WEBVTT - Six Feet from Poverty (with Petey DeAbreu)

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<v Speaker 1>I had a cool Hurt moment one time. I've seen

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<v Speaker 1>cool Hurt in the Lower east Side. Man and it's

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<v Speaker 1>raining outside. He's like this big dude, if you'll see coolberk.

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<v Speaker 1>He's like six something. Probably he's walking away. He disked

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<v Speaker 1>me as something and I was like, yo bok, but

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<v Speaker 1>what about the culture? As he's walking away, he turns

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<v Speaker 1>around and he looks at me, look funk the culture

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<v Speaker 1>And I was like, Oh, that was the hell ship

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<v Speaker 1>of everything that invented the coaches And he's like, fun

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<v Speaker 1>the culture. The culture ain't payby for ship. I'm starving

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<v Speaker 1>out here. The culture definitely my crown ships in your

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<v Speaker 1>man's racists money stuff. I can't tell me. Oh there

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<v Speaker 1>is ladies and gentlemen there it is. Everybody. Welcome to

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<v Speaker 1>another exceptional episode of My Mama told me in the

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<v Speaker 1>podcast where we Died Deep, we should be lunk into

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<v Speaker 1>the world of black conspiracy theories and we work to

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<v Speaker 1>prove that Tia and Tamara are not identical twins. We

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<v Speaker 1>all know which one is objectively cuter than the other,

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<v Speaker 1>and the answer is Taj Taj Maori is the cutest

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<v Speaker 1>of those three. It's honey, it's not even a debate.

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<v Speaker 1>He's gorgeous. Sure, he's in his thirties and he didn't

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<v Speaker 1>get any bigger than he used to be as a child.

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<v Speaker 1>But that boy is cute. He's a cute pie. And

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<v Speaker 1>it needs to be heard, it needs to be said,

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<v Speaker 1>it needs to be announced. I'm coming in hot today, baby,

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<v Speaker 1>I'm feeling good. I'm taking down the Maori Twins for

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<v Speaker 1>some reason. I don't know what my agenda is. I'm

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<v Speaker 1>your host, Legs and Kerman is always I'm excited to

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<v Speaker 1>be here. I'm having a phenomenal day. There's apparently a

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<v Speaker 1>new white woman out here pretending to be a black

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<v Speaker 1>and I'm excited about it. Her name is Jessica Crue

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<v Speaker 1>and she's Rachel dolas On. And we needed this. I

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<v Speaker 1>think we needed to re up on Rachel. Rachel had

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<v Speaker 1>sort of fallen to the wayside, and we forgot that

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<v Speaker 1>Rachel was a problem. But here comes Jessica Crue, who

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<v Speaker 1>worked her way up to become a professor in African

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<v Speaker 1>American studies somewhere in Kansas. Good for her and good

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<v Speaker 1>for us. We got something to be mad about, and

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<v Speaker 1>I love it. You know who's never mad is my

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<v Speaker 1>guest today, I can say that with almost certainty. He's

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<v Speaker 1>never mad. He's one of the most positive, uplifting humans

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<v Speaker 1>that I've ever had the pleasure of interacting with. On

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<v Speaker 1>top of that, he's funny as ship goddamn hysterical. You

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<v Speaker 1>know him from Comedy Central, you know him from Amazon.

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<v Speaker 1>You know him as the Bronx whisper, the man that

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<v Speaker 1>lets you know what the funk is happening in the

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<v Speaker 1>b X. He's still alive, and he wanted me to,

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<v Speaker 1>let you know, give it up for my guests. Mr

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<v Speaker 1>Pete the eyebrow, Yo, yo, share your shout out to

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<v Speaker 1>all of everybody in attendance. Hell yeah, they're ready, they're excited,

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<v Speaker 1>you're here. Thanks for having me. You know what I'm saying.

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<v Speaker 1>It's real professional. I like to be involved with professional things.

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<v Speaker 1>That's right. How you living man? Doing good? Brother? You

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<v Speaker 1>know I'm shout here, surviving man. Try and avoid these droplets,

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<v Speaker 1>you know. Now I gotta go into a whole another bag. Now,

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<v Speaker 1>I gotta go performing somebody's driveway. Otherwise I don't know

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<v Speaker 1>what I'm gonna do. I was in the public pod

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<v Speaker 1>yesterday performing by like a public pool. The pool was closed,

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<v Speaker 1>but it was like seven people in the audience. It

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<v Speaker 1>was like twenty people like far right doing yoga. It

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<v Speaker 1>was like, you know, I mean twenty more people on

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<v Speaker 1>the other side doing yoga. And I'm talking about like, yo, man,

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<v Speaker 1>I'm just happy to be here. I'm talking about homeless

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<v Speaker 1>dude asking me for money on the train with no

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<v Speaker 1>maskball and I'm like, nigga, I ain't gonna pay you

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<v Speaker 1>for the rona. But you know what's right, listen, listen.

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<v Speaker 1>If you're gonna give it to me, give it to

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<v Speaker 1>me for free. I'm not about to tip the biggest

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<v Speaker 1>that's the biggest sucker move. You give your paying for

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<v Speaker 1>some ship that's free. Right. Come on, brother, let me

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<v Speaker 1>let me get a dollar so I could give you

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<v Speaker 1>a disease that's gonna ruin your life. I wasn't gonna

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<v Speaker 1>go outside until they started killing when they started killing

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<v Speaker 1>black people. When they was like they kept killing us,

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<v Speaker 1>I was like, fucking man, the cops gonna kill me.

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<v Speaker 1>The guy will given about drop right, you take me.

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<v Speaker 1>I was I didn't kid. I was sad. I was

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<v Speaker 1>like I can't do it. I can't do what I

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<v Speaker 1>got it. That's the thing is like, once you get

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<v Speaker 1>people out in the streets and rage. They're not gonna

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<v Speaker 1>like go back in you know what I mean. We

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<v Speaker 1>ain't about to yell about stop murdering us and then

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<v Speaker 1>follow your your procedures. It's like I can't tell you

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<v Speaker 1>a conspiracy real quick that I had just after jo it.

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<v Speaker 1>So you know the six feet ship, right, Dr Fucci

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<v Speaker 1>was like six ft right, so pete, so pete. So

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<v Speaker 1>I'm like, your who measures the six ft? You feel me?

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<v Speaker 1>Because it's like the droplets to spit when you talk,

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<v Speaker 1>when you sneeze, they measuring six feet from like when

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<v Speaker 1>you talk, right, but like you know that's from the

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<v Speaker 1>white man's lips though, sure, so the white man, I'm

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<v Speaker 1>gonna stop you right there. That's how they get you.

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<v Speaker 1>I'm listening, go ahead, right, so the white man like

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<v Speaker 1>six ft boom, but you know our lips is different.

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<v Speaker 1>You feel me, Like we say things, so I spit

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<v Speaker 1>goes further, you feel me. So that's how they're trying

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<v Speaker 1>to have the numbers crazy in the hood. And because

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<v Speaker 1>we used world we say bitch hass like bit goes further,

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<v Speaker 1>like where you say bitch hass, that's further. The six

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<v Speaker 1>feet bro Like now you're saying something I'm fascinated by.

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<v Speaker 1>This is a devastating revelation that I had not considered.

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<v Speaker 1>You're saying that the way that we speak and the

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<v Speaker 1>way that black people's mouths are shaped, in fact, makes

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<v Speaker 1>it so that our spit flies further than six feet,

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<v Speaker 1>and this six feet is merely a protection for the

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<v Speaker 1>white lip, the white mouth in its spread, and the

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<v Speaker 1>white community. Wow, listen, if true, that is devastating information.

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<v Speaker 1>The numbers spiked in all of the in the hoods, Like,

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<v Speaker 1>it's like, how does she at least spiking in the

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<v Speaker 1>hoods A bunch of dudes. They were still roasting, but

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<v Speaker 1>from six ft and they still six feet. But in fact,

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<v Speaker 1>he wasn't lucky at all. This motherfucker needed to be

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<v Speaker 1>eight feet because of them big gass roasting and lips yos.

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<v Speaker 1>That's going across the street properly is going a block away. Damn,

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<v Speaker 1>this is big. I gotta write a governor. Or. I

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<v Speaker 1>don't I don't know that I can trust him, but

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<v Speaker 1>I gotta write somebody that's gonna be able to solve

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<v Speaker 1>this for me. I want to all trusting Fucci, and

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<v Speaker 1>now Fucci where he had come even on the check

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<v Speaker 1>it though, boy, like a quick check in on Facebook?

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<v Speaker 1>What was that that app where you used to tell

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<v Speaker 1>people your location for no reason at all? Four square?

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<v Speaker 1>You don't even four squares to be like Dr fauci

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<v Speaker 1>Is or fucci is that. I love that you got

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<v Speaker 1>him on It's wild, but I fucking love that conspiracy.

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<v Speaker 1>But you brought to me a conspiracy that we have

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<v Speaker 1>to jump into it. I don't want to lose any

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<v Speaker 1>time on this, but you brought to me a conspiracy

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<v Speaker 1>that I think is equally fascinating and complicated and a

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<v Speaker 1>lot more philosophical, I think than any of the other

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<v Speaker 1>conspiracy theories that we've had on this show. You said,

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<v Speaker 1>and I want to get this right. My mama told

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<v Speaker 1>me potty and hard times make everything better. M tell

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<v Speaker 1>me more struggle, man, you know, not not the struggle

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<v Speaker 1>when they say the struggle is real, because those people

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<v Speaker 1>struggling really talking about you know what I'm saying ruggle,

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<v Speaker 1>Like you know how they say hand me down clothes?

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<v Speaker 1>What about hand me down struggle? Saying generation? But it's like,

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<v Speaker 1>you know, the good stuff come out of the struggle

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<v Speaker 1>as far as like you get crazy results from hardships.

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<v Speaker 1>You know what I'm saying, like food type of ship,

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<v Speaker 1>Like I don't even like fried chicken. If the person

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<v Speaker 1>who made it never struggle, you feel me, it don't taste.

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<v Speaker 1>There's that restaurant in Brooklyn that everybody who is a

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<v Speaker 1>gentrifier tells you, Pies and Thighs, where they're like, oh,

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<v Speaker 1>you gotta go to Pies and Thighs because that's the

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<v Speaker 1>best fried chicken in all of Brooklyn, And it's like, no, listen,

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<v Speaker 1>I'm sure it's fine fried chicken. I'm sure they did

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<v Speaker 1>their best given their circumstances. But the reality is these

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<v Speaker 1>are a bunch of trust fund kids who figured out

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<v Speaker 1>how to fried chicken. But here's the thing, right, I

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<v Speaker 1>thought about this earlier too. You can duplicate the results

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<v Speaker 1>of what comes out of the struggle. You can't duplicate

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<v Speaker 1>the struggle, you know what I'm saying. You could duplicate

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<v Speaker 1>the results like they can find some fried chicken and

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<v Speaker 1>send it to ancestry dot com and I'm saying, get

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<v Speaker 1>all the fucking ingredients back the batter, you know what

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<v Speaker 1>I'm saying. And now they stole a whole box. They

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<v Speaker 1>don't know what it's like to conjure it up from pain.

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<v Speaker 1>You want to, like, imagine you making chicken, but like,

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<v Speaker 1>not only are you making chicken, you're trying to mean something. Yeah.

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<v Speaker 1>Well that's the thing is like you can figure out

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<v Speaker 1>all the things, but part of what made the chicken

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<v Speaker 1>good was that the grease popped and they landed on

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<v Speaker 1>somebody's skin and it burned a little bit, and that

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<v Speaker 1>skin particle got into the chicken and made it gave

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<v Speaker 1>it personality. But you can't do that and it has

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<v Speaker 1>matched suit, you know what I mean? Like y'all are

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<v Speaker 1>showing up and treating this like science, when in fact

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<v Speaker 1>it's a lived experience. You know when the fry that

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<v Speaker 1>chicken and they used their fucking fingers in the oil, Bros. Yeah,

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<v Speaker 1>you know when they put those fingers in the oil

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<v Speaker 1>because those fingers been through so much. Yeah, I think

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<v Speaker 1>it's don't even got feel And for the nerve ending

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<v Speaker 1>snowboard turned around, flipping up. I want to taste the

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<v Speaker 1>lady named Roberta's fingers in my chicken. And if Roberta's

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<v Speaker 1>fingers ain't in there, it ain't good chicken. Yo. All right.

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<v Speaker 1>There's a spot in Brooklyn called Brooklyn soul full Kitchen

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<v Speaker 1>m been in since like the seventies, not asked, but

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<v Speaker 1>it's in the middle of Flatbush. You know what I say,

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<v Speaker 1>you gotta go. I'm saying you gotta go with They're

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<v Speaker 1>not really gentrifying that the best fried chicken. And to

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<v Speaker 1>your point, that also is an earned experience. It's an

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<v Speaker 1>experience that we might say comes with a struggle. You

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<v Speaker 1>gotta get off that train and you gotta make a

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<v Speaker 1>walk through a neighborhood that you may or may not

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<v Speaker 1>be comfortable in to get to that chicken. You gotta

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<v Speaker 1>be able to order that food, sit down in that place,

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<v Speaker 1>and then get yourself back. That's chicken you've earned. That's

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<v Speaker 1>chicken that comes with a story. It's not just something

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<v Speaker 1>that can be mass produced for a bunch of white

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<v Speaker 1>kids in a New Brooklyn or just because it's like

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<v Speaker 1>Sweet Chick, where it's like, you know, it's fried chicken,

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<v Speaker 1>but they got nineties hip hop plan. So you feel

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<v Speaker 1>like you've been through some ship, like you ain't been

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<v Speaker 1>through nothing because you're paying twenty dollars for a time

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<v Speaker 1>man funk out of here, Man Bell the vote didn't

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<v Speaker 1>give you the experience. This is how I know. This

0:11:13.920 --> 0:11:17.200
<v Speaker 1>is how I know if your chicken is legit. If

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<v Speaker 1>people look at me like an alien, if I try

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<v Speaker 1>to haggle the price of the chicken, I don't want

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<v Speaker 1>the chicken there in the first place. If there's somebody

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<v Speaker 1>is line, it's like, yeah, that's like that ship is good.

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<v Speaker 1>It's good, right because they know that they probably were

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<v Speaker 1>going to give you some shitty thime, mate, and uh

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<v Speaker 1>it is what it is. Yeah, all right, we'll negotiation. Struggle, struggle,

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<v Speaker 1>want to sweat, That's what I would thinking, like you

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<v Speaker 1>said that the skin, but like also sweat from the

0:11:46.240 --> 0:11:49.400
<v Speaker 1>struggle and the pain in the years of suffering. That

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<v Speaker 1>when they in that kitchen and mom and them making

0:11:51.720 --> 0:11:53.960
<v Speaker 1>that chicken in and that little bit of that be

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<v Speaker 1>the sweat drips off from the eyebrow that because it

0:11:57.679 --> 0:12:00.800
<v Speaker 1>slowed down the forehead today eyebrow drips in the batter.

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<v Speaker 1>Now you got a whole another season and right there

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<v Speaker 1>that you, Mrs Dash, don't got that. That's a new

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<v Speaker 1>sult that they ain't hitting yet, And that's paying equity salt.

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<v Speaker 1>I love that though. That's that's a delicious sult. It's

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<v Speaker 1>a tragically earned sult. But to taste great. Okay, let

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<v Speaker 1>me ask you, this is this a theory that you

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<v Speaker 1>feel like you discovered on your own? Was it handed

0:12:23.840 --> 0:12:26.160
<v Speaker 1>down to you? Where do you think this came from.

0:12:26.320 --> 0:12:30.440
<v Speaker 1>This's just come from paying attention. I'm saying, it's comes

0:12:30.440 --> 0:12:33.160
<v Speaker 1>from just looking around, like Okay, this is where I'm from.

0:12:33.200 --> 0:12:34.920
<v Speaker 1>This is what it is. This is like the facts,

0:12:34.960 --> 0:12:37.520
<v Speaker 1>all the proof is there, Like I can go back,

0:12:37.840 --> 0:12:40.319
<v Speaker 1>like even like what the fool with sports, with fashion,

0:12:40.360 --> 0:12:42.720
<v Speaker 1>with music, with everything? You know what I'm saying, Like,

0:12:43.360 --> 0:12:46.000
<v Speaker 1>it's just the struggle is at the epicenter of the ship.

0:12:46.160 --> 0:12:48.360
<v Speaker 1>Look at hip hop, look at music. I'm from the Bronx.

0:12:49.120 --> 0:12:51.640
<v Speaker 1>Came from the Bronx. They wasn't trying to make no

0:12:51.760 --> 0:12:55.520
<v Speaker 1>money out that ship. It was just like like something.

0:12:55.559 --> 0:12:58.800
<v Speaker 1>So they didn't knock each other's head off, no more right.

0:12:58.880 --> 0:13:02.080
<v Speaker 1>It was some dudes who were otherwise boared on a

0:13:02.200 --> 0:13:06.640
<v Speaker 1>corner then deciding like I well, we either fight about

0:13:06.720 --> 0:13:08.959
<v Speaker 1>some ship and sort of like air our feelings out

0:13:09.000 --> 0:13:12.959
<v Speaker 1>in a completely unhealthier way, or we just spit, we

0:13:13.080 --> 0:13:15.680
<v Speaker 1>beat box, we do whatever, and like let that be

0:13:15.760 --> 0:13:18.640
<v Speaker 1>the way that it's almost too like, um, you know

0:13:18.679 --> 0:13:21.280
<v Speaker 1>what the hood due to we remix ship. So like

0:13:21.400 --> 0:13:25.000
<v Speaker 1>remember in the seventies, I believe in the Bronx, it

0:13:25.120 --> 0:13:27.560
<v Speaker 1>was like a lot of gangs and ship, so it

0:13:27.640 --> 0:13:29.959
<v Speaker 1>was going crazy and then it was like they broke

0:13:30.040 --> 0:13:33.559
<v Speaker 1>the gang violence up. So then the gang members started

0:13:33.600 --> 0:13:36.120
<v Speaker 1>going into like you know, getting in the hip hop ship,

0:13:36.160 --> 0:13:40.240
<v Speaker 1>Like gang members start doing graffiti, just wrapping and stuff

0:13:40.280 --> 0:13:41.880
<v Speaker 1>like that. You know what I'm saying. But that ship

0:13:41.920 --> 0:13:45.960
<v Speaker 1>came out of just nothing to fucking do, yeah, and

0:13:46.120 --> 0:13:48.440
<v Speaker 1>not having nothing. So like if you could come out

0:13:48.480 --> 0:13:50.400
<v Speaker 1>and you could rhyme, or you could paint, or you

0:13:50.400 --> 0:13:53.200
<v Speaker 1>could dance or you could DJ, it like superseded what

0:13:53.280 --> 0:13:55.240
<v Speaker 1>you was going through. So that's why I think, like

0:13:55.320 --> 0:13:58.000
<v Speaker 1>to like with the struggle, how it powers things, It's

0:13:58.040 --> 0:14:00.520
<v Speaker 1>just like you trying to supersede whatever the struggle is

0:14:00.840 --> 0:14:03.439
<v Speaker 1>with what you can do. It's like, yo, I might

0:14:03.440 --> 0:14:07.559
<v Speaker 1>be fucked up, but here's this chicken. Though you can't

0:14:07.559 --> 0:14:09.960
<v Speaker 1>even you can't even buy that type of ship, you

0:14:10.000 --> 0:14:13.439
<v Speaker 1>feel me right, So if I can somehow make something

0:14:13.559 --> 0:14:17.440
<v Speaker 1>that is in fact better than my sad feelings, my

0:14:17.559 --> 0:14:21.160
<v Speaker 1>sad feelings don't feel like sad feelings the same way

0:14:21.160 --> 0:14:23.920
<v Speaker 1>they were before. Not because it's like living in the present.

0:14:24.000 --> 0:14:25.960
<v Speaker 1>Almost like yo, if you can make something good in

0:14:25.960 --> 0:14:29.200
<v Speaker 1>the present right now, that ship is almost like not reality,

0:14:29.960 --> 0:14:32.640
<v Speaker 1>although it is, but for right now, you know the

0:14:32.760 --> 0:14:36.760
<v Speaker 1>pride of of wrapping or doing whatever it was. You know,

0:14:36.840 --> 0:14:40.000
<v Speaker 1>that ship came from you know, broken glass everywhere, man,

0:14:40.120 --> 0:14:43.320
<v Speaker 1>You know people passing on the stairs like they just

0:14:43.360 --> 0:14:46.760
<v Speaker 1>don't kid you know what I'm saying that I think

0:14:46.800 --> 0:14:49.760
<v Speaker 1>about that ship. You're broken glass everywhere, like they was

0:14:49.840 --> 0:14:53.600
<v Speaker 1>just breaking bottles everywhere. Well, that's the thing is like

0:14:53.760 --> 0:14:56.360
<v Speaker 1>so much of hip hop, I think now has been

0:14:56.440 --> 0:15:00.760
<v Speaker 1>turned into a type of storytelling that isn't always rooted

0:15:00.760 --> 0:15:02.760
<v Speaker 1>in the truth, you know what I mean, Like it's

0:15:02.800 --> 0:15:05.600
<v Speaker 1>like a game of telephone, right that. Like when they

0:15:05.600 --> 0:15:09.440
<v Speaker 1>were first rapping about those experiences, it literally was that

0:15:09.520 --> 0:15:13.440
<v Speaker 1>experience because they were just doing it right. It was

0:15:13.480 --> 0:15:15.920
<v Speaker 1>just that they lived experience that they wanted to share

0:15:15.960 --> 0:15:19.640
<v Speaker 1>with the world. Whereas now it's like, Okay, well We've

0:15:19.640 --> 0:15:23.320
<v Speaker 1>had generations of people talking about their lived experiences, so

0:15:23.360 --> 0:15:26.000
<v Speaker 1>now I got to make some ship up based off

0:15:26.040 --> 0:15:30.040
<v Speaker 1>of this old story that I've been hearing for generations.

0:15:30.080 --> 0:15:32.880
<v Speaker 1>But the root of it, though, is still struggled all

0:15:33.400 --> 0:15:37.240
<v Speaker 1>because it's evolved. Obviously, it's always gonna evolve. It's gonna evolved,

0:15:37.280 --> 0:15:40.120
<v Speaker 1>but where it came from, it's just a bunch of dudes,

0:15:40.560 --> 0:15:43.280
<v Speaker 1>you know that. And then it's like we mimic and remix.

0:15:43.320 --> 0:15:45.200
<v Speaker 1>So I feel like it's almost like the what's that

0:15:45.240 --> 0:15:48.400
<v Speaker 1>the West Side story, but with black people and Puerto

0:15:48.480 --> 0:15:51.240
<v Speaker 1>Ricans in the Bronx where it's like niggas ain't talking

0:15:51.240 --> 0:15:53.960
<v Speaker 1>about when you would Jake to the end is talking

0:15:53.960 --> 0:15:56.440
<v Speaker 1>about to the hips, the hop, the hip. But it's

0:15:56.440 --> 0:15:59.520
<v Speaker 1>the same fucking ship. We just add more source tie ship,

0:15:59.560 --> 0:16:03.000
<v Speaker 1>I ship or the hood makes ship, fire bro everything,

0:16:03.160 --> 0:16:06.280
<v Speaker 1>everything you can think about, the struggle, poverty, make that

0:16:06.320 --> 0:16:08.960
<v Speaker 1>ship because we got no we want to be seen,

0:16:09.200 --> 0:16:11.120
<v Speaker 1>you know what I'm saying. That's the other ship, Like

0:16:11.680 --> 0:16:14.160
<v Speaker 1>we want to be seen so we know, like, yo,

0:16:14.560 --> 0:16:16.280
<v Speaker 1>it's not gonna be the same. If you come in

0:16:16.320 --> 0:16:19.520
<v Speaker 1>with some fucking shoe bobs ship, well, I think that

0:16:19.600 --> 0:16:22.920
<v Speaker 1>you're hitting on something really important. Is that so much

0:16:22.960 --> 0:16:26.640
<v Speaker 1>of this is about just visibility, right that, Like the

0:16:26.720 --> 0:16:32.600
<v Speaker 1>only true source for visibility is creation. If they've stolen

0:16:32.800 --> 0:16:35.720
<v Speaker 1>all of your other resources, like if you don't allow

0:16:35.800 --> 0:16:38.480
<v Speaker 1>me to have any sort of say in any other

0:16:38.640 --> 0:16:42.320
<v Speaker 1>part of the way that like financial institutions and like

0:16:42.800 --> 0:16:47.280
<v Speaker 1>education work. Then my only way of existing even in

0:16:47.320 --> 0:16:49.240
<v Speaker 1>the world and the grand scheme of the world is

0:16:49.240 --> 0:16:53.240
<v Speaker 1>to create something. And my creation has to somehow be

0:16:53.240 --> 0:16:57.200
<v Speaker 1>better than the thing that you've deemed the best out

0:16:57.240 --> 0:17:00.800
<v Speaker 1>in the world already or just if front a lot

0:17:00.800 --> 0:17:03.880
<v Speaker 1>of the times, because like that's the rebellious of going, oh,

0:17:03.960 --> 0:17:06.760
<v Speaker 1>that's what y'all doing, that's what we're gonna do. So

0:17:07.040 --> 0:17:09.160
<v Speaker 1>it almost makes you like, even like say hip hop,

0:17:09.240 --> 0:17:12.960
<v Speaker 1>like it makes the traditional music fan when it comes out,

0:17:13.720 --> 0:17:15.760
<v Speaker 1>the niggas is angry. They don't want to hear this

0:17:15.960 --> 0:17:19.480
<v Speaker 1>fucking hippie gibberish ship. They listened to the Franks and

0:17:19.560 --> 0:17:23.240
<v Speaker 1>Natro fucking little roles all that, all that type of

0:17:23.280 --> 0:17:27.200
<v Speaker 1>ship shoot bopp do wop ship, and these motherfucker's coming

0:17:27.240 --> 0:17:34.800
<v Speaker 1>out like you like, and they're dancing differently, right. I

0:17:34.880 --> 0:17:38.119
<v Speaker 1>was about to say, they had to be a devastating

0:17:38.200 --> 0:17:41.480
<v Speaker 1>turn from like the white people were doing the foxtrone,

0:17:41.560 --> 0:17:43.040
<v Speaker 1>do you know what I mean? Like they were doing

0:17:43.080 --> 0:17:46.119
<v Speaker 1>a one too back and forth, and then suddenly a

0:17:46.160 --> 0:17:49.120
<v Speaker 1>motherfucker came in and slid on his knees and did

0:17:49.160 --> 0:17:51.880
<v Speaker 1>a backflip. And you're like, all right, bro, y'all ain't

0:17:51.920 --> 0:17:54.120
<v Speaker 1>playing the same game we're playing. Because I was over

0:17:54.160 --> 0:17:56.800
<v Speaker 1>here fox striding. I was chilling. Do you think he's

0:17:56.840 --> 0:17:59.320
<v Speaker 1>just doing moves jumping on the floor, humping the floor?

0:17:59.480 --> 0:18:03.000
<v Speaker 1>Bro right, and then spending on their fucking jemy curls

0:18:03.680 --> 0:18:07.199
<v Speaker 1>was crazy. Elvis became in the most famous man in

0:18:07.240 --> 0:18:09.960
<v Speaker 1>the world because he was the first white man to

0:18:10.240 --> 0:18:12.960
<v Speaker 1>use his pelvis and who stole that from? And he

0:18:13.080 --> 0:18:16.040
<v Speaker 1>stole it, that's my point. He stole that from from

0:18:16.040 --> 0:18:18.280
<v Speaker 1>from a bunch of poor people who were already using

0:18:18.320 --> 0:18:21.520
<v Speaker 1>their pelvis. They've been doing that. Yeah, it was already

0:18:21.520 --> 0:18:24.639
<v Speaker 1>a thing. And it's like, okay, well you either, like

0:18:24.720 --> 0:18:26.800
<v Speaker 1>you said, you either find a way to make it

0:18:26.880 --> 0:18:31.240
<v Speaker 1>different and create value from it, or you just don't exist.

0:18:31.440 --> 0:18:34.520
<v Speaker 1>You become invisible in the society. I said, bro, you

0:18:34.600 --> 0:18:37.600
<v Speaker 1>gotta make noise, especially like yeah, it's like all right,

0:18:37.600 --> 0:18:39.760
<v Speaker 1>well fun, they don't want me. I'm gonna do this

0:18:40.440 --> 0:18:42.560
<v Speaker 1>and like the other way and it's gonna upset people.

0:18:42.800 --> 0:18:44.119
<v Speaker 1>That's kind of like what I think. A lot of

0:18:44.119 --> 0:18:47.000
<v Speaker 1>it comes not to upset people, but it's just the

0:18:47.080 --> 0:18:50.600
<v Speaker 1>way to express yourself. You know. Hell yeah, alright, we're

0:18:50.640 --> 0:18:52.400
<v Speaker 1>gonna take a break and then we're gonna be back

0:18:52.400 --> 0:19:05.159
<v Speaker 1>with more pdd ibrew and more. My mama told me, damn,

0:19:05.359 --> 0:19:12.240
<v Speaker 1>we are bad. My man supposed to smat his meat

0:19:12.320 --> 0:19:15.399
<v Speaker 1>with this ship. Bro, what the fun? And we're back

0:19:15.480 --> 0:19:20.200
<v Speaker 1>here with more pity Drew? Who are my mama told me,

0:19:20.520 --> 0:19:25.159
<v Speaker 1>we're still talking about the possibility that true happiness is

0:19:25.240 --> 0:19:28.479
<v Speaker 1>birth from the struggle, from these things that we have

0:19:28.600 --> 0:19:31.119
<v Speaker 1>to earn and not from these things that are simply

0:19:31.200 --> 0:19:33.800
<v Speaker 1>handed to us. We were sort of talking about the

0:19:33.840 --> 0:19:37.480
<v Speaker 1>things getting stolen. Do you think that some of that

0:19:37.520 --> 0:19:40.840
<v Speaker 1>plays its hand in the way that people define their

0:19:40.880 --> 0:19:44.320
<v Speaker 1>happiness or define sort of like the goodness that comes

0:19:44.320 --> 0:19:48.120
<v Speaker 1>out of the struggle? Uh? That should sounded mad scientifical?

0:19:48.200 --> 0:19:54.800
<v Speaker 1>Can you rephrase that? Pleast what I think I'm asking? Like,

0:19:55.000 --> 0:19:58.320
<v Speaker 1>there is real evidence that so much of what poor people,

0:19:58.400 --> 0:20:01.919
<v Speaker 1>in black people, in brown people will create is often

0:20:02.119 --> 0:20:06.639
<v Speaker 1>stolen and reappropriated for a white audience. Right, do you

0:20:06.760 --> 0:20:09.880
<v Speaker 1>think that that has its hand in how people are

0:20:09.920 --> 0:20:13.320
<v Speaker 1>able to enjoy their creation? You're saying how white people

0:20:13.320 --> 0:20:16.639
<v Speaker 1>can enjoy the thievery or how black people can enjoy

0:20:16.680 --> 0:20:20.480
<v Speaker 1>what was stolen. Oh, and that's deep. I wish I

0:20:20.560 --> 0:20:25.320
<v Speaker 1>knew the like the word to define that, yo, because

0:20:25.359 --> 0:20:28.439
<v Speaker 1>like that was like deep and mad different levels. Like

0:20:28.440 --> 0:20:31.600
<v Speaker 1>all right, so they from talk me through your thoughts

0:20:31.760 --> 0:20:34.720
<v Speaker 1>so to say, like hip hop right, like because like

0:20:34.760 --> 0:20:37.399
<v Speaker 1>to me, I feel like that's the most you know

0:20:37.480 --> 0:20:39.640
<v Speaker 1>hip hop is like because it has so many different facets,

0:20:39.680 --> 0:20:43.120
<v Speaker 1>whether fashion, art all that. Ship it's like it's under

0:20:43.160 --> 0:20:46.080
<v Speaker 1>a hip hop umbrella. So it's like, all right, it's

0:20:46.119 --> 0:20:50.960
<v Speaker 1>a multi billion dollar industry, right, cool hirt. The person

0:20:51.000 --> 0:20:56.240
<v Speaker 1>that invented hip hop, right, the motherfucker is broke, right,

0:20:57.359 --> 0:21:02.240
<v Speaker 1>he invented hip hop. He's broke, has nothing. I mean

0:21:02.240 --> 0:21:04.600
<v Speaker 1>he got probably a couple of sandwiches and you know

0:21:04.640 --> 0:21:07.720
<v Speaker 1>a few things. But you know what I'm saying. But

0:21:07.840 --> 0:21:10.400
<v Speaker 1>now it do make it easier because now it's like,

0:21:11.080 --> 0:21:13.880
<v Speaker 1>you know, like imagine the first dudes that were rapping,

0:21:14.680 --> 0:21:17.760
<v Speaker 1>how did those deals even look? It was like just

0:21:17.800 --> 0:21:20.760
<v Speaker 1>the dude that seeing some dude. They didn't even understand

0:21:20.800 --> 0:21:23.000
<v Speaker 1>what rap was, probably but they was like, yo, these

0:21:23.040 --> 0:21:25.399
<v Speaker 1>things doing it for free. We put it out, maybe

0:21:25.480 --> 0:21:28.359
<v Speaker 1>we could like make some money. We get the temperance

0:21:28.480 --> 0:21:31.119
<v Speaker 1>and we keep ninety and tell them we're keeping it

0:21:31.160 --> 0:21:33.399
<v Speaker 1>a hunted and it confused these things. It was like

0:21:36.560 --> 0:21:39.280
<v Speaker 1>that had up. So yeah out sign, well I signed,

0:21:39.320 --> 0:21:42.399
<v Speaker 1>missed to go ahead. But we enjoyed the sweat and

0:21:42.440 --> 0:21:45.280
<v Speaker 1>the pain and the blood of the pioneers. We get

0:21:45.320 --> 0:21:48.320
<v Speaker 1>to we get to benefit off of the cool hurts

0:21:48.400 --> 0:21:51.320
<v Speaker 1>or the people that didn't get any type of pay.

0:21:51.440 --> 0:21:53.800
<v Speaker 1>To your point, I think what you're saying is that

0:21:53.960 --> 0:21:57.200
<v Speaker 1>although a cool hurt is now saying fuck the culture

0:21:57.280 --> 0:21:59.440
<v Speaker 1>because of what the culture sort of left him with,

0:22:00.000 --> 0:22:03.240
<v Speaker 1>there's a generation that follows him that then gets to

0:22:04.119 --> 0:22:06.919
<v Speaker 1>enjoy the culture that he created and benefit from the

0:22:06.920 --> 0:22:09.639
<v Speaker 1>culture that he created, and then also just to pass

0:22:10.560 --> 0:22:13.560
<v Speaker 1>you don't see, but I don't know that old nig.

0:22:14.000 --> 0:22:18.040
<v Speaker 1>They think it's mad disrespectful bob, But dude, that you

0:22:19.320 --> 0:22:21.680
<v Speaker 1>like it mad disrespectful too, because you'd be like telling

0:22:21.720 --> 0:22:23.760
<v Speaker 1>the whole story, like, Yo, they jerked him whatever he's like,

0:22:23.800 --> 0:22:27.920
<v Speaker 1>shouldn't have been a dumb nigger, then yo, chill out,

0:22:28.040 --> 0:22:32.520
<v Speaker 1>bro right, I'm doing is disrespectful, Like they would have

0:22:32.640 --> 0:22:36.919
<v Speaker 1>known that it was um in the exact circumstances that

0:22:37.000 --> 0:22:39.320
<v Speaker 1>he was the only reason, you know, it's dumb is

0:22:39.359 --> 0:22:41.920
<v Speaker 1>because there are stories of a person making the wrong

0:22:42.040 --> 0:22:44.720
<v Speaker 1>choice and then being punished for it, you know what

0:22:44.800 --> 0:22:47.400
<v Speaker 1>happens to like the cycle is never really broken because

0:22:47.440 --> 0:22:49.760
<v Speaker 1>it's always like that's what I'm saying, the struggle. Bro.

0:22:50.200 --> 0:22:52.679
<v Speaker 1>Even with that knowledge out there, there's still gonna be

0:22:52.720 --> 0:22:56.600
<v Speaker 1>a kid that's starving somewhere that they say, Yo, listen,

0:22:56.840 --> 0:22:59.520
<v Speaker 1>you're gonna look like this. You're gonna say this and

0:22:59.560 --> 0:23:02.840
<v Speaker 1>you're gonna get X amount of dollars and people gonna

0:23:02.920 --> 0:23:06.439
<v Speaker 1>be like, yeah, well, okay. So that brings me, I

0:23:06.480 --> 0:23:09.119
<v Speaker 1>think into some of the research that I impacked in

0:23:09.160 --> 0:23:12.440
<v Speaker 1>this or tried to unpack in this, and it connects directly.

0:23:12.560 --> 0:23:14.880
<v Speaker 1>And I think hip hop and jazz in a lot

0:23:14.920 --> 0:23:17.639
<v Speaker 1>of ways in terms of lack American invention, have a

0:23:17.920 --> 0:23:21.520
<v Speaker 1>very clear relationship, right, And so I was looking up,

0:23:21.560 --> 0:23:26.359
<v Speaker 1>like where did jazz come from? And apparently in a

0:23:26.480 --> 0:23:30.159
<v Speaker 1>dude named Buddy Bolden starts a band where he basically

0:23:30.240 --> 0:23:33.679
<v Speaker 1>is the first person to start playing live jazz music

0:23:33.960 --> 0:23:38.240
<v Speaker 1>and everybody yeah, and they're like, holy shit, Buddy Bowling,

0:23:38.280 --> 0:23:41.480
<v Speaker 1>this dude is great and for years he's like a

0:23:41.640 --> 0:23:44.560
<v Speaker 1>cool dude on the scene. He's like underground, but he's

0:23:44.640 --> 0:23:47.720
<v Speaker 1>flying people fucking with it. They love jazz. But then

0:23:47.920 --> 0:23:51.800
<v Speaker 1>there's all these people who claimed that jazz wasn't in

0:23:51.920 --> 0:23:56.000
<v Speaker 1>fact invented by Buddy Bolden. It was invented basically almost

0:23:56.000 --> 0:23:59.520
<v Speaker 1>twenty years later, in nineteen seventeen by this dude named

0:23:59.640 --> 0:24:04.520
<v Speaker 1>nick A Rocca. White dude, come on, who went and

0:24:04.600 --> 0:24:07.760
<v Speaker 1>made jazz and put it on record? Do you know

0:24:07.840 --> 0:24:10.640
<v Speaker 1>what I'm saying? Like, Buddy Bolden was doing some like

0:24:11.040 --> 0:24:13.800
<v Speaker 1>cool ship with his friends and playing in clubs, but

0:24:13.840 --> 0:24:16.879
<v Speaker 1>then nick Larrocca like put that ship on wax, and

0:24:16.880 --> 0:24:20.080
<v Speaker 1>now everybody's like, man, nick Larrocca, that's the guy. He

0:24:20.200 --> 0:24:24.720
<v Speaker 1>invented it. Yeah, it's real fucked up. And so it

0:24:24.840 --> 0:24:28.240
<v Speaker 1>put me in a weird place with your conspiracy because

0:24:28.280 --> 0:24:32.159
<v Speaker 1>it it makes me feel like, how much of this

0:24:32.359 --> 0:24:36.120
<v Speaker 1>do we really get to enjoy? When somebody comes in

0:24:36.400 --> 0:24:39.360
<v Speaker 1>and usurps are cool ship? Do you know what I'm saying, Like,

0:24:39.760 --> 0:24:42.440
<v Speaker 1>how much of that is still ours? If nick Larrocca

0:24:42.600 --> 0:24:46.399
<v Speaker 1>it becomes the face of jazz music? No, but you

0:24:46.480 --> 0:24:49.159
<v Speaker 1>know the real ones. No, my man, buddy, feel me,

0:24:49.240 --> 0:24:51.640
<v Speaker 1>Buddy Balding. That's why, like when you said that, I'm

0:24:51.680 --> 0:24:53.680
<v Speaker 1>like Damn, I wonder what this thing was going through

0:24:53.680 --> 0:24:56.040
<v Speaker 1>in his life. Like Buddy Bolden when he came with

0:24:56.080 --> 0:24:58.520
<v Speaker 1>the jazz. He know what I'm saying, he might have

0:24:58.560 --> 0:25:00.840
<v Speaker 1>been down on this luck. He might just came up,

0:25:00.920 --> 0:25:02.200
<v Speaker 1>you know what I'm saying. He might have just got

0:25:02.240 --> 0:25:05.399
<v Speaker 1>some tops, some buns or something by Shorty. You know,

0:25:05.440 --> 0:25:07.760
<v Speaker 1>I'm saying he was down on his luck and you're

0:25:07.800 --> 0:25:10.920
<v Speaker 1>passing my fuck the saxophone bro, and he started playing

0:25:10.960 --> 0:25:13.080
<v Speaker 1>some ship because he felt jazzy. You know what I'm saying.

0:25:14.480 --> 0:25:17.239
<v Speaker 1>Imagine how good you gotta get your dick stuck for

0:25:17.320 --> 0:25:20.800
<v Speaker 1>you to to pick up a trumpet and start playing

0:25:20.880 --> 0:25:24.080
<v Speaker 1>all the keys at once, just wilding on that motherfucker

0:25:24.200 --> 0:25:28.520
<v Speaker 1>because hey, that's jazz. Baby, no memthor to the madness,

0:25:28.640 --> 0:25:31.439
<v Speaker 1>it's just all it's all good. So that's like what

0:25:31.560 --> 0:25:34.080
<v Speaker 1>he was on. And then you know, my man, Now

0:25:34.119 --> 0:25:36.879
<v Speaker 1>he ain't my man, but whatever his name is now

0:25:37.000 --> 0:25:41.800
<v Speaker 1>your dear friend Nicola Rocca. See, he even tried to

0:25:41.840 --> 0:25:45.040
<v Speaker 1>steal black people swag like you know, the Rock used

0:25:45.040 --> 0:25:48.120
<v Speaker 1>to be a big name back in the day, rock

0:25:48.240 --> 0:25:51.680
<v Speaker 1>Scot the Rock, you know, Toddle Rock. This is always

0:25:51.720 --> 0:25:53.760
<v Speaker 1>a love rock, you know, what I'm saying. So he

0:25:53.840 --> 0:25:56.920
<v Speaker 1>came stole a whole vibe from my man's in them

0:25:56.920 --> 0:25:59.280
<v Speaker 1>because he know, my man buddy was just in the

0:25:59.280 --> 0:26:01.720
<v Speaker 1>streets shaking to shut up, right, you know what I'm saying.

0:26:01.760 --> 0:26:04.040
<v Speaker 1>That's like Ao Langston me being down at the corner

0:26:04.320 --> 0:26:06.800
<v Speaker 1>bringing your sacks. I got my trumpet, my man got

0:26:06.800 --> 0:26:10.480
<v Speaker 1>the drums. Unless like smoke some reefa something you know

0:26:10.520 --> 0:26:16.080
<v Speaker 1>what achieve achieva because it's it's nineteen hundred and that's

0:26:16.119 --> 0:26:18.399
<v Speaker 1>what that's what it's called back then. Why do you

0:26:18.440 --> 0:26:21.080
<v Speaker 1>think too, like refa madness thinks we're smoking weed doing

0:26:21.080 --> 0:26:23.359
<v Speaker 1>the jazz music, and the white people that I couldn't

0:26:23.400 --> 0:26:25.320
<v Speaker 1>understand it. It It was madness to them. It's like what

0:26:25.359 --> 0:26:27.639
<v Speaker 1>the fund is this mania? Like what is this crazy

0:26:27.640 --> 0:26:30.560
<v Speaker 1>ship going on? Yeah, it's like, yo, it's just an expression.

0:26:30.560 --> 0:26:33.800
<v Speaker 1>It's not crazy, right, And I do think that that

0:26:34.000 --> 0:26:36.760
<v Speaker 1>is such a fascinating part of the way that it

0:26:36.800 --> 0:26:39.520
<v Speaker 1>gets manipulated. Right if we think about it in terms

0:26:39.560 --> 0:26:43.880
<v Speaker 1>of like jazz and hip hop, they're both music that

0:26:44.200 --> 0:26:47.080
<v Speaker 1>start off as sort of like this cool new invention

0:26:47.440 --> 0:26:50.000
<v Speaker 1>with like a purity and an innocence to it, and

0:26:50.040 --> 0:26:53.440
<v Speaker 1>then white people started calling it devilish. They started calling

0:26:53.440 --> 0:26:56.479
<v Speaker 1>it evil in some sort of way by associating it

0:26:56.520 --> 0:27:01.120
<v Speaker 1>with drugs and violence, and then once becomes this sort

0:27:01.160 --> 0:27:04.080
<v Speaker 1>of like weird debate about whether or not it's evil,

0:27:04.440 --> 0:27:07.280
<v Speaker 1>they jump in and start making their own version of it,

0:27:07.359 --> 0:27:11.440
<v Speaker 1>which is somehow more consumerable and safer for its audience.

0:27:11.880 --> 0:27:14.080
<v Speaker 1>That's like, look at the WAP song. Right, They just

0:27:14.119 --> 0:27:17.320
<v Speaker 1>tried to ban the WAP song bro Right, they try,

0:27:17.400 --> 0:27:23.040
<v Speaker 1>it's just dying from particles. They worrying about a wet

0:27:23.080 --> 0:27:26.000
<v Speaker 1>ass pussy with like well because of the black woman

0:27:26.000 --> 0:27:28.640
<v Speaker 1>and a Dominican woman had the notion to actually say

0:27:28.920 --> 0:27:32.000
<v Speaker 1>what make the world happy. Let me be very clear,

0:27:32.080 --> 0:27:35.560
<v Speaker 1>a wet ass pussy ain't hurting nobody now never once,

0:27:35.920 --> 0:27:41.840
<v Speaker 1>not not in the history of Maine. It's heard a

0:27:41.920 --> 0:27:46.640
<v Speaker 1>lot of feelings with nothing else but a wet ass pussy.

0:27:46.680 --> 0:27:48.960
<v Speaker 1>It's done nothing but good work in the world. And

0:27:49.000 --> 0:27:51.720
<v Speaker 1>there's no reason to ban in that. And I understand

0:27:51.720 --> 0:27:54.360
<v Speaker 1>if you're uncomfortable playing that around your children, but that's

0:27:54.359 --> 0:27:57.040
<v Speaker 1>a conversation you need to have that ain't got shipped

0:27:57.080 --> 0:27:59.359
<v Speaker 1>to do with those girls and the WAP. That's how

0:27:59.480 --> 0:28:02.240
<v Speaker 1>jazz was invented. I'm saying, my man, but my man,

0:28:02.320 --> 0:28:09.640
<v Speaker 1>buddy has some wet hopped on that trumpet. Pop down, Yeah,

0:28:10.000 --> 0:28:13.480
<v Speaker 1>he felt something. I love that. Okay. So one of

0:28:13.520 --> 0:28:17.520
<v Speaker 1>the things that I think I also found myself challenged

0:28:17.600 --> 0:28:21.560
<v Speaker 1>by in your conspiracy theory, and challenged is a weighted word,

0:28:21.600 --> 0:28:23.800
<v Speaker 1>because it's not that I disagree with it, it's just

0:28:24.160 --> 0:28:27.360
<v Speaker 1>I think there's complexity on the backside, right, is that

0:28:27.480 --> 0:28:31.879
<v Speaker 1>where does poverty come from specifically and is it essential

0:28:32.320 --> 0:28:35.000
<v Speaker 1>to the way that we live in society? And so

0:28:35.040 --> 0:28:37.840
<v Speaker 1>I found this article that sort of lists off all

0:28:37.920 --> 0:28:42.080
<v Speaker 1>of the benefits quote unquote benefits of poverty, and one

0:28:42.120 --> 0:28:44.239
<v Speaker 1>of the things that they listed was, in fact, what

0:28:44.280 --> 0:28:48.320
<v Speaker 1>you're saying, the invention of culture, the invention of the

0:28:48.400 --> 0:28:51.560
<v Speaker 1>things that we celebrate. But then there's this other more

0:28:51.680 --> 0:28:54.200
<v Speaker 1>devastating side of the list that I want to just

0:28:54.240 --> 0:28:56.520
<v Speaker 1>go through with you and get your thoughts on as

0:28:56.560 --> 0:29:00.320
<v Speaker 1>we go that work absolutely hell yet. Okay. So one

0:29:00.360 --> 0:29:03.440
<v Speaker 1>of the first benefits quote unquote that they say for

0:29:03.640 --> 0:29:08.000
<v Speaker 1>poverty is like dirty work and domestic work for other people,

0:29:08.080 --> 0:29:11.560
<v Speaker 1>doing the dirty work that we as people in society

0:29:11.640 --> 0:29:14.640
<v Speaker 1>don't want to do. Of course, I mean, even like

0:29:14.880 --> 0:29:17.640
<v Speaker 1>for me like, look, when I was hustling on the

0:29:17.640 --> 0:29:20.440
<v Speaker 1>illegal side of things. If I need somebody to do

0:29:20.480 --> 0:29:23.680
<v Speaker 1>a job for me, like a foul job, I'm gonna

0:29:23.400 --> 0:29:27.280
<v Speaker 1>have my man down the block that's starving. I'm not

0:29:27.320 --> 0:29:30.160
<v Speaker 1>gonna after they're gonna have shipped the loose like he's

0:29:30.160 --> 0:29:32.960
<v Speaker 1>gonna be like, yo, you get you work with somebody

0:29:32.960 --> 0:29:35.160
<v Speaker 1>that has something to lose. As soon as the cops

0:29:35.200 --> 0:29:37.400
<v Speaker 1>pull up on them, they're like, I'll tell you everything.

0:29:37.960 --> 0:29:40.520
<v Speaker 1>I got back to my ship the loop. I never

0:29:40.560 --> 0:29:43.120
<v Speaker 1>wanted to be here, man, I will. I will give

0:29:43.160 --> 0:29:46.000
<v Speaker 1>you all you need to know. Like a poor dude.

0:29:46.000 --> 0:29:48.000
<v Speaker 1>They never gonna say I just wanted to be down.

0:29:49.240 --> 0:29:50.960
<v Speaker 1>Poor dude is gonna be like, yo, I just had

0:29:51.000 --> 0:29:52.840
<v Speaker 1>to eat. Man. You know what I'm saying you At

0:29:52.880 --> 0:29:55.440
<v Speaker 1>the beginning of Juicy, all the people that call the cops,

0:29:55.440 --> 0:29:57.440
<v Speaker 1>I was just trying to feed my daughter, he didn't

0:29:57.480 --> 0:30:02.160
<v Speaker 1>say I was just trying to cop a fucking I

0:30:02.240 --> 0:30:05.400
<v Speaker 1>was just trying to fit in with my friends. I

0:30:05.440 --> 0:30:08.960
<v Speaker 1>was hungry and my daughter was gonna starve. Absolutely. Oh

0:30:09.040 --> 0:30:12.760
<v Speaker 1>that ship is a fact. Society definitely benefits off of

0:30:13.320 --> 0:30:15.800
<v Speaker 1>poor people, and so one of the things that they

0:30:15.840 --> 0:30:18.520
<v Speaker 1>say in relation to sort of like the usage of

0:30:18.560 --> 0:30:21.080
<v Speaker 1>domestic work and sort of this dirty work is the

0:30:21.120 --> 0:30:25.520
<v Speaker 1>potential for upward mobility. That because someone is willing to

0:30:25.840 --> 0:30:29.760
<v Speaker 1>do the dirty work in society, we create a hierarchy,

0:30:29.960 --> 0:30:33.280
<v Speaker 1>right where like, because I'm not the one that picks

0:30:33.360 --> 0:30:36.680
<v Speaker 1>the oranges, I am somehow now better than the person

0:30:36.800 --> 0:30:40.640
<v Speaker 1>picking oranges and thus exists in a different kind of

0:30:40.760 --> 0:30:43.680
<v Speaker 1>cast system, even though we won't call it that because

0:30:43.720 --> 0:30:45.640
<v Speaker 1>we think we're better than that. You know what I mean,

0:30:45.920 --> 0:30:49.880
<v Speaker 1>that's classism, broact. That's like, yo, say that you had

0:30:49.920 --> 0:30:53.360
<v Speaker 1>a homeless shelter, right, even at the homeless shelter, this

0:30:53.480 --> 0:30:55.840
<v Speaker 1>is one dude or one person that thinks that, like

0:30:55.920 --> 0:30:59.480
<v Speaker 1>you know, they're above the other homeless person. Dogs. He's like,

0:30:59.520 --> 0:31:02.360
<v Speaker 1>you know, my ass stink. At least I don't smell

0:31:02.440 --> 0:31:09.080
<v Speaker 1>like as you like I'm but at least I don't

0:31:09.080 --> 0:31:13.360
<v Speaker 1>smell like feet, Like, hey, I made my bed, I'm

0:31:13.360 --> 0:31:16.040
<v Speaker 1>better than this ship. I'm gonna I'm gonna be all right.

0:31:16.080 --> 0:31:19.440
<v Speaker 1>And it's like I'm organized, Like yeah, we do that

0:31:19.480 --> 0:31:22.560
<v Speaker 1>on every level. It's not just like a homeless thing, right,

0:31:22.600 --> 0:31:25.280
<v Speaker 1>Like I'm just saying he's like showing you how low

0:31:25.320 --> 0:31:27.920
<v Speaker 1>it could go like all the way to but it's

0:31:27.960 --> 0:31:30.840
<v Speaker 1>the people who live in a suburban neighborhood and want

0:31:30.920 --> 0:31:33.760
<v Speaker 1>their lawn to look better than the person they live

0:31:33.880 --> 0:31:37.480
<v Speaker 1>next to. Y'all basically share the same space or like

0:31:37.520 --> 0:31:40.000
<v Speaker 1>in a hood like yo boom, we all live in

0:31:40.040 --> 0:31:43.600
<v Speaker 1>the same buildings. But I'm gonna get a car that

0:31:43.720 --> 0:31:45.880
<v Speaker 1>you don't have. Well, I'm gonna get some shoes sneakers

0:31:45.880 --> 0:31:47.640
<v Speaker 1>that you don't got, or I'm gonna get something, and

0:31:47.680 --> 0:31:50.400
<v Speaker 1>then I'm gonna look at shoe like you basic. You

0:31:50.440 --> 0:31:52.840
<v Speaker 1>know what I'm saying, because that ship whatever is going on,

0:31:53.840 --> 0:31:57.160
<v Speaker 1>fortified my ego, you know what I'm saying. Yeah, And

0:31:57.560 --> 0:32:00.880
<v Speaker 1>that takes me into something that they also say is

0:32:00.920 --> 0:32:05.720
<v Speaker 1>that a benefit of poverty is something called moral distancing,

0:32:06.080 --> 0:32:09.640
<v Speaker 1>which is basically this argument that we are able to

0:32:09.680 --> 0:32:14.520
<v Speaker 1>create hierarchies through the way that we associate morality and

0:32:14.600 --> 0:32:17.000
<v Speaker 1>poor people that like, poor people are thought to be

0:32:17.240 --> 0:32:21.560
<v Speaker 1>less moral than rich people like you as a poor person,

0:32:21.600 --> 0:32:25.160
<v Speaker 1>and are going to commit more crimes or be more

0:32:25.280 --> 0:32:29.640
<v Speaker 1>likely to sell drugs or do something violent, and therefore

0:32:30.320 --> 0:32:33.600
<v Speaker 1>it allows us to not only distance ourselves from the

0:32:33.600 --> 0:32:37.920
<v Speaker 1>people who are morally less than but also not feel

0:32:37.960 --> 0:32:41.840
<v Speaker 1>bad when we don't provide them with resources. It's like, oh,

0:32:41.920 --> 0:32:44.040
<v Speaker 1>y'all are acting up, so fuck it. I ain't gonna

0:32:44.080 --> 0:32:46.880
<v Speaker 1>give you money. I'm not gonna help you out. No,

0:32:47.120 --> 0:32:49.800
<v Speaker 1>because you know it's crazy because you know the systematic

0:32:50.360 --> 0:32:52.280
<v Speaker 1>ship is like they set us up to lose. You

0:32:52.400 --> 0:32:55.320
<v Speaker 1>feel me. Um, It's like it's like what we're saying earlier,

0:32:55.320 --> 0:32:57.880
<v Speaker 1>like of course the nigga with nothing to lose, it's

0:32:57.920 --> 0:33:01.080
<v Speaker 1>gonna go risk everything. I'm saying, even me, I used

0:33:01.120 --> 0:33:02.880
<v Speaker 1>to be that guy, Like I used to be the

0:33:02.960 --> 0:33:05.920
<v Speaker 1>guy like I'll risk everything because it doesn't seem like

0:33:06.400 --> 0:33:08.960
<v Speaker 1>a brighter future is around the corner. That was always

0:33:08.960 --> 0:33:12.920
<v Speaker 1>the logic I'm saying. The people doing dirt is like,

0:33:13.120 --> 0:33:14.840
<v Speaker 1>that's part of the that's the logic. It's like, you

0:33:14.920 --> 0:33:18.680
<v Speaker 1>know nothing, what's my other option? Exactly? A lot of

0:33:18.720 --> 0:33:21.080
<v Speaker 1>the time, through the poverty that I'm talking about, it's

0:33:21.120 --> 0:33:24.600
<v Speaker 1>like it's a state of mind. It's even beyond your

0:33:24.640 --> 0:33:29.120
<v Speaker 1>financial situation or whatever that is, material situation. It's about

0:33:29.200 --> 0:33:31.560
<v Speaker 1>the way you think, you know what I'm saying. So

0:33:31.600 --> 0:33:34.320
<v Speaker 1>if you think things can't get you pour mentally, like

0:33:34.360 --> 0:33:37.000
<v Speaker 1>you're poor, you're gonna stay poor until you end up

0:33:37.640 --> 0:33:39.600
<v Speaker 1>dead or in jail, you know what I mean. Yeah,

0:33:40.240 --> 0:33:42.800
<v Speaker 1>I think that also is something they sort of like

0:33:43.400 --> 0:33:46.120
<v Speaker 1>dig into, although not I think it's sharp as you're

0:33:46.160 --> 0:33:48.520
<v Speaker 1>making it. But they say that poor people sort of

0:33:48.680 --> 0:33:52.560
<v Speaker 1>bear the brunt of social disruptions. Right, So, anytime some

0:33:52.640 --> 0:33:55.560
<v Speaker 1>ship happens out in the world and they decide to

0:33:55.640 --> 0:33:59.920
<v Speaker 1>change the law around something, or they decide coronavirus great example,

0:34:00.160 --> 0:34:02.600
<v Speaker 1>they decide that, like, okay, the pandemic kicked in and

0:34:02.680 --> 0:34:06.680
<v Speaker 1>everybody needs to go quarantine inside. Poor people are the

0:34:06.680 --> 0:34:09.640
<v Speaker 1>ones that suffer from that. Their jobs get taken away. First,

0:34:09.800 --> 0:34:13.960
<v Speaker 1>they're the ones who are being policed most intensely for

0:34:14.160 --> 0:34:17.200
<v Speaker 1>the things that are happening instead of the rich people

0:34:17.239 --> 0:34:20.399
<v Speaker 1>who are probably doing the exact same ship that poor

0:34:20.440 --> 0:34:23.120
<v Speaker 1>people are. But poor people, like you said, are trapped

0:34:23.120 --> 0:34:27.000
<v Speaker 1>in not only a social locking but also like a

0:34:27.120 --> 0:34:30.040
<v Speaker 1>mental locking of like okay, well, now you took away

0:34:30.080 --> 0:34:32.520
<v Speaker 1>the one thing that I had, what the funk am

0:34:32.520 --> 0:34:35.360
<v Speaker 1>I supposed to do? And then it's like yo, the

0:34:35.440 --> 0:34:38.320
<v Speaker 1>worst ship too. It's like yo, you take away the jobs?

0:34:38.320 --> 0:34:39.719
<v Speaker 1>Do you take away all these things and then you

0:34:39.800 --> 0:34:42.400
<v Speaker 1>leave us together. So even when they was like looting

0:34:42.400 --> 0:34:44.799
<v Speaker 1>and ship. And he was like, Yo, I can't believe

0:34:44.800 --> 0:34:47.919
<v Speaker 1>they're looting, Like the undertones are looting. Was not only that,

0:34:48.040 --> 0:34:50.719
<v Speaker 1>you know, people are tired, but people are poor. Yeah,

0:34:50.960 --> 0:34:53.800
<v Speaker 1>niggas was stealing bread, bro, Like niggas wasn't just stealing

0:34:53.840 --> 0:34:58.560
<v Speaker 1>fucking sneakers and clothing like people were stealing food. Say,

0:34:58.680 --> 0:35:02.200
<v Speaker 1>people were stealing from the supermarket. Because it's like people

0:35:02.320 --> 0:35:04.799
<v Speaker 1>steal in formula for their kids. Like it wasn't just

0:35:05.360 --> 0:35:07.400
<v Speaker 1>you know, of course the only show like all this

0:35:07.480 --> 0:35:10.720
<v Speaker 1>person stole a TV or some ship, but there's people

0:35:10.760 --> 0:35:13.480
<v Speaker 1>actually like I'm gonna take this TV and hopefully I

0:35:13.480 --> 0:35:16.040
<v Speaker 1>can sell it so I can have money. A motherfucker

0:35:16.080 --> 0:35:18.799
<v Speaker 1>with a with a PS four under his arm is

0:35:18.840 --> 0:35:22.799
<v Speaker 1>better television than a dude with like three loaves of

0:35:22.840 --> 0:35:25.440
<v Speaker 1>bread and swim maloney, you know what I mean? Like

0:35:25.520 --> 0:35:30.719
<v Speaker 1>that terrible jan what are you doing? Get the helicopter

0:35:30.760 --> 0:35:33.640
<v Speaker 1>footage on this motherfucker over here with the Jordan's if

0:35:33.640 --> 0:35:37.239
<v Speaker 1>you don't want to see this, yo, that's what it is, bro. Like, yeah,

0:35:37.239 --> 0:35:38.919
<v Speaker 1>I think it's just set up to lose. And then

0:35:39.160 --> 0:35:41.319
<v Speaker 1>on top of that, yo, we're gonna go in on

0:35:41.320 --> 0:35:44.600
<v Speaker 1>each other that's just how it is. Like I still

0:35:44.680 --> 0:35:47.080
<v Speaker 1>be in the hood, like I still be like I

0:35:47.160 --> 0:35:49.680
<v Speaker 1>gotta walk a certain way, I gotta be a certain way,

0:35:49.719 --> 0:35:52.400
<v Speaker 1>I gotta vibe a certain way, like just to feel

0:35:52.600 --> 0:35:56.839
<v Speaker 1>like comfortable because I understand what's going on. I think

0:35:56.880 --> 0:35:58.839
<v Speaker 1>this is on drugs to ease the pain. A lot

0:35:58.840 --> 0:36:01.719
<v Speaker 1>of the times people was just like it's bugged the

0:36:01.760 --> 0:36:05.600
<v Speaker 1>funk out. These are times that people haven't experienced before,

0:36:05.760 --> 0:36:08.160
<v Speaker 1>especially like poor people. We've always been poor, and now

0:36:08.200 --> 0:36:12.280
<v Speaker 1>it's like insult to the injury. It's a little extra

0:36:12.360 --> 0:36:16.400
<v Speaker 1>seasoning on poverty that no one wanted. No one was

0:36:16.880 --> 0:36:18.840
<v Speaker 1>Everybody was like, hey, I get poverty. I know what

0:36:18.880 --> 0:36:20.759
<v Speaker 1>it tastes like this is fine. And then they were

0:36:20.800 --> 0:36:23.080
<v Speaker 1>like and we have a new flavor, and like, nah,

0:36:23.200 --> 0:36:25.640
<v Speaker 1>I don't need this. Droplets on it. It came with

0:36:25.640 --> 0:36:29.040
<v Speaker 1>the palmish on virus droplets on They just spraple out

0:36:29.080 --> 0:36:31.799
<v Speaker 1>on it. It would like a little more droplets. Like

0:36:31.840 --> 0:36:34.440
<v Speaker 1>the worship to Bro is like New York City Bro,

0:36:34.560 --> 0:36:37.120
<v Speaker 1>like you out west, so like we open on something

0:36:37.120 --> 0:36:39.640
<v Speaker 1>like nas was on the train Brother, like people on

0:36:39.760 --> 0:36:42.680
<v Speaker 1>the train right now, Like you know New York Bro,

0:36:42.880 --> 0:36:46.040
<v Speaker 1>like that everybody's got the right amount the scruples going

0:36:46.120 --> 0:36:49.880
<v Speaker 1>on every train call, you're gonna look and see like

0:36:49.920 --> 0:36:52.520
<v Speaker 1>three people with no masks on row mouth in it

0:36:52.640 --> 0:36:54.840
<v Speaker 1>like and they want you to say something. They're waiting

0:36:54.920 --> 0:36:57.319
<v Speaker 1>for you to be like, hey, why you ain't got

0:36:57.320 --> 0:37:00.239
<v Speaker 1>a mask on? You turn into something else. I seen

0:37:00.320 --> 0:37:02.719
<v Speaker 1>the dude do something so disrespectful the other day. Not

0:37:02.800 --> 0:37:05.160
<v Speaker 1>only did he have on a mask, your he yawned

0:37:05.440 --> 0:37:09.719
<v Speaker 1>mad like he was like, you can't be this is

0:37:10.040 --> 0:37:13.480
<v Speaker 1>yawns hit different now, bro, this is not the same. Bro, Like,

0:37:13.800 --> 0:37:16.840
<v Speaker 1>that's what I wish your bitch would say something yawned

0:37:17.200 --> 0:37:19.840
<v Speaker 1>And I'm gonna testing. I must see if one of

0:37:19.920 --> 0:37:25.239
<v Speaker 1>y'all got the huts. But right now, everybody put their

0:37:25.239 --> 0:37:27.240
<v Speaker 1>head down because they were trying to avoid them droplets

0:37:27.320 --> 0:37:29.200
<v Speaker 1>to the eye, so they just put their head down. Like,

0:37:29.480 --> 0:37:31.839
<v Speaker 1>but now that's poor people ship, bro, Like I got

0:37:31.840 --> 0:37:33.600
<v Speaker 1>this theory too, Like, all right, there a couple of

0:37:33.600 --> 0:37:35.879
<v Speaker 1>type of people that don't win mask. You'll either one.

0:37:36.160 --> 0:37:39.279
<v Speaker 1>It's like you just don't give a funk about anything

0:37:39.520 --> 0:37:41.960
<v Speaker 1>or anybody and like you got nothing to lose, or

0:37:42.000 --> 0:37:44.200
<v Speaker 1>you a conspiracy theorist as far as you don't believe

0:37:44.239 --> 0:37:47.000
<v Speaker 1>that the virus is a thing, which is insane to me.

0:37:47.080 --> 0:37:49.200
<v Speaker 1>But you know, those are the two types of people,

0:37:49.239 --> 0:37:51.399
<v Speaker 1>the people that have absolutely nothing, like what the fund

0:37:51.440 --> 0:37:53.359
<v Speaker 1>do I have to lose and I don't care about

0:37:53.400 --> 0:37:56.480
<v Speaker 1>anybody else, You know what I'm saying, right, I think

0:37:56.719 --> 0:38:01.000
<v Speaker 1>ultimately what I landed on and thinking about or conspiracy

0:38:01.040 --> 0:38:03.879
<v Speaker 1>theory is I do think that you're absolutely correct that

0:38:03.960 --> 0:38:07.400
<v Speaker 1>like poverty does create culture, it does sort of create

0:38:07.440 --> 0:38:11.560
<v Speaker 1>the waves that society then goes on to celebrate and follow.

0:38:11.960 --> 0:38:15.040
<v Speaker 1>But the scary part is how much of this is

0:38:15.120 --> 0:38:19.920
<v Speaker 1>being constructed and maintained by a wealth class, by like

0:38:20.040 --> 0:38:28.480
<v Speaker 1>the capitalists of it. They are literally creating lists of

0:38:28.600 --> 0:38:32.200
<v Speaker 1>reasons why it's beneficial to have certain people be poor

0:38:32.320 --> 0:38:35.480
<v Speaker 1>in certain people be rich so that you know, they

0:38:35.520 --> 0:38:38.279
<v Speaker 1>can create, Like they want a bunch of people in

0:38:38.280 --> 0:38:40.560
<v Speaker 1>the hood to come up with new dance moves so

0:38:40.640 --> 0:38:44.200
<v Speaker 1>that they can then appropriate it and sell it on

0:38:44.400 --> 0:38:48.960
<v Speaker 1>fucking TikTok whenever, on TikTok without the hood bro absolutely

0:38:49.000 --> 0:38:52.480
<v Speaker 1>not technically China, but also the Hood. But it wouldn't know.

0:38:52.520 --> 0:38:55.960
<v Speaker 1>That's what I said. We add sauce to everything. We

0:38:56.320 --> 0:38:59.640
<v Speaker 1>made hip hop music there was already music music, but

0:38:59.760 --> 0:39:01.640
<v Speaker 1>we to our own spin on it. So it's like,

0:39:01.640 --> 0:39:05.200
<v Speaker 1>oh you do TikTok boom kiki? Do you love me?

0:39:05.640 --> 0:39:09.000
<v Speaker 1>Are you writing? Yeah? Come on bro? Even Drake, he

0:39:09.040 --> 0:39:10.680
<v Speaker 1>made a song he didn't know a hood nigga was

0:39:10.680 --> 0:39:12.399
<v Speaker 1>gonna come and make a whole dance and the ship

0:39:12.520 --> 0:39:19.480
<v Speaker 1>go viral like that, and Shiggy Shiggy wasn't even gonna

0:39:19.480 --> 0:39:22.440
<v Speaker 1>get credit until the Internet sort of like came in

0:39:22.560 --> 0:39:25.840
<v Speaker 1>and was like, hey, bro, you should probably do something

0:39:25.880 --> 0:39:28.360
<v Speaker 1>for him because he kind of made you pop in

0:39:28.360 --> 0:39:31.160
<v Speaker 1>a way that you weren't supposed to. And that's Drake.

0:39:31.520 --> 0:39:34.880
<v Speaker 1>Drake was supposed to be decent. It's a literally a

0:39:35.000 --> 0:39:40.359
<v Speaker 1>capitalist structure. It's people intentionally creating a wealth gap for

0:39:40.440 --> 0:39:43.279
<v Speaker 1>their own benefit. Why do people say most people's best

0:39:43.280 --> 0:39:47.239
<v Speaker 1>albums as their first albums. Niggas is hungry when they

0:39:47.239 --> 0:39:50.520
<v Speaker 1>make them first albums. Niggas is like, this ship is

0:39:50.560 --> 0:39:53.200
<v Speaker 1>like like this is everything, this is like if this

0:39:53.320 --> 0:39:56.720
<v Speaker 1>don't work, I'm a starve my family. So of course

0:39:56.760 --> 0:39:59.000
<v Speaker 1>that body of work is gonna be crazy, like, oh,

0:39:59.080 --> 0:40:01.480
<v Speaker 1>you're putting your whole life into that. But then once

0:40:01.480 --> 0:40:03.440
<v Speaker 1>you get that back, you come back and you're like,

0:40:03.920 --> 0:40:05.879
<v Speaker 1>I'm saying you won't be good, but it ain't gonna

0:40:05.880 --> 0:40:09.840
<v Speaker 1>have that same I think trouble seasonings rap doesn't sound

0:40:09.920 --> 0:40:12.640
<v Speaker 1>as good in between mimosas, do you know what I mean?

0:40:12.680 --> 0:40:16.560
<v Speaker 1>Like the mimosis they funk up your throat a little

0:40:16.560 --> 0:40:18.440
<v Speaker 1>bit and they're making so the hip hop ain't his

0:40:18.560 --> 0:40:23.600
<v Speaker 1>hips at ship too soft? Now? Like that? Yeah, I

0:40:23.640 --> 0:40:26.040
<v Speaker 1>can hear strawberries in your throat. I don't like the

0:40:26.120 --> 0:40:30.040
<v Speaker 1>sound of that. All Right, we're gonna take more, more

0:40:30.080 --> 0:40:31.759
<v Speaker 1>break and we'll be back with more p d d

0:40:31.880 --> 0:40:45.240
<v Speaker 1>aprew and more my mama told me. And we are back.

0:40:47.600 --> 0:40:55.560
<v Speaker 1>My god, you're back here with more PDDA brew and

0:40:55.600 --> 0:40:58.120
<v Speaker 1>more of my mama told me. We're still talking about

0:40:58.160 --> 0:41:02.640
<v Speaker 1>that sick, sick, sinister ship that capitalism does and keeping

0:41:02.719 --> 0:41:05.239
<v Speaker 1>us poor and letting us service their needs so that

0:41:05.280 --> 0:41:09.320
<v Speaker 1>they can sell our ship TikTok's and other websites that

0:41:09.360 --> 0:41:12.960
<v Speaker 1>will probably be invented very soon. I assume they'll come

0:41:13.040 --> 0:41:15.719
<v Speaker 1>up with some new ship, right, this ain't TikTok's not

0:41:15.800 --> 0:41:18.120
<v Speaker 1>the last one. They're gonna come up with a struggle

0:41:18.160 --> 0:41:22.160
<v Speaker 1>tracker app like you know how they got the step tracker.

0:41:22.200 --> 0:41:24.239
<v Speaker 1>They're gonna come up with the struggle tracker so they

0:41:24.239 --> 0:41:26.480
<v Speaker 1>can see how many steps to take to create some

0:41:26.640 --> 0:41:31.680
<v Speaker 1>flyship from the struggle. You gotta struggle five years before

0:41:31.719 --> 0:41:34.400
<v Speaker 1>you come out with a fucking illmatic, Like it's like

0:41:34.800 --> 0:41:38.920
<v Speaker 1>a Malcolm Gladwell's study of like ten thousand hours before

0:41:39.000 --> 0:41:43.160
<v Speaker 1>you can make something new. Hours of struggle, yo, and

0:41:43.160 --> 0:41:47.040
<v Speaker 1>then you'll be ready to a You gotta eight Peter

0:41:47.120 --> 0:41:53.719
<v Speaker 1>Butter sandwiches in one night before, not even fashion bro,

0:41:53.920 --> 0:41:56.200
<v Speaker 1>not real quick like fashion like imagine. I think it's

0:41:56.200 --> 0:41:58.240
<v Speaker 1>got rips in the jeans that came from a nigga

0:41:58.280 --> 0:42:03.440
<v Speaker 1>with rips in his gee dad's and that I was

0:42:03.480 --> 0:42:06.600
<v Speaker 1>talking to somebody about this. There's a brand of shoes

0:42:06.640 --> 0:42:10.799
<v Speaker 1>now that they sell pre dirty. They're like scuffed up

0:42:10.840 --> 0:42:13.560
<v Speaker 1>and sort of meant to look like they're worn in,

0:42:14.080 --> 0:42:17.200
<v Speaker 1>and they're like they sell for hundreds and maybe thousands

0:42:17.280 --> 0:42:21.160
<v Speaker 1>of dollars because people want exactly what you're saying, the

0:42:21.200 --> 0:42:24.120
<v Speaker 1>appearance of somebody who has earned a look, you know

0:42:24.120 --> 0:42:26.120
<v Speaker 1>what I mean, think about the white girl like this

0:42:26.200 --> 0:42:27.560
<v Speaker 1>is I don't know how it is late. It is

0:42:27.600 --> 0:42:29.919
<v Speaker 1>a trend. I don't know if it's just in New York.

0:42:29.920 --> 0:42:32.000
<v Speaker 1>But it's like a trend with the white shorties, right,

0:42:32.560 --> 0:42:36.200
<v Speaker 1>white girls, they were white Air Force ones. Them ships

0:42:36.239 --> 0:42:38.920
<v Speaker 1>look like they just got them from like a homeless person.

0:42:39.760 --> 0:42:41.719
<v Speaker 1>Them ships look like when they buy them and they

0:42:41.800 --> 0:42:44.160
<v Speaker 1>all white, they just like you know what the escalator

0:42:44.200 --> 0:42:47.320
<v Speaker 1>stairs when like the bottom of the escalator stairs with

0:42:47.440 --> 0:42:49.960
<v Speaker 1>like they just hold them up. Yeah, Like they hold

0:42:49.960 --> 0:42:51.760
<v Speaker 1>it on the bottom and just let all the stairs

0:42:51.800 --> 0:42:55.239
<v Speaker 1>just like go across from like and in in the hood.

0:42:55.320 --> 0:42:59.600
<v Speaker 1>That's sacrilegious, bro, White Airce because it's like trying to

0:43:00.080 --> 0:43:02.680
<v Speaker 1>serve them ships as long as they can. Bro. So

0:43:02.719 --> 0:43:05.480
<v Speaker 1>we invented a vibe and they came took it and

0:43:05.520 --> 0:43:08.480
<v Speaker 1>made it some whole other ship. Even this ugly sneaker

0:43:08.560 --> 0:43:11.640
<v Speaker 1>ship right like all this fad of people being like

0:43:12.120 --> 0:43:15.080
<v Speaker 1>I want my sneakers to look big and clunky. It's

0:43:15.520 --> 0:43:18.520
<v Speaker 1>appropriating that experience of like when you were a kid,

0:43:18.760 --> 0:43:21.360
<v Speaker 1>if you didn't have shoes, somebody older than you gave

0:43:21.400 --> 0:43:24.120
<v Speaker 1>you their shoes, and the ships didn't fit, so they

0:43:24.120 --> 0:43:26.560
<v Speaker 1>were big and clunky on your feet. And now people

0:43:26.600 --> 0:43:31.040
<v Speaker 1>are using hand me down clothing, recyclable clothing as like

0:43:31.080 --> 0:43:36.080
<v Speaker 1>a fashion steak. It's wild it's it's fucking nuts and

0:43:36.120 --> 0:43:38.200
<v Speaker 1>we we should blow up a building. I don't know.

0:43:38.360 --> 0:43:41.359
<v Speaker 1>That's where I'm at. Some big clunky shoe store needs

0:43:41.360 --> 0:43:44.600
<v Speaker 1>to explode. Because this is too much. I just got

0:43:44.600 --> 0:43:47.920
<v Speaker 1>off probation last year, so I'm not gonna agree with this.

0:43:48.000 --> 0:43:49.799
<v Speaker 1>You know what I'm saying. If anything happens, I had

0:43:49.840 --> 0:43:52.600
<v Speaker 1>nothing to do with it. I'm saying, you heard it

0:43:52.680 --> 0:43:56.040
<v Speaker 1>here first. It's just me. I'm the only one that

0:43:56.120 --> 0:43:58.240
<v Speaker 1>wants to blow up a building, and he's gonna snitch

0:43:58.280 --> 0:44:02.480
<v Speaker 1>on me. I think that's the end. Nobody man kidding me. Bro,

0:44:02.600 --> 0:44:04.920
<v Speaker 1>I can't say all that flashing and then rat they

0:44:05.360 --> 0:44:09.719
<v Speaker 1>to nullifies anything I ever believed in or sent. It's

0:44:09.760 --> 0:44:11.960
<v Speaker 1>the fancy words for a snitche. I know one of

0:44:12.000 --> 0:44:14.680
<v Speaker 1>my fucker's about to snitch on me. All right, let's

0:44:14.680 --> 0:44:17.000
<v Speaker 1>play a game. This is a fun game that I

0:44:17.080 --> 0:44:24.080
<v Speaker 1>like to call homemade Hotel. This is the game. I

0:44:24.120 --> 0:44:28.560
<v Speaker 1>will present to you a traditional fact, a well known

0:44:28.719 --> 0:44:31.080
<v Speaker 1>fact in the world, and what I would like for

0:44:31.120 --> 0:44:34.600
<v Speaker 1>you to do is hotep that ship, really break it down,

0:44:34.840 --> 0:44:38.880
<v Speaker 1>give me the conspiracy underneath this fact. Let me understand

0:44:39.120 --> 0:44:41.759
<v Speaker 1>what am I not seeing? Connect the dots for me,

0:44:41.840 --> 0:44:46.439
<v Speaker 1>pet if if that makes sense? All right? So apparently,

0:44:46.960 --> 0:44:50.040
<v Speaker 1>so far in the world, only two diseases have been

0:44:50.239 --> 0:44:54.759
<v Speaker 1>successfully eradicated, like fully wiped off of the planet. The

0:44:54.840 --> 0:44:59.759
<v Speaker 1>two diseases are smallpox and rinding pest was the second one?

0:44:59.840 --> 0:45:02.560
<v Speaker 1>R and then pest, render pest. I don't know what

0:45:02.680 --> 0:45:07.560
<v Speaker 1>render pest is. I know smallpox. Uh. My question for you,

0:45:07.880 --> 0:45:12.400
<v Speaker 1>why are those two diseases the only two diseases that

0:45:12.440 --> 0:45:15.960
<v Speaker 1>have been wiped off the planet? I mean small pox?

0:45:16.000 --> 0:45:20.120
<v Speaker 1>You already know who eradicated the smallpox. That had to

0:45:20.120 --> 0:45:23.160
<v Speaker 1>be like George Washington Carver or or another black man.

0:45:23.400 --> 0:45:26.319
<v Speaker 1>You feel me, because one we don't really funk with

0:45:26.400 --> 0:45:32.560
<v Speaker 1>pox if it ain't two pox, feel me too. See

0:45:32.560 --> 0:45:34.600
<v Speaker 1>how we still got chicken pox because we fox with

0:45:34.680 --> 0:45:41.040
<v Speaker 1>chicken m but we don't do nothing small everything big

0:45:41.160 --> 0:45:42.600
<v Speaker 1>You know what I'm saying, Like if it was if

0:45:42.640 --> 0:45:45.080
<v Speaker 1>it was big pox, nigger should still still be here.

0:45:45.120 --> 0:45:47.600
<v Speaker 1>But we gotta get rid of the smallpox and just

0:45:47.680 --> 0:45:50.120
<v Speaker 1>keep the chicken pox. You feel me A k a

0:45:50.280 --> 0:45:53.560
<v Speaker 1>big pox, big box. And then the rind was it

0:45:53.680 --> 0:45:58.160
<v Speaker 1>rhand disease? Rinder pest? So if anybody know anything, the

0:45:58.360 --> 0:46:02.280
<v Speaker 1>rind is what on the watermelon. That's the base of

0:46:02.320 --> 0:46:06.239
<v Speaker 1>the water right, So now if it's a pest you

0:46:06.280 --> 0:46:10.759
<v Speaker 1>feel me. You know what's my favorite words since concepted

0:46:10.800 --> 0:46:13.120
<v Speaker 1>in his address on what was that Independence Day where

0:46:13.160 --> 0:46:19.759
<v Speaker 1>he said a pestilence, a pestilence. You called Trump a pestilence.

0:46:19.800 --> 0:46:23.400
<v Speaker 1>You know, he said, when there's a pestilence in the system.

0:46:23.440 --> 0:46:25.520
<v Speaker 1>So when it's a pestilence in the in the rind

0:46:25.640 --> 0:46:29.960
<v Speaker 1>of the watermelon, now there ain't the watermelon. Gotta get

0:46:30.040 --> 0:46:32.440
<v Speaker 1>rid of that. You gotta get rid of that. How

0:46:32.440 --> 0:46:35.279
<v Speaker 1>are we gonna enjoy that delicious treat if you got

0:46:35.320 --> 0:46:37.440
<v Speaker 1>the pest the like if they put the rona in

0:46:37.480 --> 0:46:39.680
<v Speaker 1>the rhind of a watermelon, rona would have been going

0:46:39.760 --> 0:46:42.040
<v Speaker 1>by now we would have figured something out when they

0:46:42.120 --> 0:46:47.200
<v Speaker 1>got rid of the pestilence. But that was genius. I

0:46:47.280 --> 0:46:53.680
<v Speaker 1>loved it. Called motherfucking books complete. It's been that real ship.

0:46:53.880 --> 0:46:55.839
<v Speaker 1>I love it. This breaks it all down from I'm

0:46:55.880 --> 0:46:57.800
<v Speaker 1>just trying to bring you the truth, my brother. You

0:46:57.800 --> 0:46:59.400
<v Speaker 1>know what I'm saying. You can't you called on me.

0:46:59.440 --> 0:47:01.719
<v Speaker 1>I'm gonna come. I'm gonna come through, man, and you

0:47:01.800 --> 0:47:04.400
<v Speaker 1>show the funk up. What a great time, Pete, can

0:47:04.440 --> 0:47:06.840
<v Speaker 1>you tell the people where they can find you? What

0:47:07.040 --> 0:47:09.279
<v Speaker 1>cool ship you got going on? All that? You know?

0:47:09.400 --> 0:47:11.000
<v Speaker 1>You can find me on the Graham. You know what

0:47:11.040 --> 0:47:13.720
<v Speaker 1>I'm saying. I'm on the gram p D S jokes

0:47:13.840 --> 0:47:16.800
<v Speaker 1>p D like D as in dog and E E

0:47:17.000 --> 0:47:20.399
<v Speaker 1>Z and then jokes. You find me there, um other

0:47:20.440 --> 0:47:22.520
<v Speaker 1>than that, catch me in New York City. Man, I

0:47:22.560 --> 0:47:25.040
<v Speaker 1>ain't leaving because they're telling me I gotta quarantine if

0:47:25.040 --> 0:47:26.600
<v Speaker 1>I leave and then I come back, So I say

0:47:26.640 --> 0:47:28.960
<v Speaker 1>I might as well just stay here. I'm going to

0:47:29.040 --> 0:47:31.960
<v Speaker 1>places like on the East Coast Northeast. So if you're

0:47:31.960 --> 0:47:35.880
<v Speaker 1>in the Northeast, holler at me. If you want animal crossing,

0:47:36.280 --> 0:47:39.400
<v Speaker 1>come through my island. Check me out. Uh send me

0:47:39.480 --> 0:47:42.680
<v Speaker 1>your friend cold friend requests me. We lit if you.

0:47:43.000 --> 0:47:45.919
<v Speaker 1>I'm single too, so if any ladies is out there,

0:47:46.360 --> 0:47:48.000
<v Speaker 1>you know what I'm saying, I want to just hofer

0:47:48.239 --> 0:47:50.919
<v Speaker 1>or you know, and I'm mad that I'm a consensual dude.

0:47:50.960 --> 0:47:53.080
<v Speaker 1>I'm a man of twins. I'm a man than that.

0:47:53.640 --> 0:47:56.520
<v Speaker 1>You know what I'm saying. I'm not a violator. You

0:47:56.520 --> 0:47:58.960
<v Speaker 1>know I'm not one of these sexual predators. You know

0:47:58.960 --> 0:48:01.319
<v Speaker 1>what I'm saying, Boys heads spread love. So if you

0:48:01.360 --> 0:48:03.680
<v Speaker 1>want some of that pet love, highlight me. You know

0:48:03.680 --> 0:48:06.840
<v Speaker 1>what I'm saying, and that's about it. Bro Damn, that

0:48:06.960 --> 0:48:10.400
<v Speaker 1>was beautiful. You learned. We learned so much. Check p

0:48:10.560 --> 0:48:14.279
<v Speaker 1>d out online, check pd out live, check pd out

0:48:14.320 --> 0:48:18.160
<v Speaker 1>on the internet on animal crossing, and most importantly, check

0:48:18.160 --> 0:48:21.040
<v Speaker 1>p d out in some consensual sex that he's offering

0:48:21.120 --> 0:48:27.239
<v Speaker 1>up ladies. If you're out sex, consensual conversation that you

0:48:27.280 --> 0:48:30.000
<v Speaker 1>know what it leads. Where it leads, we'll say that

0:48:30.080 --> 0:48:33.160
<v Speaker 1>wherever it goes, the arms are raised. It's on you,

0:48:33.239 --> 0:48:37.560
<v Speaker 1>baby girl. But it's consensual. Absolutely. Well. This is great

0:48:37.640 --> 0:48:41.400
<v Speaker 1>as always follow me at Lengthston Kerman and feel free

0:48:41.440 --> 0:48:44.680
<v Speaker 1>to like and subscribe to the podcast if that makes

0:48:44.680 --> 0:48:47.280
<v Speaker 1>you horny, if that's what you're into, I'd love that

0:48:47.280 --> 0:48:50.480
<v Speaker 1>that's consensual on my end. And uh, if you have

0:48:50.680 --> 0:48:54.359
<v Speaker 1>any drops that you would like to send us, artwork, ideas,

0:48:54.600 --> 0:48:57.800
<v Speaker 1>conspiracy theories that you want to record on your phone

0:48:57.840 --> 0:49:00.200
<v Speaker 1>and send my way that we could potentially play in

0:49:00.200 --> 0:49:04.000
<v Speaker 1>an episode, please send those to my Mama pod at

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<v Speaker 1>gmail dot com. Bye. Because of brown my crop chips

0:49:13.320 --> 0:49:22.239
<v Speaker 1>in your pails, Koala bears are racist. Also players hosting

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<v Speaker 1>money versal Demny Turkey stuff I can't tell me.