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Speaker 1: Sabrina, Yes, happy birthday, thanks Will. How was your birthday?

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Speaker 1: Was this a special birthday? Was this a good birthday?

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Speaker 1: Was this an important birthday? Was this the tough birthday?

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Speaker 1: What kind of birthday was this for you?

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Speaker 2: Sabrina?

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Speaker 3: It definitely hit differently than any other birthday?

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Speaker 1: Did it?

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Speaker 4: Really?

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Speaker 1: Did it?

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Speaker 3: Really? It's weird because I feel like this is the

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Speaker 3: first one. Man, No, my thirtieth. I was so excited

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Speaker 3: to get out of my twenties and be in my thirties,

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Speaker 3: and then thirty five it was like, yes, this is

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Speaker 3: like I love it.

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Speaker 2: This one.

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Speaker 3: It was just it's really crazy because it's not that

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Speaker 3: I feel old or do I think of a like

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Speaker 3: forty is an old number in any sense. It's just

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Speaker 3: the first time where like I don't feel this age.

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Speaker 1: Oh okay, I see what you're saying, Like.

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Speaker 3: I don't feel the way I thought I would feel

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Speaker 3: turning forty.

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Speaker 1: Are you one of those people that always want like

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Speaker 1: Danielle was like this, daniel Fishl, I was like this

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Speaker 1: where I always wanted to be older. Were you that

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Speaker 1: person too or no?

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Speaker 2: One?

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Speaker 3: I really was super excited to get to thirties. I

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Speaker 3: just felt like that's where everything in my life was

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Speaker 3: really gonna be a lot of the.

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Speaker 2: Things that I was wanting my decade.

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Speaker 3: Yes, it just felt like it was like, I mean again,

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Speaker 3: it was I got married, I had my babies. I mean,

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Speaker 3: I was just like looking forward that I knew I

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Speaker 3: didn't want to.

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Speaker 2: Really have kids or do any of that in my twenties.

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Speaker 3: I just always kind of knew my thirties was really

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Speaker 3: gonna be that well, for a long time.

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Speaker 2: I did, so, I don't know, it was crazy.

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Speaker 3: I wasn't And my husband's just incredible, he is he

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Speaker 3: knows me so well. I was no, because we're going

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Speaker 3: on a big trip. We're doing Greece and Italy, and

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Speaker 3: I'm super excited about that, and so I was going, no,

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Speaker 3: we're not gonna I don't want to do anything else.

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Speaker 3: We don't need to do dinner, we don't need to

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Speaker 3: do friends over anything like that. And then of course,

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Speaker 3: like this last weekend, he's like, okay, so everyone's coming over.

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Speaker 3: I'm like what, And then of course I had the

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Speaker 3: best day. He's like, if I didn't do that, you

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Speaker 3: would be you would have been so sad to not

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Speaker 3: see you know. I love to celebrate with my friends

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Speaker 3: and I love. I have friends from so many different areas,

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Speaker 3: some of my friends from LA to come down.

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Speaker 2: You know.

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Speaker 3: I have friends from so many different parts of my

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Speaker 3: life that any chance I can get them all in

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Speaker 3: one room and just kind of be able to spend

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Speaker 3: time with each of them. And now, but so many

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Speaker 3: of us have kids, and.

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Speaker 1: I didn't get it. Is it was?

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Speaker 2: Was it?

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Speaker 1: Did? It? Was it regular to do?

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Speaker 3: He doesn't have your he doesn't have your phone number,

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Speaker 3: and I don't he Honestly, I don't think he was

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Speaker 3: going to do it. Yeah, you do feel like you

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Speaker 3: live that far away. But I had so much fun

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Speaker 3: just getting together again. It was pretty you know, pretty

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Speaker 3: tight knit group.

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Speaker 2: And I loved it. It was super fun, very sweet.

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Speaker 1: Well, happy birthday, thank you, not just to me, but

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Speaker 1: happy birthday to the leads of the movie we're talking

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Speaker 1: about today. Oh transition people, what drop? Look at that transition?

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Speaker 2: We good.

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Speaker 1: Welcome back to Magical Rewind, the show that makes you

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Speaker 1: want to grab your your friends, your popcorn and your PJ.

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Speaker 1: Is that right? No, grab your popcorn and your friends

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Speaker 1: and your pe Just watch the movie. Your friends are

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Speaker 1: pjs and your popcorn the time. Your friends are pj's

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Speaker 1: and your popcorn and go back to a time when

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Speaker 1: all the houses were smart, the Waves, Tsunamis and the

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Speaker 1: high School's musical.

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Speaker 2: I'm Wilford Dell and I'm Sabrina Bryant, and.

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Speaker 1: I'm talking about a twenty first birthday for the two

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Speaker 1: leads of our movie today. That's right, Fill your cauldrons

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Speaker 1: and complete your coven, because this week on Magical rewind

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Speaker 1: we are seeing double with the two thousand and five

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Speaker 1: fantasy d com Twitches and don't forget Twitches end up

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Speaker 1: in Ditches. It's another October Ready and Halloween to Jason

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Speaker 1: entry into Disney films, this time based on a popular

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Speaker 1: Scholastic press book series of the same name from H. B.

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Speaker 1: Gilmour and Randy Ricefield. I think I'm saying that right.

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Speaker 1: This is a vehicle for the two of the biggest

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Speaker 1: Disney stars ever and a debut on the Disney Channel

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Speaker 1: on October fourteenth, Spooky Season two thousand and five Right

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Speaker 1: in the middle. Like I said of the season lead up,

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Speaker 1: the original airing brought in wait for it, seven million viewers,

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Speaker 1: then a massed a total of over twenty one million

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Speaker 1: in the first four airings, making it the week's most

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Speaker 1: popular cable programming and ready for its sequel, Twitches two,

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Speaker 1: which was released in two thousand and seven. But we're

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Speaker 1: gonna get to that one down the road when we

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Speaker 1: eventually get to this fabled sequel month, which is now

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Speaker 1: building up where it's gonna have to be squel year because.

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Speaker 2: Everything got a see here, there's so many.

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Speaker 1: There are so many. The budget, if you can believe

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Speaker 1: this at the time, remember two thousand and five was

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Speaker 1: a whopping twenty million dollars, which is a very high

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Speaker 1: number for the movies that we usually recap. But since

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Speaker 1: they relied heavily on supernap effects, you can guess where

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Speaker 1: a lot of that money went, and not all of

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Speaker 1: it looked great. But anyway, that's not their fault. That

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Speaker 1: is a fault of the time, which we'll get into.

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Speaker 1: The movie was shot in good old Toronto. The coin

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Speaker 1: landed on heads with a focus on green screen work

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Speaker 1: to pull off some of the effects well pull off,

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Speaker 1: putting in quotes, one fun Easter egg in the movie

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Speaker 1: and another sign of how many movies are filmed in

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Speaker 1: the Great White North. The Cameron's mansion is the same

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Speaker 1: house that Regina George resides in in the movie Me

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Speaker 1: and Girls. I have seen three quarters of Mean Girls,

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Speaker 1: and it's funny. It's true. I keep trying to watch

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Speaker 1: it on a plane with Daniel Fishel, and I get

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Speaker 1: to the end and I have something else to do,

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Speaker 1: or we land or something. Now, weirdly, it appears this

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Speaker 1: movie has used two different titles. Twitches, which is the

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Speaker 1: one we all know about, but it's also been listed

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Speaker 1: as The Witches of Coventry, which is frankly not as catchy.

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Speaker 1: Now do you think they did this because Twitches was

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Speaker 1: too close to Bitches or Twitter?

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Speaker 2: Maybe?

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Speaker 1: I mean, but Twitch just kind of says exactly.

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Speaker 3: I don't think Twitter was really around in thousand and five,

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Speaker 3: so I don't know why they wouldn't because Twitches is

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Speaker 3: so cute.

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Speaker 1: I was literally driving with Susan yesterday and she said,

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Speaker 1: what movie you doing? And I said Twitches, And without

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Speaker 1: missing a beat, you went twin Witches. I was like,

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Speaker 1: there you go.

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Speaker 3: Yes, it made sense exactly what it is for the

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Speaker 3: queens themselves of the channel that I loved it.

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Speaker 1: It was perfect and like most of the movies that

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Speaker 1: we cover, Twitches or The Witches of Coventry, but It's

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Speaker 1: called Twitches is currently available to view on Disney Plus

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Speaker 1: right now. You can watch it right now, watch it

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Speaker 1: later after you listen, or watch it while you're wearing

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Speaker 1: a tutu. Whatever you want to do. It's completely your

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Speaker 1: call and we're not going to judge.

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Speaker 5: Now.

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Speaker 1: We asked this every time, you're going to know my

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Speaker 1: answer before we even get into it. But had you

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Speaker 1: heard of seen new of Twitches before we watch this?

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Speaker 3: Had heard of it, knew the twins were in it,

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Speaker 3: obviously assumed it was about, you know, some kind of

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Speaker 3: witch situation.

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Speaker 2: But other than that, I had not seen it. No, No, really, yeah.

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Speaker 1: I had seen this movie three times already. This is

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Speaker 1: my favorite dcomp No, never seen this. No, I've never

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Speaker 1: heard it. No idea what it was, no idea what

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Speaker 1: I knew about it. But let's get into the synopsis.

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Speaker 1: This is why I said happy birthday at the top

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Speaker 1: s arena. Well, I said happy birthday because you're my

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Speaker 1: friend and I love you. But what I was really

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Speaker 1: saying is because reunited on their twenty first birthday, twin

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Speaker 1: sisters use their magic powers to save their kingdom from

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Speaker 1: the forces of darkness. Early thoughts, what did you think.

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Speaker 2: Ooh, early thoughts.

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Speaker 3: I felt like the beginning was a little slow for me,

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Speaker 3: so early on I kind of went, oh, and again,

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Speaker 3: why are there?

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Speaker 2: I get that it's Halloween, but I don't know where

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Speaker 2: I am when I walk into.

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Speaker 3: Grocery stores or a regular coffee shop. No, one's really

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Speaker 3: wearing costumes just during the day. No on Halloween. No,

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Speaker 3: that was kind of I get it. It's a little

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Speaker 3: it was a little too forced for me, and that

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Speaker 3: was what was kind of being set up at the beginning.

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Speaker 3: And again, I felt like it went a little slow.

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Speaker 3: So it's kind of from the beginning going oh, this

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Speaker 3: is not not my favorite so far, not my favorite

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Speaker 3: so far, but it did end up getting better. And

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Speaker 3: then there's a few things that obviously I know we're

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Speaker 3: gonna get to that we're just like, why can't we

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Speaker 3: find a normal looking freaking necklace for people? I get

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Speaker 3: they're supposed to be these like off the night I

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Speaker 3: came back on a stupid necklace, and they're everywhere in

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Speaker 3: this movie.

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Speaker 2: Is a bunch of weird necklaces everywhere.

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Speaker 1: There really are. So I'm a nerd. I'm a big,

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Speaker 1: big nerd. You'll notice behind you these are all fantasy novels.

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Speaker 1: Every single one of them are fantasy novels. Fantasy novels

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Speaker 1: are very important with two things, building the world. World

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Speaker 1: building hugely important, and the magical system are too important.

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Speaker 1: I still don't get a lot of what was going

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Speaker 1: on in this movie. I don't get the dark. I

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Speaker 1: don't get I will get into all this stuff. I

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Speaker 1: don't get how it can sometimes come into our world

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Speaker 1: and for some reason just burns flowers. I don't get

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Speaker 1: a lot. So this movie didn't make a whole lot

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Speaker 1: of sense to me. The stars of this movie, Tia

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Speaker 1: and Tamaramori, who we will get into obviously, are stars

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Speaker 1: bar none. They're incredible. They command the screen. You know why.

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Speaker 1: They are the queens of the channel. They deserve to be.

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Speaker 1: You cannot stop watching them. The whole mullyfamily phenomenally talented

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Speaker 1: and couldn't be nicer. People didn't get a lot of

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Speaker 1: what was going on. From strictly a fantasy nerd point

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Speaker 1: of view, I didn't understand it trying to watch it

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Speaker 1: again as a younger person. But even I would think

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Speaker 1: the thirteen or fourteen year old me reading all these

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Speaker 1: books which I started reading when I was a kid,

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Speaker 1: in comic books would have been going, wait, I don't

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Speaker 1: understand what's happening yet. Okay, so that's what I would say,

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Speaker 1: see I because.

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Speaker 2: I'm not in that. That's not my like.

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Speaker 3: My thing, right, even me who isn't. I mean, you're

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Speaker 3: looking for the details because the details are what I

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Speaker 3: think people that really love genre like it builds it.

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Speaker 2: That's like a huge part.

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Speaker 3: Even me, who doesn't really need all of them, felt

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Speaker 3: like I don't know what the hell is what and

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Speaker 3: why things are happening.

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Speaker 1: And their powers and the power even.

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Speaker 3: Me, I'm going no, So and that's when I kind

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Speaker 3: of go, if I'm gonna be that picky somebody who's

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Speaker 3: an actual kind of fan of this kind of stuff

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Speaker 3: is really gonna go, this does not make any sense.

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Speaker 3: And then knowing knowing that because I knew there was

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Speaker 3: a second one too, so I'm like, is it be like,

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Speaker 3: are they holding back on these details maybe for the

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Speaker 3: for the sequel?

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Speaker 2: Is that why? Because there's just so many big holes.

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Speaker 1: That just don't agreed, and a lot of it didn't

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Speaker 1: make any sense. But we will get into that as

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Speaker 1: we hit them. Yeah. Twitches was directed by Stuart Gill,

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Speaker 1: a Hall of famer here on Magical rewind As. He

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Speaker 1: also directed one of our absolute favorites, Going to the Mat,

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Speaker 1: which he won a DJA Award for Phenomenal Movie, as

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Speaker 1: well as Teenage MUTANTJA Turtles three, and episodes of Beauty

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Speaker 1: and the Beast and Charmed two shows. He also acted

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Speaker 1: as executive producer on the movie As we just said,

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Speaker 1: and we're talking about stars. Two of Disney's biggest and

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Speaker 1: brightest names, twins Tia and Tamara Moury, best known for

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Speaker 1: the TV shows Sister Sister, which actually, strangely enough, has

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Speaker 1: a very similar plot as Twitches, just without any witchcraft,

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Speaker 1: and in both scripts they reunited in a clothing store. Now,

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Speaker 1: in the book series that this was based on that

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Speaker 1: we just talked about, the sisters weren't black, but Disney

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Speaker 1: Channel was very quick to change that because they loved

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Speaker 1: the Moory's so much. They were commanding the channel and

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Speaker 1: hell yeah, let's do that, so they put him in

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Speaker 1: there as the lead. Ta and Tamara worked together through

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Speaker 1: the nineties and aughts, both appearing in Rob Schneider movie

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Speaker 1: Hot Chick, and family focused projects like Seventeen Again and

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Speaker 1: Double Wedding, and a reality show as sisters from twenty

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Speaker 1: eleven and twenty thirteen. They even had their own R

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Speaker 1: and B group voices in the nineties, but they would

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Speaker 1: also branch out as inn visual performers Tia with a

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Speaker 1: focus on cooking, TV shows and books, while also voicing

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Speaker 1: Sasha in All the Brats Media and Tamara on the

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Speaker 1: talk show The Real and as a regular on the

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Speaker 1: Hallmark Channel. There are absolute icons that happened since there

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Speaker 1: were kids. It's like them and Raven owned the channel

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Speaker 1: and had every right to because they just commanded it.

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Speaker 1: Have you ever met them? Were you a fan?

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Speaker 3: I was a fan absolutely a lot from their TV show.

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Speaker 3: I don't think I've ever met them.

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Speaker 2: If I have, it was real quick and some random thing.

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Speaker 3: But I have always heard a lot about just again

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Speaker 3: like them, just being the hardest working.

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Speaker 1: Young Amal the whole family too.

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Speaker 3: Yes, we so smart, so so good about picking good

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Speaker 3: projects for them, and you know they that I just

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Speaker 3: heard they were just powerhouses.

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Speaker 2: And yeah, I believe it. I mean their work is proof.

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Speaker 1: Their work is absolutely true, Their careers are proof. Kristin

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Speaker 1: Wilson plays Miranda. She's best known as young Lisa Doolittle

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Speaker 1: in the Eddie Murphy movies from roles in the movies

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Speaker 1: Bulletproof and Walking Tall, but she appears to have left

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Speaker 1: the business in twenty eleven. Patrick Fabian plays the evil Fantos,

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Speaker 1: who it took me a while to get that name.

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Speaker 1: I swear to god, I thought they were saying mentos

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Speaker 1: and it was weird to me where I was like

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Speaker 1: Mentos the fresh Maker. Patrick is a very busy actors

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Speaker 1: seen in an uncountable number of TV shows, including Verona Kamar's,

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Speaker 1: Desperate Housewives and Grey's Anatomy, but it's best known as

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Speaker 1: Howard Hamlin on The Breaking Batspin off Better Call Saul.

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Speaker 1: He was also in an unaired television pilot that was

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Speaker 1: called Jack's House, starring a young Will Friedel and amongst

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Speaker 1: the most Canadian cast members. Illiana is played by actress

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Speaker 1: Jennifer Robertson, an actress who ten years later would be

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Speaker 1: known as Jocelyn Shit on the incredibly popular TV show

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Speaker 1: Shit's Creek. She was so good for not the second

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Speaker 1: she popped on, I was like, all right, there we go.

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Speaker 2: Oh my god.

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Speaker 3: And she brought some of that care she did. She

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Speaker 3: actually definitely wow.

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Speaker 2: She played this. She's so funny and God, she does

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Speaker 2: not age. She looks exactly the same same age she

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Speaker 2: looks Creka. She in this movie, and this movie was

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Speaker 2: made forever ago.

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Speaker 1: And anybody listening to this podcast who has not seen

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Speaker 1: Ship's Creek you are missing out on truly one of

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Speaker 1: the best ensemble casts in the last twenty five years

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Speaker 1: on television. They are wonderful. The movie is eighty seven minutes,

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Speaker 1: three little minutes away from that bull's ey. It's like

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Speaker 1: we could see the bulls eye and they went nope, stopping.

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Speaker 1: It feels like it's been years since we've been at

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Speaker 1: the ninety now. The movie was written by Melissa Gould,

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Speaker 1: who is a television writer from Party of Five, Beverly Hills,

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Speaker 1: nine oh two to one Oer and Lizzie Maguire. But

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Speaker 1: we noticed that Twitches was her last job ever in

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Speaker 1: the business, at least the last credit that she has,

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Speaker 1: which is strange. She shares the credit with Dan Berenson,

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Speaker 1: who wrote on Sabrina the Teenage Witch and is the

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Speaker 1: man behind so much decomming magic, including wait for this list,

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Speaker 1: the Hannah Montana movie, Stuck in the Suburbs, Halloween Town,

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Speaker 1: High teen Beach two, and the Cheetah Girls, One World. Also,

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Speaker 1: he wrote Twitches to this time it's personal, as we

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Speaker 1: all know, that's the name of every sequel we will

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Speaker 1: be watching. Now we've talked about Halloween was big for you.

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Speaker 1: So was there ever when you were a kid, Halloween

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Speaker 1: or no Halloween? Did you ever fantasize that you were

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Speaker 1: actually a princess, that you were actually had magic powers?

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Speaker 1: Was this ever in your kind of repertoire or fantasy?

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Speaker 3: Oh no, I don't think I ever thought that I

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Speaker 3: had powers. I did think I was in ninja for

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Speaker 3: quite some time.

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Speaker 1: Me too. My dad's nickname for me is still Ninja.

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Speaker 5: No Joy.

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Speaker 1: Oh my god. Maybe we're from the same ninja family.

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Speaker 3: Maybe that's what the connection is right there, like you too.

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Speaker 3: But my poor mom, especially after I started learning how

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Speaker 3: to tumnel like gymnastics and stuff and was able to

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Speaker 3: flip off of things, my poor mom really got.

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Speaker 2: Just the hardest wes.

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Speaker 3: I loved the cloth ones. That's like, oh, yeah, I couldn't.

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Speaker 1: I are you talking about the sun? You're talking about

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Speaker 1: the size? The ones that are like triangles with the

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Speaker 1: one in the middle.

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Speaker 2: Yeah, and you hold them close to it.

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Speaker 3: Yes, I loved those I could never do the numb chucks.

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Speaker 3: Always hit myself, always got myself in trouble with them.

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Speaker 1: I still think I'm a ninja.

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Speaker 5: Hey everyone, Amy roboch here along with TJ Holmes, and

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Speaker 5: we have a very exciting announcement to make.

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Speaker 2: To all of you.

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Speaker 6: We are expanding. We are now going to be coming

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Speaker 6: to you Monday through Friday for a new part of

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Speaker 6: our Amy and TJ franchise, if you will, the Morning Run.

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Speaker 6: We're gonna help listeners navigate the busy news cycle and

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Speaker 6: the historic political season that the country is facing. And

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Speaker 6: we're going to do this now each and every day.

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Speaker 5: Wow, we have a news franchise now, I like the

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Speaker 5: way you put that.

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Speaker 2: We're gonna be covering all the latest news headlines for

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Speaker 2: all of you.

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Speaker 5: We'll have entertainment updates, and we'll even give some perspective

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Speaker 5: on the current events that are happening right now. And this,

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Speaker 5: by the way, is in addition to our already established

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Speaker 5: bi weekly podcasts that we hope you guys are tuning

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Speaker 5: into as well, with more in depth conversations and interviews.

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Speaker 5: So we're gonna be with you Monday through Friday with

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Speaker 5: Morning Run. Listen to morning run on the iHeartRadio app,

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Speaker 5: Apple podcasts or wherever you listen to podcasts.

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Speaker 1: Okay, let us now get into twitches. So we open

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Speaker 1: on a pretty awesome shot of a castle on a

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Speaker 1: hill under a bright moon and surrounded by what could

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Speaker 1: be smoky kind of lava. These are shots of Coventry.

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Speaker 1: They're incredible. We know where the twenty million dollar budget went.

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Speaker 1: Now I would like to put a small cavea on that.

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Speaker 1: I would say they're incredible for two thousand and five. Yes,

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Speaker 1: when you now go and even watch the Disney Channel

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Speaker 1: movies from today, when you're watching you know a Zombies,

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Speaker 1: or you're watching one of the one of the bigger

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Speaker 1: descend in something like that, you can obviously see how

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Speaker 1: the technology has gotten better. But for the time and

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Speaker 1: for the channel, they looked pretty good. You look at

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Speaker 1: them now through twenty twenty four eyes and you go, wow,

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Speaker 1: that doesn't look very good. But back in the day,

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Speaker 1: especially on the Disney Channel, it looks pretty great. We

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Speaker 1: are told by a voiceover that this is the magical

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Speaker 1: land of Coventry, which doesn't sound like an actual location.

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Speaker 1: It sounds like a study of dressmakers, but it sounds

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Speaker 1: like a study of making dressers. But the voice explains

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Speaker 1: that darkness or the Darkness, has taken over the city

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Speaker 1: and that twin daughters of the Sun and Moon were

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Speaker 1: born on Halloween and one of the only ones who

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Speaker 1: can restore the land. From a fantasy standpoint, very basic, awesome,

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Speaker 1: I'm in you got me, no problem.

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Speaker 2: But the dark darkness word didn't hit you. I'm like, no,

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Speaker 2: there's any deeper than.

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Speaker 1: The data are always have It's always the darkness. It's

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Speaker 1: always the Dark Council. It's always the blackness. It's always

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Speaker 1: the deep. There's always something along those lines, the void.

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Speaker 1: There's always something where they can do. You know. That's

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Speaker 1: that's pretty basic kind of stuff. Okay, you know the

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Speaker 1: dark dark Wizards of Harry Potter kind of things, right,

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Speaker 1: So that's but Darkness is after them even as newborns.

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Speaker 1: We see the babies and their son and new necklaces.

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Speaker 1: This is the Twitches. So the Darkness, which looks a

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Speaker 1: lot again like the smoke Monster and Loss, but with

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Speaker 1: blood and fire inside of it, roams the halls of

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Speaker 1: the castle. So here's where you start trying to build

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Speaker 1: the world out. Okay, so obviously it can break into fortresses,

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Speaker 1: It is like smoke. It can come into different places. Okay,

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Speaker 1: I'm starting to figure this out, no problem. It starts

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Speaker 1: to roam the halls of the castle. In another room,

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Speaker 1: a robed man and woman run to save the babies.

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Speaker 1: They call the kids Apolla and Artemis, which is supposed

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Speaker 1: to be like Apollo and Artemis, who were the brother

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Speaker 1: and sister, you know, mythological creatures from mythological gods of Greece,

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Speaker 1: but obviously one of they're both, so they change to

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Speaker 1: Apalla an Artemis okay, and get to a small argument

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Speaker 1: about grammar. Eventually, they decide to leave separately into another

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Speaker 1: dimension because the twins aren't safe there together. Okay, I'm

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Speaker 1: with you. They both disappear just as the darkness creeps

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Speaker 1: up on them. The robed female finds herself in a

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Speaker 1: busy city streets and leaves the child at a hospital.

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Speaker 1: The man in the suburbs. It gets scared by some

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Speaker 1: trick or treaters, but also ends up leaving the baby

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Speaker 1: at an emergency room. Okay, the twins have been separated.

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Speaker 1: They're now in our plane. Gotcha. I again, from a

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Speaker 1: fantasy standpoint, I'm in It's basic. It's easy, No problem

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Speaker 1: right on board. All these books behind me, a lot

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Speaker 1: of them very similar. This is okay, okay, Twins are born,

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Speaker 1: twins have powers, twins split up, twins different plane, easy, simple,

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Speaker 1: easy peasy. Then time passes during the credits and we

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Speaker 1: are now in the future. The sun necklace is now

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Speaker 1: on a moor. I'm not even going to try to

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Speaker 1: figure out which one, but one of them, do you

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Speaker 1: know which one is?

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Speaker 2: Which?

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Speaker 7: Ok?

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Speaker 3: Good, but one at least, and so now I'm going

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Speaker 3: to one has a little beauty mark, and.

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Speaker 2: I'm going I remember a beauty.

436
00:21:10,600 --> 00:21:13,480
Speaker 3: Mark whack when I was younger and didn't pay attention

437
00:21:13,520 --> 00:21:14,520
Speaker 3: to any details anywhere.

438
00:21:14,560 --> 00:21:16,880
Speaker 1: But one with the beauty mark is Tia or Tamara.

439
00:21:17,600 --> 00:21:18,879
Speaker 2: One of them is Tia or Tamara.

440
00:21:18,960 --> 00:21:20,640
Speaker 1: Yees, that's how you do know it? One of them

441
00:21:20,680 --> 00:21:24,560
Speaker 1: is that one of them is Tia or Tamara. Definitely.

442
00:21:24,880 --> 00:21:26,239
Speaker 1: So I didn't know which one either. I'm not going

443
00:21:26,280 --> 00:21:28,920
Speaker 1: to try to guess, okay, But she was the baby

444
00:21:29,040 --> 00:21:31,800
Speaker 1: left in the suburbs. So she's in her room listening

445
00:21:31,800 --> 00:21:35,000
Speaker 1: to music again, famous Disney trope coming up on a

446
00:21:35,040 --> 00:21:37,680
Speaker 1: girl in her room. Great way to see what her

447
00:21:37,720 --> 00:21:41,000
Speaker 1: life is like. Very easy, So automatically. She's listening to

448
00:21:41,040 --> 00:21:43,920
Speaker 1: her music. She's drawing parents. Her parents, we can tell

449
00:21:44,000 --> 00:21:46,200
Speaker 1: obviously we know have adopted her, but they tiptoe into

450
00:21:46,240 --> 00:21:48,760
Speaker 1: a room holding a cake. She catches them and beats

451
00:21:48,800 --> 00:21:51,640
Speaker 1: them to saying happy birthday. Her name is now Cameron,

452
00:21:51,680 --> 00:21:54,320
Speaker 1: and she's turning twenty one. Her mom compliments her recent

453
00:21:54,359 --> 00:21:56,720
Speaker 1: drawings of a woman who is beautiful and wearing a

454
00:21:56,760 --> 00:21:59,560
Speaker 1: moon necklace, and we can see that she's it almost

455
00:21:59,640 --> 00:22:01,520
Speaker 1: looks like They even say, like, is that a self portrait?

456
00:22:01,560 --> 00:22:03,000
Speaker 1: She says, no, I don't think so, because the necklace

457
00:22:03,040 --> 00:22:06,720
Speaker 1: is different. So she's in her mind drawing what we

458
00:22:06,760 --> 00:22:08,440
Speaker 1: know is going to be her twin, but she does

459
00:22:08,480 --> 00:22:10,439
Speaker 1: not yet know that yet, so it's her, but not

460
00:22:10,520 --> 00:22:13,600
Speaker 1: exactly her. We then find ourselves somewhere else looking at

461
00:22:13,600 --> 00:22:16,840
Speaker 1: the exact girl in the moon necklace drawing, now asleep.

462
00:22:17,000 --> 00:22:19,520
Speaker 1: Two troll arms reached for her. She jumps up, but

463
00:22:19,600 --> 00:22:22,000
Speaker 1: it's just a little girl surprising her for her birthday

464
00:22:22,040 --> 00:22:24,000
Speaker 1: and for Halloween, because of course they were born on

465
00:22:24,080 --> 00:22:27,080
Speaker 1: all hollows. Eve her roommate and the kid's mom say

466
00:22:27,160 --> 00:22:29,719
Speaker 1: she was supposed to surprise her, not scarer. We can

467
00:22:29,760 --> 00:22:33,199
Speaker 1: immediately tell her surroundings are less extravagant than Cameron's. She

468
00:22:33,280 --> 00:22:36,000
Speaker 1: was adopted by a single mother who unfortunately recently passed away,

469
00:22:36,240 --> 00:22:37,919
Speaker 1: and she slept in because she was writing in her

470
00:22:38,000 --> 00:22:40,639
Speaker 1: journal and was up till well after midnight. She admits

471
00:22:40,680 --> 00:22:43,360
Speaker 1: she's nocturnal. If the moon is up, then I'm up. Okay,

472
00:22:44,080 --> 00:22:46,800
Speaker 1: we've established both girls. One has been, is up with

473
00:22:46,880 --> 00:22:49,040
Speaker 1: the sun, loves to you know, the sun is up.

474
00:22:49,080 --> 00:22:51,600
Speaker 1: She's got her powers or whatever. One is there with

475
00:22:51,680 --> 00:22:54,280
Speaker 1: the moon, and one is rich. One is poor.

476
00:22:54,800 --> 00:22:56,800
Speaker 2: Yep, gotcha, We're good.

477
00:22:56,960 --> 00:22:58,560
Speaker 1: The girl asked if she misses her mom, and she

478
00:22:58,560 --> 00:23:00,600
Speaker 1: admits that she does, but she's also just trying to

479
00:23:00,600 --> 00:23:03,040
Speaker 1: find a job today. By the way, her name on

480
00:23:03,080 --> 00:23:06,160
Speaker 1: this plane is Alex and she is played by either

481
00:23:06,200 --> 00:23:09,359
Speaker 1: Tia or Tamarow. We cut back to Cameron, who is

482
00:23:09,400 --> 00:23:12,840
Speaker 1: schooling her dad in tennis. Keep in mind what this

483
00:23:12,960 --> 00:23:15,239
Speaker 1: dad's tennis shirt looks like, because for some reason, he

484
00:23:15,240 --> 00:23:19,800
Speaker 1: wears it for most of the movie. She's having a

485
00:23:20,040 --> 00:23:23,280
Speaker 1: big lavish party tonight, but she's also having a life crisis.

486
00:23:23,280 --> 00:23:25,600
Speaker 1: She keeps thinking that something special is supposed to happen now,

487
00:23:25,840 --> 00:23:28,800
Speaker 1: and she's on her twenty first birthday. This day means

488
00:23:28,800 --> 00:23:30,879
Speaker 1: something to her. She doesn't know what, and suddenly she

489
00:23:30,920 --> 00:23:33,720
Speaker 1: blurts out, I'll get it, and then the phone rings.

490
00:23:34,760 --> 00:23:38,439
Speaker 1: Strange power which was also inhabited by another very famous

491
00:23:38,440 --> 00:23:42,960
Speaker 1: television character called Radar O'Reilly from Mash. At the same time,

492
00:23:43,119 --> 00:23:45,359
Speaker 1: Alex and her roommate are talking about her job search.

493
00:23:45,520 --> 00:23:47,119
Speaker 1: She wants to move out get her own place, but

494
00:23:47,160 --> 00:23:49,080
Speaker 1: she's also welcome to stay there as long as she wants.

495
00:23:49,160 --> 00:23:51,440
Speaker 1: Establishing that she's got good friends and a support system

496
00:23:51,480 --> 00:23:53,600
Speaker 1: around her, they get on the bus and she admits,

497
00:23:53,600 --> 00:23:56,120
Speaker 1: ever since she woke up, she feels like something horrible

498
00:23:56,240 --> 00:23:58,119
Speaker 1: is going to happen today, so again the balance to

499
00:23:58,160 --> 00:24:00,520
Speaker 1: her sister. We then notice a man in front seat

500
00:24:00,560 --> 00:24:02,959
Speaker 1: and he's very interested in her. It is the robed

501
00:24:03,040 --> 00:24:05,959
Speaker 1: man from earlier. Alex tells her Rumy to say hi

502
00:24:06,040 --> 00:24:09,000
Speaker 1: to her mom for her, and then her phone rings,

503
00:24:09,440 --> 00:24:12,679
Speaker 1: so she also has the strange I can tell when

504
00:24:12,680 --> 00:24:14,600
Speaker 1: a phone is going to ring superpower that Radar head

505
00:24:14,600 --> 00:24:18,280
Speaker 1: from Mash very strange. Okay, Now, I don't know about you,

506
00:24:18,359 --> 00:24:20,840
Speaker 1: but this seems like an absolutely useless magic power. But

507
00:24:20,880 --> 00:24:24,080
Speaker 1: I'm hoping what it's actually stating is not just phone calls.

508
00:24:24,119 --> 00:24:27,800
Speaker 1: It's just, uh, you have an inkling of premonition of

509
00:24:27,800 --> 00:24:31,040
Speaker 1: what's going to happen. Yes, could be a very important

510
00:24:31,119 --> 00:24:33,159
Speaker 1: kind of I would have shown it different ways. I

511
00:24:33,200 --> 00:24:34,879
Speaker 1: didn't write this thing, but that's just the way that

512
00:24:34,960 --> 00:24:37,639
Speaker 1: it is. They did it with phone calls. Okay. The

513
00:24:37,760 --> 00:24:41,960
Speaker 1: robed man, however, is still very impressed. Would you be impressed,

514
00:24:42,000 --> 00:24:43,760
Speaker 1: like if your husband every time was like, hey, say

515
00:24:43,840 --> 00:24:45,639
Speaker 1: hi to somebody and then your phone rings, I mean eventually,

516
00:24:45,680 --> 00:24:47,440
Speaker 1: wouldn't you just think it was creepy? Or would would

517
00:24:47,760 --> 00:24:48,200
Speaker 1: like the best?

518
00:24:48,240 --> 00:24:51,960
Speaker 2: I think it was really crazy, right, I would think

519
00:24:52,040 --> 00:24:55,080
Speaker 2: how did you get that? He somehow connected my phone

520
00:24:55,119 --> 00:24:56,600
Speaker 2: to like his apple water?

521
00:24:56,800 --> 00:25:00,240
Speaker 1: Right? Yes, how are you doing that? Right? By the way, yeah,

522
00:25:00,280 --> 00:25:02,960
Speaker 1: I know exactly where you are. That's not magic powers,

523
00:25:02,960 --> 00:25:07,919
Speaker 1: that's just air taggings. Yeah, it's just Then Cameron and

524
00:25:07,960 --> 00:25:10,600
Speaker 1: her friend pull up alongside the bus in an expensive convertible.

525
00:25:10,760 --> 00:25:12,919
Speaker 1: Cameron feels like something great is gonna happen today, and

526
00:25:13,040 --> 00:25:16,719
Speaker 1: Alex just misses seeing her Cameron and her power now

527
00:25:16,720 --> 00:25:18,760
Speaker 1: walking down the street, and Cameron thinks she just needs

528
00:25:18,800 --> 00:25:20,720
Speaker 1: to be super aware of her surroundings, and then the

529
00:25:20,760 --> 00:25:23,359
Speaker 1: bus pulls up and Alex walks out. Cameron again doesn't

530
00:25:23,400 --> 00:25:26,359
Speaker 1: notice her, but does notice a big sale across the

531
00:25:26,359 --> 00:25:28,879
Speaker 1: street at her favorite store. They giddaly run over and

532
00:25:28,920 --> 00:25:31,760
Speaker 1: take advantage while Alex is you know, we still notice

533
00:25:31,760 --> 00:25:34,359
Speaker 1: as being followed by this creepy guy Outside the store.

534
00:25:34,400 --> 00:25:37,879
Speaker 1: An over zealous woman who was the robed female from earlier,

535
00:25:38,680 --> 00:25:41,000
Speaker 1: is so excited to see Cameron, who just predicted her

536
00:25:41,000 --> 00:25:44,840
Speaker 1: friend wanted to go look at shoes nearby. Again anothery're

537
00:25:44,880 --> 00:25:47,200
Speaker 1: not great skill though not showing the skill great, but

538
00:25:47,240 --> 00:25:51,240
Speaker 1: they're showing that they have this presence of forethought exactly,

539
00:25:51,320 --> 00:25:54,679
Speaker 1: this intuition that, of course, as young girls will be

540
00:25:54,760 --> 00:25:58,080
Speaker 1: used for phones and shopping and all that kind of stuff.

541
00:25:58,240 --> 00:26:01,400
Speaker 1: Oh right, Yeahdy looks at her and says, you are

542
00:26:01,480 --> 00:26:03,880
Speaker 1: so ready, then wishes her good luck and runs off

543
00:26:03,920 --> 00:26:05,959
Speaker 1: to join the man, and they reveal they've been following

544
00:26:05,960 --> 00:26:10,000
Speaker 1: the twins for years. This is destiny. The man all

545
00:26:10,040 --> 00:26:11,800
Speaker 1: of a sudden makes a help wanted sign up here

546
00:26:11,840 --> 00:26:14,480
Speaker 1: in the clothing store. Nope, she walks right by. Alex

547
00:26:14,520 --> 00:26:17,520
Speaker 1: walks right by that. Then a no experience sign necessary

548
00:26:17,640 --> 00:26:20,480
Speaker 1: pops up when she ignores the first one. She's still

549
00:26:20,480 --> 00:26:22,560
Speaker 1: walking by, and he gets desperate and he just shoots

550
00:26:22,560 --> 00:26:25,400
Speaker 1: out a we're desperate sign, which finally gets the job.

551
00:26:25,480 --> 00:26:28,199
Speaker 1: Hungry and stubborn Alex to enter. She walks in and

552
00:26:28,240 --> 00:26:30,600
Speaker 1: tells the manager she saw the sign, and employee hands

553
00:26:30,600 --> 00:26:34,080
Speaker 1: her the dress she was looking for, obviously confusing her

554
00:26:34,119 --> 00:26:36,240
Speaker 1: for the twins she doesn't know exists. She's like, what,

555
00:26:36,840 --> 00:26:38,840
Speaker 1: but she wants to apply for the job, and Cameron

556
00:26:38,840 --> 00:26:40,919
Speaker 1: pulls the dress from her hands. Her sister walks behind her,

557
00:26:40,920 --> 00:26:44,040
Speaker 1: grabs and goes thanks, but still doesn't see her twins face. Ooh,

558
00:26:44,080 --> 00:26:46,600
Speaker 1: we are kind of pushing the envelope here, but here

559
00:26:46,640 --> 00:26:49,680
Speaker 1: we go. Alex then tells the manager she really needs

560
00:26:49,680 --> 00:26:52,240
Speaker 1: the job, but it doesn't get her anywhere, and the

561
00:26:52,280 --> 00:26:55,040
Speaker 1: woman's like, nope, honesty is great everywhere in the world

562
00:26:55,160 --> 00:26:59,280
Speaker 1: except for retail, which is weird. So she lies and

563
00:26:59,320 --> 00:27:01,880
Speaker 1: compliments the shoes, and it was so convincing that she's

564
00:27:01,920 --> 00:27:04,000
Speaker 1: hired on the spot. And this is obviously because the

565
00:27:04,040 --> 00:27:08,120
Speaker 1: manager realizes she can lie convincingly. But then Alex does

566
00:27:08,280 --> 00:27:10,840
Speaker 1: like her shoes, so she hired her because she just

567
00:27:10,840 --> 00:27:13,600
Speaker 1: said one nice thing, which is odd. She also hires

568
00:27:13,600 --> 00:27:16,480
Speaker 1: her with no paperwork whatsoever, just puts her to work,

569
00:27:16,640 --> 00:27:18,360
Speaker 1: so we don't even know if she's on the payroll

570
00:27:18,520 --> 00:27:23,600
Speaker 1: or What's very strange. Alex starts working, eventually literally bumping

571
00:27:23,640 --> 00:27:25,760
Speaker 1: into her twin. As they see each other, they scream

572
00:27:25,760 --> 00:27:27,600
Speaker 1: at the top of their lungs. Cameron knew it something

573
00:27:27,640 --> 00:27:30,119
Speaker 1: great was gonna happen today. They wonder if they're twins

574
00:27:30,200 --> 00:27:32,119
Speaker 1: or sisters or they just look like each other, but

575
00:27:32,119 --> 00:27:34,480
Speaker 1: they realize they're both adopted and it is their birthday.

576
00:27:34,880 --> 00:27:37,040
Speaker 1: Alex runs out, but Cameron catches up with her and

577
00:27:37,040 --> 00:27:40,119
Speaker 1: grabs her hand, forcing the world to enter a slow

578
00:27:40,200 --> 00:27:43,480
Speaker 1: motion realm and the close of the store of the

579
00:27:43,480 --> 00:27:48,040
Speaker 1: mannequin fall off, once again showing more completely useless magic.

580
00:27:48,600 --> 00:27:53,760
Speaker 1: I don't stopping time, okay, she jawsome superpower. I can

581
00:27:53,800 --> 00:27:58,280
Speaker 1: slow time down by just grabbing somebody's hand, sweet ripping

582
00:27:58,400 --> 00:28:01,920
Speaker 1: the clothes off of people seems really like a scummy

583
00:28:02,080 --> 00:28:02,840
Speaker 1: kind of power.

584
00:28:03,560 --> 00:28:07,919
Speaker 2: Yea, what could you really do that? What can you

585
00:28:07,960 --> 00:28:08,479
Speaker 2: do with it?

586
00:28:08,720 --> 00:28:10,080
Speaker 1: How do you use that for good?

587
00:28:10,440 --> 00:28:12,680
Speaker 2: Yeaw? How are you gonna save the world by doing

588
00:28:12,720 --> 00:28:13,359
Speaker 2: something like that?

589
00:28:13,920 --> 00:28:16,280
Speaker 1: Again? Slowing down time? That would be slowing down or

590
00:28:16,280 --> 00:28:17,960
Speaker 1: stopping time would be on my list of top three

591
00:28:18,000 --> 00:28:19,600
Speaker 1: superpowers of all time. That would be one of the

592
00:28:19,640 --> 00:28:24,680
Speaker 1: coolest things ever. But okay, an, yeah, we are now

593
00:28:24,720 --> 00:28:27,560
Speaker 1: transported to Coventry and a mansion. A woman who looks

594
00:28:27,560 --> 00:28:29,639
Speaker 1: a lot like the twins, and she does, is wearing

595
00:28:29,640 --> 00:28:34,000
Speaker 1: a similar but your favorite, much bigger necklace. Sense it's

596
00:28:34,200 --> 00:28:37,840
Speaker 1: it's a big chest plate. She's wearing a chest plate.

597
00:28:38,080 --> 00:28:43,040
Speaker 1: She's wearing a piece of armor and the twins. It's true,

598
00:28:44,000 --> 00:28:45,800
Speaker 1: but again, she looks just like the twins. She's wearing

599
00:28:45,800 --> 00:28:48,200
Speaker 1: the big necklace. She senses something and runs off to

600
00:28:48,240 --> 00:28:52,280
Speaker 1: tell Mentos the fresh Maker. She eventually makes it to Mentos.

601
00:28:52,320 --> 00:28:54,719
Speaker 1: I won't say that to Thantos, who was doing some

602
00:28:54,760 --> 00:28:57,320
Speaker 1: sort of pendulum over the water, completely confusing us as

603
00:28:57,360 --> 00:28:58,680
Speaker 1: to what happens in Coventry.

604
00:28:58,960 --> 00:28:59,480
Speaker 2: What is this?

605
00:28:59,680 --> 00:29:02,720
Speaker 1: The second he looked up, I went, that's the bad guy.

606
00:29:03,520 --> 00:29:06,360
Speaker 1: It's like, not even slightly hidden. You just get an

607
00:29:06,360 --> 00:29:09,120
Speaker 1: instant that's the bad guy, feels there was no and

608
00:29:09,160 --> 00:29:11,760
Speaker 1: then and then I tried to convince myself it wasn't him.

609
00:29:11,800 --> 00:29:12,320
Speaker 1: I was like, you can't.

610
00:29:12,440 --> 00:29:13,800
Speaker 2: Oh yeah, no.

611
00:29:13,960 --> 00:29:15,360
Speaker 1: I was hoping it was gonna be the mom was

612
00:29:15,760 --> 00:29:17,640
Speaker 1: gonna be a twist, Yes, no.

613
00:29:17,760 --> 00:29:22,320
Speaker 3: I kept thinking, oh maybe maybe, but no. Now, Honestly,

614
00:29:22,400 --> 00:29:27,360
Speaker 3: after Halloween Town and how obvious that was, I was like, Okay.

615
00:29:26,960 --> 00:29:29,680
Speaker 2: So in these Halloween type movies, we just are gonna

616
00:29:29,720 --> 00:29:30,680
Speaker 2: know who the bad guy is.

617
00:29:30,760 --> 00:29:32,560
Speaker 1: Yeah, he should have been just wearing a shirt that

618
00:29:32,720 --> 00:29:37,640
Speaker 1: just says bad guy. It's yeah, So we don't know

619
00:29:37,640 --> 00:29:39,760
Speaker 1: what's happening. But the woman is so happy because she

620
00:29:39,800 --> 00:29:42,560
Speaker 1: realizes that Apaula and Artemis are alive and they are

621
00:29:42,600 --> 00:29:45,280
Speaker 1: together again. She knows it. He doesn't believe her, but

622
00:29:45,320 --> 00:29:47,840
Speaker 1: she felt it in her soul and her necklace is shining.

623
00:29:47,880 --> 00:29:50,880
Speaker 1: So Fantos knows that if it's true, then they need

624
00:29:50,920 --> 00:29:55,080
Speaker 1: to protect them. They are definitely in danger from him.

625
00:29:55,480 --> 00:29:58,200
Speaker 1: He says, she can't go to their dimension and it

626
00:29:58,200 --> 00:30:00,800
Speaker 1: would be too devastating to lose her. He'll go and

627
00:30:00,880 --> 00:30:03,920
Speaker 1: bring them home, leading me to my first why the

628
00:30:03,920 --> 00:30:05,680
Speaker 1: hell weren't you looking for them in the first place.

629
00:30:05,720 --> 00:30:08,080
Speaker 1: If you can buy this dimension whenever you want to, ye,

630
00:30:08,280 --> 00:30:10,840
Speaker 1: and the darkness isn't keeping you there in prison, why

631
00:30:10,840 --> 00:30:13,680
Speaker 1: don't you just leave this dimension then and go and

632
00:30:13,720 --> 00:30:17,000
Speaker 1: find your daughters to bring them back. Yeah, the holes

633
00:30:17,040 --> 00:30:18,680
Speaker 1: are appearing, yes.

634
00:30:18,560 --> 00:30:21,000
Speaker 2: And the only thing I kind of rewound it going.

635
00:30:21,160 --> 00:30:24,000
Speaker 2: Did they explain that this can.

636
00:30:23,840 --> 00:30:27,640
Speaker 3: Now the dimensions could be crossed because they're twenty one,

637
00:30:27,800 --> 00:30:30,640
Speaker 3: or did they just honestly think they were dead?

638
00:30:30,960 --> 00:30:31,200
Speaker 1: Nope?

639
00:30:31,400 --> 00:30:34,320
Speaker 3: You know, it was very strange. Nothing was explained, so

640
00:30:34,360 --> 00:30:35,920
Speaker 3: I just had to keep moving.

641
00:30:36,000 --> 00:30:40,360
Speaker 1: But I explained so having no idea what is now

642
00:30:40,360 --> 00:30:42,360
Speaker 1: going on. We are back at the clothing store. Alex

643
00:30:42,520 --> 00:30:44,920
Speaker 1: is fired and Cameron is accused of trying to steal

644
00:30:45,040 --> 00:30:47,240
Speaker 1: the dress, but that doesn't matter because Cameron is still

645
00:30:47,280 --> 00:30:50,400
Speaker 1: so excited by the prospect of having a sister. Alex, well,

646
00:30:50,720 --> 00:30:53,200
Speaker 1: not so much. She felt like something bad was going

647
00:30:53,280 --> 00:30:55,920
Speaker 1: to happen today. Camera decides to tag along with Alex

648
00:30:55,960 --> 00:30:58,480
Speaker 1: Debond and as they turned the corner, Alex is like, wait,

649
00:30:58,520 --> 00:31:00,960
Speaker 1: is that your car? And is it? Pressed by her Porsche,

650
00:31:01,520 --> 00:31:04,480
Speaker 1: but also reveals that her adopted mom died three days ago.

651
00:31:04,520 --> 00:31:06,520
Speaker 1: I'm sorry, I'm not trying to laugh, but it's like,

652
00:31:07,080 --> 00:31:08,880
Speaker 1: this is my Porsche. I'm having the best thing in

653
00:31:08,880 --> 00:31:11,280
Speaker 1: the world. How are you doing? Oh wait, I just

654
00:31:11,320 --> 00:31:16,440
Speaker 1: got you fired and your mom's dead. Yes, yikes, Sorry.

655
00:31:16,240 --> 00:31:18,680
Speaker 2: I get it. They're trying to keep doing this. Yep,

656
00:31:18,880 --> 00:31:22,000
Speaker 2: opposites opposite a tract opposites.

657
00:31:21,600 --> 00:31:25,239
Speaker 1: There, sun and moon dark, the ying yang of it.

658
00:31:25,320 --> 00:31:28,520
Speaker 1: I get it, but yeah, but Cameron grabs her hand

659
00:31:28,520 --> 00:31:31,440
Speaker 1: and support, which is very sweet. But then the cargoes nuts,

660
00:31:31,640 --> 00:31:34,360
Speaker 1: the alarms blare, all the lights flicker, the windsheld wipers

661
00:31:34,440 --> 00:31:37,640
Speaker 1: go to work. The magical powers are now awesome. No

662
00:31:37,760 --> 00:31:40,719
Speaker 1: weight again, how would you ever use that to do anything?

663
00:31:41,800 --> 00:31:44,240
Speaker 1: So Cameron thinks that again, these magical powers are cool,

664
00:31:44,400 --> 00:31:49,840
Speaker 1: but they're I'm sorry, it says low budget witches, my breakdown.

665
00:31:49,960 --> 00:31:52,880
Speaker 1: That's true. At this point, you got up. Maybe maybe

666
00:31:52,880 --> 00:31:55,840
Speaker 1: this is just the start, and we hope they can

667
00:31:55,880 --> 00:31:58,840
Speaker 1: do something because so far, unless the monster they're trying

668
00:31:58,920 --> 00:32:02,800
Speaker 1: to fight it is a two thousand and four Porsche

669
00:32:03,240 --> 00:32:07,040
Speaker 1: UH convertible, a Porsche boxter, or a mannequin that instantly

670
00:32:07,120 --> 00:32:10,920
Speaker 1: needs to be stripped, then all of Coventry is yeah,

671
00:32:11,000 --> 00:32:17,719
Speaker 1: so it's true. The girls now drive to Cameron's mansion,

672
00:32:18,160 --> 00:32:20,480
Speaker 1: which is decked out for Halloween, and they are greeted

673
00:32:20,480 --> 00:32:22,920
Speaker 1: by a maid who doesn't even blink an eye. That

674
00:32:22,960 --> 00:32:24,120
Speaker 1: there's now a second girl.

675
00:32:24,440 --> 00:32:28,440
Speaker 3: Where there were so many weird little moments in this

676
00:32:28,680 --> 00:32:32,480
Speaker 3: movie like this, like are you kidding me? They make

677
00:32:32,520 --> 00:32:34,720
Speaker 3: it out to be that she's been a maid or

678
00:32:34,760 --> 00:32:38,160
Speaker 3: someone of the house for years. Obviously you know that

679
00:32:38,240 --> 00:32:40,720
Speaker 3: whole trope of you know, this has been somebody who's

680
00:32:41,280 --> 00:32:43,640
Speaker 3: watched you grow up. And now you see that there

681
00:32:43,640 --> 00:32:45,800
Speaker 3: are two of these things.

682
00:32:45,400 --> 00:32:47,880
Speaker 1: And not even bad. Part of me loves the comedy.

683
00:32:47,960 --> 00:32:49,520
Speaker 1: Part of me loves it where it's like, great, now

684
00:32:49,560 --> 00:32:51,400
Speaker 1: there's two of you. But part of me is like

685
00:32:51,560 --> 00:32:52,680
Speaker 1: maybe a double.

686
00:32:52,480 --> 00:32:55,960
Speaker 3: Take a little bit, I mean even to John's shocked, yes,

687
00:32:56,120 --> 00:32:59,440
Speaker 3: shocked about it, and then uh, and then a realization

688
00:32:59,520 --> 00:33:04,520
Speaker 3: of now you're going to make the house doubly, you know, disastrous. Okay, fine,

689
00:33:04,560 --> 00:33:07,680
Speaker 3: but just something It moves so fast.

690
00:33:07,400 --> 00:33:09,040
Speaker 2: It was like okay.

691
00:33:13,400 --> 00:33:16,960
Speaker 8: Jenny Garth, Jana Kramer, Amy Roebock, and TJ. Holmes bring

692
00:33:17,040 --> 00:33:19,720
Speaker 8: You I Do, Part two, a one of a kind

693
00:33:19,880 --> 00:33:22,880
Speaker 8: experiment in podcasting to help you find love again.

694
00:33:22,960 --> 00:33:24,720
Speaker 1: If you didn't get it right the first time, it's.

695
00:33:24,560 --> 00:33:26,800
Speaker 8: Time to try try again, as they guide you through

696
00:33:26,840 --> 00:33:29,080
Speaker 8: this podcast experiment in dating.

697
00:33:28,960 --> 00:33:32,480
Speaker 9: Hey, I'm Jana Kramer, As they say, those that cannot

698
00:33:32,520 --> 00:33:35,800
Speaker 9: do teach, Actually, I think I finally got it right.

699
00:33:35,880 --> 00:33:38,920
Speaker 9: So take the failures I've had the second or even

700
00:33:38,960 --> 00:33:41,160
Speaker 9: third whatever maybe the fourth time around.

701
00:33:41,360 --> 00:33:45,040
Speaker 10: I'm Jenny Garth. Twenty nine years ago, Kelly Taylor said

702
00:33:45,080 --> 00:33:48,360
Speaker 10: these words, I choose me. She made her choice, She

703
00:33:48,560 --> 00:33:52,760
Speaker 10: chose herself. When it comes to love, choose you first.

704
00:33:53,080 --> 00:33:54,920
Speaker 2: Hi, everyone, I'm Amy Roboch.

705
00:33:54,680 --> 00:33:57,680
Speaker 6: And I'm TJ. Holmes, and we are well not necessarily

706
00:33:57,800 --> 00:34:01,280
Speaker 6: relationship experts, if you're ready to dive back into the

707
00:34:01,360 --> 00:34:05,360
Speaker 6: d hitting pool and find lasting love. Finally, we want to.

708
00:34:05,320 --> 00:34:08,600
Speaker 9: Help listen to I Do Part two starting September nineteenth

709
00:34:08,600 --> 00:34:11,920
Speaker 9: on the iHeartRadio app, Apple Podcasts or wherever you get

710
00:34:11,960 --> 00:34:16,799
Speaker 9: your podcasts.

711
00:34:18,000 --> 00:34:19,640
Speaker 1: So the one thing there was a very big funny

712
00:34:19,719 --> 00:34:22,040
Speaker 1: runner where Alex kept saying like, this is your house,

713
00:34:22,440 --> 00:34:24,959
Speaker 1: this is the inside of your house, this is your room,

714
00:34:25,000 --> 00:34:27,200
Speaker 1: and she's like, all right, please stop. So they get

715
00:34:27,200 --> 00:34:30,040
Speaker 1: into Cameron's room, which of course is sprawling, and realize

716
00:34:30,080 --> 00:34:32,800
Speaker 1: they can do magic on their own. So she opens

717
00:34:32,840 --> 00:34:36,080
Speaker 1: the drawer Cameron just by herself, but it's stronger, even

718
00:34:36,239 --> 00:34:38,880
Speaker 1: dangerous when they do it together. This is when they

719
00:34:38,880 --> 00:34:41,080
Speaker 1: go over and Alex sees some of Cameron's drawings, which

720
00:34:41,080 --> 00:34:45,120
Speaker 1: are very impressive. They obviously show Coventry and some people.

721
00:34:45,200 --> 00:34:47,200
Speaker 1: She sees what looked like the self portrait, but it

722
00:34:47,200 --> 00:34:48,600
Speaker 1: turned out to be a picture of her with her

723
00:34:48,640 --> 00:34:51,840
Speaker 1: necklace on. She sees all this stuff, so while we

724
00:34:51,880 --> 00:34:54,200
Speaker 1: see Coventry, we see the darkness, we see the necklace.

725
00:34:54,960 --> 00:34:57,360
Speaker 1: They don't know what it is. We know they're obviously

726
00:34:57,400 --> 00:34:59,840
Speaker 1: seeing Coventry and picture of country, they yet don't know

727
00:35:00,000 --> 00:35:02,880
Speaker 1: what it is. Cameron then admits that she has visions,

728
00:35:02,960 --> 00:35:05,759
Speaker 1: including another woman who wreck everyone can see as the

729
00:35:05,800 --> 00:35:09,880
Speaker 1: lady from Coventry, and they're very excited that they're alive.

730
00:35:10,200 --> 00:35:12,480
Speaker 1: She's got the visions. She's like, oh yeah, this woman

731
00:35:12,560 --> 00:35:15,279
Speaker 1: is happy we're alive. That's kind of weird. They both

732
00:35:15,280 --> 00:35:17,960
Speaker 1: feel like they know her. Cameron asks Alex to check

733
00:35:17,960 --> 00:35:20,200
Speaker 1: her second closet for something. She's like, give a second one,

734
00:35:20,400 --> 00:35:24,600
Speaker 1: and then she opens up. They're magically in Coventry, like

735
00:35:24,680 --> 00:35:26,799
Speaker 1: the Lion, the witch and the wardrobe. The magic is

736
00:35:26,840 --> 00:35:30,440
Speaker 1: in the closet. Cameron joins her, and they're very very confused.

737
00:35:30,960 --> 00:35:34,799
Speaker 1: That's when a voice comes out from everything. Okay, so

738
00:35:34,840 --> 00:35:39,160
Speaker 1: a booming voice comes out and says Cameron tells them

739
00:35:39,160 --> 00:35:41,759
Speaker 1: that they've been there before in her dreams. It's the

740
00:35:41,880 --> 00:35:44,799
Speaker 1: robed lady. She hugs a frozen Cameron, this is again

741
00:35:45,000 --> 00:35:48,480
Speaker 1: echoing voices. Okay, echoing voices. The voices are coming in.

742
00:35:49,600 --> 00:35:52,640
Speaker 1: Then the man appears for Alex. They are Karsh and Ilana,

743
00:35:53,000 --> 00:35:56,120
Speaker 1: their father Aaron's humble servants. They break the news that

744
00:35:56,120 --> 00:35:57,719
Speaker 1: their father died the day they were born, and he

745
00:35:57,800 --> 00:36:00,720
Speaker 1: asks them to watch over the girls for some reason.

746
00:36:01,480 --> 00:36:06,200
Speaker 1: At this point, after the booming voices everywhere, they insist

747
00:36:06,280 --> 00:36:07,120
Speaker 1: the girl's whisper.

748
00:36:07,920 --> 00:36:10,200
Speaker 2: They yes, be quiet.

749
00:36:10,520 --> 00:36:13,600
Speaker 1: Every time their voice is slightly raised. They're like and

750
00:36:13,719 --> 00:36:18,400
Speaker 1: yet at first they're like, you're in Coventry. I didn't

751
00:36:18,719 --> 00:36:21,160
Speaker 1: Were they only hearing that in their head? I didn't

752
00:36:21,280 --> 00:36:23,600
Speaker 1: understand why they suddenly needed to be quiet.

753
00:36:23,960 --> 00:36:24,240
Speaker 2: Yeah.

754
00:36:24,280 --> 00:36:27,360
Speaker 3: I think it was that that idea of that they're

755
00:36:27,400 --> 00:36:30,319
Speaker 3: hearing it in the head. But how would they both

756
00:36:30,360 --> 00:36:31,279
Speaker 3: hear it? You know?

757
00:36:31,440 --> 00:36:36,440
Speaker 1: I just was the same magic used to strip mannequins. Yeah,

758
00:36:36,480 --> 00:36:38,640
Speaker 1: so it was this is I was starting. I was like, Okay,

759
00:36:39,000 --> 00:36:40,799
Speaker 1: now they have to be quiet for some reason.

760
00:36:41,120 --> 00:36:42,680
Speaker 2: Even though you were just yelling.

761
00:36:42,840 --> 00:36:45,600
Speaker 1: Yeah. So they break the news that their father died

762
00:36:45,640 --> 00:36:46,960
Speaker 1: the day they were born, and he asked to watch

763
00:36:46,960 --> 00:36:49,120
Speaker 1: over the girls. The servants say their mother is very

764
00:36:49,160 --> 00:36:51,759
Speaker 1: much alive and now at twenty one. The fate of

765
00:36:51,840 --> 00:36:55,360
Speaker 1: Coventry is in their hands. There's a lot to deal with,

766
00:36:55,440 --> 00:36:58,520
Speaker 1: so Alex runs off. She has a gift. This is

767
00:36:58,520 --> 00:37:00,799
Speaker 1: where we learn really what their gifts are, and she

768
00:37:01,040 --> 00:37:03,800
Speaker 1: knows how this story ends, so she returns through the

769
00:37:03,840 --> 00:37:07,480
Speaker 1: closet door and into Cameron's room, followed by Cameron, now alone.

770
00:37:07,680 --> 00:37:11,000
Speaker 1: Carsion Eliana reveal the girls are marked for death, and

771
00:37:11,040 --> 00:37:15,919
Speaker 1: we see the door to Coventry disappear back I'm sorry,

772
00:37:15,920 --> 00:37:19,120
Speaker 1: I'm gonna do my own sound effects. Back in Cameron's room,

773
00:37:19,160 --> 00:37:21,920
Speaker 1: the girls argue over the responsibility in Coventry and realize

774
00:37:22,000 --> 00:37:25,160
Speaker 1: quickly that the portal is now closed. Alex is disturbed

775
00:37:25,200 --> 00:37:27,800
Speaker 1: by everything, especially because in the stories that she wrote,

776
00:37:27,920 --> 00:37:30,719
Speaker 1: because she was writing about this her whole life, her

777
00:37:30,840 --> 00:37:33,920
Speaker 1: dad was killed protecting them. Cameron can't believe she's making

778
00:37:33,960 --> 00:37:37,080
Speaker 1: being magical power Twins into a bad thing. What a

779
00:37:37,120 --> 00:37:41,040
Speaker 1: buzzkill brand new sister I just met today. Yeah, downstairs.

780
00:37:41,080 --> 00:37:43,120
Speaker 1: Now we're downstairs in the giant mansion. The house staff

781
00:37:43,160 --> 00:37:46,160
Speaker 1: is getting Cameron's big birthday bash ready, but the darkness

782
00:37:46,440 --> 00:37:51,399
Speaker 1: is already creeping into the house upstairs. Alex wants to leave,

783
00:37:51,440 --> 00:37:54,400
Speaker 1: but she eventually agrees whatever this is, they're in this together.

784
00:37:54,840 --> 00:37:57,720
Speaker 1: And just like that, the maid stumbles upon the plant

785
00:37:57,760 --> 00:38:00,759
Speaker 1: on fire. The darkness is growled and creeping through the

786
00:38:00,760 --> 00:38:04,960
Speaker 1: house just as the girls leave in the porsches. So

787
00:38:05,000 --> 00:38:11,719
Speaker 1: the darkness can leave Coventry Coventry and come into our

788
00:38:11,960 --> 00:38:16,400
Speaker 1: world for a limited amount of time to light certain

789
00:38:16,600 --> 00:38:18,480
Speaker 1: things on fire.

790
00:38:18,719 --> 00:38:19,960
Speaker 2: But not the whole house.

791
00:38:20,239 --> 00:38:23,319
Speaker 1: But not the whole house. It also can't track the

792
00:38:23,360 --> 00:38:30,080
Speaker 1: girls if they just walk out of the room. Uh okay,

793
00:38:30,440 --> 00:38:32,839
Speaker 1: And which I didn't I didn't understand. I don't get

794
00:38:32,840 --> 00:38:33,920
Speaker 1: the rules of the darkness.

795
00:38:34,160 --> 00:38:39,760
Speaker 2: The darkness. Yes, plus it looked awful the dark again.

796
00:38:39,840 --> 00:38:42,759
Speaker 1: The darkness didn't look great yet, No, a great it

797
00:38:42,880 --> 00:38:44,759
Speaker 1: was now. Would you think it doesn't look great for

798
00:38:44,840 --> 00:38:46,720
Speaker 1: now or even for two thousand and five? It wouldn't.

799
00:38:47,400 --> 00:38:50,080
Speaker 2: I you know, I wanted to keep thinking, you know,

800
00:38:50,239 --> 00:38:50,719
Speaker 2: it's pre.

801
00:38:51,160 --> 00:38:54,400
Speaker 3: It just again, it doesn't look great for it to

802
00:38:54,480 --> 00:38:57,560
Speaker 3: be such a big part of the movie. Yes, not

803
00:38:57,680 --> 00:39:00,399
Speaker 3: look great. It's tough because it's not like we see

804
00:39:00,400 --> 00:39:02,320
Speaker 3: it quick. It's not like the quick.

805
00:39:02,120 --> 00:39:04,319
Speaker 1: Dragon at the end of Descendants, like it comes in

806
00:39:04,400 --> 00:39:05,479
Speaker 1: the dragons. Are you're right?

807
00:39:05,719 --> 00:39:06,000
Speaker 2: Yeah?

808
00:39:06,040 --> 00:39:08,680
Speaker 3: It is throughout the whole movie, So it just was

809
00:39:08,760 --> 00:39:12,359
Speaker 3: kind of and again, where can it go?

810
00:39:12,760 --> 00:39:14,560
Speaker 2: Why what is it trying to do?

811
00:39:15,160 --> 00:39:18,080
Speaker 1: Why can it seep through ceilings but it can't go

812
00:39:18,120 --> 00:39:18,880
Speaker 1: through doors?

813
00:39:18,880 --> 00:39:19,400
Speaker 2: Doors?

814
00:39:19,600 --> 00:39:22,960
Speaker 3: Yes, how can it get into the house of originally

815
00:39:23,000 --> 00:39:25,160
Speaker 3: because no one opened a door for it?

816
00:39:25,440 --> 00:39:29,040
Speaker 1: And do exactly what you said, why not put it

817
00:39:29,120 --> 00:39:33,799
Speaker 1: where the second they touch? Then I think what they're

818
00:39:33,840 --> 00:39:36,040
Speaker 1: going for is the second they touch, they're now marked.

819
00:39:36,160 --> 00:39:40,719
Speaker 1: But they don't ever explain that, right, No, so it

820
00:39:40,760 --> 00:39:44,400
Speaker 1: didn't make any sense. But the nonsensical Darkness monster also

821
00:39:45,560 --> 00:39:47,800
Speaker 1: creeps through the house as we were saying, and lights

822
00:39:47,840 --> 00:39:52,400
Speaker 1: all the pictures of Coventry on fire in Cameron's room. Right,

823
00:39:52,880 --> 00:39:55,560
Speaker 1: We're now back at Coventry where the darkness is just

824
00:39:55,680 --> 00:39:59,640
Speaker 1: circling the castle, but for some reason can't come into

825
00:39:59,680 --> 00:40:03,200
Speaker 1: the ca which again I guess is because the girls

826
00:40:04,400 --> 00:40:07,879
Speaker 1: fought it off as a kid, but only stopped it

827
00:40:07,920 --> 00:40:09,560
Speaker 1: from coming into the castle.

828
00:40:10,400 --> 00:40:12,520
Speaker 2: It just can it is.

829
00:40:12,600 --> 00:40:14,360
Speaker 1: It's weird, but it's in the castle.

830
00:40:14,480 --> 00:40:16,799
Speaker 2: Do you never know why it stops? Like I'm right.

831
00:40:16,800 --> 00:40:18,640
Speaker 3: At one point, I'm like, okay, so is it stopping

832
00:40:18,640 --> 00:40:20,720
Speaker 3: because it's wanting to stop.

833
00:40:22,320 --> 00:40:24,200
Speaker 1: Or not? Yes, I don't get it.

834
00:40:25,960 --> 00:40:27,840
Speaker 2: I don't know. I don't know.

835
00:40:27,960 --> 00:40:28,640
Speaker 1: I agree, I don't.

836
00:40:28,800 --> 00:40:31,480
Speaker 3: This one was real tough to kind of just you know,

837
00:40:31,560 --> 00:40:34,200
Speaker 3: it wasn't getting over one thing. And like I said,

838
00:40:34,320 --> 00:40:38,040
Speaker 3: with this darkness, it's such a huge part of the storyline.

839
00:40:38,400 --> 00:40:41,000
Speaker 2: Yes, that you have to understand.

840
00:40:40,560 --> 00:40:42,640
Speaker 1: What are the rules of what are the rules? Thank

841
00:40:42,680 --> 00:40:45,480
Speaker 1: you give us the rules of the Darkness. I need

842
00:40:45,560 --> 00:40:47,600
Speaker 1: I need some kind of rule for the darkness because

843
00:40:47,600 --> 00:40:53,520
Speaker 1: it's I don't Yeah, I don't understand it. It was okay. Anyway,

844
00:40:53,520 --> 00:40:56,000
Speaker 1: we're back at Coventry and the woman that we had

845
00:40:56,040 --> 00:40:58,040
Speaker 1: met before says she's not just gonna sit around. She's

846
00:40:58,080 --> 00:41:00,760
Speaker 1: going to go find them herself. Fanta is not happy

847
00:41:00,800 --> 00:41:03,080
Speaker 1: with this because again, he's just a packet of mints.

848
00:41:03,560 --> 00:41:06,920
Speaker 1: This will leave her people defenseless against the Darkness. Okay,

849
00:41:06,960 --> 00:41:10,319
Speaker 1: so apparently the Darkness can't do anything because of her,

850
00:41:11,400 --> 00:41:13,680
Speaker 1: I guess, but they don't really explain that either. She

851
00:41:13,719 --> 00:41:16,359
Speaker 1: reveals she is their mother and she knows they need her.

852
00:41:16,400 --> 00:41:18,040
Speaker 1: But this is the first time they're saying it, and

853
00:41:18,040 --> 00:41:19,920
Speaker 1: I think they wanted it as like a moment. But

854
00:41:19,960 --> 00:41:22,719
Speaker 1: we all we knew that right definitely, this was not

855
00:41:22,800 --> 00:41:25,880
Speaker 1: a thing that was as shocking as it was that

856
00:41:25,920 --> 00:41:29,400
Speaker 1: the bad guy was the bad guy. Yeah, Fantos convinces

857
00:41:29,400 --> 00:41:31,880
Speaker 1: her again to stay and trust him. This is just

858
00:41:32,000 --> 00:41:34,200
Speaker 1: obviously he might as well be twirling a mustache, going

859
00:41:34,239 --> 00:41:38,120
Speaker 1: trust me, I will take care of the children. But

860
00:41:38,239 --> 00:41:40,640
Speaker 1: he here. At this point, he throws out the theory that

861
00:41:40,680 --> 00:41:42,640
Speaker 1: the girls are actually evil and teamed up with the

862
00:41:42,719 --> 00:41:46,239
Speaker 1: darkness themselves. He then reveals that he's actually the brother

863
00:41:46,280 --> 00:41:48,440
Speaker 1: of the girl's father and guesses that the servants have

864
00:41:48,480 --> 00:41:51,600
Speaker 1: been protecting the twins. Tantos says he would love these

865
00:41:51,600 --> 00:41:55,080
Speaker 1: girls like they were his own and they could save Coventry.

866
00:41:55,160 --> 00:41:57,920
Speaker 1: So the mom tells him to find them. But man,

867
00:41:58,320 --> 00:42:01,320
Speaker 1: oh man, does the bad guy give off bad vibes.

868
00:42:01,920 --> 00:42:04,560
Speaker 1: We're now back on Earth. Cameron goes to Alex's humble

869
00:42:04,560 --> 00:42:07,080
Speaker 1: house look at her childhood insomnia stories and this is

870
00:42:07,120 --> 00:42:08,640
Speaker 1: the funny thing where she walks in, She's like, this

871
00:42:08,680 --> 00:42:10,239
Speaker 1: is your bathroom. That said she's doing the opposite of

872
00:42:10,239 --> 00:42:12,120
Speaker 1: which she's like, you're right, it is annoying. Please stop

873
00:42:12,400 --> 00:42:15,640
Speaker 1: funny run. Cameron's mom calls her flip phone. I miss

874
00:42:15,680 --> 00:42:18,319
Speaker 1: flip phones. I'd like them back, but Alex convinces her

875
00:42:18,360 --> 00:42:21,000
Speaker 1: to keep the whole thing quiet, even from her own family.

876
00:42:21,400 --> 00:42:24,200
Speaker 1: They figure out their names were Apaulla and Artemis, The

877
00:42:24,320 --> 00:42:27,080
Speaker 1: Danger of the Darkness, how they were abandoned, who their

878
00:42:27,120 --> 00:42:29,839
Speaker 1: mom is, and that she married her uncle, all from

879
00:42:29,840 --> 00:42:32,960
Speaker 1: these childhood writings. This is important backstory, Alex says in

880
00:42:33,000 --> 00:42:35,640
Speaker 1: her fantasy, she was always the one who rescued their mom.

881
00:42:36,000 --> 00:42:38,040
Speaker 1: The girls then figure that out and they're like, okay,

882
00:42:38,160 --> 00:42:40,640
Speaker 1: let's go eat. So they go stop for lunch at

883
00:42:40,680 --> 00:42:44,480
Speaker 1: Alex's Roomy's restaurant. This is Lucinda, and Lucinda is a

884
00:42:44,480 --> 00:42:47,440
Speaker 1: little creeped out by this new revelation that she's the

885
00:42:47,440 --> 00:42:50,640
Speaker 1: only one who seems to be like, hey, you've now

886
00:42:50,640 --> 00:42:52,879
Speaker 1: got an identical twin sister you've known for three hours.

887
00:42:52,880 --> 00:42:55,640
Speaker 1: Who's your bestie? Maybe let's slow this down a little bit,

888
00:42:55,719 --> 00:42:57,560
Speaker 1: or this is weird? Or my am I the only

889
00:42:57,640 --> 00:43:01,279
Speaker 1: one pointing out how strange this is? Yeah, anyway. She

890
00:43:01,320 --> 00:43:03,120
Speaker 1: also seems that maybe she might be just a little

891
00:43:03,200 --> 00:43:06,720
Speaker 1: jealous of the new twins relationship. But before the food arrives,

892
00:43:06,760 --> 00:43:09,520
Speaker 1: they decide to try out some spells from Alex's writing.

893
00:43:09,560 --> 00:43:11,279
Speaker 1: She was just making up funny spells as a kid,

894
00:43:11,640 --> 00:43:14,560
Speaker 1: they make a glass of iced tea shatter a soda,

895
00:43:14,719 --> 00:43:17,240
Speaker 1: attacks a jerk who's talking loudly in new a cell phone,

896
00:43:17,600 --> 00:43:23,279
Speaker 1: and again, these all seem like uncool, weird superpowers that

897
00:43:23,480 --> 00:43:28,080
Speaker 1: they're just throwing around, like Okay, I don't want to

898
00:43:28,480 --> 00:43:30,160
Speaker 1: I'm trying to get the nerd out of me, but

899
00:43:30,239 --> 00:43:32,279
Speaker 1: I can't. I can keep going to the magical cut.

900
00:43:32,400 --> 00:43:36,279
Speaker 3: Well, at least they're able to now move things versus.

901
00:43:35,960 --> 00:43:38,239
Speaker 1: Just kind of they're doing some stuff.

902
00:43:38,080 --> 00:43:41,279
Speaker 3: You know, like compared to the car and in the

903
00:43:41,320 --> 00:43:42,160
Speaker 3: retail store.

904
00:43:42,440 --> 00:43:47,160
Speaker 2: At least they're they're looking at focusingning and honing their skills.

905
00:43:46,719 --> 00:43:50,640
Speaker 1: Of Okay, all right, now, let's you find out tomorrow

906
00:43:50,640 --> 00:43:52,080
Speaker 1: you have magical powers and you're a witch. What's the

907
00:43:52,080 --> 00:43:52,680
Speaker 1: first thing you do?

908
00:43:53,280 --> 00:43:58,080
Speaker 3: Oh my gosh, man, I don't know. I think i'd

909
00:43:58,080 --> 00:43:59,040
Speaker 3: go back in time.

910
00:43:59,880 --> 00:44:01,720
Speaker 1: You want to change travel?

911
00:44:04,960 --> 00:44:07,440
Speaker 2: I know, I just want to relive it.

912
00:44:07,680 --> 00:44:10,880
Speaker 3: I mean I would do I would you know the

913
00:44:10,960 --> 00:44:12,320
Speaker 3: Macy's prayed again.

914
00:44:12,600 --> 00:44:13,479
Speaker 2: I'd love to do.

915
00:44:15,120 --> 00:44:20,719
Speaker 1: Again. You're talking about like I'm going to go back

916
00:44:20,760 --> 00:44:23,239
Speaker 1: and you know, meet Christopher. I mean, I don't know

917
00:44:24,160 --> 00:44:25,200
Speaker 1: I'm gonna go back.

918
00:44:25,080 --> 00:44:27,799
Speaker 2: To the I want to make sure you have a

919
00:44:27,840 --> 00:44:31,120
Speaker 2: good time. I know where exactly to go. Okay, what

920
00:44:31,239 --> 00:44:35,000
Speaker 2: Christopher Columbus was really doing that could be some shocking stuff.

921
00:44:35,360 --> 00:44:39,960
Speaker 1: Wow, I love that. No, it's it was shocking anyway.

922
00:44:40,800 --> 00:44:43,759
Speaker 1: The girls in Unison say go Twitches, Go Twitches, and

923
00:44:43,840 --> 00:44:46,640
Speaker 1: a tune that was allegedly improved by Tea and Tomorrow.

924
00:44:47,000 --> 00:44:49,279
Speaker 1: We see the servants were watching nearby. As we go

925
00:44:49,320 --> 00:44:52,719
Speaker 1: into a montage with the go gos, we got the

926
00:44:52,800 --> 00:44:55,799
Speaker 1: beat playing a very rare instance of a dcom using

927
00:44:55,920 --> 00:44:59,319
Speaker 1: actual licensed music. The girls now are trying out their

928
00:44:59,320 --> 00:45:01,799
Speaker 1: powers different way. They're trying out their their powers as

929
00:45:01,800 --> 00:45:03,960
Speaker 1: the servants to continue to protect them, they turn some

930
00:45:04,040 --> 00:45:07,399
Speaker 1: cat calling construction workers into beauty pageing contestants. They grow

931
00:45:07,440 --> 00:45:10,920
Speaker 1: apples on trees, so it is at least a montage

932
00:45:10,960 --> 00:45:14,080
Speaker 1: of them trying to learn to use their powers. You

933
00:45:14,160 --> 00:45:15,040
Speaker 1: one hundred percent right.

934
00:45:15,200 --> 00:45:17,600
Speaker 2: I didn't like what they were doing exactly what their

935
00:45:17,640 --> 00:45:18,040
Speaker 2: power is?

936
00:45:18,239 --> 00:45:22,600
Speaker 1: Yes, important, you know, learning our powers montage. So at

937
00:45:22,680 --> 00:45:24,920
Speaker 1: least they put that in, which is good. But the

938
00:45:25,000 --> 00:45:26,920
Speaker 1: darkness is growing stronger as the girls get to know

939
00:45:26,960 --> 00:45:30,000
Speaker 1: their powers and each other. But back at Alex's, Cameron

940
00:45:30,040 --> 00:45:33,080
Speaker 1: says that she quote pities the poor Gooli ghoulie that

941
00:45:33,160 --> 00:45:36,160
Speaker 1: tries to take them out, and right on cue, the

942
00:45:36,560 --> 00:45:39,680
Speaker 1: darkness appears and tries to attack. The girls run around

943
00:45:39,680 --> 00:45:42,680
Speaker 1: the house, eventually touching. When Cameron is grabbed by the darkness,

944
00:45:42,840 --> 00:45:45,799
Speaker 1: their connection pushes it away for a second, but he's

945
00:45:45,800 --> 00:45:47,960
Speaker 1: blowing up all the lights and is right on their tail.

946
00:45:48,080 --> 00:45:50,799
Speaker 1: They hide in a closet and suddenly realize they're back

947
00:45:50,800 --> 00:45:53,960
Speaker 1: in Coventry and are joined by their servants. Now Cameron

948
00:45:54,080 --> 00:45:56,520
Speaker 1: is furious. This should be fun, not life threatening. The

949
00:45:56,520 --> 00:45:59,160
Speaker 1: good news is they open the door to Coventry themselves

950
00:45:59,360 --> 00:46:02,560
Speaker 1: because they trusted themselves, trusted in their power, and this

951
00:46:02,640 --> 00:46:05,000
Speaker 1: is the power they need when confronting the darkness. They

952
00:46:05,000 --> 00:46:07,400
Speaker 1: beat it once as babies, they can do it again.

953
00:46:07,840 --> 00:46:10,560
Speaker 1: Very Harry Potter esqu here. Cameron has had enough though.

954
00:46:10,760 --> 00:46:12,880
Speaker 1: This is her birthday. She has a party tonight, and

955
00:46:12,920 --> 00:46:14,440
Speaker 1: while she was gung ho at the beginning, this is

956
00:46:14,440 --> 00:46:17,440
Speaker 1: now getting way too real. So she's going home now.

957
00:46:17,560 --> 00:46:19,919
Speaker 1: Alex is the one who chases her down and tells

958
00:46:19,920 --> 00:46:22,400
Speaker 1: her that they need to stay, They need to be sisters,

959
00:46:22,440 --> 00:46:24,520
Speaker 1: they need to meet their mom. Cameron says, nothing bad

960
00:46:24,560 --> 00:46:27,359
Speaker 1: has ever happened, at her home, and Alex admits this

961
00:46:27,480 --> 00:46:29,759
Speaker 1: isn't even the worst thing that has ever happened to her.

962
00:46:29,920 --> 00:46:33,319
Speaker 1: Their differences are very obvious. Now everything is flipped. The

963
00:46:33,360 --> 00:46:36,120
Speaker 1: servants say that darkness has left the earth and opens

964
00:46:36,120 --> 00:46:38,959
Speaker 1: the door for Cameron, who walks right through it, jumps

965
00:46:39,000 --> 00:46:41,680
Speaker 1: in her car and speeds off, leaving Alex at her

966
00:46:41,719 --> 00:46:46,360
Speaker 1: house to be poor. Back at Cam's mansion, her party

967
00:46:46,400 --> 00:46:48,279
Speaker 1: is about to start, but the guilt is getting to

968
00:46:48,320 --> 00:46:50,319
Speaker 1: her and we hear a dramatic song. The Halloween theme

969
00:46:50,360 --> 00:46:53,319
Speaker 1: party is in full swing and even the servants are

970
00:46:53,360 --> 00:46:56,600
Speaker 1: eating the cupcakes. Cameron is dressed as a masquerade princess

971
00:46:56,600 --> 00:46:58,839
Speaker 1: and everyone wants to meet her twin because she told

972
00:46:58,880 --> 00:47:01,120
Speaker 1: her bestie I have a twin that she met her

973
00:47:01,200 --> 00:47:02,920
Speaker 1: and she's like, please, don't tell anybody about it, but

974
00:47:02,920 --> 00:47:05,440
Speaker 1: of course she told everybody and to get over all

975
00:47:05,480 --> 00:47:07,919
Speaker 1: of her sadness, they grab her and say she needs

976
00:47:07,920 --> 00:47:09,400
Speaker 1: to dance and flirt with Zorro.

977
00:47:10,800 --> 00:47:12,799
Speaker 2: So random this is? That was another random thing?

978
00:47:13,000 --> 00:47:15,000
Speaker 1: What just that you need to dance with somebody? Or

979
00:47:15,040 --> 00:47:15,560
Speaker 1: that was Zorro?

980
00:47:15,800 --> 00:47:19,480
Speaker 3: Yeah, well no, you know, Zoro is such a like

981
00:47:19,520 --> 00:47:23,279
Speaker 3: a costume thing. That doesn't that didn't shock me. Neither

982
00:47:23,320 --> 00:47:26,359
Speaker 3: did the cheetah one suit that her friend had.

983
00:47:26,560 --> 00:47:28,200
Speaker 1: Sure you know that?

984
00:47:28,360 --> 00:47:31,000
Speaker 3: Okay, It was more so just like, oh, you mean

985
00:47:31,239 --> 00:47:33,200
Speaker 3: the way she told, oh, you need to dance?

986
00:47:33,280 --> 00:47:37,440
Speaker 2: So hey, I'm like, why are you being weird? Are

987
00:47:37,440 --> 00:47:39,239
Speaker 2: you asking her to dance with you? Or are you

988
00:47:39,239 --> 00:47:41,120
Speaker 2: wanting her to dance with it? Was weird.

989
00:47:41,760 --> 00:47:44,320
Speaker 3: She ends up dancing with the guy later. Yeah, friend

990
00:47:44,400 --> 00:47:47,359
Speaker 3: was not my favorite friend friend I've ever had.

991
00:47:47,880 --> 00:47:50,319
Speaker 2: Wasn't a great friend? Nude, she was not.

992
00:47:50,840 --> 00:47:52,759
Speaker 1: But we are now back at Alex's. She's with her

993
00:47:52,840 --> 00:47:55,520
Speaker 1: roommate's family and she's just so sad. She thought she

994
00:47:55,560 --> 00:47:57,960
Speaker 1: could trust her twin, but she can only trust herself,

995
00:47:57,960 --> 00:48:00,840
Speaker 1: which makes her needy roommate very mad, and rightfully so,

996
00:48:01,000 --> 00:48:02,480
Speaker 1: because it seems like she put a roof of her

997
00:48:02,480 --> 00:48:04,160
Speaker 1: head and friendship and food and everything else.

998
00:48:04,320 --> 00:48:04,759
Speaker 2: She's being.

999
00:48:05,040 --> 00:48:07,680
Speaker 3: Alex is being a jerk. She Alex, you need to

1000
00:48:07,680 --> 00:48:09,600
Speaker 3: cool down, you know you do? You have to do

1001
00:48:09,680 --> 00:48:10,920
Speaker 3: sat front in that mouth.

1002
00:48:10,840 --> 00:48:14,760
Speaker 1: Exactly, and Alex again was played by either Tia or Tamara.

1003
00:48:15,239 --> 00:48:17,239
Speaker 1: Alex is gonna save the day and meet her mother,

1004
00:48:17,320 --> 00:48:19,400
Speaker 1: and she's gonna do it alone. She just needs to

1005
00:48:19,400 --> 00:48:21,440
Speaker 1: believe in herself and her power. So she opens the

1006
00:48:21,440 --> 00:48:25,360
Speaker 1: bathroom door and boom, she is in Coventry outside the

1007
00:48:25,360 --> 00:48:28,400
Speaker 1: castle and her mom is right there. They have a

1008
00:48:28,520 --> 00:48:31,719
Speaker 1: very emotional and tearful reunion. And did you notice how

1009
00:48:31,960 --> 00:48:36,640
Speaker 1: massive Tia or Tamara's tears were. I mean it looked

1010
00:48:36,640 --> 00:48:39,120
Speaker 1: I mean there were it looked like she was hosed down.

1011
00:48:39,600 --> 00:48:44,000
Speaker 3: This okay, this is the second like emotional little moment

1012
00:48:44,120 --> 00:48:44,960
Speaker 3: that we had.

1013
00:48:45,080 --> 00:48:45,880
Speaker 2: And they were.

1014
00:48:45,680 --> 00:48:49,120
Speaker 3: Both kind of over the top a little bit, not

1015
00:48:49,239 --> 00:48:51,759
Speaker 3: saying meeting your mom for the but it was just

1016
00:48:52,400 --> 00:48:56,160
Speaker 3: a long scene right along and when they got emotional

1017
00:48:56,160 --> 00:48:58,799
Speaker 3: a little about earlier on about being this is part

1018
00:48:58,840 --> 00:49:02,080
Speaker 3: of my spirits about sisters and stuff. It was like

1019
00:49:02,239 --> 00:49:05,320
Speaker 3: they were really fighting to have this like big emotional

1020
00:49:05,400 --> 00:49:08,279
Speaker 3: moment and I don't necessarily think it really needed it.

1021
00:49:08,760 --> 00:49:15,120
Speaker 1: Right if you watch Dancing with the Stars, I can

1022
00:49:15,200 --> 00:49:17,080
Speaker 1: say this and Karna will probably say the same thing.

1023
00:49:17,200 --> 00:49:20,799
Speaker 1: I don't think that we had great dancing chemistry.

1024
00:49:20,360 --> 00:49:22,719
Speaker 4: Then you need to be listening to sex lies and

1025
00:49:22,760 --> 00:49:25,319
Speaker 4: spray tend My partner, Ardam.

1026
00:49:25,440 --> 00:49:30,280
Speaker 3: He was so intense that me really nervous with Ceryl.

1027
00:49:30,320 --> 00:49:32,240
Speaker 7: But editor didn't wear a lot of clothes.

1028
00:49:32,640 --> 00:49:36,000
Speaker 1: No, he was, she did. She did keep her ankles warm.

1029
00:49:36,120 --> 00:49:38,680
Speaker 4: Get the behind the scenes of what goes down on

1030
00:49:39,200 --> 00:49:40,680
Speaker 4: and off the dance floor.

1031
00:49:40,960 --> 00:49:44,440
Speaker 5: Dancing with the Stars breeds body image issues for women.

1032
00:49:44,719 --> 00:49:47,160
Speaker 1: The thinner you are, the more attention you end up

1033
00:49:47,160 --> 00:49:47,960
Speaker 1: getting on that show.

1034
00:49:48,120 --> 00:49:53,319
Speaker 3: Injuries my phone wings, Hey Christian, Hey, yeah, I saw

1035
00:49:53,360 --> 00:49:54,560
Speaker 3: you're Dancing with the Stars.

1036
00:49:54,560 --> 00:49:56,600
Speaker 6: I saw what happened to your arm, and I have

1037
00:49:56,640 --> 00:49:58,000
Speaker 6: the perfect guy to fix it.

1038
00:49:58,239 --> 00:50:00,920
Speaker 1: Fleeing honestly got to Clara, I'm I'm just trying to survive.

1039
00:50:01,200 --> 00:50:02,800
Speaker 1: I'm just trying to like make it out out of

1040
00:50:02,880 --> 00:50:05,520
Speaker 1: this season. Ego, she wanted to kill me.

1041
00:50:05,719 --> 00:50:08,200
Speaker 4: It was real bad insecurity on the show.

1042
00:50:08,280 --> 00:50:10,480
Speaker 9: It was like everyone was talking about my weight and

1043
00:50:10,560 --> 00:50:14,640
Speaker 9: it really affected my confidence so much for years.

1044
00:50:14,360 --> 00:50:16,200
Speaker 1: To come and betrayals.

1045
00:50:16,440 --> 00:50:19,680
Speaker 10: Because of that one betrayal, I knew this is probably

1046
00:50:19,760 --> 00:50:20,520
Speaker 10: my last season.

1047
00:50:20,880 --> 00:50:23,719
Speaker 4: Listen to Sex, Lies and Spray Sas with Ceryl Burke.

1048
00:50:24,160 --> 00:50:26,560
Speaker 4: New episodes every Monday, Wednesday, and Friday.

1049
00:50:26,800 --> 00:50:33,320
Speaker 5: My name is Cheryl Burke and I approved this message.

1050
00:50:35,080 --> 00:50:38,600
Speaker 1: Did you find it weird that the first time she

1051
00:50:38,800 --> 00:50:41,440
Speaker 1: meets her mom it's not the two of them together.

1052
00:50:41,680 --> 00:50:44,360
Speaker 2: Yes, it did. It was it was strange.

1053
00:50:44,400 --> 00:50:46,480
Speaker 1: It was a strange story point to where it's like,

1054
00:50:46,560 --> 00:50:48,480
Speaker 1: I'm going to go meet her by myself, and I

1055
00:50:48,520 --> 00:50:50,320
Speaker 1: get what they're doing. I get what they're saying. Where

1056
00:50:50,640 --> 00:50:52,400
Speaker 1: it's and again I think Tia is the one that

1057
00:50:52,400 --> 00:50:54,799
Speaker 1: plays Alex. We're just joking, but I think what they're

1058
00:50:54,840 --> 00:51:00,920
Speaker 1: saying is that because Cameron's life on Earth is so good,

1059
00:51:02,120 --> 00:51:04,000
Speaker 1: she is never going to leave. She doesn't want to

1060
00:51:04,080 --> 00:51:07,680
Speaker 1: leave that life, a ruin that life, whereas Alex's life

1061
00:51:07,719 --> 00:51:10,960
Speaker 1: on Earth is so bad that she will go to

1062
00:51:11,080 --> 00:51:14,200
Speaker 1: Coventry and fight and meet her mom. I get what

1063
00:51:14,239 --> 00:51:16,560
Speaker 1: they're doing, yeah, but it seemed like I like the

1064
00:51:16,560 --> 00:51:18,440
Speaker 1: idea of her going to Coventry by herself, but it

1065
00:51:18,480 --> 00:51:21,279
Speaker 1: was like I felt like the first time they met

1066
00:51:21,280 --> 00:51:23,360
Speaker 1: their mom, they should have met their mom as a unit.

1067
00:51:23,640 --> 00:51:24,880
Speaker 2: Seemed like it.

1068
00:51:25,080 --> 00:51:28,520
Speaker 1: Yeah, but anyway, I got what they were doing. But

1069
00:51:28,600 --> 00:51:30,440
Speaker 1: we're now back at home. Alex's roommate is trying to

1070
00:51:30,440 --> 00:51:32,879
Speaker 1: apologize to Alex for getting mad. She realizes that she's

1071
00:51:32,920 --> 00:51:35,520
Speaker 1: not there. She doesn't know where she is. She assumes

1072
00:51:36,000 --> 00:51:38,480
Speaker 1: that she just went off to the party maybe or

1073
00:51:38,520 --> 00:51:44,359
Speaker 1: whatever's happening, and the party is in a place called Waverly. Yeah,

1074
00:51:44,400 --> 00:51:47,239
Speaker 1: now this is this is straight up from Wizards of

1075
00:51:47,239 --> 00:51:49,600
Speaker 1: Waverley Place. Right, they're trying to do witches and wizards

1076
00:51:49,640 --> 00:51:50,520
Speaker 1: and right.

1077
00:51:50,560 --> 00:51:55,359
Speaker 3: I mean I recognize it as wait, wait for rely,

1078
00:51:55,520 --> 00:51:56,400
Speaker 3: but I don't.

1079
00:51:56,960 --> 00:51:57,440
Speaker 2: I don't.

1080
00:51:57,560 --> 00:52:00,359
Speaker 3: I didn't know if there was any real cross over

1081
00:52:01,040 --> 00:52:04,680
Speaker 3: because I don't remember what you're I think so, but

1082
00:52:05,000 --> 00:52:08,400
Speaker 3: I don't remember what you're it like, was it a

1083
00:52:08,440 --> 00:52:11,080
Speaker 3: crossover or was it like, oh they loved that name

1084
00:52:11,120 --> 00:52:12,279
Speaker 3: Waverley it was.

1085
00:52:12,239 --> 00:52:15,799
Speaker 1: I think it was from Magical Yeah, I don't know. Yeah,

1086
00:52:15,800 --> 00:52:18,360
Speaker 1: I don't know where it came from. Twitches was before

1087
00:52:18,440 --> 00:52:19,240
Speaker 1: Wizards of Waverley.

1088
00:52:19,480 --> 00:52:23,360
Speaker 3: Yeah, so they might have wanted to see so this

1089
00:52:23,520 --> 00:52:27,799
Speaker 3: was at the time. No, because I I thought Waverly

1090
00:52:28,239 --> 00:52:31,120
Speaker 3: was Wizards of Waverley Place was younger than this movie.

1091
00:52:31,520 --> 00:52:35,160
Speaker 1: Yeah, very strange. But anyway, Yeah, I didn't know that.

1092
00:52:35,320 --> 00:52:39,120
Speaker 2: I love that you caught onto that. I we're going

1093
00:52:39,200 --> 00:52:40,320
Speaker 2: to be watching that one.

1094
00:52:40,480 --> 00:52:43,640
Speaker 1: I know another one where I watched the movie.

1095
00:52:44,000 --> 00:52:44,600
Speaker 2: Yeah.

1096
00:52:44,840 --> 00:52:47,480
Speaker 1: Meanwhile, Alex is getting to know her biological mom and

1097
00:52:47,560 --> 00:52:51,239
Speaker 1: telling her about Cameron and her deceased adoptive mom. And

1098
00:52:51,280 --> 00:52:54,080
Speaker 1: this is when I did some googling and I realized

1099
00:52:54,080 --> 00:52:56,600
Speaker 1: that the actress who plays their mom, Kristin Wilson, is

1100
00:52:56,680 --> 00:52:59,719
Speaker 1: only nine years older than the more.

1101
00:52:59,840 --> 00:53:02,480
Speaker 2: I am absolutely talking about this since Free to Sease.

1102
00:53:02,600 --> 00:53:06,480
Speaker 1: Okay, absolutely nine years older, and I get in royal families,

1103
00:53:06,560 --> 00:53:08,040
Speaker 1: kids are married. I'm in the middle of a great

1104
00:53:08,040 --> 00:53:10,479
Speaker 1: Alison Weird book right now, where there's these the royal

1105
00:53:10,520 --> 00:53:13,080
Speaker 1: princesses are being married off at nine, ten, eleven years old,

1106
00:53:13,120 --> 00:53:14,920
Speaker 1: but they're not having kids until they're at least the

1107
00:53:14,960 --> 00:53:16,000
Speaker 1: ripe old age of thirteen.

1108
00:53:16,520 --> 00:53:19,680
Speaker 2: Although the cast scene was stunning and I felt like

1109
00:53:19,760 --> 00:53:22,160
Speaker 2: everyone in this movie was so pretty.

1110
00:53:21,800 --> 00:53:24,399
Speaker 1: Beautiful and well, they gave you that real princess vibe.

1111
00:53:24,400 --> 00:53:30,440
Speaker 3: They are They're instantly from the very beginning went wait,

1112
00:53:30,880 --> 00:53:32,040
Speaker 3: that doesn't.

1113
00:53:31,840 --> 00:53:33,160
Speaker 2: Look who are they.

1114
00:53:33,320 --> 00:53:34,040
Speaker 1: Oh they'res older.

1115
00:53:34,080 --> 00:53:36,799
Speaker 2: Oh they're their parents. Yeah, so I'm gonna get to

1116
00:53:36,840 --> 00:53:37,920
Speaker 2: that for sure, and so okay good.

1117
00:53:38,840 --> 00:53:41,080
Speaker 1: Alex and her mom are have decided they're ready to

1118
00:53:41,120 --> 00:53:44,000
Speaker 1: defeat anything together because Cameron is apparently not gonna help.

1119
00:53:44,000 --> 00:53:46,600
Speaker 1: Even though the darkness is getting stronger, everyone is counting

1120
00:53:46,640 --> 00:53:48,680
Speaker 1: on a very nervous Alex to help save the day.

1121
00:53:48,880 --> 00:53:50,719
Speaker 1: But back at the party, Cameron is blowing out her

1122
00:53:50,719 --> 00:53:53,120
Speaker 1: birthday cake candles. And you want to know a little secret,

1123
00:53:53,719 --> 00:53:58,279
Speaker 1: that's actually Tiamori playing her sister's character. She stepped in

1124
00:53:58,360 --> 00:54:01,759
Speaker 1: for a reshoot when he had a scheduling conflict with

1125
00:54:01,800 --> 00:54:05,279
Speaker 1: a Lifetime show. She was sure, so they changed her

1126
00:54:05,320 --> 00:54:07,400
Speaker 1: hair and they added a mole.

1127
00:54:07,840 --> 00:54:13,879
Speaker 3: Oh my gosh, wow, wild that is the.

1128
00:54:15,160 --> 00:54:16,920
Speaker 2: Coolest thing about having a twin.

1129
00:54:17,080 --> 00:54:17,200
Speaker 11: You.

1130
00:54:17,520 --> 00:54:19,479
Speaker 2: I mean, I just feel like if.

1131
00:54:19,400 --> 00:54:21,840
Speaker 3: I had an identical twin, I would have tried everything

1132
00:54:22,600 --> 00:54:26,560
Speaker 3: school like switching school schedules, and I feel like I

1133
00:54:26,560 --> 00:54:29,920
Speaker 3: would have tried to see it boyfriends.

1134
00:54:30,560 --> 00:54:32,080
Speaker 2: No, that's weird.

1135
00:54:32,280 --> 00:54:34,359
Speaker 1: That's what I'm asking is it. Would that be too much?

1136
00:54:34,560 --> 00:54:36,120
Speaker 1: Like we're gonna switch and see if they noticed?

1137
00:54:36,200 --> 00:54:40,800
Speaker 2: The boyfriends would be stoked about if not, the question

1138
00:54:41,280 --> 00:54:42,280
Speaker 2: would they notice?

1139
00:54:42,360 --> 00:54:44,440
Speaker 3: But you can still what if what if they went

1140
00:54:44,480 --> 00:54:47,120
Speaker 3: into kiss and now now you've made it super complicated

1141
00:54:47,200 --> 00:54:48,759
Speaker 3: and your family's gonna blow up.

1142
00:54:49,000 --> 00:54:51,640
Speaker 1: Yeah, I agree, very strange. But my god, you change

1143
00:54:51,640 --> 00:54:52,480
Speaker 1: your hair and added a mole.

1144
00:54:52,560 --> 00:54:54,120
Speaker 2: Brilli, that's so crazy.

1145
00:54:54,239 --> 00:54:56,879
Speaker 1: Okay, Wow, know the party is what the kids today

1146
00:54:56,880 --> 00:55:00,839
Speaker 1: would call lit. Something is bothering, Kim, Thank you very much.

1147
00:55:00,960 --> 00:55:05,239
Speaker 1: I've got theriz. People bothering Cameron, who has a heart

1148
00:55:05,280 --> 00:55:07,640
Speaker 1: to heart with her mom. Cameron tells her all about

1149
00:55:07,640 --> 00:55:10,200
Speaker 1: the other dimension and the twin and the mediocre magical

1150
00:55:10,200 --> 00:55:12,560
Speaker 1: powers that she now has. Her mom thinks it's just

1151
00:55:12,640 --> 00:55:16,040
Speaker 1: more stories like the one she's been telling since her childhood.

1152
00:55:16,640 --> 00:55:19,760
Speaker 1: She even drew something called the Darkness with a face

1153
00:55:19,800 --> 00:55:22,000
Speaker 1: peeking out of it, and they're like, She's like, wait,

1154
00:55:22,480 --> 00:55:24,719
Speaker 1: but I told these stories as a kid. She's like, yeah,

1155
00:55:24,719 --> 00:55:27,440
Speaker 1: and wait, there's a face peeking out of it. She says, yeah,

1156
00:55:27,480 --> 00:55:29,840
Speaker 1: I think the drawing might even be upstairs a face.

1157
00:55:30,360 --> 00:55:32,879
Speaker 1: She can find out who the Darkness is, even though

1158
00:55:32,920 --> 00:55:35,640
Speaker 1: from the second he was on camera everyone else knew

1159
00:55:35,640 --> 00:55:38,759
Speaker 1: who the Darkness was. Cameron runs upstairs to find it

1160
00:55:38,880 --> 00:55:42,520
Speaker 1: and it is Mentos, the fresh maker in the drawing,

1161
00:55:45,000 --> 00:55:48,800
Speaker 1: Santos is the Darkness, which obviously we've talked about it

1162
00:55:48,800 --> 00:55:51,600
Speaker 1: as completely in totally obvious. But back at the castle,

1163
00:55:51,719 --> 00:55:54,359
Speaker 1: Alex meets Santos, who is technically her uncle and her

1164
00:55:54,360 --> 00:55:56,919
Speaker 1: mom's new husband. He announces that the Darkness has taken

1165
00:55:56,960 --> 00:55:59,600
Speaker 1: over the castle's north gate. He's worried to hear that

1166
00:55:59,640 --> 00:56:02,880
Speaker 1: Cameron didn't make it without both twins. They will be

1167
00:56:02,920 --> 00:56:05,719
Speaker 1: defeated by the Darkness. But we know he's the Darkness.

1168
00:56:06,040 --> 00:56:09,960
Speaker 1: He's such a d bag. Alex's mom takes off of

1169
00:56:10,000 --> 00:56:12,360
Speaker 1: the north gate, leaving her daughter with smoke monster evil

1170
00:56:12,400 --> 00:56:16,200
Speaker 1: guy who excuses himself he'll be right back again if

1171
00:56:16,239 --> 00:56:19,200
Speaker 1: she can fight him off from the gate. Why isn't

1172
00:56:19,200 --> 00:56:23,439
Speaker 1: I surrounding the castle? Why can he then leave as

1173
00:56:23,520 --> 00:56:24,719
Speaker 1: the darkness.

1174
00:56:24,520 --> 00:56:25,400
Speaker 2: And come back?

1175
00:56:25,640 --> 00:56:30,200
Speaker 1: But the Darkness stays there around in the entire thing,

1176
00:56:30,239 --> 00:56:32,120
Speaker 1: but he can make part of the darkness. It's just

1177
00:56:32,160 --> 00:56:34,920
Speaker 1: not explained. It's just not explained well at all. We

1178
00:56:34,960 --> 00:56:37,279
Speaker 1: are back at the party. Alex's roommate is there now.

1179
00:56:37,360 --> 00:56:39,319
Speaker 1: I mean, this girl really has some serious fomo. She

1180
00:56:39,320 --> 00:56:41,120
Speaker 1: couldn't even skip a party for a girl she doesn't

1181
00:56:41,160 --> 00:56:45,080
Speaker 1: know when her friend disappeared into a different dimension. Then

1182
00:56:45,160 --> 00:56:49,719
Speaker 1: another uninvited guest, the Darkness, who definitely did not have

1183
00:56:49,760 --> 00:56:52,400
Speaker 1: an invite, arrives at the kitchen again in full rage

1184
00:56:52,400 --> 00:56:56,840
Speaker 1: mode and kills their maid again comes in through the ceiling.

1185
00:56:57,840 --> 00:56:59,439
Speaker 1: Maybe he's coming through event.

1186
00:56:59,520 --> 00:57:01,359
Speaker 2: Well, why is their maid still there?

1187
00:57:01,400 --> 00:57:05,680
Speaker 3: And why didn't anyone care about this flaming fire?

1188
00:57:07,600 --> 00:57:10,240
Speaker 2: He is the maid saw it was in shock and awe,

1189
00:57:10,320 --> 00:57:12,960
Speaker 2: and then just kept working.

1190
00:57:13,160 --> 00:57:15,600
Speaker 1: And why if he's there, does the darkness not just

1191
00:57:15,640 --> 00:57:18,560
Speaker 1: attack her outside? Is he caring about not being seen

1192
00:57:18,640 --> 00:57:20,640
Speaker 1: at this point? Yeah, darkness from the other dimension. I

1193
00:57:20,760 --> 00:57:24,919
Speaker 1: don't understand it. Cameron and Alex's roomy meet just before

1194
00:57:24,960 --> 00:57:26,960
Speaker 1: the party goes hey wire with a ton of explosions.

1195
00:57:27,200 --> 00:57:29,800
Speaker 1: Everyone thinks it was an impressive firework show, which is

1196
00:57:29,840 --> 00:57:31,880
Speaker 1: one problem with being rich. People think a smoke monster

1197
00:57:31,960 --> 00:57:34,480
Speaker 1: in your house is a firework show. By the way, finally,

1198
00:57:34,560 --> 00:57:37,080
Speaker 1: the dad has changed out of the blue tennis outfit

1199
00:57:37,360 --> 00:57:40,720
Speaker 1: because two scenes before where he saw way later in

1200
00:57:40,720 --> 00:57:43,360
Speaker 1: the day, he's still wearing the same sweaty, sleeveless tennis

1201
00:57:43,360 --> 00:57:46,680
Speaker 1: shirt that he had on, so thankfully that is now gone.

1202
00:57:46,760 --> 00:57:49,520
Speaker 3: There were two costume changes in this in this whole

1203
00:57:49,560 --> 00:57:52,960
Speaker 3: movie for every actor except the twins, except.

1204
00:57:52,640 --> 00:57:54,720
Speaker 2: For the mom. The mom didn't even change at all.

1205
00:57:54,840 --> 00:57:57,360
Speaker 1: No, you're right, mom didn't change. The servants tell Cameron

1206
00:57:57,400 --> 00:57:59,440
Speaker 1: to get to Coventry immediately. It's the only place you

1207
00:57:59,520 --> 00:58:02,120
Speaker 1: may be saved. But the darkness has blocked one door,

1208
00:58:02,280 --> 00:58:05,640
Speaker 1: so they rush upstairs to get another as Karsh distracts it.

1209
00:58:05,800 --> 00:58:09,120
Speaker 1: Here's the other thing. So Carsha and Iliana turns out

1210
00:58:09,160 --> 00:58:10,800
Speaker 1: there in a relationship. They kiss.

1211
00:58:11,520 --> 00:58:15,080
Speaker 2: He says it's a random another another random.

1212
00:58:14,800 --> 00:58:18,400
Speaker 1: Thing, and he says, go upstairs, I'll buy you some time,

1213
00:58:18,760 --> 00:58:21,880
Speaker 1: and proceeds to buy them time by doing literally nothing,

1214
00:58:22,240 --> 00:58:25,600
Speaker 1: nothing nothing. He doesn't throw a spell, he doesn't give

1215
00:58:25,640 --> 00:58:28,800
Speaker 1: it the finger, he doesn't call it harsh language. He's

1216
00:58:28,920 --> 00:58:32,280
Speaker 1: no he but he does he can make signs appear,

1217
00:58:32,400 --> 00:58:35,720
Speaker 1: he was throwing stuff around. He literally does nothing. He

1218
00:58:35,960 --> 00:58:39,640
Speaker 1: just gets eaten. Go ahead, you go, I'll do nothing,

1219
00:58:40,720 --> 00:58:44,240
Speaker 1: which was I again found very very odd. So the

1220
00:58:44,280 --> 00:58:47,440
Speaker 1: servants they break off from one another again. Iliana and

1221
00:58:47,520 --> 00:58:50,600
Speaker 1: carsh kiss, and just like the audience, Cameron is shocked

1222
00:58:50,600 --> 00:58:52,640
Speaker 1: to realize there are a couple. Carl says it's been

1223
00:58:52,640 --> 00:58:55,880
Speaker 1: on and off for twenty one years. As Camra gets

1224
00:58:55,920 --> 00:58:58,880
Speaker 1: ready to transport Carsha's again pulled down the stairs and

1225
00:58:58,960 --> 00:59:01,280
Speaker 1: Iliana is also in goy the darkness, but at least

1226
00:59:01,360 --> 00:59:05,400
Speaker 1: she also does nothing, leaving just Cameron alone in the

1227
00:59:05,480 --> 00:59:08,000
Speaker 1: room with the smoke monster until her mom arrives, catching

1228
00:59:08,040 --> 00:59:12,600
Speaker 1: a glimpse of the darkness, which drives him off because

1229
00:59:12,960 --> 00:59:16,160
Speaker 1: he broke into the other room where other people can

1230
00:59:16,160 --> 00:59:18,680
Speaker 1: see him. Like the maid and everything else. But the

1231
00:59:18,720 --> 00:59:22,280
Speaker 1: second the mom comes in, he can't be in the

1232
00:59:22,400 --> 00:59:23,240
Speaker 1: room anymore.

1233
00:59:23,600 --> 00:59:27,360
Speaker 3: Well, it even the question even gets asked, does she

1234
00:59:27,560 --> 00:59:29,680
Speaker 3: have powers? Yeah?

1235
00:59:29,840 --> 00:59:30,959
Speaker 2: You have powers too?

1236
00:59:31,160 --> 00:59:33,480
Speaker 1: Are you a witch? How did you make that happen?

1237
00:59:33,640 --> 00:59:36,880
Speaker 3: Because but it's never talked about again after that, it

1238
00:59:37,000 --> 00:59:38,320
Speaker 3: just kind of goes away.

1239
00:59:38,360 --> 00:59:39,400
Speaker 2: It's another just like.

1240
00:59:39,800 --> 00:59:43,360
Speaker 1: Carshilana, who have powers, can't do anything.

1241
00:59:43,160 --> 00:59:44,040
Speaker 2: Can't do anything.

1242
00:59:44,120 --> 00:59:47,520
Speaker 3: But the mom, the mortal that comes into the room

1243
00:59:48,040 --> 00:59:49,280
Speaker 3: somehow scares it away.

1244
00:59:49,520 --> 00:59:52,840
Speaker 1: Yes, is it afraid to let other people see it?

1245
00:59:52,920 --> 00:59:55,960
Speaker 1: None of it. I don't. I don't understand what's happening.

1246
00:59:55,960 --> 00:59:59,360
Speaker 1: I just don't understand what's happening. Anyway, their mom arrives,

1247
00:59:59,560 --> 01:00:01,480
Speaker 1: talked about the The cat, for some reason, catches a

1248
01:00:01,480 --> 01:00:03,760
Speaker 1: glimpse of the darkness, which scares it so it forced

1249
01:00:03,800 --> 01:00:06,240
Speaker 1: them to hide in a closet. We don't know what's

1250
01:00:06,280 --> 01:00:08,560
Speaker 1: ever being addressed. We don't know what's happening. Maybe it'll

1251
01:00:08,560 --> 01:00:10,320
Speaker 1: be in Twitches too this time it's personal. But for

1252
01:00:10,400 --> 01:00:13,360
Speaker 1: right now, Mentos, the fresh Maker is scared off by

1253
01:00:13,360 --> 01:00:17,160
Speaker 1: the mom coming in. Yes, they at this point say

1254
01:00:17,160 --> 01:00:20,000
Speaker 1: we've got to deal with Thantos in Coventry. And although

1255
01:00:20,000 --> 01:00:21,760
Speaker 1: she picks the wrong closet at first, which is kind

1256
01:00:21,760 --> 01:00:23,920
Speaker 1: of funny. We go to our final commercial break with

1257
01:00:23,960 --> 01:00:28,280
Speaker 1: a flash a dimensional traveling light boom. Now, Thantos returns

1258
01:00:28,280 --> 01:00:31,760
Speaker 1: to Coventry and pretends he tried to save Cameron, telling

1259
01:00:31,800 --> 01:00:33,880
Speaker 1: his wife and Alex that he found her but barely

1260
01:00:34,000 --> 01:00:36,960
Speaker 1: escaped with her. He says, the darkness is taking control.

1261
01:00:37,080 --> 01:00:39,439
Speaker 1: He says, the darkness is taking control and they must

1262
01:00:39,480 --> 01:00:41,920
Speaker 1: seal the castle to block her, but to his surprise,

1263
01:00:42,360 --> 01:00:46,479
Speaker 1: Cameron is already there. Everyone knows he's the bad guy.

1264
01:00:46,920 --> 01:00:50,960
Speaker 1: And then the girls do the hand signal for whatever loser,

1265
01:00:51,640 --> 01:00:53,600
Speaker 1: which is almost the exact same thing we saw on

1266
01:00:53,640 --> 01:00:56,320
Speaker 1: Camp Rock. Yeah, and I didn't know that was the thing.

1267
01:00:56,360 --> 01:00:57,800
Speaker 1: I guess, whatever loser?

1268
01:00:58,160 --> 01:00:59,000
Speaker 7: What is it?

1269
01:00:59,120 --> 01:01:02,880
Speaker 2: This go like whatever for the eave?

1270
01:01:03,040 --> 01:01:05,800
Speaker 1: Oh right? What whatever loser?

1271
01:01:06,040 --> 01:01:06,200
Speaker 2: Right?

1272
01:01:06,880 --> 01:01:10,360
Speaker 1: Yes, all right, must be a Disney thing. Fantos tries

1273
01:01:10,400 --> 01:01:11,720
Speaker 1: to talk his way out of it, but their mom

1274
01:01:11,760 --> 01:01:14,080
Speaker 1: sits him down and ties him up with drapes, which

1275
01:01:14,080 --> 01:01:17,680
Speaker 1: I have to assume was animated afterwards, and after they

1276
01:01:17,720 --> 01:01:20,400
Speaker 1: spent the twenty million dollars because it was not good,

1277
01:01:20,720 --> 01:01:23,880
Speaker 1: and his head is like and he's like Patrick is

1278
01:01:23,880 --> 01:01:25,280
Speaker 1: looking back and forth.

1279
01:01:25,040 --> 01:01:27,680
Speaker 2: And yeah was it squeezing man? What?

1280
01:01:28,040 --> 01:01:29,800
Speaker 1: I don't know and why? And he was looking at

1281
01:01:29,880 --> 01:01:32,480
Speaker 1: the ones that they had clearly hadn't animated yet, and

1282
01:01:32,480 --> 01:01:34,760
Speaker 1: that's always tough when you're working on green screen. I mean,

1283
01:01:34,800 --> 01:01:36,520
Speaker 1: at one point, the green screen is so bad that

1284
01:01:36,600 --> 01:01:41,680
Speaker 1: he turns and his ear disappears. Yeah, yes, he saw it.

1285
01:01:41,680 --> 01:01:44,760
Speaker 1: It was just it was not great. They reveal the

1286
01:01:44,800 --> 01:01:46,320
Speaker 1: signs of the sun and the moon on his palms,

1287
01:01:46,320 --> 01:01:49,320
Speaker 1: and he admits he's the Darkness and apparently killed his

1288
01:01:49,440 --> 01:01:51,720
Speaker 1: own brother. This was such a twist that I did

1289
01:01:51,720 --> 01:02:00,240
Speaker 1: not see coming. Weight called it ready like waiting. We

1290
01:02:00,320 --> 01:02:03,400
Speaker 1: called it it just it. We didn't. We didn't. It

1291
01:02:04,000 --> 01:02:06,840
Speaker 1: should have I'm sorry again, fantasy guy and me the

1292
01:02:06,880 --> 01:02:08,680
Speaker 1: whole twist. They should have set it up where we

1293
01:02:08,720 --> 01:02:10,520
Speaker 1: constantly think it's the bad guy and it turns out

1294
01:02:10,560 --> 01:02:12,680
Speaker 1: to be the mom who's the bad guy the entire time.

1295
01:02:12,800 --> 01:02:14,760
Speaker 2: But that would have been even worse.

1296
01:02:14,560 --> 01:02:16,240
Speaker 1: I know, But that's the cool thing. That would have

1297
01:02:16,240 --> 01:02:17,959
Speaker 1: been the great twist. Or the dad is still alive

1298
01:02:18,000 --> 01:02:19,720
Speaker 1: and he was actually the darkness. There's so much more

1299
01:02:19,720 --> 01:02:21,640
Speaker 1: you could have done. Then wait a minute, is the

1300
01:02:21,680 --> 01:02:25,720
Speaker 1: bad guy the bad guy that could have been so

1301
01:02:25,800 --> 01:02:28,880
Speaker 1: much boil alert. Yes, he tells their mom that he

1302
01:02:28,920 --> 01:02:31,680
Speaker 1: loves her, but it's all too late. She wants him

1303
01:02:31,680 --> 01:02:34,040
Speaker 1: to return the lives he's destroyed, but he says this

1304
01:02:34,080 --> 01:02:37,400
Speaker 1: is just the beginning. Then the darkness enters the castle

1305
01:02:37,440 --> 01:02:38,040
Speaker 1: once again.

1306
01:02:38,840 --> 01:02:43,120
Speaker 3: So that's not him, He's not the one who's controlling it.

1307
01:02:43,240 --> 01:02:46,720
Speaker 3: Or he pops in and out of being the darkness.

1308
01:02:47,280 --> 01:02:49,919
Speaker 1: I guess. And why then couldn't it have come and

1309
01:02:49,960 --> 01:02:53,600
Speaker 1: taken the castle the whole time, right, because if it

1310
01:02:53,640 --> 01:02:55,480
Speaker 1: had just come in and taken the castle the whole time,

1311
01:02:55,560 --> 01:02:57,439
Speaker 1: is it because he loved her and he didn't want

1312
01:02:57,440 --> 01:02:59,919
Speaker 1: the darkness to come in? None of this made any

1313
01:03:00,080 --> 01:03:03,280
Speaker 1: sense to me, where I just don't understand the rules

1314
01:03:03,280 --> 01:03:07,400
Speaker 1: of the darkness where apparently it hates plants and it

1315
01:03:07,440 --> 01:03:11,240
Speaker 1: hates drawings.

1316
01:03:10,200 --> 01:03:13,280
Speaker 3: Because the twins did it at the beginning, Was it

1317
01:03:13,520 --> 01:03:17,640
Speaker 3: only for like I feel like they needed to emphasize

1318
01:03:17,920 --> 01:03:22,480
Speaker 3: the twenty first birthday being like, yes, the the limitation

1319
01:03:22,760 --> 01:03:24,960
Speaker 3: of what their whatever it is they did as a

1320
01:03:24,960 --> 01:03:29,080
Speaker 3: baby a babies like the twenty first birthday was the limitation.

1321
01:03:29,320 --> 01:03:34,720
Speaker 1: So yeah, if they don't touch by then, if something happens,

1322
01:03:32,640 --> 01:03:37,200
Speaker 1: if something it's all kind of like Halloween Town. Like

1323
01:03:37,200 --> 01:03:39,240
Speaker 1: Halloween Town. If we don't start training her by thirteen,

1324
01:03:39,280 --> 01:03:41,400
Speaker 1: she's going to lose all This very simple one line

1325
01:03:41,520 --> 01:03:43,000
Speaker 1: we got that she was going to lose her.

1326
01:03:42,960 --> 01:03:45,120
Speaker 2: Power to have happened by then, Yes.

1327
01:03:45,440 --> 01:03:49,680
Speaker 1: Something to let us know what's going on, and okay,

1328
01:03:50,160 --> 01:03:52,080
Speaker 1: their mom tries to attack it, but her powers have

1329
01:03:52,160 --> 01:03:56,120
Speaker 1: been drained apparently during the missed melee, Phantos disappears in

1330
01:03:56,160 --> 01:03:59,600
Speaker 1: another rough visual effect, now out of his confinement of

1331
01:03:59,680 --> 01:04:02,360
Speaker 1: the chick and the rappings, which again I also and

1332
01:04:02,400 --> 01:04:04,960
Speaker 1: this is just the fantasy story guy in me, but

1333
01:04:05,040 --> 01:04:06,880
Speaker 1: they never should have thrown him into the king's throne.

1334
01:04:06,920 --> 01:04:09,200
Speaker 1: He's on the throne, and that's bad. He's the bad guy.

1335
01:04:09,520 --> 01:04:11,600
Speaker 1: You don't sit the bad guy on the throne. I don't.

1336
01:04:11,640 --> 01:04:13,320
Speaker 1: I didn't like it. But now he's out of the

1337
01:04:13,320 --> 01:04:16,919
Speaker 1: confinement of the chair. Thantos takes their mom and laughs maniacally.

1338
01:04:17,200 --> 01:04:19,400
Speaker 1: And I mean there's a lot of laughing while flying

1339
01:04:19,440 --> 01:04:23,120
Speaker 1: around all over the place, very Witches of the Wizard

1340
01:04:23,160 --> 01:04:23,640
Speaker 1: of Oz.

1341
01:04:23,520 --> 01:04:25,120
Speaker 2: Com What was he flying for?

1342
01:04:25,800 --> 01:04:30,320
Speaker 1: Don't know. I don't know what's happening. I don't know

1343
01:04:30,360 --> 01:04:31,880
Speaker 1: what they're fighting for either.

1344
01:04:32,080 --> 01:04:32,520
Speaker 2: I can't.

1345
01:04:32,680 --> 01:04:35,800
Speaker 3: I mean, I was hoping you were gonna be helping

1346
01:04:35,840 --> 01:04:37,480
Speaker 3: me out these blanks.

1347
01:04:37,560 --> 01:04:38,000
Speaker 2: I guess it.

1348
01:04:38,600 --> 01:04:42,040
Speaker 1: Will doesn't see that's the new because I have no

1349
01:04:42,120 --> 01:04:45,479
Speaker 1: idea what's going on. I don't get who he's trying

1350
01:04:45,520 --> 01:04:48,280
Speaker 1: to attack, what he's trying to attack, why he's.

1351
01:04:48,160 --> 01:04:48,480
Speaker 7: Trying to.

1352
01:04:50,000 --> 01:04:52,520
Speaker 1: Didn't they come into the castle? If he could come

1353
01:04:52,520 --> 01:04:54,360
Speaker 1: into the castle the whole time? It was also in

1354
01:04:54,400 --> 01:04:56,960
Speaker 1: the castle when the babies were there, and they fought

1355
01:04:57,040 --> 01:05:00,960
Speaker 1: it off. But I don't I don't know what's happening.

1356
01:05:01,120 --> 01:05:02,960
Speaker 1: But when he dips down to attack the girls, they

1357
01:05:03,000 --> 01:05:06,000
Speaker 1: grab each other's hands and concentrate, apologizing to each other

1358
01:05:06,000 --> 01:05:08,720
Speaker 1: for their mistakes, and they realized that it was love

1359
01:05:08,800 --> 01:05:11,600
Speaker 1: that saved them as babies. Okay, so this is all

1360
01:05:11,760 --> 01:05:14,440
Speaker 1: very Harry Potter at this point, because it was the

1361
01:05:14,520 --> 01:05:17,520
Speaker 1: love Harry. I'll explain it to you screen. It's okay,

1362
01:05:17,840 --> 01:05:22,600
Speaker 1: it's the Harry got his lightning scar. I did I

1363
01:05:22,640 --> 01:05:24,640
Speaker 1: saw your face go black? Here we go, I saw

1364
01:05:24,680 --> 01:05:28,880
Speaker 1: your face go by. So Harry's mom sacrifices herself when

1365
01:05:28,960 --> 01:05:33,120
Speaker 1: Valdemort tries to kill Harry, and the sacrifice that she

1366
01:05:33,280 --> 01:05:37,080
Speaker 1: makes her love for him is what saved him and

1367
01:05:37,120 --> 01:05:39,600
Speaker 1: makes it to where Valdemort can't touch him. His actual

1368
01:05:39,640 --> 01:05:45,760
Speaker 1: skin becomes a spell because she died saving him and

1369
01:05:45,920 --> 01:05:49,000
Speaker 1: her love for him saved Harry. They tried to do

1370
01:05:49,040 --> 01:05:50,840
Speaker 1: the same thing here, they just did it in a much,

1371
01:05:50,960 --> 01:05:54,760
Speaker 1: much worse way. Sorry, but it's absolutely true. So they

1372
01:05:54,760 --> 01:05:56,680
Speaker 1: realized that the love that saved them as babies, it

1373
01:05:56,680 --> 01:05:59,320
Speaker 1: can save them again. They tear up as bright light

1374
01:05:59,360 --> 01:06:02,720
Speaker 1: builds between them. Alex and Cameron start listing off family

1375
01:06:02,760 --> 01:06:06,080
Speaker 1: members and friends they love, ending with each other, and

1376
01:06:06,120 --> 01:06:09,360
Speaker 1: this defeats the darkness for good. Essentially, they're saying that

1377
01:06:09,480 --> 01:06:11,640
Speaker 1: light is not the opposite of dark. Love is the

1378
01:06:11,640 --> 01:06:14,200
Speaker 1: opposite of dark. It's the old argument, is hate the

1379
01:06:14,200 --> 01:06:16,880
Speaker 1: opposite of love. No indifference is the opposite of love.

1380
01:06:16,960 --> 01:06:18,880
Speaker 1: Love and hate are actually kind of the same thing.

1381
01:06:19,360 --> 01:06:24,920
Speaker 1: But that's a whole different philosophical discussion. But they've defeated

1382
01:06:24,920 --> 01:06:27,040
Speaker 1: the darkness for good by simply saying the names of

1383
01:06:27,040 --> 01:06:30,320
Speaker 1: the people that they love, and Coventry has been ridden

1384
01:06:30,520 --> 01:06:33,480
Speaker 1: of this evil. Now safe, the girls hug their biological

1385
01:06:33,560 --> 01:06:35,440
Speaker 1: mom and are now joined by Karsha and Iliana. W

1386
01:06:35,440 --> 01:06:38,160
Speaker 1: horror back and are thrilled to see this outcome and

1387
01:06:38,200 --> 01:06:41,240
Speaker 1: may stay on Earth dimension for good, mentioning that hot

1388
01:06:41,240 --> 01:06:43,360
Speaker 1: wings are only ten cents on Wednesdays. She had a

1389
01:06:43,400 --> 01:06:46,120
Speaker 1: big eating thing, which is kind of funny. She was funny.

1390
01:06:46,440 --> 01:06:49,000
Speaker 1: We return to Cameron's mansion, which is now empty of

1391
01:06:49,040 --> 01:06:51,080
Speaker 1: the party. We see the maid, so it's good to

1392
01:06:51,120 --> 01:06:53,200
Speaker 1: know that she didn't die or was horribly burned. The

1393
01:06:53,240 --> 01:06:56,640
Speaker 1: twins are now perfectly sync together forever they sing, go Twitches,

1394
01:06:56,720 --> 01:07:01,280
Speaker 1: It's your Birthday, and then hug and that is our movie.

1395
01:07:01,360 --> 01:07:04,200
Speaker 1: We still don't know what's going on. Something to know.

1396
01:07:04,480 --> 01:07:06,640
Speaker 1: The original ending of The Twitch's script had the girl

1397
01:07:06,680 --> 01:07:10,240
Speaker 1: stuck in the Magical Dimension without destroying Thantos the fresh Maker,

1398
01:07:10,600 --> 01:07:14,360
Speaker 1: leaving a more ambiguous situation for the sequel. Do you

1399
01:07:14,400 --> 01:07:15,840
Speaker 1: think that would have been better had they been stuck

1400
01:07:15,880 --> 01:07:17,640
Speaker 1: there as opposed to kind of wrap up at the end.

1401
01:07:19,280 --> 01:07:22,400
Speaker 3: I mean, they had to have beat this guy. They

1402
01:07:22,400 --> 01:07:24,720
Speaker 3: had to have at least beat the darkness for there

1403
01:07:24,800 --> 01:07:27,960
Speaker 3: to be an ending. They had to still happened, so

1404
01:07:28,000 --> 01:07:31,200
Speaker 3: to not do it at all, I maybe him getting

1405
01:07:31,320 --> 01:07:36,160
Speaker 3: away somehow, but again he wasn't always having to be connected.

1406
01:07:36,400 --> 01:07:39,520
Speaker 2: Yeah, so I guess that could have actually worked, But.

1407
01:07:39,680 --> 01:07:43,560
Speaker 1: I didn't really know what was happening. Yeah, and I

1408
01:07:43,640 --> 01:07:45,560
Speaker 1: know there's probably people out there that love this movie

1409
01:07:45,560 --> 01:07:46,680
Speaker 1: and you watch it when you're a kid and you

1410
01:07:46,760 --> 01:07:50,480
Speaker 1: love this movie. I know that I am supposed to

1411
01:07:50,520 --> 01:07:53,360
Speaker 1: be trying to put myself in the body and mind

1412
01:07:53,440 --> 01:07:55,880
Speaker 1: and soul of somebody younger to watch these things. But

1413
01:07:55,920 --> 01:07:58,160
Speaker 1: I can tell you my mind, body, at soul at thirteen,

1414
01:07:58,760 --> 01:08:01,600
Speaker 1: as a D and D NERD, as a fantasy nerd,

1415
01:08:01,640 --> 01:08:04,200
Speaker 1: would still have been yelling, what's the magical system? I

1416
01:08:04,240 --> 01:08:07,200
Speaker 1: don't understand what's happening. So this is one where I'm

1417
01:08:07,200 --> 01:08:09,240
Speaker 1: giving myself a break for not understanding it because I

1418
01:08:09,280 --> 01:08:10,360
Speaker 1: didn't get it.

1419
01:08:10,360 --> 01:08:12,720
Speaker 3: It was it was crazy, it was hard, it was

1420
01:08:12,760 --> 01:08:14,640
Speaker 3: hard to it was all over the place.

1421
01:08:14,720 --> 01:08:24,200
Speaker 1: I agree, let's do real reviews, Sabrina.

1422
01:08:24,600 --> 01:08:25,200
Speaker 2: Let's do them.

1423
01:08:25,320 --> 01:08:28,120
Speaker 1: And this week I have the five star yeah, and

1424
01:08:28,200 --> 01:08:32,240
Speaker 1: it is from Lenya T leave him some saying that

1425
01:08:32,280 --> 01:08:35,120
Speaker 1: right as l A N I y A T. This

1426
01:08:35,240 --> 01:08:38,240
Speaker 1: movie is awesome. I watched like two times, but me

1427
01:08:38,320 --> 01:08:40,519
Speaker 1: and my family is gonna watch this as a family.

1428
01:08:40,640 --> 01:08:44,360
Speaker 1: But you guys did a good job. Five stars here

1429
01:08:44,400 --> 01:08:46,880
Speaker 1: it is five stars. I love it.

1430
01:08:48,240 --> 01:08:48,639
Speaker 2: Sentence.

1431
01:08:51,560 --> 01:08:55,400
Speaker 1: It's unfortunately completely totally accurate. But that is a five

1432
01:08:55,479 --> 01:08:57,479
Speaker 1: star review, Sabrina, what's our one star?

1433
01:08:57,760 --> 01:09:01,680
Speaker 3: I got a one star from an unnamed viewer. I

1434
01:09:01,720 --> 01:09:04,639
Speaker 3: wish I had a twin. I wish I could do magic.

1435
01:09:05,600 --> 01:09:08,320
Speaker 1: I like it. It's actually you, you mispronounce it. It's

1436
01:09:08,320 --> 01:09:10,120
Speaker 1: not a name. It's Unaminate is the name of the

1437
01:09:10,120 --> 01:09:11,000
Speaker 1: guy who left.

1438
01:09:10,800 --> 01:09:14,720
Speaker 2: You not getting me?

1439
01:09:15,280 --> 01:09:17,880
Speaker 1: Get not getting me?

1440
01:09:19,360 --> 01:09:24,759
Speaker 3: Yeah, I'm just all about seeing right through your garbage.

1441
01:09:24,600 --> 01:09:27,120
Speaker 1: All right. So we are now approaching, of course, Sabrina's

1442
01:09:27,160 --> 01:09:30,840
Speaker 1: favorite part of the program, which is our featured game

1443
01:09:31,040 --> 01:09:35,360
Speaker 1: coming up from producer Jensen, and this one. I'm just

1444
01:09:35,400 --> 01:09:37,200
Speaker 1: reading this for the first time right now, and I'm

1445
01:09:37,479 --> 01:09:41,120
Speaker 1: so unbelievably happy and excited for this game. It's called

1446
01:09:41,320 --> 01:09:44,920
Speaker 1: sand Twitches. Yes, we are going to be given the

1447
01:09:45,080 --> 01:09:47,839
Speaker 1: ingredients of a popular sandwich and we have to correctly

1448
01:09:47,840 --> 01:09:50,479
Speaker 1: guess what sandwich is being described. But we have to

1449
01:09:50,479 --> 01:09:55,280
Speaker 1: do it in our best witch voice followed by best

1450
01:09:55,320 --> 01:09:58,160
Speaker 1: witch cackle. If we get three out of five right

1451
01:09:58,200 --> 01:10:01,920
Speaker 1: and have a good witch impression, we win and save Coventry.

1452
01:10:02,120 --> 01:10:04,760
Speaker 1: If I get even one of these sandwiches wrong, I'm

1453
01:10:04,760 --> 01:10:05,479
Speaker 1: gonna be pissed.

1454
01:10:05,880 --> 01:10:08,640
Speaker 7: Really, I'm really quick, really quick. I'm just jumping in.

1455
01:10:08,720 --> 01:10:10,559
Speaker 7: I missed the beginning. This is my favorite? What'd you

1456
01:10:10,560 --> 01:10:16,040
Speaker 7: guys think? I love twitches? What do you guys think?

1457
01:10:16,040 --> 01:10:17,200
Speaker 7: I mean, it's one of my faves?

1458
01:10:17,200 --> 01:10:20,040
Speaker 1: Man, this is your this is this is your favorite movie?

1459
01:10:20,439 --> 01:10:22,439
Speaker 1: You missed the whole review? This is this is our

1460
01:10:22,439 --> 01:10:23,960
Speaker 1: favorite too.

1461
01:10:24,080 --> 01:10:27,280
Speaker 7: Yeah, It's like it's like Color of Friendship and then this.

1462
01:10:27,680 --> 01:10:30,519
Speaker 1: Yeah, well it's It's just it's so well laid out

1463
01:10:30,560 --> 01:10:36,160
Speaker 1: and the story is so flowing and without holes. I'm

1464
01:10:36,240 --> 01:10:36,839
Speaker 1: very excited.

1465
01:10:37,080 --> 01:10:39,040
Speaker 7: But now I was always so scared at the end

1466
01:10:39,080 --> 01:10:41,120
Speaker 7: that that bad guy would just laugh forever.

1467
01:10:43,680 --> 01:10:45,559
Speaker 1: Wait, I'm amazed that you even knew that was the

1468
01:10:45,600 --> 01:10:51,200
Speaker 1: bad guy. Twist caught me shocking by surprise. It did

1469
01:10:51,200 --> 01:10:53,000
Speaker 1: not catch you nomin by surprise, though. Who gave this

1470
01:10:53,120 --> 01:11:03,320
Speaker 1: one star? So here we go, Sabrina. Our first sandwich. First,

1471
01:11:03,880 --> 01:11:08,960
Speaker 1: it's rye bread, corn beef, Swiss cheese, Sauer Kraut Russian

1472
01:11:09,040 --> 01:11:12,439
Speaker 1: or a thousand Island dressing. Do you know what I do?

1473
01:11:12,520 --> 01:11:14,160
Speaker 2: This is one of my favorite sandwiches.

1474
01:11:14,160 --> 01:11:16,200
Speaker 3: What I can't think of the full point besides a

1475
01:11:16,240 --> 01:11:18,200
Speaker 3: corn beef sandwich, I don't think, Oh.

1476
01:11:20,280 --> 01:11:23,360
Speaker 2: What is what's it's I don't remember you have to do.

1477
01:11:23,320 --> 01:11:25,440
Speaker 1: It in a witch's voice, and then.

1478
01:11:25,240 --> 01:11:29,120
Speaker 2: I don't even you want me to do it? Corn beef?

1479
01:11:29,720 --> 01:11:30,240
Speaker 7: Here we go?

1480
01:11:32,320 --> 01:11:34,960
Speaker 1: What's that?

1481
01:11:34,960 --> 01:11:35,919
Speaker 7: That was awful?

1482
01:11:39,920 --> 01:11:42,240
Speaker 1: I would kill to be able to watch that again

1483
01:11:42,560 --> 01:11:45,559
Speaker 1: right now? First of all, what which does this.

1484
01:11:48,320 --> 01:11:49,719
Speaker 2: All my animated things?

1485
01:11:50,760 --> 01:11:52,680
Speaker 7: Hey, guys, I'll give you one show. I'll give you

1486
01:11:52,720 --> 01:11:55,000
Speaker 7: one option on another game, which one of our two

1487
01:11:55,040 --> 01:11:57,760
Speaker 7: hosts is a professional voice over?

1488
01:12:01,360 --> 01:12:04,400
Speaker 1: Okay, here we go, I will answer the first one ready?

1489
01:12:04,960 --> 01:12:14,920
Speaker 1: Is the Ruben sandwich Ruben Yes, Ruben sandwich invented in Omaha,

1490
01:12:15,000 --> 01:12:17,240
Speaker 1: Nebraska by a man named Ruben k at a poker game.

1491
01:12:17,240 --> 01:12:19,040
Speaker 1: It one sandwich of the year in nineteen fifty six.

1492
01:12:19,120 --> 01:12:19,880
Speaker 1: Thank you very much.

1493
01:12:19,920 --> 01:12:22,840
Speaker 2: My gosh, do you like them? I love?

1494
01:12:22,880 --> 01:12:25,240
Speaker 1: It's my favorite sandwich of all times, a Ruben sandwich. Yes.

1495
01:12:25,720 --> 01:12:28,479
Speaker 3: Number two, love making corn beef at Saint Patrick's Day

1496
01:12:28,479 --> 01:12:29,919
Speaker 3: because I said those after.

1497
01:12:30,000 --> 01:12:32,240
Speaker 1: Well, you know it's my favorite holiday? Now is any

1498
01:12:32,400 --> 01:12:34,519
Speaker 1: holiday where you have to do a witch's voice? Is

1499
01:12:34,560 --> 01:12:41,479
Speaker 1: now my favorite thing? Number two? Toasted bread, turkey, bacon, lettuce, tomato, mayo,

1500
01:12:41,720 --> 01:12:42,559
Speaker 1: and cheese.

1501
01:12:43,920 --> 01:12:45,080
Speaker 2: This is the club sandwich.

1502
01:12:45,600 --> 01:12:47,160
Speaker 7: But that's not hot I can't hear you.

1503
01:12:48,400 --> 01:12:49,400
Speaker 2: My god, I don't know.

1504
01:12:49,600 --> 01:12:51,320
Speaker 7: I don't know they Sorry, I can't hear you.

1505
01:12:51,720 --> 01:12:53,120
Speaker 1: Come on, we need to hear it.

1506
01:12:54,080 --> 01:12:54,360
Speaker 2: Come on.

1507
01:12:55,560 --> 01:12:58,200
Speaker 7: Sorry, my zoom only allows a certain pitch.

1508
01:12:59,439 --> 01:13:01,720
Speaker 1: Let's here, Sabrina, come on, let's hear it.

1509
01:13:02,240 --> 01:13:03,800
Speaker 7: Might even be a twitch. Don a pitch?

1510
01:13:05,080 --> 01:13:06,800
Speaker 2: Come on, love sandwich.

1511
01:13:12,479 --> 01:13:15,639
Speaker 1: Oh my god, it's a weird Southern witch, a club

1512
01:13:16,080 --> 01:13:16,800
Speaker 1: sand witch.

1513
01:13:18,280 --> 01:13:21,080
Speaker 7: She sounds like like to me, it's like a character

1514
01:13:21,160 --> 01:13:22,759
Speaker 7: and gone with the wind. Who's dying?

1515
01:13:23,000 --> 01:13:23,920
Speaker 1: Yes, isn't it?

1516
01:13:24,080 --> 01:13:24,240
Speaker 12: Oh?

1517
01:13:24,520 --> 01:13:26,000
Speaker 1: No, no, spreakless.

1518
01:13:28,360 --> 01:13:31,360
Speaker 2: I'm probably so red right now, I'm so hot.

1519
01:13:32,439 --> 01:13:37,760
Speaker 7: Alright, that's good enough, I mean, honestly, it's at least

1520
01:13:37,760 --> 01:13:38,480
Speaker 7: it's consistent.

1521
01:13:40,160 --> 01:13:46,680
Speaker 1: Alright. Third, we have roasted pork ham, Swiss cheese, pickles

1522
01:13:46,800 --> 01:13:49,439
Speaker 1: and mustard. What do you got, Sabrina, You don't know

1523
01:13:50,720 --> 01:13:58,040
Speaker 1: roasted pork ham, Swiss cheese, pickles and mustard. No, no,

1524
01:13:58,200 --> 01:13:59,600
Speaker 1: all right, I'm gonna go. I'll do mine then, and

1525
01:13:59,600 --> 01:14:02,599
Speaker 1: I'm gonna a warlock, not which and I'm gonna say

1526
01:14:03,600 --> 01:14:06,000
Speaker 1: it is a Cuban sandwich.

1527
01:14:11,080 --> 01:14:12,680
Speaker 7: Man. Please let Sabrina know that.

1528
01:14:17,600 --> 01:14:22,360
Speaker 1: So Next, we have on a HOGI roll in melted

1529
01:14:22,439 --> 01:14:24,320
Speaker 1: cheese and saute onions.

1530
01:14:25,680 --> 01:14:30,840
Speaker 2: Okay, wait, there's actually this could be two.

1531
01:14:31,800 --> 01:14:34,360
Speaker 1: Yeah, but no, it's really it's really one. It's really one.

1532
01:14:34,400 --> 01:14:35,000
Speaker 1: It's really one.

1533
01:14:35,120 --> 01:14:39,799
Speaker 2: Yes, melted more commercially, Yeah, more commercial?

1534
01:14:44,120 --> 01:14:44,160
Speaker 11: No?

1535
01:14:46,880 --> 01:14:48,960
Speaker 2: Is it a for your sandwich?

1536
01:14:51,600 --> 01:14:51,800
Speaker 1: Wait?

1537
01:14:52,520 --> 01:14:54,840
Speaker 2: Wait cheese seak?

1538
01:14:59,400 --> 01:14:59,560
Speaker 5: Is it?

1539
01:15:00,200 --> 01:15:08,120
Speaker 2: Don't feel sandwich? I got this is the worst of

1540
01:15:08,200 --> 01:15:08,680
Speaker 2: all of that.

1541
01:15:08,960 --> 01:15:11,360
Speaker 1: Oh, this is my favorite game I've ever played.

1542
01:15:11,760 --> 01:15:13,439
Speaker 7: She had to say it in a normal voice for

1543
01:15:13,560 --> 01:15:14,519
Speaker 7: me to even know what it was.

1544
01:15:17,400 --> 01:15:19,559
Speaker 1: They hug her down. You just saw this much on zoom.

1545
01:15:21,000 --> 01:15:22,720
Speaker 2: Fill it dr feel sandwich?

1546
01:15:26,760 --> 01:15:27,519
Speaker 3: Oh my god.

1547
01:15:27,760 --> 01:15:31,840
Speaker 1: Number five we have ham turkey Swiss cheese, which is

1548
01:15:31,920 --> 01:15:35,840
Speaker 1: then fried and dusted with sugar. That I have no idea.

1549
01:15:36,160 --> 01:15:42,760
Speaker 2: No, no, ham turkey, sweat Swiss cheese. Okay, fried with

1550
01:15:43,000 --> 01:15:43,840
Speaker 2: dusted sugar.

1551
01:15:44,120 --> 01:15:47,280
Speaker 1: No, it's not wonderful. I'm gonna do this.

1552
01:15:47,400 --> 01:15:51,439
Speaker 12: One is Harry Potter, because that hermione is of course

1553
01:15:51,680 --> 01:15:54,040
Speaker 12: a Monte Cristo sandwich.

1554
01:15:54,400 --> 01:15:57,479
Speaker 2: Oh where's your cap? All right?

1555
01:15:57,760 --> 01:16:01,840
Speaker 12: Limos my ca it's Harry. Harry doesn't tackle.

1556
01:16:04,000 --> 01:16:09,439
Speaker 11: Five for five In answer, Oh god, you're not going

1557
01:16:09,479 --> 01:16:11,320
Speaker 11: to get a sandwich past me, but you are going

1558
01:16:11,400 --> 01:16:15,840
Speaker 11: to get a voice past Sabrina that that was one

1559
01:16:15,880 --> 01:16:17,320
Speaker 11: of the funniest things I've ever seen.

1560
01:16:17,479 --> 01:16:21,160
Speaker 1: Thank you so much for making me laugh harder than

1561
01:16:21,200 --> 01:16:23,880
Speaker 1: I have in a very long time. Oh, I can't

1562
01:16:23,920 --> 01:16:26,200
Speaker 1: wait to go out and get a Philadelphia sandwich after this.

1563
01:16:26,439 --> 01:16:29,879
Speaker 1: This is so much fun. Can we do a Sabrina

1564
01:16:29,920 --> 01:16:30,599
Speaker 1: C's please?

1565
01:16:35,040 --> 01:16:46,160
Speaker 2: Oh man, oh man. There were just, I would say,

1566
01:16:46,320 --> 01:16:48,559
Speaker 2: a lot of just random things.

1567
01:16:48,720 --> 01:16:51,320
Speaker 3: And again, because there was a lot of plot holes,

1568
01:16:51,479 --> 01:16:53,400
Speaker 3: I was always kind of thinking they were going to

1569
01:16:53,560 --> 01:16:57,120
Speaker 3: explain it. One of the things that they didn't explain

1570
01:16:57,200 --> 01:16:59,400
Speaker 3: at all was his glasses that he had that he

1571
01:16:59,520 --> 01:17:02,760
Speaker 3: could just randomly put up to the sky and see

1572
01:17:02,880 --> 01:17:04,080
Speaker 3: the darkness.

1573
01:17:04,160 --> 01:17:05,879
Speaker 1: But you could also see the darkness.

1574
01:17:06,360 --> 01:17:07,280
Speaker 2: Yeah, so it was.

1575
01:17:07,360 --> 01:17:09,400
Speaker 3: Weird because then he would you wouldn't see where it

1576
01:17:09,479 --> 01:17:14,000
Speaker 3: was coming from. What kind of measure that had to

1577
01:17:14,240 --> 01:17:17,560
Speaker 3: like tell us like, it's coming really fast, it's almost here, No,

1578
01:17:17,720 --> 01:17:18,000
Speaker 3: it's not.

1579
01:17:18,560 --> 01:17:19,759
Speaker 2: It never it was never.

1580
01:17:19,720 --> 01:17:22,400
Speaker 1: Explained the unit of measurement of those glasses.

1581
01:17:22,120 --> 01:17:27,439
Speaker 3: Using you know, in a lot of movies like this

1582
01:17:27,600 --> 01:17:31,920
Speaker 3: they would say, oh, those glasses tell you whatever. Anyway,

1583
01:17:32,120 --> 01:17:35,000
Speaker 3: there was also I thought there would be a reason.

1584
01:17:35,160 --> 01:17:38,320
Speaker 3: Now the only reason was someone was watching them through

1585
01:17:38,400 --> 01:17:42,439
Speaker 3: the eyes of the random cemented cows that were on

1586
01:17:42,640 --> 01:17:47,640
Speaker 3: this big property of grass and they were watched, but

1587
01:17:47,800 --> 01:17:48,679
Speaker 3: who was watching?

1588
01:17:49,120 --> 01:17:49,880
Speaker 4: Like was.

1589
01:17:51,560 --> 01:17:53,960
Speaker 2: It okay? That didn't you?

1590
01:17:54,280 --> 01:17:59,200
Speaker 3: I mean random cement statue cows. I would think was

1591
01:17:59,280 --> 01:18:01,479
Speaker 3: going to be expl of some sort, like they meant

1592
01:18:01,560 --> 01:18:03,000
Speaker 3: something in the other.

1593
01:18:02,960 --> 01:18:05,639
Speaker 2: World or whatever. That's not true.

1594
01:18:06,160 --> 01:18:08,320
Speaker 3: One of the things we did catch the song that

1595
01:18:10,520 --> 01:18:14,599
Speaker 3: we mentioned, the Go Gos song, Yeah we got the beat.

1596
01:18:15,280 --> 01:18:19,000
Speaker 3: Another song that I recognized because of a tour they

1597
01:18:19,040 --> 01:18:21,040
Speaker 3: went on and I had to bring it up because

1598
01:18:21,080 --> 01:18:25,200
Speaker 3: we watched a movie that the two girls starred in

1599
01:18:25,760 --> 01:18:28,200
Speaker 3: and that was Ali and AJ. They have a song,

1600
01:18:28,360 --> 01:18:31,360
Speaker 3: a rush song that they played in one of the montages.

1601
01:18:31,680 --> 01:18:34,360
Speaker 3: And again because I heard this song every night for

1602
01:18:34,560 --> 01:18:37,360
Speaker 3: you know, the seventeen dates or whatever that we did.

1603
01:18:37,320 --> 01:18:39,880
Speaker 2: On that little tour, and I went, wait a minute,

1604
01:18:39,880 --> 01:18:42,120
Speaker 2: what is that song? And I went to like look

1605
01:18:42,160 --> 01:18:43,360
Speaker 2: it up. I was like, I feel like that's an

1606
01:18:43,360 --> 01:18:44,600
Speaker 2: Allian AJ song and it was.

1607
01:18:44,760 --> 01:18:46,639
Speaker 3: It was pretty cool to have it, and that again

1608
01:18:46,800 --> 01:18:49,439
Speaker 3: is not something that was like a licensed piece of music.

1609
01:18:49,560 --> 01:18:52,080
Speaker 2: Is not something we've seen a ton on the channel.

1610
01:18:53,520 --> 01:18:57,960
Speaker 3: And then we talked about the necklaces that all the

1611
01:18:58,280 --> 01:19:02,360
Speaker 3: girl the two girls and the mom, but then randomly

1612
01:19:02,720 --> 01:19:03,680
Speaker 3: the necklace.

1613
01:19:03,320 --> 01:19:05,640
Speaker 2: That the adopted mom she also had a.

1614
01:19:06,000 --> 01:19:10,280
Speaker 3: Giant it was like a bat honest, yes, but what

1615
01:19:10,680 --> 01:19:14,679
Speaker 3: was that representing because it didn't go with her Halloween costume.

1616
01:19:15,000 --> 01:19:18,360
Speaker 1: No, I think twitches too. They're gonna hopefully explain that

1617
01:19:18,560 --> 01:19:19,120
Speaker 1: she's got.

1618
01:19:19,120 --> 01:19:22,360
Speaker 3: Powers to powers to maybe so we noticed that, so

1619
01:19:22,479 --> 01:19:24,479
Speaker 3: let's just keep that in mind for the sequels.

1620
01:19:24,760 --> 01:19:29,920
Speaker 1: She couldn't magic her husband up any sleeves, Yeah, exactly.

1621
01:19:29,600 --> 01:19:32,360
Speaker 7: Because there's also there's also a scene where she kind

1622
01:19:32,439 --> 01:19:34,479
Speaker 7: of makes someone leave, right, isn't that part of it?

1623
01:19:35,280 --> 01:19:39,439
Speaker 3: Yes, she was able to get the darkness to darkness

1624
01:19:39,640 --> 01:19:42,320
Speaker 3: leave out of nowhere. We don't know why, so we're thinking,

1625
01:19:42,560 --> 01:19:46,080
Speaker 3: I think that maybe along with this, maybe her bat

1626
01:19:46,880 --> 01:19:47,800
Speaker 3: chest playing.

1627
01:19:47,640 --> 01:19:49,200
Speaker 1: Something her chest.

1628
01:19:52,840 --> 01:19:53,759
Speaker 7: Hole in their first.

1629
01:19:55,560 --> 01:19:58,360
Speaker 3: And then the one thing I will say and you

1630
01:19:58,439 --> 01:20:00,439
Speaker 3: brought it up was one of the first things that

1631
01:20:00,520 --> 01:20:04,120
Speaker 3: happened in the first scene when we meet Cameron's parents

1632
01:20:04,400 --> 01:20:07,799
Speaker 3: when they came into the room, because the age difference

1633
01:20:07,880 --> 01:20:12,160
Speaker 3: did not seem like equivolented to them having a daughter

1634
01:20:12,280 --> 01:20:15,680
Speaker 3: that would be twenty one at the time. Are they

1635
01:20:15,840 --> 01:20:19,920
Speaker 3: friends or is this like a uncle? I didn't realize

1636
01:20:19,920 --> 01:20:22,560
Speaker 3: because they look so much closer in age than what

1637
01:20:22,680 --> 01:20:23,160
Speaker 3: you would think.

1638
01:20:23,320 --> 01:20:25,519
Speaker 1: Well, no, I think it's the I think it's the mom.

1639
01:20:25,640 --> 01:20:28,920
Speaker 1: Their magical mom is only nine years older than her, right.

1640
01:20:29,360 --> 01:20:32,280
Speaker 3: But I mean I thought that just in real life,

1641
01:20:32,360 --> 01:20:34,920
Speaker 3: I look same thing when they had her magical mom.

1642
01:20:35,080 --> 01:20:38,479
Speaker 2: She also just looks so young. Both of the kids looked,

1643
01:20:39,400 --> 01:20:42,040
Speaker 2: or both of the girls just looked a lot more

1644
01:20:42,320 --> 01:20:44,599
Speaker 2: closer to their age. For them to be playing their

1645
01:20:44,680 --> 01:20:47,639
Speaker 2: parents look felt weird to me. So that was really

1646
01:20:47,760 --> 01:20:48,560
Speaker 2: that was what it was.

1647
01:20:48,720 --> 01:20:51,040
Speaker 3: And then I always love like a funny line where

1648
01:20:51,920 --> 01:20:54,439
Speaker 3: the dad who just kind of seemed lost all the time,

1649
01:20:54,560 --> 01:20:57,880
Speaker 3: he really is finding himself as what what it means to.

1650
01:20:58,000 --> 01:20:59,479
Speaker 1: Be as a man as a parent.

1651
01:20:59,600 --> 01:21:02,560
Speaker 2: Yep, he goes, will someone tell me what's going on?

1652
01:21:02,760 --> 01:21:05,519
Speaker 2: And she literally just says later, Daddy, like you help me.

1653
01:21:05,520 --> 01:21:09,439
Speaker 3: He's just it's the same as some of the other

1654
01:21:09,520 --> 01:21:11,360
Speaker 3: things we've seen in other movies that I always just

1655
01:21:11,400 --> 01:21:14,960
Speaker 3: have like a funny quote that I love to just

1656
01:21:15,320 --> 01:21:17,080
Speaker 3: you know, I think they're hilarious.

1657
01:21:17,160 --> 01:21:19,240
Speaker 2: Made me laugh about he just got poor guy just got.

1658
01:21:19,360 --> 01:21:22,240
Speaker 2: He got right right to the side, poor guy.

1659
01:21:22,640 --> 01:21:24,479
Speaker 1: Well, now we come to the portion of our show

1660
01:21:24,720 --> 01:21:28,120
Speaker 1: Its gonna be a tough one where we rate our

1661
01:21:28,240 --> 01:21:30,160
Speaker 1: movies one out of ten our options this week, one

1662
01:21:30,200 --> 01:21:34,080
Speaker 1: out of ten, whatever losers, one out of ten, useless skills,

1663
01:21:34,479 --> 01:21:37,439
Speaker 1: one out of ten, Zoros to flirt with, one out

1664
01:21:37,479 --> 01:21:42,040
Speaker 1: of ten, roommates with Fomo, huge tia tears, one out

1665
01:21:42,080 --> 01:21:45,120
Speaker 1: of ten, ten cent wings, Oh that's good, one out

1666
01:21:45,120 --> 01:21:47,439
Speaker 1: of ten, smoke monsters with Blood and Fire, or one

1667
01:21:47,479 --> 01:21:50,800
Speaker 1: out of ten. Uncle Stepdads. I'm gonna let you pick

1668
01:21:50,880 --> 01:21:51,840
Speaker 1: this week. What would you like to do?

1669
01:21:54,479 --> 01:21:56,880
Speaker 2: I love the huge tea tears.

1670
01:21:57,080 --> 01:22:00,200
Speaker 1: You got it? So I think did I go first

1671
01:22:00,240 --> 01:22:01,680
Speaker 1: last time? Or did you go first last night? I

1672
01:22:01,720 --> 01:22:03,720
Speaker 1: think I went first home you did go first. Yes,

1673
01:22:03,800 --> 01:22:04,160
Speaker 1: all right.

1674
01:22:04,800 --> 01:22:05,599
Speaker 2: Here's the thing.

1675
01:22:05,760 --> 01:22:09,240
Speaker 3: So it's already hard enough to compare these d comps

1676
01:22:09,240 --> 01:22:10,960
Speaker 3: because we're just seeing so many of them now and

1677
01:22:11,200 --> 01:22:13,560
Speaker 3: I'm loving it, but you do start comparing them to

1678
01:22:13,880 --> 01:22:14,280
Speaker 3: each other.

1679
01:22:14,520 --> 01:22:15,360
Speaker 2: You have to them.

1680
01:22:15,439 --> 01:22:17,880
Speaker 3: Going back and forth made it hard for me to

1681
01:22:18,200 --> 01:22:22,360
Speaker 3: just dive into the cartooniness of what the green screen

1682
01:22:22,439 --> 01:22:25,920
Speaker 3: stuff was, you know, so I didn't love a lot

1683
01:22:25,960 --> 01:22:26,120
Speaker 3: of it.

1684
01:22:26,520 --> 01:22:28,880
Speaker 2: Again, I'm trying to get on a level.

1685
01:22:29,080 --> 01:22:30,680
Speaker 3: I think I'm gonna go ahead and just do my

1686
01:22:31,439 --> 01:22:35,280
Speaker 3: my correct studying and start watching all of the Harry

1687
01:22:35,360 --> 01:22:36,600
Speaker 3: Potters because.

1688
01:22:36,520 --> 01:22:39,400
Speaker 1: Read the books. The movies are great, but read the books.

1689
01:22:39,720 --> 01:22:43,720
Speaker 3: I will, but I'm trying so hard. But again, those

1690
01:22:43,760 --> 01:22:47,000
Speaker 3: holes being able to not just have me skip right

1691
01:22:47,080 --> 01:22:49,320
Speaker 3: over them means they were pretty big, and so I

1692
01:22:49,400 --> 01:22:53,320
Speaker 3: think I'm gonna go with a six point zero.

1693
01:22:54,720 --> 01:22:55,679
Speaker 2: Huge tea tears.

1694
01:22:55,840 --> 01:23:00,360
Speaker 1: Wow, that's that's okay. I cannot be as gen with

1695
01:23:00,400 --> 01:23:02,960
Speaker 1: this film because I am a fantasy nerd. I cannot

1696
01:23:02,960 --> 01:23:04,600
Speaker 1: get the fantasy nerd them out of my head. I

1697
01:23:04,680 --> 01:23:07,680
Speaker 1: know people say I should, but even thirteen year old

1698
01:23:07,800 --> 01:23:10,639
Speaker 1: me would not have been happy with the world building

1699
01:23:10,720 --> 01:23:13,280
Speaker 1: and the magical system in this movie. I didn't get it.

1700
01:23:13,439 --> 01:23:15,960
Speaker 1: I didn't know where they were going. I am giving

1701
01:23:16,040 --> 01:23:22,360
Speaker 1: this a four point five huge Tia tiars. Again, nothing

1702
01:23:22,560 --> 01:23:25,719
Speaker 1: about Tia and Tamara. They are stars, they will always

1703
01:23:25,760 --> 01:23:27,880
Speaker 1: be stars. There's a reason that they were the darlings

1704
01:23:27,920 --> 01:23:32,160
Speaker 1: of the network. They are built for Disney Channel and

1705
01:23:32,439 --> 01:23:37,160
Speaker 1: for being young actors, writers, singers, producers, that they're the

1706
01:23:37,280 --> 01:23:40,120
Speaker 1: model of it. So nothing against the more reason, any way,

1707
01:23:40,160 --> 01:23:44,800
Speaker 1: shape or form, this script needed somebody with some sort

1708
01:23:44,840 --> 01:23:47,280
Speaker 1: of magical or fantasy knowledge to come in and give

1709
01:23:47,320 --> 01:23:49,920
Speaker 1: it a polish. So the nerd in me, as I

1710
01:23:50,040 --> 01:23:54,000
Speaker 1: point to all my toys and fantasy novels behind me,

1711
01:23:54,720 --> 01:23:57,080
Speaker 1: cannot give this a high mark, having nothing to do

1712
01:23:57,160 --> 01:24:00,599
Speaker 1: with the acting. Acting Again, acting's all good. The green

1713
01:24:00,680 --> 01:24:03,120
Speaker 1: screen was not good. There was the twist made, there

1714
01:24:03,200 --> 01:24:05,840
Speaker 1: was no twist. I didn't understand what the bad guy

1715
01:24:06,000 --> 01:24:10,200
Speaker 1: was doing. It wasn't particularly scary. It's four point five

1716
01:24:10,600 --> 01:24:14,280
Speaker 1: huge tea tears for me and there you have it.

1717
01:24:14,360 --> 01:24:19,040
Speaker 1: Thank you everybody for joining us on this amazing journey

1718
01:24:19,320 --> 01:24:23,080
Speaker 1: that was Tweitch is Twitches, Thank you so much. It

1719
01:24:23,320 --> 01:24:26,439
Speaker 1: is our next movie, everybody is, We are going to

1720
01:24:26,680 --> 01:24:30,320
Speaker 1: one that once again I know nothing about. This could

1721
01:24:30,400 --> 01:24:34,120
Speaker 1: be about a family of librarians that read so much

1722
01:24:34,160 --> 01:24:38,120
Speaker 1: they start to cry. Yes, our next film is Read

1723
01:24:38,200 --> 01:24:42,320
Speaker 1: It and Weep, which I believe is also on Disney Plus.

1724
01:24:42,400 --> 01:24:44,280
Speaker 1: So please watch and go and prepare with us as

1725
01:24:44,360 --> 01:24:46,719
Speaker 1: we are going to prepare because I don't know anything

1726
01:24:46,760 --> 01:24:48,840
Speaker 1: about this movie, but Read It a Weep as our

1727
01:24:48,920 --> 01:24:50,680
Speaker 1: next one. Thank you so much for joining us for

1728
01:24:51,120 --> 01:24:53,920
Speaker 1: what was Twitches, and remember to subscribe to our feed.

1729
01:24:54,160 --> 01:24:56,120
Speaker 1: You can follow us at the Magical rewind pod on

1730
01:24:56,160 --> 01:24:59,840
Speaker 1: the Instagram machine and we will see you next time. Bye,

1731
01:25:00,000 --> 01:25:15,920
Speaker 1: everybody fee