WEBVTT - #11 Christina

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<v Speaker 1>Hello, Hey, do you have a copy of TV Guide?

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<v Speaker 2>No?

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<v Speaker 1>No, why I can't find my copy? And I was

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<v Speaker 1>wondering what was on TV? Don't don't you remember?

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<v Speaker 3>Don't you remember? Don't you don't?

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<v Speaker 4>Wait?

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<v Speaker 1>Wait, don't you remember calling people up on the phone.

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<v Speaker 4>I do remember that, Yeah.

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<v Speaker 1>Just just to see what was on. I remember calling

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<v Speaker 1>on my aunt Tilly because I was too I was

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<v Speaker 1>too lazy to get up off the couch to look

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<v Speaker 1>for the TV Guide, so I just called her up.

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<v Speaker 1>Who woman could hardly walk and she had to search

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<v Speaker 1>around for a TV guide to go. I'm GIMILTT Media.

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<v Speaker 1>I'm Jonathan Goldstein, and this is Heavyweight today's episode, Christina.

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<v Speaker 1>This is the best of all possible worlds. My father

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<v Speaker 1>was fond of saying. The words were spoken contentedly, often

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<v Speaker 1>while reclining in a barca lounger belt buckle undone after

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<v Speaker 1>a large meal of baked beans and lamb chops. But

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<v Speaker 1>what did my father know of other worlds? He'd held

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<v Speaker 1>down the same job and was married to the same

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<v Speaker 1>woman for decades plus. He hardly left the house. But

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<v Speaker 1>what he did know was that this world had one

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<v Speaker 1>thing over all of those other worlds. It existed for

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<v Speaker 1>my father. That was enough to make it best. I,

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<v Speaker 1>on the other hand, am not one over so easily.

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<v Speaker 3>Sure.

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<v Speaker 1>Existence is a nice quality, a fine quality, but going

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<v Speaker 1>so far as to call a world that contains both

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<v Speaker 1>soul patches and puddles the best possible anything seems a

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<v Speaker 1>little extreme, and so imagining other worlds the same, only

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<v Speaker 1>better is just too irresistible. In spite of the pain

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<v Speaker 1>such thinking inevitably invites. Why don't we start from the beginning. Okay,

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<v Speaker 1>this is Christina, and like me, she knows this world

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<v Speaker 1>can use a few tweaks. Overall, she says her life

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<v Speaker 1>hasn't been a bad one, It's just not the one

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<v Speaker 1>she was meant to live. She's worked as a waitress,

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<v Speaker 1>a receptionist, as a home care worker, the kinds of

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<v Speaker 1>jobs you do, but not necessarily the kind you dream about. Lately,

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<v Speaker 1>she's been helping run her husband's company.

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<v Speaker 4>It's a disc golfing backpack company.

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<v Speaker 1>Say sorry, say that again. It's a what disc golf

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<v Speaker 1>backpack is? What is disc golf?

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<v Speaker 4>It's like ball golf, but instead of balls and clubs,

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<v Speaker 4>you have frisbees.

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<v Speaker 1>Oh, when you say ball golf, you're talking about golf.

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<v Speaker 4>Golf like a regular golf.

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<v Speaker 1>Yeah, okay, I've never heard it referred to distinguished as

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<v Speaker 1>ball golf, but I.

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<v Speaker 4>Well, only disc golfers call it ball golf.

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<v Speaker 1>So, but how do you how do you get a

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<v Speaker 1>frisbee in a golf hole?

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<v Speaker 4>No, it's actually not a hole, it's a basket.

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<v Speaker 1>Oh my goodness. Before she started pining after better worlds,

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<v Speaker 1>Christina was focused on just one, the world of small

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<v Speaker 1>town western Canada.

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<v Speaker 4>I lived with my mom. She was a single mom.

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<v Speaker 4>My dad left when I was around one, and my

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<v Speaker 4>mom was diagnosed with schizophrenia.

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<v Speaker 1>Christina was just a kid, so a lot of it's

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<v Speaker 1>now fuzzy, but she remembers bits of things, her mom

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<v Speaker 1>going off her meds and beginning to hear voices, her

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<v Speaker 1>mom waking her in the middle of the night and

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<v Speaker 1>saying they had to leave right away. She remembers running

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<v Speaker 1>with her mom down dark streets.

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<v Speaker 4>She started becoming violent and she would just you know,

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<v Speaker 4>hit me with the phone handle, or this one time

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<v Speaker 4>she came after me with a high heeled shoe. There's

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<v Speaker 4>no food in the house. She wouldn't do laundry, like

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<v Speaker 4>the dirty clothes would pile up in the living room, like,

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<v Speaker 4>I remember this massive mound of dirty clothes, and I

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<v Speaker 4>remember this kid made fun of me for having dirty pants,

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<v Speaker 4>and so I started stealing clothes just so I could

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<v Speaker 4>have clean clothes to go to school.

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<v Speaker 1>When you were a kid trying to survive on your own,

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<v Speaker 1>the unthinkable can start to seem normal. To escape her house,

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<v Speaker 1>Christina took a job caring for two boys not much

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<v Speaker 1>younger than herself. She became a twelve year old live

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<v Speaker 1>in nanny.

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<v Speaker 4>So I ended up moving in with this family and

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<v Speaker 4>looking after the boys. They paid me a little bit,

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<v Speaker 4>and I quit school to be a nanny.

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<v Speaker 1>When she stopped showing up at school, social services removed

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<v Speaker 1>Christina from the nannying house, but instead of bringing her

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<v Speaker 1>back to her mom, they took her to a fi

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<v Speaker 1>her home. She was sent to live with an older

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<v Speaker 1>couple and their grandson. They lived on the fancier side

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<v Speaker 1>of town in a house decorated with candleholders and decorative pistols.

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<v Speaker 1>The foster mother was a woman named Isabelle. Her grandson, David,

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<v Speaker 1>was the golden boy who could do no wrong. From

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<v Speaker 1>day one, Christina struggled for Isabelle's approval.

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<v Speaker 4>My foster mother and I kind of butted heads a

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<v Speaker 4>little bit or a lot.

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<v Speaker 1>Although Isabelle was only an inch taller, Christina was scared

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<v Speaker 1>of her. Her foster mother communicated through rules and punishments.

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<v Speaker 4>She was very strict. I was five minutes late for curfew.

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<v Speaker 4>I would be grounded for a month. It felt like

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<v Speaker 4>I was always grounded and afraid all the time, and

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<v Speaker 4>kind of walking on eggshells, and yeah, just feeling always

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<v Speaker 4>really intimidated and scared. I was always scared.

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<v Speaker 1>And when she got scared, Christina would go silent. As

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<v Speaker 1>a result, she never once stood up to Isabelle. It

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<v Speaker 1>was while living in Isabelle's world that another better world

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<v Speaker 1>presented itself to Christina, a world with rules that were

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<v Speaker 1>easy to understand, a world where someone was always keeping

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<v Speaker 1>score and keeping things fair. This was the eighty four

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<v Speaker 1>x fifty foot world of a basketball court.

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<v Speaker 4>I can't explain how much I was obsessed with basketball.

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<v Speaker 4>I would practice at like six in the morning at

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<v Speaker 4>the school. I would practice on weekends. I'd watch the

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<v Speaker 4>NBA games with Clyde the Glide and Charles Barkley, and

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<v Speaker 4>then my name was in the paper a few times.

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<v Speaker 4>I think I have some paper clippings of like high scoring.

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<v Speaker 4>I loved, loved, loved basketball.

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<v Speaker 1>On the basketball court and it was never scared. It

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<v Speaker 1>was a place where, for the first time in her life,

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<v Speaker 1>she felt in control and confident. Her foster brother, David,

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<v Speaker 1>a popular jock, spent hours helping her get better. She

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<v Speaker 1>joined a team and quickly became a high scorer. Eventually

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<v Speaker 1>she was made team captain.

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<v Speaker 4>They would always put me inside, like I would always

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<v Speaker 4>have to guard the post.

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<v Speaker 1>When Christina talks about basketball, she lights up, and I

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<v Speaker 1>want to encourage her to keep talking by asking questions.

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<v Speaker 1>But my only real knowledge of basketball comes from watching

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<v Speaker 1>the Harlem Globetrotters. I was in my thirties before I

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<v Speaker 1>learned it was illegal to bring stilts onto the court,

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<v Speaker 1>so my questions are limited.

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<v Speaker 4>We tall no only five to six. But I guess

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<v Speaker 4>I kind of had this unrealistic view of myself where

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<v Speaker 4>I thought I was taller than I was because off court,

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<v Speaker 4>I was like kind of meek, and I'd just follow

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<v Speaker 4>the crowd and I wouldn't create any waves. I didn't

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<v Speaker 4>really have an opinion, but on the court, I was

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<v Speaker 4>a force to be reckoned with. It was like the

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<v Speaker 4>only time where I felt powerful.

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<v Speaker 1>It was around this time that a plan began to

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<v Speaker 1>take shape. If she kept practicing and kept winning, she'd

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<v Speaker 1>get a basketball scholarship. Christina knew that was her only

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<v Speaker 1>hope of getting into college.

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<v Speaker 4>I wanted to get out of that circle of welfare

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<v Speaker 4>and illness and living from paycheck to paycheck and just

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<v Speaker 4>feeling just being poor.

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<v Speaker 1>It sucked, which brings us to the moment that thirty

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<v Speaker 1>years later, Christina still can't stop thinking about. She'd just

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<v Speaker 1>come home from school when Isabelle called her into the kitchen,

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<v Speaker 1>sat her down at the table, and presented her with

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<v Speaker 1>an ultimatum.

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<v Speaker 4>She said, you have to get your grades up. You

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<v Speaker 4>have to work harder at school, and so in order

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<v Speaker 4>for me to be able to play basketball following year,

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<v Speaker 4>which would have been eleventh grade, I had to have

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<v Speaker 4>an average of a bee in every class. But I

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<v Speaker 4>was really bad at math and chemistry, and I didn't

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<v Speaker 4>make it. I wasn't allowed to play basketball.

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<v Speaker 1>What she remembers most about that time was watching a

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<v Speaker 1>lot of TV and overeating and the chores. After forcing

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<v Speaker 1>Christina to quit the basketball team, Isabelle handed her chores

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<v Speaker 1>that felt like ironic punishments from the Judy Bloom version

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<v Speaker 1>of Dante's Inferno. She had to bake cookies for the family,

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<v Speaker 1>but because of her weight gain, she wasn't allowed to

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<v Speaker 1>eat any, and when she dusted the house, Isabelle instructed

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<v Speaker 1>her to pick up David's basketball trophies, dust each one,

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<v Speaker 1>and dust the shelf underneath. All the while, Christina felt

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<v Speaker 1>her loss acutely of basketball and the better world had promised.

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<v Speaker 4>She took something from me that I that I've not

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<v Speaker 4>been able to get back.

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<v Speaker 1>What is that thing?

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<v Speaker 4>Yeah, and I don't even know. I don't. I don't.

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<v Speaker 4>When I say that out loud, it sounds ridiculous, but

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<v Speaker 4>it feels like that passion for something it dashed this

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<v Speaker 4>huge dream that I had.

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<v Speaker 1>For my life. Christina still wonders why why did Isabelle

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<v Speaker 1>take away basketball, the only thing that really mattered to her,

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<v Speaker 1>that would have given her a better life, But all

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<v Speaker 1>these years she's been too afraid to ask.

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<v Speaker 4>She's going to be ninety five in July. The thought

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<v Speaker 4>of talking to her about it petrifies me a little bit,

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<v Speaker 4>like there's still a part of me that is scared

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<v Speaker 4>of her, which is ridiculous. And what do you want,

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<v Speaker 4>I think, yeah, I think I want to know, like

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<v Speaker 4>why she made my life so difficult, if it was

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<v Speaker 4>just to break me down, if she had some kind

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<v Speaker 4>of thing against.

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<v Speaker 1>Me, And what do you want to hear her say?

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<v Speaker 4>I guess I want to just hear her say that

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<v Speaker 4>she just genuinely wanted me to have better grades. But

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<v Speaker 4>I know that that's just such bs. For whatever reason,

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<v Speaker 4>I've let go of a lot of things that have happened,

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<v Speaker 4>but for whatever reason, this one thing, the basketball thing,

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<v Speaker 4>not letting me play basketball. I'm having such a hard

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<v Speaker 4>time letting go of that and forgiving her. I want

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<v Speaker 4>to let it go.

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<v Speaker 1>So you want to go talk to her?

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<v Speaker 3>Yeah?

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<v Speaker 1>You, and you want me to come? Yes, I get

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<v Speaker 1>really mealy mouthed when I'm in the same room as

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<v Speaker 1>like strong willed, scary older women. I'll tell you that

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<v Speaker 1>right now, I'm not going to be much help.

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<v Speaker 4>So we're doing it.

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<v Speaker 1>It sounds like we're doing it all right. We're gonna

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<v Speaker 1>go talk to that scary lady after the break. How

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<v Speaker 1>much mincing can a Meilie mouth mince? When a Melie

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<v Speaker 1>mouth meets a menacing miss who writes this stuff? I

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<v Speaker 1>guess I do once I gave Christina my word that

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<v Speaker 1>i'd help, I approached CEO and Gimblet founder Alex Bloomberg

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<v Speaker 1>to ask if he could fly me to the British

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<v Speaker 1>Columbian interior to confront a ninety five year old woman

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<v Speaker 1>about something she may or may not have said some

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<v Speaker 1>thirty years ago, to which Alex asked, why are you

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<v Speaker 1>always standing just outside the door whenever I get out

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<v Speaker 1>of the bathroom? And I said it was a coincidence,

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<v Speaker 1>although I might have pronounced it Quinki dink to be playful.

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<v Speaker 1>And he asked how long this trip would take me

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<v Speaker 1>out of the office, and I said a week, and

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<v Speaker 1>he said to take longer if I needed it. So

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<v Speaker 1>I was off to Canada.

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<v Speaker 2>Tail de nos ai, are you to?

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<v Speaker 1>I meet Christina and her husband Levi at the Colonna

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<v Speaker 1>Airport in British Columbia. They'd just flown in from Portland,

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<v Speaker 1>and the look of trust on their faces is daunting.

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<v Speaker 1>When meeting new people, especially people I'm about to help.

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<v Speaker 1>I'm more comfortable with looks of skepticism or anticipatory disappointment.

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<v Speaker 1>Trust was disconcerting, Yes I have. It was an hour

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<v Speaker 1>and a half drive to Isabelle's. So we made our

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<v Speaker 1>way to the airport rental desk to get a car

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<v Speaker 1>Goldstein G.

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<v Speaker 4>O L D.

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<v Speaker 3>And I just asked what that is there?

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<v Speaker 1>Oh, it's just a we're doing a radio story.

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<v Speaker 3>So I've just do you mind turning that off and

0:14:01.320 --> 0:14:01.920
<v Speaker 3>put away?

0:14:02.040 --> 0:14:06.000
<v Speaker 1>Yeah? If I couldn't even stand up to the car

0:14:06.040 --> 0:14:09.120
<v Speaker 1>rental clerk, what hope did I have of helping Christina

0:14:09.240 --> 0:14:12.719
<v Speaker 1>stand up to Isabelle.

0:14:15.520 --> 0:14:18.280
<v Speaker 5>It's hot in here, I want to.

0:14:18.280 --> 0:14:23.160
<v Speaker 1>Say, it's been well over two years since Christina's seen Isabelle.

0:14:23.600 --> 0:14:26.800
<v Speaker 1>She's feeling anxious, so I try to keep the mood positive.

0:14:30.120 --> 0:14:32.320
<v Speaker 1>I bet the thrift stores are really good around here.

0:14:34.640 --> 0:14:37.720
<v Speaker 1>I point out foreign license plates, and because we're in

0:14:37.760 --> 0:14:43.800
<v Speaker 1>a foreign country, there are many pretty Have you guys

0:14:43.800 --> 0:14:48.840
<v Speaker 1>been watching this show called Little Big Lies or big

0:14:48.880 --> 0:14:58.400
<v Speaker 1>little Lies or little big Lies? Well set, I think so.

0:15:02.440 --> 0:15:05.400
<v Speaker 1>Isabelle lives on the ground floor of a squat apartment

0:15:05.440 --> 0:15:14.520
<v Speaker 1>block mostly inhabited by seniors. We wait. When no one answers,

0:15:14.760 --> 0:15:24.600
<v Speaker 1>we ring the bell. The door opens. I heard you

0:15:24.640 --> 0:15:30.120
<v Speaker 1>the first time, Isabelle says. Christina smiles in spite of herself.

0:15:30.320 --> 0:15:32.320
<v Speaker 1>She can't help but get a kick out of Isabelle.

0:15:33.720 --> 0:15:37.320
<v Speaker 1>Isabelle peers up at us from behind her walker, Christina's husband,

0:15:37.400 --> 0:15:41.880
<v Speaker 1>Levi makes introductions, isabel Hi, how are you doing?

0:15:42.360 --> 0:15:42.920
<v Speaker 2>Oh?

0:15:43.560 --> 0:15:43.640
<v Speaker 4>That?

0:15:43.840 --> 0:15:48.560
<v Speaker 1>Oh? Is me reacting to Isabelle's handshake, a surprisingly powerful

0:15:48.600 --> 0:15:52.160
<v Speaker 1>thing that yanks me through the doorframe. Although a diminutive

0:15:52.160 --> 0:15:56.240
<v Speaker 1>woman with white, puffy hair and wirerim glasses, Isabelle's just

0:15:56.360 --> 0:16:00.600
<v Speaker 1>established herself as the alpha. Nice to meet you, Nice.

0:16:00.360 --> 0:16:00.680
<v Speaker 3>To meet you.

0:16:02.280 --> 0:16:06.800
<v Speaker 1>Okay, you seem to be doing great.

0:16:08.000 --> 0:16:10.680
<v Speaker 3>I'm doing not bad for my age, I guess.

0:16:12.120 --> 0:16:15.840
<v Speaker 1>Isabelle's apartment is tidy and dim, decorated with candles that

0:16:15.920 --> 0:16:19.040
<v Speaker 1>haven't been lit in years. We slowly follow her down

0:16:19.080 --> 0:16:21.840
<v Speaker 1>a narrow hallway to her living room, where she seats

0:16:21.840 --> 0:16:26.520
<v Speaker 1>herself in a faded blue mechanized armchair. On the drive over,

0:16:26.960 --> 0:16:31.200
<v Speaker 1>Christina mentioned that Isabelle is legally blind, but I misremember

0:16:31.240 --> 0:16:34.920
<v Speaker 1>this as Isabelle being legally deaf, so I compliment her

0:16:35.080 --> 0:16:38.240
<v Speaker 1>on how well she's following along. Well, I'm not talking

0:16:38.360 --> 0:16:41.080
<v Speaker 1>very loud, and you you've been able to hear everything.

0:16:41.520 --> 0:16:45.520
<v Speaker 3>So I did say there's nothing wrong with my ears right.

0:16:46.680 --> 0:16:47.200
<v Speaker 1>And you did.

0:16:47.200 --> 0:16:47.240
<v Speaker 4>Not.

0:16:51.280 --> 0:16:54.240
<v Speaker 1>To recover from this faux pas, I offer Isabelle a

0:16:54.360 --> 0:16:57.480
<v Speaker 1>chance to feel my face run her hands through my beard,

0:16:57.840 --> 0:17:00.400
<v Speaker 1>which is something I think I saw done in the mirror.

0:17:00.960 --> 0:17:03.240
<v Speaker 1>If ever, you want to feel my stubble, or I.

0:17:03.200 --> 0:17:05.879
<v Speaker 3>Don't go running around feeling beards.

0:17:06.000 --> 0:17:08.320
<v Speaker 1>I decide that now's as good a time as any

0:17:08.440 --> 0:17:11.760
<v Speaker 1>to offer around the airport treats I bought during my layover.

0:17:12.080 --> 0:17:15.400
<v Speaker 1>I brought some refreshments. Since I don't want to put

0:17:15.440 --> 0:17:18.640
<v Speaker 1>Isabelle out by asking for a party tray, I scooted

0:17:18.640 --> 0:17:20.840
<v Speaker 1>my travel socks and underwear to the side of my

0:17:20.960 --> 0:17:26.440
<v Speaker 1>backpack and proffer them straight from the bag, some chocolate

0:17:26.440 --> 0:17:27.919
<v Speaker 1>covered nuts and such.

0:17:28.320 --> 0:17:29.679
<v Speaker 3>Not right now, thank you?

0:17:29.720 --> 0:17:38.640
<v Speaker 1>No, okay, I'll leave them in the bag. If I've

0:17:38.720 --> 0:17:41.360
<v Speaker 1>learned anything from my work in the business of forcing

0:17:41.400 --> 0:17:44.840
<v Speaker 1>people to ask terrifying questions, it was that it's always

0:17:44.880 --> 0:17:48.040
<v Speaker 1>best to just get it over with. Ask the question

0:17:48.480 --> 0:17:51.639
<v Speaker 1>why did you ruin my life? Get the answer, and

0:17:51.720 --> 0:17:54.760
<v Speaker 1>head back to the hotel bar to eat the juiciest,

0:17:54.880 --> 0:17:58.399
<v Speaker 1>fattiest tea bone steak that Gimlet Media's fourteen dollars per

0:17:58.520 --> 0:18:02.760
<v Speaker 1>dim allows. But staging is everything I need to be

0:18:02.840 --> 0:18:07.080
<v Speaker 1>off hand subtle. Do you Christina, do you have anything

0:18:07.119 --> 0:18:25.280
<v Speaker 1>that you you want to ask about, or Christina looks

0:18:25.320 --> 0:18:28.560
<v Speaker 1>down at her hands and tightens her lips. Of course

0:18:28.600 --> 0:18:32.840
<v Speaker 1>I understand her hesitation. Isabelle is even more intimidating in

0:18:32.840 --> 0:18:36.400
<v Speaker 1>person than Christina made her out, and nothing about being

0:18:36.440 --> 0:18:39.919
<v Speaker 1>here can possibly feel much like coming home. The walls

0:18:39.920 --> 0:18:43.760
<v Speaker 1>and shelves are loaded with photos of Isabelle's children, grandchildren,

0:18:43.960 --> 0:18:47.680
<v Speaker 1>and great grandchildren, but there isn't a single photo anywhere

0:18:47.920 --> 0:18:52.760
<v Speaker 1>of her only foster child, Christina. To break the silence,

0:18:53.000 --> 0:18:56.080
<v Speaker 1>I ask Isabelle why she originally took Christina into her

0:18:56.119 --> 0:18:57.399
<v Speaker 1>home in the first place.

0:18:57.760 --> 0:18:59.639
<v Speaker 3>And one of my children left a child for me

0:18:59.720 --> 0:19:04.800
<v Speaker 3>to raise my grandson. Yeah, so I thought life was

0:19:04.960 --> 0:19:08.240
<v Speaker 3>just my husband and I. We were both older. It

0:19:08.240 --> 0:19:11.760
<v Speaker 3>would be kind of very dull for him. So I

0:19:11.800 --> 0:19:15.679
<v Speaker 3>thought that having someone else around the house would make

0:19:16.000 --> 0:19:20.639
<v Speaker 3>make it a little more homey for him. But I

0:19:20.720 --> 0:19:23.399
<v Speaker 3>hadn't chosen Christina. Christina was brought to me and it

0:19:23.520 --> 0:19:27.120
<v Speaker 3>was just she was just there. This wild looking thing

0:19:29.560 --> 0:19:31.880
<v Speaker 3>seemed a little bit of training to live in a home,

0:19:31.960 --> 0:19:36.159
<v Speaker 3>so obviously she hadn't been brought up with anything. I

0:19:36.359 --> 0:19:39.639
<v Speaker 3>just thought any child living under my roof had to

0:19:39.800 --> 0:19:40.640
<v Speaker 3>be taught.

0:19:40.320 --> 0:19:43.480
<v Speaker 1>Something meaning like what kind of things like you mean

0:19:43.560 --> 0:19:45.560
<v Speaker 1>normal like rules and.

0:19:45.600 --> 0:19:48.320
<v Speaker 3>Well rules, yeah, the rules. I don't think that our

0:19:48.400 --> 0:19:49.640
<v Speaker 3>rules were terribly.

0:19:49.320 --> 0:19:54.000
<v Speaker 4>Strict, really, I mean I felt like they were strict.

0:19:54.720 --> 0:19:59.560
<v Speaker 3>Well maybe you thought so, that most kids do, but

0:19:59.600 --> 0:20:01.280
<v Speaker 3>there were the the same rule as my kid's head.

0:20:03.280 --> 0:20:06.119
<v Speaker 1>Christina hesitates. You can see it's hard for her to

0:20:06.160 --> 0:20:07.800
<v Speaker 1>talk back to Isabelle even now.

0:20:08.520 --> 0:20:12.160
<v Speaker 4>But then she says, but David didn't have rules, No,

0:20:12.240 --> 0:20:13.120
<v Speaker 4>he didn't need any.

0:20:14.760 --> 0:20:17.760
<v Speaker 3>He is the most perfect person I've ever.

0:20:17.680 --> 0:20:24.159
<v Speaker 1>Raised, Christina. Another person she happened to have raised, is

0:20:24.160 --> 0:20:28.000
<v Speaker 1>seated a couple feet away from her. Christina stares ahead blankly,

0:20:28.359 --> 0:20:31.960
<v Speaker 1>not saying anything. So I press Isabelle, Well, you must

0:20:31.960 --> 0:20:34.160
<v Speaker 1>have done something wrong. I mean it's only.

0:20:36.560 --> 0:20:40.840
<v Speaker 3>Very little. You'd be surprised how perfect he was.

0:20:40.840 --> 0:20:44.399
<v Speaker 1>Was that hard though, being like side by side with

0:20:44.440 --> 0:20:45.200
<v Speaker 1>someone who.

0:20:45.040 --> 0:20:47.280
<v Speaker 3>Is just so No, I think it was good for.

0:20:47.200 --> 0:20:50.800
<v Speaker 1>Her, Christina, Is that is that how you feel?

0:20:50.960 --> 0:20:51.720
<v Speaker 3>It was hard?

0:20:52.000 --> 0:20:52.440
<v Speaker 1>Yeah?

0:20:52.520 --> 0:20:54.040
<v Speaker 5>It was really hard.

0:20:55.280 --> 0:20:58.000
<v Speaker 1>Something else that's been hard is finding the courage to

0:20:58.040 --> 0:21:01.040
<v Speaker 1>ask the question that brought her here. Christina gives it

0:21:01.080 --> 0:21:10.840
<v Speaker 1>a shot, but after some throat clearing again, she goes silent,

0:21:13.119 --> 0:21:13.920
<v Speaker 1>go ahead and ask.

0:21:16.520 --> 0:21:22.600
<v Speaker 4>I think the one thing that I have kind of

0:21:22.640 --> 0:21:27.359
<v Speaker 4>always wondered is do you remember I think it was

0:21:27.560 --> 0:21:34.720
<v Speaker 4>in tenth grade and I had been playing basketball and

0:21:34.760 --> 0:21:36.720
<v Speaker 4>you told me that I had to get my grades

0:21:36.800 --> 0:21:39.000
<v Speaker 4>up where I couldn't play basketball anymore.

0:21:39.119 --> 0:21:39.760
<v Speaker 5>Do you remember that?

0:21:41.960 --> 0:21:42.120
<v Speaker 3>No?

0:21:45.160 --> 0:21:48.879
<v Speaker 4>Okay, so I didn't get my grades up and I

0:21:48.960 --> 0:21:49.879
<v Speaker 4>had to quit the team.

0:21:50.960 --> 0:21:55.080
<v Speaker 3>I don't remember that, Agittall, I don't know. I still.

0:21:58.000 --> 0:22:00.840
<v Speaker 4>Was. It was devastating for me.

0:22:01.720 --> 0:22:05.680
<v Speaker 3>Why did you get your grade out there?

0:22:06.400 --> 0:22:10.200
<v Speaker 4>Yeah?

0:22:10.359 --> 0:22:13.120
<v Speaker 1>I asked Christina if she could explain to Isabelle why

0:22:13.200 --> 0:22:15.000
<v Speaker 1>losing basketball hurt so much.

0:22:15.720 --> 0:22:16.679
<v Speaker 5>Not without crying.

0:22:20.640 --> 0:22:21.320
<v Speaker 3>I felt like.

0:22:23.000 --> 0:22:24.480
<v Speaker 4>It was like the one thing that I.

0:22:24.400 --> 0:22:26.840
<v Speaker 3>Was really good at.

0:22:27.920 --> 0:22:32.840
<v Speaker 1>Are you surprised to hear Christina talk about how much

0:22:32.880 --> 0:22:34.679
<v Speaker 1>she loved basketball?

0:22:34.760 --> 0:22:34.840
<v Speaker 4>Like?

0:22:34.960 --> 0:22:36.480
<v Speaker 1>Was that something that you knew back then?

0:22:37.200 --> 0:22:37.800
<v Speaker 3>I didn't know what.

0:22:37.960 --> 0:22:41.240
<v Speaker 1>No, did Christina? Did you ever express it?

0:22:42.440 --> 0:22:46.240
<v Speaker 3>I don't think she did. I don't think so. No,

0:22:46.400 --> 0:22:47.320
<v Speaker 3>I don't think you did.

0:22:49.640 --> 0:22:54.680
<v Speaker 4>I think the reason why, like it still affects me now,

0:22:54.720 --> 0:22:56.440
<v Speaker 4>it is because I didn't fight.

0:22:56.280 --> 0:23:01.760
<v Speaker 1>For it, and how could she have. She never felt

0:23:01.760 --> 0:23:04.560
<v Speaker 1>like she had the right to stop her feet to

0:23:04.600 --> 0:23:08.560
<v Speaker 1>slam the bedroom door in so many words, to act

0:23:08.640 --> 0:23:11.880
<v Speaker 1>like someone's kid. I thought that maybe if I could

0:23:11.880 --> 0:23:14.880
<v Speaker 1>get Isabelle to put herself in Christina's shoes, it might

0:23:14.920 --> 0:23:19.040
<v Speaker 1>help her understand. Was there anything that you can think

0:23:19.080 --> 0:23:22.600
<v Speaker 1>of that's comparable from your own life, Isabelle, Like something

0:23:22.600 --> 0:23:25.480
<v Speaker 1>that you really felt very passionate about, like the thing

0:23:25.480 --> 0:23:29.080
<v Speaker 1>that you really that was your great love.

0:23:34.880 --> 0:23:37.600
<v Speaker 3>Not really. I always wanted to go to school more

0:23:37.640 --> 0:23:42.600
<v Speaker 3>than I did. I really wanted a good education, which

0:23:42.960 --> 0:23:44.680
<v Speaker 3>of the country you weren't able to get.

0:23:46.200 --> 0:23:49.560
<v Speaker 1>Her father was a rancher, Isabelle says, and her mom

0:23:49.600 --> 0:23:51.879
<v Speaker 1>died when she was little, so her dad raised the

0:23:51.960 --> 0:23:55.800
<v Speaker 1>kids by himself, and Isabelle, being the eldest, had a

0:23:55.800 --> 0:23:56.960
<v Speaker 1>lot of responsibility.

0:23:57.520 --> 0:23:59.879
<v Speaker 3>I used to miss school every year when I go

0:24:00.359 --> 0:24:03.199
<v Speaker 3>to be a certain age and had to herd cattle.

0:24:04.600 --> 0:24:07.520
<v Speaker 3>So I'd missed about two months or a month of

0:24:07.560 --> 0:24:10.360
<v Speaker 3>school every year when I was old enough to do this.

0:24:12.880 --> 0:24:14.639
<v Speaker 3>But I was first in my class from the day

0:24:14.680 --> 0:24:16.720
<v Speaker 3>I started till the day I finished. I was never

0:24:16.760 --> 0:24:18.520
<v Speaker 3>anything but first in my class.

0:24:19.359 --> 0:24:21.520
<v Speaker 1>Was that typical that a lot of kids in the

0:24:21.880 --> 0:24:23.119
<v Speaker 1>class have to miss?

0:24:23.760 --> 0:24:29.320
<v Speaker 3>No, just me and well we were brought up by

0:24:29.359 --> 0:24:32.119
<v Speaker 3>our dad. Men bring up children differently than women.

0:24:32.520 --> 0:24:34.640
<v Speaker 1>Yeah, and what ways? How do you mean?

0:24:34.840 --> 0:24:37.119
<v Speaker 3>I mean my dad didn't teach me to ride horseback.

0:24:37.160 --> 0:24:38.800
<v Speaker 3>He just threw me on a horse and told me

0:24:38.840 --> 0:24:41.960
<v Speaker 3>to go. You know a woman wouldn't do that, And

0:24:42.040 --> 0:24:48.199
<v Speaker 3>don't think not likely. My father was quite fond of me.

0:24:48.240 --> 0:24:52.560
<v Speaker 1>Actually, yeah, how far did you go in school?

0:24:53.119 --> 0:24:58.120
<v Speaker 3>Just? Grade nine? I took grade nine by correspondence, so.

0:24:58.080 --> 0:25:00.920
<v Speaker 1>You didn't You never ended up getting there the high

0:25:00.960 --> 0:25:01.600
<v Speaker 1>school degree.

0:25:02.040 --> 0:25:07.040
<v Speaker 3>No. Yeah, school was an important thing to me because

0:25:07.080 --> 0:25:09.280
<v Speaker 3>I felt that's how you'd make your living.

0:25:09.640 --> 0:25:11.800
<v Speaker 1>Yeah, but I.

0:25:11.840 --> 0:25:14.159
<v Speaker 3>Remember when I was through school, my stepmother looking in

0:25:14.200 --> 0:25:17.000
<v Speaker 3>the paper and she found a dishwashing job for me.

0:25:17.640 --> 0:25:20.399
<v Speaker 3>She thought that I always capable of was washing dishes

0:25:20.400 --> 0:25:27.520
<v Speaker 3>in some restaurant. I felt very insulted. It always surprised

0:25:27.520 --> 0:25:30.080
<v Speaker 3>me when kids didn't want to get all the education

0:25:30.160 --> 0:25:31.160
<v Speaker 3>they possibly could.

0:25:32.720 --> 0:25:34.760
<v Speaker 1>Isabelle motions towards Christina.

0:25:35.600 --> 0:25:39.159
<v Speaker 3>There's only so far you can go on basketball. I

0:25:39.359 --> 0:25:44.040
<v Speaker 3>always felt your education was more important. But as a kid,

0:25:44.119 --> 0:25:48.159
<v Speaker 3>sometimes you know, you don't see that. I knew. I

0:25:48.240 --> 0:25:51.200
<v Speaker 3>tried to teach her to be self sufficient because I

0:25:51.280 --> 0:25:53.640
<v Speaker 3>knew that she'd only have herself to depend upon.

0:26:02.280 --> 0:26:05.400
<v Speaker 1>Isabelle wanted to give Christina something she never got herself,

0:26:05.880 --> 0:26:10.560
<v Speaker 1>a good education. But by depriving Christina basketball, Isabelle took

0:26:10.600 --> 0:26:14.240
<v Speaker 1>away just that. At the time, though she didn't know it.

0:26:15.160 --> 0:26:17.959
<v Speaker 1>What Isabelle did know was that when Christina showed up

0:26:17.960 --> 0:26:20.560
<v Speaker 1>at her door thirty years ago, she was already in

0:26:20.600 --> 0:26:24.280
<v Speaker 1>her sixties. Isabelle was old, and if she were to die,

0:26:24.480 --> 0:26:27.679
<v Speaker 1>Christina would be left all alone. She'd only become a

0:26:27.720 --> 0:26:30.800
<v Speaker 1>foster child because no one in her extended family had

0:26:30.840 --> 0:26:34.080
<v Speaker 1>stepped up to take her in. She had no one else.

0:26:36.920 --> 0:26:41.320
<v Speaker 1>What did you know about Christina's childhood before she met you?

0:26:43.160 --> 0:26:48.119
<v Speaker 3>Not much of anything that I can remember. Like her

0:26:48.200 --> 0:26:51.880
<v Speaker 3>mother was ment lel. I guess she knows that. And

0:26:54.080 --> 0:26:56.159
<v Speaker 3>I lost my mother when I was five, and my

0:26:56.280 --> 0:26:58.960
<v Speaker 3>father eventually had a nervous breakdown, so I knew what

0:26:59.000 --> 0:26:59.960
<v Speaker 3>it was like to live with them.

0:27:00.359 --> 0:27:04.760
<v Speaker 1>Challenged Bertha, Oh, what was it like?

0:27:06.280 --> 0:27:10.320
<v Speaker 3>Terrible? It was horrible. You didn't know if someone was

0:27:10.359 --> 0:27:12.399
<v Speaker 3>going to kill you today or tomorrow, or what the

0:27:12.440 --> 0:27:13.439
<v Speaker 3>heck was going to happen.

0:27:14.000 --> 0:27:15.840
<v Speaker 1>That's not an exaggeration. You're really were.

0:27:16.040 --> 0:27:18.879
<v Speaker 3>It's not an exaggeration. I remember taking my little brother

0:27:18.920 --> 0:27:25.080
<v Speaker 3>and sister outside and trying to hide them. He was

0:27:25.160 --> 0:27:28.760
<v Speaker 3>left with five little children. Yeah, and he was terrified

0:27:28.760 --> 0:27:30.840
<v Speaker 3>that they were going to take the kids away from him.

0:27:32.600 --> 0:27:34.359
<v Speaker 3>And I used to sit by his bed and hold

0:27:34.400 --> 0:27:37.240
<v Speaker 3>his hand, and one day he said to me, Isabelle,

0:27:37.240 --> 0:27:40.919
<v Speaker 3>why do you keep holding my hand? And in my

0:27:41.040 --> 0:27:43.560
<v Speaker 3>own way, I was trying to let him know that

0:27:43.680 --> 0:27:49.800
<v Speaker 3>we all loved him.

0:27:49.920 --> 0:27:52.680
<v Speaker 1>Isabelle eventually placed her father in a mental hospital.

0:27:53.520 --> 0:27:54.400
<v Speaker 3>I admitted him.

0:27:56.240 --> 0:27:58.399
<v Speaker 1>Oh, and you were how old.

0:27:58.880 --> 0:28:00.560
<v Speaker 3>At that time? I was appo fourteen.

0:28:00.960 --> 0:28:02.320
<v Speaker 1>Wow, that's a big burden.

0:28:03.119 --> 0:28:07.000
<v Speaker 3>Yeah, it was. And I thought, here, I'm fourteen, What

0:28:07.040 --> 0:28:08.120
<v Speaker 3>the hell am I doing here?

0:28:15.440 --> 0:28:19.359
<v Speaker 1>All the while, as Isabelle talks, Christina, seated in an

0:28:19.440 --> 0:28:23.200
<v Speaker 1>armchair beside her, listens quietly, her hands gripping the armrest.

0:28:24.280 --> 0:28:27.320
<v Speaker 1>Without looking at Isabelle, she makes her presence known.

0:28:28.520 --> 0:28:31.359
<v Speaker 4>I have many memories of visiting my mom in the

0:28:31.400 --> 0:28:35.120
<v Speaker 4>mental hospital when I was young, like seven, eight nine,

0:28:35.240 --> 0:28:36.600
<v Speaker 4>kind of age ten.

0:28:38.600 --> 0:28:39.120
<v Speaker 1>It's weird.

0:28:39.360 --> 0:28:43.120
<v Speaker 4>It's a really weird experience to go knowing that the

0:28:43.160 --> 0:28:45.040
<v Speaker 4>other people are mentally unstable and.

0:28:45.280 --> 0:28:47.000
<v Speaker 3>You can't predict what they're going to do.

0:28:47.200 --> 0:28:49.040
<v Speaker 4>Yeah, and my mom was, you know, kind of a

0:28:49.120 --> 0:28:53.600
<v Speaker 4>zombie because of all the medication, and obviously it was

0:28:53.640 --> 0:28:57.760
<v Speaker 4>like sad and upset that she had to be there

0:28:57.760 --> 0:28:58.400
<v Speaker 4>and wasn't with me.

0:29:02.520 --> 0:29:02.840
<v Speaker 3>Yeah.

0:29:02.880 --> 0:29:03.920
<v Speaker 5>It was an awful place.

0:29:05.520 --> 0:29:08.080
<v Speaker 4>It makes you grow up way too fast.

0:29:08.280 --> 0:29:11.240
<v Speaker 3>Yeah, that's right. I mean I was never a kid

0:29:11.320 --> 0:29:13.560
<v Speaker 3>until I got married and had my own kids, and

0:29:13.560 --> 0:29:16.320
<v Speaker 3>then I had a lot of fund raising my own children. Yeah.

0:29:16.360 --> 0:29:19.120
<v Speaker 4>I think that's why I was a nanny, because I

0:29:19.120 --> 0:29:22.600
<v Speaker 4>could be around kids and have a childhood with all

0:29:22.600 --> 0:29:23.480
<v Speaker 4>these other children.

0:29:23.720 --> 0:29:27.400
<v Speaker 3>Yeah, that's what I what I did. I grew up

0:29:27.440 --> 0:29:31.400
<v Speaker 3>with my own children. That's what was my childhood. Yeah,

0:29:31.480 --> 0:29:33.640
<v Speaker 3>you know, I'd play with my children just like I

0:29:33.720 --> 0:29:34.480
<v Speaker 3>was one of them.

0:29:34.600 --> 0:29:37.320
<v Speaker 4>Yeah, yeah, I did the same thing.

0:29:38.800 --> 0:29:40.600
<v Speaker 3>One day, one of the neighbors looked at me, one

0:29:40.600 --> 0:29:43.600
<v Speaker 3>of the little girls, and she's just how old are you?

0:29:53.880 --> 0:29:56.880
<v Speaker 1>These were stories that neither Christina nor Isabelle had ever

0:29:56.920 --> 0:30:00.520
<v Speaker 1>told each other. Watching them connect like this, it feels

0:30:00.560 --> 0:30:03.240
<v Speaker 1>like a good time to bring the subject back to basketball.

0:30:03.600 --> 0:30:06.680
<v Speaker 1>How much over the past thirty years, Christina's fretted over

0:30:06.720 --> 0:30:11.240
<v Speaker 1>Isabel's decision. Knowing this now, I ask Isabelle, would you

0:30:11.240 --> 0:30:12.320
<v Speaker 1>have done things differently.

0:30:12.800 --> 0:30:15.000
<v Speaker 3>Oh, I wished I had a known more about it

0:30:15.040 --> 0:30:16.960
<v Speaker 3>at the time, But I mean, I still have no

0:30:17.040 --> 0:30:20.120
<v Speaker 3>regrets about it.

0:30:20.120 --> 0:30:22.960
<v Speaker 1>It's as though Isabelle just doesn't understand what the word

0:30:23.120 --> 0:30:28.000
<v Speaker 1>regret means. So I offer a working definition. If we

0:30:28.000 --> 0:30:29.960
<v Speaker 1>were to set off in a time machine where we

0:30:30.000 --> 0:30:32.240
<v Speaker 1>could return to that time, and Christina were to.

0:30:32.240 --> 0:30:35.840
<v Speaker 3>Say, I know what you're saying, but frankly, I don't

0:30:35.840 --> 0:30:39.120
<v Speaker 3>know what i'd do. You know, I really don't. It

0:30:39.160 --> 0:30:41.000
<v Speaker 3>would depend on what kind of a mood I'm in.

0:30:41.280 --> 0:30:43.040
<v Speaker 1>If you were in the mood that you're in right now,

0:30:44.280 --> 0:30:45.600
<v Speaker 1>I really have no idea.

0:30:47.000 --> 0:30:48.760
<v Speaker 3>I could give you a lot of BS and tell

0:30:48.800 --> 0:30:52.160
<v Speaker 3>you how good it would have been, but it wouldn't

0:30:52.160 --> 0:30:52.800
<v Speaker 3>be in the truth.

0:30:54.720 --> 0:30:56.400
<v Speaker 1>I think like a lot of people would just give

0:30:56.480 --> 0:30:57.960
<v Speaker 1>Christina the BS.

0:30:58.160 --> 0:31:02.320
<v Speaker 3>Yeah, I don't do that. I usually tell it truth.

0:31:06.000 --> 0:31:08.960
<v Speaker 1>Like most I can lie upwards of ten thousand times

0:31:09.000 --> 0:31:12.920
<v Speaker 1>a day. It helps ease the friction of getting through life.

0:31:12.960 --> 0:31:16.040
<v Speaker 1>People ask how I am, and I say fine, does

0:31:16.080 --> 0:31:19.160
<v Speaker 1>this jumpsuit make my ass look fat? And I say no?

0:31:20.000 --> 0:31:23.440
<v Speaker 1>And so on, lying all the day long until bedtime,

0:31:23.840 --> 0:31:26.959
<v Speaker 1>at which point I'm not sure the lying stops. I

0:31:27.000 --> 0:31:30.840
<v Speaker 1>can probably lie in my dreams. In other words, I

0:31:30.920 --> 0:31:34.000
<v Speaker 1>hold lying to be the greatest gift God gave to man.

0:31:34.720 --> 0:31:37.480
<v Speaker 1>But even with all of our lies and best intentions,

0:31:37.880 --> 0:31:41.200
<v Speaker 1>we still can't escape hurting one another. I don't think

0:31:41.280 --> 0:31:44.000
<v Speaker 1>Isabelle is a cruel woman, but I do think she

0:31:44.120 --> 0:31:47.520
<v Speaker 1>knows that hurting people and being hurt is the price

0:31:47.560 --> 0:31:48.960
<v Speaker 1>one pays for being human.

0:31:50.520 --> 0:31:52.840
<v Speaker 3>There is nothing out of the ordinary in our lives,

0:31:52.840 --> 0:31:57.080
<v Speaker 3>but just you know, even ordinary lives are could upsetting.

0:31:57.160 --> 0:32:01.040
<v Speaker 3>Sometimes it's a decision that was made when she was younger.

0:32:01.040 --> 0:32:04.360
<v Speaker 3>It wasn't the right one, but how many wrong decisions

0:32:04.400 --> 0:32:09.080
<v Speaker 3>are made as we go along. Regretting something is a

0:32:09.080 --> 0:32:13.480
<v Speaker 3>waste of time. You move on find something else to

0:32:13.520 --> 0:32:14.840
<v Speaker 3>be passionate about.

0:32:24.240 --> 0:32:27.680
<v Speaker 1>In spite of their similar childhoods, Isabelle and Christina see

0:32:27.680 --> 0:32:31.920
<v Speaker 1>the world so differently. Christina is a dreamer, and for her,

0:32:32.280 --> 0:32:34.880
<v Speaker 1>the best possible world is the one that's always just

0:32:34.960 --> 0:32:38.640
<v Speaker 1>out of reach. But for Isabelle, it's not about pursuing

0:32:38.720 --> 0:32:41.720
<v Speaker 1>the best possible world at all. It's about making the

0:32:41.760 --> 0:32:45.120
<v Speaker 1>best of this world, the one you're stuck in, and

0:32:45.440 --> 0:32:47.920
<v Speaker 1>evidently with the people you're stuck with.

0:32:48.840 --> 0:32:51.320
<v Speaker 3>I wouldn't look after her. If you know, if I

0:32:51.360 --> 0:32:53.800
<v Speaker 3>didn't care about it, it would have been different, I think,

0:32:54.520 --> 0:32:56.240
<v Speaker 3>you know. But I was interested in what she did

0:32:56.240 --> 0:32:59.000
<v Speaker 3>and how she progressed, and wanted her to do well

0:32:59.040 --> 0:33:02.320
<v Speaker 3>at school, do well and everything. And I was very

0:33:02.320 --> 0:33:05.480
<v Speaker 3>proud of her when she did. She was with us

0:33:05.520 --> 0:33:10.480
<v Speaker 3>a long time. Couldn't get rid of her. Just kidding.

0:33:14.920 --> 0:33:19.120
<v Speaker 1>Isabelle pauses, and then she says, appraisingly, she.

0:33:19.160 --> 0:33:27.440
<v Speaker 3>Deserves a good life. I do have one good and

0:33:27.480 --> 0:33:30.280
<v Speaker 3>I think it's better because she had some stability in it,

0:33:30.760 --> 0:33:32.320
<v Speaker 3>which I feel she got to my house.

0:33:41.040 --> 0:33:44.680
<v Speaker 1>I'll get on that side. We say our goodbyes and

0:33:44.760 --> 0:33:48.200
<v Speaker 1>head to the car. Outside Isabelle's, the parking lot has

0:33:48.240 --> 0:33:49.800
<v Speaker 1>grown dark. Thank you.

0:33:50.200 --> 0:33:50.400
<v Speaker 3>Yeah.

0:33:53.920 --> 0:33:56.800
<v Speaker 1>As we get into the rental car, Christina lets out a.

0:33:56.800 --> 0:34:11.839
<v Speaker 6>Sigh, Well, so did how did you feel then about that?

0:34:17.760 --> 0:34:19.920
<v Speaker 4>It was just really intense and there's a lot of

0:34:19.920 --> 0:34:23.279
<v Speaker 4>things that she said that were like that were very

0:34:23.360 --> 0:34:29.080
<v Speaker 4>hurtful to me. It's like she affected me tonight, but

0:34:29.320 --> 0:34:32.720
<v Speaker 4>not in the way that she used to. I didn't

0:34:32.840 --> 0:34:37.200
<v Speaker 4>get I didn't get the fuzzy teddy bear cuddly.

0:34:38.480 --> 0:34:38.680
<v Speaker 3>Thing.

0:34:38.719 --> 0:34:42.560
<v Speaker 4>And that's okay that I didn't get that, but what

0:34:42.600 --> 0:34:48.280
<v Speaker 4>I got was her, and and it wasn't everything I needed.

0:34:49.840 --> 0:34:56.319
<v Speaker 4>But I feel like that's how she shows love. And

0:34:56.360 --> 0:34:58.640
<v Speaker 4>it's not with hugs, and it's not with I love yous,

0:34:58.719 --> 0:35:05.040
<v Speaker 4>and it's not with praise necessarily either. It's in a

0:35:05.080 --> 0:35:07.719
<v Speaker 4>way that I understand now, Whereas before I just felt

0:35:07.800 --> 0:35:11.600
<v Speaker 4>like she just didn't even like me, But now I

0:35:11.640 --> 0:35:15.759
<v Speaker 4>can see that she loves me in her way and

0:35:15.840 --> 0:35:16.640
<v Speaker 4>in the best way that.

0:35:16.600 --> 0:35:17.200
<v Speaker 3>She knows how.

0:35:20.520 --> 0:35:23.280
<v Speaker 1>In the end, it seems like this is why Christina

0:35:23.320 --> 0:35:26.200
<v Speaker 1>came here, not to find out why Isabelle made her

0:35:26.239 --> 0:35:30.040
<v Speaker 1>stop playing basketball, but to find out whether Isabelle loved her,

0:35:30.960 --> 0:35:35.000
<v Speaker 1>And in her tough, straight shooting, slightly scary way, it's

0:35:35.040 --> 0:35:44.439
<v Speaker 1>pretty clear she does. Do you know why I want

0:35:44.440 --> 0:35:48.080
<v Speaker 1>to go to scott Haa Park. No, it's a surprise.

0:35:48.680 --> 0:35:50.480
<v Speaker 5>Oh oh, it's.

0:35:50.320 --> 0:35:53.879
<v Speaker 1>Not a big surprise. The next morning, before heading home,

0:35:54.239 --> 0:35:56.600
<v Speaker 1>I take Christina and her husband Levi out to a

0:35:56.640 --> 0:36:02.480
<v Speaker 1>nearby park. Oh have pits, I know. I have a

0:36:02.480 --> 0:36:06.040
<v Speaker 1>paper bag I've been carrying with me since Brooklyn. It's

0:36:06.080 --> 0:36:10.759
<v Speaker 1>a good thing you're wearing running shoes. When the anticipation

0:36:10.920 --> 0:36:14.440
<v Speaker 1>reaches at Zenith, I revealed to Christina and Levi what's

0:36:14.480 --> 0:36:22.560
<v Speaker 1>in the bag out of basketball, which I think they'd

0:36:22.600 --> 0:36:24.800
<v Speaker 1>sort of guessed since we were now standing by a

0:36:24.880 --> 0:36:28.680
<v Speaker 1>basketball court and I was dribbling a spherical paper bag.

0:36:29.480 --> 0:36:32.800
<v Speaker 1>I turned to LEVI, have you ever seen Christina play

0:36:33.000 --> 0:36:33.960
<v Speaker 1>basketball before?

0:36:35.160 --> 0:36:37.600
<v Speaker 4>Maybe? Not? Yeah, I don't think we've ever played.

0:36:38.320 --> 0:36:41.480
<v Speaker 1>Christina says she hasn't played in over ten years. She

0:36:41.520 --> 0:36:45.120
<v Speaker 1>doesn't even watch basketball on TV anymore. I hold out

0:36:45.120 --> 0:36:48.600
<v Speaker 1>the ball and Christina looks at it. Then she looks

0:36:48.640 --> 0:36:52.840
<v Speaker 1>at Levi, and then she takes it from my hands.

0:36:54.400 --> 0:37:00.120
<v Speaker 4>Check check, Oh rusty.

0:37:01.080 --> 0:37:03.520
<v Speaker 1>But when she gets going, it seems to come back

0:37:03.520 --> 0:37:03.799
<v Speaker 1>to her.

0:37:04.640 --> 0:37:08.880
<v Speaker 4>Oh, behind the back, behind the back again.

0:37:11.560 --> 0:37:12.440
<v Speaker 6>It goes.

0:37:14.400 --> 0:37:18.200
<v Speaker 1>Trash talking, calling her own shots, driving hard to the basket.

0:37:18.800 --> 0:37:20.759
<v Speaker 1>There was a different sign to Christina that was coming

0:37:20.800 --> 0:37:23.640
<v Speaker 1>out on the court. It happened suddenly and easily.

0:37:24.719 --> 0:37:26.600
<v Speaker 4>You're going to get that. I think it's too nothing

0:37:26.680 --> 0:37:30.719
<v Speaker 4>at this point. I don't think i've scored it, have I.

0:37:30.800 --> 0:37:33.240
<v Speaker 1>The best basketball players are said to have an almost

0:37:33.320 --> 0:37:37.239
<v Speaker 1>supernatural ability to see a little head, to anticipate what

0:37:37.280 --> 0:37:41.400
<v Speaker 1>will happen next. But Christina and Levi aren't that good,

0:37:42.040 --> 0:37:44.680
<v Speaker 1>and so they play like a couple of kids for

0:37:44.760 --> 0:37:48.480
<v Speaker 1>whom the future doesn't matter or the past, and in

0:37:48.520 --> 0:37:57.360
<v Speaker 1>that space between, it seems like a pretty good life.

0:37:51.840 --> 0:38:01.760
<v Speaker 4>Okay, I love you.

0:38:28.360 --> 0:38:34.240
<v Speaker 3>Now that the Fernentures return into its goodwill.

0:38:33.800 --> 0:38:41.719
<v Speaker 1>Home, Now that the last month's rent is scheming with.

0:38:41.920 --> 0:38:48.840
<v Speaker 3>The damaged possible, take this moment to dissolve. If we

0:38:49.000 --> 0:38:50.320
<v Speaker 3>meant it, if we.

0:38:50.280 --> 0:38:54.920
<v Speaker 1>Tried, we remember felt around for far too.

0:38:56.880 --> 0:39:01.759
<v Speaker 3>Take from Things That Accidentally Zero.

0:39:03.960 --> 0:39:07.080
<v Speaker 1>Heavyweight is hosted and produced by me Jonathan Goldstein along

0:39:07.120 --> 0:39:10.640
<v Speaker 1>with Khalila Holt. The senior producer is Caitlin Roberts. Editing

0:39:10.680 --> 0:39:14.120
<v Speaker 1>by Jorge just, Alex Bloomberg and Wendy Door. Special thanks

0:39:14.160 --> 0:39:17.760
<v Speaker 1>to Emily Condent, Misha Gluberman, Stevie Lane, and Jackie Cohen.

0:39:18.160 --> 0:39:21.440
<v Speaker 1>The show was mixed by Kate Bolinski, music by Christine Fellows,

0:39:21.560 --> 0:39:24.920
<v Speaker 1>John K. Sampson, and Edwin. Additional music credits for this

0:39:24.960 --> 0:39:28.320
<v Speaker 1>episode can be found on our website Gimbletmedia dot com

0:39:28.360 --> 0:39:31.720
<v Speaker 1>slash Heavyweight. Our theme song is by The Weaker Bands

0:39:31.760 --> 0:39:34.640
<v Speaker 1>courtesy of Epitaph Records, and our ad music is by

0:39:34.680 --> 0:39:38.200
<v Speaker 1>Hailey Shaw. Follow us on Twitter at Heavyweight or email

0:39:38.320 --> 0:39:41.160
<v Speaker 1>us at Heavyweight at gimletmedia dot com. We'll have a

0:39:41.200 --> 0:39:44.120
<v Speaker 1>new hot puppy of an episode next week.

0:39:45.440 --> 0:39:58.920
<v Speaker 5>Way, so, Jonathan, you have a wife.

0:39:58.960 --> 0:40:03.160
<v Speaker 3>I hear you say yes. Ye can't keep looking new over, can't.

0:40:03.160 --> 0:40:09.359
<v Speaker 1>I think I think I probably looked best from your perspective.

0:40:10.680 --> 0:40:13.160
<v Speaker 1>I think it's a good look for me. It's kind

0:40:13.200 --> 0:40:13.720
<v Speaker 1>of blurry,