1
00:00:00,160 --> 00:00:02,680
Speaker 1: Hey guys, So before you listen to our podcast, we

2
00:00:02,720 --> 00:00:05,000
Speaker 1: want to talk to you really quickly about a much

3
00:00:05,040 --> 00:00:09,600
Speaker 1: more popular, similar podcast that you've definitely heard. Now. The

4
00:00:09,600 --> 00:00:13,080
Speaker 1: way most people found our show, Hollywood Handbook is they

5
00:00:13,080 --> 00:00:15,040
Speaker 1: were sort of led there because they were fans of

6
00:00:15,040 --> 00:00:17,560
Speaker 1: Comedy Bang Bang. Comedy Bang Bang was the very first

7
00:00:17,640 --> 00:00:21,159
Speaker 1: Earwolf podcast, hosted by Ewolf co founder Scott Ackerman, and

8
00:00:21,239 --> 00:00:23,680
Speaker 1: they just put out their five hundredth episode, and we're

9
00:00:23,720 --> 00:00:26,280
Speaker 1: going to take some time before we start our show

10
00:00:26,520 --> 00:00:29,480
Speaker 1: to talk about that show that's already out that you've

11
00:00:29,480 --> 00:00:33,239
Speaker 1: already heard. If you didn't know Comedy Bang Bang, you

12
00:00:33,400 --> 00:00:36,440
Speaker 1: should because you do know it, because that's how you

13
00:00:36,479 --> 00:00:39,600
Speaker 1: found us. It's where comedians and celebrities like John Hammer

14
00:00:39,720 --> 00:00:43,920
Speaker 1: Jane Lynch meet absurd characters like a robot named Little Button, Puss,

15
00:00:44,240 --> 00:00:46,520
Speaker 1: the Cake Boss, or a duck.

16
00:00:47,280 --> 00:00:49,680
Speaker 2: Scott's put together an extra special episode for the five

17
00:00:49,760 --> 00:00:52,920
Speaker 2: hundredth with a lot of guests that are much better

18
00:00:53,000 --> 00:00:55,880
Speaker 2: than we ever get on our show, and in a

19
00:00:55,880 --> 00:00:58,360
Speaker 2: lot of cases, John Hamm is not doing this show.

20
00:00:58,520 --> 00:01:01,279
Speaker 3: Let's say that. I'll just put that out there straight up.

21
00:01:01,320 --> 00:01:03,040
Speaker 1: Even some of the people who are on that show

22
00:01:03,080 --> 00:01:05,880
Speaker 1: who've done this show. They're bringing their a game when

23
00:01:05,880 --> 00:01:07,880
Speaker 1: they do Comedy Bang Bang, and when they do ours,

24
00:01:07,880 --> 00:01:10,520
Speaker 1: they're kind of like, what is this we're talking about?

25
00:01:10,560 --> 00:01:13,400
Speaker 3: Paul F. Tompkins. Look, yes, he does a lot of stuff.

26
00:01:13,520 --> 00:01:13,920
Speaker 1: He's good.

27
00:01:14,480 --> 00:01:16,399
Speaker 3: Lapis Laptus did our show once.

28
00:01:16,480 --> 00:01:17,040
Speaker 1: It was great.

29
00:01:17,120 --> 00:01:20,880
Speaker 2: We're not able to call in Lapis a sort of

30
00:01:20,920 --> 00:01:21,640
Speaker 2: on command.

31
00:01:21,720 --> 00:01:24,560
Speaker 1: They did five hundred Comedy bangings. She's probably on four

32
00:01:24,640 --> 00:01:25,320
Speaker 1: hundred of them.

33
00:01:25,800 --> 00:01:28,040
Speaker 2: Nick Kroll has been on our show. That pretty much

34
00:01:28,080 --> 00:01:30,040
Speaker 2: precludes us from ever asking him to do it again.

35
00:01:30,240 --> 00:01:34,720
Speaker 1: Literally, was like, you have a half an hour, he

36
00:01:34,840 --> 00:01:37,920
Speaker 1: has to go do something else. He's tired, and he

37
00:01:38,760 --> 00:01:41,200
Speaker 1: was great. So just imagine how good he is on

38
00:01:41,240 --> 00:01:44,280
Speaker 1: Comedy Bang where he actually wants to hang out. Yes,

39
00:01:45,160 --> 00:01:50,040
Speaker 1: and Jason Manzugiz. So with the show's famous open door policy,

40
00:01:50,080 --> 00:01:51,840
Speaker 1: you never know who's going to watch, but it w

41
00:01:52,040 --> 00:01:54,160
Speaker 1: won't be us because a lot of times we are

42
00:01:54,200 --> 00:01:58,040
Speaker 1: here when they're recording and it is not The policy

43
00:01:58,160 --> 00:01:59,960
Speaker 1: is not open door for everyone.

44
00:02:00,280 --> 00:02:03,520
Speaker 3: Yes, that is a that's end quote. I mean the

45
00:02:03,600 --> 00:02:05,520
Speaker 3: door is literally shut.

46
00:02:05,760 --> 00:02:08,760
Speaker 2: It's open just for sonic like acoustic reasons, but also

47
00:02:08,800 --> 00:02:10,120
Speaker 2: to keep us out of the studio.

48
00:02:10,240 --> 00:02:13,480
Speaker 1: It's open for necrologist Manzugus is called Tian's but it

49
00:02:13,560 --> 00:02:16,440
Speaker 1: is not like open like if you're here recording next door,

50
00:02:16,560 --> 00:02:20,000
Speaker 1: feel free to pop in for the five hundred episode. Actually,

51
00:02:20,000 --> 00:02:23,080
Speaker 1: the guest who you have for your episode is going

52
00:02:23,120 --> 00:02:24,720
Speaker 1: to be on the five hundred episode of my show.

53
00:02:24,760 --> 00:02:26,519
Speaker 1: So he keeps checking his watch because he's got to

54
00:02:26,560 --> 00:02:28,120
Speaker 1: pop over to and he's.

55
00:02:27,760 --> 00:02:30,959
Speaker 2: Saving visibly saving a lot of stuff, Like he'll start

56
00:02:31,000 --> 00:02:32,560
Speaker 2: to do a joke and then be like, yeah, I

57
00:02:32,600 --> 00:02:34,760
Speaker 2: actually might want to say that like a big show.

58
00:02:34,960 --> 00:02:37,840
Speaker 1: So celebrate by listening to comedy Bang Banks five hundred episode,

59
00:02:37,840 --> 00:02:41,080
Speaker 1: which is going to listen to already have an Apple

60
00:02:41,080 --> 00:02:44,240
Speaker 1: podcast Stitcher, and if you see Scott Ackerman, give him

61
00:02:44,280 --> 00:02:45,960
Speaker 1: a hainong man from us.

62
00:02:46,000 --> 00:02:48,400
Speaker 2: We don't know what that is, and then quote something

63
00:02:48,440 --> 00:02:50,520
Speaker 2: from our show that he will not understand.

64
00:02:50,760 --> 00:02:52,360
Speaker 1: Yes, that's right, Fair's fair.

65
00:02:53,120 --> 00:02:56,760
Speaker 4: You're about to hear episode three of Hollywood Masterclass. For

66
00:02:56,840 --> 00:03:04,440
Speaker 4: the rest of the series, go to Stitcher Premium.

67
00:03:04,639 --> 00:03:21,240
Speaker 1: I'm Seank Lemons. Welcome to my monster Clips. So Bang

68
00:03:21,680 --> 00:03:26,560
Speaker 1: roger Man. We have been talking a lot about art

69
00:03:26,800 --> 00:03:30,920
Speaker 1: and doing art and the job of the artist, and

70
00:03:33,320 --> 00:03:38,600
Speaker 1: we've left sort of an ugly pile of muck swept

71
00:03:38,640 --> 00:03:40,360
Speaker 1: under the rug, you know, And I think it's time

72
00:03:40,400 --> 00:03:44,360
Speaker 1: to pull up the rug and just admit, Hey, it's

73
00:03:44,400 --> 00:03:49,920
Speaker 1: a business, right, Yeah, yeah, Hey, everybody's got to eat right.

74
00:03:51,040 --> 00:03:53,560
Speaker 1: You know, you gotta make the you gotta make the

75
00:03:55,080 --> 00:03:59,960
Speaker 1: eat eat stew money before you make the fuck you money.

76
00:04:00,240 --> 00:04:00,880
Speaker 3: I suppose so.

77
00:04:01,080 --> 00:04:03,880
Speaker 1: And you could just be like, hey, fuck you because

78
00:04:03,920 --> 00:04:06,400
Speaker 1: you got so much money that you're just saying that

79
00:04:06,560 --> 00:04:11,000
Speaker 1: to your dry cleaner or your best friend. Do you

80
00:04:11,080 --> 00:04:11,680
Speaker 1: understand that?

81
00:04:13,600 --> 00:04:16,120
Speaker 5: I kind of relate more to the everybody's got to

82
00:04:16,160 --> 00:04:19,760
Speaker 5: eat part than the best friend stuff.

83
00:04:19,800 --> 00:04:23,239
Speaker 1: But I think because you eat right, I mean everybody does.

84
00:04:23,520 --> 00:04:25,880
Speaker 1: I mean we say that, but what does it mean, right?

85
00:04:25,960 --> 00:04:27,760
Speaker 1: We all do eat, don't we.

86
00:04:28,880 --> 00:04:32,599
Speaker 3: That's true? Yes, yeah, we have to as human beings.

87
00:04:32,360 --> 00:04:35,080
Speaker 1: Or you become bones. You know, you turn it in

88
00:04:35,279 --> 00:04:40,800
Speaker 1: by by men. So let's start talking. We've got a

89
00:04:40,839 --> 00:04:42,920
Speaker 1: great guest here today, a little bit of a guest

90
00:04:43,040 --> 00:04:48,480
Speaker 1: lecturer who's going to talk more about the business side

91
00:04:48,520 --> 00:04:53,080
Speaker 1: of this, because it's a business. It's not just all fun.

92
00:04:53,120 --> 00:04:56,000
Speaker 1: It's a business. You know, there's money on the line.

93
00:04:56,440 --> 00:04:59,279
Speaker 1: And the more you understand that some of this is

94
00:04:59,279 --> 00:05:02,240
Speaker 1: an act of common the easier it will be to

95
00:05:04,000 --> 00:05:07,920
Speaker 1: fulfill your dreams as an artist. And I want to

96
00:05:07,960 --> 00:05:10,120
Speaker 1: get into scene work later today we're going to do

97
00:05:10,200 --> 00:05:14,800
Speaker 1: scene work. Great, be excited for that. Yeah, that's a

98
00:05:14,800 --> 00:05:18,960
Speaker 1: big opportunity for somebody who's a pretty big casting director

99
00:05:19,040 --> 00:05:21,800
Speaker 1: actually too, as well as as many other talents to

100
00:05:21,880 --> 00:05:23,919
Speaker 1: see you do scene work. But for now, we're going

101
00:05:23,960 --> 00:05:27,800
Speaker 1: to get into some theory, and please do welcome. His

102
00:05:28,000 --> 00:05:30,240
Speaker 1: job important. He's going to talk a little bit about

103
00:05:30,279 --> 00:05:32,480
Speaker 1: what he does. Thank you, Yeah, thank you so much

104
00:05:32,520 --> 00:05:35,360
Speaker 1: for having me here. I think I love that you're

105
00:05:35,400 --> 00:05:37,680
Speaker 1: doing this, Sean. I really think this is a beautiful

106
00:05:37,720 --> 00:05:40,919
Speaker 1: it's a beautiful idea. I'm so excited giving back.

107
00:05:41,080 --> 00:05:44,400
Speaker 2: I tell so many people about that, like you believe

108
00:05:44,440 --> 00:05:47,560
Speaker 2: that Sean is doing this like wonderful. Yeah, And a

109
00:05:47,600 --> 00:05:49,039
Speaker 2: lot of them are like, oh, it kind of sounds

110
00:05:49,040 --> 00:05:51,000
Speaker 2: like your other thing. I'm like, no, it's not. It's

111
00:05:51,040 --> 00:05:52,240
Speaker 2: it is very different.

112
00:05:52,360 --> 00:05:53,719
Speaker 1: Oh gosh's a whole new thing.

113
00:05:53,960 --> 00:05:54,159
Speaker 3: Yeah.

114
00:05:54,200 --> 00:05:56,920
Speaker 1: I mean they said, well, this sounds like Hollywood. No, no, no,

115
00:05:57,040 --> 00:06:00,200
Speaker 1: it's like no, it is this is People have said

116
00:06:00,240 --> 00:06:03,280
Speaker 1: that yes, what narrow, and they say you should I mean,

117
00:06:03,320 --> 00:06:05,120
Speaker 1: so you must be like getting a little piece of this, right,

118
00:06:05,320 --> 00:06:08,279
Speaker 1: And why would I Why would I get any like?

119
00:06:08,320 --> 00:06:12,600
Speaker 1: It's it is a completely different concept that almost implies

120
00:06:12,680 --> 00:06:18,400
Speaker 1: that my range is so narrow that there's really only

121
00:06:18,440 --> 00:06:22,680
Speaker 1: one bit I even have access to, and that I

122
00:06:22,760 --> 00:06:26,520
Speaker 1: need to somehow repackage. I know, these same three or

123
00:06:26,560 --> 00:06:30,120
Speaker 1: four jokes I know and over again, and that's so crazy,

124
00:06:30,279 --> 00:06:33,200
Speaker 1: so insulting, and the idea you want to get a

125
00:06:33,200 --> 00:06:35,280
Speaker 1: piece of it when I know so different, so different.

126
00:06:35,320 --> 00:06:36,479
Speaker 1: Do you want to know who said that to me?

127
00:06:36,960 --> 00:06:42,280
Speaker 1: Tell me it was Brett, engineer Brett. It was Brett, engineer,

128
00:06:42,320 --> 00:06:44,159
Speaker 1: Brett Brett. When did you bring that? Bred asked me

129
00:06:44,200 --> 00:06:48,760
Speaker 1: to coffee? Oh no, and you went, yeah, oh no,

130
00:06:48,880 --> 00:06:54,240
Speaker 1: And what did you order? I had the So I

131
00:06:54,279 --> 00:07:00,719
Speaker 1: don't like cups, you don't anymore? Yeah, but I like environment. Yeah.

132
00:07:01,040 --> 00:07:03,839
Speaker 1: It's like you look everywhere you look, there are these copies,

133
00:07:03,920 --> 00:07:07,200
Speaker 1: and you know about the environment, some of this uh

134
00:07:06,320 --> 00:07:07,920
Speaker 1: uh green stuff?

135
00:07:10,440 --> 00:07:14,480
Speaker 3: Wait, the environment in generally, yes, I know about it.

136
00:07:14,680 --> 00:07:17,360
Speaker 1: Uh huh. And the cups right, Hey, it's you're either

137
00:07:17,440 --> 00:07:19,480
Speaker 1: washing them or you're throwing them away, and they're both

138
00:07:19,520 --> 00:07:22,640
Speaker 1: back and then they're just blowing around and they're both back.

139
00:07:22,720 --> 00:07:24,920
Speaker 2: So I have them roll up a tortilla and sort

140
00:07:24,960 --> 00:07:26,920
Speaker 2: of a cone, and then I have my coffeees in

141
00:07:26,960 --> 00:07:29,680
Speaker 2: there and you can use that over and over again.

142
00:07:30,320 --> 00:07:33,680
Speaker 1: Oh yeah, uh so, all right, so you had coffee

143
00:07:33,720 --> 00:07:36,320
Speaker 1: out of a tortilla kind of biting slash drinking it.

144
00:07:36,440 --> 00:07:38,000
Speaker 2: Yes, And Brett is saying to me, I just want

145
00:07:38,040 --> 00:07:39,520
Speaker 2: you to know about this thing because I'm doing the

146
00:07:39,560 --> 00:07:40,600
Speaker 2: engineering on this thing.

147
00:07:40,680 --> 00:07:43,960
Speaker 1: Mm hmm. That you know, like it's it seems like

148
00:07:44,040 --> 00:07:44,880
Speaker 1: kind of simwhere to your thing?

149
00:07:44,880 --> 00:07:48,720
Speaker 4: And I said, Brett, I didn't exactly say that.

150
00:07:49,600 --> 00:07:52,240
Speaker 1: Okay, that's not verbatim what I said. Well, I'd love

151
00:07:52,280 --> 00:07:55,600
Speaker 1: to hear the actual word for word retelling.

152
00:07:56,240 --> 00:07:59,080
Speaker 4: I said, uh, you know, how's your cone?

153
00:07:59,520 --> 00:08:01,960
Speaker 2: And then that was at the time it was spilling

154
00:08:02,040 --> 00:08:03,760
Speaker 2: out of the bottom. I think that was you trying

155
00:08:03,800 --> 00:08:04,360
Speaker 2: to help.

156
00:08:04,160 --> 00:08:05,440
Speaker 1: Me, right.

157
00:08:06,440 --> 00:08:12,000
Speaker 4: And then he accused me of asking you for tortilla

158
00:08:12,080 --> 00:08:16,120
Speaker 4: coffee before him, and I assured him I didn't, but

159
00:08:16,200 --> 00:08:18,880
Speaker 4: I said I was with you and I engineered this

160
00:08:19,000 --> 00:08:19,520
Speaker 4: new show.

161
00:08:20,640 --> 00:08:21,000
Speaker 1: Hmmm.

162
00:08:21,560 --> 00:08:24,480
Speaker 4: And you know I might I might have said.

163
00:08:24,400 --> 00:08:27,160
Speaker 1: Is you know seem worth doubling back for? Can you

164
00:08:27,200 --> 00:08:31,560
Speaker 1: see the idea? That we know that you said, that's

165
00:08:31,600 --> 00:08:33,120
Speaker 1: not what I said, and then I asked what you

166
00:08:33,200 --> 00:08:35,760
Speaker 1: really said, and then that this is the story that

167
00:08:35,880 --> 00:08:38,160
Speaker 1: ends up being very similar. What are they doing?

168
00:08:38,320 --> 00:08:40,440
Speaker 2: And I wouldn't want to subject you to the exact

169
00:08:40,480 --> 00:08:42,160
Speaker 2: conversation that I had with Brighte.

170
00:08:42,360 --> 00:08:45,400
Speaker 1: No wonder I had different. No wonder Hayes trunk ated

171
00:08:45,440 --> 00:08:48,560
Speaker 1: it because what he did was actually a very concise,

172
00:08:48,640 --> 00:08:53,120
Speaker 1: somewhat interesting thing to say. No, it was actually longer

173
00:08:53,160 --> 00:08:55,400
Speaker 1: and worse is the is the correction he was trying

174
00:08:55,400 --> 00:08:57,600
Speaker 1: to get, And it was which I can always assume

175
00:08:57,840 --> 00:09:00,720
Speaker 1: if someone's telling me a story that you in that

176
00:09:00,840 --> 00:09:04,280
Speaker 1: you have a longer, worse virgin loaded up and ready

177
00:09:04,320 --> 00:09:08,080
Speaker 1: to go. Thanks for doing this his No, I love

178
00:09:08,200 --> 00:09:11,440
Speaker 1: I love talking about this stuff. A lot of people

179
00:09:12,160 --> 00:09:16,560
Speaker 1: think of the business part as this is yucky gross

180
00:09:17,200 --> 00:09:20,720
Speaker 1: mm hmm, that it's a mucky, foul, swamp monster, beetle

181
00:09:20,760 --> 00:09:23,120
Speaker 1: juice man that lives in a closet and can come

182
00:09:23,160 --> 00:09:25,400
Speaker 1: out and you know, just choke you to death.

183
00:09:25,480 --> 00:09:27,360
Speaker 2: Yes, but I think it is fun. And there is

184
00:09:27,400 --> 00:09:30,640
Speaker 2: an art to this as well. In the same way

185
00:09:30,640 --> 00:09:32,760
Speaker 2: that there's an art to the art version of it,

186
00:09:32,800 --> 00:09:36,640
Speaker 2: there is an art to the business money aspect. And

187
00:09:36,760 --> 00:09:38,360
Speaker 2: for me, there are a lot of sort of different

188
00:09:38,400 --> 00:09:45,960
Speaker 2: avenues toward establingshing yourself in a business way, but for me,

189
00:09:46,240 --> 00:09:50,439
Speaker 2: it's it starts with the resume. It is actually really

190
00:09:50,679 --> 00:09:51,800
Speaker 2: all about the resume.

191
00:09:51,960 --> 00:09:55,320
Speaker 1: How many resumes do you read in a given week?

192
00:09:55,640 --> 00:10:00,760
Speaker 2: I I go through them so quickly, and because I'm

193
00:10:00,760 --> 00:10:03,360
Speaker 2: always so disappointed because if they are not just like

194
00:10:03,800 --> 00:10:05,800
Speaker 2: blasting off at me when I look at them, then

195
00:10:05,840 --> 00:10:09,400
Speaker 2: I don't. I can get so tired looking at looking

196
00:10:09,440 --> 00:10:10,760
Speaker 2: at all these resumes.

197
00:10:10,320 --> 00:10:12,720
Speaker 1: And how many jobs have you gotten off your resume?

198
00:10:13,000 --> 00:10:15,920
Speaker 1: All of them? Right? It's like a continuous yes. Because

199
00:10:15,960 --> 00:10:19,200
Speaker 1: my I actually handed it out once. It's this one

200
00:10:19,320 --> 00:10:21,920
Speaker 1: copy of my resume is now being passed around without

201
00:10:21,960 --> 00:10:25,480
Speaker 1: me even and it's a snowball that became the avalanche. Yes,

202
00:10:25,559 --> 00:10:29,080
Speaker 1: that one resume. Yes, because it's you. It's an extension

203
00:10:29,240 --> 00:10:32,480
Speaker 1: of you. My resume has gone viral as well, and

204
00:10:33,080 --> 00:10:38,079
Speaker 1: so it's so funny. Yeah, And it tells a story.

205
00:10:38,160 --> 00:10:40,800
Speaker 1: And that's a way to inject my personality to my resume.

206
00:10:41,160 --> 00:10:45,760
Speaker 1: Is it's a funny story. And I don't know that.

207
00:10:46,240 --> 00:10:49,400
Speaker 3: Just like that, your credits and the things you've done.

208
00:10:52,960 --> 00:10:56,240
Speaker 2: I'm so tired. I'm so sleepy hearing you think about

209
00:10:56,400 --> 00:11:00,920
Speaker 2: a resume. It's not funny, right, what you're talking about

210
00:11:01,040 --> 00:11:04,760
Speaker 2: is not fun doesn't tell a story, you know, and.

211
00:11:04,840 --> 00:11:10,240
Speaker 1: It doesn't grab me and pull my hair and tickle me,

212
00:11:11,960 --> 00:11:14,839
Speaker 1: uh and wash my little rear in do you know

213
00:11:14,920 --> 00:11:20,880
Speaker 1: after I'm done with doing something? So do you want know.

214
00:11:20,800 --> 00:11:22,320
Speaker 3: What I mean, sexualize your resume?

215
00:11:24,720 --> 00:11:28,640
Speaker 1: Jesus, this is more like a mommy cleaning up a baby.

216
00:11:29,600 --> 00:11:32,040
Speaker 1: You know, I want your resume to take care of

217
00:11:32,080 --> 00:11:36,120
Speaker 1: me because ultimately, I'm a guy with a problem to solve.

218
00:11:36,920 --> 00:11:39,560
Speaker 1: Do you have a solution for me? Bang?

219
00:11:41,200 --> 00:11:41,520
Speaker 5: You?

220
00:11:41,520 --> 00:11:45,480
Speaker 3: You will be the proverbial sort of wet cloth.

221
00:11:46,800 --> 00:11:48,800
Speaker 1: I'm got a problem to solve. Do you have a solution?

222
00:11:50,679 --> 00:11:51,240
Speaker 3: I hope so?

223
00:11:51,480 --> 00:11:54,520
Speaker 1: Yeah. I hope so too, because that makes my day

224
00:11:54,559 --> 00:11:57,120
Speaker 1: go better. Now I'm all cleaned up, I've had a

225
00:11:57,120 --> 00:12:00,439
Speaker 1: little tickle and my hair got yanked one So I.

226
00:12:00,400 --> 00:12:05,400
Speaker 5: Guess the hair getting yanked thing is why it sounded

227
00:12:05,440 --> 00:12:07,360
Speaker 5: more kind of sexual like it doesn't.

228
00:12:07,440 --> 00:12:10,160
Speaker 1: That's another thing that hurts.

229
00:12:10,240 --> 00:12:12,600
Speaker 3: That's crazy, that hurts a little bit.

230
00:12:12,800 --> 00:12:16,760
Speaker 1: I don't know why, like for you that washing and hurting,

231
00:12:17,559 --> 00:12:23,000
Speaker 1: uh huh, wash is hurting is something sex and that's

232
00:12:23,200 --> 00:12:25,800
Speaker 1: not something we necessarily need to unpack here because we're

233
00:12:25,800 --> 00:12:27,520
Speaker 1: going to lose some of the time from the business

234
00:12:27,559 --> 00:12:30,760
Speaker 1: stuff we're talking about. Yes, let's start, okay, let's start

235
00:12:30,800 --> 00:12:35,679
Speaker 1: with the other. So this is reverse eide of your headshot. Well, obviously,

236
00:12:35,960 --> 00:12:38,760
Speaker 1: like this is all you know, one big thick card

237
00:12:38,840 --> 00:12:42,240
Speaker 1: stock headshots on the front, shiny and thick. There's four

238
00:12:42,840 --> 00:12:47,160
Speaker 1: quadrants of your headshot. I do twelve. Hayes does twelve.

239
00:12:47,200 --> 00:12:48,400
Speaker 1: I do three rows of four.

240
00:12:48,800 --> 00:12:51,640
Speaker 3: Oh okay, cause I can I tell you about my headshot.

241
00:12:51,640 --> 00:12:54,520
Speaker 5: It's just my face. It's one picture, right, I kind

242
00:12:54,520 --> 00:12:55,880
Speaker 5: of some of them should be your face.

243
00:12:56,600 --> 00:12:59,240
Speaker 1: Yeah, we definitely want to see your face in half

244
00:12:59,280 --> 00:12:59,880
Speaker 1: the headshot.

245
00:13:01,480 --> 00:13:04,320
Speaker 5: No, but I think you misunderstand my headshot is just

246
00:13:04,520 --> 00:13:05,760
Speaker 5: one photograph.

247
00:13:06,440 --> 00:13:11,400
Speaker 1: So it's a quadrants. You're gonna want eleven more of those?

248
00:13:11,600 --> 00:13:11,840
Speaker 1: Is it?

249
00:13:12,040 --> 00:13:14,400
Speaker 3: Can I ask you? This is it landscape landscape?

250
00:13:15,520 --> 00:13:19,160
Speaker 5: No, it's just a it's kind of a out of

251
00:13:19,240 --> 00:13:20,000
Speaker 5: focused background.

252
00:13:20,080 --> 00:13:22,520
Speaker 2: Should be no, should be no, should be landscape mode,

253
00:13:22,800 --> 00:13:26,120
Speaker 2: should be landscape mode landscape mode on the paper.

254
00:13:26,200 --> 00:13:30,480
Speaker 1: Yes, panoramic also can work for at least one of them,

255
00:13:30,679 --> 00:13:32,680
Speaker 1: because I want you to be sort of in the

256
00:13:32,720 --> 00:13:36,280
Speaker 1: Red Rocks of Sedona. M And that gives me an

257
00:13:36,320 --> 00:13:38,360
Speaker 1: idea of like, let's say I'm trying to cast an

258
00:13:38,360 --> 00:13:42,080
Speaker 1: adventurer mm hmmm. Uh oh, I think you're already there.

259
00:13:42,240 --> 00:13:44,840
Speaker 1: I think my problem you're already I think my little

260
00:13:44,840 --> 00:13:47,760
Speaker 1: butt but just got wiped up, you know, by this

261
00:13:47,800 --> 00:13:49,559
Speaker 1: guy who brought in this great headshot.

262
00:13:49,880 --> 00:13:52,760
Speaker 2: Okay, so red rocks. Okay, let's take your face one.

263
00:13:52,800 --> 00:13:54,680
Speaker 2: That's one of them for sure, the face one we're

264
00:13:54,679 --> 00:13:55,360
Speaker 2: going to use that.

265
00:13:55,520 --> 00:13:55,720
Speaker 3: Yeah.

266
00:13:56,679 --> 00:14:01,280
Speaker 1: Can I just ask what uh class American job you

267
00:14:01,320 --> 00:14:04,440
Speaker 1: have in that face one? I'm just are you a

268
00:14:04,440 --> 00:14:08,040
Speaker 1: ship pirate? Are you uh kind of just wearing neutral clothing?

269
00:14:08,520 --> 00:14:11,040
Speaker 1: You're not Colonel Sanders or anything like that.

270
00:14:12,200 --> 00:14:16,679
Speaker 2: No, I'm that job is constantly coming up, you know,

271
00:14:17,000 --> 00:14:20,640
Speaker 2: to sort of rule yourself out for Colonel Sanders when look,

272
00:14:20,720 --> 00:14:24,480
Speaker 2: I mean Riggle or whoever, like they don't do these forever.

273
00:14:24,600 --> 00:14:25,960
Speaker 3: That's part of the game, is.

274
00:14:25,920 --> 00:14:28,520
Speaker 2: That now Gaffigan's doing it, now Norm is doing it,

275
00:14:28,560 --> 00:14:30,160
Speaker 2: and now Bang is doing it.

276
00:14:30,280 --> 00:14:33,360
Speaker 1: Yeah, oh no, he doesn't know how. It's what I'm saying. Yeah,

277
00:14:33,480 --> 00:14:35,720
Speaker 1: oh oh great, Well maybe Bang could do it. Because

278
00:14:35,800 --> 00:14:38,000
Speaker 1: you know, norm is not available anymore. Yeah, and then

279
00:14:38,040 --> 00:14:40,560
Speaker 1: it's all of a sudden we get the headshot and

280
00:14:40,600 --> 00:14:44,000
Speaker 1: we go Colonel Sanders isn't really an adventurer. That's all

281
00:14:44,000 --> 00:14:46,000
Speaker 1: we have here is because you've only really described the

282
00:14:46,000 --> 00:14:47,600
Speaker 1: Sedona Red Rocks photo you have.

283
00:14:48,680 --> 00:14:52,840
Speaker 5: I, which isn't what I have. The I mean, what

284
00:14:52,960 --> 00:14:54,920
Speaker 5: you guys are talking about is sort of like a

285
00:14:55,040 --> 00:14:58,640
Speaker 5: throwback to I feel like how head shots were maybe

286
00:14:58,840 --> 00:15:02,000
Speaker 5: like thirty years ago, like you kind of had different professions.

287
00:15:02,280 --> 00:15:05,840
Speaker 1: They know how to make it as shiny back then

288
00:15:06,040 --> 00:15:08,640
Speaker 1: as they do now, or as heavy. They should be

289
00:15:08,680 --> 00:15:10,400
Speaker 1: so heavy, the whole thing should be so heavy when

290
00:15:10,400 --> 00:15:12,560
Speaker 1: they put it in your hand, And landscape mode wasn't

291
00:15:12,560 --> 00:15:14,720
Speaker 1: around the landscape mode, and they didn't have the hologram

292
00:15:14,760 --> 00:15:17,320
Speaker 1: technology they do now where you sort of move one

293
00:15:17,360 --> 00:15:19,800
Speaker 1: way and the other. So at least one of yours,

294
00:15:19,920 --> 00:15:22,480
Speaker 1: two of them are or holograms. Yeah, at least one

295
00:15:22,480 --> 00:15:24,600
Speaker 1: of yours should scare me. So I should look at

296
00:15:24,600 --> 00:15:26,240
Speaker 1: it and it's normal, and then when I turn it

297
00:15:26,280 --> 00:15:28,600
Speaker 1: slightly in the light, you pop out of it and

298
00:15:28,680 --> 00:15:33,160
Speaker 1: try to get me. Okay, you know, so I know

299
00:15:33,320 --> 00:15:37,120
Speaker 1: what you're going to apply. Red rocks Colonel Sanders. Two holograms,

300
00:15:37,440 --> 00:15:40,880
Speaker 1: one of just that. You know that muscle like right

301
00:15:40,920 --> 00:15:45,120
Speaker 1: on your hip, that's like kind of some drawing you down. Yes,

302
00:15:45,240 --> 00:15:47,920
Speaker 1: it's from the side of the abs and it's going

303
00:15:48,080 --> 00:15:51,960
Speaker 1: in past the underwear band. And some girls actually call

304
00:15:51,960 --> 00:15:55,480
Speaker 1: it the penis muscle, but it's not. Yeah, okay, and

305
00:15:55,600 --> 00:15:58,720
Speaker 1: Brett got it out. Brett's got it out. Breath is

306
00:15:58,760 --> 00:16:02,640
Speaker 1: too big, check it out your muscle. That it's funny.

307
00:16:02,720 --> 00:16:06,080
Speaker 1: It's the ilo. You know it's coming, it's coming off crest.

308
00:16:08,040 --> 00:16:09,000
Speaker 3: That's this penis.

309
00:16:09,680 --> 00:16:11,880
Speaker 1: No, but look above that, but look above that leading

310
00:16:11,960 --> 00:16:15,480
Speaker 1: into it. So focus on the penis you you don't have.

311
00:16:15,560 --> 00:16:19,120
Speaker 1: You don't want that, and that in that picture when

312
00:16:19,120 --> 00:16:20,800
Speaker 1: they can't. Yes, when you go to take a picture

313
00:16:20,800 --> 00:16:22,400
Speaker 1: of that, that's gonna be that is going to be

314
00:16:22,440 --> 00:16:22,960
Speaker 1: cropped out.

315
00:16:23,280 --> 00:16:24,880
Speaker 3: But he does need to show.

316
00:16:24,720 --> 00:16:27,240
Speaker 2: It now in order just to show you this muscle,

317
00:16:27,560 --> 00:16:30,160
Speaker 2: which the muscle for him is too much bigger than

318
00:16:30,240 --> 00:16:33,720
Speaker 2: all his other muscles and very out of proportion with

319
00:16:33,760 --> 00:16:34,440
Speaker 2: the actual penis.

320
00:16:34,520 --> 00:16:40,160
Speaker 1: It's very yes, it's very strangely defined, and it looks

321
00:16:40,200 --> 00:16:42,920
Speaker 1: as if it's going to pull his hip right off

322
00:16:42,960 --> 00:16:43,400
Speaker 1: his leg.

323
00:16:44,200 --> 00:16:45,960
Speaker 3: And I want that in one of my head shot

324
00:16:45,960 --> 00:16:48,680
Speaker 3: a quadrants in one of your well, yes, yes it's not.

325
00:16:48,800 --> 00:16:53,520
Speaker 2: It's a Dodeca quadrant, but yeah, ok, sorry, So you

326
00:16:53,560 --> 00:16:56,440
Speaker 2: want that little that little muscle and just a little

327
00:16:56,480 --> 00:17:02,480
Speaker 2: bit of the waistband of your and your belt. You know,

328
00:17:02,560 --> 00:17:07,320
Speaker 2: your thumb's kind of hooked in there. This is making sense, Yeah,

329
00:17:07,359 --> 00:17:08,400
Speaker 2: I understand it.

330
00:17:09,000 --> 00:17:14,359
Speaker 1: And you're maybe pouring like an oil down like through

331
00:17:14,640 --> 00:17:17,040
Speaker 1: the sort of crevice of the muscle, and it's making

332
00:17:17,080 --> 00:17:21,800
Speaker 1: this sort of stream, this rivulet that leads into you know,

333
00:17:22,760 --> 00:17:24,000
Speaker 1: your Calvin kleines.

334
00:17:24,920 --> 00:17:27,359
Speaker 2: If it's not catching all the oil, then you have

335
00:17:27,400 --> 00:17:32,320
Speaker 2: to return to the gym.

336
00:17:30,960 --> 00:17:37,400
Speaker 1: And you're gonna wanna sculpt, Yes, and talk to anybody

337
00:17:37,400 --> 00:17:43,080
Speaker 1: there bryce drn uh Porsche.

338
00:17:43,720 --> 00:17:46,360
Speaker 2: Yes, and the next so speaking, you can actually use

339
00:17:46,400 --> 00:17:48,440
Speaker 2: one of them for maybe the next photo in the series,

340
00:17:48,480 --> 00:17:52,440
Speaker 2: which should be someone else looking at the muscle.

341
00:17:52,760 --> 00:17:56,960
Speaker 1: Pulling the shades down, lowering them just below their eyes

342
00:17:57,000 --> 00:18:01,600
Speaker 1: on the nose like oh yeah, and they're maybe biting

343
00:18:01,640 --> 00:18:05,440
Speaker 1: on their thumb or fists, like they can't believe this muscle.

344
00:18:05,920 --> 00:18:09,680
Speaker 3: Okay, it seems like it's narrowing me down to a

345
00:18:09,920 --> 00:18:11,600
Speaker 3: very specific.

346
00:18:11,480 --> 00:18:15,040
Speaker 2: It's just one that's just yeah, one of the photos

347
00:18:15,080 --> 00:18:17,239
Speaker 2: and another one reacting to it. It's just going, this

348
00:18:17,320 --> 00:18:18,800
Speaker 2: is one of the things I do, and you have

349
00:18:18,840 --> 00:18:20,840
Speaker 2: to be able to at least do that thing, you know,

350
00:18:20,960 --> 00:18:22,880
Speaker 2: which is frankly, have.

351
00:18:22,840 --> 00:18:24,720
Speaker 3: A muscle on my hip.

352
00:18:25,000 --> 00:18:28,200
Speaker 1: Yeah, gotta least be able to do that. I mean,

353
00:18:28,240 --> 00:18:29,639
Speaker 1: that's part of the business. Sorry.

354
00:18:30,760 --> 00:18:33,399
Speaker 2: And the next one like pretty soon we do have

355
00:18:33,440 --> 00:18:36,040
Speaker 2: to be getting over to the to the resume, and

356
00:18:36,080 --> 00:18:41,359
Speaker 2: that should be you just like you in casual mode

357
00:18:41,520 --> 00:18:44,360
Speaker 2: holding a sign that's like, hey maybe check out?

358
00:18:44,440 --> 00:18:46,600
Speaker 3: Should should we bring up on the other side?

359
00:18:46,680 --> 00:18:48,639
Speaker 1: Should bring up? Yeah? Oh yeah, you're pointing to the

360
00:18:48,640 --> 00:18:50,919
Speaker 1: other side being like, hey maybe it's over there. Yeah.

361
00:18:50,960 --> 00:18:52,520
Speaker 2: Like a lot of people will hold will have the

362
00:18:52,560 --> 00:18:57,280
Speaker 2: sign be like look flip over, Like can I be

363
00:18:57,440 --> 00:19:00,159
Speaker 2: like like, you don't care, you want to check out?

364
00:19:00,200 --> 00:19:01,199
Speaker 2: I like a thought bubble.

365
00:19:01,280 --> 00:19:03,439
Speaker 1: You can do a sign. But I also like like

366
00:19:03,520 --> 00:19:07,120
Speaker 1: you're sort of scratching your chin thinking, and then you're

367
00:19:07,160 --> 00:19:08,879
Speaker 1: thinking like I wonder what's on the other side of

368
00:19:08,920 --> 00:19:12,120
Speaker 1: this thing. Maybe something good to read? Right, I want

369
00:19:12,119 --> 00:19:15,720
Speaker 1: to talk about It's twenty seventeen. Diversity is a big thing. Yes,

370
00:19:16,040 --> 00:19:19,840
Speaker 1: three or four of these quadrants should show you as

371
00:19:19,920 --> 00:19:21,040
Speaker 1: a different race.

372
00:19:21,240 --> 00:19:25,200
Speaker 3: Yes, that seems like a bad idea.

373
00:19:25,440 --> 00:19:27,800
Speaker 5: It seems like it takes me into an uncomfortable place,

374
00:19:27,960 --> 00:19:31,879
Speaker 5: like a whitewashing. Well you know, Sun Sue no so

375
00:19:32,320 --> 00:19:33,960
Speaker 5: or like it's like I'm more blackface.

376
00:19:34,080 --> 00:19:35,879
Speaker 1: Well Sun Sue told us, how.

377
00:19:35,800 --> 00:19:38,160
Speaker 3: Can that like whitewashing is the opposite?

378
00:19:38,440 --> 00:19:38,640
Speaker 6: Right?

379
00:19:38,720 --> 00:19:42,159
Speaker 3: Yes, yeah, right, do you see that?

380
00:19:42,960 --> 00:19:44,600
Speaker 1: And it's also what it's do you want to hear

381
00:19:44,640 --> 00:19:47,359
Speaker 1: what Sun Sue told us or do you want to

382
00:19:47,680 --> 00:19:48,919
Speaker 1: do you or do you want to tell me?

383
00:19:49,160 --> 00:19:51,840
Speaker 2: I'm just that I actually think you should not pursue

384
00:19:51,880 --> 00:19:54,280
Speaker 2: too much because basically saying you're basically saying that like

385
00:19:54,359 --> 00:19:56,119
Speaker 2: oh because I'm like no one else is allowed to

386
00:19:56,160 --> 00:20:01,440
Speaker 2: be white, Like I am.

387
00:20:00,320 --> 00:20:05,160
Speaker 1: Like, yeah, let's not pursue it, right, Yeah, Sun Sue

388
00:20:05,200 --> 00:20:05,879
Speaker 1: told us.

389
00:20:07,840 --> 00:20:10,119
Speaker 3: This is a different way of doing things. I'm just

390
00:20:10,200 --> 00:20:12,640
Speaker 3: open minded. And this is a character, by the way,

391
00:20:12,640 --> 00:20:14,080
Speaker 3: Sunsu is a good character for you to be.

392
00:20:14,480 --> 00:20:17,320
Speaker 1: Oh yeah, you're gonna want to basically like Confucius and

393
00:20:17,359 --> 00:20:19,480
Speaker 1: at least one you want to be Sun Zu. Another

394
00:20:19,480 --> 00:20:25,080
Speaker 1: one you want to be Confucius. Okay, so he told

395
00:20:25,160 --> 00:20:27,159
Speaker 1: us that you had said, like this is something that

396
00:20:27,160 --> 00:20:31,000
Speaker 1: makes me really uncomfortable. But he said, you know, follow

397
00:20:31,000 --> 00:20:36,639
Speaker 1: your fear. Yeah, okay, if it fears, good, do it.

398
00:20:37,160 --> 00:20:40,840
Speaker 1: Mm hmm, because I've.

399
00:20:40,440 --> 00:20:45,720
Speaker 5: Heard that he used as I think the pit theater.

400
00:20:45,960 --> 00:20:48,679
Speaker 5: That's their catch for his is that they took that

401
00:20:48,800 --> 00:20:51,960
Speaker 5: from Sun Sue People's improblem.

402
00:20:52,160 --> 00:20:53,360
Speaker 3: Yeah.

403
00:20:53,920 --> 00:20:59,000
Speaker 1: Sure, but anyway, we do want to get over to

404
00:20:59,040 --> 00:21:02,240
Speaker 1: the other side. Obviously there's be a picture use Amelia

405
00:21:02,240 --> 00:21:04,639
Speaker 1: air Heart. But but you want to get over to

406
00:21:04,680 --> 00:21:07,160
Speaker 1: the other side. What you're making a face?

407
00:21:07,240 --> 00:21:07,560
Speaker 3: Did you?

408
00:21:08,920 --> 00:21:11,240
Speaker 5: It's just this has been a lot for me to

409
00:21:11,280 --> 00:21:16,320
Speaker 5: take in my My resume is so head and headshowdered

410
00:21:16,440 --> 00:21:19,240
Speaker 5: just so totally different than what you guys are describing.

411
00:21:19,320 --> 00:21:24,160
Speaker 5: It's also I just I guess I don't know why

412
00:21:24,240 --> 00:21:27,480
Speaker 5: I would have me as Amelia air Heart.

413
00:21:27,840 --> 00:21:30,520
Speaker 1: I suspect this is the reason that you are doing

414
00:21:30,600 --> 00:21:33,359
Speaker 1: this show. I guess I don't know.

415
00:21:33,400 --> 00:21:35,359
Speaker 2: This is this is the first when I'm doing it,

416
00:21:35,480 --> 00:21:38,600
Speaker 2: Like historically this has been already doing all that.

417
00:21:38,640 --> 00:21:41,040
Speaker 1: He's been a little like this. Okay, He's going like,

418
00:21:41,080 --> 00:21:43,040
Speaker 1: this is a lot. This is really different, right, Well,

419
00:21:43,040 --> 00:21:44,640
Speaker 1: you wouldn't need the classone, that's true.

420
00:21:44,680 --> 00:21:47,080
Speaker 3: Different, that's true. Yeah, I mean that's why I'm taking

421
00:21:47,080 --> 00:21:47,680
Speaker 3: the class.

422
00:21:47,880 --> 00:21:50,399
Speaker 1: You wouldn't need to come to my manster collapse. So

423
00:21:52,520 --> 00:21:58,280
Speaker 1: I'll say this, when you get into the resume, whack

424
00:21:58,359 --> 00:22:02,960
Speaker 1: them in the face with the special skills up top,

425
00:22:03,960 --> 00:22:08,119
Speaker 1: at the bottom them with the special skills. Yes, yes,

426
00:22:08,359 --> 00:22:10,480
Speaker 1: And they've seen one special skill on the front. It's

427
00:22:10,480 --> 00:22:11,119
Speaker 1: that muscle.

428
00:22:13,600 --> 00:22:15,639
Speaker 2: You don't need to mention that. Again, a lot of

429
00:22:15,640 --> 00:22:18,160
Speaker 2: people will describe the bretscott Is back out.

430
00:22:18,600 --> 00:22:20,840
Speaker 3: Yeah, you don't have to keep busting that out.

431
00:22:20,880 --> 00:22:24,280
Speaker 5: Man, it's impressive, but like it's a little init appropriate.

432
00:22:24,840 --> 00:22:26,960
Speaker 5: It's you kind of got to strip down too much

433
00:22:27,000 --> 00:22:28,160
Speaker 5: to to show it.

434
00:22:28,119 --> 00:22:30,840
Speaker 1: Off, peeling it back and he has to hold his

435
00:22:30,880 --> 00:22:34,240
Speaker 1: shirt under his chin. You got it.

436
00:22:34,440 --> 00:22:37,760
Speaker 5: So yeah, So you're saying, no need to describe the

437
00:22:37,840 --> 00:22:39,480
Speaker 5: muscle and special skills, Oh no.

438
00:22:39,480 --> 00:22:42,800
Speaker 1: We're gonna we're gonna talk about it. Yeah, yeah, we're

439
00:22:42,880 --> 00:22:47,080
Speaker 1: definitely gonna talk in a funny way. That's like, except

440
00:22:47,080 --> 00:22:49,000
Speaker 1: I don't have any like you can like make a

441
00:22:49,040 --> 00:22:52,360
Speaker 1: joke like you don't have good hip muscle because they've

442
00:22:52,400 --> 00:22:55,480
Speaker 1: seen it. Yeah, like special skills I don't have. Well,

443
00:22:55,520 --> 00:23:00,120
Speaker 1: I guess I don't have good hip muscle. It's always

444
00:22:59,440 --> 00:23:01,760
Speaker 1: the way they know at that point that you do have.

445
00:23:02,720 --> 00:23:04,720
Speaker 1: It's an ability to make fun of yourself a little

446
00:23:04,760 --> 00:23:06,800
Speaker 1: bit and go like you could tease me about my

447
00:23:06,920 --> 00:23:10,280
Speaker 1: hip muscle, you know, because I'm aware of what I'm

448
00:23:10,320 --> 00:23:11,280
Speaker 1: working with there.

449
00:23:11,320 --> 00:23:13,320
Speaker 5: And then it's a I guess, a good surprise if

450
00:23:13,359 --> 00:23:17,000
Speaker 5: they start at the resume and then see the photo

451
00:23:17,080 --> 00:23:18,080
Speaker 5: side afterward.

452
00:23:19,440 --> 00:23:20,720
Speaker 1: Yes, that can be.

453
00:23:21,359 --> 00:23:25,280
Speaker 3: I mean for a type of.

454
00:23:25,359 --> 00:23:27,520
Speaker 1: I don't know that, I turn it over if I see.

455
00:23:27,760 --> 00:23:29,040
Speaker 3: That that you don't have it.

456
00:23:29,400 --> 00:23:33,040
Speaker 2: Yeah, for a certain type of casting director, they are

457
00:23:33,119 --> 00:23:35,800
Speaker 2: going to freak out if they're not expect if they're

458
00:23:35,840 --> 00:23:39,920
Speaker 2: told that it's not coming and that it is coming

459
00:23:40,000 --> 00:23:40,640
Speaker 2: in such.

460
00:23:40,520 --> 00:23:43,960
Speaker 1: A have you freaked out before?

461
00:23:45,040 --> 00:23:47,160
Speaker 2: I used to freak out about that kind of thing,

462
00:23:47,200 --> 00:23:52,720
Speaker 2: but now and now I still do like freak out.

463
00:23:55,720 --> 00:23:58,600
Speaker 2: So let's talk about turning some of your weaknesses into strengths.

464
00:23:58,800 --> 00:24:02,520
Speaker 1: Yeah, that's something that Sun Sue always wanted us to do, right,

465
00:24:03,000 --> 00:24:06,760
Speaker 1: So what you can just start is by telling us

466
00:24:06,840 --> 00:24:08,800
Speaker 1: some of the stuff you're into. What do you think

467
00:24:08,800 --> 00:24:11,680
Speaker 1: that you do that maybe would be interesting on a resume.

468
00:24:13,119 --> 00:24:17,159
Speaker 2: Uh So this is a little different from turning your

469
00:24:17,160 --> 00:24:18,280
Speaker 2: weaknesses in the strengths.

470
00:24:18,320 --> 00:24:20,080
Speaker 3: This is you take like, what are some of your

471
00:24:20,600 --> 00:24:21,640
Speaker 3: my strength strengths?

472
00:24:21,720 --> 00:24:23,639
Speaker 1: Yeah, but I got a feeling that a lot of

473
00:24:23,680 --> 00:24:27,840
Speaker 1: Bang roger Man's as far as what I'm saying, what

474
00:24:28,200 --> 00:24:30,399
Speaker 1: as far as what we're asking him to do is

475
00:24:30,440 --> 00:24:32,320
Speaker 1: to what do you think what he can? Well, we're

476
00:24:32,359 --> 00:24:35,840
Speaker 1: turning his strength, his fake strengths into real strength. Thank you.

477
00:24:36,000 --> 00:24:43,520
Speaker 5: Yeah, uh well, I uh used to play baseball.

478
00:24:43,640 --> 00:24:48,320
Speaker 2: I got Okay, So you say Dom Mattingly, Yeah, because

479
00:24:48,320 --> 00:24:51,320
Speaker 2: you used to play baseball is not funny.

480
00:24:51,440 --> 00:24:56,120
Speaker 1: It's not famous. You say, hey, guys, I'm donmatically mm hmm.

481
00:24:57,040 --> 00:24:59,520
Speaker 1: You know, and then maybe you have like a dommatting

482
00:24:59,560 --> 00:25:04,399
Speaker 1: Lee top rookie card and that's part of the resume. Okay,

483
00:25:05,160 --> 00:25:06,160
Speaker 1: it's stuck on there.

484
00:25:07,240 --> 00:25:09,720
Speaker 3: I kind of clip that on the thumbtack.

485
00:25:09,359 --> 00:25:13,440
Speaker 1: Or Don Russ maybe mm hmm, because I feel.

486
00:25:13,160 --> 00:25:15,600
Speaker 5: Like that would defeat the purpose of me saying I

487
00:25:15,720 --> 00:25:18,840
Speaker 5: am that guy, because then I'm just putting the card

488
00:25:18,880 --> 00:25:21,240
Speaker 5: in there to show that this is a different guy.

489
00:25:21,400 --> 00:25:23,600
Speaker 2: It's fun, You're you are not trying to have fun

490
00:25:23,760 --> 00:25:26,560
Speaker 2: trick them actually thinking you are Don Mattingly.

491
00:25:26,680 --> 00:25:30,240
Speaker 1: If they do great, Yeah, you know that's perfect. You

492
00:25:30,280 --> 00:25:33,520
Speaker 1: know that's on them because you've shown them on the

493
00:25:33,520 --> 00:25:35,720
Speaker 1: other side, like Done manningly doesn't have a hip muscle

494
00:25:35,760 --> 00:25:39,359
Speaker 1: like that certainly doesn't have a rivulet of oil leading

495
00:25:39,400 --> 00:25:40,000
Speaker 1: down news.

496
00:25:40,040 --> 00:25:42,040
Speaker 3: You know it's dry if he has one and it's

497
00:25:42,160 --> 00:25:42,880
Speaker 3: bone dry.

498
00:25:43,320 --> 00:25:47,800
Speaker 1: Yeah, so that's like that's a little bit of it's

499
00:25:47,840 --> 00:25:50,280
Speaker 1: on them, and you want to give them space to

500
00:25:50,400 --> 00:25:54,760
Speaker 1: make that kind of mistake. Yeah, so you're saying, you know, hey,

501
00:25:54,800 --> 00:25:57,320
Speaker 1: I don't have a hip muscle. My name's Done Maddingly.

502
00:25:57,920 --> 00:26:00,359
Speaker 1: Here's my rookie card. And then what what else are

503
00:26:00,359 --> 00:26:02,680
Speaker 1: you into? What else? You used to play baseball? That's

504
00:26:02,680 --> 00:26:06,359
Speaker 1: a great start. What else? What do you do? Like,

505
00:26:06,840 --> 00:26:12,359
Speaker 1: what have you been doing for the last whatever thirty for?

506
00:26:13,440 --> 00:26:14,360
Speaker 3: Well, I play piano?

507
00:26:15,080 --> 00:26:19,199
Speaker 1: Ah, okay, great, so that's what's yeah, okay, so that

508
00:26:19,240 --> 00:26:20,840
Speaker 1: could be good. So what can we do with that?

509
00:26:22,160 --> 00:26:24,960
Speaker 1: Bugs Bunny and Daffy Duck did that. Yeah, they were

510
00:26:25,080 --> 00:26:32,720
Speaker 1: smashing each other with pianos or something. So maybe you go, hey,

511
00:26:32,880 --> 00:26:35,720
Speaker 1: please nobody smash me with a piano, you.

512
00:26:35,680 --> 00:26:43,200
Speaker 5: Know, instead of I don't, right, because I will say

513
00:26:43,240 --> 00:26:46,040
Speaker 5: I have gotten jobs where I'm playing piano.

514
00:26:46,080 --> 00:26:47,080
Speaker 3: I've gotten acting jobs.

515
00:26:47,080 --> 00:26:50,439
Speaker 1: Because they know Daffy Duck's very funny. And part of

516
00:26:50,480 --> 00:26:53,760
Speaker 1: this is like capturing your audience, making them laugh. And

517
00:26:54,040 --> 00:26:57,000
Speaker 1: you know, a good trick is remind them of something

518
00:26:57,040 --> 00:27:00,000
Speaker 1: they already like. They don't already like you, Bang Roger,

519
00:27:00,200 --> 00:27:03,440
Speaker 1: and that's hard. That's hard for me to say, because

520
00:27:03,480 --> 00:27:07,879
Speaker 1: I do, you know, but they don't. And in fact,

521
00:27:07,960 --> 00:27:11,680
Speaker 1: a lot of these people actively dislike you and consider

522
00:27:11,720 --> 00:27:15,200
Speaker 1: you their enemy. So if you can remind them of

523
00:27:15,240 --> 00:27:21,360
Speaker 1: like Daffy Duck getting smashed to pieces with the freaking piano,

524
00:27:22,600 --> 00:27:24,800
Speaker 1: all of a sudden, they're like, all right, let's call

525
00:27:24,840 --> 00:27:27,879
Speaker 1: this guy up and that's it's my teeth now something

526
00:27:27,920 --> 00:27:29,880
Speaker 1: like that, and the piano is my teeth now.

527
00:27:30,160 --> 00:27:32,920
Speaker 3: Oh yeah, right, you look confused.

528
00:27:33,040 --> 00:27:33,879
Speaker 1: I am a little.

529
00:27:34,080 --> 00:27:34,800
Speaker 3: I am a little.

530
00:27:35,040 --> 00:27:37,760
Speaker 1: Say I'm reaching over my arms like a rubber band

531
00:27:37,800 --> 00:27:43,160
Speaker 1: playing the other guy's piano behind his, playing my special skills.

532
00:27:44,400 --> 00:27:46,280
Speaker 3: I'm getting smashed by a piano.

533
00:27:46,320 --> 00:27:47,640
Speaker 1: In the piano and pianos and my.

534
00:27:47,640 --> 00:27:48,680
Speaker 3: Piano is my seat.

535
00:27:49,040 --> 00:27:52,879
Speaker 1: I'm reaching reaching over my arms like the other guy's piano. Okay,

536
00:27:52,920 --> 00:27:53,720
Speaker 1: does that make sense?

537
00:27:54,440 --> 00:27:57,119
Speaker 2: And you can do maybe because everything is like separated

538
00:27:57,160 --> 00:28:00,240
Speaker 2: by commas. It's like a list of things and there

539
00:28:00,280 --> 00:28:03,159
Speaker 2: may be is a fun thing to do about like, uh,

540
00:28:03,560 --> 00:28:09,560
Speaker 2: special skills, snowboarding, skateboarding, duck season, rabbit season, duck season.

541
00:28:09,680 --> 00:28:12,080
Speaker 2: And then you get into like tricking yourself in the

542
00:28:12,119 --> 00:28:15,840
Speaker 2: special skills that it is duck season.

543
00:28:16,320 --> 00:28:21,240
Speaker 1: And then you blast yourself with your own blunderbuss. You know,

544
00:28:21,359 --> 00:28:25,520
Speaker 1: there's a bullet hole in the paper smoking bang.

545
00:28:26,080 --> 00:28:27,920
Speaker 3: Okay, yeah, yeah, and that's you.

546
00:28:27,960 --> 00:28:32,280
Speaker 1: That's your name depicable or something. You know. So this

547
00:28:32,440 --> 00:28:34,960
Speaker 1: is just like these are all little tiny tricks of

548
00:28:35,000 --> 00:28:37,719
Speaker 1: the trade to get your resume a little extra attention.

549
00:28:37,800 --> 00:28:39,520
Speaker 1: Is there anything else that you're able to do or

550
00:28:39,560 --> 00:28:42,120
Speaker 1: do you have any kind of have a driver's license?

551
00:28:42,160 --> 00:28:44,360
Speaker 3: I do? I do have a valid driver's license on

552
00:28:44,440 --> 00:28:45,240
Speaker 3: there passport.

553
00:28:45,680 --> 00:28:51,240
Speaker 1: Okay, do not tell them that you know, because it

554
00:28:51,280 --> 00:28:54,280
Speaker 1: seems like you're bragging and that you're trying and that

555
00:28:54,320 --> 00:28:55,480
Speaker 1: you're trying to get away.

556
00:28:56,200 --> 00:28:58,440
Speaker 3: You know that you're gonna leave. Oh wow, okay, because

557
00:28:58,480 --> 00:28:59,800
Speaker 3: I thought that was pretty standard.

558
00:28:59,800 --> 00:29:02,360
Speaker 1: No, it's like saying any second I could just leave.

559
00:29:02,400 --> 00:29:06,880
Speaker 1: It's very suspicious. You're basically saying that you're evading dog

560
00:29:06,920 --> 00:29:09,480
Speaker 1: the bounty hunter. You know, I mean, in not so

561
00:29:09,560 --> 00:29:11,360
Speaker 1: many words that you're.

562
00:29:11,200 --> 00:29:15,320
Speaker 3: Like weirdly prepared for ship to go down for you.

563
00:29:15,400 --> 00:29:17,720
Speaker 1: That you jump bail and dog the Boundy Hunters after you,

564
00:29:17,920 --> 00:29:20,040
Speaker 1: and that if they help you get a job, that

565
00:29:20,040 --> 00:29:22,200
Speaker 1: they're going to have him on their ass, and that

566
00:29:22,320 --> 00:29:26,520
Speaker 1: dude is ripped, right, I mean, his hit muscles huge.

567
00:29:26,760 --> 00:29:30,320
Speaker 3: It might be good to say that Doc, Yeah, well

568
00:29:30,360 --> 00:29:31,720
Speaker 3: he's doing his job.

569
00:29:31,880 --> 00:29:35,240
Speaker 1: He's doing even more bounty hunt because he's just because

570
00:29:35,280 --> 00:29:36,120
Speaker 1: he's not on television.

571
00:29:36,160 --> 00:29:38,640
Speaker 2: And this applies to almost everything on television. Just because

572
00:29:38,640 --> 00:29:41,040
Speaker 2: it's not on television doesn't mean they're not still doing

573
00:29:41,080 --> 00:29:41,600
Speaker 2: their job.

574
00:29:42,200 --> 00:29:45,200
Speaker 5: Someone Now, like I canceled TV, like Cheers, they're not

575
00:29:45,240 --> 00:29:50,800
Speaker 5: still like in the bar drinking beers and stuff.

576
00:29:52,120 --> 00:29:54,360
Speaker 1: Why not? What you mean why wouldn't they be?

577
00:29:55,160 --> 00:29:58,600
Speaker 3: Yeah, because the show has been canceled for you know,

578
00:29:59,520 --> 00:30:02,600
Speaker 3: twenty years, right, but they still I mean they are

579
00:30:02,640 --> 00:30:03,960
Speaker 3: still friends.

580
00:30:04,000 --> 00:30:07,160
Speaker 1: I don't know if you watch the show, really they

581
00:30:07,160 --> 00:30:09,840
Speaker 1: were really good friends. They rip each other, yeah, right,

582
00:30:09,880 --> 00:30:11,840
Speaker 1: they do give each other and that.

583
00:30:11,840 --> 00:30:15,560
Speaker 2: Might be the point of the confusions, but they actually

584
00:30:15,600 --> 00:30:16,520
Speaker 2: were really good friends.

585
00:30:16,600 --> 00:30:16,959
Speaker 3: Yeah.

586
00:30:17,080 --> 00:30:19,880
Speaker 1: Good friends are able to tease each other and challenge

587
00:30:19,920 --> 00:30:20,760
Speaker 1: each other in that way.

588
00:30:21,440 --> 00:30:24,760
Speaker 2: Sure, okay, And it would be good to say in

589
00:30:24,800 --> 00:30:26,600
Speaker 2: your special skills. That dog, the bounty hunder is not

590
00:30:26,720 --> 00:30:27,200
Speaker 2: chasing you.

591
00:30:27,720 --> 00:30:32,120
Speaker 1: Yeah, that's a great thing to bring up, especially with

592
00:30:32,200 --> 00:30:33,400
Speaker 1: this whole passport thing.

593
00:30:33,800 --> 00:30:36,720
Speaker 5: So should I get rid of the passport and the

594
00:30:36,800 --> 00:30:38,280
Speaker 5: driver's license and then.

595
00:30:38,520 --> 00:30:42,360
Speaker 2: Keep the driver's license you're gonna need it. Yeah, yeah, okay, fastest,

596
00:30:42,440 --> 00:30:43,920
Speaker 2: say fastest race car driver?

597
00:30:44,840 --> 00:30:49,920
Speaker 1: Oh yeah? Oh, say that you work for a NASCAR Yeah,

598
00:30:49,960 --> 00:30:52,080
Speaker 1: and say that you've got the best damn pit crew

599
00:30:52,080 --> 00:30:54,160
Speaker 1: in the biz, because they always want somebody who can

600
00:30:54,200 --> 00:30:57,760
Speaker 1: be friends with the crew. The crew loved him. You'll

601
00:30:57,800 --> 00:30:59,240
Speaker 1: hear about some actors.

602
00:31:00,480 --> 00:31:04,520
Speaker 5: So they'll assume that if the pick crew liked me,

603
00:31:04,640 --> 00:31:06,520
Speaker 5: then the crew on the set will like me.

604
00:31:06,600 --> 00:31:07,480
Speaker 1: Easy to work with.

605
00:31:07,960 --> 00:31:13,560
Speaker 2: Getting a juice truck for everybody, little like little sign

606
00:31:13,600 --> 00:31:15,720
Speaker 2: on the truck saying like, hey guys, a little tree

607
00:31:15,720 --> 00:31:16,960
Speaker 2: for you today, Thanks for.

608
00:31:16,840 --> 00:31:20,000
Speaker 3: Like helping out have a juice And I put that.

609
00:31:20,000 --> 00:31:23,600
Speaker 5: In my special skills that I if you'll.

610
00:31:23,480 --> 00:31:24,040
Speaker 1: Back it up.

611
00:31:24,880 --> 00:31:27,080
Speaker 2: If you're going to back it up, okay and get

612
00:31:27,080 --> 00:31:29,280
Speaker 2: a juice truck, if you put in your special skills.

613
00:31:29,320 --> 00:31:32,480
Speaker 2: And then last day of shooting there's nobody has any juice,

614
00:31:32,520 --> 00:31:34,920
Speaker 2: then they're thirsty because They were definitely expecting it after

615
00:31:34,920 --> 00:31:38,720
Speaker 2: you and nobody brought the special Skills on your resume.

616
00:31:38,600 --> 00:31:42,200
Speaker 1: Because they thought juice was going to be there. And

617
00:31:42,280 --> 00:31:47,760
Speaker 1: you show up and there's no juice. That's a frigging

618
00:31:47,880 --> 00:31:52,560
Speaker 1: short trip for you to the unemployment line. And when

619
00:31:52,600 --> 00:31:54,560
Speaker 1: you're there you get beat up because guess who else

620
00:31:54,600 --> 00:31:56,600
Speaker 1: is there? All the guys got fired because they flipped

621
00:31:56,600 --> 00:31:57,840
Speaker 1: out because they had no juice.

622
00:32:00,040 --> 00:32:00,560
Speaker 3: That was bad.

623
00:32:00,920 --> 00:32:03,160
Speaker 1: Yeah, and doctor bounty Hunter is probably if what you

624
00:32:03,200 --> 00:32:05,680
Speaker 1: say is true and he's not on his TV show anymore,

625
00:32:06,040 --> 00:32:07,840
Speaker 1: that seems like a very good place to.

626
00:32:07,840 --> 00:32:09,400
Speaker 3: Get caught by doctor Boudey Hunter.

627
00:32:09,640 --> 00:32:12,440
Speaker 1: Yeah, because he's there anyway, so then he'll really grab

628
00:32:12,520 --> 00:32:13,680
Speaker 1: you and shake you up good.

629
00:32:14,960 --> 00:32:18,760
Speaker 3: Okay, mm hmm. I thought he was working bounty Hunter.

630
00:32:18,640 --> 00:32:20,880
Speaker 1: And make you do something with that wife of his.

631
00:32:25,600 --> 00:32:26,160
Speaker 3: What do you mean?

632
00:32:31,120 --> 00:32:36,920
Speaker 1: I'm just saying, like, from an optics perspective, it feels

633
00:32:36,960 --> 00:32:39,320
Speaker 1: like there's something going on where when he catches you,

634
00:32:40,000 --> 00:32:43,160
Speaker 1: if it's not on the show, he's gonna make you

635
00:32:43,200 --> 00:32:46,160
Speaker 1: do something with that wife. Is that seems to be

636
00:32:46,240 --> 00:32:52,120
Speaker 1: the arrangement? Right?

637
00:32:52,240 --> 00:32:57,440
Speaker 2: I okay, so special skills. Now we are into the

638
00:32:57,600 --> 00:33:03,920
Speaker 2: dialogue on the resume. Man, Hey, who's that great actor

639
00:33:04,760 --> 00:33:06,400
Speaker 2: I want to see on TV?

640
00:33:08,760 --> 00:33:09,920
Speaker 3: Man's friend.

641
00:33:10,480 --> 00:33:15,240
Speaker 1: I heard his bang rag Man and he's technically available

642
00:33:16,920 --> 00:33:25,680
Speaker 1: woman yes, oh god, bang roch man. Oh god. Yeah.

643
00:33:25,720 --> 00:33:28,560
Speaker 1: And the woman's husband and and I can't be mad

644
00:33:28,600 --> 00:33:29,000
Speaker 1: about this.

645
00:33:29,240 --> 00:33:32,840
Speaker 2: Yes, and parenthetic you know those parentheticals for the woman,

646
00:33:33,040 --> 00:33:34,280
Speaker 2: like saying kind of what's in their head.

647
00:33:34,440 --> 00:33:37,360
Speaker 1: On the woman's line, I should basically say, wants to

648
00:33:37,520 --> 00:33:41,760
Speaker 1: suck a hip mm yeah, wants to get his whole

649
00:33:41,840 --> 00:33:45,280
Speaker 1: hip muscle in her mouth. And the man can't say that.

650
00:33:45,360 --> 00:33:46,440
Speaker 1: Don't have her say that.

651
00:33:46,480 --> 00:33:48,920
Speaker 5: But it's it's I'm a little confused as to what

652
00:33:49,040 --> 00:33:49,640
Speaker 5: this is.

653
00:33:51,280 --> 00:33:52,160
Speaker 3: It's the dialogue.

654
00:33:52,200 --> 00:33:56,560
Speaker 1: It's the dialogue part of the dialogue on my resume. Okay,

655
00:33:56,760 --> 00:33:59,760
Speaker 1: all right, it's acting. It's hard.

656
00:33:59,800 --> 00:34:00,800
Speaker 3: It's the theater.

657
00:34:00,880 --> 00:34:01,400
Speaker 1: Is after this.

658
00:34:03,800 --> 00:34:06,760
Speaker 5: So he goes special skills dial and then I have

659
00:34:06,880 --> 00:34:09,719
Speaker 5: like a little dialogue sample of and.

660
00:34:09,920 --> 00:34:11,560
Speaker 3: And this is the scene something.

661
00:34:11,719 --> 00:34:15,640
Speaker 5: It's a scene in woman is attracted to me and

662
00:34:15,840 --> 00:34:17,239
Speaker 5: her husband's okay with it.

663
00:34:17,520 --> 00:34:20,680
Speaker 1: Yeah. It's in the utility closet of like a chuck

664
00:34:20,680 --> 00:34:24,359
Speaker 1: E cheese or something, and everyone's seeing you. You know,

665
00:34:24,680 --> 00:34:27,000
Speaker 1: you're in there, You're like putting away a mop bucket

666
00:34:27,000 --> 00:34:30,319
Speaker 1: and you're getting discovered. And this woman's husband is a

667
00:34:30,360 --> 00:34:34,880
Speaker 1: cook and is comfortable with her sucking on your hip muscle.

668
00:34:35,000 --> 00:34:37,600
Speaker 2: Yeah he's not mad. He says he's not mad, but

669
00:34:37,640 --> 00:34:38,760
Speaker 2: he actually is happy.

670
00:34:39,040 --> 00:34:42,719
Speaker 1: Okay, yeah, and maybe it's like a bet Henri.

671
00:34:42,840 --> 00:34:43,080
Speaker 3: It's not.

672
00:34:43,600 --> 00:34:49,480
Speaker 1: So. You then have completed the dialogue, and now it's

673
00:34:49,520 --> 00:34:53,919
Speaker 1: time to start drawing. And what are we going to draw?

674
00:34:54,719 --> 00:34:55,560
Speaker 1: Do you have a guest bang?

675
00:34:59,040 --> 00:34:59,480
Speaker 3: Maybe me?

676
00:35:00,239 --> 00:35:02,040
Speaker 1: How about how about a Walk of Fame star?

677
00:35:02,719 --> 00:35:09,600
Speaker 3: Mm hmm okay, so special skills dialogue than a drawing

678
00:35:10,360 --> 00:35:12,360
Speaker 3: of me my Walk of favor.

679
00:35:12,360 --> 00:35:16,640
Speaker 1: These are hard to draw, these stars. They have to

680
00:35:17,440 --> 00:35:22,319
Speaker 1: all the sides have to be the same size. It's

681
00:35:22,400 --> 00:35:24,160
Speaker 1: so easy for it to get messed up.

682
00:35:25,320 --> 00:35:27,719
Speaker 2: And you can't take all your head shots over and

683
00:35:27,760 --> 00:35:29,800
Speaker 2: you can't go on the street and trace. It's too big.

684
00:35:30,160 --> 00:35:32,880
Speaker 2: It's too big. It's bigger than the paper. It has

685
00:35:32,920 --> 00:35:34,080
Speaker 2: to be a smaller version.

686
00:35:34,160 --> 00:35:36,359
Speaker 1: And if you print a big, giant one and then

687
00:35:36,400 --> 00:35:40,480
Speaker 1: try to shrink it down, guess what happens? Goes off

688
00:35:40,520 --> 00:35:40,960
Speaker 1: the page.

689
00:35:43,040 --> 00:35:47,279
Speaker 3: Okay, so you got to draw a smaller one. You

690
00:35:47,320 --> 00:35:51,800
Speaker 3: seem skeptical. Now you seem skeptical. No, may I'm following

691
00:35:51,840 --> 00:35:52,640
Speaker 3: along with the class.

692
00:35:52,680 --> 00:35:54,560
Speaker 1: It feels like you maybe don't think they're as big

693
00:35:54,560 --> 00:35:55,320
Speaker 1: as what we're saying.

694
00:35:56,200 --> 00:35:56,960
Speaker 3: No, I've seen them.

695
00:35:57,000 --> 00:36:01,000
Speaker 5: They're they're they're on the sidewalk. Definitely couldn't trace some

696
00:36:01,080 --> 00:36:03,680
Speaker 5: of me right on the street Hall of Fame. You

697
00:36:03,800 --> 00:36:05,880
Speaker 5: been there on the street.

698
00:36:05,640 --> 00:36:06,160
Speaker 3: Hall of Fame.

699
00:36:07,320 --> 00:36:09,800
Speaker 5: I think I know what you're talking about. Yeah, I've

700
00:36:10,160 --> 00:36:12,120
Speaker 5: walked around them.

701
00:36:12,239 --> 00:36:12,959
Speaker 1: I think that's great.

702
00:36:13,000 --> 00:36:15,120
Speaker 2: You go just to kind of check it out, look

703
00:36:15,120 --> 00:36:17,040
Speaker 2: at maybe you take a long look at some of

704
00:36:17,040 --> 00:36:17,680
Speaker 2: the blank ones.

705
00:36:18,440 --> 00:36:18,919
Speaker 1: Mm hmm.

706
00:36:19,840 --> 00:36:22,879
Speaker 5: I mean no, it's more just walking by. I've never

707
00:36:22,960 --> 00:36:25,480
Speaker 5: really kind of gone and like a tourist stomp on

708
00:36:25,520 --> 00:36:28,840
Speaker 5: the ones you don't like. I have definitely wanted to

709
00:36:29,040 --> 00:36:31,560
Speaker 5: do that before, but I do not endorse it.

710
00:36:32,120 --> 00:36:37,600
Speaker 1: Stomping on people's stars, Yeah, I don't support that. If

711
00:36:37,640 --> 00:36:41,040
Speaker 1: you're a star stomper in this town, that's gonna come

712
00:36:41,040 --> 00:36:47,040
Speaker 1: back around. Sun Sue would tell us often that when

713
00:36:47,080 --> 00:36:50,359
Speaker 1: you stomp on a star, you're stomping on the moon.

714
00:36:53,280 --> 00:36:58,040
Speaker 1: If you miss you, you could actually stop. I actually read.

715
00:36:58,239 --> 00:37:01,080
Speaker 3: The Art of War, and I feel like we must

716
00:37:01,080 --> 00:37:02,000
Speaker 3: be going off to what.

717
00:37:02,960 --> 00:37:08,120
Speaker 1: Yeah, this is not that one. This is not you know,

718
00:37:08,239 --> 00:37:11,560
Speaker 1: more than one boom Yeah, okay, yeah, I.

719
00:37:11,480 --> 00:37:13,640
Speaker 3: Guess that that was the main one. I feel like

720
00:37:13,719 --> 00:37:14,600
Speaker 3: most people.

721
00:37:14,480 --> 00:37:16,440
Speaker 1: Quote now I don't even know that one. I mean,

722
00:37:16,520 --> 00:37:21,200
Speaker 1: I've read How to Make It a show Biz by

723
00:37:21,239 --> 00:37:28,960
Speaker 1: Sun Yeah, the Panda Vacation, Pantas Vacation. Uh, and I

724
00:37:29,000 --> 00:37:34,759
Speaker 1: think he did one of those Harry Potter books do

725
00:37:35,040 --> 00:37:37,200
Speaker 1: like a Goblet of Bugs or whatever.

726
00:37:38,200 --> 00:37:42,120
Speaker 3: Couldn't you take a stencil of a star and just

727
00:37:43,920 --> 00:37:47,040
Speaker 3: trace it? I guess that would probably make it easier.

728
00:37:48,480 --> 00:37:50,720
Speaker 1: Do you think Less Movies is going to be impressed

729
00:37:50,719 --> 00:37:53,719
Speaker 1: by stencil? And I will say also, I don't want

730
00:37:53,719 --> 00:37:56,640
Speaker 1: to get into too much detail on this. The risk

731
00:37:56,719 --> 00:37:59,680
Speaker 1: of that is you get the wrong kind of star

732
00:38:00,080 --> 00:38:03,759
Speaker 1: mm hmm, and then you are tracing a star on

733
00:38:03,960 --> 00:38:08,680
Speaker 1: this page and and it can make people upset.

734
00:38:08,800 --> 00:38:12,600
Speaker 5: Some people I think like it more, but but other

735
00:38:13,000 --> 00:38:15,799
Speaker 5: you're implying like I would put a star of David

736
00:38:15,920 --> 00:38:18,800
Speaker 5: up my resume. I I mean, I know the difference.

737
00:38:18,840 --> 00:38:33,880
Speaker 1: Let's move on. Hey are you hiring and do you

738
00:38:33,920 --> 00:38:36,400
Speaker 1: know where to Yeah? You guys know?

739
00:38:37,160 --> 00:38:37,399
Speaker 3: Wait?

740
00:38:37,640 --> 00:38:41,160
Speaker 1: Sorry, do you know like where to post it? If

741
00:38:41,160 --> 00:38:43,200
Speaker 1: you're hiring? I want to know.

742
00:38:43,880 --> 00:38:46,719
Speaker 2: So with Zip Recruiter, you can post your job to

743
00:38:46,760 --> 00:38:49,160
Speaker 2: one hundred plus job sites with Justine real quick.

744
00:38:49,360 --> 00:38:54,600
Speaker 1: It's tough to find great talent, it really, it really is.

745
00:38:55,160 --> 00:38:58,719
Speaker 1: It's so like if you're hiring, like, we're trying to

746
00:38:59,320 --> 00:39:02,400
Speaker 1: actually help you right now, So like go ahead.

747
00:39:02,520 --> 00:39:06,240
Speaker 2: And we've done ads in the past about a Dana

748
00:39:06,280 --> 00:39:09,239
Speaker 2: of the robot which who we should have us Zipprecruiters

749
00:39:09,320 --> 00:39:11,560
Speaker 2: or we didn't have to hire her, And.

750
00:39:11,640 --> 00:39:13,600
Speaker 1: We've done a lot of creative series of.

751
00:39:13,680 --> 00:39:17,680
Speaker 2: Kaiju to fight her, such as Kevin Evan vivin IV.

752
00:39:18,640 --> 00:39:22,319
Speaker 1: Yeah, and that all that stuff is awesome, and we've

753
00:39:22,320 --> 00:39:24,399
Speaker 1: done a lot of creative ads and created some great

754
00:39:24,440 --> 00:39:27,280
Speaker 1: images of you picturing this robot witch and these kaiju.

755
00:39:27,560 --> 00:39:30,200
Speaker 1: But now we've actually come up with a really cool

756
00:39:30,280 --> 00:39:33,280
Speaker 1: image just for this company. We need a new direction

757
00:39:33,400 --> 00:39:36,319
Speaker 1: to go based on the name, and so this is

758
00:39:36,680 --> 00:39:38,200
Speaker 1: kind of it's kind of an ad for you to

759
00:39:38,239 --> 00:39:40,160
Speaker 1: hear we are trying to help you find great talents.

760
00:39:40,200 --> 00:39:43,719
Speaker 1: Actually really tough. Yeah, but we're also trying to help

761
00:39:43,760 --> 00:39:47,319
Speaker 1: the company if they want to do like I don't

762
00:39:47,360 --> 00:39:49,080
Speaker 1: know if it's some graphic or something.

763
00:39:49,120 --> 00:39:53,120
Speaker 2: This could scale to any visual medium in addition to podcasts.

764
00:39:52,560 --> 00:39:56,279
Speaker 1: Including a full length movie or series of movies. But

765
00:39:56,719 --> 00:39:58,920
Speaker 1: it's called ZipRecruiter ziprecutter. You can post your job to

766
00:39:58,960 --> 00:40:01,000
Speaker 1: one hundred plus sites with one and click. They've got

767
00:40:01,040 --> 00:40:03,319
Speaker 1: this powerful technology that matches the right people to your

768
00:40:03,400 --> 00:40:05,720
Speaker 1: job better than anyone else. So here's what I picture.

769
00:40:06,239 --> 00:40:10,480
Speaker 1: It's almost like taking this job posting and putting it

770
00:40:10,560 --> 00:40:16,520
Speaker 1: on the zipline freaking like in those canopy tools jungle zipline. Yeah,

771
00:40:16,520 --> 00:40:18,640
Speaker 1: like a Costa Rica or whatever. It's like a jungle

772
00:40:18,680 --> 00:40:22,800
Speaker 1: zipline where you like holding going like holy shoot, I'm

773
00:40:22,840 --> 00:40:27,280
Speaker 1: freaking zooming, and you're zooming it down the zip line

774
00:40:27,600 --> 00:40:31,480
Speaker 1: to all the other canopies, and the canopies are you

775
00:40:31,520 --> 00:40:34,160
Speaker 1: know these other sites.

776
00:40:34,480 --> 00:40:38,560
Speaker 2: There's people yeah waiting there, I guess who were like

777
00:40:38,600 --> 00:40:41,799
Speaker 2: the good talent. Yeah, and you're scooping them up from

778
00:40:41,840 --> 00:40:42,800
Speaker 2: their village.

779
00:40:43,040 --> 00:40:46,000
Speaker 1: Well yeah, oh yeah, because like you don't have to

780
00:40:46,080 --> 00:40:48,680
Speaker 1: juggle emails or calls to your office because it's like

781
00:40:48,920 --> 00:40:53,040
Speaker 1: you're just ziplining.

782
00:40:50,320 --> 00:40:50,400
Speaker 6: You.

783
00:40:52,080 --> 00:40:52,160
Speaker 3: Know.

784
00:40:52,760 --> 00:40:55,480
Speaker 1: So like Ziper Coulder, I guess is like the tallest

785
00:40:55,560 --> 00:40:59,280
Speaker 1: tree in the jungle and there's all these ziplines.

786
00:40:58,840 --> 00:41:01,480
Speaker 2: And it's like for every movie, I guess is a

787
00:41:01,560 --> 00:41:07,319
Speaker 2: war between the people up on the zipline versus like

788
00:41:07,480 --> 00:41:10,200
Speaker 2: people on the ground that are like throwing rocks at

789
00:41:10,200 --> 00:41:10,800
Speaker 2: them and stuff.

790
00:41:10,840 --> 00:41:13,520
Speaker 1: And there's one hundred plus zipline tours, yes, that you're

791
00:41:13,600 --> 00:41:16,560
Speaker 1: zooming it out too, Yes, And they're like scooping up

792
00:41:16,680 --> 00:41:19,319
Speaker 1: the talent. And there's like a little like and there's

793
00:41:19,360 --> 00:41:22,360
Speaker 1: also like a little cartoon jungle frog who's like jumping

794
00:41:22,440 --> 00:41:25,080
Speaker 1: along the top of the zip line. Yes, and so

795
00:41:25,200 --> 00:41:27,520
Speaker 1: this is like, you know, this is like, oh, you

796
00:41:27,560 --> 00:41:30,520
Speaker 1: already did an add about like businesses in the Juggle

797
00:41:31,200 --> 00:41:31,600
Speaker 1: in this.

798
00:41:31,920 --> 00:41:34,880
Speaker 2: No, it's the same episode. It's on purpose, obviously. They

799
00:41:35,080 --> 00:41:37,000
Speaker 2: they they're like communicating with each other.

800
00:41:37,360 --> 00:41:40,399
Speaker 1: Because eighty percent of jobs posted on these ziplines get

801
00:41:40,400 --> 00:41:43,680
Speaker 1: a qualified candidate in just twenty four hours. So could

802
00:41:43,680 --> 00:41:46,480
Speaker 1: you do me a favor? Actually, Hayes, just real quick

803
00:41:46,520 --> 00:41:47,839
Speaker 1: in the middle of the could you do me a favor?

804
00:41:47,960 --> 00:41:49,880
Speaker 1: Could you find out today? Why is it? Precruiter has

805
00:41:49,880 --> 00:41:52,000
Speaker 1: been used by businesses of all sizes to find the

806
00:41:52,040 --> 00:41:54,920
Speaker 1: most qualified job candidates with the immediate results. Oh okay,

807
00:41:55,000 --> 00:41:58,040
Speaker 1: So I go okay, I mean I know my listeners

808
00:41:58,040 --> 00:41:58,480
Speaker 1: could do it.

809
00:41:58,520 --> 00:42:00,440
Speaker 2: I'll go to the website. I'll get to zip precruiter

810
00:42:00,480 --> 00:42:03,799
Speaker 2: dot com slash first. That's a precruiter dot com slash first.

811
00:42:03,800 --> 00:42:06,080
Speaker 2: Another thing I'd like to point out is these zippliants

812
00:42:06,120 --> 00:42:09,680
Speaker 2: off to sort of highlight your the stuff that you

813
00:42:09,719 --> 00:42:13,800
Speaker 2: have going on downstairs, just like the way you're oh.

814
00:42:13,719 --> 00:42:20,960
Speaker 1: Yes, the harness sort of creates a nice pouch out

815
00:42:21,000 --> 00:42:24,279
Speaker 1: of just normal shorts. So the ad could be you know,

816
00:42:24,400 --> 00:42:26,280
Speaker 1: that could be a big part of like the visual.

817
00:42:26,400 --> 00:42:28,000
Speaker 1: I mean, that's gonna be part of casting and I

818
00:42:28,000 --> 00:42:31,279
Speaker 1: wouldn't mind being in on that casting session. So yeah,

819
00:42:31,320 --> 00:42:34,000
Speaker 1: you can post this stuff for free. Go ahead.

820
00:42:34,400 --> 00:42:38,359
Speaker 2: These days you can get practically everything on demand. I'll say, so,

821
00:42:38,400 --> 00:42:40,560
Speaker 2: why are you still going to the post office? Yeah,

822
00:42:40,600 --> 00:42:42,760
Speaker 2: what's with that limited hours when you can get.

823
00:42:42,760 --> 00:42:45,120
Speaker 1: Start to interrupt, but what's why are you doing that

824
00:42:45,680 --> 00:42:49,440
Speaker 1: with SAMs dot com? You yea SAMs dot com. These days,

825
00:42:49,520 --> 00:42:52,200
Speaker 1: it's just like you could get almost anything on demand.

826
00:42:52,280 --> 00:42:54,840
Speaker 1: So people who are going to the post office, I'm like,

827
00:42:55,280 --> 00:42:57,400
Speaker 1: I'm sorry to sort of repeat what you said, but

828
00:42:57,480 --> 00:42:59,680
Speaker 1: I am literally like, why are you doing that?

829
00:43:00,200 --> 00:43:01,239
Speaker 3: Yeah?

830
00:43:02,040 --> 00:43:03,960
Speaker 2: Because anything you can do at the post office you

831
00:43:03,960 --> 00:43:05,799
Speaker 2: can do right from your desk with stamps dot Com,

832
00:43:05,920 --> 00:43:08,160
Speaker 2: especially if you have a small business. This is great

833
00:43:08,200 --> 00:43:09,200
Speaker 2: for small businesses.

834
00:43:09,320 --> 00:43:12,640
Speaker 1: Oh yeah, oh yeah, and there and they're obviously businesses,

835
00:43:13,200 --> 00:43:16,919
Speaker 1: normal sort of small businesses, local businesses that are able

836
00:43:16,920 --> 00:43:19,720
Speaker 1: to use stamps dot com and if they have shipping

837
00:43:19,760 --> 00:43:22,279
Speaker 1: involved in their business, then they no longer have to

838
00:43:22,280 --> 00:43:26,160
Speaker 1: pay for postage. But actually, what I've been thinking about

839
00:43:26,239 --> 00:43:29,239
Speaker 1: lately is I think this could work for businesses so

840
00:43:29,440 --> 00:43:32,279
Speaker 1: small that you can't even see.

841
00:43:32,040 --> 00:43:35,720
Speaker 2: Them, Really tiny businesses that like a little frog has,

842
00:43:35,760 --> 00:43:39,400
Speaker 2: like a little like jungle frog has a business where

843
00:43:39,920 --> 00:43:42,440
Speaker 2: where he is selling uh.

844
00:43:42,239 --> 00:43:45,640
Speaker 1: Flies free flies to other We can't be free because

845
00:43:45,680 --> 00:43:49,680
Speaker 1: that's not a business, but flies to other frogs. Yeah,

846
00:43:49,719 --> 00:43:52,200
Speaker 1: but I'm actually thinking I would be able to see

847
00:43:52,200 --> 00:43:54,680
Speaker 1: that business. That business would in fact be the size

848
00:43:54,680 --> 00:43:57,240
Speaker 1: of a postage stamp, which you don't need anymore because

849
00:43:57,280 --> 00:43:59,239
Speaker 1: stamps dot com dot com you don't print them out,

850
00:43:59,280 --> 00:44:02,000
Speaker 1: which we've also and so that's not even going to

851
00:44:02,080 --> 00:44:04,040
Speaker 1: be by the time this ad airs, that's not even

852
00:44:04,080 --> 00:44:06,240
Speaker 1: going to be a reference of size for people anymore.

853
00:44:07,760 --> 00:44:09,839
Speaker 1: That you'd say size of a postage stamp. People won't

854
00:44:09,920 --> 00:44:12,600
Speaker 1: know because it's all it's all on demand now. But

855
00:44:12,760 --> 00:44:15,520
Speaker 1: I'm thinking of a business so small that it's like

856
00:44:15,560 --> 00:44:19,400
Speaker 1: a little germ, a little germs business. Yeah, and he's

857
00:44:19,480 --> 00:44:22,239
Speaker 1: like selling like he's got an Etsy shop and he

858
00:44:22,400 --> 00:44:25,280
Speaker 1: like makes like germ sweaters.

859
00:44:24,880 --> 00:44:26,800
Speaker 3: And that could be good for stamps dot com.

860
00:44:26,840 --> 00:44:29,759
Speaker 1: Well it could because you know, you think about a

861
00:44:29,800 --> 00:44:31,799
Speaker 1: germ trying to go to the post office and wait

862
00:44:31,880 --> 00:44:34,920
Speaker 1: in line, and first of all, that's going to get

863
00:44:34,920 --> 00:44:38,319
Speaker 1: everybody sick. But secondly, the woman, the woman at the

864
00:44:38,320 --> 00:44:42,520
Speaker 1: register can't hear him, yeah, when he tries to buy stamps.

865
00:44:42,600 --> 00:44:43,920
Speaker 3: Yeah, so he's going to have.

866
00:44:44,000 --> 00:44:48,520
Speaker 1: To get inside a computer like a computer virus and

867
00:44:48,840 --> 00:44:49,760
Speaker 1: order it all himself.

868
00:44:49,880 --> 00:44:52,360
Speaker 2: And I appreciate that Cody is trying to recreate the

869
00:44:52,560 --> 00:44:55,200
Speaker 2: So there's this very high pitched ringing in my headphones,

870
00:44:55,560 --> 00:44:59,160
Speaker 2: and what it sounds like is millions of germs freeing.

871
00:45:01,760 --> 00:45:04,279
Speaker 1: Oh yeah, or they're screens. Thank you for the yeah,

872
00:45:04,960 --> 00:45:07,800
Speaker 1: the homemade jewelry. Because anything you can do at post office,

873
00:45:07,800 --> 00:45:09,719
Speaker 1: you can do it from your desk at stamps dot com,

874
00:45:09,719 --> 00:45:11,880
Speaker 1: whether you're a germ or a little jungle frog buying

875
00:45:11,920 --> 00:45:15,120
Speaker 1: print us post postage for any letter or package using

876
00:45:15,160 --> 00:45:18,000
Speaker 1: your own computer and printer or using one that somebody

877
00:45:18,080 --> 00:45:20,600
Speaker 1: left in the woods, or use one that is inside

878
00:45:20,680 --> 00:45:23,239
Speaker 1: the microscopic slide. Yeah, and I.

879
00:45:23,160 --> 00:45:25,640
Speaker 2: Said, you don't print them before you do print him obviously,

880
00:45:25,680 --> 00:45:27,840
Speaker 2: but it's not They don't look like the stamps that

881
00:45:27,880 --> 00:45:28,759
Speaker 2: you're supposed to lick.

882
00:45:28,880 --> 00:45:32,720
Speaker 1: No, No, they're a different look. Yeah, they're cleaner, unlike

883
00:45:32,719 --> 00:45:34,840
Speaker 1: the post office stamps. Dot com never closes. You can

884
00:45:34,840 --> 00:45:36,399
Speaker 1: get postage whenever you needed twenty four.

885
00:45:36,680 --> 00:45:39,759
Speaker 2: The germs are getting louder. They're so excited about this.

886
00:45:40,160 --> 00:45:42,920
Speaker 1: Yeah or no. They look really nice. Effect because in

887
00:45:42,960 --> 00:45:46,640
Speaker 1: the past, not only did small businesses lose so much

888
00:45:46,680 --> 00:45:50,160
Speaker 1: money buying postage, but a lot of germs couldn't start

889
00:45:50,360 --> 00:45:54,680
Speaker 1: an Etsy page where they make like snap bracelets for

890
00:45:54,760 --> 00:45:59,520
Speaker 1: other germs or little germ fidget spinners. And a lot

891
00:45:59,520 --> 00:46:03,719
Speaker 1: of jungle frogs who had a surplus of flies and

892
00:46:03,800 --> 00:46:05,719
Speaker 1: knew that there were areas of the jungle where there

893
00:46:05,760 --> 00:46:09,680
Speaker 1: were fewer flies, weren't able to capitalize on Yeah and

894
00:46:09,719 --> 00:46:13,840
Speaker 1: mail them. Uh so right now, use my code mine,

895
00:46:13,880 --> 00:46:17,600
Speaker 1: not Hayes's handbook. I am get Hayes going to get

896
00:46:17,600 --> 00:46:19,880
Speaker 1: his own. I'm working on a code. Use my code

897
00:46:19,880 --> 00:46:22,640
Speaker 1: handbook for the special offer A four week trial includes

898
00:46:22,680 --> 00:46:25,520
Speaker 1: postage in a digital scale. Don't wait. Go to stamps

899
00:46:25,520 --> 00:46:27,480
Speaker 1: dot com before you do anything else. Click on the

900
00:46:27,560 --> 00:46:30,000
Speaker 1: radio microphone at the top of the homepage and type

901
00:46:30,000 --> 00:46:33,600
Speaker 1: in handbook that stamps dot com and this is for

902
00:46:33,760 --> 00:46:37,000
Speaker 1: jungle frogs and terms too, and enter code handbook stamps

903
00:46:37,000 --> 00:46:39,359
Speaker 1: dot com. Never go to the post office. My code

904
00:46:39,440 --> 00:46:41,719
Speaker 1: is going to be this. Never do it. Oh yeah,

905
00:46:42,160 --> 00:46:44,839
Speaker 1: don't use the stamps now, and don't use the code.

906
00:46:44,880 --> 00:46:46,800
Speaker 1: The boys they did promise us they were going to

907
00:46:46,840 --> 00:46:48,600
Speaker 1: get us that after we made a joke about it,

908
00:46:48,640 --> 00:46:50,080
Speaker 1: and then we thought this would be so funny when

909
00:46:50,120 --> 00:46:51,799
Speaker 1: it really happens. But now it's been like two months

910
00:46:51,800 --> 00:47:03,720
Speaker 1: and nobody fucking did anything. Bang. I see you pouring

911
00:47:03,760 --> 00:47:06,279
Speaker 1: yourself a glass of water, and that reminds me of

912
00:47:07,560 --> 00:47:12,680
Speaker 1: general meeting. Yeah, do you know about these a little bit.

913
00:47:12,840 --> 00:47:16,759
Speaker 5: It's just where you get to meet people, like in

914
00:47:16,880 --> 00:47:17,719
Speaker 5: casting or.

915
00:47:19,280 --> 00:47:22,200
Speaker 3: At a studio, just kind of get to know you.

916
00:47:22,320 --> 00:47:24,440
Speaker 1: That's what a lot of people think it is. Yeah,

917
00:47:25,120 --> 00:47:28,320
Speaker 1: but it's not just where you get to meet people

918
00:47:28,360 --> 00:47:31,600
Speaker 1: in casting or at a studio, right, It's.

919
00:47:31,480 --> 00:47:38,839
Speaker 3: Not just that, I'll take your word for it.

920
00:47:38,840 --> 00:47:40,400
Speaker 1: It's an opportunity.

921
00:47:40,560 --> 00:47:42,799
Speaker 3: Okay, Yeah, you didn't say that.

922
00:47:43,760 --> 00:47:46,120
Speaker 1: You didn't even mention that that's true.

923
00:47:46,239 --> 00:47:49,399
Speaker 3: I didn't. Yeah, I didn't. I get what you're saying.

924
00:47:49,480 --> 00:47:51,000
Speaker 1: Yeah, you can make a big impression.

925
00:47:51,080 --> 00:47:51,439
Speaker 3: You can.

926
00:47:53,040 --> 00:47:55,799
Speaker 1: So one thing you might want to do is have

927
00:47:55,840 --> 00:47:58,839
Speaker 1: a crazy voice and be acting all insane when you

928
00:47:58,880 --> 00:48:05,040
Speaker 1: go to these meetings. Yeah, be tough, being very tough, real,

929
00:48:05,760 --> 00:48:10,319
Speaker 1: true to your street roots. Yes. And what I bring

930
00:48:10,440 --> 00:48:12,640
Speaker 1: up the water they're going to offer you a glass

931
00:48:12,680 --> 00:48:15,360
Speaker 1: of water. I find it's best to have a really

932
00:48:15,360 --> 00:48:17,719
Speaker 1: funny joke. One of the first things they'll say, can

933
00:48:17,760 --> 00:48:23,200
Speaker 1: I get your water? What I'll say is, uh, yeah, sure,

934
00:48:23,200 --> 00:48:25,239
Speaker 1: I'd love to go for a swim. And then I

935
00:48:25,360 --> 00:48:28,840
Speaker 1: pour the water all over me and all over them. Yeah,

936
00:48:28,880 --> 00:48:31,799
Speaker 1: and then I act like I'm swimmy. Yeah, I'm a

937
00:48:31,800 --> 00:48:34,400
Speaker 1: fish now, Yeah I'm a fish.

938
00:48:34,440 --> 00:48:37,680
Speaker 3: Wow, that's a big and really be a fish.

939
00:48:37,360 --> 00:48:40,360
Speaker 1: And be a fish and then be allergic to fish

940
00:48:40,360 --> 00:48:43,920
Speaker 1: and choke to death. You know, do something where these

941
00:48:43,960 --> 00:48:45,600
Speaker 1: guys when you walk out of the room, they go,

942
00:48:45,840 --> 00:48:47,440
Speaker 1: I gotta work with this.

943
00:48:47,280 --> 00:48:51,480
Speaker 5: Guy, right, Yeah, that's it seems like a big swing.

944
00:48:51,520 --> 00:48:55,799
Speaker 5: That's that's a bold choice. But I get what you're saying. Yeah,

945
00:48:55,920 --> 00:48:58,560
Speaker 5: you want to be memorable and you want them to

946
00:48:58,600 --> 00:49:00,640
Speaker 5: be talking about you after you do.

947
00:49:00,600 --> 00:49:02,759
Speaker 1: You ever do a quick change.

948
00:49:04,400 --> 00:49:05,640
Speaker 3: Like change what I'm wearing.

949
00:49:05,760 --> 00:49:06,560
Speaker 1: No, you wear like a.

950
00:49:06,520 --> 00:49:10,320
Speaker 2: Big It actually would be great to have someone else

951
00:49:10,440 --> 00:49:14,560
Speaker 2: helping you with this, a woman ideally, Okay, but you

952
00:49:14,680 --> 00:49:15,880
Speaker 2: have like a big.

953
00:49:15,640 --> 00:49:18,480
Speaker 3: Hoop, right that's around you like a magician.

954
00:49:19,560 --> 00:49:22,600
Speaker 2: Right, Well, you don't want to be you are like

955
00:49:22,640 --> 00:49:25,080
Speaker 2: an actor, but you can just change clothes really fast

956
00:49:25,120 --> 00:49:29,960
Speaker 2: as well. And so you like the woman tosses up

957
00:49:30,000 --> 00:49:33,160
Speaker 2: the hoop and you got to get into your next

958
00:49:33,200 --> 00:49:36,319
Speaker 2: layer of clothing before it comes down. And usually it's

959
00:49:36,400 --> 00:49:38,719
Speaker 2: just like a string that you have special clothes, and

960
00:49:38,760 --> 00:49:40,160
Speaker 2: like you pull a string and they'll just.

961
00:49:40,080 --> 00:49:41,040
Speaker 3: Like just like.

962
00:49:42,520 --> 00:49:45,840
Speaker 1: Suck in all around you and you'll be wearing different clothes.

963
00:49:45,920 --> 00:49:48,080
Speaker 1: Don't tell them that's how it works. Like you do it,

964
00:49:48,120 --> 00:49:50,120
Speaker 1: and you just you act as surprised to have different

965
00:49:50,120 --> 00:49:51,920
Speaker 1: clothes on as they. I just don't want you to

966
00:49:51,960 --> 00:49:53,880
Speaker 1: go into this being like, Okay, I've gotta just be

967
00:49:53,960 --> 00:49:57,040
Speaker 1: able to like change really fast, because you'll just be

968
00:49:57,160 --> 00:49:59,839
Speaker 1: like kind of touching your shirt. Just another water joke.

969
00:50:00,080 --> 00:50:03,320
Speaker 1: I'm realizing I've done that swim one before that maybe

970
00:50:03,360 --> 00:50:07,239
Speaker 1: you could do is uh. One thing is when they go, hey,

971
00:50:07,239 --> 00:50:08,960
Speaker 1: do you want some water, you can go yeah, sure,

972
00:50:08,960 --> 00:50:11,120
Speaker 1: he's really thirsty today, and you pour it in your dick.

973
00:50:15,480 --> 00:50:17,920
Speaker 3: Okay, yeah that they would certainly remember that.

974
00:50:19,040 --> 00:50:21,600
Speaker 1: You know, Brett here show him how that would work.

975
00:50:22,560 --> 00:50:25,399
Speaker 1: You don't have to. Hey, Brick, I get you some water.

976
00:50:26,320 --> 00:50:27,840
Speaker 4: Yep, he's real thirsty.

977
00:50:28,120 --> 00:50:32,840
Speaker 1: Yeah, and just there okay. Yeah. See Now Brett doesn't

978
00:50:32,840 --> 00:50:35,279
Speaker 1: need any kind of funnel or anything because of this

979
00:50:35,440 --> 00:50:40,760
Speaker 1: the way that he is built where and you should

980
00:50:40,880 --> 00:50:43,920
Speaker 1: be taking your dick out well no, yeah, I mean

981
00:50:43,960 --> 00:50:46,920
Speaker 1: you should like turn away. Yeah, well you're doing that,

982
00:50:47,080 --> 00:50:52,800
Speaker 1: turn your back so that your butt cheeks are facing them,

983
00:50:53,440 --> 00:50:57,160
Speaker 1: and then with great effort pour it in. Yeah, and

984
00:50:57,280 --> 00:51:02,439
Speaker 1: don't spill a drop. And again because again I don't

985
00:51:02,440 --> 00:51:04,680
Speaker 1: want you to get thread of like cocky going into this, because,

986
00:51:04,719 --> 00:51:07,760
Speaker 1: like you see, Brett, who is sort of more hole

987
00:51:07,840 --> 00:51:11,719
Speaker 1: than mad for you, you are going to need some

988
00:51:11,840 --> 00:51:17,399
Speaker 1: kind of funnel or other device to get it all

989
00:51:17,440 --> 00:51:17,719
Speaker 1: in there.

990
00:51:17,760 --> 00:51:19,560
Speaker 2: I mean, this is like the bottle they give you

991
00:51:20,040 --> 00:51:21,600
Speaker 2: some of the time are going to be pretty large.

992
00:51:21,600 --> 00:51:24,800
Speaker 5: I mean I've gone on generals before, and I normally

993
00:51:25,600 --> 00:51:28,520
Speaker 5: you know, maybe we'll bring like a headshot or something,

994
00:51:29,160 --> 00:51:31,360
Speaker 5: just in case they asked for it. But you're saying

995
00:51:31,360 --> 00:51:36,640
Speaker 5: I should bring a funnel, a hoop, an assistant, and

996
00:51:36,880 --> 00:51:38,479
Speaker 5: some extra clothes to change into.

997
00:51:38,600 --> 00:51:40,440
Speaker 1: That seems like a lot. And pep, you might want

998
00:51:40,440 --> 00:51:42,520
Speaker 1: to bring your own water in case they don't have any. Yeah,

999
00:51:42,560 --> 00:51:44,719
Speaker 1: a lot of times they don't do water anymore. And

1000
00:51:44,880 --> 00:51:47,839
Speaker 1: I would say, you're gonna want to bring something that

1001
00:51:47,960 --> 00:51:50,160
Speaker 1: I think is really smart to do now is bring

1002
00:51:50,320 --> 00:51:53,480
Speaker 1: a brick. And when they ask what it is, you go,

1003
00:51:53,760 --> 00:51:56,440
Speaker 1: this is the first brick in Trump's wall. I'm going

1004
00:51:56,480 --> 00:52:00,600
Speaker 1: to help them build it. Because these are big companies

1005
00:52:00,600 --> 00:52:02,360
Speaker 1: we're dealing with, and they don't want you fight in

1006
00:52:02,440 --> 00:52:05,280
Speaker 1: city hall, you know what I mean, They've got to

1007
00:52:05,320 --> 00:52:09,000
Speaker 1: interact with the powers that be, So you go, I'm

1008
00:52:09,040 --> 00:52:11,840
Speaker 1: on board, you know. And any words you want to

1009
00:52:11,960 --> 00:52:15,960
Speaker 1: use to describe some of those other people, just go

1010
00:52:16,000 --> 00:52:17,839
Speaker 1: ahead and use them, because you.

1011
00:52:17,800 --> 00:52:20,040
Speaker 5: Know, I mean to rule with guys like us. Yeah,

1012
00:52:20,080 --> 00:52:22,640
Speaker 5: I thought Hollywood was kind of a liberal place that.

1013
00:52:24,040 --> 00:52:26,160
Speaker 1: This is a commercial enterprise. I mean, these are these

1014
00:52:26,200 --> 00:52:30,480
Speaker 1: guys are big, big money, you know, and so they're.

1015
00:52:30,360 --> 00:52:32,480
Speaker 2: Liberally and that point also, Yeah, and that was kind

1016
00:52:32,480 --> 00:52:34,520
Speaker 2: of when Obama was the bus and things are.

1017
00:52:34,520 --> 00:52:37,560
Speaker 1: A little bit Yeah, people flip different enough. You put

1018
00:52:37,560 --> 00:52:41,719
Speaker 1: that brick down and you go, buck stops here, yeah,

1019
00:52:41,719 --> 00:52:44,799
Speaker 1: and you stand on it. You say try and yeah,

1020
00:52:44,800 --> 00:52:47,920
Speaker 1: get past me. Yeah. And so that's a great way

1021
00:52:47,920 --> 00:52:49,600
Speaker 1: to make a impression that it's like, oh, this guy's

1022
00:52:49,640 --> 00:52:53,120
Speaker 1: going to be a little easier to market. Team play, sell,

1023
00:52:53,840 --> 00:52:55,200
Speaker 1: team player exactly.

1024
00:52:56,360 --> 00:52:59,920
Speaker 3: I'm saying the buck stops here, senior, get past me.

1025
00:53:00,640 --> 00:53:03,200
Speaker 1: Mm hmmm, and they try to get past. By the way,

1026
00:53:03,239 --> 00:53:05,560
Speaker 1: it is being fair and equal because you're also not

1027
00:53:05,719 --> 00:53:11,719
Speaker 1: letting anybody go through the other way. Oh yeah, you know, yeah,

1028
00:53:11,800 --> 00:53:16,239
Speaker 1: they they would okay, okay, this is how walls work.

1029
00:53:16,280 --> 00:53:18,800
Speaker 1: And this is the thing that I think confuses people

1030
00:53:18,840 --> 00:53:21,000
Speaker 1: about this that they think, for some reason a wall

1031
00:53:21,040 --> 00:53:25,279
Speaker 1: only works on one side or on one kind of people. No, no, no,

1032
00:53:25,320 --> 00:53:28,359
Speaker 1: they're maybe thinking of like those bookshelves where you pull

1033
00:53:28,360 --> 00:53:29,840
Speaker 1: a book out and it spins around and you're on

1034
00:53:29,880 --> 00:53:31,759
Speaker 1: the other side of it. Yeah, which I think they're

1035
00:53:31,800 --> 00:53:33,000
Speaker 1: just gonna be a part of the wall that's like

1036
00:53:33,000 --> 00:53:35,279
Speaker 1: that I've been talking about, But they don't know that. No, no,

1037
00:53:36,000 --> 00:53:39,440
Speaker 1: So so probably one of the things they're going to

1038
00:53:39,480 --> 00:53:43,759
Speaker 1: want to talk about with you in these meetings is hey,

1039
00:53:43,760 --> 00:53:46,440
Speaker 1: what do you watch? Hey? What do you watch? M H.

1040
00:53:46,920 --> 00:53:52,640
Speaker 1: So a cool trick is you go everybody's shit but yours,

1041
00:53:55,080 --> 00:53:58,560
Speaker 1: So like you're a paramount or whatever. You go Warner Brothers.

1042
00:53:58,560 --> 00:54:02,520
Speaker 1: Shit's pretty fucking cool. Yeah, but your shit sucks, dude,

1043
00:54:02,640 --> 00:54:04,879
Speaker 1: And you really aren't going to make them want you

1044
00:54:04,920 --> 00:54:07,920
Speaker 1: in this way and go we gotta work with this guy, right.

1045
00:54:07,800 --> 00:54:09,800
Speaker 3: Okay, So why them?

1046
00:54:10,280 --> 00:54:12,839
Speaker 1: I don't know what that is. No, I haven't really Yeah,

1047
00:54:12,880 --> 00:54:17,160
Speaker 1: but it's uh.

1048
00:54:15,680 --> 00:54:17,640
Speaker 2: If you are going to want to establish Kino as well,

1049
00:54:17,680 --> 00:54:20,440
Speaker 2: I don't know if you're familiar with this this concept,

1050
00:54:21,440 --> 00:54:24,960
Speaker 2: but they now they're saying like, oh, my shit is

1051
00:54:25,000 --> 00:54:27,200
Speaker 2: so bad, I need someone to help me make it

1052
00:54:27,320 --> 00:54:30,280
Speaker 2: good as good as some of these other guys.

1053
00:54:30,560 --> 00:54:32,440
Speaker 1: Everyone in show biz feels like there's a fraud on

1054
00:54:32,480 --> 00:54:37,120
Speaker 1: the inside, and uh, they are afraid of being exposed

1055
00:54:37,440 --> 00:54:40,120
Speaker 1: and finding out that their shit sucks. So when somebody goes,

1056
00:54:40,120 --> 00:54:42,320
Speaker 1: what do you watch and you're in Paramount, you're at Sony,

1057
00:54:42,480 --> 00:54:45,040
Speaker 1: you know, you go like, I certainly don't watch your

1058
00:54:45,040 --> 00:54:45,759
Speaker 1: bullshit home.

1059
00:54:45,719 --> 00:54:47,879
Speaker 2: Bray, but you do want to say, and I watch

1060
00:54:47,960 --> 00:54:51,759
Speaker 2: everything and oh it's good. Yeah, I do want to

1061
00:54:51,800 --> 00:54:54,800
Speaker 2: because then be like, oh, this guy loves TV and everything.

1062
00:54:54,840 --> 00:54:56,000
Speaker 1: El isn't like any of our ship.

1063
00:54:56,200 --> 00:54:57,960
Speaker 3: Yeah, every everybody else.

1064
00:54:57,960 --> 00:55:00,000
Speaker 1: There's other ship that it's sixcept years. Yeah.

1065
00:55:00,040 --> 00:55:00,680
Speaker 5: Yeah.

1066
00:55:00,719 --> 00:55:02,520
Speaker 1: And if you got a drain and weasel, you do

1067
00:55:02,560 --> 00:55:03,560
Speaker 1: it right there on the floor.

1068
00:55:04,520 --> 00:55:07,520
Speaker 5: Turn around again, turn around to show your punchet obviously

1069
00:55:07,640 --> 00:55:11,000
Speaker 5: turn around. Okay, I mean this is why I took

1070
00:55:11,000 --> 00:55:13,440
Speaker 5: the class. This is definitely not stuff I would do,

1071
00:55:15,280 --> 00:55:17,879
Speaker 5: and you are absolutely gonna have to do. I mean,

1072
00:55:17,960 --> 00:55:18,920
Speaker 5: like try it.

1073
00:55:18,960 --> 00:55:21,080
Speaker 2: I to do it right away after you because the

1074
00:55:21,200 --> 00:55:24,160
Speaker 2: shaft of your penis is gonna be full of water

1075
00:55:25,280 --> 00:55:27,680
Speaker 2: and so like try and show them that you can

1076
00:55:27,920 --> 00:55:28,399
Speaker 2: keep it in.

1077
00:55:28,320 --> 00:55:31,240
Speaker 3: There for like at least a little bit, right.

1078
00:55:31,520 --> 00:55:33,560
Speaker 5: Because I'm gonna have a water I'm gonna have to

1079
00:55:33,560 --> 00:55:37,560
Speaker 5: pee and also I have put water in my penis

1080
00:55:37,600 --> 00:55:38,280
Speaker 5: with a funnel.

1081
00:55:38,440 --> 00:55:40,439
Speaker 1: You know, if you're struggling with this part of it,

1082
00:55:40,440 --> 00:55:43,400
Speaker 1: it's not necessary, Like this is one that you can

1083
00:55:43,480 --> 00:55:46,000
Speaker 1: take or leave and explain to them that it's noticing.

1084
00:55:46,160 --> 00:55:49,520
Speaker 3: It's not really pe it's really just water. Yeah, urine.

1085
00:55:49,680 --> 00:55:55,080
Speaker 1: Yeah, so be like I'm not peeing mm hmm and

1086
00:55:55,120 --> 00:55:57,759
Speaker 1: if there's a strong man with you and you can

1087
00:55:57,800 --> 00:55:59,960
Speaker 1: sort of pick him up and go like Jesus, he's

1088
00:56:00,000 --> 00:56:02,200
Speaker 1: wrong and I'm picking him up. You know what do

1089
00:56:02,280 --> 00:56:05,080
Speaker 1: I got going on? Yeah, engineer breath.

1090
00:56:04,960 --> 00:56:06,960
Speaker 3: Let them put it together, all right? So also bring

1091
00:56:06,960 --> 00:56:08,160
Speaker 3: a strong man engineer bread.

1092
00:56:08,200 --> 00:56:10,320
Speaker 1: Can you think of any sort of like circusy magic

1093
00:56:10,360 --> 00:56:11,960
Speaker 1: trick halftime show things.

1094
00:56:11,719 --> 00:56:14,920
Speaker 3: That a woman can be strong that could actually be

1095
00:56:14,960 --> 00:56:15,600
Speaker 3: really brave?

1096
00:56:15,880 --> 00:56:18,560
Speaker 1: Wow? Yeah, she's like some kind of strong freak.

1097
00:56:20,440 --> 00:56:22,840
Speaker 3: Okay, I can see why that would be brave.

1098
00:56:23,400 --> 00:56:27,719
Speaker 1: But with like she's still gonna have like yeah, because

1099
00:56:27,760 --> 00:56:29,520
Speaker 1: a lot of them don't really have like you're coumping

1100
00:56:29,600 --> 00:56:33,360
Speaker 1: your head too strong. They're like can kind of lose

1101
00:56:33,400 --> 00:56:33,759
Speaker 1: some of that.

1102
00:56:34,719 --> 00:56:37,320
Speaker 5: So you so I want to find a strong woman

1103
00:56:37,760 --> 00:56:38,600
Speaker 5: with big breasts?

1104
00:56:38,880 --> 00:56:45,160
Speaker 1: Well it's you know, it's Brett. Did you think of

1105
00:56:45,200 --> 00:56:46,480
Speaker 1: anything you've had a little while?

1106
00:56:46,560 --> 00:56:48,799
Speaker 4: Oh, like a chicken boy?

1107
00:56:48,960 --> 00:56:56,040
Speaker 1: Yeah, you do the chicken boy moves. I did promise

1108
00:56:56,040 --> 00:56:58,359
Speaker 1: we'd get into some scene work, and I know you're

1109
00:56:58,360 --> 00:57:04,200
Speaker 1: itching to show, Hey is what you've got? Yeah, so

1110
00:57:04,760 --> 00:57:09,399
Speaker 1: we've got some copy here for you, Okay, And if

1111
00:57:09,440 --> 00:57:13,120
Speaker 1: you want to just lay some of this on us,

1112
00:57:14,280 --> 00:57:18,720
Speaker 1: and give us, you know, a real performance.

1113
00:57:21,400 --> 00:57:23,560
Speaker 3: Okay, it seems like you guys are trying to humiliate me.

1114
00:57:23,800 --> 00:57:29,040
Speaker 3: What do you mean why? I'm diarrhea.

1115
00:57:30,880 --> 00:57:34,440
Speaker 1: I'm the fiscal embodiment of diarrhea.

1116
00:57:34,680 --> 00:57:38,880
Speaker 2: Yeah, and you're commercial yeah where, Yes, you are being defeated.

1117
00:57:40,560 --> 00:57:44,800
Speaker 1: Mm hmm. Okay, you're the diarrhea dragon and you're getting

1118
00:57:45,880 --> 00:57:47,760
Speaker 1: slayed by the emmodium sword.

1119
00:57:49,840 --> 00:57:54,280
Speaker 3: Okay.

1120
00:57:55,240 --> 00:58:01,760
Speaker 5: Oh it's me Diarrhea. Oh, don't change your voice. You will, okay,

1121
00:58:03,200 --> 00:58:10,160
Speaker 5: because it says here that it sounds like a dragon.

1122
00:58:11,200 --> 00:58:14,880
Speaker 5: But that's fine, that's fair, fair note. Okay, but dragons

1123
00:58:14,920 --> 00:58:23,080
Speaker 5: can be cool like smoke. Okay, Oh it's me diarrhea.

1124
00:58:23,440 --> 00:58:25,479
Speaker 1: Will do change your voice. I don't do the voice

1125
00:58:25,480 --> 00:58:29,800
Speaker 1: you were doing, but maybe then change from that. Yeah,

1126
00:58:29,840 --> 00:58:35,560
Speaker 1: but just give me something where who should you sound like?

1127
00:58:38,000 --> 00:58:41,680
Speaker 1: Who else is cool? There's somebody really cool, like not smoke,

1128
00:58:41,840 --> 00:58:45,920
Speaker 1: but something like that. It was cool like smoug but

1129
00:58:46,280 --> 00:58:51,800
Speaker 1: j Barrowshell, Yes, give me some j Is Jay there.

1130
00:58:53,120 --> 00:58:55,560
Speaker 3: I feel like he doesn't sound that much different than

1131
00:58:55,600 --> 00:58:55,880
Speaker 3: I do.

1132
00:58:56,200 --> 00:59:04,520
Speaker 1: M Okay, so lean into that. Ooh it's me diarrhea,

1133
00:59:05,480 --> 00:59:10,360
Speaker 1: hey Jay, Oh no, sorry to hear man. Seeking woman's

1134
00:59:10,400 --> 00:59:13,280
Speaker 1: not coming back a h.

1135
00:59:14,760 --> 00:59:18,400
Speaker 3: Do you want to like improv off the cause your side?

1136
00:59:18,920 --> 00:59:21,920
Speaker 1: Your side? I didn't know I was saying that alone. Okay,

1137
00:59:22,560 --> 00:59:29,520
Speaker 1: is that true? Yeah? Oh my god. Yeah, and keep doing.

1138
00:59:32,160 --> 00:59:34,920
Speaker 3: Not amodium that's my weakness.

1139
00:59:36,800 --> 00:59:44,680
Speaker 1: Mm hm ah, you'll rue the day. Mm hmm.

1140
00:59:46,720 --> 00:59:49,080
Speaker 3: That now is a good time for some improv.

1141
00:59:49,280 --> 00:59:52,840
Speaker 1: Now fuck the words, right, you know, once you guys

1142
00:59:52,840 --> 00:59:56,480
Speaker 1: get the words, Yeah, right, we can talk about like

1143
00:59:56,520 --> 00:59:58,680
Speaker 1: where you're gonna go now. I don't care what the

1144
00:59:58,680 --> 01:00:01,440
Speaker 1: words are, man, I don't give a fuck about the

1145
01:00:01,440 --> 01:00:05,480
Speaker 1: fucking words. I want the feeling. Okay, where is this

1146
01:00:05,520 --> 01:00:11,200
Speaker 1: guy going next? What's he gonna do today? Like he's

1147
01:00:11,280 --> 01:00:16,640
Speaker 1: diary and dragon right, okay? And what happens when we die?

1148
01:00:16,640 --> 01:00:20,920
Speaker 1: We're just worm food? Yeah, what do you think is

1149
01:00:20,960 --> 01:00:23,240
Speaker 1: going to happen to him? This is where you get

1150
01:00:23,280 --> 01:00:24,600
Speaker 1: to put your spin on the act.

1151
01:00:28,040 --> 01:00:30,800
Speaker 3: Please tell my son.

1152
01:00:32,320 --> 01:00:37,560
Speaker 1: I loved him? And who's your son?

1153
01:00:39,160 --> 01:00:41,800
Speaker 3: He's probably younger, just a.

1154
01:00:41,800 --> 01:00:44,800
Speaker 2: Little baby dying well yeah, and especially if he's telling somebody,

1155
01:00:44,800 --> 01:00:45,280
Speaker 2: I guess he's.

1156
01:00:45,160 --> 01:00:51,080
Speaker 1: Maybe just so sloppy. Yeah, he's sloppy, sash like, it's

1157
01:00:51,120 --> 01:00:51,960
Speaker 1: not like he's.

1158
01:00:51,800 --> 01:00:55,080
Speaker 3: Like a yeah, okay, yeah, he's just.

1159
01:00:55,000 --> 01:00:57,600
Speaker 1: Like a splatter, but he's not like a whole day

1160
01:00:57,640 --> 01:00:58,800
Speaker 1: of being sort of laid up.

1161
01:00:59,280 --> 01:01:01,720
Speaker 3: Yeah, how am I do you want me to work

1162
01:01:01,760 --> 01:01:02,080
Speaker 3: that in?

1163
01:01:03,520 --> 01:01:07,840
Speaker 1: So it feels like you think you're maybe above doing commercials, right,

1164
01:01:08,200 --> 01:01:10,080
Speaker 1: And and we didn't. We didn't get into this to

1165
01:01:10,080 --> 01:01:12,440
Speaker 1: do commercials, right. You wanted to do.

1166
01:01:12,560 --> 01:01:14,440
Speaker 3: This is just one that, like I feel like, is

1167
01:01:14,480 --> 01:01:17,080
Speaker 3: specifically insulting.

1168
01:01:18,120 --> 01:01:21,880
Speaker 1: That's so funny you should say that because that copy

1169
01:01:22,120 --> 01:01:26,520
Speaker 1: is actually taken from an advertisement that Reese Iphens did.

1170
01:01:27,080 --> 01:01:27,480
Speaker 1: Mm hmm.

1171
01:01:29,040 --> 01:01:31,600
Speaker 3: So everybody's got what do you use?

1172
01:01:31,680 --> 01:01:35,320
Speaker 1: So now everybody's got to eat right, even Reese Iphens right,

1173
01:01:35,800 --> 01:01:39,560
Speaker 1: And uh, this is unfortunately how the sausage gets made.

1174
01:01:39,720 --> 01:01:45,920
Speaker 1: And I think you should bear in mind that a

1175
01:01:45,960 --> 01:01:50,200
Speaker 1: lot of big actors ree Iphens, et cetera, got their

1176
01:01:50,320 --> 01:01:55,000
Speaker 1: start in commercials, so I'd see it as an opportunity.

1177
01:01:55,520 --> 01:01:58,560
Speaker 1: So let me ask you, just quick sort of fun trivia,

1178
01:01:59,480 --> 01:02:03,400
Speaker 1: what a scar our Joe Harrison, Ford and Zachary Braffrey

1179
01:02:03,440 --> 01:02:06,080
Speaker 1: have in common? What are they all have in common?

1180
01:02:07,800 --> 01:02:09,800
Speaker 3: They're actors, and.

1181
01:02:11,160 --> 01:02:15,080
Speaker 1: They all did commercials make a lot of money and

1182
01:02:15,200 --> 01:02:20,480
Speaker 1: that you know, and maybe they did commercial they got

1183
01:02:21,760 --> 01:02:24,120
Speaker 1: worked at a restaurant where he had to be a

1184
01:02:24,240 --> 01:02:26,320
Speaker 1: Japanese woman. Yeah.

1185
01:02:26,680 --> 01:02:30,280
Speaker 2: Yeah, another thing that you said earlier was a bad

1186
01:02:30,320 --> 01:02:30,800
Speaker 2: thing to do.

1187
01:02:31,000 --> 01:02:33,880
Speaker 1: Scarlet Johanssen was a freaking ghost inside of a shell

1188
01:02:34,000 --> 01:02:34,760
Speaker 1: for a long time.

1189
01:02:35,560 --> 01:02:43,160
Speaker 3: Well, just the most recent movie. I mean, I think

1190
01:02:43,160 --> 01:02:49,080
Speaker 3: those are different things. Okay, let's see one.

1191
01:02:49,040 --> 01:02:53,200
Speaker 1: Another other a different commercial and this is and this

1192
01:02:53,280 --> 01:02:55,439
Speaker 1: is just we're just gonna work on taglines, okay, because

1193
01:02:55,440 --> 01:02:57,320
Speaker 1: it seems like it's we gave you more than you

1194
01:02:57,360 --> 01:02:59,760
Speaker 1: could chew. We're just gonna work on taglines. Yeah, and

1195
01:02:59,840 --> 01:03:01,920
Speaker 1: just give me this, and I hope I'm not giving

1196
01:03:01,920 --> 01:03:04,960
Speaker 1: you too much of a read. With a name like Smuckers,

1197
01:03:05,320 --> 01:03:06,760
Speaker 1: it's gotta be good.

1198
01:03:07,680 --> 01:03:12,600
Speaker 3: And he can't say that any other way. With a

1199
01:03:12,680 --> 01:03:15,080
Speaker 3: name like Smuckers, it's gotta be good.

1200
01:03:15,120 --> 01:03:16,280
Speaker 1: But don't just do what I did.

1201
01:03:16,440 --> 01:03:23,040
Speaker 3: Yeah, innovate on that. Hey, with a name like Smuckers,

1202
01:03:23,200 --> 01:03:24,120
Speaker 3: it's gotta be good.

1203
01:03:24,160 --> 01:03:24,680
Speaker 1: What do you mean?

1204
01:03:26,200 --> 01:03:27,200
Speaker 3: What are you saying?

1205
01:03:27,320 --> 01:03:28,160
Speaker 1: Who are you talking to?

1206
01:03:30,960 --> 01:03:34,360
Speaker 5: I guess I'm this is the tagline on the I'm

1207
01:03:34,360 --> 01:03:35,240
Speaker 5: talking to the audience.

1208
01:03:35,320 --> 01:03:38,840
Speaker 3: I'm trying to make it seem like they're my friend.

1209
01:03:39,840 --> 01:03:41,520
Speaker 1: Okay, well you are.

1210
01:03:41,960 --> 01:03:47,320
Speaker 2: You should probably be a baby, right, they get little

1211
01:03:47,400 --> 01:03:50,600
Speaker 2: babies to do this, okay, stuff.

1212
01:03:53,080 --> 01:03:56,000
Speaker 3: Like a toddler I try to change my voice, or.

1213
01:03:58,320 --> 01:04:04,680
Speaker 1: A toddler with a secret mm hmmmm hmm, with a

1214
01:04:04,800 --> 01:04:05,800
Speaker 1: name like Smuckers.

1215
01:04:05,800 --> 01:04:06,760
Speaker 3: It's gotta be good.

1216
01:04:08,520 --> 01:04:12,960
Speaker 2: So many missed opportunities, so many it's making me sad.

1217
01:04:13,560 --> 01:04:17,480
Speaker 1: Yeah, I'm crying actually, and I'm weeping big tears.

1218
01:04:17,680 --> 01:04:20,640
Speaker 2: Here's something I miss And I'm going at a funeral

1219
01:04:21,320 --> 01:04:27,840
Speaker 2: for smuggles, right, okay, all right, I'm at the funeral

1220
01:04:27,920 --> 01:04:29,880
Speaker 2: of that word, which would have been such a funny

1221
01:04:29,920 --> 01:04:32,320
Speaker 2: way to be a baby saying that ye yes.

1222
01:04:32,680 --> 01:04:34,400
Speaker 3: Yeah, I give them a little bit of a lisp

1223
01:04:34,480 --> 01:04:37,800
Speaker 3: or something. Okay, that's fair or fair note mm hmmm.

1224
01:04:38,000 --> 01:04:40,480
Speaker 5: I feel like they would probably cast an actual kid

1225
01:04:40,920 --> 01:04:44,000
Speaker 5: if they wanted to have like a kid's voice.

1226
01:04:43,760 --> 01:04:44,400
Speaker 3: Like the law.

1227
01:04:44,600 --> 01:04:49,439
Speaker 1: There's all kinds of yeah, I can't do it. It's

1228
01:04:49,480 --> 01:04:52,560
Speaker 1: all every baby you see on TV is to twin

1229
01:04:52,600 --> 01:05:00,240
Speaker 1: adult men, old men. Mm hmm. So it's like, give

1230
01:05:00,280 --> 01:05:02,120
Speaker 1: me it and make sure we know the secret. And

1231
01:05:02,160 --> 01:05:11,080
Speaker 1: maybe maybe the baby berried his mom's gone in the backyard. Okay,

1232
01:05:11,320 --> 01:05:12,680
Speaker 1: I don't know what he's gonna use it for, but

1233
01:05:12,720 --> 01:05:16,240
Speaker 1: he needed it for something. But you know, yeah, okay,

1234
01:05:16,280 --> 01:05:17,280
Speaker 1: and you tell me.

1235
01:05:21,000 --> 01:05:25,000
Speaker 3: With the name like Smuckers, it's gotta be good.

1236
01:05:26,960 --> 01:05:30,280
Speaker 1: And I'm buying jelly now, Yes, I'm eating the jelly,

1237
01:05:30,600 --> 01:05:33,240
Speaker 1: and I'm eating a lot of jelly, getting it on

1238
01:05:33,320 --> 01:05:42,959
Speaker 1: my face. We wouldn't be learning about commercials and how

1239
01:05:43,000 --> 01:05:47,920
Speaker 1: different they can be, right if we weren't do any

1240
01:05:47,920 --> 01:05:50,720
Speaker 1: commercial red straight Breau Sebastian crap from the Little Mermaid.

1241
01:05:52,880 --> 01:05:58,640
Speaker 3: Okay, all right, this is you wrote this.

1242
01:05:58,760 --> 01:06:00,240
Speaker 1: Copylate your name, yeah.

1243
01:06:00,120 --> 01:06:05,680
Speaker 5: Yes, yeah, okay, And Hi, I'm bang rach Man.

1244
01:06:05,680 --> 01:06:08,520
Speaker 3: I'm reading for red scripe.

1245
01:06:08,600 --> 01:06:12,960
Speaker 1: Can just soon turn to your left, okay, turn you right, okay, okay,

1246
01:06:13,160 --> 01:06:17,400
Speaker 1: and muscle muscle, yes, do a little just pokem in

1247
01:06:17,400 --> 01:06:20,000
Speaker 1: the eye with it almost here's the hip muscle, mm hmm.

1248
01:06:21,040 --> 01:06:22,120
Speaker 1: Yeah uh.

1249
01:06:22,160 --> 01:06:27,680
Speaker 2: And you are not bang Rodman, okay, for the purposes

1250
01:06:27,680 --> 01:06:29,800
Speaker 2: of this exercise, right, didn't I just hear?

1251
01:06:30,160 --> 01:06:30,360
Speaker 1: Yeah?

1252
01:06:31,000 --> 01:06:36,480
Speaker 5: Okay, I am sepassing the crab. Okay, Hi, I'm sebashing

1253
01:06:36,520 --> 01:06:36,960
Speaker 5: the crab.

1254
01:06:37,600 --> 01:06:39,800
Speaker 1: That's not it doesn't sound like Sebaster the crab.

1255
01:06:44,480 --> 01:06:48,080
Speaker 3: Hello, I'm Sebastian the crab reading for red stripe beer.

1256
01:06:48,360 --> 01:06:52,320
Speaker 1: Okay, close enough, because this.

1257
01:06:52,400 --> 01:06:55,040
Speaker 3: Isn't a red stripe beer at well.

1258
01:06:55,040 --> 01:06:57,960
Speaker 1: This is a campaign that they're considering, actually the A's

1259
01:06:58,000 --> 01:06:59,320
Speaker 1: and I'm coming to them with it. It's the only

1260
01:06:59,320 --> 01:07:00,640
Speaker 1: beer that keeps a way slender Man.

1261
01:07:04,240 --> 01:07:09,160
Speaker 3: I'm scared of the slender Man. I can't do this voice.

1262
01:07:10,560 --> 01:07:12,280
Speaker 3: I'm scared of the slender Man.

1263
01:07:12,360 --> 01:07:13,760
Speaker 1: I have to figure it out.

1264
01:07:13,840 --> 01:07:14,080
Speaker 3: Okay.

1265
01:07:14,560 --> 01:07:16,720
Speaker 1: I can't think of a TV channel that doesn't have

1266
01:07:16,800 --> 01:07:18,440
Speaker 1: some version of Sebastian cram on.

1267
01:07:21,920 --> 01:07:26,480
Speaker 3: Hello, friends, I'm scared of the slender Man, the Bye

1268
01:07:26,520 --> 01:07:30,520
Speaker 3: Bye Man, and the beetlejuice Man. Do you know who

1269
01:07:30,520 --> 01:07:30,960
Speaker 3: this is?

1270
01:07:31,160 --> 01:07:31,840
Speaker 1: Who I'm hearing?

1271
01:07:32,680 --> 01:07:33,480
Speaker 3: Fat Bastard.

1272
01:07:35,400 --> 01:07:37,760
Speaker 2: We're mixing a little bit of Fat Bastard and here

1273
01:07:37,760 --> 01:07:38,880
Speaker 2: with Sebastians.

1274
01:07:38,880 --> 01:07:41,480
Speaker 1: And I never thought i'd say that and not mean

1275
01:07:41,520 --> 01:07:47,439
Speaker 1: it in a good way. I really didn't. All Right, Well, yeah,

1276
01:07:48,200 --> 01:07:50,400
Speaker 1: maybe it's because you're just being a baby, and he

1277
01:07:50,560 --> 01:07:53,959
Speaker 1: at the baby. I don't know if that's what's going

1278
01:07:54,040 --> 01:07:54,520
Speaker 1: on here.

1279
01:07:55,720 --> 01:07:58,200
Speaker 5: I guess I'm just I don't really worry about you

1280
01:07:58,320 --> 01:08:03,880
Speaker 5: making accents because I'm not gonna be cast as a Jamaican.

1281
01:08:03,400 --> 01:08:05,000
Speaker 1: Guy now with that, dude.

1282
01:08:06,600 --> 01:08:11,080
Speaker 2: And your Colonel Sanders could be a Jamaican Colonel Sanders.

1283
01:08:11,120 --> 01:08:12,560
Speaker 2: This is when they've done the gold one.

1284
01:08:12,640 --> 01:08:16,200
Speaker 1: He could be doing Jerk Chicken or something. And is

1285
01:08:16,200 --> 01:08:16,960
Speaker 1: that interesting?

1286
01:08:20,960 --> 01:08:21,679
Speaker 3: I guess, So.

1287
01:08:25,640 --> 01:08:30,639
Speaker 1: You know what, let's pull the restrictions. Are you okay

1288
01:08:30,680 --> 01:08:32,880
Speaker 1: with this? Is? Hey's a big CAUs in yourec He

1289
01:08:32,920 --> 01:08:34,519
Speaker 1: does a lot of commercials, but a lot of times

1290
01:08:34,520 --> 01:08:36,680
Speaker 1: he just wants to see what somebody's got. So you

1291
01:08:36,720 --> 01:08:39,360
Speaker 1: don't like the copy we're giving you. And I'm gonna

1292
01:08:39,439 --> 01:08:41,920
Speaker 1: say I'm gonna be fair now and just say you

1293
01:08:42,000 --> 01:08:45,600
Speaker 1: just do any commercial you want, and you tell me

1294
01:08:45,720 --> 01:08:47,920
Speaker 1: what you think like a company and what a good

1295
01:08:47,960 --> 01:08:51,080
Speaker 1: company would be, what a good company would be, you know,

1296
01:08:52,120 --> 01:08:55,360
Speaker 1: and just you give it to me. You feel like

1297
01:08:56,200 --> 01:08:57,759
Speaker 1: you feel like you're not able to be a normal

1298
01:08:57,800 --> 01:09:01,160
Speaker 1: guy because you're being Sebastian. You want to be bang

1299
01:09:01,360 --> 01:09:02,559
Speaker 1: j man, you well know.

1300
01:09:02,680 --> 01:09:06,240
Speaker 5: I mean, this is this copy is Sebastian the Crab.

1301
01:09:06,760 --> 01:09:10,439
Speaker 5: And he's talking about he's not talking about red Striped beer.

1302
01:09:10,920 --> 01:09:13,719
Speaker 5: He's talking about the Bye Bye Man. He's talking about

1303
01:09:13,720 --> 01:09:16,800
Speaker 5: the slender Man, and he's talking about whatever the Beetlejuice

1304
01:09:16,840 --> 01:09:20,640
Speaker 5: Man is. And then he goes in to insult me personally.

1305
01:09:21,640 --> 01:09:24,000
Speaker 1: Oh, sbashing the crabstyle fan. That's interesting.

1306
01:09:24,160 --> 01:09:28,640
Speaker 3: Yeah, well, you guys, he's saying that I have an std.

1307
01:09:28,600 --> 01:09:31,679
Speaker 1: Oh bang oh yuck.

1308
01:09:32,320 --> 01:09:35,559
Speaker 2: And I mean, do you get how there's a funny

1309
01:09:35,640 --> 01:09:40,800
Speaker 2: thing there. I mean he is crab, you know, So

1310
01:09:40,840 --> 01:09:42,720
Speaker 2: that's why he's like and I would know because I

1311
01:09:42,760 --> 01:09:43,439
Speaker 2: am crabs.

1312
01:09:43,920 --> 01:09:46,320
Speaker 1: Yeah, so that's why he has that line in there.

1313
01:09:47,520 --> 01:09:52,080
Speaker 5: Yeah, it just seem like it was I don't know.

1314
01:09:52,120 --> 01:09:54,519
Speaker 5: Maybe this is what you guys are doing. And I

1315
01:09:54,560 --> 01:09:56,920
Speaker 5: appreciate that of just trying to give me the worst

1316
01:09:56,960 --> 01:10:00,439
Speaker 5: possible thing for me to read and as like a tests.

1317
01:10:01,720 --> 01:10:02,719
Speaker 1: So let's hear again.

1318
01:10:03,439 --> 01:10:05,320
Speaker 2: If this is so bad for you and you do

1319
01:10:05,360 --> 01:10:07,479
Speaker 2: just want to be a bang ride Man doing an

1320
01:10:07,560 --> 01:10:13,280
Speaker 2: ad for your new company, I guess is what you

1321
01:10:13,320 --> 01:10:14,040
Speaker 2: want if it's.

1322
01:10:13,920 --> 01:10:16,280
Speaker 1: The bang Rojsman company. The only thing is I don't

1323
01:10:16,280 --> 01:10:18,559
Speaker 1: know what the ad budget is for that because I

1324
01:10:18,640 --> 01:10:20,680
Speaker 1: don't know, and I don't know. Yes, I don't know

1325
01:10:20,720 --> 01:10:22,080
Speaker 1: what you want to sell.

1326
01:10:22,360 --> 01:10:25,479
Speaker 2: If like redstraight beer is a problem for you, what

1327
01:10:25,640 --> 01:10:26,280
Speaker 2: is this great?

1328
01:10:26,680 --> 01:10:27,879
Speaker 1: What is this great product?

1329
01:10:28,280 --> 01:10:30,000
Speaker 5: No, I don't have a business in mind, and I'm

1330
01:10:30,040 --> 01:10:31,599
Speaker 5: not trying to pitch my business.

1331
01:10:31,720 --> 01:10:33,240
Speaker 3: Okay, can we try one more?

1332
01:10:33,280 --> 01:10:36,640
Speaker 1: Thing. It feels like we're stretching you. We're stretching you

1333
01:10:36,680 --> 01:10:40,000
Speaker 1: too far, too fast. So let's narrow it and let's

1334
01:10:40,000 --> 01:10:43,559
Speaker 1: say that you're giving a one of these testimonial type

1335
01:10:43,560 --> 01:10:47,680
Speaker 1: commercials where you're supposed to be a real person and

1336
01:10:47,720 --> 01:10:50,479
Speaker 1: you're just telling a simple story of like how you

1337
01:10:50,560 --> 01:10:53,400
Speaker 1: love you know, your saturn eye on and it's so

1338
01:10:53,600 --> 01:10:56,720
Speaker 1: safe and that the airbag was able to save you,

1339
01:10:56,720 --> 01:10:58,760
Speaker 1: you know, and when you've got an a fender better

1340
01:10:58,840 --> 01:11:01,040
Speaker 1: but not your wife, and to just.

1341
01:11:01,080 --> 01:11:05,360
Speaker 5: Go, okay, uh, that's a fucked up commercial. But like,

1342
01:11:05,439 --> 01:11:06,920
Speaker 5: I don't I don't know if they would put that

1343
01:11:07,040 --> 01:11:10,080
Speaker 5: on because like it killed the car killed my wife.

1344
01:11:10,160 --> 01:11:12,000
Speaker 3: It'd be a bad advertisement for the car.

1345
01:11:12,120 --> 01:11:14,439
Speaker 1: Well, they're not going to pretend that, like the fact

1346
01:11:14,439 --> 01:11:16,960
Speaker 1: they have an airbag, no one can die in the car.

1347
01:11:17,000 --> 01:11:19,640
Speaker 1: But they're saying, like we are able to save a

1348
01:11:19,680 --> 01:11:25,439
Speaker 1: lot of people, not all okay, and the still I say,

1349
01:11:25,439 --> 01:11:26,559
Speaker 1: the stereo is nice in it.

1350
01:11:27,400 --> 01:11:34,519
Speaker 5: Okay, Hi, I'm a real saturn Ion driver and the

1351
01:11:34,600 --> 01:11:38,320
Speaker 5: car saved my life. I got into an accident and

1352
01:11:38,479 --> 01:11:45,120
Speaker 5: the airbag was able to save me. Unfortunately, my wife

1353
01:11:46,360 --> 01:11:49,759
Speaker 5: was not so lucky and she passed away.

1354
01:11:50,080 --> 01:11:52,760
Speaker 1: Say where I say, her head landed like fifty feet

1355
01:11:52,760 --> 01:11:53,200
Speaker 1: from the car.

1356
01:11:56,080 --> 01:12:02,960
Speaker 3: Yeah, her her head she was decapitated.

1357
01:12:02,280 --> 01:12:03,759
Speaker 1: Shot out the sunroof or something.

1358
01:12:05,360 --> 01:12:10,880
Speaker 3: She was decapitated in the accident, and her head shot

1359
01:12:10,920 --> 01:12:11,719
Speaker 3: out of the car.

1360
01:12:12,600 --> 01:12:13,760
Speaker 1: Yeah, fifty feet away.

1361
01:12:13,920 --> 01:12:17,400
Speaker 3: Fifty feet away, it shot out of the sunroof.

1362
01:12:17,880 --> 01:12:20,320
Speaker 1: And her body was still waving all around. She was

1363
01:12:20,360 --> 01:12:21,320
Speaker 1: waving her arms around it.

1364
01:12:21,720 --> 01:12:24,479
Speaker 3: Her body was still moving.

1365
01:12:24,880 --> 01:12:26,439
Speaker 1: And her head land on a fire hydrant.

1366
01:12:27,120 --> 01:12:33,360
Speaker 3: Yeah, her head planned it on a fire hydrant and

1367
01:12:34,320 --> 01:12:38,640
Speaker 3: it blasts and the fire hydrant exploded and it blasted

1368
01:12:38,640 --> 01:12:42,920
Speaker 3: the head up back into the car.

1369
01:12:44,439 --> 01:12:47,120
Speaker 1: And mentioned the analyt the breaks.

1370
01:12:48,520 --> 01:12:52,639
Speaker 3: It's also got a great stereo and good anti lock breaks.

1371
01:12:53,160 --> 01:12:56,639
Speaker 1: Yeah, so does that feel better because it's a little smaller,

1372
01:12:56,680 --> 01:12:59,280
Speaker 1: it's a little more in like your voice.

1373
01:13:00,840 --> 01:13:03,200
Speaker 5: I mean, it was weird as fuck, to be honest

1374
01:13:03,240 --> 01:13:07,160
Speaker 5: with you, because, like you, guys were giving me a

1375
01:13:07,160 --> 01:13:11,519
Speaker 5: lot of notes during it, and there were it was

1376
01:13:11,560 --> 01:13:14,160
Speaker 5: pretty dark. I feel like I haven't seen a commercial

1377
01:13:14,240 --> 01:13:16,160
Speaker 5: that dark before. But it was an interesting challenge.

1378
01:13:16,240 --> 01:13:19,320
Speaker 1: Can I ask you, uh, just for a little exercise,

1379
01:13:19,560 --> 01:13:20,960
Speaker 1: who were you picturing.

1380
01:13:22,040 --> 01:13:23,320
Speaker 3: As my wife?

1381
01:13:26,479 --> 01:13:30,720
Speaker 5: I guess I was just thinking about my girlfriend.

1382
01:13:30,439 --> 01:13:33,439
Speaker 3: You have to to tell her that you feel this way.

1383
01:13:34,120 --> 01:13:37,719
Speaker 1: Yeah, you're going around with going to her saying this this,

1384
01:13:37,720 --> 01:13:41,680
Speaker 1: this should be my this is my wife. Yeah, this

1385
01:13:41,760 --> 01:13:44,000
Speaker 1: is what we find out why you are right, We

1386
01:13:44,040 --> 01:13:47,880
Speaker 1: reveal ourselves to ourselves. Yeah, I pictured you know you

1387
01:13:48,040 --> 01:13:53,080
Speaker 1: was my wife? Like, okay, yeah, you know, tell her

1388
01:13:53,080 --> 01:13:53,679
Speaker 1: about the fire.

1389
01:13:54,040 --> 01:13:59,040
Speaker 3: Well I was going to leave out the death part.

1390
01:14:00,120 --> 01:14:02,559
Speaker 5: Mm hmm, but I'll tell I'll tell her I met

1391
01:14:02,600 --> 01:14:03,720
Speaker 5: this casting director.

1392
01:14:03,720 --> 01:14:05,640
Speaker 1: So you're going to start a marriage on space on

1393
01:14:05,680 --> 01:14:09,439
Speaker 1: the secret that you keep from Is that healthy?

1394
01:14:10,000 --> 01:14:10,240
Speaker 3: Yeah?

1395
01:14:10,280 --> 01:14:14,800
Speaker 5: I guess that's not healthy. Uh, but you know, I

1396
01:14:14,800 --> 01:14:16,920
Speaker 5: guess I'll cross that bridge when I get there. It's

1397
01:14:17,160 --> 01:14:19,240
Speaker 5: we're still he kind of just started dating.

1398
01:14:19,400 --> 01:14:22,080
Speaker 2: So okay, and just as how old were you when

1399
01:14:22,120 --> 01:14:24,120
Speaker 2: you were like kind of picturing this, How like how

1400
01:14:24,160 --> 01:14:25,439
Speaker 2: old were you?

1401
01:14:26,439 --> 01:14:28,200
Speaker 1: I guess it was maybe a couple of years older.

1402
01:14:28,280 --> 01:14:31,479
Speaker 1: A couple of years older. Yeah, okay. So because okay, so.

1403
01:14:31,439 --> 01:14:33,280
Speaker 2: If you get married in the next year, then you're

1404
01:14:33,320 --> 01:14:36,880
Speaker 2: putting everything in place for this too actually to happen.

1405
01:14:37,240 --> 01:14:41,360
Speaker 3: Yeah, okay, that's a cruel thing to say.

1406
01:14:41,600 --> 01:14:43,360
Speaker 1: And just real fast, you and bred of the Sonic

1407
01:14:43,400 --> 01:14:45,400
Speaker 1: guys and just you're the Sonic guys, and just do

1408
01:14:45,520 --> 01:14:47,599
Speaker 1: it and Brett fire him off.

1409
01:14:48,240 --> 01:14:50,600
Speaker 4: Hey I'm Sonic.

1410
01:14:52,960 --> 01:14:54,639
Speaker 1: And he gave you a great gift there.

1411
01:14:56,840 --> 01:15:01,040
Speaker 3: Come on, yeah your Sonic. Uh.

1412
01:15:01,320 --> 01:15:06,080
Speaker 5: I can't wait to try these new uh onion ring burgers.

1413
01:15:06,680 --> 01:15:07,760
Speaker 1: Dip them in the milkshake.

1414
01:15:09,320 --> 01:15:12,559
Speaker 5: Well okay, that seems like a weird way to eat them, man,

1415
01:15:12,680 --> 01:15:14,759
Speaker 5: but whatever, you're the Sonic guy.

1416
01:15:15,000 --> 01:15:16,080
Speaker 1: And Brett's got the job.

1417
01:15:16,920 --> 01:15:23,080
Speaker 5: Okay, yeah, but is Sonic guys? And like you saying

1418
01:15:23,080 --> 01:15:26,080
Speaker 5: that you were Sonic threw me off in a major

1419
01:15:26,120 --> 01:15:27,160
Speaker 5: way because.

1420
01:15:28,439 --> 01:15:32,120
Speaker 3: What is like Sonic the Hedgehog? Like, no, he did

1421
01:15:32,320 --> 01:15:34,479
Speaker 3: do any Sonic the Hedgehog related stuff?

1422
01:15:34,760 --> 01:15:38,200
Speaker 5: Yes I know, but like so you're just the like

1423
01:15:38,400 --> 01:15:45,120
Speaker 5: physical embodiment of the restaurant, Like have you seen this?

1424
01:15:45,320 --> 01:15:47,760
Speaker 5: It's they're running all the time. It's two guys in

1425
01:15:47,800 --> 01:15:51,920
Speaker 5: a car just have like normal banter. Like usually what

1426
01:15:51,920 --> 01:15:54,280
Speaker 5: they're eating is even like an add on later.

1427
01:15:55,560 --> 01:16:00,640
Speaker 1: So you want to be Sonic this time? All right,

1428
01:16:00,680 --> 01:16:01,800
Speaker 1: we'll get run on one more.

1429
01:16:04,479 --> 01:16:12,360
Speaker 5: Hey Sonic, Hey, I'm he's a real juicy burger. Thank you,

1430
01:16:14,200 --> 01:16:17,439
Speaker 5: son Yeah I didn't give it to you, okay, but

1431
01:16:17,520 --> 01:16:19,919
Speaker 5: I give it to you it's my burger.

1432
01:16:21,680 --> 01:16:24,599
Speaker 3: I'm the restaurant dude.

1433
01:16:26,280 --> 01:16:29,959
Speaker 1: Okay, so what's what's he doing? This is helpful.

1434
01:16:30,280 --> 01:16:32,160
Speaker 3: What we're learning is, do you think that he gave

1435
01:16:32,200 --> 01:16:35,040
Speaker 3: it to you because he said thank you?

1436
01:16:35,080 --> 01:16:37,879
Speaker 1: Said? Think improv is a lot about listening.

1437
01:16:38,040 --> 01:16:41,360
Speaker 3: He was complimenting my burger that I gave him.

1438
01:16:41,720 --> 01:16:44,080
Speaker 1: Yeah, exactly, So he's the one thing, thank you because

1439
01:16:44,080 --> 01:16:46,519
Speaker 1: you gave it to it. This is a great It

1440
01:16:46,520 --> 01:16:48,439
Speaker 1: seems like you think that he gave you the burger.

1441
01:16:48,560 --> 01:16:52,280
Speaker 5: You are sonic and this what so so I understand that.

1442
01:16:53,120 --> 01:16:55,599
Speaker 1: Do we want to do one more of these? And

1443
01:16:55,640 --> 01:17:01,240
Speaker 1: you both be sonic, just so there's no confusion. Okay,

1444
01:17:01,439 --> 01:17:01,720
Speaker 1: you know.

1445
01:17:01,960 --> 01:17:04,839
Speaker 3: Yeah, I don't see how it could hurt anymore.

1446
01:17:06,520 --> 01:17:11,440
Speaker 4: You can start it off. Okay, Hey Sonic.

1447
01:17:12,960 --> 01:17:22,000
Speaker 7: Hey Sonic, So great burger juicy? Right, yeah, it's really good.

1448
01:17:22,439 --> 01:17:27,160
Speaker 1: Thanks, And then we're getting there.

1449
01:17:27,439 --> 01:17:32,720
Speaker 8: So well, well now I'm more confused. Well I'm just

1450
01:17:32,800 --> 01:17:36,920
Speaker 8: more confused. Do you have any notes for Brett? Well

1451
01:17:37,000 --> 01:17:37,960
Speaker 8: then he said thanks.

1452
01:17:38,080 --> 01:17:39,920
Speaker 2: He did the thing that he corrected you about ye

1453
01:17:40,080 --> 01:17:42,960
Speaker 2: last time, yes, but now he was sonic.

1454
01:17:43,640 --> 01:17:47,519
Speaker 5: Yeah, and this time he is also sonic. Yeah, right,

1455
01:17:47,600 --> 01:17:51,719
Speaker 5: that's correct. I was sonic last time, and.

1456
01:17:51,800 --> 01:17:53,920
Speaker 1: Well your sonic again, but now he's sonic.

1457
01:17:55,479 --> 01:17:58,280
Speaker 4: Okay, okay, we're both sonic.

1458
01:17:58,640 --> 01:18:00,400
Speaker 1: It feels like you're biting your tongue about something.

1459
01:18:00,479 --> 01:18:02,519
Speaker 3: No, I'm not. Thank you for doing the same with me.

1460
01:18:03,479 --> 01:18:05,960
Speaker 1: So you need some work on your improv and that's

1461
01:18:06,000 --> 01:18:08,240
Speaker 1: gonna be a big opportunity. I guess next class will be.

1462
01:18:08,760 --> 01:18:11,519
Speaker 1: You know, we'll just work on kind of throwing out

1463
01:18:11,520 --> 01:18:14,400
Speaker 1: the script and fuck the words. And you know, I

1464
01:18:14,479 --> 01:18:18,879
Speaker 1: noticed that you weren't really able to improvise a story

1465
01:18:18,960 --> 01:18:22,559
Speaker 1: for the diarrhea dragon or who his son was, and

1466
01:18:22,600 --> 01:18:26,000
Speaker 1: you weren't really able to play with Brett. And that's

1467
01:18:26,000 --> 01:18:32,599
Speaker 1: a high water mark because yeah, but I would say

1468
01:18:32,640 --> 01:18:34,840
Speaker 1: that that's something to focus on for next class. So

1469
01:18:34,960 --> 01:18:38,760
Speaker 1: just get ready and prepare to be unprepared.

1470
01:18:40,120 --> 01:18:40,479
Speaker 3: Okay.

1471
01:18:41,040 --> 01:18:43,120
Speaker 1: And if you're just tuning in, this is my monster

1472
01:18:43,240 --> 01:18:46,679
Speaker 1: class and I am seunk Lemons, and so.

1473
01:18:46,960 --> 01:18:52,360
Speaker 3: They're just tuning in, this is the end of it, Sean, And.

1474
01:18:52,600 --> 01:18:54,920
Speaker 1: Here with bang roj Man. Is that was bang roj

1475
01:18:55,000 --> 01:18:58,280
Speaker 1: Man doing and so and come back for and more.

1476
01:18:58,400 --> 01:18:59,320
Speaker 1: Thank you for the show.

1477
01:18:59,640 --> 01:19:07,639
Speaker 9: And Hollywood Masterclass is a Stitcher original and a production

1478
01:19:07,680 --> 01:19:11,160
Speaker 9: of Mineral Media. Our executive producers are Chris Bannon and

1479
01:19:11,240 --> 01:19:14,800
Speaker 9: Jenny Rattle. At music and Sound by Brett Marris.

1480
01:19:23,360 --> 01:19:26,760
Speaker 2: Hey, it says, so, I had kind of a fun

1481
01:19:26,760 --> 01:19:29,519
Speaker 2: idea for one of the ads this week. Get I know,

1482
01:19:29,760 --> 01:19:34,360
Speaker 2: some of these cereal ads sometimes they'll go out in

1483
01:19:34,439 --> 01:19:40,240
Speaker 2: the world and they'll just have like normal people read

1484
01:19:40,240 --> 01:19:42,600
Speaker 2: the copy, and so, you know, it's like just like

1485
01:19:42,640 --> 01:19:44,519
Speaker 2: a fun change of pace from like just the guy

1486
01:19:44,560 --> 01:19:46,840
Speaker 2: at the studio reading the ads, you know, instead it's

1487
01:19:46,880 --> 01:19:50,360
Speaker 2: like normal people that you wouldn't normally expect. So I'm

1488
01:19:50,360 --> 01:19:54,120
Speaker 2: on the bus in Los Angeles that I've you know,

1489
01:19:54,120 --> 01:19:54,640
Speaker 2: I've gotten on.

1490
01:19:54,680 --> 01:19:58,679
Speaker 1: To sort of find a good candidate to read the ad.

1491
01:19:58,560 --> 01:20:00,960
Speaker 2: And I'm sitting thanks to a guy right now who

1492
01:20:01,560 --> 01:20:04,240
Speaker 2: I think is gonna be I'm not gonna use his name, uh,

1493
01:20:04,520 --> 01:20:06,240
Speaker 2: but he's just kind of a normal assault of the

1494
01:20:06,240 --> 01:20:09,400
Speaker 2: Earth guy, and so he is going to read the

1495
01:20:09,880 --> 01:20:13,839
Speaker 2: read the ad for Audible's new comedy series, Huge Murman's

1496
01:20:13,880 --> 01:20:16,519
Speaker 2: hold of hold On. So let me turn it over

1497
01:20:16,560 --> 01:20:19,000
Speaker 2: to him.

1498
01:20:19,160 --> 01:20:23,240
Speaker 6: Okay, so I just I just read this here. Okay, Uh,

1499
01:20:23,439 --> 01:20:27,160
Speaker 6: so ug Murman, I got this new Audible comedy series.

1500
01:20:28,000 --> 01:20:31,040
Speaker 6: It's uh, it's released as a podcast every week on

1501
01:20:31,120 --> 01:20:31,720
Speaker 6: Monday is.

1502
01:20:31,680 --> 01:20:34,640
Speaker 3: Called A hold On and He's got you.

1503
01:20:35,000 --> 01:20:39,320
Speaker 6: He's got a Maria bamfoot on there, He's got Andy Richt,

1504
01:20:39,720 --> 01:20:45,280
Speaker 6: He's got Weed l Yankovic, He's got who else?

1505
01:20:45,320 --> 01:20:46,000
Speaker 3: We got here?

1506
01:20:46,520 --> 01:20:49,760
Speaker 6: Comiogi and he and they're coming on this show and

1507
01:20:49,800 --> 01:20:53,200
Speaker 6: they're talking about the funny bag stories behind some of

1508
01:20:53,200 --> 01:20:57,320
Speaker 6: the most famous bits and material, the personal life stories

1509
01:20:57,400 --> 01:21:00,479
Speaker 6: behind some of the jokes. And so you can listen

1510
01:21:00,520 --> 01:21:05,320
Speaker 6: to it on Ample Kiss or Aviable or wherever you

1511
01:21:05,400 --> 01:21:09,320
Speaker 6: listen to your podcasts, and thank you so much. That

1512
01:21:09,400 --> 01:21:13,400
Speaker 6: was really great. And Kevin also, I guess, wanted us

1513
01:21:13,439 --> 01:21:16,080
Speaker 6: to talk about these T shirts that we have on sale,

1514
01:21:16,120 --> 01:21:18,240
Speaker 6: these Wolf Cool T shirts that used to be Wolf

1515
01:21:18,240 --> 01:21:21,719
Speaker 6: Pop T shirts that they just wanted to squeeze more

1516
01:21:22,040 --> 01:21:24,559
Speaker 6: money out of this Wolfpop inventory that they had, so

1517
01:21:24,640 --> 01:21:27,240
Speaker 6: they had changed the what wolf popped a Wolf Cool

1518
01:21:27,560 --> 01:21:28,400
Speaker 6: and had us signed.

1519
01:21:28,560 --> 01:21:29,160
Speaker 3: Kevin did that.

1520
01:21:29,240 --> 01:21:34,000
Speaker 6: It seems like a pretty crass effort to just like

1521
01:21:34,120 --> 01:21:38,160
Speaker 6: make an extra book. I totally agree. So those are

1522
01:21:38,200 --> 01:21:41,280
Speaker 6: at Podsway dot com Slash the Boys, So it also doesn't.

1523
01:21:41,080 --> 01:21:43,040
Speaker 2: Seem appropriate to talk about that at this end.

1524
01:21:43,080 --> 01:21:46,960
Speaker 6: For something else, believe that believe me. I totally agree