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Speaker 1: On the Bell Cast, the questions asked if movies have

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Speaker 1: women in them, are all their discussions just boyfriends and husbands,

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Speaker 1: or do they have individualism? The patriarchy zef in best

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Speaker 1: start changing it with the beck Del Cast. Welcome to

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Speaker 1: the Bechdel Cast. My name is Jamie Loftus, my name

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Speaker 1: is Caitlin Darante, and this is our podcast where we

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Speaker 1: explore the roll up women in movies. Wow. Can I

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Speaker 1: have a question for you? Okay? Yeah? Can you imagine

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Speaker 1: a world in which not having sex for forty days

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Speaker 1: is actually difficult and not just how your life is

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Speaker 1: the whole We're talking about forty days, forty night day.

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Speaker 1: I was like, I've gone without having sex for forty days,

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Speaker 1: Like I can't count. I'm pretty sure I've gone forty months, right,

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Speaker 1: So it's God, imagine having bangs like Josh Hartnett and

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Speaker 1: yet people need to fuck you. I just this is

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Speaker 1: a In this podcast, we use the Bechtel Test. Jesus Christ,

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Speaker 1: I want to go home. Okay. We use the Bechtel

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Speaker 1: test as our jumping off point. It's a media test

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Speaker 1: event to buy a cartoonist Alison Bechtel that asks of

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Speaker 1: a piece of media that there be two female identifying characters.

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Speaker 1: They have to have names who talk about something other

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Speaker 1: than a man for exactly two lines of dialogue, and

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Speaker 1: boy do we have a humdinger today. This movie was

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Speaker 1: Caitlin's idea, it was my idea because it's Lent. It's Lent.

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Speaker 1: So this is our Easter episode for all you Easter

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Speaker 1: heads out there. Sorry for everyone who wants to do

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Speaker 1: Passion of the Cry. I still have to wait another year.

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Speaker 1: This year it's forty days and forty Well, last year

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Speaker 1: we did shack Law as our bonus episode. Oh yeah,

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Speaker 1: I guess. We have been pretty Christian about celebrating Easter

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Speaker 1: on the Bectel, which is crazy because I'm not Christian,

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Speaker 1: nor am I. We tried out like three religions and

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Speaker 1: then gave up and it was like baptized Catholic. First

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Speaker 1: Communion was Protestant. We briefly were wicked, and then we're

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Speaker 1: just like we're going to just sleep on weekends and

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Speaker 1: that will be more of our five anyways. Four okay,

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Speaker 1: so we're doing the movie four days and forty nights.

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Speaker 1: Should we just get into it? I feel like I

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Speaker 1: can't not knows. It was like am I allowed to talk.

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Speaker 1: You know, I have to wait because I have so

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Speaker 1: much to say. There's so much I guess today a comedian.

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Speaker 1: You've seen her at Moontower and Laughing School comedy festivals.

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Speaker 1: She is the host of gender Fluids podcast. It's Ariel

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Speaker 1: Isaac Norman. Thanks for coming on. Sorry that we maybe

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Speaker 1: you had to watch this movie. I'd never seen it before,

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Speaker 1: and this was a perfect opportunity to finally see it.

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Speaker 1: Can I tell you that when I was a kid,

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Speaker 1: I didn't see this movie, and I remember it coming out,

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Speaker 1: I mean to a kid. I guess I was seventeen

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Speaker 1: because I was a Mormon and we weren't allowed to

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Speaker 1: watch movies like this, no R rated movies, which I

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Speaker 1: think it's yeah, yeah, But I remember like looking at

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Speaker 1: the cover of it, like with the hair dryer, and

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Speaker 1: like wanting to watch this movie. I remember thinking that

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Speaker 1: looks really hot. He has to resist sex. But I

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Speaker 1: remember being like man, because I was a sexual child,

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Speaker 1: you know, but like you know, not having sex, but

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Speaker 1: just a very sexual child. So I remember just being like, man,

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Speaker 1: I wish I could watch that movie one day when

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Speaker 1: I'm an adult. Well, and now I have so what

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Speaker 1: I meant to say, was we gave it this opportunity,

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Speaker 1: and it was. It was illuminating, life changing. Kyleen, what's

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Speaker 1: your experience with this movie. I saw it when it

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Speaker 1: first came out in two two. I was also I

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Speaker 1: was like fifteen or sixteen, not a movie that I

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Speaker 1: enjoyed by any stretch of the imagination. Upon rewatching it

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Speaker 1: to prep for the episode, I realized that the only

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Speaker 1: thing I remembered about it was the scene where he

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Speaker 1: fakes his orgasm towards the beginning, and then this impressive

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Speaker 1: Meg Ryan. Oh sure, yeah, that's when I screamed at

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Speaker 1: my Roku TV last night. And then um, the scene

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Speaker 1: where he is like dumping ice onto his bone. Ar.

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Speaker 1: I remembered that scene as well, but everything else I

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Speaker 1: had forgotten our imagery. But I feel like this is

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Speaker 1: like one of the last movies of that sub genre

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Speaker 1: of like teen young adult type movies where people place

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Speaker 1: sex bets because we've got our cruel intentions are ten things. Yeah,

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Speaker 1: but this is the tail end of it of this

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Speaker 1: is when it jumped the shark. Yeah, we had to

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Speaker 1: bring it back the sinister sex bet. So yeah, that's

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Speaker 1: my history. Uh, and I yeah, I'm sorry that I

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Speaker 1: was like, yeah, let's do this for for our Easter

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Speaker 1: Time episode. And I don't know why I thought it

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Speaker 1: would be a good idea. I think we're all going

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Speaker 1: to have a great time. My history of this movie

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Speaker 1: I texted Caitlin as I was watching a lesson. I

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Speaker 1: thought this was I was. I was like nine when

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Speaker 1: this movie came out, so I definitely didn't see it.

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Speaker 1: I don't know how much of a cultural legacy this

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Speaker 1: movie really has because I didn't know anything about it.

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Speaker 1: When you said forty days and forty nights, I was like, oh,

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Speaker 1: that's I think a movie about the Bible. And I

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Speaker 1: thought Josh Hartnett was in a Biblical epic too many

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Speaker 1: movies back then, But I was like, yeah, I was

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Speaker 1: like ready for and I think I sort of had

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Speaker 1: it confused with six days, seven nights. But I don't

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Speaker 1: know what that's about either, So maybe I wasn't confused,

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Speaker 1: but I thought it was like Josh Hartnett is playing

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Speaker 1: like the Technicolor Dreamcoat. Like I thought it was gonna

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Speaker 1: be a movie about the boy. Here's what you texted me. Okay,

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Speaker 1: so next message, I thought, dot forty days and forty

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Speaker 1: Nights was a dystopian movie about the Bible. Next message

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Speaker 1: dot dot Dot It's not it's so weird, and then

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Speaker 1: you find out it's about like sand for instil It's

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Speaker 1: like the tech Bro tech Bro showed two two working

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Speaker 1: in a warehouse with terrible lighting and abusing women. Like

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Speaker 1: since you're just I was not ready for this movie,

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Speaker 1: and I'm angry. I had to I know, this is

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Speaker 1: my bad, everybody. It took me three This movie is

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Speaker 1: fairly short. It's like it's an hour and a half,

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Speaker 1: but so much happened that is crazy that I it

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Speaker 1: took me three hours to watch the movie because I

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Speaker 1: had to keep pausing it and taking notes because it

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Speaker 1: was every two seconds You're like, hold on, let's try

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Speaker 1: to unpack this, and the like there's just so much.

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Speaker 1: And then you had not seen this. You just watched

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Speaker 1: it for the for the first time. Yeah, I watched

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Speaker 1: it with my new girlfriend. We had a great since

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Speaker 1: she hadn't seen it either. She was quite young when

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Speaker 1: it came out, so yeah, we had a great time

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Speaker 1: watching those I mean, you know, we got quite high

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Speaker 1: and we were like, I thought it was going to

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Speaker 1: be a very boringly bad movie. It is not a

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Speaker 1: boringly bad movie. It's a mind blowingly bad movie. This

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Speaker 1: is the epitome. If you want to know what problematic means,

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Speaker 1: just any scene in this movie is like dear God.

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Speaker 1: And because if you watch any movies from back then,

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Speaker 1: it's like, oh god, that we were pretty homophobic, we

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Speaker 1: were pretty just like letting things. But this movie takes

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Speaker 1: I'm like, was everything this bad? Values This feels like

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Speaker 1: a little worse than even normal, and Normal was bad,

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Speaker 1: but this feels slightly worse. I think it's because in

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Speaker 1: those other sex bet movies, they're teenagers, and these people

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Speaker 1: are like post college, so it's like they're a little runchier,

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Speaker 1: they're a little more adult. They are actually like fucking

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Speaker 1: by this point in their lives. There are multiple points

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Speaker 1: in this movie where I'm like, where are the parents?

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Speaker 1: Because they're out of control. They're they're twenty four, they

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Speaker 1: don't need parents. Oh God, should be illegal. This is

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Speaker 1: like one of the more paranoid movies I've ever seen,

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Speaker 1: two of Like it seems like the leading character is

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Speaker 1: like struggling with mental illness, like it's hallucinating constantly, and

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Speaker 1: everyone's like, you're just horny, And then they make him

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Speaker 1: sign up for the no fab reddit board, essentially prior

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Speaker 1: to the no fab reddit board existing the no fat parallels.

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Speaker 1: I've got I got everyone covered. He does become a

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Speaker 1: val cell. He's all selling voluntary cells. He knows for

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Speaker 1: forty days, which but like the culture of no fab

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Speaker 1: is like it's a reddit board where people mostly men.

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Speaker 1: But sometimes I'm gonna join, you know, yeah, I did join.

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Speaker 1: I'm masturbated a lot, like this would be hard for me.

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Speaker 1: It's like, basically men convincingly, they're like, I'm not going

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Speaker 1: the longer ago without masturbating. I will become a superhuman basically,

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Speaker 1: And they're like, I'll become like all my problems will

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Speaker 1: be resolved. Some people seem to get a lot out

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Speaker 1: of it. The way the board is run is very strange,

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Speaker 1: where it's like you lead with a number in parentheses

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Speaker 1: and that's how long you've gone without coming, like how

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Speaker 1: many days? Yes? Yes, and so like there's people that

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Speaker 1: are just starting and they're like, oh, this is great.

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Speaker 1: I used to have a stand up joke about it

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Speaker 1: because it's so I tried to infiltrate the boards. Um.

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Speaker 1: But there's people who have like not faped in years,

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Speaker 1: and they're like treated so with such reverence in there,

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Speaker 1: and they're just like, ever since I stopped coming, I

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Speaker 1: got promoted at work, like it seems to vastly great.

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Speaker 1: But then other ones that get up in the hundreds

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Speaker 1: and like, oh, they're like basically murderers, So it's helping

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Speaker 1: them focus their murderous right, They're like, now I have

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Speaker 1: time to watch scary videos on YouTube and like make

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Speaker 1: scary plans. Yeah, so there's a lot this is just

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Speaker 1: like very proto no fab So I remember I took

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Speaker 1: an improv class once and the thing that I remember

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Speaker 1: most is that on our performance night, they said that

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Speaker 1: if you have to pee just a little bit, it

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Speaker 1: makes you more creative. And I went ahead and didn't

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Speaker 1: pee before going on and I did great, So I know,

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Speaker 1: so I've always thought of that. So I think about

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Speaker 1: that sometimes if I ever have to pee and I'm

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Speaker 1: going on stage pretty soon, I'll just be like, all right,

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Speaker 1: let's just use that energy. So I wonder if it's

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Speaker 1: a similar thing. If your balls are just a little full,

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Speaker 1: you're just a little on edge, it makes you a

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Speaker 1: little bit more creative and focused and everything, because it's

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Speaker 1: like there's a part of your body. That's like trying

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Speaker 1: to find a restroom of urgency, distance of urgency. That

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Speaker 1: kind of like translates, and you're like, if I could

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Speaker 1: just finish this thing, then I can come be the

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Speaker 1: same thing with when I ran track in high school.

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Speaker 1: They're like, if you have to pee before a race,

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Speaker 1: don't like, don't pee why you're running? That's the cool

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Speaker 1: people do. They'll know you're serious, and the people behind

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Speaker 1: you will Yeah, and then you win, so it works out. Well? Yeah,

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Speaker 1: can we talk? First of all, I mean as y'all

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Speaker 1: y'all sleep with penis people, so how talking? I'm feel

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Speaker 1: sorry for all of you. From what I hear, it's

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Speaker 1: mostly bad. But um, but how abnormal do you think

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Speaker 1: it is for a man to go forty days without sex?

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Speaker 1: Probably they're never doing that about masturbating unless they're Mormons

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Speaker 1: or it's something right. I think I know a lot

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Speaker 1: of men who regularly go at least forty days I

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Speaker 1: not a lot longer without sex. But I think they're

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Speaker 1: jerking off at least three times a day. It's the

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Speaker 1: jerking off thing, is I think the thing because it's

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Speaker 1: like basically all of my male friends don't get never fun.

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Speaker 1: A lot of my boyfriends rarely fun. So but I

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Speaker 1: think it's yeah, the masturbation thing, which is weird because

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Speaker 1: it's like, that's not really the route this movie takes.

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Speaker 1: This movie takes instead that all women are determined to

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Speaker 1: fuck an awkward looking Josh Hartnett. That's my favorite part

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Speaker 1: because yeah, they like they explicitly, well, how do do

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Speaker 1: we shoot? It's so weird to know how to start

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Speaker 1: with this movie. Well, let me do the recap and

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Speaker 1: then and then and then we'll jump in. So we

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Speaker 1: meet Matt. That is Josh Hartness. Oh my god, there

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Speaker 1: I one of the most relatable like things in this

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Speaker 1: maybe like who hasn't known two random dudes named Matt

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Speaker 1: and Ryan who have a codependent friendship and they hate women.

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Speaker 1: Like there that that is eternal. So Matt was in

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Speaker 1: a relationship with a woman named Nicole who dumps him

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Speaker 1: off screen and was the teen from hocus pokis correct? Yes,

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Speaker 1: So since then he has been having sex with a

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Speaker 1: bunch of women, but he feels very empty after each encounter.

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Speaker 1: And there's one scene where he's with the woman and

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Speaker 1: he has to fake an orgasm and ceilings are cracking,

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Speaker 1: um and he's going to his brother, who is like

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Speaker 1: a priest in training, to be like, what's wrong with me,

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Speaker 1: and his brother is just like, you're an idiot. He's like, oh.

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Speaker 1: So he finds out that his ex girlfriend Nicole, has

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Speaker 1: gotten engaged to a rich, handsome man but mostly rich,

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Speaker 1: and then he goes to his brother, the priest in training,

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Speaker 1: for advice, and then he gets the idea to give

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Speaker 1: up sex for Lent because it's the first day of

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Speaker 1: Lent and he's like, oh, I'll just go without sex,

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Speaker 1: without masturbation, without any sexual intimacy for forty days in

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Speaker 1: an attempt to grow as a person and try to

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Speaker 1: get over Nicole. Sure, which is it doesn't address a

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Speaker 1: lot of the problems that he's having, Like he clearly

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Speaker 1: needs therapy and he's trying to better himself. But he's trying. Yeah,

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Speaker 1: that part, I was like, this is not the worst

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Speaker 1: thing to do. Everything else that happens is the worst thing. Yeah.

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Speaker 1: So it's day one. He gets rid of all of

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Speaker 1: his porn in Victoria's secret catalogs and any lube like substance. Also,

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Speaker 1: I'm like, you're heck, guy, what's with all this analog porn?

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Speaker 1: You guys. It's a different time. Yeah, And then he

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Speaker 1: goes to a laundromatt because his roommates, like his roommate Ryan,

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Speaker 1: who fucking sucks. He's like, let's go and meet chicks,

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Speaker 1: and he's like, no, I have laundry to do. There's

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Speaker 1: that scene in the bathroom where like Matt has just

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Speaker 1: had a severe panic attack during sex and then runs

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Speaker 1: into his friend and his friend is like, get big

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Speaker 1: out there and finish the job. Like he's just like

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Speaker 1: such a fucking gross just bad writing pervert. He's like

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Speaker 1: building like toy cars. He has time to make model cars.

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Speaker 1: That's what they can think of in this second he

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Speaker 1: stops coming. He's like, I'm really into trains now, which

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Speaker 1: I have found to teach. So he goes to a

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Speaker 1: laundromat instead of like going out to the club to

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Speaker 1: meet chicks, and there he still meets a Q girl,

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Speaker 1: Shannon's Simon. Here's the thing. She's not like the other girl.

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Speaker 1: She's not. She's she loves being at the laundromat and

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Speaker 1: she just wants to get to know cute boys at

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Speaker 1: the laundro match. Yeah, she's not scared for her life

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Speaker 1: at the laundro match. She doesn't not maken intact with

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Speaker 1: anyone at the laundromat like a normal also extremely unprepared

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Speaker 1: to be there. She's like, can you make change for me?

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Speaker 1: I don't have anything to read. I need your fabric softener.

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Speaker 1: But that's like a way to meet people. I never

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Speaker 1: carry a lighter, so that I have to ask for

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Speaker 1: a lighter. And it's very effective in that way. You're

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Speaker 1: always like sharing whatever you have and you know whatever.

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Speaker 1: So I can see that. But she should have left

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Speaker 1: one thing at home and had the rest. Now she's

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Speaker 1: just a freeloader. Yeah, she's she's done her hair and

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Speaker 1: makeup to go to the laundromatch has not remembered she's

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Speaker 1: She's really like forcing herself into Josh Hartnett's space for

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Speaker 1: the scene, and he's trying to be aloof because he

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Speaker 1: sees that she's cute, but he's like, I'm like yeah.

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Speaker 1: She tries to talk to him. He's very like and

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Speaker 1: then she's like see the same time next week, t

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Speaker 1: he and he's like and then he literally doesn't say

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Speaker 1: like a word during the whole which is which is

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Speaker 1: interesting because she goes back to that later and she's like, man,

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Speaker 1: that first day we met, and like, when he didn't talk,

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Speaker 1: it was very strange. Yeah, I was like, did I

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Speaker 1: forget a part where you all had a conversation. She

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Speaker 1: acts as if they had this moment of connection and

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Speaker 1: then he but he like reacts to her like what

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Speaker 1: she's saying is like yeah, that first day, I was like, no,

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Speaker 1: that was so uncomfortable. Although there is that scene where

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Speaker 1: he has I do love that. There's some good product

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Speaker 1: placement in this movie. There's a lot of attention called

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Speaker 1: to the fact that he has a Mr. Bubble t shirt.

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Speaker 1: At one point it was interesting Mr Bubble getting in there.

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Speaker 1: R rated comedy time. That's the real analysis. I have

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Speaker 1: sure that that's the most way they wanted to be. Yeah.

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Speaker 1: So then matt roommate Ryan the Shitty Guy, finds out

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Speaker 1: about Matt's of celibacy, and he's just like what the fuck, Like,

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Speaker 1: guys are meant to come and fuck jerk off and

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Speaker 1: you're going against science. And then we cut to a

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Speaker 1: scene where Ryan has told Matt's colleagues at this like

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Speaker 1: tech startup they whenever they work at this vague they're like, oh,

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Speaker 1: this is welcome to computer dot com, Like that's the company.

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Speaker 1: It's an Internet company, is all they ever say about it.

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Speaker 1: It's a very convenient way for them not to have

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Speaker 1: to explain anything. You know, they can do whatever they

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Speaker 1: want at this company. In terms of the bed, it's

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Speaker 1: so it's so okay. The art direction for this company.

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Speaker 1: It is so dark. All the lighting is blue. Men

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Speaker 1: are always wearing many layers, women are practically naked. It

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Speaker 1: does seem to be very cold in the building though.

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Speaker 1: There I was surprised that there were women in tech representative,

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Speaker 1: but they were all dressed like Barbie dolls. They were

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Speaker 1: all violently horny and treated like carpege Yes indeed, and

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Speaker 1: they all have All these people who work in this

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Speaker 1: office have a bet going where they put money into

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Speaker 1: a pool and if they bet on the right day

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Speaker 1: that they think that Matt is going to have sex

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Speaker 1: or masturbate, then they win all the money in that pool.

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Speaker 1: So if someone's like I think he's gonna fuck on

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Speaker 1: day twenty three and they bet correctly, then they win

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Speaker 1: all the money. I also think it's really funny, like

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Speaker 1: the way the Internet is treated in this movie is

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Speaker 1: so Uncanny Valley, where like Matt has sex with that

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Speaker 1: woman that he fakes the orgasm with and gets to

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Speaker 1: work the next morning and his co worker is like,

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Speaker 1: so heard you faked an orgasm last night, and he's

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Speaker 1: in Matt like how do you know that? He's like Internet,

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Speaker 1: it was Twitter even around, like that woman would have

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Speaker 1: had to somehow, Like how would that woman have even

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Speaker 1: gotten the word out if she wanted to? It is

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Speaker 1: a blog, so like omnipotent And that comes back later

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Speaker 1: where what's her name? Erica finds out about the bet

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Speaker 1: like two seconds later, and he's like, how did you know?

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Speaker 1: She's like Internet? Yeah, yeah. So then Matt does not

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Speaker 1: know about this bet at first, but the women in

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Speaker 1: the office are actively. There's one woman who like at first,

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Speaker 1: who sexually harasses him in the workplace to try to

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Speaker 1: get him to like break his vow. It doesn't work.

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Speaker 1: He goes to the laundromat again. The same woman is there,

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Speaker 1: Shannon Ssamon, and he introduces himself this time and uh,

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Speaker 1: she's like, my name is Erica. He asks her out

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Speaker 1: on a date. They go on a bus date and

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Speaker 1: then fun montage that that was supposed to be him

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Speaker 1: being cool and sensitive and interesting. It's like he's like,

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Speaker 1: where can I definitely not come right. Yeah, but it's

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Speaker 1: just like, why is she just so happy about the

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Speaker 1: whole thing? I don't care, but they're having a great time.

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Speaker 1: Her character is like god like Dixie dream girl. Is

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Speaker 1: that what we're calling this? I think I think that

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Speaker 1: she falls into that category pretty squarely, because like, her

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Speaker 1: motivations don't make sense. She seems determined to fix him

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Speaker 1: for whatever reason. She hangs in when there doesn't make sense.

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Speaker 1: Like she's whimsical enough to enjoy a bus date. I mean,

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Speaker 1: she wants a bus date. She loves hanging out at

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Speaker 1: the laundromat. She's just yeah, she's just flitting around. She's

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Speaker 1: she's got a quirky job. She's a cyber nanny um

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Speaker 1: like Maggie Jillen a poorly dressed mag Maggie Jillen Hall

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Speaker 1: is her best friend. I lost a notch of respect

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Speaker 1: for Maggie Jillen Hall in this movie. I'm gonna say, like, damn,

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Speaker 1: I hope you bought something nice. Yeah. So they're on

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Speaker 1: their bus date. At the end of the night, she

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Speaker 1: goes to kiss him, but he's like and he gives

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Speaker 1: her high five instead because he can't even he can't

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Speaker 1: even kiss. He runs. So that is against the rules too, right,

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Speaker 1: because I guess I would fall under the sexual and

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Speaker 1: a missing category, not if it's like a disconnected kiss,

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Speaker 1: you know, maybe just like a little just don't on

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Speaker 1: the cheek, Okay. So then he finds out about the

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Speaker 1: bet at work because they've created a website with there's

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Speaker 1: there's ads and everything on the website, and one of

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Speaker 1: them is a porn site that's protected by the cyber

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Speaker 1: nanny company that Erico works for. So he does apparently

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Speaker 1: we're right. So he rushes over there and everyone's like, hey,

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Speaker 1: there's the abstinute guy. And she's all piste off at him,

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Speaker 1: and she's like, what is this some kind of bet

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Speaker 1: not to sleep with me? We'll talk about her what

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Speaker 1: she gets angry about. So he's like no, no, no,

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Speaker 1: I like you. And then after a few days she

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Speaker 1: decides that she's not mad at him anymore. And then

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Speaker 1: they go on another date out to eat, but his

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00:21:54,680 --> 00:21:57,400
Speaker 1: ex girlfriend Nicole is there with her new fiance. This

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00:21:57,440 --> 00:21:59,840
Speaker 1: is another very two thousand two moments where it's like,

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Speaker 1: at this time, dating a tech bro was not yet

385
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Speaker 1: a sign that like you had a ton of money.

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Speaker 1: She had like an old school banker. She's got like

387
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Speaker 1: a dirt bag banker. And then he's like, oh no,

388
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Speaker 1: I just wor get a Silicon Valley starch a loser.

389
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Speaker 1: I'm like, do you fast forward? Josh Harnett's guy billions

390
00:22:20,320 --> 00:22:23,400
Speaker 1: of dollars and he's like waging wars in foreign countries

391
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Speaker 1: on Facebook. So Matt doesn't deal with seeing his ex

392
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Speaker 1: girlfriend well, he catches on fire and then Erica fun

393
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Speaker 1: Erica gets mad at him again for not telling her

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Speaker 1: that he had an ex girlfriend. So by now it's

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Speaker 1: like kind of midway through. It's like day twenty or

396
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Speaker 1: twenty three or something like that, and you know, the

397
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Speaker 1: other guys at work are like, hey, I'm going to

398
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Speaker 1: take a valve celibacy too, because I think that's going

399
00:22:50,560 --> 00:22:52,359
Speaker 1: to help me get late. I thought they were just

400
00:22:52,440 --> 00:22:54,640
Speaker 1: lying that they were doing that to women. I mean

401
00:22:54,640 --> 00:22:56,240
Speaker 1: they were just doing that as a way to get

402
00:22:56,240 --> 00:22:59,840
Speaker 1: other cell She was a six hour window. But because

403
00:23:00,000 --> 00:23:04,639
Speaker 1: actly so, then Erica isn't mad at him anymore again,

404
00:23:04,960 --> 00:23:07,679
Speaker 1: and uh, you know she's actually kind of starting to

405
00:23:08,040 --> 00:23:10,520
Speaker 1: fall for this. Yeah, and he goes over to her

406
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Speaker 1: house and makes her come by blowing a flower petal

407
00:23:13,840 --> 00:23:20,040
Speaker 1: around her I was like that, I don't know where

408
00:23:20,040 --> 00:23:23,919
Speaker 1: all these orchids came from. Yeah, but I didn't think

409
00:23:23,960 --> 00:23:26,239
Speaker 1: that there is nothing like not being able to have

410
00:23:26,320 --> 00:23:28,560
Speaker 1: sex to make that tension really hot. And then if

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Speaker 1: you had the flower I mean that, Yeah, it was

412
00:23:32,800 --> 00:23:35,320
Speaker 1: a sexy I was like, that's something you can do

413
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Speaker 1: at home with your lover. You've already had sex. If

414
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Speaker 1: you put an arbitrary restriction on not having sex, and

415
00:23:40,560 --> 00:23:42,000
Speaker 1: then you can get you can get a lot of

416
00:23:42,000 --> 00:23:44,919
Speaker 1: out of flower petals that I liked that. I just

417
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Speaker 1: the whole time. I was just like, man, I just

418
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Speaker 1: wished it were different people. Yeah, but that was a

419
00:23:50,040 --> 00:23:52,280
Speaker 1: hot that was a hot scene. Yeah. And then she's

420
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Speaker 1: like I'm in love with him, and Maggiella has like

421
00:23:55,119 --> 00:23:57,040
Speaker 1: why and she's like, I don't know the movie that

422
00:23:57,119 --> 00:24:02,160
Speaker 1: must ever and then a little bit later, Nicole shows

423
00:24:02,240 --> 00:24:04,800
Speaker 1: up at his house his ex girlfriend, and this is

424
00:24:04,840 --> 00:24:08,000
Speaker 1: like a major shark job. Okay, well, she's like, my

425
00:24:08,000 --> 00:24:11,600
Speaker 1: my fiance broke it off. Let's kiss and he's like, no,

426
00:24:12,119 --> 00:24:16,960
Speaker 1: you suck actually, And I finally realizing that you ruin

427
00:24:17,160 --> 00:24:20,200
Speaker 1: my life. Even though we know in the opening shots

428
00:24:20,200 --> 00:24:22,199
Speaker 1: of the movie that she broke up with him for

429
00:24:22,480 --> 00:24:27,560
Speaker 1: very good reasons, right, because he was invading her like privacy,

430
00:24:27,680 --> 00:24:31,600
Speaker 1: and he wasn't listening to her, like was being too much,

431
00:24:31,680 --> 00:24:33,560
Speaker 1: and she just like I had to break it off.

432
00:24:33,760 --> 00:24:37,000
Speaker 1: But then it's slowly framed. It was like you have

433
00:24:37,080 --> 00:24:38,960
Speaker 1: to go into two thousand two brain and be like,

434
00:24:39,000 --> 00:24:42,760
Speaker 1: oh no, she's the villain. And then in the third

435
00:24:42,800 --> 00:24:47,399
Speaker 1: act they make her God, we'll talk about it, so

436
00:24:47,720 --> 00:24:49,959
Speaker 1: he's get out of here. I'm gonna slam the door

437
00:24:49,960 --> 00:24:52,360
Speaker 1: in your face. And then cut to the final day

438
00:24:52,359 --> 00:24:55,800
Speaker 1: of the vow. Nicole goes in and places a bet

439
00:24:55,840 --> 00:25:02,040
Speaker 1: for thirty dollars that he will fuck on that day. Um. Meanwhile, Matt,

440
00:25:02,200 --> 00:25:04,520
Speaker 1: he wakes up, he's got a boner the likes of

441
00:25:04,560 --> 00:25:08,040
Speaker 1: which you never seen. Oh my god, Yeah, the forty

442
00:25:08,080 --> 00:25:12,440
Speaker 1: foot boner that he has, and he's like heading to work.

443
00:25:12,480 --> 00:25:14,800
Speaker 1: He's imagining all the women being naked because he's just

444
00:25:14,840 --> 00:25:18,280
Speaker 1: so horny. By this point, he's withheld from he's abstained

445
00:25:18,280 --> 00:25:22,040
Speaker 1: from sex for so long that it's making him sick

446
00:25:22,200 --> 00:25:26,400
Speaker 1: like it. Yes, And then at midnight that night, when

447
00:25:26,400 --> 00:25:28,800
Speaker 1: the val ends, Eric is supposed to come over so

448
00:25:28,880 --> 00:25:32,040
Speaker 1: he can like finally bust his nut into her. I

449
00:25:32,080 --> 00:25:35,440
Speaker 1: guess god, honestly, after all that, if someone like, if

450
00:25:35,440 --> 00:25:39,480
Speaker 1: someone like if nights, I'd be like, please masturbate first.

451
00:25:40,080 --> 00:25:44,640
Speaker 1: I don't want this like thirty second experience of you

452
00:25:44,720 --> 00:25:47,720
Speaker 1: like approaching death, Like I just please handle that on

453
00:25:47,760 --> 00:25:51,560
Speaker 1: your own. So he handcuffs himself to his bed so

454
00:25:51,600 --> 00:25:55,160
Speaker 1: that he won't be attempted to touch himself like Odysseus

455
00:25:55,200 --> 00:26:00,880
Speaker 1: and the Sirens. Yes. Um. And then at some point

456
00:26:01,119 --> 00:26:05,840
Speaker 1: when he's in this like horny induced days, Nicole comes

457
00:26:05,880 --> 00:26:09,040
Speaker 1: back over. Yeah, he's having some kind of dream about

458
00:26:09,080 --> 00:26:15,800
Speaker 1: a boob World mountains, which I used to have that dream.

459
00:26:15,920 --> 00:26:19,359
Speaker 1: Who among us is not fantasized about a poorly rendered

460
00:26:19,400 --> 00:26:24,320
Speaker 1: boo World c g I boom. So Nicole comes back

461
00:26:24,359 --> 00:26:29,440
Speaker 1: over and rape. Yeah, we'll talk about that. I had

462
00:26:29,480 --> 00:26:32,560
Speaker 1: to rewind that three times just to be like, now,

463
00:26:32,600 --> 00:26:34,800
Speaker 1: hold on. I thought that was like, maybe we get

464
00:26:34,840 --> 00:26:37,240
Speaker 1: a shot of her entering the house, but we don't.

465
00:26:37,560 --> 00:26:41,879
Speaker 1: The audience comes to from boob World with him and

466
00:26:41,920 --> 00:26:45,600
Speaker 1: he's just been raped by his ex girlfriend. Yeah, oh

467
00:26:45,640 --> 00:26:47,040
Speaker 1: my god. And then I checked. I was like, there's

468
00:26:47,080 --> 00:26:50,359
Speaker 1: only like seven minutes left in the movie. How how

469
00:26:50,400 --> 00:26:54,680
Speaker 1: could this possibly so? Like Nicole and Erica pass each

470
00:26:54,680 --> 00:26:59,320
Speaker 1: other on the staircase after she's leaving. Yeah, the coles

471
00:26:59,359 --> 00:27:03,280
Speaker 1: leaving Erica it a criminal is leaving a sex criminals

472
00:27:03,440 --> 00:27:07,000
Speaker 1: is fleeing the scene. And then who also just insider

473
00:27:07,080 --> 00:27:11,720
Speaker 1: traded that bet? Oh yeah, which they never address the bet,

474
00:27:11,840 --> 00:27:17,240
Speaker 1: but so insane and Matt is upstairs being like, when

475
00:27:17,320 --> 00:27:19,080
Speaker 1: Eric gets here, she's going to be so mad I

476
00:27:19,119 --> 00:27:25,080
Speaker 1: got raped and she is and he's like, I thought

477
00:27:25,119 --> 00:27:28,760
Speaker 1: that she was you. She's like, you fucking asked thought

478
00:27:28,760 --> 00:27:31,359
Speaker 1: I was being raped by my girlfriend instead of my egg.

479
00:27:31,960 --> 00:27:34,600
Speaker 1: It's great? Can you believe this movie was made by Mirramax?

480
00:27:34,680 --> 00:27:44,280
Speaker 1: Like checks out, She storms out because she erect right,

481
00:27:44,400 --> 00:27:47,000
Speaker 1: and then he has to like figure out what to

482
00:27:47,040 --> 00:27:48,639
Speaker 1: say to make it up to her, and he's like

483
00:27:48,680 --> 00:27:51,360
Speaker 1: trying to figure out all this stuff and then eventually

484
00:27:51,760 --> 00:27:55,119
Speaker 1: he just like goes is it? They make up in

485
00:27:55,119 --> 00:27:58,240
Speaker 1: the laundromat, right, she's doing laundry. He comes to the

486
00:27:58,320 --> 00:28:01,159
Speaker 1: laundromat and he's like, what I should have done this

487
00:28:01,200 --> 00:28:04,919
Speaker 1: whole time? Is this? And then Surprise kisses her and

488
00:28:04,960 --> 00:28:07,879
Speaker 1: then she's like I love it. And then the movie

489
00:28:07,960 --> 00:28:12,680
Speaker 1: ends with them fucking for like forty seven consecutive hours,

490
00:28:13,160 --> 00:28:16,080
Speaker 1: and then all the tech bros are like at his

491
00:28:16,119 --> 00:28:18,960
Speaker 1: apartment in the living room, just like placing beds. It's like, oh,

492
00:28:19,080 --> 00:28:22,439
Speaker 1: is you going to go another hour? And he's like,

493
00:28:22,520 --> 00:28:24,600
Speaker 1: you guys are losers. Get out of here. As far

494
00:28:24,640 --> 00:28:29,800
Speaker 1: as I know, that's a realistic depiction of tech bros. Yeah,

495
00:28:30,359 --> 00:28:33,040
Speaker 1: so that's the story. Let's take a quick break and

496
00:28:33,080 --> 00:28:41,840
Speaker 1: then we will come right back. All right, let's get

497
00:28:41,880 --> 00:28:46,960
Speaker 1: into it. But your fort boners away where the discourse begins. Now,

498
00:28:48,160 --> 00:28:51,760
Speaker 1: I still don't understand whether he won or lost. Like, no,

499
00:28:51,880 --> 00:28:53,440
Speaker 1: I guess I didn't really think about how did the

500
00:28:53,480 --> 00:28:56,280
Speaker 1: bet resolve. I can't, Yeah, because I don't address anyone win.

501
00:28:56,480 --> 00:28:58,760
Speaker 1: They're still just betting on other stuff. But like I

502
00:28:59,120 --> 00:29:02,120
Speaker 1: sure they never addressed like, hey, technically if he gets raped,

503
00:29:02,720 --> 00:29:05,719
Speaker 1: does the bet count? Right? I don't want to know

504
00:29:05,760 --> 00:29:09,640
Speaker 1: what these tech I just simply tell the movie doesn't

505
00:29:09,640 --> 00:29:11,960
Speaker 1: even acknowledge it as rape, it doesn't, you know, Yeah,

506
00:29:11,960 --> 00:29:13,600
Speaker 1: it's I mean, I don't think we're supposed to think

507
00:29:13,600 --> 00:29:17,520
Speaker 1: of it that way, which is, but that is what happened.

508
00:29:17,560 --> 00:29:21,040
Speaker 1: Make no mistake. I think she wins the money. I

509
00:29:21,040 --> 00:29:23,400
Speaker 1: think Nicole wins the money. For raping up. I don't

510
00:29:23,440 --> 00:29:27,160
Speaker 1: see how she wouldn't have. They never addressed that she plays. Yeah, yeah,

511
00:29:27,200 --> 00:29:29,960
Speaker 1: because she makes makes dollar bet and then goes and

512
00:29:30,040 --> 00:29:32,480
Speaker 1: rapes him, and she must have won. Yeah, she must

513
00:29:32,520 --> 00:29:36,080
Speaker 1: have won like eight dollars the odds, the odds that

514
00:29:36,200 --> 00:29:38,920
Speaker 1: they would have given her on the last twelve hours

515
00:29:39,040 --> 00:29:42,720
Speaker 1: or whatever. I think she's the real billionaire by the

516
00:29:42,800 --> 00:29:47,120
Speaker 1: end of this she is a Silicon Valley billionaire. She raped.

517
00:29:48,160 --> 00:29:50,760
Speaker 1: This is just like, this movie is so extremely funked

518
00:29:50,840 --> 00:29:53,880
Speaker 1: up that I don't I've never seen a movie that

519
00:29:53,960 --> 00:29:57,080
Speaker 1: like treat like it's written. You know, It's like there

520
00:29:57,240 --> 00:30:00,280
Speaker 1: is this undercurrent and a lot of movie and a

521
00:30:00,280 --> 00:30:03,400
Speaker 1: lot of attitudes of like that women are out to

522
00:30:03,600 --> 00:30:07,800
Speaker 1: get you. They're trying to trick you, their duplicitous uh,

523
00:30:07,840 --> 00:30:10,920
Speaker 1: they're going to try to entrap you. They'll use sex

524
00:30:10,960 --> 00:30:12,840
Speaker 1: to get it. That's the only power that they have.

525
00:30:13,480 --> 00:30:17,200
Speaker 1: I've never seen that taken to like an eleven quite

526
00:30:17,240 --> 00:30:20,120
Speaker 1: in the way that this movie is. Because every woman

527
00:30:20,160 --> 00:30:23,200
Speaker 1: in this movie, it's almost just like having an irrational

528
00:30:23,240 --> 00:30:27,040
Speaker 1: fear confirmed of Like his fear is that women are

529
00:30:27,040 --> 00:30:29,240
Speaker 1: out to get him, and women are going to quote

530
00:30:29,280 --> 00:30:32,280
Speaker 1: unquote betray him like Nicole did when she broke up

531
00:30:32,280 --> 00:30:35,520
Speaker 1: with him for a valid reason. And then the way

532
00:30:35,560 --> 00:30:38,520
Speaker 1: the movie is written, every woman does that, and every

533
00:30:38,520 --> 00:30:41,280
Speaker 1: woman acts like his worst fear, and every woman is

534
00:30:41,320 --> 00:30:43,720
Speaker 1: out to get him. And that's just the logic the

535
00:30:43,720 --> 00:30:46,240
Speaker 1: movie has is like, you know how you're afraid how

536
00:30:46,320 --> 00:30:49,640
Speaker 1: women are out to get you? They are, here's a

537
00:30:49,720 --> 00:30:52,720
Speaker 1: movie about it. Like it's just it's because I mean,

538
00:30:52,760 --> 00:30:56,120
Speaker 1: there's like, okay, I made a list of women out

539
00:30:56,120 --> 00:30:59,120
Speaker 1: to get Josh Hartnett, and yes, it's all of them

540
00:30:59,360 --> 00:31:01,640
Speaker 1: at different points. And then eventually Erica at the end

541
00:31:01,720 --> 00:31:05,640
Speaker 1: not as much, but Candy, the woman who works at

542
00:31:05,920 --> 00:31:11,440
Speaker 1: computer dot com Industries photocopies are asked, tries to entrap him. Nicole,

543
00:31:11,920 --> 00:31:14,760
Speaker 1: who it's first implied, is like she's getting married to

544
00:31:14,920 --> 00:31:18,200
Speaker 1: like spite him. Everything is a personal like attack on him,

545
00:31:18,400 --> 00:31:22,520
Speaker 1: and then she later rapes him for money. Erica there's

546
00:31:22,520 --> 00:31:24,160
Speaker 1: a few moments in the movie where it seems like

547
00:31:24,200 --> 00:31:28,400
Speaker 1: she's trying to seduce him for her own like needs.

548
00:31:28,400 --> 00:31:31,240
Speaker 1: It's also implied that their relationship is more pure because

549
00:31:31,280 --> 00:31:33,880
Speaker 1: they don't have sex, which is weird and old school

550
00:31:33,880 --> 00:31:36,080
Speaker 1: and whatever. The women that I don't know if we

551
00:31:36,120 --> 00:31:38,440
Speaker 1: ever luned name, but that first hookup that he has

552
00:31:39,040 --> 00:31:42,480
Speaker 1: um who just like viciously tries to emasculate him by

553
00:31:42,480 --> 00:31:46,400
Speaker 1: any means necessary in ways that are like crazy. That's

554
00:31:46,440 --> 00:31:48,760
Speaker 1: the one who's like, come with me, and then that

555
00:31:48,920 --> 00:31:51,280
Speaker 1: leads him to fake his orgasm, right, and she that

556
00:31:51,400 --> 00:31:53,400
Speaker 1: character is set up by being like like she's mean

557
00:31:53,480 --> 00:31:55,800
Speaker 1: to a waiter and she's like, this isn't what I wanted,

558
00:31:55,920 --> 00:32:01,400
Speaker 1: and then she insists that he prove that he's come,

559
00:32:03,360 --> 00:32:05,320
Speaker 1: like it just does. When he goes and get some

560
00:32:05,480 --> 00:32:07,760
Speaker 1: white Out, he's like, I need anything that looks like semens.

561
00:32:07,760 --> 00:32:11,080
Speaker 1: So he's like white out, and which I guess is

562
00:32:11,080 --> 00:32:14,719
Speaker 1: probably a joke, but this movie, maybe the least funny

563
00:32:15,360 --> 00:32:19,280
Speaker 1: attempt at a comedy, smells like oh yeah, yeah, I

564
00:32:19,320 --> 00:32:21,880
Speaker 1: actually I actually never need to buy white out. I

565
00:32:21,960 --> 00:32:24,800
Speaker 1: just like collect men's come and put it a little bottle,

566
00:32:25,200 --> 00:32:27,240
Speaker 1: and I like, yeah, I mean I do like that

567
00:32:27,280 --> 00:32:29,680
Speaker 1: you line them like next to your bed so that

568
00:32:29,680 --> 00:32:33,480
Speaker 1: they can get like moon energy, which is definitely other

569
00:32:33,520 --> 00:32:36,360
Speaker 1: women who try to ruin Josh Hard is like the

570
00:32:36,440 --> 00:32:39,200
Speaker 1: three women at work in that insane scene where they're like,

571
00:32:39,240 --> 00:32:43,320
Speaker 1: you've taken our power away by withholding sex. Women with

572
00:32:43,400 --> 00:32:46,719
Speaker 1: ald sex, not you. I was giving the money to check, Like,

573
00:32:48,640 --> 00:32:54,160
Speaker 1: can we talk about the full conspiracy theory with like so, so, yeah,

574
00:32:54,240 --> 00:32:56,440
Speaker 1: every every single woman we meet in this movie is

575
00:32:56,480 --> 00:32:59,320
Speaker 1: out to get Josh Hardnet. Okay, first of all, at

576
00:32:59,320 --> 00:33:01,640
Speaker 1: one point two of the women walk in and then

577
00:33:01,680 --> 00:33:03,560
Speaker 1: they were like, well, we're going to lesbian kiss in

578
00:33:03,560 --> 00:33:04,880
Speaker 1: front of you, and you're not gonna be able to

579
00:33:04,920 --> 00:33:07,320
Speaker 1: resist that. Like that's the one where she says she's

580
00:33:07,360 --> 00:33:10,000
Speaker 1: basically trying to get the pussy power back. She said,

581
00:33:10,000 --> 00:33:12,760
Speaker 1: and she says it pretty explicitly that like, oh, it's

582
00:33:13,000 --> 00:33:16,440
Speaker 1: women hold because it's the idea of like, well, men

583
00:33:16,560 --> 00:33:20,000
Speaker 1: want to fuck so badly, like their evolutionary impulses to

584
00:33:20,320 --> 00:33:23,520
Speaker 1: get us pregnant. So we have this power. And if

585
00:33:23,600 --> 00:33:26,760
Speaker 1: you are saying you can resist us even for forty

586
00:33:26,800 --> 00:33:29,760
Speaker 1: all of us for forty days, then that means that

587
00:33:29,800 --> 00:33:32,960
Speaker 1: we've lost our power on this like fundamental level. It's

588
00:33:32,960 --> 00:33:35,160
Speaker 1: so she she's like, I am through. We are threatened,

589
00:33:35,280 --> 00:33:39,320
Speaker 1: as as the half of this population that is supposed

590
00:33:39,360 --> 00:33:41,400
Speaker 1: to have this power. We are threatened, and so we

591
00:33:41,520 --> 00:33:44,880
Speaker 1: have to fuck you or else we lose the and

592
00:33:44,960 --> 00:33:48,200
Speaker 1: it just confirms like the belief that that's the only

593
00:33:48,240 --> 00:33:51,360
Speaker 1: power that they have ever had. The Okay, so what

594
00:33:51,440 --> 00:33:53,080
Speaker 1: do you think we should take that power back? I

595
00:33:53,080 --> 00:33:54,920
Speaker 1: think we should. I think women. I mean, I'm already

596
00:33:54,960 --> 00:33:57,280
Speaker 1: doing my part not to suck these people, but I

597
00:33:57,320 --> 00:33:59,600
Speaker 1: think only about ten percent of them really deserved to

598
00:33:59,600 --> 00:34:02,560
Speaker 1: get lay, So I would say it's less than that. Yeah,

599
00:34:02,760 --> 00:34:05,160
Speaker 1: I mean tops ten as far as I can tell.

600
00:34:05,360 --> 00:34:07,960
Speaker 1: So you know, we should wield that power. I mean,

601
00:34:07,960 --> 00:34:09,960
Speaker 1: it's a good power to have, but it's not the

602
00:34:10,000 --> 00:34:12,839
Speaker 1: only power to have. And it seems like like that

603
00:34:12,880 --> 00:34:16,120
Speaker 1: girl is grasping at straate. She's like, without withholding sex,

604
00:34:16,160 --> 00:34:19,200
Speaker 1: I have nothing and nothing. But it's insane that they

605
00:34:19,280 --> 00:34:22,120
Speaker 1: do this where she said where he says, Oh, you're

606
00:34:22,160 --> 00:34:23,960
Speaker 1: not really trying to have sex for me for this

607
00:34:24,000 --> 00:34:27,000
Speaker 1: insane philosophical, like random thing that you do. You know,

608
00:34:27,160 --> 00:34:30,000
Speaker 1: this idea that women are gonna lose their pussy power

609
00:34:30,040 --> 00:34:31,759
Speaker 1: if if I don't have sex with any of you,

610
00:34:32,000 --> 00:34:33,600
Speaker 1: it's you're not doing it for that, You're doing it

611
00:34:33,600 --> 00:34:36,080
Speaker 1: for the money. And she's like, no, I'm not. I've

612
00:34:36,120 --> 00:34:39,400
Speaker 1: already signed a notarized thing that I'm giving to a

613
00:34:39,520 --> 00:34:43,640
Speaker 1: notary to get it. She's so like, that doesn't mean anything.

614
00:34:43,719 --> 00:34:46,799
Speaker 1: She couldn't have any motivation except they needed it to

615
00:34:46,840 --> 00:34:50,000
Speaker 1: be a pure thing where this woman had to prove

616
00:34:50,200 --> 00:34:52,399
Speaker 1: that a man cannot resist having sex with a woman.

617
00:34:52,520 --> 00:34:55,200
Speaker 1: So here's here's how that scene plays out. Matt is

618
00:34:55,239 --> 00:34:57,840
Speaker 1: in the back getting a bunch of max Cell tapes

619
00:34:58,239 --> 00:35:01,239
Speaker 1: because he works at camp dot com. I need a

620
00:35:01,280 --> 00:35:04,080
Speaker 1: lot of Maxell tapes. There this woman whose name is Andy,

621
00:35:04,160 --> 00:35:07,320
Speaker 1: she is named. She walks in the room and says

622
00:35:07,320 --> 00:35:10,040
Speaker 1: something akin to I understand what you're doing. That women

623
00:35:10,080 --> 00:35:12,520
Speaker 1: have been doing this since well forever. So we all

624
00:35:12,560 --> 00:35:15,640
Speaker 1: know about the power. See us having the power, that's

625
00:35:15,680 --> 00:35:17,880
Speaker 1: part of the system. And by you taking the power,

626
00:35:18,120 --> 00:35:20,440
Speaker 1: you're fucking with the system. And I think you can

627
00:35:20,480 --> 00:35:24,120
Speaker 1: see why we can't let that happen. And then you know,

628
00:35:24,200 --> 00:35:26,600
Speaker 1: she she shows her whole notorized document and he's like,

629
00:35:26,640 --> 00:35:28,040
Speaker 1: I'm not in it for the money, I'm in it

630
00:35:28,080 --> 00:35:30,080
Speaker 1: for the power. And Matt's like, so you want to

631
00:35:30,080 --> 00:35:32,640
Speaker 1: have sex with me to get back the power, and

632
00:35:32,640 --> 00:35:35,719
Speaker 1: then she says, we're willing to do whatever is necessary

633
00:35:35,840 --> 00:35:39,120
Speaker 1: to get the job done. By then a second woman

634
00:35:39,200 --> 00:35:44,640
Speaker 1: is in the room who expresses doubt about she doesn't

635
00:35:44,680 --> 00:35:47,520
Speaker 1: it love it more? Oscar should have been given. But

636
00:35:47,560 --> 00:35:50,239
Speaker 1: there's there's like a second woman who comes in and

637
00:35:50,239 --> 00:35:52,000
Speaker 1: it's like, I don't know if we should do this,

638
00:35:52,200 --> 00:35:54,919
Speaker 1: and she the other girl, Andy is like, no, we're

639
00:35:54,920 --> 00:35:58,760
Speaker 1: doing this and then like starts to like forcibly kiss

640
00:35:58,760 --> 00:36:02,600
Speaker 1: her to in trap Josh Hartnett, right, which feels like

641
00:36:02,640 --> 00:36:06,760
Speaker 1: another one of those scenes like cool intentions, where it's like, well,

642
00:36:07,400 --> 00:36:10,680
Speaker 1: the male filmmakers, we got to make this movie hot.

643
00:36:10,840 --> 00:36:12,960
Speaker 1: We gotta make it hot for the boys who are

644
00:36:13,000 --> 00:36:17,799
Speaker 1: watching this. Let's put two women kissing so that the

645
00:36:17,800 --> 00:36:20,800
Speaker 1: little boys can be like, oh, I mean I appreciated

646
00:36:20,840 --> 00:36:24,319
Speaker 1: that scene. You know they're gonna use their tongues, don't

647
00:36:24,360 --> 00:36:29,200
Speaker 1: you know, And it was like I used to be

648
00:36:29,320 --> 00:36:31,640
Speaker 1: creeped out by the tongue thing. I think it's because

649
00:36:31,680 --> 00:36:34,520
Speaker 1: of that two girls, one cup thing that happened, and

650
00:36:34,600 --> 00:36:36,399
Speaker 1: ever since then, it just it took me a long

651
00:36:36,440 --> 00:36:39,319
Speaker 1: time to heal from. And I knew, like I only

652
00:36:39,360 --> 00:36:41,840
Speaker 1: sideways glanced at that ever once, but still just like

653
00:36:41,880 --> 00:36:44,200
Speaker 1: what they were doing with their tongues really ruined lesbian

654
00:36:44,239 --> 00:36:45,600
Speaker 1: tongue stuff for me for a long time. So I

655
00:36:45,600 --> 00:36:47,239
Speaker 1: feel this movie is actually pretty healing. It was the

656
00:36:47,239 --> 00:36:50,080
Speaker 1: first time I watched two people just rubbed tongues together.

657
00:36:50,120 --> 00:36:51,680
Speaker 1: I was like, you know what, I think I can

658
00:36:51,760 --> 00:36:55,319
Speaker 1: enjoy this again. I guess it's just telling that you

659
00:36:55,480 --> 00:36:59,160
Speaker 1: rarely see like a lesbian kiss on screen between two

660
00:36:59,400 --> 00:37:02,799
Speaker 1: queer women and who are kissing each other because they

661
00:37:02,800 --> 00:37:04,640
Speaker 1: like each other and they're attracted to each other. It's

662
00:37:04,719 --> 00:37:09,920
Speaker 1: usually for a man. It's usually evil too. We can

663
00:37:09,960 --> 00:37:13,439
Speaker 1: assume straight women who are kissing each other to either

664
00:37:13,680 --> 00:37:16,920
Speaker 1: seem more attractive to men, to get better at kissing too,

665
00:37:16,960 --> 00:37:19,120
Speaker 1: so they can be good at kissing men, or to

666
00:37:19,280 --> 00:37:23,359
Speaker 1: like seduce and entrap men. So that's like the only

667
00:37:23,360 --> 00:37:26,440
Speaker 1: representation you get on screen in mainstream movies of two

668
00:37:26,440 --> 00:37:30,279
Speaker 1: women kissing. It's it's usually under It should be like

669
00:37:30,280 --> 00:37:33,319
Speaker 1: a Beachdel test for for lesbian kisses too, and this

670
00:37:33,360 --> 00:37:38,200
Speaker 1: one does not pass. You should make that test. Yeah,

671
00:37:38,440 --> 00:37:41,640
Speaker 1: there's yeah, that's Norman test whether it is whether two

672
00:37:41,640 --> 00:37:46,040
Speaker 1: women kissing is at all for them, which you know,

673
00:37:47,040 --> 00:37:50,000
Speaker 1: female pleasure has no part in. At least one of

674
00:37:50,000 --> 00:37:53,520
Speaker 1: those women was cute, you know, the one who's like

675
00:37:53,760 --> 00:37:55,600
Speaker 1: Josh Harden is not even cute. By the way, which

676
00:37:55,640 --> 00:37:57,600
Speaker 1: was great because I feel like they gave him a

677
00:37:57,640 --> 00:38:00,600
Speaker 1: worse haircut for that. I remember him being kind of cute.

678
00:38:01,480 --> 00:38:05,160
Speaker 1: He looks like dumb and dumber, Like, yeah, I can't

679
00:38:05,160 --> 00:38:07,879
Speaker 1: tell if my tastes have changed, or if like I

680
00:38:07,920 --> 00:38:10,000
Speaker 1: saw him like on the cover of that movie and

681
00:38:10,040 --> 00:38:12,399
Speaker 1: thought he was cute at the time, or if I'm

682
00:38:12,520 --> 00:38:14,759
Speaker 1: now looking you know, we're just like people all look

683
00:38:14,800 --> 00:38:17,800
Speaker 1: stupid back then, but I'm like now, that haircut was horrible.

684
00:38:18,239 --> 00:38:22,600
Speaker 1: His face was not great. It's it is confusing that

685
00:38:22,760 --> 00:38:25,399
Speaker 1: he would struggle to not have sex for forty days

686
00:38:25,440 --> 00:38:29,280
Speaker 1: with that haircut, is how I feel sure. That scene

687
00:38:29,400 --> 00:38:32,920
Speaker 1: is like, aside from the rape scene, that scene was like,

688
00:38:33,400 --> 00:38:36,160
Speaker 1: what is going on in this movie? And it's so

689
00:38:36,239 --> 00:38:40,640
Speaker 1: he's so clearly the victim in all of these situations.

690
00:38:40,680 --> 00:38:43,600
Speaker 1: We're all happening at work. This is all like at work,

691
00:38:43,680 --> 00:38:47,359
Speaker 1: like workplace sexual harassment that no one's doing anything about

692
00:38:47,440 --> 00:38:51,360
Speaker 1: because the boss is like, why won't my wife fuck me?

693
00:38:51,800 --> 00:38:57,160
Speaker 1: That on him? The boss of computer dot com is

694
00:38:57,280 --> 00:39:01,160
Speaker 1: first like, cool idea to not have sex because now

695
00:39:01,360 --> 00:39:03,839
Speaker 1: you've got the power and you're were holding it. I'm

696
00:39:03,840 --> 00:39:05,560
Speaker 1: going to do that to my wife because she doesn't

697
00:39:05,600 --> 00:39:07,479
Speaker 1: want to suck me. So I'm just gonna be like,

698
00:39:07,880 --> 00:39:10,160
Speaker 1: I'm not gonna fuck you, and she's gonna be like, no,

699
00:39:10,480 --> 00:39:14,680
Speaker 1: fuck me. And then John harton it's like, okay, cut

700
00:39:14,719 --> 00:39:18,000
Speaker 1: to four Party's like my wife says her life is

701
00:39:18,040 --> 00:39:22,680
Speaker 1: way better since I stopped sucking, so happy dude. Can

702
00:39:22,719 --> 00:39:25,000
Speaker 1: I just say I related to that guy so hard.

703
00:39:26,400 --> 00:39:28,440
Speaker 1: I don't know if you'll know that. I'm twice divorced

704
00:39:28,520 --> 00:39:33,200
Speaker 1: and I remember that's honestly though, I remember trying that.

705
00:39:33,280 --> 00:39:37,640
Speaker 1: I remember being like, well, if I stopped trying, maybe

706
00:39:37,680 --> 00:39:40,719
Speaker 1: then she'll like try to come on to me and

707
00:39:40,800 --> 00:39:42,640
Speaker 1: that will be good. So like the fact that that

708
00:39:42,760 --> 00:39:45,479
Speaker 1: was in there, I was like, dude, yeah, that's real, man,

709
00:39:45,600 --> 00:39:50,160
Speaker 1: these games that you play with women to be Like,

710
00:39:50,719 --> 00:39:52,600
Speaker 1: the truth is, I just don't think that we were

711
00:39:52,600 --> 00:39:55,440
Speaker 1: sexually compatible. Honestly. I think there's I've been figuring out

712
00:39:55,480 --> 00:39:58,879
Speaker 1: a lot of stuff about my gender and sexuality, but like, yeah,

713
00:39:59,360 --> 00:40:01,279
Speaker 1: elaborate things in your mind. And I think so many

714
00:40:01,280 --> 00:40:03,880
Speaker 1: people do date people that they're not that's sexually compatible

715
00:40:03,920 --> 00:40:06,719
Speaker 1: with um. For we date people for a variety of

716
00:40:06,719 --> 00:40:08,920
Speaker 1: other reasons, like maybe they're attracted to us or whatever,

717
00:40:09,360 --> 00:40:12,239
Speaker 1: you know, and then we have this like sexual dysfunction.

718
00:40:12,320 --> 00:40:16,040
Speaker 1: So this poor boss like is having a real problem.

719
00:40:16,200 --> 00:40:19,200
Speaker 1: I have no sympathy for him. I didn't. I didn't

720
00:40:19,280 --> 00:40:21,680
Speaker 1: like I mean the first scene that he was and

721
00:40:21,719 --> 00:40:23,799
Speaker 1: I was just like, oh god, this is so so

722
00:40:23,880 --> 00:40:25,759
Speaker 1: like what a waste of a scene. But then when

723
00:40:25,760 --> 00:40:29,800
Speaker 1: it like flashed forward to like, oh okay, I'm glad

724
00:40:29,800 --> 00:40:32,000
Speaker 1: that they at least point out that this doesn't work,

725
00:40:32,560 --> 00:40:35,759
Speaker 1: because it doesn't. But then there's a third scene he's

726
00:40:35,800 --> 00:40:39,000
Speaker 1: in where he is trying to look under his employees sir,

727
00:40:39,520 --> 00:40:41,839
Speaker 1: and then he lost me again. Yeah right, Well, he's

728
00:40:41,880 --> 00:40:44,919
Speaker 1: allowing all this sexual harassment to happen, and then he's

729
00:40:44,920 --> 00:40:48,880
Speaker 1: also sexually harassing his employees. His troubles at home, I

730
00:40:48,920 --> 00:40:51,640
Speaker 1: think are are he's allowing himself to feel disdained for

731
00:40:51,680 --> 00:40:54,680
Speaker 1: women in general because of his wife's rejection. He's also

732
00:40:54,719 --> 00:40:57,040
Speaker 1: like and if you've ever worked at a startup where

733
00:40:57,160 --> 00:40:59,759
Speaker 1: the boss is twenty years older than you and then

734
00:40:59,800 --> 00:41:01,799
Speaker 1: every ayone else is twenty four and they're just kind

735
00:41:01,800 --> 00:41:05,560
Speaker 1: of like leering at the general workplace, I've worked for

736
00:41:05,600 --> 00:41:07,520
Speaker 1: a bunch of guys like that who are just like,

737
00:41:08,040 --> 00:41:10,120
Speaker 1: you know, they frame it like, yeah, we're we're all

738
00:41:10,160 --> 00:41:12,359
Speaker 1: friends here. This is a family. If anyone ever calls

739
00:41:12,360 --> 00:41:15,560
Speaker 1: your workplace a family, you're in a toxic workplace. But

740
00:41:15,719 --> 00:41:18,120
Speaker 1: they're like, yeah, we're all fam here, and like you

741
00:41:18,160 --> 00:41:20,319
Speaker 1: don't have insurance? Are you? Guys? Fucking what's going? And

742
00:41:20,320 --> 00:41:23,439
Speaker 1: it's just like always a creepy older dude whose home

743
00:41:23,480 --> 00:41:25,799
Speaker 1: life is bad. And then he's like, let me see

744
00:41:25,840 --> 00:41:28,160
Speaker 1: if I can get my twentysomething your old employees to

745
00:41:28,200 --> 00:41:30,919
Speaker 1: funk each other and tell me about it, Like, yeah,

746
00:41:32,040 --> 00:41:35,080
Speaker 1: that's for us, just to hear about their fucking Yeah,

747
00:41:35,120 --> 00:41:38,719
Speaker 1: it's it's upsetting. And also in the workplace is that

748
00:41:38,920 --> 00:41:42,120
Speaker 1: scene where just no women acts rationally in this movie

749
00:41:42,400 --> 00:41:48,600
Speaker 1: just blanket statement. So when the three women basically the

750
00:41:48,680 --> 00:41:53,000
Speaker 1: fucking what's the group in Greece? Oh? What are they?

751
00:41:53,040 --> 00:41:56,000
Speaker 1: The poodle Friends? What are they call? Yeah, that's the

752
00:41:56,040 --> 00:42:00,160
Speaker 1: poodle Friends. They're like the poodle friends of computer dot com.

753
00:42:00,200 --> 00:42:02,920
Speaker 1: And they're like, hey, did you hear that Josh Hartnett

754
00:42:02,960 --> 00:42:05,520
Speaker 1: isn't fucking anymore? And then one is like, well see

755
00:42:05,520 --> 00:42:10,360
Speaker 1: about that, which is like why do that? She corners

756
00:42:10,440 --> 00:42:14,240
Speaker 1: Josh Hartnett in a room that is the walls are glass,

757
00:42:14,320 --> 00:42:17,439
Speaker 1: so everyone in the workplace is watching her and try

758
00:42:17,520 --> 00:42:21,560
Speaker 1: to seduce. She photocopies her own embarrassing Before that, she

759
00:42:21,840 --> 00:42:25,680
Speaker 1: spreads her legs wide eagle and it's like, check out

760
00:42:25,760 --> 00:42:29,120
Speaker 1: my butterfly tattoo right next to my puss. I'm trying

761
00:42:29,120 --> 00:42:32,719
Speaker 1: to get another tattoo on the other side by the

762
00:42:33,120 --> 00:42:35,839
Speaker 1: Like if women, I also believe, as much as it's

763
00:42:35,880 --> 00:42:38,160
Speaker 1: problematic to even care, I also believe that if women

764
00:42:38,200 --> 00:42:40,040
Speaker 1: really did want him to lose this bet, they could

765
00:42:40,040 --> 00:42:42,279
Speaker 1: have done a much better job. It's like they have

766
00:42:42,400 --> 00:42:44,920
Speaker 1: no subtlety. Each one of them is like, I'm going

767
00:42:44,960 --> 00:42:47,760
Speaker 1: to make you lose this bet, and here's my boobs,

768
00:42:47,920 --> 00:42:51,359
Speaker 1: and it's like, don't tell someone you're gonna make them

769
00:42:51,360 --> 00:42:53,480
Speaker 1: lose the bed. You've got to trick them into this.

770
00:42:53,680 --> 00:42:59,359
Speaker 1: You don't start with like they're so bad at it.

771
00:42:59,360 --> 00:43:01,600
Speaker 1: It's like yeah, I mean well, it's like yeah, because

772
00:43:01,600 --> 00:43:03,879
Speaker 1: like women are in the movie are also stupid as

773
00:43:04,760 --> 00:43:08,120
Speaker 1: they're just they're malicious and dumb and horny and mean.

774
00:43:08,520 --> 00:43:11,440
Speaker 1: All the women you speak in this movie, aside from Erica,

775
00:43:11,520 --> 00:43:13,560
Speaker 1: because we'll get into her in a minute, but all

776
00:43:13,600 --> 00:43:17,040
Speaker 1: the women who aren't Erica fall into I think one

777
00:43:17,080 --> 00:43:21,239
Speaker 1: of like four categories. It's either a conniving bitch, which

778
00:43:21,320 --> 00:43:24,280
Speaker 1: is like the ex girlfriend Nicole. It's like the colleague

779
00:43:24,280 --> 00:43:26,560
Speaker 1: who like evilly tries to seduce him by being like,

780
00:43:26,600 --> 00:43:30,120
Speaker 1: here's my butterfly dad too. Um. They are like a

781
00:43:30,360 --> 00:43:34,160
Speaker 1: frigid shrew or a prude type, which would be like

782
00:43:34,680 --> 00:43:37,680
Speaker 1: his boss's wife or Matt's mom who we meet. He

783
00:43:37,800 --> 00:43:40,960
Speaker 1: was like a very prudish, like you can't talk about sex?

784
00:43:41,239 --> 00:43:45,239
Speaker 1: Can I speak to your manager haircut? But she's a

785
00:43:45,280 --> 00:43:47,680
Speaker 1: freak in the bed. She's just she's just she's just

786
00:43:47,719 --> 00:43:49,920
Speaker 1: trying not to tell her sons about it. It's kind

787
00:43:49,920 --> 00:43:52,040
Speaker 1: of strange that they're acting like she's a prude. It's like, well,

788
00:43:52,480 --> 00:43:54,799
Speaker 1: her sons are over and her father, the father is

789
00:43:55,400 --> 00:43:58,120
Speaker 1: like weirdly trying to like talk about their sex life

790
00:43:58,120 --> 00:44:01,319
Speaker 1: to their adult sons now for no reason. To the

791
00:44:01,320 --> 00:44:04,040
Speaker 1: priest's son and the guy with a celibacy valve, yeah,

792
00:44:04,160 --> 00:44:06,200
Speaker 1: that was oh yeah, because there's like a brief tangent

793
00:44:06,239 --> 00:44:08,239
Speaker 1: where like Josh Hartnet's like, I know how to not

794
00:44:08,280 --> 00:44:10,000
Speaker 1: be horny hang out with my parents, but then his

795
00:44:10,000 --> 00:44:12,759
Speaker 1: parents he brings out like a chart of all the

796
00:44:12,840 --> 00:44:15,560
Speaker 1: sexual positions that you can do with his hip surgery

797
00:44:15,680 --> 00:44:19,200
Speaker 1: having happened, and so it's still somehow like turning Josh

798
00:44:19,280 --> 00:44:22,120
Speaker 1: on to watch the little cartoons of people the mom

799
00:44:22,160 --> 00:44:24,040
Speaker 1: does so the mom, I guess I actually does end

800
00:44:24,080 --> 00:44:28,320
Speaker 1: up being horny. Yeah, well that's another categories like horny nympho.

801
00:44:28,640 --> 00:44:31,600
Speaker 1: Basically all the women, the women in the office, the

802
00:44:31,640 --> 00:44:35,080
Speaker 1: women at the coffee shop on like No Bras for

803
00:44:35,160 --> 00:44:39,520
Speaker 1: hot women Day was another hallucination. And that's what I

804
00:44:39,560 --> 00:44:41,759
Speaker 1: want to talk about. There's a lot of stuff in

805
00:44:41,760 --> 00:44:44,759
Speaker 1: this movie where you cannot really tell whether it's a

806
00:44:44,800 --> 00:44:47,200
Speaker 1: hallucination or not. And so it makes me if it's

807
00:44:47,239 --> 00:44:48,960
Speaker 1: the only thing that can redeem any of this is

808
00:44:49,000 --> 00:44:50,879
Speaker 1: if you just pretend that all of it's in his head,

809
00:44:51,320 --> 00:44:55,120
Speaker 1: because it's like, at first, the ceiling cracking is ridiculous

810
00:44:55,200 --> 00:44:58,279
Speaker 1: and that's clearly hallucination. And then and then sometimes women

811
00:44:58,280 --> 00:45:00,000
Speaker 1: are like taking off their shirts in front of him

812
00:45:00,000 --> 00:45:02,480
Speaker 1: on the subway, and we know that's a hallucination. But

813
00:45:02,560 --> 00:45:05,560
Speaker 1: then No broad Day seems to be real. He tells

814
00:45:05,640 --> 00:45:08,520
Speaker 1: his priest brother that it was. It was an official

815
00:45:08,680 --> 00:45:12,320
Speaker 1: is it official or unofficially unofficially sponsored? No No Bras

816
00:45:12,360 --> 00:45:16,080
Speaker 1: for Hot Women Day for the coffee shop for hot women.

817
00:45:16,080 --> 00:45:18,680
Speaker 1: And I'm like, who's the one who determines who gets

818
00:45:18,719 --> 00:45:22,800
Speaker 1: to participate in this day? Whose feelings are hurt? Hopefully

819
00:45:22,800 --> 00:45:28,000
Speaker 1: it's the honor system like a hot woman? You know it?

820
00:45:28,320 --> 00:45:33,320
Speaker 1: You know, we need a revision on this now national holiday.

821
00:45:34,640 --> 00:45:37,239
Speaker 1: I think we should do this in general, you know

822
00:45:37,360 --> 00:45:40,440
Speaker 1: more no broad Day. I'm fine with that, I think, No. Sure.

823
00:45:40,560 --> 00:45:42,280
Speaker 1: The other thing that he thinks his fake is actually

824
00:45:42,440 --> 00:45:44,960
Speaker 1: but is actually real as his brother hooking up with

825
00:45:45,000 --> 00:45:49,120
Speaker 1: the nut Oh yes, where he thinks he has but

826
00:45:49,160 --> 00:45:51,640
Speaker 1: that was real, right, And then his brother is like, actually,

827
00:45:51,719 --> 00:45:53,200
Speaker 1: I'm not going to be a priest, which I thought

828
00:45:53,239 --> 00:45:56,839
Speaker 1: was kind of funny. He needs psychiatric medication. And that's

829
00:45:56,880 --> 00:45:58,920
Speaker 1: the thing, is like, if this movie is all in

830
00:45:58,960 --> 00:46:02,840
Speaker 1: his head, he's very sick. And the twist of the

831
00:46:02,880 --> 00:46:04,960
Speaker 1: end is this is really sort of a Memento esque thing,

832
00:46:05,080 --> 00:46:08,480
Speaker 1: like the whole thing was a hallucination and that's the

833
00:46:08,520 --> 00:46:10,719
Speaker 1: only reason that it wouln't make any sense. Also, Josh Harten,

834
00:46:10,760 --> 00:46:14,720
Speaker 1: it's like tribal back tach too. Oh my god, oh god. Um.

835
00:46:14,760 --> 00:46:17,680
Speaker 1: And then the other the other category that women fall

836
00:46:17,719 --> 00:46:20,880
Speaker 1: into is like kind of like the gullible idiot. It's

837
00:46:20,920 --> 00:46:27,319
Speaker 1: basically any woman who Ryan tries to date, because Ryan's like, oh,

838
00:46:26,080 --> 00:46:31,120
Speaker 1: I'm mind orgasmic, and then she's like, oh, nine, no,

839
00:46:31,239 --> 00:46:33,440
Speaker 1: I guess make my set. So like she's just like

840
00:46:33,520 --> 00:46:36,240
Speaker 1: believing anything that he all the lies that he's feeding

841
00:46:36,239 --> 00:46:39,360
Speaker 1: her to get her into bed. So it's these like

842
00:46:40,080 --> 00:46:44,960
Speaker 1: wildly reductive tropes that all these women fall into. Let's

843
00:46:45,000 --> 00:46:46,879
Speaker 1: take a quick break and then we'll come back more

844
00:46:46,920 --> 00:46:55,399
Speaker 1: to discuss, and we're back. Take your back out now

845
00:46:56,400 --> 00:46:58,319
Speaker 1: to take him out, put back, just to keep you

846
00:46:58,360 --> 00:47:02,239
Speaker 1: on your toes. I wanna talk about Nicole's character. We've

847
00:47:02,280 --> 00:47:05,759
Speaker 1: alluded to this already, but the opening sequence of the

848
00:47:05,800 --> 00:47:09,960
Speaker 1: movie is a bunch of home video that Matt took

849
00:47:10,120 --> 00:47:12,399
Speaker 1: when he was in a relationship with Nicole, and then

850
00:47:12,400 --> 00:47:15,000
Speaker 1: we see him watching it back six months after she

851
00:47:15,200 --> 00:47:17,759
Speaker 1: has broken up with him, and he's still stalking her

852
00:47:17,800 --> 00:47:20,680
Speaker 1: and broken up about it. But the video is so

853
00:47:20,800 --> 00:47:23,960
Speaker 1: weirdly telling where it's like it starts out where it's

854
00:47:24,000 --> 00:47:27,160
Speaker 1: like they're happy, they're in San Francisco, they're working turtlenext

855
00:47:27,200 --> 00:47:30,840
Speaker 1: it's great, but then you see the video over time

856
00:47:30,840 --> 00:47:34,279
Speaker 1: where she he seems to be invading her space. Like

857
00:47:34,320 --> 00:47:36,719
Speaker 1: there's he's filming her sleep and she wakes up and

858
00:47:36,719 --> 00:47:39,480
Speaker 1: she's like no, stop doing that, and he's like no,

859
00:47:39,680 --> 00:47:42,440
Speaker 1: and he gets closer and then she's like stop, and

860
00:47:42,440 --> 00:47:44,600
Speaker 1: then it's like she's in the bathroom and a towel

861
00:47:44,640 --> 00:47:47,320
Speaker 1: and he's filming her and she like closes the door.

862
00:47:48,640 --> 00:47:52,120
Speaker 1: So in my head, it's like, Okay, that is someone

863
00:47:52,160 --> 00:47:55,560
Speaker 1: you would break up with who would do that. But

864
00:47:55,960 --> 00:47:58,759
Speaker 1: I think we're supposed to think like, oh, she was

865
00:47:58,840 --> 00:48:01,360
Speaker 1: like mean to him, like we feel bad she was

866
00:48:01,400 --> 00:48:05,040
Speaker 1: pushing him away, right, and implies then it was like

867
00:48:05,120 --> 00:48:08,200
Speaker 1: somehow her like it's on her and she was cruel

868
00:48:08,280 --> 00:48:11,640
Speaker 1: to him. And then the way he treats her throughout

869
00:48:11,680 --> 00:48:15,480
Speaker 1: the movie is like he definitely is obsessed with her.

870
00:48:15,480 --> 00:48:18,359
Speaker 1: They're still pictures of her all over the apartment six

871
00:48:18,440 --> 00:48:22,480
Speaker 1: months later, not healthy the whole like no, he's planning

872
00:48:22,520 --> 00:48:24,920
Speaker 1: for her things like so tired. But I mean it

873
00:48:25,000 --> 00:48:27,160
Speaker 1: also is like called out in the movie as like

874
00:48:27,640 --> 00:48:31,120
Speaker 1: not good behavior. But I feel like that's that comes

875
00:48:31,160 --> 00:48:34,640
Speaker 1: from his roommate Ryan, who and his brother. Yeah, and

876
00:48:34,680 --> 00:48:37,439
Speaker 1: those guys are just like I mean, especially the Ryan

877
00:48:37,520 --> 00:48:40,880
Speaker 1: character who's just like this toxic dude who's constantly making

878
00:48:40,920 --> 00:48:44,359
Speaker 1: statements like men be like this, women be like this.

879
00:48:44,480 --> 00:48:47,399
Speaker 1: Men are supposed to come and that's just how men are.

880
00:48:47,440 --> 00:48:50,800
Speaker 1: There's like all these like very these are the two genders,

881
00:48:50,800 --> 00:48:53,120
Speaker 1: and here's what they do to sex, as we haven't

882
00:48:53,120 --> 00:48:56,960
Speaker 1: even thought about gender by this year, just the idea

883
00:48:57,040 --> 00:48:59,760
Speaker 1: that like, you start off like watching it now, seeming

884
00:48:59,800 --> 00:49:03,279
Speaker 1: like she is a fairly rational person. And then she

885
00:49:03,360 --> 00:49:05,440
Speaker 1: does the whole Spider Man too thing where she's like,

886
00:49:05,520 --> 00:49:09,440
Speaker 1: I'm mad, I'm getting married now, and that is somehow

887
00:49:09,960 --> 00:49:13,799
Speaker 1: canonically the Spider Man too thing, and that even your

888
00:49:14,080 --> 00:49:16,879
Speaker 1: engagement is another like strike on women, it's another women

889
00:49:16,960 --> 00:49:19,280
Speaker 1: stuck thing, because it's like, oh, this guy is clearly

890
00:49:19,360 --> 00:49:22,279
Speaker 1: just a rich dude. She's left him for just for

891
00:49:22,320 --> 00:49:25,200
Speaker 1: some dude for his money basically, and that's like, that's

892
00:49:25,200 --> 00:49:28,040
Speaker 1: like a weirdly like stock character too of like the

893
00:49:28,120 --> 00:49:31,280
Speaker 1: guy that you know she left you for, he's always

894
00:49:31,280 --> 00:49:34,200
Speaker 1: like rich and he's always a dick dick he usually

895
00:49:34,200 --> 00:49:41,560
Speaker 1: looks like James Marsden. Uh. And then and then the

896
00:49:41,719 --> 00:49:44,120
Speaker 1: leap of logically we find out from Ryan that she's

897
00:49:44,160 --> 00:49:46,600
Speaker 1: being cheated on, and so it's like the story is

898
00:49:46,760 --> 00:49:50,399
Speaker 1: constantly taking revenge on this woman that started out by

899
00:49:50,440 --> 00:49:53,680
Speaker 1: not really doing much wrong, and then she's just total

900
00:49:53,800 --> 00:49:57,600
Speaker 1: He'll turn at the end where she's just turned into

901
00:49:57,600 --> 00:50:02,239
Speaker 1: an absolute rapist in in a way that doesn't make

902
00:50:02,280 --> 00:50:03,960
Speaker 1: sense with anything we know about her. But we don't

903
00:50:03,960 --> 00:50:06,319
Speaker 1: really know anything. We do see the scene where she

904
00:50:06,400 --> 00:50:09,719
Speaker 1: first comes over to be like, well, yeah, we were

905
00:50:09,760 --> 00:50:12,120
Speaker 1: not engaged anymore. He's cheating on me. Do you want

906
00:50:12,120 --> 00:50:15,399
Speaker 1: to have sex? And then he says no, actually I've

907
00:50:15,400 --> 00:50:17,680
Speaker 1: got this forty days thing going. I've got this girl.

908
00:50:18,200 --> 00:50:20,719
Speaker 1: And she's like, I am so turned on by being

909
00:50:20,760 --> 00:50:23,359
Speaker 1: rejected by you. That like, but that doesn't make sense

910
00:50:23,400 --> 00:50:25,359
Speaker 1: with anything we know about her. That it's just here.

911
00:50:25,520 --> 00:50:27,520
Speaker 1: Oh it doesn't make nothing makes sense. But it's just

912
00:50:27,560 --> 00:50:30,640
Speaker 1: like this is how they use her character to be like, oh,

913
00:50:30,719 --> 00:50:32,920
Speaker 1: I'm so turned on by you. Now even if you

914
00:50:33,000 --> 00:50:34,840
Speaker 1: close the door, I'm just gonna be out here moaning

915
00:50:34,840 --> 00:50:37,960
Speaker 1: even harder because of the rejection. And so somehow that

916
00:50:38,080 --> 00:50:41,200
Speaker 1: is her then motivation to go place this bet and

917
00:50:41,239 --> 00:50:44,760
Speaker 1: win this money is like the sexual rejection has so

918
00:50:45,360 --> 00:50:48,520
Speaker 1: consulted but also turned her on. But that seemed like

919
00:50:48,600 --> 00:50:51,120
Speaker 1: leading up to him, like standing up for herself and

920
00:50:51,160 --> 00:50:54,440
Speaker 1: then she gets like horned up by someone yelling at her,

921
00:50:54,480 --> 00:50:59,359
Speaker 1: which great message before that, like his monologue that I'm

922
00:50:59,360 --> 00:51:01,600
Speaker 1: thinking that it's like we're supposed to be like, yeah,

923
00:51:01,719 --> 00:51:04,520
Speaker 1: good for you, Josh Hartnett. Is that like she's like,

924
00:51:04,560 --> 00:51:07,440
Speaker 1: you're saying no to me, and then he says, you

925
00:51:07,520 --> 00:51:10,000
Speaker 1: always do this to me. I must be the idiot

926
00:51:10,040 --> 00:51:12,880
Speaker 1: because I keep coming back, but I'm not coming back anymore.

927
00:51:13,160 --> 00:51:16,120
Speaker 1: You take everything from me, Like she just broke up

928
00:51:16,160 --> 00:51:17,880
Speaker 1: with you because you were a lot, and here you

929
00:51:17,920 --> 00:51:21,200
Speaker 1: are being a fucking lot again. But then it's like

930
00:51:21,360 --> 00:51:24,520
Speaker 1: her character is not written to follow any That's how

931
00:51:24,800 --> 00:51:28,399
Speaker 1: That's how a lot of men feel about women, is like, yeah,

932
00:51:28,600 --> 00:51:30,759
Speaker 1: if if they have some kind of relationship, and then

933
00:51:31,160 --> 00:51:33,480
Speaker 1: you took everything from me, and it's like, what is

934
00:51:33,600 --> 00:51:36,480
Speaker 1: that feeling? That's like a thesis statement on that character,

935
00:51:36,840 --> 00:51:39,320
Speaker 1: Like that's how he feels about. Whoever wrote this movie

936
00:51:39,480 --> 00:51:43,080
Speaker 1: clearly feels about women, is like, yeah, these vampires are

937
00:51:43,280 --> 00:51:45,839
Speaker 1: just out here to get us, right, and then it's

938
00:51:45,880 --> 00:51:49,719
Speaker 1: like I'll prove a point by writing female characters to

939
00:51:49,880 --> 00:51:52,560
Speaker 1: be this, to be this. Yeah, and then speaking of

940
00:51:52,680 --> 00:51:57,000
Speaker 1: irrational behavior, can we get into Erica. Yeah, yeah, let's

941
00:51:57,000 --> 00:51:59,319
Speaker 1: get and we haven't talked about her at all. It's

942
00:51:59,320 --> 00:52:01,239
Speaker 1: almost like she's boring and we don't know anything better.

943
00:52:01,880 --> 00:52:03,919
Speaker 1: It sounds like she's a shell of a character. So

944
00:52:04,480 --> 00:52:08,960
Speaker 1: in most scenes that she is in, she is getting

945
00:52:09,400 --> 00:52:15,080
Speaker 1: enraged about something for no reason. She's constantly behaving very irrationally,

946
00:52:15,440 --> 00:52:19,080
Speaker 1: and it makes little to no sense. So the first

947
00:52:19,160 --> 00:52:21,040
Speaker 1: she gets mad at him three different times. The first

948
00:52:21,040 --> 00:52:25,440
Speaker 1: time is when she finds out about his vow. I

949
00:52:25,440 --> 00:52:28,479
Speaker 1: don't know why she's so piste off again because they've

950
00:52:28,520 --> 00:52:31,839
Speaker 1: only met once once or twice maybe before two times

951
00:52:31,840 --> 00:52:34,480
Speaker 1: at the laundrom Matt and then she was like, how

952
00:52:34,560 --> 00:52:36,960
Speaker 1: dare you not tell me that you're giving up something

953
00:52:37,000 --> 00:52:41,080
Speaker 1: for lent? Like and then she is furious. I'm like,

954
00:52:41,200 --> 00:52:44,920
Speaker 1: are we are you guys religious? Like he doesn't seem

955
00:52:45,000 --> 00:52:48,320
Speaker 1: like and they've met two times and then she finds

956
00:52:48,360 --> 00:52:50,760
Speaker 1: out about it on the internet and then she's furious

957
00:52:50,800 --> 00:52:54,560
Speaker 1: at him. Her getting so enraged by that doesn't make

958
00:52:54,600 --> 00:52:56,480
Speaker 1: any sense, but it's clear like the writer of this

959
00:52:56,600 --> 00:52:59,840
Speaker 1: movie is like, well, we have to like find conflicts

960
00:53:00,000 --> 00:53:03,840
Speaker 1: them where so it will make her because women be

961
00:53:03,960 --> 00:53:07,840
Speaker 1: getting mad all the time. So then for reasons that

962
00:53:07,880 --> 00:53:10,000
Speaker 1: are not clear, she decides that she's not mad at

963
00:53:10,080 --> 00:53:12,839
Speaker 1: him anymore and she's going to hang out with him again. Then,

964
00:53:13,640 --> 00:53:15,719
Speaker 1: for reasons that are not clear. It's like every other

965
00:53:15,760 --> 00:53:22,680
Speaker 1: sentences anyone doing anything in this aren't really Then she

966
00:53:22,719 --> 00:53:26,279
Speaker 1: gets mad at him whenever she finds out about his

967
00:53:26,360 --> 00:53:30,759
Speaker 1: ex girlfriend, and this happens on their second date. So

968
00:53:30,840 --> 00:53:33,920
Speaker 1: he has not told her that he has dated other people,

969
00:53:34,320 --> 00:53:39,560
Speaker 1: and she is furious about it. So she keeps being like,

970
00:53:39,719 --> 00:53:41,920
Speaker 1: you said that you were honest, but you keep lying

971
00:53:42,160 --> 00:53:44,839
Speaker 1: about things or withholding the truth, and that's why I'm

972
00:53:44,840 --> 00:53:47,719
Speaker 1: mad at you. But like, you're not obligated to tell

973
00:53:47,840 --> 00:53:50,640
Speaker 1: someone on a second date. You're an entire dating history.

974
00:53:50,719 --> 00:53:54,799
Speaker 1: It's extremely emotionally immature movie. And like because yeah, it's

975
00:53:54,840 --> 00:53:58,040
Speaker 1: acting as if as soon as you meet someone you

976
00:53:58,080 --> 00:54:00,239
Speaker 1: know at first sight that you're in love with out

977
00:54:00,320 --> 00:54:03,440
Speaker 1: having a conversation, and now at this point you should

978
00:54:03,440 --> 00:54:07,759
Speaker 1: then tell them everything about yourself. You should each merge completely.

979
00:54:07,920 --> 00:54:10,600
Speaker 1: It's a very weird lesbian impulse almost like that that's

980
00:54:10,640 --> 00:54:12,960
Speaker 1: how that that's how this should be perceived, that's how

981
00:54:13,000 --> 00:54:15,720
Speaker 1: she seems. It's like, how have you not told me everything?

982
00:54:15,760 --> 00:54:17,640
Speaker 1: About you. I thought we were in love and getting

983
00:54:17,640 --> 00:54:19,560
Speaker 1: married and this isn't him and we should be It's

984
00:54:20,400 --> 00:54:24,799
Speaker 1: exactly and like her motivations adjust to his mission in

985
00:54:24,800 --> 00:54:28,120
Speaker 1: a way that doesn't I just just I mean, nothing

986
00:54:28,200 --> 00:54:31,319
Speaker 1: is realized. This like if you met someone who didn't

987
00:54:31,320 --> 00:54:34,080
Speaker 1: seem to like you at the laundromat and continue to

988
00:54:34,080 --> 00:54:36,279
Speaker 1: pursue them and they're like, actually, I'm not fucking right now.

989
00:54:36,320 --> 00:54:39,840
Speaker 1: I'd be like, I'll see myself out. But she she

990
00:54:40,000 --> 00:54:42,879
Speaker 1: just kind of adjusts to him and says instead that

991
00:54:42,920 --> 00:54:45,920
Speaker 1: like sex doesn't matter and it's only about the kiss,

992
00:54:46,000 --> 00:54:49,920
Speaker 1: and like totally flips the script from like being horny

993
00:54:50,000 --> 00:54:53,600
Speaker 1: to being like, Okay, I'll do what you want, I mean,

994
00:54:53,640 --> 00:54:57,880
Speaker 1: And then they have the sexy flower funk, which is great. Um,

995
00:54:58,000 --> 00:55:00,120
Speaker 1: well before we get to that, because I do want

996
00:55:00,120 --> 00:55:04,200
Speaker 1: to talk about female orgasms and their depiction on screen.

997
00:55:04,400 --> 00:55:06,799
Speaker 1: But um, so, she's gotten mad at him about not

998
00:55:06,960 --> 00:55:09,920
Speaker 1: knowing that he has ever had an ex girlfriend, and

999
00:55:09,960 --> 00:55:12,520
Speaker 1: then again for reasons that are not clear, she decides

1000
00:55:12,640 --> 00:55:15,680
Speaker 1: she's not mad anymore. She's gonna hang out with him again.

1001
00:55:16,320 --> 00:55:19,440
Speaker 1: And then we see the scene with the flower pedal.

1002
00:55:20,200 --> 00:55:24,799
Speaker 1: It's blowing around near her puss and she has an orgasm.

1003
00:55:24,920 --> 00:55:28,239
Speaker 1: And then the final I Got mad at You for

1004
00:55:28,280 --> 00:55:33,200
Speaker 1: no reason thing happens when Matt gets raped by Nicole

1005
00:55:34,120 --> 00:55:38,279
Speaker 1: and then Erica, and then she's just like she's so mad,

1006
00:55:38,640 --> 00:55:41,799
Speaker 1: she's so mad, And it's because the movie does not

1007
00:55:41,880 --> 00:55:46,719
Speaker 1: treat what happened as rape. The movie. When she comes in,

1008
00:55:46,800 --> 00:55:49,359
Speaker 1: he says, oh my god, I just cheated on. I mean,

1009
00:55:49,360 --> 00:55:51,319
Speaker 1: he doesn't say cheated, but he's like, I thought it

1010
00:55:51,360 --> 00:55:54,200
Speaker 1: was you, and so he doesn't say I was raped.

1011
00:55:54,200 --> 00:55:56,200
Speaker 1: So really this is actually a good depiction of how

1012
00:55:56,239 --> 00:55:59,640
Speaker 1: men are not reporting their rapes. You know. Here she

1013
00:56:00,080 --> 00:56:02,480
Speaker 1: just said I was just raped, Can you call the cops?

1014
00:56:02,719 --> 00:56:04,719
Speaker 1: And it said he goes though it was you. So

1015
00:56:04,760 --> 00:56:07,759
Speaker 1: he doesn't believe in his own like, you know, he

1016
00:56:07,800 --> 00:56:10,719
Speaker 1: doesn't believe that women are capable of agency enough to

1017
00:56:10,800 --> 00:56:14,440
Speaker 1: even to call that rape. He's just like, oh, I

1018
00:56:14,520 --> 00:56:17,520
Speaker 1: must have fucked her, yeah, even though I was not

1019
00:56:17,600 --> 00:56:20,799
Speaker 1: conscious or lucid. So even in his getting raped, he's

1020
00:56:20,840 --> 00:56:25,239
Speaker 1: not respecting women. That's really insane about that. And it's

1021
00:56:25,239 --> 00:56:28,160
Speaker 1: like it's it's you know, men are raped, that does happen,

1022
00:56:28,239 --> 00:56:32,440
Speaker 1: but statistically so much less than women. That it's just

1023
00:56:32,480 --> 00:56:36,319
Speaker 1: like another victimizing this character in a way that just

1024
00:56:36,480 --> 00:56:39,719
Speaker 1: enables his bad behavior and doesn't make sense. And it's

1025
00:56:39,719 --> 00:56:43,160
Speaker 1: more complicated than that. But it's just I don't know,

1026
00:56:43,239 --> 00:56:46,319
Speaker 1: Like women in this movie are evil, and they do.

1027
00:56:46,840 --> 00:56:49,040
Speaker 1: As the movie goes on, they do more and more

1028
00:56:49,080 --> 00:56:54,000
Speaker 1: evil things. And it's only the woman who complies with

1029
00:56:54,120 --> 00:56:57,400
Speaker 1: exactly what he wants and helps him accomplish this mission,

1030
00:56:57,440 --> 00:57:00,719
Speaker 1: even while he's lying to her and being in, you know,

1031
00:57:00,800 --> 00:57:03,000
Speaker 1: doing all this other stuff. She's the one who's like,

1032
00:57:03,040 --> 00:57:06,960
Speaker 1: quote unquote rewarded with his filthy boner a month and

1033
00:57:07,040 --> 00:57:09,839
Speaker 1: change later. Yeah. Wait, now that I think about it, though,

1034
00:57:09,840 --> 00:57:13,319
Speaker 1: when she when when Erica walks into that room and

1035
00:57:13,360 --> 00:57:15,200
Speaker 1: he's like, oh, I thought it was I thought it

1036
00:57:15,239 --> 00:57:17,160
Speaker 1: was you and not I didn't know it was this

1037
00:57:17,240 --> 00:57:21,320
Speaker 1: nicole chick. He's handcuffed to his bedrails at this point,

1038
00:57:21,760 --> 00:57:25,160
Speaker 1: and so she either has to be like, wow, so

1039
00:57:25,200 --> 00:57:28,640
Speaker 1: you decided to have like kinky handcuff sex for this,

1040
00:57:28,840 --> 00:57:32,240
Speaker 1: you know, vow breaking bet losing sex that you had

1041
00:57:32,360 --> 00:57:36,440
Speaker 1: with your ex, or hey, why are you handcuffed to

1042
00:57:36,520 --> 00:57:39,440
Speaker 1: the can you what? Doesn't question? It doesn't question it.

1043
00:57:39,520 --> 00:57:47,960
Speaker 1: It's just like follow ups and could you cheat on me? Yeah,

1044
00:57:48,040 --> 00:57:50,360
Speaker 1: I guess to be fair, she does not realize that

1045
00:57:50,440 --> 00:57:54,920
Speaker 1: he had been sexually assaulted, so she's mad on the

1046
00:57:54,960 --> 00:57:57,880
Speaker 1: grounds that like, oh, you cheated on me, and if

1047
00:57:57,920 --> 00:58:00,800
Speaker 1: that were true, which is not what happened, but let's

1048
00:58:00,800 --> 00:58:03,720
Speaker 1: say for argument's sake, that it is. They've hung out

1049
00:58:04,120 --> 00:58:07,960
Speaker 1: four times, like she yeah, you're not in a relationship yet,

1050
00:58:08,080 --> 00:58:11,480
Speaker 1: like he's not cheating on you. But again, the movie

1051
00:58:11,520 --> 00:58:13,240
Speaker 1: is like, well, we have to have like the final

1052
00:58:14,040 --> 00:58:16,840
Speaker 1: conflict that we needs to be resolved by the end.

1053
00:58:16,920 --> 00:58:19,480
Speaker 1: So like also kind of like the puritanical thing they're

1054
00:58:19,480 --> 00:58:21,600
Speaker 1: pushing of, like the longer you don't have sex with someone,

1055
00:58:21,640 --> 00:58:24,320
Speaker 1: the purer your bond is, and that sex is like

1056
00:58:24,360 --> 00:58:27,360
Speaker 1: this thing that taints relationships, which you know can be

1057
00:58:27,520 --> 00:58:30,680
Speaker 1: very true, but it's just the way it's framed is

1058
00:58:30,760 --> 00:58:35,320
Speaker 1: weirdly religious, like the that that like well, the you

1059
00:58:35,320 --> 00:58:38,400
Speaker 1: know now that they've waited, it's like almost like the

1060
00:58:38,440 --> 00:58:40,880
Speaker 1: weird like high school narrative like we have to wait

1061
00:58:40,960 --> 00:58:43,160
Speaker 1: until the moment is right and then it'll be perfect.

1062
00:58:43,160 --> 00:58:46,760
Speaker 1: It would be together, ever, and this this movie weirdly

1063
00:58:46,800 --> 00:58:50,080
Speaker 1: subscribes to that, even though it makes fun of religion

1064
00:58:50,440 --> 00:58:53,040
Speaker 1: through the brother character. I don't know. I mean, I

1065
00:58:53,080 --> 00:58:56,160
Speaker 1: can't even say religious undertones because it's specifically lends, you know.

1066
00:58:56,240 --> 00:58:58,919
Speaker 1: But it's like the forty Days and Nights is there's

1067
00:58:59,000 --> 00:59:02,320
Speaker 1: like Jesus asked it for forty days and there's they

1068
00:59:02,400 --> 00:59:04,400
Speaker 1: at one point make it a little explicit that they

1069
00:59:04,480 --> 00:59:06,840
Speaker 1: kind of are comparing him to Jesus in the ability

1070
00:59:06,880 --> 00:59:09,640
Speaker 1: to withstand the sex and and but then so it

1071
00:59:09,680 --> 00:59:11,640
Speaker 1: makes me wonder because he's already made himself in to

1072
00:59:11,680 --> 00:59:14,040
Speaker 1: a Christ figure. Oh, I'm going to resist sex instead

1073
00:59:14,040 --> 00:59:15,600
Speaker 1: of food and water. Even says like I look like

1074
00:59:15,640 --> 00:59:18,280
Speaker 1: I'm on the Yeah, when he's when he's handcuffed to

1075
00:59:18,280 --> 00:59:21,480
Speaker 1: the bedframe, it's like they've actually you're using imagery Christ

1076
00:59:21,560 --> 00:59:24,000
Speaker 1: figure imagery. And it's like that's a little much. Forty

1077
00:59:24,040 --> 00:59:27,000
Speaker 1: days and forty nights. That didn't you don't have literary

1078
00:59:27,080 --> 00:59:29,640
Speaker 1: themes going on here. I did not hit for me.

1079
00:59:29,840 --> 00:59:33,320
Speaker 1: That's fucking nuts. Yeah, I mean, and it's like, yes,

1080
00:59:33,400 --> 00:59:35,240
Speaker 1: Jesus did go without food and water, but he was

1081
00:59:35,320 --> 00:59:39,720
Speaker 1: jerking off every day. So that's like I've never thought

1082
00:59:39,760 --> 00:59:42,480
Speaker 1: about how Jesus was jerking off while he was fasting.

1083
00:59:42,520 --> 00:59:44,360
Speaker 1: You can survive in the desert. You have to drink

1084
00:59:44,400 --> 00:59:46,160
Speaker 1: your own Are you allowed to drink your own calm?

1085
00:59:46,200 --> 00:59:49,080
Speaker 1: If you're fastering loophole, that's how you can drink your

1086
00:59:49,080 --> 00:59:53,720
Speaker 1: own bodily fluid calories. Um. But yeah, basically the movie

1087
00:59:53,840 --> 00:59:57,720
Speaker 1: is like the movie uses the Erica character as just

1088
00:59:57,920 --> 01:00:02,120
Speaker 1: a way by which conflict can happen because she's getting

1089
01:00:02,160 --> 01:00:05,400
Speaker 1: so irrationally mad all the time, and they just have

1090
01:00:05,520 --> 01:00:08,320
Speaker 1: the formula of a bet, a sex bet movie, And

1091
01:00:08,360 --> 01:00:11,360
Speaker 1: they didn't bother doing any of the work to connect

1092
01:00:11,720 --> 01:00:13,840
Speaker 1: any of the points. They were just like, she gets

1093
01:00:13,840 --> 01:00:17,480
Speaker 1: mad every twenty minutes and then we resolve. Yeah, they

1094
01:00:17,520 --> 01:00:19,840
Speaker 1: just didn't bother having reasons for anything right there, Like

1095
01:00:19,840 --> 01:00:22,320
Speaker 1: it just has to happen. And like her friendship with

1096
01:00:22,360 --> 01:00:25,520
Speaker 1: Maggie Jillen Hall is so weird where there's a scene

1097
01:00:25,520 --> 01:00:28,920
Speaker 1: where they're walking together and Eric is talking to her

1098
01:00:28,920 --> 01:00:31,120
Speaker 1: about how they haven't had sex yet, and Erica is

1099
01:00:31,160 --> 01:00:33,040
Speaker 1: like trying to act like she's cool with it, even

1100
01:00:33,040 --> 01:00:35,320
Speaker 1: though it's clear that she's like she would want to

1101
01:00:35,320 --> 01:00:37,520
Speaker 1: be having sex, and she's like it's great. It's like

1102
01:00:37,560 --> 01:00:40,040
Speaker 1: I'm being treated like an equal. And then her friends

1103
01:00:40,080 --> 01:00:43,240
Speaker 1: like that sucks, doesn't it. And she's like it totally sucks,

1104
01:00:43,320 --> 01:00:47,440
Speaker 1: and you're just like that is how to wait, how

1105
01:00:47,480 --> 01:00:50,360
Speaker 1: did what's the line right before? They feel like I'm

1106
01:00:50,360 --> 01:00:52,480
Speaker 1: being treated like an equal just that they're not having sex.

1107
01:00:52,840 --> 01:00:54,880
Speaker 1: I'm trying to follow this logic. There's a I don't

1108
01:00:54,880 --> 01:00:56,560
Speaker 1: have all the dialog written now that it's uh that

1109
01:00:57,000 --> 01:00:59,560
Speaker 1: she's saying, like, you know, I think Maggie Jillen Hall

1110
01:00:59,640 --> 01:01:02,480
Speaker 1: characters like, wait, you guys haven't had sex yet, and

1111
01:01:02,520 --> 01:01:05,440
Speaker 1: she's like, no, he's like doing this thing. And then

1112
01:01:05,480 --> 01:01:08,080
Speaker 1: she and then she Maggie Jolan Hall does the obvious

1113
01:01:08,160 --> 01:01:10,520
Speaker 1: two thousand two jug of like what is he gay? Yeah? Well,

1114
01:01:10,520 --> 01:01:13,160
Speaker 1: they're like he's got a girlfriend. No he doesn't. He's like, oh,

1115
01:01:13,200 --> 01:01:15,400
Speaker 1: he's gay. Some guys are just different about this stuff.

1116
01:01:15,760 --> 01:01:19,120
Speaker 1: And that's that's what leads into this conversation, like she's

1117
01:01:19,160 --> 01:01:21,280
Speaker 1: not saying it sucks to be treated as an equal,

1118
01:01:21,360 --> 01:01:22,960
Speaker 1: just as she's saying it sucks to have sex. But

1119
01:01:23,000 --> 01:01:25,480
Speaker 1: I'm just like, man, these are the only some of

1120
01:01:25,520 --> 01:01:28,720
Speaker 1: the only two two women exchanges you get in the movie,

1121
01:01:28,840 --> 01:01:31,440
Speaker 1: and it's all about like, well, there's not a single

1122
01:01:31,600 --> 01:01:34,240
Speaker 1: line of this movie that's not about sex first of all,

1123
01:01:34,920 --> 01:01:38,720
Speaker 1: so and sex as it pertained to Jump Hardnet. She's

1124
01:01:38,760 --> 01:01:42,160
Speaker 1: specifically at least one man Judge Hardnet. Yeah, there's another

1125
01:01:42,200 --> 01:01:47,080
Speaker 1: moment of casual homophobia earlier on, where Ryan the roommate

1126
01:01:47,160 --> 01:01:50,760
Speaker 1: is talking to Matt and he's like, you just never

1127
01:01:50,760 --> 01:01:52,280
Speaker 1: going to work out for you. You can go on

1128
01:01:52,360 --> 01:01:54,920
Speaker 1: two dates without a kiss and pass it old fashioned,

1129
01:01:55,160 --> 01:01:59,800
Speaker 1: you go three, You're a home so very cool casual

1130
01:02:00,000 --> 01:02:03,520
Speaker 1: the phobia of the early two to five people to

1131
01:02:03,560 --> 01:02:05,680
Speaker 1: find a romantic comedy of the early two thousand's that

1132
01:02:05,720 --> 01:02:09,600
Speaker 1: doesn't have at least two instances of casual homophobia. Indeed,

1133
01:02:10,000 --> 01:02:12,760
Speaker 1: another thing I wanted to point out is that a

1134
01:02:12,880 --> 01:02:16,120
Speaker 1: large part of the date that takes place on the

1135
01:02:16,160 --> 01:02:20,640
Speaker 1: bus is seen in like montage forms, so we don't

1136
01:02:20,680 --> 01:02:23,080
Speaker 1: hear her talking like this is when we would be

1137
01:02:23,560 --> 01:02:27,040
Speaker 1: learning things about her character, hearing what she has to say,

1138
01:02:27,760 --> 01:02:30,520
Speaker 1: her talking about her interest, stuff like that, but we

1139
01:02:30,600 --> 01:02:33,480
Speaker 1: don't we hear music over a montage instead, So like

1140
01:02:33,880 --> 01:02:36,520
Speaker 1: a deliberate choice was made in the edit of this movie,

1141
01:02:36,680 --> 01:02:39,520
Speaker 1: or in the writing or whatever that we like one

1142
01:02:39,520 --> 01:02:41,360
Speaker 1: of the few opportunities we would have to get to

1143
01:02:41,400 --> 01:02:45,240
Speaker 1: know this character is robbed from us, and we still

1144
01:02:45,320 --> 01:02:47,480
Speaker 1: we still hardly know anything about her except that she

1145
01:02:47,520 --> 01:02:50,840
Speaker 1: gets mad all the time, irrationally. Well that's a woman

1146
01:02:50,960 --> 01:02:54,040
Speaker 1: right there for you. You know, I'm getting mad all

1147
01:02:54,080 --> 01:02:56,880
Speaker 1: the time. We just get mad, and who cares about

1148
01:02:56,880 --> 01:03:00,120
Speaker 1: anything about And then the and then the final the

1149
01:03:00,120 --> 01:03:04,640
Speaker 1: way the whole story ends, the final beat is that

1150
01:03:04,680 --> 01:03:08,040
Speaker 1: Matt is like, oh yeah, it probably even shouldn't have

1151
01:03:08,120 --> 01:03:10,880
Speaker 1: done this whole stupid vow thing. What I should have

1152
01:03:10,920 --> 01:03:14,400
Speaker 1: done this whole time is this? And then he pounces

1153
01:03:14,480 --> 01:03:18,720
Speaker 1: on her surprise, kisses her. The movie frames it as

1154
01:03:18,760 --> 01:03:22,520
Speaker 1: if it's like the big romantic moment, the huge reconciliation.

1155
01:03:22,720 --> 01:03:26,080
Speaker 1: She hasn't really forgiven him, right, like that hasn't been

1156
01:03:26,080 --> 01:03:29,120
Speaker 1: a super But as soon as his lips plant on

1157
01:03:29,160 --> 01:03:33,520
Speaker 1: her baby, she forgives. She's so irrationally mad, she's probably

1158
01:03:33,840 --> 01:03:38,800
Speaker 1: been on her period or whatever. I mean, yeah, that's

1159
01:03:39,040 --> 01:03:41,200
Speaker 1: she just got off the pill for the first time

1160
01:03:41,240 --> 01:03:45,520
Speaker 1: in several years, and it's just like she's free bleeding.

1161
01:03:46,600 --> 01:03:48,200
Speaker 1: Well what are we to make of that as like

1162
01:03:48,720 --> 01:03:51,040
Speaker 1: a lesson? Like because that's how they're presenting it, by

1163
01:03:51,120 --> 01:03:53,840
Speaker 1: him saying, what I should have done this whole time?

1164
01:03:54,040 --> 01:03:56,720
Speaker 1: It's implying that he shouldn't have done this, bet that

1165
01:03:56,720 --> 01:03:58,800
Speaker 1: that wasn't healthy or good for him. That if you

1166
01:03:58,840 --> 01:04:01,000
Speaker 1: meet a cute girl who smiles at you with the

1167
01:04:01,080 --> 01:04:03,480
Speaker 1: launch a room, the proper thing, the correct thing to

1168
01:04:03,520 --> 01:04:05,200
Speaker 1: have done, would have been to just kiss her from

1169
01:04:05,200 --> 01:04:07,400
Speaker 1: the get go and start sucking when it is all yeah,

1170
01:04:07,520 --> 01:04:09,520
Speaker 1: that is like the whole logic of like the only

1171
01:04:09,520 --> 01:04:12,280
Speaker 1: way to get over someone is to get under someone else.

1172
01:04:12,560 --> 01:04:14,600
Speaker 1: Like that wasn't working because the ceiling was caving in.

1173
01:04:14,640 --> 01:04:17,440
Speaker 1: But maybe with the right girl. The ceiling caved in

1174
01:04:17,880 --> 01:04:20,400
Speaker 1: the right at the right girl whose personality we don't

1175
01:04:20,400 --> 01:04:23,200
Speaker 1: know and we don't get mental gymnastics. It has to

1176
01:04:23,200 --> 01:04:26,760
Speaker 1: be the right look basically, the girl who's hot enough.

1177
01:04:27,560 --> 01:04:30,400
Speaker 1: This God, this one is just a disaster. I like

1178
01:04:30,480 --> 01:04:32,960
Speaker 1: I I just wish that Josh Hartnet had stayed in

1179
01:04:32,960 --> 01:04:35,600
Speaker 1: the room with his trains for a couple of days,

1180
01:04:35,600 --> 01:04:39,400
Speaker 1: really confronted and dedated, like made some trains, and then

1181
01:04:39,480 --> 01:04:41,880
Speaker 1: been like, you know, maybe I am ready to get

1182
01:04:41,920 --> 01:04:44,480
Speaker 1: back out there, but it just wasn't. I mean, he's

1183
01:04:44,480 --> 01:04:46,640
Speaker 1: in that tech bro environment. It's hard to just be

1184
01:04:46,720 --> 01:04:50,680
Speaker 1: with your trains. Sometimes. I love that the directile dysfunction

1185
01:04:50,720 --> 01:04:53,160
Speaker 1: doesn't really come up. He can still get it hard.

1186
01:04:53,200 --> 01:04:54,600
Speaker 1: I think it would be too much for men to

1187
01:04:54,680 --> 01:04:56,600
Speaker 1: deal with if he couldn't get it hard. We weren't

1188
01:04:56,640 --> 01:04:59,760
Speaker 1: talking about that. We're still barely talking about that in movies,

1189
01:05:00,120 --> 01:05:02,120
Speaker 1: and so instead it was just that he can't come.

1190
01:05:02,160 --> 01:05:06,000
Speaker 1: But boners are not a problem. Always get that, supersize

1191
01:05:06,080 --> 01:05:10,640
Speaker 1: he has a bone, are at work, he has around

1192
01:05:11,680 --> 01:05:15,760
Speaker 1: It's oh yeah, there's that. He comes in with nar

1193
01:05:15,960 --> 01:05:20,160
Speaker 1: blazing into a fucking important meeting. If you're like, get

1194
01:05:20,200 --> 01:05:25,520
Speaker 1: out of here, you're hard, and he's like, oh my god,

1195
01:05:25,680 --> 01:05:32,240
Speaker 1: um this happens. So they go to a critical business

1196
01:05:32,280 --> 01:05:37,920
Speaker 1: completely erect, horrifying. I don't know. Can we talk briefly

1197
01:05:37,960 --> 01:05:41,680
Speaker 1: about the depiction of the of the female orgasm? Yeah?

1198
01:05:41,760 --> 01:05:44,680
Speaker 1: I can't talk about this movie much like I'm so

1199
01:05:44,760 --> 01:05:48,000
Speaker 1: fascinated about like women straight or whatever, women who have

1200
01:05:48,040 --> 01:05:52,080
Speaker 1: sex with men's sex lives, because y'all really aren't coming

1201
01:05:52,120 --> 01:05:54,640
Speaker 1: as much as you should be, right, We're not not

1202
01:05:54,720 --> 01:05:59,320
Speaker 1: to delf too too deeply into my but but your

1203
01:05:59,360 --> 01:06:03,959
Speaker 1: friends know I'm about to say that man has never

1204
01:06:04,120 --> 01:06:05,840
Speaker 1: made me come. I've heard that from a lot of

1205
01:06:05,880 --> 01:06:11,200
Speaker 1: my lovers. Yeah, so anyway. So at least, at the

1206
01:06:11,520 --> 01:06:15,800
Speaker 1: very very very least, the movie I'll choose to remain

1207
01:06:15,880 --> 01:06:20,120
Speaker 1: side that tells me everything I need to know. So

1208
01:06:20,240 --> 01:06:23,360
Speaker 1: at the very least this movie acknowledges that the female

1209
01:06:23,440 --> 01:06:27,400
Speaker 1: orgasm exists, because most movies don't even bother to acknowledge

1210
01:06:27,440 --> 01:06:30,520
Speaker 1: that it's a thing. I don't think this movie handles

1211
01:06:30,520 --> 01:06:34,560
Speaker 1: it well. But we do see two female orgasms. One

1212
01:06:34,560 --> 01:06:36,840
Speaker 1: in the beginning whenever she's like, come with me, we

1213
01:06:36,960 --> 01:06:40,160
Speaker 1: gotta have a simulgeneous come fish. Yeah, so that was

1214
01:06:40,200 --> 01:06:44,200
Speaker 1: pretty empowering, guess, but she also is made to seem

1215
01:06:44,240 --> 01:06:46,880
Speaker 1: like a crazy person. I'm surprised she didn't lick the

1216
01:06:46,960 --> 01:06:48,760
Speaker 1: white out to see if it was coming on. There

1217
01:06:48,840 --> 01:06:50,680
Speaker 1: wasn't a few things yeah, where it's like, well, she

1218
01:06:50,800 --> 01:06:55,600
Speaker 1: did initiate the sexty. Don't get to see women initiate often.

1219
01:06:56,200 --> 01:07:00,120
Speaker 1: But then of course she ended up being crazy, like

1220
01:07:00,200 --> 01:07:02,840
Speaker 1: she was calling the shots during the sex I was like,

1221
01:07:02,920 --> 01:07:06,440
Speaker 1: that's pretty cool, like, but then it just takes this

1222
01:07:06,640 --> 01:07:11,920
Speaker 1: very sinister turn right any Like, women initially being presented

1223
01:07:11,960 --> 01:07:15,240
Speaker 1: as being sex positive ends up that they she's a demon.

1224
01:07:15,800 --> 01:07:18,680
Speaker 1: She's actually a demon from crazy. So that's the first

1225
01:07:18,760 --> 01:07:21,720
Speaker 1: female orgasm we see, and that ends up being demonized

1226
01:07:21,720 --> 01:07:24,560
Speaker 1: because she's or the movie wants you to think she's crazy.

1227
01:07:24,880 --> 01:07:27,560
Speaker 1: The second one is the scene we already touched on

1228
01:07:27,600 --> 01:07:31,800
Speaker 1: a little bit where he's got Also, I think this

1229
01:07:31,960 --> 01:07:36,480
Speaker 1: scene with the orchid pedal would violate the terms of

1230
01:07:36,600 --> 01:07:39,200
Speaker 1: his voweve because he says no sexual intimacy of any

1231
01:07:39,280 --> 01:07:42,240
Speaker 1: kind if you were blowing around a pedal on a

1232
01:07:42,360 --> 01:07:48,920
Speaker 1: naked woman. This is like more just like, but stuff

1233
01:07:48,960 --> 01:07:54,280
Speaker 1: doesn't count. Stuff the whole movie, and he's like, yeah,

1234
01:07:54,280 --> 01:07:59,040
Speaker 1: it doesn't count. It is worth thing. Now I'm like

1235
01:07:59,160 --> 01:08:03,160
Speaker 1: looking into on the Wikipedia article. Apparently, uh, this sex

1236
01:08:03,160 --> 01:08:05,520
Speaker 1: scene was voted one of the top ten worst sex

1237
01:08:05,560 --> 01:08:09,520
Speaker 1: scenes in movies. Ever, it is still silly. It's silly.

1238
01:08:09,680 --> 01:08:11,640
Speaker 1: I don't think I was kind of horny for it.

1239
01:08:11,720 --> 01:08:13,880
Speaker 1: I was watching it next to my hot girlfriends, so

1240
01:08:13,920 --> 01:08:16,439
Speaker 1: maybe that, but I was like I was alone and

1241
01:08:16,479 --> 01:08:19,639
Speaker 1: I was still like pretty good, yeah, talked and worse.

1242
01:08:19,800 --> 01:08:22,880
Speaker 1: What are they talking about? I mean, well, okay, shamers,

1243
01:08:22,920 --> 01:08:25,640
Speaker 1: they just hate female orgasms, yeah, they I love it.

1244
01:08:25,800 --> 01:08:27,559
Speaker 1: I mean, this is the only sex scene I've ever

1245
01:08:27,560 --> 01:08:29,240
Speaker 1: seen in a movie where the women comes and the

1246
01:08:29,240 --> 01:08:33,360
Speaker 1: man doesn't. That's a good point. There go the becktail test.

1247
01:08:33,439 --> 01:08:36,480
Speaker 1: But sometimes we can that as close as we get.

1248
01:08:37,240 --> 01:08:40,439
Speaker 1: But this movie is also perpetuating the idea that women

1249
01:08:41,280 --> 01:08:45,599
Speaker 1: just come all the time without cliptoral stimulation. It doesn't

1250
01:08:45,640 --> 01:08:48,920
Speaker 1: show bad habits, So okay, there there may be some

1251
01:08:49,000 --> 01:08:52,839
Speaker 1: women out there who can achieve orgasm if a flower

1252
01:08:52,880 --> 01:08:55,559
Speaker 1: pedal is blown around near your posts. I don't want

1253
01:08:55,560 --> 01:08:59,400
Speaker 1: to shame anyone who comes that way, but that is

1254
01:09:00,280 --> 01:09:05,559
Speaker 1: usually I'm saying, not enough. Yeah, and then the woman

1255
01:09:05,680 --> 01:09:08,120
Speaker 1: Usually a man's got to flop his hand all over

1256
01:09:08,160 --> 01:09:12,080
Speaker 1: your vagina for five minutes and then you're like whoa,

1257
01:09:12,560 --> 01:09:14,760
Speaker 1: and they're like, I did it. But then also in

1258
01:09:15,400 --> 01:09:17,760
Speaker 1: the first thing where we see a woman have an orgasm,

1259
01:09:17,800 --> 01:09:22,120
Speaker 1: he's not doing anything to stimulate her c literal region

1260
01:09:23,400 --> 01:09:26,760
Speaker 1: there are he's hallucinating, he's like on panic attack, and

1261
01:09:26,800 --> 01:09:30,760
Speaker 1: she's she's like, yeah, I think only around twenty per

1262
01:09:30,840 --> 01:09:34,080
Speaker 1: cent of women are able to achieve orgasm just through

1263
01:09:34,200 --> 01:09:38,439
Speaker 1: vaginal penetration. And joke about this and I'm doing so

1264
01:09:38,600 --> 01:09:41,559
Speaker 1: it's it's not like, honestly great for that, but for them,

1265
01:09:41,600 --> 01:09:43,160
Speaker 1: I don't think that's true. I just think that men

1266
01:09:43,200 --> 01:09:45,519
Speaker 1: haven't figured out how to do it. Like, are the

1267
01:09:45,560 --> 01:09:48,400
Speaker 1: odds really that, like some of us are special the

1268
01:09:48,520 --> 01:09:51,439
Speaker 1: chosen people? Or is it that okay? But if men

1269
01:09:51,520 --> 01:09:54,680
Speaker 1: didn't know that women could come at all until the sixties,

1270
01:09:55,120 --> 01:09:56,880
Speaker 1: if we thought the clip was a you know what

1271
01:09:56,960 --> 01:09:59,400
Speaker 1: I mean, like that some could come at all until

1272
01:09:59,439 --> 01:10:02,120
Speaker 1: I was an he want so of course, of course,

1273
01:10:02,240 --> 01:10:05,360
Speaker 1: like more women can. It's just that like they're the

1274
01:10:05,360 --> 01:10:07,439
Speaker 1: only ones who've had good lovers, who've been using their

1275
01:10:07,479 --> 01:10:09,920
Speaker 1: fingers enough and stuff like that, Like I've made women

1276
01:10:09,960 --> 01:10:13,360
Speaker 1: come vaginally. It's because I'm using my fingers and I'm

1277
01:10:13,400 --> 01:10:15,479
Speaker 1: like paying a lot of attention and it's not about

1278
01:10:15,600 --> 01:10:19,240
Speaker 1: me coming, so like it's it's just the men, you guys,

1279
01:10:19,439 --> 01:10:22,200
Speaker 1: and they're not one in five or four women could know.

1280
01:10:22,600 --> 01:10:27,080
Speaker 1: I'm feeling very empowered. I can't believe how bad women

1281
01:10:27,160 --> 01:10:29,639
Speaker 1: straight women sex life still are. I really thought men

1282
01:10:29,640 --> 01:10:31,640
Speaker 1: had gotten better, I thought with all the sexual but

1283
01:10:31,760 --> 01:10:33,879
Speaker 1: the more I talk to people individually and his audiences,

1284
01:10:33,880 --> 01:10:38,240
Speaker 1: I'm like, God, no, it's and there it really is,

1285
01:10:38,280 --> 01:10:42,400
Speaker 1: like that fear of emasculating a man by telling him

1286
01:10:42,439 --> 01:10:46,560
Speaker 1: he's doing Are we afraid of emasculating I haven't emasculated

1287
01:10:46,840 --> 01:10:49,800
Speaker 1: become violent. But I mean, don't you gotta break up

1288
01:10:49,800 --> 01:10:52,719
Speaker 1: with these I have a joke about like a guy

1289
01:10:52,800 --> 01:10:54,640
Speaker 1: getting because this is based on a true story, A

1290
01:10:54,680 --> 01:10:57,639
Speaker 1: guy like got frustrated and almost mad at me because

1291
01:10:57,720 --> 01:11:00,920
Speaker 1: he didn't make me come. Yeah, I've that Seriously, I'm like,

1292
01:11:01,400 --> 01:11:03,400
Speaker 1: what the sex story? I think you're mad at yourself? Yeah,

1293
01:11:03,560 --> 01:11:06,840
Speaker 1: where it out? But like if someone is willing to

1294
01:11:06,880 --> 01:11:10,400
Speaker 1: do to like blame you for them not making you come,

1295
01:11:10,920 --> 01:11:12,600
Speaker 1: It's like I don't want to have this discussion with

1296
01:11:12,640 --> 01:11:15,160
Speaker 1: this person. I don't like because people like kid, I'm

1297
01:11:15,200 --> 01:11:18,320
Speaker 1: just like you guys are like you guys are dangerous. Yes, yeah,

1298
01:11:19,080 --> 01:11:22,600
Speaker 1: so I just stop having sex altogether. Yeah, is in

1299
01:11:22,720 --> 01:11:27,320
Speaker 1: forty nights times, however many you need. I might start

1300
01:11:27,640 --> 01:11:30,120
Speaker 1: dating women. You probably should try it just for this,

1301
01:11:30,560 --> 01:11:32,800
Speaker 1: just to learn more about your body and sex, and

1302
01:11:32,840 --> 01:11:34,280
Speaker 1: then try to go back to the men and teach

1303
01:11:34,360 --> 01:11:37,280
Speaker 1: some things. I also don't see why all women aren't

1304
01:11:37,280 --> 01:11:38,720
Speaker 1: just having sex with I mean, I'm not I don't

1305
01:11:38,720 --> 01:11:40,360
Speaker 1: mean this in a hornball way right now. I'm not

1306
01:11:40,439 --> 01:11:42,040
Speaker 1: trying to come on you guys, but I just mean, like,

1307
01:11:42,080 --> 01:11:44,760
Speaker 1: why aren't all women just having sex? With each other. Yeah,

1308
01:11:44,840 --> 01:11:46,760
Speaker 1: I am. I think it would be very strengthening because

1309
01:11:46,760 --> 01:11:49,120
Speaker 1: if we want to win the more against men, which

1310
01:11:49,160 --> 01:11:52,280
Speaker 1: there is one um, we should probably bond together. We

1311
01:11:52,280 --> 01:11:55,040
Speaker 1: should probably stop having sex with most of them, get

1312
01:11:55,120 --> 01:11:58,519
Speaker 1: better genes, for one thing. Have y'all seen Birds the

1313
01:11:58,600 --> 01:12:02,640
Speaker 1: hitch Cot not the movie, like, I just mean in general, yes,

1314
01:12:03,280 --> 01:12:05,120
Speaker 1: the birds in Planet or So. I think it's even

1315
01:12:05,160 --> 01:12:07,599
Speaker 1: like in the first episode where it's like the females

1316
01:12:07,880 --> 01:12:09,759
Speaker 1: of these and there's a lot of different bird species

1317
01:12:09,800 --> 01:12:11,800
Speaker 1: that are like this right where the females are these

1318
01:12:11,840 --> 01:12:15,479
Speaker 1: plain brown, ugly little plain brown birds. Not I want

1319
01:12:15,479 --> 01:12:17,720
Speaker 1: to say ugly, they're just cute. They're so cute. Sure

1320
01:12:17,760 --> 01:12:20,839
Speaker 1: they're playing little brown bird. And then sorry to shame

1321
01:12:21,160 --> 01:12:23,840
Speaker 1: our bird listeners out there, female bird listeners, so I

1322
01:12:23,880 --> 01:12:25,600
Speaker 1: didn't mean to call you ugly. The males of the

1323
01:12:25,640 --> 01:12:29,200
Speaker 1: species evolved to be like blue and green and bright

1324
01:12:29,280 --> 01:12:33,320
Speaker 1: and do these crazy gay little dances. They're the gayest

1325
01:12:33,320 --> 01:12:36,479
Speaker 1: little dances. Like these these men are so yeah, they're

1326
01:12:36,479 --> 01:12:39,439
Speaker 1: doing the most. And then these women just choose between

1327
01:12:39,479 --> 01:12:42,120
Speaker 1: those and then it's like I found a one bird

1328
01:12:42,160 --> 01:12:45,519
Speaker 1: species where still the girls are a little plain brown

1329
01:12:45,560 --> 01:12:48,320
Speaker 1: things and these guys look crazy and colorful. But they

1330
01:12:48,479 --> 01:12:52,559
Speaker 1: also the men build these little rape protection huts for

1331
01:12:52,640 --> 01:12:56,200
Speaker 1: the women. Okay, so all the little all the gay

1332
01:12:56,240 --> 01:12:59,920
Speaker 1: little men birds bright purple and pink, and a little

1333
01:13:00,000 --> 01:13:02,880
Speaker 1: already grow a little blurds create they build these little

1334
01:13:02,960 --> 01:13:06,640
Speaker 1: rape shield huts. And then the round little birds, when

1335
01:13:06,640 --> 01:13:08,639
Speaker 1: they're ready, all come and go pick their little rape

1336
01:13:08,640 --> 01:13:10,519
Speaker 1: shield huts. They go, oh, this is mine, this is yours.

1337
01:13:10,640 --> 01:13:13,040
Speaker 1: And then they sit there and in these things. And

1338
01:13:13,080 --> 01:13:15,040
Speaker 1: then the male birds come out and do their gay

1339
01:13:15,040 --> 01:13:17,760
Speaker 1: little dances. And then if they ever, if they get

1340
01:13:17,760 --> 01:13:19,719
Speaker 1: to the point where they think one of the women's interested,

1341
01:13:20,160 --> 01:13:23,240
Speaker 1: then they go behind them and then they start to try.

1342
01:13:23,400 --> 01:13:25,400
Speaker 1: And that's what the rape shildhud comes in, because if

1343
01:13:25,400 --> 01:13:27,400
Speaker 1: the woman changes her mind at any point, at any

1344
01:13:27,400 --> 01:13:31,120
Speaker 1: point she changes, she doesn't consent anymore. She just flies

1345
01:13:31,160 --> 01:13:33,840
Speaker 1: out and the little thing protects her from being like

1346
01:13:33,880 --> 01:13:36,880
Speaker 1: he can't really follow her. She has enough time to

1347
01:13:37,000 --> 01:13:40,080
Speaker 1: escape because of the design. That's feminism. Now let's go

1348
01:13:40,160 --> 01:13:43,559
Speaker 1: in that direction. I say why, and this is why

1349
01:13:43,600 --> 01:13:45,519
Speaker 1: these insults want to kill us, because we have ideas

1350
01:13:45,520 --> 01:13:53,000
Speaker 1: like this. Seriously, like these birds, they have to cut incredible.

1351
01:13:53,240 --> 01:13:56,120
Speaker 1: I love that. Wait, I want to I know more.

1352
01:13:56,280 --> 01:13:59,280
Speaker 1: There's a spider species where, you know, because the women

1353
01:13:59,280 --> 01:14:02,959
Speaker 1: are like large keeping the women and not like females.

1354
01:14:03,600 --> 01:14:08,719
Speaker 1: I like, so the little men ones um are they

1355
01:14:09,120 --> 01:14:11,679
Speaker 1: do this thing where they first of all, they shoot

1356
01:14:11,720 --> 01:14:14,360
Speaker 1: spiderweb around their legs, so there's a kind of bondage

1357
01:14:14,360 --> 01:14:18,080
Speaker 1: element to it so that the women can't immediately bite

1358
01:14:18,080 --> 01:14:19,439
Speaker 1: their heads off, which is what they will do with

1359
01:14:19,520 --> 01:14:23,680
Speaker 1: A malee just approaches, but first he ties her legs up,

1360
01:14:23,720 --> 01:14:27,120
Speaker 1: which seems bad. But then they go down on the

1361
01:14:27,120 --> 01:14:30,479
Speaker 1: women for up to an hour. Whoa because if he

1362
01:14:30,680 --> 01:14:33,439
Speaker 1: if they do it well enough, then she'll be too

1363
01:14:33,439 --> 01:14:35,840
Speaker 1: tired and drowsy to bite his head off. He can

1364
01:14:35,880 --> 01:14:38,920
Speaker 1: get close enough, he can get close enough to shoot

1365
01:14:38,960 --> 01:14:41,519
Speaker 1: his load, and then she'll be like kind of drowsy

1366
01:14:41,600 --> 01:14:42,960
Speaker 1: from it and she won't buy his head off and

1367
01:14:42,960 --> 01:14:45,800
Speaker 1: he can get away or at least they usually still die,

1368
01:14:45,880 --> 01:14:48,160
Speaker 1: but at least he can get a seat in before

1369
01:14:48,360 --> 01:14:52,720
Speaker 1: she's able to get his head off. That is incredible. See, man,

1370
01:14:53,400 --> 01:14:56,400
Speaker 1: what have we done as humans all wrong? I'm the

1371
01:14:56,400 --> 01:15:00,200
Speaker 1: one who's like putting on makeup and like aman, no,

1372
01:15:00,439 --> 01:15:03,040
Speaker 1: we have to unionize. Yeah, we have to I mean,

1373
01:15:03,040 --> 01:15:05,320
Speaker 1: we have to have some of the good I just

1374
01:15:05,320 --> 01:15:07,120
Speaker 1: want to have good sex once in my life and

1375
01:15:07,200 --> 01:15:10,760
Speaker 1: don't try. I mean, I've heard Lesbian's joke about this

1376
01:15:10,880 --> 01:15:13,519
Speaker 1: and like tod those like, Honestly, maybe we do need

1377
01:15:13,560 --> 01:15:17,200
Speaker 1: to do some training camps for men. I mean, like

1378
01:15:17,240 --> 01:15:22,799
Speaker 1: the conversion therapy camps make it how sting and tonguing damps,

1379
01:15:22,920 --> 01:15:26,040
Speaker 1: like the oral and manual skills really need to be

1380
01:15:26,160 --> 01:15:29,040
Speaker 1: educating these straight men because I don't realize how good

1381
01:15:29,080 --> 01:15:32,799
Speaker 1: a sex I was there, you know every time, because

1382
01:15:32,960 --> 01:15:36,320
Speaker 1: I like have considered dating men and never and straight

1383
01:15:36,360 --> 01:15:38,240
Speaker 1: women every time I mentioned it are just like, don't

1384
01:15:38,280 --> 01:15:40,559
Speaker 1: why would you even? It's not worth it. You'll get

1385
01:15:40,560 --> 01:15:46,360
Speaker 1: nothing out of that. So it's a recommend we've got

1386
01:15:46,360 --> 01:15:50,559
Speaker 1: to wrap up pretty. This movie is so bad, it's wretched.

1387
01:15:50,880 --> 01:15:53,160
Speaker 1: Uh the other thing you want to talk about? Yeah,

1388
01:15:53,200 --> 01:15:55,200
Speaker 1: I don't even if I did, I don't want to

1389
01:15:55,240 --> 01:15:58,440
Speaker 1: talk about this movie anymore. This movie is very it's exhausting.

1390
01:15:58,479 --> 01:16:00,639
Speaker 1: It's bad in every way a movie can dad so

1391
01:16:01,840 --> 01:16:05,960
Speaker 1: I know, and everywhere beautiful. Uh. Oh. The one quick

1392
01:16:06,360 --> 01:16:08,920
Speaker 1: person I wanted to bring up was the absurdity of

1393
01:16:09,160 --> 01:16:13,400
Speaker 1: bagel boy. Um. Bagel Boy that was one of the

1394
01:16:13,479 --> 01:16:18,320
Speaker 1: because he is he somehow has like the misogynist tea

1395
01:16:18,600 --> 01:16:23,040
Speaker 1: on every woman in San Francisco, knows everything about every woman.

1396
01:16:23,360 --> 01:16:26,080
Speaker 1: As he's setting up these bagels, which is his job

1397
01:16:26,280 --> 01:16:29,360
Speaker 1: to go into this tech company and put five bagels

1398
01:16:29,360 --> 01:16:33,080
Speaker 1: on a bagel stand and leave, he does it. He

1399
01:16:33,120 --> 01:16:36,519
Speaker 1: talks about fucking a woman and he'll go so there's

1400
01:16:36,520 --> 01:16:38,479
Speaker 1: always a match on action when he goes, fuck her,

1401
01:16:38,600 --> 01:16:42,040
Speaker 1: fuck her, fuck her, slamming a bagel onto the holder,

1402
01:16:42,520 --> 01:16:45,920
Speaker 1: and that's over the top. It's edited, and I'm sure

1403
01:16:45,960 --> 01:16:48,280
Speaker 1: this is done on purpose, but it's so jarring. When

1404
01:16:48,280 --> 01:16:51,439
Speaker 1: he's placing the bagels, it's edited to be so loud

1405
01:16:52,160 --> 01:16:54,679
Speaker 1: where he's just like, yeah, you know, so I sucked

1406
01:16:54,720 --> 01:16:58,519
Speaker 1: during her hole that it's like this loud, like steel

1407
01:16:58,680 --> 01:17:06,800
Speaker 1: sounding bagel hit. It's oh god, bagel boy canceled. Yeah, well,

1408
01:17:07,560 --> 01:17:09,840
Speaker 1: oh my god. This this is just such a piece

1409
01:17:09,840 --> 01:17:12,559
Speaker 1: of so people probably we should just no one should

1410
01:17:12,560 --> 01:17:15,080
Speaker 1: ever watch this. Yeah, do not not even as a

1411
01:17:15,160 --> 01:17:18,400
Speaker 1: hate watch. It's just it's it's draining. Maybe watch the

1412
01:17:18,439 --> 01:17:20,920
Speaker 1: sex scene. Yeah, the sex. The sex scene is on

1413
01:17:20,960 --> 01:17:24,840
Speaker 1: YouTube's keep the rest. You should have your listeners tell

1414
01:17:24,880 --> 01:17:26,320
Speaker 1: you if they like that sex scene. He's like, I can't.

1415
01:17:26,479 --> 01:17:29,320
Speaker 1: I don't understand why it's top ten worst just a

1416
01:17:29,400 --> 01:17:34,280
Speaker 1: list made by a man. Yeah, yeah, a man doesn't

1417
01:17:34,320 --> 01:17:36,439
Speaker 1: come and a woman does. Yeah, this is a goose

1418
01:17:36,479 --> 01:17:41,360
Speaker 1: sex scene. I've ever seen flowers and I thought, I

1419
01:17:41,439 --> 01:17:43,559
Speaker 1: truly the more we're talking about them like that was

1420
01:17:43,640 --> 01:17:46,800
Speaker 1: I was on board for that. And you never get

1421
01:17:46,800 --> 01:17:50,960
Speaker 1: to see women come on screen ever, true, so that

1422
01:17:51,240 --> 01:17:54,640
Speaker 1: at least there's that. Also, you know, everyone involved in

1423
01:17:54,680 --> 01:17:58,280
Speaker 1: this movie was a man. Cannot find I hope, so

1424
01:17:58,360 --> 01:18:00,240
Speaker 1: I was. I was like, if a woman wrote on this,

1425
01:18:00,360 --> 01:18:02,120
Speaker 1: I don't want to know about it. I know, just

1426
01:18:02,160 --> 01:18:03,719
Speaker 1: I was like, is this going to be yet another

1427
01:18:03,840 --> 01:18:09,559
Speaker 1: Catherine Bigelow betrayal of her gender? No? It was directed

1428
01:18:09,560 --> 01:18:11,920
Speaker 1: by a man, produced by men, written by a man,

1429
01:18:12,840 --> 01:18:17,760
Speaker 1: composed cinematography everything is I'm not, and distributed by Miramax.

1430
01:18:17,800 --> 01:18:21,120
Speaker 1: So you know, just rapist top to bottom. I'm not

1431
01:18:21,160 --> 01:18:26,160
Speaker 1: implying everyone who worked on this movie was the last

1432
01:18:26,160 --> 01:18:27,880
Speaker 1: thing I guess I had to say about it. It's like,

1433
01:18:28,080 --> 01:18:31,000
Speaker 1: technically the temptation in this movie is supposed to be sex,

1434
01:18:31,320 --> 01:18:35,240
Speaker 1: but the movie completely conflates sex with women like they

1435
01:18:35,360 --> 01:18:37,800
Speaker 1: treat them like they're the same thing. So women are

1436
01:18:37,920 --> 01:18:41,799
Speaker 1: the temptation and they like embody the temptation of sex

1437
01:18:42,200 --> 01:18:45,080
Speaker 1: and nothing else. I'm go go. We didn't even talk

1438
01:18:45,080 --> 01:18:47,519
Speaker 1: about that scene where it's like, I think his last

1439
01:18:47,600 --> 01:18:50,160
Speaker 1: day or next to his last day of his vow

1440
01:18:50,320 --> 01:18:53,960
Speaker 1: and he's just like seeing naked women all over the street.

1441
01:18:53,960 --> 01:18:56,200
Speaker 1: You see all these topless women. There's so much like

1442
01:18:56,320 --> 01:19:00,240
Speaker 1: male game cinematography in this movie, and it's just like,

1443
01:19:00,360 --> 01:19:02,559
Speaker 1: are you fine? But it was filmed like a nightmare

1444
01:19:02,640 --> 01:19:05,200
Speaker 1: secret Yeah it was. He was like running through the

1445
01:19:05,200 --> 01:19:08,040
Speaker 1: city like there are too many titties. I also think

1446
01:19:08,080 --> 01:19:10,840
Speaker 1: that if The Boom World were made today, it would

1447
01:19:10,840 --> 01:19:13,880
Speaker 1: be asked world. That's just myne I think that there

1448
01:19:14,120 --> 01:19:20,920
Speaker 1: it would be poorly rendered as let everyone baby, Hey,

1449
01:19:20,960 --> 01:19:24,960
Speaker 1: this movie passes the back to test, sure doesn't um.

1450
01:19:25,000 --> 01:19:29,400
Speaker 1: There are women talking in it, However, they're always talking

1451
01:19:29,439 --> 01:19:32,439
Speaker 1: about Matt and his sex life. There are I counted

1452
01:19:32,600 --> 01:19:37,360
Speaker 1: five different conversations between Erica and Maggie jellen Hall's character,

1453
01:19:37,400 --> 01:19:39,559
Speaker 1: who's I don't know if we've learned her name ever,

1454
01:19:39,880 --> 01:19:43,719
Speaker 1: but they talked five different times about Matt. Every single time,

1455
01:19:43,720 --> 01:19:46,280
Speaker 1: it's always like, oh, you met this guy? Oh he

1456
01:19:46,360 --> 01:19:50,080
Speaker 1: gave you high five. Oh he gave you an orgasm.

1457
01:19:50,080 --> 01:19:53,160
Speaker 1: Oh it's your first time. Oh he brought you a gift.

1458
01:19:53,479 --> 01:19:57,200
Speaker 1: Jellan Hall is a fucking plot machine. And the only

1459
01:19:57,200 --> 01:20:00,759
Speaker 1: reason we know anything about Erica at all is because

1460
01:20:00,760 --> 01:20:04,639
Speaker 1: the cyber nanny job is a plot element to get

1461
01:20:04,640 --> 01:20:06,479
Speaker 1: her to be mad at him, because that's how she

1462
01:20:06,560 --> 01:20:07,960
Speaker 1: learns about it. Otherwise I don't think we would have

1463
01:20:08,000 --> 01:20:11,080
Speaker 1: learned about So the one fact that we know about

1464
01:20:11,120 --> 01:20:14,160
Speaker 1: her in their journey to being in love is this

1465
01:20:14,280 --> 01:20:17,000
Speaker 1: job that is only a plot device. I bet that that,

1466
01:20:17,080 --> 01:20:20,240
Speaker 1: like in the writing of the movie, that cyber nanny

1467
01:20:20,280 --> 01:20:22,439
Speaker 1: thing was added in later when they're like, oh, how

1468
01:20:22,479 --> 01:20:27,080
Speaker 1: would she find out? Oh, this would make men internet. Also,

1469
01:20:27,760 --> 01:20:30,519
Speaker 1: this is also the same director as Heather's Yes, I

1470
01:20:30,600 --> 01:20:36,439
Speaker 1: saw that. Well, let's fred it on our nipple scale. Nipples. Uh,

1471
01:20:36,720 --> 01:20:41,920
Speaker 1: this gets like negative nipples and forty asked cheeks. We're

1472
01:20:41,920 --> 01:20:46,080
Speaker 1: petting asked checks into the I'm gonna do negative forty

1473
01:20:46,160 --> 01:20:50,839
Speaker 1: nipples forty butts because that trips off the tongue for pimples.

1474
01:20:50,880 --> 01:20:57,519
Speaker 1: Forty nipples and forty is my reboot. Very White movie

1475
01:20:58,280 --> 01:21:03,080
Speaker 1: takes place in San Francisco, and yet everyone is white.

1476
01:21:03,680 --> 01:21:07,639
Speaker 1: There's like a couple. I think she that actress, Um,

1477
01:21:08,080 --> 01:21:14,360
Speaker 1: Shannon Sesamon is mixed. I know she's at least partially Filipino. Um,

1478
01:21:14,439 --> 01:21:17,639
Speaker 1: but she was hot. We would never find out enough

1479
01:21:17,680 --> 01:21:22,000
Speaker 1: about Eric. She's sing something else, She's in Rules of Attraction,

1480
01:21:22,120 --> 01:21:24,240
Speaker 1: She's in A Night's Tale, She's in a bunch of

1481
01:21:24,240 --> 01:21:27,320
Speaker 1: movies right around this time. And then I was never

1482
01:21:27,360 --> 01:21:29,840
Speaker 1: seen from or heard from again. This was probably the

1483
01:21:29,920 --> 01:21:34,760
Speaker 1: last straw. I can't do this anymore. But yeah, very

1484
01:21:34,960 --> 01:21:39,160
Speaker 1: very white, very hetero movie, and um yeah, everything about it,

1485
01:21:39,240 --> 01:21:44,320
Speaker 1: every fucking last moment of this movie is a disaster. Well, Ariel,

1486
01:21:44,360 --> 01:21:48,479
Speaker 1: thank you so much for joining us. Uh sorry again

1487
01:21:48,560 --> 01:21:55,000
Speaker 1: for having made you watch this movie. But then I

1488
01:21:54,080 --> 01:21:56,840
Speaker 1: know where can people follow you online? Is there anything

1489
01:21:56,880 --> 01:21:59,439
Speaker 1: you would like to plug? Yeah, I mean listen to mine.

1490
01:21:59,479 --> 01:22:01,960
Speaker 1: If you like podcast, maybe listen to my podcast. It's

1491
01:22:01,960 --> 01:22:04,920
Speaker 1: called Gender Fluids and it's about sex and gender. But

1492
01:22:05,360 --> 01:22:08,240
Speaker 1: my podcast co host is a trans chit comedian Austin

1493
01:22:08,320 --> 01:22:11,240
Speaker 1: Smart and um, she and I are the most disgusting

1494
01:22:11,360 --> 01:22:14,200
Speaker 1: comics in Austin. And then we started a podcast together

1495
01:22:14,240 --> 01:22:16,400
Speaker 1: where we talk about all kinds of gender and sex. Stuff,

1496
01:22:16,439 --> 01:22:21,320
Speaker 1: but don't listen if you're easily offended. Amazing, and then

1497
01:22:21,360 --> 01:22:23,760
Speaker 1: you know you can go to aerial Isaac Norman dot

1498
01:22:23,840 --> 01:22:26,640
Speaker 1: com a R I E. L Ly I put up

1499
01:22:26,640 --> 01:22:29,720
Speaker 1: my shows and anything that I'm doing in Austin. I

1500
01:22:29,760 --> 01:22:32,679
Speaker 1: have a show called off Script that is the third

1501
01:22:32,720 --> 01:22:35,679
Speaker 1: Saturday of every month at the Fallout Theater and it's

1502
01:22:35,840 --> 01:22:38,360
Speaker 1: it's just this show where we do stand up but

1503
01:22:38,439 --> 01:22:41,200
Speaker 1: the audience is encouraged to heckel and I give out

1504
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Speaker 1: prizes to people who are funny at it, and it's

1505
01:22:44,080 --> 01:22:45,880
Speaker 1: we create and some people are like, oh, is it mean?

1506
01:22:45,920 --> 01:22:48,519
Speaker 1: And I'm like, well, some people are mean, but I

1507
01:22:48,600 --> 01:22:50,519
Speaker 1: usually kind of like just make fun of them, and

1508
01:22:50,560 --> 01:22:52,160
Speaker 1: it's we try to make it into more of an

1509
01:22:52,160 --> 01:22:56,639
Speaker 1: interactive just a fun time. But on so Austin Bechtel heads,

1510
01:22:56,680 --> 01:23:00,320
Speaker 1: go check out the show. Check it out. Yeah. You

1511
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Speaker 1: can follow me on Twitter at poop tampon and is

1512
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Speaker 1: that real? Hell? Yeah? Can you believe no one had

1513
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Speaker 1: taken that? Incredible a victory for the culture. Amazing. You

1514
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Speaker 1: can follow us. Unfortunately, our handle is not poop tampon

1515
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Speaker 1: because it was taken. You took it, but you can't

1516
01:23:19,439 --> 01:23:23,479
Speaker 1: follow us at bachtel Cast on all the platforms. Uh

1517
01:23:23,800 --> 01:23:27,599
Speaker 1: Patreon slash Matreon. Go to patreon dot com slash beachtel

1518
01:23:27,640 --> 01:23:31,120
Speaker 1: Cast and sign up for our Matreon. It's five dollars

1519
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Speaker 1: a month and you get too bonus episodes every single month.

1520
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Speaker 1: Uh t public for all of our merch are awesome designs,

1521
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Speaker 1: feminist icon rise with the matriarchy except that ship. Get

1522
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Speaker 1: that at t public dot com. Slash the bachtel Cast

1523
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Speaker 1: and resume fucking yeah, yeah, finally, Okay, yeah, let's finally

1524
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Speaker 1: let's go fuck yeah. Bust our nut, bust those nuts,

1525
01:23:55,960 --> 01:23:59,320
Speaker 1: bust my own nuts. Yeah, I'm the same. I'm gonna

1526
01:23:59,360 --> 01:24:01,280
Speaker 1: bust my own Let's get out of here. We're gonna

1527
01:24:01,320 --> 01:24:02,880
Speaker 1: go masturbate, all right. Bye