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Speaker 1: Mercedes Benz Interview Lounge show. What's going on this time

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Speaker 1: of year.

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Speaker 2: We have our friends, we have our family, we have travel,

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Speaker 2: we have the food, we have cocktails.

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Speaker 1: We also have movies.

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Speaker 2: You know, this is the time of year when all

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Speaker 2: the big ones roll out. Yeah, so there's a list,

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Speaker 2: isn't there. Isn't there a master list of all the

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Speaker 2: films that are coming out?

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Speaker 3: I think, yeah, well, you know, starting before Thanksgiving is

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Speaker 3: when like they roll out all the big ones for

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Speaker 3: the holidays. And then you know, we've already had the

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Speaker 3: Wickeds of the world and like you know, mulwan Iu

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Speaker 3: and all that stuff, right, and then next year there's

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Speaker 3: another list. But this is the time when the you know,

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Speaker 3: the big holiday. But what is it called? Like got

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Speaker 3: the push the holiday push?

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Speaker 1: Here we go.

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Speaker 2: Yeah, there are many Christmases I recall, you know, we'll

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Speaker 2: we'll do our thing and okay, let's get out. We're

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Speaker 2: going We're gonna watch a film and that those are

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Speaker 2: my favorite favorite moments. I love those. Thanksgiving and Christmas. Well,

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Speaker 2: one of the films that everyone is talking about is

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Speaker 2: a complete unknown. It's coming out Christmas Day, of course,

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Speaker 2: all about Bob Dylan starring Timothy shallow May. We're gonna

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Speaker 2: talk to him just a moment about this character, Bob Dylan.

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Speaker 2: How do you do that? I mean, I feel like

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Speaker 2: such an intelligent d weep see seeing him do this

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Speaker 2: film is wow? Okay, yeah, this this actor is fantastic

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Speaker 2: and so many great things.

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Speaker 1: That we love.

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Speaker 3: Just with a name Timothy Schallamy. He had to be famous,

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Speaker 3: like that's just a famous name, you know. It really

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Speaker 3: just is Timothy Shallamy.

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Speaker 1: This is Bob Dylan. Wasn't like I didn't. It's not

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Speaker 1: a name. It should be famous. No, wait, is that Timothy? Timothy?

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Speaker 1: Is that you? Are you eavesdropping on our conversation?

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Speaker 4: I'm here? Can they see me?

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Speaker 2: We can see you, We can see you, so stay

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Speaker 2: dressed if you will.

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Speaker 4: Fantastic. Nice, Nice to see you.

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Speaker 1: Guys, Good to see you.

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Speaker 2: I know you're in London, but we're in New York.

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Speaker 2: How long did you live in New York earlier in

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Speaker 2: your life?

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Speaker 4: Me? Man, I grew up listening to you. I grew

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Speaker 4: up listening on the way Elvis Durant in the Z

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Speaker 4: morning Zook. I don't know if it's to say that

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Speaker 4: is it the same? Is it the same? Uh? Title?

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Speaker 1: We got rid of the zoo part.

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Speaker 4: Well, listen what I honor to be on here. Listen

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Speaker 4: at seven twenty if I'm correct, at seven twenty am sharp.

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Speaker 4: You used to do the prank calls. My dad and

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Speaker 4: I would listen. But sometimes you guys veer into quote

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Speaker 4: unquote vulgar territories. When my dad would say, you know something,

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Speaker 4: I couldn't listen to it.

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Speaker 1: Oh really, Yeah.

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Speaker 2: It's kind of funny because our kids, they will purposefully

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Speaker 2: stay away from their parents during those they call them

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Speaker 2: phone taps, and they were very Now we're vulgar all

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Speaker 2: four hours.

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Speaker 1: We don't just do it so perfect perfect. Let's get

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Speaker 1: into it. Go ahead, No, I don't want to get

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Speaker 1: into it. You what we're gonna say?

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Speaker 4: Oh you will?

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Speaker 1: You see, we just had to push the button. You

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Speaker 1: can't you.

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Speaker 4: Know, We're just we're just pushing the edge.

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Speaker 1: I'm sure we are are.

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Speaker 4: Yeah, rights, you can say whatever we want, right.

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Speaker 1: No, No, you can't.

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Speaker 4: Serious.

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Speaker 1: By the way, we just had to push the dump button.

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Speaker 4: We're back in that vulgar Yeah. Okay, you know we're

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Speaker 4: gonna we're gonna pull it back. Pg. Thirteen.

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Speaker 1: All right, let's get into it.

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Speaker 2: I first of all, we were so lucky to see

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Speaker 2: a complete unknown, which is out Christmas Day, by the way,

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Speaker 2: and to watch you do what you do is pretty amazing.

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Speaker 2: I don't think he'll ever be as amazed as we

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Speaker 2: are watching any human being be able to pull off

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Speaker 2: what you did with this Bob Dylan character.

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Speaker 1: With Bob Dylan, I appreciate it.

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Speaker 4: Well. I have five and a half years to work

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Speaker 4: on this, and you know, I was supposed to shoot

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Speaker 4: it four years ago than the pandemic hit. Then I

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Speaker 4: was supposed to shoot it a year and a half

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Speaker 4: ago when the actors strike hit. So I just had

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Speaker 4: a lot of time to sit with this material, a

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Speaker 4: lot of time to play the guitar, play the harmonica,

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Speaker 4: bother everyone in my life with my Bob Dylan singing.

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Speaker 4: But I think I think the work was worth in.

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Speaker 4: Bob Dylan, as you I'm sure known many of your listeners,

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Speaker 4: is a Titanic artist. He's one of the most influential

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Speaker 4: artists in American history. So I want to do justice

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Speaker 4: to this guy. And I'm prideful about the character because

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Speaker 4: when you think about Elvis Presley or Mick Jagger, Paul

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Speaker 4: McCartney or John Lennon, these kind of tightens of the

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Speaker 4: of the sixties. They're not elusive figures in the sense

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Speaker 4: that we know what there, we know what their faces

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Speaker 4: look like, we know what their interviews look like. But

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Speaker 4: Bob Dylan is such a mysterious figure. I think to

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Speaker 4: my generation, you know, a lot of people know the

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Speaker 4: name is iconic, but they don't necessarily know the face.

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Speaker 4: They don't necessarily know the music. Right, So I want

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Speaker 4: like a humble bridge to this period and to this,

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Speaker 4: to this music.

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Speaker 2: So you must beel somewhat grateful that you had writer

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Speaker 2: strikes in pandemics. It gave you longer to learn how

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Speaker 2: to finger pick your guitar and play harmonica and saying

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Speaker 2: and sound like Bob Dylan.

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Speaker 4: I mean, listen, the time was an absolute blessing. I'm

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Speaker 4: not going to say the pandemic was a blessing for

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Speaker 4: my role, because I think a lot of people would go,

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Speaker 4: wait a second, this kid is out of his mind.

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Speaker 4: That was the worst time in our in our modern history.

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Speaker 4: But you know, so you know anyway, but uh, you know, yeah,

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Speaker 4: it gave me. It just gave me a ton of time.

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Speaker 4: I'll never get this much time to work on a

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Speaker 4: role ever again, you know, five and a half years.

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Speaker 4: But this this artist is worth it, This man is

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Speaker 4: worth and we wanted to do him justice and also

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Speaker 4: do justice to the fans of Bob Dylan's work. That

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Speaker 4: wouldn't feel like we committed an act of blasphemy, you know.

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Speaker 3: Yeah, what goes into something like that when you're actually

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Speaker 3: playing a real life character, not just you know, like

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Speaker 3: you know, a character that's made up, Like how much

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Speaker 3: preparation do you do and what's the first thing that

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Speaker 3: you dive into to prepare?

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Speaker 4: Well, the preparation was endless. You know. Bob Dylan, as

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Speaker 4: I'm sure you guys will know, is a peculiar fellow

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Speaker 4: and his behaviors and his mannerisms, and he's an inward guy.

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Speaker 4: He's mysterious. That's why I was, you know, bringing up

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Speaker 4: these other names before that were sort of in my

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Speaker 4: worldview more forward facing entertainers. Bob was really a lyricist.

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Speaker 4: He's a Pulitzer Prize winning lyricist and thinker and writer

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Speaker 4: and poet. Really, so there's the aspect of getting the

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Speaker 4: behaviors down, how he carried himself, how he would carry

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Speaker 4: himself in situations with the women in his life, how

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Speaker 4: he carried himself with the press, studying all the footage

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Speaker 4: that was available. Most importantly was the music, getting the

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Speaker 4: music down. But that was almost the easiest part, in

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Speaker 4: the sense that I love this music. It was a

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Speaker 4: privilege and a joy to get to work on this.

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Speaker 4: And lastly is all the all the all the excavating

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Speaker 4: of stones that you know, when you get to act

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Speaker 4: at this level you have to do, like retracing his

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Speaker 4: footsteps through Madison, Wisconsin and Chicago, going to Minnesota where

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Speaker 4: he was born, and hibbing, and then Duluth, and spending

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Speaker 4: time in Minneapolis where he was in college for a

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Speaker 4: little bit, spending time in an area called dinky Town

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Speaker 4: in Minneapolis. Hey, man, that's just what it's called. Man,

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Speaker 4: that's just don't don't hit that swear button, Nenethe. It

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Speaker 4: just it just sounds a little unportantly. It just sounds

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Speaker 4: a little, you know, a little dinky town. But uh,

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Speaker 4: that's where he discovered folk music, you know. And so

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Speaker 4: I tried to do everything, but it was easy. This

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Speaker 4: didn't become work. At some point, I, like I said,

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Speaker 4: I love this artist and it's well worth it, you know.

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Speaker 4: I think we did a great job at the movie

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Speaker 4: spotlighting this great artist in this great period in American history.

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Speaker 4: No matter how boring that sounds. People the nineteen sixties,

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Speaker 4: you know, this was the time. Man, this was like.

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Speaker 4: And I'm I'm a child of hip hop. I grew

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Speaker 4: up on Elvis Durant and the z Morning Zoo Baby.

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Speaker 1: You know that's me. I'm the king of hip hop,

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Speaker 1: very straight, very strue, well not not, you know.

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Speaker 4: I guess if I look at getting my fix, I would

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Speaker 4: I would scroll down to ninety seven point one and

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Speaker 4: all honesty.

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Speaker 1: But you know, but I hit the dumb button.

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Speaker 4: Yeah, I hit the dumb button right now. But Belvis,

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Speaker 4: I grew up with what was on the menu musically.

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Speaker 4: You know, I didn't listen to this sixty stuff because

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Speaker 4: my mom listened to show tunes and my dad listened

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Speaker 4: to old French classics. So I had a weird musical upbringing,

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Speaker 4: you know. So now I got to dad dive into

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Speaker 4: this music. And Bob Dylan was my gateway into you know,

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Speaker 4: stuff that's more obvious than it sounds, like the Beatles

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Speaker 4: or the Rolling Stones, or the Kinks or Jimmy Hendricks.

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Speaker 4: You know, Jimmy Hendrix was a massive fan of Bob,

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Speaker 4: so this was this was the ultimate education, you.

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Speaker 1: Know, Timothy shallowmey.

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Speaker 2: Of course, the movie A Complete Unknown, all about Bob Dylan,

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Speaker 2: and it's out December twenty fifth. He's alive right now,

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Speaker 2: saying what he's wants to say, obviously from London. Yes, Gandhi,

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Speaker 2: So you know you were with.

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Speaker 5: This for five and a half years. You're studying somebody else.

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Speaker 5: And I heard that when you do these roles, part

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Speaker 5: of it always lives with you even after you're done.

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Speaker 5: Which parts have stuck with you?

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Speaker 4: I don't know. I feel like the whole experience stoke

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Speaker 4: with me. There's a part in a Bob Dylan documentary

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Speaker 4: called Don't Look Back. At the end he's just played

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Speaker 4: for the Queen of England and the Beatles and has

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Speaker 4: sold out sold out Royal Albert Hall, and then he's

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Speaker 4: kind of like smoking a cigarette and he turns to

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Speaker 4: his friends and he goes, I feel like I just

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Speaker 4: went through a thing, man, And that's like, that's the

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Speaker 4: best description of how I can how I can expect.

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Speaker 4: I really feel like I went through a thing. I've

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Speaker 4: never turned my phone off for the entirety of a shoot,

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Speaker 4: you know, I've never I've never sank into something. I

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Speaker 4: don't say it pretentiously. I don't say method acting blah

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Speaker 4: blah blah. I'm not saying any of that. I'm just

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Speaker 4: saying I had two and a half three months of

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Speaker 4: my life to play this guy and never get to

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Speaker 4: play him again. So I just went as hard as possible.

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Speaker 4: I went as fucking hit.

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Speaker 3: But but no, I just you know, it was transformative experience.

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Speaker 4: Man. I don't know what I took him. I don't

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Speaker 4: think I talked like him anymore.

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Speaker 1: You know, I can't see you walking into the Starbuck.

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Speaker 4: Elvis. You got a good dealing, man, it went hard.

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Speaker 6: I gave it.

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Speaker 3: You're good friends with Austin Butler, right, So I know

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Speaker 3: Austin Butler was saying how when he finished doing Elvis,

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Speaker 3: it was very hard to get out of that character.

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Speaker 3: So it wasn't as hard for you as it was

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Speaker 3: for him.

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Speaker 4: I guess maybe our processes are different. Austin is absolutely

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Speaker 4: brilliant in Elvis and one of my favorite things. And

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Speaker 4: Austin is such a lovely guy, so I don't think

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Speaker 4: he'd ever really be confrontational in him. But I remember

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Speaker 4: talking about it with him once and he's like, listen, man,

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Speaker 4: Like He's like, I know, I don't think he would

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Speaker 4: mind me saying that I know Elvis in and out,

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Speaker 4: Like you don't think if I really wanted to sound

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Speaker 4: like Elvis, I could sound like Elvis. This point being that,

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Speaker 4: you know, maybe some aspects had remained with him, but

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Speaker 4: like if he was going full Elvis like, we would

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Speaker 4: really know, you know what I mean? That wasn't as

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Speaker 4: funny as you guys as it was to me.

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Speaker 1: No, no, no, I mean we're hanging on every single

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Speaker 1: word to.

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Speaker 4: Me, Hey, Elvis, Elvis, I love you, man.

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Speaker 1: And we love you.

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Speaker 2: I can't wait till you're here live in the studios

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Speaker 2: so we can spank your ass for saying the F word.

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Speaker 4: By the way, word.

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Speaker 1: There are so many chooes from all right.

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Speaker 2: So I'm just loving how we're now finding out preparing

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Speaker 2: for a complean unknown and Bob Dylan that this wasn't

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Speaker 2: an overnight prep I mean, you'd rolled out of Dune,

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Speaker 2: you'd rolled out of Wonka, and which is all amazing,

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Speaker 2: But to see you picking that guitar and singing, you're

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Speaker 2: singing live to a camera, right, and you're sounding like

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Speaker 2: this guy, I mean amazing. I mean, do you ever

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Speaker 2: watch any of your work and go, God, I'm fing fantastic.

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Speaker 4: That's no, no, I appreciate it. But this, if you

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Speaker 4: want to talk about disconnect from something like Dune, is

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Speaker 4: so above my pay grade in the sense that it's

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Speaker 4: it's so meticulously well directed, it's it's operating on a

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Speaker 4: level cinematography wise and special effects wise, that what I

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Speaker 4: can watch that and really disconnecting the experience because it's

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Speaker 4: so beyond me in a sense, This Bob Dylan movie.

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Speaker 4: I was so well researched and so well versed and

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Speaker 4: so passionate about the material that whatever experience I had

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Speaker 4: doing it. I love the finished product and I'm super

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Speaker 4: proud of it, but it'll never compare to what I

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Speaker 4: went through actually shooting it. You know. The first time

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Speaker 4: I saw it, I had to realize it was a movie.

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Speaker 4: And I love it, but I feel like I went

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Speaker 4: through a like a biblical passage or something. I swear

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Speaker 4: I'm really not trying to use I'm not trying to

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Speaker 4: sound pretentious, and I'm not trying to be like one

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Speaker 4: of these actors who puffs up their own work, you know,

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Speaker 4: because I haven't talked about. And I love everything I've

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Speaker 4: been in, but this was the thing I spent five

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Speaker 4: and a half years working on. So honestly, when I

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Speaker 4: watched this, the one time I've watched this, can only

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Speaker 4: saw one final cut. I honestly still just honestly just

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Speaker 4: still see moments that I wish I could tinker with,

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Speaker 4: and because I would. This da Pennybaker documentary. Man, it's

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Speaker 4: one of the best music documentaries ever. If you love

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Speaker 4: music documentaries, don't look back. It is sort of like

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Speaker 4: the og rock and Roll documentary. You know. I just

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Speaker 4: see moments in our movie that line up with that,

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Speaker 4: and it makes me very excited. And then I see

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Speaker 4: moments where it doesn't line up, and I wish I

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Speaker 4: could tinker with things still, you know, But.

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Speaker 2: Well it's done. Sorry, no tinkering, No tin going back

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Speaker 2: to a dinky town.

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Speaker 4: Now.

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Speaker 2: Look, thank you so much for spending time with us,

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Speaker 2: and I think you've having me on. It's so important

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Speaker 2: that people understand all the different genres of music that

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Speaker 2: have made us come to where we are now. With

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Speaker 2: the music we listen to today, folk music is sort

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Speaker 2: of the genres is kind of kicked to the side.

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Speaker 2: That people of today don't really understand, and I think

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Speaker 2: this film is going to help that. And the film

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Speaker 2: makes New York City look kick ass beautiful. I think

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Speaker 2: that's another great thing about this film. New York City

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Speaker 2: seems to be one of the stars of the show

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Speaker 2: and I love it.

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Speaker 1: I think it's great. So what do you do now?

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Speaker 1: I mean, what is it like?

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Speaker 2: Because we only have like a minute left with you.

300
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Speaker 2: What is it like now? Now that film's in the cans.

301
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Speaker 2: There's nothing you can do to change anything?

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Speaker 1: Is it all? What you're doing today with us is

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Speaker 1: all just on the road talking.

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Speaker 4: About But this is seriously, it's an honor and it's

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Speaker 4: a joy to get to talk to you. And also

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Speaker 4: I wanted, like I said, I want to be a

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Speaker 4: bridge to this folk music. You know, folk music is

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Speaker 4: a man and a woman with a guitar. And what

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Speaker 4: Bob Dylan did in the sixties, which seems trivial now,

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Speaker 4: is he took old Irish ballads, he took old forms

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Speaker 4: of songwriter and he made them personalized. And you could

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Speaker 4: draw a line to all personalized music, from Lona del

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Speaker 4: Ray to hip hop to this moment in the sixties,

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Speaker 4: no matter how grand that sounds and it seems trivial

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Speaker 4: now to put music in the I am form, that's

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Speaker 4: to say I am going through this, or this person

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Speaker 4: broke my heart, or this is my point of view

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Speaker 4: on this. But Bob sort of had the avant garde

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Speaker 4: instinct to do that, you know. So this is the

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Speaker 4: part of the process I'm at in this movie. Now,

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Speaker 4: I'm putting it out. But I love talking to you

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Speaker 4: and I love hitting the streets. In lack of a

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Speaker 4: better sense to talk about this because I'm not pushing

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Speaker 4: some corporate selling point. I'm not pushing some corporate bottom line.

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Speaker 4: This is like, this is this is the real deal.

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Speaker 4: This is Bob Dylan. This is the music of the sixties.

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Speaker 4: And uh, and like I started the interview with, you know,

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Speaker 4: it's sort of an untapped period. It's sort of an

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Speaker 4: untapped period. And and uh, seeing artists like McGee explode,

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Speaker 4: now there is an ear for quote unquote like authentic music,

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Speaker 4: you know, stuff that's not hyper edited and hyper process.

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Speaker 4: People want to hear real stuff. You know. That's my opinion.

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Speaker 4: So uh, anyway, thank you for letting me come on

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Speaker 4: a big platform like this talking about this film. It's

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Speaker 4: an honor to talk to all of.

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Speaker 2: You, well, honor to speak with you, Timothy shallow May.

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00:14:49,320 --> 00:14:51,360
Speaker 2: Of course when you're in New York City, we do

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Speaker 2: want you to come take pay a visit. And as

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00:14:53,320 --> 00:14:55,040
Speaker 2: we leave you, I know you have to roll. We're

340
00:14:55,080 --> 00:14:58,040
Speaker 2: gonna we're gonna actually getna play like a rolling stone.

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00:14:58,400 --> 00:15:00,600
Speaker 2: So everything and when you're you.

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Speaker 4: This is like a rolling stone written by Bob Dylan.

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Speaker 4: Play me there you go, tim to.

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Speaker 1: Salome, thank you so much. You have a great day.

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Speaker 1: Thank you so much, great speaking ship. Absolutely wow, listen

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Speaker 1: to this. It sounds so good.

347
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Speaker 4: Right once upon a time you're just so fine through

348
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Speaker 4: the bumps of dime in your prime.

349
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Speaker 7: Been you.

350
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Speaker 4: People call say't be lett out?

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Speaker 8: You found a file? You thought they were out? Can you?

352
00:15:36,320 --> 00:15:39,720
Speaker 8: You used to laugh about.

353
00:15:41,280 --> 00:15:44,520
Speaker 7: Never let it up us hang it out?

354
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Speaker 8: Now you don't talk so loud.

355
00:15:50,640 --> 00:15:59,200
Speaker 4: Now you don't seems so proud about having everything strounging your.

356
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Speaker 6: Next How does it do?

357
00:16:08,600 --> 00:16:18,880
Speaker 8: How does filon even no direction?

358
00:16:22,840 --> 00:16:42,760
Speaker 7: A compete like a run stop.

359
00:16:42,440 --> 00:16:45,800
Speaker 4: Precess on the steeple and all that pretty people are

360
00:16:45,960 --> 00:16:49,640
Speaker 4: drinking thinking that day God is made.

361
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Speaker 7: Exchanging our precious gifts.

362
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Speaker 4: But you better take it down and drink.

363
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Speaker 1: You better punt it back.

364
00:17:03,240 --> 00:17:03,800
Speaker 4: Used to be.

365
00:17:05,480 --> 00:17:10,920
Speaker 8: So mute and aposi and rags in the language that

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Speaker 8: he used.

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Speaker 1: God is no cous cant you.

368
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Speaker 8: We ain't got nothing, You got.

369
00:17:20,280 --> 00:17:21,320
Speaker 4: Nothing to lose.

370
00:17:22,400 --> 00:17:28,720
Speaker 8: You're invisible value. You've got no secrets to conceal.

371
00:17:31,280 --> 00:17:32,920
Speaker 7: A feel.

372
00:17:35,480 --> 00:17:46,440
Speaker 6: At the feel to be aa were not to recks

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Speaker 6: home like a compete up.

374
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Speaker 3: Like a stove.

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Speaker 1: Wow, Timothy shallow May.

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00:18:16,480 --> 00:18:20,919
Speaker 2: That's him singing, by the way, it's incredible and playing harmonica,

377
00:18:21,320 --> 00:18:25,639
Speaker 2: plays a harmonica? What I mean, Hello, what a what

378
00:18:25,720 --> 00:18:28,120
Speaker 2: a great morning? I wish she didn't say F twice

379
00:18:28,440 --> 00:18:28,920
Speaker 2: the work.

380
00:18:29,080 --> 00:18:30,320
Speaker 3: I wish he said it three times.

381
00:18:30,320 --> 00:18:31,320
Speaker 1: Well, here's what we're doing.

382
00:18:31,520 --> 00:18:35,840
Speaker 2: We do know that we have the unedited version in

383
00:18:35,880 --> 00:18:38,880
Speaker 2: the back, the computer that captures it without the dump

384
00:18:38,960 --> 00:18:41,040
Speaker 2: button thing, because when he said F, we had to

385
00:18:41,119 --> 00:18:44,280
Speaker 2: dump it, right. What can we get rid of this

386
00:18:45,040 --> 00:18:45,760
Speaker 2: stupid law?

387
00:18:46,520 --> 00:18:48,320
Speaker 1: Yes, nice, let's do it anyway.

388
00:18:48,359 --> 00:18:49,840
Speaker 2: We're gonna find that. As soon as we have it,

389
00:18:49,880 --> 00:18:52,480
Speaker 2: we're gonna post it so you can listen to all

390
00:18:52,520 --> 00:18:52,720
Speaker 2: of it.

391
00:18:52,800 --> 00:18:55,119
Speaker 3: But my favorite is that you told him, you know,

392
00:18:55,200 --> 00:18:57,040
Speaker 3: after he said it the first time, he thought it

393
00:18:57,080 --> 00:18:58,959
Speaker 3: was okay to say it. We told him no, so

394
00:18:59,000 --> 00:19:01,120
Speaker 3: then he presumed make sure he said it again.

395
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Speaker 1: I love him. He was comfortable, Yes, he was very comfortab.

396
00:19:04,760 --> 00:19:06,640
Speaker 2: Anyway, So Timothy challameade is the movie, of course, A

397
00:19:06,680 --> 00:19:09,359
Speaker 2: Complete Unknown. It's out December twenty fifth. They call that

398
00:19:09,440 --> 00:19:14,879
Speaker 2: Christmas Day. Keep in mind. Uh, like a Rolling Stone

399
00:19:15,160 --> 00:19:17,720
Speaker 2: is one of the biggest rock songs of all time.

400
00:19:18,000 --> 00:19:19,439
Speaker 1: Yeah, so I hit it.

401
00:19:19,520 --> 00:19:21,720
Speaker 2: I pushed play and we're listening to it here in

402
00:19:21,720 --> 00:19:24,520
Speaker 2: the studio. Nate says, Wow, that's a pretty.

403
00:19:24,280 --> 00:19:29,560
Speaker 1: Good song, you know what I mean, It's like one

404
00:19:29,600 --> 00:19:31,960
Speaker 1: of the biggest songs of all time like that. That's

405
00:19:32,000 --> 00:19:34,440
Speaker 1: it's kind of hold on him, kind of catching.

406
00:19:36,000 --> 00:19:37,000
Speaker 4: I'm aware of the.

407
00:19:36,880 --> 00:19:39,080
Speaker 1: History of Bob Dylan and like a Rolling Stone that's

408
00:19:39,119 --> 00:19:42,040
Speaker 1: being said. His version is great and I could actually

409
00:19:42,080 --> 00:19:43,960
Speaker 1: hear that being played.

410
00:19:45,880 --> 00:19:46,080
Speaker 4: Space.

411
00:19:46,160 --> 00:19:46,720
Speaker 1: We just played it.

412
00:19:46,880 --> 00:19:50,000
Speaker 2: Yeah, it's okay, it's a it's a song, right, this song,

413
00:19:50,600 --> 00:19:53,359
Speaker 2: it's I think there's something he could be a hit.

414
00:19:55,200 --> 00:19:58,199
Speaker 1: Anyway, So, uh, that was awesome, you know. And at

415
00:19:58,200 --> 00:19:59,359
Speaker 1: the end of the day, what an actor.

416
00:19:59,640 --> 00:19:59,960
Speaker 4: Look at it.

417
00:20:00,000 --> 00:20:02,720
Speaker 2: Everything Timothy Shallow make has been in Oh yeah, I

418
00:20:02,720 --> 00:20:05,720
Speaker 2: mean in these roles he just kind of he doesn't

419
00:20:05,800 --> 00:20:07,560
Speaker 2: kind of he just tremendously owns them.

420
00:20:07,720 --> 00:20:08,240
Speaker 4: What do you think?

421
00:20:08,560 --> 00:20:10,119
Speaker 5: I thought he was awesome and he's somebody that I

422
00:20:10,119 --> 00:20:12,480
Speaker 5: would love to come into studio because he has really

423
00:20:12,480 --> 00:20:13,040
Speaker 5: good energy.

424
00:20:13,200 --> 00:20:14,200
Speaker 1: Yeah what do you Oh?

425
00:20:14,280 --> 00:20:16,520
Speaker 3: Yeah, same thing. I wish he would come up here,

426
00:20:16,560 --> 00:20:17,199
Speaker 3: would be awesome.

427
00:20:17,240 --> 00:20:18,080
Speaker 1: There you go, And he's.

428
00:20:17,960 --> 00:20:19,680
Speaker 4: Only twenty eight and he's done all that.

429
00:20:20,040 --> 00:20:22,240
Speaker 1: Scary, scary. I hope you get some more done before

430
00:20:22,240 --> 00:20:22,880
Speaker 1: you're twenty eight.

431
00:20:25,560 --> 00:20:27,840
Speaker 3: A lot of people say, my oldest looks like him.

432
00:20:28,119 --> 00:20:29,879
Speaker 3: Oh really, That's why I can't say he's hot. I

433
00:20:29,880 --> 00:20:31,040
Speaker 3: can only say, oh, you know what he does?

434
00:20:31,080 --> 00:20:31,680
Speaker 1: They do look away.

435
00:20:31,720 --> 00:20:32,919
Speaker 3: I'm like, no, he's a nice boy.

436
00:20:33,880 --> 00:20:37,960
Speaker 2: He looks like nice young man. All right, that was great,

437
00:20:38,000 --> 00:20:39,679
Speaker 2: What a great moment on our show. We do have

438
00:20:39,680 --> 00:20:42,080
Speaker 2: a free money phone tap worth a thousand dollars. Timothy

439
00:20:42,119 --> 00:20:43,720
Speaker 2: Shadow May grew up listening to phone taps.

440
00:20:43,760 --> 00:20:45,320
Speaker 1: Yeah, that's crazy.

441
00:20:45,960 --> 00:20:48,640
Speaker 3: It's and his song, so think about it, even though

442
00:20:48,680 --> 00:20:51,520
Speaker 3: it's not really his song. Technically, his song just got

443
00:20:51,560 --> 00:20:53,439
Speaker 3: paid played on the radio station that he grew up

444
00:20:53,480 --> 00:20:53,919
Speaker 3: listening to.

445
00:20:54,080 --> 00:20:55,840
Speaker 2: Like that's always should have said that, Yeah, can you

446
00:20:55,840 --> 00:20:58,520
Speaker 2: get back on the phone. Yeah, all right, your one

447
00:20:58,560 --> 00:21:00,280
Speaker 2: thousand dollars free money. Phone tap is on the way.

448
00:21:00,320 --> 00:21:02,960
Speaker 2: Let's get into the three things if you want, all right,

449
00:21:03,080 --> 00:21:04,840
Speaker 2: the three things we need to know from Gandhi?

450
00:21:05,000 --> 00:21:06,159
Speaker 1: All right, Gandhi, what's going on?

451
00:21:06,560 --> 00:21:09,720
Speaker 5: Pope Francis says there were two attempts on his life

452
00:21:09,800 --> 00:21:12,320
Speaker 5: during a twenty twenty one trip to Iraq. In his

453
00:21:12,480 --> 00:21:16,280
Speaker 5: upcoming autobiography, Hope, he writes that two suicide bombers, one

454
00:21:16,280 --> 00:21:18,600
Speaker 5: in a van, were on the way to Musoul to

455
00:21:18,680 --> 00:21:21,800
Speaker 5: attack during his visit. The attackers were intercepted and taken

456
00:21:21,840 --> 00:21:25,359
Speaker 5: out by Iraqi security forces. Pope Francis's visit to Iraq

457
00:21:25,520 --> 00:21:29,480
Speaker 5: was the first by a pontiff. Luigi Mangioni is facing

458
00:21:29,560 --> 00:21:32,280
Speaker 5: murder and terrorism charges in the killing of United Healthcare

459
00:21:32,320 --> 00:21:35,720
Speaker 5: CEO Brian Thompson. Mangioni is accused of killing him as

460
00:21:35,760 --> 00:21:38,880
Speaker 5: we know, into Manhattan Street earlier this month. The Manhattan

461
00:21:38,920 --> 00:21:42,359
Speaker 5: District Attorney's office announced Tuesday that Mangioni is charged with

462
00:21:42,359 --> 00:21:45,720
Speaker 5: one count of first degree murder in furtherance of terrorism

463
00:21:46,000 --> 00:21:48,719
Speaker 5: and two counts of second degree murder, including one as

464
00:21:48,760 --> 00:21:51,639
Speaker 5: an act of terrorism. District Attorney Alvin Bragg said that

465
00:21:51,640 --> 00:21:54,600
Speaker 5: the killing was intended to evoke terror. Mangioni, who is

466
00:21:54,640 --> 00:21:57,680
Speaker 5: in custody in Pennsylvania, faces life in prison if convicted.

467
00:21:58,480 --> 00:22:01,639
Speaker 5: And finally, the two NASA astronauts who have been stuck

468
00:22:01,680 --> 00:22:04,320
Speaker 5: on the International Space Station, we'll have to stay there

469
00:22:04,480 --> 00:22:08,399
Speaker 5: through March. Sodey Williams and Bush Wilmore flew to the

470
00:22:08,480 --> 00:22:12,399
Speaker 5: ISS on the Boeing Starliner's shaky first test flight in June.

471
00:22:12,960 --> 00:22:15,000
Speaker 5: The two intended to stay in space for just a

472
00:22:15,040 --> 00:22:18,440
Speaker 5: week before returning, but it's gonna end up being closer.

473
00:22:18,080 --> 00:22:19,400
Speaker 1: To nine months.

474
00:22:19,400 --> 00:22:22,080
Speaker 5: WHOA, I can't even imagine what that does to you

475
00:22:22,119 --> 00:22:25,560
Speaker 5: and your body, my mental health. NASA has repeatedly pushed

476
00:22:25,560 --> 00:22:27,440
Speaker 5: back the launch of a SpaceX craft that will be

477
00:22:27,480 --> 00:22:29,600
Speaker 5: used to bring them home on Tuesday. Officials said that

478
00:22:29,600 --> 00:22:31,600
Speaker 5: the launch will be no earlier than the end of

479
00:22:31,640 --> 00:22:36,000
Speaker 5: March to allow more time to complete processing on the spacecraft.

480
00:22:36,240 --> 00:22:40,560
Speaker 1: And those are your three things, Thank you guy. Another

481
00:22:40,720 --> 00:22:42,679
Speaker 1: free money phone tap coming up next?

482
00:22:42,800 --> 00:22:45,359
Speaker 4: Yeah, what is that? It's a major award.

483
00:22:45,200 --> 00:22:46,680
Speaker 2: For the Elvis Duran in the Morning Show.

484
00:22:46,720 --> 00:22:50,320
Speaker 3: Free money phone tap, no purchase necessary voiding Montana, New Mexico, Washington,

485
00:22:50,359 --> 00:22:52,480
Speaker 3: and Wever hibited. For more infoing rules, go to Elvis

486
00:22:52,560 --> 00:22:55,760
Speaker 3: duran dot Com slash contest Elvis Durana, The Morning Show,