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Speaker 1: He is drink Chess, motherfucking podcast makes He's a legends

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Speaker 1: every queen's rapper.

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Speaker 2: He ain't sagree. This is your boy in o R.

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Speaker 2: He's a Miami hip hop and ioneer. What up it's

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Speaker 2: d J e f N. Together they drink it up

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Speaker 2: with some of.

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Speaker 3: The biggest players, you know what I mean.

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Speaker 1: And the most professional unprofessional podcast and your number one

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Speaker 1: source for drunk drin chess mo.

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Speaker 2: Every day is New Year's Csten. It's time for drink Champ.

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Speaker 2: Drink up. Motherfucker. He ain't segree hope's aby. It's your

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Speaker 2: boy in O R. What up? It's d J e

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Speaker 2: f N. And this drinks has the mother booking podcast.

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Speaker 4: Man up?

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Speaker 2: Guess is something yeah right now?

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Speaker 5: Right now?

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Speaker 2: Come on, somebody responsible, speak right now.

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Speaker 6: When it come to two man groups, if it wasn't

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Speaker 6: for them.

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Speaker 2: Yeah, welcome at the White Child.

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Speaker 6: You gotta relax, all right when it come to two

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Speaker 6: man groups. If it wasn't for these two brothers right

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Speaker 6: here standing in front of us, I don't think that

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Speaker 6: me and this brother to the left of me would

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Speaker 6: even exist. These guys not only stood to test the

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Speaker 6: time with hip hop, you had to be a real MC,

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Speaker 6: meaning you had to know how to rhyme, you know how,

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Speaker 6: you had to know how to do beats, you had

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Speaker 6: to you had to do all of that. And these

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Speaker 6: guys are the epit of me. There you go, Oh

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Speaker 6: that you guys stood this test of time, you stuck together.

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Speaker 6: I know it's rough because it's be rough fucking with

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Speaker 6: this nigga. So I know it's rough, and it'd be

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Speaker 6: rough for him fucking with me. It's not like I'm perfect,

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Speaker 6: but it'd be rough for him fucking with me. But

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Speaker 6: the thing is, you guys stood together for over the

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Speaker 6: times you stood together, you represented Long Island's strongest Right

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Speaker 6: now in the building, what drink Champs? We got my

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Speaker 6: personal favorite group, E mother fucking Pete.

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Speaker 2: M D makes.

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Speaker 6: So I want to I want to take it to

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Speaker 6: the very beginning because first off.

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Speaker 2: Just the name E p MD how?

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Speaker 7: How?

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Speaker 8: What?

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Speaker 6: What was your thought process when you say we're gonna

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Speaker 6: be a group because everybody prior to that they didn't

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Speaker 6: have names like that.

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Speaker 5: Well, parents got the will I'm gonna give you my

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Speaker 5: thing too. At the end, I just figured that, I

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Speaker 5: tell you, by the old time, you know, run DMC

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Speaker 5: is who we we look after me and Paris drove

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Speaker 5: to Manhattan to buy sucking cs from Long Island.

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Speaker 2: You know, when the Perston came up, we great, yeah yeah,

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Speaker 2: but you.

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Speaker 5: Know Paris you know figured that, you know American parish.

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Speaker 5: You know, we want to make money, so E P

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Speaker 5: M D making dollars. But run D M C again

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Speaker 5: you could tell.

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Speaker 2: Took the line. The whole was okay with it. So

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Speaker 2: he's like, yo, you know, go ahead. You guys were

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Speaker 2: actually on depth jam and running never was on depth jam.

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Speaker 5: Is that correct? You know we end up being later

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Speaker 5: but were managed by Rush.

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Speaker 2: So when we.

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Speaker 5: Got managed by Rush, Leo took it because it was

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Speaker 5: spelled e P E E M D m D. It

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Speaker 5: was spelled e P E E M D. When we

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Speaker 5: got signed the Rush, he changed management. Yeah, run management.

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Speaker 5: They changed and the logo and got the guy Hayes,

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Speaker 5: famous guy now and who changed the logo to four

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Speaker 5: letters and look it up like that. That's because past

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Speaker 5: call stuff. I'm the P double E M D E.

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Speaker 5: That's what so we in the rhyme, we spelled it

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Speaker 5: that way, you know, because we forgured that was it

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Speaker 5: was like that.

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Speaker 2: On that on my wife, my wife. Hey, hey man,

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Speaker 2: and look that's that's mama law, brother in law. Come on, yo,

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Speaker 2: I go front. I think losses. I saw you went overseas.

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Speaker 5: You know you boogie overseas. Though, Yeah, there's different, it's different,

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Speaker 5: just different over the seas. You don't work up different

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Speaker 5: one hundred overseas. You know, you a different person saying

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Speaker 5: the headlines overseas. That's the whole big thing. I can't

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Speaker 5: up for him. You know, listen, the music was louder.

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Speaker 5: What is this?

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Speaker 2: Let people know you? This is how you this is

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Speaker 2: how you know. This is how you know good people.

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Speaker 2: Because you know, I see the story a totally opposite way.

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Speaker 5: We know what.

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Speaker 6: I want to keep it between you because at that time,

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Speaker 6: when you guys came out, it was a tough time

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Speaker 6: in hip hop, meaning you actually had to really really

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Speaker 6: be good. Like right now, these people will say but

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Speaker 6: better and they could get on and they can have

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Speaker 6: a that's.

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Speaker 2: Not the time you guys came out. The whole question.

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Speaker 6: When you guys came out, you guys actually had to

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Speaker 6: know how to rhyme. You guys formed the Crazy Crew.

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Speaker 6: But but but I just want to describe those moments

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Speaker 6: of how hard it was back then to these young

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Speaker 6: guys and you gotta take a shot.

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Speaker 5: Yo.

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Speaker 1: No, I'm sorry, listen, yes ya. Basically us coming from

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Speaker 1: mong Allen, you know Queens, we always felt we had

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Speaker 1: to work harder. But once Public Enemy dropped the rock

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Speaker 1: him and Wine Dance dropped, you know.

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Speaker 5: Him some wine dance.

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Speaker 2: I went to Wine Dance one day and it was six.

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Speaker 6: Bodies out there. They kept barbecuing, they kept barbecuing like

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Speaker 6: this is this is nothing.

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Speaker 5: They're like Yo.

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Speaker 2: It was like, yo, come on, you gotta keep all what.

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Speaker 6: There's six bodies and this is the time when people

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Speaker 6: think your house. And I was like, no, they got

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Speaker 6: it confused.

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Speaker 2: No question.

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Speaker 1: So me and he always just you know, kept our

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Speaker 1: pin down, feeling like, you know, you had Karen rest

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Speaker 1: One coming from the Bronx, you had Big Daddy Kane,

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Speaker 1: you had Slick Rick, Lottie Dotty. So when we came in,

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Speaker 1: you know, we just wanted to have that impact. Always

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Speaker 1: felt that we had to work harder, and then at

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Speaker 1: the end wind up coming off.

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Speaker 2: Now let's take it to this slow down baby.

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Speaker 5: Baby.

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Speaker 2: Right. I don't know, I don't know what some of

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Speaker 2: that was. Yeah, but I know you'll control.

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Speaker 5: That whole fucking holes in ninety one.

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Speaker 1: Yea, we were tight back there though the world was

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Speaker 1: going to a wall. We just got off a sleeping bag.

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Speaker 1: Records on the death Jam.

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Speaker 3: That first time, Yeah, death Job.

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Speaker 2: That was your first step jam record.

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Speaker 5: Yeh yeah, they had they had ordered the record was

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Speaker 5: on with his first free from back. It was Nicest

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Speaker 5: Moves on the label too. We had a pretty good label.

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Speaker 5: Nice Move was on there. Craik Man was on there

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Speaker 5: with the first single Zoom Zoom Zoom and Manitronics no not,

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Speaker 5: and we had parents because parents was dead. I wasn't

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Speaker 5: even on rampages.

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Speaker 1: It was yeah, So basically in between we got caught

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Speaker 1: in between labels. But they was like, yo, keep working though,

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Speaker 1: so it was like wow, we kept the legs moving.

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Speaker 1: Then we went in the studio. We put down the

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Speaker 1: rampage because the way we was feeling, we felt like

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Speaker 1: an album was going to be held up.

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Speaker 2: You know.

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Speaker 1: Most people was like, yo, you got you got past

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Speaker 1: the sophomore drinks with Unfinished Business. So Eric and I

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Speaker 1: was like, yo, you know what you see the cover

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Speaker 1: were standing in the swamp.

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Speaker 2: With the guns pointing at us.

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Speaker 1: You know, the helicopters above and then the Rampage because

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Speaker 1: we were that's the same album as I'm man.

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Speaker 5: Here's a little story of the whole album was a bunch.

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Speaker 2: Of what made you guys want to work with l

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Speaker 2: L because.

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Speaker 5: But Leo and them put LLLL on.

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Speaker 6: Us because you know why, This is the reason why

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Speaker 6: I'm telling you as an outside of looking in, because

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Speaker 6: I really wasn't a part of hip hop. I was

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Speaker 6: just a fan of the guy on the benches and

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Speaker 6: at that time L was kind of crossover and you

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Speaker 6: guys were kind of representing the underground hipster.

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Speaker 5: But you just hit it just now the reason why

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Speaker 5: Leo and them felt that L should be on this

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Speaker 5: on this lane.

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Speaker 2: So it was Leo. So when Mama said.

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Speaker 5: Well, Leo and Russell and Russell, so you heard the

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Speaker 5: next album, Mama said, not exactly was the Panther. Everything

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Speaker 5: came over after hanging, he said, hanging with these guys.

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Speaker 2: And then.

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Speaker 5: Marley and then Bang that album came out.

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Speaker 6: Because because you guys was like the official you guys

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Speaker 6: was the original martep origed mo P. And what I

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Speaker 6: mean by that is the audience that you guys brung

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Speaker 6: out at that time was super street like I was

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Speaker 6: scared of you, kind of kind of still scared of

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Speaker 6: y'all want to look at I'm a fan, but at

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Speaker 6: that time, that's that's why I always wondered, like why

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Speaker 6: did they have L? Because now I'm being my queens,

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Speaker 6: But that Al was kind of like, you know, doing

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Speaker 6: and doing like he was like you know, he was different.

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Speaker 5: Yeah, but the L was still tall tall always given Sunday.

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Speaker 5: You don't get us, you know, we knew, we knew that,

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Speaker 5: ya know, we wanted to bring you even got this though.

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Speaker 6: What Let's get back because we just had L.

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Speaker 5: You just had to I was on the deal with

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Speaker 5: Hell just about two hours ago. But let's get back

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Speaker 5: to the crost beat. But his parents have to squash.

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Speaker 5: The first people we had was the rock Kim Beef.

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Speaker 5: This is the part I was getting to that. Yeah,

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Speaker 5: thank you for going there first.

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Speaker 2: How did this happen? This is Long Island.

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Speaker 5: Because we two towns away.

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Speaker 3: Rock Kim was my mentor. This is to me.

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Speaker 5: I'm like when I heard him, my thirst name was

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Speaker 5: rock Wind. Somebody was like, yo, somethings we rock Wind

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Speaker 5: came out rock Win. That's what I thought. That was

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Speaker 5: hard all of a sudden, All of a sudden, he

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Speaker 5: was two towns over. So the record came out, so

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Speaker 5: me and Parates were like, yo, this is the most

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Speaker 5: hellly ship we ever heard. The miner Alert came the

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Speaker 5: next day and played Nobody Beats the Bars. That was

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Speaker 5: another big best rock him had. I ain't no joke.

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Speaker 5: You can get a smack, but this ain't no joke.

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Speaker 5: Paris came back and said, like a digma smack. You

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Speaker 5: smacked me and I smacked you back. I'm just right,

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Speaker 5: and there.

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Speaker 2: Was talking about right. I never caught that man, Yeah,

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Speaker 2: but the.

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Speaker 5: Two towns did because it's long alland okay, and rock Kim.

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Speaker 3: Made this ship called fire Leaders.

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Speaker 5: Said a brother said Digga might never donk and be

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Speaker 5: killing file leading, so I drug him.

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Speaker 3: And the danger zone.

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Speaker 5: So he went, and I'm We're not. I can't. We're

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Speaker 5: not fucking with him. Let's keeping my palace. Was incredible.

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Speaker 5: We're not fucking with him though we killed the students,

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Speaker 5: you know.

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Speaker 2: So it comes on.

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Speaker 5: The twenty fifth anniversary of the East West Coast Ship

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Speaker 5: does it in front of us, shakes the mic and

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Speaker 5: rolls it like dice, like you know, like and Rose

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Speaker 5: the mic to y'all, I don't I don't know this

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Speaker 5: because he was rong. So it used to be it's

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Speaker 5: to be a cause the building in Manhattan, right, So

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Speaker 5: him and Palace at the bar talking.

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Speaker 6: Old niggas came out old niggas like, I'm the building talk.

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Speaker 5: So there him and he at the bar talking and

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Speaker 5: Pece said, yo, eat, I'm talking with you crack. So

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Speaker 5: he called me over and he squatsed to be we're

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Speaker 5: right there in the bar.

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Speaker 2: Was there, Yeah, m was right there.

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Speaker 5: That was the first one we had, the first one

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Speaker 5: that they Yeah, they caught me in the building by

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Speaker 5: myself on the forty four. It was looking like it

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Speaker 5: was like the following in the video. Yeah, hur rings all.

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Speaker 3: Rock says like he's stressing me. I never even heard

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Speaker 3: that word.

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Speaker 5: Stressing me yet.

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Speaker 2: The ball you want it?

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Speaker 5: So I'm looking, I'm waiting for I'm like, yeah, we're

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Speaker 5: looking easily.

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Speaker 1: I can't find them nowhere in the building. So I

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Speaker 1: was like, yo, let me check in the spot where

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Speaker 1: we never go. You know, you got all these wings.

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Speaker 1: We don't go in that wing over, keep them moving.

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Speaker 1: I walked fast the door. I come in and Erican

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Speaker 1: Rochem is like this nose to know.

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Speaker 9: The way we're.

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Speaker 3: Used in Burpdel's office.

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Speaker 2: So that's accounting.

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Speaker 3: Yeah yeah, yeah, him.

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Speaker 2: Facing Rich you, I'm sorry you're ntinue. So once I

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Speaker 2: seen that scene, I already knew it was a situation. Yeah,

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Speaker 2: you know, big respect to Rock Kim.

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Speaker 1: I was like, basically, I don't even know what's going

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Speaker 1: on in here, but the scene didn't look correct. What's

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Speaker 1: being a misunderstanding? Rock him was smooth with it and

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Speaker 1: we rolled out. But when I got there and I

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Speaker 1: asked Rod, I was like, yo, what's up?

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Speaker 2: He was like nah, like he said, he said, now

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Speaker 2: your man stressed to me? What did that mean?

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Speaker 5: Stressing me? You know what I mean? Now? But it

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Speaker 5: wasn't in the hip hop sling yet he came out late.

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Speaker 3: That's a late term, you know that came out.

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Speaker 5: He came out early with that to me.

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Speaker 2: He said, he said that to you, to me about

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Speaker 2: he was the one who had the problem.

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Speaker 5: If something happened to was with a something happened with

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Speaker 5: the album, and he's my mentor. So what happened was

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Speaker 5: I just told the girls sorry, I didn't like the

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Speaker 5: new one like I liked the past album. That always

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Speaker 5: starts and it came back somehow, you know, not that.

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Speaker 5: I was like, Yo, how can I diss you? When

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Speaker 5: I'm on one side of the tape? I got half

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Speaker 5: and out with the people president. The other side is

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Speaker 5: biz monkey, Like I'm I talk about you all the time.

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Speaker 2: But why is that always like that? Why is it

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Speaker 2: our get wrong with us?

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Speaker 1: Like?

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Speaker 5: Why is not it's the people around it that start

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Speaker 5: to beef. You don't got no be your friends.

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Speaker 2: Then start it's just like queens, right queens.

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Speaker 6: You know cor Mega will have beef with Knaves or

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Speaker 6: Knives will have beef for the I'm just making examples

288
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Speaker 6: a compone. But then all actually we're all together, So

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Speaker 6: why do we can't get along with each other? Like

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Speaker 6: when I look at Compton, I'll be like damn sometimes

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Speaker 6: because you know, they all beefing with each other, and I'm.

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Speaker 2: Like, damn. Why is it like that for our community?

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Speaker 5: Well?

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Speaker 1: I think probably because we was in advanced with the

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Speaker 1: business and we have to learn. So we was dealing

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Speaker 1: with a business that was more than advanced than us.

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Speaker 1: We were just coming up out of the hood. So

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Speaker 1: as years go on, we learned the game.

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Speaker 5: We know the game. But for the new Cats.

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Speaker 1: They don't know the game, so they learned in the

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Speaker 1: game and the top of and inside of that, that's

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Speaker 1: where the miscommunication and the little funny business go down.

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Speaker 5: Now what but me and cubans Man friends matth no

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Speaker 5: no on the tour bus when you book with n

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Speaker 5: w A parents told him.

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Speaker 2: How to how to do it? That's right to break up,

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Speaker 2: to leave.

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Speaker 5: The well in the way like two months because you know,

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Speaker 5: you get he opened up for us like if you're

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Speaker 5: introducing us.

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Speaker 3: As if we want to lose Skywalker tour.

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Speaker 2: And then he went in because he's working with and

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Speaker 2: then he came to exactly with after five days so

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Speaker 2: so so so yeah, yeah, you gotta relax. So please

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Speaker 2: please please please please place.

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Speaker 5: Please place.

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Speaker 6: So you're telling me that when ice Cube came to

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Speaker 6: New York, y'all connected with him.

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Speaker 3: You know he's on he was, he's on the tour.

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Speaker 2: Was the worst toss. We was talking.

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Speaker 5: He came on that bus and just stayed for like

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Speaker 5: four or five days.

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Speaker 6: Wow, while we was riding shows. Say he stayed on

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Speaker 6: y'all bus. Yeah, yeah, we started wrapping, you know, started

325
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Speaker 6: kicking it.

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Speaker 5: But now that l A I would get he would

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Speaker 5: come pick me up, Misuzuki, go to crib and go chill.

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Speaker 2: That's missing and I ain't gonna lie poor joall shots.

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Speaker 6: I'm sorry, yo, you know why because you know it's

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Speaker 6: nothing to take one nothing more than I would like

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Speaker 6: to do in my life. Drive and saying slow down,

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Speaker 6: ship ship.

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Speaker 1: I'm not drinking real but when I yeah, you know,

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Speaker 1: you know, you know, hell, that's the best, voc the best,

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Speaker 1: the best, like the best.

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Speaker 2: In the world.

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Speaker 5: Here but.

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Speaker 3: Him me side by this.

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Speaker 5: For real because.

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Speaker 3: To see you in the sea loans and this is

341
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Speaker 3: I'm just happy.

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Speaker 5: But definitely we always not been behind the gun, but

343
00:17:26,200 --> 00:17:29,000
Speaker 5: always been the people who somebody who said they ain't

344
00:17:29,000 --> 00:17:32,440
Speaker 5: gonna do it again, or the cruise we had, every

345
00:17:32,480 --> 00:17:35,640
Speaker 5: rapper that we had, they wasn't good enough. And then

346
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Speaker 5: we showed the doctor effects, when we showed Reggie, we

347
00:17:38,640 --> 00:17:43,400
Speaker 5: showed Murray, we showed Solo. Everyone who was behind the gun. Nobody.

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Speaker 5: We got turned down by Jim, turned by by a

349
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Speaker 5: lot of labels, but we believed in them. Going over

350
00:17:49,600 --> 00:17:53,399
Speaker 5: here to you, you chose to do something and people

351
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Speaker 5: probably were looking at you like.

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Speaker 2: You was crazy.

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Speaker 5: I'm the sidebar, so you know I did that I

354
00:17:58,760 --> 00:18:01,400
Speaker 5: was real with me and my cars, saying that even

355
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Speaker 5: if I didn't know it, I felt it, like, yeah, motherfuckers,

356
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Speaker 5: I love it. I love it that you had me

357
00:18:07,640 --> 00:18:10,400
Speaker 5: underneath the ditch because the game didn't changed. Look at

358
00:18:10,400 --> 00:18:12,280
Speaker 5: me now, I changed with the game. Look at my

359
00:18:12,359 --> 00:18:12,800
Speaker 5: new check.

360
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Speaker 6: Yes, it's very very it's very look.

361
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Speaker 5: At my show. Look at the guests. Was coming to

362
00:18:20,200 --> 00:18:23,280
Speaker 5: see me, Yes, and we having fun. I want He said, yeah,

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Speaker 5: I had to come. He had to because he said

364
00:18:25,640 --> 00:18:29,680
Speaker 5: he come. I had to come because the numbers that much.

365
00:18:29,720 --> 00:18:31,880
Speaker 5: Feelmak so I felt that for him. That's why I said,

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Speaker 5: that's what we're talking.

367
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Speaker 2: About, you know.

368
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Speaker 6: But I'm gonna add on to you because our culture,

369
00:18:44,960 --> 00:18:48,439
Speaker 6: like I had went to accounts, Yes, had went to

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00:18:48,440 --> 00:18:52,680
Speaker 6: account's office, and I seen Mike Jag all these other

371
00:18:52,880 --> 00:18:56,360
Speaker 6: white guys. They tore in and they celebrate that they talk. Yes,

372
00:18:56,480 --> 00:19:00,359
Speaker 6: they celebrate that they've been in this game for twenty years. Yes,

373
00:19:00,680 --> 00:19:02,760
Speaker 6: but hip hop if you if you once you have

374
00:19:02,880 --> 00:19:06,120
Speaker 6: ten years, they call you old, they call you washed up,

375
00:19:06,440 --> 00:19:08,639
Speaker 6: they say you don't got it no more. And I

376
00:19:08,800 --> 00:19:11,000
Speaker 6: just I just I just want to play my part

377
00:19:11,560 --> 00:19:13,879
Speaker 6: of saying you please tell these people to be quiet.

378
00:19:14,200 --> 00:19:15,200
Speaker 6: I just want to play.

379
00:19:15,040 --> 00:19:18,600
Speaker 2: My part of changing that for hip hop.

380
00:19:19,000 --> 00:19:23,480
Speaker 6: Because the more and and it's awesome that you brung

381
00:19:23,560 --> 00:19:26,679
Speaker 6: up Europe, the more old school you are in Europe,

382
00:19:26,880 --> 00:19:28,200
Speaker 6: the more they.

383
00:19:28,240 --> 00:19:32,320
Speaker 2: Rob you, they love you in Europe. So why we.

384
00:19:32,280 --> 00:19:37,080
Speaker 6: Can't reverse that the coaching and make that ship Because

385
00:19:37,119 --> 00:19:40,000
Speaker 6: the thing about it is, if it wasn't for EPMD,

386
00:19:40,080 --> 00:19:41,800
Speaker 6: there wouldn't be a mob D, they wouldn't be a

387
00:19:41,840 --> 00:19:43,600
Speaker 6: component of it, wouldn't be an mo P.

388
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Speaker 2: So why should not be.

389
00:19:46,080 --> 00:19:49,480
Speaker 3: Celebrated because we came up differently. Don't forget white folks.

390
00:19:49,520 --> 00:19:53,480
Speaker 5: Don't say old school Mick Jagger, old school going things

391
00:19:54,840 --> 00:19:58,240
Speaker 5: just a name. We gotta put the age on it.

392
00:19:58,320 --> 00:20:01,040
Speaker 5: I heard one rappit Tell said about four years ago,

393
00:20:01,400 --> 00:20:04,600
Speaker 5: Jason needs to stop rapping and give somebody else a shot. No,

394
00:20:04,680 --> 00:20:07,880
Speaker 5: you got to step the game up. You know, if

395
00:20:07,880 --> 00:20:10,280
Speaker 5: you think that he is supposed to be here, you

396
00:20:10,320 --> 00:20:13,240
Speaker 5: know we're the only coach of fucking barbistration and was

397
00:20:13,320 --> 00:20:15,200
Speaker 5: seventy two, just dropped the album with number one.

398
00:20:15,600 --> 00:20:17,280
Speaker 3: Lae McCarty's still getting Grammys.

399
00:20:17,600 --> 00:20:19,359
Speaker 5: It don't matter if they look at their coach and

400
00:20:19,440 --> 00:20:21,800
Speaker 5: they they they look at them and they still give

401
00:20:21,840 --> 00:20:24,199
Speaker 5: them props and enjoy them and get a.

402
00:20:24,200 --> 00:20:24,920
Speaker 2: Little with them.

403
00:20:25,200 --> 00:20:28,240
Speaker 5: As they told you you were a legend, So nobody

404
00:20:28,280 --> 00:20:31,320
Speaker 5: should disrespect that. Like somebody said, say listen, what are

405
00:20:31,359 --> 00:20:35,960
Speaker 5: we doing now? I'm still touring. We're still making twenty

406
00:20:36,040 --> 00:20:38,560
Speaker 5: thousand dollars a night. So peppers still making forty thousand

407
00:20:38,560 --> 00:20:39,080
Speaker 5: dollars a night.

408
00:20:39,119 --> 00:20:44,160
Speaker 2: Over what I'm saying.

409
00:20:44,440 --> 00:20:47,119
Speaker 3: They always looking say what are you doing now? That's

410
00:20:47,160 --> 00:20:47,880
Speaker 3: why I say what I.

411
00:20:47,840 --> 00:20:48,879
Speaker 2: Said about you.

412
00:20:48,880 --> 00:20:51,080
Speaker 5: You don't never know what they're doing at least acts

413
00:20:51,160 --> 00:20:52,399
Speaker 5: person on this or thing.

414
00:20:52,640 --> 00:20:56,000
Speaker 3: Nobody's doing nothing. Everyone our erar is on the road.

415
00:20:56,800 --> 00:20:59,200
Speaker 5: And some pepper they had they was torn so much

416
00:20:59,359 --> 00:21:01,640
Speaker 5: they had to take a wait. Making forty thousand dollars

417
00:21:01,680 --> 00:21:04,359
Speaker 5: a night from June to September. How much money is that?

418
00:21:04,680 --> 00:21:13,440
Speaker 5: A lot about exactly? I'm just saying that everybody is

419
00:21:13,520 --> 00:21:13,879
Speaker 5: doing that.

420
00:21:13,960 --> 00:21:15,399
Speaker 2: So when you know, how do we change that in

421
00:21:15,440 --> 00:21:15,800
Speaker 2: hip hop?

422
00:21:15,840 --> 00:21:18,240
Speaker 6: How do we actually like because all right, me and

423
00:21:18,320 --> 00:21:19,600
Speaker 6: my partner dj EFN.

424
00:21:19,880 --> 00:21:21,840
Speaker 5: Right, me and dj Efn.

425
00:21:21,520 --> 00:21:23,439
Speaker 6: That's that was our dream, is to say you know

426
00:21:23,480 --> 00:21:25,240
Speaker 6: what we said, We're gonna start the show, but we

427
00:21:25,400 --> 00:21:27,840
Speaker 6: only want to We didn't want to interview the new people,

428
00:21:27,920 --> 00:21:30,240
Speaker 6: not because we got something personal with it.

429
00:21:30,280 --> 00:21:32,719
Speaker 2: But we don't know their history, right, Like I know

430
00:21:32,840 --> 00:21:35,080
Speaker 2: your history. I know what you guys been through.

431
00:21:35,680 --> 00:21:37,920
Speaker 6: So it's easier for me to interview you because it's

432
00:21:37,920 --> 00:21:39,959
Speaker 6: easier for me to sit down and chop it up.

433
00:21:40,240 --> 00:21:42,480
Speaker 6: And we have these stories that you oversee smacking me

434
00:21:42,480 --> 00:21:44,320
Speaker 6: in the back of my head and like you know,

435
00:21:44,440 --> 00:21:46,760
Speaker 6: and then like I was just performing it, every just

436
00:21:46,760 --> 00:21:47,280
Speaker 6: came bock.

437
00:21:48,320 --> 00:21:52,720
Speaker 5: What's all? It still has twenty five million people bucking

438
00:21:52,760 --> 00:21:53,040
Speaker 5: you out?

439
00:21:53,080 --> 00:21:55,960
Speaker 2: How the partners bugs out? But how do we actually

440
00:21:56,200 --> 00:21:58,440
Speaker 2: how do we actually change that? In the hip hop?

441
00:21:58,480 --> 00:22:00,520
Speaker 2: How do we that this is what I mean, piece

442
00:22:00,560 --> 00:22:00,960
Speaker 2: of all time?

443
00:22:01,200 --> 00:22:06,040
Speaker 5: Okay, we're the only genre who don't got categories. See

444
00:22:06,359 --> 00:22:10,080
Speaker 5: if if Jennis Joplin was here, Brinny Spiz wouldn't be

445
00:22:10,119 --> 00:22:13,399
Speaker 5: in a category because you'd be like bitch you and pop, right,

446
00:22:13,600 --> 00:22:14,160
Speaker 5: So it be.

447
00:22:14,240 --> 00:22:16,800
Speaker 3: Heavy metal pop, a turn of music.

448
00:22:19,119 --> 00:22:21,680
Speaker 5: It shouldn't be Mary Dave bloss Pepper, I mean mayd

449
00:22:22,200 --> 00:22:25,080
Speaker 5: and and all the other black singers are in hip

450
00:22:25,080 --> 00:22:31,160
Speaker 5: hop categories. It's a culture, so it should be If

451
00:22:31,200 --> 00:22:33,000
Speaker 5: trapp is what it is, it should be trapped. If

452
00:22:33,000 --> 00:22:35,320
Speaker 5: it should be you know club music. It should be

453
00:22:35,560 --> 00:22:38,320
Speaker 5: club hip hop. It should have categories, even jazz got

454
00:22:38,720 --> 00:22:42,639
Speaker 5: he listening jazz, adult jazzy jazz, they got so they

455
00:22:42,640 --> 00:22:46,360
Speaker 5: got said categories. We wouldn't be having no problems.

456
00:22:46,359 --> 00:22:48,119
Speaker 2: Are you telling me Drake should be like in the

457
00:22:48,560 --> 00:22:51,280
Speaker 2: it's something else like slow slow rapping.

458
00:22:51,880 --> 00:22:56,600
Speaker 5: I don't know, no, no, no, it depends because here's

459
00:22:56,680 --> 00:22:59,960
Speaker 5: a dope hip hop or is too hip hop? Saying

460
00:23:00,240 --> 00:23:02,880
Speaker 5: too But a lot of stuff should be labeled something else.

461
00:23:03,160 --> 00:23:06,800
Speaker 5: You can't call no disrespect, but you can't call this

462
00:23:07,320 --> 00:23:08,800
Speaker 5: new music hip hop no.

463
00:23:08,880 --> 00:23:09,600
Speaker 2: Disrespect of them.

464
00:23:09,640 --> 00:23:12,280
Speaker 5: We gotta be label something else because the coature that

465
00:23:12,359 --> 00:23:13,680
Speaker 5: we come from is.

466
00:23:13,680 --> 00:23:19,600
Speaker 2: Not that you're the one under one umbrella.

467
00:23:19,760 --> 00:23:21,800
Speaker 1: And you know if it has nothing to do with

468
00:23:21,960 --> 00:23:25,240
Speaker 1: MC and rical skills, the boom back with the high

469
00:23:25,280 --> 00:23:26,880
Speaker 1: hat like a real MC.

470
00:23:27,440 --> 00:23:30,040
Speaker 6: You had to have BDP rock, hem I Cane.

471
00:23:29,840 --> 00:23:31,320
Speaker 5: Through the door, you know what I mean.

472
00:23:32,400 --> 00:23:34,639
Speaker 2: We liked the party. You don't have certain.

473
00:23:34,400 --> 00:23:36,800
Speaker 5: Things, you know, we had certain things we said before,

474
00:23:37,160 --> 00:23:39,320
Speaker 5: how your hip hop was the coach.

475
00:23:39,720 --> 00:23:40,919
Speaker 3: We got the five elements.

476
00:23:41,280 --> 00:23:43,399
Speaker 5: If you're adding B boxing, it's rapping, DJ and your

477
00:23:43,400 --> 00:23:45,720
Speaker 5: feet and break dancing, and you want to add break,

478
00:23:45,800 --> 00:23:47,080
Speaker 5: I mean B boxing, U catching.

479
00:23:47,359 --> 00:23:48,040
Speaker 2: But but it's a.

480
00:23:48,000 --> 00:23:51,800
Speaker 5: Coach of But you gotta follow the same laws as

481
00:23:51,960 --> 00:23:53,240
Speaker 5: from seventy eight.

482
00:23:53,119 --> 00:23:55,240
Speaker 2: That went down to ben you.

483
00:23:55,160 --> 00:23:58,159
Speaker 5: Know, rise or whatever elsewhere. Stop that, you know what

484
00:23:58,200 --> 00:24:00,800
Speaker 5: I'm saying. But just right here, you can't call us

485
00:24:00,800 --> 00:24:03,480
Speaker 5: because this don't fit the culture. The coach and hip

486
00:24:03,520 --> 00:24:06,199
Speaker 5: hop is something. But you know, but they don't have

487
00:24:06,320 --> 00:24:08,320
Speaker 5: nothing else to call. They throw it in there. They

488
00:24:08,359 --> 00:24:11,760
Speaker 5: threw TLC in there too. Look at it. Whatever they

489
00:24:11,800 --> 00:24:14,200
Speaker 5: can throw in there that looks like it's urban, it's

490
00:24:14,280 --> 00:24:15,560
Speaker 5: under hip hop coaching.

491
00:24:16,040 --> 00:24:18,439
Speaker 2: But we got to realize we walked away kind of

492
00:24:18,440 --> 00:24:18,800
Speaker 2: from the.

493
00:24:18,720 --> 00:24:21,679
Speaker 1: Game and stopped working and being productive productive you know,

494
00:24:21,840 --> 00:24:23,720
Speaker 1: back there like in ninety two when we seen them

495
00:24:23,760 --> 00:24:25,919
Speaker 1: dropping music and we felt that was like popped and

496
00:24:25,920 --> 00:24:26,359
Speaker 1: we dropped.

497
00:24:26,400 --> 00:24:27,320
Speaker 3: We didn't say, we.

498
00:24:27,280 --> 00:24:30,200
Speaker 6: Didn't say that's what they said. What did my Saul

499
00:24:30,280 --> 00:24:33,600
Speaker 6: said earlier? He said, my sauce said, silence is almost

500
00:24:33,800 --> 00:24:34,399
Speaker 6: co signed.

501
00:24:35,160 --> 00:24:40,840
Speaker 5: So when you sound your right, I got this is

502
00:24:41,000 --> 00:24:42,960
Speaker 5: just something real on Instagram two weeks ago.

503
00:24:43,040 --> 00:24:43,480
Speaker 2: That was real.

504
00:24:43,640 --> 00:24:46,480
Speaker 6: Yeah, I told us my sauce said, he said, you

505
00:24:46,520 --> 00:24:51,399
Speaker 6: said silence is almost accepted acceptance.

506
00:24:51,080 --> 00:24:52,720
Speaker 1: You know, So It's like what we did was we

507
00:24:52,800 --> 00:24:54,919
Speaker 1: left the bank vault open with all the gap in it,

508
00:24:55,040 --> 00:24:56,840
Speaker 1: and they came in and took a couple of bundles.

509
00:24:56,880 --> 00:24:59,160
Speaker 1: Nobody said nothing, so they just started taking the money

510
00:24:59,160 --> 00:25:02,199
Speaker 1: back so we could sit back and complain. Or what

511
00:25:02,280 --> 00:25:04,960
Speaker 1: you did? You opened up before them and you drew

512
00:25:05,000 --> 00:25:07,240
Speaker 1: a line and you said, this is what I'm going

513
00:25:07,320 --> 00:25:09,080
Speaker 1: to do, and this is not old school. These guys

514
00:25:09,080 --> 00:25:10,679
Speaker 1: are legends and they deserve their respect.

515
00:25:10,760 --> 00:25:11,240
Speaker 2: Right now.

516
00:25:11,720 --> 00:25:14,320
Speaker 5: You can interview whoever you want because you big, but

517
00:25:14,440 --> 00:25:17,560
Speaker 5: you choose to give us a platform, which is dope,

518
00:25:18,000 --> 00:25:20,399
Speaker 5: Like who's doing this? But don't forget to what I

519
00:25:20,400 --> 00:25:22,080
Speaker 5: bug out on not to be going.

520
00:25:22,160 --> 00:25:23,680
Speaker 2: But the radio.

521
00:25:23,480 --> 00:25:26,960
Speaker 5: DJs who we remember that was all playing our ships,

522
00:25:27,640 --> 00:25:31,119
Speaker 5: y'all still our age, y'all forgot that who you know?

523
00:25:31,600 --> 00:25:32,040
Speaker 6: How you out?

524
00:25:32,160 --> 00:25:33,480
Speaker 2: You don't know you want at hip hop?

525
00:25:33,520 --> 00:25:37,959
Speaker 5: At one time, Now y'all all change. That was bugging

526
00:25:37,960 --> 00:25:40,280
Speaker 5: me out because they all got the same jobs and

527
00:25:40,320 --> 00:25:43,880
Speaker 5: they forgot that that we existed, or that music existed.

528
00:25:45,160 --> 00:25:46,280
Speaker 5: That's the point I don't understand.

529
00:25:46,760 --> 00:25:49,040
Speaker 2: So what what what? What is? What is Eric Sherman

530
00:25:49,080 --> 00:25:52,760
Speaker 2: listening to right now? I play all old I feel

531
00:25:52,800 --> 00:25:54,880
Speaker 2: like you do. I just play army, but.

532
00:25:54,880 --> 00:25:56,800
Speaker 5: Me and parently's got to ibum that we're gonna call

533
00:25:56,880 --> 00:26:01,280
Speaker 5: dynamic duels and y'all written down.

534
00:25:59,800 --> 00:26:01,919
Speaker 2: Do it so you don't have any a rug company.

535
00:26:01,960 --> 00:26:02,840
Speaker 2: You had a rug company.

536
00:26:02,920 --> 00:26:06,200
Speaker 10: Okay, you never gave me a rug. Let's let's get

537
00:26:06,240 --> 00:26:11,320
Speaker 10: those Oh you got right. I mean, I've been hating

538
00:26:11,359 --> 00:26:14,440
Speaker 10: for a long time. I've been hate playing.

539
00:26:14,480 --> 00:26:17,000
Speaker 2: I've been seeing everybody with a rug besides.

540
00:26:16,640 --> 00:26:20,199
Speaker 11: Me, me and probably just playing. We got a new acrony.

541
00:26:20,320 --> 00:26:21,919
Speaker 11: I don't know what you're doing. I don't know what

542
00:26:21,960 --> 00:26:31,120
Speaker 11: you're doing right now, but I've been stopping, stopping, Relax.

543
00:26:30,880 --> 00:26:32,800
Speaker 2: I'm gonna be on. You got a new acrono.

544
00:26:33,000 --> 00:26:34,080
Speaker 3: It's now we're on the rough.

545
00:26:34,000 --> 00:26:42,160
Speaker 5: Slee drink.

546
00:26:44,480 --> 00:26:46,480
Speaker 2: Okay, all right, it's what we're gonna do it. This

547
00:26:47,200 --> 00:26:47,879
Speaker 2: is what we're gonna do it.

548
00:26:48,960 --> 00:26:53,040
Speaker 6: Drink taps, rub goes to the office, absolute all ship

549
00:26:53,240 --> 00:26:57,320
Speaker 6: goes to. But damn, I'm not gonna lie. I feel

550
00:26:57,320 --> 00:26:58,480
Speaker 6: like I'm not taking that on.

551
00:27:03,440 --> 00:27:07,719
Speaker 2: And you got another one, yo, I'm so sorry. I'm

552
00:27:07,760 --> 00:27:09,800
Speaker 2: so I know that the interview waiting left.

553
00:27:09,920 --> 00:27:10,400
Speaker 5: What is that?

554
00:27:10,600 --> 00:27:18,439
Speaker 2: Because said nothing that better? I'm taking that. I'm taking that. Listen,

555
00:27:18,600 --> 00:27:19,320
Speaker 2: you know what, you.

556
00:27:19,280 --> 00:27:20,400
Speaker 5: Know what, you know what I want.

557
00:27:20,560 --> 00:27:21,640
Speaker 2: I'm gonna be honest with you.

558
00:27:22,880 --> 00:27:27,959
Speaker 6: We interviewed Onyx, and Onyx gave me a pair of

559
00:27:28,000 --> 00:27:30,880
Speaker 6: sneakers and then they.

560
00:27:30,720 --> 00:27:33,240
Speaker 2: Asked me what size was it? I said, does it matter?

561
00:27:34,160 --> 00:27:37,520
Speaker 6: I'm never wearing these. I'm putting it right in my crib.

562
00:27:37,600 --> 00:27:41,120
Speaker 6: So you know, Leo, please, really, you're gonna go, You're

563
00:27:41,160 --> 00:27:41,480
Speaker 6: gonna go.

564
00:27:41,520 --> 00:27:42,720
Speaker 2: I'm gonna kick my nephew out.

565
00:27:43,880 --> 00:27:48,280
Speaker 6: But Leo told me one day I had went to

566
00:27:48,359 --> 00:27:51,879
Speaker 6: Leo's house, right, and he gave me the biggest lesson

567
00:27:51,920 --> 00:27:55,600
Speaker 6: in hip hop ever. He said to me he had

568
00:27:55,720 --> 00:27:58,600
Speaker 6: moved to twentieth in Park, right, or ninetieth in Park

569
00:27:58,720 --> 00:27:59,960
Speaker 6: some ship uptown right whatever.

570
00:28:00,119 --> 00:28:00,280
Speaker 5: Right.

571
00:28:01,080 --> 00:28:03,440
Speaker 2: It was a twenty million dollar house and he said,

572
00:28:03,440 --> 00:28:05,440
Speaker 2: do you like my house? And I really didn't like it,

573
00:28:05,760 --> 00:28:11,800
Speaker 2: but I had to say yes. Leo combs you with that,

574
00:28:12,119 --> 00:28:13,000
Speaker 2: and you know what he told me?

575
00:28:13,080 --> 00:28:17,600
Speaker 6: This taught me hip hop and two sentences he said,

576
00:28:17,600 --> 00:28:18,520
Speaker 6: do you like this house?

577
00:28:18,640 --> 00:28:19,240
Speaker 2: I said yes?

578
00:28:20,000 --> 00:28:22,520
Speaker 6: He said, make sure you hot enough you next year

579
00:28:22,680 --> 00:28:23,920
Speaker 6: so I can invite you again.

580
00:28:24,960 --> 00:28:25,200
Speaker 7: Wow.

581
00:28:25,680 --> 00:28:29,000
Speaker 2: WHOA. At first I wanted to snuffle.

582
00:28:30,240 --> 00:28:33,359
Speaker 6: Because I'm like, what that's the most direspectful shit you

583
00:28:33,400 --> 00:28:37,360
Speaker 6: ever tell somebody. He basically told me, you're only here

584
00:28:37,560 --> 00:28:41,440
Speaker 6: because right now that was real though, So if you

585
00:28:41,560 --> 00:28:45,520
Speaker 6: not next year, just remember this house because you won't

586
00:28:45,520 --> 00:28:45,920
Speaker 6: be bad.

587
00:28:46,520 --> 00:28:48,800
Speaker 2: WHOA, that's ill.

588
00:28:48,840 --> 00:28:54,320
Speaker 6: It's not like Leo too, Yes, but it taught me

589
00:28:54,400 --> 00:29:02,200
Speaker 6: something so valuable that never never, never appreciate your position

590
00:29:02,280 --> 00:29:06,360
Speaker 6: because your position can be taken. Another thing is Miami

591
00:29:06,400 --> 00:29:07,840
Speaker 6: weather taught me the same amount.

592
00:29:09,520 --> 00:29:10,240
Speaker 2: I'm sorry, I know.

593
00:29:10,200 --> 00:29:15,320
Speaker 6: I'm going over the place, but right one day, I'm

594
00:29:15,320 --> 00:29:18,680
Speaker 6: sitting on my balcony because it's not a terrorism. When

595
00:29:18,680 --> 00:29:22,680
Speaker 6: you get a little money, it's called balcony.

596
00:29:23,120 --> 00:29:25,040
Speaker 2: So I'm sitting on my balcony, right.

597
00:29:25,640 --> 00:29:28,760
Speaker 6: I rode three blunts all right, and I went upstairs

598
00:29:28,800 --> 00:29:31,560
Speaker 6: to take a peek, not a ship, but for some reason,

599
00:29:31,600 --> 00:29:34,360
Speaker 6: I went upstairs and I had the ship all right,

600
00:29:35,280 --> 00:29:39,720
Speaker 6: and it rained, meaning the three blunts that just rolled,

601
00:29:40,520 --> 00:29:43,480
Speaker 6: they all And it taught me a valuable lesson. Don't

602
00:29:43,520 --> 00:29:49,520
Speaker 6: ever appreciate your position. Do your position, but then get

603
00:29:49,560 --> 00:29:53,040
Speaker 6: the fuck out of there. And I understood that after

604
00:29:53,520 --> 00:29:59,040
Speaker 6: Leo told me. And this music industry, is it really

605
00:29:59,120 --> 00:30:04,480
Speaker 6: that bad? Or am I overdoing some stories? That I

606
00:30:04,840 --> 00:30:05,360
Speaker 6: think about.

607
00:30:05,920 --> 00:30:07,280
Speaker 5: Nah, I don't think you're overdoing it.

608
00:30:07,320 --> 00:30:10,280
Speaker 1: I just think your perception like what it was to

609
00:30:10,320 --> 00:30:12,160
Speaker 1: be a bee boy hip hop, just to be a

610
00:30:12,200 --> 00:30:14,720
Speaker 1: dope and seeing to be the best, and then in

611
00:30:14,880 --> 00:30:17,360
Speaker 1: doing that you don't realize until you start running into

612
00:30:17,440 --> 00:30:18,200
Speaker 1: the troubleshoot.

613
00:30:18,280 --> 00:30:20,760
Speaker 2: So you got to take the burden with the success.

614
00:30:21,120 --> 00:30:23,320
Speaker 5: Okay. So in the beginning, me and Eric.

615
00:30:23,160 --> 00:30:26,160
Speaker 1: Just wanted to be dope, strictly business unfinished business. But

616
00:30:26,200 --> 00:30:28,040
Speaker 1: then as you become the best, and you know, you

617
00:30:28,120 --> 00:30:31,200
Speaker 1: got the haters. Before there was haters, so then you

618
00:30:31,200 --> 00:30:33,480
Speaker 1: get songs like so what you're saying, So what you say?

619
00:30:33,600 --> 00:30:35,560
Speaker 2: Okay, but nah, that's normal.

620
00:30:35,600 --> 00:30:37,400
Speaker 1: You'd be trying to get your craft off and you

621
00:30:37,520 --> 00:30:38,400
Speaker 1: just be dealing with.

622
00:30:38,360 --> 00:30:40,400
Speaker 2: A lot of let's take it there. So what you're saying,

623
00:30:40,840 --> 00:30:43,719
Speaker 2: who is you talking about? The people who thought we

624
00:30:43,720 --> 00:30:44,640
Speaker 2: wasn't going to make it back.

625
00:30:44,720 --> 00:30:47,440
Speaker 1: Everybody wasn't going to get past the sophomore Jinks, right.

626
00:30:47,400 --> 00:30:49,480
Speaker 6: Okay, because the sophomore Jinks for people that don't know,

627
00:30:49,520 --> 00:30:52,600
Speaker 6: that's their second album, right, correct, Because they always say

628
00:30:52,640 --> 00:30:54,880
Speaker 6: rap us fall off after their second album.

629
00:30:56,040 --> 00:30:56,840
Speaker 5: Take us through there.

630
00:30:57,400 --> 00:30:59,840
Speaker 1: We came first of all, sitting on the bench and

631
00:31:00,040 --> 00:31:02,560
Speaker 1: I rock because you guys would go the first album,

632
00:31:02,680 --> 00:31:05,520
Speaker 1: first one. I think he probably went platinum on on

633
00:31:05,520 --> 00:31:06,240
Speaker 1: the Runs House tour.

634
00:31:06,320 --> 00:31:11,280
Speaker 2: That's makes so much of that, you.

635
00:31:11,280 --> 00:31:11,720
Speaker 5: Know what I mean.

636
00:31:11,840 --> 00:31:14,720
Speaker 6: So now now now you're going back in the studio

637
00:31:15,880 --> 00:31:17,840
Speaker 6: and you you are you aware of the shoes?

638
00:31:18,280 --> 00:31:18,520
Speaker 5: Yeah?

639
00:31:18,760 --> 00:31:21,880
Speaker 2: No, first week, first we dropped, dropped strictly.

640
00:31:21,600 --> 00:31:24,320
Speaker 1: Business, went on the Runs House tour, came off the

641
00:31:24,400 --> 00:31:25,400
Speaker 1: road or am thup?

642
00:31:25,720 --> 00:31:25,960
Speaker 5: It was?

643
00:31:26,080 --> 00:31:26,320
Speaker 2: It was?

644
00:31:26,400 --> 00:31:29,880
Speaker 6: It was a talk called Runs House runch House before

645
00:31:30,160 --> 00:31:36,240
Speaker 6: us House Reality. There was Runs House eighty eight everything

646
00:31:36,240 --> 00:31:36,880
Speaker 6: about hip hop.

647
00:31:36,920 --> 00:31:39,720
Speaker 2: I'm offended myself. There was a.

648
00:31:39,800 --> 00:31:45,280
Speaker 5: Runs HOUSEPMD, pub beca Me Jack Myself EPMD and sometimes

649
00:31:45,480 --> 00:31:46,760
Speaker 5: says a sonic opened up.

650
00:31:46,760 --> 00:31:50,080
Speaker 2: Sometimes that sing God damn it, what's my man name?

651
00:31:50,800 --> 00:31:51,320
Speaker 2: What's his name?

652
00:31:53,600 --> 00:31:53,800
Speaker 7: Yeah?

653
00:31:53,840 --> 00:31:56,600
Speaker 5: That was the original, the.

654
00:31:56,520 --> 00:31:58,160
Speaker 2: Original, but getting you so.

655
00:31:58,200 --> 00:32:00,280
Speaker 1: Yeah, So we came off the road or high and

656
00:32:00,320 --> 00:32:02,520
Speaker 1: winning the studio and you say, you like what was its?

657
00:32:02,600 --> 00:32:04,000
Speaker 2: You guys like gast.

658
00:32:04,200 --> 00:32:06,800
Speaker 1: Like I think gas was an understatement. I'ma be honest.

659
00:32:06,800 --> 00:32:09,640
Speaker 1: If I would have went on tour with no hold up.

660
00:32:10,560 --> 00:32:12,760
Speaker 1: We didn't have no money for a tour bus run

661
00:32:12,840 --> 00:32:15,680
Speaker 1: DMC let us ride on their tour bus for free. Right,

662
00:32:16,200 --> 00:32:17,760
Speaker 1: So we woke up on the book.

663
00:32:21,480 --> 00:32:23,880
Speaker 2: We got up see the shelters right there.

664
00:32:23,840 --> 00:32:24,880
Speaker 5: Brand new and.

665
00:32:26,400 --> 00:32:31,160
Speaker 1: An unlimited supply of Adidas anything you want and this

666
00:32:31,240 --> 00:32:31,680
Speaker 1: ship and.

667
00:32:31,840 --> 00:32:35,760
Speaker 2: I mean not like one, two or three pass shows

668
00:32:35,800 --> 00:32:37,000
Speaker 2: right there were stadium shows.

669
00:32:36,840 --> 00:32:38,360
Speaker 3: Stadium the city.

670
00:32:38,400 --> 00:32:40,760
Speaker 5: We went through two or three nights and one and

671
00:32:40,800 --> 00:32:44,680
Speaker 5: then dreaded yeah, but thinking about the album. Yeah, So

672
00:32:44,720 --> 00:32:45,320
Speaker 5: we went in there.

673
00:32:45,400 --> 00:32:48,960
Speaker 1: We came off the road Runs Sophomore Jinks winning the

674
00:32:49,000 --> 00:32:53,760
Speaker 1: studio back to Charlie Marauders and nothing just was sitting there. Nothing,

675
00:32:53,800 --> 00:32:59,880
Speaker 1: no lyrics, no music, no, just was nothing. We like,

676
00:33:00,560 --> 00:33:03,480
Speaker 1: was he thinking about that? We just knew we was

677
00:33:03,680 --> 00:33:06,480
Speaker 1: come off and it was and we ended up looking

678
00:33:06,520 --> 00:33:10,160
Speaker 1: like Cooper Gooding and so he was swinging at the.

679
00:33:10,160 --> 00:33:17,040
Speaker 12: End, so we had to step yeah exactly, you know,

680
00:33:17,880 --> 00:33:19,920
Speaker 12: and then we adjusted and then we went and Eric

681
00:33:19,960 --> 00:33:20,640
Speaker 12: went back in there.

682
00:33:20,760 --> 00:33:22,920
Speaker 2: Then, so what you're saying, And because we was on.

683
00:33:22,960 --> 00:33:26,360
Speaker 5: The seas and the d J was playing jazzy b

684
00:33:26,920 --> 00:33:32,880
Speaker 5: so the soul and whatever, and he was playing the a.

685
00:33:32,800 --> 00:33:35,479
Speaker 2: Mixed version with just the beat whatever.

686
00:33:36,000 --> 00:33:37,920
Speaker 5: So I went up there and got the record from

687
00:33:38,000 --> 00:33:42,360
Speaker 5: him and bring it home on the DJ plate. So

688
00:33:43,360 --> 00:33:43,680
Speaker 5: we we.

689
00:33:43,840 --> 00:33:47,120
Speaker 6: Had that and thatid off the dance floor like yo, homie,

690
00:33:47,160 --> 00:33:47,720
Speaker 6: let me get.

691
00:33:47,560 --> 00:33:51,280
Speaker 5: That, and we made so what you're saying, and after

692
00:33:51,280 --> 00:33:54,000
Speaker 5: that just start taking off so what you're saying, and

693
00:33:54,040 --> 00:33:57,920
Speaker 5: then yeah, and then the big pay back Yeah, and

694
00:33:58,000 --> 00:34:02,240
Speaker 5: then the demo came riding high path. Yeah.

695
00:34:02,480 --> 00:34:04,840
Speaker 1: Yo, young niggas is like, Yo, we built out destiny.

696
00:34:04,880 --> 00:34:07,240
Speaker 1: We actually built the sixth We built the build that.

697
00:34:07,280 --> 00:34:09,680
Speaker 2: Car to go six of the eight commandment contract.

698
00:34:09,680 --> 00:34:12,879
Speaker 6: You built the car, not the record that was before

699
00:34:12,920 --> 00:34:14,200
Speaker 6: that boy was drilled the car.

700
00:34:14,480 --> 00:34:14,600
Speaker 2: Yo.

701
00:34:14,680 --> 00:34:17,080
Speaker 1: We took a three fifty engine out of seventy four

702
00:34:17,160 --> 00:34:18,000
Speaker 1: over and put.

703
00:34:17,840 --> 00:34:24,600
Speaker 2: It in the sixty eight command down and wait fast,

704
00:34:24,600 --> 00:34:26,839
Speaker 2: say that again. You took up what sixty eight.

705
00:34:26,760 --> 00:34:29,680
Speaker 1: Camd We took a sixty eight camar, took the engine

706
00:34:29,719 --> 00:34:32,160
Speaker 1: out of a seventy four and nova twenty fifty four

707
00:34:32,160 --> 00:34:33,560
Speaker 1: barrel car put.

708
00:34:33,400 --> 00:34:34,120
Speaker 5: It in the sixty eight.

709
00:34:34,160 --> 00:34:36,240
Speaker 2: Because we used to be drag racing all that other stuff.

710
00:34:36,719 --> 00:34:37,399
Speaker 2: We stripped down.

711
00:34:37,440 --> 00:34:40,520
Speaker 5: The top had like or whatever top one, so we

712
00:34:40,560 --> 00:34:42,160
Speaker 5: have to sprilled, had to take the vinyl off the

713
00:34:42,200 --> 00:34:47,040
Speaker 5: bottom fast and furious early yo, yo, dominated bat No,

714
00:34:47,120 --> 00:34:49,440
Speaker 5: that's the wall perhaps almost died on the most like

715
00:34:49,520 --> 00:34:50,960
Speaker 5: the first you get to.

716
00:34:50,960 --> 00:34:52,280
Speaker 2: The story, what happened?

717
00:34:52,320 --> 00:34:52,800
Speaker 5: What happened?

718
00:34:53,000 --> 00:34:55,240
Speaker 2: Tell us, Yeah, it was in the land, just moving

719
00:34:55,680 --> 00:34:56,360
Speaker 2: and I was.

720
00:34:56,400 --> 00:34:58,040
Speaker 5: Like, yeah, we used to be wild.

721
00:34:58,440 --> 00:35:01,399
Speaker 1: Yeah, so you know, long story, Sure somebody wasn't paying

722
00:35:01,440 --> 00:35:04,000
Speaker 1: attention drift over the yellow lines and it was trying

723
00:35:04,040 --> 00:35:06,600
Speaker 1: to brace for impact and probably would.

724
00:35:06,400 --> 00:35:09,600
Speaker 5: Have started football playing. So he played football, quarterback and kicker.

725
00:35:09,960 --> 00:35:10,160
Speaker 2: You know.

726
00:35:10,200 --> 00:35:12,719
Speaker 5: That's why the demo was taking long because probably was

727
00:35:12,760 --> 00:35:15,200
Speaker 5: going to school playing ball and I was here waiting

728
00:35:15,200 --> 00:35:15,440
Speaker 5: on this.

729
00:35:15,520 --> 00:35:20,040
Speaker 2: So eighty five we could have came out five. There's

730
00:35:20,080 --> 00:35:20,480
Speaker 2: more to.

731
00:35:20,520 --> 00:35:23,080
Speaker 6: That though, because we used to have to communicate and

732
00:35:23,960 --> 00:35:28,760
Speaker 6: everything about y'all r disappointed me that imna die because Paris.

733
00:35:29,080 --> 00:35:30,840
Speaker 3: I't Paris my first time.

734
00:35:30,760 --> 00:35:34,839
Speaker 5: Driving you for a PM. So I dropped drop the stick.

735
00:35:34,960 --> 00:35:42,600
Speaker 5: So I'm going yo, stop, I'm in a section where

736
00:35:42,800 --> 00:35:45,960
Speaker 5: ship and suck up. I went right through it. The

737
00:35:46,040 --> 00:35:49,000
Speaker 5: quest wasn't something didn't worked right. Whatever that was, I

738
00:35:49,080 --> 00:35:50,680
Speaker 5: was like, we want to danger under.

739
00:35:50,560 --> 00:35:56,919
Speaker 6: Section about the crazy all led to businesses, everything about

740
00:35:56,920 --> 00:36:00,560
Speaker 6: akm B. I'm mad that y'all fucking me up, like

741
00:36:00,680 --> 00:36:02,640
Speaker 6: my history. I'm going back and I'm talking to my

742
00:36:02,760 --> 00:36:04,840
Speaker 6: history later and me and him got to show you.

743
00:36:07,520 --> 00:36:12,479
Speaker 2: My history book. He said, I gotta shoot on my history. Listen,

744
00:36:12,520 --> 00:36:14,320
Speaker 2: my nigga, you ain't telling me about the crash.

745
00:36:15,000 --> 00:36:20,960
Speaker 5: Right. All the stuff made a pm D crazy, especially

746
00:36:21,000 --> 00:36:24,440
Speaker 5: with the We came out late eighty eight, so we

747
00:36:24,640 --> 00:36:27,439
Speaker 5: watched rock Kim camee l like crame on the stand.

748
00:36:28,320 --> 00:36:30,040
Speaker 2: He said he was still spending money from eighty eight.

749
00:36:30,320 --> 00:36:31,359
Speaker 2: People actually see him.

750
00:36:31,600 --> 00:36:35,840
Speaker 5: Know him people this person and so and so, like,

751
00:36:36,440 --> 00:36:39,640
Speaker 5: how do y'all How did these people influence y'all because

752
00:36:39,640 --> 00:36:41,719
Speaker 5: they're the same era, So yeah, they were, but they

753
00:36:41,840 --> 00:36:44,799
Speaker 5: was out before us before we came. So I heard.

754
00:36:44,920 --> 00:36:48,719
Speaker 5: We got to listen to Chris Wow, I came before that,

755
00:36:48,880 --> 00:36:52,320
Speaker 5: so we had to come. Everybody else out there was dangerous.

756
00:36:52,840 --> 00:36:55,959
Speaker 5: We couldn't come to sleep, I mean like because because

757
00:36:55,960 --> 00:36:57,839
Speaker 5: they all came out, you don't know that way.

758
00:36:58,880 --> 00:37:01,160
Speaker 6: And Business from Bread, which I used to see him

759
00:37:01,160 --> 00:37:03,719
Speaker 6: at the pancake house with business one time.

760
00:37:04,080 --> 00:37:05,399
Speaker 2: He used to this pink house.

761
00:37:05,440 --> 00:37:08,120
Speaker 5: He just meant one time pancake house at the pancake business,

762
00:37:08,160 --> 00:37:10,759
Speaker 5: sitting there with Chuck Jewels like there's nothing told me.

763
00:37:10,800 --> 00:37:12,640
Speaker 5: It's like yeah, I was just just be making the demo.

764
00:37:13,880 --> 00:37:23,120
Speaker 2: Yo. Yeah, and listen we described this this was a

765
00:37:23,239 --> 00:37:24,439
Speaker 2: guy pancake house.

766
00:37:24,680 --> 00:37:26,560
Speaker 6: Yeah, we're sitting there business trying to give us the

767
00:37:26,640 --> 00:37:28,439
Speaker 6: beat to Ain't no half stepping back.

768
00:37:31,080 --> 00:37:31,239
Speaker 2: Yeah.

769
00:37:31,840 --> 00:37:33,400
Speaker 5: Yeah, I didn't have any house and we did.

770
00:37:33,800 --> 00:37:36,960
Speaker 2: We had an we said no that's okay, and we

771
00:37:37,040 --> 00:37:38,480
Speaker 2: went and made this my thingsto.

772
00:37:38,680 --> 00:37:40,920
Speaker 5: Yeah, all right, you matched.

773
00:37:43,400 --> 00:37:45,960
Speaker 2: I was about to go ask you, I want to.

774
00:37:47,760 --> 00:37:49,480
Speaker 3: King was able Bapts step in to him.

775
00:37:49,560 --> 00:37:55,080
Speaker 5: Yeah, that was you need that you said you made?

776
00:37:55,160 --> 00:37:56,840
Speaker 2: After that, it's my thing because.

777
00:37:58,160 --> 00:38:02,160
Speaker 6: Shopping, Yeah, that's right. You know what I think of

778
00:38:02,440 --> 00:38:04,520
Speaker 6: I think I sell the weed in Harlem. I'm sorry,

779
00:38:04,719 --> 00:38:07,520
Speaker 6: God damn, I think I saw weeding hall them at

780
00:38:07,520 --> 00:38:07,799
Speaker 6: that time.

781
00:38:07,840 --> 00:38:10,279
Speaker 2: But I'm sorry. What year was that? Eighty seven?

782
00:38:10,360 --> 00:38:13,400
Speaker 3: Eight eight seven November I was came out eighty eight

783
00:38:13,440 --> 00:38:14,920
Speaker 3: the album Drive And.

784
00:38:14,960 --> 00:38:17,759
Speaker 2: Now I wanted to describe eighty eight because I'm like it,

785
00:38:18,760 --> 00:38:19,600
Speaker 2: like my favorite.

786
00:38:19,840 --> 00:38:22,279
Speaker 5: Well the only reason why the nineties of course is

787
00:38:22,320 --> 00:38:26,880
Speaker 5: nothing like it, but eighty eight was everywhere came out.

788
00:38:27,800 --> 00:38:30,320
Speaker 2: So what I'm asking, right, because my favorite. But like

789
00:38:30,360 --> 00:38:32,400
Speaker 2: when I think of my favorite era hip hop that

790
00:38:32,480 --> 00:38:33,600
Speaker 2: I lived in, it.

791
00:38:33,640 --> 00:38:37,279
Speaker 6: Has to be ninety of course, but eighty eight was

792
00:38:37,360 --> 00:38:39,719
Speaker 6: what made mine ninety eight ship.

793
00:38:40,239 --> 00:38:43,279
Speaker 2: I want to actually describe. I want to as a fan,

794
00:38:44,000 --> 00:38:44,840
Speaker 2: I want to I want.

795
00:38:44,719 --> 00:38:47,000
Speaker 6: You to tell us that year, because what was it

796
00:38:47,280 --> 00:38:49,680
Speaker 6: l L it was put it was it was now

797
00:38:50,840 --> 00:38:51,920
Speaker 6: nice and small.

798
00:38:51,640 --> 00:38:55,080
Speaker 2: Special legs, special short, n w A oh my like

799
00:38:55,960 --> 00:39:06,799
Speaker 2: MC lights EMC. You had Audiowkish show. They came same year, yea,

800
00:39:07,760 --> 00:39:12,520
Speaker 2: anybody came the same year. I want you to describe that.

801
00:39:12,680 --> 00:39:13,560
Speaker 5: It was hard.

802
00:39:13,600 --> 00:39:14,759
Speaker 2: It was this was her.

803
00:39:15,800 --> 00:39:18,920
Speaker 1: Yeah, this personally it was a serious because you had

804
00:39:19,000 --> 00:39:23,240
Speaker 1: the music, the industry in the artist that we always felt.

805
00:39:23,080 --> 00:39:25,439
Speaker 2: Again like you know, Big Daddy came after the show.

806
00:39:25,520 --> 00:39:28,239
Speaker 2: He had to He had the slippers with the Don

807
00:39:28,360 --> 00:39:30,919
Speaker 2: Perry on. We was in advanced like it wasn't okay,

808
00:39:31,040 --> 00:39:35,520
Speaker 2: so we knew we had to step up. He got

809
00:39:35,600 --> 00:39:38,120
Speaker 2: up slip roll like no, you know, to tell when

810
00:39:38,160 --> 00:39:39,279
Speaker 2: we've done the Hotel.

811
00:39:41,960 --> 00:39:43,359
Speaker 5: The Don Yo.

812
00:39:43,560 --> 00:39:47,200
Speaker 2: He was really there already and still he's star already,

813
00:39:47,640 --> 00:39:50,680
Speaker 2: but he knew it came to and he was he doing. Yeah,

814
00:39:50,760 --> 00:39:52,040
Speaker 2: he's fucking Madonna already here.

815
00:39:53,120 --> 00:39:55,320
Speaker 5: Yeah an yeh row he's stark Madonna.

816
00:39:55,480 --> 00:39:59,719
Speaker 2: That's make him nose big day came. I don't know

817
00:39:59,760 --> 00:40:02,480
Speaker 2: if the true, but fuck it, let's just ride in

818
00:40:02,520 --> 00:40:02,799
Speaker 2: the room.

819
00:40:03,719 --> 00:40:04,480
Speaker 5: She wrote it.

820
00:40:04,640 --> 00:40:07,680
Speaker 2: She said, she said, it's smash. Let's make some noise.

821
00:40:11,239 --> 00:40:15,439
Speaker 6: Smash, you know, because you know what, but that year,

822
00:40:15,880 --> 00:40:18,800
Speaker 6: if it wasn't for that year, I don't think I

823
00:40:18,920 --> 00:40:24,520
Speaker 6: could ever appreciate my year, like because my success has

824
00:40:24,520 --> 00:40:27,719
Speaker 6: always been a bittersweet. Meaning we came out in nineteen

825
00:40:27,760 --> 00:40:32,720
Speaker 6: ninety seven and my partner, who is my best friend,

826
00:40:34,360 --> 00:40:35,080
Speaker 6: he went to jail.

827
00:40:35,600 --> 00:40:38,360
Speaker 5: Yeah, and that impact.

828
00:40:39,320 --> 00:40:43,680
Speaker 6: Tony was, you know why we didn't understand, like, yo,

829
00:40:44,120 --> 00:40:46,160
Speaker 6: it's the whole Nigga ship right there, he said.

830
00:40:50,800 --> 00:40:56,880
Speaker 3: To it shook New York way up, like it was

831
00:40:57,280 --> 00:40:57,799
Speaker 3: really bad.

832
00:40:57,840 --> 00:40:59,239
Speaker 2: You want to tell you something, this ship, you know

833
00:40:59,239 --> 00:41:00,960
Speaker 2: what it's supposed to be a remixed t and.

834
00:41:01,000 --> 00:41:06,000
Speaker 6: Why Biggie smalls so look crazy, there's a crazy ship.

835
00:41:06,080 --> 00:41:06,200
Speaker 2: You know.

836
00:41:06,320 --> 00:41:11,040
Speaker 6: When I watched Biggs interview, right, I mean I watched

837
00:41:11,080 --> 00:41:15,759
Speaker 6: Biggs movie and if you remember when he was making

838
00:41:15,800 --> 00:41:19,360
Speaker 6: these last phone calls, that shit made me cry because

839
00:41:19,440 --> 00:41:24,120
Speaker 6: he called me and he said, he said, Yo, I'm

840
00:41:24,200 --> 00:41:26,600
Speaker 6: jumping on this record. But back then, you know, we

841
00:41:26,719 --> 00:41:29,680
Speaker 6: had bootlegs. So when he played me the record, I

842
00:41:29,760 --> 00:41:32,239
Speaker 6: knew that it wasn't coming. I didn't knew it wasn't out,

843
00:41:32,400 --> 00:41:33,440
Speaker 6: so I said, you get this.

844
00:41:36,200 --> 00:41:41,000
Speaker 2: And I forgotten. I see my Ricks worked for Bad Boy,

845
00:41:42,000 --> 00:41:43,880
Speaker 2: seen Myrix who did the record.

846
00:41:44,280 --> 00:41:46,320
Speaker 6: He just randomly played it for him and was like

847
00:41:46,520 --> 00:41:49,400
Speaker 6: these new niggas coming around from Queens and he heard it.

848
00:41:49,719 --> 00:41:51,600
Speaker 6: But he went to l A and he he must

849
00:41:51,640 --> 00:41:55,000
Speaker 6: have heard it again, and he called, look, the nigga

850
00:41:55,040 --> 00:41:55,840
Speaker 6: wanted to sign uponem.

851
00:41:55,880 --> 00:41:57,799
Speaker 2: I ain't gonna lie. I thought I thought it was over.

852
00:41:59,680 --> 00:42:03,560
Speaker 6: He was out into at the time, like we made

853
00:42:03,600 --> 00:42:06,239
Speaker 6: him outside of the ninety seven and Pam kicked a

854
00:42:06,320 --> 00:42:09,200
Speaker 6: rhyme and he was like, I'm I'm signing you.

855
00:42:09,320 --> 00:42:15,400
Speaker 2: And I was like, I feel like we partnered. But

856
00:42:15,520 --> 00:42:17,160
Speaker 2: I was so scared. This is big, he's small.

857
00:42:17,640 --> 00:42:18,360
Speaker 5: I was so scared.

858
00:42:19,080 --> 00:42:20,960
Speaker 2: But bring it back.

859
00:42:23,600 --> 00:42:27,439
Speaker 6: Is the era if I if I didn't, if eighty

860
00:42:27,480 --> 00:42:30,640
Speaker 6: eight didn't happen as me as a fan, ninety eight

861
00:42:30,680 --> 00:42:35,600
Speaker 6: wouldn't be as important, right, So y'all came out with

862
00:42:35,760 --> 00:42:40,120
Speaker 6: the toughest of the toughest, Like how was those tours

863
00:42:40,239 --> 00:42:40,640
Speaker 6: back then?

864
00:42:40,719 --> 00:42:43,480
Speaker 5: Like how was it? Like I give you a perfect

865
00:42:43,480 --> 00:42:45,080
Speaker 5: example of this one too, because you asked the question,

866
00:42:45,120 --> 00:42:48,600
Speaker 5: I'm gonna say it. We all on rush big Daddy

867
00:42:48,719 --> 00:42:52,359
Speaker 5: Kane is ten house down on the low j Tour

868
00:42:52,640 --> 00:42:55,640
Speaker 5: EPD ten house down too. So me and Paris pills

869
00:42:55,680 --> 00:42:57,640
Speaker 5: that we ten house down enough that we should go

870
00:42:57,719 --> 00:42:59,680
Speaker 5: on after you. Yeah, we should go on after King.

871
00:43:00,400 --> 00:43:00,600
Speaker 2: Yeah.

872
00:43:00,640 --> 00:43:03,680
Speaker 5: You know there was Detroit was crazy back then. Was

873
00:43:03,760 --> 00:43:07,120
Speaker 5: it was that heavy d To tell you how big

874
00:43:07,280 --> 00:43:12,399
Speaker 5: Pat so Leo Coch went as rush management because Kane

875
00:43:12,440 --> 00:43:13,160
Speaker 5: wasn't rush yet.

876
00:43:13,760 --> 00:43:15,319
Speaker 2: Okay, okay, so.

877
00:43:16,800 --> 00:43:20,120
Speaker 5: He made the cole because being proud of said you know,

878
00:43:20,239 --> 00:43:23,160
Speaker 5: so we had Carl Blanche over over that position because

879
00:43:23,200 --> 00:43:26,480
Speaker 5: the rush management. The next day, Kine comes out with

880
00:43:26,640 --> 00:43:34,239
Speaker 5: a hot tub speedo. He said, ladies, I got three

881
00:43:34,360 --> 00:43:35,120
Speaker 5: things to tell you.

882
00:43:35,800 --> 00:43:36,680
Speaker 2: Mm hmmmmm.

883
00:43:38,040 --> 00:43:41,080
Speaker 5: And the paint stock coming off the ceilings and the

884
00:43:41,239 --> 00:43:44,839
Speaker 5: light fition stock coming off the stadiums. We said, yoo,

885
00:43:44,920 --> 00:43:48,879
Speaker 5: leo yo, change the order back.

886
00:43:57,719 --> 00:44:00,080
Speaker 2: I'm gonna tell you. Let me tell you, right, I

887
00:44:00,120 --> 00:44:00,920
Speaker 2: will tell you one thing.

888
00:44:01,320 --> 00:44:06,080
Speaker 6: One night I'm on the road with Acannelly, right and

889
00:44:06,239 --> 00:44:08,200
Speaker 6: OC had you know, put it in his mouth. But

890
00:44:08,280 --> 00:44:12,200
Speaker 6: the problem was nobody never saw the video. So everybody

891
00:44:12,440 --> 00:44:15,759
Speaker 6: like threw him to the back, meaning they was like, oh,

892
00:44:15,880 --> 00:44:18,319
Speaker 6: you gotta go on first, but I got a real

893
00:44:18,520 --> 00:44:21,400
Speaker 6: stage performance, Like he's like busting arounds without the records,

894
00:44:22,200 --> 00:44:23,600
Speaker 6: go out to hit records to go with it.

895
00:44:24,200 --> 00:44:26,320
Speaker 2: But he gonna kill you on stage, and you're.

896
00:44:26,160 --> 00:44:28,279
Speaker 6: Gonna have a bitch put up and then in their

897
00:44:28,400 --> 00:44:31,520
Speaker 6: mouth and all that like, and they're gonna dance. They

898
00:44:31,560 --> 00:44:34,200
Speaker 6: got school, they got he had the fake Scoop and scrap.

899
00:44:34,880 --> 00:44:37,400
Speaker 6: He didn't have Kane Scoop and scrap. What was the

900
00:44:37,480 --> 00:44:45,520
Speaker 6: nigga's name, well, o man, he had dances R showtime

901
00:44:45,600 --> 00:44:49,600
Speaker 6: and look. So one day I forget what artist it was,

902
00:44:49,920 --> 00:44:52,400
Speaker 6: but they was like, yo, Okamelli gotta come on first.

903
00:44:53,440 --> 00:44:55,880
Speaker 6: So I came and grabbed me. I had L A,

904
00:44:56,040 --> 00:44:58,480
Speaker 6: L A and T and why that's it, that's it.

905
00:44:59,080 --> 00:45:02,040
Speaker 6: I had nothing else, he said, there's nothing else, nothing else.

906
00:45:02,800 --> 00:45:06,200
Speaker 6: So out comes and I kid you not. He had

907
00:45:06,280 --> 00:45:10,600
Speaker 6: twelve minutes. He did the best twelve minutes I've ever

908
00:45:10,800 --> 00:45:11,640
Speaker 6: seen in life.

909
00:45:12,080 --> 00:45:16,200
Speaker 2: And then people said, I can close from now on.

910
00:45:16,400 --> 00:45:19,560
Speaker 6: It wow, But but that's how it is. Sometimes people

911
00:45:19,719 --> 00:45:22,800
Speaker 6: just come out there. What you're doing, chick, b I'm sorry,

912
00:45:23,120 --> 00:45:27,560
Speaker 6: I'm interrupting. I'm scheming I got my first contract, part myself.

913
00:45:27,640 --> 00:45:30,440
Speaker 6: This is classic moment. No, we got the classic E.

914
00:45:30,640 --> 00:45:33,799
Speaker 6: P and D y'all my favorite artist. This is Sparfet Listen.

915
00:45:33,840 --> 00:45:36,480
Speaker 6: I've been rocking with y'all since nineteen ninety Listen, I've

916
00:45:36,520 --> 00:45:37,760
Speaker 6: been Let's.

917
00:45:37,840 --> 00:45:41,480
Speaker 2: Basically let's have been locked up together. And then the

918
00:45:41,600 --> 00:45:44,560
Speaker 2: next my next favorite group its componing Noriegger. I've never

919
00:45:44,640 --> 00:45:46,640
Speaker 2: followed nobody else after that. I was just stuck there.

920
00:45:46,719 --> 00:45:48,600
Speaker 2: So this is a real classic moment for me to

921
00:45:48,680 --> 00:45:51,400
Speaker 2: get your contract. Yeah, I got my contract, damn it,

922
00:45:51,480 --> 00:46:01,360
Speaker 2: I got it about ya No, no, no, let me

923
00:46:01,440 --> 00:46:10,600
Speaker 2: and is gotta make a move next time here, I'm

924
00:46:10,680 --> 00:46:11,560
Speaker 2: here to Tuesday.

925
00:46:11,640 --> 00:46:13,200
Speaker 5: Okay, guys coming up my.

926
00:46:15,960 --> 00:46:20,920
Speaker 2: Yeah, you want to know we all's got our party uptown.

927
00:46:21,719 --> 00:46:32,719
Speaker 2: Why you're hanging out? Hanging out? Yeah, get them tomorrow.

928
00:46:32,840 --> 00:46:37,759
Speaker 2: Matter I'm bringing, I'm bringing the t C. I'm hating

929
00:46:37,760 --> 00:46:45,440
Speaker 2: you call me okay, making making connect? So what what what?

930
00:46:45,680 --> 00:46:45,719
Speaker 7: What?

931
00:46:45,880 --> 00:46:48,200
Speaker 2: What is your favorite p m B back.

932
00:46:50,400 --> 00:46:54,239
Speaker 5: You got to chill? You got the chill? Yeah, big

933
00:46:54,440 --> 00:46:55,879
Speaker 5: yeah favorite yeah yeah.

934
00:46:56,120 --> 00:46:58,080
Speaker 1: And that's a big song because a lot of people

935
00:46:58,120 --> 00:46:59,560
Speaker 1: thought we were from the West coast because of that.

936
00:46:59,680 --> 00:47:01,680
Speaker 5: That was gos fit well, they.

937
00:47:01,680 --> 00:47:03,200
Speaker 2: Thought from coast periods.

938
00:47:03,239 --> 00:47:05,879
Speaker 5: All the sounds we because while everybody was doing James Brown,

939
00:47:05,920 --> 00:47:08,759
Speaker 5: we were saying the records yeah, like like l A

940
00:47:08,920 --> 00:47:11,080
Speaker 5: was doing like there was only gang banging too, like

941
00:47:11,120 --> 00:47:12,239
Speaker 5: we do the show in LA.

942
00:47:12,320 --> 00:47:14,120
Speaker 3: We'd be there every two weeks and we had the

943
00:47:14,120 --> 00:47:15,600
Speaker 3: skating rink and they'd be helling.

944
00:47:15,480 --> 00:47:19,480
Speaker 5: Helicopters and the time your accustomer hit boom fight start.

945
00:47:19,800 --> 00:47:21,759
Speaker 1: Our shows used to be so wild in LA and

946
00:47:21,840 --> 00:47:23,719
Speaker 1: Texas that they we used to have to do you

947
00:47:23,800 --> 00:47:25,360
Speaker 1: guys to chill about four or five.

948
00:47:25,280 --> 00:47:27,680
Speaker 5: Times a night, right because the gun shots. Matter of fact,

949
00:47:27,680 --> 00:47:32,919
Speaker 5: we the club and they were like yo, yeah, start

950
00:47:32,960 --> 00:47:33,560
Speaker 5: that over up.

951
00:47:33,719 --> 00:47:33,919
Speaker 2: Yeah.

952
00:47:34,280 --> 00:47:37,720
Speaker 1: Of course they'd be so close to the state, the pack,

953
00:47:39,840 --> 00:47:43,759
Speaker 1: the big payback we shot that in West Coast. We

954
00:47:43,960 --> 00:47:46,359
Speaker 1: just basically wanted to do something different, so we reached

955
00:47:46,400 --> 00:47:49,359
Speaker 1: Agatt out to Easy Easy E hooked it up where

956
00:47:49,400 --> 00:47:52,000
Speaker 1: Doctor dre Ice Q them could come out, show us

957
00:47:52,000 --> 00:47:53,840
Speaker 1: some love, and we just wanted to show.

958
00:47:53,719 --> 00:47:58,080
Speaker 2: The camaraderie with the East Coast. Shut up.

959
00:47:58,320 --> 00:48:00,960
Speaker 6: I feel like you, I feel like you should explain

960
00:48:01,040 --> 00:48:04,560
Speaker 6: that more because a lot of us, a lot a

961
00:48:04,640 --> 00:48:07,400
Speaker 6: lot of the young people, they just see uh straight

962
00:48:07,400 --> 00:48:10,600
Speaker 6: out of Compton, and they actually think Easy is a

963
00:48:10,719 --> 00:48:16,000
Speaker 6: Doskin person, right, because I mean, just be honest, he's not.

964
00:48:16,680 --> 00:48:19,920
Speaker 6: It wasn't dogsk in real life, but but in the movie.

965
00:48:20,560 --> 00:48:22,919
Speaker 6: But let's big up that actor because that actor killed

966
00:48:22,960 --> 00:48:25,120
Speaker 6: it so much that I thought.

967
00:48:27,480 --> 00:48:27,880
Speaker 5: What I was like.

968
00:48:29,280 --> 00:48:32,880
Speaker 6: But so I want you to describe that, like, you know,

969
00:48:33,040 --> 00:48:35,160
Speaker 6: just you know, the West Coast connection because a lot

970
00:48:35,200 --> 00:48:37,360
Speaker 6: of people, you know what they think, they think that

971
00:48:38,320 --> 00:48:40,960
Speaker 6: the East coast West Coast beef was real, when in

972
00:48:41,120 --> 00:48:44,560
Speaker 6: all actuality that that be some of our number one

973
00:48:44,640 --> 00:48:45,640
Speaker 6: Marcus as New.

974
00:48:45,560 --> 00:48:48,880
Speaker 5: York loved you, so you know what I mean, how

975
00:48:48,920 --> 00:48:50,000
Speaker 5: big he was in California.

976
00:48:50,120 --> 00:48:51,880
Speaker 2: You know what I'm saying. Like after l A l A,

977
00:48:52,440 --> 00:48:55,759
Speaker 2: After l A l A, our records was going number

978
00:48:55,840 --> 00:48:59,680
Speaker 2: one in LA. Yes, but we were shook because they're.

979
00:48:59,520 --> 00:49:04,520
Speaker 6: Like because it was already a problem, but not not

980
00:49:04,640 --> 00:49:06,960
Speaker 6: with the actual people.

981
00:49:08,000 --> 00:49:08,920
Speaker 5: It was just behind them.

982
00:49:09,200 --> 00:49:09,719
Speaker 6: But with us.

983
00:49:10,080 --> 00:49:13,080
Speaker 1: You know, Eric Wright working with n w A. He

984
00:49:13,320 --> 00:49:15,000
Speaker 1: was kind of doing the same thing we were doing

985
00:49:15,040 --> 00:49:18,120
Speaker 1: on the East coast. So there was Michelle A, there

986
00:49:18,200 --> 00:49:20,800
Speaker 1: was the d O C. They were signed to Atlantic Records.

987
00:49:20,960 --> 00:49:24,000
Speaker 1: I had k Solo on Atlantic records and do there.

988
00:49:24,360 --> 00:49:26,719
Speaker 1: The communication was there once we came through on the

989
00:49:26,800 --> 00:49:29,040
Speaker 1: second album, like hey, we want to do something different,

990
00:49:29,360 --> 00:49:31,520
Speaker 1: the big payback. We got respect for y'all, you'all got

991
00:49:31,520 --> 00:49:32,200
Speaker 1: respect for us.

992
00:49:32,640 --> 00:49:34,720
Speaker 2: And they showed up and they came to the Beverly

993
00:49:34,800 --> 00:49:42,399
Speaker 2: Hill gun Range with their own weapons. He was really

994
00:49:42,480 --> 00:49:46,200
Speaker 2: out there with mad ship. You see that, you take apart,

995
00:49:49,080 --> 00:49:53,200
Speaker 2: serious serious shot like yo, they didn't even they didn't

996
00:49:53,200 --> 00:49:53,879
Speaker 2: even need their weapon.

997
00:49:54,640 --> 00:49:54,719
Speaker 7: Ye.

998
00:49:55,080 --> 00:49:58,000
Speaker 6: So now you just said you just said K Solo right, yeah,

999
00:49:58,520 --> 00:50:01,480
Speaker 6: K Solo was your artist, right, and then Redman was

1000
00:50:01,600 --> 00:50:05,839
Speaker 6: your art. And at one point we thought that they

1001
00:50:05,880 --> 00:50:11,040
Speaker 6: were the same person, like like Humphy help. At one

1002
00:50:11,080 --> 00:50:12,000
Speaker 6: point we thought they was.

1003
00:50:12,000 --> 00:50:12,640
Speaker 2: The same person.

1004
00:50:12,680 --> 00:50:15,759
Speaker 6: And then it was it felt like they had problems

1005
00:50:15,760 --> 00:50:17,160
Speaker 6: because they both had afros.

1006
00:50:18,640 --> 00:50:23,800
Speaker 2: Wow here, no, I'm correct, But did they ever have problems?

1007
00:50:24,760 --> 00:50:28,040
Speaker 2: We have problems later on, but you get squad and

1008
00:50:28,160 --> 00:50:28,960
Speaker 2: he was hit squad.

1009
00:50:29,360 --> 00:50:30,560
Speaker 3: Yeah yeah, but I had to do with it.

1010
00:50:30,640 --> 00:50:34,320
Speaker 5: That was just Solo talking at one time, okay, you know,

1011
00:50:34,360 --> 00:50:36,440
Speaker 5: and not to give him props though, but again he

1012
00:50:36,560 --> 00:50:38,840
Speaker 5: was just like talking. But I mean again, everything is

1013
00:50:39,200 --> 00:50:42,160
Speaker 5: done now. But there wasn't no between the cruise. It

1014
00:50:42,280 --> 00:50:46,520
Speaker 5: was just him, him and him talking about.

1015
00:50:46,480 --> 00:50:49,520
Speaker 2: What what did he Oh, he said something about y'all.

1016
00:50:49,520 --> 00:50:55,040
Speaker 5: Yeah, about just about Reggie and me, and yeah he

1017
00:50:55,120 --> 00:50:57,719
Speaker 5: did yeah, okay, so yeah he.

1018
00:50:57,800 --> 00:51:05,040
Speaker 2: Signed over there. He solo went to death and his

1019
00:51:05,160 --> 00:51:08,280
Speaker 2: producer Sam Sneed that was Soul's.

1020
00:51:07,840 --> 00:51:10,279
Speaker 5: Producer too, along with parents that went to death Row too.

1021
00:51:11,360 --> 00:51:14,240
Speaker 2: So now Keith Burray's also your artists morning.

1022
00:51:14,480 --> 00:51:15,279
Speaker 5: Are you always together?

1023
00:51:15,360 --> 00:51:19,239
Speaker 2: He resigned to me, So how did you Let's let's

1024
00:51:19,280 --> 00:51:21,879
Speaker 2: describe that. When did you first meet Keith Murray Mary?

1025
00:51:22,000 --> 00:51:23,240
Speaker 5: His name was keithy Keith.

1026
00:51:25,000 --> 00:51:28,920
Speaker 3: Right, And I saw a tape of him.

1027
00:51:29,760 --> 00:51:34,040
Speaker 5: Battling Big Daddy Kane and a diner for Kine's birthday.

1028
00:51:34,400 --> 00:51:39,439
Speaker 2: Wait a minute, Wait a minute, because you said tape.

1029
00:51:39,719 --> 00:51:40,839
Speaker 2: You didn't say you look at.

1030
00:51:42,480 --> 00:51:44,360
Speaker 3: Yes, yes, yeah, okay, I have it.

1031
00:51:44,840 --> 00:51:45,239
Speaker 5: You have it.

1032
00:51:45,400 --> 00:51:50,360
Speaker 2: I have it on DVD. Keith Mury battle Daddy Kane

1033
00:51:50,480 --> 00:51:51,200
Speaker 2: and a diner.

1034
00:51:51,600 --> 00:51:51,759
Speaker 3: Yes.

1035
00:51:53,320 --> 00:51:54,000
Speaker 6: What year was this?

1036
00:51:54,120 --> 00:51:54,439
Speaker 2: He said?

1037
00:51:54,480 --> 00:51:56,600
Speaker 5: He and he said, he said you have to take

1038
00:51:56,600 --> 00:51:59,560
Speaker 5: the skills up, little boy? Who said that to?

1039
00:51:59,640 --> 00:52:01,960
Speaker 2: Who said to Murray Mary?

1040
00:52:02,200 --> 00:52:02,600
Speaker 5: Eighty eight?

1041
00:52:03,239 --> 00:52:04,839
Speaker 2: And I feel like because I feel like Keith Murray

1042
00:52:04,880 --> 00:52:05,480
Speaker 2: was spoke with dust.

1043
00:52:05,480 --> 00:52:11,200
Speaker 5: It's whole like Keith Mary was a kid, he was

1044
00:52:11,239 --> 00:52:14,920
Speaker 5: like fifteen years old, and he battled, Kna, what cane is?

1045
00:52:15,000 --> 00:52:18,279
Speaker 3: This is just eighty eight first King bis. Yeah, that's

1046
00:52:18,880 --> 00:52:19,920
Speaker 3: the hot cane.

1047
00:52:21,719 --> 00:52:24,640
Speaker 2: King and he on his.

1048
00:52:24,680 --> 00:52:29,560
Speaker 5: Birthday since he born was Kane's family too. That was

1049
00:52:29,600 --> 00:52:33,040
Speaker 5: also Keith Murray's uncle, so they was in Brooklyn. Dave

1050
00:52:33,080 --> 00:52:35,640
Speaker 5: was Family's happened to be going to dining for King's

1051
00:52:35,640 --> 00:52:38,400
Speaker 5: birthday after the after after the show that happened in Manhattan,

1052
00:52:38,880 --> 00:52:41,759
Speaker 5: and Murray happened to be with with his uncle. And

1053
00:52:41,880 --> 00:52:45,279
Speaker 5: then he said keeping on a wrap. So Keith not

1054
00:52:45,440 --> 00:52:50,200
Speaker 5: scared when that King kind of and then Kane just

1055
00:52:50,719 --> 00:52:57,640
Speaker 5: you know, got loose. No, no he didn't.

1056
00:52:57,880 --> 00:52:59,880
Speaker 3: But it wasn't even like like that though. He just

1057
00:53:00,080 --> 00:53:02,400
Speaker 3: it like, you know, it came with at him like

1058
00:53:02,480 --> 00:53:05,719
Speaker 3: he was you know, you know that's that's cute.

1059
00:53:07,280 --> 00:53:10,120
Speaker 6: So now I asked him earlier, Now I gotta ask

1060
00:53:10,160 --> 00:53:12,160
Speaker 6: you what are you listening to?

1061
00:53:12,320 --> 00:53:12,480
Speaker 5: Now?

1062
00:53:13,200 --> 00:53:16,360
Speaker 1: Oh man, I'm listening to a little bit of everything.

1063
00:53:16,960 --> 00:53:19,200
Speaker 1: You know, I stick to the to our generation, the

1064
00:53:19,280 --> 00:53:22,080
Speaker 1: legends and stuff like that too. You know, it's definitely

1065
00:53:22,239 --> 00:53:22,640
Speaker 1: l what.

1066
00:53:22,719 --> 00:53:24,439
Speaker 5: Is a panther an animal that kills?

1067
00:53:24,440 --> 00:53:26,520
Speaker 2: I'm like the show for Blood coming out the Gills.

1068
00:53:27,239 --> 00:53:31,600
Speaker 5: Yo, we was fucking go co created Go. Yeah, I

1069
00:53:31,680 --> 00:53:33,680
Speaker 5: can remember that was that the cassette tape? Right?

1070
00:53:33,800 --> 00:53:33,880
Speaker 2: Was that?

1071
00:53:34,040 --> 00:53:34,680
Speaker 5: What album is that?

1072
00:53:34,800 --> 00:53:34,840
Speaker 2: This?

1073
00:53:35,040 --> 00:53:37,120
Speaker 5: That was eight eighty six, eighty seven No.

1074
00:53:37,400 --> 00:53:41,400
Speaker 1: Eighty six, Yeah, yeah before It's my thing to a customer,

1075
00:53:41,480 --> 00:53:43,960
Speaker 1: gold ct creative like we used to study.

1076
00:53:44,680 --> 00:53:45,920
Speaker 2: We studied, you understand.

1077
00:53:45,960 --> 00:53:48,360
Speaker 1: Remember we said in eighth grade we was driving to

1078
00:53:48,440 --> 00:53:51,120
Speaker 1: Delancey Street to pick up sucking season.

1079
00:53:51,200 --> 00:53:53,120
Speaker 2: It's like that because I used to DJ, and I

1080
00:53:53,160 --> 00:53:55,160
Speaker 2: gotta get back to y'all making a car too, because

1081
00:53:56,080 --> 00:53:56,960
Speaker 2: that was crazy.

1082
00:53:57,200 --> 00:53:58,600
Speaker 5: I made the call, built the car.

1083
00:53:58,640 --> 00:54:01,320
Speaker 2: I'm still got the car since guy, I gotta why it.

1084
00:54:05,080 --> 00:54:09,279
Speaker 2: Listen to my the cover? Definitely, Yeah, that's great.

1085
00:54:09,360 --> 00:54:11,560
Speaker 5: So so do you do you?

1086
00:54:12,160 --> 00:54:14,840
Speaker 2: Is there anybody from the new generation that you actually

1087
00:54:15,000 --> 00:54:17,120
Speaker 2: do with? Yeah, bad.

1088
00:54:18,800 --> 00:54:25,600
Speaker 6: Kendrick Kendricks Kendrick's album like Yo, Sit Down, Sit Down,

1089
00:54:26,000 --> 00:54:29,200
Speaker 6: A young cat like that already that advanced to do a.

1090
00:54:29,239 --> 00:54:32,320
Speaker 2: Single like that sit Down and you know what the

1091
00:54:32,440 --> 00:54:33,160
Speaker 2: crazy it is?

1092
00:54:34,000 --> 00:54:36,719
Speaker 6: It's musical though the album like you know, you know,

1093
00:54:36,840 --> 00:54:39,080
Speaker 6: you know, you know the thing about Dre is like

1094
00:54:39,200 --> 00:54:42,920
Speaker 6: if you listen to the Confident album, Uh, it might

1095
00:54:43,000 --> 00:54:46,040
Speaker 6: not be as lyrically impactful, but if you listen to

1096
00:54:46,160 --> 00:54:49,920
Speaker 6: it a music standpoint, it's still phenomenal.

1097
00:54:50,239 --> 00:54:54,680
Speaker 5: It's that sonically you're saying, definitely is here, You're right,

1098
00:54:54,760 --> 00:54:57,320
Speaker 5: because if you're trying to hear the chronic, you're not.

1099
00:54:57,520 --> 00:54:58,440
Speaker 2: No, it's not the chronic.

1100
00:54:58,600 --> 00:55:03,440
Speaker 3: It ain't that the sounding of the music sounding aren't

1101
00:55:03,520 --> 00:55:05,960
Speaker 3: like that. That's why everybody that was on there, because

1102
00:55:06,040 --> 00:55:06,480
Speaker 3: I feel like.

1103
00:55:06,480 --> 00:55:09,359
Speaker 6: Producers make better music than like regular artists, like if

1104
00:55:09,360 --> 00:55:10,600
Speaker 6: you're a producer.

1105
00:55:11,080 --> 00:55:14,800
Speaker 1: Like definitely, because the track comes first and making the

1106
00:55:14,880 --> 00:55:16,960
Speaker 1: track to let me start running. And that's how we

1107
00:55:17,120 --> 00:55:19,440
Speaker 1: did most of my music because the beat that we

1108
00:55:19,560 --> 00:55:23,680
Speaker 1: picked for y'all. Like, because right now we have compone

1109
00:55:24,840 --> 00:55:35,799
Speaker 1: Mob Deep, m O p ST and Pepper Blackstar Early

1110
00:55:35,880 --> 00:55:39,279
Speaker 1: because I feeling good. Duels is coming listen, it's coming

1111
00:55:39,280 --> 00:55:39,920
Speaker 1: out to me right now.

1112
00:55:39,920 --> 00:55:45,480
Speaker 6: It's our nations. You gussing me, my sister, You mean

1113
00:55:45,960 --> 00:55:51,320
Speaker 6: you're just gonna be in a category with PEPMD that

1114
00:55:51,480 --> 00:55:53,200
Speaker 6: we're only working with groups.

1115
00:55:52,920 --> 00:55:58,640
Speaker 2: On the roops, only big business business. But I'm also

1116
00:55:58,760 --> 00:56:00,719
Speaker 2: hating because I felt like I up coming with that.

1117
00:56:01,680 --> 00:56:04,240
Speaker 2: That's right, right, That's why when I say the bowler

1118
00:56:04,360 --> 00:56:06,879
Speaker 2: have no no, no, like I said, oh.

1119
00:56:06,920 --> 00:56:10,120
Speaker 5: Ship right because the crib we're sitting there, like wanted

1120
00:56:10,120 --> 00:56:10,600
Speaker 5: to make sure.

1121
00:56:12,160 --> 00:56:16,200
Speaker 3: I'm saying, you know, stupid, it's like right down, you know.

1122
00:56:16,440 --> 00:56:20,160
Speaker 1: So we're just doing that, you know what, but show

1123
00:56:20,239 --> 00:56:23,319
Speaker 1: you know, we can't leave about a boogie and Dave East.

1124
00:56:26,800 --> 00:56:27,759
Speaker 5: But I also like that for.

1125
00:56:27,880 --> 00:56:31,319
Speaker 6: Zombies though, to that's another shot. You know what, there's

1126
00:56:31,320 --> 00:56:33,400
Speaker 6: a lot of great things about flat. I haven't been

1127
00:56:33,440 --> 00:56:35,480
Speaker 6: able to get into this stuff yet. I haven't had time,

1128
00:56:35,880 --> 00:56:41,360
Speaker 6: but I have been on a bookies dude from South Colinama.

1129
00:56:41,760 --> 00:56:46,680
Speaker 5: He was Nick Nick Nick Grant's age.

1130
00:56:46,960 --> 00:56:49,320
Speaker 6: I just met him at Charlotmade They got Bard, he

1131
00:56:49,400 --> 00:56:51,719
Speaker 6: got Bard and I told him that, you know, because

1132
00:56:51,760 --> 00:56:53,719
Speaker 6: that's where we come from. We come from lyrics first.

1133
00:56:53,920 --> 00:56:56,200
Speaker 2: But can your generations breaking it to us?

1134
00:56:56,719 --> 00:56:57,640
Speaker 7: King O?

1135
00:56:57,760 --> 00:56:58,240
Speaker 2: King Close?

1136
00:56:58,320 --> 00:56:59,120
Speaker 5: Yes, you know he is.

1137
00:56:59,280 --> 00:57:01,839
Speaker 2: He really got King Close is ill. He's ill.

1138
00:57:02,280 --> 00:57:05,200
Speaker 6: He's ill. I like King Close too as well. I

1139
00:57:05,280 --> 00:57:07,799
Speaker 6: feel like he gotta drop something. He does, he gotta

1140
00:57:07,840 --> 00:57:08,279
Speaker 6: drop something.

1141
00:57:08,640 --> 00:57:09,040
Speaker 2: Kindergarten.

1142
00:57:09,040 --> 00:57:10,440
Speaker 5: You gave him the props, you know what I'm saying, Like,

1143
00:57:10,520 --> 00:57:12,440
Speaker 5: you know, like yo, you know they listen to his name.

1144
00:57:12,520 --> 00:57:14,919
Speaker 5: You know like yo, But again it's not to find

1145
00:57:15,080 --> 00:57:19,240
Speaker 5: something to work anybody just a free hey yo, EFN,

1146
00:57:19,360 --> 00:57:19,920
Speaker 5: what's good man?

1147
00:57:20,280 --> 00:57:22,640
Speaker 6: Man? You know these days, man, stamps dot Com is

1148
00:57:22,720 --> 00:57:24,120
Speaker 6: making the trip very short for you.

1149
00:57:24,360 --> 00:57:24,720
Speaker 2: That's right.

1150
00:57:24,800 --> 00:57:27,000
Speaker 7: But these days you can get practically everything on demand,

1151
00:57:27,160 --> 00:57:27,840
Speaker 7: that's right, man.

1152
00:57:27,880 --> 00:57:29,800
Speaker 2: So who's still going to the post office?

1153
00:57:29,840 --> 00:57:31,640
Speaker 6: When you get it on demand, it come to your career,

1154
00:57:31,720 --> 00:57:33,400
Speaker 6: pick it up and all that Stamps dot Com.

1155
00:57:33,520 --> 00:57:35,400
Speaker 2: That's it, that's all they need. Ah, that's right.

1156
00:57:35,480 --> 00:57:37,680
Speaker 7: Anything you can do at the post office you can

1157
00:57:37,840 --> 00:57:40,200
Speaker 7: now do right from your desk with stamps dot Com.

1158
00:57:40,320 --> 00:57:42,960
Speaker 7: Stamps dot Com buy in print official US postage for

1159
00:57:43,160 --> 00:57:45,800
Speaker 7: any letter or package using your own computer and printer.

1160
00:57:46,080 --> 00:57:49,120
Speaker 7: And unlike the post office, stamps dot Com never closes,

1161
00:57:49,360 --> 00:57:51,200
Speaker 7: so you can get postage whenever you need it.

1162
00:57:51,280 --> 00:57:52,120
Speaker 2: Twenty four to seven.

1163
00:57:52,240 --> 00:57:52,439
Speaker 5: See.

1164
00:57:52,480 --> 00:57:55,280
Speaker 6: I use stamps dot Com to deliver you know, expensive jurry,

1165
00:57:55,560 --> 00:57:59,080
Speaker 6: to deliver my cats, you know, food, to deliver my dogs,

1166
00:57:59,120 --> 00:57:59,960
Speaker 6: and toenails.

1167
00:58:00,160 --> 00:58:02,040
Speaker 2: I'm do things like that with stamps dot Com.

1168
00:58:02,160 --> 00:58:03,720
Speaker 7: Yeah, man, you know, I just don't want to deal

1169
00:58:03,760 --> 00:58:05,280
Speaker 7: with the lines at the post office. I love the

1170
00:58:05,320 --> 00:58:07,280
Speaker 7: post office, but man, if I could just use Stamps

1171
00:58:07,320 --> 00:58:07,680
Speaker 7: dot com.

1172
00:58:07,760 --> 00:58:08,440
Speaker 2: It's gonna save me.

1173
00:58:08,440 --> 00:58:10,320
Speaker 7: A lot of time, a lot of headache and just

1174
00:58:10,400 --> 00:58:11,720
Speaker 7: a lot of just a lot of time I could

1175
00:58:11,720 --> 00:58:12,800
Speaker 7: be doing other things, you know, So.

1176
00:58:12,920 --> 00:58:15,760
Speaker 2: Right now use our name for this special offer. That's

1177
00:58:15,960 --> 00:58:18,280
Speaker 2: Champs c h A m p S.

1178
00:58:18,400 --> 00:58:22,120
Speaker 7: Tell them EFN four week trial includes postage and digital scale.

1179
00:58:22,200 --> 00:58:22,640
Speaker 2: Don't wait.

1180
00:58:23,000 --> 00:58:25,280
Speaker 7: Go to Stamps dot com before you do anything else.

1181
00:58:25,560 --> 00:58:27,360
Speaker 7: Click on the radio microphone at the top of the

1182
00:58:27,400 --> 00:58:30,600
Speaker 7: homepage and type in Champs that Stamps dot com. Enter

1183
00:58:30,800 --> 00:58:34,240
Speaker 7: Champs Stamps dot com. Never go to the post office again.

1184
00:58:34,480 --> 00:58:38,400
Speaker 7: That's Champs c A A N p S preing CHANMPS. Baby,

1185
00:58:38,520 --> 00:58:38,960
Speaker 7: let's do it.

1186
00:58:39,800 --> 00:58:40,880
Speaker 2: That's why I was doing hip hop.

1187
00:58:40,880 --> 00:58:41,240
Speaker 5: I don't care.

1188
00:58:41,240 --> 00:58:42,840
Speaker 2: I'm never gonna get just I'm.

1189
00:58:42,720 --> 00:58:46,320
Speaker 5: Never gonna put myself in the position where I changed,

1190
00:58:46,440 --> 00:58:49,280
Speaker 5: because you can win doing hip hop. Told you you

1191
00:58:49,440 --> 00:58:52,560
Speaker 5: had to conform to this. You don't gotta do this.

1192
00:58:52,760 --> 00:58:56,200
Speaker 5: People looking for what you do exactly do what you're doing.

1193
00:58:56,280 --> 00:58:58,840
Speaker 2: You will win, you know. And that's why I'll tell

1194
00:58:58,840 --> 00:59:01,800
Speaker 2: you something. That's why, Like I was laid on Kendred album,

1195
00:59:01,800 --> 00:59:03,680
Speaker 2: this album is me too.

1196
00:59:03,920 --> 00:59:06,000
Speaker 6: I was late, right, so I kept looking at Twitter

1197
00:59:06,040 --> 00:59:07,520
Speaker 6: and people can say I'm telling me how.

1198
00:59:07,520 --> 00:59:11,160
Speaker 2: Dope it is, so like like an analyst.

1199
00:59:11,920 --> 00:59:17,040
Speaker 5: I downloaded it one am and I just my falcony.

1200
00:59:17,480 --> 00:59:18,280
Speaker 3: My son just came me.

1201
00:59:18,400 --> 00:59:20,120
Speaker 2: I was in my balcony. Eleven.

1202
00:59:20,480 --> 00:59:24,240
Speaker 6: I was in my balcony and I listened to and

1203
00:59:24,600 --> 00:59:27,280
Speaker 6: to tell you the truth. You know, because I'm an

1204
00:59:27,360 --> 00:59:30,320
Speaker 6: artist first, you always kind of like listen to your

1205
00:59:30,440 --> 00:59:33,320
Speaker 6: music to say fuck you, like not not not in

1206
00:59:33,400 --> 00:59:35,360
Speaker 6: a bad way. But I listened to it and be like,

1207
00:59:36,040 --> 00:59:38,480
Speaker 6: I feel like I'm better. Leo Comen says, all on

1208
00:59:38,760 --> 00:59:39,480
Speaker 6: and assholes.

1209
00:59:40,120 --> 00:59:44,080
Speaker 2: He's right, I.

1210
00:59:44,080 --> 00:59:46,280
Speaker 5: Don't think I'm assholes.

1211
00:59:48,080 --> 00:59:51,840
Speaker 2: Straight now you listen to Kendred Ship.

1212
00:59:52,200 --> 00:59:56,480
Speaker 6: I wanted to hate and not a bone hate, no,

1213
00:59:56,600 --> 00:59:58,240
Speaker 6: because you know why. I just I just want to

1214
00:59:58,400 --> 01:00:01,040
Speaker 6: compare myself to every new artists. I want to be like, yo,

1215
01:00:01,080 --> 01:00:01,960
Speaker 6: I can, I can beat you.

1216
01:00:02,360 --> 01:00:03,240
Speaker 2: But when I listened to.

1217
01:00:03,320 --> 01:00:06,080
Speaker 5: That, we feel that way. Yeah, we do a ponent

1218
01:00:06,160 --> 01:00:08,480
Speaker 5: you feel that wave too, But but there's nobody to

1219
01:00:08,640 --> 01:00:12,840
Speaker 5: go against. You can't compare yourself to that. No but

1220
01:00:13,480 --> 01:00:16,480
Speaker 5: rhyming but the majority.

1221
01:00:17,320 --> 01:00:19,640
Speaker 6: But when I heard his album I'm not Gonna Lie

1222
01:00:19,680 --> 01:00:22,479
Speaker 6: to You, it made me remember how much I loved

1223
01:00:22,560 --> 01:00:25,080
Speaker 6: hip hop. It made me remember how much I love

1224
01:00:25,240 --> 01:00:27,760
Speaker 6: you guys are. It made me remember how much I

1225
01:00:27,920 --> 01:00:31,200
Speaker 6: love a Na's album. It made me remember how much

1226
01:00:31,440 --> 01:00:33,760
Speaker 6: there would be no time like the rest album like.

1227
01:00:33,960 --> 01:00:36,600
Speaker 2: Like it kind of like time like that. Nineties will

1228
01:00:36,680 --> 01:00:37,880
Speaker 2: never we would not.

1229
01:00:38,200 --> 01:00:42,160
Speaker 5: It's sad to say we would never experience nothing like that.

1230
01:00:42,680 --> 01:00:46,000
Speaker 5: When every group had their own identity, nobody had the

1231
01:00:46,120 --> 01:00:47,959
Speaker 5: rhyme like nobody, everybody had their.

1232
01:00:47,880 --> 01:00:51,040
Speaker 2: Own sound, and we all won. How do you have

1233
01:00:51,160 --> 01:00:52,080
Speaker 2: to do that? You know.

1234
01:00:54,120 --> 01:00:57,920
Speaker 6: You don't want me now now it's totally the opposite.

1235
01:00:58,200 --> 01:01:05,040
Speaker 6: Everybody sounds the same, you know, the great you know.

1236
01:01:06,680 --> 01:01:06,920
Speaker 5: You got.

1237
01:01:06,960 --> 01:01:09,520
Speaker 2: The other day I looked at I looked at somebody's.

1238
01:01:09,120 --> 01:01:13,120
Speaker 6: Instagram, right, and the guys on the instagram, and he

1239
01:01:13,280 --> 01:01:14,680
Speaker 6: sounds just like future.

1240
01:01:14,880 --> 01:01:15,040
Speaker 5: Right.

1241
01:01:15,360 --> 01:01:17,920
Speaker 2: But the guy says, these other rappers want to copy me,

1242
01:01:20,480 --> 01:01:25,600
Speaker 2: like Nigga. You copy it right, right, just like anybody

1243
01:01:25,640 --> 01:01:26,160
Speaker 2: else copying.

1244
01:01:26,880 --> 01:01:30,040
Speaker 6: But that's how crazy it is is that nobody checks it.

1245
01:01:30,120 --> 01:01:34,560
Speaker 6: Nobody says yo back then, like you said biting was bad,

1246
01:01:35,000 --> 01:01:38,320
Speaker 6: like yo, Me and Compone went all out not to

1247
01:01:38,440 --> 01:01:41,160
Speaker 6: be compared to mob Deep, like you don't understand, Like

1248
01:01:41,480 --> 01:01:43,960
Speaker 6: when we came out and our first record was l

1249
01:01:44,000 --> 01:01:46,120
Speaker 6: A l A and he's on the same record with

1250
01:01:46,240 --> 01:01:50,640
Speaker 6: Mom d right, so they automatically that's the fake version

1251
01:01:50,640 --> 01:01:51,200
Speaker 6: of Mom Deep.

1252
01:01:51,240 --> 01:01:54,160
Speaker 2: That's what Mom Deep, Mom Deep me and this nigga.

1253
01:01:54,440 --> 01:01:58,040
Speaker 6: We did everything in our nature to not be compared

1254
01:01:58,080 --> 01:02:02,200
Speaker 6: to them, nigga. So that's why we did wave man,

1255
01:02:02,480 --> 01:02:05,880
Speaker 6: That's why we did. We just wanted to get away

1256
01:02:05,920 --> 01:02:09,240
Speaker 6: from you. But the thing is nowadays, if they say

1257
01:02:09,320 --> 01:02:14,400
Speaker 6: you sound like that guy, it's actually good things say. Listen,

1258
01:02:14,480 --> 01:02:15,400
Speaker 6: they can never be you.

1259
01:02:16,240 --> 01:02:18,720
Speaker 2: Listen. No, I swear to God tell me all the time.

1260
01:02:19,880 --> 01:02:22,280
Speaker 5: My sister call me Michael Jackson at the crib not

1261
01:02:22,400 --> 01:02:23,800
Speaker 5: because of that, because.

1262
01:02:23,800 --> 01:02:26,080
Speaker 3: No matter what you do, young kid, you will never

1263
01:02:26,160 --> 01:02:26,440
Speaker 3: be me.

1264
01:02:26,720 --> 01:02:27,120
Speaker 5: That's right.

1265
01:02:27,240 --> 01:02:29,200
Speaker 2: This is thirty years, that's right.

1266
01:02:29,920 --> 01:02:33,520
Speaker 5: You ain't even did three yet after you finished. How

1267
01:02:33,560 --> 01:02:36,880
Speaker 5: can you eat after this? I'm still toring how you

1268
01:02:37,000 --> 01:02:41,160
Speaker 5: gonna eat? I'm just saying I want to realize if

1269
01:02:41,200 --> 01:02:43,480
Speaker 5: I can be there and see, how are you eating?

1270
01:02:43,520 --> 01:02:47,680
Speaker 5: Because nobody's coming to watch you in ten years.

1271
01:02:48,240 --> 01:02:50,360
Speaker 2: Right, So how are you gonna eat?

1272
01:02:50,440 --> 01:02:54,080
Speaker 5: If you didn't say right and you want to disrespect me,

1273
01:02:54,440 --> 01:02:57,080
Speaker 5: I feel sorry for you because you will never be me.

1274
01:02:57,400 --> 01:02:58,720
Speaker 2: You never sold these records.

1275
01:02:58,840 --> 01:03:01,240
Speaker 5: You will never have number one out, you'll never be toring,

1276
01:03:01,320 --> 01:03:03,800
Speaker 5: you'll never be in these arenas. To do summer Jam,

1277
01:03:03,920 --> 01:03:09,720
Speaker 5: you need eighteen one hundred new people. Without them, you

1278
01:03:09,800 --> 01:03:10,440
Speaker 5: won't pack it.

1279
01:03:10,640 --> 01:03:12,720
Speaker 2: Talk that shit, and we gotta now.

1280
01:03:12,880 --> 01:03:15,960
Speaker 5: If any one of us go, if we're seeing in NAS,

1281
01:03:16,000 --> 01:03:18,360
Speaker 5: E pm D, whatever and two more of the groups,

1282
01:03:18,480 --> 01:03:21,600
Speaker 5: we can pack fifty one thousand with nobody in the radio.

1283
01:03:26,120 --> 01:03:28,040
Speaker 6: Usually I gotta get people drunk and talk like, are

1284
01:03:28,040 --> 01:03:33,240
Speaker 6: you talking? You're just so you're super drunk. I'm gona

1285
01:03:33,240 --> 01:03:37,520
Speaker 6: trying to give you now because again they gotta this.

1286
01:03:37,760 --> 01:03:41,760
Speaker 5: We ride it right through. We caligade who you are.

1287
01:03:42,160 --> 01:03:44,960
Speaker 5: Don't let nobody take this from you. Me and Paris

1288
01:03:45,040 --> 01:03:49,040
Speaker 5: are humbled too, humble to a faults. Sometimes I'm like, Pete,

1289
01:03:49,040 --> 01:03:51,200
Speaker 5: I'm gonna let them them niggas ain't us look at

1290
01:03:51,280 --> 01:03:52,000
Speaker 5: that they got over.

1291
01:03:52,080 --> 01:03:53,360
Speaker 3: They would never be us.

1292
01:03:55,400 --> 01:03:57,000
Speaker 2: They say, oh, that's hip hop.

1293
01:03:57,160 --> 01:03:59,880
Speaker 6: That's why we put songs like the crossover. But that's why,

1294
01:04:00,120 --> 01:04:04,640
Speaker 6: that's why I drink camps. We won't be humble for you.

1295
01:04:05,000 --> 01:04:08,160
Speaker 6: We're gonna we're gonna represent E p m D. Not

1296
01:04:08,320 --> 01:04:11,080
Speaker 6: only tonight, but we're gonna represent apm D every fun.

1297
01:04:11,160 --> 01:04:14,320
Speaker 5: But look how you won. Nobody was expecting you to win.

1298
01:04:15,080 --> 01:04:17,840
Speaker 5: They can't win with this and on new people on there,

1299
01:04:18,400 --> 01:04:20,680
Speaker 5: we're watching these old niggas talking about no nothing.

1300
01:04:20,560 --> 01:04:20,960
Speaker 2: None of that.

1301
01:04:21,480 --> 01:04:21,600
Speaker 5: Yo.

1302
01:04:21,800 --> 01:04:23,720
Speaker 1: What I love about this show Like a lot of

1303
01:04:23,760 --> 01:04:26,120
Speaker 1: times we listen to it while we're traveling and you

1304
01:04:26,320 --> 01:04:29,000
Speaker 1: get to hear the stories that you didn't know exactly

1305
01:04:29,280 --> 01:04:29,760
Speaker 1: know about.

1306
01:04:31,680 --> 01:04:33,800
Speaker 2: Keith Murried. I'm with Keith.

1307
01:04:35,600 --> 01:04:38,280
Speaker 5: Like guests was saying, when was I know about it?

1308
01:04:38,680 --> 01:04:47,520
Speaker 5: Any little brothers? For remember in Philly, Miss Snoop said

1309
01:04:47,600 --> 01:04:49,280
Speaker 5: on the ship like, yo, oh ship, we saw an

1310
01:04:49,280 --> 01:04:51,520
Speaker 5: A p m D video on We're like, oh, should

1311
01:04:51,520 --> 01:04:51,960
Speaker 5: we may it now?

1312
01:04:52,000 --> 01:04:53,840
Speaker 3: I mean we're on the video after e p m D.

1313
01:04:54,560 --> 01:04:58,120
Speaker 5: Like the stories that people give y'all from on this show,

1314
01:04:58,560 --> 01:05:01,640
Speaker 5: like the ship that we learned, I learned compete and

1315
01:05:01,760 --> 01:05:06,120
Speaker 5: what comes out you know what it is?

1316
01:05:06,640 --> 01:05:09,720
Speaker 6: We got to give our artistic flowers when they can

1317
01:05:09,760 --> 01:05:10,920
Speaker 6: smell them, give them the trees.

1318
01:05:10,680 --> 01:05:14,680
Speaker 5: When they stop right now, please stop. A stranger in

1319
01:05:14,760 --> 01:05:17,919
Speaker 5: Detroit came to my room and told me the same ship.

1320
01:05:18,440 --> 01:05:23,880
Speaker 5: Do not let nobody, don't compone, let them represent you

1321
01:05:24,400 --> 01:05:27,760
Speaker 5: and congratulate you while you living, that's right. Don't let

1322
01:05:27,880 --> 01:05:31,560
Speaker 5: nobody give you props when you're dead supposed to.

1323
01:05:31,560 --> 01:05:34,560
Speaker 2: Get And that's and that's the thing.

1324
01:05:34,680 --> 01:05:38,040
Speaker 6: That's the thing is I'm glad, you know, I see

1325
01:05:38,320 --> 01:05:40,640
Speaker 6: I see our culture suffers from that.

1326
01:05:41,160 --> 01:05:42,680
Speaker 2: I seen that every other culture.

1327
01:05:42,720 --> 01:05:43,640
Speaker 5: Like I said, I went to this.

1328
01:05:43,640 --> 01:05:47,320
Speaker 6: Account office and the account is you know all you

1329
01:05:47,400 --> 01:05:50,760
Speaker 6: know older rock bands. I was the only black guy there,

1330
01:05:51,400 --> 01:05:55,520
Speaker 6: but they they was collecting checks and they was doing that,

1331
01:05:55,640 --> 01:05:59,000
Speaker 6: and I'm like, damn, and I'm like, yo, why we don't.

1332
01:05:58,920 --> 01:06:01,280
Speaker 2: Do that in like why do you like?

1333
01:06:01,440 --> 01:06:03,920
Speaker 6: It doesn't cost me nothing to tell you? I like,

1334
01:06:04,000 --> 01:06:06,720
Speaker 6: you know that right, no doubt, No, it don't cost

1335
01:06:06,760 --> 01:06:08,840
Speaker 6: me nothing. It don't cost me nothing to say.

1336
01:06:09,040 --> 01:06:11,560
Speaker 2: Every time I see Eric Sherman to me and him

1337
01:06:11,600 --> 01:06:14,240
Speaker 2: to be like, like, you know we are we playing

1338
01:06:14,240 --> 01:06:16,800
Speaker 2: around here, and but you know he shows me respect.

1339
01:06:16,840 --> 01:06:17,720
Speaker 2: I show hown respect.

1340
01:06:18,480 --> 01:06:22,240
Speaker 6: Why why don't we do that in public? I'm not

1341
01:06:22,320 --> 01:06:26,280
Speaker 6: saying us. I'm saying if Jealary, most people won't. They

1342
01:06:26,320 --> 01:06:27,080
Speaker 6: don't want to do that.

1343
01:06:27,240 --> 01:06:28,400
Speaker 2: They don't want to say that.

1344
01:06:29,040 --> 01:06:32,120
Speaker 6: If I grew up listening to you, and if you

1345
01:06:32,440 --> 01:06:35,760
Speaker 6: made what component oriega is? I gotta tell you that

1346
01:06:35,880 --> 01:06:38,760
Speaker 6: to your question, and I gotta say every week we

1347
01:06:38,920 --> 01:06:41,720
Speaker 6: did this component Oriega, we tried to be epigain.

1348
01:06:42,720 --> 01:06:43,640
Speaker 3: I tell Rockery to.

1349
01:06:43,720 --> 01:06:46,439
Speaker 5: His face, I'm like, yo, and I'm like as a man,

1350
01:06:46,800 --> 01:06:49,479
Speaker 5: I tell run gettee today face. I let them people

1351
01:06:49,640 --> 01:06:52,320
Speaker 5: know today faces. I don't care who it is. If

1352
01:06:52,360 --> 01:06:55,840
Speaker 5: you influence me, I'm given this to you. But people

1353
01:06:56,080 --> 01:06:58,840
Speaker 5: like yore saying but that, but that's only us.

1354
01:06:59,240 --> 01:07:02,560
Speaker 2: I sweat him. I'm not jocking that. I think it's

1355
01:07:02,560 --> 01:07:03,320
Speaker 2: all society.

1356
01:07:04,240 --> 01:07:07,880
Speaker 6: Society because the thing about it is me and Copone

1357
01:07:07,880 --> 01:07:09,880
Speaker 6: would be the fakest people in the world if we

1358
01:07:10,000 --> 01:07:12,280
Speaker 6: ain't saying we was influenced.

1359
01:07:11,680 --> 01:07:13,760
Speaker 2: By you, right, if we if me and him would

1360
01:07:13,800 --> 01:07:16,680
Speaker 2: be the corniest dudes in the world, if we say Yo,

1361
01:07:17,400 --> 01:07:19,560
Speaker 2: you know he was trying to be e PMD like

1362
01:07:19,680 --> 01:07:20,080
Speaker 2: we were.

1363
01:07:20,920 --> 01:07:23,440
Speaker 13: But that doesn't make us bad bad at all, because

1364
01:07:23,480 --> 01:07:27,280
Speaker 13: we were following MC. I mean, eighty eight for y'all

1365
01:07:27,480 --> 01:07:31,920
Speaker 13: is rock boxes them for us, and we related eighty three.

1366
01:07:32,080 --> 01:07:35,760
Speaker 1: It's a little song, could be mind brock another shot,

1367
01:07:36,480 --> 01:07:39,480
Speaker 1: But what is that saying about today's shake your shot?

1368
01:07:39,520 --> 01:07:41,800
Speaker 2: Come on? Obviously there wasn't the leaders for them, Yo.

1369
01:07:42,000 --> 01:07:46,640
Speaker 2: I noticed my glasses the biggest in it. I watched them.

1370
01:07:46,680 --> 01:07:47,400
Speaker 5: We say that too.

1371
01:07:47,440 --> 01:07:48,640
Speaker 3: If we're going back to it too.

1372
01:07:49,200 --> 01:07:50,960
Speaker 5: If we would have said something that wouldn't have got

1373
01:07:51,040 --> 01:07:54,040
Speaker 5: that far. We didn't say anything. We let just get

1374
01:07:54,080 --> 01:07:56,040
Speaker 5: out of hand and it got like this, right, so

1375
01:07:56,160 --> 01:07:58,720
Speaker 5: we say this, our generation dropped the ball, weed the ball,

1376
01:07:58,880 --> 01:08:02,400
Speaker 5: but we're starting the world. Yeah, it was parented even

1377
01:08:02,440 --> 01:08:05,280
Speaker 5: in parenting that like us as not us as parents,

1378
01:08:05,360 --> 01:08:09,240
Speaker 5: but the parents to our parents was the last parents

1379
01:08:09,320 --> 01:08:10,720
Speaker 5: that parented children too.

1380
01:08:11,400 --> 01:08:12,640
Speaker 3: And you know, like the switch.

1381
01:08:13,600 --> 01:08:17,720
Speaker 6: Somebody told me the other day, it said, and I

1382
01:08:17,800 --> 01:08:20,680
Speaker 6: agree with them, but they said to me, they said,

1383
01:08:20,720 --> 01:08:21,160
Speaker 6: you don't.

1384
01:08:21,040 --> 01:08:23,439
Speaker 2: Like this new generation of hip hop. I was like,

1385
01:08:23,520 --> 01:08:28,320
Speaker 2: it's okay. They said, what is your fault? And they said,

1386
01:08:28,320 --> 01:08:32,080
Speaker 2: because you didn't say nothing, right, And I said, it's

1387
01:08:32,240 --> 01:08:34,960
Speaker 2: similar to what my son said earlier. And I said,

1388
01:08:35,000 --> 01:08:37,200
Speaker 2: what it said. You you didn't say nothing like when

1389
01:08:37,240 --> 01:08:40,800
Speaker 2: you knew it was bullshit happening. You never said nothing,

1390
01:08:41,960 --> 01:08:42,479
Speaker 2: just sat.

1391
01:08:42,520 --> 01:08:47,200
Speaker 3: Nobody said to ourselves.

1392
01:08:47,360 --> 01:08:52,320
Speaker 8: And then by the time we did realize, because you

1393
01:08:52,400 --> 01:08:54,719
Speaker 8: know what, I'm all out, we actually it was actually

1394
01:08:54,720 --> 01:08:56,960
Speaker 8: about lyrics when we just came up, was actually about

1395
01:08:57,000 --> 01:08:59,080
Speaker 8: beast right now, it's about melody.

1396
01:08:59,280 --> 01:09:03,760
Speaker 2: You have a great melody, they can do that. They

1397
01:09:03,800 --> 01:09:05,360
Speaker 2: gotta be wide as fun. But if you have a

1398
01:09:05,439 --> 01:09:10,639
Speaker 2: great melody, a single long melody, everybody, and don't forget

1399
01:09:10,640 --> 01:09:12,679
Speaker 2: our arrow. We had to go to power Play Studio.

1400
01:09:13,080 --> 01:09:18,680
Speaker 2: We had a Queens Gone That's why list that was

1401
01:09:18,960 --> 01:09:23,200
Speaker 2: for us. Will power play our sounds? What you saying

1402
01:09:23,320 --> 01:09:26,560
Speaker 2: came like PA used to Carrie one, you stop a

1403
01:09:26,600 --> 01:09:31,720
Speaker 2: sleeping bag? I did over Corel the little camera.

1404
01:09:32,240 --> 01:09:33,599
Speaker 5: The engineer was the name that was dead.

1405
01:09:35,880 --> 01:09:38,360
Speaker 2: You don't have to wait and Paul pulling y'all either

1406
01:09:39,520 --> 01:09:40,400
Speaker 2: pulling before y'all.

1407
01:09:40,600 --> 01:09:40,920
Speaker 5: I don't know.

1408
01:09:41,160 --> 01:09:42,479
Speaker 2: I was so broken at the.

1409
01:09:44,640 --> 01:09:48,280
Speaker 5: It was engineers. Then I was so growing.

1410
01:09:48,360 --> 01:09:51,200
Speaker 2: I'm bro Like when the niggas told me to come,

1411
01:09:51,240 --> 01:09:52,880
Speaker 2: I was like, I didn't know how to get there.

1412
01:09:53,560 --> 01:09:55,720
Speaker 2: But I was just like, yo, I'm getting there. But

1413
01:09:55,800 --> 01:09:56,320
Speaker 2: I was broken.

1414
01:09:56,680 --> 01:09:59,080
Speaker 5: But me and Prads got signed for fifty hundred dollars

1415
01:09:59,120 --> 01:10:00,000
Speaker 5: our first contract.

1416
01:10:00,280 --> 01:10:04,600
Speaker 9: Oh yeah, Nea using above that.

1417
01:10:07,960 --> 01:10:09,080
Speaker 3: He came with low than hours.

1418
01:10:09,320 --> 01:10:13,360
Speaker 2: Okay, hold on, you keep bringing up biz Mark, biz

1419
01:10:13,479 --> 01:10:15,760
Speaker 2: Mak whoever you at. We need you drinking.

1420
01:10:17,720 --> 01:10:19,680
Speaker 5: Doing it right now, Like you know what.

1421
01:10:19,760 --> 01:10:22,000
Speaker 6: The Crazy City is a lot of people don't know

1422
01:10:22,960 --> 01:10:28,000
Speaker 6: that that's what I get my humor from. My humor

1423
01:10:28,080 --> 01:10:30,679
Speaker 6: comes from biz mod Chiz Mark was the first person

1424
01:10:30,720 --> 01:10:33,719
Speaker 6: that made me listen to a record and then laugh.

1425
01:10:34,240 --> 01:10:36,160
Speaker 6: When he said I'm gonna put, you know, pick a

1426
01:10:36,240 --> 01:10:40,320
Speaker 6: bullet on the basketball, I was like, damn because I'm

1427
01:10:40,360 --> 01:10:40,960
Speaker 6: visualized that.

1428
01:10:41,080 --> 01:10:42,439
Speaker 5: I was like, that's a family.

1429
01:10:46,840 --> 01:10:48,800
Speaker 6: And so a lot of people asked me and I say,

1430
01:10:49,040 --> 01:10:53,000
Speaker 6: my humor comes from biz Mark. But again, these people

1431
01:10:53,040 --> 01:10:56,320
Speaker 6: don't know who biz Mocky is, so they sit back.

1432
01:10:56,760 --> 01:11:01,519
Speaker 2: But the kids know from your guys. Now you really yeah, yeah,

1433
01:11:01,680 --> 01:11:03,800
Speaker 2: but that's where it came from.

1434
01:11:03,880 --> 01:11:08,280
Speaker 6: That was like the first like comedic rapper, right and

1435
01:11:09,439 --> 01:11:13,479
Speaker 6: since then it hasn't been one. Right now, I'm taking

1436
01:11:13,560 --> 01:11:15,759
Speaker 6: over that position, but I'm taking.

1437
01:11:15,640 --> 01:11:18,800
Speaker 2: Over it from a media standpoint. And at the end

1438
01:11:18,840 --> 01:11:22,479
Speaker 2: of the day, I can't never forget my forefather's like.

1439
01:11:22,880 --> 01:11:25,240
Speaker 5: Gonna be gonna he ain't never heard that.

1440
01:11:25,560 --> 01:11:29,040
Speaker 2: Yeah, but you know, to this day this Mark is

1441
01:11:29,080 --> 01:11:32,040
Speaker 2: still the same way he wasn't. Granddaddy, are you and

1442
01:11:32,280 --> 01:11:35,400
Speaker 2: you know on the same page, Granddaddy? You know you

1443
01:11:35,479 --> 01:11:37,400
Speaker 2: got big shot Granddaddy.

1444
01:11:37,600 --> 01:11:39,640
Speaker 5: You look, I've been following guy.

1445
01:11:39,880 --> 01:11:41,720
Speaker 2: Listen, I'm listen. I'm gonna tell your niggas song.

1446
01:11:45,280 --> 01:11:48,920
Speaker 6: I heard this nigga say I knew a girl named

1447
01:11:49,000 --> 01:11:53,080
Speaker 6: Kenya from West Virginia, or would I like to stick.

1448
01:11:52,840 --> 01:11:56,280
Speaker 2: To something in you? I was a rapper from that moment.

1449
01:11:57,360 --> 01:12:00,840
Speaker 2: I did not understand from Brenda.

1450
01:12:01,479 --> 01:12:04,560
Speaker 6: Granted you made meet great, made in all. I'mna be

1451
01:12:04,600 --> 01:12:07,200
Speaker 6: honest with Wow. When I heard that you know that

1452
01:12:08,320 --> 01:12:10,920
Speaker 6: he knows it, I said that he's like seventeen million times.

1453
01:12:13,520 --> 01:12:17,240
Speaker 6: But but that ship right there was like I gotta

1454
01:12:17,360 --> 01:12:19,640
Speaker 6: rap now I gotta do. I didn't know how I

1455
01:12:19,720 --> 01:12:21,360
Speaker 6: was gonna rap. I didn't know how I was gonna

1456
01:12:21,360 --> 01:12:21,600
Speaker 6: make it.

1457
01:12:21,960 --> 01:12:22,160
Speaker 5: Yeah.

1458
01:12:22,840 --> 01:12:26,360
Speaker 6: But but from that from those vocals right there, but

1459
01:12:26,680 --> 01:12:29,760
Speaker 6: let's get back to that's tell m Let's get back

1460
01:12:29,800 --> 01:12:30,479
Speaker 6: to E P M D.

1461
01:12:32,960 --> 01:12:34,760
Speaker 2: I was gonna say, arguably.

1462
01:12:35,080 --> 01:12:39,320
Speaker 6: But probably the best two man group ever in life,

1463
01:12:39,720 --> 01:12:40,600
Speaker 6: in existence.

1464
01:12:41,160 --> 01:12:43,639
Speaker 2: I'm standing in front of both of y'all. I felt

1465
01:12:43,680 --> 01:12:45,519
Speaker 2: like one of y'all was gonna come. I felt like

1466
01:12:45,560 --> 01:12:47,519
Speaker 2: it was just one person. I was like, damn, Wow,

1467
01:12:47,560 --> 01:12:49,600
Speaker 2: that's crazy, Like.

1468
01:12:51,000 --> 01:12:53,439
Speaker 3: How's your brother's all on you?

1469
01:12:53,600 --> 01:12:55,760
Speaker 2: That's my man? What's his name?

1470
01:12:59,680 --> 01:12:59,960
Speaker 7: His name is?

1471
01:13:02,000 --> 01:13:02,040
Speaker 6: You?

1472
01:13:02,080 --> 01:13:06,880
Speaker 2: Gotta at one from Brentwood and to on from Brent Long,

1473
01:13:07,360 --> 01:13:12,759
Speaker 2: my brother. The way the Tiger Bone were missing some elements.

1474
01:13:13,280 --> 01:13:15,519
Speaker 5: Yeah, that's okay, he said.

1475
01:13:15,560 --> 01:13:17,639
Speaker 3: He said, you gotta check out know his show.

1476
01:13:18,360 --> 01:13:20,720
Speaker 5: What is it? It's called Drink Chance told me. He says,

1477
01:13:20,760 --> 01:13:23,840
Speaker 5: the trompest Ship. Ever. I mean here, we take like

1478
01:13:23,960 --> 01:13:24,760
Speaker 5: four hour rides.

1479
01:13:24,880 --> 01:13:27,799
Speaker 1: We listen to the musics, into the hip hop and everything.

1480
01:13:27,840 --> 01:13:32,280
Speaker 1: You take the ut jack clicking drink, you gotta jump.

1481
01:13:35,920 --> 01:13:38,400
Speaker 2: You're like, yo, I didn't know that you get this.

1482
01:13:38,560 --> 01:13:40,960
Speaker 6: It's like behind the music and and and that, and

1483
01:13:41,280 --> 01:13:44,160
Speaker 6: that's what it is, because it's because you know why

1484
01:13:44,960 --> 01:13:47,559
Speaker 6: the thing is, we don't have an inside the NBA

1485
01:13:47,680 --> 01:13:48,240
Speaker 6: for hip hop.

1486
01:13:48,479 --> 01:13:49,160
Speaker 5: We don't have it.

1487
01:13:50,000 --> 01:13:51,799
Speaker 2: So when you look at Kenny Smith, who's from.

1488
01:13:51,760 --> 01:13:55,920
Speaker 5: Left Rack by the way, I do that in there.

1489
01:13:56,760 --> 01:14:02,160
Speaker 2: That was a shot. Yeah, I watched Kenny Smith. I

1490
01:14:02,280 --> 01:14:03,320
Speaker 2: watched Charles Barkley.

1491
01:14:03,479 --> 01:14:06,280
Speaker 6: Even though I don't agree with Charles Barkley's it's like,

1492
01:14:06,400 --> 01:14:08,600
Speaker 6: you know what, you can't argue with him because he

1493
01:14:08,760 --> 01:14:09,559
Speaker 6: played the game.

1494
01:14:10,520 --> 01:14:12,240
Speaker 2: He actually played the game.

1495
01:14:13,600 --> 01:14:16,160
Speaker 6: So even when I don't even like fun with him,

1496
01:14:16,160 --> 01:14:17,679
Speaker 6: and I don't know, I don't fuck with his views

1497
01:14:17,720 --> 01:14:18,000
Speaker 6: at all.

1498
01:14:18,560 --> 01:14:20,160
Speaker 2: Like I don't funk with his views at all. But

1499
01:14:20,800 --> 01:14:22,280
Speaker 2: I can't say I don't funk with.

1500
01:14:22,360 --> 01:14:25,240
Speaker 6: Him because he played the game at a high level

1501
01:14:25,479 --> 01:14:27,439
Speaker 6: and then he's giving back and his opinion should be

1502
01:14:27,479 --> 01:14:28,000
Speaker 6: his opinion.

1503
01:14:28,760 --> 01:14:33,280
Speaker 2: So we all sat back me if said, where is

1504
01:14:34,120 --> 01:14:37,559
Speaker 2: our version of that? Why don't we have that? Why

1505
01:14:37,600 --> 01:14:38,280
Speaker 2: don't we have it?

1506
01:14:38,520 --> 01:14:39,800
Speaker 5: And I only have that?

1507
01:14:40,080 --> 01:14:43,360
Speaker 6: Well, why don't we have people that want to show

1508
01:14:43,560 --> 01:14:48,200
Speaker 6: love back to the culture, Like like, I have no problem, but.

1509
01:14:50,640 --> 01:14:53,840
Speaker 2: I have no problem telling I have no problem telling you.

1510
01:14:55,320 --> 01:14:57,240
Speaker 2: If it wasn't for e pm D, then might be

1511
01:14:57,320 --> 01:14:58,200
Speaker 2: a component or.

1512
01:14:58,320 --> 01:15:01,920
Speaker 1: Right paying super homage like we pay. But in this

1513
01:15:02,560 --> 01:15:03,720
Speaker 1: generation gap, you.

1514
01:15:03,680 --> 01:15:07,559
Speaker 2: Would have people who use your music build their whole career,

1515
01:15:07,680 --> 01:15:10,679
Speaker 2: like when they freestyle and they walk past me and yeah,

1516
01:15:10,880 --> 01:15:14,360
Speaker 2: like like when that only makes you work on.

1517
01:15:14,439 --> 01:15:17,280
Speaker 5: But how did y'all feel that? It's like, did y'all

1518
01:15:17,360 --> 01:15:19,000
Speaker 5: know you like? You like people?

1519
01:15:19,040 --> 01:15:20,679
Speaker 2: You likeking people freestyle over your music.

1520
01:15:22,160 --> 01:15:24,759
Speaker 3: I don't okay people.

1521
01:15:27,960 --> 01:15:29,880
Speaker 2: Back in the day when somebody used your music or

1522
01:15:29,920 --> 01:15:31,160
Speaker 2: said rhyme, it was homage.

1523
01:15:34,880 --> 01:15:37,280
Speaker 6: I've seen that, dude, I kid, you walked to m

1524
01:15:37,360 --> 01:15:40,400
Speaker 6: t V, right, I want to m t V. The

1525
01:15:40,520 --> 01:15:43,720
Speaker 6: dude put out the freestyle of that day of my

1526
01:15:43,960 --> 01:15:47,439
Speaker 6: music and walked right by. And I looked at the

1527
01:15:47,560 --> 01:15:50,559
Speaker 6: nigga and I'm like, damn, do you know you rhymed

1528
01:15:50,640 --> 01:15:51,679
Speaker 6: up a band from TV.

1529
01:15:52,160 --> 01:15:57,960
Speaker 2: I want to shak you. I want to shake you

1530
01:15:58,040 --> 01:15:58,400
Speaker 2: over there.

1531
01:16:00,160 --> 01:16:03,360
Speaker 6: But the fact is you walked right by me, right,

1532
01:16:03,520 --> 01:16:05,439
Speaker 6: that's crazy. And then the people from was trying to

1533
01:16:05,479 --> 01:16:09,000
Speaker 6: tell him, like the introduced me.

1534
01:16:09,240 --> 01:16:10,000
Speaker 2: He didn't even know.

1535
01:16:10,360 --> 01:16:13,560
Speaker 6: I was like they introduced me. He was like, this

1536
01:16:13,640 --> 01:16:22,000
Speaker 6: is all right, cool, right, Like that's crazy. I'm like,

1537
01:16:22,760 --> 01:16:26,320
Speaker 6: you round on my ship Like I was so mad,

1538
01:16:26,840 --> 01:16:27,360
Speaker 6: that's crazy.

1539
01:16:27,520 --> 01:16:31,479
Speaker 2: I had to actually relax, Yeah, but I didn't want

1540
01:16:31,520 --> 01:16:32,000
Speaker 2: to relax.

1541
01:16:32,320 --> 01:16:33,479
Speaker 5: That's crazy.

1542
01:16:33,520 --> 01:16:35,840
Speaker 2: And I'm like I was crazy, Like could you know

1543
01:16:35,920 --> 01:16:37,040
Speaker 2: you ever see the cartoons?

1544
01:16:37,240 --> 01:16:37,679
Speaker 5: Like when.

1545
01:16:39,360 --> 01:16:41,360
Speaker 6: I know steam was coming out of my ship because

1546
01:16:41,400 --> 01:16:43,320
Speaker 6: I was like I'm trying to keep holding down. And

1547
01:16:43,360 --> 01:16:47,639
Speaker 6: I'm like, that's the thing about it is I knew

1548
01:16:47,680 --> 01:16:51,479
Speaker 6: who you were. I knew who rockem was. I knew

1549
01:16:51,520 --> 01:16:52,360
Speaker 6: who Nots was.

1550
01:16:52,960 --> 01:16:55,560
Speaker 2: We knew who. I knew who mam he was. I

1551
01:16:55,600 --> 01:16:57,680
Speaker 2: knew who Dress was. I kne who Black Ship was.

1552
01:16:58,080 --> 01:17:02,280
Speaker 2: I knew So if I actually touched your record, he

1553
01:17:02,400 --> 01:17:03,960
Speaker 2: said to me, Why did you do that?

1554
01:17:04,160 --> 01:17:07,800
Speaker 6: I can say because I love you that right, Not

1555
01:17:07,960 --> 01:17:10,920
Speaker 6: because I'm rhyming on something that's hot and it bothers me.

1556
01:17:11,080 --> 01:17:14,560
Speaker 6: Because I even blame the producers. I blame the engineers

1557
01:17:14,840 --> 01:17:17,320
Speaker 6: because before you tell these nigga to rhyme on this ship,

1558
01:17:17,920 --> 01:17:21,439
Speaker 6: tell this nigga do some research, because in our era,

1559
01:17:21,880 --> 01:17:24,479
Speaker 6: we would in rhyme on somebody else's dope ship if

1560
01:17:24,520 --> 01:17:28,000
Speaker 6: we couldn't represent it like what they did this is

1561
01:17:28,240 --> 01:17:30,519
Speaker 6: I'm not going to get on raw so many if

1562
01:17:30,560 --> 01:17:31,160
Speaker 6: I can't.

1563
01:17:32,920 --> 01:17:34,879
Speaker 2: Said nothing lists.

1564
01:17:35,200 --> 01:17:38,639
Speaker 6: So many people call me to recreate band from TV

1565
01:17:38,880 --> 01:17:43,040
Speaker 6: or and I tell them no, not because it can't

1566
01:17:43,120 --> 01:17:43,960
Speaker 6: be me created.

1567
01:17:44,479 --> 01:17:47,120
Speaker 14: But one of my best friends in hip hop was

1568
01:17:47,200 --> 01:17:51,400
Speaker 14: named Big Punt. He's not around, so there's no way.

1569
01:17:51,439 --> 01:17:55,559
Speaker 14: Because we create this moment, let's let that moment die die, right,

1570
01:17:56,240 --> 01:18:02,880
Speaker 14: And it's my record. I pay for these motherfuckers. So

1571
01:18:03,840 --> 01:18:05,760
Speaker 14: did you motherfuckers try to do over?

1572
01:18:06,000 --> 01:18:07,640
Speaker 2: And then be sending me their links and I'm like,

1573
01:18:09,120 --> 01:18:13,720
Speaker 2: I don't want to play it right right? Then me

1574
01:18:13,800 --> 01:18:16,759
Speaker 2: sending me the links to I look at it, I say, relaxed.

1575
01:18:17,320 --> 01:18:19,960
Speaker 5: In my mind, I think that people rock felt with

1576
01:18:22,320 --> 01:18:27,920
Speaker 5: It's the kid from Chicago, cheeky. No, the big he

1577
01:18:28,040 --> 01:18:31,479
Speaker 5: did women, it's over beat.

1578
01:18:31,760 --> 01:18:36,400
Speaker 2: You're not supposed touch women. Listen, listen, listen. I gonna

1579
01:18:36,400 --> 01:18:36,679
Speaker 2: be honest.

1580
01:18:36,840 --> 01:18:40,800
Speaker 6: They can't touch any A p n D record Yeah yeah, yeah,

1581
01:18:40,880 --> 01:18:41,800
Speaker 6: made too much.

1582
01:18:42,600 --> 01:18:45,479
Speaker 2: You can't telling the people that used them to the young.

1583
01:18:45,360 --> 01:18:49,840
Speaker 1: Guys, yo, all the most sample dudes in the hip

1584
01:18:49,880 --> 01:18:52,559
Speaker 1: hop hop, you know, like from all all beats.

1585
01:18:52,600 --> 01:18:55,240
Speaker 5: If you do the history, tons of beat for b

1586
01:18:55,560 --> 01:18:59,120
Speaker 5: bet for beat, and they distroyed us. Let's go.

1587
01:19:01,040 --> 01:19:02,719
Speaker 2: Did you like when artist?

1588
01:19:03,320 --> 01:19:04,960
Speaker 1: Well, at that time, we had well because we was

1589
01:19:05,040 --> 01:19:06,519
Speaker 1: kind of off the grid, so it kind of helped

1590
01:19:06,600 --> 01:19:07,120
Speaker 1: us out a little.

1591
01:19:07,120 --> 01:19:09,280
Speaker 2: Okay, you know what I mean? The way we walk

1592
01:19:09,400 --> 01:19:10,280
Speaker 2: from Mario Wines.

1593
01:19:10,280 --> 01:19:11,640
Speaker 3: I don't want to know. I know I made a

1594
01:19:11,720 --> 01:19:18,040
Speaker 3: hundred grand, just like your customer for your customer.

1595
01:19:21,040 --> 01:19:25,040
Speaker 2: God, damn, that's so classic, man. Let me just tell you.

1596
01:19:27,360 --> 01:19:29,360
Speaker 2: And Joe's he come and talk to me, to your

1597
01:19:29,439 --> 01:19:31,400
Speaker 2: customer ship.

1598
01:19:33,880 --> 01:19:37,360
Speaker 5: Sam Drake just used yours too.

1599
01:19:37,760 --> 01:19:40,479
Speaker 2: Yeah, but Puppy was destroying PA to let's make some

1600
01:19:40,560 --> 01:19:45,439
Speaker 2: money drink. I hooked him up with d m X.

1601
01:19:45,479 --> 01:19:47,320
Speaker 2: I don't know why, but you know, I don't know.

1602
01:19:47,400 --> 01:19:48,640
Speaker 2: I don't know why he even called me.

1603
01:19:48,800 --> 01:19:52,760
Speaker 6: He called forty called me and said forty forty called

1604
01:19:52,800 --> 01:19:56,879
Speaker 6: me and said, Drake the sample to d MX Records.

1605
01:19:57,280 --> 01:20:00,120
Speaker 2: He feels like DMX one this somem for it. So

1606
01:20:00,280 --> 01:20:04,880
Speaker 2: he called me. You know, naturally, I'm the plot made

1607
01:20:04,880 --> 01:20:07,280
Speaker 2: it happened. Put them on the phone with d m

1608
01:20:07,479 --> 01:20:19,880
Speaker 2: X and the dog didn't give a fuck. I gotta

1609
01:20:19,920 --> 01:20:23,720
Speaker 2: get each other number. I'm gonna get it.

1610
01:20:25,000 --> 01:20:29,280
Speaker 15: But that's what I want to That's what it should

1611
01:20:29,280 --> 01:20:34,840
Speaker 15: be like. But that shows me right there, Drake had

1612
01:20:34,840 --> 01:20:36,080
Speaker 15: the consideration.

1613
01:20:37,120 --> 01:20:38,080
Speaker 5: The right way and no.

1614
01:20:38,640 --> 01:20:42,320
Speaker 6: But you know what, you know what Pete to me,

1615
01:20:42,720 --> 01:20:45,320
Speaker 6: I respect that if I'm gonna touch your record, I'm

1616
01:20:45,320 --> 01:20:48,560
Speaker 6: gonna actually reach out to you, so you listen. I

1617
01:20:48,640 --> 01:20:50,439
Speaker 6: feel like I'm gonna do this. And because you know

1618
01:20:50,520 --> 01:20:54,599
Speaker 6: what it is like a couple of brothers touched my record.

1619
01:20:54,760 --> 01:20:56,559
Speaker 6: It's called sometimes, right, it's.

1620
01:20:56,439 --> 01:20:59,920
Speaker 2: About my father, my father. It's about my father passed away.

1621
01:21:00,120 --> 01:21:00,200
Speaker 7: Right.

1622
01:21:00,920 --> 01:21:03,240
Speaker 6: So when I say sometimes I want to cry and pray.

1623
01:21:03,600 --> 01:21:07,679
Speaker 6: Sometimes sometimes I want to late. Sometimes sometimes I get drunk.

1624
01:21:07,760 --> 01:21:10,040
Speaker 6: Oh God damn day. Sometimes I want to go back

1625
01:21:10,080 --> 01:21:12,360
Speaker 6: around the way. Sometimes I want to ride to smoke.

1626
01:21:12,600 --> 01:21:15,400
Speaker 6: Sometimes sometimes I got money, and I still feel broke

1627
01:21:17,240 --> 01:21:19,840
Speaker 6: when I say things like that, you can't take this

1628
01:21:20,080 --> 01:21:22,599
Speaker 6: sometimes and be like sometimes I want to a bitch.

1629
01:21:23,760 --> 01:21:31,479
Speaker 6: Sometimes sometimes I don't like it, right, Like I don't

1630
01:21:31,760 --> 01:21:35,920
Speaker 6: like it because this is about my father. Look, would

1631
01:21:35,960 --> 01:21:37,719
Speaker 6: you actually listen to the record?

1632
01:21:39,360 --> 01:21:39,840
Speaker 12: You don't want to.

1633
01:21:41,360 --> 01:21:44,040
Speaker 6: You don't understand that this is not what you do

1634
01:21:44,720 --> 01:21:47,360
Speaker 6: this record? So these people they do it, they send

1635
01:21:47,400 --> 01:21:50,320
Speaker 6: it to me, and I mind you. I'm gonna be honest.

1636
01:21:50,640 --> 01:21:55,160
Speaker 6: I don't own the record, so when they sample it,

1637
01:21:55,320 --> 01:21:57,760
Speaker 6: they don't actually have to clear me.

1638
01:21:58,880 --> 01:21:59,920
Speaker 2: But I don't clear it.

1639
01:22:00,160 --> 01:22:00,760
Speaker 5: In my mind.

1640
01:22:05,040 --> 01:22:08,880
Speaker 2: I'm a foul and I don't like you taking the

1641
01:22:09,000 --> 01:22:12,640
Speaker 2: car away from what it actually is.

1642
01:22:13,360 --> 01:22:15,720
Speaker 6: It's like it's just like it's just like y'all, y'all,

1643
01:22:16,000 --> 01:22:18,200
Speaker 6: yof a nigga just say slow down, baby, and then

1644
01:22:18,560 --> 01:22:20,960
Speaker 6: the nigga just he just takes it and he makes

1645
01:22:21,000 --> 01:22:22,759
Speaker 6: it big got baby.

1646
01:22:27,560 --> 01:22:27,680
Speaker 5: Right.

1647
01:22:28,680 --> 01:22:31,200
Speaker 2: So, so do you have a problem with that or no?

1648
01:22:31,600 --> 01:22:33,400
Speaker 5: I have a major I know that that that will

1649
01:22:34,640 --> 01:22:35,000
Speaker 5: What was.

1650
01:22:35,000 --> 01:22:36,479
Speaker 2: The kid that used over?

1651
01:22:38,640 --> 01:22:40,439
Speaker 5: Oh no, not Joey, no.

1652
01:22:43,800 --> 01:22:44,000
Speaker 6: Man.

1653
01:22:44,080 --> 01:22:46,200
Speaker 1: What's the kid who did rampage over with l O

1654
01:22:46,560 --> 01:22:54,240
Speaker 1: J ro Bro Brothers back? Okay, I forgot that was record.

1655
01:22:54,280 --> 01:22:54,720
Speaker 2: I thought it was.

1656
01:22:55,520 --> 01:23:00,200
Speaker 6: So he went, oh my god, actually even queen, but

1657
01:23:00,280 --> 01:23:02,360
Speaker 6: he didn't get in contact to actually use it.

1658
01:23:02,439 --> 01:23:06,599
Speaker 1: He jumped out there, jumped in You think, look at

1659
01:23:06,760 --> 01:23:09,720
Speaker 1: like the people used our records. They turned them into

1660
01:23:09,760 --> 01:23:12,120
Speaker 1: classics for themselves. You got jay Z, ain't no nigga,

1661
01:23:12,320 --> 01:23:15,160
Speaker 1: it's my thing. You got jay Z, you got your

1662
01:23:15,240 --> 01:23:18,519
Speaker 1: next Yeah?

1663
01:23:19,439 --> 01:23:23,800
Speaker 2: Yeah, so yes, thank you, Kim Simon, Kanye West, gold nigger. Yeah,

1664
01:23:23,800 --> 01:23:25,160
Speaker 2: I went too far. You went too fast.

1665
01:23:27,040 --> 01:23:27,679
Speaker 7: No, nig.

1666
01:23:29,479 --> 01:23:30,000
Speaker 5: It's my thing.

1667
01:23:30,080 --> 01:23:33,240
Speaker 1: Absolute, Get at me, dog, Let's get the bows out,

1668
01:23:33,640 --> 01:23:36,000
Speaker 1: making it take. He's shaking the break and in the

1669
01:23:36,000 --> 01:23:38,080
Speaker 1: three hundred degrees and start baking them. Sees like the

1670
01:23:38,160 --> 01:23:40,000
Speaker 1: tatos beats kicking like catle.

1671
01:23:42,160 --> 01:23:44,120
Speaker 5: And then then did head being over the.

1672
01:23:46,160 --> 01:23:49,120
Speaker 2: Head being over. Yeah, I love that. But see that

1673
01:23:49,360 --> 01:23:51,439
Speaker 2: now now that's respect.

1674
01:23:51,600 --> 01:23:55,160
Speaker 6: So now now because for me, if a person calls

1675
01:23:55,240 --> 01:23:56,920
Speaker 6: me and they say, you know, I want to do

1676
01:23:56,960 --> 01:23:59,000
Speaker 6: it over like again some of these joints, I don't.

1677
01:23:59,160 --> 01:24:01,960
Speaker 6: I don't own it. So when they say that, it

1678
01:24:02,200 --> 01:24:05,360
Speaker 6: kind of puts me at EIDs. So do these people

1679
01:24:05,439 --> 01:24:07,599
Speaker 6: call you prior Today's saff for your record?

1680
01:24:07,680 --> 01:24:08,679
Speaker 3: So they're not some of the reason.

1681
01:24:08,800 --> 01:24:10,599
Speaker 5: But it's really like you said, for as publishing, they

1682
01:24:10,600 --> 01:24:14,519
Speaker 5: don't they don't have to call us. There's define they

1683
01:24:14,600 --> 01:24:16,600
Speaker 5: got to, you know, unless they taking the rhymes or

1684
01:24:16,640 --> 01:24:18,760
Speaker 5: something like that, or you know or whatever or whatever.

1685
01:24:18,880 --> 01:24:20,800
Speaker 3: We will see it and I publish it.

1686
01:24:21,520 --> 01:24:21,680
Speaker 7: You know.

1687
01:24:21,920 --> 01:24:24,320
Speaker 3: So, like I said, I didn't get a call for Mario,

1688
01:24:24,520 --> 01:24:25,840
Speaker 3: but we still got the money.

1689
01:24:33,600 --> 01:24:34,800
Speaker 2: Let me tell you someth because I could go with

1690
01:24:34,920 --> 01:24:36,759
Speaker 2: y'all for seventeen thousand million.

1691
01:24:37,320 --> 01:24:37,920
Speaker 3: This is dope.

1692
01:24:38,040 --> 01:24:39,559
Speaker 2: We finally we made it because it's time.

1693
01:24:39,560 --> 01:24:42,160
Speaker 6: I'm like, yo, damn, you know it's crazy said we

1694
01:24:42,200 --> 01:24:43,920
Speaker 6: ain't going to Miami because you was not gonna be

1695
01:24:44,000 --> 01:24:45,000
Speaker 6: on point with the Rugs.

1696
01:24:45,080 --> 01:24:46,400
Speaker 2: I really, I really doubted you.

1697
01:24:46,760 --> 01:24:47,080
Speaker 5: Crazy.

1698
01:24:47,200 --> 01:24:51,000
Speaker 2: I'm sorry I got you see this at least this Fox.

1699
01:24:51,080 --> 01:24:53,720
Speaker 2: This is because what's kim?

1700
01:24:54,160 --> 01:24:54,360
Speaker 6: This is.

1701
01:24:56,080 --> 01:24:56,960
Speaker 3: Bruggs dot com.

1702
01:24:57,560 --> 01:25:02,120
Speaker 5: But you know what talk we have Deathbrooks dot com.

1703
01:25:02,439 --> 01:25:06,240
Speaker 5: This is the website we have at depth Rugs on Instagram.

1704
01:25:06,439 --> 01:25:09,439
Speaker 2: And you know what one of the Rugs compone he's

1705
01:25:09,479 --> 01:25:10,360
Speaker 2: hitting right now because you.

1706
01:25:15,800 --> 01:25:22,240
Speaker 5: Remember forty hours No, no, we wasn't even expecting this.

1707
01:25:22,400 --> 01:25:26,400
Speaker 5: This right here was even doper. We expected to see component.

1708
01:25:26,120 --> 01:25:27,960
Speaker 2: Here I told him. As soon as I said, I.

1709
01:25:31,439 --> 01:25:36,320
Speaker 5: Was like separately, but as far as that, we just

1710
01:25:36,439 --> 01:25:40,320
Speaker 5: knew that in the short period of time, Ali a

1711
01:25:41,520 --> 01:25:44,320
Speaker 5: short period of time, we work a short period of time.

1712
01:25:44,439 --> 01:25:46,160
Speaker 2: But this is my this is my number, it's my

1713
01:25:46,280 --> 01:25:47,000
Speaker 2: partner and color.

1714
01:25:47,320 --> 01:25:49,599
Speaker 5: So he was like, you know what I'm saying, okay yo,

1715
01:25:49,760 --> 01:25:51,960
Speaker 5: I got something I can get done quick.

1716
01:25:52,040 --> 01:25:52,720
Speaker 2: I hope I can.

1717
01:25:53,320 --> 01:25:53,920
Speaker 5: You know what I'm saying.

1718
01:25:54,000 --> 01:25:57,240
Speaker 6: So you come on hit me one day and he said,

1719
01:25:57,680 --> 01:26:00,640
Speaker 6: do you see these rugs these niggas got And I said, no,

1720
01:26:02,000 --> 01:26:03,080
Speaker 6: let me just tell you. I want to just tell

1721
01:26:03,080 --> 01:26:05,360
Speaker 6: you what I want my house. You know, I had

1722
01:26:05,400 --> 01:26:07,439
Speaker 6: burnt this story up earlier and I didn't bring it

1723
01:26:07,680 --> 01:26:10,320
Speaker 6: full circle. I said, I went to Leo's house, right,

1724
01:26:10,720 --> 01:26:12,760
Speaker 6: and Leo he had all this ship and the thing

1725
01:26:13,000 --> 01:26:16,240
Speaker 6: is everything that he Picassos. I don't give a fuck

1726
01:26:16,280 --> 01:26:16,880
Speaker 6: about Picasto.

1727
01:26:16,920 --> 01:26:17,920
Speaker 5: I don't even like that nigga.

1728
01:26:18,120 --> 01:26:19,200
Speaker 2: Who is that nigga? Right?

1729
01:26:21,080 --> 01:26:24,280
Speaker 6: And then I said, I said, I said, honest, had

1730
01:26:24,320 --> 01:26:28,040
Speaker 6: gave me sneakers, sneakers right, decize and it didn't matter

1731
01:26:28,200 --> 01:26:30,559
Speaker 6: side because this is how I want my whole house

1732
01:26:30,600 --> 01:26:33,519
Speaker 6: to be. Is hip hop memorability, Like I want I

1733
01:26:33,640 --> 01:26:36,599
Speaker 6: want a painting of ep MD in my kids room.

1734
01:26:37,000 --> 01:26:39,760
Speaker 2: I want to paint in a rock him in my face.

1735
01:26:40,280 --> 01:26:41,000
Speaker 2: I want to do that.

1736
01:26:41,240 --> 01:26:43,240
Speaker 6: I want to have a KRS one tennis ball like

1737
01:26:43,320 --> 01:26:46,680
Speaker 6: I want to like I want to because that's that's

1738
01:26:47,080 --> 01:26:50,120
Speaker 6: that's the meaning, right, that's my picassa. Like we did

1739
01:26:50,160 --> 01:26:52,320
Speaker 6: the show with Run DMC in September. I got the

1740
01:26:52,360 --> 01:26:55,000
Speaker 6: pair of didas. I had Run signed the datas.

1741
01:26:54,680 --> 01:26:56,880
Speaker 5: And I had d MC signed the datas to put

1742
01:26:56,920 --> 01:26:57,920
Speaker 5: them in the glass case.

1743
01:26:58,479 --> 01:27:00,840
Speaker 2: Yo, and they even got the special edition jam Master

1744
01:27:00,960 --> 01:27:05,479
Speaker 2: j did so when crab then boom, oh there's run signature.

1745
01:27:05,560 --> 01:27:08,040
Speaker 2: There goes d m C. They goes to the limited

1746
01:27:08,080 --> 01:27:09,599
Speaker 2: diftion jam Master James.

1747
01:27:09,920 --> 01:27:10,639
Speaker 3: Yeah, Master James.

1748
01:27:10,680 --> 01:27:13,320
Speaker 2: Yeah, yeah, yeah, the limit. Yeah, I know, I gotta do.

1749
01:27:14,400 --> 01:27:17,639
Speaker 2: I think it was only like fifty and I got

1750
01:27:17,680 --> 01:27:18,040
Speaker 2: a pair.

1751
01:27:19,160 --> 01:27:19,640
Speaker 5: What's e P.

1752
01:27:19,800 --> 01:27:24,559
Speaker 2: M D's favorite ran him besides eighty eight the nineties

1753
01:27:24,880 --> 01:27:25,559
Speaker 2: in the nineties.

1754
01:27:25,680 --> 01:27:30,160
Speaker 1: Yeah, there's so much stuff like it hus during the

1755
01:27:30,200 --> 01:27:31,800
Speaker 1: his Squad time frame, like when that was.

1756
01:27:32,320 --> 01:27:34,160
Speaker 5: In the Holy ninety two, the Juice.

1757
01:27:35,840 --> 01:27:40,400
Speaker 6: Juice walking through the whole movie with Yeah, I was

1758
01:27:40,520 --> 01:27:41,960
Speaker 6: thinking that you remember the Queen's movie did.

1759
01:27:42,000 --> 01:27:44,240
Speaker 5: I got shout up. That was oh ship, I'm not

1760
01:27:44,320 --> 01:27:44,680
Speaker 5: proud of it.

1761
01:27:45,760 --> 01:27:45,960
Speaker 7: Yeah.

1762
01:27:46,080 --> 01:27:47,840
Speaker 2: We went the Queens movie did and got shut Yeah,

1763
01:27:47,880 --> 01:27:48,280
Speaker 2: yeah that was me.

1764
01:27:48,439 --> 01:27:51,559
Speaker 6: I'm not to see it. It's nothing when you went

1765
01:27:51,640 --> 01:27:56,120
Speaker 6: to go see the movie? No, no, was it coming

1766
01:27:56,160 --> 01:27:58,360
Speaker 6: on my side Queens. I'm gonna totally do this.

1767
01:28:00,200 --> 01:28:01,840
Speaker 5: But I remember you.

1768
01:28:01,840 --> 01:28:05,439
Speaker 6: Because your memory is crazy. This nigga right here, Yeah

1769
01:28:06,040 --> 01:28:08,280
Speaker 6: he's a drink but he is a drink champ.

1770
01:28:09,200 --> 01:28:12,720
Speaker 2: Came list of drink champ. You a drink champ. You

1771
01:28:12,800 --> 01:28:16,240
Speaker 2: gotta go back to Long Island that and look look

1772
01:28:16,280 --> 01:28:18,800
Speaker 2: we gave you the stamp. You're a drink champ now

1773
01:28:19,400 --> 01:28:24,320
Speaker 2: and you're gonna give you a crown. I was How

1774
01:28:24,439 --> 01:28:30,240
Speaker 2: was it? Oh, Peyton fall actually was ill because.

1775
01:28:29,920 --> 01:28:33,439
Speaker 3: I so wooden on on on on the state. Whereas

1776
01:28:33,640 --> 01:28:36,439
Speaker 3: yeah saying that camera can really punched the.

1777
01:28:36,520 --> 01:28:39,120
Speaker 5: Kid hit him and dragged him out the car. He

1778
01:28:39,240 --> 01:28:41,519
Speaker 5: really pussed him. Director was like, we gotta cut. You know,

1779
01:28:41,680 --> 01:28:44,799
Speaker 5: can't really hit the kid. You know, I was auditioned

1780
01:28:44,880 --> 01:28:45,439
Speaker 5: for our part.

1781
01:28:46,640 --> 01:28:49,720
Speaker 2: You did it was me that you could you could

1782
01:28:49,760 --> 01:28:50,920
Speaker 2: have got done. I was fat at the time.

1783
01:28:51,000 --> 01:28:54,960
Speaker 5: Now you can do it. No, Look look I was fat.

1784
01:28:55,000 --> 01:28:59,920
Speaker 2: At the time Wold was back, was going you hold down?

1785
01:29:01,360 --> 01:29:02,599
Speaker 5: What was the name when blocking?

1786
01:29:06,680 --> 01:29:09,360
Speaker 3: Because you come a movie star too, man a little bit.

1787
01:29:11,240 --> 01:29:12,840
Speaker 2: Let me tell you. Let me tell you about pay

1788
01:29:12,880 --> 01:29:13,880
Speaker 2: the four because you ask right.

1789
01:29:15,880 --> 01:29:20,040
Speaker 6: The funny ship about paying for was I actually auditioned

1790
01:29:20,120 --> 01:29:23,639
Speaker 6: to be our poll what Harris who is easy?

1791
01:29:24,920 --> 01:29:28,120
Speaker 2: Actually? He actually your call.

1792
01:29:28,760 --> 01:29:31,479
Speaker 6: He rehearsed with me, and he told me he knew

1793
01:29:31,520 --> 01:29:34,559
Speaker 6: I wasn't getting wrong. He was like, yo, you wild,

1794
01:29:36,560 --> 01:29:37,240
Speaker 6: way too far?

1795
01:29:38,800 --> 01:29:40,760
Speaker 5: What is nice and big?

1796
01:29:40,840 --> 01:29:42,760
Speaker 2: At the time, He's like, you're not getting this right,

1797
01:29:43,960 --> 01:29:44,559
Speaker 2: that's crazy.

1798
01:29:44,920 --> 01:29:45,560
Speaker 6: But I went in.

1799
01:29:45,720 --> 01:29:49,200
Speaker 2: I still tried right. But the people loved me so much,

1800
01:29:49,439 --> 01:29:54,479
Speaker 2: like you're not alphol, We're gonna So the next roll.

1801
01:29:55,040 --> 01:29:58,280
Speaker 5: Guess who The next role was that you broke it up?

1802
01:29:59,240 --> 01:30:03,040
Speaker 2: Was me getting up? I can't what that That role

1803
01:30:03,080 --> 01:30:06,160
Speaker 2: where he snuffed them from real that was my next ship.

1804
01:30:06,720 --> 01:30:09,479
Speaker 2: And and then the director said, nobody thinks Cam's gonna

1805
01:30:09,479 --> 01:30:11,920
Speaker 2: beat you like this is un.

1806
01:30:14,920 --> 01:30:14,960
Speaker 1: You.

1807
01:30:15,200 --> 01:30:15,800
Speaker 5: You can't have this.

1808
01:30:17,080 --> 01:30:21,479
Speaker 6: And then what happened was the director was Charles Anthony Stone.

1809
01:30:21,680 --> 01:30:24,760
Speaker 6: Charles Stone Anthony the third one of the like I

1810
01:30:24,880 --> 01:30:25,479
Speaker 6: know his name.

1811
01:30:25,439 --> 01:30:26,200
Speaker 5: Was a third.

1812
01:30:27,640 --> 01:30:30,559
Speaker 6: Charlestone, the third Yeah, because I always remember that because

1813
01:30:30,560 --> 01:30:33,880
Speaker 6: I'm like, damn, like I always see that movies. Third,

1814
01:30:34,000 --> 01:30:35,000
Speaker 6: like I've never met a nigga.

1815
01:30:38,760 --> 01:30:40,360
Speaker 2: Yes, first and the third.

1816
01:30:41,000 --> 01:30:43,680
Speaker 5: I think that's what I was.

1817
01:30:44,280 --> 01:30:47,800
Speaker 6: So I'm gonna be honest with you. And I never

1818
01:30:47,920 --> 01:30:53,360
Speaker 6: said this Peyton for was made up. That role never existed.

1819
01:30:54,439 --> 01:30:57,400
Speaker 6: The director just wanted me and then the movie, so

1820
01:30:58,439 --> 01:31:01,320
Speaker 6: he just said, just do something. So when he came,

1821
01:31:01,640 --> 01:31:03,800
Speaker 6: when I came, I was actually on tour. I think

1822
01:31:03,880 --> 01:31:06,120
Speaker 6: he was on tour with me. And then we was

1823
01:31:06,200 --> 01:31:09,080
Speaker 6: on tour and I had one day to go in

1824
01:31:09,160 --> 01:31:09,559
Speaker 6: New York.

1825
01:31:10,760 --> 01:31:14,720
Speaker 2: So I landed and they said make something up, and

1826
01:31:14,840 --> 01:31:17,000
Speaker 2: I made it up right then, and that all that ship.

1827
01:31:17,120 --> 01:31:17,599
Speaker 2: No way.

1828
01:31:18,040 --> 01:31:22,160
Speaker 6: What they said, no, I kind of exaggerated. What they

1829
01:31:22,280 --> 01:31:27,960
Speaker 6: said was exaggerate. You got to be the guy that say,

1830
01:31:29,640 --> 01:31:33,360
Speaker 6: introduce our pole to a z I mean a z

1831
01:31:33,600 --> 01:31:34,200
Speaker 6: to ol pole.

1832
01:31:34,280 --> 01:31:38,600
Speaker 2: So I'm talking to a z uh which was what

1833
01:31:38,720 --> 01:31:42,320
Speaker 2: was his name in the movie Ace, So I'm talking

1834
01:31:42,400 --> 01:31:46,840
Speaker 2: to Ace. But so what they told me was Ace

1835
01:31:46,920 --> 01:31:50,400
Speaker 2: had never heard of Alpol, So you got to exaggerate.

1836
01:31:50,600 --> 01:31:52,840
Speaker 2: So that's what I just said. I just made it up.

1837
01:31:52,880 --> 01:31:57,320
Speaker 2: On there's one ticket. Basically, I just asked, I made

1838
01:31:57,360 --> 01:32:02,000
Speaker 2: it up. It was so good that when I finished,

1839
01:32:02,080 --> 01:32:03,559
Speaker 2: like I was like, I was like I did that ship.

1840
01:32:03,600 --> 01:32:06,719
Speaker 2: I was like want water, like water is like a slave.

1841
01:32:11,680 --> 01:32:16,360
Speaker 2: It's not even you. But they don't you said, don't

1842
01:32:16,720 --> 01:32:19,240
Speaker 2: don't say no. Yo, you heard like something that you

1843
01:32:19,320 --> 01:32:22,640
Speaker 2: can relate to the nineties. So I had to. I

1844
01:32:22,800 --> 01:32:23,719
Speaker 2: just all emperor.

1845
01:32:24,240 --> 01:32:27,960
Speaker 6: And I didn't one take the reason why I said

1846
01:32:28,000 --> 01:32:29,680
Speaker 6: water because I had nothing else to say.

1847
01:32:29,720 --> 01:32:30,760
Speaker 2: I didn't want to say cool.

1848
01:32:31,680 --> 01:32:33,880
Speaker 6: I didn't want to play peace because I'm like peace

1849
01:32:33,960 --> 01:32:35,400
Speaker 6: might be dated, so I don't know.

1850
01:32:35,640 --> 01:32:36,760
Speaker 2: I didn't know that because it's a.

1851
01:32:36,800 --> 01:32:40,800
Speaker 6: Time piece, right, So so when I said water, I

1852
01:32:41,680 --> 01:32:52,720
Speaker 6: was fucking up. It was actually a mistake like water, right, No, no, no.

1853
01:32:52,800 --> 01:32:54,680
Speaker 2: You gotta say water. You gotta say water whenever you

1854
01:32:54,880 --> 01:32:55,280
Speaker 2: like water.

1855
01:32:55,720 --> 01:32:57,160
Speaker 5: But a p m D.

1856
01:32:59,400 --> 01:33:02,800
Speaker 6: You guys are so much an inspiration, not to just

1857
01:33:03,080 --> 01:33:08,559
Speaker 6: us meet poem e f N your inspiration to hip hop.

1858
01:33:09,680 --> 01:33:12,559
Speaker 6: You guys stood test of times. You guys still looking

1859
01:33:12,640 --> 01:33:17,160
Speaker 6: at good out here doing the death rocks. I'm not

1860
01:33:17,200 --> 01:33:19,240
Speaker 6: gonna drink chance, So I'm gonna take that one.

1861
01:33:21,720 --> 01:33:22,639
Speaker 3: Because you were saying.

1862
01:33:29,680 --> 01:33:33,479
Speaker 2: Crystal clean, crystal clean, all right, So we so you're

1863
01:33:33,520 --> 01:33:35,000
Speaker 2: working on a new album.

1864
01:33:35,000 --> 01:33:37,400
Speaker 5: Dynamic dus big business dynamic duels.

1865
01:33:37,760 --> 01:33:40,600
Speaker 2: All that you're working with is other dynamic.

1866
01:33:40,360 --> 01:33:42,800
Speaker 3: Right, the best of the best, and that we think

1867
01:33:42,880 --> 01:33:44,280
Speaker 3: it was the best dynamic duos.

1868
01:33:44,520 --> 01:33:46,240
Speaker 4: So how far are you in this album right now?

1869
01:33:46,800 --> 01:33:52,240
Speaker 4: We knew also stuff and then we picked to see

1870
01:33:52,360 --> 01:33:54,599
Speaker 4: what we're gonna do with on what records.

1871
01:33:55,520 --> 01:33:56,880
Speaker 2: Remember we used to do that. We used to pick

1872
01:33:56,920 --> 01:33:59,800
Speaker 2: beats early. Now were Hollywood. We don't even do ship

1873
01:33:59,880 --> 01:34:00,519
Speaker 2: like you know you.

1874
01:34:00,520 --> 01:34:01,760
Speaker 5: Guys want you to get back to it.

1875
01:34:01,880 --> 01:34:03,360
Speaker 2: The first thing you think is like, why did I

1876
01:34:03,439 --> 01:34:04,439
Speaker 2: leave this in the first place?

1877
01:34:05,000 --> 01:34:07,280
Speaker 16: So when we need the beats, exchanging beats, you know,

1878
01:34:07,600 --> 01:34:11,560
Speaker 16: going over concepts and getting saying because we're gonna do

1879
01:34:12,760 --> 01:34:15,679
Speaker 16: I was thinking about doing, let ghost Face and Ray

1880
01:34:15,840 --> 01:34:17,200
Speaker 16: do Jane for.

1881
01:34:17,320 --> 01:34:20,840
Speaker 5: Storytelling and then exactly see how we right you know so,

1882
01:34:21,080 --> 01:34:23,599
Speaker 5: and then coming there with them and mix it together

1883
01:34:23,720 --> 01:34:26,960
Speaker 5: with them while they're doing the storytelling, the ghosts singing

1884
01:34:27,720 --> 01:34:28,360
Speaker 5: j to the A.

1885
01:34:28,600 --> 01:34:30,840
Speaker 3: To the end to the end, then having the you

1886
01:34:30,920 --> 01:34:32,080
Speaker 3: know coming, yeah.

1887
01:34:32,000 --> 01:34:34,200
Speaker 2: What you enjoy better producing or.

1888
01:34:36,640 --> 01:34:39,760
Speaker 5: The beats even though I'm getting the rhyme is something

1889
01:34:39,800 --> 01:34:41,720
Speaker 5: that because me and parents we do it because we

1890
01:34:41,920 --> 01:34:46,400
Speaker 5: like yeah, yeah, and well I'm sorry your parents did

1891
01:34:46,760 --> 01:34:48,760
Speaker 5: strictly business album and the people if you don't know

1892
01:34:48,800 --> 01:34:51,439
Speaker 5: about the stuff that you know re pay did. Yeah,

1893
01:34:54,200 --> 01:34:57,479
Speaker 5: I started coming in late, like let's let's what you're saying.

1894
01:34:57,520 --> 01:34:59,880
Speaker 5: And we started going and keep doing something and such.

1895
01:34:59,880 --> 01:35:01,960
Speaker 5: But again the first one was you know, I was

1896
01:35:02,080 --> 01:35:04,960
Speaker 5: I was watching now I learned to produce from from

1897
01:35:05,080 --> 01:35:06,160
Speaker 5: him and Charlie.

1898
01:35:06,320 --> 01:35:07,080
Speaker 2: As a producer.

1899
01:35:07,240 --> 01:35:09,519
Speaker 6: Like when when you sample, is it is it still

1900
01:35:09,600 --> 01:35:12,800
Speaker 6: lookualdive sampling or you suggest to get away from that.

1901
01:35:14,160 --> 01:35:17,320
Speaker 5: I do it because I don't know nothing else as

1902
01:35:17,320 --> 01:35:19,400
Speaker 5: far as the essence of the culture is to be

1903
01:35:19,520 --> 01:35:21,080
Speaker 5: able to take the sample.

1904
01:35:21,800 --> 01:35:23,960
Speaker 2: So even why would you do that right?

1905
01:35:24,280 --> 01:35:26,400
Speaker 1: Like you should just supposed to feel good making the

1906
01:35:26,479 --> 01:35:29,760
Speaker 1: beat right, and I wouldn't you run into something okay, cool?

1907
01:35:30,040 --> 01:35:34,960
Speaker 2: But making music? Making music though? It answer, because that's

1908
01:35:35,000 --> 01:35:35,680
Speaker 2: what makes you you.

1909
01:35:36,160 --> 01:35:38,800
Speaker 5: Because when we got soothed, like Eric Clapton came and

1910
01:35:38,840 --> 01:35:43,200
Speaker 5: guts and Begins and Roger came and guys for more balance.

1911
01:35:43,320 --> 01:35:44,880
Speaker 3: But again Eric was cool.

1912
01:35:44,920 --> 01:35:46,800
Speaker 2: You don't need Eric Clapton on the Chather's.

1913
01:35:46,520 --> 01:35:49,960
Speaker 5: Like ten thousand dollars like it hits you know what

1914
01:35:50,000 --> 01:35:52,120
Speaker 5: I'm saying, but like biz messed up.

1915
01:35:52,600 --> 01:35:54,960
Speaker 2: When Biz got hit, it was wait, what happened to

1916
01:35:55,000 --> 01:35:55,479
Speaker 2: talk about that?

1917
01:35:55,880 --> 01:35:56,559
Speaker 3: No business?

1918
01:35:56,840 --> 01:35:59,080
Speaker 5: You got what I need? Was messed the game up?

1919
01:35:59,400 --> 01:35:59,840
Speaker 2: He fucked it.

1920
01:36:00,200 --> 01:36:02,160
Speaker 3: That's why everybody was getting tore up.

1921
01:36:02,240 --> 01:36:05,479
Speaker 2: What did you do? Because that was the same way

1922
01:36:05,520 --> 01:36:08,320
Speaker 2: that headled something he didn't clear right, and the record

1923
01:36:08,360 --> 01:36:08,880
Speaker 2: blew up.

1924
01:36:08,800 --> 01:36:11,080
Speaker 5: And blew up, and then everybody started coming.

1925
01:36:11,439 --> 01:36:14,680
Speaker 2: And this is just when the attention.

1926
01:36:15,920 --> 01:36:17,840
Speaker 5: Was this the was this the era after that?

1927
01:36:18,040 --> 01:36:20,880
Speaker 6: Like because now when you sample somebody music they say

1928
01:36:20,960 --> 01:36:22,240
Speaker 6: they want one hundred percent.

1929
01:36:22,040 --> 01:36:25,839
Speaker 5: Of your publisher was was that from from the visiboard

1930
01:36:25,920 --> 01:36:29,639
Speaker 5: Dogs on Jay Z's album is one of one hundred percent?

1931
01:36:29,880 --> 01:36:31,760
Speaker 2: One hundred percent gave didn't do that?

1932
01:36:32,000 --> 01:36:34,920
Speaker 5: We gave it to him because Jay want the record bad.

1933
01:36:37,320 --> 01:36:40,559
Speaker 6: You produced resaurand that was your way of flos because

1934
01:36:40,560 --> 01:36:40,880
Speaker 6: you flow.

1935
01:36:41,920 --> 01:36:47,280
Speaker 2: Now let's make it. That was good.

1936
01:36:47,600 --> 01:36:48,160
Speaker 5: That was good.

1937
01:36:48,400 --> 01:36:51,160
Speaker 17: No what I'm saying, but that's what you gave right

1938
01:36:51,280 --> 01:36:54,560
Speaker 17: right right? Some people some stuff we get up. We

1939
01:36:54,640 --> 01:37:01,400
Speaker 17: give up because my music undred percent nothing?

1940
01:37:01,439 --> 01:37:03,680
Speaker 2: And how do you get paid if you got to

1941
01:37:03,720 --> 01:37:04,599
Speaker 2: give him a hundred.

1942
01:37:06,840 --> 01:37:08,760
Speaker 5: Like all of them, all of them.

1943
01:37:09,000 --> 01:37:10,280
Speaker 2: That's that's twelve joints.

1944
01:37:10,320 --> 01:37:13,120
Speaker 5: So yeah, yeah, it's twelve whatever they want to still

1945
01:37:13,160 --> 01:37:14,479
Speaker 5: got good, still get.

1946
01:37:16,000 --> 01:37:16,679
Speaker 2: You get them.

1947
01:37:17,120 --> 01:37:19,560
Speaker 5: They come from everything else, touring and everything you know

1948
01:37:19,640 --> 01:37:21,720
Speaker 5: in the in the pumpers and checks, and you know,

1949
01:37:22,280 --> 01:37:24,599
Speaker 5: if the rocket is fire, is fire is worth the sample?

1950
01:37:24,760 --> 01:37:27,120
Speaker 2: So what's what is worth the samples? What? What's the

1951
01:37:27,200 --> 01:37:28,400
Speaker 2: best thing about hip hop?

1952
01:37:29,200 --> 01:37:33,000
Speaker 5: The hip hop is the was the identity of everybody

1953
01:37:33,160 --> 01:37:36,000
Speaker 5: having their own identity. It was the dopest thing, like

1954
01:37:36,479 --> 01:37:39,479
Speaker 5: everybody you knew, that was tribe, that was daylight, that

1955
01:37:39,600 --> 01:37:43,599
Speaker 5: was public, that was seeing it. You know what I'm saying.

1956
01:37:44,080 --> 01:37:45,960
Speaker 2: That was all that nigga said.

1957
01:37:46,000 --> 01:37:49,040
Speaker 6: It's the identity of everybody having their own identity. That's

1958
01:37:49,040 --> 01:37:49,800
Speaker 6: made no noise for that.

1959
01:37:55,240 --> 01:37:57,720
Speaker 2: Slick and he trying to go over.

1960
01:37:58,000 --> 01:37:59,200
Speaker 5: Yeah, yeah, noise cases.

1961
01:38:00,360 --> 01:38:03,080
Speaker 2: I can't listen. Bring that back, Bring that back? Listen

1962
01:38:03,160 --> 01:38:03,720
Speaker 2: E P M D.

1963
01:38:04,479 --> 01:38:06,880
Speaker 6: I love you, Brank you love you to really really

1964
01:38:06,920 --> 01:38:09,040
Speaker 6: really Like I'm not saying this just because y'all hear

1965
01:38:09,120 --> 01:38:13,519
Speaker 6: him saying this, because real ship. I remember selling crack

1966
01:38:13,600 --> 01:38:17,320
Speaker 6: to your music. I'm not proud of that, but this

1967
01:38:17,520 --> 01:38:19,840
Speaker 6: all like I shot a couple of people, you too,

1968
01:38:20,080 --> 01:38:20,640
Speaker 6: I probably that.

1969
01:38:22,280 --> 01:38:24,760
Speaker 5: I saw a crack for one day and I was

1970
01:38:24,840 --> 01:38:27,160
Speaker 5: outside the house story stopping for the robbery.

1971
01:38:28,000 --> 01:38:31,599
Speaker 3: Come out, ski mask, Skip's on the radio.

1972
01:38:32,840 --> 01:38:34,800
Speaker 5: I had two hundred and fifty crack bows on my

1973
01:38:34,920 --> 01:38:37,040
Speaker 5: mother's Lincoln Continental mark.

1974
01:38:36,840 --> 01:38:37,559
Speaker 3: Five on the floor.

1975
01:38:38,479 --> 01:38:39,679
Speaker 2: Why are you selling cracking?

1976
01:38:39,760 --> 01:38:45,080
Speaker 3: You got my man was doing it. I was influencing.

1977
01:38:45,080 --> 01:38:47,600
Speaker 2: I was like, oh ship, I'm influenced like this. And

1978
01:38:47,760 --> 01:38:49,880
Speaker 2: it was early and it's my thing, so we may

1979
01:38:50,080 --> 01:38:50,439
Speaker 2: do a show.

1980
01:38:50,560 --> 01:38:52,439
Speaker 5: Yeah, they're just playing on the radio. And it was

1981
01:38:52,520 --> 01:38:54,760
Speaker 5: my man and he didn't force me in nothing. I

1982
01:38:54,800 --> 01:38:59,280
Speaker 5: could have said no, look hard in fun of him. Yeah,

1983
01:39:00,479 --> 01:39:03,000
Speaker 5: So we put the capsules out and we went to

1984
01:39:03,080 --> 01:39:06,360
Speaker 5: go rob another dude. So put the mask on, sat down,

1985
01:39:06,479 --> 01:39:08,320
Speaker 5: it's on on. One day he sold crack. I had

1986
01:39:08,360 --> 01:39:10,400
Speaker 5: a mask and you robbed the knee. And one day he.

1987
01:39:10,360 --> 01:39:14,120
Speaker 2: Ain't getting me to come out. So we waited and

1988
01:39:14,240 --> 01:39:15,280
Speaker 2: we was waiting too long.

1989
01:39:15,200 --> 01:39:15,720
Speaker 3: And we left.

1990
01:39:16,360 --> 01:39:18,479
Speaker 5: But that right there was a sign like yo, I

1991
01:39:18,600 --> 01:39:22,240
Speaker 5: told paab lad, like after I got robbed, I get.

1992
01:39:24,520 --> 01:39:24,640
Speaker 7: Ya.

1993
01:39:24,800 --> 01:39:26,320
Speaker 2: The story is even than that.

1994
01:39:26,560 --> 01:39:29,800
Speaker 5: But that now and they got me now they got yo.

1995
01:39:29,920 --> 01:39:32,960
Speaker 2: This was yo, This would be yo. This was before the.

1996
01:39:33,000 --> 01:39:36,920
Speaker 5: Whoever you gotta telling stuff. So when I saw yeah,

1997
01:39:37,000 --> 01:39:39,840
Speaker 5: sell me, I was pressing them. I was like, ray, yo,

1998
01:39:39,920 --> 01:39:42,920
Speaker 5: listen man. The niggas robbed me. B I'm saying right now,

1999
01:39:43,880 --> 01:39:46,160
Speaker 5: he was on the room side. He wasn't on our

2000
01:39:46,240 --> 01:39:49,400
Speaker 5: side of the buildings. That wasn't not the neighborhood.

2001
01:39:49,479 --> 01:39:49,559
Speaker 7: Yo.

2002
01:39:49,680 --> 01:39:52,439
Speaker 2: But no, Actually he got away though he was gone.

2003
01:39:52,520 --> 01:39:53,599
Speaker 2: He just had the double dock.

2004
01:39:53,680 --> 01:39:54,639
Speaker 5: This money got caught.

2005
01:39:54,760 --> 01:39:56,599
Speaker 2: I was fucking around with the force.

2006
01:39:56,720 --> 01:39:59,800
Speaker 5: Indeed, nigga before I don't know how I got b.

2007
01:40:01,000 --> 01:40:03,439
Speaker 5: It's his birthday, so I'm like, yo, go get it.

2008
01:40:03,760 --> 01:40:05,640
Speaker 5: You know you want something. Yeah, I'm gonna go a

2009
01:40:05,720 --> 01:40:07,519
Speaker 5: goose bottle of champag or something.

2010
01:40:08,840 --> 01:40:10,439
Speaker 2: I saw a nigga nor no.

2011
01:40:10,680 --> 01:40:14,400
Speaker 5: Lie in the building with a white woman's wig on

2012
01:40:14,880 --> 01:40:18,559
Speaker 5: and a white face mask right like a wig face

2013
01:40:18,640 --> 01:40:21,040
Speaker 5: like a president mask. It was a white lady.

2014
01:40:22,200 --> 01:40:23,080
Speaker 2: But it threw me.

2015
01:40:24,280 --> 01:40:27,200
Speaker 5: I wanted't looking thinking about it. I think he got me.

2016
01:40:31,800 --> 01:40:32,640
Speaker 8: So so.

2017
01:40:36,320 --> 01:40:39,479
Speaker 5: I'm in the building and then be outside so the

2018
01:40:39,600 --> 01:40:42,760
Speaker 5: forcing nigga leaves. That's why I think he set me up.

2019
01:40:45,280 --> 01:40:48,000
Speaker 5: So I go in the building right. It's on the

2020
01:40:48,080 --> 01:40:49,679
Speaker 5: first floor, so I'm don't have to take the elevator.

2021
01:40:49,680 --> 01:40:51,720
Speaker 5: So I go open the door to walk up there

2022
01:40:51,880 --> 01:40:54,040
Speaker 5: in the project, to walk upstairs to the first floor.

2023
01:40:54,760 --> 01:40:57,080
Speaker 5: The dude said, come back down. You got the gun

2024
01:40:57,160 --> 01:41:00,320
Speaker 5: on my man's stomach, you know. But no, okay, he

2025
01:41:00,400 --> 01:41:02,320
Speaker 5: got the gun in my man's stomach, said come make

2026
01:41:02,320 --> 01:41:05,880
Speaker 5: here'm an shoot. So I'm moving slow. I had a

2027
01:41:06,000 --> 01:41:08,200
Speaker 5: thousand dollars in my pocket. I had a white shirt

2028
01:41:08,240 --> 01:41:11,960
Speaker 5: on that the world be free, ring on with the world.

2029
01:41:12,400 --> 01:41:15,280
Speaker 5: I got on the two chains. I got my benusity box.

2030
01:41:15,600 --> 01:41:18,599
Speaker 5: Now he snatched my business. Now imagining me going all

2031
01:41:18,640 --> 01:41:24,120
Speaker 5: the way home with no music, he tells me to

2032
01:41:24,160 --> 01:41:27,240
Speaker 5: take the chains off. So I'm in slow motion. So

2033
01:41:27,360 --> 01:41:31,360
Speaker 5: he snaps brown first one. I'm like, this is crazy man,

2034
01:41:32,520 --> 01:41:38,880
Speaker 5: because I couldn't win. I was going God snaps snapped

2035
01:41:38,880 --> 01:41:43,280
Speaker 5: the two chains. You don't come back, so he shot

2036
01:41:43,439 --> 01:41:48,400
Speaker 5: bow and right. Let know so serious, No, don't. It

2037
01:41:48,560 --> 01:41:50,759
Speaker 5: was over. When I walked outside and look at what happened,

2038
01:41:50,800 --> 01:41:53,000
Speaker 5: I'm like, I knew they set me up, because how

2039
01:41:53,080 --> 01:41:55,800
Speaker 5: you know that something happened to me? Because he shot

2040
01:41:55,920 --> 01:41:59,439
Speaker 5: to let the man know that it's over. Yeah, So

2041
01:41:59,720 --> 01:42:02,160
Speaker 5: I went back the next day with the Fort Green.

2042
01:42:02,240 --> 01:42:04,439
Speaker 5: I got a hawked dog and my cousin man and

2043
01:42:04,520 --> 01:42:07,120
Speaker 5: a few others went to the stat Island Club, sitting

2044
01:42:07,120 --> 01:42:11,800
Speaker 5: outside the club till it was over. Went outside the opening. No,

2045
01:42:11,920 --> 01:42:13,559
Speaker 5: we didn't care who was there. Open the trunk up,

2046
01:42:13,600 --> 01:42:16,160
Speaker 5: out the bens. Stop busting out the club. I'm shooting

2047
01:42:16,240 --> 01:42:24,360
Speaker 5: everybody upright. So the next day light comes and says,

2048
01:42:25,240 --> 01:42:26,679
Speaker 5: I heard what happened to stat Allen.

2049
01:42:27,080 --> 01:42:28,560
Speaker 3: But that part didn't get me.

2050
01:42:28,720 --> 01:42:31,680
Speaker 5: The only part that was I was scared about was

2051
01:42:31,920 --> 01:42:33,160
Speaker 5: Paris fighting out.

2052
01:42:34,240 --> 01:42:37,360
Speaker 3: So his man called him, say, Yo, your man got robbed.

2053
01:42:37,520 --> 01:42:40,640
Speaker 2: So yo, he called this is when, So what you're

2054
01:42:40,640 --> 01:42:42,240
Speaker 2: saying is out? Okay, right, So.

2055
01:42:42,360 --> 01:42:44,400
Speaker 5: Paris just me and says, you got robbed, Like you know,

2056
01:42:44,439 --> 01:42:50,920
Speaker 5: everybody robbed me, you know. So I'm lying to him

2057
01:42:51,520 --> 01:42:54,800
Speaker 5: mean while his man lived there, you know. So he's like, Yo,

2058
01:42:54,880 --> 01:42:57,280
Speaker 5: you know your boy he got robbed. B And I'm like, Yo,

2059
01:42:57,800 --> 01:43:00,439
Speaker 5: what you're saying is out. You know that the gun

2060
01:43:00,600 --> 01:43:02,240
Speaker 5: talk is in the record, the whole ship.

2061
01:43:02,760 --> 01:43:03,840
Speaker 3: So I have to go back.

2062
01:43:03,920 --> 01:43:05,519
Speaker 5: But look, ye I went back and do that, dad,

2063
01:43:05,600 --> 01:43:08,280
Speaker 5: because it got back to Yo. They came and tried

2064
01:43:08,320 --> 01:43:09,760
Speaker 5: to kill that last night. They got no.

2065
01:43:09,920 --> 01:43:12,280
Speaker 2: Yeah, oh my god, A p M. D. I ain't

2066
01:43:12,280 --> 01:43:15,080
Speaker 2: gonna lie. Listen, listen, I.

2067
01:43:15,439 --> 01:43:18,599
Speaker 6: Know we always got jayen Ross killed, yeah, big time

2068
01:43:18,680 --> 01:43:19,840
Speaker 6: before he went to the nbas.

2069
01:43:22,600 --> 01:43:30,320
Speaker 5: We know Ohio, right, j roop, these good friends as

2070
01:43:30,360 --> 01:43:31,320
Speaker 5: you see you see in the.

2071
01:43:31,360 --> 01:43:33,559
Speaker 3: Past, I mean and the and the bat five.

2072
01:43:33,640 --> 01:43:36,000
Speaker 5: You got the EPMD has one and everything the documentary

2073
01:43:37,360 --> 01:43:41,639
Speaker 5: we're in the spot, Ohio comes to Detroit, No Detroit,

2074
01:43:41,680 --> 01:43:45,439
Speaker 5: come to Ohio, Detroit and Tennis Arena, the pieces twelve

2075
01:43:46,360 --> 01:43:47,040
Speaker 5: Detroit Nigga.

2076
01:43:47,040 --> 01:43:50,760
Speaker 2: This is the big bamboo. I feel like that's like

2077
01:43:50,840 --> 01:43:52,400
Speaker 2: thirteen They they.

2078
01:43:54,080 --> 01:43:57,120
Speaker 3: They was, they was, They destroyed this arena.

2079
01:43:57,760 --> 01:43:59,920
Speaker 6: So now they messed up by putting cheers and see

2080
01:44:00,160 --> 01:44:03,799
Speaker 6: right in the epm D concert right hold.

2081
01:44:03,680 --> 01:44:06,559
Speaker 5: On, So now we got ten thousand up in there.

2082
01:44:07,439 --> 01:44:11,760
Speaker 5: Now I'm the only one that got a piston that

2083
01:44:11,880 --> 01:44:12,200
Speaker 5: night too.

2084
01:44:12,560 --> 01:44:14,920
Speaker 2: Exactly, you got a pistol on your line.

2085
01:44:14,960 --> 01:44:18,599
Speaker 5: We're running through the right, so we running through. Now

2086
01:44:18,680 --> 01:44:22,400
Speaker 5: these niggas is busting every angle. Now this is a

2087
01:44:22,560 --> 01:44:27,800
Speaker 5: moving van. Jalen and Jalen six something finding the way

2088
01:44:27,840 --> 01:44:30,160
Speaker 5: to get out of here. Man, So he jumped in

2089
01:44:30,320 --> 01:44:34,840
Speaker 5: the moving van. Luckily, I don't know how you made it.

2090
01:44:36,479 --> 01:44:40,759
Speaker 2: Never stopped. You know, we all came out the venue.

2091
01:44:40,920 --> 01:44:42,559
Speaker 2: Everybody came out at the same time.

2092
01:44:42,680 --> 01:44:46,120
Speaker 1: We had her back and cut another door van rolling

2093
01:44:46,200 --> 01:44:47,479
Speaker 1: Jalen jumped in kept it moving.

2094
01:44:48,760 --> 01:44:50,920
Speaker 3: He would have been dead because they was on us.

2095
01:44:52,280 --> 01:44:55,360
Speaker 5: No the time in cal Lenoman there was there was

2096
01:44:55,760 --> 01:44:58,120
Speaker 5: broke up, the bulls coming by my head really talk

2097
01:44:58,160 --> 01:45:00,840
Speaker 5: about me in North Carolina with them, the niggas called

2098
01:45:00,840 --> 01:45:05,000
Speaker 5: them boys, called them that game. Were going there after party.

2099
01:45:06,160 --> 01:45:08,280
Speaker 5: We walk in there, specially, letting them go in there first,

2100
01:45:09,280 --> 01:45:14,320
Speaker 5: right with him in the Yeah, of course they going

2101
01:45:14,400 --> 01:45:17,160
Speaker 5: there right. All of a sudden we walk in there

2102
01:45:17,240 --> 01:45:19,040
Speaker 5: next me and my man. Parents are not there with us.

2103
01:45:19,240 --> 01:45:21,559
Speaker 5: I met the after party with the guy who walks

2104
01:45:21,560 --> 01:45:22,280
Speaker 5: out of the drugs man.

2105
01:45:23,680 --> 01:45:25,599
Speaker 2: He said, stuff with them, Yeah.

2106
01:45:28,680 --> 01:45:31,280
Speaker 5: One day okay, all of a sudden and all the

2107
01:45:32,640 --> 01:45:36,080
Speaker 5: niggas was like, ain't no stars in here, so, you know,

2108
01:45:36,280 --> 01:45:38,599
Speaker 5: kind of playing us kind of. My man was having

2109
01:45:38,640 --> 01:45:41,920
Speaker 5: it here the fool. The dude's gun dropped. So when

2110
01:45:41,960 --> 01:45:45,840
Speaker 5: the gun dropped, it was rolling towards the inside. So

2111
01:45:46,080 --> 01:45:49,320
Speaker 5: we went to go after the pistol, you know, and

2112
01:45:49,680 --> 01:45:54,479
Speaker 5: it was moving fast. So we backstrapped and said we

2113
01:45:54,520 --> 01:45:55,240
Speaker 5: ain't gonna get.

2114
01:45:55,080 --> 01:45:56,000
Speaker 2: That, so we ran out.

2115
01:46:00,120 --> 01:46:01,120
Speaker 6: Not now.

2116
01:46:01,560 --> 01:46:03,080
Speaker 2: I'm thirty pound light than this.

2117
01:46:03,640 --> 01:46:04,880
Speaker 5: My man's in top shape.

2118
01:46:05,439 --> 01:46:05,600
Speaker 6: You know.

2119
01:46:05,760 --> 01:46:07,520
Speaker 2: I'm neck and neck with this niggas.

2120
01:46:10,560 --> 01:46:14,599
Speaker 5: Going they coming from out the cause on the tires,

2121
01:46:14,960 --> 01:46:16,000
Speaker 5: I mean busting.

2122
01:46:16,400 --> 01:46:18,800
Speaker 2: I don't know how we lived. I jump in a

2123
01:46:18,920 --> 01:46:23,200
Speaker 2: ditch somewhere in the back and the guy they were

2124
01:46:23,200 --> 01:46:23,640
Speaker 2: sitting there.

2125
01:46:25,360 --> 01:46:28,519
Speaker 5: All of a sudden, some girls from the highway had stopped.

2126
01:46:28,600 --> 01:46:33,719
Speaker 5: But I'm like, I'm yelling niggas like Eric, I'm like yo, yo.

2127
01:46:39,800 --> 01:46:39,920
Speaker 1: Yo.

2128
01:46:40,640 --> 01:46:44,080
Speaker 5: So so we get back. Big Daddy came hears about it.

2129
01:46:44,560 --> 01:46:46,479
Speaker 5: Him and this certain man turned and had them big guns,

2130
01:46:46,520 --> 01:46:48,400
Speaker 5: and it's like, yo, I'm like that happy yesterday.

2131
01:46:48,400 --> 01:46:48,519
Speaker 2: Man.

2132
01:46:48,520 --> 01:46:50,800
Speaker 3: The niggas is gone now man now.

2133
01:46:51,439 --> 01:46:53,800
Speaker 6: But like, okay, but I gotta bring it back to

2134
01:46:53,880 --> 01:46:56,680
Speaker 6: what you said earlier, because I feel like you said that.

2135
01:46:58,800 --> 01:47:00,559
Speaker 5: Cain went on after y'all.

2136
01:47:00,960 --> 01:47:02,840
Speaker 2: But then you said Kine came home with a speedo.

2137
01:47:02,920 --> 01:47:03,720
Speaker 5: I just got to get to this.

2138
01:47:05,360 --> 01:47:13,479
Speaker 2: You gotta actually I kill you talking about this stage

2139
01:47:13,560 --> 01:47:17,679
Speaker 2: or the speedo. Yes, hot Anna hotel.

2140
01:47:17,800 --> 01:47:21,639
Speaker 5: Yes yo. We used to get escorted to the county

2141
01:47:21,760 --> 01:47:22,960
Speaker 5: line a lot.

2142
01:47:23,640 --> 01:47:25,960
Speaker 1: We used to have to hostage negotiate to get our

2143
01:47:26,040 --> 01:47:27,880
Speaker 1: people back and then they'd be like, well, you could

2144
01:47:27,920 --> 01:47:30,400
Speaker 1: have your boys backs as long as you leave the state.

2145
01:47:31,000 --> 01:47:35,880
Speaker 3: Me and Parae fort Hammer and fifty.

2146
01:47:35,680 --> 01:47:37,559
Speaker 5: Of this Ham had too money.

2147
01:47:37,800 --> 01:47:38,599
Speaker 2: They got him out of there.

2148
01:47:38,600 --> 01:47:39,920
Speaker 5: They got him mind there, but we had to fight

2149
01:47:40,479 --> 01:47:42,200
Speaker 5: him and some of the police department.

2150
01:47:43,240 --> 01:47:45,560
Speaker 2: Yes, just understanding.

2151
01:47:45,680 --> 01:47:48,920
Speaker 5: But Vanilla Ice was open the purse, mis understanding.

2152
01:47:49,720 --> 01:47:56,880
Speaker 2: Hammertone, it's crazy, told us I.

2153
01:47:57,160 --> 01:47:59,800
Speaker 3: Have him from Oakland. Hammertoes open.

2154
01:48:00,400 --> 01:48:06,320
Speaker 5: Am yeah, Ammon told us too, don't have your man

2155
01:48:06,520 --> 01:48:09,479
Speaker 5: dancing on the speakers. So we said, okay, cool shure

2156
01:48:09,560 --> 01:48:11,760
Speaker 5: talk my nigga.

2157
01:48:11,800 --> 01:48:16,040
Speaker 3: Findy from Queens, you know for rockaway people. He didn't

2158
01:48:16,080 --> 01:48:16,680
Speaker 3: want to hear all that.

2159
01:48:16,800 --> 01:48:19,599
Speaker 5: That's what he do. He jumped on the speakers.

2160
01:48:19,880 --> 01:48:20,320
Speaker 2: Anyway.

2161
01:48:20,479 --> 01:48:24,880
Speaker 5: While now, when when the ship's over, somebody comes to

2162
01:48:25,439 --> 01:48:26,439
Speaker 5: Findy talking mess.

2163
01:48:26,520 --> 01:48:29,600
Speaker 3: So Powders comes over to say to see what's going on.

2164
01:48:29,960 --> 01:48:33,400
Speaker 5: So the dude, you know, puffed up at pe He

2165
01:48:33,640 --> 01:48:38,160
Speaker 5: broke the glasses, the frame, the cheek, boom, niggas, everything

2166
01:48:38,280 --> 01:48:39,320
Speaker 5: came up this nigga right.

2167
01:48:41,120 --> 01:48:43,360
Speaker 2: So again we're six two and a half. Have you

2168
01:48:43,400 --> 01:48:50,559
Speaker 2: said chocolate brown yoyo?

2169
01:48:50,800 --> 01:48:56,600
Speaker 5: So after a while we going to a hallway and

2170
01:48:56,800 --> 01:49:00,920
Speaker 5: we stuck me Pats and Solo and we trapped.

2171
01:49:02,080 --> 01:49:04,360
Speaker 2: About fifty you know, it's about fifty of them anyway.

2172
01:49:06,320 --> 01:49:12,280
Speaker 2: Before the Jordan's yes, Ice and Hammer was kind of

2173
01:49:12,360 --> 01:49:12,920
Speaker 2: down together.

2174
01:49:13,200 --> 01:49:16,800
Speaker 5: Russell Simmons had the call and Jor got holding for

2175
01:49:16,880 --> 01:49:20,439
Speaker 5: a couple of days exactly, so we was flying but

2176
01:49:20,520 --> 01:49:22,440
Speaker 5: they yeah, but he called.

2177
01:49:22,240 --> 01:49:28,000
Speaker 2: Les onto the day they got a mouth hammer like.

2178
01:49:28,439 --> 01:49:30,280
Speaker 1: But the way the whole thing went down at the end,

2179
01:49:30,360 --> 01:49:33,679
Speaker 1: everything ended right and right from Leo Waunch of police.

2180
01:49:34,080 --> 01:49:36,599
Speaker 5: Yeah, man who normally gets down just opened the back door.

2181
01:49:37,360 --> 01:49:37,880
Speaker 2: We left.

2182
01:49:38,520 --> 01:49:41,360
Speaker 1: Somebody stole our mic that night, and we had the

2183
01:49:41,439 --> 01:49:44,360
Speaker 1: audacity after we tore that place up to go to

2184
01:49:44,479 --> 01:49:47,320
Speaker 1: the precinct and see if anybody turned to the mic.

2185
01:49:51,120 --> 01:49:53,600
Speaker 2: I wouldn't give you no more story to people we

2186
01:49:53,640 --> 01:49:56,519
Speaker 2: got to stop. He was bullis, but we fought mostly the.

2187
01:49:59,439 --> 01:50:02,640
Speaker 5: Hand getting to it or getting like taking advantage of

2188
01:50:02,760 --> 01:50:03,800
Speaker 5: and I'm not gonna step to me.

2189
01:50:03,880 --> 01:50:05,599
Speaker 3: If I'm looking, I'm like, are you serious?

2190
01:50:07,720 --> 01:50:07,960
Speaker 5: Scored?

2191
01:50:09,200 --> 01:50:11,880
Speaker 3: We see this nigga like I'm looking at the ju

2192
01:50:12,120 --> 01:50:14,400
Speaker 3: scene and probably was as football.

2193
01:50:14,439 --> 01:50:15,920
Speaker 5: We was like, did you see us?

2194
01:50:16,920 --> 01:50:19,400
Speaker 2: Like nothing but what I'm saying, But they didn't make

2195
01:50:20,120 --> 01:50:21,000
Speaker 2: a couple of rappers.

2196
01:50:21,040 --> 01:50:24,160
Speaker 3: I'm like, damn, you ain't gonna win, man, Like in my.

2197
01:50:24,200 --> 01:50:26,679
Speaker 5: Head when I look at like, you know, coming down whatever,

2198
01:50:26,800 --> 01:50:30,280
Speaker 5: like well away and again and we scared something that

2199
01:50:30,320 --> 01:50:32,240
Speaker 5: didn't want to come up the dress room and missing

2200
01:50:32,240 --> 01:50:33,120
Speaker 5: no name, but they didn't.

2201
01:50:32,880 --> 01:50:33,559
Speaker 3: Come like just room.

2202
01:50:34,360 --> 01:50:43,280
Speaker 5: I was with him and everything, the couple and you like, yeah,

2203
01:50:44,280 --> 01:50:47,360
Speaker 5: you're arrested, yo, arms you know you know what the

2204
01:50:47,439 --> 01:50:48,439
Speaker 5: little bathroom they.

2205
01:50:48,439 --> 01:50:51,920
Speaker 2: Have in the production office where you're picking off your money. Yeah,

2206
01:50:51,960 --> 01:50:53,600
Speaker 2: we stayed in there with the cuffs. They stayed on

2207
01:50:53,680 --> 01:50:56,200
Speaker 2: the phone with rush management. Yeah, with cups. Lies out

2208
01:50:56,200 --> 01:50:58,599
Speaker 2: the site in the riot. We got twenty five thousand people.

2209
01:50:58,680 --> 01:51:01,679
Speaker 3: They're not going to day and everything everything.

2210
01:51:02,640 --> 01:51:04,160
Speaker 2: Where's the young gods? Where's Cydney?

2211
01:51:04,200 --> 01:51:04,360
Speaker 5: Boy?

2212
01:51:04,439 --> 01:51:05,200
Speaker 2: Did I'm young?

2213
01:51:05,280 --> 01:51:05,479
Speaker 5: Really?

2214
01:51:08,760 --> 01:51:09,080
Speaker 7: The game?

2215
01:51:10,200 --> 01:51:11,000
Speaker 2: Not shut the game?

2216
01:51:11,760 --> 01:51:12,080
Speaker 5: You know what?

2217
01:51:16,320 --> 01:51:21,720
Speaker 6: But this is what what then describing as me as

2218
01:51:21,720 --> 01:51:25,000
Speaker 6: a CEO, I want you to understand what the fuck

2219
01:51:25,160 --> 01:51:25,679
Speaker 6: they're saying.

2220
01:51:26,200 --> 01:51:29,000
Speaker 2: Like rush management was crazy.

2221
01:51:29,560 --> 01:51:29,960
Speaker 5: Everybody.

2222
01:51:30,160 --> 01:51:33,560
Speaker 6: If you wasn't on depth jat you had to be

2223
01:51:33,640 --> 01:51:36,960
Speaker 6: on rush and that eventually turned into violator.

2224
01:51:38,600 --> 01:51:40,920
Speaker 2: Wow, that's true, and eventually.

2225
01:51:41,040 --> 01:51:43,880
Speaker 6: Heavy and then and then because I felt like I

2226
01:51:43,960 --> 01:51:45,320
Speaker 6: was on depth Jay my whole career.

2227
01:51:45,640 --> 01:51:47,960
Speaker 2: But I wasn't. I was on Holly.

2228
01:51:48,640 --> 01:51:53,080
Speaker 6: I was on I guess Rush Rush, excuse me. I

2229
01:51:53,200 --> 01:51:56,080
Speaker 6: felt I felt like he was like fuck it, and

2230
01:51:56,160 --> 01:51:57,280
Speaker 6: he gave it to Baby Chris.

2231
01:51:57,479 --> 01:51:59,400
Speaker 5: That's what he called. That's what his name was. Maybe

2232
01:51:59,439 --> 01:52:00,680
Speaker 5: Christ was baby Chris.

2233
01:52:02,200 --> 01:52:04,559
Speaker 6: And actually Chris lighty name is actually not even Chris.

2234
01:52:04,800 --> 01:52:08,599
Speaker 6: Chris Lighty's real name is Darryl Lighty. So baby Chris

2235
01:52:08,760 --> 01:52:09,440
Speaker 6: was because.

2236
01:52:11,479 --> 01:52:13,599
Speaker 5: Everybody Mike.

2237
01:52:15,960 --> 01:52:20,400
Speaker 2: But but to tell you the truth, Chris was his father.

2238
01:52:20,680 --> 01:52:24,960
Speaker 2: That's why they call him baby Chris. Wow. So Chris

2239
01:52:25,120 --> 01:52:26,160
Speaker 2: Lighty's real name.

2240
01:52:26,840 --> 01:52:28,599
Speaker 6: And that's how I know because like when he first

2241
01:52:28,640 --> 01:52:30,759
Speaker 6: signed me, I was like, you'll send me fifty thousand,

2242
01:52:31,040 --> 01:52:33,000
Speaker 6: send me fifteen thousand or whatever.

2243
01:52:33,520 --> 01:52:36,559
Speaker 2: And then I kept going to the Western Union. Back

2244
01:52:36,560 --> 01:52:38,720
Speaker 2: in the days you could send that ship like you're

2245
01:52:38,720 --> 01:52:39,559
Speaker 2: sending that type of.

2246
01:52:39,560 --> 01:52:42,600
Speaker 6: Ship and now Chris Lighty and they was like, no,

2247
01:52:43,040 --> 01:52:52,040
Speaker 6: you're close though. I was like, and I finally called

2248
01:52:52,080 --> 01:52:54,479
Speaker 6: Claudia and Claudia was like, nigga is nigga? His name

2249
01:52:54,560 --> 01:52:56,600
Speaker 6: is Darryl Lighty And I was like, oh, ship, I

2250
01:52:56,640 --> 01:52:59,320
Speaker 6: didn't know that. But why they called him baby Chris

2251
01:52:59,520 --> 01:53:02,519
Speaker 6: is because his father name was Chris. So the reason

2252
01:53:02,560 --> 01:53:06,360
Speaker 6: why I want everybody to know is one of the

2253
01:53:06,560 --> 01:53:11,599
Speaker 6: best situations, the best places I've ever seen in life

2254
01:53:11,800 --> 01:53:17,040
Speaker 6: was one seventy Barrack. Remember that you could roll, you

2255
01:53:17,160 --> 01:53:20,160
Speaker 6: get a haircut, and you get supposed to if it

2256
01:53:20,520 --> 01:53:21,080
Speaker 6: was into.

2257
01:53:22,920 --> 01:53:23,720
Speaker 2: That's kind of what we.

2258
01:53:26,760 --> 01:53:26,800
Speaker 6: Was.

2259
01:53:27,200 --> 01:53:27,880
Speaker 5: Let me take something.

2260
01:53:27,880 --> 01:53:31,400
Speaker 2: It was like the bad boys. All the labels turned

2261
01:53:31,400 --> 01:53:31,800
Speaker 2: to be like that.

2262
01:53:31,920 --> 01:53:32,479
Speaker 5: It was better.

2263
01:53:32,720 --> 01:53:36,280
Speaker 2: It was death Jam first one seventy and they had

2264
01:53:36,320 --> 01:53:37,120
Speaker 2: another office.

2265
01:53:37,280 --> 01:53:40,400
Speaker 5: It was my Chunk king On. I was seventy bag

2266
01:53:40,560 --> 01:53:42,840
Speaker 5: was it though? One seventy bar So we started off

2267
01:53:42,880 --> 01:53:43,879
Speaker 5: Elizabeth Street.

2268
01:53:45,880 --> 01:53:49,160
Speaker 2: Downtown right, but then one seventy back went out there.

2269
01:53:50,040 --> 01:53:53,759
Speaker 6: It was like for me, it was like a hood

2270
01:53:53,960 --> 01:53:57,599
Speaker 6: outside of the hood, meeting great temptation.

2271
01:53:58,800 --> 01:54:04,080
Speaker 2: Man, your money at still nothing.

2272
01:54:05,600 --> 01:54:10,880
Speaker 5: I used to call key Yeah, talking all day, That's

2273
01:54:10,920 --> 01:54:11,360
Speaker 5: what we did.

2274
01:54:13,760 --> 01:54:19,280
Speaker 6: But I'm gonna be honest. That office felt like the

2275
01:54:19,439 --> 01:54:22,240
Speaker 6: hood outside of the hood. Yeah, But it also felt

2276
01:54:22,320 --> 01:54:23,960
Speaker 6: like this is this is when you make it.

2277
01:54:24,080 --> 01:54:24,559
Speaker 8: This is you.

2278
01:54:26,320 --> 01:54:29,719
Speaker 3: To sell a million records like like you every it's different,

2279
01:54:29,920 --> 01:54:32,160
Speaker 3: like you're very you was ninety.

2280
01:54:31,920 --> 01:54:35,080
Speaker 5: Eight the next like that, you know, against in a

2281
01:54:35,160 --> 01:54:37,680
Speaker 5: million million records categories like you was.

2282
01:54:38,280 --> 01:54:38,680
Speaker 2: I remember.

2283
01:54:38,760 --> 01:54:41,600
Speaker 5: I remember you was balanced despot with me and you

2284
01:54:41,920 --> 01:54:44,400
Speaker 5: and and Peter guns in them like one, two and

2285
01:54:44,520 --> 01:54:48,440
Speaker 5: three don't get rappers and like super Thug and fucking

2286
01:54:49,160 --> 01:54:49,680
Speaker 5: Peter Gunn.

2287
01:54:50,480 --> 01:54:51,160
Speaker 2: Remember your video.

2288
01:54:54,160 --> 01:54:55,120
Speaker 5: I remember, I remember.

2289
01:54:55,160 --> 01:54:57,320
Speaker 2: I was like, damn, I gotta take them down, take

2290
01:54:57,400 --> 01:54:59,600
Speaker 2: them down? You did?

2291
01:55:00,080 --> 01:55:01,200
Speaker 6: I know we did?

2292
01:55:02,360 --> 01:55:04,240
Speaker 3: What a dude from m t V t R.

2293
01:55:04,360 --> 01:55:04,800
Speaker 5: What his name?

2294
01:55:05,720 --> 01:55:05,760
Speaker 8: Not?

2295
01:55:05,960 --> 01:55:12,760
Speaker 5: All right? No, no, Johnny, I'm not a giant. Yeah,

2296
01:55:12,760 --> 01:55:16,000
Speaker 5: I'm gonna be on the beach interviewing that day. I'm like,

2297
01:55:16,080 --> 01:55:17,320
Speaker 5: d know he got number one.

2298
01:55:18,240 --> 01:55:23,240
Speaker 2: Super It was ringing so hard, like I'm like, yo, leo, listen, man.

2299
01:55:23,760 --> 01:55:27,760
Speaker 5: We gotta you know, we gotta drop another records like nah,

2300
01:55:28,080 --> 01:55:30,720
Speaker 5: we all right? And then Maxwell we got number one

2301
01:55:30,720 --> 01:55:32,839
Speaker 5: album that again.

2302
01:55:35,480 --> 01:55:36,000
Speaker 3: I'll be Max.

2303
01:55:38,160 --> 01:55:40,520
Speaker 2: But again Maxwell got beefing me. Maxwell.

2304
01:55:41,040 --> 01:55:44,600
Speaker 6: I'll tell you what because I said on the record,

2305
01:55:44,640 --> 01:55:47,880
Speaker 6: I said your niggas is gay, like the Maxwell video,

2306
01:55:48,880 --> 01:55:52,560
Speaker 6: and he never he never forgot that, like they actually

2307
01:55:52,600 --> 01:55:56,200
Speaker 6: wait to violate. Like actually, I'm a super shoot at

2308
01:55:56,240 --> 01:55:59,240
Speaker 6: this time, Like I'm super shooter right, like I don't

2309
01:55:59,280 --> 01:55:59,839
Speaker 6: have shooters.

2310
01:56:00,120 --> 01:56:00,920
Speaker 5: I am the shooter.

2311
01:56:01,560 --> 01:56:04,640
Speaker 9: So he came to violated because he was a street dude.

2312
01:56:04,680 --> 01:56:09,480
Speaker 9: Nobody want to and he's like to call him. I said, Yo,

2313
01:56:10,080 --> 01:56:15,560
Speaker 9: what did you do to Maxwell? It was at this

2314
01:56:15,680 --> 01:56:17,480
Speaker 9: time I just say dumb ship in my round.

2315
01:56:18,320 --> 01:56:19,680
Speaker 2: I didn't know people actually.

2316
01:56:19,560 --> 01:56:26,640
Speaker 5: Listen to me. Maxwell was only a million people, and.

2317
01:56:29,080 --> 01:56:31,520
Speaker 6: He told them, niggas, you tell Nor me and him

2318
01:56:31,560 --> 01:56:34,840
Speaker 6: gotta fight. And I'm like, Chris is like, yo, Nor,

2319
01:56:34,960 --> 01:56:39,880
Speaker 6: he's gonna shoot. You don't want to fight. But I

2320
01:56:40,240 --> 01:56:42,120
Speaker 6: just thought it was the dopest thing that a R

2321
01:56:42,160 --> 01:56:45,680
Speaker 6: and B niggle not to fight me like I Actually

2322
01:56:45,840 --> 01:56:48,320
Speaker 6: I told everybody Max, I want to fight me.

2323
01:56:50,560 --> 01:56:51,520
Speaker 5: Another thing before we go.

2324
01:56:51,600 --> 01:56:52,360
Speaker 2: Down so big.

2325
01:56:52,400 --> 01:56:54,000
Speaker 5: I want to go and start getting to the middle

2326
01:56:54,040 --> 01:56:57,440
Speaker 5: of lads. But love is a situation where we need

2327
01:56:57,560 --> 01:57:00,320
Speaker 5: that more. Like you said before, that is change a

2328
01:57:00,360 --> 01:57:03,440
Speaker 5: light of ship. My niggas just loving and right. And

2329
01:57:03,560 --> 01:57:08,000
Speaker 5: then Michael Epps said two over forty. The only reason

2330
01:57:08,200 --> 01:57:11,520
Speaker 5: that I'm gonna put these up if it's necessary.

2331
01:57:11,480 --> 01:57:13,680
Speaker 2: I don't give if you call me a fat fuck

2332
01:57:13,840 --> 01:57:15,360
Speaker 2: or your music sucks or whatever.

2333
01:57:15,840 --> 01:57:18,880
Speaker 5: I'm going home because my twelve year old son nieds

2334
01:57:18,960 --> 01:57:22,360
Speaker 5: his dad's right. The only way I'm going if I'm

2335
01:57:22,640 --> 01:57:25,720
Speaker 5: put in a position right now I'm protecting my family

2336
01:57:26,200 --> 01:57:27,640
Speaker 5: or put in the city where I gotta get out,

2337
01:57:27,840 --> 01:57:30,480
Speaker 5: then I'm putting these up. But other than that, though,

2338
01:57:30,600 --> 01:57:33,960
Speaker 5: I can't see you being this is forty seven, forty

2339
01:57:33,960 --> 01:57:36,880
Speaker 5: eight years old and saying, Yo, I'm talking these streets

2340
01:57:37,000 --> 01:57:39,280
Speaker 5: like a fuck that nigga, you know, and you hear

2341
01:57:39,400 --> 01:57:43,760
Speaker 5: niggas talking mess or on the web, been doing this

2342
01:57:43,840 --> 01:57:47,120
Speaker 5: shit on the text and this age. I'm not fighting you,

2343
01:57:47,200 --> 01:57:52,280
Speaker 5: my nigga. Well here's I'm not fighting you should Here's

2344
01:57:52,320 --> 01:57:54,600
Speaker 5: the problem is hip.

2345
01:57:54,480 --> 01:57:59,480
Speaker 6: Hop gotta start taking responsibility, meaning there's no way you

2346
01:57:59,480 --> 01:58:02,360
Speaker 6: should fight. There's no way you should fight. This gotta

2347
01:58:02,400 --> 01:58:04,680
Speaker 6: be somebody that's in the club saying.

2348
01:58:04,760 --> 01:58:07,320
Speaker 5: What are you talking to? Who?

2349
01:58:08,000 --> 01:58:08,520
Speaker 4: Like what?

2350
01:58:09,080 --> 01:58:09,360
Speaker 7: I know?

2351
01:58:09,600 --> 01:58:10,480
Speaker 2: Why?

2352
01:58:11,520 --> 01:58:11,640
Speaker 4: Right?

2353
01:58:12,040 --> 01:58:14,360
Speaker 2: And we gotta that's the thing is.

2354
01:58:16,960 --> 01:58:20,520
Speaker 6: Everybody that's here, we gotta start taking responsibility. And because

2355
01:58:20,560 --> 01:58:22,640
Speaker 6: you know why, and this is the reason why we

2356
01:58:22,920 --> 01:58:26,200
Speaker 6: started this, because we gotta actually protect our legends like

2357
01:58:26,280 --> 01:58:27,200
Speaker 6: we actually.

2358
01:58:26,960 --> 01:58:30,720
Speaker 1: Do, like do like if you see I told you

2359
01:58:30,960 --> 01:58:33,360
Speaker 1: and now he's black, he's black.

2360
01:58:33,480 --> 01:58:38,320
Speaker 6: But I remember I remember seeing Prince just just go

2361
01:58:38,560 --> 01:58:41,720
Speaker 6: somewhere and I'm just seeing the club just it's.

2362
01:58:41,720 --> 01:58:46,800
Speaker 2: Just who just behind that there and he came in

2363
01:58:46,960 --> 01:58:47,720
Speaker 2: by itself and he.

2364
01:58:47,800 --> 01:58:53,480
Speaker 6: Levitated in my mind didn't walk, yeah, in my mind definitely,

2365
01:58:54,120 --> 01:58:57,040
Speaker 6: But it was like, damn, I saw that. I mean

2366
01:58:57,320 --> 01:58:57,760
Speaker 6: I saw it.

2367
01:58:58,400 --> 01:59:02,520
Speaker 2: But that's exactly like if Rock Kim coming to club,

2368
01:59:02,640 --> 01:59:03,040
Speaker 2: if E. P.

2369
01:59:03,200 --> 01:59:05,920
Speaker 6: M D Coming to club, cars coming to club, and

2370
01:59:06,160 --> 01:59:09,920
Speaker 6: anything happened anywhere around y'all, it's my fault.

2371
01:59:10,360 --> 01:59:11,080
Speaker 5: Now, that's my fault.

2372
01:59:12,360 --> 01:59:14,520
Speaker 6: I made it happen. It's my fault because I could

2373
01:59:14,600 --> 01:59:20,600
Speaker 6: have prevented. And I gotta set the presidents. Know I'm

2374
01:59:20,600 --> 01:59:24,280
Speaker 6: a dyslexic. I gotta set the presidents. I said it right, Yes,

2375
01:59:25,480 --> 01:59:26,480
Speaker 6: the president.

2376
01:59:30,360 --> 01:59:35,320
Speaker 2: I got so that the next generation set the presidents.

2377
01:59:35,680 --> 01:59:39,320
Speaker 2: Me thinking about that, it's very important. We have to.

2378
01:59:40,800 --> 01:59:42,840
Speaker 5: We left the game. There's been no one there here.

2379
01:59:43,520 --> 01:59:43,560
Speaker 6: No.

2380
01:59:44,000 --> 01:59:47,840
Speaker 5: That's why I apologized to to to Soldier Boy, because

2381
01:59:48,000 --> 01:59:50,120
Speaker 5: the boys said, listen, you arguing.

2382
01:59:49,880 --> 01:59:52,600
Speaker 3: At me, But we had nobody to tell us exactly.

2383
01:59:52,800 --> 01:59:54,080
Speaker 2: So only did what I knew.

2384
01:59:55,040 --> 02:00:01,360
Speaker 5: He was apologize and Nelly right, yeah, I didn't know.

2385
02:00:01,520 --> 02:00:02,720
Speaker 2: We didn't have him to go on.

2386
02:00:02,920 --> 02:00:05,240
Speaker 5: See, we had something to go on when we came,

2387
02:00:05,360 --> 02:00:10,480
Speaker 5: y'all had you know, way talking about baby Christmas.

2388
02:00:12,520 --> 02:00:17,920
Speaker 2: Yes, and that, and that's the reason why.

2389
02:00:19,360 --> 02:00:22,720
Speaker 6: If anybody, if you're listening to this, like I told

2390
02:00:22,760 --> 02:00:26,280
Speaker 6: I was telling you outside, pet, I was telling you

2391
02:00:26,400 --> 02:00:29,800
Speaker 6: outside that I had checked into this hotel, right, and

2392
02:00:29,880 --> 02:00:35,080
Speaker 6: when I checked into this hotel. Doesn't sound that didn't

2393
02:00:35,080 --> 02:00:39,680
Speaker 6: sound good at all occasion, But I had checked into this.

2394
02:00:40,760 --> 02:00:43,720
Speaker 6: I had checked into this hotel, right. And when I

2395
02:00:43,800 --> 02:00:46,800
Speaker 6: checked into this hotel. The guy says to me, thank you,

2396
02:00:46,920 --> 02:00:48,760
Speaker 6: and I said, thank you for what? And he goes,

2397
02:00:49,080 --> 02:00:52,840
Speaker 6: you put me on a duck down, right. A part

2398
02:00:52,880 --> 02:00:55,600
Speaker 6: of me wanted to smack the ship out there. How

2399
02:00:55,640 --> 02:00:57,320
Speaker 6: the fuck can I put you on a dunt down?

2400
02:00:57,800 --> 02:01:00,920
Speaker 6: But then another part of me was like, damn, I

2401
02:01:01,000 --> 02:01:04,600
Speaker 6: gotta recognize what I'm doing. Because he's twenty three years old.

2402
02:01:05,400 --> 02:01:05,920
Speaker 2: He didn't know.

2403
02:01:06,680 --> 02:01:09,760
Speaker 6: So when he heard the duck down interview, he went

2404
02:01:09,840 --> 02:01:13,200
Speaker 6: and he did his research and he went and he

2405
02:01:13,400 --> 02:01:16,280
Speaker 6: you know, he actually knew who Smith and Wesson was

2406
02:01:16,400 --> 02:01:19,680
Speaker 6: and he knew it, but he was open, right, So

2407
02:01:19,880 --> 02:01:22,600
Speaker 6: part of me still wanted to smack him because I'm like, damn,

2408
02:01:23,200 --> 02:01:24,880
Speaker 6: But then the other part of me was like, this

2409
02:01:25,000 --> 02:01:28,280
Speaker 6: guy don't even know I'm glory, right, he wasn't educated.

2410
02:01:28,400 --> 02:01:29,839
Speaker 2: He don't even know I'm glory.

2411
02:01:30,440 --> 02:01:33,560
Speaker 6: He's looking at me like the podcast right right, And

2412
02:01:33,680 --> 02:01:35,520
Speaker 6: that's what you said on your video the other day.

2413
02:01:35,800 --> 02:01:36,880
Speaker 2: You send a video and.

2414
02:01:36,880 --> 02:01:37,400
Speaker 5: You're just like yo.

2415
02:01:37,440 --> 02:01:39,240
Speaker 2: Know, he tell his niggas who you is. But I

2416
02:01:39,280 --> 02:01:40,200
Speaker 2: don't even killed it.

2417
02:01:40,440 --> 02:01:42,320
Speaker 5: No, I know you don't care. But I just felt

2418
02:01:42,360 --> 02:01:43,960
Speaker 5: that because I said what I want to say, because

2419
02:01:43,960 --> 02:01:45,720
Speaker 5: I was meant.

2420
02:01:48,880 --> 02:01:52,160
Speaker 6: But the thing about it is, think about it is

2421
02:01:52,920 --> 02:01:55,600
Speaker 6: I don't care if people have to look at me

2422
02:01:55,760 --> 02:01:58,840
Speaker 6: like that and I could kill still represent hip hop.

2423
02:01:59,360 --> 02:02:02,080
Speaker 5: I'm gonna say one thing before we get this is

2424
02:02:02,200 --> 02:02:06,600
Speaker 5: no disrespect as far as what's going on. And no,

2425
02:02:07,040 --> 02:02:09,200
Speaker 5: you know, we nowhere near the white and black thing.

2426
02:02:10,480 --> 02:02:14,200
Speaker 5: If we don't make a stance, they would want to

2427
02:02:14,240 --> 02:02:18,480
Speaker 5: start the error off with Marshall Madters. You know what

2428
02:02:18,520 --> 02:02:21,080
Speaker 5: I thought about the number one rapper in the world.

2429
02:02:21,680 --> 02:02:24,240
Speaker 5: The number one selling rapper in the world is Eminem

2430
02:02:25,880 --> 02:02:28,800
Speaker 5: And it's not gonna do it because he's incredibly nice. Yes,

2431
02:02:28,960 --> 02:02:32,000
Speaker 5: but that's what the culture is going through. If they

2432
02:02:32,040 --> 02:02:32,800
Speaker 5: can rewrite it.

2433
02:02:33,920 --> 02:02:35,600
Speaker 6: You know what I thought about eating I'm so sorry

2434
02:02:35,600 --> 02:02:37,000
Speaker 6: to cut you off. You know, I thought about the

2435
02:02:37,080 --> 02:02:40,360
Speaker 6: other day. And this is the reason why I love

2436
02:02:40,440 --> 02:02:43,280
Speaker 6: what we're doing because I've thought about it. I said, Yo,

2437
02:02:44,040 --> 02:02:47,560
Speaker 6: what happens if hip hop is just tarnished for the

2438
02:02:47,680 --> 02:02:50,720
Speaker 6: next hundred years, right right? And what happens when they

2439
02:02:50,800 --> 02:02:54,320
Speaker 6: actually go do research? You know what, they can actually

2440
02:02:54,480 --> 02:02:59,120
Speaker 6: look up love and hip hop. That's horrible, I'm just saying,

2441
02:02:59,240 --> 02:03:02,080
Speaker 6: but it's tele so think about it. So think about

2442
02:03:02,080 --> 02:03:06,200
Speaker 6: one thing. My thing is they can actually go and.

2443
02:03:06,360 --> 02:03:06,800
Speaker 5: Pull up.

2444
02:03:08,440 --> 02:03:10,600
Speaker 2: The history books. Is gonna function up. It's gonna suck

2445
02:03:10,680 --> 02:03:13,600
Speaker 2: life up. So just imagine. It's his story.

2446
02:03:13,920 --> 02:03:16,040
Speaker 1: But it goes back to what Eric said, we have

2447
02:03:16,200 --> 02:03:18,720
Speaker 1: to have We should have categories for hip hop so

2448
02:03:18,920 --> 02:03:23,760
Speaker 1: everything is not just shoved under hip hop one.

2449
02:03:22,800 --> 02:03:26,400
Speaker 3: Label before before it gets written off.

2450
02:03:26,840 --> 02:03:28,480
Speaker 5: He said. But you know, just be gonna suck it up.

2451
02:03:29,160 --> 02:03:30,480
Speaker 5: His story, gonna suck it up.

2452
02:03:31,360 --> 02:03:34,600
Speaker 18: Because if we don't work like like he said, we

2453
02:03:34,680 --> 02:03:38,560
Speaker 18: stopped working. So now that and now her you said

2454
02:03:38,600 --> 02:03:40,920
Speaker 18: to you might with the records, you can't do it.

2455
02:03:41,560 --> 02:03:45,000
Speaker 18: You know there's people out there even if don't.

2456
02:03:44,840 --> 02:03:48,600
Speaker 5: Worry about about what you think about what mainstream is.

2457
02:03:49,080 --> 02:03:52,440
Speaker 5: It's when he made the records, do you it's gonna

2458
02:03:52,480 --> 02:03:56,320
Speaker 5: come it's gonna yo that that. When I tell you

2459
02:03:56,480 --> 02:03:59,520
Speaker 5: that it's gonna be blessed and it's gonna come that.

2460
02:03:59,600 --> 02:04:00,360
Speaker 2: The world hear it.

2461
02:04:00,840 --> 02:04:03,760
Speaker 5: I promise you the world is going to hear it.

2462
02:04:04,120 --> 02:04:06,840
Speaker 5: It's a different type of buying. Now the world done

2463
02:04:06,880 --> 02:04:11,400
Speaker 5: woke up people in a fifth dimension. Now you know

2464
02:04:11,480 --> 02:04:13,560
Speaker 5: that people don't woke up. Now, they woke up, and

2465
02:04:13,640 --> 02:04:15,680
Speaker 5: that's why they want through the rhyme. They want you,

2466
02:04:15,960 --> 02:04:17,720
Speaker 5: They want to hear you. I'm telling you.

2467
02:04:19,600 --> 02:04:19,840
Speaker 7: Rhyme.

2468
02:04:21,480 --> 02:04:23,600
Speaker 6: We just did a new deal with Title and hit

2469
02:04:23,680 --> 02:04:26,880
Speaker 6: Squad Digital. So these are the power moves that we're

2470
02:04:27,000 --> 02:04:36,600
Speaker 6: breaking news. I want you to describe what you just said,

2471
02:04:36,600 --> 02:04:39,360
Speaker 6: because you said if you did a deal with Title Digital,

2472
02:04:39,680 --> 02:04:39,960
Speaker 6: so that.

2473
02:04:40,120 --> 02:04:42,120
Speaker 2: Means you're an artist owner.

2474
02:04:42,600 --> 02:04:44,600
Speaker 5: Yes, that's correct, and I want people to.

2475
02:04:44,680 --> 02:04:47,200
Speaker 2: Understand what that means. That means that you can be

2476
02:04:47,240 --> 02:04:47,640
Speaker 2: an artist.

2477
02:04:47,720 --> 02:04:48,280
Speaker 5: Let me a chicken.

2478
02:04:48,840 --> 02:04:50,680
Speaker 2: That means you can be an artist and you can

2479
02:04:50,720 --> 02:04:53,680
Speaker 2: still own your ship. I'm take two. That's correct, and

2480
02:04:53,800 --> 02:04:54,920
Speaker 2: this is what we're doin it.

2481
02:04:55,040 --> 02:04:56,960
Speaker 5: So basically can look like that.

2482
02:04:58,520 --> 02:05:00,240
Speaker 1: All the work that we put in back in the

2483
02:05:00,320 --> 02:05:03,000
Speaker 1: early parts of our career is coming back around. So

2484
02:05:03,120 --> 02:05:06,160
Speaker 1: we're self contained, independent in house, and this is the

2485
02:05:06,200 --> 02:05:09,000
Speaker 1: way we're gonna fund on it because in the technology

2486
02:05:09,080 --> 02:05:12,400
Speaker 1: eraror it's all about content now they even think download.

2487
02:05:12,440 --> 02:05:13,960
Speaker 5: It's gonna be out in a minute, and it's all

2488
02:05:14,000 --> 02:05:17,960
Speaker 5: about the livestream. You know you're doing it.

2489
02:05:19,200 --> 02:05:21,800
Speaker 6: Let me ask you this, do you like streaming because

2490
02:05:21,920 --> 02:05:24,560
Speaker 6: to me, I like streaming because I feel like your

2491
02:05:24,600 --> 02:05:27,120
Speaker 6: haters even listen to you, to you because they feel

2492
02:05:27,120 --> 02:05:27,960
Speaker 6: like they're not supporting you.

2493
02:05:30,120 --> 02:05:31,160
Speaker 5: Right, you got.

2494
02:05:33,760 --> 02:05:37,200
Speaker 6: The membership, so you know we're just covering the dot

2495
02:05:37,240 --> 02:05:41,080
Speaker 6: part even if you press it, watching you.

2496
02:05:43,240 --> 02:05:47,480
Speaker 2: Has tuned into what we're actually doing. The stream well

2497
02:05:50,680 --> 02:05:54,400
Speaker 2: one album. One album is that's terrible, right, bad for

2498
02:05:54,520 --> 02:05:59,280
Speaker 2: the artist. But on the record, if your owner, you're

2499
02:05:59,280 --> 02:06:00,600
Speaker 2: good the stream and his money.

2500
02:06:00,880 --> 02:06:03,360
Speaker 1: So yo, big shout out to Daniel for the you know,

2501
02:06:03,480 --> 02:06:07,160
Speaker 1: making the digital coming Champs for having a big shout.

2502
02:06:08,680 --> 02:06:11,280
Speaker 2: You know to school Nor he got me up last day.

2503
02:06:11,280 --> 02:06:14,200
Speaker 5: That's not that's the drink champs got me up promises.

2504
02:06:14,520 --> 02:06:16,080
Speaker 2: You know you hold up time out?

2505
02:06:16,160 --> 02:06:21,680
Speaker 6: Can we give out social media tags? Please give it out,

2506
02:06:22,280 --> 02:06:24,160
Speaker 6: give it out, tell them the fu.

2507
02:06:25,040 --> 02:06:26,160
Speaker 2: Oh yeah, yeah, my bad.

2508
02:06:26,440 --> 02:06:27,320
Speaker 3: Oh I thought I did it before.

2509
02:06:27,360 --> 02:06:30,520
Speaker 5: Okay, Eric sermon Eric, you know, I c K Underscore

2510
02:06:30,800 --> 02:06:33,520
Speaker 5: Sermon on Instagram and I am Eric Simon on Twitter,

2511
02:06:33,920 --> 02:06:37,400
Speaker 5: and of course death Ruggs on Instagram and death Rugs

2512
02:06:37,440 --> 02:06:40,720
Speaker 5: dot Com on w w W whatever that's.

2513
02:06:42,240 --> 02:06:46,160
Speaker 1: At Death Ruggs Yo, and I'm on the on Instagram

2514
02:06:46,320 --> 02:06:49,640
Speaker 1: on p m D Underscore Mike Underscore Doc on Twitter

2515
02:06:49,800 --> 02:06:52,400
Speaker 1: on p m D of E p m D and

2516
02:06:52,520 --> 02:06:55,920
Speaker 1: then uh Facebook, p m D of E p m D.

2517
02:06:56,360 --> 02:07:00,120
Speaker 2: I got a Facebook. That's how you know you got in.

2518
02:07:00,280 --> 02:07:00,600
Speaker 5: Man, I.

2519
02:07:02,120 --> 02:07:02,920
Speaker 3: Ain't got one either.

2520
02:07:03,240 --> 02:07:06,720
Speaker 6: But listen, my brothers, I'm gonna be honest. I really

2521
02:07:06,800 --> 02:07:07,760
Speaker 6: appreciated y'all.

2522
02:07:08,200 --> 02:07:11,720
Speaker 2: I really called for us and we came. Heard you're called,

2523
02:07:11,760 --> 02:07:13,640
Speaker 2: and you came and you know what, you know you

2524
02:07:13,840 --> 02:07:17,040
Speaker 2: called for us. We heard and were happy about that.

2525
02:07:17,120 --> 02:07:20,080
Speaker 2: And you know what, I don't want this to be there.

2526
02:07:20,240 --> 02:07:23,280
Speaker 2: First second, I wonder I want you to always come

2527
02:07:23,360 --> 02:07:24,080
Speaker 2: back because.

2528
02:07:27,920 --> 02:07:30,600
Speaker 5: And why why we got this platform.

2529
02:07:30,760 --> 02:07:33,360
Speaker 6: I don't know how long we're gonna have this platform

2530
02:07:33,440 --> 02:07:35,480
Speaker 6: at this level, right so you know what I want

2531
02:07:35,520 --> 02:07:37,960
Speaker 6: to do. I want to continue to support people that

2532
02:07:38,160 --> 02:07:38,680
Speaker 6: I want.

2533
02:07:38,560 --> 02:07:39,320
Speaker 5: To support right now.

2534
02:07:39,640 --> 02:07:42,840
Speaker 2: And that's why you're here, yes, because but the thing

2535
02:07:42,920 --> 02:07:44,720
Speaker 2: about it is we don't know.

2536
02:07:45,760 --> 02:07:47,920
Speaker 6: Oh, we do know how about that? We do know

2537
02:07:48,680 --> 02:07:51,840
Speaker 6: that hip hop should be celebrated. And that's that's my

2538
02:07:52,000 --> 02:07:54,440
Speaker 6: last meeting with Leo Combs. The last time I seen him.

2539
02:07:54,800 --> 02:07:57,400
Speaker 6: He said, do you know what this is working?

2540
02:07:58,760 --> 02:07:59,320
Speaker 5: I said no.

2541
02:08:00,720 --> 02:08:03,440
Speaker 2: He said, because hip hop has never had a celebration.

2542
02:08:05,080 --> 02:08:07,080
Speaker 2: We always tear each other down.

2543
02:08:09,040 --> 02:08:10,360
Speaker 3: Why do you why did he fix it?

2544
02:08:11,320 --> 02:08:12,000
Speaker 5: I'm fixing it.

2545
02:08:12,800 --> 02:08:16,240
Speaker 19: What I'm saying saying he didn't tell you that. No,

2546
02:08:16,400 --> 02:08:22,400
Speaker 19: I didn't ask him that, but but I just wanted

2547
02:08:22,440 --> 02:08:23,320
Speaker 19: to take the compliments.

2548
02:08:26,160 --> 02:08:27,600
Speaker 2: I definitely didn't want to get back.

2549
02:08:29,080 --> 02:08:30,200
Speaker 5: The thing about it is.

2550
02:08:31,840 --> 02:08:34,760
Speaker 6: I I thought he had a point because hip hop

2551
02:08:34,840 --> 02:08:38,240
Speaker 6: is just celebrating, Like, why the funk we can't?

2552
02:08:38,720 --> 02:08:41,760
Speaker 1: So the hip hop really is in the colleges and

2553
02:08:41,840 --> 02:08:44,240
Speaker 1: the high school. How the teachers celebrate you know, you

2554
02:08:44,320 --> 02:08:45,880
Speaker 1: know everything.

2555
02:08:46,560 --> 02:08:47,240
Speaker 2: Let me tell you something.

2556
02:08:47,280 --> 02:08:47,520
Speaker 5: People.

2557
02:08:47,560 --> 02:08:48,120
Speaker 2: One day.

2558
02:08:49,840 --> 02:08:54,640
Speaker 6: I'm like Kentucky somewhere right and some guy he does

2559
02:08:54,720 --> 02:08:57,280
Speaker 6: a step and so he does his step.

2560
02:08:57,360 --> 02:08:59,880
Speaker 2: The other guy goes, oh, ship you from such and such,

2561
02:09:00,240 --> 02:09:04,760
Speaker 2: and they's like, yeah, they doing this shit together. So

2562
02:09:04,760 --> 02:09:07,200
Speaker 2: a white guy and a black guy. But you know

2563
02:09:07,280 --> 02:09:11,360
Speaker 2: what it was that praternity brung them together that's what

2564
02:09:11,440 --> 02:09:12,120
Speaker 2: the hip hop is.

2565
02:09:12,320 --> 02:09:13,880
Speaker 5: Yo, no racism in hip hop.

2566
02:09:14,080 --> 02:09:17,280
Speaker 2: There's no racism in hip hop. We're supposed to were

2567
02:09:17,400 --> 02:09:20,040
Speaker 2: are fraternity. So no matter where you're at or where,

2568
02:09:20,600 --> 02:09:23,640
Speaker 2: no matter what right, no matter like you be from

2569
02:09:23,720 --> 02:09:25,800
Speaker 2: New Orleans, we're supposed to say hip.

2570
02:09:25,720 --> 02:09:32,000
Speaker 3: Hop hip hop. Yeah yeah, yeah, that's what they did

2571
02:09:32,160 --> 02:09:32,600
Speaker 3: back then.

2572
02:09:33,680 --> 02:09:38,080
Speaker 5: So I'm tagging. That's what I'm trying to tell people.

2573
02:09:38,240 --> 02:09:41,080
Speaker 2: I'm trying to say is that hip hop is supposed

2574
02:09:41,120 --> 02:09:42,000
Speaker 2: to be a real fraternity.

2575
02:09:42,120 --> 02:09:47,400
Speaker 6: Now, before you get about of here, I've been trying

2576
02:09:47,400 --> 02:09:50,680
Speaker 6: to start something called a hip hop union, which means

2577
02:09:51,840 --> 02:09:54,040
Speaker 6: we want everybody to get one percent.

2578
02:09:53,800 --> 02:09:55,920
Speaker 5: Of their practice, not a lot.

2579
02:09:56,840 --> 02:10:00,440
Speaker 6: And the problem is when if DM man has a

2580
02:10:00,560 --> 02:10:03,840
Speaker 6: problem and d m X needs to be held down,

2581
02:10:04,760 --> 02:10:06,320
Speaker 6: the hip hop Union takes care of.

2582
02:10:07,880 --> 02:10:09,680
Speaker 5: Try to do that like Cool Cool heard when he's

2583
02:10:09,720 --> 02:10:13,720
Speaker 5: in trouble, right, And the thing about it is, the

2584
02:10:13,800 --> 02:10:16,240
Speaker 5: thing about it is, I know it sounds impossible because

2585
02:10:16,240 --> 02:10:17,840
Speaker 5: weal with niggas.

2586
02:10:17,520 --> 02:10:23,160
Speaker 6: Right right exactly, and we're all some may one percent back.

2587
02:10:23,200 --> 02:10:25,040
Speaker 6: But the thing about it is we got to think

2588
02:10:25,040 --> 02:10:27,640
Speaker 6: about the less fort right, Like how about I love

2589
02:10:27,720 --> 02:10:28,720
Speaker 6: this how down with.

2590
02:10:28,760 --> 02:10:31,720
Speaker 2: This chili that's mine down with this.

2591
02:10:32,600 --> 02:10:36,000
Speaker 6: He said he he he did something and he admitted

2592
02:10:36,040 --> 02:10:38,280
Speaker 6: it and he took his crime, but by soon said

2593
02:10:38,360 --> 02:10:41,080
Speaker 6: he never did it, and he still maintains that to

2594
02:10:41,240 --> 02:10:41,680
Speaker 6: this day.

2595
02:10:42,160 --> 02:10:42,920
Speaker 2: He did eight.

2596
02:10:42,920 --> 02:10:45,920
Speaker 6: Years and he said he never did it, but he

2597
02:10:46,080 --> 02:10:49,360
Speaker 6: never had a lawyer. And the thing about the hip

2598
02:10:49,400 --> 02:10:55,600
Speaker 6: Hop Union, we should all be together. And now if somebody.

2599
02:10:55,360 --> 02:11:00,960
Speaker 1: Says that, man says no, but want show, you know,

2600
02:11:01,080 --> 02:11:05,080
Speaker 1: because then we would need the only billion, multi billion

2601
02:11:05,200 --> 02:11:10,480
Speaker 1: dollar industry that don't have a UN protection us in boxing, right.

2602
02:11:11,160 --> 02:11:13,360
Speaker 6: A big shout out to dm next too. Yeah, but

2603
02:11:13,520 --> 02:11:15,800
Speaker 6: that's what I got to say, Like, let me tell

2604
02:11:15,800 --> 02:11:18,720
Speaker 6: you something. I'm sorry, and I don't know if everybody's listening,

2605
02:11:18,920 --> 02:11:21,480
Speaker 6: I don't know, but you know, the other day we

2606
02:11:22,000 --> 02:11:25,320
Speaker 6: we we see DMX on stage. None of us really

2607
02:11:25,360 --> 02:11:29,160
Speaker 6: appreciated it, right, We didn't appreciate. Not not the fact

2608
02:11:29,160 --> 02:11:32,040
Speaker 6: that we didn't appreciate on stage, but we were like,

2609
02:11:32,200 --> 02:11:32,560
Speaker 6: that's all.

2610
02:11:32,680 --> 02:11:36,200
Speaker 2: That's all kid. Our king is gonna look a little different.

2611
02:11:36,920 --> 02:11:38,080
Speaker 2: So if he needs help.

2612
02:11:38,840 --> 02:11:40,680
Speaker 6: The thing that I can't do it but myself, what

2613
02:11:41,440 --> 02:11:43,720
Speaker 6: do the hip hop union? And people just say, you

2614
02:11:43,840 --> 02:11:45,760
Speaker 6: know what, let's putim in the headline.

2615
02:11:45,960 --> 02:11:47,800
Speaker 5: Yeah, but he don't want to do it to no,

2616
02:11:48,720 --> 02:11:51,880
Speaker 5: but but if he does want to do it, for

2617
02:11:52,120 --> 02:11:57,880
Speaker 5: us to want.

2618
02:11:55,320 --> 02:11:57,240
Speaker 2: To say what I'm saying, because it's like it's like

2619
02:11:57,320 --> 02:11:59,120
Speaker 2: it's it's just it's just like it's just like yo yo,

2620
02:11:59,200 --> 02:12:00,920
Speaker 2: because the rocket to do it all the time like

2621
02:12:01,000 --> 02:12:01,520
Speaker 2: it's none.

2622
02:12:04,840 --> 02:12:09,320
Speaker 6: About just about it, like like like like they make

2623
02:12:09,480 --> 02:12:12,360
Speaker 6: you pay to do a movie just get all this

2624
02:12:12,840 --> 02:12:15,240
Speaker 6: you know what I'm saying, sag, So they actually make

2625
02:12:15,320 --> 02:12:17,880
Speaker 6: you say here goes this amount of money and then

2626
02:12:18,200 --> 02:12:20,160
Speaker 6: you're a part of the union, and then now you

2627
02:12:20,320 --> 02:12:22,640
Speaker 6: do the movie and then then you get paid. Why

2628
02:12:22,960 --> 02:12:25,920
Speaker 6: why why the it's crazy hip hop is thirty fucking

2629
02:12:26,080 --> 02:12:27,520
Speaker 6: fives forty years old.

2630
02:12:28,000 --> 02:12:29,000
Speaker 2: Why we can't do it?

2631
02:12:29,520 --> 02:12:32,880
Speaker 6: Why we can't actually take care of like it's been

2632
02:12:33,000 --> 02:12:37,120
Speaker 6: so much. There's been so many different times where I'm like, yo, damn,

2633
02:12:37,360 --> 02:12:39,440
Speaker 6: I know if I cut the check.

2634
02:12:40,080 --> 02:12:42,760
Speaker 2: Oh, I know, if I do it, it might be

2635
02:12:42,920 --> 02:12:46,840
Speaker 2: perceived bad because they're like fuck he thinking yeah, like

2636
02:12:46,920 --> 02:12:47,440
Speaker 2: you know what I'm.

2637
02:12:47,280 --> 02:12:49,600
Speaker 3: Saying, the union, So you know what I'm saying, how

2638
02:12:50,040 --> 02:12:50,400
Speaker 3: your hell?

2639
02:12:52,960 --> 02:12:54,960
Speaker 6: I say yo, oh okay, and you know what, it's

2640
02:12:55,000 --> 02:12:57,040
Speaker 6: okay and you're comfortable with it. You'll pick up the

2641
02:12:57,120 --> 02:12:58,840
Speaker 6: phone and be like yo, You'll get a bed record,

2642
02:12:59,160 --> 02:13:01,320
Speaker 6: be like the team twitch, right, And that's it because

2643
02:13:02,040 --> 02:13:05,000
Speaker 6: because because you know, and then come out a better person.

2644
02:13:05,400 --> 02:13:06,040
Speaker 2: This is what I'm saying.

2645
02:13:06,240 --> 02:13:11,160
Speaker 6: The point because if we don't protect ourselves, nobody's gonna

2646
02:13:11,160 --> 02:13:11,680
Speaker 6: protect us.

2647
02:13:12,120 --> 02:13:14,360
Speaker 2: And I know we're kicking it, we're talking together.

2648
02:13:14,520 --> 02:13:17,440
Speaker 5: But this ship is real. Like that ship is real.

2649
02:13:17,520 --> 02:13:20,040
Speaker 6: I love and I seen when I see certain people

2650
02:13:20,160 --> 02:13:22,360
Speaker 6: and I've seen them that I can help. But I

2651
02:13:22,480 --> 02:13:26,720
Speaker 6: seen also these niggas are niggas, and I'm a nigga too,

2652
02:13:27,360 --> 02:13:29,160
Speaker 6: and he might take it personally.

2653
02:13:29,920 --> 02:13:32,520
Speaker 2: And I stepped, of course, in a certain way, of course.

2654
02:13:33,240 --> 02:13:36,480
Speaker 6: So I sat back and you said, damn. First, we

2655
02:13:36,560 --> 02:13:39,360
Speaker 6: started with the hip hop flag. Remember you started with

2656
02:13:39,400 --> 02:13:42,680
Speaker 6: the hip hop flag. I feel like you know, I'm sorry,

2657
02:13:42,680 --> 02:13:47,040
Speaker 6: I'm getting deep, getting deep, but I stay at the

2658
02:13:47,200 --> 02:13:48,160
Speaker 6: W hotels, right.

2659
02:13:48,400 --> 02:13:51,960
Speaker 2: I love the W, I really do. But every W

2660
02:13:52,360 --> 02:13:54,960
Speaker 2: has a gay flag out there? Am I saying? No?

2661
02:13:55,600 --> 02:13:57,800
Speaker 2: Am I saying, don't take the gay flag out?

2662
02:13:57,920 --> 02:13:57,960
Speaker 4: No?

2663
02:13:58,120 --> 02:14:03,760
Speaker 6: But that's it's it's automatic identification. It's an automatic identification

2664
02:14:03,960 --> 02:14:05,360
Speaker 6: that your kind is welcome.

2665
02:14:05,400 --> 02:14:05,560
Speaker 5: Man.

2666
02:14:06,200 --> 02:14:08,960
Speaker 6: Right, I feel like we should have a hip hop

2667
02:14:09,040 --> 02:14:13,400
Speaker 6: flag that no matter where you go, you see this

2668
02:14:13,560 --> 02:14:17,840
Speaker 6: flag and you know you welcome. You understand, because I

2669
02:14:17,880 --> 02:14:20,680
Speaker 6: can go to a restaurant right now, right and I

2670
02:14:20,720 --> 02:14:23,600
Speaker 6: could go and I got I got a little bit

2671
02:14:23,600 --> 02:14:28,080
Speaker 6: of brad so whatever, But I won't know if I'm

2672
02:14:28,160 --> 02:14:30,160
Speaker 6: accepted to the bill comes.

2673
02:14:30,880 --> 02:14:32,880
Speaker 2: I want to know I'm accepted prior to that.

2674
02:14:33,360 --> 02:14:35,800
Speaker 6: I want to walk into a restaurant and say, oh shit,

2675
02:14:36,800 --> 02:14:38,520
Speaker 6: I know I'm good in that because they got the

2676
02:14:38,600 --> 02:14:41,160
Speaker 6: hip hop same way, and I'm not core parting hip

2677
02:14:41,200 --> 02:14:43,240
Speaker 6: hop the gage like I'm not doing that. I understand

2678
02:14:43,280 --> 02:14:46,000
Speaker 6: they play, understand, I understand, I understand. But at the

2679
02:14:46,040 --> 02:14:49,680
Speaker 6: same token, that's a respect when you look and you say,

2680
02:14:49,800 --> 02:14:51,640
Speaker 6: damn you see you see that flag?

2681
02:14:51,800 --> 02:14:53,120
Speaker 2: Big business business.

2682
02:14:54,440 --> 02:14:55,400
Speaker 3: For the union flag.

2683
02:14:55,480 --> 02:14:57,800
Speaker 5: Let's get it right.

2684
02:14:59,240 --> 02:15:02,320
Speaker 2: I have to say, hey, yeah, yeah, yeah, yeah, I'm sorry.

2685
02:15:02,480 --> 02:15:07,280
Speaker 5: Seeing kapone a real right off to the season. Yeah

2686
02:15:08,720 --> 02:15:11,400
Speaker 5: begging you hear stuff you don't know now you see it,

2687
02:15:11,520 --> 02:15:13,560
Speaker 5: Like Yo, Niggas is always at.

2688
02:15:13,520 --> 02:15:15,960
Speaker 2: Your house for the album, Like Yo, sitting in man,

2689
02:15:16,040 --> 02:15:17,600
Speaker 2: Like what do you think I had us on the list?

2690
02:15:18,080 --> 02:15:20,120
Speaker 2: On the list? We wasn't sure until we came in here.

2691
02:15:20,120 --> 02:15:20,600
Speaker 5: Can we see you.

2692
02:15:20,680 --> 02:15:24,640
Speaker 2: What's on the list, Keep no question benching the drap

2693
02:15:24,760 --> 02:15:27,600
Speaker 2: Yo no nigga. I can't thank you. Fix it up

2694
02:15:27,640 --> 02:15:28,000
Speaker 2: to me.