WEBVTT - WiIlie Colón: Idilio

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<v Speaker 1>What a journey with Willie Colonne. Right after a childhood

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<v Speaker 1>marked by poverty and discrimination, he paired up with Hector

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<v Speaker 1>LeVaux for a string of genre defining albums that knocked

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<v Speaker 1>the Latin jazz establishments house down.

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<v Speaker 2>He and Hector aka The Bad Boys became FINA Records

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<v Speaker 2>top earners until lavaux struggle with addiction pushed Cologne to

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<v Speaker 2>step away.

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<v Speaker 1>But the following out didn't stop Cologne's rise. El Malo

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<v Speaker 1>helped revitalize Celia Cruz's career before finding a new musical

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<v Speaker 1>soulmate in Reuben Blas.

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<v Speaker 2>All this time, Golonne made music from a distinct New

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<v Speaker 2>yor Riecan perspective, mashing up melodies and rhythms from Las

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<v Speaker 2>Islas with lyrics that came from the streets of the Bronx.

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<v Speaker 1>And after Salza hipchecked mambo to the side, Gologne and

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<v Speaker 1>the other artists under FANYA made huge inroads into Latin America.

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<v Speaker 2>This was a sound that resonated with puebro Latino wherever

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<v Speaker 2>it was at home the Trasla Frontera or an.

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<v Speaker 1>Exile, and as El Pueblo embraced salsa more and more.

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<v Speaker 1>Willi Colonne became willing to speak for El pueblo.

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<v Speaker 2>And to it, starting with his music and ending with

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<v Speaker 2>his tweets.

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<v Speaker 1>No story ever ended well, that ended with a tweet

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<v Speaker 1>and yes I am talking to you, DT and Elon. Anyway,

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<v Speaker 1>we started the series talking about all of the different

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<v Speaker 1>pueblos Willy Colone belongs to, an American, a Latino, a

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<v Speaker 1>Puerto Rican, a New Yorker, worth noting not a single

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<v Speaker 1>one of these is a monolith. Hell, Willi Cologne himself

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<v Speaker 1>is not a monolith.

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<v Speaker 2>We contain multitudes, and those multitudes can and do, but.

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<v Speaker 1>Heads, especially when there are politics in the mix, as

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<v Speaker 1>is the case for good old Willy Cologne.

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<v Speaker 2>Heads up, y'all. This episode's going to be a little different,

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<v Speaker 2>less Margarita.

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<v Speaker 1>More i pa. It's going to leave a very bitter

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<v Speaker 1>taste in your mouth. But before that, we still have

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<v Speaker 1>a few of Willi Colone's later career highlights that we're

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<v Speaker 1>excited to explore. I'm your host Lilianavosquez.

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<v Speaker 2>And I'm Joseph Carrio and this is Becoming an Icon.

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<v Speaker 1>A weekly podcast where we give you the rundown on

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<v Speaker 1>how today's most famous LATINV stars have shaped pop culture.

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<v Speaker 2>And given the world some extra level.

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<v Speaker 1>Sit back and get comfortable.

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<v Speaker 2>Because we are going in the only way we know

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<v Speaker 2>how with buenas Vias.

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<v Speaker 1>Buenasriesas and a lot of opinions as we relive their

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<v Speaker 1>greatest achievements on our journey to find out what makes

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<v Speaker 1>them so iconic. Wheelie's work with Rubin Vladies saw him

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<v Speaker 1>at the top of his game, but at the same time,

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<v Speaker 1>he was beginning to step out from the band and

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<v Speaker 1>establish himself as a solo artist.

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<v Speaker 2>You're not a chorus girl anymore, Sugar. Get out there

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<v Speaker 2>and show them what you got.

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<v Speaker 1>Well, what he had as a vocalist wasn't really the

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<v Speaker 1>most impressive by conventional standards. Critics called his vocals weak

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<v Speaker 1>and nasal. I'm feeling a little Shakita here. Remember she

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<v Speaker 1>sounded like a ghost. Mmm? Don't you remember that from like.

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<v Speaker 2>Season one, season one, episode two point just kind of.

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<v Speaker 1>If you remember the actual episode. I was going to

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<v Speaker 1>be very impressed with your memory, Like an elephant anyway.

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<v Speaker 1>That is why on his very first album, nineteen seventy

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<v Speaker 1>nine Solo, his vocals are heavily accompanied by an all

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<v Speaker 1>female choir.

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<v Speaker 2>Oh ah, well, once a chorus girl always chorus girl. Still,

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<v Speaker 2>the album went gold in just three weeks after its release.

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<v Speaker 1>His tour for the album a broke a record attendance

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<v Speaker 1>in Venezuela's Poliedro de Caracas Arena.

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<v Speaker 2>The record was a top seller.

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<v Speaker 1>But back at home, the salsa sound that really had

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<v Speaker 1>helped popularize was changing.

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<v Speaker 2>Sansa dura was getting long in the tooth. The next

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<v Speaker 2>big thing was salsa romantica.

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<v Speaker 1>Whereas salsa dura was sweaty, grungy, remember the smell of

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<v Speaker 1>wheed and garbage, the sounds of sex worker clapping back

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<v Speaker 1>at that camp. Salsa Romantica was just what the name implies,

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<v Speaker 1>romantic love songs like slow jams m hmm, more.

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<v Speaker 2>Major key than minor, basically a more radio friendly satasa.

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<v Speaker 1>Some might even say sanitized. And in nineteen eighty one,

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<v Speaker 1>Willie jumped aboard the salsa romantica bandwagon with the album Fantastmas,

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<v Speaker 1>but he didn't completely abandon his tendency to make statement.

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<v Speaker 2>He had four radio hits with Okecera, suenote A, more

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<v Speaker 2>verda Vero, and volar A Puerto Rico, but the first

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<v Speaker 2>single stands out for its hidden political message.

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<v Speaker 1>O Casira was originally composed in nineteen seventy six by

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<v Speaker 1>Chico Buarke, a poet and playwright persecuted by Brazil's a

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<v Speaker 1>military dictatorship.

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<v Speaker 2>The original song is part of a trilogy of songs

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<v Speaker 2>based on a novel by a colleague of Borguess, and

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<v Speaker 2>while it's a love song on the surface, many have

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<v Speaker 2>interpreted as a song of resistance Jews. The question went

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<v Speaker 2>through the song O cascera, Oh, what will be? Reflects

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<v Speaker 2>a desperate uncertainty at the height of the dictatorship's repression.

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<v Speaker 2>What will be? No one had the answer, so the

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<v Speaker 2>song was kind of a trojan horse within Sasar Romantica.

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<v Speaker 2>It's a love song at first blush, but for the

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<v Speaker 2>listeners throughout Latin America it was about solidarity.

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<v Speaker 1>But Cologne wasn't above a love Songeen eighty two s

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<v Speaker 1>Corrasson Guerrero and nineteen eighty fours. Timpta had plenty, such

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<v Speaker 1>as a stone cold classic chitana.

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<v Speaker 2>On this track? Will he mix different styles just like

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<v Speaker 2>he always had? This time flamenco guitar and salsa, And

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<v Speaker 2>I'll say to that is Rosalia. If you're listening to

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<v Speaker 2>becoming an icon, when are we getting that cover girl.

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<v Speaker 1>If she's busy right now with Jeremy Allen White, I

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<v Speaker 1>don't think that she's in any hurry to release new

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<v Speaker 1>music and get out.

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<v Speaker 2>Of bed Asie.

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<v Speaker 1>I wouldn't be either, yestua.

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<v Speaker 2>Oh yeah, well are you talking about?

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<v Speaker 1>I don't know? Oh wait, Salsa Romantica Okay, Oh yes, sorry,

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<v Speaker 1>I was thinking of the Calvin climat and I forgot

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<v Speaker 1>about Willie Colon because as much as I love his music,

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<v Speaker 1>don't want to see Willy in his calvins. Anyway, We've

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<v Speaker 1>got a big one next to focus on. Are you ready?

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<v Speaker 2>Okay, Okay, I'm ready.

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<v Speaker 1>Cologne's biggest album of the Sasa Romantica period was nineteen

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<v Speaker 1>eighty nine's Top Secrets, a record that sent shock waves

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<v Speaker 1>through the Spanish speaking world.

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<v Speaker 2>This was thanks to a standout track on the album,

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<v Speaker 2>El grand Varon. The track tells the story of Simon.

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<v Speaker 2>Born in the summer of fifty six, Simon was the

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<v Speaker 2>pride and joy of a man named Andres. Finally, Andres

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<v Speaker 2>had a.

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<v Speaker 1>Son, and with that pride, Andres raises Simon with a

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<v Speaker 1>heavy hand. He forces his son to study as he

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<v Speaker 1>did and aspired to the life he had telling him

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<v Speaker 1>you must be ungrand Varon, a great man.

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<v Speaker 2>That macho parenting eventually drives Simon to run away and

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<v Speaker 2>find freedom somewhere far from home, somewhere where Simon can

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<v Speaker 2>be Simon.

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<v Speaker 1>Eventually Andress discovers where Simon is living. He knocks on

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<v Speaker 1>the door and finds a woman greeting him. She tells him.

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<v Speaker 2>It's me Simon to gra Varon, Oh my God.

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<v Speaker 1>Simon and Andress never reconciled. Simon doesn't write home, and Andres

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<v Speaker 1>can't put aside his judgments.

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<v Speaker 2>The Cornus urges listeners to avoid Ondress's mistakes and put

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<v Speaker 2>their judgments aside. And then the story of Simon ends

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<v Speaker 2>on a tragic note.

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<v Speaker 1>In a hospital room, just like the one he was

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<v Speaker 1>born in, Simon succumbs to a strange illness and dies

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<v Speaker 1>without anyone by his side.

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<v Speaker 2>The AIDS pandemic in the US had been ignored for

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<v Speaker 2>years by the Reagan administration. When the government finally did

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<v Speaker 2>act in the late eighties, it was noncommittal, and by

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<v Speaker 2>then the death toll was steep and the stigma was deep.

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<v Speaker 1>It's to say, at a time when the gay community

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<v Speaker 1>was struggling to be heard Elgrand Varon was played on

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<v Speaker 1>radio stations around the world.

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<v Speaker 2>Even though Colonne and Omar Alfano, the Panamanian composer who

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<v Speaker 2>wrote the song, thought the subject was too taboo for

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<v Speaker 2>the song to be a single, but radio DJ's around

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<v Speaker 2>the world saw power in the song and an urgency

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<v Speaker 2>to raise awareness with its message.

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<v Speaker 1>With attention came controversy and criticism. But two years after

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<v Speaker 1>the release of the song, Willie Colonne was given a

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<v Speaker 1>Humanitarian Award for Elgrand Baron.

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<v Speaker 2>But the song was personal for both Cologne and Omar Alfano.

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<v Speaker 2>Alfano had penned the song for a dear friend who

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<v Speaker 2>had passed from the disease.

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<v Speaker 1>Colon's connection to the song, meanwhile, was a lost one.

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<v Speaker 1>Four years prior to its release, Hector LeVaux, Willi's bad

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<v Speaker 1>boy brother in arms, was diagnosed with HIV, and in

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<v Speaker 1>nineteen ninety three he succumbed to complications from AIDS. Later

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<v Speaker 1>in the nineties, Colon would take a break from music.

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<v Speaker 1>Speaking to an interviewer, he declared, sometimes writing a song

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<v Speaker 1>is not enough.

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<v Speaker 2>Willie Cologne was going through a bit of transformation.

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<v Speaker 1>And let's just jump in here and say that this

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<v Speaker 1>next period is full of surprise. Let's take a bousa

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<v Speaker 1>before we get into this next part. To our lovely listeners,

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<v Speaker 1>Joseph and I Hey are recording this show in mid August.

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<v Speaker 1>It is one hundred degrees in LA and eighty nine

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<v Speaker 1>percent humidity in NYC. But by the time this episode

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<v Speaker 1>hits your ears, the American presidential election will be just

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<v Speaker 1>twenty days away.

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<v Speaker 2>You right back. I'm going to go scan my aura

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<v Speaker 2>and see if my future self is telling my present

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<v Speaker 2>self anything about how things are going.

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<v Speaker 1>Joseph, I actually don't think that future life regressions are

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<v Speaker 1>a thing. That's called a progression, and that means that

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<v Speaker 1>you can time travel, which if you can, why the

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<v Speaker 1>eff are we doing a podcast and not making billions

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<v Speaker 1>of dollars?

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<v Speaker 2>Well, no, there you go. That's it. That's good, that's all.

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<v Speaker 2>That's all. That's all I'm going to say.

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<v Speaker 1>Wait, no, you are never one to hold your tongue

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<v Speaker 1>by your tongue. You are a chatty cher.

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<v Speaker 2>Listen, listen to me. I'm going to do a wise

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<v Speaker 2>Cleft John song, and I'm going to say I'll be

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<v Speaker 2>gone till November. I'll be gone till November, like I

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<v Speaker 2>want nothing.

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<v Speaker 1>To after Okay, so is that because you're getting flooded

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<v Speaker 1>with political ads?

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<v Speaker 2>You know what is so crazy? What I used to

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<v Speaker 2>get so much mail, I used to get stuff I

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<v Speaker 2>used to get I get none, nothing of the sort

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<v Speaker 2>because I don't even via text nothing.

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<v Speaker 1>I used to interesting. Do you pay attention to politics?

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<v Speaker 1>I'm not just talking about the general election, because we

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<v Speaker 1>know that's a very big, loud, important decision, but I'm

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<v Speaker 1>talking do you pay attention to local politics?

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<v Speaker 2>No? I don't even want to go there with all

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<v Speaker 2>of that. But no, that's the that's the truth. Okay,

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<v Speaker 2>we're going to change that. Love you, but we're going

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<v Speaker 2>to change that. We will, Okay, we will.

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<v Speaker 1>But here's the I think there's a few lessons that

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<v Speaker 1>we can take away from the last several years of politics.

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<v Speaker 1>And one thing I have learned, and that I think

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<v Speaker 1>a lot of Americans have learned, is that every election matters. Obviously,

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<v Speaker 1>the big ones dominate the news cycle, but local races

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<v Speaker 1>are kind of where it's at. Like, if you really

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<v Speaker 1>want to make change and effect change, you got to

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<v Speaker 1>start locally.

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<v Speaker 2>And in nineteen ninety four, an unusual race was brewing

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<v Speaker 2>in the Bronx.

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<v Speaker 1>June twenty fifth of that year, The New York Times

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<v Speaker 1>published an article with the headline politics with the Beat

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<v Speaker 1>of the Bronx. Willie Colonne Salza Star makes a bid

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<v Speaker 1>for a congressional seat.

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<v Speaker 2>After bringing awareness to AIDS, poverty, and Latin American dictatorship

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<v Speaker 2>with his music, Golan decided sometimes writing the song is

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<v Speaker 2>not enough. He was running for the House of Representatives

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<v Speaker 2>in New York's seventeenth district.

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<v Speaker 1>Willi felt moved to enter politics because of deteriorating race relations.

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<v Speaker 1>Two years prior, in nineteen ninety two, the LA riots

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<v Speaker 1>that followed the beating of Rodney King had marked a

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<v Speaker 1>deep period of unrest, not unlike twenty twenties George Floyd protest.

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<v Speaker 2>Just months after the LA rights, Washington Heights saw four

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<v Speaker 2>days of rioting after a twenty three year old Dominican

0:13:17.880 --> 0:13:21.480
<v Speaker 2>immigrant was shot and killed by police. Amid the riots,

0:13:21.559 --> 0:13:24.720
<v Speaker 2>Willie Cologne met with then Mayor David Dinkins to serve

0:13:24.760 --> 0:13:27.320
<v Speaker 2>as a liaison for the neighborhood's Latino community.

0:13:28.040 --> 0:13:30.880
<v Speaker 1>Cologne was also moved to run for office by reductions

0:13:30.880 --> 0:13:34.840
<v Speaker 1>in school and social program funding. He viewed the incumbent representative,

0:13:34.960 --> 0:13:38.760
<v Speaker 1>Democrat Elliott engel Is out of touch with the community's needs.

0:13:39.200 --> 0:13:42.840
<v Speaker 2>As for that community, it was more like several communities.

0:13:43.160 --> 0:13:47.120
<v Speaker 2>New York's seventeenth district had been redrawn in nineteen ninety

0:13:47.120 --> 0:13:51.280
<v Speaker 2>two to include more Black and Latino voters. It represented

0:13:51.400 --> 0:13:55.600
<v Speaker 2>the Bronx Yonkers, Mount Vernon, Pelham, and Newer Show, where

0:13:55.640 --> 0:13:58.200
<v Speaker 2>Willie Cologne lived with his fam.

0:13:58.000 --> 0:14:00.920
<v Speaker 1>When Willy was running, the district was thirty six percent Black,

0:14:01.320 --> 0:14:05.520
<v Speaker 1>twenty six percent Hispanic, and thirty four percent white. Victory

0:14:05.520 --> 0:14:08.600
<v Speaker 1>in the primary election would mean forming a coalition amongst

0:14:08.640 --> 0:14:10.120
<v Speaker 1>these disparate groups.

0:14:10.600 --> 0:14:15.040
<v Speaker 2>Willie's plan form a bridge between the black and Latino communities.

0:14:15.200 --> 0:14:18.240
<v Speaker 2>To do that, will you hope to win endorsements from

0:14:18.360 --> 0:14:22.600
<v Speaker 2>black local elected officials, along with the Reverend Al Sharpton.

0:14:22.640 --> 0:14:25.320
<v Speaker 1>Because in those days you had to get the nod

0:14:25.360 --> 0:14:25.760
<v Speaker 1>from Al.

0:14:26.320 --> 0:14:28.560
<v Speaker 2>These days not so much.

0:14:29.120 --> 0:14:32.400
<v Speaker 1>Meanwhile, really trusted that the Latin community had his back.

0:14:32.800 --> 0:14:35.040
<v Speaker 1>With thousands of fans hugging and kissing him at that

0:14:35.160 --> 0:14:37.200
<v Speaker 1>year's Puerto Rican Day parade, It's.

0:14:37.080 --> 0:14:39.720
<v Speaker 2>Easy to see why wait a minute, wait, just to

0:14:39.800 --> 0:14:42.640
<v Speaker 2>damn minute, didn't you ride on float in a Puerto

0:14:42.720 --> 0:14:44.000
<v Speaker 2>Rican Day parade?

0:14:44.240 --> 0:14:47.200
<v Speaker 1>I love that you know that about me, And yes,

0:14:47.520 --> 0:14:50.840
<v Speaker 1>I had my flag. I was wet, bying all up

0:14:50.880 --> 0:14:52.760
<v Speaker 1>and down Fifth Avenue, sweating my ass on.

0:14:52.840 --> 0:14:53.520
<v Speaker 2>Oh you did?

0:14:54.040 --> 0:14:55.600
<v Speaker 1>I mean, for those of you that don't live in

0:14:55.680 --> 0:14:58.720
<v Speaker 1>New York, the Puerto Rican Day Pride Parade is a

0:14:58.840 --> 0:15:03.240
<v Speaker 1>site rowdy, is a site to behold, is what I

0:15:03.360 --> 0:15:06.560
<v Speaker 1>was going to say. If you're in the parade, if

0:15:06.600 --> 0:15:09.640
<v Speaker 1>you are not participating, if you are not celebrating, and

0:15:09.800 --> 0:15:12.640
<v Speaker 1>why aren't you. I know that it can be a lot,

0:15:13.280 --> 0:15:15.760
<v Speaker 1>but it's one of my favorite memories of living in

0:15:15.800 --> 0:15:17.800
<v Speaker 1>New York. It's like, I love the I love the

0:15:17.840 --> 0:15:20.240
<v Speaker 1>parade when we are when we're well behaved.

0:15:21.680 --> 0:15:24.600
<v Speaker 2>So what was on the actual float? Just very quick? Oh,

0:15:24.720 --> 0:15:27.640
<v Speaker 2>I was hotter, Yes, sunscreen.

0:15:27.360 --> 0:15:29.720
<v Speaker 1>They had snacks, they had sunscreen. I mean, there's a

0:15:29.760 --> 0:15:32.040
<v Speaker 1>lot of speakers. I was on the float with a

0:15:32.080 --> 0:15:35.200
<v Speaker 1>lot of other journalists from different media outlets all over

0:15:35.240 --> 0:15:37.520
<v Speaker 1>New York. So I had my friends from NBC, from

0:15:37.600 --> 0:15:40.680
<v Speaker 1>UNI Vicion, I had them from THENO. Yeah, it was

0:15:40.680 --> 0:15:43.080
<v Speaker 1>all of us. We were all kind of like joined forces,

0:15:43.120 --> 0:15:45.880
<v Speaker 1>obviously all Puerto Ricans. But it was super fun and

0:15:45.960 --> 0:15:48.080
<v Speaker 1>I love the Puerto Rican Day Pride Parade. I actually

0:15:48.080 --> 0:15:50.360
<v Speaker 1>can't wait to take Santi to the parade, and I

0:15:50.400 --> 0:15:52.360
<v Speaker 1>hope that he gets to write on the float with

0:15:52.360 --> 0:15:52.760
<v Speaker 1>me one day.

0:15:52.800 --> 0:15:53.880
<v Speaker 2>Hey, well, I already know it.

0:15:54.040 --> 0:15:56.440
<v Speaker 1>I know, I know. Okay. Back to Willie, so he

0:15:56.600 --> 0:15:59.360
<v Speaker 1>knew what kind of tone he wanted to strike as

0:15:59.360 --> 0:16:03.920
<v Speaker 1>a politician, but his policies, well those were a little murkier.

0:16:04.240 --> 0:16:07.080
<v Speaker 1>Gologne told an interviewer, I'm not going to tell the

0:16:07.160 --> 0:16:09.640
<v Speaker 1>district what our problems are. I want the people in

0:16:09.640 --> 0:16:12.240
<v Speaker 1>this district to come forward so we can develop a

0:16:12.280 --> 0:16:13.200
<v Speaker 1>progressive agenda.

0:16:13.920 --> 0:16:16.880
<v Speaker 2>After knocking the incumbent as out of touch, will you

0:16:17.000 --> 0:16:19.360
<v Speaker 2>imagine that he would be more capable of hearing the

0:16:19.400 --> 0:16:22.680
<v Speaker 2>community and speaking for them, just as he had done

0:16:22.720 --> 0:16:23.360
<v Speaker 2>with his music.

0:16:23.640 --> 0:16:26.360
<v Speaker 1>He went endorsements from the local hospital workers' union and

0:16:26.480 --> 0:16:29.960
<v Speaker 1>a municipal union, along with closed door encouragement from Latino

0:16:30.000 --> 0:16:33.240
<v Speaker 1>elected officials, but ultimately.

0:16:33.960 --> 0:16:38.080
<v Speaker 2>Willie got blown to smither. Riens child Angel earned sixty

0:16:38.160 --> 0:16:42.200
<v Speaker 2>two percent of the vote, leaving Elmlow with thirty eight percent.

0:16:42.800 --> 0:16:45.920
<v Speaker 2>Years later, he was sure that he never was comfortable fundraising,

0:16:46.120 --> 0:16:48.160
<v Speaker 2>putting him at a huge disadvantage.

0:16:48.440 --> 0:16:51.960
<v Speaker 1>Now, this wasn't the first time Willie Golong got involved

0:16:51.960 --> 0:16:53.040
<v Speaker 1>in New York politics.

0:16:53.440 --> 0:16:55.600
<v Speaker 2>Before he ran for Congress, he was part of the

0:16:55.600 --> 0:16:59.080
<v Speaker 2>board of directors of the Congressional Hispanic Caucus Institute.

0:16:59.160 --> 0:17:01.400
<v Speaker 1>He also served a member of the Latino Commission on

0:17:01.520 --> 0:17:04.639
<v Speaker 1>Aids and as president of the Arthur Schoenberg Coalition for

0:17:04.680 --> 0:17:08.240
<v Speaker 1>a Better New York. Still, after Golan lost the congressional election,

0:17:08.520 --> 0:17:11.680
<v Speaker 1>he returned to music and recorded two more albums, nineteen

0:17:11.720 --> 0:17:14.920
<v Speaker 1>ninety six is yvoel Veo Traves and nineteen ninety eight

0:17:15.200 --> 0:17:16.480
<v Speaker 1>The Mascielo Corrasson.

0:17:17.960 --> 0:17:21.120
<v Speaker 2>The albums continued in the same South s Romantica as

0:17:21.119 --> 0:17:24.240
<v Speaker 2>his previous records from the eighties and the nineties, but

0:17:24.600 --> 0:17:28.920
<v Speaker 2>politics would soon lure Willie back in an unexpected way.

0:17:29.720 --> 0:17:32.760
<v Speaker 1>In nineteen ninety eight, the year I graduated high school,

0:17:33.240 --> 0:17:36.600
<v Speaker 1>Whelly was approached to sing the theme for the Macielo Corasson,

0:17:37.119 --> 0:17:42.920
<v Speaker 1>a Mexican political tele novela. Willie accepted on one condition, which.

0:17:42.880 --> 0:17:49.520
<v Speaker 2>Was put me on those screen bitch. Willie played Feliciano Puintor,

0:17:49.760 --> 0:17:52.919
<v Speaker 2>a Dea agent, and not only did he insist on

0:17:52.960 --> 0:17:55.720
<v Speaker 2>getting a part, he wanted his name and title on

0:17:56.000 --> 0:17:57.280
<v Speaker 2>a bad hang.

0:17:58.160 --> 0:18:01.439
<v Speaker 1>The producer of the show talked's enthusiasm for the character

0:18:01.640 --> 0:18:05.640
<v Speaker 1>and named him an honorary police officer in New York City.

0:18:05.760 --> 0:18:09.000
<v Speaker 2>Which is a little surprising after the Washington Heights rites

0:18:09.400 --> 0:18:12.280
<v Speaker 2>like were Dominicans here for WILLI Colone the cop?

0:18:12.920 --> 0:18:14.679
<v Speaker 1>So to find that out, I think you have to

0:18:14.680 --> 0:18:18.600
<v Speaker 1>track down the Aunties who watched that novella. But remember,

0:18:19.040 --> 0:18:24.440
<v Speaker 1>Latinos are not a monolith. Even within a single neighborhood

0:18:24.680 --> 0:18:28.040
<v Speaker 1>like Washington Heights, there are differences, So I.

0:18:28.000 --> 0:18:29.400
<v Speaker 2>Know how a lot of folks we feel in about

0:18:29.400 --> 0:18:31.800
<v Speaker 2>the cops in years. Since you're telling me that it

0:18:31.840 --> 0:18:34.080
<v Speaker 2>didn't happen in Washington Heights.

0:18:34.240 --> 0:18:37.080
<v Speaker 1>Well, I think it's really important to remember that before

0:18:37.119 --> 0:18:41.720
<v Speaker 1>these riots even took place, Washington Heights experienced the very

0:18:42.080 --> 0:18:45.480
<v Speaker 1>worst of the crack epidemic in the nineteen eighties. I mean,

0:18:45.520 --> 0:18:48.760
<v Speaker 1>the George Washington Bridge, which was the biggest landmark in

0:18:48.760 --> 0:18:52.280
<v Speaker 1>that neighborhood, was a major artery for drug traffickers traveling

0:18:52.280 --> 0:18:55.600
<v Speaker 1>between New York and New Jersey. So saving the neighborhood

0:18:55.600 --> 0:18:58.399
<v Speaker 1>from violence and turf wars took a combination. It was

0:18:58.440 --> 0:19:03.640
<v Speaker 1>park community effort and park collaboration with the cops, gotcha.

0:19:03.760 --> 0:19:06.680
<v Speaker 2>So it makes sense that Wally specifically played a DEA

0:19:06.720 --> 0:19:09.399
<v Speaker 2>agent aka a cop who goes after the types of

0:19:09.440 --> 0:19:11.840
<v Speaker 2>guys who terrorized his neighborhoods.

0:19:12.040 --> 0:19:14.000
<v Speaker 1>Yeah, and it does tell you a little bit about

0:19:14.000 --> 0:19:17.439
<v Speaker 1>how Riitty Cologne came to kind of see himself the

0:19:17.480 --> 0:19:20.000
<v Speaker 1>guy who grew up getting into these fights, being all

0:19:20.040 --> 0:19:23.240
<v Speaker 1>tough and using that toughness to defend vulnerable people like

0:19:23.280 --> 0:19:23.840
<v Speaker 1>his sister.

0:19:24.280 --> 0:19:26.520
<v Speaker 2>But it's still funny that after years of dressing up

0:19:26.600 --> 0:19:29.000
<v Speaker 2>like un Mafio so he wanted to be the good

0:19:29.000 --> 0:19:31.040
<v Speaker 2>guy who went after the game.

0:19:31.320 --> 0:19:33.520
<v Speaker 1>I mean, remember his cover albums. I mean he was

0:19:33.560 --> 0:19:36.960
<v Speaker 1>literally Al Platino and Scarface, right. But I do think

0:19:37.040 --> 0:19:40.560
<v Speaker 1>it's worth making the Daddy Yankee comparison again, which we

0:19:40.600 --> 0:19:43.800
<v Speaker 1>have done in the past. You know, Yankee also played

0:19:43.840 --> 0:19:45.960
<v Speaker 1>up his gangster image the way that a lot of

0:19:46.000 --> 0:19:50.520
<v Speaker 1>rappers do and did, but he ultimately saw himself as

0:19:50.560 --> 0:19:52.960
<v Speaker 1>the voice of the little guy, which.

0:19:52.840 --> 0:19:55.520
<v Speaker 2>Is why Willy ran for office again in two thousand

0:19:55.560 --> 0:19:59.159
<v Speaker 2>and one, this time for public Advocate. He did a

0:19:59.200 --> 0:20:02.120
<v Speaker 2>little better but still couldn't clinch denomination.

0:20:02.320 --> 0:20:05.280
<v Speaker 1>But the following year he would land a place in

0:20:05.320 --> 0:20:08.920
<v Speaker 1>the office of the newly elected mayor Michael Bloomberg as

0:20:08.960 --> 0:20:12.800
<v Speaker 1>an advisor and liaison to the Latino community, and that's

0:20:12.880 --> 0:20:17.119
<v Speaker 1>where we came in the Bloomberg years. Jesus take me

0:20:17.200 --> 0:20:20.679
<v Speaker 1>back there. But also I feel so old when I

0:20:20.680 --> 0:20:23.560
<v Speaker 1>think about how long ago that was, and it reminds

0:20:23.560 --> 0:20:26.920
<v Speaker 1>me that I need to make a appointment for some

0:20:27.440 --> 0:20:31.560
<v Speaker 1>restallin some Philip please, or I guess I could go

0:20:31.640 --> 0:20:34.720
<v Speaker 1>oh Natural and try to get an appointment with Joseph, who,

0:20:34.720 --> 0:20:38.720
<v Speaker 1>by the way Listeners is so booked and busy that

0:20:38.880 --> 0:20:43.359
<v Speaker 1>he doesn't even have time for his co host and Brima. Okay,

0:20:43.520 --> 0:20:47.320
<v Speaker 1>I mean true, I get it. You're out here doing

0:20:47.359 --> 0:20:50.440
<v Speaker 1>faces of like, you know, the most elite of the elite.

0:20:50.560 --> 0:20:54.240
<v Speaker 1>I don't qualify, but we're not gonna be finding if

0:20:54.240 --> 0:20:57.919
<v Speaker 1>you don't scol you. Okay, back to blooming Apart from

0:20:58.000 --> 0:21:00.440
<v Speaker 1>that infamous soda band, do you remember that when you

0:21:00.440 --> 0:21:01.800
<v Speaker 1>couldn't get big gulps in New York?

0:21:02.800 --> 0:21:05.760
<v Speaker 2>I don't think I lived here. And I've also never

0:21:05.800 --> 0:21:06.480
<v Speaker 2>had a big gulp.

0:21:06.720 --> 0:21:08.920
<v Speaker 1>Okay, Well, I'm from Texas, so I basically survived on

0:21:08.920 --> 0:21:09.280
<v Speaker 1>big gold.

0:21:10.000 --> 0:21:11.560
<v Speaker 2>But I actually never had a big hop. But my

0:21:11.560 --> 0:21:14.280
<v Speaker 2>friend Courtney Reno shout out to Quianna. She always had

0:21:14.320 --> 0:21:14.720
<v Speaker 2>a big golp.

0:21:15.160 --> 0:21:18.720
<v Speaker 1>Well, Bloomberg said no, mas okay. So In addition to

0:21:18.760 --> 0:21:21.920
<v Speaker 1>the soda ban, he was also known for his controversial

0:21:22.000 --> 0:21:23.720
<v Speaker 1>stopped in Frisk policy.

0:21:24.520 --> 0:21:27.919
<v Speaker 2>Which empowered police to just like it sounds, stop and

0:21:28.040 --> 0:21:30.080
<v Speaker 2>frisk whoever they deemed.

0:21:29.840 --> 0:21:34.520
<v Speaker 1>Suspicious, I mean racial profiling, munch and one of the

0:21:34.560 --> 0:21:40.199
<v Speaker 1>policy's biggest critics was Bloomberg's own advisor, Willie Cologne. In

0:21:40.240 --> 0:21:43.640
<v Speaker 1>a twenty fifteen interview about the mayoral election to succeed

0:21:43.680 --> 0:21:47.120
<v Speaker 1>at Bloomberg, Colonne said that Latinos live in quote the.

0:21:47.280 --> 0:21:51.720
<v Speaker 2>Other New York quote. Stop and frisk has gone too

0:21:51.840 --> 0:21:55.000
<v Speaker 2>far in general and in the whole country in the

0:21:55.080 --> 0:21:58.399
<v Speaker 2>name of anti terrorism and fighting crime and infringing on

0:21:58.520 --> 0:21:59.840
<v Speaker 2>constitutional rights.

0:22:00.280 --> 0:22:03.840
<v Speaker 1>Golog actually threw his support behind Bill Thompson, the city

0:22:03.880 --> 0:22:07.439
<v Speaker 1>controller under the Bloomberg administration, who would ultimately lose to

0:22:07.440 --> 0:22:08.200
<v Speaker 1>build a Blasio.

0:22:08.920 --> 0:22:11.760
<v Speaker 2>By this point, listeners might be wondering, am I listening

0:22:11.840 --> 0:22:15.119
<v Speaker 2>to the right podcast? When did this turn into a

0:22:15.160 --> 0:22:16.399
<v Speaker 2>political history show.

0:22:16.640 --> 0:22:19.399
<v Speaker 1>I know it hasn't, you guys, but we had to

0:22:19.440 --> 0:22:23.920
<v Speaker 1>give you context because we are all about educating our listeners.

0:22:23.960 --> 0:22:26.879
<v Speaker 1>We know you guys are smart, but we had to

0:22:26.960 --> 0:22:30.440
<v Speaker 1>learn this shit too, right and all we can say

0:22:30.680 --> 0:22:36.920
<v Speaker 1>to that is Wally really took a hard turn right

0:22:37.560 --> 0:22:41.320
<v Speaker 1>into politics. Yes, he continues to release music and play

0:22:41.320 --> 0:22:43.520
<v Speaker 1>shows in New York and around the world, but this

0:22:43.640 --> 0:22:46.640
<v Speaker 1>political arena is where he actually starts to see the

0:22:46.640 --> 0:22:49.080
<v Speaker 1>most potential for change.

0:22:49.480 --> 0:22:51.399
<v Speaker 2>For better and for worse.

0:23:00.680 --> 0:23:02.720
<v Speaker 1>In May of this year, a certain New York egon

0:23:02.800 --> 0:23:05.400
<v Speaker 1>held a press conference in front of Manhattan Criminal Courthouse

0:23:05.480 --> 0:23:07.879
<v Speaker 1>on one hundred Center Street. By the way, home to

0:23:07.920 --> 0:23:11.720
<v Speaker 1>my very first job on television. Anyway, I digressed no

0:23:13.000 --> 0:23:16.200
<v Speaker 1>where former President Donald Trump was standing trial for fraud.

0:23:17.200 --> 0:23:20.040
<v Speaker 2>Reading from a prepared script, this New Yorker said to

0:23:20.080 --> 0:23:23.360
<v Speaker 2>the cameras, we New Yorkers used to tolerate Trump when

0:23:23.400 --> 0:23:26.359
<v Speaker 2>he was just another crappy real estate hustler masquerading as

0:23:26.400 --> 0:23:29.199
<v Speaker 2>a big shot. He went on to label Trump as

0:23:29.240 --> 0:23:30.520
<v Speaker 2>a tyrant and a clown.

0:23:31.440 --> 0:23:34.400
<v Speaker 1>The New Yorker we're talking about had a career spanning decades,

0:23:34.760 --> 0:23:37.080
<v Speaker 1>capturing the decay and desperation of New York in the

0:23:37.080 --> 0:23:41.080
<v Speaker 1>seventies and immortalizing the image of the mafioso and no.

0:23:41.200 --> 0:23:44.560
<v Speaker 2>Fam It was not Guty Corlone. It was Robert de

0:23:44.640 --> 0:23:47.760
<v Speaker 2>Niro amid the police sirens and the shouts of pro

0:23:47.880 --> 0:23:51.720
<v Speaker 2>and anti Trump demonstrators outside the courthouse, The actor announced

0:23:51.720 --> 0:23:54.280
<v Speaker 2>his support for the Biden campaign before getting into an

0:23:54.400 --> 0:23:55.600
<v Speaker 2>argument with a heckler.

0:23:56.160 --> 0:23:58.600
<v Speaker 1>This event was part of the launch for Biden's now

0:23:58.640 --> 0:24:01.840
<v Speaker 1>defunct reelection campaign. It was kind of like a blip.

0:24:01.880 --> 0:24:04.119
<v Speaker 1>No one really talked about it, but we're focused on

0:24:04.160 --> 0:24:08.040
<v Speaker 1>it now because it actually involves El Malo Willie Cologne.

0:24:08.320 --> 0:24:10.800
<v Speaker 2>After de Niro's clit made the rounds, the King of

0:24:10.840 --> 0:24:14.760
<v Speaker 2>Sasa jumped on x formerly known as Twitter, to critique

0:24:14.800 --> 0:24:16.399
<v Speaker 2>the press conference, saying.

0:24:16.359 --> 0:24:19.600
<v Speaker 1>Quote what once would have been considered beneath de Niro's

0:24:19.600 --> 0:24:22.399
<v Speaker 1>stature has now earned him a reputation as a foul

0:24:22.560 --> 0:24:26.800
<v Speaker 1>mouthed buffoon. These two New York yehitos were fighting.

0:24:28.400 --> 0:24:31.200
<v Speaker 2>De Niro had backed Biden in twenty sixteen and was

0:24:31.240 --> 0:24:33.680
<v Speaker 2>going to bat for him again in twenty twenty, while

0:24:33.720 --> 0:24:39.120
<v Speaker 2>Cologne had been a long time Trump supporter The hard.

0:24:39.840 --> 0:24:42.639
<v Speaker 1>In his final tweet of the night, Gologn called Biden's

0:24:42.680 --> 0:24:45.600
<v Speaker 1>campaign launch a complete failure that revealed the side of

0:24:45.640 --> 0:24:49.840
<v Speaker 1>de Niro that many wished they had not seen. Willie,

0:24:49.960 --> 0:24:53.160
<v Speaker 1>this tweet revealed a side of you that many longtime

0:24:53.240 --> 0:24:57.200
<v Speaker 1>fans wish they had not seen y'all put your phones

0:24:57.440 --> 0:25:01.959
<v Speaker 1>down at night. Nothing good happens on x or Instagram

0:25:02.000 --> 0:25:04.840
<v Speaker 1>for that matter, after like nine thirty pm. I'm convinced

0:25:04.880 --> 0:25:05.160
<v Speaker 1>of this.

0:25:05.320 --> 0:25:07.960
<v Speaker 2>Well, Jit. When Colann posted in twenty sixteen that he

0:25:08.000 --> 0:25:10.520
<v Speaker 2>had gotten up at five in the morning without shaving,

0:25:10.880 --> 0:25:13.919
<v Speaker 2>eating breakfast, or combing his hair to go vote for Trump,

0:25:14.200 --> 0:25:17.600
<v Speaker 2>fans were at once disappointed and confused.

0:25:17.920 --> 0:25:20.960
<v Speaker 1>Yeah, and that's because just a few months prior, Cologne

0:25:20.960 --> 0:25:23.919
<v Speaker 1>had been rallying against the repression carried out by the

0:25:23.960 --> 0:25:28.359
<v Speaker 1>dictatorship in Venezuela. Now Here he was praising a would

0:25:28.440 --> 0:25:33.000
<v Speaker 1>be authoritarian. What do you mean would be well, Joseph,

0:25:33.000 --> 0:25:37.760
<v Speaker 1>this is still early on okay anyway, Many fans responded,

0:25:37.840 --> 0:25:41.480
<v Speaker 1>pointing out the inconsistency. Others proclaimed that they were going

0:25:41.560 --> 0:25:44.600
<v Speaker 1>to delete WILLI Colanne from all of their playlists.

0:25:44.760 --> 0:25:48.840
<v Speaker 2>I'm literally doing that right now Detana by Talento Television.

0:25:49.160 --> 0:25:49.840
<v Speaker 1>My no.

0:25:51.680 --> 0:25:52.120
<v Speaker 2>Gone.

0:25:52.240 --> 0:25:54.760
<v Speaker 1>Okay, okay, okay, fine, delete it, delete it. But look,

0:25:54.800 --> 0:25:56.840
<v Speaker 1>it would be one thing if we leave for whatever reason,

0:25:57.000 --> 0:25:59.640
<v Speaker 1>just couldn't get behind democrats anymore. Like I am all

0:25:59.680 --> 0:26:02.959
<v Speaker 1>about out, you know, finding your own voice in politics,

0:26:03.119 --> 0:26:08.520
<v Speaker 1>suggesting a better alternative, but El Marlow had gone mega

0:26:09.040 --> 0:26:13.320
<v Speaker 1>maga like he was a Twitter troll. Twelve flags and

0:26:13.440 --> 0:26:16.520
<v Speaker 1>yard signs flying around maga.

0:26:17.240 --> 0:26:20.480
<v Speaker 2>Okay, disclaimer, we don't know about his house and yard

0:26:20.560 --> 0:26:25.160
<v Speaker 2>sign but as for the Twitter shoes, there's eight years

0:26:25.520 --> 0:26:26.480
<v Speaker 2>of receipts.

0:26:26.240 --> 0:26:30.240
<v Speaker 1>And you know we've got those receipts. Okay, the nastiest

0:26:30.320 --> 0:26:33.840
<v Speaker 1>of the receipts being a Facebook post from twenty twenty so,

0:26:33.880 --> 0:26:37.280
<v Speaker 1>shortly after the president of Goya Foods endorsed Trump's reelection bid,

0:26:37.640 --> 0:26:41.080
<v Speaker 1>cologne post in a photo with a can of Goya

0:26:41.160 --> 0:26:44.440
<v Speaker 1>black beans and posted the photo with a caption that read,

0:26:44.920 --> 0:26:47.640
<v Speaker 1>and I quoked you guys. This is not like a

0:26:47.680 --> 0:26:51.920
<v Speaker 1>meme or SNL sketch. Black beans matter.

0:26:53.040 --> 0:26:56.400
<v Speaker 2>Wait stop. The same guy who advised the mayor after

0:26:56.440 --> 0:27:00.480
<v Speaker 2>the Washington Heights riots was out here trolling the Black

0:27:00.640 --> 0:27:02.000
<v Speaker 2>Lives Matter book.

0:27:02.600 --> 0:27:08.359
<v Speaker 1>Trolling okay, like deep fucking troll. And also, let me

0:27:08.440 --> 0:27:13.479
<v Speaker 1>remind you this was just sixty days after George Floyd

0:27:13.640 --> 0:27:18.439
<v Speaker 1>was killed by the police. It's it's disgusting, what the

0:27:18.520 --> 0:27:19.600
<v Speaker 1>fuck is happening?

0:27:19.640 --> 0:27:20.720
<v Speaker 2>How? I mean?

0:27:21.080 --> 0:27:24.200
<v Speaker 1>Great questions? And like the fans who wiped weey from

0:27:24.200 --> 0:27:29.119
<v Speaker 1>their playlist, it's confusing and deeply upsetting. But if we

0:27:29.160 --> 0:27:33.240
<v Speaker 1>look back, maybe we can stumble on some theories that

0:27:33.600 --> 0:27:36.600
<v Speaker 1>will help us understand how really got here.

0:27:37.440 --> 0:27:39.480
<v Speaker 2>Okay, it's I'm listening.

0:27:39.800 --> 0:27:43.320
<v Speaker 1>Okay, if you're listening, turn it up, put those headphones in,

0:27:43.440 --> 0:27:47.360
<v Speaker 1>because here we go. Okay, we don't actually know what

0:27:47.440 --> 0:27:50.960
<v Speaker 1>specifically rubbed Willy the wrong way about democratic politicians from

0:27:51.000 --> 0:27:54.320
<v Speaker 1>the Bloomberg administration on. I mean, if you live in

0:27:54.320 --> 0:27:56.879
<v Speaker 1>New York, you get into politics, you deal with Democrats.

0:27:56.920 --> 0:27:58.520
<v Speaker 1>It's just how it is.

0:27:58.640 --> 0:28:01.560
<v Speaker 2>Right. Maybe he he hads s jaded with city politics

0:28:01.560 --> 0:28:04.000
<v Speaker 2>and lose his faith, or maybe he gets wind of

0:28:04.080 --> 0:28:06.760
<v Speaker 2>some shady stuff, or maybe he's just bitter that he

0:28:06.800 --> 0:28:07.240
<v Speaker 2>never won.

0:28:07.880 --> 0:28:11.400
<v Speaker 1>I mean, all of those are likely possibilities. But in

0:28:11.640 --> 0:28:15.520
<v Speaker 1>two thousand and eight he endorses Hillary for president. Then

0:28:15.520 --> 0:28:18.359
<v Speaker 1>he joins Twitter in two thousand and nine, and that's

0:28:18.600 --> 0:28:19.720
<v Speaker 1>when shit gets weird.

0:28:21.040 --> 0:28:24.399
<v Speaker 2>It's Twitter or x it's always weird.

0:28:24.680 --> 0:28:30.200
<v Speaker 1>They're all weird. The year after Willie registers as a Republican,

0:28:30.520 --> 0:28:33.119
<v Speaker 1>he gets into a long Twitter war because of a

0:28:33.200 --> 0:28:35.640
<v Speaker 1>joke he made in the wake of Hugo Chevis's death.

0:28:36.400 --> 0:28:39.720
<v Speaker 1>Chevistas blew up his replies blew up his DMS while

0:28:39.800 --> 0:28:43.680
<v Speaker 1>anti Jevistas rallied around him. Uh oh, so from there,

0:28:43.760 --> 0:28:46.520
<v Speaker 1>I think it's simple. He spent days arguing with weird

0:28:46.600 --> 0:28:50.480
<v Speaker 1>Chavistas on Twitter, and he got brainwormed tail as all

0:28:50.560 --> 0:28:51.040
<v Speaker 1>as time.

0:28:52.560 --> 0:28:54.640
<v Speaker 2>Wait, what the fuck is brain.

0:28:56.640 --> 0:28:59.440
<v Speaker 1>Have you ever heard of like an earworm, Like when

0:28:59.480 --> 0:29:02.800
<v Speaker 1>you hear something super catchy on the radio. You don't

0:29:02.800 --> 0:29:04.600
<v Speaker 1>hear the whole song, You just hear like a little

0:29:04.640 --> 0:29:06.680
<v Speaker 1>clip of it, or you hear somebody singing something and

0:29:06.680 --> 0:29:07.560
<v Speaker 1>then it stakes in your.

0:29:07.520 --> 0:29:13.040
<v Speaker 2>Head all day long, like Megan the Stallion's song right now.

0:29:13.400 --> 0:29:19.320
<v Speaker 1>Yes, okay, so that is an earworm. A brainworm is similar.

0:29:19.360 --> 0:29:23.160
<v Speaker 1>It's like something very sticky that gets presented to you,

0:29:23.480 --> 0:29:25.840
<v Speaker 1>especially if you're spending time on social media, Like it

0:29:25.960 --> 0:29:28.840
<v Speaker 1>hits your feed over and over and over.

0:29:29.080 --> 0:29:33.640
<v Speaker 2>Almost brainwashed, yes.

0:29:34.160 --> 0:29:39.320
<v Speaker 1>But sometimes it can be like you can almost like

0:29:39.400 --> 0:29:42.800
<v Speaker 1>curate your own brainworm because of your right because how

0:29:42.800 --> 0:29:46.040
<v Speaker 1>you're engaging on social Like I always say, you know

0:29:46.120 --> 0:29:49.600
<v Speaker 1>the problem with people speaking up today about you know,

0:29:50.120 --> 0:29:53.560
<v Speaker 1>politics or social issues is that we all live in

0:29:53.600 --> 0:29:56.880
<v Speaker 1>our own silos. Like we live in our own social silos, right,

0:29:56.920 --> 0:30:00.280
<v Speaker 1>Like you have blinders on, you're in an echo her.

0:30:00.440 --> 0:30:04.040
<v Speaker 1>And if you're pro whatever, pro left, pro right, and

0:30:04.080 --> 0:30:06.920
<v Speaker 1>you're constantly engaging with that content, all you're going to

0:30:06.960 --> 0:30:10.560
<v Speaker 1>be served is that content, right right, And so you're

0:30:10.600 --> 0:30:14.440
<v Speaker 1>not able to see outside of that silo. And what

0:30:14.600 --> 0:30:19.640
<v Speaker 1>happens people start to reinforce thoughts that now become beliefs,

0:30:19.640 --> 0:30:22.400
<v Speaker 1>that become belief systems. It's really fun become your.

0:30:22.280 --> 0:30:25.480
<v Speaker 2>True exactly, yeah, because it becomes your truth. So this

0:30:25.600 --> 0:30:30.080
<v Speaker 2>is definitely one hundred percent brain worms.

0:30:30.520 --> 0:30:33.720
<v Speaker 1>But let's think about this, right, We all know somebody

0:30:33.880 --> 0:30:37.480
<v Speaker 1>who's been brainwarmed. But the thing is, the more that

0:30:37.520 --> 0:30:41.520
<v Speaker 1>Willy speaks and says, the less clear it is. Who

0:30:41.560 --> 0:30:45.640
<v Speaker 1>really ever was Was he ever really sticking up for

0:30:45.680 --> 0:30:47.520
<v Speaker 1>the people that he's saying about, or was he just

0:30:47.800 --> 0:30:50.640
<v Speaker 1>singing about what was around him because he had no

0:30:50.720 --> 0:30:52.000
<v Speaker 1>original inspo.

0:30:52.240 --> 0:30:54.680
<v Speaker 2>Okay, okay, okay, hold on, let's just hold our horses.

0:30:54.800 --> 0:30:58.760
<v Speaker 2>I mean, it would be a big accusation to say

0:30:58.800 --> 0:31:02.680
<v Speaker 2>that he never cares, like what about Simon, you know,

0:31:02.720 --> 0:31:06.800
<v Speaker 2>el Grand Baron or ok But it is hard to

0:31:06.840 --> 0:31:09.720
<v Speaker 2>make the case that he cares now and what all

0:31:09.760 --> 0:31:11.360
<v Speaker 2>for Cannabians.

0:31:11.400 --> 0:31:14.600
<v Speaker 1>Well, that Cannabians did bankroll a few of his concerts.

0:31:15.920 --> 0:31:20.840
<v Speaker 2>So are you done with Willie? Like done done?

0:31:21.280 --> 0:31:24.880
<v Speaker 1>Let's think about it this way. Everybody has a family

0:31:24.880 --> 0:31:28.040
<v Speaker 1>member or someone they know who completely goes off the

0:31:28.080 --> 0:31:31.720
<v Speaker 1>deep end, whether it's about Trump or a pyramid scheme

0:31:31.840 --> 0:31:35.080
<v Speaker 1>like herbal life, or some other wormhole at the crossroads

0:31:35.080 --> 0:31:39.000
<v Speaker 1>of conspiracy and tech addiction. And the thing is, the

0:31:39.000 --> 0:31:42.840
<v Speaker 1>person you liked or love is still in there somewhere.

0:31:42.880 --> 0:31:46.440
<v Speaker 1>They look similar, talk similar, But if they don't get

0:31:46.440 --> 0:31:50.040
<v Speaker 1>help or help themselves, that person gets pushed farther and

0:31:50.080 --> 0:31:53.480
<v Speaker 1>farther down, like a pearl at the bottom of a landfill.

0:31:54.040 --> 0:31:56.840
<v Speaker 1>You still have your memories of that person, and of

0:31:56.880 --> 0:31:59.360
<v Speaker 1>course everything they've done in the past for you and

0:31:59.400 --> 0:32:03.880
<v Speaker 1>yours still stands. But once it's become clear that this thing,

0:32:04.080 --> 0:32:07.040
<v Speaker 1>the obsession, the addiction, the sickness, whatever it may be,

0:32:07.760 --> 0:32:09.719
<v Speaker 1>once it gets in the way of the love they

0:32:09.880 --> 0:32:13.360
<v Speaker 1>used to be able to give. That means you have

0:32:13.440 --> 0:32:14.360
<v Speaker 1>some choices to make.

0:32:15.760 --> 0:32:19.000
<v Speaker 2>WILLI walked away from Hector LeVaux, some of us might

0:32:19.080 --> 0:32:20.080
<v Speaker 2>want to walk away from.

0:32:19.960 --> 0:32:24.440
<v Speaker 1>Willy, and some of us might still actually enjoy listening

0:32:24.520 --> 0:32:28.400
<v Speaker 1>to his music. Like listen, Willy and I are not

0:32:28.520 --> 0:32:32.480
<v Speaker 1>voting the same. Let's be very clear. But I will

0:32:32.520 --> 0:32:36.840
<v Speaker 1>tell you that one of my favorite songs in the

0:32:36.920 --> 0:32:40.520
<v Speaker 1>world is Balento de la vision from trasla Tormenta. It's

0:32:40.960 --> 0:32:43.080
<v Speaker 1>a song that, like my dad introduced me to, that

0:32:43.120 --> 0:32:45.880
<v Speaker 1>I've loved since I was a little girl. And because

0:32:45.880 --> 0:32:47.960
<v Speaker 1>my dad loves that record and we share memories of

0:32:48.000 --> 0:32:51.640
<v Speaker 1>that record, I will always associate that record more with

0:32:51.640 --> 0:32:56.120
<v Speaker 1>my father than I do with WILLI Right, And there's

0:32:56.160 --> 0:32:59.440
<v Speaker 1>a million situations like this, right, Like the song is

0:32:59.480 --> 0:33:01.640
<v Speaker 1>not the song, the artist is not the artist. It's

0:33:01.640 --> 0:33:03.680
<v Speaker 1>about the memories that the music triggers in you. We

0:33:03.720 --> 0:33:07.760
<v Speaker 1>talk about this all the time, right, Joseph. And here's

0:33:07.800 --> 0:33:11.200
<v Speaker 1>the thing. Other memories about Willie might fake, They might

0:33:11.280 --> 0:33:14.000
<v Speaker 1>stay buried in a landfill of mean tweets and hateful comments.

0:33:14.240 --> 0:33:18.640
<v Speaker 1>And ultimately, Willie's legacy is in his own hands, like

0:33:18.800 --> 0:33:20.360
<v Speaker 1>the fans don't get to decide.

0:33:20.080 --> 0:33:22.640
<v Speaker 2>It, as much as we wish we could.

0:33:23.080 --> 0:33:30.200
<v Speaker 1>I Know, I Know. On the next, Becoming an Icon,

0:33:31.160 --> 0:33:36.440
<v Speaker 1>the Queen of Latin pop's magical, heartbreaking Capital D dramatic upbringing,

0:33:37.000 --> 0:33:47.560
<v Speaker 1>the one the only Dahlia Becoming an Icon is presented

0:33:47.560 --> 0:33:51.960
<v Speaker 1>by Sonoo and Iheart's Michael dudda podcast network. Listen to

0:33:52.040 --> 0:33:56.160
<v Speaker 1>becoming an icon on the iHeartRadio app, Apple podcast, or

0:33:56.200 --> 0:33:58.120
<v Speaker 1>wherever you get your podcasts.