WEBVTT - My Fallout with Michelle McCool

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<v Speaker 1>What's up everybody. Welcome back to another episode of Wrestling

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<v Speaker 1>with Freddy. I appreciate you guys hanging with us for

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<v Speaker 1>this long no guests today, it's story time. Get ready,

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<v Speaker 1>welcome to the Federation and w WF stars right now

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<v Speaker 1>now stuffing up for the mic. The host of Wrestling

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<v Speaker 1>with Freddy Freddie Prince tune. Yeah, Today's episode is going

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<v Speaker 1>to be a little different. I've spoken a lot about

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<v Speaker 1>the things I've been proud of the things I thought

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<v Speaker 1>I did well, but we haven't spoken about any of

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<v Speaker 1>the mistakes. We haven't spoken about the learning process and

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<v Speaker 1>the hard lessons and things that I wish I could

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<v Speaker 1>have back. So today's episode is all about that. Today

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<v Speaker 1>we're gonna focus on one wrestler in particular, and that's

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<v Speaker 1>the former Diva's Champion Michelle McCool. A situation that I

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<v Speaker 1>had with her that I just really wish I could

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<v Speaker 1>have taken the whole thing. But I had been at

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<v Speaker 1>the company about four months, and in that amount of time,

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<v Speaker 1>I had written a few promos that the company really liked.

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<v Speaker 1>I started getting assignments that were larger than just hey,

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<v Speaker 1>we need you to do a promo for Wrestler X

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<v Speaker 1>on Tuesday Night, which was our SmackDown episodes when we

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<v Speaker 1>would record them. And so I got tasked by Stephanie

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<v Speaker 1>McMahon to write uh Diva's story. They called it the

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<v Speaker 1>Diva's title, and the female wrestlers were divas then, which

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<v Speaker 1>I always thought was so stupid. So this was the

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<v Speaker 1>story I was writing, and she said, I we're signing

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<v Speaker 1>Awesome Coong, which was this female wrestler named Kias Stevens.

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<v Speaker 1>And to see her is to just be an awesome cong.

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<v Speaker 1>I mean, she's my height and she's huge. And when

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<v Speaker 1>she wrestled in t NA, she had an amazing story

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<v Speaker 1>with Gail Kim. It was where they would just throw

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<v Speaker 1>these matches together. Gayl could spin around, was small and

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<v Speaker 1>light and awesome calm. Kia Stevens could just be a

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<v Speaker 1>tree and and it was like watching a tire swing

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<v Speaker 1>swinging around her. It was. It was really cool. So

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<v Speaker 1>we had signed her and we had another wrestler named

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<v Speaker 1>Beth Phoenix. Beth Phoenix actually wrestled in high school on

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<v Speaker 1>the boys team. She lifted weights. She is buff jacked,

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<v Speaker 1>not like shredded, like like like a Bruce Lee kind

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<v Speaker 1>of shred like a buff woman who could go in

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<v Speaker 1>there and pick up anybody and smash them. So those

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<v Speaker 1>two were the ones I was assigned to create a

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<v Speaker 1>WrestleMania match for. This was all the way back in

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<v Speaker 1>two thousand seven. Now, this wasn't a request from Vince

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<v Speaker 1>or from Kevin Dunn. This was a request from Stephanie McMahon,

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<v Speaker 1>who was working on the women's division and making it

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<v Speaker 1>means something all the way back then with incredibly limited success.

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<v Speaker 1>But you can look at where it is now and

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<v Speaker 1>she's had her her thumb print on each and every

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<v Speaker 1>one of those those steps to the top, which is

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<v Speaker 1>where I feel they're at right now. So my WrestleMania

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<v Speaker 1>card was gonna be Awesome Kong, who they hadn't named

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<v Speaker 1>Karma yet, which was what they tried to debut her

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<v Speaker 1>as before she mysteriously left the company and the whole

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<v Speaker 1>thing went to pot. It was Beth Phoenix as the

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<v Speaker 1>baby face, and it was Awesome Kong as the heel.

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<v Speaker 1>So how do you bring this woman in? Well, the

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<v Speaker 1>way they brought her in or tried to, were these

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<v Speaker 1>vignettes where you would just see this like Barbie Doll

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<v Speaker 1>and the head get ripped off, and the philosophy behind

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<v Speaker 1>it was here comes this monster who they were gonna

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<v Speaker 1>call Karma, hate all the pretty girls, and want to

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<v Speaker 1>destroy all the pretty girls because Barbie doesn't represent what

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<v Speaker 1>a real woman is. It's a it's a fraud, and

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<v Speaker 1>all these women have been deceived. And they took pieces

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<v Speaker 1>from my story when they actually tried did their vignettes,

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<v Speaker 1>but I never had any of the Barbie doll stuff

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<v Speaker 1>in there. This was more Kia could talk, so I

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<v Speaker 1>thought it would be good to to allow her to

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<v Speaker 1>tell her story. I like when heels tell their story

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<v Speaker 1>more than when baby faces do. I feel like baby

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<v Speaker 1>faces someone else should tell their story. Otherwise they're talking

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<v Speaker 1>about how great they are. But a he'll can give

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<v Speaker 1>you their philosophy and you can hate them for it,

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<v Speaker 1>or you can get behind it. And in this case,

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<v Speaker 1>I thought we could get a little bit of both.

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<v Speaker 1>So you have this woman who wants to destroy all

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<v Speaker 1>these perfect Barbie dolls. And and these are the girls

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<v Speaker 1>like the Kelly Kelly's that they had there, whose real

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<v Speaker 1>name is Barbie. Like her real name is Barbie born Barbie.

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<v Speaker 1>They called her Babs, I think was her nickname. She's

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<v Speaker 1>super cool. This was gonna be like her first victim

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<v Speaker 1>was Kelly Kelly, and as she sort of started to

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<v Speaker 1>come through and destroy all of the girls that weren't

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<v Speaker 1>really going to compete for the championship. These could be

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<v Speaker 1>squash matches for her. We'd be holding act the first

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<v Speaker 1>challenge that she was really gonna have, which was an

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<v Speaker 1>Italian Nightheart, and Daddy was going to give it a

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<v Speaker 1>good go. But Naddy would eventually lose to her as well,

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<v Speaker 1>which brings us to Gail Kim, who had the history

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<v Speaker 1>with her in t NA, and the company had also

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<v Speaker 1>just signed and this was gonna be the first test

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<v Speaker 1>that our awesome Kong had and Gail would get some

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<v Speaker 1>serious offense off but eventually would fall, and that's when

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<v Speaker 1>Kong would call out for Michelle McCool, the Diva's Champion,

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<v Speaker 1>I want to say Women's champions, that's what she was.

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<v Speaker 1>She would call her out and say, I'm coming for

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<v Speaker 1>that title. I'm writing this story up and all I've

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<v Speaker 1>been told is, hey write me this WrestleMania story. And

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<v Speaker 1>it's not just for Kia and Beth, it's you know,

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<v Speaker 1>I want you to include all of our divas in there.

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<v Speaker 1>So that's kind of why you get the long back story.

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<v Speaker 1>So I write this up and I give it to

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<v Speaker 1>Steph and she really likes it, and Freebird really likes it,

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<v Speaker 1>and it goes all the way to the top. It

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<v Speaker 1>goes to Vince and uh, it's approved, but not my

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<v Speaker 1>The WrestleMania match is not guaranteed. That's the goal, right,

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<v Speaker 1>So I have Michelle losing the Diva's Championship at the

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<v Speaker 1>Royal Rumble, which happens a few months, just a few months,

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<v Speaker 1>but a couple of months before WrestleMania, and I have

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<v Speaker 1>her losing with Dignity, and I have her given us

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<v Speaker 1>a real match. I said this at the beginning of

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<v Speaker 1>the podcast. I had been in the company maybe four months,

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<v Speaker 1>maybe four months. I didn't realize the belt meant so

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<v Speaker 1>much to so many different people. It didn't mean that

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<v Speaker 1>much to others. If they had the the Intercontinental title belt,

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<v Speaker 1>they weren't really in on when they were going to

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<v Speaker 1>lose it or not. It was it was the company

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<v Speaker 1>that decided that. Same with the United States title, same

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<v Speaker 1>with the tag team titles. And I'm green as all hell,

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<v Speaker 1>I'm a complete rookie. I have no idea the politics

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<v Speaker 1>of it. Michelle never came to the promo class, so

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<v Speaker 1>I didn't really know Michelle at all. And I go

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<v Speaker 1>to work. We're on the road and somewhere in the area,

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<v Speaker 1>you know, backstage, and Michelle says, Stephanie said, you wanted

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<v Speaker 1>to talk to me about the women's storyline. And we

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<v Speaker 1>sit down at a like a cafeteria table that's where

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<v Speaker 1>we work, where everybody's eating. So we're off to the side,

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<v Speaker 1>and I start pitching it to her what it was

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<v Speaker 1>gonna be, which was it wasn't right on my part.

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<v Speaker 1>I get to the Royal Rumble and I explained to

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<v Speaker 1>her that she'll be you know, the suggestion is that

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<v Speaker 1>she drops the title at the Royal Rumble, and then

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<v Speaker 1>I keep telling the story of where it finishes, because

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<v Speaker 1>she deserves to know the whole story. And it gets

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<v Speaker 1>all the way to WrestleMania, which would be Beth and Kia,

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<v Speaker 1>and her face just goes pale. All the color just

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<v Speaker 1>drops right out of or just literally right out of

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<v Speaker 1>her skin. And right away I know I've done something terrible.

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<v Speaker 1>I just don't know what it is yet because I

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<v Speaker 1>didn't This is hindsight, right, and I was in the moment,

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<v Speaker 1>so I look I go what what, what's wrong? What's wrong?

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<v Speaker 1>And her eyes well up and I'm like, oh my god,

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<v Speaker 1>what did what did I do? What did I do?

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<v Speaker 1>And she said I didn't. I didn't think i'd be

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<v Speaker 1>losing the belt before WrestleMania, and I didn't. Again, I

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<v Speaker 1>didn't understand how much that title men to her because

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<v Speaker 1>the only other sort of interaction I had was on

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<v Speaker 1>the men's side with the I C in the U

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<v Speaker 1>S belts, which got traded quite frequently, although not when

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<v Speaker 1>it was on M v P. So I just didn't.

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<v Speaker 1>I didn't think it was a big deal, I said.

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<v Speaker 1>I said, Yeah, I was. I was asked to make

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<v Speaker 1>Kia Stevens and Beth Phoenix for WrestleMania, and this was

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<v Speaker 1>the best way I thought I thought we could get there.

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<v Speaker 1>Is is there a problem? She's not here to to

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<v Speaker 1>give her side of the story, So I'm not gonna

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<v Speaker 1>say all the all the stuff that she said, but

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<v Speaker 1>she was, she was upset in hindsight, rightfully, So let

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<v Speaker 1>me kind of paint a bit of a picture of

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<v Speaker 1>the women's division. Back then, they did not have anywhere

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<v Speaker 1>near the respect that they have today. And I mean

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<v Speaker 1>that in every sense of the word. They weren't treated fairly,

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<v Speaker 1>their matches were not treated fairly, their characters were not

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<v Speaker 1>treated fairly. Nothing about it, well, hey, life's not fair. No,

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<v Speaker 1>it was beyond that. It was simply there was no

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<v Speaker 1>opportunity period. I never forget about the Mullahs or the

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<v Speaker 1>Leta and and Trish generation, like they all they all

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<v Speaker 1>unlocked the door for these next generations. But Michelle fell

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<v Speaker 1>in this void in between Lida and Trish and in

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<v Speaker 1>between the Bella Revolution that happened, where there was just

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<v Speaker 1>nothing there and everything that was written for her and

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<v Speaker 1>everyone else, at least when I was there, on the

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<v Speaker 1>women's side, was just a brick wall, constantly running into

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<v Speaker 1>a brick wall and planning matches that you know, we're

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<v Speaker 1>gonna get cut matches that were promised to not promised,

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<v Speaker 1>but promised to them. Hey, you're gonna have ten minutes

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<v Speaker 1>at the pay per view, and then it would get

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<v Speaker 1>cut down to five minutes, and then after the production

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<v Speaker 1>meeting it was just the dark match that didn't even

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<v Speaker 1>make it to the pay per view. So they were struggling.

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<v Speaker 1>Michelle was getting five minutes to tell a story in

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<v Speaker 1>the ring. That's with her entrance that was one minute,

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<v Speaker 1>and her opponent's entrance that was one minute. So now

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<v Speaker 1>they have three minutes to have a wrestling match three minutes.

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<v Speaker 1>That's crazy, that's crazy. And she was good. She was

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<v Speaker 1>somebody who constantly tried to bring reality to her to

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<v Speaker 1>her matches. She tried to bring in real mm a

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<v Speaker 1>with heel hooks and jiu jitsu submissions. She she had

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<v Speaker 1>a passion for that, as did her husband, the Undertaker.

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<v Speaker 1>So she was constantly battling in a in a time

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<v Speaker 1>where the company just didn't blink. They just didn't blink

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<v Speaker 1>when it came to the women's division. So so here

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<v Speaker 1>I am with the champion and she's crying because of me,

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<v Speaker 1>because I didn't talk to her first to say, hey,

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<v Speaker 1>we're thinking about taking the title off of you at

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<v Speaker 1>the Royal Rumble so that we can get this other Matt.

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<v Speaker 1>I mean, that just sounds horrible even saying it now.

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<v Speaker 1>So I screwed up. I screwed up. I should have

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<v Speaker 1>before I got the story approved, I probably should have

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<v Speaker 1>shown it to although when you hear the end of

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<v Speaker 1>the story, it probably wouldn't got it would have gotten

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<v Speaker 1>killed even sooner. I don't know what the right move

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<v Speaker 1>was here, but I know that I screwed up and

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<v Speaker 1>she deserved better than that. She's probably the most underserved champion,

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<v Speaker 1>the at least women's champion the company's had as far

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<v Speaker 1>as resources available and resources used. I don't know what

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<v Speaker 1>to do. And while I'm talking to her, I worked

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<v Speaker 1>out a way story wise with her to turn WrestleMania

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<v Speaker 1>into a triple threat between Beth Phoenix, Kia Stevens awesome

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<v Speaker 1>cong Burma, choose your favorite, and and Beth Phoenix. I

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<v Speaker 1>haven't even gotten this match approved by by Free Bird

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<v Speaker 1>or anyone, but I'm trying to. I'm just trying to

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<v Speaker 1>help right or not backpedal. I'm trying to move forward.

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<v Speaker 1>I'm trying the front pedal. I take it back to

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<v Speaker 1>to Michael and the Bellas. You gotta remember we're just debuting,

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<v Speaker 1>so i'd quosed. I just did this documentary for Annie

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<v Speaker 1>about the Bellas and their debut and sort of their

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<v Speaker 1>contribution to the business. And I don't know who all

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<v Speaker 1>they had on there. Hopefully they got Finley because he

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<v Speaker 1>was sort of the champion for all the women wrestlers

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<v Speaker 1>back then and when they were called up. I mean,

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<v Speaker 1>this was the guy that was trying to let them

0:12:48.559 --> 0:12:51.560
<v Speaker 1>do the same techniques and moves that the men do

0:12:51.960 --> 0:12:55.960
<v Speaker 1>every single production meeting. Hopefully they get free Bird on there,

0:12:56.000 --> 0:12:59.319
<v Speaker 1>because he was the one that ran into the room

0:12:59.440 --> 0:13:02.680
<v Speaker 1>when we were about to lose him because Breebella called

0:13:02.760 --> 0:13:06.319
<v Speaker 1>John Larneitas and I was like, look, our contracts are up.

0:13:06.440 --> 0:13:08.360
<v Speaker 1>You put us on TV or we're gone, and John

0:13:08.400 --> 0:13:10.480
<v Speaker 1>larn It is called Freebird ands like, you're gonna find

0:13:10.520 --> 0:13:12.440
<v Speaker 1>a way to get the Twins on television right now,

0:13:12.760 --> 0:13:14.520
<v Speaker 1>and Freebird runs in the writer's room. He's like, we

0:13:14.600 --> 0:13:17.320
<v Speaker 1>got twins, we gotta get him on TV. And all

0:13:17.360 --> 0:13:20.760
<v Speaker 1>the writers are like, what, we're not even am I

0:13:20.800 --> 0:13:23.200
<v Speaker 1>allowed to watch the fc W tapes you said, I wasn't.

0:13:23.240 --> 0:13:25.839
<v Speaker 1>Like everybody was so confused, and it was all because

0:13:25.880 --> 0:13:29.040
<v Speaker 1>of Brie and Nikki. But Bree is like behind the

0:13:29.120 --> 0:13:33.480
<v Speaker 1>scenes jaws of the two of them, right, like whatever

0:13:33.520 --> 0:13:36.439
<v Speaker 1>the killer whale one was, orca that one that's Nikki

0:13:36.840 --> 0:13:40.200
<v Speaker 1>because she's more hardcore like in the ring, but in life,

0:13:40.240 --> 0:13:44.760
<v Speaker 1>Breeze like, nah, dude, I will cut you. So that's

0:13:44.800 --> 0:13:48.960
<v Speaker 1>why they accomplished all they accomplished. But before the Bella's

0:13:50.040 --> 0:13:53.040
<v Speaker 1>and before the women were getting commercial breaks and ten

0:13:53.200 --> 0:13:56.439
<v Speaker 1>fifteen twenty minute Oh I'm sorry, here's an Iron Woman

0:13:56.559 --> 0:13:59.040
<v Speaker 1>match for you between I think it was Sasha Banks

0:13:59.040 --> 0:14:02.640
<v Speaker 1>and Bailey like that. Sick that all happens because the

0:14:02.720 --> 0:14:06.120
<v Speaker 1>Bella's had a reality show called Total Divas and Total

0:14:06.200 --> 0:14:09.199
<v Speaker 1>Bella's and it was getting higher ratings than Monday in Hira.

0:14:09.559 --> 0:14:13.520
<v Speaker 1>So they started bringing their storylines or creating storylines on

0:14:13.559 --> 0:14:17.280
<v Speaker 1>their reality show and allowing those to motivate the matches,

0:14:17.480 --> 0:14:21.560
<v Speaker 1>which was such a sick, next level business move, Bribella,

0:14:21.640 --> 0:14:25.000
<v Speaker 1>thank you very much. But before they existed, Michelle McCool

0:14:26.040 --> 0:14:29.640
<v Speaker 1>was having to hold down this fort. It was all

0:14:29.680 --> 0:14:35.280
<v Speaker 1>on her shoulders. And here comes this jerk writer from

0:14:35.440 --> 0:14:38.840
<v Speaker 1>l A who doesn't know where at all and has

0:14:38.840 --> 0:14:40.920
<v Speaker 1>been there not even half a year, and he's gonna

0:14:40.920 --> 0:14:44.080
<v Speaker 1>take it all away at the Royal Rumble and there's

0:14:44.120 --> 0:14:47.320
<v Speaker 1>gonna be a Women's WrestleMania match, and and she's not

0:14:47.360 --> 0:14:49.720
<v Speaker 1>going to be in it. When she's been holding the

0:14:49.760 --> 0:14:52.920
<v Speaker 1>fort for this not even PG brand that she's been

0:14:52.960 --> 0:14:56.640
<v Speaker 1>forced to hold. It was borderline g rating the storylines

0:14:56.720 --> 0:14:59.280
<v Speaker 1>that she was doing. She had to put up with

0:14:59.320 --> 0:15:02.120
<v Speaker 1>a lot, and I think I'm just thinking out loud now,

0:15:02.160 --> 0:15:04.560
<v Speaker 1>but I think maybe that might not have been the

0:15:05.160 --> 0:15:07.880
<v Speaker 1>biggest slap in the face, but it was the straw

0:15:07.960 --> 0:15:10.840
<v Speaker 1>that broke the camel's back, so to speak. Or maybe

0:15:10.920 --> 0:15:14.240
<v Speaker 1>it was just a tremendous slap and and and I

0:15:14.320 --> 0:15:16.240
<v Speaker 1>was an idiot. I mean that's how I feel now

0:15:16.360 --> 0:15:20.320
<v Speaker 1>looking back at it. There's an aftermath. I talked to

0:15:20.360 --> 0:15:24.080
<v Speaker 1>Beth and she is gung ho as all as all hell.

0:15:24.560 --> 0:15:27.640
<v Speaker 1>I mean, it's the storyline of storylines. We had two versions,

0:15:28.720 --> 0:15:32.200
<v Speaker 1>one where she overcomes all these odds, all these obstacles

0:15:33.960 --> 0:15:37.800
<v Speaker 1>and she gets kiss Stevens up in the glam Slam,

0:15:37.840 --> 0:15:39.320
<v Speaker 1>and we talked can you get her up? Can you

0:15:39.320 --> 0:15:40.800
<v Speaker 1>get everything? And she's like, oh, yeah, I can get

0:15:40.800 --> 0:15:43.120
<v Speaker 1>her up, don't worry. And she could. I mean she

0:15:43.160 --> 0:15:46.840
<v Speaker 1>could deadlift a million pounds. So it wasn't it wasn't.

0:15:47.040 --> 0:15:50.560
<v Speaker 1>That wasn't an issue. And the other was Kia needed

0:15:50.600 --> 0:15:52.760
<v Speaker 1>to win and we were gonna have a healed champion,

0:15:52.920 --> 0:15:55.680
<v Speaker 1>and she was going to destroy the Diva's Championship and

0:15:55.720 --> 0:15:58.560
<v Speaker 1>turn it into the Women's Championship, which is what she

0:15:58.600 --> 0:16:01.800
<v Speaker 1>wanted to do, which then would obviously turned her baby face.

0:16:02.120 --> 0:16:05.440
<v Speaker 1>Beth is super gung ho for it. Kia's all in.

0:16:05.840 --> 0:16:08.600
<v Speaker 1>I even had them do a promo like off of

0:16:08.640 --> 0:16:10.120
<v Speaker 1>each other, which was going to be a part of

0:16:10.120 --> 0:16:13.320
<v Speaker 1>the story. I think I touched on in another episode

0:16:13.960 --> 0:16:19.200
<v Speaker 1>where Kia is just circling Beth just like a like

0:16:19.240 --> 0:16:22.560
<v Speaker 1>a lion about to play with its food, but instead

0:16:22.600 --> 0:16:26.440
<v Speaker 1>of trying to kill it, it tries to covet the gazelle,

0:16:26.760 --> 0:16:30.080
<v Speaker 1>so to speak, Beth being the figure of gazelle. So

0:16:30.120 --> 0:16:33.040
<v Speaker 1>instead of saying I'm gonna destroy you, she says, no, no, no, no,

0:16:33.520 --> 0:16:37.360
<v Speaker 1>I want you to join me because you're just like me.

0:16:38.080 --> 0:16:40.480
<v Speaker 1>You're not these little you know, Barbie doll bar And

0:16:40.520 --> 0:16:43.000
<v Speaker 1>this was all her freestyling. This is I didn't even

0:16:43.000 --> 0:16:44.920
<v Speaker 1>write this. This was just let me yeah, let me

0:16:44.960 --> 0:16:48.920
<v Speaker 1>give props. Like Kia just off the dome was like yo,

0:16:49.000 --> 0:16:51.800
<v Speaker 1>I got this, and she's just walking this circle. She's like,

0:16:51.840 --> 0:16:54.160
<v Speaker 1>I want you to join me. All I said was trigger.

0:16:54.320 --> 0:16:56.600
<v Speaker 1>That's all. That was the only note that I gave her.

0:16:57.240 --> 0:17:00.480
<v Speaker 1>And she starts going in on how beautiful Beth is

0:17:00.520 --> 0:17:04.080
<v Speaker 1>and it's not sexual, but it could be borderline sexual, right,

0:17:04.400 --> 0:17:08.920
<v Speaker 1>but it's more just impressed and you're gonna shower them

0:17:08.960 --> 0:17:11.640
<v Speaker 1>with compliments so they know you're not their enemy, even

0:17:11.640 --> 0:17:13.800
<v Speaker 1>though you're really just gonna stab him in the back.

0:17:14.400 --> 0:17:17.679
<v Speaker 1>And she walked around her three times, nice and slow.

0:17:17.800 --> 0:17:20.440
<v Speaker 1>I mean it was like a Shakespearean play. And this

0:17:20.480 --> 0:17:22.760
<v Speaker 1>is in front of all her peers, like all the

0:17:22.800 --> 0:17:25.280
<v Speaker 1>other wrestlers are sitting in there, misses in there. I

0:17:25.280 --> 0:17:27.600
<v Speaker 1>think he had this guy named Alex something was his

0:17:27.680 --> 0:17:30.760
<v Speaker 1>like protege coming up for medics. Every everyone was in there.

0:17:30.800 --> 0:17:33.880
<v Speaker 1>We were like thirty deep at that point, and she's

0:17:33.960 --> 0:17:36.760
<v Speaker 1>just no fear. This was her well, by the way,

0:17:36.920 --> 0:17:41.199
<v Speaker 1>her very first promo class kids like, she was, Oh, Hi,

0:17:41.440 --> 0:17:43.720
<v Speaker 1>nice to meet you. Don't worry, baby, I got this.

0:17:43.840 --> 0:17:46.119
<v Speaker 1>And I'm like, oh, it's got step part right on.

0:17:46.680 --> 0:17:49.879
<v Speaker 1>And she killed it. And she protects Beth in that

0:17:49.960 --> 0:17:53.040
<v Speaker 1>moment because Beth wasn't the strongest on the mic. So

0:17:53.160 --> 0:17:55.800
<v Speaker 1>Beth is in this segment that would get over huge,

0:17:55.840 --> 0:17:59.520
<v Speaker 1>at least in my mind, would and all she's having

0:17:59.520 --> 0:18:02.120
<v Speaker 1>to do is look strong and be the baby face

0:18:02.240 --> 0:18:03.919
<v Speaker 1>hell no, and then get her at the very end

0:18:03.960 --> 0:18:07.520
<v Speaker 1>with like yo, like whatever her line would sound good

0:18:07.680 --> 0:18:10.320
<v Speaker 1>coming out of her mouth, whether it's that's not gonna

0:18:10.320 --> 0:18:13.400
<v Speaker 1>happen or I'll never join you, or you know, bet

0:18:13.640 --> 0:18:15.960
<v Speaker 1>or just a punch in the face, maybe Batista style,

0:18:16.040 --> 0:18:20.440
<v Speaker 1>you never know. So we had all this and I'm

0:18:20.480 --> 0:18:22.560
<v Speaker 1>feeling good man and I talked to her about a

0:18:22.600 --> 0:18:24.960
<v Speaker 1>triple threat and that's like, yeah, the more than Mary.

0:18:25.119 --> 0:18:28.040
<v Speaker 1>She just wants everyone to get paid, right, So she's like,

0:18:28.119 --> 0:18:30.600
<v Speaker 1>am making it making an eight an eight woman madagine,

0:18:30.640 --> 0:18:33.359
<v Speaker 1>everybody can get their check. And Kei is down like

0:18:33.440 --> 0:18:35.960
<v Speaker 1>she she's ready to go. She's gonna be She's gonna

0:18:35.960 --> 0:18:40.040
<v Speaker 1>probably be the champion. So we shoot that episode that night,

0:18:40.119 --> 0:18:44.399
<v Speaker 1>that's smack Down, and I get to work. Wednesday was

0:18:44.440 --> 0:18:48.600
<v Speaker 1>our travel day back. I get to work on the

0:18:48.640 --> 0:18:52.879
<v Speaker 1>travel day. She's always lovely. So we we land in

0:18:52.920 --> 0:18:57.200
<v Speaker 1>White Plains. I go into the Stanford office and I'm

0:18:57.240 --> 0:19:00.600
<v Speaker 1>about an hour into my day. I'm trying to like

0:19:00.880 --> 0:19:03.879
<v Speaker 1>sneak a promo off to Brian Kendrick so he can

0:19:03.960 --> 0:19:06.480
<v Speaker 1>kind of get a head start on it. And uh,

0:19:06.520 --> 0:19:08.920
<v Speaker 1>and this guy Ezekiel Jackson, they called him, his real

0:19:09.000 --> 0:19:12.040
<v Speaker 1>name is Rickland. Michael goes, uh, Bretty, let me talk

0:19:12.080 --> 0:19:15.920
<v Speaker 1>to you, all right, go into his office. He shows

0:19:18.000 --> 0:19:24.359
<v Speaker 1>he shows me this. He goes, he says, you probably

0:19:24.359 --> 0:19:27.560
<v Speaker 1>got some crazy fans, right, I said, yes, you know,

0:19:27.560 --> 0:19:30.240
<v Speaker 1>I've had my fair share. He goes, let me fucking

0:19:30.280 --> 0:19:33.640
<v Speaker 1>show you something. He opens a drawer. He goes, look

0:19:33.680 --> 0:19:36.359
<v Speaker 1>at this ship I got, and he holds up a

0:19:36.400 --> 0:19:40.320
<v Speaker 1>picture and it's this big leg with a tattoo of

0:19:40.480 --> 0:19:43.879
<v Speaker 1>him on the leg. And I go, what, man, what

0:19:43.960 --> 0:19:46.119
<v Speaker 1>do you what are you showing? He goes that's me.

0:19:46.440 --> 0:19:49.159
<v Speaker 1>I go, well, no, but did you get that too

0:19:49.240 --> 0:19:52.560
<v Speaker 1>that tattoo? Goes funck No, that's just on some crazy fucker,

0:19:53.119 --> 0:19:55.680
<v Speaker 1>and I just started I die laughing, right, and so

0:19:56.000 --> 0:20:00.520
<v Speaker 1>I'm disarmed now and he crosses his arm and leans

0:20:00.560 --> 0:20:03.480
<v Speaker 1>over the desk. The dude is a lifelong pro wrestler.

0:20:03.560 --> 0:20:07.600
<v Speaker 1>He's not management, right, but he's trying to be a manager.

0:20:08.000 --> 0:20:10.919
<v Speaker 1>After about six months, he and I were just cool,

0:20:11.040 --> 0:20:13.480
<v Speaker 1>like he would go, Freddie that sucked or Freddy that

0:20:13.560 --> 0:20:16.399
<v Speaker 1>was good, and it was just real shorthand with us

0:20:16.440 --> 0:20:18.400
<v Speaker 1>at that point. But this was when he was still

0:20:18.400 --> 0:20:21.320
<v Speaker 1>trying to be super professional. He crossed his hands and goes, Freddy,

0:20:22.720 --> 0:20:25.639
<v Speaker 1>there's a problem with your diva's storyline and we need

0:20:25.680 --> 0:20:29.159
<v Speaker 1>to talk about it. I said, what what, what's the problem.

0:20:29.160 --> 0:20:31.600
<v Speaker 1>He goes it's gone. I said, what do you mean

0:20:31.640 --> 0:20:35.080
<v Speaker 1>it's gone? Man? And he goes, it's gone. I said,

0:20:35.080 --> 0:20:38.879
<v Speaker 1>what happened? He goes, well, Michelle said that you and

0:20:38.920 --> 0:20:43.160
<v Speaker 1>her talk and she didn't really like the story, so

0:20:43.840 --> 0:20:47.960
<v Speaker 1>it's gone. I said, I did. I was I supposed

0:20:48.000 --> 0:20:49.639
<v Speaker 1>This is when I first said, was I supposed to

0:20:49.680 --> 0:20:52.399
<v Speaker 1>ask her? Like? Oh? This? He goes Freddy. She talked

0:20:52.400 --> 0:21:04.760
<v Speaker 1>to undertaker. Undertaker, talk to Vince. The story's gone. Now.

0:21:04.880 --> 0:21:07.959
<v Speaker 1>Probably the color in my face dropped, right. I don't know.

0:21:08.040 --> 0:21:11.960
<v Speaker 1>I wasn't looking at myself, but this had never really

0:21:12.000 --> 0:21:16.360
<v Speaker 1>happened to me before. Like I it wasn't getting chastised,

0:21:16.400 --> 0:21:19.480
<v Speaker 1>but it was like, hey, your idea is gone. Be

0:21:20.119 --> 0:21:26.159
<v Speaker 1>you screwed up so bad that this person wasn't comfortable

0:21:26.320 --> 0:21:30.720
<v Speaker 1>telling you that this wasn't gonna happen. They went and

0:21:30.760 --> 0:21:33.440
<v Speaker 1>spoke to someone else to make sure this wasn't gonna happen.

0:21:33.520 --> 0:21:38.040
<v Speaker 1>Like she didn't feel comfortable being open and honest with

0:21:38.119 --> 0:21:41.880
<v Speaker 1>me in that moment, or or down that down that road,

0:21:42.040 --> 0:21:47.280
<v Speaker 1>and again in in hindsight, yeah, I get it. She

0:21:47.280 --> 0:21:50.880
<v Speaker 1>she had to do that. She had to protect the

0:21:50.920 --> 0:21:54.080
<v Speaker 1>foundation that she had laid down, regardless of what you

0:21:54.119 --> 0:21:58.080
<v Speaker 1>think of that championship run. That's not on her. She

0:21:58.119 --> 0:22:01.280
<v Speaker 1>doesn't get to pick when the studio is too afraid

0:22:01.400 --> 0:22:05.679
<v Speaker 1>to say the word asked on TV, they're not afraid

0:22:05.720 --> 0:22:07.960
<v Speaker 1>to show one, but they won't let you say it

0:22:08.880 --> 0:22:11.920
<v Speaker 1>because of stockholders or because we were changing from one

0:22:12.000 --> 0:22:15.000
<v Speaker 1>channel to the next. So it was a thankless job.

0:22:15.600 --> 0:22:19.440
<v Speaker 1>And here I come in just sort of reckon someone's dream.

0:22:19.520 --> 0:22:24.800
<v Speaker 1>You know, it's not it's not on me, but it's

0:22:24.800 --> 0:22:29.920
<v Speaker 1>not something that I'm proud of the way I presented

0:22:29.960 --> 0:22:33.800
<v Speaker 1>it to her. The I should ask more questions. I

0:22:33.840 --> 0:22:37.960
<v Speaker 1>think it was reasonable for me to assume that that

0:22:38.119 --> 0:22:40.600
<v Speaker 1>championship meant a lot more to her than just a

0:22:40.640 --> 0:22:44.159
<v Speaker 1>part of a storyline. I think that's if that was

0:22:44.200 --> 0:22:47.560
<v Speaker 1>her expectation. I think that's reasonable. But yeah, man, I

0:22:47.640 --> 0:22:52.119
<v Speaker 1>screwed up. I screwed up, and I didn't I didn't

0:22:52.200 --> 0:22:54.679
<v Speaker 1>like that feeling. Man. It was tough working with the

0:22:54.720 --> 0:22:58.280
<v Speaker 1>girls because I can't I can count on one hand

0:22:58.280 --> 0:23:02.280
<v Speaker 1>how many dudes right in front of me. The women

0:23:02.320 --> 0:23:06.280
<v Speaker 1>there were much more emotional because their opportunities were far,

0:23:06.440 --> 0:23:13.160
<v Speaker 1>far less, so if they got anything they liked, they

0:23:13.320 --> 0:23:17.680
<v Speaker 1>had to hit a home run. Imagine getting one at

0:23:17.720 --> 0:23:20.400
<v Speaker 1>baddest season and if you don't hit a home run,

0:23:21.080 --> 0:23:29.360
<v Speaker 1>you won't play again. Ever, that was the position these

0:23:29.400 --> 0:23:32.960
<v Speaker 1>women were in. It was It was crazy to me,

0:23:33.280 --> 0:23:37.560
<v Speaker 1>so I I cared a lot. Michelle and I weren't

0:23:37.600 --> 0:23:40.640
<v Speaker 1>really the same after that, so there wasn't I don't

0:23:40.680 --> 0:23:44.280
<v Speaker 1>even remember if an apology happened. I'm saying on my end,

0:23:44.320 --> 0:23:47.440
<v Speaker 1>she doesn't owe me an apology, but yeah, things things

0:23:47.440 --> 0:23:49.960
<v Speaker 1>were different. Things were for sure different after that. And

0:23:50.040 --> 0:23:52.720
<v Speaker 1>then I I left the company for a little while,

0:23:53.920 --> 0:23:57.000
<v Speaker 1>and they have brought I think another Hollywood writer who

0:23:57.000 --> 0:24:01.520
<v Speaker 1>created the lay Cool which was Layla and Michelle McCool

0:24:01.680 --> 0:24:04.400
<v Speaker 1>is kind of a team, even though Michelle was the champion,

0:24:05.000 --> 0:24:07.119
<v Speaker 1>and then they sort of had a promise that she

0:24:07.160 --> 0:24:10.000
<v Speaker 1>would drop the title to Layla when she was done

0:24:10.000 --> 0:24:13.280
<v Speaker 1>with the business. And when I came back my second time,

0:24:14.320 --> 0:24:18.000
<v Speaker 1>as that guy was leaving, I wasn't. I wasn't a

0:24:18.000 --> 0:24:19.919
<v Speaker 1>fan of the Lake Coal thing. I'm not trying to

0:24:19.960 --> 0:24:22.679
<v Speaker 1>trash it. I just didn't. I didn't think that was

0:24:22.720 --> 0:24:26.359
<v Speaker 1>the right direction for for women in their thirties to

0:24:26.400 --> 0:24:31.359
<v Speaker 1>be to be acting like that. It just didn't click

0:24:31.720 --> 0:24:34.000
<v Speaker 1>to me. I know, they were looking to get like

0:24:34.119 --> 0:24:38.560
<v Speaker 1>teenage girls, and that's important, but that was the wrong

0:24:38.640 --> 0:24:45.480
<v Speaker 1>time to pursue the role model female wrestler when you're

0:24:45.480 --> 0:24:49.120
<v Speaker 1>calling them divas. It just wasn't It wasn't the right time.

0:24:49.359 --> 0:24:53.120
<v Speaker 1>It wasn't the right time. It wasn't until I think

0:24:53.160 --> 0:24:57.239
<v Speaker 1>the Bella's kind of blew up the women's division, at

0:24:57.320 --> 0:24:59.400
<v Speaker 1>least in w w E. It's not to say there

0:24:59.480 --> 0:25:02.639
<v Speaker 1>wasn't women killing it all over the world and other promotions,

0:25:02.640 --> 0:25:06.040
<v Speaker 1>but the biggest promotion I didn't say best, that's the

0:25:06.160 --> 0:25:10.199
<v Speaker 1>biggest promotion where you had the biggest opportunity in the

0:25:10.240 --> 0:25:14.080
<v Speaker 1>most eyeballs on you was the w w E. And

0:25:14.119 --> 0:25:17.879
<v Speaker 1>when the Bellas came in there with that reality show,

0:25:18.400 --> 0:25:23.560
<v Speaker 1>it genuinely changed the business. And it's so strange when

0:25:23.600 --> 0:25:27.880
<v Speaker 1>you find these people that that got middled right, like

0:25:28.200 --> 0:25:32.199
<v Speaker 1>a throwing quarterback in a running quarterbacks league, if they

0:25:32.200 --> 0:25:35.560
<v Speaker 1>would have only been born ten years ago, or with

0:25:35.640 --> 0:25:39.440
<v Speaker 1>the rules quarterbacks have, if Dan Marino was drafted today,

0:25:40.040 --> 0:25:43.640
<v Speaker 1>you know you'd have all the records. If Michelle McCool

0:25:44.840 --> 0:25:47.800
<v Speaker 1>was coming up now and the same age as Becky

0:25:48.200 --> 0:25:52.480
<v Speaker 1>Lynch and Charlotte Flair, knowing what she knows, knowing what

0:25:52.640 --> 0:25:55.400
<v Speaker 1>she's learned from some of the best wrestlers in the business.

0:25:56.320 --> 0:25:59.560
<v Speaker 1>Her relationship with fit Finley was always top shelf. He

0:25:59.640 --> 0:26:01.280
<v Speaker 1>had her act so much. He was the one that

0:26:01.320 --> 0:26:04.640
<v Speaker 1>got her the heel hook and got her to allowed

0:26:04.640 --> 0:26:06.880
<v Speaker 1>her to not allowed her, but got permission for her

0:26:06.880 --> 0:26:09.159
<v Speaker 1>to use it, only to have it taken away again.

0:26:09.520 --> 0:26:13.280
<v Speaker 1>So stupid. I want, I just I wonder, I wonder

0:26:14.280 --> 0:26:18.439
<v Speaker 1>where she would be as far as top girls, right,

0:26:18.720 --> 0:26:22.560
<v Speaker 1>top guys and top girls. She was underserved when I

0:26:22.560 --> 0:26:26.159
<v Speaker 1>worked there. She wasn't taking care of the way you

0:26:26.160 --> 0:26:28.720
<v Speaker 1>should take care of a champion, and that that part

0:26:28.800 --> 0:26:32.600
<v Speaker 1>is partially on on me to blame. But the company

0:26:32.640 --> 0:26:36.639
<v Speaker 1>didn't appreciate women the way they do now, and it

0:26:36.720 --> 0:26:39.360
<v Speaker 1>isn't because the women are so much better. They had

0:26:39.520 --> 0:26:43.840
<v Speaker 1>some legit, straight up athlete gangsters on the roster Eve

0:26:43.920 --> 0:26:47.879
<v Speaker 1>Torres or Eve Torres. Graci can do moon salts, and

0:26:47.920 --> 0:26:49.800
<v Speaker 1>then some they just don't allow her to do it,

0:26:49.840 --> 0:26:51.439
<v Speaker 1>and she got to do it a couple of times.

0:26:51.480 --> 0:26:53.960
<v Speaker 1>But they had they had some monsters on there that

0:26:54.000 --> 0:26:58.200
<v Speaker 1>could work, they just weren't allowed to work. And it

0:26:58.320 --> 0:27:02.400
<v Speaker 1>was you know, you hear frustration in my voice. Imagine

0:27:02.440 --> 0:27:06.520
<v Speaker 1>being one of them. Imagine not commentating on it. Imagine

0:27:06.560 --> 0:27:08.600
<v Speaker 1>trying to live that. A lot of you probably can

0:27:09.840 --> 0:27:13.320
<v Speaker 1>male or female. You a lot of you can relate

0:27:13.400 --> 0:27:18.119
<v Speaker 1>to being in a job where, damn you're contributing. You know,

0:27:18.320 --> 0:27:21.560
<v Speaker 1>your work is valuable, and you just not even looked at,

0:27:21.680 --> 0:27:24.800
<v Speaker 1>just not even not even looked at. And had she

0:27:24.880 --> 0:27:28.919
<v Speaker 1>not been married to undertake her, what happens then? What

0:27:29.040 --> 0:27:31.920
<v Speaker 1>happens if undertaker isn't in the picture and says, yo, man,

0:27:31.960 --> 0:27:34.480
<v Speaker 1>you gotta get this. My girl worked too hard to

0:27:34.560 --> 0:27:36.600
<v Speaker 1>have you, you know, take it away like this, and

0:27:36.720 --> 0:27:39.840
<v Speaker 1>Vince going, now, yeah, you're right, I up sorry, which

0:27:39.880 --> 0:27:45.080
<v Speaker 1>is probably all that happened, right, It's just it was

0:27:45.119 --> 0:27:48.360
<v Speaker 1>a it was a tough situation all the way around

0:27:48.359 --> 0:27:52.840
<v Speaker 1>that that shouldn't have happened. She wasn't appreciate it, and

0:27:53.280 --> 0:27:54.920
<v Speaker 1>and I guess you know the other way is he?

0:27:55.160 --> 0:27:57.720
<v Speaker 1>That's that show business, right. There's plenty of actors and

0:27:57.840 --> 0:28:00.560
<v Speaker 1>musicians that were born in the wrong gen ration and

0:28:00.640 --> 0:28:04.480
<v Speaker 1>not appreciate it until, you know, after their their active

0:28:04.520 --> 0:28:08.720
<v Speaker 1>contributions were were gone. But watch some of her stuff, man,

0:28:08.840 --> 0:28:11.360
<v Speaker 1>she she does some UFC moves in there go on

0:28:11.400 --> 0:28:14.320
<v Speaker 1>YouTube and and deep and deep dive. I know she's

0:28:14.359 --> 0:28:19.040
<v Speaker 1>not a household name, but it's an important part of

0:28:19.280 --> 0:28:23.040
<v Speaker 1>w w A history because she was a champion. It's

0:28:23.080 --> 0:28:26.400
<v Speaker 1>certainly an important part of my short time there, which

0:28:26.440 --> 0:28:28.720
<v Speaker 1>and I should have shared this story sooner. I think

0:28:28.760 --> 0:28:31.760
<v Speaker 1>I just blocked it out. And she held the line

0:28:32.320 --> 0:28:35.600
<v Speaker 1>for a couple of good years there before the Bellas

0:28:35.640 --> 0:28:38.320
<v Speaker 1>were able to do what they did. And I promise you,

0:28:38.920 --> 0:28:44.200
<v Speaker 1>not me, not Vince, not Fit, not Freebird, not anyone

0:28:44.240 --> 0:28:48.320
<v Speaker 1>in the w w E was ready or prepared or

0:28:48.360 --> 0:28:50.760
<v Speaker 1>could predict what the Bellas we're going to do with

0:28:50.800 --> 0:28:53.800
<v Speaker 1>that business. I want to thank you guys very much

0:28:53.800 --> 0:28:57.000
<v Speaker 1>for listening, Thanks for letting me confess to you as

0:28:57.040 --> 0:28:59.440
<v Speaker 1>this Amia Copla, is that what you call it? If

0:28:59.480 --> 0:29:03.800
<v Speaker 1>I haven't apologize to Michelle and she hears this, I

0:29:03.840 --> 0:29:06.960
<v Speaker 1>owe you an apology, girl. And if you say, oh, no,

0:29:07.080 --> 0:29:09.120
<v Speaker 1>you're don't, it's all good. We were all just doing it.

0:29:09.160 --> 0:29:11.280
<v Speaker 1>That's nice to you. But I still do Other than that,

0:29:11.440 --> 0:29:13.880
<v Speaker 1>I hope all you guys are doing well. I look

0:29:13.920 --> 0:29:16.560
<v Speaker 1>forward to recording these for y'all every single week. I

0:29:16.640 --> 0:29:19.280
<v Speaker 1>ain't going anywhere, and I see y'all soon on another

0:29:19.320 --> 0:29:23.520
<v Speaker 1>episode of Wrestling with Freddy right here. This has been

0:29:23.560 --> 0:29:26.640
<v Speaker 1>a production of I Hearts Michael podcast Network. For more

0:29:26.680 --> 0:29:29.520
<v Speaker 1>podcasts for My Heart Radio, visit the I Heart Radio app,

0:29:29.600 --> 0:29:32.520
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.

0:29:37.360 --> 0:29:39.280
<v Speaker 1>H