Speaker 1: I had a cool Hurt moment one time. I've seen
Speaker 1: cool Hurt in the Lower east Side. Man and it's
Speaker 1: raining outside. He's like this big dude, if you'll see coolberk.
Speaker 1: He's like six something. Probably he's walking away. He disked
Speaker 1: me as something and I was like, yo bok, but
Speaker 1: what about the culture? As he's walking away, he turns
Speaker 1: around and he looks at me, look funk the culture
Speaker 1: And I was like, Oh, that was the hell ship
Speaker 1: of everything that invented the coaches And he's like, fun
Speaker 1: the culture. The culture ain't payby for ship. I'm starving
Speaker 1: out here. The culture definitely my crown ships in your
Speaker 1: man's racists money stuff. I can't tell me. Oh there
Speaker 1: is ladies and gentlemen there it is. Everybody. Welcome to
Speaker 1: another exceptional episode of My Mama told me in the
Speaker 1: podcast where we Died Deep, we should be lunk into
Speaker 1: the world of black conspiracy theories and we work to
Speaker 1: prove that Tia and Tamara are not identical twins. We
Speaker 1: all know which one is objectively cuter than the other,
Speaker 1: and the answer is Taj Taj Maori is the cutest
Speaker 1: of those three. It's honey, it's not even a debate.
Speaker 1: He's gorgeous. Sure, he's in his thirties and he didn't
Speaker 1: get any bigger than he used to be as a child.
Speaker 1: But that boy is cute. He's a cute pie. And
Speaker 1: it needs to be heard, it needs to be said,
Speaker 1: it needs to be announced. I'm coming in hot today, baby,
Speaker 1: I'm feeling good. I'm taking down the Maori Twins for
Speaker 1: some reason. I don't know what my agenda is. I'm
Speaker 1: your host, Legs and Kerman is always I'm excited to
Speaker 1: be here. I'm having a phenomenal day. There's apparently a
Speaker 1: new white woman out here pretending to be a black
Speaker 1: and I'm excited about it. Her name is Jessica Crue
Speaker 1: and she's Rachel dolas On. And we needed this. I
Speaker 1: think we needed to re up on Rachel. Rachel had
Speaker 1: sort of fallen to the wayside, and we forgot that
Speaker 1: Rachel was a problem. But here comes Jessica Crue, who
Speaker 1: worked her way up to become a professor in African
Speaker 1: American studies somewhere in Kansas. Good for her and good
Speaker 1: for us. We got something to be mad about, and
Speaker 1: I love it. You know who's never mad is my
Speaker 1: guest today, I can say that with almost certainty. He's
Speaker 1: never mad. He's one of the most positive, uplifting humans
Speaker 1: that I've ever had the pleasure of interacting with. On
Speaker 1: top of that, he's funny as ship goddamn hysterical. You
Speaker 1: know him from Comedy Central, you know him from Amazon.
Speaker 1: You know him as the Bronx whisper, the man that
Speaker 1: lets you know what the funk is happening in the
Speaker 1: b X. He's still alive, and he wanted me to,
Speaker 1: let you know, give it up for my guests. Mr
Speaker 1: Pete the eyebrow, Yo, yo, share your shout out to
Speaker 1: all of everybody in attendance. Hell yeah, they're ready, they're excited,
Speaker 1: you're here. Thanks for having me. You know what I'm saying.
Speaker 1: It's real professional. I like to be involved with professional things.
Speaker 1: That's right. How you living man? Doing good? Brother? You
Speaker 1: know I'm shout here, surviving man. Try and avoid these droplets,
Speaker 1: you know. Now I gotta go into a whole another bag. Now,
Speaker 1: I gotta go performing somebody's driveway. Otherwise I don't know
Speaker 1: what I'm gonna do. I was in the public pod
Speaker 1: yesterday performing by like a public pool. The pool was closed,
Speaker 1: but it was like seven people in the audience. It
Speaker 1: was like twenty people like far right doing yoga. It
Speaker 1: was like, you know, I mean twenty more people on
Speaker 1: the other side doing yoga. And I'm talking about like, yo, man,
Speaker 1: I'm just happy to be here. I'm talking about homeless
Speaker 1: dude asking me for money on the train with no
Speaker 1: maskball and I'm like, nigga, I ain't gonna pay you
Speaker 1: for the rona. But you know what's right, listen, listen.
Speaker 1: If you're gonna give it to me, give it to
Speaker 1: me for free. I'm not about to tip the biggest
Speaker 1: that's the biggest sucker move. You give your paying for
Speaker 1: some ship that's free. Right. Come on, brother, let me
Speaker 1: let me get a dollar so I could give you
Speaker 1: a disease that's gonna ruin your life. I wasn't gonna
Speaker 1: go outside until they started killing when they started killing
Speaker 1: black people. When they was like they kept killing us,
Speaker 1: I was like, fucking man, the cops gonna kill me.
Speaker 1: The guy will given about drop right, you take me.
Speaker 1: I was I didn't kid. I was sad. I was
Speaker 1: like I can't do it. I can't do what I
Speaker 1: got it. That's the thing is like, once you get
Speaker 1: people out in the streets and rage. They're not gonna
Speaker 1: like go back in you know what I mean. We
Speaker 1: ain't about to yell about stop murdering us and then
Speaker 1: follow your your procedures. It's like I can't tell you
Speaker 1: a conspiracy real quick that I had just after jo it.
Speaker 1: So you know the six feet ship, right, Dr Fucci
Speaker 1: was like six ft right, so pete, so pete. So
Speaker 1: I'm like, your who measures the six ft? You feel me?
Speaker 1: Because it's like the droplets to spit when you talk,
Speaker 1: when you sneeze, they measuring six feet from like when
Speaker 1: you talk, right, but like you know that's from the
Speaker 1: white man's lips though, sure, so the white man, I'm
Speaker 1: gonna stop you right there. That's how they get you.
Speaker 1: I'm listening, go ahead, right, so the white man like
Speaker 1: six ft boom, but you know our lips is different.
Speaker 1: You feel me, Like we say things, so I spit
Speaker 1: goes further, you feel me. So that's how they're trying
Speaker 1: to have the numbers crazy in the hood. And because
Speaker 1: we used world we say bitch hass like bit goes further,
Speaker 1: like where you say bitch hass, that's further. The six
Speaker 1: feet bro Like now you're saying something I'm fascinated by.
Speaker 1: This is a devastating revelation that I had not considered.
Speaker 1: You're saying that the way that we speak and the
Speaker 1: way that black people's mouths are shaped, in fact, makes
Speaker 1: it so that our spit flies further than six feet,
Speaker 1: and this six feet is merely a protection for the
Speaker 1: white lip, the white mouth in its spread, and the
Speaker 1: white community. Wow, listen, if true, that is devastating information.
Speaker 1: The numbers spiked in all of the in the hoods, Like,
Speaker 1: it's like, how does she at least spiking in the
Speaker 1: hoods A bunch of dudes. They were still roasting, but
Speaker 1: from six ft and they still six feet. But in fact,
Speaker 1: he wasn't lucky at all. This motherfucker needed to be
Speaker 1: eight feet because of them big gass roasting and lips yos.
Speaker 1: That's going across the street properly is going a block away. Damn,
Speaker 1: this is big. I gotta write a governor. Or. I
Speaker 1: don't I don't know that I can trust him, but
Speaker 1: I gotta write somebody that's gonna be able to solve
Speaker 1: this for me. I want to all trusting Fucci, and
Speaker 1: now Fucci where he had come even on the check
Speaker 1: it though, boy, like a quick check in on Facebook?
Speaker 1: What was that that app where you used to tell
Speaker 1: people your location for no reason at all? Four square?
Speaker 1: You don't even four squares to be like Dr fauci
Speaker 1: Is or fucci is that. I love that you got
Speaker 1: him on It's wild, but I fucking love that conspiracy.
Speaker 1: But you brought to me a conspiracy that we have
Speaker 1: to jump into it. I don't want to lose any
Speaker 1: time on this, but you brought to me a conspiracy
Speaker 1: that I think is equally fascinating and complicated and a
Speaker 1: lot more philosophical, I think than any of the other
Speaker 1: conspiracy theories that we've had on this show. You said,
Speaker 1: and I want to get this right. My mama told
Speaker 1: me potty and hard times make everything better. M tell
Speaker 1: me more struggle, man, you know, not not the struggle
Speaker 1: when they say the struggle is real, because those people
Speaker 1: struggling really talking about you know what I'm saying ruggle,
Speaker 1: Like you know how they say hand me down clothes?
Speaker 1: What about hand me down struggle? Saying generation? But it's like,
Speaker 1: you know, the good stuff come out of the struggle
Speaker 1: as far as like you get crazy results from hardships.
Speaker 1: You know what I'm saying, like food type of ship,
Speaker 1: Like I don't even like fried chicken. If the person
Speaker 1: who made it never struggle, you feel me, it don't taste.
Speaker 1: There's that restaurant in Brooklyn that everybody who is a
Speaker 1: gentrifier tells you, Pies and Thighs, where they're like, oh,
Speaker 1: you gotta go to Pies and Thighs because that's the
Speaker 1: best fried chicken in all of Brooklyn, And it's like, no, listen,
Speaker 1: I'm sure it's fine fried chicken. I'm sure they did
Speaker 1: their best given their circumstances. But the reality is these
Speaker 1: are a bunch of trust fund kids who figured out
Speaker 1: how to fried chicken. But here's the thing, right, I
Speaker 1: thought about this earlier too. You can duplicate the results
Speaker 1: of what comes out of the struggle. You can't duplicate
Speaker 1: the struggle, you know what I'm saying. You could duplicate
Speaker 1: the results like they can find some fried chicken and
Speaker 1: send it to ancestry dot com and I'm saying, get
Speaker 1: all the fucking ingredients back the batter, you know what
Speaker 1: I'm saying. And now they stole a whole box. They
Speaker 1: don't know what it's like to conjure it up from pain.
Speaker 1: You want to, like, imagine you making chicken, but like,
Speaker 1: not only are you making chicken, you're trying to mean something. Yeah.
Speaker 1: Well that's the thing is like you can figure out
Speaker 1: all the things, but part of what made the chicken
Speaker 1: good was that the grease popped and they landed on
Speaker 1: somebody's skin and it burned a little bit, and that
Speaker 1: skin particle got into the chicken and made it gave
Speaker 1: it personality. But you can't do that and it has
Speaker 1: matched suit, you know what I mean? Like y'all are
Speaker 1: showing up and treating this like science, when in fact
Speaker 1: it's a lived experience. You know when the fry that
Speaker 1: chicken and they used their fucking fingers in the oil, Bros. Yeah,
Speaker 1: you know when they put those fingers in the oil
Speaker 1: because those fingers been through so much. Yeah, I think
Speaker 1: it's don't even got feel And for the nerve ending
Speaker 1: snowboard turned around, flipping up. I want to taste the
Speaker 1: lady named Roberta's fingers in my chicken. And if Roberta's
Speaker 1: fingers ain't in there, it ain't good chicken. Yo. All right.
Speaker 1: There's a spot in Brooklyn called Brooklyn soul full Kitchen
Speaker 1: m been in since like the seventies, not asked, but
Speaker 1: it's in the middle of Flatbush. You know what I say,
Speaker 1: you gotta go. I'm saying you gotta go with They're
Speaker 1: not really gentrifying that the best fried chicken. And to
Speaker 1: your point, that also is an earned experience. It's an
Speaker 1: experience that we might say comes with a struggle. You
Speaker 1: gotta get off that train and you gotta make a
Speaker 1: walk through a neighborhood that you may or may not
Speaker 1: be comfortable in to get to that chicken. You gotta
Speaker 1: be able to order that food, sit down in that place,
Speaker 1: and then get yourself back. That's chicken you've earned. That's
Speaker 1: chicken that comes with a story. It's not just something
Speaker 1: that can be mass produced for a bunch of white
Speaker 1: kids in a New Brooklyn or just because it's like
Speaker 1: Sweet Chick, where it's like, you know, it's fried chicken,
Speaker 1: but they got nineties hip hop plan. So you feel
Speaker 1: like you've been through some ship, like you ain't been
Speaker 1: through nothing because you're paying twenty dollars for a time
Speaker 1: man funk out of here, Man Bell the vote didn't
Speaker 1: give you the experience. This is how I know. This
Speaker 1: is how I know if your chicken is legit. If
Speaker 1: people look at me like an alien, if I try
Speaker 1: to haggle the price of the chicken, I don't want
Speaker 1: the chicken there in the first place. If there's somebody
Speaker 1: is line, it's like, yeah, that's like that ship is good.
Speaker 1: It's good, right because they know that they probably were
Speaker 1: going to give you some shitty thime, mate, and uh
Speaker 1: it is what it is. Yeah, all right, we'll negotiation. Struggle, struggle,
Speaker 1: want to sweat, That's what I would thinking, like you
Speaker 1: said that the skin, but like also sweat from the
Speaker 1: struggle and the pain in the years of suffering. That
Speaker 1: when they in that kitchen and mom and them making
Speaker 1: that chicken in and that little bit of that be
Speaker 1: the sweat drips off from the eyebrow that because it
Speaker 1: slowed down the forehead today eyebrow drips in the batter.
Speaker 1: Now you got a whole another season and right there
Speaker 1: that you, Mrs Dash, don't got that. That's a new
Speaker 1: sult that they ain't hitting yet, And that's paying equity salt.
Speaker 1: I love that though. That's that's a delicious sult. It's
Speaker 1: a tragically earned sult. But to taste great. Okay, let
Speaker 1: me ask you, this is this a theory that you
Speaker 1: feel like you discovered on your own? Was it handed
Speaker 1: down to you? Where do you think this came from.
Speaker 1: This's just come from paying attention. I'm saying, it's comes
Speaker 1: from just looking around, like Okay, this is where I'm from.
Speaker 1: This is what it is. This is like the facts,
Speaker 1: all the proof is there, Like I can go back,
Speaker 1: like even like what the fool with sports, with fashion,
Speaker 1: with music, with everything? You know what I'm saying, Like,
Speaker 1: it's just the struggle is at the epicenter of the ship.
Speaker 1: Look at hip hop, look at music. I'm from the Bronx.
Speaker 1: Came from the Bronx. They wasn't trying to make no
Speaker 1: money out that ship. It was just like like something.
Speaker 1: So they didn't knock each other's head off, no more right.
Speaker 1: It was some dudes who were otherwise boared on a
Speaker 1: corner then deciding like I well, we either fight about
Speaker 1: some ship and sort of like air our feelings out
Speaker 1: in a completely unhealthier way, or we just spit, we
Speaker 1: beat box, we do whatever, and like let that be
Speaker 1: the way that it's almost too like, um, you know
Speaker 1: what the hood due to we remix ship. So like
Speaker 1: remember in the seventies, I believe in the Bronx, it
Speaker 1: was like a lot of gangs and ship, so it
Speaker 1: was going crazy and then it was like they broke
Speaker 1: the gang violence up. So then the gang members started
Speaker 1: going into like you know, getting in the hip hop ship,
Speaker 1: Like gang members start doing graffiti, just wrapping and stuff
Speaker 1: like that. You know what I'm saying. But that ship
Speaker 1: came out of just nothing to fucking do, yeah, and
Speaker 1: not having nothing. So like if you could come out
Speaker 1: and you could rhyme, or you could paint, or you
Speaker 1: could dance or you could DJ, it like superseded what
Speaker 1: you was going through. So that's why I think, like
Speaker 1: to like with the struggle, how it powers things, It's
Speaker 1: just like you trying to supersede whatever the struggle is
Speaker 1: with what you can do. It's like, yo, I might
Speaker 1: be fucked up, but here's this chicken. Though you can't
Speaker 1: even you can't even buy that type of ship, you
Speaker 1: feel me right, So if I can somehow make something
Speaker 1: that is in fact better than my sad feelings, my
Speaker 1: sad feelings don't feel like sad feelings the same way
Speaker 1: they were before. Not because it's like living in the present.
Speaker 1: Almost like yo, if you can make something good in
Speaker 1: the present right now, that ship is almost like not reality,
Speaker 1: although it is, but for right now, you know the
Speaker 1: pride of of wrapping or doing whatever it was. You know,
Speaker 1: that ship came from you know, broken glass everywhere, man,
Speaker 1: You know people passing on the stairs like they just
Speaker 1: don't kid you know what I'm saying that I think
Speaker 1: about that ship. You're broken glass everywhere, like they was
Speaker 1: just breaking bottles everywhere. Well, that's the thing is like
Speaker 1: so much of hip hop, I think now has been
Speaker 1: turned into a type of storytelling that isn't always rooted
Speaker 1: in the truth, you know what I mean, Like it's
Speaker 1: like a game of telephone, right that. Like when they
Speaker 1: were first rapping about those experiences, it literally was that
Speaker 1: experience because they were just doing it right. It was
Speaker 1: just that they lived experience that they wanted to share
Speaker 1: with the world. Whereas now it's like, Okay, well We've
Speaker 1: had generations of people talking about their lived experiences, so
Speaker 1: now I got to make some ship up based off
Speaker 1: of this old story that I've been hearing for generations.
Speaker 1: But the root of it, though, is still struggled all
Speaker 1: because it's evolved. Obviously, it's always gonna evolve. It's gonna evolved,
Speaker 1: but where it came from, it's just a bunch of dudes,
Speaker 1: you know that. And then it's like we mimic and remix.
Speaker 1: So I feel like it's almost like the what's that
Speaker 1: the West Side story, but with black people and Puerto
Speaker 1: Ricans in the Bronx where it's like niggas ain't talking
Speaker 1: about when you would Jake to the end is talking
Speaker 1: about to the hips, the hop, the hip. But it's
Speaker 1: the same fucking ship. We just add more source tie ship,
Speaker 1: I ship or the hood makes ship, fire bro everything,
Speaker 1: everything you can think about, the struggle, poverty, make that
Speaker 1: ship because we got no we want to be seen,
Speaker 1: you know what I'm saying. That's the other ship, Like
Speaker 1: we want to be seen so we know, like, yo,
Speaker 1: it's not gonna be the same. If you come in
Speaker 1: with some fucking shoe bobs ship, well, I think that
Speaker 1: you're hitting on something really important. Is that so much
Speaker 1: of this is about just visibility, right that, Like the
Speaker 1: only true source for visibility is creation. If they've stolen
Speaker 1: all of your other resources, like if you don't allow
Speaker 1: me to have any sort of say in any other
Speaker 1: part of the way that like financial institutions and like
Speaker 1: education work. Then my only way of existing even in
Speaker 1: the world and the grand scheme of the world is
Speaker 1: to create something. And my creation has to somehow be
Speaker 1: better than the thing that you've deemed the best out
Speaker 1: in the world already or just if front a lot
Speaker 1: of the times, because like that's the rebellious of going, oh,
Speaker 1: that's what y'all doing, that's what we're gonna do. So
Speaker 1: it almost makes you like, even like say hip hop,
Speaker 1: like it makes the traditional music fan when it comes out,
Speaker 1: the niggas is angry. They don't want to hear this
Speaker 1: fucking hippie gibberish ship. They listened to the Franks and
Speaker 1: Natro fucking little roles all that, all that type of
Speaker 1: ship shoot bopp do wop ship, and these motherfucker's coming
Speaker 1: out like you like, and they're dancing differently, right. I
Speaker 1: was about to say, they had to be a devastating
Speaker 1: turn from like the white people were doing the foxtrone,
Speaker 1: do you know what I mean? Like they were doing
Speaker 1: a one too back and forth, and then suddenly a
Speaker 1: motherfucker came in and slid on his knees and did
Speaker 1: a backflip. And you're like, all right, bro, y'all ain't
Speaker 1: playing the same game we're playing. Because I was over
Speaker 1: here fox striding. I was chilling. Do you think he's
Speaker 1: just doing moves jumping on the floor, humping the floor?
Speaker 1: Bro right, and then spending on their fucking jemy curls
Speaker 1: was crazy. Elvis became in the most famous man in
Speaker 1: the world because he was the first white man to
Speaker 1: use his pelvis and who stole that from? And he
Speaker 1: stole it, that's my point. He stole that from from
Speaker 1: from a bunch of poor people who were already using
Speaker 1: their pelvis. They've been doing that. Yeah, it was already
Speaker 1: a thing. And it's like, okay, well you either, like
Speaker 1: you said, you either find a way to make it
Speaker 1: different and create value from it, or you just don't exist.
Speaker 1: You become invisible in the society. I said, bro, you
Speaker 1: gotta make noise, especially like yeah, it's like all right,
Speaker 1: well fun, they don't want me. I'm gonna do this
Speaker 1: and like the other way and it's gonna upset people.
Speaker 1: That's kind of like what I think. A lot of
Speaker 1: it comes not to upset people, but it's just the
Speaker 1: way to express yourself. You know. Hell yeah, alright, we're
Speaker 1: gonna take a break and then we're gonna be back
Speaker 1: with more pdd ibrew and more. My mama told me, damn,
Speaker 1: we are bad. My man supposed to smat his meat
Speaker 1: with this ship. Bro, what the fun? And we're back
Speaker 1: here with more pity Drew? Who are my mama told me,
Speaker 1: we're still talking about the possibility that true happiness is
Speaker 1: birth from the struggle, from these things that we have
Speaker 1: to earn and not from these things that are simply
Speaker 1: handed to us. We were sort of talking about the
Speaker 1: things getting stolen. Do you think that some of that
Speaker 1: plays its hand in the way that people define their
Speaker 1: happiness or define sort of like the goodness that comes
Speaker 1: out of the struggle? Uh? That should sounded mad scientifical?
Speaker 1: Can you rephrase that? Pleast what I think I'm asking? Like,
Speaker 1: there is real evidence that so much of what poor people,
Speaker 1: in black people, in brown people will create is often
Speaker 1: stolen and reappropriated for a white audience. Right, do you
Speaker 1: think that that has its hand in how people are
Speaker 1: able to enjoy their creation? You're saying how white people
Speaker 1: can enjoy the thievery or how black people can enjoy
Speaker 1: what was stolen. Oh, and that's deep. I wish I
Speaker 1: knew the like the word to define that, yo, because
Speaker 1: like that was like deep and mad different levels. Like
Speaker 1: all right, so they from talk me through your thoughts
Speaker 1: so to say, like hip hop right, like because like
Speaker 1: to me, I feel like that's the most you know
Speaker 1: hip hop is like because it has so many different facets,
Speaker 1: whether fashion, art all that. Ship it's like it's under
Speaker 1: a hip hop umbrella. So it's like, all right, it's
Speaker 1: a multi billion dollar industry, right, cool hirt. The person
Speaker 1: that invented hip hop, right, the motherfucker is broke, right,
Speaker 1: he invented hip hop. He's broke, has nothing. I mean
Speaker 1: he got probably a couple of sandwiches and you know
Speaker 1: a few things. But you know what I'm saying. But
Speaker 1: now it do make it easier because now it's like,
Speaker 1: you know, like imagine the first dudes that were rapping,
Speaker 1: how did those deals even look? It was like just
Speaker 1: the dude that seeing some dude. They didn't even understand
Speaker 1: what rap was, probably but they was like, yo, these
Speaker 1: things doing it for free. We put it out, maybe
Speaker 1: we could like make some money. We get the temperance
Speaker 1: and we keep ninety and tell them we're keeping it
Speaker 1: a hunted and it confused these things. It was like
Speaker 1: that had up. So yeah out sign, well I signed,
Speaker 1: missed to go ahead. But we enjoyed the sweat and
Speaker 1: the pain and the blood of the pioneers. We get
Speaker 1: to we get to benefit off of the cool hurts
Speaker 1: or the people that didn't get any type of pay.
Speaker 1: To your point, I think what you're saying is that
Speaker 1: although a cool hurt is now saying fuck the culture
Speaker 1: because of what the culture sort of left him with,
Speaker 1: there's a generation that follows him that then gets to
Speaker 1: enjoy the culture that he created and benefit from the
Speaker 1: culture that he created, and then also just to pass
Speaker 1: you don't see, but I don't know that old nig.
Speaker 1: They think it's mad disrespectful bob, But dude, that you
Speaker 1: like it mad disrespectful too, because you'd be like telling
Speaker 1: the whole story, like, Yo, they jerked him whatever he's like,
Speaker 1: shouldn't have been a dumb nigger, then yo, chill out,
Speaker 1: bro right, I'm doing is disrespectful, Like they would have
Speaker 1: known that it was um in the exact circumstances that
Speaker 1: he was the only reason, you know, it's dumb is
Speaker 1: because there are stories of a person making the wrong
Speaker 1: choice and then being punished for it, you know what
Speaker 1: happens to like the cycle is never really broken because
Speaker 1: it's always like that's what I'm saying, the struggle. Bro.
Speaker 1: Even with that knowledge out there, there's still gonna be
Speaker 1: a kid that's starving somewhere that they say, Yo, listen,
Speaker 1: you're gonna look like this. You're gonna say this and
Speaker 1: you're gonna get X amount of dollars and people gonna
Speaker 1: be like, yeah, well, okay. So that brings me, I
Speaker 1: think into some of the research that I impacked in
Speaker 1: this or tried to unpack in this, and it connects directly.
Speaker 1: And I think hip hop and jazz in a lot
Speaker 1: of ways in terms of lack American invention, have a
Speaker 1: very clear relationship, right, And so I was looking up,
Speaker 1: like where did jazz come from? And apparently in a
Speaker 1: dude named Buddy Bolden starts a band where he basically
Speaker 1: is the first person to start playing live jazz music
Speaker 1: and everybody yeah, and they're like, holy shit, Buddy Bowling,
Speaker 1: this dude is great and for years he's like a
Speaker 1: cool dude on the scene. He's like underground, but he's
Speaker 1: flying people fucking with it. They love jazz. But then
Speaker 1: there's all these people who claimed that jazz wasn't in
Speaker 1: fact invented by Buddy Bolden. It was invented basically almost
Speaker 1: twenty years later, in nineteen seventeen by this dude named
Speaker 1: nick A Rocca. White dude, come on, who went and
Speaker 1: made jazz and put it on record? Do you know
Speaker 1: what I'm saying? Like, Buddy Bolden was doing some like
Speaker 1: cool ship with his friends and playing in clubs, but
Speaker 1: then nick Larrocca like put that ship on wax, and
Speaker 1: now everybody's like, man, nick Larrocca, that's the guy. He
Speaker 1: invented it. Yeah, it's real fucked up. And so it
Speaker 1: put me in a weird place with your conspiracy because
Speaker 1: it it makes me feel like, how much of this
Speaker 1: do we really get to enjoy? When somebody comes in
Speaker 1: and usurps are cool ship? Do you know what I'm saying, Like,
Speaker 1: how much of that is still ours? If nick Larrocca
Speaker 1: it becomes the face of jazz music? No, but you
Speaker 1: know the real ones. No, my man, buddy, feel me,
Speaker 1: Buddy Balding. That's why, like when you said that, I'm
Speaker 1: like Damn, I wonder what this thing was going through
Speaker 1: in his life. Like Buddy Bolden when he came with
Speaker 1: the jazz. He know what I'm saying, he might have
Speaker 1: been down on this luck. He might just came up,
Speaker 1: you know what I'm saying. He might have just got
Speaker 1: some tops, some buns or something by Shorty. You know,
Speaker 1: I'm saying he was down on his luck and you're
Speaker 1: passing my fuck the saxophone bro, and he started playing
Speaker 1: some ship because he felt jazzy. You know what I'm saying.
Speaker 1: Imagine how good you gotta get your dick stuck for
Speaker 1: you to to pick up a trumpet and start playing
Speaker 1: all the keys at once, just wilding on that motherfucker
Speaker 1: because hey, that's jazz. Baby, no memthor to the madness,
Speaker 1: it's just all it's all good. So that's like what
Speaker 1: he was on. And then you know, my man, Now
Speaker 1: he ain't my man, but whatever his name is now
Speaker 1: your dear friend Nicola Rocca. See, he even tried to
Speaker 1: steal black people swag like you know, the Rock used
Speaker 1: to be a big name back in the day, rock
Speaker 1: Scot the Rock, you know, Toddle Rock. This is always
Speaker 1: a love rock, you know, what I'm saying. So he
Speaker 1: came stole a whole vibe from my man's in them
Speaker 1: because he know, my man buddy was just in the
Speaker 1: streets shaking to shut up, right, you know what I'm saying.
Speaker 1: That's like Ao Langston me being down at the corner
Speaker 1: bringing your sacks. I got my trumpet, my man got
Speaker 1: the drums. Unless like smoke some reefa something you know
Speaker 1: what achieve achieva because it's it's nineteen hundred and that's
Speaker 1: what that's what it's called back then. Why do you
Speaker 1: think too, like refa madness thinks we're smoking weed doing
Speaker 1: the jazz music, and the white people that I couldn't
Speaker 1: understand it. It It was madness to them. It's like what
Speaker 1: the fund is this mania? Like what is this crazy
Speaker 1: ship going on? Yeah, it's like, yo, it's just an expression.
Speaker 1: It's not crazy, right, And I do think that that
Speaker 1: is such a fascinating part of the way that it
Speaker 1: gets manipulated. Right if we think about it in terms
Speaker 1: of like jazz and hip hop, they're both music that
Speaker 1: start off as sort of like this cool new invention
Speaker 1: with like a purity and an innocence to it, and
Speaker 1: then white people started calling it devilish. They started calling
Speaker 1: it evil in some sort of way by associating it
Speaker 1: with drugs and violence, and then once becomes this sort
Speaker 1: of like weird debate about whether or not it's evil,
Speaker 1: they jump in and start making their own version of it,
Speaker 1: which is somehow more consumerable and safer for its audience.
Speaker 1: That's like, look at the WAP song. Right, They just
Speaker 1: tried to ban the WAP song bro Right, they try,
Speaker 1: it's just dying from particles. They worrying about a wet
Speaker 1: ass pussy with like well because of the black woman
Speaker 1: and a Dominican woman had the notion to actually say
Speaker 1: what make the world happy. Let me be very clear,
Speaker 1: a wet ass pussy ain't hurting nobody now never once,
Speaker 1: not not in the history of Maine. It's heard a
Speaker 1: lot of feelings with nothing else but a wet ass pussy.
Speaker 1: It's done nothing but good work in the world. And
Speaker 1: there's no reason to ban in that. And I understand
Speaker 1: if you're uncomfortable playing that around your children, but that's
Speaker 1: a conversation you need to have that ain't got shipped
Speaker 1: to do with those girls and the WAP. That's how
Speaker 1: jazz was invented. I'm saying, my man, but my man,
Speaker 1: buddy has some wet hopped on that trumpet. Pop down, Yeah,
Speaker 1: he felt something. I love that. Okay. So one of
Speaker 1: the things that I think I also found myself challenged
Speaker 1: by in your conspiracy theory, and challenged is a weighted word,
Speaker 1: because it's not that I disagree with it, it's just
Speaker 1: I think there's complexity on the backside, right, is that
Speaker 1: where does poverty come from specifically and is it essential
Speaker 1: to the way that we live in society? And so
Speaker 1: I found this article that sort of lists off all
Speaker 1: of the benefits quote unquote benefits of poverty, and one
Speaker 1: of the things that they listed was, in fact, what
Speaker 1: you're saying, the invention of culture, the invention of the
Speaker 1: things that we celebrate. But then there's this other more
Speaker 1: devastating side of the list that I want to just
Speaker 1: go through with you and get your thoughts on as
Speaker 1: we go that work absolutely hell yet. Okay. So one
Speaker 1: of the first benefits quote unquote that they say for
Speaker 1: poverty is like dirty work and domestic work for other people,
Speaker 1: doing the dirty work that we as people in society
Speaker 1: don't want to do. Of course, I mean, even like
Speaker 1: for me like, look, when I was hustling on the
Speaker 1: illegal side of things. If I need somebody to do
Speaker 1: a job for me, like a foul job, I'm gonna
Speaker 1: have my man down the block that's starving. I'm not
Speaker 1: gonna after they're gonna have shipped the loose like he's
Speaker 1: gonna be like, yo, you get you work with somebody
Speaker 1: that has something to lose. As soon as the cops
Speaker 1: pull up on them, they're like, I'll tell you everything.
Speaker 1: I got back to my ship the loop. I never
Speaker 1: wanted to be here, man, I will. I will give
Speaker 1: you all you need to know. Like a poor dude.
Speaker 1: They never gonna say I just wanted to be down.
Speaker 1: Poor dude is gonna be like, yo, I just had
Speaker 1: to eat. Man. You know what I'm saying you At
Speaker 1: the beginning of Juicy, all the people that call the cops,
Speaker 1: I was just trying to feed my daughter, he didn't
Speaker 1: say I was just trying to cop a fucking I
Speaker 1: was just trying to fit in with my friends. I
Speaker 1: was hungry and my daughter was gonna starve. Absolutely. Oh
Speaker 1: that ship is a fact. Society definitely benefits off of
Speaker 1: poor people, and so one of the things that they
Speaker 1: say in relation to sort of like the usage of
Speaker 1: domestic work and sort of this dirty work is the
Speaker 1: potential for upward mobility. That because someone is willing to
Speaker 1: do the dirty work in society, we create a hierarchy,
Speaker 1: right where like, because I'm not the one that picks
Speaker 1: the oranges, I am somehow now better than the person
Speaker 1: picking oranges and thus exists in a different kind of
Speaker 1: cast system, even though we won't call it that because
Speaker 1: we think we're better than that. You know what I mean,
Speaker 1: that's classism, broact. That's like, yo, say that you had
Speaker 1: a homeless shelter, right, even at the homeless shelter, this
Speaker 1: is one dude or one person that thinks that, like
Speaker 1: you know, they're above the other homeless person. Dogs. He's like,
Speaker 1: you know, my ass stink. At least I don't smell
Speaker 1: like as you like I'm but at least I don't
Speaker 1: smell like feet, Like, hey, I made my bed, I'm
Speaker 1: better than this ship. I'm gonna I'm gonna be all right.
Speaker 1: And it's like I'm organized, Like yeah, we do that
Speaker 1: on every level. It's not just like a homeless thing, right,
Speaker 1: Like I'm just saying he's like showing you how low
Speaker 1: it could go like all the way to but it's
Speaker 1: the people who live in a suburban neighborhood and want
Speaker 1: their lawn to look better than the person they live
Speaker 1: next to. Y'all basically share the same space or like
Speaker 1: in a hood like yo boom, we all live in
Speaker 1: the same buildings. But I'm gonna get a car that
Speaker 1: you don't have. Well, I'm gonna get some shoes sneakers
Speaker 1: that you don't got, or I'm gonna get something, and
Speaker 1: then I'm gonna look at shoe like you basic. You
Speaker 1: know what I'm saying, because that ship whatever is going on,
Speaker 1: fortified my ego, you know what I'm saying. Yeah, And
Speaker 1: that takes me into something that they also say is
Speaker 1: that a benefit of poverty is something called moral distancing,
Speaker 1: which is basically this argument that we are able to
Speaker 1: create hierarchies through the way that we associate morality and
Speaker 1: poor people that like, poor people are thought to be
Speaker 1: less moral than rich people like you as a poor person,
Speaker 1: and are going to commit more crimes or be more
Speaker 1: likely to sell drugs or do something violent, and therefore
Speaker 1: it allows us to not only distance ourselves from the
Speaker 1: people who are morally less than but also not feel
Speaker 1: bad when we don't provide them with resources. It's like, oh,
Speaker 1: y'all are acting up, so fuck it. I ain't gonna
Speaker 1: give you money. I'm not gonna help you out. No,
Speaker 1: because you know it's crazy because you know the systematic
Speaker 1: ship is like they set us up to lose. You
Speaker 1: feel me. Um, It's like it's like what we're saying earlier,
Speaker 1: like of course the nigga with nothing to lose, it's
Speaker 1: gonna go risk everything. I'm saying, even me, I used
Speaker 1: to be that guy, Like I used to be the
Speaker 1: guy like I'll risk everything because it doesn't seem like
Speaker 1: a brighter future is around the corner. That was always
Speaker 1: the logic I'm saying. The people doing dirt is like,
Speaker 1: that's part of the that's the logic. It's like, you
Speaker 1: know nothing, what's my other option? Exactly? A lot of
Speaker 1: the time, through the poverty that I'm talking about, it's
Speaker 1: like it's a state of mind. It's even beyond your
Speaker 1: financial situation or whatever that is, material situation. It's about
Speaker 1: the way you think, you know what I'm saying. So
Speaker 1: if you think things can't get you pour mentally, like
Speaker 1: you're poor, you're gonna stay poor until you end up
Speaker 1: dead or in jail, you know what I mean. Yeah,
Speaker 1: I think that also is something they sort of like
Speaker 1: dig into, although not I think it's sharp as you're
Speaker 1: making it. But they say that poor people sort of
Speaker 1: bear the brunt of social disruptions. Right, So, anytime some
Speaker 1: ship happens out in the world and they decide to
Speaker 1: change the law around something, or they decide coronavirus great example,
Speaker 1: they decide that, like, okay, the pandemic kicked in and
Speaker 1: everybody needs to go quarantine inside. Poor people are the
Speaker 1: ones that suffer from that. Their jobs get taken away. First,
Speaker 1: they're the ones who are being policed most intensely for
Speaker 1: the things that are happening instead of the rich people
Speaker 1: who are probably doing the exact same ship that poor
Speaker 1: people are. But poor people, like you said, are trapped
Speaker 1: in not only a social locking but also like a
Speaker 1: mental locking of like okay, well, now you took away
Speaker 1: the one thing that I had, what the funk am
Speaker 1: I supposed to do? And then it's like yo, the
Speaker 1: worst ship too. It's like yo, you take away the jobs?
Speaker 1: Do you take away all these things and then you
Speaker 1: leave us together. So even when they was like looting
Speaker 1: and ship. And he was like, Yo, I can't believe
Speaker 1: they're looting, Like the undertones are looting. Was not only that,
Speaker 1: you know, people are tired, but people are poor. Yeah,
Speaker 1: niggas was stealing bread, bro, Like niggas wasn't just stealing
Speaker 1: fucking sneakers and clothing like people were stealing food. Say,
Speaker 1: people were stealing from the supermarket. Because it's like people
Speaker 1: steal in formula for their kids. Like it wasn't just
Speaker 1: you know, of course the only show like all this
Speaker 1: person stole a TV or some ship, but there's people
Speaker 1: actually like I'm gonna take this TV and hopefully I
Speaker 1: can sell it so I can have money. A motherfucker
Speaker 1: with a with a PS four under his arm is
Speaker 1: better television than a dude with like three loaves of
Speaker 1: bread and swim maloney, you know what I mean? Like
Speaker 1: that terrible jan what are you doing? Get the helicopter
Speaker 1: footage on this motherfucker over here with the Jordan's if
Speaker 1: you don't want to see this, yo, that's what it is, bro. Like, yeah,
Speaker 1: I think it's just set up to lose. And then
Speaker 1: on top of that, yo, we're gonna go in on
Speaker 1: each other that's just how it is. Like I still
Speaker 1: be in the hood, like I still be like I
Speaker 1: gotta walk a certain way, I gotta be a certain way,
Speaker 1: I gotta vibe a certain way, like just to feel
Speaker 1: like comfortable because I understand what's going on. I think
Speaker 1: this is on drugs to ease the pain. A lot
Speaker 1: of the times people was just like it's bugged the
Speaker 1: funk out. These are times that people haven't experienced before,
Speaker 1: especially like poor people. We've always been poor, and now
Speaker 1: it's like insult to the injury. It's a little extra
Speaker 1: seasoning on poverty that no one wanted. No one was
Speaker 1: Everybody was like, hey, I get poverty. I know what
Speaker 1: it tastes like this is fine. And then they were
Speaker 1: like and we have a new flavor, and like, nah,
Speaker 1: I don't need this. Droplets on it. It came with
Speaker 1: the palmish on virus droplets on They just spraple out
Speaker 1: on it. It would like a little more droplets. Like
Speaker 1: the worship to Bro is like New York City Bro,
Speaker 1: like you out west, so like we open on something
Speaker 1: like nas was on the train Brother, like people on
Speaker 1: the train right now, Like you know New York Bro,
Speaker 1: like that everybody's got the right amount the scruples going
Speaker 1: on every train call, you're gonna look and see like
Speaker 1: three people with no masks on row mouth in it
Speaker 1: like and they want you to say something. They're waiting
Speaker 1: for you to be like, hey, why you ain't got
Speaker 1: a mask on? You turn into something else. I seen
Speaker 1: the dude do something so disrespectful the other day. Not
Speaker 1: only did he have on a mask, your he yawned
Speaker 1: mad like he was like, you can't be this is
Speaker 1: yawns hit different now, bro, this is not the same. Bro, Like,
Speaker 1: that's what I wish your bitch would say something yawned
Speaker 1: And I'm gonna testing. I must see if one of
Speaker 1: y'all got the huts. But right now, everybody put their
Speaker 1: head down because they were trying to avoid them droplets
Speaker 1: to the eye, so they just put their head down. Like,
Speaker 1: but now that's poor people ship, bro, Like I got
Speaker 1: this theory too, Like, all right, there a couple of
Speaker 1: type of people that don't win mask. You'll either one.
Speaker 1: It's like you just don't give a funk about anything
Speaker 1: or anybody and like you got nothing to lose, or
Speaker 1: you a conspiracy theorist as far as you don't believe
Speaker 1: that the virus is a thing, which is insane to me.
Speaker 1: But you know, those are the two types of people,
Speaker 1: the people that have absolutely nothing, like what the fund
Speaker 1: do I have to lose and I don't care about
Speaker 1: anybody else, You know what I'm saying, right, I think
Speaker 1: ultimately what I landed on and thinking about or conspiracy
Speaker 1: theory is I do think that you're absolutely correct that
Speaker 1: like poverty does create culture, it does sort of create
Speaker 1: the waves that society then goes on to celebrate and follow.
Speaker 1: But the scary part is how much of this is
Speaker 1: being constructed and maintained by a wealth class, by like
Speaker 1: the capitalists of it. They are literally creating lists of
Speaker 1: reasons why it's beneficial to have certain people be poor
Speaker 1: in certain people be rich so that you know, they
Speaker 1: can create, Like they want a bunch of people in
Speaker 1: the hood to come up with new dance moves so
Speaker 1: that they can then appropriate it and sell it on
Speaker 1: fucking TikTok whenever, on TikTok without the hood bro absolutely
Speaker 1: not technically China, but also the Hood. But it wouldn't know.
Speaker 1: That's what I said. We add sauce to everything. We
Speaker 1: made hip hop music there was already music music, but
Speaker 1: we to our own spin on it. So it's like,
Speaker 1: oh you do TikTok boom kiki? Do you love me?
Speaker 1: Are you writing? Yeah? Come on bro? Even Drake, he
Speaker 1: made a song he didn't know a hood nigga was
Speaker 1: gonna come and make a whole dance and the ship
Speaker 1: go viral like that, and Shiggy Shiggy wasn't even gonna
Speaker 1: get credit until the Internet sort of like came in
Speaker 1: and was like, hey, bro, you should probably do something
Speaker 1: for him because he kind of made you pop in
Speaker 1: a way that you weren't supposed to. And that's Drake.
Speaker 1: Drake was supposed to be decent. It's a literally a
Speaker 1: capitalist structure. It's people intentionally creating a wealth gap for
Speaker 1: their own benefit. Why do people say most people's best
Speaker 1: albums as their first albums. Niggas is hungry when they
Speaker 1: make them first albums. Niggas is like, this ship is
Speaker 1: like like this is everything, this is like if this
Speaker 1: don't work, I'm a starve my family. So of course
Speaker 1: that body of work is gonna be crazy, like, oh,
Speaker 1: you're putting your whole life into that. But then once
Speaker 1: you get that back, you come back and you're like,
Speaker 1: I'm saying you won't be good, but it ain't gonna
Speaker 1: have that same I think trouble seasonings rap doesn't sound
Speaker 1: as good in between mimosas, do you know what I mean?
Speaker 1: Like the mimosis they funk up your throat a little
Speaker 1: bit and they're making so the hip hop ain't his
Speaker 1: hips at ship too soft? Now? Like that? Yeah, I
Speaker 1: can hear strawberries in your throat. I don't like the
Speaker 1: sound of that. All Right, we're gonna take more, more
Speaker 1: break and we'll be back with more p d d
Speaker 1: aprew and more my mama told me. And we are back.
Speaker 1: My god, you're back here with more PDDA brew and
Speaker 1: more of my mama told me. We're still talking about
Speaker 1: that sick, sick, sinister ship that capitalism does and keeping
Speaker 1: us poor and letting us service their needs so that
Speaker 1: they can sell our ship TikTok's and other websites that
Speaker 1: will probably be invented very soon. I assume they'll come
Speaker 1: up with some new ship, right, this ain't TikTok's not
Speaker 1: the last one. They're gonna come up with a struggle
Speaker 1: tracker app like you know how they got the step tracker.
Speaker 1: They're gonna come up with the struggle tracker so they
Speaker 1: can see how many steps to take to create some
Speaker 1: flyship from the struggle. You gotta struggle five years before
Speaker 1: you come out with a fucking illmatic, Like it's like
Speaker 1: a Malcolm Gladwell's study of like ten thousand hours before
Speaker 1: you can make something new. Hours of struggle, yo, and
Speaker 1: then you'll be ready to a You gotta eight Peter
Speaker 1: Butter sandwiches in one night before, not even fashion bro,
Speaker 1: not real quick like fashion like imagine. I think it's
Speaker 1: got rips in the jeans that came from a nigga
Speaker 1: with rips in his gee dad's and that I was
Speaker 1: talking to somebody about this. There's a brand of shoes
Speaker 1: now that they sell pre dirty. They're like scuffed up
Speaker 1: and sort of meant to look like they're worn in,
Speaker 1: and they're like they sell for hundreds and maybe thousands
Speaker 1: of dollars because people want exactly what you're saying, the
Speaker 1: appearance of somebody who has earned a look, you know
Speaker 1: what I mean, think about the white girl like this
Speaker 1: is I don't know how it is late. It is
Speaker 1: a trend. I don't know if it's just in New York.
Speaker 1: But it's like a trend with the white shorties, right,
Speaker 1: white girls, they were white Air Force ones. Them ships
Speaker 1: look like they just got them from like a homeless person.
Speaker 1: Them ships look like when they buy them and they
Speaker 1: all white, they just like you know what the escalator
Speaker 1: stairs when like the bottom of the escalator stairs with
Speaker 1: like they just hold them up. Yeah, Like they hold
Speaker 1: it on the bottom and just let all the stairs
Speaker 1: just like go across from like and in in the hood.
Speaker 1: That's sacrilegious, bro, White Airce because it's like trying to
Speaker 1: serve them ships as long as they can. Bro. So
Speaker 1: we invented a vibe and they came took it and
Speaker 1: made it some whole other ship. Even this ugly sneaker
Speaker 1: ship right like all this fad of people being like
Speaker 1: I want my sneakers to look big and clunky. It's
Speaker 1: appropriating that experience of like when you were a kid,
Speaker 1: if you didn't have shoes, somebody older than you gave
Speaker 1: you their shoes, and the ships didn't fit, so they
Speaker 1: were big and clunky on your feet. And now people
Speaker 1: are using hand me down clothing, recyclable clothing as like
Speaker 1: a fashion steak. It's wild it's it's fucking nuts and
Speaker 1: we we should blow up a building. I don't know.
Speaker 1: That's where I'm at. Some big clunky shoe store needs
Speaker 1: to explode. Because this is too much. I just got
Speaker 1: off probation last year, so I'm not gonna agree with this.
Speaker 1: You know what I'm saying. If anything happens, I had
Speaker 1: nothing to do with it. I'm saying, you heard it
Speaker 1: here first. It's just me. I'm the only one that
Speaker 1: wants to blow up a building, and he's gonna snitch
Speaker 1: on me. I think that's the end. Nobody man kidding me. Bro,
Speaker 1: I can't say all that flashing and then rat they
Speaker 1: to nullifies anything I ever believed in or sent. It's
Speaker 1: the fancy words for a snitche. I know one of
Speaker 1: my fucker's about to snitch on me. All right, let's
Speaker 1: play a game. This is a fun game that I
Speaker 1: like to call homemade Hotel. This is the game. I
Speaker 1: will present to you a traditional fact, a well known
Speaker 1: fact in the world, and what I would like for
Speaker 1: you to do is hotep that ship, really break it down,
Speaker 1: give me the conspiracy underneath this fact. Let me understand
Speaker 1: what am I not seeing? Connect the dots for me,
Speaker 1: pet if if that makes sense? All right? So apparently,
Speaker 1: so far in the world, only two diseases have been
Speaker 1: successfully eradicated, like fully wiped off of the planet. The
Speaker 1: two diseases are smallpox and rinding pest was the second one?
Speaker 1: R and then pest, render pest. I don't know what
Speaker 1: render pest is. I know smallpox. Uh. My question for you,
Speaker 1: why are those two diseases the only two diseases that
Speaker 1: have been wiped off the planet? I mean small pox?
Speaker 1: You already know who eradicated the smallpox. That had to
Speaker 1: be like George Washington Carver or or another black man.
Speaker 1: You feel me, because one we don't really funk with
Speaker 1: pox if it ain't two pox, feel me too. See
Speaker 1: how we still got chicken pox because we fox with
Speaker 1: chicken m but we don't do nothing small everything big
Speaker 1: You know what I'm saying, Like if it was if
Speaker 1: it was big pox, nigger should still still be here.
Speaker 1: But we gotta get rid of the smallpox and just
Speaker 1: keep the chicken pox. You feel me A k a
Speaker 1: big pox, big box. And then the rind was it
Speaker 1: rhand disease? Rinder pest? So if anybody know anything, the
Speaker 1: rind is what on the watermelon. That's the base of
Speaker 1: the water right, So now if it's a pest you
Speaker 1: feel me. You know what's my favorite words since concepted
Speaker 1: in his address on what was that Independence Day where
Speaker 1: he said a pestilence, a pestilence. You called Trump a pestilence.
Speaker 1: You know, he said, when there's a pestilence in the system.
Speaker 1: So when it's a pestilence in the in the rind
Speaker 1: of the watermelon, now there ain't the watermelon. Gotta get
Speaker 1: rid of that. You gotta get rid of that. How
Speaker 1: are we gonna enjoy that delicious treat if you got
Speaker 1: the pest the like if they put the rona in
Speaker 1: the rhind of a watermelon, rona would have been going
Speaker 1: by now we would have figured something out when they
Speaker 1: got rid of the pestilence. But that was genius. I
Speaker 1: loved it. Called motherfucking books complete. It's been that real ship.
Speaker 1: I love it. This breaks it all down from I'm
Speaker 1: just trying to bring you the truth, my brother. You
Speaker 1: know what I'm saying. You can't you called on me.
Speaker 1: I'm gonna come. I'm gonna come through, man, and you
Speaker 1: show the funk up. What a great time, Pete, can
Speaker 1: you tell the people where they can find you? What
Speaker 1: cool ship you got going on? All that? You know?
Speaker 1: You can find me on the Graham. You know what
Speaker 1: I'm saying. I'm on the gram p D S jokes
Speaker 1: p D like D as in dog and E E
Speaker 1: Z and then jokes. You find me there, um other
Speaker 1: than that, catch me in New York City. Man, I
Speaker 1: ain't leaving because they're telling me I gotta quarantine if
Speaker 1: I leave and then I come back, So I say
Speaker 1: I might as well just stay here. I'm going to
Speaker 1: places like on the East Coast Northeast. So if you're
Speaker 1: in the Northeast, holler at me. If you want animal crossing,
Speaker 1: come through my island. Check me out. Uh send me
Speaker 1: your friend cold friend requests me. We lit if you.
Speaker 1: I'm single too, so if any ladies is out there,
Speaker 1: you know what I'm saying, I want to just hofer
Speaker 1: or you know, and I'm mad that I'm a consensual dude.
Speaker 1: I'm a man of twins. I'm a man than that.
Speaker 1: You know what I'm saying. I'm not a violator. You
Speaker 1: know I'm not one of these sexual predators. You know
Speaker 1: what I'm saying, Boys heads spread love. So if you
Speaker 1: want some of that pet love, highlight me. You know
Speaker 1: what I'm saying, and that's about it. Bro Damn, that
Speaker 1: was beautiful. You learned. We learned so much. Check p
Speaker 1: d out online, check pd out live, check pd out
Speaker 1: on the internet on animal crossing, and most importantly, check
Speaker 1: p d out in some consensual sex that he's offering
Speaker 1: up ladies. If you're out sex, consensual conversation that you
Speaker 1: know what it leads. Where it leads, we'll say that
Speaker 1: wherever it goes, the arms are raised. It's on you,
Speaker 1: baby girl. But it's consensual. Absolutely. Well. This is great
Speaker 1: as always follow me at Lengthston Kerman and feel free
Speaker 1: to like and subscribe to the podcast if that makes
Speaker 1: you horny, if that's what you're into, I'd love that
Speaker 1: that's consensual on my end. And uh, if you have
Speaker 1: any drops that you would like to send us, artwork, ideas,
Speaker 1: conspiracy theories that you want to record on your phone
Speaker 1: and send my way that we could potentially play in
Speaker 1: an episode, please send those to my Mama pod at
Speaker 1: gmail dot com. Bye. Because of brown my crop chips
Speaker 1: in your pails, Koala bears are racist. Also players hosting
Speaker 1: money versal Demny Turkey stuff I can't tell me.