WEBVTT - Broken Record - Beastie Boys and Spike Jonze

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<v Speaker 1>It's been almost thirty five years since the Beastie Boys

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<v Speaker 1>released the all time classic Licensed to Ill, and while

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<v Speaker 1>some of the record's lyrics and antics sounds dated as

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<v Speaker 1>a Porky's Movies, the album is still exceptional for Beastie

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<v Speaker 1>Boys fans. Licensed to Ill is a glimpse into the

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<v Speaker 1>lives of m C A ad Rock, Mike d and

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<v Speaker 1>their first DJ producer, Rick Rubin. Their debut album as

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<v Speaker 1>a pastiche of inside jokes in musical inspiration pulled from

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<v Speaker 1>the classic rock and hip hop records they listened to

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<v Speaker 1>and Rick's college dorm room. Rick recently connected with Mike

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<v Speaker 1>d ad Rock and Spike Jones, who directed the New

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<v Speaker 1>Beasties documentary. With Spike playing moderator. They teleport back to

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<v Speaker 1>the early eighties and talk about their lives leading up

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<v Speaker 1>to the release of Licensed to Ill. It's all here,

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<v Speaker 1>the inspiration behind Brass Monkey, Rix, Infamous Bubble Machine and

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<v Speaker 1>hy DJ Double R bailed on the Beastie's first big break,

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<v Speaker 1>opening up from Madonna on her Like a Virgin tour.

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<v Speaker 1>In this is broken record line of notes for the

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<v Speaker 1>digital Age. I'm justin Richmond. It's been about twenty years

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<v Speaker 1>since Rick and Adam Horvits have talked, and like most

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<v Speaker 1>Zoom calls, their reunion gets off to a glitchy start.

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<v Speaker 1>Mike d kicks things off. Oh who's Adam, what's up, sir?

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<v Speaker 1>Ricky look different. It's good to see you. You look

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<v Speaker 1>the same. Yeah, No, that's a lot. That is an abomination, Mike.

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<v Speaker 1>He looked great. Don't start, Adam, don't start. Don't start. Rick.

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<v Speaker 1>First of all, very nice to see. It's been a

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<v Speaker 1>long long time. The last time I can remember a

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<v Speaker 1>speaking was that one of the Tibetan freedom shows. You

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<v Speaker 1>have a good memory. Then I don't remember that, and

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<v Speaker 1>that had to be. But I mean, just time wise,

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<v Speaker 1>putting a time stamp on it that was at least

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<v Speaker 1>twenty years ago. It's unbelievable. It's surreal, and it makes

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<v Speaker 1>no sense. I mean, from my perspective, it makes no sense.

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<v Speaker 1>I'll say, I haven't I don't know why it worked

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<v Speaker 1>out that we've not hung out in that amount of time.

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<v Speaker 1>I'm just I've been so busy, you know. I can

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<v Speaker 1>remember there was a little window of time that we

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<v Speaker 1>started spending a little bit of time together in Los Angeles,

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<v Speaker 1>right when you came to Los Angeles after I was

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<v Speaker 1>already there and um and I can remember we had

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<v Speaker 1>lunch at Hugos. God, damn, I don't remember anything. Oh yeah,

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<v Speaker 1>going back in the Hugo's days. Michael trying to talk

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<v Speaker 1>pasta Alla Mama. Yeah, Michael trying to talk right now.

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<v Speaker 1>We hung had a handful of times, and I remember

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<v Speaker 1>seeing you and I think some something happened that I

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<v Speaker 1>don't know what happened at the party for the Blood

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<v Speaker 1>Sugar Sex Magic album. At the it was that album,

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<v Speaker 1>That's what happened. Oh. Like, uh, I got daggers today

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<v Speaker 1>coming with all the cylinders. You guys, we can we

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<v Speaker 1>can see, we can see, we can see. I'm in

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<v Speaker 1>I'm in a mood today, dude. I adam for your

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<v Speaker 1>along with your daggers. I think you need like you

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<v Speaker 1>need a bank of sound effects like you know, Doug Siren. No, no, no,

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<v Speaker 1>I'm just in a mood. Let's get all the dagger out.

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<v Speaker 1>Let's let's do let's what's and what's the show? Rick?

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<v Speaker 1>What what happens on your show? What's what is it?

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<v Speaker 1>I wouldn't call it a show, it's a It's usually

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<v Speaker 1>a conversation. And I talked to different artists and they

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<v Speaker 1>tell me stories about what they do. It's not unlike

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<v Speaker 1>what happens in a recording session before the music gets made.

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<v Speaker 1>That's typically what it's like, just kind of and and

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<v Speaker 1>especially if it's someone that I don't know learning who

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<v Speaker 1>they are. Can I start with a question, which I

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<v Speaker 1>know is but I'm just curious, so I want to

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<v Speaker 1>ask it. Do you find that you more often find

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<v Speaker 1>out things that you don't know about people that you

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<v Speaker 1>do know when they're doing your show, Or do you

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<v Speaker 1>find stuff about somebody you do know that's doing your

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<v Speaker 1>show more so in an unexpected way than somebody who

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<v Speaker 1>you don't know at all who's doing your show where

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<v Speaker 1>you have no background. In both cases, I learned a

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<v Speaker 1>tremendous amount about the people I'm talking to. It's maybe

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<v Speaker 1>more unusual with people that I know, because I get

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<v Speaker 1>to talk about things that we don't normally talk about,

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<v Speaker 1>Like I was thinking about even from the time that

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<v Speaker 1>we knew each other back in the day, stuff we

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<v Speaker 1>never talked about, Like I wanted to ask you guys

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<v Speaker 1>about high school, Like I don't know what your experience

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<v Speaker 1>in high school, and I was just curious, Like, wow,

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<v Speaker 1>I was around it was about the time you guys

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<v Speaker 1>were just either just ending high school or just recently

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<v Speaker 1>ending high school, and like, what was that like? We

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<v Speaker 1>never talked about that. Well, it's funny to think, actually,

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<v Speaker 1>as you say that, because we spent so much time

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<v Speaker 1>in your dorm room, I've never once pictured you in

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<v Speaker 1>a class. I had no idea. I've never even thought

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<v Speaker 1>that you actually like attended class. Yeah, I didn't. I

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<v Speaker 1>didn't attend many. Right, Well, it's interested conversely, when we

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<v Speaker 1>were in your dorm room us because we were not

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<v Speaker 1>going to school, right, So it's like, yeah, but that's

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<v Speaker 1>a good point. We never ever talked about we I

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<v Speaker 1>never ever asked you about n y U ever. We

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<v Speaker 1>just for our perspective, we just thought, well, this is cool,

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<v Speaker 1>Like this guy lives in a dorm, he's going to college,

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<v Speaker 1>and we're in high school. So this like, this is cool.

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<v Speaker 1>Like you were like, we thought you were going to

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<v Speaker 1>be the cool like you turned you know, you're like

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<v Speaker 1>the cool, excitely older guy. And then and then also mistakenly,

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<v Speaker 1>I think we thought, wow, we're gonna be hanging out

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<v Speaker 1>in this dorm, which just means we're gonna beat like

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<v Speaker 1>tons of girls, and this is gonna be great, and

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<v Speaker 1>we never talked to anybody. It was not. But it

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<v Speaker 1>was not like that mean for you to mind, Adam.

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<v Speaker 1>What was your what was your school experience like on

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<v Speaker 1>st um? Well, I was. I went. I was supposed

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<v Speaker 1>to go to Brooklyn Heck, because I wanted to go

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<v Speaker 1>to Stuyveson, but I didn't get in, and so I

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<v Speaker 1>went to Brooklyn Tech. And that was just too weird.

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<v Speaker 1>That's a whole other story, but tell it, tell that story.

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<v Speaker 1>What was weird about it? No, Brooklyn, Like I wanted

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<v Speaker 1>to go to Stuyveson because my best friend Arthur went there,

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<v Speaker 1>and um and I didn't get in. So I went

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<v Speaker 1>to the other school you could go to was a

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<v Speaker 1>technical school in Brooklyn, and it was massive and they

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<v Speaker 1>had like metal detectors to get in and it was

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<v Speaker 1>this huge technical school and I, like I quickly realized

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<v Speaker 1>after like the third day, like this is not for me.

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<v Speaker 1>I don't know what it's fright. It was just so overwhelming.

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<v Speaker 1>Looking back, I wish I would have actually stayed and

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<v Speaker 1>learned something technical actually what could have helped me? But

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<v Speaker 1>um so I just stopped going to school for a while.

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<v Speaker 1>And then my dad got me into the school Mcberniey.

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<v Speaker 1>That was a private school of town, and I was

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<v Speaker 1>there for a couple of years and then I stopped going,

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<v Speaker 1>probably right around the time I met you. And not

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<v Speaker 1>that the two things, not that two things are related.

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<v Speaker 1>I'm just saying, what was the experience like of the school,

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<v Speaker 1>Like what were the kids like the experience going going

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<v Speaker 1>to school? Because I was also I got into graffiti

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<v Speaker 1>because we were into graffiti and so like that was

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<v Speaker 1>the fun part about getting to school. Is just like

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<v Speaker 1>being on the train and watching this, you know, just

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<v Speaker 1>seeing who was on there and all that stuff in

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<v Speaker 1>the school. The first school was was just overwhelming. It

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<v Speaker 1>was I can't even describe. It was just huge with

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<v Speaker 1>thousands of kids. It was just a massive school. And

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<v Speaker 1>then McBurney was like a preppy school. It was like

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<v Speaker 1>a I don't know, I just seemed felt really out

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<v Speaker 1>of place there. I felt kind of dirty, like my

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<v Speaker 1>clothes are dirty. Well can you tell tell us the story, Adam,

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<v Speaker 1>Why you never returned to mcbernie Oh? Yeah, So they

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<v Speaker 1>had the school play was gonna be Oliver, and so

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<v Speaker 1>I did. They had auditions and I and I sang

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<v Speaker 1>for the audition. Consider yourself at home and I never

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<v Speaker 1>really sang out loud before, and I was so bad

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<v Speaker 1>that I just left the school that never went back. Incredible,

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<v Speaker 1>But I will say I think you'd be a good

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<v Speaker 1>artful artful dodger artful, be good like even now then

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<v Speaker 1>now in between, I know, but it was singing. I

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<v Speaker 1>can't say, as you know, I can't sing. I mean

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<v Speaker 1>I can, but it's just bad. Yeah, yeah, it's not

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<v Speaker 1>You're you know, you're not rapping Forte, I get it, Adam.

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<v Speaker 1>Did you get into graffiti before before hip hop music

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<v Speaker 1>or were they simultaneous later later hip hop later? No?

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<v Speaker 1>Rap music first? Definitely okay, And do you remember what

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<v Speaker 1>were the record stories that you guys hung out in.

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<v Speaker 1>Did you guys hang out record stores all? I knew

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<v Speaker 1>you hung out at rat Cage, But was that like

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<v Speaker 1>the first record store where you would like spend time

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<v Speaker 1>but like the rat Cage you were at like that

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<v Speaker 1>that was the first record store where I, like, I

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<v Speaker 1>felt comfortable talking to the person behind the counter. I

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<v Speaker 1>would go to breaker Bob's all the time, like get

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<v Speaker 1>like get off the train coming home from school like

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<v Speaker 1>a bleaker Bob's, and I'd be terrified because Bob was

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<v Speaker 1>always there. You yell at you know, yell at you

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<v Speaker 1>yell at me. And he had that huge Doberman pincher.

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<v Speaker 1>She was scary and yeah, and they were always mean

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<v Speaker 1>to me. Do you mean to everybody? You would always

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<v Speaker 1>say random, weird jewish stuff. To me, I was just

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<v Speaker 1>like a little kid. I just wanted to find out

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<v Speaker 1>about what cool, what was new? It was cool and

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<v Speaker 1>I didn't know and they were so neat, but then

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<v Speaker 1>there was cool. I do remember going to nine nine Records. Yeah,

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<v Speaker 1>that's where I hung out. I loved I loved nine nine.

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<v Speaker 1>My memory of the of those days were that the

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<v Speaker 1>whole schedule of the day was based around going to

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<v Speaker 1>the club. Did you guys feel that way as well

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<v Speaker 1>or no? Oh? Yeah, like that was the that was

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<v Speaker 1>really the primary thing every day was what club was

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<v Speaker 1>going to be that night, if there was going to

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<v Speaker 1>be a band if not, what DJs to go to

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<v Speaker 1>see and where to hang out. Well that's why the

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<v Speaker 1>Rackage Records Star was great because it was the first

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<v Speaker 1>record store that kids hung out at for me, at least,

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<v Speaker 1>I mean the other recordsters that I used to go to,

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<v Speaker 1>you know, kids wouldn't really hang out and Bleaker Bob's maybe,

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<v Speaker 1>but that I didn't like it there, and so Rackage

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<v Speaker 1>was like a meeting place, like a hangout place. And

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<v Speaker 1>later your dorm room was going moving the needle forward along,

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<v Speaker 1>like when we would hang out with you and we

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<v Speaker 1>go to your dorm room. I remember like every day

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<v Speaker 1>like it was just kind of like go to your

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<v Speaker 1>dorm room and then figure out what we were doing

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<v Speaker 1>that night, and what we were doing that night always

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<v Speaker 1>revolved around what club we were going to. I remember

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<v Speaker 1>it always being around music. Even during the day. We

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<v Speaker 1>would make mixtapes and sometimes sit out on the front,

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<v Speaker 1>uh the front of the dorm with boom box and

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<v Speaker 1>listen to music. And it seemed like that's all that

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<v Speaker 1>it was. That's all it was going on. All that

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<v Speaker 1>seemed important was music and what we were going to

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<v Speaker 1>eat and what we were going to listen to. And

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<v Speaker 1>my it was clearly focused on hooking up. I was interested.

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<v Speaker 1>I wasn't very good, uh in that arena, yeah, but

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<v Speaker 1>but yeah, but I was interested. Where did the original

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<v Speaker 1>Volkswagen emblem come from? That was from my friend Laura Shilson.

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<v Speaker 1>It was on her wall. So wait, wait, I understand,

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<v Speaker 1>but it wasn't on her wall on that chain. Yeah,

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<v Speaker 1>I don't remember there. I think she just had it

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<v Speaker 1>on the wall. She took it off a car, and

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<v Speaker 1>for some reason I had it and then put it

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<v Speaker 1>on a string and then you took it. That's what

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<v Speaker 1>I love about being a teenager, how much stuff just

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<v Speaker 1>sort of goes from one kid to the next to

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<v Speaker 1>the next. I just I remember. I feel like I

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<v Speaker 1>feel like you and Yea came over and it was

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<v Speaker 1>like you gave it to me in a glorious presentation. Yeah.

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<v Speaker 1>I like my revisionist history. I feel like like something

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<v Speaker 1>like it's almost like I feel like I was knighted,

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<v Speaker 1>like you guys gave me bestowed. It was bestowed upon

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<v Speaker 1>you upon me, and then I could become Mike D.

0:12:11.800 --> 0:12:13.920
<v Speaker 1>I'm going to dispute that, because think about it, what

0:12:14.000 --> 0:12:18.600
<v Speaker 1>have I ever given you? I feel like I feel

0:12:18.640 --> 0:12:21.440
<v Speaker 1>like I remember this happening though, I feel like I

0:12:21.520 --> 0:12:28.080
<v Speaker 1>was there for that. Yes, but I do feel like

0:12:28.400 --> 0:12:29.839
<v Speaker 1>and I don't know how it ended up being on

0:12:29.880 --> 0:12:31.839
<v Speaker 1>the chain, because I don't think it was on that

0:12:32.240 --> 0:12:35.280
<v Speaker 1>chain somehow, like that chain was like sitting around and

0:12:35.400 --> 0:12:37.439
<v Speaker 1>I don't remember that exactly, but I remember them. Once

0:12:37.480 --> 0:12:39.760
<v Speaker 1>I started wearing that, it was kind of like then

0:12:40.440 --> 0:12:43.600
<v Speaker 1>it was like I felt like everybody felt like, all right,

0:12:43.600 --> 0:12:45.640
<v Speaker 1>I could I could beat Mike d Now that was

0:12:45.640 --> 0:12:50.600
<v Speaker 1>your Superman cave. Yes, it was wow when you first

0:12:50.640 --> 0:12:53.160
<v Speaker 1>met these guys, what was like? What are Can you

0:12:53.200 --> 0:12:55.800
<v Speaker 1>think of a time where there sometimes when you were like, oh,

0:12:55.960 --> 0:12:58.840
<v Speaker 1>I get them, I understand who they are, Like I

0:12:58.880 --> 0:13:00.760
<v Speaker 1>understand who Yaki is or who Adam is or who

0:13:00.800 --> 0:13:03.480
<v Speaker 1>Mike is. Like, what was your sense of that? Well?

0:13:03.559 --> 0:13:07.400
<v Speaker 1>I remember meeting Adam first through Dave Skilkin, and I

0:13:07.400 --> 0:13:10.800
<v Speaker 1>remember Dave Skilkin was sort of in my mind the glue,

0:13:10.840 --> 0:13:14.160
<v Speaker 1>like he was a kid who was just uh, super

0:13:14.160 --> 0:13:17.600
<v Speaker 1>friendly and outgoing, which I don't think any of any

0:13:17.640 --> 0:13:20.280
<v Speaker 1>of us were. I thought we met you and I

0:13:20.320 --> 0:13:22.800
<v Speaker 1>met because of Nick Cooper. Could be wrong. I remember

0:13:22.880 --> 0:13:25.120
<v Speaker 1>Nick Cooper, but I didn't remember that's how we met.

0:13:25.960 --> 0:13:30.520
<v Speaker 1>I do remember I remember Nick Cooper telling us about

0:13:30.640 --> 0:13:34.199
<v Speaker 1>you and being like, yeah, there's this I I you

0:13:34.280 --> 0:13:36.840
<v Speaker 1>gotta meet him because we we put cooking us out.

0:13:36.880 --> 0:13:40.000
<v Speaker 1>We really needed a DJ. It's like, you gotta meet him.

0:13:40.200 --> 0:13:43.120
<v Speaker 1>He's into like the stuff that you guys are into,

0:13:43.360 --> 0:13:46.000
<v Speaker 1>and he's a d K and he's got all the equipment.

0:13:46.320 --> 0:13:49.680
<v Speaker 1>According to Nick and Wheber I asked your He's like,

0:13:49.720 --> 0:13:52.120
<v Speaker 1>he's got a bubble machine. That was his big line.

0:13:52.440 --> 0:13:55.360
<v Speaker 1>It's true. I'll see that. I'm it's true. Rick is

0:13:55.480 --> 0:13:59.080
<v Speaker 1>confirming the bubble It's true that I had I had

0:13:59.200 --> 0:14:04.520
<v Speaker 1>access to aubble machine. Okay, I never know. You were

0:14:04.600 --> 0:14:08.120
<v Speaker 1>writing the book, you were like Rick, and no, I

0:14:08.160 --> 0:14:10.959
<v Speaker 1>said the bubble machine, and You're like, I don't think so.

0:14:11.120 --> 0:14:12.839
<v Speaker 1>And then you called Rick and Rick was like, yeah,

0:14:12.840 --> 0:14:14.840
<v Speaker 1>I don't know about bubble machine. I was like, you

0:14:14.960 --> 0:14:17.719
<v Speaker 1>both are crazy, because there was definitely a bubble was

0:14:17.800 --> 0:14:19.920
<v Speaker 1>a bubble machine. Why else would you want to meet

0:14:19.960 --> 0:14:24.760
<v Speaker 1>someone exactly they have a bubble machine. Okay, I'll go

0:14:25.040 --> 0:14:27.600
<v Speaker 1>the funny. The funny thing is is that the bubble

0:14:27.680 --> 0:14:31.720
<v Speaker 1>machine was something that just was at the dorm. It's like, uh,

0:14:31.800 --> 0:14:33.600
<v Speaker 1>and when I heard that there was a bubble machine there,

0:14:33.600 --> 0:14:35.200
<v Speaker 1>It's like, oh, wow, we gotta have a party. We

0:14:35.200 --> 0:14:38.120
<v Speaker 1>have a bubble machine now, so let's have a party.

0:14:38.560 --> 0:14:42.480
<v Speaker 1>And that was where the bubble machine story began. Rick.

0:14:42.640 --> 0:14:46.320
<v Speaker 1>But I'm curious that about like just what your relationship

0:14:46.360 --> 0:14:49.600
<v Speaker 1>with each of them was, Like I can remember spending

0:14:49.600 --> 0:14:52.080
<v Speaker 1>the most time with Adam, and it seemed like our

0:14:52.120 --> 0:14:54.920
<v Speaker 1>friendship had mostly to do with music, because that's what

0:14:54.960 --> 0:14:57.200
<v Speaker 1>we We just listen to music all the time, as

0:14:57.240 --> 0:15:02.080
<v Speaker 1>I recalled, and d Jay in music. And then I

0:15:02.120 --> 0:15:06.320
<v Speaker 1>think I met the other guys through the story of

0:15:06.360 --> 0:15:09.720
<v Speaker 1>Cookie Puss, after Cookie Puss was already out, and then

0:15:09.960 --> 0:15:13.080
<v Speaker 1>wanting a DJ, and then I came to a couple

0:15:13.120 --> 0:15:16.800
<v Speaker 1>of shows in DJ after the after the live set.

0:15:17.280 --> 0:15:21.280
<v Speaker 1>As I recall hard to remember first impressions. I remember

0:15:21.960 --> 0:15:25.200
<v Speaker 1>seeing Mike before I met Mike at the Grille one night,

0:15:25.760 --> 0:15:28.760
<v Speaker 1>and I remember someone saying, Oh, that that's one of

0:15:28.800 --> 0:15:31.040
<v Speaker 1>the guys in the Beastie Boys, And I remember thinking

0:15:31.920 --> 0:15:34.680
<v Speaker 1>it was just like, uh, it was just a weird

0:15:35.400 --> 0:15:37.720
<v Speaker 1>I had a weird impression, not good or bad, just

0:15:37.800 --> 0:15:40.880
<v Speaker 1>like he's a kid, feels like maybe my age, maybe

0:15:40.920 --> 0:15:44.840
<v Speaker 1>a little younger, and he's in a band, and and

0:15:44.880 --> 0:15:46.960
<v Speaker 1>I remember he was I think, I think you may

0:15:46.960 --> 0:15:52.160
<v Speaker 1>have been pretty inebriated that night, Mike, and I just

0:15:52.200 --> 0:15:55.480
<v Speaker 1>remember thinking, Wow, this guy seems like a little like uh,

0:15:55.560 --> 0:15:58.480
<v Speaker 1>it seems like revd Up, you know, like revd Up.

0:15:59.120 --> 0:16:01.520
<v Speaker 1>He's like tough, tough guy, Mike, You mean like he's

0:16:01.560 --> 0:16:04.360
<v Speaker 1>just like bad boy. No, no, no, just like like

0:16:05.640 --> 0:16:10.200
<v Speaker 1>enjoying himself. Like he was hitting it hard. Yeah, he

0:16:10.240 --> 0:16:12.360
<v Speaker 1>goes hard in the paint. He went hard in the pain.

0:16:12.440 --> 0:16:14.800
<v Speaker 1>He was going hard in the paint and it was impressive.

0:16:14.960 --> 0:16:17.960
<v Speaker 1>Come on. I don't remember him being inebriated that night,

0:16:18.000 --> 0:16:19.880
<v Speaker 1>which doesn't mean that I wasn't. But what I do.

0:16:20.000 --> 0:16:23.480
<v Speaker 1>What I do I do remember is two things. One

0:16:23.600 --> 0:16:27.160
<v Speaker 1>is that was a really really important for like us,

0:16:27.560 --> 0:16:29.520
<v Speaker 1>for you, Rick is like a part of us, like

0:16:29.520 --> 0:16:31.360
<v Speaker 1>because that was like where we really saw like hip

0:16:31.400 --> 0:16:33.120
<v Speaker 1>hop came, like I talked about it in the book,

0:16:33.240 --> 0:16:36.520
<v Speaker 1>where hip hop came downtown and all of a sudden

0:16:36.840 --> 0:16:38.840
<v Speaker 1>there's the Treacherous Three And then I think it was

0:16:38.880 --> 0:16:41.640
<v Speaker 1>like the next week was Africa, Benbada and Chassy j

0:16:41.840 --> 0:16:45.800
<v Speaker 1>If it wasn't that night whatever, and it was like this,

0:16:46.240 --> 0:16:48.760
<v Speaker 1>it was the most exciting thing. But so my thing

0:16:48.800 --> 0:16:51.280
<v Speaker 1>in terms of compensated, I think there's like, of course

0:16:51.360 --> 0:16:53.760
<v Speaker 1>I was completely It's funny cause I like I think

0:16:53.800 --> 0:16:57.000
<v Speaker 1>about I think back on those n grill nights and

0:16:57.080 --> 0:17:00.560
<v Speaker 1>I think, wow, I was like so intimidated, was so

0:17:00.680 --> 0:17:03.360
<v Speaker 1>scared to be there. But I was lucky every second

0:17:03.360 --> 0:17:06.080
<v Speaker 1>of it. I was. There was no like club night.

0:17:06.400 --> 0:17:10.440
<v Speaker 1>Maybe that was more influential or exciting to me, but

0:17:10.440 --> 0:17:15.080
<v Speaker 1>but I was compensating for being intimidated. Probably like because

0:17:15.119 --> 0:17:18.040
<v Speaker 1>I was with like my group of like friends, I

0:17:18.119 --> 0:17:21.040
<v Speaker 1>was probably acting like, oh, yeah, I got this, but

0:17:21.080 --> 0:17:24.679
<v Speaker 1>I definitely didn't have it at all. Rick, Well, what

0:17:24.760 --> 0:17:26.840
<v Speaker 1>did you know about about the Beastie Boys at that

0:17:26.880 --> 0:17:29.120
<v Speaker 1>point or what did you what was your impression of him?

0:17:29.359 --> 0:17:31.000
<v Speaker 1>Had you ever heard of him? I don't think I

0:17:31.080 --> 0:17:33.359
<v Speaker 1>knew anything. I think the first thing that I heard

0:17:33.520 --> 0:17:35.879
<v Speaker 1>of the Beastie Boys was Cookie Posts, which I loved,

0:17:36.160 --> 0:17:38.720
<v Speaker 1>and I remember I was in San Francisco and I

0:17:38.840 --> 0:17:44.680
<v Speaker 1>heard it at she was a writer and a yeah.

0:17:45.640 --> 0:17:48.040
<v Speaker 1>I think it might have been in Powers and I

0:17:48.040 --> 0:17:51.679
<v Speaker 1>think I was stay staying at her like lofty place,

0:17:52.600 --> 0:17:54.520
<v Speaker 1>and I think I heard it there. I don't know

0:17:54.560 --> 0:17:55.919
<v Speaker 1>if she played it or if I heard it on

0:17:55.960 --> 0:17:57.960
<v Speaker 1>the radio in San Francisco when I was there, but

0:17:58.000 --> 0:18:01.159
<v Speaker 1>I remember the connection of being at her house and

0:18:01.320 --> 0:18:04.480
<v Speaker 1>hearing it and um, and I thought, wow, that's really

0:18:04.480 --> 0:18:06.919
<v Speaker 1>cool because I was really really into hip hop at

0:18:06.920 --> 0:18:11.960
<v Speaker 1>the time, and I felt like it was the first

0:18:12.680 --> 0:18:16.800
<v Speaker 1>punk rock expansion towards hip hop. That's what it felt like.

0:18:17.160 --> 0:18:18.840
<v Speaker 1>It was as much a punk I would say it

0:18:18.880 --> 0:18:20.440
<v Speaker 1>was as much a punk rock record as it was

0:18:20.520 --> 0:18:23.560
<v Speaker 1>anything else. Compared to hip hop records, it was punk rock,

0:18:23.880 --> 0:18:26.520
<v Speaker 1>but compared to other punk rock records, it was more

0:18:26.600 --> 0:18:28.880
<v Speaker 1>hip hop. And I remember thinking, wow, it's really cool

0:18:29.280 --> 0:18:32.240
<v Speaker 1>and and it and it had a and I remember

0:18:32.320 --> 0:18:35.359
<v Speaker 1>laughing at it and laughing at it with it, you know,

0:18:35.400 --> 0:18:39.200
<v Speaker 1>like laughing with it, thinking this is really funny, it's

0:18:39.280 --> 0:18:43.480
<v Speaker 1>really good. And I remember I remember, I remember Yak

0:18:43.680 --> 0:18:47.840
<v Speaker 1>and his motorcycle jacket and his long raincoat, and at

0:18:47.880 --> 0:18:50.760
<v Speaker 1>one point I felt like him and Nick Cooper kind

0:18:50.760 --> 0:18:57.880
<v Speaker 1>of had a similar raincoat vibe, you know that raincoat vibe. Yeah.

0:18:57.920 --> 0:19:00.119
<v Speaker 1>I don't remember how I met Nick Cooper, but I

0:19:00.160 --> 0:19:03.639
<v Speaker 1>remember that to me, it felt like an anomaly. But

0:19:03.720 --> 0:19:07.959
<v Speaker 1>in both cases, the raincoat vibe was not something you

0:19:08.000 --> 0:19:13.080
<v Speaker 1>saw kids in New York wearing like it was. It

0:19:13.160 --> 0:19:19.840
<v Speaker 1>was a fashion statement to where uh long, somewhat dressy raincoat. Yeah. Yeah,

0:19:19.920 --> 0:19:23.240
<v Speaker 1>the raincoat vibe played played strong when I first met

0:19:23.359 --> 0:19:26.560
<v Speaker 1>Yak at that This Bad Brains show at Botany Talkhouse,

0:19:27.119 --> 0:19:30.160
<v Speaker 1>and he was the only other kid my Agia was there.

0:19:30.760 --> 0:19:32.760
<v Speaker 1>I was like, Wow, this is the kids wearing like

0:19:32.800 --> 0:19:35.320
<v Speaker 1>a trench coat and his combat boots and his like

0:19:35.800 --> 0:19:40.080
<v Speaker 1>hairs spiked up, like this kid's really cool. Yeuck actually

0:19:40.160 --> 0:19:42.760
<v Speaker 1>kept that raincoat thing for that trench coat for a

0:19:42.800 --> 0:19:47.119
<v Speaker 1>long time. Yeah, that trench coat vibe worked, I was

0:19:47.160 --> 0:19:50.520
<v Speaker 1>gonna say. I also remember Yak's obsession with the Bad Brains,

0:19:50.560 --> 0:19:54.760
<v Speaker 1>like it felt like nothing else in the world existed

0:19:55.200 --> 0:19:58.879
<v Speaker 1>other than the Bad Brains and kept that going for

0:19:58.960 --> 0:20:04.000
<v Speaker 1>a long time too. Yeah, And I uh remember as

0:20:04.000 --> 0:20:07.280
<v Speaker 1>a as a music fan seeing that sort of obsessive

0:20:07.320 --> 0:20:10.640
<v Speaker 1>dedication and just thinking, wow, he's really again going hard,

0:20:10.760 --> 0:20:13.720
<v Speaker 1>like he's going hard for this thing that he loves.

0:20:14.320 --> 0:20:16.120
<v Speaker 1>Did you do you feel like you've got the answers

0:20:16.160 --> 0:20:20.960
<v Speaker 1>that you wanted? Yeah? Well, actually I'm always curious what

0:20:20.960 --> 0:20:24.640
<v Speaker 1>what uh I mean? When you're like eighteen, it's kind

0:20:24.640 --> 0:20:28.360
<v Speaker 1>of hard, Like how would you describe somebody you meet?

0:20:28.520 --> 0:20:30.440
<v Speaker 1>Is kind of hard because it's more about like what

0:20:30.440 --> 0:20:33.480
<v Speaker 1>what common interests like having the same music interests, But

0:20:34.200 --> 0:20:37.280
<v Speaker 1>did you have a sense during like just not knowing

0:20:37.320 --> 0:20:42.159
<v Speaker 1>these guys then how you would describe each of them?

0:20:42.200 --> 0:20:44.440
<v Speaker 1>I never really thought about it. I did feel like

0:20:44.680 --> 0:20:49.800
<v Speaker 1>I definitely felt that I felt like, UM, the place

0:20:49.840 --> 0:20:52.159
<v Speaker 1>that I grew up in and and the people I

0:20:52.200 --> 0:20:54.960
<v Speaker 1>was around and where I grew up I had a

0:20:55.000 --> 0:20:59.960
<v Speaker 1>big impact on what I what I saw, what I knew.

0:20:59.840 --> 0:21:03.000
<v Speaker 1>I felt like their life experience was very different than mine,

0:21:03.480 --> 0:21:07.679
<v Speaker 1>and it was just interesting and in some ways, Um,

0:21:07.720 --> 0:21:10.399
<v Speaker 1>I thought it was a good thing, and in some

0:21:10.480 --> 0:21:12.640
<v Speaker 1>ways I thought it was a bad thing from from

0:21:12.640 --> 0:21:15.520
<v Speaker 1>my perspective, And what way and what way was it good?

0:21:15.560 --> 0:21:18.000
<v Speaker 1>What way was it bad? You're talking about like a

0:21:18.000 --> 0:21:20.840
<v Speaker 1>long night link kid versus a city kid kind of right, Yeah,

0:21:20.960 --> 0:21:25.680
<v Speaker 1>I would say like they had better access than I had,

0:21:26.119 --> 0:21:29.240
<v Speaker 1>because this is pre Internet. Like now, everyone could find

0:21:29.240 --> 0:21:32.119
<v Speaker 1>out anything they want about anything. Where I was, it

0:21:32.200 --> 0:21:34.800
<v Speaker 1>was hard to find out anything about anything I would.

0:21:34.800 --> 0:21:36.880
<v Speaker 1>I'd spend a lot of time in the library doing research,

0:21:37.119 --> 0:21:41.480
<v Speaker 1>and even and even that research wasn't sort of cultural

0:21:41.560 --> 0:21:44.000
<v Speaker 1>of the moment research, It was just what I could

0:21:44.200 --> 0:21:46.320
<v Speaker 1>learn about the things I was interested in. And then

0:21:46.359 --> 0:21:48.520
<v Speaker 1>spending a lot of time in record stores is my

0:21:48.760 --> 0:21:53.360
<v Speaker 1>closest way of having any connection to culture because where

0:21:53.359 --> 0:21:56.880
<v Speaker 1>I lived, there wasn't it didn't really exist. Although there

0:21:56.960 --> 0:22:00.720
<v Speaker 1>was a club called there are a couple of nightclubs,

0:22:01.480 --> 0:22:06.480
<v Speaker 1>and I did get to see like the Specials played

0:22:06.600 --> 0:22:12.280
<v Speaker 1>in my hometown, which was remarkable. Um on the downside,

0:22:12.320 --> 0:22:16.080
<v Speaker 1>I felt like maybe by living in the city, it

0:22:16.200 --> 0:22:21.800
<v Speaker 1>might narrow the view of what was cool, Like I

0:22:21.840 --> 0:22:24.480
<v Speaker 1>didn't know what was cool coming from where I came from.

0:22:24.560 --> 0:22:27.320
<v Speaker 1>And the beauty of that was I could I could

0:22:27.359 --> 0:22:30.560
<v Speaker 1>see and hear everything. There was very little peer pressure

0:22:30.680 --> 0:22:33.320
<v Speaker 1>about about that where I lived, whereas I could see

0:22:33.320 --> 0:22:36.040
<v Speaker 1>if you were in the city there was stuff that

0:22:36.080 --> 0:22:38.040
<v Speaker 1>was cool to like it not cool to like, and

0:22:38.160 --> 0:22:43.240
<v Speaker 1>that could have a limiting effect. I mean, I guess, yeah,

0:22:43.240 --> 0:22:47.199
<v Speaker 1>I heard led Zeppelin playing from like other kids at school,

0:22:47.359 --> 0:22:50.600
<v Speaker 1>but because kind of like to your point, I had

0:22:50.640 --> 0:22:53.520
<v Speaker 1>already decided, like I was so set on making my

0:22:53.680 --> 0:22:57.960
<v Speaker 1>identity about being into stuff that those kids weren't into,

0:22:58.760 --> 0:23:01.000
<v Speaker 1>I couldn't hear led Zeppe. But then when we were

0:23:01.040 --> 0:23:03.119
<v Speaker 1>in your dorm room and all of a sudden, you know,

0:23:03.240 --> 0:23:07.240
<v Speaker 1>you put on when the levee breaks, We're like, was

0:23:07.320 --> 0:23:09.520
<v Speaker 1>this It's like the best thing ever? Or like a

0:23:09.600 --> 0:23:13.800
<v Speaker 1>C D C or you know, what do you tell me, Mike? First,

0:23:13.840 --> 0:23:16.600
<v Speaker 1>tell me your memories of the dorm room. First of all,

0:23:16.640 --> 0:23:19.960
<v Speaker 1>it's the first college dorm I'd ever have been in

0:23:20.200 --> 0:23:24.560
<v Speaker 1>period here in high school. Um, I remember like just

0:23:24.600 --> 0:23:26.720
<v Speaker 1>being intimidated, like going up to the desk and I

0:23:26.720 --> 0:23:29.560
<v Speaker 1>guess it must have been like maybe Mr Rick Rick

0:23:29.600 --> 0:23:31.840
<v Speaker 1>Mazilla the desk and like having to get the pass

0:23:32.000 --> 0:23:34.480
<v Speaker 1>or whatever to go up in the elevator being you

0:23:34.600 --> 0:23:37.760
<v Speaker 1>get the visitor pass because we're visiting you, and then

0:23:38.960 --> 0:23:42.639
<v Speaker 1>I and then I remember being kind of confused because

0:23:42.640 --> 0:23:45.760
<v Speaker 1>you had a roommate, but then you I think you

0:23:45.840 --> 0:23:47.879
<v Speaker 1>had a roommate, right, I actually need you to kind

0:23:47.920 --> 0:23:50.800
<v Speaker 1>of like explain this to us, but I think you

0:23:50.840 --> 0:23:52.879
<v Speaker 1>had a roommate when we first went there. But you

0:23:52.920 --> 0:23:55.840
<v Speaker 1>had this huge p A in the in the dorm

0:23:55.880 --> 0:23:59.399
<v Speaker 1>room with like to sir Win Vega, you know, like

0:24:00.200 --> 0:24:02.359
<v Speaker 1>there's like the biggest PA I've ever seen, like like

0:24:03.080 --> 0:24:06.520
<v Speaker 1>somebody that I knew have. And then with the turn

0:24:06.560 --> 0:24:09.919
<v Speaker 1>tables and like the drum machine and everything and so

0:24:10.119 --> 0:24:13.240
<v Speaker 1>so we loved it and we're impressed it all this equipment,

0:24:13.240 --> 0:24:14.840
<v Speaker 1>but I was very confused. I was like, wait, how

0:24:14.880 --> 0:24:17.960
<v Speaker 1>does Rick just like we were listening to music really

0:24:18.040 --> 0:24:21.960
<v Speaker 1>loud in your dorm room, which and I loved it.

0:24:22.680 --> 0:24:24.919
<v Speaker 1>But how were you How is this guy able to

0:24:25.040 --> 0:24:27.080
<v Speaker 1>do this and like not get kicked out of the

0:24:27.080 --> 0:24:29.440
<v Speaker 1>dorm room and where is this roommate? Like I was

0:24:29.480 --> 0:24:36.200
<v Speaker 1>just a lot of questions. Yeah, yes, all all of that, Adam,

0:24:36.240 --> 0:24:38.160
<v Speaker 1>what were your what were your memories of the dorm room?

0:24:38.840 --> 0:24:41.399
<v Speaker 1>You know, first of all, I was looking for a

0:24:41.440 --> 0:24:45.080
<v Speaker 1>place to be basically, you know, sort of in life

0:24:45.119 --> 0:24:48.159
<v Speaker 1>and literally like not going to school and needing somewhere

0:24:48.200 --> 0:24:51.840
<v Speaker 1>to be. But also being around you know, older kids

0:24:51.920 --> 0:24:55.239
<v Speaker 1>is cool when you're younger, you know, intimidating, but you know,

0:24:55.359 --> 0:24:57.440
<v Speaker 1>kind of cool. You're like, oh, you kind of think

0:24:57.480 --> 0:24:59.720
<v Speaker 1>that you're one of the you know, older kids now.

0:25:00.720 --> 0:25:02.959
<v Speaker 1>And it was just it was just cool, you know,

0:25:03.280 --> 0:25:07.160
<v Speaker 1>especially going to your dorm room. You had just the records,

0:25:07.240 --> 0:25:11.159
<v Speaker 1>this stuff like you know, two turntables, a drum machine.

0:25:11.200 --> 0:25:13.399
<v Speaker 1>I was like, I loved it. I didn't have you know,

0:25:13.960 --> 0:25:16.240
<v Speaker 1>I didn't have that stuff. I didn't have all those records,

0:25:16.920 --> 0:25:19.480
<v Speaker 1>So it was great. I loved it. I mean, yeah,

0:25:19.520 --> 0:25:21.920
<v Speaker 1>like Ricky talked about access, and yes we did we

0:25:22.000 --> 0:25:25.440
<v Speaker 1>did have like growing up in New York City when

0:25:25.440 --> 0:25:27.120
<v Speaker 1>we talked about in the book and the show whatever

0:25:27.200 --> 0:25:29.200
<v Speaker 1>your woe was a huge thing to us, that we

0:25:29.240 --> 0:25:31.920
<v Speaker 1>would just hear music all around us, or that we

0:25:32.040 --> 0:25:34.120
<v Speaker 1>go to rackcas because we want to find out what's

0:25:34.119 --> 0:25:36.800
<v Speaker 1>happening that night, and somebody say, oh, this thing's happening,

0:25:36.800 --> 0:25:39.200
<v Speaker 1>and we would just go there because we had this

0:25:39.680 --> 0:25:42.960
<v Speaker 1>access as teenagers. But but in your dorm room, it

0:25:43.080 --> 0:25:44.760
<v Speaker 1>was just really exciting because I went out of sid

0:25:44.760 --> 0:25:48.199
<v Speaker 1>we would I remember, like I was my I was

0:25:48.920 --> 0:25:52.320
<v Speaker 1>again like kind of confused, but so impressed when you

0:25:52.320 --> 0:25:54.680
<v Speaker 1>you would come off, you would I think I felt

0:25:54.680 --> 0:25:56.879
<v Speaker 1>like you would come if they delivered it to you,

0:25:56.960 --> 0:25:59.080
<v Speaker 1>or if you'd come back every week with like a

0:25:59.200 --> 0:26:03.240
<v Speaker 1>great record from the record pool. Yeah, and you remember that,

0:26:03.280 --> 0:26:05.280
<v Speaker 1>and we'd all go we'd go through them and put

0:26:05.320 --> 0:26:08.280
<v Speaker 1>like basically everyone on to see what was good, what

0:26:08.320 --> 0:26:10.919
<v Speaker 1>we like, what we didn't like, whatever we listened to

0:26:10.920 --> 0:26:13.919
<v Speaker 1>every twelve inch from that week. That was such like

0:26:13.960 --> 0:26:17.720
<v Speaker 1>an exciting Like I didn't I didn't have the like

0:26:17.800 --> 0:26:20.399
<v Speaker 1>I had the money to get a single, like a

0:26:20.480 --> 0:26:24.760
<v Speaker 1>rap single every once in a while, but I certainly

0:26:25.040 --> 0:26:27.000
<v Speaker 1>would never think and never had the money to buy

0:26:27.000 --> 0:26:29.879
<v Speaker 1>two copies of the same record. That just seems nuts

0:26:30.680 --> 0:26:32.280
<v Speaker 1>and so to go to your place and you had

0:26:32.320 --> 0:26:35.920
<v Speaker 1>two copies of all these singles that I loved, and

0:26:35.960 --> 0:26:37.960
<v Speaker 1>we had two turns. It was just amazing. You know,

0:26:38.000 --> 0:26:44.080
<v Speaker 1>it was nice to see you too. Obviously I should

0:26:44.119 --> 0:26:47.640
<v Speaker 1>I feel used. I never did get that Bubba machine access.

0:26:48.840 --> 0:26:50.720
<v Speaker 1>But then also I think and Adam and I've talked

0:26:50.720 --> 0:26:53.080
<v Speaker 1>about this, like there was it was interesting. We felt

0:26:53.119 --> 0:26:56.320
<v Speaker 1>like we were trying to just think back at you know,

0:26:56.800 --> 0:26:58.720
<v Speaker 1>when we first like we met you, then we started

0:26:58.720 --> 0:27:01.639
<v Speaker 1>working with you. It's like you especially like once you

0:27:01.720 --> 0:27:06.320
<v Speaker 1>started starting, when you started producing uh with us and

0:27:06.520 --> 0:27:10.880
<v Speaker 1>producing our records, it was like you had this confidence Rick,

0:27:11.119 --> 0:27:13.480
<v Speaker 1>that was like you know, it's not like every either

0:27:13.520 --> 0:27:15.919
<v Speaker 1>any of us were like, well Rick, what what record

0:27:15.960 --> 0:27:17.480
<v Speaker 1>have you done? You know what I mean? Like and

0:27:17.480 --> 0:27:21.080
<v Speaker 1>and we're all whenever, we're all of its eighteen years old,

0:27:21.359 --> 0:27:25.000
<v Speaker 1>but it's like you had this confidence, like you knew

0:27:25.160 --> 0:27:29.280
<v Speaker 1>how you wanted things to sound. And looking back at it, like,

0:27:29.320 --> 0:27:32.320
<v Speaker 1>I'm just so impressed honestly with that, Like who It's

0:27:32.520 --> 0:27:37.240
<v Speaker 1>got to be pretty rare that somebody like eighteen, nineteen,

0:27:37.320 --> 0:27:41.960
<v Speaker 1>twenty years old knows how they want, like what kind

0:27:41.960 --> 0:27:44.560
<v Speaker 1>of what types of records they want to make Yeah,

0:27:44.560 --> 0:27:48.960
<v Speaker 1>it's it's weird. I I definitely knew, I had a

0:27:49.000 --> 0:27:51.879
<v Speaker 1>clear vision of what I wanted to hear. Really as

0:27:51.920 --> 0:27:56.320
<v Speaker 1>a fan, it wasn't It was more, um, I just

0:27:56.400 --> 0:27:58.919
<v Speaker 1>loved it, and I knew how certain things made me feel,

0:27:59.200 --> 0:28:01.520
<v Speaker 1>and I wanted more of the ones that made me

0:28:01.520 --> 0:28:03.440
<v Speaker 1>feel good and less of the ones that didn't make

0:28:03.440 --> 0:28:08.560
<v Speaker 1>me feel as good. And it was very pure. It

0:28:08.640 --> 0:28:10.840
<v Speaker 1>was the same way, the same way that you connected

0:28:10.880 --> 0:28:12.960
<v Speaker 1>to it. I just and I think maybe part of

0:28:13.000 --> 0:28:15.800
<v Speaker 1>it might have been that I didn't have brothers or sisters.

0:28:16.440 --> 0:28:21.240
<v Speaker 1>You guys both had siblings, and I think that changes it.

0:28:21.240 --> 0:28:24.119
<v Speaker 1>It's like I spent most of my time until I

0:28:24.119 --> 0:28:26.760
<v Speaker 1>started hanging out with you guys by myself, so it

0:28:26.800 --> 0:28:32.000
<v Speaker 1>wasn't The only opinion that I was around was my own.

0:28:33.000 --> 0:28:35.119
<v Speaker 1>You know, I didn't have an older brother playing me

0:28:35.240 --> 0:28:39.720
<v Speaker 1>music I didn't have. I didn't have it all sort

0:28:39.760 --> 0:28:45.000
<v Speaker 1>of had. I had to find it and and see

0:28:45.040 --> 0:28:47.640
<v Speaker 1>what resonated with me. And it had very little to

0:28:47.680 --> 0:28:49.480
<v Speaker 1>do with the people around me, because like in my

0:28:49.600 --> 0:28:52.000
<v Speaker 1>high school, nobody like punk rock. I was the only

0:28:52.000 --> 0:28:54.880
<v Speaker 1>person who like punk rock, So I had no sense

0:28:54.880 --> 0:28:58.400
<v Speaker 1>of community at all. When I started listening to hip hop.

0:28:58.440 --> 0:29:00.800
<v Speaker 1>At least there were a couple the kids in my

0:29:00.880 --> 0:29:03.440
<v Speaker 1>high school who liked hip hop. Well, I'm gonna change

0:29:03.720 --> 0:29:06.120
<v Speaker 1>the subject for a sec because there is something that

0:29:06.160 --> 0:29:08.560
<v Speaker 1>I wanted to know Rick. Yes, So, Spike, I don't

0:29:08.560 --> 0:29:11.040
<v Speaker 1>know if you know this, But so we got the

0:29:12.760 --> 0:29:15.560
<v Speaker 1>gig to open from Madonna on tour and Rick was

0:29:15.640 --> 0:29:19.640
<v Speaker 1>the BC Boys DJ DJ Double R. And we played

0:29:19.640 --> 0:29:23.560
<v Speaker 1>a couple of shows, um, and then he was gone

0:29:24.400 --> 0:29:28.960
<v Speaker 1>and uh. And he said that his doctor said he

0:29:29.000 --> 0:29:34.239
<v Speaker 1>had an inner ear situation that he couldn't fly. And

0:29:34.280 --> 0:29:37.480
<v Speaker 1>so I thought that that answer couldn't fly. And so

0:29:37.600 --> 0:29:41.400
<v Speaker 1>now I'm asking you, Rick, did you just not want

0:29:41.440 --> 0:29:44.560
<v Speaker 1>to do it? Or did you really have an ear problem? True?

0:29:44.960 --> 0:29:47.080
<v Speaker 1>Both both answers are flying with me. No, no no, no,

0:29:47.200 --> 0:29:51.040
<v Speaker 1>of course true. I went to the the clinic on

0:29:51.200 --> 0:29:54.440
<v Speaker 1>fourteen There was a ear, nose, and throat clinic on

0:29:54.480 --> 0:29:58.160
<v Speaker 1>four Teams. I had never been there before, and I

0:29:58.200 --> 0:30:02.360
<v Speaker 1>went there and they said, you have a terrible infection

0:30:02.400 --> 0:30:04.160
<v Speaker 1>in your ear. You gotta take these drugs and you

0:30:04.200 --> 0:30:07.640
<v Speaker 1>cannot fly. If you fly, you'll probably lose your hearing

0:30:07.640 --> 0:30:11.560
<v Speaker 1>in that ear. So that was and we and I

0:30:11.760 --> 0:30:15.200
<v Speaker 1>It's funny because I don't remember us talking about it.

0:30:15.240 --> 0:30:18.560
<v Speaker 1>But also maybe part of the reason we didn't talk

0:30:18.600 --> 0:30:22.400
<v Speaker 1>about it was because it was the tour was already ongoing,

0:30:23.080 --> 0:30:25.320
<v Speaker 1>wasn't it. It was like we were so I feel

0:30:25.320 --> 0:30:27.640
<v Speaker 1>like we did, Like, no, you don't. You flew out,

0:30:27.760 --> 0:30:30.360
<v Speaker 1>Like you started the tour with us in like Seattle

0:30:30.720 --> 0:30:33.880
<v Speaker 1>and Portland or something, and then for some reason you

0:30:33.920 --> 0:30:35.880
<v Speaker 1>had to fly back to New York. But we were

0:30:35.880 --> 0:30:37.760
<v Speaker 1>still on tour and you were you were supposed to

0:30:37.800 --> 0:30:41.959
<v Speaker 1>meet us again, like in Los Angeles or something, and

0:30:41.960 --> 0:30:45.680
<v Speaker 1>then instead of meeting us, you're like, you know you

0:30:45.680 --> 0:30:50.960
<v Speaker 1>you had the ear infection. Yeah, now we're finding out

0:30:51.080 --> 0:30:54.880
<v Speaker 1>was legit. But at the time we were like ear infection, Well,

0:30:54.920 --> 0:30:58.080
<v Speaker 1>I'll tell you everything. Feel free to ask me. Everything

0:30:58.160 --> 0:31:02.000
<v Speaker 1>was always legit. It's like, I don't I would have

0:31:02.080 --> 0:31:05.840
<v Speaker 1>loved to. I loved being in the band, I loved

0:31:06.080 --> 0:31:09.600
<v Speaker 1>doing the shows. It was it was completely thrilling. I

0:31:09.640 --> 0:31:13.720
<v Speaker 1>loved it. I feel in some ways it's like the

0:31:13.720 --> 0:31:18.240
<v Speaker 1>the universe has this incredible power to affect my ear

0:31:18.440 --> 0:31:21.160
<v Speaker 1>and make me stay in one place. And then it

0:31:21.280 --> 0:31:25.680
<v Speaker 1>led to me focusing all my attention into production instead

0:31:25.680 --> 0:31:27.880
<v Speaker 1>of being in a band which could have been like

0:31:27.920 --> 0:31:31.040
<v Speaker 1>it could have been, that could have happened, and it

0:31:31.160 --> 0:31:34.040
<v Speaker 1>just sort of worked out the way Maybe it was

0:31:34.080 --> 0:31:38.240
<v Speaker 1>supposed to. I don't know. It feels like in retrospect,

0:31:38.280 --> 0:31:40.720
<v Speaker 1>looking back, I would have never made that choice. While

0:31:40.760 --> 0:31:46.719
<v Speaker 1>I'll say I didn't like traveling, I loved the experience

0:31:46.720 --> 0:31:49.240
<v Speaker 1>of playing in the band. It was super fun. I

0:31:49.280 --> 0:31:51.760
<v Speaker 1>thought the shows were great, Like I can remember I

0:31:51.800 --> 0:31:57.800
<v Speaker 1>can remember us playing at Radio City and uh, just

0:31:58.040 --> 0:32:00.520
<v Speaker 1>how much the audience didn't like it, And I just

0:32:00.560 --> 0:32:03.840
<v Speaker 1>thought it was incredibly punk rock and fun. I can

0:32:03.880 --> 0:32:07.440
<v Speaker 1>remember Madison Square Garden and thinking it was in It

0:32:07.520 --> 0:32:09.800
<v Speaker 1>was just like, we're playing at Madison Square Garden. Can

0:32:09.840 --> 0:32:11.640
<v Speaker 1>you believe this? We didn't even really we didn't have

0:32:11.680 --> 0:32:16.040
<v Speaker 1>an album out. It was unbelievable, Right, What were the

0:32:16.040 --> 0:32:19.440
<v Speaker 1>shows like? Rick? Uh? It was? It was funny because

0:32:19.480 --> 0:32:24.360
<v Speaker 1>we got to do the the Crazy Beastie Boys show

0:32:24.480 --> 0:32:29.520
<v Speaker 1>and lean into the craziness of uh of this sort

0:32:29.560 --> 0:32:35.120
<v Speaker 1>of hell persona, the bad guy persona, and in front

0:32:35.120 --> 0:32:38.200
<v Speaker 1>of an audience where it was completely inappropriate, which made

0:32:38.240 --> 0:32:41.160
<v Speaker 1>it even funnier. It's like, it's it's like if you're

0:32:41.200 --> 0:32:44.400
<v Speaker 1>if You're if you're doing a punk rock show in

0:32:44.440 --> 0:32:47.720
<v Speaker 1>front of a punk rock audience, there's this camaraderie there.

0:32:47.800 --> 0:32:49.440
<v Speaker 1>And if you're doing a punk rock show in front

0:32:49.440 --> 0:32:53.400
<v Speaker 1>of people who are not feeling it, it really gets

0:32:53.400 --> 0:32:56.160
<v Speaker 1>punk rock. It's like it gets it gets elevated to

0:32:56.200 --> 0:32:59.560
<v Speaker 1>this other thing, not for anybody but us. I mean

0:32:59.680 --> 0:33:06.000
<v Speaker 1>I found it thrilling. Um, I'm I know the audience

0:33:06.040 --> 0:33:07.920
<v Speaker 1>hated it, but that was sort of part of the

0:33:07.960 --> 0:33:10.960
<v Speaker 1>fun of it. Why then't even more than hated it?

0:33:11.080 --> 0:33:13.480
<v Speaker 1>And and I think that's where it became thrilling to us,

0:33:13.560 --> 0:33:17.200
<v Speaker 1>was that like these twelve year old girls and maybe

0:33:17.240 --> 0:33:22.560
<v Speaker 1>more importantly their parents were genuinely horrified. They were they

0:33:22.600 --> 0:33:26.520
<v Speaker 1>were repulsed. I mean, and to be right, I had

0:33:26.520 --> 0:33:28.840
<v Speaker 1>to be there. We're a bunch of like little white

0:33:28.880 --> 0:33:32.080
<v Speaker 1>kids yelling at them on stage like you should be.

0:33:33.160 --> 0:33:37.320
<v Speaker 1>It's like, what was offensive? And yeah, and for the record,

0:33:37.360 --> 0:33:39.280
<v Speaker 1>like Ricky, you know you obviously had a big that

0:33:39.320 --> 0:33:41.800
<v Speaker 1>was that was another thing like along with introducing us

0:33:41.960 --> 0:33:45.480
<v Speaker 1>to heavy metal led Zeppelin, Sabbath, b C, D C.

0:33:45.800 --> 0:33:49.440
<v Speaker 1>You we also like the wrestling thing was never cool.

0:33:49.560 --> 0:33:52.400
<v Speaker 1>That was uncool to us, right because we were these

0:33:52.440 --> 0:33:56.120
<v Speaker 1>punk rock kids it's still uns uncol to everybody, but

0:33:56.440 --> 0:34:00.080
<v Speaker 1>you were totally you d like this like vocabulary in

0:34:00.160 --> 0:34:04.920
<v Speaker 1>that world, and you immediately saw like this opportunity with

0:34:05.360 --> 0:34:10.080
<v Speaker 1>the madonitory that like, oh, it was like obviously you like, no, guys,

0:34:10.120 --> 0:34:12.680
<v Speaker 1>what do you mean, You're just gonna be It's just

0:34:12.760 --> 0:34:15.480
<v Speaker 1>like wrestling. You know, you had So it's just pretty

0:34:15.520 --> 0:34:18.960
<v Speaker 1>weird to think about. Most people don't think about, like

0:34:19.000 --> 0:34:21.440
<v Speaker 1>if you have a band, it's going to open up

0:34:21.440 --> 0:34:24.279
<v Speaker 1>for this somebody who was like a cultural icon who

0:34:24.320 --> 0:34:27.000
<v Speaker 1>couldn't have been you couldn't have had a bigger on

0:34:27.040 --> 0:34:30.439
<v Speaker 1>the planet at that moment. Madonna like the biggest star

0:34:30.680 --> 0:34:33.400
<v Speaker 1>in the world. Most people just thinking like, how do

0:34:33.440 --> 0:34:35.399
<v Speaker 1>you put a good show together? And you you saw

0:34:35.400 --> 0:34:38.640
<v Speaker 1>it through this totally other lens. It was like, no,

0:34:38.760 --> 0:34:42.120
<v Speaker 1>it's obvious, it seems like wrestling. Well, the other part

0:34:42.160 --> 0:34:45.200
<v Speaker 1>of it was is, no matter what we did, the

0:34:45.280 --> 0:34:47.520
<v Speaker 1>audience was there to see Madonna and they weren't gonna

0:34:47.560 --> 0:34:52.000
<v Speaker 1>like what we did regardless. So to to really lean

0:34:52.080 --> 0:34:56.239
<v Speaker 1>into that idea of well where the we're the bad

0:34:56.239 --> 0:34:59.440
<v Speaker 1>guys here? Where where the enemies and too and to

0:35:00.040 --> 0:35:04.080
<v Speaker 1>overcome that to play it with all this bravado, like

0:35:04.160 --> 0:35:07.520
<v Speaker 1>you're here to see me and like it's just so ridiculous,

0:35:07.560 --> 0:35:10.560
<v Speaker 1>so funny. Adam, do you remember the stuff you said?

0:35:10.560 --> 0:35:14.640
<v Speaker 1>I remember you said some really most come on, you guys.

0:35:14.719 --> 0:35:18.000
<v Speaker 1>Most remember the big, the best and biggest flowing was

0:35:18.239 --> 0:35:22.920
<v Speaker 1>I am the King of the Paramount, Like whatever theater

0:35:23.040 --> 0:35:25.520
<v Speaker 1>we are at, That's how Adam would open up the show,

0:35:26.520 --> 0:35:31.040
<v Speaker 1>I am the King. Um, you know Madison Square Garden.

0:35:31.640 --> 0:35:36.600
<v Speaker 1>Do you, Adam, do you see the humor in this now? Really? Now?

0:35:36.600 --> 0:35:40.279
<v Speaker 1>Of course I do. It's you're like, I you have

0:35:40.360 --> 0:35:44.640
<v Speaker 1>this space like I didn't like it? No, no, no, no,

0:35:44.760 --> 0:35:47.960
<v Speaker 1>we we also we also just did this show a

0:35:48.000 --> 0:35:50.560
<v Speaker 1>bunch of times in the movie, and it's like it's

0:35:50.600 --> 0:35:53.480
<v Speaker 1>fresh in here. Um, it was amazing, it was hilarious.

0:35:53.480 --> 0:35:56.239
<v Speaker 1>It's a it's a it's a it's not a it's

0:35:56.280 --> 0:35:58.759
<v Speaker 1>not a wild idea, but it's a it's a it

0:35:58.840 --> 0:36:01.680
<v Speaker 1>is a great idea. You know, they're not gonna like us.

0:36:02.040 --> 0:36:05.920
<v Speaker 1>They're certainly not gonna love us. They might possibly be

0:36:05.960 --> 0:36:08.960
<v Speaker 1>like I didn't like that, But if we can guarantee

0:36:09.120 --> 0:36:12.879
<v Speaker 1>that they remember us by saying I fucking hated that,

0:36:13.239 --> 0:36:16.200
<v Speaker 1>and I will hate this and have this memory of

0:36:16.239 --> 0:36:19.800
<v Speaker 1>hatred for a long long time. That's an interesting way

0:36:19.840 --> 0:36:23.800
<v Speaker 1>to get your music through to somebody. Yeah, and it worked,

0:36:24.120 --> 0:36:26.040
<v Speaker 1>It worked, and we but I remember the time like

0:36:26.080 --> 0:36:28.759
<v Speaker 1>being convinced because it was like we look at it

0:36:28.800 --> 0:36:32.000
<v Speaker 1>in this like feedboy way of like, yeah, we're gonna

0:36:32.000 --> 0:36:36.560
<v Speaker 1>make a name for ourselves, and we did. Rick. One

0:36:36.600 --> 0:36:38.920
<v Speaker 1>thing I want to ask about just is a production

0:36:39.000 --> 0:36:42.120
<v Speaker 1>on the first record, the uh we you know, we

0:36:42.160 --> 0:36:44.080
<v Speaker 1>talked about a little bit in the show, but obviously

0:36:44.120 --> 0:36:46.800
<v Speaker 1>we have so much but that like, as as a fan,

0:36:47.719 --> 0:36:49.799
<v Speaker 1>there's some bands that take a while to form, and

0:36:49.800 --> 0:36:52.120
<v Speaker 1>then some bands that just come out fully formed like

0:36:52.160 --> 0:36:54.919
<v Speaker 1>that in that record. And even just actually the way

0:36:55.600 --> 0:36:57.920
<v Speaker 1>these guys described you with the confidence, it sounds like

0:36:57.960 --> 0:37:01.719
<v Speaker 1>you kind of came out fully formed in some strange,

0:37:02.239 --> 0:37:04.880
<v Speaker 1>you know, amazing way. What was like what was the

0:37:04.920 --> 0:37:08.080
<v Speaker 1>process of that first record. I can just remember that

0:37:08.160 --> 0:37:11.040
<v Speaker 1>every time there was a good idea, we would make

0:37:11.080 --> 0:37:13.920
<v Speaker 1>a new song. And I can remember the I remember

0:37:13.960 --> 0:37:16.440
<v Speaker 1>two parts. I remember the lyric writing, which would be

0:37:16.440 --> 0:37:18.840
<v Speaker 1>basically every night that we went out to the clubs.

0:37:19.280 --> 0:37:23.160
<v Speaker 1>I remember trading lines only with the hope of making

0:37:23.440 --> 0:37:27.320
<v Speaker 1>the other Remember laugh like I would always say stuff

0:37:27.360 --> 0:37:29.040
<v Speaker 1>that I would think would try to make Adam laugh

0:37:29.080 --> 0:37:31.680
<v Speaker 1>if we were hanging out, and if he laughed, I

0:37:31.680 --> 0:37:35.840
<v Speaker 1>would write it down and just collecting lines, and we

0:37:35.840 --> 0:37:37.800
<v Speaker 1>would both we would all do it back and forth

0:37:37.880 --> 0:37:43.319
<v Speaker 1>and and collect up these mountains of rhymes, not so

0:37:43.440 --> 0:37:47.000
<v Speaker 1>much with a subject or a song in mind. Most

0:37:47.000 --> 0:37:50.080
<v Speaker 1>of the time it was more just good lines. Then

0:37:50.120 --> 0:37:53.560
<v Speaker 1>I can remember being in the studio sometimes with Adam,

0:37:53.680 --> 0:37:57.800
<v Speaker 1>sometimes myself, just making tracks because it's what I was

0:37:57.840 --> 0:38:02.200
<v Speaker 1>always doing, and would just make tracks and um and

0:38:02.320 --> 0:38:06.319
<v Speaker 1>just trying to make something interesting and and I don't

0:38:06.320 --> 0:38:08.680
<v Speaker 1>think I could separate it in my head, but I

0:38:08.800 --> 0:38:12.120
<v Speaker 1>knew the beats for l L were different than the

0:38:12.160 --> 0:38:14.160
<v Speaker 1>beats for the BEASTI Boys, and the beats for the

0:38:14.160 --> 0:38:16.840
<v Speaker 1>Best Boys were different than the beats for Run DMC.

0:38:17.960 --> 0:38:20.399
<v Speaker 1>And it seemed clear to me, But I can't put

0:38:20.440 --> 0:38:23.839
<v Speaker 1>a finger on what was different. But I knew as

0:38:23.920 --> 0:38:26.000
<v Speaker 1>they were as we were making them. It's like, oh,

0:38:26.080 --> 0:38:30.680
<v Speaker 1>this one, this one feels like LLLBAT and this one

0:38:30.719 --> 0:38:33.640
<v Speaker 1>feels like this could be a really good Beast Boys records,

0:38:33.680 --> 0:38:36.759
<v Speaker 1>those those like gated snare drums. I don't know. I

0:38:36.800 --> 0:38:38.919
<v Speaker 1>can't say I can't. I can't put a finger on

0:38:39.160 --> 0:38:42.480
<v Speaker 1>what it was. Do you remember sometimes making the record

0:38:42.480 --> 0:38:44.680
<v Speaker 1>where it's like, oh, this is what, like it sort

0:38:44.680 --> 0:38:46.600
<v Speaker 1>of gave clarity to what the whole record is, like

0:38:46.600 --> 0:38:50.120
<v Speaker 1>a decision, a beat, a lion. No. I remember I

0:38:50.160 --> 0:38:53.800
<v Speaker 1>was in Electric Lady working on the Cults album Electric

0:38:54.080 --> 0:38:57.279
<v Speaker 1>and I got a call from Mike and Mike said, Hey,

0:38:57.320 --> 0:39:00.480
<v Speaker 1>how come my records not done yet? And do you

0:39:00.520 --> 0:39:04.040
<v Speaker 1>remember this? Mike, No, not at all. This was amazing

0:39:04.080 --> 0:39:07.120
<v Speaker 1>because I think this was like you guys were on tour.

0:39:08.040 --> 0:39:12.719
<v Speaker 1>I assume I was this must have been post ear infection. Well,

0:39:13.040 --> 0:39:15.440
<v Speaker 1>we're probably on Raising Hell at that point, and I

0:39:15.560 --> 0:39:21.720
<v Speaker 1>remember like a somewhat heated conversation where you were like, dude,

0:39:22.280 --> 0:39:24.560
<v Speaker 1>you did say do that like the equivalent of dude,

0:39:26.000 --> 0:39:29.319
<v Speaker 1>why is I mean, we're on tour? Why is our

0:39:29.360 --> 0:39:32.520
<v Speaker 1>album not done? And I said, you know, it doesn't.

0:39:32.560 --> 0:39:35.680
<v Speaker 1>And I remember it's like it doesn't just happen, Like

0:39:35.840 --> 0:39:39.600
<v Speaker 1>it doesn't. Uh, it's not not happening because I don't

0:39:39.640 --> 0:39:43.920
<v Speaker 1>want it to happen. It. Uh, each of these things

0:39:44.640 --> 0:39:47.719
<v Speaker 1>arrives when it arrives, do you know what I'm saying?

0:39:47.760 --> 0:39:50.759
<v Speaker 1>It's like We didn't go into the studio every day

0:39:51.480 --> 0:39:53.800
<v Speaker 1>with the idea of, Okay, we're gonna make something today.

0:39:53.920 --> 0:39:58.080
<v Speaker 1>It was more like making beats in the dorm, listening

0:39:58.160 --> 0:40:01.759
<v Speaker 1>to records, like coming up with what us what a

0:40:01.960 --> 0:40:05.880
<v Speaker 1>track was gonna be, which sometimes would be six weeks

0:40:06.000 --> 0:40:09.880
<v Speaker 1>or two months between songs. You know, it took. It

0:40:10.040 --> 0:40:12.080
<v Speaker 1>was a long period of time. I can't remember from

0:40:12.120 --> 0:40:14.759
<v Speaker 1>the time that we made whatever the first song was

0:40:14.960 --> 0:40:17.200
<v Speaker 1>for that record. So we made the last song, I'm

0:40:17.239 --> 0:40:19.399
<v Speaker 1>guessing it was eighteen months. Could have been two years,

0:40:19.520 --> 0:40:22.239
<v Speaker 1>was It felt like a long time. And so also

0:40:22.280 --> 0:40:23.640
<v Speaker 1>the other thing you guys talked about in the show

0:40:23.719 --> 0:40:25.759
<v Speaker 1>Mike and I'm talking about in the show is going

0:40:25.840 --> 0:40:27.800
<v Speaker 1>away on tour and coming back and you'd finished the

0:40:27.840 --> 0:40:30.080
<v Speaker 1>record and mixed it, and they were surprised that it

0:40:30.239 --> 0:40:32.640
<v Speaker 1>was this big thing where they they thought they were

0:40:32.680 --> 0:40:36.440
<v Speaker 1>making a sort of more low fi punk rap record.

0:40:36.800 --> 0:40:38.719
<v Speaker 1>Uh talk about that? Was that something you always saw,

0:40:38.800 --> 0:40:41.359
<v Speaker 1>you always knew that that was the sound? Not at all.

0:40:41.480 --> 0:40:44.320
<v Speaker 1>I in any case, there was no preconception or what

0:40:44.400 --> 0:40:46.960
<v Speaker 1>something was supposed to sound like. It was just making

0:40:47.040 --> 0:40:49.400
<v Speaker 1>it sound as good as it could sound for what

0:40:49.560 --> 0:40:52.319
<v Speaker 1>it was. Whatever it was it's like the same it's

0:40:52.360 --> 0:40:54.400
<v Speaker 1>true with LLL or same it's true with raising Hell.

0:40:54.480 --> 0:40:57.600
<v Speaker 1>It wasn't like there was no thought to it. And

0:40:58.200 --> 0:41:01.160
<v Speaker 1>the gated snare thing was like, uh, it's interesting you

0:41:01.200 --> 0:41:02.800
<v Speaker 1>bring it up because it was it was like a

0:41:03.000 --> 0:41:05.040
<v Speaker 1>moment in time, and I think it was really what

0:41:05.200 --> 0:41:08.480
<v Speaker 1>was the art of noise was that it was the

0:41:08.600 --> 0:41:12.200
<v Speaker 1>thing that got everyone excited about this kind of drum

0:41:12.320 --> 0:41:17.040
<v Speaker 1>sound and that was probably like experimenting in that art

0:41:17.080 --> 0:41:20.920
<v Speaker 1>of noisy way that led to that is my guests,

0:41:21.200 --> 0:41:23.640
<v Speaker 1>if you had if you had Art of Noise twelve

0:41:23.680 --> 0:41:26.840
<v Speaker 1>inch and Man Parish twelve inch, which one would you

0:41:26.920 --> 0:41:29.359
<v Speaker 1>put on first? Both? I like them both. You can't

0:41:29.400 --> 0:41:32.520
<v Speaker 1>put on both first, No, I wouldn't. Depends on it

0:41:32.600 --> 0:41:35.600
<v Speaker 1>depends on the scenario. Depends on the scene. So you

0:41:35.680 --> 0:41:39.359
<v Speaker 1>read a room, Yeah, what is it going off? Can

0:41:39.440 --> 0:41:42.400
<v Speaker 1>you turn the fucking roosters down in the next place?

0:41:43.840 --> 0:41:48.080
<v Speaker 1>Roosters are feeling it. The roosters are deeper than paint today.

0:41:48.640 --> 0:41:52.120
<v Speaker 1>Oh god, I wanted to ask Mike and Adam about

0:41:52.600 --> 0:41:56.400
<v Speaker 1>their memories of Chung King also. Oh man, yeah, so

0:41:56.719 --> 0:42:00.239
<v Speaker 1>that's a good question. I Well, I'm feeling like I

0:42:00.360 --> 0:42:03.600
<v Speaker 1>remember I remember, I think I was. We were with

0:42:03.800 --> 0:42:06.120
<v Speaker 1>you Rick and we were talking and Jayburnett was like, oh,

0:42:06.200 --> 0:42:08.960
<v Speaker 1>you guys gotta work at this place. I don't. I

0:42:09.000 --> 0:42:11.040
<v Speaker 1>don't think he said chunk King's we I feel like

0:42:11.120 --> 0:42:13.239
<v Speaker 1>we named chunking. He's just like, you got oh a

0:42:13.280 --> 0:42:15.920
<v Speaker 1>seeking is called secret Society, then that's right. He's like,

0:42:15.960 --> 0:42:18.880
<v Speaker 1>you gotta work at the studio, my friends, studio secret Society.

0:42:19.440 --> 0:42:21.239
<v Speaker 1>But he was like talking about that guess like the

0:42:21.440 --> 0:42:24.120
<v Speaker 1>Nive console or something that stuff that as a kid,

0:42:24.160 --> 0:42:27.200
<v Speaker 1>I didn't really understand, but he was all excited about it.

0:42:27.280 --> 0:42:30.080
<v Speaker 1>So we're like okay, Bet, and then we go there

0:42:30.760 --> 0:42:33.399
<v Speaker 1>and it's just kind of like, you know, we don't

0:42:33.400 --> 0:42:36.040
<v Speaker 1>really know about studios, but it's just like kind of bummy,

0:42:36.920 --> 0:42:39.600
<v Speaker 1>you know, like it's not like nothing, there's nothing fancy

0:42:39.640 --> 0:42:42.960
<v Speaker 1>about it. It seems like every other week when we

0:42:43.120 --> 0:42:45.360
<v Speaker 1>go there one week and the next week like walls

0:42:45.520 --> 0:42:49.880
<v Speaker 1>like they always kept moving balls around. Yeah do you

0:42:49.920 --> 0:42:52.520
<v Speaker 1>remember that? Like, yeah, I do. I remember because it

0:42:52.640 --> 0:42:54.640
<v Speaker 1>was kind of a loft space that the guy built

0:42:54.680 --> 0:42:57.600
<v Speaker 1>out and he was just kind of moving stuff around.

0:42:57.719 --> 0:43:00.280
<v Speaker 1>It was a weird place. I remember when we grew etied,

0:43:00.760 --> 0:43:04.399
<v Speaker 1>we graffitied the wall behind the console, and at first,

0:43:04.520 --> 0:43:06.640
<v Speaker 1>like I kind of remember, we got yelled at. And

0:43:06.719 --> 0:43:08.960
<v Speaker 1>then it became the thing of the studios that everybody

0:43:09.040 --> 0:43:12.440
<v Speaker 1>came there and did graffiti while they while they recorded.

0:43:13.280 --> 0:43:17.200
<v Speaker 1>I remember the first time that we went there, psyched,

0:43:17.239 --> 0:43:19.160
<v Speaker 1>We're gonna go to recording studio. I've been to like

0:43:19.520 --> 0:43:22.960
<v Speaker 1>the Young and the Users recorded at a nice recording studio.

0:43:23.760 --> 0:43:26.920
<v Speaker 1>And this place was like a fucking dump. It was

0:43:27.080 --> 0:43:30.080
<v Speaker 1>fucking literally a dead fish in the fish tank. And

0:43:30.200 --> 0:43:32.680
<v Speaker 1>it was dark. It was like super dark, like everything

0:43:32.800 --> 0:43:35.480
<v Speaker 1>was dark. I was like, why why is it? Why

0:43:35.520 --> 0:43:38.320
<v Speaker 1>are we going to the scary like haunted house. Remember

0:43:38.400 --> 0:43:40.600
<v Speaker 1>walking up, it was like five flight walk up. It

0:43:40.760 --> 0:43:44.640
<v Speaker 1>was dirt, dingy, dirty place. Now. I remember the elevator

0:43:44.680 --> 0:43:47.480
<v Speaker 1>because it was all graffitied and somebody wrote their name.

0:43:47.640 --> 0:43:49.920
<v Speaker 1>It was all this graffiti and someone wrote jose Ninas

0:43:50.280 --> 0:43:52.960
<v Speaker 1>in the top corner And every time we got in

0:43:53.400 --> 0:43:55.960
<v Speaker 1>the elevator, we thought that was the funniest name. And

0:43:56.080 --> 0:43:58.640
<v Speaker 1>it literally we left every time we were in that

0:43:58.760 --> 0:44:01.560
<v Speaker 1>elevator because meanness is a funny last name. I feel

0:44:01.600 --> 0:44:06.160
<v Speaker 1>like we we laughed a lot at chum King. Yeah, well,

0:44:06.280 --> 0:44:08.640
<v Speaker 1>and on the way there and on the way out

0:44:08.719 --> 0:44:12.360
<v Speaker 1>like it was just it's like, I think part of

0:44:12.440 --> 0:44:16.840
<v Speaker 1>the key things about license to know what was making it.

0:44:17.000 --> 0:44:21.040
<v Speaker 1>It never felt like we're making an album like it

0:44:21.200 --> 0:44:23.360
<v Speaker 1>just felt like what you just said that it was

0:44:23.440 --> 0:44:26.400
<v Speaker 1>kind of like that was just part of all right,

0:44:26.920 --> 0:44:29.760
<v Speaker 1>wake up, go to your dorm room, listen to some records,

0:44:30.480 --> 0:44:34.840
<v Speaker 1>you know, go to Cozy super Burger, then whatever club's

0:44:34.880 --> 0:44:38.360
<v Speaker 1>going on that night, and if there's an idea studio.

0:44:38.760 --> 0:44:42.040
<v Speaker 1>It wasn't like now you know the cold, like Adam said, like,

0:44:42.080 --> 0:44:44.040
<v Speaker 1>it's not like we were making an album for this

0:44:44.160 --> 0:44:46.480
<v Speaker 1>amount of time. And actually it's funny. I think back

0:44:46.560 --> 0:44:50.160
<v Speaker 1>at you talking about me calling you and making that

0:44:50.360 --> 0:44:52.680
<v Speaker 1>phone call and asked like, what's up with the record?

0:44:53.000 --> 0:44:54.840
<v Speaker 1>I kind of now I'm thinking back at it, and

0:44:54.960 --> 0:44:57.719
<v Speaker 1>I remember we were on the Raising Hell tour and

0:44:57.760 --> 0:45:02.680
<v Speaker 1>I remember and being really excited run and Russell is

0:45:02.719 --> 0:45:05.239
<v Speaker 1>getting me all excited, like like you know, like you

0:45:05.360 --> 0:45:08.320
<v Speaker 1>got a call like what's taking so long with your album?

0:45:08.440 --> 0:45:11.919
<v Speaker 1>Like you guys should be like run because he'd heard

0:45:12.040 --> 0:45:14.399
<v Speaker 1>like by that, you know, he was so excited about

0:45:14.440 --> 0:45:18.279
<v Speaker 1>Holding Now, which was hold It Now was like one

0:45:18.320 --> 0:45:20.080
<v Speaker 1>of those songs like we're talking about, like we were

0:45:20.120 --> 0:45:23.520
<v Speaker 1>out of the club. I remember, like we remember we

0:45:23.640 --> 0:45:26.120
<v Speaker 1>went in there and just played around like a bunch

0:45:26.160 --> 0:45:30.360
<v Speaker 1>of different like scratching things in off of records, and

0:45:31.360 --> 0:45:33.600
<v Speaker 1>I think we even put down the verses. And then

0:45:33.640 --> 0:45:36.040
<v Speaker 1>I remember you and Russell kind of like hearing it

0:45:36.120 --> 0:45:40.239
<v Speaker 1>after we've already already done some stuff, and you specifically

0:45:40.320 --> 0:45:44.120
<v Speaker 1>being really excited about it. You were like actually more

0:45:44.160 --> 0:45:47.000
<v Speaker 1>excited even than we were where you were like, yeah,

0:45:47.120 --> 0:45:49.719
<v Speaker 1>this this is it, Like this is this is what

0:45:49.840 --> 0:45:52.000
<v Speaker 1>you guys need to be making. It was mind blowing.

0:45:52.200 --> 0:45:55.080
<v Speaker 1>I loved it. Oh you know, quest Of just told

0:45:55.120 --> 0:45:57.480
<v Speaker 1>me a story the other day that I wonder if

0:45:57.480 --> 0:46:01.640
<v Speaker 1>you guys know this. In Philly, when Hold It Now

0:46:01.800 --> 0:46:04.840
<v Speaker 1>came out as a single, the version that was released

0:46:05.160 --> 0:46:08.879
<v Speaker 1>to radio was the a cappella, which we called the Acapulco.

0:46:10.000 --> 0:46:14.800
<v Speaker 1>And so in Philly people thought that the song didn't

0:46:14.880 --> 0:46:17.600
<v Speaker 1>have a beat or any music or anything. It was

0:46:17.680 --> 0:46:20.640
<v Speaker 1>just vocals. Yeah, it was just it was just vocals.

0:46:20.880 --> 0:46:23.080
<v Speaker 1>And he thought, Wow, this is the craziest record I

0:46:23.120 --> 0:46:26.120
<v Speaker 1>ever heard. It's just this rhyming and he said, And

0:46:26.200 --> 0:46:28.680
<v Speaker 1>it was really well liked in Philly, even though it

0:46:28.800 --> 0:46:33.040
<v Speaker 1>was such such a crazy you know, the first rap

0:46:33.160 --> 0:46:36.719
<v Speaker 1>record not to have any music and um and it

0:46:36.840 --> 0:46:39.319
<v Speaker 1>was a hit. And then when the album came out

0:46:39.360 --> 0:46:41.520
<v Speaker 1>and it had the beat, nobody liked it because they

0:46:41.560 --> 0:46:43.840
<v Speaker 1>were used to the acapella version, which they thought was

0:46:43.920 --> 0:46:47.719
<v Speaker 1>just like the greatest thing they ever heard. We were

0:46:47.800 --> 0:46:49.440
<v Speaker 1>talking to him and he would say something it just

0:46:49.520 --> 0:46:53.440
<v Speaker 1>reminded me of words that we tried to force into

0:46:53.560 --> 0:46:57.840
<v Speaker 1>like common you know speak. We'd pick random words and

0:46:57.840 --> 0:46:59.680
<v Speaker 1>be like, oh no, this is this is what people say.

0:46:59.760 --> 0:47:02.440
<v Speaker 1>Now I can't Why am I blank? I'm kind of

0:47:02.600 --> 0:47:06.160
<v Speaker 1>I'm like I'm blanking on him so bad. But we

0:47:06.239 --> 0:47:10.759
<v Speaker 1>used we picked like a few different words or phrases.

0:47:10.920 --> 0:47:12.880
<v Speaker 1>It would be sometimes to be a phrase to like

0:47:13.280 --> 0:47:15.720
<v Speaker 1>you'd hear you'd hear someone say something at the club

0:47:16.360 --> 0:47:18.560
<v Speaker 1>that was just normal to them and we would laugh,

0:47:18.680 --> 0:47:21.200
<v Speaker 1>like brass Monkey came from Jazzy j talking about what

0:47:21.280 --> 0:47:24.000
<v Speaker 1>you like to drink, and just like, yeah, it's like,

0:47:24.200 --> 0:47:27.840
<v Speaker 1>what's funnier than brass monkey? Oh my god, brass Monkey

0:47:27.960 --> 0:47:32.399
<v Speaker 1>is that was a crazy night with tel Rock. Tell

0:47:32.440 --> 0:47:36.239
<v Speaker 1>me I don't I don't remember. So you were producing

0:47:36.840 --> 0:47:42.520
<v Speaker 1>a record for a rapper named Tela Rock, and we

0:47:42.640 --> 0:47:44.279
<v Speaker 1>were going to go to the studio with you because

0:47:44.400 --> 0:47:46.160
<v Speaker 1>that we just that that's also what I like when

0:47:46.200 --> 0:47:48.839
<v Speaker 1>you're young, you're just you just go with your friend

0:47:48.880 --> 0:47:51.440
<v Speaker 1>wherever they're going. Like it's just funny to think about

0:47:51.480 --> 0:47:54.640
<v Speaker 1>going with your friend to their job, Like, no, you

0:47:54.719 --> 0:47:57.000
<v Speaker 1>can't come to my job. I'm working. What are you doing?

0:47:58.360 --> 0:48:00.080
<v Speaker 1>And so I didn't think about it. The place was

0:48:00.120 --> 0:48:02.520
<v Speaker 1>in Queens or Long Island or somewhere. It was like

0:48:03.360 --> 0:48:05.120
<v Speaker 1>it was like we had to take a car. It

0:48:05.239 --> 0:48:08.279
<v Speaker 1>was really far and me and Skill Calm were there

0:48:08.480 --> 0:48:11.360
<v Speaker 1>and it was just nuts. It just seems so growing.

0:48:11.440 --> 0:48:14.440
<v Speaker 1>There was like grown ups that we didn't know. I

0:48:14.440 --> 0:48:15.879
<v Speaker 1>don't know Tiller Rock, but it was like a real

0:48:16.000 --> 0:48:19.080
<v Speaker 1>rap scene. It was just weird. And then Jazz J

0:48:20.120 --> 0:48:22.160
<v Speaker 1>passed around a bottle of brass Monkey and me and

0:48:22.239 --> 0:48:28.279
<v Speaker 1>Skill Comb were like, this is fucking delicious. Yeah, I

0:48:28.360 --> 0:48:30.480
<v Speaker 1>didn't know that you guys, you guys actually drank it.

0:48:30.719 --> 0:48:32.640
<v Speaker 1>Oh yeah. The whole night was crazy. And then we

0:48:32.719 --> 0:48:35.800
<v Speaker 1>could separated in two separate cars and we're like in

0:48:35.880 --> 0:48:39.040
<v Speaker 1>Long Island, were like where are we and getting white Castle? Anyway,

0:48:39.040 --> 0:48:41.520
<v Speaker 1>it was it was a really it was a nice night. Yeah,

0:48:41.560 --> 0:48:44.200
<v Speaker 1>I remember going. I remember taking cars to white castles.

0:48:44.239 --> 0:48:45.839
<v Speaker 1>It was hard in Manhattan. It was hard to get

0:48:45.840 --> 0:48:48.880
<v Speaker 1>white castle probably for the best. But what do we

0:48:48.960 --> 0:48:52.560
<v Speaker 1>say because rope a dope, like in late eighties rope

0:48:52.600 --> 0:48:55.040
<v Speaker 1>and I'm just I just remember one word. We'd say

0:48:55.200 --> 0:48:56.879
<v Speaker 1>that ship is dope, and they'd be like, that's dope.

0:48:56.920 --> 0:48:58.520
<v Speaker 1>It's rope a dope. And then we were like it

0:48:58.680 --> 0:49:03.279
<v Speaker 1>was like, oh, that's rope, and nobody like, did not

0:49:03.560 --> 0:49:09.200
<v Speaker 1>laugh rope. We said, but that should it did not laugh.

0:49:09.960 --> 0:49:12.359
<v Speaker 1>That is so funny. It's too bad because it's kind

0:49:12.360 --> 0:49:15.719
<v Speaker 1>of great. Nobody else was like, oh, that's rope. I

0:49:15.840 --> 0:49:20.640
<v Speaker 1>forgot rope. Rope is great. We gotta bring back rope.

0:49:22.239 --> 0:49:25.879
<v Speaker 1>Rope is really funny, though it's it's explaining the joke.

0:49:26.000 --> 0:49:28.560
<v Speaker 1>It's not that good. I feel like Flavor had a

0:49:28.680 --> 0:49:32.600
<v Speaker 1>lot of the flavors normal waves speaking, had a lot

0:49:32.680 --> 0:49:36.920
<v Speaker 1>of references that could work their way into songs. Like

0:49:37.040 --> 0:49:40.240
<v Speaker 1>of everyone we hung out with, Flavor was a gold

0:49:40.320 --> 0:49:43.360
<v Speaker 1>mine of phrases. I just want you to know the

0:49:43.480 --> 0:49:45.680
<v Speaker 1>last time I saw Flavor, I was in my car

0:49:45.960 --> 0:49:48.360
<v Speaker 1>in New York, stopped at a red light and he

0:49:48.640 --> 0:49:51.680
<v Speaker 1>got in my car and I was just like, what's

0:49:51.800 --> 0:49:54.520
<v Speaker 1>like someone's getting in my car and it's Flavor and

0:49:54.560 --> 0:49:56.560
<v Speaker 1>he's like, yo, let's up. Take me to like thirty

0:49:56.640 --> 0:49:59.200
<v Speaker 1>sixth Street, and so I drove him. I was like,

0:49:59.200 --> 0:50:02.520
<v Speaker 1>all right, good to see. Wow, it was nuts. Did

0:50:02.680 --> 0:50:05.640
<v Speaker 1>did you guys go to at all to the studio

0:50:05.680 --> 0:50:09.360
<v Speaker 1>when Public Enemy was recording? No? I just remember I

0:50:09.480 --> 0:50:12.800
<v Speaker 1>remember going to their the radio show of the Spectrum

0:50:12.840 --> 0:50:17.239
<v Speaker 1>City UH show in Long Island and doing that, and

0:50:17.360 --> 0:50:21.480
<v Speaker 1>I remember just like listening with you and on our

0:50:21.520 --> 0:50:23.880
<v Speaker 1>own then when we're on like listening to the demo

0:50:24.520 --> 0:50:27.839
<v Speaker 1>for the song Public Enemy number one, like I mean

0:50:28.040 --> 0:50:32.800
<v Speaker 1>on repeat, Like I don't think there's a single demo.

0:50:33.160 --> 0:50:35.840
<v Speaker 1>There's no demo we listened to that much. Maybe a

0:50:36.000 --> 0:50:40.080
<v Speaker 1>single song that we listened to so incessantly it was

0:50:40.719 --> 0:50:43.920
<v Speaker 1>that was so mind blowingly good. It was incredible. I

0:50:44.000 --> 0:50:46.279
<v Speaker 1>remember listening to it all the time. I'm trying to

0:50:46.320 --> 0:50:48.480
<v Speaker 1>think with what were the other things that were like

0:50:48.680 --> 0:50:52.200
<v Speaker 1>that were like they really took over our lives for

0:50:52.239 --> 0:50:55.279
<v Speaker 1>a period of time. Can you remember, oh, Eric Eric

0:50:55.320 --> 0:50:58.120
<v Speaker 1>B for President? Yeah, well I didna say that school

0:50:58.680 --> 0:51:07.399
<v Speaker 1>school D school, school E G S YO PSK people

0:51:07.719 --> 0:51:10.719
<v Speaker 1>and nothing but squares. Remember like how many times we

0:51:10.800 --> 0:51:14.839
<v Speaker 1>would listen to that in your dorm room and everywhere else,

0:51:14.880 --> 0:51:17.120
<v Speaker 1>like yeah, when he especially that thing of like school,

0:51:17.280 --> 0:51:19.919
<v Speaker 1>like school, these whole intro on that thing, like nah,

0:51:24.520 --> 0:51:27.880
<v Speaker 1>no school, school, what time is it? What was his

0:51:28.000 --> 0:51:37.080
<v Speaker 1>DJ's name? Code? Money, money, get your feed code, my

0:51:37.320 --> 0:51:44.200
<v Speaker 1>code code? So good? Oh man, such good records, so funny.

0:51:44.600 --> 0:51:47.239
<v Speaker 1>I mean, I guess whatever we are of a certain age,

0:51:47.280 --> 0:51:49.560
<v Speaker 1>so we that's but we will talk about often, like

0:51:49.640 --> 0:51:54.439
<v Speaker 1>it is incredible how many great rap records were coming out,

0:51:54.640 --> 0:52:02.000
<v Speaker 1>like nine, like just mind blowingly good rap records. I'm

0:52:02.000 --> 0:52:03.920
<v Speaker 1>trying to remember which were the what were the other

0:52:03.960 --> 0:52:06.920
<v Speaker 1>ones that really like moved the needle for us? Sucker

0:52:07.080 --> 0:52:11.080
<v Speaker 1>MCS was everything obviously right, I read D m C

0:52:11.280 --> 0:52:14.120
<v Speaker 1>were the I mean they were the archetypes. They were

0:52:14.239 --> 0:52:17.719
<v Speaker 1>like you know, I mean the Jay talked so much

0:52:17.760 --> 0:52:21.520
<v Speaker 1>about performing and how to sort of put a rap

0:52:21.600 --> 0:52:24.120
<v Speaker 1>show together, um and how to you know, I think

0:52:24.160 --> 0:52:26.680
<v Speaker 1>that along with you how to put a rap record together.

0:52:26.960 --> 0:52:29.120
<v Speaker 1>Was there anything else that we had that wasn't out,

0:52:29.239 --> 0:52:32.439
<v Speaker 1>like like with the Public Enemy tape. Howey, he's a demo.

0:52:32.560 --> 0:52:35.120
<v Speaker 1>I remember bis Market was out. I remeber when we

0:52:35.239 --> 0:52:39.120
<v Speaker 1>heard that first bis Marquee and talking about it with

0:52:40.200 --> 0:52:43.880
<v Speaker 1>D M C and Jay and being really excited about it.

0:52:44.239 --> 0:52:49.719
<v Speaker 1>You had a demo for uh slick Rick Children's story. Righ.

0:52:50.680 --> 0:52:53.839
<v Speaker 1>Remember loved that right right, because that was another thing.

0:52:54.120 --> 0:52:56.160
<v Speaker 1>I mean, Lotti Dotting in the show. We must have

0:52:56.239 --> 0:52:59.360
<v Speaker 1>we must listened to a Lotti Dotting the show again,

0:53:00.040 --> 0:53:03.680
<v Speaker 1>unquantifiable amounts of times. Do you remember the story of

0:53:03.840 --> 0:53:06.120
<v Speaker 1>let me we're letting me clear my throat came from?

0:53:06.560 --> 0:53:08.279
<v Speaker 1>I have a vague I have a memory, but I

0:53:08.320 --> 0:53:11.439
<v Speaker 1>don't know if it's accurate. No, tell me, I don't.

0:53:11.680 --> 0:53:16.880
<v Speaker 1>My memory was that on l L's demo tape that

0:53:17.000 --> 0:53:19.239
<v Speaker 1>you found in the box of demo tapes, that that

0:53:19.400 --> 0:53:23.520
<v Speaker 1>came to the dorm before he started rhyming, he said,

0:53:24.760 --> 0:53:28.480
<v Speaker 1>let me clear my throat, and and I remember that

0:53:28.680 --> 0:53:32.239
<v Speaker 1>we for whatever reason, it was the funniest thing we

0:53:32.320 --> 0:53:35.200
<v Speaker 1>ever heard. It made I mean it was, It wasn't

0:53:35.400 --> 0:53:40.120
<v Speaker 1>there was nothing funny about it, but somehow the idea

0:53:40.239 --> 0:53:45.000
<v Speaker 1>that that was the first thing said before the the

0:53:45.120 --> 0:53:48.719
<v Speaker 1>song starts. I know it's so easy to take that out, now,

0:53:49.080 --> 0:53:53.480
<v Speaker 1>do you know? It's so it's so easy. But back

0:53:53.520 --> 0:53:55.440
<v Speaker 1>then you couldn't. You just you didn't know how to

0:53:55.520 --> 0:54:00.399
<v Speaker 1>take stuff out, and just whatever you recorded was on there. Yeah, yeah,

0:54:00.400 --> 0:54:02.960
<v Speaker 1>it was. It was. It was nothing. But for some reason,

0:54:03.640 --> 0:54:06.600
<v Speaker 1>I remember we latched onto It's like, this is just

0:54:06.719 --> 0:54:10.360
<v Speaker 1>the funniest thing we've ever heard. We just latched onto it,

0:54:10.440 --> 0:54:12.560
<v Speaker 1>and I can't remember how it ended up getting into

0:54:12.640 --> 0:54:16.360
<v Speaker 1>the song. I'm sure you were like, wait, let you

0:54:16.400 --> 0:54:22.880
<v Speaker 1>should say let you should scream at really angrily. That's funny.

0:54:24.200 --> 0:54:27.880
<v Speaker 1>It's so dumb. But again, it's the beauty of It's

0:54:27.920 --> 0:54:30.520
<v Speaker 1>in such a different context too, though, on this on

0:54:30.640 --> 0:54:33.359
<v Speaker 1>our song as opposed to his demo tape. Yeah, well

0:54:33.440 --> 0:54:36.000
<v Speaker 1>that's the beauty of the montage of hip hop. That's

0:54:36.040 --> 0:54:40.879
<v Speaker 1>how like pre contextualizing things that you find in the world. Yeah,

0:54:41.680 --> 0:54:44.120
<v Speaker 1>any other memories of dance Materia. I feel like that

0:54:44.280 --> 0:54:46.319
<v Speaker 1>was sort of the place that I remember we went

0:54:46.360 --> 0:54:52.080
<v Speaker 1>to the most. So many I mean so much, so many. Um, alright,

0:54:52.160 --> 0:54:57.400
<v Speaker 1>where are we sorrying? I mean really that it was

0:54:59.080 --> 0:55:02.759
<v Speaker 1>the first place since we would talk to girls. I

0:55:02.840 --> 0:55:05.720
<v Speaker 1>thought you were you were just claiming junior high school status,

0:55:05.880 --> 0:55:09.880
<v Speaker 1>so you're doing all kinds of things. But all right,

0:55:10.080 --> 0:55:13.600
<v Speaker 1>dance there. I would say, like me, just like hearing

0:55:13.800 --> 0:55:15.719
<v Speaker 1>you didn't know. They were like the songs that you

0:55:15.760 --> 0:55:21.000
<v Speaker 1>would hear every every night, like uh uh app shoot

0:55:21.040 --> 0:55:25.719
<v Speaker 1>You Down, or or new or um Confusion you'd hear

0:55:25.800 --> 0:55:33.120
<v Speaker 1>like every single night or didn't didn't medium, medium, medium, medium.

0:55:33.640 --> 0:55:38.200
<v Speaker 1>My favorite top three favorite things of Danceingteria was being

0:55:38.280 --> 0:55:42.279
<v Speaker 1>on that dance floor room, second floor, just in the

0:55:42.360 --> 0:55:44.320
<v Speaker 1>corner by the stairs, would always be hanging out. The

0:55:44.440 --> 0:55:46.440
<v Speaker 1>music would be playing, people be dancing, and there was

0:55:46.520 --> 0:55:48.040
<v Speaker 1>some guy in the middle of the crowd would be like,

0:55:48.120 --> 0:55:54.279
<v Speaker 1>wren't that body. It wasn't just like once, It was

0:55:54.360 --> 0:55:59.520
<v Speaker 1>like every night. Memories of the Roxie. I remember the Rocks.

0:55:59.600 --> 0:56:05.160
<v Speaker 1>I remember two things. I remember African Bambada playing, Uh,

0:56:05.280 --> 0:56:09.600
<v Speaker 1>Tony Basil, You're oh, Mickey, You're so fine at the

0:56:09.719 --> 0:56:11.799
<v Speaker 1>Roxy so like you know, I'm there like a white

0:56:11.880 --> 0:56:14.000
<v Speaker 1>kid at the Rosy thing. It's like the most de

0:56:14.160 --> 0:56:18.279
<v Speaker 1>boy place ever. And here's African Bambada, one of the

0:56:18.360 --> 0:56:22.720
<v Speaker 1>most important hip hop DJs ever, and he's playing Tony

0:56:22.840 --> 0:56:27.560
<v Speaker 1>Basil like you know not, there's nothing that I thought

0:56:27.880 --> 0:56:32.040
<v Speaker 1>of rap like music like that. When I associated with

0:56:32.120 --> 0:56:34.480
<v Speaker 1>Tony Basil and I was just like, Wow, that's incredible

0:56:34.480 --> 0:56:37.520
<v Speaker 1>that he could make Tony Basil old, Nicky, you're so fine.

0:56:37.640 --> 0:56:41.360
<v Speaker 1>Work in the Roxy was incredible that and then I

0:56:41.480 --> 0:56:44.960
<v Speaker 1>just remember being scared to go to the bathroom at

0:56:45.000 --> 0:56:48.160
<v Speaker 1>the Roxy. Roxy. It was just it was just like

0:56:48.680 --> 0:56:52.600
<v Speaker 1>dudes like selling coke and getting high and like shi,

0:56:52.600 --> 0:56:54.439
<v Speaker 1>it was scary. I just felt like I was gonna

0:56:54.480 --> 0:56:57.960
<v Speaker 1>get robbed in the bathroom. Yeah, me too. Well. That

0:56:58.160 --> 0:57:00.600
<v Speaker 1>that I remember because I went of Roxy when I

0:57:00.640 --> 0:57:02.960
<v Speaker 1>was a kid because it was a roller skating place

0:57:03.880 --> 0:57:06.279
<v Speaker 1>and so I don't I don't know how to roller scape,

0:57:06.320 --> 0:57:07.880
<v Speaker 1>but like it's like a thing you go and hang

0:57:07.920 --> 0:57:10.520
<v Speaker 1>out at the roller skating place. And so then later

0:57:10.680 --> 0:57:13.480
<v Speaker 1>a few years later, Roxy was a thing where we

0:57:13.520 --> 0:57:17.680
<v Speaker 1>would go to, you know, the disco, and I remember

0:57:17.720 --> 0:57:18.760
<v Speaker 1>when we were there. I don't know it was the

0:57:18.760 --> 0:57:21.240
<v Speaker 1>first time we're there, but then like sucking shots rang

0:57:21.280 --> 0:57:23.000
<v Speaker 1>out and someone had a gun and was shooting and

0:57:23.080 --> 0:57:26.080
<v Speaker 1>people running. I was like, this is not the same

0:57:26.320 --> 0:57:29.960
<v Speaker 1>thing from when I was eleven, twelve, you know whatever,

0:57:30.280 --> 0:57:33.360
<v Speaker 1>it's it was a place you put a bunch of

0:57:33.400 --> 0:57:35.600
<v Speaker 1>teenage dudes in the same place. Some weird ship's going

0:57:35.640 --> 0:57:38.320
<v Speaker 1>to happen. Why is that it is the case? But

0:57:38.480 --> 0:57:41.200
<v Speaker 1>why teenage dudes is stupid? I don't know what to say.

0:57:43.200 --> 0:57:47.040
<v Speaker 1>I'm thinking about that the Hey Mickey reference that the

0:57:47.080 --> 0:57:52.160
<v Speaker 1>embody used and that probably lead that hearing that there

0:57:52.800 --> 0:57:58.320
<v Speaker 1>probably was a step in why the song It's Tricky

0:57:58.440 --> 0:58:00.760
<v Speaker 1>got made? Are there? You gonna say a world destruction

0:58:00.840 --> 0:58:05.760
<v Speaker 1>and for him it's like the same beat? Yeah, because

0:58:05.760 --> 0:58:08.480
<v Speaker 1>the world destruction is like the same beat. Yeah, yeah,

0:58:08.560 --> 0:58:14.520
<v Speaker 1>I just I just remember it's tricky being like feeling

0:58:14.640 --> 0:58:17.520
<v Speaker 1>there were certain vibes that you would feel at a

0:58:17.600 --> 0:58:20.560
<v Speaker 1>hip hop club that stood out that we're different than

0:58:20.640 --> 0:58:23.560
<v Speaker 1>the others. It's like, hmm, how do you incorporate that?

0:58:23.880 --> 0:58:25.960
<v Speaker 1>Because that definitely feels good, like we're in the club,

0:58:26.040 --> 0:58:29.800
<v Speaker 1>this feels great. That's now part of the language. Like

0:58:29.920 --> 0:58:31.800
<v Speaker 1>that felt like, okay, that's part of the language in

0:58:31.880 --> 0:58:33.360
<v Speaker 1>hip hop and be if you were in a band

0:58:33.880 --> 0:58:38.480
<v Speaker 1>and somebody in a band did a waltz beat instead

0:58:38.520 --> 0:58:40.600
<v Speaker 1>of a four four beat, and you'd say, oh, that's

0:58:40.600 --> 0:58:43.560
<v Speaker 1>a new part of the vocabulary. You can write a

0:58:43.600 --> 0:58:46.560
<v Speaker 1>song with a waltz beat, no matter to wald speat.

0:58:47.840 --> 0:58:49.480
<v Speaker 1>I got, you know, I got tons of songs of

0:58:49.520 --> 0:58:51.720
<v Speaker 1>Wald Speeds. Oh wait, one thing Wick I did want

0:58:51.720 --> 0:58:53.880
<v Speaker 1>to say is you were talking about how I don't

0:58:53.880 --> 0:58:55.960
<v Speaker 1>even know how to explain it to people, or maybe

0:58:56.000 --> 0:58:58.120
<v Speaker 1>it's not even worth trying to explain. But like we

0:58:58.280 --> 0:59:01.480
<v Speaker 1>were talking about opening from Madama, it that it's it's

0:59:01.720 --> 0:59:04.920
<v Speaker 1>also it's very interesting. Look obviously we've we've changed a

0:59:05.000 --> 0:59:08.440
<v Speaker 1>lot through the years, but it's it's it's interesting to

0:59:08.520 --> 0:59:11.720
<v Speaker 1>me because people know I feel like relate to us,

0:59:11.960 --> 0:59:14.520
<v Speaker 1>or a lot of people know us just from like

0:59:14.800 --> 0:59:16.840
<v Speaker 1>life and still little Beast Boys, and then there's a

0:59:16.880 --> 0:59:18.800
<v Speaker 1>lot of people that grew up with us for a

0:59:18.880 --> 0:59:20.520
<v Speaker 1>lot of stuff whatever, but a lot of people know

0:59:20.640 --> 0:59:24.320
<v Speaker 1>it's just like it's in that um incarnation license at

0:59:24.320 --> 0:59:26.840
<v Speaker 1>all time. And I think it's interesting with you. You

0:59:26.920 --> 0:59:28.680
<v Speaker 1>were like such a big part of like when we're

0:59:29.040 --> 0:59:31.280
<v Speaker 1>opening up from the data and this like this whole

0:59:31.360 --> 0:59:35.880
<v Speaker 1>idea like persona. But then people actually know you now,

0:59:36.680 --> 0:59:41.600
<v Speaker 1>like from your persona now, not from like like how

0:59:41.720 --> 0:59:44.800
<v Speaker 1>you would talk then, And I don't even know how

0:59:44.840 --> 0:59:47.680
<v Speaker 1>to explain when I try to explain to people how

0:59:48.080 --> 0:59:51.280
<v Speaker 1>you would talk in sort of like when you're excited about,

0:59:52.200 --> 0:59:54.320
<v Speaker 1>like for wrestling, and how you would do that I

0:59:54.440 --> 0:59:57.400
<v Speaker 1>don't even know how to capture it or explain it. Yeah,

0:59:57.560 --> 1:00:02.520
<v Speaker 1>it's definitely a ramped up character there, uh inspired by

1:00:02.560 --> 1:00:04.600
<v Speaker 1>like Roddy Piper would be one of the key get

1:00:04.680 --> 1:00:08.720
<v Speaker 1>Rick Flair. The the guys who would who you'd want

1:00:08.760 --> 1:00:12.120
<v Speaker 1>to see lose and who would often find a way

1:00:12.200 --> 1:00:15.560
<v Speaker 1>to win through cheating. Um. But they were the funniest.

1:00:15.880 --> 1:00:18.040
<v Speaker 1>They always like the bad guys in wrestling. The bad

1:00:18.080 --> 1:00:21.720
<v Speaker 1>guys have the best lines. So they were the most

1:00:21.840 --> 1:00:26.480
<v Speaker 1>charismatic and funniest characters. So put on that air has

1:00:26.520 --> 1:00:29.280
<v Speaker 1>to do with Youth, Michael, Youth, don't give a fuck.

1:00:30.600 --> 1:00:33.080
<v Speaker 1>Thank you for doing this. Great to see you, Adam,

1:00:33.360 --> 1:00:36.400
<v Speaker 1>I miss you, I love you, and I look forward

1:00:36.440 --> 1:00:42.400
<v Speaker 1>to continuing uh bridging bridging the years that that we've missed.

1:00:42.880 --> 1:00:45.400
<v Speaker 1>I love you too. Nice to talk to you. Thank you, Rigors.

1:00:45.440 --> 1:00:48.120
<v Speaker 1>Great to see you, Spike A pleasure. I miss you.

1:00:48.680 --> 1:00:55.880
<v Speaker 1>I mist see later you guys right. Thanks to Mike, Adam,

1:00:55.920 --> 1:00:58.120
<v Speaker 1>and Spike for taking the time to catch up with Rick.

1:00:58.680 --> 1:01:01.040
<v Speaker 1>You can hear all our favorite Beast Voice songs plus

1:01:01.080 --> 1:01:03.520
<v Speaker 1>the other songs mentioned in this episode by heading the

1:01:03.600 --> 1:01:06.240
<v Speaker 1>Broken Record podcast dot com and be sure to check

1:01:06.280 --> 1:01:08.320
<v Speaker 1>out our YouTube channel where you can find some great

1:01:08.360 --> 1:01:12.000
<v Speaker 1>bonus material for past episodes. You can subscribe at YouTube

1:01:12.040 --> 1:01:15.960
<v Speaker 1>dot com slash broken Record Pods. Broken Record is produced

1:01:16.000 --> 1:01:19.080
<v Speaker 1>with help from Jason Gambrel, Meal, La Belle, Leo Rose,

1:01:19.240 --> 1:01:23.560
<v Speaker 1>and Martin Gonzalez for Pushkin Industries. Theme musics by Kenny Beats.

1:01:23.920 --> 1:01:25.800
<v Speaker 1>I'm justin Richmond. Thanks for listening.