WEBVTT - #68 - Kip Moore

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<v Speaker 1>All right, Welcome to Episodes sixty of The Bobby Cast

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<v Speaker 1>and with Kip Moore. Today. God see you tube here

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<v Speaker 1>showing up here today. Can you talk about what you're

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<v Speaker 1>doing today? Yeah? I was doing this thing with um

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<v Speaker 1>with Chase Elly when we filmed last week where I

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<v Speaker 1>was on the on the track with him in Michigan,

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<v Speaker 1>and it's, Uh, they've picked some athletes where they're kind

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<v Speaker 1>of asking how do they get ready for a race?

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<v Speaker 1>What music they listened to? And he listens to my music,

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<v Speaker 1>So it's that's pretty cool. It was cool man, Um,

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<v Speaker 1>you know I read in the Chase It's funny. I

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<v Speaker 1>met him probably a year and a half ago. Drake

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<v Speaker 1>White and I were playing a show and he was

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<v Speaker 1>kind of he was announcing both of us, and so

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<v Speaker 1>we got to hang then. I got to know him then,

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<v Speaker 1>and I didn't know that, you know, he was a

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<v Speaker 1>fan of the music back then, so we talked about

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<v Speaker 1>it back then, and uh, it was neat man, just

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<v Speaker 1>seeing his whole world, because I can admit that I'm

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<v Speaker 1>not like I didn't grow up with NASCAR. Really, I've

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<v Speaker 1>seen races it like you have, but I don't know

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<v Speaker 1>the detail of it. So him bringing me, you know,

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<v Speaker 1>in the garage, showing how they build the cars up,

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<v Speaker 1>tear him down off after almost every race, all the

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<v Speaker 1>aerodynamics that go into it. And then and then it

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<v Speaker 1>was kind of like me picking his brain on the

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<v Speaker 1>way he likes to. You know, you would think a

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<v Speaker 1>NASCAR driver I would want to listen to like really

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<v Speaker 1>pumped up music, but he's like, I like to get

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<v Speaker 1>as calm as I possibly can because the race is

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<v Speaker 1>so long, and it helps me kind of settle in

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<v Speaker 1>and know and then it's gonna be you know, he

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<v Speaker 1>likes really chilled out music before he gets in the car.

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<v Speaker 1>That's an interesting thing. Who who's coming to you before

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<v Speaker 1>and say hey, Which was surprising to you, is that man,

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<v Speaker 1>I really love your music. Where you're like, wow, that's cool,

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<v Speaker 1>Like you like my music? Um man, I can't think

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<v Speaker 1>of the top of my head right now. I know

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<v Speaker 1>there's been a few of those cases where any other artists,

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<v Speaker 1>even in town, that it will call you be like, dude,

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<v Speaker 1>I just heard the song yours and it's fantastic. Um.

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<v Speaker 1>Jared Johnston, I'm such a fan of what the collect

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<v Speaker 1>three do uh so much, and Jared and I are

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<v Speaker 1>we've become pretty good buddies. But I can remember when

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<v Speaker 1>the first time he heard that was us. He's like,

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<v Speaker 1>if you don't put this song out, I'm gonna come

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<v Speaker 1>up with your house and bite you tomorrow. So I mean,

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<v Speaker 1>he's just he was a big fan of that, and

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<v Speaker 1>then we ended up touring together after that, so, um, yeah,

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<v Speaker 1>you know I didn't know that. You know, Jared was

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<v Speaker 1>around listening to music, So you know, it's it's cool, man,

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<v Speaker 1>when other people that you respect respect what you do.

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<v Speaker 1>You're an interesting guy. And I think in the past

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<v Speaker 1>six months so we probably got to know each other

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<v Speaker 1>better than we have in the past three and a

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<v Speaker 1>half years before that. But we were talking. We're you

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<v Speaker 1>and I are up in a room at our management office.

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<v Speaker 1>We're talking about Bob Dylan. Yeah, and you were talking

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<v Speaker 1>and you were like, you know, I still and I

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<v Speaker 1>was listening to you because listen. I like to listen.

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<v Speaker 1>And you and you were talking and you're talking about

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<v Speaker 1>Bob Dylan, and you were talking about I used to

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<v Speaker 1>study Bob Dylan lyrics, and I was like, look at

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<v Speaker 1>this guy. Another layer of the onion. They kept more

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<v Speaker 1>onion I did. Man, you know, I feel like, um,

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<v Speaker 1>I feel like dealing somewhat kind of saved me from myself.

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<v Speaker 1>I can be um, I feel like I'm I'm really

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<v Speaker 1>coming out of that, but I UM, I can battle

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<v Speaker 1>a lot of my own demons pretty heavily. And at

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<v Speaker 1>the time when I really discovered dealing, I mean, my

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<v Speaker 1>dad played him something growing up. But you know, when

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<v Speaker 1>you're when you're fourteen and fifteen, you can't comprehend what

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<v Speaker 1>dealing singing about, nor can you relate to it. You

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<v Speaker 1>can enjoy the music and the melody, which I did

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<v Speaker 1>kind of the same thing with with Seeger and Springsteen,

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<v Speaker 1>but I can't relate to but Bob Seeger against the

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<v Speaker 1>Wind when I'm fourteen, you know. But um, the more

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<v Speaker 1>you know, I left home when I was like seventeen,

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<v Speaker 1>and I went like seven hours away to go play school,

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<v Speaker 1>but you know, go to basket play basketball away from school,

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<v Speaker 1>and and then I've been traveling ever since and just

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<v Speaker 1>living life and diving into stuff wide open, and I've

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<v Speaker 1>been on my own taking care of myself, and I

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<v Speaker 1>can remember living and the biggest dump the last time

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<v Speaker 1>I went recently to dry By the place, and I

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<v Speaker 1>had yellow tape around the whole place. I guess, I

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<v Speaker 1>guess something like that I went down, but man, it

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<v Speaker 1>was awful. It was It was awful, man. And uh,

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<v Speaker 1>just that feeling of which I'm sure you've had, that

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<v Speaker 1>where looking around at all your friends kind of on

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<v Speaker 1>the hamster wheel of life that sometimes I admire that

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<v Speaker 1>I wish I could, you know, be that way. The

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<v Speaker 1>people that just you know, they'll go work for the

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<v Speaker 1>dad's insturance company or whatever, and you know they'll make

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<v Speaker 1>a good living. The you know plant roots, you know

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<v Speaker 1>plant roots have a wife and kids and and go

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<v Speaker 1>through that whole kind of structure that we're all kind

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<v Speaker 1>of programmed to due at a young age. And here

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<v Speaker 1>I was living in a complete ship hole. Am I

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<v Speaker 1>allowed to stay there on this just feeling like the

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<v Speaker 1>biggest low life. But at the same time I had

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<v Speaker 1>that exciting feeling every morning I woke up that anything

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<v Speaker 1>could happen, where I felt like everybod else they knew

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<v Speaker 1>exactly what the day was gonna be and know what

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<v Speaker 1>was gonna be like when they came home. There was

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<v Speaker 1>an excitement of just feeling like and he could light

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<v Speaker 1>and constrike them aorrow. And I think that when I

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<v Speaker 1>really dovee into dealing and around seven, I mean I

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<v Speaker 1>would I would spend I get off work and I'd

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<v Speaker 1>write from from five to twelve o'clock at night, and

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<v Speaker 1>then I would lay on the floor. I've always liked

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<v Speaker 1>to lay on the floor. I don't know why, but

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<v Speaker 1>I had a record player and I would listen to

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<v Speaker 1>all the old Dealing records told three or four o'clock

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<v Speaker 1>in the morning, and I'd write. I'd write out his lyrics.

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<v Speaker 1>I try to understand the way he was using his

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<v Speaker 1>metaphors and everything and the playoff of words. He was

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<v Speaker 1>the best to playoff of words. And I was just

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<v Speaker 1>blown away by his music. I was so well. It

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<v Speaker 1>was such an inspiring time for me. And I felt

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<v Speaker 1>like I really related to a lot of what Dealing

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<v Speaker 1>was saying a lot of music, and I feel like

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<v Speaker 1>I've always had that that passionate spirit about me, and

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<v Speaker 1>I looked at things in an innocent kind of way,

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<v Speaker 1>which a lot of his music was. There was there

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<v Speaker 1>was such an innocence to it. There's that I have

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<v Speaker 1>a lot of onion. There's a lot of onion to

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<v Speaker 1>talk about here. What do you There's also the part

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<v Speaker 1>that I found it struck me is that you had

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<v Speaker 1>a couple of hits and you win't got an apartment,

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<v Speaker 1>your first decently nice place to live. It was my

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<v Speaker 1>first place. It was decent, but it wasn't good for

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<v Speaker 1>your soul, so you had to move out. Yeah, I

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<v Speaker 1>felt like I found myself all of a sudden. It's

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<v Speaker 1>kind of like I thrive on miserable misery in a

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<v Speaker 1>weird way. But I found myself comfortable for the first

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<v Speaker 1>time in my life. Where I was coming home, I

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<v Speaker 1>was watching TV, I was laying on the couch and

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<v Speaker 1>eating good food and and and all of a sudden,

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<v Speaker 1>I felt like I was I was losing a little

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<v Speaker 1>bit of that inspiration in that drive, that kind of

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<v Speaker 1>so I called Brett, who was my publisher, Brett James,

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<v Speaker 1>who's written a million hits, and he Brett had bought

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<v Speaker 1>this old house was building there like mid eighteen hundreds.

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<v Speaker 1>It's one of the last remaining ones down there Music

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<v Speaker 1>Road where they're building all this stuff around behind Losers.

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<v Speaker 1>That that one old building with the black iron gate,

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<v Speaker 1>and it's the spooky, ist erious dark. Everything about that

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<v Speaker 1>place is not where you want to live. But it's

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<v Speaker 1>great for writing. And I've written almost the entire up

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<v Speaker 1>all night record in that house and there were there's

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<v Speaker 1>a room upstairs. It's just this it's it's awful. Man,

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<v Speaker 1>that's a really tiny little box. Man, it's a lot

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<v Speaker 1>smaller than this room. And I called him and said, hey, man,

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<v Speaker 1>I want to move into that room and I want

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<v Speaker 1>to write my next record in there, you know, in

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<v Speaker 1>the in in the house again, you know. And so

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<v Speaker 1>I moved all my stuff into that room, was crammed

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<v Speaker 1>in there, and I was on I slept on a

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<v Speaker 1>on a twin bed for about for about two years.

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<v Speaker 1>And the hot water heater didn't work, so I took

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<v Speaker 1>cold showers every morning and that was like thirty seconds

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<v Speaker 1>in and out. So my when I would go on

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<v Speaker 1>the road, it was like heaven in an arena, like

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<v Speaker 1>a shower and arena. It was like I got hot water,

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<v Speaker 1>you know. So but I would I wrote almost the

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<v Speaker 1>whole Wild One's record for the most part in that house.

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<v Speaker 1>There was no furniture. There's no um, and there's a

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<v Speaker 1>there's a couple like random like regular chairs and not

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<v Speaker 1>chairs like this, and you've got no TVs. It's all

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<v Speaker 1>and it's crazy haunted. I got haunted stories that would

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<v Speaker 1>blow your mind, which finally ran me out and I

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<v Speaker 1>got a place because it was so scary at night,

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<v Speaker 1>so you didn't want to be comfortable. What do you

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<v Speaker 1>think that comes from? What do you think the root

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<v Speaker 1>of that is? Hey? Do you create better from sadness?

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<v Speaker 1>I feel like I at that time in my life,

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<v Speaker 1>and I've learned how to just channel a different side

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<v Speaker 1>of me where I don't I don't I don't quite

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<v Speaker 1>need that as much, but I still I live. I

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<v Speaker 1>live very very moderate on purpose, like I have a

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<v Speaker 1>tiny little house on the other side of town, and um,

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<v Speaker 1>I don't really have any things. Um. I tried, but

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<v Speaker 1>I felt like for me, it played a trick on

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<v Speaker 1>my mind where I still felt like I was at

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<v Speaker 1>the bottom where I feel like I write better out

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<v Speaker 1>of desperation. So it you know, taking Colchwer was every

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<v Speaker 1>morning sleeping on that twin bed, which I hated. Man.

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<v Speaker 1>I had an old junk mattress. It was, it was,

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<v Speaker 1>it was awful, man. Uh, But it just it played

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<v Speaker 1>a trick on me to where I still felt like

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<v Speaker 1>I was completely broke and trying to go after something.

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<v Speaker 1>And I kind of learned how that that I don't

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<v Speaker 1>need that as much now. Um, But I still like

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<v Speaker 1>when I travel, I like to stay in hostels. Um.

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<v Speaker 1>We just did that whole backpacking through ice and staying

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<v Speaker 1>in the the hostels, and um, I do that when I

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<v Speaker 1>go to MAUI sometimes Costa Rica. Um. And I'll write

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<v Speaker 1>a lot of music when I'm out there like that,

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<v Speaker 1>and I'll meet interesting people, and I don't you know,

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<v Speaker 1>it's almost get uncomfortable, like I thought I'm around from

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<v Speaker 1>in the fourth seasons, I'm uncomfortab around those people. They're fine,

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<v Speaker 1>they're nice, they're get I get uncomfortable around that kind

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<v Speaker 1>of setting, really fine dining and luxurious rooms. Like it's

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<v Speaker 1>a weird thing. Man. For me, you talk about the

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<v Speaker 1>place being haunted. We've talked about this a bit, but

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<v Speaker 1>you're convinced, like it's not maybe it was a ghost

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<v Speaker 1>to you, it's not maybe there's no there's no there's

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<v Speaker 1>this is I'm probably about to get off on a

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<v Speaker 1>weird place here. Um. For me, it could have also

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<v Speaker 1>been I was I was not in a good headspace

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<v Speaker 1>at all. Um. I wasn't. I wasn't a really weird

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<v Speaker 1>I've already written like a whole second project that pretty

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<v Speaker 1>much got shell of the label. They were like, we

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<v Speaker 1>don't have radio stuff here. This is too edgy, this

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<v Speaker 1>is to this, this is too and that's heartbreaking as

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<v Speaker 1>a writer and artist, and you turn something in and

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<v Speaker 1>I try to explain that to a lot of people

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<v Speaker 1>sometimes too. Where my old jobs there was a beauty

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<v Speaker 1>and just going to work, doing the job, going home

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<v Speaker 1>kind of having that mindless feel of Okay, now I

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<v Speaker 1>can devote this other part of my time to a

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<v Speaker 1>girlfriend or whatever kind of thing or family, or I

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<v Speaker 1>was present when I would leave work, and you know,

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<v Speaker 1>this job, you're even yours, You're you're constantly on judgment

0:11:03.160 --> 0:11:05.720
<v Speaker 1>for everything. I don't I wouldn't trade my job or anything,

0:11:05.720 --> 0:11:11.400
<v Speaker 1>but it's your It's a constant state of judgment. And

0:11:11.440 --> 0:11:13.120
<v Speaker 1>that was a hard thing to turn in something I

0:11:13.120 --> 0:11:15.240
<v Speaker 1>was so passionate about, which I hope sees the life

0:11:15.240 --> 0:11:22.680
<v Speaker 1>of day one day. Um, but I was in a bad,

0:11:22.760 --> 0:11:27.640
<v Speaker 1>bad place. And I've always, um had a heart for God.

0:11:27.640 --> 0:11:30.800
<v Speaker 1>And I'll say that openly, like I've always been really

0:11:30.800 --> 0:11:33.720
<v Speaker 1>connected with God, even even when I'm not reading, even

0:11:33.720 --> 0:11:35.640
<v Speaker 1>when I don't go to church, I've just always I

0:11:35.679 --> 0:11:38.880
<v Speaker 1>know that God's always with me. And I've usually been

0:11:38.920 --> 0:11:42.160
<v Speaker 1>pretty good about reading scripture, going to church, and you know,

0:11:42.200 --> 0:11:44.160
<v Speaker 1>I just go by myself a night or going Tuesday

0:11:44.240 --> 0:11:46.040
<v Speaker 1>nights or whatever. I'm sitting the back and I leave,

0:11:46.120 --> 0:11:48.240
<v Speaker 1>and I stayed connected. And at that time I was

0:11:48.280 --> 0:11:51.200
<v Speaker 1>really I wasn't connected at all. And it wasn't that

0:11:51.240 --> 0:11:54.640
<v Speaker 1>I was out, you know, doing blow all night and

0:11:54.640 --> 0:11:57.600
<v Speaker 1>stuff like. It was just I was. I was completely separate,

0:11:57.960 --> 0:11:59.920
<v Speaker 1>and I was in a bad dark place. I compared

0:12:00.000 --> 0:12:01.319
<v Speaker 1>to get out of bed. I felt like a lot

0:12:01.320 --> 0:12:08.960
<v Speaker 1>of mornings. Um. And uh, maybe I was susceptible too,

0:12:08.960 --> 0:12:10.680
<v Speaker 1>because I believe there's a ball of good and evil

0:12:10.720 --> 0:12:13.200
<v Speaker 1>all the time going on around and maybe I was

0:12:13.640 --> 0:12:16.800
<v Speaker 1>at that time of my life really susceptible to that

0:12:17.920 --> 0:12:22.320
<v Speaker 1>entity tricking with my mind. I don't know, but I

0:12:22.320 --> 0:12:25.000
<v Speaker 1>can tell you the stuff that went down that house.

0:12:26.400 --> 0:12:28.040
<v Speaker 1>I mean it would be, you know, clear as day.

0:12:28.080 --> 0:12:29.760
<v Speaker 1>I go down and get a drink of water, and

0:12:29.760 --> 0:12:33.679
<v Speaker 1>and the garbage disposal was underneath the sink. You have

0:12:33.800 --> 0:12:35.400
<v Speaker 1>to flip a switch, turn it on, and I would

0:12:35.400 --> 0:12:38.760
<v Speaker 1>be walking off on that thing with bang cut back off.

0:12:39.880 --> 0:12:41.960
<v Speaker 1>I turned around, I looked and all the hairs be

0:12:42.040 --> 0:12:44.520
<v Speaker 1>up in my arm and I walked back off and

0:12:45.160 --> 0:12:47.000
<v Speaker 1>would just go old house. That's what I would say.

0:12:47.000 --> 0:12:49.040
<v Speaker 1>If I be like old house boy, like I would

0:12:49.040 --> 0:12:52.160
<v Speaker 1>look up underneath, switch is still off? I can? I can?

0:12:52.240 --> 0:12:54.880
<v Speaker 1>I got a million of those. There was a there's

0:12:54.880 --> 0:12:56.800
<v Speaker 1>a pantry and it used to have a hole in

0:12:56.840 --> 0:13:00.200
<v Speaker 1>the floor, and I'm the only one there, and I

0:13:00.240 --> 0:13:02.280
<v Speaker 1>would at night, you know, late at night, you know,

0:13:02.320 --> 0:13:04.400
<v Speaker 1>I go in, maybe get get a snack out of

0:13:04.440 --> 0:13:06.520
<v Speaker 1>the pantry, and I look and the basement, the basement

0:13:06.520 --> 0:13:10.680
<v Speaker 1>was the spooky's basement ever, but the light would be

0:13:10.720 --> 0:13:13.000
<v Speaker 1>on underneath the pantry footboard, and I'd be like, I know,

0:13:13.080 --> 0:13:15.080
<v Speaker 1>I cut that off. I know that wasn't on. I

0:13:15.120 --> 0:13:17.880
<v Speaker 1>was in here last time. Cut it off. I come

0:13:17.920 --> 0:13:20.600
<v Speaker 1>back this morning. Thing was on. You have to flip

0:13:20.600 --> 0:13:22.400
<v Speaker 1>the switch on the turn it off. I mean a

0:13:22.520 --> 0:13:25.120
<v Speaker 1>short if the if the switch is off, you're not

0:13:25.160 --> 0:13:27.400
<v Speaker 1>gonna get a short like it's not you know. So.

0:13:28.360 --> 0:13:32.640
<v Speaker 1>But the kicker was I'd be laid in my bed

0:13:32.679 --> 0:13:34.920
<v Speaker 1>and this happened about three times, and on the second

0:13:34.920 --> 0:13:36.439
<v Speaker 1>time I told my manager and said, hey, to me,

0:13:36.480 --> 0:13:39.719
<v Speaker 1>A favorite look from your place. And this happened as

0:13:39.760 --> 0:13:41.960
<v Speaker 1>I really settled into the house and was living there,

0:13:41.960 --> 0:13:44.160
<v Speaker 1>I've been writing songs there for four or five years,

0:13:44.920 --> 0:13:47.240
<v Speaker 1>and people have had little stuff happened. But the minute

0:13:47.240 --> 0:13:49.679
<v Speaker 1>it was like I moved in there at all, kind

0:13:49.679 --> 0:13:51.440
<v Speaker 1>of started building up and it was almost like they

0:13:51.440 --> 0:13:54.800
<v Speaker 1>were going like, oh, buddy, you got to dried, you

0:13:54.880 --> 0:13:59.040
<v Speaker 1>got to get you know so. But I can' remember

0:13:59.120 --> 0:14:00.720
<v Speaker 1>laying there in bed but for it, and it always

0:14:00.720 --> 0:14:03.880
<v Speaker 1>would happen close to three o'clock. I remember laying there

0:14:03.880 --> 0:14:06.800
<v Speaker 1>and that my bed and I don't know what grenades

0:14:06.840 --> 0:14:09.800
<v Speaker 1>sound like. I got no clue, but it would be

0:14:09.840 --> 0:14:12.000
<v Speaker 1>like us being this room and it sounds like somebody

0:14:12.040 --> 0:14:14.000
<v Speaker 1>is just setting grenades off all through your house, and

0:14:14.040 --> 0:14:17.800
<v Speaker 1>it would sound like five people decided on the count

0:14:17.800 --> 0:14:19.440
<v Speaker 1>of three, we're gonna raise as much as hell as

0:14:19.480 --> 0:14:21.440
<v Speaker 1>we can, and everything it sounded like. And I was

0:14:21.440 --> 0:14:23.280
<v Speaker 1>in a tiny room and it sounded like there was

0:14:23.320 --> 0:14:27.120
<v Speaker 1>a fist on every inch of the wall on all

0:14:27.160 --> 0:14:29.800
<v Speaker 1>around me, just slamming and banging. And you can imagine

0:14:29.840 --> 0:14:32.760
<v Speaker 1>waking up to that feeling like the fear of that

0:14:32.840 --> 0:14:34.720
<v Speaker 1>first of all, feeling like somebody's break into your house.

0:14:34.800 --> 0:14:37.080
<v Speaker 1>The second of all, this is a whole another bag.

0:14:37.720 --> 0:14:40.480
<v Speaker 1>To the point where my bed was physically shaken, like

0:14:40.560 --> 0:14:43.680
<v Speaker 1>there's like the house the foundation was almost shaken. My

0:14:43.720 --> 0:14:46.520
<v Speaker 1>bed was moving, and I wake up and I would

0:14:46.520 --> 0:14:49.000
<v Speaker 1>come to and it would last for three or four

0:14:49.120 --> 0:14:54.000
<v Speaker 1>seconds as I had woken up, and the fear behind

0:14:54.040 --> 0:14:55.840
<v Speaker 1>that man was just and I would try to just

0:14:56.240 --> 0:14:57.960
<v Speaker 1>I pray and be like, I'm not gonna let this

0:14:58.000 --> 0:15:00.360
<v Speaker 1>bother me. I'm good, and I eventually lay back down.

0:15:00.400 --> 0:15:02.480
<v Speaker 1>And it happened about three different times. I had a

0:15:02.520 --> 0:15:07.520
<v Speaker 1>broom from me to you, sweeping ten solid seconds to

0:15:07.600 --> 0:15:09.360
<v Speaker 1>where I just sat up, and I mean every hair

0:15:09.400 --> 0:15:12.000
<v Speaker 1>and I just kind of I know, I'm not hearing

0:15:12.000 --> 0:15:14.400
<v Speaker 1>a broom beside me right now, and I lay back down.

0:15:15.120 --> 0:15:17.240
<v Speaker 1>After it would stop, I lay back down and it

0:15:17.320 --> 0:15:20.080
<v Speaker 1>would start right back up, and I even like sat

0:15:20.160 --> 0:15:22.560
<v Speaker 1>up in my bed. I cut the lights on and

0:15:22.600 --> 0:15:25.240
<v Speaker 1>I said at one point, I said, hey, look clean

0:15:25.280 --> 0:15:28.320
<v Speaker 1>all you want. I said, this place, and he's cleaning.

0:15:28.920 --> 0:15:32.960
<v Speaker 1>I'm I'm good with you. You can clean all your home.

0:15:33.040 --> 0:15:35.400
<v Speaker 1>And I lay back down. But I was scared of death,

0:15:35.400 --> 0:15:38.160
<v Speaker 1>but I was trying to get myself calm. But you know,

0:15:39.840 --> 0:15:41.760
<v Speaker 1>that might have been a whole another thing man that

0:15:41.840 --> 0:15:46.880
<v Speaker 1>could have been I don't know Bob, I mean to me,

0:15:46.960 --> 0:15:48.640
<v Speaker 1>it was it ghoest, but it could have also been

0:15:48.680 --> 0:15:50.880
<v Speaker 1>what I was talking about earlier. I'm not sure. I

0:15:50.920 --> 0:15:53.320
<v Speaker 1>still don't know what that was. So you moved, but

0:15:53.440 --> 0:15:56.440
<v Speaker 1>and that hasn't happened since, no, I mean, I've barely

0:15:56.440 --> 0:15:58.280
<v Speaker 1>been back in there since I used to write in

0:15:58.320 --> 0:16:00.600
<v Speaker 1>there every single day, and I wrote this whole new record.

0:16:00.960 --> 0:16:04.040
<v Speaker 1>I didn't write one song in there, and that's kind

0:16:04.040 --> 0:16:05.520
<v Speaker 1>of gave me a sense of piece because I feel

0:16:05.520 --> 0:16:07.040
<v Speaker 1>like it's the best stuff I've done. But I felt

0:16:07.080 --> 0:16:11.920
<v Speaker 1>like I was confined to I love that wild One's record,

0:16:11.960 --> 0:16:14.640
<v Speaker 1>and like I said, I wrote almost everything in there.

0:16:14.680 --> 0:16:18.120
<v Speaker 1>But I've learned that I don't have to be living

0:16:18.160 --> 0:16:21.360
<v Speaker 1>with a ghost and taking coach to write songs. You know,

0:16:22.560 --> 0:16:24.880
<v Speaker 1>let me talk about Express for Express Probes dot com

0:16:24.880 --> 0:16:27.240
<v Speaker 1>for one second. Did you know the average number of

0:16:27.240 --> 0:16:29.360
<v Speaker 1>people who apply for any given job at all is

0:16:29.480 --> 0:16:32.720
<v Speaker 1>one hundred and eighteen people, and only twenty of the

0:16:32.760 --> 0:16:36.240
<v Speaker 1>applicants get an interview because a ton of the companies

0:16:36.400 --> 0:16:38.920
<v Speaker 1>use a software to screen out applicants before anyone even

0:16:38.960 --> 0:16:41.560
<v Speaker 1>sees the resume. So you know that was I saw

0:16:41.600 --> 0:16:45.000
<v Speaker 1>that in Forbes, so simply uploading your resume won't get

0:16:45.000 --> 0:16:49.080
<v Speaker 1>you a job. You need an advocate. Express Employment Professionals

0:16:49.480 --> 0:16:51.440
<v Speaker 1>is the local resource to help you get a job.

0:16:51.520 --> 0:16:55.200
<v Speaker 1>Expresses more than eighteen thousand jobs available weekly. When you

0:16:55.240 --> 0:16:58.160
<v Speaker 1>interviewed Express, they'll assess your skills, they'll connect you with

0:16:58.160 --> 0:17:00.360
<v Speaker 1>available jobs, and they'll team up with you and your

0:17:00.440 --> 0:17:03.240
<v Speaker 1>job surgeon. Express their jobs in let's see what you

0:17:03.200 --> 0:17:07.879
<v Speaker 1>donna do manufacturing, accounting, customer service, sales distribution, all of

0:17:07.880 --> 0:17:09.280
<v Speaker 1>these type of jobs. I don't know what you do

0:17:09.400 --> 0:17:10.760
<v Speaker 1>right now. Maybe you don't have a job. Maybe you

0:17:10.800 --> 0:17:14.800
<v Speaker 1>want a better job. Tired of applying online never hearing back,

0:17:15.440 --> 0:17:19.359
<v Speaker 1>Visit your locally owned Express office today and speak to professionals.

0:17:19.600 --> 0:17:22.960
<v Speaker 1>Express never charges a job secret. To find employment, visit

0:17:23.280 --> 0:17:27.840
<v Speaker 1>Express pros dot com, apply online Express pros dot com,

0:17:27.920 --> 0:17:31.080
<v Speaker 1>or find an office near you. Alright, so here's something

0:17:31.119 --> 0:17:33.719
<v Speaker 1>I learned from you. I guess probably eight months or so,

0:17:34.000 --> 0:17:35.879
<v Speaker 1>you and I met for breakfast and you were singing

0:17:35.920 --> 0:17:38.879
<v Speaker 1>in the morning. I know that was a thing. I

0:17:38.920 --> 0:17:40.600
<v Speaker 1>was like, why are you singing in the morning. You're

0:17:40.640 --> 0:17:42.680
<v Speaker 1>like my low end. It's best for my low end.

0:17:43.040 --> 0:17:46.439
<v Speaker 1>No idea that was even a thing. So explain that

0:17:46.480 --> 0:17:48.840
<v Speaker 1>to me and to people who have no idea about

0:17:48.840 --> 0:17:51.760
<v Speaker 1>the recording process and vocals, you know, And once again

0:17:52.119 --> 0:17:57.320
<v Speaker 1>that was uh for me, that that's kind of a

0:17:57.359 --> 0:17:59.479
<v Speaker 1>thing for me is and the first thing in the morning,

0:18:00.640 --> 0:18:04.119
<v Speaker 1>before I've I've been talking a lot or singing because

0:18:04.160 --> 0:18:06.560
<v Speaker 1>I sing like all my own harmonies on this record too,

0:18:06.600 --> 0:18:09.160
<v Speaker 1>so you have to use a whole different You've got

0:18:09.160 --> 0:18:11.280
<v Speaker 1>to really stretch that high end. And once you've burned

0:18:11.320 --> 0:18:13.359
<v Speaker 1>that high end a whole lot, you know, you're singing

0:18:13.400 --> 0:18:16.280
<v Speaker 1>for an hour straight. That low ends just kind of

0:18:16.520 --> 0:18:18.800
<v Speaker 1>it's still there. I mean I was just I kind

0:18:18.800 --> 0:18:21.800
<v Speaker 1>of naturally have a deeper voice, but it's the width

0:18:21.880 --> 0:18:23.720
<v Speaker 1>and you can feel it on the mic, you can

0:18:23.720 --> 0:18:26.119
<v Speaker 1>feel it in the control room. The width that I

0:18:26.160 --> 0:18:28.000
<v Speaker 1>have in the morning is just different than I have

0:18:28.720 --> 0:18:30.920
<v Speaker 1>late at night once I burned that out, And it's

0:18:30.960 --> 0:18:36.040
<v Speaker 1>just that's just me just kind of learning from singing,

0:18:36.119 --> 0:18:38.239
<v Speaker 1>you know, doing so many demos throughout the years and

0:18:38.280 --> 0:18:40.840
<v Speaker 1>being like, man, my voice just in the morning it

0:18:40.880 --> 0:18:44.280
<v Speaker 1>feels like there's a whole different width to it. And

0:18:44.320 --> 0:18:46.719
<v Speaker 1>maybe that's become a psychological thing too, but I just

0:18:46.800 --> 0:18:50.959
<v Speaker 1>feel I feel really strong getting the most width out

0:18:51.000 --> 0:18:52.960
<v Speaker 1>of my voice in the morning. Do you feel like

0:18:53.000 --> 0:18:57.320
<v Speaker 1>you sing better in the shower? I wonder if legitimately

0:18:57.440 --> 0:19:00.760
<v Speaker 1>great singers feel like they even and sound better in

0:19:00.800 --> 0:19:02.879
<v Speaker 1>the shower. I feel like everybody sounds better, But you do,

0:19:02.960 --> 0:19:04.679
<v Speaker 1>like you ever seen the shower? Go day? Because I do?

0:19:04.720 --> 0:19:06.840
<v Speaker 1>And I'm not even a good singer, but you're a

0:19:06.840 --> 0:19:08.800
<v Speaker 1>really good singer. Do you sing it go? I'm even

0:19:08.840 --> 0:19:10.879
<v Speaker 1>better in the shower. I think I'm pretty incredible in

0:19:10.920 --> 0:19:16.320
<v Speaker 1>the show. It's the reverb. Then, it's like it's like

0:19:16.359 --> 0:19:18.720
<v Speaker 1>a natural reverb chamber. But then, why don't we create?

0:19:18.840 --> 0:19:22.199
<v Speaker 1>Why don't I go into the studios? Why am I

0:19:22.240 --> 0:19:24.880
<v Speaker 1>not like singing? It's some really good studio that never

0:19:26.400 --> 0:19:29.919
<v Speaker 1>a lot of a lot of recordings nowadays. When you

0:19:29.920 --> 0:19:32.840
<v Speaker 1>when you hear those old records, you hear Freddie Mercury,

0:19:32.840 --> 0:19:35.200
<v Speaker 1>and you hear these old guys, um, those Guns and

0:19:35.320 --> 0:19:38.240
<v Speaker 1>Rosary records, all this stuff. Man, they were all singing

0:19:38.600 --> 0:19:42.520
<v Speaker 1>in these You listen to Zeppelin records that they're playing

0:19:42.560 --> 0:19:47.160
<v Speaker 1>drums in this massive like stairwheel where it's all that verb,

0:19:47.320 --> 0:19:51.200
<v Speaker 1>like it used to be tracked a lot more that way. Um,

0:19:51.359 --> 0:19:54.800
<v Speaker 1>Now everybody's trying to compress and get this tight tight,

0:19:55.560 --> 0:19:57.760
<v Speaker 1>you know, trying to put pads all over these walls

0:19:57.840 --> 0:20:00.480
<v Speaker 1>to lock everything in where it's just really dry sound.

0:20:00.520 --> 0:20:03.200
<v Speaker 1>And they like mixing that way. It's just how times

0:20:03.240 --> 0:20:06.879
<v Speaker 1>have kind of changed. Um. But I like singing in

0:20:06.920 --> 0:20:09.560
<v Speaker 1>the Verbie room, and I you know, I there was

0:20:09.560 --> 0:20:12.320
<v Speaker 1>a there was a little bit doing this new record

0:20:12.359 --> 0:20:14.120
<v Speaker 1>more than I ever have, you know, having a little

0:20:14.119 --> 0:20:16.080
<v Speaker 1>bit of that natural verb in the room. And Blackbird

0:20:16.840 --> 0:20:19.959
<v Speaker 1>has got like the greatest reverb chamber ever over there

0:20:19.960 --> 0:20:21.560
<v Speaker 1>at that studio. But you don't really want to sing

0:20:21.640 --> 0:20:24.080
<v Speaker 1>leads in there because it's just too boomy and then

0:20:24.119 --> 0:20:26.480
<v Speaker 1>it just gets all washy. But backgrounds are amazing in

0:20:26.520 --> 0:20:28.720
<v Speaker 1>that room. Talking about that for a second. That's interesting.

0:20:28.920 --> 0:20:33.359
<v Speaker 1>So you'll sing leads in one place, but backgrounds in another. Yeah,

0:20:33.359 --> 0:20:35.520
<v Speaker 1>Like if you want to get like a big you know,

0:20:35.600 --> 0:20:38.800
<v Speaker 1>big gang vocals, all that Deaf Leppard stuff that just

0:20:38.840 --> 0:20:42.639
<v Speaker 1>sounds so massive on all that like Hysteria record, and

0:20:42.680 --> 0:20:44.720
<v Speaker 1>you know, I'll guarantee you that was done in a

0:20:44.720 --> 0:20:49.000
<v Speaker 1>massive reverb chamber. Um. And I know, like for wild

0:20:49.040 --> 0:20:53.439
<v Speaker 1>ones with with lipstick and hey, when you're doing that

0:20:53.440 --> 0:20:56.960
<v Speaker 1>this big haze we got around all got around one mic,

0:20:57.040 --> 0:20:59.199
<v Speaker 1>all six of us and did the Big Haze just

0:20:59.240 --> 0:21:01.800
<v Speaker 1>because it just kind of sounds like a swirling all

0:21:01.840 --> 0:21:05.080
<v Speaker 1>around you. Where you want your that lead vocal to

0:21:05.320 --> 0:21:07.080
<v Speaker 1>you know, speak right to you kind of thing. I

0:21:07.119 --> 0:21:09.879
<v Speaker 1>still like having old school verb, want to leave vocal,

0:21:10.280 --> 0:21:11.679
<v Speaker 1>but for the most part, you want that to be

0:21:11.680 --> 0:21:14.080
<v Speaker 1>a little tighter on this new record. I'll talk about

0:21:14.080 --> 0:21:16.160
<v Speaker 1>that for a second, because I think you went through

0:21:16.160 --> 0:21:18.600
<v Speaker 1>this process a little different than you have before. You

0:21:18.640 --> 0:21:24.159
<v Speaker 1>did a lot more of this yourself kind of then

0:21:24.200 --> 0:21:26.240
<v Speaker 1>I've read the stuff, but I've heard you talk about

0:21:26.280 --> 0:21:29.000
<v Speaker 1>it too. So why did you approach this record different

0:21:29.040 --> 0:21:33.720
<v Speaker 1>than the last couple? Um? Because you've recorded somebody with

0:21:33.720 --> 0:21:37.119
<v Speaker 1>that tell anybody right? Um? First off, you know I

0:21:37.119 --> 0:21:40.040
<v Speaker 1>did the first two records with Brett James, who, Man,

0:21:40.119 --> 0:21:42.920
<v Speaker 1>I I take a bullet for Brett the more. Man.

0:21:43.160 --> 0:21:47.040
<v Speaker 1>I love that dude with all my heart and and

0:21:47.119 --> 0:21:51.840
<v Speaker 1>we're like brothers. Um. And he's amazing. Brett's such an

0:21:51.840 --> 0:21:59.560
<v Speaker 1>incredible songwriter, musician, singer, everything. UM. But I just I

0:21:59.640 --> 0:22:04.720
<v Speaker 1>felt on this one. I had been writing these songs

0:22:04.760 --> 0:22:06.679
<v Speaker 1>and I've been living with them so much, and we

0:22:06.680 --> 0:22:09.720
<v Speaker 1>we were great at co producing records together, but we

0:22:09.760 --> 0:22:12.119
<v Speaker 1>were we butt heads a lot. We would and um,

0:22:12.200 --> 0:22:14.760
<v Speaker 1>you know, I hear one party here another part, and

0:22:14.760 --> 0:22:17.520
<v Speaker 1>and um I felt like sometimes that took a little

0:22:17.520 --> 0:22:19.280
<v Speaker 1>bit of a strain on our friendship a little bit.

0:22:19.560 --> 0:22:22.960
<v Speaker 1>Um Brett was one of the best friends I've ever had. Um,

0:22:23.200 --> 0:22:25.000
<v Speaker 1>and I just felt like going into this one, as

0:22:25.000 --> 0:22:27.720
<v Speaker 1>far as that part goes, I've been living with these

0:22:27.720 --> 0:22:31.640
<v Speaker 1>songs so much. I've already been you know, I'll lay

0:22:31.680 --> 0:22:34.840
<v Speaker 1>in my bunk and I'll after I come with the guitar,

0:22:34.960 --> 0:22:37.400
<v Speaker 1>riffer or whatever that's kind of inspired me on that day,

0:22:37.960 --> 0:22:40.720
<v Speaker 1>I'll sing all the parts that I'm hearing, like around that, like,

0:22:40.760 --> 0:22:42.960
<v Speaker 1>I'll just start building the track vocally. Ill build a

0:22:42.960 --> 0:22:47.080
<v Speaker 1>whole track just singing wise, where I'm singing the beat

0:22:47.200 --> 0:22:48.720
<v Speaker 1>and then I'm layering like well, okay, this is what

0:22:48.720 --> 0:22:50.199
<v Speaker 1>the baseline is gonna do. And I'll do all that,

0:22:50.240 --> 0:22:52.080
<v Speaker 1>and I'll sing, Okay, this guitar part is gonna do

0:22:52.119 --> 0:22:55.000
<v Speaker 1>this on the second bar right here on on the

0:22:55.040 --> 0:22:57.879
<v Speaker 1>four chord, and I'll kind of sing all these different

0:22:57.920 --> 0:23:06.200
<v Speaker 1>layers and I had it like platonics, yeah, yeah, yeah.

0:23:06.720 --> 0:23:10.600
<v Speaker 1>So it was one of those things where I knew

0:23:10.600 --> 0:23:13.640
<v Speaker 1>exactly what I wanted. I knew exactly how I wanted

0:23:13.720 --> 0:23:17.800
<v Speaker 1>to sound. Um So when I went in, I didn't

0:23:17.800 --> 0:23:21.639
<v Speaker 1>want anybody giving me pushback on I knew what I wanted,

0:23:21.920 --> 0:23:24.639
<v Speaker 1>and I knew I wanted to go in there and

0:23:24.680 --> 0:23:28.000
<v Speaker 1>sing a little bit. Um you know. I wanted to

0:23:28.000 --> 0:23:30.159
<v Speaker 1>do some funky stuff that I hadn't done before. And

0:23:30.400 --> 0:23:33.439
<v Speaker 1>I believe so much in the melodies of this record.

0:23:34.240 --> 0:23:37.800
<v Speaker 1>Um but I did. I kind of why I on't

0:23:37.800 --> 0:23:40.560
<v Speaker 1>had only been out for a year. It really wasn't

0:23:40.600 --> 0:23:43.439
<v Speaker 1>time to As far as the country world goes, you know,

0:23:43.520 --> 0:23:46.960
<v Speaker 1>it's it's still that whole cycle of you make a

0:23:47.040 --> 0:23:51.320
<v Speaker 1>record every two or three years, which drives me crazy,

0:23:52.359 --> 0:23:56.560
<v Speaker 1>drives me crazy, drives me crazy. Um so, and I'm

0:23:56.560 --> 0:24:00.320
<v Speaker 1>always righting. But I kind of gathered this in full

0:24:00.359 --> 0:24:02.080
<v Speaker 1>of songs that I believed in a whole lot. I

0:24:02.119 --> 0:24:03.679
<v Speaker 1>was like, man, this is a really cool thing I've

0:24:03.720 --> 0:24:09.720
<v Speaker 1>been kind of creating. Um So I went in and uh,

0:24:09.840 --> 0:24:12.280
<v Speaker 1>I just recorded like four or five of them, and

0:24:12.320 --> 0:24:13.879
<v Speaker 1>I went in like as a you know, in like

0:24:13.920 --> 0:24:15.919
<v Speaker 1>a record style, like I'm you know, approaching it like

0:24:15.960 --> 0:24:19.280
<v Speaker 1>a record. And they came back and I was just

0:24:19.560 --> 0:24:21.280
<v Speaker 1>I was so happy with him, and I just kind

0:24:21.280 --> 0:24:23.120
<v Speaker 1>of went to see Brian right now in our red

0:24:23.119 --> 0:24:25.320
<v Speaker 1>and I said, man, I just I want you to

0:24:25.359 --> 0:24:27.480
<v Speaker 1>hear what I've been doing. You tell me what you think.

0:24:28.560 --> 0:24:30.800
<v Speaker 1>I've been recording some sides, and I played him for me.

0:24:30.840 --> 0:24:32.240
<v Speaker 1>He called me back and he was just kind of

0:24:32.240 --> 0:24:33.760
<v Speaker 1>flipping over and he was like, I gotta go place

0:24:33.800 --> 0:24:37.639
<v Speaker 1>for the label right now. I said, all right. So

0:24:37.720 --> 0:24:40.040
<v Speaker 1>the next thing I know, I'm getting a call a

0:24:40.080 --> 0:24:41.720
<v Speaker 1>few days later and he's like, you gotta go in

0:24:41.760 --> 0:24:43.800
<v Speaker 1>and make a record. This is great, we gotta get

0:24:43.800 --> 0:24:48.160
<v Speaker 1>this stuff now. So for the next eight or nine months,

0:24:48.200 --> 0:24:49.720
<v Speaker 1>that's all I did. Every time I got the road,

0:24:49.720 --> 0:24:51.760
<v Speaker 1>I was recording right and trying to finish that record

0:24:51.800 --> 0:24:55.880
<v Speaker 1>over the last year. So you do four or five songs,

0:24:55.960 --> 0:24:58.440
<v Speaker 1>But then when you know you're doing a record, does

0:24:58.440 --> 0:25:01.640
<v Speaker 1>that change? How are your right adding songs? Because at

0:25:01.680 --> 0:25:04.359
<v Speaker 1>first it feels like you're writing for you, you're creating

0:25:04.400 --> 0:25:06.600
<v Speaker 1>for you, you don't know where it's gonna go. Now

0:25:06.640 --> 0:25:08.120
<v Speaker 1>you have a direction where you know where it's going

0:25:08.200 --> 0:25:10.640
<v Speaker 1>to go. Does that change the creative process in your head?

0:25:11.160 --> 0:25:15.520
<v Speaker 1>I think before it might have um, but I think

0:25:15.560 --> 0:25:18.119
<v Speaker 1>I was in such a confident headspace where I was

0:25:18.160 --> 0:25:20.080
<v Speaker 1>going and I knew what I wanted to do, and

0:25:20.080 --> 0:25:24.120
<v Speaker 1>I knew what I wanted to say that Um yeah,

0:25:24.119 --> 0:25:26.199
<v Speaker 1>I just I was more just kind of like, all right,

0:25:26.240 --> 0:25:28.360
<v Speaker 1>I'm ready to go, I'm ready to do this, and

0:25:28.359 --> 0:25:32.880
<v Speaker 1>and I recorded only thirteen are gonna make the record?

0:25:33.200 --> 0:25:38.000
<v Speaker 1>And I probably wrote thirty for this project, and uh

0:25:38.440 --> 0:25:40.720
<v Speaker 1>recorded twenty one of them. Because you just end up

0:25:40.720 --> 0:25:42.560
<v Speaker 1>getting so close to the songs and you're like okay,

0:25:42.600 --> 0:25:44.280
<v Speaker 1>and then a lot of times you're going in to

0:25:44.440 --> 0:25:47.639
<v Speaker 1>track one and that's when you realize, all right, this

0:25:47.720 --> 0:25:49.760
<v Speaker 1>song is not quite as good as I thought. And

0:25:49.840 --> 0:25:51.719
<v Speaker 1>what tracking means is you have a band played this

0:25:51.760 --> 0:25:54.760
<v Speaker 1>song like yeah, like to come in you made sing

0:25:54.760 --> 0:25:56.760
<v Speaker 1>to scratch over the top of it. Um. But I

0:25:56.800 --> 0:26:01.280
<v Speaker 1>mean like in tracking, a lot of the tracking idea,

0:26:01.359 --> 0:26:02.879
<v Speaker 1>like a lot of this record was just me and

0:26:02.960 --> 0:26:05.120
<v Speaker 1>David Garcia in his house and that was a very

0:26:05.119 --> 0:26:06.879
<v Speaker 1>different process for me too. Well, we just played all

0:26:06.920 --> 0:26:08.520
<v Speaker 1>the instruments and we just built it from the ground

0:26:08.600 --> 0:26:11.359
<v Speaker 1>up in his house. Um. I did a track with

0:26:11.400 --> 0:26:15.840
<v Speaker 1>the band on about sev it um and um, you

0:26:15.840 --> 0:26:18.080
<v Speaker 1>know I would I would play the instruments on that too,

0:26:18.119 --> 0:26:22.120
<v Speaker 1>and and you know, get all the music now first,

0:26:22.119 --> 0:26:24.960
<v Speaker 1>and then I do the vocals after guitar. Man was

0:26:24.960 --> 0:26:28.080
<v Speaker 1>the only one where that's the main one. I can't

0:26:28.080 --> 0:26:29.920
<v Speaker 1>wait through the here. It was all on one take,

0:26:29.960 --> 0:26:32.080
<v Speaker 1>and it happened really spontaneous where we had the full

0:26:32.119 --> 0:26:37.120
<v Speaker 1>band playing it, and when the take was over, it

0:26:37.160 --> 0:26:40.120
<v Speaker 1>never felt right to me. We'd probably played it five

0:26:40.200 --> 0:26:42.000
<v Speaker 1>or six times as a full band, and I was like, man,

0:26:42.119 --> 0:26:44.120
<v Speaker 1>something's just not speaking right to me on this song.

0:26:44.840 --> 0:26:46.720
<v Speaker 1>And we all took a break to step away from it,

0:26:47.440 --> 0:26:50.160
<v Speaker 1>and uh, Tom Bukavac and Dave Cohen, we're just kind

0:26:50.160 --> 0:26:53.160
<v Speaker 1>of sitting there messing with each other, just the organ

0:26:53.440 --> 0:26:58.400
<v Speaker 1>and one guitar. And I told I told him as

0:26:58.440 --> 0:27:01.160
<v Speaker 1>I acted like, I was just like, hey, start over,

0:27:01.280 --> 0:27:03.320
<v Speaker 1>like you're playing that from the top, just kind of

0:27:03.880 --> 0:27:06.920
<v Speaker 1>mess around with each other. And I hit record without

0:27:06.960 --> 0:27:09.520
<v Speaker 1>him even really knowing it, and I walked into the

0:27:09.600 --> 0:27:13.359
<v Speaker 1>vocal booth and singing it from the top down in

0:27:13.400 --> 0:27:15.760
<v Speaker 1>one take. And so that whole take that you hear

0:27:15.760 --> 0:27:17.600
<v Speaker 1>on the record is just all of us in one take.

0:27:18.840 --> 0:27:20.680
<v Speaker 1>That's so that's gonna be that end up being the

0:27:20.960 --> 0:27:22.680
<v Speaker 1>song you know, and I think it's you know, I

0:27:22.720 --> 0:27:24.680
<v Speaker 1>think it's the most powerful track on the record. So

0:27:25.400 --> 0:27:28.760
<v Speaker 1>um yeah, and so that some really cool organic stuff

0:27:28.760 --> 0:27:30.720
<v Speaker 1>happened like that on this record. And then that's not

0:27:30.840 --> 0:27:32.480
<v Speaker 1>gonna make it. You said you gotta cut songs. No,

0:27:32.520 --> 0:27:34.720
<v Speaker 1>I've already. I've got the records done done, I got

0:27:34.760 --> 0:27:38.520
<v Speaker 1>thirteen we I just got my master copy yesterday. So

0:27:38.640 --> 0:27:42.320
<v Speaker 1>that's exciting, right man. It's do you like hearing? You

0:27:42.359 --> 0:27:45.800
<v Speaker 1>like hearing yourself back? Yeah, when you've worked that hard. Yeah,

0:27:45.840 --> 0:27:49.119
<v Speaker 1>I mean you love hearing. Like, Uh, I get weird

0:27:49.200 --> 0:27:51.240
<v Speaker 1>if I go to a gym or something and they

0:27:51.240 --> 0:27:53.399
<v Speaker 1>assume just because I played country music, Oh get more

0:27:53.400 --> 0:27:55.920
<v Speaker 1>than here. Let's put on a country playlist that he's

0:27:56.040 --> 0:27:57.920
<v Speaker 1>you know what, I feel weird doing that field was

0:27:57.960 --> 0:27:59.840
<v Speaker 1>are So you say you're going somewhere, sometimes they'll turn

0:27:59.880 --> 0:28:04.159
<v Speaker 1>you one yea. I guess I kind of feel like

0:28:04.200 --> 0:28:07.960
<v Speaker 1>an asshole, you know I do. I'm like, I'm a

0:28:08.000 --> 0:28:11.840
<v Speaker 1>freaking asshole in the gym right now. The players turn

0:28:11.880 --> 0:28:13.879
<v Speaker 1>on country music, you know, like I'll get picked up,

0:28:13.920 --> 0:28:15.399
<v Speaker 1>you know, you get picked up from a venue and

0:28:15.400 --> 0:28:16.960
<v Speaker 1>they're like, okay, let's turn on the country station. And

0:28:16.960 --> 0:28:20.080
<v Speaker 1>they turn and I'm like, hey, country music is not

0:28:20.080 --> 0:28:22.119
<v Speaker 1>the only thing I listened to. I played country music.

0:28:22.160 --> 0:28:25.200
<v Speaker 1>But but uh, but yeah, man, I mean like getting

0:28:25.200 --> 0:28:29.520
<v Speaker 1>back that master copy, um and and riding around and

0:28:29.600 --> 0:28:32.000
<v Speaker 1>here and what you've worked at so hard and hear

0:28:32.040 --> 0:28:35.200
<v Speaker 1>it back and it's came out even better than you hope.

0:28:35.240 --> 0:28:37.960
<v Speaker 1>I mean, it's the and that's the and that's the

0:28:38.040 --> 0:28:40.240
<v Speaker 1>part where I wouldn't trade this job for nothing. You know.

0:28:40.320 --> 0:28:43.480
<v Speaker 1>It's like that feeling I'm one of the few people

0:28:43.520 --> 0:28:48.320
<v Speaker 1>on this planet. It gets to have that exhilarating feeling man,

0:28:48.360 --> 0:28:52.040
<v Speaker 1>of just like you, you stepped out, you put yourself

0:28:52.360 --> 0:28:55.440
<v Speaker 1>for exposure, to be completely bashed, man, and just having

0:28:55.480 --> 0:29:00.000
<v Speaker 1>that excitement of like this might be this might be amazing,

0:29:00.000 --> 0:29:02.480
<v Speaker 1>and this might be lightning in a bottle. That's the

0:29:02.480 --> 0:29:07.160
<v Speaker 1>cool thing. It might tank. But when when I I

0:29:07.240 --> 0:29:08.800
<v Speaker 1>was telling some of this other day, like I have

0:29:08.920 --> 0:29:10.920
<v Speaker 1>such a sense of piece about me now because it's

0:29:10.920 --> 0:29:13.240
<v Speaker 1>like not that I didn't with what I was because

0:29:13.240 --> 0:29:16.040
<v Speaker 1>I made the record I wanted to make, but this one,

0:29:16.120 --> 0:29:19.480
<v Speaker 1>more than any project, I did the exact songs I

0:29:19.520 --> 0:29:23.080
<v Speaker 1>wanted to There was no outside influence. I recorded them

0:29:23.120 --> 0:29:25.520
<v Speaker 1>exactly like I wanted to. The sounds were exactly like

0:29:25.560 --> 0:29:32.200
<v Speaker 1>I wanted to. I did this record just like I

0:29:32.240 --> 0:29:34.080
<v Speaker 1>had it in my head, and I followed through with it,

0:29:34.120 --> 0:29:37.120
<v Speaker 1>and I stuck to my guns, and I'm okay, if

0:29:37.160 --> 0:29:38.880
<v Speaker 1>it feels like I can lay my head on my

0:29:38.880 --> 0:29:42.360
<v Speaker 1>pillow at night going, I did it exactly how I

0:29:42.440 --> 0:29:44.760
<v Speaker 1>wanted to. So if that, if that doesn't work, I

0:29:44.800 --> 0:29:47.040
<v Speaker 1>can sleep. I can live with that. What I can't

0:29:47.080 --> 0:29:49.720
<v Speaker 1>live with is you know. I mean, I even had

0:29:49.720 --> 0:29:52.680
<v Speaker 1>people when I was I wasn't working at radio, you know,

0:29:52.720 --> 0:29:55.160
<v Speaker 1>And I understand it from the label side, they won't

0:29:55.200 --> 0:29:57.960
<v Speaker 1>you know, they've seen this artists that all of a

0:29:57.960 --> 0:30:01.960
<v Speaker 1>sudden had this break out record that Okay, we're gonna

0:30:01.960 --> 0:30:04.000
<v Speaker 1>make some money off. It's all it's all about money,

0:30:04.040 --> 0:30:06.240
<v Speaker 1>you know what I mean. But it's a business like

0:30:06.320 --> 0:30:08.240
<v Speaker 1>you know, so we want to keep this train going.

0:30:09.000 --> 0:30:10.680
<v Speaker 1>And then all of a sudden, you got a couple

0:30:10.680 --> 0:30:14.880
<v Speaker 1>of slip ups and it was like when they shelf

0:30:14.960 --> 0:30:17.880
<v Speaker 1>that next record, it was like everybody started singing me songs.

0:30:19.400 --> 0:30:23.760
<v Speaker 1>And man, I hated him, but I was smart enough

0:30:23.800 --> 0:30:26.160
<v Speaker 1>to hear him and go, that's a hit song. It's

0:30:26.200 --> 0:30:28.480
<v Speaker 1>a hit song. I know it's a hit. I could

0:30:28.520 --> 0:30:31.800
<v Speaker 1>sing this, let's be a hit the more, but I couldn't.

0:30:31.920 --> 0:30:33.640
<v Speaker 1>First off, I couldn't stand on stage and sing that

0:30:33.640 --> 0:30:37.000
<v Speaker 1>every night, but I don't believe it. Second of all,

0:30:37.480 --> 0:30:40.520
<v Speaker 1>if it didn't work, that's when I'm really going to

0:30:40.680 --> 0:30:43.520
<v Speaker 1>freaking spiral downward, like I can't. I can't lay my

0:30:43.520 --> 0:30:46.520
<v Speaker 1>head on my pillow at night. So for me, it

0:30:46.640 --> 0:30:51.160
<v Speaker 1>was like I politely, you know, and I'm paraphrasing, but

0:30:51.200 --> 0:30:53.640
<v Speaker 1>I can rememory. I wrote one of the people that

0:30:53.720 --> 0:30:56.479
<v Speaker 1>labeled I'm really close with, and he just, you know,

0:30:57.160 --> 0:30:58.880
<v Speaker 1>I don't know what his reaction to it was. I

0:30:58.960 --> 0:31:01.120
<v Speaker 1>never got a response, but I been sent like seven

0:31:01.160 --> 0:31:04.040
<v Speaker 1>or eight songs. You know, we all thinking you should

0:31:04.040 --> 0:31:06.120
<v Speaker 1>cut one of these for your next single, you know whatever.

0:31:06.160 --> 0:31:09.240
<v Speaker 1>And I said, look, guys, I appreciate y'all trying to

0:31:09.280 --> 0:31:11.719
<v Speaker 1>help me. I understand where your heart's at. I know

0:31:11.760 --> 0:31:13.400
<v Speaker 1>that y'all want the best for this, and I want

0:31:13.440 --> 0:31:18.120
<v Speaker 1>the best for this whole thing. But if I said

0:31:18.160 --> 0:31:21.920
<v Speaker 1>I'll quit playing music, I'll never touch a guitar again.

0:31:21.920 --> 0:31:24.120
<v Speaker 1>If I have to recording of these songs, it's not happening.

0:31:25.000 --> 0:31:27.960
<v Speaker 1>Sin And that's what I sent and so nobody ever

0:31:27.960 --> 0:31:31.520
<v Speaker 1>wrote back to me. And that's and that's when I

0:31:32.800 --> 0:31:35.840
<v Speaker 1>and after that, you know, I was still in the

0:31:35.880 --> 0:31:37.360
<v Speaker 1>funk for a while, but it was it was a

0:31:37.360 --> 0:31:39.560
<v Speaker 1>couple of months after that when I really kind of

0:31:40.440 --> 0:31:43.760
<v Speaker 1>picked myself back up and started writing Slow Heart. What

0:31:43.880 --> 0:31:46.160
<v Speaker 1>got you out of that? What made you pick yourself

0:31:46.200 --> 0:31:49.600
<v Speaker 1>back up? I think there's a lot of things. I

0:31:49.640 --> 0:31:54.480
<v Speaker 1>think that for me, a big thing kind of coming back. Um,

0:31:54.480 --> 0:31:58.920
<v Speaker 1>whenever I'm connected to my faith, whenever I'm just spending

0:31:58.960 --> 0:32:02.240
<v Speaker 1>time in that, I'm in a lot more peace. And

0:32:02.280 --> 0:32:04.840
<v Speaker 1>it's the crazy thing about that is I know that

0:32:04.880 --> 0:32:08.520
<v Speaker 1>about myself, yet I'll still push it aside. I'll push

0:32:08.520 --> 0:32:11.520
<v Speaker 1>it aside for months sometimes and then I'll get back

0:32:11.560 --> 0:32:14.160
<v Speaker 1>into it, um, And that's when I'm at the most piece.

0:32:14.560 --> 0:32:17.040
<v Speaker 1>I think there was a combination of that. I think

0:32:17.080 --> 0:32:24.680
<v Speaker 1>that a big thing happened to um Dave. You know,

0:32:24.960 --> 0:32:27.320
<v Speaker 1>and I've already written probably half of it when this happened,

0:32:27.320 --> 0:32:28.800
<v Speaker 1>but you know, there's a whole another half. I was

0:32:29.640 --> 0:32:32.640
<v Speaker 1>Dave Lapsley, who's you know, one of the closest people

0:32:32.640 --> 0:32:34.280
<v Speaker 1>to me in my life was my guitar player. Since

0:32:34.320 --> 0:32:35.920
<v Speaker 1>the day that I moved here. I mean, he believed

0:32:35.920 --> 0:32:37.360
<v Speaker 1>in me from day one, and he was playing with

0:32:37.400 --> 0:32:40.520
<v Speaker 1>me for twelve or thirteen years, and he was I

0:32:40.560 --> 0:32:43.120
<v Speaker 1>mean he was. We were. We were thick as thieves,

0:32:43.160 --> 0:32:45.680
<v Speaker 1>and I just shared everything with Dave and he went

0:32:45.720 --> 0:32:47.320
<v Speaker 1>on all the radio tour stuff and it was just

0:32:47.360 --> 0:32:49.080
<v Speaker 1>me and him, and you know the bond you create

0:32:49.160 --> 0:32:54.120
<v Speaker 1>doing that, trying to get somewhere together. Um, and even

0:32:54.160 --> 0:32:55.600
<v Speaker 1>before I had a record deal, me and him, we're

0:32:55.600 --> 0:32:58.400
<v Speaker 1>touring out of my jeep for like three years. See

0:32:58.440 --> 0:33:00.200
<v Speaker 1>A believed in me a long time ago, and were

0:33:00.240 --> 0:33:03.120
<v Speaker 1>getting any gigs every weekend. I was gone opening for

0:33:03.600 --> 0:33:06.000
<v Speaker 1>Trace or Billy or whatever. But you know the game,

0:33:06.080 --> 0:33:07.959
<v Speaker 1>and there was no money in it. So it's just

0:33:08.040 --> 0:33:11.600
<v Speaker 1>me and him and a jeep not guaranteed a dime

0:33:11.720 --> 0:33:14.680
<v Speaker 1>and having a hustle, me selling one T shirt and

0:33:14.680 --> 0:33:16.520
<v Speaker 1>a demo that I wasn't supposed to sail back there

0:33:16.560 --> 0:33:18.840
<v Speaker 1>and like two or three songs and the people still

0:33:18.840 --> 0:33:23.200
<v Speaker 1>show up with those old demos and Um and him,

0:33:23.600 --> 0:33:26.000
<v Speaker 1>you know, I I tell him to go hustle and

0:33:26.040 --> 0:33:28.360
<v Speaker 1>go make friends and find us a place to crash tonight,

0:33:28.440 --> 0:33:31.000
<v Speaker 1>and he'd finds he we we crashed on fans floors

0:33:31.040 --> 0:33:34.040
<v Speaker 1>for two or three years every single show, after every show,

0:33:34.480 --> 0:33:38.600
<v Speaker 1>and I'd sell the merch and uh so I say

0:33:38.640 --> 0:33:40.440
<v Speaker 1>all that because he was like a brother to me.

0:33:40.520 --> 0:33:44.640
<v Speaker 1>And um, back in like December, you know, at the

0:33:44.720 --> 0:33:46.360
<v Speaker 1>end of our tour, he said, you know, and he'd

0:33:46.440 --> 0:33:50.280
<v Speaker 1>been obviously contemplatings for a while, but his wife got

0:33:50.320 --> 0:33:56.000
<v Speaker 1>offered this really huge job for a for Apple, and um,

0:33:57.040 --> 0:33:58.760
<v Speaker 1>they had to move to Minneapolis, and he was like, man,

0:33:58.800 --> 0:34:00.640
<v Speaker 1>she she really wants this job. You know, it's a

0:34:00.640 --> 0:34:04.440
<v Speaker 1>whole lot of money, and um, you know we're gonna

0:34:04.440 --> 0:34:07.880
<v Speaker 1>do it. You know. That was like the biggest blow

0:34:08.040 --> 0:34:10.640
<v Speaker 1>for me. It was such a blow because when you

0:34:10.719 --> 0:34:12.640
<v Speaker 1>go through all of that and at the end of

0:34:12.640 --> 0:34:17.239
<v Speaker 1>the day, it all a lot of times comes down

0:34:17.280 --> 0:34:19.920
<v Speaker 1>the money. Had we been a big successful band by

0:34:19.960 --> 0:34:22.480
<v Speaker 1>the end, which we're you know in that stage of

0:34:22.760 --> 0:34:24.919
<v Speaker 1>we're successful, but you're not making the kind of money

0:34:24.960 --> 0:34:26.960
<v Speaker 1>where the worries like that go away with family and

0:34:27.000 --> 0:34:28.480
<v Speaker 1>all that kind of stuff. And he's got a family

0:34:28.520 --> 0:34:32.319
<v Speaker 1>to take care of. And I felt so like responsible

0:34:32.360 --> 0:34:34.239
<v Speaker 1>for that, and it was just it was the most

0:34:35.960 --> 0:34:37.480
<v Speaker 1>it was. It was heartache for me. I mean, I

0:34:37.920 --> 0:34:39.720
<v Speaker 1>I shed tears of the whole thing, because I always

0:34:39.719 --> 0:34:41.880
<v Speaker 1>had this dream of us getting to this mountaintop together

0:34:42.600 --> 0:34:44.719
<v Speaker 1>and me and him standing on that and just being like, man,

0:34:44.760 --> 0:34:46.560
<v Speaker 1>look who we did, you know? And that's with all

0:34:46.640 --> 0:34:52.120
<v Speaker 1>my band, but you know he was with me first. Um,

0:34:52.320 --> 0:34:54.120
<v Speaker 1>So that's when I kind of went away. I went

0:34:54.160 --> 0:34:57.080
<v Speaker 1>out and surf for a month, and and MAUI then

0:34:57.080 --> 0:34:59.160
<v Speaker 1>surf for a month Coasta Rican and when the Iceland,

0:34:59.160 --> 0:35:03.920
<v Speaker 1>and during all that time, man, I just I just

0:35:04.040 --> 0:35:06.200
<v Speaker 1>finally started letting go of all that burden of that

0:35:06.280 --> 0:35:08.040
<v Speaker 1>man and just kind of I was carrying all that

0:35:08.080 --> 0:35:11.520
<v Speaker 1>weight even before that, feeling like you gotta keep the

0:35:11.560 --> 0:35:13.799
<v Speaker 1>whole train movement, which I'm sure you do. Sometimes you've

0:35:13.800 --> 0:35:16.800
<v Speaker 1>got people now that are employed because of the success

0:35:16.840 --> 0:35:19.799
<v Speaker 1>of your show, and you feel that responsibility of and

0:35:19.800 --> 0:35:22.360
<v Speaker 1>these people are counting on me to keep being creative

0:35:22.360 --> 0:35:24.480
<v Speaker 1>and keep this thing going, and you feel like a

0:35:24.520 --> 0:35:27.399
<v Speaker 1>failure when your songs aren't working. And even though our

0:35:27.480 --> 0:35:31.319
<v Speaker 1>shows we're doubling and tripling in size, it was like

0:35:31.360 --> 0:35:33.720
<v Speaker 1>everybody else's viewed it as it was a failure because

0:35:34.120 --> 0:35:36.640
<v Speaker 1>people in Nashville are in such a bubble where you

0:35:36.719 --> 0:35:39.640
<v Speaker 1>think it's all about you know, it's just radio, and

0:35:39.719 --> 0:35:41.440
<v Speaker 1>if you're not working at radio, then well he must

0:35:41.480 --> 0:35:43.560
<v Speaker 1>not be working. Well, let's push him to the side

0:35:43.560 --> 0:35:45.279
<v Speaker 1>and let's focus on this guy because he's got some

0:35:45.360 --> 0:35:47.040
<v Speaker 1>hits going on over here. And I felt all that,

0:35:47.280 --> 0:35:50.120
<v Speaker 1>you know, um so I think it was a combination

0:35:50.200 --> 0:35:53.399
<v Speaker 1>of all that. And then as I I got out

0:35:53.480 --> 0:35:56.640
<v Speaker 1>there and I spent some time in prayer and I

0:35:56.760 --> 0:35:58.759
<v Speaker 1>was surfing, I was finding that piece, and I just

0:35:58.880 --> 0:36:01.760
<v Speaker 1>kind of I just came out on a different side,

0:36:02.000 --> 0:36:04.879
<v Speaker 1>and I was like, man, if ever supposed to happen,

0:36:04.880 --> 0:36:08.000
<v Speaker 1>when he's gonna happen, this is all divine playing however

0:36:08.000 --> 0:36:10.840
<v Speaker 1>it's supposed to be. And all I can do is

0:36:12.040 --> 0:36:15.320
<v Speaker 1>wake up and be happy that I've been blessed with

0:36:15.360 --> 0:36:17.279
<v Speaker 1>this amazing life that I fought so hard to have.

0:36:17.640 --> 0:36:19.160
<v Speaker 1>And I don't know how long it's gonna last. You

0:36:19.160 --> 0:36:21.920
<v Speaker 1>don't know how long your thing's gonna last. It was

0:36:22.000 --> 0:36:24.719
<v Speaker 1>just a sense of peace and that after I really

0:36:24.800 --> 0:36:26.640
<v Speaker 1>sat down and think about it, it's not my fault,

0:36:27.480 --> 0:36:29.319
<v Speaker 1>you know that the thing with Dave didn't work out,

0:36:29.360 --> 0:36:32.640
<v Speaker 1>and letting go of all that garbage, and man, when

0:36:32.680 --> 0:36:35.000
<v Speaker 1>I came out on the other side, on the other side, man,

0:36:35.080 --> 0:36:38.000
<v Speaker 1>that the music I started showing. The music, the melodies

0:36:38.040 --> 0:36:41.680
<v Speaker 1>started showing in this sense of even the song like

0:36:41.800 --> 0:36:44.440
<v Speaker 1>Bittersweet Company, that's such a heart wrenching lyric. It was

0:36:44.480 --> 0:36:48.239
<v Speaker 1>like these amazing happy melodies on top of which was

0:36:48.280 --> 0:36:50.600
<v Speaker 1>the Jukes of Motown, which was I love about Motown.

0:36:50.680 --> 0:36:53.800
<v Speaker 1>But um, just when you hear this record, man, you

0:36:53.880 --> 0:36:56.800
<v Speaker 1>can sense that there's a better place mentally that I

0:36:56.960 --> 0:36:59.400
<v Speaker 1>got to then. As much as I love while one

0:36:59.440 --> 0:37:01.160
<v Speaker 1>was up where I was when I created Wild Ones.

0:37:01.800 --> 0:37:03.839
<v Speaker 1>You talk about a mountaintop, what is your mountain top?

0:37:04.120 --> 0:37:08.239
<v Speaker 1>I don't think And that's another thing Bobby. For me,

0:37:08.400 --> 0:37:12.719
<v Speaker 1>for so long it was happiness was man, when we're

0:37:12.800 --> 0:37:16.200
<v Speaker 1>finally headlining that big arena and we're finally playing that stadium,

0:37:16.239 --> 0:37:19.960
<v Speaker 1>and and I just I see it completely different now,

0:37:20.040 --> 0:37:21.320
<v Speaker 1>you know. Some other day was asked me, you know,

0:37:21.400 --> 0:37:24.200
<v Speaker 1>what are your goals for two thou eighteen, And when

0:37:24.239 --> 0:37:26.719
<v Speaker 1>I said I don't have any, they looked at me

0:37:26.840 --> 0:37:28.279
<v Speaker 1>like I was crazy, And I was like, doesn't mean

0:37:28.320 --> 0:37:31.000
<v Speaker 1>that I'm not ambitious, doesn't mean that I don't want

0:37:31.000 --> 0:37:32.520
<v Speaker 1>to be the you know, be great at what I do.

0:37:33.080 --> 0:37:34.719
<v Speaker 1>Doesn't mean that I still don't want to sell out

0:37:35.000 --> 0:37:39.600
<v Speaker 1>stadiums and do that whole thing. But my my goal

0:37:39.800 --> 0:37:44.919
<v Speaker 1>is to cantinue to make music and hopefully people show

0:37:45.000 --> 0:37:46.880
<v Speaker 1>up and want to sing it, you know, and and

0:37:47.080 --> 0:37:48.960
<v Speaker 1>to be on the stage with my best friends play

0:37:49.000 --> 0:37:52.640
<v Speaker 1>and just I hope to that's my goal. That's my Now,

0:37:52.800 --> 0:37:55.759
<v Speaker 1>I'm I find myself being so much more present, living

0:37:55.760 --> 0:37:59.040
<v Speaker 1>in the moment as far as this year's gone with shows.

0:37:59.520 --> 0:38:02.759
<v Speaker 1>It's like there's that there's a happiness because I'm I

0:38:02.920 --> 0:38:05.760
<v Speaker 1>was always thinking about, oh god it, well, this has happening.

0:38:05.800 --> 0:38:07.799
<v Speaker 1>I gotta I gotta try to fix this. Now we're

0:38:07.800 --> 0:38:09.719
<v Speaker 1>not gonna get to this next spot. And I was

0:38:09.880 --> 0:38:12.520
<v Speaker 1>always thinking ahead, which caused me to be a complete

0:38:12.560 --> 0:38:17.200
<v Speaker 1>wreck is a human being, um, And now it's and

0:38:17.280 --> 0:38:21.439
<v Speaker 1>I still have that thing of I'm always strategically, Okay,

0:38:21.480 --> 0:38:23.200
<v Speaker 1>we gotta focus on this and we gotta you know,

0:38:23.239 --> 0:38:26.160
<v Speaker 1>I'm I'm still that guy, but I'm letting go of

0:38:26.200 --> 0:38:28.640
<v Speaker 1>the stuff that I can't control and I'm enjoying the

0:38:28.760 --> 0:38:31.480
<v Speaker 1>moments that are meant to be enjoyed. So I think

0:38:31.520 --> 0:38:34.319
<v Speaker 1>that's been the biggest change for me. And I don't

0:38:34.320 --> 0:38:37.680
<v Speaker 1>see a mountaintop anymore. It's it's man, that'd be awesome

0:38:37.719 --> 0:38:41.279
<v Speaker 1>if we were able to play that stadium, But it's

0:38:41.280 --> 0:38:43.600
<v Speaker 1>a badass if we're headline in the theater tomorrow right too,

0:38:43.640 --> 0:38:47.040
<v Speaker 1>And we got three thousand people singing along like so um,

0:38:48.000 --> 0:38:50.879
<v Speaker 1>My mindsets changed in that sense for sure. Talk about

0:38:50.920 --> 0:38:53.200
<v Speaker 1>your live shows for a second, because you put a

0:38:53.200 --> 0:38:55.360
<v Speaker 1>lot of work. I mean, you take the lot shows seriously,

0:38:55.880 --> 0:38:57.360
<v Speaker 1>you pay, have a lot of tension to the crowding,

0:38:58.200 --> 0:39:01.279
<v Speaker 1>probably more than you should. Yeah, I mean I think

0:39:01.400 --> 0:39:04.040
<v Speaker 1>I think to your detriment sometimes for sure, for sure.

0:39:04.160 --> 0:39:07.120
<v Speaker 1>And that's another thing that I'm learning. I've gotten better

0:39:07.160 --> 0:39:09.800
<v Speaker 1>at that, man, Like I'm I'm starting to really, you know,

0:39:09.880 --> 0:39:12.600
<v Speaker 1>even after our conversation, you know, I thought about the

0:39:12.680 --> 0:39:14.719
<v Speaker 1>Steve Martin thing that you were telling me about last time.

0:39:14.760 --> 0:39:17.120
<v Speaker 1>You know, I had a couple of shows here recently,

0:39:17.160 --> 0:39:20.440
<v Speaker 1>man was I mean it was just insanity, insanity the shows.

0:39:20.480 --> 0:39:23.280
<v Speaker 1>And I saw a couple of despondent faces that usually

0:39:23.280 --> 0:39:25.759
<v Speaker 1>would have I would have been like, sure, why can't

0:39:25.840 --> 0:39:29.400
<v Speaker 1>why why are they enjoying themselves? They might be enjoying

0:39:29.440 --> 0:39:31.040
<v Speaker 1>the seals, they enjoying the selves in a different way,

0:39:31.080 --> 0:39:35.200
<v Speaker 1>But I was quickly able to be like, let's keep

0:39:35.239 --> 0:39:38.080
<v Speaker 1>playing like I you know, just and it was it

0:39:38.200 --> 0:39:41.480
<v Speaker 1>felt good to be that way. Um, but I do man,

0:39:41.520 --> 0:39:43.600
<v Speaker 1>I take I take it serious. I've never missed the

0:39:43.640 --> 0:39:47.000
<v Speaker 1>sound check my whole career. I've never missed a sound check. Um.

0:39:47.760 --> 0:39:53.520
<v Speaker 1>I'm super I'm I'm super locked in when the show's

0:39:53.520 --> 0:39:55.440
<v Speaker 1>even going on while I'm entertaining, and the next day

0:39:56.280 --> 0:39:59.880
<v Speaker 1>I'll be like, hey, you know, brod are you you

0:40:00.040 --> 0:40:02.440
<v Speaker 1>You didn't? You didn't you didn't play the five chord

0:40:02.520 --> 0:40:05.600
<v Speaker 1>on the on the fourth bar of the course last night,

0:40:05.960 --> 0:40:07.840
<v Speaker 1>the second course, you know whatever. You look at me

0:40:07.920 --> 0:40:11.040
<v Speaker 1>and be like, yeah I did. I'm like, no, you didn't.

0:40:11.520 --> 0:40:12.960
<v Speaker 1>You missed it. You missed a note and you were

0:40:13.000 --> 0:40:15.960
<v Speaker 1>flat on the bend on the opening your lipstick. I wasn't.

0:40:16.040 --> 0:40:22.359
<v Speaker 1>Yeah you were uh you know, Dusty played the I'll

0:40:22.400 --> 0:40:24.160
<v Speaker 1>record all the shows and we played the board back

0:40:25.120 --> 0:40:26.640
<v Speaker 1>and well listen, I'll be right there and I'll go

0:40:26.719 --> 0:40:28.279
<v Speaker 1>all right, you know, I got you. And then he'll

0:40:28.320 --> 0:40:30.880
<v Speaker 1>be like were you paying attention to that? And I'm like, so,

0:40:30.960 --> 0:40:34.080
<v Speaker 1>I'm super hyper focused with stuff like that, because man,

0:40:34.160 --> 0:40:39.719
<v Speaker 1>I just I think about being a great band. The

0:40:39.800 --> 0:40:43.360
<v Speaker 1>bands and inspired me. Man, I just how amazingly locked

0:40:43.400 --> 0:40:46.440
<v Speaker 1>in they were on stage. And I also think about

0:40:49.120 --> 0:40:52.839
<v Speaker 1>so many of these people. That's why I never I've

0:40:52.960 --> 0:40:56.799
<v Speaker 1>seen through strep throat a million times I've gotten early

0:40:56.880 --> 0:40:58.799
<v Speaker 1>on my career, I was always sick from all the travel,

0:40:58.840 --> 0:41:01.600
<v Speaker 1>and I wasn't sleeping. I was all is sick. You know.

0:41:01.920 --> 0:41:04.439
<v Speaker 1>I won't canceled shows. I'm sure I'll probably they will

0:41:04.480 --> 0:41:06.319
<v Speaker 1>come a time when I just physically can't do them

0:41:06.320 --> 0:41:09.600
<v Speaker 1>one day. But I try to sing through everything. M I.

0:41:09.840 --> 0:41:15.360
<v Speaker 1>These people, you know, some of them are making minimum

0:41:15.400 --> 0:41:17.279
<v Speaker 1>ways and they've been saving up for this show. They've

0:41:17.280 --> 0:41:19.239
<v Speaker 1>been saving for months and looking forward to this show.

0:41:19.360 --> 0:41:22.359
<v Speaker 1>And I can't just go out and go through the motions. Man,

0:41:22.440 --> 0:41:25.840
<v Speaker 1>I gotta give them everything we got. And that's the

0:41:25.960 --> 0:41:30.120
<v Speaker 1>only reason that during that law, because radio is so

0:41:30.400 --> 0:41:34.719
<v Speaker 1>huge for any artists. Any artist's line when they say

0:41:34.800 --> 0:41:36.680
<v Speaker 1>they don't want to be played on the radio and

0:41:36.760 --> 0:41:39.960
<v Speaker 1>something all the big guns, Tom Petty Merle Haggard was like,

0:41:40.000 --> 0:41:42.440
<v Speaker 1>I'm just dying for one more hit, you know, towards anybody.

0:41:42.440 --> 0:41:45.160
<v Speaker 1>You know, everybody wants to be heard by the masses,

0:41:45.200 --> 0:41:46.680
<v Speaker 1>you know what I mean. I mean that's you want

0:41:46.760 --> 0:41:48.880
<v Speaker 1>your songs to be heard, doesn't mean that you're setting

0:41:48.960 --> 0:41:51.600
<v Speaker 1>out if you get heard by the masses. That's there's

0:41:51.680 --> 0:41:54.640
<v Speaker 1>been so many of our favorite songs we've sing along

0:41:54.680 --> 0:41:57.000
<v Speaker 1>with our whole life. They weren't sell out songs. They

0:41:57.040 --> 0:41:59.799
<v Speaker 1>were just amazing songs. And you're always willing to write

0:41:59.840 --> 0:42:02.520
<v Speaker 1>that amazing song like a song like guitar Man, and

0:42:02.640 --> 0:42:05.600
<v Speaker 1>you're hoping that it gets heard by your fan base, yes,

0:42:05.719 --> 0:42:08.239
<v Speaker 1>but you're hoping that it gets heard by millions of

0:42:08.320 --> 0:42:10.040
<v Speaker 1>others that never had a chance to hear your music.

0:42:10.560 --> 0:42:12.680
<v Speaker 1>You know, that's a special thing. Righting down the road

0:42:12.719 --> 0:42:14.560
<v Speaker 1>and hearing your song on the radio. Man's that's a

0:42:14.600 --> 0:42:19.239
<v Speaker 1>powerful thing. Um. So I can't remember what the hell

0:42:19.320 --> 0:42:23.040
<v Speaker 1>we were talking about. Oh yeah. So for me, it's

0:42:23.080 --> 0:42:26.920
<v Speaker 1>just like, you know, I just look at it like

0:42:27.160 --> 0:42:29.880
<v Speaker 1>the way we poured ourselves and the way we were

0:42:29.960 --> 0:42:33.800
<v Speaker 1>so attended to detail and trying to give every ounce

0:42:33.840 --> 0:42:38.600
<v Speaker 1>of ourselves every night during those you know, up until

0:42:40.120 --> 0:42:42.200
<v Speaker 1>kind of running for you, but more with this song

0:42:42.320 --> 0:42:43.600
<v Speaker 1>is kind of this song is kind of the first

0:42:43.680 --> 0:42:47.239
<v Speaker 1>time that I'm really having some momentum since Pretty Girl.

0:42:48.680 --> 0:42:52.920
<v Speaker 1>But our fan base is tripled in size through this

0:42:53.160 --> 0:42:55.240
<v Speaker 1>lull where a lot of people the minute that radio

0:42:55.360 --> 0:42:58.359
<v Speaker 1>is gone, artists is dead in the water. And that's

0:42:58.400 --> 0:43:02.399
<v Speaker 1>just the fact. Um. But we I think because we've

0:43:02.440 --> 0:43:05.920
<v Speaker 1>prided ourselves so much on that live show and staying

0:43:05.960 --> 0:43:08.640
<v Speaker 1>authentic to ourselves that we've we've been able to thrive

0:43:08.760 --> 0:43:11.879
<v Speaker 1>during this downtime. Let me play this new song here,

0:43:12.880 --> 0:43:14.160
<v Speaker 1>so right now when you hear this, you can hear

0:43:14.200 --> 0:43:15.480
<v Speaker 1>this in a year from now, and this won't be

0:43:15.520 --> 0:43:17.239
<v Speaker 1>the new song, but right now more girls like you

0:43:18.040 --> 0:43:24.440
<v Speaker 1>got mad? And what part of the process did you

0:43:24.480 --> 0:43:33.160
<v Speaker 1>record this song? I recorded this, uh back in December,

0:43:33.400 --> 0:43:42.520
<v Speaker 1>early December. Um, that was that was Josh Miller, um

0:43:44.400 --> 0:43:48.239
<v Speaker 1>singing a piece of that course a line from that course, Um,

0:43:48.960 --> 0:43:52.600
<v Speaker 1>he said. Uh. All he had was want to reach

0:43:52.680 --> 0:43:54.600
<v Speaker 1>for the bright of stuff, set it on a ring,

0:43:54.800 --> 0:43:57.120
<v Speaker 1>put it on your hand. That was kind of all

0:43:57.160 --> 0:43:59.600
<v Speaker 1>we had. And then it was like we had the melody,

0:43:59.640 --> 0:44:02.279
<v Speaker 1>but that was on the only line. And then I

0:44:02.400 --> 0:44:05.239
<v Speaker 1>just kind of went straight into that and then I

0:44:05.239 --> 0:44:07.320
<v Speaker 1>started playing that acoustic riff that you're here in the beginning,

0:44:08.080 --> 0:44:10.960
<v Speaker 1>and then the melody I immediately was like, you know,

0:44:11.719 --> 0:44:14.680
<v Speaker 1>I haven't living like go out old Mustang Montana Fields,

0:44:14.680 --> 0:44:16.160
<v Speaker 1>and I was just kind of singing about my life.

0:44:16.719 --> 0:44:18.520
<v Speaker 1>And we didn't quite know where the song was going

0:44:18.560 --> 0:44:21.040
<v Speaker 1>at that time, but I could tell by the line

0:44:21.040 --> 0:44:22.680
<v Speaker 1>he said, you know I want to read for the

0:44:22.719 --> 0:44:24.560
<v Speaker 1>body star and sell in the ring. Well, all right,

0:44:24.640 --> 0:44:28.600
<v Speaker 1>well we're talking about, you know, finding that right person.

0:44:28.760 --> 0:44:31.600
<v Speaker 1>So then it was me talking about my life in

0:44:31.640 --> 0:44:35.080
<v Speaker 1>that opening verse, and uh, I've been living like a

0:44:35.120 --> 0:44:37.239
<v Speaker 1>wild on the monton. The fields mattered me a bad

0:44:37.280 --> 0:44:39.239
<v Speaker 1>irritation and never stopped these wheels. And that was just

0:44:39.320 --> 0:44:41.440
<v Speaker 1>kind of like, you know, I might have heard the

0:44:41.640 --> 0:44:44.160
<v Speaker 1>grumbles of different things about the way I live or whatever,

0:44:44.280 --> 0:44:45.680
<v Speaker 1>but it was like, you know, I just keep going

0:44:45.719 --> 0:44:48.719
<v Speaker 1>on about it. But I was trying to find a way,

0:44:48.800 --> 0:44:51.200
<v Speaker 1>in an interesting way to get to what he was saying.

0:44:51.719 --> 0:44:53.560
<v Speaker 1>And then we just we started flying with that, me

0:44:53.640 --> 0:44:58.680
<v Speaker 1>and Josh and David Garcia and Steven Lee Olsen. May

0:44:58.680 --> 0:45:00.879
<v Speaker 1>I listen to that song in the first line again,

0:45:01.840 --> 0:45:04.120
<v Speaker 1>I've been living like a wild old Mustang out of

0:45:04.200 --> 0:45:08.160
<v Speaker 1>Montana Fields might earn me a bad reputation. That never

0:45:08.239 --> 0:45:12.799
<v Speaker 1>stopped these weeks from rolling and going too far, from

0:45:12.960 --> 0:45:16.040
<v Speaker 1>from going and rolling too far, running and gunning a

0:45:16.120 --> 0:45:19.279
<v Speaker 1>little too hard, so unrained, so untamed. I was just

0:45:19.400 --> 0:45:22.600
<v Speaker 1>picturing and I had the image in my head I

0:45:22.719 --> 0:45:24.600
<v Speaker 1>was pictured in Montana is one of my favorite places.

0:45:24.680 --> 0:45:26.960
<v Speaker 1>I just I love the people of Montana so much.

0:45:27.320 --> 0:45:29.840
<v Speaker 1>I love being out there. And I was just picturing

0:45:29.880 --> 0:45:32.520
<v Speaker 1>this wide open range in my head that I've seen

0:45:32.600 --> 0:45:35.520
<v Speaker 1>as we've passed through Montana on the bus, and picture

0:45:35.520 --> 0:45:38.000
<v Speaker 1>in this wild horse that you can't quite And that

0:45:38.120 --> 0:45:39.719
<v Speaker 1>was the image. And I'll ride around. Image is a

0:45:39.760 --> 0:45:41.200
<v Speaker 1>whole lot. I'll get an image in my head and

0:45:41.239 --> 0:45:43.839
<v Speaker 1>then I'll ride around how that pertains to my life

0:45:43.880 --> 0:45:45.120
<v Speaker 1>and that So that was in my head as I

0:45:45.200 --> 0:45:48.000
<v Speaker 1>sped out that first set of verses. Is that you

0:45:48.320 --> 0:45:53.160
<v Speaker 1>you feel like that you like that? First? Yeah's man,

0:45:53.200 --> 0:45:56.000
<v Speaker 1>I mean it's I know that I've been aloof and

0:45:56.080 --> 0:45:57.919
<v Speaker 1>hard to rain in, and I know it many times.

0:45:57.960 --> 0:46:00.839
<v Speaker 1>I've I've had a lot of people that I've really

0:46:01.040 --> 0:46:03.719
<v Speaker 1>you know, you know, not a lot. I don't even

0:46:03.719 --> 0:46:05.319
<v Speaker 1>know why. Hell, I just said a lot. I've I've

0:46:05.360 --> 0:46:08.480
<v Speaker 1>gotten close to a couple of people and in my

0:46:08.760 --> 0:46:11.480
<v Speaker 1>journey along this whole thing, and I know that I've

0:46:12.600 --> 0:46:14.279
<v Speaker 1>I've been tough to rainy and like I know that

0:46:14.320 --> 0:46:18.200
<v Speaker 1>about myself. I've been so just trying to go after

0:46:18.280 --> 0:46:20.480
<v Speaker 1>this thing so hard and that it's just it's taken

0:46:20.560 --> 0:46:24.520
<v Speaker 1>up all my attention. Talking about Blue Apron for one second,

0:46:25.000 --> 0:46:27.279
<v Speaker 1>I love Blue Apron, you know, I do the show

0:46:27.360 --> 0:46:30.319
<v Speaker 1>from my house and coincidence to Lee, that is where

0:46:30.320 --> 0:46:32.919
<v Speaker 1>Blue Apron comes right to my door. So Blue Apron

0:46:33.000 --> 0:46:35.200
<v Speaker 1>comes and it's in a big, awesome Blue Apron box

0:46:35.360 --> 0:46:38.640
<v Speaker 1>and for less than ten dollars per person per meal,

0:46:39.080 --> 0:46:41.880
<v Speaker 1>Blue Apron delivers these awesome meals to you. Make them

0:46:41.960 --> 0:46:45.239
<v Speaker 1>right at home. Seasonal recipes along with preportion ingredients, make

0:46:45.360 --> 0:46:49.800
<v Speaker 1>delicious home cooked meals and variety. Choose from them. Just

0:46:49.840 --> 0:46:51.319
<v Speaker 1>look at the website. I I can tell you it's

0:46:51.320 --> 0:46:54.560
<v Speaker 1>look at the website Blue Apron dot Com slash Bobby Cast.

0:46:55.000 --> 0:46:56.600
<v Speaker 1>Also go over and to make sure you have a

0:46:56.640 --> 0:46:59.080
<v Speaker 1>Bobby Cast at the end of that Blue Apron dot

0:46:59.120 --> 0:47:02.759
<v Speaker 1>Com slash Bbby Cast because check out this week's men

0:47:02.800 --> 0:47:05.120
<v Speaker 1>you get your first three meals for free with free

0:47:05.120 --> 0:47:07.719
<v Speaker 1>shipping Blue Apron dot Com slash Bobby Cast. And you know,

0:47:07.880 --> 0:47:09.359
<v Speaker 1>I don't even know how to cook. I don't either.

0:47:09.400 --> 0:47:11.319
<v Speaker 1>Welcome to the club of not knowing how to cook

0:47:11.880 --> 0:47:13.560
<v Speaker 1>and so there's a card and that teaches you how

0:47:13.600 --> 0:47:15.480
<v Speaker 1>to do it. They have all the recipes are preportioned.

0:47:16.040 --> 0:47:17.840
<v Speaker 1>They show you exactly how to do it. B B B.

0:47:17.960 --> 0:47:19.120
<v Speaker 1>If I can do it, you can do it. So

0:47:19.280 --> 0:47:21.200
<v Speaker 1>Blue Apron, you love how good it feels, and I

0:47:21.280 --> 0:47:24.880
<v Speaker 1>get a taste create incredible home cooked meals. Blue Apron

0:47:25.000 --> 0:47:27.839
<v Speaker 1>dot com slash Bobby cast Blue Apron is a better

0:47:27.960 --> 0:47:29.680
<v Speaker 1>way to cook. All right, So I want to talk

0:47:29.719 --> 0:47:32.600
<v Speaker 1>about give me one second, Bobby's bathroom. All right, Ki

0:47:32.840 --> 0:47:37.439
<v Speaker 1>is gonna go to the bathroom, go to my bathroom. Yeah,

0:47:37.880 --> 0:47:40.239
<v Speaker 1>we're gonna keep it. We're gonna keep rolling. So you

0:47:40.320 --> 0:47:43.560
<v Speaker 1>just go for it. The rule of this is we

0:47:43.640 --> 0:47:46.960
<v Speaker 1>don't stop the tape and we don't edit. So I

0:47:47.000 --> 0:47:48.560
<v Speaker 1>believe this is the first time ever that anyone has

0:47:48.560 --> 0:47:50.560
<v Speaker 1>had to go to the bathroom. I think Jaco and

0:47:50.640 --> 0:47:52.200
<v Speaker 1>had to go, but he didn't say they held it

0:47:52.239 --> 0:47:57.560
<v Speaker 1>the whole time. That's funny. So he happens in my

0:47:57.560 --> 0:47:59.000
<v Speaker 1>bathroom minute ago, and he walked and he was like,

0:47:59.520 --> 0:48:03.520
<v Speaker 1>I also a single man, because there's just it's just

0:48:03.640 --> 0:48:06.120
<v Speaker 1>so I like temporary glasses in there because I have

0:48:06.120 --> 0:48:10.440
<v Speaker 1>a bunch of um different kind of glasses, and he

0:48:10.560 --> 0:48:12.320
<v Speaker 1>was like, yeah, I get it. I get it. And

0:48:12.400 --> 0:48:13.920
<v Speaker 1>I was like, you're the actually the first person that's

0:48:13.960 --> 0:48:16.879
<v Speaker 1>ever because I didn't mean my bathroom door with Cole

0:48:16.920 --> 0:48:19.520
<v Speaker 1>here the other day my bedroom door. And my bedroom

0:48:19.640 --> 0:48:22.080
<v Speaker 1>is right next to this studio, and we have a

0:48:22.120 --> 0:48:24.480
<v Speaker 1>bathroom that's actually in the studio. But it's like a

0:48:24.600 --> 0:48:28.200
<v Speaker 1>toilet and there's no soap, and there's like boxes of books.

0:48:28.480 --> 0:48:32.560
<v Speaker 1>It's kind of a storage room with a toilet. And

0:48:32.719 --> 0:48:36.120
<v Speaker 1>so anyway, keeps in my bathroom right now. And here,

0:48:36.280 --> 0:48:38.200
<v Speaker 1>let's hear that little something from kit Moore. Here, let's

0:48:38.200 --> 0:48:44.000
<v Speaker 1>see how about something by a truck? Here we goundress

0:48:52.280 --> 0:48:56.520
<v Speaker 1>and there you go. So he's coming back. It's beautiful.

0:48:58.719 --> 0:49:02.960
<v Speaker 1>Did they come out you guys? Yeah? Like that bathroom?

0:49:03.680 --> 0:49:08.879
<v Speaker 1>Huh it is? I told you I'm a single dude,

0:49:09.239 --> 0:49:11.279
<v Speaker 1>and it looks like mine. I can't I can't hate

0:49:11.320 --> 0:49:12.719
<v Speaker 1>on you that. But you got a record player just

0:49:12.800 --> 0:49:15.600
<v Speaker 1>like mind and there, man, I love that freaking thing.

0:49:15.680 --> 0:49:17.040
<v Speaker 1>I got two of those in my house, like one

0:49:17.120 --> 0:49:19.920
<v Speaker 1>upstairs and one down. What's uh? What do you let's

0:49:19.960 --> 0:49:21.279
<v Speaker 1>say you go home tonight, what are you gonna put on?

0:49:22.719 --> 0:49:27.120
<v Speaker 1>Right now? I have I got a Dan Vogelberg album

0:49:27.160 --> 0:49:29.880
<v Speaker 1>on there right now, But I had a James Taylor

0:49:29.960 --> 0:49:34.399
<v Speaker 1>on the night before. UM had an old deal dealing record. Um. Yeah,

0:49:34.440 --> 0:49:36.359
<v Speaker 1>A tough day. You tell me what song you put on? Yeah,

0:49:36.360 --> 0:49:38.879
<v Speaker 1>A tough day. It's a tough day. Uh, Stolen Car

0:49:39.120 --> 0:49:44.040
<v Speaker 1>Bruce Springsteen. Man, because that song just rips your heart out,

0:49:44.160 --> 0:49:46.480
<v Speaker 1>That's what it does. Song just completely And I like

0:49:46.719 --> 0:49:49.520
<v Speaker 1>to a lot of people it's funny, man, Like I'll

0:49:49.520 --> 0:49:55.800
<v Speaker 1>meet people who like, you know, whenever they're broken hearted

0:49:55.920 --> 0:49:59.080
<v Speaker 1>or wherever they're going through a bad time. I don't

0:49:59.120 --> 0:50:01.239
<v Speaker 1>want to listen to anything, you know, sad like I

0:50:01.360 --> 0:50:03.440
<v Speaker 1>just I want to get my you know, I like

0:50:03.640 --> 0:50:08.080
<v Speaker 1>tapping into that part of my soul. I don't. I

0:50:08.120 --> 0:50:10.280
<v Speaker 1>don't try to run from it. Like I like tapping

0:50:10.400 --> 0:50:23.160
<v Speaker 1>into it and getting it out there from the river

0:50:25.560 --> 0:50:32.799
<v Speaker 1>swowing near the little bod. It's so honest. The song

0:50:32.920 --> 0:50:36.120
<v Speaker 1>is so honest, man. It's we got married and we

0:50:36.200 --> 0:50:38.440
<v Speaker 1>swore we never part, but a little by little, you know,

0:50:38.520 --> 0:50:44.920
<v Speaker 1>it's it's he's singing sorrows him and any Lennox and

0:50:45.520 --> 0:50:52.280
<v Speaker 1>and uh, I think he sings sorrow better than anybody

0:50:52.360 --> 0:50:55.120
<v Speaker 1>than me. It's I love tapping into that. Man. That's

0:50:55.160 --> 0:50:56.960
<v Speaker 1>interesting to say singing sorrow because when I think of

0:50:57.000 --> 0:50:59.399
<v Speaker 1>singing sorrow, I think of Michael Stipe. Do you think

0:50:59.400 --> 0:51:02.080
<v Speaker 1>of who Michael Stype from? R m oh Man, I

0:51:02.160 --> 0:51:06.080
<v Speaker 1>think I think about sorrow singers. That's that's an interesting concept. Sorry,

0:51:06.120 --> 0:51:10.319
<v Speaker 1>like who're the best sings sorrow? So well, man, um uh,

0:51:11.040 --> 0:51:16.040
<v Speaker 1>what's the song I'm thinking about? Man? That's um oh gosh.

0:51:16.200 --> 0:51:20.560
<v Speaker 1>In that movie Love actually um when she finds out

0:51:20.640 --> 0:51:24.200
<v Speaker 1>finally finds out that he's that that he's having an

0:51:24.239 --> 0:51:26.160
<v Speaker 1>affair with the young girl at the office, and there's

0:51:26.200 --> 0:51:28.920
<v Speaker 1>that song that's I know the artist and I'm all

0:51:28.920 --> 0:51:32.000
<v Speaker 1>of a sudden, I'm I have the soundtrack up Dido

0:51:33.480 --> 0:51:38.160
<v Speaker 1>Johnie Mitchell, that's who sings that. Yeah, I mean both

0:51:38.239 --> 0:51:47.439
<v Speaker 1>sides now? Is this song incredible? Lyric If this song

0:51:47.600 --> 0:51:50.759
<v Speaker 1>doesn't move you, then there's something wrong, like with your soul.

0:51:50.880 --> 0:52:05.960
<v Speaker 1>There's something missing. And rowls of Angela, the nice cream

0:52:06.080 --> 0:52:19.920
<v Speaker 1>castle and feathered canyons everywhere looked with clouds that wind,

0:52:24.120 --> 0:52:28.760
<v Speaker 1>but now the only block the sun. It's just about

0:52:28.760 --> 0:52:31.480
<v Speaker 1>you can hear emotion. She's talking about she used to

0:52:31.560 --> 0:52:34.520
<v Speaker 1>look at clouds being these beautiful things, and now how

0:52:34.600 --> 0:52:36.839
<v Speaker 1>I look at him after heartbreak. They only block the sun,

0:52:37.160 --> 0:52:39.480
<v Speaker 1>you know, they bring the rain. It's like, what a

0:52:40.239 --> 0:52:43.319
<v Speaker 1>amazing way to write about that topic. And that's how

0:52:43.400 --> 0:52:47.200
<v Speaker 1>she does the whole song. Man. I just I like

0:52:47.320 --> 0:52:49.440
<v Speaker 1>to tap in then that stuff when I'm feeling that way.

0:52:49.480 --> 0:52:53.320
<v Speaker 1>I mean, she sings sorrow the best, simply the best.

0:52:54.600 --> 0:52:56.759
<v Speaker 1>You're interesting guy to me because you've done a lot

0:52:56.840 --> 0:53:00.799
<v Speaker 1>of different things. And you mentioned earlier you had scolar ship.

0:53:01.320 --> 0:53:03.359
<v Speaker 1>You're a good athlete as a kid, So you want

0:53:03.400 --> 0:53:12.719
<v Speaker 1>to play ball. I'm assuming you play golf. You're guard? Yeah, man,

0:53:12.800 --> 0:53:15.960
<v Speaker 1>I was. I was a point guard and yeah, man,

0:53:16.000 --> 0:53:18.080
<v Speaker 1>I still have that trash talking to me when I

0:53:18.160 --> 0:53:20.680
<v Speaker 1>go play. Did love it? Yeah? I loved it. I

0:53:20.760 --> 0:53:26.319
<v Speaker 1>didn't love golf. I played golf because I looked up

0:53:26.360 --> 0:53:30.080
<v Speaker 1>to my dad so much. Um. He was an amazing

0:53:30.160 --> 0:53:33.480
<v Speaker 1>man that he was tough. He was really tough growing up. Um.

0:53:33.560 --> 0:53:35.719
<v Speaker 1>I have so much appreciation for him in so many

0:53:35.800 --> 0:53:38.680
<v Speaker 1>unique ways now. And as he got older, he softened,

0:53:38.880 --> 0:53:41.759
<v Speaker 1>and as we got older we learned how to handle

0:53:41.840 --> 0:53:43.960
<v Speaker 1>him too. But growing up as a kid, he was

0:53:44.080 --> 0:53:47.520
<v Speaker 1>the single most blunt human being ever met. He's a

0:53:47.640 --> 0:53:51.040
<v Speaker 1>dying breed. I mean he would shoot you so straight.

0:53:51.080 --> 0:53:52.560
<v Speaker 1>And he would talk to a six year old the

0:53:52.600 --> 0:53:55.120
<v Speaker 1>same way he would a thirty year old. There was

0:53:55.200 --> 0:53:58.480
<v Speaker 1>no difference. And he didn't know how to sugarcoat stuff. Um,

0:53:58.560 --> 0:54:00.680
<v Speaker 1>so that was really tough as a kid. I could

0:54:00.719 --> 0:54:03.239
<v Speaker 1>score thirty five in a game and come home and

0:54:03.320 --> 0:54:05.200
<v Speaker 1>I would only hear about the mistakes that I made.

0:54:05.239 --> 0:54:07.360
<v Speaker 1>And he was an incredible athlete. He was a three sport,

0:54:08.160 --> 0:54:11.040
<v Speaker 1>you know, college athlete. He was pro golfer. My granddad

0:54:11.120 --> 0:54:13.800
<v Speaker 1>was a pro golfer. My great granddad was a pro golfer.

0:54:14.600 --> 0:54:17.680
<v Speaker 1>I never played golf. I never had any desire to,

0:54:17.880 --> 0:54:19.640
<v Speaker 1>and he never pushed me to play. He never tried

0:54:19.640 --> 0:54:22.239
<v Speaker 1>to put a club in my hand. My middle brother

0:54:22.320 --> 0:54:26.400
<v Speaker 1>was an All American at golf um and I had

0:54:26.480 --> 0:54:28.360
<v Speaker 1>only like, you know, dabbled in it when I was

0:54:28.400 --> 0:54:30.400
<v Speaker 1>a kid. If I went out there to beat the

0:54:30.480 --> 0:54:33.080
<v Speaker 1>golf course with him, and you know, the little you know,

0:54:33.080 --> 0:54:35.720
<v Speaker 1>it's a little, tiny little club in our little hometown,

0:54:35.840 --> 0:54:37.960
<v Speaker 1>and and uh, you know, I might go out there

0:54:38.000 --> 0:54:39.880
<v Speaker 1>and ride at three withow with him, and while he

0:54:39.920 --> 0:54:41.480
<v Speaker 1>picked up balls, I might hit a couple but I

0:54:41.600 --> 0:54:45.240
<v Speaker 1>never actually played until I quit baseball in my junior

0:54:45.360 --> 0:54:48.320
<v Speaker 1>year and I was just waiting on basketball season, so

0:54:48.400 --> 0:54:51.360
<v Speaker 1>it was my junior kind of going into my junior summer.

0:54:51.719 --> 0:54:54.239
<v Speaker 1>In my senior year is about to start, and I

0:54:54.440 --> 0:54:56.120
<v Speaker 1>was like, you know, I had a couple of fans

0:54:56.160 --> 0:54:58.200
<v Speaker 1>on the golf team. I mean, I'm just gonna go

0:54:58.239 --> 0:54:59.560
<v Speaker 1>hang out with the end the day I hit a

0:54:59.600 --> 0:55:01.080
<v Speaker 1>few ball, I was gonna see my dad out there,

0:55:01.120 --> 0:55:03.640
<v Speaker 1>and I was like, I'm gonna I'm gonna see if

0:55:03.800 --> 0:55:05.600
<v Speaker 1>I can play this game kind of thing when I'm

0:55:05.640 --> 0:55:10.080
<v Speaker 1>waiting on basketball season to start. And I remember being

0:55:10.120 --> 0:55:12.640
<v Speaker 1>on the range and hitting and he came up behind me,

0:55:12.680 --> 0:55:14.400
<v Speaker 1>and he always made me nervous because I was always

0:55:14.440 --> 0:55:17.400
<v Speaker 1>trying to make him be proud. And that still translate

0:55:17.480 --> 0:55:21.040
<v Speaker 1>that translator over the music big time. Um. But I

0:55:21.080 --> 0:55:24.520
<v Speaker 1>can remember him standing beside me, behind me. He didn't

0:55:24.520 --> 0:55:26.400
<v Speaker 1>say a word like five minutes, and I was like,

0:55:26.480 --> 0:55:29.360
<v Speaker 1>what is the thing was he doing making me nervous?

0:55:29.360 --> 0:55:32.000
<v Speaker 1>And I was kept hitting balls and he finally kind

0:55:32.040 --> 0:55:33.600
<v Speaker 1>of walked up beside me and looked at me. And

0:55:33.680 --> 0:55:36.520
<v Speaker 1>he was an intimidating guy too. He's a big just

0:55:37.080 --> 0:55:40.800
<v Speaker 1>stack dude, and he he looked at me and he so,

0:55:40.920 --> 0:55:45.160
<v Speaker 1>I'll be damn. He said, your swing was ship when

0:55:45.200 --> 0:55:47.760
<v Speaker 1>you were a little kid. I don't know what's happened,

0:55:47.880 --> 0:55:49.759
<v Speaker 1>but you have one of the you know, the most

0:55:49.800 --> 0:55:53.520
<v Speaker 1>perfect plane and swings that I've seen. And it was

0:55:53.840 --> 0:55:56.000
<v Speaker 1>I couldn't believe I was getting a compliment like that

0:55:56.160 --> 0:55:59.920
<v Speaker 1>from me. So I became a maniac all of a sudden.

0:56:00.680 --> 0:56:02.600
<v Speaker 1>That's all I did. Next morning, I was out there

0:56:02.600 --> 0:56:05.480
<v Speaker 1>at seven am, and I was there until dark, hitting

0:56:05.520 --> 0:56:09.120
<v Speaker 1>balls all day. And in one summer, you know, I

0:56:09.520 --> 0:56:11.600
<v Speaker 1>basically was playing for four months and by the end

0:56:11.640 --> 0:56:14.600
<v Speaker 1>of that summer, I was shooting the sixties. This was

0:56:14.719 --> 0:56:17.000
<v Speaker 1>a maniac with it. And he was just always like

0:56:17.040 --> 0:56:19.239
<v Speaker 1>he'd come out there when I was hitting. He was like, man,

0:56:19.320 --> 0:56:21.319
<v Speaker 1>you keep doing this, You're gonna be something in this game,

0:56:21.400 --> 0:56:24.920
<v Speaker 1>like you can play. So it just was all of

0:56:24.920 --> 0:56:26.400
<v Speaker 1>a sudden, I wasn't even think about that. But I

0:56:26.480 --> 0:56:28.600
<v Speaker 1>never loved the game. It was just I could play.

0:56:28.800 --> 0:56:33.000
<v Speaker 1>I could really play. So it's a horrible putter. But uh,

0:56:33.440 --> 0:56:35.000
<v Speaker 1>and he would boy, he would shoot you straight with

0:56:35.120 --> 0:56:39.360
<v Speaker 1>that um but um. But I still took my basketball

0:56:39.400 --> 0:56:41.040
<v Speaker 1>shop ship and I wanted to do that for a while,

0:56:41.120 --> 0:56:46.000
<v Speaker 1>and then I eventually just I wanted to see what

0:56:46.080 --> 0:56:47.840
<v Speaker 1>I could do in that game. And I wanted to

0:56:47.920 --> 0:56:50.880
<v Speaker 1>do it because he was always talking about when I

0:56:50.920 --> 0:56:52.800
<v Speaker 1>go home many if you you know, and you know,

0:56:53.040 --> 0:56:54.440
<v Speaker 1>if you're going out and play with the golf team,

0:56:54.480 --> 0:56:56.120
<v Speaker 1>and if you're going to any balls. He was excited

0:56:56.120 --> 0:57:00.319
<v Speaker 1>about how good I was. So I found myself being

0:57:00.400 --> 0:57:05.800
<v Speaker 1>like a psychopath with practice, and I quit basketball and

0:57:05.880 --> 0:57:07.759
<v Speaker 1>I put all my focus on that for like two

0:57:07.840 --> 0:57:09.960
<v Speaker 1>or three years, and then when that was done, I'm

0:57:10.000 --> 0:57:13.640
<v Speaker 1>just completely quit. I never really played anymore. I just

0:57:13.719 --> 0:57:17.480
<v Speaker 1>kind of stopped. Every now and then, like you know,

0:57:19.360 --> 0:57:21.480
<v Speaker 1>I'll talk a little trash to Jaco or somebody and

0:57:21.600 --> 0:57:24.760
<v Speaker 1>be like, man, you can't play. I got here and play. Yeah,

0:57:24.800 --> 0:57:28.560
<v Speaker 1>he's good, you know. I don't know. I've never played

0:57:28.560 --> 0:57:31.200
<v Speaker 1>with Jake, but I teased with him. I went and

0:57:31.280 --> 0:57:33.240
<v Speaker 1>did this thing for Lady a couple of years ago,

0:57:34.000 --> 0:57:37.440
<v Speaker 1>and he was he was chipping around. You know, Jake's

0:57:37.560 --> 0:57:40.800
<v Speaker 1>just dressed at the dime, you know, he he looks

0:57:40.840 --> 0:57:42.760
<v Speaker 1>the fart out there and I saw him chipping and

0:57:42.880 --> 0:57:44.320
<v Speaker 1>I was just trying to mess him. I was like, man,

0:57:44.320 --> 0:57:45.960
<v Speaker 1>you got a little hitch in your back swing right there.

0:57:46.000 --> 0:57:49.320
<v Speaker 1>You're not quite on plane either, really, you know, am

0:57:49.320 --> 0:57:52.040
<v Speaker 1>I not taking it back far? I could get this

0:57:52.120 --> 0:57:54.680
<v Speaker 1>guy's head quick right here. Man, I get destroying just

0:57:54.760 --> 0:57:56.600
<v Speaker 1>in the middle game. But he had a good swing.

0:57:56.760 --> 0:58:00.160
<v Speaker 1>Jake had a good swing. I've heard, I hold, I've

0:58:00.200 --> 0:58:03.040
<v Speaker 1>heard Coults a real baller, and I could, you know,

0:58:03.520 --> 0:58:05.440
<v Speaker 1>And me and Colt were actually we both we love

0:58:05.560 --> 0:58:08.480
<v Speaker 1>Jake and we we were both kind of teasing with Jake,

0:58:08.560 --> 0:58:10.240
<v Speaker 1>you know. Colt was kind of, you know, being like, oh, man,

0:58:10.280 --> 0:58:12.240
<v Speaker 1>I'll take Jake's money. Man, when it comes out of money.

0:58:12.280 --> 0:58:15.560
<v Speaker 1>He can't, he can't get it done. So but I've heard,

0:58:15.640 --> 0:58:18.320
<v Speaker 1>you know, coult played on nationwide tour, and that's you

0:58:18.440 --> 0:58:19.920
<v Speaker 1>gotta be a player to play on that. I mean,

0:58:19.960 --> 0:58:23.240
<v Speaker 1>there's some really good players out there. What are you

0:58:23.280 --> 0:58:25.440
<v Speaker 1>trying to stay with your music? Now? Like, what are

0:58:25.440 --> 0:58:31.520
<v Speaker 1>you trying to say with your music? I don't have

0:58:31.760 --> 0:58:35.520
<v Speaker 1>like a you know, people ask me what is your

0:58:35.600 --> 0:58:37.720
<v Speaker 1>sound and what are you like? I don't have a

0:58:37.840 --> 0:58:42.400
<v Speaker 1>specific thing that I'm trying to say. I'm just always

0:58:42.520 --> 0:58:50.760
<v Speaker 1>trying to be authentic in my emotions and transparent with

0:58:50.920 --> 0:58:53.800
<v Speaker 1>the the place that I'm at at that time of

0:58:53.880 --> 0:58:56.080
<v Speaker 1>my life, and we get pressed all the time. We

0:58:56.120 --> 0:58:59.880
<v Speaker 1>gotta send you, gotta sing to the younger females as

0:59:00.000 --> 0:59:01.880
<v Speaker 1>want to buy other records, and I've always just been like, man,

0:59:01.960 --> 0:59:05.320
<v Speaker 1>horseship man, I'm not doing that. I can get up

0:59:05.360 --> 0:59:09.080
<v Speaker 1>there and try to make the same record over and

0:59:09.160 --> 0:59:11.960
<v Speaker 1>over just so i can. Man, I've seen what we've

0:59:12.000 --> 0:59:15.840
<v Speaker 1>been building in an authentic fashion, and I believe it's

0:59:15.880 --> 0:59:20.240
<v Speaker 1>because I have stayed true to myself and I think

0:59:20.280 --> 0:59:23.400
<v Speaker 1>that people are smart enough to see that. And I'll

0:59:23.440 --> 0:59:26.040
<v Speaker 1>never make the same record twice like I'll keep I

0:59:26.120 --> 0:59:28.160
<v Speaker 1>want to. I want this record to be a stage

0:59:28.160 --> 0:59:29.880
<v Speaker 1>of where I'm at my life right now, and you'll

0:59:29.880 --> 0:59:34.360
<v Speaker 1>see that in the songs. You know. Um, And I'm

0:59:34.400 --> 0:59:37.440
<v Speaker 1>not gonna try to stay relevant just by reaching that

0:59:37.560 --> 0:59:40.440
<v Speaker 1>younger demographic like I'm gonna. I want my audience to

0:59:40.480 --> 0:59:42.919
<v Speaker 1>grow with me in life as I'm growing. And there's

0:59:42.920 --> 0:59:44.840
<v Speaker 1>not a specific thing I'm trying to say. It's just

0:59:44.960 --> 0:59:49.280
<v Speaker 1>happening to certain things, like you know, like like more

0:59:49.360 --> 0:59:52.720
<v Speaker 1>girls like you. That was a very honest depiction of

0:59:53.920 --> 0:59:55.680
<v Speaker 1>where I was at kind of in that week in

0:59:55.760 --> 0:59:59.880
<v Speaker 1>my my my thought process, you know, with just I'm

1:00:00.040 --> 1:00:06.800
<v Speaker 1>him er. I was watching a dad with his daughter

1:00:06.880 --> 1:00:09.640
<v Speaker 1>out in the ocean, like a three weeks before I

1:00:09.720 --> 1:00:12.720
<v Speaker 1>wrote that song, and and um trying to teach her

1:00:12.720 --> 1:00:15.680
<v Speaker 1>how to surf, and he couldn't serve himself and he

1:00:15.840 --> 1:00:18.840
<v Speaker 1>was probably not teaching the right things. And she's been

1:00:18.840 --> 1:00:21.440
<v Speaker 1>trying for two hours and couldn't get up, And so

1:00:21.560 --> 1:00:23.800
<v Speaker 1>I paddled over to her, and she was probably nine

1:00:24.000 --> 1:00:27.520
<v Speaker 1>ten years old, and uh, and I just sat out

1:00:27.560 --> 1:00:29.400
<v Speaker 1>there with her for like forty five minutes and taught

1:00:29.440 --> 1:00:32.760
<v Speaker 1>her how to surf. And with within this forty five minutes,

1:00:32.760 --> 1:00:34.480
<v Speaker 1>she was getting up every time she was riding at

1:00:34.520 --> 1:00:37.040
<v Speaker 1>great and she was so excited. And it just it

1:00:37.200 --> 1:00:41.440
<v Speaker 1>just where that door has always been shut, I find myself.

1:00:42.960 --> 1:00:45.320
<v Speaker 1>And it's not a maturing thing. It's just that my

1:00:45.440 --> 1:00:47.760
<v Speaker 1>life has changed. I'm seeing things differently now. So it

1:00:47.880 --> 1:00:52.000
<v Speaker 1>was just kind of I felt myself internally a lot

1:00:52.080 --> 1:00:53.920
<v Speaker 1>more open to that balance in my life. And I

1:00:53.960 --> 1:00:56.720
<v Speaker 1>don't need to be such a maniac with just the

1:00:56.920 --> 1:00:59.840
<v Speaker 1>music because there's so much more. And I look forward.

1:01:00.000 --> 1:01:03.040
<v Speaker 1>I look forward to that. I look forward to having

1:01:03.040 --> 1:01:06.600
<v Speaker 1>a little girl and having you know, a wife and

1:01:06.640 --> 1:01:11.280
<v Speaker 1>I'm crazy about, you know, one day and and have

1:01:11.440 --> 1:01:13.240
<v Speaker 1>a place here I write song, but also have that

1:01:13.320 --> 1:01:15.240
<v Speaker 1>place over there now and when we can go hang

1:01:15.280 --> 1:01:17.400
<v Speaker 1>out and stay and I can teach them both how

1:01:17.440 --> 1:01:19.160
<v Speaker 1>to surf and hang out, like I look forward to that. So,

1:01:19.200 --> 1:01:20.880
<v Speaker 1>I mean, that's just where my head was at day.

1:01:20.920 --> 1:01:23.480
<v Speaker 1>So that's what I wrote about. If my head is

1:01:23.520 --> 1:01:28.960
<v Speaker 1>there in that place, I ain't gonna write about some

1:01:29.080 --> 1:01:34.080
<v Speaker 1>bullshit about you know, just going party and or whatever.

1:01:34.200 --> 1:01:36.760
<v Speaker 1>You know that I'm not. I'm not, you know, gonna

1:01:36.840 --> 1:01:39.480
<v Speaker 1>do that just to hopefully have a a radio hit

1:01:39.560 --> 1:01:41.720
<v Speaker 1>that relates to these people over here. Like I'm gonna

1:01:41.760 --> 1:01:46.880
<v Speaker 1>write what's what I'm feeling at that time. I feel like, yeah,

1:01:46.880 --> 1:01:47.880
<v Speaker 1>a lot to say. I feel like we can talk

1:01:47.960 --> 1:01:51.800
<v Speaker 1>like three hours here too. We already talked for over hours.

1:01:51.880 --> 1:01:54.400
<v Speaker 1>It feel like that we really, oh yeah, over our

1:01:55.880 --> 1:01:58.120
<v Speaker 1>I thought we've been here for like tyty minutes. I didn't.

1:01:58.240 --> 1:02:00.520
<v Speaker 1>You don't even realize that I'll be charge you for

1:02:00.560 --> 1:02:02.640
<v Speaker 1>the therapy bill. You're you're good at it, man, Like

1:02:02.960 --> 1:02:04.480
<v Speaker 1>you know, a lot of times we have to do

1:02:07.200 --> 1:02:10.840
<v Speaker 1>interviews where it's, first of all, it's not even conversation

1:02:10.880 --> 1:02:14.440
<v Speaker 1>doesn't my just reading cute cards and points and it's yeah, man,

1:02:14.480 --> 1:02:17.000
<v Speaker 1>I mean like this is I can do this. Man.

1:02:17.320 --> 1:02:20.440
<v Speaker 1>To be fair, I have the benefit of one knowing

1:02:20.520 --> 1:02:22.439
<v Speaker 1>you better. Now. I don't need any pint, any paper.

1:02:22.480 --> 1:02:26.760
<v Speaker 1>I have nothing under in front of me. Um. It's easier.

1:02:26.960 --> 1:02:29.720
<v Speaker 1>It's easier when you know what's going and I don't

1:02:29.720 --> 1:02:31.160
<v Speaker 1>even know, like I don't even I feel like I

1:02:31.280 --> 1:02:33.440
<v Speaker 1>learned a lot about you in the Lives album. So

1:02:33.440 --> 1:02:35.320
<v Speaker 1>I appreciate the time, and I can't wait. I can

1:02:35.400 --> 1:02:37.200
<v Speaker 1>wait with the record to come out, like there as

1:02:37.240 --> 1:02:39.520
<v Speaker 1>long as I've never ever heard before you're talking about like,

1:02:39.720 --> 1:02:42.840
<v Speaker 1>let me take that car coming I went right the

1:02:42.920 --> 1:02:45.320
<v Speaker 1>other day. Man, I've been talking about that. Man, I

1:02:45.440 --> 1:02:48.080
<v Speaker 1>just I've never felt anything like that. Dude, that was insane.

1:02:48.160 --> 1:02:50.840
<v Speaker 1>I just didn't know what car could do that. Yeah,

1:02:51.160 --> 1:02:55.520
<v Speaker 1>my car goes fast, think fast. I appreciate that. White

1:02:55.520 --> 1:02:59.480
<v Speaker 1>episode is my So record comes out because there was

1:02:59.520 --> 1:03:02.120
<v Speaker 1>a debate every there were two dates when up September

1:03:02.320 --> 1:03:04.520
<v Speaker 1>September eight, record comes out because past Ittember as you

1:03:04.520 --> 1:03:07.400
<v Speaker 1>can check it out. Guitar man is I'm looking forward

1:03:07.400 --> 1:03:08.640
<v Speaker 1>to hearing I'm not even gonna hear it till the

1:03:08.680 --> 1:03:10.400
<v Speaker 1>record comes out, Like, I don't listen to music early

1:03:11.520 --> 1:03:13.560
<v Speaker 1>because I like to listen to a lot people here

1:03:13.600 --> 1:03:15.280
<v Speaker 1>for the most time, So I'll be waiting for September eight.

1:03:15.720 --> 1:03:18.479
<v Speaker 1>Unless that's one of the bonus tracks. They'll be vinyl,

1:03:18.560 --> 1:03:20.480
<v Speaker 1>so you'll have to like spend take a night, man,

1:03:20.560 --> 1:03:25.040
<v Speaker 1>and pop it on your vinyl player. I appreciate the talk,

1:03:25.880 --> 1:03:29.360
<v Speaker 1>A good one, all right, gip more episode six eight sixty.

1:03:29.680 --> 1:03:31.600
<v Speaker 1>That's Bobby Cats. Thank you very much, and we'll see

1:03:31.600 --> 1:03:32.040
<v Speaker 1>you next time.