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Speaker 1: Hey, everybody, Danielle here. My sound for this week's episode

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Speaker 1: is a little bit off. Not you, it's me. It's technical,

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Speaker 1: and uh, next week it'll be better. Thanks.

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Speaker 2: Hey everyone, welcome to another episode of I Saw What

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Speaker 2: You Did. My name is Millie to Cheriko.

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Speaker 3: And I'm Baba Yaga.

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Speaker 4: Mama Yaga, Baba Yaga, I'm Danielle and Baba Yaga.

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Speaker 2: I go buy both. So what's up, baba? Where have

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Speaker 2: you been up to?

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Speaker 4: I want to I want to apologize for last week's episode.

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Speaker 3: I listen to it. I listen to it. We usually just.

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Speaker 4: To let listeners know if we record the episode and

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Speaker 4: then we listen to it and make edits if we

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Speaker 4: want to edit things or whatever.

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Speaker 3: I was so hopped up on caffeine last week.

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Speaker 4: It was impossible to even edit meet sound like a

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Speaker 4: normal person because I just did not shut up. I

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Speaker 4: talked throughout that fucking episode.

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Speaker 3: I sound insane.

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Speaker 2: Look, they don't know this, but we switched from recording

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Speaker 2: at night to recording in the morning. Yes, and the

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Speaker 2: coffee is fucking fresh, and apparently it was too fresh.

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Speaker 4: I thought, hey, you know what, it's morning, We're having coffee.

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Speaker 4: It'll be fine because usually in the morning when I

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Speaker 4: have coffee, I then just don't talk to anybody for hours,

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Speaker 4: and I just have to keep all that energy inside

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Speaker 4: to get done when I need to get done.

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Speaker 3: Sure, and it just kind of fuels my day.

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Speaker 4: There's no time of day where I can have coffee

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Speaker 4: and we're recording, not at night, not in the afternoon,

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Speaker 4: not in the morning.

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Speaker 3: I sound insane.

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Speaker 2: No, I actually thought it was fun.

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Speaker 3: You were also hot up on caffee.

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Speaker 2: Very true, very true. I think it's interesting that you

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Speaker 2: are apologizing, and I'm not should I say apologizing right now?

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Speaker 3: Well, because you don't sound nuts.

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Speaker 2: No, I am going to disagree with you there. I

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Speaker 2: definitely soundless all the time, twenty four hours a day.

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Speaker 3: Hot bands was something else. Hot bands came from just

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Speaker 3: the depths.

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Speaker 2: But here's the thing about the hot bands, and here's

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Speaker 2: the thing about the goblin, the whole thing. I probably

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Speaker 2: would have remembered that it was called a sleeve, but

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Speaker 2: I was so shocked that my brain was just racing

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Speaker 2: and I couldn't like really think of the term, and

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Speaker 2: I just said hot band. You know, maybe that's what happened.

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Speaker 3: It was glorious.

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Speaker 4: I loved everything that happened in the beginning of the episode.

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Speaker 4: And but then once we started talking about movies, I

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Speaker 4: was like, Danielle, shut up, shut up, shut up, shut up, Danielle.

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Speaker 4: How about maybe now is when you don't talk, it's

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Speaker 4: not even your movie don't talk.

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Speaker 2: Look, I could barely remember the movies that we did

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Speaker 2: because all I remember is that we covered a lot

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Speaker 2: of topics in that intro.

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Speaker 3: We go on a lot of ground.

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Speaker 4: And you know what, now that you say that maybe

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Speaker 4: we should only drink coffee when we record and just

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Speaker 4: see what happens, We'll just roll the dice every week.

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Speaker 2: Look, you know that we're fans of reverse psychology on

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Speaker 2: this podcast because you're always like, I want you to

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Speaker 2: move in with me, So do the thing that will

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Speaker 2: cause you to be in financial ruins, so you will

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Speaker 2: have to move here. Right, So it's the reverse psychology

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Speaker 2: of things, right, So maybe that's it. Maybe is if

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Speaker 2: we reverse the thing and say, actually, let's start doing coke.

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Speaker 3: Like, let's just start doing coke hallucinogenics.

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Speaker 4: Let's just start every episode drop an acid and just

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Speaker 4: see what happens.

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Speaker 2: Man, I personally think that we are as close to

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Speaker 2: being on cocaine as we probably ever have been totally

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Speaker 2: because I've opped, I've opped my dosage over the years,

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Speaker 2: have you.

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Speaker 3: Oh completely, yeah, completely. I could comfortably drink coffee all

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Speaker 3: day long.

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Speaker 4: Now, yeah, whereas when I started, I'm like, oh, like

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Speaker 4: one little tea coffee is enough.

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Speaker 3: I could drink coffee from like the time I wake

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Speaker 3: up till the time I go to bed.

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Speaker 4: But it has such disastrously negative impact on my life

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Speaker 4: if I do that, because I can't sleep.

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Speaker 3: My mind is racing all day.

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Speaker 4: I talk NonStop, like I'm just I'm ruining friendships out here.

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Speaker 4: I'm like, I cannot, I can't do it, but I could.

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Speaker 4: I have the fortitude to do it, but I know

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Speaker 4: that I shouldn't. But I have up to that coffee

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Speaker 4: dosage so much. And then you hear people like has

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Speaker 4: this ever happened you were? You have a friend who's

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Speaker 4: just like, I've given up coffee, like I only do

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Speaker 4: caffeine pills now.

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Speaker 2: Yeah.

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Speaker 3: I've had like like three.

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Speaker 4: People say that to me in the last year, where

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Speaker 4: they're like, I had to wean myself off a coffee,

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Speaker 4: so I started doing caffeine pills, And I'm like, why

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Speaker 4: not just.

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Speaker 3: Have the coffee.

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Speaker 2: What caffeine pills? Yes, Jesse Spano from Say by the

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Speaker 2: Bell Style.

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Speaker 3: Yes, girl, no one has learned that lesson.

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Speaker 2: Okay, caffeine pills are a no for me dog. Here's why.

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Speaker 2: Taste of coffee is delicious, thank you. The ritual of

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Speaker 2: drinking coffee is delicious. There's a whole culture around it.

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Speaker 2: A caffeine pill is so like eighties aerobics instructor, like, no,

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Speaker 2: we like the savor. Yeah, the coffee taste, right, Why

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Speaker 2: would we replace that with a pill?

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Speaker 4: I love the ritual, I love the taste. I'm not

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Speaker 4: getting the right dosage on a caffeine pill. How many

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Speaker 4: caffeine pills do you have to take for you? Like?

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Speaker 4: That's the spot where I'm like productive but not over

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Speaker 4: the top.

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Speaker 3: Like I can't. I don't have that kind of time

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Speaker 3: to do that kind of science.

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Speaker 2: Now truly do a cocaine at that moment? Okay, that's

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Speaker 2: what I'm saying. Who even makes caffeine pills? Are you

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Speaker 2: talking about like truck or speed? Are you talking about

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Speaker 2: like packets of stuff you get at the gas station.

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Speaker 3: I haven't looked into it because I personally would never

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Speaker 3: do it. I think it's like.

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Speaker 4: A bottle of vitamin style pills, but they're caffeine.

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Speaker 2: Wow, okay, cause I'm like, who makes caffeine pills? Is

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Speaker 2: it like advil? Or like you know whoever? Like is

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Speaker 2: it like a company?

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Speaker 4: I just say that, I absolutely love that your mind

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Speaker 4: instantly went to is this some trucker packet caffee pill?

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Speaker 4: You instantly went to illegal off market drugs?

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Speaker 3: And I love it.

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Speaker 2: Listen, I guess I'm from the South and that's where

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Speaker 2: my mind went, is trucker speed. But now I'm thinking, like,

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Speaker 2: who who makes a prescription or an over the counter

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Speaker 2: caffeine pill?

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Speaker 4: Never want to find out because we love coffee and

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Speaker 4: it's fine, Yeah, I never want to find out. I've

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Speaker 4: just taken so much out of my life that I'm

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Speaker 4: unwilling to take coffee out of my life.

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Speaker 2: I know that there will be a day when, like someone,

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Speaker 2: a doctor perhaps, will tell me to stop drinking so

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Speaker 2: much coffee, and in fact they probably have done it already,

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Speaker 2: and I've ignored their advice. I could never not drink it.

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Speaker 2: I would rather drink decafah than not drink coffee at all.

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Speaker 2: Take a caffeine pill, which is so weird. And I'm

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Speaker 2: sorry to your friends who I'm slightly making fun of

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Speaker 2: right now for taking a caffeine pill instead of drinking

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Speaker 2: coffee or doing cocaine.

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Speaker 3: I just love the advice of, like I'm from the South,

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Speaker 3: to just do cocaine.

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Speaker 2: Listen, I'm not really saying you should do a cocaine

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Speaker 2: instead of doing caffeine pills. I mean, do whatever you want, Okay,

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Speaker 2: do whatever you want, just be smart about it. But

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Speaker 2: I'm just saying that, like caffeine pills in lieu of

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Speaker 2: coffee is so weird to me.

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Speaker 3: I know, and there are legit reasons. Some people have

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Speaker 3: legit reasons.

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Speaker 4: Of the people who have told me they have done

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Speaker 4: this switch, three people have told me, all of them

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Speaker 4: la based that they have switched to caffeine pills.

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Speaker 3: So there's something going on in the water for sure.

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Speaker 4: Of those three, only one of them, my friend Dan,

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Speaker 4: makes sense to me where he was doing like an

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Speaker 4: overall health change and got like major headaches when he

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Speaker 4: stopped drinking coffee. Okay, so he used it as a

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Speaker 4: way to wean himself off of coffee. The other two

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Speaker 4: were just like a straight up replacement, and that's when

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Speaker 4: the Baba Yaga came out and I was like, what

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Speaker 4: are you doing?

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Speaker 2: Well? Look far being for me to begrudge anybody of

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Speaker 2: their supplements, right.

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Speaker 3: I will be grudge. I will be grudge your suppleman.

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Speaker 2: I'm just so pro coffee, yeah that I'm like, I mean,

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Speaker 2: I understand people not drinking it at all. Yeah, I

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Speaker 2: even understand people that do the thing. Or it's like

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Speaker 2: I'm switching to tea wonderful, we love it.

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Speaker 3: I drank tea, any caffeine, any caffeine.

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Speaker 4: Aside with tea, diet coke, I don't care give it

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Speaker 4: to me.

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Speaker 2: The only thing I don't drink is red Bull.

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Speaker 3: You don't drink I can't fuck with that. But that's

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Speaker 3: like a whole other level.

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Speaker 2: Yeah, when it comes to like the sport drink stuff

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Speaker 2: that looks like diamond tap type stuff, I can't do that.

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Speaker 2: I'm an old school dragon breath ass fucking coffee drinker.

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Speaker 4: Well, speaking of dragon breath, part of the reason I

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Speaker 4: can't do those drinks like I have as you know,

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Speaker 4: a lot of people in my house right now working

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Speaker 4: and they leave these cans.

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Speaker 3: Of stuff all over the place. Those cans smell so

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Speaker 3: bad that I truly can't imagine putting that liquid in

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Speaker 3: my body. They smell like rans and toast.

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Speaker 2: Also, okay, this is we might be going on a

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Speaker 2: road here. Can we talk about the design of those

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Speaker 2: types of drinks.

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Speaker 3: It's awful.

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Speaker 2: It is not attractive design.

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Speaker 4: No, it's like green and orange with a big old

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Speaker 4: claw mark through it. Yes, everything looks like like it's

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Speaker 4: gonna rip you the fuck up from the inside out.

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Speaker 4: And I'm like, why am I putting that in? If

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Speaker 4: coffee was marketed that way, I wouldn't drink coffee.

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Speaker 2: Yeah, it's like the design elements from like Tea to

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Speaker 2: Judgment Day. Yes, you know, so it's like robotic but

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Speaker 2: also predatory animals mixed in there. The design is like

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Speaker 2: something bursting through the can, so like a claw or

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Speaker 2: like a punch, or like a robot's fucking fist, or

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Speaker 2: like an excavator or something. So it's like it's very

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Speaker 2: aggressive to me.

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Speaker 4: Well, it's basically like the people who used to design

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Speaker 4: trapper keepers now design energy drink cans.

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Speaker 3: They just moved it over without changing any of the designs.

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Speaker 2: Look, it's not even Lisa frank shit though. No, it's

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Speaker 2: not even like busy repeating elements. It's not even that,

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Speaker 2: it's just truly like a psycho is locked inside of

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Speaker 2: this can and when you open it, it explodes out

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Speaker 2: of the can and it'll hit you in the fucking face.

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Speaker 3: There's always like a camouflage element to the can.

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Speaker 4: Yeah, like we're gonna be some person about the fact

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Speaker 4: that this is gonna fucking punch your guffs up.

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Speaker 2: Look, I gotta I gotta tell you. I see this

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Speaker 2: type of design a lot within the gym world, if

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Speaker 2: you will. Oh yeah, And here's the thing, so everybody

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Speaker 2: knows that we have a deadlift. Sonny corleone going on

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Speaker 2: at I saw what you did. Meaning I'm working towards

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Speaker 2: steadlifting Sunny Corleon. Danielle will not be She'll just be

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Speaker 2: picking up her cat.

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Speaker 4: Look, I'm working towards it. I'm just not gonna be

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Speaker 4: able to lift as much of him. I'm working towards

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Speaker 4: the equity. I'm working towards fifty to fifty. But it

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Speaker 4: might just need the legs right now, we don't know.

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Speaker 4: I got a ten pound kettle bill. I used it

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Speaker 4: to hurt I put it down, and you're out here

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Speaker 4: doing like like well, I'm already deadlifting one hundred and

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Speaker 4: fifty pounds, and I'm like, okay, cool, I'm gonna try

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Speaker 4: to get there by the end of the year. But

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Speaker 4: you're so advanced at weightlifting that you might be doing

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Speaker 4: the bulk of the work.

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Speaker 3: But I'm gonna try.

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Speaker 2: Last episode, or a couple episodes ago, you were basically like,

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Speaker 2: I will watch and I will secure the excavator that

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Speaker 2: will be helping Sunny corleone down from the overhead press.

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Speaker 2: There was a whole plan in place.

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Speaker 4: I'm gonna cradle his head and like look down at

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Speaker 4: him and just be like it's okay, Like that'll be

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Speaker 4: My role is to calm him down while you're lifting

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Speaker 4: his entire your body up.

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Speaker 2: So somebody sent me a message to tell me that

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Speaker 2: they found James Cohn's actual weight on the internet. I

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Speaker 2: was shouted that that information was available. But now I

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Speaker 2: can actually visualize the goal. I'm like, okay, I'm actually

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Speaker 2: kind of close. Not gonna lie what. Oh yeah, I'm close, dude.

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Speaker 3: We've been doing this for three months. How are you close?

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Speaker 3: We have okay, I'm still taking the whole year.

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Speaker 2: Yeah, I'm close. I'm close, baby. But here here's the

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Speaker 2: problem with this. Whole endeavor too. Okay, this is something

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Speaker 2: that I forgot in the two fucking years that we've

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Speaker 2: done nothing in the world, like we were like under

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Speaker 2: fucking quarantine. I forgot that you have to eat a

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Speaker 2: shit ton of food when you work out. Yeah, and

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Speaker 2: more specifically, you have to eat a lot of protein. Okay,

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Speaker 2: Like I said before, with the energy drinks, there's a

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Speaker 2: lot of like protein supplement protein shake bar powers that

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Speaker 2: have a very similar design to energy drinks, where it

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Speaker 2: looks like like they're hammering a steel door, and it's like,

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Speaker 2: that's the protein power that you need to do a

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Speaker 2: fucking workout, right. So I was actually talking to the

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Speaker 2: woman who is the head of the class, you know,

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Speaker 2: basically the trainer who comes in and helps our women's

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Speaker 2: Barbelle class to like do our workouts, and I was like,

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Speaker 2: you know, I feel like I'm feeling a little tired

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Speaker 2: towards the end of the day and I don't know,

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Speaker 2: I want to make sure that I'm eating enough. And

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Speaker 2: then she was basically like, you gotta basically start counting

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Speaker 2: your macros, which blah blah blah. It's boring. I mean,

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Speaker 2: I don't even want to talk about it. Counting macros.

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Speaker 2: Look it up, it's bro stuff. But anyway, so I

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Speaker 2: had to start counting macros. Then I realized that I

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Speaker 2: was really like under eating protein every day, and I

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Speaker 2: was like, fuck, I gotta buy these stupid fucking supplements, right,

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Speaker 2: because how else am I gonna do this with food? Correct?

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Speaker 2: So I have bought a packet of protein powder in

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Speaker 2: the vanilla ice cream flavor. It's sitting on my counter

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Speaker 2: because I'm like, I truly don't want to fucking put

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Speaker 2: this in anything. This is gross. I don't want to

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Speaker 2: eat this shit.

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Speaker 4: This is my question, Like why go immediately to this

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Speaker 4: is what you get from hanging out in a jim

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Speaker 4: You go immediately to the like doctor claw holding like

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Speaker 4: strangling a fucking chicken packet.

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Speaker 3: You know. This is what I need is some of

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Speaker 3: this powder, Like just eat beans.

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Speaker 2: Listen. This is what I'm talking about. I'm trying the

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Speaker 2: oh natural lway, which is that I'm literally just shoving

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Speaker 2: entire grilled chicken breasts in my mouth. It's this thing

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Speaker 2: where you have to strategically fucking add or protein because

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Speaker 2: it's like, think about a day, think about a meal, right,

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Speaker 2: You're like, Okay, well I'm eating like a little bit

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Speaker 2: of this and a little bit of that. But the

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Speaker 2: amount of protein that apparently I'm eat to be like

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Speaker 2: deadlifting Sonny Corleone is a more. It's like almost double

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Speaker 2: than what I normally eat. So that invariably means that

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Speaker 2: I have to add like an actual extra chicken breast

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Speaker 2: to like a meal, like I have to add copious

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Speaker 2: amounts of extra protein, which means I'm eating I'm one

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Speaker 2: of these people that's eaten like fucking four chicken breasts

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Speaker 2: today and today. Right before we started this podcast, I

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Speaker 2: was literally driving around. I just came from class. Okay,

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Speaker 2: I had an entire grilled chicken breast that had put

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Speaker 2: in a ziplock bag, and I pulled it out of

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Speaker 2: a ziplock bag and I was eating it with my

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Speaker 2: bare fucking hands while I was driving. Like I'm sitting

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Speaker 2: there driving in town, one arm on the steering wheel

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Speaker 2: and a giant chicken breast, just eating it like it

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Speaker 2: was a patty, like a patty with no bread, no sauce, nothing, your.

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Speaker 4: Bare hand in the grill. Now, I don't know much

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Speaker 4: about food prep. I've had to take some classes when

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Speaker 4: I worked in restaurants, but it's cooked, so it's probably

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Speaker 4: not as bad. Should you be leaving chicken and plastic

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Speaker 4: badges hanging out.

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Speaker 3: In your car? Look for any amount of time? Should

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Speaker 3: you be doing that?

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Speaker 4: And then I mean, like the eating it with the

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Speaker 4: bare hands, We're gonna get there first. I just want

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Speaker 4: to say, yes, as someone who is now just pounding

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Speaker 4: chicken at any point in the day, do you have

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Speaker 4: to buy a little cooler or like a little lunch

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Speaker 4: bag or something for it?

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Speaker 2: See, this is what I mean. It's like a fucking

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Speaker 2: it's now. It's like a world because I will say

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Speaker 2: I only had the chicken out for an hour and

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Speaker 2: it's about forty something degrees here right now, so it

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Speaker 2: was like, you know, okay, maybe not complete salmonella poisoning,

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Speaker 2: right However, I didn't have time to cut it up

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Speaker 2: or anything. It was literally just a cooked chicken breast

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Speaker 2: I'd been sitting in a refrigerator. I pulled it out,

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Speaker 2: put a fucking in his ziplock back, waited an hour

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Speaker 2: until my class was over, and then just as palm

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Speaker 2: in it, just palm in the fucking whole chicken breast.

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Speaker 2: And this is like the only way that's not a

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Speaker 2: meal that's not a fucking meal. That's literally just like

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Speaker 2: I have to pound this checken breast because I won't

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Speaker 2: be able to turn on the microphone for my fucking podcast.

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Speaker 2: I won't have enough energy.

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Speaker 4: This is just the supplement to get you to the

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Speaker 4: natural supplement, to get you to the energy that you

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Speaker 4: need to just exist every day.

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Speaker 2: Correct. And I'm just like, well, if I'm not gonna

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Speaker 2: be able to hold my head up unless I pound

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Speaker 2: like twenty five hot dogs today, then maybe I should

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Speaker 2: look into this stupid powder. But I don't want to

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Speaker 2: drink the powder because it's gross. And like, I don't

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Speaker 2: know people. I know you guys got recipes and shit,

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Speaker 2: y'all are gonna send me all this stuff. It's like, oh,

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Speaker 2: but you can make like an overnight oats and put

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Speaker 2: the thing okay blah blah blah blah blah, thank you

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00:17:38,200 --> 00:17:40,920
Speaker 2: in advance. But I've tried it and it's gross. It's

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Speaker 2: always gross when you have to put fake flavored exactly shit,

356
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Speaker 2: And you know what I mean, it's gross to me.

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Speaker 2: That's just me.

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Speaker 4: I'm like you, I would go, why do you think

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00:17:49,320 --> 00:17:51,720
Speaker 4: I instantly met some beans? Because I'm like, I can't

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00:17:51,720 --> 00:17:54,199
Speaker 4: do a fake protein, yeah, comfortably.

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Speaker 3: I've never found one that's like this tastes delicious.

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00:17:57,000 --> 00:18:01,320
Speaker 4: You can trick yourself and power through some really gross food. Yeah,

363
00:18:01,359 --> 00:18:03,159
Speaker 4: but if you want to lift all one hundred and

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00:18:03,240 --> 00:18:07,680
Speaker 4: sixty six pounds of sunny corleone, you need that consistently.

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Speaker 4: And if it's gross, I don't want to spend half

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Speaker 4: of my day choking.

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Speaker 3: Down stuff that's disgusting. I just want to lift up

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Speaker 3: Jimmy Kahn in December.

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Speaker 2: I have an entire pack of muscle milk in my

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Speaker 2: refrigerator right now.

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Speaker 3: Oh, the name of that disgrosses me out.

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Speaker 2: Disgusting name, worst name in the entire fucking planet. It's

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Speaker 2: sitting there because I'm just like, I don't know. Y'all

374
00:18:30,119 --> 00:18:32,199
Speaker 2: can make this taste like coffee. You can make it

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Speaker 2: taste like delicious coffee with a little bit a half

376
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Speaker 2: and half, and I would love it. Theoretically, No, but

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00:18:39,640 --> 00:18:42,119
Speaker 2: once you actually consume it up like it tastes like

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Speaker 2: chalky chocolate. It's chalk chocolate.

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Speaker 4: And it's called muscle milk. How dare you mussel milk?

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Speaker 4: Absolutely fucking how dare you come in my house.

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Speaker 3: And call something muscle milk? The fuck out of here?

382
00:19:00,640 --> 00:19:01,359
Speaker 3: You kidding me?

383
00:19:03,359 --> 00:19:07,920
Speaker 4: Have you fucking That's like are calling the Hague? He

384
00:19:08,119 --> 00:19:11,320
Speaker 4: got escalating this. Immediately get the un on the phone.

385
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Speaker 2: Fucking word crimes.

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00:19:13,359 --> 00:19:16,000
Speaker 3: I can't disgusting muscle milk.

387
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Speaker 4: It's almost like remember when I was trying to quit

388
00:19:18,440 --> 00:19:20,320
Speaker 4: putting sugar in my coffee and you try to get

389
00:19:20,320 --> 00:19:23,000
Speaker 4: me on those nutpods. We've always talked about this on

390
00:19:23,040 --> 00:19:27,160
Speaker 4: the podcast. You gotta go back in the archives nutpods

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00:19:27,200 --> 00:19:31,320
Speaker 4: and muscle milk. The fuck out of here, people, some

392
00:19:31,520 --> 00:19:33,639
Speaker 4: nut pods in there. You can get off of milk

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Speaker 4: with some nutpods.

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Speaker 2: Who is out here? Name and shit? We want a list.

395
00:19:38,760 --> 00:19:40,120
Speaker 2: We want a list of folks.

396
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Speaker 4: People who are trying to do milk alternatives have lost

397
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Speaker 4: their fucking minds. They are so malnourished that they're like, look,

398
00:19:50,000 --> 00:19:54,920
Speaker 4: we're gonna call this one nutpods. I'm gonna build a

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Speaker 4: whole company around it. And I know you're gonna email

400
00:19:57,680 --> 00:19:59,720
Speaker 4: me and tell me they're delicious. I do not fucking care.

401
00:20:00,160 --> 00:20:00,760
Speaker 3: I don't care.

402
00:20:00,800 --> 00:20:04,280
Speaker 4: I'm not trying a nut pod and I'm not a

403
00:20:04,560 --> 00:20:05,439
Speaker 4: muscle milk.

404
00:20:05,600 --> 00:20:10,360
Speaker 2: But listen, I gotta tell you, it feels like we

405
00:20:10,440 --> 00:20:13,040
Speaker 2: have just as much caffeine flowing through our veins right

406
00:20:13,040 --> 00:20:14,879
Speaker 2: now that we did last last episode.

407
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Speaker 4: Seriously, I'm realizing it's not the caffeine, it's just it's

408
00:20:18,960 --> 00:20:21,560
Speaker 4: just us. So that's three cheers. Go get some coffee

409
00:20:22,080 --> 00:20:23,600
Speaker 4: and kick this shit off.

410
00:20:33,119 --> 00:20:35,399
Speaker 2: We need the senergy because this episode is going to

411
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Speaker 2: be fucking insane. I can already say right now we

412
00:20:39,200 --> 00:20:43,840
Speaker 2: have the funniest episode to me personally, that we've had

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Speaker 2: in a very long time.

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Speaker 3: I'm gonna agree with you there.

415
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Speaker 4: I think that we have been having fun with this

416
00:20:48,160 --> 00:20:50,639
Speaker 4: episode since we decided on the theme.

417
00:20:52,880 --> 00:20:53,520
Speaker 3: Months ago.

418
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Speaker 4: We've been really looking forward to this for a very

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Speaker 4: long time.

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Speaker 3: Now, do you want to tell them?

421
00:21:00,080 --> 00:21:04,879
Speaker 2: The theme is the theme of this episode, which I

422
00:21:05,000 --> 00:21:10,120
Speaker 2: have to say was penned by Danielle Henderson, is called

423
00:21:10,800 --> 00:21:16,440
Speaker 2: Get Out of My Arms, also.

424
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Speaker 4: Known as your typical age change movie.

425
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Speaker 2: So yeah, Usually for New Year's we do an episode

426
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Speaker 2: about it's called New Year, New Me, and it talks

427
00:21:26,800 --> 00:21:30,040
Speaker 2: about you know, like body change movies. And last year

428
00:21:30,040 --> 00:21:32,880
Speaker 2: we did Seconds and the Fly, and we didn't have

429
00:21:33,000 --> 00:21:35,000
Speaker 2: a New Year's episode this year because we were on hiatus.

430
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Speaker 2: So we were like, well, we still want to do

431
00:21:36,720 --> 00:21:39,840
Speaker 2: this theme somehow, because we wanted to do the movies

432
00:21:39,920 --> 00:21:42,679
Speaker 2: really badly, so we were like, well, how do we

433
00:21:42,720 --> 00:21:44,560
Speaker 2: do this? We're like, let's just do it, you know.

434
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Speaker 2: And then I'm like, well, what do we call it

435
00:21:46,440 --> 00:21:48,800
Speaker 2: if we're not calling it New Year, New Me? And

436
00:21:48,920 --> 00:21:54,400
Speaker 2: Danielle pipes up and just says, get out of my arms.

437
00:21:56,440 --> 00:21:58,479
Speaker 4: That's what I think about every time I watched one

438
00:21:58,480 --> 00:22:00,440
Speaker 4: of these movies, like get out in my get out

439
00:22:00,480 --> 00:22:03,080
Speaker 4: of me, get out of my body.

440
00:22:03,920 --> 00:22:06,640
Speaker 2: Well, I want to also say, this is so crazy.

441
00:22:06,680 --> 00:22:08,439
Speaker 2: I actually did not know this. I mean, people are

442
00:22:08,440 --> 00:22:10,720
Speaker 2: probably gonna be like, U, duh, why didn't you figure

443
00:22:10,760 --> 00:22:13,520
Speaker 2: this out? I actually didn't realize that in both of

444
00:22:13,560 --> 00:22:18,440
Speaker 2: our films, the person the child that is beginning at

445
00:22:18,440 --> 00:22:20,480
Speaker 2: the film, the child at the beginning of each of

446
00:22:20,520 --> 00:22:23,920
Speaker 2: our films is the same age. Yeah, and they go

447
00:22:24,080 --> 00:22:27,320
Speaker 2: forward in time to the same exact age almost right.

448
00:22:27,520 --> 00:22:30,200
Speaker 4: We think, I don't know exactly how old my person is,

449
00:22:30,240 --> 00:22:31,480
Speaker 4: but I think it's the same age.

450
00:22:31,480 --> 00:22:33,879
Speaker 3: I think they are parallel worlds.

451
00:22:33,960 --> 00:22:36,800
Speaker 2: Okay, well, in that case, I want to ask you,

452
00:22:36,920 --> 00:22:40,680
Speaker 2: I think about the young versions, right, because so both

453
00:22:40,680 --> 00:22:44,400
Speaker 2: of these movies are obviously dealing with people who are

454
00:22:44,440 --> 00:22:49,399
Speaker 2: in middle school thirteen years old middle school who want

455
00:22:49,440 --> 00:22:52,280
Speaker 2: to be older for some reason. Right, I kind of

456
00:22:52,320 --> 00:22:54,520
Speaker 2: just want to ask you, in general, what were you

457
00:22:54,680 --> 00:22:56,560
Speaker 2: like at thirteen? What were you like in middle school?

458
00:22:56,800 --> 00:22:59,200
Speaker 4: Let's just say that if there were an age change

459
00:22:59,280 --> 00:23:02,680
Speaker 4: movie where I jumped ahead in time but still had

460
00:23:03,040 --> 00:23:06,560
Speaker 4: the mentality and the affect of myself at thirteen, it

461
00:23:06,560 --> 00:23:08,600
Speaker 4: would just be a movie about a clinically depressed adult

462
00:23:09,480 --> 00:23:10,680
Speaker 4: who just wouldn't.

463
00:23:10,359 --> 00:23:11,440
Speaker 3: Get out of bed.

464
00:23:13,240 --> 00:23:17,159
Speaker 4: And hated everyone and everything. Thankfully, I will say this

465
00:23:17,200 --> 00:23:20,240
Speaker 4: about my teen self. I never went through a period

466
00:23:20,280 --> 00:23:24,280
Speaker 4: of acne. Like that's just wasn't my issue. I know

467
00:23:24,320 --> 00:23:26,040
Speaker 4: a lot of people struggle with that and their kids.

468
00:23:26,200 --> 00:23:29,399
Speaker 4: I was just awkward looking in general, so my teeth

469
00:23:29,440 --> 00:23:31,880
Speaker 4: were too big for my head. My grandma was still

470
00:23:31,880 --> 00:23:35,120
Speaker 4: doing my hair, and she insisted on using like those

471
00:23:35,160 --> 00:23:37,719
Speaker 4: pink rollers, and like she was trying to keep me

472
00:23:37,800 --> 00:23:40,040
Speaker 4: young for as long as possible, and she kept telling

473
00:23:40,080 --> 00:23:41,679
Speaker 4: me that, like, like play with your dolls and do

474
00:23:41,760 --> 00:23:43,600
Speaker 4: things like stay a kid her as long as you can.

475
00:23:44,000 --> 00:23:45,400
Speaker 3: But then I was also.

476
00:23:45,160 --> 00:23:47,919
Speaker 4: In like this teen world of like I like boys,

477
00:23:47,920 --> 00:23:50,560
Speaker 4: but none of them want to talk to me, and

478
00:23:50,800 --> 00:23:56,760
Speaker 4: I'm a foot taller than everyone else, A literal foot

479
00:23:56,880 --> 00:23:58,480
Speaker 4: taller than everyone else.

480
00:23:58,800 --> 00:24:01,080
Speaker 2: Yeah, yeah, I was just I was an.

481
00:24:00,920 --> 00:24:04,920
Speaker 4: Awkward, geeky kid, and so the mentality of that kid

482
00:24:04,960 --> 00:24:08,520
Speaker 4: would just be like not adjusting well to suddenly showing

483
00:24:08,600 --> 00:24:10,080
Speaker 4: up in somebody else's arms.

484
00:24:10,680 --> 00:24:12,359
Speaker 3: I'd be like, what's all this about?

485
00:24:14,160 --> 00:24:17,840
Speaker 2: So did you ever have like a fantasy like this

486
00:24:17,880 --> 00:24:19,840
Speaker 2: where you ever like, God, I can't wait to be thirty,

487
00:24:20,000 --> 00:24:22,359
Speaker 2: Like it's gonna be so fun to be thirty five,

488
00:24:22,520 --> 00:24:23,560
Speaker 2: and blah blah blah.

489
00:24:23,680 --> 00:24:25,879
Speaker 4: It was never like tied to a specific age. It

490
00:24:25,960 --> 00:24:27,919
Speaker 4: was for me mostly just like I can't wait to

491
00:24:27,960 --> 00:24:28,760
Speaker 4: graduate high school.

492
00:24:28,760 --> 00:24:30,959
Speaker 3: Get the fuck out of here. That's true, But beyond that,

493
00:24:30,960 --> 00:24:31,840
Speaker 3: there was no plan.

494
00:24:32,040 --> 00:24:34,280
Speaker 4: It wasn't like and then I'll be doing this job,

495
00:24:34,320 --> 00:24:35,960
Speaker 4: and then it was just like, no, the goal is

496
00:24:36,000 --> 00:24:36,880
Speaker 4: to get the fuck.

497
00:24:36,760 --> 00:24:40,840
Speaker 3: Out, get the fuck out. There was no plan beyond that.

498
00:24:40,880 --> 00:24:43,240
Speaker 4: So I couldn't think of it in terms of like ages,

499
00:24:43,640 --> 00:24:46,840
Speaker 4: because for some reason, for me, age can correlate with

500
00:24:47,040 --> 00:24:51,400
Speaker 4: like an actual status in life, right right, what about you?

501
00:24:51,800 --> 00:24:57,920
Speaker 2: I definitely wanted to be thirty five, thirty six. When

502
00:24:57,920 --> 00:24:59,920
Speaker 2: I was in middle school, I was I was kind

503
00:24:59,920 --> 00:25:02,080
Speaker 2: of jock weirdly enough, Like I mean, I know, we

504
00:25:02,200 --> 00:25:04,520
Speaker 2: just talked about weightlifting, but I played sports, like I

505
00:25:04,560 --> 00:25:07,800
Speaker 2: was definitely into softball and I played tennis. At that moment,

506
00:25:07,840 --> 00:25:11,440
Speaker 2: I think I was really trying hard to be sort

507
00:25:11,520 --> 00:25:13,560
Speaker 2: of like everybody else, because that's what I always say

508
00:25:13,560 --> 00:25:15,600
Speaker 2: about middle school that I think is a lot different

509
00:25:15,600 --> 00:25:17,600
Speaker 2: than high school for me. In middle school, I was

510
00:25:17,720 --> 00:25:21,240
Speaker 2: fully like pretending to be like a rich white person

511
00:25:21,359 --> 00:25:24,399
Speaker 2: like everybody else from my community. Like I just was

512
00:25:24,480 --> 00:25:27,879
Speaker 2: not really kind of aware of who I was. I

513
00:25:27,880 --> 00:25:30,240
Speaker 2: think I just had like a lot of like there's

514
00:25:30,280 --> 00:25:32,600
Speaker 2: always that pressure, I think in middle school because you're

515
00:25:32,680 --> 00:25:36,000
Speaker 2: just so afraid to be picked on, because middle school

516
00:25:36,240 --> 00:25:39,600
Speaker 2: teasing is like the fucking worst out of all the yeah,

517
00:25:39,680 --> 00:25:42,040
Speaker 2: all of the schools, it's the worst. I'd rather be

518
00:25:42,160 --> 00:25:44,840
Speaker 2: bullied in high school than been bullied in middle school.

519
00:25:45,280 --> 00:25:48,640
Speaker 2: And at that point, I was just sort of like, yeah,

520
00:25:48,680 --> 00:25:51,000
Speaker 2: I want to just be like all the other girls

521
00:25:51,000 --> 00:25:54,080
Speaker 2: in my middle school, and I also want to be older,

522
00:25:54,119 --> 00:25:57,280
Speaker 2: Like I wanted to be like again Melanie Griffith and

523
00:25:57,400 --> 00:26:00,560
Speaker 2: working girl. I wanted to have a job. I wanted

524
00:26:00,920 --> 00:26:04,080
Speaker 2: to watch Attitudes on Lifetime and just know it was

525
00:26:04,200 --> 00:26:06,919
Speaker 2: for me as opposed to it being for like people

526
00:26:07,080 --> 00:26:09,520
Speaker 2: you know, twice my age. I was so into it.

527
00:26:09,600 --> 00:26:12,239
Speaker 2: So when I saw both these movies, there was a

528
00:26:12,280 --> 00:26:14,360
Speaker 2: moment where I was like, duh, who would want this?

529
00:26:14,600 --> 00:26:16,760
Speaker 2: But then I have to realize that, like, there's so

530
00:26:16,760 --> 00:26:19,399
Speaker 2: many people that loved middle school and never wanted to

531
00:26:19,480 --> 00:26:21,320
Speaker 2: leave it. So I'm just curious, that's all.

532
00:26:21,440 --> 00:26:23,760
Speaker 4: But we were not those people. We were not those people. Yeah,

533
00:26:23,760 --> 00:26:26,159
Speaker 4: And I what I'm curious about with you too, is

534
00:26:26,200 --> 00:26:30,520
Speaker 4: like did being older like you? Definitely because of movies

535
00:26:30,560 --> 00:26:32,600
Speaker 4: and because of the lives that we led, and.

536
00:26:32,560 --> 00:26:33,960
Speaker 3: We were always a little bit older than.

537
00:26:33,920 --> 00:26:36,359
Speaker 4: Our years anyway, So it doesn't surprise me that, like

538
00:26:36,600 --> 00:26:40,400
Speaker 4: you thought about the aspects of having being older. Did

539
00:26:40,440 --> 00:26:42,240
Speaker 4: you think about like what your job was going to

540
00:26:42,320 --> 00:26:44,560
Speaker 4: be or who your friends.

541
00:26:44,320 --> 00:26:44,760
Speaker 3: Were going to be?

542
00:26:44,880 --> 00:26:47,000
Speaker 4: Or was it literally just like I want to sit

543
00:26:47,080 --> 00:26:51,040
Speaker 4: around and watch attitudes and wear my sneakers to the office.

544
00:26:51,080 --> 00:26:52,800
Speaker 3: I don't care what my job is. I just wanted

545
00:26:52,800 --> 00:26:54,159
Speaker 3: to like do this stuff I'm seeing.

546
00:26:54,920 --> 00:26:57,120
Speaker 2: Yeah, I think I thought I was just gonna literally

547
00:26:57,359 --> 00:27:01,479
Speaker 2: work in a dentist's office like processing paper, or I

548
00:27:01,520 --> 00:27:03,760
Speaker 2: was just gonna be somebody that worked in an office

549
00:27:03,840 --> 00:27:08,399
Speaker 2: filing things and typing things like a secretary. But you

550
00:27:08,400 --> 00:27:10,560
Speaker 2: know somebody like that worked in insurance, like some kind

551
00:27:10,600 --> 00:27:11,359
Speaker 2: of office job.

552
00:27:11,480 --> 00:27:12,119
Speaker 3: Like I love it.

553
00:27:12,200 --> 00:27:15,919
Speaker 2: I just wanted. I was so informed by that archetype

554
00:27:16,080 --> 00:27:19,080
Speaker 2: in eighties movies, just about like them. We've talked about

555
00:27:19,119 --> 00:27:20,960
Speaker 2: it before. There's a whole damn episode about it. But

556
00:27:21,000 --> 00:27:23,240
Speaker 2: it's that thing of like I wanted to wear business

557
00:27:23,240 --> 00:27:28,280
Speaker 2: clothes and easy spirit sneakers with my nude pantyhose and

558
00:27:28,359 --> 00:27:30,119
Speaker 2: just be a full on adult.

559
00:27:30,400 --> 00:27:31,480
Speaker 3: So I feel it.

560
00:27:31,760 --> 00:27:34,520
Speaker 4: I think that's why these movies are so they're always

561
00:27:34,560 --> 00:27:38,200
Speaker 4: popular when they come out, and they are like just perennial,

562
00:27:38,240 --> 00:27:40,040
Speaker 4: like there's always going to be one of these movies

563
00:27:40,040 --> 00:27:40,840
Speaker 4: for every generation.

564
00:27:41,160 --> 00:27:45,640
Speaker 2: Oh completely. And it's interesting too because with your movie

565
00:27:45,840 --> 00:27:49,560
Speaker 2: your it's almost like my movie is supposed to have

566
00:27:49,720 --> 00:27:53,359
Speaker 2: taken place at the time that your movie actually takes place.

567
00:27:53,400 --> 00:27:55,919
Speaker 2: Does that make sense, Yes, Like my movie was like

568
00:27:55,960 --> 00:27:57,879
Speaker 2: the daughter of your film or something.

569
00:27:57,920 --> 00:27:58,560
Speaker 3: It's crazy.

570
00:27:59,080 --> 00:28:01,800
Speaker 2: Yeah, your movie was an eighty seven, and at the

571
00:28:01,840 --> 00:28:04,479
Speaker 2: beginning of my movie, it's nineteen eighty seven or supposed

572
00:28:04,520 --> 00:28:07,280
Speaker 2: to have been nineteen eighty seven. So yeah, crazy, Like

573
00:28:07,280 --> 00:28:09,159
Speaker 2: I said, I'm sure somebody else figured that out much

574
00:28:09,240 --> 00:28:10,960
Speaker 2: quickly than I did, but I was like, whoa.

575
00:28:10,920 --> 00:28:13,960
Speaker 3: This is crazy. Well let's get into him. It's like

576
00:28:14,040 --> 00:28:15,560
Speaker 3: to talk about him me too.

577
00:28:15,720 --> 00:28:20,760
Speaker 2: I guess I'm going first this week. Huh you are okay? Cool? Well, look,

578
00:28:20,840 --> 00:28:23,080
Speaker 2: my film for the theme of Get Out of My

579
00:28:23,320 --> 00:28:26,080
Speaker 2: Arms is a movie from two thousand and four. It

580
00:28:26,119 --> 00:28:30,040
Speaker 2: was written by Josh Goldsmith and Kathy Yuspa and directed

581
00:28:30,040 --> 00:28:33,600
Speaker 2: by Gary Winnock. It's called thirteen going on thirty.

582
00:28:34,240 --> 00:28:36,400
Speaker 3: It's me, Jenna, Why are you here?

583
00:28:36,640 --> 00:28:39,880
Speaker 4: Yesterday was my thirteenth birthday, and today I woke up

584
00:28:39,920 --> 00:28:43,280
Speaker 4: and on this there's something really weird going on?

585
00:28:43,600 --> 00:28:46,720
Speaker 2: Well, well, well guess what we got. Here's a movie

586
00:28:46,720 --> 00:28:50,400
Speaker 2: from the two thousands. I've actually seen mark the dates.

587
00:28:50,640 --> 00:28:50,840
Speaker 4: I know.

588
00:28:50,920 --> 00:28:53,680
Speaker 2: I joke about never seeing new movies, but honestly, I

589
00:28:53,680 --> 00:28:56,000
Speaker 2: did see this one a lot. Look, some of my

590
00:28:56,000 --> 00:28:59,040
Speaker 2: closest friends don't even know this about me, but I

591
00:28:59,080 --> 00:29:03,680
Speaker 2: have seen this movie an alarming number of times. It's

592
00:29:03,680 --> 00:29:04,920
Speaker 2: definitely in the double digits.

593
00:29:05,520 --> 00:29:07,840
Speaker 3: Is it because it's always on or because you intentionally

594
00:29:07,840 --> 00:29:08,280
Speaker 3: watch it?

595
00:29:08,480 --> 00:29:11,400
Speaker 2: Yes, No, it's because it's always on. Because look, I mean,

596
00:29:11,640 --> 00:29:13,920
Speaker 2: this is one of those movies that is just on

597
00:29:14,120 --> 00:29:17,240
Speaker 2: TV so much. I mean, it plays a lot, and

598
00:29:17,440 --> 00:29:18,880
Speaker 2: when it comes down to it, this is a type

599
00:29:18,920 --> 00:29:21,800
Speaker 2: of movie. Is very easy for me to watch this movie. Okay,

600
00:29:22,280 --> 00:29:25,239
Speaker 2: there are parts of this movie where I'm definitely like

601
00:29:25,720 --> 00:29:30,360
Speaker 2: hating what is happening, but it's never enough hate that

602
00:29:30,560 --> 00:29:32,640
Speaker 2: makes me want to like turn it off. Does that

603
00:29:32,680 --> 00:29:33,200
Speaker 2: make sense?

604
00:29:33,520 --> 00:29:37,040
Speaker 3: Yeah, I get shit, it's uncomfortable. It's uncomfortable exactly.

605
00:29:37,120 --> 00:29:38,680
Speaker 2: But then there's parts of this movie that actually really

606
00:29:38,720 --> 00:29:40,720
Speaker 2: like it. I think are really funny. So it's like

607
00:29:40,760 --> 00:29:42,680
Speaker 2: that kind of middle of the road movie for me,

608
00:29:43,240 --> 00:29:46,640
Speaker 2: very easy to watch. And whoever created the idea to

609
00:29:46,760 --> 00:29:49,720
Speaker 2: play a movie that's not like this fucking masterpiece, but

610
00:29:49,760 --> 00:29:52,040
Speaker 2: it isn't like the worst thing we've ever seen. Like,

611
00:29:52,080 --> 00:29:55,080
Speaker 2: whoever decided to play those movies all day and night

612
00:29:55,240 --> 00:29:56,760
Speaker 2: is like a genius, right.

613
00:29:56,720 --> 00:29:57,400
Speaker 3: Middle of the road.

614
00:29:57,400 --> 00:29:58,800
Speaker 4: You don't have to watch it from the beginning, you

615
00:29:58,840 --> 00:30:00,400
Speaker 4: don't have to see the end. You can just watch

616
00:30:00,440 --> 00:30:03,040
Speaker 4: whatever chunk of time you want. Yes, there's not a

617
00:30:03,080 --> 00:30:06,360
Speaker 4: film creator alive who wants their movie to be viewed

618
00:30:06,400 --> 00:30:09,200
Speaker 4: that way or thought of that way, but so many

619
00:30:09,280 --> 00:30:13,720
Speaker 4: people make movies like I'm thinking twenty nine dresses. I'm

620
00:30:13,760 --> 00:30:16,600
Speaker 4: thinking in Sweet Home, Alabama. Yeah, like you can just

621
00:30:16,720 --> 00:30:18,320
Speaker 4: drop in and watch it.

622
00:30:18,640 --> 00:30:20,480
Speaker 2: Yeah, that is what I was about to say too,

623
00:30:20,560 --> 00:30:23,120
Speaker 2: Is that when I rewatched this movie, you know, I

624
00:30:23,240 --> 00:30:25,480
Speaker 2: was like, I'm not sure if I've ever seen this movie,

625
00:30:25,480 --> 00:30:29,320
Speaker 2: and it's like theatrical unedited form, Like I think I've

626
00:30:29,360 --> 00:30:32,280
Speaker 2: only seen it on TV? Is that that weird? And

627
00:30:32,320 --> 00:30:34,480
Speaker 2: then like I was like, oh my god, the opening credits.

628
00:30:34,480 --> 00:30:37,120
Speaker 2: I'm watching the opening credits. This is pretty great, like

629
00:30:37,320 --> 00:30:41,480
Speaker 2: the only world. That's a testament to how many times

630
00:30:41,520 --> 00:30:43,760
Speaker 2: I've seen this movie on TV. However, let me just

631
00:30:43,800 --> 00:30:46,760
Speaker 2: put forth a one sentence synopsis right now. A young

632
00:30:46,840 --> 00:30:50,880
Speaker 2: girl hates middle school so fucking much that somehow she

633
00:30:51,120 --> 00:30:54,320
Speaker 2: dissociates for weeks on end, believing that she is a

634
00:30:54,360 --> 00:30:55,480
Speaker 2: fully grown adult.

635
00:30:57,960 --> 00:30:58,520
Speaker 3: Beautiful.

636
00:30:58,920 --> 00:31:03,520
Speaker 2: Yes, so, like I said before, it's nineteen eighty seven.

637
00:31:04,080 --> 00:31:08,640
Speaker 2: Jenna Rink is thirteen years old. She's adorable. She loves

638
00:31:08,720 --> 00:31:13,040
Speaker 2: Rick springfielder Madonna. She loves reading this fashion magazine named Poise.

639
00:31:13,520 --> 00:31:18,080
Speaker 2: She has this best friend name Maddie who lives next door.

640
00:31:18,400 --> 00:31:22,400
Speaker 2: Maddie is into photography and punk rock. Everything seems to

641
00:31:22,440 --> 00:31:27,000
Speaker 2: be going great okay, except there's this group of popular

642
00:31:27,040 --> 00:31:29,240
Speaker 2: girls at their school. I don't even know how to

643
00:31:29,280 --> 00:31:31,720
Speaker 2: begin with this. They're called the six Chicks.

644
00:31:32,160 --> 00:31:34,680
Speaker 4: The most amazing part of this movie is how she

645
00:31:34,800 --> 00:31:37,200
Speaker 4: wants to be one and that is always like, you

646
00:31:37,280 --> 00:31:39,400
Speaker 4: can't have seven six chicks.

647
00:31:39,680 --> 00:31:44,360
Speaker 2: Yes, and also too, they know themselves as the six Chicks,

648
00:31:44,400 --> 00:31:47,040
Speaker 2: meaning they had probably a hand in calling themselves that.

649
00:31:47,360 --> 00:31:49,920
Speaker 2: And I'm just gonna tell you right now, people who

650
00:31:49,920 --> 00:31:54,160
Speaker 2: are popular that name themselves as a group can go

651
00:31:54,200 --> 00:31:54,480
Speaker 2: to hell.

652
00:31:54,680 --> 00:31:58,440
Speaker 4: Those are the people that grow up to I mean,

653
00:31:58,480 --> 00:32:00,480
Speaker 4: i'm gonna say something horrible right now, but they grow

654
00:32:00,560 --> 00:32:03,680
Speaker 4: up to like run people over at protests in Virginia.

655
00:32:03,760 --> 00:32:06,920
Speaker 3: The six Chicks are not like your cool neighborhood moms

656
00:32:07,000 --> 00:32:07,480
Speaker 3: right now.

657
00:32:08,720 --> 00:32:11,960
Speaker 2: I think it just has such a distaste for that

658
00:32:12,040 --> 00:32:15,480
Speaker 2: kind of like clicky in group shit, especially when it

659
00:32:15,520 --> 00:32:18,200
Speaker 2: comes to like popular or hot people, because it's this

660
00:32:18,280 --> 00:32:21,120
Speaker 2: whole it's this other ring, that there's there's self other ring.

661
00:32:21,280 --> 00:32:23,480
Speaker 2: They're being like, well, we're so hot and popular that

662
00:32:23,640 --> 00:32:25,960
Speaker 2: we have to call ourselves something so that everybody knows

663
00:32:26,000 --> 00:32:28,320
Speaker 2: we're like the fucking thing. And I'm like, oh, that

664
00:32:28,440 --> 00:32:32,280
Speaker 2: is so like, what kind of personality, right, fucking is that?

665
00:32:32,440 --> 00:32:34,760
Speaker 2: And how come I hate them so much?

666
00:32:36,800 --> 00:32:39,400
Speaker 4: But it's also like movies like Heathers are so brilliant

667
00:32:39,400 --> 00:32:42,600
Speaker 4: because they turn that on its head where it's like, yeah,

668
00:32:42,680 --> 00:32:45,760
Speaker 4: we're all called Heather except for Veronica, so we're not

669
00:32:45,920 --> 00:32:46,680
Speaker 4: naming ourselves.

670
00:32:46,720 --> 00:32:49,320
Speaker 3: We just so happened to be all named Heather.

671
00:32:49,640 --> 00:32:52,400
Speaker 4: And it's like it kind of takes that and exposes

672
00:32:52,520 --> 00:32:57,120
Speaker 4: the absurdity of naming your group for any reason in school.

673
00:32:57,280 --> 00:32:59,520
Speaker 2: Yeah, well, I hate the six Chicks. I'm just throw

674
00:32:59,560 --> 00:33:02,360
Speaker 2: that out. Fuck them. I don't care if they're thirteen,

675
00:33:02,440 --> 00:33:02,880
Speaker 2: fuck them.

676
00:33:03,200 --> 00:33:05,280
Speaker 3: I hate their side ponies, hate them.

677
00:33:05,880 --> 00:33:08,760
Speaker 2: I don't care if Ashley Benson and Brie Larson were

678
00:33:08,760 --> 00:33:10,880
Speaker 2: six Chicks in this film. By the way, I didn't know.

679
00:33:10,960 --> 00:33:13,640
Speaker 2: I didn't actually know this until I researched the film,

680
00:33:13,680 --> 00:33:15,640
Speaker 2: but they were a couple of the little six chicks

681
00:33:15,640 --> 00:33:17,360
Speaker 2: in this movie. And I'm like, I don't care if

682
00:33:17,400 --> 00:33:22,000
Speaker 2: they're popular, Captain Marvel, fuck it, you were a six chick.

683
00:33:21,880 --> 00:33:25,000
Speaker 3: Go to Hell Forever or just with the movie, well.

684
00:33:24,720 --> 00:33:27,520
Speaker 2: You know, just in the context of this universe. Yes,

685
00:33:27,840 --> 00:33:30,960
Speaker 2: But I hate them because they call Matt Beaver, which

686
00:33:31,000 --> 00:33:33,080
Speaker 2: really annoys the shit out of me. And then they

687
00:33:33,120 --> 00:33:35,960
Speaker 2: also like make Jenna do all their homework yeah, and

688
00:33:36,040 --> 00:33:38,200
Speaker 2: group projects, which is like the worst.

689
00:33:38,360 --> 00:33:40,360
Speaker 4: As we get more into discussing the movie, I will

690
00:33:40,400 --> 00:33:41,880
Speaker 4: I will explain this more.

691
00:33:42,320 --> 00:33:43,200
Speaker 3: I don't like Jenna.

692
00:33:43,520 --> 00:33:47,640
Speaker 4: Ooh, I don't like people who at that age are

693
00:33:47,680 --> 00:33:49,680
Speaker 4: so desperate to be part of the group that they

694
00:33:49,760 --> 00:33:50,880
Speaker 4: denigrate themselves.

695
00:33:51,040 --> 00:33:54,280
Speaker 2: Yes, I look, we're gonna talk about her choices and

696
00:33:54,360 --> 00:33:58,360
Speaker 2: her sort of evolution. Yeah, And I'm puzzled because I

697
00:33:58,400 --> 00:34:01,600
Speaker 2: think this movie is doing something really interesting in the

698
00:34:01,640 --> 00:34:04,840
Speaker 2: fantasy element part of it. But it's also like, yeah,

699
00:34:04,880 --> 00:34:06,920
Speaker 2: it's really hard to watch the beginning of this movie

700
00:34:06,960 --> 00:34:09,440
Speaker 2: because that's the thing is that Jenna is great and

701
00:34:09,480 --> 00:34:12,480
Speaker 2: Maddie's awesome, Like Maddie is one of us. Let's get serious,

702
00:34:12,480 --> 00:34:14,520
Speaker 2: And I'm kind of like, what made you want to

703
00:34:14,719 --> 00:34:17,640
Speaker 2: be those girls so badly? And what made you want

704
00:34:17,640 --> 00:34:18,680
Speaker 2: to do all this crazy shit?

705
00:34:18,880 --> 00:34:19,440
Speaker 3: Exactly?

706
00:34:19,600 --> 00:34:22,720
Speaker 2: I mean, I certainly felt the pressure of middle school.

707
00:34:22,719 --> 00:34:23,960
Speaker 2: I mean I just told you I wanted to be

708
00:34:24,080 --> 00:34:26,279
Speaker 2: rich and white and in the country music. That was

709
00:34:26,320 --> 00:34:28,200
Speaker 2: what I wanted in eighth grade. But what I have

710
00:34:28,360 --> 00:34:30,240
Speaker 2: done that, I don't.

711
00:34:30,000 --> 00:34:32,360
Speaker 3: Know, right, would you have done homework.

712
00:34:32,680 --> 00:34:35,200
Speaker 2: Yeah, or would I have just sort of like put

713
00:34:35,560 --> 00:34:39,520
Speaker 2: my friends completely out to pasture and told them to

714
00:34:39,520 --> 00:34:41,520
Speaker 2: fuck off? And just so I got a shot at

715
00:34:41,520 --> 00:34:44,440
Speaker 2: being in this group, I don't think so. But so

716
00:34:44,520 --> 00:34:47,880
Speaker 2: it's interesting. But here's the thing. So, like, the blonde

717
00:34:47,920 --> 00:34:50,840
Speaker 2: leader of the group is Lucy, who's eventually played by

718
00:34:50,920 --> 00:34:53,640
Speaker 2: Judy Greer, but the girl that played her looks exactly

719
00:34:53,680 --> 00:34:57,080
Speaker 2: like the older Judy Greer, so that's kind of amazing.

720
00:34:57,160 --> 00:34:59,080
Speaker 2: But Jenna is very much wants to be part of

721
00:34:59,080 --> 00:35:03,400
Speaker 2: this crew. So Jenna has this birthday party in her parents' basement,

722
00:35:03,640 --> 00:35:07,000
Speaker 2: and the six Shicks decide to show up with this big,

723
00:35:07,120 --> 00:35:11,680
Speaker 2: hunky jock crush from their school named Chris Grandy, and

724
00:35:11,960 --> 00:35:15,480
Speaker 2: Jenna has a big crush on him. And basically, these

725
00:35:15,880 --> 00:35:20,040
Speaker 2: little bitches show up to this party essentially to hoodwink

726
00:35:20,320 --> 00:35:23,320
Speaker 2: Jenna into doing more of their schoolwork.

727
00:35:23,480 --> 00:35:25,520
Speaker 4: They come to pick up the school work, but not

728
00:35:25,640 --> 00:35:27,440
Speaker 4: do the party part exactly.

729
00:35:27,880 --> 00:35:32,280
Speaker 2: And they show up right as Matt is downstairs cranking

730
00:35:32,360 --> 00:35:37,560
Speaker 2: some fucking talking heads and he is rocking out and

731
00:35:37,719 --> 00:35:40,560
Speaker 2: having a fucking great time to a great jam, and

732
00:35:40,719 --> 00:35:44,000
Speaker 2: the party suddenly tanks because all these popular kids are

733
00:35:44,000 --> 00:35:47,640
Speaker 2: like what talking heads is weird. But basically, Matt gives

734
00:35:47,640 --> 00:35:49,759
Speaker 2: this birthday present to Jenna because when it comes down

735
00:35:49,800 --> 00:35:52,600
Speaker 2: to it, let's get serious, Matt's in love with Jenna.

736
00:35:52,480 --> 00:35:54,680
Speaker 2: Ye how could you not be? He makes her this

737
00:35:54,800 --> 00:35:58,399
Speaker 2: giant homemade dollhouse. He made like cutouts of the two

738
00:35:58,400 --> 00:35:59,120
Speaker 2: of them in it.

739
00:35:59,120 --> 00:36:02,160
Speaker 3: It's so cute, right, and Rick Springfield on the couch.

740
00:36:02,800 --> 00:36:06,360
Speaker 2: Yes, I mean she loves Rick Springfields, as I said before,

741
00:36:06,360 --> 00:36:09,239
Speaker 2: and it's like he's just like he's so loving and

742
00:36:09,280 --> 00:36:12,520
Speaker 2: so wants to give her this like really personal, beautiful,

743
00:36:12,600 --> 00:36:16,959
Speaker 2: handmade gift. Okay, Yeah, So for whatever reason, these kids

744
00:36:16,960 --> 00:36:19,880
Speaker 2: decided to play seven Minutes in Heaven, which.

745
00:36:20,080 --> 00:36:23,439
Speaker 4: Seven Minutes in Heaven is a hate crime. I hope

746
00:36:23,520 --> 00:36:26,439
Speaker 4: kids aren't playing that game anymore. Seven Minutes in Heaven

747
00:36:26,560 --> 00:36:29,040
Speaker 4: is a fucking sex crime. It's a hate crime.

748
00:36:29,200 --> 00:36:29,720
Speaker 3: I can't.

749
00:36:29,880 --> 00:36:32,120
Speaker 2: I always thought it was, like, why is it called Heaven?

750
00:36:32,280 --> 00:36:35,000
Speaker 2: It's so not Heaven. I've played it. I've played seven

751
00:36:35,040 --> 00:36:35,680
Speaker 2: Minutes in Heaven.

752
00:36:35,760 --> 00:36:37,880
Speaker 3: I never played it once. Maybe that's why I'm so

753
00:36:38,000 --> 00:36:38,719
Speaker 3: upset about it.

754
00:36:38,800 --> 00:36:41,040
Speaker 2: No, but I'm here to tell you I played it.

755
00:36:41,200 --> 00:36:43,640
Speaker 2: I got a smooch, and I still didn't think it

756
00:36:43,680 --> 00:36:45,360
Speaker 2: was heaven. I think it's weird.

757
00:36:45,480 --> 00:36:47,040
Speaker 4: Wait, so you got a smooch and then you just

758
00:36:47,040 --> 00:36:48,600
Speaker 4: had to sit in a closet with someone for like

759
00:36:48,719 --> 00:36:49,480
Speaker 4: seven minutes.

760
00:36:49,680 --> 00:36:52,440
Speaker 2: No, I mean what I feel like, once the smooch happens,

761
00:36:52,840 --> 00:36:55,319
Speaker 2: the time it goes out the window. I think the

762
00:36:55,400 --> 00:36:58,600
Speaker 2: time requirement is like only to serve the purpose of

763
00:36:58,600 --> 00:37:01,480
Speaker 2: getting a smooch, and the smooch happens, It's like, fucky,

764
00:37:01,560 --> 00:37:03,640
Speaker 2: y'all could just leave cut the time movie.

765
00:37:04,320 --> 00:37:05,600
Speaker 3: This is fascinating.

766
00:37:05,920 --> 00:37:08,440
Speaker 4: The reason I don't like it in this movie is

767
00:37:08,480 --> 00:37:13,520
Speaker 4: because fucking Lucy, one of the Six Chicks, leads Jenna

768
00:37:13,560 --> 00:37:17,359
Speaker 4: into this closet and says that this fucking dude that she's,

769
00:37:17,400 --> 00:37:19,759
Speaker 4: this grandy dude that she has a crush on, is

770
00:37:19,800 --> 00:37:23,600
Speaker 4: going to do whatever he wants for seven minutes.

771
00:37:23,640 --> 00:37:25,040
Speaker 3: Like that's how she sets it up.

772
00:37:25,080 --> 00:37:26,759
Speaker 4: It's like, you go in this closet and then he's

773
00:37:26,760 --> 00:37:28,440
Speaker 4: gonna do whatever he wants you for seven minutes. And

774
00:37:28,480 --> 00:37:31,640
Speaker 4: I'm like, this must be stopped. This game again, much

775
00:37:31,680 --> 00:37:34,000
Speaker 4: like Muscle Milk needs to be investigated.

776
00:37:33,440 --> 00:37:34,160
Speaker 3: By the hate.

777
00:37:35,800 --> 00:37:40,000
Speaker 2: Totally true, Chris Grandy is not the one. No, and

778
00:37:40,040 --> 00:37:43,040
Speaker 2: what ends up happening is it's all a fucking trick

779
00:37:43,400 --> 00:37:45,920
Speaker 2: to make her feel bad because he doesn't go into

780
00:37:45,960 --> 00:37:49,600
Speaker 2: the closet. In fact, they fucking leave when she is

781
00:37:49,640 --> 00:37:53,920
Speaker 2: in the closet because she's blindfolded. And to add insult

782
00:37:54,000 --> 00:37:57,719
Speaker 2: to injury, they steal her fucking party food. M m

783
00:37:58,239 --> 00:38:00,120
Speaker 2: which is why I don't feel bad about calm the

784
00:38:00,200 --> 00:38:03,320
Speaker 2: bitches because they stole that she is ball or whatever

785
00:38:03,360 --> 00:38:06,040
Speaker 2: the fuck the mom prepared for this birthday party. They

786
00:38:06,120 --> 00:38:09,120
Speaker 2: stole the food. At the same time, Matt comes downstairs,

787
00:38:09,560 --> 00:38:12,440
Speaker 2: and you know, the situation is like Jenna thinks it's

788
00:38:12,520 --> 00:38:16,640
Speaker 2: Chris Grandy, Matt thinks it's Jenna wanting to hang out

789
00:38:16,680 --> 00:38:19,719
Speaker 2: with him in the closet for seven minutes, and so

790
00:38:19,760 --> 00:38:21,840
Speaker 2: he goes in there thinking, oh, maybe she wants to

791
00:38:21,840 --> 00:38:25,200
Speaker 2: smooch from me. Well, she ends up taking a blindfold off,

792
00:38:25,239 --> 00:38:28,439
Speaker 2: sees that it's Matt and is like, get the fuck

793
00:38:28,480 --> 00:38:31,680
Speaker 2: out of here. I hate you, okay, which really hurts

794
00:38:31,760 --> 00:38:34,239
Speaker 2: my feelings. Like when I saw it again, I know

795
00:38:34,520 --> 00:38:37,759
Speaker 2: every time I see it, but most like especially this time,

796
00:38:37,800 --> 00:38:41,120
Speaker 2: I was like, damn, that's fucking shitty, Like he feels

797
00:38:41,160 --> 00:38:44,640
Speaker 2: like shit right now, and he made you this damn dollhouse,

798
00:38:44,680 --> 00:38:45,879
Speaker 2: and you're just like she.

799
00:38:45,880 --> 00:38:47,160
Speaker 3: Was acting like a straight bitch.

800
00:38:48,040 --> 00:38:50,920
Speaker 4: She was also heartbroken, but I feel like they did

801
00:38:50,920 --> 00:38:53,520
Speaker 4: a good job of exemplifying both, Like both of these

802
00:38:53,560 --> 00:38:57,160
Speaker 4: kids were heartbroken for different reasons. But I don't know, man,

803
00:38:57,239 --> 00:38:59,640
Speaker 4: I just I feel for Mattie's so much, and I

804
00:38:59,680 --> 00:39:01,799
Speaker 4: just don't want like, I just don't like that she's

805
00:39:01,880 --> 00:39:06,239
Speaker 4: so cavalier about casting him aside. And I mean, maybe

806
00:39:06,239 --> 00:39:08,080
Speaker 4: it's because when I was in middle school or when

807
00:39:08,120 --> 00:39:10,399
Speaker 4: I was around that age, I always wished I had

808
00:39:10,440 --> 00:39:12,160
Speaker 4: like a guy friend who had a crush on me,

809
00:39:12,840 --> 00:39:13,840
Speaker 4: and that never happened.

810
00:39:14,040 --> 00:39:15,080
Speaker 3: Yeah, never happened.

811
00:39:15,320 --> 00:39:17,480
Speaker 2: Yeah, I had tons of guy friends. They never had

812
00:39:17,560 --> 00:39:21,000
Speaker 2: crushes on me. But here's the thing. Okay, this part's

813
00:39:21,000 --> 00:39:24,040
Speaker 2: a little clunky, I gotta admit. So at a certain

814
00:39:24,080 --> 00:39:27,960
Speaker 2: point with the handover of the dollhouse, okay, so let

815
00:39:28,040 --> 00:39:30,840
Speaker 2: me set the scene. Actually, you know the scene. Jenna's

816
00:39:30,840 --> 00:39:33,759
Speaker 2: in the fucking closet and she's like fucking wishing to

817
00:39:33,880 --> 00:39:38,880
Speaker 2: god she was thirty, flirty and thriving. Yes, and this

818
00:39:39,000 --> 00:39:41,640
Speaker 2: is something that she gleamed off of one of her

819
00:39:41,920 --> 00:39:47,360
Speaker 2: poise magazines. But she wants to be thirty flirty and thriving. Okay, Now,

820
00:39:47,719 --> 00:39:50,960
Speaker 2: when Matt did the whole Dollhouse handoff, there was some

821
00:39:51,080 --> 00:39:54,880
Speaker 2: kind of wishing powder that he brought, Yes, that was

822
00:39:54,960 --> 00:39:58,360
Speaker 2: sprinkled somewhere. Like I said, this is a little clunky

823
00:39:58,400 --> 00:40:02,840
Speaker 2: for me. What happened? Apparently some of the powder residue,

824
00:40:03,360 --> 00:40:07,080
Speaker 2: something got on her or she inhaled it. I kind

825
00:40:07,080 --> 00:40:10,160
Speaker 2: of don't really know. She huffs it, it's in the atmosphere.

826
00:40:10,200 --> 00:40:13,360
Speaker 4: It gets on her when she's like she's like rocking

827
00:40:13,360 --> 00:40:15,759
Speaker 4: against the shelf and it falls down on her.

828
00:40:15,920 --> 00:40:19,240
Speaker 2: Yeah, so okay, maybe it sprinkles on top of her head.

829
00:40:19,640 --> 00:40:24,319
Speaker 2: Maybe she inhales the fine particles of this powder. And

830
00:40:24,440 --> 00:40:28,840
Speaker 2: this powder is essentially what creates the rest of the film,

831
00:40:28,880 --> 00:40:30,719
Speaker 2: which is that she wakes up the next morning and

832
00:40:30,800 --> 00:40:36,720
Speaker 2: she is thirty flirty, thriving in the body of Jennifer Gardner.

833
00:40:37,760 --> 00:40:40,399
Speaker 2: Here's where I said to myself, have I ever seen

834
00:40:40,480 --> 00:40:43,560
Speaker 2: Jennifer Gardner in anything but this movie? I had to stop.

835
00:40:46,400 --> 00:40:48,600
Speaker 3: You've never watched Alias.

836
00:40:48,280 --> 00:40:50,960
Speaker 2: Never saw Alias. I literally stopped the movie, went to

837
00:40:51,000 --> 00:40:54,120
Speaker 2: her IMDb. I think I saw Dallas Buyers Club, but

838
00:40:54,239 --> 00:40:57,560
Speaker 2: I barely remember her in it. I know I saw Juno,

839
00:40:58,400 --> 00:41:00,279
Speaker 2: and I remember she was in it, but I just

840
00:41:00,320 --> 00:41:03,240
Speaker 2: don't remember like enough of what she did in that movie.

841
00:41:03,719 --> 00:41:05,600
Speaker 2: So that's it. Those are the two movies that I've

842
00:41:05,600 --> 00:41:07,720
Speaker 2: seen of hers, and I barely remember her, so essentially

843
00:41:07,760 --> 00:41:09,760
Speaker 2: I don't know any of her work.

844
00:41:10,200 --> 00:41:12,800
Speaker 3: This is your only interaction with Jennifer Garner.

845
00:41:14,160 --> 00:41:14,560
Speaker 4: And I know.

846
00:41:14,520 --> 00:41:17,760
Speaker 2: Everybody's out there being like, Alias, what the fuck, Michael Vartan,

847
00:41:17,920 --> 00:41:20,399
Speaker 2: You're crazy? But I never saw it.

848
00:41:20,880 --> 00:41:23,040
Speaker 3: I never watched it when it was like on primetime,

849
00:41:23,080 --> 00:41:24,759
Speaker 3: I watched. I caught up with it years later.

850
00:41:25,239 --> 00:41:28,320
Speaker 2: Yeah, no, I hear it's fantastic. I just never saw it.

851
00:41:28,320 --> 00:41:30,680
Speaker 2: And so I'm like, I only know her from this

852
00:41:30,840 --> 00:41:32,319
Speaker 2: movie is that fucked up?

853
00:41:34,320 --> 00:41:37,120
Speaker 3: And her marriage to Ben Affleck and her kids not

854
00:41:37,200 --> 00:41:37,520
Speaker 3: even that.

855
00:41:38,000 --> 00:41:41,080
Speaker 2: Let's be serious. Of course, I know that. I've also

856
00:41:41,160 --> 00:41:47,520
Speaker 2: seen her on Instagram stories cooking, somebody's retweeted those things.

857
00:41:48,000 --> 00:41:50,000
Speaker 2: But that's it. And you know what, there's a moment

858
00:41:50,000 --> 00:41:51,319
Speaker 2: where I'm like, I should just keep it like this.

859
00:41:51,440 --> 00:41:55,759
Speaker 2: That's kind of tight, because I actually think she's great

860
00:41:55,760 --> 00:41:58,759
Speaker 2: in this movie. She's really funny. Yeah, and seeing her

861
00:41:58,840 --> 00:42:02,120
Speaker 2: Act thirteen is really funny to me. Yeah, like her

862
00:42:02,160 --> 00:42:04,440
Speaker 2: facial expressions and her body language, and then there's like

863
00:42:04,480 --> 00:42:07,200
Speaker 2: a few parts this actually cracks me the fuck up.

864
00:42:07,200 --> 00:42:08,799
Speaker 2: And I know no one else will think this is

865
00:42:08,800 --> 00:42:10,680
Speaker 2: as funny as I do, but I'm saying it anyway.

866
00:42:10,840 --> 00:42:12,880
Speaker 2: It's kind of towards the beginning when she's first like

867
00:42:12,920 --> 00:42:14,880
Speaker 2: get out of my arms, where she calls her parents.

868
00:42:15,200 --> 00:42:18,280
Speaker 2: Right so she's like she wakes up, she's thirty. She's

869
00:42:18,320 --> 00:42:20,400
Speaker 2: like looking in the mirror and screaming she doesn't know

870
00:42:20,440 --> 00:42:23,080
Speaker 2: who she is. And then she immediately calls her mom

871
00:42:23,080 --> 00:42:28,120
Speaker 2: and dad and their answering machine goes off and says, hey, guys, like,

872
00:42:28,160 --> 00:42:29,839
Speaker 2: we're not here right now. We're on a cruise, which

873
00:42:29,880 --> 00:42:31,239
Speaker 2: I was like, don't tell people who are on a

874
00:42:31,239 --> 00:42:33,520
Speaker 2: cruise on an answering machine, thank you. Come on, we

875
00:42:33,560 --> 00:42:36,880
Speaker 2: all know this. But also she basically hangs up the

876
00:42:36,880 --> 00:42:39,680
Speaker 2: phone and is like, you went on a cruise without me?

877
00:42:42,040 --> 00:42:45,280
Speaker 2: And I just thought so cute. That is like literally

878
00:42:45,320 --> 00:42:47,680
Speaker 2: what I would have thought if I was thirteen, I'd

879
00:42:47,680 --> 00:42:49,400
Speaker 2: have been like, my parents went on a cruise without me.

880
00:42:49,480 --> 00:42:53,960
Speaker 2: This is fucking crazy. But yeah, I mean, basically she's

881
00:42:54,080 --> 00:42:56,800
Speaker 2: thirteen years old. She's in a thirty year old person's body.

882
00:42:57,040 --> 00:42:59,160
Speaker 2: She's trying to figure out who she is very quickly.

883
00:42:59,280 --> 00:43:02,120
Speaker 2: She finds out that she's rich, that she's dating a

884
00:43:02,160 --> 00:43:06,040
Speaker 2: famous hockey player, that she is the editor of her

885
00:43:06,080 --> 00:43:10,960
Speaker 2: favorite fashion magazine, Poise, she's best friends and co workers

886
00:43:11,440 --> 00:43:16,280
Speaker 2: with Lucy fucking leader of the Six Chicks, and also

887
00:43:16,320 --> 00:43:19,680
Speaker 2: finds out that she hates her parents, everyone at work

888
00:43:19,760 --> 00:43:22,800
Speaker 2: thinks that she's a fucking bitch, and she has no

889
00:43:22,880 --> 00:43:24,960
Speaker 2: longer friends with Matt.

890
00:43:25,360 --> 00:43:27,239
Speaker 4: There is a lot about this this movie that I

891
00:43:27,280 --> 00:43:30,880
Speaker 4: think is wonderful and is like from the Age change perspective,

892
00:43:30,920 --> 00:43:33,000
Speaker 4: and like that canon of movies, I think is just

893
00:43:33,080 --> 00:43:36,360
Speaker 4: so funny and cute and unique. And I do like

894
00:43:36,400 --> 00:43:38,040
Speaker 4: this movie. I've only seen it a couple of times.

895
00:43:38,040 --> 00:43:39,640
Speaker 4: I haven't seen as many times as you've seen it,

896
00:43:39,640 --> 00:43:41,960
Speaker 4: But I do like this movie. And one of the

897
00:43:42,000 --> 00:43:44,640
Speaker 4: things I really like about it is that as the

898
00:43:44,719 --> 00:43:47,680
Speaker 4: movie goes on, it doesn't do that thing where it's

899
00:43:47,719 --> 00:43:49,200
Speaker 4: like being an adult is great.

900
00:43:49,360 --> 00:43:53,000
Speaker 3: It's like she is realizing slowly that she has become

901
00:43:53,080 --> 00:43:56,360
Speaker 3: an awful person. Yeah, and that is different.

902
00:43:56,440 --> 00:43:59,759
Speaker 4: That is very different for this age change movie is

903
00:43:59,760 --> 00:44:04,080
Speaker 4: like thirteen and you realize you have become someone that.

904
00:44:04,000 --> 00:44:07,000
Speaker 3: You don't recognize that you wouldn't want to be.

905
00:44:07,640 --> 00:44:11,279
Speaker 2: Yeah, because essentially the birthday party basement thing is the

906
00:44:11,320 --> 00:44:13,920
Speaker 2: flashpoint moment for her where they could have gone in

907
00:44:13,960 --> 00:44:15,080
Speaker 2: a different direction.

908
00:44:14,960 --> 00:44:17,719
Speaker 3: Right, Yeah, that's her sliding doors exactly.

909
00:44:17,840 --> 00:44:22,080
Speaker 2: So basically, now she's gotten everything she's ever wanted, but

910
00:44:22,200 --> 00:44:24,600
Speaker 2: now his finding out that she's a monster. Okay, so

911
00:44:25,080 --> 00:44:28,040
Speaker 2: she immediately is like, I gotta find Matt. She looks

912
00:44:28,080 --> 00:44:32,000
Speaker 2: him up. He's essentially hatty ass Mark Ruffalo in a

913
00:44:32,000 --> 00:44:36,480
Speaker 2: CBGB shirt. Okay. Now the craziest part to me is that,

914
00:44:36,520 --> 00:44:38,440
Speaker 2: so I had a male best friend in high school

915
00:44:38,680 --> 00:44:40,640
Speaker 2: who was also in a punk rock and I still

916
00:44:40,680 --> 00:44:42,319
Speaker 2: talk to him. So it's this weird thing where I

917
00:44:42,360 --> 00:44:44,880
Speaker 2: was just like, damn, like she really fucking ditched his ass.

918
00:44:45,040 --> 00:44:47,880
Speaker 2: Like apparently the story goes she'd never talked to him. Yeah,

919
00:44:47,880 --> 00:44:50,680
Speaker 2: pretty much after that party, like they kind of split ways.

920
00:44:50,920 --> 00:44:54,520
Speaker 2: She became the seventh Chick in the sixth Chicks, she

921
00:44:54,640 --> 00:44:57,040
Speaker 2: became their leader at one point, and then he just

922
00:44:57,200 --> 00:45:00,760
Speaker 2: like left was out the fucking dour. Yeah, which seems

923
00:45:00,800 --> 00:45:04,000
Speaker 2: so severe, But then I think it's also is that

924
00:45:04,040 --> 00:45:06,160
Speaker 2: thing that you mentioned earlier, which is that man she

925
00:45:06,280 --> 00:45:08,920
Speaker 2: was really in a state she just like did not

926
00:45:09,080 --> 00:45:09,600
Speaker 2: want to be.

927
00:45:10,080 --> 00:45:11,080
Speaker 3: Yeah, who she was.

928
00:45:11,200 --> 00:45:12,319
Speaker 2: She wanted to be something else.

929
00:45:12,560 --> 00:45:15,000
Speaker 4: And that's the kind of thing that again I really like,

930
00:45:15,000 --> 00:45:17,719
Speaker 4: like and appreciate about this movie is that that is

931
00:45:18,040 --> 00:45:20,959
Speaker 4: exactly how it happens sometimes when you're thirteen. Is there's

932
00:45:21,000 --> 00:45:24,479
Speaker 4: no big lead up, there's no like slow roll into

933
00:45:24,560 --> 00:45:25,440
Speaker 4: like fading away.

934
00:45:25,560 --> 00:45:27,520
Speaker 3: Like some friendships just fade away with time.

935
00:45:28,200 --> 00:45:30,200
Speaker 4: But a lot of times you will get in a

936
00:45:30,200 --> 00:45:32,160
Speaker 4: fight with someone in middle school and that's it.

937
00:45:32,320 --> 00:45:34,439
Speaker 3: You're not friends anymore, like ever.

938
00:45:34,560 --> 00:45:39,120
Speaker 4: Again, like that is how it goes, and it's sad. Yeah,

939
00:45:39,160 --> 00:45:41,440
Speaker 4: and I think what's sad about it too for this

940
00:45:41,520 --> 00:45:44,080
Speaker 4: movie or what I you know, again appreciate from a

941
00:45:44,080 --> 00:45:47,799
Speaker 4: scriptwriting perspective is that it's definitely a flashpoint moment for her,

942
00:45:47,840 --> 00:45:51,719
Speaker 4: like you said, but it's sad to watch someone not

943
00:45:51,880 --> 00:45:55,560
Speaker 4: realize how devastating these consequences are going to be in

944
00:45:55,600 --> 00:45:58,320
Speaker 4: their life. Yeah, Like just because of that one moment

945
00:45:58,440 --> 00:46:02,279
Speaker 4: of being angry or us that she's gonna ditch her

946
00:46:02,320 --> 00:46:05,120
Speaker 4: best friend, she's gonna side with the worst people, She's

947
00:46:05,160 --> 00:46:07,839
Speaker 4: going to become the worst person. Like it's just those

948
00:46:07,920 --> 00:46:10,680
Speaker 4: quick little flashes that happen when you're a kid and

949
00:46:10,680 --> 00:46:12,880
Speaker 4: you're not in control of your emotions and your hormones

950
00:46:12,920 --> 00:46:16,000
Speaker 4: and shit, you pop off sometimes. Yeah, but it really

951
00:46:16,040 --> 00:46:18,200
Speaker 4: can be very destructive. So I like that this movie

952
00:46:18,280 --> 00:46:20,239
Speaker 4: kind of shows you that side of things where it's

953
00:46:20,280 --> 00:46:21,560
Speaker 4: not like I've got.

954
00:46:21,440 --> 00:46:24,239
Speaker 3: The same best friend and everything's cool. It's like, no,

955
00:46:24,480 --> 00:46:26,680
Speaker 3: like I was a dick. Yeah, I was worse off

956
00:46:26,760 --> 00:46:27,279
Speaker 3: because of it.

957
00:46:27,880 --> 00:46:29,600
Speaker 2: Yeah, I really hit me this time too, And I

958
00:46:29,600 --> 00:46:31,759
Speaker 2: think it's just because I'm older now. But like she

959
00:46:31,840 --> 00:46:34,359
Speaker 2: cut her parents off and that whole thing where she

960
00:46:34,400 --> 00:46:36,160
Speaker 2: tries to reconcile with her mom and dad, Like she

961
00:46:36,200 --> 00:46:39,000
Speaker 2: basically goes back to her old house, which is crazy

962
00:46:39,040 --> 00:46:42,000
Speaker 2: to me too, because I don't have a childhood at home,

963
00:46:42,040 --> 00:46:44,560
Speaker 2: Like we moved so much that I'm like, yeah, me either.

964
00:46:44,719 --> 00:46:47,480
Speaker 2: I don't have like my old bedroom. My old bedroom

965
00:46:47,680 --> 00:46:50,879
Speaker 2: doesn't exist. I sleep in my parents' guest bedroom when

966
00:46:50,920 --> 00:46:53,120
Speaker 2: I visit them. But she goes back to her old

967
00:46:53,160 --> 00:46:55,120
Speaker 2: house and her parents are like, what are you doing here?

968
00:46:55,160 --> 00:46:56,920
Speaker 2: And she's kind of like crawling in bed with them,

969
00:46:56,960 --> 00:46:58,560
Speaker 2: And it was just that moment of like ran, she

970
00:46:58,640 --> 00:47:01,600
Speaker 2: really like fuck and went for it, like she just

971
00:47:02,160 --> 00:47:05,160
Speaker 2: really hated herself. Yeah, you know, and she did a

972
00:47:05,200 --> 00:47:07,880
Speaker 2: lot of damage to all these really good relationships in

973
00:47:07,920 --> 00:47:10,120
Speaker 2: her life. Here's the other thing. There's a couple of

974
00:47:10,160 --> 00:47:12,319
Speaker 2: other points I want to make about this movie. One

975
00:47:12,360 --> 00:47:15,480
Speaker 2: of them is that this movie has some of the

976
00:47:15,480 --> 00:47:17,680
Speaker 2: worst clothes I've ever seen in my entire life.

977
00:47:17,760 --> 00:47:20,320
Speaker 4: Oh completely, the early two thousands were doing no favors

978
00:47:20,320 --> 00:47:20,880
Speaker 4: for anybody.

979
00:47:21,040 --> 00:47:24,160
Speaker 2: My god, Jennifer Gardner is a beautiful woman. Okay, but

980
00:47:24,200 --> 00:47:27,440
Speaker 2: they did her dirty in this film with these outfits.

981
00:47:27,520 --> 00:47:30,319
Speaker 3: Okay, that party dress can go fuck it, Zil.

982
00:47:30,640 --> 00:47:33,799
Speaker 2: She's wearing pink, like on the rigs, Like, I get it.

983
00:47:33,800 --> 00:47:36,120
Speaker 2: It's part. It's part of the character. It's part of

984
00:47:36,120 --> 00:47:39,040
Speaker 2: the rom Calm universe. She's wearing so much pink. There's

985
00:47:39,120 --> 00:47:42,360
Speaker 2: one moment where she's wearing this like pink frayed cardigan

986
00:47:42,440 --> 00:47:44,560
Speaker 2: that I thought was supposed to be like a duster,

987
00:47:44,920 --> 00:47:47,440
Speaker 2: but it was actually just a cardigan, and I was like, goddamn,

988
00:47:47,480 --> 00:47:48,080
Speaker 2: that's awful.

989
00:47:48,520 --> 00:47:51,319
Speaker 4: But again, the brilliance of it is this is a

990
00:47:51,360 --> 00:47:54,319
Speaker 4: thirteen year old technically from nineteen eighty seven. Yes, so

991
00:47:54,400 --> 00:47:57,360
Speaker 4: it makes sense that she has horrible fashion sense because

992
00:47:57,680 --> 00:48:00,280
Speaker 4: the eighties were bad being thirteen.

993
00:48:02,120 --> 00:48:04,959
Speaker 2: Make but even Judy Greer has a couple of cute

994
00:48:04,960 --> 00:48:07,600
Speaker 2: outfits for the two thousands. There's this like big party

995
00:48:07,640 --> 00:48:09,640
Speaker 2: sequence which is like one of the most memorable ones

996
00:48:09,680 --> 00:48:11,719
Speaker 2: in the movie, and she's got these like sticks in

997
00:48:11,760 --> 00:48:15,799
Speaker 2: her hair. What the fuck are these sticks? Also, one

998
00:48:15,840 --> 00:48:18,920
Speaker 2: of my favorite scenes of this party is when this

999
00:48:19,080 --> 00:48:22,560
Speaker 2: woman named Trish Sackett, who is the editor of the

1000
00:48:22,640 --> 00:48:26,920
Speaker 2: competing fashion magazine called Sparkle. She shows up and just

1001
00:48:26,960 --> 00:48:29,080
Speaker 2: talks menacingly, like a cartoon villain.

1002
00:48:29,120 --> 00:48:29,200
Speaker 4: Like.

1003
00:48:29,239 --> 00:48:31,960
Speaker 2: She just comes in as like, yeah, oh, if it

1004
00:48:32,000 --> 00:48:34,960
Speaker 2: isn't the two women from pois.

1005
00:48:35,280 --> 00:48:38,600
Speaker 3: Fuck right out of Central casting completely.

1006
00:48:38,680 --> 00:48:40,759
Speaker 2: I love that it was the girl from Saved by

1007
00:48:40,760 --> 00:48:43,160
Speaker 2: the bith of College Years. I was like, oh, but

1008
00:48:43,400 --> 00:48:45,960
Speaker 2: I gotta talk about this party again because it has

1009
00:48:46,000 --> 00:48:47,600
Speaker 2: one of the biggest scenes in the film, which is

1010
00:48:47,640 --> 00:48:51,280
Speaker 2: where Jenna gets everybody to do the thriller dance. Yeah,

1011
00:48:51,320 --> 00:48:55,160
Speaker 2: and I don't know about you, but I never wanted

1012
00:48:55,160 --> 00:48:58,960
Speaker 2: to know the thriller dance because thriller fucking terrified me.

1013
00:48:59,200 --> 00:48:59,839
Speaker 3: Yeah, it was.

1014
00:49:00,160 --> 00:49:03,319
Speaker 4: Super goddamn scary. The only here's what I'll say, I

1015
00:49:03,360 --> 00:49:04,560
Speaker 4: never wanted to know the dance.

1016
00:49:04,719 --> 00:49:06,000
Speaker 3: You know that I don't have that kind of joy

1017
00:49:06,000 --> 00:49:08,080
Speaker 3: in my heart. I don't have dance joy in my heart.

1018
00:49:09,040 --> 00:49:11,560
Speaker 4: But what I did on the swing set at my

1019
00:49:11,680 --> 00:49:16,359
Speaker 4: elementary school was committed myself to memorizing the Vincent Price part.

1020
00:49:16,840 --> 00:49:21,320
Speaker 2: Oh, of course you did, because it's like fucking old English.

1021
00:49:21,800 --> 00:49:22,960
Speaker 3: That shit was fire.

1022
00:49:23,600 --> 00:49:26,000
Speaker 4: Give me an old man talking some creepy shit, and

1023
00:49:26,040 --> 00:49:28,680
Speaker 4: I was like, even seven years old, I was like,

1024
00:49:28,719 --> 00:49:30,520
Speaker 4: you can fuck this fucking claw dance.

1025
00:49:30,560 --> 00:49:32,799
Speaker 3: I want to know what that shit doc.

1026
00:49:32,960 --> 00:49:37,319
Speaker 4: This falls across the land the midnight hours, close it in.

1027
00:49:37,480 --> 00:49:38,320
Speaker 3: That's my jam.

1028
00:49:38,560 --> 00:49:41,160
Speaker 2: The Funk of forty thousand years is actually pretty tight,

1029
00:49:41,200 --> 00:49:42,080
Speaker 2: though I will say that.

1030
00:49:42,160 --> 00:49:44,640
Speaker 4: I mean that is my bumble profile, all of it

1031
00:49:44,680 --> 00:49:47,320
Speaker 4: in its entirety, the Funk of forty thousand years.

1032
00:49:47,440 --> 00:49:49,759
Speaker 2: And also I love that they got Vincent Price to

1033
00:49:49,800 --> 00:49:53,040
Speaker 2: say to terrorize y'all's neighborhood.

1034
00:49:53,600 --> 00:49:59,680
Speaker 3: Yeah, yeah, as Vincent Price was a gee that sh

1035
00:50:00,200 --> 00:50:01,520
Speaker 3: was great.

1036
00:50:03,160 --> 00:50:05,920
Speaker 4: Obsessed over that part of the song, Like you can

1037
00:50:06,000 --> 00:50:08,399
Speaker 4: keep this creepy ass video that scares the shit out

1038
00:50:08,440 --> 00:50:09,839
Speaker 4: of me with the fucking cat eyes.

1039
00:50:10,160 --> 00:50:11,920
Speaker 3: You can keep Michael Jackson, who.

1040
00:50:11,719 --> 00:50:14,640
Speaker 4: We now know is awful, Like keep all this shit

1041
00:50:15,040 --> 00:50:18,439
Speaker 4: giving Vincent Price talking about y'all's neighborhood and I'm.

1042
00:50:18,360 --> 00:50:21,400
Speaker 2: Good, look, and everybody at this party knows this fucking

1043
00:50:21,480 --> 00:50:24,920
Speaker 2: dance immediately, like they're just like Andy Serkis knows it.

1044
00:50:25,239 --> 00:50:28,440
Speaker 2: He's like immediately like yeah, I know this dance. I'm like, wow,

1045
00:50:28,960 --> 00:50:30,520
Speaker 2: I love movie dance sequences.

1046
00:50:30,680 --> 00:50:34,040
Speaker 4: Can we just talk about how it always is weird

1047
00:50:34,040 --> 00:50:36,160
Speaker 4: for me to see Andy Serkis in a movie, yes,

1048
00:50:36,280 --> 00:50:40,440
Speaker 4: and not in like emotion capital yeah, Like it is

1049
00:50:40,960 --> 00:50:43,080
Speaker 4: always weird, Like when he shows up in a James

1050
00:50:43,080 --> 00:50:46,359
Speaker 4: Bond movie, I'm like, really, Andy Serkis, Like, now, I'm

1051
00:50:46,360 --> 00:50:47,640
Speaker 4: just you broke in the fourth wall.

1052
00:50:48,239 --> 00:50:50,480
Speaker 3: I don't know why, but he has a face and

1053
00:50:50,560 --> 00:50:54,320
Speaker 3: body that is so perfect for what he primarily does

1054
00:50:54,800 --> 00:50:56,760
Speaker 3: with his voice and you know motion.

1055
00:50:56,680 --> 00:50:59,719
Speaker 4: Capture work that when I see him trying to act

1056
00:50:59,760 --> 00:51:00,880
Speaker 4: in the other way, I'm.

1057
00:51:00,760 --> 00:51:03,200
Speaker 3: Just like, oh man, Andy, come on, get out here.

1058
00:51:03,960 --> 00:51:06,719
Speaker 2: He came out from behind the shadows to play a

1059
00:51:06,800 --> 00:51:11,000
Speaker 2: gay magazine editor for thirteen going on thirty. Here's another

1060
00:51:11,040 --> 00:51:13,560
Speaker 2: thing I will say about this movie too, So just

1061
00:51:13,600 --> 00:51:15,719
Speaker 2: to like wrap it up a little bit, you know

1062
00:51:15,800 --> 00:51:18,200
Speaker 2: what's gonna happen? Come on, do I need to even

1063
00:51:18,239 --> 00:51:21,359
Speaker 2: tell you? What's gonna happen. She's out here like right

1064
00:51:21,400 --> 00:51:24,799
Speaker 2: in all these wrongs. Yeah, basically, Jenna Rink, thirty year

1065
00:51:24,800 --> 00:51:27,719
Speaker 2: old Jenna Rink is righting all these wrongs with Maddie,

1066
00:51:27,880 --> 00:51:31,239
Speaker 2: with her parents. She's like, I can't fucking believe I

1067
00:51:31,360 --> 00:51:33,799
Speaker 2: piled around with Lucy for as long as I did

1068
00:51:33,840 --> 00:51:36,239
Speaker 2: because she's a bitch, Like I can't believe I was

1069
00:51:36,239 --> 00:51:38,839
Speaker 2: as shitty to my secretary as I was. I love her,

1070
00:51:38,920 --> 00:51:41,239
Speaker 2: I want to bring her places. What the fuck? And

1071
00:51:41,360 --> 00:51:45,600
Speaker 2: all this is happening to a song that's called why

1072
00:51:45,640 --> 00:51:49,759
Speaker 2: Can't I by the Goddess Lisz Fair, And I have

1073
00:51:49,840 --> 00:51:55,640
Speaker 2: to say, for me, this song is emblematic and this

1074
00:51:55,760 --> 00:51:58,160
Speaker 2: song is this movie for me because here's the thing

1075
00:51:58,160 --> 00:52:01,560
Speaker 2: about los Fair. You're talking to j bitches. When we

1076
00:52:01,640 --> 00:52:04,760
Speaker 2: knew Liz Fair, we knew the fucking run Liz.

1077
00:52:04,640 --> 00:52:06,239
Speaker 3: Fair yep, never said nothing.

1078
00:52:06,440 --> 00:52:10,759
Speaker 2: Yeah, this movie brought why Canti, which is where Liz

1079
00:52:10,760 --> 00:52:13,520
Speaker 2: Fair decided to make some fucking money for once and

1080
00:52:13,680 --> 00:52:16,560
Speaker 2: was like, fuck it, I'm gonna be Avril Levine or

1081
00:52:16,600 --> 00:52:19,000
Speaker 2: I'm gonna do like an Alvril Levine type pop song.

1082
00:52:19,360 --> 00:52:22,000
Speaker 2: I was fucking shocked when it came out like I

1083
00:52:22,080 --> 00:52:25,040
Speaker 2: was like, Wow, I can't fucking believe it. But also,

1084
00:52:25,239 --> 00:52:28,080
Speaker 2: now after so much time has passed and I've read

1085
00:52:28,560 --> 00:52:31,439
Speaker 2: Liz Fair's autobiography and I was like, Okay, now, shit,

1086
00:52:31,480 --> 00:52:33,560
Speaker 2: it makes sense like this movie is the song and

1087
00:52:33,560 --> 00:52:34,080
Speaker 2: this song.

1088
00:52:33,960 --> 00:52:37,640
Speaker 3: Is this movie for me, so oh I love that. Yeah.

1089
00:52:37,680 --> 00:52:40,799
Speaker 2: Well, anyway, look at the end of the day, this

1090
00:52:40,840 --> 00:52:43,560
Speaker 2: movie is a comfort film for me. I've watched it again.

1091
00:52:43,719 --> 00:52:46,360
Speaker 2: I won't say twenty times, but it's in the high teens.

1092
00:52:47,920 --> 00:52:52,040
Speaker 2: Cause of death is sheakness. I'll have you know. Fashion

1093
00:52:52,280 --> 00:52:54,680
Speaker 2: suicide is all I'll have to say for the rest

1094
00:52:54,719 --> 00:52:56,839
Speaker 2: of this episode. I don't know what else to say

1095
00:52:56,880 --> 00:53:00,120
Speaker 2: other than a great film. It definitely will make you

1096
00:53:00,000 --> 00:53:04,359
Speaker 2: you pine for the boy that you had lived next

1097
00:53:04,400 --> 00:53:07,600
Speaker 2: door to in middle school who was cool as shit,

1098
00:53:07,760 --> 00:53:11,279
Speaker 2: and you completely fucked it up. Definitely, and you need

1099
00:53:11,320 --> 00:53:12,400
Speaker 2: to fix it immediately.

1100
00:53:12,719 --> 00:53:14,920
Speaker 4: I mean, maybe if you were me and again go

1101
00:53:15,000 --> 00:53:17,080
Speaker 4: back in our archives and figure this out. Maybe you

1102
00:53:17,080 --> 00:53:21,160
Speaker 4: were blasting jazz out of your window and freaking out

1103
00:53:21,160 --> 00:53:23,280
Speaker 4: your neighborhood.

1104
00:53:22,600 --> 00:53:27,160
Speaker 3: And still not getting that guy. But it does.

1105
00:53:27,800 --> 00:53:31,600
Speaker 4: This movie brought me right back to being so awkward

1106
00:53:32,760 --> 00:53:37,319
Speaker 4: and so unsteady in who I was, and it's I

1107
00:53:37,360 --> 00:53:39,320
Speaker 4: think that's the terrifying thing of this movie. Like, I

1108
00:53:39,760 --> 00:53:41,400
Speaker 4: don't know if this makes sense, but I liked that

1109
00:53:41,520 --> 00:53:43,600
Speaker 4: I didn't like Jenna, Like I liked that I didn't

1110
00:53:43,640 --> 00:53:46,160
Speaker 4: like the young kid character because I was like, oh

1111
00:53:46,239 --> 00:53:48,440
Speaker 4: my God, like, yeah, thank god, I'm a person who

1112
00:53:48,440 --> 00:53:50,400
Speaker 4: doesn't make decisions like that, and it's so heartbreaking to

1113
00:53:50,400 --> 00:53:53,400
Speaker 4: see kids go through life and make these mistakes.

1114
00:53:53,440 --> 00:53:55,800
Speaker 3: But they have to, they have to learn somehow. I

1115
00:53:55,800 --> 00:53:57,279
Speaker 3: would be a great mom. I'm like, yeah, you got

1116
00:53:57,400 --> 00:53:58,720
Speaker 3: to learn somehow make those mistakes.

1117
00:53:58,920 --> 00:54:01,600
Speaker 2: But but I like that.

1118
00:54:01,680 --> 00:54:02,600
Speaker 3: I like that it didn't.

1119
00:54:03,000 --> 00:54:05,120
Speaker 4: It made me sympathetic towards her in a very different

1120
00:54:05,120 --> 00:54:07,879
Speaker 4: way than I usually am in these movies. Yeah, while

1121
00:54:07,960 --> 00:54:09,680
Speaker 4: also bring me back to a time in my life

1122
00:54:09,680 --> 00:54:13,440
Speaker 4: when I was just like a very awkward, insecure person

1123
00:54:13,520 --> 00:54:16,760
Speaker 4: who was fully on the brink of making a horrible

1124
00:54:17,120 --> 00:54:19,000
Speaker 4: wife altering decision at every moment.

1125
00:54:19,360 --> 00:54:24,000
Speaker 2: Yeah. Yeah, I'm glad that we got to watch it

1126
00:54:24,040 --> 00:54:26,319
Speaker 2: in the context of this podcast, because it's like, it's

1127
00:54:26,360 --> 00:54:29,200
Speaker 2: one of these movies that I was like, Wow, how

1128
00:54:29,239 --> 00:54:31,399
Speaker 2: am I going to talk about this movie in any

1129
00:54:31,520 --> 00:54:33,480
Speaker 2: kind of way. I only watch it, you know, on

1130
00:54:33,560 --> 00:54:36,719
Speaker 2: TV at home. It's so comforting, like I know all

1131
00:54:36,760 --> 00:54:39,719
Speaker 2: the beats and then have to have to explain it

1132
00:54:39,760 --> 00:54:41,560
Speaker 2: for people who may not have seen it. I'm like,

1133
00:54:41,680 --> 00:54:44,640
Speaker 2: come on, who hasn't seen this movie? Right? But people

1134
00:54:44,680 --> 00:54:48,399
Speaker 2: have it and listen, it's playing literally twenty four hours

1135
00:54:48,440 --> 00:54:51,960
Speaker 2: a day on some cable channel. So check it out there.

1136
00:54:52,120 --> 00:54:55,279
Speaker 2: And you know, you get to see a lot of

1137
00:54:55,320 --> 00:54:58,680
Speaker 2: like pre Marvel stars, like not just Spree Larson, but

1138
00:54:58,719 --> 00:55:02,080
Speaker 2: Mark Ruffalo as we know. And I will now see

1139
00:55:02,160 --> 00:55:03,800
Speaker 2: Jennifer Gardner in another movie.

1140
00:55:03,840 --> 00:55:07,879
Speaker 3: Maybe give her a shot. Maybe as watch.

1141
00:55:09,520 --> 00:55:12,640
Speaker 2: She's like a famous person. I'm like, what, she's.

1142
00:55:12,520 --> 00:55:13,480
Speaker 3: Great in this movie.

1143
00:55:13,520 --> 00:55:15,480
Speaker 4: And that's that's the other I think the casting in

1144
00:55:15,480 --> 00:55:19,040
Speaker 4: this movie was great because she does play this very

1145
00:55:19,800 --> 00:55:22,920
Speaker 4: adorable adult, which I think if you're going to be

1146
00:55:22,920 --> 00:55:26,080
Speaker 4: a thirteen year old and get out of my Arm situation,

1147
00:55:26,640 --> 00:55:29,960
Speaker 4: that helps to be like super adorable, and she plays

1148
00:55:29,960 --> 00:55:30,800
Speaker 4: that very well.

1149
00:55:31,000 --> 00:55:32,319
Speaker 3: Yeah, but yeah, give it a shot.

1150
00:55:32,520 --> 00:55:34,200
Speaker 2: Don't be too cool for this movie. I have to

1151
00:55:34,239 --> 00:55:36,920
Speaker 2: say that. No, it's actually really fun to watch.

1152
00:55:37,400 --> 00:55:42,560
Speaker 4: Speaking of speaking of my pick for our theme of

1153
00:55:43,120 --> 00:55:46,839
Speaker 4: Get Out of My Arms was released in nineteen eighty eight.

1154
00:55:47,280 --> 00:55:51,280
Speaker 4: It was directed by Penny Marshall and written by Gary

1155
00:55:51,400 --> 00:55:52,759
Speaker 4: Ross and Anne Spielberg.

1156
00:55:53,360 --> 00:55:56,759
Speaker 3: And the movie is big. I turned into a grown

1157
00:55:56,840 --> 00:55:59,440
Speaker 3: up mom. I made this wish on a machine and

1158
00:55:59,680 --> 00:56:00,880
Speaker 3: turn We're grown up.

1159
00:56:00,960 --> 00:56:02,839
Speaker 4: From now on, you get a job.

1160
00:56:02,920 --> 00:56:04,000
Speaker 3: I'm not a job.

1161
00:56:04,360 --> 00:56:07,040
Speaker 2: I did it. I said it. I stole your mama's credit.

1162
00:56:08,040 --> 00:56:12,160
Speaker 4: A saconly in the summa about times these kids are

1163
00:56:12,160 --> 00:56:15,840
Speaker 4: too cool for me. I fucking love this movie. This

1164
00:56:16,000 --> 00:56:18,600
Speaker 4: is also for me the movie that like, every time.

1165
00:56:18,440 --> 00:56:20,520
Speaker 3: It's not I'm gonna watch it totally.

1166
00:56:20,760 --> 00:56:23,200
Speaker 4: It's kind of strange because, like when this movie was

1167
00:56:23,239 --> 00:56:25,440
Speaker 4: released in nineteen eighty eight, you don't know when you're

1168
00:56:25,440 --> 00:56:27,799
Speaker 4: a kid that like these movies are gonna be impactful

1169
00:56:28,239 --> 00:56:30,520
Speaker 4: and become classics for you and your own life, but

1170
00:56:30,600 --> 00:56:34,880
Speaker 4: also become classics in general. Yeah, And it really is

1171
00:56:35,040 --> 00:56:38,319
Speaker 4: a terrifyingly funny movie that holds up in.

1172
00:56:38,239 --> 00:56:39,080
Speaker 3: A lot of ways.

1173
00:56:39,320 --> 00:56:41,360
Speaker 4: In one big way, it doesn't, and we're going to

1174
00:56:41,400 --> 00:56:44,439
Speaker 4: talk about that at the end. But I do think

1175
00:56:44,480 --> 00:56:47,160
Speaker 4: this movie holds up, and it's it's just interesting. Like

1176
00:56:47,239 --> 00:56:51,040
Speaker 4: the writers Gary Ross and Ann Spielberg. Ann Spielberg is

1177
00:56:51,040 --> 00:56:54,440
Speaker 4: Stephen Spielberg's sister, but she's also a screenwriter, and Gary

1178
00:56:54,520 --> 00:56:57,840
Speaker 4: Ross wrote everything. He's written at least one movie that

1179
00:56:57,880 --> 00:57:02,040
Speaker 4: you've seen, even if you don't know who he is, Pleasantville, Seabiscuit,

1180
00:57:02,560 --> 00:57:05,919
Speaker 4: a Hunger Games movie, Ocean's eight. Like, he's just very

1181
00:57:05,960 --> 00:57:08,880
Speaker 4: well known, nominated for Academy Awards. He kind of has

1182
00:57:08,920 --> 00:57:11,520
Speaker 4: the kind of writing career that I think is dope,

1183
00:57:11,560 --> 00:57:13,479
Speaker 4: where it's like he can go to the store without

1184
00:57:13,520 --> 00:57:15,840
Speaker 4: you knowing who he is. But he also owns like

1185
00:57:15,880 --> 00:57:16,920
Speaker 4: five castles.

1186
00:57:18,400 --> 00:57:20,520
Speaker 2: That's a great place to be. I wish we were that.

1187
00:57:20,720 --> 00:57:21,480
Speaker 3: Yeah, He's like, I can go.

1188
00:57:21,400 --> 00:57:23,560
Speaker 4: To Public's at any point, and then I can get

1189
00:57:23,560 --> 00:57:24,600
Speaker 4: on a private show.

1190
00:57:25,120 --> 00:57:28,720
Speaker 3: Shed in ply of France and go to my seaside villa.

1191
00:57:28,600 --> 00:57:31,400
Speaker 2: God secretly rich. I love that shit so good.

1192
00:57:31,720 --> 00:57:34,520
Speaker 4: But I love this movie. So, just to set it

1193
00:57:34,600 --> 00:57:36,480
Speaker 4: up a little bit, I've never read about the movie

1194
00:57:36,480 --> 00:57:39,600
Speaker 4: before because it's just part of my DNA. I've just

1195
00:57:39,640 --> 00:57:43,240
Speaker 4: seen it so many times and grew up with this movie.

1196
00:57:43,320 --> 00:57:46,880
Speaker 4: So I read this article on Mental Floss called fifteen

1197
00:57:47,000 --> 00:57:50,640
Speaker 4: Huge Facts about Big and it was written by Roger Kormier,

1198
00:57:50,960 --> 00:57:52,600
Speaker 4: and there are a couple of things that stood out.

1199
00:57:52,600 --> 00:57:55,320
Speaker 4: You should read the whole thing. All fifteen facts are fascinating,

1200
00:57:55,600 --> 00:57:58,360
Speaker 4: but the few that stood out to me. One A

1201
00:57:58,720 --> 00:58:02,880
Speaker 4: bunch of huge stars were considered for the role of

1202
00:58:03,000 --> 00:58:05,720
Speaker 4: adult Josh Baskins, which eventually went to.

1203
00:58:05,600 --> 00:58:08,760
Speaker 3: Tom Hanks, and each one will freak you out more

1204
00:58:08,800 --> 00:58:09,400
Speaker 3: than the last.

1205
00:58:09,800 --> 00:58:16,440
Speaker 4: So it's like Kevin Costner, Warren Baty, Dennis Quaid, Gary Bucy,

1206
00:58:16,680 --> 00:58:19,720
Speaker 4: and Robert De Niro. Just picture any one of those

1207
00:58:19,760 --> 00:58:21,920
Speaker 4: guys in this Tom Hanks role and tell me how

1208
00:58:21,960 --> 00:58:23,200
Speaker 4: you're feeling right now.

1209
00:58:24,080 --> 00:58:26,000
Speaker 2: Robert de Niro.

1210
00:58:26,360 --> 00:58:28,280
Speaker 3: Oh yeah, he like accepted the role.

1211
00:58:29,000 --> 00:58:32,760
Speaker 2: Robert De Niro shooting silly shrink out of his fucking nose.

1212
00:58:33,240 --> 00:58:35,880
Speaker 2: I cannot see it. I cannot see it, and now

1213
00:58:35,920 --> 00:58:37,640
Speaker 2: I will be haunted by that forever.

1214
00:58:38,240 --> 00:58:41,320
Speaker 4: Robert De Niro and Robert Logia on a big old

1215
00:58:41,360 --> 00:58:43,480
Speaker 4: piano bouncing around.

1216
00:58:43,600 --> 00:58:46,240
Speaker 2: He is not whimsical enough for big I'm sorry, No,

1217
00:58:46,520 --> 00:58:49,040
Speaker 2: I believe in your talents, mister de Niro. I feel

1218
00:58:49,040 --> 00:58:52,800
Speaker 2: like you can transcend genre, but not this. You can't

1219
00:58:52,800 --> 00:58:54,200
Speaker 2: be whimsical orn baby.

1220
00:58:54,720 --> 00:58:57,520
Speaker 3: Uh huh. So that was fascinating to me.

1221
00:58:57,840 --> 00:59:00,840
Speaker 4: Something else that I thought was very interesting is that

1222
00:59:01,400 --> 00:59:04,560
Speaker 4: this movie came out in nineteen eighty eight. In October

1223
00:59:04,600 --> 00:59:08,640
Speaker 4: of nineteen eighty seven. That month kicked off a year

1224
00:59:09,480 --> 00:59:14,400
Speaker 4: where five age change movies would come out within that year.

1225
00:59:14,640 --> 00:59:16,920
Speaker 4: So by the time Bait came out in nineteen eighty eight,

1226
00:59:16,920 --> 00:59:21,080
Speaker 4: there were four other wow age change movies, like fatherlike

1227
00:59:21,160 --> 00:59:24,200
Speaker 4: Son de Grande, which is Italian and it's about obviously

1228
00:59:24,240 --> 00:59:26,920
Speaker 4: about Ariana Grande, but I thought it.

1229
00:59:26,880 --> 00:59:28,440
Speaker 2: Was about Nacho bel Grande. Do we not.

1230
00:59:28,520 --> 00:59:34,000
Speaker 3: Okay, it's about Nacho's bell ground, vice versa. And eighteen Again.

1231
00:59:34,040 --> 00:59:36,360
Speaker 4: And if you haven't seen eighteen Again, do yourself a

1232
00:59:36,400 --> 00:59:41,480
Speaker 4: favor because George Burns changes bodies with Charlie Schlatter and

1233
00:59:41,640 --> 00:59:44,120
Speaker 4: he is an eighteen year old walking around with a

1234
00:59:44,160 --> 00:59:46,560
Speaker 4: cigar with a hunch, and it is the weirdest fucking

1235
00:59:46,640 --> 00:59:48,600
Speaker 4: movie that you're ever gonna I'm gonna put it up

1236
00:59:48,600 --> 00:59:49,959
Speaker 4: there like a Jon Rowski.

1237
00:59:49,640 --> 00:59:51,880
Speaker 3: Film, like it is a weird fucking movie.

1238
00:59:52,480 --> 00:59:55,320
Speaker 2: God damn, they would never let George Burns be famous

1239
00:59:55,480 --> 00:59:57,160
Speaker 2: in twenty twenty two. I'll just say that.

1240
00:59:57,320 --> 01:00:01,400
Speaker 3: Hell no, they'd be like, oh man, sit down, Rams.

1241
01:00:01,920 --> 01:00:05,040
Speaker 2: That's crazy though, that all those there was a proliferation

1242
01:00:05,480 --> 01:00:10,560
Speaker 2: of body age change movies. Yes, that's so weird.

1243
01:00:10,680 --> 01:00:13,480
Speaker 4: The other thing that I thought was fascinating about this

1244
01:00:13,560 --> 01:00:17,840
Speaker 4: movie is that Tom Hanks, in order to kind of

1245
01:00:17,920 --> 01:00:23,280
Speaker 4: portray his scenes in a childlike way, Penny Marshall videotaped

1246
01:00:23,400 --> 01:00:27,000
Speaker 4: David Moscow, who played Josh as a kid, and she

1247
01:00:27,120 --> 01:00:29,560
Speaker 4: taped him acting out all of the adult Josh scenes,

1248
01:00:29,640 --> 01:00:32,600
Speaker 4: and then Tom Hanks just like mimicked all of his mannerisms.

1249
01:00:32,840 --> 01:00:33,760
Speaker 3: So that's why when.

1250
01:00:33,600 --> 01:00:37,320
Speaker 4: He's in this role as this adult, who's you know,

1251
01:00:37,320 --> 01:00:39,959
Speaker 4: a thirteen year old trapped in an adult's body, he's

1252
01:00:40,040 --> 01:00:41,520
Speaker 4: acting like the thirteen year.

1253
01:00:41,360 --> 01:00:42,040
Speaker 3: Old in the movie.

1254
01:00:42,520 --> 01:00:42,880
Speaker 2: WHOA.

1255
01:00:43,440 --> 01:00:46,360
Speaker 3: So I thought that was pretty interesting. Yeah, And I

1256
01:00:46,400 --> 01:00:47,760
Speaker 3: also didn't know this that.

1257
01:00:47,880 --> 01:00:51,120
Speaker 4: I didn't know that Penny Marshall, because of this movie,

1258
01:00:51,400 --> 01:00:54,160
Speaker 4: was the first female director to ever direct a film

1259
01:00:54,200 --> 01:00:55,840
Speaker 4: that made more than one hundred million dollars at the

1260
01:00:55,880 --> 01:00:56,520
Speaker 4: box office.

1261
01:00:56,880 --> 01:00:58,080
Speaker 2: WHOA, I didn't know that either.

1262
01:00:58,200 --> 01:01:00,480
Speaker 3: Actually, yeah, there's a lot.

1263
01:01:00,640 --> 01:01:03,160
Speaker 4: I mean this movie again, it's a classic. There's a

1264
01:01:03,200 --> 01:01:06,520
Speaker 4: lot going on. Read about these facts. Try to picture

1265
01:01:06,800 --> 01:01:07,960
Speaker 4: fucking Robert de Niro.

1266
01:01:07,880 --> 01:01:08,439
Speaker 3: In this role.

1267
01:01:09,280 --> 01:01:11,440
Speaker 2: Sho imagine growing.

1268
01:01:11,200 --> 01:01:13,280
Speaker 3: Your own life for a minute. Picture in that.

1269
01:01:14,040 --> 01:01:18,240
Speaker 4: So my one sentence synopsis of this film is never

1270
01:01:18,360 --> 01:01:22,120
Speaker 4: let a horny kid make a wish.

1271
01:01:22,800 --> 01:01:25,360
Speaker 2: That's a neck tattoo. If you ask me, that's the.

1272
01:01:25,480 --> 01:01:27,440
Speaker 4: Essence of this movie. Don't let a horny kid make

1273
01:01:27,480 --> 01:01:29,360
Speaker 4: a wish. I'll go into the summary a little bit

1274
01:01:29,400 --> 01:01:32,240
Speaker 4: more in depth. So Josh Baskin, who again is played

1275
01:01:32,240 --> 01:01:34,760
Speaker 4: by David Moscow as a kid, Tom Hanks as an adult.

1276
01:01:35,200 --> 01:01:38,080
Speaker 4: After he's kind of dejected in front of his crush

1277
01:01:38,160 --> 01:01:41,200
Speaker 4: for being too small to go on a carnival ride,

1278
01:01:41,840 --> 01:01:45,040
Speaker 4: he goes to a wishing machine and asks to be big,

1279
01:01:45,440 --> 01:01:49,080
Speaker 4: and his wish comes true even though the machine is unplugged. Ooh,

1280
01:01:49,360 --> 01:01:53,120
Speaker 4: it's magical and the machine is Zoltar, which is again

1281
01:01:53,400 --> 01:01:55,560
Speaker 4: Zoltar machines were made famous by this film.

1282
01:01:55,640 --> 01:01:58,479
Speaker 3: But he it works. His wish comes true. He wakes

1283
01:01:58,600 --> 01:01:59,920
Speaker 3: up and he's Tom.

1284
01:01:59,720 --> 01:02:04,520
Speaker 4: Hay and that scene is hilarious where he's just like

1285
01:02:04,720 --> 01:02:07,520
Speaker 4: hopping around his house trying to avoid his mom and

1286
01:02:08,080 --> 01:02:08,680
Speaker 4: he doesn't.

1287
01:02:08,920 --> 01:02:11,320
Speaker 3: He goes and gets his dad's clothes. It's really cute.

1288
01:02:11,600 --> 01:02:14,320
Speaker 4: But then after his mom reports him missing because she

1289
01:02:14,360 --> 01:02:17,040
Speaker 4: sees this adult child, this adult in her house and

1290
01:02:17,040 --> 01:02:20,000
Speaker 4: her kid's missing. She reports it and he realizes he

1291
01:02:20,040 --> 01:02:21,160
Speaker 4: has to hide out somewhere.

1292
01:02:21,560 --> 01:02:22,800
Speaker 3: His best friend helps him.

1293
01:02:22,760 --> 01:02:24,960
Speaker 4: Hide out in New York City, and they're going to

1294
01:02:25,040 --> 01:02:27,400
Speaker 4: wait for six weeks for this report to come in

1295
01:02:27,640 --> 01:02:30,280
Speaker 4: that will tell them where all those Dultar machines are

1296
01:02:30,680 --> 01:02:33,520
Speaker 4: so they can find the one that granted this wish

1297
01:02:33,560 --> 01:02:36,080
Speaker 4: and turn him back into a kid. So in the meantime,

1298
01:02:36,120 --> 01:02:39,280
Speaker 4: while he's waiting during this six week period, he finds

1299
01:02:39,440 --> 01:02:41,800
Speaker 4: the perfect job in relationship in New York City within

1300
01:02:41,840 --> 01:02:42,840
Speaker 4: like five fucking minutes.

1301
01:02:45,160 --> 01:02:46,840
Speaker 3: What I love about this movie.

1302
01:02:46,720 --> 01:02:51,560
Speaker 4: Is that it really exacerbates how limited your world is

1303
01:02:51,600 --> 01:02:54,400
Speaker 4: when you're a kid, Like you only have your bike

1304
01:02:54,680 --> 01:02:55,400
Speaker 4: and your best friend.

1305
01:02:55,440 --> 01:02:58,120
Speaker 3: You don't have money, you don't have any idea how.

1306
01:02:57,960 --> 01:03:02,480
Speaker 4: The world works, Like you are so limited at that age.

1307
01:03:02,680 --> 01:03:05,360
Speaker 4: And it instantly made me feel so bad for this

1308
01:03:05,520 --> 01:03:07,560
Speaker 4: character because you think, like, all right, me at thirteen,

1309
01:03:07,600 --> 01:03:09,560
Speaker 4: what would I do if I just woke up and

1310
01:03:09,680 --> 01:03:12,360
Speaker 4: couldn't use any of the resources I have in my

1311
01:03:12,440 --> 01:03:14,280
Speaker 4: family or with the people I know to help.

1312
01:03:14,120 --> 01:03:18,400
Speaker 3: Me eat or get by. Yeah, it's just so sad.

1313
01:03:18,920 --> 01:03:21,360
Speaker 3: And he cries. I love that he cries in the

1314
01:03:21,360 --> 01:03:25,360
Speaker 3: hotel room after his buddy leaves. His buddy Billy leaves him.

1315
01:03:25,640 --> 01:03:26,920
Speaker 2: Oh my god, that hotel.

1316
01:03:27,120 --> 01:03:30,240
Speaker 3: Okay, this hotel was life changing for me. This scene

1317
01:03:30,360 --> 01:03:31,480
Speaker 3: was life changing for me.

1318
01:03:31,880 --> 01:03:34,560
Speaker 4: It instilled the fear that has not quite gone away.

1319
01:03:34,960 --> 01:03:36,920
Speaker 4: It's worse than the hotel room from Fame.

1320
01:03:37,360 --> 01:03:41,400
Speaker 2: Yeah, it's like the hotel from basket Case. Meet's like

1321
01:03:41,680 --> 01:03:45,200
Speaker 2: the Saint Mark's hotel. Like it's just like, so bad,

1322
01:03:45,360 --> 01:03:46,480
Speaker 2: so bad, it's so bad.

1323
01:03:46,520 --> 01:03:48,760
Speaker 4: There's a scene where he's watching TV and it's like

1324
01:03:48,800 --> 01:03:51,280
Speaker 4: a gunfight kind of TV show and then he turns

1325
01:03:51,280 --> 01:03:54,160
Speaker 4: the TV off and there's gunshots outside and sirens.

1326
01:03:54,160 --> 01:03:55,040
Speaker 3: It's just so sad.

1327
01:03:55,080 --> 01:03:58,760
Speaker 4: But he's really, oh my god, just he misses home

1328
01:03:58,840 --> 01:04:03,040
Speaker 4: and it's instantaneous how much he is uncomfortable in this role,

1329
01:04:03,040 --> 01:04:06,000
Speaker 4: which again is something I really appreciate about the age

1330
01:04:06,080 --> 01:04:09,240
Speaker 4: change films, where they dial into the kid thing a

1331
01:04:09,280 --> 01:04:11,560
Speaker 4: little bit more and it's not just like, hey, everything's great,

1332
01:04:11,600 --> 01:04:16,120
Speaker 4: I'm judge Ryan holds Now, Like they really dig into it. See.

1333
01:04:16,160 --> 01:04:18,760
Speaker 2: This is the thing I think that did hit me

1334
01:04:18,760 --> 01:04:20,600
Speaker 2: because I haven't seen this movie in a long time,

1335
01:04:20,880 --> 01:04:22,919
Speaker 2: and it just must be aged. This is all I'm saying,

1336
01:04:23,000 --> 01:04:28,600
Speaker 2: because I was like, damn, he's missing. There's a fantastical

1337
01:04:28,640 --> 01:04:31,520
Speaker 2: element to the film, which is that this like unplugged

1338
01:04:31,840 --> 01:04:37,160
Speaker 2: machine has switched him into his adult self. But unlike

1339
01:04:37,320 --> 01:04:42,040
Speaker 2: my movie where it's just kind of this alternate future reality,

1340
01:04:42,120 --> 01:04:46,240
Speaker 2: he's in his present reality. He's just another person. He's

1341
01:04:46,280 --> 01:04:52,000
Speaker 2: an adult, so he's effectively a missing child to his

1342
01:04:52,120 --> 01:04:55,480
Speaker 2: mom and dad and his school and like everybody in

1343
01:04:55,520 --> 01:04:58,360
Speaker 2: his life is like where the fuck is Josh. That

1344
01:04:58,520 --> 01:05:00,760
Speaker 2: to me was like WHOA, Well, I guess I just

1345
01:05:00,920 --> 01:05:04,120
Speaker 2: never realize the gravity of that.

1346
01:05:04,320 --> 01:05:08,560
Speaker 3: He's a milk carton kid. Yes, this is a big

1347
01:05:08,680 --> 01:05:11,400
Speaker 3: fucking deal. The world is looking for this child.

1348
01:05:11,760 --> 01:05:12,680
Speaker 2: Yes, and you're right.

1349
01:05:12,760 --> 01:05:15,080
Speaker 3: Like that hit me so hard this time.

1350
01:05:14,920 --> 01:05:17,040
Speaker 4: Where I'm like, wait, this is a narrative about a

1351
01:05:17,080 --> 01:05:20,400
Speaker 4: missing kid more so than it is a new adult crazy.

1352
01:05:20,440 --> 01:05:22,880
Speaker 2: It's crazy in that way. Yeah. Wow.

1353
01:05:22,960 --> 01:05:25,560
Speaker 4: There is also in terms of like the things about

1354
01:05:25,560 --> 01:05:29,480
Speaker 4: this movie that were just wild. Elizabeth Perkins is chain

1355
01:05:29,560 --> 01:05:33,920
Speaker 4: smoking throughout The Child's movie. She is never without a

1356
01:05:33,920 --> 01:05:37,160
Speaker 4: cigarette in her hand, just like not stop smoking.

1357
01:05:36,760 --> 01:05:39,520
Speaker 3: Which is just such an eighties move. I don't know.

1358
01:05:39,560 --> 01:05:41,120
Speaker 4: That stood up to me as well, because I'm like,

1359
01:05:41,200 --> 01:05:42,760
Speaker 4: you know, she's around a kid, even though he just

1360
01:05:42,760 --> 01:05:43,560
Speaker 4: doesn't know he's a kid.

1361
01:05:43,600 --> 01:05:44,520
Speaker 3: It just just.

1362
01:05:44,520 --> 01:05:47,280
Speaker 4: Hit me a little bit There are lots of nineties

1363
01:05:47,320 --> 01:05:50,240
Speaker 4: Fox TV parents in this movie, Yes, the dad from

1364
01:05:50,240 --> 01:05:52,640
Speaker 4: Beverly Hills nine O two to zero and the mom

1365
01:05:52,680 --> 01:05:56,200
Speaker 4: from that seventies show, So for those little cameos. And

1366
01:05:56,240 --> 01:05:58,680
Speaker 4: I also really love that they have him working at

1367
01:05:58,680 --> 01:06:01,320
Speaker 4: a toy company and it's kind of funny how he

1368
01:06:01,360 --> 01:06:04,160
Speaker 4: gets like a raise. He starts out and you know,

1369
01:06:04,240 --> 01:06:07,200
Speaker 4: the data entry just because he's a kid who plays

1370
01:06:07,200 --> 01:06:09,560
Speaker 4: computer games and knows that it's type. But then he

1371
01:06:09,840 --> 01:06:14,120
Speaker 4: very quickly gets a raise and a new position as

1372
01:06:14,160 --> 01:06:18,120
Speaker 4: the vice president of product development because he actually has

1373
01:06:18,200 --> 01:06:20,600
Speaker 4: good ideas about what kids want from their toys.

1374
01:06:20,920 --> 01:06:21,160
Speaker 2: Yeah.

1375
01:06:21,200 --> 01:06:23,400
Speaker 3: So I just thought that was very very age appropriate

1376
01:06:23,440 --> 01:06:23,880
Speaker 3: and cool.

1377
01:06:24,440 --> 01:06:28,480
Speaker 2: Yeah. I mean, honestly, this this movie sets up a lot,

1378
01:06:28,560 --> 01:06:32,680
Speaker 2: I think for future generations where it's like, first of all,

1379
01:06:33,160 --> 01:06:36,280
Speaker 2: the idea that you could just land your dream job

1380
01:06:36,680 --> 01:06:39,080
Speaker 2: of playing with toys all day and then you impress

1381
01:06:39,280 --> 01:06:42,160
Speaker 2: the head of the company and then he just immediately

1382
01:06:42,200 --> 01:06:45,920
Speaker 2: makes you a VP. Like there are people that think that.

1383
01:06:46,080 --> 01:06:46,360
Speaker 4: Now.

1384
01:06:46,720 --> 01:06:48,840
Speaker 2: There are people on Twitter right now being like, oh,

1385
01:06:48,840 --> 01:06:51,040
Speaker 2: I can't wait to achieve my dream of like working

1386
01:06:51,120 --> 01:06:54,840
Speaker 2: at you know, a fucking toy company or Nintendo or

1387
01:06:55,120 --> 01:06:57,000
Speaker 2: you know somewhere and then I'm just going to become.

1388
01:06:56,760 --> 01:07:01,000
Speaker 4: A VP completely no no work, just like somebody will

1389
01:07:01,040 --> 01:07:03,600
Speaker 4: see how great I am, and I'll just get that job.

1390
01:07:03,880 --> 01:07:06,800
Speaker 2: This movie has really set it up for future fucking

1391
01:07:07,280 --> 01:07:09,880
Speaker 2: kids who have like no concept of hard work and

1392
01:07:09,920 --> 01:07:12,920
Speaker 2: how to live. But whatever. The other thing too that

1393
01:07:13,080 --> 01:07:16,240
Speaker 2: really like shock me is his apartment. I wasn't sure

1394
01:07:16,280 --> 01:07:18,000
Speaker 2: if you're going to talk about his apartment.

1395
01:07:17,720 --> 01:07:18,880
Speaker 3: We're gonna talk about that apartment.

1396
01:07:18,880 --> 01:07:20,640
Speaker 4: There are a couple of things about the apartment that

1397
01:07:21,120 --> 01:07:23,200
Speaker 4: really stood out to me this time. First of all,

1398
01:07:23,320 --> 01:07:26,680
Speaker 4: I didn't realize that he rents everything in it.

1399
01:07:26,920 --> 01:07:29,120
Speaker 2: Oh I didn't know that either, Okay.

1400
01:07:28,960 --> 01:07:31,080
Speaker 4: Yeah, Like so when they show up with all his stuff,

1401
01:07:31,120 --> 01:07:35,000
Speaker 4: and this is an apartment that is absolutely the apartment

1402
01:07:35,040 --> 01:07:37,000
Speaker 4: you would design if you are a thirteen year old

1403
01:07:37,080 --> 01:07:39,680
Speaker 4: and you have an apartment somehow, Like it is just

1404
01:07:40,280 --> 01:07:44,800
Speaker 4: wall to wall toys and fun and trampolines and pepsi

1405
01:07:44,880 --> 01:07:50,240
Speaker 4: machines and like bunk beds. It is Mayhem in there,

1406
01:07:50,840 --> 01:07:52,360
Speaker 4: and everything's rented because.

1407
01:07:52,120 --> 01:07:53,120
Speaker 3: He's getting this check.

1408
01:07:53,280 --> 01:07:57,200
Speaker 4: He's getting paid to be a vice president of his company, and.

1409
01:07:57,160 --> 01:07:59,080
Speaker 3: Of course that's what he's gonna do with his money.

1410
01:07:59,360 --> 01:08:01,480
Speaker 4: Like that's how that famous scene or you know, that

1411
01:08:01,680 --> 01:08:03,440
Speaker 4: very well known scene from the movie of you know,

1412
01:08:03,520 --> 01:08:06,640
Speaker 4: Tom Hanks and Billy sitting down in his hotel room

1413
01:08:06,720 --> 01:08:09,160
Speaker 4: playing with a silly string and eating pizza. Like, that's

1414
01:08:09,160 --> 01:08:11,320
Speaker 4: what he does with his first paycheckuse he buys as

1415
01:08:11,440 --> 01:08:12,959
Speaker 4: much pizza and candy and.

1416
01:08:12,880 --> 01:08:15,800
Speaker 3: Soda as he can, and he buys junk and games.

1417
01:08:16,200 --> 01:08:19,160
Speaker 4: So when he has the opportunity to like outfit an apartment,

1418
01:08:19,520 --> 01:08:22,160
Speaker 4: he does the same thing. I know.

1419
01:08:22,240 --> 01:08:24,200
Speaker 2: I love that that part where he gets his first

1420
01:08:24,240 --> 01:08:27,440
Speaker 2: paycheck and he's like one hundred and eighty seven dollars,

1421
01:08:27,520 --> 01:08:30,840
Speaker 2: Like he flips the fuck out right. It's like that

1422
01:08:31,000 --> 01:08:33,120
Speaker 2: moment of my movie where she talks about the cruise.

1423
01:08:33,320 --> 01:08:35,200
Speaker 2: It's just like, like that is a total little kid

1424
01:08:35,240 --> 01:08:38,200
Speaker 2: thought where you were like, holy shit, one hundred and

1425
01:08:38,320 --> 01:08:40,200
Speaker 2: eighty seven dollars, I'm a millionaire.

1426
01:08:40,439 --> 01:08:42,800
Speaker 4: One hundred dollars is huge when you're a little kid,

1427
01:08:42,880 --> 01:08:45,200
Speaker 4: it's huge, Yeah, and I love it. The other thing

1428
01:08:45,200 --> 01:08:48,080
Speaker 4: about this apartment is that it's like this classic loft

1429
01:08:48,120 --> 01:08:52,519
Speaker 4: style apartment that's just beautiful, big windows, and like you

1430
01:08:52,640 --> 01:08:55,320
Speaker 4: have to suspend this belief because when you're our age

1431
01:08:55,320 --> 01:08:57,080
Speaker 4: and you see shit like that, like it's.

1432
01:08:56,920 --> 01:09:00,000
Speaker 3: Not fun to be like, oh god, that apartment probably

1433
01:09:00,080 --> 01:09:01,360
Speaker 3: cause a million.

1434
01:09:01,160 --> 01:09:04,120
Speaker 2: Dollars And I was like, what's the rent on that apartment?

1435
01:09:04,400 --> 01:09:10,720
Speaker 3: Oh god, easily forty dollars. I bet easily, But I

1436
01:09:10,760 --> 01:09:11,040
Speaker 3: loved it.

1437
01:09:11,080 --> 01:09:13,519
Speaker 4: Again, they kept it cool and that it was like

1438
01:09:13,920 --> 01:09:16,400
Speaker 4: the kid's version of what that apartment would be. And

1439
01:09:16,439 --> 01:09:18,840
Speaker 4: they're definitely when you're looking at a lot of age

1440
01:09:18,920 --> 01:09:21,839
Speaker 4: change Get Out of My Arms movies, there are definitely

1441
01:09:21,840 --> 01:09:25,960
Speaker 4: some classic moves that I think didn't necessarily start with

1442
01:09:26,040 --> 01:09:30,280
Speaker 4: this movie, but we're definitely like really heightened with this movie.

1443
01:09:30,400 --> 01:09:32,760
Speaker 4: So you have to freak out your mom and dad,

1444
01:09:33,040 --> 01:09:35,080
Speaker 4: you have to have a best friend with you. Yes,

1445
01:09:35,160 --> 01:09:37,280
Speaker 4: you have to teach some uptight adult how to have

1446
01:09:37,360 --> 01:09:37,840
Speaker 4: fun again.

1447
01:09:38,160 --> 01:09:39,759
Speaker 2: Yes, you have to take.

1448
01:09:39,640 --> 01:09:42,519
Speaker 4: A limo through a city and stand up through the roof,

1449
01:09:42,760 --> 01:09:47,080
Speaker 4: which happens in both of our movies. Absolute and only

1450
01:09:47,240 --> 01:09:51,479
Speaker 4: nerds get to have these like freaky Friday vice versa moments.

1451
01:09:51,720 --> 01:09:52,479
Speaker 3: It's never a.

1452
01:09:52,400 --> 01:09:55,679
Speaker 4: Cool popular kid who's like wakes up in somebody else's arms.

1453
01:09:56,040 --> 01:09:59,040
Speaker 2: Yes, well, because they love their arms, they love their life,

1454
01:09:59,080 --> 01:10:00,800
Speaker 2: they love their own arm. They don't want it. They're

1455
01:10:00,840 --> 01:10:02,519
Speaker 2: like I like my arms. I don't want to get

1456
01:10:02,520 --> 01:10:03,559
Speaker 2: into anybody's arms.

1457
01:10:03,680 --> 01:10:04,840
Speaker 3: Yeah, Like we don't need this.

1458
01:10:05,120 --> 01:10:07,360
Speaker 4: Yeah, I don't need to warp into someone else's arms.

1459
01:10:07,760 --> 01:10:09,920
Speaker 4: But yeah, so these are like some classic things that

1460
01:10:10,000 --> 01:10:12,760
Speaker 4: in this movie. I think we're definitely heightened.

1461
01:10:12,920 --> 01:10:13,519
Speaker 2: Yeah, And I.

1462
01:10:13,479 --> 01:10:15,960
Speaker 4: Don't know, I just feel like it's it's I would

1463
01:10:16,040 --> 01:10:18,000
Speaker 4: kind of love to see the flip side version of

1464
01:10:18,040 --> 01:10:20,880
Speaker 4: this movie, where it's like someone who warps into their

1465
01:10:20,920 --> 01:10:24,479
Speaker 4: adult life and they're just like single and hate their

1466
01:10:24,640 --> 01:10:25,880
Speaker 4: job and it.

1467
01:10:25,920 --> 01:10:26,800
Speaker 3: Just never gets fun.

1468
01:10:26,800 --> 01:10:29,920
Speaker 4: Like maybe there's one night of accidental drunkenness with a

1469
01:10:29,920 --> 01:10:31,760
Speaker 4: couple of friends, but then the next day they wake

1470
01:10:31,840 --> 01:10:33,360
Speaker 4: up and they just have a sprained angle and they

1471
01:10:33,360 --> 01:10:36,920
Speaker 4: don't know how. Like it's just like a real adult

1472
01:10:38,080 --> 01:10:40,640
Speaker 4: like slog and it will make this movie will make

1473
01:10:40,680 --> 01:10:41,960
Speaker 4: no money and nobody will see it.

1474
01:10:42,120 --> 01:10:44,200
Speaker 3: But I would love to see that version of the

1475
01:10:44,240 --> 01:10:45,240
Speaker 3: Age Change movie.

1476
01:10:45,520 --> 01:10:48,679
Speaker 4: Now here's the part of the movie that most people

1477
01:10:48,760 --> 01:10:52,760
Speaker 4: have started to talk about in the modern age. There

1478
01:10:52,880 --> 01:10:58,840
Speaker 4: is a scene where Josh adult Josh and Susan have sex.

1479
01:10:59,040 --> 01:11:01,240
Speaker 3: We don't see the sex, we see him touch her

1480
01:11:01,280 --> 01:11:02,800
Speaker 3: boob and then he's.

1481
01:11:02,640 --> 01:11:06,200
Speaker 4: Just super happy the next day. So the implication is

1482
01:11:06,240 --> 01:11:08,679
Speaker 4: that they have boned. So what a lot of people

1483
01:11:08,720 --> 01:11:12,720
Speaker 4: talk about in the again the modern parlance, is is

1484
01:11:12,760 --> 01:11:16,200
Speaker 4: this a movie about this adult woman taking advantage of

1485
01:11:16,200 --> 01:11:18,479
Speaker 4: a thirteen year old boy? And I'll even say this,

1486
01:11:18,600 --> 01:11:20,639
Speaker 4: and that mental article that I read in the Couple

1487
01:11:20,680 --> 01:11:23,519
Speaker 4: of Things I read, Penny Marshall had said to like

1488
01:11:23,560 --> 01:11:25,519
Speaker 4: Debra Wing or somebody was trying to convince her to

1489
01:11:25,560 --> 01:11:29,240
Speaker 4: make the Josh role a woman, and Penny Marshall was like, no,

1490
01:11:29,320 --> 01:11:31,559
Speaker 4: because there's no way to not make it creepy that like,

1491
01:11:31,600 --> 01:11:34,639
Speaker 4: a thirteen year old girl is dating a thirty five

1492
01:11:34,720 --> 01:11:37,479
Speaker 4: year old man. But somehow that same rule did not

1493
01:11:37,560 --> 01:11:41,719
Speaker 4: apply for this Josh Basketball. So when I first started

1494
01:11:41,720 --> 01:11:44,000
Speaker 4: watching this movie as a kid, I was kind of like,

1495
01:11:44,160 --> 01:11:46,479
Speaker 4: they did it, like they're adults and they did it.

1496
01:11:46,920 --> 01:11:49,120
Speaker 3: Now I'm looking at it with fresh.

1497
01:11:48,840 --> 01:11:51,519
Speaker 4: Eyes, and I'm like, wait a minute, he did and

1498
01:11:51,560 --> 01:11:54,240
Speaker 4: he didn't tell her before they boned that he was

1499
01:11:54,280 --> 01:11:56,320
Speaker 4: actually a thirteen year old. He told her after she

1500
01:11:56,360 --> 01:11:58,320
Speaker 4: didn't believe him, and then he had to prove it

1501
01:11:58,320 --> 01:12:00,840
Speaker 4: to her. So here's my question that is now part

1502
01:12:00,880 --> 01:12:03,360
Speaker 4: of the conversation when people talk about this movie. So

1503
01:12:03,439 --> 01:12:07,200
Speaker 4: my question is what did Susan think was going on

1504
01:12:07,320 --> 01:12:09,320
Speaker 4: with this guy? If she didn't think he was a

1505
01:12:09,320 --> 01:12:12,320
Speaker 4: thirteen year old in somebody else's arms, Like, what did

1506
01:12:12,360 --> 01:12:14,680
Speaker 4: she think was happening with these with this dude? Because like,

1507
01:12:14,680 --> 01:12:17,080
Speaker 4: did she think he was just like effer invested, like

1508
01:12:17,120 --> 01:12:20,439
Speaker 4: he's acting like a fucking imbecile throughout most of the film.

1509
01:12:21,160 --> 01:12:23,519
Speaker 2: I mean I kind of think that's what she thought. Look,

1510
01:12:23,800 --> 01:12:28,439
Speaker 2: I feel like we know guys our age that act

1511
01:12:28,600 --> 01:12:33,960
Speaker 2: exactly like Josh at thirteen, like present day, present day, Like, yeah,

1512
01:12:34,080 --> 01:12:36,479
Speaker 2: this is real. There are guys that I know that

1513
01:12:36,600 --> 01:12:40,839
Speaker 2: run around town skateboarding, playing video games, shoot instantly, string

1514
01:12:41,000 --> 01:12:44,360
Speaker 2: eating pizza, and playing with dinosaur toys right now, have

1515
01:12:44,400 --> 01:12:47,160
Speaker 2: action figures in my forties, I know a guy like

1516
01:12:47,200 --> 01:12:50,200
Speaker 2: that at least one, if not four or five. Okay,

1517
01:12:50,400 --> 01:12:53,759
Speaker 2: So that to me was immediately like, okay, well, maybe

1518
01:12:54,439 --> 01:12:57,840
Speaker 2: this movie also set up an archetype for later, right, Like,

1519
01:12:58,400 --> 01:12:59,720
Speaker 2: I mean, come on, we both used to live in

1520
01:12:59,800 --> 01:13:02,080
Speaker 2: LA I think we know guys like this, right.

1521
01:13:02,120 --> 01:13:04,320
Speaker 4: And she makes this allowance for him, You're right, like this,

1522
01:13:04,400 --> 01:13:06,920
Speaker 4: she just makes the allowance because he, in her eyes,

1523
01:13:06,960 --> 01:13:08,240
Speaker 4: he's very nice to her.

1524
01:13:08,720 --> 01:13:11,559
Speaker 2: Right, But see it's a stretch for me to think

1525
01:13:11,640 --> 01:13:12,960
Speaker 2: that she would have stuck with it. I mean, she,

1526
01:13:13,000 --> 01:13:16,360
Speaker 2: come on, she's a cigarette smoking you know, Lady of

1527
01:13:16,400 --> 01:13:16,960
Speaker 2: the office.

1528
01:13:17,080 --> 01:13:19,000
Speaker 3: She's a high power eighties bitch.

1529
01:13:19,120 --> 01:13:23,200
Speaker 2: Yeah, And I feel like after the first date where

1530
01:13:23,200 --> 01:13:25,479
Speaker 2: she's like, Yo, this guy's weird, she would have been out.

1531
01:13:25,520 --> 01:13:27,240
Speaker 2: I don't think she would have stuck with it. She

1532
01:13:27,479 --> 01:13:31,040
Speaker 2: definitely would have never called him again. After she was

1533
01:13:31,080 --> 01:13:34,240
Speaker 2: forced to sleep in a football shirt on the bottom

1534
01:13:34,360 --> 01:13:37,360
Speaker 2: bunk of a bunk bed, she would have definitely been

1535
01:13:37,439 --> 01:13:38,479
Speaker 2: gone after that.

1536
01:13:38,680 --> 01:13:38,960
Speaker 3: Yeah.

1537
01:13:39,040 --> 01:13:42,960
Speaker 4: I think there's like several moments where she would not

1538
01:13:43,160 --> 01:13:44,599
Speaker 4: have hung out in real.

1539
01:13:44,400 --> 01:13:47,920
Speaker 3: Life with this dude. Yes, several moments they're playing again,

1540
01:13:47,960 --> 01:13:49,479
Speaker 3: they're played for last in the film.

1541
01:13:49,680 --> 01:13:52,080
Speaker 4: Yeah, But if we're gonna go down that road of

1542
01:13:52,120 --> 01:13:55,400
Speaker 4: did this adult woman sleep as thirteen year old child,

1543
01:13:56,040 --> 01:13:58,559
Speaker 4: we have to consider all of these moments.

1544
01:13:58,840 --> 01:14:01,599
Speaker 3: Yeah, because even if that's not her first thought.

1545
01:14:01,640 --> 01:14:03,880
Speaker 4: Like, let's say, you know, you meet this guy, like

1546
01:14:03,960 --> 01:14:06,400
Speaker 4: you know, your friend who's skateboarding and silly stringing and

1547
01:14:06,479 --> 01:14:08,639
Speaker 4: you know, eating pizza and having action figures and he's

1548
01:14:08,640 --> 01:14:11,519
Speaker 4: in his late forties. You meet that guy, my first

1549
01:14:11,520 --> 01:14:14,040
Speaker 4: thought isn't oh, he's a thirteen year old trapped in

1550
01:14:14,080 --> 01:14:15,040
Speaker 4: somebody else's arms.

1551
01:14:15,320 --> 01:14:17,920
Speaker 3: My first thought is, this is an underdeveloped adult male

1552
01:14:19,000 --> 01:14:20,840
Speaker 3: I don't want to hang out with again.

1553
01:14:21,080 --> 01:14:22,960
Speaker 4: So yeah, I guess I'm just kind of turning this

1554
01:14:23,040 --> 01:14:26,479
Speaker 4: a little bit away from the sex angle and more

1555
01:14:26,520 --> 01:14:28,639
Speaker 4: towards like Susan as the adult.

1556
01:14:28,720 --> 01:14:30,320
Speaker 3: What did she think was happening here?

1557
01:14:30,720 --> 01:14:30,920
Speaker 4: Yeah?

1558
01:14:31,200 --> 01:14:33,439
Speaker 2: To me, I gotta be honest with you. The next

1559
01:14:33,520 --> 01:14:36,200
Speaker 2: day part right where he comes to the office all smiling,

1560
01:14:36,520 --> 01:14:40,519
Speaker 2: I don't know if I necessarily thought they actually did it.

1561
01:14:40,880 --> 01:14:44,000
Speaker 2: If you will, oh, I don't know if I thought that.

1562
01:14:44,400 --> 01:14:46,400
Speaker 2: And this is again I haven't seen it in a

1563
01:14:46,479 --> 01:14:48,720
Speaker 2: very long time, but this time I was like, I

1564
01:14:48,760 --> 01:14:53,120
Speaker 2: don't really know what happened. It's like a big TVD right. However,

1565
01:14:53,520 --> 01:14:57,200
Speaker 2: towards the end of the film, where she knows I

1566
01:14:57,240 --> 01:15:01,519
Speaker 2: think effectively knows now what's going on, and she's still like, yo,

1567
01:15:01,640 --> 01:15:03,679
Speaker 2: what's up? Like are we still doing this? Or what

1568
01:15:03,760 --> 01:15:05,599
Speaker 2: are you gonna like go back to your old self

1569
01:15:05,600 --> 01:15:07,599
Speaker 2: and go back to your family and all this? Yeah,

1570
01:15:07,720 --> 01:15:11,679
Speaker 2: Like that to me feels so crazy, like where I'm like, Okay,

1571
01:15:11,720 --> 01:15:15,120
Speaker 2: she fully well knows what's going on now, Yes, and she's.

1572
01:15:15,000 --> 01:15:16,000
Speaker 3: Like, keep my number.

1573
01:15:18,320 --> 01:15:19,000
Speaker 4: I got her.

1574
01:15:19,520 --> 01:15:21,040
Speaker 3: I almost fell out.

1575
01:15:21,920 --> 01:15:25,640
Speaker 2: I was like, yo, that is fucked up.

1576
01:15:25,760 --> 01:15:29,920
Speaker 4: Okay, Like I know dating is hard, but god damn

1577
01:15:30,040 --> 01:15:32,240
Speaker 4: says like, you can't be trolling a middle school and

1578
01:15:32,360 --> 01:15:33,560
Speaker 4: be like seven years.

1579
01:15:33,280 --> 01:15:35,040
Speaker 3: Look me up. You can't do it.

1580
01:15:35,120 --> 01:15:38,519
Speaker 4: You just set out This child's thirteen, give it up,

1581
01:15:38,600 --> 01:15:41,000
Speaker 4: give up the tree, walk out of his life and

1582
01:15:41,040 --> 01:15:43,479
Speaker 4: directly into a therapist's office and never leave.

1583
01:15:43,680 --> 01:15:44,919
Speaker 3: Just move in with a therapist.

1584
01:15:45,920 --> 01:15:49,320
Speaker 2: Yeah, there's so many questions, so many questions about that.

1585
01:15:49,439 --> 01:15:49,719
Speaker 4: Now.

1586
01:15:50,240 --> 01:15:52,160
Speaker 2: When I saw this as a kid, I definitely didn't

1587
01:15:52,240 --> 01:15:53,640
Speaker 2: get it. I was like, I, O don't know. This

1588
01:15:53,680 --> 01:15:55,760
Speaker 2: seems totally above board to me. I don't know what's

1589
01:15:55,760 --> 01:15:58,880
Speaker 2: going on. But now I'm like, hmm, this is some

1590
01:15:58,960 --> 01:16:02,040
Speaker 2: crazy shit of this is a little crazy, you know.

1591
01:16:02,080 --> 01:16:04,080
Speaker 4: And that's I feel like that happens to me a

1592
01:16:04,120 --> 01:16:06,200
Speaker 4: lot when I watch the movies of my youth now,

1593
01:16:06,200 --> 01:16:08,760
Speaker 4: where I'm like, damn, y'all weren't paying attention to what

1594
01:16:08,840 --> 01:16:13,360
Speaker 4: we were watching at all, like anything goes because it

1595
01:16:13,400 --> 01:16:15,000
Speaker 4: wasn't like it was a more innocent time.

1596
01:16:15,080 --> 01:16:18,240
Speaker 3: It was just like more shit slid by.

1597
01:16:18,320 --> 01:16:21,639
Speaker 2: A lot of weird storylines to get through this film

1598
01:16:22,200 --> 01:16:25,559
Speaker 2: and you're like, wait a minute, that's weird. Actually focus on.

1599
01:16:25,520 --> 01:16:29,080
Speaker 4: The big piano, ignore the chain, smoking, eye powered eighties

1600
01:16:29,120 --> 01:16:31,719
Speaker 4: office bitch or trying to back on this kid.

1601
01:16:33,760 --> 01:16:35,400
Speaker 3: I do think this movie holds up and a lot.

1602
01:16:35,439 --> 01:16:38,479
Speaker 4: Even though it raises a lot of questions, it also

1603
01:16:38,680 --> 01:16:39,879
Speaker 4: totally holds up.

1604
01:16:39,800 --> 01:16:41,760
Speaker 3: In the age change category.

1605
01:16:41,720 --> 01:16:45,240
Speaker 4: Yeah, because it provides that realness, Like again, you wake

1606
01:16:45,320 --> 01:16:48,040
Speaker 4: up and you don't recognize who you are, and in

1607
01:16:48,040 --> 01:16:50,720
Speaker 4: a philosophical sense that you know, plays into a lot

1608
01:16:50,720 --> 01:16:52,400
Speaker 4: of adults who wake up and they're like, who am

1609
01:16:52,479 --> 01:16:54,360
Speaker 4: I used to be so cool and fun or whatever.

1610
01:16:54,760 --> 01:16:57,320
Speaker 4: I'm exactly who I wasn't thirteen and I'm the same bitch.

1611
01:16:57,560 --> 01:16:59,479
Speaker 4: But I know a lot of people are like, oh

1612
01:16:59,520 --> 01:17:01,960
Speaker 4: my god, I used to be so cool and fun.

1613
01:17:02,439 --> 01:17:04,320
Speaker 3: You know, they kind of want to explore that.

1614
01:17:04,439 --> 01:17:07,280
Speaker 4: But yeah, in that philosophical sense, it makes for an

1615
01:17:07,280 --> 01:17:10,280
Speaker 4: interesting movie. But I think it also makes for it's

1616
01:17:10,280 --> 01:17:12,320
Speaker 4: just kind of a good fun kids movie of like,

1617
01:17:12,360 --> 01:17:15,000
Speaker 4: because again, there's so many moves in this film that

1618
01:17:15,120 --> 01:17:18,520
Speaker 4: are they feel very real to me, and they're exploring

1619
01:17:18,520 --> 01:17:22,400
Speaker 4: something here in the age change category that isn't pure fun,

1620
01:17:22,640 --> 01:17:28,680
Speaker 4: Like they're digging into how lonely and sad and uncertain

1621
01:17:29,120 --> 01:17:32,880
Speaker 4: life can be when you're thirteen, and how sometimes it

1622
01:17:32,920 --> 01:17:34,360
Speaker 4: doesn't even go away when you're thirty.

1623
01:17:34,720 --> 01:17:38,040
Speaker 2: Yeah, oh my god, I have to say, like we

1624
01:17:38,120 --> 01:17:40,720
Speaker 2: have done so many Tom Hanks movies on this podcast

1625
01:17:40,720 --> 01:17:45,880
Speaker 2: at this point, really aph but it is for good reason.

1626
01:17:45,960 --> 01:17:48,360
Speaker 2: It's like when I watch this movie again, I was like,

1627
01:17:48,880 --> 01:17:52,920
Speaker 2: he is so fucking charming, Like who is more charming

1628
01:17:52,960 --> 01:17:56,639
Speaker 2: than Tom Hanks? Like it was definitely like many moments

1629
01:17:56,960 --> 01:18:00,200
Speaker 2: with Billy, his friend, the actor Jared Rushton I think

1630
01:18:00,200 --> 01:18:02,599
Speaker 2: it's his name, Yeah, where the two of them were

1631
01:18:02,640 --> 01:18:04,960
Speaker 2: like running around town together. That whole sequence of them

1632
01:18:05,040 --> 01:18:08,439
Speaker 2: running around town together of them like you know, going

1633
01:18:08,520 --> 01:18:14,160
Speaker 2: too the Yankees game, my hormones and my like body

1634
01:18:14,240 --> 01:18:17,720
Speaker 2: parts that want a child, like it's a very very

1635
01:18:17,760 --> 01:18:22,120
Speaker 2: small percentage left in the body was like aching. I

1636
01:18:22,240 --> 01:18:25,080
Speaker 2: was like, oh my god, look at this like man

1637
01:18:25,200 --> 01:18:27,320
Speaker 2: with his song, Like that's kind of what it reminded

1638
01:18:27,320 --> 01:18:29,599
Speaker 2: me of where I was like, he is so good

1639
01:18:29,640 --> 01:18:32,880
Speaker 2: with this kid, like Tom Hanks the adult actor is

1640
01:18:32,960 --> 01:18:36,280
Speaker 2: so good with this child actor. Yeah, I wish he

1641
01:18:36,400 --> 01:18:38,200
Speaker 2: was my husband. I wish this was my child, Like

1642
01:18:38,240 --> 01:18:41,120
Speaker 2: I was having a moment, like my hormones were going crazy.

1643
01:18:41,320 --> 01:18:43,320
Speaker 2: But I don't want kids, I don't want a husband.

1644
01:18:43,400 --> 01:18:46,479
Speaker 2: I'm like, Yo, all of a sudden, everything's upside down.

1645
01:18:46,560 --> 01:18:51,000
Speaker 2: By watching this montage sequence, this simple montage sequence.

1646
01:18:51,080 --> 01:18:52,639
Speaker 3: He's a sneaky agent that.

1647
01:18:54,200 --> 01:18:56,160
Speaker 4: You're watching a funny movie, laugh in your ass of.

1648
01:18:56,240 --> 01:18:58,520
Speaker 4: But then you're like, oh my god, I want a baby.

1649
01:18:58,720 --> 01:19:01,280
Speaker 2: I know, couldn't be more charge. I mean just the

1650
01:19:01,479 --> 01:19:04,440
Speaker 2: entire montage sequence was so fun to watch.

1651
01:19:04,520 --> 01:19:06,120
Speaker 3: So good. And you know what I really like too,

1652
01:19:06,240 --> 01:19:08,320
Speaker 3: like speaking of him with the kids.

1653
01:19:08,120 --> 01:19:10,719
Speaker 4: I really love this kid relationship with the best friend

1654
01:19:10,840 --> 01:19:13,800
Speaker 4: because Billy walks around like he owns the place, Like

1655
01:19:13,880 --> 01:19:16,360
Speaker 4: he is not doing that little cowering like I'm just

1656
01:19:16,400 --> 01:19:18,120
Speaker 4: a kid in an office in New York City.

1657
01:19:18,320 --> 01:19:19,360
Speaker 3: He busts in the door and.

1658
01:19:19,360 --> 01:19:21,000
Speaker 4: He's like, I want to see my friend Josh, and

1659
01:19:21,080 --> 01:19:24,799
Speaker 4: he just like walks in and he just like carries

1660
01:19:24,800 --> 01:19:26,360
Speaker 4: that attitude throughout the movie.

1661
01:19:26,400 --> 01:19:27,440
Speaker 3: It is hilarious.

1662
01:19:27,840 --> 01:19:30,599
Speaker 2: Yeah, I love I mean, we've talked about this before, like,

1663
01:19:30,680 --> 01:19:32,639
Speaker 2: well I think we talked about this with River's Edge,

1664
01:19:32,760 --> 01:19:36,760
Speaker 2: or you know, like I love a scrappy, fucking kid,

1665
01:19:36,880 --> 01:19:38,800
Speaker 2: like a kid in New York city that's like, hey,

1666
01:19:39,680 --> 01:19:43,240
Speaker 2: catching cabs, be like I'm walking here, you know, like

1667
01:19:43,360 --> 01:19:46,160
Speaker 2: his that kind of guy, like his friend is that

1668
01:19:46,280 --> 01:19:49,200
Speaker 2: kind of like scrappy dude. I just love that. I

1669
01:19:49,240 --> 01:19:50,479
Speaker 2: love that so much.

1670
01:19:50,800 --> 01:19:51,479
Speaker 3: It's a great movie.

1671
01:19:51,520 --> 01:19:54,400
Speaker 4: It'll make you think, yeah, it's a great one to rewatch.

1672
01:19:54,680 --> 01:19:58,920
Speaker 4: It's charming as fuck, it's got again classic moments that

1673
01:19:58,960 --> 01:19:59,839
Speaker 4: I think inform.

1674
01:20:00,280 --> 01:20:03,640
Speaker 3: This movie was so huge. Yeah, no pun intended that.

1675
01:20:03,720 --> 01:20:07,320
Speaker 4: I think it really informed a lot of the age

1676
01:20:07,439 --> 01:20:09,080
Speaker 4: change movies that came after it.

1677
01:20:09,240 --> 01:20:13,120
Speaker 2: Absolutely. I think, honestly, like we couldn't have picked two

1678
01:20:13,200 --> 01:20:16,439
Speaker 2: better movies because they're kind of like perfect for each other.

1679
01:20:16,520 --> 01:20:19,799
Speaker 2: Like I said, not just because they're both featuring characters

1680
01:20:19,840 --> 01:20:22,599
Speaker 2: who are thirteen that become thirty years old, but also

1681
01:20:22,640 --> 01:20:25,160
Speaker 2: they're kind of like they kind of take place in

1682
01:20:25,200 --> 01:20:29,080
Speaker 2: the same time, you know, And honestly, like both Jennifer

1683
01:20:29,120 --> 01:20:32,880
Speaker 2: Garner and Tom Hanks are like two very likable, charming actors,

1684
01:20:33,240 --> 01:20:35,600
Speaker 2: and they do a great job with like doing the

1685
01:20:35,640 --> 01:20:37,400
Speaker 2: whole like I have to pretend to be a kid

1686
01:20:37,400 --> 01:20:39,439
Speaker 2: even though I'm an adult. Thing that could be really

1687
01:20:39,479 --> 01:20:42,160
Speaker 2: clunky and like weird, but they kind of do it,

1688
01:20:42,200 --> 01:20:45,320
Speaker 2: and it's charming. So hey, that's great. That's a testament

1689
01:20:45,360 --> 01:20:46,760
Speaker 2: to their talent, right It.

1690
01:20:46,880 --> 01:20:49,360
Speaker 4: Truly is, it truly is, And you know, I really

1691
01:20:49,840 --> 01:20:54,000
Speaker 4: think it's time for an age change. Get Out of

1692
01:20:54,000 --> 01:20:58,360
Speaker 4: My Arms movie where some kid turns into Idris Elba.

1693
01:20:58,680 --> 01:21:00,519
Speaker 3: Let's just see Idris elbow and like.

1694
01:21:00,479 --> 01:21:03,360
Speaker 4: I don't know how to do anything, but I'm like,

1695
01:21:03,720 --> 01:21:05,000
Speaker 4: uh hot, British dude.

1696
01:21:05,479 --> 01:21:08,920
Speaker 2: Listen. They could do so many of these movies. They

1697
01:21:08,920 --> 01:21:10,599
Speaker 2: could do an interestingble one, they could do it with

1698
01:21:10,720 --> 01:21:14,120
Speaker 2: one with Statham. They could have like pretty much any

1699
01:21:14,200 --> 01:21:19,800
Speaker 2: kid jump into a British action movie star's body. We

1700
01:21:19,840 --> 01:21:21,000
Speaker 2: would be their opening night.

1701
01:21:21,479 --> 01:21:22,760
Speaker 3: I would be there every night.

1702
01:21:24,880 --> 01:21:27,880
Speaker 2: What heavens, holy shit.

1703
01:21:27,880 --> 01:21:29,759
Speaker 3: Wake up in your fucking Idris Elba.

1704
01:21:30,479 --> 01:21:33,360
Speaker 4: Uh uh, I'm watching that movie eight hundred times.

1705
01:21:34,160 --> 01:21:37,360
Speaker 2: Well, listen, I'm so glad we salvaged this theme. It

1706
01:21:37,479 --> 01:21:40,080
Speaker 2: was so fun. Literally, the term get out of My

1707
01:21:40,200 --> 01:21:43,439
Speaker 2: Arms makes me laugh every time we have said it

1708
01:21:43,520 --> 01:21:46,160
Speaker 2: and had and had said it before. And I'm just

1709
01:21:46,200 --> 01:21:48,360
Speaker 2: so glad that we got to talk about these films

1710
01:21:48,360 --> 01:21:51,000
Speaker 2: because they're so fun to watch. Just it was a blast.

1711
01:21:51,040 --> 01:21:53,160
Speaker 2: It was a blast watch both too.

1712
01:21:53,479 --> 01:21:54,160
Speaker 3: I loved it.

1713
01:21:54,200 --> 01:21:57,000
Speaker 4: I loved it, And we are we're taking off next week,

1714
01:21:57,000 --> 01:21:59,480
Speaker 4: but there is going to be a bonus episode on Thursday.

1715
01:22:00,000 --> 01:22:02,480
Speaker 3: It's on Mark twenty fourth. There will be a bonus episode.

1716
01:22:02,680 --> 01:22:06,080
Speaker 4: We'll be back with a new episode on the twenty ninth.

1717
01:22:06,240 --> 01:22:08,599
Speaker 3: And do you want to tell them what those movies are?

1718
01:22:09,240 --> 01:22:14,639
Speaker 2: Yes, your movies for the twenty ninth are Psycho from

1719
01:22:14,760 --> 01:22:18,320
Speaker 2: nineteen ninety eight and Psycho from nineteen sixty.

1720
01:22:18,920 --> 01:22:19,880
Speaker 3: I mean, guess the theme.

1721
01:22:19,920 --> 01:22:21,760
Speaker 4: But also if you've been listening to the podcast, you

1722
01:22:21,840 --> 01:22:24,320
Speaker 4: know this theme, but also guess maybe you don't, maybe

1723
01:22:24,360 --> 01:22:24,639
Speaker 4: you don't.

1724
01:22:24,680 --> 01:22:25,760
Speaker 3: Maybe we switched it up on you.

1725
01:22:27,160 --> 01:22:29,799
Speaker 2: Well listen if you want to talk about your body

1726
01:22:29,840 --> 01:22:33,680
Speaker 2: switch moment. Maybe you've got some wishing powder sprinkled on you.

1727
01:22:33,720 --> 01:22:37,320
Speaker 2: Maybe you saw or a Zoltar machine. Email us, We're

1728
01:22:37,360 --> 01:22:39,280
Speaker 2: at I saw what you did pot at gmail dot com.

1729
01:22:39,280 --> 01:22:42,200
Speaker 4: Maybe you saw don't mess with the Zohar machine and

1730
01:22:42,280 --> 01:22:44,040
Speaker 4: turn it to Adam sandler.

1731
01:22:45,240 --> 01:22:45,719
Speaker 3: Son.

1732
01:22:47,080 --> 01:22:51,080
Speaker 2: So ann Zoltan Dracula Dracula dog from Hell? Is that

1733
01:22:51,080 --> 01:22:53,240
Speaker 2: the name of the There's so many.

1734
01:22:53,479 --> 01:22:55,439
Speaker 3: There's so many that you can morph into.

1735
01:22:56,000 --> 01:22:59,639
Speaker 4: But if you want to find us on our social media,

1736
01:23:00,560 --> 01:23:02,919
Speaker 4: I saw a pot on Instagram and Twitter.

1737
01:23:03,240 --> 01:23:05,720
Speaker 2: Well, if you're looking for merch, you came to the

1738
01:23:05,760 --> 01:23:09,519
Speaker 2: right place. If you're at the exactly right shop, exactly

1739
01:23:09,600 --> 01:23:10,519
Speaker 2: Rightmedia dot com.

1740
01:23:11,840 --> 01:23:14,240
Speaker 4: And if you want even more from us, we have

1741
01:23:14,320 --> 01:23:18,840
Speaker 4: a whole bunch of bonus episodes at Stitcher Premium exclusively

1742
01:23:19,439 --> 01:23:22,200
Speaker 4: and you can still use the promo code SAW for

1743
01:23:22,280 --> 01:23:25,240
Speaker 4: a free month. We've got like twenty bonus episodes almost

1744
01:23:25,439 --> 01:23:25,960
Speaker 4: up in there.

1745
01:23:26,280 --> 01:23:30,000
Speaker 2: Dude, They're so fun. Every time I like, I'm reminded

1746
01:23:30,040 --> 01:23:32,080
Speaker 2: of the bonus, I'm like, it's such a fun place

1747
01:23:32,080 --> 01:23:34,880
Speaker 2: for us to like answer questions and like hang out.

1748
01:23:35,000 --> 01:23:37,960
Speaker 2: Y'all are crazy, Like y'all send us crazy stuff and

1749
01:23:38,000 --> 01:23:41,160
Speaker 2: we love like reading them because we don't really read

1750
01:23:41,200 --> 01:23:45,000
Speaker 2: them very much before. We just sort of browse through them.

1751
01:23:45,000 --> 01:23:46,960
Speaker 2: But then when we actually read them on air, we're

1752
01:23:46,960 --> 01:23:49,320
Speaker 2: like genuinely surprised about what y'all have to say. It's

1753
01:23:49,360 --> 01:23:49,880
Speaker 2: so funny.

1754
01:23:50,000 --> 01:23:57,280
Speaker 3: Yeah, you're definitely some stuff some surprises in there, but

1755
01:23:57,360 --> 01:23:58,439
Speaker 3: this was so fun.

1756
01:23:58,680 --> 01:24:02,000
Speaker 2: Yeah, this was so fun. Thank you again, Danielle for

1757
01:24:02,120 --> 01:24:06,840
Speaker 2: deciding to say your age as opposed to I don't know,

1758
01:24:07,040 --> 01:24:09,439
Speaker 2: switching your body when you were thirteen, because then we

1759
01:24:09,439 --> 01:24:11,439
Speaker 2: wouldn't have done. This podcast is all I'm saying we

1760
01:24:11,479 --> 01:24:12,000
Speaker 2: wouldn't have.

1761
01:24:11,960 --> 01:24:14,760
Speaker 4: Done it, but it's not too late for us to

1762
01:24:14,920 --> 01:24:17,599
Speaker 4: jump into the arms of like an.

1763
01:24:17,479 --> 01:24:18,240
Speaker 3: Eighty year old.

1764
01:24:18,960 --> 01:24:21,599
Speaker 4: We can still do an age change, just like, oh God,

1765
01:24:21,640 --> 01:24:23,720
Speaker 4: I'm on dialysis or whatever I.

1766
01:24:23,640 --> 01:24:25,920
Speaker 2: Would love to be George Burns. Can I jump into

1767
01:24:25,960 --> 01:24:27,040
Speaker 2: George Burns's bunny.

1768
01:24:27,479 --> 01:24:29,360
Speaker 3: It's the only way I'll accept it. From here.

1769
01:24:31,240 --> 01:24:41,360
Speaker 4: By this has been an exactly right production. Our producer

1770
01:24:41,400 --> 01:24:44,720
Speaker 4: is Alexis Samrosi, Our engineer is Ryo Baum. Our theme

1771
01:24:44,760 --> 01:24:47,719
Speaker 4: song is by Tom bry Logel. Artwork by Garrett Ross.

1772
01:24:48,000 --> 01:24:51,080
Speaker 4: Our executive producers are Georgia Hartstar, Karen kil Gareth and

1773
01:24:51,160 --> 01:24:54,160
Speaker 4: Daniell Kramer. You can follow us on Instagram and Twitter

1774
01:24:54,200 --> 01:24:56,559
Speaker 4: at I Saw Pod. You can email us at I

1775
01:24:56,600 --> 01:24:59,120
Speaker 4: Saw What You Did Pod at Gmail, and please don't

1776
01:24:59,160 --> 01:25:01,760
Speaker 4: forget to listen, subscribe and leave us a review on

1777
01:25:01,920 --> 01:25:04,920
Speaker 4: Apple Podcasts, Stitcher, or wherever you listen