WEBVTT - How the Disney Magic Works

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<v Speaker 1>Get in technic technology with tech Stuff from stuff dot Com.

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<v Speaker 1>Hey there, and welcome to tech Stuff. I'm your host,

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<v Speaker 1>Jonathan Strickland, and this week I want to talk about

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<v Speaker 1>Disney Magic. Not just Disney Magic, but the Disney Magic,

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<v Speaker 1>the oldest of Disney's cruise ships. And the reason I

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<v Speaker 1>wanted to tackle this topic is that by the time

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<v Speaker 1>you hear this episode, I will have just returned from

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<v Speaker 1>my tenth cruise with Disney. So you might say I'm

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<v Speaker 1>a bit of an addict. I thought it would be

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<v Speaker 1>cool to talk about how the Disney Magic works and

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<v Speaker 1>explore the sort of things that make cruise ships possible. Now,

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<v Speaker 1>before I jump into this show, I just want to

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<v Speaker 1>let you all know Disney had nothing to do with

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<v Speaker 1>me choosing this episode, apart from the fact that I'm

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<v Speaker 1>going on a cruise anyway, this is not a sponsored show.

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<v Speaker 1>I'm not getting any perks for recording it. In fact,

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<v Speaker 1>Disney is not even aware I'm doing this. They wouldn't

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<v Speaker 1>know me from anybody else out there. And I say

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<v Speaker 1>this because I am a Disney fanboy. I'm gonna geek

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<v Speaker 1>out over Disney stuff as well as the cruise ship

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<v Speaker 1>technology stuff. And it's important. You know, I have a

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<v Speaker 1>completely biased opinion, but it comes to me honestly. Now

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<v Speaker 1>that being said, the company, if they decide they want

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<v Speaker 1>to sit be on a cruise, they can do that.

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<v Speaker 1>I'm not gonna turn it down. I love them. I'm

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<v Speaker 1>really hoping that I can actually get a bridge tour

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<v Speaker 1>this this cruise, but they don't tend to do those,

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<v Speaker 1>so if it happens, it will only be because somebody

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<v Speaker 1>took pity on me. All right, So let's let's talk

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<v Speaker 1>about the history of Disney in the cruise industry. Um

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<v Speaker 1>before the Disney Company actually commissioned its own cruise ships,

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<v Speaker 1>it partnered with an existing company called Premier Cruise Line.

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<v Speaker 1>Back in nineteen five. Premiere became known as the official

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<v Speaker 1>cruise line of Walt Disney World, and Disney characters would

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<v Speaker 1>appear on Premiere ships. It was one of the things

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<v Speaker 1>that set Premiere apart. Premiere was also known as the

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<v Speaker 1>big Red Boat because some of their ships were big

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<v Speaker 1>and red, big ish, They're not as big as the

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<v Speaker 1>ones that you would see today in the industry, and

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<v Speaker 1>the nickname of its flagship, Starship Oceanic, was the Big

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<v Speaker 1>Red Boat, and it actually became the official name of

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<v Speaker 1>two of their other ships. They actually renamed them because

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<v Speaker 1>both of those ships were older. With the exception of

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<v Speaker 1>one of their ships, the starship Atlantic, which was built

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<v Speaker 1>in nineteen eighty two, the company's fleet consisted of ships

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<v Speaker 1>built between nineteen fifty five and nineteen seventy, so they

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<v Speaker 1>were a little on the creeky side. The partnership with

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<v Speaker 1>Disney ended in nineteen Premiere would eventually go out of

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<v Speaker 1>business in two thousand and Out of all the ships

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<v Speaker 1>in their fleet, only one still exists, and that is

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<v Speaker 1>the Atlantic. All the others have either been sold for

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<v Speaker 1>scrap or they sank. So Disney had kind of dipped

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<v Speaker 1>its toe in the cruise partnership world. And once that

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<v Speaker 1>partnership with Premier ended, you know, it was an agreement

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<v Speaker 1>to last a certain amount of time, essentially a little

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<v Speaker 1>less than ten years. The Disney Company started to hold

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<v Speaker 1>talks with other cruise lines, including Carnival and Royal Caribbean,

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<v Speaker 1>but neither of those companies could agree to Disney's terms,

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<v Speaker 1>essentially how much money they would have to pay Disney

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<v Speaker 1>to allow Disney characters to appear on those cruise ships.

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<v Speaker 1>By the rumors were that Disney the company was looking

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<v Speaker 1>at creating its own line of cruise ships. Now, the

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<v Speaker 1>actual Disney Cruise Line Department was founded in nineteen and

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<v Speaker 1>Disney commissioned two ships from an Italian shipyard called Finn Cantieri.

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<v Speaker 1>The two ships would become the Disney Magic and the

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<v Speaker 1>Disney Wonder, and according to a website called Hidden Mickey's,

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<v Speaker 1>the Magic cost three fifty million in dollars to build.

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<v Speaker 1>I've also seen that figure go up as high as

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<v Speaker 1>four hundred million dollars to build, So between three fifty

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<v Speaker 1>and four hundred million dollars. So a big, big investment

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<v Speaker 1>on the part of Disney in an area that they

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<v Speaker 1>had not really explored. But they saw an opportunity because,

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<v Speaker 1>as Disney representatives will tell you, the issue with the

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<v Speaker 1>cruise industry was it was mainly geared towards adults and

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<v Speaker 1>a lot of UH senior citizens as well, but not

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<v Speaker 1>so much to families with children. And so they saw

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<v Speaker 1>it as an opportunity to do to the cruise industry

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<v Speaker 1>what they had done with theme parks and hotels and

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<v Speaker 1>other things like that. So they decided to take this plunge. Now,

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<v Speaker 1>Michael Eisner was in charge of Disney at the time,

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<v Speaker 1>and he wanted the ships to have a classic ocean

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<v Speaker 1>liner feel, so something akin to what you would have

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<v Speaker 1>seen back in the old days of ocean liners were

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<v Speaker 1>talking like the early nineteen hundreds, and to take those

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<v Speaker 1>lines to kind of update it with modern accents, but

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<v Speaker 1>to still have that classic style. So that's exactly what

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<v Speaker 1>the engineers did. They started to design this so it

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<v Speaker 1>kind of had this sleek look of a classic ocean liner,

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<v Speaker 1>complete with two smokestacks, even though those were not both necessary.

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<v Speaker 1>More on that in a second. And they decided that

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<v Speaker 1>the interior decoration was going to be in the Art

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<v Speaker 1>Deco style for the Disney Magic the Wonder actually has

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<v Speaker 1>an Art Nouveau style. Now, the ship was constructed in

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<v Speaker 1>two halves. You had the bow and the stern, the

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<v Speaker 1>front and the back. The front half of the ship

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<v Speaker 1>was built at the Ancona shipyard and the back half

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<v Speaker 1>was built at the Margara shipyard. And those two shipyards

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<v Speaker 1>are more than a hundred miles apart from each other.

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<v Speaker 1>So once they finished building out the four half, the

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<v Speaker 1>forward or front half, they had to tow it back

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<v Speaker 1>to the other shipyard, and they did this by placing

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<v Speaker 1>it on a giant kind of floating barge essentially, and

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<v Speaker 1>towed that more than a hundred miles to the other shipyard.

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<v Speaker 1>And then they had to fit the two together. Now,

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<v Speaker 1>remember that this ship is like a small city. It

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<v Speaker 1>has all of these independent systems that make up the ship.

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<v Speaker 1>That includes a water system, so lots of water pipes,

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<v Speaker 1>and electric grid including electric generators, climate control, and more.

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<v Speaker 1>I mean, everything that you would expect to have in

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<v Speaker 1>a nice hotel has to be on the ship, which

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<v Speaker 1>means all those systems have to be self uh self contained,

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<v Speaker 1>and that means that all of this stuff laid out

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<v Speaker 1>had to fit together perfectly. You could not have any

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<v Speaker 1>misalignment or else. The conduits where you would allow electrical

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<v Speaker 1>wires to go through, or the air duct systems or

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<v Speaker 1>the water pipes they wouldn't match up. So they had

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<v Speaker 1>to make it precise and hope that they could fit

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<v Speaker 1>it together exactly the way it needed to. And this

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<v Speaker 1>is not a a small challenge. It's actually pretty tough.

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<v Speaker 1>So once they got to the point where they were

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<v Speaker 1>ready to put the two halves together, each half had

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<v Speaker 1>to be put on a giant rail system and this

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<v Speaker 1>allowed them to very slowly bring the two halves until

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<v Speaker 1>they met in the in the center, and then they

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<v Speaker 1>started to weld the ship together and that's where you

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<v Speaker 1>get the full ship, the Disney Magic. Now, this construction

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<v Speaker 1>project encountered multiple delays throughout the process due to other

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<v Speaker 1>construction projects being a little slow at the shipyards, and

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<v Speaker 1>it meant that Disney had to keep pushing back the

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<v Speaker 1>date of its initial sailing, and UH it ended up

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<v Speaker 1>being almost five months late as a result of this.

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<v Speaker 1>The Magic finally set sail across the Atlantic to its

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<v Speaker 1>home port in Florida or Port Canaveral and was ready

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<v Speaker 1>for its first cruise, UH several months later than it

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<v Speaker 1>was originally planned, and I believe it was July of

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<v Speaker 1>n so a little bit later than what they had hoped.

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<v Speaker 1>At any rate, it does take a long time to

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<v Speaker 1>build one of these ships. There's a lot that goes

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<v Speaker 1>into it. In the design process. You have the imagineers,

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<v Speaker 1>that's the Disney term for the engineers who bring Disney's

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<v Speaker 1>flare into whatever projects they're making. So Disney imagineers are

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<v Speaker 1>responsible for pretty much anything physical that you encounter within Disney.

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<v Speaker 1>So you think about the Disney parks, the imagineers are

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<v Speaker 1>the ones who are designed, who had designed all the theming,

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<v Speaker 1>all the rides, everything that you encounter, an imagineer has

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<v Speaker 1>had a hand in designing the same thing is true

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<v Speaker 1>for the cruise ships, but it meant that they had

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<v Speaker 1>to design things and then shipbuilders actually had to make

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<v Speaker 1>it happen. So it was an interesting relationship because this

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<v Speaker 1>was not something that they had done before. So imagineers

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<v Speaker 1>would typically use three D rendering software to build virtual

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<v Speaker 1>representation of a space that they wanted to create within

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<v Speaker 1>the ship. So you had a virtual model, and then

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<v Speaker 1>you had to plan out how could you achieve this physically,

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<v Speaker 1>and in some cases it might mean that you had

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<v Speaker 1>to go back and redesign. That's why you have to

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<v Speaker 1>use that three D approach so that at least it's

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<v Speaker 1>less complicated than building something out and then realizing it's

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<v Speaker 1>not going to work. Now. Part of that included building

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<v Speaker 1>up spaces specifically for kids. I mean, this is Disney

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<v Speaker 1>we're talking about, and in fact, kids have a couple

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<v Speaker 1>of different areas on a couple of different decks of

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<v Speaker 1>the various Disney cruise ships that are dedicated just for them. Adults,

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<v Speaker 1>apart from the supervising adults are not allowing that space.

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<v Speaker 1>So uh. The worst part is these are some of

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<v Speaker 1>the coolest areas of the ship, and typically you only

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<v Speaker 1>get to see it maybe when you first board. Sometimes

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<v Speaker 1>the Disney allows adults to tour the spaces before the

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<v Speaker 1>ship gets underway, because you might be looking at it

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<v Speaker 1>in order to decide whether your kid will go to

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<v Speaker 1>the Oceaneers Club, for example, and maybe you don't have

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<v Speaker 1>a kid, but maybe you do want to be an Avenger,

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<v Speaker 1>so you go anyway. I'm not saying I've done that.

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<v Speaker 1>I'm just saying I'm not above doing that at any rate.

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<v Speaker 1>A lot of really interesting spaces, and when the imagineers

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<v Speaker 1>were designing these spaces, they had to take concertain considerations

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<v Speaker 1>in mind that you wouldn't necessarily think of for other spaces.

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<v Speaker 1>So they actually built out some rooms that had lower ceilings,

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<v Speaker 1>which makes the kids feel taller because they're in our

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<v Speaker 1>space that is scaled more to their size. They also

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<v Speaker 1>created different stories for different areas, like there's a toy

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<v Speaker 1>story area, there's a uh Pixie area, there's the Avengers area,

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<v Speaker 1>which is the one I really I want to go through,

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<v Speaker 1>And then they are like the Ocean Eers Lab, which

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<v Speaker 1>is more of a science e ocean voyage themed area,

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<v Speaker 1>and all of this had to be done on computers

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<v Speaker 1>first before building out the actual physical uh stuff that

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<v Speaker 1>would fill up these spaces, and then there had to

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<v Speaker 1>be the installation phase. So all this is very technical.

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<v Speaker 1>It takes a lot of work on the front end

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<v Speaker 1>before you ever get to a point where a guest

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<v Speaker 1>actually walks onto the ship. Now, the ship's tonnage is

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<v Speaker 1>eighty four thousand tons. That means the ship has the

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<v Speaker 1>volume of eighty four thousand tons. That's typically what tonnage means.

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<v Speaker 1>And it's a pretty big ship, though not as big

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<v Speaker 1>as the Disney Dream or the Disney Fantasy, which are

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<v Speaker 1>two of the younger ships in the Disney Cruise line,

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<v Speaker 1>and of course there are other cruise lines that have

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<v Speaker 1>ships much much larger. So the Magic is nine four

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<v Speaker 1>ft long and one hundred six ft wide at the

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<v Speaker 1>beam that means just the whitest part part of the ship,

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<v Speaker 1>and it's one seventy one and a half feet tall.

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<v Speaker 1>The draft of the ship is twenty five point three

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<v Speaker 1>feet Now the draft refers to the distance from the

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<v Speaker 1>water line to the bottom of the hull. Also known

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<v Speaker 1>as the keel, so you measure that distance and that's

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<v Speaker 1>how you get the draft three ft. Now, when it launched,

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<v Speaker 1>the Magic was one of the largest cruise ships in service.

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<v Speaker 1>In fact, I think it was the third largest ship

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<v Speaker 1>in service at the time. Now since then it's been

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<v Speaker 1>eclipsed big time. There's a Lure of the Seas, which

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<v Speaker 1>I believe is the largest cruise ship currently in service

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<v Speaker 1>that's run by the Royal Caribbean Cruise Line. That one

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<v Speaker 1>is one thousand, one hundred eighty one ft long and

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<v Speaker 1>two dred eight feet wide with a ton unge of

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<v Speaker 1>two thousand, two hight two tons, So enormous, huge, much

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<v Speaker 1>bigger than the Disney Magic. But when Disney Magic was

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<v Speaker 1>first built, it was considered to be a pretty big ship. Now,

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<v Speaker 1>the Disney Magic has five sixteen cylinder Solzer diesel engines,

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<v Speaker 1>each of which can has an output of fifteen thousand,

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<v Speaker 1>four hundred forty eight horsepower. Serious horse power. There, the

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<v Speaker 1>total horse power for the ship is sent two hundred

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<v Speaker 1>forty three. Now that means the Magic's engines have the

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<v Speaker 1>power equivalent to one hundred Formula one race cars running

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<v Speaker 1>full speed. They're also to nineteen megawatt general electric propulsion

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<v Speaker 1>motors that's what actually turns. They are provides the power

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<v Speaker 1>to turn the propellers in the propulsion system. And the

0:13:37.559 --> 0:13:41.000
<v Speaker 1>ship has a fuel capacity of twenty thousand gallons of

0:13:41.120 --> 0:13:45.160
<v Speaker 1>diesel fuel, so it's running on diesel um to run

0:13:45.200 --> 0:13:48.880
<v Speaker 1>these engines, which also provide the electricity for the entire ship.

0:13:49.520 --> 0:13:51.920
<v Speaker 1>And the ship's hull has a special coating on it

0:13:52.200 --> 0:13:54.559
<v Speaker 1>that's designed to actually make it move through the water

0:13:54.720 --> 0:13:57.760
<v Speaker 1>with less resistance, which reduces the amount of work the

0:13:57.800 --> 0:14:00.160
<v Speaker 1>engines have to do in order to move the ship.

0:14:00.480 --> 0:14:05.000
<v Speaker 1>So this was an effort to reduce the fuel consumption

0:14:05.280 --> 0:14:09.120
<v Speaker 1>of the Disney Cruise line ships, and uh also means

0:14:09.160 --> 0:14:12.360
<v Speaker 1>that the engines themselves don't have to do as much work,

0:14:12.520 --> 0:14:17.359
<v Speaker 1>so they don't need to be um, replaced or repaired

0:14:17.520 --> 0:14:22.040
<v Speaker 1>nearly as frequently, although of course every cruise ship out

0:14:22.040 --> 0:14:25.880
<v Speaker 1>there undergoes a period of maintenance. It's called dry dock.

0:14:25.960 --> 0:14:28.160
<v Speaker 1>It's when you bring a ship in you elevated above

0:14:28.680 --> 0:14:31.520
<v Speaker 1>the waterline and you're able to really work on it

0:14:31.600 --> 0:14:35.400
<v Speaker 1>and make sure that it's ship shape. Now, there are

0:14:36.080 --> 0:14:42.360
<v Speaker 1>three bow thrusters and two stern thrusters, each watts and

0:14:42.440 --> 0:14:45.000
<v Speaker 1>the arrangement allows the ship to turn into play turn

0:14:45.080 --> 0:14:47.000
<v Speaker 1>in place without moving forward. So, in other words, you

0:14:47.040 --> 0:14:51.400
<v Speaker 1>can rotate the ship three sixty degrees and not be

0:14:51.840 --> 0:14:56.840
<v Speaker 1>moving forward at the time, which is pretty cool. And

0:14:57.080 --> 0:14:59.680
<v Speaker 1>I've actually seen it done because that's how I've seen

0:14:59.720 --> 0:15:01.680
<v Speaker 1>it done with a hundred eighty degrees, because that was

0:15:01.720 --> 0:15:05.240
<v Speaker 1>how the cruise ship would pull into one of the

0:15:05.320 --> 0:15:08.600
<v Speaker 1>ports of call, the Disney's private island. They would actually

0:15:08.640 --> 0:15:12.520
<v Speaker 1>turn the ship completely around so that you would back

0:15:12.560 --> 0:15:15.960
<v Speaker 1>into the space. I don't think they actually have a

0:15:16.000 --> 0:15:19.520
<v Speaker 1>rear view camera to do that, but maybe they do. Actually,

0:15:19.560 --> 0:15:21.800
<v Speaker 1>they have lots of cameras all over the place in

0:15:21.920 --> 0:15:25.080
<v Speaker 1>order to be able to navigate the ship. Now, like

0:15:25.120 --> 0:15:27.160
<v Speaker 1>I said, the ship has two smoke stacks, but one

0:15:27.720 --> 0:15:30.120
<v Speaker 1>is used for exhaust and the other is decorative and

0:15:30.160 --> 0:15:34.000
<v Speaker 1>actually houses some other stuff in it. Um, so only

0:15:34.040 --> 0:15:37.640
<v Speaker 1>one of the two smoke stacks actually is for exhausting

0:15:37.720 --> 0:15:40.600
<v Speaker 1>smoke from the engines. But they decided that they wanted

0:15:40.600 --> 0:15:42.800
<v Speaker 1>to have the two smoke stacks on the cruise ship

0:15:42.840 --> 0:15:46.040
<v Speaker 1>to give it that classic look. The cruising speed that

0:15:46.080 --> 0:15:48.120
<v Speaker 1>the ship can attain is twenty one and a half

0:15:48.240 --> 0:15:51.560
<v Speaker 1>knots It has a maximum speed of around twenty four knots,

0:15:51.600 --> 0:15:53.480
<v Speaker 1>although I've read that it can go as fast as

0:15:53.520 --> 0:15:57.560
<v Speaker 1>twenty six knots, which might be after The Magic has

0:15:57.600 --> 0:16:02.160
<v Speaker 1>had a couple of renovations. It's been and upgraded, both

0:16:02.160 --> 0:16:05.000
<v Speaker 1>in two thousand thirteen and two thousand and fifteen. More

0:16:05.040 --> 0:16:07.400
<v Speaker 1>on that in a little bit. One of the interesting

0:16:07.480 --> 0:16:11.440
<v Speaker 1>things about the Disney Magic is that they have their

0:16:11.480 --> 0:16:14.600
<v Speaker 1>lifeboats painted a yellow color to match the color of

0:16:14.600 --> 0:16:19.200
<v Speaker 1>Mickey Mouse's shoes. This was actually a big deal. The

0:16:19.280 --> 0:16:23.320
<v Speaker 1>US Coastguard has a standard for lifeboats. It's they're supposed

0:16:23.360 --> 0:16:26.040
<v Speaker 1>to be a bright orange, which is considered to be

0:16:26.120 --> 0:16:28.960
<v Speaker 1>one of the most visible colors on the surface of

0:16:28.960 --> 0:16:31.160
<v Speaker 1>the ocean. So if you are in a lifeboat, you

0:16:31.200 --> 0:16:33.680
<v Speaker 1>want to be really visible so that you can be rescued.

0:16:34.200 --> 0:16:36.680
<v Speaker 1>And Disney had to prove to the Coast Guard that

0:16:36.760 --> 0:16:39.200
<v Speaker 1>the yellow they wanted to use was in fact just

0:16:39.360 --> 0:16:43.280
<v Speaker 1>as visible as the orange or else. The Coastguard We've said,

0:16:43.320 --> 0:16:46.400
<v Speaker 1>I'm sorry, I know you want to have this beautiful

0:16:46.440 --> 0:16:49.520
<v Speaker 1>color because you wanted to fit the theme of your boat,

0:16:49.880 --> 0:16:53.400
<v Speaker 1>but people's safety is more important than theming. But Disney

0:16:53.440 --> 0:16:56.000
<v Speaker 1>was able to prove that the yellow was in fact

0:16:56.080 --> 0:16:58.680
<v Speaker 1>just as visible, and so they were able they were

0:16:58.720 --> 0:17:02.640
<v Speaker 1>allowed to paint are their lifeboats yellow, and in fact

0:17:02.640 --> 0:17:05.840
<v Speaker 1>the cruise ship in general is designed to have the

0:17:05.880 --> 0:17:09.720
<v Speaker 1>color palette of Mickey Mouse, so it's essentially white, black, red,

0:17:09.760 --> 0:17:14.760
<v Speaker 1>and yellow. Uh. It has eleven passenger decks and three

0:17:14.840 --> 0:17:18.480
<v Speaker 1>I think crew only decks, but eleven decks that passengers

0:17:18.480 --> 0:17:20.400
<v Speaker 1>can go on. The decks, of course, are floors, kind

0:17:20.400 --> 0:17:22.560
<v Speaker 1>of like floors of a building. And it has the

0:17:22.560 --> 0:17:26.720
<v Speaker 1>capacity to hold two thousand, four hundred guests, although according

0:17:26.760 --> 0:17:30.679
<v Speaker 1>to some some sources I've read, the actual limit is

0:17:30.680 --> 0:17:34.120
<v Speaker 1>closer to and it has a crew of about nine

0:17:34.200 --> 0:17:37.119
<v Speaker 1>hundred and fifty people, so you have just shy of

0:17:37.119 --> 0:17:41.080
<v Speaker 1>a thousand people working on this ship to make everything go,

0:17:41.720 --> 0:17:45.840
<v Speaker 1>and then another twenty four hundred who are guests. That's

0:17:45.840 --> 0:17:48.840
<v Speaker 1>a lot of people to be on one boat. There

0:17:48.880 --> 0:17:51.200
<v Speaker 1>are eight hundred seventy five state rooms, two hundred and

0:17:51.240 --> 0:17:54.359
<v Speaker 1>sixty two of which are inside state rooms, which means

0:17:54.359 --> 0:17:55.920
<v Speaker 1>you don't get a view of the ocean, which is

0:17:56.000 --> 0:17:58.439
<v Speaker 1>kind of sad. But you have six d thirteen that

0:17:58.560 --> 0:18:01.560
<v Speaker 1>are outside state rooms, and out of those, four have

0:18:01.600 --> 0:18:05.160
<v Speaker 1>a veranda, which is really nice. And there are three

0:18:05.280 --> 0:18:10.520
<v Speaker 1>major themed restaurants Lumier's Animator's Palette and what used to

0:18:10.520 --> 0:18:14.879
<v Speaker 1>be parrot Key and is now Kariokas. Plus you have

0:18:14.880 --> 0:18:17.880
<v Speaker 1>an adult's only restaurant called Palo and a buffet restaurant

0:18:17.880 --> 0:18:22.840
<v Speaker 1>called Cabanas. And every restaurant has its own galley attached

0:18:22.920 --> 0:18:26.119
<v Speaker 1>to it. Then a galley is a kitchen, so every

0:18:26.119 --> 0:18:29.639
<v Speaker 1>single restaurant has its own kitchen. Um and on the

0:18:29.680 --> 0:18:33.199
<v Speaker 1>big ships that's seven galleys total. Now, this was actually

0:18:33.320 --> 0:18:35.760
<v Speaker 1>a new approach in cruise ships. A lot of cruise

0:18:35.760 --> 0:18:39.760
<v Speaker 1>ships have a single galley that provides all the food

0:18:39.800 --> 0:18:42.320
<v Speaker 1>for any of the places where you can get get food.

0:18:42.359 --> 0:18:44.080
<v Speaker 1>And in fact, a lot of the cruise ships only

0:18:44.119 --> 0:18:47.080
<v Speaker 1>have one restaurant that you go to. Disney was different

0:18:47.119 --> 0:18:51.080
<v Speaker 1>and had all these different themed restaurants. So by having

0:18:51.320 --> 0:18:53.919
<v Speaker 1>a galley attached to each restaurant and meant that the

0:18:53.920 --> 0:18:56.960
<v Speaker 1>white staff doesn't have to travel a ridiculous distance or

0:18:57.040 --> 0:19:00.640
<v Speaker 1>use escalators or elevators to get food to the guests

0:19:00.680 --> 0:19:05.200
<v Speaker 1>are uh So this was another innovation in the cruise industry.

0:19:05.680 --> 0:19:09.480
<v Speaker 1>In addition, guests rotate through the restaurants, I mean not literally,

0:19:10.000 --> 0:19:12.840
<v Speaker 1>you actually go to a different restaurant each evening. You

0:19:12.880 --> 0:19:16.000
<v Speaker 1>get an assignment when you get to your stateroom that

0:19:16.040 --> 0:19:19.000
<v Speaker 1>tells you which restaurants you go to on which evenings,

0:19:19.040 --> 0:19:22.560
<v Speaker 1>and you travel one to the next and uh, if

0:19:22.800 --> 0:19:25.280
<v Speaker 1>you know. You also get your wait staff to travel

0:19:25.320 --> 0:19:28.240
<v Speaker 1>with you, So the people who are doing your drinks

0:19:28.240 --> 0:19:32.200
<v Speaker 1>and food service go restaurant to restaurant as you do,

0:19:32.240 --> 0:19:34.040
<v Speaker 1>which means they get to know what you like, what

0:19:34.119 --> 0:19:36.560
<v Speaker 1>you don't like, any allergies you might have. This was

0:19:36.600 --> 0:19:38.840
<v Speaker 1>another big innovation in the cruise industry, something that you

0:19:38.840 --> 0:19:41.560
<v Speaker 1>don't see in other cruise lines. So some of the

0:19:41.840 --> 0:19:45.399
<v Speaker 1>innovations that the Disney came up with aren't necessarily technological,

0:19:46.200 --> 0:19:49.920
<v Speaker 1>but they were big changes to the way things had

0:19:49.960 --> 0:19:53.879
<v Speaker 1>been traditionally done within the industry. So those galleys have

0:19:53.920 --> 0:19:56.720
<v Speaker 1>to store a lot of food, and according to Disney,

0:19:56.720 --> 0:19:59.840
<v Speaker 1>on a seven day cruise, passengers consume a total of

0:20:00.320 --> 0:20:04.639
<v Speaker 1>five thousand pounds of beef, ten thousand pounds of chicken,

0:20:05.080 --> 0:20:09.920
<v Speaker 1>twelve hundred pounds of salmon, hundred pounds of shrimp, which

0:20:09.960 --> 0:20:13.560
<v Speaker 1>I will skip because I discovered this year I'm allergic

0:20:13.640 --> 0:20:17.040
<v Speaker 1>to shrimp and it will kill me a thousand pounds

0:20:17.080 --> 0:20:20.520
<v Speaker 1>of lobster tails. I'll also skip that because I found

0:20:20.560 --> 0:20:23.440
<v Speaker 1>out on my first Disney cruise that I'm allergic to lobster.

0:20:24.000 --> 0:20:29.800
<v Speaker 1>That was about seventeen years ago. Fifteen thousand pounds of melant,

0:20:30.320 --> 0:20:34.640
<v Speaker 1>hundred pounds of pineapple, seventy one thousand, five hundred eggs,

0:20:34.760 --> 0:20:39.679
<v Speaker 1>fifty seven thousand, eight hundred twenty cups of coffee, three thousand,

0:20:39.680 --> 0:20:43.560
<v Speaker 1>one twenty five gallons of soft drinks, twelve thousand, three

0:20:43.600 --> 0:20:47.840
<v Speaker 1>hundred eighty five bottles or cans of beer, and twenty

0:20:47.920 --> 0:20:52.520
<v Speaker 1>seven hundred bottles of wine and champagne. And that, my friends,

0:20:53.480 --> 0:20:57.359
<v Speaker 1>is a party. Also the cruise I'm I'm going to

0:20:57.400 --> 0:20:59.400
<v Speaker 1>go on that I've already been on by the time

0:20:59.440 --> 0:21:02.200
<v Speaker 1>you hear this is a twelve day cruise, so those

0:21:02.280 --> 0:21:04.600
<v Speaker 1>numbers are even higher for my trip. For the larger

0:21:04.600 --> 0:21:07.800
<v Speaker 1>ships essentially comes down to having to prepare twenty thousand

0:21:07.840 --> 0:21:10.959
<v Speaker 1>meals a day, so that means that these galleys have

0:21:11.040 --> 0:21:14.440
<v Speaker 1>to be outfitted to do that, and that includes these

0:21:14.720 --> 0:21:21.040
<v Speaker 1>huge industrial sized ranges, ovens, boilers, all sorts of equipment

0:21:21.119 --> 0:21:25.160
<v Speaker 1>that is of enormous size to allow for simultaneous preparation

0:21:25.200 --> 0:21:28.560
<v Speaker 1>of hundreds of dishes. Some of the stuff they'll do beforehand,

0:21:28.560 --> 0:21:32.000
<v Speaker 1>like for sauces, they'll actually make sauce by putting all

0:21:32.040 --> 0:21:35.600
<v Speaker 1>the ingredients in these huge boilers that can hold gallons

0:21:35.640 --> 0:21:38.280
<v Speaker 1>of sauce at a time, and they'll have it cooked

0:21:38.320 --> 0:21:42.720
<v Speaker 1>down overnight. I actually have done tours of the galleys

0:21:42.840 --> 0:21:47.040
<v Speaker 1>aboard these Disney ships and they are incredibly impressive. They

0:21:47.040 --> 0:21:50.960
<v Speaker 1>are enormous. They have to be spotless. I mean the

0:21:51.000 --> 0:21:54.720
<v Speaker 1>Disney Disney in general prides itself on trying to maintain

0:21:54.760 --> 0:21:58.760
<v Speaker 1>a clean environment as best it can. The kitchens are

0:21:58.880 --> 0:22:01.879
<v Speaker 1>are amazing in that respect. You will also see some

0:22:01.920 --> 0:22:04.680
<v Speaker 1>of the largest cook where you've ever seen in your life,

0:22:04.800 --> 0:22:07.760
<v Speaker 1>unless you're in the military, in which case you'll say, yeah,

0:22:07.880 --> 0:22:12.159
<v Speaker 1>I'm familiar with that um And it's laid out in

0:22:12.200 --> 0:22:14.960
<v Speaker 1>such a way to be as efficient as possible and

0:22:15.000 --> 0:22:17.480
<v Speaker 1>allow for a massive amount of traffic because you have

0:22:17.520 --> 0:22:19.400
<v Speaker 1>the weight staff coming through to pick up the finished

0:22:19.400 --> 0:22:22.840
<v Speaker 1>dishes and take them out to the various tables. Meanwhile,

0:22:22.840 --> 0:22:26.159
<v Speaker 1>you've got the cooks actually actively working on the food.

0:22:27.119 --> 0:22:31.640
<v Speaker 1>So seeing this enormous amount of technology all in one place.

0:22:32.080 --> 0:22:35.600
<v Speaker 1>Even though it's technology, we're all familiar with on some level.

0:22:36.080 --> 0:22:39.280
<v Speaker 1>The kitchen stuff is not like it's super high tech

0:22:39.480 --> 0:22:42.760
<v Speaker 1>kitchen stuff, but just seeing it on that scale is

0:22:42.840 --> 0:22:46.840
<v Speaker 1>incredibly impressive. And if you do ever take a cruise

0:22:46.880 --> 0:22:49.040
<v Speaker 1>and they have a galley tour, I mean it doesn't

0:22:49.080 --> 0:22:51.159
<v Speaker 1>have to be a Disney cruise, any cruise and they

0:22:51.160 --> 0:22:53.040
<v Speaker 1>have a galley tour, I encourage you to try and

0:22:53.080 --> 0:22:56.679
<v Speaker 1>take that because it's really an interesting experience to see

0:22:57.000 --> 0:23:00.200
<v Speaker 1>how behind the scenes things have to happen in a

0:23:00.280 --> 0:23:01.879
<v Speaker 1>roor for you to be able to get your dinner.

0:23:02.359 --> 0:23:06.200
<v Speaker 1>And it's pretty phenomenal. Now, out of the major restaurants,

0:23:06.520 --> 0:23:11.600
<v Speaker 1>Animator's Palette is probably the most technically sophisticated in the

0:23:11.600 --> 0:23:14.919
<v Speaker 1>original incarnation aboard the Disney Magic. The way this worked

0:23:14.960 --> 0:23:18.720
<v Speaker 1>was you walked into Animator's Palette and the restaurant starts

0:23:18.720 --> 0:23:22.440
<v Speaker 1>out with just everything in black and white. The table cloths,

0:23:22.960 --> 0:23:26.800
<v Speaker 1>the walls, the columns, which were designed to look like

0:23:26.840 --> 0:23:30.359
<v Speaker 1>paint brushes. Everything's in black and white. Even the white

0:23:30.359 --> 0:23:34.320
<v Speaker 1>staff's outfits were all in black and white. And as

0:23:34.359 --> 0:23:37.960
<v Speaker 1>you sat down to dinner and dinner commenced, you would

0:23:37.960 --> 0:23:41.400
<v Speaker 1>start to hear music from various Disney movies. And if

0:23:41.400 --> 0:23:43.960
<v Speaker 1>you looked around the restaurant, you would see that there

0:23:43.960 --> 0:23:47.359
<v Speaker 1>were portraits from Disney movies, all in black and white,

0:23:47.640 --> 0:23:51.919
<v Speaker 1>all around you, some of which were static portraits. They

0:23:51.920 --> 0:23:55.639
<v Speaker 1>were just they were drawn essentially onto the walls, but

0:23:55.680 --> 0:23:58.960
<v Speaker 1>they had had a frame set around them. Others were

0:23:59.000 --> 0:24:04.280
<v Speaker 1>actually display on l e ED television screens essentially, and

0:24:04.320 --> 0:24:06.240
<v Speaker 1>if you listen to the music and you recognize where

0:24:06.280 --> 0:24:08.520
<v Speaker 1>it was from, you could actually look for the corresponding

0:24:08.560 --> 0:24:13.080
<v Speaker 1>images on the walls and slowly color would seep in. Now,

0:24:13.080 --> 0:24:16.040
<v Speaker 1>with the LED screens, that's pretty simple. You just you know,

0:24:16.359 --> 0:24:20.040
<v Speaker 1>you have a little animation program that allows us a

0:24:20.160 --> 0:24:23.600
<v Speaker 1>black and white sketch to be infused with color. But

0:24:23.680 --> 0:24:27.520
<v Speaker 1>for the static portraits, what they used were fiber optic

0:24:27.600 --> 0:24:30.399
<v Speaker 1>cables that were behind the walls. So you have a

0:24:30.400 --> 0:24:35.080
<v Speaker 1>computer system that is timed with the soundtrack for the dinner,

0:24:35.840 --> 0:24:39.080
<v Speaker 1>and as certain songs play, the computer sends the command

0:24:39.240 --> 0:24:43.159
<v Speaker 1>to light up certain fiber optic lines and those portraits

0:24:43.240 --> 0:24:46.880
<v Speaker 1>would slowly go from black and white to color. UH

0:24:46.960 --> 0:24:50.000
<v Speaker 1>animator's pett has changed quite a bit since the renovation

0:24:50.080 --> 0:24:52.639
<v Speaker 1>that happened in two thousand thirteen, where a lot of

0:24:52.640 --> 0:24:55.159
<v Speaker 1>these static displays were removed and new L E D

0:24:55.359 --> 0:24:57.640
<v Speaker 1>screens were put in place. So I'll talk a little

0:24:57.680 --> 0:24:59.840
<v Speaker 1>bit more about that when I get to the renovation

0:25:00.040 --> 0:25:04.000
<v Speaker 1>side of things. But this was one of those experiences

0:25:04.040 --> 0:25:09.320
<v Speaker 1>that people really felt had the Disney touch. You walked in,

0:25:09.760 --> 0:25:13.000
<v Speaker 1>you sat down, the restaurant transforms around you, even so

0:25:13.119 --> 0:25:17.560
<v Speaker 1>much that the wait staff would change into colorful outfits.

0:25:18.320 --> 0:25:21.840
<v Speaker 1>They would go backstage essentially and change it to their

0:25:21.840 --> 0:25:23.960
<v Speaker 1>colorful outfits, come back out, and this would be the

0:25:24.000 --> 0:25:29.280
<v Speaker 1>big dessert celebration part of the dinner. And it was incredible.

0:25:29.600 --> 0:25:32.560
<v Speaker 1>It's certainly like you might if you're if you're a grouch,

0:25:33.280 --> 0:25:35.320
<v Speaker 1>you might roll your eyes at such a thing. But

0:25:35.480 --> 0:25:39.560
<v Speaker 1>to see all the families and kids get really excited

0:25:39.720 --> 0:25:44.479
<v Speaker 1>when this transformation happens, It's it's like going to Disney

0:25:44.520 --> 0:25:47.960
<v Speaker 1>World for the first time and having that experience of discovery.

0:25:48.640 --> 0:25:51.560
<v Speaker 1>Now I've done this, it will be ten times by

0:25:51.600 --> 0:25:55.320
<v Speaker 1>the time you hear this. So for me, I still

0:25:55.440 --> 0:25:58.480
<v Speaker 1>enjoy it, but there's not a whole of discovery left

0:25:58.520 --> 0:26:01.520
<v Speaker 1>for me at this point. That said, I still think

0:26:01.600 --> 0:26:04.920
<v Speaker 1>it's one of those experiences that really sets the Disney

0:26:05.040 --> 0:26:10.000
<v Speaker 1>cruise line apart. Because it's pure Disney um. There are

0:26:10.080 --> 0:26:12.879
<v Speaker 1>two theaters aboard the Disney Magic. One of them is

0:26:12.920 --> 0:26:16.520
<v Speaker 1>specifically for live performances, although they'll also show movies in

0:26:16.560 --> 0:26:20.160
<v Speaker 1>that one, and the other one is specifically for movies,

0:26:21.080 --> 0:26:24.680
<v Speaker 1>although they'll also hold live conference type things in there,

0:26:24.800 --> 0:26:27.560
<v Speaker 1>like sometimes they'll have special guests aboard the cruise ship

0:26:27.600 --> 0:26:30.400
<v Speaker 1>that might give a talk in the second theater. So

0:26:30.560 --> 0:26:34.480
<v Speaker 1>the big live action theater is the Walt Disney Theater

0:26:35.000 --> 0:26:40.399
<v Speaker 1>and the cinematic theater is the Buena Vista Theater Um.

0:26:40.560 --> 0:26:43.240
<v Speaker 1>So the live action one can set around nine hundred

0:26:43.280 --> 0:26:46.280
<v Speaker 1>people and the Buena Vista one about two hundred and

0:26:46.280 --> 0:26:50.600
<v Speaker 1>eighty or so, and uh, they're both really impressive. In fact,

0:26:50.680 --> 0:26:53.879
<v Speaker 1>the the Walt Disney Theater has a lot of different

0:26:54.000 --> 0:26:58.280
<v Speaker 1>interesting technologies behind it. It's got a stage that's about

0:26:58.359 --> 0:27:02.080
<v Speaker 1>forty ft wide, really impressive considering it's on a boat,

0:27:02.720 --> 0:27:06.560
<v Speaker 1>and it has an advanced fly system which doesn't involve

0:27:06.600 --> 0:27:11.320
<v Speaker 1>zippers necessarily anyway. A fly system in theatrical terms is

0:27:11.640 --> 0:27:15.040
<v Speaker 1>a term for a rigging system, and the rigging system

0:27:15.119 --> 0:27:18.000
<v Speaker 1>is a bunch of ropes and pulleys and they're meant

0:27:18.040 --> 0:27:21.520
<v Speaker 1>to do things like move curtains or lights or scenery

0:27:21.560 --> 0:27:24.320
<v Speaker 1>and sometimes even people. So if you've ever seen a

0:27:24.400 --> 0:27:27.679
<v Speaker 1>show where a person is in a flight harness and

0:27:27.720 --> 0:27:31.560
<v Speaker 1>they're flying around, that's because they're part of the fly system.

0:27:31.600 --> 0:27:33.960
<v Speaker 1>And of course in Disney that happens a lot. You've

0:27:34.000 --> 0:27:38.200
<v Speaker 1>got characters like Peter Pan who fly around over the stage,

0:27:38.800 --> 0:27:42.760
<v Speaker 1>so they are part of this or dependent upon this

0:27:42.840 --> 0:27:47.800
<v Speaker 1>pretty impressive flight system or fly system. The stage also

0:27:47.840 --> 0:27:51.400
<v Speaker 1>has several lifts. Uh, So they have lifts that can

0:27:51.440 --> 0:27:55.399
<v Speaker 1>that can elevate or recess below the stage. There's a

0:27:55.440 --> 0:27:59.879
<v Speaker 1>storage area below the stage where scenery can can be

0:28:00.200 --> 0:28:02.760
<v Speaker 1>or or actually characters can wait so that they can

0:28:02.880 --> 0:28:07.000
<v Speaker 1>dramatically appear on stage that being lifted out from underneath.

0:28:07.680 --> 0:28:11.800
<v Speaker 1>And uh, it's really pretty incredible to think about that.

0:28:11.840 --> 0:28:15.399
<v Speaker 1>You're on a moving platform, you're on a ship, and

0:28:15.440 --> 0:28:19.040
<v Speaker 1>the ship is at sea, and you have these theatrical

0:28:19.080 --> 0:28:21.560
<v Speaker 1>elements that have to be placed on elevators to go

0:28:21.720 --> 0:28:23.800
<v Speaker 1>up or down. So you might think, well, how do

0:28:23.880 --> 0:28:27.679
<v Speaker 1>they make sure stuff doesn't slide around if the ship

0:28:27.720 --> 0:28:30.400
<v Speaker 1>is rolling a little bit, And there are two things

0:28:30.480 --> 0:28:33.320
<v Speaker 1>that they do. One is that the stage itself has

0:28:33.400 --> 0:28:37.920
<v Speaker 1>tracks built into it, and the scenery can be placed

0:28:38.080 --> 0:28:41.920
<v Speaker 1>on these tracks. They look like almost like if you

0:28:41.960 --> 0:28:44.320
<v Speaker 1>remember old slot cars, it looks kind of like the

0:28:44.360 --> 0:28:48.120
<v Speaker 1>slots for slot car racing. And you set the scenery

0:28:48.240 --> 0:28:51.040
<v Speaker 1>into these and you can even have it all computerized

0:28:51.040 --> 0:28:54.200
<v Speaker 1>and automated so that the scenes can come on and

0:28:54.360 --> 0:28:59.440
<v Speaker 1>off through a computer control, uh, but that the tracks

0:28:59.480 --> 0:29:02.760
<v Speaker 1>actually limit where the scenery can move so that way

0:29:03.160 --> 0:29:05.640
<v Speaker 1>it doesn't just roll all over the stage if the

0:29:05.680 --> 0:29:08.400
<v Speaker 1>sees get a little choppy. The other thing they can

0:29:08.440 --> 0:29:10.840
<v Speaker 1>do is they can also alter the shows so they

0:29:10.840 --> 0:29:14.240
<v Speaker 1>can take out stuff that isn't necessary for the show

0:29:15.040 --> 0:29:17.800
<v Speaker 1>if the sea is acting up a bit. So what

0:29:17.840 --> 0:29:21.400
<v Speaker 1>they'll do is they'll they'll simplify a sequence so that

0:29:21.400 --> 0:29:23.680
<v Speaker 1>there's not as many elements on the stage, or they

0:29:23.760 --> 0:29:27.480
<v Speaker 1>might remove some of the dance moves that the performers

0:29:27.520 --> 0:29:31.120
<v Speaker 1>need to do so that they aren't endangering themselves while

0:29:31.120 --> 0:29:34.760
<v Speaker 1>they're trying to perform. And so it's a combination of

0:29:34.920 --> 0:29:39.600
<v Speaker 1>changing the performance itself and depending upon this technology. If

0:29:39.640 --> 0:29:42.880
<v Speaker 1>you talk to people in theater, they often will refer

0:29:43.000 --> 0:29:46.440
<v Speaker 1>to the cruise ship stages being as advanced as something

0:29:46.480 --> 0:29:49.960
<v Speaker 1>you would see on a state of the art stage

0:29:50.080 --> 0:29:54.040
<v Speaker 1>on Broadway or London's West End. That's the amount of

0:29:54.040 --> 0:29:57.280
<v Speaker 1>detail that Disney put into this stuff, including things like

0:29:57.480 --> 0:30:00.880
<v Speaker 1>l E. D s that are inside the the ceiling

0:30:01.400 --> 0:30:04.600
<v Speaker 1>where you'll get a starlight effect inside the theater. It

0:30:04.720 --> 0:30:08.960
<v Speaker 1>creates this more immersive experience for the audience. They also

0:30:09.000 --> 0:30:13.360
<v Speaker 1>have pyrotechnic capabilities, so you'll actually get some fireworks in

0:30:13.480 --> 0:30:17.160
<v Speaker 1>some of the shows. And these are all things that

0:30:17.840 --> 0:30:20.360
<v Speaker 1>you wouldn't necessarily think to find on a cruise ship

0:30:20.960 --> 0:30:24.840
<v Speaker 1>or even just a regular theater theatrical stage. I've got

0:30:24.920 --> 0:30:27.000
<v Speaker 1>a chance to do a behind the scenes tour of

0:30:27.040 --> 0:30:29.240
<v Speaker 1>the stage as well. Disney used to do a lot

0:30:29.280 --> 0:30:32.800
<v Speaker 1>more behind the scenes stuff, um several like more than

0:30:32.840 --> 0:30:36.600
<v Speaker 1>a decade ago now, and I took those opportunities to

0:30:36.640 --> 0:30:39.840
<v Speaker 1>take those tours. Is really interesting to see how they

0:30:39.880 --> 0:30:42.440
<v Speaker 1>made as much use of the space as possible. This

0:30:42.560 --> 0:30:45.640
<v Speaker 1>theater doesn't have very much wingspace, so everything has to

0:30:45.680 --> 0:30:49.040
<v Speaker 1>go either up or back or down from the stage

0:30:49.080 --> 0:30:51.400
<v Speaker 1>because there's not really a whole lot of room stage

0:30:51.440 --> 0:30:56.000
<v Speaker 1>left or stage right. And it also showed how technical

0:30:56.720 --> 0:30:59.880
<v Speaker 1>these shows, where they had to be timed just right

0:31:00.360 --> 0:31:02.200
<v Speaker 1>for multiple reasons. They had to be time just right,

0:31:02.240 --> 0:31:05.200
<v Speaker 1>so that the scenery and the lighting and the effects

0:31:05.240 --> 0:31:07.280
<v Speaker 1>are all coming on at the right time. So you

0:31:07.320 --> 0:31:10.480
<v Speaker 1>have all these very sophisticated computer systems that keep all

0:31:10.520 --> 0:31:14.000
<v Speaker 1>of that um synchronized properly, and you also have the

0:31:14.040 --> 0:31:17.120
<v Speaker 1>time it right. Because of the schedule that people have

0:31:17.160 --> 0:31:20.680
<v Speaker 1>in the evening, you would either be coming from dinner

0:31:20.760 --> 0:31:23.080
<v Speaker 1>and seeing a show, or you have see the show

0:31:23.120 --> 0:31:25.200
<v Speaker 1>and then go to dinner, and you don't want anything

0:31:25.280 --> 0:31:27.960
<v Speaker 1>to run too long and interfere with the rest of

0:31:27.960 --> 0:31:31.240
<v Speaker 1>the schedule. So it's really cool to see how they

0:31:31.240 --> 0:31:36.120
<v Speaker 1>had set up these computer systems that were all specifically

0:31:36.160 --> 0:31:39.200
<v Speaker 1>designed for each show. And keep in mind, if it's

0:31:39.240 --> 0:31:42.160
<v Speaker 1>a long cruise, they do multiple shows. They do two

0:31:42.160 --> 0:31:45.000
<v Speaker 1>shows a night for the two different seatings that they

0:31:45.080 --> 0:31:49.000
<v Speaker 1>have for dinner. There's an early seating that kids tend

0:31:49.040 --> 0:31:51.760
<v Speaker 1>to go to and then they go see the show afterward,

0:31:52.040 --> 0:31:54.600
<v Speaker 1>and then there's the late seating that adults tend to

0:31:54.600 --> 0:31:56.960
<v Speaker 1>go to. They see the show earlier in the night,

0:31:56.960 --> 0:32:00.120
<v Speaker 1>they see it before dinner, and that means that you

0:32:00.160 --> 0:32:03.920
<v Speaker 1>have to have a sophisticated technical system that can handle

0:32:03.960 --> 0:32:07.840
<v Speaker 1>all of the needs of each show, do it twice

0:32:07.880 --> 0:32:10.880
<v Speaker 1>a night, and then be switched over for the following night,

0:32:11.560 --> 0:32:13.760
<v Speaker 1>and it is really neat to see this stuff backstage.

0:32:13.760 --> 0:32:16.280
<v Speaker 1>If you ever get a chance to check that out,

0:32:16.320 --> 0:32:20.480
<v Speaker 1>you should. There are also several documentaries more or less

0:32:20.520 --> 0:32:23.160
<v Speaker 1>commercials for the Disney Cruise line that do show you

0:32:23.320 --> 0:32:27.400
<v Speaker 1>some of the behind the scenes stuff, and it's cool. Sadly,

0:32:27.480 --> 0:32:30.480
<v Speaker 1>most of them are pretty limited in what they show you,

0:32:30.960 --> 0:32:32.560
<v Speaker 1>so if you ever get a chance to actually do

0:32:32.600 --> 0:32:35.360
<v Speaker 1>a behind the scenes tour, I highly recommend it because

0:32:35.400 --> 0:32:38.320
<v Speaker 1>it is really cool to see how they put this

0:32:38.320 --> 0:32:41.520
<v Speaker 1>stuff together. And keeping in mind, this is all on

0:32:41.600 --> 0:32:46.040
<v Speaker 1>a ship that's moving around. I as a performer, I've

0:32:46.120 --> 0:32:49.360
<v Speaker 1>done some stage work. I've done musicals where I have

0:32:49.440 --> 0:32:52.760
<v Speaker 1>to dance and sing. I'm not great at it, and

0:32:52.800 --> 0:32:55.080
<v Speaker 1>to think about having to do that on a stage

0:32:55.120 --> 0:32:58.400
<v Speaker 1>that's actually moving is terrifying. So let's talk about some

0:32:58.440 --> 0:33:01.840
<v Speaker 1>of the other technical stuff about this ship, not just

0:33:01.960 --> 0:33:04.640
<v Speaker 1>the theater, which obviously I'm a huge fan of, but

0:33:04.840 --> 0:33:08.160
<v Speaker 1>the actual things that make the ship itself work. The

0:33:08.200 --> 0:33:12.360
<v Speaker 1>most technically complicated area of the ship is undoubtedly the bridge.

0:33:12.960 --> 0:33:17.320
<v Speaker 1>The bridge of the ship is where the ship's senior staff,

0:33:17.360 --> 0:33:21.080
<v Speaker 1>who are in charge of the the systems that keep

0:33:21.120 --> 0:33:25.440
<v Speaker 1>the ship running and navigate navigation as well as as

0:33:25.560 --> 0:33:28.800
<v Speaker 1>actual steering the ship. All of that is located on

0:33:28.840 --> 0:33:31.720
<v Speaker 1>the bridge, and then you have other departments that are

0:33:31.760 --> 0:33:36.320
<v Speaker 1>obviously very important where these those officers would be located elsewhere,

0:33:36.360 --> 0:33:39.120
<v Speaker 1>they would not be on the bridge. That's where your

0:33:39.120 --> 0:33:40.800
<v Speaker 1>ship's captain is going to be most of the time.

0:33:42.240 --> 0:33:43.880
<v Speaker 1>And if you were to take a look at it,

0:33:44.040 --> 0:33:48.000
<v Speaker 1>look a lot like the Star Trek Enterprise set. I

0:33:48.040 --> 0:33:51.400
<v Speaker 1>mean you have these different consoles with computer screens and

0:33:51.440 --> 0:33:55.240
<v Speaker 1>lots of complicated looking controls, and they're all very important

0:33:55.360 --> 0:33:59.280
<v Speaker 1>for the control and and safe operation of the ship.

0:34:00.000 --> 0:34:03.920
<v Speaker 1>There are stations for communications, navigation, and other critical systems

0:34:03.960 --> 0:34:07.040
<v Speaker 1>all on the bridge, and you'll see lots of screens

0:34:07.040 --> 0:34:11.759
<v Speaker 1>showing stuff like current sea conditions, whether any sort of

0:34:12.120 --> 0:34:15.360
<v Speaker 1>naval traffic that's going through the area, ships status, that

0:34:15.440 --> 0:34:19.080
<v Speaker 1>kind of stuff. They do have a ship's wheel, so

0:34:19.800 --> 0:34:22.160
<v Speaker 1>you could stand behind the wheel and use the wheel

0:34:22.200 --> 0:34:24.839
<v Speaker 1>to steer the ship. But they also have an option

0:34:24.920 --> 0:34:28.520
<v Speaker 1>to route all the ship controls into a joystick, so

0:34:28.600 --> 0:34:33.120
<v Speaker 1>you could actually have the thrust, the steering, all of

0:34:33.160 --> 0:34:37.960
<v Speaker 1>that in a single joystick, which is particularly useful if

0:34:38.040 --> 0:34:41.000
<v Speaker 1>you are maneuvering in or out of a dock. You

0:34:41.040 --> 0:34:44.560
<v Speaker 1>can also hand over controls to a land based system

0:34:44.600 --> 0:34:48.759
<v Speaker 1>if necessary. But it's really interesting to see that all

0:34:48.800 --> 0:34:52.600
<v Speaker 1>of these complex controls like the thrusters and the the

0:34:52.719 --> 0:34:55.800
<v Speaker 1>steering and all of these other elements can be boiled

0:34:55.840 --> 0:34:59.800
<v Speaker 1>down to a single joystick control when necessary. In normal

0:34:59.880 --> 0:35:02.439
<v Speaker 1>up rations, you wouldn't be using that, but for something

0:35:02.520 --> 0:35:06.000
<v Speaker 1>where you're using precise movements and you're trying to maneuver

0:35:06.160 --> 0:35:09.040
<v Speaker 1>so that you can DOC or something similar, then it

0:35:09.080 --> 0:35:15.640
<v Speaker 1>becomes necessary. They also have a semaphore flag station. Yeah,

0:35:15.680 --> 0:35:18.640
<v Speaker 1>the cruise ships still uses semaphore flags in case other

0:35:18.719 --> 0:35:23.040
<v Speaker 1>communication tools are unavailable or not working. So semaphore you've

0:35:23.040 --> 0:35:26.000
<v Speaker 1>probably seen it, the idea of holding flags that have

0:35:26.080 --> 0:35:28.400
<v Speaker 1>symbols on them and then you move your arms in

0:35:28.400 --> 0:35:31.480
<v Speaker 1>a particular way. It usually looks very robotic, very stiff,

0:35:31.920 --> 0:35:36.399
<v Speaker 1>but those are specific ways of communicating messages to other

0:35:36.440 --> 0:35:39.799
<v Speaker 1>ships when your communications tools have otherwise died down. It's

0:35:39.800 --> 0:35:43.160
<v Speaker 1>all visual based and you can send messages like we're

0:35:43.160 --> 0:35:47.719
<v Speaker 1>in distress or um you know, uh, you know, we've

0:35:47.719 --> 0:35:50.839
<v Speaker 1>got uh, we need some help, whatever it might be.

0:35:51.800 --> 0:35:54.840
<v Speaker 1>And they have a whole cabinet filled with the various

0:35:54.840 --> 0:35:57.480
<v Speaker 1>semaphore flags they would need in order to communicate at

0:35:57.480 --> 0:36:00.399
<v Speaker 1>any part of the world, which is pretty cool that

0:36:00.480 --> 0:36:04.000
<v Speaker 1>they have the low tech version of long distance communication

0:36:04.120 --> 0:36:07.720
<v Speaker 1>along with the more high tech versions as well, because

0:36:08.040 --> 0:36:11.399
<v Speaker 1>you want to have some redundancy in those when you're

0:36:11.440 --> 0:36:14.880
<v Speaker 1>talking about more than two thousand guests, you've got to

0:36:14.920 --> 0:36:17.800
<v Speaker 1>have those redundant systems in place just in case something

0:36:17.840 --> 0:36:22.719
<v Speaker 1>goes wrong. There's also apparently a bridge simulator for the

0:36:22.800 --> 0:36:25.880
<v Speaker 1>kids in Ocean Quest, but that's a kid's only area,

0:36:26.040 --> 0:36:28.080
<v Speaker 1>so that's one of those things I've heard about but

0:36:28.120 --> 0:36:33.440
<v Speaker 1>I've never actually seen, because despite my sense of humor

0:36:33.640 --> 0:36:37.520
<v Speaker 1>and my general personality, I am not a child, so

0:36:37.560 --> 0:36:41.319
<v Speaker 1>I'm not allowed to go there. But they apparently have

0:36:41.440 --> 0:36:45.239
<v Speaker 1>a live camera feed from the bridge that serves as

0:36:45.400 --> 0:36:48.560
<v Speaker 1>the vision they see like the they have windows or

0:36:48.600 --> 0:36:51.400
<v Speaker 1>actually their displays, but they look like windows up in

0:36:51.440 --> 0:36:53.920
<v Speaker 1>front of them, and that's coming from the live camera

0:36:53.960 --> 0:36:57.319
<v Speaker 1>feed from the bridge. And then you have controls that

0:36:57.400 --> 0:37:01.120
<v Speaker 1>you can use as a kid that simulate the way

0:37:01.160 --> 0:37:03.800
<v Speaker 1>it would work if you were actually on the bridge

0:37:03.840 --> 0:37:07.400
<v Speaker 1>of the ship itself, which sounds so cool that I

0:37:07.440 --> 0:37:10.360
<v Speaker 1>wish that all the staterooms had one of these because

0:37:10.520 --> 0:37:13.680
<v Speaker 1>I would play with it. But again I'm not allowed

0:37:13.719 --> 0:37:15.760
<v Speaker 1>to go there, so I haven't been able to experience

0:37:15.760 --> 0:37:21.440
<v Speaker 1>this myself. Some other interesting technical details. When Disney Magic anchors,

0:37:21.680 --> 0:37:24.080
<v Speaker 1>when they have to lower the anchor, they're lowering an

0:37:24.080 --> 0:37:26.799
<v Speaker 1>anchor that weighs twenty eight thousand, two hundred pounds, So

0:37:26.880 --> 0:37:30.440
<v Speaker 1>imagine the torque necessary on the motor to be able

0:37:30.480 --> 0:37:34.920
<v Speaker 1>to lift twenty two hundred pounds worth of anchor. The

0:37:34.920 --> 0:37:38.080
<v Speaker 1>ship has seven propellers. There has two primary propellers and

0:37:38.080 --> 0:37:41.080
<v Speaker 1>then five thruster propellers. I mentioned the thrusters earlier. You

0:37:41.120 --> 0:37:43.440
<v Speaker 1>have two in the stern and three in the bow.

0:37:43.680 --> 0:37:48.359
<v Speaker 1>The two primary propellers weigh eighteen tons each. They are

0:37:48.800 --> 0:37:53.480
<v Speaker 1>enormous and heavy, and in order to limit the amount

0:37:53.600 --> 0:37:57.440
<v Speaker 1>of rolling that the ship does. Rolling is the side

0:37:57.480 --> 0:38:01.520
<v Speaker 1>to side motion, like if you're looking for meaning you're

0:38:01.560 --> 0:38:05.600
<v Speaker 1>looking forward from the position you are in on the ship.

0:38:06.080 --> 0:38:09.239
<v Speaker 1>Rolling would be the left right mission the important starboard

0:38:09.760 --> 0:38:12.320
<v Speaker 1>rising and lowering, as opposed to the fore and aft

0:38:12.680 --> 0:38:15.920
<v Speaker 1>that's rocking. So you can rock and roll on one

0:38:15.920 --> 0:38:20.200
<v Speaker 1>of these ships. The stabilizers are meant to reduce that rolling.

0:38:20.320 --> 0:38:24.320
<v Speaker 1>They are actually two large wings that can retract into

0:38:24.360 --> 0:38:27.359
<v Speaker 1>the ship or extend outward if the seas start getting

0:38:27.400 --> 0:38:30.439
<v Speaker 1>choppy and it's beneath the waterline, so you don't see

0:38:30.480 --> 0:38:34.120
<v Speaker 1>it as a passenger, but beneath the waterline, these two

0:38:34.160 --> 0:38:39.080
<v Speaker 1>wings extend outward and create some stabilization and they look

0:38:39.120 --> 0:38:43.959
<v Speaker 1>like plane wings and they're they're pretty big. So they

0:38:44.280 --> 0:38:47.759
<v Speaker 1>according to Disney, they reduce roll dramatically. They actually set

0:38:47.880 --> 0:38:51.960
<v Speaker 1>up to ninety degrees, which is pretty amazing and I'm

0:38:52.000 --> 0:38:55.680
<v Speaker 1>not entirely sure how that's possible, but at any rate,

0:38:55.920 --> 0:38:58.239
<v Speaker 1>they are meant to reduce that rolling so that you

0:38:58.360 --> 0:39:02.600
<v Speaker 1>don't get that sea sick feeling walking around inside and

0:39:02.640 --> 0:39:06.080
<v Speaker 1>being rocked all over the place. Um. I am not

0:39:06.160 --> 0:39:08.440
<v Speaker 1>prone to sea sickness, so I haven't really had an

0:39:08.480 --> 0:39:10.959
<v Speaker 1>issue with it, apart from I think one cruise where

0:39:11.040 --> 0:39:14.480
<v Speaker 1>for some reason I was affecting me. But I do

0:39:14.560 --> 0:39:17.759
<v Speaker 1>know that even with the stabilizers, some folks are a

0:39:17.800 --> 0:39:19.600
<v Speaker 1>little susceptible to that. So if you ever do go

0:39:19.640 --> 0:39:22.400
<v Speaker 1>on a cruise, look at the drama mine that can

0:39:22.480 --> 0:39:25.120
<v Speaker 1>help you out a lot. Now, one of the other

0:39:25.120 --> 0:39:26.400
<v Speaker 1>things you have to think about is when you're on

0:39:26.400 --> 0:39:29.160
<v Speaker 1>a ship and you're out at sea, you are a

0:39:29.160 --> 0:39:32.319
<v Speaker 1>completely self contained community, and that means you have to

0:39:32.360 --> 0:39:37.080
<v Speaker 1>figure out how you deal with other stuff like garbage

0:39:37.160 --> 0:39:40.200
<v Speaker 1>and waste, and how do you conserved water and energy

0:39:40.280 --> 0:39:44.000
<v Speaker 1>so that you're not being wasteful. So one of the

0:39:44.040 --> 0:39:46.640
<v Speaker 1>things they do is they actually have a way of

0:39:46.680 --> 0:39:51.719
<v Speaker 1>collecting the condensation from air conditioning. So as air conditioners

0:39:51.760 --> 0:39:55.080
<v Speaker 1>work and water condenses, you know, water from the atmosphere

0:39:55.480 --> 0:39:59.720
<v Speaker 1>condenses on the equipment, they can actually collect that water.

0:39:59.800 --> 0:40:02.800
<v Speaker 1>They harvest it, and they use that water to wash

0:40:02.880 --> 0:40:05.360
<v Speaker 1>the decks, and they also use it in the laundry system.

0:40:05.440 --> 0:40:08.879
<v Speaker 1>It's perfectly fine. It gets filtered through and everything. It's

0:40:08.920 --> 0:40:12.200
<v Speaker 1>just condensed water from the atmosphere is actually pretty clean stuff.

0:40:12.760 --> 0:40:16.080
<v Speaker 1>But Disney estimates that this approach saves them up to

0:40:16.120 --> 0:40:19.720
<v Speaker 1>twenty two point three million gallons of freshwater every year,

0:40:20.680 --> 0:40:24.000
<v Speaker 1>so it's a pretty interesting way to get around the

0:40:24.080 --> 0:40:28.120
<v Speaker 1>issue of how do you deal with all of these

0:40:28.160 --> 0:40:32.440
<v Speaker 1>needs without wasting fresh water. The ship can also distill

0:40:33.120 --> 0:40:38.719
<v Speaker 1>one two hundred tons of fresh water from seawater every day,

0:40:38.800 --> 0:40:42.120
<v Speaker 1>and the total potable water storage capacity aboard the ship

0:40:42.200 --> 0:40:47.600
<v Speaker 1>is eighty two thousand gallons. They also recycle used cooking oil,

0:40:47.760 --> 0:40:51.040
<v Speaker 1>so they go through about two and sixty four gallons

0:40:51.160 --> 0:40:54.280
<v Speaker 1>of cooking oil every week. Now that oil is taken

0:40:54.400 --> 0:40:58.160
<v Speaker 1>by a company called the Bahamas Waste Management Company and

0:40:58.200 --> 0:41:02.120
<v Speaker 1>they converted into bio diesel. They also have a partnership

0:41:02.160 --> 0:41:06.000
<v Speaker 1>with BMW and there's several BMW vehicles that run on

0:41:06.040 --> 0:41:10.960
<v Speaker 1>this biodiesel UH in the Bahamas. Disney estimates that recycles

0:41:11.080 --> 0:41:15.840
<v Speaker 1>nine hundred tons of aluminum, paper, plastic, and other odd

0:41:15.920 --> 0:41:21.240
<v Speaker 1>recyclable stuff every year from their cruise line. Now, going

0:41:21.280 --> 0:41:25.200
<v Speaker 1>back to the Disney Magic and talking about its original cruises,

0:41:25.800 --> 0:41:27.919
<v Speaker 1>it sets sail and it's made in voyage on July

0:41:29.239 --> 0:41:32.480
<v Speaker 1>out of Port Canaveral, Florida, and originally it only sailed

0:41:32.480 --> 0:41:35.600
<v Speaker 1>for three or four day cruises. In fact, the first

0:41:35.600 --> 0:41:37.600
<v Speaker 1>time I ever went on one, it was a four

0:41:37.680 --> 0:41:41.880
<v Speaker 1>day cruise. Then a year later the Disney Wonder joined

0:41:42.000 --> 0:41:45.160
<v Speaker 1>the fleet. The Disney Wonder and the Disney Magic are

0:41:45.239 --> 0:41:48.799
<v Speaker 1>nearly identical. The theming is different. It's Art Deco and

0:41:48.800 --> 0:41:51.960
<v Speaker 1>one Art Nouveaux and another. Some of the spaces are

0:41:52.040 --> 0:41:55.040
<v Speaker 1>themed a different way, like the different nightclubs and stuff

0:41:55.080 --> 0:41:57.879
<v Speaker 1>that you can go to have different themes. The main

0:41:58.000 --> 0:42:00.680
<v Speaker 1>restaurant on the Disney Magic is Loomier's. The main one

0:42:00.800 --> 0:42:06.480
<v Speaker 1>on the Disney Wonder is Triton's. Um helmsman Mickey is

0:42:06.520 --> 0:42:08.319
<v Speaker 1>on a is in a statue in the lobby on

0:42:08.360 --> 0:42:12.000
<v Speaker 1>the Magic and Aerial, the Little Mermaid is on the Wonder,

0:42:12.040 --> 0:42:16.680
<v Speaker 1>But otherwise, apart from some superficial differences, they're largely the same.

0:42:17.520 --> 0:42:19.840
<v Speaker 1>So once the Wonder came online, it started doing the

0:42:19.840 --> 0:42:21.840
<v Speaker 1>three and four day cruises, and the Magic began to

0:42:21.840 --> 0:42:24.239
<v Speaker 1>do seven day cruises, which meant that Disney had to

0:42:24.239 --> 0:42:27.799
<v Speaker 1>come up with all new ways of entertaining guests and

0:42:28.360 --> 0:42:30.560
<v Speaker 1>feeding them and making sure they had enough variety on

0:42:30.600 --> 0:42:33.319
<v Speaker 1>their menus so that people weren't just tired of eating

0:42:33.360 --> 0:42:35.279
<v Speaker 1>the same thing over and over. So it came up

0:42:35.400 --> 0:42:39.239
<v Speaker 1>with new challenges. In the Magic went in for a

0:42:39.320 --> 0:42:43.680
<v Speaker 1>massive facelift. Disney actually called it a reimagining, which makes

0:42:43.680 --> 0:42:47.160
<v Speaker 1>perfect sense when their engineers are called imagineers. Now, this

0:42:47.280 --> 0:42:51.720
<v Speaker 1>time they took it to the Navantia shipyards in Cadiz, Spain,

0:42:52.480 --> 0:42:55.200
<v Speaker 1>so they weren't at the same place that they were

0:42:55.239 --> 0:42:57.920
<v Speaker 1>when the ship was being constructed, and there was another

0:42:58.000 --> 0:43:00.600
<v Speaker 1>dry dock period in two thousand and fifteen that updated

0:43:00.640 --> 0:43:03.480
<v Speaker 1>a few more features. The two thousand thirteen dry Duck

0:43:03.560 --> 0:43:07.080
<v Speaker 1>lasted two months and involved taking apart about eighty per

0:43:07.120 --> 0:43:10.200
<v Speaker 1>cent of the ship for upgrades, including stripping the ship

0:43:10.320 --> 0:43:12.960
<v Speaker 1>completely of paint. So you can see pictures of the

0:43:13.000 --> 0:43:16.920
<v Speaker 1>Disney Magic and Dry Duck from and it looks pretty

0:43:17.480 --> 0:43:20.120
<v Speaker 1>pretty banged up because all the pain has been removed.

0:43:20.880 --> 0:43:24.040
<v Speaker 1>In twenty fifteen, they upgraded the engines aboard the Magic

0:43:24.080 --> 0:43:27.480
<v Speaker 1>to be more efficient and reduce fuel consumption further along

0:43:27.520 --> 0:43:31.560
<v Speaker 1>with that special coding on the whole. And one practical

0:43:31.600 --> 0:43:35.200
<v Speaker 1>addition to the ship was the duck tail and this

0:43:35.280 --> 0:43:38.839
<v Speaker 1>was not Donald Duck reference. The duck tail is an

0:43:38.840 --> 0:43:42.440
<v Speaker 1>industry term. It's essentially a tank that's placed in the

0:43:42.520 --> 0:43:46.359
<v Speaker 1>back of the ship that adds bulliancy, and it's distributed

0:43:46.440 --> 0:43:49.640
<v Speaker 1>so that it provides bulliancy without making the ship list

0:43:49.760 --> 0:43:54.040
<v Speaker 1>to either side. This is really important because during this

0:43:54.120 --> 0:43:56.920
<v Speaker 1>renovation period they added a lot of features onto the

0:43:56.920 --> 0:43:59.680
<v Speaker 1>Disney Magic which increased the weight of the ship, and

0:43:59.680 --> 0:44:02.719
<v Speaker 1>it wasn't built to hold that much weight, so they

0:44:02.719 --> 0:44:05.719
<v Speaker 1>had to adjust the design of the ship in order

0:44:05.719 --> 0:44:11.040
<v Speaker 1>to account for that. To account for the change, Disney

0:44:11.120 --> 0:44:14.080
<v Speaker 1>added a second water slide. There was already one small

0:44:14.120 --> 0:44:16.520
<v Speaker 1>water slide, which they actually replaced and made a slightly

0:44:16.600 --> 0:44:19.960
<v Speaker 1>larger one. Uh. And this new water slide, called the

0:44:20.040 --> 0:44:24.520
<v Speaker 1>Aqua dunk is a is a a slide that's designed

0:44:24.560 --> 0:44:28.520
<v Speaker 1>to do a pretty rapid drop into water. UH. It's

0:44:29.040 --> 0:44:31.840
<v Speaker 1>actually a twisty slide. It goes two twelve feet and

0:44:31.920 --> 0:44:34.919
<v Speaker 1>twists that way, and part of that includes a twenty

0:44:34.960 --> 0:44:37.880
<v Speaker 1>ft clear section that extends out over the side of

0:44:37.920 --> 0:44:41.000
<v Speaker 1>the ship and over the ocean. So for a twenty

0:44:41.000 --> 0:44:44.400
<v Speaker 1>foot stretch of that, you're directly over the ocean. You

0:44:44.400 --> 0:44:46.760
<v Speaker 1>can look down and see the ocean about a hundred

0:44:46.800 --> 0:44:50.359
<v Speaker 1>feet below you. Sliding down takes about five seconds, so

0:44:50.400 --> 0:44:53.439
<v Speaker 1>you have to look fast. It's actually a really tough

0:44:53.480 --> 0:44:56.600
<v Speaker 1>thing to have water slides on a ship. This is

0:44:56.600 --> 0:45:01.200
<v Speaker 1>another engineering challenge. Water slide technology is pretty simple. You

0:45:01.280 --> 0:45:03.799
<v Speaker 1>pump water up to the top of the slide. You

0:45:03.880 --> 0:45:07.000
<v Speaker 1>let the water go down using gravity as your main

0:45:07.080 --> 0:45:10.000
<v Speaker 1>force to the bottom, and then you collect the water,

0:45:10.160 --> 0:45:13.640
<v Speaker 1>filter it, pump it back up. Not a whole complicated

0:45:13.680 --> 0:45:16.759
<v Speaker 1>technology there, but the engineering when you're talking about a

0:45:17.160 --> 0:45:19.920
<v Speaker 1>water slide on a cruise ship is much harder. And

0:45:19.960 --> 0:45:23.840
<v Speaker 1>the reason for this is that cruise ships can twist

0:45:23.960 --> 0:45:28.040
<v Speaker 1>and torque, they can bend in different ways. They also

0:45:28.400 --> 0:45:30.919
<v Speaker 1>can expand and contract because the body of the ship

0:45:31.000 --> 0:45:33.640
<v Speaker 1>is made out of metal, and all of these mean

0:45:33.760 --> 0:45:37.120
<v Speaker 1>putting extra stresses on what is supposed to be a

0:45:37.160 --> 0:45:40.880
<v Speaker 1>water type tight water slide. So if you want a

0:45:40.920 --> 0:45:44.360
<v Speaker 1>watertight slide and you're gonna have all of these different

0:45:44.400 --> 0:45:46.160
<v Speaker 1>motions to take into account, you have to build it

0:45:46.160 --> 0:45:48.400
<v Speaker 1>on a very special material, and you have to figure

0:45:48.400 --> 0:45:52.880
<v Speaker 1>out a support system that will move along with the

0:45:52.920 --> 0:45:57.520
<v Speaker 1>ship while keeping the integrity of the slide intact. On

0:45:57.600 --> 0:46:01.800
<v Speaker 1>top of that, you have engines running at different levels

0:46:01.880 --> 0:46:04.680
<v Speaker 1>throughout the cruise, which means you're going to have vibrations

0:46:04.840 --> 0:46:08.160
<v Speaker 1>sent through the ship. And yes, if you're quiet and

0:46:08.200 --> 0:46:10.880
<v Speaker 1>you're in a quiet spot, you can feel the vibration

0:46:11.000 --> 0:46:13.680
<v Speaker 1>from the engines pretty much anywhere on the ship. Of course,

0:46:13.719 --> 0:46:15.600
<v Speaker 1>you can feel it better when you're closer to where

0:46:15.600 --> 0:46:18.880
<v Speaker 1>the engines are, but if you're if you're very quiet

0:46:18.880 --> 0:46:21.120
<v Speaker 1>and you and you just you know, touch a wall,

0:46:21.160 --> 0:46:24.840
<v Speaker 1>you can pretty much feel the vibrations. Well, that slide

0:46:24.840 --> 0:46:28.120
<v Speaker 1>has to take that into account to you are constantly

0:46:28.160 --> 0:46:31.920
<v Speaker 1>being rattled. So this was actually a pretty tough challenge

0:46:31.920 --> 0:46:34.800
<v Speaker 1>for the imagineers to create a slide that was fun

0:46:35.239 --> 0:46:39.400
<v Speaker 1>and safe and would be resilient to these different stresses

0:46:39.440 --> 0:46:43.840
<v Speaker 1>on it, and I think that's pretty impressive. One of

0:46:43.880 --> 0:46:46.920
<v Speaker 1>the other changes they made was to the ship's horn. Originally,

0:46:46.960 --> 0:46:49.359
<v Speaker 1>the horn only played the first few notes of when

0:46:49.400 --> 0:46:51.920
<v Speaker 1>You Wish upon a Star, And if you're a Disney

0:46:52.000 --> 0:46:54.120
<v Speaker 1>nut like me and you hear it for the first

0:46:54.120 --> 0:46:57.080
<v Speaker 1>time on your first cruise, it's a pretty phenomenal experience.

0:46:57.200 --> 0:47:00.600
<v Speaker 1>You you are surprised and delighted to hear this little

0:47:00.680 --> 0:47:04.319
<v Speaker 1>Disney touch early on in your cruise experience. It's also

0:47:04.360 --> 0:47:06.279
<v Speaker 1>fun to see all the families and kids kind of

0:47:06.360 --> 0:47:08.759
<v Speaker 1>light up at it. Uh. These days, when I go

0:47:08.800 --> 0:47:11.719
<v Speaker 1>into Disney cruise, I see a lot of returning cruisers

0:47:11.760 --> 0:47:14.440
<v Speaker 1>because you can you can tell the more cruises you

0:47:14.480 --> 0:47:18.280
<v Speaker 1>go on, the different lanyard you will get, like, um,

0:47:18.320 --> 0:47:21.479
<v Speaker 1>you'll have a silver level, of Gold level, Platinum level,

0:47:22.160 --> 0:47:26.280
<v Speaker 1>and I just went on my platinum cruise. So anyway,

0:47:26.480 --> 0:47:28.400
<v Speaker 1>I see a lot of returning guests. So the ship's

0:47:28.400 --> 0:47:31.279
<v Speaker 1>horn doesn't have quite the same effect that it used

0:47:31.280 --> 0:47:35.000
<v Speaker 1>to but the upgrade allowed it them to create new

0:47:35.080 --> 0:47:38.000
<v Speaker 1>tunes for the horn to play, and they're all Disney

0:47:38.040 --> 0:47:42.080
<v Speaker 1>related or uh. One of the Disney properties are property

0:47:42.160 --> 0:47:45.480
<v Speaker 1>owned by Disney. Like Star Wars, there's an Imperial March

0:47:46.160 --> 0:47:51.200
<v Speaker 1>horn now as well. Also, this is kind of dorky

0:47:51.239 --> 0:47:54.840
<v Speaker 1>but awesome, there is a physical button to sound the

0:47:54.880 --> 0:47:57.759
<v Speaker 1>ship's horn. You have to make an announcement first to

0:47:57.840 --> 0:47:59.560
<v Speaker 1>let people know, Hey, by the way, we're gonna sound

0:47:59.560 --> 0:48:03.080
<v Speaker 1>the horns, so be prepared for that. But the button

0:48:03.120 --> 0:48:06.239
<v Speaker 1>itself is on a console and around the button is

0:48:06.280 --> 0:48:09.640
<v Speaker 1>a little frame in the shape of Mickey Mouse ears.

0:48:09.680 --> 0:48:11.200
<v Speaker 1>So the buttons in the center and you've got the

0:48:11.200 --> 0:48:13.600
<v Speaker 1>two ears on either side. And I know it's dorky,

0:48:13.640 --> 0:48:16.680
<v Speaker 1>but I love Disney, so I think it's awesome and

0:48:16.719 --> 0:48:20.920
<v Speaker 1>I want to push that button so badly. Um, I

0:48:21.320 --> 0:48:24.160
<v Speaker 1>wouldn't be able to resist it. Uh. That of course

0:48:24.280 --> 0:48:26.920
<v Speaker 1>is on the bridge, so it's right there along with

0:48:26.960 --> 0:48:30.520
<v Speaker 1>all the other controls. There's a console area where there's

0:48:30.560 --> 0:48:33.840
<v Speaker 1>the ship's horn and you usually sound that whenever you're

0:48:34.000 --> 0:48:40.200
<v Speaker 1>entering or leaving a dock area the parent Key restaurant.

0:48:40.280 --> 0:48:45.439
<v Speaker 1>During this renovation period, the two one was changed at

0:48:45.480 --> 0:48:47.920
<v Speaker 1>that time. So parent Key, which you can no longer

0:48:47.960 --> 0:48:51.160
<v Speaker 1>go to, had a Caribbean theme. Um actually, I don't know.

0:48:51.200 --> 0:48:53.680
<v Speaker 1>The Disney Wonder might still have parent Key, but I

0:48:53.680 --> 0:48:55.960
<v Speaker 1>haven't been on the Wonder in years, so I'm not sure.

0:48:56.320 --> 0:48:59.040
<v Speaker 1>But the Magic the parent Key is gone. So I

0:48:59.080 --> 0:49:01.759
<v Speaker 1>had a Caribbean theme. It was a lot of the

0:49:01.760 --> 0:49:06.000
<v Speaker 1>cuisine was Caribbean in in inspiration. They have now replaced

0:49:06.000 --> 0:49:10.880
<v Speaker 1>that with a restaurant called Kariokas, and Karaokas is named

0:49:10.920 --> 0:49:14.600
<v Speaker 1>after Jose Karaoka, a Donald Duck character in the Three

0:49:14.600 --> 0:49:18.160
<v Speaker 1>Caballeros cartoon. I don't know why I am suddenly adopting

0:49:18.160 --> 0:49:21.319
<v Speaker 1>an accent here, but the Three Caballeros cartoon is a

0:49:21.440 --> 0:49:28.200
<v Speaker 1>very fun classic Disney cartoon, and so the The Three

0:49:28.200 --> 0:49:33.480
<v Speaker 1>Caballeros takes place in South America, and the cuisine at

0:49:33.840 --> 0:49:38.399
<v Speaker 1>Karaokas is largely influenced by the food of Brazil. So

0:49:38.480 --> 0:49:41.239
<v Speaker 1>it's a different change, different style of cuisine, and they

0:49:41.239 --> 0:49:44.560
<v Speaker 1>did different theming, different lights in order to give it

0:49:44.680 --> 0:49:50.160
<v Speaker 1>this much what a pretty large change in identity. And

0:49:50.200 --> 0:49:52.320
<v Speaker 1>another space that got a major overhaul was the ocean

0:49:52.320 --> 0:49:54.279
<v Speaker 1>Eers Club. That's when they ended up being able to

0:49:54.320 --> 0:49:59.000
<v Speaker 1>incorporate stuff like Marvel Avengers and toy story things that

0:49:59.080 --> 0:50:02.839
<v Speaker 1>weren't as prominent back in the late nineties when they

0:50:02.880 --> 0:50:07.520
<v Speaker 1>were building the ship in the first place. So, uh,

0:50:07.560 --> 0:50:09.560
<v Speaker 1>when you go to like the or when your kid

0:50:09.680 --> 0:50:12.239
<v Speaker 1>essentially goes to the Avengers Academy, they can train to

0:50:12.239 --> 0:50:16.520
<v Speaker 1>become a superhero. Nowhere yet, if Captain America whispers hell

0:50:16.680 --> 0:50:20.800
<v Speaker 1>Hydra to each recruit, that's a reference to a storyline

0:50:20.840 --> 0:50:23.319
<v Speaker 1>that's going on right now in Marvel that I'm not

0:50:23.560 --> 0:50:28.600
<v Speaker 1>crazy about. I also wonder if the Captain America aboard

0:50:28.640 --> 0:50:31.839
<v Speaker 1>the Disney cruise ships is getting any flak about being

0:50:31.880 --> 0:50:35.360
<v Speaker 1>a secret Hydra agent because they do have, you know,

0:50:35.480 --> 0:50:39.319
<v Speaker 1>lots of different Disney characters aboard these various ships, including

0:50:39.560 --> 0:50:44.279
<v Speaker 1>Marvel characters. Typically it's it's Captain America. UM. They've also

0:50:44.320 --> 0:50:47.759
<v Speaker 1>had Star Wars characters as well. They've done Star Wars

0:50:47.840 --> 0:50:50.800
<v Speaker 1>themed ship cruises. I have not gone on one of those,

0:50:51.600 --> 0:50:54.400
<v Speaker 1>despite the fact that I also love Star Wars as

0:50:54.480 --> 0:50:56.880
<v Speaker 1>well as Disney. UM. I did not do one of

0:50:56.880 --> 0:51:00.719
<v Speaker 1>those yet by stress yet. Now. One of the other

0:51:00.800 --> 0:51:03.279
<v Speaker 1>changes they made was that Animator's palette. I mentioned the

0:51:03.280 --> 0:51:06.239
<v Speaker 1>fiber optics static displays earlier, the ones that were just

0:51:07.239 --> 0:51:10.200
<v Speaker 1>black and white sketches of various Disney characters, they couldn't

0:51:10.280 --> 0:51:12.960
<v Speaker 1>change because they were built into the wall. But then

0:51:13.000 --> 0:51:16.680
<v Speaker 1>the fiber optics would allow color to come into the picture,

0:51:17.280 --> 0:51:19.520
<v Speaker 1>and so they would change from black and white to color,

0:51:19.600 --> 0:51:22.719
<v Speaker 1>but you couldn't change what the portrait was of, Right,

0:51:22.880 --> 0:51:27.920
<v Speaker 1>like a picture of of of Ballue, the bear from

0:51:27.960 --> 0:51:30.120
<v Speaker 1>the Jungle Book is always going to be blue the bear,

0:51:30.320 --> 0:51:33.560
<v Speaker 1>it would never change into anything else. When they did

0:51:33.600 --> 0:51:36.480
<v Speaker 1>the renovation, they pulled out some of that and swapped

0:51:36.520 --> 0:51:40.080
<v Speaker 1>in LED screens, and now you get a different experience.

0:51:40.080 --> 0:51:43.040
<v Speaker 1>So instead of it just being images that go from

0:51:43.080 --> 0:51:45.960
<v Speaker 1>black and white to color on the screens, you'll see

0:51:46.000 --> 0:51:51.440
<v Speaker 1>sketches start to appear on the various portraits of various

0:51:51.440 --> 0:51:56.279
<v Speaker 1>Disney characters. And as the dinner progresses, you get more details,

0:51:56.320 --> 0:52:00.360
<v Speaker 1>you get color, you get animation, um, and they change

0:52:00.360 --> 0:52:03.480
<v Speaker 1>over time, so you're not looking at just a an

0:52:03.560 --> 0:52:06.520
<v Speaker 1>evolving sketch of a single character. It swaps as the

0:52:06.520 --> 0:52:10.520
<v Speaker 1>dinner goes on. Uh, And again it ends up being

0:52:10.760 --> 0:52:13.160
<v Speaker 1>kind of a show. It's not just dinner, it's also

0:52:13.760 --> 0:52:17.080
<v Speaker 1>a performance, which is kind of cool. UM at the

0:52:17.239 --> 0:52:20.080
<v Speaker 1>end of one of the dinner's an Animator's palett. If

0:52:20.120 --> 0:52:22.480
<v Speaker 1>you go twice, if your cruise is such that you

0:52:22.520 --> 0:52:25.520
<v Speaker 1>go to Animator's Pallett two times, the second time, they

0:52:25.560 --> 0:52:29.960
<v Speaker 1>have a special show where all the guests are invited

0:52:30.000 --> 0:52:32.520
<v Speaker 1>to draw a character on a piece of paper, and

0:52:32.560 --> 0:52:35.520
<v Speaker 1>all those pieces of paper are taken backstage and scanned

0:52:35.680 --> 0:52:38.839
<v Speaker 1>into a system, and then when you watch the show

0:52:38.840 --> 0:52:42.280
<v Speaker 1>at the end, these characters are animated and they appear

0:52:42.480 --> 0:52:46.880
<v Speaker 1>on screen. So a character you drew will appear on

0:52:47.000 --> 0:52:50.319
<v Speaker 1>screen and dance around and move about. The way they

0:52:50.320 --> 0:52:52.640
<v Speaker 1>do this is they have special blocks set aside that

0:52:52.760 --> 0:52:56.560
<v Speaker 1>you draw in, things like legs and arms and hands

0:52:56.640 --> 0:52:59.040
<v Speaker 1>and a head and a body and that kind of stuff.

0:52:59.360 --> 0:53:02.160
<v Speaker 1>And when they in it, each of those blocks is

0:53:03.040 --> 0:53:05.360
<v Speaker 1>um design in such a way that it's considered to

0:53:05.400 --> 0:53:07.880
<v Speaker 1>be a joint, right like the shoulders or the hips

0:53:08.000 --> 0:53:11.759
<v Speaker 1>or whatever. And so when it's animated, it animates each

0:53:11.760 --> 0:53:14.000
<v Speaker 1>of these blocks in a way so that the characters

0:53:14.000 --> 0:53:16.520
<v Speaker 1>can move around when you're looking at them on the screen.

0:53:17.200 --> 0:53:19.840
<v Speaker 1>When I did this, I drew a pirate with a

0:53:19.840 --> 0:53:22.520
<v Speaker 1>peg leg and a hook and an eye patch, and

0:53:22.680 --> 0:53:26.600
<v Speaker 1>his name was Lucky other Disney touches. Of course, you've

0:53:26.600 --> 0:53:29.480
<v Speaker 1>got the characters, You've got the Disney movies that are

0:53:29.480 --> 0:53:34.240
<v Speaker 1>shown in the various theaters. If a Disney film comes

0:53:34.239 --> 0:53:39.400
<v Speaker 1>out during your cruise, they show it that same day

0:53:39.440 --> 0:53:42.640
<v Speaker 1>on the ship, so it's premiere on land and see

0:53:43.320 --> 0:53:47.680
<v Speaker 1>UM and I think I might be seeing Finding Dory

0:53:47.680 --> 0:53:50.200
<v Speaker 1>by the time this episode goes live, I will have

0:53:50.360 --> 0:53:54.759
<v Speaker 1>seen Finding Dory, assuming that premieres while we're on the ship.

0:53:54.800 --> 0:53:57.600
<v Speaker 1>I think it will actually, which is kind of cool

0:53:57.880 --> 0:54:04.440
<v Speaker 1>the neat idea that you get this unique Disney experience. UM.

0:54:04.560 --> 0:54:08.399
<v Speaker 1>Disney actually also does this this big fireworks display out

0:54:08.400 --> 0:54:11.520
<v Speaker 1>at sea. Typically they do this with a pirate themed

0:54:11.560 --> 0:54:15.400
<v Speaker 1>deck party. So if you've heard the tech Stuff episode

0:54:15.400 --> 0:54:18.520
<v Speaker 1>on fireworks, you know how technical that can get. Uh.

0:54:18.560 --> 0:54:20.840
<v Speaker 1>In the Disney shows, they tend to be three hundred

0:54:20.920 --> 0:54:24.640
<v Speaker 1>or so shots per fireworks display, which is modest by

0:54:24.719 --> 0:54:28.400
<v Speaker 1>Disney standards, but it's at sea, so that makes it different.

0:54:29.160 --> 0:54:32.600
<v Speaker 1>These are also controlled by a system that is highly

0:54:32.680 --> 0:54:37.400
<v Speaker 1>synchronized with music and other effects, so that you get

0:54:37.440 --> 0:54:41.960
<v Speaker 1>a story throughout the fireworks display, not just stuff shooting

0:54:42.000 --> 0:54:44.880
<v Speaker 1>off into the sky and blowing up, which is also

0:54:44.960 --> 0:54:48.360
<v Speaker 1>pretty cool. But it's more effective when it's all synchronized

0:54:48.400 --> 0:54:52.320
<v Speaker 1>with music and everything else. They actually hold several patents

0:54:52.800 --> 0:54:55.400
<v Speaker 1>for their fireworks displays, and they were the first cruise

0:54:55.440 --> 0:54:58.080
<v Speaker 1>line to have a fireworks display out at sea because

0:54:58.080 --> 0:55:03.000
<v Speaker 1>it involves getting a lot of permission from various nautical authorities.

0:55:03.920 --> 0:55:06.879
<v Speaker 1>The fireworks themselves are made out of edible material, so

0:55:07.040 --> 0:55:09.799
<v Speaker 1>when they are done exploding and they go down into

0:55:09.840 --> 0:55:13.319
<v Speaker 1>the ocean, UH, they can actually be eaten safely by

0:55:13.360 --> 0:55:19.360
<v Speaker 1>sea life, so there's no um, there's no pollution there. Um.

0:55:19.400 --> 0:55:21.840
<v Speaker 1>I thought that was pretty cool. So you can actually

0:55:22.120 --> 0:55:26.600
<v Speaker 1>check this out and not feel any guilt about it. Now,

0:55:26.960 --> 0:55:29.000
<v Speaker 1>a couple of other little things before I wrap up.

0:55:29.239 --> 0:55:32.480
<v Speaker 1>One of them is that there are two suites aboard

0:55:32.520 --> 0:55:35.040
<v Speaker 1>each of the Disney cruise ships that are the biggest

0:55:35.040 --> 0:55:39.400
<v Speaker 1>and most luxurious staterooms on board. Uh. There's the Walt

0:55:39.400 --> 0:55:43.200
<v Speaker 1>Disney Suite and the Roy Disney Suite, and they have

0:55:43.360 --> 0:55:46.560
<v Speaker 1>lots of special features like a private hot tub um

0:55:46.600 --> 0:55:49.160
<v Speaker 1>I think, and at least one of them there's a piano.

0:55:49.880 --> 0:55:53.960
<v Speaker 1>There are things like in the master bedroom there's a

0:55:54.160 --> 0:55:57.480
<v Speaker 1>television that can rise up from the foot of the

0:55:57.520 --> 0:55:59.920
<v Speaker 1>bed and then go back down when you're done with it.

0:56:00.440 --> 0:56:05.560
<v Speaker 1>There are two and a half bathrooms inside these uh

0:56:05.600 --> 0:56:09.680
<v Speaker 1>inside these suites, they're pretty swanky. I have never been

0:56:09.719 --> 0:56:13.479
<v Speaker 1>in one. I can't afford it, but it does sound

0:56:13.520 --> 0:56:15.360
<v Speaker 1>like it would be quite the experience to be in

0:56:15.400 --> 0:56:18.440
<v Speaker 1>the Walt Disney Suite or the Roy Disney Suite. I

0:56:18.440 --> 0:56:21.359
<v Speaker 1>think they can sleep up to seven people in those

0:56:21.360 --> 0:56:25.080
<v Speaker 1>suits as well, so they're they're meant for a family

0:56:25.280 --> 0:56:31.160
<v Speaker 1>of some means beyond my own. Maybe one day, I

0:56:31.200 --> 0:56:35.640
<v Speaker 1>can keep hoping. But interesting that they would go with

0:56:35.680 --> 0:56:38.960
<v Speaker 1>this level of luxury. The staterooms in general aboard Disney

0:56:39.000 --> 0:56:43.200
<v Speaker 1>cruise ships are larger than the industry standard, and part

0:56:43.239 --> 0:56:45.560
<v Speaker 1>of that was because Disney was aiming for families, so

0:56:45.600 --> 0:56:49.880
<v Speaker 1>they needed more room for each stateroom because it could

0:56:49.880 --> 0:56:53.319
<v Speaker 1>be a family of four, not just a couple, so

0:56:54.239 --> 0:56:58.200
<v Speaker 1>it was a practical concern. Some of the ships also

0:56:58.239 --> 0:57:00.680
<v Speaker 1>have interactive portraits that anime or a part of an

0:57:00.680 --> 0:57:03.399
<v Speaker 1>augmented reality game aboard the ship. I got to play

0:57:03.480 --> 0:57:06.720
<v Speaker 1>with one of these on the Disney Dream I believe,

0:57:07.840 --> 0:57:10.080
<v Speaker 1>and that's really cool to this idea that you've got

0:57:10.120 --> 0:57:14.280
<v Speaker 1>these these things that look like they are static portraits

0:57:14.400 --> 0:57:16.800
<v Speaker 1>from Disney movies. But if you watch, you see that

0:57:16.840 --> 0:57:19.760
<v Speaker 1>they start to animate and sometimes they interact with each other.

0:57:19.800 --> 0:57:23.520
<v Speaker 1>I remember coming to one hallway where there were portraits

0:57:23.520 --> 0:57:26.640
<v Speaker 1>of pirate ships on either side of the corridor UM

0:57:26.720 --> 0:57:29.400
<v Speaker 1>on other side of a doorway really, and they had

0:57:29.400 --> 0:57:32.320
<v Speaker 1>a battle with each other. They actually started firing cannonballs

0:57:32.320 --> 0:57:33.720
<v Speaker 1>at each other, and I thought that was really a

0:57:33.760 --> 0:57:37.200
<v Speaker 1>clever thing to do. And the game aspect, you can

0:57:37.200 --> 0:57:40.360
<v Speaker 1>play a game where you have UM cards that have

0:57:40.480 --> 0:57:42.760
<v Speaker 1>a low pattern on them, and when you hold them

0:57:42.840 --> 0:57:46.480
<v Speaker 1>up to the portraits, the portraits have embedded camera that

0:57:46.560 --> 0:57:48.919
<v Speaker 1>can pick up the pattern on the card and tell

0:57:48.960 --> 0:57:53.560
<v Speaker 1>the portrait this person is playing this particular game. And

0:57:53.600 --> 0:57:56.720
<v Speaker 1>it's almost like a scavenger hunt as you go through

0:57:56.760 --> 0:57:59.720
<v Speaker 1>the ship and you try to solve a mystery or

0:57:59.760 --> 0:58:03.360
<v Speaker 1>hell about the character. And it's really an interesting way

0:58:03.360 --> 0:58:06.240
<v Speaker 1>to explore the ship as well as engage in a

0:58:06.400 --> 0:58:10.960
<v Speaker 1>fun interactive form of technology. Very clever approach to using

0:58:10.960 --> 0:58:18.080
<v Speaker 1>augmented reality and and video interactive video. So well done. There. Now,

0:58:18.120 --> 0:58:21.280
<v Speaker 1>that pretty much concludes all the stuff I have to

0:58:21.320 --> 0:58:25.400
<v Speaker 1>say about the Disney magic and the basic technologies behind it.

0:58:25.720 --> 0:58:29.640
<v Speaker 1>I look forward to my upcoming cruise, and I hope

0:58:29.680 --> 0:58:32.320
<v Speaker 1>to be able to explore more of this if I'm

0:58:32.320 --> 0:58:36.040
<v Speaker 1>given the opportunity. We also have at how stuff works

0:58:36.080 --> 0:58:40.480
<v Speaker 1>dot com a full article on how cruise ships work.

0:58:40.560 --> 0:58:42.760
<v Speaker 1>I didn't go into full detail on the stuff from

0:58:42.800 --> 0:58:46.200
<v Speaker 1>there because obviously that would be its own episode, and

0:58:46.240 --> 0:58:49.720
<v Speaker 1>I hope one day to get either Ben or Scott

0:58:49.880 --> 0:58:53.920
<v Speaker 1>from Car Stuff in here and talk about cruise ships

0:58:53.960 --> 0:58:56.560
<v Speaker 1>and what makes them work and the considerations that you

0:58:56.600 --> 0:58:59.560
<v Speaker 1>have to take when you're creating something that big that

0:58:59.600 --> 0:59:02.280
<v Speaker 1>has many people in it for that long a period

0:59:02.280 --> 0:59:04.880
<v Speaker 1>of time. Didn't go into stuff like how do you

0:59:05.080 --> 0:59:08.880
<v Speaker 1>make sure that people are being as careful as possible

0:59:08.920 --> 0:59:11.720
<v Speaker 1>so they don't spread an illness that's a big concern

0:59:11.840 --> 0:59:16.320
<v Speaker 1>aboard cruise ships, or just how how's the water recycling

0:59:16.360 --> 0:59:21.080
<v Speaker 1>system work? How frequently do they have to deal with

0:59:21.120 --> 0:59:26.560
<v Speaker 1>things like waste like people waste that I feel would

0:59:26.600 --> 0:59:28.560
<v Speaker 1>be a great episode as well. So I hope to

0:59:28.600 --> 0:59:30.480
<v Speaker 1>do an episode with either Ben or Scott in the

0:59:30.480 --> 0:59:34.000
<v Speaker 1>future to talk about the workings of your basic cruise ship.

0:59:34.640 --> 0:59:36.680
<v Speaker 1>But since I'm going on vacation and I had to

0:59:36.720 --> 0:59:39.160
<v Speaker 1>record another episode so that I would have enough to

0:59:39.240 --> 0:59:42.560
<v Speaker 1>get through that time without going dead for a week

0:59:42.800 --> 0:59:45.880
<v Speaker 1>or giving you guys a rerun. I chose to do

0:59:45.960 --> 0:59:49.760
<v Speaker 1>Disney Magic. You're probably sick of hearing me talk about it,

0:59:49.800 --> 0:59:53.320
<v Speaker 1>but the alternative was a rerun or not having any

0:59:53.360 --> 0:59:56.040
<v Speaker 1>episode at all this week, and I hope that this

0:59:56.160 --> 0:59:59.360
<v Speaker 1>is a better alternative than those. If you guys have

0:59:59.400 --> 1:00:02.480
<v Speaker 1>suggestions for future episodes of tech Stuff, maybe there's some

1:00:02.560 --> 1:00:05.720
<v Speaker 1>technology that either I've never covered or I covered so

1:00:05.760 --> 1:00:09.640
<v Speaker 1>long ago that is transformed completely since then. You want

1:00:09.680 --> 1:00:11.040
<v Speaker 1>me to talk about it, you want me to have

1:00:11.080 --> 1:00:14.200
<v Speaker 1>a guest on to really dig down into the details.

1:00:14.760 --> 1:00:18.160
<v Speaker 1>Let me know. Send me an email. The address is

1:00:18.400 --> 1:00:22.680
<v Speaker 1>text stuff at how stuff works dot com, or draw

1:00:22.760 --> 1:00:25.120
<v Speaker 1>me a line on Facebook or Twitter. The handle at

1:00:25.120 --> 1:00:29.680
<v Speaker 1>both of those is text Stuff h SW. I really

1:00:29.760 --> 1:00:32.000
<v Speaker 1>do look forward to hearing from you guys. I'm very

1:00:32.040 --> 1:00:35.160
<v Speaker 1>excited to do a bunch of new episodes in the

1:00:35.240 --> 1:00:38.000
<v Speaker 1>near future. I'm hoping to get a lot of different

1:00:38.080 --> 1:00:42.040
<v Speaker 1>guests in here to do two person shows or interviews,

1:00:42.080 --> 1:00:44.000
<v Speaker 1>that kind of thing. I really want to do more

1:00:44.000 --> 1:00:48.360
<v Speaker 1>of those moving forward if I can. Scheduling is a challenge,

1:00:48.400 --> 1:00:50.280
<v Speaker 1>but I want to do more and I want to

1:00:50.320 --> 1:00:53.040
<v Speaker 1>hear what you guys want to hear more of as well,

1:00:53.360 --> 1:00:56.160
<v Speaker 1>So get in touch with me and until then, I'll

1:00:56.200 --> 1:01:03.640
<v Speaker 1>talk to you again really soon for more on this

1:01:03.840 --> 1:01:06.560
<v Speaker 1>and thousands of other topics. Isn't how Stuff Works dot

1:01:06.560 --> 1:01:16.560
<v Speaker 1>com