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Speaker 1: I listen to the Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen are hot.

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Speaker 2: Hey, welcome to the Black Out to his podcast. I'm

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Speaker 2: your host, Rod Jordan is always on my cost Karen,

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Speaker 2: and we're live on a Sunday morning, early Sunday morning,

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Speaker 2: doing podcasting.

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Speaker 3: Find us everywhere you get podcasts.

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Speaker 2: Look in the show notes you'll see our live show

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Speaker 2: is coming up on the twenty eighth. That is this

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Speaker 2: upcoming Friday, Bloominghal Center for Performing Arts. The link for

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Speaker 2: the tickets is in the show notes. By the tickets.

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Speaker 2: You don't have to be there in person, you can

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Speaker 2: be there virtually. It's at seven pm. Jail Covin is

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Speaker 2: gonna be there. He's gonna be doing a little bit

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Speaker 2: of stand up opening up for us, and then we're

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Speaker 2: gonna do the show. And then Jail's gonna be a guest,

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Speaker 2: and Justin's gonna be a guest, and we're gonna have

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Speaker 2: prizes and we're gonna play games, and the audience is

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Speaker 2: gonna participate. We're gonna have a ask me anything they

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Speaker 2: can ask us questions and everything. It's gonna be a

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Speaker 2: fun time. And speaking of guests that have opened up

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Speaker 2: for us in the past. Everyone fave, your favor, our fave.

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Speaker 2: We love him. He was voted best guest when we

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Speaker 2: used to do the Tippies, the Award show. It is

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Speaker 2: the actor of stage and screen. It is a podcaster,

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Speaker 2: stand up comedian. Chris Lambert, what's up my man?

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Speaker 4: Hey guys, thanks again for having me. It's always always

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Speaker 4: a pleasure to chop it up with y'all, to see

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Speaker 4: your adorable faces. It's always good. That was I would say,

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Speaker 4: and I've said it before. That was like, uh, what

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Speaker 4: was that twenty eighteen? We did that? Yeah a minute, Yeah,

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Speaker 4: that was twenty eighteen, and that was an honor for

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Speaker 4: me to get to do that. And uh, your first

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Speaker 4: live show, I'm the first.

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Speaker 3: I hit it, he hit it, first shot the Ray J.

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Speaker 4: Jefferson first. It was. It was because it was a

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Speaker 4: marker in my career where it was like I was

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Speaker 4: invited to come and perform where you know, you you

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Speaker 4: kind of chase things as an in show business and

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Speaker 4: when you realize you really shouldn't be chasing it, you know,

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Speaker 4: As the Great Kendrick Lamar once said, I used to

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Speaker 4: want to be Jay Z until I realized Jay wasn't

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Speaker 4: me right, So I'm saying.

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Speaker 2: So it's like I killed it, man, it was fun,

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Speaker 2: you said a hot bar man. Like everybody we've had

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Speaker 2: out has really like killed it. The audience has loved it.

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Speaker 2: So you know, I can't wait to see what Jal

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Speaker 2: does as well. You know, JL is a guy I

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Speaker 2: wouldn't know if not for you, So, like you really

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Speaker 2: linked that whole thing up back in the day. So

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Speaker 2: you know, the the ten seven Degrees of Chris Lambert

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Speaker 2: continues throughout our lives.

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Speaker 5: We have a lot of that, don't we.

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Speaker 4: Yeah, right, everybody has achieved great heights success stop. But no,

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Speaker 4: it's cool, like that's I think that's what it's supposed

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Speaker 4: to be. And I think, you know, god, I'm getting

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Speaker 4: corny off the rip when we met from The Morning

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Speaker 4: Jones and to see how far everybody has come, and

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Speaker 4: it's just like, I guess you kind of say, it's

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Speaker 4: the almost the Bomani Jones universe in a lot of ways.

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Speaker 4: But obviously everybody has carved out their own space and

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Speaker 4: has done great things. But I remember just being like,

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Speaker 4: it's a testament to you know, all the bullshit that

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Speaker 4: we talk about on the internet, how it's toxic, but

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Speaker 4: shit Man two thousand and seven, two thousand and eight.

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Speaker 1: Ish, and people would themselves and like you would, they

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Speaker 1: wouldn't trying to be a brand. Like some of the

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Speaker 1: people that I'm really really close to now, I literally

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Speaker 1: met them on the internet. You know, when people used

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Speaker 1: to tell you that the Internet was full of a bunt.

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Speaker 5: Now it was full of a bunch of crazies.

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Speaker 1: But you know, back then, I used to say it

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Speaker 1: was full of a bunch of crazies when most people

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Speaker 1: was just being themselves, like naturally, even celebrities was just

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Speaker 1: being even to the detriment of some of them, because

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Speaker 1: nobody understood what the Internet was going to turn into.

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Speaker 5: That at that time, people didn't have this. It was a.

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Speaker 1: Lawlessness and a freedom that was special at that time

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Speaker 1: that can never be duplicated again. And it was almost

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Speaker 1: like you had to be there because there is a

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Speaker 1: certain generation that never got to experience that and so

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Speaker 1: their whole life. The internet has always been a toxic place.

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Speaker 1: So when you know people of a certain age, but

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Speaker 1: like hey, dog, like I actually you know, knew a

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Speaker 1: person for ten years before I met them in real life,

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Speaker 1: and people go, what's wrong with you?

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Speaker 5: You gonna know like the times have changed for good

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Speaker 5: and for bad, but they've changed.

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Speaker 4: Yeah, and in this time I think you're right, Karen,

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Speaker 4: And this time it's like it's easy to focus on

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Speaker 4: the negative. And obviously I know what's going on, and

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Speaker 4: you're aware of stuff like I listened to you guys

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Speaker 4: and find out about information, listen to the news and

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Speaker 4: different podcasts. But it's like there's some good. It ain't

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Speaker 4: all bad, right, all bad? And in a way, as

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Speaker 4: as black people, this being Black History Month, we've always

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Speaker 4: had adversity. We've always had, you know, people against us,

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Speaker 4: and it's a testament to us to keep moving, keep

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Speaker 4: going on, keep pressing on.

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Speaker 1: You know, you have to, because one thing I've realized

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Speaker 1: about black people and most of fresh people is that

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Speaker 1: there's always hope.

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Speaker 5: And the Internet and the world and social media.

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Speaker 1: Their whole thing is to make you think, even at

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Speaker 1: all the bullshit that Trump and all them doing, the

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Speaker 1: whole tactic is hopelessness. And I don't think people understand

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Speaker 1: that they want you in a place of panic, they

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Speaker 1: want you in a place of hopelessness, because once you

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Speaker 1: get there, you're not you don't have any strategy. You know,

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Speaker 1: you're not planning your next move. It's like you're stuck

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Speaker 1: there because you're too busy looking around versus thinking of

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Speaker 1: a solution. Even if you don't see the solution, starting

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Speaker 1: something that could get the process so you can put

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Speaker 1: it in somebody's hands so they can finish whatever the

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Speaker 1: vision of the dream was.

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Speaker 5: Because that's what our ancestors had to do. Federalize.

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Speaker 1: People died that never in their lifetime seen a day

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Speaker 1: of freedom. They will change their entire lives, but they

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Speaker 1: had to have hope that one day, one generation would

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Speaker 1: be free.

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Speaker 5: So we have to have that same thing like you

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Speaker 5: have to.

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Speaker 1: You have to fight against the fear, and I know

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Speaker 1: it's very hard to do because it's a mental thing.

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Speaker 5: You have to fight against the fear. You have to

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Speaker 5: fight against the hopelessness.

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Speaker 1: You have to fight against the feeling inside of you

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Speaker 1: that just want to give up, the feeling inside of

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Speaker 1: you that says it's pointless, The feeling inside of you

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Speaker 1: just says, why am I doing this?

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Speaker 5: What's the point?

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Speaker 1: And you have to remember that somebody somewhere died so

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Speaker 1: that you could be here right now and have the

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Speaker 1: right to be angry, and have the right to protest

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Speaker 1: and have the right to you know, these rights that

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Speaker 1: you have. Somebody sacrifice for that, and so you have

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Speaker 1: to be willing to sacrifice for someone else. Aren't And

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Speaker 1: people now are not willing to sacrifice for anybody outside themselves.

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Speaker 1: They want you to sacrifice for them, but they're not

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Speaker 1: willing to sacrifice for someone else. And a lot of

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Speaker 1: times I think that that's the problem. Also, the thing

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Speaker 1: is people federal out It's community out there. There are

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Speaker 1: a lot of people that actually think the way you do.

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Speaker 1: But because everybody is so divided and everybody is in

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Speaker 1: this place of hopelessness, you're not looking for the like

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Speaker 1: minded people that are actually like, bitch, I didn't want

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Speaker 1: this either, Bitch I didn't vote for this either.

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Speaker 5: I want these people out of office.

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Speaker 1: I want to do some things because if enough of

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Speaker 1: those people get together, that hope will shine. And the

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Speaker 1: thing is is out there, but people have got to

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Speaker 1: be willing to look for it. And so sometimes I'm

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Speaker 1: meteorotically talked about this. You have to learn how to

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Speaker 1: turn shit off and go look for the hope, because

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Speaker 1: if you don't look for it, it's not going to find you.

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Speaker 4: Right, all right, You're absolutely right.

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Speaker 2: That is the word for the day. Everybody passed the

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Speaker 2: collection played around. I no know how we got there,

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Speaker 2: but you know, social media has changed. But look for

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Speaker 2: the hope, everybody. Okay, now to do the sick and

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Speaker 2: shut in list, Come out, stick and in. All right, Deacon,

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Speaker 2: I guess this is Sunday. We did the show too

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Speaker 2: early on a Sunday. It's my bad delivering the word.

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Speaker 5: We just finished.

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Speaker 2: You know, we just gonna ask Chris just how's he

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Speaker 2: doing lately? But you know that feels like it's beneath

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Speaker 2: what the show is this.

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Speaker 5: We want to know how he's doing well?

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Speaker 3: How you How's How's tricks? House tricks?

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Speaker 6: Chris?

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Speaker 4: It's pretty good. And I don't know if I make

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Speaker 4: this announcement now, but I wanted to make it. I

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Speaker 4: even pushed the release state of my pot out, but

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Speaker 4: I wanted to do it here. I'm going to be

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Speaker 4: recording a comedy special album, whatever you call it, and.

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Speaker 1: Exclusive, exclusive, exclusive freaking news.

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Speaker 4: June twenty seventh, at Caveat in New York City, where

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Speaker 4: I started doing stand up. I've been doing stand up

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Speaker 4: for sixteen years, and it's time. It's time to stop

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Speaker 4: being so precious. I'm dropping it in the chat if

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Speaker 4: you live in the New York area. Yes, it's a

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Speaker 4: month past the Kendrick Lamar concert. I'm going to see Kendrick.

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Speaker 4: They initially scheduled the date. The first date they gave

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Speaker 4: me was like May eighth, and I said, I can't.

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Speaker 4: I don't want to hurt Kendrick and Sissa. I don't

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Speaker 4: want to smart them. You and I did not want

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Speaker 4: to do anything the same weekend that they were going

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Speaker 4: to be in town. So I was like, let me

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Speaker 4: fall back, and we settled on this date. It's two shows,

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Speaker 4: a seven o'clock show in a nine to thirty show.

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Speaker 4: It's me and E with Chris Lambert, comedy stories, bars, everything.

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Speaker 4: I'm giving you everything I've got. This is the This

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Speaker 4: is the best thing I've ever done. It will have

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Speaker 4: been the best thing I've ever done. At this point

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Speaker 4: in my life. I've done a lot of cool shit,

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Speaker 4: but it's it's time. If you've liked anything I've ever

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Speaker 4: done on this show or with Jail or Three Guys

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Speaker 4: on or seen me on TV anything.

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Speaker 3: Or your you know, your previous stand up special, fail.

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Speaker 4: Running Back, running Back, Yeah, the pandemic.

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Speaker 2: Yeah, you guys can get a preview of what's to

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Speaker 2: come there. I've seen Chris perform live a few times now,

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Speaker 2: and I mean, it's always smart, it's always funny. Follow

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Speaker 2: him on social media. He's been sharing some of his

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Speaker 2: stand up clips lately. I've been cracking up Adam and yeah, man,

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Speaker 2: I can't wait for it, man. And you know our audience,

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Speaker 2: they show up, they support you. One of everybody's fave

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Speaker 2: guests on here. Yes, so I know this taping is

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Speaker 2: gonna be lit. Do you already have like who's opening

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Speaker 2: for you and all that stuff? Or you're working on.

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Speaker 4: It someone in mind. I'm trying to if one there's

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Speaker 4: one person he was gonna do it, but he's not

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Speaker 4: going to be out of town, and but that would

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Speaker 4: have been crazy. But I'm I don't want to say, yeah, okay,

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Speaker 4: I'll make.

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Speaker 2: The problem come back and come back and let us know.

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Speaker 2: We got plenty of time till this time. So but yeah,

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Speaker 2: get your tickets, man, make sure y'all show up and

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Speaker 2: support and also just to have a good time, because

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Speaker 2: you know, I wouldn't tell y'all to go see anybody

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Speaker 2: that I didn't think was funny. So make sure y'all

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Speaker 2: go see Chris. But yeah, that's that's that's dope.

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Speaker 5: Bro.

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Speaker 2: I'm really happy for you, and I'm proud of you too, man,

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Speaker 2: because like you know, I know when we first talked,

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Speaker 2: you were like, I don't know, come out with a

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Speaker 2: stand up specially, I need to do like more.

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Speaker 3: And I'm like, bro, hasn't it been like ten years?

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Speaker 2: It was like, there's gotta be thirty minutes of shit

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Speaker 2: you can say that you can burn and just just

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Speaker 2: to have that thing out there. And one of the

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Speaker 2: things I found is like when you stop being so

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Speaker 2: press like when you put that first one out, it

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Speaker 2: takes away the like preciousness of it because you just realize, okay,

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Speaker 2: this part of the process. You put a thing out,

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Speaker 2: it's just a moment in time. It just captures that

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Speaker 2: there's gonna be things you look back and you're smiling

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Speaker 2: and you're proud of It's gonna be things you look

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Speaker 2: out and look back and you go, oh, I could

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Speaker 2: do better now than that, And then you just put

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Speaker 2: out another another blipping time. You just capture another moment

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Speaker 2: with the next special. And I think that's like the

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Speaker 2: key to a lot of this stuff is just like

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Speaker 2: not being too precious like you want to be good.

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Speaker 2: But you know, sometimes people can let the either the

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Speaker 2: allure of the idea of being perfect paralyze them, like

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Speaker 2: they're like, oh man, I need to have a perfect

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Speaker 2: If this shit is not uh Chris Rock bringing bring

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Speaker 2: the Pain, then why would I even do a specials?

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Speaker 5: Like because you're you.

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Speaker 3: And right the same?

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Speaker 4: I remember seeing, uh, this had to be maybe twenty fourteen,

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Speaker 4: probably twenty four early. You know, the arts are the zeros,

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Speaker 4: what are the teens? Anyway, Okay, in the teens, I

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Speaker 4: was watching Bill Burr at the Westbury Theater and Staton

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Speaker 4: and not Staton, Long Island, and one of my favorite

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Speaker 4: bits of his he was just starting to work on

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Speaker 4: it was this helicopter bit. And I was sitting there

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Speaker 4: and I was just like, what the fuck, man, what

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Speaker 4: am I doing? I was like, what am I doing?

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Speaker 4: Like you know, it's just like can I even? And

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Speaker 4: then I was like, no, I gotta keep going. I

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Speaker 4: gotta find what's my helicopter bit, What's my thing that's

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Speaker 4: gonna make you know, that's gonna push me? And it's

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Speaker 4: and it's something that you can never be big, you

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Speaker 4: can never be bigger than the art form. But to

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Speaker 4: try and I always go with that loop a fiasco line.

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Speaker 4: Improve did you improve on the design? Did you do

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Speaker 4: something new? And always trying to like push for that,

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Speaker 4: And I take it seriously. So when I'm on stage,

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Speaker 4: the audience doesn't you know, like I I care, you know,

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Speaker 4: but I'm I'm pouring over these thoughts or beating myself

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Speaker 4: up in the in the in the background, like in

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Speaker 4: the bat Cave or wherever, Fortunes of Solitude, whatever you

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Speaker 4: nerds like, you know, whichever one.

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Speaker 3: I say in the Spider Man one apartment.

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Speaker 4: Yeah, yeah, yeah, I like that one better because Spider

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Speaker 4: Man is the most relatable. Yeah. So it's just like,

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Speaker 4: you know, just kind of like, hey, man, I'm working

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Speaker 4: on this. I'm in the lab, as the kids say,

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Speaker 4: as the rappers say, and I'm working on it. And

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Speaker 4: and that that to me is the fun part. The

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Speaker 4: performance is really just the icing on the cake, where

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Speaker 4: it's like you've done the work and this material has

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Speaker 4: been in hostile territory where where there weren't that many

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Speaker 4: black people or there weren't any black people, and it's

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Speaker 4: gonna and it and it's battle tested, and it's gonna

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Speaker 4: be it's gonna be a good time. It's been done

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Speaker 4: in Trump Country and people will say after the show,

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Speaker 4: it was in Long Island last week. Man, your stuff

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Speaker 4: was so relatable, you know. I was like, well, thanks man.

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Speaker 4: The guy who was a plumber, thirty three year old

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Speaker 4: white plumber, had kids and was related, you know. And

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Speaker 4: the black people, the six black people that was there

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Speaker 4: that probably saw my black face on the on the website.

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Speaker 4: I see this guy. And then in the parking lot

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Speaker 4: they were like, man, we really liked you. Man, you

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Speaker 4: were really funny. And I was like, thank you. I did.

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Speaker 3: That's dope.

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Speaker 2: Man, I'm glad to hear it. I'm glad you're doing

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Speaker 2: well as well. And uh and Brandon Collins is like

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Speaker 2: producing this.

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Speaker 4: Brandon Collins is producing it, friend of the pod and

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Speaker 4: friend of you know, the community and everything. And Jeff's

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Speaker 4: really a good buddy of mine that comes on the

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Speaker 4: pod is uh my pot a lot with JL. He's

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Speaker 4: going to be directing it. He put out his own

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Speaker 4: special last year and he's really talented. He's a documentarian.

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Speaker 4: And so we're gonna do this at Caveat. If any

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Speaker 4: of you were in New York City to see Drunk

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Speaker 4: Black History, they had a show there before, and I

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Speaker 4: just fell in love with that venue first of all,

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Speaker 4: going to see them right before the pandemic, and then

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Speaker 4: Brandon asked me to do a show that he was

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Speaker 4: producing for the New York Comedy Festival, and it just

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Speaker 4: kind of dawned on me in November where it's like

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Speaker 4: I got to try to do something, and that place,

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Speaker 4: Caveat is like a quintessential New York venue for me,

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Speaker 4: like to do comedy. It's it's like it's nondescript on

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Speaker 4: the outside. You go down into a basement, it's a

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Speaker 4: beautiful room. It's kind of like a speakeasy vibes and

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Speaker 4: you can get your drink on and watch.

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Speaker 2: Me first, because everything Brandon does is well done and professor,

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Speaker 2: you know it is, so I know you're in good

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Speaker 2: hands with that. And you know, Brandon actually was tweeting

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Speaker 2: last night and texted me that they just did drunk

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Speaker 2: Black History.

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Speaker 3: I think it was in La Yeah, and he.

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Speaker 2: Was like, YO, shout out to the blackoutis audience, y'all.

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Speaker 2: They showed up like I was deep in there.

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Speaker 3: They was.

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Speaker 2: You know, obviously, our audience is always extremely well behaved

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Speaker 2: and like ready to be into the comedy and stuff,

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Speaker 2: So like, yeah, man, I'm really looking forward to this. Man,

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Speaker 2: I know it's going to be super dope. How's other

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Speaker 2: stuff going in life? Man, you're still like dating, You're

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Speaker 2: still on the apps.

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Speaker 4: Yeah, I'm still on the apps, still trying to find

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Speaker 4: that one. Yeah, I had a date on Tuesday. It's promising,

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Speaker 4: oh love promising's of course.

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Speaker 2: Yes, you know, I still I regret making that joke

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Speaker 2: fourteen fifteen years ago.

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Speaker 4: That was a mistake. No what you know what I'm saying,

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Speaker 4: I'm not gonna turn away from Sydney Sweeney.

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Speaker 5: I hear you.

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Speaker 2: No, I made I made a joke. For those that

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Speaker 2: don't go all the way back to the beginning. A

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Speaker 2: long time ago, Chris came on the show. And this

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Speaker 2: is really before I really understood the power of the

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Speaker 2: internet and the power of podcasting. But I made a

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Speaker 2: joke like Chris is here. He's looking for a white lady. Basically,

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Speaker 2: like he's into white women because he has a he

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Speaker 2: has a he has a thing where he talks about

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Speaker 2: like up and coming into like movie stars and stuff,

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Speaker 2: and he'll be like the white starlets, you know, the

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Speaker 2: and he calls he looks at it like you would

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Speaker 2: look at like baseball cards or NBA draft picks or whatever.

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Speaker 3: And I took it and made it a.

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Speaker 2: Joke into like Chris just wants to marry and love

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Speaker 2: white women. And my god, the way that this joke

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Speaker 2: turned into like it went from like running joke to

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Speaker 2: people being like, so if Chris, I guess, wouldn't be

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Speaker 2: interested in this black actress or what. I was like, No,

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Speaker 2: that was a joke. It's not not what That's not

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Speaker 2: what I meant. Well, I mean I would, I would

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Speaker 2: tell Chris he's cute, but he only wants white women.

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Speaker 3: I was like, that was the joke, is that he

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Speaker 3: doesn't that's not what he does.

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Speaker 5: So now and now I know it is his life, y'all.

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Speaker 2: But now it's been it's been fifteen years, and uh

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Speaker 2: now I feel like I feel like every time Chris

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Speaker 2: comes on the show and talks about dating, he has

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Speaker 2: to be like and she was black, Yes she was brown,

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Speaker 2: so everyone knows. Okay, I'm on a three black women's streak.

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Speaker 5: Please.

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Speaker 2: I didn't the white ladies that I did, like, I

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Speaker 2: didn't like them because.

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Speaker 3: They were white. They just happen to be you know.

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Speaker 2: I feel like I have to. That has to be

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Speaker 2: a disclaimer every time. But now what makes the date promising?

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Speaker 2: Like what like, how can you feel the vibes of

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Speaker 2: like a promising first date versus a this is this

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Speaker 2: is this ain't going how it's supposed to go.

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Speaker 4: Man, when when she when she she texts you something

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Speaker 4: that you can't say over the podcasta and you're just like.

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Speaker 3: Oh, yeah that is.

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Speaker 4: Yeah, it might it might come out, it might be

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Speaker 4: in the special. So you have come to this. Yeah,

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Speaker 4: So I talked about it while I was at the

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Speaker 4: Comedy Celler on Friday, and it was just like what

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Speaker 4: just happened to me? Like I talk about my life.

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Speaker 4: But what makes it special promising is if you kiss

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Speaker 4: or you you set up the second date while you're

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Speaker 4: on the first and there yeah, and there's a there's

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Speaker 4: a vibe and you say to yourself, well I want

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Speaker 4: to see this person again, and I think that's and

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Speaker 4: she the feelings mutual. But yeah, that's definitely what.

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Speaker 3: Happened chat And if she doesn't pop a red balloon.

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Speaker 4: Face is very true. She did not bring out a balloon.

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Speaker 5: And that's good baby, Yeah.

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Speaker 4: Yeah, that that's really good.

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Speaker 1: That's really what have you learned about yourself in the process,

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Speaker 1: you know, because when people are used dating apps, you

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Speaker 1: know there's a learning curving thing that day.

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Speaker 5: That's something that you learned.

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Speaker 1: About yourself through the apps that you were like, oh, okay,

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Speaker 1: this is different though I didn't notice about myself.

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Speaker 4: That's a fantastic question, Karen, And I think the very

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Speaker 4: first person I went out, because I'd been on dates before,

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Speaker 4: I never used the app. I've been different. So it's

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Speaker 4: been a minute, and it's like the first woman that

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Speaker 4: I went out with. Because you can match with people

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Speaker 4: and you could vibe you think there's something there. You

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Speaker 4: never go out. She will finds somebody that she likes

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Speaker 4: more than you, and she has a relationship or whatever

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Speaker 4: and moves on. But like the first woman I went

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Speaker 4: out with, I talked to her on the phone and

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Speaker 4: the first thing she said was I'm divorced and I'm

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Speaker 4: looking to get married again. And I said, well, would

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Speaker 4: you like to grab something to eat first, you know,

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Speaker 4: to see if you know you want to go out?

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Speaker 5: Right, let's see where we go from here.

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Speaker 4: Yet, see where we go from here. Pressure.

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Speaker 5: That's a lot of pressure, right, because I think I

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Speaker 5: think they.

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Speaker 4: Did go out she was. She was beautiful, and I

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Speaker 4: think I think your listeners can understand this. I'm trying

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Speaker 4: to compare it to I don't think I finished this game,

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Speaker 4: but in in that when that first Star Wars, what's

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Speaker 4: that Star Wars game where you're the redheaded boy from Shameless?

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Speaker 2: Oh yeah, I'll look it up, but yeah, the.

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Speaker 4: Ghost of Sushma. Anyway, it's like being in a video

433
00:22:41,280 --> 00:22:43,600
Speaker 4: game when you first start off, you don't have any powers,

434
00:22:43,680 --> 00:22:48,160
Speaker 4: you don't have any Jedi survivor, and there's like some

435
00:22:48,320 --> 00:22:51,159
Speaker 4: big boss that comes at you and just like beats

436
00:22:51,200 --> 00:22:53,760
Speaker 4: the ship out of you, and it's like you can't

437
00:22:53,800 --> 00:22:56,200
Speaker 4: do anything because you don't have your skills about wits

438
00:22:56,240 --> 00:22:58,520
Speaker 4: about you, so you don't know how to play the game,

439
00:22:58,920 --> 00:23:01,840
Speaker 4: and so that person feats you. And then you have

440
00:23:02,000 --> 00:23:06,920
Speaker 4: to build yourself up and and and get battle tested

441
00:23:06,920 --> 00:23:10,880
Speaker 4: a little bit in order to like really find out

442
00:23:11,240 --> 00:23:13,680
Speaker 4: not just be like can I be appealing to somebody else?

443
00:23:13,720 --> 00:23:16,359
Speaker 4: But what is this? What is this woman bringing to

444
00:23:16,440 --> 00:23:19,560
Speaker 4: the table. I'm not trying all red people, but do

445
00:23:19,720 --> 00:23:23,959
Speaker 4: I like her? Right street? Does she like me?

446
00:23:25,520 --> 00:23:25,720
Speaker 5: You know?

447
00:23:26,080 --> 00:23:28,520
Speaker 2: How hard is it after a bad date to not

448
00:23:28,840 --> 00:23:31,920
Speaker 2: go home to your podcast? Mike and start a gender war,

449
00:23:31,960 --> 00:23:34,920
Speaker 2: because I feel like that has to be. Like seventy

450
00:23:34,960 --> 00:23:38,359
Speaker 2: five percent of male podcast content at this point is

451
00:23:39,359 --> 00:23:43,240
Speaker 2: coming home and being like, now, how come women's got

452
00:23:43,240 --> 00:23:45,760
Speaker 2: to have you know, it's like, damn, did you did

453
00:23:45,800 --> 00:23:49,560
Speaker 2: she just say? Don't text me? Like how like do

454
00:23:49,640 --> 00:23:53,119
Speaker 2: you ever have attempted to talk about your dating struggles

455
00:23:53,160 --> 00:23:54,040
Speaker 2: on the podcast?

456
00:23:54,080 --> 00:23:55,600
Speaker 3: And you have to be like, let me delete this,

457
00:23:55,720 --> 00:23:56,880
Speaker 3: so let me let me.

458
00:23:56,880 --> 00:23:57,520
Speaker 6: Doubt is back.

459
00:23:57,560 --> 00:23:58,840
Speaker 5: I don't let me process this.

460
00:23:58,920 --> 00:24:00,800
Speaker 3: Yeah, I don't want to sound like these other like.

461
00:24:02,400 --> 00:24:06,080
Speaker 4: Yeah, well, you know. I talked a little bit about

462
00:24:06,080 --> 00:24:10,160
Speaker 4: one last week where I was I had double book something,

463
00:24:10,240 --> 00:24:13,560
Speaker 4: I had to postpone the date, and this woman was

464
00:24:14,119 --> 00:24:17,800
Speaker 4: she's beautiful, she was We talked on them. We just

465
00:24:17,800 --> 00:24:21,000
Speaker 4: talked on the phone twice and really great conversations, like

466
00:24:21,680 --> 00:24:25,800
Speaker 4: really cool. And I was double booked and I messed

467
00:24:25,880 --> 00:24:29,080
Speaker 4: up and I tried to make it right. She was pissed, damn,

468
00:24:29,320 --> 00:24:31,679
Speaker 4: And I just said on this and she was like

469
00:24:31,760 --> 00:24:35,680
Speaker 4: mad at me. Then she like went away to to

470
00:24:36,359 --> 00:24:38,240
Speaker 4: wherever she went she had to go to a wedding,

471
00:24:38,320 --> 00:24:40,400
Speaker 4: and I was like, damn, Like I like to make

472
00:24:40,400 --> 00:24:43,399
Speaker 4: it right and I apologized, and she just picked apart

473
00:24:43,560 --> 00:24:45,600
Speaker 4: everything that I said because she didn't want to talk

474
00:24:45,640 --> 00:24:48,320
Speaker 4: to me. So we were texting and I was like,

475
00:24:48,680 --> 00:24:50,959
Speaker 4: you know, I was like, man, I want to make

476
00:24:51,000 --> 00:24:53,359
Speaker 4: it right. And you know, it wasn't an R and

477
00:24:53,400 --> 00:24:55,760
Speaker 4: B talk down. It wasn't baby, baby, baby, I'm sorry,

478
00:24:55,800 --> 00:24:59,600
Speaker 4: but it was like, damn, I fucked up. And I apologized,

479
00:25:00,000 --> 00:25:01,880
Speaker 4: and then I got to it was like, look, if

480
00:25:01,920 --> 00:25:04,879
Speaker 4: you want to reach out, hey, And I think I

481
00:25:04,920 --> 00:25:07,200
Speaker 4: see it on the show. I said on the last

482
00:25:07,240 --> 00:25:10,760
Speaker 4: week's show, I really fucked up, right, Yeah, it really

483
00:25:11,000 --> 00:25:11,520
Speaker 4: That sucks.

484
00:25:11,520 --> 00:25:14,600
Speaker 2: Man, that sucks, But also like that's still part of life.

485
00:25:14,640 --> 00:25:17,280
Speaker 2: And I think the dating process is almost like the

486
00:25:17,359 --> 00:25:20,800
Speaker 2: interviewing process, where like if you get a job and

487
00:25:20,840 --> 00:25:23,080
Speaker 2: you're good at your job and your teenmen is late

488
00:25:23,359 --> 00:25:26,320
Speaker 2: on a work weekend a weekday, it's like not a

489
00:25:26,320 --> 00:25:28,520
Speaker 2: big deal. But if you a tenman is late to

490
00:25:28,560 --> 00:25:31,359
Speaker 2: the interview, you might not get the job. And so

491
00:25:31,400 --> 00:25:33,800
Speaker 2: it's like it's like you know what I mean, like

492
00:25:33,880 --> 00:25:36,960
Speaker 2: double booking happens. It just sucks that like it's first

493
00:25:37,040 --> 00:25:40,199
Speaker 2: date double booking, because then it's like, oh, now I

494
00:25:40,280 --> 00:25:43,480
Speaker 2: have every reason to extrapolate this out to like, and

495
00:25:43,520 --> 00:25:46,200
Speaker 2: you're gonna be a shitty ass boyfriend, a shitty ass

496
00:25:46,240 --> 00:25:48,919
Speaker 2: person in the first place, which does suck. And plus

497
00:25:49,000 --> 00:25:50,800
Speaker 2: you know, you never know what else other people have

498
00:25:50,840 --> 00:25:55,920
Speaker 2: been through, and plus a beautiful woman like you can't

499
00:25:56,160 --> 00:25:58,399
Speaker 2: they count their time different, you know what I mean,

500
00:25:58,480 --> 00:26:00,840
Speaker 2: It's like, you can't waste my time. I'm fine, what

501
00:26:00,920 --> 00:26:01,960
Speaker 2: the fuck wrong with you?

502
00:26:02,560 --> 00:26:07,080
Speaker 4: Yeah, And it wasn't just her looks. It was just like, man,

503
00:26:07,200 --> 00:26:11,280
Speaker 4: she's also black. She was very smart and it's an

504
00:26:11,320 --> 00:26:15,520
Speaker 4: intelligent and like we had we definitely had a vibe

505
00:26:15,520 --> 00:26:18,439
Speaker 4: and it was just like, damn, really, I really it

506
00:26:18,520 --> 00:26:18,960
Speaker 4: is crazy.

507
00:26:19,000 --> 00:26:21,720
Speaker 3: Though black women do be fine and ships, it's kind

508
00:26:21,760 --> 00:26:23,400
Speaker 3: of it's kind of ridiculous.

509
00:26:23,440 --> 00:26:26,119
Speaker 2: Like I was, I had this theory about like newscasters

510
00:26:26,119 --> 00:26:28,160
Speaker 2: while I was like, every black woman as a newscaster

511
00:26:28,320 --> 00:26:31,600
Speaker 2: is fine. But it's but it's I mean, they're hitting

512
00:26:31,640 --> 00:26:34,280
Speaker 2: at a very hard percent. It's just kind of insane,

513
00:26:34,320 --> 00:26:36,400
Speaker 2: and I'm just like, maybe I just think all black

514
00:26:36,440 --> 00:26:38,479
Speaker 2: women is fine or some ship because it really is

515
00:26:38,600 --> 00:26:41,800
Speaker 2: that simple where it's just like they figured something out

516
00:26:42,040 --> 00:26:42,760
Speaker 2: with this ship.

517
00:26:42,920 --> 00:26:44,679
Speaker 4: And you do and you do have to have a

518
00:26:44,760 --> 00:26:47,280
Speaker 4: look on when camera like that.

519
00:26:47,840 --> 00:26:51,280
Speaker 2: Yeah, but it just it's like the versatility is crazy,

520
00:26:51,960 --> 00:26:53,960
Speaker 2: like like it's not a body type thing. It's not

521
00:26:54,000 --> 00:26:57,880
Speaker 2: a skin, it's not a hair length thing, like, it's

522
00:26:57,880 --> 00:27:00,399
Speaker 2: not a type of hair thing. They just be killing

523
00:27:00,440 --> 00:27:03,440
Speaker 2: it no matter what. Like I've like, there's so many newscasts.

524
00:27:03,440 --> 00:27:04,960
Speaker 2: We played a clip on the show and then I'm

525
00:27:05,040 --> 00:27:07,320
Speaker 2: just like thinking to myself, like, damn, she bad as hell?

526
00:27:07,680 --> 00:27:10,240
Speaker 2: Oh wait, what happened? Somebody shot the president? You know,

527
00:27:12,240 --> 00:27:14,360
Speaker 2: Oh damn happened for earthquake?

528
00:27:15,520 --> 00:27:19,000
Speaker 4: Yeah? Oh I was you know, yeah, yeah.

529
00:27:18,880 --> 00:27:21,520
Speaker 2: Yeah, na, that's but that does suck that, you know,

530
00:27:21,560 --> 00:27:25,239
Speaker 2: you felt like you blew it or whatever, and but

531
00:27:25,440 --> 00:27:27,600
Speaker 2: you know, you live to fight another day. And that's

532
00:27:27,640 --> 00:27:32,639
Speaker 2: just another you know, another person that your move that

533
00:27:32,720 --> 00:27:34,760
Speaker 2: keeps that was between you and the person you're gonna

534
00:27:34,760 --> 00:27:34,960
Speaker 2: be with.

535
00:27:35,119 --> 00:27:37,800
Speaker 1: Yeah, and that's a part of the process because the

536
00:27:37,840 --> 00:27:40,920
Speaker 1: thing is the dating part is gonna happen. And some

537
00:27:40,960 --> 00:27:43,040
Speaker 1: of these things would have happened regardless if you used

538
00:27:43,040 --> 00:27:45,920
Speaker 1: the app or not. But I think sometimes people over

539
00:27:46,160 --> 00:27:49,880
Speaker 1: emphasize the apps, like the apps like they're just terrible, terrible,

540
00:27:49,960 --> 00:27:52,359
Speaker 1: terrible terms, Like these apps have been around too long

541
00:27:52,400 --> 00:27:54,399
Speaker 1: and too many people have met their mates and have

542
00:27:54,480 --> 00:27:56,399
Speaker 1: been married and something like that. Not trying to funny

543
00:27:56,440 --> 00:27:58,800
Speaker 1: for for it to and I understand it's not the best,

544
00:27:58,880 --> 00:28:01,040
Speaker 1: but you know what people I tell, So the problem

545
00:28:01,080 --> 00:28:03,080
Speaker 1: is not the app The problem.

546
00:28:02,760 --> 00:28:04,320
Speaker 3: Is the people when you go.

547
00:28:05,320 --> 00:28:07,399
Speaker 2: Also, like when you go on a date, do you

548
00:28:07,480 --> 00:28:10,760
Speaker 2: have like an outfit that's your day outfit or like

549
00:28:10,880 --> 00:28:12,800
Speaker 2: do you have like a cologne?

550
00:28:12,840 --> 00:28:14,760
Speaker 3: Like is it is it? Like you know, because you.

551
00:28:14,760 --> 00:28:16,760
Speaker 2: Know when you do when you're doing a job interviews,

552
00:28:16,800 --> 00:28:18,960
Speaker 2: if you have like an interview suit like this is

553
00:28:18,960 --> 00:28:19,359
Speaker 2: what this is?

554
00:28:19,359 --> 00:28:21,760
Speaker 3: My do you need? Do you have to have like

555
00:28:21,800 --> 00:28:24,000
Speaker 3: a go to like fit?

556
00:28:25,920 --> 00:28:26,160
Speaker 5: Uh?

557
00:28:26,560 --> 00:28:30,040
Speaker 4: When I feel like I look good, I look exactly

558
00:28:30,240 --> 00:28:33,080
Speaker 4: so you try to get the haircut, the shape up,

559
00:28:33,200 --> 00:28:38,719
Speaker 4: or the a nice shirt usually just like jeans and

560
00:28:39,320 --> 00:28:42,040
Speaker 4: like I I'm a flannel guy and I think I

561
00:28:42,080 --> 00:28:44,440
Speaker 4: was talking about this recently where I do like in

562
00:28:44,480 --> 00:28:48,520
Speaker 4: the winter time, I do like a good flannel I'm

563
00:28:48,520 --> 00:28:53,000
Speaker 4: a delude trading company guy, and I think those are

564
00:28:53,320 --> 00:28:57,560
Speaker 4: those are good. I like in the summer and spring summer,

565
00:28:57,720 --> 00:28:59,920
Speaker 4: like a nice polo shirt. It's just like I do

566
00:29:00,200 --> 00:29:03,600
Speaker 4: come as me, like what I what I like and

567
00:29:03,840 --> 00:29:05,440
Speaker 4: what I feel comfortable.

568
00:29:04,920 --> 00:29:07,240
Speaker 3: And you do you have a go to cologne.

569
00:29:08,600 --> 00:29:12,200
Speaker 4: I do have cologne. Yeah, I don't know. One is

570
00:29:12,240 --> 00:29:16,920
Speaker 4: a I think one's like a Bulgarian, the ones, the loop?

571
00:29:17,560 --> 00:29:18,000
Speaker 4: How much?

572
00:29:18,080 --> 00:29:19,680
Speaker 3: How much cologne do you put on?

573
00:29:19,880 --> 00:29:21,960
Speaker 2: Is it like a spray on the wrist and spray

574
00:29:21,960 --> 00:29:24,080
Speaker 2: in the air and walk through it? Like or do

575
00:29:24,120 --> 00:29:25,800
Speaker 2: you or do you do like me in high school

576
00:29:25,800 --> 00:29:29,040
Speaker 2: where you just bathed yourself, please pour it on the

577
00:29:29,080 --> 00:29:30,880
Speaker 2: top of your head and let it run down your

578
00:29:31,000 --> 00:29:34,240
Speaker 2: entire body and then wonder why you have a headache

579
00:29:34,960 --> 00:29:35,840
Speaker 2: five minutes.

580
00:29:35,640 --> 00:29:36,120
Speaker 3: Later, you.

581
00:29:39,920 --> 00:29:41,240
Speaker 5: Like, ex body spray.

582
00:29:41,440 --> 00:29:44,800
Speaker 2: I won't listen if a woman ods ain't watering this,

583
00:29:44,960 --> 00:29:46,680
Speaker 2: she ain't feeling the colone.

584
00:29:47,520 --> 00:29:49,840
Speaker 3: Okay, I need to at least be coughing.

585
00:29:51,480 --> 00:29:55,720
Speaker 5: Somebody need to be coughing her or me. Somebody you been.

586
00:29:55,720 --> 00:29:59,280
Speaker 4: Talking on the phone and like, uh, this one.

587
00:29:59,120 --> 00:30:01,600
Speaker 5: Particular get in their filter the car.

588
00:30:03,880 --> 00:30:07,160
Speaker 4: She was like, I like a man, Like she I

589
00:30:07,280 --> 00:30:09,520
Speaker 4: like a man that smells good. You'd be surprised to

590
00:30:09,600 --> 00:30:11,800
Speaker 4: how these guys are. And I was like, I was

591
00:30:11,840 --> 00:30:13,720
Speaker 4: thinking about it because normally he's like I just put

592
00:30:13,760 --> 00:30:16,720
Speaker 4: the cologne on like I normally, you know, you put

593
00:30:16,800 --> 00:30:19,040
Speaker 4: I think my dad taught me just like the I

594
00:30:19,040 --> 00:30:23,440
Speaker 4: think the neck, and then like the wrist, and then

595
00:30:23,480 --> 00:30:26,480
Speaker 4: a little bit on this like the on the shirt.

596
00:30:26,720 --> 00:30:29,440
Speaker 4: But I was thinking about that that that the date

597
00:30:29,480 --> 00:30:32,120
Speaker 4: that I went on, she really emphasized she likes it.

598
00:30:32,640 --> 00:30:36,760
Speaker 4: And then and and then like she said, uh, she

599
00:30:36,840 --> 00:30:39,400
Speaker 4: did say on the dishes, you you really smell good.

600
00:30:39,400 --> 00:30:42,000
Speaker 4: And I was like, when a woman like my ex

601
00:30:42,600 --> 00:30:45,320
Speaker 4: when when we went out on our first date and

602
00:30:45,400 --> 00:30:47,680
Speaker 4: I knew she was going to be a problem. We

603
00:30:47,680 --> 00:30:50,160
Speaker 4: didn't kiss on the first date, but we had a

604
00:30:50,240 --> 00:30:53,240
Speaker 4: really nice hug and she was like, you smell good.

605
00:30:53,400 --> 00:30:58,280
Speaker 4: And I was like, oh my god, yeah, it's going

606
00:30:58,320 --> 00:30:58,959
Speaker 4: to be a problem.

607
00:30:59,080 --> 00:31:00,440
Speaker 5: Women likes else.

608
00:31:01,320 --> 00:31:04,880
Speaker 4: Nine months later we found out that she no, no,

609
00:31:06,880 --> 00:31:10,960
Speaker 4: she texted me, uh that a couple of days ago,

610
00:31:11,040 --> 00:31:11,640
Speaker 4: my extend.

611
00:31:12,800 --> 00:31:14,560
Speaker 3: That's how it was.

612
00:31:14,800 --> 00:31:15,120
Speaker 4: Always.

613
00:31:15,480 --> 00:31:18,120
Speaker 2: You was happy you had went on a promising date.

614
00:31:18,200 --> 00:31:21,200
Speaker 2: And then it's like business somewhere. I don't know if

615
00:31:21,200 --> 00:31:22,960
Speaker 2: it's that AI, if it's serious something.

616
00:31:23,000 --> 00:31:24,400
Speaker 5: She gotta got an alert.

617
00:31:24,440 --> 00:31:27,480
Speaker 2: She gotta remind on her Facebook, like remember a year

618
00:31:27,520 --> 00:31:30,479
Speaker 2: ago or whatever it was, just like I need to

619
00:31:30,560 --> 00:31:32,000
Speaker 2: call him.

620
00:31:32,320 --> 00:31:35,280
Speaker 4: Apple makes it hard for you to get somebody out

621
00:31:35,320 --> 00:31:39,360
Speaker 4: of your life and it'll say, it'll say you delete,

622
00:31:39,400 --> 00:31:41,800
Speaker 4: you take the number out of your phone.

623
00:31:41,880 --> 00:31:44,719
Speaker 5: And then it's like Apple has its own memories.

624
00:31:44,920 --> 00:31:47,000
Speaker 4: And I remember because you know, like you know, like

625
00:31:47,120 --> 00:31:50,040
Speaker 4: I love this woman, a part of me that still

626
00:31:50,200 --> 00:31:53,640
Speaker 4: loves her, like this is a woman that the phone

627
00:31:54,280 --> 00:31:57,880
Speaker 4: the phone honest, to be honest, to be really out there.

628
00:31:58,840 --> 00:32:01,840
Speaker 4: I was like, oh, I can be somebody who loves

629
00:32:01,880 --> 00:32:07,680
Speaker 4: somebody and puts them before myself and I and I

630
00:32:08,720 --> 00:32:10,720
Speaker 4: was had weak moments where it's like I tried to

631
00:32:10,760 --> 00:32:13,920
Speaker 4: call her in this December, she didn't pick up, and

632
00:32:13,960 --> 00:32:16,280
Speaker 4: then she was it's like you took me off of

633
00:32:16,600 --> 00:32:18,080
Speaker 4: you deleted me from Instagram.

634
00:32:18,160 --> 00:32:22,720
Speaker 1: I was like, I was trying to heal nothing nothing personal.

635
00:32:23,880 --> 00:32:25,560
Speaker 4: Yeah, it's like I'm trying to heal. I can't see

636
00:32:25,560 --> 00:32:26,960
Speaker 4: your little face on.

637
00:32:26,920 --> 00:32:29,840
Speaker 3: My and so that's why you got to Yeah.

638
00:32:30,200 --> 00:32:31,800
Speaker 5: Yeah a lot of times I just mute people.

639
00:32:32,160 --> 00:32:33,040
Speaker 1: Yeah.

640
00:32:33,440 --> 00:32:35,959
Speaker 4: I was like fuck it, I'll do I'll delete the number.

641
00:32:36,200 --> 00:32:38,080
Speaker 4: And then you know, I was just looking at my

642
00:32:38,120 --> 00:32:40,080
Speaker 4: phone and I saw a text come up. I was like,

643
00:32:40,200 --> 00:32:44,080
Speaker 4: all ship and then and then Apple will say maybe

644
00:32:44,120 --> 00:32:45,960
Speaker 4: it's they that.

645
00:32:46,560 --> 00:32:51,160
Speaker 2: It is yeah, okay, right, because they then they be

646
00:32:51,320 --> 00:32:52,800
Speaker 2: like they'd be like, do you want to accept the

647
00:32:52,840 --> 00:32:54,520
Speaker 2: new updated contact details?

648
00:32:54,560 --> 00:32:56,680
Speaker 5: Yeah, when they change their pictures, it's.

649
00:32:56,600 --> 00:32:59,080
Speaker 2: Like a picture her in a dress looking like Journey

650
00:32:59,080 --> 00:33:00,000
Speaker 2: smoke Lett last night.

651
00:33:00,120 --> 00:33:03,560
Speaker 5: Then oh I missed that. I got we got to

652
00:33:03,560 --> 00:33:04,040
Speaker 5: go over that.

653
00:33:04,280 --> 00:33:09,800
Speaker 2: I have never seen cleavage cleave like this said that

654
00:33:09,880 --> 00:33:12,120
Speaker 2: ship was cleaving like a motherfucker dog.

655
00:33:12,360 --> 00:33:15,320
Speaker 1: I was like, what is having And don't take no

656
00:33:15,400 --> 00:33:17,880
Speaker 1: photos and no pictures. Like I said, Apple has his

657
00:33:18,040 --> 00:33:21,680
Speaker 1: own memory, so period you you hit your phone and

658
00:33:21,720 --> 00:33:24,000
Speaker 1: it be like you remember when you took a whole

659
00:33:24,000 --> 00:33:25,760
Speaker 1: bunch of ass pictures on this day.

660
00:33:26,520 --> 00:33:29,440
Speaker 2: Oh yeah, I didn't even know she could do this.

661
00:33:31,040 --> 00:33:33,680
Speaker 4: And because like she's a very like she's kind of

662
00:33:33,680 --> 00:33:37,680
Speaker 4: like tiny, right, like you're just like she's always I

663
00:33:37,720 --> 00:33:38,600
Speaker 4: wonder if she's.

664
00:33:38,400 --> 00:33:40,160
Speaker 2: Just well yeah, I knew she was cute, but I

665
00:33:40,240 --> 00:33:42,160
Speaker 2: just wonder if it was like a like, if this

666
00:33:42,320 --> 00:33:45,680
Speaker 2: is actually acting. She's such a good actress. She made

667
00:33:45,760 --> 00:33:48,080
Speaker 2: her boobs act huge.

668
00:33:51,320 --> 00:33:53,280
Speaker 5: They need then they need their own script.

669
00:33:53,600 --> 00:33:56,600
Speaker 3: Yeah, she was, she was the character. It's just a

670
00:33:56,640 --> 00:33:57,240
Speaker 3: method acting.

671
00:33:57,360 --> 00:33:57,800
Speaker 4: She was like.

672
00:33:57,840 --> 00:34:02,000
Speaker 2: And also, uh, you know, I spent some time, you know,

673
00:34:02,080 --> 00:34:05,040
Speaker 2: studying breast moves and now you know I did some

674
00:34:05,120 --> 00:34:08,160
Speaker 2: breastwork and ain't nothing wrong with that. I'm gonna get

675
00:34:08,160 --> 00:34:09,880
Speaker 2: different roles, but yes.

676
00:34:09,880 --> 00:34:12,520
Speaker 4: Yes, and she's a mom and a lot of times

677
00:34:12,560 --> 00:34:16,480
Speaker 4: women get better they have kids and like, yeah, I remember,

678
00:34:16,840 --> 00:34:20,080
Speaker 4: I remember this woman, this girl when we were we

679
00:34:20,080 --> 00:34:22,560
Speaker 4: were in high school. She was always cute. And then

680
00:34:22,600 --> 00:34:25,960
Speaker 4: one time, it's like ten fifteen years later, after high school,

681
00:34:26,000 --> 00:34:28,680
Speaker 4: we were like in our maybe twenties or thirties. I

682
00:34:28,760 --> 00:34:31,480
Speaker 4: ran into her. I was like, Jesus Christ, you're You're

683
00:34:31,480 --> 00:34:32,160
Speaker 4: a real woman.

684
00:34:32,960 --> 00:34:36,040
Speaker 2: Well it's funny though, that because the thing that Apple

685
00:34:36,040 --> 00:34:39,680
Speaker 2: will also do is if you go to your photos apps,

686
00:34:39,760 --> 00:34:42,440
Speaker 2: it creates its own memory collages.

687
00:34:41,920 --> 00:34:43,640
Speaker 5: For you with music and everything.

688
00:34:43,840 --> 00:34:47,120
Speaker 2: Yeah, and it has music. And the thing is it

689
00:34:47,160 --> 00:34:50,239
Speaker 2: doesn't name it anything that would be like you and

690
00:34:50,320 --> 00:34:55,520
Speaker 2: your ex. It names it like, uh, summer at the

691
00:34:55,600 --> 00:34:58,480
Speaker 2: New York Central Park zoo. Yeah, because it knows where

692
00:34:58,520 --> 00:35:00,799
Speaker 2: you are and you're like, and you're like, what was

693
00:35:00,840 --> 00:35:01,239
Speaker 2: I doing?

694
00:35:01,480 --> 00:35:04,160
Speaker 3: Oh it's me and my Oh yeah, I remember we

695
00:35:04,239 --> 00:35:05,200
Speaker 3: had those churros.

696
00:35:07,520 --> 00:35:09,879
Speaker 4: The first chords of I Wish I never met her?

697
00:35:10,280 --> 00:35:13,279
Speaker 5: Yeah, I stopped right the song.

698
00:35:13,360 --> 00:35:19,040
Speaker 2: The song the song is like missing you or some ship,

699
00:35:20,680 --> 00:35:25,040
Speaker 2: so speaking of of which do you ever sing on

700
00:35:25,120 --> 00:35:28,720
Speaker 2: the dates, because like you also can sing your actor

701
00:35:28,800 --> 00:35:31,680
Speaker 2: and all this stuff. I'm sure it comes up. Do

702
00:35:31,719 --> 00:35:33,760
Speaker 2: you ever have you ever whipped out the singing voice

703
00:35:33,800 --> 00:35:36,600
Speaker 2: on them?

704
00:35:36,640 --> 00:35:40,440
Speaker 4: Sometimes when they if they asked or something, I said,

705
00:35:41,080 --> 00:35:43,480
Speaker 4: there has to be some No, I shouldn't.

706
00:35:43,040 --> 00:35:44,200
Speaker 2: Say that chemistry.

707
00:35:46,160 --> 00:35:49,239
Speaker 4: Yeah, I'm not gonna Yeah, sometimes they make you sing.

708
00:35:49,440 --> 00:35:52,040
Speaker 3: Richard Pryor did say you gotta sing to get some.

709
00:35:53,520 --> 00:36:03,759
Speaker 4: Say that. Yeah, you do whatever, you use whatever you

710
00:36:03,840 --> 00:36:07,000
Speaker 4: got in your arsenal to show them a good time.

711
00:36:07,080 --> 00:36:09,240
Speaker 4: And yeah, yeah, man.

712
00:36:11,719 --> 00:36:13,960
Speaker 2: Like when they ask you the scene, do you pretend

713
00:36:14,080 --> 00:36:16,040
Speaker 2: to not want to or do you like step into

714
00:36:16,040 --> 00:36:21,400
Speaker 2: it like spotlight? He pull out a microphone from nowhere

715
00:36:21,440 --> 00:36:25,600
Speaker 2: like a spotlight, ask me to do this.

716
00:36:25,760 --> 00:36:27,759
Speaker 5: It's like you had your own spotlight. It's been there

717
00:36:27,760 --> 00:36:28,239
Speaker 5: the whole time.

718
00:36:28,280 --> 00:36:34,040
Speaker 1: Girl, have you ever met somebody with the because you know,

719
00:36:34,120 --> 00:36:36,600
Speaker 1: you've been in the public eye, You've been like out

720
00:36:36,640 --> 00:36:39,080
Speaker 1: in the public. Have you ever met somebody that's like, oh,

721
00:36:39,160 --> 00:36:42,080
Speaker 1: I know you from television and from comedy or anything

722
00:36:42,120 --> 00:36:43,680
Speaker 1: like that yet, because you know that.

723
00:36:43,640 --> 00:36:45,000
Speaker 5: Kind of goes with the process.

724
00:36:46,080 --> 00:36:49,000
Speaker 4: Yeah, like I am not I am like not famous.

725
00:36:49,000 --> 00:36:50,800
Speaker 4: There have been some women that say, oh, you're famous,

726
00:36:50,920 --> 00:36:55,880
Speaker 4: or a woman recently said, uh, I mean you know

727
00:36:55,960 --> 00:36:58,600
Speaker 4: you're you're a public figure. So if something happened to me,

728
00:36:58,840 --> 00:37:01,920
Speaker 4: you know, they know. And I was like, Jesus, I

729
00:37:01,960 --> 00:37:03,520
Speaker 4: just want to get you a burger.

730
00:37:03,200 --> 00:37:05,640
Speaker 5: And how do we go here?

731
00:37:06,080 --> 00:37:06,719
Speaker 3: Oh my god.

732
00:37:07,640 --> 00:37:10,479
Speaker 4: She wasn't. She was just saying she was she was chill.

733
00:37:10,560 --> 00:37:12,880
Speaker 4: She was just like, I'm not, I'm not worried about

734
00:37:12,880 --> 00:37:14,759
Speaker 4: it because you're you're kind of no.

735
00:37:14,920 --> 00:37:17,680
Speaker 3: It's always the reason that it's funny to me is just.

736
00:37:19,280 --> 00:37:23,160
Speaker 2: Life for women is so scary, and every once in

737
00:37:23,239 --> 00:37:26,280
Speaker 2: a while they give us men like a small peek

738
00:37:26,320 --> 00:37:28,880
Speaker 2: into it, and it's something they take. It's something that

739
00:37:28,880 --> 00:37:32,040
Speaker 2: they have to constantly assess all the time. Yes, you know,

740
00:37:32,120 --> 00:37:35,040
Speaker 2: even as a black man, it's something I assessed sometimes,

741
00:37:35,040 --> 00:37:37,280
Speaker 2: but it's very specific situations that I even think.

742
00:37:37,120 --> 00:37:38,279
Speaker 3: About my safety like that.

743
00:37:38,880 --> 00:37:41,480
Speaker 2: But every once in a while without especially if they

744
00:37:41,640 --> 00:37:44,160
Speaker 2: like trust you or they like you, they'll just kind

745
00:37:44,160 --> 00:37:47,120
Speaker 2: of like let you peek into their brain for a second,

746
00:37:47,560 --> 00:37:50,560
Speaker 2: and it's you know, it's like it's like they're living

747
00:37:50,880 --> 00:37:54,600
Speaker 2: as a central character and a potential true crime documented

748
00:37:54,800 --> 00:37:55,279
Speaker 2: all the time.

749
00:37:55,600 --> 00:37:57,600
Speaker 5: So It's like I can always be a victim. That's

750
00:37:57,640 --> 00:37:58,879
Speaker 5: how you wake up every day.

751
00:37:59,040 --> 00:38:00,400
Speaker 3: Yes, like talk to it.

752
00:38:00,440 --> 00:38:03,520
Speaker 2: They're just like, oh no, it's fine because I told

753
00:38:03,680 --> 00:38:06,400
Speaker 2: several people we were out where I was before we went.

754
00:38:06,280 --> 00:38:06,600
Speaker 4: On a date.

755
00:38:06,640 --> 00:38:11,120
Speaker 2: And you're like, oh yeah, sure, totally understandable. But also

756
00:38:11,520 --> 00:38:12,080
Speaker 2: holy shit.

757
00:38:12,480 --> 00:38:16,160
Speaker 1: Yeah, people people take pictures of tags and to their

758
00:38:16,239 --> 00:38:19,560
Speaker 1: friends and shit like that. They go, know, if something

759
00:38:19,680 --> 00:38:23,719
Speaker 1: happens to me, they gonna know what's happening, right.

760
00:38:24,160 --> 00:38:27,480
Speaker 4: Yeah, some of some like you because I'm a I mean,

761
00:38:27,840 --> 00:38:30,279
Speaker 4: Maryland is on the Mason Dixon line, but I still

762
00:38:30,320 --> 00:38:34,399
Speaker 4: consider myself a Southern gentleman. I was raised by one.

763
00:38:35,080 --> 00:38:38,080
Speaker 4: And it's like you and then like growing up wherever

764
00:38:38,120 --> 00:38:41,560
Speaker 4: you grow up in the suburbs, when you start dating somebody,

765
00:38:42,120 --> 00:38:45,040
Speaker 4: you pick them up, you know, and in the city

766
00:38:45,080 --> 00:38:47,719
Speaker 4: you're in a city area, and it's like, I could

767
00:38:47,719 --> 00:38:49,520
Speaker 4: pick you up. But it's not like trying to be

768
00:38:49,920 --> 00:38:52,680
Speaker 4: creepy or anything. He said, well you could. Some some

769
00:38:52,800 --> 00:38:55,399
Speaker 4: will let you pick them up like near where they

770
00:38:55,480 --> 00:38:59,200
Speaker 4: live or or like you meet them somewhere, you meet

771
00:38:59,239 --> 00:39:01,399
Speaker 4: them at the rest of or the spot wherever it is,

772
00:39:02,000 --> 00:39:03,879
Speaker 4: and then once they get comfortable with you. You could

773
00:39:03,960 --> 00:39:07,799
Speaker 4: take them home or you could like like they'll give

774
00:39:07,840 --> 00:39:10,160
Speaker 4: you when you exchange numbers on the app, they'll give

775
00:39:10,160 --> 00:39:14,280
Speaker 4: you a Google Voice number if they trust. If they trust,

776
00:39:14,440 --> 00:39:18,200
Speaker 4: and then they'll give you when they give you your

777
00:39:18,520 --> 00:39:22,399
Speaker 4: regular number, You're like, gotcha, bitch, And then like, right,

778
00:39:22,920 --> 00:39:26,560
Speaker 4: I was crazy the whole time, right, And that's that's

779
00:39:26,600 --> 00:39:29,040
Speaker 4: it that men don't think about men.

780
00:39:29,600 --> 00:39:32,799
Speaker 2: I think men think about it, but they don't think

781
00:39:32,800 --> 00:39:37,280
Speaker 2: about it from the respective, Like men think they're the exception, right,

782
00:39:37,400 --> 00:39:40,480
Speaker 2: like even like I'm sure even crazy dudes think that exception,

783
00:39:40,560 --> 00:39:42,960
Speaker 2: but like a lot of men are like, but I'm

784
00:39:42,960 --> 00:39:45,200
Speaker 2: not like that. But it's but that's not where you

785
00:39:45,239 --> 00:39:46,680
Speaker 2: need to get caught up, you know. And I think

786
00:39:46,760 --> 00:39:50,719
Speaker 2: the good dudes, good people, smart people don't get caught

787
00:39:50,760 --> 00:39:52,520
Speaker 2: up in that. It's like yeah, of course, you know,

788
00:39:53,440 --> 00:39:57,360
Speaker 2: you know, like let's let's let's meet in a neutral location,

789
00:39:57,480 --> 00:40:00,480
Speaker 2: like it's a gang fight. I don't I don't nobody

790
00:40:00,520 --> 00:40:02,880
Speaker 2: want to hur like I meet you now because I

791
00:40:03,239 --> 00:40:05,680
Speaker 2: can only speak for myself, but like I don't ever

792
00:40:05,719 --> 00:40:10,240
Speaker 2: want to be somebody's fucking like reason to be scared,

793
00:40:10,360 --> 00:40:12,920
Speaker 2: you know what I'm saying When I know, walking by myself,

794
00:40:13,560 --> 00:40:16,120
Speaker 2: if there's like a woman walking along ahead of me,

795
00:40:16,280 --> 00:40:19,719
Speaker 2: I'll like either slow down or like riskly try to

796
00:40:19,760 --> 00:40:21,719
Speaker 2: pass or cross over to the other side of the.

797
00:40:21,640 --> 00:40:25,360
Speaker 5: Track, because it's just like, I'm not trying to.

798
00:40:24,960 --> 00:40:27,160
Speaker 2: Be a fucking weirdo, and I don't want you thinking

799
00:40:27,239 --> 00:40:29,480
Speaker 2: like I don't want to even disturb your groove, like

800
00:40:29,560 --> 00:40:32,399
Speaker 2: continue to about your life, agreed. You know you're coming

801
00:40:32,440 --> 00:40:34,680
Speaker 2: in like a convenience story at night or something, or

802
00:40:34,719 --> 00:40:37,759
Speaker 2: someone's pumping gas. I'm like, I'm not even looking over man,

803
00:40:37,760 --> 00:40:40,520
Speaker 2: I don't even want you to think that. I'm like, hey, hey, lady,

804
00:40:40,840 --> 00:40:43,600
Speaker 2: yeah you need something like Nope, I don't want to talk,

805
00:40:43,760 --> 00:40:45,399
Speaker 2: you know, yes, yea.

806
00:40:45,680 --> 00:40:50,280
Speaker 1: And sometimes it's very frustrating because I remember this happening

807
00:40:50,800 --> 00:40:53,960
Speaker 1: years ago. I was at a stoplight and a car

808
00:40:54,040 --> 00:40:56,440
Speaker 1: for the dudes pulled up beside me. In the whole

809
00:40:56,480 --> 00:40:58,279
Speaker 1: time they was trying to get my attention. Now I'm

810
00:40:58,320 --> 00:41:00,880
Speaker 1: in the car by myself. I flat ignored them the

811
00:41:00,960 --> 00:41:02,719
Speaker 1: whole time, and a second I could go.

812
00:41:02,640 --> 00:41:03,960
Speaker 5: Through that light. I went through that light.

813
00:41:04,280 --> 00:41:06,040
Speaker 1: Yeah, because in my mind was like, I don't know

814
00:41:06,080 --> 00:41:08,640
Speaker 1: what you want is a bunch of y'all I don't

815
00:41:08,640 --> 00:41:10,320
Speaker 1: want whatever you're trying to sell.

816
00:41:10,400 --> 00:41:12,680
Speaker 5: I don't want it. And it's more y'all than me.

817
00:41:13,400 --> 00:41:15,759
Speaker 1: You're like, in my mind, it's like you for one,

818
00:41:15,880 --> 00:41:17,920
Speaker 1: you you're going panic mode exactly.

819
00:41:18,000 --> 00:41:21,799
Speaker 4: Yeah, yeah, yeah, And I think like I'll just say

820
00:41:21,960 --> 00:41:24,480
Speaker 4: because I'll tell women, I'll say like, hey, if it

821
00:41:24,680 --> 00:41:28,360
Speaker 4: doesn't work out, then uh yeah, I'm not gonna stalk you.

822
00:41:28,360 --> 00:41:31,520
Speaker 4: You there's a couple of calls that I have to

823
00:41:31,560 --> 00:41:34,400
Speaker 4: come do that I shall be disappointed. But if I

824
00:41:34,520 --> 00:41:38,320
Speaker 4: drive past your ait or something, I'd be like, I

825
00:41:38,400 --> 00:41:41,400
Speaker 4: had a couple of good nights and chalk it up

826
00:41:41,440 --> 00:41:43,840
Speaker 4: to that, or I was talking to one of my homies.

827
00:41:44,160 --> 00:41:46,399
Speaker 2: That's the other thing too, to being a comedian give

828
00:41:46,440 --> 00:41:49,400
Speaker 2: you license to make Like is it easier to be

829
00:41:49,480 --> 00:41:51,759
Speaker 2: like I'm gonna have a couple jokes. But it's not

830
00:41:51,920 --> 00:41:54,880
Speaker 2: like it's just jokes. It's not I'm not really you know,

831
00:41:55,040 --> 00:41:55,960
Speaker 2: serious about.

832
00:41:55,760 --> 00:41:58,440
Speaker 4: It yet well you know it's it's kind of like

833
00:41:58,600 --> 00:42:04,640
Speaker 4: you it's it's a kind of about as a comedian, like, yeah,

834
00:42:04,680 --> 00:42:06,279
Speaker 4: maybe I get a story out of it, but it's

835
00:42:06,320 --> 00:42:09,440
Speaker 4: really like trying to live the full human experience.

836
00:42:09,800 --> 00:42:12,319
Speaker 2: And then what I mean, what I mean is like,

837
00:42:12,440 --> 00:42:15,759
Speaker 2: do they expect you to be funny or do they

838
00:42:16,560 --> 00:42:19,040
Speaker 2: is there leeway for like you make a joke that

839
00:42:19,320 --> 00:42:22,120
Speaker 2: you know where they're like almost like expecting you to

840
00:42:22,520 --> 00:42:24,080
Speaker 2: be funny and make jokes about stuff.

841
00:42:25,800 --> 00:42:28,920
Speaker 4: I think sometimes they think that, but like that's just

842
00:42:29,000 --> 00:42:32,680
Speaker 4: like that's my one of my jobs, right and one

843
00:42:33,400 --> 00:42:36,759
Speaker 4: told me this woman I went on a date with

844
00:42:37,000 --> 00:42:39,279
Speaker 4: this past week, she said, you know, I can tell

845
00:42:39,320 --> 00:42:42,400
Speaker 4: you you're you're probably really funny because you don't really

846
00:42:42,840 --> 00:42:43,799
Speaker 4: try to crack jokes.

847
00:42:43,960 --> 00:42:44,960
Speaker 3: That's what I was going to say.

848
00:42:45,040 --> 00:42:47,480
Speaker 2: Hanging out with Chris is funny because Chris is not

849
00:42:47,760 --> 00:42:50,759
Speaker 2: on no, Like it's not like I never feel like

850
00:42:51,120 --> 00:42:53,799
Speaker 2: he's doing a bit on right right now or he's

851
00:42:53,840 --> 00:42:57,360
Speaker 2: about like you know, some comedians do this. Sometimes you

852
00:42:57,400 --> 00:42:59,120
Speaker 2: have friends that are comedians where you're talking to them

853
00:42:59,160 --> 00:43:01,400
Speaker 2: and then you realize like halfway through, like this nigga's

854
00:43:01,440 --> 00:43:05,040
Speaker 2: just doing a bit, Like I'm not. I don't even

855
00:43:05,080 --> 00:43:06,200
Speaker 2: need to be here for this ship.

856
00:43:06,360 --> 00:43:06,520
Speaker 6: You know.

857
00:43:06,560 --> 00:43:10,279
Speaker 2: It's like, Amen, you watch any of them NBA games, like, yeah, man,

858
00:43:10,360 --> 00:43:12,879
Speaker 2: I saw the Lakers play the Man. You know what's

859
00:43:12,960 --> 00:43:15,359
Speaker 2: crazy is they got such and such on.

860
00:43:15,360 --> 00:43:17,080
Speaker 5: The floor, Like how do I get trapping a ten

861
00:43:17,160 --> 00:43:17,680
Speaker 5: minute set.

862
00:43:18,000 --> 00:43:22,640
Speaker 2: Yeah, but yeah, right, And I always just wonder, like,

863
00:43:22,719 --> 00:43:25,319
Speaker 2: on a day, if someone knows your community, if it's

864
00:43:25,320 --> 00:43:28,120
Speaker 2: almost almost expected for you to like you need to

865
00:43:28,120 --> 00:43:31,040
Speaker 2: be funny and cracking jokes, or is it more like, oh,

866
00:43:31,080 --> 00:43:34,680
Speaker 2: thank god you're not here doing working out material on

867
00:43:34,760 --> 00:43:35,440
Speaker 2: this date, you know?

868
00:43:36,200 --> 00:43:38,960
Speaker 4: Yeah, Like I think it's just I try to you

869
00:43:39,000 --> 00:43:41,239
Speaker 4: don't try to make him laugh or have a good time,

870
00:43:41,320 --> 00:43:44,120
Speaker 4: but like I don't try to force it. And I

871
00:43:44,120 --> 00:43:47,040
Speaker 4: think one of it's one of the reasons is because

872
00:43:47,040 --> 00:43:50,440
Speaker 4: I went to theater conservatory where I was around people

873
00:43:50,600 --> 00:43:53,840
Speaker 4: that were always on, and it was just like, I

874
00:43:53,840 --> 00:43:56,400
Speaker 4: don't want to be that dude, Like I love performing

875
00:43:56,520 --> 00:43:59,239
Speaker 4: just like everybody else here, but you just don't want

876
00:43:59,239 --> 00:44:02,279
Speaker 4: to be you don't want to be that guy, uh,

877
00:44:02,640 --> 00:44:07,040
Speaker 4: because that could be annoying but okay for me, for me,

878
00:44:07,120 --> 00:44:10,120
Speaker 4: everybody's everybody's different. But yeah, so you would.

879
00:44:09,880 --> 00:44:12,319
Speaker 2: Sing to get some but not cracked jose to get some.

880
00:44:12,440 --> 00:44:14,759
Speaker 2: I got it now, I'll figure it out.

881
00:44:15,360 --> 00:44:18,640
Speaker 4: Just think that women black women, I guess.

882
00:44:18,560 --> 00:44:21,840
Speaker 5: Uh, Chris, do you Chris?

883
00:44:21,920 --> 00:44:23,040
Speaker 3: Can you sing me something?

884
00:44:23,160 --> 00:44:24,239
Speaker 2: I wasn't prepared for this.

885
00:44:24,360 --> 00:44:34,560
Speaker 3: I love every first time, like.

886
00:44:45,239 --> 00:44:54,320
Speaker 2: Phone niggas come from behind.

887
00:44:52,480 --> 00:44:55,360
Speaker 4: Like they like R and B, they like you know

888
00:44:55,880 --> 00:44:58,680
Speaker 4: they you know, it's not that white women don't like it,

889
00:44:58,719 --> 00:45:00,640
Speaker 4: but it's just like this is hard. You can kind

890
00:45:00,680 --> 00:45:03,239
Speaker 4: of yeah, you can tap in or I think it's

891
00:45:03,280 --> 00:45:04,920
Speaker 4: just that would be funny.

892
00:45:04,680 --> 00:45:06,160
Speaker 2: If you go on a date with a white lady

893
00:45:06,200 --> 00:45:08,880
Speaker 2: and she does the like, oh can you sing? And

894
00:45:08,920 --> 00:45:10,879
Speaker 2: then you sing like Nirvana or some shit.

895
00:45:11,200 --> 00:45:19,640
Speaker 5: Hey, that's hilarious. I only know.

896
00:45:14,440 --> 00:45:21,279
Speaker 3: I only know two white songs.

897
00:45:21,120 --> 00:45:23,960
Speaker 5: That's all I know. Hey, a Chris, I've been out

898
00:45:23,960 --> 00:45:24,840
Speaker 5: in the dating world.

899
00:45:25,120 --> 00:45:28,160
Speaker 1: Have you ever met a woman that's actually really funny?

900
00:45:28,200 --> 00:45:30,399
Speaker 1: Because you know, women are really funny, but a lot

901
00:45:30,400 --> 00:45:32,920
Speaker 1: of times when it comes to dating and dates, a

902
00:45:32,960 --> 00:45:35,160
Speaker 1: lot of times some women kind of calm that down

903
00:45:35,200 --> 00:45:37,400
Speaker 1: because a lot of men are intimidated by very funny

904
00:45:37,400 --> 00:45:40,600
Speaker 1: women and so, you know, so I'm asking, like, have

905
00:45:40,680 --> 00:45:42,600
Speaker 1: you ever interacted with a funny woman? I mean, and

906
00:45:42,680 --> 00:45:45,160
Speaker 1: you're a comedian too, and so is one of the things, well, oh,

907
00:45:45,200 --> 00:45:47,160
Speaker 1: it's a respect thing versus a lot of men have

908
00:45:47,280 --> 00:45:50,360
Speaker 1: egos about a woman that is actually funnier than them.

909
00:45:50,840 --> 00:45:54,279
Speaker 4: See that for me, Like a woman that's funny that's

910
00:45:54,280 --> 00:45:57,440
Speaker 4: a that's attractive to me, that's a turn on. So

911
00:45:57,560 --> 00:46:00,600
Speaker 4: I'm I don't and and for a long long time,

912
00:46:00,680 --> 00:46:04,400
Speaker 4: what I had to realize was like, I'm attracted to

913
00:46:04,440 --> 00:46:08,759
Speaker 4: women that are artistically talented like that. So it's kind

914
00:46:08,840 --> 00:46:12,279
Speaker 4: of like and then you're kind of trying to date

915
00:46:12,320 --> 00:46:14,920
Speaker 4: people that are in your circle, and it's like, I

916
00:46:14,960 --> 00:46:16,840
Speaker 4: don't know about that, Like I'd rather just kind of

917
00:46:16,920 --> 00:46:20,480
Speaker 4: date somebody that was not really in the industry. If

918
00:46:20,480 --> 00:46:22,120
Speaker 4: something happened, that would be cool.

919
00:46:22,160 --> 00:46:25,840
Speaker 2: But like, I feel like there's also mad funny people

920
00:46:25,840 --> 00:46:27,320
Speaker 2: that just aren't in the industry.

921
00:46:27,840 --> 00:46:30,520
Speaker 3: Yeah, there's just some people that like that are funny.

922
00:46:30,560 --> 00:46:33,520
Speaker 2: They're not trying to do anything, but they're just yeah,

923
00:46:33,760 --> 00:46:35,600
Speaker 2: funny is funny anyway.

924
00:46:35,400 --> 00:46:38,800
Speaker 4: Right, But women that I've met like that have been funny,

925
00:46:39,040 --> 00:46:41,840
Speaker 4: Like yeah, like I think it's cool when they have

926
00:46:42,040 --> 00:46:47,040
Speaker 4: like a personality or something. I shouldn't be the one,

927
00:46:47,520 --> 00:46:50,400
Speaker 4: not not just as a comedian, but as a man

928
00:46:51,080 --> 00:46:54,799
Speaker 4: to do every can you what are you bringing to

929
00:46:54,920 --> 00:46:59,359
Speaker 4: the table, like as a woman, not just your right,

930
00:47:00,440 --> 00:47:03,000
Speaker 4: not just your private parts, it's like, what do you

931
00:47:03,280 --> 00:47:06,080
Speaker 4: And it's not like it's not even like a financial thing.

932
00:47:06,120 --> 00:47:08,600
Speaker 4: It's just like, what do you bring to the table

933
00:47:08,680 --> 00:47:11,640
Speaker 4: as a person, How are we gonna? Yeah, how can

934
00:47:11,680 --> 00:47:13,080
Speaker 4: we feel?

935
00:47:12,719 --> 00:47:15,560
Speaker 2: I feel like I know there's people that prefer the

936
00:47:15,719 --> 00:47:20,920
Speaker 2: seriousness of things, but I know I need somebody that

937
00:47:20,920 --> 00:47:26,399
Speaker 2: that's funny because I need to always have that accessible

938
00:47:26,920 --> 00:47:29,960
Speaker 2: like like I don't like, I know there's people prefer

939
00:47:30,040 --> 00:47:33,120
Speaker 2: different shit, but like I do not understand how people

940
00:47:33,200 --> 00:47:35,719
Speaker 2: are just like the serious people all the time where

941
00:47:36,000 --> 00:47:38,319
Speaker 2: right you know you see it, you know on TV

942
00:47:38,400 --> 00:47:40,040
Speaker 2: shows and ship where you're just like, this is a

943
00:47:40,160 --> 00:47:41,840
Speaker 2: very serious adult relationship.

944
00:47:41,880 --> 00:47:42,919
Speaker 5: I used to be like that.

945
00:47:42,920 --> 00:47:45,480
Speaker 2: They don't make jokes and they don't nothing's funny to them.

946
00:47:45,560 --> 00:47:48,600
Speaker 1: You got high blood pressure, high cholesterol, you're about to

947
00:47:48,600 --> 00:47:50,719
Speaker 1: punch and fight everybody in your family because you have

948
00:47:50,840 --> 00:47:54,120
Speaker 1: no way to release the ship just happening in your life,

949
00:47:54,200 --> 00:47:54,799
Speaker 1: not my ship.

950
00:47:54,960 --> 00:47:58,719
Speaker 4: But yeah, it's like, oh, I'm sorry, no, no, no, you

951
00:47:58,719 --> 00:48:01,040
Speaker 4: gotta go ahead. I'm just gonna say. You know, we

952
00:48:01,080 --> 00:48:03,359
Speaker 4: talked about how the world is crazy and everything, and

953
00:48:03,440 --> 00:48:05,839
Speaker 4: you just need that your little piece of heaven, you know,

954
00:48:06,480 --> 00:48:09,440
Speaker 4: when you're with when you're with this person, like you

955
00:48:09,480 --> 00:48:11,560
Speaker 4: can feel like, yeah, it's never going to be perfect,

956
00:48:11,640 --> 00:48:14,200
Speaker 4: but you have a connection with that person, you could

957
00:48:14,239 --> 00:48:16,839
Speaker 4: love on each other and deal with all of that

958
00:48:17,000 --> 00:48:17,920
Speaker 4: bullshit together.

959
00:48:18,239 --> 00:48:22,480
Speaker 2: It is a social media and the internet like affecting dating,

960
00:48:22,560 --> 00:48:24,319
Speaker 2: Like does that stuff ever come up? Because I feel

961
00:48:24,320 --> 00:48:26,360
Speaker 2: like if you log on the social media, it feels

962
00:48:26,360 --> 00:48:30,000
Speaker 2: like everything is man versus woman, especially black man versus

963
00:48:30,040 --> 00:48:33,520
Speaker 2: black woman all the time. And I know people do

964
00:48:33,560 --> 00:48:36,400
Speaker 2: consume that content and there's a lot of like projection

965
00:48:36,480 --> 00:48:38,799
Speaker 2: that happens, right Like somebody will make it what I

966
00:48:38,840 --> 00:48:42,280
Speaker 2: call a skit and it's just like, you know, man

967
00:48:42,360 --> 00:48:45,160
Speaker 2: finds out baby isn't his and I'm like and then

968
00:48:45,360 --> 00:48:49,560
Speaker 2: absolutely started recording at the exact right time to capture.

969
00:48:49,239 --> 00:48:50,399
Speaker 3: All of this, and.

970
00:48:52,040 --> 00:48:55,319
Speaker 2: You know, like and it basically, but people will take

971
00:48:55,360 --> 00:48:57,680
Speaker 2: those things that often fake. You know, it's the pop

972
00:48:57,680 --> 00:49:00,799
Speaker 2: in the balloon thing. They'll take that at an extrapolay

973
00:49:00,920 --> 00:49:04,280
Speaker 2: right there. Like I hate when men be having jobs

974
00:49:04,320 --> 00:49:07,440
Speaker 2: but then they come in with shoes, Like yeah, but

975
00:49:07,600 --> 00:49:10,000
Speaker 2: doesn't a lot of men have jobs and shoes And

976
00:49:10,040 --> 00:49:12,640
Speaker 2: I hate it and you're like, damn. And I feel

977
00:49:12,640 --> 00:49:17,560
Speaker 2: like that online environment can make you feel like dating

978
00:49:17,680 --> 00:49:21,080
Speaker 2: must be terrible and everyone must hate each other and stuff.

979
00:49:21,360 --> 00:49:24,480
Speaker 2: So is that an effect that is that even a

980
00:49:24,480 --> 00:49:26,640
Speaker 2: thing that comes up in real life on days or

981
00:49:26,680 --> 00:49:29,400
Speaker 2: is that does everyone think it's silly like if it

982
00:49:29,440 --> 00:49:33,080
Speaker 2: does come up or people like, you know, this is real,

983
00:49:33,400 --> 00:49:35,040
Speaker 2: I got I need a red balloon to pop on

984
00:49:35,080 --> 00:49:36,080
Speaker 2: your ass.

985
00:49:36,520 --> 00:49:39,239
Speaker 4: I think I think sometimes it does. Like in my

986
00:49:40,000 --> 00:49:44,560
Speaker 4: last relationship, it was like we I would not consider

987
00:49:44,560 --> 00:49:48,560
Speaker 4: myself to be a but I'm above that Internet. Some

988
00:49:48,640 --> 00:49:51,759
Speaker 4: of that should be fun and looking looking at it

989
00:49:51,880 --> 00:49:54,880
Speaker 4: or it's fine, but it's like I think there was

990
00:49:54,920 --> 00:49:59,760
Speaker 4: one woman that said, like brought up the masculine woman

991
00:49:59,920 --> 00:50:03,239
Speaker 4: or the feminine you know, like where like they say

992
00:50:03,280 --> 00:50:05,960
Speaker 4: they try to say that black women are too masculine

993
00:50:06,680 --> 00:50:10,879
Speaker 4: and the way that they talk. I think woman brought

994
00:50:10,920 --> 00:50:12,719
Speaker 4: that up one time and I was just like, uh,

995
00:50:13,760 --> 00:50:17,200
Speaker 4: I think it's just just be yourself. A man is

996
00:50:17,280 --> 00:50:19,880
Speaker 4: ultimately going to be a man and a woman is

997
00:50:19,920 --> 00:50:23,000
Speaker 4: going to be a woman. But I think they I don't.

998
00:50:23,120 --> 00:50:27,200
Speaker 2: I don't know, like nobody's ever quoted Kevin Samuels to

999
00:50:27,239 --> 00:50:27,759
Speaker 2: you on a date.

1000
00:50:28,040 --> 00:50:33,439
Speaker 4: Nothing like that did the joking joking like my acts

1001
00:50:33,440 --> 00:50:39,360
Speaker 4: would we would like you man. I think one woman,

1002
00:50:39,400 --> 00:50:41,520
Speaker 4: I think I don't think I ever went out with her.

1003
00:50:42,360 --> 00:50:45,880
Speaker 4: Because some women. So, women you got to worry about

1004
00:50:45,880 --> 00:50:50,640
Speaker 4: being murdered or assaulted. Guys we worry about, like get

1005
00:50:50,640 --> 00:50:54,560
Speaker 4: concerned about being catfished or or something or or or

1006
00:50:54,640 --> 00:50:57,399
Speaker 4: what do they call it, neighborhood fished or something like that,

1007
00:50:57,840 --> 00:50:59,880
Speaker 4: where like I'm matched with this woman one time and

1008
00:51:00,120 --> 00:51:03,520
Speaker 4: thought she lived in Newark, New Jersey, beautiful woman. And

1009
00:51:03,560 --> 00:51:06,320
Speaker 4: I was like, oh, wow, okay, cool, you're let's let's

1010
00:51:06,480 --> 00:51:09,319
Speaker 4: you know, talk, and we're talking. She's like, actually, I'm

1011
00:51:09,320 --> 00:51:13,120
Speaker 4: in Canada. I was like, wow, you like they because

1012
00:51:13,120 --> 00:51:16,080
Speaker 4: they'll say like I live I'm in New York all

1013
00:51:16,120 --> 00:51:18,000
Speaker 4: the time, or I'm in this area.

1014
00:51:17,760 --> 00:51:24,600
Speaker 5: All the time in hard right, So that's not the same, right.

1015
00:51:24,520 --> 00:51:29,080
Speaker 4: Yeah, Like that's hours in a commute. So, and just

1016
00:51:29,120 --> 00:51:31,600
Speaker 4: talking to her and she mentioned because Kevin Samuel said,

1017
00:51:31,640 --> 00:51:32,799
Speaker 4: I was like, oh boy.

1018
00:51:32,840 --> 00:51:36,200
Speaker 2: Yeah, yeahs like she don't know that's a red flag,

1019
00:51:36,600 --> 00:51:38,640
Speaker 2: like you say, you.

1020
00:51:38,560 --> 00:51:41,720
Speaker 5: Say, doctor samb a conversation is officially.

1021
00:51:41,360 --> 00:51:44,680
Speaker 2: What there's like there's there's a man that like that

1022
00:51:44,680 --> 00:51:47,040
Speaker 2: that type of ship that I'm sure are like, yeah.

1023
00:51:46,920 --> 00:51:48,680
Speaker 3: Kevin Samuel's exactly, yeah.

1024
00:51:48,560 --> 00:51:50,799
Speaker 2: Girl, because you ain't worth shit, bitch, I'm gonna dog

1025
00:51:50,920 --> 00:51:53,360
Speaker 2: you out like, but but I feel like for a

1026
00:51:53,400 --> 00:51:56,040
Speaker 2: lot of dudes, well for a right minded person, it's

1027
00:51:56,080 --> 00:51:57,240
Speaker 2: like that's a red flag.

1028
00:51:57,280 --> 00:51:59,600
Speaker 3: You be listening to this crazy man, right.

1029
00:52:01,080 --> 00:52:05,640
Speaker 4: Yeah, I mean it's crazy. It's it's wild man like

1030
00:52:06,120 --> 00:52:08,640
Speaker 4: the way that that guy has his influence over people

1031
00:52:08,640 --> 00:52:11,479
Speaker 4: in this and it's people trying to take that spot. Yo.

1032
00:52:13,520 --> 00:52:16,600
Speaker 1: Had nobody got the crown yet, but they is fighting

1033
00:52:17,840 --> 00:52:18,920
Speaker 1: and there's some.

1034
00:52:18,880 --> 00:52:21,800
Speaker 4: People out there that's pretty good. Like it's not Kevin Samuels,

1035
00:52:21,800 --> 00:52:24,360
Speaker 4: but it's just like, hey, you want to try to

1036
00:52:24,360 --> 00:52:28,360
Speaker 4: improve yourself, do this or respect yourself, and if you

1037
00:52:28,360 --> 00:52:31,080
Speaker 4: don't respect yourself, you can't like respect the woman.

1038
00:52:31,120 --> 00:52:36,920
Speaker 2: And they have seven seven eight followers on to his

1039
00:52:37,040 --> 00:52:37,880
Speaker 2: thirty seven.

1040
00:52:37,680 --> 00:52:40,920
Speaker 5: Million, you know, because they're they're being reasonable out.

1041
00:52:40,760 --> 00:52:44,799
Speaker 2: Here, saying nuanced and smart shit, saying y'all ain't he

1042
00:52:44,920 --> 00:52:47,680
Speaker 2: was out here saying like yeah, He's like, well, do

1043
00:52:47,719 --> 00:52:50,800
Speaker 2: you have at least big titties? No, kill yourself, bitch,

1044
00:52:51,000 --> 00:52:53,520
Speaker 2: kill yourself? All right, Next caller, I'm like, bru, what

1045
00:52:53,560 --> 00:52:54,000
Speaker 2: are you doing?

1046
00:52:54,040 --> 00:52:54,720
Speaker 5: What is happening?

1047
00:52:54,840 --> 00:52:55,799
Speaker 3: Who's listening to this guy?

1048
00:52:55,880 --> 00:52:58,640
Speaker 4: He was amazing on Atlanta though he.

1049
00:52:58,680 --> 00:53:02,960
Speaker 2: Was he was always remember that that's what killed performance.

1050
00:53:03,000 --> 00:53:05,920
Speaker 2: That's what Kearny was. He he went out, he was celebrating.

1051
00:53:06,000 --> 00:53:07,600
Speaker 2: He went and got him a Latin woman because he

1052
00:53:07,960 --> 00:53:09,680
Speaker 2: lied to you all about dat black women.

1053
00:53:10,080 --> 00:53:10,880
Speaker 4: Was a Latin woman.

1054
00:53:11,160 --> 00:53:11,680
Speaker 5: Yeah, it wasn't.

1055
00:53:11,920 --> 00:53:12,520
Speaker 3: She wasn't black.

1056
00:53:13,040 --> 00:53:15,399
Speaker 2: Yeah, and you know how he died on top of her,

1057
00:53:16,440 --> 00:53:19,520
Speaker 2: exactly just like color purple.

1058
00:53:20,800 --> 00:53:21,680
Speaker 3: Anthony Mackie.

1059
00:53:21,680 --> 00:53:24,600
Speaker 2: Have you seen the New Black Captain America yet?

1060
00:53:25,000 --> 00:53:25,440
Speaker 4: I did?

1061
00:53:25,760 --> 00:53:29,040
Speaker 3: All right, I don't. We did our movie of you already.

1062
00:53:29,640 --> 00:53:33,080
Speaker 2: Uh I just I had a tweet that went extremely viral.

1063
00:53:33,120 --> 00:53:36,319
Speaker 2: I had to mute the tweet because they released a

1064
00:53:36,680 --> 00:53:42,480
Speaker 2: picture of him in the costume. The thing I noticed

1065
00:53:42,480 --> 00:53:45,279
Speaker 2: the pot It was like he doing the face under there.

1066
00:53:45,680 --> 00:53:50,279
Speaker 5: Yes he is in my eyes, he doing tell like

1067
00:53:50,400 --> 00:53:51,000
Speaker 5: that face.

1068
00:53:51,320 --> 00:53:53,839
Speaker 2: Everybody, damn, this ship is now at the eleven point

1069
00:53:53,880 --> 00:53:55,240
Speaker 2: three million views, all right.

1070
00:53:55,280 --> 00:53:57,239
Speaker 5: Every I was as soon as I saw it.

1071
00:53:57,400 --> 00:54:00,640
Speaker 2: I didn't explain what the face was, but everybody know

1072
00:54:00,719 --> 00:54:03,879
Speaker 2: the face shot through the fan. Great uncle Bob, who

1073
00:54:03,920 --> 00:54:05,520
Speaker 2: did this photoshop of it?

1074
00:54:08,200 --> 00:54:10,680
Speaker 5: You know that's what his face looked like. F under

1075
00:54:10,880 --> 00:54:15,000
Speaker 5: that mask. He doing the face, Yes, he always looked

1076
00:54:15,040 --> 00:54:15,239
Speaker 5: like that.

1077
00:54:16,960 --> 00:54:18,040
Speaker 4: Somebody still, man.

1078
00:54:18,120 --> 00:54:22,680
Speaker 2: Everybody start resharing it without his without his like because

1079
00:54:22,719 --> 00:54:27,399
Speaker 2: he doesn't tag his stuff. Yeah, I always retweet him,

1080
00:54:27,440 --> 00:54:29,600
Speaker 2: but I don't think it, you know, does enough. And

1081
00:54:29,680 --> 00:54:32,799
Speaker 2: plus the internet, like people actually stole my tweet like

1082
00:54:32,840 --> 00:54:35,560
Speaker 2: they were people all of a sudden making the same

1083
00:54:35,600 --> 00:54:38,719
Speaker 2: observation because they've seen how many views I got.

1084
00:54:39,040 --> 00:54:39,640
Speaker 5: Well, I just.

1085
00:54:39,640 --> 00:54:44,440
Speaker 2: Love that everybody can tell the face that I'm talking about.

1086
00:54:45,719 --> 00:54:47,680
Speaker 5: It's just his face. Nothing wrong with it.

1087
00:54:47,680 --> 00:54:50,120
Speaker 1: It's just he's that's that's his face.

1088
00:54:50,360 --> 00:54:53,359
Speaker 4: Yeah right, I think he knows it.

1089
00:54:53,440 --> 00:54:55,759
Speaker 5: He's heard about it, but he says.

1090
00:54:57,000 --> 00:55:00,000
Speaker 2: He says that he doesn't understand what's funny about it.

1091
00:55:00,160 --> 00:55:01,040
Speaker 5: He don't get the joke.

1092
00:55:01,320 --> 00:55:03,120
Speaker 3: And I'm like, yeah, I don't know what to tell you.

1093
00:55:03,560 --> 00:55:05,759
Speaker 5: I don't tell you that shit is hilarious.

1094
00:55:05,960 --> 00:55:08,640
Speaker 2: That face be making funny and shit, bro, it's the lip,

1095
00:55:08,760 --> 00:55:10,880
Speaker 2: It's the everything. It's the lips, it's at the angle

1096
00:55:10,920 --> 00:55:13,919
Speaker 2: of the head, the eyes, it's everything about that face.

1097
00:55:13,960 --> 00:55:16,600
Speaker 3: It's like he knows something that that you don't know.

1098
00:55:17,080 --> 00:55:17,279
Speaker 6: Yeah.

1099
00:55:17,640 --> 00:55:21,080
Speaker 3: Does? It makes it cracks me up every single time.

1100
00:55:21,160 --> 00:55:23,160
Speaker 2: Man, like he was about to drop the tee if

1101
00:55:23,200 --> 00:55:27,319
Speaker 2: he keep talking, right, They don't know I spade tight,

1102
00:55:27,560 --> 00:55:27,839
Speaker 2: you know.

1103
00:55:28,440 --> 00:55:31,920
Speaker 1: Yeah, we about to rum bosting on them, right, and

1104
00:55:31,960 --> 00:55:32,880
Speaker 1: then make that face.

1105
00:55:34,440 --> 00:55:35,759
Speaker 3: Let's talk about some other stuff.

1106
00:55:35,760 --> 00:55:37,719
Speaker 2: I'm gonna play a beat here so that we can

1107
00:55:38,000 --> 00:55:39,080
Speaker 2: insert commercials later.

1108
00:55:39,160 --> 00:55:41,120
Speaker 3: We'll be back in about thirty seconds.

1109
00:55:41,200 --> 00:56:14,440
Speaker 6: Everybody, all right?

1110
00:56:14,480 --> 00:56:18,440
Speaker 2: The struggle is real and it still continues for actor

1111
00:56:18,840 --> 00:56:22,080
Speaker 2: Jeffrey Owens, or is it Jeoffrey.

1112
00:56:21,680 --> 00:56:24,120
Speaker 4: Owens jeffs again?

1113
00:56:24,480 --> 00:56:26,120
Speaker 3: Whenever they spell it with the G, it always fuck

1114
00:56:26,160 --> 00:56:26,440
Speaker 3: me up.

1115
00:56:27,680 --> 00:56:31,479
Speaker 2: Jeffrey Owens said he struggles every day to make ends

1116
00:56:31,520 --> 00:56:35,000
Speaker 2: meets even since it's viral twenty eighteen Trader Joe's photo

1117
00:56:35,480 --> 00:56:38,600
Speaker 2: and Nicki Minaj's donation to him.

1118
00:56:39,360 --> 00:56:41,520
Speaker 3: You guys may remember him from The Cosby Show.

1119
00:56:44,840 --> 00:56:47,280
Speaker 2: Remember that video went viral in twenty eighteen because somebody

1120
00:56:47,360 --> 00:56:50,000
Speaker 2: showed him working at Trader Joe's and then everybody was

1121
00:56:50,000 --> 00:56:50,880
Speaker 2: making jokes about it.

1122
00:56:50,920 --> 00:56:55,640
Speaker 3: Then he end up getting like a part in Tyler Perry.

1123
00:56:55,800 --> 00:56:59,439
Speaker 2: I think Tyler Perry invited him to join the cast

1124
00:56:59,480 --> 00:57:03,320
Speaker 2: of The Has Have Not, And Nicki Minaj donated twenty

1125
00:57:03,320 --> 00:57:06,799
Speaker 2: five thousand dollars to him, and he actually donated her

1126
00:57:06,840 --> 00:57:09,719
Speaker 2: money to the Actor's Fund in honor of the late

1127
00:57:09,719 --> 00:57:13,640
Speaker 2: Earl Hyman, who played Cliff Huxb's father on The Cosby Show.

1128
00:57:14,200 --> 00:57:15,719
Speaker 2: He said, at the time, it seemed like the right

1129
00:57:15,760 --> 00:57:17,480
Speaker 2: thing to do with Nicki Minaj had hired me for

1130
00:57:17,520 --> 00:57:19,520
Speaker 2: a project to pay me twenty five thousand, I would

1131
00:57:19,520 --> 00:57:21,560
Speaker 2: have thanked her for the work, but this felt different.

1132
00:57:22,680 --> 00:57:25,120
Speaker 2: But he has since returned to working at Trader Joe's

1133
00:57:25,240 --> 00:57:28,240
Speaker 2: and said he's actually better off now than he was

1134
00:57:28,280 --> 00:57:31,320
Speaker 2: when he participated in the show, and explained the misconception

1135
00:57:31,360 --> 00:57:32,919
Speaker 2: around actor pay right.

1136
00:57:33,440 --> 00:57:37,440
Speaker 1: Yeah, but particularly with the writer strike and the actors strike,

1137
00:57:38,280 --> 00:57:40,960
Speaker 1: even a lot of the celebrities started posting them checks.

1138
00:57:40,760 --> 00:57:42,720
Speaker 5: That was a hey, y'all, Hey, y'all, these residuals is

1139
00:57:42,720 --> 00:57:43,200
Speaker 5: one scene.

1140
00:57:43,200 --> 00:57:45,560
Speaker 1: It's not even rough the paper, like, you know, like

1141
00:57:45,640 --> 00:57:48,240
Speaker 1: they was like, y'all think this is big time money

1142
00:57:48,280 --> 00:57:50,760
Speaker 1: and it's not not for everybody.

1143
00:57:51,680 --> 00:57:54,000
Speaker 4: And I'll say the friend of the show, the Great

1144
00:57:54,120 --> 00:57:57,960
Speaker 4: Janelle James, had this quote. I'm gonna paraphrase it, but

1145
00:57:58,040 --> 00:58:02,240
Speaker 4: she said on Facebook before she up and she said,

1146
00:58:03,320 --> 00:58:07,320
Speaker 4: she said, I love seeing my friends on TV, but

1147
00:58:07,440 --> 00:58:11,760
Speaker 4: I know that six months ago that check's already been

1148
00:58:11,960 --> 00:58:14,840
Speaker 4: That check that they got was spent about six months ago, right,

1149
00:58:15,200 --> 00:58:18,280
Speaker 4: you know, this real shit And it's like as somebody

1150
00:58:18,320 --> 00:58:20,560
Speaker 4: who's been a day player, who is a day player,

1151
00:58:21,080 --> 00:58:23,320
Speaker 4: I come close to stuff, but you know, we're working

1152
00:58:23,360 --> 00:58:26,760
Speaker 4: on a ship. But it's like it's hard, and I

1153
00:58:26,800 --> 00:58:29,400
Speaker 4: can imagine this guy, you know, they thought they were

1154
00:58:29,400 --> 00:58:32,400
Speaker 4: making fun of him and that helped boost his career.

1155
00:58:33,040 --> 00:58:35,280
Speaker 4: I mean, he's on Pop, he's got a couple episodes

1156
00:58:35,280 --> 00:58:39,240
Speaker 4: of Papa's House. But you know, it's hard out there

1157
00:58:39,520 --> 00:58:43,360
Speaker 4: and you can't just You would have thought that the

1158
00:58:43,560 --> 00:58:48,040
Speaker 4: actors and writers strike and the pandemic would have demystified

1159
00:58:48,280 --> 00:58:51,520
Speaker 4: show business in a lot of ways, but it still hasn't.

1160
00:58:52,120 --> 00:58:54,000
Speaker 4: And it's like Rod, you know, you and I think

1161
00:58:54,040 --> 00:58:56,120
Speaker 4: the last time you were on the show, but we talked.

1162
00:58:56,320 --> 00:58:58,280
Speaker 4: Y'all talk about it on here, we talk about it

1163
00:58:58,320 --> 00:59:02,800
Speaker 4: on my show. It's like it's not COVID has messed

1164
00:59:02,920 --> 00:59:07,840
Speaker 4: up a lot things and entertainment, the way movies are released,

1165
00:59:08,000 --> 00:59:10,880
Speaker 4: the way they come on video. Like that movie Companion,

1166
00:59:10,960 --> 00:59:14,040
Speaker 4: which I thought was a fun movie two weeks in

1167
00:59:14,080 --> 00:59:15,840
Speaker 4: the theaters on VOD now.

1168
00:59:15,920 --> 00:59:19,080
Speaker 1: Right, you don't give it time, You don't allow people

1169
00:59:19,080 --> 00:59:21,840
Speaker 1: to actually go to the theater, and then you know

1170
00:59:21,880 --> 00:59:23,600
Speaker 1: everybody's talking about the theaters are dying.

1171
00:59:23,640 --> 00:59:27,120
Speaker 5: It's like, yes, nothing's in the theater long enough.

1172
00:59:27,160 --> 00:59:29,840
Speaker 1: Like, if I don't go really the first or second

1173
00:59:29,920 --> 00:59:32,760
Speaker 1: opening weekend, I really might as well just wait till

1174
00:59:32,760 --> 00:59:33,560
Speaker 1: it comes on streaming.

1175
00:59:33,640 --> 00:59:33,800
Speaker 4: Yeah.

1176
00:59:33,800 --> 00:59:36,200
Speaker 2: I just saw Flight Risk the other day, that Mark

1177
00:59:36,240 --> 00:59:38,760
Speaker 2: Wahlberg movie. I watched it on streaming, like two three

1178
00:59:38,840 --> 00:59:41,520
Speaker 2: days ago streaming it.

1179
00:59:41,880 --> 00:59:44,760
Speaker 3: Yeah, it was just speaking the.

1180
00:59:44,720 --> 00:59:47,439
Speaker 2: Time, making hard. It's hard to make ends meeting people

1181
00:59:47,480 --> 00:59:51,240
Speaker 2: out here. Struggling Police are scrambling to identify a woman

1182
00:59:51,280 --> 00:59:54,440
Speaker 2: who poached one hundred thousand organic eggs from a Pennsylvania

1183
00:59:54,480 --> 00:59:58,360
Speaker 2: protein producer. They estimate the current street value of the

1184
00:59:58,400 --> 01:00:00,120
Speaker 2: eggs is forty thousand dollars.

1185
01:00:00,760 --> 01:00:03,360
Speaker 5: Damn, it's serious. I hear in the game street, ain't it?

1186
01:00:03,520 --> 01:00:06,760
Speaker 2: But that figure could increase based on skyrocketing prices.

1187
01:00:07,040 --> 01:00:08,520
Speaker 5: Yep, that's why they post them.

1188
01:00:08,960 --> 01:00:09,080
Speaker 4: Uh.

1189
01:00:09,200 --> 01:00:11,840
Speaker 3: Investigators say Pete and Gary's.

1190
01:00:11,280 --> 01:00:14,480
Speaker 2: Organic Eggs was victimized Saturday evening when one of its

1191
01:00:14,520 --> 01:00:19,360
Speaker 2: distribution trailers was burglarized. The eggs were swiped from outside

1192
01:00:19,360 --> 01:00:23,280
Speaker 2: the firm's headquarters in Greencastle, a borough of south central

1193
01:00:23,280 --> 01:00:26,000
Speaker 2: part of the state. Pennsylvania State Police officials have asked

1194
01:00:26,000 --> 01:00:28,360
Speaker 2: the public to contact them if they have any information

1195
01:00:28,880 --> 01:00:31,640
Speaker 2: on the theft. I just feel like it's an Ocean's

1196
01:00:31,720 --> 01:00:35,640
Speaker 2: eleven type, Like this was a heist. This wasn't just

1197
01:00:35,720 --> 01:00:39,440
Speaker 2: somebody's I'm stealing a few eggs. They had some inside information.

1198
01:00:39,680 --> 01:00:42,480
Speaker 1: Yeah, you had to be prepared to eggs's fragile, so

1199
01:00:42,640 --> 01:00:44,680
Speaker 1: you know, they had to be prepared to move a

1200
01:00:44,680 --> 01:00:46,800
Speaker 1: whole bunch of fragile ass eggs somewhere.

1201
01:00:47,080 --> 01:00:48,320
Speaker 6: Yeah.

1202
01:00:48,600 --> 01:00:51,080
Speaker 2: Yeah, it's some Domlet Toretto. Yeah, it's gonna be the

1203
01:00:51,120 --> 01:00:54,880
Speaker 2: next legs, fast and furious. They're gonna be stealing eggs,

1204
01:00:55,480 --> 01:00:58,160
Speaker 2: be driving twenty miles an hour though, so they don't

1205
01:00:58,200 --> 01:00:59,000
Speaker 2: crack them, bitch.

1206
01:00:59,040 --> 01:01:01,040
Speaker 5: One omelet at a time, yeah.

1207
01:01:03,120 --> 01:01:03,400
Speaker 2: Time.

1208
01:01:04,400 --> 01:01:07,440
Speaker 4: And I'm an egg Eggland's best guy, so that that is.

1209
01:01:07,600 --> 01:01:10,480
Speaker 4: It's up there. Those prices are expecially, I was in

1210
01:01:10,520 --> 01:01:13,560
Speaker 4: the grocery store yesterday and they were like due to

1211
01:01:13,640 --> 01:01:17,560
Speaker 4: the bird flu and whatever all that stuff, the prices are,

1212
01:01:17,680 --> 01:01:20,160
Speaker 4: you know whatever, And there weren't that many eggs on

1213
01:01:20,200 --> 01:01:23,400
Speaker 4: the shelf. It's like, it's uh, eggs on the shelf.

1214
01:01:23,720 --> 01:01:25,320
Speaker 2: I went in there the other day there were no

1215
01:01:25,440 --> 01:01:29,160
Speaker 2: eggs on the shelf, and then there was like quail

1216
01:01:29,280 --> 01:01:31,840
Speaker 2: eggs and shiit I was like, well, I'm not breaking

1217
01:01:32,600 --> 01:01:34,400
Speaker 2: that whole food I was at public Public.

1218
01:01:34,600 --> 01:01:37,280
Speaker 3: I was like, I'm not breaking They had them at.

1219
01:01:37,240 --> 01:01:39,560
Speaker 2: The one I'm at. I'm like, I'm not breaking thirty

1220
01:01:39,600 --> 01:01:43,240
Speaker 2: seven quail eggs to make one sandwich. Like that's crazy.

1221
01:01:43,280 --> 01:01:46,200
Speaker 2: If you can beat first of all, if you could

1222
01:01:46,240 --> 01:01:49,720
Speaker 2: afford quail eggs before the eggs shorted, you was already rich,

1223
01:01:50,040 --> 01:01:52,360
Speaker 2: Like who the fuck life?

1224
01:01:52,920 --> 01:01:56,160
Speaker 1: Yes, And the thing is that they say, we ain't

1225
01:01:56,200 --> 01:01:59,440
Speaker 1: seen nothing yet because the market really hasn't corrected for

1226
01:01:59,600 --> 01:02:01,640
Speaker 1: the bird flu yet. That's what the people to realize, Like,

1227
01:02:01,720 --> 01:02:05,440
Speaker 1: right now we're literally just selling what we have. Eventually

1228
01:02:05,480 --> 01:02:07,040
Speaker 1: it's going to be the point, well we ain't got

1229
01:02:07,080 --> 01:02:11,560
Speaker 1: no eggs for y'all because now we haven't replaced what

1230
01:02:11,640 --> 01:02:12,120
Speaker 1: we had.

1231
01:02:12,560 --> 01:02:15,479
Speaker 2: Yeah, but that's what the bad guys out here winning.

1232
01:02:15,520 --> 01:02:18,840
Speaker 2: They're stealing eggs and they're selling them. They're probably selling.

1233
01:02:18,560 --> 01:02:21,200
Speaker 3: Them out in their jacket pockets out at the mall.

1234
01:02:21,320 --> 01:02:24,760
Speaker 5: Like because.

1235
01:02:27,040 --> 01:02:30,640
Speaker 4: Because shout out to Keith Blair, because he he gave

1236
01:02:30,800 --> 01:02:34,840
Speaker 4: he gave me a pan recommendation from Amazon that ship

1237
01:02:34,920 --> 01:02:38,120
Speaker 4: still work, and I got one from my mother too.

1238
01:02:38,400 --> 01:02:40,640
Speaker 4: Technically is for me when I go home and I

1239
01:02:40,760 --> 01:02:43,160
Speaker 4: want to make a good omelet. It does not stick.

1240
01:02:43,240 --> 01:02:44,560
Speaker 4: You put that buttering and.

1241
01:02:45,080 --> 01:02:46,000
Speaker 5: What kind of pendies?

1242
01:02:46,040 --> 01:02:49,600
Speaker 3: I'm on, I already had no chest.

1243
01:02:50,320 --> 01:02:53,640
Speaker 4: It's I can, I can. I think I can find

1244
01:02:53,680 --> 01:02:56,640
Speaker 4: it too. Just to let everybody, all of you elite

1245
01:02:56,800 --> 01:03:02,040
Speaker 4: rich people with your eggs, I put it.

1246
01:03:04,040 --> 01:03:04,600
Speaker 3: But it is.

1247
01:03:04,680 --> 01:03:06,680
Speaker 2: It is kind of interesting because I just feel like

1248
01:03:06,960 --> 01:03:09,320
Speaker 2: the second hand egg market about to take off.

1249
01:03:10,400 --> 01:03:12,800
Speaker 3: People about to be buying loose eggs. I think.

1250
01:03:15,360 --> 01:03:17,840
Speaker 2: You're gonna be going to your your local bo dagger, like,

1251
01:03:17,880 --> 01:03:18,880
Speaker 2: let me get two eggs.

1252
01:03:18,920 --> 01:03:24,520
Speaker 4: Bro, they do that. Yeah, they said, that's what they

1253
01:03:24,760 --> 01:03:25,439
Speaker 4: they sell eggs.

1254
01:03:26,200 --> 01:03:26,400
Speaker 6: Yeah.

1255
01:03:26,840 --> 01:03:29,120
Speaker 2: Like like next time you go on the next time

1256
01:03:29,120 --> 01:03:31,160
Speaker 2: you have a date and it's promising, and you get

1257
01:03:31,160 --> 01:03:33,600
Speaker 2: to that second or third date and it's like, look,

1258
01:03:33,640 --> 01:03:35,520
Speaker 2: come over, let me cook for you. If you make

1259
01:03:35,600 --> 01:03:38,720
Speaker 2: him an omelet, like, bro, they gonna they're gonna be

1260
01:03:38,760 --> 01:03:39,960
Speaker 2: like this motherfucker.

1261
01:03:39,960 --> 01:03:41,120
Speaker 3: He got Monday.

1262
01:03:41,720 --> 01:03:46,880
Speaker 2: Okay, this man made me a three eggs omelet. Okay, girl,

1263
01:03:47,120 --> 01:03:49,440
Speaker 2: I didn't know he had it like that. Comedy must

1264
01:03:49,520 --> 01:03:55,600
Speaker 2: be working out, must be nice. If you, uh, you

1265
01:03:55,680 --> 01:03:57,760
Speaker 2: go on a date, you bring a grocery bag with you, like, oh,

1266
01:03:57,800 --> 01:03:59,439
Speaker 2: excuse me, let me put my eggs down.

1267
01:03:59,480 --> 01:04:00,200
Speaker 3: I'm sorry, I.

1268
01:04:00,240 --> 01:04:01,160
Speaker 5: Just had a whole dozen.

1269
01:04:01,280 --> 01:04:03,040
Speaker 4: I'm sorry. Maybe I was.

1270
01:04:03,080 --> 01:04:03,880
Speaker 3: Running a little late.

1271
01:04:03,920 --> 01:04:05,400
Speaker 2: I had to do a little you know, I had

1272
01:04:05,400 --> 01:04:06,840
Speaker 2: to do a little shopping on my way home.

1273
01:04:07,360 --> 01:04:07,560
Speaker 4: Yeah.

1274
01:04:07,640 --> 01:04:10,200
Speaker 3: That doesn't great A yeah, you know, that's just me.

1275
01:04:10,360 --> 01:04:11,040
Speaker 5: That's how I do.

1276
01:04:11,720 --> 01:04:12,800
Speaker 3: That's as you know.

1277
01:04:12,920 --> 01:04:14,920
Speaker 5: I like them. I like them organic because I eat

1278
01:04:14,960 --> 01:04:15,720
Speaker 5: them before they be.

1279
01:04:16,000 --> 01:04:19,000
Speaker 2: They don't spoil on me, and if they do, throw

1280
01:04:19,040 --> 01:04:27,280
Speaker 2: them out because I gotta like that. Ri Ris Gilligan

1281
01:04:27,680 --> 01:04:31,000
Speaker 2: calls for writers to cut back on villain stories amid

1282
01:04:31,040 --> 01:04:34,000
Speaker 2: current political climate. They've become aspirational.

1283
01:04:34,040 --> 01:04:35,440
Speaker 5: He says, I get out of here.

1284
01:04:36,120 --> 01:04:40,919
Speaker 2: Well he made breaking bad better call Saul. I mean,

1285
01:04:41,240 --> 01:04:44,520
Speaker 2: I feel like he uh, he would know. He definitely

1286
01:04:44,600 --> 01:04:48,000
Speaker 2: ushered in an era of bad guys stories, he said,

1287
01:04:49,000 --> 01:04:51,200
Speaker 2: But all things being equal, I think I'd rather be

1288
01:04:51,240 --> 01:04:53,840
Speaker 2: celebrated for creating someone a bit more inspiring. And twenty

1289
01:04:53,880 --> 01:04:55,919
Speaker 2: twenty five is time to say that out loud, because

1290
01:04:55,960 --> 01:04:58,120
Speaker 2: we are living in an era where bad guys the

1291
01:04:58,200 --> 01:05:01,320
Speaker 2: real lifekind are running them up. Bad guys who make

1292
01:05:01,360 --> 01:05:03,520
Speaker 2: their own rules, bad guys who, no matter what they

1293
01:05:03,560 --> 01:05:05,520
Speaker 2: tell you, are only out for themselves. Who am I

1294
01:05:05,520 --> 01:05:08,280
Speaker 2: talking about? Well, this is Hollywood, so guests. But here's

1295
01:05:08,320 --> 01:05:11,800
Speaker 2: the weird irony in our profoundly divided country. Everybody seems

1296
01:05:11,800 --> 01:05:13,960
Speaker 2: agree on one thing. There are too many real life

1297
01:05:13,960 --> 01:05:16,440
Speaker 2: bad guys. It's just we're living in a different reality,

1298
01:05:16,560 --> 01:05:19,080
Speaker 2: so we all got different lists. He added that while

1299
01:05:19,080 --> 01:05:21,120
Speaker 2: he didn't know the solution, he says a writer speaking

1300
01:05:21,160 --> 01:05:23,000
Speaker 2: to a room full of writers, I have a proposal.

1301
01:05:23,080 --> 01:05:25,480
Speaker 2: It certainly won't fix everything, but I think it's a start.

1302
01:05:25,800 --> 01:05:29,280
Speaker 2: I say we write more good guys to big applause.

1303
01:05:30,280 --> 01:05:33,240
Speaker 2: For decades, we've made the villains to sexy, with Darth

1304
01:05:33,280 --> 01:05:36,120
Speaker 2: Vader and Hannibal Lecter as examples. Viewers everywhere, all around

1305
01:05:36,120 --> 01:05:38,880
Speaker 2: the world paid attention. They say, here's this badass I

1306
01:05:38,920 --> 01:05:41,600
Speaker 2: want to be I want to be that cool. When

1307
01:05:41,640 --> 01:05:45,400
Speaker 2: that happens, fictional bad guys stop being precautionary tales that

1308
01:05:45,400 --> 01:05:47,120
Speaker 2: they are intended to be, God help us.

1309
01:05:47,160 --> 01:05:48,520
Speaker 3: They become aspirational.

1310
01:05:53,200 --> 01:05:53,680
Speaker 4: Go ahead.

1311
01:05:53,720 --> 01:05:57,440
Speaker 1: Can I'm saying I'm conflicted because my thing is storytelling.

1312
01:05:57,520 --> 01:06:00,000
Speaker 1: Is storytelling like in my mind, you know, allow them

1313
01:06:00,160 --> 01:06:02,960
Speaker 1: artists to tell the story however they want to tell it,

1314
01:06:03,520 --> 01:06:06,520
Speaker 1: and guess what they have been stories like that, but

1315
01:06:06,600 --> 01:06:08,640
Speaker 1: you know what they do, They overlook them. They don't

1316
01:06:08,640 --> 01:06:11,760
Speaker 1: get green lighted, you know, because people make decisions. Because

1317
01:06:11,800 --> 01:06:16,040
Speaker 1: I'm pretty sure what he's demanding has been pitched, has

1318
01:06:16,120 --> 01:06:19,320
Speaker 1: been at some executive dance. Like all the years people

1319
01:06:19,360 --> 01:06:21,560
Speaker 1: have been writing, nobody is doing what he said.

1320
01:06:21,640 --> 01:06:22,640
Speaker 5: I I think he is.

1321
01:06:22,800 --> 01:06:24,920
Speaker 2: So he's winning an award and he's given a speech

1322
01:06:25,360 --> 01:06:27,680
Speaker 2: after winning an award, and you know, he's using it

1323
01:06:27,720 --> 01:06:30,600
Speaker 2: to inspire people, and I think what he's saying, I.

1324
01:06:30,560 --> 01:06:32,240
Speaker 3: Think there's a validity to what he's saying.

1325
01:06:32,400 --> 01:06:36,680
Speaker 2: I think people like Tony Soprano, people like you know,

1326
01:06:37,320 --> 01:06:43,120
Speaker 2: a dude from Breaking Bad Walk, even the Boys, a

1327
01:06:43,160 --> 01:06:45,960
Speaker 2: lot of this stuff, and it has become like a

1328
01:06:46,000 --> 01:06:52,360
Speaker 2: deluge of bad guy content, Okay, you know power, you know, Uh,

1329
01:06:52,400 --> 01:06:55,240
Speaker 2: there's just so there's so much at this point that

1330
01:06:55,800 --> 01:06:59,240
Speaker 2: it's almost cliche that the protagonist is the bad guy,

1331
01:06:59,440 --> 01:07:01,520
Speaker 2: you know, in the its own way Righteous Gemstones, which

1332
01:07:01,560 --> 01:07:03,800
Speaker 2: is amazing show, one of my favorite shows, but the

1333
01:07:03,880 --> 01:07:08,600
Speaker 2: bad guys are the protagonists of these shows. And I

1334
01:07:08,640 --> 01:07:12,920
Speaker 2: can understand why he's saying, like, maybe it's gone too

1335
01:07:12,960 --> 01:07:15,920
Speaker 2: far in this direction now because so much of the

1336
01:07:16,000 --> 01:07:20,000
Speaker 2: content is that to the point where even our heroes

1337
01:07:20,080 --> 01:07:22,600
Speaker 2: are bad guys. Like I would say the Snyder era

1338
01:07:22,800 --> 01:07:25,680
Speaker 2: was very much heroes are kind of bad guys. Yeah,

1339
01:07:25,720 --> 01:07:30,760
Speaker 2: you know, and it starts to corrupt the narratives of

1340
01:07:30,840 --> 01:07:33,560
Speaker 2: good and bad, and it does become a bit aspirational,

1341
01:07:33,800 --> 01:07:37,160
Speaker 2: you know, it does become like, how many people have

1342
01:07:37,200 --> 01:07:39,080
Speaker 2: breaking bad shirts and it's got Walt on it.

1343
01:07:39,320 --> 01:07:41,400
Speaker 3: How many people hate Walt's wife.

1344
01:07:41,560 --> 01:07:45,120
Speaker 2: Because she was the one going, I didn't marry a

1345
01:07:45,120 --> 01:07:48,680
Speaker 2: fucking drug dealer, and I don't think this is okay

1346
01:07:48,720 --> 01:07:51,120
Speaker 2: that you're out here selling meth to the community and

1347
01:07:51,240 --> 01:07:53,120
Speaker 2: hiding it from me, and people are like, God, I

1348
01:07:53,160 --> 01:07:56,680
Speaker 2: hate that bitch Skylar to this day, like it does

1349
01:07:56,800 --> 01:08:00,720
Speaker 2: you know how many people hate it Melo Soprano Tony Sopranos'

1350
01:08:00,720 --> 01:08:03,440
Speaker 2: wife where they're like, this bitch won't even let him

1351
01:08:03,560 --> 01:08:07,960
Speaker 2: just like fuck side chicks and kill people on the weekends.

1352
01:08:07,680 --> 01:08:10,280
Speaker 2: What's wrong with her? And now she wants having affair.

1353
01:08:10,440 --> 01:08:13,240
Speaker 2: Jesus Christ, She's the worst. So I do think there

1354
01:08:13,360 --> 01:08:18,400
Speaker 2: is something to it where it went from a like

1355
01:08:18,520 --> 01:08:21,639
Speaker 2: fifty to fifty thing. They're like so overrepresented with the

1356
01:08:21,640 --> 01:08:24,240
Speaker 2: negative with the bad guy as the protagonist stories.

1357
01:08:25,560 --> 01:08:32,040
Speaker 4: Yeah, I think you're right. I mean Tony's Tony Styles said, yeah,

1358
01:08:32,120 --> 01:08:37,919
Speaker 4: folks don't find Ataicus Finch engaging. That's a good that's funny,

1359
01:08:37,960 --> 01:08:40,920
Speaker 4: Like I think you speak to it. It's kind of

1360
01:08:41,040 --> 01:08:44,800
Speaker 4: I felt like it started in nineteen ninety nine when

1361
01:08:44,840 --> 01:08:48,360
Speaker 4: The Sopranos came out and when this Mel Gibson movie

1362
01:08:48,520 --> 01:08:52,280
Speaker 4: called Payback came out, and I remember the articles being

1363
01:08:52,280 --> 01:08:55,160
Speaker 4: written about it, and it was just like the bad guy.

1364
01:08:55,320 --> 01:08:58,920
Speaker 4: What makes this guy? He's complex, he's this, he's that,

1365
01:08:59,280 --> 01:09:02,960
Speaker 4: all of these anti heroes, and that's been twenty six years.

1366
01:09:03,040 --> 01:09:07,000
Speaker 4: For twenty six years, like we've heralded all of these people,

1367
01:09:07,960 --> 01:09:10,320
Speaker 4: Maybe it is time to do that. And and Vince

1368
01:09:10,360 --> 01:09:15,040
Speaker 4: Gilligan always seemed to me to be like from interviews

1369
01:09:15,080 --> 01:09:18,520
Speaker 4: and just listening to him talk, seems like a relatively

1370
01:09:18,680 --> 01:09:22,799
Speaker 4: righteous dude. And the if you look at what happened

1371
01:09:22,840 --> 01:09:26,360
Speaker 4: to Walter White, you look at what happened to Uh

1372
01:09:27,880 --> 01:09:30,680
Speaker 4: Saul h and it didn't end with And it's like

1373
01:09:30,720 --> 01:09:35,519
Speaker 4: how Denzel feels about like Alonso from a training day

1374
01:09:35,560 --> 01:09:38,360
Speaker 4: where he wrote on the script the Wages of Sin

1375
01:09:38,680 --> 01:09:42,200
Speaker 4: is death right, where this guy has to have his

1376
01:09:43,000 --> 01:09:47,800
Speaker 4: come uppance or as as gregarious and as amazing as

1377
01:09:47,840 --> 01:09:52,599
Speaker 4: that character was, he had he had his downfall. So yeah,

1378
01:09:52,600 --> 01:09:56,559
Speaker 4: I mean, I think I think that is that is

1379
01:09:56,640 --> 01:10:00,720
Speaker 4: interesting and and I think the puzzle to figure out

1380
01:10:00,800 --> 01:10:05,559
Speaker 4: is how to make that Atticus Finch type guy interesting.

1381
01:10:05,840 --> 01:10:12,000
Speaker 4: Atticus Finch was a good dude, and you you know,

1382
01:10:12,160 --> 01:10:14,960
Speaker 4: you can you can always pick apart. You can pick

1383
01:10:15,000 --> 01:10:18,439
Speaker 4: apart a great piece of work like h to Kill

1384
01:10:18,479 --> 01:10:22,360
Speaker 4: a Mockingbird and the person who wrote it didn't seem

1385
01:10:22,400 --> 01:10:25,479
Speaker 4: to like black people. So it's like you could easily

1386
01:10:25,479 --> 01:10:28,080
Speaker 4: pick that apart, and there's things you could do, But yeah,

1387
01:10:28,240 --> 01:10:32,280
Speaker 4: you can make these people interesting. And I thought one

1388
01:10:32,280 --> 01:10:36,479
Speaker 4: of my favorite shows, Mayor of Easttown that Kate wins

1389
01:10:36,520 --> 01:10:41,160
Speaker 4: the character was great. She was flawed, she did some

1390
01:10:41,800 --> 01:10:44,960
Speaker 4: she bent the law, and as a person, you know,

1391
01:10:45,160 --> 01:10:47,519
Speaker 4: you could easily try to say something like that might

1392
01:10:47,560 --> 01:10:51,880
Speaker 4: be compaganda off off of like a a on a

1393
01:10:51,920 --> 01:10:54,960
Speaker 4: macro level, but you look at this woman who's trying,

1394
01:10:54,960 --> 01:10:56,240
Speaker 4: who's troubled.

1395
01:10:56,240 --> 01:11:00,680
Speaker 2: And mean, but also like like not to let the like,

1396
01:11:00,760 --> 01:11:02,640
Speaker 2: let's not let the voices from the internet end on

1397
01:11:02,680 --> 01:11:06,000
Speaker 2: the conversation, because like nobody here would think, oh you

1398
01:11:06,080 --> 01:11:09,080
Speaker 2: mean that copaganda, like some asshole would say that on Twitter,

1399
01:11:09,120 --> 01:11:12,760
Speaker 2: But in real life, people want if my loved one

1400
01:11:12,760 --> 01:11:14,960
Speaker 2: gets killed and the police are investigating, I would like

1401
01:11:15,000 --> 01:11:16,920
Speaker 2: them to find out who fucking did it. I'm not

1402
01:11:16,960 --> 01:11:19,560
Speaker 2: gonna be like this is copaghanda right and then and

1403
01:11:19,960 --> 01:11:23,320
Speaker 2: this art reflects that in that And I love the

1404
01:11:23,360 --> 01:11:26,639
Speaker 2: point you made, which is even our traditional good guys

1405
01:11:26,760 --> 01:11:27,840
Speaker 2: can be complicated.

1406
01:11:27,840 --> 01:11:29,439
Speaker 3: They can have moral gray areas.

1407
01:11:29,560 --> 01:11:32,080
Speaker 2: So it's not like a having a good guy or

1408
01:11:32,120 --> 01:11:34,439
Speaker 2: a person who is trying to do the right thing

1409
01:11:35,040 --> 01:11:39,559
Speaker 2: is necessarily making something bad or cliche. Much of much

1410
01:11:39,560 --> 01:11:42,320
Speaker 2: of the art that we think is great, you know,

1411
01:11:42,360 --> 01:11:45,200
Speaker 2: a lot of MCU stuff is like shades of gray

1412
01:11:45,240 --> 01:11:48,160
Speaker 2: and these heroes, but they're trying to be heroes as

1413
01:11:48,160 --> 01:11:52,479
Speaker 2: opposed to these shows that the protagonist is trying to

1414
01:11:52,520 --> 01:11:55,080
Speaker 2: be a bad person. It's like, how can we watch

1415
01:11:55,160 --> 01:11:57,960
Speaker 2: this bad person win and get away with it? Which

1416
01:11:58,040 --> 01:12:00,519
Speaker 2: is mostly what people are rooting for or is like

1417
01:12:01,160 --> 01:12:03,480
Speaker 2: because it's because if you present them as the protagonists

1418
01:12:03,479 --> 01:12:05,639
Speaker 2: and you make all their needs the needs of what

1419
01:12:06,040 --> 01:12:09,120
Speaker 2: the audience views the show through, you end up rooting

1420
01:12:09,160 --> 01:12:11,680
Speaker 2: for the bad guy. I know because I came into

1421
01:12:11,720 --> 01:12:14,719
Speaker 2: Breaking Bad late and was like I binged it until

1422
01:12:14,720 --> 01:12:17,559
Speaker 2: the last episode and was like, man, I don't know,

1423
01:12:17,640 --> 01:12:19,240
Speaker 2: I kind of want him to die. And everybody's like,

1424
01:12:19,280 --> 01:12:20,640
Speaker 2: what you want them to die? And I was like, oh,

1425
01:12:20,680 --> 01:12:23,960
Speaker 2: I haven't been exposed to like eight years of you

1426
01:12:24,040 --> 01:12:26,920
Speaker 2: guys watching this hour at a time and then doing

1427
01:12:26,960 --> 01:12:29,599
Speaker 2: podcasts and shit, I haven't been exposed to that. I'm

1428
01:12:29,640 --> 01:12:32,559
Speaker 2: just watching a dude who went from a fucking science

1429
01:12:32,600 --> 01:12:36,439
Speaker 2: teacher to his pride leading to the destruction of his

1430
01:12:36,520 --> 01:12:39,840
Speaker 2: family and everything. He's a piece of shit. But most

1431
01:12:39,880 --> 01:12:42,000
Speaker 2: people would not agree with me. If they watch they'd

1432
01:12:42,040 --> 01:12:44,240
Speaker 2: be like, no, fuck you, wall is right, fuck his

1433
01:12:44,360 --> 01:12:45,360
Speaker 2: family and.

1434
01:12:45,600 --> 01:12:46,320
Speaker 5: And all that shit.

1435
01:12:46,400 --> 01:12:49,040
Speaker 2: So it is something and that's one of the if

1436
01:12:49,080 --> 01:12:51,320
Speaker 2: you put that on that on the hierarchy of shows,

1437
01:12:51,560 --> 01:12:54,200
Speaker 2: Breaking Bads near the top of like what are the

1438
01:12:54,240 --> 01:12:55,120
Speaker 2: best shows.

1439
01:12:54,840 --> 01:12:55,479
Speaker 3: Of all times?

1440
01:12:55,520 --> 01:12:58,240
Speaker 2: So it's not like some like this had no cultural

1441
01:12:58,280 --> 01:13:01,479
Speaker 2: impact and Vince Gilligan made that shit. I think he

1442
01:13:01,560 --> 01:13:05,560
Speaker 2: has at least an opinion worth considering.

1443
01:13:06,640 --> 01:13:11,280
Speaker 1: I agree, and like I said, as far as the

1444
01:13:11,400 --> 01:13:16,479
Speaker 1: course correction, yes, I think from my perspective is what

1445
01:13:16,560 --> 01:13:19,120
Speaker 1: does the audience want? Because you can make these things,

1446
01:13:19,160 --> 01:13:21,160
Speaker 1: but it's going to be up to the audience to

1447
01:13:21,240 --> 01:13:22,599
Speaker 1: determine if they.

1448
01:13:22,680 --> 01:13:24,559
Speaker 3: You know what the audience doesn't.

1449
01:13:24,680 --> 01:13:28,120
Speaker 2: The audience often does not know what they want until

1450
01:13:28,120 --> 01:13:31,840
Speaker 2: they get it agreed. Like it's like how people talk

1451
01:13:31,880 --> 01:13:33,439
Speaker 2: about the NBA All Star Game.

1452
01:13:34,760 --> 01:13:35,240
Speaker 3: Every year.

1453
01:13:35,280 --> 01:13:37,439
Speaker 2: They hate the NBA All Star Game, they hate All

1454
01:13:37,439 --> 01:13:41,280
Speaker 2: Star Weekend every year. Every year the NBA All Star

1455
01:13:41,360 --> 01:13:44,000
Speaker 2: Game makes changes, all Star Weekend makes changes.

1456
01:13:44,000 --> 01:13:46,439
Speaker 5: They tweak it consistently, and you know what those changes are.

1457
01:13:46,800 --> 01:13:49,000
Speaker 2: They're what people were mad about last year, yes, sir,

1458
01:13:49,040 --> 01:13:51,599
Speaker 2: and guess what, they still don't want it. So at

1459
01:13:51,640 --> 01:13:53,519
Speaker 2: some point it's like they don't know what the fuck

1460
01:13:53,520 --> 01:13:56,800
Speaker 2: they're talking about. Everything you said that would fix it

1461
01:13:56,920 --> 01:13:59,240
Speaker 2: they start doing, and then you go, this shit sucks.

1462
01:14:00,080 --> 01:14:00,639
Speaker 3: You don't know.

1463
01:14:00,760 --> 01:14:03,080
Speaker 2: And then there's times where like they do some shit

1464
01:14:03,160 --> 01:14:05,040
Speaker 2: that you think wouldn't work, like when they did the

1465
01:14:05,160 --> 01:14:07,599
Speaker 2: nd Season Tournament, everybody was like, who the fuck asked

1466
01:14:07,640 --> 01:14:10,160
Speaker 2: for this? And then it was a smashing success and

1467
01:14:10,200 --> 01:14:15,240
Speaker 2: everybody loved it. Audiences don't always know, and you can't

1468
01:14:15,280 --> 01:14:21,360
Speaker 2: just like leadership, inspiration, writing and creativity is not always

1469
01:14:21,400 --> 01:14:24,639
Speaker 2: about let's just feed the audience. I actually think that's

1470
01:14:24,680 --> 01:14:27,639
Speaker 2: what got us in a lot of trouble with social media. Okay,

1471
01:14:27,840 --> 01:14:34,360
Speaker 2: what social media does is it measures your innate, unnguarded

1472
01:14:34,520 --> 01:14:38,439
Speaker 2: ability to process. So what it says is like you're

1473
01:14:38,479 --> 01:14:42,280
Speaker 2: scrolling on your timeline. You say, if I asked sat

1474
01:14:42,320 --> 01:14:44,000
Speaker 2: down with you, I sat down with Chris and said,

1475
01:14:44,000 --> 01:14:45,559
Speaker 2: what do y'all want to see on your timeline?

1476
01:14:45,600 --> 01:14:48,639
Speaker 3: You say, I want to see positive things, jokes, my friends,

1477
01:14:48,680 --> 01:14:49,320
Speaker 3: cat memes.

1478
01:14:49,520 --> 01:14:52,680
Speaker 2: It's like cool, But I noticed that you stopped four

1479
01:14:52,680 --> 01:14:55,519
Speaker 2: point three seconds when I showed you a picture of

1480
01:14:55,560 --> 01:14:57,679
Speaker 2: a when I showed you a video of a woman

1481
01:14:57,840 --> 01:15:01,639
Speaker 2: on fire on the subway. So I'm not measuring what

1482
01:15:01,680 --> 01:15:04,080
Speaker 2: you what your better angels say, what you tell me

1483
01:15:04,080 --> 01:15:08,080
Speaker 2: you want. I'm measuring your naked ability to stop when

1484
01:15:08,120 --> 01:15:08,679
Speaker 2: you see.

1485
01:15:10,520 --> 01:15:14,400
Speaker 3: And I'm going to feed that. And because you will watch.

1486
01:15:14,160 --> 01:15:17,840
Speaker 2: It, And so I think someone like Vince Gilligan is

1487
01:15:17,840 --> 01:15:22,400
Speaker 2: saying just because people will watch it, just because some

1488
01:15:22,479 --> 01:15:27,040
Speaker 2: of these things will be successful, it does. We are storytellers,

1489
01:15:27,080 --> 01:15:30,160
Speaker 2: we are shepherds of society. It does at some point

1490
01:15:30,280 --> 01:15:32,599
Speaker 2: have an impact on our society. And when we look

1491
01:15:32,680 --> 01:15:36,720
Speaker 2: around and see Donald Trump being spun as like a

1492
01:15:36,840 --> 01:15:39,880
Speaker 2: not as like a anti hero, when he's just a

1493
01:15:39,920 --> 01:15:42,920
Speaker 2: bad guy, right, you have to feel some measure of

1494
01:15:43,000 --> 01:15:46,280
Speaker 2: responsibility about the stories we're telling and what we're allowing

1495
01:15:46,320 --> 01:15:50,479
Speaker 2: to happen. So I can understand like there is a

1496
01:15:50,560 --> 01:15:53,320
Speaker 2: responsibility with the I think with the platform. If I

1497
01:15:53,479 --> 01:15:55,519
Speaker 2: didn't believe that this show would just be us talking

1498
01:15:55,560 --> 01:15:59,200
Speaker 2: about black men versus black women and you know, and

1499
01:15:59,360 --> 01:16:01,559
Speaker 2: whatever at the fuck else gets people to stop on

1500
01:16:01,600 --> 01:16:04,519
Speaker 2: a podcast and and and stay even if they hate

1501
01:16:04,560 --> 01:16:04,920
Speaker 2: the show.

1502
01:16:05,160 --> 01:16:06,320
Speaker 3: We'd be talking about you.

1503
01:16:06,240 --> 01:16:09,519
Speaker 2: Know, hip hop and and and I'd be like arguing

1504
01:16:09,560 --> 01:16:12,240
Speaker 2: with you every day and disrespecting you just because like, hey,

1505
01:16:12,280 --> 01:16:14,760
Speaker 2: that's what people want to see. It can't always be

1506
01:16:14,800 --> 01:16:16,200
Speaker 2: about what they want to see. And I think Viz

1507
01:16:16,200 --> 01:16:17,280
Speaker 2: Gillingen made a great point.

1508
01:16:18,280 --> 01:16:21,800
Speaker 4: Yeah, I agree. Yeah, it's I think like even for me,

1509
01:16:22,040 --> 01:16:24,960
Speaker 4: Like the thing that I like more is are those

1510
01:16:25,080 --> 01:16:28,760
Speaker 4: like Cops shows where I think the BBC does it

1511
01:16:28,880 --> 01:16:33,200
Speaker 4: better better than most where it's like those those Cops

1512
01:16:33,240 --> 01:16:35,760
Speaker 4: shows where it's like a flawed character that's trying to

1513
01:16:36,280 --> 01:16:38,400
Speaker 4: do right. Their wife won't talk to them, the kid

1514
01:16:38,479 --> 01:16:41,000
Speaker 4: don't like them. But I'm a good detective and I'm

1515
01:16:41,000 --> 01:16:43,880
Speaker 4: gonna find a guy who the serial killer that's killing

1516
01:16:43,880 --> 01:16:47,599
Speaker 4: these kids, right, So it's like you and that's that's

1517
01:16:47,640 --> 01:16:49,920
Speaker 4: what makes that stuff interesting. And I first got introduced

1518
01:16:50,000 --> 01:16:55,200
Speaker 4: to that with Luther, where it's like, you know, Idris Elba,

1519
01:16:55,360 --> 01:16:59,160
Speaker 4: this amazing actor. It's just like it's great, you know.

1520
01:16:59,400 --> 01:17:02,200
Speaker 4: So yeah, I think if we balance that out.

1521
01:17:02,200 --> 01:17:04,839
Speaker 2: Now that being said, the call is coming from inside

1522
01:17:04,840 --> 01:17:07,040
Speaker 2: the house, Vince, you gotta you gotta do it from

1523
01:17:07,120 --> 01:17:11,599
Speaker 2: y because Vince Vince be making some villainous ass main

1524
01:17:11,920 --> 01:17:13,440
Speaker 2: sexy main characters.

1525
01:17:13,960 --> 01:17:16,519
Speaker 3: And uh, I guess his next project he's working on.

1526
01:17:16,760 --> 01:17:19,920
Speaker 2: I think it's gonna have him from Better Call Saul

1527
01:17:20,040 --> 01:17:22,240
Speaker 2: in it. And I think it's about her being like

1528
01:17:22,280 --> 01:17:23,719
Speaker 2: a law person or something, so.

1529
01:17:23,680 --> 01:17:25,559
Speaker 3: Hopefully it will be.

1530
01:17:26,320 --> 01:17:29,160
Speaker 2: Maybe that's just another way of promoting his change that

1531
01:17:29,200 --> 01:17:32,080
Speaker 2: he's trying to make to something else, but yeah.

1532
01:17:31,880 --> 01:17:34,880
Speaker 3: I would like to see I think I just think that.

1533
01:17:34,920 --> 01:17:37,200
Speaker 2: It's worth considering. I don't have any solutions. I don't

1534
01:17:37,240 --> 01:17:41,439
Speaker 2: think this solves anything, but I think over time we

1535
01:17:41,479 --> 01:17:44,640
Speaker 2: have sort of like made the good guy into like

1536
01:17:44,920 --> 01:17:49,240
Speaker 2: the corny bullshit of t of TV and and and

1537
01:17:49,240 --> 01:17:54,080
Speaker 2: and narratives. We need those, we need we need them,

1538
01:17:54,080 --> 01:17:57,400
Speaker 2: and we need them to kind of like be complex

1539
01:17:57,520 --> 01:18:01,439
Speaker 2: and bad ass too, as opposed to just always you know,

1540
01:18:02,120 --> 01:18:03,360
Speaker 2: like we're rooting for Darth Vader.

1541
01:18:03,439 --> 01:18:06,760
Speaker 1: Yeah, and also they need to stand up when everybody

1542
01:18:06,800 --> 01:18:09,360
Speaker 1: else is against them like that like that, and I

1543
01:18:09,400 --> 01:18:16,200
Speaker 1: think that that's a lesson that Okay, you're solidifying by opinion,

1544
01:18:16,240 --> 01:18:17,519
Speaker 1: because I said, I was kind of in the middle,

1545
01:18:17,560 --> 01:18:19,639
Speaker 1: But now I understand what you're saying. You need bad

1546
01:18:19,880 --> 01:18:23,160
Speaker 1: I mean, you need good guys to solidify standing up

1547
01:18:23,160 --> 01:18:27,799
Speaker 1: against bad people, right because like those people have literally disappeared,

1548
01:18:27,800 --> 01:18:30,760
Speaker 1: they've been silenced. So if you think about it on

1549
01:18:30,880 --> 01:18:33,240
Speaker 1: like a less of an entertainment, but more on a

1550
01:18:33,240 --> 01:18:36,160
Speaker 1: deeper level, this is how you get Donald Trump coming

1551
01:18:36,200 --> 01:18:39,879
Speaker 1: too power and people that are quote unquote good silence,

1552
01:18:40,080 --> 01:18:43,559
Speaker 1: not saying anything, doing everything, but actually fighting. And so

1553
01:18:43,680 --> 01:18:46,720
Speaker 1: you need a representation of the people that goes no,

1554
01:18:47,240 --> 01:18:49,760
Speaker 1: I am going to fight against the dark side. Know

1555
01:18:50,320 --> 01:18:53,280
Speaker 1: what you're doing is wrong, and I will not stand

1556
01:18:53,320 --> 01:18:57,559
Speaker 1: for this. More of a revolutionary type of thing. You know,

1557
01:18:57,640 --> 01:19:00,639
Speaker 1: a lot of revolution stuff have kind of being lost.

1558
01:19:00,680 --> 01:19:03,599
Speaker 3: You know, it's just like this last election.

1559
01:19:04,640 --> 01:19:07,840
Speaker 2: I think a lot of Trump's support is that they're

1560
01:19:07,920 --> 01:19:11,160
Speaker 2: rooting for the bad guy. Like that's why you can't

1561
01:19:11,200 --> 01:19:13,320
Speaker 2: shock them out of it. That's why you can't say, well,

1562
01:19:13,320 --> 01:19:14,120
Speaker 2: he's a racist.

1563
01:19:14,280 --> 01:19:17,760
Speaker 3: They don't care, Like that's not a deal breaking to him.

1564
01:19:17,760 --> 01:19:20,919
Speaker 2: He's a rapist. I don't care that. I I don't

1565
01:19:20,960 --> 01:19:23,360
Speaker 2: like you're not telling a matter of fact. Fuck you

1566
01:19:23,439 --> 01:19:26,559
Speaker 2: for thinking you can shut him down, like and so

1567
01:19:26,640 --> 01:19:29,040
Speaker 2: that it does have something in it. And I'm sure

1568
01:19:29,080 --> 01:19:33,320
Speaker 2: that especially someone like Gilligan, whose work has become synonymous

1569
01:19:33,360 --> 01:19:36,479
Speaker 2: with like that archetype of a character. And I'm sure

1570
01:19:36,520 --> 01:19:38,880
Speaker 2: when he sees like Wall on a T shirt at

1571
01:19:38,880 --> 01:19:41,400
Speaker 2: this point, it's kind of fucking him up, Like, no,

1572
01:19:41,640 --> 01:19:44,240
Speaker 2: that's not The goal was not to make you be like,

1573
01:19:45,040 --> 01:19:45,880
Speaker 2: this guy is right.

1574
01:19:45,960 --> 01:19:47,840
Speaker 5: I know he like y'all do know he died at

1575
01:19:47,880 --> 01:19:49,280
Speaker 5: the end, like like.

1576
01:19:49,479 --> 01:19:51,880
Speaker 2: I still remember that he was surprised a bit by

1577
01:19:51,920 --> 01:19:54,960
Speaker 2: the response to Skylar, Like I remember him being interviewed

1578
01:19:54,960 --> 01:19:56,640
Speaker 2: by because I wouldn't look that ship up because I

1579
01:19:56,680 --> 01:19:57,600
Speaker 2: was like, everybody.

1580
01:19:57,280 --> 01:19:59,280
Speaker 3: Was like, you gonna hate Skylar, You're gonna hate Schylar.

1581
01:19:59,520 --> 01:20:01,400
Speaker 2: But because I binged it, she just looked like a

1582
01:20:01,439 --> 01:20:03,360
Speaker 2: motherfucker that was right and needed to get the fuck

1583
01:20:03,360 --> 01:20:06,320
Speaker 2: out of her marriage, like she just like because he

1584
01:20:06,479 --> 01:20:08,880
Speaker 2: just kept doing fuck shit. It was like like and

1585
01:20:09,160 --> 01:20:12,240
Speaker 2: and I remember telling people like, so, y'all think I

1586
01:20:12,280 --> 01:20:15,920
Speaker 2: would be crazy if my wife started selling meth and

1587
01:20:16,400 --> 01:20:19,360
Speaker 2: like she just I found out. She just stopped going

1588
01:20:19,400 --> 01:20:23,240
Speaker 2: to work. She had a burner phone, she was not

1589
01:20:23,400 --> 01:20:26,720
Speaker 2: coming home late at night. She came home bloodied and

1590
01:20:26,800 --> 01:20:29,920
Speaker 2: bruised at times. And when I finally confronted about it,

1591
01:20:30,000 --> 01:20:32,160
Speaker 2: she cussed me out and said, I am the danger.

1592
01:20:32,840 --> 01:20:34,679
Speaker 3: Y'all would be like you a bitch believing.

1593
01:20:35,200 --> 01:20:37,120
Speaker 2: Hey man, I don't know what to tell y'all, but

1594
01:20:37,160 --> 01:20:38,680
Speaker 2: that don't seem logical to me.

1595
01:20:38,920 --> 01:20:41,160
Speaker 5: That don't make sense, Like I don't understand.

1596
01:20:41,360 --> 01:20:43,679
Speaker 2: Yeah, I know she a white lady, but damn nigga,

1597
01:20:43,760 --> 01:20:45,880
Speaker 2: Like I don't hate white women that much that I'm like,

1598
01:20:46,360 --> 01:20:48,040
Speaker 2: your dumb bitch, you need to stay there.

1599
01:20:47,960 --> 01:20:49,160
Speaker 3: And get killed by the Mexican.

1600
01:20:49,240 --> 01:20:51,040
Speaker 5: Now, I'm like, run, bitch, rhyme.

1601
01:20:51,640 --> 01:20:58,479
Speaker 3: Right. But anyway, she tried to that's shit. That's that's

1602
01:20:58,520 --> 01:20:59,400
Speaker 3: that's barely it.

1603
01:20:59,439 --> 01:21:02,600
Speaker 4: That's but Carmela Carmela tried. I think, Yeah, I know

1604
01:21:02,680 --> 01:21:06,160
Speaker 4: I didn't. I don't think I ever. Yeah, I think

1605
01:21:06,200 --> 01:21:09,120
Speaker 4: it's just there wasn't much internet back in ninety nine.

1606
01:21:09,360 --> 01:21:10,519
Speaker 3: Well, let me tell you this.

1607
01:21:10,520 --> 01:21:13,400
Speaker 2: This is what I always found interesting about that for

1608
01:21:13,479 --> 01:21:19,160
Speaker 2: the bad guy, we watched him literally murder people and

1609
01:21:19,320 --> 01:21:23,559
Speaker 2: making an equivalent level of like his wife is also

1610
01:21:23,600 --> 01:21:29,760
Speaker 2: a problem. Is she finally, after years of non affection, noncommunication,

1611
01:21:30,040 --> 01:21:33,360
Speaker 2: being iced out of this man's life, some fire motherfucker

1612
01:21:33,400 --> 01:21:37,920
Speaker 2: or some dude was like, I'm interested in you, and

1613
01:21:38,000 --> 01:21:42,280
Speaker 2: she's succumbed to temptation or even considered it in some cases, right,

1614
01:21:42,680 --> 01:21:43,280
Speaker 2: And we're like.

1615
01:21:44,400 --> 01:21:46,439
Speaker 3: This, this trifling, treacherous bitch.

1616
01:21:46,760 --> 01:21:48,760
Speaker 2: I can't believe she would do him like that. Like

1617
01:21:48,800 --> 01:21:51,240
Speaker 2: that tells you a lot about misogyny that.

1618
01:21:52,200 --> 01:21:53,759
Speaker 4: It's definitely a false equivalent.

1619
01:21:53,840 --> 01:21:54,800
Speaker 5: Yes it is.

1620
01:21:55,000 --> 01:21:58,320
Speaker 4: It's just like it's just like, uh, yeah, this guy's

1621
01:21:58,360 --> 01:22:00,880
Speaker 4: an asshole, so you kind of reap what you sow.

1622
01:22:01,120 --> 01:22:03,960
Speaker 2: But it's like, and we watched Tony Fu strippers and

1623
01:22:04,000 --> 01:22:06,799
Speaker 2: Ship the whole time, by the way, so like people

1624
01:22:06,960 --> 01:22:10,639
Speaker 2: people still remember that Carmelo slept with somebody and they're like,

1625
01:22:10,640 --> 01:22:12,280
Speaker 2: like someone the chat like she did with a j

1626
01:22:12,400 --> 01:22:15,400
Speaker 2: goddess counsel. I'm like, and we watched Tony fuck strippers

1627
01:22:15,400 --> 01:22:19,040
Speaker 2: from the from the from the club day one. It's like, yeah,

1628
01:22:19,080 --> 01:22:20,600
Speaker 2: but that bit shouldn't have been cheating. I don't know

1629
01:22:20,600 --> 01:22:23,120
Speaker 2: what she was thinking, Like, it's crazy. Anyway, let's move

1630
01:22:23,160 --> 01:22:26,479
Speaker 2: into a different segment. I'll see we're coming up to

1631
01:22:26,479 --> 01:22:28,760
Speaker 2: about an hour and a half, so let's do a

1632
01:22:28,760 --> 01:22:29,400
Speaker 2: little bit of.

1633
01:22:31,000 --> 01:22:32,400
Speaker 3: Let's see we got Chris on.

1634
01:22:32,479 --> 01:22:48,599
Speaker 7: Let's do some white people Yes, doing that?

1635
01:22:56,439 --> 01:22:58,920
Speaker 2: All right, white people news.

1636
01:22:59,080 --> 01:22:59,719
Speaker 3: It's official.

1637
01:22:59,760 --> 01:23:06,280
Speaker 2: Every body being aflac Affleck and Jal are divorced and single.

1638
01:23:07,280 --> 01:23:09,759
Speaker 5: Okay, so it's the officially official.

1639
01:23:09,800 --> 01:23:13,439
Speaker 2: Now, okay, how are we feeling? You're gonna be all right?

1640
01:23:14,000 --> 01:23:14,760
Speaker 3: Everybody good?

1641
01:23:14,920 --> 01:23:16,120
Speaker 5: I think I'm gonna be just fine.

1642
01:23:16,280 --> 01:23:18,200
Speaker 2: Okay. Karen's fine, She's already over it.

1643
01:23:18,400 --> 01:23:18,759
Speaker 3: Okay.

1644
01:23:19,800 --> 01:23:20,040
Speaker 5: Uh.

1645
01:23:20,160 --> 01:23:23,800
Speaker 2: Yeah. It was approved on January sixth, and it tooke

1646
01:23:23,840 --> 01:23:29,240
Speaker 2: effect February twenty first. So there you guys go. It's

1647
01:23:29,280 --> 01:23:31,960
Speaker 2: a two year marriage and it has now been dissolved.

1648
01:23:32,920 --> 01:23:33,360
Speaker 5: Uh.

1649
01:23:33,479 --> 01:23:36,360
Speaker 3: You know, you hate to see it, but it made sense.

1650
01:23:39,320 --> 01:23:44,680
Speaker 2: Rory Feak's daughter Hoppy or maybe Hopey, reveals he is

1651
01:23:44,720 --> 01:23:48,360
Speaker 2: not her biological dad, slams country singer for shame and

1652
01:23:48,439 --> 01:23:51,360
Speaker 2: mom disappointing Chris, you know any.

1653
01:23:51,240 --> 01:23:51,679
Speaker 5: Of these people?

1654
01:23:52,960 --> 01:23:54,960
Speaker 4: No, I have to see pictures. I don't I don't

1655
01:23:54,960 --> 01:23:55,719
Speaker 4: know these white people.

1656
01:23:55,880 --> 01:23:56,599
Speaker 2: Yeah, I don't know.

1657
01:23:56,680 --> 01:23:59,599
Speaker 4: This is just like the actors.

1658
01:23:59,640 --> 01:24:02,400
Speaker 3: Right, this is elite, She said. He's a country singer.

1659
01:24:04,520 --> 01:24:08,240
Speaker 2: Days after revealing that country singer Rory Fleet Rory Feak

1660
01:24:08,880 --> 01:24:13,200
Speaker 2: is not her biological father, Hopey Feak, who was raised

1661
01:24:13,200 --> 01:24:15,759
Speaker 2: by the Stars. Weighing in on the public response, Hopey

1662
01:24:15,840 --> 01:24:19,400
Speaker 2: thirty six wrote on Instagram February eleventh that she was

1663
01:24:19,439 --> 01:24:22,320
Speaker 2: extremely disappointed by a blog post shared earlier that day

1664
01:24:22,320 --> 01:24:25,600
Speaker 2: by Rory, in which he shared personal details of the

1665
01:24:25,600 --> 01:24:28,280
Speaker 2: family's history, including those of her mother, who was previously

1666
01:24:28,280 --> 01:24:31,439
Speaker 2: married to the star Hope. He grew up alongside her

1667
01:24:31,479 --> 01:24:34,280
Speaker 2: sister Heidi thirty eight, believing that Rory, who raised the

1668
01:24:34,320 --> 01:24:36,320
Speaker 2: girls after splitting from their mom, was her dad, but

1669
01:24:36,360 --> 01:24:38,720
Speaker 2: in the Instagram video shared February eight, she revealed that

1670
01:24:38,800 --> 01:24:41,479
Speaker 2: a recent twenty three and meter tests had determined her

1671
01:24:41,520 --> 01:24:45,080
Speaker 2: biological father was actually a man named BC, who with

1672
01:24:45,160 --> 01:24:47,639
Speaker 2: whom she's gotten really close over the last six months.

1673
01:24:47,840 --> 01:24:50,680
Speaker 2: I've never experienced unconditional love like that, she said in

1674
01:24:50,720 --> 01:24:54,599
Speaker 2: the video of meeting BC at three days after Hope.

1675
01:24:54,600 --> 01:24:58,320
Speaker 2: He's shared the development publicly. Rory fifty nine, discussing news

1676
01:24:58,320 --> 01:25:00,800
Speaker 2: and a post shared to his blog title Different Dad.

1677
01:25:01,280 --> 01:25:03,160
Speaker 2: The singer said that he'd been getting ready for the

1678
01:25:03,240 --> 01:25:07,920
Speaker 2: day on February sixth, when Hope or Hope he called

1679
01:25:08,000 --> 01:25:10,960
Speaker 2: him out of the blue ask him to speak in person.

1680
01:25:11,160 --> 01:25:12,639
Speaker 2: The two I hadn't seen each other in a year,

1681
01:25:12,920 --> 01:25:15,240
Speaker 2: and Rory wrote that her call felt like an answer

1682
01:25:15,280 --> 01:25:17,760
Speaker 2: to a prayer. I had no idea that what she

1683
01:25:17,800 --> 01:25:19,840
Speaker 2: wanted to talk to me about, and honestly, it didn't

1684
01:25:19,840 --> 01:25:22,479
Speaker 2: matter to me. I just wanted to see her, to

1685
01:25:22,560 --> 01:25:24,559
Speaker 2: have opportunity to look into her eyes and her looking

1686
01:25:24,520 --> 01:25:26,280
Speaker 2: in the mind, with hopes that she might realize that

1687
01:25:26,320 --> 01:25:28,320
Speaker 2: we aren't enemies and that I love her deeply. And

1688
01:25:28,360 --> 01:25:31,160
Speaker 2: looking back now, I can't help but think my wish

1689
01:25:31,200 --> 01:25:33,720
Speaker 2: came true, although in a way that I never expected.

1690
01:25:34,920 --> 01:25:36,840
Speaker 2: So I guess that was her saying, actually, you're not

1691
01:25:36,920 --> 01:25:43,200
Speaker 2: my real daddy. Mm mmmm. So, he said he did

1692
01:25:43,240 --> 01:25:46,559
Speaker 2: not know he wasn't, but he wasn't entirely surprised by

1693
01:25:46,560 --> 01:25:48,799
Speaker 2: the news. He went on to explain why he'd always

1694
01:25:48,800 --> 01:25:52,040
Speaker 2: had suspicion that Hope was not his, including how she

1695
01:25:52,240 --> 01:25:54,840
Speaker 2: arrived several weeks past her due date, which did not

1696
01:25:54,920 --> 01:25:56,960
Speaker 2: align with when he had returned from a six month

1697
01:25:57,000 --> 01:25:59,720
Speaker 2: deployment in the Marines. He also revealed that he and

1698
01:25:59,760 --> 01:26:02,720
Speaker 2: his ex wife divorced. He'd asked point blank weather hope

1699
01:26:02,720 --> 01:26:05,559
Speaker 2: he was his and she said that she said that

1700
01:26:05,600 --> 01:26:08,160
Speaker 2: the child was his, but I guess she lied.

1701
01:26:08,840 --> 01:26:09,400
Speaker 4: Mm hmmm.

1702
01:26:10,680 --> 01:26:13,000
Speaker 2: Sad to see white people falling out like this man,

1703
01:26:14,520 --> 01:26:16,880
Speaker 2: so sad, yep, I.

1704
01:26:16,960 --> 01:26:20,680
Speaker 4: Want ron divorce and right strange.

1705
01:26:21,680 --> 01:26:26,200
Speaker 2: It's not always good news. It's just white news. Yeah, okay,

1706
01:26:26,240 --> 01:26:27,040
Speaker 2: here's a nice one.

1707
01:26:27,160 --> 01:26:28,120
Speaker 3: Okay, this is.

1708
01:26:29,840 --> 01:26:32,679
Speaker 4: I want to see somebody in there like suncut dress

1709
01:26:32,960 --> 01:26:35,240
Speaker 4: and going out date with somebody.

1710
01:26:35,920 --> 01:26:36,600
Speaker 3: Well, how about this?

1711
01:26:36,880 --> 01:26:40,200
Speaker 2: Kelsey Grammar and Ted Dancing didn't speak for thirty years

1712
01:26:40,240 --> 01:26:42,240
Speaker 2: after dancing in front of him on chair set.

1713
01:26:42,720 --> 01:26:45,320
Speaker 3: I'm kind of mad you don't show up ready to go, he.

1714
01:26:45,320 --> 01:26:48,640
Speaker 2: Told him, And he said he was talking to the

1715
01:26:48,760 --> 01:26:49,479
Speaker 2: New York Post.

1716
01:26:49,520 --> 01:26:51,280
Speaker 3: He said, it got a little blown out of proportion.

1717
01:26:51,600 --> 01:26:52,799
Speaker 3: That really wasn't an argument.

1718
01:26:52,840 --> 01:26:55,000
Speaker 2: It was at a time in my life when I

1719
01:26:55,040 --> 01:26:57,679
Speaker 2: was actually going through a lot of self doubt, self loathing. Honestly,

1720
01:26:57,800 --> 01:27:00,680
Speaker 2: it was when I was drinking a lot. Ted had

1721
01:27:01,040 --> 01:27:02,639
Speaker 2: just come up and he said, you know, I'm kind

1722
01:27:02,640 --> 01:27:04,920
Speaker 2: of mad at you. Sometimes you don't show up ready

1723
01:27:04,960 --> 01:27:07,280
Speaker 2: to go. And I said, okay, I respect that, and

1724
01:27:07,320 --> 01:27:08,440
Speaker 2: that actually.

1725
01:27:08,120 --> 01:27:08,760
Speaker 3: Was sort of it.

1726
01:27:09,280 --> 01:27:12,400
Speaker 2: Now, maybe what happened to Ted was he stepped away

1727
01:27:12,439 --> 01:27:15,240
Speaker 2: from what might have been a better friendship. Maybe he

1728
01:27:15,439 --> 01:27:17,639
Speaker 2: just had to protect himself. I really don't. I don't

1729
01:27:17,680 --> 01:27:20,400
Speaker 2: really know, but I said thanks, We were fine with that.

1730
01:27:21,280 --> 01:27:23,800
Speaker 2: He didn't think when Dancing called out his behavior that

1731
01:27:23,840 --> 01:27:26,280
Speaker 2: it would have greatly impacted their relationship, but the two

1732
01:27:26,320 --> 01:27:28,320
Speaker 2: actors ended up not speaking for the better.

1733
01:27:28,080 --> 01:27:29,080
Speaker 3: Part of thirty years.

1734
01:27:29,160 --> 01:27:30,080
Speaker 5: It's a long time.

1735
01:27:30,840 --> 01:27:32,640
Speaker 3: Yeah, that's crazy.

1736
01:27:32,760 --> 01:27:36,360
Speaker 2: They reunited last year with Cheers co star Woody Harrelson

1737
01:27:36,800 --> 01:27:40,120
Speaker 2: on The Ladders Where Everybody Knows Your Name podcast, where

1738
01:27:40,200 --> 01:27:42,720
Speaker 2: Dancing publicly took responsibility for the first time for the

1739
01:27:42,720 --> 01:27:45,120
Speaker 2: fallout with Grammar. I feel like I got stuck a

1740
01:27:45,120 --> 01:27:47,639
Speaker 2: little bit with you during the Chairs years, Dancing told

1741
01:27:47,760 --> 01:27:50,519
Speaker 2: Grammar at the time. I have a memory of getting

1742
01:27:50,560 --> 01:27:53,040
Speaker 2: angry at you once. It's stuck in both our memories.

1743
01:27:53,080 --> 01:27:54,679
Speaker 2: But I feel like I missed out on the last

1744
01:27:54,680 --> 01:27:56,720
Speaker 2: thirty years of Kelsey Grammar, and I feel like it's

1745
01:27:56,760 --> 01:28:00,160
Speaker 2: my bad, my doing, and I always feel like I

1746
01:28:00,160 --> 01:28:04,720
Speaker 2: almost feel like apologizing to you, and uh, he said no,

1747
01:28:04,840 --> 01:28:07,479
Speaker 2: I don't feel like I apologize to you and me

1748
01:28:08,320 --> 01:28:10,479
Speaker 2: and that I sat back, you know, and didn't I

1749
01:28:10,520 --> 01:28:13,800
Speaker 2: really do apologize Dance and added Grammar didn't thanked Dancer

1750
01:28:13,840 --> 01:28:16,080
Speaker 2: for the apology and said he too, wishes he had

1751
01:28:16,160 --> 01:28:18,920
Speaker 2: spent some more time together, saying my love for you

1752
01:28:19,000 --> 01:28:21,400
Speaker 2: has always been as easy as today, as easy as

1753
01:28:21,400 --> 01:28:22,080
Speaker 2: the sunrise.

1754
01:28:23,560 --> 01:28:25,000
Speaker 6: See that was good.

1755
01:28:26,080 --> 01:28:29,320
Speaker 4: That's good because that was just like ready to go,

1756
01:28:29,520 --> 01:28:30,559
Speaker 4: like to ready to work.

1757
01:28:30,680 --> 01:28:30,800
Speaker 1: Right.

1758
01:28:31,360 --> 01:28:34,559
Speaker 4: Yeah, that makes me think of that. This week there

1759
01:28:34,960 --> 01:28:38,680
Speaker 4: was a John Ritter's Kid and Gabrielle union and she

1760
01:28:38,800 --> 01:28:40,720
Speaker 4: was like, hey, I want to rehearse. He was like,

1761
01:28:40,800 --> 01:28:41,240
Speaker 4: I'm good.

1762
01:28:41,600 --> 01:28:44,280
Speaker 1: It's like nigga, yeah, she reported, because she was like,

1763
01:28:44,360 --> 01:28:46,160
Speaker 1: I want to be prepared about I want to come

1764
01:28:46,200 --> 01:28:47,920
Speaker 1: in there and fling and swing.

1765
01:28:48,080 --> 01:28:50,000
Speaker 5: She was like, bitch, I'm black. I can't come in

1766
01:28:50,000 --> 01:28:52,439
Speaker 5: here and improvise. We need to get this chemistry and

1767
01:28:52,439 --> 01:28:53,000
Speaker 5: ship together.

1768
01:28:53,840 --> 01:28:56,400
Speaker 4: Yeah, like why would you turn down to rehearsal?

1769
01:28:56,640 --> 01:29:01,280
Speaker 2: So yeah, I think what's really funny about that too is, uh,

1770
01:29:02,840 --> 01:29:06,040
Speaker 2: that's a like shit. Uh.

1771
01:29:06,360 --> 01:29:07,559
Speaker 3: I think I think what's.

1772
01:29:07,439 --> 01:29:09,720
Speaker 2: Really funny about that too is if you read the

1773
01:29:09,920 --> 01:29:12,840
Speaker 2: whole like article in quote he does say like she

1774
01:29:13,120 --> 01:29:16,360
Speaker 2: was right. He apologized to her. He was like, but

1775
01:29:16,600 --> 01:29:19,760
Speaker 2: they only shared the headline. That man got roasted up

1776
01:29:19,800 --> 01:29:21,240
Speaker 2: and down the social.

1777
01:29:21,000 --> 01:29:22,360
Speaker 5: Media for that headline.

1778
01:29:22,400 --> 01:29:26,599
Speaker 3: It was like your piece of ship. You you ain't

1779
01:29:26,680 --> 01:29:27,840
Speaker 3: talking to Gabrielle Union.

1780
01:29:27,880 --> 01:29:29,880
Speaker 2: It's ten times that I was like, damn bro. He

1781
01:29:30,000 --> 01:29:32,160
Speaker 2: said he was wrong and he knew he realized he

1782
01:29:32,280 --> 01:29:32,559
Speaker 2: was wrong.

1783
01:29:32,760 --> 01:29:34,920
Speaker 5: Better man. Now he he'd be rehearsing now.

1784
01:29:35,560 --> 01:29:35,720
Speaker 1: Uh.

1785
01:29:35,960 --> 01:29:39,320
Speaker 2: Bill Bird slams Billy Corgan for revealing that they may

1786
01:29:39,400 --> 01:29:40,320
Speaker 2: be half brothers.

1787
01:29:40,640 --> 01:29:42,240
Speaker 3: Why did you feel the need to do that.

1788
01:29:44,360 --> 01:29:46,400
Speaker 4: I thought that was a prank.

1789
01:29:47,080 --> 01:29:47,439
Speaker 3: I don't know.

1790
01:29:47,560 --> 01:29:50,479
Speaker 2: It's on the how he does stuff, Like I guess

1791
01:29:50,520 --> 01:29:52,639
Speaker 2: that's Howie Mandel's podcast or something.

1792
01:29:53,400 --> 01:29:55,880
Speaker 4: Yeah, I saw that. That's like a joke where like

1793
01:29:56,080 --> 01:29:59,200
Speaker 4: they because they look alike and everything, and they were

1794
01:29:59,360 --> 01:30:01,519
Speaker 4: it was like that. Yeah, it was a kind of

1795
01:30:01,560 --> 01:30:03,559
Speaker 4: a big thing in white people news.

1796
01:30:03,880 --> 01:30:05,080
Speaker 3: Oh okay, well.

1797
01:30:04,960 --> 01:30:07,759
Speaker 2: Thank you for thank you for clarifying, because this article

1798
01:30:07,760 --> 01:30:10,080
Speaker 2: from Yahoo treats it serious.

1799
01:30:11,120 --> 01:30:14,880
Speaker 4: Oh ship, Yeah, they're like, they're good. What's it? If

1800
01:30:14,920 --> 01:30:16,160
Speaker 4: there's a guy is it?

1801
01:30:16,560 --> 01:30:16,680
Speaker 1: Uh?

1802
01:30:17,920 --> 01:30:20,720
Speaker 4: I think it's a guy on YouTube named Comedy Enforcer.

1803
01:30:21,640 --> 01:30:24,280
Speaker 4: And then there's another guy that like reports on this

1804
01:30:24,479 --> 01:30:27,240
Speaker 4: kind of stuff where it's like, no, that was because

1805
01:30:27,240 --> 01:30:29,360
Speaker 4: I watched it because I love Bill Burr. It was

1806
01:30:29,400 --> 01:30:33,000
Speaker 4: just kind of like, uh no, they were just playing along,

1807
01:30:33,680 --> 01:30:38,200
Speaker 4: Howie Mandel. Howie Mandel had Billy Corgan come in and

1808
01:30:38,360 --> 01:30:40,880
Speaker 4: be like to do this brother ship and Burt was like,

1809
01:30:41,080 --> 01:30:43,640
Speaker 4: I don't know, But then Burke committed to it, and

1810
01:30:43,760 --> 01:30:47,559
Speaker 4: then it just got weirder and weirder. Okay, like Howie

1811
01:30:47,600 --> 01:30:49,479
Speaker 4: Mandel kind of this is them right here.

1812
01:30:50,320 --> 01:30:51,960
Speaker 3: They they do look alike.

1813
01:30:53,000 --> 01:30:54,400
Speaker 4: They do, yes, they do.

1814
01:30:55,200 --> 01:30:57,040
Speaker 5: He was like an old diversion of Bille.

1815
01:30:57,320 --> 01:30:59,400
Speaker 2: I thought it was a joke when I read the

1816
01:30:59,640 --> 01:31:02,200
Speaker 2: like that up, and then the whole article treated it serious.

1817
01:31:02,240 --> 01:31:03,360
Speaker 3: So I'm glad that we had you.

1818
01:31:03,479 --> 01:31:05,840
Speaker 2: On because this is why you're here, right because I

1819
01:31:05,880 --> 01:31:08,000
Speaker 2: would have read this and been like, I guess they brother.

1820
01:31:08,080 --> 01:31:09,519
Speaker 2: I don't know what the fuck this happened.

1821
01:31:10,200 --> 01:31:11,280
Speaker 3: Other white people news.

1822
01:31:11,400 --> 01:31:15,000
Speaker 2: Black Eyed Peas cancel their twenty twenty five Las Vegas residency.

1823
01:31:15,120 --> 01:31:24,640
Speaker 3: Dude, that one. I mean, come on, guys, that's what

1824
01:31:24,800 --> 01:31:25,719
Speaker 3: white people care about.

1825
01:31:25,880 --> 01:31:26,599
Speaker 2: That's the only.

1826
01:31:29,000 --> 01:31:31,000
Speaker 4: You're a hip hop you got the hip hop people

1827
01:31:31,320 --> 01:31:33,599
Speaker 4: remember when they first came out Man and they had

1828
01:31:35,040 --> 01:31:36,479
Speaker 4: Definite on the fucking album.

1829
01:31:36,720 --> 01:31:36,920
Speaker 6: Yeah.

1830
01:31:37,120 --> 01:31:39,880
Speaker 4: So and I remember being excited because it was on

1831
01:31:40,080 --> 01:31:41,719
Speaker 4: Felicity the music.

1832
01:31:42,080 --> 01:31:44,559
Speaker 2: Yeah, and they had and they had like a black

1833
01:31:44,600 --> 01:31:47,000
Speaker 2: Woman when they first came out, before they got fur

1834
01:31:47,479 --> 01:31:48,320
Speaker 2: but they got Fergie.

1835
01:31:48,720 --> 01:31:48,960
Speaker 5: Yeah.

1836
01:31:49,160 --> 01:31:51,360
Speaker 3: Then they got Fergie and they was like, ship were

1837
01:31:51,360 --> 01:31:52,679
Speaker 3: about to make this money.

1838
01:31:53,240 --> 01:31:54,839
Speaker 5: My hunks, my huns.

1839
01:31:54,880 --> 01:31:58,320
Speaker 4: They opened. They opened for Justin Timberlake and like I

1840
01:31:58,400 --> 01:32:02,200
Speaker 4: remember this was like I was justin, don't ask me why,

1841
01:32:02,320 --> 01:32:06,000
Speaker 4: no fuck it. I went Strip Justified Tour, Christina Aguilera

1842
01:32:06,720 --> 01:32:12,040
Speaker 4: and uh, Justin Timberlake, double Headline everything, and and they

1843
01:32:12,439 --> 01:32:16,479
Speaker 4: Black Eyed Piece opened and when I that elefunk album,

1844
01:32:17,000 --> 01:32:19,880
Speaker 4: and I was like, the sound is different because it's

1845
01:32:20,000 --> 01:32:23,280
Speaker 4: like they had They had this record with most Steff

1846
01:32:23,360 --> 01:32:27,280
Speaker 4: that was five called on my Own. I think that

1847
01:32:27,439 --> 01:32:29,960
Speaker 4: album was it called Behind the Front or something like that,

1848
01:32:30,520 --> 01:32:32,800
Speaker 4: and I was just like, oh shit, this is hard.

1849
01:32:33,360 --> 01:32:36,080
Speaker 4: And then the whole song the second album, I guess

1850
01:32:36,200 --> 01:32:39,320
Speaker 4: maybe the whole vibe change and I was like, okay,

1851
01:32:39,640 --> 01:32:40,200
Speaker 4: all right.

1852
01:32:40,560 --> 01:32:43,479
Speaker 2: Yeah, you know, I mean they had they have more

1853
01:32:43,560 --> 01:32:45,759
Speaker 2: hits than I think they get credit for. I agree,

1854
01:32:45,960 --> 01:32:48,560
Speaker 2: just because everybody thinks they're like corny or whatever, but

1855
01:32:48,800 --> 01:32:50,360
Speaker 2: like they had some fucking bops.

1856
01:32:50,439 --> 01:32:55,439
Speaker 5: Man, Well, why did you say they canceled it to.

1857
01:32:55,520 --> 01:32:58,080
Speaker 2: Our dearest peabodies, which I guess is what they call

1858
01:32:58,240 --> 01:32:59,559
Speaker 2: the black eyed Pea fans.

1859
01:32:59,640 --> 01:33:03,080
Speaker 3: Okay, oh, okay, the same peabodies.

1860
01:33:03,640 --> 01:33:05,519
Speaker 2: It is with a heavy heart that, in light of

1861
01:33:05,600 --> 01:33:08,760
Speaker 2: current circumstances, our Las Vegas show will not be moving

1862
01:33:08,800 --> 01:33:12,080
Speaker 2: forward as playing. Ticket providers will issue for refunds automatically.

1863
01:33:12,160 --> 01:33:15,240
Speaker 2: Stay tuned for updates on future performances by following us

1864
01:33:15,320 --> 01:33:15,960
Speaker 2: we can't wait to.

1865
01:33:15,920 --> 01:33:16,559
Speaker 3: See you again.

1866
01:33:16,760 --> 01:33:18,040
Speaker 5: Oh so they didn't really say why.

1867
01:33:18,320 --> 01:33:22,160
Speaker 2: They have not put out further comment. They initially allows

1868
01:33:22,200 --> 01:33:25,680
Speaker 2: the residency in separate ten twenty twenty four, claiming that

1869
01:33:25,760 --> 01:33:30,479
Speaker 2: it will elevate their forward pushing that sthetic. But yeah,

1870
01:33:30,760 --> 01:33:33,680
Speaker 2: they they didn't. They didn't give us any reasons for

1871
01:33:33,760 --> 01:33:34,280
Speaker 2: why they did it.

1872
01:33:34,479 --> 01:33:36,800
Speaker 5: Oh, it has sold out. People loved them as much

1873
01:33:36,800 --> 01:33:37,600
Speaker 5: as people talking about that.

1874
01:33:38,040 --> 01:33:40,280
Speaker 3: It could be ticket sales though you never know that.

1875
01:33:40,520 --> 01:33:42,880
Speaker 1: I didn't think about that. Yeah, they been like, oh

1876
01:33:42,920 --> 01:33:45,160
Speaker 1: they're not selling Okay, we're not doing this then.

1877
01:33:45,439 --> 01:33:50,160
Speaker 4: Yeah, man, these tickets, like Kendrick Lamar ticket was not

1878
01:33:50,400 --> 01:33:54,200
Speaker 4: cheap and a lot of these. It's just then that's

1879
01:33:54,200 --> 01:33:56,880
Speaker 4: another thing that happened with the pandemic, you know, and

1880
01:33:57,040 --> 01:34:02,479
Speaker 4: just everything, like those tickets are like Bey Tyler Kendrick,

1881
01:34:02,920 --> 01:34:06,800
Speaker 4: those big big shows. I know they're going to be great,

1882
01:34:06,920 --> 01:34:10,160
Speaker 4: but there, yeah, it's cheap.

1883
01:34:10,360 --> 01:34:14,400
Speaker 1: And the thing is blame Ticketmaster. Ticketmaster is the problem,

1884
01:34:14,920 --> 01:34:17,400
Speaker 1: and you know, not trying to be funny, it's like

1885
01:34:18,160 --> 01:34:21,559
Speaker 1: and a lot of times once the tickets are out there,

1886
01:34:21,880 --> 01:34:24,840
Speaker 1: people resell them and all that shit, they like quadruple

1887
01:34:24,920 --> 01:34:27,200
Speaker 1: the pricee. A lot of people are mad about the

1888
01:34:27,520 --> 01:34:30,360
Speaker 1: Cowboy Carter tickets because it didn't go with smoothly as

1889
01:34:30,479 --> 01:34:34,240
Speaker 1: it did for a Renaissance show, and so like Ticketmaster

1890
01:34:34,439 --> 01:34:37,960
Speaker 1: site went down and people couldn't get on, like it

1891
01:34:38,200 --> 01:34:40,479
Speaker 1: was a fucking mess, and people was like why am

1892
01:34:40,520 --> 01:34:44,360
Speaker 1: I paying double ward? I paid for both by tickets before,

1893
01:34:44,640 --> 01:34:46,680
Speaker 1: Like it was a mess. And a lot of that

1894
01:34:46,840 --> 01:34:48,720
Speaker 1: is you But you know what, we need somebody in

1895
01:34:48,800 --> 01:34:50,680
Speaker 1: government that goes to ticketmasks and rain that.

1896
01:34:53,360 --> 01:34:53,840
Speaker 5: It won't be.

1897
01:34:53,880 --> 01:34:56,679
Speaker 2: Happening Ticketmaster being right then by someone in the government.

1898
01:34:57,280 --> 01:35:01,160
Speaker 2: So if anything, tickets prices are going up. Look, I

1899
01:35:01,280 --> 01:35:05,479
Speaker 2: went to go get Cowboy Carter tickets. They said, six

1900
01:35:05,600 --> 01:35:06,160
Speaker 2: eggs each.

1901
01:35:07,280 --> 01:35:10,040
Speaker 3: I said, y'all, mother crazy, Are y'all out of your

1902
01:35:10,160 --> 01:35:11,000
Speaker 3: fucking minds?

1903
01:35:11,880 --> 01:35:14,080
Speaker 5: Six eggs two omints?

1904
01:35:14,920 --> 01:35:15,120
Speaker 6: Nah?

1905
01:35:15,320 --> 01:35:21,639
Speaker 4: Damn. We couldn't do the Horizon Forbidden West. Yeah, everything

1906
01:35:21,720 --> 01:35:22,519
Speaker 4: is bombed out.

1907
01:35:22,880 --> 01:35:24,120
Speaker 5: Yeah yeah.

1908
01:35:24,160 --> 01:35:27,960
Speaker 1: And the thing is she she's not us as in

1909
01:35:28,080 --> 01:35:28,839
Speaker 1: as many places.

1910
01:35:28,960 --> 01:35:30,679
Speaker 5: So I was like, bitch and I got to travel.

1911
01:35:31,080 --> 01:35:33,240
Speaker 4: Yeah, did y'all get I didn't go.

1912
01:35:33,479 --> 01:35:35,040
Speaker 2: I'm not going to this one because I already got

1913
01:35:35,120 --> 01:35:38,559
Speaker 2: Kendrick tickets and Tyler the Creator tickets and I'm at

1914
01:35:38,600 --> 01:35:40,559
Speaker 2: some point you gotta take at the budget.

1915
01:35:40,720 --> 01:35:41,639
Speaker 4: That's yeah.

1916
01:35:42,000 --> 01:35:44,479
Speaker 3: She announced after them, so unfortunately I'm.

1917
01:35:44,320 --> 01:35:45,960
Speaker 5: Missing she announced afterwards.

1918
01:35:46,280 --> 01:35:48,360
Speaker 2: So I didn't get that hard into this album like

1919
01:35:48,400 --> 01:35:51,000
Speaker 2: I did Renaissance, So I would just be taking up

1920
01:35:51,040 --> 01:35:53,320
Speaker 2: someone's seat that actually did funk.

1921
01:35:53,120 --> 01:35:57,120
Speaker 3: With the album, and I'm not into that. Uh Dakota Johnson,

1922
01:35:57,160 --> 01:35:58,559
Speaker 3: And I'm sorry, go ahead.

1923
01:35:59,240 --> 01:36:01,439
Speaker 4: I'm just saying that that Tyler is gonna be crazy.

1924
01:36:01,479 --> 01:36:04,280
Speaker 4: I saw where Dochi dropped in on one of the shows.

1925
01:36:04,360 --> 01:36:06,760
Speaker 3: Yeah, I can't wait. I cannot wait. That's my album

1926
01:36:06,800 --> 01:36:07,640
Speaker 3: of the year from last year.

1927
01:36:07,720 --> 01:36:09,400
Speaker 5: Yes, it is my album of the year.

1928
01:36:09,560 --> 01:36:14,040
Speaker 1: Chronicopia was my album of NX no, and I love

1929
01:36:14,160 --> 01:36:16,200
Speaker 1: GNX me too, but I had chronic.

1930
01:36:17,760 --> 01:36:19,759
Speaker 5: I had that shit on motherfucking repeat.

1931
01:36:20,800 --> 01:36:21,600
Speaker 4: I'm not mad at it.

1932
01:36:21,640 --> 01:36:23,080
Speaker 3: I'm not mad at yeah, budd.

1933
01:36:23,080 --> 01:36:25,720
Speaker 2: He has really stepped into like the fullness of his being.

1934
01:36:26,080 --> 01:36:29,120
Speaker 2: The other thing with the what gn X is. Most people,

1935
01:36:29,400 --> 01:36:31,600
Speaker 2: if you've been a Kendrick fan your life or for

1936
01:36:31,680 --> 01:36:34,920
Speaker 2: a long time, you probably don't have gn X at

1937
01:36:34,960 --> 01:36:38,560
Speaker 2: the top of your list of Kendrick albums, right, Like,

1938
01:36:38,640 --> 01:36:40,639
Speaker 2: I'm not saying it can't be top five or whatever,

1939
01:36:40,720 --> 01:36:43,160
Speaker 2: but it's probably not your favorite Kendrick album.

1940
01:36:45,360 --> 01:36:48,479
Speaker 4: Probably, like yeah.

1941
01:36:48,600 --> 01:36:50,600
Speaker 2: So it's like I don't think it's a knock that

1942
01:36:50,720 --> 01:36:55,680
Speaker 2: he's that great. It's like how forty year old Lebron's

1943
01:36:56,360 --> 01:37:00,719
Speaker 2: season this year is not in his top five in seasons.

1944
01:37:00,760 --> 01:37:03,120
Speaker 2: But it's also like, well, he was great for twenty

1945
01:37:03,200 --> 01:37:07,439
Speaker 2: two years, so he'd be top five of anyone else's

1946
01:37:07,520 --> 01:37:12,640
Speaker 2: discography easily, you know if GNX was in you know,

1947
01:37:12,800 --> 01:37:16,439
Speaker 2: some other artists like Catalog would be their best album,

1948
01:37:16,479 --> 01:37:19,519
Speaker 2: but for him, it's like, you know, it's top five,

1949
01:37:19,600 --> 01:37:23,200
Speaker 2: probably top ten maybe, but anyway, my point being, I

1950
01:37:23,280 --> 01:37:23,920
Speaker 2: can't wait for.

1951
01:37:23,960 --> 01:37:24,839
Speaker 3: Both of those shows.

1952
01:37:25,200 --> 01:37:28,599
Speaker 2: Sir Dakota Johnson and Chris Martin are still going strong.

1953
01:37:29,680 --> 01:37:34,519
Speaker 5: Dakota is an actress, yes, okay, my mind has to

1954
01:37:34,600 --> 01:37:35,439
Speaker 5: process that was like I.

1955
01:37:35,520 --> 01:37:37,479
Speaker 4: Wrot that name before. She's an actress.

1956
01:37:38,520 --> 01:37:41,760
Speaker 5: And Chris Martin, oh god damn, I don't know.

1957
01:37:41,880 --> 01:37:45,600
Speaker 1: He sounded like ap manager.

1958
01:37:47,120 --> 01:37:49,880
Speaker 3: If he manager, like at the AMP grocery.

1959
01:37:49,600 --> 01:37:54,120
Speaker 1: Store, no accounts payable. Oh his name is like so basic.

1960
01:37:54,280 --> 01:37:55,320
Speaker 1: I'm sorry, Well he.

1961
01:37:56,040 --> 01:38:00,679
Speaker 5: Is, I believe a musician, Okay, I'm singer.

1962
01:38:01,880 --> 01:38:02,080
Speaker 6: Yeah.

1963
01:38:02,240 --> 01:38:05,160
Speaker 2: One of the biggest bands in the world. Five months

1964
01:38:05,200 --> 01:38:08,160
Speaker 2: after split, rumors had fans in a frenzy. The longtime

1965
01:38:08,200 --> 01:38:10,400
Speaker 2: couple with spotted smiling and hold their hands while out

1966
01:38:10,439 --> 01:38:15,920
Speaker 2: in Mumbai, India. On Friday, Johnson thirty five visited Mumbai

1967
01:38:16,080 --> 01:38:18,920
Speaker 2: with Martin forty seven ahead of his three Music of

1968
01:38:19,080 --> 01:38:23,240
Speaker 2: the Spears World Tour shows with cold Play. The rock

1969
01:38:23,360 --> 01:38:26,439
Speaker 2: band has three sold out concerts between Saturday and Tuesday

1970
01:38:26,520 --> 01:38:29,920
Speaker 2: at d y Pattel Stadium, one of the country's multi

1971
01:38:30,000 --> 01:38:34,479
Speaker 2: purpose sports arenas. Cold Play still selling out arenas dog

1972
01:38:34,560 --> 01:38:37,559
Speaker 2: Oh yeah, they've been around for Fuck with y'all talking

1973
01:38:37,560 --> 01:38:40,320
Speaker 2: about with these ticket master prices, we got it.

1974
01:38:41,400 --> 01:38:41,519
Speaker 4: Uh.

1975
01:38:41,800 --> 01:38:43,759
Speaker 2: They appeared to be in good spirits and they grinned

1976
01:38:43,760 --> 01:38:46,400
Speaker 2: the wave that photographers they dressed casually for their outing

1977
01:38:46,479 --> 01:38:48,920
Speaker 2: with the musician in long sleeved gray Henley shirt and

1978
01:38:49,000 --> 01:38:51,960
Speaker 2: black pants, paired with white seekers in a baseball cap.

1979
01:38:53,200 --> 01:38:54,080
Speaker 4: This is what I wanted.

1980
01:38:54,560 --> 01:38:56,920
Speaker 3: Yeah, all got you. I know what I'm doing the

1981
01:38:56,960 --> 01:38:58,240
Speaker 3: fifty Shades A great star.

1982
01:38:58,680 --> 01:39:01,680
Speaker 2: For her part, sported a fitted black tank dress with

1983
01:39:01,800 --> 01:39:04,000
Speaker 2: a light blue shirt tied around her waist and black

1984
01:39:04,080 --> 01:39:04,839
Speaker 2: Nike sneakers.

1985
01:39:04,960 --> 01:39:06,519
Speaker 3: She also wore a baseball cap.

1986
01:39:07,880 --> 01:39:10,040
Speaker 2: Johnson and Martin were reported to have split in August

1987
01:39:10,080 --> 01:39:13,120
Speaker 2: of twenty twenty four after seven years together. However, Johnson's

1988
01:39:13,160 --> 01:39:15,200
Speaker 2: rep swiftly told pay six there was no truth to

1989
01:39:15,240 --> 01:39:18,240
Speaker 2: the report, adding that they are happily together. The actress

1990
01:39:18,280 --> 01:39:20,280
Speaker 2: then took matters to her own hands by flashing her

1991
01:39:20,320 --> 01:39:24,240
Speaker 2: stunning emerald engagement ring at the photographers while dining with

1992
01:39:24,400 --> 01:39:28,000
Speaker 2: Jeremy Allen White and Blake Lee in Malibu, California.

1993
01:39:28,800 --> 01:39:32,759
Speaker 4: Oh shit, mm hmm, I thought they were already married.

1994
01:39:32,920 --> 01:39:34,600
Speaker 4: To be honest with you, I guess I.

1995
01:39:36,479 --> 01:39:38,920
Speaker 3: Did you know the coda. Johnson is the daughter of

1996
01:39:39,040 --> 01:39:41,960
Speaker 3: actors Don Johnson and Melanie Griffith. I didn't.

1997
01:39:43,760 --> 01:39:47,200
Speaker 2: Yeah, She previously gushed about being a stepmother figure of

1998
01:39:47,240 --> 01:39:51,559
Speaker 2: Martin's kids, Apple twenty and Most Chris Martin was married

1999
01:39:51,640 --> 01:39:56,639
Speaker 2: to Gwyneth Paltrow. Yeah, that's Apple, but that's Apple baby,

2000
01:39:56,760 --> 01:39:57,639
Speaker 2: that's Apple Daddy.

2001
01:39:58,640 --> 01:40:00,360
Speaker 4: Karen calls her the Goop lady.

2002
01:40:01,360 --> 01:40:06,679
Speaker 2: Oh my god, I call her the niggas in Paris lady.

2003
01:40:07,240 --> 01:40:09,640
Speaker 2: So I think Karen is being nicer than I am.

2004
01:40:10,880 --> 01:40:13,439
Speaker 4: Did she she said something about that she was She

2005
01:40:13,560 --> 01:40:13,920
Speaker 4: said the.

2006
01:40:14,040 --> 01:40:16,280
Speaker 2: N word when they was performing it. I think it

2007
01:40:16,400 --> 01:40:19,800
Speaker 2: was her that Jay Z and Kanye filmed it. It

2008
01:40:20,000 --> 01:40:21,439
Speaker 2: was a big deal at the time.

2009
01:40:22,080 --> 01:40:24,120
Speaker 5: Everybody was mad at her and I know that woman

2010
01:40:24,200 --> 01:40:25,519
Speaker 5: from Iron Man. That's about it.

2011
01:40:25,800 --> 01:40:31,080
Speaker 2: Everybody was mad at her, but I was like, uh, yeah,

2012
01:40:31,160 --> 01:40:32,519
Speaker 2: they let her say it. I don't know what to

2013
01:40:32,960 --> 01:40:35,200
Speaker 2: be mad at them niggas, That's not how that works

2014
01:40:35,240 --> 01:40:35,599
Speaker 2: at all.

2015
01:40:37,000 --> 01:40:40,400
Speaker 4: But yeah, I always just want to say she was

2016
01:40:40,600 --> 01:40:45,679
Speaker 4: one of my favorite pleasant, pleasant ass movies, The High

2017
01:40:45,760 --> 01:40:50,120
Speaker 4: Note with Tracy Ellis Ross and Kelvin Harrison Junior, very

2018
01:40:50,479 --> 01:40:52,320
Speaker 4: solid ass rom.

2019
01:40:52,240 --> 01:40:55,519
Speaker 3: Com and Gwyneth Paltrow was in The Royal Tenant Bombs.

2020
01:40:56,720 --> 01:40:58,240
Speaker 4: Great movie. Yep, great movie.

2021
01:40:58,439 --> 01:41:02,120
Speaker 3: I know some whiteness. Let's do one more, Let's do

2022
01:41:02,240 --> 01:41:02,759
Speaker 3: one more.

2023
01:41:03,560 --> 01:41:08,760
Speaker 2: Lily Allen splits with husband Daniel David Harbor and it

2024
01:41:08,920 --> 01:41:10,200
Speaker 2: makes drastic decisions.

2025
01:41:11,040 --> 01:41:13,040
Speaker 5: Okay, Lily, Lily.

2026
01:41:12,920 --> 01:41:15,799
Speaker 2: Allen has been has made a major move after splitting

2027
01:41:15,880 --> 01:41:20,200
Speaker 2: from David Harbor. David Harbor plays well, he's in Strange

2028
01:41:20,320 --> 01:41:22,240
Speaker 2: Things where he plays the sheriff, but he also plays

2029
01:41:22,280 --> 01:41:24,400
Speaker 2: the Red Guardian in all the Marvel movies.

2030
01:41:24,920 --> 01:41:28,960
Speaker 1: Oh, okay, okay, I know you're talking about now popstar Lily.

2031
01:41:29,880 --> 01:41:30,840
Speaker 3: Oh she's a pop star.

2032
01:41:31,000 --> 01:41:35,320
Speaker 4: I know what she did hit the early two thousands.

2033
01:41:35,920 --> 01:41:38,800
Speaker 2: Oh, so they're being it's kind of like saying someone's

2034
01:41:38,840 --> 01:41:41,679
Speaker 2: a porn star. It's like, oh, they've done porn.

2035
01:41:43,439 --> 01:41:43,559
Speaker 4: Uh.

2036
01:41:43,840 --> 01:41:44,320
Speaker 3: Popstar.

2037
01:41:44,439 --> 01:41:47,000
Speaker 2: Lily thought to be an exclusive on a thought to

2038
01:41:47,080 --> 01:41:49,680
Speaker 2: be on an exclusive dating app after her marriage to

2039
01:41:49,800 --> 01:41:52,960
Speaker 2: David Harbor, says that break down. The singer thirty nine

2040
01:41:53,000 --> 01:41:55,479
Speaker 2: was spider with a profile on celebrity dating app Rayah

2041
01:41:55,840 --> 01:41:58,080
Speaker 2: her ledge bio reades looking for someone to start a

2042
01:41:58,080 --> 01:42:01,760
Speaker 2: couple's therapy with, while she also is said to have

2043
01:42:01,920 --> 01:42:04,640
Speaker 2: indicated she is visiting Los Angeles from New York. It

2044
01:42:04,760 --> 01:42:06,960
Speaker 2: comes after she told podcast listeners she was.

2045
01:42:07,040 --> 01:42:07,840
Speaker 5: Bored of men.

2046
01:42:09,479 --> 01:42:13,320
Speaker 3: I feel like if you're if you're David Harbor.

2047
01:42:14,840 --> 01:42:18,800
Speaker 2: Of the reasons to be breaking up or left being

2048
01:42:18,920 --> 01:42:20,960
Speaker 2: bored of men, is like, Okay, well shit, it's not

2049
01:42:21,080 --> 01:42:21,920
Speaker 2: just I mean, it's all.

2050
01:42:21,880 --> 01:42:24,479
Speaker 5: The men, right, It's not personally against me.

2051
01:42:24,560 --> 01:42:27,240
Speaker 3: Doesn't seem like I really did anything to a contribute.

2052
01:42:26,800 --> 01:42:29,840
Speaker 4: To this trying to make him feel bad? I guess

2053
01:42:29,960 --> 01:42:30,360
Speaker 4: I don't know.

2054
01:42:31,520 --> 01:42:35,000
Speaker 2: Lily Riya's Lily's Riya's profile is said to have popped

2055
01:42:35,080 --> 01:42:37,280
Speaker 2: up last week for users who have told Who Told

2056
01:42:37,520 --> 01:42:41,040
Speaker 2: told the app they are women interested in dating other women.

2057
01:42:41,240 --> 01:42:43,080
Speaker 2: That's what I'm saying, Like, that's why I don't think

2058
01:42:43,080 --> 01:42:46,120
Speaker 2: it could be bad for him. Listen, if you decide

2059
01:42:46,240 --> 01:42:49,639
Speaker 2: you don't even want anyone with the penis, I yeah,

2060
01:42:49,720 --> 01:42:53,240
Speaker 2: I have that. You know I can't. I can't do

2061
01:42:53,360 --> 01:42:55,200
Speaker 2: nothing if you just wake up and change on mind.

2062
01:42:57,160 --> 01:43:00,240
Speaker 2: It's not clear what previces Lily's profile has said and

2063
01:43:00,280 --> 01:43:03,920
Speaker 2: whether she was looking for love or friendship. Last week,

2064
01:43:04,000 --> 01:43:08,040
Speaker 2: Lily had seen had was seen having removed her wedding ring.

2065
01:43:08,439 --> 01:43:12,480
Speaker 2: The pop star host BBC Sounds podcast Miss Me, alongside

2066
01:43:12,560 --> 01:43:17,960
Speaker 2: close friend Maquita Oliver, and had been interviewing Maqueita's mom,

2067
01:43:18,120 --> 01:43:21,759
Speaker 2: Andy Oliver. In clips from the podcast shared On Lily's Instagram,

2068
01:43:22,240 --> 01:43:25,000
Speaker 2: she gestured with her bare hands with both her engagement

2069
01:43:25,040 --> 01:43:29,439
Speaker 2: and wedding ring missing. She confessed she had been struggling

2070
01:43:29,479 --> 01:43:32,120
Speaker 2: and spending time away from her Stranger Things star husband.

2071
01:43:32,479 --> 01:43:35,519
Speaker 2: Forty nine. Lily and David copered Lily's two daughters, ethel

2072
01:43:35,600 --> 01:43:39,679
Speaker 2: Mary twelve and Martie Rose eleven, alongside her ex husband

2073
01:43:39,720 --> 01:43:43,559
Speaker 2: Sam Cooper. Lily previously admitted to meeting David Oriah. Speaking

2074
01:43:43,640 --> 01:43:46,840
Speaker 2: on the Jonathan Rush Show, A Ross show last year,

2075
01:43:46,960 --> 01:43:49,679
Speaker 2: Lily spoke to meeting David of meeting David, who played

2076
01:43:49,760 --> 01:43:53,559
Speaker 2: Jim Hopper and his hit Netflix science fiction drama Stranger Things.

2077
01:43:54,280 --> 01:43:59,800
Speaker 3: So yeah, they broke up. Man, Well, hopefully David'll be

2078
01:43:59,840 --> 01:44:03,200
Speaker 3: our right. You seemed like things on the rise in

2079
01:44:03,280 --> 01:44:03,759
Speaker 3: his career.

2080
01:44:03,920 --> 01:44:04,240
Speaker 4: He is.

2081
01:44:06,160 --> 01:44:08,920
Speaker 5: Trying to save the world with Thunderboats. Yeah, and he's

2082
01:44:09,000 --> 01:44:10,639
Speaker 5: like a big slice of beef.

2083
01:44:11,000 --> 01:44:11,160
Speaker 2: You know.

2084
01:44:12,760 --> 01:44:14,960
Speaker 5: I'm excited about Thunderboats. I think it's gonna be good.

2085
01:44:15,200 --> 01:44:17,360
Speaker 4: Me too. Yeah, I want to see it.

2086
01:44:18,280 --> 01:44:21,240
Speaker 2: Last okay, well, last one. Jody Turner Smith says, Joshua

2087
01:44:21,360 --> 01:44:22,040
Speaker 2: Jackson has.

2088
01:44:21,920 --> 01:44:26,280
Speaker 3: It paid child support? Oh shit, Oh my god, not

2089
01:44:26,439 --> 01:44:29,280
Speaker 3: my Vanilla king dad be white daddy. I thought he

2090
01:44:29,439 --> 01:44:30,479
Speaker 3: was be different.

2091
01:44:31,080 --> 01:44:34,800
Speaker 2: He was, yeah, Pasey and he got a tight because

2092
01:44:35,000 --> 01:44:36,520
Speaker 2: then he started dating Lupeter.

2093
01:44:36,320 --> 01:44:38,720
Speaker 4: After this, Yeah, I ain't like that.

2094
01:44:39,120 --> 01:44:39,320
Speaker 6: Yeah.

2095
01:44:40,080 --> 01:44:42,760
Speaker 2: And now yeah, she broke up with like sald Massekella

2096
01:44:42,840 --> 01:44:45,160
Speaker 2: to be with that dude, and I thought Sad was winning.

2097
01:44:45,200 --> 01:44:47,760
Speaker 2: I said, yo, he won life. He just hollered at

2098
01:44:47,760 --> 01:44:50,559
Speaker 2: her on an airplane and somehow that shit worked out.

2099
01:44:50,720 --> 01:44:53,160
Speaker 3: I was like, he living to dream. And then she

2100
01:44:53,320 --> 01:44:54,760
Speaker 3: on the beach with passy and I'm like.

2101
01:44:54,800 --> 01:44:57,760
Speaker 2: Where's Jodi Turner Smith and turns out somewhere not getting

2102
01:44:57,840 --> 01:44:58,400
Speaker 2: child support?

2103
01:45:04,640 --> 01:45:08,479
Speaker 4: Said she was cool, man, I'm paying, not pay See.

2104
01:45:09,080 --> 01:45:11,439
Speaker 2: Oh, I don't know how you pronounced this shit, this

2105
01:45:11,560 --> 01:45:12,280
Speaker 2: white people news.

2106
01:45:13,720 --> 01:45:14,160
Speaker 6: But yeah.

2107
01:45:14,640 --> 01:45:17,120
Speaker 2: Mid their ongoing divorce, she has fouled a request that

2108
01:45:17,200 --> 01:45:21,280
Speaker 2: receives child and spousal support from Joshua Jackson and if

2109
01:45:21,360 --> 01:45:24,280
Speaker 2: filing made Monday with the Los Angeles County Superior Court,

2110
01:45:24,320 --> 01:45:27,320
Speaker 2: the thirty eight year old British actress is requesting eight thousand,

2111
01:45:27,400 --> 01:45:30,800
Speaker 2: five hundred and forty three dollars per month in child

2112
01:45:30,840 --> 01:45:33,360
Speaker 2: support and twenty eight thousand, six hundred and forty one

2113
01:45:33,400 --> 01:45:34,920
Speaker 2: dollars per month in spousal.

2114
01:45:34,680 --> 01:45:37,360
Speaker 3: Support and other retroactive payments.

2115
01:45:37,360 --> 01:45:39,559
Speaker 2: She is also seeking two hundred and fifty thousand dollars

2116
01:45:39,600 --> 01:45:41,880
Speaker 2: to cover attorney fees and forensic accounting costs.

2117
01:45:42,080 --> 01:45:42,759
Speaker 5: Get your Money.

2118
01:45:43,680 --> 01:45:46,640
Speaker 2: She originally filed from for divorce from forty six year

2119
01:45:46,640 --> 01:45:50,040
Speaker 2: old Jackson in October twenty twenty three. Originally she weighs

2120
01:45:50,040 --> 01:45:53,040
Speaker 2: spousal support, but changed her stands over Jackson's alleged refusal

2121
01:45:53,080 --> 01:45:55,320
Speaker 2: to negotiate reasonable payments in their proceedings.

2122
01:45:55,680 --> 01:45:56,960
Speaker 3: She also accused Jackson.

2123
01:45:57,160 --> 01:45:58,640
Speaker 5: She said, Oh, you don't want to be reasonable, so

2124
01:45:58,800 --> 01:46:00,960
Speaker 5: let's all be unreasonable, right He.

2125
01:46:01,000 --> 01:46:03,040
Speaker 3: Said, Look, I'm white, but I'm still a Jackson.

2126
01:46:03,320 --> 01:46:05,760
Speaker 2: I'm not paying anything Jackson this time.

2127
01:46:05,920 --> 01:46:09,919
Speaker 5: Black are not seeing that white man. I was like Jackson.

2128
01:46:10,360 --> 01:46:13,040
Speaker 2: She also accused Jackson of prolonging the process, making it

2129
01:46:13,120 --> 01:46:15,800
Speaker 2: difficult to support herself and their daughter, Juno born April

2130
01:46:15,840 --> 01:46:18,680
Speaker 2: twenty twenty. All I have asked for her since then

2131
01:46:18,680 --> 01:46:20,439
Speaker 2: in session of this matter is to be allowed to

2132
01:46:20,520 --> 01:46:23,519
Speaker 2: maintain a strong relationship between Juno and me while managing

2133
01:46:23,560 --> 01:46:26,000
Speaker 2: a full time work schedule to support our daughter and myself.

2134
01:46:26,280 --> 01:46:28,680
Speaker 2: She said in the filing, Josh has run up my

2135
01:46:28,680 --> 01:46:31,240
Speaker 2: attorney's fees and forensic accounting calls and has made this

2136
01:46:31,360 --> 01:46:35,280
Speaker 2: dissolution far more difficult than necessary. Elsewhere in the court request,

2137
01:46:35,320 --> 01:46:37,599
Speaker 2: she claims Jackson provided the family with the high standard

2138
01:46:37,640 --> 01:46:39,960
Speaker 2: of living during their marriage, and pointed out she doesn't

2139
01:46:40,000 --> 01:46:42,280
Speaker 2: receive as many job offers compared to Jackson, whose career

2140
01:46:42,360 --> 01:46:46,320
Speaker 2: spanes decades and who has historically earned a higher income

2141
01:46:46,400 --> 01:46:49,920
Speaker 2: than her. Jackson is currently starting in ABC's Doctor Odyssey,

2142
01:46:50,520 --> 01:46:51,760
Speaker 2: which premiered this fall.

2143
01:46:54,400 --> 01:46:56,560
Speaker 4: They both be working, but I could see, you know,

2144
01:46:56,800 --> 01:46:58,920
Speaker 4: he's kind of been in the game longer. He was

2145
01:46:58,920 --> 01:47:02,920
Speaker 4: a young and when he started it, right, she's she's

2146
01:47:03,040 --> 01:47:03,720
Speaker 4: working a lot.

2147
01:47:03,960 --> 01:47:08,320
Speaker 2: But man, she said, Josh promised to always support me

2148
01:47:08,360 --> 01:47:10,720
Speaker 2: and ensure me that I would not have to worry

2149
01:47:10,720 --> 01:47:13,240
Speaker 2: about financial security for our daughter if we ever separated,

2150
01:47:13,320 --> 01:47:15,519
Speaker 2: because he said he understood how difficult life can be

2151
01:47:15,640 --> 01:47:17,320
Speaker 2: as a black woman and a single mother.

2152
01:47:19,120 --> 01:47:22,000
Speaker 4: Oh now now she a black man. Let me stop.

2153
01:47:22,320 --> 01:47:25,280
Speaker 2: I just feel bad because he was he said I

2154
01:47:25,320 --> 01:47:28,880
Speaker 2: can understand. And then he was like, I told you

2155
01:47:28,920 --> 01:47:29,639
Speaker 2: it could be difficult.

2156
01:47:29,640 --> 01:47:30,360
Speaker 3: That's what I was saying.

2157
01:47:30,640 --> 01:47:31,519
Speaker 2: I'm not gonna pay.

2158
01:47:31,479 --> 01:47:34,000
Speaker 4: Yeah, because you think about it like he because he

2159
01:47:34,120 --> 01:47:36,240
Speaker 4: was talking about how he came up hard without his

2160
01:47:36,400 --> 01:47:40,280
Speaker 4: father around, like, you know, just stories that I know of,

2161
01:47:40,560 --> 01:47:43,280
Speaker 4: just kind of followed being a fan of the Darwson's

2162
01:47:43,280 --> 01:47:44,920
Speaker 4: creaking shit and him coming up.

2163
01:47:45,320 --> 01:47:47,639
Speaker 2: That's got to be a hell of a mind fuck

2164
01:47:47,760 --> 01:47:51,920
Speaker 2: on her because it seemed like he understood and then

2165
01:47:52,040 --> 01:47:55,080
Speaker 2: what a betrayal to be, like, actually, I don't understand.

2166
01:47:56,000 --> 01:47:56,479
Speaker 5: I agreed.

2167
01:47:57,040 --> 01:47:59,479
Speaker 2: Now he is renegging on that promise and using litigation

2168
01:47:59,600 --> 01:48:02,120
Speaker 2: tactics and to delay to pressure me into agreeing to

2169
01:48:02,479 --> 01:48:05,559
Speaker 2: a settlement that is neither equitable nor has any legal foundation.

2170
01:48:06,200 --> 01:48:09,240
Speaker 2: Another dispute over the ownership of their California property is

2171
01:48:09,280 --> 01:48:12,040
Speaker 2: also referencing the new filing. While Jackson claims that the

2172
01:48:12,080 --> 01:48:17,680
Speaker 2: couple's former property into Paying, California is solely owned by him,

2173
01:48:18,400 --> 01:48:20,960
Speaker 2: Turner Smith alleged she contributed eight hundred thousand dollars to

2174
01:48:21,040 --> 01:48:24,240
Speaker 2: his down payment. Jackson also reportedly asked her to move

2175
01:48:24,320 --> 01:48:26,200
Speaker 2: out from their home at the time of their separation

2176
01:48:26,320 --> 01:48:29,639
Speaker 2: in twenty twenty three. Since then, Turner Smith is living

2177
01:48:29,680 --> 01:48:32,360
Speaker 2: in rental homes in Los Angeles, Vancouver, and London with

2178
01:48:32,439 --> 01:48:35,439
Speaker 2: their daughter. I've not been able to maintain the status

2179
01:48:35,520 --> 01:48:37,680
Speaker 2: quo based on my earnings as I make and have

2180
01:48:37,840 --> 01:48:40,600
Speaker 2: always made less than Josh. Given my ever change of

2181
01:48:40,640 --> 01:48:43,479
Speaker 2: work obligations, I'm striving to provide a stable environment for

2182
01:48:43,560 --> 01:48:46,040
Speaker 2: our daughter so that she can enjoy the same standard

2183
01:48:46,040 --> 01:48:47,280
Speaker 2: of living with both parents.

2184
01:48:47,680 --> 01:48:49,800
Speaker 3: So March twentieth will be a hearing on this.

2185
01:48:51,120 --> 01:48:53,439
Speaker 4: Yeah, I hope they make it work, man, because for

2186
01:48:53,560 --> 01:48:56,519
Speaker 4: the kids sake, Because when you got a kid involved,

2187
01:48:56,760 --> 01:48:57,640
Speaker 4: you know it's right.

2188
01:48:59,520 --> 01:49:01,080
Speaker 3: I just want to know what he's telling Lapeter.

2189
01:49:02,840 --> 01:49:05,040
Speaker 2: Good question, because he gotta be telling her something like

2190
01:49:05,160 --> 01:49:08,880
Speaker 2: That's like, I'm sure he's telling her that same Black

2191
01:49:08,960 --> 01:49:11,280
Speaker 2: woman ship too. Listen, I know how hard it is

2192
01:49:11,400 --> 01:49:14,280
Speaker 2: for y'all sisters out here, and hold on, hold on

2193
01:49:14,400 --> 01:49:14,840
Speaker 2: getting a call.

2194
01:49:15,120 --> 01:49:16,479
Speaker 3: You know what, I'm gonna send it the voicemail. I

2195
01:49:16,520 --> 01:49:18,840
Speaker 3: don't want to talk to that bit. Yeah, it's hard

2196
01:49:18,880 --> 01:49:22,040
Speaker 3: out here for y'all. It's hard, you know what I'm saying.

2197
01:49:22,720 --> 01:49:26,840
Speaker 2: You know, I'm a multi talented, multifaceted person and I'm

2198
01:49:26,880 --> 01:49:28,840
Speaker 2: a creative and you know, I just want to think

2199
01:49:28,920 --> 01:49:30,560
Speaker 2: you're so gorgeous.

2200
01:49:30,160 --> 01:49:34,640
Speaker 3: And is turned.

2201
01:49:38,880 --> 01:49:41,200
Speaker 4: You want to said? Lapeter broke up with him last year,

2202
01:49:41,360 --> 01:49:42,280
Speaker 4: so okay.

2203
01:49:42,479 --> 01:49:44,400
Speaker 3: All right, I just know they was together. Maybe this

2204
01:49:44,560 --> 01:49:49,280
Speaker 3: came out. Yeah, yeah, that's something better.

2205
01:49:49,360 --> 01:49:53,880
Speaker 4: Watch out, yeah, and I don't I do not I

2206
01:49:54,000 --> 01:49:56,960
Speaker 4: get it. Let's just say I get it, Josh, Okay.

2207
01:49:57,000 --> 01:50:00,479
Speaker 3: Watch out, don't you Okay? He got it right? Please

2208
01:50:01,160 --> 01:50:03,679
Speaker 3: look at he looking I'm looking around.

2209
01:50:04,479 --> 01:50:07,960
Speaker 2: Be careful all right, last thing, let's talk about sword

2210
01:50:08,040 --> 01:50:11,120
Speaker 2: ratchetess and then we'll we'll finally we'll get out of here. Guys.

2211
01:50:11,320 --> 01:50:13,120
Speaker 3: It's spent a fun time as always.

2212
01:50:14,400 --> 01:50:16,200
Speaker 4: Kay yeah.

2213
01:50:22,160 --> 01:50:42,760
Speaker 2: M Officer cut after man Wilt's samurai sword oh uh.

2214
01:50:42,920 --> 01:50:46,080
Speaker 2: Man wilding a samurai sword has sparked the police operation

2215
01:50:46,200 --> 01:50:48,560
Speaker 2: in Sydney's West, with the officer suffering a cut to

2216
01:50:48,600 --> 01:50:51,960
Speaker 2: the leg during the incident. Forty six year old armed

2217
01:50:51,960 --> 01:50:54,479
Speaker 2: with a samurai sword refuse to speak with police with

2218
01:50:55,000 --> 01:50:58,680
Speaker 2: police negotiators and Tactical Operations unit he brought in as

2219
01:50:58,720 --> 01:51:03,000
Speaker 2: part of an operation. Officers believed a woman believed to

2220
01:51:03,000 --> 01:51:04,880
Speaker 2: be in her fifties was also inside the home at

2221
01:51:04,920 --> 01:51:07,760
Speaker 2: the time. They managed to assist her from the home

2222
01:51:07,840 --> 01:51:11,280
Speaker 2: without incident. The man was arrested more than an hour

2223
01:51:11,280 --> 01:51:13,479
Speaker 2: and a half later. He was taken to the hospital

2224
01:51:13,520 --> 01:51:16,479
Speaker 2: for assessment, but the officer suffered to cut to the

2225
01:51:16,560 --> 01:51:18,519
Speaker 2: leg during the arrest and was also taken to the

2226
01:51:18,560 --> 01:51:21,920
Speaker 2: hospital for treatment. Officer remained in the hospital in stable condition.

2227
01:51:22,760 --> 01:51:23,959
Speaker 2: Inquiries are ongoing.

2228
01:51:24,360 --> 01:51:25,680
Speaker 3: So there you guys go.

2229
01:51:26,080 --> 01:51:29,679
Speaker 2: They got these swords in Australia cutting people down under.

2230
01:51:30,640 --> 01:51:35,960
Speaker 2: Down Under, you know, Chris, tell everybody where to find you,

2231
01:51:36,160 --> 01:51:38,519
Speaker 2: the podcast, stand Up, all that stuff.

2232
01:51:39,640 --> 01:51:44,400
Speaker 4: You can find me Chris Lamberth at Chris Lamberth on Instagram,

2233
01:51:44,920 --> 01:51:47,320
Speaker 4: Chris Lamberth dot com, which is a link to my

2234
01:51:47,600 --> 01:51:50,760
Speaker 4: link tree. You can get tickets from my shows. And

2235
01:51:51,320 --> 01:51:57,240
Speaker 4: on June twenty seventh, six twenty seven, twenty twenty five

2236
01:51:57,479 --> 01:52:01,320
Speaker 4: at Caveat I'm doing stand up. We're taping it. It's

2237
01:52:01,360 --> 01:52:04,639
Speaker 4: a special. It's going to be really fun. I would

2238
01:52:04,680 --> 01:52:07,120
Speaker 4: love to have you there. If you ever if you've

2239
01:52:07,280 --> 01:52:11,559
Speaker 4: liked anything I've ever done, come to this show. Come

2240
01:52:11,600 --> 01:52:15,560
Speaker 4: to the show. I'm put I put my heart and

2241
01:52:15,640 --> 01:52:18,080
Speaker 4: soul into it. Man, and it's going It's gonna be

2242
01:52:18,120 --> 01:52:21,040
Speaker 4: a good time. You will have fun, you will laugh,

2243
01:52:21,240 --> 01:52:25,160
Speaker 4: you will wet yourself. You make it an event. Take

2244
01:52:25,280 --> 01:52:29,640
Speaker 4: your loved one to dinner, go to the show and

2245
01:52:30,080 --> 01:52:31,479
Speaker 4: and and you will have a good time.

2246
01:52:31,560 --> 01:52:34,080
Speaker 3: Take somebody on a date, sing to them.

2247
01:52:35,439 --> 01:52:41,840
Speaker 4: The show. Let me the laughter of lubricant and then

2248
01:52:42,560 --> 01:52:45,760
Speaker 4: put me home and you passionately make love to them

2249
01:52:45,840 --> 01:52:48,040
Speaker 4: and you say, oh my god, I can't believe I

2250
01:52:48,160 --> 01:52:52,960
Speaker 4: got you pregnant on the night that we went. And

2251
01:52:53,080 --> 01:52:59,479
Speaker 4: we have a beautiful life together. Why don't you do that? Yeah,

2252
01:52:59,640 --> 01:53:03,880
Speaker 4: fly them out, find somebody out, Get somebody on the internet,

2253
01:53:03,960 --> 01:53:06,840
Speaker 4: get one of these Instagram mamas, say DM her and

2254
01:53:06,880 --> 01:53:10,120
Speaker 4: say you're very beautiful. Why did you come in from

2255
01:53:10,160 --> 01:53:13,000
Speaker 4: where you are? I'll fly you in New York and

2256
01:53:13,160 --> 01:53:16,479
Speaker 4: you can come in and see the show and look.

2257
01:53:16,720 --> 01:53:19,640
Speaker 3: And if it's an interracial date, named the baby Jalen.

2258
01:53:20,680 --> 01:53:24,120
Speaker 4: Right name, and he'll be a basketball player or football

2259
01:53:24,280 --> 01:53:28,160
Speaker 4: like there's It's like, I don't see why you haven't

2260
01:53:28,160 --> 01:53:31,840
Speaker 4: bought tickets now. If you get tickets now, if early bird,

2261
01:53:31,960 --> 01:53:35,559
Speaker 4: if you're an early bird, tickets are fifteen dollars until

2262
01:53:35,600 --> 01:53:35,920
Speaker 4: May two.

2263
01:53:36,080 --> 01:53:38,080
Speaker 3: That's it in America, y'all.

2264
01:53:38,280 --> 01:53:42,519
Speaker 2: If two can't get three eggs for fifteen dollars, dude.

2265
01:53:42,720 --> 01:53:47,400
Speaker 4: I was in a scene with Melissa McCarthy in an

2266
01:53:47,479 --> 01:53:51,920
Speaker 4: Oscar nominated. I helped her get an Austin nomination as

2267
01:53:51,960 --> 01:53:54,160
Speaker 4: an explordiny. I was like, Hey, I don't think I

2268
01:53:54,240 --> 01:53:57,360
Speaker 4: could clean in here until you you fix this, Wow lady,

2269
01:53:57,840 --> 01:54:02,439
Speaker 4: and she got nominated. I was in a Broadway show.

2270
01:54:02,920 --> 01:54:05,920
Speaker 4: I didn't have any lines, but I was in that show.

2271
01:54:06,240 --> 01:54:09,680
Speaker 4: At the end, the guy who was married to the

2272
01:54:10,000 --> 01:54:13,400
Speaker 4: mayor of Easttown directed it. He was married to Kate Winsley.

2273
01:54:13,680 --> 01:54:15,280
Speaker 4: He directed me in the show.

2274
01:54:15,920 --> 01:54:20,240
Speaker 5: And it's like, it's like, that's not worth fifteen dollars.

2275
01:54:20,880 --> 01:54:22,320
Speaker 3: That's not worth fifteen dollars.

2276
01:54:22,360 --> 01:54:23,200
Speaker 5: Are you insane?

2277
01:54:24,240 --> 01:54:25,639
Speaker 3: Take down, you dummy.

2278
01:54:26,600 --> 01:54:28,400
Speaker 4: And I know people don't like her anymore. I was

2279
01:54:28,439 --> 01:54:31,240
Speaker 4: in a scene with Tiffany Hartish and ran the show.

2280
01:54:32,160 --> 01:54:35,600
Speaker 4: I've done full shit, So come to New York, come

2281
01:54:35,680 --> 01:54:39,640
Speaker 4: to this show. Yes, it's gonna be fun. I'm gonna

2282
01:54:39,680 --> 01:54:42,480
Speaker 4: come back on Ron and Karen will have me back

2283
01:54:42,560 --> 01:54:45,160
Speaker 4: on the show and I will will, I will cry

2284
01:54:45,720 --> 01:54:48,160
Speaker 4: and come. I will sing to you to come to

2285
01:54:48,280 --> 01:54:51,280
Speaker 4: the show. A week or two before the show, you

2286
01:54:51,360 --> 01:54:52,520
Speaker 4: know it'll be good.

2287
01:54:54,720 --> 01:54:57,000
Speaker 3: All right, y'all, we'll be back throughout the week.

2288
01:54:57,920 --> 01:54:59,800
Speaker 2: And like I said, the live show is this Friday,

2289
01:54:59,880 --> 01:55:02,640
Speaker 2: so we may stop shows earlier this week so that,

2290
01:55:02,800 --> 01:55:04,120
Speaker 2: you know, we get prepared for that.

2291
01:55:04,680 --> 01:55:05,960
Speaker 3: But yeah, we'll see you guys.

2292
01:55:06,240 --> 01:55:09,840
Speaker 2: Uh, you know, live Friday and uh possibly at least

2293
01:55:09,880 --> 01:55:11,480
Speaker 2: one more episode throughout this week.

2294
01:55:12,000 --> 01:55:13,280
Speaker 3: But Chris always great to.

2295
01:55:13,240 --> 01:55:15,640
Speaker 4: See you and thanks for having

2296
01:55:15,720 --> 01:55:17,880
Speaker 3: Always man and until next time, I love you, I

2297
01:55:17,960 --> 01:55:18,280
Speaker 3: love you to