WEBVTT - Part Two: The Ballad of Wally George

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<v Speaker 1>What what Robert Evans, this has been Behind the Bastards

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<v Speaker 1>a podcast opened? Are we are? Is that it was

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<v Speaker 1>the whole episode wide. You want to try you want

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<v Speaker 1>to try again. We don't do second takes. The amateur

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<v Speaker 1>operation you run, you might do things like second takes

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<v Speaker 1>and proper introduction, but here we just go what's a

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<v Speaker 1>tonally and then trail off for several seconds of dead

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<v Speaker 1>air like the pros oh Man, that's called cinema veritate. Tom,

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<v Speaker 1>That's how that works. I know what that term meets. What?

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<v Speaker 1>What is? This? Is? This show? What's happening? This is

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<v Speaker 1>Behind the Bastards Episode two on our episode about the

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<v Speaker 1>men who built the right wing media land Escape and

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<v Speaker 1>are consequently ratcheting our world ever closer to calamity. Tom Ryan,

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<v Speaker 1>Robert is your name is of all the Rymans I know,

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<v Speaker 1>certainly the thomast and as the riemannist of the Toms

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<v Speaker 1>that I know? Um, Tom, you are co founder co

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<v Speaker 1>host of the game Fully Unemployed podcast network, which people

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<v Speaker 1>patreon you right for Collider, and you are about to

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<v Speaker 1>listen to a lot of really really unpleasant clips of

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<v Speaker 1>people that are just not very nice. I woke up

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<v Speaker 1>this morning and I was thinking, Man, I hope before

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<v Speaker 1>the sun sets on this day, I get to hear

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<v Speaker 1>a bunch of ship heads have terrible opinions. Tom, I

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<v Speaker 1>heard your prayers. I am here to answer them. I

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<v Speaker 1>texted them to you. Yeah, and it's they're They're usually

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<v Speaker 1>a lot more erotic than this, But I'll take it, Tom.

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<v Speaker 1>It would take years, by some kind. It's more than

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<v Speaker 1>a decade before Joe Pine would have a true successor.

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<v Speaker 1>He was so far ahead of his time that it

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<v Speaker 1>was not until the nineteen eighties he died in nineteen

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<v Speaker 1>seventy that the media landscape was truly ready for someone

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<v Speaker 1>to pick up the torch seems like the wrong word,

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<v Speaker 1>like the word yeah yeah. The first man to follow

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<v Speaker 1>in his wake was Wally George. Have you heard of

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<v Speaker 1>Wally George? No? And I usually I'm usually pretty up

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<v Speaker 1>on my wallis, so yeah, no. No, he's not of

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<v Speaker 1>all the Walies, but one of the most consequential of

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<v Speaker 1>the Wallies. So. George Walter Perch was born on December fourth,

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<v Speaker 1>nineteen thirty one, in Oakland, California. His father owned a

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<v Speaker 1>small shipping company. His mother, Eugenia, had been a vaudeville

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<v Speaker 1>performer and a child actress in Hollywood. She'd started Western's

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<v Speaker 1>opposite cowboy actors whose names have apparently been forgotten to

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<v Speaker 1>time because they were not Val Kilmer and Tombstone so

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<v Speaker 1>who gives a ship? Wally's and most of his childhood

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<v Speaker 1>and Sam Mateo. But when he was in high school

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<v Speaker 1>his parents divorced and his mother moved to Hollywood where

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<v Speaker 1>he finished his education. Tom who is the who is

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<v Speaker 1>the who was the sheriff in Deadwood? Timothy the old fan? Yeah,

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<v Speaker 1>Timothy Oilefant. That's the other one. That's the other cowboy,

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<v Speaker 1>Val Kilmer, Timothy Oilefant. That's all those are the only

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<v Speaker 1>Sam Elliott, Sam Elliott. Yeah, of course Sam Elliott. So, um,

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<v Speaker 1>you're talking about Sam Elliott in in the Hunt for

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<v Speaker 1>Red October because he's honorarily a cowboy, even though he

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<v Speaker 1>never got to live out his Montana dreams. Right. Yeah,

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<v Speaker 1>that's it. That's Sam Neil. That's Sam Neil. Esa Christ,

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<v Speaker 1>Jesus Christ, Jesus Christ, don't do that very different extremely now.

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<v Speaker 1>I'll say this, I'll bet Sam Elliott appreciates ducks too.

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<v Speaker 1>Sam's a duck. That's his best friend. I bet Sam

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<v Speaker 1>Elliott has has loved a duck or two in his life,

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<v Speaker 1>cared for a duck. He looked, those eyes looked like

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<v Speaker 1>a duck is brought at twinkleton or twice. Yeah, Ben,

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<v Speaker 1>you can't smile the way Sam Elliott smiles unless you've

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<v Speaker 1>been friendly with the duck. There's a duck in that life.

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<v Speaker 1>I can tell it's a duck in that man's heart

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<v Speaker 1>was somewhere in there. So Wally spends most of his

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<v Speaker 1>childhood in San Mateo. But when he's in high school,

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<v Speaker 1>his parents divorce, and that's not common in the forties, Right,

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<v Speaker 1>It's got to be a great marriage for that to

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<v Speaker 1>be happening in the forties. Alternatively, maybe it's the two

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<v Speaker 1>parents who are uncommonly aware of how bad a toxic

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<v Speaker 1>union can be for a kid. I don't really know

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<v Speaker 1>what the case was. I'm going to guess it was

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<v Speaker 1>a really unpleasant situation, judging by the probably, I don't think.

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<v Speaker 1>I don't think no fault divorces exist yet existed yet

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<v Speaker 1>in California. So you had to like sue for like

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<v Speaker 1>a reason. Yeah, you had to fistfight a judge to

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<v Speaker 1>get that fight. Yeah. Um, so his mother moves to Hollywood,

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<v Speaker 1>where he finishes his education. He was immediately drawn to

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<v Speaker 1>the entertainment industry, obviously his family's involved in it. Um.

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<v Speaker 1>At age fourteen, he gets a gig working as a

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<v Speaker 1>DJ and an AM radio station in Glendale. Prior to this,

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<v Speaker 1>Wally had been a stutterer, just like Joe Pine. I

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<v Speaker 1>do find that interesting. Both these guys are dudes who

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<v Speaker 1>stutter when their kids. Um. He credits his first radio

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<v Speaker 1>gig with curing him. He kind of like overcomes his

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<v Speaker 1>speech impediment on the job, um, which I did with

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<v Speaker 1>carpal tunnel syndrome. Now. He subsequently worked at bit gigs

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<v Speaker 1>at other local radio stations. He held ambitions to write

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<v Speaker 1>for television, and in his early twenties he did write

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<v Speaker 1>one episode if the TV show Bonanza. Okay, alrighte, good work.

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<v Speaker 1>That's a real TV show. After we listen, after we

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<v Speaker 1>listen to this, after we record this, I'm gonna have

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<v Speaker 1>to go watch that Episode's gonna see if anything pops

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<v Speaker 1>out to me if there's anything problematic about Wally George's

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<v Speaker 1>episode of Bonanza? Is there anything problematic about an episode

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<v Speaker 1>of Bonanza? That's the one. It's the one Bonanza episode

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<v Speaker 1>that in that in the middle has a seven minute

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<v Speaker 1>rant about Martin Luther King Jr. So, Wally got hit

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<v Speaker 1>first radio show, the Wally George Show on Katie Y

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<v Speaker 1>n f M in Inglewood. I was trying to do

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<v Speaker 1>my radio voice for that one came across. Yeah, thank you, Tom.

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<v Speaker 1>I love how not imaginative any of these people are.

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<v Speaker 1>It's always either just the My Name Show or the

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<v Speaker 1>My Name Report or the my Name file. That's the

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<v Speaker 1>only thing they have. Yeah, I think there's a degree

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<v Speaker 1>of it that's just like, look, you're gonna move, as

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<v Speaker 1>we we saw with Joe Pine. It's not uncommon. It's

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<v Speaker 1>just been like a year or less. At most of

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<v Speaker 1>the places you work. You're moving around all the time.

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<v Speaker 1>You're trying to build brand recognition. So at least you

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<v Speaker 1>want people to like know your name. You know um,

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<v Speaker 1>And to be fair, everybody doesn't. They don't say let's

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<v Speaker 1>watch tonight, so the Tonight Show. They say, let's watch Carson,

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<v Speaker 1>let's watch let's watch Harrison, let's watch Leno, let's watch

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<v Speaker 1>Uh No, there's no one else anyone. Yeah, that's it.

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<v Speaker 1>It's done now. Yeah, I mean, I have no animosity

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<v Speaker 1>towards Stephen Colbert, but my god, late night TV is

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<v Speaker 1>just a horrible idea. Um, we should know that, we

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<v Speaker 1>should accept it. It's it's it's it needs to go.

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<v Speaker 1>Craig Ferguson needs to be allowed to take it out

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<v Speaker 1>behind a barn and shoot it. That that's who should

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<v Speaker 1>do it. Craig crying like the boy and old yellers

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<v Speaker 1>and loads of shotgun's shotgun and did you so? He

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<v Speaker 1>gets his first show in nineteen sixty nine, which is

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<v Speaker 1>the year before Joe Pine dies. Um, and yeah, he

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<v Speaker 1>goes through, you know, he does, like they all do.

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<v Speaker 1>He runs through like a series of shows on different networks.

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<v Speaker 1>He produces and co hosts talk radio programs one with

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<v Speaker 1>l A's then mayor Sam Yourty for like nearly a decade. Um,

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<v Speaker 1>so he's in like talk radio for a while, but

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<v Speaker 1>kind of a respectable turn of talk radio. Um. He

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<v Speaker 1>starts his own radio show and it does well enough

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<v Speaker 1>that he's able to Uh. In nineteen seventy nine, he

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<v Speaker 1>starts his own talk radio show again. Um, and this

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<v Speaker 1>one does well enough that he's able to launch his

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<v Speaker 1>own TV show off of it, called hot Seat, which

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<v Speaker 1>first airs in nineteen eighty three. And an independent radio

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<v Speaker 1>station in Anaheim, California. Three is a year before Rush

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<v Speaker 1>Limboss started his first political radio show UM and a

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<v Speaker 1>decade before the first episode of the Jerry Springer Show.

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<v Speaker 1>In nineteen Hot Seat with Wally George would include elements

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<v Speaker 1>from both of these later shows. From an article in

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<v Speaker 1>Timeline Quote, George had a way of rilling even the

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<v Speaker 1>most collected and intelligent guests. In his first year, for instance,

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<v Speaker 1>George invited then a c l U lawyer and later

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<v Speaker 1>journalist Jeff Cohen to talk about police brutality and surveillance

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<v Speaker 1>of lawful, politically motivated organizations. At first, Cohen's responses to

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<v Speaker 1>questions like why do you want to handcuff the police

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<v Speaker 1>department from catching criminals seemed prepared, choreographed, But after a

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<v Speaker 1>few minutes the interview intensifies. Both raised their voices, the

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<v Speaker 1>audience clatters and gesticulates. George interjects with an age old challenge,

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<v Speaker 1>I have nothing to hide, so what do I care

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<v Speaker 1>if police watch me? The audience braise with joy. But

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<v Speaker 1>for all his cruel, bravado and personal attacks, George consistently

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<v Speaker 1>stumbled when the tables were turned. His ideology was full

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<v Speaker 1>of contradictions. In one episode, he spits, I say, Martin

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<v Speaker 1>Luther King does not deserve a national holiday in his name.

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<v Speaker 1>There are many more Americans who deserve it a heck

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<v Speaker 1>of a lot more so. That's the kind of guy

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<v Speaker 1>he is. We're no longer like the genteel playing it

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<v Speaker 1>being polite kind of guy. Um. He's He's very much

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<v Speaker 1>a recognizable sort of right wing media figure. Yeah. Keeps

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<v Speaker 1>keeping it authentically asshole. Yeah, keeping it authentically asshole. Um.

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<v Speaker 1>In November of nineteen eighty three, while he earned his

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<v Speaker 1>first national news story when he's so irritated his guest

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<v Speaker 1>Blaze bond Pain, a pacifist in Human Rights Act rules.

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<v Speaker 1>That is a good name right now. The short version

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<v Speaker 1>of the stories that Blaze got angry and flipped Wally's desk.

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<v Speaker 1>He had to be escorted out by security. That sounds

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<v Speaker 1>like something a person named Blaze would do. It does

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<v Speaker 1>it does because he's a Blaze man. He's full of fire.

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<v Speaker 1>Sounds like an American clamator. It's gonna flip pacifically like

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<v Speaker 1>while he gets like a pacifist activist to flip his

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<v Speaker 1>desk on TV desk never really happened before? Is like

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<v Speaker 1>a huge deal, Like this is the first Horoldo getting

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<v Speaker 1>hit with a fucking share you know. Um God, what

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<v Speaker 1>a great moment that was. I found an interview with

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<v Speaker 1>Blaze that sheds more light on this incident and what

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<v Speaker 1>came after. Because this incident really like you could draw

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<v Speaker 1>a direct line from this to Jerry Springer. I'm sorry,

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<v Speaker 1>what year was this again? This is er starts, um,

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<v Speaker 1>and this is really like this, this, this chunk I'm

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<v Speaker 1>gonna read is interesting because it gives you. It gives

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<v Speaker 1>you a sense of the way in which Wally is

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<v Speaker 1>helping to give birth to not just the cultural space

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<v Speaker 1>that guys like Jerry Springer occupied, but like what reality

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<v Speaker 1>TV becomes. Um, So this is him. This is Blaze

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<v Speaker 1>talking about what happened after he flips that desk and

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<v Speaker 1>gets escorted off by security. Quote. He called me this

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<v Speaker 1>had to be nineteen eighty three and asked if I

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<v Speaker 1>could come on his program. It was right during Reagan's

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<v Speaker 1>Warren Grenada. In a phone conversation, he seemed just delightful.

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<v Speaker 1>I was in the background listening to his interviews just

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<v Speaker 1>before me, a Mexican American attorney, and Wally was just

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<v Speaker 1>insulting him with racial slurs and so on, and I

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<v Speaker 1>was quite irritated just hearing him operate. When it was

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<v Speaker 1>my turn, I went to the interview and he had

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<v Speaker 1>a large group of young people in the audience, and

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<v Speaker 1>just as he was getting started, I torn towards the

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<v Speaker 1>audience and I said, I hope you won't go and

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<v Speaker 1>die as the enemy in a place like Grenado where

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<v Speaker 1>you're not wanted. He got a little upset when I

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<v Speaker 1>made that comment. He came over and assaulted me and

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<v Speaker 1>battered me. He attacked me from behind. It was a

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<v Speaker 1>little difficult for a long standing boxer to not respond,

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<v Speaker 1>but I thought that would be a terrible thing to do.

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<v Speaker 1>So I looked at his desk and I saw there

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<v Speaker 1>was no one near it and no one that would

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<v Speaker 1>be harmed. So I just flipped the desk over and

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<v Speaker 1>walked out. I came home and I told my wife

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<v Speaker 1>and children how surprised I was, and within moments we

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<v Speaker 1>saw it on ABC, CBS, NBC. It was all over

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<v Speaker 1>the country. I think that particular episode had has been

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<v Speaker 1>played a thousand times across the country. I still see it.

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<v Speaker 1>It's amazing how it made an impact on TV. There

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<v Speaker 1>was no staging. However, after the security men ushered me

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<v Speaker 1>to my car, I went home and the following morning,

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<v Speaker 1>Wally called me and said, Blaze, we have a terrific

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<v Speaker 1>thing going here. We can do this all over the country.

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<v Speaker 1>I said, Wally, you're a charlatan and there will be

0:11:52.760 --> 0:11:56.400
<v Speaker 1>no further interviews, thank you. Wally doesn't believe in shit.

0:11:57.600 --> 0:12:00.240
<v Speaker 1>Wal Wally is just like, yeah, I'll bring this. I like,

0:12:00.240 --> 0:12:01.760
<v Speaker 1>I want him to throw ship. I want to like,

0:12:01.800 --> 0:12:03.640
<v Speaker 1>this is great TV. So that's more of the thing

0:12:03.679 --> 0:12:07.120
<v Speaker 1>that I was talking about last episode, where it's like,

0:12:07.240 --> 0:12:09.120
<v Speaker 1>is he genuinely getting pulled in this direction or is

0:12:09.120 --> 0:12:10.800
<v Speaker 1>he getting pulled in this direction because like this is

0:12:10.840 --> 0:12:14.240
<v Speaker 1>make this makes good TV? And Yeah, that's like the

0:12:14.320 --> 0:12:16.360
<v Speaker 1>guiding light of a lot of these chuds is that

0:12:16.400 --> 0:12:19.160
<v Speaker 1>they don't actually believe in a lot of things. If anything,

0:12:19.200 --> 0:12:21.640
<v Speaker 1>I just believe in whatever gets them the money, gets

0:12:21.640 --> 0:12:24.400
<v Speaker 1>in the attention. I think Joe Pine might have believed

0:12:24.440 --> 0:12:27.920
<v Speaker 1>in things. He certainly fought for something at one point. Um.

0:12:28.200 --> 0:12:32.640
<v Speaker 1>I Wally clearly doesn't like he's just happy to like yeah, um,

0:12:32.800 --> 0:12:35.560
<v Speaker 1>like the next day, like it was a pro wrestling match,

0:12:36.080 --> 0:12:38.079
<v Speaker 1>Yeah exactly, Like, yeah, we can do this, all of it,

0:12:38.120 --> 0:12:39.760
<v Speaker 1>and you can tear the country. So what the funk

0:12:39.800 --> 0:12:42.880
<v Speaker 1>are you talking about? Joe Pine is like not a

0:12:42.920 --> 0:12:46.679
<v Speaker 1>good person, not a nice person, pretty racist and bigot,

0:12:46.679 --> 0:12:47.959
<v Speaker 1>and I'm sure in a lot of ways, although I

0:12:48.200 --> 0:12:51.480
<v Speaker 1>doubt excessively for his time UM, which is not saying

0:12:51.480 --> 0:12:53.960
<v Speaker 1>anything good about him. It's talking about like the white

0:12:54.040 --> 0:12:56.840
<v Speaker 1>dudes in the nineteen sixties and his generation. We're pretty

0:12:56.840 --> 0:12:59.800
<v Speaker 1>fucking racist. But I don't think I wouldn't qualify him

0:12:59.840 --> 0:13:02.760
<v Speaker 1>as a bastard based on like the things he intentionally did.

0:13:03.000 --> 0:13:05.600
<v Speaker 1>Once we're at Wally George, We're we're in like the

0:13:06.040 --> 0:13:09.719
<v Speaker 1>like full bastard territory, like sweat, because Joe Paine is

0:13:09.760 --> 0:13:11.960
<v Speaker 1>a guy who's like willing to do things and like

0:13:12.160 --> 0:13:15.040
<v Speaker 1>drudge up, judge up controversy, but also can listen to

0:13:15.080 --> 0:13:18.560
<v Speaker 1>people and like has something he believes in UM and

0:13:18.679 --> 0:13:21.160
<v Speaker 1>is trying to get across with Wally George. It is

0:13:21.240 --> 0:13:24.679
<v Speaker 1>pure I'm into this right wing ship just for because

0:13:24.720 --> 0:13:27.120
<v Speaker 1>it's what it gets the rage views, it gets people angry,

0:13:27.160 --> 0:13:28.800
<v Speaker 1>gets people riled up. I don't care who I have

0:13:28.920 --> 0:13:30.960
<v Speaker 1>on I want folks to fight. I just want to

0:13:30.960 --> 0:13:34.120
<v Speaker 1>like tickle people's amygdala and make them angry. You know,

0:13:34.360 --> 0:13:37.839
<v Speaker 1>does he start selling brain pills forever? No? No, he's

0:13:37.880 --> 0:13:39.640
<v Speaker 1>not not to mine. O. Well, I don't know. Maybe

0:13:39.720 --> 0:13:43.440
<v Speaker 1>I I can't comprehensively say he never sold brain pills. Um,

0:13:43.640 --> 0:13:46.920
<v Speaker 1>I I cannot make that claim to a point of certainty.

0:13:46.920 --> 0:13:52.439
<v Speaker 1>Tom excited that that, like Alex Jones and like a

0:13:52.480 --> 0:13:54.600
<v Speaker 1>lot of the folks who came after, Wally George built

0:13:54.600 --> 0:13:57.480
<v Speaker 1>an audience that was cult like in its devotion. By

0:13:57.559 --> 0:14:00.360
<v Speaker 1>nineteen eighty four, an audience of mostly college age men

0:14:00.400 --> 0:14:02.480
<v Speaker 1>were waiting up to six months for their chance to

0:14:02.480 --> 0:14:05.000
<v Speaker 1>sit in his eight person studio audience. People would like

0:14:05.440 --> 0:14:08.120
<v Speaker 1>sign up for this ship way ahead of time. They'd

0:14:08.120 --> 0:14:12.240
<v Speaker 1>shout who and wear shirts with American flags on them,

0:14:12.360 --> 0:14:15.600
<v Speaker 1>roaring until he forced them to stop. Where Joe Pine

0:14:15.640 --> 0:14:17.640
<v Speaker 1>could be mocking and even cruel, as long as he

0:14:17.679 --> 0:14:21.000
<v Speaker 1>maintained an air of genteel politeness, Wally George was free

0:14:21.040 --> 0:14:23.800
<v Speaker 1>to scream, shout, and even strike people. He told one

0:14:23.800 --> 0:14:26.800
<v Speaker 1>interviewer in nineteen eighty four. They say that I'm a lunatic,

0:14:26.840 --> 0:14:28.520
<v Speaker 1>that I'm a maniac. But why do you have to

0:14:28.560 --> 0:14:30.600
<v Speaker 1>smile at your guests and be nice and let them

0:14:30.600 --> 0:14:33.440
<v Speaker 1>say what they want to say. In this, Wally completed

0:14:33.440 --> 0:14:36.280
<v Speaker 1>the transition from Joe Pine, a right wing firebrand whose

0:14:36.280 --> 0:14:38.760
<v Speaker 1>work was still firmly rooted in the outward civility of

0:14:38.800 --> 0:14:42.320
<v Speaker 1>the nineteen fifties, to modern right wing media. Wally would

0:14:42.360 --> 0:14:44.840
<v Speaker 1>not sit and listen to, for example, a trans woman

0:14:44.880 --> 0:14:47.680
<v Speaker 1>explaining her life. He had no interest in letting guests

0:14:47.720 --> 0:14:50.440
<v Speaker 1>say their peace. The central conceit of his show was

0:14:50.480 --> 0:14:52.360
<v Speaker 1>that left leaning guests would be allowed to show up

0:14:52.360 --> 0:14:54.320
<v Speaker 1>and try to make an argument, while Wally and his

0:14:54.360 --> 0:14:57.320
<v Speaker 1>audience harassed and assaulted them. I want to play this

0:14:57.400 --> 0:14:59.800
<v Speaker 1>segment from his show where he is a popular radio

0:14:59.880 --> 0:15:02.240
<v Speaker 1>d e j A on the DJ brings you two

0:15:02.320 --> 0:15:04.640
<v Speaker 1>albums to hand out to the audience. It was nineteen

0:15:05.000 --> 0:15:09.040
<v Speaker 1>four and he chastise and he chastises Wally for having

0:15:09.080 --> 0:15:12.280
<v Speaker 1>previously claimed the band were devil worshippers, which is an

0:15:12.360 --> 0:15:15.640
<v Speaker 1>argument Wally George made a number of times. Here's Wally's reply.

0:15:16.000 --> 0:15:18.640
<v Speaker 1>You said, you two a bunch of devil worships. They

0:15:18.640 --> 0:15:21.920
<v Speaker 1>are terrible that Christians three of the four that Chris,

0:15:22.040 --> 0:15:27.800
<v Speaker 1>you're saying, I'm wrong, You're wrong. Wally is never my God.

0:15:28.240 --> 0:15:30.640
<v Speaker 1>That's what he looks like to me, I don't want

0:15:30.640 --> 0:15:33.160
<v Speaker 1>any proof because he looks like Rick Flair with a

0:15:33.240 --> 0:15:40.480
<v Speaker 1>person balance getting we're getting one of the same time.

0:15:40.760 --> 0:15:46.840
<v Speaker 1>It looks like cracking down on what they call radio

0:15:47.520 --> 0:15:51.680
<v Speaker 1>shock radio. And I say it's about time. I say

0:15:51.760 --> 0:15:54.560
<v Speaker 1>the f c C should crack down. There's a lot

0:15:54.600 --> 0:15:59.600
<v Speaker 1>of nonstance, a lot of really filth and sexual innuendo

0:15:59.800 --> 0:16:02.440
<v Speaker 1>that little kids you're listening to. And I say, it's

0:16:02.440 --> 0:16:06.040
<v Speaker 1>about time at the FCC cracked down on these filthy

0:16:06.320 --> 0:16:11.720
<v Speaker 1>radio stations. All right, all right, that's enough of this clip.

0:16:12.840 --> 0:16:18.240
<v Speaker 1>So first off, he looks incredible. It looks incredible. He

0:16:19.040 --> 0:16:24.400
<v Speaker 1>looks the amazing thing about Wally looks like a carnival magician.

0:16:24.600 --> 0:16:27.280
<v Speaker 1>You you watch, he looks like a guy that ties

0:16:27.320 --> 0:16:35.160
<v Speaker 1>balloon animals. You watched thirty seconds of Wally George, and

0:16:35.400 --> 0:16:38.760
<v Speaker 1>every fake media figure from a Paul Verhoeven movie in

0:16:38.800 --> 0:16:42.320
<v Speaker 1>the nineteen nineties suddenly make because they're all him. They're

0:16:42.360 --> 0:16:45.640
<v Speaker 1>all Wally George. Like every media figure that like Gott

0:16:45.760 --> 0:16:49.280
<v Speaker 1>mocked in one of those like surreal nineties movies is

0:16:49.320 --> 0:16:52.920
<v Speaker 1>fucking Wally George. He looks like Julian Sands as a

0:16:52.960 --> 0:16:59.880
<v Speaker 1>TV preacher. He looks like if Julian sanj was a warlock. Yes, yes,

0:17:00.400 --> 0:17:04.680
<v Speaker 1>if a vampire bits Julian a Sanja's neck, he would tear.

0:17:07.480 --> 0:17:10.840
<v Speaker 1>It's incredible. He's in. For those of you who are

0:17:10.920 --> 0:17:12.920
<v Speaker 1>going to look at the picture. He has like shoulder

0:17:13.040 --> 0:17:18.000
<v Speaker 1>length white hair that can't be real. It's it's either

0:17:18.160 --> 0:17:22.320
<v Speaker 1>a wig or like so flat ironed that it just there.

0:17:22.680 --> 0:17:25.480
<v Speaker 1>Like he's got a white suit. He looks like Mr

0:17:25.600 --> 0:17:28.920
<v Speaker 1>White from the Venture Brothers, but not at I'll bite.

0:17:32.720 --> 0:17:38.520
<v Speaker 1>It's just an amazing, amazing commitment to a very specific aesthetic. Yeah,

0:17:39.200 --> 0:17:41.119
<v Speaker 1>he's like, this is my thing and I'm just gonna

0:17:41.400 --> 0:17:45.960
<v Speaker 1>blunt forced the nineteen eighties. A third of my body

0:17:46.000 --> 0:17:49.600
<v Speaker 1>weight is cocaine. It's he's he does. He looks like

0:17:49.680 --> 0:17:52.280
<v Speaker 1>somebody like he looks like the Shredder dumped Mutagen on

0:17:52.440 --> 0:17:56.240
<v Speaker 1>the Pilot cocaine. Yeah, like that Ian was a man.

0:17:56.640 --> 0:18:03.640
<v Speaker 1>That's so tom Yeah. Here's him talking to Larry Rice,

0:18:03.760 --> 0:18:07.000
<v Speaker 1>a same sex marriage advocate and an AIDS awareness activist.

0:18:07.119 --> 0:18:17.640
<v Speaker 1>Oh boy hooraye a gay pride parade. I say it

0:18:17.080 --> 0:18:21.560
<v Speaker 1>is very offensive. It is very offensive for gays to

0:18:21.640 --> 0:18:25.080
<v Speaker 1>be running around or groping each other in the park.

0:18:25.240 --> 0:18:29.560
<v Speaker 1>What do you think about that? I don't think I

0:18:29.600 --> 0:18:31.960
<v Speaker 1>don't think that. I don't think it's very fair for

0:18:32.000 --> 0:18:35.520
<v Speaker 1>you to make fun of people who's whose lifestyle is

0:18:35.520 --> 0:18:37.399
<v Speaker 1>not the way you want it to be. And I

0:18:37.440 --> 0:18:40.240
<v Speaker 1>think it's all it really. I think it's kind of sad,

0:18:40.600 --> 0:18:43.920
<v Speaker 1>you know, because like they don't hurt you what they do.

0:18:44.280 --> 0:18:47.480
<v Speaker 1>And you know, I'm down offense that you stupid, that

0:18:47.800 --> 0:18:55.240
<v Speaker 1>it's offensive and offensive. It's a lot fair, I'll tell

0:18:55.280 --> 0:18:58.760
<v Speaker 1>you what, because people like you, you're the people because

0:18:58.840 --> 0:19:07.240
<v Speaker 1>the problem people people who are gay. People who are gay,

0:19:07.600 --> 0:19:14.199
<v Speaker 1>they do very rough. They have it very rough in

0:19:14.240 --> 0:19:16.959
<v Speaker 1>this world, okay, because of people like you, And I

0:19:17.000 --> 0:19:23.159
<v Speaker 1>think this is very upset. I think that will make

0:19:23.200 --> 0:19:25.199
<v Speaker 1>it so hard for them to live that they have

0:19:25.320 --> 0:19:28.840
<v Speaker 1>a lot of like mental disorders and things. All right,

0:19:29.000 --> 0:19:32.720
<v Speaker 1>that's probably about enough of That's it's man, If you

0:19:32.800 --> 0:19:36.960
<v Speaker 1>guys listening can stomach looking up this clip, it's an

0:19:38.160 --> 0:19:43.200
<v Speaker 1>it's horrible his audience and they're just like huge nothing

0:19:43.280 --> 0:19:48.400
<v Speaker 1>but high school bullies, like screaming with He's said it's horrible.

0:19:48.560 --> 0:19:50.360
<v Speaker 1>He's just trying to get his point out, and he's

0:19:50.359 --> 0:19:53.879
<v Speaker 1>saying like this these completely rational things. Oh my god.

0:19:54.080 --> 0:19:55.439
<v Speaker 1>But it's also one of these a couple of things

0:19:55.480 --> 0:19:57.720
<v Speaker 1>that are interesting. Comparing Pine. Number one, you can think

0:19:57.720 --> 0:19:59.720
<v Speaker 1>back to Joe Pine, who gain I'm certain how very

0:19:59.720 --> 0:20:03.159
<v Speaker 1>regret restI views on on gay people, but asking with

0:20:03.240 --> 0:20:05.439
<v Speaker 1>genuine interest. Oh so someone who is a who's a

0:20:05.440 --> 0:20:08.159
<v Speaker 1>transvestor isn't necessarily a homosexual. Oh that's interesting to me,

0:20:08.200 --> 0:20:11.119
<v Speaker 1>as opposed to Wally George, who just starts screaming at

0:20:11.119 --> 0:20:13.760
<v Speaker 1>how offensive like the thought of a gay person existing.

0:20:13.800 --> 0:20:16.720
<v Speaker 1>It's like his with his flaxen shoulder length, fair and

0:20:16.840 --> 0:20:20.440
<v Speaker 1>long sleeved turtleneck with a blazer, and he's screaming about

0:20:20.440 --> 0:20:24.760
<v Speaker 1>how gay Pride parade is offensive. Roger Stone vibes. Yeah,

0:20:24.800 --> 0:20:31.520
<v Speaker 1>he definitely has that Roger Stone would wear. He does

0:20:31.600 --> 0:20:37.520
<v Speaker 1>look like a disguise in a Bond villain wig. Yeah. Um.

0:20:37.560 --> 0:20:39.320
<v Speaker 1>And the other thing that's different is that, you know,

0:20:39.400 --> 0:20:42.440
<v Speaker 1>Joe Pine could be We played him being very rude

0:20:42.440 --> 0:20:44.640
<v Speaker 1>to some people, but also they were all people who

0:20:44.640 --> 0:20:47.480
<v Speaker 1>could go toe to toe with him rhetorically, like Krassner.

0:20:47.640 --> 0:20:50.760
<v Speaker 1>You know, obviously he didn't respect Krastner's media trained Krassner

0:20:50.840 --> 0:20:53.120
<v Speaker 1>was ready for what he got. You know he gave

0:20:53.160 --> 0:20:55.600
<v Speaker 1>as good as he got. This poor man Larry Rice.

0:20:55.720 --> 0:20:58.520
<v Speaker 1>Nothing against him because he's saying very reasonable things. He's

0:20:58.560 --> 0:21:01.600
<v Speaker 1>clearly not media trained. He's not, really he's not, and

0:21:01.640 --> 0:21:04.119
<v Speaker 1>he's so you can say against him. The clip is

0:21:04.200 --> 0:21:07.160
<v Speaker 1>so upsetting because you can see it, like it's part

0:21:07.200 --> 0:21:09.760
<v Speaker 1>of why, it's part of like the bad faith of

0:21:09.840 --> 0:21:13.720
<v Speaker 1>like debate me, because the tactic is just to keep

0:21:13.840 --> 0:21:17.760
<v Speaker 1>shouting at you these things to keep you off topic.

0:21:17.840 --> 0:21:19.879
<v Speaker 1>And it's like, not only is this guy battling this

0:21:20.040 --> 0:21:24.159
<v Speaker 1>overbearing dipshit of a host, but the entire audience is

0:21:24.320 --> 0:21:27.480
<v Speaker 1>jeering at him the whole time. It's like, I can't

0:21:27.520 --> 0:21:30.560
<v Speaker 1>imagine being in that, like even if you are media trained,

0:21:30.640 --> 0:21:32.359
<v Speaker 1>like even if you are media trained, being in that

0:21:32.440 --> 0:21:36.440
<v Speaker 1>situations like Jesus, like, I can't. I can't find footing

0:21:36.480 --> 0:21:39.360
<v Speaker 1>to even make my argument. No one can do well

0:21:39.359 --> 0:21:42.080
<v Speaker 1>in that kind of an environment. But no, And it's again,

0:21:42.080 --> 0:21:43.920
<v Speaker 1>it's one of those things. I do think that like

0:21:44.440 --> 0:21:46.840
<v Speaker 1>Joe Pine was someone who did want to debate people

0:21:46.880 --> 0:21:48.440
<v Speaker 1>and would debate people and would go out of his

0:21:48.480 --> 0:21:52.119
<v Speaker 1>way to get people who he who could present themselves

0:21:52.119 --> 0:21:55.080
<v Speaker 1>well on television, even if what they were saying was like,

0:21:55.160 --> 0:21:57.280
<v Speaker 1>and I'm not gonna say that maybe this was comprehensibly

0:21:57.280 --> 0:21:59.600
<v Speaker 1>true of everything he did, but all of Wally George

0:21:59.640 --> 0:22:02.880
<v Speaker 1>is like it is nothing, but but this is it's

0:22:02.960 --> 0:22:05.200
<v Speaker 1>just hate. I want to point out that his little

0:22:05.200 --> 0:22:07.840
<v Speaker 1>turtleneck matched the wallpaper of his set. It did it.

0:22:08.760 --> 0:22:11.080
<v Speaker 1>He's got He's got a little behind him is a

0:22:11.119 --> 0:22:14.160
<v Speaker 1>framed photo of of of a Space shuttle taking off.

0:22:14.160 --> 0:22:17.680
<v Speaker 1>It just says USA at the bottom. So his set

0:22:17.800 --> 0:22:22.520
<v Speaker 1>is like a little boy's room, and it's I keep

0:22:22.560 --> 0:22:25.320
<v Speaker 1>bringing up Joe Pine, like positively, not to say nice

0:22:25.359 --> 0:22:27.479
<v Speaker 1>things about Joe Pine, and please don't take this as

0:22:27.560 --> 0:22:29.360
<v Speaker 1>like me trying to defend his legacy, but to point

0:22:29.440 --> 0:22:32.840
<v Speaker 1>like how badly things have degenerated, like sixteen seventeen years

0:22:32.920 --> 0:22:35.800
<v Speaker 1>dark the differences. Yeah, I'm sitting here trying to think of, like, man,

0:22:35.920 --> 0:22:39.760
<v Speaker 1>what happened. And you know that a lot of things happened. Yes,

0:22:40.400 --> 0:22:44.080
<v Speaker 1>between nineteen seventy and ninety, religious right became a political block,

0:22:44.119 --> 0:22:46.159
<v Speaker 1>which it wasn't when um, when Joe Pine was on

0:22:46.200 --> 0:22:48.359
<v Speaker 1>their the religious right was not a political block. That

0:22:48.400 --> 0:22:51.280
<v Speaker 1>didn't happen until seventy nine. Um. So yeah, it's just

0:22:51.400 --> 0:22:54.960
<v Speaker 1>it's a very bleak, but very clear. He's all slide downhill.

0:22:55.200 --> 0:22:57.919
<v Speaker 1>He's proto seven hundred Club too, just the way he looks,

0:22:58.000 --> 0:22:59.240
<v Speaker 1>the way he looks, I don't know if he was

0:22:59.280 --> 0:23:04.119
<v Speaker 1>proto when did this have an underclub? Stuff? That's true

0:23:01.920 --> 0:23:09.439
<v Speaker 1>solid nineteen sixty six, the seven hundred Club, all I

0:23:09.480 --> 0:23:14.320
<v Speaker 1>gotta give you that. Okay, Yeah, but Tom, you know

0:23:14.400 --> 0:23:17.000
<v Speaker 1>what did come before the seven hundred Club and we'll

0:23:17.040 --> 0:23:20.880
<v Speaker 1>be there long after. Um, I don't know, I don't

0:23:20.920 --> 0:23:23.000
<v Speaker 1>know you are. You can tell me the products and

0:23:23.040 --> 0:23:35.520
<v Speaker 1>services Tom, that support this podcast, solid, solid throat ad Man. Uh,

0:23:35.800 --> 0:23:40.320
<v Speaker 1>we're back, and we're we're not better than ever. We

0:23:40.440 --> 0:23:43.760
<v Speaker 1>just are continually sliding down hill. No, we're not even

0:23:43.760 --> 0:23:46.280
<v Speaker 1>We're not even better than Ezra at this point. We're

0:23:46.320 --> 0:23:49.560
<v Speaker 1>not now, Tom. Yeah, so let's talk some more about

0:23:49.560 --> 0:23:54.040
<v Speaker 1>that horrific interview UM with Larry Rice. Upset me. Yeah,

0:23:54.400 --> 0:23:58.159
<v Speaker 1>it's really upset it. And again it's the kind of

0:23:58.200 --> 0:24:01.159
<v Speaker 1>thing like you just didn't feel that way listening to

0:24:01.200 --> 0:24:02.920
<v Speaker 1>the Joe Pine clips, even when he was being a

0:24:03.000 --> 0:24:06.600
<v Speaker 1>ship head, not that kind of well, it's it's the

0:24:07.119 --> 0:24:10.480
<v Speaker 1>it's it's frighteningly close to a lynch mom. Yeah, yeah,

0:24:10.880 --> 0:24:13.320
<v Speaker 1>I think if he'd ordered them, they would have. Yeah.

0:24:13.359 --> 0:24:15.880
<v Speaker 1>It's it's really alarming. It's it's a it's very upset

0:24:16.040 --> 0:24:18.920
<v Speaker 1>clip to watch. It's really fucked up, and it gets

0:24:18.920 --> 0:24:22.560
<v Speaker 1>a lot worse. And he's sucking clown to It's like

0:24:23.920 --> 0:24:30.360
<v Speaker 1>the Stoker on vacation, fucking Wally George. It's a clown name,

0:24:30.480 --> 0:24:34.600
<v Speaker 1>that's a clown shoe name, Wally motherfucker. So he goes

0:24:34.600 --> 0:24:37.280
<v Speaker 1>on in that interview to say here in the United States,

0:24:37.280 --> 0:24:40.360
<v Speaker 1>we don't want perverts marrying each other. And then when

0:24:40.359 --> 0:24:44.120
<v Speaker 1>they start discussing AIDS prevention, he tells Larry, I don't

0:24:44.119 --> 0:24:46.359
<v Speaker 1>want these gay AIDS carriers to spread their disease to

0:24:46.400 --> 0:24:49.119
<v Speaker 1>all of us heterosexuals. People like you were spitting at me.

0:24:49.200 --> 0:24:52.240
<v Speaker 1>I could catch AIDS from you, just a mountain a

0:24:52.359 --> 0:24:56.320
<v Speaker 1>ship dressed in a terrible suit. Now, when it comes

0:24:56.359 --> 0:24:59.040
<v Speaker 1>to evaluating the appeal and the impact of Wally George,

0:24:59.080 --> 0:25:02.200
<v Speaker 1>I think this pass from that Timeline article does about

0:25:02.240 --> 0:25:06.040
<v Speaker 1>the best job possible. Quote hot seat com modified old

0:25:06.040 --> 0:25:09.879
<v Speaker 1>white man anger and gave it room to fester. George's

0:25:09.920 --> 0:25:12.960
<v Speaker 1>fury was the entire point. It gave audiences permission to

0:25:13.000 --> 0:25:16.440
<v Speaker 1>act out their bassist impulses. During the conservative Reagan era,

0:25:16.760 --> 0:25:19.440
<v Speaker 1>the allure of the show was merely having an outlet

0:25:19.440 --> 0:25:23.000
<v Speaker 1>for anger. Period it was a contractual yelling match with

0:25:23.080 --> 0:25:29.440
<v Speaker 1>the viewers invited. Ye that makes sense. Yeah, that all

0:25:29.480 --> 0:25:35.640
<v Speaker 1>ties together seems relevant. Um, gosh, somebody somebody else really

0:25:35.760 --> 0:25:39.280
<v Speaker 1>rose to prominence the eighties. Gosh, who was that? And

0:25:39.320 --> 0:25:42.200
<v Speaker 1>Howard Stern. This is a big major media figure. I'm

0:25:42.200 --> 0:25:47.560
<v Speaker 1>big decetious rush Limbaugh Yeah, Trump, Yeah, Trump, Yeah, this

0:25:48.040 --> 0:25:50.200
<v Speaker 1>is this is this is the era they're all. This

0:25:50.280 --> 0:25:53.600
<v Speaker 1>is where all all of them dickheads came from, all

0:25:53.640 --> 0:25:58.160
<v Speaker 1>those real pieces of ship. Um. Now, during his rise

0:25:58.160 --> 0:25:59.680
<v Speaker 1>to prominence, as we stated, there were a number of

0:25:59.760 --> 0:26:02.320
<v Speaker 1>dudes inhabiting a similar field. Rush Limbug gets on the

0:26:02.400 --> 0:26:05.040
<v Speaker 1>radio a year later. Don Imus and Howard Stern, who

0:26:05.040 --> 0:26:08.520
<v Speaker 1>are less offensive figures, not much less in the case

0:26:08.520 --> 0:26:11.119
<v Speaker 1>of don Imus, are starting around this period. But the

0:26:11.160 --> 0:26:14.440
<v Speaker 1>fact that Wally George worked most prominent, worked most prominently

0:26:14.440 --> 0:26:17.159
<v Speaker 1>on TV, giving his viewers and live audience as an

0:26:17.160 --> 0:26:19.840
<v Speaker 1>outlet to invent their rage and frustration on human beings

0:26:20.280 --> 0:26:23.240
<v Speaker 1>made them made him unique. In his nineteen again, it's

0:26:23.280 --> 0:26:25.119
<v Speaker 1>it's like half a lynch mob, and that's half of

0:26:25.160 --> 0:26:29.440
<v Speaker 1>the appeal Wally George does. In his nineteen ninety nine autobiography,

0:26:29.480 --> 0:26:32.679
<v Speaker 1>he coined the phrase combat TV to describe the thing

0:26:32.760 --> 0:26:35.840
<v Speaker 1>that he invented. And now that's like all news programs.

0:26:36.400 --> 0:26:40.800
<v Speaker 1>Um yeah, it's just bleak. One of Wally's most popular

0:26:40.840 --> 0:26:43.720
<v Speaker 1>guests was a special piece of ship named Tom Metzger,

0:26:43.880 --> 0:26:47.240
<v Speaker 1>the head of a Nazi organization called White Area in Resistance.

0:26:47.960 --> 0:26:51.119
<v Speaker 1>I suppose you could critique him as again like Joe Pine,

0:26:51.119 --> 0:26:53.720
<v Speaker 1>platforming a Nazi, and he is kind of doing that.

0:26:53.760 --> 0:26:57.000
<v Speaker 1>But Wally, I don't know. Wally can't be certainly can't

0:26:57.000 --> 0:26:59.800
<v Speaker 1>be accused of equivocating on Nazism because I'm gonna play

0:26:59.840 --> 0:27:02.520
<v Speaker 1>you a clip of that next. All across this great

0:27:02.560 --> 0:27:04.679
<v Speaker 1>country now in our eleventh year, and we have the

0:27:04.760 --> 0:27:14.760
<v Speaker 1>putres a batman villain. As I was about to say

0:27:14.880 --> 0:27:18.640
<v Speaker 1>before we went to our break, some of you don't

0:27:18.680 --> 0:27:22.680
<v Speaker 1>know what Tom Metzker has been involved in. I'm gonna

0:27:22.720 --> 0:27:25.919
<v Speaker 1>go back to that case up in Oregon where some

0:27:26.119 --> 0:27:30.760
<v Speaker 1>of Tom Metzker's followers went up to Oregon and they

0:27:30.920 --> 0:27:35.720
<v Speaker 1>beat a black man to death with do applaud that,

0:27:35.840 --> 0:27:40.359
<v Speaker 1>you idiot? They beat this black man to death with

0:27:40.520 --> 0:27:49.640
<v Speaker 1>baseball bats. Followers of Tom Metzker say, he sits there

0:27:49.720 --> 0:27:52.399
<v Speaker 1>with that, He sits there with that smug little grin

0:27:52.440 --> 0:27:55.240
<v Speaker 1>on his face because he doesn't get his hands bloody.

0:27:55.640 --> 0:27:59.600
<v Speaker 1>He sends out, wait, he sends out, he has henchman

0:28:00.000 --> 0:28:05.040
<v Speaker 1>at his followers to do his dirty work for him. Alright, alright, alright,

0:28:05.080 --> 0:28:08.880
<v Speaker 1>So it's very it's very very telling that he had

0:28:08.920 --> 0:28:13.160
<v Speaker 1>to tell somebody in the audience stop clapping. That's exactly right,

0:28:14.119 --> 0:28:17.040
<v Speaker 1>point out because he is certainly not in like to

0:28:17.080 --> 0:28:20.960
<v Speaker 1>the exynthity platforms. He's mostly screaming at him. Um. But

0:28:21.119 --> 0:28:23.480
<v Speaker 1>you can see again where things have gone that, like

0:28:23.960 --> 0:28:30.400
<v Speaker 1>stop his lapping, encouraging is bringing these people in Wally.

0:28:31.119 --> 0:28:35.080
<v Speaker 1>It's fascinating, but it's also there's something so bleak about

0:28:35.119 --> 0:28:37.920
<v Speaker 1>that too, because there are a lot of mostly horrible

0:28:37.920 --> 0:28:40.160
<v Speaker 1>things you can say about Wally, and I'm sure Tom

0:28:40.160 --> 0:28:42.560
<v Speaker 1>went on his show because he saw it as a platform.

0:28:42.600 --> 0:28:44.880
<v Speaker 1>But Wally never for a second pretended that this guy

0:28:44.920 --> 0:28:46.440
<v Speaker 1>need to be heard out. He just had him on

0:28:46.520 --> 0:28:50.200
<v Speaker 1>to scream at it um, which, again, as bad as Wally,

0:28:50.240 --> 0:28:52.320
<v Speaker 1>George just makes him better than a lot of right

0:28:52.320 --> 0:28:56.360
<v Speaker 1>wing media today, like even it's even gone hill downhill

0:28:56.400 --> 0:28:58.840
<v Speaker 1>since Wally George is the point I'm making, not trying

0:28:58.880 --> 0:29:02.840
<v Speaker 1>to like praise Wally George, but it's like the even

0:29:02.840 --> 0:29:05.000
<v Speaker 1>more than this cess pool. Yeah, and I don't know,

0:29:05.040 --> 0:29:07.720
<v Speaker 1>maybe like if fucking Richard Spencer he would have heard out.

0:29:07.760 --> 0:29:10.120
<v Speaker 1>I don't know, I don't He didn't often hear people out,

0:29:10.160 --> 0:29:12.000
<v Speaker 1>so I don't know that he would have invited anyone

0:29:12.000 --> 0:29:14.880
<v Speaker 1>on that. He couldn't have just screamed at um. But

0:29:14.880 --> 0:29:19.040
<v Speaker 1>but yeah, it's um, it's a little bleak um. That said,

0:29:19.320 --> 0:29:21.840
<v Speaker 1>he was very happy to capitalize off the outrage that

0:29:21.880 --> 0:29:25.000
<v Speaker 1>bringing a guy like Metzker on generated. I don't want

0:29:25.000 --> 0:29:27.440
<v Speaker 1>to be praising him for yelling at Tom Metzger. He's

0:29:27.440 --> 0:29:29.800
<v Speaker 1>doing it to make money. I want to quote from

0:29:29.800 --> 0:29:33.880
<v Speaker 1>an article on Wally by o C Weekly, Orange County,

0:29:34.040 --> 0:29:35.840
<v Speaker 1>which is, for those of you who do not know

0:29:35.960 --> 0:29:39.120
<v Speaker 1>the like the Republican one of the biggest Republican stronghold

0:29:39.120 --> 0:29:41.840
<v Speaker 1>in California. Pretty Much what made those hot seat appearances

0:29:41.840 --> 0:29:44.160
<v Speaker 1>by Metzger in the nineteen eighties and nineties so relevant

0:29:44.200 --> 0:29:46.480
<v Speaker 1>was just how clearly the lines between good and evil

0:29:46.520 --> 0:29:49.560
<v Speaker 1>were drawn. George wore the white hat literally, and Metzger

0:29:49.680 --> 0:29:51.200
<v Speaker 1>was the bad guy if there was no great to

0:29:51.200 --> 0:29:54.760
<v Speaker 1>be found, and the audience reaction corroborated those roles. George's

0:29:54.840 --> 0:29:57.880
<v Speaker 1>last interview with Metzger was around nineteen nine two, against

0:29:57.880 --> 0:30:00.320
<v Speaker 1>the backdrop of that year's l A Riots, and George

0:30:00.360 --> 0:30:04.080
<v Speaker 1>absolutely laid into Metzker. George repeatedly scolded Mesker for being

0:30:04.120 --> 0:30:06.600
<v Speaker 1>un American and referred to War as a bunch of

0:30:06.680 --> 0:30:10.040
<v Speaker 1>dumb Nazis. George kicked Metzker off his stage after an

0:30:10.120 --> 0:30:13.520
<v Speaker 1>unprecedented but understandable four minutes. It was a proud moment

0:30:13.560 --> 0:30:16.760
<v Speaker 1>for Orange County Conservatism as embodied by George. It stood

0:30:16.840 --> 0:30:19.440
<v Speaker 1>up to the emblematic scourge of white supremacy. And obviously

0:30:19.480 --> 0:30:22.120
<v Speaker 1>I don't particularly agree with that take, but it's interesting

0:30:22.160 --> 0:30:26.320
<v Speaker 1>that like, this modern o c Conservative writer is looking

0:30:26.320 --> 0:30:28.200
<v Speaker 1>back at Wally George and be like, remember when we

0:30:28.280 --> 0:30:31.880
<v Speaker 1>yelled at Nazis supposed to marching with them in the streets.

0:30:31.920 --> 0:30:33.800
<v Speaker 1>Like I'm not trying to say that this guy is right,

0:30:33.840 --> 0:30:36.880
<v Speaker 1>because this shouldn't be a proud moment for conservatism because

0:30:36.920 --> 0:30:40.280
<v Speaker 1>also he brought him on his fucking show. Um, it's

0:30:40.320 --> 0:30:43.280
<v Speaker 1>interesting to me that this this guy looking at like

0:30:43.600 --> 0:30:45.760
<v Speaker 1>because he's I'm sure he's referring to like these mobs

0:30:45.760 --> 0:30:48.680
<v Speaker 1>you've had, like attacking vaccine sites and fucking we spawn

0:30:48.760 --> 0:30:52.080
<v Speaker 1>whatnot in l a um, some of which include fucking Nazis.

0:30:52.400 --> 0:30:54.440
<v Speaker 1>And he's like, remember when we used to at least

0:30:54.520 --> 0:30:59.200
<v Speaker 1>yell at Nazis. Um, It's it's bleak. Wally filmed his

0:30:59.240 --> 0:31:01.880
<v Speaker 1>show in Orange Countie, and he was a local institution

0:31:02.000 --> 0:31:05.280
<v Speaker 1>and incredibly influential to the combative form of conservatism that

0:31:05.320 --> 0:31:07.920
<v Speaker 1>exists in that enclave to this day. But as the

0:31:07.920 --> 0:31:11.040
<v Speaker 1>author of that article points out, modern o c conservatives,

0:31:11.040 --> 0:31:14.200
<v Speaker 1>though very much the descendants of Wally George, often lack

0:31:14.280 --> 0:31:17.880
<v Speaker 1>his very minimal ethical convictions. Quote Prescient of what occurred

0:31:17.880 --> 0:31:21.240
<v Speaker 1>in Charlotte's Ville and Trump's reaction to it, the interview

0:31:21.240 --> 0:31:24.120
<v Speaker 1>with Metzger captured a moment in time when conservative Republicans

0:31:24.200 --> 0:31:27.480
<v Speaker 1>rallied openly against white supremacy in the Nazis. Watching that

0:31:27.520 --> 0:31:30.640
<v Speaker 1>episode at his equal parts antiquated and orwellian, with George

0:31:30.720 --> 0:31:33.920
<v Speaker 1>orchestrating an audience full of young, mostly white conservative Orange

0:31:33.920 --> 0:31:37.680
<v Speaker 1>County men and fomenting and rallying viciously against Metzger, and

0:31:37.720 --> 0:31:40.320
<v Speaker 1>what he stood for. To riff on Trump's own axiom,

0:31:40.360 --> 0:31:42.520
<v Speaker 1>George made it clear that there were not very fine

0:31:42.560 --> 0:31:45.360
<v Speaker 1>people on both sides. In a fitting into the segment,

0:31:45.440 --> 0:31:47.680
<v Speaker 1>George stood up behind his desk and led his audience

0:31:47.680 --> 0:31:50.400
<v Speaker 1>in a recitation of the Pledge of Allegiance, with particular

0:31:50.480 --> 0:31:53.600
<v Speaker 1>vocal emphasis on the last line, with liberty and justice

0:31:53.640 --> 0:31:55.840
<v Speaker 1>for all. He then expanded on that theme to his

0:31:55.840 --> 0:31:58.360
<v Speaker 1>audience as he looked deploringly at Metzger, reminding him the

0:31:58.360 --> 0:32:02.320
<v Speaker 1>phrase meant to encompass all races, all religions, and all creeds.

0:32:02.520 --> 0:32:09.480
<v Speaker 1>And yeah, it's uh, it's bleak. I mean, I feel

0:32:09.480 --> 0:32:13.280
<v Speaker 1>like George Wally's old. Wally's the kind of dude that

0:32:13.360 --> 0:32:15.600
<v Speaker 1>would have this guy on to scream at him. Not

0:32:15.680 --> 0:32:20.040
<v Speaker 1>because he really personally finds his politics all that distasteful.

0:32:20.080 --> 0:32:22.000
<v Speaker 1>I don't think he cares about any I don't think.

0:32:22.680 --> 0:32:24.560
<v Speaker 1>I'm sure he finds the because I don't think he

0:32:24.600 --> 0:32:28.160
<v Speaker 1>cares about politics much. No, it was just one I

0:32:28.200 --> 0:32:30.800
<v Speaker 1>don't know. It was just a thing, creating a situation

0:32:30.800 --> 0:32:33.680
<v Speaker 1>where he could be the good guy and generate, you know,

0:32:34.000 --> 0:32:35.680
<v Speaker 1>ratings for his TV show. I don't know. I I

0:32:36.200 --> 0:32:39.719
<v Speaker 1>refuse to applaud him for any partner. And I'm not

0:32:39.840 --> 0:32:42.479
<v Speaker 1>quoting this to applaud him. I'm quoting because it's interesting

0:32:42.480 --> 0:32:44.720
<v Speaker 1>to see someone writing from that perspective of the county

0:32:44.720 --> 0:32:47.760
<v Speaker 1>Conservative going, remember when we when we didn't like Nazi,

0:32:48.120 --> 0:32:50.680
<v Speaker 1>Remember when we remember when we had at least that

0:32:50.760 --> 0:32:54.320
<v Speaker 1>line that crossed And when you're looking back at Wally

0:32:54.400 --> 0:32:59.960
<v Speaker 1>george standards, we believed in things, and there's this guy

0:33:00.120 --> 0:33:02.480
<v Speaker 1>like calls a dude who flipped his desk over the

0:33:02.480 --> 0:33:04.640
<v Speaker 1>next tabula. We should turn the country with this, we

0:33:04.640 --> 0:33:08.440
<v Speaker 1>should tour the country even anything he believes in. He

0:33:08.480 --> 0:33:11.240
<v Speaker 1>doesn't believe in a goddamn thing. Um. Now, it is

0:33:11.320 --> 0:33:13.320
<v Speaker 1>unclear to me whether or not Wally George, living in

0:33:13.360 --> 0:33:16.200
<v Speaker 1>the modern era, would have fully embraced, embraced the white

0:33:16.280 --> 0:33:19.720
<v Speaker 1>nationalist authoritarian politics that have since devoured the gop I

0:33:19.800 --> 0:33:21.880
<v Speaker 1>suspect so in a way that I don't know if

0:33:22.000 --> 0:33:24.680
<v Speaker 1>Joe Pine would have as racist as I'm sure Joe

0:33:24.680 --> 0:33:28.440
<v Speaker 1>Pine was. Joe Pine at least was in World War Two. Like,

0:33:28.480 --> 0:33:31.680
<v Speaker 1>I think he might fight not he might brush up

0:33:31.720 --> 0:33:33.720
<v Speaker 1>against that a little bit. Yeah, I think if he

0:33:33.760 --> 0:33:36.200
<v Speaker 1>saw a dude with a swastika flag, in a march.

0:33:36.200 --> 0:33:40.240
<v Speaker 1>He'd be like, well, fuck those guys. Whatever happening over there,

0:33:40.640 --> 0:33:43.640
<v Speaker 1>whatever happening over there. I don't like that flag. Yeah.

0:33:43.960 --> 0:33:46.880
<v Speaker 1>Um so yeah, it's I don't know. I can't say

0:33:46.920 --> 0:33:49.280
<v Speaker 1>what Wally would have done clearly. Um. But if we're

0:33:49.280 --> 0:33:52.680
<v Speaker 1>to judge purely off his TV appearances, maybe no. If

0:33:52.680 --> 0:33:54.840
<v Speaker 1>we were to judge what we know about him morally,

0:33:54.880 --> 0:33:59.600
<v Speaker 1>probably yes. He he seems cut from the same grift cloth. Yeah, yeah, yeah,

0:33:59.640 --> 0:34:02.080
<v Speaker 1>and Ali is It's worth noting one of the very

0:34:02.120 --> 0:34:05.280
<v Speaker 1>first conservative political voices to use a phrase that has

0:34:05.320 --> 0:34:09.840
<v Speaker 1>since become infamous, We must make America great again. Wally

0:34:09.920 --> 0:34:12.600
<v Speaker 1>said this regularly on his show throughout the nineteen eighties

0:34:12.600 --> 0:34:16.680
<v Speaker 1>and early nineteen nineties. Alongside Rush Limbaugh. He also popularized

0:34:16.680 --> 0:34:21.280
<v Speaker 1>phrases like liberal lunatics, calling his detractors strippers, mud wrestlers,

0:34:21.280 --> 0:34:25.400
<v Speaker 1>and bimbos of all sizes and shapes. By the nineteen nineties,

0:34:25.480 --> 0:34:28.760
<v Speaker 1>Hot Seat was no longer close to unique. Jerry Springer

0:34:28.800 --> 0:34:31.600
<v Speaker 1>and Rush Limbaugh had both entered TV by then. Russia's

0:34:31.600 --> 0:34:34.320
<v Speaker 1>foray didn't last long, but in nineteen ninety six, Fox

0:34:34.360 --> 0:34:37.120
<v Speaker 1>News started up and provided a much more respectable venue

0:34:37.120 --> 0:34:39.960
<v Speaker 1>for far right hate speech. Meanwhile, Jerry Springer delivered a

0:34:40.000 --> 0:34:43.520
<v Speaker 1>gleefully a political approach to combat television that more people

0:34:43.520 --> 0:34:46.480
<v Speaker 1>found appealing than Wally's right wing rants. The fact that

0:34:46.520 --> 0:34:49.879
<v Speaker 1>Springer himself was a much more pleasant person than may

0:34:49.880 --> 0:34:54.120
<v Speaker 1>have had something to do with this. In nineteen George's

0:34:54.120 --> 0:34:57.520
<v Speaker 1>wife left him in the least surprising turn of she

0:34:57.600 --> 0:35:00.320
<v Speaker 1>took their seven year old daughter with her, Thank God

0:35:00.640 --> 0:35:04.880
<v Speaker 1>Jesus Christ. We do not know how many times Wally

0:35:05.000 --> 0:35:08.000
<v Speaker 1>was married, at least four, some sources say as many

0:35:08.040 --> 0:35:11.040
<v Speaker 1>as six times. Like that. It's like a fucking legend,

0:35:11.080 --> 0:35:13.359
<v Speaker 1>Like we don't know. It's like, we don't really know

0:35:13.400 --> 0:35:16.959
<v Speaker 1>how many of course, that fucking crip keeper looking dude,

0:35:17.000 --> 0:35:19.480
<v Speaker 1>we don't know. I don't know how many wives he's

0:35:19.520 --> 0:35:24.920
<v Speaker 1>got locked in a closet like wives surviving exactly. Yeah,

0:35:24.960 --> 0:35:27.360
<v Speaker 1>Wally had several kids, but he was not really a

0:35:27.400 --> 0:35:29.880
<v Speaker 1>father to any of them. Like he would have kids,

0:35:29.960 --> 0:35:32.080
<v Speaker 1>but he was no one's father. I think it's fair

0:35:32.160 --> 0:35:34.319
<v Speaker 1>to say, man, judging by his his set, I thought

0:35:34.360 --> 0:35:36.840
<v Speaker 1>he would have delighted in having little kids, having a

0:35:36.840 --> 0:35:41.359
<v Speaker 1>little kid around you guys in the rocket ships and

0:35:41.480 --> 0:35:47.920
<v Speaker 1>blue turtlenecks. His most prominent child Tom was the actress

0:35:48.000 --> 0:35:53.960
<v Speaker 1>Rebecca de Mornay. Um, yeah, that's his daughter, Wally, just daughter.

0:35:54.239 --> 0:35:56.879
<v Speaker 1>Tell us about Rebecca de Mornay. Oh, they have kind

0:35:56.880 --> 0:36:01.839
<v Speaker 1>of the same hair, like you can see it. M man,

0:36:01.960 --> 0:36:05.239
<v Speaker 1>that's that's fucked up. I mean, I mean, she's in

0:36:05.600 --> 0:36:08.120
<v Speaker 1>hand that rocks the Cradle. She's in that The Sweet

0:36:08.120 --> 0:36:10.440
<v Speaker 1>Three Musketeers, you know, the Disney one with with Oliver

0:36:10.480 --> 0:36:14.440
<v Speaker 1>Platt and Charlie Sheen and keep it Sutherland Umn't that

0:36:14.560 --> 0:36:17.000
<v Speaker 1>TV version of the Shining She is in that TV

0:36:17.120 --> 0:36:20.960
<v Speaker 1>version of the shot. That's a man that just shattered

0:36:21.000 --> 0:36:24.919
<v Speaker 1>my entire universe. Didn't expect that, didn't expect that, didn't

0:36:24.960 --> 0:36:30.399
<v Speaker 1>expect to learn that today? Did you know? That's that's

0:36:30.400 --> 0:36:31.839
<v Speaker 1>too late. I was gonna say, was she the one

0:36:31.840 --> 0:36:33.640
<v Speaker 1>that the that the wife took? But now she was

0:36:33.640 --> 0:36:35.600
<v Speaker 1>our refective warning was already in movies at that point.

0:36:36.280 --> 0:36:38.160
<v Speaker 1>I think she was. You know, he was just having

0:36:38.239 --> 0:36:40.920
<v Speaker 1>kids in abandoning him left and right. M you know

0:36:40.960 --> 0:36:44.040
<v Speaker 1>who else has kids in abandons them? The person the

0:36:44.080 --> 0:36:48.120
<v Speaker 1>sponsors are responsible for these delightful products. Not a single

0:36:48.160 --> 0:36:50.439
<v Speaker 1>one of them, not a single one of them, raise

0:36:50.520 --> 0:36:53.680
<v Speaker 1>their own kids. Well that's gonna help biscuit sponsors. Robert,

0:36:53.760 --> 0:36:58.239
<v Speaker 1>thank you, Sophie, thank you, so be. Look, I think

0:36:58.320 --> 0:37:01.399
<v Speaker 1>some people you don't like to like raise their kids

0:37:01.440 --> 0:37:03.839
<v Speaker 1>in a loving environment, and some people like the song

0:37:03.920 --> 0:37:05.920
<v Speaker 1>A Boy Named Sue and think that that's a good

0:37:05.920 --> 0:37:08.759
<v Speaker 1>way to raise a kid. And both options are equally respectable.

0:37:08.920 --> 0:37:11.160
<v Speaker 1>And what does that have to do with our sponsors. Well,

0:37:11.200 --> 0:37:12.840
<v Speaker 1>if you can abandon your kids as long as you

0:37:12.920 --> 0:37:15.839
<v Speaker 1>name them Sue, it's fine. As the song shows, they'll

0:37:15.840 --> 0:37:18.719
<v Speaker 1>turn out Okay, we'll also learn how to fight. Will

0:37:18.719 --> 0:37:22.359
<v Speaker 1>also accept ramblin Man. Ramblin Man share absolutely great great

0:37:22.400 --> 0:37:25.480
<v Speaker 1>child rearing advice in ramble Man. All right, well that's

0:37:25.480 --> 0:37:33.239
<v Speaker 1>going to lead us. Dads. We're back, and we're all

0:37:33.280 --> 0:37:36.919
<v Speaker 1>just silently appreciating the song A Boy Named Sue, which

0:37:36.960 --> 0:37:40.200
<v Speaker 1>again contains all of the parenting lessons. Anyone listening to

0:37:40.280 --> 0:37:42.880
<v Speaker 1>this will ever need to know, certainly anyone we're talking

0:37:42.920 --> 0:37:51.200
<v Speaker 1>about will certainly ever ever, So, Rebecca de Mornay, am

0:37:51.200 --> 0:37:52.879
<v Speaker 1>I saying her name right as far as I know?

0:37:53.360 --> 0:37:56.520
<v Speaker 1>All right, yeah, you know she is obviously, Um what's

0:37:56.520 --> 0:37:59.520
<v Speaker 1>she in? What's what's her big ship? I just rattled?

0:37:59.520 --> 0:38:03.759
<v Speaker 1>Are you serious, Tom, Okay, Well, my brain doesn't work, Tom,

0:38:03.800 --> 0:38:06.200
<v Speaker 1>and C is probably your biggest right hand that rocks

0:38:06.200 --> 0:38:10.120
<v Speaker 1>the cradle. I'm sorry, I'm on I'm on drugs, and

0:38:10.719 --> 0:38:14.000
<v Speaker 1>it's more that I I'm most mostly sober now. It's

0:38:14.000 --> 0:38:17.560
<v Speaker 1>more that I was on drugs for thirteen straight years. Um,

0:38:17.560 --> 0:38:19.960
<v Speaker 1>my memory doesn't do so great. Remember you knew me

0:38:20.040 --> 0:38:23.319
<v Speaker 1>during Remember that I was not smoking. Yeah, you were

0:38:23.360 --> 0:38:27.200
<v Speaker 1>there for that. That night I gave everybody way too

0:38:27.280 --> 0:38:31.160
<v Speaker 1>much night You put Dave in the hospital hallucinating. Yeah,

0:38:31.239 --> 0:38:34.239
<v Speaker 1>I mean, in fairness, Dave. Dave decided the hospital was

0:38:34.239 --> 0:38:38.680
<v Speaker 1>the right place to be at that. That's true. I

0:38:38.719 --> 0:38:41.760
<v Speaker 1>haven't been able to watch uh, Back to the Future

0:38:41.840 --> 0:38:44.320
<v Speaker 1>since we were coming up during that when we realized

0:38:44.360 --> 0:38:51.960
<v Speaker 1>we had grossly misjudged the amount of post taken a

0:38:52.000 --> 0:38:56.440
<v Speaker 1>whole lot. It was something like sixty sixty doses or so.

0:38:56.960 --> 0:38:59.880
<v Speaker 1>Um so. His most prominent child was the actress Rebecca

0:38:59.880 --> 0:39:05.239
<v Speaker 1>to Morne, who fucking hated Wally George. He like publicly

0:39:05.280 --> 0:39:08.320
<v Speaker 1>attacked him, and Wally blasted her in interviews as bitter,

0:39:08.400 --> 0:39:11.120
<v Speaker 1>twisted and out to ruin me. I found an old

0:39:11.239 --> 0:39:14.000
<v Speaker 1>l A Times article that provides more context to Wally

0:39:14.120 --> 0:39:16.439
<v Speaker 1>during the down swing of his career. You know she's

0:39:16.440 --> 0:39:19.280
<v Speaker 1>my daughter, don't you, asks George. He can't help basking

0:39:19.280 --> 0:39:21.960
<v Speaker 1>in the reflected glory of her celebrity status, even while

0:39:21.960 --> 0:39:24.440
<v Speaker 1>conceding that she grew up in England without knowing him

0:39:24.440 --> 0:39:26.680
<v Speaker 1>and wants nothing to do with him. Now, what really

0:39:26.719 --> 0:39:28.919
<v Speaker 1>bothers bothers me more than anything is that she's given

0:39:28.920 --> 0:39:31.200
<v Speaker 1>interview saying I never tried to contact her until after

0:39:31.239 --> 0:39:34.399
<v Speaker 1>she became a star. It's not true I embarrass her.

0:39:34.640 --> 0:39:36.800
<v Speaker 1>She hangs out with left wing actors like Robert de

0:39:36.880 --> 0:39:39.680
<v Speaker 1>Niro and Jack Nicholson and Harry Dean Stanton. You don't

0:39:39.719 --> 0:39:42.560
<v Speaker 1>like me because I bad mouth Hollywood. They've convinced her

0:39:42.560 --> 0:39:45.080
<v Speaker 1>I'm bad for her career. I just love that that

0:39:45.239 --> 0:39:59.080
<v Speaker 1>that trifecta's Jack Nicholson famed leftists all. It's very funny. Um.

0:39:59.120 --> 0:40:03.600
<v Speaker 1>In fact, yeah, sorry, yeah, it's very funny. And it's

0:40:03.600 --> 0:40:06.520
<v Speaker 1>one of those things like probably nothing would have maybe

0:40:06.560 --> 0:40:09.000
<v Speaker 1>saved his career more than if he'd actually like made

0:40:09.080 --> 0:40:10.959
<v Speaker 1>up with his daughter and like done a big TV

0:40:11.040 --> 0:40:14.359
<v Speaker 1>special about it. Um. But she never gave into that ship.

0:40:14.400 --> 0:40:16.799
<v Speaker 1>Like that's clearly what he wanted was some kind of

0:40:16.840 --> 0:40:19.600
<v Speaker 1>like big public you know, for show, right, he obviously

0:40:19.640 --> 0:40:21.600
<v Speaker 1>didn't give a shit about her, He abandoned. No, I'm sure,

0:40:21.680 --> 0:40:28.480
<v Speaker 1>but I'm sure absolutely yeah yeah yeah um. By the

0:40:28.520 --> 0:40:31.360
<v Speaker 1>mid nineteen nineties, George's audience was too small for the

0:40:31.440 --> 0:40:33.920
<v Speaker 1>Nielsen Company to rate, which means it reached less than

0:40:33.960 --> 0:40:37.040
<v Speaker 1>twenty four thousand households in the Los Angeles area. As

0:40:37.080 --> 0:40:39.440
<v Speaker 1>a result, in order to chase notoriety and attention, he

0:40:39.480 --> 0:40:42.280
<v Speaker 1>was forced to find weirder and weirder guests for Hot Seat.

0:40:42.520 --> 0:40:47.560
<v Speaker 1>One frequent attendee was Odorous Urungus, the lead singer for Guards.

0:40:47.760 --> 0:40:54.000
<v Speaker 1>Loved Tom turns his head. Odorus loved Wally, telling one interviewer, Honestly,

0:40:54.080 --> 0:40:55.839
<v Speaker 1>of all the talk shows we've been on, everything from

0:40:55.880 --> 0:40:58.239
<v Speaker 1>Springer to Joan Rivers to Jimmy Fallon, it was our

0:40:58.280 --> 0:41:01.040
<v Speaker 1>favorite one, that cheesy little public access show with that

0:41:01.120 --> 0:41:03.440
<v Speaker 1>weirdo Wally George. He kicked ass on all of those

0:41:03.480 --> 0:41:07.880
<v Speaker 1>other multimillion dollar, fucking Hollywood TV creation constructed human being Yuck.

0:41:08.080 --> 0:41:11.480
<v Speaker 1>Those people really made me sick. Yeah, fucking guar. I mean,

0:41:11.560 --> 0:41:14.120
<v Speaker 1>I get why a man who dresses up as a

0:41:14.120 --> 0:41:17.600
<v Speaker 1>monster for a living would enjoy being on Wally George's show. Yeah,

0:41:19.320 --> 0:41:21.160
<v Speaker 1>I mean that was their whole thing. They just wanted

0:41:21.160 --> 0:41:23.759
<v Speaker 1>to offend people and shock. Yeah, yeah, yeah, I get

0:41:23.800 --> 0:41:26.800
<v Speaker 1>why Wally George and him hit it off. Dexter Holland,

0:41:26.920 --> 0:41:29.600
<v Speaker 1>lead singer of The Offspring, was also a guest on

0:41:29.600 --> 0:41:32.640
<v Speaker 1>The Wally George Show and described it as punk, which

0:41:32.680 --> 0:41:35.360
<v Speaker 1>I do think gets it something important For many of

0:41:35.400 --> 0:41:38.520
<v Speaker 1>his young fans, especially, the appeal wasn't that Wally was

0:41:38.640 --> 0:41:40.680
<v Speaker 1>right wing. It was the rock because they weren't. And

0:41:40.719 --> 0:41:42.239
<v Speaker 1>it wasn't that they didn't hate right wing or they

0:41:42.239 --> 0:41:44.560
<v Speaker 1>weren't left wing. They just didn't care about politics. They

0:41:44.600 --> 0:41:47.600
<v Speaker 1>liked that he was raucous, violent and unhinged, and they

0:41:47.640 --> 0:41:50.040
<v Speaker 1>liked that as members of his live audience, they could

0:41:50.080 --> 0:41:52.800
<v Speaker 1>be raucous, violent and unhinged. They could scream and shout

0:41:52.840 --> 0:41:55.600
<v Speaker 1>at people and threatened them and sometimes even get into

0:41:55.600 --> 0:41:58.120
<v Speaker 1>fucking fights on the show. And there's more than a

0:41:58.120 --> 0:42:00.799
<v Speaker 1>little Wally George in the alt rights d in a like,

0:42:01.040 --> 0:42:02.960
<v Speaker 1>I don't care as much about the politics that I'm

0:42:03.000 --> 0:42:05.239
<v Speaker 1>claiming as I do about getting to offend you. You know,

0:42:05.440 --> 0:42:10.080
<v Speaker 1>that's Wally George and that's a big part of modern conservatism. Now,

0:42:10.520 --> 0:42:13.240
<v Speaker 1>other regular guests who sparred with Wally expressed a belief

0:42:13.280 --> 0:42:15.560
<v Speaker 1>that he was not really conservative. He was a showman

0:42:15.680 --> 0:42:18.759
<v Speaker 1>first and foremost, and would happily platform anyone fringe enough

0:42:18.800 --> 0:42:21.319
<v Speaker 1>to be entertaining. Still, there was more than a hint

0:42:21.360 --> 0:42:25.040
<v Speaker 1>of lynch mob to Wally's audience. Nicolas Shrek, lead singer

0:42:25.080 --> 0:42:28.520
<v Speaker 1>of the of Radio Werewolf, recalled it was like Wally

0:42:28.600 --> 0:42:31.680
<v Speaker 1>was a microcosm of Hollywood taking over politics. In a way,

0:42:31.680 --> 0:42:33.680
<v Speaker 1>it could seem harmless or like it was just a joke,

0:42:33.800 --> 0:42:35.640
<v Speaker 1>but when we were actually in the studio and while

0:42:35.640 --> 0:42:38.120
<v Speaker 1>he was presenting me as a scapegoat for all societal ills,

0:42:38.400 --> 0:42:41.040
<v Speaker 1>the audience was whipped into a genuine frenzy. They did

0:42:41.080 --> 0:42:42.879
<v Speaker 1>not take it as a joke, and it felt very

0:42:42.960 --> 0:42:45.120
<v Speaker 1>dangerous to be there. It's easy to think he was

0:42:45.160 --> 0:42:47.440
<v Speaker 1>a humorous phenomenon, but it was part of the whole.

0:42:47.680 --> 0:42:50.000
<v Speaker 1>It was a very violent craziness to the eighties that

0:42:50.040 --> 0:42:52.520
<v Speaker 1>I don't think Americans can remember exactly how it was.

0:42:52.880 --> 0:42:55.120
<v Speaker 1>I went to a Ronald Reagan rally in nineteen eighty

0:42:55.160 --> 0:42:57.960
<v Speaker 1>four and I sensed that same inherent violence. You know,

0:42:58.000 --> 0:43:01.440
<v Speaker 1>the novel Lord of the Flies did me of that. Yep,

0:43:02.120 --> 0:43:04.560
<v Speaker 1>there's a lot in there. It feels a little relevant,

0:43:04.600 --> 0:43:08.759
<v Speaker 1>doesn't it. Yeah, Shrek onto something there. Yeah, that's that's

0:43:09.440 --> 0:43:12.040
<v Speaker 1>like I said, that's one of the main things about

0:43:12.040 --> 0:43:15.640
<v Speaker 1>watching that clip that was so unpleasant and upsetting is

0:43:15.640 --> 0:43:18.080
<v Speaker 1>is is how close it is to a lynch mob.

0:43:18.200 --> 0:43:21.000
<v Speaker 1>It's just like he's a big goofball. Like we had

0:43:21.040 --> 0:43:23.160
<v Speaker 1>a lot of fun talking about how ridiculous he looks,

0:43:23.239 --> 0:43:27.200
<v Speaker 1>but like that is a frightening there's no judg Yeah,

0:43:27.239 --> 0:43:30.920
<v Speaker 1>that's nothing funny about absolutely not. No that I have.

0:43:31.080 --> 0:43:33.560
<v Speaker 1>I have. I have gone toe to toe with more

0:43:33.640 --> 0:43:35.360
<v Speaker 1>or less of that audience in the street with a

0:43:35.360 --> 0:43:37.880
<v Speaker 1>bunch of weapons on their side. It's the same fucking people.

0:43:37.960 --> 0:43:40.880
<v Speaker 1>It's fair, same motivation. It's it's a man. It's so

0:43:41.080 --> 0:43:43.840
<v Speaker 1>it's so parallel to like Trump, because like Trump himself,

0:43:43.880 --> 0:43:46.239
<v Speaker 1>the man, it's a big stupid idiot that's ridiculous looking,

0:43:46.280 --> 0:43:47.719
<v Speaker 1>and you can just look at him have just as

0:43:47.760 --> 0:43:49.840
<v Speaker 1>easily been a Democrat if that had been the easy

0:43:49.880 --> 0:43:52.080
<v Speaker 1>way to get what he wanted. Yeah, just look at

0:43:52.080 --> 0:43:53.719
<v Speaker 1>that big stupid asshole. But then you look at the

0:43:53.719 --> 0:43:57.000
<v Speaker 1>crowds that follow him, like, oh, there's nothing funny about that, Like,

0:43:57.040 --> 0:44:01.080
<v Speaker 1>it's not at all humorous. No, it's just scared. Wally's

0:44:01.120 --> 0:44:04.000
<v Speaker 1>health started to fall apart in the early nineteen nineties.

0:44:05.560 --> 0:44:07.520
<v Speaker 1>I know, Tom, this is really going to break your

0:44:07.560 --> 0:44:11.560
<v Speaker 1>heart yourself here, don't tell me I can't take it.

0:44:12.160 --> 0:44:15.160
<v Speaker 1>By ninetee, he had to quit recording new episodes of

0:44:15.200 --> 0:44:17.360
<v Speaker 1>his show, But since Hot Seat had been daily for

0:44:17.440 --> 0:44:20.320
<v Speaker 1>like a decade, the show stayed in reruns for another decade,

0:44:20.320 --> 0:44:23.600
<v Speaker 1>and Wally would regularly record new introductions and conclusions to

0:44:23.680 --> 0:44:27.080
<v Speaker 1>various best of episodes. He died in two thousand three

0:44:27.320 --> 0:44:30.640
<v Speaker 1>of pneumonia. So we have a lot to thank cigarettes

0:44:30.640 --> 0:44:32.879
<v Speaker 1>and pneumonia for but none of them work fast enough.

0:44:33.280 --> 0:44:37.360
<v Speaker 1>Satan called home another angel, another one of his glorious angels.

0:44:40.160 --> 0:44:46.120
<v Speaker 1>Speaking of Satan's angels, Tom hadn't plugtles to plug. That's

0:44:46.160 --> 0:44:49.799
<v Speaker 1>the end. That's the end of part two. We gotta,

0:44:49.840 --> 0:44:51.560
<v Speaker 1>we gotta, we gotta, we got we got one more.

0:44:51.600 --> 0:44:53.840
<v Speaker 1>We got one more in the chamber. All ran a

0:44:53.880 --> 0:44:56.920
<v Speaker 1>little longer, So all right, Well, yeah, I run a

0:44:56.960 --> 0:45:00.279
<v Speaker 1>podcast network with my buddy David Bell. We worked at

0:45:00.320 --> 0:45:02.360
<v Speaker 1>Crack together. If you want to head up a Patreon

0:45:02.400 --> 0:45:05.280
<v Speaker 1>dot com slash Games for unemployeed. You can support our network.

0:45:05.320 --> 0:45:07.520
<v Speaker 1>We do a bunch of free podcasts. We also do

0:45:07.640 --> 0:45:10.359
<v Speaker 1>a bunch of exclusive podcasts just for patrons like uh

0:45:10.480 --> 0:45:12.879
<v Speaker 1>Fox Folders, Maniac, Tom and Jeff, watch Batman, and Start

0:45:13.040 --> 0:45:16.360
<v Speaker 1>Mix Puturama. So check that out if you would please. Yeah, assholes,

0:45:16.480 --> 0:45:19.200
<v Speaker 1>do it. Yeah you're gonna do not do it. I'm sorry,

0:45:19.239 --> 0:45:21.480
<v Speaker 1>I love you all. Anyways, the episode is over.