WEBVTT - How Sarcasm Works

0:00:01.480 --> 0:00:04.280
<v Speaker 1>Welcome to Stuff you should know, a production of I

0:00:04.360 --> 0:00:14.000
<v Speaker 1>Heart Radio. Hey, and welcome to the podcast. I'm Josh Clark.

0:00:14.040 --> 0:00:18.240
<v Speaker 1>There's Charles w Chuck Bryant, Dave Kustin's in here with us.

0:00:19.239 --> 0:00:22.040
<v Speaker 1>I just heard him laugh and snicker to himself, which

0:00:22.079 --> 0:00:25.400
<v Speaker 1>is always a heartwarming sound. And it's as he mispronounced

0:00:25.400 --> 0:00:28.560
<v Speaker 1>his name. No, no, I said it right. Couston thought

0:00:28.560 --> 0:00:31.360
<v Speaker 1>it was Coustan. No, that's what you wanted to sound

0:00:31.480 --> 0:00:36.880
<v Speaker 1>like when you're French. No, this is Couston, like Houston exactly,

0:00:37.000 --> 0:00:39.800
<v Speaker 1>but with the sea instead of an h. Couston means

0:00:39.840 --> 0:00:46.239
<v Speaker 1>that I'm one day closer to you. What. That's a song, right,

0:00:46.840 --> 0:00:52.720
<v Speaker 1>Houston means that I'm one one step. That's a country jam. Okay,

0:00:52.720 --> 0:00:56.040
<v Speaker 1>I was gonna guess Dion Warwick. She always like singing

0:00:56.080 --> 0:01:01.720
<v Speaker 1>about about Susan, Yeah, about San Jose at cetera. Okay,

0:01:02.160 --> 0:01:05.800
<v Speaker 1>that was a Backer act Burt Backer act song. Um,

0:01:05.959 --> 0:01:09.199
<v Speaker 1>and she popularized it because she did it so well.

0:01:09.240 --> 0:01:12.039
<v Speaker 1>Do you know the way to San Jose? Okay, I

0:01:12.080 --> 0:01:15.000
<v Speaker 1>didn't know she's saying that. Oh yeah, I guess she

0:01:15.120 --> 0:01:21.800
<v Speaker 1>popularized it with everyone but you. Okay, that was sarcastic. No,

0:01:22.000 --> 0:01:26.240
<v Speaker 1>that was that was pretty straightforward direct sarcastic would have

0:01:26.319 --> 0:01:31.120
<v Speaker 1>been like, um, oh, I'm sure you didn't know that. Yeah,

0:01:31.120 --> 0:01:33.120
<v Speaker 1>I guess that would be sarcastic. It wouldn't have made

0:01:33.160 --> 0:01:36.679
<v Speaker 1>much sense, but yes, you know what's funny, chuck in.

0:01:36.680 --> 0:01:39.720
<v Speaker 1>In researching this, I kept trying to come up with

0:01:39.880 --> 0:01:44.000
<v Speaker 1>um examples of sarcasm, and it's one of the hardest

0:01:44.000 --> 0:01:48.440
<v Speaker 1>things in the world to do with with thought. Sarcasm

0:01:48.560 --> 0:01:53.800
<v Speaker 1>is like almost always off the cuff or not very

0:01:53.840 --> 0:01:57.680
<v Speaker 1>well thought out. It's which which um, I think is

0:01:57.680 --> 0:02:01.000
<v Speaker 1>one reason why you know, most people will agree that

0:02:01.160 --> 0:02:04.440
<v Speaker 1>somebody who is an employing sarcasm, even when they're not

0:02:04.520 --> 0:02:07.400
<v Speaker 1>very good at it, is the funniest person in the world.

0:02:07.480 --> 0:02:13.560
<v Speaker 1>Right then, see that's sarcasm. I I can't help myself. Yeah,

0:02:13.600 --> 0:02:17.160
<v Speaker 1>this researching sarcasm really makes you take a long, hard

0:02:17.200 --> 0:02:19.600
<v Speaker 1>look in the mirror, doesn't it. It really does, and

0:02:19.680 --> 0:02:23.800
<v Speaker 1>at people who are big fans of Deadpool. Oh I

0:02:23.840 --> 0:02:27.920
<v Speaker 1>do like Deadpool. Uh, here's my ideal with sarcasm. It

0:02:28.080 --> 0:02:32.400
<v Speaker 1>is laying ones. I mean I definitely can be sarcastic.

0:02:32.440 --> 0:02:33.880
<v Speaker 1>I think all of us can be, and I think

0:02:33.880 --> 0:02:39.160
<v Speaker 1>it can be used for funzies but I definitely see

0:02:39.160 --> 0:02:42.720
<v Speaker 1>where I can be a real a hole sometimes by

0:02:42.720 --> 0:02:46.360
<v Speaker 1>being sarcastic, like to Emily. And that's like the sort

0:02:46.400 --> 0:02:49.760
<v Speaker 1>of that goes back to my end. Boy, I'm sort

0:02:49.760 --> 0:02:53.440
<v Speaker 1>of revealing some stuff here, but that it falls under

0:02:53.440 --> 0:02:58.040
<v Speaker 1>the umbrella of of my communication issues instead of being

0:02:58.040 --> 0:03:01.960
<v Speaker 1>like straightforward with something may be being sarcastic but passive

0:03:01.960 --> 0:03:04.800
<v Speaker 1>aggressive and me and and sarcasm all kind of go

0:03:04.880 --> 0:03:07.160
<v Speaker 1>hand in hand. I think, Yeah, so you've hit upon

0:03:07.320 --> 0:03:10.520
<v Speaker 1>something that I think is not really necessarily obvious to

0:03:10.600 --> 0:03:14.680
<v Speaker 1>just anybody when they are confront of a sarcasm. Is

0:03:14.720 --> 0:03:18.400
<v Speaker 1>that No, sarcasm is a way to hide. It's a

0:03:18.400 --> 0:03:20.520
<v Speaker 1>way to hide from emotions. It's a way to hide

0:03:20.560 --> 0:03:24.600
<v Speaker 1>from direct conflict if you're not um big into conflict.

0:03:24.880 --> 0:03:28.320
<v Speaker 1>It's a way to hide from criticizing somebody when you're

0:03:28.320 --> 0:03:30.480
<v Speaker 1>not big into that but you really need to or

0:03:30.560 --> 0:03:33.400
<v Speaker 1>you want to. And you said it it's passive aggressive.

0:03:33.919 --> 0:03:37.400
<v Speaker 1>But I think we should make the distinction. And I

0:03:37.400 --> 0:03:40.480
<v Speaker 1>I um came across this very late in research, but

0:03:40.560 --> 0:03:43.040
<v Speaker 1>it makes a lot of sense to me that there's

0:03:43.080 --> 0:03:50.320
<v Speaker 1>a distinction between sarcasm and verbal irony, and that sarcasm

0:03:50.560 --> 0:03:56.680
<v Speaker 1>is at its core, insulting, mocking, harmful, and hurtful, whereas

0:03:56.800 --> 0:04:04.920
<v Speaker 1>verbal verbal irony is just basically like a joke where

0:04:04.960 --> 0:04:09.320
<v Speaker 1>no one gets insulted, where where maybe a situation is

0:04:09.360 --> 0:04:13.480
<v Speaker 1>being made fun of, Like if it's exactly if it's

0:04:13.600 --> 0:04:17.000
<v Speaker 1>raining cats and dogs, yes, that would be verbal irony,

0:04:17.160 --> 0:04:20.679
<v Speaker 1>not sarcasm. Um. I saw a really great example about

0:04:20.720 --> 0:04:24.160
<v Speaker 1>the distinction on I can't remember. It was like a

0:04:24.200 --> 0:04:27.760
<v Speaker 1>TV and film writing website, but they basically said, in

0:04:27.800 --> 0:04:30.440
<v Speaker 1>that sense, that would be verbal irony. But if you

0:04:30.520 --> 0:04:34.720
<v Speaker 1>were the spouse of a meteorologist who for forecast a

0:04:34.800 --> 0:04:38.080
<v Speaker 1>sunny day when they came home and it was raining

0:04:38.120 --> 0:04:42.080
<v Speaker 1>cats and dogs, and you said, great weather today, that

0:04:42.120 --> 0:04:45.080
<v Speaker 1>would be sarcasm because you're insulting or mocking them for

0:04:45.120 --> 0:04:48.520
<v Speaker 1>getting it wrong. Right, Like, let's say you and I

0:04:48.520 --> 0:04:52.240
<v Speaker 1>are neighbors. Great weather today, Josh, Oh you said it

0:04:52.240 --> 0:04:56.279
<v Speaker 1>their neighbor. Hey, I can speak for myself, Oh you

0:04:56.400 --> 0:05:00.680
<v Speaker 1>said it there, neighbor. Different than Hey, nice job with

0:05:00.720 --> 0:05:06.799
<v Speaker 1>your front lawn, Josh, and I sank swimming under you.

0:05:06.800 --> 0:05:09.640
<v Speaker 1>You're the six year old that takes everything literally exactly

0:05:11.080 --> 0:05:14.920
<v Speaker 1>because I have, uh, I have noticed that. What made

0:05:14.920 --> 0:05:17.039
<v Speaker 1>me think of sarcasm. You picked this article, but I

0:05:17.080 --> 0:05:19.520
<v Speaker 1>was like, that's kind of perfect because having a kid

0:05:19.560 --> 0:05:22.440
<v Speaker 1>will make you realize how often you're sarcastic because they

0:05:22.440 --> 0:05:26.240
<v Speaker 1>don't get it, at least not yet. She's uh, just

0:05:26.320 --> 0:05:29.360
<v Speaker 1>during six same days you happy birthday, Yeah, happy birthday,

0:05:29.400 --> 0:05:32.440
<v Speaker 1>Ruby too, and very sweet gifts that you sent, and

0:05:32.920 --> 0:05:36.440
<v Speaker 1>you guys exchange the video messages, which was adorable. But um,

0:05:36.680 --> 0:05:39.760
<v Speaker 1>she's six and she still doesn't get sarcasm. And I've

0:05:39.760 --> 0:05:41.640
<v Speaker 1>had to say like that was sarcasm and she's like

0:05:41.720 --> 0:05:45.480
<v Speaker 1>what And I'm like, man, why just keep that purity

0:05:45.480 --> 0:05:49.920
<v Speaker 1>alive of them taking things literally? Yeah, yeah, don't don't

0:05:49.960 --> 0:05:52.520
<v Speaker 1>introduce sarcasm to your kid, but you can't help it. No,

0:05:52.680 --> 0:05:56.320
<v Speaker 1>And that's the thing, Like, there's there's a whole school

0:05:56.320 --> 0:05:59.039
<v Speaker 1>of thought that it's like to heck with sarcasm, Like

0:05:59.080 --> 0:06:02.240
<v Speaker 1>we don't need it. People who use sarcasm are annoying,

0:06:02.400 --> 0:06:06.240
<v Speaker 1>insecure people. Um there, it's it's not a nice thing

0:06:06.320 --> 0:06:09.080
<v Speaker 1>to do or say, like there's better ways of getting

0:06:09.080 --> 0:06:12.159
<v Speaker 1>your point across, and it's not even particularly funny. But

0:06:12.279 --> 0:06:14.560
<v Speaker 1>the thing is is I've found that when you follow

0:06:14.640 --> 0:06:21.120
<v Speaker 1>that thread, there's like something inherently problematic with it, and

0:06:21.160 --> 0:06:25.120
<v Speaker 1>that there is some value to sarcasm in some some instances.

0:06:25.160 --> 0:06:27.600
<v Speaker 1>It's just one of those things that should be wielded

0:06:27.960 --> 0:06:32.160
<v Speaker 1>very delicately and infrequently in the right context. But if

0:06:32.160 --> 0:06:34.760
<v Speaker 1>you do it like that, sure, and if you do

0:06:34.800 --> 0:06:38.480
<v Speaker 1>it like that though, it can be um very useful

0:06:38.520 --> 0:06:42.240
<v Speaker 1>and actually some studies have found um that it's actually

0:06:42.240 --> 0:06:45.919
<v Speaker 1>beneficial brain wise too. Although researching all of the sarcasm

0:06:46.040 --> 0:06:50.520
<v Speaker 1>stuff has just reiterated my um my belief that social

0:06:50.520 --> 0:06:53.880
<v Speaker 1>psychology as a field should be completely dissolved and they

0:06:53.880 --> 0:06:57.520
<v Speaker 1>should just start from scratch again because it is almost

0:06:57.640 --> 0:07:03.719
<v Speaker 1>exclusively useless. It is so bad. We should have a

0:07:04.000 --> 0:07:06.000
<v Speaker 1>every time you go off on social psychology, we should

0:07:06.000 --> 0:07:09.000
<v Speaker 1>have a sound effect. We would just start employing again,

0:07:10.480 --> 0:07:13.200
<v Speaker 1>just get that part. We should hire a barbershop quartet,

0:07:13.240 --> 0:07:15.280
<v Speaker 1>just full time to stand behind us. Made up was

0:07:15.600 --> 0:07:20.280
<v Speaker 1>exclusively as social psychologists exactly who can also sing the

0:07:20.360 --> 0:07:27.280
<v Speaker 1>sweet sweet tunes? So Webster's defines, Um, that's a great start,

0:07:27.360 --> 0:07:30.160
<v Speaker 1>chuck Uh. It's actually the Oxford English Dictionary if you

0:07:30.200 --> 0:07:33.640
<v Speaker 1>want to go back to the original definition, which I

0:07:33.640 --> 0:07:35.960
<v Speaker 1>think it is useful. We don't love to read definitions,

0:07:35.960 --> 0:07:39.480
<v Speaker 1>but its first definition was a sharp, bitter or cutting

0:07:39.480 --> 0:07:43.840
<v Speaker 1>expression or remark, a bitter jibe or taunt. And the

0:07:43.880 --> 0:07:48.200
<v Speaker 1>word itself even derives from ancient Greek from to tear flesh,

0:07:48.240 --> 0:07:51.760
<v Speaker 1>gnash the teeth, and speak bitterly. So it seems like

0:07:51.840 --> 0:07:56.200
<v Speaker 1>from the beginning sarcasm was not like a nice and

0:07:56.200 --> 0:07:59.000
<v Speaker 1>and super funny thing for people. Know, And apparently the

0:07:59.040 --> 0:08:04.280
<v Speaker 1>ancient Greeks um had their own famous sarcast and Socrates

0:08:04.520 --> 0:08:07.800
<v Speaker 1>who was um known for what's now known as sark

0:08:08.120 --> 0:08:12.720
<v Speaker 1>Socratic irony, which is terrible where basically you play dumb

0:08:13.560 --> 0:08:16.200
<v Speaker 1>uh when you're talking to somebody in order to kind

0:08:16.200 --> 0:08:18.560
<v Speaker 1>of get their true opinion out about something, and then

0:08:18.640 --> 0:08:22.120
<v Speaker 1>you destroy their opinion and you suddenly become intelligent and

0:08:22.160 --> 0:08:24.840
<v Speaker 1>destroy their opinion. It's a terrible, terrible thing to do.

0:08:25.160 --> 0:08:28.160
<v Speaker 1>But apparently Socrates was well known for that kind of thing,

0:08:28.240 --> 0:08:30.920
<v Speaker 1>so much so that they named it after him. That's right.

0:08:31.040 --> 0:08:35.079
<v Speaker 1>He it's called the how how about them? Apple's approach? Right?

0:08:36.679 --> 0:08:40.600
<v Speaker 1>Um Interpreting sarcasm, That's that's where it gets tricky because

0:08:41.760 --> 0:08:44.160
<v Speaker 1>and that's why a six year old and we'll get

0:08:44.160 --> 0:08:46.800
<v Speaker 1>two kids more because and some people say that by

0:08:46.840 --> 0:08:51.360
<v Speaker 1>that age they can detect sarcasm. But we'll get to that. Um.

0:08:51.400 --> 0:08:54.000
<v Speaker 1>I'm glad that that my daughter can't yet because that

0:08:54.040 --> 0:08:57.640
<v Speaker 1>means that she's not a jerk yet. But as far

0:08:57.679 --> 0:09:00.880
<v Speaker 1>as picking up on these clues, you, the words themselves

0:09:00.880 --> 0:09:03.720
<v Speaker 1>you can't rely on. So what you're looking for? Other

0:09:03.800 --> 0:09:08.720
<v Speaker 1>kinds of clues uh that are myriad um. One of

0:09:08.720 --> 0:09:12.360
<v Speaker 1>which is obviously the tone of voice. Uh. Let's say

0:09:12.400 --> 0:09:15.200
<v Speaker 1>you can't even see the person. If you see someone

0:09:15.360 --> 0:09:19.959
<v Speaker 1>say great weather today, like you, you know without even

0:09:20.000 --> 0:09:22.760
<v Speaker 1>looking out the window, that that probably means it's it's

0:09:22.880 --> 0:09:25.040
<v Speaker 1>raining or something. Yeah, I don't even need to look.

0:09:25.040 --> 0:09:28.880
<v Speaker 1>They just saved you the effort, right. And some people

0:09:28.920 --> 0:09:32.200
<v Speaker 1>say that that's a nasal tone. Uh. This kind of

0:09:32.240 --> 0:09:34.640
<v Speaker 1>seemed a little hinky to me, But some researchers have

0:09:34.760 --> 0:09:38.680
<v Speaker 1>said that there's a connection between that, um, sarcasm and

0:09:38.760 --> 0:09:41.800
<v Speaker 1>extreme disgust, and that's why it comes out nasally, like

0:09:41.800 --> 0:09:44.960
<v Speaker 1>you're trying to expel something through like your mouth and

0:09:45.000 --> 0:09:49.520
<v Speaker 1>your nose. Great weather, like your nose wrinkles. I guess

0:09:49.559 --> 0:09:52.520
<v Speaker 1>a little bit I can see maybe. Uh. And then

0:09:52.520 --> 0:09:55.280
<v Speaker 1>of course their physical cues like a a good eye

0:09:55.360 --> 0:09:57.840
<v Speaker 1>roll or at least like looking up when you say

0:09:57.880 --> 0:09:59.880
<v Speaker 1>something is a big, big clue. Yeah, that one in

0:10:00.040 --> 0:10:03.640
<v Speaker 1>particulars because your brain is going haywire because you're saying

0:10:03.679 --> 0:10:07.559
<v Speaker 1>the opposite of what you mean. And researchers have concluded

0:10:07.600 --> 0:10:11.080
<v Speaker 1>that that looking up, which kind of looks like an

0:10:11.120 --> 0:10:17.040
<v Speaker 1>eye roll, is actually processing difficulty. Your brain was like,

0:10:17.080 --> 0:10:18.920
<v Speaker 1>I don't know what, dude, You just make the eyes

0:10:19.000 --> 0:10:21.000
<v Speaker 1>look up while I try to figure out what I'm

0:10:21.040 --> 0:10:25.160
<v Speaker 1>doing here. That that's that. Yeah, there's social psychology is

0:10:25.200 --> 0:10:31.080
<v Speaker 1>big contribution. Um. As far as the intonation, uh, there's

0:10:31.120 --> 0:10:36.160
<v Speaker 1>some researchers that have called that inverse pitch obtrusion, which, uh,

0:10:36.360 --> 0:10:39.160
<v Speaker 1>great weather is if it was really great weather, you

0:10:39.160 --> 0:10:42.040
<v Speaker 1>would say great weather today. Huh. And if not, you'd

0:10:42.040 --> 0:10:44.720
<v Speaker 1>say great weather. So your your tone and your intonation

0:10:44.760 --> 0:10:47.719
<v Speaker 1>goes down as a clear signal of sarcasm. Yeah, which

0:10:47.760 --> 0:10:53.800
<v Speaker 1>supposedly intonation or pitch um inverse pitch obtrusion is um

0:10:54.000 --> 0:10:57.360
<v Speaker 1>pretty universal as far as languages go. Are different cultures

0:10:58.120 --> 0:11:01.360
<v Speaker 1>because other cultures are sarcastic just American, No, And there's

0:11:01.360 --> 0:11:05.240
<v Speaker 1>a big there's a big debate online about whether it's

0:11:05.240 --> 0:11:08.520
<v Speaker 1>a universal whether sarcasm is universal, and some people are

0:11:08.559 --> 0:11:11.200
<v Speaker 1>saying like, yes, it's everywhere, like even if a culture

0:11:11.200 --> 0:11:13.679
<v Speaker 1>has a taboo against it, which some could, although I

0:11:13.679 --> 0:11:17.280
<v Speaker 1>couldn't find which ones. Um, although I think China has

0:11:17.320 --> 0:11:23.840
<v Speaker 1>widely pointed to is a not a very high sarcasm culture. Um.

0:11:24.000 --> 0:11:25.960
<v Speaker 1>But that if you have if your culture has a

0:11:25.960 --> 0:11:28.800
<v Speaker 1>taboo against sarcasm, you have to be aware of sarcasm

0:11:28.880 --> 0:11:31.480
<v Speaker 1>to have a taboo against it. So it's still in

0:11:31.520 --> 0:11:35.040
<v Speaker 1>that sense universal, even if it's not universally used or

0:11:35.200 --> 0:11:39.360
<v Speaker 1>accepted by each culture. Yeah, for sure, I could see

0:11:40.120 --> 0:11:43.160
<v Speaker 1>Japan is not being super sarcastic. So I read an

0:11:43.240 --> 0:11:48.400
<v Speaker 1>article about Japan. It was like a business writer's um experience,

0:11:48.520 --> 0:11:52.560
<v Speaker 1>like a British expat working in Japan, and he said

0:11:52.559 --> 0:11:54.920
<v Speaker 1>he used sarcasm and like he didn't really get much

0:11:55.040 --> 0:11:58.080
<v Speaker 1>laugh much of a laugh, And later on he said

0:11:58.080 --> 0:12:02.240
<v Speaker 1>he was explaining it to his Japanese call colleague was like, oh,

0:12:02.559 --> 0:12:05.160
<v Speaker 1>I know it was sarcasm. We we know all about sarcasm.

0:12:06.200 --> 0:12:09.240
<v Speaker 1>Grossly inappropriate to use it. Right then I think I

0:12:09.280 --> 0:12:14.800
<v Speaker 1>was like, oh god, I love it. Oh we know

0:12:14.840 --> 0:12:18.800
<v Speaker 1>what sarcasm is. That just that was just not good. Sorry.

0:12:19.720 --> 0:12:23.679
<v Speaker 1>Another thing you can do is elongate your words. Um,

0:12:23.720 --> 0:12:27.720
<v Speaker 1>it's much difference to say oh sorry than to say sorry, Yes,

0:12:27.800 --> 0:12:31.680
<v Speaker 1>that's a great, great one. That's intonation and elongating a word.

0:12:31.679 --> 0:12:34.680
<v Speaker 1>I guess combined with that eye roll, you can also

0:12:34.720 --> 0:12:36.839
<v Speaker 1>go the opposite way and take a word that should

0:12:36.840 --> 0:12:41.000
<v Speaker 1>be said kind of um with oomph and deflating it.

0:12:41.320 --> 0:12:44.079
<v Speaker 1>Yeah right, I'm big. I'm big on that one, like, um,

0:12:44.080 --> 0:12:49.720
<v Speaker 1>like wow, yeah great. I say that a lot. Yeah, yeah, yeah,

0:12:49.880 --> 0:12:53.480
<v Speaker 1>we we We are very sarcastic people. I've come to realize.

0:12:54.480 --> 0:12:57.120
<v Speaker 1>I use for some reason. I know you didn't see

0:12:57.160 --> 0:13:00.640
<v Speaker 1>Fletch and you hate Chevy Chase, but I well you no, no,

0:13:00.720 --> 0:13:07.520
<v Speaker 1>I'm sorry. I love Yeah, He's my favorite. He's so funny. Um.

0:13:07.559 --> 0:13:12.439
<v Speaker 1>I will would use a line from his flag occasionally. Um.

0:13:12.520 --> 0:13:13.719
<v Speaker 1>I don't know why I would use it. I guess

0:13:13.760 --> 0:13:16.320
<v Speaker 1>whenever there was a cop or something, I would say,

0:13:16.440 --> 0:13:19.920
<v Speaker 1>thank God the police. And he says that line like

0:13:19.960 --> 0:13:22.160
<v Speaker 1>that in the movie. Yeah, I can. I can totally

0:13:22.200 --> 0:13:25.840
<v Speaker 1>see it wearing a baseball cap too, I'll wager m hmmm,

0:13:25.960 --> 0:13:31.200
<v Speaker 1>probably maybe. Uh. You mentioned other cultures. Um, if you're

0:13:31.240 --> 0:13:35.160
<v Speaker 1>a teacher of Esaul, English is a second language that

0:13:35.320 --> 0:13:37.439
<v Speaker 1>is one of the trickier parts of teaching English to

0:13:38.400 --> 0:13:40.880
<v Speaker 1>UH people as a second language, as adulter as kids

0:13:40.880 --> 0:13:45.040
<v Speaker 1>even is is trying to teach them things like sarcasm

0:13:45.080 --> 0:13:48.400
<v Speaker 1>if they're not super familiar with it. And sometimes apparently

0:13:48.480 --> 0:13:53.240
<v Speaker 1>they will say, here, watch watch this TV show because

0:13:53.320 --> 0:13:57.080
<v Speaker 1>you know, there's quite a bit of sarcasm on TV sitcoms. Yeah,

0:13:57.080 --> 0:13:59.600
<v Speaker 1>supposedly that's a really good way to pick up on

0:14:00.280 --> 0:14:04.040
<v Speaker 1>on sarcasm is watching sitcoms. Probably Friends in particular, I

0:14:04.080 --> 0:14:07.920
<v Speaker 1>would guess. I'm guessing they assigned Friends a lot to

0:14:08.240 --> 0:14:11.480
<v Speaker 1>be any more sarcastic. So, Chuck, this is kind of

0:14:11.520 --> 0:14:14.079
<v Speaker 1>a willy nilly episode, and I kind of like them

0:14:14.120 --> 0:14:17.160
<v Speaker 1>that way. I'm just gonna go ahead and confess. So

0:14:17.320 --> 0:14:19.560
<v Speaker 1>there's no clear place where we should put an AD

0:14:19.600 --> 0:14:22.080
<v Speaker 1>break in, So I suggest that we put an AD

0:14:22.120 --> 0:14:41.280
<v Speaker 1>break in right about here. That's a great idea. Stuck, Stuck, Stuck.

0:14:41.560 --> 0:14:43.640
<v Speaker 1>I don't know that you know it. Stuck in this.

0:14:45.000 --> 0:14:49.080
<v Speaker 1>It's a great name. That's the name of it. It's

0:14:49.080 --> 0:14:52.360
<v Speaker 1>a great name, alright, stuck with a with an X.

0:14:53.560 --> 0:14:56.080
<v Speaker 1>You know. I have to say, when I was researching this, Chuck,

0:14:56.120 --> 0:14:58.880
<v Speaker 1>I was wondering if we were gonna just do the

0:14:58.920 --> 0:15:03.840
<v Speaker 1>weird thing in not be sarcastic. I just think that

0:15:03.840 --> 0:15:06.720
<v Speaker 1>that was there was never gonna happen, was it. No,

0:15:07.960 --> 0:15:10.200
<v Speaker 1>I think it's it was clear from the beginning to

0:15:10.240 --> 0:15:13.320
<v Speaker 1>me that we were gonna throw our own little brand

0:15:13.360 --> 0:15:17.840
<v Speaker 1>of sarcasm in. I can't help it, chunk, I can't

0:15:17.840 --> 0:15:22.120
<v Speaker 1>tell if you're being straight. I can't either. So we're

0:15:22.160 --> 0:15:26.280
<v Speaker 1>talking about kids, um and whether or not they understand sarcasm.

0:15:26.360 --> 0:15:30.520
<v Speaker 1>And there's been um some research on this kind of thing, um,

0:15:30.600 --> 0:15:34.320
<v Speaker 1>and of course it's come up with contradictory findings. One

0:15:34.360 --> 0:15:36.960
<v Speaker 1>thing I saw was that kids you kept mentioning six

0:15:37.040 --> 0:15:40.000
<v Speaker 1>year old's not really getting sarcasm. That's about when they

0:15:40.040 --> 0:15:44.240
<v Speaker 1>start to pick it up somewhere around age six. That's

0:15:44.240 --> 0:15:48.000
<v Speaker 1>when they start grade school. Okay, do with it, maybe so,

0:15:48.440 --> 0:15:51.760
<v Speaker 1>But but from what I saw, they might recognize it

0:15:51.800 --> 0:15:55.560
<v Speaker 1>as sarcasm. They just don't understand it as a way

0:15:55.560 --> 0:15:59.200
<v Speaker 1>to employ humor. And that that comes at about age ten,

0:16:00.040 --> 0:16:05.280
<v Speaker 1>which happens to coincide when kids become obnoxious. Uh yeah,

0:16:05.320 --> 0:16:07.760
<v Speaker 1>and then it's all then you reap what you sow

0:16:08.040 --> 0:16:11.040
<v Speaker 1>as a parent because you're like I taught you this

0:16:11.400 --> 0:16:15.680
<v Speaker 1>method and UH, it's being used used against me like

0:16:15.760 --> 0:16:19.680
<v Speaker 1>a weapon. There was a study in France French speaking

0:16:19.720 --> 0:16:23.480
<v Speaker 1>kids in two thousand five that showed UH kids the

0:16:23.520 --> 0:16:29.240
<v Speaker 1>age of five understood sarcasm when they when the sarcastic

0:16:29.600 --> 0:16:33.280
<v Speaker 1>speaker was using intonation um. Where it took to be

0:16:33.440 --> 0:16:37.560
<v Speaker 1>over seven to be able to tell by context, and

0:16:37.720 --> 0:16:41.440
<v Speaker 1>context is when like I think the example they used

0:16:41.440 --> 0:16:44.320
<v Speaker 1>in the article was if you're like having a longer

0:16:44.400 --> 0:16:48.560
<v Speaker 1>conversation about UH family member being a bad gift giver,

0:16:49.120 --> 0:16:50.880
<v Speaker 1>and then at the very end you say, but I

0:16:50.920 --> 0:16:54.680
<v Speaker 1>love my sweater that they got me, and maybe see,

0:16:54.720 --> 0:16:57.880
<v Speaker 1>like I said it even sort of regular, but contextually

0:16:58.120 --> 0:17:00.600
<v Speaker 1>it would still be sarcastic. I don't know, Like even

0:17:00.640 --> 0:17:03.480
<v Speaker 1>in that example, I just found it confusing to tell you. Well,

0:17:03.520 --> 0:17:05.000
<v Speaker 1>I guess it could be I was a little too

0:17:05.320 --> 0:17:07.119
<v Speaker 1>I sold it too well. It sounded yeah, it sounded

0:17:07.200 --> 0:17:11.800
<v Speaker 1>really genuinely earnest. Right, that's the slip. That's the slippery

0:17:11.800 --> 0:17:15.959
<v Speaker 1>SLOPO sarcasm, so um one of the other uh. In

0:17:16.000 --> 0:17:20.760
<v Speaker 1>addition to kids not necessarily getting sarcasm, people with dementia

0:17:20.920 --> 0:17:24.560
<v Speaker 1>or Alzheimer's um or brain lesions have been found to

0:17:24.640 --> 0:17:28.920
<v Speaker 1>not necessarily, um, get sarcasm. And if you stop picking

0:17:29.000 --> 0:17:31.920
<v Speaker 1>up on sorry sarcasm all of a sudden, Uh, that's

0:17:31.920 --> 0:17:33.800
<v Speaker 1>a really good indicator that you might need to go

0:17:33.840 --> 0:17:37.199
<v Speaker 1>get an m R. I too sweet, Yeah for sure. Uh.

0:17:37.359 --> 0:17:40.199
<v Speaker 1>And not just that, they are all kinds of neurodiversities

0:17:40.880 --> 0:17:43.600
<v Speaker 1>that people can have that make them not able to

0:17:43.600 --> 0:17:46.760
<v Speaker 1>pick up on sarcasm. I know that sometimes people with

0:17:46.800 --> 0:17:52.320
<v Speaker 1>autism have difficulty understanding sarcasm. Um. They might take things

0:17:52.320 --> 0:17:56.159
<v Speaker 1>a little more literally then uh, neurotypical people might. So

0:17:57.000 --> 0:18:00.480
<v Speaker 1>it's you know, you gotta know who you're dealing with, um,

0:18:00.480 --> 0:18:03.080
<v Speaker 1>when you're throwing sarcasm around and being sensitive that kind

0:18:03.080 --> 0:18:06.679
<v Speaker 1>of thing, right for sure. So um, So people with

0:18:06.720 --> 0:18:10.840
<v Speaker 1>autism are famously kind of associated with an inability to

0:18:11.000 --> 0:18:14.640
<v Speaker 1>detect sarcasm. And from what I've seen, that's not really

0:18:14.720 --> 0:18:17.240
<v Speaker 1>the best way to put it. That they that many

0:18:17.600 --> 0:18:24.160
<v Speaker 1>people with autism can detect a detect sarcasm, use sarcasm um,

0:18:24.320 --> 0:18:27.400
<v Speaker 1>some find it funny, Others can recognize it but don't

0:18:27.400 --> 0:18:31.360
<v Speaker 1>necessarily find it funny. Um. But there's different I don't

0:18:31.359 --> 0:18:33.560
<v Speaker 1>know if they're competing or not. There's different theories as

0:18:33.560 --> 0:18:37.520
<v Speaker 1>to why that's the case. It supposedly UM. People with

0:18:37.560 --> 0:18:42.040
<v Speaker 1>autism tend to use more literal thinking than UM. The

0:18:42.760 --> 0:18:47.399
<v Speaker 1>kind of UM, well, let me just say, sarcasm is

0:18:47.480 --> 0:18:51.000
<v Speaker 1>known as a form of unplaine speaking, along with some

0:18:51.080 --> 0:18:54.000
<v Speaker 1>other kinds like UM forced politeness, where you like, are

0:18:54.119 --> 0:18:57.120
<v Speaker 1>nice as somebody who who's got you hate UM are

0:18:57.200 --> 0:19:02.920
<v Speaker 1>using aphorisms UM or ritual language like when you say

0:19:03.040 --> 0:19:04.960
<v Speaker 1>I'm fine when somebody asks you how you're doing, even

0:19:04.960 --> 0:19:08.240
<v Speaker 1>though you're not fine. UM. Sarcasm falls under that. It's

0:19:08.240 --> 0:19:12.400
<v Speaker 1>it's not saying what you mean directly. And so if

0:19:12.480 --> 0:19:16.360
<v Speaker 1>people with autism tend to use direct thinking and literal thinking,

0:19:17.040 --> 0:19:20.719
<v Speaker 1>if you use indirect or unplane speaking, it's gonna be

0:19:20.760 --> 0:19:22.600
<v Speaker 1>hard for them to pick up on. They're gonna take

0:19:22.640 --> 0:19:25.200
<v Speaker 1>it at its literal meaning, they might not pick up

0:19:25.200 --> 0:19:28.639
<v Speaker 1>on the sarcasm um. And so that that kind of

0:19:28.800 --> 0:19:33.400
<v Speaker 1>tend that UM tendency to think literally combined with UH

0:19:33.440 --> 0:19:37.280
<v Speaker 1>an undeveloped theory of mind, which is where you can

0:19:37.400 --> 0:19:40.000
<v Speaker 1>put yourself in the other person's shoes and imagine what

0:19:40.040 --> 0:19:43.560
<v Speaker 1>they're thinking easily, which is what sarcasm requires you to do,

0:19:43.640 --> 0:19:45.879
<v Speaker 1>because they're saying something different, but you know that's not

0:19:45.920 --> 0:19:48.720
<v Speaker 1>what they mean, and that requires that you go into

0:19:48.720 --> 0:19:52.440
<v Speaker 1>their mind and tool around. Those two things combined tend

0:19:52.480 --> 0:19:55.480
<v Speaker 1>to explain why people with autism are kind of thought

0:19:55.560 --> 0:20:02.200
<v Speaker 1>of as not detecting sarcasm. You got a job, Okay, thanks? Thanks.

0:20:02.800 --> 0:20:05.120
<v Speaker 1>If I had rainbow suspenders on right now, I would

0:20:05.119 --> 0:20:08.320
<v Speaker 1>have just snapped him after them. I actually had those

0:20:08.320 --> 0:20:11.080
<v Speaker 1>when I was a kid. I wanted those for a

0:20:11.320 --> 0:20:14.160
<v Speaker 1>long time. Yeah, I mean it was the whole Mork

0:20:14.200 --> 0:20:16.160
<v Speaker 1>and mindy thing. I even had the buttons on them,

0:20:16.160 --> 0:20:19.880
<v Speaker 1>and I wore the khaki pants. I did my best

0:20:19.920 --> 0:20:23.600
<v Speaker 1>to beat work from work. Yeah, so Morks suspenders are

0:20:23.600 --> 0:20:29.159
<v Speaker 1>obviously primo. But there's an overlooked vest, a puffy vest

0:20:29.240 --> 0:20:30.879
<v Speaker 1>that he wears in the credits when they're on the

0:20:30.920 --> 0:20:34.639
<v Speaker 1>football field that I would say even top the rainbow suspenders.

0:20:35.080 --> 0:20:37.800
<v Speaker 1>I would love to get my hands on that. Yeah,

0:20:37.800 --> 0:20:39.840
<v Speaker 1>looking back, I was just trying to be in work

0:20:39.880 --> 0:20:46.280
<v Speaker 1>from work, but I was dork from dork. I don't

0:20:46.280 --> 0:20:49.800
<v Speaker 1>have any pictures of that, unfortunately. Can you mention wearing

0:20:49.840 --> 0:20:54.080
<v Speaker 1>those with like a spinning bow time like now? No,

0:20:54.320 --> 0:20:58.520
<v Speaker 1>especially as a kid like I don't know about this guy,

0:20:58.600 --> 0:21:02.760
<v Speaker 1>but this kid wearing that you'd be all right, Uh,

0:21:02.800 --> 0:21:04.800
<v Speaker 1>if you're talking about the brain. That was a study

0:21:04.800 --> 0:21:08.280
<v Speaker 1>in two thousand five that, um, and this kind of

0:21:08.280 --> 0:21:11.439
<v Speaker 1>stuff is always I feel like we just have to

0:21:11.440 --> 0:21:14.239
<v Speaker 1>say it, even though people are like, Okay, those are

0:21:14.280 --> 0:21:16.439
<v Speaker 1>the three parts of the brain. Thinks nothing to me.

0:21:17.520 --> 0:21:20.600
<v Speaker 1>But the three parts the language cortex and the left hemisphere,

0:21:20.680 --> 0:21:23.560
<v Speaker 1>the frontal lobes and the right hemisphere and the right

0:21:24.200 --> 0:21:29.640
<v Speaker 1>the right ventro medial prefrontal cortex. You're gonna hear the comment,

0:21:30.200 --> 0:21:33.480
<v Speaker 1>and your language cortex kicks in and understands the literal

0:21:33.520 --> 0:21:36.920
<v Speaker 1>meaning great weather. Right. Then the frontal lobe and the

0:21:37.000 --> 0:21:41.080
<v Speaker 1>right hemisphere have the context it's raining. And then that

0:21:41.200 --> 0:21:44.600
<v Speaker 1>right ventro medial prefrontal cortex puts the two together and

0:21:44.600 --> 0:21:48.760
<v Speaker 1>it goes sarcasm dummy, right, and the laugh region goes

0:21:48.800 --> 0:21:53.840
<v Speaker 1>bananas down the laugh region. It's sometimes it can be funny,

0:21:53.920 --> 0:21:56.040
<v Speaker 1>but it's you've got to really be good at it.

0:21:56.640 --> 0:22:00.520
<v Speaker 1>So um, Chuck, I was talking about how sarcasm qualifies

0:22:00.520 --> 0:22:03.439
<v Speaker 1>as unplane speaking. That's like the general umbrella that it

0:22:03.480 --> 0:22:07.560
<v Speaker 1>falls under, right, Um, and that the fact that it

0:22:07.720 --> 0:22:11.720
<v Speaker 1>is unplaine speaking where you can get a message across

0:22:11.760 --> 0:22:16.760
<v Speaker 1>just as easily directly saying the weather sucks today. What

0:22:17.040 --> 0:22:20.800
<v Speaker 1>is the point then, of using sarcasm, of saying great

0:22:20.840 --> 0:22:25.360
<v Speaker 1>weather today rather than this weather sucks today. Um. There,

0:22:25.400 --> 0:22:32.760
<v Speaker 1>and so linguists, researchers, um, you know, speech scientists, talkie doctors,

0:22:33.280 --> 0:22:36.000
<v Speaker 1>all these people together have have come up with this

0:22:36.040 --> 0:22:40.240
<v Speaker 1>idea that there must be some additional thing that's going

0:22:40.320 --> 0:22:43.919
<v Speaker 1>on there. Clearly that there is something gained by using

0:22:43.960 --> 0:22:49.240
<v Speaker 1>sarcasm over using the direct message that gets the same

0:22:49.280 --> 0:22:52.440
<v Speaker 1>point across, because sarcasm has got a little extra mustard

0:22:52.520 --> 0:22:54.840
<v Speaker 1>on it, and they've tried to get to the bottom

0:22:54.880 --> 0:22:57.920
<v Speaker 1>of exactly what that mustard is. And I'm sorry to

0:22:58.000 --> 0:23:01.119
<v Speaker 1>use mustard. I know you don't like it very much. Yeah.

0:23:01.160 --> 0:23:03.760
<v Speaker 1>And by the way, my dog might actually be barking

0:23:03.760 --> 0:23:05.879
<v Speaker 1>some in this episode and there's just nothing I can do,

0:23:05.880 --> 0:23:09.240
<v Speaker 1>and I think that makes it folcasy. We usually trying

0:23:09.240 --> 0:23:11.880
<v Speaker 1>to edit that out. But well, to see, um, there

0:23:11.720 --> 0:23:16.160
<v Speaker 1>are a couple of ideas on why people do it. Um,

0:23:16.200 --> 0:23:18.359
<v Speaker 1>Like when it's a purposeful thing and not just like

0:23:18.440 --> 0:23:22.520
<v Speaker 1>I'm trying to be funny or whatever. Um. Sometimes well,

0:23:22.560 --> 0:23:24.600
<v Speaker 1>sometimes it could just be as easy as like you

0:23:24.640 --> 0:23:27.720
<v Speaker 1>have a very hard time being straightforward with someone, and you,

0:23:27.840 --> 0:23:29.560
<v Speaker 1>like you said, you use it to high, to use

0:23:29.600 --> 0:23:33.200
<v Speaker 1>it as a defense or something like that, Um, cloaking

0:23:33.320 --> 0:23:36.480
<v Speaker 1>something in a positive term. Oh, you did a really

0:23:36.480 --> 0:23:41.600
<v Speaker 1>great job with that episode, Josh. Um. That's sarcastic criticism,

0:23:41.760 --> 0:23:45.080
<v Speaker 1>whereas you can do the exact opposite. Uh, if you

0:23:45.160 --> 0:23:48.399
<v Speaker 1>and I were out. Um. I mean the example that

0:23:48.480 --> 0:23:50.919
<v Speaker 1>use in the article is fishing and I'm not catching

0:23:50.960 --> 0:23:53.760
<v Speaker 1>any fish and you're just like catching tons of fish.

0:23:53.960 --> 0:23:56.520
<v Speaker 1>I'm like, oh boy, you're really you really suck at

0:23:56.560 --> 0:24:02.040
<v Speaker 1>that fishing thing. That is a sarcastic compliment. And this

0:24:02.119 --> 0:24:04.280
<v Speaker 1>is all wrapped up under what's called the Tinge theory

0:24:04.280 --> 0:24:08.320
<v Speaker 1>of sarcasm, which is you're you're trying to mute either

0:24:08.400 --> 0:24:12.080
<v Speaker 1>your criticism or your praise of somebody by throwing like

0:24:12.280 --> 0:24:14.919
<v Speaker 1>slapping that mustard on it. Yeah, by tinging it with iron.

0:24:15.119 --> 0:24:18.080
<v Speaker 1>Hence the name. Right. There's also like a related one

0:24:18.480 --> 0:24:21.920
<v Speaker 1>that really just kind of looks at them the criticism

0:24:21.960 --> 0:24:25.000
<v Speaker 1>part um. It's called politeness theory, and it basically just

0:24:25.040 --> 0:24:28.200
<v Speaker 1>says that we use sarcasm to criticize because it makes

0:24:28.240 --> 0:24:32.000
<v Speaker 1>the criticism more palatable. And so you put that together,

0:24:32.200 --> 0:24:35.359
<v Speaker 1>and that is one interpretation of what sarcasm is. Therefore,

0:24:35.400 --> 0:24:38.600
<v Speaker 1>it's meant to boost, it's meant to mute either the

0:24:38.640 --> 0:24:42.040
<v Speaker 1>compliment or the praise or the criticism. But then there's

0:24:42.040 --> 0:24:46.119
<v Speaker 1>another one that's that basically says the exact opposite, that

0:24:46.160 --> 0:24:49.760
<v Speaker 1>sarcasm is meant to be like more biting, that it's

0:24:49.800 --> 0:24:53.320
<v Speaker 1>meant to really make the mustard spicy and put it

0:24:53.440 --> 0:24:57.320
<v Speaker 1>right near your eye. Yeah. I mean, here's the thing.

0:24:57.720 --> 0:25:02.480
<v Speaker 1>I think, I mean, get the value somewhat of using

0:25:02.560 --> 0:25:07.040
<v Speaker 1>sarcasm rather than God, if you're just straightforward about everything,

0:25:07.119 --> 0:25:11.520
<v Speaker 1>it's like it's sort of borish. Like if let's say

0:25:11.520 --> 0:25:14.200
<v Speaker 1>you're you were with the friend who you're hanging out

0:25:14.320 --> 0:25:16.440
<v Speaker 1>and your friend is always talking over you and you

0:25:16.480 --> 0:25:18.720
<v Speaker 1>don't get a chance to get a word in edgewise,

0:25:18.760 --> 0:25:21.480
<v Speaker 1>and you made a little sarcastic dig in front of

0:25:21.480 --> 0:25:23.639
<v Speaker 1>people like like, oh no, I'm sure they're gonna let

0:25:23.640 --> 0:25:27.119
<v Speaker 1>me speak any minute now. That person would go, all right,

0:25:27.200 --> 0:25:31.240
<v Speaker 1>I see what you're saying, Like it may be a

0:25:31.280 --> 0:25:34.199
<v Speaker 1>little bit of an a whole sarcastic comment. But what

0:25:34.280 --> 0:25:36.800
<v Speaker 1>if someone was always just like pulling you aside and

0:25:36.880 --> 0:25:39.480
<v Speaker 1>being like you just never let me speak, and it

0:25:39.520 --> 0:25:41.920
<v Speaker 1>would just really like, I think there are times to

0:25:41.960 --> 0:25:43.840
<v Speaker 1>be straightforward, but like that, but if you're like that

0:25:43.960 --> 0:25:47.040
<v Speaker 1>all the time, it's like, God, no one's gonna be

0:25:47.080 --> 0:25:49.359
<v Speaker 1>around you either yeah, or or even if you didn't

0:25:49.359 --> 0:25:52.439
<v Speaker 1>pull him aside at the table, if you were like, shuck,

0:25:52.480 --> 0:25:54.880
<v Speaker 1>I'm sorry, but it's my turn to speak. You you're

0:25:54.880 --> 0:25:58.080
<v Speaker 1>not letting me speak, so I'm going to speak now. Really,

0:25:58.119 --> 0:26:02.479
<v Speaker 1>just like straightforward happened to say, Yeah, that's gonna just

0:26:02.520 --> 0:26:04.480
<v Speaker 1>like just gonna be a record scratching. Like you said,

0:26:04.480 --> 0:26:06.000
<v Speaker 1>no one wants to hang out with you. And that's

0:26:06.000 --> 0:26:07.840
<v Speaker 1>what I was talking about the outside of this that

0:26:07.880 --> 0:26:10.920
<v Speaker 1>it's like the idea of just getting rid of sarcasm altogether,

0:26:10.960 --> 0:26:14.520
<v Speaker 1>there's something inherently wrong with that, because if use correctly,

0:26:14.560 --> 0:26:18.040
<v Speaker 1>sarcasm is a it's a social lubricant that just keeps

0:26:18.080 --> 0:26:22.160
<v Speaker 1>the party going. Yeah, totally, because at least everyone gets

0:26:22.200 --> 0:26:24.080
<v Speaker 1>a laugh. It might be at their expense a little.

0:26:24.240 --> 0:26:28.040
<v Speaker 1>They get the message, and you don't like stop the

0:26:28.080 --> 0:26:30.879
<v Speaker 1>fund of the party by make having a real serious

0:26:30.920 --> 0:26:35.520
<v Speaker 1>talk about interrupting people and then starting your point that's right, yeah,

0:26:35.560 --> 0:26:38.960
<v Speaker 1>and then everyone wants to hear what you gotta say, right. So,

0:26:38.960 --> 0:26:41.679
<v Speaker 1>so the other idea is that sarcasm is used to

0:26:41.800 --> 0:26:45.520
<v Speaker 1>make criticism more biting. That it's basically like this this.

0:26:45.960 --> 0:26:51.480
<v Speaker 1>If I did just say, you know, um, uh, you

0:26:51.560 --> 0:26:54.680
<v Speaker 1>know you didn't screw that up. Or no, if I said,

0:26:54.880 --> 0:26:57.320
<v Speaker 1>you know, Josh, you really screwed this episode up, I

0:26:57.359 --> 0:27:01.400
<v Speaker 1>can't even criticize you hypothetically. I'm sorry. If you said

0:27:01.440 --> 0:27:06.520
<v Speaker 1>to me, Josh, you really screwed this episode up, um,

0:27:06.560 --> 0:27:09.520
<v Speaker 1>I would be like, oh, well, go sit on it, Chuck.

0:27:09.840 --> 0:27:12.160
<v Speaker 1>But if you said, boy, you didn't screw that episode

0:27:12.200 --> 0:27:16.000
<v Speaker 1>up at all, Josh, I would be leveled for months, basically.

0:27:17.480 --> 0:27:19.640
<v Speaker 1>And I think that's what that interms. That's what that

0:27:19.760 --> 0:27:22.840
<v Speaker 1>theory is, the rival theory to Tinge theory, that that

0:27:23.320 --> 0:27:26.960
<v Speaker 1>it actually gives an even more emotional impact to criticism

0:27:27.040 --> 0:27:31.959
<v Speaker 1>than otherwise would have directly. Yeah, and I think not

0:27:32.000 --> 0:27:33.480
<v Speaker 1>to get too personal, but I think you and I

0:27:33.480 --> 0:27:36.040
<v Speaker 1>as partners have learned to deal with each other a

0:27:36.080 --> 0:27:39.240
<v Speaker 1>little more straightforwardly over the years that I think that's

0:27:39.240 --> 0:27:41.600
<v Speaker 1>how we both prefer to be handled by each other

0:27:42.760 --> 0:27:46.080
<v Speaker 1>as and that's with us, like it's different. For it's

0:27:46.119 --> 0:27:48.800
<v Speaker 1>not like I can be super sarcastic with other people,

0:27:48.880 --> 0:27:50.840
<v Speaker 1>but I know that that wouldn't be a very nice

0:27:50.840 --> 0:27:55.160
<v Speaker 1>thing to do to you. Does that make sense? Sure,

0:27:55.200 --> 0:27:58.440
<v Speaker 1>it makes sense. I think that you can be sarcastic

0:27:58.480 --> 0:28:01.040
<v Speaker 1>with me. Well I can't give it a try. Come on,

0:28:02.119 --> 0:28:09.439
<v Speaker 1>you got uh? I could be. I can be. Just

0:28:09.560 --> 0:28:13.159
<v Speaker 1>held their breath there, like is he about to level Josh?

0:28:13.640 --> 0:28:15.760
<v Speaker 1>I don't know. I can be, And I am sarcastic

0:28:15.760 --> 0:28:17.600
<v Speaker 1>with you, but only in like fun ways, like I

0:28:17.640 --> 0:28:20.760
<v Speaker 1>would know never a no now to not make try

0:28:20.800 --> 0:28:22.800
<v Speaker 1>and make a real point with you. I see, I

0:28:22.800 --> 0:28:25.320
<v Speaker 1>see what you mean. Yeah, And and they have like

0:28:25.320 --> 0:28:27.680
<v Speaker 1>a real conversation if it's really yeah, yeah, okay, I

0:28:27.720 --> 0:28:32.120
<v Speaker 1>got you, I got you? Sure yeah, oh so chuck.

0:28:32.200 --> 0:28:35.000
<v Speaker 1>The other thing about this, too, is there's a there's

0:28:35.040 --> 0:28:37.960
<v Speaker 1>another theory. It's like, no, this is everybody you're just overthinking.

0:28:38.000 --> 0:28:41.040
<v Speaker 1>This is just humor. Like people are dressing up and

0:28:41.120 --> 0:28:46.360
<v Speaker 1>otherwise boring or pedestrian point that they want to get

0:28:46.360 --> 0:28:48.560
<v Speaker 1>across with with just a little bit of humor. And

0:28:48.600 --> 0:28:51.120
<v Speaker 1>it's like sarcasm is an easy way to use humor.

0:28:51.160 --> 0:28:53.240
<v Speaker 1>Oscar Wilde said it was the lowest form of wit,

0:28:53.520 --> 0:28:56.560
<v Speaker 1>but the highest form of intelligence, and that second part,

0:28:56.720 --> 0:28:58.640
<v Speaker 1>I think he was referring to the fact that it

0:28:58.640 --> 0:29:02.000
<v Speaker 1>it takes some something and to make a sarcastic comment,

0:29:02.040 --> 0:29:04.560
<v Speaker 1>and it also takes them thinking to decode it too.

0:29:05.000 --> 0:29:10.120
<v Speaker 1>But it's not necessarily funny. Right, But that is supposedly

0:29:10.160 --> 0:29:12.719
<v Speaker 1>the humor, and it is another theory for why we

0:29:12.800 --> 0:29:15.360
<v Speaker 1>use sarcasm, that it's just it's just humor. And I

0:29:15.400 --> 0:29:19.320
<v Speaker 1>think from researching all this, all of those makes sense.

0:29:19.680 --> 0:29:24.920
<v Speaker 1>And social psychology, in typical fashion, has found um findings

0:29:24.960 --> 0:29:27.160
<v Speaker 1>that support all of them and none of them at

0:29:27.200 --> 0:29:31.080
<v Speaker 1>the same time. Should we take a break? Sure, all right,

0:29:31.120 --> 0:29:32.800
<v Speaker 1>let's take a break. We'll talk a little bit about

0:29:32.840 --> 0:29:34.600
<v Speaker 1>that and a little bit of the use of it

0:29:35.280 --> 0:29:38.280
<v Speaker 1>throughout history and culture and arts and stuff like that.

0:29:39.320 --> 0:29:57.440
<v Speaker 1>Right after this. Stuck Stuck. I don't know that you

0:29:57.480 --> 0:30:02.920
<v Speaker 1>know it's stuck Stuck. It's a great name, that's the

0:30:03.040 --> 0:30:07.040
<v Speaker 1>name of it. It's a great name. Alight with with

0:30:07.080 --> 0:30:11.560
<v Speaker 1>an X. All right. If you want to talk uh literature,

0:30:11.840 --> 0:30:14.840
<v Speaker 1>you can't get any more sarcastic at times than Mark

0:30:14.880 --> 0:30:20.880
<v Speaker 1>twain Um. Shakespeare was pretty sarcastic at times, Chaucer was

0:30:20.920 --> 0:30:24.560
<v Speaker 1>fairly sarcastic at times. They used an example in this

0:30:24.680 --> 0:30:29.000
<v Speaker 1>article of the Bible that I didn't read as sarcasm.

0:30:29.280 --> 0:30:31.160
<v Speaker 1>I thought it was a bit of a stretch myself,

0:30:31.760 --> 0:30:33.120
<v Speaker 1>and we'll go ahead and read it. This is from

0:30:33.160 --> 0:30:37.600
<v Speaker 1>Ecclesiasts eleven nine. Rejoice, young man, during your childhood, and

0:30:37.680 --> 0:30:40.640
<v Speaker 1>let your heart be pleasant during the days of young manhood.

0:30:40.640 --> 0:30:43.360
<v Speaker 1>And follow the impulses of your heart and the desires

0:30:43.400 --> 0:30:46.040
<v Speaker 1>of your eyes. Yet know that God will bring you

0:30:46.080 --> 0:30:49.720
<v Speaker 1>to judgment for all these things. That feels more just

0:30:49.720 --> 0:30:53.760
<v Speaker 1>sort of like a one to joke than sarcasm, I guess. So, yeah, yeah,

0:30:53.920 --> 0:30:55.800
<v Speaker 1>I think they were like, there's got to be something

0:30:55.840 --> 0:30:58.520
<v Speaker 1>in here, and that's the best they could come up with. Maybe,

0:30:58.800 --> 0:31:00.960
<v Speaker 1>like we gotta find some sark them in the Bible, guys.

0:31:01.840 --> 0:31:06.920
<v Speaker 1>Get um. The thing is with that, like that kind

0:31:06.920 --> 0:31:10.160
<v Speaker 1>of reveals like the one of the problems with sarcasm

0:31:10.200 --> 0:31:12.840
<v Speaker 1>is that when it's just written, especially it's written a

0:31:12.840 --> 0:31:17.440
<v Speaker 1>couple of thousand years ago, it's really difficult to discern sarcasm.

0:31:17.520 --> 0:31:21.479
<v Speaker 1>You have to use whatever cues you can get because

0:31:21.520 --> 0:31:23.600
<v Speaker 1>you've had a lot of the normal cue stripped, like

0:31:23.640 --> 0:31:28.240
<v Speaker 1>all those facial expressions, the intonation um, all of that stuff.

0:31:28.320 --> 0:31:30.680
<v Speaker 1>Is gone, and now it's just the printed words, so

0:31:30.720 --> 0:31:34.880
<v Speaker 1>basically what you have as context. Um. And for that

0:31:34.960 --> 0:31:40.080
<v Speaker 1>reason and because we are entering I guess we've already

0:31:40.200 --> 0:31:43.640
<v Speaker 1>entered this digital age where like the written word is

0:31:43.680 --> 0:31:48.240
<v Speaker 1>basically how we convey thoughts. Now, sarcasm has really taken

0:31:48.240 --> 0:31:52.200
<v Speaker 1>a beating lately because um, study after study keeps finding

0:31:52.240 --> 0:32:01.040
<v Speaker 1>that people grossly over overestimate how clearly their sarcasm is

0:32:01.080 --> 0:32:04.400
<v Speaker 1>coming through in like texts and tweets and emails and

0:32:04.440 --> 0:32:08.160
<v Speaker 1>stuff like that, and that it actually isn't being understood

0:32:08.200 --> 0:32:10.800
<v Speaker 1>as sarcasm on the other end, even though the person

0:32:10.840 --> 0:32:13.520
<v Speaker 1>who's sending the email or text thinks they're sarcasm is

0:32:13.560 --> 0:32:18.600
<v Speaker 1>clear as a bell. Yeah, just don't try to be

0:32:18.640 --> 0:32:21.160
<v Speaker 1>sarcastic in emails, especially for work. I think it's just

0:32:21.200 --> 0:32:24.360
<v Speaker 1>a good rule. It's like, don't even try because it's

0:32:24.400 --> 0:32:27.040
<v Speaker 1>not going to come through. And like you said, you

0:32:27.120 --> 0:32:30.000
<v Speaker 1>probably think it does. It's not obvious to other people.

0:32:30.640 --> 0:32:33.840
<v Speaker 1>If you're texting with friends and stuff, you can you

0:32:33.880 --> 0:32:37.760
<v Speaker 1>can do things like overspell things like say great or

0:32:38.240 --> 0:32:42.840
<v Speaker 1>you know, say insert the I roll emoji or even

0:32:42.880 --> 0:32:47.280
<v Speaker 1>say sarcasm in parentheses or something like that. The one

0:32:47.320 --> 0:32:50.720
<v Speaker 1>I've seen. It's the backslash s yeah. I mean that's

0:32:50.720 --> 0:32:54.160
<v Speaker 1>definitely no backslash. Which one is it? It's one of

0:32:54.160 --> 0:33:00.760
<v Speaker 1>the slashes. It's a backslash followed by an say so

0:33:00.840 --> 0:33:05.920
<v Speaker 1>backslash s um. Because you know, for the first I

0:33:05.920 --> 0:33:08.160
<v Speaker 1>don't I remember. For for the first few years of

0:33:08.200 --> 0:33:10.840
<v Speaker 1>like social media and texting and stuff like that, there

0:33:10.920 --> 0:33:12.880
<v Speaker 1>was a lot of talk about like how do we

0:33:12.920 --> 0:33:17.360
<v Speaker 1>indicate sarcasm and uh, and the emojis kind of help

0:33:17.440 --> 0:33:19.680
<v Speaker 1>solve that problem, but you can't do that in emails,

0:33:20.320 --> 0:33:23.000
<v Speaker 1>like professional emails. You're not gonna send an emoji I

0:33:23.080 --> 0:33:27.280
<v Speaker 1>roll emoji. No, don't do it. Okay, you might as

0:33:27.320 --> 0:33:30.120
<v Speaker 1>well put three exclamation points at the end of that's great.

0:33:31.040 --> 0:33:34.440
<v Speaker 1>Are we not doing that either? This is why I

0:33:34.480 --> 0:33:37.800
<v Speaker 1>don't email anybody. I don't know what I'm doing. But

0:33:37.840 --> 0:33:40.000
<v Speaker 1>when I do email them, it's at like ten o'clock

0:33:40.040 --> 0:33:47.360
<v Speaker 1>on a Saturday night. One of the cons of sarcasm um.

0:33:47.400 --> 0:33:49.520
<v Speaker 1>You know, it's, like you said, you can use it

0:33:49.560 --> 0:33:52.600
<v Speaker 1>and employ it in certain certain circumstances, but there are

0:33:52.640 --> 0:33:56.840
<v Speaker 1>people who just think it is a hostile act and

0:33:57.040 --> 0:34:00.200
<v Speaker 1>it is a way to say something and also let

0:34:00.240 --> 0:34:02.760
<v Speaker 1>yourself off the hook for saying that thing at the

0:34:02.800 --> 0:34:06.840
<v Speaker 1>same time, and that it is hostility veiled as humor,

0:34:07.000 --> 0:34:09.960
<v Speaker 1>is what uh how they put it in this article,

0:34:10.000 --> 0:34:12.800
<v Speaker 1>and you know, at times it very much can be that. Yeah.

0:34:12.840 --> 0:34:18.759
<v Speaker 1>So the UM like marriage counselors, um uh therapists, like

0:34:18.840 --> 0:34:23.600
<v Speaker 1>basically anybody who's who's dedicated to improving you as a

0:34:23.640 --> 0:34:26.840
<v Speaker 1>person in exchange for money, UM has kind of zeroed

0:34:26.920 --> 0:34:31.120
<v Speaker 1>in on the worst version of sarcasm. The the very

0:34:31.160 --> 0:34:34.880
<v Speaker 1>strict definition of sarcasm is not verbal irony, but as

0:34:34.920 --> 0:34:38.120
<v Speaker 1>an insult, as mocking somebody, as it being veiled hostility,

0:34:38.160 --> 0:34:41.440
<v Speaker 1>Like you're saying passive aggressiveness, that kind of thing, and

0:34:41.480 --> 0:34:44.240
<v Speaker 1>that that is no way to communicate, especially with somebody

0:34:44.280 --> 0:34:48.040
<v Speaker 1>that you care about or love, that you should be forthright, direct,

0:34:48.160 --> 0:34:50.960
<v Speaker 1>honest with them. They're not saying, like, you know, make

0:34:51.000 --> 0:34:54.359
<v Speaker 1>sure you cut out humor. They're basically saying, sarcasm isn't humor,

0:34:54.400 --> 0:34:56.719
<v Speaker 1>and if you if you think it's humor, like seriously,

0:34:56.760 --> 0:34:59.440
<v Speaker 1>like like, just go find better humor because there's plenty

0:34:59.440 --> 0:35:04.640
<v Speaker 1>of better stuff out there. He's right, and they so

0:35:04.719 --> 0:35:07.080
<v Speaker 1>they're they're basically saying, like kind of just cut that

0:35:07.120 --> 0:35:11.280
<v Speaker 1>out of your interpersonal relationships, at least again with people

0:35:11.320 --> 0:35:17.920
<v Speaker 1>you care about, because it probably does mask passive aggressiveness

0:35:18.400 --> 0:35:22.400
<v Speaker 1>and it's not doing anything but harming your your relationship.

0:35:22.560 --> 0:35:25.759
<v Speaker 1>And in fact, John Gottman UM, who is a very

0:35:25.800 --> 0:35:31.160
<v Speaker 1>renowned couples therapist and his wife are together, UM says

0:35:31.239 --> 0:35:35.600
<v Speaker 1>that UM sarcasm is one of the indicators of contempt,

0:35:36.520 --> 0:35:39.160
<v Speaker 1>along with eye rolling, along with like raising a lip

0:35:39.239 --> 0:35:41.560
<v Speaker 1>like kind of in disgust while you're talking. That that

0:35:41.600 --> 0:35:45.200
<v Speaker 1>if you pickiece together, that you you are signaling that

0:35:45.280 --> 0:35:48.279
<v Speaker 1>you have contempt for your significant other, and that contempt

0:35:48.320 --> 0:35:51.239
<v Speaker 1>is one of the He calls them the four horsemen

0:35:51.840 --> 0:35:54.239
<v Speaker 1>of UM of a marriage. That it's a it's a

0:35:54.280 --> 0:35:56.919
<v Speaker 1>really good predictor of divorce when couples speak to each

0:35:56.920 --> 0:35:59.399
<v Speaker 1>other with contempt, and one of those ways that they'll

0:35:59.400 --> 0:36:03.080
<v Speaker 1>speak to each other with contempt is through sarcasm. Yeah,

0:36:03.120 --> 0:36:05.719
<v Speaker 1>and it's just not a pleasant Like it's one thing

0:36:05.760 --> 0:36:07.799
<v Speaker 1>to be sarcastic here and there, But I have a

0:36:07.840 --> 0:36:13.440
<v Speaker 1>friend whose father, stepfather whether is the most sarcastic I

0:36:13.680 --> 0:36:17.440
<v Speaker 1>roy person I've ever met in my life to an

0:36:17.480 --> 0:36:21.080
<v Speaker 1>alarming degree. And it's just so like it's such a

0:36:21.120 --> 0:36:23.440
<v Speaker 1>turn off to be around this dude. You're like, I

0:36:23.440 --> 0:36:25.640
<v Speaker 1>don't want to have sex at all when I'm around,

0:36:27.880 --> 0:36:32.200
<v Speaker 1>certainly not with him. Uh yeah, he just and you

0:36:32.239 --> 0:36:34.799
<v Speaker 1>can tell like his marriage is suffered and there's he

0:36:34.920 --> 0:36:38.040
<v Speaker 1>can't be straight, and it's just a it's just a

0:36:38.120 --> 0:36:40.000
<v Speaker 1>chore to be around this guy. I hope he listens

0:36:40.040 --> 0:36:43.360
<v Speaker 1>to this and it's like talking about he's talking about

0:36:43.480 --> 0:36:47.399
<v Speaker 1>me and he changes his life. No, he would never

0:36:47.560 --> 0:36:51.320
<v Speaker 1>listen to this. He wouldn't give me dissatisfaction. So wow,

0:36:51.360 --> 0:36:54.200
<v Speaker 1>that guy. Huh yeah, he's that guy. So there there.

0:36:54.200 --> 0:36:56.680
<v Speaker 1>This is not to say that there's like, no, nothing

0:36:56.760 --> 0:37:00.239
<v Speaker 1>good about sarcasm. There. There's this one group of social

0:37:00.280 --> 0:37:03.960
<v Speaker 1>psychologists who made names for themselves by basically saying no, no.

0:37:04.040 --> 0:37:06.640
<v Speaker 1>We figured out that if you take a test of

0:37:06.719 --> 0:37:11.160
<v Speaker 1>creativity immediately after engaging in a sarcastic exchange, you're going

0:37:11.200 --> 0:37:14.480
<v Speaker 1>to score higher on that test of creativity than you

0:37:14.520 --> 0:37:17.960
<v Speaker 1>would had you not been involved in a sarcastic exchange

0:37:18.000 --> 0:37:21.040
<v Speaker 1>immediately beforehand, and that has been turned into in the

0:37:21.040 --> 0:37:26.520
<v Speaker 1>popular precess Sarcasm Boost Creativity across the Board. Yeah, I

0:37:26.560 --> 0:37:29.560
<v Speaker 1>guess the idea that it it challenge you challenges you

0:37:29.600 --> 0:37:31.839
<v Speaker 1>to think in a different way because it's not straightforward.

0:37:32.600 --> 0:37:36.000
<v Speaker 1>May have a little something to it, but I don't know,

0:37:36.080 --> 0:37:39.480
<v Speaker 1>it's a bit of a reach. There's other things. It

0:37:39.560 --> 0:37:42.719
<v Speaker 1>provides social bonding, like you and your friends, um, being

0:37:42.760 --> 0:37:46.080
<v Speaker 1>sarcastic about stuff, especially if you're being sarcastic about like

0:37:46.120 --> 0:37:49.600
<v Speaker 1>a shared target, yeah, like your teacher. Sure, it's a

0:37:49.600 --> 0:37:55.200
<v Speaker 1>great example. Um. It maintains social egalitarianism, like taking that

0:37:55.239 --> 0:37:57.680
<v Speaker 1>fisherman down a peg before he gets a big ego

0:37:58.080 --> 0:38:02.360
<v Speaker 1>for catching some fish. Um. And it can make you

0:38:02.400 --> 0:38:05.919
<v Speaker 1>seem apparently, as far as Harvard Business Review says, more

0:38:06.000 --> 0:38:10.360
<v Speaker 1>competent and intelligent at work. Um, which makes sense in

0:38:10.440 --> 0:38:12.520
<v Speaker 1>that you know, you do kind of have to be

0:38:12.840 --> 0:38:14.839
<v Speaker 1>sharp at the very least, you're paying a little more

0:38:14.840 --> 0:38:21.399
<v Speaker 1>attention probably if you deliver a sarcastic remark successfully. Right.

0:38:21.760 --> 0:38:24.520
<v Speaker 1>It's also risk by that you can also really come

0:38:24.560 --> 0:38:28.680
<v Speaker 1>off looking like like your friend's dad basically. Yeah, and

0:38:28.760 --> 0:38:33.640
<v Speaker 1>just professionally like that stuff back. That's my advice. Yeah.

0:38:33.800 --> 0:38:37.080
<v Speaker 1>So the one thing I saw was I came across

0:38:37.080 --> 0:38:42.960
<v Speaker 1>a k State I think it's Kansas State newspaper from

0:38:43.000 --> 0:38:46.680
<v Speaker 1>like two thousand eleven maybe where they were talking about

0:38:46.680 --> 0:38:51.520
<v Speaker 1>how sarcasm just totally pervades our society, and um, they

0:38:51.520 --> 0:38:55.520
<v Speaker 1>gave an example of how primed we are for sarcasm,

0:38:55.560 --> 0:38:59.480
<v Speaker 1>that when we encounter earnestness, like we we might be

0:38:59.560 --> 0:39:03.600
<v Speaker 1>confused set first in some situations. And the writer gave

0:39:03.640 --> 0:39:08.879
<v Speaker 1>this great example of Michael Richard's apology after he went

0:39:08.920 --> 0:39:12.920
<v Speaker 1>on that racial tirade at the laugh Factory and then

0:39:12.960 --> 0:39:15.960
<v Speaker 1>like a couple of days later went on Letterman and

0:39:16.680 --> 0:39:19.960
<v Speaker 1>the audience did not get Some of the audience who

0:39:20.000 --> 0:39:21.960
<v Speaker 1>hadn't heard about this, I guess, did not get that

0:39:22.040 --> 0:39:24.759
<v Speaker 1>this was like a real apology, and part of it

0:39:24.800 --> 0:39:28.160
<v Speaker 1>was his presentation that it seemed like he was doing

0:39:28.200 --> 0:39:31.480
<v Speaker 1>a bit kind of and the audience remember tittering, and

0:39:31.560 --> 0:39:34.360
<v Speaker 1>Jerry Seinfeld, who was like in the studio with Letterman,

0:39:34.400 --> 0:39:36.440
<v Speaker 1>had to turn to the audience and be like, stop laughing,

0:39:36.440 --> 0:39:39.040
<v Speaker 1>it's not funny, and like tell them like he wasn't,

0:39:39.120 --> 0:39:42.839
<v Speaker 1>that this wasn't sarcasm, that this was for real, and like,

0:39:42.880 --> 0:39:44.960
<v Speaker 1>if you go back and watch it, if you're a

0:39:44.960 --> 0:39:48.040
<v Speaker 1>fan of laughing at things that make you deeply uncomfortable,

0:39:48.120 --> 0:39:52.840
<v Speaker 1>like you will love that bit. It was. I remember

0:39:52.840 --> 0:39:54.759
<v Speaker 1>it at the time. I think it had a lot

0:39:54.760 --> 0:39:56.279
<v Speaker 1>to do with the fact that it was Kramer and

0:39:56.320 --> 0:39:59.200
<v Speaker 1>it was hard to just take him seriously. That's exactly

0:39:59.200 --> 0:40:02.560
<v Speaker 1>what it was. Yeah, man, what a mess. Yeah, it

0:40:02.640 --> 0:40:05.680
<v Speaker 1>was a massive made it even worse. Yeah, I'm gonna

0:40:05.760 --> 0:40:07.719
<v Speaker 1>I'm gonna go watch that again today. Actually I could

0:40:07.800 --> 0:40:13.040
<v Speaker 1>use some cringe humor. Yeah, um, have you got anything else? Oh? No, Josh,

0:40:13.080 --> 0:40:15.760
<v Speaker 1>I had nothing else. Yeah, I check. This went real well.

0:40:16.320 --> 0:40:20.400
<v Speaker 1>We did a great job. Man, I'm annoying myself even now,

0:40:20.440 --> 0:40:22.839
<v Speaker 1>So let's just send this to Since I said I'm

0:40:22.880 --> 0:40:29.920
<v Speaker 1>annoying myself, let's go to listen to ma'am. I'm gonna

0:40:29.960 --> 0:40:34.480
<v Speaker 1>call this Elton John song because why not? Hey guys,

0:40:34.520 --> 0:40:36.640
<v Speaker 1>love Love, Love your podcast and making making my way

0:40:36.640 --> 0:40:39.400
<v Speaker 1>through the whole catalog. I've been tempted to write, but

0:40:39.400 --> 0:40:41.319
<v Speaker 1>it didn't think I hadn't even interesting to say before.

0:40:41.480 --> 0:40:43.759
<v Speaker 1>You may not think it's interesting now. I do, though,

0:40:44.360 --> 0:40:46.560
<v Speaker 1>But what finally prompted me is when you were talking

0:40:46.600 --> 0:40:49.040
<v Speaker 1>about Elton John and the Soul Train episode so long ago,

0:40:49.680 --> 0:40:52.040
<v Speaker 1>Josh said he'd never heard the song burned Down the mission.

0:40:52.560 --> 0:40:55.080
<v Speaker 1>That made me think of the powerful song ticking from

0:40:55.080 --> 0:40:58.160
<v Speaker 1>Elmon John seventy four Caribou album. Song was way ahead

0:40:58.160 --> 0:40:59.719
<v Speaker 1>of its time in the way that it foretold many

0:40:59.760 --> 0:41:02.600
<v Speaker 1>future her events. I can't ever remember it being a popular,

0:41:02.640 --> 0:41:04.399
<v Speaker 1>well known song, but you've not heard it. Go listen

0:41:04.400 --> 0:41:07.120
<v Speaker 1>to it gives me chills every time I hear it.

0:41:07.640 --> 0:41:10.880
<v Speaker 1>Keep up the good work, guys. And this is from

0:41:11.080 --> 0:41:15.239
<v Speaker 1>Dinah Clay Melvin in Fort Worth, Texas. And I went

0:41:15.280 --> 0:41:18.320
<v Speaker 1>back and looked at the lyrics and dude Ticking is

0:41:18.360 --> 0:41:24.680
<v Speaker 1>a song about a uh an aggressive ticking time bomb,

0:41:24.880 --> 0:41:31.080
<v Speaker 1>white male shooter from ninety four, and it's all right there.

0:41:31.120 --> 0:41:33.719
<v Speaker 1>I I'm assuming Bernie Taupin wrote it. I'm not. I

0:41:33.760 --> 0:41:34.960
<v Speaker 1>didn't look it up, but I think he was kind

0:41:34.960 --> 0:41:38.440
<v Speaker 1>of writing all of his stuff back then. Who Bernie Taupin?

0:41:39.280 --> 0:41:42.680
<v Speaker 1>Oh you do? That's a referential joke to another episode

0:41:42.719 --> 0:41:45.200
<v Speaker 1>from the conversation we had. I guess probably in the

0:41:45.239 --> 0:41:48.800
<v Speaker 1>episode that this guy is talking about oh boy um.

0:41:48.840 --> 0:41:50.959
<v Speaker 1>But yeah, it's it's interesting to go back and listen

0:41:50.960 --> 0:41:55.719
<v Speaker 1>to that song from early nineteen seventies. Of and of

0:41:55.760 --> 0:41:57.279
<v Speaker 1>course it wasn't a big hit like she said, but

0:41:57.440 --> 0:41:59.920
<v Speaker 1>it's a I don't know, it's just interesting to hear

0:42:00.040 --> 0:42:02.359
<v Speaker 1>that and be like, man, you can't. You couldn't write

0:42:02.360 --> 0:42:05.920
<v Speaker 1>a song that on the nose today. So there, he

0:42:06.000 --> 0:42:07.960
<v Speaker 1>wasn't the only one who was predicting that at the time.

0:42:08.000 --> 0:42:10.799
<v Speaker 1>Like Stephen King had a short story about a kid

0:42:10.880 --> 0:42:13.440
<v Speaker 1>who comes in and like just shoots up his school,

0:42:13.480 --> 0:42:16.920
<v Speaker 1>and it's basically it's like this teenage revenge fantasy, but

0:42:17.000 --> 0:42:20.839
<v Speaker 1>it was exactly what ended up happening. Like twenty years later,

0:42:21.040 --> 0:42:25.520
<v Speaker 1>he wrote that I can't remember what that one was called, um,

0:42:25.560 --> 0:42:28.840
<v Speaker 1>and then there's like, um, remember falling Down that movie

0:42:28.840 --> 0:42:32.160
<v Speaker 1>with Michael Douglas from The Ladies that was basically about

0:42:32.200 --> 0:42:36.000
<v Speaker 1>that as well. Yeah, um, so yeah, I could see.

0:42:36.200 --> 0:42:38.160
<v Speaker 1>I just want to make sure we don't give Elton

0:42:38.239 --> 0:42:40.760
<v Speaker 1>John undue credit here is kind of what I'm going after.

0:42:41.360 --> 0:42:46.360
<v Speaker 1>Oh man, okay, you're classic beef with Elton John. Alright,

0:42:46.400 --> 0:42:48.400
<v Speaker 1>so I think we're at the end of this episode,

0:42:48.400 --> 0:42:52.040
<v Speaker 1>aren't we. I hope we are, all right. While it

0:42:52.120 --> 0:42:54.080
<v Speaker 1>was a little bit of short stuff crossover right there,

0:42:54.120 --> 0:42:56.560
<v Speaker 1>So let's let's end this as we normally do. If

0:42:56.560 --> 0:42:58.680
<v Speaker 1>you want to get in touch with us, like Diana did,

0:42:59.400 --> 0:43:02.080
<v Speaker 1>h you can send us an email to Stuff Podcast

0:43:02.160 --> 0:43:07.560
<v Speaker 1>at iHeart Radio dot com Stuff you Should Know is

0:43:07.560 --> 0:43:10.440
<v Speaker 1>a production of I heart Radio. For more podcasts my

0:43:10.480 --> 0:43:13.920
<v Speaker 1>heart Radio, visit the iHeart Radio app, Apple Podcasts, or

0:43:13.920 --> 0:43:18.560
<v Speaker 1>wherever you listen to your favorite shows. H