WEBVTT - #Throwback Episode - w/ EPMD | (Ep.98)

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<v Speaker 1>He is drink Chess, motherfucking podcast makes He's a legends

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<v Speaker 1>every queen's rapper.

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<v Speaker 2>He ain't sagree. This is your boy in o R.

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<v Speaker 2>He's a Miami hip hop and ioneer. What up it's

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<v Speaker 2>d J e f N. Together they drink it up

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<v Speaker 2>with some of.

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<v Speaker 3>The biggest players, you know what I mean.

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<v Speaker 1>And the most professional unprofessional podcast and your number one

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<v Speaker 1>source for drunk drin chess mo.

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<v Speaker 2>Every day is New Year's Csten. It's time for drink Champ.

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<v Speaker 2>Drink up. Motherfucker. He ain't segree hope's aby. It's your

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<v Speaker 2>boy in O R. What up? It's d J e

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<v Speaker 2>f N. And this drinks has the mother booking podcast.

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<v Speaker 4>Man up?

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<v Speaker 2>Guess is something yeah right now?

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<v Speaker 5>Right now?

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<v Speaker 2>Come on, somebody responsible, speak right now.

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<v Speaker 6>When it come to two man groups, if it wasn't

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<v Speaker 6>for them.

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<v Speaker 2>Yeah, welcome at the White Child.

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<v Speaker 6>You gotta relax, all right when it come to two

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<v Speaker 6>man groups. If it wasn't for these two brothers right

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<v Speaker 6>here standing in front of us, I don't think that

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<v Speaker 6>me and this brother to the left of me would

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<v Speaker 6>even exist. These guys not only stood to test the

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<v Speaker 6>time with hip hop, you had to be a real MC,

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<v Speaker 6>meaning you had to know how to rhyme, you know how,

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<v Speaker 6>you had to know how to do beats, you had

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<v Speaker 6>to you had to do all of that. And these

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<v Speaker 6>guys are the epit of me. There you go, Oh

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<v Speaker 6>that you guys stood this test of time, you stuck together.

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<v Speaker 6>I know it's rough because it's be rough fucking with

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<v Speaker 6>this nigga. So I know it's rough, and it'd be

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<v Speaker 6>rough for him fucking with me. It's not like I'm perfect,

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<v Speaker 6>but it'd be rough for him fucking with me. But

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<v Speaker 6>the thing is, you guys stood together for over the

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<v Speaker 6>times you stood together, you represented Long Island's strongest Right

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<v Speaker 6>now in the building, what drink Champs? We got my

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<v Speaker 6>personal favorite group, E mother fucking Pete.

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<v Speaker 2>M D makes.

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<v Speaker 6>So I want to I want to take it to

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<v Speaker 6>the very beginning because first off.

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<v Speaker 2>Just the name E p MD how?

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<v Speaker 7>How?

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<v Speaker 8>What?

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<v Speaker 6>What was your thought process when you say we're gonna

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<v Speaker 6>be a group because everybody prior to that they didn't

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<v Speaker 6>have names like that.

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<v Speaker 5>Well, parents got the will I'm gonna give you my

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<v Speaker 5>thing too. At the end, I just figured that, I

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<v Speaker 5>tell you, by the old time, you know, run DMC

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<v Speaker 5>is who we we look after me and Paris drove

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<v Speaker 5>to Manhattan to buy sucking cs from Long Island.

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<v Speaker 2>You know, when the Perston came up, we great, yeah yeah,

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<v Speaker 2>but you.

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<v Speaker 5>Know Paris you know figured that, you know American parish.

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<v Speaker 5>You know, we want to make money, so E P

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<v Speaker 5>M D making dollars. But run D M C again

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<v Speaker 5>you could tell.

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<v Speaker 2>Took the line. The whole was okay with it. So

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<v Speaker 2>he's like, yo, you know, go ahead. You guys were

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<v Speaker 2>actually on depth jam and running never was on depth jam.

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<v Speaker 5>Is that correct? You know we end up being later

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<v Speaker 5>but were managed by Rush.

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<v Speaker 2>So when we.

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<v Speaker 5>Got managed by Rush, Leo took it because it was

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<v Speaker 5>spelled e P E E M D m D. It

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<v Speaker 5>was spelled e P E E M D. When we

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<v Speaker 5>got signed the Rush, he changed management. Yeah, run management.

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<v Speaker 5>They changed and the logo and got the guy Hayes,

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<v Speaker 5>famous guy now and who changed the logo to four

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<v Speaker 5>letters and look it up like that. That's because past

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<v Speaker 5>call stuff. I'm the P double E M D E.

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<v Speaker 5>That's what so we in the rhyme, we spelled it

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<v Speaker 5>that way, you know, because we forgured that was it

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<v Speaker 5>was like that.

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<v Speaker 2>On that on my wife, my wife. Hey, hey man,

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<v Speaker 2>and look that's that's mama law, brother in law. Come on, yo,

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<v Speaker 2>I go front. I think losses. I saw you went overseas.

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<v Speaker 5>You know you boogie overseas. Though, Yeah, there's different, it's different,

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<v Speaker 5>just different over the seas. You don't work up different

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<v Speaker 5>one hundred overseas. You know, you a different person saying

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<v Speaker 5>the headlines overseas. That's the whole big thing. I can't

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<v Speaker 5>up for him. You know, listen, the music was louder.

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<v Speaker 5>What is this?

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<v Speaker 2>Let people know you? This is how you this is

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<v Speaker 2>how you know. This is how you know good people.

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<v Speaker 2>Because you know, I see the story a totally opposite way.

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<v Speaker 5>We know what.

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<v Speaker 6>I want to keep it between you because at that time,

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<v Speaker 6>when you guys came out, it was a tough time

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<v Speaker 6>in hip hop, meaning you actually had to really really

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<v Speaker 6>be good. Like right now, these people will say but

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<v Speaker 6>better and they could get on and they can have

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<v Speaker 6>a that's.

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<v Speaker 2>Not the time you guys came out. The whole question.

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<v Speaker 6>When you guys came out, you guys actually had to

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<v Speaker 6>know how to rhyme. You guys formed the Crazy Crew.

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<v Speaker 6>But but but I just want to describe those moments

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<v Speaker 6>of how hard it was back then to these young

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<v Speaker 6>guys and you gotta take a shot.

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<v Speaker 5>Yo.

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<v Speaker 1>No, I'm sorry, listen, yes ya. Basically us coming from

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<v Speaker 1>mong Allen, you know Queens, we always felt we had

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<v Speaker 1>to work harder. But once Public Enemy dropped the rock

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<v Speaker 1>him and Wine Dance dropped, you know.

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<v Speaker 5>Him some wine dance.

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<v Speaker 2>I went to Wine Dance one day and it was six.

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<v Speaker 6>Bodies out there. They kept barbecuing, they kept barbecuing like

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<v Speaker 6>this is this is nothing.

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<v Speaker 5>They're like Yo.

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<v Speaker 2>It was like, yo, come on, you gotta keep all what.

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<v Speaker 6>There's six bodies and this is the time when people

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<v Speaker 6>think your house. And I was like, no, they got

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<v Speaker 6>it confused.

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<v Speaker 2>No question.

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<v Speaker 1>So me and he always just you know, kept our

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<v Speaker 1>pin down, feeling like, you know, you had Karen rest

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<v Speaker 1>One coming from the Bronx, you had Big Daddy Kane,

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<v Speaker 1>you had Slick Rick, Lottie Dotty. So when we came in,

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<v Speaker 1>you know, we just wanted to have that impact. Always

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<v Speaker 1>felt that we had to work harder, and then at

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<v Speaker 1>the end wind up coming off.

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<v Speaker 2>Now let's take it to this slow down baby.

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<v Speaker 5>Baby.

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<v Speaker 2>Right. I don't know, I don't know what some of

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<v Speaker 2>that was. Yeah, but I know you'll control.

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<v Speaker 5>That whole fucking holes in ninety one.

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<v Speaker 1>Yea, we were tight back there though the world was

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<v Speaker 1>going to a wall. We just got off a sleeping bag.

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<v Speaker 1>Records on the death Jam.

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<v Speaker 3>That first time, Yeah, death Job.

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<v Speaker 2>That was your first step jam record.

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<v Speaker 5>Yeh yeah, they had they had ordered the record was

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<v Speaker 5>on with his first free from back. It was Nicest

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<v Speaker 5>Moves on the label too. We had a pretty good label.

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<v Speaker 5>Nice Move was on there. Craik Man was on there

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<v Speaker 5>with the first single Zoom Zoom Zoom and Manitronics no not,

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<v Speaker 5>and we had parents because parents was dead. I wasn't

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<v Speaker 5>even on rampages.

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<v Speaker 1>It was yeah, So basically in between we got caught

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<v Speaker 1>in between labels. But they was like, yo, keep working though,

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<v Speaker 1>so it was like wow, we kept the legs moving.

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<v Speaker 1>Then we went in the studio. We put down the

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<v Speaker 1>rampage because the way we was feeling, we felt like

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<v Speaker 1>an album was going to be held up.

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<v Speaker 2>You know.

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<v Speaker 1>Most people was like, yo, you got you got past

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<v Speaker 1>the sophomore drinks with Unfinished Business. So Eric and I

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<v Speaker 1>was like, yo, you know what you see the cover

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<v Speaker 1>were standing in the swamp.

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<v Speaker 2>With the guns pointing at us.

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<v Speaker 1>You know, the helicopters above and then the Rampage because

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<v Speaker 1>we were that's the same album as I'm man.

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<v Speaker 5>Here's a little story of the whole album was a bunch.

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<v Speaker 2>Of what made you guys want to work with l

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<v Speaker 2>L because.

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<v Speaker 5>But Leo and them put LLLL on.

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<v Speaker 6>Us because you know why, This is the reason why

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<v Speaker 6>I'm telling you as an outside of looking in, because

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<v Speaker 6>I really wasn't a part of hip hop. I was

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<v Speaker 6>just a fan of the guy on the benches and

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<v Speaker 6>at that time L was kind of crossover and you

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<v Speaker 6>guys were kind of representing the underground hipster.

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<v Speaker 5>But you just hit it just now the reason why

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<v Speaker 5>Leo and them felt that L should be on this

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<v Speaker 5>on this lane.

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<v Speaker 2>So it was Leo. So when Mama said.

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<v Speaker 5>Well, Leo and Russell and Russell, so you heard the

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<v Speaker 5>next album, Mama said, not exactly was the Panther. Everything

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<v Speaker 5>came over after hanging, he said, hanging with these guys.

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<v Speaker 2>And then.

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<v Speaker 5>Marley and then Bang that album came out.

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<v Speaker 6>Because because you guys was like the official you guys

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<v Speaker 6>was the original martep origed mo P. And what I

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<v Speaker 6>mean by that is the audience that you guys brung

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<v Speaker 6>out at that time was super street like I was

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<v Speaker 6>scared of you, kind of kind of still scared of

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<v Speaker 6>y'all want to look at I'm a fan, but at

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<v Speaker 6>that time, that's that's why I always wondered, like why

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<v Speaker 6>did they have L? Because now I'm being my queens,

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<v Speaker 6>But that Al was kind of like, you know, doing

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<v Speaker 6>and doing like he was like you know, he was different.

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<v Speaker 5>Yeah, but the L was still tall tall always given Sunday.

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<v Speaker 5>You don't get us, you know, we knew, we knew that,

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<v Speaker 5>ya know, we wanted to bring you even got this though.

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<v Speaker 6>What Let's get back because we just had L.

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<v Speaker 5>You just had to I was on the deal with

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<v Speaker 5>Hell just about two hours ago. But let's get back

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<v Speaker 5>to the crost beat. But his parents have to squash.

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<v Speaker 5>The first people we had was the rock Kim Beef.

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<v Speaker 5>This is the part I was getting to that. Yeah,

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<v Speaker 5>thank you for going there first.

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<v Speaker 2>How did this happen? This is Long Island.

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<v Speaker 5>Because we two towns away.

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<v Speaker 3>Rock Kim was my mentor. This is to me.

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<v Speaker 5>I'm like when I heard him, my thirst name was

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<v Speaker 5>rock Wind. Somebody was like, yo, somethings we rock Wind

0:10:20.360 --> 0:10:23.360
<v Speaker 5>came out rock Win. That's what I thought. That was

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<v Speaker 5>hard all of a sudden, All of a sudden, he

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<v Speaker 5>was two towns over. So the record came out, so

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<v Speaker 5>me and Parates were like, yo, this is the most

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<v Speaker 5>hellly ship we ever heard. The miner Alert came the

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<v Speaker 5>next day and played Nobody Beats the Bars. That was

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<v Speaker 5>another big best rock him had. I ain't no joke.

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<v Speaker 5>You can get a smack, but this ain't no joke.

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<v Speaker 5>Paris came back and said, like a digma smack. You

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<v Speaker 5>smacked me and I smacked you back. I'm just right,

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<v Speaker 5>and there.

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<v Speaker 2>Was talking about right. I never caught that man, Yeah,

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<v Speaker 2>but the.

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<v Speaker 5>Two towns did because it's long alland okay, and rock Kim.

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<v Speaker 3>Made this ship called fire Leaders.

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<v Speaker 5>Said a brother said Digga might never donk and be

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<v Speaker 5>killing file leading, so I drug him.

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<v Speaker 3>And the danger zone.

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<v Speaker 5>So he went, and I'm We're not. I can't. We're

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<v Speaker 5>not fucking with him. Let's keeping my palace. Was incredible.

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<v Speaker 5>We're not fucking with him though we killed the students,

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<v Speaker 5>you know.

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<v Speaker 2>So it comes on.

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<v Speaker 5>The twenty fifth anniversary of the East West Coast Ship

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<v Speaker 5>does it in front of us, shakes the mic and

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<v Speaker 5>rolls it like dice, like you know, like and Rose

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<v Speaker 5>the mic to y'all, I don't I don't know this

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<v Speaker 5>because he was rong. So it used to be it's

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<v Speaker 5>to be a cause the building in Manhattan, right, So

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<v Speaker 5>him and Palace at the bar talking.

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<v Speaker 6>Old niggas came out old niggas like, I'm the building talk.

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<v Speaker 5>So there him and he at the bar talking and

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<v Speaker 5>Pece said, yo, eat, I'm talking with you crack. So

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<v Speaker 5>he called me over and he squatsed to be we're

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<v Speaker 5>right there in the bar.

0:12:02.840 --> 0:12:05.199
<v Speaker 2>Was there, Yeah, m was right there.

0:12:05.240 --> 0:12:08.200
<v Speaker 5>That was the first one we had, the first one

0:12:08.240 --> 0:12:11.720
<v Speaker 5>that they Yeah, they caught me in the building by

0:12:11.800 --> 0:12:17.400
<v Speaker 5>myself on the forty four. It was looking like it

0:12:17.520 --> 0:12:24.120
<v Speaker 5>was like the following in the video. Yeah, hur rings all.

0:12:24.400 --> 0:12:27.600
<v Speaker 3>Rock says like he's stressing me. I never even heard

0:12:27.679 --> 0:12:28.280
<v Speaker 3>that word.

0:12:30.200 --> 0:12:32.960
<v Speaker 5>Stressing me yet.

0:12:33.000 --> 0:12:34.040
<v Speaker 2>The ball you want it?

0:12:34.080 --> 0:12:37.400
<v Speaker 5>So I'm looking, I'm waiting for I'm like, yeah, we're

0:12:37.600 --> 0:12:38.680
<v Speaker 5>looking easily.

0:12:39.120 --> 0:12:41.280
<v Speaker 1>I can't find them nowhere in the building. So I

0:12:41.320 --> 0:12:42.840
<v Speaker 1>was like, yo, let me check in the spot where

0:12:42.840 --> 0:12:44.760
<v Speaker 1>we never go. You know, you got all these wings.

0:12:44.800 --> 0:12:46.920
<v Speaker 1>We don't go in that wing over, keep them moving.

0:12:47.520 --> 0:12:50.520
<v Speaker 1>I walked fast the door. I come in and Erican

0:12:50.720 --> 0:12:52.760
<v Speaker 1>Rochem is like this nose to know.

0:12:53.559 --> 0:12:57.280
<v Speaker 9>The way we're.

0:12:55.640 --> 0:12:56.960
<v Speaker 3>Used in Burpdel's office.

0:12:57.280 --> 0:12:58.640
<v Speaker 2>So that's accounting.

0:12:58.720 --> 0:13:00.320
<v Speaker 3>Yeah yeah, yeah, him.

0:13:00.240 --> 0:13:10.640
<v Speaker 2>Facing Rich you, I'm sorry you're ntinue. So once I

0:13:10.679 --> 0:13:13.080
<v Speaker 2>seen that scene, I already knew it was a situation. Yeah,

0:13:13.320 --> 0:13:15.000
<v Speaker 2>you know, big respect to Rock Kim.

0:13:15.400 --> 0:13:18.320
<v Speaker 1>I was like, basically, I don't even know what's going

0:13:18.360 --> 0:13:20.680
<v Speaker 1>on in here, but the scene didn't look correct. What's

0:13:20.760 --> 0:13:23.240
<v Speaker 1>being a misunderstanding? Rock him was smooth with it and

0:13:23.280 --> 0:13:25.720
<v Speaker 1>we rolled out. But when I got there and I

0:13:25.760 --> 0:13:27.280
<v Speaker 1>asked Rod, I was like, yo, what's up?

0:13:27.320 --> 0:13:29.440
<v Speaker 2>He was like nah, like he said, he said, now

0:13:29.520 --> 0:13:32.400
<v Speaker 2>your man stressed to me? What did that mean?

0:13:32.559 --> 0:13:34.840
<v Speaker 5>Stressing me? You know what I mean? Now? But it

0:13:34.880 --> 0:13:39.880
<v Speaker 5>wasn't in the hip hop sling yet he came out late.

0:13:40.440 --> 0:13:43.000
<v Speaker 3>That's a late term, you know that came out.

0:13:43.080 --> 0:13:45.360
<v Speaker 5>He came out early with that to me.

0:13:45.679 --> 0:13:49.079
<v Speaker 2>He said, he said that to you, to me about

0:13:50.840 --> 0:13:53.120
<v Speaker 2>he was the one who had the problem.

0:13:52.880 --> 0:13:56.400
<v Speaker 5>If something happened to was with a something happened with

0:13:56.440 --> 0:13:59.200
<v Speaker 5>the album, and he's my mentor. So what happened was

0:13:59.520 --> 0:14:02.000
<v Speaker 5>I just told the girls sorry, I didn't like the

0:14:02.080 --> 0:14:04.400
<v Speaker 5>new one like I liked the past album. That always

0:14:04.440 --> 0:14:08.840
<v Speaker 5>starts and it came back somehow, you know, not that.

0:14:09.040 --> 0:14:10.800
<v Speaker 5>I was like, Yo, how can I diss you? When

0:14:10.840 --> 0:14:13.360
<v Speaker 5>I'm on one side of the tape? I got half

0:14:13.400 --> 0:14:16.160
<v Speaker 5>and out with the people president. The other side is

0:14:16.440 --> 0:14:18.960
<v Speaker 5>biz monkey, Like I'm I talk about you all the time.

0:14:19.200 --> 0:14:21.400
<v Speaker 2>But why is that always like that? Why is it

0:14:22.440 --> 0:14:25.080
<v Speaker 2>our get wrong with us?

0:14:25.120 --> 0:14:25.240
<v Speaker 1>Like?

0:14:25.360 --> 0:14:27.720
<v Speaker 5>Why is not it's the people around it that start

0:14:27.760 --> 0:14:30.120
<v Speaker 5>to beef. You don't got no be your friends.

0:14:29.920 --> 0:14:32.760
<v Speaker 2>Then start it's just like queens, right queens.

0:14:33.200 --> 0:14:37.640
<v Speaker 6>You know cor Mega will have beef with Knaves or

0:14:37.720 --> 0:14:40.880
<v Speaker 6>Knives will have beef for the I'm just making examples

0:14:41.440 --> 0:14:45.840
<v Speaker 6>a compone. But then all actually we're all together, So

0:14:45.880 --> 0:14:47.640
<v Speaker 6>why do we can't get along with each other? Like

0:14:48.000 --> 0:14:50.600
<v Speaker 6>when I look at Compton, I'll be like damn sometimes

0:14:50.600 --> 0:14:52.720
<v Speaker 6>because you know, they all beefing with each other, and I'm.

0:14:52.520 --> 0:14:55.280
<v Speaker 2>Like, damn. Why is it like that for our community?

0:14:55.720 --> 0:14:55.920
<v Speaker 5>Well?

0:14:56.040 --> 0:14:58.440
<v Speaker 1>I think probably because we was in advanced with the

0:14:58.480 --> 0:15:01.120
<v Speaker 1>business and we have to learn. So we was dealing

0:15:01.160 --> 0:15:03.520
<v Speaker 1>with a business that was more than advanced than us.

0:15:03.560 --> 0:15:05.800
<v Speaker 1>We were just coming up out of the hood. So

0:15:05.880 --> 0:15:07.680
<v Speaker 1>as years go on, we learned the game.

0:15:07.720 --> 0:15:09.280
<v Speaker 5>We know the game. But for the new Cats.

0:15:09.320 --> 0:15:10.800
<v Speaker 1>They don't know the game, so they learned in the

0:15:10.840 --> 0:15:13.520
<v Speaker 1>game and the top of and inside of that, that's

0:15:13.560 --> 0:15:16.240
<v Speaker 1>where the miscommunication and the little funny business go down.

0:15:16.880 --> 0:15:21.880
<v Speaker 5>Now what but me and cubans Man friends matth no

0:15:21.960 --> 0:15:26.560
<v Speaker 5>no on the tour bus when you book with n

0:15:26.680 --> 0:15:28.440
<v Speaker 5>w A parents told him.

0:15:28.360 --> 0:15:32.720
<v Speaker 2>How to how to do it? That's right to break up,

0:15:32.760 --> 0:15:33.200
<v Speaker 2>to leave.

0:15:33.120 --> 0:15:40.240
<v Speaker 5>The well in the way like two months because you know,

0:15:40.320 --> 0:15:43.400
<v Speaker 5>you get he opened up for us like if you're

0:15:43.440 --> 0:15:44.240
<v Speaker 5>introducing us.

0:15:44.320 --> 0:15:45.720
<v Speaker 3>As if we want to lose Skywalker tour.

0:15:45.800 --> 0:15:48.160
<v Speaker 2>And then he went in because he's working with and

0:15:48.200 --> 0:15:52.640
<v Speaker 2>then he came to exactly with after five days so

0:15:53.400 --> 0:15:57.040
<v Speaker 2>so so so yeah, yeah, you gotta relax. So please

0:15:57.080 --> 0:15:58.800
<v Speaker 2>please please please please place.

0:15:58.560 --> 0:15:59.040
<v Speaker 5>Please place.

0:16:00.600 --> 0:16:03.080
<v Speaker 6>So you're telling me that when ice Cube came to

0:16:03.120 --> 0:16:05.240
<v Speaker 6>New York, y'all connected with him.

0:16:05.280 --> 0:16:07.240
<v Speaker 3>You know he's on he was, he's on the tour.

0:16:07.560 --> 0:16:08.880
<v Speaker 2>Was the worst toss. We was talking.

0:16:09.240 --> 0:16:11.080
<v Speaker 5>He came on that bus and just stayed for like

0:16:11.120 --> 0:16:12.080
<v Speaker 5>four or five days.

0:16:12.360 --> 0:16:17.320
<v Speaker 6>Wow, while we was riding shows. Say he stayed on

0:16:17.400 --> 0:16:20.120
<v Speaker 6>y'all bus. Yeah, yeah, we started wrapping, you know, started

0:16:20.200 --> 0:16:20.520
<v Speaker 6>kicking it.

0:16:20.560 --> 0:16:22.280
<v Speaker 5>But now that l A I would get he would

0:16:22.280 --> 0:16:24.720
<v Speaker 5>come pick me up, Misuzuki, go to crib and go chill.

0:16:24.800 --> 0:16:32.000
<v Speaker 2>That's missing and I ain't gonna lie poor joall shots.

0:16:32.040 --> 0:16:34.240
<v Speaker 6>I'm sorry, yo, you know why because you know it's

0:16:34.280 --> 0:16:37.680
<v Speaker 6>nothing to take one nothing more than I would like

0:16:37.760 --> 0:16:45.320
<v Speaker 6>to do in my life. Drive and saying slow down,

0:16:44.240 --> 0:16:46.400
<v Speaker 6>ship ship.

0:16:46.400 --> 0:16:50.320
<v Speaker 1>I'm not drinking real but when I yeah, you know,

0:16:50.440 --> 0:16:54.480
<v Speaker 1>you know, you know, hell, that's the best, voc the best,

0:16:55.520 --> 0:16:58.920
<v Speaker 1>the best, like the best.

0:16:59.480 --> 0:17:00.200
<v Speaker 2>In the world.

0:17:04.040 --> 0:17:09.320
<v Speaker 5>Here but.

0:17:12.480 --> 0:17:13.600
<v Speaker 3>Him me side by this.

0:17:15.560 --> 0:17:16.600
<v Speaker 5>For real because.

0:17:18.480 --> 0:17:21.119
<v Speaker 3>To see you in the sea loans and this is

0:17:21.280 --> 0:17:21.960
<v Speaker 3>I'm just happy.

0:17:22.520 --> 0:17:26.119
<v Speaker 5>But definitely we always not been behind the gun, but

0:17:26.200 --> 0:17:29.000
<v Speaker 5>always been the people who somebody who said they ain't

0:17:29.000 --> 0:17:32.440
<v Speaker 5>gonna do it again, or the cruise we had, every

0:17:32.480 --> 0:17:35.640
<v Speaker 5>rapper that we had, they wasn't good enough. And then

0:17:35.680 --> 0:17:38.639
<v Speaker 5>we showed the doctor effects, when we showed Reggie, we

0:17:38.640 --> 0:17:43.400
<v Speaker 5>showed Murray, we showed Solo. Everyone who was behind the gun. Nobody.

0:17:43.600 --> 0:17:45.680
<v Speaker 5>We got turned down by Jim, turned by by a

0:17:45.680 --> 0:17:49.560
<v Speaker 5>lot of labels, but we believed in them. Going over

0:17:49.600 --> 0:17:53.399
<v Speaker 5>here to you, you chose to do something and people

0:17:53.440 --> 0:17:54.800
<v Speaker 5>probably were looking at you like.

0:17:54.760 --> 0:17:56.320
<v Speaker 2>You was crazy.

0:17:56.320 --> 0:17:58.679
<v Speaker 5>I'm the sidebar, so you know I did that I

0:17:58.760 --> 0:18:01.400
<v Speaker 5>was real with me and my cars, saying that even

0:18:01.440 --> 0:18:05.600
<v Speaker 5>if I didn't know it, I felt it, like, yeah, motherfuckers,

0:18:05.640 --> 0:18:07.560
<v Speaker 5>I love it. I love it that you had me

0:18:07.640 --> 0:18:10.400
<v Speaker 5>underneath the ditch because the game didn't changed. Look at

0:18:10.400 --> 0:18:12.280
<v Speaker 5>me now, I changed with the game. Look at my

0:18:12.359 --> 0:18:12.800
<v Speaker 5>new check.

0:18:13.000 --> 0:18:18.280
<v Speaker 6>Yes, it's very very it's very look.

0:18:18.080 --> 0:18:20.159
<v Speaker 5>At my show. Look at the guests. Was coming to

0:18:20.200 --> 0:18:23.280
<v Speaker 5>see me, Yes, and we having fun. I want He said, yeah,

0:18:23.280 --> 0:18:25.480
<v Speaker 5>I had to come. He had to because he said

0:18:25.640 --> 0:18:29.680
<v Speaker 5>he come. I had to come because the numbers that much.

0:18:29.720 --> 0:18:31.880
<v Speaker 5>Feelmak so I felt that for him. That's why I said,

0:18:31.880 --> 0:18:32.720
<v Speaker 5>that's what we're talking.

0:18:32.520 --> 0:18:38.959
<v Speaker 2>About, you know.

0:18:40.440 --> 0:18:44.880
<v Speaker 6>But I'm gonna add on to you because our culture,

0:18:44.960 --> 0:18:48.439
<v Speaker 6>like I had went to accounts, Yes, had went to

0:18:48.440 --> 0:18:52.680
<v Speaker 6>account's office, and I seen Mike Jag all these other

0:18:52.880 --> 0:18:56.360
<v Speaker 6>white guys. They tore in and they celebrate that they talk. Yes,

0:18:56.480 --> 0:19:00.359
<v Speaker 6>they celebrate that they've been in this game for twenty years. Yes,

0:19:00.680 --> 0:19:02.760
<v Speaker 6>but hip hop if you if you once you have

0:19:02.880 --> 0:19:06.120
<v Speaker 6>ten years, they call you old, they call you washed up,

0:19:06.440 --> 0:19:08.639
<v Speaker 6>they say you don't got it no more. And I

0:19:08.800 --> 0:19:11.000
<v Speaker 6>just I just I just want to play my part

0:19:11.560 --> 0:19:13.879
<v Speaker 6>of saying you please tell these people to be quiet.

0:19:14.200 --> 0:19:15.200
<v Speaker 6>I just want to play.

0:19:15.040 --> 0:19:18.600
<v Speaker 2>My part of changing that for hip hop.

0:19:19.000 --> 0:19:23.480
<v Speaker 6>Because the more and and it's awesome that you brung

0:19:23.560 --> 0:19:26.679
<v Speaker 6>up Europe, the more old school you are in Europe,

0:19:26.880 --> 0:19:28.200
<v Speaker 6>the more they.

0:19:28.240 --> 0:19:32.320
<v Speaker 2>Rob you, they love you in Europe. So why we.

0:19:32.280 --> 0:19:37.080
<v Speaker 6>Can't reverse that the coaching and make that ship Because

0:19:37.119 --> 0:19:40.000
<v Speaker 6>the thing about it is, if it wasn't for EPMD,

0:19:40.080 --> 0:19:41.800
<v Speaker 6>there wouldn't be a mob D, they wouldn't be a

0:19:41.840 --> 0:19:43.600
<v Speaker 6>component of it, wouldn't be an mo P.

0:19:44.160 --> 0:19:46.040
<v Speaker 2>So why should not be.

0:19:46.080 --> 0:19:49.480
<v Speaker 3>Celebrated because we came up differently. Don't forget white folks.

0:19:49.520 --> 0:19:53.480
<v Speaker 5>Don't say old school Mick Jagger, old school going things

0:19:54.840 --> 0:19:58.240
<v Speaker 5>just a name. We gotta put the age on it.

0:19:58.320 --> 0:20:01.040
<v Speaker 5>I heard one rappit Tell said about four years ago,

0:20:01.400 --> 0:20:04.600
<v Speaker 5>Jason needs to stop rapping and give somebody else a shot. No,

0:20:04.680 --> 0:20:07.880
<v Speaker 5>you got to step the game up. You know, if

0:20:07.880 --> 0:20:10.280
<v Speaker 5>you think that he is supposed to be here, you

0:20:10.320 --> 0:20:13.240
<v Speaker 5>know we're the only coach of fucking barbistration and was

0:20:13.320 --> 0:20:15.200
<v Speaker 5>seventy two, just dropped the album with number one.

0:20:15.600 --> 0:20:17.280
<v Speaker 3>Lae McCarty's still getting Grammys.

0:20:17.600 --> 0:20:19.359
<v Speaker 5>It don't matter if they look at their coach and

0:20:19.440 --> 0:20:21.800
<v Speaker 5>they they they look at them and they still give

0:20:21.840 --> 0:20:24.199
<v Speaker 5>them props and enjoy them and get a.

0:20:24.200 --> 0:20:24.920
<v Speaker 2>Little with them.

0:20:25.200 --> 0:20:28.240
<v Speaker 5>As they told you you were a legend, So nobody

0:20:28.280 --> 0:20:31.320
<v Speaker 5>should disrespect that. Like somebody said, say listen, what are

0:20:31.359 --> 0:20:35.960
<v Speaker 5>we doing now? I'm still touring. We're still making twenty

0:20:36.040 --> 0:20:38.560
<v Speaker 5>thousand dollars a night. So peppers still making forty thousand

0:20:38.560 --> 0:20:39.080
<v Speaker 5>dollars a night.

0:20:39.119 --> 0:20:44.160
<v Speaker 2>Over what I'm saying.

0:20:44.440 --> 0:20:47.119
<v Speaker 3>They always looking say what are you doing now? That's

0:20:47.160 --> 0:20:47.880
<v Speaker 3>why I say what I.

0:20:47.840 --> 0:20:48.879
<v Speaker 2>Said about you.

0:20:48.880 --> 0:20:51.080
<v Speaker 5>You don't never know what they're doing at least acts

0:20:51.160 --> 0:20:52.399
<v Speaker 5>person on this or thing.

0:20:52.640 --> 0:20:56.000
<v Speaker 3>Nobody's doing nothing. Everyone our erar is on the road.

0:20:56.800 --> 0:20:59.200
<v Speaker 5>And some pepper they had they was torn so much

0:20:59.359 --> 0:21:01.640
<v Speaker 5>they had to take a wait. Making forty thousand dollars

0:21:01.680 --> 0:21:04.359
<v Speaker 5>a night from June to September. How much money is that?

0:21:04.680 --> 0:21:13.440
<v Speaker 5>A lot about exactly? I'm just saying that everybody is

0:21:13.520 --> 0:21:13.879
<v Speaker 5>doing that.

0:21:13.960 --> 0:21:15.399
<v Speaker 2>So when you know, how do we change that in

0:21:15.440 --> 0:21:15.800
<v Speaker 2>hip hop?

0:21:15.840 --> 0:21:18.240
<v Speaker 6>How do we actually like because all right, me and

0:21:18.320 --> 0:21:19.600
<v Speaker 6>my partner dj EFN.

0:21:19.880 --> 0:21:21.840
<v Speaker 5>Right, me and dj Efn.

0:21:21.520 --> 0:21:23.439
<v Speaker 6>That's that was our dream, is to say you know

0:21:23.480 --> 0:21:25.240
<v Speaker 6>what we said, We're gonna start the show, but we

0:21:25.400 --> 0:21:27.840
<v Speaker 6>only want to We didn't want to interview the new people,

0:21:27.920 --> 0:21:30.240
<v Speaker 6>not because we got something personal with it.

0:21:30.280 --> 0:21:32.719
<v Speaker 2>But we don't know their history, right, Like I know

0:21:32.840 --> 0:21:35.080
<v Speaker 2>your history. I know what you guys been through.

0:21:35.680 --> 0:21:37.920
<v Speaker 6>So it's easier for me to interview you because it's

0:21:37.920 --> 0:21:39.959
<v Speaker 6>easier for me to sit down and chop it up.

0:21:40.240 --> 0:21:42.480
<v Speaker 6>And we have these stories that you oversee smacking me

0:21:42.480 --> 0:21:44.320
<v Speaker 6>in the back of my head and like you know,

0:21:44.440 --> 0:21:46.760
<v Speaker 6>and then like I was just performing it, every just

0:21:46.760 --> 0:21:47.280
<v Speaker 6>came bock.

0:21:48.320 --> 0:21:52.720
<v Speaker 5>What's all? It still has twenty five million people bucking

0:21:52.760 --> 0:21:53.040
<v Speaker 5>you out?

0:21:53.080 --> 0:21:55.960
<v Speaker 2>How the partners bugs out? But how do we actually

0:21:56.200 --> 0:21:58.440
<v Speaker 2>how do we actually change that? In the hip hop?

0:21:58.480 --> 0:22:00.520
<v Speaker 2>How do we that this is what I mean, piece

0:22:00.560 --> 0:22:00.960
<v Speaker 2>of all time?

0:22:01.200 --> 0:22:06.040
<v Speaker 5>Okay, we're the only genre who don't got categories. See

0:22:06.359 --> 0:22:10.080
<v Speaker 5>if if Jennis Joplin was here, Brinny Spiz wouldn't be

0:22:10.119 --> 0:22:13.399
<v Speaker 5>in a category because you'd be like bitch you and pop, right,

0:22:13.600 --> 0:22:14.160
<v Speaker 5>So it be.

0:22:14.240 --> 0:22:16.800
<v Speaker 3>Heavy metal pop, a turn of music.

0:22:19.119 --> 0:22:21.680
<v Speaker 5>It shouldn't be Mary Dave bloss Pepper, I mean mayd

0:22:22.200 --> 0:22:25.080
<v Speaker 5>and and all the other black singers are in hip

0:22:25.080 --> 0:22:31.160
<v Speaker 5>hop categories. It's a culture, so it should be If

0:22:31.200 --> 0:22:33.000
<v Speaker 5>trapp is what it is, it should be trapped. If

0:22:33.000 --> 0:22:35.320
<v Speaker 5>it should be you know club music. It should be

0:22:35.560 --> 0:22:38.320
<v Speaker 5>club hip hop. It should have categories, even jazz got

0:22:38.720 --> 0:22:42.639
<v Speaker 5>he listening jazz, adult jazzy jazz, they got so they

0:22:42.640 --> 0:22:46.360
<v Speaker 5>got said categories. We wouldn't be having no problems.

0:22:46.359 --> 0:22:48.119
<v Speaker 2>Are you telling me Drake should be like in the

0:22:48.560 --> 0:22:51.280
<v Speaker 2>it's something else like slow slow rapping.

0:22:51.880 --> 0:22:56.600
<v Speaker 5>I don't know, no, no, no, it depends because here's

0:22:56.680 --> 0:22:59.960
<v Speaker 5>a dope hip hop or is too hip hop? Saying

0:23:00.240 --> 0:23:02.880
<v Speaker 5>too But a lot of stuff should be labeled something else.

0:23:03.160 --> 0:23:06.800
<v Speaker 5>You can't call no disrespect, but you can't call this

0:23:07.320 --> 0:23:08.800
<v Speaker 5>new music hip hop no.

0:23:08.880 --> 0:23:09.600
<v Speaker 2>Disrespect of them.

0:23:09.640 --> 0:23:12.280
<v Speaker 5>We gotta be label something else because the coature that

0:23:12.359 --> 0:23:13.680
<v Speaker 5>we come from is.

0:23:13.680 --> 0:23:19.600
<v Speaker 2>Not that you're the one under one umbrella.

0:23:19.760 --> 0:23:21.800
<v Speaker 1>And you know if it has nothing to do with

0:23:21.960 --> 0:23:25.240
<v Speaker 1>MC and rical skills, the boom back with the high

0:23:25.280 --> 0:23:26.880
<v Speaker 1>hat like a real MC.

0:23:27.440 --> 0:23:30.040
<v Speaker 6>You had to have BDP rock, hem I Cane.

0:23:29.840 --> 0:23:31.320
<v Speaker 5>Through the door, you know what I mean.

0:23:32.400 --> 0:23:34.639
<v Speaker 2>We liked the party. You don't have certain.

0:23:34.400 --> 0:23:36.800
<v Speaker 5>Things, you know, we had certain things we said before,

0:23:37.160 --> 0:23:39.320
<v Speaker 5>how your hip hop was the coach.

0:23:39.720 --> 0:23:40.919
<v Speaker 3>We got the five elements.

0:23:41.280 --> 0:23:43.399
<v Speaker 5>If you're adding B boxing, it's rapping, DJ and your

0:23:43.400 --> 0:23:45.720
<v Speaker 5>feet and break dancing, and you want to add break,

0:23:45.800 --> 0:23:47.080
<v Speaker 5>I mean B boxing, U catching.

0:23:47.359 --> 0:23:48.040
<v Speaker 2>But but it's a.

0:23:48.000 --> 0:23:51.800
<v Speaker 5>Coach of But you gotta follow the same laws as

0:23:51.960 --> 0:23:53.240
<v Speaker 5>from seventy eight.

0:23:53.119 --> 0:23:55.240
<v Speaker 2>That went down to ben you.

0:23:55.160 --> 0:23:58.159
<v Speaker 5>Know, rise or whatever elsewhere. Stop that, you know what

0:23:58.200 --> 0:24:00.800
<v Speaker 5>I'm saying. But just right here, you can't call us

0:24:00.800 --> 0:24:03.480
<v Speaker 5>because this don't fit the culture. The coach and hip

0:24:03.520 --> 0:24:06.199
<v Speaker 5>hop is something. But you know, but they don't have

0:24:06.320 --> 0:24:08.320
<v Speaker 5>nothing else to call. They throw it in there. They

0:24:08.359 --> 0:24:11.760
<v Speaker 5>threw TLC in there too. Look at it. Whatever they

0:24:11.800 --> 0:24:14.200
<v Speaker 5>can throw in there that looks like it's urban, it's

0:24:14.280 --> 0:24:15.560
<v Speaker 5>under hip hop coaching.

0:24:16.040 --> 0:24:18.439
<v Speaker 2>But we got to realize we walked away kind of

0:24:18.440 --> 0:24:18.800
<v Speaker 2>from the.

0:24:18.720 --> 0:24:21.679
<v Speaker 1>Game and stopped working and being productive productive you know,

0:24:21.840 --> 0:24:23.720
<v Speaker 1>back there like in ninety two when we seen them

0:24:23.760 --> 0:24:25.919
<v Speaker 1>dropping music and we felt that was like popped and

0:24:25.920 --> 0:24:26.359
<v Speaker 1>we dropped.

0:24:26.400 --> 0:24:27.320
<v Speaker 3>We didn't say, we.

0:24:27.280 --> 0:24:30.200
<v Speaker 6>Didn't say that's what they said. What did my Saul

0:24:30.280 --> 0:24:33.600
<v Speaker 6>said earlier? He said, my sauce said, silence is almost

0:24:33.800 --> 0:24:34.399
<v Speaker 6>co signed.

0:24:35.160 --> 0:24:40.840
<v Speaker 5>So when you sound your right, I got this is

0:24:41.000 --> 0:24:42.960
<v Speaker 5>just something real on Instagram two weeks ago.

0:24:43.040 --> 0:24:43.480
<v Speaker 2>That was real.

0:24:43.640 --> 0:24:46.480
<v Speaker 6>Yeah, I told us my sauce said, he said, you

0:24:46.520 --> 0:24:51.399
<v Speaker 6>said silence is almost accepted acceptance.

0:24:51.080 --> 0:24:52.720
<v Speaker 1>You know, So It's like what we did was we

0:24:52.800 --> 0:24:54.919
<v Speaker 1>left the bank vault open with all the gap in it,

0:24:55.040 --> 0:24:56.840
<v Speaker 1>and they came in and took a couple of bundles.

0:24:56.880 --> 0:24:59.160
<v Speaker 1>Nobody said nothing, so they just started taking the money

0:24:59.160 --> 0:25:02.199
<v Speaker 1>back so we could sit back and complain. Or what

0:25:02.280 --> 0:25:04.960
<v Speaker 1>you did? You opened up before them and you drew

0:25:05.000 --> 0:25:07.240
<v Speaker 1>a line and you said, this is what I'm going

0:25:07.320 --> 0:25:09.080
<v Speaker 1>to do, and this is not old school. These guys

0:25:09.080 --> 0:25:10.679
<v Speaker 1>are legends and they deserve their respect.

0:25:10.760 --> 0:25:11.240
<v Speaker 2>Right now.

0:25:11.720 --> 0:25:14.320
<v Speaker 5>You can interview whoever you want because you big, but

0:25:14.440 --> 0:25:17.560
<v Speaker 5>you choose to give us a platform, which is dope,

0:25:18.000 --> 0:25:20.399
<v Speaker 5>Like who's doing this? But don't forget to what I

0:25:20.400 --> 0:25:22.080
<v Speaker 5>bug out on not to be going.

0:25:22.160 --> 0:25:23.680
<v Speaker 2>But the radio.

0:25:23.480 --> 0:25:26.960
<v Speaker 5>DJs who we remember that was all playing our ships,

0:25:27.640 --> 0:25:31.119
<v Speaker 5>y'all still our age, y'all forgot that who you know?

0:25:31.600 --> 0:25:32.040
<v Speaker 6>How you out?

0:25:32.160 --> 0:25:33.480
<v Speaker 2>You don't know you want at hip hop?

0:25:33.520 --> 0:25:37.959
<v Speaker 5>At one time, Now y'all all change. That was bugging

0:25:37.960 --> 0:25:40.280
<v Speaker 5>me out because they all got the same jobs and

0:25:40.320 --> 0:25:43.880
<v Speaker 5>they forgot that that we existed, or that music existed.

0:25:45.160 --> 0:25:46.280
<v Speaker 5>That's the point I don't understand.

0:25:46.760 --> 0:25:49.040
<v Speaker 2>So what what what? What is? What is Eric Sherman

0:25:49.080 --> 0:25:52.760
<v Speaker 2>listening to right now? I play all old I feel

0:25:52.800 --> 0:25:54.880
<v Speaker 2>like you do. I just play army, but.

0:25:54.880 --> 0:25:56.800
<v Speaker 5>Me and parently's got to ibum that we're gonna call

0:25:56.880 --> 0:26:01.280
<v Speaker 5>dynamic duels and y'all written down.

0:25:59.800 --> 0:26:01.919
<v Speaker 2>Do it so you don't have any a rug company.

0:26:01.960 --> 0:26:02.840
<v Speaker 2>You had a rug company.

0:26:02.920 --> 0:26:06.200
<v Speaker 10>Okay, you never gave me a rug. Let's let's get

0:26:06.240 --> 0:26:11.320
<v Speaker 10>those Oh you got right. I mean, I've been hating

0:26:11.359 --> 0:26:14.440
<v Speaker 10>for a long time. I've been hate playing.

0:26:14.480 --> 0:26:17.000
<v Speaker 2>I've been seeing everybody with a rug besides.

0:26:16.640 --> 0:26:20.199
<v Speaker 11>Me, me and probably just playing. We got a new acrony.

0:26:20.320 --> 0:26:21.919
<v Speaker 11>I don't know what you're doing. I don't know what

0:26:21.960 --> 0:26:31.120
<v Speaker 11>you're doing right now, but I've been stopping, stopping, Relax.

0:26:30.880 --> 0:26:32.800
<v Speaker 2>I'm gonna be on. You got a new acrono.

0:26:33.000 --> 0:26:34.080
<v Speaker 3>It's now we're on the rough.

0:26:34.000 --> 0:26:42.160
<v Speaker 5>Slee drink.

0:26:44.480 --> 0:26:46.480
<v Speaker 2>Okay, all right, it's what we're gonna do it. This

0:26:47.200 --> 0:26:47.879
<v Speaker 2>is what we're gonna do it.

0:26:48.960 --> 0:26:53.040
<v Speaker 6>Drink taps, rub goes to the office, absolute all ship

0:26:53.240 --> 0:26:57.320
<v Speaker 6>goes to. But damn, I'm not gonna lie. I feel

0:26:57.320 --> 0:26:58.480
<v Speaker 6>like I'm not taking that on.

0:27:03.440 --> 0:27:07.719
<v Speaker 2>And you got another one, yo, I'm so sorry. I'm

0:27:07.760 --> 0:27:09.800
<v Speaker 2>so I know that the interview waiting left.

0:27:09.920 --> 0:27:10.400
<v Speaker 5>What is that?

0:27:10.600 --> 0:27:18.439
<v Speaker 2>Because said nothing that better? I'm taking that. I'm taking that. Listen,

0:27:18.600 --> 0:27:19.320
<v Speaker 2>you know what, you.

0:27:19.280 --> 0:27:20.400
<v Speaker 5>Know what, you know what I want.

0:27:20.560 --> 0:27:21.640
<v Speaker 2>I'm gonna be honest with you.

0:27:22.880 --> 0:27:27.959
<v Speaker 6>We interviewed Onyx, and Onyx gave me a pair of

0:27:28.000 --> 0:27:30.880
<v Speaker 6>sneakers and then they.

0:27:30.720 --> 0:27:33.240
<v Speaker 2>Asked me what size was it? I said, does it matter?

0:27:34.160 --> 0:27:37.520
<v Speaker 6>I'm never wearing these. I'm putting it right in my crib.

0:27:37.600 --> 0:27:41.120
<v Speaker 6>So you know, Leo, please, really, you're gonna go, You're

0:27:41.160 --> 0:27:41.480
<v Speaker 6>gonna go.

0:27:41.520 --> 0:27:42.720
<v Speaker 2>I'm gonna kick my nephew out.

0:27:43.880 --> 0:27:48.280
<v Speaker 6>But Leo told me one day I had went to

0:27:48.359 --> 0:27:51.879
<v Speaker 6>Leo's house, right, and he gave me the biggest lesson

0:27:51.920 --> 0:27:55.600
<v Speaker 6>in hip hop ever. He said to me he had

0:27:55.720 --> 0:27:58.600
<v Speaker 6>moved to twentieth in Park, right, or ninetieth in Park

0:27:58.720 --> 0:27:59.960
<v Speaker 6>some ship uptown right whatever.

0:28:00.119 --> 0:28:00.280
<v Speaker 5>Right.

0:28:01.080 --> 0:28:03.440
<v Speaker 2>It was a twenty million dollar house and he said,

0:28:03.440 --> 0:28:05.440
<v Speaker 2>do you like my house? And I really didn't like it,

0:28:05.760 --> 0:28:11.800
<v Speaker 2>but I had to say yes. Leo combs you with that,

0:28:12.119 --> 0:28:13.000
<v Speaker 2>and you know what he told me?

0:28:13.080 --> 0:28:17.600
<v Speaker 6>This taught me hip hop and two sentences he said,

0:28:17.600 --> 0:28:18.520
<v Speaker 6>do you like this house?

0:28:18.640 --> 0:28:19.240
<v Speaker 2>I said yes?

0:28:20.000 --> 0:28:22.520
<v Speaker 6>He said, make sure you hot enough you next year

0:28:22.680 --> 0:28:23.920
<v Speaker 6>so I can invite you again.

0:28:24.960 --> 0:28:25.200
<v Speaker 7>Wow.

0:28:25.680 --> 0:28:29.000
<v Speaker 2>WHOA. At first I wanted to snuffle.

0:28:30.240 --> 0:28:33.359
<v Speaker 6>Because I'm like, what that's the most direspectful shit you

0:28:33.400 --> 0:28:37.360
<v Speaker 6>ever tell somebody. He basically told me, you're only here

0:28:37.560 --> 0:28:41.440
<v Speaker 6>because right now that was real though, So if you

0:28:41.560 --> 0:28:45.520
<v Speaker 6>not next year, just remember this house because you won't

0:28:45.520 --> 0:28:45.920
<v Speaker 6>be bad.

0:28:46.520 --> 0:28:48.800
<v Speaker 2>WHOA, that's ill.

0:28:48.840 --> 0:28:54.320
<v Speaker 6>It's not like Leo too, Yes, but it taught me

0:28:54.400 --> 0:29:02.200
<v Speaker 6>something so valuable that never never, never appreciate your position

0:29:02.280 --> 0:29:06.360
<v Speaker 6>because your position can be taken. Another thing is Miami

0:29:06.400 --> 0:29:07.840
<v Speaker 6>weather taught me the same amount.

0:29:09.520 --> 0:29:10.240
<v Speaker 2>I'm sorry, I know.

0:29:10.200 --> 0:29:15.320
<v Speaker 6>I'm going over the place, but right one day, I'm

0:29:15.320 --> 0:29:18.680
<v Speaker 6>sitting on my balcony because it's not a terrorism. When

0:29:18.680 --> 0:29:22.680
<v Speaker 6>you get a little money, it's called balcony.

0:29:23.120 --> 0:29:25.040
<v Speaker 2>So I'm sitting on my balcony, right.

0:29:25.640 --> 0:29:28.760
<v Speaker 6>I rode three blunts all right, and I went upstairs

0:29:28.800 --> 0:29:31.560
<v Speaker 6>to take a peek, not a ship, but for some reason,

0:29:31.600 --> 0:29:34.360
<v Speaker 6>I went upstairs and I had the ship all right,

0:29:35.280 --> 0:29:39.720
<v Speaker 6>and it rained, meaning the three blunts that just rolled,

0:29:40.520 --> 0:29:43.480
<v Speaker 6>they all And it taught me a valuable lesson. Don't

0:29:43.520 --> 0:29:49.520
<v Speaker 6>ever appreciate your position. Do your position, but then get

0:29:49.560 --> 0:29:53.040
<v Speaker 6>the fuck out of there. And I understood that after

0:29:53.520 --> 0:29:59.040
<v Speaker 6>Leo told me. And this music industry, is it really

0:29:59.120 --> 0:30:04.480
<v Speaker 6>that bad? Or am I overdoing some stories? That I

0:30:04.840 --> 0:30:05.360
<v Speaker 6>think about.

0:30:05.920 --> 0:30:07.280
<v Speaker 5>Nah, I don't think you're overdoing it.

0:30:07.320 --> 0:30:10.280
<v Speaker 1>I just think your perception like what it was to

0:30:10.320 --> 0:30:12.160
<v Speaker 1>be a bee boy hip hop, just to be a

0:30:12.200 --> 0:30:14.720
<v Speaker 1>dope and seeing to be the best, and then in

0:30:14.880 --> 0:30:17.360
<v Speaker 1>doing that you don't realize until you start running into

0:30:17.440 --> 0:30:18.200
<v Speaker 1>the troubleshoot.

0:30:18.280 --> 0:30:20.760
<v Speaker 2>So you got to take the burden with the success.

0:30:21.120 --> 0:30:23.320
<v Speaker 5>Okay. So in the beginning, me and Eric.

0:30:23.160 --> 0:30:26.160
<v Speaker 1>Just wanted to be dope, strictly business unfinished business. But

0:30:26.200 --> 0:30:28.040
<v Speaker 1>then as you become the best, and you know, you

0:30:28.120 --> 0:30:31.200
<v Speaker 1>got the haters. Before there was haters, so then you

0:30:31.200 --> 0:30:33.480
<v Speaker 1>get songs like so what you're saying, So what you say?

0:30:33.600 --> 0:30:35.560
<v Speaker 2>Okay, but nah, that's normal.

0:30:35.600 --> 0:30:37.400
<v Speaker 1>You'd be trying to get your craft off and you

0:30:37.520 --> 0:30:38.400
<v Speaker 1>just be dealing with.

0:30:38.360 --> 0:30:40.400
<v Speaker 2>A lot of let's take it there. So what you're saying,

0:30:40.840 --> 0:30:43.719
<v Speaker 2>who is you talking about? The people who thought we

0:30:43.720 --> 0:30:44.640
<v Speaker 2>wasn't going to make it back.

0:30:44.720 --> 0:30:47.440
<v Speaker 1>Everybody wasn't going to get past the sophomore Jinks, right.

0:30:47.400 --> 0:30:49.480
<v Speaker 6>Okay, because the sophomore Jinks for people that don't know,

0:30:49.520 --> 0:30:52.600
<v Speaker 6>that's their second album, right, correct, Because they always say

0:30:52.640 --> 0:30:54.880
<v Speaker 6>rap us fall off after their second album.

0:30:56.040 --> 0:30:56.840
<v Speaker 5>Take us through there.

0:30:57.400 --> 0:30:59.840
<v Speaker 1>We came first of all, sitting on the bench and

0:31:00.040 --> 0:31:02.560
<v Speaker 1>I rock because you guys would go the first album,

0:31:02.680 --> 0:31:05.520
<v Speaker 1>first one. I think he probably went platinum on on

0:31:05.520 --> 0:31:06.240
<v Speaker 1>the Runs House tour.

0:31:06.320 --> 0:31:11.280
<v Speaker 2>That's makes so much of that, you.

0:31:11.280 --> 0:31:11.720
<v Speaker 5>Know what I mean.

0:31:11.840 --> 0:31:14.720
<v Speaker 6>So now now now you're going back in the studio

0:31:15.880 --> 0:31:17.840
<v Speaker 6>and you you are you aware of the shoes?

0:31:18.280 --> 0:31:18.520
<v Speaker 5>Yeah?

0:31:18.760 --> 0:31:21.880
<v Speaker 2>No, first week, first we dropped, dropped strictly.

0:31:21.600 --> 0:31:24.320
<v Speaker 1>Business, went on the Runs House tour, came off the

0:31:24.400 --> 0:31:25.400
<v Speaker 1>road or am thup?

0:31:25.720 --> 0:31:25.960
<v Speaker 5>It was?

0:31:26.080 --> 0:31:26.320
<v Speaker 2>It was?

0:31:26.400 --> 0:31:29.880
<v Speaker 6>It was a talk called Runs House runch House before

0:31:30.160 --> 0:31:36.240
<v Speaker 6>us House Reality. There was Runs House eighty eight everything

0:31:36.240 --> 0:31:36.880
<v Speaker 6>about hip hop.

0:31:36.920 --> 0:31:39.720
<v Speaker 2>I'm offended myself. There was a.

0:31:39.800 --> 0:31:45.280
<v Speaker 5>Runs HOUSEPMD, pub beca Me Jack Myself EPMD and sometimes

0:31:45.480 --> 0:31:46.760
<v Speaker 5>says a sonic opened up.

0:31:46.760 --> 0:31:50.080
<v Speaker 2>Sometimes that sing God damn it, what's my man name?

0:31:50.800 --> 0:31:51.320
<v Speaker 2>What's his name?

0:31:53.600 --> 0:31:53.800
<v Speaker 7>Yeah?

0:31:53.840 --> 0:31:56.600
<v Speaker 5>That was the original, the.

0:31:56.520 --> 0:31:58.160
<v Speaker 2>Original, but getting you so.

0:31:58.200 --> 0:32:00.280
<v Speaker 1>Yeah, So we came off the road or high and

0:32:00.320 --> 0:32:02.520
<v Speaker 1>winning the studio and you say, you like what was its?

0:32:02.600 --> 0:32:04.000
<v Speaker 2>You guys like gast.

0:32:04.200 --> 0:32:06.800
<v Speaker 1>Like I think gas was an understatement. I'ma be honest.

0:32:06.800 --> 0:32:09.640
<v Speaker 1>If I would have went on tour with no hold up.

0:32:10.560 --> 0:32:12.760
<v Speaker 1>We didn't have no money for a tour bus run

0:32:12.840 --> 0:32:15.680
<v Speaker 1>DMC let us ride on their tour bus for free. Right,

0:32:16.200 --> 0:32:17.760
<v Speaker 1>So we woke up on the book.

0:32:21.480 --> 0:32:23.880
<v Speaker 2>We got up see the shelters right there.

0:32:23.840 --> 0:32:24.880
<v Speaker 5>Brand new and.

0:32:26.400 --> 0:32:31.160
<v Speaker 1>An unlimited supply of Adidas anything you want and this

0:32:31.240 --> 0:32:31.680
<v Speaker 1>ship and.

0:32:31.840 --> 0:32:35.760
<v Speaker 2>I mean not like one, two or three pass shows

0:32:35.800 --> 0:32:37.000
<v Speaker 2>right there were stadium shows.

0:32:36.840 --> 0:32:38.360
<v Speaker 3>Stadium the city.

0:32:38.400 --> 0:32:40.760
<v Speaker 5>We went through two or three nights and one and

0:32:40.800 --> 0:32:44.680
<v Speaker 5>then dreaded yeah, but thinking about the album. Yeah, So

0:32:44.720 --> 0:32:45.320
<v Speaker 5>we went in there.

0:32:45.400 --> 0:32:48.960
<v Speaker 1>We came off the road Runs Sophomore Jinks winning the

0:32:49.000 --> 0:32:53.760
<v Speaker 1>studio back to Charlie Marauders and nothing just was sitting there. Nothing,

0:32:53.800 --> 0:32:59.880
<v Speaker 1>no lyrics, no music, no, just was nothing. We like,

0:33:00.560 --> 0:33:03.480
<v Speaker 1>was he thinking about that? We just knew we was

0:33:03.680 --> 0:33:06.480
<v Speaker 1>come off and it was and we ended up looking

0:33:06.520 --> 0:33:10.160
<v Speaker 1>like Cooper Gooding and so he was swinging at the.

0:33:10.160 --> 0:33:17.040
<v Speaker 12>End, so we had to step yeah exactly, you know,

0:33:17.880 --> 0:33:19.920
<v Speaker 12>and then we adjusted and then we went and Eric

0:33:19.960 --> 0:33:20.640
<v Speaker 12>went back in there.

0:33:20.760 --> 0:33:22.920
<v Speaker 2>Then, so what you're saying, And because we was on.

0:33:22.960 --> 0:33:26.360
<v Speaker 5>The seas and the d J was playing jazzy b

0:33:26.920 --> 0:33:32.880
<v Speaker 5>so the soul and whatever, and he was playing the a.

0:33:32.800 --> 0:33:35.479
<v Speaker 2>Mixed version with just the beat whatever.

0:33:36.000 --> 0:33:37.920
<v Speaker 5>So I went up there and got the record from

0:33:38.000 --> 0:33:42.360
<v Speaker 5>him and bring it home on the DJ plate. So

0:33:43.360 --> 0:33:43.680
<v Speaker 5>we we.

0:33:43.840 --> 0:33:47.120
<v Speaker 6>Had that and thatid off the dance floor like yo, homie,

0:33:47.160 --> 0:33:47.720
<v Speaker 6>let me get.

0:33:47.560 --> 0:33:51.280
<v Speaker 5>That, and we made so what you're saying, and after

0:33:51.280 --> 0:33:54.000
<v Speaker 5>that just start taking off so what you're saying, and

0:33:54.040 --> 0:33:57.920
<v Speaker 5>then yeah, and then the big pay back Yeah, and

0:33:58.000 --> 0:34:02.240
<v Speaker 5>then the demo came riding high path. Yeah.

0:34:02.480 --> 0:34:04.840
<v Speaker 1>Yo, young niggas is like, Yo, we built out destiny.

0:34:04.880 --> 0:34:07.240
<v Speaker 1>We actually built the sixth We built the build that.

0:34:07.280 --> 0:34:09.680
<v Speaker 2>Car to go six of the eight commandment contract.

0:34:09.680 --> 0:34:12.879
<v Speaker 6>You built the car, not the record that was before

0:34:12.920 --> 0:34:14.200
<v Speaker 6>that boy was drilled the car.

0:34:14.480 --> 0:34:14.600
<v Speaker 2>Yo.

0:34:14.680 --> 0:34:17.080
<v Speaker 1>We took a three fifty engine out of seventy four

0:34:17.160 --> 0:34:18.000
<v Speaker 1>over and put.

0:34:17.840 --> 0:34:24.600
<v Speaker 2>It in the sixty eight command down and wait fast,

0:34:24.600 --> 0:34:26.839
<v Speaker 2>say that again. You took up what sixty eight.

0:34:26.760 --> 0:34:29.680
<v Speaker 1>Camd We took a sixty eight camar, took the engine

0:34:29.719 --> 0:34:32.160
<v Speaker 1>out of a seventy four and nova twenty fifty four

0:34:32.160 --> 0:34:33.560
<v Speaker 1>barrel car put.

0:34:33.400 --> 0:34:34.120
<v Speaker 5>It in the sixty eight.

0:34:34.160 --> 0:34:36.240
<v Speaker 2>Because we used to be drag racing all that other stuff.

0:34:36.719 --> 0:34:37.399
<v Speaker 2>We stripped down.

0:34:37.440 --> 0:34:40.520
<v Speaker 5>The top had like or whatever top one, so we

0:34:40.560 --> 0:34:42.160
<v Speaker 5>have to sprilled, had to take the vinyl off the

0:34:42.200 --> 0:34:47.040
<v Speaker 5>bottom fast and furious early yo, yo, dominated bat No,

0:34:47.120 --> 0:34:49.440
<v Speaker 5>that's the wall perhaps almost died on the most like

0:34:49.520 --> 0:34:50.960
<v Speaker 5>the first you get to.

0:34:50.960 --> 0:34:52.280
<v Speaker 2>The story, what happened?

0:34:52.320 --> 0:34:52.800
<v Speaker 5>What happened?

0:34:53.000 --> 0:34:55.240
<v Speaker 2>Tell us, Yeah, it was in the land, just moving

0:34:55.680 --> 0:34:56.360
<v Speaker 2>and I was.

0:34:56.400 --> 0:34:58.040
<v Speaker 5>Like, yeah, we used to be wild.

0:34:58.440 --> 0:35:01.399
<v Speaker 1>Yeah, so you know, long story, Sure somebody wasn't paying

0:35:01.440 --> 0:35:04.000
<v Speaker 1>attention drift over the yellow lines and it was trying

0:35:04.040 --> 0:35:06.600
<v Speaker 1>to brace for impact and probably would.

0:35:06.400 --> 0:35:09.600
<v Speaker 5>Have started football playing. So he played football, quarterback and kicker.

0:35:09.960 --> 0:35:10.160
<v Speaker 2>You know.

0:35:10.200 --> 0:35:12.719
<v Speaker 5>That's why the demo was taking long because probably was

0:35:12.760 --> 0:35:15.200
<v Speaker 5>going to school playing ball and I was here waiting

0:35:15.200 --> 0:35:15.440
<v Speaker 5>on this.

0:35:15.520 --> 0:35:20.040
<v Speaker 2>So eighty five we could have came out five. There's

0:35:20.080 --> 0:35:20.480
<v Speaker 2>more to.

0:35:20.520 --> 0:35:23.080
<v Speaker 6>That though, because we used to have to communicate and

0:35:23.960 --> 0:35:28.760
<v Speaker 6>everything about y'all r disappointed me that imna die because Paris.

0:35:29.080 --> 0:35:30.840
<v Speaker 3>I't Paris my first time.

0:35:30.760 --> 0:35:34.839
<v Speaker 5>Driving you for a PM. So I dropped drop the stick.

0:35:34.960 --> 0:35:42.600
<v Speaker 5>So I'm going yo, stop, I'm in a section where

0:35:42.800 --> 0:35:45.960
<v Speaker 5>ship and suck up. I went right through it. The

0:35:46.040 --> 0:35:49.000
<v Speaker 5>quest wasn't something didn't worked right. Whatever that was, I

0:35:49.080 --> 0:35:50.680
<v Speaker 5>was like, we want to danger under.

0:35:50.560 --> 0:35:56.919
<v Speaker 6>Section about the crazy all led to businesses, everything about

0:35:56.920 --> 0:36:00.560
<v Speaker 6>akm B. I'm mad that y'all fucking me up, like

0:36:00.680 --> 0:36:02.640
<v Speaker 6>my history. I'm going back and I'm talking to my

0:36:02.760 --> 0:36:04.840
<v Speaker 6>history later and me and him got to show you.

0:36:07.520 --> 0:36:12.479
<v Speaker 2>My history book. He said, I gotta shoot on my history. Listen,

0:36:12.520 --> 0:36:14.320
<v Speaker 2>my nigga, you ain't telling me about the crash.

0:36:15.000 --> 0:36:20.960
<v Speaker 5>Right. All the stuff made a pm D crazy, especially

0:36:21.000 --> 0:36:24.440
<v Speaker 5>with the We came out late eighty eight, so we

0:36:24.640 --> 0:36:27.439
<v Speaker 5>watched rock Kim camee l like crame on the stand.

0:36:28.320 --> 0:36:30.040
<v Speaker 2>He said he was still spending money from eighty eight.

0:36:30.320 --> 0:36:31.359
<v Speaker 2>People actually see him.

0:36:31.600 --> 0:36:35.840
<v Speaker 5>Know him people this person and so and so, like,

0:36:36.440 --> 0:36:39.640
<v Speaker 5>how do y'all How did these people influence y'all because

0:36:39.640 --> 0:36:41.719
<v Speaker 5>they're the same era, So yeah, they were, but they

0:36:41.840 --> 0:36:44.799
<v Speaker 5>was out before us before we came. So I heard.

0:36:44.920 --> 0:36:48.719
<v Speaker 5>We got to listen to Chris Wow, I came before that,

0:36:48.880 --> 0:36:52.320
<v Speaker 5>so we had to come. Everybody else out there was dangerous.

0:36:52.840 --> 0:36:55.959
<v Speaker 5>We couldn't come to sleep, I mean like because because

0:36:55.960 --> 0:36:57.839
<v Speaker 5>they all came out, you don't know that way.

0:36:58.880 --> 0:37:01.160
<v Speaker 6>And Business from Bread, which I used to see him

0:37:01.160 --> 0:37:03.719
<v Speaker 6>at the pancake house with business one time.

0:37:04.080 --> 0:37:05.399
<v Speaker 2>He used to this pink house.

0:37:05.440 --> 0:37:08.120
<v Speaker 5>He just meant one time pancake house at the pancake business,

0:37:08.160 --> 0:37:10.759
<v Speaker 5>sitting there with Chuck Jewels like there's nothing told me.

0:37:10.800 --> 0:37:12.640
<v Speaker 5>It's like yeah, I was just just be making the demo.

0:37:13.880 --> 0:37:23.120
<v Speaker 2>Yo. Yeah, and listen we described this this was a

0:37:23.239 --> 0:37:24.439
<v Speaker 2>guy pancake house.

0:37:24.680 --> 0:37:26.560
<v Speaker 6>Yeah, we're sitting there business trying to give us the

0:37:26.640 --> 0:37:28.439
<v Speaker 6>beat to Ain't no half stepping back.

0:37:31.080 --> 0:37:31.239
<v Speaker 2>Yeah.

0:37:31.840 --> 0:37:33.400
<v Speaker 5>Yeah, I didn't have any house and we did.

0:37:33.800 --> 0:37:36.960
<v Speaker 2>We had an we said no that's okay, and we

0:37:37.040 --> 0:37:38.480
<v Speaker 2>went and made this my thingsto.

0:37:38.680 --> 0:37:40.920
<v Speaker 5>Yeah, all right, you matched.

0:37:43.400 --> 0:37:45.960
<v Speaker 2>I was about to go ask you, I want to.

0:37:47.760 --> 0:37:49.480
<v Speaker 3>King was able Bapts step in to him.

0:37:49.560 --> 0:37:55.080
<v Speaker 5>Yeah, that was you need that you said you made?

0:37:55.160 --> 0:37:56.840
<v Speaker 2>After that, it's my thing because.

0:37:58.160 --> 0:38:02.160
<v Speaker 6>Shopping, Yeah, that's right. You know what I think of

0:38:02.440 --> 0:38:04.520
<v Speaker 6>I think I sell the weed in Harlem. I'm sorry,

0:38:04.719 --> 0:38:07.520
<v Speaker 6>God damn, I think I saw weeding hall them at

0:38:07.520 --> 0:38:07.799
<v Speaker 6>that time.

0:38:07.840 --> 0:38:10.279
<v Speaker 2>But I'm sorry. What year was that? Eighty seven?

0:38:10.360 --> 0:38:13.400
<v Speaker 3>Eight eight seven November I was came out eighty eight

0:38:13.440 --> 0:38:14.920
<v Speaker 3>the album Drive And.

0:38:14.960 --> 0:38:17.759
<v Speaker 2>Now I wanted to describe eighty eight because I'm like it,

0:38:18.760 --> 0:38:19.600
<v Speaker 2>like my favorite.

0:38:19.840 --> 0:38:22.279
<v Speaker 5>Well the only reason why the nineties of course is

0:38:22.320 --> 0:38:26.880
<v Speaker 5>nothing like it, but eighty eight was everywhere came out.

0:38:27.800 --> 0:38:30.320
<v Speaker 2>So what I'm asking, right, because my favorite. But like

0:38:30.360 --> 0:38:32.400
<v Speaker 2>when I think of my favorite era hip hop that

0:38:32.480 --> 0:38:33.600
<v Speaker 2>I lived in, it.

0:38:33.640 --> 0:38:37.279
<v Speaker 6>Has to be ninety of course, but eighty eight was

0:38:37.360 --> 0:38:39.719
<v Speaker 6>what made mine ninety eight ship.

0:38:40.239 --> 0:38:43.279
<v Speaker 2>I want to actually describe. I want to as a fan,

0:38:44.000 --> 0:38:44.840
<v Speaker 2>I want to I want.

0:38:44.719 --> 0:38:47.000
<v Speaker 6>You to tell us that year, because what was it

0:38:47.280 --> 0:38:49.680
<v Speaker 6>l L it was put it was it was now

0:38:50.840 --> 0:38:51.920
<v Speaker 6>nice and small.

0:38:51.640 --> 0:38:55.080
<v Speaker 2>Special legs, special short, n w A oh my like

0:38:55.960 --> 0:39:06.799
<v Speaker 2>MC lights EMC. You had Audiowkish show. They came same year, yea,

0:39:07.760 --> 0:39:12.520
<v Speaker 2>anybody came the same year. I want you to describe that.

0:39:12.680 --> 0:39:13.560
<v Speaker 5>It was hard.

0:39:13.600 --> 0:39:14.759
<v Speaker 2>It was this was her.

0:39:15.800 --> 0:39:18.920
<v Speaker 1>Yeah, this personally it was a serious because you had

0:39:19.000 --> 0:39:23.240
<v Speaker 1>the music, the industry in the artist that we always felt.

0:39:23.080 --> 0:39:25.439
<v Speaker 2>Again like you know, Big Daddy came after the show.

0:39:25.520 --> 0:39:28.239
<v Speaker 2>He had to He had the slippers with the Don

0:39:28.360 --> 0:39:30.919
<v Speaker 2>Perry on. We was in advanced like it wasn't okay,

0:39:31.040 --> 0:39:35.520
<v Speaker 2>so we knew we had to step up. He got

0:39:35.600 --> 0:39:38.120
<v Speaker 2>up slip roll like no, you know, to tell when

0:39:38.160 --> 0:39:39.279
<v Speaker 2>we've done the Hotel.

0:39:41.960 --> 0:39:43.359
<v Speaker 5>The Don Yo.

0:39:43.560 --> 0:39:47.200
<v Speaker 2>He was really there already and still he's star already,

0:39:47.640 --> 0:39:50.680
<v Speaker 2>but he knew it came to and he was he doing. Yeah,

0:39:50.760 --> 0:39:52.040
<v Speaker 2>he's fucking Madonna already here.

0:39:53.120 --> 0:39:55.320
<v Speaker 5>Yeah an yeh row he's stark Madonna.

0:39:55.480 --> 0:39:59.719
<v Speaker 2>That's make him nose big day came. I don't know

0:39:59.760 --> 0:40:02.480
<v Speaker 2>if the true, but fuck it, let's just ride in

0:40:02.520 --> 0:40:02.799
<v Speaker 2>the room.

0:40:03.719 --> 0:40:04.480
<v Speaker 5>She wrote it.

0:40:04.640 --> 0:40:07.680
<v Speaker 2>She said, she said, it's smash. Let's make some noise.

0:40:11.239 --> 0:40:15.439
<v Speaker 6>Smash, you know, because you know what, but that year,

0:40:15.880 --> 0:40:18.800
<v Speaker 6>if it wasn't for that year, I don't think I

0:40:18.920 --> 0:40:24.520
<v Speaker 6>could ever appreciate my year, like because my success has

0:40:24.520 --> 0:40:27.719
<v Speaker 6>always been a bittersweet. Meaning we came out in nineteen

0:40:27.760 --> 0:40:32.720
<v Speaker 6>ninety seven and my partner, who is my best friend,

0:40:34.360 --> 0:40:35.080
<v Speaker 6>he went to jail.

0:40:35.600 --> 0:40:38.360
<v Speaker 5>Yeah, and that impact.

0:40:39.320 --> 0:40:43.680
<v Speaker 6>Tony was, you know why we didn't understand, like, yo,

0:40:44.120 --> 0:40:46.160
<v Speaker 6>it's the whole Nigga ship right there, he said.

0:40:50.800 --> 0:40:56.880
<v Speaker 3>To it shook New York way up, like it was

0:40:57.280 --> 0:40:57.799
<v Speaker 3>really bad.

0:40:57.840 --> 0:40:59.239
<v Speaker 2>You want to tell you something, this ship, you know

0:40:59.239 --> 0:41:00.960
<v Speaker 2>what it's supposed to be a remixed t and.

0:41:01.000 --> 0:41:06.000
<v Speaker 6>Why Biggie smalls so look crazy, there's a crazy ship.

0:41:06.080 --> 0:41:06.200
<v Speaker 2>You know.

0:41:06.320 --> 0:41:11.040
<v Speaker 6>When I watched Biggs interview, right, I mean I watched

0:41:11.080 --> 0:41:15.759
<v Speaker 6>Biggs movie and if you remember when he was making

0:41:15.800 --> 0:41:19.360
<v Speaker 6>these last phone calls, that shit made me cry because

0:41:19.440 --> 0:41:24.120
<v Speaker 6>he called me and he said, he said, Yo, I'm

0:41:24.200 --> 0:41:26.600
<v Speaker 6>jumping on this record. But back then, you know, we

0:41:26.719 --> 0:41:29.680
<v Speaker 6>had bootlegs. So when he played me the record, I

0:41:29.760 --> 0:41:32.239
<v Speaker 6>knew that it wasn't coming. I didn't knew it wasn't out,

0:41:32.400 --> 0:41:33.440
<v Speaker 6>so I said, you get this.

0:41:36.200 --> 0:41:41.000
<v Speaker 2>And I forgotten. I see my Ricks worked for Bad Boy,

0:41:42.000 --> 0:41:43.880
<v Speaker 2>seen Myrix who did the record.

0:41:44.280 --> 0:41:46.320
<v Speaker 6>He just randomly played it for him and was like

0:41:46.520 --> 0:41:49.400
<v Speaker 6>these new niggas coming around from Queens and he heard it.

0:41:49.719 --> 0:41:51.600
<v Speaker 6>But he went to l A and he he must

0:41:51.640 --> 0:41:55.000
<v Speaker 6>have heard it again, and he called, look, the nigga

0:41:55.040 --> 0:41:55.840
<v Speaker 6>wanted to sign uponem.

0:41:55.880 --> 0:41:57.799
<v Speaker 2>I ain't gonna lie. I thought I thought it was over.

0:41:59.680 --> 0:42:03.560
<v Speaker 6>He was out into at the time, like we made

0:42:03.600 --> 0:42:06.239
<v Speaker 6>him outside of the ninety seven and Pam kicked a

0:42:06.320 --> 0:42:09.200
<v Speaker 6>rhyme and he was like, I'm I'm signing you.

0:42:09.320 --> 0:42:15.400
<v Speaker 2>And I was like, I feel like we partnered. But

0:42:15.520 --> 0:42:17.160
<v Speaker 2>I was so scared. This is big, he's small.

0:42:17.640 --> 0:42:18.360
<v Speaker 5>I was so scared.

0:42:19.080 --> 0:42:20.960
<v Speaker 2>But bring it back.

0:42:23.600 --> 0:42:27.439
<v Speaker 6>Is the era if I if I didn't, if eighty

0:42:27.480 --> 0:42:30.640
<v Speaker 6>eight didn't happen as me as a fan, ninety eight

0:42:30.680 --> 0:42:35.600
<v Speaker 6>wouldn't be as important, right, So y'all came out with

0:42:35.760 --> 0:42:40.120
<v Speaker 6>the toughest of the toughest, Like how was those tours

0:42:40.239 --> 0:42:40.640
<v Speaker 6>back then?

0:42:40.719 --> 0:42:43.480
<v Speaker 5>Like how was it? Like I give you a perfect

0:42:43.480 --> 0:42:45.080
<v Speaker 5>example of this one too, because you asked the question,

0:42:45.120 --> 0:42:48.600
<v Speaker 5>I'm gonna say it. We all on rush big Daddy

0:42:48.719 --> 0:42:52.359
<v Speaker 5>Kane is ten house down on the low j Tour

0:42:52.640 --> 0:42:55.640
<v Speaker 5>EPD ten house down too. So me and Paris pills

0:42:55.680 --> 0:42:57.640
<v Speaker 5>that we ten house down enough that we should go

0:42:57.719 --> 0:42:59.680
<v Speaker 5>on after you. Yeah, we should go on after King.

0:43:00.400 --> 0:43:00.600
<v Speaker 2>Yeah.

0:43:00.640 --> 0:43:03.680
<v Speaker 5>You know there was Detroit was crazy back then. Was

0:43:03.760 --> 0:43:07.120
<v Speaker 5>it was that heavy d To tell you how big

0:43:07.280 --> 0:43:12.399
<v Speaker 5>Pat so Leo Coch went as rush management because Kane

0:43:12.440 --> 0:43:13.160
<v Speaker 5>wasn't rush yet.

0:43:13.760 --> 0:43:15.319
<v Speaker 2>Okay, okay, so.

0:43:16.800 --> 0:43:20.120
<v Speaker 5>He made the cole because being proud of said you know,

0:43:20.239 --> 0:43:23.160
<v Speaker 5>so we had Carl Blanche over over that position because

0:43:23.200 --> 0:43:26.480
<v Speaker 5>the rush management. The next day, Kine comes out with

0:43:26.640 --> 0:43:34.239
<v Speaker 5>a hot tub speedo. He said, ladies, I got three

0:43:34.360 --> 0:43:35.120
<v Speaker 5>things to tell you.

0:43:35.800 --> 0:43:36.680
<v Speaker 2>Mm hmmmmm.

0:43:38.040 --> 0:43:41.080
<v Speaker 5>And the paint stock coming off the ceilings and the

0:43:41.239 --> 0:43:44.839
<v Speaker 5>light fition stock coming off the stadiums. We said, yoo,

0:43:44.920 --> 0:43:48.879
<v Speaker 5>leo yo, change the order back.

0:43:57.719 --> 0:44:00.080
<v Speaker 2>I'm gonna tell you. Let me tell you, right, I

0:44:00.120 --> 0:44:00.920
<v Speaker 2>will tell you one thing.

0:44:01.320 --> 0:44:06.080
<v Speaker 6>One night I'm on the road with Acannelly, right and

0:44:06.239 --> 0:44:08.200
<v Speaker 6>OC had you know, put it in his mouth. But

0:44:08.280 --> 0:44:12.200
<v Speaker 6>the problem was nobody never saw the video. So everybody

0:44:12.440 --> 0:44:15.759
<v Speaker 6>like threw him to the back, meaning they was like, oh,

0:44:15.880 --> 0:44:18.319
<v Speaker 6>you gotta go on first, but I got a real

0:44:18.520 --> 0:44:21.400
<v Speaker 6>stage performance, Like he's like busting arounds without the records,

0:44:22.200 --> 0:44:23.600
<v Speaker 6>go out to hit records to go with it.

0:44:24.200 --> 0:44:26.320
<v Speaker 2>But he gonna kill you on stage, and you're.

0:44:26.160 --> 0:44:28.279
<v Speaker 6>Gonna have a bitch put up and then in their

0:44:28.400 --> 0:44:31.520
<v Speaker 6>mouth and all that like, and they're gonna dance. They

0:44:31.560 --> 0:44:34.200
<v Speaker 6>got school, they got he had the fake Scoop and scrap.

0:44:34.880 --> 0:44:37.400
<v Speaker 6>He didn't have Kane Scoop and scrap. What was the

0:44:37.480 --> 0:44:45.520
<v Speaker 6>nigga's name, well, o man, he had dances R showtime

0:44:45.600 --> 0:44:49.600
<v Speaker 6>and look. So one day I forget what artist it was,

0:44:49.920 --> 0:44:52.400
<v Speaker 6>but they was like, yo, Okamelli gotta come on first.

0:44:53.440 --> 0:44:55.880
<v Speaker 6>So I came and grabbed me. I had L A,

0:44:56.040 --> 0:44:58.480
<v Speaker 6>L A and T and why that's it, that's it.

0:44:59.080 --> 0:45:02.040
<v Speaker 6>I had nothing else, he said, there's nothing else, nothing else.

0:45:02.800 --> 0:45:06.200
<v Speaker 6>So out comes and I kid you not. He had

0:45:06.280 --> 0:45:10.600
<v Speaker 6>twelve minutes. He did the best twelve minutes I've ever

0:45:10.800 --> 0:45:11.640
<v Speaker 6>seen in life.

0:45:12.080 --> 0:45:16.200
<v Speaker 2>And then people said, I can close from now on.

0:45:16.400 --> 0:45:19.560
<v Speaker 6>It wow, But but that's how it is. Sometimes people

0:45:19.719 --> 0:45:22.800
<v Speaker 6>just come out there. What you're doing, chick, b I'm sorry,

0:45:23.120 --> 0:45:27.560
<v Speaker 6>I'm interrupting. I'm scheming I got my first contract, part myself.

0:45:27.640 --> 0:45:30.440
<v Speaker 6>This is classic moment. No, we got the classic E.

0:45:30.640 --> 0:45:33.799
<v Speaker 6>P and D y'all my favorite artist. This is Sparfet Listen.

0:45:33.840 --> 0:45:36.480
<v Speaker 6>I've been rocking with y'all since nineteen ninety Listen, I've

0:45:36.520 --> 0:45:37.760
<v Speaker 6>been Let's.

0:45:37.840 --> 0:45:41.480
<v Speaker 2>Basically let's have been locked up together. And then the

0:45:41.600 --> 0:45:44.560
<v Speaker 2>next my next favorite group its componing Noriegger. I've never

0:45:44.640 --> 0:45:46.640
<v Speaker 2>followed nobody else after that. I was just stuck there.

0:45:46.719 --> 0:45:48.600
<v Speaker 2>So this is a real classic moment for me to

0:45:48.680 --> 0:45:51.400
<v Speaker 2>get your contract. Yeah, I got my contract, damn it,

0:45:51.480 --> 0:46:01.360
<v Speaker 2>I got it about ya No, no, no, let me

0:46:01.440 --> 0:46:10.600
<v Speaker 2>and is gotta make a move next time here, I'm

0:46:10.680 --> 0:46:11.560
<v Speaker 2>here to Tuesday.

0:46:11.640 --> 0:46:13.200
<v Speaker 5>Okay, guys coming up my.

0:46:15.960 --> 0:46:20.920
<v Speaker 2>Yeah, you want to know we all's got our party uptown.

0:46:21.719 --> 0:46:32.719
<v Speaker 2>Why you're hanging out? Hanging out? Yeah, get them tomorrow.

0:46:32.840 --> 0:46:37.759
<v Speaker 2>Matter I'm bringing, I'm bringing the t C. I'm hating

0:46:37.760 --> 0:46:45.440
<v Speaker 2>you call me okay, making making connect? So what what what?

0:46:45.680 --> 0:46:45.719
<v Speaker 7>What?

0:46:45.880 --> 0:46:48.200
<v Speaker 2>What is your favorite p m B back.

0:46:50.400 --> 0:46:54.239
<v Speaker 5>You got to chill? You got the chill? Yeah, big

0:46:54.440 --> 0:46:55.879
<v Speaker 5>yeah favorite yeah yeah.

0:46:56.120 --> 0:46:58.080
<v Speaker 1>And that's a big song because a lot of people

0:46:58.120 --> 0:46:59.560
<v Speaker 1>thought we were from the West coast because of that.

0:46:59.680 --> 0:47:01.680
<v Speaker 5>That was gos fit well, they.

0:47:01.680 --> 0:47:03.200
<v Speaker 2>Thought from coast periods.

0:47:03.239 --> 0:47:05.879
<v Speaker 5>All the sounds we because while everybody was doing James Brown,

0:47:05.920 --> 0:47:08.759
<v Speaker 5>we were saying the records yeah, like like l A

0:47:08.920 --> 0:47:11.080
<v Speaker 5>was doing like there was only gang banging too, like

0:47:11.120 --> 0:47:12.239
<v Speaker 5>we do the show in LA.

0:47:12.320 --> 0:47:14.120
<v Speaker 3>We'd be there every two weeks and we had the

0:47:14.120 --> 0:47:15.600
<v Speaker 3>skating rink and they'd be helling.

0:47:15.480 --> 0:47:19.480
<v Speaker 5>Helicopters and the time your accustomer hit boom fight start.

0:47:19.800 --> 0:47:21.759
<v Speaker 1>Our shows used to be so wild in LA and

0:47:21.840 --> 0:47:23.719
<v Speaker 1>Texas that they we used to have to do you

0:47:23.800 --> 0:47:25.360
<v Speaker 1>guys to chill about four or five.

0:47:25.280 --> 0:47:27.680
<v Speaker 5>Times a night, right because the gun shots. Matter of fact,

0:47:27.680 --> 0:47:32.919
<v Speaker 5>we the club and they were like yo, yeah, start

0:47:32.960 --> 0:47:33.560
<v Speaker 5>that over up.

0:47:33.719 --> 0:47:33.919
<v Speaker 2>Yeah.

0:47:34.280 --> 0:47:37.720
<v Speaker 1>Of course they'd be so close to the state, the pack,

0:47:39.840 --> 0:47:43.759
<v Speaker 1>the big payback we shot that in West Coast. We

0:47:43.960 --> 0:47:46.359
<v Speaker 1>just basically wanted to do something different, so we reached

0:47:46.400 --> 0:47:49.359
<v Speaker 1>Agatt out to Easy Easy E hooked it up where

0:47:49.400 --> 0:47:52.000
<v Speaker 1>Doctor dre Ice Q them could come out, show us

0:47:52.000 --> 0:47:53.840
<v Speaker 1>some love, and we just wanted to show.

0:47:53.719 --> 0:47:58.080
<v Speaker 2>The camaraderie with the East Coast. Shut up.

0:47:58.320 --> 0:48:00.960
<v Speaker 6>I feel like you, I feel like you should explain

0:48:01.040 --> 0:48:04.560
<v Speaker 6>that more because a lot of us, a lot a

0:48:04.640 --> 0:48:07.400
<v Speaker 6>lot of the young people, they just see uh straight

0:48:07.400 --> 0:48:10.600
<v Speaker 6>out of Compton, and they actually think Easy is a

0:48:10.719 --> 0:48:16.000
<v Speaker 6>Doskin person, right, because I mean, just be honest, he's not.

0:48:16.680 --> 0:48:19.920
<v Speaker 6>It wasn't dogsk in real life, but but in the movie.

0:48:20.560 --> 0:48:22.919
<v Speaker 6>But let's big up that actor because that actor killed

0:48:22.960 --> 0:48:25.120
<v Speaker 6>it so much that I thought.

0:48:27.480 --> 0:48:27.880
<v Speaker 5>What I was like.

0:48:29.280 --> 0:48:32.880
<v Speaker 6>But so I want you to describe that, like, you know,

0:48:33.040 --> 0:48:35.160
<v Speaker 6>just you know, the West Coast connection because a lot

0:48:35.200 --> 0:48:37.360
<v Speaker 6>of people, you know what they think, they think that

0:48:38.320 --> 0:48:40.960
<v Speaker 6>the East coast West Coast beef was real, when in

0:48:41.120 --> 0:48:44.560
<v Speaker 6>all actuality that that be some of our number one

0:48:44.640 --> 0:48:45.640
<v Speaker 6>Marcus as New.

0:48:45.560 --> 0:48:48.880
<v Speaker 5>York loved you, so you know what I mean, how

0:48:48.920 --> 0:48:50.000
<v Speaker 5>big he was in California.

0:48:50.120 --> 0:48:51.880
<v Speaker 2>You know what I'm saying. Like after l A l A,

0:48:52.440 --> 0:48:55.759
<v Speaker 2>After l A l A, our records was going number

0:48:55.840 --> 0:48:59.680
<v Speaker 2>one in LA. Yes, but we were shook because they're.

0:48:59.520 --> 0:49:04.520
<v Speaker 6>Like because it was already a problem, but not not

0:49:04.640 --> 0:49:06.960
<v Speaker 6>with the actual people.

0:49:08.000 --> 0:49:08.920
<v Speaker 5>It was just behind them.

0:49:09.200 --> 0:49:09.719
<v Speaker 6>But with us.

0:49:10.080 --> 0:49:13.080
<v Speaker 1>You know, Eric Wright working with n w A. He

0:49:13.320 --> 0:49:15.000
<v Speaker 1>was kind of doing the same thing we were doing

0:49:15.040 --> 0:49:18.120
<v Speaker 1>on the East coast. So there was Michelle A, there

0:49:18.200 --> 0:49:20.800
<v Speaker 1>was the d O C. They were signed to Atlantic Records.

0:49:20.960 --> 0:49:24.000
<v Speaker 1>I had k Solo on Atlantic records and do there.

0:49:24.360 --> 0:49:26.719
<v Speaker 1>The communication was there once we came through on the

0:49:26.800 --> 0:49:29.040
<v Speaker 1>second album, like hey, we want to do something different,

0:49:29.360 --> 0:49:31.520
<v Speaker 1>the big payback. We got respect for y'all, you'all got

0:49:31.520 --> 0:49:32.200
<v Speaker 1>respect for us.

0:49:32.640 --> 0:49:34.720
<v Speaker 2>And they showed up and they came to the Beverly

0:49:34.800 --> 0:49:42.399
<v Speaker 2>Hill gun Range with their own weapons. He was really

0:49:42.480 --> 0:49:46.200
<v Speaker 2>out there with mad ship. You see that, you take apart,

0:49:49.080 --> 0:49:53.200
<v Speaker 2>serious serious shot like yo, they didn't even they didn't

0:49:53.200 --> 0:49:53.879
<v Speaker 2>even need their weapon.

0:49:54.640 --> 0:49:54.719
<v Speaker 7>Ye.

0:49:55.080 --> 0:49:58.000
<v Speaker 6>So now you just said you just said K Solo right, yeah,

0:49:58.520 --> 0:50:01.480
<v Speaker 6>K Solo was your artist, right, and then Redman was

0:50:01.600 --> 0:50:05.839
<v Speaker 6>your art. And at one point we thought that they

0:50:05.880 --> 0:50:11.040
<v Speaker 6>were the same person, like like Humphy help. At one

0:50:11.080 --> 0:50:12.000
<v Speaker 6>point we thought they was.

0:50:12.000 --> 0:50:12.640
<v Speaker 2>The same person.

0:50:12.680 --> 0:50:15.759
<v Speaker 6>And then it was it felt like they had problems

0:50:15.760 --> 0:50:17.160
<v Speaker 6>because they both had afros.

0:50:18.640 --> 0:50:23.800
<v Speaker 2>Wow here, no, I'm correct, But did they ever have problems?

0:50:24.760 --> 0:50:28.040
<v Speaker 2>We have problems later on, but you get squad and

0:50:28.160 --> 0:50:28.960
<v Speaker 2>he was hit squad.

0:50:29.360 --> 0:50:30.560
<v Speaker 3>Yeah yeah, but I had to do with it.

0:50:30.640 --> 0:50:34.320
<v Speaker 5>That was just Solo talking at one time, okay, you know,

0:50:34.360 --> 0:50:36.440
<v Speaker 5>and not to give him props though, but again he

0:50:36.560 --> 0:50:38.840
<v Speaker 5>was just like talking. But I mean again, everything is

0:50:39.200 --> 0:50:42.160
<v Speaker 5>done now. But there wasn't no between the cruise. It

0:50:42.280 --> 0:50:46.520
<v Speaker 5>was just him, him and him talking about.

0:50:46.480 --> 0:50:49.520
<v Speaker 2>What what did he Oh, he said something about y'all.

0:50:49.520 --> 0:50:55.040
<v Speaker 5>Yeah, about just about Reggie and me, and yeah he

0:50:55.120 --> 0:50:57.719
<v Speaker 5>did yeah, okay, so yeah he.

0:50:57.800 --> 0:51:05.040
<v Speaker 2>Signed over there. He solo went to death and his

0:51:05.160 --> 0:51:08.280
<v Speaker 2>producer Sam Sneed that was Soul's.

0:51:07.840 --> 0:51:10.279
<v Speaker 5>Producer too, along with parents that went to death Row too.

0:51:11.360 --> 0:51:14.240
<v Speaker 2>So now Keith Burray's also your artists morning.

0:51:14.480 --> 0:51:15.279
<v Speaker 5>Are you always together?

0:51:15.360 --> 0:51:19.239
<v Speaker 2>He resigned to me, So how did you Let's let's

0:51:19.280 --> 0:51:21.879
<v Speaker 2>describe that. When did you first meet Keith Murray Mary?

0:51:22.000 --> 0:51:23.240
<v Speaker 5>His name was keithy Keith.

0:51:25.000 --> 0:51:28.920
<v Speaker 3>Right, And I saw a tape of him.

0:51:29.760 --> 0:51:34.040
<v Speaker 5>Battling Big Daddy Kane and a diner for Kine's birthday.

0:51:34.400 --> 0:51:39.439
<v Speaker 2>Wait a minute, Wait a minute, because you said tape.

0:51:39.719 --> 0:51:40.839
<v Speaker 2>You didn't say you look at.

0:51:42.480 --> 0:51:44.360
<v Speaker 3>Yes, yes, yeah, okay, I have it.

0:51:44.840 --> 0:51:45.239
<v Speaker 5>You have it.

0:51:45.400 --> 0:51:50.360
<v Speaker 2>I have it on DVD. Keith Mury battle Daddy Kane

0:51:50.480 --> 0:51:51.200
<v Speaker 2>and a diner.

0:51:51.600 --> 0:51:51.759
<v Speaker 3>Yes.

0:51:53.320 --> 0:51:54.000
<v Speaker 6>What year was this?

0:51:54.120 --> 0:51:54.439
<v Speaker 2>He said?

0:51:54.480 --> 0:51:56.600
<v Speaker 5>He and he said, he said you have to take

0:51:56.600 --> 0:51:59.560
<v Speaker 5>the skills up, little boy? Who said that to?

0:51:59.640 --> 0:52:01.960
<v Speaker 2>Who said to Murray Mary?

0:52:02.200 --> 0:52:02.600
<v Speaker 5>Eighty eight?

0:52:03.239 --> 0:52:04.839
<v Speaker 2>And I feel like because I feel like Keith Murray

0:52:04.880 --> 0:52:05.480
<v Speaker 2>was spoke with dust.

0:52:05.480 --> 0:52:11.200
<v Speaker 5>It's whole like Keith Mary was a kid, he was

0:52:11.239 --> 0:52:14.920
<v Speaker 5>like fifteen years old, and he battled, Kna, what cane is?

0:52:15.000 --> 0:52:18.279
<v Speaker 3>This is just eighty eight first King bis. Yeah, that's

0:52:18.880 --> 0:52:19.920
<v Speaker 3>the hot cane.

0:52:21.719 --> 0:52:24.640
<v Speaker 2>King and he on his.

0:52:24.680 --> 0:52:29.560
<v Speaker 5>Birthday since he born was Kane's family too. That was

0:52:29.600 --> 0:52:33.040
<v Speaker 5>also Keith Murray's uncle, so they was in Brooklyn. Dave

0:52:33.080 --> 0:52:35.640
<v Speaker 5>was Family's happened to be going to dining for King's

0:52:35.640 --> 0:52:38.400
<v Speaker 5>birthday after the after after the show that happened in Manhattan,

0:52:38.880 --> 0:52:41.759
<v Speaker 5>and Murray happened to be with with his uncle. And

0:52:41.880 --> 0:52:45.279
<v Speaker 5>then he said keeping on a wrap. So Keith not

0:52:45.440 --> 0:52:50.200
<v Speaker 5>scared when that King kind of and then Kane just

0:52:50.719 --> 0:52:57.640
<v Speaker 5>you know, got loose. No, no he didn't.

0:52:57.880 --> 0:52:59.880
<v Speaker 3>But it wasn't even like like that though. He just

0:53:00.080 --> 0:53:02.400
<v Speaker 3>it like, you know, it came with at him like

0:53:02.480 --> 0:53:05.719
<v Speaker 3>he was you know, you know that's that's cute.

0:53:07.280 --> 0:53:10.120
<v Speaker 6>So now I asked him earlier, Now I gotta ask

0:53:10.160 --> 0:53:12.160
<v Speaker 6>you what are you listening to?

0:53:12.320 --> 0:53:12.480
<v Speaker 5>Now?

0:53:13.200 --> 0:53:16.360
<v Speaker 1>Oh man, I'm listening to a little bit of everything.

0:53:16.960 --> 0:53:19.200
<v Speaker 1>You know, I stick to the to our generation, the

0:53:19.280 --> 0:53:22.080
<v Speaker 1>legends and stuff like that too. You know, it's definitely

0:53:22.239 --> 0:53:22.640
<v Speaker 1>l what.

0:53:22.719 --> 0:53:24.439
<v Speaker 5>Is a panther an animal that kills?

0:53:24.440 --> 0:53:26.520
<v Speaker 2>I'm like the show for Blood coming out the Gills.

0:53:27.239 --> 0:53:31.600
<v Speaker 5>Yo, we was fucking go co created Go. Yeah, I

0:53:31.680 --> 0:53:33.680
<v Speaker 5>can remember that was that the cassette tape? Right?

0:53:33.800 --> 0:53:33.880
<v Speaker 2>Was that?

0:53:34.040 --> 0:53:34.680
<v Speaker 5>What album is that?

0:53:34.800 --> 0:53:34.840
<v Speaker 2>This?

0:53:35.040 --> 0:53:37.120
<v Speaker 5>That was eight eighty six, eighty seven No.

0:53:37.400 --> 0:53:41.400
<v Speaker 1>Eighty six, Yeah, yeah before It's my thing to a customer,

0:53:41.480 --> 0:53:43.960
<v Speaker 1>gold ct creative like we used to study.

0:53:44.680 --> 0:53:45.920
<v Speaker 2>We studied, you understand.

0:53:45.960 --> 0:53:48.360
<v Speaker 1>Remember we said in eighth grade we was driving to

0:53:48.440 --> 0:53:51.120
<v Speaker 1>Delancey Street to pick up sucking season.

0:53:51.200 --> 0:53:53.120
<v Speaker 2>It's like that because I used to DJ, and I

0:53:53.160 --> 0:53:55.160
<v Speaker 2>gotta get back to y'all making a car too, because

0:53:56.080 --> 0:53:56.960
<v Speaker 2>that was crazy.

0:53:57.200 --> 0:53:58.600
<v Speaker 5>I made the call, built the car.

0:53:58.640 --> 0:54:01.320
<v Speaker 2>I'm still got the car since guy, I gotta why it.

0:54:05.080 --> 0:54:09.279
<v Speaker 2>Listen to my the cover? Definitely, Yeah, that's great.

0:54:09.360 --> 0:54:11.560
<v Speaker 5>So so do you do you?

0:54:12.160 --> 0:54:14.840
<v Speaker 2>Is there anybody from the new generation that you actually

0:54:15.000 --> 0:54:17.120
<v Speaker 2>do with? Yeah, bad.

0:54:18.800 --> 0:54:25.600
<v Speaker 6>Kendrick Kendricks Kendrick's album like Yo, Sit Down, Sit Down,

0:54:26.000 --> 0:54:29.200
<v Speaker 6>A young cat like that already that advanced to do a.

0:54:29.239 --> 0:54:32.320
<v Speaker 2>Single like that sit Down and you know what the

0:54:32.440 --> 0:54:33.160
<v Speaker 2>crazy it is?

0:54:34.000 --> 0:54:36.719
<v Speaker 6>It's musical though the album like you know, you know,

0:54:36.840 --> 0:54:39.080
<v Speaker 6>you know, you know the thing about Dre is like

0:54:39.200 --> 0:54:42.920
<v Speaker 6>if you listen to the Confident album, Uh, it might

0:54:43.000 --> 0:54:46.040
<v Speaker 6>not be as lyrically impactful, but if you listen to

0:54:46.160 --> 0:54:49.920
<v Speaker 6>it a music standpoint, it's still phenomenal.

0:54:50.239 --> 0:54:54.680
<v Speaker 5>It's that sonically you're saying, definitely is here, You're right,

0:54:54.760 --> 0:54:57.320
<v Speaker 5>because if you're trying to hear the chronic, you're not.

0:54:57.520 --> 0:54:58.440
<v Speaker 2>No, it's not the chronic.

0:54:58.600 --> 0:55:03.440
<v Speaker 3>It ain't that the sounding of the music sounding aren't

0:55:03.520 --> 0:55:05.960
<v Speaker 3>like that. That's why everybody that was on there, because

0:55:06.040 --> 0:55:06.480
<v Speaker 3>I feel like.

0:55:06.480 --> 0:55:09.359
<v Speaker 6>Producers make better music than like regular artists, like if

0:55:09.360 --> 0:55:10.600
<v Speaker 6>you're a producer.

0:55:11.080 --> 0:55:14.800
<v Speaker 1>Like definitely, because the track comes first and making the

0:55:14.880 --> 0:55:16.960
<v Speaker 1>track to let me start running. And that's how we

0:55:17.120 --> 0:55:19.440
<v Speaker 1>did most of my music because the beat that we

0:55:19.560 --> 0:55:23.680
<v Speaker 1>picked for y'all. Like, because right now we have compone

0:55:24.840 --> 0:55:35.799
<v Speaker 1>Mob Deep, m O p ST and Pepper Blackstar Early

0:55:35.880 --> 0:55:39.279
<v Speaker 1>because I feeling good. Duels is coming listen, it's coming

0:55:39.280 --> 0:55:39.920
<v Speaker 1>out to me right now.

0:55:39.920 --> 0:55:45.480
<v Speaker 6>It's our nations. You gussing me, my sister, You mean

0:55:45.960 --> 0:55:51.320
<v Speaker 6>you're just gonna be in a category with PEPMD that

0:55:51.480 --> 0:55:53.200
<v Speaker 6>we're only working with groups.

0:55:52.920 --> 0:55:58.640
<v Speaker 2>On the roops, only big business business. But I'm also

0:55:58.760 --> 0:56:00.719
<v Speaker 2>hating because I felt like I up coming with that.

0:56:01.680 --> 0:56:04.240
<v Speaker 2>That's right, right, That's why when I say the bowler

0:56:04.360 --> 0:56:06.879
<v Speaker 2>have no no, no, like I said, oh.

0:56:06.920 --> 0:56:10.120
<v Speaker 5>Ship right because the crib we're sitting there, like wanted

0:56:10.120 --> 0:56:10.600
<v Speaker 5>to make sure.

0:56:12.160 --> 0:56:16.200
<v Speaker 3>I'm saying, you know, stupid, it's like right down, you know.

0:56:16.440 --> 0:56:20.160
<v Speaker 1>So we're just doing that, you know what, but show

0:56:20.239 --> 0:56:23.319
<v Speaker 1>you know, we can't leave about a boogie and Dave East.

0:56:26.800 --> 0:56:27.759
<v Speaker 5>But I also like that for.

0:56:27.880 --> 0:56:31.319
<v Speaker 6>Zombies though, to that's another shot. You know what, there's

0:56:31.320 --> 0:56:33.400
<v Speaker 6>a lot of great things about flat. I haven't been

0:56:33.440 --> 0:56:35.480
<v Speaker 6>able to get into this stuff yet. I haven't had time,

0:56:35.880 --> 0:56:41.360
<v Speaker 6>but I have been on a bookies dude from South Colinama.

0:56:41.760 --> 0:56:46.680
<v Speaker 5>He was Nick Nick Nick Grant's age.

0:56:46.960 --> 0:56:49.320
<v Speaker 6>I just met him at Charlotmade They got Bard, he

0:56:49.400 --> 0:56:51.719
<v Speaker 6>got Bard and I told him that, you know, because

0:56:51.760 --> 0:56:53.719
<v Speaker 6>that's where we come from. We come from lyrics first.

0:56:53.920 --> 0:56:56.200
<v Speaker 2>But can your generations breaking it to us?

0:56:56.719 --> 0:56:57.640
<v Speaker 7>King O?

0:56:57.760 --> 0:56:58.240
<v Speaker 2>King Close?

0:56:58.320 --> 0:56:59.120
<v Speaker 5>Yes, you know he is.

0:56:59.280 --> 0:57:01.839
<v Speaker 2>He really got King Close is ill. He's ill.

0:57:02.280 --> 0:57:05.200
<v Speaker 6>He's ill. I like King Close too as well. I

0:57:05.280 --> 0:57:07.799
<v Speaker 6>feel like he gotta drop something. He does, he gotta

0:57:07.840 --> 0:57:08.279
<v Speaker 6>drop something.

0:57:08.640 --> 0:57:09.040
<v Speaker 2>Kindergarten.

0:57:09.040 --> 0:57:10.440
<v Speaker 5>You gave him the props, you know what I'm saying, Like,

0:57:10.520 --> 0:57:12.440
<v Speaker 5>you know, like yo, you know they listen to his name.

0:57:12.520 --> 0:57:14.919
<v Speaker 5>You know like yo, But again it's not to find

0:57:15.080 --> 0:57:19.240
<v Speaker 5>something to work anybody just a free hey yo, EFN,

0:57:19.360 --> 0:57:19.920
<v Speaker 5>what's good man?

0:57:20.280 --> 0:57:22.640
<v Speaker 6>Man? You know these days, man, stamps dot Com is

0:57:22.720 --> 0:57:24.120
<v Speaker 6>making the trip very short for you.

0:57:24.360 --> 0:57:24.720
<v Speaker 2>That's right.

0:57:24.800 --> 0:57:27.000
<v Speaker 7>But these days you can get practically everything on demand,

0:57:27.160 --> 0:57:27.840
<v Speaker 7>that's right, man.

0:57:27.880 --> 0:57:29.800
<v Speaker 2>So who's still going to the post office?

0:57:29.840 --> 0:57:31.640
<v Speaker 6>When you get it on demand, it come to your career,

0:57:31.720 --> 0:57:33.400
<v Speaker 6>pick it up and all that Stamps dot Com.

0:57:33.520 --> 0:57:35.400
<v Speaker 2>That's it, that's all they need. Ah, that's right.

0:57:35.480 --> 0:57:37.680
<v Speaker 7>Anything you can do at the post office you can

0:57:37.840 --> 0:57:40.200
<v Speaker 7>now do right from your desk with stamps dot Com.

0:57:40.320 --> 0:57:42.960
<v Speaker 7>Stamps dot Com buy in print official US postage for

0:57:43.160 --> 0:57:45.800
<v Speaker 7>any letter or package using your own computer and printer.

0:57:46.080 --> 0:57:49.120
<v Speaker 7>And unlike the post office, stamps dot Com never closes,

0:57:49.360 --> 0:57:51.200
<v Speaker 7>so you can get postage whenever you need it.

0:57:51.280 --> 0:57:52.120
<v Speaker 2>Twenty four to seven.

0:57:52.240 --> 0:57:52.439
<v Speaker 5>See.

0:57:52.480 --> 0:57:55.280
<v Speaker 6>I use stamps dot Com to deliver you know, expensive jurry,

0:57:55.560 --> 0:57:59.080
<v Speaker 6>to deliver my cats, you know, food, to deliver my dogs,

0:57:59.120 --> 0:57:59.960
<v Speaker 6>and toenails.

0:58:00.160 --> 0:58:02.040
<v Speaker 2>I'm do things like that with stamps dot Com.

0:58:02.160 --> 0:58:03.720
<v Speaker 7>Yeah, man, you know, I just don't want to deal

0:58:03.760 --> 0:58:05.280
<v Speaker 7>with the lines at the post office. I love the

0:58:05.320 --> 0:58:07.280
<v Speaker 7>post office, but man, if I could just use Stamps

0:58:07.320 --> 0:58:07.680
<v Speaker 7>dot com.

0:58:07.760 --> 0:58:08.440
<v Speaker 2>It's gonna save me.

0:58:08.440 --> 0:58:10.320
<v Speaker 7>A lot of time, a lot of headache and just

0:58:10.400 --> 0:58:11.720
<v Speaker 7>a lot of just a lot of time I could

0:58:11.720 --> 0:58:12.800
<v Speaker 7>be doing other things, you know, So.

0:58:12.920 --> 0:58:15.760
<v Speaker 2>Right now use our name for this special offer. That's

0:58:15.960 --> 0:58:18.280
<v Speaker 2>Champs c h A m p S.

0:58:18.400 --> 0:58:22.120
<v Speaker 7>Tell them EFN four week trial includes postage and digital scale.

0:58:22.200 --> 0:58:22.640
<v Speaker 2>Don't wait.

0:58:23.000 --> 0:58:25.280
<v Speaker 7>Go to Stamps dot com before you do anything else.

0:58:25.560 --> 0:58:27.360
<v Speaker 7>Click on the radio microphone at the top of the

0:58:27.400 --> 0:58:30.600
<v Speaker 7>homepage and type in Champs that Stamps dot com. Enter

0:58:30.800 --> 0:58:34.240
<v Speaker 7>Champs Stamps dot com. Never go to the post office again.

0:58:34.480 --> 0:58:38.400
<v Speaker 7>That's Champs c A A N p S preing CHANMPS. Baby,

0:58:38.520 --> 0:58:38.960
<v Speaker 7>let's do it.

0:58:39.800 --> 0:58:40.880
<v Speaker 2>That's why I was doing hip hop.

0:58:40.880 --> 0:58:41.240
<v Speaker 5>I don't care.

0:58:41.240 --> 0:58:42.840
<v Speaker 2>I'm never gonna get just I'm.

0:58:42.720 --> 0:58:46.320
<v Speaker 5>Never gonna put myself in the position where I changed,

0:58:46.440 --> 0:58:49.280
<v Speaker 5>because you can win doing hip hop. Told you you

0:58:49.440 --> 0:58:52.560
<v Speaker 5>had to conform to this. You don't gotta do this.

0:58:52.760 --> 0:58:56.200
<v Speaker 5>People looking for what you do exactly do what you're doing.

0:58:56.280 --> 0:58:58.840
<v Speaker 2>You will win, you know. And that's why I'll tell

0:58:58.840 --> 0:59:01.800
<v Speaker 2>you something. That's why, Like I was laid on Kendred album,

0:59:01.800 --> 0:59:03.680
<v Speaker 2>this album is me too.

0:59:03.920 --> 0:59:06.000
<v Speaker 6>I was late, right, so I kept looking at Twitter

0:59:06.040 --> 0:59:07.520
<v Speaker 6>and people can say I'm telling me how.

0:59:07.520 --> 0:59:11.160
<v Speaker 2>Dope it is, so like like an analyst.

0:59:11.920 --> 0:59:17.040
<v Speaker 5>I downloaded it one am and I just my falcony.

0:59:17.480 --> 0:59:18.280
<v Speaker 3>My son just came me.

0:59:18.400 --> 0:59:20.120
<v Speaker 2>I was in my balcony. Eleven.

0:59:20.480 --> 0:59:24.240
<v Speaker 6>I was in my balcony and I listened to and

0:59:24.600 --> 0:59:27.280
<v Speaker 6>to tell you the truth. You know, because I'm an

0:59:27.360 --> 0:59:30.320
<v Speaker 6>artist first, you always kind of like listen to your

0:59:30.440 --> 0:59:33.320
<v Speaker 6>music to say fuck you, like not not not in

0:59:33.400 --> 0:59:35.360
<v Speaker 6>a bad way. But I listened to it and be like,

0:59:36.040 --> 0:59:38.480
<v Speaker 6>I feel like I'm better. Leo Comen says, all on

0:59:38.760 --> 0:59:39.480
<v Speaker 6>and assholes.

0:59:40.120 --> 0:59:44.080
<v Speaker 2>He's right, I.

0:59:44.080 --> 0:59:46.280
<v Speaker 5>Don't think I'm assholes.

0:59:48.080 --> 0:59:51.840
<v Speaker 2>Straight now you listen to Kendred Ship.

0:59:52.200 --> 0:59:56.480
<v Speaker 6>I wanted to hate and not a bone hate, no,

0:59:56.600 --> 0:59:58.240
<v Speaker 6>because you know why. I just I just want to

0:59:58.400 --> 1:00:01.040
<v Speaker 6>compare myself to every new artists. I want to be like, yo,

1:00:01.080 --> 1:00:01.960
<v Speaker 6>I can, I can beat you.

1:00:02.360 --> 1:00:03.240
<v Speaker 2>But when I listened to.

1:00:03.320 --> 1:00:06.080
<v Speaker 5>That, we feel that way. Yeah, we do a ponent

1:00:06.160 --> 1:00:08.480
<v Speaker 5>you feel that wave too, But but there's nobody to

1:00:08.640 --> 1:00:12.840
<v Speaker 5>go against. You can't compare yourself to that. No but

1:00:13.480 --> 1:00:16.480
<v Speaker 5>rhyming but the majority.

1:00:17.320 --> 1:00:19.640
<v Speaker 6>But when I heard his album I'm not Gonna Lie

1:00:19.680 --> 1:00:22.479
<v Speaker 6>to You, it made me remember how much I loved

1:00:22.560 --> 1:00:25.080
<v Speaker 6>hip hop. It made me remember how much I love

1:00:25.240 --> 1:00:27.760
<v Speaker 6>you guys are. It made me remember how much I

1:00:27.920 --> 1:00:31.200
<v Speaker 6>love a Na's album. It made me remember how much

1:00:31.440 --> 1:00:33.760
<v Speaker 6>there would be no time like the rest album like.

1:00:33.960 --> 1:00:36.600
<v Speaker 2>Like it kind of like time like that. Nineties will

1:00:36.680 --> 1:00:37.880
<v Speaker 2>never we would not.

1:00:38.200 --> 1:00:42.160
<v Speaker 5>It's sad to say we would never experience nothing like that.

1:00:42.680 --> 1:00:46.000
<v Speaker 5>When every group had their own identity, nobody had the

1:00:46.120 --> 1:00:47.959
<v Speaker 5>rhyme like nobody, everybody had their.

1:00:47.880 --> 1:00:51.040
<v Speaker 2>Own sound, and we all won. How do you have

1:00:51.160 --> 1:00:52.080
<v Speaker 2>to do that? You know.

1:00:54.120 --> 1:00:57.920
<v Speaker 6>You don't want me now now it's totally the opposite.

1:00:58.200 --> 1:01:05.040
<v Speaker 6>Everybody sounds the same, you know, the great you know.

1:01:06.680 --> 1:01:06.920
<v Speaker 5>You got.

1:01:06.960 --> 1:01:09.520
<v Speaker 2>The other day I looked at I looked at somebody's.

1:01:09.120 --> 1:01:13.120
<v Speaker 6>Instagram, right, and the guys on the instagram, and he

1:01:13.280 --> 1:01:14.680
<v Speaker 6>sounds just like future.

1:01:14.880 --> 1:01:15.040
<v Speaker 5>Right.

1:01:15.360 --> 1:01:17.920
<v Speaker 2>But the guy says, these other rappers want to copy me,

1:01:20.480 --> 1:01:25.600
<v Speaker 2>like Nigga. You copy it right, right, just like anybody

1:01:25.640 --> 1:01:26.160
<v Speaker 2>else copying.

1:01:26.880 --> 1:01:30.040
<v Speaker 6>But that's how crazy it is is that nobody checks it.

1:01:30.120 --> 1:01:34.560
<v Speaker 6>Nobody says yo back then, like you said biting was bad,

1:01:35.000 --> 1:01:38.320
<v Speaker 6>like yo, Me and Compone went all out not to

1:01:38.440 --> 1:01:41.160
<v Speaker 6>be compared to mob Deep, like you don't understand, Like

1:01:41.480 --> 1:01:43.960
<v Speaker 6>when we came out and our first record was l

1:01:44.000 --> 1:01:46.120
<v Speaker 6>A l A and he's on the same record with

1:01:46.240 --> 1:01:50.640
<v Speaker 6>Mom d right, so they automatically that's the fake version

1:01:50.640 --> 1:01:51.200
<v Speaker 6>of Mom Deep.

1:01:51.240 --> 1:01:54.160
<v Speaker 2>That's what Mom Deep, Mom Deep me and this nigga.

1:01:54.440 --> 1:01:58.040
<v Speaker 6>We did everything in our nature to not be compared

1:01:58.080 --> 1:02:02.200
<v Speaker 6>to them, nigga. So that's why we did wave man,

1:02:02.480 --> 1:02:05.880
<v Speaker 6>That's why we did. We just wanted to get away

1:02:05.920 --> 1:02:09.240
<v Speaker 6>from you. But the thing is nowadays, if they say

1:02:09.320 --> 1:02:14.400
<v Speaker 6>you sound like that guy, it's actually good things say. Listen,

1:02:14.480 --> 1:02:15.400
<v Speaker 6>they can never be you.

1:02:16.240 --> 1:02:18.720
<v Speaker 2>Listen. No, I swear to God tell me all the time.

1:02:19.880 --> 1:02:22.280
<v Speaker 5>My sister call me Michael Jackson at the crib not

1:02:22.400 --> 1:02:23.800
<v Speaker 5>because of that, because.

1:02:23.800 --> 1:02:26.080
<v Speaker 3>No matter what you do, young kid, you will never

1:02:26.160 --> 1:02:26.440
<v Speaker 3>be me.

1:02:26.720 --> 1:02:27.120
<v Speaker 5>That's right.

1:02:27.240 --> 1:02:29.200
<v Speaker 2>This is thirty years, that's right.

1:02:29.920 --> 1:02:33.520
<v Speaker 5>You ain't even did three yet after you finished. How

1:02:33.560 --> 1:02:36.880
<v Speaker 5>can you eat after this? I'm still toring how you

1:02:37.000 --> 1:02:41.160
<v Speaker 5>gonna eat? I'm just saying I want to realize if

1:02:41.200 --> 1:02:43.480
<v Speaker 5>I can be there and see, how are you eating?

1:02:43.520 --> 1:02:47.680
<v Speaker 5>Because nobody's coming to watch you in ten years.

1:02:48.240 --> 1:02:50.360
<v Speaker 2>Right, So how are you gonna eat?

1:02:50.440 --> 1:02:54.080
<v Speaker 5>If you didn't say right and you want to disrespect me,

1:02:54.440 --> 1:02:57.080
<v Speaker 5>I feel sorry for you because you will never be me.

1:02:57.400 --> 1:02:58.720
<v Speaker 2>You never sold these records.

1:02:58.840 --> 1:03:01.240
<v Speaker 5>You will never have number one out, you'll never be toring,

1:03:01.320 --> 1:03:03.800
<v Speaker 5>you'll never be in these arenas. To do summer Jam,

1:03:03.920 --> 1:03:09.720
<v Speaker 5>you need eighteen one hundred new people. Without them, you

1:03:09.800 --> 1:03:10.440
<v Speaker 5>won't pack it.

1:03:10.640 --> 1:03:12.720
<v Speaker 2>Talk that shit, and we gotta now.

1:03:12.880 --> 1:03:15.960
<v Speaker 5>If any one of us go, if we're seeing in NAS,

1:03:16.000 --> 1:03:18.360
<v Speaker 5>E pm D, whatever and two more of the groups,

1:03:18.480 --> 1:03:21.600
<v Speaker 5>we can pack fifty one thousand with nobody in the radio.

1:03:26.120 --> 1:03:28.040
<v Speaker 6>Usually I gotta get people drunk and talk like, are

1:03:28.040 --> 1:03:33.240
<v Speaker 6>you talking? You're just so you're super drunk. I'm gona

1:03:33.240 --> 1:03:37.520
<v Speaker 6>trying to give you now because again they gotta this.

1:03:37.760 --> 1:03:41.760
<v Speaker 5>We ride it right through. We caligade who you are.

1:03:42.160 --> 1:03:44.960
<v Speaker 5>Don't let nobody take this from you. Me and Paris

1:03:45.040 --> 1:03:49.040
<v Speaker 5>are humbled too, humble to a faults. Sometimes I'm like, Pete,

1:03:49.040 --> 1:03:51.200
<v Speaker 5>I'm gonna let them them niggas ain't us look at

1:03:51.280 --> 1:03:52.000
<v Speaker 5>that they got over.

1:03:52.080 --> 1:03:53.360
<v Speaker 3>They would never be us.

1:03:55.400 --> 1:03:57.000
<v Speaker 2>They say, oh, that's hip hop.

1:03:57.160 --> 1:03:59.880
<v Speaker 6>That's why we put songs like the crossover. But that's why,

1:04:00.120 --> 1:04:04.640
<v Speaker 6>that's why I drink camps. We won't be humble for you.

1:04:05.000 --> 1:04:08.160
<v Speaker 6>We're gonna we're gonna represent E p m D. Not

1:04:08.320 --> 1:04:11.080
<v Speaker 6>only tonight, but we're gonna represent apm D every fun.

1:04:11.160 --> 1:04:14.320
<v Speaker 5>But look how you won. Nobody was expecting you to win.

1:04:15.080 --> 1:04:17.840
<v Speaker 5>They can't win with this and on new people on there,

1:04:18.400 --> 1:04:20.680
<v Speaker 5>we're watching these old niggas talking about no nothing.

1:04:20.560 --> 1:04:20.960
<v Speaker 2>None of that.

1:04:21.480 --> 1:04:21.600
<v Speaker 5>Yo.

1:04:21.800 --> 1:04:23.720
<v Speaker 1>What I love about this show Like a lot of

1:04:23.760 --> 1:04:26.120
<v Speaker 1>times we listen to it while we're traveling and you

1:04:26.320 --> 1:04:29.000
<v Speaker 1>get to hear the stories that you didn't know exactly

1:04:29.280 --> 1:04:29.760
<v Speaker 1>know about.

1:04:31.680 --> 1:04:33.800
<v Speaker 2>Keith Murried. I'm with Keith.

1:04:35.600 --> 1:04:38.280
<v Speaker 5>Like guests was saying, when was I know about it?

1:04:38.680 --> 1:04:47.520
<v Speaker 5>Any little brothers? For remember in Philly, Miss Snoop said

1:04:47.600 --> 1:04:49.280
<v Speaker 5>on the ship like, yo, oh ship, we saw an

1:04:49.280 --> 1:04:51.520
<v Speaker 5>A p m D video on We're like, oh, should

1:04:51.520 --> 1:04:51.960
<v Speaker 5>we may it now?

1:04:52.000 --> 1:04:53.840
<v Speaker 3>I mean we're on the video after e p m D.

1:04:54.560 --> 1:04:58.120
<v Speaker 5>Like the stories that people give y'all from on this show,

1:04:58.560 --> 1:05:01.640
<v Speaker 5>like the ship that we learned, I learned compete and

1:05:01.760 --> 1:05:06.120
<v Speaker 5>what comes out you know what it is?

1:05:06.640 --> 1:05:09.720
<v Speaker 6>We got to give our artistic flowers when they can

1:05:09.760 --> 1:05:10.920
<v Speaker 6>smell them, give them the trees.

1:05:10.680 --> 1:05:14.680
<v Speaker 5>When they stop right now, please stop. A stranger in

1:05:14.760 --> 1:05:17.919
<v Speaker 5>Detroit came to my room and told me the same ship.

1:05:18.440 --> 1:05:23.880
<v Speaker 5>Do not let nobody, don't compone, let them represent you

1:05:24.400 --> 1:05:27.760
<v Speaker 5>and congratulate you while you living, that's right. Don't let

1:05:27.880 --> 1:05:31.560
<v Speaker 5>nobody give you props when you're dead supposed to.

1:05:31.560 --> 1:05:34.560
<v Speaker 2>Get And that's and that's the thing.

1:05:34.680 --> 1:05:38.040
<v Speaker 6>That's the thing is I'm glad, you know, I see

1:05:38.320 --> 1:05:40.640
<v Speaker 6>I see our culture suffers from that.

1:05:41.160 --> 1:05:42.680
<v Speaker 2>I seen that every other culture.

1:05:42.720 --> 1:05:43.640
<v Speaker 5>Like I said, I went to this.

1:05:43.640 --> 1:05:47.320
<v Speaker 6>Account office and the account is you know all you

1:05:47.400 --> 1:05:50.760
<v Speaker 6>know older rock bands. I was the only black guy there,

1:05:51.400 --> 1:05:55.520
<v Speaker 6>but they they was collecting checks and they was doing that,

1:05:55.640 --> 1:05:59.000
<v Speaker 6>and I'm like, damn, and I'm like, yo, why we don't.

1:05:58.920 --> 1:06:01.280
<v Speaker 2>Do that in like why do you like?

1:06:01.440 --> 1:06:03.920
<v Speaker 6>It doesn't cost me nothing to tell you? I like,

1:06:04.000 --> 1:06:06.720
<v Speaker 6>you know that right, no doubt, No, it don't cost

1:06:06.760 --> 1:06:08.840
<v Speaker 6>me nothing. It don't cost me nothing to say.

1:06:09.040 --> 1:06:11.560
<v Speaker 2>Every time I see Eric Sherman to me and him

1:06:11.600 --> 1:06:14.240
<v Speaker 2>to be like, like, you know we are we playing

1:06:14.240 --> 1:06:16.800
<v Speaker 2>around here, and but you know he shows me respect.

1:06:16.840 --> 1:06:17.720
<v Speaker 2>I show hown respect.

1:06:18.480 --> 1:06:22.240
<v Speaker 6>Why why don't we do that in public? I'm not

1:06:22.320 --> 1:06:26.280
<v Speaker 6>saying us. I'm saying if Jealary, most people won't. They

1:06:26.320 --> 1:06:27.080
<v Speaker 6>don't want to do that.

1:06:27.240 --> 1:06:28.400
<v Speaker 2>They don't want to say that.

1:06:29.040 --> 1:06:32.120
<v Speaker 6>If I grew up listening to you, and if you

1:06:32.440 --> 1:06:35.760
<v Speaker 6>made what component oriega is? I gotta tell you that

1:06:35.880 --> 1:06:38.760
<v Speaker 6>to your question, and I gotta say every week we

1:06:38.920 --> 1:06:41.720
<v Speaker 6>did this component Oriega, we tried to be epigain.

1:06:42.720 --> 1:06:43.640
<v Speaker 3>I tell Rockery to.

1:06:43.720 --> 1:06:46.439
<v Speaker 5>His face, I'm like, yo, and I'm like as a man,

1:06:46.800 --> 1:06:49.479
<v Speaker 5>I tell run gettee today face. I let them people

1:06:49.640 --> 1:06:52.320
<v Speaker 5>know today faces. I don't care who it is. If

1:06:52.360 --> 1:06:55.840
<v Speaker 5>you influence me, I'm given this to you. But people

1:06:56.080 --> 1:06:58.840
<v Speaker 5>like yore saying but that, but that's only us.

1:06:59.240 --> 1:07:02.560
<v Speaker 2>I sweat him. I'm not jocking that. I think it's

1:07:02.560 --> 1:07:03.320
<v Speaker 2>all society.

1:07:04.240 --> 1:07:07.880
<v Speaker 6>Society because the thing about it is me and Copone

1:07:07.880 --> 1:07:09.880
<v Speaker 6>would be the fakest people in the world if we

1:07:10.000 --> 1:07:12.280
<v Speaker 6>ain't saying we was influenced.

1:07:11.680 --> 1:07:13.760
<v Speaker 2>By you, right, if we if me and him would

1:07:13.800 --> 1:07:16.680
<v Speaker 2>be the corniest dudes in the world, if we say Yo,

1:07:17.400 --> 1:07:19.560
<v Speaker 2>you know he was trying to be e PMD like

1:07:19.680 --> 1:07:20.080
<v Speaker 2>we were.

1:07:20.920 --> 1:07:23.440
<v Speaker 13>But that doesn't make us bad bad at all, because

1:07:23.480 --> 1:07:27.280
<v Speaker 13>we were following MC. I mean, eighty eight for y'all

1:07:27.480 --> 1:07:31.920
<v Speaker 13>is rock boxes them for us, and we related eighty three.

1:07:32.080 --> 1:07:35.760
<v Speaker 1>It's a little song, could be mind brock another shot,

1:07:36.480 --> 1:07:39.480
<v Speaker 1>But what is that saying about today's shake your shot?

1:07:39.520 --> 1:07:41.800
<v Speaker 2>Come on? Obviously there wasn't the leaders for them, Yo.

1:07:42.000 --> 1:07:46.640
<v Speaker 2>I noticed my glasses the biggest in it. I watched them.

1:07:46.680 --> 1:07:47.400
<v Speaker 5>We say that too.

1:07:47.440 --> 1:07:48.640
<v Speaker 3>If we're going back to it too.

1:07:49.200 --> 1:07:50.960
<v Speaker 5>If we would have said something that wouldn't have got

1:07:51.040 --> 1:07:54.040
<v Speaker 5>that far. We didn't say anything. We let just get

1:07:54.080 --> 1:07:56.040
<v Speaker 5>out of hand and it got like this, right, so

1:07:56.160 --> 1:07:58.720
<v Speaker 5>we say this, our generation dropped the ball, weed the ball,

1:07:58.880 --> 1:08:02.400
<v Speaker 5>but we're starting the world. Yeah, it was parented even

1:08:02.440 --> 1:08:05.280
<v Speaker 5>in parenting that like us as not us as parents,

1:08:05.360 --> 1:08:09.240
<v Speaker 5>but the parents to our parents was the last parents

1:08:09.320 --> 1:08:10.720
<v Speaker 5>that parented children too.

1:08:11.400 --> 1:08:12.640
<v Speaker 3>And you know, like the switch.

1:08:13.600 --> 1:08:17.720
<v Speaker 6>Somebody told me the other day, it said, and I

1:08:17.800 --> 1:08:20.680
<v Speaker 6>agree with them, but they said to me, they said,

1:08:20.720 --> 1:08:21.160
<v Speaker 6>you don't.

1:08:21.040 --> 1:08:23.439
<v Speaker 2>Like this new generation of hip hop. I was like,

1:08:23.520 --> 1:08:28.320
<v Speaker 2>it's okay. They said, what is your fault? And they said,

1:08:28.320 --> 1:08:32.080
<v Speaker 2>because you didn't say nothing, right, And I said, it's

1:08:32.240 --> 1:08:34.960
<v Speaker 2>similar to what my son said earlier. And I said,

1:08:35.000 --> 1:08:37.200
<v Speaker 2>what it said. You you didn't say nothing like when

1:08:37.240 --> 1:08:40.800
<v Speaker 2>you knew it was bullshit happening. You never said nothing,

1:08:41.960 --> 1:08:42.479
<v Speaker 2>just sat.

1:08:42.520 --> 1:08:47.200
<v Speaker 3>Nobody said to ourselves.

1:08:47.360 --> 1:08:52.320
<v Speaker 8>And then by the time we did realize, because you

1:08:52.400 --> 1:08:54.719
<v Speaker 8>know what, I'm all out, we actually it was actually

1:08:54.720 --> 1:08:56.960
<v Speaker 8>about lyrics when we just came up, was actually about

1:08:57.000 --> 1:08:59.080
<v Speaker 8>beast right now, it's about melody.

1:08:59.280 --> 1:09:03.760
<v Speaker 2>You have a great melody, they can do that. They

1:09:03.800 --> 1:09:05.360
<v Speaker 2>gotta be wide as fun. But if you have a

1:09:05.439 --> 1:09:10.639
<v Speaker 2>great melody, a single long melody, everybody, and don't forget

1:09:10.640 --> 1:09:12.679
<v Speaker 2>our arrow. We had to go to power Play Studio.

1:09:13.080 --> 1:09:18.680
<v Speaker 2>We had a Queens Gone That's why list that was

1:09:18.960 --> 1:09:23.200
<v Speaker 2>for us. Will power play our sounds? What you saying

1:09:23.320 --> 1:09:26.560
<v Speaker 2>came like PA used to Carrie one, you stop a

1:09:26.600 --> 1:09:31.720
<v Speaker 2>sleeping bag? I did over Corel the little camera.

1:09:32.240 --> 1:09:33.599
<v Speaker 5>The engineer was the name that was dead.

1:09:35.880 --> 1:09:38.360
<v Speaker 2>You don't have to wait and Paul pulling y'all either

1:09:39.520 --> 1:09:40.400
<v Speaker 2>pulling before y'all.

1:09:40.600 --> 1:09:40.920
<v Speaker 5>I don't know.

1:09:41.160 --> 1:09:42.479
<v Speaker 2>I was so broken at the.

1:09:44.640 --> 1:09:48.280
<v Speaker 5>It was engineers. Then I was so growing.

1:09:48.360 --> 1:09:51.200
<v Speaker 2>I'm bro Like when the niggas told me to come,

1:09:51.240 --> 1:09:52.880
<v Speaker 2>I was like, I didn't know how to get there.

1:09:53.560 --> 1:09:55.720
<v Speaker 2>But I was just like, yo, I'm getting there. But

1:09:55.800 --> 1:09:56.320
<v Speaker 2>I was broken.

1:09:56.680 --> 1:09:59.080
<v Speaker 5>But me and Prads got signed for fifty hundred dollars

1:09:59.120 --> 1:10:00.000
<v Speaker 5>our first contract.

1:10:00.280 --> 1:10:04.600
<v Speaker 9>Oh yeah, Nea using above that.

1:10:07.960 --> 1:10:09.080
<v Speaker 3>He came with low than hours.

1:10:09.320 --> 1:10:13.360
<v Speaker 2>Okay, hold on, you keep bringing up biz Mark, biz

1:10:13.479 --> 1:10:15.760
<v Speaker 2>Mak whoever you at. We need you drinking.

1:10:17.720 --> 1:10:19.680
<v Speaker 5>Doing it right now, Like you know what.

1:10:19.760 --> 1:10:22.000
<v Speaker 6>The Crazy City is a lot of people don't know

1:10:22.960 --> 1:10:28.000
<v Speaker 6>that that's what I get my humor from. My humor

1:10:28.080 --> 1:10:30.679
<v Speaker 6>comes from biz mod Chiz Mark was the first person

1:10:30.720 --> 1:10:33.719
<v Speaker 6>that made me listen to a record and then laugh.

1:10:34.240 --> 1:10:36.160
<v Speaker 6>When he said I'm gonna put, you know, pick a

1:10:36.240 --> 1:10:40.320
<v Speaker 6>bullet on the basketball, I was like, damn because I'm

1:10:40.360 --> 1:10:40.960
<v Speaker 6>visualized that.

1:10:41.080 --> 1:10:42.439
<v Speaker 5>I was like, that's a family.

1:10:46.840 --> 1:10:48.800
<v Speaker 6>And so a lot of people asked me and I say,

1:10:49.040 --> 1:10:53.000
<v Speaker 6>my humor comes from biz Mark. But again, these people

1:10:53.040 --> 1:10:56.320
<v Speaker 6>don't know who biz Mocky is, so they sit back.

1:10:56.760 --> 1:11:01.519
<v Speaker 2>But the kids know from your guys. Now you really yeah, yeah,

1:11:01.680 --> 1:11:03.800
<v Speaker 2>but that's where it came from.

1:11:03.880 --> 1:11:08.280
<v Speaker 6>That was like the first like comedic rapper, right and

1:11:09.439 --> 1:11:13.479
<v Speaker 6>since then it hasn't been one. Right now, I'm taking

1:11:13.560 --> 1:11:15.759
<v Speaker 6>over that position, but I'm taking.

1:11:15.640 --> 1:11:18.800
<v Speaker 2>Over it from a media standpoint. And at the end

1:11:18.840 --> 1:11:22.479
<v Speaker 2>of the day, I can't never forget my forefather's like.

1:11:22.880 --> 1:11:25.240
<v Speaker 5>Gonna be gonna he ain't never heard that.

1:11:25.560 --> 1:11:29.040
<v Speaker 2>Yeah, but you know, to this day this Mark is

1:11:29.080 --> 1:11:32.040
<v Speaker 2>still the same way he wasn't. Granddaddy, are you and

1:11:32.280 --> 1:11:35.400
<v Speaker 2>you know on the same page, Granddaddy? You know you

1:11:35.479 --> 1:11:37.400
<v Speaker 2>got big shot Granddaddy.

1:11:37.600 --> 1:11:39.640
<v Speaker 5>You look, I've been following guy.

1:11:39.880 --> 1:11:41.720
<v Speaker 2>Listen, I'm listen. I'm gonna tell your niggas song.

1:11:45.280 --> 1:11:48.920
<v Speaker 6>I heard this nigga say I knew a girl named

1:11:49.000 --> 1:11:53.080
<v Speaker 6>Kenya from West Virginia, or would I like to stick.

1:11:52.840 --> 1:11:56.280
<v Speaker 2>To something in you? I was a rapper from that moment.

1:11:57.360 --> 1:12:00.840
<v Speaker 2>I did not understand from Brenda.

1:12:01.479 --> 1:12:04.560
<v Speaker 6>Granted you made meet great, made in all. I'mna be

1:12:04.600 --> 1:12:07.200
<v Speaker 6>honest with Wow. When I heard that you know that

1:12:08.320 --> 1:12:10.920
<v Speaker 6>he knows it, I said that he's like seventeen million times.

1:12:13.520 --> 1:12:17.240
<v Speaker 6>But but that ship right there was like I gotta

1:12:17.360 --> 1:12:19.640
<v Speaker 6>rap now I gotta do. I didn't know how I

1:12:19.720 --> 1:12:21.360
<v Speaker 6>was gonna rap. I didn't know how I was gonna

1:12:21.360 --> 1:12:21.600
<v Speaker 6>make it.

1:12:21.960 --> 1:12:22.160
<v Speaker 5>Yeah.

1:12:22.840 --> 1:12:26.360
<v Speaker 6>But but from that from those vocals right there, but

1:12:26.680 --> 1:12:29.760
<v Speaker 6>let's get back to that's tell m Let's get back

1:12:29.800 --> 1:12:30.479
<v Speaker 6>to E P M D.

1:12:32.960 --> 1:12:34.760
<v Speaker 2>I was gonna say, arguably.

1:12:35.080 --> 1:12:39.320
<v Speaker 6>But probably the best two man group ever in life,

1:12:39.720 --> 1:12:40.600
<v Speaker 6>in existence.

1:12:41.160 --> 1:12:43.639
<v Speaker 2>I'm standing in front of both of y'all. I felt

1:12:43.680 --> 1:12:45.519
<v Speaker 2>like one of y'all was gonna come. I felt like

1:12:45.560 --> 1:12:47.519
<v Speaker 2>it was just one person. I was like, damn, Wow,

1:12:47.560 --> 1:12:49.600
<v Speaker 2>that's crazy, Like.

1:12:51.000 --> 1:12:53.439
<v Speaker 3>How's your brother's all on you?

1:12:53.600 --> 1:12:55.760
<v Speaker 2>That's my man? What's his name?

1:12:59.680 --> 1:12:59.960
<v Speaker 7>His name is?

1:13:02.000 --> 1:13:02.040
<v Speaker 6>You?

1:13:02.080 --> 1:13:06.880
<v Speaker 2>Gotta at one from Brentwood and to on from Brent Long,

1:13:07.360 --> 1:13:12.759
<v Speaker 2>my brother. The way the Tiger Bone were missing some elements.

1:13:13.280 --> 1:13:15.519
<v Speaker 5>Yeah, that's okay, he said.

1:13:15.560 --> 1:13:17.639
<v Speaker 3>He said, you gotta check out know his show.

1:13:18.360 --> 1:13:20.720
<v Speaker 5>What is it? It's called Drink Chance told me. He says,

1:13:20.760 --> 1:13:23.840
<v Speaker 5>the trompest Ship. Ever. I mean here, we take like

1:13:23.960 --> 1:13:24.760
<v Speaker 5>four hour rides.

1:13:24.880 --> 1:13:27.799
<v Speaker 1>We listen to the musics, into the hip hop and everything.

1:13:27.840 --> 1:13:32.280
<v Speaker 1>You take the ut jack clicking drink, you gotta jump.

1:13:35.920 --> 1:13:38.400
<v Speaker 2>You're like, yo, I didn't know that you get this.

1:13:38.560 --> 1:13:40.960
<v Speaker 6>It's like behind the music and and and that, and

1:13:41.280 --> 1:13:44.160
<v Speaker 6>that's what it is, because it's because you know why

1:13:44.960 --> 1:13:47.559
<v Speaker 6>the thing is, we don't have an inside the NBA

1:13:47.680 --> 1:13:48.240
<v Speaker 6>for hip hop.

1:13:48.479 --> 1:13:49.160
<v Speaker 5>We don't have it.

1:13:50.000 --> 1:13:51.799
<v Speaker 2>So when you look at Kenny Smith, who's from.

1:13:51.760 --> 1:13:55.920
<v Speaker 5>Left Rack by the way, I do that in there.

1:13:56.760 --> 1:14:02.160
<v Speaker 2>That was a shot. Yeah, I watched Kenny Smith. I

1:14:02.280 --> 1:14:03.320
<v Speaker 2>watched Charles Barkley.

1:14:03.479 --> 1:14:06.280
<v Speaker 6>Even though I don't agree with Charles Barkley's it's like,

1:14:06.400 --> 1:14:08.600
<v Speaker 6>you know what, you can't argue with him because he

1:14:08.760 --> 1:14:09.559
<v Speaker 6>played the game.

1:14:10.520 --> 1:14:12.240
<v Speaker 2>He actually played the game.

1:14:13.600 --> 1:14:16.160
<v Speaker 6>So even when I don't even like fun with him,

1:14:16.160 --> 1:14:17.679
<v Speaker 6>and I don't know, I don't fuck with his views

1:14:17.720 --> 1:14:18.000
<v Speaker 6>at all.

1:14:18.560 --> 1:14:20.160
<v Speaker 2>Like I don't funk with his views at all. But

1:14:20.800 --> 1:14:22.280
<v Speaker 2>I can't say I don't funk with.

1:14:22.360 --> 1:14:25.240
<v Speaker 6>Him because he played the game at a high level

1:14:25.479 --> 1:14:27.439
<v Speaker 6>and then he's giving back and his opinion should be

1:14:27.479 --> 1:14:28.000
<v Speaker 6>his opinion.

1:14:28.760 --> 1:14:33.280
<v Speaker 2>So we all sat back me if said, where is

1:14:34.120 --> 1:14:37.559
<v Speaker 2>our version of that? Why don't we have that? Why

1:14:37.600 --> 1:14:38.280
<v Speaker 2>don't we have it?

1:14:38.520 --> 1:14:39.800
<v Speaker 5>And I only have that?

1:14:40.080 --> 1:14:43.360
<v Speaker 6>Well, why don't we have people that want to show

1:14:43.560 --> 1:14:48.200
<v Speaker 6>love back to the culture, Like like, I have no problem, but.

1:14:50.640 --> 1:14:53.840
<v Speaker 2>I have no problem telling I have no problem telling you.

1:14:55.320 --> 1:14:57.240
<v Speaker 2>If it wasn't for e pm D, then might be

1:14:57.320 --> 1:14:58.200
<v Speaker 2>a component or.

1:14:58.320 --> 1:15:01.920
<v Speaker 1>Right paying super homage like we pay. But in this

1:15:02.560 --> 1:15:03.720
<v Speaker 1>generation gap, you.

1:15:03.680 --> 1:15:07.559
<v Speaker 2>Would have people who use your music build their whole career,

1:15:07.680 --> 1:15:10.679
<v Speaker 2>like when they freestyle and they walk past me and yeah,

1:15:10.880 --> 1:15:14.360
<v Speaker 2>like like when that only makes you work on.

1:15:14.439 --> 1:15:17.280
<v Speaker 5>But how did y'all feel that? It's like, did y'all

1:15:17.360 --> 1:15:19.000
<v Speaker 5>know you like? You like people?

1:15:19.040 --> 1:15:20.679
<v Speaker 2>You likeking people freestyle over your music.

1:15:22.160 --> 1:15:24.759
<v Speaker 3>I don't okay people.

1:15:27.960 --> 1:15:29.880
<v Speaker 2>Back in the day when somebody used your music or

1:15:29.920 --> 1:15:31.160
<v Speaker 2>said rhyme, it was homage.

1:15:34.880 --> 1:15:37.280
<v Speaker 6>I've seen that, dude, I kid, you walked to m

1:15:37.360 --> 1:15:40.400
<v Speaker 6>t V, right, I want to m t V. The

1:15:40.520 --> 1:15:43.720
<v Speaker 6>dude put out the freestyle of that day of my

1:15:43.960 --> 1:15:47.439
<v Speaker 6>music and walked right by. And I looked at the

1:15:47.560 --> 1:15:50.559
<v Speaker 6>nigga and I'm like, damn, do you know you rhymed

1:15:50.640 --> 1:15:51.679
<v Speaker 6>up a band from TV.

1:15:52.160 --> 1:15:57.960
<v Speaker 2>I want to shak you. I want to shake you

1:15:58.040 --> 1:15:58.400
<v Speaker 2>over there.

1:16:00.160 --> 1:16:03.360
<v Speaker 6>But the fact is you walked right by me, right,

1:16:03.520 --> 1:16:05.439
<v Speaker 6>that's crazy. And then the people from was trying to

1:16:05.479 --> 1:16:09.000
<v Speaker 6>tell him, like the introduced me.

1:16:09.240 --> 1:16:10.000
<v Speaker 2>He didn't even know.

1:16:10.360 --> 1:16:13.560
<v Speaker 6>I was like they introduced me. He was like, this

1:16:13.640 --> 1:16:22.000
<v Speaker 6>is all right, cool, right, Like that's crazy. I'm like,

1:16:22.760 --> 1:16:26.320
<v Speaker 6>you round on my ship Like I was so mad,

1:16:26.840 --> 1:16:27.360
<v Speaker 6>that's crazy.

1:16:27.520 --> 1:16:31.479
<v Speaker 2>I had to actually relax, Yeah, but I didn't want

1:16:31.520 --> 1:16:32.000
<v Speaker 2>to relax.

1:16:32.320 --> 1:16:33.479
<v Speaker 5>That's crazy.

1:16:33.520 --> 1:16:35.840
<v Speaker 2>And I'm like I was crazy, Like could you know

1:16:35.920 --> 1:16:37.040
<v Speaker 2>you ever see the cartoons?

1:16:37.240 --> 1:16:37.679
<v Speaker 5>Like when.

1:16:39.360 --> 1:16:41.360
<v Speaker 6>I know steam was coming out of my ship because

1:16:41.400 --> 1:16:43.320
<v Speaker 6>I was like I'm trying to keep holding down. And

1:16:43.360 --> 1:16:47.639
<v Speaker 6>I'm like, that's the thing about it is I knew

1:16:47.680 --> 1:16:51.479
<v Speaker 6>who you were. I knew who rockem was. I knew

1:16:51.520 --> 1:16:52.360
<v Speaker 6>who Nots was.

1:16:52.960 --> 1:16:55.560
<v Speaker 2>We knew who. I knew who mam he was. I

1:16:55.600 --> 1:16:57.680
<v Speaker 2>knew who Dress was. I kne who Black Ship was.

1:16:58.080 --> 1:17:02.280
<v Speaker 2>I knew So if I actually touched your record, he

1:17:02.400 --> 1:17:03.960
<v Speaker 2>said to me, Why did you do that?

1:17:04.160 --> 1:17:07.800
<v Speaker 6>I can say because I love you that right, Not

1:17:07.960 --> 1:17:10.920
<v Speaker 6>because I'm rhyming on something that's hot and it bothers me.

1:17:11.080 --> 1:17:14.560
<v Speaker 6>Because I even blame the producers. I blame the engineers

1:17:14.840 --> 1:17:17.320
<v Speaker 6>because before you tell these nigga to rhyme on this ship,

1:17:17.920 --> 1:17:21.439
<v Speaker 6>tell this nigga do some research, because in our era,

1:17:21.880 --> 1:17:24.479
<v Speaker 6>we would in rhyme on somebody else's dope ship if

1:17:24.520 --> 1:17:28.000
<v Speaker 6>we couldn't represent it like what they did this is

1:17:28.240 --> 1:17:30.519
<v Speaker 6>I'm not going to get on raw so many if

1:17:30.560 --> 1:17:31.160
<v Speaker 6>I can't.

1:17:32.920 --> 1:17:34.879
<v Speaker 2>Said nothing lists.

1:17:35.200 --> 1:17:38.639
<v Speaker 6>So many people call me to recreate band from TV

1:17:38.880 --> 1:17:43.040
<v Speaker 6>or and I tell them no, not because it can't

1:17:43.120 --> 1:17:43.960
<v Speaker 6>be me created.

1:17:44.479 --> 1:17:47.120
<v Speaker 14>But one of my best friends in hip hop was

1:17:47.200 --> 1:17:51.400
<v Speaker 14>named Big Punt. He's not around, so there's no way.

1:17:51.439 --> 1:17:55.559
<v Speaker 14>Because we create this moment, let's let that moment die die, right,

1:17:56.240 --> 1:18:02.880
<v Speaker 14>And it's my record. I pay for these motherfuckers. So

1:18:03.840 --> 1:18:05.760
<v Speaker 14>did you motherfuckers try to do over?

1:18:06.000 --> 1:18:07.640
<v Speaker 2>And then be sending me their links and I'm like,

1:18:09.120 --> 1:18:13.720
<v Speaker 2>I don't want to play it right right? Then me

1:18:13.800 --> 1:18:16.759
<v Speaker 2>sending me the links to I look at it, I say, relaxed.

1:18:17.320 --> 1:18:19.960
<v Speaker 5>In my mind, I think that people rock felt with

1:18:22.320 --> 1:18:27.920
<v Speaker 5>It's the kid from Chicago, cheeky. No, the big he

1:18:28.040 --> 1:18:31.479
<v Speaker 5>did women, it's over beat.

1:18:31.760 --> 1:18:36.400
<v Speaker 2>You're not supposed touch women. Listen, listen, listen. I gonna

1:18:36.400 --> 1:18:36.679
<v Speaker 2>be honest.

1:18:36.840 --> 1:18:40.800
<v Speaker 6>They can't touch any A p n D record Yeah yeah, yeah,

1:18:40.880 --> 1:18:41.800
<v Speaker 6>made too much.

1:18:42.600 --> 1:18:45.479
<v Speaker 2>You can't telling the people that used them to the young.

1:18:45.360 --> 1:18:49.840
<v Speaker 1>Guys, yo, all the most sample dudes in the hip

1:18:49.880 --> 1:18:52.559
<v Speaker 1>hop hop, you know, like from all all beats.

1:18:52.600 --> 1:18:55.240
<v Speaker 5>If you do the history, tons of beat for b

1:18:55.560 --> 1:18:59.120
<v Speaker 5>bet for beat, and they distroyed us. Let's go.

1:19:01.040 --> 1:19:02.719
<v Speaker 2>Did you like when artist?

1:19:03.320 --> 1:19:04.960
<v Speaker 1>Well, at that time, we had well because we was

1:19:05.040 --> 1:19:06.519
<v Speaker 1>kind of off the grid, so it kind of helped

1:19:06.600 --> 1:19:07.120
<v Speaker 1>us out a little.

1:19:07.120 --> 1:19:09.280
<v Speaker 2>Okay, you know what I mean? The way we walk

1:19:09.400 --> 1:19:10.280
<v Speaker 2>from Mario Wines.

1:19:10.280 --> 1:19:11.640
<v Speaker 3>I don't want to know. I know I made a

1:19:11.720 --> 1:19:18.040
<v Speaker 3>hundred grand, just like your customer for your customer.

1:19:21.040 --> 1:19:25.040
<v Speaker 2>God, damn, that's so classic, man. Let me just tell you.

1:19:27.360 --> 1:19:29.360
<v Speaker 2>And Joe's he come and talk to me, to your

1:19:29.439 --> 1:19:31.400
<v Speaker 2>customer ship.

1:19:33.880 --> 1:19:37.360
<v Speaker 5>Sam Drake just used yours too.

1:19:37.760 --> 1:19:40.479
<v Speaker 2>Yeah, but Puppy was destroying PA to let's make some

1:19:40.560 --> 1:19:45.439
<v Speaker 2>money drink. I hooked him up with d m X.

1:19:45.479 --> 1:19:47.320
<v Speaker 2>I don't know why, but you know, I don't know.

1:19:47.400 --> 1:19:48.640
<v Speaker 2>I don't know why he even called me.

1:19:48.800 --> 1:19:52.760
<v Speaker 6>He called forty called me and said forty forty called

1:19:52.800 --> 1:19:56.879
<v Speaker 6>me and said, Drake the sample to d MX Records.

1:19:57.280 --> 1:20:00.120
<v Speaker 2>He feels like DMX one this somem for it. So

1:20:00.280 --> 1:20:04.880
<v Speaker 2>he called me. You know, naturally, I'm the plot made

1:20:04.880 --> 1:20:07.280
<v Speaker 2>it happened. Put them on the phone with d m

1:20:07.479 --> 1:20:19.880
<v Speaker 2>X and the dog didn't give a fuck. I gotta

1:20:19.920 --> 1:20:23.720
<v Speaker 2>get each other number. I'm gonna get it.

1:20:25.000 --> 1:20:29.280
<v Speaker 15>But that's what I want to That's what it should

1:20:29.280 --> 1:20:34.840
<v Speaker 15>be like. But that shows me right there, Drake had

1:20:34.840 --> 1:20:36.080
<v Speaker 15>the consideration.

1:20:37.120 --> 1:20:38.080
<v Speaker 5>The right way and no.

1:20:38.640 --> 1:20:42.320
<v Speaker 6>But you know what, you know what Pete to me,

1:20:42.720 --> 1:20:45.320
<v Speaker 6>I respect that if I'm gonna touch your record, I'm

1:20:45.320 --> 1:20:48.560
<v Speaker 6>gonna actually reach out to you, so you listen. I

1:20:48.640 --> 1:20:50.439
<v Speaker 6>feel like I'm gonna do this. And because you know

1:20:50.520 --> 1:20:54.599
<v Speaker 6>what it is like a couple of brothers touched my record.

1:20:54.760 --> 1:20:56.559
<v Speaker 6>It's called sometimes, right, it's.

1:20:56.439 --> 1:20:59.920
<v Speaker 2>About my father, my father. It's about my father passed away.

1:21:00.120 --> 1:21:00.200
<v Speaker 7>Right.

1:21:00.920 --> 1:21:03.240
<v Speaker 6>So when I say sometimes I want to cry and pray.

1:21:03.600 --> 1:21:07.679
<v Speaker 6>Sometimes sometimes I want to late. Sometimes sometimes I get drunk.

1:21:07.760 --> 1:21:10.040
<v Speaker 6>Oh God damn day. Sometimes I want to go back

1:21:10.080 --> 1:21:12.360
<v Speaker 6>around the way. Sometimes I want to ride to smoke.

1:21:12.600 --> 1:21:15.400
<v Speaker 6>Sometimes sometimes I got money, and I still feel broke

1:21:17.240 --> 1:21:19.840
<v Speaker 6>when I say things like that, you can't take this

1:21:20.080 --> 1:21:22.599
<v Speaker 6>sometimes and be like sometimes I want to a bitch.

1:21:23.760 --> 1:21:31.479
<v Speaker 6>Sometimes sometimes I don't like it, right, Like I don't

1:21:31.760 --> 1:21:35.920
<v Speaker 6>like it because this is about my father. Look, would

1:21:35.960 --> 1:21:37.719
<v Speaker 6>you actually listen to the record?

1:21:39.360 --> 1:21:39.840
<v Speaker 12>You don't want to.

1:21:41.360 --> 1:21:44.040
<v Speaker 6>You don't understand that this is not what you do

1:21:44.720 --> 1:21:47.360
<v Speaker 6>this record? So these people they do it, they send

1:21:47.400 --> 1:21:50.320
<v Speaker 6>it to me, and I mind you. I'm gonna be honest.

1:21:50.640 --> 1:21:55.160
<v Speaker 6>I don't own the record, so when they sample it,

1:21:55.320 --> 1:21:57.760
<v Speaker 6>they don't actually have to clear me.

1:21:58.880 --> 1:21:59.920
<v Speaker 2>But I don't clear it.

1:22:00.160 --> 1:22:00.760
<v Speaker 5>In my mind.

1:22:05.040 --> 1:22:08.880
<v Speaker 2>I'm a foul and I don't like you taking the

1:22:09.000 --> 1:22:12.640
<v Speaker 2>car away from what it actually is.

1:22:13.360 --> 1:22:15.720
<v Speaker 6>It's like it's just like it's just like y'all, y'all,

1:22:16.000 --> 1:22:18.200
<v Speaker 6>yof a nigga just say slow down, baby, and then

1:22:18.560 --> 1:22:20.960
<v Speaker 6>the nigga just he just takes it and he makes

1:22:21.000 --> 1:22:22.759
<v Speaker 6>it big got baby.

1:22:27.560 --> 1:22:27.680
<v Speaker 5>Right.

1:22:28.680 --> 1:22:31.200
<v Speaker 2>So, so do you have a problem with that or no?

1:22:31.600 --> 1:22:33.400
<v Speaker 5>I have a major I know that that that will

1:22:34.640 --> 1:22:35.000
<v Speaker 5>What was.

1:22:35.000 --> 1:22:36.479
<v Speaker 2>The kid that used over?

1:22:38.640 --> 1:22:40.439
<v Speaker 5>Oh no, not Joey, no.

1:22:43.800 --> 1:22:44.000
<v Speaker 6>Man.

1:22:44.080 --> 1:22:46.200
<v Speaker 1>What's the kid who did rampage over with l O

1:22:46.560 --> 1:22:54.240
<v Speaker 1>J ro Bro Brothers back? Okay, I forgot that was record.

1:22:54.280 --> 1:22:54.720
<v Speaker 2>I thought it was.

1:22:55.520 --> 1:23:00.200
<v Speaker 6>So he went, oh my god, actually even queen, but

1:23:00.280 --> 1:23:02.360
<v Speaker 6>he didn't get in contact to actually use it.

1:23:02.439 --> 1:23:06.599
<v Speaker 1>He jumped out there, jumped in You think, look at

1:23:06.760 --> 1:23:09.720
<v Speaker 1>like the people used our records. They turned them into

1:23:09.760 --> 1:23:12.120
<v Speaker 1>classics for themselves. You got jay Z, ain't no nigga,

1:23:12.320 --> 1:23:15.160
<v Speaker 1>it's my thing. You got jay Z, you got your

1:23:15.240 --> 1:23:18.519
<v Speaker 1>next Yeah?

1:23:19.439 --> 1:23:23.800
<v Speaker 2>Yeah, so yes, thank you, Kim Simon, Kanye West, gold nigger. Yeah,

1:23:23.800 --> 1:23:25.160
<v Speaker 2>I went too far. You went too fast.

1:23:27.040 --> 1:23:27.679
<v Speaker 7>No, nig.

1:23:29.479 --> 1:23:30.000
<v Speaker 5>It's my thing.

1:23:30.080 --> 1:23:33.240
<v Speaker 1>Absolute, Get at me, dog, Let's get the bows out,

1:23:33.640 --> 1:23:36.000
<v Speaker 1>making it take. He's shaking the break and in the

1:23:36.000 --> 1:23:38.080
<v Speaker 1>three hundred degrees and start baking them. Sees like the

1:23:38.160 --> 1:23:40.000
<v Speaker 1>tatos beats kicking like catle.

1:23:42.160 --> 1:23:44.120
<v Speaker 5>And then then did head being over the.

1:23:46.160 --> 1:23:49.120
<v Speaker 2>Head being over. Yeah, I love that. But see that

1:23:49.360 --> 1:23:51.439
<v Speaker 2>now now that's respect.

1:23:51.600 --> 1:23:55.160
<v Speaker 6>So now now because for me, if a person calls

1:23:55.240 --> 1:23:56.920
<v Speaker 6>me and they say, you know, I want to do

1:23:56.960 --> 1:23:59.000
<v Speaker 6>it over like again some of these joints, I don't.

1:23:59.160 --> 1:24:01.960
<v Speaker 6>I don't own it. So when they say that, it

1:24:02.200 --> 1:24:05.360
<v Speaker 6>kind of puts me at EIDs. So do these people

1:24:05.439 --> 1:24:07.599
<v Speaker 6>call you prior Today's saff for your record?

1:24:07.680 --> 1:24:08.679
<v Speaker 3>So they're not some of the reason.

1:24:08.800 --> 1:24:10.599
<v Speaker 5>But it's really like you said, for as publishing, they

1:24:10.600 --> 1:24:14.519
<v Speaker 5>don't they don't have to call us. There's define they

1:24:14.600 --> 1:24:16.600
<v Speaker 5>got to, you know, unless they taking the rhymes or

1:24:16.640 --> 1:24:18.760
<v Speaker 5>something like that, or you know or whatever or whatever.

1:24:18.880 --> 1:24:20.800
<v Speaker 3>We will see it and I publish it.

1:24:21.520 --> 1:24:21.680
<v Speaker 7>You know.

1:24:21.920 --> 1:24:24.320
<v Speaker 3>So, like I said, I didn't get a call for Mario,

1:24:24.520 --> 1:24:25.840
<v Speaker 3>but we still got the money.

1:24:33.600 --> 1:24:34.800
<v Speaker 2>Let me tell you someth because I could go with

1:24:34.920 --> 1:24:36.759
<v Speaker 2>y'all for seventeen thousand million.

1:24:37.320 --> 1:24:37.920
<v Speaker 3>This is dope.

1:24:38.040 --> 1:24:39.559
<v Speaker 2>We finally we made it because it's time.

1:24:39.560 --> 1:24:42.160
<v Speaker 6>I'm like, yo, damn, you know it's crazy said we

1:24:42.200 --> 1:24:43.920
<v Speaker 6>ain't going to Miami because you was not gonna be

1:24:44.000 --> 1:24:45.000
<v Speaker 6>on point with the Rugs.

1:24:45.080 --> 1:24:46.400
<v Speaker 2>I really, I really doubted you.

1:24:46.760 --> 1:24:47.080
<v Speaker 5>Crazy.

1:24:47.200 --> 1:24:51.000
<v Speaker 2>I'm sorry I got you see this at least this Fox.

1:24:51.080 --> 1:24:53.720
<v Speaker 2>This is because what's kim?

1:24:54.160 --> 1:24:54.360
<v Speaker 6>This is.

1:24:56.080 --> 1:24:56.960
<v Speaker 3>Bruggs dot com.

1:24:57.560 --> 1:25:02.120
<v Speaker 5>But you know what talk we have Deathbrooks dot com.

1:25:02.439 --> 1:25:06.240
<v Speaker 5>This is the website we have at depth Rugs on Instagram.

1:25:06.439 --> 1:25:09.439
<v Speaker 2>And you know what one of the Rugs compone he's

1:25:09.479 --> 1:25:10.360
<v Speaker 2>hitting right now because you.

1:25:15.800 --> 1:25:22.240
<v Speaker 5>Remember forty hours No, no, we wasn't even expecting this.

1:25:22.400 --> 1:25:26.400
<v Speaker 5>This right here was even doper. We expected to see component.

1:25:26.120 --> 1:25:27.960
<v Speaker 2>Here I told him. As soon as I said, I.

1:25:31.439 --> 1:25:36.320
<v Speaker 5>Was like separately, but as far as that, we just

1:25:36.439 --> 1:25:40.320
<v Speaker 5>knew that in the short period of time, Ali a

1:25:41.520 --> 1:25:44.320
<v Speaker 5>short period of time, we work a short period of time.

1:25:44.439 --> 1:25:46.160
<v Speaker 2>But this is my this is my number, it's my

1:25:46.280 --> 1:25:47.000
<v Speaker 2>partner and color.

1:25:47.320 --> 1:25:49.599
<v Speaker 5>So he was like, you know what I'm saying, okay yo,

1:25:49.760 --> 1:25:51.960
<v Speaker 5>I got something I can get done quick.

1:25:52.040 --> 1:25:52.720
<v Speaker 2>I hope I can.

1:25:53.320 --> 1:25:53.920
<v Speaker 5>You know what I'm saying.

1:25:54.000 --> 1:25:57.240
<v Speaker 6>So you come on hit me one day and he said,

1:25:57.680 --> 1:26:00.640
<v Speaker 6>do you see these rugs these niggas got And I said, no,

1:26:02.000 --> 1:26:03.080
<v Speaker 6>let me just tell you. I want to just tell

1:26:03.080 --> 1:26:05.360
<v Speaker 6>you what I want my house. You know, I had

1:26:05.400 --> 1:26:07.439
<v Speaker 6>burnt this story up earlier and I didn't bring it

1:26:07.680 --> 1:26:10.320
<v Speaker 6>full circle. I said, I went to Leo's house, right,

1:26:10.720 --> 1:26:12.760
<v Speaker 6>and Leo he had all this ship and the thing

1:26:13.000 --> 1:26:16.240
<v Speaker 6>is everything that he Picassos. I don't give a fuck

1:26:16.280 --> 1:26:16.880
<v Speaker 6>about Picasto.

1:26:16.920 --> 1:26:17.920
<v Speaker 5>I don't even like that nigga.

1:26:18.120 --> 1:26:19.200
<v Speaker 2>Who is that nigga? Right?

1:26:21.080 --> 1:26:24.280
<v Speaker 6>And then I said, I said, I said, honest, had

1:26:24.320 --> 1:26:28.040
<v Speaker 6>gave me sneakers, sneakers right, decize and it didn't matter

1:26:28.200 --> 1:26:30.559
<v Speaker 6>side because this is how I want my whole house

1:26:30.600 --> 1:26:33.519
<v Speaker 6>to be. Is hip hop memorability, Like I want I

1:26:33.640 --> 1:26:36.599
<v Speaker 6>want a painting of ep MD in my kids room.

1:26:37.000 --> 1:26:39.760
<v Speaker 2>I want to paint in a rock him in my face.

1:26:40.280 --> 1:26:41.000
<v Speaker 2>I want to do that.

1:26:41.240 --> 1:26:43.240
<v Speaker 6>I want to have a KRS one tennis ball like

1:26:43.320 --> 1:26:46.680
<v Speaker 6>I want to like I want to because that's that's

1:26:47.080 --> 1:26:50.120
<v Speaker 6>that's the meaning, right, that's my picassa. Like we did

1:26:50.160 --> 1:26:52.320
<v Speaker 6>the show with Run DMC in September. I got the

1:26:52.360 --> 1:26:55.000
<v Speaker 6>pair of didas. I had Run signed the datas.

1:26:54.680 --> 1:26:56.880
<v Speaker 5>And I had d MC signed the datas to put

1:26:56.920 --> 1:26:57.920
<v Speaker 5>them in the glass case.

1:26:58.479 --> 1:27:00.840
<v Speaker 2>Yo, and they even got the special edition jam Master

1:27:00.960 --> 1:27:05.479
<v Speaker 2>j did so when crab then boom, oh there's run signature.

1:27:05.560 --> 1:27:08.040
<v Speaker 2>There goes d m C. They goes to the limited

1:27:08.080 --> 1:27:09.599
<v Speaker 2>diftion jam Master James.

1:27:09.920 --> 1:27:10.639
<v Speaker 3>Yeah, Master James.

1:27:10.680 --> 1:27:13.320
<v Speaker 2>Yeah, yeah, yeah, the limit. Yeah, I know, I gotta do.

1:27:14.400 --> 1:27:17.639
<v Speaker 2>I think it was only like fifty and I got

1:27:17.680 --> 1:27:18.040
<v Speaker 2>a pair.

1:27:19.160 --> 1:27:19.640
<v Speaker 5>What's e P.

1:27:19.800 --> 1:27:24.559
<v Speaker 2>M D's favorite ran him besides eighty eight the nineties

1:27:24.880 --> 1:27:25.559
<v Speaker 2>in the nineties.

1:27:25.680 --> 1:27:30.160
<v Speaker 1>Yeah, there's so much stuff like it hus during the

1:27:30.200 --> 1:27:31.800
<v Speaker 1>his Squad time frame, like when that was.

1:27:32.320 --> 1:27:34.160
<v Speaker 5>In the Holy ninety two, the Juice.

1:27:35.840 --> 1:27:40.400
<v Speaker 6>Juice walking through the whole movie with Yeah, I was

1:27:40.520 --> 1:27:41.960
<v Speaker 6>thinking that you remember the Queen's movie did.

1:27:42.000 --> 1:27:44.240
<v Speaker 5>I got shout up. That was oh ship, I'm not

1:27:44.320 --> 1:27:44.680
<v Speaker 5>proud of it.

1:27:45.760 --> 1:27:45.960
<v Speaker 7>Yeah.

1:27:46.080 --> 1:27:47.840
<v Speaker 2>We went the Queens movie did and got shut Yeah,

1:27:47.880 --> 1:27:48.280
<v Speaker 2>yeah that was me.

1:27:48.439 --> 1:27:51.559
<v Speaker 6>I'm not to see it. It's nothing when you went

1:27:51.640 --> 1:27:56.120
<v Speaker 6>to go see the movie? No, no, was it coming

1:27:56.160 --> 1:27:58.360
<v Speaker 6>on my side Queens. I'm gonna totally do this.

1:28:00.200 --> 1:28:01.840
<v Speaker 5>But I remember you.

1:28:01.840 --> 1:28:05.439
<v Speaker 6>Because your memory is crazy. This nigga right here, Yeah

1:28:06.040 --> 1:28:08.280
<v Speaker 6>he's a drink but he is a drink champ.

1:28:09.200 --> 1:28:12.720
<v Speaker 2>Came list of drink champ. You a drink champ. You

1:28:12.800 --> 1:28:16.240
<v Speaker 2>gotta go back to Long Island that and look look

1:28:16.280 --> 1:28:18.800
<v Speaker 2>we gave you the stamp. You're a drink champ now

1:28:19.400 --> 1:28:24.320
<v Speaker 2>and you're gonna give you a crown. I was How

1:28:24.439 --> 1:28:30.240
<v Speaker 2>was it? Oh, Peyton fall actually was ill because.

1:28:29.920 --> 1:28:33.439
<v Speaker 3>I so wooden on on on on the state. Whereas

1:28:33.640 --> 1:28:36.439
<v Speaker 3>yeah saying that camera can really punched the.

1:28:36.520 --> 1:28:39.120
<v Speaker 5>Kid hit him and dragged him out the car. He

1:28:39.240 --> 1:28:41.519
<v Speaker 5>really pussed him. Director was like, we gotta cut. You know,

1:28:41.680 --> 1:28:44.799
<v Speaker 5>can't really hit the kid. You know, I was auditioned

1:28:44.880 --> 1:28:45.439
<v Speaker 5>for our part.

1:28:46.640 --> 1:28:49.720
<v Speaker 2>You did it was me that you could you could

1:28:49.760 --> 1:28:50.920
<v Speaker 2>have got done. I was fat at the time.

1:28:51.000 --> 1:28:54.960
<v Speaker 5>Now you can do it. No, Look look I was fat.

1:28:55.000 --> 1:28:59.920
<v Speaker 2>At the time Wold was back, was going you hold down?

1:29:01.360 --> 1:29:02.599
<v Speaker 5>What was the name when blocking?

1:29:06.680 --> 1:29:09.360
<v Speaker 3>Because you come a movie star too, man a little bit.

1:29:11.240 --> 1:29:12.840
<v Speaker 2>Let me tell you. Let me tell you about pay

1:29:12.880 --> 1:29:13.880
<v Speaker 2>the four because you ask right.

1:29:15.880 --> 1:29:20.040
<v Speaker 6>The funny ship about paying for was I actually auditioned

1:29:20.120 --> 1:29:23.639
<v Speaker 6>to be our poll what Harris who is easy?

1:29:24.920 --> 1:29:28.120
<v Speaker 2>Actually? He actually your call.

1:29:28.760 --> 1:29:31.479
<v Speaker 6>He rehearsed with me, and he told me he knew

1:29:31.520 --> 1:29:34.559
<v Speaker 6>I wasn't getting wrong. He was like, yo, you wild,

1:29:36.560 --> 1:29:37.240
<v Speaker 6>way too far?

1:29:38.800 --> 1:29:40.760
<v Speaker 5>What is nice and big?

1:29:40.840 --> 1:29:42.760
<v Speaker 2>At the time, He's like, you're not getting this right,

1:29:43.960 --> 1:29:44.559
<v Speaker 2>that's crazy.

1:29:44.920 --> 1:29:45.560
<v Speaker 6>But I went in.

1:29:45.720 --> 1:29:49.200
<v Speaker 2>I still tried right. But the people loved me so much,

1:29:49.439 --> 1:29:54.479
<v Speaker 2>like you're not alphol, We're gonna So the next roll.

1:29:55.040 --> 1:29:58.280
<v Speaker 5>Guess who The next role was that you broke it up?

1:29:59.240 --> 1:30:03.040
<v Speaker 2>Was me getting up? I can't what that That role

1:30:03.080 --> 1:30:06.160
<v Speaker 2>where he snuffed them from real that was my next ship.

1:30:06.720 --> 1:30:09.479
<v Speaker 2>And and then the director said, nobody thinks Cam's gonna

1:30:09.479 --> 1:30:11.920
<v Speaker 2>beat you like this is un.

1:30:14.920 --> 1:30:14.960
<v Speaker 1>You.

1:30:15.200 --> 1:30:15.800
<v Speaker 5>You can't have this.

1:30:17.080 --> 1:30:21.479
<v Speaker 6>And then what happened was the director was Charles Anthony Stone.

1:30:21.680 --> 1:30:24.760
<v Speaker 6>Charles Stone Anthony the third one of the like I

1:30:24.880 --> 1:30:25.479
<v Speaker 6>know his name.

1:30:25.439 --> 1:30:26.200
<v Speaker 5>Was a third.

1:30:27.640 --> 1:30:30.559
<v Speaker 6>Charlestone, the third Yeah, because I always remember that because

1:30:30.560 --> 1:30:33.880
<v Speaker 6>I'm like, damn, like I always see that movies. Third,

1:30:34.000 --> 1:30:35.000
<v Speaker 6>like I've never met a nigga.

1:30:38.760 --> 1:30:40.360
<v Speaker 2>Yes, first and the third.

1:30:41.000 --> 1:30:43.680
<v Speaker 5>I think that's what I was.

1:30:44.280 --> 1:30:47.800
<v Speaker 6>So I'm gonna be honest with you. And I never

1:30:47.920 --> 1:30:53.360
<v Speaker 6>said this Peyton for was made up. That role never existed.

1:30:54.439 --> 1:30:57.400
<v Speaker 6>The director just wanted me and then the movie, so

1:30:58.439 --> 1:31:01.320
<v Speaker 6>he just said, just do something. So when he came,

1:31:01.640 --> 1:31:03.800
<v Speaker 6>when I came, I was actually on tour. I think

1:31:03.880 --> 1:31:06.120
<v Speaker 6>he was on tour with me. And then we was

1:31:06.200 --> 1:31:09.080
<v Speaker 6>on tour and I had one day to go in

1:31:09.160 --> 1:31:09.559
<v Speaker 6>New York.

1:31:10.760 --> 1:31:14.720
<v Speaker 2>So I landed and they said make something up, and

1:31:14.840 --> 1:31:17.000
<v Speaker 2>I made it up right then, and that all that ship.

1:31:17.120 --> 1:31:17.599
<v Speaker 2>No way.

1:31:18.040 --> 1:31:22.160
<v Speaker 6>What they said, no, I kind of exaggerated. What they

1:31:22.280 --> 1:31:27.960
<v Speaker 6>said was exaggerate. You got to be the guy that say,

1:31:29.640 --> 1:31:33.360
<v Speaker 6>introduce our pole to a z I mean a z

1:31:33.600 --> 1:31:34.200
<v Speaker 6>to ol pole.

1:31:34.280 --> 1:31:38.600
<v Speaker 2>So I'm talking to a z uh which was what

1:31:38.720 --> 1:31:42.320
<v Speaker 2>was his name in the movie Ace, So I'm talking

1:31:42.400 --> 1:31:46.840
<v Speaker 2>to Ace. But so what they told me was Ace

1:31:46.920 --> 1:31:50.400
<v Speaker 2>had never heard of Alpol, So you got to exaggerate.

1:31:50.600 --> 1:31:52.840
<v Speaker 2>So that's what I just said. I just made it up.

1:31:52.880 --> 1:31:57.320
<v Speaker 2>On there's one ticket. Basically, I just asked, I made

1:31:57.360 --> 1:32:02.000
<v Speaker 2>it up. It was so good that when I finished,

1:32:02.080 --> 1:32:03.559
<v Speaker 2>like I was like, I was like I did that ship.

1:32:03.600 --> 1:32:06.719
<v Speaker 2>I was like want water, like water is like a slave.

1:32:11.680 --> 1:32:16.360
<v Speaker 2>It's not even you. But they don't you said, don't

1:32:16.720 --> 1:32:19.240
<v Speaker 2>don't say no. Yo, you heard like something that you

1:32:19.320 --> 1:32:22.640
<v Speaker 2>can relate to the nineties. So I had to. I

1:32:22.800 --> 1:32:23.719
<v Speaker 2>just all emperor.

1:32:24.240 --> 1:32:27.960
<v Speaker 6>And I didn't one take the reason why I said

1:32:28.000 --> 1:32:29.680
<v Speaker 6>water because I had nothing else to say.

1:32:29.720 --> 1:32:30.760
<v Speaker 2>I didn't want to say cool.

1:32:31.680 --> 1:32:33.880
<v Speaker 6>I didn't want to play peace because I'm like peace

1:32:33.960 --> 1:32:35.400
<v Speaker 6>might be dated, so I don't know.

1:32:35.640 --> 1:32:36.760
<v Speaker 2>I didn't know that because it's a.

1:32:36.800 --> 1:32:40.800
<v Speaker 6>Time piece, right, So so when I said water, I

1:32:41.680 --> 1:32:52.720
<v Speaker 6>was fucking up. It was actually a mistake like water, right, No, no, no.

1:32:52.800 --> 1:32:54.680
<v Speaker 2>You gotta say water. You gotta say water whenever you

1:32:54.880 --> 1:32:55.280
<v Speaker 2>like water.

1:32:55.720 --> 1:32:57.160
<v Speaker 5>But a p m D.

1:32:59.400 --> 1:33:02.800
<v Speaker 6>You guys are so much an inspiration, not to just

1:33:03.080 --> 1:33:08.559
<v Speaker 6>us meet poem e f N your inspiration to hip hop.

1:33:09.680 --> 1:33:12.559
<v Speaker 6>You guys stood test of times. You guys still looking

1:33:12.640 --> 1:33:17.160
<v Speaker 6>at good out here doing the death rocks. I'm not

1:33:17.200 --> 1:33:19.240
<v Speaker 6>gonna drink chance, So I'm gonna take that one.

1:33:21.720 --> 1:33:22.639
<v Speaker 3>Because you were saying.

1:33:29.680 --> 1:33:33.479
<v Speaker 2>Crystal clean, crystal clean, all right, So we so you're

1:33:33.520 --> 1:33:35.000
<v Speaker 2>working on a new album.

1:33:35.000 --> 1:33:37.400
<v Speaker 5>Dynamic dus big business dynamic duels.

1:33:37.760 --> 1:33:40.600
<v Speaker 2>All that you're working with is other dynamic.

1:33:40.360 --> 1:33:42.800
<v Speaker 3>Right, the best of the best, and that we think

1:33:42.880 --> 1:33:44.280
<v Speaker 3>it was the best dynamic duos.

1:33:44.520 --> 1:33:46.240
<v Speaker 4>So how far are you in this album right now?

1:33:46.800 --> 1:33:52.240
<v Speaker 4>We knew also stuff and then we picked to see

1:33:52.360 --> 1:33:54.599
<v Speaker 4>what we're gonna do with on what records.

1:33:55.520 --> 1:33:56.880
<v Speaker 2>Remember we used to do that. We used to pick

1:33:56.920 --> 1:33:59.800
<v Speaker 2>beats early. Now were Hollywood. We don't even do ship

1:33:59.880 --> 1:34:00.519
<v Speaker 2>like you know you.

1:34:00.520 --> 1:34:01.760
<v Speaker 5>Guys want you to get back to it.

1:34:01.880 --> 1:34:03.360
<v Speaker 2>The first thing you think is like, why did I

1:34:03.439 --> 1:34:04.439
<v Speaker 2>leave this in the first place?

1:34:05.000 --> 1:34:07.280
<v Speaker 16>So when we need the beats, exchanging beats, you know,

1:34:07.600 --> 1:34:11.560
<v Speaker 16>going over concepts and getting saying because we're gonna do

1:34:12.760 --> 1:34:15.679
<v Speaker 16>I was thinking about doing, let ghost Face and Ray

1:34:15.840 --> 1:34:17.200
<v Speaker 16>do Jane for.

1:34:17.320 --> 1:34:20.840
<v Speaker 5>Storytelling and then exactly see how we right you know so,

1:34:21.080 --> 1:34:23.599
<v Speaker 5>and then coming there with them and mix it together

1:34:23.720 --> 1:34:26.960
<v Speaker 5>with them while they're doing the storytelling, the ghosts singing

1:34:27.720 --> 1:34:28.360
<v Speaker 5>j to the A.

1:34:28.600 --> 1:34:30.840
<v Speaker 3>To the end to the end, then having the you

1:34:30.920 --> 1:34:32.080
<v Speaker 3>know coming, yeah.

1:34:32.000 --> 1:34:34.200
<v Speaker 2>What you enjoy better producing or.

1:34:36.640 --> 1:34:39.760
<v Speaker 5>The beats even though I'm getting the rhyme is something

1:34:39.800 --> 1:34:41.720
<v Speaker 5>that because me and parents we do it because we

1:34:41.920 --> 1:34:46.400
<v Speaker 5>like yeah, yeah, and well I'm sorry your parents did

1:34:46.760 --> 1:34:48.760
<v Speaker 5>strictly business album and the people if you don't know

1:34:48.800 --> 1:34:51.439
<v Speaker 5>about the stuff that you know re pay did. Yeah,

1:34:54.200 --> 1:34:57.479
<v Speaker 5>I started coming in late, like let's let's what you're saying.

1:34:57.520 --> 1:34:59.880
<v Speaker 5>And we started going and keep doing something and such.

1:34:59.880 --> 1:35:01.960
<v Speaker 5>But again the first one was you know, I was

1:35:02.080 --> 1:35:04.960
<v Speaker 5>I was watching now I learned to produce from from

1:35:05.080 --> 1:35:06.160
<v Speaker 5>him and Charlie.

1:35:06.320 --> 1:35:07.080
<v Speaker 2>As a producer.

1:35:07.240 --> 1:35:09.519
<v Speaker 6>Like when when you sample, is it is it still

1:35:09.600 --> 1:35:12.800
<v Speaker 6>lookualdive sampling or you suggest to get away from that.

1:35:14.160 --> 1:35:17.320
<v Speaker 5>I do it because I don't know nothing else as

1:35:17.320 --> 1:35:19.400
<v Speaker 5>far as the essence of the culture is to be

1:35:19.520 --> 1:35:21.080
<v Speaker 5>able to take the sample.

1:35:21.800 --> 1:35:23.960
<v Speaker 2>So even why would you do that right?

1:35:24.280 --> 1:35:26.400
<v Speaker 1>Like you should just supposed to feel good making the

1:35:26.479 --> 1:35:29.760
<v Speaker 1>beat right, and I wouldn't you run into something okay, cool?

1:35:30.040 --> 1:35:34.960
<v Speaker 2>But making music? Making music though? It answer, because that's

1:35:35.000 --> 1:35:35.680
<v Speaker 2>what makes you you.

1:35:36.160 --> 1:35:38.800
<v Speaker 5>Because when we got soothed, like Eric Clapton came and

1:35:38.840 --> 1:35:43.200
<v Speaker 5>guts and Begins and Roger came and guys for more balance.

1:35:43.320 --> 1:35:44.880
<v Speaker 3>But again Eric was cool.

1:35:44.920 --> 1:35:46.800
<v Speaker 2>You don't need Eric Clapton on the Chather's.

1:35:46.520 --> 1:35:49.960
<v Speaker 5>Like ten thousand dollars like it hits you know what

1:35:50.000 --> 1:35:52.120
<v Speaker 5>I'm saying, but like biz messed up.

1:35:52.600 --> 1:35:54.960
<v Speaker 2>When Biz got hit, it was wait, what happened to

1:35:55.000 --> 1:35:55.479
<v Speaker 2>talk about that?

1:35:55.880 --> 1:35:56.559
<v Speaker 3>No business?

1:35:56.840 --> 1:35:59.080
<v Speaker 5>You got what I need? Was messed the game up?

1:35:59.400 --> 1:35:59.840
<v Speaker 2>He fucked it.

1:36:00.200 --> 1:36:02.160
<v Speaker 3>That's why everybody was getting tore up.

1:36:02.240 --> 1:36:05.479
<v Speaker 2>What did you do? Because that was the same way

1:36:05.520 --> 1:36:08.320
<v Speaker 2>that headled something he didn't clear right, and the record

1:36:08.360 --> 1:36:08.880
<v Speaker 2>blew up.

1:36:08.800 --> 1:36:11.080
<v Speaker 5>And blew up, and then everybody started coming.

1:36:11.439 --> 1:36:14.680
<v Speaker 2>And this is just when the attention.

1:36:15.920 --> 1:36:17.840
<v Speaker 5>Was this the was this the era after that?

1:36:18.040 --> 1:36:20.880
<v Speaker 6>Like because now when you sample somebody music they say

1:36:20.960 --> 1:36:22.240
<v Speaker 6>they want one hundred percent.

1:36:22.040 --> 1:36:25.839
<v Speaker 5>Of your publisher was was that from from the visiboard

1:36:25.920 --> 1:36:29.639
<v Speaker 5>Dogs on Jay Z's album is one of one hundred percent?

1:36:29.880 --> 1:36:31.760
<v Speaker 2>One hundred percent gave didn't do that?

1:36:32.000 --> 1:36:34.920
<v Speaker 5>We gave it to him because Jay want the record bad.

1:36:37.320 --> 1:36:40.559
<v Speaker 6>You produced resaurand that was your way of flos because

1:36:40.560 --> 1:36:40.880
<v Speaker 6>you flow.

1:36:41.920 --> 1:36:47.280
<v Speaker 2>Now let's make it. That was good.

1:36:47.600 --> 1:36:48.160
<v Speaker 5>That was good.

1:36:48.400 --> 1:36:51.160
<v Speaker 17>No what I'm saying, but that's what you gave right

1:36:51.280 --> 1:36:54.560
<v Speaker 17>right right? Some people some stuff we get up. We

1:36:54.640 --> 1:37:01.400
<v Speaker 17>give up because my music undred percent nothing?

1:37:01.439 --> 1:37:03.680
<v Speaker 2>And how do you get paid if you got to

1:37:03.720 --> 1:37:04.599
<v Speaker 2>give him a hundred.

1:37:06.840 --> 1:37:08.760
<v Speaker 5>Like all of them, all of them.

1:37:09.000 --> 1:37:10.280
<v Speaker 2>That's that's twelve joints.

1:37:10.320 --> 1:37:13.120
<v Speaker 5>So yeah, yeah, it's twelve whatever they want to still

1:37:13.160 --> 1:37:14.479
<v Speaker 5>got good, still get.

1:37:16.000 --> 1:37:16.679
<v Speaker 2>You get them.

1:37:17.120 --> 1:37:19.560
<v Speaker 5>They come from everything else, touring and everything you know

1:37:19.640 --> 1:37:21.720
<v Speaker 5>in the in the pumpers and checks, and you know,

1:37:22.280 --> 1:37:24.599
<v Speaker 5>if the rocket is fire, is fire is worth the sample?

1:37:24.760 --> 1:37:27.120
<v Speaker 2>So what's what is worth the samples? What? What's the

1:37:27.200 --> 1:37:28.400
<v Speaker 2>best thing about hip hop?

1:37:29.200 --> 1:37:33.000
<v Speaker 5>The hip hop is the was the identity of everybody

1:37:33.160 --> 1:37:36.000
<v Speaker 5>having their own identity. It was the dopest thing, like

1:37:36.479 --> 1:37:39.479
<v Speaker 5>everybody you knew, that was tribe, that was daylight, that

1:37:39.600 --> 1:37:43.599
<v Speaker 5>was public, that was seeing it. You know what I'm saying.

1:37:44.080 --> 1:37:45.960
<v Speaker 2>That was all that nigga said.

1:37:46.000 --> 1:37:49.040
<v Speaker 6>It's the identity of everybody having their own identity. That's

1:37:49.040 --> 1:37:49.800
<v Speaker 6>made no noise for that.

1:37:55.240 --> 1:37:57.720
<v Speaker 2>Slick and he trying to go over.

1:37:58.000 --> 1:37:59.200
<v Speaker 5>Yeah, yeah, noise cases.

1:38:00.360 --> 1:38:03.080
<v Speaker 2>I can't listen. Bring that back, Bring that back? Listen

1:38:03.160 --> 1:38:03.720
<v Speaker 2>E P M D.

1:38:04.479 --> 1:38:06.880
<v Speaker 6>I love you, Brank you love you to really really

1:38:06.920 --> 1:38:09.040
<v Speaker 6>really Like I'm not saying this just because y'all hear

1:38:09.120 --> 1:38:13.519
<v Speaker 6>him saying this, because real ship. I remember selling crack

1:38:13.600 --> 1:38:17.320
<v Speaker 6>to your music. I'm not proud of that, but this

1:38:17.520 --> 1:38:19.840
<v Speaker 6>all like I shot a couple of people, you too,

1:38:20.080 --> 1:38:20.640
<v Speaker 6>I probably that.

1:38:22.280 --> 1:38:24.760
<v Speaker 5>I saw a crack for one day and I was

1:38:24.840 --> 1:38:27.160
<v Speaker 5>outside the house story stopping for the robbery.

1:38:28.000 --> 1:38:31.599
<v Speaker 3>Come out, ski mask, Skip's on the radio.

1:38:32.840 --> 1:38:34.800
<v Speaker 5>I had two hundred and fifty crack bows on my

1:38:34.920 --> 1:38:37.040
<v Speaker 5>mother's Lincoln Continental mark.

1:38:36.840 --> 1:38:37.559
<v Speaker 3>Five on the floor.

1:38:38.479 --> 1:38:39.679
<v Speaker 2>Why are you selling cracking?

1:38:39.760 --> 1:38:45.080
<v Speaker 3>You got my man was doing it. I was influencing.

1:38:45.080 --> 1:38:47.600
<v Speaker 2>I was like, oh ship, I'm influenced like this. And

1:38:47.760 --> 1:38:49.880
<v Speaker 2>it was early and it's my thing, so we may

1:38:50.080 --> 1:38:50.439
<v Speaker 2>do a show.

1:38:50.560 --> 1:38:52.439
<v Speaker 5>Yeah, they're just playing on the radio. And it was

1:38:52.520 --> 1:38:54.760
<v Speaker 5>my man and he didn't force me in nothing. I

1:38:54.800 --> 1:38:59.280
<v Speaker 5>could have said no, look hard in fun of him. Yeah,

1:39:00.479 --> 1:39:03.000
<v Speaker 5>So we put the capsules out and we went to

1:39:03.080 --> 1:39:06.360
<v Speaker 5>go rob another dude. So put the mask on, sat down,

1:39:06.479 --> 1:39:08.320
<v Speaker 5>it's on on. One day he sold crack. I had

1:39:08.360 --> 1:39:10.400
<v Speaker 5>a mask and you robbed the knee. And one day he.

1:39:10.360 --> 1:39:14.120
<v Speaker 2>Ain't getting me to come out. So we waited and

1:39:14.240 --> 1:39:15.280
<v Speaker 2>we was waiting too long.

1:39:15.200 --> 1:39:15.720
<v Speaker 3>And we left.

1:39:16.360 --> 1:39:18.479
<v Speaker 5>But that right there was a sign like yo, I

1:39:18.600 --> 1:39:22.240
<v Speaker 5>told paab lad, like after I got robbed, I get.

1:39:24.520 --> 1:39:24.640
<v Speaker 7>Ya.

1:39:24.800 --> 1:39:26.320
<v Speaker 2>The story is even than that.

1:39:26.560 --> 1:39:29.800
<v Speaker 5>But that now and they got me now they got yo.

1:39:29.920 --> 1:39:32.960
<v Speaker 2>This was yo, This would be yo. This was before the.

1:39:33.000 --> 1:39:36.920
<v Speaker 5>Whoever you gotta telling stuff. So when I saw yeah,

1:39:37.000 --> 1:39:39.840
<v Speaker 5>sell me, I was pressing them. I was like, ray, yo,

1:39:39.920 --> 1:39:42.920
<v Speaker 5>listen man. The niggas robbed me. B I'm saying right now,

1:39:43.880 --> 1:39:46.160
<v Speaker 5>he was on the room side. He wasn't on our

1:39:46.240 --> 1:39:49.400
<v Speaker 5>side of the buildings. That wasn't not the neighborhood.

1:39:49.479 --> 1:39:49.559
<v Speaker 7>Yo.

1:39:49.680 --> 1:39:52.439
<v Speaker 2>But no, Actually he got away though he was gone.

1:39:52.520 --> 1:39:53.599
<v Speaker 2>He just had the double dock.

1:39:53.680 --> 1:39:54.639
<v Speaker 5>This money got caught.

1:39:54.760 --> 1:39:56.599
<v Speaker 2>I was fucking around with the force.

1:39:56.720 --> 1:39:59.800
<v Speaker 5>Indeed, nigga before I don't know how I got b.

1:40:01.000 --> 1:40:03.439
<v Speaker 5>It's his birthday, so I'm like, yo, go get it.

1:40:03.760 --> 1:40:05.640
<v Speaker 5>You know you want something. Yeah, I'm gonna go a

1:40:05.720 --> 1:40:07.519
<v Speaker 5>goose bottle of champag or something.

1:40:08.840 --> 1:40:10.439
<v Speaker 2>I saw a nigga nor no.

1:40:10.680 --> 1:40:14.400
<v Speaker 5>Lie in the building with a white woman's wig on

1:40:14.880 --> 1:40:18.559
<v Speaker 5>and a white face mask right like a wig face

1:40:18.640 --> 1:40:21.040
<v Speaker 5>like a president mask. It was a white lady.

1:40:22.200 --> 1:40:23.080
<v Speaker 2>But it threw me.

1:40:24.280 --> 1:40:27.200
<v Speaker 5>I wanted't looking thinking about it. I think he got me.

1:40:31.800 --> 1:40:32.640
<v Speaker 8>So so.

1:40:36.320 --> 1:40:39.479
<v Speaker 5>I'm in the building and then be outside so the

1:40:39.600 --> 1:40:42.760
<v Speaker 5>forcing nigga leaves. That's why I think he set me up.

1:40:45.280 --> 1:40:48.000
<v Speaker 5>So I go in the building right. It's on the

1:40:48.080 --> 1:40:49.679
<v Speaker 5>first floor, so I'm don't have to take the elevator.

1:40:49.680 --> 1:40:51.720
<v Speaker 5>So I go open the door to walk up there

1:40:51.880 --> 1:40:54.040
<v Speaker 5>in the project, to walk upstairs to the first floor.

1:40:54.760 --> 1:40:57.080
<v Speaker 5>The dude said, come back down. You got the gun

1:40:57.160 --> 1:41:00.320
<v Speaker 5>on my man's stomach, you know. But no, okay, he

1:41:00.400 --> 1:41:02.320
<v Speaker 5>got the gun in my man's stomach, said come make

1:41:02.320 --> 1:41:05.880
<v Speaker 5>here'm an shoot. So I'm moving slow. I had a

1:41:06.000 --> 1:41:08.200
<v Speaker 5>thousand dollars in my pocket. I had a white shirt

1:41:08.240 --> 1:41:11.960
<v Speaker 5>on that the world be free, ring on with the world.

1:41:12.400 --> 1:41:15.280
<v Speaker 5>I got on the two chains. I got my benusity box.

1:41:15.600 --> 1:41:18.599
<v Speaker 5>Now he snatched my business. Now imagining me going all

1:41:18.640 --> 1:41:24.120
<v Speaker 5>the way home with no music, he tells me to

1:41:24.160 --> 1:41:27.240
<v Speaker 5>take the chains off. So I'm in slow motion. So

1:41:27.360 --> 1:41:31.360
<v Speaker 5>he snaps brown first one. I'm like, this is crazy man,

1:41:32.520 --> 1:41:38.880
<v Speaker 5>because I couldn't win. I was going God snaps snapped

1:41:38.880 --> 1:41:43.280
<v Speaker 5>the two chains. You don't come back, so he shot

1:41:43.439 --> 1:41:48.400
<v Speaker 5>bow and right. Let know so serious, No, don't. It

1:41:48.560 --> 1:41:50.759
<v Speaker 5>was over. When I walked outside and look at what happened,

1:41:50.800 --> 1:41:53.000
<v Speaker 5>I'm like, I knew they set me up, because how

1:41:53.080 --> 1:41:55.800
<v Speaker 5>you know that something happened to me? Because he shot

1:41:55.920 --> 1:41:59.439
<v Speaker 5>to let the man know that it's over. Yeah, So

1:41:59.720 --> 1:42:02.160
<v Speaker 5>I went back the next day with the Fort Green.

1:42:02.240 --> 1:42:04.439
<v Speaker 5>I got a hawked dog and my cousin man and

1:42:04.520 --> 1:42:07.120
<v Speaker 5>a few others went to the stat Island Club, sitting

1:42:07.120 --> 1:42:11.800
<v Speaker 5>outside the club till it was over. Went outside the opening. No,

1:42:11.920 --> 1:42:13.559
<v Speaker 5>we didn't care who was there. Open the trunk up,

1:42:13.600 --> 1:42:16.160
<v Speaker 5>out the bens. Stop busting out the club. I'm shooting

1:42:16.240 --> 1:42:24.360
<v Speaker 5>everybody upright. So the next day light comes and says,

1:42:25.240 --> 1:42:26.679
<v Speaker 5>I heard what happened to stat Allen.

1:42:27.080 --> 1:42:28.560
<v Speaker 3>But that part didn't get me.

1:42:28.720 --> 1:42:31.680
<v Speaker 5>The only part that was I was scared about was

1:42:31.920 --> 1:42:33.160
<v Speaker 5>Paris fighting out.

1:42:34.240 --> 1:42:37.360
<v Speaker 3>So his man called him, say, Yo, your man got robbed.

1:42:37.520 --> 1:42:40.640
<v Speaker 2>So yo, he called this is when, So what you're

1:42:40.640 --> 1:42:42.240
<v Speaker 2>saying is out? Okay, right, So.

1:42:42.360 --> 1:42:44.400
<v Speaker 5>Paris just me and says, you got robbed, Like you know,

1:42:44.439 --> 1:42:50.920
<v Speaker 5>everybody robbed me, you know. So I'm lying to him

1:42:51.520 --> 1:42:54.800
<v Speaker 5>mean while his man lived there, you know. So he's like, Yo,

1:42:54.880 --> 1:42:57.280
<v Speaker 5>you know your boy he got robbed. B And I'm like, Yo,

1:42:57.800 --> 1:43:00.439
<v Speaker 5>what you're saying is out. You know that the gun

1:43:00.600 --> 1:43:02.240
<v Speaker 5>talk is in the record, the whole ship.

1:43:02.760 --> 1:43:03.840
<v Speaker 3>So I have to go back.

1:43:03.920 --> 1:43:05.519
<v Speaker 5>But look, ye I went back and do that, dad,

1:43:05.600 --> 1:43:08.280
<v Speaker 5>because it got back to Yo. They came and tried

1:43:08.320 --> 1:43:09.760
<v Speaker 5>to kill that last night. They got no.

1:43:09.920 --> 1:43:12.280
<v Speaker 2>Yeah, oh my god, A p M. D. I ain't

1:43:12.280 --> 1:43:15.080
<v Speaker 2>gonna lie. Listen, listen, I.

1:43:15.439 --> 1:43:18.599
<v Speaker 6>Know we always got jayen Ross killed, yeah, big time

1:43:18.680 --> 1:43:19.840
<v Speaker 6>before he went to the nbas.

1:43:22.600 --> 1:43:30.320
<v Speaker 5>We know Ohio, right, j roop, these good friends as

1:43:30.360 --> 1:43:31.320
<v Speaker 5>you see you see in the.

1:43:31.360 --> 1:43:33.559
<v Speaker 3>Past, I mean and the and the bat five.

1:43:33.640 --> 1:43:36.000
<v Speaker 5>You got the EPMD has one and everything the documentary

1:43:37.360 --> 1:43:41.639
<v Speaker 5>we're in the spot, Ohio comes to Detroit, No Detroit,

1:43:41.680 --> 1:43:45.439
<v Speaker 5>come to Ohio, Detroit and Tennis Arena, the pieces twelve

1:43:46.360 --> 1:43:47.040
<v Speaker 5>Detroit Nigga.

1:43:47.040 --> 1:43:50.760
<v Speaker 2>This is the big bamboo. I feel like that's like

1:43:50.840 --> 1:43:52.400
<v Speaker 2>thirteen They they.

1:43:54.080 --> 1:43:57.120
<v Speaker 3>They was, they was, They destroyed this arena.

1:43:57.760 --> 1:43:59.920
<v Speaker 6>So now they messed up by putting cheers and see

1:44:00.160 --> 1:44:03.799
<v Speaker 6>right in the epm D concert right hold.

1:44:03.680 --> 1:44:06.559
<v Speaker 5>On, So now we got ten thousand up in there.

1:44:07.439 --> 1:44:11.760
<v Speaker 5>Now I'm the only one that got a piston that

1:44:11.880 --> 1:44:12.200
<v Speaker 5>night too.

1:44:12.560 --> 1:44:14.920
<v Speaker 2>Exactly, you got a pistol on your line.

1:44:14.960 --> 1:44:18.599
<v Speaker 5>We're running through the right, so we running through. Now

1:44:18.680 --> 1:44:22.400
<v Speaker 5>these niggas is busting every angle. Now this is a

1:44:22.560 --> 1:44:27.800
<v Speaker 5>moving van. Jalen and Jalen six something finding the way

1:44:27.840 --> 1:44:30.160
<v Speaker 5>to get out of here. Man, So he jumped in

1:44:30.320 --> 1:44:34.840
<v Speaker 5>the moving van. Luckily, I don't know how you made it.

1:44:36.479 --> 1:44:40.759
<v Speaker 2>Never stopped. You know, we all came out the venue.

1:44:40.920 --> 1:44:42.559
<v Speaker 2>Everybody came out at the same time.

1:44:42.680 --> 1:44:46.120
<v Speaker 1>We had her back and cut another door van rolling

1:44:46.200 --> 1:44:47.479
<v Speaker 1>Jalen jumped in kept it moving.

1:44:48.760 --> 1:44:50.920
<v Speaker 3>He would have been dead because they was on us.

1:44:52.280 --> 1:44:55.360
<v Speaker 5>No the time in cal Lenoman there was there was

1:44:55.760 --> 1:44:58.120
<v Speaker 5>broke up, the bulls coming by my head really talk

1:44:58.160 --> 1:45:00.840
<v Speaker 5>about me in North Carolina with them, the niggas called

1:45:00.840 --> 1:45:05.000
<v Speaker 5>them boys, called them that game. Were going there after party.

1:45:06.160 --> 1:45:08.280
<v Speaker 5>We walk in there, specially, letting them go in there first,

1:45:09.280 --> 1:45:14.320
<v Speaker 5>right with him in the Yeah, of course they going

1:45:14.400 --> 1:45:17.160
<v Speaker 5>there right. All of a sudden we walk in there

1:45:17.240 --> 1:45:19.040
<v Speaker 5>next me and my man. Parents are not there with us.

1:45:19.240 --> 1:45:21.559
<v Speaker 5>I met the after party with the guy who walks

1:45:21.560 --> 1:45:22.280
<v Speaker 5>out of the drugs man.

1:45:23.680 --> 1:45:25.599
<v Speaker 2>He said, stuff with them, Yeah.

1:45:28.680 --> 1:45:31.280
<v Speaker 5>One day okay, all of a sudden and all the

1:45:32.640 --> 1:45:36.080
<v Speaker 5>niggas was like, ain't no stars in here, so, you know,

1:45:36.280 --> 1:45:38.599
<v Speaker 5>kind of playing us kind of. My man was having

1:45:38.640 --> 1:45:41.920
<v Speaker 5>it here the fool. The dude's gun dropped. So when

1:45:41.960 --> 1:45:45.840
<v Speaker 5>the gun dropped, it was rolling towards the inside. So

1:45:46.080 --> 1:45:49.320
<v Speaker 5>we went to go after the pistol, you know, and

1:45:49.680 --> 1:45:54.479
<v Speaker 5>it was moving fast. So we backstrapped and said we

1:45:54.520 --> 1:45:55.240
<v Speaker 5>ain't gonna get.

1:45:55.080 --> 1:45:56.000
<v Speaker 2>That, so we ran out.

1:46:00.120 --> 1:46:01.120
<v Speaker 6>Not now.

1:46:01.560 --> 1:46:03.080
<v Speaker 2>I'm thirty pound light than this.

1:46:03.640 --> 1:46:04.880
<v Speaker 5>My man's in top shape.

1:46:05.439 --> 1:46:05.600
<v Speaker 6>You know.

1:46:05.760 --> 1:46:07.520
<v Speaker 2>I'm neck and neck with this niggas.

1:46:10.560 --> 1:46:14.599
<v Speaker 5>Going they coming from out the cause on the tires,

1:46:14.960 --> 1:46:16.000
<v Speaker 5>I mean busting.

1:46:16.400 --> 1:46:18.800
<v Speaker 2>I don't know how we lived. I jump in a

1:46:18.920 --> 1:46:23.200
<v Speaker 2>ditch somewhere in the back and the guy they were

1:46:23.200 --> 1:46:23.640
<v Speaker 2>sitting there.

1:46:25.360 --> 1:46:28.519
<v Speaker 5>All of a sudden, some girls from the highway had stopped.

1:46:28.600 --> 1:46:33.719
<v Speaker 5>But I'm like, I'm yelling niggas like Eric, I'm like yo, yo.

1:46:39.800 --> 1:46:39.920
<v Speaker 1>Yo.

1:46:40.640 --> 1:46:44.080
<v Speaker 5>So so we get back. Big Daddy came hears about it.

1:46:44.560 --> 1:46:46.479
<v Speaker 5>Him and this certain man turned and had them big guns,

1:46:46.520 --> 1:46:48.400
<v Speaker 5>and it's like, yo, I'm like that happy yesterday.

1:46:48.400 --> 1:46:48.519
<v Speaker 2>Man.

1:46:48.520 --> 1:46:50.800
<v Speaker 3>The niggas is gone now man now.

1:46:51.439 --> 1:46:53.800
<v Speaker 6>But like, okay, but I gotta bring it back to

1:46:53.880 --> 1:46:56.680
<v Speaker 6>what you said earlier, because I feel like you said that.

1:46:58.800 --> 1:47:00.559
<v Speaker 5>Cain went on after y'all.

1:47:00.960 --> 1:47:02.840
<v Speaker 2>But then you said Kine came home with a speedo.

1:47:02.920 --> 1:47:03.720
<v Speaker 5>I just got to get to this.

1:47:05.360 --> 1:47:13.479
<v Speaker 2>You gotta actually I kill you talking about this stage

1:47:13.560 --> 1:47:17.679
<v Speaker 2>or the speedo. Yes, hot Anna hotel.

1:47:17.800 --> 1:47:21.639
<v Speaker 5>Yes yo. We used to get escorted to the county

1:47:21.760 --> 1:47:22.960
<v Speaker 5>line a lot.

1:47:23.640 --> 1:47:25.960
<v Speaker 1>We used to have to hostage negotiate to get our

1:47:26.040 --> 1:47:27.880
<v Speaker 1>people back and then they'd be like, well, you could

1:47:27.920 --> 1:47:30.400
<v Speaker 1>have your boys backs as long as you leave the state.

1:47:31.000 --> 1:47:35.880
<v Speaker 3>Me and Parae fort Hammer and fifty.

1:47:35.680 --> 1:47:37.559
<v Speaker 5>Of this Ham had too money.

1:47:37.800 --> 1:47:38.599
<v Speaker 2>They got him out of there.

1:47:38.600 --> 1:47:39.920
<v Speaker 5>They got him mind there, but we had to fight

1:47:40.479 --> 1:47:42.200
<v Speaker 5>him and some of the police department.

1:47:43.240 --> 1:47:45.560
<v Speaker 2>Yes, just understanding.

1:47:45.680 --> 1:47:48.920
<v Speaker 5>But Vanilla Ice was open the purse, mis understanding.

1:47:49.720 --> 1:47:56.880
<v Speaker 2>Hammertone, it's crazy, told us I.

1:47:57.160 --> 1:47:59.800
<v Speaker 3>Have him from Oakland. Hammertoes open.

1:48:00.400 --> 1:48:06.320
<v Speaker 5>Am yeah, Ammon told us too, don't have your man

1:48:06.520 --> 1:48:09.479
<v Speaker 5>dancing on the speakers. So we said, okay, cool shure

1:48:09.560 --> 1:48:11.760
<v Speaker 5>talk my nigga.

1:48:11.800 --> 1:48:16.040
<v Speaker 3>Findy from Queens, you know for rockaway people. He didn't

1:48:16.080 --> 1:48:16.680
<v Speaker 3>want to hear all that.

1:48:16.800 --> 1:48:19.599
<v Speaker 5>That's what he do. He jumped on the speakers.

1:48:19.880 --> 1:48:20.320
<v Speaker 2>Anyway.

1:48:20.479 --> 1:48:24.880
<v Speaker 5>While now, when when the ship's over, somebody comes to

1:48:25.439 --> 1:48:26.439
<v Speaker 5>Findy talking mess.

1:48:26.520 --> 1:48:29.600
<v Speaker 3>So Powders comes over to say to see what's going on.

1:48:29.960 --> 1:48:33.400
<v Speaker 5>So the dude, you know, puffed up at pe He

1:48:33.640 --> 1:48:38.160
<v Speaker 5>broke the glasses, the frame, the cheek, boom, niggas, everything

1:48:38.280 --> 1:48:39.320
<v Speaker 5>came up this nigga right.

1:48:41.120 --> 1:48:43.360
<v Speaker 2>So again we're six two and a half. Have you

1:48:43.400 --> 1:48:50.559
<v Speaker 2>said chocolate brown yoyo?

1:48:50.800 --> 1:48:56.600
<v Speaker 5>So after a while we going to a hallway and

1:48:56.800 --> 1:49:00.920
<v Speaker 5>we stuck me Pats and Solo and we trapped.

1:49:02.080 --> 1:49:04.360
<v Speaker 2>About fifty you know, it's about fifty of them anyway.

1:49:06.320 --> 1:49:12.280
<v Speaker 2>Before the Jordan's yes, Ice and Hammer was kind of

1:49:12.360 --> 1:49:12.920
<v Speaker 2>down together.

1:49:13.200 --> 1:49:16.800
<v Speaker 5>Russell Simmons had the call and Jor got holding for

1:49:16.880 --> 1:49:20.439
<v Speaker 5>a couple of days exactly, so we was flying but

1:49:20.520 --> 1:49:22.440
<v Speaker 5>they yeah, but he called.

1:49:22.240 --> 1:49:28.000
<v Speaker 2>Les onto the day they got a mouth hammer like.

1:49:28.439 --> 1:49:30.280
<v Speaker 1>But the way the whole thing went down at the end,

1:49:30.360 --> 1:49:33.679
<v Speaker 1>everything ended right and right from Leo Waunch of police.

1:49:34.080 --> 1:49:36.599
<v Speaker 5>Yeah, man who normally gets down just opened the back door.

1:49:37.360 --> 1:49:37.880
<v Speaker 2>We left.

1:49:38.520 --> 1:49:41.360
<v Speaker 1>Somebody stole our mic that night, and we had the

1:49:41.439 --> 1:49:44.360
<v Speaker 1>audacity after we tore that place up to go to

1:49:44.479 --> 1:49:47.320
<v Speaker 1>the precinct and see if anybody turned to the mic.

1:49:51.120 --> 1:49:53.600
<v Speaker 2>I wouldn't give you no more story to people we

1:49:53.640 --> 1:49:56.519
<v Speaker 2>got to stop. He was bullis, but we fought mostly the.

1:49:59.439 --> 1:50:02.640
<v Speaker 5>Hand getting to it or getting like taking advantage of

1:50:02.760 --> 1:50:03.800
<v Speaker 5>and I'm not gonna step to me.

1:50:03.880 --> 1:50:05.599
<v Speaker 3>If I'm looking, I'm like, are you serious?

1:50:07.720 --> 1:50:07.960
<v Speaker 5>Scored?

1:50:09.200 --> 1:50:11.880
<v Speaker 3>We see this nigga like I'm looking at the ju

1:50:12.120 --> 1:50:14.400
<v Speaker 3>scene and probably was as football.

1:50:14.439 --> 1:50:15.920
<v Speaker 5>We was like, did you see us?

1:50:16.920 --> 1:50:19.400
<v Speaker 2>Like nothing but what I'm saying, But they didn't make

1:50:20.120 --> 1:50:21.000
<v Speaker 2>a couple of rappers.

1:50:21.040 --> 1:50:24.160
<v Speaker 3>I'm like, damn, you ain't gonna win, man, Like in my.

1:50:24.200 --> 1:50:26.679
<v Speaker 5>Head when I look at like, you know, coming down whatever,

1:50:26.800 --> 1:50:30.280
<v Speaker 5>like well away and again and we scared something that

1:50:30.320 --> 1:50:32.240
<v Speaker 5>didn't want to come up the dress room and missing

1:50:32.240 --> 1:50:33.120
<v Speaker 5>no name, but they didn't.

1:50:32.880 --> 1:50:33.559
<v Speaker 3>Come like just room.

1:50:34.360 --> 1:50:43.280
<v Speaker 5>I was with him and everything, the couple and you like, yeah,

1:50:44.280 --> 1:50:47.360
<v Speaker 5>you're arrested, yo, arms you know you know what the

1:50:47.439 --> 1:50:48.439
<v Speaker 5>little bathroom they.

1:50:48.439 --> 1:50:51.920
<v Speaker 2>Have in the production office where you're picking off your money. Yeah,

1:50:51.960 --> 1:50:53.600
<v Speaker 2>we stayed in there with the cuffs. They stayed on

1:50:53.680 --> 1:50:56.200
<v Speaker 2>the phone with rush management. Yeah, with cups. Lies out

1:50:56.200 --> 1:50:58.599
<v Speaker 2>the site in the riot. We got twenty five thousand people.

1:50:58.680 --> 1:51:01.679
<v Speaker 3>They're not going to day and everything everything.

1:51:02.640 --> 1:51:04.160
<v Speaker 2>Where's the young gods? Where's Cydney?

1:51:04.200 --> 1:51:04.360
<v Speaker 5>Boy?

1:51:04.439 --> 1:51:05.200
<v Speaker 2>Did I'm young?

1:51:05.280 --> 1:51:05.479
<v Speaker 5>Really?

1:51:08.760 --> 1:51:09.080
<v Speaker 7>The game?

1:51:10.200 --> 1:51:11.000
<v Speaker 2>Not shut the game?

1:51:11.760 --> 1:51:12.080
<v Speaker 5>You know what?

1:51:16.320 --> 1:51:21.720
<v Speaker 6>But this is what what then describing as me as

1:51:21.720 --> 1:51:25.000
<v Speaker 6>a CEO, I want you to understand what the fuck

1:51:25.160 --> 1:51:25.679
<v Speaker 6>they're saying.

1:51:26.200 --> 1:51:29.000
<v Speaker 2>Like rush management was crazy.

1:51:29.560 --> 1:51:29.960
<v Speaker 5>Everybody.

1:51:30.160 --> 1:51:33.560
<v Speaker 6>If you wasn't on depth jat you had to be

1:51:33.640 --> 1:51:36.960
<v Speaker 6>on rush and that eventually turned into violator.

1:51:38.600 --> 1:51:40.920
<v Speaker 2>Wow, that's true, and eventually.

1:51:41.040 --> 1:51:43.880
<v Speaker 6>Heavy and then and then because I felt like I

1:51:43.960 --> 1:51:45.320
<v Speaker 6>was on depth Jay my whole career.

1:51:45.640 --> 1:51:47.960
<v Speaker 2>But I wasn't. I was on Holly.

1:51:48.640 --> 1:51:53.080
<v Speaker 6>I was on I guess Rush Rush, excuse me. I

1:51:53.200 --> 1:51:56.080
<v Speaker 6>felt I felt like he was like fuck it, and

1:51:56.160 --> 1:51:57.280
<v Speaker 6>he gave it to Baby Chris.

1:51:57.479 --> 1:51:59.400
<v Speaker 5>That's what he called. That's what his name was. Maybe

1:51:59.439 --> 1:52:00.680
<v Speaker 5>Christ was baby Chris.

1:52:02.200 --> 1:52:04.559
<v Speaker 6>And actually Chris lighty name is actually not even Chris.

1:52:04.800 --> 1:52:08.599
<v Speaker 6>Chris Lighty's real name is Darryl Lighty. So baby Chris

1:52:08.760 --> 1:52:09.440
<v Speaker 6>was because.

1:52:11.479 --> 1:52:13.599
<v Speaker 5>Everybody Mike.

1:52:15.960 --> 1:52:20.400
<v Speaker 2>But but to tell you the truth, Chris was his father.

1:52:20.680 --> 1:52:24.960
<v Speaker 2>That's why they call him baby Chris. Wow. So Chris

1:52:25.120 --> 1:52:26.160
<v Speaker 2>Lighty's real name.

1:52:26.840 --> 1:52:28.599
<v Speaker 6>And that's how I know because like when he first

1:52:28.640 --> 1:52:30.759
<v Speaker 6>signed me, I was like, you'll send me fifty thousand,

1:52:31.040 --> 1:52:33.000
<v Speaker 6>send me fifteen thousand or whatever.

1:52:33.520 --> 1:52:36.559
<v Speaker 2>And then I kept going to the Western Union. Back

1:52:36.560 --> 1:52:38.720
<v Speaker 2>in the days you could send that ship like you're

1:52:38.720 --> 1:52:39.559
<v Speaker 2>sending that type of.

1:52:39.560 --> 1:52:42.600
<v Speaker 6>Ship and now Chris Lighty and they was like, no,

1:52:43.040 --> 1:52:52.040
<v Speaker 6>you're close though. I was like, and I finally called

1:52:52.080 --> 1:52:54.479
<v Speaker 6>Claudia and Claudia was like, nigga is nigga? His name

1:52:54.560 --> 1:52:56.600
<v Speaker 6>is Darryl Lighty And I was like, oh, ship, I

1:52:56.640 --> 1:52:59.320
<v Speaker 6>didn't know that. But why they called him baby Chris

1:52:59.520 --> 1:53:02.519
<v Speaker 6>is because his father name was Chris. So the reason

1:53:02.560 --> 1:53:06.360
<v Speaker 6>why I want everybody to know is one of the

1:53:06.560 --> 1:53:11.599
<v Speaker 6>best situations, the best places I've ever seen in life

1:53:11.800 --> 1:53:17.040
<v Speaker 6>was one seventy Barrack. Remember that you could roll, you

1:53:17.160 --> 1:53:20.160
<v Speaker 6>get a haircut, and you get supposed to if it

1:53:20.520 --> 1:53:21.080
<v Speaker 6>was into.

1:53:22.920 --> 1:53:23.720
<v Speaker 2>That's kind of what we.

1:53:26.760 --> 1:53:26.800
<v Speaker 6>Was.

1:53:27.200 --> 1:53:27.880
<v Speaker 5>Let me take something.

1:53:27.880 --> 1:53:31.400
<v Speaker 2>It was like the bad boys. All the labels turned

1:53:31.400 --> 1:53:31.800
<v Speaker 2>to be like that.

1:53:31.920 --> 1:53:32.479
<v Speaker 5>It was better.

1:53:32.720 --> 1:53:36.280
<v Speaker 2>It was death Jam first one seventy and they had

1:53:36.320 --> 1:53:37.120
<v Speaker 2>another office.

1:53:37.280 --> 1:53:40.400
<v Speaker 5>It was my Chunk king On. I was seventy bag

1:53:40.560 --> 1:53:42.840
<v Speaker 5>was it though? One seventy bar So we started off

1:53:42.880 --> 1:53:43.879
<v Speaker 5>Elizabeth Street.

1:53:45.880 --> 1:53:49.160
<v Speaker 2>Downtown right, but then one seventy back went out there.

1:53:50.040 --> 1:53:53.759
<v Speaker 6>It was like for me, it was like a hood

1:53:53.960 --> 1:53:57.599
<v Speaker 6>outside of the hood, meeting great temptation.

1:53:58.800 --> 1:54:04.080
<v Speaker 2>Man, your money at still nothing.

1:54:05.600 --> 1:54:10.880
<v Speaker 5>I used to call key Yeah, talking all day, That's

1:54:10.920 --> 1:54:11.360
<v Speaker 5>what we did.

1:54:13.760 --> 1:54:19.280
<v Speaker 6>But I'm gonna be honest. That office felt like the

1:54:19.439 --> 1:54:22.240
<v Speaker 6>hood outside of the hood. Yeah, But it also felt

1:54:22.320 --> 1:54:23.960
<v Speaker 6>like this is this is when you make it.

1:54:24.080 --> 1:54:24.559
<v Speaker 8>This is you.

1:54:26.320 --> 1:54:29.719
<v Speaker 3>To sell a million records like like you every it's different,

1:54:29.920 --> 1:54:32.160
<v Speaker 3>like you're very you was ninety.

1:54:31.920 --> 1:54:35.080
<v Speaker 5>Eight the next like that, you know, against in a

1:54:35.160 --> 1:54:37.680
<v Speaker 5>million million records categories like you was.

1:54:38.280 --> 1:54:38.680
<v Speaker 2>I remember.

1:54:38.760 --> 1:54:41.600
<v Speaker 5>I remember you was balanced despot with me and you

1:54:41.920 --> 1:54:44.400
<v Speaker 5>and and Peter guns in them like one, two and

1:54:44.520 --> 1:54:48.440
<v Speaker 5>three don't get rappers and like super Thug and fucking

1:54:49.160 --> 1:54:49.680
<v Speaker 5>Peter Gunn.

1:54:50.480 --> 1:54:51.160
<v Speaker 2>Remember your video.

1:54:54.160 --> 1:54:55.120
<v Speaker 5>I remember, I remember.

1:54:55.160 --> 1:54:57.320
<v Speaker 2>I was like, damn, I gotta take them down, take

1:54:57.400 --> 1:54:59.600
<v Speaker 2>them down? You did?

1:55:00.080 --> 1:55:01.200
<v Speaker 6>I know we did?

1:55:02.360 --> 1:55:04.240
<v Speaker 3>What a dude from m t V t R.

1:55:04.360 --> 1:55:04.800
<v Speaker 5>What his name?

1:55:05.720 --> 1:55:05.760
<v Speaker 8>Not?

1:55:05.960 --> 1:55:12.760
<v Speaker 5>All right? No, no, Johnny, I'm not a giant. Yeah,

1:55:12.760 --> 1:55:16.000
<v Speaker 5>I'm gonna be on the beach interviewing that day. I'm like,

1:55:16.080 --> 1:55:17.320
<v Speaker 5>d know he got number one.

1:55:18.240 --> 1:55:23.240
<v Speaker 2>Super It was ringing so hard, like I'm like, yo, leo, listen, man.

1:55:23.760 --> 1:55:27.760
<v Speaker 5>We gotta you know, we gotta drop another records like nah,

1:55:28.080 --> 1:55:30.720
<v Speaker 5>we all right? And then Maxwell we got number one

1:55:30.720 --> 1:55:32.839
<v Speaker 5>album that again.

1:55:35.480 --> 1:55:36.000
<v Speaker 3>I'll be Max.

1:55:38.160 --> 1:55:40.520
<v Speaker 2>But again Maxwell got beefing me. Maxwell.

1:55:41.040 --> 1:55:44.600
<v Speaker 6>I'll tell you what because I said on the record,

1:55:44.640 --> 1:55:47.880
<v Speaker 6>I said your niggas is gay, like the Maxwell video,

1:55:48.880 --> 1:55:52.560
<v Speaker 6>and he never he never forgot that, like they actually

1:55:52.600 --> 1:55:56.200
<v Speaker 6>wait to violate. Like actually, I'm a super shoot at

1:55:56.240 --> 1:55:59.240
<v Speaker 6>this time, Like I'm super shooter right, like I don't

1:55:59.280 --> 1:55:59.839
<v Speaker 6>have shooters.

1:56:00.120 --> 1:56:00.920
<v Speaker 5>I am the shooter.

1:56:01.560 --> 1:56:04.640
<v Speaker 9>So he came to violated because he was a street dude.

1:56:04.680 --> 1:56:09.480
<v Speaker 9>Nobody want to and he's like to call him. I said, Yo,

1:56:10.080 --> 1:56:15.560
<v Speaker 9>what did you do to Maxwell? It was at this

1:56:15.680 --> 1:56:17.480
<v Speaker 9>time I just say dumb ship in my round.

1:56:18.320 --> 1:56:19.680
<v Speaker 2>I didn't know people actually.

1:56:19.560 --> 1:56:26.640
<v Speaker 5>Listen to me. Maxwell was only a million people, and.

1:56:29.080 --> 1:56:31.520
<v Speaker 6>He told them, niggas, you tell Nor me and him

1:56:31.560 --> 1:56:34.840
<v Speaker 6>gotta fight. And I'm like, Chris is like, yo, Nor,

1:56:34.960 --> 1:56:39.880
<v Speaker 6>he's gonna shoot. You don't want to fight. But I

1:56:40.240 --> 1:56:42.120
<v Speaker 6>just thought it was the dopest thing that a R

1:56:42.160 --> 1:56:45.680
<v Speaker 6>and B niggle not to fight me like I Actually

1:56:45.840 --> 1:56:48.320
<v Speaker 6>I told everybody Max, I want to fight me.

1:56:50.560 --> 1:56:51.520
<v Speaker 5>Another thing before we go.

1:56:51.600 --> 1:56:52.360
<v Speaker 2>Down so big.

1:56:52.400 --> 1:56:54.000
<v Speaker 5>I want to go and start getting to the middle

1:56:54.040 --> 1:56:57.440
<v Speaker 5>of lads. But love is a situation where we need

1:56:57.560 --> 1:57:00.320
<v Speaker 5>that more. Like you said before, that is change a

1:57:00.360 --> 1:57:03.440
<v Speaker 5>light of ship. My niggas just loving and right. And

1:57:03.560 --> 1:57:08.000
<v Speaker 5>then Michael Epps said two over forty. The only reason

1:57:08.200 --> 1:57:11.520
<v Speaker 5>that I'm gonna put these up if it's necessary.

1:57:11.480 --> 1:57:13.680
<v Speaker 2>I don't give if you call me a fat fuck

1:57:13.840 --> 1:57:15.360
<v Speaker 2>or your music sucks or whatever.

1:57:15.840 --> 1:57:18.880
<v Speaker 5>I'm going home because my twelve year old son nieds

1:57:18.960 --> 1:57:22.360
<v Speaker 5>his dad's right. The only way I'm going if I'm

1:57:22.640 --> 1:57:25.720
<v Speaker 5>put in a position right now I'm protecting my family

1:57:26.200 --> 1:57:27.640
<v Speaker 5>or put in the city where I gotta get out,

1:57:27.840 --> 1:57:30.480
<v Speaker 5>then I'm putting these up. But other than that, though,

1:57:30.600 --> 1:57:33.960
<v Speaker 5>I can't see you being this is forty seven, forty

1:57:33.960 --> 1:57:36.880
<v Speaker 5>eight years old and saying, Yo, I'm talking these streets

1:57:37.000 --> 1:57:39.280
<v Speaker 5>like a fuck that nigga, you know, and you hear

1:57:39.400 --> 1:57:43.760
<v Speaker 5>niggas talking mess or on the web, been doing this

1:57:43.840 --> 1:57:47.120
<v Speaker 5>shit on the text and this age. I'm not fighting you,

1:57:47.200 --> 1:57:52.280
<v Speaker 5>my nigga. Well here's I'm not fighting you should Here's

1:57:52.320 --> 1:57:54.600
<v Speaker 5>the problem is hip.

1:57:54.480 --> 1:57:59.480
<v Speaker 6>Hop gotta start taking responsibility, meaning there's no way you

1:57:59.480 --> 1:58:02.360
<v Speaker 6>should fight. There's no way you should fight. This gotta

1:58:02.400 --> 1:58:04.680
<v Speaker 6>be somebody that's in the club saying.

1:58:04.760 --> 1:58:07.320
<v Speaker 5>What are you talking to? Who?

1:58:08.000 --> 1:58:08.520
<v Speaker 4>Like what?

1:58:09.080 --> 1:58:09.360
<v Speaker 7>I know?

1:58:09.600 --> 1:58:10.480
<v Speaker 2>Why?

1:58:11.520 --> 1:58:11.640
<v Speaker 4>Right?

1:58:12.040 --> 1:58:14.360
<v Speaker 2>And we gotta that's the thing is.

1:58:16.960 --> 1:58:20.520
<v Speaker 6>Everybody that's here, we gotta start taking responsibility. And because

1:58:20.560 --> 1:58:22.640
<v Speaker 6>you know why, and this is the reason why we

1:58:22.920 --> 1:58:26.200
<v Speaker 6>started this, because we gotta actually protect our legends like

1:58:26.280 --> 1:58:27.200
<v Speaker 6>we actually.

1:58:26.960 --> 1:58:30.720
<v Speaker 1>Do, like do like if you see I told you

1:58:30.960 --> 1:58:33.360
<v Speaker 1>and now he's black, he's black.

1:58:33.480 --> 1:58:38.320
<v Speaker 6>But I remember I remember seeing Prince just just go

1:58:38.560 --> 1:58:41.720
<v Speaker 6>somewhere and I'm just seeing the club just it's.

1:58:41.720 --> 1:58:46.800
<v Speaker 2>Just who just behind that there and he came in

1:58:46.960 --> 1:58:47.720
<v Speaker 2>by itself and he.

1:58:47.800 --> 1:58:53.480
<v Speaker 6>Levitated in my mind didn't walk, yeah, in my mind definitely,

1:58:54.120 --> 1:58:57.040
<v Speaker 6>But it was like, damn, I saw that. I mean

1:58:57.320 --> 1:58:57.760
<v Speaker 6>I saw it.

1:58:58.400 --> 1:59:02.520
<v Speaker 2>But that's exactly like if Rock Kim coming to club,

1:59:02.640 --> 1:59:03.040
<v Speaker 2>if E. P.

1:59:03.200 --> 1:59:05.920
<v Speaker 6>M D Coming to club, cars coming to club, and

1:59:06.160 --> 1:59:09.920
<v Speaker 6>anything happened anywhere around y'all, it's my fault.

1:59:10.360 --> 1:59:11.080
<v Speaker 5>Now, that's my fault.

1:59:12.360 --> 1:59:14.520
<v Speaker 6>I made it happen. It's my fault because I could

1:59:14.600 --> 1:59:20.600
<v Speaker 6>have prevented. And I gotta set the presidents. Know I'm

1:59:20.600 --> 1:59:24.280
<v Speaker 6>a dyslexic. I gotta set the presidents. I said it right, Yes,

1:59:25.480 --> 1:59:26.480
<v Speaker 6>the president.

1:59:30.360 --> 1:59:35.320
<v Speaker 2>I got so that the next generation set the presidents.

1:59:35.680 --> 1:59:39.320
<v Speaker 2>Me thinking about that, it's very important. We have to.

1:59:40.800 --> 1:59:42.840
<v Speaker 5>We left the game. There's been no one there here.

1:59:43.520 --> 1:59:43.560
<v Speaker 6>No.

1:59:44.000 --> 1:59:47.840
<v Speaker 5>That's why I apologized to to to Soldier Boy, because

1:59:48.000 --> 1:59:50.120
<v Speaker 5>the boys said, listen, you arguing.

1:59:49.880 --> 1:59:52.600
<v Speaker 3>At me, But we had nobody to tell us exactly.

1:59:52.800 --> 1:59:54.080
<v Speaker 2>So only did what I knew.

1:59:55.040 --> 2:00:01.360
<v Speaker 5>He was apologize and Nelly right, yeah, I didn't know.

2:00:01.520 --> 2:00:02.720
<v Speaker 2>We didn't have him to go on.

2:00:02.920 --> 2:00:05.240
<v Speaker 5>See, we had something to go on when we came,

2:00:05.360 --> 2:00:10.480
<v Speaker 5>y'all had you know, way talking about baby Christmas.

2:00:12.520 --> 2:00:17.920
<v Speaker 2>Yes, and that, and that's the reason why.

2:00:19.360 --> 2:00:22.720
<v Speaker 6>If anybody, if you're listening to this, like I told

2:00:22.760 --> 2:00:26.280
<v Speaker 6>I was telling you outside, pet, I was telling you

2:00:26.400 --> 2:00:29.800
<v Speaker 6>outside that I had checked into this hotel, right, and

2:00:29.880 --> 2:00:35.080
<v Speaker 6>when I checked into this hotel. Doesn't sound that didn't

2:00:35.080 --> 2:00:39.680
<v Speaker 6>sound good at all occasion, But I had checked into this.

2:00:40.760 --> 2:00:43.720
<v Speaker 6>I had checked into this hotel, right. And when I

2:00:43.800 --> 2:00:46.800
<v Speaker 6>checked into this hotel. The guy says to me, thank you,

2:00:46.920 --> 2:00:48.760
<v Speaker 6>and I said, thank you for what? And he goes,

2:00:49.080 --> 2:00:52.840
<v Speaker 6>you put me on a duck down, right. A part

2:00:52.880 --> 2:00:55.600
<v Speaker 6>of me wanted to smack the ship out there. How

2:00:55.640 --> 2:00:57.320
<v Speaker 6>the fuck can I put you on a dunt down?

2:00:57.800 --> 2:01:00.920
<v Speaker 6>But then another part of me was like, damn, I

2:01:01.000 --> 2:01:04.600
<v Speaker 6>gotta recognize what I'm doing. Because he's twenty three years old.

2:01:05.400 --> 2:01:05.920
<v Speaker 2>He didn't know.

2:01:06.680 --> 2:01:09.760
<v Speaker 6>So when he heard the duck down interview, he went

2:01:09.840 --> 2:01:13.200
<v Speaker 6>and he did his research and he went and he

2:01:13.400 --> 2:01:16.280
<v Speaker 6>you know, he actually knew who Smith and Wesson was

2:01:16.400 --> 2:01:19.680
<v Speaker 6>and he knew it, but he was open, right, So

2:01:19.880 --> 2:01:22.600
<v Speaker 6>part of me still wanted to smack him because I'm like, damn,

2:01:23.200 --> 2:01:24.880
<v Speaker 6>But then the other part of me was like, this

2:01:25.000 --> 2:01:28.280
<v Speaker 6>guy don't even know I'm glory, right, he wasn't educated.

2:01:28.400 --> 2:01:29.839
<v Speaker 2>He don't even know I'm glory.

2:01:30.440 --> 2:01:33.560
<v Speaker 6>He's looking at me like the podcast right right, And

2:01:33.680 --> 2:01:35.520
<v Speaker 6>that's what you said on your video the other day.

2:01:35.800 --> 2:01:36.880
<v Speaker 2>You send a video and.

2:01:36.880 --> 2:01:37.400
<v Speaker 5>You're just like yo.

2:01:37.440 --> 2:01:39.240
<v Speaker 2>Know, he tell his niggas who you is. But I

2:01:39.280 --> 2:01:40.200
<v Speaker 2>don't even killed it.

2:01:40.440 --> 2:01:42.320
<v Speaker 5>No, I know you don't care. But I just felt

2:01:42.360 --> 2:01:43.960
<v Speaker 5>that because I said what I want to say, because

2:01:43.960 --> 2:01:45.720
<v Speaker 5>I was meant.

2:01:48.880 --> 2:01:52.160
<v Speaker 6>But the thing about it is, think about it is

2:01:52.920 --> 2:01:55.600
<v Speaker 6>I don't care if people have to look at me

2:01:55.760 --> 2:01:58.840
<v Speaker 6>like that and I could kill still represent hip hop.

2:01:59.360 --> 2:02:02.080
<v Speaker 5>I'm gonna say one thing before we get this is

2:02:02.200 --> 2:02:06.600
<v Speaker 5>no disrespect as far as what's going on. And no,

2:02:07.040 --> 2:02:09.200
<v Speaker 5>you know, we nowhere near the white and black thing.

2:02:10.480 --> 2:02:14.200
<v Speaker 5>If we don't make a stance, they would want to

2:02:14.240 --> 2:02:18.480
<v Speaker 5>start the error off with Marshall Madters. You know what

2:02:18.520 --> 2:02:21.080
<v Speaker 5>I thought about the number one rapper in the world.

2:02:21.680 --> 2:02:24.240
<v Speaker 5>The number one selling rapper in the world is Eminem

2:02:25.880 --> 2:02:28.800
<v Speaker 5>And it's not gonna do it because he's incredibly nice. Yes,

2:02:28.960 --> 2:02:32.000
<v Speaker 5>but that's what the culture is going through. If they

2:02:32.040 --> 2:02:32.800
<v Speaker 5>can rewrite it.

2:02:33.920 --> 2:02:35.600
<v Speaker 6>You know what I thought about eating I'm so sorry

2:02:35.600 --> 2:02:37.000
<v Speaker 6>to cut you off. You know, I thought about the

2:02:37.080 --> 2:02:40.360
<v Speaker 6>other day. And this is the reason why I love

2:02:40.440 --> 2:02:43.280
<v Speaker 6>what we're doing because I've thought about it. I said, Yo,

2:02:44.040 --> 2:02:47.560
<v Speaker 6>what happens if hip hop is just tarnished for the

2:02:47.680 --> 2:02:50.720
<v Speaker 6>next hundred years, right right? And what happens when they

2:02:50.800 --> 2:02:54.320
<v Speaker 6>actually go do research? You know what, they can actually

2:02:54.480 --> 2:02:59.120
<v Speaker 6>look up love and hip hop. That's horrible, I'm just saying,

2:02:59.240 --> 2:03:02.080
<v Speaker 6>but it's tele so think about it. So think about

2:03:02.080 --> 2:03:06.200
<v Speaker 6>one thing. My thing is they can actually go and.

2:03:06.360 --> 2:03:06.800
<v Speaker 5>Pull up.

2:03:08.440 --> 2:03:10.600
<v Speaker 2>The history books. Is gonna function up. It's gonna suck

2:03:10.680 --> 2:03:13.600
<v Speaker 2>life up. So just imagine. It's his story.

2:03:13.920 --> 2:03:16.040
<v Speaker 1>But it goes back to what Eric said, we have

2:03:16.200 --> 2:03:18.720
<v Speaker 1>to have We should have categories for hip hop so

2:03:18.920 --> 2:03:23.760
<v Speaker 1>everything is not just shoved under hip hop one.

2:03:22.800 --> 2:03:26.400
<v Speaker 3>Label before before it gets written off.

2:03:26.840 --> 2:03:28.480
<v Speaker 5>He said. But you know, just be gonna suck it up.

2:03:29.160 --> 2:03:30.480
<v Speaker 5>His story, gonna suck it up.

2:03:31.360 --> 2:03:34.600
<v Speaker 18>Because if we don't work like like he said, we

2:03:34.680 --> 2:03:38.560
<v Speaker 18>stopped working. So now that and now her you said

2:03:38.600 --> 2:03:40.920
<v Speaker 18>to you might with the records, you can't do it.

2:03:41.560 --> 2:03:45.000
<v Speaker 18>You know there's people out there even if don't.

2:03:44.840 --> 2:03:48.600
<v Speaker 5>Worry about about what you think about what mainstream is.

2:03:49.080 --> 2:03:52.440
<v Speaker 5>It's when he made the records, do you it's gonna

2:03:52.480 --> 2:03:56.320
<v Speaker 5>come it's gonna yo that that. When I tell you

2:03:56.480 --> 2:03:59.520
<v Speaker 5>that it's gonna be blessed and it's gonna come that.

2:03:59.600 --> 2:04:00.360
<v Speaker 2>The world hear it.

2:04:00.840 --> 2:04:03.760
<v Speaker 5>I promise you the world is going to hear it.

2:04:04.120 --> 2:04:06.840
<v Speaker 5>It's a different type of buying. Now the world done

2:04:06.880 --> 2:04:11.400
<v Speaker 5>woke up people in a fifth dimension. Now you know

2:04:11.480 --> 2:04:13.560
<v Speaker 5>that people don't woke up. Now, they woke up, and

2:04:13.640 --> 2:04:15.680
<v Speaker 5>that's why they want through the rhyme. They want you,

2:04:15.960 --> 2:04:17.720
<v Speaker 5>They want to hear you. I'm telling you.

2:04:19.600 --> 2:04:19.840
<v Speaker 7>Rhyme.

2:04:21.480 --> 2:04:23.600
<v Speaker 6>We just did a new deal with Title and hit

2:04:23.680 --> 2:04:26.880
<v Speaker 6>Squad Digital. So these are the power moves that we're

2:04:27.000 --> 2:04:36.600
<v Speaker 6>breaking news. I want you to describe what you just said,

2:04:36.600 --> 2:04:39.360
<v Speaker 6>because you said if you did a deal with Title Digital,

2:04:39.680 --> 2:04:39.960
<v Speaker 6>so that.

2:04:40.120 --> 2:04:42.120
<v Speaker 2>Means you're an artist owner.

2:04:42.600 --> 2:04:44.600
<v Speaker 5>Yes, that's correct, and I want people to.

2:04:44.680 --> 2:04:47.200
<v Speaker 2>Understand what that means. That means that you can be

2:04:47.240 --> 2:04:47.640
<v Speaker 2>an artist.

2:04:47.720 --> 2:04:48.280
<v Speaker 5>Let me a chicken.

2:04:48.840 --> 2:04:50.680
<v Speaker 2>That means you can be an artist and you can

2:04:50.720 --> 2:04:53.680
<v Speaker 2>still own your ship. I'm take two. That's correct, and

2:04:53.800 --> 2:04:54.920
<v Speaker 2>this is what we're doin it.

2:04:55.040 --> 2:04:56.960
<v Speaker 5>So basically can look like that.

2:04:58.520 --> 2:05:00.240
<v Speaker 1>All the work that we put in back in the

2:05:00.320 --> 2:05:03.000
<v Speaker 1>early parts of our career is coming back around. So

2:05:03.120 --> 2:05:06.160
<v Speaker 1>we're self contained, independent in house, and this is the

2:05:06.200 --> 2:05:09.000
<v Speaker 1>way we're gonna fund on it because in the technology

2:05:09.080 --> 2:05:12.400
<v Speaker 1>eraror it's all about content now they even think download.

2:05:12.440 --> 2:05:13.960
<v Speaker 5>It's gonna be out in a minute, and it's all

2:05:14.000 --> 2:05:17.960
<v Speaker 5>about the livestream. You know you're doing it.

2:05:19.200 --> 2:05:21.800
<v Speaker 6>Let me ask you this, do you like streaming because

2:05:21.920 --> 2:05:24.560
<v Speaker 6>to me, I like streaming because I feel like your

2:05:24.600 --> 2:05:27.120
<v Speaker 6>haters even listen to you, to you because they feel

2:05:27.120 --> 2:05:27.960
<v Speaker 6>like they're not supporting you.

2:05:30.120 --> 2:05:31.160
<v Speaker 5>Right, you got.

2:05:33.760 --> 2:05:37.200
<v Speaker 6>The membership, so you know we're just covering the dot

2:05:37.240 --> 2:05:41.080
<v Speaker 6>part even if you press it, watching you.

2:05:43.240 --> 2:05:47.480
<v Speaker 2>Has tuned into what we're actually doing. The stream well

2:05:50.680 --> 2:05:54.400
<v Speaker 2>one album. One album is that's terrible, right, bad for

2:05:54.520 --> 2:05:59.280
<v Speaker 2>the artist. But on the record, if your owner, you're

2:05:59.280 --> 2:06:00.600
<v Speaker 2>good the stream and his money.

2:06:00.880 --> 2:06:03.360
<v Speaker 1>So yo, big shout out to Daniel for the you know,

2:06:03.480 --> 2:06:07.160
<v Speaker 1>making the digital coming Champs for having a big shout.

2:06:08.680 --> 2:06:11.280
<v Speaker 2>You know to school Nor he got me up last day.

2:06:11.280 --> 2:06:14.200
<v Speaker 5>That's not that's the drink champs got me up promises.

2:06:14.520 --> 2:06:16.080
<v Speaker 2>You know you hold up time out?

2:06:16.160 --> 2:06:21.680
<v Speaker 6>Can we give out social media tags? Please give it out,

2:06:22.280 --> 2:06:24.160
<v Speaker 6>give it out, tell them the fu.

2:06:25.040 --> 2:06:26.160
<v Speaker 2>Oh yeah, yeah, my bad.

2:06:26.440 --> 2:06:27.320
<v Speaker 3>Oh I thought I did it before.

2:06:27.360 --> 2:06:30.520
<v Speaker 5>Okay, Eric sermon Eric, you know, I c K Underscore

2:06:30.800 --> 2:06:33.520
<v Speaker 5>Sermon on Instagram and I am Eric Simon on Twitter,

2:06:33.920 --> 2:06:37.400
<v Speaker 5>and of course death Ruggs on Instagram and death Rugs

2:06:37.440 --> 2:06:40.720
<v Speaker 5>dot Com on w w W whatever that's.

2:06:42.240 --> 2:06:46.160
<v Speaker 1>At Death Ruggs Yo, and I'm on the on Instagram

2:06:46.320 --> 2:06:49.640
<v Speaker 1>on p m D Underscore Mike Underscore Doc on Twitter

2:06:49.800 --> 2:06:52.400
<v Speaker 1>on p m D of E p m D and

2:06:52.520 --> 2:06:55.920
<v Speaker 1>then uh Facebook, p m D of E p m D.

2:06:56.360 --> 2:07:00.120
<v Speaker 2>I got a Facebook. That's how you know you got in.

2:07:00.280 --> 2:07:00.600
<v Speaker 5>Man, I.

2:07:02.120 --> 2:07:02.920
<v Speaker 3>Ain't got one either.

2:07:03.240 --> 2:07:06.720
<v Speaker 6>But listen, my brothers, I'm gonna be honest. I really

2:07:06.800 --> 2:07:07.760
<v Speaker 6>appreciated y'all.

2:07:08.200 --> 2:07:11.720
<v Speaker 2>I really called for us and we came. Heard you're called,

2:07:11.760 --> 2:07:13.640
<v Speaker 2>and you came and you know what, you know you

2:07:13.840 --> 2:07:17.040
<v Speaker 2>called for us. We heard and were happy about that.

2:07:17.120 --> 2:07:20.080
<v Speaker 2>And you know what, I don't want this to be there.

2:07:20.240 --> 2:07:23.280
<v Speaker 2>First second, I wonder I want you to always come

2:07:23.360 --> 2:07:24.080
<v Speaker 2>back because.

2:07:27.920 --> 2:07:30.600
<v Speaker 5>And why why we got this platform.

2:07:30.760 --> 2:07:33.360
<v Speaker 6>I don't know how long we're gonna have this platform

2:07:33.440 --> 2:07:35.480
<v Speaker 6>at this level, right so you know what I want

2:07:35.520 --> 2:07:37.960
<v Speaker 6>to do. I want to continue to support people that

2:07:38.160 --> 2:07:38.680
<v Speaker 6>I want.

2:07:38.560 --> 2:07:39.320
<v Speaker 5>To support right now.

2:07:39.640 --> 2:07:42.840
<v Speaker 2>And that's why you're here, yes, because but the thing

2:07:42.920 --> 2:07:44.720
<v Speaker 2>about it is we don't know.

2:07:45.760 --> 2:07:47.920
<v Speaker 6>Oh, we do know how about that? We do know

2:07:48.680 --> 2:07:51.840
<v Speaker 6>that hip hop should be celebrated. And that's that's my

2:07:52.000 --> 2:07:54.440
<v Speaker 6>last meeting with Leo Combs. The last time I seen him.

2:07:54.800 --> 2:07:57.400
<v Speaker 6>He said, do you know what this is working?

2:07:58.760 --> 2:07:59.320
<v Speaker 5>I said no.

2:08:00.720 --> 2:08:03.440
<v Speaker 2>He said, because hip hop has never had a celebration.

2:08:05.080 --> 2:08:07.080
<v Speaker 2>We always tear each other down.

2:08:09.040 --> 2:08:10.360
<v Speaker 3>Why do you why did he fix it?

2:08:11.320 --> 2:08:12.000
<v Speaker 5>I'm fixing it.

2:08:12.800 --> 2:08:16.240
<v Speaker 19>What I'm saying saying he didn't tell you that. No,

2:08:16.400 --> 2:08:22.400
<v Speaker 19>I didn't ask him that, but but I just wanted

2:08:22.440 --> 2:08:23.320
<v Speaker 19>to take the compliments.

2:08:26.160 --> 2:08:27.600
<v Speaker 2>I definitely didn't want to get back.

2:08:29.080 --> 2:08:30.200
<v Speaker 5>The thing about it is.

2:08:31.840 --> 2:08:34.760
<v Speaker 6>I I thought he had a point because hip hop

2:08:34.840 --> 2:08:38.240
<v Speaker 6>is just celebrating, Like, why the funk we can't?

2:08:38.720 --> 2:08:41.760
<v Speaker 1>So the hip hop really is in the colleges and

2:08:41.840 --> 2:08:44.240
<v Speaker 1>the high school. How the teachers celebrate you know, you

2:08:44.320 --> 2:08:45.880
<v Speaker 1>know everything.

2:08:46.560 --> 2:08:47.240
<v Speaker 2>Let me tell you something.

2:08:47.280 --> 2:08:47.520
<v Speaker 5>People.

2:08:47.560 --> 2:08:48.120
<v Speaker 2>One day.

2:08:49.840 --> 2:08:54.640
<v Speaker 6>I'm like Kentucky somewhere right and some guy he does

2:08:54.720 --> 2:08:57.280
<v Speaker 6>a step and so he does his step.

2:08:57.360 --> 2:08:59.880
<v Speaker 2>The other guy goes, oh, ship you from such and such,

2:09:00.240 --> 2:09:04.760
<v Speaker 2>and they's like, yeah, they doing this shit together. So

2:09:04.760 --> 2:09:07.200
<v Speaker 2>a white guy and a black guy. But you know

2:09:07.280 --> 2:09:11.360
<v Speaker 2>what it was that praternity brung them together that's what

2:09:11.440 --> 2:09:12.120
<v Speaker 2>the hip hop is.

2:09:12.320 --> 2:09:13.880
<v Speaker 5>Yo, no racism in hip hop.

2:09:14.080 --> 2:09:17.280
<v Speaker 2>There's no racism in hip hop. We're supposed to were

2:09:17.400 --> 2:09:20.040
<v Speaker 2>are fraternity. So no matter where you're at or where,

2:09:20.600 --> 2:09:23.640
<v Speaker 2>no matter what right, no matter like you be from

2:09:23.720 --> 2:09:25.800
<v Speaker 2>New Orleans, we're supposed to say hip.

2:09:25.720 --> 2:09:32.000
<v Speaker 3>Hop hip hop. Yeah yeah, yeah, that's what they did

2:09:32.160 --> 2:09:32.600
<v Speaker 3>back then.

2:09:33.680 --> 2:09:38.080
<v Speaker 5>So I'm tagging. That's what I'm trying to tell people.

2:09:38.240 --> 2:09:41.080
<v Speaker 2>I'm trying to say is that hip hop is supposed

2:09:41.120 --> 2:09:42.000
<v Speaker 2>to be a real fraternity.

2:09:42.120 --> 2:09:47.400
<v Speaker 6>Now, before you get about of here, I've been trying

2:09:47.400 --> 2:09:50.680
<v Speaker 6>to start something called a hip hop union, which means

2:09:51.840 --> 2:09:54.040
<v Speaker 6>we want everybody to get one percent.

2:09:53.800 --> 2:09:55.920
<v Speaker 5>Of their practice, not a lot.

2:09:56.840 --> 2:10:00.440
<v Speaker 6>And the problem is when if DM man has a

2:10:00.560 --> 2:10:03.840
<v Speaker 6>problem and d m X needs to be held down,

2:10:04.760 --> 2:10:06.320
<v Speaker 6>the hip hop Union takes care of.

2:10:07.880 --> 2:10:09.680
<v Speaker 5>Try to do that like Cool Cool heard when he's

2:10:09.720 --> 2:10:13.720
<v Speaker 5>in trouble, right, And the thing about it is, the

2:10:13.800 --> 2:10:16.240
<v Speaker 5>thing about it is, I know it sounds impossible because

2:10:16.240 --> 2:10:17.840
<v Speaker 5>weal with niggas.

2:10:17.520 --> 2:10:23.160
<v Speaker 6>Right right exactly, and we're all some may one percent back.

2:10:23.200 --> 2:10:25.040
<v Speaker 6>But the thing about it is we got to think

2:10:25.040 --> 2:10:27.640
<v Speaker 6>about the less fort right, Like how about I love

2:10:27.720 --> 2:10:28.720
<v Speaker 6>this how down with.

2:10:28.760 --> 2:10:31.720
<v Speaker 2>This chili that's mine down with this.

2:10:32.600 --> 2:10:36.000
<v Speaker 6>He said he he he did something and he admitted

2:10:36.040 --> 2:10:38.280
<v Speaker 6>it and he took his crime, but by soon said

2:10:38.360 --> 2:10:41.080
<v Speaker 6>he never did it, and he still maintains that to

2:10:41.240 --> 2:10:41.680
<v Speaker 6>this day.

2:10:42.160 --> 2:10:42.920
<v Speaker 2>He did eight.

2:10:42.920 --> 2:10:45.920
<v Speaker 6>Years and he said he never did it, but he

2:10:46.080 --> 2:10:49.360
<v Speaker 6>never had a lawyer. And the thing about the hip

2:10:49.400 --> 2:10:55.600
<v Speaker 6>Hop Union, we should all be together. And now if somebody.

2:10:55.360 --> 2:11:00.960
<v Speaker 1>Says that, man says no, but want show, you know,

2:11:01.080 --> 2:11:05.080
<v Speaker 1>because then we would need the only billion, multi billion

2:11:05.200 --> 2:11:10.480
<v Speaker 1>dollar industry that don't have a UN protection us in boxing, right.

2:11:11.160 --> 2:11:13.360
<v Speaker 6>A big shout out to dm next too. Yeah, but

2:11:13.520 --> 2:11:15.800
<v Speaker 6>that's what I got to say, Like, let me tell

2:11:15.800 --> 2:11:18.720
<v Speaker 6>you something. I'm sorry, and I don't know if everybody's listening,

2:11:18.920 --> 2:11:21.480
<v Speaker 6>I don't know, but you know, the other day we

2:11:22.000 --> 2:11:25.320
<v Speaker 6>we we see DMX on stage. None of us really

2:11:25.360 --> 2:11:29.160
<v Speaker 6>appreciated it, right, We didn't appreciate. Not not the fact

2:11:29.160 --> 2:11:32.040
<v Speaker 6>that we didn't appreciate on stage, but we were like,

2:11:32.200 --> 2:11:32.560
<v Speaker 6>that's all.

2:11:32.680 --> 2:11:36.200
<v Speaker 2>That's all kid. Our king is gonna look a little different.

2:11:36.920 --> 2:11:38.080
<v Speaker 2>So if he needs help.

2:11:38.840 --> 2:11:40.680
<v Speaker 6>The thing that I can't do it but myself, what

2:11:41.440 --> 2:11:43.720
<v Speaker 6>do the hip hop union? And people just say, you

2:11:43.840 --> 2:11:45.760
<v Speaker 6>know what, let's putim in the headline.

2:11:45.960 --> 2:11:47.800
<v Speaker 5>Yeah, but he don't want to do it to no,

2:11:48.720 --> 2:11:51.880
<v Speaker 5>but but if he does want to do it, for

2:11:52.120 --> 2:11:57.880
<v Speaker 5>us to want.

2:11:55.320 --> 2:11:57.240
<v Speaker 2>To say what I'm saying, because it's like it's like

2:11:57.320 --> 2:11:59.120
<v Speaker 2>it's it's just it's just like it's just like yo yo,

2:11:59.200 --> 2:12:00.920
<v Speaker 2>because the rocket to do it all the time like

2:12:01.000 --> 2:12:01.520
<v Speaker 2>it's none.

2:12:04.840 --> 2:12:09.320
<v Speaker 6>About just about it, like like like like they make

2:12:09.480 --> 2:12:12.360
<v Speaker 6>you pay to do a movie just get all this

2:12:12.840 --> 2:12:15.240
<v Speaker 6>you know what I'm saying, sag, So they actually make

2:12:15.320 --> 2:12:17.880
<v Speaker 6>you say here goes this amount of money and then

2:12:18.200 --> 2:12:20.160
<v Speaker 6>you're a part of the union, and then now you

2:12:20.320 --> 2:12:22.640
<v Speaker 6>do the movie and then then you get paid. Why

2:12:22.960 --> 2:12:25.920
<v Speaker 6>why why the it's crazy hip hop is thirty fucking

2:12:26.080 --> 2:12:27.520
<v Speaker 6>fives forty years old.

2:12:28.000 --> 2:12:29.000
<v Speaker 2>Why we can't do it?

2:12:29.520 --> 2:12:32.880
<v Speaker 6>Why we can't actually take care of like it's been

2:12:33.000 --> 2:12:37.120
<v Speaker 6>so much. There's been so many different times where I'm like, yo, damn,

2:12:37.360 --> 2:12:39.440
<v Speaker 6>I know if I cut the check.

2:12:40.080 --> 2:12:42.760
<v Speaker 2>Oh, I know, if I do it, it might be

2:12:42.920 --> 2:12:46.840
<v Speaker 2>perceived bad because they're like fuck he thinking yeah, like

2:12:46.920 --> 2:12:47.440
<v Speaker 2>you know what I'm.

2:12:47.280 --> 2:12:49.600
<v Speaker 3>Saying, the union, So you know what I'm saying, how

2:12:50.040 --> 2:12:50.400
<v Speaker 3>your hell?

2:12:52.960 --> 2:12:54.960
<v Speaker 6>I say yo, oh okay, and you know what, it's

2:12:55.000 --> 2:12:57.040
<v Speaker 6>okay and you're comfortable with it. You'll pick up the

2:12:57.120 --> 2:12:58.840
<v Speaker 6>phone and be like yo, You'll get a bed record,

2:12:59.160 --> 2:13:01.320
<v Speaker 6>be like the team twitch, right, And that's it because

2:13:02.040 --> 2:13:05.000
<v Speaker 6>because because you know, and then come out a better person.

2:13:05.400 --> 2:13:06.040
<v Speaker 2>This is what I'm saying.

2:13:06.240 --> 2:13:11.160
<v Speaker 6>The point because if we don't protect ourselves, nobody's gonna

2:13:11.160 --> 2:13:11.680
<v Speaker 6>protect us.

2:13:12.120 --> 2:13:14.360
<v Speaker 2>And I know we're kicking it, we're talking together.

2:13:14.520 --> 2:13:17.440
<v Speaker 5>But this ship is real. Like that ship is real.

2:13:17.520 --> 2:13:20.040
<v Speaker 6>I love and I seen when I see certain people

2:13:20.160 --> 2:13:22.360
<v Speaker 6>and I've seen them that I can help. But I

2:13:22.480 --> 2:13:26.720
<v Speaker 6>seen also these niggas are niggas, and I'm a nigga too,

2:13:27.360 --> 2:13:29.160
<v Speaker 6>and he might take it personally.

2:13:29.920 --> 2:13:32.520
<v Speaker 2>And I stepped, of course, in a certain way, of course.

2:13:33.240 --> 2:13:36.480
<v Speaker 6>So I sat back and you said, damn. First, we

2:13:36.560 --> 2:13:39.360
<v Speaker 6>started with the hip hop flag. Remember you started with

2:13:39.400 --> 2:13:42.680
<v Speaker 6>the hip hop flag. I feel like you know, I'm sorry,

2:13:42.680 --> 2:13:47.040
<v Speaker 6>I'm getting deep, getting deep, but I stay at the

2:13:47.200 --> 2:13:48.160
<v Speaker 6>W hotels, right.

2:13:48.400 --> 2:13:51.960
<v Speaker 2>I love the W, I really do. But every W

2:13:52.360 --> 2:13:54.960
<v Speaker 2>has a gay flag out there? Am I saying? No?

2:13:55.600 --> 2:13:57.800
<v Speaker 2>Am I saying, don't take the gay flag out?

2:13:57.920 --> 2:13:57.960
<v Speaker 4>No?

2:13:58.120 --> 2:14:03.760
<v Speaker 6>But that's it's it's automatic identification. It's an automatic identification

2:14:03.960 --> 2:14:05.360
<v Speaker 6>that your kind is welcome.

2:14:05.400 --> 2:14:05.560
<v Speaker 5>Man.

2:14:06.200 --> 2:14:08.960
<v Speaker 6>Right, I feel like we should have a hip hop

2:14:09.040 --> 2:14:13.400
<v Speaker 6>flag that no matter where you go, you see this

2:14:13.560 --> 2:14:17.840
<v Speaker 6>flag and you know you welcome. You understand, because I

2:14:17.880 --> 2:14:20.680
<v Speaker 6>can go to a restaurant right now, right and I

2:14:20.720 --> 2:14:23.600
<v Speaker 6>could go and I got I got a little bit

2:14:23.600 --> 2:14:28.080
<v Speaker 6>of brad so whatever, But I won't know if I'm

2:14:28.160 --> 2:14:30.160
<v Speaker 6>accepted to the bill comes.

2:14:30.880 --> 2:14:32.880
<v Speaker 2>I want to know I'm accepted prior to that.

2:14:33.360 --> 2:14:35.800
<v Speaker 6>I want to walk into a restaurant and say, oh shit,

2:14:36.800 --> 2:14:38.520
<v Speaker 6>I know I'm good in that because they got the

2:14:38.600 --> 2:14:41.160
<v Speaker 6>hip hop same way, and I'm not core parting hip

2:14:41.200 --> 2:14:43.240
<v Speaker 6>hop the gage like I'm not doing that. I understand

2:14:43.280 --> 2:14:46.000
<v Speaker 6>they play, understand, I understand, I understand. But at the

2:14:46.040 --> 2:14:49.680
<v Speaker 6>same token, that's a respect when you look and you say,

2:14:49.800 --> 2:14:51.640
<v Speaker 6>damn you see you see that flag?

2:14:51.800 --> 2:14:53.120
<v Speaker 2>Big business business.

2:14:54.440 --> 2:14:55.400
<v Speaker 3>For the union flag.

2:14:55.480 --> 2:14:57.800
<v Speaker 5>Let's get it right.

2:14:59.240 --> 2:15:02.320
<v Speaker 2>I have to say, hey, yeah, yeah, yeah, yeah, I'm sorry.

2:15:02.480 --> 2:15:07.280
<v Speaker 5>Seeing kapone a real right off to the season. Yeah

2:15:08.720 --> 2:15:11.400
<v Speaker 5>begging you hear stuff you don't know now you see it,

2:15:11.520 --> 2:15:13.560
<v Speaker 5>Like Yo, Niggas is always at.

2:15:13.520 --> 2:15:15.960
<v Speaker 2>Your house for the album, Like Yo, sitting in man,

2:15:16.040 --> 2:15:17.600
<v Speaker 2>Like what do you think I had us on the list?

2:15:18.080 --> 2:15:20.120
<v Speaker 2>On the list? We wasn't sure until we came in here.

2:15:20.120 --> 2:15:20.600
<v Speaker 5>Can we see you.

2:15:20.680 --> 2:15:24.640
<v Speaker 2>What's on the list, Keep no question benching the drap

2:15:24.760 --> 2:15:27.600
<v Speaker 2>Yo no nigga. I can't thank you. Fix it up

2:15:27.640 --> 2:15:28.000
<v Speaker 2>to me.