1 00:00:08,320 --> 00:00:12,160 Speaker 1: Greetings again, Veniels, fellow seekers of the dark. 2 00:00:12,680 --> 00:00:13,640 Speaker 2: I'm Danny three. 3 00:00:14,200 --> 00:00:19,119 Speaker 1: Welcome to nocturnal Tales from the Shadows. By the enchanted 4 00:00:19,160 --> 00:00:23,520 Speaker 1: frames of this fire, we transcend time and space to 5 00:00:23,760 --> 00:00:29,479 Speaker 1: enter the darkest depths of the Latin American imagination, legend 6 00:00:29,560 --> 00:00:33,720 Speaker 1: and lore, passed down through the years and retold with 7 00:00:33,880 --> 00:00:39,600 Speaker 1: a twist tonight. Our story comes from Chilean lore, where 8 00:00:39,680 --> 00:00:44,400 Speaker 1: legends speak of a creature not born, but crafted by 9 00:00:44,440 --> 00:00:45,640 Speaker 1: the workings. 10 00:00:45,159 --> 00:00:46,360 Speaker 2: Of a dark magic. 11 00:00:47,280 --> 00:00:53,760 Speaker 1: It is the stuff of nightmares, with a body grotesquely contorted, backward, head, 12 00:00:54,080 --> 00:00:59,040 Speaker 1: tongue split into a hideous creature that serves the evil 13 00:00:59,120 --> 00:01:04,720 Speaker 1: desires of its master, known as l M. Bunch. 14 00:01:17,959 --> 00:01:20,640 Speaker 3: Have you ever been to that little carnival out of Vernonia. 15 00:01:21,160 --> 00:01:23,319 Speaker 3: It's kind of a dump now, but God, we used 16 00:01:23,360 --> 00:01:26,199 Speaker 3: to love that place. My brother Nico and I would 17 00:01:26,200 --> 00:01:27,520 Speaker 3: do all the rides until. 18 00:01:27,280 --> 00:01:27,959 Speaker 2: We were sick. 19 00:01:29,480 --> 00:01:36,920 Speaker 3: We were inseparable, well until he became a teenager. And 20 00:01:36,959 --> 00:01:43,039 Speaker 3: then in the summer of ninety eight. Wow, that's the 21 00:01:43,080 --> 00:01:44,480 Speaker 3: summer everything changed. 22 00:01:54,040 --> 00:01:57,760 Speaker 4: Okay, here we go, Chili do Vernico, Extra runners for 23 00:01:57,920 --> 00:02:00,520 Speaker 4: Florida and the funnel cake for me. 24 00:02:02,320 --> 00:02:06,440 Speaker 5: Hey Er too, Nicol can you put that thing down 25 00:02:06,600 --> 00:02:07,760 Speaker 5: for two seconds? 26 00:02:08,440 --> 00:02:11,800 Speaker 4: Hold on, no, put it down, or you lose your 27 00:02:11,800 --> 00:02:12,600 Speaker 4: game boy for a week. 28 00:02:13,600 --> 00:02:18,800 Speaker 6: Hi, I was almost to the boss. This has onions 29 00:02:18,840 --> 00:02:19,160 Speaker 6: on it. 30 00:02:19,320 --> 00:02:22,359 Speaker 7: So they're mixed in with the chili. You won't even 31 00:02:22,360 --> 00:02:22,960 Speaker 7: taste them. 32 00:02:23,120 --> 00:02:25,640 Speaker 8: Oh, Mom, I'll take them. Do you know that onions 33 00:02:25,639 --> 00:02:27,760 Speaker 8: are symbols of immortality in ancient Egypt? 34 00:02:27,919 --> 00:02:28,160 Speaker 6: No? 35 00:02:28,400 --> 00:02:30,880 Speaker 8: I read it in the Secret Life of Vegetables. 36 00:02:32,440 --> 00:02:35,560 Speaker 6: You read the weirdest books. Hey, yeah, have the whole thing. 37 00:02:36,320 --> 00:02:39,440 Speaker 6: I'm not hungry, Nicol, Can I play my game now? Please? 38 00:02:39,680 --> 00:02:42,680 Speaker 4: Now, Niko, why don't you just try and be in 39 00:02:42,720 --> 00:02:43,760 Speaker 4: the world for a second. 40 00:02:46,480 --> 00:02:46,560 Speaker 9: La? 41 00:02:46,880 --> 00:02:48,119 Speaker 10: What for that? 42 00:02:48,680 --> 00:02:49,840 Speaker 4: Don't talk with your mouth full? 43 00:02:50,280 --> 00:02:53,239 Speaker 8: I said, I want to do Goblin's Layer, really, but 44 00:02:53,440 --> 00:02:54,200 Speaker 8: you promised. 45 00:02:54,600 --> 00:02:56,960 Speaker 6: I didn't promise, I said maybe. 46 00:02:57,160 --> 00:02:57,440 Speaker 2: Listen. 47 00:02:58,240 --> 00:03:00,640 Speaker 4: You know she has been looking forward to this all week. 48 00:03:00,800 --> 00:03:03,720 Speaker 6: It's not even that scary though, mom, But it's almost 49 00:03:03,760 --> 00:03:05,960 Speaker 6: like some random dude in a cheap mask, which amost 50 00:03:06,000 --> 00:03:06,960 Speaker 6: like axe body spray. 51 00:03:07,360 --> 00:03:09,840 Speaker 8: Admit that's part of what makes a great though. 52 00:03:11,200 --> 00:03:13,960 Speaker 6: I guess you're right, Nerve. Let's go. 53 00:03:20,639 --> 00:03:26,639 Speaker 11: Are you fuck or scared? Who knows what hor await 54 00:03:26,800 --> 00:03:27,800 Speaker 11: you in the dark? 55 00:03:28,400 --> 00:03:29,760 Speaker 9: Gond laugh. 56 00:03:33,040 --> 00:03:50,200 Speaker 12: Here we does. 57 00:03:49,760 --> 00:03:51,000 Speaker 11: What do we have here? 58 00:03:52,280 --> 00:03:52,480 Speaker 13: Hey? 59 00:03:52,680 --> 00:03:53,520 Speaker 8: Be more good? 60 00:03:54,400 --> 00:03:56,840 Speaker 9: Maybe object you're bride? 61 00:03:57,920 --> 00:04:01,080 Speaker 6: Wait, I'm confused. Are you aware for Dracula? 62 00:04:01,320 --> 00:04:01,720 Speaker 2: And dude? 63 00:04:01,720 --> 00:04:03,320 Speaker 6: You still have the price tag on the back of 64 00:04:03,360 --> 00:04:06,200 Speaker 6: your mask? Man, lock up, kid. 65 00:04:08,800 --> 00:04:11,120 Speaker 8: You go, they're ruining it. I'm not. 66 00:04:19,560 --> 00:04:20,480 Speaker 3: What did we say that? 67 00:04:22,200 --> 00:04:22,960 Speaker 2: We poor? 68 00:04:25,440 --> 00:04:27,479 Speaker 6: So scary? 69 00:04:27,960 --> 00:04:28,159 Speaker 13: Ah? 70 00:04:28,680 --> 00:04:31,560 Speaker 6: So skinny born sick pain. 71 00:04:35,720 --> 00:04:48,360 Speaker 11: Skinny all act right, he's coming. 72 00:05:06,640 --> 00:05:13,599 Speaker 7: You're so fay goblins, yes, mister f. 73 00:05:15,680 --> 00:05:18,920 Speaker 6: Hey little meaned this flora. It's called goblins layer, but 74 00:05:18,960 --> 00:05:20,960 Speaker 6: they're exactly zero goblins. 75 00:05:21,360 --> 00:05:23,760 Speaker 8: You're sure that was awesome? 76 00:05:27,279 --> 00:05:27,440 Speaker 1: Hey? 77 00:05:28,360 --> 00:05:29,680 Speaker 8: What's that kiosk? 78 00:05:31,160 --> 00:05:31,360 Speaker 2: Huh? 79 00:05:31,960 --> 00:05:34,719 Speaker 6: Were spot for it? I put it where nobody can 80 00:05:34,800 --> 00:05:35,040 Speaker 6: see it. 81 00:05:35,800 --> 00:05:41,719 Speaker 8: Oh, it says something mad Woman's Treasure Chest? Try your luck? 82 00:05:42,400 --> 00:05:42,920 Speaker 8: Want to go in? 83 00:05:44,080 --> 00:05:44,320 Speaker 10: Sure? 84 00:05:44,600 --> 00:05:44,880 Speaker 1: Why not? 85 00:05:45,279 --> 00:05:45,479 Speaker 4: Come? 86 00:05:47,640 --> 00:05:47,839 Speaker 13: Hello? 87 00:05:50,200 --> 00:05:52,360 Speaker 6: That's weird seen anybody? 88 00:05:52,760 --> 00:05:53,200 Speaker 10: Excuse me? 89 00:05:53,440 --> 00:05:54,360 Speaker 8: Is there anyone in here? 90 00:05:55,760 --> 00:06:00,400 Speaker 5: Why have you come to try your luck with the 91 00:06:00,720 --> 00:06:02,640 Speaker 5: mad Woman's Treasure Chest? 92 00:06:03,400 --> 00:06:08,600 Speaker 2: Just one ring, that's all. It takes one toss, one price, 93 00:06:09,240 --> 00:06:10,159 Speaker 2: one faith. 94 00:06:11,800 --> 00:06:15,719 Speaker 6: So it's just a ring toss. That's kind of lame. 95 00:06:16,640 --> 00:06:19,839 Speaker 6: What are the prizes you have to play. 96 00:06:19,839 --> 00:06:22,960 Speaker 2: To find out? That's the fun part. 97 00:06:23,320 --> 00:06:28,000 Speaker 5: Also, the dangerous parts but mostly fun. 98 00:06:29,040 --> 00:06:31,120 Speaker 6: I'm good. You want to try floor. 99 00:06:34,640 --> 00:06:34,800 Speaker 10: Here? 100 00:06:35,640 --> 00:06:36,479 Speaker 6: Have my last ticket? 101 00:06:40,839 --> 00:06:41,160 Speaker 10: Just one? 102 00:06:41,960 --> 00:06:42,520 Speaker 14: Just one? 103 00:06:43,560 --> 00:06:47,880 Speaker 5: What about you, young man? You look like someone who's 104 00:06:48,279 --> 00:06:52,040 Speaker 5: searching for something. Here not charge? 105 00:06:52,800 --> 00:06:53,760 Speaker 6: I guess if it's free? 106 00:06:54,200 --> 00:06:54,480 Speaker 11: Why not? 107 00:07:00,800 --> 00:07:06,240 Speaker 2: Ahead? A feeling you would wait right here? Don't touch anything? 108 00:07:06,480 --> 00:07:09,440 Speaker 6: You saw that one shot done? 109 00:07:14,080 --> 00:07:15,720 Speaker 8: An actual treasure chess? 110 00:07:16,480 --> 00:07:18,120 Speaker 2: Go ahead, open it? 111 00:07:20,800 --> 00:07:26,440 Speaker 6: Oh your way, Flora, look a video game. Guardian of 112 00:07:26,640 --> 00:07:27,080 Speaker 6: the Cave. 113 00:07:39,320 --> 00:07:45,760 Speaker 4: Dinner is served guys, gourmet leftover Patti Freezer dumplings and 114 00:07:46,120 --> 00:07:47,240 Speaker 4: read it pizza. 115 00:07:48,760 --> 00:07:49,120 Speaker 11: There you go. 116 00:07:50,280 --> 00:07:54,920 Speaker 15: Nice good variety. Mom, Thank you, chel Hey, one of 117 00:07:54,960 --> 00:07:56,480 Speaker 15: my torn's passage after dinner. 118 00:07:56,720 --> 00:07:57,520 Speaker 8: We never finished it. 119 00:07:57,920 --> 00:08:01,720 Speaker 6: Honestly, I might just chill. I'm kind of tired. 120 00:08:02,000 --> 00:08:03,720 Speaker 8: Okay, maybe tomorrow. 121 00:08:04,040 --> 00:08:05,800 Speaker 6: Maybe I don't know. 122 00:08:06,480 --> 00:08:09,720 Speaker 4: Okay, Hey, Flora, if you're done with dinner, then go 123 00:08:09,800 --> 00:08:15,280 Speaker 4: brush your teeth. Okay, got it, Niko, help me with 124 00:08:15,360 --> 00:08:25,200 Speaker 4: the dishes please. Hey, you've been kind of distant lately. 125 00:08:26,560 --> 00:08:27,440 Speaker 2: Florda misses you. 126 00:08:27,560 --> 00:08:30,960 Speaker 4: You know you guys used to be such good friends. 127 00:08:31,480 --> 00:08:34,240 Speaker 6: What do you mean you still are hmm. 128 00:08:34,880 --> 00:08:36,120 Speaker 11: Not like you used to be. 129 00:08:37,120 --> 00:08:37,719 Speaker 2: She adores you. 130 00:08:37,800 --> 00:08:40,800 Speaker 7: Nico, you can't just promise me you'll make an effort. 131 00:08:41,880 --> 00:08:43,880 Speaker 4: Okay, okay, thank. 132 00:08:43,760 --> 00:08:55,560 Speaker 2: You, Flora. 133 00:08:56,200 --> 00:08:59,959 Speaker 6: You asleep? No want to play Guardian of the cave? 134 00:09:00,559 --> 00:09:03,240 Speaker 12: Yes, dush, don't wake a mom. 135 00:09:03,600 --> 00:09:06,440 Speaker 6: Sorry, all right, come on, let's go to the basement. 136 00:09:14,320 --> 00:09:25,000 Speaker 12: Sho quiet, Okay, it's freezing down here. 137 00:09:25,200 --> 00:09:26,680 Speaker 6: Here, take my hoodie, nerd. 138 00:09:27,920 --> 00:09:31,200 Speaker 15: How come everyone has a pool basement like with fool ball, 139 00:09:31,400 --> 00:09:34,120 Speaker 15: and we have a literal medieval pit because our house 140 00:09:34,200 --> 00:09:36,839 Speaker 15: was built in eighteen seventy, when basements were basically used 141 00:09:36,840 --> 00:09:37,680 Speaker 15: for storing potatoes. 142 00:09:38,880 --> 00:09:53,520 Speaker 11: You ready, ready, welcome, Beka. 143 00:09:54,600 --> 00:09:58,360 Speaker 13: We have been waiting for you. All paths lead into 144 00:09:58,400 --> 00:10:02,240 Speaker 13: the thickets and darkness, but only those touched by the 145 00:10:02,360 --> 00:10:05,480 Speaker 13: blood of the Priest shall be being worthy to awaken 146 00:10:06,000 --> 00:10:14,400 Speaker 13: the Guardian of the cave. If you accept these trials 147 00:10:14,920 --> 00:10:18,240 Speaker 13: and click your name into the book of Gold, only 148 00:10:18,360 --> 00:10:21,079 Speaker 13: then shout the Priest of the Cave. Move you. 149 00:10:21,320 --> 00:10:21,920 Speaker 12: You're bad. 150 00:10:23,640 --> 00:10:27,480 Speaker 6: Wait how do I I'm clicking the quill but nothing's happening. 151 00:10:27,600 --> 00:10:30,240 Speaker 8: Well, there's no ink. What do you think the knife 152 00:10:30,320 --> 00:10:35,240 Speaker 8: is for? Oh, of course you have to write your 153 00:10:35,280 --> 00:10:35,960 Speaker 8: name in blood. 154 00:10:36,200 --> 00:10:36,640 Speaker 2: Classic. 155 00:10:38,400 --> 00:10:42,400 Speaker 12: Oh oh, how are you bleeding? 156 00:10:42,640 --> 00:10:45,640 Speaker 6: It's fine. I think the controller has a sharp edge. 157 00:10:45,840 --> 00:10:47,760 Speaker 8: That's kind of a weird coincidence. 158 00:10:48,080 --> 00:10:52,400 Speaker 6: It's it's fine, it's whatever. Okay, so blood sacrifice check? 159 00:10:53,440 --> 00:10:55,559 Speaker 8: Now what I think you click the inks jar? 160 00:10:55,800 --> 00:10:59,800 Speaker 6: Yep, gotta fill her out. You're right, and I go 161 00:11:00,960 --> 00:11:04,319 Speaker 6: now I can use the cool pet. Okay, it's setting. 162 00:11:04,320 --> 00:11:08,120 Speaker 12: It's type now, good thing. 163 00:11:08,160 --> 00:11:09,160 Speaker 8: You have a short name. 164 00:11:09,679 --> 00:11:11,000 Speaker 11: Welcome, Micol. 165 00:11:11,520 --> 00:11:14,400 Speaker 13: Your name is now forever locked into the book of 166 00:11:14,559 --> 00:11:19,599 Speaker 13: shows your full flash. Find the sacrificial lamb in the 167 00:11:19,679 --> 00:11:22,920 Speaker 13: both gad of and bring it to the altar of 168 00:11:22,960 --> 00:11:27,320 Speaker 13: the dove, Do dish and unlock the first gate of flesh. 169 00:11:27,600 --> 00:11:30,559 Speaker 8: Jeez, what's the first gate of flesh? 170 00:11:30,840 --> 00:11:33,080 Speaker 6: I have no idea, but we will see. 171 00:11:37,120 --> 00:11:39,520 Speaker 8: You can barely see anything. How are you supposed to 172 00:11:39,559 --> 00:11:39,920 Speaker 8: know where to go? 173 00:11:41,040 --> 00:11:41,160 Speaker 16: Oh? 174 00:11:41,200 --> 00:11:41,520 Speaker 10: My god? 175 00:11:41,679 --> 00:11:43,600 Speaker 8: What did you see the thing that was freaky? 176 00:11:43,800 --> 00:11:44,000 Speaker 10: Where? 177 00:11:44,240 --> 00:11:45,360 Speaker 12: It's nice feet? 178 00:11:45,480 --> 00:11:47,880 Speaker 6: I don't know where Wednesday miss it? 179 00:11:48,400 --> 00:11:48,640 Speaker 13: Wait? 180 00:11:49,320 --> 00:11:52,040 Speaker 6: Hang on, I think I'm supposed to do something with this. 181 00:11:54,000 --> 00:11:55,120 Speaker 8: Nice torch. 182 00:11:56,679 --> 00:11:57,040 Speaker 3: Nice. 183 00:11:57,720 --> 00:11:59,160 Speaker 6: Still have no idea where I'm going though? 184 00:12:01,600 --> 00:12:03,640 Speaker 8: Why did that sound like he didn't come from the game. 185 00:12:03,960 --> 00:12:08,120 Speaker 6: Wait, sh be quiet, that's the lamb you hear it? 186 00:12:09,679 --> 00:12:13,000 Speaker 6: You must be getting closer. I think it's this way. 187 00:12:15,559 --> 00:12:19,240 Speaker 8: A crib in the middle of the haunted forest. This 188 00:12:19,360 --> 00:12:19,920 Speaker 8: can't be good. 189 00:12:20,440 --> 00:12:22,560 Speaker 6: Nice found the sacrificial lamb. 190 00:12:24,040 --> 00:12:25,600 Speaker 12: That's definitely not a lamb. 191 00:12:26,559 --> 00:12:29,160 Speaker 13: Bring the lamb to the ultar stone. 192 00:12:30,200 --> 00:12:31,120 Speaker 11: Follow the red light. 193 00:12:31,720 --> 00:12:34,240 Speaker 6: Alrighty kid, they're coming with me and the nerve. 194 00:12:35,320 --> 00:12:36,640 Speaker 8: Does this feel wrong to you? 195 00:12:36,960 --> 00:12:43,200 Speaker 6: It's just a game, floor, it's not real. Alright, there's 196 00:12:43,240 --> 00:12:43,840 Speaker 6: the stone altar. 197 00:12:46,440 --> 00:12:48,720 Speaker 2: Okay, Now what you have. 198 00:12:48,800 --> 00:12:51,960 Speaker 13: The blade of to crank the thirst of the stone 199 00:12:52,320 --> 00:12:54,800 Speaker 13: and dumbing up the cave? 200 00:12:56,240 --> 00:13:01,920 Speaker 6: Alright, close your eyes floor, what you can open your 201 00:13:01,960 --> 00:13:02,440 Speaker 6: eyes down. 202 00:13:02,400 --> 00:13:03,560 Speaker 13: Herd the hole? 203 00:13:04,200 --> 00:13:05,920 Speaker 11: The brief of the cave. 204 00:13:07,720 --> 00:13:13,080 Speaker 2: Holy crap, dude, these guys look like sino bites. 205 00:13:13,520 --> 00:13:14,360 Speaker 8: What's a cinebyte? 206 00:13:14,559 --> 00:13:17,040 Speaker 6: It's from Horazor. You can watch it with your taves. 207 00:13:19,920 --> 00:13:24,880 Speaker 13: Now the mark's been made upon thy should. The wound 208 00:13:25,080 --> 00:13:31,680 Speaker 13: is open, and the dark takes O through flesh and blood. 209 00:13:32,400 --> 00:13:40,120 Speaker 13: The guardian of the cave shall come. Well, Nico, you 210 00:13:40,280 --> 00:13:43,839 Speaker 13: haven't pressed the briefs of the cave, and now the 211 00:13:44,080 --> 00:13:46,559 Speaker 13: first cave of flesh shadowow. 212 00:13:48,440 --> 00:13:51,560 Speaker 4: Hey, Minos, huh what are you two doing down here? 213 00:13:52,000 --> 00:13:54,600 Speaker 7: Mean no that it's way past your bedtime. 214 00:13:54,320 --> 00:13:55,839 Speaker 2: But we're in the middle of No, no, no, no, no, 215 00:13:55,920 --> 00:13:57,240 Speaker 2: no no, Budy, get. 216 00:13:57,200 --> 00:13:59,360 Speaker 8: But that now? Got it on. 217 00:14:30,440 --> 00:14:32,120 Speaker 13: The good torment for the flag? 218 00:14:33,000 --> 00:14:34,880 Speaker 11: Gather the white has or innocent? 219 00:14:35,960 --> 00:14:37,640 Speaker 13: Do you accept your ship? 220 00:14:38,280 --> 00:14:42,800 Speaker 8: Yes? Miko? Are you playing the game? 221 00:14:43,320 --> 00:14:43,360 Speaker 1: No? 222 00:14:45,800 --> 00:14:46,600 Speaker 2: Go back to bed? 223 00:14:47,880 --> 00:14:52,920 Speaker 8: Wait are you going somewhere? What are you doing with 224 00:14:53,000 --> 00:14:53,600 Speaker 8: your scissors? 225 00:14:53,840 --> 00:14:57,200 Speaker 6: Nothing? Go to bed, mind your own business. 226 00:15:02,880 --> 00:15:04,160 Speaker 11: Dry soda, cuckoo? 227 00:15:04,240 --> 00:15:06,640 Speaker 2: Can why green line with a twist of heat only 228 00:15:06,680 --> 00:15:08,440 Speaker 2: at Barney's this week, I'll lead to. 229 00:15:08,600 --> 00:15:08,880 Speaker 11: For what. 230 00:15:11,880 --> 00:15:11,920 Speaker 1: What? 231 00:15:12,200 --> 00:15:13,680 Speaker 2: What is happening out there. 232 00:15:19,280 --> 00:15:19,880 Speaker 8: Harber's House? 233 00:15:26,400 --> 00:15:26,680 Speaker 4: Hello? 234 00:15:28,760 --> 00:15:29,560 Speaker 2: Are you series? 235 00:15:33,680 --> 00:15:35,080 Speaker 10: What? No? 236 00:15:36,960 --> 00:15:37,600 Speaker 2: Oh my god? 237 00:15:38,640 --> 00:15:41,200 Speaker 4: Yes, yeah, I'm turning it on right now. 238 00:15:43,920 --> 00:15:46,680 Speaker 3: Police are investigating a disturbing break in at the home 239 00:15:46,760 --> 00:15:50,200 Speaker 3: of Rick Haber in lair Hill. Authorities have not confirmed 240 00:15:50,240 --> 00:15:51,400 Speaker 3: a motive, but some are. 241 00:15:51,440 --> 00:15:54,400 Speaker 8: Asking was this the work of a psychopath or a 242 00:15:54,480 --> 00:15:55,400 Speaker 8: satanic called. 243 00:15:55,920 --> 00:15:57,680 Speaker 10: Sources say the intruder. 244 00:15:57,360 --> 00:15:59,960 Speaker 1: Entered through a window last night, cut off the victim, 245 00:16:01,320 --> 00:16:04,680 Speaker 1: I carved matching symbols into his bedroom walls and skinned 246 00:16:04,920 --> 00:16:06,640 Speaker 1: The harrowing details are disturbing. 247 00:16:07,960 --> 00:16:10,800 Speaker 2: I'm sorry, so sorry. You shouldn't have seen that. 248 00:16:11,960 --> 00:16:13,560 Speaker 4: Listen, I'm gonna go talk to the police. 249 00:16:13,760 --> 00:16:16,240 Speaker 2: Okay, you stay inside. 250 00:16:17,960 --> 00:16:21,720 Speaker 6: Hey, can you hand me the milk? Never mind? 251 00:16:21,760 --> 00:16:22,160 Speaker 8: I got it? 252 00:16:24,000 --> 00:16:26,960 Speaker 6: Nico, What are you looking at me like that? 253 00:16:27,960 --> 00:16:30,120 Speaker 8: Aren't you worried out by what happened to mister Harbor? 254 00:16:31,400 --> 00:16:32,880 Speaker 6: Don't like that happens all the time? 255 00:16:33,480 --> 00:16:34,720 Speaker 12: Not here, it doesn't. 256 00:16:36,360 --> 00:16:37,440 Speaker 8: Where should go? Last night? 257 00:16:38,040 --> 00:16:38,480 Speaker 6: Nowhere? 258 00:16:40,520 --> 00:16:42,440 Speaker 3: Somehow I knew the game had something to do with it, 259 00:16:43,160 --> 00:16:46,000 Speaker 3: but I had no proof. All I knew was that 260 00:16:46,200 --> 00:16:51,600 Speaker 3: something had changed to Nico. After that first night, he 261 00:16:51,760 --> 00:16:53,760 Speaker 3: only played the game alone in his room at night 262 00:16:55,120 --> 00:16:56,160 Speaker 3: with the door locked. 263 00:17:01,240 --> 00:17:05,800 Speaker 13: Very good, Nico, your sacrifice has been accepted. It is 264 00:17:06,040 --> 00:17:09,760 Speaker 13: fine now to prepare the second Gate of Flesh, this 265 00:17:10,040 --> 00:17:14,640 Speaker 13: time with an offering from yourself. 266 00:17:14,800 --> 00:17:17,639 Speaker 6: An offering from myself, like. 267 00:17:17,760 --> 00:17:29,200 Speaker 10: What from white a beard from Working Park, Awaken the 268 00:17:29,320 --> 00:17:37,720 Speaker 10: creature from Bone and God Lego. 269 00:17:39,840 --> 00:17:42,320 Speaker 8: Okay, you're bleeding, It's fine. 270 00:17:43,000 --> 00:17:43,600 Speaker 6: I tripped. 271 00:17:44,640 --> 00:17:45,240 Speaker 2: What's going on? 272 00:17:45,800 --> 00:17:49,240 Speaker 6: Oh my God, give me a scoring, I said, I'm fine. 273 00:17:49,520 --> 00:17:53,040 Speaker 6: Give me some privacy, Niko, What. 274 00:17:53,240 --> 00:17:54,200 Speaker 7: Is wrong with your brother? 275 00:17:54,560 --> 00:17:56,200 Speaker 8: He's been acting really weird. 276 00:17:57,840 --> 00:18:01,680 Speaker 3: Overnight? Nico turned into someone I did didn't recognize, And 277 00:18:01,760 --> 00:18:05,600 Speaker 3: then I understood the Gates of Flesh. They were real, 278 00:18:06,480 --> 00:18:11,000 Speaker 3: not just levels in the game, but portals and Nico's mind, 279 00:18:11,400 --> 00:18:16,080 Speaker 3: his body. They were the gates. Something was being awakened, 280 00:18:16,440 --> 00:18:18,480 Speaker 3: and the game was using him to let it through. 281 00:18:19,480 --> 00:18:21,359 Speaker 3: I knew if I waited any longer, there might not 282 00:18:21,440 --> 00:18:24,960 Speaker 3: be anything if Nico left to save. So one day, 283 00:18:25,800 --> 00:18:29,200 Speaker 3: when Nico was in the shower, I saw my chance. 284 00:18:30,640 --> 00:18:32,000 Speaker 3: I needed some kind of proof. 285 00:18:36,880 --> 00:18:38,080 Speaker 2: I snuck into his room. 286 00:18:42,680 --> 00:18:46,840 Speaker 3: His room smelled strange, like something had died in there. 287 00:18:48,840 --> 00:18:51,960 Speaker 3: I found the game under his pillow and turned it on. 288 00:18:56,520 --> 00:18:58,240 Speaker 2: But I found it wasn't a game at all. 289 00:19:00,440 --> 00:19:04,800 Speaker 3: Burning faces, rivers of blood, children happens. 290 00:19:05,000 --> 00:19:08,440 Speaker 2: That's there us. There are no words for the things 291 00:19:08,480 --> 00:19:11,920 Speaker 2: I saw, like a window into hell. It was all 292 00:19:12,000 --> 00:19:14,960 Speaker 2: the proof I needed. I knew the game had to 293 00:19:15,000 --> 00:19:23,440 Speaker 2: be destroyed. I hate you, no worl What the hell 294 00:19:23,520 --> 00:19:23,879 Speaker 2: did you do? 295 00:19:25,119 --> 00:19:25,159 Speaker 10: No? 296 00:19:25,359 --> 00:19:28,760 Speaker 6: No, no the hell, Flora, get out, Get. 297 00:19:28,640 --> 00:19:29,840 Speaker 2: Out of my room now. 298 00:19:32,720 --> 00:19:36,480 Speaker 3: He didn't speak to me after that, not one word. 299 00:19:43,280 --> 00:19:52,040 Speaker 8: Hey, Nico, you want to play torn this passage after dinner, so. 300 00:19:53,400 --> 00:19:54,680 Speaker 2: You're just not talking now, Nico. 301 00:19:55,520 --> 00:20:06,080 Speaker 4: Hmm, whatever, It'll pass, honey, Teenagers do this kind of thing. 302 00:20:06,200 --> 00:20:06,600 Speaker 2: Flora. 303 00:20:08,119 --> 00:20:09,439 Speaker 4: At the time, I believed her. 304 00:20:10,119 --> 00:20:12,720 Speaker 3: Now that the game was gone, I thought the old 305 00:20:12,800 --> 00:20:13,679 Speaker 3: Niko would come. 306 00:20:13,600 --> 00:20:15,760 Speaker 2: Back, my beloved big brother. 307 00:20:17,240 --> 00:20:21,200 Speaker 3: But then one night I heard it again, the whispering, 308 00:20:22,119 --> 00:20:22,760 Speaker 3: the chanting. 309 00:20:24,240 --> 00:20:25,120 Speaker 2: The game was back. 310 00:20:25,440 --> 00:20:27,280 Speaker 3: So I went to the only place I knew to 311 00:20:27,359 --> 00:20:28,200 Speaker 3: go for answers. 312 00:20:32,040 --> 00:20:40,240 Speaker 2: Hello, have you come to try your luck with them? 313 00:20:40,320 --> 00:20:46,560 Speaker 2: Mad Woman's as your chest? Just wondering? One dos one pride? 314 00:20:47,520 --> 00:20:48,359 Speaker 2: One play? 315 00:20:48,760 --> 00:20:49,960 Speaker 8: Something's wrong with my brother? 316 00:20:52,200 --> 00:20:56,960 Speaker 2: Ah? Yes, I remember you, guardian of the cave? 317 00:20:57,240 --> 00:20:57,399 Speaker 10: Was it? 318 00:20:58,320 --> 00:21:01,920 Speaker 2: I take it to your brother? As met tim bunche. 319 00:21:04,240 --> 00:21:04,280 Speaker 1: Y. 320 00:21:05,280 --> 00:21:06,840 Speaker 6: Well, that's the whole point of. 321 00:21:06,880 --> 00:21:09,600 Speaker 5: The game, to awaken the guardian of the game, the 322 00:21:09,760 --> 00:21:15,440 Speaker 5: imbunche You really shouldn't play things you don't understand. 323 00:21:16,920 --> 00:21:19,400 Speaker 8: It's not like there are any instructions. 324 00:21:19,760 --> 00:21:26,240 Speaker 5: Fine print, sweetheart, make us hallucinations, possession, body. 325 00:21:26,359 --> 00:21:31,160 Speaker 2: Horror, soul loss. It was all right there on the back. 326 00:21:31,880 --> 00:21:36,320 Speaker 2: But don't shoot the messenger. I just work here. 327 00:21:37,040 --> 00:21:38,040 Speaker 12: Is this a hard joke to you? 328 00:21:39,280 --> 00:21:45,560 Speaker 5: Oh no, Nimbunji is no joke. A creature of pure evil, 329 00:21:46,119 --> 00:21:51,840 Speaker 5: twisted in body and soul, feeds purely only human blood 330 00:21:51,960 --> 00:21:57,680 Speaker 5: and flesh, and once it takes loot, it stays. 331 00:21:59,560 --> 00:21:59,760 Speaker 3: Hold. 332 00:22:01,240 --> 00:22:05,320 Speaker 2: Yes here for you. 333 00:22:06,000 --> 00:22:08,200 Speaker 8: You're giving me an onion, that's. 334 00:22:08,080 --> 00:22:12,080 Speaker 2: Right, put it in your bath with the skin on, 335 00:22:12,680 --> 00:22:15,600 Speaker 2: and won't save him but it might save you. And 336 00:22:15,640 --> 00:22:19,080 Speaker 2: I'll bet you didn't know that. In ancient Egypt it. 337 00:22:19,240 --> 00:22:22,680 Speaker 8: Was onions are symbols of immortality and protection. 338 00:22:23,119 --> 00:22:26,879 Speaker 5: I know, smart girl. I'm afraid it's too late for 339 00:22:26,960 --> 00:22:32,480 Speaker 5: your brother. But you, my dear, have a very interesting life. 340 00:22:33,200 --> 00:22:35,920 Speaker 5: Are you sure you don't want to take a toss 341 00:22:36,040 --> 00:22:36,760 Speaker 5: at the rings? 342 00:22:38,040 --> 00:22:42,360 Speaker 7: Screw you, lady, Ah, go away, grateful little girl. 343 00:22:44,920 --> 00:22:46,160 Speaker 2: Cray Lady was no help. 344 00:22:47,320 --> 00:22:49,160 Speaker 3: I refuse to believe it was too late for Nico. 345 00:22:49,240 --> 00:22:50,760 Speaker 3: He was my brother and I loved him, no matter 346 00:22:50,840 --> 00:22:53,040 Speaker 3: what part of me wanted to believe it was all 347 00:22:53,119 --> 00:22:56,080 Speaker 3: just some elaborate frank from the mad Woman's treasure chest. 348 00:22:56,920 --> 00:23:02,040 Speaker 3: But still, I took her damn onion. That night in bed, 349 00:23:02,640 --> 00:23:07,560 Speaker 3: after my onion bath, I heard strange thoughts coming from upstairs. 350 00:23:08,640 --> 00:23:11,800 Speaker 3: That's when I first realized Nico was asleeping in his 351 00:23:11,960 --> 00:23:14,719 Speaker 3: bed anymore. He was up in the attic doing god 352 00:23:14,840 --> 00:23:18,080 Speaker 3: knows what. I put my pillow over my head and 353 00:23:18,160 --> 00:23:20,359 Speaker 3: went to sleep. I tried to shut it. 354 00:23:20,400 --> 00:23:28,800 Speaker 2: All out and bend the soul enterity the boy and 355 00:23:29,000 --> 00:23:51,720 Speaker 2: make him hold I have to run. 356 00:23:52,880 --> 00:23:54,120 Speaker 4: Thank you so much for watching the kids. 357 00:23:54,359 --> 00:23:54,880 Speaker 1: Don't worry. 358 00:23:56,400 --> 00:23:59,240 Speaker 4: Take good care of you better, and don't be too tough. 359 00:23:59,320 --> 00:24:04,320 Speaker 7: Okay, never they get him a jump? 360 00:24:11,160 --> 00:24:14,000 Speaker 15: Whoa, this looks delicious to you, Marla, My mom doesn't 361 00:24:14,000 --> 00:24:18,000 Speaker 15: really cook, so oh my gosh, this is really a. 362 00:24:18,000 --> 00:24:22,479 Speaker 7: True Hey, not so fast, Florida. Let's give things before 363 00:24:22,560 --> 00:24:23,600 Speaker 7: we stuff our faces. 364 00:24:23,880 --> 00:24:28,480 Speaker 2: Okay, in the name of the father, this son, Hey, 365 00:24:28,800 --> 00:24:29,439 Speaker 2: hands together? 366 00:24:29,560 --> 00:24:29,840 Speaker 13: Please? 367 00:24:30,280 --> 00:24:33,719 Speaker 7: Oh sure, Niko, I said, hands together. 368 00:24:34,359 --> 00:24:35,720 Speaker 6: I don't pray. 369 00:24:36,600 --> 00:24:38,840 Speaker 8: We're more spiritual than religious in this house. 370 00:24:39,040 --> 00:24:39,119 Speaker 11: Oh. 371 00:24:39,200 --> 00:24:41,600 Speaker 6: I know your mama is not a religious type, but 372 00:24:41,800 --> 00:24:42,560 Speaker 6: she is not here. 373 00:24:42,720 --> 00:24:43,760 Speaker 4: I am so tonight. 374 00:24:43,960 --> 00:24:46,480 Speaker 6: You pray I'm not doing this. 375 00:24:48,720 --> 00:24:53,080 Speaker 2: Wow, what's going on with him? 376 00:24:53,359 --> 00:24:56,119 Speaker 8: It's a long story. But he's going through some stuff, 377 00:24:56,600 --> 00:24:58,560 Speaker 8: you know, teenage stuff. 378 00:25:00,040 --> 00:25:00,560 Speaker 2: Ready for him. 379 00:25:01,000 --> 00:25:01,159 Speaker 11: You know. 380 00:25:01,880 --> 00:25:04,160 Speaker 8: Even though I'm not the prying type, I think it's 381 00:25:04,160 --> 00:25:04,920 Speaker 8: a really good idea. 382 00:25:05,359 --> 00:25:15,840 Speaker 7: Good girl, Florida, Florida, Florida. 383 00:25:15,920 --> 00:25:19,800 Speaker 2: Wake up. Have you seen Nicole? 384 00:25:19,880 --> 00:25:20,800 Speaker 4: He's naught in his bed. 385 00:25:21,520 --> 00:25:25,000 Speaker 8: He might be the adic he's been sleeping there these days. 386 00:25:25,960 --> 00:25:28,560 Speaker 2: The attic, why not supposibly? 387 00:25:28,880 --> 00:25:29,720 Speaker 6: May scuchar? 388 00:25:32,880 --> 00:25:34,560 Speaker 4: Why we're sposively? 389 00:25:35,760 --> 00:25:41,960 Speaker 2: I can't. I'm not, Ah, what does smell? 390 00:25:45,560 --> 00:25:45,800 Speaker 11: God? 391 00:25:46,040 --> 00:25:49,639 Speaker 2: Have the cave from my child of darkness? 392 00:25:49,840 --> 00:25:55,840 Speaker 16: All rise hollow the boy and make him my Housefrise. 393 00:26:00,119 --> 00:26:09,560 Speaker 6: Nigo, I break my neck to loosen my spies. Niko he, no, 394 00:26:09,640 --> 00:26:11,280 Speaker 6: no man stops. 395 00:26:14,400 --> 00:26:15,320 Speaker 4: My goodness. 396 00:26:16,280 --> 00:26:19,480 Speaker 1: I shall not interfere with his sacred work. 397 00:26:20,160 --> 00:26:25,959 Speaker 6: Continue, my child. I turned my feet to face behind. 398 00:26:26,160 --> 00:26:26,800 Speaker 8: You're faster. 399 00:26:31,160 --> 00:26:34,160 Speaker 6: I corn up, my lord, to let the shadow. 400 00:26:33,880 --> 00:26:51,760 Speaker 16: It says, the guardian of the cave has a light. 401 00:26:52,680 --> 00:26:56,719 Speaker 16: The dark child has listen now us fiend and forever. 402 00:26:56,840 --> 00:26:59,920 Speaker 6: No the hand of a flash, nic. 403 00:27:01,280 --> 00:27:03,399 Speaker 11: Nicost me here anymore. 404 00:27:21,760 --> 00:27:25,560 Speaker 3: The Amadola never came back down those attic steps, and 405 00:27:25,720 --> 00:27:28,280 Speaker 3: Niko he didn't come down the stairs either. 406 00:27:28,960 --> 00:27:34,080 Speaker 2: No, he came down the walls on all fours like 407 00:27:34,160 --> 00:27:34,720 Speaker 2: a lizard. 408 00:27:36,000 --> 00:27:40,480 Speaker 3: His feet were backward, his arm twisted through a bloodhole, 409 00:27:40,760 --> 00:27:47,520 Speaker 3: and his chest his head turned the wrong way. He 410 00:27:47,720 --> 00:27:55,240 Speaker 3: had become the eon shape. But as horrible as it was, 411 00:27:57,320 --> 00:27:58,879 Speaker 3: it had my brother's eyes. 412 00:28:04,000 --> 00:28:07,280 Speaker 7: Okay, yeah, here it is, thanks so much. 413 00:28:07,600 --> 00:28:08,240 Speaker 4: Keep the change. 414 00:28:10,600 --> 00:28:23,240 Speaker 2: Oh here is God? 415 00:28:23,280 --> 00:28:25,239 Speaker 11: Up the who are you doing? Up? 416 00:28:26,119 --> 00:28:27,040 Speaker 6: And you believe it? 417 00:28:27,480 --> 00:28:28,359 Speaker 4: I missed my friend. 418 00:28:28,480 --> 00:28:29,520 Speaker 1: Mommy needs to go. 419 00:28:30,040 --> 00:28:30,760 Speaker 12: Let's break down. 420 00:28:30,800 --> 00:28:31,800 Speaker 8: We have to get out of the house. 421 00:28:31,840 --> 00:28:33,240 Speaker 1: Stop it are you freaking me? 422 00:28:37,080 --> 00:28:37,560 Speaker 13: What is that? 423 00:28:46,800 --> 00:28:49,280 Speaker 2: I didn't want to hurt him. He was still in brotherhood. 424 00:28:49,280 --> 00:28:52,960 Speaker 3: I had no choice get off hurt now. 425 00:28:58,560 --> 00:29:02,600 Speaker 2: I hit him. Oh lord, I saw his eyes roll back. 426 00:29:03,400 --> 00:29:04,360 Speaker 6: He stopped moving. 427 00:29:07,520 --> 00:29:13,520 Speaker 8: Mom, Mom, But it was. 428 00:29:13,560 --> 00:29:25,960 Speaker 3: Too late for my mom. Flora right. 429 00:29:27,080 --> 00:29:29,000 Speaker 2: Let me ask you a couple of questions. If that's okay, 430 00:29:31,560 --> 00:29:34,080 Speaker 2: you said your brother was hit on the head. 431 00:29:35,120 --> 00:29:37,680 Speaker 3: Is he going to make you miss your brother? 432 00:29:37,760 --> 00:29:40,840 Speaker 6: Isn't even in the house. We've searched every room. There 433 00:29:40,920 --> 00:29:42,240 Speaker 6: was only one body in the kitchen. 434 00:29:43,560 --> 00:29:44,200 Speaker 2: Who's your mother? 435 00:29:45,720 --> 00:29:46,240 Speaker 8: I'm sorry. 436 00:29:48,800 --> 00:29:50,520 Speaker 2: We have someone coming by who's going to talk to 437 00:29:50,560 --> 00:29:51,480 Speaker 2: you and take care of you. 438 00:29:51,520 --> 00:29:53,800 Speaker 1: Okay, you're being so brave. 439 00:30:00,320 --> 00:30:01,280 Speaker 2: They never found Nico. 440 00:30:02,200 --> 00:30:05,120 Speaker 3: Officers track descend with bloodhounds as far as the river. 441 00:30:05,960 --> 00:30:11,520 Speaker 3: They figure he blet out washed out to sea. But 442 00:30:11,640 --> 00:30:14,880 Speaker 3: I knew what he'd become, and I knew he'd come 443 00:30:14,960 --> 00:30:20,080 Speaker 3: back for me eventually, and when he did, I was ready. 444 00:30:23,000 --> 00:30:24,880 Speaker 2: You're probably wondering why I'm. 445 00:30:24,800 --> 00:30:27,480 Speaker 4: Telling you all this and why you're all tied up. 446 00:30:29,360 --> 00:30:29,600 Speaker 2: Yeah. 447 00:30:30,760 --> 00:30:33,480 Speaker 3: The thing about Niko is there are only a few 448 00:30:33,600 --> 00:30:34,840 Speaker 3: things he can really eat. 449 00:30:35,840 --> 00:30:39,040 Speaker 7: Fielm and flesh and popcorn weird. 450 00:30:40,440 --> 00:30:41,760 Speaker 3: Everything else just makes him stick. 451 00:30:42,560 --> 00:30:45,520 Speaker 2: Feeding him isn't for the faint of heart. But Niko 452 00:30:45,640 --> 00:30:47,760 Speaker 2: is my brother and I love him. 453 00:30:48,760 --> 00:30:52,240 Speaker 3: And hey, look, I'm kind of doing society a service 454 00:30:52,240 --> 00:30:53,280 Speaker 3: feeding your types. 455 00:30:54,080 --> 00:30:56,480 Speaker 2: You know, real predators. 456 00:30:58,760 --> 00:30:59,360 Speaker 3: Don't worry. 457 00:31:00,320 --> 00:31:03,040 Speaker 2: You're not gonna feel a thing. I prompt some This 458 00:31:03,200 --> 00:31:05,000 Speaker 2: is tough for knock your right up. 459 00:31:11,760 --> 00:31:14,240 Speaker 11: See it wasn't so bad. 460 00:31:20,400 --> 00:31:21,480 Speaker 12: Day your time, me go. 461 00:31:22,440 --> 00:31:27,200 Speaker 3: Sorry it took so long, So I'm sorry. All right, 462 00:31:27,560 --> 00:31:28,640 Speaker 3: These things take time. 463 00:31:28,880 --> 00:31:31,400 Speaker 7: People have GPS now, It's not like the nineties, and. 464 00:31:35,360 --> 00:31:37,480 Speaker 3: Jeez, I think it would be nice. 465 00:31:39,800 --> 00:31:40,720 Speaker 7: Well, I'll leave you to it. 466 00:31:43,480 --> 00:31:45,840 Speaker 4: Oh, hey, I want to watch the guests flows later. 467 00:31:48,880 --> 00:31:50,360 Speaker 4: I'll grab some potocorn. 468 00:32:03,480 --> 00:32:07,640 Speaker 14: For Flora and Nico. Blood is thicker than water and 469 00:32:07,800 --> 00:32:13,520 Speaker 14: a lot messier to clean up. But hey, familiaws comes first. Right, 470 00:32:14,560 --> 00:32:17,840 Speaker 14: keep your loved ones close and see you next time. 471 00:32:18,640 --> 00:32:22,400 Speaker 14: On Nocturnal Tales from the Shadows. 472 00:32:30,480 --> 00:32:34,440 Speaker 9: Nocturno Tales from the Shadows was produced by Sonoro in 473 00:32:34,520 --> 00:32:39,040 Speaker 9: partnership with Iheartsmichael to the Podcast Network, Produced and directed 474 00:32:39,160 --> 00:32:43,960 Speaker 9: by Luisa Luardo Castillio, Developed and produced by Bettina Lopez. 475 00:32:44,480 --> 00:32:49,040 Speaker 9: Executive produced by Royal Pearson, Arlene Santana and Leo Gomez 476 00:32:49,080 --> 00:32:53,400 Speaker 9: for iHeart and Camilla Victoriano and Josho Weinstein for Sonato. 477 00:32:54,120 --> 00:32:55,240 Speaker 11: This episode was. 478 00:32:55,280 --> 00:33:00,360 Speaker 9: Written by Stephanie Adams. Santos performances in this episode by 479 00:33:01,320 --> 00:33:07,360 Speaker 9: Danny Trejo, Adam Breda, A J. Lister, Joseph Elliot, Rodriguez, 480 00:33:07,880 --> 00:33:14,640 Speaker 9: Annie Henk, Marilyn, Sanabrie May As Well, Flor De Maria Chao, Brandon, 481 00:33:14,720 --> 00:33:20,719 Speaker 9: Jay Scott, Henry, Alexander, Kelly, Nick Cavet, Rodriguez, Aaron Leric, 482 00:33:21,320 --> 00:33:27,080 Speaker 9: Aila Eloi, Jose durand Anastacia lyric And by Eileen Clark. 483 00:33:27,840 --> 00:33:32,960 Speaker 9: Our supervising producer is cad In Sachaidis. Recording engineering and 484 00:33:33,080 --> 00:33:37,920 Speaker 9: sound design by Cassandra Tinajero and Andres Baena. Casting a 485 00:33:38,040 --> 00:33:43,840 Speaker 9: coordination by Nick Milanez and Alex Gonzalez. Voices recorded at 486 00:33:43,960 --> 00:33:47,800 Speaker 9: the Invisible Studios, dg IS Studios, an Outloud Audio in 487 00:33:47,920 --> 00:33:52,200 Speaker 9: Los Angeles, the Relic Room in New York, Panoramic Audio Miami, 488 00:33:52,600 --> 00:33:56,000 Speaker 9: sab Boom Bank Studios in Houston, and Cavit Sound in 489 00:33:56,120 --> 00:34:02,120 Speaker 9: Santa Fe, with engineering by Charles Carroll, Sharon Carney, Stephen 490 00:34:02,200 --> 00:34:08,120 Speaker 9: George David Luke, Elli, Gary Forbes, Jody Abbott, Ivan Coreas, 491 00:34:08,640 --> 00:34:15,239 Speaker 9: Ethan Grafton, Robert Thayer, Brett Tuban, j K. Hurado, Alfredo Funtez, 492 00:34:15,760 --> 00:34:23,880 Speaker 9: and Colin Angerwater. If you're enjoying octursonal Tales from the Shadows, 493 00:34:23,960 --> 00:34:27,720 Speaker 9: please subscribe, rate, and review our show wherever you're listening.