:08,960 --> 00:25:11,280
Speaker 1: you're looking at her and hear the horse person be around,

495
00:25:11,359 --> 00:25:14,960
Speaker 1: so just like relaxed and I'm like, no, my favorite

496
00:25:15,040 --> 00:25:17,800
Speaker 1: drinking partner, what's wrong with it? And I don't know?

497
00:25:18,840 --> 00:25:21,120
Speaker 1: So everybody, and everybody's looking at me like come out,

498
00:25:21,480 --> 00:25:23,920
Speaker 1: and I'm like hold some ready lit and I'm like,

499
00:25:24,000 --> 00:25:26,159
Speaker 1: Noah for something like this, I'm wrong. The French like

500
00:25:26,200 --> 00:25:29,280
Speaker 1: I'm thinking it's me. I'm like I'm not. I'll switch

501
00:25:29,359 --> 00:25:31,920
Speaker 1: to drink. Tell them what episode I gotta apologize. He

502
00:25:32,040 --> 00:25:33,520
Speaker 1: woke up to me and hit me dumb haart on

503
00:25:33,600 --> 00:25:41,879
Speaker 1: my chest. I did where But I don't want to

504
00:25:41,960 --> 00:25:46,480
Speaker 1: admire and commend commend that because you know, to go

505
00:25:46,640 --> 00:25:50,520
Speaker 1: from one extreme and go to extreme it's something really

506
00:25:50,720 --> 00:25:55,040
Speaker 1: really hard to you understand that because I know, I

507
00:25:55,160 --> 00:25:58,280
Speaker 1: know some of my friends, you know from the hood

508
00:25:58,400 --> 00:26:00,960
Speaker 1: that doctors had told him the same ship. They waited

509
00:26:01,000 --> 00:26:03,000
Speaker 1: two weeks and just just like fuck it and we're

510
00:26:03,000 --> 00:26:05,040
Speaker 1: gonna just you know, like bump the funk out like

511
00:26:05,240 --> 00:26:07,960
Speaker 1: and and slipping to this fucking day. Like you know

512
00:26:07,960 --> 00:26:10,320
Speaker 1: what I'm saying, Like, you gotta They're not They're not

513
00:26:10,480 --> 00:26:13,240
Speaker 1: the hardest ship to do. Yeah, you stuck with You're

514
00:26:13,280 --> 00:26:15,840
Speaker 1: taking with it. Yeah, and you feel it. Is it

515
00:26:15,960 --> 00:26:19,520
Speaker 1: feeling good? Yeah? I mean you experience every high, Okay,

516
00:26:19,560 --> 00:26:21,800
Speaker 1: you know what I'm saying. You max out every every like,

517
00:26:21,960 --> 00:26:25,040
Speaker 1: every experience and every feeling and every motion. You experience it,

518
00:26:25,119 --> 00:26:27,920
Speaker 1: and you experience it with no filter. You know what

519
00:26:27,960 --> 00:26:30,320
Speaker 1: I'm saying. There's there's no better high at this point

520
00:26:30,359 --> 00:26:32,399
Speaker 1: in my life than that. It's fine, you know what

521
00:26:32,440 --> 00:26:34,720
Speaker 1: I mean, Like, that's a high for me because before

522
00:26:34,760 --> 00:26:36,640
Speaker 1: it was just I was just you know, running through

523
00:26:36,640 --> 00:26:39,600
Speaker 1: whatever situations, running through whatever deal was, running through whatever,

524
00:26:40,320 --> 00:26:41,760
Speaker 1: you know what I mean. It's just like you remember

525
00:26:41,800 --> 00:26:45,320
Speaker 1: the whole thing, like like like like one day, you

526
00:26:45,359 --> 00:26:47,280
Speaker 1: know what I mean, Like I appreciate the moment. Now

527
00:26:47,359 --> 00:26:50,280
Speaker 1: I can actually experience the wind, I could experience the loss.

528
00:26:50,359 --> 00:26:52,320
Speaker 1: I know how to bounce back. I remember how, you know,

529
00:26:53,359 --> 00:26:55,040
Speaker 1: But it might not be like that for everybody. Know

530
00:26:55,040 --> 00:26:58,879
Speaker 1: what I'm saying. Yeah, it's real ship, real ship. I

531
00:26:59,000 --> 00:27:01,440
Speaker 1: commend that I staid moving on because you knocked a

532
00:27:01,440 --> 00:27:05,439
Speaker 1: lot of chicks down, So he's gonna I lived by

533
00:27:05,520 --> 00:27:07,520
Speaker 1: curious to you, I've been married and ship. But when

534
00:27:07,560 --> 00:27:09,960
Speaker 1: I vicariously not by curious, he knew what I meant.

535
00:27:11,560 --> 00:27:14,280
Speaker 1: He knew when I mean a teacher. All right, are

536
00:27:14,320 --> 00:27:16,280
Speaker 1: you ready? Okay, I'm not even ready. It's not even

537
00:27:16,320 --> 00:27:18,320
Speaker 1: the game yet. All right, we got the games? Yeah?

538
00:27:18,359 --> 00:27:23,240
Speaker 1: Are we doing the games? Okay? Okay, hold on, hold on,

539
00:27:23,240 --> 00:27:25,960
Speaker 1: hold on, I got wild questions. I got wild questions.

540
00:27:27,200 --> 00:27:32,480
Speaker 1: Hold on, okay. Yeah, the wall will post Malone and

541
00:27:32,600 --> 00:27:38,000
Speaker 1: Cardi by because because you know, I'm from the nineties,

542
00:27:38,040 --> 00:27:40,560
Speaker 1: so most of the time in the nineties, I pictured

543
00:27:40,600 --> 00:27:43,119
Speaker 1: records with people being in the studio together. Was this

544
00:27:43,200 --> 00:27:45,040
Speaker 1: one of those records that you was in the studio together?

545
00:27:45,160 --> 00:27:47,640
Speaker 1: You had this so well I knew um, I knew

546
00:27:47,680 --> 00:27:50,280
Speaker 1: Dred London like me and him. Oh yeah, I used

547
00:27:50,280 --> 00:27:52,360
Speaker 1: to get um, I just get I wanted him Drey London,

548
00:27:52,440 --> 00:27:55,639
Speaker 1: That's what I'm saying. I was like, I used to

549
00:27:55,680 --> 00:27:57,960
Speaker 1: live in Edgewater. Man, I used to go to let's

550
00:27:57,960 --> 00:28:06,399
Speaker 1: just throw it out. He's sing, let's not you know

551
00:28:06,520 --> 00:28:08,000
Speaker 1: every now. I didn't let me get a little top,

552
00:28:08,080 --> 00:28:12,800
Speaker 1: my baby, my bad. So it was crazy because I

553
00:28:12,920 --> 00:28:14,959
Speaker 1: used to live in the Bronx back back back at

554
00:28:15,000 --> 00:28:16,760
Speaker 1: that time. So every time I wanted to get away

555
00:28:17,240 --> 00:28:19,680
Speaker 1: when she got too hot, you know what I'm saying,

556
00:28:19,720 --> 00:28:20,960
Speaker 1: I used to just you know, drop up to his

557
00:28:21,040 --> 00:28:22,520
Speaker 1: crib and just stay, you know, I mean stay, stay

558
00:28:22,560 --> 00:28:24,320
Speaker 1: over the night, stay a couple of days, you know,

559
00:28:24,359 --> 00:28:25,840
Speaker 1: when Rock cott with him. So you know we had

560
00:28:25,880 --> 00:28:28,400
Speaker 1: that relationship. If I'm not mistaken, I named him London.

561
00:28:28,560 --> 00:28:30,760
Speaker 1: So wow. So so that's that's how far back I

562
00:28:30,880 --> 00:28:32,639
Speaker 1: knew him, like over ten years. So when he got

563
00:28:32,680 --> 00:28:34,879
Speaker 1: when he got a post, it was just like, you know,

564
00:28:35,119 --> 00:28:37,520
Speaker 1: it was bound to happen, you know, because we was

565
00:28:37,560 --> 00:28:39,280
Speaker 1: you around when he said he was going to l A.

566
00:28:39,360 --> 00:28:40,640
Speaker 1: He was like, I'm going to l A. I'm leaving

567
00:28:40,680 --> 00:28:42,440
Speaker 1: all this ship. Yeah. I was like, you'd be back

568
00:28:42,480 --> 00:28:44,400
Speaker 1: in two weeks now. He was a hustling. He was like,

569
00:28:44,440 --> 00:28:46,320
Speaker 1: I knew he was gonna get something done. Yeah, because

570
00:28:46,320 --> 00:28:47,920
Speaker 1: he was. He was definitely a hustler. And he came

571
00:28:47,960 --> 00:28:50,320
Speaker 1: to l A. He found when he found Post. He

572
00:28:50,400 --> 00:28:52,760
Speaker 1: was bringing Post over and I'm saying like, yo, let's

573
00:28:52,760 --> 00:28:55,400
Speaker 1: do it together, this and that, you know in French

574
00:28:55,480 --> 00:28:57,640
Speaker 1: Montana was just being French Montana. Wait a minute, who

575
00:28:57,680 --> 00:28:59,320
Speaker 1: you trying to say? That's too slick to trying to

576
00:28:59,360 --> 00:29:01,880
Speaker 1: say you had a chance to be Yeah, I'm sure

577
00:29:01,880 --> 00:29:04,120
Speaker 1: I had a chance to do it. Could have signed him,

578
00:29:04,160 --> 00:29:05,840
Speaker 1: you could have signed Post my loan. I mean, I'm

579
00:29:05,920 --> 00:29:08,120
Speaker 1: sure I would have adventured with him saying to do

580
00:29:08,200 --> 00:29:10,440
Speaker 1: it together. You know, you know Dre, Dre is a hustler.

581
00:29:10,440 --> 00:29:12,480
Speaker 1: I would have had, you know, be partner, you know,

582
00:29:12,560 --> 00:29:14,560
Speaker 1: many partners and do it. But definitely had a chance.

583
00:29:14,600 --> 00:29:15,680
Speaker 1: I had a chance to do a lot of things

584
00:29:15,720 --> 00:29:18,080
Speaker 1: that I wasn't ready for. And one relic you said

585
00:29:18,160 --> 00:29:19,880
Speaker 1: you gave you Dirk, you gave him what else he

586
00:29:19,960 --> 00:29:22,320
Speaker 1: said it was. It was a lot of people, man,

587
00:29:22,440 --> 00:29:24,440
Speaker 1: that just you know, I mean, we didn't understand that

588
00:29:24,520 --> 00:29:26,880
Speaker 1: I got I got d m s from NBA, young boy,

589
00:29:27,160 --> 00:29:29,320
Speaker 1: I got like things from like you know a lot

590
00:29:29,400 --> 00:29:31,720
Speaker 1: of people. You know. But it's just when you don't

591
00:29:31,760 --> 00:29:34,280
Speaker 1: have the time for these artists and you can't give

592
00:29:34,360 --> 00:29:37,360
Speaker 1: them what they deserve for themselves at the time. You

593
00:29:37,400 --> 00:29:38,600
Speaker 1: know what I'm saying. I feel like, you know, you

594
00:29:38,640 --> 00:29:41,840
Speaker 1: shouldn't have signed. Nobody would have been selfish. Yeah, so

595
00:29:42,080 --> 00:29:43,720
Speaker 1: what do you mean when you said we gave I

596
00:29:43,800 --> 00:29:50,200
Speaker 1: gave y'all dirty? Um, I mean, you know Harry Fraud, Chinks, Dirk.

597
00:29:50,720 --> 00:29:52,120
Speaker 1: You know what I'm saying, Like Dirt is like my

598
00:29:52,160 --> 00:29:54,400
Speaker 1: little brother. Like I looked at Dirk, look at Chinks.

599
00:29:54,440 --> 00:29:56,960
Speaker 1: You know what I'm saying, Like Dirk made Dirk. You

600
00:29:57,000 --> 00:29:59,400
Speaker 1: know what I'm saying, Chinks made Chinks. Harry Fraud made

601
00:29:59,440 --> 00:30:02,080
Speaker 1: Harry Fraud. But it was it was a point of

602
00:30:02,200 --> 00:30:04,960
Speaker 1: time with Dirk when um, you know, when def jam

603
00:30:05,040 --> 00:30:06,320
Speaker 1: dropped the ball and what I'm saying, like he was

604
00:30:06,400 --> 00:30:08,840
Speaker 1: a superstar, you know, I mean, Derek always been a

605
00:30:08,840 --> 00:30:11,280
Speaker 1: superstar my eyes. And know what I'm saying. So and

606
00:30:11,360 --> 00:30:13,480
Speaker 1: I used to love Dirk. He's just you know, real

607
00:30:13,600 --> 00:30:17,320
Speaker 1: quiet used to come through and just crazy talented. And

608
00:30:17,400 --> 00:30:18,800
Speaker 1: I was just like, yo, man, I don't know how

609
00:30:18,920 --> 00:30:21,360
Speaker 1: def Jam fumbled the ball. Well let's go, let's rock,

610
00:30:21,600 --> 00:30:23,520
Speaker 1: Let's go a little bro, let's hit the road. This

611
00:30:23,640 --> 00:30:26,240
Speaker 1: and that body was on tour bringing in Mouth Chicago.

612
00:30:27,040 --> 00:30:31,080
Speaker 1: We're doing songs. I'm the Coke Boys on fire at

613
00:30:31,120 --> 00:30:33,920
Speaker 1: the time, doing mix tapes boom boom through them, like

614
00:30:34,000 --> 00:30:36,560
Speaker 1: two mix tapes. He had that that the saying what

615
00:30:36,680 --> 00:30:39,240
Speaker 1: you want My body was like woke up raw. So

616
00:30:39,240 --> 00:30:40,800
Speaker 1: I'm like, yo, bro, you gotta do a verse family

617
00:30:40,800 --> 00:30:42,959
Speaker 1: on his on his remix and what I'm saying, throw

618
00:30:43,040 --> 00:30:45,240
Speaker 1: them on paranoid on my joint, like yo, puff, you

619
00:30:45,280 --> 00:30:47,680
Speaker 1: gotta jump. So just like at the time, I'm like, yo,

620
00:30:47,760 --> 00:30:49,840
Speaker 1: the world need to him, you know what I'm saying.

621
00:30:49,920 --> 00:30:53,040
Speaker 1: So that's exactly what we did. And you know, introduce him,

622
00:30:53,080 --> 00:30:54,920
Speaker 1: you know what I'm saying, reintroduce him because death Jam

623
00:30:54,960 --> 00:30:57,080
Speaker 1: didn't do the right thing. So that's what I was saying.

624
00:30:57,560 --> 00:30:59,200
Speaker 1: I was just sounding to do something to the world him.

625
00:30:59,320 --> 00:31:02,960
Speaker 1: Chinks Harry fraud um man, it was, it was, it's

626
00:31:03,000 --> 00:31:04,320
Speaker 1: you know, it's a bunch of people. But I just

627
00:31:04,520 --> 00:31:06,840
Speaker 1: you know, I came from the era where when I

628
00:31:06,920 --> 00:31:09,120
Speaker 1: came out with a New York minute. I remember going

629
00:31:09,200 --> 00:31:12,000
Speaker 1: to Yon Kiss and going to see Kiss and and

630
00:31:12,160 --> 00:31:14,360
Speaker 1: you know, Kiss giving me my first verse, and I

631
00:31:14,400 --> 00:31:16,800
Speaker 1: always say this and that and that meant more to

632
00:31:16,880 --> 00:31:19,120
Speaker 1: me than any big feature I get right now, because

633
00:31:19,160 --> 00:31:21,400
Speaker 1: that was the time where I really needed you know

634
00:31:21,440 --> 00:31:23,480
Speaker 1: what I'm saying. So I always try to be that

635
00:31:23,680 --> 00:31:25,960
Speaker 1: that perfect example for any artist that's coming up. That's

636
00:31:25,960 --> 00:31:28,520
Speaker 1: all when when Schmurder Soon came out and jumped on

637
00:31:28,600 --> 00:31:30,600
Speaker 1: and so I like, welcome to the party. Pop smoke.

638
00:31:31,000 --> 00:31:32,760
Speaker 1: That's like, you know most of the records, and I'm

639
00:31:32,800 --> 00:31:36,120
Speaker 1: thinking pop smoke on the album too. Yeah. Definitely, anybody

640
00:31:36,160 --> 00:31:37,800
Speaker 1: that's coming up out of New York, I always trying to,

641
00:31:37,840 --> 00:31:39,800
Speaker 1: you know, give him that same feeling that Kiss gave

642
00:31:39,840 --> 00:31:41,080
Speaker 1: me when I was first coming up. You know what

643
00:31:41,080 --> 00:31:43,200
Speaker 1: I'm saying, right because I remember, yeah, I remember you

644
00:31:43,280 --> 00:31:46,640
Speaker 1: jumping on Bobby Smurder. Yeah, definitely know what I'm saying.

645
00:31:46,680 --> 00:31:48,479
Speaker 1: So because I was just you know, I always used

646
00:31:48,520 --> 00:31:50,600
Speaker 1: to be I always used to be frustrated coming out

647
00:31:50,640 --> 00:31:52,080
Speaker 1: of New York when I was a young artist. I'm like,

648
00:31:52,160 --> 00:31:53,760
Speaker 1: you know, jay Z, don't do nothing when they is

649
00:31:53,840 --> 00:31:55,560
Speaker 1: like now, I don't do that. When they're like certain,

650
00:31:55,560 --> 00:31:58,160
Speaker 1: they'll be like damn. Then you know. When I got

651
00:31:58,240 --> 00:32:00,440
Speaker 1: that that verse of kids, I was like, I'm gonna

652
00:32:00,440 --> 00:32:03,120
Speaker 1: be like him, you know what I mean? So is

653
00:32:03,160 --> 00:32:06,920
Speaker 1: that how you start working for Fabrio? Um? Yeah? Five

654
00:32:07,000 --> 00:32:09,000
Speaker 1: year or two? You know what I mean? All of

655
00:32:09,080 --> 00:32:11,360
Speaker 1: them man be trying to grab You know what is

656
00:32:11,400 --> 00:32:14,560
Speaker 1: that New York underground music? Cause it you can't call drill.

657
00:32:14,920 --> 00:32:17,400
Speaker 1: We can't call it drill. Then call it. That's what

658
00:32:17,440 --> 00:32:19,520
Speaker 1: they call it. What they call it, yea, they can't

659
00:32:19,600 --> 00:32:22,280
Speaker 1: change it. Yeah, that's what they call it to nil.

660
00:32:22,520 --> 00:32:25,360
Speaker 1: So I don't know that's getting big. That's the biggest

661
00:32:25,800 --> 00:32:27,720
Speaker 1: It's different, Like because drill. When I think a drill,

662
00:32:27,760 --> 00:32:30,520
Speaker 1: I think I should call Yeah. When I see what

663
00:32:30,720 --> 00:32:32,880
Speaker 1: they're doing in Brooklyn and the young homies in the

664
00:32:33,000 --> 00:32:36,480
Speaker 1: Brons and call them, I feel it's a version of that.

665
00:32:36,560 --> 00:32:38,320
Speaker 1: But I feel like New York needs their own name

666
00:32:38,560 --> 00:32:41,640
Speaker 1: because I know I know they're from you know what

667
00:32:41,640 --> 00:32:44,320
Speaker 1: I'm saying from Dreamart. When I hear ship, like when

668
00:32:44,360 --> 00:32:48,680
Speaker 1: I hear you no drill, it's called Drill, Drill and

669
00:32:48,760 --> 00:32:51,840
Speaker 1: the Old Block and I hear these other Saturday Night Street.

670
00:32:51,880 --> 00:32:54,400
Speaker 1: I know that that's something that's over there, you know

671
00:32:54,440 --> 00:32:56,680
Speaker 1: what I'm saying. So you do you think that because

672
00:32:56,760 --> 00:33:00,200
Speaker 1: like you like like kind of the kind of one

673
00:33:00,240 --> 00:33:04,080
Speaker 1: of the kings of like Drill New York. I not

674
00:33:04,760 --> 00:33:07,160
Speaker 1: only did like two songs that was Drill, but you know,

675
00:33:07,360 --> 00:33:09,920
Speaker 1: Drill is like crypto. MM, I don't know, what do

676
00:33:10,000 --> 00:33:13,720
Speaker 1: you mean, Let's get into Drill. Let's get Yeah, Drill

677
00:33:13,840 --> 00:33:15,480
Speaker 1: is just like something new that you know what I'm

678
00:33:15,520 --> 00:33:19,200
Speaker 1: saying that that that everybody you know, it's fucking and

679
00:33:19,240 --> 00:33:21,520
Speaker 1: it's something that's not familiar to the hip hop. It's

680
00:33:21,560 --> 00:33:23,360
Speaker 1: like it's not familiar to the you know, to the

681
00:33:23,440 --> 00:33:25,120
Speaker 1: regular dollar you know what it's not. It's not the

682
00:33:25,200 --> 00:33:28,240
Speaker 1: same sound, it's not the same flows. It's totally opposite

683
00:33:28,320 --> 00:33:29,760
Speaker 1: of what hip hop is, you know what I'm saying,

684
00:33:30,240 --> 00:33:32,040
Speaker 1: as far as the beasts and everything. But it's like

685
00:33:32,120 --> 00:33:36,120
Speaker 1: a London thing that you know London too, Yeah, you

686
00:33:36,160 --> 00:33:39,160
Speaker 1: know you know that's like it's it's the biggest scene

687
00:33:39,200 --> 00:33:41,320
Speaker 1: in London. Yeah, you know what I mean. So, but

688
00:33:41,400 --> 00:33:43,160
Speaker 1: shot to the Bronze, the Bronx isn't heavy on it

689
00:33:43,280 --> 00:33:47,280
Speaker 1: right now? Shot the d thing and I'm shot um shot.

690
00:33:47,320 --> 00:33:49,320
Speaker 1: I mean Brooklyn too. I mean I feel like, you know,

691
00:33:49,360 --> 00:33:51,080
Speaker 1: it's the biggest scene in New York right now. Who

692
00:33:51,080 --> 00:33:53,400
Speaker 1: who's the hottest new dude coming out of New York

693
00:33:53,520 --> 00:33:56,200
Speaker 1: right now? French Montan in opinion, you're gonna be watch

694
00:33:56,240 --> 00:33:58,840
Speaker 1: what you said coming out coming out right now. That's

695
00:33:58,920 --> 00:34:03,719
Speaker 1: young signed, that's not signed. D thing? What d thing?

696
00:34:03,880 --> 00:34:06,560
Speaker 1: Yeah from the Bronx, from the Bronx, D Thing Okay,

697
00:34:07,040 --> 00:34:09,839
Speaker 1: drill okay, drill, yeah, deep thing. I'm gonna look out

698
00:34:09,880 --> 00:34:14,640
Speaker 1: for him. What's your affiliation with c J? Um c

699
00:34:14,880 --> 00:34:17,279
Speaker 1: J when he when he was first popping, if you know,

700
00:34:17,280 --> 00:34:19,000
Speaker 1: I keep my head to the streets and I'm like, yo,

701
00:34:19,200 --> 00:34:21,200
Speaker 1: you know, I like I like the music. I head

702
00:34:21,200 --> 00:34:24,239
Speaker 1: of James Cruise, and James Cruise like like like you

703
00:34:24,320 --> 00:34:25,600
Speaker 1: want and I'm like, yeah, I want to, you know,

704
00:34:25,920 --> 00:34:28,480
Speaker 1: come in and help out. And you know, we just

705
00:34:28,560 --> 00:34:30,560
Speaker 1: made something happen. And I jumped on the remix and

706
00:34:30,760 --> 00:34:34,000
Speaker 1: he's on Epic two. Nah, he's on one. Okay, that's right. Yeah,

707
00:34:35,280 --> 00:34:37,080
Speaker 1: so you jumped into remix and yeah, we made that

708
00:34:37,160 --> 00:34:41,040
Speaker 1: marriage happen. Okay. So he's like, I mean no, no,

709
00:34:41,200 --> 00:34:45,960
Speaker 1: that my executive produces first First Vibe. It's fine, Yeah,

710
00:34:46,560 --> 00:34:49,239
Speaker 1: that's fine. Okay, Um what's the affiliation with Row? Some

711
00:34:49,400 --> 00:34:51,719
Speaker 1: were speaking more about Royals Eliott back in the days

712
00:34:51,800 --> 00:34:56,719
Speaker 1: were you made back music. Yeah, okay, I mean, um, Rose,

713
00:34:57,000 --> 00:34:59,239
Speaker 1: me and Rose was just you know, I had a

714
00:34:59,320 --> 00:35:02,520
Speaker 1: bomb and like, you know, it's just like a big

715
00:35:02,600 --> 00:35:07,200
Speaker 1: bro you know what I'm saying. Shot to spif here somewhere. Yeah. Yeah.

716
00:35:07,600 --> 00:35:11,440
Speaker 1: When he called me, yeah like yeah, like he rich

717
00:35:11,520 --> 00:35:19,000
Speaker 1: He's out there stress this flight you're richt. Yeah, I'm sorry. So,

718
00:35:19,360 --> 00:35:22,040
Speaker 1: um so this is a story I never told about

719
00:35:22,080 --> 00:35:26,280
Speaker 1: about the whole Row situation. Um. So I'm a spiff

720
00:35:26,360 --> 00:35:28,239
Speaker 1: spiff at him and he was like, Yo, Rose, want

721
00:35:28,280 --> 00:35:31,879
Speaker 1: to want to meet you, and um came down there.

722
00:35:32,040 --> 00:35:34,040
Speaker 1: That's when I met him. He's like, Yo, jump on

723
00:35:34,120 --> 00:35:36,839
Speaker 1: his record, jump on his record. I'm like, yo, yeah,

724
00:35:38,520 --> 00:35:41,959
Speaker 1: New York, okay, New York. Yeah, so jump on his record,

725
00:35:42,040 --> 00:35:45,640
Speaker 1: jump on his record. Boom. After that we had worked

726
00:35:45,680 --> 00:35:48,640
Speaker 1: on May Back music album. Then he jumped on Chopper

727
00:35:48,719 --> 00:35:51,640
Speaker 1: Chopper Down remix. You know what I'm saying. So we

728
00:35:51,719 --> 00:35:54,440
Speaker 1: had shot the video. Rose such a hustle moving down,

729
00:35:54,440 --> 00:35:55,960
Speaker 1: went down and see him. He knocked out the verse.

730
00:35:56,600 --> 00:35:58,520
Speaker 1: He was like, we should do the video. I'm like, yeah,

731
00:35:58,520 --> 00:36:02,000
Speaker 1: I'm thinking, like you know, next week he went upstairs

732
00:36:02,040 --> 00:36:06,640
Speaker 1: through a jacket on. He's like, who going to the backyard? Yeah,

733
00:36:06,880 --> 00:36:12,000
Speaker 1: SPI filmed in the backyard. Helicopter behind him and everything.

734
00:36:12,040 --> 00:36:14,200
Speaker 1: New York and this is in Miami because New York

735
00:36:14,200 --> 00:36:18,600
Speaker 1: don't got backyards. Yeah, definitely not so so. So that's

736
00:36:18,600 --> 00:36:20,520
Speaker 1: how hard you know my boy was going. It was

737
00:36:20,640 --> 00:36:22,840
Speaker 1: right there the same time versus in video, you know

738
00:36:22,880 --> 00:36:25,200
Speaker 1: what I mean? So you know, I you know, I

739
00:36:25,280 --> 00:36:28,880
Speaker 1: got on fire, so um, you know that, plus everything

740
00:36:28,920 --> 00:36:30,439
Speaker 1: I had going on, it was just you know, French

741
00:36:30,520 --> 00:36:36,879
Speaker 1: Montana time after can't get your fake watch? Ye, I'm

742
00:36:36,880 --> 00:36:40,560
Speaker 1: still wearing fake one? What kind of fake watch did

743
00:36:40,560 --> 00:36:41,640
Speaker 1: you get you? I just want to be clear. It

744
00:36:41,719 --> 00:36:43,839
Speaker 1: was it was it was you just can't he ever

745
00:36:43,880 --> 00:36:46,480
Speaker 1: get me a gift? It was, But you know, I mean,

746
00:36:46,640 --> 00:36:48,439
Speaker 1: mistakes like that could happen. You know what I'm saying.

747
00:36:48,480 --> 00:36:51,400
Speaker 1: I think, Um, probably did Julia did give him a

748
00:36:51,400 --> 00:36:54,400
Speaker 1: fake watch? Did he ever tell you that? Because you

749
00:36:54,440 --> 00:36:56,640
Speaker 1: give me some fake ship? Yeah? Yeah, I need the

750
00:36:56,680 --> 00:37:01,320
Speaker 1: whole explanation, like how do we get here? Who do

751
00:37:01,440 --> 00:37:03,560
Speaker 1: you go see? I need to see anything I need

752
00:37:03,680 --> 00:37:06,200
Speaker 1: for seats? Did you d up like that? Yeah? I

753
00:37:06,239 --> 00:37:10,319
Speaker 1: mean that type of drill music right there? Yeah, I'm

754
00:37:10,560 --> 00:37:12,480
Speaker 1: when I mean the best thing he ever gave me

755
00:37:12,560 --> 00:37:14,760
Speaker 1: was an opportunity first, you know what I'm saying, because

756
00:37:14,800 --> 00:37:16,799
Speaker 1: that was that was big, you know, so it wasn't

757
00:37:16,840 --> 00:37:20,360
Speaker 1: fake busters out back then? So how did you get knocked? Like? No,

758
00:37:20,800 --> 00:37:23,000
Speaker 1: that's what I'm saying. Shortly, I didn't Yo, you ain't

759
00:37:23,080 --> 00:37:26,839
Speaker 1: right out here? Nah? You know you know back then,

760
00:37:27,600 --> 00:37:29,600
Speaker 1: you know the things that mean the most is that

761
00:37:30,120 --> 00:37:32,320
Speaker 1: to me was like you know, I stop, I stopped watching.

762
00:37:32,360 --> 00:37:34,040
Speaker 1: You know what I'm saying, Like we wasn't rocking. Like

763
00:37:34,200 --> 00:37:35,640
Speaker 1: now you got to get the rich cheese. You get

764
00:37:35,680 --> 00:37:37,320
Speaker 1: to you blow like you don't even know ice. But

765
00:37:37,440 --> 00:37:40,760
Speaker 1: back then, as soon as I got it, I wouldn't

766
00:37:40,800 --> 00:37:42,719
Speaker 1: straight to my jeweler. I'm like, y'all want to trade

767
00:37:42,800 --> 00:37:47,239
Speaker 1: this in? Hold on friends, foul, hold on trading again.

768
00:37:48,080 --> 00:37:50,879
Speaker 1: You can't be trading again friends? Yeah, I mean, yeah,

769
00:37:51,160 --> 00:37:53,640
Speaker 1: you know what's fake? He goes giving away? Nah, But

770
00:37:53,760 --> 00:37:56,680
Speaker 1: that's what I'm saying. You when I was like, Yo,

771
00:37:56,719 --> 00:37:57,960
Speaker 1: I want to want to trade it in for something

772
00:37:58,000 --> 00:38:02,120
Speaker 1: bust down. And my jeweler was like, yo, like you're

773
00:38:02,120 --> 00:38:07,759
Speaker 1: trying to get me a song? He thinking in or yeah, yeah,

774
00:38:09,160 --> 00:38:11,920
Speaker 1: thinking I'm in on the twist. So I'm like, yo,

775
00:38:12,320 --> 00:38:15,040
Speaker 1: traded in for me? And he was just like, man,

776
00:38:15,239 --> 00:38:18,640
Speaker 1: my dog, this ain't it. I'm like, I'm like what

777
00:38:18,800 --> 00:38:20,560
Speaker 1: you mean? And he was like, you know this is

778
00:38:20,640 --> 00:38:22,879
Speaker 1: this is you know the same right sothing like your

779
00:38:22,880 --> 00:38:26,319
Speaker 1: acorn gave me? Gotta be right? What's the white girl? Yeah? Yeah,

780
00:38:27,040 --> 00:38:31,680
Speaker 1: now lady, he give the lady. I ain't gonna lie

781
00:38:31,719 --> 00:38:35,120
Speaker 1: that different man. Now. The ellish about the whole thing

782
00:38:35,200 --> 00:38:42,360
Speaker 1: is that he made me close my eyes. It was

783
00:38:42,440 --> 00:38:44,719
Speaker 1: my birthday. It was like Max, me and Max and

784
00:38:44,840 --> 00:38:48,000
Speaker 1: Gobby shot think GOV shot the big job. He was like, yo, clothes,

785
00:38:48,040 --> 00:38:50,120
Speaker 1: y'alls I gotta get for you. You know. I closed

786
00:38:50,160 --> 00:38:55,560
Speaker 1: my eyes too, man. That's that's that's what that's that's

787
00:38:55,600 --> 00:38:58,440
Speaker 1: what I hurt the most. Yeah, just like you made

788
00:38:58,480 --> 00:39:02,600
Speaker 1: me close my eyes. Let's fake and I never forgive you.

789
00:39:03,040 --> 00:39:05,239
Speaker 1: So I did you look at me back to watch

790
00:39:05,400 --> 00:39:07,640
Speaker 1: or do you even take it? How does man? He

791
00:39:07,719 --> 00:39:10,920
Speaker 1: made me close my eyes for the joint man. Okay,

792
00:39:11,480 --> 00:39:13,520
Speaker 1: so but you you look at it, you thought it

793
00:39:13,600 --> 00:39:16,719
Speaker 1: was I thought you can't giving you a watch at

794
00:39:16,800 --> 00:39:19,279
Speaker 1: that time, You're not thinking, you're thinking this is like

795
00:39:19,400 --> 00:39:21,319
Speaker 1: got it cose like a buck fifty it t under

796
00:39:21,400 --> 00:39:23,200
Speaker 1: or something like I'm gonna go get something else for it.

797
00:39:23,320 --> 00:39:26,120
Speaker 1: This and that, you know, you know it was. It

798
00:39:26,160 --> 00:39:27,759
Speaker 1: was a thought that counted what I'm saying. So I

799
00:39:27,840 --> 00:39:29,040
Speaker 1: went down there. I gave it to him, you like,

800
00:39:29,080 --> 00:39:31,160
Speaker 1: not saying it. So I called calling him like, yo,

801
00:39:31,239 --> 00:39:34,440
Speaker 1: bro here, telling me to join in it, telling me

802
00:39:34,480 --> 00:39:37,680
Speaker 1: it ain't. So it was like, what you mean, hold on,

803
00:39:37,880 --> 00:39:39,560
Speaker 1: let me call then get I sold him to me, man,

804
00:39:39,600 --> 00:39:41,840
Speaker 1: I think he saw me some fake watches. I'm like,

805
00:39:42,160 --> 00:39:44,000
Speaker 1: we'll do that. Call me back, like so we just

806
00:39:44,280 --> 00:39:47,759
Speaker 1: switch it out and I'm still waiting. I did not

807
00:39:48,080 --> 00:39:51,200
Speaker 1: think that was going to be the story. I'm still

808
00:39:51,239 --> 00:39:54,400
Speaker 1: but you know what though, and you know, an offense

809
00:39:54,440 --> 00:39:55,680
Speaker 1: to a calm man, no, I don't want to throw

810
00:39:55,680 --> 00:39:57,480
Speaker 1: them under the bus because they do, you know, make

811
00:39:57,560 --> 00:40:02,000
Speaker 1: move like that happens then m little baby right, yeah yeah,

812
00:40:02,560 --> 00:40:04,279
Speaker 1: yeah I saw something like that. Yeah definitely, but you know,

813
00:40:04,400 --> 00:40:06,560
Speaker 1: so they can catch your slipping, you know, what I'm saying,

814
00:40:06,600 --> 00:40:08,520
Speaker 1: It's very true. But I'm a petty nigga. I would

815
00:40:08,520 --> 00:40:11,080
Speaker 1: have been all that nigger concerts. You've got different places

816
00:40:11,360 --> 00:40:16,359
Speaker 1: every time, you got different places every time I see

817
00:40:16,920 --> 00:40:18,480
Speaker 1: That's the one thing I get him. Every time I

818
00:40:18,520 --> 00:40:20,120
Speaker 1: see him be like, Yo, my watch, He's like you

819
00:40:20,160 --> 00:40:22,000
Speaker 1: want this one? Like nah, but I don't want to

820
00:40:22,040 --> 00:40:25,320
Speaker 1: see me something with the paper with the eyes of

821
00:40:26,160 --> 00:40:29,040
Speaker 1: trust you. Yeah, but you know when I like when

822
00:40:29,040 --> 00:40:31,600
Speaker 1: I was first coming up doing the Cocaine City DVDs

823
00:40:31,640 --> 00:40:33,800
Speaker 1: and I was like on volume six or seven and

824
00:40:33,960 --> 00:40:36,239
Speaker 1: me but God used to be playing my music and

825
00:40:36,320 --> 00:40:38,759
Speaker 1: I'm Acorn just you know, calling me up to sign me,

826
00:40:38,840 --> 00:40:41,200
Speaker 1: and you know what I'm saying, and you know, me

827
00:40:41,360 --> 00:40:43,480
Speaker 1: coming up just like you know, rapping, like not knowing

828
00:40:43,520 --> 00:40:44,960
Speaker 1: if it's gonna work or not. Then you just get

829
00:40:45,080 --> 00:40:47,520
Speaker 1: signed by Acorn while he had Lady Gaga. That was

830
00:40:47,600 --> 00:40:49,319
Speaker 1: more of a present for him to get me than

831
00:40:49,560 --> 00:40:51,680
Speaker 1: not watching what I'm saying. So I always appreciate him,

832
00:40:51,680 --> 00:40:53,120
Speaker 1: and I always you know saying, look at him as

833
00:40:53,120 --> 00:40:54,719
Speaker 1: a big brother. And he got he got a city

834
00:40:54,760 --> 00:40:58,640
Speaker 1: to tom Building. Just give me check that the place

835
00:40:58,719 --> 00:41:04,479
Speaker 1: to watch trade. Yeah, definitely shot do you watch Versus? Yeah,

836
00:41:04,680 --> 00:41:06,799
Speaker 1: I know you want. Tory Lane did like a fool gaze. Yeah,

837
00:41:08,160 --> 00:41:13,319
Speaker 1: it was like a full gaze verse yeah, really like yeah,

838
00:41:13,960 --> 00:41:15,560
Speaker 1: like did you know he was going to wash room

839
00:41:15,600 --> 00:41:17,960
Speaker 1: like that? Yeah, but I didn't even know. I was like, damn, friends,

840
00:41:18,000 --> 00:41:20,399
Speaker 1: you kept going, you mean sitting there at one point

841
00:41:20,520 --> 00:41:25,239
Speaker 1: like yeah, somebody slapped the phone at his hand. So yeah,

842
00:41:25,600 --> 00:41:27,880
Speaker 1: now we was the first one actually to start versus.

843
00:41:28,520 --> 00:41:31,120
Speaker 1: You know what I'm saying, because because I'm now I did.

844
00:41:31,200 --> 00:41:35,040
Speaker 1: We did. We did as far as as far as

845
00:41:35,160 --> 00:41:37,600
Speaker 1: rappers going at it, were the first one. There was

846
00:41:37,640 --> 00:41:45,040
Speaker 1: nobody before me and Tory Lane. You mean one, yeah, yeah, yeah,

847
00:41:45,080 --> 00:41:47,960
Speaker 1: I mean because they were they I called Swiss up

848
00:41:48,200 --> 00:41:49,880
Speaker 1: and I called Timberland. I'm like, yeah, I want you

849
00:41:49,960 --> 00:41:52,600
Speaker 1: to judge this because they was doing some beat stuff,

850
00:41:52,719 --> 00:41:54,719
Speaker 1: because why you didn't do it through Versus, because that's

851
00:41:54,840 --> 00:41:56,719
Speaker 1: you know what I'm saying that we didn't do it

852
00:41:56,800 --> 00:41:59,400
Speaker 1: through Versus, but they didn't have no platform. Yeah, it

853
00:41:59,480 --> 00:42:01,360
Speaker 1: was all I g yet first. Yeah I didn't I

854
00:42:01,440 --> 00:42:03,920
Speaker 1: didn't see that. Yeah. Yeah, I don't know what he's saying,

855
00:42:03,920 --> 00:42:07,520
Speaker 1: because it was doing it was doing the producer stuff.

856
00:42:07,640 --> 00:42:09,839
Speaker 1: So I remember I was supposed to do That's how

857
00:42:09,920 --> 00:42:12,120
Speaker 1: the whole idea came about. I was supposed to do

858
00:42:12,239 --> 00:42:15,600
Speaker 1: quarantine radio Tory. So I'm like, yo, bro, instead of

859
00:42:15,640 --> 00:42:17,840
Speaker 1: doing quarantine radio, let's do this versus thing. So we

860
00:42:17,920 --> 00:42:20,239
Speaker 1: were supposed to do the quarantine joint and I was like,

861
00:42:20,280 --> 00:42:21,680
Speaker 1: he was do the verses and he was like, no,

862
00:42:21,800 --> 00:42:24,320
Speaker 1: I'm a watch you. I'm like what so you know

863
00:42:24,320 --> 00:42:26,320
Speaker 1: what I'm saying. So you know, we got it together

864
00:42:26,360 --> 00:42:28,360
Speaker 1: and we just did did over the the Vibe and

865
00:42:28,400 --> 00:42:30,080
Speaker 1: that that was the first one. After that, it was

866
00:42:30,160 --> 00:42:32,120
Speaker 1: just you know, it got bigger and bigger. But shot

867
00:42:32,200 --> 00:42:36,399
Speaker 1: the Bobby too. So what'd you from trailer? Yeah? Okay,

868
00:42:36,640 --> 00:42:39,160
Speaker 1: who the slot it out there? You know what's going on? French?

869
00:42:39,600 --> 00:42:52,719
Speaker 1: Maybe's going on? Definitely so you watched verses. Yeah, it's

870
00:42:52,719 --> 00:42:56,080
Speaker 1: gonna be a two part question. M h. I don't

871
00:42:56,080 --> 00:43:00,319
Speaker 1: want to start no ship. I gotta asks. Yeah, who

872
00:43:00,360 --> 00:43:07,719
Speaker 1: would you want to battle in? First? Man? I think

873
00:43:07,719 --> 00:43:10,880
Speaker 1: I go to anybody. I know, let's cliche kind of answer.

874
00:43:10,920 --> 00:43:14,600
Speaker 1: I want to be particular who would I go? Who

875
00:43:14,840 --> 00:43:20,080
Speaker 1: you feel like you match up your music, the personalities

876
00:43:20,600 --> 00:43:26,239
Speaker 1: or whatever, because like anybody, man, I mean when you

877
00:43:26,320 --> 00:43:28,840
Speaker 1: talking about versus man, You're just talking about twenty songs.

878
00:43:29,320 --> 00:43:30,920
Speaker 1: You know what I'm saying. I don't feel like I

879
00:43:31,000 --> 00:43:34,160
Speaker 1: think people like like like just take it too serious.

880
00:43:34,280 --> 00:43:37,279
Speaker 1: I feel like we're talking about bringing is like when

881
00:43:37,320 --> 00:43:39,680
Speaker 1: you fight in the boxing rain, it doesn't matter what

882
00:43:39,800 --> 00:43:42,440
Speaker 1: you what your record is about, who who walks out

883
00:43:42,440 --> 00:43:44,520
Speaker 1: with the w You know what I'm saying, It's like people,

884
00:43:44,719 --> 00:43:46,520
Speaker 1: because none of that gonna mean that once you take

885
00:43:46,560 --> 00:43:48,360
Speaker 1: this lt like if Floyd take that one, l is

886
00:43:48,360 --> 00:43:51,680
Speaker 1: gonna sunk up guy. And He's what I'm saying. So

887
00:43:52,400 --> 00:43:54,279
Speaker 1: when you go up in that stage, it's twenty songs

888
00:43:54,320 --> 00:43:56,640
Speaker 1: and twenty songs. I don't care what type of catalog

889
00:43:56,719 --> 00:43:59,000
Speaker 1: you had. I don't care what type of live show

890
00:43:59,080 --> 00:44:01,160
Speaker 1: you got. I don't care none of that. We're gonna

891
00:44:01,200 --> 00:44:04,719
Speaker 1: go song for song, song for song. And I feel

892
00:44:04,719 --> 00:44:08,160
Speaker 1: like I could go against anybody with that, but you don't.

893
00:44:08,200 --> 00:44:12,080
Speaker 1: You don't. You don't have somebody in particular like and

894
00:44:12,160 --> 00:44:14,200
Speaker 1: it's been changing the song for something because it has

895
00:44:14,239 --> 00:44:16,279
Speaker 1: been a stage presents thing lately. It has been a

896
00:44:16,280 --> 00:44:18,320
Speaker 1: schage present. I agree with that. Yeah, I mean like

897
00:44:18,560 --> 00:44:20,719
Speaker 1: like like in the past one past one or two

898
00:44:20,760 --> 00:44:23,520
Speaker 1: and know what I'm saying. Yeah, but it's still it's

899
00:44:23,520 --> 00:44:25,719
Speaker 1: still about your twenties songs though. So you saw how

900
00:44:25,760 --> 00:44:27,920
Speaker 1: powerful twenty songs is when you saw Job would do it.

901
00:44:28,560 --> 00:44:30,840
Speaker 1: So who did you pick between Job one, Fat Joe? Me?

902
00:44:30,960 --> 00:44:34,880
Speaker 1: I picked? I picked um both first hip hop one,

903
00:44:35,600 --> 00:44:38,080
Speaker 1: but I just like it. I'm from the Bronze, what

904
00:44:38,160 --> 00:44:40,400
Speaker 1: I'm saying, I'm I'm from the Bronze. And and and

905
00:44:40,840 --> 00:44:43,080
Speaker 1: you know, I grew up on Fat Joe and bign

906
00:44:43,160 --> 00:44:45,399
Speaker 1: like big punties to come to my block and play

907
00:44:45,520 --> 00:44:47,480
Speaker 1: us the big you know, punishing, you know what I'm saying,

908
00:44:48,040 --> 00:44:49,759
Speaker 1: and all that. So I grew up on Fat Joe

909
00:44:49,800 --> 00:44:51,279
Speaker 1: and it was and it's more like it was more

910
00:44:51,360 --> 00:44:53,759
Speaker 1: streaked for me, I'm what I'm saying. So, so who

911
00:44:53,800 --> 00:44:56,719
Speaker 1: did you go with the dip set persons? Who did you?

912
00:44:56,800 --> 00:44:59,280
Speaker 1: Who was your money on? You had the back before

913
00:45:00,040 --> 00:45:04,600
Speaker 1: um Man? Honestly, I was a fan of both, you

914
00:45:04,600 --> 00:45:05,879
Speaker 1: know what I'm saying. I was a fan of both.

915
00:45:05,920 --> 00:45:09,040
Speaker 1: I feel like a lot of people didn't like a

916
00:45:09,120 --> 00:45:12,200
Speaker 1: lot of people didn't didn't see that. And that's another

917
00:45:12,280 --> 00:45:14,920
Speaker 1: perfect example of your best twenties songs. You know what

918
00:45:14,960 --> 00:45:18,879
Speaker 1: I'm saying, because it's like dip Set. I mean, dip

919
00:45:18,960 --> 00:45:22,000
Speaker 1: Set was out like like the generation after the Block,

920
00:45:22,080 --> 00:45:23,919
Speaker 1: you know what I'm saying. So it's like people agree

921
00:45:23,960 --> 00:45:27,120
Speaker 1: with that. Yeah. So it's like you know, THEMB having

922
00:45:27,400 --> 00:45:29,880
Speaker 1: that that extra ten years, fifteen years on them, it

923
00:45:30,000 --> 00:45:31,400
Speaker 1: was just you know what I'm saying, that's that's that's

924
00:45:31,440 --> 00:45:33,960
Speaker 1: why they want people no one, no one. It was

925
00:45:33,960 --> 00:45:37,279
Speaker 1: actually the underdogs. Yeah, Like there's actually because because if

926
00:45:37,320 --> 00:45:39,680
Speaker 1: you look at it and it took place in Massion

927
00:45:39,680 --> 00:45:42,560
Speaker 1: Square Gold and if you look at it like dips

928
00:45:42,600 --> 00:45:44,800
Speaker 1: that had a bigger movement in New York. When you

929
00:45:44,880 --> 00:45:47,359
Speaker 1: forget that, they will even get the losses on bad Boy.

930
00:45:47,800 --> 00:45:49,560
Speaker 1: Bad Boy has never been a New York thing. It's

931
00:45:49,640 --> 00:45:52,120
Speaker 1: always been kind of like, al this is what I'm saying.

932
00:45:52,200 --> 00:45:55,399
Speaker 1: They got they got joints, what you know, off off

933
00:45:55,480 --> 00:45:57,960
Speaker 1: Life after Death, bro, Like they got joints off like

934
00:45:58,719 --> 00:46:01,879
Speaker 1: they kind of love it so crazy. I think, Yeah,

935
00:46:01,880 --> 00:46:03,479
Speaker 1: I think that's the only way they had a little

936
00:46:03,480 --> 00:46:05,239
Speaker 1: a little up on on on on dip Set, you

937
00:46:05,280 --> 00:46:07,800
Speaker 1: know what I'm saying, And they and they you know,

938
00:46:07,880 --> 00:46:12,200
Speaker 1: and it was I don't know, I think, man, I

939
00:46:12,280 --> 00:46:15,600
Speaker 1: like both O. Yeah, I didn't. I didn't think that

940
00:46:15,760 --> 00:46:18,279
Speaker 1: the Locks was gonna prevail. No, I mean I didn't.

941
00:46:18,320 --> 00:46:19,759
Speaker 1: I didn't think. I didn't see it coming like that.

942
00:46:19,800 --> 00:46:22,919
Speaker 1: I didn't see Again, back to what you were saying

943
00:46:23,000 --> 00:46:26,520
Speaker 1: with the stage presidence, I forgot how ill Jada is

944
00:46:27,680 --> 00:46:29,920
Speaker 1: like when it comes to the quarterback and something like.

945
00:46:30,000 --> 00:46:33,279
Speaker 1: I just totally forgot till he was doing it. But

946
00:46:33,400 --> 00:46:36,080
Speaker 1: that's the story of the underdogs though always. Man, That's

947
00:46:36,080 --> 00:46:39,680
Speaker 1: why the underdogs always win because they unexpected. You know

948
00:46:39,680 --> 00:46:42,359
Speaker 1: what I'm saying, never expect. You know what I'm saying,

949
00:46:42,360 --> 00:46:45,000
Speaker 1: The underdog win. That's on somebody. Just you know what

950
00:46:45,040 --> 00:46:47,840
Speaker 1: I'm saying to two out there, like you know, so

951
00:46:48,200 --> 00:46:51,880
Speaker 1: friends against Jim Jones, who's winning versus you gotta actually

952
00:46:51,920 --> 00:46:57,440
Speaker 1: Jim that I'm actually you here shot the gym. But

953
00:46:57,520 --> 00:46:59,799
Speaker 1: I don't know. I think I got him, all right,

954
00:47:00,239 --> 00:47:02,319
Speaker 1: all right, all right, let me think of somebody else.

955
00:47:06,239 --> 00:47:09,279
Speaker 1: Huh yeah, Jim, Yeah, Jim got some ship. I think

956
00:47:09,360 --> 00:47:12,200
Speaker 1: that I think it's your history. Yeah, you know it's

957
00:47:12,280 --> 00:47:15,719
Speaker 1: obviously it wasn't Gucci Man and Jeezy, but you know,

958
00:47:16,200 --> 00:47:18,920
Speaker 1: um that moment when they did you know what I mean,

959
00:47:19,440 --> 00:47:22,399
Speaker 1: at the end of so I see. Um. I thought

960
00:47:22,440 --> 00:47:25,200
Speaker 1: that was a special moment. I think when y'all shot

961
00:47:25,280 --> 00:47:26,960
Speaker 1: that video in the city and I think you said

962
00:47:27,000 --> 00:47:28,640
Speaker 1: you'll shut down a bridge or something that was shut

963
00:47:28,680 --> 00:47:32,680
Speaker 1: down a bridge. I actually I want to say, I

964
00:47:32,800 --> 00:47:34,880
Speaker 1: shut a thug till I want to. I want to

965
00:47:34,920 --> 00:47:36,640
Speaker 1: sat there and I just looked at the footage and

966
00:47:36,719 --> 00:47:38,840
Speaker 1: I was just like, because one, I didn't see it

967
00:47:38,880 --> 00:47:41,440
Speaker 1: coming at all, you know what I mean. And I

968
00:47:41,560 --> 00:47:45,520
Speaker 1: know your brothers both folk with y'all both, and it

969
00:47:45,640 --> 00:47:47,680
Speaker 1: was just like, damn, this is what the city needed.

970
00:47:47,760 --> 00:47:50,279
Speaker 1: It was like it was like almost perfect time, you

971
00:47:50,320 --> 00:47:51,839
Speaker 1: know what I'm saying. So that's the reason why if

972
00:47:51,880 --> 00:47:54,080
Speaker 1: I think of a versus, I think that's almost a

973
00:47:54,160 --> 00:47:56,520
Speaker 1: great opponent because of the history. And yeah, I just

974
00:47:56,640 --> 00:47:59,759
Speaker 1: think that Nowaday's beef is different between how how how

975
00:47:59,840 --> 00:48:02,719
Speaker 1: we was. It wasn't on social media like that I'm saying.

976
00:48:02,760 --> 00:48:04,440
Speaker 1: If there was anything, and there was DVDs that come

977
00:48:04,480 --> 00:48:06,440
Speaker 1: out every six months for you to catch a recap

978
00:48:06,560 --> 00:48:10,879
Speaker 1: of everything. But I remember, you know, us, us trying

979
00:48:10,920 --> 00:48:12,839
Speaker 1: to run down on Jim, him trying to run down

980
00:48:12,880 --> 00:48:14,719
Speaker 1: on us. It was just like a back and forth

981
00:48:14,800 --> 00:48:17,000
Speaker 1: thing like we was going through like real situations and

982
00:48:17,040 --> 00:48:19,360
Speaker 1: that place wasn't even be a beef. Yeah you know

983
00:48:19,400 --> 00:48:20,880
Speaker 1: what I mean, but you know it's my dog, and

984
00:48:20,960 --> 00:48:23,040
Speaker 1: it was just like you know, it was in it

985
00:48:23,080 --> 00:48:24,200
Speaker 1: and it was like a lot of people on his

986
00:48:24,280 --> 00:48:26,480
Speaker 1: side that was guilty by affiliation and a lot of

987
00:48:26,520 --> 00:48:28,080
Speaker 1: people on our side, you know what I'm saying. And

988
00:48:28,239 --> 00:48:31,000
Speaker 1: and and you know that that day was special because

989
00:48:31,640 --> 00:48:35,040
Speaker 1: it was like a hundred fifty over there hunting fifty

990
00:48:35,080 --> 00:48:38,080
Speaker 1: over here people that all had beef just because with

991
00:48:38,239 --> 00:48:41,480
Speaker 1: all started when everybody met, it was like a hunting guns.

992
00:48:41,960 --> 00:48:45,200
Speaker 1: It was like about shows, Jim. It was right down

993
00:48:45,239 --> 00:48:46,680
Speaker 1: the street and why I got shot at, you know

994
00:48:46,680 --> 00:48:48,360
Speaker 1: what I'm saying. So it was just like so it

995
00:48:48,440 --> 00:48:50,840
Speaker 1: was just like everybody was just like put their g

996
00:48:51,000 --> 00:48:53,680
Speaker 1: They're like alright, man, my nigger man were then then

997
00:48:53,719 --> 00:48:56,120
Speaker 1: then then everybody's connecting just like you know, it felt

998
00:48:56,120 --> 00:48:58,799
Speaker 1: good because a lot of you know, we missed out

999
00:48:58,840 --> 00:49:00,839
Speaker 1: on a lot of money, We missed out a lot

1000
00:49:00,880 --> 00:49:04,000
Speaker 1: of things that we could have made, you know, history

1001
00:49:04,040 --> 00:49:05,960
Speaker 1: together and I'm saying made the culture even better, but

1002
00:49:06,000 --> 00:49:09,239
Speaker 1: we wasted the ten years. Was Max be aware of

1003
00:49:09,640 --> 00:49:11,960
Speaker 1: y'all squashing it? Yeah? I would have never did nothing

1004
00:49:12,040 --> 00:49:14,120
Speaker 1: unless unless I spoke the Max first. You know what

1005
00:49:14,160 --> 00:49:16,239
Speaker 1: I'm saying, Like I spoke to Max and Max is like, yo,

1006
00:49:16,320 --> 00:49:19,360
Speaker 1: I man fighting for my life. Yeah, you know what

1007
00:49:19,400 --> 00:49:21,040
Speaker 1: I mean, Like I'm fighting for my life. I ain't

1008
00:49:21,040 --> 00:49:23,919
Speaker 1: gonna beat for Jim, you know. And I was shot

1009
00:49:23,960 --> 00:49:28,319
Speaker 1: and I remember when I did it. Um Jim had

1010
00:49:28,719 --> 00:49:31,879
Speaker 1: did an interview after and he was like, fuck Max,

1011
00:49:31,960 --> 00:49:33,360
Speaker 1: And I called Jims like, yo, bro, you know what

1012
00:49:33,360 --> 00:49:36,719
Speaker 1: I'm saying, like, let's just keep that. Wait, so you're

1013
00:49:36,719 --> 00:49:38,719
Speaker 1: saying after you and Jim, Oh, I didn't know I

1014
00:49:38,800 --> 00:49:43,640
Speaker 1: was Jim crazy. So right after this Verdi interview, y'all squashed.

1015
00:49:43,719 --> 00:49:46,279
Speaker 1: After the video as well, After the video as well,

1016
00:49:46,719 --> 00:49:49,360
Speaker 1: someone asked Jim Jim, and I was just like, yo, Brontio,

1017
00:49:49,440 --> 00:49:51,160
Speaker 1: until y'all figure it out. You know what I'm saying,

1018
00:49:51,280 --> 00:49:52,759
Speaker 1: They just keep the medio if I asked, you know,

1019
00:49:52,760 --> 00:49:54,640
Speaker 1: I mean all that because I was just went through

1020
00:49:54,680 --> 00:49:56,400
Speaker 1: like ten fifteen years a beat man shot at the

1021
00:49:56,440 --> 00:49:59,160
Speaker 1: gym man. You know, you know it was it was

1022
00:49:59,320 --> 00:50:01,320
Speaker 1: you know, that was a real solid move from his

1023
00:50:01,440 --> 00:50:03,320
Speaker 1: side and my side. You know what I mean about it?

1024
00:50:03,360 --> 00:50:05,440
Speaker 1: Feel like he's fighting for his life and jim My

1025
00:50:05,560 --> 00:50:07,400
Speaker 1: head and also it doesn't make no sense that the

1026
00:50:07,440 --> 00:50:10,719
Speaker 1: bee doesn't make sense right, It's a somewhat you know.

1027
00:50:10,800 --> 00:50:12,840
Speaker 1: And I'm bouncing around a little bit. Like the other

1028
00:50:12,960 --> 00:50:21,000
Speaker 1: day I've seen Soldier boy um reacting to um young dog. Yeah,

1029
00:50:21,200 --> 00:50:23,239
Speaker 1: and and it's death and to me it was like,

1030
00:50:24,080 --> 00:50:26,960
Speaker 1: you know, definitely rest in peace. Um. But I was like,

1031
00:50:27,040 --> 00:50:29,080
Speaker 1: I didn't think it was appropriate for him to like

1032
00:50:29,760 --> 00:50:31,719
Speaker 1: comment on it after, you know what I mean, like

1033
00:50:31,760 --> 00:50:34,040
Speaker 1: when what's his death and likes the post it's doing

1034
00:50:34,200 --> 00:50:37,520
Speaker 1: years and life, Like I feel like that's that's at

1035
00:50:37,520 --> 00:50:39,040
Speaker 1: the end of the day, we're entertaining, Like you know

1036
00:50:39,080 --> 00:50:41,000
Speaker 1: what I'm saying, it's real ship that's involved, and we've

1037
00:50:41,040 --> 00:50:43,759
Speaker 1: be involved with real ship. But we gotta stop. We

1038
00:50:43,880 --> 00:50:46,359
Speaker 1: gotta stop and just smell the fucking ros. It's like, well,

1039
00:50:46,600 --> 00:50:49,239
Speaker 1: we're entertainers to a certain extent, let's just just be

1040
00:50:49,400 --> 00:50:53,120
Speaker 1: such so, um, how do you think that is a

1041
00:50:53,200 --> 00:50:57,480
Speaker 1: way to rectify Max and jim ship? Um Man? I mean,

1042
00:50:57,880 --> 00:50:59,360
Speaker 1: all I could do is try my best, you know

1043
00:50:59,400 --> 00:51:01,200
Speaker 1: what I'm saying. All I can do is trying my best.

1044
00:51:01,960 --> 00:51:03,600
Speaker 1: And it's just like you know, when you look at

1045
00:51:03,680 --> 00:51:05,880
Speaker 1: Dolph and look at key Lock and you look at

1046
00:51:06,400 --> 00:51:10,560
Speaker 1: um like let's say big and puff you look at me,

1047
00:51:10,680 --> 00:51:12,879
Speaker 1: and Chinks you look at I can give you about

1048
00:51:12,920 --> 00:51:15,680
Speaker 1: ten twenty different examples, you know what I'm saying. It's like,

1049
00:51:17,400 --> 00:51:18,839
Speaker 1: you know, if they don't take their head, they take

1050
00:51:18,880 --> 00:51:21,200
Speaker 1: the right arm off you. It's a known fact. This

1051
00:51:21,280 --> 00:51:24,560
Speaker 1: what's been happening forever and hip hop. It's that little

1052
00:51:24,640 --> 00:51:26,960
Speaker 1: gap in between you're trying to make it until you

1053
00:51:27,080 --> 00:51:28,839
Speaker 1: making it that a lot of artists don't know how

1054
00:51:28,880 --> 00:51:32,120
Speaker 1: to handle. That's like a real turbulence period of time.

1055
00:51:32,800 --> 00:51:35,440
Speaker 1: It's like that bridge and just like it's a hard

1056
00:51:35,480 --> 00:51:38,200
Speaker 1: bridge to cross because you know, I almost lost my

1057
00:51:38,280 --> 00:51:39,759
Speaker 1: life when I got shot in back of my head

1058
00:51:40,400 --> 00:51:42,760
Speaker 1: and and and you know what I'm saying, and Chinks

1059
00:51:43,160 --> 00:51:45,480
Speaker 1: lost lost his life and what I'm saying, then you

1060
00:51:45,560 --> 00:51:48,160
Speaker 1: know there's certain people that in fifty almost it's just

1061
00:51:48,239 --> 00:51:50,080
Speaker 1: like you either you're gonna make it out of that

1062
00:51:50,200 --> 00:51:51,960
Speaker 1: situation that God're gonna put you in front of. If

1063
00:51:51,960 --> 00:51:55,200
Speaker 1: you're a gangster rapper, you know what I'm saying, If

1064
00:51:55,440 --> 00:51:57,200
Speaker 1: you come from when you come from where I come from,

1065
00:51:57,560 --> 00:52:00,360
Speaker 1: it's gonna be something that's gonna either take life was

1066
00:52:00,360 --> 00:52:02,000
Speaker 1: gonna make you who you is, and I feel like,

1067
00:52:02,680 --> 00:52:05,719
Speaker 1: you know, it happens to everybody. So when I be

1068
00:52:05,760 --> 00:52:07,520
Speaker 1: trying to set an example, like as far as Max

1069
00:52:07,600 --> 00:52:09,800
Speaker 1: and this is that like we passed all that because

1070
00:52:09,800 --> 00:52:11,399
Speaker 1: that situation happened to us, you know what I'm saying.

1071
00:52:11,440 --> 00:52:14,560
Speaker 1: So it's like, bro, like and and you're doing seventy five.

1072
00:52:14,920 --> 00:52:17,440
Speaker 1: You know what I'm saying, Jim home making money, So like,

1073
00:52:17,440 --> 00:52:20,120
Speaker 1: what is the reason? Yeah? God, but you know it's crazy.

1074
00:52:20,200 --> 00:52:24,560
Speaker 1: You and Max y'all the first that's the horny niggers.

1075
00:52:24,560 --> 00:52:27,320
Speaker 1: By the way, that just y'are the first dudes that

1076
00:52:27,680 --> 00:52:30,759
Speaker 1: I ever knew that new porn stars names. Like I

1077
00:52:30,840 --> 00:52:35,600
Speaker 1: feel if people just watch I'm in the motherfucker w

1078
00:52:35,880 --> 00:52:39,239
Speaker 1: Hotel and these things come to the hotown and they're like, Yo,

1079
00:52:39,560 --> 00:52:41,800
Speaker 1: you ain't see Roxy Normy, And I'm like, who the

1080
00:52:41,960 --> 00:52:44,640
Speaker 1: funds you're talking about? But they're saying it like it's

1081
00:52:44,680 --> 00:52:47,879
Speaker 1: a regular check. So I'm like, okay, They're like, yeah,

1082
00:52:47,880 --> 00:52:50,360
Speaker 1: if Roxy brendles, and I'm looking like, I don't know

1083
00:52:50,440 --> 00:52:55,880
Speaker 1: who the fun Roxy. So she came down the elevator.

1084
00:52:55,960 --> 00:52:57,719
Speaker 1: This is what I knew she was a big bit

1085
00:52:57,840 --> 00:53:00,520
Speaker 1: because all the hotel workers from the w like I

1086
00:53:00,640 --> 00:53:04,560
Speaker 1: see rinds looking like, oh said, but you actually, I

1087
00:53:04,680 --> 00:53:08,520
Speaker 1: swear to god, I never knew like the names to

1088
00:53:08,680 --> 00:53:11,560
Speaker 1: porn stars. I just you type in black porn or

1089
00:53:11,920 --> 00:53:15,239
Speaker 1: Latino and like I didn't know like Nika, Like you

1090
00:53:15,280 --> 00:53:18,080
Speaker 1: could tape in a chick name and hush Shi, Come on,

1091
00:53:18,960 --> 00:53:21,600
Speaker 1: it was u Cherokee is a bunch of It was

1092
00:53:21,680 --> 00:53:27,040
Speaker 1: more than what I was a bunch of like hood stars. Yeah,

1093
00:53:27,320 --> 00:53:29,600
Speaker 1: I didn't know about now Yeah, yeah, I think it

1094
00:53:29,680 --> 00:53:31,560
Speaker 1: was to Max. I think it was his birthday. I

1095
00:53:31,600 --> 00:53:33,000
Speaker 1: think it was his birthday. I was like, yo, I

1096
00:53:33,080 --> 00:53:35,800
Speaker 1: got them for you words. How did you shot? My

1097
00:53:35,920 --> 00:53:39,320
Speaker 1: Space shot the Penthouse peaks like my Space days that

1098
00:53:39,440 --> 00:53:41,799
Speaker 1: we had met them out somewhere. I think we met

1099
00:53:41,880 --> 00:53:43,719
Speaker 1: them out somewhere. I forgot how we met how how

1100
00:53:43,760 --> 00:53:46,080
Speaker 1: dose people? How did you meet a porn star? I've

1101
00:53:46,400 --> 00:53:49,320
Speaker 1: probably like the event somewhere I met point stars with you,

1102
00:53:49,920 --> 00:53:55,560
Speaker 1: great friend you are with me? Yeah, remember having you know,

1103
00:53:55,719 --> 00:53:59,000
Speaker 1: and they've been having their conventions in um in Vegas. Okay,

1104
00:53:59,000 --> 00:54:00,400
Speaker 1: so you go to the point if it's said, well,

1105
00:54:00,440 --> 00:54:02,520
Speaker 1: I probably went like one time. Okay, I probably went

1106
00:54:02,600 --> 00:54:04,760
Speaker 1: like one time when I was in Vegas, extasy involved

1107
00:54:04,880 --> 00:54:07,839
Speaker 1: when you okay, no, it's definitely access involved. When when

1108
00:54:07,840 --> 00:54:10,640
Speaker 1: they came over the crib, Roxy Wins came from the crib. Yeah,

1109
00:54:11,360 --> 00:54:14,400
Speaker 1: Max birthday, Yeah how does this happen? So it was

1110
00:54:14,480 --> 00:54:16,719
Speaker 1: his birthday? And I was like his birthday, you know

1111
00:54:16,760 --> 00:54:19,719
Speaker 1: what I'm saying, And and and him just put it

1112
00:54:19,800 --> 00:54:21,600
Speaker 1: like this. Him and Roxy Reruntal still talk to this

1113
00:54:21,719 --> 00:54:24,279
Speaker 1: day that she had me the other day, like your

1114
00:54:24,320 --> 00:54:26,520
Speaker 1: friend Max trying to call you. I'm like, all right,

1115
00:54:26,960 --> 00:54:29,319
Speaker 1: you know I had a conversation once and I said,

1116
00:54:30,960 --> 00:54:34,640
Speaker 1: I asked, I said, why do niggers like porno stars? Right?

1117
00:54:34,880 --> 00:54:37,400
Speaker 1: Because you literally know she's a whole, like like you

1118
00:54:37,480 --> 00:54:40,200
Speaker 1: know there's other ticksie you heard she's oh you heard

1119
00:54:40,280 --> 00:54:42,000
Speaker 1: she gave a good one, but you don't really know.

1120
00:54:42,239 --> 00:54:47,560
Speaker 1: But she famous though, so yeah she famous. It was

1121
00:54:47,560 --> 00:54:49,680
Speaker 1: like imagine Max's watching his joint like she was like,

1122
00:54:49,840 --> 00:54:52,120
Speaker 1: you know when the Grammy win, the actress fim like

1123
00:54:52,680 --> 00:54:55,399
Speaker 1: actress fim. So it's like it's not even about the rag,

1124
00:54:55,640 --> 00:54:57,520
Speaker 1: It's just about you know what I'm saying, for like

1125
00:54:58,120 --> 00:55:01,480
Speaker 1: being part of history. Like at that time, love that

1126
00:55:01,640 --> 00:55:04,680
Speaker 1: was Max's body in jail right now, Like yo, Roxy

1127
00:55:04,760 --> 00:55:11,320
Speaker 1: Reynolds was like, so, like I said, I was asking

1128
00:55:11,400 --> 00:55:17,240
Speaker 1: somebody and the person said, well, point stars get tested

1129
00:55:17,320 --> 00:55:22,000
Speaker 1: all the time. They're basically actually cleaning, actually cleaning. And

1130
00:55:22,080 --> 00:55:24,040
Speaker 1: I was just like, oh ship, that ship sucked me

1131
00:55:24,120 --> 00:55:26,960
Speaker 1: up because they made it make sense. But I was like,

1132
00:55:27,080 --> 00:55:29,759
Speaker 1: this doesn't make sense anyway. But y'all was the first

1133
00:55:29,800 --> 00:55:33,000
Speaker 1: two niggas said holy ship. Max max Be definitely made

1134
00:55:33,840 --> 00:55:35,880
Speaker 1: her famous. Yeah, I think I think. I think he

1135
00:55:35,960 --> 00:55:38,520
Speaker 1: had like a rap and everything. Like when he was

1136
00:55:38,560 --> 00:55:42,520
Speaker 1: saying some ship, I said, I see that good lie,

1137
00:55:42,800 --> 00:55:46,600
Speaker 1: And I said, Max is like he just made a hook.

1138
00:55:46,640 --> 00:55:49,120
Speaker 1: I was like, I need that hook anyway, I'm moving on.

1139
00:55:50,680 --> 00:55:53,880
Speaker 1: At one point, you and fifty were cool, Yeah, what

1140
00:55:54,080 --> 00:55:58,239
Speaker 1: the funk happen? Man, let me tell you something me.

1141
00:55:59,040 --> 00:56:01,560
Speaker 1: I have no problem with fifteen or more. After he

1142
00:56:01,680 --> 00:56:08,640
Speaker 1: dropped his BMF joint, that's my favorite ship had shot alright? Cool? Yeah, yeah,

1143
00:56:08,880 --> 00:56:10,960
Speaker 1: every everything is over after BMF. That's the best work.

1144
00:56:11,800 --> 00:56:17,440
Speaker 1: That's it's that good. Yeah. Just seeing empowered book too.

1145
00:56:17,880 --> 00:56:22,279
Speaker 1: He had um left frack in it, so uma. So yeah,

1146
00:56:22,320 --> 00:56:25,640
Speaker 1: you know he's he's like the gurgle of television. He

1147
00:56:25,760 --> 00:56:28,799
Speaker 1: like the gangster Tyler Perry right now, think that way. Yeah,

1148
00:56:29,000 --> 00:56:32,440
Speaker 1: that's top same like think about it. That's Tyler Perry

1149
00:56:32,480 --> 00:56:35,759
Speaker 1: type of ship. You. Um, so you're gonna work this out?

1150
00:56:36,200 --> 00:56:41,160
Speaker 1: Yeah okay, I mean I was down. He's the core

1151
00:56:41,280 --> 00:56:43,880
Speaker 1: un come. I mean, you know from New York. Bro,

1152
00:56:44,000 --> 00:56:45,759
Speaker 1: like you come outside, you're gonna snap on the one

1153
00:56:45,800 --> 00:56:47,320
Speaker 1: day you're gonna snap on each other. And it's not

1154
00:56:47,480 --> 00:56:49,680
Speaker 1: it wasn't that like not physical like nothing like you know,

1155
00:56:50,440 --> 00:56:53,000
Speaker 1: it wasn't not that like we got beef over. Nobody

1156
00:56:53,000 --> 00:56:55,120
Speaker 1: got shot like nothing like that shot the fifty man.

1157
00:56:56,440 --> 00:56:58,040
Speaker 1: I actually love his music. I want him to drop

1158
00:56:58,080 --> 00:57:05,040
Speaker 1: another album, like that's what's up? What's up? Big man?

1159
00:57:05,200 --> 00:57:06,719
Speaker 1: You know I was I was there. You got locked up?

1160
00:57:06,719 --> 00:57:08,120
Speaker 1: Remember that day? You think it's had me at East

1161
00:57:08,160 --> 00:57:11,200
Speaker 1: New York loose They found like forty guns, right, God,

1162
00:57:11,600 --> 00:57:17,640
Speaker 1: that was died. Listen Yo, Yeah we're shooting um tribute

1163
00:57:17,800 --> 00:57:23,400
Speaker 1: video changing change die and hip hop police just pull up.

1164
00:57:24,240 --> 00:57:27,000
Speaker 1: Oh your heir's clean king ping thing thing thing. We're

1165
00:57:27,000 --> 00:57:30,160
Speaker 1: looking around the guns dropping and my dumbass throwing weed.

1166
00:57:31,520 --> 00:57:36,040
Speaker 1: Never I'm looking like I'm throwing weed. I'm shaking it

1167
00:57:36,080 --> 00:57:41,480
Speaker 1: I'm just like for instead, like that was crazy. That

1168
00:57:41,720 --> 00:57:45,439
Speaker 1: was New York. Holy, I said, what a video about?

1169
00:57:45,440 --> 00:57:48,000
Speaker 1: It's like Brooklyn. I was like, alright, cool, and I can't.

1170
00:57:48,000 --> 00:57:50,320
Speaker 1: I said, this is where my cousins. Never trust a

1171
00:57:50,400 --> 00:57:53,800
Speaker 1: camera man, never shooting, never, never trust the right. And

1172
00:57:53,840 --> 00:57:56,360
Speaker 1: they shut the video down, shut the video down. Yeah,

1173
00:57:57,160 --> 00:58:01,040
Speaker 1: so many up, so many killers in there. It's crazy

1174
00:58:01,720 --> 00:58:04,400
Speaker 1: these somewhere else because we're just like, you know, we're like, yo,

1175
00:58:04,520 --> 00:58:06,479
Speaker 1: Change just died, Like we're gonna do a tribute video,

1176
00:58:06,600 --> 00:58:09,600
Speaker 1: like invite everybody that you know us to you know,

1177
00:58:09,920 --> 00:58:12,880
Speaker 1: Change and this and a hm. So you know, we

1178
00:58:12,960 --> 00:58:15,400
Speaker 1: we just started shooting them on shot. The jowels came,

1179
00:58:15,560 --> 00:58:18,440
Speaker 1: you know, I mean a lot of people came. Rules,

1180
00:58:18,600 --> 00:58:22,800
Speaker 1: Ja rules everybody. Yeah. So it's like it was one

1181
00:58:22,840 --> 00:58:25,280
Speaker 1: way any one way out. Yeah. I don't even think

1182
00:58:25,280 --> 00:58:29,959
Speaker 1: it was a way out. Yeah, my first to be away.

1183
00:58:30,440 --> 00:58:37,560
Speaker 1: Somebody turn around, like everyone dies. If someone comes to spaces,

1184
00:58:37,680 --> 00:58:40,800
Speaker 1: just we gotta shoot the way out. There's own God.

1185
00:58:41,160 --> 00:58:45,040
Speaker 1: If police didn't come, somebody got shot. But I ain't

1186
00:58:45,040 --> 00:58:48,080
Speaker 1: gonna lie. It was good energy. It really was good energy.

1187
00:58:48,280 --> 00:58:50,200
Speaker 1: It was it was really the police that suck that

1188
00:58:50,280 --> 00:58:51,840
Speaker 1: one up, and I'm gonna tell you who I thought

1189
00:58:51,880 --> 00:58:53,680
Speaker 1: it was. It was a lady in the window, and

1190
00:58:53,720 --> 00:58:58,560
Speaker 1: I've seen someone put something under the car tire and

1191
00:58:58,640 --> 00:59:02,280
Speaker 1: I think the ladies seen that just assumed she was correct.

1192
00:59:05,400 --> 00:59:10,600
Speaker 1: Fund forty guns in that. That was so New York.

1193
00:59:14,600 --> 00:59:17,800
Speaker 1: How can when you have a hit record and you outlet,

1194
00:59:18,840 --> 00:59:23,200
Speaker 1: they'll still be like, well, New York can't out there, man,

1195
00:59:23,320 --> 00:59:26,400
Speaker 1: because New York never showed love to New York. Damn,

1196
00:59:26,440 --> 00:59:29,280
Speaker 1: I hate that that statement. It's so true. Yeah, New

1197
00:59:29,360 --> 00:59:31,520
Speaker 1: York never never showed love. I think we're getting over

1198
00:59:31,640 --> 00:59:34,640
Speaker 1: it now. It's better now, Yeah, definitely. I mean we're

1199
00:59:34,640 --> 00:59:37,280
Speaker 1: definitely in the better space. But I think it's from

1200
00:59:37,320 --> 00:59:40,680
Speaker 1: back then. Yeah. It also goes for new artists too.

1201
00:59:40,720 --> 00:59:42,080
Speaker 1: It's like, you know what I mean, like you have

1202
00:59:42,240 --> 00:59:44,520
Speaker 1: to prove yourself, like you know, have to be like

1203
00:59:44,680 --> 00:59:48,160
Speaker 1: at least five ten years in the game for me

1204
00:59:48,240 --> 00:59:51,360
Speaker 1: to really be like, yo, you gotta spend this bro,

1205
00:59:51,520 --> 00:59:53,560
Speaker 1: like that's what I do for a living, you know

1206
00:59:53,560 --> 00:59:54,920
Speaker 1: what I mean, Like you gotta get a cross, like

1207
00:59:54,920 --> 00:59:56,760
Speaker 1: a certain barrier for you to just you know what

1208
00:59:56,760 --> 00:59:58,640
Speaker 1: I'm saying, to get that respect from New York, which

1209
00:59:58,720 --> 01:00:01,120
Speaker 1: is like you know, like when I came from Africa,

1210
01:00:01,240 --> 01:00:04,040
Speaker 1: like it was, it felt like the mecca of hip hop.

1211
01:00:04,200 --> 01:00:06,880
Speaker 1: Like it was just like you know, Chicago, I'm saying,

1212
01:00:06,920 --> 01:00:09,400
Speaker 1: Chicago Bowls and ninety like you know ninety five when

1213
01:00:09,480 --> 01:00:11,160
Speaker 1: John was playing cool. You know. I mean because like

1214
01:00:11,200 --> 01:00:12,959
Speaker 1: you know, you look down the street, you got big punty.

1215
01:00:13,000 --> 01:00:15,440
Speaker 1: You look down the street. You got you know, you

1216
01:00:15,920 --> 01:00:18,280
Speaker 1: gotta slick rick up the block. You got you know

1217
01:00:18,880 --> 01:00:23,280
Speaker 1: careresswan you go, you know mc sham like the whole history.

1218
01:00:23,360 --> 01:00:25,640
Speaker 1: So you kind of respect where they come from with that,

1219
01:00:26,240 --> 01:00:27,560
Speaker 1: you know what I'm saying, Like they're gonna be hard

1220
01:00:27,600 --> 01:00:29,920
Speaker 1: on you. I mean, unless you go up there and

1221
01:00:30,040 --> 01:00:32,880
Speaker 1: flex tent freestyle. You can make a hit record, You

1222
01:00:32,960 --> 01:00:35,400
Speaker 1: can make a feature record. Your performance, Like the way

1223
01:00:35,440 --> 01:00:39,240
Speaker 1: they look at it is different than any other city, state, country,

1224
01:00:39,320 --> 01:00:41,720
Speaker 1: look at it. You gotta be all around. You gotta

1225
01:00:41,760 --> 01:00:44,720
Speaker 1: be like Oscar Robinson, like no floors and like and

1226
01:00:44,840 --> 01:00:49,800
Speaker 1: and and you're joining like you gotta triple double, you know, Atlanta,

1227
01:00:50,960 --> 01:00:54,840
Speaker 1: Miami CALLI you know, so I feel like you make

1228
01:00:54,880 --> 01:00:57,040
Speaker 1: one hit record. You know what I'm saying, Like you

1229
01:00:57,160 --> 01:00:58,680
Speaker 1: out of here, you know what I'm saying. If you

1230
01:00:58,760 --> 01:01:01,840
Speaker 1: come out well multi him recause, then you know you're

1231
01:01:01,880 --> 01:01:04,360
Speaker 1: the start at that city. But New York, you're not

1232
01:01:04,440 --> 01:01:06,560
Speaker 1: just gonna You're not just gonna be able to make

1233
01:01:06,600 --> 01:01:08,680
Speaker 1: a record and get out of New York like He's not.

1234
01:01:09,280 --> 01:01:11,440
Speaker 1: Don't work like that, man, It's it's it's it's too

1235
01:01:11,520 --> 01:01:14,640
Speaker 1: much going on. And yeah, you can't know what I'm saying,

1236
01:01:14,680 --> 01:01:17,919
Speaker 1: so they're hard on you, but you know they made

1237
01:01:19,280 --> 01:01:21,360
Speaker 1: some of the biggest artists that ever came out. What

1238
01:01:21,400 --> 01:01:27,520
Speaker 1: I'm saying from you TONI to go, yeah, yeah. We

1239
01:01:27,640 --> 01:01:29,520
Speaker 1: recently was talking about Young Dolf earlier and you know

1240
01:01:29,600 --> 01:01:32,160
Speaker 1: what happened to Young rest in peace. But one of

1241
01:01:32,200 --> 01:01:36,200
Speaker 1: the statements that I actually it's crazy that you you

1242
01:01:36,320 --> 01:01:39,480
Speaker 1: say that is the day that we interview Young dolphs

1243
01:01:39,520 --> 01:01:42,320
Speaker 1: the day to Chinks died. That's the reason why I

1244
01:01:42,400 --> 01:01:44,960
Speaker 1: brung up Chinks. I don't know if you've seen the

1245
01:01:45,040 --> 01:01:46,960
Speaker 1: vibe of video of me telling Young Dolph that I

1246
01:01:47,120 --> 01:01:50,240
Speaker 1: was telling them and he literally says to me it

1247
01:01:50,360 --> 01:01:52,440
Speaker 1: had nothing to do with him. He goes, I go like, yo,

1248
01:01:52,520 --> 01:01:54,960
Speaker 1: you know, just be careful. You know people are dying

1249
01:01:55,040 --> 01:01:57,720
Speaker 1: in the city, and he goes, you ain't got nothing

1250
01:01:57,720 --> 01:01:59,800
Speaker 1: to do with me. And I was just like, damn,

1251
01:02:00,080 --> 01:02:01,600
Speaker 1: you know, because it hurt me when he said that,

1252
01:02:01,760 --> 01:02:03,720
Speaker 1: because I know that these cameras is around, and I

1253
01:02:03,800 --> 01:02:05,560
Speaker 1: wanted to give a little bit more O T advice,

1254
01:02:05,960 --> 01:02:08,800
Speaker 1: But I also wanted to, like, you know, like him

1255
01:02:08,840 --> 01:02:11,040
Speaker 1: to live his truth. But do you believe that? Like

1256
01:02:11,560 --> 01:02:14,000
Speaker 1: I mean, I want to city everyone from there, Sit

1257
01:02:15,200 --> 01:02:17,880
Speaker 1: Kyle with me, my God with me. I remember I

1258
01:02:18,080 --> 01:02:21,960
Speaker 1: was telling him Pop Smoke the same thing. Well, I

1259
01:02:22,040 --> 01:02:25,040
Speaker 1: kept preaching to him in the studio to Kyle. You know,

1260
01:02:25,160 --> 01:02:28,360
Speaker 1: Kyle was blasted. He was just like, yo, Bro, stopped

1261
01:02:28,360 --> 01:02:30,200
Speaker 1: preaching to him. These geniors don't care. I'm like, yo, bro,

1262
01:02:30,320 --> 01:02:32,200
Speaker 1: Now I gotta tell him he ain't here. He don't

1263
01:02:32,240 --> 01:02:33,720
Speaker 1: know how big he is. He ain't got no security

1264
01:02:33,760 --> 01:02:36,959
Speaker 1: with him. And Pop Smoke is a little different because

1265
01:02:36,960 --> 01:02:39,680
Speaker 1: Pop Smoke might listen to your advice. Yeah, I'm saying

1266
01:02:39,800 --> 01:02:41,760
Speaker 1: this should happened in l A. That's That's what I'm saying,

1267
01:02:41,800 --> 01:02:44,640
Speaker 1: pop smoking. Pop Smoker ain't have no no security with him.

1268
01:02:45,360 --> 01:02:46,880
Speaker 1: So I'm not, yo bro, how you out here? He

1269
01:02:46,960 --> 01:02:49,080
Speaker 1: had his brother with him, his brother just like yo bro,

1270
01:02:49,240 --> 01:02:51,120
Speaker 1: like you can't be out here like that, Like like

1271
01:02:51,360 --> 01:02:53,240
Speaker 1: he was just happened to change, so give him, give

1272
01:02:53,320 --> 01:02:56,040
Speaker 1: him the whole rundown. He was like, no, I feel

1273
01:02:56,080 --> 01:03:00,680
Speaker 1: you old, you know, so I stopped preaching. So so

1274
01:03:00,760 --> 01:03:02,360
Speaker 1: when that happened, I'm like, you see, like you know

1275
01:03:02,360 --> 01:03:04,840
Speaker 1: what I mean, Like why you gotta keep like putting

1276
01:03:04,960 --> 01:03:07,160
Speaker 1: this like in these kids head? So you just have

1277
01:03:07,360 --> 01:03:09,040
Speaker 1: like I said, is that is that little space man

1278
01:03:09,120 --> 01:03:11,080
Speaker 1: before you become when you're gonna become. What I'm saying,

1279
01:03:11,120 --> 01:03:13,760
Speaker 1: it's like everybody, everybody get caught up in that in

1280
01:03:13,800 --> 01:03:16,840
Speaker 1: that in in that tornado sometimes. But that's how I

1281
01:03:16,880 --> 01:03:19,360
Speaker 1: feel about the city though. That's when I'm asking, Yeah,

1282
01:03:19,440 --> 01:03:22,560
Speaker 1: any city you from, I feel like, you know, it

1283
01:03:22,680 --> 01:03:25,400
Speaker 1: always comes, you know what I mean, it always comes.

1284
01:03:25,440 --> 01:03:27,280
Speaker 1: Like me, It's just it's just drama, man, It's just

1285
01:03:27,440 --> 01:03:29,280
Speaker 1: drama that you prefer to live out of the city.

1286
01:03:29,840 --> 01:03:32,200
Speaker 1: You prefer to live out of the city. No, I mean,

1287
01:03:32,240 --> 01:03:33,880
Speaker 1: I still I still got a spot in New York,

1288
01:03:34,520 --> 01:03:36,040
Speaker 1: you know what I'm saying. But I just that's just

1289
01:03:36,160 --> 01:03:37,920
Speaker 1: how That's just how I look at beef and that

1290
01:03:38,080 --> 01:03:41,320
Speaker 1: overall and drama and this and that. I feel like

1291
01:03:42,360 --> 01:03:47,280
Speaker 1: having beef is like being a handicapped break that down. No,

1292
01:03:47,440 --> 01:03:50,600
Speaker 1: you handicap. You can't make no moves, you can't handle

1293
01:03:50,640 --> 01:03:52,640
Speaker 1: your business, you can't do nothing that I feel like,

1294
01:03:52,720 --> 01:03:54,960
Speaker 1: you know you just you know you handicap when you

1295
01:03:55,040 --> 01:03:56,880
Speaker 1: just beat from everybody. Just you know what I'm saying,

1296
01:03:56,880 --> 01:03:59,160
Speaker 1: When you got drama where we come from, when we

1297
01:03:59,240 --> 01:04:00,440
Speaker 1: come from, it's just like, you know, I got to

1298
01:04:00,480 --> 01:04:02,720
Speaker 1: dudes doing seventy five years, I got, you know, saying

1299
01:04:02,760 --> 01:04:05,120
Speaker 1: Penthouse to be about to come home. He's doing I

1300
01:04:05,160 --> 01:04:07,640
Speaker 1: mean twenty years, fifteen years, something like that. You know,

1301
01:04:07,720 --> 01:04:09,800
Speaker 1: it's just it's just, you know, it's real situations and

1302
01:04:09,920 --> 01:04:13,360
Speaker 1: real like things outside of social media that you gotta

1303
01:04:13,400 --> 01:04:15,439
Speaker 1: there with a different world, you know what I'm saying.

1304
01:04:15,480 --> 01:04:18,800
Speaker 1: So any type of drama is just never made sense

1305
01:04:18,840 --> 01:04:20,960
Speaker 1: in this we're going, yeah, from going to places from

1306
01:04:21,040 --> 01:04:23,200
Speaker 1: you know, so being a handicapped is a perfect way

1307
01:04:23,560 --> 01:04:26,440
Speaker 1: to explain it. Why would you not be able to move? Honestly,

1308
01:04:26,520 --> 01:04:29,840
Speaker 1: that drama was always like being for people that's coming up. Yeah,

1309
01:04:30,120 --> 01:04:31,280
Speaker 1: like you know what I'm saying, Like, you know, we

1310
01:04:31,400 --> 01:04:32,880
Speaker 1: made l A l A. I've never been to l

1311
01:04:32,880 --> 01:04:34,920
Speaker 1: A l A l A. I was just trying to

1312
01:04:35,240 --> 01:04:37,040
Speaker 1: get out the fucking Yeah, you know what I'm saying,

1313
01:04:37,080 --> 01:04:39,200
Speaker 1: But when it comes is my favorite place to go.

1314
01:04:39,520 --> 01:04:41,919
Speaker 1: You know what I'm saying, But dramas for people that's

1315
01:04:41,920 --> 01:04:44,440
Speaker 1: coming up. You're getting a lot of money, You really

1316
01:04:44,480 --> 01:04:46,800
Speaker 1: getting money. You don't give a funk about defense, And

1317
01:04:46,880 --> 01:04:49,760
Speaker 1: that's that's the furthest thing you're thinking about it. Yeah, definitely.

1318
01:04:50,880 --> 01:04:55,400
Speaker 1: So what's your favorite part of the game getting the

1319
01:04:55,440 --> 01:05:03,880
Speaker 1: record or performing the record? Um? My favorite part probably

1320
01:05:03,960 --> 01:05:09,040
Speaker 1: making the record? Making it? Yeah, like describe that making

1321
01:05:09,120 --> 01:05:12,720
Speaker 1: it like, um, like knowing is like no one that

1322
01:05:12,840 --> 01:05:15,800
Speaker 1: hits it hit before before you put it out and

1323
01:05:15,920 --> 01:05:18,280
Speaker 1: be and bend your last dollar on it. What I'm saying,

1324
01:05:18,480 --> 01:05:22,120
Speaker 1: it's like there's there's there's certain stages you go through

1325
01:05:22,160 --> 01:05:25,560
Speaker 1: that's performing the record is like all you gotta do

1326
01:05:25,680 --> 01:05:27,280
Speaker 1: is get a record, play a couple of times. You

1327
01:05:27,320 --> 01:05:29,240
Speaker 1: know what I'm saying, people will hear it, and you know,

1328
01:05:29,440 --> 01:05:31,680
Speaker 1: people are gonna recite whatever they're here on radio a

1329
01:05:31,720 --> 01:05:33,760
Speaker 1: lot of times. There's a lot of records that you

1330
01:05:33,840 --> 01:05:35,640
Speaker 1: don't like that if you hear enough time on radio.

1331
01:05:35,800 --> 01:05:41,080
Speaker 1: And that's what I'm saying, So like making making making

1332
01:05:41,120 --> 01:05:44,840
Speaker 1: the record is always special because nobody can do what

1333
01:05:44,960 --> 01:05:46,840
Speaker 1: you do you know what I'm saying. When you go

1334
01:05:46,960 --> 01:05:50,080
Speaker 1: in there, you're like, how can I take you know,

1335
01:05:50,920 --> 01:05:53,320
Speaker 1: this and this and this and slap them together and

1336
01:05:53,480 --> 01:05:54,840
Speaker 1: just like come up with this hit, you know what

1337
01:05:54,840 --> 01:05:58,680
Speaker 1: I'm saying. So just like so when you do that

1338
01:05:58,840 --> 01:06:00,880
Speaker 1: and you and you and you get that, hits a

1339
01:06:00,920 --> 01:06:04,320
Speaker 1: certain feeling that you know that no other you know

1340
01:06:04,360 --> 01:06:06,360
Speaker 1: what I'm saying, money can't even give you because now

1341
01:06:06,440 --> 01:06:10,120
Speaker 1: it's like you're tapping into drinking the water. You know

1342
01:06:10,120 --> 01:06:11,600
Speaker 1: what I'm saying. It said somebody giving you the water

1343
01:06:11,680 --> 01:06:13,360
Speaker 1: that you just just you know me if you found

1344
01:06:13,400 --> 01:06:17,520
Speaker 1: a river, definitely making a song for sure, which one

1345
01:06:17,600 --> 01:06:23,080
Speaker 1: is your favorite? Oh I'm I'm, I'm I'm upping up. Yeah,

1346
01:06:23,360 --> 01:06:24,920
Speaker 1: well right now I ain't making a record, so right

1347
01:06:25,280 --> 01:06:32,560
Speaker 1: maybe is talking. But okay, So one thing that we

1348
01:06:32,680 --> 01:06:35,920
Speaker 1: noticed about this album. We look at all the other albums,

1349
01:06:35,960 --> 01:06:38,720
Speaker 1: all the other mixtapes, there's one guy that's on there

1350
01:06:38,880 --> 01:06:43,720
Speaker 1: all the time. We also do our due diligence to

1351
01:06:43,760 --> 01:06:46,760
Speaker 1: do the research. The rumor says the guy doesn't want

1352
01:06:46,760 --> 01:06:52,160
Speaker 1: to be out there now because of the Travis Scott situation,

1353
01:06:52,400 --> 01:06:55,000
Speaker 1: what happened with Astra World. I say that to say

1354
01:06:56,520 --> 01:06:58,360
Speaker 1: if that's the excuses, I don't know. This is you

1355
01:06:58,400 --> 01:07:00,200
Speaker 1: all here say, I don't know. I mean, you ain't

1356
01:07:00,200 --> 01:07:02,680
Speaker 1: have no side conversation. But I said it to say,

1357
01:07:02,800 --> 01:07:05,200
Speaker 1: does it feel kind of funny because you see him

1358
01:07:05,200 --> 01:07:10,560
Speaker 1: out of the future party? You see him in Let's

1359
01:07:10,560 --> 01:07:14,680
Speaker 1: see what club with two Chains? I love this club?

1360
01:07:14,720 --> 01:07:18,040
Speaker 1: How do I don't know? The wings are phenomenal. Well

1361
01:07:18,120 --> 01:07:22,800
Speaker 1: in Atlanta, the wings are phenomenal. I'm that serious to

1362
01:07:22,920 --> 01:07:27,480
Speaker 1: the wings are actually good. Um, what's the ship? No?

1363
01:07:27,640 --> 01:07:32,640
Speaker 1: Not Magic City? Yeah? Honess? Is it only here? Honest? Yeah?

1364
01:07:32,760 --> 01:07:36,160
Speaker 1: So we see him, we see we see Drake as

1365
01:07:36,240 --> 01:07:39,880
Speaker 1: we're talking about obviously, we see Drake out with two chains. Uh,

1366
01:07:40,080 --> 01:07:43,640
Speaker 1: we see him have a party with Dave Chappelle. The

1367
01:07:43,760 --> 01:07:45,960
Speaker 1: statement that they're saying is that he didn't want to

1368
01:07:46,040 --> 01:07:50,040
Speaker 1: be on the album because of what's going on? Um

1369
01:07:50,720 --> 01:07:54,160
Speaker 1: is that true? Or yeah? Yeah, that's I mean, that's

1370
01:07:54,480 --> 01:07:56,680
Speaker 1: that's very true. I mean. And at the end of

1371
01:07:56,720 --> 01:07:59,080
Speaker 1: the day, me and Drake, you know, I was like

1372
01:07:59,160 --> 01:08:01,840
Speaker 1: my brother brother, what I'm saying. So, so it's just

1373
01:08:02,840 --> 01:08:05,880
Speaker 1: it's just it's unfortunate man that that happened, you know

1374
01:08:05,880 --> 01:08:08,280
Speaker 1: what I'm saying. And and and the guy gotta live

1375
01:08:08,400 --> 01:08:09,880
Speaker 1: his life, you know what I'm saying, like like go

1376
01:08:10,040 --> 01:08:12,800
Speaker 1: out this and that. But and honestly, the record wasn't

1377
01:08:12,840 --> 01:08:15,640
Speaker 1: even fully done yet. Oh wow. Yeah, the record wasn't

1378
01:08:15,680 --> 01:08:17,160
Speaker 1: fully done and we still we still had to change

1379
01:08:17,160 --> 01:08:18,920
Speaker 1: a couple of things in the record, and he was

1380
01:08:19,000 --> 01:08:21,080
Speaker 1: telling me to push the album back. And what I'm saying,

1381
01:08:21,160 --> 01:08:23,559
Speaker 1: so I have the record, but I had the album done.

1382
01:08:23,560 --> 01:08:25,920
Speaker 1: It was like twenty other tracks on there because I

1383
01:08:26,000 --> 01:08:30,120
Speaker 1: think it. Yeah, so you know, I was just like,

1384
01:08:30,160 --> 01:08:33,320
Speaker 1: I'm gonna drop the album. Then you know, I'm gonna

1385
01:08:33,320 --> 01:08:36,120
Speaker 1: wait until you ready, we just drop another album, would

1386
01:08:36,160 --> 01:08:38,000
Speaker 1: just drop the song. I didn't look at it like,

1387
01:08:38,560 --> 01:08:40,760
Speaker 1: I didn't take it like oh, it was like, I'm

1388
01:08:40,760 --> 01:08:42,120
Speaker 1: not going to have the song, Like I still have

1389
01:08:42,200 --> 01:08:45,360
Speaker 1: the song. You know the internet the internet, it's like yeah,

1390
01:08:45,479 --> 01:08:47,840
Speaker 1: because they didn't. It made it seem as if it

1391
01:08:48,000 --> 01:08:51,000
Speaker 1: was on iTunes. It was for sound No, it was no,

1392
01:08:51,280 --> 01:08:53,200
Speaker 1: it was it was gonna because he was gonna make

1393
01:08:53,760 --> 01:08:56,240
Speaker 1: the track listing was yeah, because he was he was

1394
01:08:56,320 --> 01:08:59,080
Speaker 1: going to make the change. And that thing just happened.

1395
01:08:59,120 --> 01:09:01,439
Speaker 1: So the guy's lines right state of mind, and then

1396
01:09:01,479 --> 01:09:04,439
Speaker 1: people like nine people died like nine year old and yeah,

1397
01:09:04,520 --> 01:09:07,160
Speaker 1: God blessed man sending love to all their families. Like

1398
01:09:07,479 --> 01:09:08,960
Speaker 1: I don't expect him to get in the studio and

1399
01:09:09,040 --> 01:09:10,920
Speaker 1: fix the record, Like that would be selfish in me.

1400
01:09:11,400 --> 01:09:12,920
Speaker 1: You know what I'm saying. That's my brother. He always

1401
01:09:12,920 --> 01:09:14,479
Speaker 1: come through for me that I know, but love for him.

1402
01:09:14,560 --> 01:09:16,280
Speaker 1: That's gonna drop the album and we're gonna drop the

1403
01:09:16,320 --> 01:09:17,800
Speaker 1: record top of the air. And then we got, you know,

1404
01:09:18,320 --> 01:09:20,200
Speaker 1: two looks instead of one when you said drop the album,

1405
01:09:20,280 --> 01:09:22,599
Speaker 1: dropped your album, I mean, we just drop the album here, yeah, yeah,

1406
01:09:22,840 --> 01:09:25,439
Speaker 1: and drop dropping. So no one never heard this record.

1407
01:09:25,479 --> 01:09:28,280
Speaker 1: It wasn't like someone downloaded the record. Nobody heard him

1408
01:09:28,320 --> 01:09:30,080
Speaker 1: had to come and take their shift back from him. Right,

1409
01:09:30,320 --> 01:09:33,600
Speaker 1: that'd be ill, right what you could do that nobody

1410
01:09:33,720 --> 01:09:36,439
Speaker 1: heard the record? You know what? I like what Adele did.

1411
01:09:37,360 --> 01:09:39,760
Speaker 1: Adele forced you to listen to an album the way

1412
01:09:39,800 --> 01:09:41,800
Speaker 1: it is. That was one thing that I had to

1413
01:09:41,880 --> 01:09:45,760
Speaker 1: do when I downloaded your album and Automathlete gave me

1414
01:09:45,880 --> 01:09:49,360
Speaker 1: the shuffle bite, meaning it started from record seven. So

1415
01:09:49,439 --> 01:09:52,160
Speaker 1: I had to literally go back and listen to it

1416
01:09:52,280 --> 01:09:54,639
Speaker 1: from a streaming where because I wanted you to listen.

1417
01:09:55,320 --> 01:09:58,240
Speaker 1: I wanted to listen to as an artist, I'm always

1418
01:09:58,280 --> 01:10:00,880
Speaker 1: I'm always gonna be an artist side. So what's crazy,

1419
01:10:00,920 --> 01:10:03,160
Speaker 1: ship is I'm sitting around listening to your album doing

1420
01:10:03,200 --> 01:10:05,920
Speaker 1: my studies. But I'm saying, wait a minute, that's not

1421
01:10:05,960 --> 01:10:08,160
Speaker 1: how French want me to listen to this album because

1422
01:10:08,200 --> 01:10:12,240
Speaker 1: it started from business or started from and I'm like this,

1423
01:10:12,439 --> 01:10:14,800
Speaker 1: let me go to I c U because and then

1424
01:10:15,360 --> 01:10:17,800
Speaker 1: did you understand what like like I feel like that

1425
01:10:17,920 --> 01:10:20,760
Speaker 1: should be a standoud for like you know, like you

1426
01:10:20,800 --> 01:10:23,600
Speaker 1: don't you're don't trying to say eight all right? You know,

1427
01:10:23,760 --> 01:10:26,760
Speaker 1: when you download the album, they'll give you like an

1428
01:10:26,920 --> 01:10:30,320
Speaker 1: option to just press shuffle, so so it starts from

1429
01:10:30,400 --> 01:10:33,679
Speaker 1: anywhere it's going. But if I made a piece of material,

1430
01:10:33,680 --> 01:10:36,559
Speaker 1: if you right around made the hair straight, so adele

1431
01:10:37,360 --> 01:10:40,679
Speaker 1: seen that seen the Spotify gave people the shuffle buttons

1432
01:10:40,760 --> 01:10:44,240
Speaker 1: or theyll said they listen. I don't want anybody to

1433
01:10:44,320 --> 01:10:47,040
Speaker 1: listen to my album unless it's plays the way I

1434
01:10:47,240 --> 01:10:50,479
Speaker 1: made it. And I think she changed the way of

1435
01:10:50,600 --> 01:10:53,960
Speaker 1: music music should be should be heard, like you know

1436
01:10:53,960 --> 01:10:55,240
Speaker 1: what I'm saying, like you know what I'm saying like

1437
01:10:55,280 --> 01:10:59,000
Speaker 1: that definitely yeah, so yeah, that's yeah, Yeah, that's that's

1438
01:10:59,000 --> 01:11:02,920
Speaker 1: super hard. Okay, so up, So let's let's get into

1439
01:11:03,040 --> 01:11:07,519
Speaker 1: this litten do do? Should we do quick time and

1440
01:11:07,560 --> 01:11:09,920
Speaker 1: slim and have somebody drink for him one of your

1441
01:11:09,960 --> 01:11:17,640
Speaker 1: one of your cars, someone you got your chair. He

1442
01:11:17,840 --> 01:11:22,160
Speaker 1: was ready. He was drinking from you're you're drinking water today,

1443
01:11:24,040 --> 01:11:26,479
Speaker 1: you're drinking is You're gonna drink for me? Because I listen,

1444
01:11:26,640 --> 01:11:29,600
Speaker 1: I'm aspired by you. So I want to. I want to.

1445
01:11:29,880 --> 01:11:31,400
Speaker 1: I was like, yo, That's why I was. I was

1446
01:11:31,520 --> 01:11:34,120
Speaker 1: very happy. I was like, so I'm gonna be how much?

1447
01:11:34,120 --> 01:11:36,880
Speaker 1: Just smoke weed? That's all? Okay? So you gave me

1448
01:11:36,960 --> 01:11:41,559
Speaker 1: a quick time I slign all right, cool, come on sunny, Yeah,

1449
01:11:41,600 --> 01:11:44,120
Speaker 1: it's just shots and yeah, you're gonna take for me

1450
01:11:44,240 --> 01:11:45,600
Speaker 1: and f is gonna take for us. You got a

1451
01:11:45,640 --> 01:11:48,400
Speaker 1: new patch of marijuana, little mamhjuana. I ain't gonna lie

1452
01:11:48,400 --> 01:11:55,040
Speaker 1: that one. Look dangerous. That's my majuanamin majuana, homemade, homemade,

1453
01:11:55,320 --> 01:11:58,840
Speaker 1: homemade bru Okay, what you want, what you want? You

1454
01:11:58,880 --> 01:12:04,679
Speaker 1: want brown, look at damn. Diego was right. Diego was right. Diego.

1455
01:12:05,000 --> 01:12:07,200
Speaker 1: We got to killer though, and pumping hit me about

1456
01:12:07,400 --> 01:12:10,320
Speaker 1: pushing that black liquor man, that is a black man

1457
01:12:10,439 --> 01:12:14,519
Speaker 1: on liquor. Excuse me, black man on the killer. Make

1458
01:12:14,560 --> 01:12:19,280
Speaker 1: sure you get this footage. So did he sees this? Please? Okay,

1459
01:12:19,479 --> 01:12:22,160
Speaker 1: it's alright, cool, I've seen this yesterday. I feel like

1460
01:12:22,240 --> 01:12:25,720
Speaker 1: he's gonna answer this one pretty easy. What's your name?

1461
01:12:27,320 --> 01:12:29,120
Speaker 1: That's pretty simple. I got a son named the car

1462
01:12:31,120 --> 01:12:36,400
Speaker 1: and one of my best friends was killer. It should

1463
01:12:36,439 --> 01:12:39,519
Speaker 1: be easy. But I'm asking you the question. You're gonna

1464
01:12:39,600 --> 01:12:43,800
Speaker 1: drink for the first one. I feel like you're gonna

1465
01:12:43,840 --> 01:12:48,679
Speaker 1: answer this pretty easy. First two ones, pretty easy? Max

1466
01:12:48,760 --> 01:12:52,639
Speaker 1: b or Rick Ross, Okay, let me explaining the rules.

1467
01:12:53,960 --> 01:12:57,120
Speaker 1: Totally forgot so sorry, so sorry. The rules of the

1468
01:12:57,160 --> 01:12:59,840
Speaker 1: games is this. You gonna pick one or the other,

1469
01:13:00,800 --> 01:13:03,840
Speaker 1: that's cool. But if you pick both, or if you

1470
01:13:03,920 --> 01:13:07,200
Speaker 1: pick neither, did he drinks? So you say both like

1471
01:13:07,280 --> 01:13:10,920
Speaker 1: you know both of you your homies ply heat drinks.

1472
01:13:11,360 --> 01:13:13,800
Speaker 1: So every time you correct drinks. But if you pick

1473
01:13:13,840 --> 01:13:15,600
Speaker 1: one of the other, that's okay, it's no problem. That

1474
01:13:15,760 --> 01:13:19,400
Speaker 1: means no one drinks. Okay, So Max b or Rick Ross, vot,

1475
01:13:20,479 --> 01:13:23,800
Speaker 1: damn it? We all drinking? We all drinking with you? Yeah,

1476
01:13:25,640 --> 01:13:31,000
Speaker 1: let's go. That was that was Fraser's money. See I'm

1477
01:13:31,080 --> 01:13:33,040
Speaker 1: learning from friends. You can keep his friends drunk and

1478
01:13:33,080 --> 01:13:35,439
Speaker 1: still stay so I like it. I'm gonna learning this ship.

1479
01:13:35,439 --> 01:13:39,040
Speaker 1: I'm gonna learning this ship. Okay, drink a little way.

1480
01:13:41,040 --> 01:13:47,960
Speaker 1: Both preak that maybe I should have gone something with

1481
01:13:48,040 --> 01:13:51,599
Speaker 1: you today. I'll give you a day. One day, I'll

1482
01:13:51,640 --> 01:13:54,599
Speaker 1: do it. I'll let you do. You do it. Okay,

1483
01:13:55,600 --> 01:13:58,040
Speaker 1: damn you, you conna be good on this one. I

1484
01:13:58,080 --> 01:14:05,280
Speaker 1: think so pay arrest or ou I should take a

1485
01:14:05,320 --> 01:14:07,240
Speaker 1: shot for betting against that one. I thought you was

1486
01:14:07,280 --> 01:14:14,960
Speaker 1: gonna go care rest for sure. Okay, hit me a

1487
01:14:15,000 --> 01:14:17,160
Speaker 1: little sob curve for this one. I don't know. I

1488
01:14:17,240 --> 01:14:20,320
Speaker 1: didn't know. This is the producers one chance or staff

1489
01:14:20,360 --> 01:14:26,040
Speaker 1: on those go a chance Okay, smack DVD or Forbes DVD.

1490
01:14:27,160 --> 01:14:45,280
Speaker 1: Smack Okay, Dirk a little baby, both coke boys, baby,

1491
01:14:45,560 --> 01:14:50,800
Speaker 1: I don't know why that. Ladies your by the way,

1492
01:14:54,120 --> 01:14:56,679
Speaker 1: let me just tell you something. When frist was drinking,

1493
01:14:56,920 --> 01:14:59,880
Speaker 1: I was scared of Frisch drinking like he's the only dude.

1494
01:15:00,240 --> 01:15:03,600
Speaker 1: Let's by the way, I'm a real drinker. It's a

1495
01:15:03,680 --> 01:15:06,760
Speaker 1: lot more, bro, It's a lot. This is what we

1496
01:15:06,800 --> 01:15:09,479
Speaker 1: can do. Lighter shots, lighter shots. You gotta like you

1497
01:15:09,520 --> 01:15:13,120
Speaker 1: gotta go like you can do it when fresh, drinking

1498
01:15:13,160 --> 01:15:15,840
Speaker 1: fresh was dangerous. That's the only dude I was scared of.

1499
01:15:16,000 --> 01:15:22,120
Speaker 1: Like Fat Joe's birthday party. I was nervous. Oh yeah,

1500
01:15:22,120 --> 01:15:29,200
Speaker 1: that's hard. Okay, m O p or mom d d Okay, sure,

1501
01:15:31,720 --> 01:15:40,800
Speaker 1: DJ Collet or DJ Drama both all right, bokego by,

1502
01:15:41,760 --> 01:15:47,040
Speaker 1: trust me little like. But it's the best to killer

1503
01:15:47,120 --> 01:15:49,680
Speaker 1: on the world, on the world. Black man mixes in

1504
01:15:49,720 --> 01:15:52,000
Speaker 1: the depth of the depth of the Black Car of Mexico,

1505
01:15:54,320 --> 01:15:57,280
Speaker 1: in the black part of Mexico, all which there is,

1506
01:15:57,960 --> 01:16:03,240
Speaker 1: which there is? I was making that up. I goes,

1507
01:16:03,880 --> 01:16:07,439
Speaker 1: keep you close. I don't know what you just want

1508
01:16:08,800 --> 01:16:16,479
Speaker 1: Harry fraud or hit maker. Like as far as what

1509
01:16:23,320 --> 01:16:29,639
Speaker 1: I picked both, I think there should be a limit

1510
01:16:29,720 --> 01:16:37,920
Speaker 1: on some people doing both because I wanted to be Okay,

1511
01:16:38,000 --> 01:16:39,320
Speaker 1: this is great, by the way, I might as well

1512
01:16:39,400 --> 01:16:45,280
Speaker 1: just start drinking it, all right, l a, oh Miami man,

1513
01:16:46,840 --> 01:16:50,880
Speaker 1: both come on. I actually like that answer from both.

1514
01:16:53,320 --> 01:16:57,479
Speaker 1: I'm not like I'm doing if you can drink it, God,

1515
01:16:57,840 --> 01:17:01,880
Speaker 1: I would have said both need a pin. He needs

1516
01:17:01,880 --> 01:17:13,040
Speaker 1: a sling pitch some of that guy, Yeah, something to

1517
01:17:13,160 --> 01:17:23,880
Speaker 1: some chime. All right, you want to give him a

1518
01:17:23,920 --> 01:17:37,160
Speaker 1: new call you. I can't believe you that. Okay, okay, okay,

1519
01:17:37,320 --> 01:17:41,120
Speaker 1: let's ain't wrestling, bro, you get to tank all right,

1520
01:17:41,120 --> 01:17:53,000
Speaker 1: first one, m damn, I forgot I got it? I

1521
01:17:53,120 --> 01:18:01,840
Speaker 1: got it? Okay, fuck okay, m God's name, it's nothing

1522
01:18:01,880 --> 01:18:13,200
Speaker 1: your notes what Beth TV or you leases Vera you

1523
01:18:13,680 --> 01:18:22,240
Speaker 1: want to say you're saying TV or Jesse Jes you

1524
01:18:22,320 --> 01:18:28,040
Speaker 1: know I'm a resource froom kid man direct to you.

1525
01:18:28,280 --> 01:18:35,519
Speaker 1: That's what I'm saying against that's his brother sip. All right,

1526
01:18:35,600 --> 01:18:41,040
Speaker 1: close out. You didn't forget it? Would have buets n well, Jesse,

1527
01:18:41,240 --> 01:18:47,719
Speaker 1: Jesse forget forgettable. I've been you set first, Montana directed

1528
01:18:54,080 --> 01:19:03,760
Speaker 1: how it got? That was fine? Okay, kiss or Mace

1529
01:19:06,080 --> 01:19:18,920
Speaker 1: both Welcome, Welcome to the show. Welcome this batches Chris

1530
01:19:19,120 --> 01:19:32,759
Speaker 1: Brown for the weekend. Mm hmm, come on you look

1531
01:19:32,840 --> 01:19:40,880
Speaker 1: at oh Man. Now, I'm not gonna lie. Damn. This

1532
01:19:40,960 --> 01:19:44,800
Speaker 1: is off topic. But every time I heard unforgivable, I

1533
01:19:44,880 --> 01:19:46,599
Speaker 1: want to take a molly. I'm just throwing that out. Dude.

1534
01:19:46,600 --> 01:19:49,439
Speaker 1: That's me, that's me. I'm sorry, I'm sorry, I'm a

1535
01:19:49,479 --> 01:19:56,320
Speaker 1: little you have that's what you're telling. I gave you

1536
01:19:56,400 --> 01:20:00,160
Speaker 1: a love man, I'm not out here, okay, Epic or

1537
01:20:00,200 --> 01:20:04,479
Speaker 1: in the Scope. It can't be both of this, bro,

1538
01:20:05,200 --> 01:20:11,040
Speaker 1: that's Sylvia or Jimmy or just Epic in the Scope.

1539
01:20:11,840 --> 01:20:14,840
Speaker 1: I mean, I mean I went from Endoscope to Epic,

1540
01:20:14,920 --> 01:20:20,120
Speaker 1: so I would say epic who you like, like like

1541
01:20:20,200 --> 01:20:22,720
Speaker 1: the silver wrong more than how was it being an

1542
01:20:22,760 --> 01:20:25,760
Speaker 1: epic and you was that bad way? Um in the Scope? Yeah?

1543
01:20:26,000 --> 01:20:27,400
Speaker 1: That bad way end the Scope when I dropped the

1544
01:20:27,439 --> 01:20:29,840
Speaker 1: first album, and um, I think Puff had left there

1545
01:20:31,040 --> 01:20:35,280
Speaker 1: as you album dropped. Puff left. Yeah. Jimmy Ivan, he

1546
01:20:35,439 --> 01:20:42,479
Speaker 1: just got a hundred thousand million from just point number.

1547
01:20:44,040 --> 01:20:47,599
Speaker 1: Listen with Jimmy Listen. They just gave him Apple gave

1548
01:20:47,680 --> 01:20:54,920
Speaker 1: him the whole company million. Yeah, I mean that's definitely mean.

1549
01:20:54,960 --> 01:20:57,559
Speaker 1: When I when I first signed the End the Scope, Um,

1550
01:20:57,680 --> 01:21:00,160
Speaker 1: I sat down with Jimmy and I sat down with Off.

1551
01:21:00,800 --> 01:21:03,000
Speaker 1: So when when it's upon they both left, it was

1552
01:21:03,080 --> 01:21:05,439
Speaker 1: just like, you know, I gotta go with y'all going,

1553
01:21:05,840 --> 01:21:08,960
Speaker 1: oh they both left. Yeah, they both left, and I

1554
01:21:09,000 --> 01:21:11,120
Speaker 1: went to Epic. But and this cope got a beautiful system,

1555
01:21:11,720 --> 01:21:12,800
Speaker 1: you know what I'm saying. But it just you know,

1556
01:21:13,240 --> 01:21:15,400
Speaker 1: I went to heap it, so you know, I gotta

1557
01:21:15,479 --> 01:21:18,000
Speaker 1: ride with my label definitely, and this is your last

1558
01:21:18,040 --> 01:21:19,680
Speaker 1: time rot in the label because you want your own

1559
01:21:19,760 --> 01:21:22,280
Speaker 1: after this. No, I still have one more whatever, no

1560
01:21:22,720 --> 01:21:26,240
Speaker 1: one moment wherever bad Boy last with bad Boy okay,

1561
01:21:27,040 --> 01:21:30,679
Speaker 1: and then Indie after that, No, then Big bad Time whatever.

1562
01:21:31,840 --> 01:21:35,639
Speaker 1: I mean, he could be drink it cold. Yeah. What's

1563
01:21:35,680 --> 01:21:39,000
Speaker 1: the music in Africa? Apple Beat? I feel like you're

1564
01:21:39,040 --> 01:21:45,240
Speaker 1: gonna do an apple Beat album? Nah, I'm not. I'm forgivable.

1565
01:21:45,360 --> 01:21:49,599
Speaker 1: Was right there, Yeah, right next to Afrobeat the Morocco

1566
01:21:50,720 --> 01:21:55,719
Speaker 1: might be afrobeats fall. Yeah, because they were saying your

1567
01:21:55,760 --> 01:22:01,719
Speaker 1: mind because there was It was saying that the Essence

1568
01:22:01,760 --> 01:22:06,000
Speaker 1: song was the highest charter Afro song, like from Africa,

1569
01:22:06,040 --> 01:22:08,920
Speaker 1: and I'm like, ye, broa on Africa think I'm from

1570
01:22:09,080 --> 01:22:11,840
Speaker 1: Like yeah, I'm like, I'm not. I don't forget about

1571
01:22:12,160 --> 01:22:14,439
Speaker 1: you know what I'm saying, Like you know I'm from Africa.

1572
01:22:14,560 --> 01:22:17,040
Speaker 1: Like that there's Afro Beach Like I just gonna skip

1573
01:22:17,080 --> 01:22:19,800
Speaker 1: and go to Essence. So when you're from Africa, you

1574
01:22:19,880 --> 01:22:23,800
Speaker 1: eat with your hands. To Morocco, North Africa, this is different. Yeah,

1575
01:22:29,200 --> 01:22:31,720
Speaker 1: that's the earliest ship in the world. You see, Michael Black,

1576
01:22:32,120 --> 01:22:33,840
Speaker 1: We're not We're not as heavy with it. We're not

1577
01:22:33,920 --> 01:22:38,200
Speaker 1: as heavy with that, just clean, Michael Black. We're not

1578
01:22:38,280 --> 01:22:40,200
Speaker 1: as heavy as you do. You see how he did

1579
01:22:40,200 --> 01:22:44,519
Speaker 1: with Michael. He's doing it for comedy effects. Man. Listen,

1580
01:22:44,600 --> 01:22:48,560
Speaker 1: he the way. Go to Concept Blanca. You get the

1581
01:22:48,600 --> 01:22:50,639
Speaker 1: food all and certain. You take your bread, you grab

1582
01:22:50,720 --> 01:22:53,080
Speaker 1: your meat. Yeah, you know what I'm saying. Not Michael Blacks'

1583
01:22:53,360 --> 01:22:56,240
Speaker 1: Michael Black clean is a big thing to be able

1584
01:22:56,280 --> 01:23:00,600
Speaker 1: to even eat like that. Yeah, talent, but when you

1585
01:23:00,720 --> 01:23:03,360
Speaker 1: were smoking Rocko hash for it though. Let's just go

1586
01:23:03,479 --> 01:23:10,200
Speaker 1: it out there. I'm sorry, Okay, we got the best

1587
01:23:13,800 --> 01:23:19,479
Speaker 1: meek mal or Wally both? Would you say? All three?

1588
01:23:22,160 --> 01:23:25,160
Speaker 1: Hey did you take your shot from last time? We're

1589
01:23:25,200 --> 01:23:27,320
Speaker 1: watching you? Bro? We know we know he's about to

1590
01:23:27,320 --> 01:23:38,519
Speaker 1: turn into water. Not you rock him? Okane, go rock him?

1591
01:23:39,280 --> 01:23:54,879
Speaker 1: Rock cam Yeah, okay, podcasts or radio both. I'm makings

1592
01:23:56,160 --> 01:24:07,840
Speaker 1: I've been eating anything that's great. Stop mooring to me. Bro, No,

1593
01:24:07,960 --> 01:24:11,599
Speaker 1: it's not it, brother, Keep close, keep your ship going,

1594
01:24:14,320 --> 01:24:16,280
Speaker 1: even drinking like that. You know what happened him during

1595
01:24:16,400 --> 01:24:22,880
Speaker 1: quarantine he stopped drinking. Have you been around you too long? Yeah?

1596
01:24:28,520 --> 01:24:38,960
Speaker 1: Keep it close? Okay, bad boy or MMG, Yeah, I

1597
01:24:38,960 --> 01:24:42,160
Speaker 1: don't show was called drink chips. I don't know if

1598
01:24:42,160 --> 01:24:51,960
Speaker 1: you know. Okay, you gotta take one shot though. I'm good.

1599
01:24:52,040 --> 01:24:54,600
Speaker 1: I'm good. I'm good. I'm staying sober. I'm staying so No,

1600
01:24:55,040 --> 01:24:56,400
Speaker 1: I too a good example, man, that's good to say.

1601
01:24:56,600 --> 01:24:58,360
Speaker 1: I want to follow you, bro, I want to follow you.

1602
01:24:59,400 --> 01:25:01,280
Speaker 1: I'm gonna be a that be the bad example. Yeah,

1603
01:25:02,040 --> 01:25:04,479
Speaker 1: don't get it twisted. I'm coming back to the one camp.

1604
01:25:04,520 --> 01:25:06,920
Speaker 1: He was like, can't you want to drink? This guy's

1605
01:25:06,960 --> 01:25:08,519
Speaker 1: the worst. But I was talking about I didn't know

1606
01:25:08,600 --> 01:25:12,320
Speaker 1: we had issues that he had to be solder. You

1607
01:25:12,439 --> 01:25:15,800
Speaker 1: had to get it off his chest. Okay, if Vera

1608
01:25:16,280 --> 01:25:20,679
Speaker 1: or Jesse Terrera, you're already bad because I just wanted

1609
01:25:20,680 --> 01:25:23,479
Speaker 1: to see he's gonna stick ribe with you, so he

1610
01:25:23,560 --> 01:25:27,559
Speaker 1: didn't he too he picks you. I mean, I don't

1611
01:25:27,560 --> 01:25:28,840
Speaker 1: think he would have picked you. He was here though,

1612
01:25:29,000 --> 01:25:34,160
Speaker 1: being but you know, but we did a lot. I

1613
01:25:34,320 --> 01:25:36,760
Speaker 1: think we did a movie together, videos together, like in

1614
01:25:36,840 --> 01:25:39,920
Speaker 1: that movie. Yeah, I got food. Leg want one thing?

1615
01:25:40,880 --> 01:25:43,839
Speaker 1: One thing you can't do because and send him anything

1616
01:25:43,960 --> 01:25:48,040
Speaker 1: to his phone because he will post it. Yeah, he'll posted.

1617
01:25:48,400 --> 01:25:51,639
Speaker 1: No questions. You have to say early. Do not post

1618
01:25:51,840 --> 01:25:54,679
Speaker 1: by the way a meteor. You send me something I'm

1619
01:25:54,720 --> 01:25:57,920
Speaker 1: expecting that's what you want. I'm saying this. He sipsed

1620
01:25:57,920 --> 01:25:59,920
Speaker 1: me the scene. I'm like, oh, I look good at

1621
01:26:00,040 --> 01:26:03,920
Speaker 1: this ship. He said it to two people. The other

1622
01:26:03,960 --> 01:26:08,200
Speaker 1: person posted, let me tell you how all point he is?

1623
01:26:08,760 --> 01:26:11,400
Speaker 1: He says it to me. I posted immediately I'm looking

1624
01:26:11,439 --> 01:26:13,400
Speaker 1: good at Yeah, you didn't tell if you didn't put

1625
01:26:13,439 --> 01:26:17,560
Speaker 1: a disclaimer, I'm funny in every day. I'm funny and

1626
01:26:17,640 --> 01:26:21,040
Speaker 1: I got a mega. Eleven hours later, he goes, oh, ship,

1627
01:26:21,120 --> 01:26:23,280
Speaker 1: I forgot to tell you not to post it like

1628
01:26:23,400 --> 01:26:30,080
Speaker 1: I got a million news. I've been taking it down now. Okay,

1629
01:26:33,800 --> 01:26:36,960
Speaker 1: who did we pick? You picked eight or Jesse? Okay, okay,

1630
01:26:37,680 --> 01:26:41,000
Speaker 1: because even from the Bronx, right, yeah, Bronx name gonna

1631
01:26:41,000 --> 01:26:44,719
Speaker 1: stick together? She sat like thirty videos together. Okay, Waka

1632
01:26:45,240 --> 01:26:51,120
Speaker 1: or Fatty watch? Both good? I don't make these questions.

1633
01:26:51,479 --> 01:26:56,880
Speaker 1: Let me tell you and I'm going already you pick

1634
01:26:56,920 --> 01:27:00,960
Speaker 1: them both because he was on tour. You want to

1635
01:27:01,000 --> 01:27:05,439
Speaker 1: know the reason, right, I got taped with both of them.

1636
01:27:05,880 --> 01:27:12,360
Speaker 1: That's fine, man, Okay, it should be easy, but it's

1637
01:27:12,439 --> 01:27:21,680
Speaker 1: definitely pause kind of difficult. Tupac or Nipsey I mean

1638
01:27:22,080 --> 01:27:24,760
Speaker 1: I would pick both. Of course I'm not trying to

1639
01:27:24,800 --> 01:27:33,280
Speaker 1: do this. Of course you would the way, because are

1640
01:27:33,280 --> 01:27:35,000
Speaker 1: you gonna light not fun? You got to fight in

1641
01:27:35,040 --> 01:27:40,639
Speaker 1: the hotel anyway? Fish come on, oh my god, okay,

1642
01:27:43,240 --> 01:27:50,679
Speaker 1: Fox a third game. There's both of them taking said

1643
01:27:51,400 --> 01:27:59,439
Speaker 1: he said, you gotta say that, bro, you know, just

1644
01:27:59,520 --> 01:28:05,840
Speaker 1: someone nobody ever threw up. Yeah, yeah, yeah, he said both.

1645
01:28:05,880 --> 01:28:13,559
Speaker 1: He said, dogo through up. I never saw the footage

1646
01:28:13,680 --> 01:28:18,639
Speaker 1: Lamar owed him afterwards, him to Okay, I got to gather.

1647
01:28:22,160 --> 01:28:28,080
Speaker 1: I forgot about Okay, chasers. Okay, I mean when I

1648
01:28:28,120 --> 01:28:35,200
Speaker 1: said Kanye off a rap drink, both Kanye and I

1649
01:28:35,240 --> 01:28:39,160
Speaker 1: will quick them both to Kanye foriver. Give you a

1650
01:28:39,200 --> 01:28:47,840
Speaker 1: beat for the reason. Just take a sucking sure. I

1651
01:28:47,920 --> 01:28:49,760
Speaker 1: love this game. By the way, I love this Yeah.

1652
01:28:50,120 --> 01:28:51,960
Speaker 1: Now that's one of my favorite joints. That's the intro

1653
01:28:52,120 --> 01:28:55,720
Speaker 1: to the to the movie. Okay, did you take the shot?

1654
01:28:55,760 --> 01:28:58,920
Speaker 1: Take the shot first? Okay, because he tried to cheat.

1655
01:29:00,200 --> 01:29:04,880
Speaker 1: It's like six shots. I gotta go. And you you

1656
01:29:05,040 --> 01:29:07,160
Speaker 1: you asked to be tagged in. You can't ask to

1657
01:29:07,200 --> 01:29:10,040
Speaker 1: be tagged in. You gotta tag you out. We ain't

1658
01:29:10,040 --> 01:29:12,519
Speaker 1: being tagging you up. We're not tacking you alright, cool

1659
01:29:13,800 --> 01:29:20,479
Speaker 1: DMX A big punt. That's both alright. I'm sorry man,

1660
01:29:20,760 --> 01:29:26,200
Speaker 1: I'm gonna take a shot of water. Show how many

1661
01:29:26,280 --> 01:29:32,120
Speaker 1: more back? It's only like six more. But it's fairly

1662
01:29:32,240 --> 01:29:34,639
Speaker 1: fairly easy, really easy in my opinion. But I didn't

1663
01:29:34,680 --> 01:29:37,920
Speaker 1: write this. When is supposed to hit me like soon

1664
01:29:38,400 --> 01:29:40,640
Speaker 1: know when you get up? So so don't get up?

1665
01:29:42,160 --> 01:29:47,719
Speaker 1: So don't get up? All right, scarface or ice cube?

1666
01:29:49,640 --> 01:30:00,280
Speaker 1: Um m m both, it's not me Mann. You're listen

1667
01:30:00,320 --> 01:30:10,880
Speaker 1: the next five d listen right, hey, yo, we almost

1668
01:30:11,000 --> 01:30:13,400
Speaker 1: done the bottle. That's that's what I'm saying. Puff Daddy

1669
01:30:13,400 --> 01:30:15,479
Speaker 1: would like to hear that, because that's black owned to

1670
01:30:15,640 --> 01:30:19,160
Speaker 1: kill that. Black wants to kill up. Understand the same

1671
01:30:19,800 --> 01:30:23,000
Speaker 1: spick up talk people ever vote TV So rock Della

1672
01:30:23,760 --> 01:30:26,439
Speaker 1: showing Cone's in the prices of the chairman. We all

1673
01:30:26,520 --> 01:30:29,400
Speaker 1: out here, we are outside. I am drinking it in

1674
01:30:29,479 --> 01:30:31,880
Speaker 1: my mind as well. These lights is getting hot. The

1675
01:30:32,000 --> 01:30:42,479
Speaker 1: lights are getting hot. They get very high. Okay, I

1676
01:30:42,560 --> 01:30:46,080
Speaker 1: don't know this one London on the Track or Murder

1677
01:30:46,160 --> 01:31:00,160
Speaker 1: beats London on the Track. I thought that was going

1678
01:31:00,160 --> 01:31:05,519
Speaker 1: that was you. I was like you Smith, where you

1679
01:31:05,680 --> 01:31:09,400
Speaker 1: you missed? Like two shots. Really, Yeah, catch up? What

1680
01:31:09,520 --> 01:31:13,400
Speaker 1: is that you're drinking? Mama Wana and the lixor Mama Wana.

1681
01:31:15,479 --> 01:31:19,559
Speaker 1: He makes it to shout out ma maajuana King. That's

1682
01:31:19,600 --> 01:31:22,040
Speaker 1: the homie. He stopped drinking too that. I think he

1683
01:31:22,120 --> 01:31:24,920
Speaker 1: might make it in the tub and the toilet. I

1684
01:31:24,960 --> 01:31:29,439
Speaker 1: don't know how he makes it him if I stopped drinking.

1685
01:31:31,960 --> 01:31:37,200
Speaker 1: He said, hold on, hold on, you ready at this one?

1686
01:31:37,680 --> 01:31:39,439
Speaker 1: This is one I really want to notice one. Huh,

1687
01:31:40,080 --> 01:31:46,120
Speaker 1: Cardi b or Nicki Minaj. I don't even think this

1688
01:31:46,280 --> 01:31:52,960
Speaker 1: is the game working hour. There were both to win.

1689
01:31:53,080 --> 01:31:55,719
Speaker 1: Every time you got maybe you gotta give him no option.

1690
01:31:55,760 --> 01:31:58,920
Speaker 1: They gotta tick one. This this game is made for

1691
01:31:59,240 --> 01:32:03,840
Speaker 1: artist to drink gets under the table. Yeah, we don't

1692
01:32:03,880 --> 01:32:06,400
Speaker 1: wait like friends getting drunk. Just I know what that's

1693
01:32:06,439 --> 01:32:12,000
Speaker 1: being around like he oh god, listen, I think that's

1694
01:32:12,360 --> 01:32:16,599
Speaker 1: experience a lot of things with my brothers, A lot

1695
01:32:16,640 --> 01:32:23,120
Speaker 1: of things. That's correct, that's not the whole you're ready

1696
01:32:23,160 --> 01:32:26,080
Speaker 1: to I don't think I can do this many shots

1697
01:32:26,120 --> 01:32:30,240
Speaker 1: in my body. It's okay, you don't worry. This is

1698
01:32:30,320 --> 01:32:34,920
Speaker 1: nothing to have them le bottles back in. You're ready,

1699
01:32:36,280 --> 01:32:42,720
Speaker 1: Kohli or Trina Chloe, who's clothing. That's that new drill

1700
01:32:42,840 --> 01:32:48,800
Speaker 1: rapper from the nest. Both. This was both He's pick

1701
01:32:48,840 --> 01:32:57,680
Speaker 1: both I got. I asked him that question. Yeah, he

1702
01:32:57,800 --> 01:33:01,439
Speaker 1: was around the keep a little bit more. We're gonna

1703
01:33:01,439 --> 01:33:05,719
Speaker 1: come to you. You around. It was around the vibe vibes.

1704
01:33:05,800 --> 01:33:07,559
Speaker 1: Come on, bring it up, come on, let's go ahead.

1705
01:33:10,320 --> 01:33:13,240
Speaker 1: You're slowing it down like you drive. We're gonna have

1706
01:33:13,320 --> 01:33:19,880
Speaker 1: a s fiss crash. That video is gonna be gona beside.

1707
01:33:20,520 --> 01:33:25,200
Speaker 1: That's gonna be a real Swiss Beans and Timberland. They

1708
01:33:25,280 --> 01:33:28,320
Speaker 1: came here first. We got them before, must see. That's

1709
01:33:28,360 --> 01:33:30,599
Speaker 1: why those verses, that's why they were sweating like before

1710
01:33:30,640 --> 01:33:35,599
Speaker 1: the first song that was like it was that came

1711
01:33:36,080 --> 01:33:41,960
Speaker 1: yeah yeah, okay Snoop Dog abust the rhymes questions, Yeah

1712
01:33:46,600 --> 01:33:55,479
Speaker 1: next this god wait wait you said, both said water.

1713
01:33:55,640 --> 01:34:03,040
Speaker 1: Only two more left and one of them. I know,

1714
01:34:03,280 --> 01:34:04,880
Speaker 1: I know it's as vote one of them. I know

1715
01:34:04,960 --> 01:34:10,080
Speaker 1: it's vote and it is this one cold act one

1716
01:34:10,120 --> 01:34:17,599
Speaker 1: savage Both this is it and your cardier's gonna right.

1717
01:34:18,680 --> 01:34:25,519
Speaker 1: Those are cardiers, right, These are vintage frames. Bureau. You

1718
01:34:25,640 --> 01:34:28,519
Speaker 1: got to say, okay, this is a very last one.

1719
01:34:29,720 --> 01:34:33,040
Speaker 1: It's the very last one. Now this is usually there's

1720
01:34:33,080 --> 01:34:36,760
Speaker 1: a real easy question to answer. But but it's not

1721
01:34:37,080 --> 01:34:40,840
Speaker 1: while changed while late change the trajectory. But we asked

1722
01:34:40,920 --> 01:34:44,480
Speaker 1: while lay this while they came with a whole paragraph

1723
01:34:44,600 --> 01:34:48,160
Speaker 1: of loyalty ship exactly. Yea, but but ah, I just

1724
01:34:48,200 --> 01:34:49,600
Speaker 1: want to give him that just a case, you know,

1725
01:34:49,920 --> 01:34:51,720
Speaker 1: in case you wants to say both again. He wanted

1726
01:34:51,880 --> 01:35:02,360
Speaker 1: I don't even respect love to respect both. That's the easiest.

1727
01:35:02,400 --> 01:35:07,840
Speaker 1: That's I see the right answers. But why they made

1728
01:35:07,840 --> 01:35:10,719
Speaker 1: me change my mind like the one when he signed

1729
01:35:11,080 --> 01:35:12,800
Speaker 1: and he made it sound good, but it really both

1730
01:35:12,880 --> 01:35:17,320
Speaker 1: is the right? You guys put the the wile answer. Yeah, yeah,

1731
01:35:17,320 --> 01:35:19,080
Speaker 1: we'll put it right. But we're not gonna do any

1732
01:35:19,080 --> 01:35:28,679
Speaker 1: of that ship okay, but I like, stay right here, yeah,

1733
01:35:28,880 --> 01:35:33,599
Speaker 1: stay right here, right, yeah, you let we can tell stories.

1734
01:35:34,120 --> 01:35:36,600
Speaker 1: We're going to that sec that splitpers around for a

1735
01:35:36,680 --> 01:35:39,240
Speaker 1: lot of ships, so you can ask um. I was

1736
01:35:39,280 --> 01:35:42,120
Speaker 1: there when when Jay was texting, They was like, YO,

1737
01:35:42,240 --> 01:35:46,320
Speaker 1: signed with me, sign with me? Ship like that. I

1738
01:35:46,439 --> 01:35:50,240
Speaker 1: like you, dup, that's old. Tell them all this. We

1739
01:35:50,320 --> 01:35:53,639
Speaker 1: got hard. We got hard, like we needed that. Boy,

1740
01:35:54,200 --> 01:35:57,320
Speaker 1: we got Kanye. You gotta email. We're like, how we

1741
01:35:57,400 --> 01:35:59,200
Speaker 1: gonna talk to this guy. You gotta email. We didn't

1742
01:35:59,200 --> 01:36:04,920
Speaker 1: even talk to mama. Yeah, Jesus fire and you got,

1743
01:36:05,040 --> 01:36:07,600
Speaker 1: you got Jesus, you got. Yeah. Kanye and Nas on

1744
01:36:07,640 --> 01:36:09,479
Speaker 1: the record and they both came to the video. How

1745
01:36:09,479 --> 01:36:11,599
Speaker 1: did you pull it off? Yeah? I swear to God

1746
01:36:11,960 --> 01:36:16,240
Speaker 1: flow in. I ain't gonna lie. Me and Naas walked

1747
01:36:16,280 --> 01:36:18,400
Speaker 1: outside the trailer and I was looked at me. It

1748
01:36:18,479 --> 01:36:21,679
Speaker 1: was like, yeah, you just did the impossible. I ain't

1749
01:36:21,680 --> 01:36:25,240
Speaker 1: gonna lie. I don't know where he meant, yeah, but

1750
01:36:25,400 --> 01:36:27,040
Speaker 1: it was like the impossible. When we went to go

1751
01:36:27,120 --> 01:36:29,479
Speaker 1: shoot it with um, it was like the first people

1752
01:36:29,520 --> 01:36:33,559
Speaker 1: to shoot with a shot Khan. It was like airfield

1753
01:36:33,600 --> 01:36:37,200
Speaker 1: where all the dead planes go. Oh, I did kanyek

1754
01:36:37,439 --> 01:36:40,840
Speaker 1: air video over. I wasn't there at that field. Now,

1755
01:36:40,920 --> 01:36:43,600
Speaker 1: this was like, this is what you know? Is that

1756
01:36:43,720 --> 01:36:47,720
Speaker 1: seven mommies? Are you trying to go at me? You

1757
01:36:47,760 --> 01:36:54,320
Speaker 1: mean hard movie? You know? I didn't had the worst

1758
01:36:54,439 --> 01:36:56,960
Speaker 1: movie ever, but I was a black guy. I fed

1759
01:36:57,080 --> 01:37:03,080
Speaker 1: and then they killed me last time. Always he always

1760
01:37:05,000 --> 01:37:09,559
Speaker 1: and Martina, he whoa, whoa, whoa. Relax, it's not real

1761
01:37:11,200 --> 01:37:14,200
Speaker 1: it Stay property too, Yeah, yeah, stay property too. But

1762
01:37:14,680 --> 01:37:18,320
Speaker 1: you're still doing this chick oh what is that. Oh yeah,

1763
01:37:18,520 --> 01:37:21,240
Speaker 1: we we squashed meep over here. So we wanted the

1764
01:37:21,280 --> 01:37:24,040
Speaker 1: lords of the underground because because you took the ship.

1765
01:37:25,280 --> 01:37:28,880
Speaker 1: Yeah house stay ship, that's New York here. We just

1766
01:37:28,960 --> 01:37:31,120
Speaker 1: wanted to feel good about it and tell him that's

1767
01:37:31,160 --> 01:37:33,840
Speaker 1: what they said. No, no, that we told him. I

1768
01:37:33,920 --> 01:37:36,120
Speaker 1: talked to him, told him we're not just gonna call people.

1769
01:37:36,200 --> 01:37:39,759
Speaker 1: We wanted to get him and him so love, because

1770
01:37:40,439 --> 01:37:45,880
Speaker 1: come on, get going. I'm not getting He's sorry going,

1771
01:37:45,960 --> 01:37:48,680
Speaker 1: what's going on? So that's why it's great. It's positibility.

1772
01:37:49,120 --> 01:37:51,519
Speaker 1: But tell me when he said great things like he

1773
01:37:51,600 --> 01:37:53,360
Speaker 1: wanted to like you to know that he was he

1774
01:37:53,400 --> 01:37:56,000
Speaker 1: appreciated you from stamping on the record and all that.

1775
01:37:56,080 --> 01:37:57,560
Speaker 1: So I just want to think. I think what it

1776
01:37:57,680 --> 01:38:00,040
Speaker 1: was they wanted just the acknowledgment, right, Oh yeah you

1777
01:38:00,080 --> 01:38:03,840
Speaker 1: acknowledge though, Oh yeah I heard something like that on here. Yeah.

1778
01:38:04,320 --> 01:38:08,559
Speaker 1: It's so, I'm not calling the homies unless it's gonna

1779
01:38:08,560 --> 01:38:13,519
Speaker 1: be a productive conference. Always positive energy, always, always you

1780
01:38:13,560 --> 01:38:16,679
Speaker 1: want to do that later doing let's do it now? Okay,

1781
01:38:16,800 --> 01:38:18,360
Speaker 1: do it enough, you want to do it, you're not

1782
01:38:18,520 --> 01:38:25,920
Speaker 1: in you can. Let's smoke a cigarette. No, try to

1783
01:38:25,960 --> 01:38:34,160
Speaker 1: take advantage what do you think we are see seventy four? Yeah, yeah,

1784
01:38:37,040 --> 01:38:40,320
Speaker 1: because I got good questions after this it could possibly

1785
01:38:40,360 --> 01:38:46,200
Speaker 1: be having So we had you on drink chests and

1786
01:38:46,280 --> 01:38:48,080
Speaker 1: we just wanted you let me know what it's all

1787
01:38:48,160 --> 01:38:50,280
Speaker 1: over with French y'all, all of you know what I mean,

1788
01:38:50,360 --> 01:38:52,639
Speaker 1: we peacemakers over hand. So I just wanted to say, y'all,

1789
01:38:59,000 --> 01:39:01,439
Speaker 1: and I told you, I think what did I say

1790
01:39:01,439 --> 01:39:02,920
Speaker 1: on drink chats. We can go back to the footage.

1791
01:39:03,120 --> 01:39:06,920
Speaker 1: I think if he he know because I know him,

1792
01:39:07,000 --> 01:39:08,600
Speaker 1: you know what I'm saying. So just just say, I

1793
01:39:08,640 --> 01:39:14,519
Speaker 1: ain't know a big dog, that's uh speaking. Had had

1794
01:39:14,600 --> 01:39:22,840
Speaker 1: your friends sent the b yeah they the samples a

1795
01:39:22,920 --> 01:39:29,880
Speaker 1: sample jelly bean, but he is okay wow right now

1796
01:39:29,960 --> 01:39:35,680
Speaker 1: okay okay, oh yeah yeah yeah. The video him like

1797
01:39:37,200 --> 01:39:41,320
Speaker 1: not know. I ain't even gonna lie, brother, Harry Fraud

1798
01:39:41,400 --> 01:39:42,800
Speaker 1: was supposed to put it the gume, but I ain't

1799
01:39:42,880 --> 01:39:46,280
Speaker 1: gonna put it on him. But I was just yeah, yeah,

1800
01:39:46,400 --> 01:39:48,720
Speaker 1: I was. I was just there shooting video. Everybody came

1801
01:39:48,760 --> 01:39:51,200
Speaker 1: through the bronze. It was hectic. But that that you

1802
01:39:51,280 --> 01:39:53,600
Speaker 1: know that that will never happen again. My brother. You

1803
01:39:53,600 --> 01:39:55,640
Speaker 1: know what I'm saying. You know you want to you

1804
01:39:55,720 --> 01:39:57,320
Speaker 1: want of the pioneers and hip hop. You know what

1805
01:39:57,360 --> 01:40:00,760
Speaker 1: I'm saying, Like, you know, you definitely helped, you know,

1806
01:40:00,920 --> 01:40:03,759
Speaker 1: motivate me to make that song, especially with that sound.

1807
01:40:03,960 --> 01:40:05,439
Speaker 1: You know what I'm saying. I respect you all for

1808
01:40:05,680 --> 01:40:11,280
Speaker 1: you heard all love love. Man. I'm here to give

1809
01:40:11,320 --> 01:40:13,439
Speaker 1: me your flowers while you're still here. You heard because

1810
01:40:13,479 --> 01:40:20,040
Speaker 1: that shot much love. What we're shopping up after the show? Yeah, love,

1811
01:40:20,439 --> 01:40:23,439
Speaker 1: love love. That's a beautiful thing. Tell me that I'm back.

1812
01:40:23,560 --> 01:40:28,360
Speaker 1: You want to from make something? You know what I said?

1813
01:40:28,880 --> 01:40:32,759
Speaker 1: I gave an example, I said. I said, yeah, we're drinking.

1814
01:40:32,800 --> 01:40:35,720
Speaker 1: We're drinking around and drinking. Brother, I said, you know

1815
01:40:36,520 --> 01:40:38,439
Speaker 1: you bro, you know from from you doing that with me?

1816
01:40:38,760 --> 01:40:40,599
Speaker 1: I said, I said, I know that for a fact

1817
01:40:40,680 --> 01:40:43,479
Speaker 1: that French couldn't have did that on purpose you because

1818
01:40:43,479 --> 01:40:46,240
Speaker 1: he did. He did it with me like um use

1819
01:40:46,280 --> 01:40:48,320
Speaker 1: a part of bloody money have me, a part of it,

1820
01:40:48,479 --> 01:40:50,560
Speaker 1: had me And we spoke about the video. So I

1821
01:40:50,760 --> 01:40:52,720
Speaker 1: have to finished you. So I just wanted to. But

1822
01:40:52,880 --> 01:40:54,519
Speaker 1: I think a point that needs to be made across

1823
01:40:54,600 --> 01:40:57,920
Speaker 1: the boarders. As hip hop gets older, it's gonna start

1824
01:40:58,000 --> 01:41:01,479
Speaker 1: to sample itself. Yeah, And I think, like you said,

1825
01:41:01,520 --> 01:41:03,320
Speaker 1: for Big Funy on, this new hip hop should be

1826
01:41:03,400 --> 01:41:05,600
Speaker 1: different than any other. John Well, hip hop is the

1827
01:41:05,680 --> 01:41:08,400
Speaker 1: only one really sampling heavy the way we do. We

1828
01:41:08,439 --> 01:41:10,400
Speaker 1: should make sure we pay homage and we keep that

1829
01:41:10,560 --> 01:41:14,880
Speaker 1: cycle right where the money stays flowing to everybody. I'm sure.

1830
01:41:14,920 --> 01:41:18,400
Speaker 1: It's like, you know, it's like Vincor's designing man, whether

1831
01:41:18,439 --> 01:41:21,240
Speaker 1: it's money or whether it's credit, because not everybody's getting

1832
01:41:21,240 --> 01:41:24,120
Speaker 1: published or whatever. So as long as everybody's getting acknowledged,

1833
01:41:24,200 --> 01:41:26,760
Speaker 1: I think that's what matters. That you're getting busy, you

1834
01:41:26,840 --> 01:41:28,880
Speaker 1: get caught up. You know, that's a part of it.

1835
01:41:29,120 --> 01:41:32,080
Speaker 1: But then maybe you get busy and you realize that

1836
01:41:32,360 --> 01:41:34,240
Speaker 1: and then we do something like this. You know what

1837
01:41:34,240 --> 01:41:36,360
Speaker 1: I'm saying. As long as everybody's humble about it, that's

1838
01:41:36,360 --> 01:41:39,880
Speaker 1: the thing. It's beautiful. It's beautiful. Like when I heard

1839
01:41:39,920 --> 01:41:43,720
Speaker 1: the record off the rip Off Top send it to me,

1840
01:41:44,520 --> 01:41:45,720
Speaker 1: I think I laid this ship and I gave it

1841
01:41:45,840 --> 01:41:47,400
Speaker 1: right back and I was just like I understood what

1842
01:41:47,840 --> 01:41:51,000
Speaker 1: it was. Um it was a blood money failed to it.

1843
01:41:51,080 --> 01:41:54,439
Speaker 1: And it's just like like even that's why I said,

1844
01:41:54,640 --> 01:41:56,720
Speaker 1: you know, even with that Drake record, that was that

1845
01:41:56,880 --> 01:41:59,439
Speaker 1: that's that was Pocat come out. No no, no one,

1846
01:41:59,680 --> 01:42:02,760
Speaker 1: no one, the new one that was that's about to

1847
01:42:02,800 --> 01:42:05,320
Speaker 1: come out. It's just I hit you. I was like, yo, bro,

1848
01:42:05,439 --> 01:42:07,599
Speaker 1: like I want to redo like one of them classic hooks.

1849
01:42:08,080 --> 01:42:10,000
Speaker 1: And he was like, yo, dude, calm down and do

1850
01:42:10,160 --> 01:42:13,320
Speaker 1: this do that. We were then we finally caught the hook.

1851
01:42:13,760 --> 01:42:16,200
Speaker 1: So it's just like, you know, I always pay it.

1852
01:42:16,280 --> 01:42:19,360
Speaker 1: So now we had the horse and carriage over it.

1853
01:42:19,520 --> 01:42:25,599
Speaker 1: Really camera, okay, bring camera back outside. Let's that's all.

1854
01:42:25,840 --> 01:42:28,559
Speaker 1: That is all. I like that, all right? So um

1855
01:42:29,240 --> 01:42:31,400
Speaker 1: so he was knocking down Black China at one point

1856
01:42:36,439 --> 01:42:38,800
Speaker 1: about about the quote this news source here. You know

1857
01:42:38,880 --> 01:42:43,880
Speaker 1: this usually works because you drunk. It was just like,

1858
01:42:49,200 --> 01:42:54,960
Speaker 1: my man is one of the original sniper sniper in

1859
01:42:55,040 --> 01:43:00,840
Speaker 1: the world levels of sniper super saying because he told

1860
01:43:00,880 --> 01:43:03,800
Speaker 1: on him South. It's a black belt, my man. Yeah,

1861
01:43:04,000 --> 01:43:06,760
Speaker 1: he's degree black belt in this ship. Yeah. You like

1862
01:43:07,040 --> 01:43:12,000
Speaker 1: like yeah, like fun is it a silence or it's suppressed?

1863
01:43:12,120 --> 01:43:14,880
Speaker 1: What is it? How suppressed? How do you snipe these things? Suppressed?

1864
01:43:14,960 --> 01:43:20,760
Speaker 1: Do you put together the guns? Everything? It's quiet, so

1865
01:43:20,880 --> 01:43:23,519
Speaker 1: you won't know what's goods. I got your kid, I

1866
01:43:23,760 --> 01:43:26,760
Speaker 1: got to put allow up so how do you start

1867
01:43:26,840 --> 01:43:29,519
Speaker 1: the sniping? What is it? What is how's this happened? Listen?

1868
01:43:29,720 --> 01:43:31,920
Speaker 1: You see them. It's an aura vibe. When we's in

1869
01:43:32,120 --> 01:43:34,479
Speaker 1: l A, everybody want to hang out with us. They

1870
01:43:34,520 --> 01:43:38,880
Speaker 1: were like China first yond you don't know about there's

1871
01:43:38,880 --> 01:43:42,080
Speaker 1: a lot of you, there's a lot of vibe. So

1872
01:43:42,720 --> 01:43:46,920
Speaker 1: it's on the pia yo yo. That needs to be

1873
01:43:47,000 --> 01:43:56,040
Speaker 1: a thing for sure. But another I like, like I said,

1874
01:43:56,520 --> 01:44:02,200
Speaker 1: he's fun, he's your first. But to hold on, guys,

1875
01:44:02,280 --> 01:44:06,160
Speaker 1: everybody calmed down right because these personal because you know,

1876
01:44:06,920 --> 01:44:12,320
Speaker 1: let's just be clear, I don't care. You're definitely told

1877
01:44:12,360 --> 01:44:17,479
Speaker 1: on yourself. You said I had Chloe, and I'm just saying, yeah,

1878
01:44:17,520 --> 01:44:20,439
Speaker 1: I brought Chloe to City Island. That's like it's like,

1879
01:44:20,560 --> 01:44:25,120
Speaker 1: you know legend ship. You know some pencil pockets. It's like,

1880
01:44:25,200 --> 01:44:26,920
Speaker 1: you know, City Island one way and one way out,

1881
01:44:27,000 --> 01:44:29,960
Speaker 1: Like they never know for that and know for that juice,

1882
01:44:30,200 --> 01:44:34,599
Speaker 1: I brought Chloe New ORLEANSO legendship. He was knocking it down.

1883
01:44:34,680 --> 01:44:46,840
Speaker 1: To take your time. You can't just check out that problem.

1884
01:44:48,800 --> 01:44:51,720
Speaker 1: You have a person to the second birth, Jim on

1885
01:44:51,760 --> 01:44:57,040
Speaker 1: the second bird, you just just you know, it was

1886
01:44:57,120 --> 01:44:59,000
Speaker 1: just it was just something so legendary and the Bronx,

1887
01:44:59,120 --> 01:45:01,360
Speaker 1: like just to have Chloe Kim, you know, the whole

1888
01:45:01,400 --> 01:45:03,680
Speaker 1: family coming City Island. It was just it was just

1889
01:45:03,760 --> 01:45:06,880
Speaker 1: a vibe. Okay, but let's just say that lyric you

1890
01:45:06,960 --> 01:45:14,400
Speaker 1: had Coldie City Island. What you say after that? Like that? What? Yeah,

1891
01:45:14,479 --> 01:45:21,400
Speaker 1: you do studied this ship said you said, you said

1892
01:45:21,520 --> 01:45:23,760
Speaker 1: this this is not I ain't go that's what wasn't

1893
01:45:23,760 --> 01:45:27,640
Speaker 1: gonna look back. I don't know. Yeah, I just had

1894
01:45:27,640 --> 01:45:29,000
Speaker 1: a lot of fun in Hollywood, had a lot of

1895
01:45:29,040 --> 01:45:31,479
Speaker 1: fun in like heard Tyres called you about anight like

1896
01:45:31,720 --> 01:45:41,280
Speaker 1: you heard that a little bit like because you have

1897
01:45:41,400 --> 01:45:47,879
Speaker 1: some of pepper beat like light skin shot Tyrese curious

1898
01:45:49,080 --> 01:45:56,559
Speaker 1: that was shot to Tyres Man shot Tyres. Yeah that's love.

1899
01:45:56,880 --> 01:45:59,360
Speaker 1: It's love. But at one point he's sleeping his girl.

1900
01:45:59,479 --> 01:46:05,920
Speaker 1: Just no mom. They had off joints on pressure yea,

1901
01:46:07,400 --> 01:46:15,600
Speaker 1: you give me He's like friends come out ship, but

1902
01:46:15,720 --> 01:46:19,400
Speaker 1: you did and you said you had aggain Cobo. Wow,

1903
01:46:20,720 --> 01:46:26,680
Speaker 1: where did you get on this? I'm just saying, I

1904
01:46:27,040 --> 01:46:28,639
Speaker 1: have you know, I have you know? I have fun

1905
01:46:28,680 --> 01:46:34,200
Speaker 1: in l A. I was single, like Cabo New York,

1906
01:46:34,400 --> 01:46:38,680
Speaker 1: playing a lot of things, a lot of things took

1907
01:46:38,720 --> 01:46:41,759
Speaker 1: places you know, I mean too you know, affact different places.

1908
01:46:42,200 --> 01:46:44,960
Speaker 1: But I think we know you're not mad. Don't listen.

1909
01:46:45,760 --> 01:46:47,840
Speaker 1: There's a lot of things you can't be proud of, yea,

1910
01:46:48,120 --> 01:46:52,519
Speaker 1: being a sniper. You should not have my fun. Just

1911
01:46:52,840 --> 01:46:57,320
Speaker 1: still have back friend, still have one. Most people I

1912
01:46:57,400 --> 01:47:00,120
Speaker 1: know will stop doing jo, start doing more pussy r.

1913
01:47:05,000 --> 01:47:12,320
Speaker 1: He sniped them all. You got take another. We're doing

1914
01:47:12,320 --> 01:47:15,400
Speaker 1: a quick time to slip again. You can't give me

1915
01:47:15,479 --> 01:47:20,479
Speaker 1: here because it's like, so we established Okay, this is

1916
01:47:20,560 --> 01:47:24,519
Speaker 1: what I wanted to ask you. Locked Jaw and the

1917
01:47:24,640 --> 01:47:27,479
Speaker 1: new Kodak joint directed by switch to the first one

1918
01:47:28,200 --> 01:47:34,479
Speaker 1: Locked y'all original when the Kodak hood there was an

1919
01:47:34,640 --> 01:47:37,599
Speaker 1: artist there that we had to take out the footage.

1920
01:47:46,080 --> 01:47:55,040
Speaker 1: This is covered as I got a call said take

1921
01:47:55,120 --> 01:48:04,439
Speaker 1: him out of the video. Question somebody, okay, because what's

1922
01:48:04,479 --> 01:48:10,200
Speaker 1: the what's the new joint with cold opstick mom stick? Yeah, yeah,

1923
01:48:10,280 --> 01:48:14,519
Speaker 1: thank you. Could you not do lock Jaw? It's because

1924
01:48:14,920 --> 01:48:22,439
Speaker 1: if Jaw wasn't keep locking, you know what he's Soper

1925
01:48:25,040 --> 01:48:31,000
Speaker 1: was so because I was like watching it lock jaw

1926
01:48:31,120 --> 01:48:36,840
Speaker 1: too at joy Yeah yea, yeah, so then you keep

1927
01:48:36,880 --> 01:48:41,920
Speaker 1: it real so being locking his jaw yeah shot. Yeah,

1928
01:48:42,200 --> 01:48:44,840
Speaker 1: I don't know what you mean, but what's mom stick

1929
01:48:45,520 --> 01:48:47,519
Speaker 1: shot to my door? Colde a man the first one

1930
01:48:47,560 --> 01:48:50,800
Speaker 1: to lockjaw like we was jaw locked and he was

1931
01:48:50,800 --> 01:48:52,200
Speaker 1: about to go to the dentist. I don't know how

1932
01:48:52,280 --> 01:48:56,760
Speaker 1: he was going to do it. Yea. Literally the jaws

1933
01:48:56,800 --> 01:49:03,360
Speaker 1: were locking. Man, no scales and she's like, yeah, I

1934
01:49:03,439 --> 01:49:21,599
Speaker 1: get it, I gotta go. Yeah, so Dan, because that's

1935
01:49:21,840 --> 01:49:23,840
Speaker 1: so long, it's such a like, yeah, my stick is

1936
01:49:23,920 --> 01:49:28,840
Speaker 1: just a chopping platinum by the way, double platinum, John three,

1937
01:49:29,200 --> 01:49:31,840
Speaker 1: three times platinum, my bad best hype man in the games,

1938
01:49:32,680 --> 01:49:36,599
Speaker 1: directed by your boy. We went to Kodak Hood Yeah,

1939
01:49:37,400 --> 01:49:49,519
Speaker 1: that hockey remember his arm theory, hold on you hurt? Yeah?

1940
01:49:49,720 --> 01:49:52,599
Speaker 1: And then somebody's like, yeo, we gotta finish his master scene.

1941
01:49:52,640 --> 01:50:02,719
Speaker 1: But he said to me that stop come to definitely

1942
01:50:02,720 --> 01:50:05,000
Speaker 1: one of my favorite people. That one of the goals.

1943
01:50:05,040 --> 01:50:07,320
Speaker 1: I went home to say that sorry. I went to

1944
01:50:07,360 --> 01:50:13,240
Speaker 1: see my guys and um kind of lows and problem

1945
01:50:13,280 --> 01:50:15,880
Speaker 1: with twelve. So I walk in and Goldak is just

1946
01:50:16,000 --> 01:50:18,040
Speaker 1: there when I played the fool. But I'm like this,

1947
01:50:18,520 --> 01:50:23,960
Speaker 1: like it's from path Mark, you know, New York. Everybody

1948
01:50:23,960 --> 01:50:26,240
Speaker 1: you know I'm in my forties now, said, look, so

1949
01:50:26,439 --> 01:50:28,640
Speaker 1: I go, what the do is that? He goes, oh

1950
01:50:28,720 --> 01:50:44,680
Speaker 1: this this Haitian food for my career? You leg by

1951
01:50:44,720 --> 01:50:54,200
Speaker 1: the way, Kodak Poppy, you guarantee, yeah, you guaranteed to

1952
01:50:54,240 --> 01:50:58,120
Speaker 1: have something to about your Yeah. Yeah, yo, that ship

1953
01:50:58,280 --> 01:51:04,439
Speaker 1: was good. Oh mol okay, how you can't huh on

1954
01:51:04,560 --> 01:51:08,519
Speaker 1: the album? What sample is that? I've been trying all day. Um,

1955
01:51:08,960 --> 01:51:12,040
Speaker 1: I couldn't figure that one out. Oh I got um,

1956
01:51:12,479 --> 01:51:17,040
Speaker 1: I gotta get over you the sample? Yeah, by I

1957
01:51:17,120 --> 01:51:20,240
Speaker 1: forgot the name. Harry Ford did that one? No, I

1958
01:51:20,320 --> 01:51:23,200
Speaker 1: actually found I found the sample and I sent it

1959
01:51:23,280 --> 01:51:26,720
Speaker 1: to just Blaze first, and I was waiting for him

1960
01:51:26,760 --> 01:51:28,200
Speaker 1: to send it, but he was taking too long, so

1961
01:51:28,240 --> 01:51:30,800
Speaker 1: I just sent it the hit maker and maker rewhipped it,

1962
01:51:32,560 --> 01:51:35,200
Speaker 1: making it the whole album or not really not there

1963
01:51:35,200 --> 01:51:36,840
Speaker 1: like a couple of songs on that okay, Yeah, but

1964
01:51:36,920 --> 01:51:39,320
Speaker 1: definitely helped out with the with the whole joint because

1965
01:51:39,320 --> 01:51:41,800
Speaker 1: when we had him all he said he was executive producing. Correct. Yeah,

1966
01:51:42,479 --> 01:51:45,920
Speaker 1: there's no more pluts bro Oh all right, yeah they

1967
01:51:46,040 --> 01:51:54,360
Speaker 1: rolled all up. Come on, Jesus, I turned Spanish on

1968
01:51:54,439 --> 01:52:06,720
Speaker 1: your friend. Feel the corner man said, yeah, I'm I'm sorry, man,

1969
01:52:06,800 --> 01:52:10,280
Speaker 1: you see what he said. I didn't say that. I

1970
01:52:10,360 --> 01:52:14,559
Speaker 1: just said, man, Sunny, choose the clam theory on this show.

1971
01:52:17,479 --> 01:52:21,599
Speaker 1: The low the oyster hit the show. Just the shell.

1972
01:52:22,120 --> 01:52:25,760
Speaker 1: He ate the shell all the time. With the one

1973
01:52:25,800 --> 01:52:27,680
Speaker 1: time you know, you know, you know smiff and been

1974
01:52:27,760 --> 01:52:33,760
Speaker 1: a back page his back face say, I never knew

1975
01:52:33,840 --> 01:52:39,880
Speaker 1: that some crazy places listen to sift to call around.

1976
01:52:39,920 --> 01:52:45,360
Speaker 1: He's like, listen, just a wrong, no friendans you know

1977
01:52:45,439 --> 01:52:49,360
Speaker 1: your old school things, all the half of my town

1978
01:52:49,640 --> 01:52:54,800
Speaker 1: with Northland for a year. Oh my god, you don't

1979
01:52:54,800 --> 01:52:57,720
Speaker 1: say that my first time first like like sip, you

1980
01:52:57,720 --> 01:52:59,280
Speaker 1: don't get no asks. Man, it's calling on. You don't

1981
01:52:59,280 --> 01:53:05,000
Speaker 1: get opens Its Mexican. He started getting about backpage, started

1982
01:53:05,040 --> 01:53:11,160
Speaker 1: learning like it's a covering on. He started thinking about everything,

1983
01:53:11,360 --> 01:53:15,680
Speaker 1: start thinking about that area. Yeah, you can't lie. I

1984
01:53:15,800 --> 01:53:19,679
Speaker 1: gave your housewarman President was legend. Yeah what was was strip?

1985
01:53:20,360 --> 01:53:25,760
Speaker 1: I thought it was stripping? Yea what you said? Many?

1986
01:53:25,920 --> 01:53:29,280
Speaker 1: Yeah you know I was okay. She kep got what

1987
01:53:29,520 --> 01:53:30,840
Speaker 1: that was. That was the first thing she did, and

1988
01:53:30,880 --> 01:53:32,960
Speaker 1: I was very together, just came and just broke the

1989
01:53:33,000 --> 01:53:35,280
Speaker 1: whole strip of bow was damn. How was there too,

1990
01:53:35,360 --> 01:53:37,160
Speaker 1: you gonna let me give it away? And I was

1991
01:53:37,200 --> 01:53:39,280
Speaker 1: getting a wait of somebody was there for the connection.

1992
01:53:39,520 --> 01:53:47,720
Speaker 1: So all the way up. Yeah, fact Joe calls you.

1993
01:53:49,120 --> 01:53:52,280
Speaker 1: What does he say? And the biggest for Miami in

1994
01:53:52,400 --> 01:53:55,160
Speaker 1: Miami like, yo, whatever you're doing, stop what you're doing,

1995
01:53:55,240 --> 01:53:57,759
Speaker 1: come by the studio. It was cool and dre studio.

1996
01:53:59,000 --> 01:54:03,439
Speaker 1: What's the racist dog there? There's a there's a racist racist?

1997
01:54:03,479 --> 01:54:06,880
Speaker 1: Don't like I'm the only one to know that, like

1998
01:54:07,760 --> 01:54:11,280
Speaker 1: your enthusiasm racist if you black, like as soon as

1999
01:54:11,320 --> 01:54:14,320
Speaker 1: you go through, you want to call the r right now?

2000
01:54:15,720 --> 01:54:18,720
Speaker 1: Only only black people, only black people. Only seen that

2001
01:54:18,800 --> 01:54:21,720
Speaker 1: on Coopier Enthusiasm. Oh no, they got a curbish. They

2002
01:54:21,800 --> 01:54:23,760
Speaker 1: know they kicked them out. It's no longer there. That's

2003
01:54:23,800 --> 01:54:26,280
Speaker 1: why I was asking. I'm trying to figure out what

2004
01:54:27,120 --> 01:54:29,400
Speaker 1: that was nighttime. It was like I'm talking about like

2005
01:54:29,479 --> 01:54:33,880
Speaker 1: time error, like yeahs like like what like six years ago,

2006
01:54:33,920 --> 01:54:37,440
Speaker 1: five years ago? A little bit okay, cool. I was

2007
01:54:37,480 --> 01:54:39,720
Speaker 1: probably a little bit arobably a little bit. I think

2008
01:54:39,720 --> 01:54:43,200
Speaker 1: it was after I'm forgetable. Was before that, I remember,

2009
01:54:43,360 --> 01:54:46,640
Speaker 1: but I'm I'm forget It was like sixteen and I

2010
01:54:46,760 --> 01:54:49,200
Speaker 1: was like a little bit after that probaby. So I

2011
01:54:49,320 --> 01:54:50,960
Speaker 1: just went in there and he just played me a song.

2012
01:54:51,120 --> 01:54:52,800
Speaker 1: That's when that she came on. You heard the horns?

2013
01:54:53,360 --> 01:54:55,920
Speaker 1: You just hit all the way up. I'm like, oh no,

2014
01:54:57,520 --> 01:55:01,240
Speaker 1: this one. And that's around the beginning of Dream Champs. Yeah,

2015
01:55:01,840 --> 01:55:05,280
Speaker 1: yes it is, because because that's the first day I've

2016
01:55:05,440 --> 01:55:07,720
Speaker 1: learned that Fat Joe and really was doing a whole

2017
01:55:07,800 --> 01:55:10,800
Speaker 1: album again. So I went, I went to the studio

2018
01:55:10,840 --> 01:55:13,320
Speaker 1: after I believe you laid the hook. I went to

2019
01:55:13,360 --> 01:55:16,760
Speaker 1: the studio. I heard and I just knew that was it.

2020
01:55:17,520 --> 01:55:18,800
Speaker 1: I just knew that was it. I want to see

2021
01:55:18,800 --> 01:55:20,880
Speaker 1: if the racist dog was it? Was there? Just his

2022
01:55:21,040 --> 01:55:26,720
Speaker 1: father him, to see if he answers. He's never been

2023
01:55:26,720 --> 01:55:32,960
Speaker 1: a cool yo, yo, yo yo, let's make it. You

2024
01:55:33,080 --> 01:55:40,760
Speaker 1: got a Frenchman town in here. Save the freshman. What's

2025
01:55:40,840 --> 01:55:43,720
Speaker 1: uth good? Look? We live on drink Champs. I got

2026
01:55:43,800 --> 01:55:46,600
Speaker 1: one question. I asked him where was he when he

2027
01:55:46,680 --> 01:55:48,680
Speaker 1: heard all the way up? He said he was in

2028
01:55:48,840 --> 01:55:53,040
Speaker 1: cool Andre's studio. So I had to ask the one question.

2029
01:55:54,600 --> 01:56:00,600
Speaker 1: Was the racist dog around at that time? He wasn't there?

2030
01:56:01,360 --> 01:56:09,520
Speaker 1: Who's way? Who's dogging? Easy? Who's dogging? Is it drizz

2031
01:56:10,160 --> 01:56:14,720
Speaker 1: without family home? Team in the building. Yeah, we're gonna

2032
01:56:14,720 --> 01:56:16,640
Speaker 1: have an episode just about the dog one day. Don't

2033
01:56:16,680 --> 01:56:30,360
Speaker 1: worry the crazy. Thank thank you brons crazy right yeah yeah, stop,

2034
01:56:31,040 --> 01:56:36,040
Speaker 1: I appreciate you, bro. Now, thank you my nigga Yo,

2035
01:56:36,120 --> 01:56:40,440
Speaker 1: good looking at Dre later all my bro cool alright,

2036
01:56:40,480 --> 01:56:41,800
Speaker 1: So just so, yeah, I just wanted you all to

2037
01:56:41,880 --> 01:56:47,240
Speaker 1: know that they really was a racist dog. No, that's crazy. No, no, listen, listen.

2038
01:56:47,280 --> 01:56:49,240
Speaker 1: I swear to guard so used to put him in

2039
01:56:49,280 --> 01:56:50,960
Speaker 1: the room when I'll come. I said, we crush that.

2040
01:56:51,200 --> 01:56:53,320
Speaker 1: You know, they got the long thing come down, so

2041
01:56:53,440 --> 01:56:55,480
Speaker 1: you know you hit the thing. I wouldn't even like

2042
01:56:55,600 --> 01:56:58,160
Speaker 1: when the gate open. I'm like, y'all got him. He

2043
01:56:58,200 --> 01:57:04,440
Speaker 1: said his name was the whole time, the racist chop hole.

2044
01:57:05,560 --> 01:57:13,880
Speaker 1: He's Mexican. Mexican. Do you have to tell him him

2045
01:57:14,440 --> 01:57:19,040
Speaker 1: like Stockles Smart? No, he wouldn't go at Joe. I

2046
01:57:19,080 --> 01:57:24,440
Speaker 1: used to be like, it's something wrong about this job, Like,

2047
01:57:24,680 --> 01:57:36,720
Speaker 1: why's he coming at me? You're a dark So you

2048
01:57:36,800 --> 01:57:41,120
Speaker 1: included Drake Studio. They played it right, Yeah, what what

2049
01:57:41,240 --> 01:57:44,360
Speaker 1: happens from there? Man? I mean I sue as I

2050
01:57:44,440 --> 01:57:46,000
Speaker 1: heard it, you know, you know, I don't you know,

2051
01:57:46,080 --> 01:57:48,040
Speaker 1: I know what those be and I saw I heard.

2052
01:57:48,080 --> 01:57:49,520
Speaker 1: I just look at that crack. I was like, boy,

2053
01:57:50,400 --> 01:57:52,600
Speaker 1: this is it. It's one of those. And I didn't

2054
01:57:52,640 --> 01:57:54,240
Speaker 1: hear the whole thing done. I think I had just

2055
01:57:54,360 --> 01:57:57,160
Speaker 1: did um the hook. It was just still playing. Then

2056
01:57:57,200 --> 01:57:59,240
Speaker 1: once we did it, he called me. He was like,

2057
01:57:59,440 --> 01:58:01,560
Speaker 1: we gotta shoot video of this, and I heard the

2058
01:58:01,600 --> 01:58:03,360
Speaker 1: whole thing. I was like, yeah, we got one, right,

2059
01:58:03,640 --> 01:58:06,080
Speaker 1: I'm saying, I think that that's probably like one of

2060
01:58:06,120 --> 01:58:09,520
Speaker 1: the biggest Bronx records to come out of the passing. Yeah,

2061
01:58:09,720 --> 01:58:13,400
Speaker 1: I was labeled New York. One of the Bronx labeled it.

2062
01:58:13,720 --> 01:58:17,000
Speaker 1: Yeah the Coach, Yeah yeah, Bronxe people, you'll be playing

2063
01:58:17,000 --> 01:58:23,320
Speaker 1: the Bronx. Boy, that's my family from the Bronx. I

2064
01:58:23,400 --> 01:58:25,440
Speaker 1: love it. Okay, I got mad more questions, come on,

2065
01:58:25,560 --> 01:58:29,880
Speaker 1: let's go. Okay, all right, answering how you came, you said, um,

2066
01:58:30,200 --> 01:58:35,120
Speaker 1: but on one you said yeah, yeah, you can't smoke

2067
01:58:35,240 --> 01:58:38,080
Speaker 1: chance he's up right now. That's called you got us up,

2068
01:58:38,560 --> 01:58:43,400
Speaker 1: got us up? We got that picture? No, Rea, you might,

2069
01:58:43,480 --> 01:58:49,240
Speaker 1: Joe Rogan, Yeah you might. Yeah, I didn't know what

2070
01:58:52,880 --> 01:58:56,720
Speaker 1: I gotta go. You said your biggest wait till you fall,

2071
01:58:56,800 --> 01:59:00,160
Speaker 1: then you're good. So you said, you said you the

2072
01:59:00,200 --> 01:59:05,480
Speaker 1: biggest bad boy since Wallace. So let's just let's just sacks.

2073
01:59:06,000 --> 01:59:09,040
Speaker 1: But we're saying, we're saying they get a mace pause.

2074
01:59:10,640 --> 01:59:13,160
Speaker 1: I'm not saying now, I'm just saying current. I know

2075
01:59:13,840 --> 01:59:16,760
Speaker 1: you know what you're saying. I'm just trying to the fans.

2076
01:59:17,080 --> 01:59:20,120
Speaker 1: I'm just saying, I mean, i mean, at this current

2077
01:59:20,160 --> 01:59:22,040
Speaker 1: time to my last album, I was the biggest bad

2078
01:59:22,080 --> 01:59:26,440
Speaker 1: boy you know since Wallis so just the current time, goddamn.

2079
01:59:26,800 --> 01:59:29,840
Speaker 1: And you take a lot of big references. You don't

2080
01:59:29,840 --> 01:59:31,840
Speaker 1: get you see, no slack. If jay Z do the

2081
01:59:31,920 --> 01:59:36,120
Speaker 1: same thing that beyond jay Z, yeah, don't bother you. No,

2082
01:59:36,200 --> 01:59:38,040
Speaker 1: I'm just saying. I'm not saying I'm bigger than because

2083
01:59:38,200 --> 01:59:41,200
Speaker 1: because sometimes you use a lot of big lines and

2084
01:59:41,680 --> 01:59:44,440
Speaker 1: like Punns lines, and I mean, that's that's that's that's

2085
01:59:44,480 --> 01:59:46,400
Speaker 1: what I grew up on. Okay, you know what I'm saying.

2086
01:59:46,440 --> 01:59:48,480
Speaker 1: They don't don't think they don't be on hold like that.

2087
01:59:50,360 --> 01:59:54,640
Speaker 1: They hold, yeah about taking, but the whole history was

2088
01:59:54,800 --> 01:59:57,400
Speaker 1: holding big. I think that's probably why you know what

2089
01:59:57,440 --> 02:00:00,240
Speaker 1: I'm saying. But no minds, it was just you know,

2090
02:00:00,320 --> 02:00:02,480
Speaker 1: from a from a fan point, your pay homage. Yeah,

2091
02:00:02,680 --> 02:00:07,520
Speaker 1: I mean I'm held Yeah, of course of course made

2092
02:00:07,520 --> 02:00:12,400
Speaker 1: that yeah, shot the whole too, sending him everything before

2093
02:00:12,400 --> 02:00:14,920
Speaker 1: I put it out. Oh yeah, yeah, I mean you

2094
02:00:15,680 --> 02:00:17,600
Speaker 1: sent him everything. I've been trying to send him everything

2095
02:00:17,640 --> 02:00:20,160
Speaker 1: before I put it out. Yeah yeah, what does he

2096
02:00:20,280 --> 02:00:22,360
Speaker 1: what does he be? Like? I mean, like just like

2097
02:00:22,440 --> 02:00:24,360
Speaker 1: with Jungle Rules, Like when I sent him the album

2098
02:00:24,400 --> 02:00:26,400
Speaker 1: and he picked famous, it was just like an AFROBAT

2099
02:00:26,400 --> 02:00:30,400
Speaker 1: record and I'm saying, I don't want to get famous.

2100
02:00:30,480 --> 02:00:31,920
Speaker 1: Yeah yeah, but you said you don't want the bit

2101
02:00:32,040 --> 02:00:35,240
Speaker 1: to be famous? Right? No? That that was that was

2102
02:00:35,320 --> 02:00:38,880
Speaker 1: actually my grandmother's tithing is shown me to be famous.

2103
02:00:39,440 --> 02:00:41,080
Speaker 1: So that was just like dedicated to her. So like

2104
02:00:41,160 --> 02:00:42,920
Speaker 1: a lot of people people that I'm talking to, the

2105
02:00:43,000 --> 02:00:44,840
Speaker 1: joint like, I don't got no reason for her. You

2106
02:00:44,880 --> 02:00:50,040
Speaker 1: can get famous all you want. I wanted you to

2107
02:00:50,120 --> 02:00:52,280
Speaker 1: be famous, you know. I like to deal with famous

2108
02:00:52,360 --> 02:00:54,920
Speaker 1: joints like this. Who's to me? Nevado? I didn't even

2109
02:00:55,000 --> 02:01:06,320
Speaker 1: know he said it is on the number one shot

2110
02:01:06,680 --> 02:01:11,440
Speaker 1: shot that everybody fun. That's what you just said, bro,

2111
02:01:11,640 --> 02:01:15,480
Speaker 1: I just said after the next question. So how is

2112
02:01:15,560 --> 02:01:18,560
Speaker 1: it right? Because you know we had Kanye here, Uh,

2113
02:01:19,040 --> 02:01:24,480
Speaker 1: we had the mall old him here, Yeah, it's the

2114
02:01:24,560 --> 02:01:31,840
Speaker 1: Kardashian thing. Yeah, how is it being a Kardashiane. It's

2115
02:01:31,920 --> 02:01:36,680
Speaker 1: down for a minute, right at good like you we

2116
02:01:36,760 --> 02:01:39,040
Speaker 1: were taying right at the little mas Ma, can't you

2117
02:01:39,120 --> 02:01:43,040
Speaker 1: swipe right in? He was like left, didn't like that?

2118
02:01:43,360 --> 02:01:46,760
Speaker 1: Bring it down, to break it down that nobody knows nobody, man,

2119
02:01:46,920 --> 02:01:48,800
Speaker 1: I just you know, I don't even look at it

2120
02:01:48,920 --> 02:01:50,440
Speaker 1: like that. I just you know, it looked at it

2121
02:01:50,520 --> 02:01:53,320
Speaker 1: like I went through through a vibe of the vibe

2122
02:01:53,360 --> 02:01:54,640
Speaker 1: for like a year or two years, and know what

2123
02:01:54,640 --> 02:01:58,000
Speaker 1: I'm saying, for the vibe you had going through a

2124
02:01:58,080 --> 02:02:00,600
Speaker 1: vibe with the at the yallow, with the y'all that

2125
02:02:00,760 --> 02:02:03,920
Speaker 1: was I was trying to enjoyed it. Yeah, great people,

2126
02:02:04,480 --> 02:02:06,280
Speaker 1: a great people. But you know, I didn't even know

2127
02:02:06,360 --> 02:02:08,400
Speaker 1: what there was talking about the Kardashi and curse this

2128
02:02:08,480 --> 02:02:11,640
Speaker 1: and that. I didn't know about the Kardashi incurasee until

2129
02:02:11,640 --> 02:02:13,080
Speaker 1: I had them forgetable out. So I was just like,

2130
02:02:13,560 --> 02:02:17,480
Speaker 1: I don't know what they're talking about in between unforgivable

2131
02:02:17,560 --> 02:02:19,080
Speaker 1: that is the curse hit you gus, y'all know what

2132
02:02:19,200 --> 02:02:22,240
Speaker 1: I'm saying. Everybody be asking me, like the car, the

2133
02:02:22,400 --> 02:02:27,600
Speaker 1: gaff talk. Yeah, asked earlier, the hype the media talk. Yeah,

2134
02:02:27,840 --> 02:02:32,000
Speaker 1: there's great number one. They're great. Yeah, they're great. They're

2135
02:02:32,040 --> 02:02:36,600
Speaker 1: great people. They seem like decent people. Shot to Kim

2136
02:02:36,640 --> 02:02:40,080
Speaker 1: Cads like people I would hired Kim from my lawyer.

2137
02:02:40,680 --> 02:02:42,720
Speaker 1: Kim she was I wanted to be my lawyer, but

2138
02:02:42,880 --> 02:02:45,160
Speaker 1: she was actually trying. She was trying to actually help

2139
02:02:45,200 --> 02:02:47,080
Speaker 1: me bring get Max to be out. Yeah, that's all

2140
02:02:49,080 --> 02:02:51,120
Speaker 1: the shot that Kim man. Kim's get maxed to be out.

2141
02:02:51,360 --> 02:02:53,720
Speaker 1: And I mean, yeah, we have fun. Man, So how

2142
02:02:53,880 --> 02:02:56,000
Speaker 1: was it? Like you usual Paparassi, you gotta be like,

2143
02:02:56,120 --> 02:02:57,960
Speaker 1: what is it? You gotta go? I just I just

2144
02:02:58,040 --> 02:03:00,400
Speaker 1: think when you deal with any famous joint you're taking,

2145
02:03:00,560 --> 02:03:03,440
Speaker 1: you're taking a lot of light away from your music. Okay,

2146
02:03:03,960 --> 02:03:07,160
Speaker 1: I'm saying, yeah, I feel like there's a lot of

2147
02:03:07,280 --> 02:03:09,280
Speaker 1: there's You're giving people a lot of things to focus

2148
02:03:09,320 --> 02:03:12,280
Speaker 1: on besides what really got you with you back, and

2149
02:03:12,480 --> 02:03:14,800
Speaker 1: you have to do that like the reality shows part too.

2150
02:03:14,840 --> 02:03:19,960
Speaker 1: I mean they they based the they life on on

2151
02:03:20,040 --> 02:03:23,760
Speaker 1: the reality show because Kanye said that they didn't want

2152
02:03:23,840 --> 02:03:26,800
Speaker 1: him to get back together because it's a better plot

2153
02:03:26,920 --> 02:03:28,840
Speaker 1: for her getting back with someone else. Did you feel

2154
02:03:28,880 --> 02:03:33,720
Speaker 1: like that. I feel like I'm asking about that. I mean,

2155
02:03:33,840 --> 02:03:36,640
Speaker 1: this ship was real. Yeah, I mean that's that's how

2156
02:03:36,680 --> 02:03:39,720
Speaker 1: they make That's how they make their living, like their life.

2157
02:03:39,760 --> 02:03:41,920
Speaker 1: So they put their right, i mean, their real life

2158
02:03:41,960 --> 02:03:44,720
Speaker 1: on it. That's how they is their life. Yeah what

2159
02:03:44,760 --> 02:03:46,760
Speaker 1: I'm saying, so their fans know that's real. You know

2160
02:03:46,760 --> 02:03:48,760
Speaker 1: what I'm saying. And in the way they edit that,

2161
02:03:48,920 --> 02:03:51,160
Speaker 1: they edit their life, you know. I mean like I

2162
02:03:51,280 --> 02:03:53,840
Speaker 1: never yeah, I never. I never wanted to be on it,

2163
02:03:53,960 --> 02:03:55,520
Speaker 1: but they told me that that was their life. I

2164
02:03:55,560 --> 02:03:57,520
Speaker 1: had to be on a couple of episodes, so you know,

2165
02:03:58,000 --> 02:03:59,560
Speaker 1: shout to eat. They gave me some money to do it.

2166
02:04:00,040 --> 02:04:03,400
Speaker 1: Time there too, shout out to So they think I

2167
02:04:03,440 --> 02:04:07,160
Speaker 1: didn't see individual, Look, that's crazy. I mean I didn't

2168
02:04:07,200 --> 02:04:09,760
Speaker 1: look I didn't like, I didn't look at it. I

2169
02:04:09,800 --> 02:04:11,560
Speaker 1: didn't look at it like it was it was. It

2170
02:04:11,680 --> 02:04:13,440
Speaker 1: was something bad. That was, you know, my joint at

2171
02:04:13,480 --> 02:04:14,600
Speaker 1: the time. And I was like, you know, I'll do

2172
02:04:14,680 --> 02:04:16,680
Speaker 1: whatever support you know what I'm saying, whatever you're doing.

2173
02:04:17,320 --> 02:04:19,120
Speaker 1: It wasn't like I was looking for a reality show.

2174
02:04:19,160 --> 02:04:23,120
Speaker 1: I was just you know, a guest from that. I

2175
02:04:23,240 --> 02:04:26,760
Speaker 1: produced records on it. Yeah, we did scoring and all

2176
02:04:26,840 --> 02:04:32,800
Speaker 1: that on the eat Hollywood story. I mean, taking to

2177
02:04:32,880 --> 02:04:39,520
Speaker 1: produce is out of control right now. It's crazy because

2178
02:04:40,160 --> 02:04:42,800
Speaker 1: when I was first dealing with h one time they

2179
02:04:42,840 --> 02:04:46,920
Speaker 1: had Lamar old him outside the club. It was crazy

2180
02:04:46,960 --> 02:04:49,240
Speaker 1: because we go outside the club and lamar old him

2181
02:04:49,240 --> 02:04:50,880
Speaker 1: was outside the club by my car and I just

2182
02:04:50,960 --> 02:04:53,560
Speaker 1: didn't do like seven feet And I'm like, yeah, it

2183
02:04:53,640 --> 02:04:55,880
Speaker 1: was like that's the kind of thing they do, Like

2184
02:04:56,840 --> 02:04:59,040
Speaker 1: up did it without us know when we come out

2185
02:04:59,080 --> 02:05:02,400
Speaker 1: side lamar same way? How you just called Loto. I

2186
02:05:02,440 --> 02:05:08,880
Speaker 1: meant the same way. What were ye? Set you up? Bro?

2187
02:05:10,240 --> 02:05:12,800
Speaker 1: Not set you up? But they'll do it without letting

2188
02:05:12,840 --> 02:05:16,400
Speaker 1: me know what I'm saying, Well, let you know right now. Yeah,

2189
02:05:17,280 --> 02:05:22,240
Speaker 1: just to be clear. And we could have not though. Yeah,

2190
02:05:22,400 --> 02:05:25,680
Speaker 1: so they did the opposite way. Okay, okay, okay, so

2191
02:05:25,960 --> 02:05:27,680
Speaker 1: you know what I mean. But and they told me

2192
02:05:27,720 --> 02:05:29,120
Speaker 1: they didn't do it. I'm not how the Lama told

2193
02:05:29,120 --> 02:05:30,560
Speaker 1: them knew it was at what colub we was at

2194
02:05:30,800 --> 02:05:32,120
Speaker 1: but and me and him never had bee. But I

2195
02:05:32,120 --> 02:05:34,960
Speaker 1: don't know. People don't like he dealt with at one point.

2196
02:05:34,960 --> 02:05:37,840
Speaker 1: I dealt with at one point. Yeah, what's over there?

2197
02:05:37,920 --> 02:05:41,680
Speaker 1: Like why beat for a joint period. Yeah, some would

2198
02:05:41,680 --> 02:05:44,040
Speaker 1: beat for for Kardashian. Just be clear. Some would go

2199
02:05:44,080 --> 02:05:46,280
Speaker 1: to war. I've seen it go to war for way less.

2200
02:05:46,720 --> 02:05:49,920
Speaker 1: This is true. We I don't know if you'll see

2201
02:05:50,160 --> 02:05:54,120
Speaker 1: you guys are together. We come from the same code.

2202
02:05:54,120 --> 02:05:55,960
Speaker 1: When he comes from the same code. We don't beat

2203
02:05:58,720 --> 02:06:01,400
Speaker 1: too many sniping going on, too many sniper it's because

2204
02:06:01,400 --> 02:06:03,760
Speaker 1: there's a lot of sniping going So so how is

2205
02:06:03,840 --> 02:06:08,280
Speaker 1: that is after a person after let's just be clear,

2206
02:06:08,560 --> 02:06:10,880
Speaker 1: after a female knows you had a kar dash in,

2207
02:06:11,200 --> 02:06:14,280
Speaker 1: does that your pussy game or does it be like

2208
02:06:14,560 --> 02:06:16,120
Speaker 1: I don't want to because you had a car that

2209
02:06:16,200 --> 02:06:21,200
Speaker 1: You're like, I don't know because you know, it's crazy

2210
02:06:21,280 --> 02:06:23,720
Speaker 1: like once you get a John, all the joints wanted

2211
02:06:23,720 --> 02:06:27,760
Speaker 1: to because they're like he got absolutely that it has

2212
02:06:28,360 --> 02:06:32,160
Speaker 1: It's not like that, Yeah, I mean I just I

2213
02:06:32,280 --> 02:06:35,080
Speaker 1: just feel like, you know, when when that goes, like

2214
02:06:35,120 --> 02:06:37,520
Speaker 1: I was saying, it's just it's more when it comes

2215
02:06:37,560 --> 02:06:39,840
Speaker 1: to me, I worried more about you know what I'm

2216
02:06:39,840 --> 02:06:43,440
Speaker 1: out there on the media on like when I when

2217
02:06:43,480 --> 02:06:45,680
Speaker 1: I when I went through a lot of those famous relationships,

2218
02:06:45,880 --> 02:06:49,760
Speaker 1: it was just basically it made it was starting to

2219
02:06:49,760 --> 02:06:52,720
Speaker 1: feel like I was a reality star or I was

2220
02:06:52,800 --> 02:06:55,520
Speaker 1: turning into something that you didn't sign up for that. Yeah,

2221
02:06:55,560 --> 02:06:57,440
Speaker 1: I didn't sign up for that. And I'm saying that's

2222
02:06:57,440 --> 02:07:00,680
Speaker 1: when French Montana kind of like you know, was becoming

2223
02:07:00,720 --> 02:07:02,960
Speaker 1: like a Hollywood thing, and it was just like, nah, bro,

2224
02:07:03,120 --> 02:07:05,240
Speaker 1: like these things just you know, if I'm sniping, I

2225
02:07:05,640 --> 02:07:11,880
Speaker 1: gotta start doing these things more than underground railroad like yeah, yeah,

2226
02:07:12,040 --> 02:07:15,120
Speaker 1: so you know some underground railroad things. So ever since then,

2227
02:07:15,160 --> 02:07:16,800
Speaker 1: they kind of taught me a lesson, like I'm not

2228
02:07:16,880 --> 02:07:19,320
Speaker 1: broadcasting whoever I go out, so it might be some

2229
02:07:19,880 --> 02:07:21,400
Speaker 1: something even bigger than that that I went through that

2230
02:07:21,400 --> 02:07:25,240
Speaker 1: I wouldn't even want people to know. Big time. It's

2231
02:07:25,240 --> 02:07:29,720
Speaker 1: about to tell us girls, I just said, yeah, I

2232
02:07:29,840 --> 02:07:35,560
Speaker 1: mean it's a royalty. Just remember I told you Spit

2233
02:07:35,800 --> 02:07:43,720
Speaker 1: movie I had had a princess like Morocco. Right, yeah,

2234
02:07:43,960 --> 02:07:48,320
Speaker 1: Big Europe, just euro you're talking about part of Europe.

2235
02:07:48,360 --> 02:07:51,880
Speaker 1: Let's just honing a little when we're talking about the

2236
02:07:51,960 --> 02:07:57,360
Speaker 1: process of somewhere like something. Yeah, you know, precess of Europe. Smart, Yeah,

2237
02:07:57,400 --> 02:08:01,080
Speaker 1: that's the one at listens it from listen by stuff.

2238
02:08:01,240 --> 02:08:03,400
Speaker 1: You're just saying the name and you're staying on the

2239
02:08:05,200 --> 02:08:08,440
Speaker 1: let me tell yourself what's the difference between Dubai and

2240
02:08:08,520 --> 02:08:12,080
Speaker 1: Abu Dhabi. It's a big difference. I mean it's it's

2241
02:08:12,160 --> 02:08:16,040
Speaker 1: close to the queens. Dubai don't like flint stones and

2242
02:08:16,120 --> 02:08:34,200
Speaker 1: Abba Dabi. Dude, that's because it was pretty good. Because

2243
02:08:34,240 --> 02:08:36,160
Speaker 1: you also you also had you got told your cat

2244
02:08:36,640 --> 02:08:42,440
Speaker 1: and show you cats like a Philly shop on the songs.

2245
02:08:42,480 --> 02:08:49,960
Speaker 1: It's clear. Let's let's just you don't know what I

2246
02:08:50,080 --> 02:08:55,080
Speaker 1: so much ship, take your shot, take your shot. So

2247
02:08:55,280 --> 02:09:03,040
Speaker 1: it's quick celebrating ce celebrating. This is without drinking, I

2248
02:09:06,280 --> 02:09:09,440
Speaker 1: because because you gotta drink with doja cap, right huh.

2249
02:09:10,000 --> 02:09:13,920
Speaker 1: And you know that there was a rumor, yeah she

2250
02:09:14,120 --> 02:09:21,600
Speaker 1: was in racial chat rooms showing feet. That's Cap showing

2251
02:09:21,640 --> 02:09:26,520
Speaker 1: her feet. I didn't see that. I think, you know,

2252
02:09:28,040 --> 02:09:30,680
Speaker 1: I just think, man, you know every artist is gonna

2253
02:09:30,680 --> 02:09:31,800
Speaker 1: have you know what I'm saying that up to the

2254
02:09:31,960 --> 02:09:33,960
Speaker 1: down and but you ain't supposed to be in racial

2255
02:09:34,080 --> 02:09:39,400
Speaker 1: chat rooms though the room. But this is this is

2256
02:09:39,520 --> 02:09:42,680
Speaker 1: the capital people, the people that stom the Capitol. So

2257
02:09:42,800 --> 02:09:45,080
Speaker 1: it's like a Trump chat room. Not for for what

2258
02:09:45,240 --> 02:09:47,880
Speaker 1: I know, for what I know at my time being

2259
02:09:47,920 --> 02:09:50,080
Speaker 1: with her and this and that she's not She ain't

2260
02:09:50,120 --> 02:09:52,680
Speaker 1: nothing like that, I know. But you know this actual

2261
02:09:52,760 --> 02:09:57,640
Speaker 1: footage in the y'all y'all yeah lines, I didn't see it.

2262
02:09:57,640 --> 02:10:01,360
Speaker 1: I see it. It disturbed me. But she ain't like that.

2263
02:10:01,480 --> 02:10:05,040
Speaker 1: She's not racist, No, she's not. Yeah, she's anti that.

2264
02:10:05,360 --> 02:10:09,400
Speaker 1: She's a beautiful person, a man. She's not white for

2265
02:10:09,440 --> 02:10:13,440
Speaker 1: the money now she's she's actually she's actually very black.

2266
02:10:14,160 --> 02:10:16,640
Speaker 1: If you hear that record, though, you'll know she ain't racist.

2267
02:10:17,440 --> 02:10:21,480
Speaker 1: She's a project chick, she's a nah. I thought that

2268
02:10:21,560 --> 02:10:26,000
Speaker 1: was that was that was her. Yeah, I don't gonna

2269
02:10:26,080 --> 02:10:29,800
Speaker 1: against I went onto it one day. I said, what

2270
02:10:30,040 --> 02:10:33,840
Speaker 1: is don't your cat trend there for? And people just

2271
02:10:33,880 --> 02:10:36,040
Speaker 1: sent me links with hard with like hacks all Jim

2272
02:10:36,120 --> 02:10:38,800
Speaker 1: Duggan looking dude, yeah, black, you know what I'm saying, Like,

2273
02:10:38,960 --> 02:10:40,720
Speaker 1: you know, you know the dudes that you know what's racist?

2274
02:10:40,720 --> 02:10:43,360
Speaker 1: They running around with four by four, they got a truck,

2275
02:10:43,400 --> 02:10:45,800
Speaker 1: a hat on its bass. You know what I'm saying, like,

2276
02:10:46,880 --> 02:10:50,200
Speaker 1: and they fish. You know, I'm saying, like your man

2277
02:10:50,840 --> 02:10:54,680
Speaker 1: for knowing the rest of the Yeah, you know, Jim

2278
02:10:55,000 --> 02:10:58,760
Speaker 1: said nigger before come on on the four by four.

2279
02:10:59,280 --> 02:11:07,280
Speaker 1: He's on the Ronaldo shot. The got weird. I'm sorry.

2280
02:11:07,280 --> 02:11:09,800
Speaker 1: I just tried to understand what she was going through

2281
02:11:09,840 --> 02:11:11,880
Speaker 1: to me in these racial track rooms. That's all. That's all.

2282
02:11:11,880 --> 02:11:13,760
Speaker 1: I don't got no problems with that, nothing, nothing, nothing.

2283
02:11:13,880 --> 02:11:16,560
Speaker 1: I love that it got weird, all right, I mean

2284
02:11:16,720 --> 02:11:19,320
Speaker 1: I got it got weird. That video it looked like

2285
02:11:19,400 --> 02:11:22,240
Speaker 1: a movie. Yeah, she ran up on you on your birthday.

2286
02:11:22,280 --> 02:11:25,280
Speaker 1: She said, album's not gonna come out unless the video. Yeah,

2287
02:11:25,560 --> 02:11:27,120
Speaker 1: and the video is done, supposed to come out today,

2288
02:11:27,200 --> 02:11:32,840
Speaker 1: but okay, we're gonna drop it tomorrow. She had porky Yeah. Yeah,

2289
02:11:32,880 --> 02:11:36,160
Speaker 1: she kind of directed the video. Everything. Okay, cool. She

2290
02:11:36,240 --> 02:11:38,280
Speaker 1: can't be racist, She's right now, That's what I'm saying.

2291
02:11:38,840 --> 02:11:49,840
Speaker 1: That's what's up. Definitely, okay. So okay, you've got so

2292
02:11:49,960 --> 02:11:53,280
Speaker 1: many records with Drake, right, but one of them no stylus. Yeah,

2293
02:11:53,920 --> 02:11:58,080
Speaker 1: why don't like styles? I mean I think, I think,

2294
02:11:58,160 --> 02:11:59,640
Speaker 1: I don't know. I feel like I was on the

2295
02:11:59,680 --> 02:12:03,080
Speaker 1: stat Yeah he wasn't. We was in d R by

2296
02:12:03,120 --> 02:12:05,640
Speaker 1: the way. It was the poppy woman you dressed up like,

2297
02:12:05,680 --> 02:12:13,160
Speaker 1: that's the same that was yeah, that was yeah. That

2298
02:12:13,240 --> 02:12:18,280
Speaker 1: was no shopping with no saucy, no shop. Yeah, yeah,

2299
02:12:19,160 --> 02:12:22,480
Speaker 1: YEAHDS in New York, but no stylus, you know, because

2300
02:12:22,560 --> 02:12:24,640
Speaker 1: you know, we made the culture, you know what I'm saying.

2301
02:12:24,720 --> 02:12:28,120
Speaker 1: So so we made the culture or something like yo, bro,

2302
02:12:28,280 --> 02:12:32,560
Speaker 1: like we gotta we gotta get the people that that

2303
02:12:32,760 --> 02:12:36,080
Speaker 1: had any you know, effect on the culture like that.

2304
02:12:36,160 --> 02:12:38,440
Speaker 1: We gotta get Slick Rick. He was the first one

2305
02:12:38,520 --> 02:12:40,560
Speaker 1: to show us how to wear a chains when you

2306
02:12:40,640 --> 02:12:43,560
Speaker 1: put up no stylars, single want slick Rick? I like that. Yeah,

2307
02:12:43,560 --> 02:12:45,680
Speaker 1: I mean we kind of we kind of we kind

2308
02:12:45,720 --> 02:12:48,560
Speaker 1: of just called everybody that influenced the culture. And I

2309
02:12:48,640 --> 02:12:52,200
Speaker 1: felt like from from from the the young ones, I

2310
02:12:52,320 --> 02:13:07,040
Speaker 1: called Doug Um no that then, no that co But

2311
02:13:07,440 --> 02:13:11,240
Speaker 1: I was I was just going for people that started things.

2312
02:13:11,280 --> 02:13:14,760
Speaker 1: And I'm saying, like camera did the pink vibe, you know,

2313
02:13:14,760 --> 02:13:18,600
Speaker 1: I had him up slick Rick with chains and yeah

2314
02:13:18,720 --> 02:13:24,000
Speaker 1: dapping then you know. But I mean what I mean,

2315
02:13:24,560 --> 02:13:26,880
Speaker 1: they could have came with some yeasy like he just

2316
02:13:27,400 --> 02:13:34,840
Speaker 1: wasn't out pink polo star pink polo. Well no, the

2317
02:13:34,880 --> 02:13:39,680
Speaker 1: pink polo is ye easy, pain came on, but it

2318
02:13:39,800 --> 02:13:42,920
Speaker 1: gotta be gamester pink. You just can't be any pain. No, No,

2319
02:13:43,080 --> 02:13:46,120
Speaker 1: that's too it's too it's too confusing. And now Young

2320
02:13:46,200 --> 02:13:49,600
Speaker 1: Dunker's rocking pink too, he gotta pick speak. Yeah, so

2321
02:13:50,000 --> 02:13:51,600
Speaker 1: I don't know what's going on. Yeah, but that's what

2322
02:13:51,640 --> 02:13:54,280
Speaker 1: I'm saying. Camera invented pink. That's all he was. He

2323
02:13:54,400 --> 02:13:58,680
Speaker 1: was doing hip hop. Yeah, he invented making pink. Yeah,

2324
02:13:59,000 --> 02:14:02,760
Speaker 1: so everyone else it's pretty much at the camp. Yeah.

2325
02:14:02,920 --> 02:14:08,680
Speaker 1: I think we can make some noise for that, and

2326
02:14:08,760 --> 02:14:12,720
Speaker 1: you will meet me while making records together. We got

2327
02:14:12,760 --> 02:14:14,920
Speaker 1: a bunch of records. We actually were just working on

2328
02:14:15,040 --> 02:14:18,920
Speaker 1: some music and on Bahamas when I went to go don't. Yeah,

2329
02:14:18,960 --> 02:14:22,240
Speaker 1: so we worked on it and you hit the rumors

2330
02:14:22,280 --> 02:14:25,240
Speaker 1: about meet trying and leave. MMG. I know ain't got

2331
02:14:25,240 --> 02:14:28,360
Speaker 1: gonna do with you, but just asking anyway, um man um,

2332
02:14:29,440 --> 02:14:31,280
Speaker 1: you know the media makeup all type of things, you

2333
02:14:31,320 --> 02:14:33,720
Speaker 1: know what I'm saying. Yeah, I just think you know,

2334
02:14:34,000 --> 02:14:35,960
Speaker 1: we all came in the game together as brothers, and

2335
02:14:36,080 --> 02:14:38,400
Speaker 1: I don't see you no other way besides that. For me,

2336
02:14:38,480 --> 02:14:42,040
Speaker 1: were all smeek quil. I feel like, you know, everybody's

2337
02:14:42,040 --> 02:14:43,360
Speaker 1: just doing their own thing. I mean, you know, the

2338
02:14:43,480 --> 02:14:46,560
Speaker 1: quarantine and all this going on to everybody in different places,

2339
02:14:46,600 --> 02:14:48,680
Speaker 1: everybody getting used to they space but I feel like

2340
02:14:48,720 --> 02:14:50,520
Speaker 1: we are brothers. You know, at the end of the day,

2341
02:14:51,280 --> 02:14:52,440
Speaker 1: what do you what do you? What do you feel

2342
02:14:52,480 --> 02:14:56,040
Speaker 1: about that? What he said, I mean asking you. You

2343
02:14:56,120 --> 02:14:58,120
Speaker 1: can't think, I can't think like French. You gotta think,

2344
02:14:58,160 --> 02:15:00,520
Speaker 1: like he said to their unit. So he anything for him.

2345
02:15:00,520 --> 02:15:05,720
Speaker 1: So I feel like I feel like I feel like

2346
02:15:05,760 --> 02:15:09,040
Speaker 1: if there's a situation, if a situation was to happen

2347
02:15:09,120 --> 02:15:13,440
Speaker 1: to meet Ross while anybody, everybody's gonna be like, damn,

2348
02:15:13,520 --> 02:15:15,920
Speaker 1: that was my dog. What I'm saying like that, like

2349
02:15:16,040 --> 02:15:20,520
Speaker 1: something happened like traffic. Yeah, you always sorry always and

2350
02:15:20,800 --> 02:15:23,600
Speaker 1: they're not talking. We all go through that like like

2351
02:15:23,840 --> 02:15:26,680
Speaker 1: like a normal fan, like any fans other than I'm

2352
02:15:26,680 --> 02:15:29,320
Speaker 1: speaking to UM something I want to say their name.

2353
02:15:29,400 --> 02:15:33,320
Speaker 1: I'm speaking to someone UM and he's saying that irv

2354
02:15:34,520 --> 02:15:39,360
Speaker 1: um irvst wrong or harvest right because a shanty wants

2355
02:15:39,360 --> 02:15:42,120
Speaker 1: to do her records over and she wants to own

2356
02:15:42,160 --> 02:15:44,160
Speaker 1: her masters to do a record over over the couple

2357
02:15:44,160 --> 02:15:46,720
Speaker 1: of law any of us can do to tail the Swift, Yeah, yeah,

2358
02:15:47,120 --> 02:15:51,120
Speaker 1: the Swift just did. So they're like, yo, Shanti is

2359
02:15:51,160 --> 02:15:52,760
Speaker 1: wrong for that. And I said, damn, you know what's

2360
02:15:52,760 --> 02:15:55,120
Speaker 1: fun up about me? Is for my second album, I

2361
02:15:55,200 --> 02:15:59,040
Speaker 1: side myself. So actually yeah, from from an r E album,

2362
02:15:59,200 --> 02:16:04,400
Speaker 1: I incorporated Military Entertainment. SCREM wasn't maintainment at that time,

2363
02:16:04,880 --> 02:16:06,720
Speaker 1: and I did a deal with me, so they had

2364
02:16:06,760 --> 02:16:09,720
Speaker 1: to deal. This is what maintainment. So I get you,

2365
02:16:09,880 --> 02:16:13,080
Speaker 1: I get from on a production tip, but I was

2366
02:16:13,160 --> 02:16:14,800
Speaker 1: never a label, so I never I still don't own

2367
02:16:14,840 --> 02:16:17,400
Speaker 1: the masters, so on that bar, I would want to

2368
02:16:17,440 --> 02:16:20,440
Speaker 1: go in and own the masters. So when they talking,

2369
02:16:20,480 --> 02:16:24,160
Speaker 1: they're like, yo, Ashanti is a little wrong because she's

2370
02:16:24,160 --> 02:16:27,320
Speaker 1: going in to recreate these So now he gets talked

2371
02:16:27,320 --> 02:16:30,720
Speaker 1: out of the masters. But in retrospect, I agree with

2372
02:16:30,840 --> 02:16:34,640
Speaker 1: the artists, but they still get no once no no

2373
02:16:34,879 --> 02:16:37,080
Speaker 1: if no once. If I go in and we do

2374
02:16:37,200 --> 02:16:39,200
Speaker 1: my whole album of friends, cloes in and read us

2375
02:16:39,320 --> 02:16:42,320
Speaker 1: his whole So what happens to those old records that

2376
02:16:42,360 --> 02:16:45,160
Speaker 1: are out there, well, actually under the cover of law

2377
02:16:45,440 --> 02:16:48,400
Speaker 1: that it's actually worded as they're already been paid, so

2378
02:16:48,480 --> 02:16:50,360
Speaker 1: they still get their publishing, but they don't have to

2379
02:16:50,400 --> 02:16:52,560
Speaker 1: be paid again. But do they replace them on on

2380
02:16:52,959 --> 02:16:58,920
Speaker 1: platforms or it's the two options. The two options. Yeah,

2381
02:16:59,000 --> 02:17:01,920
Speaker 1: like like tell Us joined seid tell a version right,

2382
02:17:03,000 --> 02:17:04,800
Speaker 1: so like the friends want to do that. So I

2383
02:17:04,840 --> 02:17:07,680
Speaker 1: mean that's fair. I think that's totally fair because the

2384
02:17:07,800 --> 02:17:10,040
Speaker 1: vision still there. But but now if you're the label,

2385
02:17:10,160 --> 02:17:11,960
Speaker 1: you get totally nothing out of that. No, that's not

2386
02:17:12,040 --> 02:17:20,680
Speaker 1: true because version, you get nothing out of the new version. Version. Yeah,

2387
02:17:21,560 --> 02:17:23,800
Speaker 1: the new version might not sound like that might it's

2388
02:17:24,280 --> 02:17:30,720
Speaker 1: it's not going to but but it's different. But in

2389
02:17:30,800 --> 02:17:33,199
Speaker 1: the world, like tell Er Swift, when you got these fans,

2390
02:17:33,440 --> 02:17:35,400
Speaker 1: you know, this is the greatest part of my job

2391
02:17:35,760 --> 02:17:38,760
Speaker 1: is to see who got the elless fans. Like so

2392
02:17:38,840 --> 02:17:42,000
Speaker 1: many of these people fans are die hard whatever you say,

2393
02:17:42,040 --> 02:17:44,240
Speaker 1: they're going for. So if so, like I said, like

2394
02:17:44,640 --> 02:17:46,480
Speaker 1: I got I got, I feel like I got five

2395
02:17:46,560 --> 02:17:48,720
Speaker 1: hundred thousand Niggers still making out there. Like if I

2396
02:17:48,879 --> 02:17:50,920
Speaker 1: was a found of thousand people still out there, if

2397
02:17:50,920 --> 02:17:53,200
Speaker 1: I was to go make the war report over, make

2398
02:17:53,280 --> 02:17:56,280
Speaker 1: the an R over, make mother over, I think there's

2399
02:17:56,600 --> 02:17:59,200
Speaker 1: a good chance that I'll be able to go gold again.

2400
02:17:59,280 --> 02:18:01,440
Speaker 1: Sounds like miss you know, no, I don't want to

2401
02:18:01,440 --> 02:18:02,959
Speaker 1: do it at all. I wanted to deal. I want

2402
02:18:03,000 --> 02:18:05,520
Speaker 1: to I want to go to times. Please cut me

2403
02:18:05,600 --> 02:18:09,080
Speaker 1: in not a little bit. But true fans ain't gonna

2404
02:18:09,080 --> 02:18:10,800
Speaker 1: sunk with it. I'm gonna tell you why, because they're

2405
02:18:10,840 --> 02:18:13,840
Speaker 1: gonna want to hear you, hungry you right out out

2406
02:18:13,920 --> 02:18:17,360
Speaker 1: the bend. Just want to two fans who suck me

2407
02:18:17,680 --> 02:18:20,960
Speaker 1: the podcast. No, I mean even if he did on

2408
02:18:21,000 --> 02:18:25,520
Speaker 1: the same bead once Ceen, that's a newer version and

2409
02:18:25,560 --> 02:18:27,920
Speaker 1: a whole will be different from wearing the shirt with

2410
02:18:28,240 --> 02:18:32,199
Speaker 1: real Yeah. Yeah yeah, is that something you're interested in? Yeah,

2411
02:18:32,800 --> 02:18:35,520
Speaker 1: but you puppa cool you you can actually go to puppers. Yeah,

2412
02:18:36,280 --> 02:18:38,360
Speaker 1: let me buy back whatever. I gotta buy back if

2413
02:18:38,400 --> 02:18:40,840
Speaker 1: you want to. But definitely, but um, I think the

2414
02:18:40,920 --> 02:18:43,360
Speaker 1: label probably owned those I'm saying we had a joint ventures,

2415
02:18:43,440 --> 02:18:47,640
Speaker 1: right yeah, and it's coping and and um and epic Okay,

2416
02:18:48,000 --> 02:18:49,480
Speaker 1: you know what I mean. But you know with us too,

2417
02:18:49,680 --> 02:18:53,200
Speaker 1: like us US artists sometimes it's like a lot of people, um,

2418
02:18:54,080 --> 02:18:57,480
Speaker 1: like me, I'm not the longevity artist, right so so

2419
02:18:57,760 --> 02:19:00,400
Speaker 1: thank you bro. So it's like, so when I put

2420
02:19:00,440 --> 02:19:02,840
Speaker 1: out albums, they do good over time, like all my

2421
02:19:02,879 --> 02:19:06,040
Speaker 1: albums like platinum, gold and this and that, and I'm saying,

2422
02:19:06,040 --> 02:19:08,560
Speaker 1: but it took time to get there, but they but

2423
02:19:08,840 --> 02:19:10,840
Speaker 1: they all get there, you know what I'm saying. So

2424
02:19:11,000 --> 02:19:15,280
Speaker 1: it's like you know, um the like you said, like

2425
02:19:15,320 --> 02:19:17,040
Speaker 1: a tailor swift and this and that, those are like

2426
02:19:17,160 --> 02:19:19,840
Speaker 1: the instant ones and what I'm saying. So it's like

2427
02:19:20,879 --> 02:19:23,320
Speaker 1: it's just just still even like like I'm mix tapes.

2428
02:19:24,120 --> 02:19:25,959
Speaker 1: It's like I want to put all my mix cause

2429
02:19:26,440 --> 02:19:29,480
Speaker 1: one mix tapes you can put those. Yeah, but those

2430
02:19:29,560 --> 02:19:32,520
Speaker 1: got samples. Yeah okay, so those those will be the

2431
02:19:32,560 --> 02:19:34,600
Speaker 1: things that I would redo over. You can do nft

2432
02:19:34,720 --> 02:19:39,720
Speaker 1: all that motherfucking ship. Yeah yeah, so those are so yeah,

2433
02:19:40,400 --> 02:19:45,080
Speaker 1: I got about five because from the industry bullshit of

2434
02:19:45,120 --> 02:19:47,920
Speaker 1: all the publishing ship. You can give everybody their money,

2435
02:19:48,480 --> 02:19:50,840
Speaker 1: whoever is involved in the in the mix tape ship. Yeah,

2436
02:19:52,720 --> 02:19:57,800
Speaker 1: that's that's what everybody. Shut your bigcoin water down, brou

2437
02:19:58,400 --> 02:20:03,000
Speaker 1: want you want to show bitcoin. I don't got no

2438
02:20:03,120 --> 02:20:07,160
Speaker 1: big coins. You got you got. The younger though, he's like,

2439
02:20:07,240 --> 02:20:12,039
Speaker 1: what you're talking about? Ether etherem etherrem is the truth.

2440
02:20:12,080 --> 02:20:16,040
Speaker 1: Though I'm learning a little bit a little like vibe. Now,

2441
02:20:16,080 --> 02:20:19,640
Speaker 1: we're good, we're good. How about her heart bases in

2442
02:20:19,959 --> 02:20:22,119
Speaker 1: I'm not even a friend. I'll be frying. No, I'll

2443
02:20:22,120 --> 02:20:24,320
Speaker 1: just go to the parties. I drink this ship to

2444
02:20:24,720 --> 02:20:29,200
Speaker 1: you like art, Like come on, this ship. Think. It's like, like,

2445
02:20:29,280 --> 02:20:31,680
Speaker 1: are you guys do art get the funk out of paintings.

2446
02:20:31,959 --> 02:20:34,280
Speaker 1: I don't like art paintings. It's difference. I like to

2447
02:20:34,360 --> 02:20:37,000
Speaker 1: make you don't like. But you want to sing about him?

2448
02:20:37,080 --> 02:20:39,880
Speaker 1: You know? Yeah, because somebody got a piece. You know

2449
02:20:39,920 --> 02:20:44,000
Speaker 1: what I'm saying, Like it works? You own art? Yeah,

2450
02:20:44,040 --> 02:20:47,120
Speaker 1: me neither. No, I have to put it in a

2451
02:20:47,200 --> 02:20:51,760
Speaker 1: safe right now. You rather have Jermy, That's what we're saying. Yeah,

2452
02:20:51,840 --> 02:20:54,520
Speaker 1: that's the art you appreciate. Yeah, the Pritchard Milly is

2453
02:20:55,080 --> 02:20:58,360
Speaker 1: and that's art. Well, let's see about a million dollar

2454
02:20:58,480 --> 02:21:04,480
Speaker 1: dogs come from about me dollar right there, and I

2455
02:21:04,520 --> 02:21:08,760
Speaker 1: got them a holy moniq Moly nods to watch conseur

2456
02:21:08,920 --> 02:21:24,320
Speaker 1: now show merrists now down. That's just like went out

2457
02:21:24,360 --> 02:21:26,600
Speaker 1: the dog man. I don't know if they come back.

2458
02:21:26,600 --> 02:21:30,360
Speaker 1: I'm ready for you. If it comes back, super ready

2459
02:21:30,440 --> 02:21:33,920
Speaker 1: for super read whatever whever trend to go to. So

2460
02:21:34,360 --> 02:21:38,400
Speaker 1: speaking on that, No, stylus, are you a fashion week

2461
02:21:38,440 --> 02:21:40,920
Speaker 1: type of dude? You go to fashion week? Pop a

2462
02:21:40,920 --> 02:21:42,960
Speaker 1: couple of ships? Yeah, I go to fashion Week, but

2463
02:21:43,280 --> 02:21:47,880
Speaker 1: but the yah, yeah, your painting, but you know, coming

2464
02:21:48,000 --> 02:21:50,119
Speaker 1: coming from coming from where we come from. It wasn't

2465
02:21:50,120 --> 02:21:51,960
Speaker 1: It wasn't like really like we didn't grow up in

2466
02:21:52,040 --> 02:21:55,480
Speaker 1: on that on that fashion. I mean you can relate

2467
02:21:55,560 --> 02:21:58,200
Speaker 1: to what I'm saying like that like now dipping that

2468
02:21:58,360 --> 02:22:01,080
Speaker 1: with what I'm saying, try to support you know whoever

2469
02:22:01,160 --> 02:22:03,880
Speaker 1: support us, you know, because that's the industry that like

2470
02:22:04,000 --> 02:22:07,040
Speaker 1: Pierce More, Yeah, that's that's that's that's fashion is like

2471
02:22:07,080 --> 02:22:08,960
Speaker 1: an industry like Africa. And I'm saying, like a lot

2472
02:22:09,000 --> 02:22:11,760
Speaker 1: of people just use the culture and don't get back

2473
02:22:11,800 --> 02:22:13,160
Speaker 1: to it. And what I'm saying, that's how I always

2474
02:22:13,200 --> 02:22:15,400
Speaker 1: felt about it. But I love I love all the

2475
02:22:15,800 --> 02:22:17,800
Speaker 1: all the pure and I'm saying artists that you know

2476
02:22:17,879 --> 02:22:19,760
Speaker 1: that that that that do their thing, but I always

2477
02:22:19,760 --> 02:22:21,200
Speaker 1: feel like, you know, they always have us front row,

2478
02:22:21,240 --> 02:22:23,800
Speaker 1: but never give us positions in there. But shot Louis

2479
02:22:23,879 --> 02:22:26,360
Speaker 1: va Tom for doing it for Virgil. What I'm saying

2480
02:22:26,400 --> 02:22:29,040
Speaker 1: that shot to all the all the people that want

2481
02:22:29,080 --> 02:22:30,680
Speaker 1: to get back to our culture. You're gonna wear some

2482
02:22:30,800 --> 02:22:35,080
Speaker 1: gap easy, Definitely. I've been up in the air with it.

2483
02:22:35,920 --> 02:22:38,520
Speaker 1: To real estate, if you want to know't gonna blow

2484
02:22:38,560 --> 02:22:44,840
Speaker 1: them up like that Fort said, we should talk about

2485
02:22:46,040 --> 02:22:50,080
Speaker 1: my man flipping houses. Say you're flipping houses. That's what's

2486
02:22:50,120 --> 02:22:52,360
Speaker 1: going on. Man, I'm looking at my thing. You're like

2487
02:22:52,440 --> 02:22:59,080
Speaker 1: flipping NJ but flipping. Yeah, So you gotta diversify your portfolio.

2488
02:22:59,480 --> 02:23:02,160
Speaker 1: He's in the rip though, he's in the yeah truck

2489
02:23:02,480 --> 02:23:08,920
Speaker 1: youbody overseas landing or cribs over you in Morocco. Little,

2490
02:23:09,120 --> 02:23:11,240
Speaker 1: I mean I would imagine, but yeah, a little. So.

2491
02:23:11,600 --> 02:23:14,160
Speaker 1: I just I just bought Paul George crib and I

2492
02:23:14,280 --> 02:23:17,040
Speaker 1: like about three decorate that. If you don't know that's

2493
02:23:17,080 --> 02:23:27,560
Speaker 1: the basketball player. Yeah, I mean s sometime. That's why

2494
02:23:27,560 --> 02:23:31,840
Speaker 1: I need it next to me. Good. So we've seen

2495
02:23:31,920 --> 02:23:33,760
Speaker 1: the other house where you have at the big bear door.

2496
02:23:34,400 --> 02:23:38,080
Speaker 1: This is I think that was his house. Yeah, that's

2497
02:23:40,040 --> 02:23:42,480
Speaker 1: that's the one who was Sean was knocking down at

2498
02:23:42,520 --> 02:23:46,440
Speaker 1: one point. I don't know who, but we got big

2499
02:23:46,480 --> 02:23:51,400
Speaker 1: Sean Saturday. Here you talking about talk about Macmiller girl,

2500
02:23:51,840 --> 02:24:00,280
Speaker 1: Oh oh different the same ye, some of the some

2501
02:24:00,440 --> 02:24:11,400
Speaker 1: of the shapes. Yeah, hang Frenchman. I'm gonna tell you man,

2502
02:24:11,480 --> 02:24:13,840
Speaker 1: I'm so proud of you, man, real talk. I wanted to,

2503
02:24:13,879 --> 02:24:15,360
Speaker 1: you know, with you little because I know you can

2504
02:24:15,400 --> 02:24:20,480
Speaker 1: handle it and you know it's beautiful because you know

2505
02:24:20,560 --> 02:24:22,400
Speaker 1: you wasn't one of my favorite people to get drunk

2506
02:24:22,440 --> 02:24:25,480
Speaker 1: with you hold it down, but I also want it

2507
02:24:25,600 --> 02:24:28,560
Speaker 1: to be one of my favorite people to just happen.

2508
02:24:30,200 --> 02:24:32,680
Speaker 1: That's the reason why I chose because you know, one

2509
02:24:33,440 --> 02:24:35,240
Speaker 1: I thought I see you was a skit. I didn't

2510
02:24:35,320 --> 02:24:37,560
Speaker 1: know I was really like I said, until I saw

2511
02:24:37,920 --> 02:24:40,560
Speaker 1: ebro in the morning and I felt like you nailed it.

2512
02:24:40,760 --> 02:24:43,840
Speaker 1: So um, I didn't really want to uh reenerate that,

2513
02:24:43,920 --> 02:24:47,240
Speaker 1: but I didn't realize I'm seriously yes. So I would

2514
02:24:47,240 --> 02:24:49,320
Speaker 1: always want to celebrate life with you. Of course, I

2515
02:24:49,360 --> 02:24:51,840
Speaker 1: always want you to know that. Man, I'm very, very

2516
02:24:51,879 --> 02:24:55,640
Speaker 1: proud of you. I'm proud of you. Know you deserve

2517
02:24:55,680 --> 02:24:58,400
Speaker 1: all the accolades, but just be clear that role. A

2518
02:24:58,400 --> 02:25:00,320
Speaker 1: lot of people just see the success of you, they

2519
02:25:00,400 --> 02:25:03,000
Speaker 1: see from here and then they see here. They don't

2520
02:25:03,040 --> 02:25:08,520
Speaker 1: understand the journey to do that, and me being who

2521
02:25:08,600 --> 02:25:10,960
Speaker 1: I am, I know how hard it is and right now,

2522
02:25:11,120 --> 02:25:14,760
Speaker 1: being a rappers the most dangerous job job on Earth.

2523
02:25:15,000 --> 02:25:17,760
Speaker 1: I'm gonna end on that with that, like what like

2524
02:25:18,520 --> 02:25:22,360
Speaker 1: at first, I think Jim Jones said it. Jim Jones

2525
02:25:22,360 --> 02:25:24,880
Speaker 1: said being a rapper is one of the most dangerous jobs,

2526
02:25:25,040 --> 02:25:27,280
Speaker 1: and all the people from the military you know, they

2527
02:25:27,360 --> 02:25:30,440
Speaker 1: came in and they condemned Jim Jones and and then

2528
02:25:30,600 --> 02:25:34,400
Speaker 1: within two weeks like because we was making it knowing

2529
02:25:34,480 --> 02:25:36,640
Speaker 1: like yo, listen, the reason why we're saying this, We're

2530
02:25:36,640 --> 02:25:39,360
Speaker 1: not saying the military isn't dangerous. YEA say, we know

2531
02:25:39,440 --> 02:25:42,800
Speaker 1: the militaries day, but y'all at war. They actually signed

2532
02:25:42,840 --> 02:25:45,520
Speaker 1: a contract to the war. We signed a contract to

2533
02:25:45,560 --> 02:25:48,440
Speaker 1: make our life better. And we're in the war that

2534
02:25:48,560 --> 02:25:51,160
Speaker 1: we don't even know whe're fighting. So do you agree

2535
02:25:51,200 --> 02:25:54,000
Speaker 1: with that? Like, yeah, broken, I don't want to know cash,

2536
02:25:54,080 --> 02:25:56,000
Speaker 1: you just want to kill you, Like you know what

2537
02:25:56,000 --> 02:25:58,720
Speaker 1: I'm saying. Jay Z said the best as you're a

2538
02:25:58,800 --> 02:26:00,959
Speaker 1: target when you step outside, from the moment you walk

2539
02:26:01,000 --> 02:26:03,240
Speaker 1: outside to the moment you come back home, you ain't

2540
02:26:03,240 --> 02:26:05,320
Speaker 1: guarantee you know, I mean you already not guaranteed then,

2541
02:26:05,480 --> 02:26:08,680
Speaker 1: but this ship is like you know, you don't come

2542
02:26:08,840 --> 02:26:11,560
Speaker 1: like you said, like every rapper then lost somebody in

2543
02:26:11,600 --> 02:26:15,279
Speaker 1: their coup, right, it was like that's like almost a guarantee.

2544
02:26:15,320 --> 02:26:18,360
Speaker 1: Come with the resume. One of your things gonna die

2545
02:26:18,400 --> 02:26:19,760
Speaker 1: when you're getting in there, Like you know what I'm saying,

2546
02:26:19,879 --> 02:26:22,120
Speaker 1: So go out for bid. So that's that's how it is.

2547
02:26:22,240 --> 02:26:24,480
Speaker 1: You know what I'm saying. You gotta move right. Yeah,

2548
02:26:24,600 --> 02:26:27,360
Speaker 1: you gotta move right, man, And and it goes it's

2549
02:26:27,400 --> 02:26:35,280
Speaker 1: like experience drop that. No, that's just better than you.

2550
02:26:36,080 --> 02:26:38,520
Speaker 1: You know, ain't no matter Nah, that's not right, And

2551
02:26:38,600 --> 02:26:41,920
Speaker 1: no matter of security gonna save you. Because at the

2552
02:26:42,000 --> 02:26:43,320
Speaker 1: end of the day, I don't I don't care if

2553
02:26:43,360 --> 02:26:48,920
Speaker 1: you're paying security. Yeah, somebody pulling him out. You're talking

2554
02:26:48,920 --> 02:26:50,680
Speaker 1: about somebody pull a gun out on your security is

2555
02:26:50,680 --> 02:26:52,520
Speaker 1: not jumping in front of the bullet. You're thinking about

2556
02:26:52,520 --> 02:26:56,280
Speaker 1: that that thousands, two thousand, five hundred. You're paying them

2557
02:26:56,560 --> 02:26:59,600
Speaker 1: a day. And he's like, nah, you need somebody. That's

2558
02:26:59,640 --> 02:27:01,840
Speaker 1: one off for you. The stuff of that Russian Puff

2559
02:27:01,920 --> 02:27:06,720
Speaker 1: used to have it around him. Yeah, and I understand, Yeah,

2560
02:27:06,760 --> 02:27:12,000
Speaker 1: Puff got something, but it's him. Shoot, that's some AWA

2561
02:27:12,160 --> 02:27:15,160
Speaker 1: and he was shooting. I think it is humility. Man.

2562
02:27:15,280 --> 02:27:17,240
Speaker 1: You got some awescenarios. He got some people that got

2563
02:27:17,320 --> 02:27:19,520
Speaker 1: called the land, you know, because when they're not catching

2564
02:27:19,600 --> 02:27:22,600
Speaker 1: he got one of the Navy seals like that type

2565
02:27:22,640 --> 02:27:29,480
Speaker 1: of vibe. Yeah, we heard it again again. They got

2566
02:27:29,560 --> 02:27:31,720
Speaker 1: some people that called the land. That's what the people

2567
02:27:31,800 --> 02:27:39,280
Speaker 1: that caught black people black opspotes so they're the ones

2568
02:27:39,320 --> 02:27:41,240
Speaker 1: that Yeah, I think he said black. He got the

2569
02:27:41,240 --> 02:27:44,360
Speaker 1: people that they call up in Latin call. I was like, wow,

2570
02:27:44,400 --> 02:27:49,480
Speaker 1: they called him because you don't see that cast a

2571
02:27:49,600 --> 02:27:52,760
Speaker 1: meal pus a year. But you gotta understand, you know,

2572
02:27:52,840 --> 02:27:55,800
Speaker 1: puff history. What I'm saying, like, that's that's what the

2573
02:27:55,800 --> 02:27:58,960
Speaker 1: album is called. They got they got amnesia. Like the

2574
02:27:59,040 --> 02:28:03,280
Speaker 1: biggest beefs was puff beef and hip hop to me,

2575
02:28:03,360 --> 02:28:05,360
Speaker 1: to date, people died over there, you know what I'm saying.

2576
02:28:05,400 --> 02:28:08,320
Speaker 1: But that's the biggest beef. That that that beef made

2577
02:28:08,440 --> 02:28:11,200
Speaker 1: hip hop. There's still no bigger moment than that moment

2578
02:28:11,240 --> 02:28:14,840
Speaker 1: in hip hop East Coast, West coast. You didn't make

2579
02:28:14,879 --> 02:28:17,560
Speaker 1: it better though, The beef didn't make it better, No,

2580
02:28:17,720 --> 02:28:21,760
Speaker 1: that's what I'm saying. But but it drew um Young

2581
02:28:21,879 --> 02:28:25,160
Speaker 1: Dolf streams went up to a hundred. Yeah, since he

2582
02:28:25,200 --> 02:28:28,240
Speaker 1: passed away. That's not it didn't make that's not saying no,

2583
02:28:28,840 --> 02:28:30,600
Speaker 1: it's not, it's not. But it's not about right or wrong.

2584
02:28:30,920 --> 02:28:36,440
Speaker 1: I'm all about what that id What I'm saying, that's

2585
02:28:36,480 --> 02:28:39,600
Speaker 1: that's that was the biggest moment. It wasn't the right thing,

2586
02:28:40,480 --> 02:28:43,000
Speaker 1: you know what I'm saying. So yeah, so puff learned

2587
02:28:43,040 --> 02:28:44,920
Speaker 1: from that. Back to what I was saying, he learned

2588
02:28:44,959 --> 02:28:48,520
Speaker 1: from that, and that's why his security is he should

2589
02:28:48,560 --> 02:28:52,240
Speaker 1: have he should have that security. But that but definitely

2590
02:28:52,480 --> 02:28:55,360
Speaker 1: you need you need, you need a homeboy. That's why

2591
02:28:55,440 --> 02:28:57,440
Speaker 1: most of the people you see with security will still

2592
02:28:57,520 --> 02:29:01,000
Speaker 1: have they shoot it. Yeah. Yeah, yeah, it's the point

2593
02:29:01,560 --> 02:29:03,440
Speaker 1: because I heard at one point you was leaving sues

2594
02:29:03,600 --> 02:29:05,640
Speaker 1: out of a Cadillac truck and you was letting it go.

2595
02:29:06,120 --> 02:29:15,560
Speaker 1: Is that true? No comments, very true, public, very true.

2596
02:29:18,440 --> 02:29:19,920
Speaker 1: I had to let it go a couple of times.

2597
02:29:22,840 --> 02:29:25,560
Speaker 1: But you know that's that's that's that's the thing. I mean. Look,

2598
02:29:25,600 --> 02:29:27,720
Speaker 1: if you're not if you're not ready to die for yourself,

2599
02:29:27,800 --> 02:29:29,879
Speaker 1: nobody was gonna be ready to die for you. When

2600
02:29:29,920 --> 02:29:33,879
Speaker 1: I heard no Cara Zack, I haven't seen your brother.

2601
02:29:35,160 --> 02:29:43,120
Speaker 1: What's your zac and Morocco? Yeah, stut Zack. Okay, Well,

2602
02:29:43,160 --> 02:29:44,880
Speaker 1: French you got anything? I think I don't think. We

2603
02:29:44,920 --> 02:29:48,640
Speaker 1: pretty much wrapped it up, man, anything man I think.

2604
02:29:51,320 --> 02:29:53,560
Speaker 1: By the way, I'm a Frenchman, a fan. We just

2605
02:29:53,720 --> 02:29:57,240
Speaker 1: let me just say something. Man, I was nervous. I'm

2606
02:29:57,240 --> 02:30:01,520
Speaker 1: gonna tell you why I was nervous, because us It's

2607
02:30:01,520 --> 02:30:05,600
Speaker 1: nothing I don't like the new Eminem. I like the

2608
02:30:05,680 --> 02:30:09,160
Speaker 1: high evenet. There's no disrespect to him, and it's not

2609
02:30:09,320 --> 02:30:12,720
Speaker 1: that I can never live eminem life. So by me

2610
02:30:12,879 --> 02:30:15,680
Speaker 1: saying I want him to take a molly, that's big,

2611
02:30:17,879 --> 02:30:20,280
Speaker 1: maybe he could, you know, make a little blunt that's

2612
02:30:20,360 --> 02:30:25,960
Speaker 1: me for his music, that's for me. So I got nervous.

2613
02:30:26,000 --> 02:30:29,880
Speaker 1: I said, damn, I love lock Jaw, and I mean,

2614
02:30:31,400 --> 02:30:34,400
Speaker 1: so how can Frank do it? But you know what's

2615
02:30:34,520 --> 02:30:38,960
Speaker 1: what's what you got going for you? Your focusedness is

2616
02:30:39,120 --> 02:30:43,880
Speaker 1: replacing the highness, the highness that I'm used to that

2617
02:30:43,959 --> 02:30:47,000
Speaker 1: out or walk from you. It's so focused because like

2618
02:30:47,920 --> 02:30:51,000
Speaker 1: after Melbourne Flint, my words used to serve because I

2619
02:30:51,200 --> 02:30:56,240
Speaker 1: used to drink so I could literally hear. I had

2620
02:30:56,280 --> 02:30:58,200
Speaker 1: to punch in right there. When I listened to the

2621
02:30:58,280 --> 02:30:59,800
Speaker 1: Melbourne Flint, I'm like, I don't even want to listen

2622
02:30:59,840 --> 02:31:04,360
Speaker 1: to that because I know where I was, what I was.

2623
02:31:06,200 --> 02:31:09,200
Speaker 1: So when I'm listening to Yeah, I'm I'm telling you

2624
02:31:09,320 --> 02:31:11,240
Speaker 1: this morning, I'm walking, just taking a walk, and I'm

2625
02:31:11,280 --> 02:31:13,040
Speaker 1: just like, I listened to it last night and I

2626
02:31:13,160 --> 02:31:17,240
Speaker 1: stopped on panicking when we gotta panicking, But I stopped

2627
02:31:17,280 --> 02:31:19,680
Speaker 1: there and I was like, I'm gonna catch him. And

2628
02:31:19,760 --> 02:31:22,520
Speaker 1: I woke up this morning, I'm walking around like, damn,

2629
02:31:22,680 --> 02:31:28,600
Speaker 1: motherfucker got one slurer on there, Crispy Crispy. So what

2630
02:31:28,760 --> 02:31:32,640
Speaker 1: I say that to say, it's a compliment because what

2631
02:31:34,400 --> 02:31:37,560
Speaker 1: you did for me, what Eminem wasn't able to do

2632
02:31:37,760 --> 02:31:40,160
Speaker 1: for me, meaning because I'm a big him and the

2633
02:31:40,240 --> 02:31:42,600
Speaker 1: fam as well. But I wanted him to still be

2634
02:31:42,879 --> 02:31:45,560
Speaker 1: like raunchy and all that. I feel like you kind

2635
02:31:45,600 --> 02:31:49,280
Speaker 1: of like still covered all the ground. What you got

2636
02:31:49,440 --> 02:31:52,960
Speaker 1: shot and there and then more and and got focused.

2637
02:31:53,320 --> 02:31:56,080
Speaker 1: Was that something you deliberately did? Um? I mean when

2638
02:31:56,080 --> 02:31:58,160
Speaker 1: I was first making music, I was like that, you know,

2639
02:31:58,240 --> 02:32:00,280
Speaker 1: I mean then, but then when the money start coming in,

2640
02:32:00,400 --> 02:32:03,200
Speaker 1: I just started getting blasted. But I think after I

2641
02:32:03,200 --> 02:32:05,480
Speaker 1: got shot, start getting blasted, it was like a nerve shot.

2642
02:32:05,959 --> 02:32:10,120
Speaker 1: I got skinny, start smoking bogy. He started drinking. Yeah, definitely,

2643
02:32:10,360 --> 02:32:19,040
Speaker 1: when I got prayed for me, I was making I

2644
02:32:19,120 --> 02:32:21,080
Speaker 1: was making music like that to me and me and

2645
02:32:21,200 --> 02:32:24,080
Speaker 1: Chink started making music. Get blasted. Me and Max. Max

2646
02:32:24,200 --> 02:32:26,600
Speaker 1: is going through trial, so we was drinking a guy

2647
02:32:26,680 --> 02:32:27,720
Speaker 1: in the any of the day, like I felt like

2648
02:32:27,760 --> 02:32:29,960
Speaker 1: I was going through trial with him, and said what was.

2649
02:32:30,800 --> 02:32:34,720
Speaker 1: But so you make paying music and and and you

2650
02:32:34,800 --> 02:32:38,000
Speaker 1: know when you're making when you're making that type of music,

2651
02:32:38,120 --> 02:32:40,000
Speaker 1: you know, liquor store look closer than the mosque. You

2652
02:32:40,040 --> 02:32:44,480
Speaker 1: know what I'm saying. So so so so definitely that

2653
02:32:44,640 --> 02:32:46,280
Speaker 1: was That's why you know, I got into it. But

2654
02:32:46,360 --> 02:32:47,600
Speaker 1: then it got to a point where it's like I

2655
02:32:47,640 --> 02:32:50,720
Speaker 1: couldn't even like you said after melboun Flint, like we

2656
02:32:50,760 --> 02:32:52,200
Speaker 1: got to that point with me, like when I started

2657
02:32:52,240 --> 02:32:55,480
Speaker 1: making the Montana album that I man slur all over.

2658
02:32:56,480 --> 02:32:57,720
Speaker 1: But then I was like, you know what, let me

2659
02:32:57,760 --> 02:33:00,600
Speaker 1: get back to the essence. But I'm more yeah, more

2660
02:33:00,640 --> 02:33:03,160
Speaker 1: of a and you too, you know what I'm saying

2661
02:33:03,240 --> 02:33:05,640
Speaker 1: me being a fan of you, I know that we

2662
02:33:05,879 --> 02:33:09,760
Speaker 1: we love production. It's the most most important thing. And

2663
02:33:09,800 --> 02:33:11,880
Speaker 1: I'm saying the beat this trash we're not on so

2664
02:33:11,959 --> 02:33:14,320
Speaker 1: we already that's how we've been winning regardless. But if

2665
02:33:14,360 --> 02:33:17,680
Speaker 1: you sharpen in the lyrics and thenn't delivering, I just

2666
02:33:17,720 --> 02:33:19,880
Speaker 1: had to get back in my bronx bag because you

2667
02:33:19,879 --> 02:33:23,640
Speaker 1: said it was the crazy is that that? That was

2668
02:33:23,720 --> 02:33:27,200
Speaker 1: the time where I learned it Farrell was a producer

2669
02:33:27,680 --> 02:33:31,959
Speaker 1: as opposed to person who make the beats. Yeah, because

2670
02:33:32,000 --> 02:33:36,720
Speaker 1: he listened to I think um for like five records

2671
02:33:36,720 --> 02:33:39,800
Speaker 1: on about the flat or four or five or four records.

2672
02:33:40,040 --> 02:33:42,000
Speaker 1: If you listen to that, that's the only records I

2673
02:33:42,040 --> 02:33:45,080
Speaker 1: don't sound drunk. Yeah, And it wasn't because I wasn't drunk.

2674
02:33:45,200 --> 02:33:50,480
Speaker 1: He made you. It wasn't because I was. Yeah, like

2675
02:33:50,600 --> 02:33:53,200
Speaker 1: he he actually made me go in and listen. I

2676
02:33:53,280 --> 02:33:56,240
Speaker 1: was drunk the whole album. So it's not like he

2677
02:33:56,320 --> 02:33:58,440
Speaker 1: could say coming sober. I wasn't listening to nobody. I

2678
02:33:58,520 --> 02:34:00,560
Speaker 1: was plotting them. I was like, fuck, but what mel

2679
02:34:01,040 --> 02:34:03,560
Speaker 1: did he tell you to? You like what he's legend

2680
02:34:03,640 --> 02:34:10,760
Speaker 1: with the ship homeboy? No, no, um um no. That

2681
02:34:10,879 --> 02:34:13,480
Speaker 1: was the Jungle Brothers, his homeboy. He told me. He

2682
02:34:13,520 --> 02:34:15,959
Speaker 1: told me, he said, he said, studied the Jungle Brothers

2683
02:34:16,240 --> 02:34:19,720
Speaker 1: and just the flow, not the words. So if you

2684
02:34:19,800 --> 02:34:22,200
Speaker 1: listen to the Jungle Brothers, they go uncle saying Mike

2685
02:34:22,280 --> 02:34:25,200
Speaker 1: g say what a jointed slam with his manager Chris

2686
02:34:28,720 --> 02:34:31,600
Speaker 1: sound System stated at all listen to my joint and

2687
02:34:31,840 --> 02:34:38,960
Speaker 1: all poppy say what that is the man? Ain't you

2688
02:34:39,040 --> 02:34:41,600
Speaker 1: dudes heard? Grabbing man? He sold your wife listen. So

2689
02:34:41,760 --> 02:34:44,880
Speaker 1: he gave me So I just studied that he gave me.

2690
02:34:44,959 --> 02:34:47,480
Speaker 1: He gave me um. So he told me to study

2691
02:34:47,560 --> 02:34:49,600
Speaker 1: this other record. He was like this, this is just

2692
02:34:49,760 --> 02:34:51,959
Speaker 1: before this. He's like, I want you to study Ice

2693
02:34:52,160 --> 02:34:56,040
Speaker 1: Ice Baby took it, so I'm trying to study it.

2694
02:34:58,000 --> 02:35:04,840
Speaker 1: Your so like and then he goes tranches to the bar.

2695
02:35:05,000 --> 02:35:08,200
Speaker 1: So go bro and go to see this, stating the guys,

2696
02:35:08,360 --> 02:35:13,080
Speaker 1: you know what record that is hollaback younger, Now think

2697
02:35:13,080 --> 02:35:16,760
Speaker 1: about that, this is the Ice Heights of Baby. It's

2698
02:35:16,800 --> 02:35:21,160
Speaker 1: the same exact record. And listen. He goes stop because

2699
02:35:21,680 --> 02:35:27,959
Speaker 1: and listen that it's the same exact the words are different,

2700
02:35:29,000 --> 02:35:32,760
Speaker 1: the same exact flower. I ain't got you. Listen. I

2701
02:35:32,959 --> 02:35:36,879
Speaker 1: never argue. I never would argue with someone so many

2702
02:35:36,959 --> 02:35:40,160
Speaker 1: times though about I'm talking about I don't know I'm

2703
02:35:40,200 --> 02:35:42,720
Speaker 1: describing that. I argue with it so much. I was like,

2704
02:35:42,840 --> 02:35:44,680
Speaker 1: what is your problem? I don't want to bite the

2705
02:35:44,760 --> 02:35:47,080
Speaker 1: Jungle Brothers And he's like, you're not buying the Jungles,

2706
02:35:47,480 --> 02:35:50,000
Speaker 1: you're taking the flow. No words. The only word I

2707
02:35:50,040 --> 02:35:53,400
Speaker 1: actually used from the Junger brother was the manager Chris,

2708
02:35:53,560 --> 02:35:55,560
Speaker 1: because they were talking about their manager, Chris Fool was

2709
02:35:55,640 --> 02:35:57,960
Speaker 1: Chris likely back down and my manager Chris was still

2710
02:35:59,560 --> 02:36:01,320
Speaker 1: to just the only thing I'm waiting for is that

2711
02:36:01,400 --> 02:36:03,880
Speaker 1: project with you? For real, I'm as an n f T.

2712
02:36:04,040 --> 02:36:06,800
Speaker 1: I ain't gonna lie. I looked at my you the

2713
02:36:06,840 --> 02:36:09,240
Speaker 1: other day. I picked up but I got five round

2714
02:36:09,320 --> 02:36:15,640
Speaker 1: beats and I said, he does not on these incoming back? Yeah, yeah,

2715
02:36:15,680 --> 02:36:20,160
Speaker 1: but friends again, man um album one of the most

2716
02:36:20,200 --> 02:36:22,160
Speaker 1: focused I've ever seen you. I want to congratulate you,

2717
02:36:22,800 --> 02:36:24,280
Speaker 1: to tell you you focused. I want to tell you

2718
02:36:24,400 --> 02:36:28,440
Speaker 1: your inspiration. And I love the fact that you know

2719
02:36:28,480 --> 02:36:31,560
Speaker 1: a lot of people who do get sober, do get focused,

2720
02:36:31,600 --> 02:36:33,400
Speaker 1: and they stay away and they stay home. Like when

2721
02:36:33,440 --> 02:36:42,440
Speaker 1: I'm so mix you you mixing baby, it's not it's

2722
02:36:42,440 --> 02:36:46,680
Speaker 1: not two years in so yeah yeah, So I mean,

2723
02:36:46,720 --> 02:36:50,360
Speaker 1: I mean definitely. I mean, look, opportunities slip right by

2724
02:36:50,400 --> 02:36:52,440
Speaker 1: you if you're not if you're not focusing. What I'm saying,

2725
02:36:52,720 --> 02:36:54,680
Speaker 1: I mean, you look at fifty fifty minutes best music,

2726
02:36:54,760 --> 02:36:58,360
Speaker 1: SOB fifty never got drunk. Yeah, he made his best

2727
02:36:58,440 --> 02:37:00,960
Speaker 1: music sover. One thing, one thing I can say is

2728
02:37:01,040 --> 02:37:03,200
Speaker 1: that say it. But every time, like you know, when

2729
02:37:03,280 --> 02:37:05,640
Speaker 1: Robin Don comes around and stop everything, So I was

2730
02:37:05,720 --> 02:37:09,160
Speaker 1: stopping cold away. So I was always he can stop

2731
02:37:09,200 --> 02:37:12,280
Speaker 1: whatever he wanted, it didn't matter. He stopped so that

2732
02:37:12,520 --> 02:37:14,760
Speaker 1: that that one month a year used to used to

2733
02:37:14,840 --> 02:37:17,560
Speaker 1: help me out for the whole year, that that would

2734
02:37:17,600 --> 02:37:19,400
Speaker 1: kind of like press my reset button and save me.

2735
02:37:20,520 --> 02:37:22,760
Speaker 1: That was not used the plane you knew you had already. Yeah,

2736
02:37:23,320 --> 02:37:26,720
Speaker 1: and you never not did roma don like like you Yeah,

2737
02:37:28,640 --> 02:37:31,520
Speaker 1: no show none of that even even even when I

2738
02:37:31,640 --> 02:37:34,000
Speaker 1: was on the pills when I went down comes but wow,

2739
02:37:34,480 --> 02:37:37,480
Speaker 1: stop knocking at all. Yeah, that's all out. That's really

2740
02:37:37,800 --> 02:37:40,520
Speaker 1: so now he's robbing seven. Yeah, and we need to

2741
02:37:40,560 --> 02:37:51,680
Speaker 1: get you on RABA dog because I feel like, like,

2742
02:37:51,920 --> 02:37:54,240
Speaker 1: like even though with your career, right, don't you feel

2743
02:37:54,280 --> 02:37:56,080
Speaker 1: like when you was getting drunk getting twisted this and

2744
02:37:56,120 --> 02:37:57,760
Speaker 1: that you missed out a lot of opportunities that you

2745
02:37:57,800 --> 02:37:59,800
Speaker 1: feel like when I was outside that's drunk right now

2746
02:37:59,800 --> 02:38:05,560
Speaker 1: I'm getting money back then you know what I would

2747
02:38:05,560 --> 02:38:08,200
Speaker 1: would do? You know, it's crazy. I looked at um

2748
02:38:10,080 --> 02:38:12,080
Speaker 1: best in my life, right, I dropped in a R

2749
02:38:12,160 --> 02:38:16,040
Speaker 1: E album, UM, and I did not know who was

2750
02:38:16,120 --> 02:38:19,200
Speaker 1: at my album at least part Yeah, that that that

2751
02:38:19,360 --> 02:38:22,520
Speaker 1: was sucked up like MTV strow me and I was like,

2752
02:38:22,600 --> 02:38:26,600
Speaker 1: oh shoot, I had my party. I didn't know like

2753
02:38:26,720 --> 02:38:29,240
Speaker 1: d Mexican even. I was like, really, I was worried

2754
02:38:29,240 --> 02:38:31,480
Speaker 1: about eat money bags and from the like make sure

2755
02:38:31,520 --> 02:38:37,720
Speaker 1: everybody backs getting and I got nas and all these people.

2756
02:38:38,240 --> 02:38:41,520
Speaker 1: But now you're navigating better. Yeah. Yeah, I still get

2757
02:38:41,600 --> 02:38:44,360
Speaker 1: drunk through friends. Will be honest. I'm like, I'm a

2758
02:38:44,440 --> 02:38:47,760
Speaker 1: balanced type of guy. But throughout time you navigated better. Yes,

2759
02:38:47,879 --> 02:38:50,080
Speaker 1: of course, of course. But yeah, when I was out there,

2760
02:38:50,480 --> 02:38:52,480
Speaker 1: and you know, it was really when I was hanging

2761
02:38:52,640 --> 02:38:54,480
Speaker 1: with this guy, Um, he used to give me all

2762
02:38:54,520 --> 02:38:59,800
Speaker 1: the drugs. I was let's be racist. Let school to that.

2763
02:39:00,000 --> 02:39:04,240
Speaker 1: You know, Latino's got the drug. Let's keep it. Let's

2764
02:39:04,280 --> 02:39:06,880
Speaker 1: keep you like that. But yeah, yeah we used to

2765
02:39:06,920 --> 02:39:10,120
Speaker 1: lock jaws. Would um, would you just give me? Just

2766
02:39:10,200 --> 02:39:18,280
Speaker 1: give me the human Yeah people drug seven days? Yeah,

2767
02:39:18,320 --> 02:39:30,120
Speaker 1: come on, come on this guy. Hey man, I don't

2768
02:39:30,120 --> 02:39:32,000
Speaker 1: know where this is going. I just noticed is a

2769
02:39:32,080 --> 02:39:34,520
Speaker 1: great interview. See this we're saying some of your people

2770
02:39:35,560 --> 02:39:38,000
Speaker 1: need to understand you can still have fun, you can

2771
02:39:38,080 --> 02:39:40,039
Speaker 1: still go out there, just get your life together. Man.

2772
02:39:40,320 --> 02:39:42,400
Speaker 1: You know what I'm saying, Certain certain people could do it,

2773
02:39:42,520 --> 02:39:45,200
Speaker 1: and what's that should call little portions, and certain people

2774
02:39:45,240 --> 02:39:47,120
Speaker 1: can't do it at all. Figure out who you are

2775
02:39:47,160 --> 02:39:49,080
Speaker 1: in this world. Don't do it for nobody else. You

2776
02:39:49,240 --> 02:39:51,480
Speaker 1: be you. No matter what you is in life, you

2777
02:39:51,760 --> 02:39:53,240
Speaker 1: be you. You know what I'm saying. If we see

2778
02:39:53,280 --> 02:39:56,240
Speaker 1: that submission, Montana is holding that smoke Champs joint, relaxed

2779
02:39:56,240 --> 02:39:59,360
Speaker 1: and make sure you're don't leave with dad. We don't

2780
02:39:59,360 --> 02:40:04,360
Speaker 1: want you to. I did take and then I'll do

2781
02:40:04,400 --> 02:40:08,879
Speaker 1: onto a couple of drops and sit like that. Thanks

2782
02:40:08,920 --> 02:40:11,440
Speaker 1: for joining us for another episode of Drink Champs hosted

2783
02:40:11,480 --> 02:40:13,720
Speaker 1: by Yours truly, d J e f N and n

2784
02:40:13,760 --> 02:40:15,840
Speaker 1: O r E. Please make sure to follow us on

2785
02:40:15,879 --> 02:40:19,000
Speaker 1: all our socials. Let's add Drink Champs across all platforms

2786
02:40:19,560 --> 02:40:23,039
Speaker 1: at the Real Noriegan I g at Noriega on Twitter,

2787
02:40:23,480 --> 02:40:26,400
Speaker 1: mine is at Who's Crazy on I g at d

2788
02:40:26,560 --> 02:40:29,160
Speaker 1: J e f N on Twitter, and most importantly, stay

2789
02:40:29,240 --> 02:40:32,199
Speaker 1: up to date with the latest releases, news and merch

2790
02:40:32,400 --> 02:40:38,879
Speaker 1: by going to drink Champs dot com. For more podcasts

2791
02:40:38,920 --> 02:40:43,160
Speaker 1: from my Heart Radio, visit the iHeart Radio app, Apple podcast,

2792
02:40:43,360 --> 02:40:45,279
Speaker 1: or wherever you listen to your favorite shows.