WEBVTT - Twitches

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<v Speaker 1>Sabrina, Yes, happy birthday, thanks Will. How was your birthday?

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<v Speaker 1>Was this a special birthday? Was this a good birthday?

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<v Speaker 1>Was this an important birthday? Was this the tough birthday?

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<v Speaker 1>What kind of birthday was this for you?

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<v Speaker 2>Sabrina?

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<v Speaker 3>It definitely hit differently than any other birthday?

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<v Speaker 1>Did it?

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<v Speaker 4>Really?

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<v Speaker 1>Did it?

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<v Speaker 3>Really? It's weird because I feel like this is the

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<v Speaker 3>first one. Man, No, my thirtieth. I was so excited

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<v Speaker 3>to get out of my twenties and be in my thirties,

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<v Speaker 3>and then thirty five it was like, yes, this is

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<v Speaker 3>like I love it.

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<v Speaker 2>This one.

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<v Speaker 3>It was just it's really crazy because it's not that

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<v Speaker 3>I feel old or do I think of a like

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<v Speaker 3>forty is an old number in any sense. It's just

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<v Speaker 3>the first time where like I don't feel this age.

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<v Speaker 1>Oh okay, I see what you're saying, Like.

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<v Speaker 3>I don't feel the way I thought I would feel

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<v Speaker 3>turning forty.

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<v Speaker 1>Are you one of those people that always want like

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<v Speaker 1>Danielle was like this, daniel Fishl, I was like this

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<v Speaker 1>where I always wanted to be older. Were you that

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<v Speaker 1>person too or no?

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<v Speaker 2>One?

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<v Speaker 3>I really was super excited to get to thirties. I

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<v Speaker 3>just felt like that's where everything in my life was

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<v Speaker 3>really gonna be a lot of the.

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<v Speaker 2>Things that I was wanting my decade.

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<v Speaker 3>Yes, it just felt like it was like, I mean again,

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<v Speaker 3>it was I got married, I had my babies. I mean,

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<v Speaker 3>I was just like looking forward that I knew I

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<v Speaker 3>didn't want to.

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<v Speaker 2>Really have kids or do any of that in my twenties.

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<v Speaker 3>I just always kind of knew my thirties was really

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<v Speaker 3>gonna be that well, for a long time.

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<v Speaker 2>I did, so, I don't know, it was crazy.

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<v Speaker 3>I wasn't And my husband's just incredible, he is he

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<v Speaker 3>knows me so well. I was no, because we're going

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<v Speaker 3>on a big trip. We're doing Greece and Italy, and

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<v Speaker 3>I'm super excited about that, and so I was going, no,

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<v Speaker 3>we're not gonna I don't want to do anything else.

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<v Speaker 3>We don't need to do dinner, we don't need to

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<v Speaker 3>do friends over anything like that. And then of course,

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<v Speaker 3>like this last weekend, he's like, okay, so everyone's coming over.

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<v Speaker 3>I'm like what, And then of course I had the

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<v Speaker 3>best day. He's like, if I didn't do that, you

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<v Speaker 3>would be you would have been so sad to not

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<v Speaker 3>see you know. I love to celebrate with my friends

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<v Speaker 3>and I love. I have friends from so many different areas,

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<v Speaker 3>some of my friends from LA to come down.

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<v Speaker 2>You know.

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<v Speaker 3>I have friends from so many different parts of my

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<v Speaker 3>life that any chance I can get them all in

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<v Speaker 3>one room and just kind of be able to spend

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<v Speaker 3>time with each of them. And now, but so many

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<v Speaker 3>of us have kids, and.

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<v Speaker 1>I didn't get it. Is it was?

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<v Speaker 2>Was it?

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<v Speaker 1>Did? It? Was it regular to do?

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<v Speaker 3>He doesn't have your he doesn't have your phone number,

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<v Speaker 3>and I don't he Honestly, I don't think he was

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<v Speaker 3>going to do it. Yeah, you do feel like you

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<v Speaker 3>live that far away. But I had so much fun

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<v Speaker 3>just getting together again. It was pretty you know, pretty

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<v Speaker 3>tight knit group.

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<v Speaker 2>And I loved it. It was super fun, very sweet.

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<v Speaker 1>Well, happy birthday, thank you, not just to me, but

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<v Speaker 1>happy birthday to the leads of the movie we're talking

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<v Speaker 1>about today. Oh transition people, what drop? Look at that transition?

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<v Speaker 2>We good.

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<v Speaker 1>Welcome back to Magical Rewind, the show that makes you

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<v Speaker 1>want to grab your your friends, your popcorn and your PJ.

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<v Speaker 1>Is that right? No, grab your popcorn and your friends

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<v Speaker 1>and your pe Just watch the movie. Your friends are

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<v Speaker 1>pjs and your popcorn the time. Your friends are pj's

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<v Speaker 1>and your popcorn and go back to a time when

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<v Speaker 1>all the houses were smart, the Waves, Tsunamis and the

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<v Speaker 1>high School's musical.

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<v Speaker 2>I'm Wilford Dell and I'm Sabrina Bryant, and.

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<v Speaker 1>I'm talking about a twenty first birthday for the two

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<v Speaker 1>leads of our movie today. That's right, Fill your cauldrons

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<v Speaker 1>and complete your coven, because this week on Magical rewind

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<v Speaker 1>we are seeing double with the two thousand and five

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<v Speaker 1>fantasy d com Twitches and don't forget Twitches end up

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<v Speaker 1>in Ditches. It's another October Ready and Halloween to Jason

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<v Speaker 1>entry into Disney films, this time based on a popular

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<v Speaker 1>Scholastic press book series of the same name from H. B.

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<v Speaker 1>Gilmour and Randy Ricefield. I think I'm saying that right.

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<v Speaker 1>This is a vehicle for the two of the biggest

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<v Speaker 1>Disney stars ever and a debut on the Disney Channel

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<v Speaker 1>on October fourteenth, Spooky Season two thousand and five Right

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<v Speaker 1>in the middle. Like I said of the season lead up,

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<v Speaker 1>the original airing brought in wait for it, seven million viewers,

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<v Speaker 1>then a massed a total of over twenty one million

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<v Speaker 1>in the first four airings, making it the week's most

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<v Speaker 1>popular cable programming and ready for its sequel, Twitches two,

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<v Speaker 1>which was released in two thousand and seven. But we're

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<v Speaker 1>gonna get to that one down the road when we

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<v Speaker 1>eventually get to this fabled sequel month, which is now

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<v Speaker 1>building up where it's gonna have to be squel year because.

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<v Speaker 2>Everything got a see here, there's so many.

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<v Speaker 1>There are so many. The budget, if you can believe

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<v Speaker 1>this at the time, remember two thousand and five was

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<v Speaker 1>a whopping twenty million dollars, which is a very high

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<v Speaker 1>number for the movies that we usually recap. But since

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<v Speaker 1>they relied heavily on supernap effects, you can guess where

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<v Speaker 1>a lot of that money went, and not all of

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<v Speaker 1>it looked great. But anyway, that's not their fault. That

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<v Speaker 1>is a fault of the time, which we'll get into.

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<v Speaker 1>The movie was shot in good old Toronto. The coin

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<v Speaker 1>landed on heads with a focus on green screen work

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<v Speaker 1>to pull off some of the effects well pull off,

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<v Speaker 1>putting in quotes, one fun Easter egg in the movie

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<v Speaker 1>and another sign of how many movies are filmed in

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<v Speaker 1>the Great White North. The Cameron's mansion is the same

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<v Speaker 1>house that Regina George resides in in the movie Me

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<v Speaker 1>and Girls. I have seen three quarters of Mean Girls,

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<v Speaker 1>and it's funny. It's true. I keep trying to watch

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<v Speaker 1>it on a plane with Daniel Fishel, and I get

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<v Speaker 1>to the end and I have something else to do,

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<v Speaker 1>or we land or something. Now, weirdly, it appears this

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<v Speaker 1>movie has used two different titles. Twitches, which is the

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<v Speaker 1>one we all know about, but it's also been listed

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<v Speaker 1>as The Witches of Coventry, which is frankly not as catchy.

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<v Speaker 1>Now do you think they did this because Twitches was

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<v Speaker 1>too close to Bitches or Twitter?

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<v Speaker 2>Maybe?

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<v Speaker 1>I mean, but Twitch just kind of says exactly.

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<v Speaker 3>I don't think Twitter was really around in thousand and five,

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<v Speaker 3>so I don't know why they wouldn't because Twitches is

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<v Speaker 3>so cute.

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<v Speaker 1>I was literally driving with Susan yesterday and she said,

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<v Speaker 1>what movie you doing? And I said Twitches, And without

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<v Speaker 1>missing a beat, you went twin Witches. I was like,

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<v Speaker 1>there you go.

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<v Speaker 3>Yes, it made sense exactly what it is for the

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<v Speaker 3>queens themselves of the channel that I loved it.

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<v Speaker 1>It was perfect and like most of the movies that

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<v Speaker 1>we cover, Twitches or The Witches of Coventry, but It's

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<v Speaker 1>called Twitches is currently available to view on Disney Plus

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<v Speaker 1>right now. You can watch it right now, watch it

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<v Speaker 1>later after you listen, or watch it while you're wearing

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<v Speaker 1>a tutu. Whatever you want to do. It's completely your

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<v Speaker 1>call and we're not going to judge.

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<v Speaker 5>Now.

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<v Speaker 1>We asked this every time, you're going to know my

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<v Speaker 1>answer before we even get into it. But had you

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<v Speaker 1>heard of seen new of Twitches before we watch this?

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<v Speaker 3>Had heard of it, knew the twins were in it,

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<v Speaker 3>obviously assumed it was about, you know, some kind of

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<v Speaker 3>witch situation.

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<v Speaker 2>But other than that, I had not seen it. No, No, really, yeah.

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<v Speaker 1>I had seen this movie three times already. This is

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<v Speaker 1>my favorite dcomp No, never seen this. No, I've never

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<v Speaker 1>heard it. No idea what it was, no idea what

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<v Speaker 1>I knew about it. But let's get into the synopsis.

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<v Speaker 1>This is why I said happy birthday at the top

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<v Speaker 1>s arena. Well, I said happy birthday because you're my

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<v Speaker 1>friend and I love you. But what I was really

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<v Speaker 1>saying is because reunited on their twenty first birthday, twin

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<v Speaker 1>sisters use their magic powers to save their kingdom from

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<v Speaker 1>the forces of darkness. Early thoughts, what did you think.

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<v Speaker 2>Ooh, early thoughts.

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<v Speaker 3>I felt like the beginning was a little slow for me,

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<v Speaker 3>so early on I kind of went, oh, and again,

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<v Speaker 3>why are there?

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<v Speaker 2>I get that it's Halloween, but I don't know where

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<v Speaker 2>I am when I walk into.

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<v Speaker 3>Grocery stores or a regular coffee shop. No, one's really

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<v Speaker 3>wearing costumes just during the day. No on Halloween. No,

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<v Speaker 3>that was kind of I get it. It's a little

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<v Speaker 3>it was a little too forced for me, and that

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<v Speaker 3>was what was kind of being set up at the beginning.

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<v Speaker 3>And again, I felt like it went a little slow.

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<v Speaker 3>So it's kind of from the beginning going oh, this

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<v Speaker 3>is not not my favorite so far, not my favorite

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<v Speaker 3>so far, but it did end up getting better. And

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<v Speaker 3>then there's a few things that obviously I know we're

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<v Speaker 3>gonna get to that we're just like, why can't we

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<v Speaker 3>find a normal looking freaking necklace for people? I get

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<v Speaker 3>they're supposed to be these like off the night I

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<v Speaker 3>came back on a stupid necklace, and they're everywhere in

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<v Speaker 3>this movie.

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<v Speaker 2>Is a bunch of weird necklaces everywhere.

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<v Speaker 1>There really are. So I'm a nerd. I'm a big,

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<v Speaker 1>big nerd. You'll notice behind you these are all fantasy novels.

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<v Speaker 1>Every single one of them are fantasy novels. Fantasy novels

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<v Speaker 1>are very important with two things, building the world. World

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<v Speaker 1>building hugely important, and the magical system are too important.

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<v Speaker 1>I still don't get a lot of what was going

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<v Speaker 1>on in this movie. I don't get the dark. I

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<v Speaker 1>don't get I will get into all this stuff. I

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<v Speaker 1>don't get how it can sometimes come into our world

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<v Speaker 1>and for some reason just burns flowers. I don't get

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<v Speaker 1>a lot. So this movie didn't make a whole lot

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<v Speaker 1>of sense to me. The stars of this movie, Tia

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<v Speaker 1>and Tamaramori, who we will get into obviously, are stars

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<v Speaker 1>bar none. They're incredible. They command the screen. You know why.

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<v Speaker 1>They are the queens of the channel. They deserve to be.

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<v Speaker 1>You cannot stop watching them. The whole mullyfamily phenomenally talented

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<v Speaker 1>and couldn't be nicer. People didn't get a lot of

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<v Speaker 1>what was going on. From strictly a fantasy nerd point

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<v Speaker 1>of view, I didn't understand it trying to watch it

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<v Speaker 1>again as a younger person. But even I would think

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<v Speaker 1>the thirteen or fourteen year old me reading all these

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<v Speaker 1>books which I started reading when I was a kid,

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<v Speaker 1>in comic books would have been going, wait, I don't

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<v Speaker 1>understand what's happening yet. Okay, so that's what I would say,

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<v Speaker 1>see I because.

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<v Speaker 2>I'm not in that. That's not my like.

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<v Speaker 3>My thing, right, even me who isn't. I mean, you're

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<v Speaker 3>looking for the details because the details are what I

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<v Speaker 3>think people that really love genre like it builds it.

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<v Speaker 2>That's like a huge part.

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<v Speaker 3>Even me, who doesn't really need all of them, felt

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<v Speaker 3>like I don't know what the hell is what and

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<v Speaker 3>why things are happening.

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<v Speaker 1>And their powers and the power even.

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<v Speaker 3>Me, I'm going no, So and that's when I kind

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<v Speaker 3>of go, if I'm gonna be that picky somebody who's

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<v Speaker 3>an actual kind of fan of this kind of stuff

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<v Speaker 3>is really gonna go, this does not make any sense.

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<v Speaker 3>And then knowing knowing that because I knew there was

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<v Speaker 3>a second one too, so I'm like, is it be like,

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<v Speaker 3>are they holding back on these details maybe for the

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<v Speaker 3>for the sequel?

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<v Speaker 2>Is that why? Because there's just so many big holes.

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<v Speaker 1>That just don't agreed, and a lot of it didn't

0:10:55.240 --> 0:10:57.000
<v Speaker 1>make any sense. But we will get into that as

0:10:57.040 --> 0:10:59.920
<v Speaker 1>we hit them. Yeah. Twitches was directed by Stuart Gill,

0:11:00.000 --> 0:11:02.320
<v Speaker 1>a Hall of famer here on Magical rewind As. He

0:11:02.360 --> 0:11:05.560
<v Speaker 1>also directed one of our absolute favorites, Going to the Mat,

0:11:05.600 --> 0:11:08.160
<v Speaker 1>which he won a DJA Award for Phenomenal Movie, as

0:11:08.160 --> 0:11:11.120
<v Speaker 1>well as Teenage MUTANTJA Turtles three, and episodes of Beauty

0:11:11.120 --> 0:11:13.800
<v Speaker 1>and the Beast and Charmed two shows. He also acted

0:11:13.840 --> 0:11:16.200
<v Speaker 1>as executive producer on the movie As we just said,

0:11:16.200 --> 0:11:18.440
<v Speaker 1>and we're talking about stars. Two of Disney's biggest and

0:11:18.440 --> 0:11:21.400
<v Speaker 1>brightest names, twins Tia and Tamara Moury, best known for

0:11:21.400 --> 0:11:24.160
<v Speaker 1>the TV shows Sister Sister, which actually, strangely enough, has

0:11:24.200 --> 0:11:26.840
<v Speaker 1>a very similar plot as Twitches, just without any witchcraft,

0:11:27.080 --> 0:11:30.400
<v Speaker 1>and in both scripts they reunited in a clothing store. Now,

0:11:30.520 --> 0:11:32.080
<v Speaker 1>in the book series that this was based on that

0:11:32.120 --> 0:11:34.720
<v Speaker 1>we just talked about, the sisters weren't black, but Disney

0:11:34.800 --> 0:11:37.320
<v Speaker 1>Channel was very quick to change that because they loved

0:11:37.480 --> 0:11:40.280
<v Speaker 1>the Moory's so much. They were commanding the channel and

0:11:40.440 --> 0:11:42.120
<v Speaker 1>hell yeah, let's do that, so they put him in

0:11:42.120 --> 0:11:44.600
<v Speaker 1>there as the lead. Ta and Tamara worked together through

0:11:44.640 --> 0:11:47.280
<v Speaker 1>the nineties and aughts, both appearing in Rob Schneider movie

0:11:47.360 --> 0:11:50.640
<v Speaker 1>Hot Chick, and family focused projects like Seventeen Again and

0:11:50.720 --> 0:11:53.760
<v Speaker 1>Double Wedding, and a reality show as sisters from twenty

0:11:53.800 --> 0:11:56.400
<v Speaker 1>eleven and twenty thirteen. They even had their own R

0:11:56.440 --> 0:11:59.160
<v Speaker 1>and B group voices in the nineties, but they would

0:11:59.160 --> 0:12:01.440
<v Speaker 1>also branch out as inn visual performers Tia with a

0:12:01.440 --> 0:12:04.480
<v Speaker 1>focus on cooking, TV shows and books, while also voicing

0:12:04.600 --> 0:12:07.080
<v Speaker 1>Sasha in All the Brats Media and Tamara on the

0:12:07.080 --> 0:12:09.160
<v Speaker 1>talk show The Real and as a regular on the

0:12:09.160 --> 0:12:11.880
<v Speaker 1>Hallmark Channel. There are absolute icons that happened since there

0:12:11.880 --> 0:12:15.240
<v Speaker 1>were kids. It's like them and Raven owned the channel

0:12:15.880 --> 0:12:19.680
<v Speaker 1>and had every right to because they just commanded it.

0:12:19.720 --> 0:12:21.080
<v Speaker 1>Have you ever met them? Were you a fan?

0:12:21.880 --> 0:12:25.480
<v Speaker 3>I was a fan absolutely a lot from their TV show.

0:12:25.720 --> 0:12:28.920
<v Speaker 3>I don't think I've ever met them.

0:12:29.320 --> 0:12:33.760
<v Speaker 2>If I have, it was real quick and some random thing.

0:12:33.840 --> 0:12:38.080
<v Speaker 3>But I have always heard a lot about just again

0:12:38.240 --> 0:12:41.120
<v Speaker 3>like them, just being the hardest working.

0:12:41.000 --> 0:12:43.000
<v Speaker 1>Young Amal the whole family too.

0:12:43.120 --> 0:12:47.680
<v Speaker 3>Yes, we so smart, so so good about picking good

0:12:47.720 --> 0:12:50.640
<v Speaker 3>projects for them, and you know they that I just

0:12:50.679 --> 0:12:53.520
<v Speaker 3>heard they were just powerhouses.

0:12:52.559 --> 0:12:55.160
<v Speaker 2>And yeah, I believe it. I mean their work is proof.

0:12:55.280 --> 0:12:58.760
<v Speaker 1>Their work is absolutely true, Their careers are proof. Kristin

0:12:58.800 --> 0:13:02.080
<v Speaker 1>Wilson plays Miranda. She's best known as young Lisa Doolittle

0:13:02.120 --> 0:13:04.400
<v Speaker 1>in the Eddie Murphy movies from roles in the movies

0:13:04.480 --> 0:13:07.120
<v Speaker 1>Bulletproof and Walking Tall, but she appears to have left

0:13:07.120 --> 0:13:12.080
<v Speaker 1>the business in twenty eleven. Patrick Fabian plays the evil Fantos,

0:13:12.080 --> 0:13:13.719
<v Speaker 1>who it took me a while to get that name.

0:13:13.760 --> 0:13:15.640
<v Speaker 1>I swear to god, I thought they were saying mentos

0:13:16.559 --> 0:13:18.080
<v Speaker 1>and it was weird to me where I was like

0:13:18.200 --> 0:13:21.800
<v Speaker 1>Mentos the fresh Maker. Patrick is a very busy actors

0:13:21.880 --> 0:13:25.520
<v Speaker 1>seen in an uncountable number of TV shows, including Verona Kamar's,

0:13:25.720 --> 0:13:28.440
<v Speaker 1>Desperate Housewives and Grey's Anatomy, but it's best known as

0:13:28.480 --> 0:13:31.240
<v Speaker 1>Howard Hamlin on The Breaking Batspin off Better Call Saul.

0:13:31.440 --> 0:13:34.120
<v Speaker 1>He was also in an unaired television pilot that was

0:13:34.120 --> 0:13:38.360
<v Speaker 1>called Jack's House, starring a young Will Friedel and amongst

0:13:38.360 --> 0:13:42.720
<v Speaker 1>the most Canadian cast members. Illiana is played by actress

0:13:42.840 --> 0:13:45.560
<v Speaker 1>Jennifer Robertson, an actress who ten years later would be

0:13:45.559 --> 0:13:49.600
<v Speaker 1>known as Jocelyn Shit on the incredibly popular TV show

0:13:49.640 --> 0:13:53.360
<v Speaker 1>Shit's Creek. She was so good for not the second

0:13:53.400 --> 0:13:55.120
<v Speaker 1>she popped on, I was like, all right, there we go.

0:13:56.760 --> 0:13:57.720
<v Speaker 2>Oh my god.

0:13:58.040 --> 0:14:00.760
<v Speaker 3>And she brought some of that care she did. She

0:14:00.880 --> 0:14:02.280
<v Speaker 3>actually definitely wow.

0:14:02.360 --> 0:14:06.880
<v Speaker 2>She played this. She's so funny and God, she does

0:14:06.920 --> 0:14:09.480
<v Speaker 2>not age. She looks exactly the same same age she

0:14:09.480 --> 0:14:11.959
<v Speaker 2>looks Creka. She in this movie, and this movie was

0:14:12.000 --> 0:14:13.160
<v Speaker 2>made forever ago.

0:14:13.280 --> 0:14:15.680
<v Speaker 1>And anybody listening to this podcast who has not seen

0:14:15.720 --> 0:14:18.000
<v Speaker 1>Ship's Creek you are missing out on truly one of

0:14:18.040 --> 0:14:21.560
<v Speaker 1>the best ensemble casts in the last twenty five years

0:14:21.560 --> 0:14:25.880
<v Speaker 1>on television. They are wonderful. The movie is eighty seven minutes,

0:14:26.320 --> 0:14:28.640
<v Speaker 1>three little minutes away from that bull's ey. It's like

0:14:28.680 --> 0:14:30.640
<v Speaker 1>we could see the bulls eye and they went nope, stopping.

0:14:31.240 --> 0:14:33.520
<v Speaker 1>It feels like it's been years since we've been at

0:14:33.520 --> 0:14:35.960
<v Speaker 1>the ninety now. The movie was written by Melissa Gould,

0:14:36.000 --> 0:14:38.520
<v Speaker 1>who is a television writer from Party of Five, Beverly Hills,

0:14:38.560 --> 0:14:40.680
<v Speaker 1>nine oh two to one Oer and Lizzie Maguire. But

0:14:40.720 --> 0:14:43.800
<v Speaker 1>we noticed that Twitches was her last job ever in

0:14:43.840 --> 0:14:45.680
<v Speaker 1>the business, at least the last credit that she has,

0:14:45.720 --> 0:14:48.800
<v Speaker 1>which is strange. She shares the credit with Dan Berenson,

0:14:48.960 --> 0:14:51.120
<v Speaker 1>who wrote on Sabrina the Teenage Witch and is the

0:14:51.160 --> 0:14:55.200
<v Speaker 1>man behind so much decomming magic, including wait for this list,

0:14:55.520 --> 0:14:58.760
<v Speaker 1>the Hannah Montana movie, Stuck in the Suburbs, Halloween Town,

0:14:58.840 --> 0:15:03.880
<v Speaker 1>High teen Beach two, and the Cheetah Girls, One World. Also,

0:15:04.080 --> 0:15:07.720
<v Speaker 1>he wrote Twitches to this time it's personal, as we

0:15:07.760 --> 0:15:09.800
<v Speaker 1>all know, that's the name of every sequel we will

0:15:09.840 --> 0:15:13.600
<v Speaker 1>be watching. Now we've talked about Halloween was big for you.

0:15:15.000 --> 0:15:18.680
<v Speaker 1>So was there ever when you were a kid, Halloween

0:15:18.760 --> 0:15:21.440
<v Speaker 1>or no Halloween? Did you ever fantasize that you were

0:15:21.520 --> 0:15:24.440
<v Speaker 1>actually a princess, that you were actually had magic powers?

0:15:24.760 --> 0:15:27.320
<v Speaker 1>Was this ever in your kind of repertoire or fantasy?

0:15:29.240 --> 0:15:32.800
<v Speaker 3>Oh no, I don't think I ever thought that I

0:15:32.880 --> 0:15:36.120
<v Speaker 3>had powers. I did think I was in ninja for

0:15:36.240 --> 0:15:37.080
<v Speaker 3>quite some time.

0:15:37.320 --> 0:15:40.120
<v Speaker 1>Me too. My dad's nickname for me is still Ninja.

0:15:40.760 --> 0:15:41.400
<v Speaker 5>No Joy.

0:15:42.080 --> 0:15:45.080
<v Speaker 1>Oh my god. Maybe we're from the same ninja family.

0:15:45.440 --> 0:15:48.680
<v Speaker 3>Maybe that's what the connection is right there, like you too.

0:15:49.280 --> 0:15:53.400
<v Speaker 3>But my poor mom, especially after I started learning how

0:15:53.520 --> 0:15:58.240
<v Speaker 3>to tumnel like gymnastics and stuff and was able to

0:15:58.360 --> 0:16:03.040
<v Speaker 3>flip off of things, my poor mom really got.

0:16:03.480 --> 0:16:07.760
<v Speaker 2>Just the hardest wes.

0:16:08.160 --> 0:16:12.520
<v Speaker 3>I loved the cloth ones. That's like, oh, yeah, I couldn't.

0:16:12.600 --> 0:16:14.880
<v Speaker 1>I are you talking about the sun? You're talking about

0:16:14.880 --> 0:16:17.360
<v Speaker 1>the size? The ones that are like triangles with the

0:16:17.400 --> 0:16:18.040
<v Speaker 1>one in the middle.

0:16:18.200 --> 0:16:20.040
<v Speaker 2>Yeah, and you hold them close to it.

0:16:20.160 --> 0:16:23.200
<v Speaker 3>Yes, I loved those I could never do the numb chucks.

0:16:23.200 --> 0:16:26.240
<v Speaker 3>Always hit myself, always got myself in trouble with them.

0:16:26.320 --> 0:16:27.760
<v Speaker 1>I still think I'm a ninja.

0:16:31.760 --> 0:16:34.880
<v Speaker 5>Hey everyone, Amy roboch here along with TJ Holmes, and

0:16:34.920 --> 0:16:37.920
<v Speaker 5>we have a very exciting announcement to make.

0:16:37.760 --> 0:16:38.240
<v Speaker 2>To all of you.

0:16:38.520 --> 0:16:42.680
<v Speaker 6>We are expanding. We are now going to be coming

0:16:42.720 --> 0:16:46.920
<v Speaker 6>to you Monday through Friday for a new part of

0:16:46.960 --> 0:16:51.320
<v Speaker 6>our Amy and TJ franchise, if you will, the Morning Run.

0:16:51.360 --> 0:16:53.920
<v Speaker 6>We're gonna help listeners navigate the busy news cycle and

0:16:54.000 --> 0:16:57.200
<v Speaker 6>the historic political season that the country is facing. And

0:16:57.240 --> 0:16:59.080
<v Speaker 6>we're going to do this now each and every day.

0:16:59.080 --> 0:17:01.280
<v Speaker 5>Wow, we have a news franchise now, I like the

0:17:01.280 --> 0:17:01.960
<v Speaker 5>way you put that.

0:17:02.160 --> 0:17:04.840
<v Speaker 2>We're gonna be covering all the latest news headlines for

0:17:04.880 --> 0:17:05.320
<v Speaker 2>all of you.

0:17:05.560 --> 0:17:08.679
<v Speaker 5>We'll have entertainment updates, and we'll even give some perspective

0:17:08.800 --> 0:17:11.320
<v Speaker 5>on the current events that are happening right now. And this,

0:17:11.440 --> 0:17:15.399
<v Speaker 5>by the way, is in addition to our already established

0:17:15.400 --> 0:17:17.560
<v Speaker 5>bi weekly podcasts that we hope you guys are tuning

0:17:17.560 --> 0:17:21.240
<v Speaker 5>into as well, with more in depth conversations and interviews.

0:17:21.280 --> 0:17:24.919
<v Speaker 5>So we're gonna be with you Monday through Friday with

0:17:25.160 --> 0:17:28.680
<v Speaker 5>Morning Run. Listen to morning run on the iHeartRadio app,

0:17:28.760 --> 0:17:35.159
<v Speaker 5>Apple podcasts or wherever you listen to podcasts.

0:17:36.119 --> 0:17:39.600
<v Speaker 1>Okay, let us now get into twitches. So we open

0:17:39.720 --> 0:17:41.680
<v Speaker 1>on a pretty awesome shot of a castle on a

0:17:41.720 --> 0:17:44.119
<v Speaker 1>hill under a bright moon and surrounded by what could

0:17:44.119 --> 0:17:47.760
<v Speaker 1>be smoky kind of lava. These are shots of Coventry.

0:17:47.840 --> 0:17:50.600
<v Speaker 1>They're incredible. We know where the twenty million dollar budget went.

0:17:50.640 --> 0:17:52.439
<v Speaker 1>Now I would like to put a small cavea on that.

0:17:52.440 --> 0:17:55.840
<v Speaker 1>I would say they're incredible for two thousand and five. Yes,

0:17:56.000 --> 0:17:58.320
<v Speaker 1>when you now go and even watch the Disney Channel

0:17:58.359 --> 0:18:02.560
<v Speaker 1>movies from today, when you're watching you know a Zombies,

0:18:02.720 --> 0:18:04.359
<v Speaker 1>or you're watching one of the one of the bigger

0:18:04.640 --> 0:18:08.200
<v Speaker 1>descend in something like that, you can obviously see how

0:18:08.240 --> 0:18:11.679
<v Speaker 1>the technology has gotten better. But for the time and

0:18:11.720 --> 0:18:14.600
<v Speaker 1>for the channel, they looked pretty good. You look at

0:18:14.680 --> 0:18:17.440
<v Speaker 1>them now through twenty twenty four eyes and you go, wow,

0:18:17.480 --> 0:18:19.680
<v Speaker 1>that doesn't look very good. But back in the day,

0:18:19.960 --> 0:18:22.720
<v Speaker 1>especially on the Disney Channel, it looks pretty great. We

0:18:22.800 --> 0:18:25.359
<v Speaker 1>are told by a voiceover that this is the magical

0:18:25.440 --> 0:18:28.200
<v Speaker 1>land of Coventry, which doesn't sound like an actual location.

0:18:28.240 --> 0:18:31.399
<v Speaker 1>It sounds like a study of dressmakers, but it sounds

0:18:31.440 --> 0:18:35.040
<v Speaker 1>like a study of making dressers. But the voice explains

0:18:35.040 --> 0:18:39.480
<v Speaker 1>that darkness or the Darkness, has taken over the city

0:18:39.760 --> 0:18:41.960
<v Speaker 1>and that twin daughters of the Sun and Moon were

0:18:41.960 --> 0:18:44.040
<v Speaker 1>born on Halloween and one of the only ones who

0:18:44.040 --> 0:18:47.920
<v Speaker 1>can restore the land. From a fantasy standpoint, very basic, awesome,

0:18:48.000 --> 0:18:50.280
<v Speaker 1>I'm in you got me, no problem.

0:18:50.760 --> 0:18:54.000
<v Speaker 2>But the dark darkness word didn't hit you. I'm like, no,

0:18:54.240 --> 0:18:56.760
<v Speaker 2>there's any deeper than.

0:18:56.680 --> 0:18:59.719
<v Speaker 1>The data are always have It's always the darkness. It's

0:18:59.720 --> 0:19:03.040
<v Speaker 1>always the Dark Council. It's always the blackness. It's always

0:19:03.080 --> 0:19:06.879
<v Speaker 1>the deep. There's always something along those lines, the void.

0:19:07.240 --> 0:19:10.040
<v Speaker 1>There's always something where they can do. You know. That's

0:19:10.119 --> 0:19:12.639
<v Speaker 1>that's pretty basic kind of stuff. Okay, you know the

0:19:12.720 --> 0:19:15.359
<v Speaker 1>dark dark Wizards of Harry Potter kind of things, right,

0:19:15.520 --> 0:19:19.399
<v Speaker 1>So that's but Darkness is after them even as newborns.

0:19:19.400 --> 0:19:21.480
<v Speaker 1>We see the babies and their son and new necklaces.

0:19:22.080 --> 0:19:25.480
<v Speaker 1>This is the Twitches. So the Darkness, which looks a

0:19:25.520 --> 0:19:27.439
<v Speaker 1>lot again like the smoke Monster and Loss, but with

0:19:27.480 --> 0:19:29.600
<v Speaker 1>blood and fire inside of it, roams the halls of

0:19:29.640 --> 0:19:31.920
<v Speaker 1>the castle. So here's where you start trying to build

0:19:32.000 --> 0:19:37.080
<v Speaker 1>the world out. Okay, so obviously it can break into fortresses,

0:19:37.119 --> 0:19:39.400
<v Speaker 1>It is like smoke. It can come into different places. Okay,

0:19:39.440 --> 0:19:41.800
<v Speaker 1>I'm starting to figure this out, no problem. It starts

0:19:41.800 --> 0:19:44.240
<v Speaker 1>to roam the halls of the castle. In another room,

0:19:44.320 --> 0:19:46.520
<v Speaker 1>a robed man and woman run to save the babies.

0:19:46.560 --> 0:19:50.520
<v Speaker 1>They call the kids Apolla and Artemis, which is supposed

0:19:50.520 --> 0:19:52.800
<v Speaker 1>to be like Apollo and Artemis, who were the brother

0:19:52.840 --> 0:19:57.959
<v Speaker 1>and sister, you know, mythological creatures from mythological gods of Greece,

0:19:58.359 --> 0:20:00.800
<v Speaker 1>but obviously one of they're both, so they change to

0:20:00.800 --> 0:20:03.919
<v Speaker 1>Apalla an Artemis okay, and get to a small argument

0:20:03.920 --> 0:20:08.040
<v Speaker 1>about grammar. Eventually, they decide to leave separately into another

0:20:08.080 --> 0:20:11.920
<v Speaker 1>dimension because the twins aren't safe there together. Okay, I'm

0:20:11.920 --> 0:20:14.760
<v Speaker 1>with you. They both disappear just as the darkness creeps

0:20:14.840 --> 0:20:17.159
<v Speaker 1>up on them. The robed female finds herself in a

0:20:17.200 --> 0:20:19.720
<v Speaker 1>busy city streets and leaves the child at a hospital.

0:20:20.040 --> 0:20:22.040
<v Speaker 1>The man in the suburbs. It gets scared by some

0:20:22.040 --> 0:20:24.480
<v Speaker 1>trick or treaters, but also ends up leaving the baby

0:20:24.560 --> 0:20:27.600
<v Speaker 1>at an emergency room. Okay, the twins have been separated.

0:20:27.640 --> 0:20:32.080
<v Speaker 1>They're now in our plane. Gotcha. I again, from a

0:20:32.119 --> 0:20:36.760
<v Speaker 1>fantasy standpoint, I'm in It's basic. It's easy, No problem

0:20:37.280 --> 0:20:39.920
<v Speaker 1>right on board. All these books behind me, a lot

0:20:39.960 --> 0:20:43.560
<v Speaker 1>of them very similar. This is okay, okay, Twins are born,

0:20:43.640 --> 0:20:47.119
<v Speaker 1>twins have powers, twins split up, twins different plane, easy, simple,

0:20:47.200 --> 0:20:51.199
<v Speaker 1>easy peasy. Then time passes during the credits and we

0:20:51.240 --> 0:20:53.520
<v Speaker 1>are now in the future. The sun necklace is now

0:20:53.560 --> 0:20:55.639
<v Speaker 1>on a moor. I'm not even going to try to

0:20:55.640 --> 0:20:57.520
<v Speaker 1>figure out which one, but one of them, do you

0:20:57.560 --> 0:20:58.240
<v Speaker 1>know which one is?

0:20:58.240 --> 0:20:58.480
<v Speaker 2>Which?

0:20:59.480 --> 0:20:59.640
<v Speaker 7>Ok?

0:20:59.760 --> 0:21:04.080
<v Speaker 3>Good, but one at least, and so now I'm going

0:21:04.080 --> 0:21:07.159
<v Speaker 3>to one has a little beauty mark, and.

0:21:07.160 --> 0:21:10.880
<v Speaker 2>I'm going I remember a beauty.

0:21:10.600 --> 0:21:13.480
<v Speaker 3>Mark whack when I was younger and didn't pay attention

0:21:13.520 --> 0:21:14.520
<v Speaker 3>to any details anywhere.

0:21:14.560 --> 0:21:16.880
<v Speaker 1>But one with the beauty mark is Tia or Tamara.

0:21:17.600 --> 0:21:18.879
<v Speaker 2>One of them is Tia or Tamara.

0:21:18.960 --> 0:21:20.640
<v Speaker 1>Yees, that's how you do know it? One of them

0:21:20.680 --> 0:21:24.560
<v Speaker 1>is that one of them is Tia or Tamara. Definitely.

0:21:24.880 --> 0:21:26.239
<v Speaker 1>So I didn't know which one either. I'm not going

0:21:26.280 --> 0:21:28.920
<v Speaker 1>to try to guess, okay, But she was the baby

0:21:29.040 --> 0:21:31.800
<v Speaker 1>left in the suburbs. So she's in her room listening

0:21:31.800 --> 0:21:35.000
<v Speaker 1>to music again, famous Disney trope coming up on a

0:21:35.040 --> 0:21:37.680
<v Speaker 1>girl in her room. Great way to see what her

0:21:37.720 --> 0:21:41.000
<v Speaker 1>life is like. Very easy, So automatically. She's listening to

0:21:41.040 --> 0:21:43.920
<v Speaker 1>her music. She's drawing parents. Her parents, we can tell

0:21:44.000 --> 0:21:46.200
<v Speaker 1>obviously we know have adopted her, but they tiptoe into

0:21:46.240 --> 0:21:48.760
<v Speaker 1>a room holding a cake. She catches them and beats

0:21:48.800 --> 0:21:51.640
<v Speaker 1>them to saying happy birthday. Her name is now Cameron,

0:21:51.680 --> 0:21:54.320
<v Speaker 1>and she's turning twenty one. Her mom compliments her recent

0:21:54.359 --> 0:21:56.720
<v Speaker 1>drawings of a woman who is beautiful and wearing a

0:21:56.760 --> 0:21:59.560
<v Speaker 1>moon necklace, and we can see that she's it almost

0:21:59.640 --> 0:22:01.520
<v Speaker 1>looks like They even say, like, is that a self portrait?

0:22:01.560 --> 0:22:03.000
<v Speaker 1>She says, no, I don't think so, because the necklace

0:22:03.040 --> 0:22:06.720
<v Speaker 1>is different. So she's in her mind drawing what we

0:22:06.760 --> 0:22:08.440
<v Speaker 1>know is going to be her twin, but she does

0:22:08.480 --> 0:22:10.439
<v Speaker 1>not yet know that yet, so it's her, but not

0:22:10.520 --> 0:22:13.600
<v Speaker 1>exactly her. We then find ourselves somewhere else looking at

0:22:13.600 --> 0:22:16.840
<v Speaker 1>the exact girl in the moon necklace drawing, now asleep.

0:22:17.000 --> 0:22:19.520
<v Speaker 1>Two troll arms reached for her. She jumps up, but

0:22:19.600 --> 0:22:22.000
<v Speaker 1>it's just a little girl surprising her for her birthday

0:22:22.040 --> 0:22:24.000
<v Speaker 1>and for Halloween, because of course they were born on

0:22:24.080 --> 0:22:27.080
<v Speaker 1>all hollows. Eve her roommate and the kid's mom say

0:22:27.160 --> 0:22:29.719
<v Speaker 1>she was supposed to surprise her, not scarer. We can

0:22:29.760 --> 0:22:33.199
<v Speaker 1>immediately tell her surroundings are less extravagant than Cameron's. She

0:22:33.280 --> 0:22:36.000
<v Speaker 1>was adopted by a single mother who unfortunately recently passed away,

0:22:36.240 --> 0:22:37.919
<v Speaker 1>and she slept in because she was writing in her

0:22:38.000 --> 0:22:40.639
<v Speaker 1>journal and was up till well after midnight. She admits

0:22:40.680 --> 0:22:43.360
<v Speaker 1>she's nocturnal. If the moon is up, then I'm up. Okay,

0:22:44.080 --> 0:22:46.800
<v Speaker 1>we've established both girls. One has been, is up with

0:22:46.880 --> 0:22:49.040
<v Speaker 1>the sun, loves to you know, the sun is up.

0:22:49.080 --> 0:22:51.600
<v Speaker 1>She's got her powers or whatever. One is there with

0:22:51.680 --> 0:22:54.280
<v Speaker 1>the moon, and one is rich. One is poor.

0:22:54.800 --> 0:22:56.800
<v Speaker 2>Yep, gotcha, We're good.

0:22:56.960 --> 0:22:58.560
<v Speaker 1>The girl asked if she misses her mom, and she

0:22:58.560 --> 0:23:00.600
<v Speaker 1>admits that she does, but she's also just trying to

0:23:00.600 --> 0:23:03.040
<v Speaker 1>find a job today. By the way, her name on

0:23:03.080 --> 0:23:06.160
<v Speaker 1>this plane is Alex and she is played by either

0:23:06.200 --> 0:23:09.359
<v Speaker 1>Tia or Tamarow. We cut back to Cameron, who is

0:23:09.400 --> 0:23:12.840
<v Speaker 1>schooling her dad in tennis. Keep in mind what this

0:23:12.960 --> 0:23:15.239
<v Speaker 1>dad's tennis shirt looks like, because for some reason, he

0:23:15.240 --> 0:23:19.800
<v Speaker 1>wears it for most of the movie. She's having a

0:23:20.040 --> 0:23:23.280
<v Speaker 1>big lavish party tonight, but she's also having a life crisis.

0:23:23.280 --> 0:23:25.600
<v Speaker 1>She keeps thinking that something special is supposed to happen now,

0:23:25.840 --> 0:23:28.800
<v Speaker 1>and she's on her twenty first birthday. This day means

0:23:28.800 --> 0:23:30.879
<v Speaker 1>something to her. She doesn't know what, and suddenly she

0:23:30.920 --> 0:23:33.720
<v Speaker 1>blurts out, I'll get it, and then the phone rings.

0:23:34.760 --> 0:23:38.439
<v Speaker 1>Strange power which was also inhabited by another very famous

0:23:38.440 --> 0:23:42.960
<v Speaker 1>television character called Radar O'Reilly from Mash. At the same time,

0:23:43.119 --> 0:23:45.359
<v Speaker 1>Alex and her roommate are talking about her job search.

0:23:45.520 --> 0:23:47.119
<v Speaker 1>She wants to move out get her own place, but

0:23:47.160 --> 0:23:49.080
<v Speaker 1>she's also welcome to stay there as long as she wants.

0:23:49.160 --> 0:23:51.440
<v Speaker 1>Establishing that she's got good friends and a support system

0:23:51.480 --> 0:23:53.600
<v Speaker 1>around her, they get on the bus and she admits,

0:23:53.600 --> 0:23:56.120
<v Speaker 1>ever since she woke up, she feels like something horrible

0:23:56.240 --> 0:23:58.119
<v Speaker 1>is going to happen today, so again the balance to

0:23:58.160 --> 0:24:00.520
<v Speaker 1>her sister. We then notice a man in front seat

0:24:00.560 --> 0:24:02.959
<v Speaker 1>and he's very interested in her. It is the robed

0:24:03.040 --> 0:24:05.959
<v Speaker 1>man from earlier. Alex tells her Rumy to say hi

0:24:06.040 --> 0:24:09.000
<v Speaker 1>to her mom for her, and then her phone rings,

0:24:09.440 --> 0:24:12.679
<v Speaker 1>so she also has the strange I can tell when

0:24:12.680 --> 0:24:14.600
<v Speaker 1>a phone is going to ring superpower that Radar head

0:24:14.600 --> 0:24:18.280
<v Speaker 1>from Mash very strange. Okay, Now, I don't know about you,

0:24:18.359 --> 0:24:20.840
<v Speaker 1>but this seems like an absolutely useless magic power. But

0:24:20.880 --> 0:24:24.080
<v Speaker 1>I'm hoping what it's actually stating is not just phone calls.

0:24:24.119 --> 0:24:27.800
<v Speaker 1>It's just, uh, you have an inkling of premonition of

0:24:27.800 --> 0:24:31.040
<v Speaker 1>what's going to happen. Yes, could be a very important

0:24:31.119 --> 0:24:33.159
<v Speaker 1>kind of I would have shown it different ways. I

0:24:33.200 --> 0:24:34.879
<v Speaker 1>didn't write this thing, but that's just the way that

0:24:34.960 --> 0:24:37.639
<v Speaker 1>it is. They did it with phone calls. Okay. The

0:24:37.760 --> 0:24:41.960
<v Speaker 1>robed man, however, is still very impressed. Would you be impressed,

0:24:42.000 --> 0:24:43.760
<v Speaker 1>like if your husband every time was like, hey, say

0:24:43.840 --> 0:24:45.639
<v Speaker 1>hi to somebody and then your phone rings, I mean eventually,

0:24:45.680 --> 0:24:47.440
<v Speaker 1>wouldn't you just think it was creepy? Or would would

0:24:47.760 --> 0:24:48.200
<v Speaker 1>like the best?

0:24:48.240 --> 0:24:51.960
<v Speaker 2>I think it was really crazy, right, I would think

0:24:52.040 --> 0:24:55.080
<v Speaker 2>how did you get that? He somehow connected my phone

0:24:55.119 --> 0:24:56.600
<v Speaker 2>to like his apple water?

0:24:56.800 --> 0:25:00.240
<v Speaker 1>Right? Yes, how are you doing that? Right? By the way, yeah,

0:25:00.280 --> 0:25:02.960
<v Speaker 1>I know exactly where you are. That's not magic powers,

0:25:02.960 --> 0:25:07.919
<v Speaker 1>that's just air taggings. Yeah, it's just Then Cameron and

0:25:07.960 --> 0:25:10.600
<v Speaker 1>her friend pull up alongside the bus in an expensive convertible.

0:25:10.760 --> 0:25:12.919
<v Speaker 1>Cameron feels like something great is gonna happen today, and

0:25:13.040 --> 0:25:16.719
<v Speaker 1>Alex just misses seeing her Cameron and her power now

0:25:16.720 --> 0:25:18.760
<v Speaker 1>walking down the street, and Cameron thinks she just needs

0:25:18.800 --> 0:25:20.720
<v Speaker 1>to be super aware of her surroundings, and then the

0:25:20.760 --> 0:25:23.359
<v Speaker 1>bus pulls up and Alex walks out. Cameron again doesn't

0:25:23.400 --> 0:25:26.359
<v Speaker 1>notice her, but does notice a big sale across the

0:25:26.359 --> 0:25:28.879
<v Speaker 1>street at her favorite store. They giddaly run over and

0:25:28.920 --> 0:25:31.760
<v Speaker 1>take advantage while Alex is you know, we still notice

0:25:31.760 --> 0:25:34.359
<v Speaker 1>as being followed by this creepy guy Outside the store.

0:25:34.400 --> 0:25:37.879
<v Speaker 1>An over zealous woman who was the robed female from earlier,

0:25:38.680 --> 0:25:41.000
<v Speaker 1>is so excited to see Cameron, who just predicted her

0:25:41.000 --> 0:25:44.840
<v Speaker 1>friend wanted to go look at shoes nearby. Again anothery're

0:25:44.880 --> 0:25:47.200
<v Speaker 1>not great skill though not showing the skill great, but

0:25:47.240 --> 0:25:51.240
<v Speaker 1>they're showing that they have this presence of forethought exactly,

0:25:51.320 --> 0:25:54.679
<v Speaker 1>this intuition that, of course, as young girls will be

0:25:54.760 --> 0:25:58.080
<v Speaker 1>used for phones and shopping and all that kind of stuff.

0:25:58.240 --> 0:26:01.400
<v Speaker 1>Oh right, Yeahdy looks at her and says, you are

0:26:01.480 --> 0:26:03.880
<v Speaker 1>so ready, then wishes her good luck and runs off

0:26:03.920 --> 0:26:05.959
<v Speaker 1>to join the man, and they reveal they've been following

0:26:05.960 --> 0:26:10.000
<v Speaker 1>the twins for years. This is destiny. The man all

0:26:10.040 --> 0:26:11.800
<v Speaker 1>of a sudden makes a help wanted sign up here

0:26:11.840 --> 0:26:14.480
<v Speaker 1>in the clothing store. Nope, she walks right by. Alex

0:26:14.520 --> 0:26:17.520
<v Speaker 1>walks right by that. Then a no experience sign necessary

0:26:17.640 --> 0:26:20.480
<v Speaker 1>pops up when she ignores the first one. She's still

0:26:20.480 --> 0:26:22.560
<v Speaker 1>walking by, and he gets desperate and he just shoots

0:26:22.560 --> 0:26:25.400
<v Speaker 1>out a we're desperate sign, which finally gets the job.

0:26:25.480 --> 0:26:28.199
<v Speaker 1>Hungry and stubborn Alex to enter. She walks in and

0:26:28.240 --> 0:26:30.600
<v Speaker 1>tells the manager she saw the sign, and employee hands

0:26:30.600 --> 0:26:34.080
<v Speaker 1>her the dress she was looking for, obviously confusing her

0:26:34.119 --> 0:26:36.240
<v Speaker 1>for the twins she doesn't know exists. She's like, what,

0:26:36.840 --> 0:26:38.840
<v Speaker 1>but she wants to apply for the job, and Cameron

0:26:38.840 --> 0:26:40.919
<v Speaker 1>pulls the dress from her hands. Her sister walks behind her,

0:26:40.920 --> 0:26:44.040
<v Speaker 1>grabs and goes thanks, but still doesn't see her twins face. Ooh,

0:26:44.080 --> 0:26:46.600
<v Speaker 1>we are kind of pushing the envelope here, but here

0:26:46.640 --> 0:26:49.680
<v Speaker 1>we go. Alex then tells the manager she really needs

0:26:49.680 --> 0:26:52.240
<v Speaker 1>the job, but it doesn't get her anywhere, and the

0:26:52.280 --> 0:26:55.040
<v Speaker 1>woman's like, nope, honesty is great everywhere in the world

0:26:55.160 --> 0:26:59.280
<v Speaker 1>except for retail, which is weird. So she lies and

0:26:59.320 --> 0:27:01.880
<v Speaker 1>compliments the shoes, and it was so convincing that she's

0:27:01.920 --> 0:27:04.000
<v Speaker 1>hired on the spot. And this is obviously because the

0:27:04.040 --> 0:27:08.120
<v Speaker 1>manager realizes she can lie convincingly. But then Alex does

0:27:08.280 --> 0:27:10.840
<v Speaker 1>like her shoes, so she hired her because she just

0:27:10.840 --> 0:27:13.600
<v Speaker 1>said one nice thing, which is odd. She also hires

0:27:13.600 --> 0:27:16.480
<v Speaker 1>her with no paperwork whatsoever, just puts her to work,

0:27:16.640 --> 0:27:18.360
<v Speaker 1>so we don't even know if she's on the payroll

0:27:18.520 --> 0:27:23.600
<v Speaker 1>or What's very strange. Alex starts working, eventually literally bumping

0:27:23.640 --> 0:27:25.760
<v Speaker 1>into her twin. As they see each other, they scream

0:27:25.760 --> 0:27:27.600
<v Speaker 1>at the top of their lungs. Cameron knew it something

0:27:27.640 --> 0:27:30.119
<v Speaker 1>great was gonna happen today. They wonder if they're twins

0:27:30.200 --> 0:27:32.119
<v Speaker 1>or sisters or they just look like each other, but

0:27:32.119 --> 0:27:34.480
<v Speaker 1>they realize they're both adopted and it is their birthday.

0:27:34.880 --> 0:27:37.040
<v Speaker 1>Alex runs out, but Cameron catches up with her and

0:27:37.040 --> 0:27:40.119
<v Speaker 1>grabs her hand, forcing the world to enter a slow

0:27:40.200 --> 0:27:43.480
<v Speaker 1>motion realm and the close of the store of the

0:27:43.480 --> 0:27:48.040
<v Speaker 1>mannequin fall off, once again showing more completely useless magic.

0:27:48.600 --> 0:27:53.760
<v Speaker 1>I don't stopping time, okay, she jawsome superpower. I can

0:27:53.800 --> 0:27:58.280
<v Speaker 1>slow time down by just grabbing somebody's hand, sweet ripping

0:27:58.400 --> 0:28:01.920
<v Speaker 1>the clothes off of people seems really like a scummy

0:28:02.080 --> 0:28:02.840
<v Speaker 1>kind of power.

0:28:03.560 --> 0:28:07.919
<v Speaker 2>Yea, what could you really do that? What can you

0:28:07.960 --> 0:28:08.479
<v Speaker 2>do with it?

0:28:08.720 --> 0:28:10.080
<v Speaker 1>How do you use that for good?

0:28:10.440 --> 0:28:12.680
<v Speaker 2>Yeaw? How are you gonna save the world by doing

0:28:12.720 --> 0:28:13.359
<v Speaker 2>something like that?

0:28:13.920 --> 0:28:16.280
<v Speaker 1>Again? Slowing down time? That would be slowing down or

0:28:16.280 --> 0:28:17.960
<v Speaker 1>stopping time would be on my list of top three

0:28:18.000 --> 0:28:19.600
<v Speaker 1>superpowers of all time. That would be one of the

0:28:19.640 --> 0:28:24.680
<v Speaker 1>coolest things ever. But okay, an, yeah, we are now

0:28:24.720 --> 0:28:27.560
<v Speaker 1>transported to Coventry and a mansion. A woman who looks

0:28:27.560 --> 0:28:29.639
<v Speaker 1>a lot like the twins, and she does, is wearing

0:28:29.640 --> 0:28:34.000
<v Speaker 1>a similar but your favorite, much bigger necklace. Sense it's

0:28:34.200 --> 0:28:37.840
<v Speaker 1>it's a big chest plate. She's wearing a chest plate.

0:28:38.080 --> 0:28:43.040
<v Speaker 1>She's wearing a piece of armor and the twins. It's true,

0:28:44.000 --> 0:28:45.800
<v Speaker 1>but again, she looks just like the twins. She's wearing

0:28:45.800 --> 0:28:48.200
<v Speaker 1>the big necklace. She senses something and runs off to

0:28:48.240 --> 0:28:52.280
<v Speaker 1>tell Mentos the fresh Maker. She eventually makes it to Mentos.

0:28:52.320 --> 0:28:54.719
<v Speaker 1>I won't say that to Thantos, who was doing some

0:28:54.760 --> 0:28:57.320
<v Speaker 1>sort of pendulum over the water, completely confusing us as

0:28:57.360 --> 0:28:58.680
<v Speaker 1>to what happens in Coventry.

0:28:58.960 --> 0:28:59.480
<v Speaker 2>What is this?

0:28:59.680 --> 0:29:02.720
<v Speaker 1>The second he looked up, I went, that's the bad guy.

0:29:03.520 --> 0:29:06.360
<v Speaker 1>It's like, not even slightly hidden. You just get an

0:29:06.360 --> 0:29:09.120
<v Speaker 1>instant that's the bad guy, feels there was no and

0:29:09.160 --> 0:29:11.760
<v Speaker 1>then and then I tried to convince myself it wasn't him.

0:29:11.800 --> 0:29:12.320
<v Speaker 1>I was like, you can't.

0:29:12.440 --> 0:29:13.800
<v Speaker 2>Oh yeah, no.

0:29:13.960 --> 0:29:15.360
<v Speaker 1>I was hoping it was gonna be the mom was

0:29:15.760 --> 0:29:17.640
<v Speaker 1>gonna be a twist, Yes, no.

0:29:17.760 --> 0:29:22.320
<v Speaker 3>I kept thinking, oh maybe maybe, but no. Now, Honestly,

0:29:22.400 --> 0:29:27.360
<v Speaker 3>after Halloween Town and how obvious that was, I was like, Okay.

0:29:26.960 --> 0:29:29.680
<v Speaker 2>So in these Halloween type movies, we just are gonna

0:29:29.720 --> 0:29:30.680
<v Speaker 2>know who the bad guy is.

0:29:30.760 --> 0:29:32.560
<v Speaker 1>Yeah, he should have been just wearing a shirt that

0:29:32.720 --> 0:29:37.640
<v Speaker 1>just says bad guy. It's yeah, So we don't know

0:29:37.640 --> 0:29:39.760
<v Speaker 1>what's happening. But the woman is so happy because she

0:29:39.800 --> 0:29:42.560
<v Speaker 1>realizes that Apaula and Artemis are alive and they are

0:29:42.600 --> 0:29:45.280
<v Speaker 1>together again. She knows it. He doesn't believe her, but

0:29:45.320 --> 0:29:47.840
<v Speaker 1>she felt it in her soul and her necklace is shining.

0:29:47.880 --> 0:29:50.880
<v Speaker 1>So Fantos knows that if it's true, then they need

0:29:50.920 --> 0:29:55.080
<v Speaker 1>to protect them. They are definitely in danger from him.

0:29:55.480 --> 0:29:58.200
<v Speaker 1>He says, she can't go to their dimension and it

0:29:58.200 --> 0:30:00.800
<v Speaker 1>would be too devastating to lose her. He'll go and

0:30:00.880 --> 0:30:03.920
<v Speaker 1>bring them home, leading me to my first why the

0:30:03.920 --> 0:30:05.680
<v Speaker 1>hell weren't you looking for them in the first place.

0:30:05.720 --> 0:30:08.080
<v Speaker 1>If you can buy this dimension whenever you want to, ye,

0:30:08.280 --> 0:30:10.840
<v Speaker 1>and the darkness isn't keeping you there in prison, why

0:30:10.840 --> 0:30:13.680
<v Speaker 1>don't you just leave this dimension then and go and

0:30:13.720 --> 0:30:17.000
<v Speaker 1>find your daughters to bring them back. Yeah, the holes

0:30:17.040 --> 0:30:18.680
<v Speaker 1>are appearing, yes.

0:30:18.560 --> 0:30:21.000
<v Speaker 2>And the only thing I kind of rewound it going.

0:30:21.160 --> 0:30:24.000
<v Speaker 2>Did they explain that this can.

0:30:23.840 --> 0:30:27.640
<v Speaker 3>Now the dimensions could be crossed because they're twenty one,

0:30:27.800 --> 0:30:30.640
<v Speaker 3>or did they just honestly think they were dead?

0:30:30.960 --> 0:30:31.200
<v Speaker 1>Nope?

0:30:31.400 --> 0:30:34.320
<v Speaker 3>You know, it was very strange. Nothing was explained, so

0:30:34.360 --> 0:30:35.920
<v Speaker 3>I just had to keep moving.

0:30:36.000 --> 0:30:40.360
<v Speaker 1>But I explained so having no idea what is now

0:30:40.360 --> 0:30:42.360
<v Speaker 1>going on. We are back at the clothing store. Alex

0:30:42.520 --> 0:30:44.920
<v Speaker 1>is fired and Cameron is accused of trying to steal

0:30:45.040 --> 0:30:47.240
<v Speaker 1>the dress, but that doesn't matter because Cameron is still

0:30:47.280 --> 0:30:50.400
<v Speaker 1>so excited by the prospect of having a sister. Alex, well,

0:30:50.720 --> 0:30:53.200
<v Speaker 1>not so much. She felt like something bad was going

0:30:53.280 --> 0:30:55.920
<v Speaker 1>to happen today. Camera decides to tag along with Alex

0:30:55.960 --> 0:30:58.480
<v Speaker 1>Debond and as they turned the corner, Alex is like, wait,

0:30:58.520 --> 0:31:00.960
<v Speaker 1>is that your car? And is it? Pressed by her Porsche,

0:31:01.520 --> 0:31:04.480
<v Speaker 1>but also reveals that her adopted mom died three days ago.

0:31:04.520 --> 0:31:06.520
<v Speaker 1>I'm sorry, I'm not trying to laugh, but it's like,

0:31:07.080 --> 0:31:08.880
<v Speaker 1>this is my Porsche. I'm having the best thing in

0:31:08.880 --> 0:31:11.280
<v Speaker 1>the world. How are you doing? Oh wait, I just

0:31:11.320 --> 0:31:16.440
<v Speaker 1>got you fired and your mom's dead. Yes, yikes, Sorry.

0:31:16.240 --> 0:31:18.680
<v Speaker 2>I get it. They're trying to keep doing this. Yep,

0:31:18.880 --> 0:31:22.000
<v Speaker 2>opposites opposite a tract opposites.

0:31:21.600 --> 0:31:25.239
<v Speaker 1>There, sun and moon dark, the ying yang of it.

0:31:25.320 --> 0:31:28.520
<v Speaker 1>I get it, but yeah, but Cameron grabs her hand

0:31:28.520 --> 0:31:31.440
<v Speaker 1>and support, which is very sweet. But then the cargoes nuts,

0:31:31.640 --> 0:31:34.360
<v Speaker 1>the alarms blare, all the lights flicker, the windsheld wipers

0:31:34.440 --> 0:31:37.640
<v Speaker 1>go to work. The magical powers are now awesome. No

0:31:37.760 --> 0:31:40.719
<v Speaker 1>weight again, how would you ever use that to do anything?

0:31:41.800 --> 0:31:44.240
<v Speaker 1>So Cameron thinks that again, these magical powers are cool,

0:31:44.400 --> 0:31:49.840
<v Speaker 1>but they're I'm sorry, it says low budget witches, my breakdown.

0:31:49.960 --> 0:31:52.880
<v Speaker 1>That's true. At this point, you got up. Maybe maybe

0:31:52.880 --> 0:31:55.840
<v Speaker 1>this is just the start, and we hope they can

0:31:55.880 --> 0:31:58.840
<v Speaker 1>do something because so far, unless the monster they're trying

0:31:58.920 --> 0:32:02.800
<v Speaker 1>to fight it is a two thousand and four Porsche

0:32:03.240 --> 0:32:07.040
<v Speaker 1>UH convertible, a Porsche boxter, or a mannequin that instantly

0:32:07.120 --> 0:32:10.920
<v Speaker 1>needs to be stripped, then all of Coventry is yeah,

0:32:11.000 --> 0:32:17.719
<v Speaker 1>so it's true. The girls now drive to Cameron's mansion,

0:32:18.160 --> 0:32:20.480
<v Speaker 1>which is decked out for Halloween, and they are greeted

0:32:20.480 --> 0:32:22.920
<v Speaker 1>by a maid who doesn't even blink an eye. That

0:32:22.960 --> 0:32:24.120
<v Speaker 1>there's now a second girl.

0:32:24.440 --> 0:32:28.440
<v Speaker 3>Where there were so many weird little moments in this

0:32:28.680 --> 0:32:32.480
<v Speaker 3>movie like this, like are you kidding me? They make

0:32:32.520 --> 0:32:34.720
<v Speaker 3>it out to be that she's been a maid or

0:32:34.760 --> 0:32:38.160
<v Speaker 3>someone of the house for years. Obviously you know that

0:32:38.240 --> 0:32:40.720
<v Speaker 3>whole trope of you know, this has been somebody who's

0:32:41.280 --> 0:32:43.640
<v Speaker 3>watched you grow up. And now you see that there

0:32:43.640 --> 0:32:45.800
<v Speaker 3>are two of these things.

0:32:45.400 --> 0:32:47.880
<v Speaker 1>And not even bad. Part of me loves the comedy.

0:32:47.960 --> 0:32:49.520
<v Speaker 1>Part of me loves it where it's like, great, now

0:32:49.560 --> 0:32:51.400
<v Speaker 1>there's two of you. But part of me is like

0:32:51.560 --> 0:32:52.680
<v Speaker 1>maybe a double.

0:32:52.480 --> 0:32:55.960
<v Speaker 3>Take a little bit, I mean even to John's shocked, yes,

0:32:56.120 --> 0:32:59.440
<v Speaker 3>shocked about it, and then uh, and then a realization

0:32:59.520 --> 0:33:04.520
<v Speaker 3>of now you're going to make the house doubly, you know, disastrous. Okay, fine,

0:33:04.560 --> 0:33:07.680
<v Speaker 3>but just something It moves so fast.

0:33:07.400 --> 0:33:09.040
<v Speaker 2>It was like okay.

0:33:13.400 --> 0:33:16.960
<v Speaker 8>Jenny Garth, Jana Kramer, Amy Roebock, and TJ. Holmes bring

0:33:17.040 --> 0:33:19.720
<v Speaker 8>You I Do, Part two, a one of a kind

0:33:19.880 --> 0:33:22.880
<v Speaker 8>experiment in podcasting to help you find love again.

0:33:22.960 --> 0:33:24.720
<v Speaker 1>If you didn't get it right the first time, it's.

0:33:24.560 --> 0:33:26.800
<v Speaker 8>Time to try try again, as they guide you through

0:33:26.840 --> 0:33:29.080
<v Speaker 8>this podcast experiment in dating.

0:33:28.960 --> 0:33:32.480
<v Speaker 9>Hey, I'm Jana Kramer, As they say, those that cannot

0:33:32.520 --> 0:33:35.800
<v Speaker 9>do teach, Actually, I think I finally got it right.

0:33:35.880 --> 0:33:38.920
<v Speaker 9>So take the failures I've had the second or even

0:33:38.960 --> 0:33:41.160
<v Speaker 9>third whatever maybe the fourth time around.

0:33:41.360 --> 0:33:45.040
<v Speaker 10>I'm Jenny Garth. Twenty nine years ago, Kelly Taylor said

0:33:45.080 --> 0:33:48.360
<v Speaker 10>these words, I choose me. She made her choice, She

0:33:48.560 --> 0:33:52.760
<v Speaker 10>chose herself. When it comes to love, choose you first.

0:33:53.080 --> 0:33:54.920
<v Speaker 2>Hi, everyone, I'm Amy Roboch.

0:33:54.680 --> 0:33:57.680
<v Speaker 6>And I'm TJ. Holmes, and we are well not necessarily

0:33:57.800 --> 0:34:01.280
<v Speaker 6>relationship experts, if you're ready to dive back into the

0:34:01.360 --> 0:34:05.360
<v Speaker 6>d hitting pool and find lasting love. Finally, we want to.

0:34:05.320 --> 0:34:08.600
<v Speaker 9>Help listen to I Do Part two starting September nineteenth

0:34:08.600 --> 0:34:11.920
<v Speaker 9>on the iHeartRadio app, Apple Podcasts or wherever you get

0:34:11.960 --> 0:34:16.799
<v Speaker 9>your podcasts.

0:34:18.000 --> 0:34:19.640
<v Speaker 1>So the one thing there was a very big funny

0:34:19.719 --> 0:34:22.040
<v Speaker 1>runner where Alex kept saying like, this is your house,

0:34:22.440 --> 0:34:24.959
<v Speaker 1>this is the inside of your house, this is your room,

0:34:25.000 --> 0:34:27.200
<v Speaker 1>and she's like, all right, please stop. So they get

0:34:27.200 --> 0:34:30.040
<v Speaker 1>into Cameron's room, which of course is sprawling, and realize

0:34:30.080 --> 0:34:32.800
<v Speaker 1>they can do magic on their own. So she opens

0:34:32.840 --> 0:34:36.080
<v Speaker 1>the drawer Cameron just by herself, but it's stronger, even

0:34:36.239 --> 0:34:38.880
<v Speaker 1>dangerous when they do it together. This is when they

0:34:38.880 --> 0:34:41.080
<v Speaker 1>go over and Alex sees some of Cameron's drawings, which

0:34:41.080 --> 0:34:45.120
<v Speaker 1>are very impressive. They obviously show Coventry and some people.

0:34:45.200 --> 0:34:47.200
<v Speaker 1>She sees what looked like the self portrait, but it

0:34:47.200 --> 0:34:48.600
<v Speaker 1>turned out to be a picture of her with her

0:34:48.640 --> 0:34:51.840
<v Speaker 1>necklace on. She sees all this stuff, so while we

0:34:51.880 --> 0:34:54.200
<v Speaker 1>see Coventry, we see the darkness, we see the necklace.

0:34:54.960 --> 0:34:57.360
<v Speaker 1>They don't know what it is. We know they're obviously

0:34:57.400 --> 0:34:59.840
<v Speaker 1>seeing Coventry and picture of country, they yet don't know

0:35:00.000 --> 0:35:02.880
<v Speaker 1>what it is. Cameron then admits that she has visions,

0:35:02.960 --> 0:35:05.759
<v Speaker 1>including another woman who wreck everyone can see as the

0:35:05.800 --> 0:35:09.880
<v Speaker 1>lady from Coventry, and they're very excited that they're alive.

0:35:10.200 --> 0:35:12.480
<v Speaker 1>She's got the visions. She's like, oh yeah, this woman

0:35:12.560 --> 0:35:15.279
<v Speaker 1>is happy we're alive. That's kind of weird. They both

0:35:15.280 --> 0:35:17.960
<v Speaker 1>feel like they know her. Cameron asks Alex to check

0:35:17.960 --> 0:35:20.200
<v Speaker 1>her second closet for something. She's like, give a second one,

0:35:20.400 --> 0:35:24.600
<v Speaker 1>and then she opens up. They're magically in Coventry, like

0:35:24.680 --> 0:35:26.799
<v Speaker 1>the Lion, the witch and the wardrobe. The magic is

0:35:26.840 --> 0:35:30.440
<v Speaker 1>in the closet. Cameron joins her, and they're very very confused.

0:35:30.960 --> 0:35:34.799
<v Speaker 1>That's when a voice comes out from everything. Okay, so

0:35:34.840 --> 0:35:39.160
<v Speaker 1>a booming voice comes out and says Cameron tells them

0:35:39.160 --> 0:35:41.759
<v Speaker 1>that they've been there before in her dreams. It's the

0:35:41.880 --> 0:35:44.799
<v Speaker 1>robed lady. She hugs a frozen Cameron, this is again

0:35:45.000 --> 0:35:48.480
<v Speaker 1>echoing voices. Okay, echoing voices. The voices are coming in.

0:35:49.600 --> 0:35:52.640
<v Speaker 1>Then the man appears for Alex. They are Karsh and Ilana,

0:35:53.000 --> 0:35:56.120
<v Speaker 1>their father Aaron's humble servants. They break the news that

0:35:56.120 --> 0:35:57.719
<v Speaker 1>their father died the day they were born, and he

0:35:57.800 --> 0:36:00.720
<v Speaker 1>asks them to watch over the girls for some reason.

0:36:01.480 --> 0:36:06.200
<v Speaker 1>At this point, after the booming voices everywhere, they insist

0:36:06.280 --> 0:36:07.120
<v Speaker 1>the girl's whisper.

0:36:07.920 --> 0:36:10.200
<v Speaker 2>They yes, be quiet.

0:36:10.520 --> 0:36:13.600
<v Speaker 1>Every time their voice is slightly raised. They're like and

0:36:13.719 --> 0:36:18.400
<v Speaker 1>yet at first they're like, you're in Coventry. I didn't

0:36:18.719 --> 0:36:21.160
<v Speaker 1>Were they only hearing that in their head? I didn't

0:36:21.280 --> 0:36:23.600
<v Speaker 1>understand why they suddenly needed to be quiet.

0:36:23.960 --> 0:36:24.240
<v Speaker 2>Yeah.

0:36:24.280 --> 0:36:27.360
<v Speaker 3>I think it was that that idea of that they're

0:36:27.400 --> 0:36:30.319
<v Speaker 3>hearing it in the head. But how would they both

0:36:30.360 --> 0:36:31.279
<v Speaker 3>hear it? You know?

0:36:31.440 --> 0:36:36.440
<v Speaker 1>I just was the same magic used to strip mannequins. Yeah,

0:36:36.480 --> 0:36:38.640
<v Speaker 1>so it was this is I was starting. I was like, Okay,

0:36:39.000 --> 0:36:40.799
<v Speaker 1>now they have to be quiet for some reason.

0:36:41.120 --> 0:36:42.680
<v Speaker 2>Even though you were just yelling.

0:36:42.840 --> 0:36:45.600
<v Speaker 1>Yeah. So they break the news that their father died

0:36:45.640 --> 0:36:46.960
<v Speaker 1>the day they were born, and he asked to watch

0:36:46.960 --> 0:36:49.120
<v Speaker 1>over the girls. The servants say their mother is very

0:36:49.160 --> 0:36:51.759
<v Speaker 1>much alive and now at twenty one. The fate of

0:36:51.840 --> 0:36:55.360
<v Speaker 1>Coventry is in their hands. There's a lot to deal with,

0:36:55.440 --> 0:36:58.520
<v Speaker 1>so Alex runs off. She has a gift. This is

0:36:58.520 --> 0:37:00.799
<v Speaker 1>where we learn really what their gifts are, and she

0:37:01.040 --> 0:37:03.800
<v Speaker 1>knows how this story ends, so she returns through the

0:37:03.840 --> 0:37:07.480
<v Speaker 1>closet door and into Cameron's room, followed by Cameron, now alone.

0:37:07.680 --> 0:37:11.000
<v Speaker 1>Carsion Eliana reveal the girls are marked for death, and

0:37:11.040 --> 0:37:15.919
<v Speaker 1>we see the door to Coventry disappear back I'm sorry,

0:37:15.920 --> 0:37:19.120
<v Speaker 1>I'm gonna do my own sound effects. Back in Cameron's room,

0:37:19.160 --> 0:37:21.920
<v Speaker 1>the girls argue over the responsibility in Coventry and realize

0:37:22.000 --> 0:37:25.160
<v Speaker 1>quickly that the portal is now closed. Alex is disturbed

0:37:25.200 --> 0:37:27.800
<v Speaker 1>by everything, especially because in the stories that she wrote,

0:37:27.920 --> 0:37:30.719
<v Speaker 1>because she was writing about this her whole life, her

0:37:30.840 --> 0:37:33.920
<v Speaker 1>dad was killed protecting them. Cameron can't believe she's making

0:37:33.960 --> 0:37:37.080
<v Speaker 1>being magical power Twins into a bad thing. What a

0:37:37.120 --> 0:37:41.040
<v Speaker 1>buzzkill brand new sister I just met today. Yeah, downstairs.

0:37:41.080 --> 0:37:43.120
<v Speaker 1>Now we're downstairs in the giant mansion. The house staff

0:37:43.160 --> 0:37:46.160
<v Speaker 1>is getting Cameron's big birthday bash ready, but the darkness

0:37:46.440 --> 0:37:51.399
<v Speaker 1>is already creeping into the house upstairs. Alex wants to leave,

0:37:51.440 --> 0:37:54.400
<v Speaker 1>but she eventually agrees whatever this is, they're in this together.

0:37:54.840 --> 0:37:57.720
<v Speaker 1>And just like that, the maid stumbles upon the plant

0:37:57.760 --> 0:38:00.759
<v Speaker 1>on fire. The darkness is growled and creeping through the

0:38:00.760 --> 0:38:04.960
<v Speaker 1>house just as the girls leave in the porsches. So

0:38:05.000 --> 0:38:11.719
<v Speaker 1>the darkness can leave Coventry Coventry and come into our

0:38:11.960 --> 0:38:16.400
<v Speaker 1>world for a limited amount of time to light certain

0:38:16.600 --> 0:38:18.480
<v Speaker 1>things on fire.

0:38:18.719 --> 0:38:19.960
<v Speaker 2>But not the whole house.

0:38:20.239 --> 0:38:23.319
<v Speaker 1>But not the whole house. It also can't track the

0:38:23.360 --> 0:38:30.080
<v Speaker 1>girls if they just walk out of the room. Uh okay,

0:38:30.440 --> 0:38:32.839
<v Speaker 1>And which I didn't I didn't understand. I don't get

0:38:32.840 --> 0:38:33.920
<v Speaker 1>the rules of the darkness.

0:38:34.160 --> 0:38:39.760
<v Speaker 2>The darkness. Yes, plus it looked awful the dark again.

0:38:39.840 --> 0:38:42.759
<v Speaker 1>The darkness didn't look great yet, No, a great it

0:38:42.880 --> 0:38:44.759
<v Speaker 1>was now. Would you think it doesn't look great for

0:38:44.840 --> 0:38:46.720
<v Speaker 1>now or even for two thousand and five? It wouldn't.

0:38:47.400 --> 0:38:50.080
<v Speaker 2>I you know, I wanted to keep thinking, you know,

0:38:50.239 --> 0:38:50.719
<v Speaker 2>it's pre.

0:38:51.160 --> 0:38:54.400
<v Speaker 3>It just again, it doesn't look great for it to

0:38:54.480 --> 0:38:57.560
<v Speaker 3>be such a big part of the movie. Yes, not

0:38:57.680 --> 0:39:00.399
<v Speaker 3>look great. It's tough because it's not like we see

0:39:00.400 --> 0:39:02.320
<v Speaker 3>it quick. It's not like the quick.

0:39:02.120 --> 0:39:04.319
<v Speaker 1>Dragon at the end of Descendants, like it comes in

0:39:04.400 --> 0:39:05.479
<v Speaker 1>the dragons. Are you're right?

0:39:05.719 --> 0:39:06.000
<v Speaker 2>Yeah?

0:39:06.040 --> 0:39:08.680
<v Speaker 3>It is throughout the whole movie, So it just was

0:39:08.760 --> 0:39:12.359
<v Speaker 3>kind of and again, where can it go?

0:39:12.760 --> 0:39:14.560
<v Speaker 2>Why what is it trying to do?

0:39:15.160 --> 0:39:18.080
<v Speaker 1>Why can it seep through ceilings but it can't go

0:39:18.120 --> 0:39:18.880
<v Speaker 1>through doors?

0:39:18.880 --> 0:39:19.400
<v Speaker 2>Doors?

0:39:19.600 --> 0:39:22.960
<v Speaker 3>Yes, how can it get into the house of originally

0:39:23.000 --> 0:39:25.160
<v Speaker 3>because no one opened a door for it?

0:39:25.440 --> 0:39:29.040
<v Speaker 1>And do exactly what you said, why not put it

0:39:29.120 --> 0:39:33.799
<v Speaker 1>where the second they touch? Then I think what they're

0:39:33.840 --> 0:39:36.040
<v Speaker 1>going for is the second they touch, they're now marked.

0:39:36.160 --> 0:39:40.719
<v Speaker 1>But they don't ever explain that, right, No, so it

0:39:40.760 --> 0:39:44.400
<v Speaker 1>didn't make any sense. But the nonsensical Darkness monster also

0:39:45.560 --> 0:39:47.800
<v Speaker 1>creeps through the house as we were saying, and lights

0:39:47.840 --> 0:39:52.400
<v Speaker 1>all the pictures of Coventry on fire in Cameron's room. Right,

0:39:52.880 --> 0:39:55.560
<v Speaker 1>We're now back at Coventry where the darkness is just

0:39:55.680 --> 0:39:59.640
<v Speaker 1>circling the castle, but for some reason can't come into

0:39:59.680 --> 0:40:03.200
<v Speaker 1>the ca which again I guess is because the girls

0:40:04.400 --> 0:40:07.879
<v Speaker 1>fought it off as a kid, but only stopped it

0:40:07.920 --> 0:40:09.560
<v Speaker 1>from coming into the castle.

0:40:10.400 --> 0:40:12.520
<v Speaker 2>It just can it is.

0:40:12.600 --> 0:40:14.360
<v Speaker 1>It's weird, but it's in the castle.

0:40:14.480 --> 0:40:16.799
<v Speaker 2>Do you never know why it stops? Like I'm right.

0:40:16.800 --> 0:40:18.640
<v Speaker 3>At one point, I'm like, okay, so is it stopping

0:40:18.640 --> 0:40:20.720
<v Speaker 3>because it's wanting to stop.

0:40:22.320 --> 0:40:24.200
<v Speaker 1>Or not? Yes, I don't get it.

0:40:25.960 --> 0:40:27.840
<v Speaker 2>I don't know. I don't know.

0:40:27.960 --> 0:40:28.640
<v Speaker 1>I agree, I don't.

0:40:28.800 --> 0:40:31.480
<v Speaker 3>This one was real tough to kind of just you know,

0:40:31.560 --> 0:40:34.200
<v Speaker 3>it wasn't getting over one thing. And like I said,

0:40:34.320 --> 0:40:38.040
<v Speaker 3>with this darkness, it's such a huge part of the storyline.

0:40:38.400 --> 0:40:41.000
<v Speaker 2>Yes, that you have to understand.

0:40:40.560 --> 0:40:42.640
<v Speaker 1>What are the rules of what are the rules? Thank

0:40:42.680 --> 0:40:45.480
<v Speaker 1>you give us the rules of the Darkness. I need

0:40:45.560 --> 0:40:47.600
<v Speaker 1>I need some kind of rule for the darkness because

0:40:47.600 --> 0:40:53.520
<v Speaker 1>it's I don't Yeah, I don't understand it. It was okay. Anyway,

0:40:53.520 --> 0:40:56.000
<v Speaker 1>we're back at Coventry and the woman that we had

0:40:56.040 --> 0:40:58.040
<v Speaker 1>met before says she's not just gonna sit around. She's

0:40:58.080 --> 0:41:00.760
<v Speaker 1>going to go find them herself. Fanta is not happy

0:41:00.800 --> 0:41:03.080
<v Speaker 1>with this because again, he's just a packet of mints.

0:41:03.560 --> 0:41:06.920
<v Speaker 1>This will leave her people defenseless against the Darkness. Okay,

0:41:06.960 --> 0:41:10.319
<v Speaker 1>so apparently the Darkness can't do anything because of her,

0:41:11.400 --> 0:41:13.680
<v Speaker 1>I guess, but they don't really explain that either. She

0:41:13.719 --> 0:41:16.359
<v Speaker 1>reveals she is their mother and she knows they need her.

0:41:16.400 --> 0:41:18.040
<v Speaker 1>But this is the first time they're saying it, and

0:41:18.040 --> 0:41:19.920
<v Speaker 1>I think they wanted it as like a moment. But

0:41:19.960 --> 0:41:22.719
<v Speaker 1>we all we knew that right definitely, this was not

0:41:22.800 --> 0:41:25.880
<v Speaker 1>a thing that was as shocking as it was that

0:41:25.920 --> 0:41:29.400
<v Speaker 1>the bad guy was the bad guy. Yeah, Fantos convinces

0:41:29.400 --> 0:41:31.880
<v Speaker 1>her again to stay and trust him. This is just

0:41:32.000 --> 0:41:34.200
<v Speaker 1>obviously he might as well be twirling a mustache, going

0:41:34.239 --> 0:41:38.120
<v Speaker 1>trust me, I will take care of the children. But

0:41:38.239 --> 0:41:40.640
<v Speaker 1>he here. At this point, he throws out the theory that

0:41:40.680 --> 0:41:42.640
<v Speaker 1>the girls are actually evil and teamed up with the

0:41:42.719 --> 0:41:46.239
<v Speaker 1>darkness themselves. He then reveals that he's actually the brother

0:41:46.280 --> 0:41:48.440
<v Speaker 1>of the girl's father and guesses that the servants have

0:41:48.480 --> 0:41:51.600
<v Speaker 1>been protecting the twins. Tantos says he would love these

0:41:51.600 --> 0:41:55.080
<v Speaker 1>girls like they were his own and they could save Coventry.

0:41:55.160 --> 0:41:57.920
<v Speaker 1>So the mom tells him to find them. But man,

0:41:58.320 --> 0:42:01.320
<v Speaker 1>oh man, does the bad guy give off bad vibes.

0:42:01.920 --> 0:42:04.560
<v Speaker 1>We're now back on Earth. Cameron goes to Alex's humble

0:42:04.560 --> 0:42:07.080
<v Speaker 1>house look at her childhood insomnia stories and this is

0:42:07.120 --> 0:42:08.640
<v Speaker 1>the funny thing where she walks in, She's like, this

0:42:08.680 --> 0:42:10.239
<v Speaker 1>is your bathroom. That said she's doing the opposite of

0:42:10.239 --> 0:42:12.120
<v Speaker 1>which she's like, you're right, it is annoying. Please stop

0:42:12.400 --> 0:42:15.640
<v Speaker 1>funny run. Cameron's mom calls her flip phone. I miss

0:42:15.680 --> 0:42:18.319
<v Speaker 1>flip phones. I'd like them back, but Alex convinces her

0:42:18.360 --> 0:42:21.000
<v Speaker 1>to keep the whole thing quiet, even from her own family.

0:42:21.400 --> 0:42:24.200
<v Speaker 1>They figure out their names were Apaulla and Artemis, The

0:42:24.320 --> 0:42:27.080
<v Speaker 1>Danger of the Darkness, how they were abandoned, who their

0:42:27.120 --> 0:42:29.839
<v Speaker 1>mom is, and that she married her uncle, all from

0:42:29.840 --> 0:42:32.960
<v Speaker 1>these childhood writings. This is important backstory, Alex says in

0:42:33.000 --> 0:42:35.640
<v Speaker 1>her fantasy, she was always the one who rescued their mom.

0:42:36.000 --> 0:42:38.040
<v Speaker 1>The girls then figure that out and they're like, okay,

0:42:38.160 --> 0:42:40.640
<v Speaker 1>let's go eat. So they go stop for lunch at

0:42:40.680 --> 0:42:44.480
<v Speaker 1>Alex's Roomy's restaurant. This is Lucinda, and Lucinda is a

0:42:44.480 --> 0:42:47.440
<v Speaker 1>little creeped out by this new revelation that she's the

0:42:47.440 --> 0:42:50.640
<v Speaker 1>only one who seems to be like, hey, you've now

0:42:50.640 --> 0:42:52.879
<v Speaker 1>got an identical twin sister you've known for three hours.

0:42:52.880 --> 0:42:55.640
<v Speaker 1>Who's your bestie? Maybe let's slow this down a little bit,

0:42:55.719 --> 0:42:57.560
<v Speaker 1>or this is weird? Or my am I the only

0:42:57.640 --> 0:43:01.279
<v Speaker 1>one pointing out how strange this is? Yeah, anyway. She

0:43:01.320 --> 0:43:03.120
<v Speaker 1>also seems that maybe she might be just a little

0:43:03.200 --> 0:43:06.720
<v Speaker 1>jealous of the new twins relationship. But before the food arrives,

0:43:06.760 --> 0:43:09.520
<v Speaker 1>they decide to try out some spells from Alex's writing.

0:43:09.560 --> 0:43:11.279
<v Speaker 1>She was just making up funny spells as a kid,

0:43:11.640 --> 0:43:14.560
<v Speaker 1>they make a glass of iced tea shatter a soda,

0:43:14.719 --> 0:43:17.240
<v Speaker 1>attacks a jerk who's talking loudly in new a cell phone,

0:43:17.600 --> 0:43:23.279
<v Speaker 1>and again, these all seem like uncool, weird superpowers that

0:43:23.480 --> 0:43:28.080
<v Speaker 1>they're just throwing around, like Okay, I don't want to

0:43:28.480 --> 0:43:30.160
<v Speaker 1>I'm trying to get the nerd out of me, but

0:43:30.239 --> 0:43:32.279
<v Speaker 1>I can't. I can keep going to the magical cut.

0:43:32.400 --> 0:43:36.279
<v Speaker 3>Well, at least they're able to now move things versus.

0:43:35.960 --> 0:43:38.239
<v Speaker 1>Just kind of they're doing some stuff.

0:43:38.080 --> 0:43:41.279
<v Speaker 3>You know, like compared to the car and in the

0:43:41.320 --> 0:43:42.160
<v Speaker 3>retail store.

0:43:42.440 --> 0:43:47.160
<v Speaker 2>At least they're they're looking at focusingning and honing their skills.

0:43:46.719 --> 0:43:50.640
<v Speaker 1>Of Okay, all right, now, let's you find out tomorrow

0:43:50.640 --> 0:43:52.080
<v Speaker 1>you have magical powers and you're a witch. What's the

0:43:52.080 --> 0:43:52.680
<v Speaker 1>first thing you do?

0:43:53.280 --> 0:43:58.080
<v Speaker 3>Oh my gosh, man, I don't know. I think i'd

0:43:58.080 --> 0:43:59.040
<v Speaker 3>go back in time.

0:43:59.880 --> 0:44:01.720
<v Speaker 1>You want to change travel?

0:44:04.960 --> 0:44:07.440
<v Speaker 2>I know, I just want to relive it.

0:44:07.680 --> 0:44:10.880
<v Speaker 3>I mean I would do I would you know the

0:44:10.960 --> 0:44:12.320
<v Speaker 3>Macy's prayed again.

0:44:12.600 --> 0:44:13.479
<v Speaker 2>I'd love to do.

0:44:15.120 --> 0:44:20.719
<v Speaker 1>Again. You're talking about like I'm going to go back

0:44:20.760 --> 0:44:23.239
<v Speaker 1>and you know, meet Christopher. I mean, I don't know

0:44:24.160 --> 0:44:25.200
<v Speaker 1>I'm gonna go back.

0:44:25.080 --> 0:44:27.799
<v Speaker 2>To the I want to make sure you have a

0:44:27.840 --> 0:44:31.120
<v Speaker 2>good time. I know where exactly to go. Okay, what

0:44:31.239 --> 0:44:35.000
<v Speaker 2>Christopher Columbus was really doing that could be some shocking stuff.

0:44:35.360 --> 0:44:39.960
<v Speaker 1>Wow, I love that. No, it's it was shocking anyway.

0:44:40.800 --> 0:44:43.759
<v Speaker 1>The girls in Unison say go Twitches, Go Twitches, and

0:44:43.840 --> 0:44:46.640
<v Speaker 1>a tune that was allegedly improved by Tea and Tomorrow.

0:44:47.000 --> 0:44:49.279
<v Speaker 1>We see the servants were watching nearby. As we go

0:44:49.320 --> 0:44:52.719
<v Speaker 1>into a montage with the go gos, we got the

0:44:52.800 --> 0:44:55.799
<v Speaker 1>beat playing a very rare instance of a dcom using

0:44:55.920 --> 0:44:59.319
<v Speaker 1>actual licensed music. The girls now are trying out their

0:44:59.320 --> 0:45:01.799
<v Speaker 1>powers different way. They're trying out their their powers as

0:45:01.800 --> 0:45:03.960
<v Speaker 1>the servants to continue to protect them, they turn some

0:45:04.040 --> 0:45:07.399
<v Speaker 1>cat calling construction workers into beauty pageing contestants. They grow

0:45:07.440 --> 0:45:10.920
<v Speaker 1>apples on trees, so it is at least a montage

0:45:10.960 --> 0:45:14.080
<v Speaker 1>of them trying to learn to use their powers. You

0:45:14.160 --> 0:45:15.040
<v Speaker 1>one hundred percent right.

0:45:15.200 --> 0:45:17.600
<v Speaker 2>I didn't like what they were doing exactly what their

0:45:17.640 --> 0:45:18.040
<v Speaker 2>power is?

0:45:18.239 --> 0:45:22.600
<v Speaker 1>Yes, important, you know, learning our powers montage. So at

0:45:22.680 --> 0:45:24.920
<v Speaker 1>least they put that in, which is good. But the

0:45:25.000 --> 0:45:26.920
<v Speaker 1>darkness is growing stronger as the girls get to know

0:45:26.960 --> 0:45:30.000
<v Speaker 1>their powers and each other. But back at Alex's, Cameron

0:45:30.040 --> 0:45:33.080
<v Speaker 1>says that she quote pities the poor Gooli ghoulie that

0:45:33.160 --> 0:45:36.160
<v Speaker 1>tries to take them out, and right on cue, the

0:45:36.560 --> 0:45:39.680
<v Speaker 1>darkness appears and tries to attack. The girls run around

0:45:39.680 --> 0:45:42.680
<v Speaker 1>the house, eventually touching. When Cameron is grabbed by the darkness,

0:45:42.840 --> 0:45:45.799
<v Speaker 1>their connection pushes it away for a second, but he's

0:45:45.800 --> 0:45:47.960
<v Speaker 1>blowing up all the lights and is right on their tail.

0:45:48.080 --> 0:45:50.799
<v Speaker 1>They hide in a closet and suddenly realize they're back

0:45:50.800 --> 0:45:53.960
<v Speaker 1>in Coventry and are joined by their servants. Now Cameron

0:45:54.080 --> 0:45:56.520
<v Speaker 1>is furious. This should be fun, not life threatening. The

0:45:56.520 --> 0:45:59.160
<v Speaker 1>good news is they open the door to Coventry themselves

0:45:59.360 --> 0:46:02.560
<v Speaker 1>because they trusted themselves, trusted in their power, and this

0:46:02.640 --> 0:46:05.000
<v Speaker 1>is the power they need when confronting the darkness. They

0:46:05.000 --> 0:46:07.400
<v Speaker 1>beat it once as babies, they can do it again.

0:46:07.840 --> 0:46:10.560
<v Speaker 1>Very Harry Potter esqu here. Cameron has had enough though.

0:46:10.760 --> 0:46:12.880
<v Speaker 1>This is her birthday. She has a party tonight, and

0:46:12.920 --> 0:46:14.440
<v Speaker 1>while she was gung ho at the beginning, this is

0:46:14.440 --> 0:46:17.440
<v Speaker 1>now getting way too real. So she's going home now.

0:46:17.560 --> 0:46:19.919
<v Speaker 1>Alex is the one who chases her down and tells

0:46:19.920 --> 0:46:22.400
<v Speaker 1>her that they need to stay, They need to be sisters,

0:46:22.440 --> 0:46:24.520
<v Speaker 1>they need to meet their mom. Cameron says, nothing bad

0:46:24.560 --> 0:46:27.359
<v Speaker 1>has ever happened, at her home, and Alex admits this

0:46:27.480 --> 0:46:29.759
<v Speaker 1>isn't even the worst thing that has ever happened to her.

0:46:29.920 --> 0:46:33.319
<v Speaker 1>Their differences are very obvious. Now everything is flipped. The

0:46:33.360 --> 0:46:36.120
<v Speaker 1>servants say that darkness has left the earth and opens

0:46:36.120 --> 0:46:38.959
<v Speaker 1>the door for Cameron, who walks right through it, jumps

0:46:39.000 --> 0:46:41.680
<v Speaker 1>in her car and speeds off, leaving Alex at her

0:46:41.719 --> 0:46:46.360
<v Speaker 1>house to be poor. Back at Cam's mansion, her party

0:46:46.400 --> 0:46:48.279
<v Speaker 1>is about to start, but the guilt is getting to

0:46:48.320 --> 0:46:50.319
<v Speaker 1>her and we hear a dramatic song. The Halloween theme

0:46:50.360 --> 0:46:53.319
<v Speaker 1>party is in full swing and even the servants are

0:46:53.360 --> 0:46:56.600
<v Speaker 1>eating the cupcakes. Cameron is dressed as a masquerade princess

0:46:56.600 --> 0:46:58.839
<v Speaker 1>and everyone wants to meet her twin because she told

0:46:58.880 --> 0:47:01.120
<v Speaker 1>her bestie I have a twin that she met her

0:47:01.200 --> 0:47:02.920
<v Speaker 1>and she's like, please, don't tell anybody about it, but

0:47:02.920 --> 0:47:05.440
<v Speaker 1>of course she told everybody and to get over all

0:47:05.480 --> 0:47:07.919
<v Speaker 1>of her sadness, they grab her and say she needs

0:47:07.920 --> 0:47:09.400
<v Speaker 1>to dance and flirt with Zorro.

0:47:10.800 --> 0:47:12.799
<v Speaker 2>So random this is? That was another random thing?

0:47:13.000 --> 0:47:15.000
<v Speaker 1>What just that you need to dance with somebody? Or

0:47:15.040 --> 0:47:15.560
<v Speaker 1>that was Zorro?

0:47:15.800 --> 0:47:19.480
<v Speaker 3>Yeah, well no, you know, Zoro is such a like

0:47:19.520 --> 0:47:23.279
<v Speaker 3>a costume thing. That doesn't that didn't shock me. Neither

0:47:23.320 --> 0:47:26.359
<v Speaker 3>did the cheetah one suit that her friend had.

0:47:26.560 --> 0:47:28.200
<v Speaker 1>Sure you know that?

0:47:28.360 --> 0:47:31.000
<v Speaker 3>Okay, It was more so just like, oh, you mean

0:47:31.239 --> 0:47:33.200
<v Speaker 3>the way she told, oh, you need to dance?

0:47:33.280 --> 0:47:37.440
<v Speaker 2>So hey, I'm like, why are you being weird? Are

0:47:37.440 --> 0:47:39.239
<v Speaker 2>you asking her to dance with you? Or are you

0:47:39.239 --> 0:47:41.120
<v Speaker 2>wanting her to dance with it? Was weird.

0:47:41.760 --> 0:47:44.320
<v Speaker 3>She ends up dancing with the guy later. Yeah, friend

0:47:44.400 --> 0:47:47.359
<v Speaker 3>was not my favorite friend friend I've ever had.

0:47:47.880 --> 0:47:50.319
<v Speaker 2>Wasn't a great friend? Nude, she was not.

0:47:50.840 --> 0:47:52.759
<v Speaker 1>But we are now back at Alex's. She's with her

0:47:52.840 --> 0:47:55.520
<v Speaker 1>roommate's family and she's just so sad. She thought she

0:47:55.560 --> 0:47:57.960
<v Speaker 1>could trust her twin, but she can only trust herself,

0:47:57.960 --> 0:48:00.840
<v Speaker 1>which makes her needy roommate very mad, and rightfully so,

0:48:01.000 --> 0:48:02.480
<v Speaker 1>because it seems like she put a roof of her

0:48:02.480 --> 0:48:04.160
<v Speaker 1>head and friendship and food and everything else.

0:48:04.320 --> 0:48:04.759
<v Speaker 2>She's being.

0:48:05.040 --> 0:48:07.680
<v Speaker 3>Alex is being a jerk. She Alex, you need to

0:48:07.680 --> 0:48:09.600
<v Speaker 3>cool down, you know you do? You have to do

0:48:09.680 --> 0:48:10.920
<v Speaker 3>sat front in that mouth.

0:48:10.840 --> 0:48:14.760
<v Speaker 1>Exactly, and Alex again was played by either Tia or Tamara.

0:48:15.239 --> 0:48:17.239
<v Speaker 1>Alex is gonna save the day and meet her mother,

0:48:17.320 --> 0:48:19.400
<v Speaker 1>and she's gonna do it alone. She just needs to

0:48:19.400 --> 0:48:21.440
<v Speaker 1>believe in herself and her power. So she opens the

0:48:21.440 --> 0:48:25.360
<v Speaker 1>bathroom door and boom, she is in Coventry outside the

0:48:25.360 --> 0:48:28.400
<v Speaker 1>castle and her mom is right there. They have a

0:48:28.520 --> 0:48:31.719
<v Speaker 1>very emotional and tearful reunion. And did you notice how

0:48:31.960 --> 0:48:36.640
<v Speaker 1>massive Tia or Tamara's tears were. I mean it looked

0:48:36.640 --> 0:48:39.120
<v Speaker 1>I mean there were it looked like she was hosed down.

0:48:39.600 --> 0:48:44.000
<v Speaker 3>This okay, this is the second like emotional little moment

0:48:44.120 --> 0:48:44.960
<v Speaker 3>that we had.

0:48:45.080 --> 0:48:45.880
<v Speaker 2>And they were.

0:48:45.680 --> 0:48:49.120
<v Speaker 3>Both kind of over the top a little bit, not

0:48:49.239 --> 0:48:51.759
<v Speaker 3>saying meeting your mom for the but it was just

0:48:52.400 --> 0:48:56.160
<v Speaker 3>a long scene right along and when they got emotional

0:48:56.160 --> 0:48:58.799
<v Speaker 3>a little about earlier on about being this is part

0:48:58.840 --> 0:49:02.080
<v Speaker 3>of my spirits about sisters and stuff. It was like

0:49:02.239 --> 0:49:05.320
<v Speaker 3>they were really fighting to have this like big emotional

0:49:05.400 --> 0:49:08.279
<v Speaker 3>moment and I don't necessarily think it really needed it.

0:49:08.760 --> 0:49:15.120
<v Speaker 1>Right if you watch Dancing with the Stars, I can

0:49:15.200 --> 0:49:17.080
<v Speaker 1>say this and Karna will probably say the same thing.

0:49:17.200 --> 0:49:20.799
<v Speaker 1>I don't think that we had great dancing chemistry.

0:49:20.360 --> 0:49:22.719
<v Speaker 4>Then you need to be listening to sex lies and

0:49:22.760 --> 0:49:25.319
<v Speaker 4>spray tend My partner, Ardam.

0:49:25.440 --> 0:49:30.280
<v Speaker 3>He was so intense that me really nervous with Ceryl.

0:49:30.320 --> 0:49:32.240
<v Speaker 7>But editor didn't wear a lot of clothes.

0:49:32.640 --> 0:49:36.000
<v Speaker 1>No, he was, she did. She did keep her ankles warm.

0:49:36.120 --> 0:49:38.680
<v Speaker 4>Get the behind the scenes of what goes down on

0:49:39.200 --> 0:49:40.680
<v Speaker 4>and off the dance floor.

0:49:40.960 --> 0:49:44.440
<v Speaker 5>Dancing with the Stars breeds body image issues for women.

0:49:44.719 --> 0:49:47.160
<v Speaker 1>The thinner you are, the more attention you end up

0:49:47.160 --> 0:49:47.960
<v Speaker 1>getting on that show.

0:49:48.120 --> 0:49:53.319
<v Speaker 3>Injuries my phone wings, Hey Christian, Hey, yeah, I saw

0:49:53.360 --> 0:49:54.560
<v Speaker 3>you're Dancing with the Stars.

0:49:54.560 --> 0:49:56.600
<v Speaker 6>I saw what happened to your arm, and I have

0:49:56.640 --> 0:49:58.000
<v Speaker 6>the perfect guy to fix it.

0:49:58.239 --> 0:50:00.920
<v Speaker 1>Fleeing honestly got to Clara, I'm I'm just trying to survive.

0:50:01.200 --> 0:50:02.800
<v Speaker 1>I'm just trying to like make it out out of

0:50:02.880 --> 0:50:05.520
<v Speaker 1>this season. Ego, she wanted to kill me.

0:50:05.719 --> 0:50:08.200
<v Speaker 4>It was real bad insecurity on the show.

0:50:08.280 --> 0:50:10.480
<v Speaker 9>It was like everyone was talking about my weight and

0:50:10.560 --> 0:50:14.640
<v Speaker 9>it really affected my confidence so much for years.

0:50:14.360 --> 0:50:16.200
<v Speaker 1>To come and betrayals.

0:50:16.440 --> 0:50:19.680
<v Speaker 10>Because of that one betrayal, I knew this is probably

0:50:19.760 --> 0:50:20.520
<v Speaker 10>my last season.

0:50:20.880 --> 0:50:23.719
<v Speaker 4>Listen to Sex, Lies and Spray Sas with Ceryl Burke.

0:50:24.160 --> 0:50:26.560
<v Speaker 4>New episodes every Monday, Wednesday, and Friday.

0:50:26.800 --> 0:50:33.320
<v Speaker 5>My name is Cheryl Burke and I approved this message.

0:50:35.080 --> 0:50:38.600
<v Speaker 1>Did you find it weird that the first time she

0:50:38.800 --> 0:50:41.440
<v Speaker 1>meets her mom it's not the two of them together.

0:50:41.680 --> 0:50:44.360
<v Speaker 2>Yes, it did. It was it was strange.

0:50:44.400 --> 0:50:46.480
<v Speaker 1>It was a strange story point to where it's like,

0:50:46.560 --> 0:50:48.480
<v Speaker 1>I'm going to go meet her by myself, and I

0:50:48.520 --> 0:50:50.320
<v Speaker 1>get what they're doing. I get what they're saying. Where

0:50:50.640 --> 0:50:52.400
<v Speaker 1>it's and again I think Tia is the one that

0:50:52.400 --> 0:50:54.799
<v Speaker 1>plays Alex. We're just joking, but I think what they're

0:50:54.840 --> 0:51:00.920
<v Speaker 1>saying is that because Cameron's life on Earth is so good,

0:51:02.120 --> 0:51:04.000
<v Speaker 1>she is never going to leave. She doesn't want to

0:51:04.080 --> 0:51:07.680
<v Speaker 1>leave that life, a ruin that life, whereas Alex's life

0:51:07.719 --> 0:51:10.960
<v Speaker 1>on Earth is so bad that she will go to

0:51:11.080 --> 0:51:14.200
<v Speaker 1>Coventry and fight and meet her mom. I get what

0:51:14.239 --> 0:51:16.560
<v Speaker 1>they're doing, yeah, but it seemed like I like the

0:51:16.560 --> 0:51:18.440
<v Speaker 1>idea of her going to Coventry by herself, but it

0:51:18.480 --> 0:51:21.279
<v Speaker 1>was like I felt like the first time they met

0:51:21.280 --> 0:51:23.360
<v Speaker 1>their mom, they should have met their mom as a unit.

0:51:23.640 --> 0:51:24.880
<v Speaker 2>Seemed like it.

0:51:25.080 --> 0:51:28.520
<v Speaker 1>Yeah, but anyway, I got what they were doing. But

0:51:28.600 --> 0:51:30.440
<v Speaker 1>we're now back at home. Alex's roommate is trying to

0:51:30.440 --> 0:51:32.879
<v Speaker 1>apologize to Alex for getting mad. She realizes that she's

0:51:32.920 --> 0:51:35.520
<v Speaker 1>not there. She doesn't know where she is. She assumes

0:51:36.000 --> 0:51:38.480
<v Speaker 1>that she just went off to the party maybe or

0:51:38.520 --> 0:51:44.359
<v Speaker 1>whatever's happening, and the party is in a place called Waverly. Yeah,

0:51:44.400 --> 0:51:47.239
<v Speaker 1>now this is this is straight up from Wizards of

0:51:47.239 --> 0:51:49.600
<v Speaker 1>Waverley Place. Right, they're trying to do witches and wizards

0:51:49.640 --> 0:51:50.520
<v Speaker 1>and right.

0:51:50.560 --> 0:51:55.359
<v Speaker 3>I mean I recognize it as wait, wait for rely,

0:51:55.520 --> 0:51:56.400
<v Speaker 3>but I don't.

0:51:56.960 --> 0:51:57.440
<v Speaker 2>I don't.

0:51:57.560 --> 0:52:00.359
<v Speaker 3>I didn't know if there was any real cross over

0:52:01.040 --> 0:52:04.680
<v Speaker 3>because I don't remember what you're I think so, but

0:52:05.000 --> 0:52:08.400
<v Speaker 3>I don't remember what you're it like, was it a

0:52:08.440 --> 0:52:11.080
<v Speaker 3>crossover or was it like, oh they loved that name

0:52:11.120 --> 0:52:12.279
<v Speaker 3>Waverley it was.

0:52:12.239 --> 0:52:15.799
<v Speaker 1>I think it was from Magical Yeah, I don't know. Yeah,

0:52:15.800 --> 0:52:18.360
<v Speaker 1>I don't know where it came from. Twitches was before

0:52:18.440 --> 0:52:19.240
<v Speaker 1>Wizards of Waverley.

0:52:19.480 --> 0:52:23.360
<v Speaker 3>Yeah, so they might have wanted to see so this

0:52:23.520 --> 0:52:27.799
<v Speaker 3>was at the time. No, because I I thought Waverly

0:52:28.239 --> 0:52:31.120
<v Speaker 3>was Wizards of Waverley Place was younger than this movie.

0:52:31.520 --> 0:52:35.160
<v Speaker 1>Yeah, very strange. But anyway, Yeah, I didn't know that.

0:52:35.320 --> 0:52:39.120
<v Speaker 2>I love that you caught onto that. I we're going

0:52:39.200 --> 0:52:40.320
<v Speaker 2>to be watching that one.

0:52:40.480 --> 0:52:43.640
<v Speaker 1>I know another one where I watched the movie.

0:52:44.000 --> 0:52:44.600
<v Speaker 2>Yeah.

0:52:44.840 --> 0:52:47.480
<v Speaker 1>Meanwhile, Alex is getting to know her biological mom and

0:52:47.560 --> 0:52:51.239
<v Speaker 1>telling her about Cameron and her deceased adoptive mom. And

0:52:51.280 --> 0:52:54.080
<v Speaker 1>this is when I did some googling and I realized

0:52:54.080 --> 0:52:56.600
<v Speaker 1>that the actress who plays their mom, Kristin Wilson, is

0:52:56.680 --> 0:52:59.719
<v Speaker 1>only nine years older than the more.

0:52:59.840 --> 0:53:02.480
<v Speaker 2>I am absolutely talking about this since Free to Sease.

0:53:02.600 --> 0:53:06.480
<v Speaker 1>Okay, absolutely nine years older, and I get in royal families,

0:53:06.560 --> 0:53:08.040
<v Speaker 1>kids are married. I'm in the middle of a great

0:53:08.040 --> 0:53:10.479
<v Speaker 1>Alison Weird book right now, where there's these the royal

0:53:10.520 --> 0:53:13.080
<v Speaker 1>princesses are being married off at nine, ten, eleven years old,

0:53:13.120 --> 0:53:14.920
<v Speaker 1>but they're not having kids until they're at least the

0:53:14.960 --> 0:53:16.000
<v Speaker 1>ripe old age of thirteen.

0:53:16.520 --> 0:53:19.680
<v Speaker 2>Although the cast scene was stunning and I felt like

0:53:19.760 --> 0:53:22.160
<v Speaker 2>everyone in this movie was so pretty.

0:53:21.800 --> 0:53:24.399
<v Speaker 1>Beautiful and well, they gave you that real princess vibe.

0:53:24.400 --> 0:53:30.440
<v Speaker 3>They are They're instantly from the very beginning went wait,

0:53:30.880 --> 0:53:32.040
<v Speaker 3>that doesn't.

0:53:31.840 --> 0:53:33.160
<v Speaker 2>Look who are they.

0:53:33.320 --> 0:53:34.040
<v Speaker 1>Oh they'res older.

0:53:34.080 --> 0:53:36.799
<v Speaker 2>Oh they're their parents. Yeah, so I'm gonna get to

0:53:36.840 --> 0:53:37.920
<v Speaker 2>that for sure, and so okay good.

0:53:38.840 --> 0:53:41.080
<v Speaker 1>Alex and her mom are have decided they're ready to

0:53:41.120 --> 0:53:44.000
<v Speaker 1>defeat anything together because Cameron is apparently not gonna help.

0:53:44.000 --> 0:53:46.600
<v Speaker 1>Even though the darkness is getting stronger, everyone is counting

0:53:46.640 --> 0:53:48.680
<v Speaker 1>on a very nervous Alex to help save the day.

0:53:48.880 --> 0:53:50.719
<v Speaker 1>But back at the party, Cameron is blowing out her

0:53:50.719 --> 0:53:53.120
<v Speaker 1>birthday cake candles. And you want to know a little secret,

0:53:53.719 --> 0:53:58.279
<v Speaker 1>that's actually Tiamori playing her sister's character. She stepped in

0:53:58.360 --> 0:54:01.759
<v Speaker 1>for a reshoot when he had a scheduling conflict with

0:54:01.800 --> 0:54:05.279
<v Speaker 1>a Lifetime show. She was sure, so they changed her

0:54:05.320 --> 0:54:07.400
<v Speaker 1>hair and they added a mole.

0:54:07.840 --> 0:54:13.879
<v Speaker 3>Oh my gosh, wow, wild that is the.

0:54:15.160 --> 0:54:16.920
<v Speaker 2>Coolest thing about having a twin.

0:54:17.080 --> 0:54:17.200
<v Speaker 11>You.

0:54:17.520 --> 0:54:19.479
<v Speaker 2>I mean, I just feel like if.

0:54:19.400 --> 0:54:21.840
<v Speaker 3>I had an identical twin, I would have tried everything

0:54:22.600 --> 0:54:26.560
<v Speaker 3>school like switching school schedules, and I feel like I

0:54:26.560 --> 0:54:29.920
<v Speaker 3>would have tried to see it boyfriends.

0:54:30.560 --> 0:54:32.080
<v Speaker 2>No, that's weird.

0:54:32.280 --> 0:54:34.359
<v Speaker 1>That's what I'm asking is it. Would that be too much?

0:54:34.560 --> 0:54:36.120
<v Speaker 1>Like we're gonna switch and see if they noticed?

0:54:36.200 --> 0:54:40.800
<v Speaker 2>The boyfriends would be stoked about if not, the question

0:54:41.280 --> 0:54:42.280
<v Speaker 2>would they notice?

0:54:42.360 --> 0:54:44.440
<v Speaker 3>But you can still what if what if they went

0:54:44.480 --> 0:54:47.120
<v Speaker 3>into kiss and now now you've made it super complicated

0:54:47.200 --> 0:54:48.759
<v Speaker 3>and your family's gonna blow up.

0:54:49.000 --> 0:54:51.640
<v Speaker 1>Yeah, I agree, very strange. But my god, you change

0:54:51.640 --> 0:54:52.480
<v Speaker 1>your hair and added a mole.

0:54:52.560 --> 0:54:54.120
<v Speaker 2>Brilli, that's so crazy.

0:54:54.239 --> 0:54:56.879
<v Speaker 1>Okay, Wow, know the party is what the kids today

0:54:56.880 --> 0:55:00.839
<v Speaker 1>would call lit. Something is bothering, Kim, Thank you very much.

0:55:00.960 --> 0:55:05.239
<v Speaker 1>I've got theriz. People bothering Cameron, who has a heart

0:55:05.280 --> 0:55:07.640
<v Speaker 1>to heart with her mom. Cameron tells her all about

0:55:07.640 --> 0:55:10.200
<v Speaker 1>the other dimension and the twin and the mediocre magical

0:55:10.200 --> 0:55:12.560
<v Speaker 1>powers that she now has. Her mom thinks it's just

0:55:12.640 --> 0:55:16.040
<v Speaker 1>more stories like the one she's been telling since her childhood.

0:55:16.640 --> 0:55:19.760
<v Speaker 1>She even drew something called the Darkness with a face

0:55:19.800 --> 0:55:22.000
<v Speaker 1>peeking out of it, and they're like, She's like, wait,

0:55:22.480 --> 0:55:24.719
<v Speaker 1>but I told these stories as a kid. She's like, yeah,

0:55:24.719 --> 0:55:27.440
<v Speaker 1>and wait, there's a face peeking out of it. She says, yeah,

0:55:27.480 --> 0:55:29.840
<v Speaker 1>I think the drawing might even be upstairs a face.

0:55:30.360 --> 0:55:32.879
<v Speaker 1>She can find out who the Darkness is, even though

0:55:32.920 --> 0:55:35.640
<v Speaker 1>from the second he was on camera everyone else knew

0:55:35.640 --> 0:55:38.759
<v Speaker 1>who the Darkness was. Cameron runs upstairs to find it

0:55:38.880 --> 0:55:42.520
<v Speaker 1>and it is Mentos, the fresh maker in the drawing,

0:55:45.000 --> 0:55:48.800
<v Speaker 1>Santos is the Darkness, which obviously we've talked about it

0:55:48.800 --> 0:55:51.600
<v Speaker 1>as completely in totally obvious. But back at the castle,

0:55:51.719 --> 0:55:54.359
<v Speaker 1>Alex meets Santos, who is technically her uncle and her

0:55:54.360 --> 0:55:56.919
<v Speaker 1>mom's new husband. He announces that the Darkness has taken

0:55:56.960 --> 0:55:59.600
<v Speaker 1>over the castle's north gate. He's worried to hear that

0:55:59.640 --> 0:56:02.880
<v Speaker 1>Cameron didn't make it without both twins. They will be

0:56:02.920 --> 0:56:05.719
<v Speaker 1>defeated by the Darkness. But we know he's the Darkness.

0:56:06.040 --> 0:56:09.960
<v Speaker 1>He's such a d bag. Alex's mom takes off of

0:56:10.000 --> 0:56:12.360
<v Speaker 1>the north gate, leaving her daughter with smoke monster evil

0:56:12.400 --> 0:56:16.200
<v Speaker 1>guy who excuses himself he'll be right back again if

0:56:16.239 --> 0:56:19.200
<v Speaker 1>she can fight him off from the gate. Why isn't

0:56:19.200 --> 0:56:23.439
<v Speaker 1>I surrounding the castle? Why can he then leave as

0:56:23.520 --> 0:56:24.719
<v Speaker 1>the darkness.

0:56:24.520 --> 0:56:25.400
<v Speaker 2>And come back?

0:56:25.640 --> 0:56:30.200
<v Speaker 1>But the Darkness stays there around in the entire thing,

0:56:30.239 --> 0:56:32.120
<v Speaker 1>but he can make part of the darkness. It's just

0:56:32.160 --> 0:56:34.920
<v Speaker 1>not explained. It's just not explained well at all. We

0:56:34.960 --> 0:56:37.279
<v Speaker 1>are back at the party. Alex's roommate is there now.

0:56:37.360 --> 0:56:39.319
<v Speaker 1>I mean, this girl really has some serious fomo. She

0:56:39.320 --> 0:56:41.120
<v Speaker 1>couldn't even skip a party for a girl she doesn't

0:56:41.160 --> 0:56:45.080
<v Speaker 1>know when her friend disappeared into a different dimension. Then

0:56:45.160 --> 0:56:49.719
<v Speaker 1>another uninvited guest, the Darkness, who definitely did not have

0:56:49.760 --> 0:56:52.400
<v Speaker 1>an invite, arrives at the kitchen again in full rage

0:56:52.400 --> 0:56:56.840
<v Speaker 1>mode and kills their maid again comes in through the ceiling.

0:56:57.840 --> 0:56:59.439
<v Speaker 1>Maybe he's coming through event.

0:56:59.520 --> 0:57:01.359
<v Speaker 2>Well, why is their maid still there?

0:57:01.400 --> 0:57:05.680
<v Speaker 3>And why didn't anyone care about this flaming fire?

0:57:07.600 --> 0:57:10.240
<v Speaker 2>He is the maid saw it was in shock and awe,

0:57:10.320 --> 0:57:12.960
<v Speaker 2>and then just kept working.

0:57:13.160 --> 0:57:15.600
<v Speaker 1>And why if he's there, does the darkness not just

0:57:15.640 --> 0:57:18.560
<v Speaker 1>attack her outside? Is he caring about not being seen

0:57:18.640 --> 0:57:20.640
<v Speaker 1>at this point? Yeah, darkness from the other dimension. I

0:57:20.760 --> 0:57:24.919
<v Speaker 1>don't understand it. Cameron and Alex's roomy meet just before

0:57:24.960 --> 0:57:26.960
<v Speaker 1>the party goes hey wire with a ton of explosions.

0:57:27.200 --> 0:57:29.800
<v Speaker 1>Everyone thinks it was an impressive firework show, which is

0:57:29.840 --> 0:57:31.880
<v Speaker 1>one problem with being rich. People think a smoke monster

0:57:31.960 --> 0:57:34.480
<v Speaker 1>in your house is a firework show. By the way, finally,

0:57:34.560 --> 0:57:37.080
<v Speaker 1>the dad has changed out of the blue tennis outfit

0:57:37.360 --> 0:57:40.720
<v Speaker 1>because two scenes before where he saw way later in

0:57:40.720 --> 0:57:43.360
<v Speaker 1>the day, he's still wearing the same sweaty, sleeveless tennis

0:57:43.360 --> 0:57:46.680
<v Speaker 1>shirt that he had on, so thankfully that is now gone.

0:57:46.760 --> 0:57:49.520
<v Speaker 3>There were two costume changes in this in this whole

0:57:49.560 --> 0:57:52.960
<v Speaker 3>movie for every actor except the twins, except.

0:57:52.640 --> 0:57:54.720
<v Speaker 2>For the mom. The mom didn't even change at all.

0:57:54.840 --> 0:57:57.360
<v Speaker 1>No, you're right, mom didn't change. The servants tell Cameron

0:57:57.400 --> 0:57:59.440
<v Speaker 1>to get to Coventry immediately. It's the only place you

0:57:59.520 --> 0:58:02.120
<v Speaker 1>may be saved. But the darkness has blocked one door,

0:58:02.280 --> 0:58:05.640
<v Speaker 1>so they rush upstairs to get another as Karsh distracts it.

0:58:05.800 --> 0:58:09.120
<v Speaker 1>Here's the other thing. So Carsha and Iliana turns out

0:58:09.160 --> 0:58:10.800
<v Speaker 1>there in a relationship. They kiss.

0:58:11.520 --> 0:58:15.080
<v Speaker 2>He says it's a random another another random.

0:58:14.800 --> 0:58:18.400
<v Speaker 1>Thing, and he says, go upstairs, I'll buy you some time,

0:58:18.760 --> 0:58:21.880
<v Speaker 1>and proceeds to buy them time by doing literally nothing,

0:58:22.240 --> 0:58:25.600
<v Speaker 1>nothing nothing. He doesn't throw a spell, he doesn't give

0:58:25.640 --> 0:58:28.800
<v Speaker 1>it the finger, he doesn't call it harsh language. He's

0:58:28.920 --> 0:58:32.280
<v Speaker 1>no he but he does he can make signs appear,

0:58:32.400 --> 0:58:35.720
<v Speaker 1>he was throwing stuff around. He literally does nothing. He

0:58:35.960 --> 0:58:39.640
<v Speaker 1>just gets eaten. Go ahead, you go, I'll do nothing,

0:58:40.720 --> 0:58:44.240
<v Speaker 1>which was I again found very very odd. So the

0:58:44.280 --> 0:58:47.440
<v Speaker 1>servants they break off from one another again. Iliana and

0:58:47.520 --> 0:58:50.600
<v Speaker 1>carsh kiss, and just like the audience, Cameron is shocked

0:58:50.600 --> 0:58:52.640
<v Speaker 1>to realize there are a couple. Carl says it's been

0:58:52.640 --> 0:58:55.880
<v Speaker 1>on and off for twenty one years. As Camra gets

0:58:55.920 --> 0:58:58.880
<v Speaker 1>ready to transport Carsha's again pulled down the stairs and

0:58:58.960 --> 0:59:01.280
<v Speaker 1>Iliana is also in goy the darkness, but at least

0:59:01.360 --> 0:59:05.400
<v Speaker 1>she also does nothing, leaving just Cameron alone in the

0:59:05.480 --> 0:59:08.000
<v Speaker 1>room with the smoke monster until her mom arrives, catching

0:59:08.040 --> 0:59:12.600
<v Speaker 1>a glimpse of the darkness, which drives him off because

0:59:12.960 --> 0:59:16.160
<v Speaker 1>he broke into the other room where other people can

0:59:16.160 --> 0:59:18.680
<v Speaker 1>see him. Like the maid and everything else. But the

0:59:18.720 --> 0:59:22.280
<v Speaker 1>second the mom comes in, he can't be in the

0:59:22.400 --> 0:59:23.240
<v Speaker 1>room anymore.

0:59:23.600 --> 0:59:27.360
<v Speaker 3>Well, it even the question even gets asked, does she

0:59:27.560 --> 0:59:29.680
<v Speaker 3>have powers? Yeah?

0:59:29.840 --> 0:59:30.959
<v Speaker 2>You have powers too?

0:59:31.160 --> 0:59:33.480
<v Speaker 1>Are you a witch? How did you make that happen?

0:59:33.640 --> 0:59:36.880
<v Speaker 3>Because but it's never talked about again after that, it

0:59:37.000 --> 0:59:38.320
<v Speaker 3>just kind of goes away.

0:59:38.360 --> 0:59:39.400
<v Speaker 2>It's another just like.

0:59:39.800 --> 0:59:43.360
<v Speaker 1>Carshilana, who have powers, can't do anything.

0:59:43.160 --> 0:59:44.040
<v Speaker 2>Can't do anything.

0:59:44.120 --> 0:59:47.520
<v Speaker 3>But the mom, the mortal that comes into the room

0:59:48.040 --> 0:59:49.280
<v Speaker 3>somehow scares it away.

0:59:49.520 --> 0:59:52.840
<v Speaker 1>Yes, is it afraid to let other people see it?

0:59:52.920 --> 0:59:55.960
<v Speaker 1>None of it. I don't. I don't understand what's happening.

0:59:55.960 --> 0:59:59.360
<v Speaker 1>I just don't understand what's happening. Anyway, their mom arrives,

0:59:59.560 --> 1:00:01.480
<v Speaker 1>talked about the The cat, for some reason, catches a

1:00:01.480 --> 1:00:03.760
<v Speaker 1>glimpse of the darkness, which scares it so it forced

1:00:03.800 --> 1:00:06.240
<v Speaker 1>them to hide in a closet. We don't know what's

1:00:06.280 --> 1:00:08.560
<v Speaker 1>ever being addressed. We don't know what's happening. Maybe it'll

1:00:08.560 --> 1:00:10.320
<v Speaker 1>be in Twitches too this time it's personal. But for

1:00:10.400 --> 1:00:13.360
<v Speaker 1>right now, Mentos, the fresh Maker is scared off by

1:00:13.360 --> 1:00:17.160
<v Speaker 1>the mom coming in. Yes, they at this point say

1:00:17.160 --> 1:00:20.000
<v Speaker 1>we've got to deal with Thantos in Coventry. And although

1:00:20.000 --> 1:00:21.760
<v Speaker 1>she picks the wrong closet at first, which is kind

1:00:21.760 --> 1:00:23.920
<v Speaker 1>of funny. We go to our final commercial break with

1:00:23.960 --> 1:00:28.280
<v Speaker 1>a flash a dimensional traveling light boom. Now, Thantos returns

1:00:28.280 --> 1:00:31.760
<v Speaker 1>to Coventry and pretends he tried to save Cameron, telling

1:00:31.800 --> 1:00:33.880
<v Speaker 1>his wife and Alex that he found her but barely

1:00:34.000 --> 1:00:36.960
<v Speaker 1>escaped with her. He says, the darkness is taking control.

1:00:37.080 --> 1:00:39.439
<v Speaker 1>He says, the darkness is taking control and they must

1:00:39.480 --> 1:00:41.920
<v Speaker 1>seal the castle to block her, but to his surprise,

1:00:42.360 --> 1:00:46.479
<v Speaker 1>Cameron is already there. Everyone knows he's the bad guy.

1:00:46.920 --> 1:00:50.960
<v Speaker 1>And then the girls do the hand signal for whatever loser,

1:00:51.640 --> 1:00:53.600
<v Speaker 1>which is almost the exact same thing we saw on

1:00:53.640 --> 1:00:56.320
<v Speaker 1>Camp Rock. Yeah, and I didn't know that was the thing.

1:00:56.360 --> 1:00:57.800
<v Speaker 1>I guess, whatever loser?

1:00:58.160 --> 1:00:59.000
<v Speaker 7>What is it?

1:00:59.120 --> 1:01:02.880
<v Speaker 2>This go like whatever for the eave?

1:01:03.040 --> 1:01:05.800
<v Speaker 1>Oh right? What whatever loser?

1:01:06.040 --> 1:01:06.200
<v Speaker 2>Right?

1:01:06.880 --> 1:01:10.360
<v Speaker 1>Yes, all right, must be a Disney thing. Fantos tries

1:01:10.400 --> 1:01:11.720
<v Speaker 1>to talk his way out of it, but their mom

1:01:11.760 --> 1:01:14.080
<v Speaker 1>sits him down and ties him up with drapes, which

1:01:14.080 --> 1:01:17.680
<v Speaker 1>I have to assume was animated afterwards, and after they

1:01:17.720 --> 1:01:20.400
<v Speaker 1>spent the twenty million dollars because it was not good,

1:01:20.720 --> 1:01:23.880
<v Speaker 1>and his head is like and he's like Patrick is

1:01:23.880 --> 1:01:25.280
<v Speaker 1>looking back and forth.

1:01:25.040 --> 1:01:27.680
<v Speaker 2>And yeah was it squeezing man? What?

1:01:28.040 --> 1:01:29.800
<v Speaker 1>I don't know and why? And he was looking at

1:01:29.880 --> 1:01:32.480
<v Speaker 1>the ones that they had clearly hadn't animated yet, and

1:01:32.480 --> 1:01:34.760
<v Speaker 1>that's always tough when you're working on green screen. I mean,

1:01:34.800 --> 1:01:36.520
<v Speaker 1>at one point, the green screen is so bad that

1:01:36.600 --> 1:01:41.680
<v Speaker 1>he turns and his ear disappears. Yeah, yes, he saw it.

1:01:41.680 --> 1:01:44.760
<v Speaker 1>It was just it was not great. They reveal the

1:01:44.800 --> 1:01:46.320
<v Speaker 1>signs of the sun and the moon on his palms,

1:01:46.320 --> 1:01:49.320
<v Speaker 1>and he admits he's the Darkness and apparently killed his

1:01:49.440 --> 1:01:51.720
<v Speaker 1>own brother. This was such a twist that I did

1:01:51.720 --> 1:02:00.240
<v Speaker 1>not see coming. Weight called it ready like waiting. We

1:02:00.320 --> 1:02:03.400
<v Speaker 1>called it it just it. We didn't. We didn't. It

1:02:04.000 --> 1:02:06.840
<v Speaker 1>should have I'm sorry again, fantasy guy and me the

1:02:06.880 --> 1:02:08.680
<v Speaker 1>whole twist. They should have set it up where we

1:02:08.720 --> 1:02:10.520
<v Speaker 1>constantly think it's the bad guy and it turns out

1:02:10.560 --> 1:02:12.680
<v Speaker 1>to be the mom who's the bad guy the entire time.

1:02:12.800 --> 1:02:14.760
<v Speaker 2>But that would have been even worse.

1:02:14.560 --> 1:02:16.240
<v Speaker 1>I know, But that's the cool thing. That would have

1:02:16.240 --> 1:02:17.959
<v Speaker 1>been the great twist. Or the dad is still alive

1:02:18.000 --> 1:02:19.720
<v Speaker 1>and he was actually the darkness. There's so much more

1:02:19.720 --> 1:02:21.640
<v Speaker 1>you could have done. Then wait a minute, is the

1:02:21.680 --> 1:02:25.720
<v Speaker 1>bad guy the bad guy that could have been so

1:02:25.800 --> 1:02:28.880
<v Speaker 1>much boil alert. Yes, he tells their mom that he

1:02:28.920 --> 1:02:31.680
<v Speaker 1>loves her, but it's all too late. She wants him

1:02:31.680 --> 1:02:34.040
<v Speaker 1>to return the lives he's destroyed, but he says this

1:02:34.080 --> 1:02:37.400
<v Speaker 1>is just the beginning. Then the darkness enters the castle

1:02:37.440 --> 1:02:38.040
<v Speaker 1>once again.

1:02:38.840 --> 1:02:43.120
<v Speaker 3>So that's not him, He's not the one who's controlling it.

1:02:43.240 --> 1:02:46.720
<v Speaker 3>Or he pops in and out of being the darkness.

1:02:47.280 --> 1:02:49.919
<v Speaker 1>I guess. And why then couldn't it have come and

1:02:49.960 --> 1:02:53.600
<v Speaker 1>taken the castle the whole time, right, because if it

1:02:53.640 --> 1:02:55.480
<v Speaker 1>had just come in and taken the castle the whole time,

1:02:55.560 --> 1:02:57.439
<v Speaker 1>is it because he loved her and he didn't want

1:02:57.440 --> 1:02:59.919
<v Speaker 1>the darkness to come in? None of this made any

1:03:00.080 --> 1:03:03.280
<v Speaker 1>sense to me, where I just don't understand the rules

1:03:03.280 --> 1:03:07.400
<v Speaker 1>of the darkness where apparently it hates plants and it

1:03:07.440 --> 1:03:11.240
<v Speaker 1>hates drawings.

1:03:10.200 --> 1:03:13.280
<v Speaker 3>Because the twins did it at the beginning, Was it

1:03:13.520 --> 1:03:17.640
<v Speaker 3>only for like I feel like they needed to emphasize

1:03:17.920 --> 1:03:22.480
<v Speaker 3>the twenty first birthday being like, yes, the the limitation

1:03:22.760 --> 1:03:24.960
<v Speaker 3>of what their whatever it is they did as a

1:03:24.960 --> 1:03:29.080
<v Speaker 3>baby a babies like the twenty first birthday was the limitation.

1:03:29.320 --> 1:03:34.720
<v Speaker 1>So yeah, if they don't touch by then, if something happens,

1:03:32.640 --> 1:03:37.200
<v Speaker 1>if something it's all kind of like Halloween Town. Like

1:03:37.200 --> 1:03:39.240
<v Speaker 1>Halloween Town. If we don't start training her by thirteen,

1:03:39.280 --> 1:03:41.400
<v Speaker 1>she's going to lose all This very simple one line

1:03:41.520 --> 1:03:43.000
<v Speaker 1>we got that she was going to lose her.

1:03:42.960 --> 1:03:45.120
<v Speaker 2>Power to have happened by then, Yes.

1:03:45.440 --> 1:03:49.680
<v Speaker 1>Something to let us know what's going on, and okay,

1:03:50.160 --> 1:03:52.080
<v Speaker 1>their mom tries to attack it, but her powers have

1:03:52.160 --> 1:03:56.120
<v Speaker 1>been drained apparently during the missed melee, Phantos disappears in

1:03:56.160 --> 1:03:59.600
<v Speaker 1>another rough visual effect, now out of his confinement of

1:03:59.680 --> 1:04:02.360
<v Speaker 1>the chick and the rappings, which again I also and

1:04:02.400 --> 1:04:04.960
<v Speaker 1>this is just the fantasy story guy in me, but

1:04:05.040 --> 1:04:06.880
<v Speaker 1>they never should have thrown him into the king's throne.

1:04:06.920 --> 1:04:09.200
<v Speaker 1>He's on the throne, and that's bad. He's the bad guy.

1:04:09.520 --> 1:04:11.600
<v Speaker 1>You don't sit the bad guy on the throne. I don't.

1:04:11.640 --> 1:04:13.320
<v Speaker 1>I didn't like it. But now he's out of the

1:04:13.320 --> 1:04:16.919
<v Speaker 1>confinement of the chair. Thantos takes their mom and laughs maniacally.

1:04:17.200 --> 1:04:19.400
<v Speaker 1>And I mean there's a lot of laughing while flying

1:04:19.440 --> 1:04:23.120
<v Speaker 1>around all over the place, very Witches of the Wizard

1:04:23.160 --> 1:04:23.640
<v Speaker 1>of Oz.

1:04:23.520 --> 1:04:25.120
<v Speaker 2>Com What was he flying for?

1:04:25.800 --> 1:04:30.320
<v Speaker 1>Don't know. I don't know what's happening. I don't know

1:04:30.360 --> 1:04:31.880
<v Speaker 1>what they're fighting for either.

1:04:32.080 --> 1:04:32.520
<v Speaker 2>I can't.

1:04:32.680 --> 1:04:35.800
<v Speaker 3>I mean, I was hoping you were gonna be helping

1:04:35.840 --> 1:04:37.480
<v Speaker 3>me out these blanks.

1:04:37.560 --> 1:04:38.000
<v Speaker 2>I guess it.

1:04:38.600 --> 1:04:42.040
<v Speaker 1>Will doesn't see that's the new because I have no

1:04:42.120 --> 1:04:45.479
<v Speaker 1>idea what's going on. I don't get who he's trying

1:04:45.520 --> 1:04:48.280
<v Speaker 1>to attack, what he's trying to attack, why he's.

1:04:48.160 --> 1:04:48.480
<v Speaker 7>Trying to.

1:04:50.000 --> 1:04:52.520
<v Speaker 1>Didn't they come into the castle? If he could come

1:04:52.520 --> 1:04:54.360
<v Speaker 1>into the castle the whole time? It was also in

1:04:54.400 --> 1:04:56.960
<v Speaker 1>the castle when the babies were there, and they fought

1:04:57.040 --> 1:05:00.960
<v Speaker 1>it off. But I don't I don't know what's happening.

1:05:01.120 --> 1:05:02.960
<v Speaker 1>But when he dips down to attack the girls, they

1:05:03.000 --> 1:05:06.000
<v Speaker 1>grab each other's hands and concentrate, apologizing to each other

1:05:06.000 --> 1:05:08.720
<v Speaker 1>for their mistakes, and they realized that it was love

1:05:08.800 --> 1:05:11.600
<v Speaker 1>that saved them as babies. Okay, so this is all

1:05:11.760 --> 1:05:14.440
<v Speaker 1>very Harry Potter at this point, because it was the

1:05:14.520 --> 1:05:17.520
<v Speaker 1>love Harry. I'll explain it to you screen. It's okay,

1:05:17.840 --> 1:05:22.600
<v Speaker 1>it's the Harry got his lightning scar. I did I

1:05:22.640 --> 1:05:24.640
<v Speaker 1>saw your face go black? Here we go, I saw

1:05:24.680 --> 1:05:28.880
<v Speaker 1>your face go by. So Harry's mom sacrifices herself when

1:05:28.960 --> 1:05:33.120
<v Speaker 1>Valdemort tries to kill Harry, and the sacrifice that she

1:05:33.280 --> 1:05:37.080
<v Speaker 1>makes her love for him is what saved him and

1:05:37.120 --> 1:05:39.600
<v Speaker 1>makes it to where Valdemort can't touch him. His actual

1:05:39.640 --> 1:05:45.760
<v Speaker 1>skin becomes a spell because she died saving him and

1:05:45.920 --> 1:05:49.000
<v Speaker 1>her love for him saved Harry. They tried to do

1:05:49.040 --> 1:05:50.840
<v Speaker 1>the same thing here, they just did it in a much,

1:05:50.960 --> 1:05:54.760
<v Speaker 1>much worse way. Sorry, but it's absolutely true. So they

1:05:54.760 --> 1:05:56.680
<v Speaker 1>realized that the love that saved them as babies, it

1:05:56.680 --> 1:05:59.320
<v Speaker 1>can save them again. They tear up as bright light

1:05:59.360 --> 1:06:02.720
<v Speaker 1>builds between them. Alex and Cameron start listing off family

1:06:02.760 --> 1:06:06.080
<v Speaker 1>members and friends they love, ending with each other, and

1:06:06.120 --> 1:06:09.360
<v Speaker 1>this defeats the darkness for good. Essentially, they're saying that

1:06:09.480 --> 1:06:11.640
<v Speaker 1>light is not the opposite of dark. Love is the

1:06:11.640 --> 1:06:14.200
<v Speaker 1>opposite of dark. It's the old argument, is hate the

1:06:14.200 --> 1:06:16.880
<v Speaker 1>opposite of love. No indifference is the opposite of love.

1:06:16.960 --> 1:06:18.880
<v Speaker 1>Love and hate are actually kind of the same thing.

1:06:19.360 --> 1:06:24.920
<v Speaker 1>But that's a whole different philosophical discussion. But they've defeated

1:06:24.920 --> 1:06:27.040
<v Speaker 1>the darkness for good by simply saying the names of

1:06:27.040 --> 1:06:30.320
<v Speaker 1>the people that they love, and Coventry has been ridden

1:06:30.520 --> 1:06:33.480
<v Speaker 1>of this evil. Now safe, the girls hug their biological

1:06:33.560 --> 1:06:35.440
<v Speaker 1>mom and are now joined by Karsha and Iliana. W

1:06:35.440 --> 1:06:38.160
<v Speaker 1>horror back and are thrilled to see this outcome and

1:06:38.200 --> 1:06:41.240
<v Speaker 1>may stay on Earth dimension for good, mentioning that hot

1:06:41.240 --> 1:06:43.360
<v Speaker 1>wings are only ten cents on Wednesdays. She had a

1:06:43.400 --> 1:06:46.120
<v Speaker 1>big eating thing, which is kind of funny. She was funny.

1:06:46.440 --> 1:06:49.000
<v Speaker 1>We return to Cameron's mansion, which is now empty of

1:06:49.040 --> 1:06:51.080
<v Speaker 1>the party. We see the maid, so it's good to

1:06:51.120 --> 1:06:53.200
<v Speaker 1>know that she didn't die or was horribly burned. The

1:06:53.240 --> 1:06:56.640
<v Speaker 1>twins are now perfectly sync together forever they sing, go Twitches,

1:06:56.720 --> 1:07:01.280
<v Speaker 1>It's your Birthday, and then hug and that is our movie.

1:07:01.360 --> 1:07:04.200
<v Speaker 1>We still don't know what's going on. Something to know.

1:07:04.480 --> 1:07:06.640
<v Speaker 1>The original ending of The Twitch's script had the girl

1:07:06.680 --> 1:07:10.240
<v Speaker 1>stuck in the Magical Dimension without destroying Thantos the fresh Maker,

1:07:10.600 --> 1:07:14.360
<v Speaker 1>leaving a more ambiguous situation for the sequel. Do you

1:07:14.400 --> 1:07:15.840
<v Speaker 1>think that would have been better had they been stuck

1:07:15.880 --> 1:07:17.640
<v Speaker 1>there as opposed to kind of wrap up at the end.

1:07:19.280 --> 1:07:22.400
<v Speaker 3>I mean, they had to have beat this guy. They

1:07:22.400 --> 1:07:24.720
<v Speaker 3>had to have at least beat the darkness for there

1:07:24.800 --> 1:07:27.960
<v Speaker 3>to be an ending. They had to still happened, so

1:07:28.000 --> 1:07:31.200
<v Speaker 3>to not do it at all, I maybe him getting

1:07:31.320 --> 1:07:36.160
<v Speaker 3>away somehow, but again he wasn't always having to be connected.

1:07:36.400 --> 1:07:39.520
<v Speaker 2>Yeah, so I guess that could have actually worked, But.

1:07:39.680 --> 1:07:43.560
<v Speaker 1>I didn't really know what was happening. Yeah, and I

1:07:43.640 --> 1:07:45.560
<v Speaker 1>know there's probably people out there that love this movie

1:07:45.560 --> 1:07:46.680
<v Speaker 1>and you watch it when you're a kid and you

1:07:46.760 --> 1:07:50.480
<v Speaker 1>love this movie. I know that I am supposed to

1:07:50.520 --> 1:07:53.360
<v Speaker 1>be trying to put myself in the body and mind

1:07:53.440 --> 1:07:55.880
<v Speaker 1>and soul of somebody younger to watch these things. But

1:07:55.920 --> 1:07:58.160
<v Speaker 1>I can tell you my mind, body, at soul at thirteen,

1:07:58.760 --> 1:08:01.600
<v Speaker 1>as a D and D NERD, as a fantasy nerd,

1:08:01.640 --> 1:08:04.200
<v Speaker 1>would still have been yelling, what's the magical system? I

1:08:04.240 --> 1:08:07.200
<v Speaker 1>don't understand what's happening. So this is one where I'm

1:08:07.200 --> 1:08:09.240
<v Speaker 1>giving myself a break for not understanding it because I

1:08:09.280 --> 1:08:10.360
<v Speaker 1>didn't get it.

1:08:10.360 --> 1:08:12.720
<v Speaker 3>It was it was crazy, it was hard, it was

1:08:12.760 --> 1:08:14.640
<v Speaker 3>hard to it was all over the place.

1:08:14.720 --> 1:08:24.200
<v Speaker 1>I agree, let's do real reviews, Sabrina.

1:08:24.600 --> 1:08:25.200
<v Speaker 2>Let's do them.

1:08:25.320 --> 1:08:28.120
<v Speaker 1>And this week I have the five star yeah, and

1:08:28.200 --> 1:08:32.240
<v Speaker 1>it is from Lenya T leave him some saying that

1:08:32.280 --> 1:08:35.120
<v Speaker 1>right as l A N I y A T. This

1:08:35.240 --> 1:08:38.240
<v Speaker 1>movie is awesome. I watched like two times, but me

1:08:38.320 --> 1:08:40.519
<v Speaker 1>and my family is gonna watch this as a family.

1:08:40.640 --> 1:08:44.360
<v Speaker 1>But you guys did a good job. Five stars here

1:08:44.400 --> 1:08:46.880
<v Speaker 1>it is five stars. I love it.

1:08:48.240 --> 1:08:48.639
<v Speaker 2>Sentence.

1:08:51.560 --> 1:08:55.400
<v Speaker 1>It's unfortunately completely totally accurate. But that is a five

1:08:55.479 --> 1:08:57.479
<v Speaker 1>star review, Sabrina, what's our one star?

1:08:57.760 --> 1:09:01.680
<v Speaker 3>I got a one star from an unnamed viewer. I

1:09:01.720 --> 1:09:04.639
<v Speaker 3>wish I had a twin. I wish I could do magic.

1:09:05.600 --> 1:09:08.320
<v Speaker 1>I like it. It's actually you, you mispronounce it. It's

1:09:08.320 --> 1:09:10.120
<v Speaker 1>not a name. It's Unaminate is the name of the

1:09:10.120 --> 1:09:11.000
<v Speaker 1>guy who left.

1:09:10.800 --> 1:09:14.720
<v Speaker 2>You not getting me?

1:09:15.280 --> 1:09:17.880
<v Speaker 1>Get not getting me?

1:09:19.360 --> 1:09:24.759
<v Speaker 3>Yeah, I'm just all about seeing right through your garbage.

1:09:24.600 --> 1:09:27.120
<v Speaker 1>All right. So we are now approaching, of course, Sabrina's

1:09:27.160 --> 1:09:30.840
<v Speaker 1>favorite part of the program, which is our featured game

1:09:31.040 --> 1:09:35.360
<v Speaker 1>coming up from producer Jensen, and this one. I'm just

1:09:35.400 --> 1:09:37.200
<v Speaker 1>reading this for the first time right now, and I'm

1:09:37.479 --> 1:09:41.120
<v Speaker 1>so unbelievably happy and excited for this game. It's called

1:09:41.320 --> 1:09:44.920
<v Speaker 1>sand Twitches. Yes, we are going to be given the

1:09:45.080 --> 1:09:47.839
<v Speaker 1>ingredients of a popular sandwich and we have to correctly

1:09:47.840 --> 1:09:50.479
<v Speaker 1>guess what sandwich is being described. But we have to

1:09:50.479 --> 1:09:55.280
<v Speaker 1>do it in our best witch voice followed by best

1:09:55.320 --> 1:09:58.160
<v Speaker 1>witch cackle. If we get three out of five right

1:09:58.200 --> 1:10:01.920
<v Speaker 1>and have a good witch impression, we win and save Coventry.

1:10:02.120 --> 1:10:04.760
<v Speaker 1>If I get even one of these sandwiches wrong, I'm

1:10:04.760 --> 1:10:05.479
<v Speaker 1>gonna be pissed.

1:10:05.880 --> 1:10:08.640
<v Speaker 7>Really, I'm really quick, really quick. I'm just jumping in.

1:10:08.720 --> 1:10:10.559
<v Speaker 7>I missed the beginning. This is my favorite? What'd you

1:10:10.560 --> 1:10:16.040
<v Speaker 7>guys think? I love twitches? What do you guys think?

1:10:16.040 --> 1:10:17.200
<v Speaker 7>I mean, it's one of my faves?

1:10:17.200 --> 1:10:20.040
<v Speaker 1>Man, this is your this is this is your favorite movie?

1:10:20.439 --> 1:10:22.439
<v Speaker 1>You missed the whole review? This is this is our

1:10:22.439 --> 1:10:23.960
<v Speaker 1>favorite too.

1:10:24.080 --> 1:10:27.280
<v Speaker 7>Yeah, It's like it's like Color of Friendship and then this.

1:10:27.680 --> 1:10:30.519
<v Speaker 1>Yeah, well it's It's just it's so well laid out

1:10:30.560 --> 1:10:36.160
<v Speaker 1>and the story is so flowing and without holes. I'm

1:10:36.240 --> 1:10:36.839
<v Speaker 1>very excited.

1:10:37.080 --> 1:10:39.040
<v Speaker 7>But now I was always so scared at the end

1:10:39.080 --> 1:10:41.120
<v Speaker 7>that that bad guy would just laugh forever.

1:10:43.680 --> 1:10:45.559
<v Speaker 1>Wait, I'm amazed that you even knew that was the

1:10:45.600 --> 1:10:51.200
<v Speaker 1>bad guy. Twist caught me shocking by surprise. It did

1:10:51.200 --> 1:10:53.000
<v Speaker 1>not catch you nomin by surprise, though. Who gave this

1:10:53.120 --> 1:11:03.320
<v Speaker 1>one star? So here we go, Sabrina. Our first sandwich. First,

1:11:03.880 --> 1:11:08.960
<v Speaker 1>it's rye bread, corn beef, Swiss cheese, Sauer Kraut Russian

1:11:09.040 --> 1:11:12.439
<v Speaker 1>or a thousand Island dressing. Do you know what I do?

1:11:12.520 --> 1:11:14.160
<v Speaker 2>This is one of my favorite sandwiches.

1:11:14.160 --> 1:11:16.200
<v Speaker 3>What I can't think of the full point besides a

1:11:16.240 --> 1:11:18.200
<v Speaker 3>corn beef sandwich, I don't think, Oh.

1:11:20.280 --> 1:11:23.360
<v Speaker 2>What is what's it's I don't remember you have to do.

1:11:23.320 --> 1:11:25.440
<v Speaker 1>It in a witch's voice, and then.

1:11:25.240 --> 1:11:29.120
<v Speaker 2>I don't even you want me to do it? Corn beef?

1:11:29.720 --> 1:11:30.240
<v Speaker 7>Here we go?

1:11:32.320 --> 1:11:34.960
<v Speaker 1>What's that?

1:11:34.960 --> 1:11:35.919
<v Speaker 7>That was awful?

1:11:39.920 --> 1:11:42.240
<v Speaker 1>I would kill to be able to watch that again

1:11:42.560 --> 1:11:45.559
<v Speaker 1>right now? First of all, what which does this.

1:11:48.320 --> 1:11:49.719
<v Speaker 2>All my animated things?

1:11:50.760 --> 1:11:52.680
<v Speaker 7>Hey, guys, I'll give you one show. I'll give you

1:11:52.720 --> 1:11:55.000
<v Speaker 7>one option on another game, which one of our two

1:11:55.040 --> 1:11:57.760
<v Speaker 7>hosts is a professional voice over?

1:12:01.360 --> 1:12:04.400
<v Speaker 1>Okay, here we go, I will answer the first one ready?

1:12:04.960 --> 1:12:14.920
<v Speaker 1>Is the Ruben sandwich Ruben Yes, Ruben sandwich invented in Omaha,

1:12:15.000 --> 1:12:17.240
<v Speaker 1>Nebraska by a man named Ruben k at a poker game.

1:12:17.240 --> 1:12:19.040
<v Speaker 1>It one sandwich of the year in nineteen fifty six.

1:12:19.120 --> 1:12:19.880
<v Speaker 1>Thank you very much.

1:12:19.920 --> 1:12:22.840
<v Speaker 2>My gosh, do you like them? I love?

1:12:22.880 --> 1:12:25.240
<v Speaker 1>It's my favorite sandwich of all times, a Ruben sandwich. Yes.

1:12:25.720 --> 1:12:28.479
<v Speaker 3>Number two, love making corn beef at Saint Patrick's Day

1:12:28.479 --> 1:12:29.919
<v Speaker 3>because I said those after.

1:12:30.000 --> 1:12:32.240
<v Speaker 1>Well, you know it's my favorite holiday? Now is any

1:12:32.400 --> 1:12:34.519
<v Speaker 1>holiday where you have to do a witch's voice? Is

1:12:34.560 --> 1:12:41.479
<v Speaker 1>now my favorite thing? Number two? Toasted bread, turkey, bacon, lettuce, tomato, mayo,

1:12:41.720 --> 1:12:42.559
<v Speaker 1>and cheese.

1:12:43.920 --> 1:12:45.080
<v Speaker 2>This is the club sandwich.

1:12:45.600 --> 1:12:47.160
<v Speaker 7>But that's not hot I can't hear you.

1:12:48.400 --> 1:12:49.400
<v Speaker 2>My god, I don't know.

1:12:49.600 --> 1:12:51.320
<v Speaker 7>I don't know they Sorry, I can't hear you.

1:12:51.720 --> 1:12:53.120
<v Speaker 1>Come on, we need to hear it.

1:12:54.080 --> 1:12:54.360
<v Speaker 2>Come on.

1:12:55.560 --> 1:12:58.200
<v Speaker 7>Sorry, my zoom only allows a certain pitch.

1:12:59.439 --> 1:13:01.720
<v Speaker 1>Let's here, Sabrina, come on, let's hear it.

1:13:02.240 --> 1:13:03.800
<v Speaker 7>Might even be a twitch. Don a pitch?

1:13:05.080 --> 1:13:06.800
<v Speaker 2>Come on, love sandwich.

1:13:12.479 --> 1:13:15.639
<v Speaker 1>Oh my god, it's a weird Southern witch, a club

1:13:16.080 --> 1:13:16.800
<v Speaker 1>sand witch.

1:13:18.280 --> 1:13:21.080
<v Speaker 7>She sounds like like to me, it's like a character

1:13:21.160 --> 1:13:22.759
<v Speaker 7>and gone with the wind. Who's dying?

1:13:23.000 --> 1:13:23.920
<v Speaker 1>Yes, isn't it?

1:13:24.080 --> 1:13:24.240
<v Speaker 12>Oh?

1:13:24.520 --> 1:13:26.000
<v Speaker 1>No, no, spreakless.

1:13:28.360 --> 1:13:31.360
<v Speaker 2>I'm probably so red right now, I'm so hot.

1:13:32.439 --> 1:13:37.760
<v Speaker 7>Alright, that's good enough, I mean, honestly, it's at least

1:13:37.760 --> 1:13:38.480
<v Speaker 7>it's consistent.

1:13:40.160 --> 1:13:46.680
<v Speaker 1>Alright. Third, we have roasted pork ham, Swiss cheese, pickles

1:13:46.800 --> 1:13:49.439
<v Speaker 1>and mustard. What do you got, Sabrina, You don't know

1:13:50.720 --> 1:13:58.040
<v Speaker 1>roasted pork ham, Swiss cheese, pickles and mustard. No, no,

1:13:58.200 --> 1:13:59.600
<v Speaker 1>all right, I'm gonna go. I'll do mine then, and

1:13:59.600 --> 1:14:02.599
<v Speaker 1>I'm gonna a warlock, not which and I'm gonna say

1:14:03.600 --> 1:14:06.000
<v Speaker 1>it is a Cuban sandwich.

1:14:11.080 --> 1:14:12.680
<v Speaker 7>Man. Please let Sabrina know that.

1:14:17.600 --> 1:14:22.360
<v Speaker 1>So Next, we have on a HOGI roll in melted

1:14:22.439 --> 1:14:24.320
<v Speaker 1>cheese and saute onions.

1:14:25.680 --> 1:14:30.840
<v Speaker 2>Okay, wait, there's actually this could be two.

1:14:31.800 --> 1:14:34.360
<v Speaker 1>Yeah, but no, it's really it's really one. It's really one.

1:14:34.400 --> 1:14:35.000
<v Speaker 1>It's really one.

1:14:35.120 --> 1:14:39.799
<v Speaker 2>Yes, melted more commercially, Yeah, more commercial?

1:14:44.120 --> 1:14:44.160
<v Speaker 11>No?

1:14:46.880 --> 1:14:48.960
<v Speaker 2>Is it a for your sandwich?

1:14:51.600 --> 1:14:51.800
<v Speaker 1>Wait?

1:14:52.520 --> 1:14:54.840
<v Speaker 2>Wait cheese seak?

1:14:59.400 --> 1:14:59.560
<v Speaker 5>Is it?

1:15:00.200 --> 1:15:08.120
<v Speaker 2>Don't feel sandwich? I got this is the worst of

1:15:08.200 --> 1:15:08.680
<v Speaker 2>all of that.

1:15:08.960 --> 1:15:11.360
<v Speaker 1>Oh, this is my favorite game I've ever played.

1:15:11.760 --> 1:15:13.439
<v Speaker 7>She had to say it in a normal voice for

1:15:13.560 --> 1:15:14.519
<v Speaker 7>me to even know what it was.

1:15:17.400 --> 1:15:19.559
<v Speaker 1>They hug her down. You just saw this much on zoom.

1:15:21.000 --> 1:15:22.720
<v Speaker 2>Fill it dr feel sandwich?

1:15:26.760 --> 1:15:27.519
<v Speaker 3>Oh my god.

1:15:27.760 --> 1:15:31.840
<v Speaker 1>Number five we have ham turkey Swiss cheese, which is

1:15:31.920 --> 1:15:35.840
<v Speaker 1>then fried and dusted with sugar. That I have no idea.

1:15:36.160 --> 1:15:42.760
<v Speaker 2>No, no, ham turkey, sweat Swiss cheese. Okay, fried with

1:15:43.000 --> 1:15:43.840
<v Speaker 2>dusted sugar.

1:15:44.120 --> 1:15:47.280
<v Speaker 1>No, it's not wonderful. I'm gonna do this.

1:15:47.400 --> 1:15:51.439
<v Speaker 12>One is Harry Potter, because that hermione is of course

1:15:51.680 --> 1:15:54.040
<v Speaker 12>a Monte Cristo sandwich.

1:15:54.400 --> 1:15:57.479
<v Speaker 2>Oh where's your cap? All right?

1:15:57.760 --> 1:16:01.840
<v Speaker 12>Limos my ca it's Harry. Harry doesn't tackle.

1:16:04.000 --> 1:16:09.439
<v Speaker 11>Five for five In answer, Oh god, you're not going

1:16:09.479 --> 1:16:11.320
<v Speaker 11>to get a sandwich past me, but you are going

1:16:11.400 --> 1:16:15.840
<v Speaker 11>to get a voice past Sabrina that that was one

1:16:15.880 --> 1:16:17.320
<v Speaker 11>of the funniest things I've ever seen.

1:16:17.479 --> 1:16:21.160
<v Speaker 1>Thank you so much for making me laugh harder than

1:16:21.200 --> 1:16:23.880
<v Speaker 1>I have in a very long time. Oh, I can't

1:16:23.920 --> 1:16:26.200
<v Speaker 1>wait to go out and get a Philadelphia sandwich after this.

1:16:26.439 --> 1:16:29.879
<v Speaker 1>This is so much fun. Can we do a Sabrina

1:16:29.920 --> 1:16:30.599
<v Speaker 1>C's please?

1:16:35.040 --> 1:16:46.160
<v Speaker 2>Oh man, oh man. There were just, I would say,

1:16:46.320 --> 1:16:48.559
<v Speaker 2>a lot of just random things.

1:16:48.720 --> 1:16:51.320
<v Speaker 3>And again, because there was a lot of plot holes,

1:16:51.479 --> 1:16:53.400
<v Speaker 3>I was always kind of thinking they were going to

1:16:53.560 --> 1:16:57.120
<v Speaker 3>explain it. One of the things that they didn't explain

1:16:57.200 --> 1:16:59.400
<v Speaker 3>at all was his glasses that he had that he

1:16:59.520 --> 1:17:02.760
<v Speaker 3>could just randomly put up to the sky and see

1:17:02.880 --> 1:17:04.080
<v Speaker 3>the darkness.

1:17:04.160 --> 1:17:05.879
<v Speaker 1>But you could also see the darkness.

1:17:06.360 --> 1:17:07.280
<v Speaker 2>Yeah, so it was.

1:17:07.360 --> 1:17:09.400
<v Speaker 3>Weird because then he would you wouldn't see where it

1:17:09.479 --> 1:17:14.000
<v Speaker 3>was coming from. What kind of measure that had to

1:17:14.240 --> 1:17:17.560
<v Speaker 3>like tell us like, it's coming really fast, it's almost here, No,

1:17:17.720 --> 1:17:18.000
<v Speaker 3>it's not.

1:17:18.560 --> 1:17:19.759
<v Speaker 2>It never it was never.

1:17:19.720 --> 1:17:22.400
<v Speaker 1>Explained the unit of measurement of those glasses.

1:17:22.120 --> 1:17:27.439
<v Speaker 3>Using you know, in a lot of movies like this

1:17:27.600 --> 1:17:31.920
<v Speaker 3>they would say, oh, those glasses tell you whatever. Anyway,

1:17:32.120 --> 1:17:35.000
<v Speaker 3>there was also I thought there would be a reason.

1:17:35.160 --> 1:17:38.320
<v Speaker 3>Now the only reason was someone was watching them through

1:17:38.400 --> 1:17:42.439
<v Speaker 3>the eyes of the random cemented cows that were on

1:17:42.640 --> 1:17:47.640
<v Speaker 3>this big property of grass and they were watched, but

1:17:47.800 --> 1:17:48.679
<v Speaker 3>who was watching?

1:17:49.120 --> 1:17:49.880
<v Speaker 4>Like was.

1:17:51.560 --> 1:17:53.960
<v Speaker 2>It okay? That didn't you?

1:17:54.280 --> 1:17:59.200
<v Speaker 3>I mean random cement statue cows. I would think was

1:17:59.280 --> 1:18:01.479
<v Speaker 3>going to be expl of some sort, like they meant

1:18:01.560 --> 1:18:03.000
<v Speaker 3>something in the other.

1:18:02.960 --> 1:18:05.639
<v Speaker 2>World or whatever. That's not true.

1:18:06.160 --> 1:18:08.320
<v Speaker 3>One of the things we did catch the song that

1:18:10.520 --> 1:18:14.599
<v Speaker 3>we mentioned, the Go Gos song, Yeah we got the beat.

1:18:15.280 --> 1:18:19.000
<v Speaker 3>Another song that I recognized because of a tour they

1:18:19.040 --> 1:18:21.040
<v Speaker 3>went on and I had to bring it up because

1:18:21.080 --> 1:18:25.200
<v Speaker 3>we watched a movie that the two girls starred in

1:18:25.760 --> 1:18:28.200
<v Speaker 3>and that was Ali and AJ. They have a song,

1:18:28.360 --> 1:18:31.360
<v Speaker 3>a rush song that they played in one of the montages.

1:18:31.680 --> 1:18:34.360
<v Speaker 3>And again because I heard this song every night for

1:18:34.560 --> 1:18:37.360
<v Speaker 3>you know, the seventeen dates or whatever that we did.

1:18:37.320 --> 1:18:39.880
<v Speaker 2>On that little tour, and I went, wait a minute,

1:18:39.880 --> 1:18:42.120
<v Speaker 2>what is that song? And I went to like look

1:18:42.160 --> 1:18:43.360
<v Speaker 2>it up. I was like, I feel like that's an

1:18:43.360 --> 1:18:44.600
<v Speaker 2>Allian AJ song and it was.

1:18:44.760 --> 1:18:46.639
<v Speaker 3>It was pretty cool to have it, and that again

1:18:46.800 --> 1:18:49.439
<v Speaker 3>is not something that was like a licensed piece of music.

1:18:49.560 --> 1:18:52.080
<v Speaker 2>Is not something we've seen a ton on the channel.

1:18:53.520 --> 1:18:57.960
<v Speaker 3>And then we talked about the necklaces that all the

1:18:58.280 --> 1:19:02.360
<v Speaker 3>girl the two girls and the mom, but then randomly

1:19:02.720 --> 1:19:03.680
<v Speaker 3>the necklace.

1:19:03.320 --> 1:19:05.640
<v Speaker 2>That the adopted mom she also had a.

1:19:06.000 --> 1:19:10.280
<v Speaker 3>Giant it was like a bat honest, yes, but what

1:19:10.680 --> 1:19:14.679
<v Speaker 3>was that representing because it didn't go with her Halloween costume.

1:19:15.000 --> 1:19:18.360
<v Speaker 1>No, I think twitches too. They're gonna hopefully explain that

1:19:18.560 --> 1:19:19.120
<v Speaker 1>she's got.

1:19:19.120 --> 1:19:22.360
<v Speaker 3>Powers to powers to maybe so we noticed that, so

1:19:22.479 --> 1:19:24.479
<v Speaker 3>let's just keep that in mind for the sequels.

1:19:24.760 --> 1:19:29.920
<v Speaker 1>She couldn't magic her husband up any sleeves, Yeah, exactly.

1:19:29.600 --> 1:19:32.360
<v Speaker 7>Because there's also there's also a scene where she kind

1:19:32.439 --> 1:19:34.479
<v Speaker 7>of makes someone leave, right, isn't that part of it?

1:19:35.280 --> 1:19:39.439
<v Speaker 3>Yes, she was able to get the darkness to darkness

1:19:39.640 --> 1:19:42.320
<v Speaker 3>leave out of nowhere. We don't know why, so we're thinking,

1:19:42.560 --> 1:19:46.080
<v Speaker 3>I think that maybe along with this, maybe her bat

1:19:46.880 --> 1:19:47.800
<v Speaker 3>chest playing.

1:19:47.640 --> 1:19:49.200
<v Speaker 1>Something her chest.

1:19:52.840 --> 1:19:53.759
<v Speaker 7>Hole in their first.

1:19:55.560 --> 1:19:58.360
<v Speaker 3>And then the one thing I will say and you

1:19:58.439 --> 1:20:00.439
<v Speaker 3>brought it up was one of the first things that

1:20:00.520 --> 1:20:04.120
<v Speaker 3>happened in the first scene when we meet Cameron's parents

1:20:04.400 --> 1:20:07.799
<v Speaker 3>when they came into the room, because the age difference

1:20:07.880 --> 1:20:12.160
<v Speaker 3>did not seem like equivolented to them having a daughter

1:20:12.280 --> 1:20:15.680
<v Speaker 3>that would be twenty one at the time. Are they

1:20:15.840 --> 1:20:19.920
<v Speaker 3>friends or is this like a uncle? I didn't realize

1:20:19.920 --> 1:20:22.560
<v Speaker 3>because they look so much closer in age than what

1:20:22.680 --> 1:20:23.160
<v Speaker 3>you would think.

1:20:23.320 --> 1:20:25.519
<v Speaker 1>Well, no, I think it's the I think it's the mom.

1:20:25.640 --> 1:20:28.920
<v Speaker 1>Their magical mom is only nine years older than her, right.

1:20:29.360 --> 1:20:32.280
<v Speaker 3>But I mean I thought that just in real life,

1:20:32.360 --> 1:20:34.920
<v Speaker 3>I look same thing when they had her magical mom.

1:20:35.080 --> 1:20:38.479
<v Speaker 2>She also just looks so young. Both of the kids looked,

1:20:39.400 --> 1:20:42.040
<v Speaker 2>or both of the girls just looked a lot more

1:20:42.320 --> 1:20:44.599
<v Speaker 2>closer to their age. For them to be playing their

1:20:44.680 --> 1:20:47.639
<v Speaker 2>parents look felt weird to me. So that was really

1:20:47.760 --> 1:20:48.560
<v Speaker 2>that was what it was.

1:20:48.720 --> 1:20:51.040
<v Speaker 3>And then I always love like a funny line where

1:20:51.920 --> 1:20:54.439
<v Speaker 3>the dad who just kind of seemed lost all the time,

1:20:54.560 --> 1:20:57.880
<v Speaker 3>he really is finding himself as what what it means to.

1:20:58.000 --> 1:20:59.479
<v Speaker 1>Be as a man as a parent.

1:20:59.600 --> 1:21:02.560
<v Speaker 2>Yep, he goes, will someone tell me what's going on?

1:21:02.760 --> 1:21:05.519
<v Speaker 2>And she literally just says later, Daddy, like you help me.

1:21:05.520 --> 1:21:09.439
<v Speaker 3>He's just it's the same as some of the other

1:21:09.520 --> 1:21:11.360
<v Speaker 3>things we've seen in other movies that I always just

1:21:11.400 --> 1:21:14.960
<v Speaker 3>have like a funny quote that I love to just

1:21:15.320 --> 1:21:17.080
<v Speaker 3>you know, I think they're hilarious.

1:21:17.160 --> 1:21:19.240
<v Speaker 2>Made me laugh about he just got poor guy just got.

1:21:19.360 --> 1:21:22.240
<v Speaker 2>He got right right to the side, poor guy.

1:21:22.640 --> 1:21:24.479
<v Speaker 1>Well, now we come to the portion of our show

1:21:24.720 --> 1:21:28.120
<v Speaker 1>Its gonna be a tough one where we rate our

1:21:28.240 --> 1:21:30.160
<v Speaker 1>movies one out of ten our options this week, one

1:21:30.200 --> 1:21:34.080
<v Speaker 1>out of ten, whatever losers, one out of ten, useless skills,

1:21:34.479 --> 1:21:37.439
<v Speaker 1>one out of ten, Zoros to flirt with, one out

1:21:37.479 --> 1:21:42.040
<v Speaker 1>of ten, roommates with Fomo, huge tia tears, one out

1:21:42.080 --> 1:21:45.120
<v Speaker 1>of ten, ten cent wings, Oh that's good, one out

1:21:45.120 --> 1:21:47.439
<v Speaker 1>of ten, smoke monsters with Blood and Fire, or one

1:21:47.479 --> 1:21:50.800
<v Speaker 1>out of ten. Uncle Stepdads. I'm gonna let you pick

1:21:50.880 --> 1:21:51.840
<v Speaker 1>this week. What would you like to do?

1:21:54.479 --> 1:21:56.880
<v Speaker 2>I love the huge tea tears.

1:21:57.080 --> 1:22:00.200
<v Speaker 1>You got it? So I think did I go first

1:22:00.240 --> 1:22:01.680
<v Speaker 1>last time? Or did you go first last night? I

1:22:01.720 --> 1:22:03.720
<v Speaker 1>think I went first home you did go first. Yes,

1:22:03.800 --> 1:22:04.160
<v Speaker 1>all right.

1:22:04.800 --> 1:22:05.599
<v Speaker 2>Here's the thing.

1:22:05.760 --> 1:22:09.240
<v Speaker 3>So it's already hard enough to compare these d comps

1:22:09.240 --> 1:22:10.960
<v Speaker 3>because we're just seeing so many of them now and

1:22:11.200 --> 1:22:13.560
<v Speaker 3>I'm loving it, but you do start comparing them to

1:22:13.880 --> 1:22:14.280
<v Speaker 3>each other.

1:22:14.520 --> 1:22:15.360
<v Speaker 2>You have to them.

1:22:15.439 --> 1:22:17.880
<v Speaker 3>Going back and forth made it hard for me to

1:22:18.200 --> 1:22:22.360
<v Speaker 3>just dive into the cartooniness of what the green screen

1:22:22.439 --> 1:22:25.920
<v Speaker 3>stuff was, you know, so I didn't love a lot

1:22:25.960 --> 1:22:26.120
<v Speaker 3>of it.

1:22:26.520 --> 1:22:28.880
<v Speaker 2>Again, I'm trying to get on a level.

1:22:29.080 --> 1:22:30.680
<v Speaker 3>I think I'm gonna go ahead and just do my

1:22:31.439 --> 1:22:35.280
<v Speaker 3>my correct studying and start watching all of the Harry

1:22:35.360 --> 1:22:36.600
<v Speaker 3>Potters because.

1:22:36.520 --> 1:22:39.400
<v Speaker 1>Read the books. The movies are great, but read the books.

1:22:39.720 --> 1:22:43.720
<v Speaker 3>I will, but I'm trying so hard. But again, those

1:22:43.760 --> 1:22:47.000
<v Speaker 3>holes being able to not just have me skip right

1:22:47.080 --> 1:22:49.320
<v Speaker 3>over them means they were pretty big, and so I

1:22:49.400 --> 1:22:53.320
<v Speaker 3>think I'm gonna go with a six point zero.

1:22:54.720 --> 1:22:55.679
<v Speaker 2>Huge tea tears.

1:22:55.840 --> 1:23:00.360
<v Speaker 1>Wow, that's that's okay. I cannot be as gen with

1:23:00.400 --> 1:23:02.960
<v Speaker 1>this film because I am a fantasy nerd. I cannot

1:23:02.960 --> 1:23:04.600
<v Speaker 1>get the fantasy nerd them out of my head. I

1:23:04.680 --> 1:23:07.680
<v Speaker 1>know people say I should, but even thirteen year old

1:23:07.800 --> 1:23:10.639
<v Speaker 1>me would not have been happy with the world building

1:23:10.720 --> 1:23:13.280
<v Speaker 1>and the magical system in this movie. I didn't get it.

1:23:13.439 --> 1:23:15.960
<v Speaker 1>I didn't know where they were going. I am giving

1:23:16.040 --> 1:23:22.360
<v Speaker 1>this a four point five huge Tia tiars. Again, nothing

1:23:22.560 --> 1:23:25.719
<v Speaker 1>about Tia and Tamara. They are stars, they will always

1:23:25.760 --> 1:23:27.880
<v Speaker 1>be stars. There's a reason that they were the darlings

1:23:27.920 --> 1:23:32.160
<v Speaker 1>of the network. They are built for Disney Channel and

1:23:32.439 --> 1:23:37.160
<v Speaker 1>for being young actors, writers, singers, producers, that they're the

1:23:37.280 --> 1:23:40.120
<v Speaker 1>model of it. So nothing against the more reason, any way,

1:23:40.160 --> 1:23:44.800
<v Speaker 1>shape or form, this script needed somebody with some sort

1:23:44.840 --> 1:23:47.280
<v Speaker 1>of magical or fantasy knowledge to come in and give

1:23:47.320 --> 1:23:49.920
<v Speaker 1>it a polish. So the nerd in me, as I

1:23:50.040 --> 1:23:54.000
<v Speaker 1>point to all my toys and fantasy novels behind me,

1:23:54.720 --> 1:23:57.080
<v Speaker 1>cannot give this a high mark, having nothing to do

1:23:57.160 --> 1:24:00.599
<v Speaker 1>with the acting. Acting Again, acting's all good. The green

1:24:00.680 --> 1:24:03.120
<v Speaker 1>screen was not good. There was the twist made, there

1:24:03.200 --> 1:24:05.840
<v Speaker 1>was no twist. I didn't understand what the bad guy

1:24:06.000 --> 1:24:10.200
<v Speaker 1>was doing. It wasn't particularly scary. It's four point five

1:24:10.600 --> 1:24:14.280
<v Speaker 1>huge tea tears for me and there you have it.

1:24:14.360 --> 1:24:19.040
<v Speaker 1>Thank you everybody for joining us on this amazing journey

1:24:19.320 --> 1:24:23.080
<v Speaker 1>that was Tweitch is Twitches, Thank you so much. It

1:24:23.320 --> 1:24:26.439
<v Speaker 1>is our next movie, everybody is, We are going to

1:24:26.680 --> 1:24:30.320
<v Speaker 1>one that once again I know nothing about. This could

1:24:30.400 --> 1:24:34.120
<v Speaker 1>be about a family of librarians that read so much

1:24:34.160 --> 1:24:38.120
<v Speaker 1>they start to cry. Yes, our next film is Read

1:24:38.200 --> 1:24:42.320
<v Speaker 1>It and Weep, which I believe is also on Disney Plus.

1:24:42.400 --> 1:24:44.280
<v Speaker 1>So please watch and go and prepare with us as

1:24:44.360 --> 1:24:46.719
<v Speaker 1>we are going to prepare because I don't know anything

1:24:46.760 --> 1:24:48.840
<v Speaker 1>about this movie, but Read It a Weep as our

1:24:48.920 --> 1:24:50.680
<v Speaker 1>next one. Thank you so much for joining us for

1:24:51.120 --> 1:24:53.920
<v Speaker 1>what was Twitches, and remember to subscribe to our feed.

1:24:54.160 --> 1:24:56.120
<v Speaker 1>You can follow us at the Magical rewind pod on

1:24:56.160 --> 1:24:59.840
<v Speaker 1>the Instagram machine and we will see you next time. Bye,

1:25:00.000 --> 1:25:15.920
<v Speaker 1>everybody fee