1 00:00:01,280 --> 00:00:04,320 Speaker 1: Welcome to Stuff you missed in History Class, a production 2 00:00:04,400 --> 00:00:13,920 Speaker 1: of I Heart Radio Happy Friday. I'm Tracy V. Wilson 3 00:00:14,080 --> 00:00:18,400 Speaker 1: and I'm Holly Fry. We talked about Collette all this week. 4 00:00:18,520 --> 00:00:24,919 Speaker 1: We sure did, Yes, I am ninety nine sure that 5 00:00:25,000 --> 00:00:27,880 Speaker 1: when we were in Paris and I took a little 6 00:00:27,920 --> 00:00:31,080 Speaker 1: trip off of our official planned things to go to 7 00:00:31,120 --> 00:00:36,360 Speaker 1: Parlashes that I went to her grave. I cannot find 8 00:00:36,800 --> 00:00:42,639 Speaker 1: photographic evidence of this, and uh, in my pictures, I'm 9 00:00:42,640 --> 00:00:44,680 Speaker 1: pretty sure I did that, though I do have a 10 00:00:44,680 --> 00:00:48,800 Speaker 1: picture of There's a map as you enter that shows 11 00:00:48,840 --> 00:00:52,479 Speaker 1: you where various notable people are buried, and I definitely 12 00:00:52,520 --> 00:00:57,000 Speaker 1: have a picture showing me on the map where Collette's 13 00:00:57,000 --> 00:01:00,880 Speaker 1: burial was, so that I have. I had a cat 14 00:01:00,960 --> 00:01:05,360 Speaker 1: named after her. Yeah, was your cat a mess? No? 15 00:01:05,680 --> 00:01:08,039 Speaker 1: Well sort of. This is a little bit sad, but 16 00:01:08,120 --> 00:01:10,959 Speaker 1: you may remember because this cat passed when I was 17 00:01:11,840 --> 00:01:13,720 Speaker 1: when we were working together, we had not had her 18 00:01:14,040 --> 00:01:16,040 Speaker 1: for very long, and we didn't know that when we 19 00:01:16,080 --> 00:01:19,679 Speaker 1: adopted her. She was quite sick, so we didn't have 20 00:01:19,720 --> 00:01:22,399 Speaker 1: her for a very long time. But she was very 21 00:01:22,440 --> 00:01:25,319 Speaker 1: beautiful and kind of a hilarious drama queen, So it 22 00:01:25,319 --> 00:01:28,600 Speaker 1: seemed sort of perfect for her. Yeah, I remember when 23 00:01:28,600 --> 00:01:36,600 Speaker 1: that happened, but I had forgotten what her name was. Yeah. One. 24 00:01:36,880 --> 00:01:40,039 Speaker 1: There are various things that came up in research that 25 00:01:40,080 --> 00:01:43,959 Speaker 1: did not make their way into the episode, which always happens. 26 00:01:45,319 --> 00:01:48,000 Speaker 1: One of the things that particularly stuck out to me, though, 27 00:01:48,360 --> 00:01:53,000 Speaker 1: was that Um when she was writing Sari, which a 28 00:01:53,040 --> 00:01:57,160 Speaker 1: lot of people mistakenly believe was about like inspired by 29 00:01:58,320 --> 00:02:02,200 Speaker 1: Bert Trauma, which no, she wrote SERI before they ever met, 30 00:02:02,480 --> 00:02:05,000 Speaker 1: or at least had had at least written a bunch 31 00:02:05,040 --> 00:02:07,880 Speaker 1: of it instarted publishing it serious serially before they ever met. 32 00:02:08,680 --> 00:02:13,480 Speaker 1: But her husband and his father I read Juvenil. He 33 00:02:13,560 --> 00:02:16,600 Speaker 1: was not a fan of that book, and so as 34 00:02:16,639 --> 00:02:20,360 Speaker 1: I was, I was like, was he psychic? Did he 35 00:02:20,560 --> 00:02:25,640 Speaker 1: have a premonition, or did he otherwise think this book 36 00:02:25,720 --> 00:02:29,680 Speaker 1: suggested things about his wife that he found troubling. I 37 00:02:29,840 --> 00:02:33,720 Speaker 1: sure found that. I don't even like using the word 38 00:02:33,760 --> 00:02:39,200 Speaker 1: relationship for weird. Like clearly at the time, that's how 39 00:02:39,240 --> 00:02:42,079 Speaker 1: everybody was describing it, and they saw it as a relationship, 40 00:02:42,120 --> 00:02:45,440 Speaker 1: but it was it was gross. Um. A lot of 41 00:02:45,440 --> 00:02:50,000 Speaker 1: stuff she said about it was gross her. It's it's 42 00:02:50,200 --> 00:02:53,440 Speaker 1: way more obvious from accounts at the time that a 43 00:02:53,440 --> 00:02:55,399 Speaker 1: lot of people found a lot of the things that 44 00:02:56,080 --> 00:02:59,160 Speaker 1: um we lead did in their relationship to be really gross. 45 00:02:59,480 --> 00:03:06,680 Speaker 1: Um So it's like aspects of that I think have 46 00:03:06,680 --> 00:03:10,000 Speaker 1: have a lot of the same connotations then as now. 47 00:03:10,400 --> 00:03:14,200 Speaker 1: But I think Collette and Bertran has like a slightly 48 00:03:14,240 --> 00:03:16,920 Speaker 1: different nuance today than it did at the time. That 49 00:03:17,120 --> 00:03:22,239 Speaker 1: just makes it particularly upsetting. Yes, and I do wonder 50 00:03:22,280 --> 00:03:25,679 Speaker 1: if some of a Ree's issue with it had more 51 00:03:25,720 --> 00:03:28,880 Speaker 1: to do with like, while it was I don't want, 52 00:03:28,919 --> 00:03:30,800 Speaker 1: I don't even know if accept it is the right word, 53 00:03:31,160 --> 00:03:37,480 Speaker 1: more common for older men to date much younger women 54 00:03:38,000 --> 00:03:41,200 Speaker 1: or even girls, the flip was not always the case, 55 00:03:41,280 --> 00:03:42,920 Speaker 1: and I wonder if that was part of why he 56 00:03:43,000 --> 00:03:48,320 Speaker 1: had issue with it. But then it also is it 57 00:03:48,360 --> 00:03:52,720 Speaker 1: almost seems like she manipulated that fact and the idea 58 00:03:52,760 --> 00:03:56,160 Speaker 1: that she would not ever be seen as predatory in 59 00:03:56,320 --> 00:04:00,200 Speaker 1: that whole relationship, because it's not as though he aimed 60 00:04:00,200 --> 00:04:02,080 Speaker 1: to her and was like ardently like I am in 61 00:04:02,120 --> 00:04:04,840 Speaker 1: love with you, as inappropriate as that would still be 62 00:04:04,880 --> 00:04:08,520 Speaker 1: by today's standards. Those sorts of relationships have certainly played 63 00:04:08,520 --> 00:04:11,320 Speaker 1: out where a younger man pursues an older woman, it 64 00:04:11,360 --> 00:04:15,960 Speaker 1: seems like she very much was driving the bus. Yeah, 65 00:04:16,240 --> 00:04:22,200 Speaker 1: she was at least very heavily steering the bus. Um. 66 00:04:22,240 --> 00:04:24,719 Speaker 1: And there are accounts that make him that to sort 67 00:04:24,720 --> 00:04:29,760 Speaker 1: of describe him as more actively involved in pursuing her 68 00:04:29,760 --> 00:04:33,479 Speaker 1: at the beginning, or at least feeling captivated by her 69 00:04:33,520 --> 00:04:37,200 Speaker 1: in some ways. But like, yeah, it's still it's still gross, 70 00:04:37,320 --> 00:04:42,240 Speaker 1: it's very grass um. Also, the all of the part 71 00:04:42,360 --> 00:04:45,279 Speaker 1: about how it really does seem like both she and 72 00:04:45,360 --> 00:04:49,680 Speaker 1: Maurice we're almost oblivious to what was happening. And I mean, 73 00:04:49,760 --> 00:04:52,360 Speaker 1: surely they were not the only people who were almost 74 00:04:52,360 --> 00:04:55,160 Speaker 1: oblivious to what was happening in France and in Paris 75 00:04:55,240 --> 00:04:58,960 Speaker 1: during the uh the Nazi occupation, but we have talked 76 00:04:59,000 --> 00:05:01,320 Speaker 1: about so many other people on the show who were 77 00:05:01,360 --> 00:05:02,960 Speaker 1: more like, we have got to get out, and we 78 00:05:03,000 --> 00:05:05,520 Speaker 1: have got to get out now, um. And it was 79 00:05:05,640 --> 00:05:08,480 Speaker 1: incredibly late in the game when they started being like, 80 00:05:09,240 --> 00:05:11,640 Speaker 1: we might need to get out of here. Well. And 81 00:05:11,680 --> 00:05:13,880 Speaker 1: I think this kind of ties back to that quote 82 00:05:13,920 --> 00:05:16,200 Speaker 1: we included at the end from Maurice where he said 83 00:05:16,200 --> 00:05:18,080 Speaker 1: that for thirty years, you know, he lived in a 84 00:05:18,120 --> 00:05:21,920 Speaker 1: fairyland with her, And I think that's it's not entirely 85 00:05:22,000 --> 00:05:28,120 Speaker 1: uncommon to read about people in certain social strata or 86 00:05:28,160 --> 00:05:33,080 Speaker 1: even artistic social strata, to just kind of feel themselves 87 00:05:33,120 --> 00:05:38,600 Speaker 1: outside of any of the realities that other people go through, 88 00:05:39,000 --> 00:05:41,440 Speaker 1: which is pretty obvious, you know, considering that she didn't 89 00:05:41,440 --> 00:05:43,760 Speaker 1: really engage with any of the politics of her life 90 00:05:43,760 --> 00:05:48,160 Speaker 1: ever now, But yes, it does even incredibly foolish in retrospect. 91 00:05:48,200 --> 00:05:51,960 Speaker 1: And also like, why are why are you publishing in 92 00:05:52,000 --> 00:05:56,560 Speaker 1: these papers that are actively harmful to the person your 93 00:05:56,680 --> 00:06:01,000 Speaker 1: husband is, Like why so many things that have gotten 94 00:06:01,040 --> 00:06:03,960 Speaker 1: into that to some degree, or like even if we're charitable, 95 00:06:04,040 --> 00:06:06,559 Speaker 1: this was bad Like and I think I said pretty 96 00:06:06,640 --> 00:06:09,680 Speaker 1: much that, but like, we don't actually know if we 97 00:06:09,720 --> 00:06:12,239 Speaker 1: need to be charitable. We have we know so little 98 00:06:12,240 --> 00:06:16,360 Speaker 1: about her personal thoughts, about her decision making process. Um, 99 00:06:16,440 --> 00:06:20,520 Speaker 1: so it's like being charitable is extending her a whole 100 00:06:20,560 --> 00:06:23,240 Speaker 1: lot of benefit of the doubt, right, it's a it's 101 00:06:23,279 --> 00:06:26,960 Speaker 1: a great deal of grace for someone we don't Yeah, 102 00:06:27,000 --> 00:06:32,240 Speaker 1: and I don't really know, um if Maurice left his 103 00:06:32,360 --> 00:06:35,279 Speaker 1: own perspective on what it was like to be living 104 00:06:35,440 --> 00:06:37,960 Speaker 1: in Paris during that time, and like being made to 105 00:06:38,000 --> 00:06:41,360 Speaker 1: wear a yellow star, we don't really know. I don't 106 00:06:41,600 --> 00:06:43,640 Speaker 1: Maybe this has written somewhere, but I didn't find it, 107 00:06:43,680 --> 00:06:47,000 Speaker 1: Like I we don't know if Collett's characterization of him 108 00:06:47,040 --> 00:06:50,920 Speaker 1: seeming almost unbothered by that, like if that was right 109 00:06:51,040 --> 00:06:53,159 Speaker 1: or not, or if that was also kind of flippant 110 00:06:53,200 --> 00:06:58,920 Speaker 1: and oblivious. Man, I just have such complicated feelings about her. Yes, uh, 111 00:06:58,960 --> 00:07:01,160 Speaker 1: I mean when I was doing the research, I was like, Yeah, 112 00:07:01,200 --> 00:07:04,520 Speaker 1: you're gonna become a mome and start like publishing stories 113 00:07:04,520 --> 00:07:07,040 Speaker 1: yourself so you can get away from your awful husband 114 00:07:07,080 --> 00:07:09,920 Speaker 1: who's being really exploited, your your create weight. You're gonna 115 00:07:09,960 --> 00:07:13,400 Speaker 1: do what what are you doing? I'm sorry? What can 116 00:07:13,480 --> 00:07:18,960 Speaker 1: I just tell you? Reading and like talking about the 117 00:07:19,080 --> 00:07:27,920 Speaker 1: constant ebb and flow of people's various romantic partners in 118 00:07:28,080 --> 00:07:32,800 Speaker 1: and out of Woodlock, who is jealous of whom it's 119 00:07:32,880 --> 00:07:41,080 Speaker 1: I'm like, man, this is exhausting. I'm too. Um. I 120 00:07:41,360 --> 00:07:48,000 Speaker 1: watched the the recent biopic starring Cure Nightley for fun 121 00:07:48,120 --> 00:07:52,680 Speaker 1: really as I was working on this um and a 122 00:07:52,760 --> 00:07:55,400 Speaker 1: couple of things just stuck out to be one. It 123 00:07:55,560 --> 00:07:59,480 Speaker 1: just it was constantly funny to me that it is 124 00:07:59,520 --> 00:08:03,000 Speaker 1: a movie about France, about someone who was a national 125 00:08:03,200 --> 00:08:07,520 Speaker 1: icon in France. Um, everybody has a British accent right, 126 00:08:07,600 --> 00:08:09,920 Speaker 1: like it would it would have been incredibly weird if 127 00:08:09,960 --> 00:08:12,800 Speaker 1: everybody had a French accent. Also, but the fact that 128 00:08:12,840 --> 00:08:18,000 Speaker 1: it just in so many ways um felt almost like 129 00:08:18,040 --> 00:08:21,280 Speaker 1: a British period piece, which it definitely was not, like 130 00:08:21,480 --> 00:08:24,640 Speaker 1: that just kind of tickled me. Um So as I 131 00:08:24,680 --> 00:08:26,600 Speaker 1: was watching it, and I was sort of, you know, 132 00:08:26,600 --> 00:08:30,000 Speaker 1: knowing at that point, having researched her whole entire life, 133 00:08:30,000 --> 00:08:34,520 Speaker 1: knowing that the uh, the movie was not gonna at 134 00:08:34,520 --> 00:08:37,840 Speaker 1: all cover the whole entire life. I as I was 135 00:08:37,880 --> 00:08:41,080 Speaker 1: watching it, I was like, I'm pretty sure this movie 136 00:08:41,160 --> 00:08:44,360 Speaker 1: is gonna stop before we get to the part where 137 00:08:44,400 --> 00:08:49,680 Speaker 1: there was this love triangle between Missy and August and Collette, 138 00:08:49,840 --> 00:08:54,800 Speaker 1: and also Collette started sleeping with her married boss, like 139 00:08:55,160 --> 00:08:57,199 Speaker 1: and I was just like, this is such a gigantic 140 00:08:57,240 --> 00:09:02,600 Speaker 1: tangle and feels like so much work to me. Also, 141 00:09:02,720 --> 00:09:05,760 Speaker 1: that movie, While I enjoyed watching that movie, it definitely 142 00:09:05,880 --> 00:09:12,320 Speaker 1: makes it's very sanitized in terms of the ending. Like 143 00:09:12,360 --> 00:09:14,120 Speaker 1: a lot of movies like this, there's a series of 144 00:09:14,120 --> 00:09:16,480 Speaker 1: title cards at the end, kind of like suggesting what 145 00:09:16,559 --> 00:09:19,520 Speaker 1: happens after the action of the movie is over, and 146 00:09:19,679 --> 00:09:24,439 Speaker 1: it almost reads like Collette and Missy lived happily ever 147 00:09:24,520 --> 00:09:27,040 Speaker 1: after for many more years, and that is a hud, 148 00:09:27,640 --> 00:09:42,959 Speaker 1: not what happened. Yeah, exhausting. I think it came up 149 00:09:43,840 --> 00:09:47,720 Speaker 1: in our Your Song episode. But you mentioned, you know, 150 00:09:47,760 --> 00:09:52,360 Speaker 1: when she started wearing trousers that that was still illegal. 151 00:09:53,679 --> 00:09:57,840 Speaker 1: It was illegal until the twenty teens in France. Technically 152 00:09:57,880 --> 00:10:00,640 Speaker 1: on the books. Just I always find that all areas. 153 00:10:00,679 --> 00:10:04,320 Speaker 1: Obviously no one was pursuing that law and like holding 154 00:10:04,320 --> 00:10:07,480 Speaker 1: anyone accountable, but it didn't get revoked until the twenty teens, 155 00:10:07,520 --> 00:10:10,200 Speaker 1: which I find hilarious. It was one of those things 156 00:10:10,200 --> 00:10:13,000 Speaker 1: where the law was more used to harass people whose 157 00:10:13,120 --> 00:10:16,040 Speaker 1: whose behavior was being seen as a problem in some 158 00:10:16,160 --> 00:10:20,880 Speaker 1: other way. Yes, so someone like Missy who had some 159 00:10:21,000 --> 00:10:26,360 Speaker 1: question marks around things like gender and sexuality, there might 160 00:10:26,400 --> 00:10:28,840 Speaker 1: actually be not as many questions. There are question marks 161 00:10:28,840 --> 00:10:30,360 Speaker 1: in my mind, just because like I don't have that 162 00:10:30,440 --> 00:10:34,240 Speaker 1: much information about missing each but like definitely things like 163 00:10:34,280 --> 00:10:37,760 Speaker 1: those laws about trousers were being used to harass people. 164 00:10:38,040 --> 00:10:41,040 Speaker 1: Yeah for sure, I mean that laws from the seventeen hundreds. 165 00:10:41,040 --> 00:10:42,800 Speaker 1: But I just as a funny factoid, I think it's 166 00:10:42,800 --> 00:10:45,920 Speaker 1: fascinating that it was still there. Lurkin, if you have 167 00:10:46,000 --> 00:10:50,760 Speaker 1: traveled to Paris to the two thousand's until the I 168 00:10:50,760 --> 00:10:54,680 Speaker 1: can't remember it was that it finally came off the books. 169 00:10:54,679 --> 00:10:59,680 Speaker 1: But like, yeah, very recently, you were also in violation 170 00:10:59,720 --> 00:11:05,280 Speaker 1: of the law if you were a woman wearing pants. Right. Ah. 171 00:11:05,600 --> 00:11:11,720 Speaker 1: My only other comment is ridiculous. Okay, Maurice just barely 172 00:11:11,800 --> 00:11:14,600 Speaker 1: didn't live long enough to see Star Wars. That's all that. 173 00:11:18,120 --> 00:11:20,600 Speaker 1: Oh that's great. Like, Oh, Maurice, if you had hung 174 00:11:20,640 --> 00:11:24,959 Speaker 1: on four more months, she would have had your mind blown. Yeah. Yeah, 175 00:11:25,080 --> 00:11:30,679 Speaker 1: I'm similarly, I have not read either of Maurice's memoirs. 176 00:11:30,800 --> 00:11:34,960 Speaker 1: I am curious. He fascinates me a little bit. Um. 177 00:11:35,000 --> 00:11:39,280 Speaker 1: It really does seem like his their relationship seems like 178 00:11:39,320 --> 00:11:43,200 Speaker 1: it was really good for Collette. She in terms of like, 179 00:11:43,640 --> 00:11:46,400 Speaker 1: is your life going to be a continual factory of 180 00:11:46,640 --> 00:11:51,439 Speaker 1: chaos and drama? Like, seems like not so much anymore 181 00:11:51,520 --> 00:11:54,480 Speaker 1: once she and Maurice got together. Um. And the things 182 00:11:54,559 --> 00:11:57,040 Speaker 1: that I have read about the like the way he 183 00:11:57,120 --> 00:12:00,600 Speaker 1: talked about her seemed really loving and devoted. Um. And 184 00:12:00,640 --> 00:12:03,400 Speaker 1: so maybe at some point I will dig up copies 185 00:12:03,440 --> 00:12:08,720 Speaker 1: of translations of those memoirs um. Apparently the one about 186 00:12:08,720 --> 00:12:13,080 Speaker 1: his becoming a father at age seventy one is really touching. Um. Yeah, 187 00:12:13,200 --> 00:12:18,560 Speaker 1: I think if you think about his level of just 188 00:12:18,760 --> 00:12:23,960 Speaker 1: absolute adoration and devotion to her, it might inform a 189 00:12:24,000 --> 00:12:27,719 Speaker 1: little bit of like why she would think he had 190 00:12:27,760 --> 00:12:31,120 Speaker 1: no problem wearing a yellow star one of the Nazis, 191 00:12:31,120 --> 00:12:33,000 Speaker 1: because I'm sure he would not have told her he 192 00:12:33,080 --> 00:12:36,360 Speaker 1: was troubled. He never wanted to trouble her in any way. Yeah, 193 00:12:36,400 --> 00:12:38,680 Speaker 1: that makes sense, and only take care of her. I 194 00:12:38,679 --> 00:12:42,679 Speaker 1: could see him being like, no, it's fine. It probably 195 00:12:42,840 --> 00:12:46,360 Speaker 1: wasn't how could it be, but to her, oh, he's fine, 196 00:12:46,400 --> 00:12:48,800 Speaker 1: he said he was fine. Yeah. Well, and the same 197 00:12:48,840 --> 00:12:51,240 Speaker 1: about his being in that internment camp, because the tonament 198 00:12:51,280 --> 00:12:55,920 Speaker 1: camp made it sound definitely very unpleasant. He probably was 199 00:12:56,000 --> 00:13:02,160 Speaker 1: kushioning that also and to protect especially considering like the 200 00:13:02,360 --> 00:13:08,560 Speaker 1: complex nature of her using her influence to secure his 201 00:13:08,640 --> 00:13:13,080 Speaker 1: release and that having been done through channels that were 202 00:13:15,120 --> 00:13:20,280 Speaker 1: not cool. Um. I think that probably also dampened his 203 00:13:20,360 --> 00:13:23,720 Speaker 1: willingness to say anything negative about any of it, right, 204 00:13:23,800 --> 00:13:26,160 Speaker 1: Like I don't want to I don't want to make waves, 205 00:13:26,240 --> 00:13:28,600 Speaker 1: I don't want to call attention. I'm not rocking any boats. 206 00:13:28,600 --> 00:13:32,920 Speaker 1: I'm stirring zero snakes, Like just everything's fine, honey, everything 207 00:13:33,000 --> 00:13:35,559 Speaker 1: is fine. I'm good, I'm with you. Maurice becomes the 208 00:13:35,600 --> 00:13:39,200 Speaker 1: really interesting one in this story. Yeah, yeah, I'm very 209 00:13:39,360 --> 00:13:43,240 Speaker 1: I'm interested at some point, probably too, to learn more 210 00:13:43,280 --> 00:13:46,800 Speaker 1: about him. Um. I also will confess that I I 211 00:13:46,960 --> 00:13:49,800 Speaker 1: sent you the quotes that he said about her, Yes, 212 00:13:53,400 --> 00:13:57,560 Speaker 1: because of course it makes me weepy deep eye. I 213 00:13:57,600 --> 00:14:00,440 Speaker 1: found them very touching. The first one that we read 214 00:14:00,440 --> 00:14:02,400 Speaker 1: that was like, and then her work became more subtled. 215 00:14:02,400 --> 00:14:04,200 Speaker 1: I was like, that almost comes out as a little 216 00:14:04,200 --> 00:14:06,480 Speaker 1: patronizing to me, but I still was very touched by it. 217 00:14:07,000 --> 00:14:09,400 Speaker 1: Oh see, it doesn't to me because I know exactly 218 00:14:09,400 --> 00:14:11,680 Speaker 1: what that experience is, to be a wild animal and 219 00:14:11,720 --> 00:14:13,840 Speaker 1: then find your person and then suddenly you feel much 220 00:14:13,840 --> 00:14:18,520 Speaker 1: more serene. Yeah, I feel at all patronizing and like, yes, 221 00:14:18,559 --> 00:14:21,480 Speaker 1: that's an accurate description of what can happen if you 222 00:14:21,520 --> 00:14:26,600 Speaker 1: eat the right person. Well, happy Early Valentine's Day, everybody 223 00:14:26,840 --> 00:14:32,560 Speaker 1: who mixed bag a mixed bag. Maybe that's what we 224 00:14:32,600 --> 00:14:38,120 Speaker 1: should have titled these episodes. We can have custom conversation 225 00:14:38,200 --> 00:14:41,400 Speaker 1: hearts printed that just say mixed bag and it'll be perfect, 226 00:14:41,640 --> 00:14:47,840 Speaker 1: perfect whatever is happening on your weekend. I hope it's good. 227 00:14:48,600 --> 00:14:50,600 Speaker 1: If it's not good, I hope you're able to take 228 00:14:50,640 --> 00:14:53,640 Speaker 1: a moment, maybe get something that's a little treat in 229 00:14:53,680 --> 00:14:57,400 Speaker 1: some way, maybe have just a minute to yourself. We'll 230 00:14:57,440 --> 00:15:00,160 Speaker 1: be back tomorrow Saturday Classic. We'll be back next with 231 00:15:00,320 --> 00:15:03,120 Speaker 1: brand new episodes, and you can subscribe to the show 232 00:15:03,160 --> 00:15:06,040 Speaker 1: on the I heart Radio app or wherever you like 233 00:15:06,160 --> 00:15:14,320 Speaker 1: to get your podcasts. Stuff you Missed in History Class 234 00:15:14,360 --> 00:15:17,440 Speaker 1: is a production of I heart Radio. For more podcasts 235 00:15:17,480 --> 00:15:21,000 Speaker 1: from I heart Radio, visit the iHeart Radio app, Apple Podcasts, 236 00:15:21,120 --> 00:15:23,120 Speaker 1: or wherever you listen to your favorite shows.