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Speaker 1: Podcast starts now.

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Speaker 2: Just kidding we trecked you as we have another amazing

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Speaker 2: announcement about upcoming shows and I Am not going to

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Speaker 2: sugarcoat it. If you're in London you can see me

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Speaker 2: George Severis at the Soho Theater on February twenty fourth.

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Speaker 2: The February twenty third show is sold out, but the

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Speaker 2: twenty fourth still has some tickets.

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Speaker 1: And then I Sam, I'm doing an Hour in LA

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Speaker 1: three times on March ninth, March twenty fourth, and April first.

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Speaker 1: Get tickets to that as well.

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Speaker 3: And if you are in New York City there are

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Speaker 3: actually quite a few opportunities to see us. We will

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Speaker 3: be doing a Stradio Lab live show at the Bell House.

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Speaker 3: We are returning home to the Bell House, and that

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Speaker 3: is on March thirteenth, Friday the thirteenth at seven thirty

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Speaker 3: at the Bell House.

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Speaker 1: And then in NYC, I Sam, I'm doing my Hour

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Speaker 1: on the eighteenth at Union Hall, getting a bit intimate

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Speaker 1: with it nights.

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Speaker 2: Excuse me being British as kind of my thing. Sam's

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Speaker 2: Bar shows are in London. So basically, if you are

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Speaker 2: in London, New York City or Los Angeles, California, you

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Speaker 2: have various opportunities to see us, either together or separately,

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Speaker 2: and that is all we have for now.

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Speaker 4: Cheers. Podcast starts.

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Speaker 1: Now, what is up everyone around the globe? We are

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Speaker 1: here in a different room than we normally record in

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Speaker 1: Los Angeles, California.

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Speaker 4: Named Georgie in the morning, Columbus, Ohio. Chris, it's not

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Speaker 4: your time, that's not how this works. No, no, no,

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Speaker 4: We're in the I'm sorry window, and I took it.

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Speaker 1: Chris, My god, Chris already with the voice work.

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Speaker 4: We're in the Cathoy Griffin room. Let's just say it.

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Speaker 5: Let's just a room where we've only ever recorded with

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Speaker 5: Kathy Griffin and Taylor Tomlinson.

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Speaker 1: Yeah, and when I had a Catholic, we said, it's hard.

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Speaker 5: To have another strong woman comedy here on the podcast.

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Speaker 1: On the podcast, I mean, I literally think we should

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Speaker 1: just cut straight to because we have been fighting tooth

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Speaker 1: and nail in this comedian has been dodging every text,

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Speaker 1: email call.

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Speaker 4: I couldn't. I think you can still cancel.

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Speaker 5: There's still times I think there's still say I'm sorry,

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Speaker 5: I just had a meeting come up.

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Speaker 1: I just realized your politics and I'm out.

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Speaker 4: It's not you George, it's Taggert that you know this

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Speaker 4: whole Taggart Taggart games. It's very like you're you're being

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Speaker 4: very kind of like class clown at school who's like

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Speaker 4: also a bully. It's because it's like you're being You're like, oh,

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Speaker 4: I'm wearing like a crop top and I'm sort of

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Speaker 4: like doing the macarena. But also I can end you.

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Speaker 4: But I could end you with one look. And that's

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Speaker 4: kind of your vibe. That's very sweet, the thing that

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Speaker 4: Taggart is doing to me. I did something insane to

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Speaker 4: guess what did you do? He does, Oh, I know this?

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Speaker 4: He does. He goes, can I do your show at

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Speaker 4: Largo this Friday? And I was like, Taggart, I would

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Speaker 4: love to have you on my show, and he goes,

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Speaker 4: I can, I'm throwing a holiday party. Okay, Okay, it

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Speaker 4: didn't go down. My hair on the back of my

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Speaker 4: neck stood up. Okay.

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Speaker 1: What happened was I asked, like three weeks before.

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Speaker 4: That, I was ever think that I'm in the driver's

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Speaker 4: seat or Taggart, I've never once been in the driver's seat.

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Speaker 1: No, it was no.

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Speaker 4: That was Sam's last stand.

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Speaker 5: After you're playing my games with him for a full

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Speaker 5: three years, is like, this is the last card I

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Speaker 5: have to play?

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Speaker 4: Is not inviting him to my holiday party at.

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Speaker 1: The same time as the show, Yes, can you do

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Speaker 1: it this Friday?

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Speaker 4: No? Okay, so oh you didn't know what it was

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Speaker 4: like that generally I was like in the future, Oh

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Speaker 4: so you're once again the one playing mine games. You're like, oh,

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Speaker 4: I know this one last story. I know this is

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Speaker 4: the one thing he wants. I see, I see. Yeah, Well,

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Speaker 4: Taggart to me is a very powerful figure. Why I mean,

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Speaker 4: I agree, of course one of the one of the

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Speaker 4: first time I ever saw you, I think one of

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Speaker 4: the birthday party. Okay, second time that was. That was

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Speaker 4: when I met the Taggart brothers, which for USA the

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Speaker 4: USA network be back soon. Yeah, it's called the Tagger.

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Speaker 4: The US saw the streamers what we wanted for the violence.

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Speaker 4: So yeah, we met at the birthday party, and obviously

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Speaker 4: it was electric. But then I saw I saw him

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Speaker 4: at El Condor Blackout playing this kiss Kiss from a

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Speaker 4: Rose on the bluetooth speaker.

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Speaker 1: I was completely sober. It was a Sunday and I

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Speaker 1: often do this.

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Speaker 4: He's putting his fingers in his ears. I don't often

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Speaker 4: do that. I kiss from a Rose was on luke

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Speaker 4: so loud. I had to do this. People were the

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Speaker 4: staff was begging him to quiet.

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Speaker 1: At what it was demanding we go get a margin at.

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Speaker 4: The weakest mugger. It's basically a placebo. So he's fu

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Speaker 4: up on lemon lin gatorade. He's cross eyed, holding a

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Speaker 4: like like a like a kid at a lake with

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Speaker 4: a blue blasting kiss from a row. Your blasting GISTs

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Speaker 4: from rose on a bluetooth speaker in a bar.

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Speaker 1: To be fair, I've never heard a bar play music

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Speaker 1: this loud. And they put just me and Misha on

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Speaker 1: like the front patio, and it was like there were

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Speaker 1: like five people inside the restaurant, the loudest music I've

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Speaker 1: ever heard.

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Speaker 4: So you were your music was competing with the loud.

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Speaker 1: No, no, the music was playing from the speakers.

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Speaker 4: I guess in my in my mind, I blame it

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Speaker 4: on Taggart for playing the music because it was separate

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Speaker 4: from maybe it was you were mad at the bar

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Speaker 4: I was playing. I was scared, And meanwhile there was

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Speaker 4: like an executive from like Annapurna. Well, I should hope,

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Speaker 4: So next to Taggert, Taggart swashing his mark on one

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Speaker 4: mark folks, And I was with two people more successful

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Speaker 4: than me, and the woman she was able to talk.

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Speaker 4: She was pointing at them with her two eyes. When

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Speaker 4: you were in the middle, she was doing the Longhorns

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Speaker 4: where I was the void. She was able to talk

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Speaker 4: to Sandy and Hannah while and her eyes were going

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Speaker 4: beyond me. I think Mesha was weeping because of what

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Speaker 4: you've been saying. He was. He was a puddle because

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Speaker 4: Taggert was being so the way that this story has

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Speaker 4: been morphed and and made to make me look like

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Speaker 4: a monster, I just want to say, at its core,

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Speaker 4: what happened is you saw him at a restaurants. That happens.

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Speaker 4: He likes my magical realism on fire. You are a

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Speaker 4: very magical realist. I am very inspired when I see

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Speaker 4: tag Tagger. Yeah, because he because he's like he's he's

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Speaker 4: torn between good and evil. This sorry, not even evil,

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Speaker 4: naughty and nice. That's that's true. If I I just

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Speaker 4: see I close my eyes and I see him getting

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Speaker 4: a talking to from a guidance counselor, because he has

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Speaker 4: a guidance counselor within. Hey, like you're a good kid, Like, yeah,

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Speaker 4: you're trying to go down this bad path. Yes, I

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Speaker 4: want to stop this.

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Speaker 1: The way that you see that in me is shocking,

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Speaker 1: because that is like I was always such a good kid,

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Speaker 1: and then one time I threw the eraser across the room,

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Speaker 1: and you better believe it was like the teacher suddenly

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Speaker 1: was like the disappointment.

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Speaker 4: Yeah, like you of all people, and it's in your

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Speaker 4: it's in his eye, and and and and I see that.

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Speaker 4: I see that when I look into Tagartsize and it

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Speaker 4: lights me on fire. I want to be bad, but

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Speaker 4: at heart you want to be bad, but you're good

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Speaker 4: at heart. You're wearing a chain in one of these

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Speaker 4: clips recently, he's always wearing a chain.

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Speaker 1: Not today actually, because I was, oh my god, I.

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Speaker 4: Cannot believe this. I didn't want to give Chris any ammo.

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Speaker 4: I can't concealed carry on you. And when you're wearing

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Speaker 4: that chain, I think that's like an ankle piece. It

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Speaker 4: was truly like, all right, all right, Miami Tane, did

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Speaker 4: you get this haircut because you knew Christmas?

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Speaker 1: No, that's not why.

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Speaker 4: That's not why the polygra can in the window.

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Speaker 5: This is the most because I'm realizing this is the

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Speaker 5: most clean for you to take off your chain, wear

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Speaker 5: a button down shirt and get a preppy haircut is crazy,

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Speaker 5: like did you kind of Meanwhile, you're wearing like fifteen.

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Speaker 4: Rings from well I saw, I saw the chain, and

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Speaker 4: I said, all right, okay, Tagger wants to play. Oh

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Speaker 4: I see I want to ring Pop Center. You're allowed

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Speaker 4: to be a glamorous as you are, but not me

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Speaker 4: on Venice Beach. It's like looking into her ball. I

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Speaker 4: got the haircut and I told him, I said, shout

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Speaker 4: out to my barber. Of course, love him to death, Yes,

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Speaker 4: I said, I said, an avid listener, an avid listener. Yeah.

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Speaker 4: I brought him up before and he did hear about it.

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Speaker 4: So I'm you have a barber.

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Speaker 1: Well, yes, he's the first one I found when I

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Speaker 1: heron and I haven't moved on since.

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Speaker 4: Yeah, well it's working. I'm loyal. Yeah, And he said he.

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Speaker 1: I said, I want it messy, and he said, got

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Speaker 1: it clean, stircut I've ever gotten.

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Speaker 4: You said you want it met.

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Speaker 1: I said, keep it messy, just clean it up, clean

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Speaker 1: staircut I've ever gotten in my life.

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Speaker 4: It is clean. Yeah, he said that's not gonna work

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Speaker 4: for me. You know who you you know what you

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Speaker 4: look like. This is good. You could you you could

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Speaker 4: be mister Ripley. I want to see I want to

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Speaker 4: see the talent. I want to see the talented, mister Tagger. Yeah,

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Speaker 4: I could see it. You could Dicky Green leave, Okay, okay,

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Speaker 4: that's good for you. We'll call the USA Network And

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Speaker 4: they did it. They remade it in black and white,

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Speaker 4: but we would do technically, we would go the other

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Speaker 4: way full and then the music and then the music

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Speaker 4: is like, yeah, it's the opposite of film already, it's

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Speaker 4: so pre nine to eleven that what we're doing.

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Speaker 5: But you taking off your chain is a ripley. It's

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Speaker 5: and it's like in the moment where they see you

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Speaker 5: in your room in a private moment something, you are

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Speaker 5: wearing a chain and they're like, he was chained the

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Speaker 5: whole time.

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Speaker 4: Yeah, yeah, yeah, you not wearing the chain today because

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Speaker 4: you knew I was. No, it's actually pretty dark and

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Speaker 4: I actually can't believe that that actually about say I

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Speaker 4: want to say it.

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Speaker 5: Before we started recording Sorry to blow Up Your Spot,

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Speaker 5: Sam has told me that he's actually quitting therapy, and

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Speaker 5: after his interaction, I'm like, we need to go back

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Speaker 5: to chain.

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Speaker 4: Based psychoanalysis work. He said that sometimes I do have

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Speaker 4: porous boundaries. I think that's great that you're quitting therapy.

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Speaker 4: Wait sorry, who said you? My therapist? Oh you know,

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Speaker 4: I use the term porous boundary versus good Yeah, yeah, yeah, yeah.

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Speaker 1: Some stuff goes through some stuff doesn't.

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Speaker 4: You got the police scanner on too. Does do you

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Speaker 4: think that you are in other people's experiences or do

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Speaker 4: you think that people can get to you too much?

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Speaker 4: A little both? So?

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Speaker 5: Are the porest boundaries outward facing or in a word,

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Speaker 5: I mean it could be a two way street.

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Speaker 4: I'm picking up on some of it completely. Well, porest

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Speaker 4: boundaries is like ie sexually grass like that. That was

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Speaker 4: what it's like.

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Speaker 5: Yeah, you know what I mean where porus inwardly is

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Speaker 5: like I have people affect me too much.

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Speaker 4: I have my mother's rage completely. That's your poorest verse

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Speaker 4: if you're in verse, yeah, exactly. Basically, my therapist was

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Speaker 4: like your poorest pig. That's the fourth option rolling around

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Speaker 4: boundaries boundaries. Yeah. No, he was just like you're good.

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Speaker 4: Like he was sort of like, oh, you've graduated. He

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Speaker 4: was like, sounds like you're handling it fine. You get

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Speaker 4: a certificate basically how long you asked that question? What question?

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Speaker 4: How long have it has he been there? Long have

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Speaker 4: you been in therapy? Like three months?

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Speaker 1: Pretty much enough.

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Speaker 4: Somethings just don't need it. This is like what you

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Speaker 4: hear about serial killers. Yeah, you're good.

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Speaker 5: No, it actually was the most quick Like it's like, yeah,

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Speaker 5: he he like went to therapy. The things that he

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Speaker 5: was sort of working on did get resolved, and he's

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Speaker 5: like okay bye.

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Speaker 4: Yeah wow.

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Speaker 1: I mean I honestly felt egotistical to keep going because

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Speaker 1: he just keeps saying.

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Speaker 4: You're doing a really good job with that. You're doing

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Speaker 4: a really good job with that. He wasn't like a

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Speaker 4: life coach he gave me. He gave me no advice

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Speaker 4: you with the chain that I thought for a second,

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Speaker 4: maybe take life coach.

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Speaker 1: Went went went cool Christian, that would be good.

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Speaker 4: Oh my god, I'm desperate to be baptized in Los Angeles.

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Speaker 4: Oh yeah yeah, hotel and Koreatown. How much did you

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Speaker 4: put into your outfit today where you're like, oh, I

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Speaker 4: can't let me tell you this. Yeah yeah, stage me, yeah,

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Speaker 4: like a real peacock. You know you don't think of

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Speaker 4: this as a stage. No, we're doing real this is morning.

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Speaker 4: You're gonna be in the collabing you guys at five am.

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Speaker 4: Have you ever done moaning radio? By the way, never

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Speaker 4: I have, but a very long time ago. It is

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Speaker 4: I mean, these people are come. It is the most

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Speaker 4: it's like joke, joke, joke and cackle. They have these

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Speaker 4: people that are cackling. Sure, it's actually fun, it's actually

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Speaker 4: it's it's actually it can be fun. Do you here's

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Speaker 4: a soundboard live. I've never done a soundboard one. Oh,

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Speaker 4: I always want the soundboard one that might be post Really,

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Speaker 4: I don't know unless someone's really oh you know what

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Speaker 4: I did do?

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Speaker 5: I did for this other podcast that I did, which

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Speaker 5: was a pop culture history podcast about Kennedy family. I

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Speaker 5: they planned a like a radio mini tour, which what

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Speaker 5: that entailed is it was like an hour where every

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Speaker 5: five minutes you switch to a different local radio station.

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Speaker 5: So it'd be like and now next is Lucy in Portland,

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Speaker 5: and then.

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Speaker 4: She's like, so what's the deal with these Kennedy's.

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Speaker 5: And then and then the next one is like more

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Speaker 5: like shock jock guy and you have to like immediately

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Speaker 5: change your attitude based on who is there, and you

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Speaker 5: have no time to sort of like take it in.

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Speaker 4: That's so interesting for morning radio to handle something like

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Speaker 4: like of that depth. I mean maybe, but it was

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Speaker 4: it was local. It was all local radio stations. Okay, yeah,

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Speaker 4: which did you get Delilah? Do we know Delilah? I

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Speaker 4: did not get to she Seattle. She's gotta be she's

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Speaker 4: like either I think she's Triangular movie. She's on tour constantly. Yeah,

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Speaker 4: she's I was always like, does each to have their

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Speaker 4: own Delilah? And they just all say I'm Delilah, but

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Speaker 4: like they're all local.

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Speaker 1: It's her one.

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Speaker 4: Ladies. People are telling the same sob story and she's

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Speaker 4: always She's always playing years she's playing. It's so weird.

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Speaker 1: I mean, show hit me so hard as like an

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Speaker 1: eight year old.

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Speaker 4: Like I got as you shouldn't have access that young

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Speaker 4: you you were able to access the lad eight.

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Speaker 1: We were listening to on the way home from swim

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Speaker 1: team practice and I'd be like, damn. I'd be like,

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Speaker 1: this is the most emotional like his wife, it's their

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Speaker 1: anniversary and this is their song.

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Speaker 4: Yeah. I'd be like yeah, yeah, yeah. Most of it

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Speaker 4: was about a guy at cheating and trying to and

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Speaker 4: she'd be like, honey, I wonder what her relationship status is. Bears.

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Speaker 4: I feel like I know this.

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Speaker 1: She's she's definitely she's.

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Speaker 4: Too poorous to have her own literally worst being, definitely

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Speaker 4: worst bottom's reiving everyone's pain. Yeah, how can she? I

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Speaker 4: think she might just be in a yurt somewhere just

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Speaker 4: sweating it out because she's all these horror stories about

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Speaker 4: guys cheating on their spouse. Yeah, now she rocks. But no, Okay,

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Speaker 4: your question, how much DOT got put into this outfit today? Yes?

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Speaker 4: I when I'm when I'm not on stage, I I

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Speaker 4: I don't put as much thought into it. And I

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Speaker 4: but then I'm like, you know what, if I could,

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Speaker 4: I'd be wearing the same orange jacket that I've been

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Speaker 4: It's my color, Okay, I've been wearing the same orange

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Speaker 4: jacket that people say looks like some antagonist and Despicable Me,

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Speaker 4: which I missed the franchise. I missed the franchise as well.

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Speaker 4: When did it come out? Because I think I may

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Speaker 4: have been in school, I may have been stolen in kindergarten. Yeah,

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Speaker 4: I think that. To me, Dispicle movie is like twenty

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Speaker 4: tens cultures, which amnions, you know what I mean? Like

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Speaker 4: Despicable Me. This is awesome twenty eleven. It's not saying

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Speaker 4: just as I can rent it, Oh my god, you

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Speaker 4: should be rent We should probably have a watch along.

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Speaker 5: I mean, no, Despicable Me is something that really broke

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Speaker 5: through to the monoculture, and I still have no idea

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Speaker 5: what it's about.

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Speaker 1: Yeah, there's a lot of those now.

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Speaker 4: I think Steve Carrell's and I think.

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Speaker 5: Well, I should hope so he plays he's grew, He's grew.

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Speaker 4: Okay, the fact that we know Grew well, Grew got

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Speaker 4: his own film, Well, I don't think i've ever I

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Speaker 4: don't remember ever not knowing Grew. Grew is Brando in

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Speaker 4: one of them, Marl all different voices. Yeah, yeah, yeah.

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Speaker 4: I don't think we can fathom how popular the minions are.

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Speaker 4: Oh no, oh no, it's too much. It's too much

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Speaker 4: for one mind to understand.

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Speaker 1: Well, and then of course our bubble. I think everyone's

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Speaker 1: being ironic. I'm like, of course, this is a franchise

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Speaker 1: held up by irony.

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Speaker 4: Novel is such a problem. Not even no, No, it's people.

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Speaker 1: People are putting minions on their grapestones and they're saying

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Speaker 1: this is exactly what represents me.

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Speaker 4: A catacomb with a life sized minion on it. Yeah. No.

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Speaker 4: So so to answer your question, I put into this.

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00:17:00,920 --> 00:17:03,880
Speaker 4: But I but I I I just grabbed it and

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Speaker 4: I said, you know what, and there's a stain on

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00:17:05,720 --> 00:17:08,440
Speaker 4: this side. Really really, how did you get it out?

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Speaker 4: Scrub scrub scrub fabric? Really is that kashmere? It looks

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Speaker 4: very soft.

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Speaker 6: Oh.

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Speaker 5: One time I was wearing a sweater and someone goes,

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Speaker 5: someone goes, come close to me. Someone goes, is that cash?

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Speaker 4: Oh? Because it was it was like a cheap and

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Speaker 4: they couldn't help it.

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Speaker 5: And then they were like trying to joke about it,

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Speaker 5: but it was like you touched it and you were like,

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Speaker 5: that is.

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Speaker 4: Cheap washing their hands?

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Speaker 1: Yeah, take me to Urgent Care yet.

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Speaker 4: Yeah, that's cotton. That's cotton.

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Speaker 6: That's not good for you.

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Speaker 1: You know, it's crazy. I you know, I was thinking,

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Speaker 1: this is Gilmore real.

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Speaker 4: It's real, it's real. I can see.

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Speaker 1: I was like, well, it's gonna be the Chris swimming episode.

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Speaker 1: Let's see what's in the closet.

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Speaker 4: I find an orange sweater and guess what stains all

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Speaker 4: over it? From drool? Are you spitting up?

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Speaker 1: I literally don't know what happened. It's been in the

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Speaker 1: closet for two years. Maybe I don't remember doing anything wrong,

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Speaker 1: And of course I'm just like great now.

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Speaker 4: Maybe an open trappatino in the car, kind of bumpy road,

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Speaker 4: kind of a Thing's the orange orange? I see? I

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Speaker 4: love orange, like an orange, like bright orange crew neck. Yeah,

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Speaker 4: have you seen it? You've seen it. You were taking

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Speaker 4: my breath horns And then I you look like a toy.

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Speaker 1: This is a bit toy.

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Speaker 4: I want to make you a toy. I can agree

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Speaker 4: that when I see this is I'm noticing the wrist.

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Speaker 4: See this is the table.

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Speaker 1: I thought like a hide under the table.

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Speaker 4: Did you ever flirt with being a hat GUYE in

377
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Speaker 4: high school?

378
00:19:05,400 --> 00:19:08,960
Speaker 1: No, not till not till my twenties. Did I experiment

379
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Speaker 1: with that?

380
00:19:10,240 --> 00:19:13,480
Speaker 4: I tried one day, and yeah, I knew. He didn't grow.

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Speaker 4: People talk about your frontal head didn't grow.

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Speaker 1: I didn't grow right, So people talk about your frontal

383
00:19:19,280 --> 00:19:25,160
Speaker 1: lobe not being fully developed. My head wasn't the right

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Speaker 1: size till I was about twenty five.

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Speaker 4: So you had a small head, big body. So I

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Speaker 4: had like a black alien would go, no, that's not right.

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Speaker 1: But then twenty five something suddenly a huge head had

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Speaker 1: perfect sid perfect size.

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Speaker 4: I love when I love George is very like when

390
00:19:43,920 --> 00:19:46,000
Speaker 4: he is a very is it very? It's a warm

391
00:19:46,000 --> 00:19:49,399
Speaker 4: blanket when George agreed, Yes, when he agrees with it.

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Speaker 4: And I've seen clips where where whereas Taggart.

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Speaker 5: Will be like sometimes the guest doesn't give samn enough credit,

394
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Speaker 5: and I'm like.

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Speaker 4: Your gentle parenting of like that was It's really nice.

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Speaker 5: It was actually a moment like that with capeer Land

397
00:20:03,359 --> 00:20:06,119
Speaker 5: where I think it's a clip that you say something

398
00:20:06,200 --> 00:20:09,080
Speaker 5: and she goes and she just like keeps going and

399
00:20:09,119 --> 00:20:14,159
Speaker 5: I and I'm like, that's really smart, because I mean

400
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Speaker 5: Tiger ended up in a bassinet on George's door set.

401
00:20:17,200 --> 00:20:19,560
Speaker 4: Of course, the clips that I see.

402
00:20:20,040 --> 00:20:22,840
Speaker 5: Blasting from the internal speakers, there were little speakers on

403
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Speaker 5: the best and smallest I've ever seen.

404
00:20:26,240 --> 00:20:28,000
Speaker 4: By the way, wait before we get before we get

405
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Speaker 4: back to that JB bluetooth speakers. Hear me out on this.

406
00:20:32,119 --> 00:20:34,520
Speaker 4: I may be wrong, Okay, you know how when you

407
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Speaker 4: see an old guy playing the trumpet outside, of course,

408
00:20:36,840 --> 00:20:39,760
Speaker 4: it's so sweet. That's just the greatest generations. Bluetooth speaker,

409
00:20:40,320 --> 00:20:43,840
Speaker 4: that's just a guy at a lake. That's his bluetooth speaker.

410
00:20:43,920 --> 00:20:46,000
Speaker 4: Yeah that really nothing perspective.

411
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Speaker 1: Yeah, so it's annoying.

412
00:20:47,720 --> 00:20:51,280
Speaker 4: It's a nuisance. We're supposed to be like, Oh, it's

413
00:20:51,280 --> 00:20:53,360
Speaker 4: like a little guy playing the playing the trumpet. Yeah,

414
00:20:53,400 --> 00:20:56,399
Speaker 4: that's the greatest generations jbl flip okay, But here's the

415
00:20:56,400 --> 00:20:57,080
Speaker 4: flip side of that.

416
00:20:58,320 --> 00:21:02,160
Speaker 5: At least the greatest generation is creating something rather than

417
00:21:02,200 --> 00:21:05,239
Speaker 5: just curating, because the millennial Gen Z version of that

418
00:21:05,480 --> 00:21:09,560
Speaker 5: stereo love is or even frankly the gen X version

419
00:21:09,560 --> 00:21:11,800
Speaker 5: of that, which is of course iconic holding up the

420
00:21:11,800 --> 00:21:12,240
Speaker 5: bomb box.

421
00:21:12,320 --> 00:21:12,760
Speaker 1: That's fun.

422
00:21:12,880 --> 00:21:15,600
Speaker 4: Like, so all you're doing is choosing like the idea

423
00:21:15,600 --> 00:21:17,680
Speaker 4: that your personality is making a mixtape, and at least

424
00:21:17,720 --> 00:21:20,240
Speaker 4: gen X is doing it. Gen X is hard X.

425
00:21:20,359 --> 00:21:24,760
Speaker 4: You're holding up the boom box. Greatest generation instrument.

426
00:21:25,200 --> 00:21:27,480
Speaker 1: Well, also the trumpet, of course is greatest generation because's

427
00:21:27,560 --> 00:21:30,320
Speaker 1: kind of they learned it in the military. Yeah, back

428
00:21:30,359 --> 00:21:36,000
Speaker 1: to war and they're like, damn, I miss war.

429
00:21:36,080 --> 00:21:38,719
Speaker 5: There's a question though now we're a gen Z. The

430
00:21:38,720 --> 00:21:42,440
Speaker 5: equivalent is is so a lot of people have been

431
00:21:42,440 --> 00:21:44,760
Speaker 5: asking and then it's you doing a TikTok in public.

432
00:21:45,040 --> 00:21:48,919
Speaker 5: At least you're creating something new rather than could see.

433
00:21:48,760 --> 00:21:52,719
Speaker 4: They're back to kind of back to the Greatest Generation reboot.

434
00:21:52,760 --> 00:21:57,760
Speaker 4: You're creating content, they're they're generative again. Yeah wow, But okay,

435
00:21:57,760 --> 00:22:00,480
Speaker 4: but back to your gentle parenting of Tiger. Yes, will

436
00:22:00,520 --> 00:22:03,720
Speaker 4: be going on about like how New York is uh

437
00:22:03,960 --> 00:22:07,119
Speaker 4: A twenty four in l A is neon and and

438
00:22:07,280 --> 00:22:10,399
Speaker 4: then George will be going and George will be like

439
00:22:10,480 --> 00:22:12,240
Speaker 4: the dad and call me by your name. That's like

440
00:22:13,800 --> 00:22:16,920
Speaker 4: George and Taggart's peripheral will ship will go to George

441
00:22:17,000 --> 00:22:19,679
Speaker 4: and he'll keep he'll keep going about how he misses

442
00:22:19,680 --> 00:22:25,439
Speaker 4: Preda Mae, and George is going damn, damn, it's sweet.

443
00:22:26,840 --> 00:22:29,320
Speaker 4: Do you feel like Sam? Do you like Sam gives

444
00:22:29,320 --> 00:22:31,000
Speaker 4: me the same level of support or no, no, no

445
00:22:31,400 --> 00:22:34,920
Speaker 4: he doesn't even no no, no, no, no no. It's

446
00:22:35,200 --> 00:22:38,720
Speaker 4: very you. I mean, obviously you give George something. I

447
00:22:38,760 --> 00:22:42,960
Speaker 4: give George support. But but but but you're not gentle

448
00:22:43,000 --> 00:22:46,439
Speaker 4: parenting George. You're getting parents by parented by George. I

449
00:22:46,440 --> 00:22:50,760
Speaker 4: am parent top and your parent bought I'm child. You're

450
00:22:50,800 --> 00:22:53,840
Speaker 4: a child. Yeah, he's baby, he's your baby. Yeah.

451
00:22:53,880 --> 00:22:57,800
Speaker 1: Yeah, that's tough, but that's you know what's scary is

452
00:22:57,880 --> 00:23:03,119
Speaker 1: like you know obviously we're put out podcasts every week

453
00:23:03,200 --> 00:23:04,240
Speaker 1: for the last six years.

454
00:23:05,240 --> 00:23:08,159
Speaker 4: Don't throw up, and then.

455
00:23:08,520 --> 00:23:16,280
Speaker 1: Swallow, swallow, swallow it. No, okay, so we're putting out

456
00:23:16,320 --> 00:23:18,480
Speaker 1: podcasts every day for the last six years, not every

457
00:23:18,520 --> 00:23:19,959
Speaker 1: day day.

458
00:23:21,640 --> 00:23:24,879
Speaker 4: Yeah, we have morning and then the evening. Yeah, breakdown. No, no, no,

459
00:23:24,960 --> 00:23:26,960
Speaker 4: it's good. It's good. You're going to occupy a state building. No,

460
00:23:27,040 --> 00:23:27,800
Speaker 4: it's good, it's good.

461
00:23:28,119 --> 00:23:30,199
Speaker 1: And then we're putting out clips on top of this.

462
00:23:30,720 --> 00:23:35,320
Speaker 1: And you know, someone who you know knows us. I say,

463
00:23:35,720 --> 00:23:38,040
Speaker 1: you know, I don't actually know your perception of sort

464
00:23:38,080 --> 00:23:39,200
Speaker 1: of the output is.

465
00:23:39,440 --> 00:23:40,720
Speaker 4: Like to me, I'm like, I'm telling you.

466
00:23:40,800 --> 00:23:44,080
Speaker 1: I'm like, no, it's and hearing it back is actually

467
00:23:44,119 --> 00:23:45,840
Speaker 1: the most terrifying thing on earth.

468
00:23:45,680 --> 00:23:47,760
Speaker 4: Which is why I could never have a podcast, because

469
00:23:47,840 --> 00:23:52,120
Speaker 4: I can only handle being seen in a controlled way,

470
00:23:52,160 --> 00:23:54,840
Speaker 4: and then if you're doing the long form, you lose

471
00:23:54,880 --> 00:23:56,760
Speaker 4: all controls. Well, you did something to me that was

472
00:23:57,000 --> 00:23:59,960
Speaker 4: wildly offensive, which is then yeah, yeah, I'm not surprise

473
00:24:00,080 --> 00:24:00,439
Speaker 4: to hear this.

474
00:24:00,600 --> 00:24:03,720
Speaker 5: I when we first met, I in conversation was like,

475
00:24:03,760 --> 00:24:05,600
Speaker 5: you know, I started in Boston and I started the

476
00:24:05,600 --> 00:24:08,119
Speaker 5: comedy studio, which is where you also started, and you

477
00:24:08,160 --> 00:24:11,840
Speaker 5: were clearly shocked to find out I'm not merely a

478
00:24:11,840 --> 00:24:14,879
Speaker 5: podcaster and I am, in fact a working stand up community.

479
00:24:15,000 --> 00:24:17,480
Speaker 1: Actually, like to double this, it was kind of to both.

480
00:24:17,280 --> 00:24:21,840
Speaker 4: Of us listen that was in a hotel lobby. Yeah,

481
00:24:21,880 --> 00:24:23,960
Speaker 4: I think I think I was in I was a

482
00:24:24,000 --> 00:24:26,439
Speaker 4: little manic that day. I think I think we were

483
00:24:26,440 --> 00:24:27,720
Speaker 4: avoiding seeing somebody.

484
00:24:27,920 --> 00:24:29,520
Speaker 1: Well, we were seeing a lot of people.

485
00:24:29,640 --> 00:24:29,879
Speaker 4: It was.

486
00:24:30,640 --> 00:24:32,679
Speaker 1: We were there for San Francisco Sketch for.

487
00:24:32,760 --> 00:24:35,119
Speaker 4: K Yeah, and I finally found someone I wanted to

488
00:24:35,119 --> 00:24:37,440
Speaker 4: talk to it so I was like, so a lot

489
00:24:37,520 --> 00:24:40,440
Speaker 4: was coming out. Yeah, yeah, I think you almost miss

490
00:24:40,480 --> 00:24:43,639
Speaker 4: your flight, Like I was talking your ear off and

491
00:24:43,720 --> 00:24:44,280
Speaker 4: I apologize.

492
00:24:44,320 --> 00:24:46,200
Speaker 5: It was one of our favorite of course, of course,

493
00:24:46,200 --> 00:24:48,040
Speaker 5: except for that microaggression that I just mentioned.

494
00:24:48,040 --> 00:24:51,439
Speaker 4: One of our favorite members for the weekend, Like you

495
00:24:51,520 --> 00:24:54,479
Speaker 4: guys logging your favorite being shocked, you were like, and

496
00:24:54,520 --> 00:24:57,360
Speaker 4: you did comedy there, like you weren't just a patron.

497
00:24:57,600 --> 00:25:01,520
Speaker 4: It's and I know and seeing clips from your from

498
00:25:01,560 --> 00:25:05,280
Speaker 4: your specialness, so funny, thank you. This is also it's

499
00:25:05,280 --> 00:25:08,480
Speaker 4: surprising because that I can do comedy. No, you're doing

500
00:25:08,480 --> 00:25:10,400
Speaker 4: you're doing it in a way, in a very seventies

501
00:25:10,440 --> 00:25:13,440
Speaker 4: way where you're not even raising your voice on stage.

502
00:25:13,520 --> 00:25:18,679
Speaker 4: You're it's a very calm, unusual. Yeah. No, Jenkins was

503
00:25:19,920 --> 00:25:22,439
Speaker 4: in the club that both Chris and I came up at.

504
00:25:22,640 --> 00:25:25,399
Speaker 4: Do he insist on keeping a quiet voice. He insisted

505
00:25:25,440 --> 00:25:28,199
Speaker 4: on the most authentic version of yourself. And he was

506
00:25:28,240 --> 00:25:31,760
Speaker 4: like a polygraph or any type of inauthenticity and completely

507
00:25:32,320 --> 00:25:36,760
Speaker 4: so he's bred all these like either freaks or like

508
00:25:36,880 --> 00:25:41,920
Speaker 4: people who are just very like doing it when yeah,

509
00:25:41,960 --> 00:25:43,119
Speaker 4: how around me?

510
00:25:43,600 --> 00:25:46,879
Speaker 1: Yeah, how cruel was he when like you would be

511
00:25:46,920 --> 00:25:49,400
Speaker 1: an authentic What was the punishment.

512
00:25:49,119 --> 00:25:52,239
Speaker 4: He was he would get? It was more just like

513
00:25:52,320 --> 00:25:56,760
Speaker 4: you wanted his approval, you really did hear it directly? Yeah,

514
00:25:56,760 --> 00:26:00,359
Speaker 4: and he knew exactly how to microdose it. And like

515
00:26:00,640 --> 00:26:03,000
Speaker 4: if someone would do crowd work, this is pre crowd

516
00:26:03,080 --> 00:26:04,800
Speaker 4: can't do. He would he would punch the crow. He

517
00:26:04,840 --> 00:26:06,760
Speaker 4: would punch what was called the crow's nest in the back.

518
00:26:06,800 --> 00:26:08,639
Speaker 4: He would punch the wall because he hate he was

519
00:26:08,680 --> 00:26:11,840
Speaker 4: so far ahead of ahead of the curve. But that

520
00:26:11,960 --> 00:26:14,560
Speaker 4: being so so all that to say, you just do

521
00:26:14,640 --> 00:26:17,560
Speaker 4: it in a way like you know, okay, I would

522
00:26:17,720 --> 00:26:19,800
Speaker 4: I would argue that it's bad. If I was like,

523
00:26:19,880 --> 00:26:23,159
Speaker 4: oh hey, I imagine he does stand up. No, that's true.

524
00:26:23,600 --> 00:26:26,720
Speaker 4: That's interesting. I don't that's interesting what you're saying. I

525
00:26:27,200 --> 00:26:28,919
Speaker 4: don't think it's a good thing to be able to

526
00:26:28,960 --> 00:26:32,080
Speaker 4: identify a stand up. That's a really good point.

527
00:26:32,240 --> 00:26:35,000
Speaker 1: Yeah, I think it's always complicated when we meet new

528
00:26:35,040 --> 00:26:38,919
Speaker 1: people in our journey. No, I bet, because we're like,

529
00:26:39,119 --> 00:26:39,880
Speaker 1: you weren't there.

530
00:26:39,680 --> 00:26:42,639
Speaker 4: For the last nine to ten years, right, Like, it's like,

531
00:26:43,200 --> 00:26:45,679
Speaker 4: but I was in New York and I see, I

532
00:26:45,720 --> 00:26:47,879
Speaker 4: see you wrestling with this. I see I see you

533
00:26:47,920 --> 00:26:50,880
Speaker 4: sometimes kind of getting quiet and pumping yourself up, remembering

534
00:26:50,920 --> 00:26:51,480
Speaker 4: that you a.

535
00:26:52,080 --> 00:26:53,760
Speaker 1: Twenty seventeen Yeah, remember twenty seventeen.

536
00:26:53,880 --> 00:26:55,400
Speaker 4: Yeah, exactly.

537
00:26:55,400 --> 00:26:57,320
Speaker 5: Well, sometimes I go even, I'm like, let's get one

538
00:26:57,320 --> 00:27:04,680
Speaker 5: thing straight. I'm not gay. I'm a comedian, totally, totally. Well,

539
00:27:04,680 --> 00:27:07,960
Speaker 5: look out, I'm using it. Wow, this is as long

540
00:27:08,000 --> 00:27:10,160
Speaker 5: as this thing can get. And they and that's why

541
00:27:10,160 --> 00:27:13,680
Speaker 5: the alarms going off outside. It's never been this long.

542
00:27:13,800 --> 00:27:16,000
Speaker 1: We need to talk about your relationship, the relationship to

543
00:27:16,040 --> 00:27:16,520
Speaker 1: the microphone.

544
00:27:16,560 --> 00:27:19,919
Speaker 4: You are really struggling with the microphone. I would say, as.

545
00:27:19,800 --> 00:27:21,520
Speaker 1: Soon as they told you you're allowed to move it around,

546
00:27:21,640 --> 00:27:23,320
Speaker 1: you said, I'm going to move this around more than

547
00:27:23,359 --> 00:27:25,200
Speaker 1: anyone has ever moved anything around.

548
00:27:26,040 --> 00:27:28,000
Speaker 4: Here's the thing you gotta know about me. I'm uncomfortable

549
00:27:28,000 --> 00:27:31,320
Speaker 4: in spaces. I freak out in space. That's why I

550
00:27:31,400 --> 00:27:36,200
Speaker 4: moved like space it want to understand. Like I'm always

551
00:27:36,240 --> 00:27:38,240
Speaker 4: like I hate an Airbnb whenever I get there, and

552
00:27:38,280 --> 00:27:39,800
Speaker 4: then by the end I'm like, you don't want to

553
00:27:39,880 --> 00:27:43,480
Speaker 4: leave exactly? Yeah, yeah, that I fall completely lie. What

554
00:27:43,600 --> 00:27:46,240
Speaker 4: is your ideal space? A space that I just know.

555
00:27:46,400 --> 00:27:48,280
Speaker 4: I don't care if it's a jail. I just need

556
00:27:48,320 --> 00:27:51,600
Speaker 4: to I need to know it. How often do you move? Never?

557
00:27:51,920 --> 00:27:53,000
Speaker 1: When was the last time you moved?

558
00:27:53,280 --> 00:27:57,200
Speaker 4: Twenty and nineteen twenty nineteen? What made you still? I

559
00:27:57,200 --> 00:27:59,760
Speaker 4: still haven't recovered. Really, Oh, I wrote a letter to

560
00:27:59,800 --> 00:28:02,439
Speaker 4: every room in that house and read it directly. Really.

561
00:28:02,480 --> 00:28:06,960
Speaker 4: Oh yeah, I'm I'm a nostalgia for damn interesting.

562
00:28:07,359 --> 00:28:08,240
Speaker 1: That's interesting?

563
00:28:08,520 --> 00:28:11,119
Speaker 4: Yeah? What was? I could see you moving and not

564
00:28:11,160 --> 00:28:15,720
Speaker 4: even Actually that's not true at all. Don't even know

565
00:28:15,960 --> 00:28:19,280
Speaker 4: Sam is.

566
00:28:17,880 --> 00:28:22,360
Speaker 5: Sam is very sentimental about spaces and leaving my Bushwik

567
00:28:22,400 --> 00:28:24,199
Speaker 5: apartment this support and.

568
00:28:24,520 --> 00:28:27,440
Speaker 4: I also want to say Sam is very very sentimental

569
00:28:27,480 --> 00:28:32,520
Speaker 4: about spaces, while Tiggert's screaming in Georgia's same is very sentible.

570
00:28:32,680 --> 00:28:36,840
Speaker 5: Sam was don't Sam did this thing where he was

571
00:28:36,880 --> 00:28:39,600
Speaker 5: planning on moving to New York in February or March.

572
00:28:40,360 --> 00:28:41,800
Speaker 5: And so then I said, I'm going to actually be

573
00:28:41,800 --> 00:28:44,040
Speaker 5: in LA for all of January's to do some recordings.

574
00:28:44,120 --> 00:28:46,240
Speaker 5: And then Sam said, okay, well we can't move in

575
00:28:46,320 --> 00:28:48,800
Speaker 5: February of George's visiting in January because I can't be

576
00:28:48,840 --> 00:28:50,040
Speaker 5: packing while George's visiting.

577
00:28:50,080 --> 00:28:53,320
Speaker 4: That's true, that's so sweet. That's maturity. That's true, that's maturity.

578
00:28:53,360 --> 00:28:54,280
Speaker 4: I would never have that.

579
00:28:55,040 --> 00:28:57,760
Speaker 5: But it's also like that's a true sign of friendship

580
00:28:57,800 --> 00:29:01,840
Speaker 5: that you're like, oh, yeah, it would materially affect my life. Yeah,

581
00:29:01,880 --> 00:29:03,719
Speaker 5: I can't be I can't be in a state of

582
00:29:03,760 --> 00:29:06,200
Speaker 5: moving while I also have to entertain my friend.

583
00:29:06,440 --> 00:29:10,480
Speaker 4: No flux, gotta be in flow, and sure it's got

584
00:29:10,480 --> 00:29:10,920
Speaker 4: to be in flow.

585
00:29:11,360 --> 00:29:13,920
Speaker 5: I can't imagine coming over to watch drag race boxes everywhere.

586
00:29:13,960 --> 00:29:16,600
Speaker 4: I'd take your nightmare. It would be a down right

587
00:29:16,680 --> 00:29:18,760
Speaker 4: night being in another zone, being in that limbo.

588
00:29:18,800 --> 00:29:22,080
Speaker 1: And the way I would be weird the whole month.

589
00:29:22,440 --> 00:29:27,000
Speaker 1: I have to have my yeah, yeah, yeah. If I

590
00:29:27,000 --> 00:29:29,880
Speaker 1: don't have a routine, oh I get so cranky.

591
00:29:29,960 --> 00:29:32,640
Speaker 4: What's your routine right now, Well, give me, give me

592
00:29:32,680 --> 00:29:35,040
Speaker 4: the morning, Give me the morning around this gym.

593
00:29:35,160 --> 00:29:37,560
Speaker 1: I wake up and I at around eight and I

594
00:29:37,680 --> 00:29:39,760
Speaker 1: get my ass to the gym as fast as possible.

595
00:29:39,800 --> 00:29:41,680
Speaker 5: Now, the gym also has a co working space, so

596
00:29:41,840 --> 00:29:43,560
Speaker 5: if you can imagine, he stays at the gym for

597
00:29:43,560 --> 00:29:45,240
Speaker 5: another eight hours.

598
00:29:44,920 --> 00:29:46,040
Speaker 4: A co working space.

599
00:29:46,680 --> 00:29:47,840
Speaker 1: This gym.

600
00:29:49,480 --> 00:29:51,040
Speaker 4: Getting attached to a space. I've only been in one

601
00:29:51,040 --> 00:29:53,840
Speaker 4: gym in my life, which one in college. Let's get more, okay.

602
00:29:53,880 --> 00:29:55,120
Speaker 4: And I went in and I was like, hey, I

603
00:29:55,400 --> 00:29:57,880
Speaker 4: don't think I don't think you should be and yet

604
00:29:57,880 --> 00:30:00,760
Speaker 4: you're similar to me that are you doing pilates? Are

605
00:30:00,760 --> 00:30:04,800
Speaker 4: you stretching? I'm literally doing nothing? Really yeah really, I

606
00:30:04,800 --> 00:30:08,360
Speaker 4: mean I walk my dogs. Do you stretch? I stretch,

607
00:30:08,520 --> 00:30:10,960
Speaker 4: I bathe evathing.

608
00:30:14,760 --> 00:30:18,560
Speaker 5: Yeah, I mean to me, a gym at Skidmore College

609
00:30:18,680 --> 00:30:20,960
Speaker 5: is the space where you would sort of come alive.

610
00:30:21,280 --> 00:30:23,000
Speaker 4: Yeah, well I think that was the problem. I was

611
00:30:23,080 --> 00:30:27,920
Speaker 4: doing jumping, doing jumping jacks in overall. Yeah, yeah, overall.

612
00:30:28,320 --> 00:30:31,480
Speaker 4: I didn't know what to do in the space. Yeah. Oh,

613
00:30:31,520 --> 00:30:33,320
Speaker 4: I took but I was doing a lot of dance.

614
00:30:33,640 --> 00:30:36,600
Speaker 4: Of course, I don't dance anymore. Really, I don't know

615
00:30:36,760 --> 00:30:41,440
Speaker 4: one could say your performances are choreograph was fishing fishing?

616
00:30:41,480 --> 00:30:43,240
Speaker 4: I was deep sea fishing for that. Yeah.

617
00:30:43,320 --> 00:30:46,160
Speaker 5: Yeah, and honey, you caught something. The support goes both ways,

618
00:30:46,200 --> 00:30:46,600
Speaker 5: that's right.

619
00:30:46,840 --> 00:30:47,160
Speaker 4: Yes.

620
00:30:47,800 --> 00:30:49,680
Speaker 5: Should we do our first segment to literally get it

621
00:30:49,680 --> 00:30:51,120
Speaker 5: out of the way or should we skip it?

622
00:30:51,520 --> 00:30:53,360
Speaker 4: Yeah? Wait, no, we should do it. Okay, I love

623
00:30:53,360 --> 00:30:54,960
Speaker 4: a segment. Oh my god. Okay.

624
00:30:55,000 --> 00:30:56,840
Speaker 1: Our first segment is called straight Shooters. And in this

625
00:30:56,880 --> 00:30:59,120
Speaker 1: segment going to ask you a series of rapid fire questions.

626
00:30:59,280 --> 00:31:01,320
Speaker 1: It's basically this thing or this other thing. And the

627
00:31:01,360 --> 00:31:03,440
Speaker 1: only rule is you can't ask any followup questions or

628
00:31:03,480 --> 00:31:06,520
Speaker 1: we will get so freaking upsett and George's warm blanket

629
00:31:06,560 --> 00:31:07,760
Speaker 1: of support will be pulled out.

630
00:31:07,840 --> 00:31:12,880
Speaker 4: The forbidden fruit of that is really that. That's that's okay, okay,

631
00:31:12,960 --> 00:31:14,200
Speaker 4: I can't I can't tell you want me to just

632
00:31:14,200 --> 00:31:15,920
Speaker 4: give one word answer? Question is a question?

633
00:31:18,680 --> 00:31:22,120
Speaker 1: Okay, Chris shit, do you ever feel like a plastic bag?

634
00:31:22,280 --> 00:31:22,440
Speaker 4: Yes?

635
00:31:22,640 --> 00:31:26,800
Speaker 1: Or this new facial peel can reverse the sagh.

636
00:31:26,880 --> 00:31:27,360
Speaker 4: That's good.

637
00:31:28,240 --> 00:31:32,960
Speaker 5: Plastic bag flouching towards Bethlehem or vouching for Eminem. Vouching

638
00:31:33,000 --> 00:31:34,120
Speaker 5: for Eminem.

639
00:31:34,480 --> 00:31:40,520
Speaker 1: The harmless Steve Carell or the marvelous Miss Mazel, either.

640
00:31:41,720 --> 00:31:45,160
Speaker 4: My Dinner with Andre or come Hither, Compadre.

641
00:31:44,800 --> 00:31:48,480
Speaker 1: Come Hither Cadre joining the US Navy, or coording the

642
00:31:48,520 --> 00:31:52,640
Speaker 1: phrase wavy obviously wavy hyper.

643
00:31:52,360 --> 00:31:55,440
Speaker 4: Ballad by Buork or cost the Salad with the Fork

644
00:31:55,520 --> 00:31:58,200
Speaker 4: Hyperpallad by Byork. I go through all this before you

645
00:31:58,240 --> 00:32:01,400
Speaker 4: wake up. I throw things off the that song I've

646
00:32:01,400 --> 00:32:03,200
Speaker 4: never I've never. It's actually crazy.

647
00:32:03,320 --> 00:32:06,160
Speaker 5: I've never related to the song until that song. Yes,

648
00:32:06,320 --> 00:32:08,320
Speaker 5: the idea that someone could say the word cutlery and

649
00:32:08,360 --> 00:32:11,400
Speaker 5: a pop song, it's all the way I'd done it before.

650
00:32:11,520 --> 00:32:13,520
Speaker 4: It is it is? And have you seen Robin singing

651
00:32:13,720 --> 00:32:16,280
Speaker 4: yes and York just being like the stoneface. I do

652
00:32:16,360 --> 00:32:19,800
Speaker 4: that before every show, upon myself up really rob amazing

653
00:32:20,440 --> 00:32:21,520
Speaker 4: and sing it right.

654
00:32:21,640 --> 00:32:25,120
Speaker 5: No, it's it's Robin performing hyper ballad at a tribute

655
00:32:25,120 --> 00:32:25,480
Speaker 5: to Buyork.

656
00:32:25,560 --> 00:32:27,840
Speaker 4: So New York is in the audience watching and Robin.

657
00:32:28,080 --> 00:32:29,960
Speaker 5: It's so clear that Byorke is her idol and she's

658
00:32:30,000 --> 00:32:31,840
Speaker 5: like so excited to singing it, and b York is

659
00:32:31,840 --> 00:32:34,080
Speaker 5: literally like yeah, but she's enjoying.

660
00:32:33,800 --> 00:32:38,280
Speaker 4: It, but she just can't. That's that's how she. You know.

661
00:32:38,320 --> 00:32:43,239
Speaker 4: Sam's theory about York. I don't that she is taking it.

662
00:32:43,320 --> 00:32:47,520
Speaker 4: Hates aging, hates aging. I think she hates aging. Any

663
00:32:47,800 --> 00:32:51,000
Speaker 4: what are you talking like more than normal. It's like

664
00:32:51,000 --> 00:32:51,680
Speaker 4: like a lot of.

665
00:32:51,640 --> 00:32:53,920
Speaker 5: The things she's doing where she's doing like a fake

666
00:32:54,000 --> 00:32:55,760
Speaker 5: face and AI, I actually.

667
00:32:55,480 --> 00:32:57,800
Speaker 1: Think she's not weird. She just is like trying to hire.

668
00:32:57,680 --> 00:33:00,040
Speaker 4: Her trying to hide her face, Like she's like this

669
00:33:00,040 --> 00:33:02,280
Speaker 4: album's mushrooms and it's like, no, you just want to

670
00:33:02,320 --> 00:33:04,200
Speaker 4: wear a mushroom hat and hide your face.

671
00:33:04,800 --> 00:33:07,640
Speaker 5: Kind of an opposite narrative from you stopped wearing that

672
00:33:07,840 --> 00:33:09,640
Speaker 5: wig and is now proudly aging.

673
00:33:10,080 --> 00:33:15,080
Speaker 4: Wait, we can see C's like Griffin's house. Yeah, she's

674
00:33:15,120 --> 00:33:18,400
Speaker 4: not wearing big thing. I left, and she was super

675
00:33:18,440 --> 00:33:23,640
Speaker 4: googleable before that first month period of any cycles. You

676
00:33:23,720 --> 00:33:26,600
Speaker 4: saying this about Buorick, you're getting your passport taken away.

677
00:33:26,960 --> 00:33:29,440
Speaker 4: I hope you're the best of vacationing in Iceland. Yeah,

678
00:33:29,480 --> 00:33:30,360
Speaker 4: I hope you're cool with that.

679
00:33:30,400 --> 00:33:33,840
Speaker 1: I want her to talk to my therapist, who will

680
00:33:34,680 --> 00:33:39,160
Speaker 1: install so much support and she will feel so in control.

681
00:33:39,200 --> 00:33:40,760
Speaker 4: But I think if you think your therapist has ever,

682
00:33:40,920 --> 00:33:44,280
Speaker 4: that therapist had blocked your number, so fash Also, I

683
00:33:44,320 --> 00:33:47,720
Speaker 4: think reviewing the podcast half a Star, the one like

684
00:33:47,760 --> 00:33:50,000
Speaker 4: the music where she's like with Rosalia and she liked

685
00:33:50,120 --> 00:33:53,640
Speaker 4: aged herself. This is when the Irishman, But no, she

686
00:33:53,680 --> 00:33:55,000
Speaker 4: wanted to see Saw the Irishman.

687
00:33:55,400 --> 00:33:59,400
Speaker 1: You want to check out that technology, it's your favorite movie.

688
00:33:59,640 --> 00:34:03,000
Speaker 4: She okay, this is interesting to me. She said something

689
00:34:03,000 --> 00:34:06,000
Speaker 4: in like the nineties that was like the reason, She's like,

690
00:34:06,000 --> 00:34:08,160
Speaker 4: the reason my stuff is weird is I'm just trying

691
00:34:08,200 --> 00:34:10,160
Speaker 4: to be American, but I'm from Iceland and it's weird

692
00:34:10,160 --> 00:34:12,759
Speaker 4: over here. It's like, she's like, we don't understand this

693
00:34:12,880 --> 00:34:16,279
Speaker 4: stuff they are and it's like the game of telephone

694
00:34:17,000 --> 00:34:20,280
Speaker 4: that they're trying to It's like, oh, you're not even

695
00:34:20,960 --> 00:34:23,399
Speaker 4: you're not even going for that. Yeah, but you're hitting

696
00:34:23,400 --> 00:34:25,279
Speaker 4: the chin on the on the pool when you're trying

697
00:34:25,280 --> 00:34:29,600
Speaker 4: to be the Rolling Stones. And that's how ar gets made. Right, Well,

698
00:34:29,640 --> 00:34:38,320
Speaker 4: it is true. It's like sugar sugar, Sugar, Sigar sugar sugar.

699
00:34:38,360 --> 00:34:42,040
Speaker 4: I thought they were doing the Beatles, and then Cugarts

700
00:34:42,080 --> 00:34:46,960
Speaker 4: thought they were doing Sugar Ray right right, Sugar cigare roes,

701
00:34:47,000 --> 00:34:48,560
Speaker 4: I bet I bet you were recently went from them

702
00:34:48,600 --> 00:34:50,960
Speaker 4: if they started stop speaking that made up language, which

703
00:34:51,000 --> 00:34:55,399
Speaker 4: they do right, I think, and I bet they would

704
00:34:55,400 --> 00:34:58,520
Speaker 4: be like, yeah, we saw Shrek and we we see

705
00:34:58,560 --> 00:35:01,080
Speaker 4: somebody once and so we really said we got to

706
00:35:01,120 --> 00:35:04,880
Speaker 4: start making music. Yeah, and that's their attempt at smash

707
00:35:04,920 --> 00:35:07,680
Speaker 4: me one more me too? Okay, fidget spinner or chicken

708
00:35:07,719 --> 00:35:11,080
Speaker 4: dinner chicken tin? Just the tip litter rip? Or should

709
00:35:11,080 --> 00:35:15,640
Speaker 4: we flip? Should we flip? Nice? Yeah? Those are those

710
00:35:15,640 --> 00:35:16,160
Speaker 4: are funny.

711
00:35:16,480 --> 00:35:18,440
Speaker 1: That was an interesting thank you performance?

712
00:35:18,560 --> 00:35:21,960
Speaker 4: Thank you? That was an interesting performance. That was an

713
00:35:21,960 --> 00:35:29,040
Speaker 4: interesting performance by you guys. Yes see, that's a question,

714
00:35:29,120 --> 00:35:30,840
Speaker 4: what does it perform? What is a podcast? What is

715
00:35:30,880 --> 00:35:32,439
Speaker 4: that performance? Well?

716
00:35:32,560 --> 00:35:35,120
Speaker 5: Yeah, do you think we've gone too far in terms

717
00:35:35,120 --> 00:35:40,800
Speaker 5: of like performance calling things performative, like things being a performance?

718
00:35:40,960 --> 00:35:43,200
Speaker 5: I think it's almost a rhetorical crutch. It's like, what

719
00:35:43,280 --> 00:35:46,719
Speaker 5: if here's a challenge, don't think of everything as a performance.

720
00:35:46,760 --> 00:35:50,440
Speaker 4: What now he's interesting and what's not interesting? Completely? That's

721
00:35:50,520 --> 00:35:51,799
Speaker 4: that's how I was and also have.

722
00:35:51,760 --> 00:35:54,319
Speaker 5: The courage to be like, what I am saying is

723
00:35:54,360 --> 00:35:56,759
Speaker 5: actually a reflection of who I am and not a performance.

724
00:35:56,920 --> 00:35:59,960
Speaker 4: I struggle with this. I do think I I saw

725
00:36:00,000 --> 00:36:03,960
Speaker 4: sometimes feel like when someone's saying I I I'm always

726
00:36:04,080 --> 00:36:09,759
Speaker 4: trying to suss out in genuineess genuous. Yes, and it's

727
00:36:10,120 --> 00:36:14,799
Speaker 4: and it's a it's torturous the Boston and you guys, Yeah, no, completely, no,

728
00:36:14,800 --> 00:36:15,200
Speaker 4: not at all.

729
00:36:15,400 --> 00:36:18,319
Speaker 5: I well it's oh god, finally I was born there,

730
00:36:18,320 --> 00:36:22,400
Speaker 5: But it was sort of like a coincidence, like yeah, train,

731
00:36:25,640 --> 00:36:27,719
Speaker 5: I was born there and lived for like a few

732
00:36:27,719 --> 00:36:30,440
Speaker 5: months there and then didn't come back until I was

733
00:36:30,480 --> 00:36:31,600
Speaker 5: like in my twenties and ove.

734
00:36:31,520 --> 00:36:34,160
Speaker 4: There for two years and that's when I started a comedy.

735
00:36:34,239 --> 00:36:38,960
Speaker 5: But it is, weirdly a very important location in my biography.

736
00:36:39,400 --> 00:36:41,879
Speaker 5: But I'm not a Bostonian. Yeah, but you grew.

737
00:36:41,840 --> 00:36:44,759
Speaker 4: Up there in central Mass like a rural area where

738
00:36:44,920 --> 00:36:48,400
Speaker 4: when the Ubers take me a planet? What have you

739
00:36:48,400 --> 00:36:51,920
Speaker 4: seen that movie Janet Planet? So no, but that's always

740
00:36:52,000 --> 00:36:54,760
Speaker 4: that's in Western Mass. I guess it's is that Alison

741
00:36:55,160 --> 00:36:59,600
Speaker 4: Hanny Baker. I'm always on Jet Blue. They're always always,

742
00:36:59,640 --> 00:37:01,440
Speaker 4: is all. I'm always clicking it. But then I always

743
00:37:01,520 --> 00:37:05,799
Speaker 4: watch Already Dancing. That's so you always watch Oh yeah,

744
00:37:05,600 --> 00:37:08,680
Speaker 4: real blash. If I'm feeling alpha, I heard I.

745
00:37:08,640 --> 00:37:10,920
Speaker 5: Have a memory early memory of like you know, like

746
00:37:11,000 --> 00:37:14,080
Speaker 5: early memory knowing someone's gay. We were on a flight

747
00:37:14,360 --> 00:37:17,080
Speaker 5: and this flight attendant, but it was back when there

748
00:37:17,080 --> 00:37:18,560
Speaker 5: were no personal screens on the plane.

749
00:37:18,560 --> 00:37:21,080
Speaker 4: It was yeah, and he's like, and I.

750
00:37:21,040 --> 00:37:23,399
Speaker 5: Was always so excited to see what's the next movie

751
00:37:23,480 --> 00:37:25,760
Speaker 5: going to be? And I said, yeah, what what movie're

752
00:37:25,760 --> 00:37:27,239
Speaker 5: reporting on? And he turns to me and he goes

753
00:37:27,400 --> 00:37:29,040
Speaker 5: dirty dancing to Heaven and Nights.

754
00:37:31,480 --> 00:37:34,680
Speaker 4: And suddenly you're like, I know what, guy, wait, I'm gay?

755
00:37:35,320 --> 00:37:40,799
Speaker 4: Yeah was it Richard? Yeah? Yeah? Sorry, what were we

756
00:37:40,800 --> 00:37:41,320
Speaker 4: talking about?

757
00:37:41,719 --> 00:37:43,960
Speaker 1: What were we talking about performance and whether or not

758
00:37:43,960 --> 00:37:44,760
Speaker 1: things are performance?

759
00:37:44,840 --> 00:37:47,560
Speaker 4: But also, you guys are also the only polite podcast

760
00:37:47,640 --> 00:37:50,720
Speaker 4: I've never seen in the podcast another person apologize, I'm sorry.

761
00:37:50,800 --> 00:37:53,040
Speaker 4: I've never seen that before on a podcast. Well that's

762
00:37:53,040 --> 00:37:54,080
Speaker 4: why we'll never get ahead.

763
00:37:54,239 --> 00:37:56,279
Speaker 1: I mean, honestly, when you watch cips, were like being

764
00:37:56,320 --> 00:37:58,440
Speaker 1: respectful and like waiting for the other person to finish talking,

765
00:37:58,680 --> 00:38:01,000
Speaker 1: and as a viewer, you're like, why aren't they speaking?

766
00:38:01,280 --> 00:38:03,600
Speaker 1: Like it's like we're actually really comfortable being like keep

767
00:38:03,640 --> 00:38:05,960
Speaker 1: going and then being like, well, what else did you

768
00:38:06,000 --> 00:38:08,040
Speaker 1: want to And it's like it's not really how podcasts work.

769
00:38:08,239 --> 00:38:11,560
Speaker 1: We're actually doing sort of if everything's a performance. We're

770
00:38:11,560 --> 00:38:13,600
Speaker 1: like the one podcast that's not doing a performance where

771
00:38:13,640 --> 00:38:15,279
Speaker 1: We're just like, no, really live in.

772
00:38:15,280 --> 00:38:16,880
Speaker 4: The scene and meet somewhere when all the women are

773
00:38:16,880 --> 00:38:18,480
Speaker 4: facing each other completely.

774
00:38:19,000 --> 00:38:23,080
Speaker 5: This is a huge inspiration for the podcast. They came

775
00:38:23,120 --> 00:38:25,040
Speaker 5: out right before we launched the podcast. I think actually

776
00:38:25,040 --> 00:38:25,719
Speaker 5: that tracks.

777
00:38:25,480 --> 00:38:27,560
Speaker 4: And no people feel it. People feel it? Oh yeah,

778
00:38:27,600 --> 00:38:31,319
Speaker 4: I mean that movie. I here's my problem with him

779
00:38:31,840 --> 00:38:34,759
Speaker 4: with our r Yeah, don't give me well, don't give

780
00:38:34,800 --> 00:38:38,520
Speaker 4: me a huge fan over here, sah, Katie pay I

781
00:38:38,640 --> 00:38:42,759
Speaker 4: was on my the that was good. That's I think

782
00:38:43,000 --> 00:38:47,000
Speaker 4: you kept it small. The slap. Well, Katy Perry is

783
00:38:47,000 --> 00:38:49,040
Speaker 4: getting louder and louder. That's like Chris Bummer Rose, How

784
00:38:49,120 --> 00:38:54,279
Speaker 4: loud that was that kiss? From that? To me? Let's

785
00:38:54,280 --> 00:38:58,440
Speaker 4: just stop there. Roll credits, Maybe a couple of bloopers, also,

786
00:38:59,120 --> 00:39:03,480
Speaker 4: walking challenge, play someone normal, play someone normal, talk about performance.

787
00:39:03,520 --> 00:39:06,319
Speaker 4: Let's see let's you know what will press me? Show

788
00:39:06,360 --> 00:39:09,040
Speaker 4: me or her again, Joaquin and then impress. I don't

789
00:39:09,040 --> 00:39:11,080
Speaker 4: need to see you falling on pavement in every movie.

790
00:39:11,239 --> 00:39:13,520
Speaker 4: I want him to be like a sitcom dad like

791
00:39:13,560 --> 00:39:15,640
Speaker 4: I want him to be. I would be in Modern Family.

792
00:39:15,680 --> 00:39:19,680
Speaker 4: He's the new Phil dump Feet. That would blow, that

793
00:39:19,680 --> 00:39:21,600
Speaker 4: would blow my hair back, That would be amazing.

794
00:39:21,680 --> 00:39:24,279
Speaker 1: Yeah, that would be so huge. That's range like, I

795
00:39:24,280 --> 00:39:26,080
Speaker 1: don't need to see you be joker one hundred times.

796
00:39:26,680 --> 00:39:28,920
Speaker 5: No, well, you know the one thing you couldn't do

797
00:39:29,719 --> 00:39:31,840
Speaker 5: play a gay guy. He famously dropped out of that

798
00:39:31,840 --> 00:39:34,360
Speaker 5: Todd Haynes movie and then got into a fight with

799
00:39:34,440 --> 00:39:36,920
Speaker 5: Christine Vachemp of Killer Films.

800
00:39:37,520 --> 00:39:39,640
Speaker 4: Yeah. Yeah, he actually punched her in the face.

801
00:39:40,400 --> 00:39:41,280
Speaker 1: But he was being the jokers.

802
00:39:41,520 --> 00:39:43,160
Speaker 4: He was being the joker. He was still in character

803
00:39:43,160 --> 00:39:49,000
Speaker 4: as a joke jokes like guy and remember the joker brother. Wait,

804
00:39:49,200 --> 00:39:52,319
Speaker 4: what was your beef with ari ast the begin the

805
00:39:52,360 --> 00:39:58,040
Speaker 4: beginning that of any movie, or of Midsommar a short film. No, no,

806
00:39:58,320 --> 00:40:01,640
Speaker 4: the horror the movie is hard enough. We don't. I

807
00:40:02,120 --> 00:40:04,520
Speaker 4: guess you could say we needed to anchor them. But

808
00:40:04,640 --> 00:40:06,320
Speaker 4: you know what I'm saying, what happened in the beginning,

809
00:40:06,320 --> 00:40:08,000
Speaker 4: I don't remember the beginning. Tell me I don't want

810
00:40:08,040 --> 00:40:09,880
Speaker 4: to get out. No, don't bring no your listeners. They

811
00:40:09,880 --> 00:40:11,920
Speaker 4: can't handle it. You can't handle this. You don't need

812
00:40:11,920 --> 00:40:14,040
Speaker 4: anything about it. Well, you know what might be fished

813
00:40:14,200 --> 00:40:19,720
Speaker 4: with with ari No mid Somar. How am I supposed

814
00:40:19,719 --> 00:40:25,120
Speaker 4: to say that mid Somar? People laugh when I say meet,

815
00:40:25,160 --> 00:40:28,920
Speaker 4: Somar Meet, Somar meet. People say mids people say Midsommer.

816
00:40:28,960 --> 00:40:31,759
Speaker 4: I don't like Midsummer. It's like saying Melbourne like I didn't.

817
00:40:31,760 --> 00:40:33,760
Speaker 4: I had a manager who would do the Australian accent.

818
00:40:34,760 --> 00:40:37,279
Speaker 4: Yeah Melbourne, you don't do that.

819
00:40:37,400 --> 00:40:40,400
Speaker 1: I mean it's like Chile. Like do I say Chile?

820
00:40:40,880 --> 00:40:41,080
Speaker 4: Right?

821
00:40:41,320 --> 00:40:42,839
Speaker 1: I'm like I do.

822
00:40:42,920 --> 00:40:46,840
Speaker 4: But it makes thing is I go phonetic, do you

823
00:40:47,080 --> 00:40:52,360
Speaker 4: to try because I don't want to. So you say, child, child,

824
00:40:52,960 --> 00:40:57,760
Speaker 4: I'm going to chat. Yeah, I'm going to child. Tell manny,

825
00:40:57,880 --> 00:41:06,319
Speaker 4: I'm going to child, y'all don't well. You know.

826
00:41:06,400 --> 00:41:08,600
Speaker 5: My version of this is when I moved to America,

827
00:41:08,800 --> 00:41:12,520
Speaker 5: I heard someone say Notre Dame about the university and

828
00:41:12,560 --> 00:41:14,080
Speaker 5: I was like, hey, got it. That's how they say

829
00:41:14,239 --> 00:41:17,520
Speaker 5: that in English. And so then I was like, you

830
00:41:17,560 --> 00:41:19,759
Speaker 5: know in Paris, the Notre Dame and someone goes, it's

831
00:41:19,760 --> 00:41:20,279
Speaker 5: Notre Dame.

832
00:41:20,320 --> 00:41:25,640
Speaker 4: I was like, I know. I thought, yes, you were

833
00:41:25,640 --> 00:41:27,239
Speaker 4: being bure. I was being pure.

834
00:41:29,880 --> 00:41:30,160
Speaker 6: Wow.

835
00:41:30,520 --> 00:41:33,439
Speaker 5: Wait, okay, back to the performance thing. Here's what makes

836
00:41:33,520 --> 00:41:37,279
Speaker 5: it complicated because before we were kind of developing this

837
00:41:37,320 --> 00:41:41,480
Speaker 5: binary where performance on the one end earnestness not being

838
00:41:41,520 --> 00:41:43,440
Speaker 5: disingenuous on the other end. But I don't think it's

839
00:41:43,440 --> 00:41:47,320
Speaker 5: that simple. I think a performance can be authentic to

840
00:41:47,360 --> 00:41:50,000
Speaker 5: who you are, or it can be disingenuous to who.

841
00:41:49,840 --> 00:41:52,080
Speaker 4: You are, because otherwise we would all just be like.

842
00:41:52,280 --> 00:41:57,920
Speaker 5: Yes, exactly, like you're you have a very performance based

843
00:41:58,000 --> 00:42:00,600
Speaker 5: style of comedy that is authentic to who you are,

844
00:42:02,480 --> 00:42:05,560
Speaker 5: which is you and lie you come to my morning

845
00:42:05,600 --> 00:42:08,120
Speaker 5: radio listen, you're you're in the Kathy Griffin room, which

846
00:42:10,080 --> 00:42:11,279
Speaker 5: is I tell people who they are.

847
00:42:11,680 --> 00:42:14,759
Speaker 4: Chris thinks he's literally Luisy k by the way, I

848
00:42:14,760 --> 00:42:18,200
Speaker 4: almost started comedy studio, right Lucy. Yeah, Well he saved it.

849
00:42:18,880 --> 00:42:20,239
Speaker 4: He like saved it. Was going to go on out

850
00:42:20,239 --> 00:42:22,120
Speaker 4: of business and he saved it. No, thank you. You

851
00:42:22,160 --> 00:42:27,839
Speaker 4: know he's not all bad. No, No, I mean, are

852
00:42:27,880 --> 00:42:31,279
Speaker 4: you The performative stuff is mostly about performative men right now? Right?

853
00:42:31,320 --> 00:42:32,000
Speaker 4: I think that's well.

854
00:42:32,040 --> 00:42:33,839
Speaker 5: That's the other thing is like people using the word

855
00:42:33,840 --> 00:42:35,360
Speaker 5: performative incorrectly.

856
00:42:34,880 --> 00:42:39,200
Speaker 4: Which you just have to not be mad.

857
00:42:39,080 --> 00:42:40,960
Speaker 5: About it because there's no going back. There's no putting

858
00:42:40,960 --> 00:42:43,000
Speaker 5: the genie back in the bottle, one of my favorite phrases.

859
00:42:43,080 --> 00:42:46,399
Speaker 5: By the way, the visual also it does go back

860
00:42:46,440 --> 00:42:47,719
Speaker 5: in right, No, yeah, of.

861
00:42:47,719 --> 00:42:50,840
Speaker 4: Course, there's a there's a word. The genie has to

862
00:42:50,840 --> 00:42:54,960
Speaker 4: go back in the bottle. Yeah, otherwise the genie is everywhere. Yeah,

863
00:42:55,239 --> 00:42:57,439
Speaker 4: that's it's home. Yeah, it goes back.

864
00:43:00,200 --> 00:43:03,440
Speaker 1: I actually like when I'm not performing, though, I'm like

865
00:43:03,480 --> 00:43:05,799
Speaker 1: not fun to be around, you know, like when I'm

866
00:43:05,840 --> 00:43:08,000
Speaker 1: home and like if I if no one's watching me.

867
00:43:08,239 --> 00:43:09,920
Speaker 4: Want to see that, it's horrible. Same, you don't want

868
00:43:09,920 --> 00:43:12,160
Speaker 4: to see that. I don't want to see that. You

869
00:43:12,160 --> 00:43:13,840
Speaker 4: don't want to see my bath face. This is I

870
00:43:13,960 --> 00:43:16,080
Speaker 4: was okay when you're taking. When I was in college,

871
00:43:16,880 --> 00:43:19,520
Speaker 4: a group of young women just during during orientation. I

872
00:43:19,520 --> 00:43:20,920
Speaker 4: don't know why I did this, but I took a

873
00:43:20,920 --> 00:43:23,480
Speaker 4: bath during our orientation and with a group of young women.

874
00:43:23,600 --> 00:43:25,920
Speaker 4: No this was this They all kind of so this

875
00:43:26,040 --> 00:43:27,759
Speaker 4: was It was a camping trip and we had one

876
00:43:27,840 --> 00:43:29,439
Speaker 4: night and this was like first night and I should

877
00:43:29,480 --> 00:43:30,919
Speaker 4: have been socialized. I was like, I need a bath,

878
00:43:31,400 --> 00:43:33,640
Speaker 4: and so I went to the bathroom and I bathe,

879
00:43:33,760 --> 00:43:35,360
Speaker 4: and I guess and three women kind of did the

880
00:43:35,360 --> 00:43:39,359
Speaker 4: whole stacking thing wow through a little keyhole and they

881
00:43:39,400 --> 00:43:44,000
Speaker 4: saw me nude. There were bath tubs in the dorm bathroom.

882
00:43:44,080 --> 00:43:46,880
Speaker 4: This was in the Adirondacks for for an orientation to

883
00:43:46,960 --> 00:43:51,239
Speaker 4: go camping together a bath at the orientation trip. Yeah,

884
00:43:51,320 --> 00:43:55,640
Speaker 4: night one, this this is how yeah that side Yeah yeah,

885
00:43:55,880 --> 00:44:02,319
Speaker 4: that's that's like a core character moment. I know, I know,

886
00:44:02,640 --> 00:44:04,960
Speaker 4: And they saw me, they saw my nude form, and

887
00:44:05,080 --> 00:44:07,359
Speaker 4: I was more concerned that they saw my bath fate

888
00:44:07,480 --> 00:44:08,840
Speaker 4: that they saw me neutral.

889
00:44:09,040 --> 00:44:10,000
Speaker 1: Can you try to give it?

890
00:44:10,960 --> 00:44:23,000
Speaker 4: Yeah m hmm yeah, wow for that to be out

891
00:44:23,520 --> 00:44:28,480
Speaker 4: that burning these mini dvs or whatever. Cleak the tapes. Yeah, no,

892
00:44:28,640 --> 00:44:31,880
Speaker 4: we have we have to be doing something.

893
00:44:31,920 --> 00:44:34,840
Speaker 1: I need two people to be watching me at all times.

894
00:44:35,760 --> 00:44:37,480
Speaker 1: This is why I go to the gym, why we

895
00:44:37,520 --> 00:44:39,839
Speaker 1: go to the co working space. Two people aren't watching

896
00:44:39,840 --> 00:44:40,319
Speaker 1: me at all times.

897
00:44:40,560 --> 00:44:44,959
Speaker 4: Chaperone melt yes, yeah, rot yeah. You ever see howse

898
00:44:44,960 --> 00:44:46,719
Speaker 4: moving Castle? You know, the Witch from the West or

899
00:44:46,760 --> 00:44:49,160
Speaker 4: the way she how she starts melting over the movie

900
00:44:49,160 --> 00:44:51,040
Speaker 4: and they never mentioned it. You know, me's always pulling

901
00:44:51,040 --> 00:44:51,359
Speaker 4: that ship.

902
00:44:51,400 --> 00:44:52,560
Speaker 1: Oh he's always pulling that hyeah.

903
00:44:52,719 --> 00:44:55,200
Speaker 4: I cats all of a sudden the seagull and started,

904
00:44:55,280 --> 00:44:57,719
Speaker 4: I won't, I won't. We don't. We don't have to,

905
00:44:57,880 --> 00:45:01,520
Speaker 4: we don't have the time, and I don't want you

906
00:45:01,600 --> 00:45:06,280
Speaker 4: track in this beautiful studio. Yeah, no, no, I think

907
00:45:07,080 --> 00:45:10,640
Speaker 4: Massachusetts is all about my family, the hail side, my

908
00:45:10,680 --> 00:45:13,759
Speaker 4: mom's side. I think we're very presentational. I think my

909
00:45:13,840 --> 00:45:16,200
Speaker 4: dad's side they're authentic people. But I think I think

910
00:45:16,239 --> 00:45:19,600
Speaker 4: we got the snake's blood of And I think that's

911
00:45:19,600 --> 00:45:23,000
Speaker 4: why I'm a performer. I think we know how to

912
00:45:23,120 --> 00:45:27,120
Speaker 4: put on our best versions of ourselves. Yeah, well that's

913
00:45:27,160 --> 00:45:30,520
Speaker 4: the thing, put on your idea of the best version

914
00:45:30,520 --> 00:45:34,759
Speaker 4: of your seat. That's right. And I'm a bad judge you,

915
00:45:34,760 --> 00:45:36,360
Speaker 4: so I could be putting on the worst version of

916
00:45:36,440 --> 00:45:36,840
Speaker 4: It's like.

917
00:45:36,840 --> 00:45:39,200
Speaker 5: When you see someone being super super super fake and

918
00:45:39,239 --> 00:45:41,359
Speaker 5: it's like, self, evidently this person is being fake.

919
00:45:41,520 --> 00:45:43,120
Speaker 4: Oh, but that person is.

920
00:45:43,680 --> 00:45:47,360
Speaker 5: There's something so deeply touching about it, because that person

921
00:45:47,760 --> 00:45:50,800
Speaker 5: has created this persona they think is the best version,

922
00:45:50,840 --> 00:45:53,640
Speaker 5: and it's actually the most annoying persona you've ever seen

923
00:45:53,680 --> 00:45:54,080
Speaker 5: in your life.

924
00:45:54,080 --> 00:45:56,800
Speaker 4: I've been feel this way about liars. I am friends

925
00:45:56,800 --> 00:45:58,360
Speaker 4: with a few pathological liars.

926
00:45:58,440 --> 00:46:00,720
Speaker 5: Really, I don't think I know any people who aren't

927
00:46:00,719 --> 00:46:01,440
Speaker 5: methologic wires.

928
00:46:01,480 --> 00:46:05,480
Speaker 4: In our industry. You get to they don't even these

929
00:46:05,520 --> 00:46:08,839
Speaker 4: are just civilians. Wow, and you you learn that they're

930
00:46:08,880 --> 00:46:11,960
Speaker 4: trying to communicate something to you through the through each

931
00:46:12,040 --> 00:46:14,440
Speaker 4: live and there's something beautiful about that. It's just it's

932
00:46:14,440 --> 00:46:18,000
Speaker 4: like learning another language. It's a funnal exercise. It's like

933
00:46:18,040 --> 00:46:21,120
Speaker 4: I know you didn't I was completely completely Yeah.

934
00:46:21,800 --> 00:46:24,480
Speaker 5: It makes things more exciting. It's like communicating through a

935
00:46:24,520 --> 00:46:27,720
Speaker 5: language barrier with someone. It's like you're communicating with someone

936
00:46:28,080 --> 00:46:30,360
Speaker 5: and it's their second language but your first language. It

937
00:46:30,520 --> 00:46:31,680
Speaker 5: kind of goes back to the buick thing.

938
00:46:31,680 --> 00:46:34,239
Speaker 4: To be honest, there's their morning Pages. I mean she's

939
00:46:34,320 --> 00:46:40,640
Speaker 4: lying every by speaking English. You guys hate or love.

940
00:46:42,520 --> 00:46:44,879
Speaker 1: I just think she needs. She's not at peace. It's

941
00:46:45,280 --> 00:46:47,200
Speaker 1: you want to say yes, I want to say no.

942
00:46:47,360 --> 00:46:48,200
Speaker 1: That's exactly it.

943
00:46:48,239 --> 00:46:50,600
Speaker 4: And the same way that it's like, see this is

944
00:46:50,640 --> 00:46:52,960
Speaker 4: scary when someone wants to save the celebrity that that's

945
00:46:53,040 --> 00:46:55,880
Speaker 4: usually Joy was impressing Jody Foster.

946
00:46:56,000 --> 00:46:59,319
Speaker 5: I'm also like, I'm like, you know what to do

947
00:46:59,600 --> 00:47:01,960
Speaker 5: and it's not creating an app again, like why are

948
00:47:02,000 --> 00:47:02,600
Speaker 5: you creating?

949
00:47:02,960 --> 00:47:06,760
Speaker 4: She's always making apps. She's basically a full stack developer.

950
00:47:06,760 --> 00:47:09,239
Speaker 4: At this point. Technology is advancing. I mean we saw

951
00:47:09,280 --> 00:47:12,800
Speaker 4: it with gen xers on Twitter disgracing themselves. Technology is

952
00:47:12,840 --> 00:47:15,719
Speaker 4: advancing too fast in a way where each generation like,

953
00:47:15,800 --> 00:47:20,200
Speaker 4: I mean, I'm gonna absolutely disgrace myself in three two

954
00:47:20,280 --> 00:47:22,879
Speaker 4: years from now by trying to do whatever the next

955
00:47:22,920 --> 00:47:24,279
Speaker 4: thing is. Well, let's see how the rest of this

956
00:47:24,360 --> 00:47:30,279
Speaker 4: day exactly exactly, and it's it's not or. I didn't

957
00:47:30,280 --> 00:47:32,719
Speaker 4: know she was doing Ai. I don't know if he's

958
00:47:32,719 --> 00:47:35,360
Speaker 4: doing No, I just mean she Well, first of all,

959
00:47:35,480 --> 00:47:37,400
Speaker 4: it's not Ai. I'm not I'm not accusing her of

960
00:47:37,480 --> 00:47:40,000
Speaker 4: like doing chat GPT or doing anything. Have you ever

961
00:47:40,000 --> 00:47:42,759
Speaker 4: looked at chat Gypt I've never even seen such. I

962
00:47:42,800 --> 00:47:47,680
Speaker 4: have once. Okay, I can't get Basically, I was writing something, yeah,

963
00:47:48,080 --> 00:47:50,479
Speaker 4: and I wrote it. I was like outlining an idea,

964
00:47:50,520 --> 00:47:52,680
Speaker 4: you know, And then I said no, no, no, I said,

965
00:47:52,760 --> 00:47:55,680
Speaker 4: I went to chatbut and I said, I wanted to

966
00:47:55,760 --> 00:47:57,880
Speaker 4: compare what I had written with what it would have

967
00:47:57,920 --> 00:47:59,920
Speaker 4: come up with to convince myself that I am wor

968
00:48:00,160 --> 00:48:02,520
Speaker 4: something as an artist, like I had like act one,

969
00:48:02,520 --> 00:48:04,080
Speaker 4: Act two, and then I thought of what I want

970
00:48:04,160 --> 00:48:08,400
Speaker 4: act three to be. You're writing a play that's a feature.

971
00:48:09,520 --> 00:48:11,799
Speaker 4: So then I went to and I said what would

972
00:48:11,840 --> 00:48:12,719
Speaker 4: your Act three be?

973
00:48:12,800 --> 00:48:14,920
Speaker 5: And I was so grateful that it was bad, Like

974
00:48:14,960 --> 00:48:17,839
Speaker 5: I was like, oh my idea was better. Yeah, but

975
00:48:17,880 --> 00:48:19,719
Speaker 5: then you know what I'm thinking, what if it had

976
00:48:19,760 --> 00:48:22,120
Speaker 5: been better? Would I have taken the chat ChiPT version

977
00:48:22,200 --> 00:48:23,719
Speaker 5: just right?

978
00:48:23,719 --> 00:48:26,920
Speaker 4: That's a slippery slope, yes, but no, you luckily vanquished

979
00:48:26,920 --> 00:48:30,040
Speaker 4: the robot. Yeah, yeah, you beat it, but no Byork,

980
00:48:30,120 --> 00:48:32,560
Speaker 4: I don't know if it would be called AI, but

981
00:48:32,680 --> 00:48:35,640
Speaker 4: like the whole she had this app that was like

982
00:48:35,680 --> 00:48:37,840
Speaker 4: a sort of digital music app that you could like

983
00:48:37,880 --> 00:48:38,480
Speaker 4: create your own.

984
00:48:38,520 --> 00:48:41,000
Speaker 5: This was like fifteen years ago, and then since then

985
00:48:41,040 --> 00:48:46,800
Speaker 5: she's done other like tech Central like app based things.

986
00:48:47,880 --> 00:48:50,000
Speaker 4: Remember when David Byrne made a whole church. You could

987
00:48:50,040 --> 00:48:52,080
Speaker 4: go in and play the whole building. You could like

988
00:48:52,120 --> 00:48:55,080
Speaker 4: pull a string and oh yeah, this is a somewhere

989
00:48:55,080 --> 00:48:56,200
Speaker 4: in New York. That's very Bork.

990
00:48:56,600 --> 00:49:00,560
Speaker 5: Yeah yeah yeah, I'm just sort of like make and

991
00:49:00,960 --> 00:49:03,040
Speaker 5: make hyper balance.

992
00:49:02,960 --> 00:49:05,400
Speaker 4: Make posts tomorrow, post post. Is that so hard? Is

993
00:49:05,440 --> 00:49:07,319
Speaker 4: that so hard to make hyper ballad? I mean that

994
00:49:07,440 --> 00:49:08,040
Speaker 4: war drum.

995
00:49:08,480 --> 00:49:13,040
Speaker 5: Yeah, you know, it's amazing how we're sort of not

996
00:49:13,120 --> 00:49:17,680
Speaker 5: allowed to talk about how she's doing like extremely offensive

997
00:49:17,920 --> 00:49:22,560
Speaker 5: Asian Dragon that one album covers like something.

998
00:49:22,680 --> 00:49:23,040
Speaker 4: It's like.

999
00:49:24,520 --> 00:49:26,720
Speaker 1: I always gave it the sort of the Icelandic pass,

1000
00:49:27,000 --> 00:49:30,640
Speaker 1: Like I'm like no Iceland.

1001
00:49:30,520 --> 00:49:34,040
Speaker 4: Went into photoshop and made her look Asian. That's oh,

1002
00:49:34,080 --> 00:49:37,120
Speaker 4: it's so crazy. Yeah, and I'm like, I'm not going

1003
00:49:37,160 --> 00:49:40,879
Speaker 4: to be the one. I think I think you're the one.

1004
00:49:41,360 --> 00:49:48,920
Speaker 4: But I'm like, yeah, okay, yeah, anyway, we love York. Anyway,

1005
00:49:48,960 --> 00:49:51,680
Speaker 4: we love the or fail. It's oh so quiet. I

1006
00:49:51,760 --> 00:49:53,879
Speaker 4: love It's so quiet. I got me through a long

1007
00:49:53,920 --> 00:49:59,160
Speaker 4: winter six I can't. I found right when I needed

1008
00:49:59,160 --> 00:49:59,920
Speaker 4: to you.

1009
00:50:00,200 --> 00:50:02,440
Speaker 5: I went my family and I went to the Athens

1010
00:50:02,520 --> 00:50:04,920
Speaker 5: Olympics opening ceremony and she performed. Didn't know that was

1011
00:50:04,920 --> 00:50:07,319
Speaker 5: gonna happen. So I saw her in the giants drop.

1012
00:50:09,800 --> 00:50:12,320
Speaker 4: You know, I think the organizers knew she was gonna perform.

1013
00:50:12,440 --> 00:50:15,279
Speaker 6: I just did it.

1014
00:50:14,280 --> 00:50:19,759
Speaker 1: I just got two songs, and I was like, two

1015
00:50:19,840 --> 00:50:23,400
Speaker 1: songs in one thousand dancers. If I opened the show.

1016
00:50:23,239 --> 00:50:27,200
Speaker 4: Please please, Oh my god, think about the l A

1017
00:50:27,320 --> 00:50:31,200
Speaker 4: opening ceremony. Oh my god, it's gonna be Shane Gillis

1018
00:50:31,280 --> 00:50:36,720
Speaker 4: literally just like talking about traffic with the just tiny

1019
00:50:36,719 --> 00:50:38,759
Speaker 4: little beer can in his giant mid It's.

1020
00:50:38,680 --> 00:50:42,239
Speaker 5: Gonna be Shane Gillis and then Gwen Stefani like covering

1021
00:50:42,440 --> 00:50:43,400
Speaker 5: my country tis of the.

1022
00:50:44,719 --> 00:50:48,880
Speaker 4: And they're gonna Carol Burnett is gonna be somehow dragged

1023
00:50:48,920 --> 00:50:53,359
Speaker 4: into this ship. Lee Greenwood. Yeah, it's gonna be a disaster. Yeah.

1024
00:50:53,400 --> 00:50:56,440
Speaker 1: Oh it's disgusting. It's just gonna be so gross.

1025
00:50:56,800 --> 00:50:59,600
Speaker 4: Like, do you feel like it keeps getting put? I

1026
00:50:59,600 --> 00:51:01,480
Speaker 4: feel like it's on the horizon in a way that

1027
00:51:01,560 --> 00:51:03,879
Speaker 4: can ever come. I feel like, yeah, I think they're

1028
00:51:03,920 --> 00:51:08,960
Speaker 4: adding time each They're like, oh, yeah, it's that's how all.

1029
00:51:09,040 --> 00:51:10,640
Speaker 5: That's the thing with the Olympics. That's how it is

1030
00:51:10,680 --> 00:51:13,399
Speaker 5: every time. I just read today that in Milan they

1031
00:51:13,400 --> 00:51:16,040
Speaker 5: haven't finished building the ice hockey rink and it starts

1032
00:51:16,040 --> 00:51:16,880
Speaker 5: in like two weeks.

1033
00:51:17,760 --> 00:51:21,000
Speaker 4: I looked up for the Winter olympicscrascinating. I like, the

1034
00:51:21,040 --> 00:51:26,719
Speaker 4: Olympics is very that friend who's always like freaking out

1035
00:51:27,680 --> 00:51:30,640
Speaker 4: and it's just like, at some point has always happened

1036
00:51:30,680 --> 00:51:33,400
Speaker 4: to me, You've had this on your count on your

1037
00:51:33,400 --> 00:51:33,960
Speaker 4: eye cow.

1038
00:51:35,440 --> 00:51:37,520
Speaker 1: And everyone's mad at me and there's nothing I can do,

1039
00:51:37,920 --> 00:51:39,919
Speaker 1: and you're like, I just asked to get drinks.

1040
00:51:39,560 --> 00:51:45,480
Speaker 4: Like that's exactly what it.

1041
00:51:45,360 --> 00:51:47,560
Speaker 1: Is, because it's like, how many times do I have

1042
00:51:47,640 --> 00:51:49,440
Speaker 1: to hear about this before you change something?

1043
00:51:49,600 --> 00:51:52,160
Speaker 4: And they keep making it art problem of course, and

1044
00:51:52,320 --> 00:51:54,560
Speaker 4: Lax is like lax is emailing us like what should

1045
00:51:54,600 --> 00:52:00,440
Speaker 4: we do? Like they're like this construction worker that are

1046
00:52:00,480 --> 00:52:05,080
Speaker 4: just like they're there the Olympics. The Olympics is coming.

1047
00:52:05,600 --> 00:52:08,640
Speaker 4: What do we It's just cement. It's like they're holding

1048
00:52:08,680 --> 00:52:11,320
Speaker 4: cinder blocks. Like maybe if we moved Jet Blue to

1049
00:52:11,400 --> 00:52:16,440
Speaker 4: terminal one, maybe that'll accommodate. And then we're so fucking

1050
00:52:16,560 --> 00:52:21,080
Speaker 4: stupid be a terminal one? This is an earthcake?

1051
00:52:21,160 --> 00:52:22,080
Speaker 6: Can we pushed us back?

1052
00:52:22,120 --> 00:52:26,600
Speaker 4: Can we push us back? Yeah? Like mutual aid needing

1053
00:52:27,160 --> 00:52:43,480
Speaker 4: terminal four? Do we want to do a straight topic? Chris?

1054
00:52:44,120 --> 00:52:45,960
Speaker 4: Do you have a straight don't give me that? What

1055
00:52:46,080 --> 00:52:49,120
Speaker 4: don't Chris me right now? How come we were cooking

1056
00:52:49,160 --> 00:52:50,120
Speaker 4: with gas Taggart.

1057
00:52:50,280 --> 00:52:51,560
Speaker 1: It was a nice pause moment.

1058
00:52:51,640 --> 00:52:54,480
Speaker 4: No, no, you're right. Okay, Okay, I can do it. Okay.

1059
00:52:54,600 --> 00:52:56,360
Speaker 1: Do you have a street topic today? And what is

1060
00:52:56,400 --> 00:52:57,080
Speaker 1: straight about it?

1061
00:52:58,320 --> 00:53:00,680
Speaker 4: Okay? Okay, okay, this this is good. I don't know

1062
00:53:00,719 --> 00:53:05,680
Speaker 4: how to communicate this. You're watching a comedy, okay, and

1063
00:53:05,760 --> 00:53:09,880
Speaker 4: they're watching you during the laugh points, they're laughing. You

1064
00:53:09,960 --> 00:53:14,120
Speaker 4: see what I'm saying. So it's like a film. We're

1065
00:53:14,160 --> 00:53:15,200
Speaker 4: watching a movie.

1066
00:53:15,480 --> 00:53:15,960
Speaker 1: Uh huh.

1067
00:53:15,960 --> 00:53:18,000
Speaker 4: And it's great. You have to speak into it, mit, Chris,

1068
00:53:18,239 --> 00:53:20,800
Speaker 4: and it's this, you're trying to enjoy the movie. Okay,

1069
00:53:20,960 --> 00:53:23,960
Speaker 4: anytime I find I'm showing you a movie, oh you're

1070
00:53:23,960 --> 00:53:27,640
Speaker 4: looking for a oh, this is very showing someone a

1071
00:53:27,680 --> 00:53:31,239
Speaker 4: YouTube video. This is very showing Yes, So okay, I guess.

1072
00:53:31,480 --> 00:53:34,040
Speaker 4: So with my friend Patty Waddie, and it felt like

1073
00:53:34,400 --> 00:53:36,759
Speaker 4: in that period of time what he was doing to me,

1074
00:53:36,800 --> 00:53:38,719
Speaker 4: it felt like the time from eighth grade to tenth

1075
00:53:38,800 --> 00:53:40,040
Speaker 4: grade in my in my mind.

1076
00:53:40,120 --> 00:53:44,839
Speaker 5: So the topic is tracking someone's response when you show

1077
00:53:44,880 --> 00:53:48,800
Speaker 5: them a comedic film, film or piece of content.

1078
00:53:49,120 --> 00:53:53,880
Speaker 4: Exactly, that's exactly that. Really, this is really interesting.

1079
00:53:53,920 --> 00:53:56,200
Speaker 5: This happened to me with rat Race and the person

1080
00:53:56,239 --> 00:53:58,480
Speaker 5: did not like it, and it was my husband.

1081
00:53:59,520 --> 00:54:04,520
Speaker 4: Yeah, I hate I hate being surveiled, surveyed, surveiled, surveiled,

1082
00:54:04,680 --> 00:54:07,000
Speaker 4: being surveiled, being surveyed would be at the end, you

1083
00:54:07,000 --> 00:54:11,320
Speaker 4: go tell us who your experience was watching rat Race.

1084
00:54:12,960 --> 00:54:14,960
Speaker 4: And anytime I misuse a word, I do need you

1085
00:54:15,000 --> 00:54:17,040
Speaker 4: to tell me what that but what that meaning was.

1086
00:54:17,960 --> 00:54:19,879
Speaker 4: So it's like, if you're in the movies, we should

1087
00:54:19,920 --> 00:54:25,279
Speaker 4: have horse blinders. So it's like urineals, we need the blockers.

1088
00:54:25,280 --> 00:54:27,960
Speaker 4: Oh yeah, that's it's a concert. Do you want to

1089
00:54:27,960 --> 00:54:29,120
Speaker 4: hear other people's laughter?

1090
00:54:29,200 --> 00:54:30,640
Speaker 5: Because that's sort of the whole point of you know,

1091
00:54:30,680 --> 00:54:32,640
Speaker 5: we come to this place from magic, like, you know,

1092
00:54:32,840 --> 00:54:34,799
Speaker 5: you want to hear other people reacting, but you don't

1093
00:54:34,800 --> 00:54:35,439
Speaker 5: want to see them.

1094
00:54:35,600 --> 00:54:38,120
Speaker 4: Of course, I think that there's no no, there's like

1095
00:54:38,120 --> 00:54:41,680
Speaker 4: a tasteful like. But the person.

1096
00:54:41,840 --> 00:54:51,040
Speaker 7: Who's ah, right, this is is exhausting in a way

1097
00:54:51,120 --> 00:54:53,280
Speaker 7: that you know your body never recovered.

1098
00:54:53,600 --> 00:54:58,080
Speaker 4: Yeah, and the pressure someone recently, well, it ruins the movie.

1099
00:54:58,080 --> 00:54:58,480
Speaker 1: Of course.

1100
00:54:58,680 --> 00:55:02,839
Speaker 4: You don't you want you want to uh, you want

1101
00:55:02,840 --> 00:55:05,560
Speaker 4: to talk them about performance. You become the performer by

1102
00:55:05,560 --> 00:55:06,960
Speaker 4: the way he's on the entertainment you are.

1103
00:55:07,000 --> 00:55:08,480
Speaker 5: Do you want to know what happened to me recently

1104
00:55:08,520 --> 00:55:11,279
Speaker 5: on this trip in Los Angeles? And I say this

1105
00:55:11,360 --> 00:55:12,920
Speaker 5: with infinite love for this person.

1106
00:55:12,640 --> 00:55:15,000
Speaker 4: Because oh I love her? Who is it?

1107
00:55:16,920 --> 00:55:23,360
Speaker 5: But yeah, okay, I go over to see her. She's

1108
00:55:23,480 --> 00:55:26,120
Speaker 5: in the midst of editing short film.

1109
00:55:26,280 --> 00:55:27,440
Speaker 4: She goes, aren't we all.

1110
00:55:28,880 --> 00:55:29,560
Speaker 1: Welcome to Ella?

1111
00:55:30,640 --> 00:55:32,400
Speaker 5: And so the second I get there, she's like, do

1112
00:55:32,400 --> 00:55:35,440
Speaker 5: you want to watch it? And I was like sure,

1113
00:55:35,680 --> 00:55:38,480
Speaker 5: And by the way, I really enjoyed it. I'm like

1114
00:55:38,600 --> 00:55:41,120
Speaker 5: happy I watched it. I've I've how could you organically

1115
00:55:41,160 --> 00:55:43,160
Speaker 5: because that's what i mean. I'm like, if you had

1116
00:55:43,200 --> 00:55:44,479
Speaker 5: sent it to me, I would have watched. I would

1117
00:55:44,480 --> 00:55:46,319
Speaker 5: have loved it. I would have texted you like, this

1118
00:55:46,360 --> 00:55:51,000
Speaker 5: is great. But to be faced with the task of

1119
00:55:51,080 --> 00:55:56,040
Speaker 5: watching it while she's next to me, Yes, and it's

1120
00:55:56,080 --> 00:56:00,440
Speaker 5: like knowing exactly where, what how I should react at

1121
00:56:00,440 --> 00:56:03,399
Speaker 5: any given point. But there is no way to authentically

1122
00:56:03,480 --> 00:56:06,439
Speaker 5: because you're thinking that, you're thinking you're in her experience. Yes,

1123
00:56:06,719 --> 00:56:11,080
Speaker 5: watching yourself. You're basic. Yeah, you're fully dissociated. It's traumatizing.

1124
00:56:11,120 --> 00:56:11,720
Speaker 1: It's traumatized.

1125
00:56:11,719 --> 00:56:14,160
Speaker 4: The one exception of this, I think is musicians playing

1126
00:56:14,200 --> 00:56:16,600
Speaker 4: each other. You hear about like Andre three thousand going

1127
00:56:16,640 --> 00:56:17,719
Speaker 4: to listen to Like I.

1128
00:56:17,760 --> 00:56:20,200
Speaker 1: Mean, when you see these clips of musicians listening to

1129
00:56:20,239 --> 00:56:26,200
Speaker 1: other musicians music, you think it's the best song on planet.

1130
00:56:25,920 --> 00:56:27,440
Speaker 4: Earth, and it's just like a song that like it's

1131
00:56:27,440 --> 00:56:31,080
Speaker 4: a Sam Smith song that you hear when you're deplaining Yeah.

1132
00:56:30,440 --> 00:56:32,040
Speaker 1: And tears are streaming down their face.

1133
00:56:32,080 --> 00:56:35,400
Speaker 4: Well, it's very Pharrell watching Maggie Rodgers. Well, yes, Like,

1134
00:56:35,600 --> 00:56:39,000
Speaker 4: can you be real for one second? Witch happy? I mean,

1135
00:56:39,040 --> 00:56:41,560
Speaker 4: if if my friend released that, I'm doing the wellness checks.

1136
00:56:41,560 --> 00:56:44,240
Speaker 4: I'm I'm not even knock. I'm speeding over that house.

1137
00:56:48,880 --> 00:56:50,520
Speaker 4: Happy is a guy with a plan.

1138
00:56:50,719 --> 00:56:52,520
Speaker 5: No, it's crazy, by the way, you know, I was

1139
00:56:52,520 --> 00:56:56,000
Speaker 5: thinking most depressing song of all time, We Are Young

1140
00:56:56,040 --> 00:56:56,479
Speaker 5: by Fun.

1141
00:56:56,920 --> 00:57:00,720
Speaker 4: Oh my god, you didn't say fun correctly on period

1142
00:57:01,000 --> 00:57:06,160
Speaker 4: fun you have it's fun. It's lowcad period fun. Yeah,

1143
00:57:07,160 --> 00:57:10,600
Speaker 4: but it's the layers like I've almost flipped my car

1144
00:57:10,680 --> 00:57:12,520
Speaker 4: trying to change the station in twenty twelve when we

1145
00:57:12,560 --> 00:57:16,000
Speaker 4: are we Are Young came on? No, it's it's constantly

1146
00:57:16,040 --> 00:57:17,520
Speaker 4: playing well.

1147
00:57:17,880 --> 00:57:21,280
Speaker 1: We are Young by Fun, talk about like Minion's esque

1148
00:57:21,440 --> 00:57:23,840
Speaker 1: where I was like, so people are liking this for real,

1149
00:57:24,080 --> 00:57:25,600
Speaker 1: Like it's on the radio, like people are going to

1150
00:57:25,640 --> 00:57:28,760
Speaker 1: see this band. Oh oh yeah, she's just launching Jack Antonov.

1151
00:57:28,840 --> 00:57:31,320
Speaker 4: Oh andever, where's the other guy? And what happened to

1152
00:57:31,360 --> 00:57:34,200
Speaker 4: the other guy? He didn't do it with Pink called

1153
00:57:34,840 --> 00:57:39,920
Speaker 4: I think Pink's audience. It's my hairdresser used to go

1154
00:57:39,960 --> 00:57:42,120
Speaker 4: skydiving all the time. Think audience. By the way, all

1155
00:57:42,200 --> 00:57:45,120
Speaker 4: of the United States of America. My mom is no

1156
00:57:45,160 --> 00:57:48,080
Speaker 4: problem with that. You know, She's been a topic on

1157
00:57:48,080 --> 00:57:50,720
Speaker 4: our pocket most girls. Oh Pink, Oh my god, the

1158
00:57:50,760 --> 00:57:53,200
Speaker 4: haircut very straight. That's true, is it? Most girls at

1159
00:57:53,200 --> 00:57:55,280
Speaker 4: the song? Most girls like the man with the blank

1160
00:57:55,320 --> 00:58:02,440
Speaker 4: blank Oh yeah, sexy that's to go Yeah yeah, yeah

1161
00:58:02,480 --> 00:58:08,280
Speaker 4: yeah that's hip hop era Pink. This is huge, Chris

1162
00:58:08,680 --> 00:58:13,280
Speaker 4: Moon I learned to Moonwalk to Party Started Well is amazing,

1163
00:58:13,560 --> 00:58:15,680
Speaker 4: kaza I mean get this ray Star is also you know,

1164
00:58:15,720 --> 00:58:18,360
Speaker 4: it's written by Linda Perry, who's such a classic, you know,

1165
00:58:18,800 --> 00:58:23,320
Speaker 4: top hat and like braids like an Amy Sherman Palladino. Yes,

1166
00:58:23,480 --> 00:58:26,760
Speaker 4: she's literally music's Amy Sherman Palladino. Yeah. Yeah.

1167
00:58:26,960 --> 00:58:30,640
Speaker 5: But like the combination combination of like Pink deciding to

1168
00:58:30,680 --> 00:58:33,600
Speaker 5: be white after like having a hip hop career, then

1169
00:58:33,640 --> 00:58:36,240
Speaker 5: Linda Perry like flowing in with her top hat. It's

1170
00:58:36,280 --> 00:58:39,960
Speaker 5: like the most like two thousand and one, uh, you know,

1171
00:58:41,080 --> 00:58:44,160
Speaker 5: meeting of minds to ever and then to make a

1172
00:58:44,200 --> 00:58:46,200
Speaker 5: song called get the Party Started on the album Isan

1173
00:58:46,240 --> 00:58:47,200
Speaker 5: does dude.

1174
00:58:47,440 --> 00:58:49,840
Speaker 1: Is what you're saying, No, this is this is this

1175
00:58:49,880 --> 00:58:51,680
Speaker 1: isn't the proper this is midsomar.

1176
00:58:51,920 --> 00:58:54,480
Speaker 4: This is how you're supposed to pronounce me mis undoes. Dude,

1177
00:58:56,120 --> 00:59:01,920
Speaker 4: it's spelled misunderstood, but dude, it's these and also an

1178
00:59:01,960 --> 00:59:06,080
Speaker 4: a instead of misunderstood. Yeah, it is an exclamation. I

1179
00:59:06,080 --> 00:59:08,600
Speaker 4: don't know dream state, Yeah, yeah, I don't know how.

1180
00:59:09,040 --> 00:59:14,640
Speaker 4: I guess you would have to be like Sun. Yeah,

1181
00:59:14,680 --> 00:59:17,760
Speaker 4: it's a full body workout to say it correctly, which

1182
00:59:17,800 --> 00:59:19,080
Speaker 4: is shows which.

1183
00:59:18,880 --> 00:59:24,000
Speaker 5: Is yeah, well the eras Yeah, I mean it really

1184
00:59:24,000 --> 00:59:27,520
Speaker 5: should went from hip hop to miss Undas Dude to

1185
00:59:27,800 --> 00:59:32,000
Speaker 5: like Circus to now kind of like Target, just Target Walmart.

1186
00:59:32,400 --> 00:59:36,040
Speaker 4: Yeah, well you know my theory about Target. I think

1187
00:59:36,160 --> 00:59:39,520
Speaker 4: Target is playing. It's every one of our top twenty

1188
00:59:39,520 --> 00:59:41,760
Speaker 4: five most played Spotify. I walk into Target. They were

1189
00:59:41,760 --> 00:59:44,400
Speaker 4: playing Tom Waits one day, they know, and they're playing,

1190
00:59:44,480 --> 00:59:47,320
Speaker 4: They're playing songs, they're playing like Japanese House, They're playing

1191
00:59:48,640 --> 00:59:52,120
Speaker 4: it's completely English. Yeah, they're playing stuff that they would

1192
00:59:52,160 --> 00:59:54,840
Speaker 4: have no access to had. And then you asked someone

1193
00:59:54,840 --> 00:59:58,080
Speaker 4: else what they're hearing and they're like, oh, it's a Beatles. Yeah,

1194
00:59:58,280 --> 01:00:02,400
Speaker 4: it's it's John a song about the Wheels. You know, after.

1195
01:00:03,920 --> 01:00:06,800
Speaker 8: You're saying of the other one it's about Marly is

1196
01:00:06,800 --> 01:00:07,440
Speaker 8: pau McCartney.

1197
01:00:07,520 --> 01:00:09,640
Speaker 4: Okay, see I need to know more about the Beatles.

1198
01:00:09,960 --> 01:00:12,640
Speaker 1: So it's like that that you know the sign in

1199
01:00:12,640 --> 01:00:15,720
Speaker 1: the airport that like only shows your flight info because

1200
01:00:15,720 --> 01:00:16,640
Speaker 1: they like scan your face.

1201
01:00:17,240 --> 01:00:19,440
Speaker 4: No, oh my god, you guys are gonna love this.

1202
01:00:19,760 --> 01:00:22,000
Speaker 4: You're getting this. This is a real thing that exists.

1203
01:00:22,040 --> 01:00:26,000
Speaker 4: I think it's Truman showed which you would be the best.

1204
01:00:26,920 --> 01:00:33,280
Speaker 4: You'd be the best victim I would target show. Oh

1205
01:00:33,280 --> 01:00:35,800
Speaker 4: my god, I hate, I hate. You can't think of

1206
01:00:35,800 --> 01:00:37,160
Speaker 4: it to let me, let me look at me. I'm

1207
01:00:37,200 --> 01:00:38,480
Speaker 4: not Truman showing Truman.

1208
01:00:38,520 --> 01:00:40,240
Speaker 1: Show me, seriously, Taggart.

1209
01:00:39,920 --> 01:00:41,880
Speaker 4: I promise I'm not Truman showing you right now. Why

1210
01:00:41,920 --> 01:00:44,760
Speaker 4: don't you have a sip of this refreshing polar seltzer

1211
01:00:44,920 --> 01:00:53,240
Speaker 4: and calm down, Larelannie. Another one? Uh huh? Another straight thing. Yeah,

1212
01:00:53,960 --> 01:00:56,880
Speaker 4: being on a okay reading the what to expect on

1213
01:00:56,920 --> 01:01:02,600
Speaker 4: your flight emails and then also being on a long

1214
01:01:02,680 --> 01:01:07,800
Speaker 4: flight and not beeing once that freaks me out. I'm ile,

1215
01:01:07,960 --> 01:01:12,720
Speaker 4: I'm I'm like, I'm getting up a lot, like, okay, okay,

1216
01:01:12,760 --> 01:01:14,360
Speaker 4: we can go. You can do it five. And these

1217
01:01:14,360 --> 01:01:19,480
Speaker 4: guys are chugging blood and they're just that moment at all.

1218
01:01:19,840 --> 01:01:22,680
Speaker 4: Are you internally bleeding or is there a catheter here?

1219
01:01:24,560 --> 01:01:26,640
Speaker 4: It always comes back to cath in this show. We

1220
01:01:26,680 --> 01:01:28,560
Speaker 4: had a little pre show catheter chat.

1221
01:01:28,840 --> 01:01:30,360
Speaker 5: I would even go so far as to say, you're

1222
01:01:30,360 --> 01:01:32,040
Speaker 5: going with a friend to a long movie. You're going

1223
01:01:32,080 --> 01:01:35,320
Speaker 5: to see Avatar, Shape of Water. What's the new on

1224
01:01:35,360 --> 01:01:37,240
Speaker 5: Fire and Iron Ash? You're going to see Fire and Ash.

1225
01:01:37,720 --> 01:01:40,600
Speaker 5: The movie ends, You're like, surely we are both going

1226
01:01:40,600 --> 01:01:42,680
Speaker 5: to the bathroom. You're saying, I'm in the bathroom.

1227
01:01:42,840 --> 01:01:44,840
Speaker 4: Yeah, I said, what you drink? The friend goes, oh,

1228
01:01:44,880 --> 01:01:48,040
Speaker 4: I'm okay, what where's it going? The hell is wrong?

1229
01:01:49,400 --> 01:01:52,680
Speaker 4: Were you not feeling physically uncomfortable for the last hour

1230
01:01:52,720 --> 01:01:54,800
Speaker 4: and forty five minutes of that? You were just sitting

1231
01:01:54,800 --> 01:01:56,720
Speaker 4: there and see, this is we're too porous if we're

1232
01:01:56,720 --> 01:01:59,280
Speaker 4: tracking people's piss schedule. I have I have one, okay,

1233
01:01:59,280 --> 01:02:03,560
Speaker 4: and this is person so h. George was over on Friday.

1234
01:02:03,720 --> 01:02:04,720
Speaker 4: They were watching drag Race.

1235
01:02:04,760 --> 01:02:07,760
Speaker 1: Of course it's personal and no boxes to be seen

1236
01:02:07,800 --> 01:02:08,840
Speaker 1: because I'm not moving yet.

1237
01:02:08,920 --> 01:02:12,240
Speaker 4: Yeah, yeah, you know drag Race. We watched from maybe

1238
01:02:12,280 --> 01:02:15,240
Speaker 4: seven thirty to eight thirty ish, and then am I

1239
01:02:15,240 --> 01:02:15,840
Speaker 4: a detective?

1240
01:02:16,720 --> 01:02:19,280
Speaker 1: And then we hang out till twelve thirty.

1241
01:02:20,000 --> 01:02:22,360
Speaker 4: No one but me. He goes to the bathroom. You

1242
01:02:22,440 --> 01:02:25,000
Speaker 4: were tracking that, well, you guys left. I was like,

1243
01:02:25,040 --> 01:02:27,360
Speaker 4: so no one else had to peek you were getting

1244
01:02:27,440 --> 01:02:31,080
Speaker 4: so tracked that you didn't even know it. You didn't

1245
01:02:31,080 --> 01:02:32,320
Speaker 4: want to track it. I was just like, so, no

1246
01:02:32,320 --> 01:02:34,200
Speaker 4: one's getting up. Here's so, no one's getting up to

1247
01:02:34,240 --> 01:02:37,040
Speaker 4: go Pete George, here's Taggert. I can't believe this. He's

1248
01:02:37,080 --> 01:02:39,560
Speaker 4: in the steakout. So would you you know what? I

1249
01:02:39,560 --> 01:02:41,360
Speaker 4: do a lot? Yeah? No, I'm not going to stay out.

1250
01:02:41,440 --> 01:02:44,520
Speaker 4: Please share. I used to tutor, so I used to

1251
01:02:44,560 --> 01:02:46,840
Speaker 4: have to drive. I was it turns out I think

1252
01:02:46,840 --> 01:02:48,560
Speaker 4: I was losing money because I would got to drive

1253
01:02:48,600 --> 01:02:52,560
Speaker 4: to stay in a bar to tutor then be one

1254
01:02:52,600 --> 01:02:57,200
Speaker 4: of them's comedy. I would have to piss in the

1255
01:02:57,240 --> 01:03:01,200
Speaker 4: car a lot. No battle. Yeah, I get good at it.

1256
01:03:01,520 --> 01:03:04,560
Speaker 4: I got beyond good at it. I got to a

1257
01:03:04,600 --> 01:03:06,880
Speaker 4: point and I had to do some kind of work

1258
01:03:06,920 --> 01:03:09,280
Speaker 4: on this where you know when you get in the

1259
01:03:09,280 --> 01:03:13,320
Speaker 4: shower and you peel a lot and you started. I'd

1260
01:03:13,320 --> 01:03:14,760
Speaker 4: be in any car, I'd be like, this is the

1261
01:03:14,920 --> 01:03:20,760
Speaker 4: this is the piss space I crave in the car

1262
01:03:20,800 --> 01:03:23,040
Speaker 4: from all my years not being able to being too

1263
01:03:23,080 --> 01:03:24,760
Speaker 4: shy to ask to use their bathroom. So I'd be

1264
01:03:24,760 --> 01:03:28,560
Speaker 4: pissing out front of like like a child's Nick Manson

1265
01:03:28,840 --> 01:03:33,240
Speaker 4: in seal beach. I'd be I'd be in cow posts

1266
01:03:33,800 --> 01:03:36,880
Speaker 4: with a bottle. Now, this is not good. This is

1267
01:03:36,880 --> 01:03:38,440
Speaker 4: this is just how This is how they get me.

1268
01:03:38,760 --> 01:03:39,640
Speaker 4: This is this is the same.

1269
01:03:39,680 --> 01:03:40,640
Speaker 1: I won't get you for this.

1270
01:03:40,640 --> 01:03:42,040
Speaker 4: This is how they get me. You're in the clear.

1271
01:03:42,320 --> 01:03:45,800
Speaker 4: You think, how do you guys feel about people wearing

1272
01:03:46,480 --> 01:03:49,600
Speaker 4: the tinted sunglasses on podcasts like at the King of

1273
01:03:49,680 --> 01:03:50,520
Speaker 4: Las Vegas.

1274
01:03:50,800 --> 01:03:54,240
Speaker 1: I think I thought it was funny for like one day.

1275
01:03:54,760 --> 01:03:56,400
Speaker 4: Oh, it's a funny thing. I thought it was a

1276
01:03:56,440 --> 01:03:58,680
Speaker 4: power thing. It's yeah, I don't know if.

1277
01:03:58,520 --> 01:04:00,960
Speaker 1: It's well, it's only funny if they're playing with the power.

1278
01:04:01,520 --> 01:04:05,040
Speaker 1: Like like there was one moment for about three minutes,

1279
01:04:05,520 --> 01:04:07,560
Speaker 1: me and a guest wore some lasses on our podcast

1280
01:04:07,840 --> 01:04:08,920
Speaker 1: and I said, this is funny.

1281
01:04:08,960 --> 01:04:12,040
Speaker 4: That's funny if you well, that's literally hilarious if you

1282
01:04:12,120 --> 01:04:14,760
Speaker 4: were wearing them, I would something I do want to say.

1283
01:04:14,840 --> 01:04:17,720
Speaker 5: You know, I'm currently not being invented any red carpets,

1284
01:04:17,720 --> 01:04:20,160
Speaker 5: but if that changes, I like the idea of wearing

1285
01:04:20,280 --> 01:04:21,080
Speaker 5: tinted glasses.

1286
01:04:21,080 --> 01:04:22,160
Speaker 1: I do like the tinted glass.

1287
01:04:22,160 --> 01:04:25,920
Speaker 4: Oh that's fun, carpet, that's fun anticipating the glow.

1288
01:04:26,480 --> 01:04:29,200
Speaker 1: Yeah, and adds a little GENI si quah.

1289
01:04:29,520 --> 01:04:36,480
Speaker 4: Yeah, wait wait okay, wait wait, don't tell me, wait wait,

1290
01:04:36,520 --> 01:04:38,400
Speaker 4: don't tell me, wait wait, don't tell me. Have you

1291
01:04:38,440 --> 01:04:40,040
Speaker 4: done it? George? You know it's funny.

1292
01:04:40,480 --> 01:04:43,720
Speaker 5: I recently literally you know, when you have those moments

1293
01:04:43,720 --> 01:04:45,640
Speaker 5: who were like, Okay, I'm like figure out my career.

1294
01:04:45,840 --> 01:04:47,600
Speaker 4: And one of the things I like wrote down was

1295
01:04:47,640 --> 01:04:49,000
Speaker 4: like get contact.

1296
01:04:53,200 --> 01:04:55,320
Speaker 1: Oh my god, that is so funny.

1297
01:04:55,400 --> 01:05:05,800
Speaker 4: Oh my god, so good. That's really yeah.

1298
01:05:04,840 --> 01:05:08,120
Speaker 1: Chris, I have something to say. Oh, you're one of

1299
01:05:08,160 --> 01:05:11,960
Speaker 1: our community's best ship talkers. You and even in the

1300
01:05:12,000 --> 01:05:14,439
Speaker 1: sense that you'll you'll go on stage and do bits

1301
01:05:14,440 --> 01:05:17,560
Speaker 1: about people that you were one degree away from and

1302
01:05:17,640 --> 01:05:20,360
Speaker 1: in a way that I think is so genius. Does

1303
01:05:20,400 --> 01:05:21,480
Speaker 1: it ever come back to about you?

1304
01:05:22,560 --> 01:05:27,120
Speaker 4: It usually turns people on more. Really, Yes, when I

1305
01:05:27,200 --> 01:05:29,680
Speaker 4: don't hear from someone, that's when I'm like, who have

1306
01:05:29,720 --> 01:05:33,200
Speaker 4: you should talk on stage?

1307
01:05:31,360 --> 01:05:34,840
Speaker 1: Like Colin jos for example.

1308
01:05:35,240 --> 01:05:38,040
Speaker 5: But that's like, yeah, I mean, isn't this book called

1309
01:05:38,080 --> 01:05:41,080
Speaker 5: like I have a Punishable face or something like he knows, probably,

1310
01:05:41,360 --> 01:05:42,080
Speaker 5: but it's still.

1311
01:05:41,880 --> 01:05:43,360
Speaker 1: You know, easier when he says it.

1312
01:05:43,600 --> 01:05:46,480
Speaker 5: Do you think we we do you think we basically

1313
01:05:46,480 --> 01:05:48,880
Speaker 5: should talk about st him's wedding or is that gonna

1314
01:05:48,920 --> 01:05:49,600
Speaker 5: come back?

1315
01:05:50,720 --> 01:05:50,840
Speaker 6: No?

1316
01:05:51,240 --> 01:05:53,800
Speaker 4: Okay, here's the thing. If you ever when you are

1317
01:05:53,840 --> 01:05:58,400
Speaker 4: like that, that impulse means that you're it's it's trust

1318
01:05:58,440 --> 01:06:00,919
Speaker 4: that instinct. Yeah, of course words you should talking about.

1319
01:06:00,920 --> 01:06:03,160
Speaker 5: You need to be doing a I like, I want

1320
01:06:03,160 --> 01:06:07,160
Speaker 5: to do a three part special on Stiheim's wedding content,

1321
01:06:07,640 --> 01:06:11,280
Speaker 5: cross platform, cross media. I'm talking the Vogue dot com feature,

1322
01:06:11,400 --> 01:06:14,640
Speaker 5: the various Instagram reels, the feature on the dress itself,

1323
01:06:15,160 --> 01:06:18,400
Speaker 5: the sister content they released where they are all I

1324
01:06:18,440 --> 01:06:21,400
Speaker 5: want to go into. Her boyfriend's her husband's LinkedIn. He's

1325
01:06:21,440 --> 01:06:22,000
Speaker 5: a tech guy.

1326
01:06:22,280 --> 01:06:24,480
Speaker 4: I want a guy, he's a tech I don't know.

1327
01:06:24,520 --> 01:06:27,160
Speaker 4: All I know is the PTA movie marathon, where I

1328
01:06:27,200 --> 01:06:30,640
Speaker 4: feel like, I don't know this PTA curated movie marathon

1329
01:06:30,840 --> 01:06:32,520
Speaker 4: and it wasn't what you think. I think the Flintstones

1330
01:06:32,520 --> 01:06:34,360
Speaker 4: may have been on there, the Rosie O'Donnell one. Wow,

1331
01:06:34,560 --> 01:06:37,280
Speaker 4: it was like a full twelve hours Yeah.

1332
01:06:36,840 --> 01:06:39,320
Speaker 5: And that was a wedding event. Is like PTA curated

1333
01:06:39,320 --> 01:06:40,120
Speaker 5: a movie marathon?

1334
01:06:40,400 --> 01:06:40,880
Speaker 4: Okay?

1335
01:06:40,920 --> 01:06:43,720
Speaker 1: Interesting? Yes, And he sits there looking at everybody make

1336
01:06:43,760 --> 01:06:44,240
Speaker 1: sure they're.

1337
01:06:44,160 --> 01:06:49,400
Speaker 4: Laughing time, I'm sure, or telling people actually flint is

1338
01:06:49,440 --> 01:06:53,000
Speaker 4: actually pretty good. You might think this is just the kids.

1339
01:06:53,040 --> 01:06:57,520
Speaker 4: Actually pretty good. Listen, photography actually kind of laps.

1340
01:06:58,040 --> 01:06:58,640
Speaker 1: That's pta.

1341
01:06:58,920 --> 01:07:04,600
Speaker 4: Yeah, dinosaur, that dinosaur so artisans actually made that. Look

1342
01:07:04,640 --> 01:07:06,640
Speaker 4: at it blink. Look at it blink. Look at it blinks.

1343
01:07:06,720 --> 01:07:08,960
Speaker 4: It's cleaning. It's closing only one eye. It's cleaning its

1344
01:07:08,960 --> 01:07:11,640
Speaker 4: eye like like actually a lizard. It's purple, it's purple,

1345
01:07:11,840 --> 01:07:14,280
Speaker 4: but it's actually it's actually cleaning its eye like a

1346
01:07:14,320 --> 01:07:18,280
Speaker 4: real every every choice is actually really intentional and there

1347
01:07:18,320 --> 01:07:24,000
Speaker 4: and ST's slow dancing with whatever war criminals is the

1348
01:07:24,120 --> 01:07:30,120
Speaker 4: father daughter dance father daughter s. So talk about it absolutely,

1349
01:07:30,360 --> 01:07:32,600
Speaker 4: I mean, I mean, tell me everything that you've seen,

1350
01:07:33,320 --> 01:07:36,600
Speaker 4: everything that I've seen about ST's wedding. Yeah, I want

1351
01:07:36,600 --> 01:07:39,320
Speaker 4: to hear. I want to hear everything in her dress.

1352
01:07:38,960 --> 01:07:50,520
Speaker 5: No, hold on, well it's a statement s not estrophallic

1353
01:07:50,800 --> 01:07:52,600
Speaker 5: st Heim.

1354
01:07:53,000 --> 01:07:56,200
Speaker 1: I'm yeah, you've met all of them, right.

1355
01:07:56,240 --> 01:07:58,959
Speaker 4: Never needless to say that. I assume you're like close

1356
01:07:58,960 --> 01:08:03,480
Speaker 4: personal friends with them. No, I would be different. Now,

1357
01:08:03,480 --> 01:08:05,760
Speaker 4: this is something that is interesting. I think that allows

1358
01:08:05,800 --> 01:08:11,640
Speaker 4: me to be able to use the I mean, that's

1359
01:08:12,920 --> 01:08:17,599
Speaker 4: it's it's interesting. It's very much like when like when

1360
01:08:17,680 --> 01:08:20,840
Speaker 4: something comes to life. And beauty and in the end

1361
01:08:20,880 --> 01:08:24,000
Speaker 4: it's like an appliance. Like it's like when a fem appliance,

1362
01:08:24,720 --> 01:08:31,400
Speaker 4: she is very much giving fem appliance. Those are some

1363
01:08:31,479 --> 01:08:32,720
Speaker 4: perky shoulders.

1364
01:08:33,280 --> 01:08:37,000
Speaker 5: I mean, I do actually think it's a beautiful gorgeous

1365
01:08:37,000 --> 01:08:37,880
Speaker 5: like fashion.

1366
01:08:38,120 --> 01:08:43,240
Speaker 4: Gorgeous when you walk it back big back walking. Yeah,

1367
01:08:43,240 --> 01:08:47,880
Speaker 4: we love walking back. It's one step forward fifteen steps back.

1368
01:08:48,040 --> 01:08:49,960
Speaker 1: If actually, if you see us say and like we

1369
01:08:50,000 --> 01:08:51,920
Speaker 1: love anything, it's because we cut out the part where

1370
01:08:51,920 --> 01:08:55,599
Speaker 1: we said we don't like yes, and you're just hearing

1371
01:08:55,640 --> 01:08:56,160
Speaker 1: us praise it.

1372
01:08:56,280 --> 01:08:58,920
Speaker 4: We're just hard cut to you showing me as Steheim's

1373
01:08:59,000 --> 01:08:59,920
Speaker 4: dress saying and it's a.

1374
01:09:00,040 --> 01:09:03,679
Speaker 5: Were just the two other sisters to be in matching dresses,

1375
01:09:03,760 --> 01:09:06,160
Speaker 5: is all I'm gonna they were, yes, although I guess

1376
01:09:06,160 --> 01:09:08,080
Speaker 5: that is something they do in their shows and stuff

1377
01:09:08,120 --> 01:09:10,439
Speaker 5: is rank your favorites. Well, this is you know, we

1378
01:09:10,479 --> 01:09:12,720
Speaker 5: have a segment where we give three it's like Mary kill,

1379
01:09:12,760 --> 01:09:14,960
Speaker 5: but it's which I'm sisters which things, So we'll be like,

1380
01:09:15,680 --> 01:09:15,960
Speaker 5: you know.

1381
01:09:16,360 --> 01:09:21,720
Speaker 4: Seltzer water tea like whatever. Yeah, okay, okay, let's think

1382
01:09:21,720 --> 01:09:26,040
Speaker 4: of what now since you're okay, uh? Which was my

1383
01:09:26,120 --> 01:09:30,479
Speaker 4: cross country with Stuck in an elevator. No, no, okay,

1384
01:09:30,479 --> 01:09:34,960
Speaker 4: stuck in an elevator with y yeah, b B you

1385
01:09:35,000 --> 01:09:42,160
Speaker 4: are yep, God, this is good. Would rather be be?

1386
01:09:42,920 --> 01:09:46,800
Speaker 4: And who do you have a weekly movie night with?

1387
01:09:47,439 --> 01:09:48,080
Speaker 6: That's good?

1388
01:09:49,520 --> 01:09:51,880
Speaker 4: Okay, that's easy. Yeah, that's easy. Okay.

1389
01:09:52,000 --> 01:09:55,240
Speaker 1: I think I would obviously be Dan Danielle. I would

1390
01:09:55,240 --> 01:09:55,880
Speaker 1: movie night with Al.

1391
01:09:56,160 --> 01:09:57,479
Speaker 4: I want to be moving night with Danielle.

1392
01:09:57,479 --> 01:10:00,960
Speaker 1: To Danielle, so you're having movie nights with nobody.

1393
01:10:00,960 --> 01:10:03,200
Speaker 4: Don't get to enjoy yourself. If you're you, you comes

1394
01:10:03,240 --> 01:10:06,160
Speaker 4: are crazy. I would rather be a Lana the star.

1395
01:10:06,720 --> 01:10:08,599
Speaker 4: I'm going to be in the PTA movies.

1396
01:10:09,960 --> 01:10:12,559
Speaker 5: Want to have a movie with Danielle, who's like chill.

1397
01:10:12,600 --> 01:10:14,720
Speaker 5: And I would rather the bandit off and drive a

1398
01:10:14,720 --> 01:10:17,760
Speaker 5: cross country and hear all about the wedding and then

1399
01:10:17,800 --> 01:10:20,479
Speaker 5: it's then I would say, have fun on the trip.

1400
01:10:20,760 --> 01:10:21,840
Speaker 4: I got an Airbnb.

1401
01:10:22,520 --> 01:10:25,920
Speaker 1: No, if you are Danielle, you still get the spotlight.

1402
01:10:26,160 --> 01:10:29,200
Speaker 4: You have to work harder than everyone. No, you're aren't

1403
01:10:29,200 --> 01:10:30,799
Speaker 4: they really? Oh you want to be at the red carpet?

1404
01:10:30,840 --> 01:10:33,080
Speaker 4: Aren't they cruel? To Danielle the way like little birds

1405
01:10:33,120 --> 01:10:34,840
Speaker 4: are me to a big band? Do you know what

1406
01:10:34,840 --> 01:10:37,320
Speaker 4: I'm talking about? When you see like a bunch of sparrows.

1407
01:10:38,120 --> 01:10:40,040
Speaker 5: I think they respect her. They're saying, you're the reason

1408
01:10:40,040 --> 01:10:43,719
Speaker 5: we're all here. Yeah, dude, she she's amazing.

1409
01:10:43,840 --> 01:10:47,320
Speaker 4: I here's here's something humiliating about me. I see Danielle him,

1410
01:10:47,360 --> 01:10:50,080
Speaker 4: I go, maybe a good word A leather jack, a

1411
01:10:50,080 --> 01:10:51,960
Speaker 4: black leather jack. Well you could be a high it

1412
01:10:52,040 --> 01:10:55,559
Speaker 4: could be a hime. Just straighten your hair. That they

1413
01:10:55,600 --> 01:11:07,640
Speaker 4: that they like, that they that they found in the attic. Yeah, no,

1414
01:11:07,800 --> 01:11:10,640
Speaker 4: I have be I appreciate you saying that. Yeah, but

1415
01:11:11,560 --> 01:11:15,120
Speaker 4: I wouldn't last on a second socially with them. They

1416
01:11:15,160 --> 01:11:17,400
Speaker 4: would talk me into swallowing my own tongue. Way handle

1417
01:11:17,439 --> 01:11:22,479
Speaker 4: electric did to multiple meigs, I would They would just yeah,

1418
01:11:22,479 --> 01:11:23,920
Speaker 4: they'd be like it's fun, and then all three of

1419
01:11:23,960 --> 01:11:24,760
Speaker 4: them together be like.

1420
01:11:24,760 --> 01:11:29,519
Speaker 1: Dude, yeah, I mean would you be able to handle

1421
01:11:29,520 --> 01:11:30,040
Speaker 1: the choreo?

1422
01:11:30,560 --> 01:11:33,600
Speaker 4: Oh yeah, oh yeah. It's a difficult choreosh. It's like

1423
01:11:33,600 --> 01:11:36,280
Speaker 4: a blood harmony, but for choreo blood choreo like the

1424
01:11:36,320 --> 01:11:38,880
Speaker 4: way like the way family, the way sisters don't have

1425
01:11:38,960 --> 01:11:41,080
Speaker 4: to they don't talk about it. They know they're they're

1426
01:11:41,120 --> 01:11:46,599
Speaker 4: just like five six seven eight, And the crowd is

1427
01:11:46,680 --> 01:11:50,360
Speaker 4: sometimes underwell sometimes they're just like whoo yeah, because they

1428
01:11:50,360 --> 01:11:51,880
Speaker 4: don't do it for the crowd, because the crowd. The

1429
01:11:51,920 --> 01:11:54,679
Speaker 4: first like fifteen rows is like Paul Thomas Anderson running

1430
01:11:54,720 --> 01:12:02,040
Speaker 4: around a strange family fund this camera and then their

1431
01:12:02,080 --> 01:12:02,840
Speaker 4: fans are in the way.

1432
01:12:03,479 --> 01:12:08,120
Speaker 5: He's getting bureall for the next film. Then it's like

1433
01:12:08,320 --> 01:12:11,439
Speaker 5: music journalists next fifteen yea, yeah from the.

1434
01:12:11,600 --> 01:12:19,080
Speaker 4: High school dot com. We like it, but what does

1435
01:12:19,120 --> 01:12:28,880
Speaker 4: it mean for naw Blood Orange? I love Blood Orange.

1436
01:12:28,920 --> 01:12:31,160
Speaker 4: We saw him open for a lord, you know. True.

1437
01:12:31,439 --> 01:12:33,880
Speaker 1: Well, I feel a bit complex, to be honest.

1438
01:12:34,320 --> 01:12:38,000
Speaker 4: Yeah, really well, it's like there's a problem with Blood Orange.

1439
01:12:38,120 --> 01:12:41,240
Speaker 4: I like Blood Orange. What the hell is your brother

1440
01:12:41,960 --> 01:12:44,040
Speaker 4: almost recent album? I want to play him. We want

1441
01:12:44,080 --> 01:12:45,240
Speaker 4: to do that. I want to do the shining with

1442
01:12:45,280 --> 01:12:47,040
Speaker 4: you or I'm Nicholson and your Danny and I want.

1443
01:12:46,960 --> 01:12:49,120
Speaker 5: To It's like hi, and we can talk about all

1444
01:12:49,200 --> 01:12:51,120
Speaker 5: day long. But Blood Orange, I'm not comfortable.

1445
01:12:51,120 --> 01:12:53,439
Speaker 1: There's something about the new album where it feels like

1446
01:12:53,760 --> 01:12:55,599
Speaker 1: adult contemporary.

1447
01:12:55,720 --> 01:12:57,800
Speaker 4: Well, that's what it's always been leading, That's what I want.

1448
01:12:57,920 --> 01:12:58,519
Speaker 1: That's what you want.

1449
01:12:58,560 --> 01:13:01,840
Speaker 4: Give me Pandora station. Yeah, that's I like it. But

1450
01:13:01,880 --> 01:13:05,479
Speaker 4: I'm always like, am I like you? Know, letting go

1451
01:13:05,560 --> 01:13:08,160
Speaker 4: by liking this, Like, so much of what we're losing

1452
01:13:08,920 --> 01:13:13,559
Speaker 4: a sense, so much of what we was is adult contemporary.

1453
01:13:13,600 --> 01:13:15,599
Speaker 4: You know what's adult contemporary? I say this with nothing

1454
01:13:15,640 --> 01:13:19,400
Speaker 4: but love. Beach House. Beach House, and I love Beach House.

1455
01:13:19,760 --> 01:13:22,920
Speaker 5: But it's like you thought you we like were in

1456
01:13:22,960 --> 01:13:24,720
Speaker 5: the zone and we were like, this is so cool.

1457
01:13:24,800 --> 01:13:27,479
Speaker 4: It's like that's Starbucks music. Beach House could be played

1458
01:13:27,479 --> 01:13:31,559
Speaker 4: in the Creighton barrel. Nobody would Yeah. Yeah, Now I

1459
01:13:31,600 --> 01:13:33,360
Speaker 4: see what you're saying, and it's like, I like it's

1460
01:13:33,400 --> 01:13:36,879
Speaker 4: too palatable. Yeah, you want to hear something a little funky,

1461
01:13:36,920 --> 01:13:38,559
Speaker 4: You want to hear you need a little more minor

1462
01:13:38,640 --> 01:13:42,080
Speaker 4: chord in there. You want to what's your favorite music?

1463
01:13:42,520 --> 01:13:46,360
Speaker 4: Well you can't just ask, Okay, most played recently? What

1464
01:13:46,400 --> 01:13:47,960
Speaker 4: do you what are you looping? Oh? You ever hear

1465
01:13:48,040 --> 01:13:53,679
Speaker 4: rain my Madonna? That's my love Madonna? Do you like rain?

1466
01:13:54,439 --> 01:13:57,760
Speaker 4: Of course? It was recently having a moment like on

1467
01:13:57,800 --> 01:14:00,800
Speaker 4: social media? Was it you found it through gems? Because

1468
01:14:00,800 --> 01:14:02,519
Speaker 4: I rewatched that. Whenever I'm going to have a panic attack,

1469
01:14:02,560 --> 01:14:06,880
Speaker 4: I'm like, let's sucking. Let's yeah. Yeah, And I'm not

1470
01:14:06,960 --> 01:14:11,400
Speaker 4: proud of what I thought I have but I want

1471
01:14:11,439 --> 01:14:14,520
Speaker 4: I want what you have. Let's say, like FKA Twigs,

1472
01:14:14,600 --> 01:14:17,120
Speaker 4: I really like. Okay, and then and she has maintained

1473
01:14:17,160 --> 01:14:19,240
Speaker 4: her edge, and she's maintained the edge. But what are

1474
01:14:19,240 --> 01:14:21,080
Speaker 4: you listening to right now? But I can tell you

1475
01:14:21,080 --> 01:14:22,600
Speaker 4: what I was listening to today, which I know what

1476
01:14:22,640 --> 01:14:25,960
Speaker 4: George about, which is I never texted back, which is okay,

1477
01:14:26,920 --> 01:14:27,439
Speaker 4: we kind of do.

1478
01:14:27,400 --> 01:14:32,439
Speaker 1: That to each other, okay. I I We did a

1479
01:14:32,439 --> 01:14:35,880
Speaker 1: Patreon episode about this artist a few months ago, and

1480
01:14:36,360 --> 01:14:38,080
Speaker 1: I was pretty negative and I was like, this is

1481
01:14:38,080 --> 01:14:39,200
Speaker 1: not for me. I do not like this.

1482
01:14:39,280 --> 01:14:42,519
Speaker 4: You can really take your paintings off by the Patreon right, oh,

1483
01:14:42,600 --> 01:14:43,960
Speaker 4: we're we're showing.

1484
01:14:45,920 --> 01:14:49,360
Speaker 1: And then today I woke up I don't know why,

1485
01:14:49,400 --> 01:14:50,600
Speaker 1: and I was like, I need to listen to this

1486
01:14:50,640 --> 01:14:51,599
Speaker 1: album on repeat.

1487
01:14:52,200 --> 01:14:55,680
Speaker 4: Audrey Hobert, I fucking love.

1488
01:14:56,120 --> 01:14:57,599
Speaker 1: I was like, this is to die.

1489
01:14:57,520 --> 01:15:00,599
Speaker 4: For you, Audrey Hobert time.

1490
01:15:01,479 --> 01:15:03,760
Speaker 1: Completely, Oh my god, you actually.

1491
01:15:05,200 --> 01:15:10,200
Speaker 4: Completely Audrey Hoper absolute genius. I'm like, all in right now,

1492
01:15:10,280 --> 01:15:12,280
Speaker 4: assume me I want to be one. Well, that song

1493
01:15:12,360 --> 01:15:18,719
Speaker 4: is genius. Yeah, and Phoebe's genius. I mean there's traps. Yeah,

1494
01:15:18,880 --> 01:15:22,040
Speaker 4: it is so fucking good. No, that gave me hope

1495
01:15:22,040 --> 01:15:23,160
Speaker 4: when Andrey Hoper came out.

1496
01:15:23,439 --> 01:15:25,000
Speaker 1: Really, yeah, you were there from the start.

1497
01:15:25,040 --> 01:15:26,920
Speaker 4: You were like, I'm in no, No, I'm a scabbin,

1498
01:15:26,960 --> 01:15:30,519
Speaker 4: I'm a culture scavenger. I'm sure. I'm like, although, no, right,

1499
01:15:30,520 --> 01:15:32,840
Speaker 4: didn't she only start like eighteen months ago? Pretty much?

1500
01:15:33,120 --> 01:15:35,680
Speaker 4: She was a Nickelodeon or something. No, she was.

1501
01:15:35,600 --> 01:15:38,800
Speaker 5: Gracie Abrams's friend who wrote Gracy Abrams songs and then

1502
01:15:38,840 --> 01:15:40,360
Speaker 5: decided to go into it her.

1503
01:15:40,439 --> 01:15:41,680
Speaker 4: Why am I twisted in mind that I think she

1504
01:15:41,760 --> 01:15:45,480
Speaker 4: was working at Nickelodeon. He was working at Nickelodeon, was administrator.

1505
01:15:46,120 --> 01:15:50,719
Speaker 4: I am very loose with facts she might have worked there.

1506
01:15:50,840 --> 01:15:54,679
Speaker 4: She definitely like, could easily tomorrow become an administrative assistant.

1507
01:15:54,720 --> 01:15:58,679
Speaker 4: I love that. I love that you are listening to that. Wow. Yeah,

1508
01:15:59,560 --> 01:16:00,439
Speaker 4: well I'm I'm glad.

1509
01:16:00,479 --> 01:16:01,280
Speaker 1: I was really scared.

1510
01:16:01,720 --> 01:16:04,559
Speaker 4: Yeah, you you were curating an FKA Twigs. You were

1511
01:16:04,600 --> 01:16:06,880
Speaker 4: doing a whole little Pinter's board for me. That's the

1512
01:16:06,960 --> 01:16:10,200
Speaker 4: last thing I want to hear. The now the Taggart now.

1513
01:16:11,520 --> 01:16:15,400
Speaker 1: That, and of course Darl Larson, Who's that?

1514
01:16:16,560 --> 01:16:18,160
Speaker 4: This is the question on everyone's lips.

1515
01:16:19,720 --> 01:16:22,920
Speaker 1: I was listening to pop Star and she has uh

1516
01:16:23,640 --> 01:16:26,799
Speaker 1: this song called Midnight Sun that came out over the summer.

1517
01:16:27,479 --> 01:16:30,879
Speaker 4: She alaskan why, She's like, yeah.

1518
01:16:31,680 --> 01:16:35,200
Speaker 1: And uh, basically that song it's it's like good and

1519
01:16:35,240 --> 01:16:37,080
Speaker 1: I was like, that's good. But I listened to it

1520
01:16:37,080 --> 01:16:38,720
Speaker 1: like it came out yesterday, Like I'm just like, this

1521
01:16:38,800 --> 01:16:40,000
Speaker 1: is the best song that's ever existed.

1522
01:16:40,640 --> 01:16:43,360
Speaker 5: Well, she's currently making the rounds because she has a

1523
01:16:43,400 --> 01:16:45,920
Speaker 5: big song with Pink pantherst I don't know if you

1524
01:16:45,960 --> 01:16:51,920
Speaker 5: are familiar with her work. She's a British sort of musician.

1525
01:16:53,479 --> 01:16:55,600
Speaker 4: You know the Beatles. She's like that. She's kind of

1526
01:16:55,640 --> 01:17:00,000
Speaker 4: like that. But for now, I guess then okay, Pink Panthers, Okay,

1527
01:17:00,200 --> 01:17:02,519
Speaker 4: it's very like sampling early odds.

1528
01:17:02,880 --> 01:17:04,800
Speaker 1: This is the first you're hearing of Pink Panthers and

1529
01:17:04,920 --> 01:17:07,160
Speaker 1: you don't know it feels illegal.

1530
01:17:07,439 --> 01:17:09,719
Speaker 4: You don't know that. I'm talking about the comedy Pink Panther.

1531
01:17:09,840 --> 01:17:12,439
Speaker 5: Pink Panthers, have you heard the song that's like, my

1532
01:17:12,520 --> 01:17:14,920
Speaker 5: name is Pink and it's really nice to meet you.

1533
01:17:15,240 --> 01:17:17,240
Speaker 5: I'm recommended to me by some people.

1534
01:17:17,280 --> 01:17:20,800
Speaker 4: It's also a meme on TikTok No. I'm not as

1535
01:17:20,800 --> 01:17:24,280
Speaker 4: involved on TikTok as I should be. The scroll I

1536
01:17:24,320 --> 01:17:28,479
Speaker 4: posted my first suposed to TikTok today. Oh my god,

1537
01:17:28,520 --> 01:17:30,960
Speaker 4: the one that I saw on Instagram. What are you doing?

1538
01:17:31,520 --> 01:17:35,599
Speaker 1: I there's this guy who does like fashion reviews and

1539
01:17:35,640 --> 01:17:38,360
Speaker 1: he has like a really sort of like dead panty,

1540
01:17:38,439 --> 01:17:40,840
Speaker 1: like hate it, love it, hate it? Oh yeah, yeah, yeah,

1541
01:17:40,880 --> 01:17:43,880
Speaker 1: and I'm small and I did that with ranking fish

1542
01:17:43,880 --> 01:17:44,320
Speaker 1: in the sea.

1543
01:17:45,600 --> 01:17:49,080
Speaker 4: Great. I love that angler fish. Yeah, I like the colors.

1544
01:17:50,200 --> 01:17:54,600
Speaker 4: Hate this okay, yeah, I hate the underbide for the barracuda.

1545
01:17:54,960 --> 01:17:58,840
Speaker 4: That's fine. It was fun my first TikTok. Everyone got

1546
01:17:58,920 --> 01:18:01,240
Speaker 4: to check out taggarts, tikto od. That's got them blown up.

1547
01:18:01,720 --> 01:18:03,880
Speaker 4: That's get them blown up tomorrow.

1548
01:18:04,439 --> 01:18:06,200
Speaker 1: Well, I can say that this is the hottest studio

1549
01:18:06,240 --> 01:18:07,280
Speaker 1: I've ever been in my life.

1550
01:18:07,400 --> 01:18:10,200
Speaker 4: Actually getting back to our old eras.

1551
01:18:10,439 --> 01:18:12,360
Speaker 5: Oh you know, thankfully, I'm wearing my street where a

1552
01:18:12,360 --> 01:18:13,960
Speaker 5: T shirt and I'm actually feeling amazing.

1553
01:18:14,479 --> 01:18:15,280
Speaker 4: I don't feel that warm.

1554
01:18:15,439 --> 01:18:17,800
Speaker 1: You guys are lying to me, Well, you should feel warm.

1555
01:18:17,840 --> 01:18:20,559
Speaker 4: You're wearing like a swim. Yeah. I'm always late to

1556
01:18:20,720 --> 01:18:25,040
Speaker 4: my body awareness, not very often, not as much as

1557
01:18:25,040 --> 01:18:28,720
Speaker 4: i'd lie. I No, I don't know. I whenever I

1558
01:18:28,760 --> 01:18:32,160
Speaker 4: get my blood taken, they I'm about to really scared

1559
01:18:32,160 --> 01:18:34,599
Speaker 4: of needles, scared of everything. I scared of something again

1560
01:18:34,720 --> 01:18:36,439
Speaker 4: taken out and when they start asking me question, I'm like,

1561
01:18:36,439 --> 01:18:38,200
Speaker 4: what's your dessert? Then I'm like, no, I need to

1562
01:18:38,240 --> 01:18:39,679
Speaker 4: ask you questions because I'm worried.

1563
01:18:39,920 --> 01:18:41,240
Speaker 1: Yeah, what's your qualification?

1564
01:18:41,479 --> 01:18:43,439
Speaker 4: Yeah, I'm worried that they that they're trying to suit

1565
01:18:43,520 --> 01:18:44,280
Speaker 4: me that trust me.

1566
01:18:45,040 --> 01:18:48,040
Speaker 1: No. I get accused of being shy the needle these days,

1567
01:18:48,160 --> 01:18:50,800
Speaker 1: and I don't like being accused of that. And they're like, oh,

1568
01:18:50,880 --> 01:18:51,960
Speaker 1: you're scared of needles, huh.

1569
01:18:52,000 --> 01:18:55,960
Speaker 4: And I'm like sort of like when someone is like,

1570
01:18:56,000 --> 01:18:57,559
Speaker 4: are you scared of flying, It's like, no, I'm not

1571
01:18:57,560 --> 01:18:59,120
Speaker 4: scared of flying, but I am going to be like

1572
01:18:59,240 --> 01:19:02,040
Speaker 4: you're realistic about like that when there's turbulence, Like I'm

1573
01:19:02,080 --> 01:19:04,040
Speaker 4: not gonna just be like dead eyed, like acting like

1574
01:19:04,040 --> 01:19:07,000
Speaker 4: everything's normal. People are so calm during turbulence. It actually

1575
01:19:07,080 --> 01:19:09,599
Speaker 4: is true that people are so calm during turbulence. Yeah, yeah,

1576
01:19:09,760 --> 01:19:14,080
Speaker 4: what's going on? Everyone's everyone is like like navy seal

1577
01:19:14,400 --> 01:19:18,240
Speaker 4: almost just like you could be like you could be

1578
01:19:18,360 --> 01:19:22,160
Speaker 4: seen truly like this if a photo was taken of you,

1579
01:19:22,479 --> 01:19:25,400
Speaker 4: this would be the still. How about you're bouncing off

1580
01:19:25,439 --> 01:19:27,960
Speaker 4: the seat. That's literally people are just like still watching

1581
01:19:27,960 --> 01:19:28,599
Speaker 4: their movie.

1582
01:19:28,760 --> 01:19:31,160
Speaker 1: I put on I put on your bath face. When

1583
01:19:31,200 --> 01:19:35,400
Speaker 1: turbulence is happening, I'm sort of like, I'm always like,

1584
01:19:35,439 --> 01:19:35,920
Speaker 1: that's it.

1585
01:19:36,320 --> 01:19:38,160
Speaker 4: They're always like, oh, so you're one of those people

1586
01:19:38,200 --> 01:19:39,080
Speaker 4: the problems. They warned me.

1587
01:19:39,120 --> 01:19:41,799
Speaker 1: They're like, it's about to get really bad, so stay

1588
01:19:41,880 --> 01:19:44,360
Speaker 1: in your seat, and I'm like, holy shit, here it comes.

1589
01:19:44,360 --> 01:19:46,800
Speaker 1: And then there's like one bump and I'm like, okay.

1590
01:19:46,560 --> 01:19:49,280
Speaker 4: I've been dealing with some pretty bad turbulence. It's been crazy.

1591
01:19:49,320 --> 01:19:52,280
Speaker 4: It's been great. Lakes. They seek it out. They're like,

1592
01:19:52,320 --> 01:19:54,479
Speaker 4: you know what, let's give these guys a show.

1593
01:19:56,080 --> 01:19:57,920
Speaker 5: I think sometimes the Violet does it on purpose. There's

1594
01:19:57,960 --> 01:19:59,679
Speaker 5: not even actually turbulence in those.

1595
01:19:59,680 --> 01:20:00,320
Speaker 4: There he goes.

1596
01:20:00,400 --> 01:20:03,120
Speaker 1: He's like, I don't know, it's interesting. We meant him

1597
01:20:03,160 --> 01:20:03,400
Speaker 1: a man.

1598
01:20:04,800 --> 01:20:07,240
Speaker 4: Wow. Well do you think a woman would ever do

1599
01:20:07,280 --> 01:20:09,479
Speaker 4: that as a joke. No, some pilots are hime sisters

1600
01:20:10,080 --> 01:20:13,640
Speaker 4: that they would be so professional they would never dare

1601
01:20:13,880 --> 01:20:14,880
Speaker 4: They probably would be doing like.

1602
01:20:14,840 --> 01:20:17,280
Speaker 1: Flips with the of the announcements.

1603
01:20:17,840 --> 01:20:19,080
Speaker 4: Yeah, she is the comedian of.

1604
01:20:19,080 --> 01:20:20,880
Speaker 5: The She is the oldest, but she's also the comedian

1605
01:20:20,920 --> 01:20:22,840
Speaker 5: of the book of course. Of course she does a

1606
01:20:22,880 --> 01:20:24,839
Speaker 5: tight five right before doing herself.

1607
01:20:24,960 --> 01:20:27,040
Speaker 4: Sometimes it's not so tight. Sometimes it's getting into the

1608
01:20:27,040 --> 01:20:34,040
Speaker 4: eight minute territory. Eight minute that's great, Yeah, everybody.

1609
01:20:34,080 --> 01:20:37,920
Speaker 5: If she did the comedy studio, Rick Jenkins would be like,

1610
01:20:38,040 --> 01:20:38,800
Speaker 5: don't run the light.

1611
01:20:39,120 --> 01:20:41,760
Speaker 4: Yeah, yeah, it's really important that you don't want to

1612
01:20:41,800 --> 01:20:44,679
Speaker 4: look if you oh my god, you would have loved Jenkins.

1613
01:20:44,880 --> 01:20:46,720
Speaker 4: Is he alive? Yeah, yeah, yeah, yeah he is. Yeah.

1614
01:20:46,760 --> 01:20:49,880
Speaker 1: Well maybe one day that's his spirit.

1615
01:20:50,880 --> 01:21:04,720
Speaker 4: Well, well thanks for coming everybody. Should we do our

1616
01:21:04,720 --> 01:21:08,320
Speaker 4: final segment? Yes, it's a physical challenge, just a physical challenge.

1617
01:21:08,800 --> 01:21:11,800
Speaker 4: It's a runway challenge. You know, Tager did you do that?

1618
01:21:12,040 --> 01:21:14,960
Speaker 4: I was fidgeting, you know Taggert. I would insist to

1619
01:21:15,000 --> 01:21:18,800
Speaker 4: work with Taggart after midnight. Whenever I did after midnight,

1620
01:21:18,840 --> 01:21:20,080
Speaker 4: I would say, it must be Taggert.

1621
01:21:20,280 --> 01:21:21,519
Speaker 1: Oh and it was always a treat.

1622
01:21:21,600 --> 01:21:25,320
Speaker 4: And again full costumes for me for like one line, right,

1623
01:21:25,400 --> 01:21:28,240
Speaker 4: and Taggert would be in the pieces he'd still show.

1624
01:21:28,960 --> 01:21:30,760
Speaker 4: To be able to go into the dressing room and

1625
01:21:30,760 --> 01:21:37,000
Speaker 4: see Tagger just sit as that was like a lifetime ago. Literally,

1626
01:21:37,160 --> 01:21:40,040
Speaker 4: that is weird because it was only May. Yeah, it's

1627
01:21:40,040 --> 01:21:43,599
Speaker 4: like fully erased from my brain. It feels it's so strange.

1628
01:21:43,920 --> 01:21:46,799
Speaker 4: How like I thought I was like getting used to that. Yeah,

1629
01:21:46,960 --> 01:21:51,040
Speaker 4: gone gone r I P. Yeah. Now it's fucking comics unleashed.

1630
01:21:51,080 --> 01:21:53,839
Speaker 4: Have you seen that? I've seen like Little Clips's comics,

1631
01:21:53,840 --> 01:21:56,240
Speaker 4: only it's just like just a chat show. It's not

1632
01:21:56,280 --> 01:21:58,960
Speaker 4: even to show it's buying. So it's a guy the

1633
01:21:59,000 --> 01:22:02,479
Speaker 4: host is sitting in front of like a tank of sharks. Literally,

1634
01:22:02,600 --> 01:22:04,960
Speaker 4: this is the this is what has replaced after me.

1635
01:22:05,040 --> 01:22:07,200
Speaker 4: It's shot in like four to twenty pH and it

1636
01:22:07,240 --> 01:22:10,720
Speaker 4: was from the nineties. It's shot and it's like it's like, oh,

1637
01:22:10,760 --> 01:22:13,000
Speaker 4: it's a rerun. It's not you, No, it's new. They're

1638
01:22:13,040 --> 01:22:17,320
Speaker 4: shooting and they're getting comics here. They tea comics up.

1639
01:22:17,760 --> 01:22:21,880
Speaker 4: Byron Allan would be like, hey, Chris, what's your problem

1640
01:22:21,880 --> 01:22:25,160
Speaker 4: with grocery shopping? Like like and then actual question and

1641
01:22:25,200 --> 01:22:27,840
Speaker 4: then I'll do a ten minute bit while Byron Allan

1642
01:22:27,880 --> 01:22:32,519
Speaker 4: is just like, and you're doing this, no, no, no, no,

1643
01:22:32,880 --> 01:22:35,120
Speaker 4: but people are doing this. People are people are.

1644
01:22:35,120 --> 01:22:37,719
Speaker 5: Doing Are you aware of that? I was someone introduced

1645
01:22:37,760 --> 01:22:42,040
Speaker 5: me to this. There's a new British panel show. I

1646
01:22:42,040 --> 01:22:43,760
Speaker 5: can't remember what it's called but the premise is that

1647
01:22:43,840 --> 01:22:45,840
Speaker 5: it's a bunch of comedians and it's one of them

1648
01:22:45,880 --> 01:22:48,639
Speaker 5: it's their turn to talk, and the other comedians are

1649
01:22:48,640 --> 01:22:51,320
Speaker 5: not allowed to laugh, so it's someone trying to make

1650
01:22:51,360 --> 01:22:53,880
Speaker 5: them laugh. It's amazing someone trying to make them laugh,

1651
01:22:53,920 --> 01:22:56,439
Speaker 5: which is already funny enough, but then also you're seeing

1652
01:22:56,520 --> 01:23:01,599
Speaker 5: like Jimmy cars that isn't it like just being like

1653
01:23:01,600 --> 01:23:03,760
Speaker 5: like not being able to It's like, yeah, you're like,

1654
01:23:04,280 --> 01:23:05,240
Speaker 5: is there a studio audience?

1655
01:23:06,080 --> 01:23:09,439
Speaker 4: I can't remember. I hope it's not just a silent

1656
01:23:09,479 --> 01:23:12,840
Speaker 4: commit It's just like it's like scar like, so this

1657
01:23:12,880 --> 01:23:14,840
Speaker 4: is a good show. People like this is like a

1658
01:23:14,840 --> 01:23:17,800
Speaker 4: clown challenge, like they would call it ring of Death,

1659
01:23:18,120 --> 01:23:20,280
Speaker 4: I guess. And if you couldn't get out, you you

1660
01:23:20,280 --> 01:23:22,120
Speaker 4: would have my acting teacher if someone was hamming it

1661
01:23:22,200 --> 01:23:24,000
Speaker 4: up too much to be like, all right, clown, get

1662
01:23:24,000 --> 01:23:26,439
Speaker 4: in the middle here and you can't leave to make

1663
01:23:26,479 --> 01:23:28,240
Speaker 4: all of us laugh, and it would be like the

1664
01:23:28,280 --> 01:23:31,360
Speaker 4: toughest thing in the world like that. It's like, it's

1665
01:23:31,400 --> 01:23:32,400
Speaker 4: so so good.

1666
01:23:32,439 --> 01:23:34,680
Speaker 1: Though as soon as someone's like this is about to

1667
01:23:34,680 --> 01:23:37,559
Speaker 1: get really hard, I'm like, I'm out. I don't want

1668
01:23:37,600 --> 01:23:38,160
Speaker 1: things to be.

1669
01:23:38,040 --> 01:23:41,760
Speaker 4: Hard neither neither. No. I want no resistance, none, no,

1670
01:23:42,360 --> 01:23:46,440
Speaker 4: just love me. Yeah. I I When an audience isn't scream,

1671
01:23:46,520 --> 01:23:50,400
Speaker 4: laughing and everything I'm saying, I get so pissed, horrifying,

1672
01:23:50,520 --> 01:23:52,599
Speaker 4: I get so mad. I literally like, you guys should

1673
01:23:52,600 --> 01:23:53,639
Speaker 4: have been here three days ago.

1674
01:23:54,160 --> 01:23:55,640
Speaker 1: You know that, I mean understood me.

1675
01:23:56,000 --> 01:23:59,160
Speaker 4: Yeah. Yeah. For some reason, Nashville was my hottest crowd

1676
01:23:59,200 --> 01:24:02,439
Speaker 4: on the road. Yeah, I guess East Nashville. You think Nashville,

1677
01:24:02,520 --> 01:24:06,640
Speaker 4: you think like you know, sure, but it's not. It

1678
01:24:06,760 --> 01:24:12,360
Speaker 4: was like anyway, this was Casey Musgrave's country. Yes, yes,

1679
01:24:15,680 --> 01:24:16,799
Speaker 4: wow wow.

1680
01:24:17,760 --> 01:24:21,160
Speaker 1: So our final segment is called shout Outs, and we

1681
01:24:21,200 --> 01:24:23,360
Speaker 1: pay homage to the grand straight tradition of the radio

1682
01:24:23,360 --> 01:24:26,559
Speaker 1: shout out, shouting out to anything that we enjoy, people, places, things, ideas.

1683
01:24:26,880 --> 01:24:28,800
Speaker 1: Imagine this doesn't one you're at TRL shouting out to

1684
01:24:28,800 --> 01:24:31,400
Speaker 1: your squad back home, but about anything that you like.

1685
01:24:32,280 --> 01:24:34,640
Speaker 1: And we go first and we make them up on

1686
01:24:34,680 --> 01:24:37,840
Speaker 1: the spot, which is why we stall. George, do you

1687
01:24:37,880 --> 01:24:38,240
Speaker 1: have one?

1688
01:24:39,320 --> 01:24:39,840
Speaker 4: I have one?

1689
01:24:39,880 --> 01:24:44,720
Speaker 1: Okay, Okay, what's up? Freaks, losers and perverts. I want

1690
01:24:44,720 --> 01:24:48,200
Speaker 1: to give a huge shout out to Audrey Hoburg. Yes,

1691
01:24:48,520 --> 01:24:54,400
Speaker 1: this cheek is proving that being weird is back. I

1692
01:24:54,439 --> 01:24:57,200
Speaker 1: think she's doing something interesting where it kind of sounds

1693
01:24:57,280 --> 01:25:01,000
Speaker 1: like twenty eleven indie music. So at some points and

1694
01:25:01,040 --> 01:25:02,680
Speaker 1: why where I'm like, what am I listening to?

1695
01:25:02,800 --> 01:25:05,080
Speaker 4: And you can't stop it's earworms, you can't stop saying

1696
01:25:05,360 --> 01:25:05,920
Speaker 4: the lyrics.

1697
01:25:05,960 --> 01:25:09,160
Speaker 1: And yes, sometimes it sounds like Taylor Slift esque, and yes,

1698
01:25:09,240 --> 01:25:11,720
Speaker 1: of course I don't like that, but I think that

1699
01:25:11,800 --> 01:25:14,960
Speaker 1: it will grow and change and get only better with time.

1700
01:25:15,320 --> 01:25:18,040
Speaker 1: I think, finally, a girl is weird and we're letting

1701
01:25:18,040 --> 01:25:22,479
Speaker 1: her live. I think it's so cool when someone is

1702
01:25:22,560 --> 01:25:26,559
Speaker 1: owning their quirk and she's doing some Time esque choreo

1703
01:25:27,080 --> 01:25:27,479
Speaker 1: but with.

1704
01:25:27,600 --> 01:25:31,720
Speaker 4: Even weirder moves and no backup, and no backup, she's

1705
01:25:31,720 --> 01:25:34,000
Speaker 4: doing it all by herself. Yeah, Gracie Abrams knows nowhere

1706
01:25:34,000 --> 01:25:37,639
Speaker 4: to be found helping her out. Very sleepover empowering. That's okay,

1707
01:25:37,680 --> 01:25:41,560
Speaker 4: that's the genre sleep empowers. She's doing sleepover.

1708
01:25:41,240 --> 01:25:43,920
Speaker 1: Indie pop and we are gagging for it. So shout

1709
01:25:43,920 --> 01:25:45,800
Speaker 1: out to Audrey Hobert. I'm sorry I was a hater

1710
01:25:45,880 --> 01:25:48,200
Speaker 1: on our Patreon episode upwards of six months ago.

1711
01:25:48,600 --> 01:25:53,439
Speaker 4: Xoxo, Sam. Wow you were a little Yeah, I was

1712
01:25:53,439 --> 01:25:55,680
Speaker 4: the one supporting her and wow, but you look how

1713
01:25:55,760 --> 01:25:57,880
Speaker 4: far you've come and all our all our listeners.

1714
01:25:57,880 --> 01:25:59,639
Speaker 5: By the way, our discord was like I can't believe

1715
01:25:59,640 --> 01:26:01,679
Speaker 5: the entry me with this flop bitch, hate her, hate

1716
01:26:01,680 --> 01:26:02,000
Speaker 5: her ass.

1717
01:26:02,120 --> 01:26:03,760
Speaker 1: Yeah, our discord was like chewing her up.

1718
01:26:04,200 --> 01:26:06,720
Speaker 4: Well, she she does appear very appeal I think, very

1719
01:26:06,800 --> 01:26:11,000
Speaker 4: much to the feminine case. I completely agree, and I

1720
01:26:11,080 --> 01:26:13,840
Speaker 4: think that is what people this issue is is because

1721
01:26:13,880 --> 01:26:16,240
Speaker 4: people pretend they're not performing for the male gaze, but

1722
01:26:16,280 --> 01:26:19,200
Speaker 4: she actually isn't performing male gates and that is genuinely

1723
01:26:19,240 --> 01:26:21,840
Speaker 4: rad and people get really upset by that. That's true,

1724
01:26:22,160 --> 01:26:25,760
Speaker 4: right when you decent her men, people get pissed. That's true.

1725
01:26:25,840 --> 01:26:26,519
Speaker 4: There's actually a.

1726
01:26:26,439 --> 01:26:30,400
Speaker 5: Way to not perform for the male gaze in such

1727
01:26:30,400 --> 01:26:33,160
Speaker 5: a calculated way that you actually are appealing to their

1728
01:26:33,400 --> 01:26:35,640
Speaker 5: own self importance about not being sexist.

1729
01:26:36,080 --> 01:26:41,400
Speaker 4: Patty Smith where it's like do you know what I mean?

1730
01:26:41,800 --> 01:26:44,800
Speaker 4: A man sees Patty Smith and he's like, it's like,

1731
01:26:44,840 --> 01:26:47,760
Speaker 4: she's one of the guys. Sure, sure, she's a guy, gal.

1732
01:26:47,840 --> 01:26:51,640
Speaker 4: That's what always said. Smith is the ultimate guy. She

1733
01:26:51,720 --> 01:26:52,439
Speaker 4: literally is always like.

1734
01:26:52,479 --> 01:26:53,680
Speaker 1: Yeah I had some tequilas.

1735
01:26:54,000 --> 01:26:56,040
Speaker 4: Yeah, It's like, shut up, how about you writing new song?

1736
01:26:56,080 --> 01:26:57,920
Speaker 1: Patty Suite was actually with me at al cond Or

1737
01:26:58,000 --> 01:26:58,639
Speaker 1: drinking marks.

1738
01:26:58,840 --> 01:27:01,600
Speaker 4: I know she was selling copies of Just Kids the

1739
01:27:01,640 --> 01:27:03,479
Speaker 4: Mad Times. I've read the first one page of Just

1740
01:27:03,560 --> 01:27:07,800
Speaker 4: Kids at a bookstore. Oh you never finished? No, no, no,

1741
01:27:07,800 --> 01:27:09,599
Speaker 4: not only do not finished. I didn't make a past page.

1742
01:27:09,640 --> 01:27:12,040
Speaker 4: I'm always like I should get this. I like, how

1743
01:27:12,080 --> 01:27:14,080
Speaker 4: small is it? It's like a little trisk it that book.

1744
01:27:14,160 --> 01:27:18,360
Speaker 5: Yeah, just it's it's almost she drew Barrymore in fifty

1745
01:27:18,400 --> 01:27:20,240
Speaker 5: First Dates and she keeps waking up every day thinking

1746
01:27:20,280 --> 01:27:21,600
Speaker 5: she just moved to New York and she has to

1747
01:27:21,600 --> 01:27:22,160
Speaker 5: tell the story.

1748
01:27:22,160 --> 01:27:24,280
Speaker 4: It's like, we get it. She's just like me for

1749
01:27:24,360 --> 01:27:27,320
Speaker 4: real enough. I see yeah, yeah, the New York, the

1750
01:27:27,360 --> 01:27:30,559
Speaker 4: New York fixation. Like it's almost like you need It's

1751
01:27:30,560 --> 01:27:32,960
Speaker 4: almost like you would need an induced coma to get over.

1752
01:27:33,120 --> 01:27:35,040
Speaker 1: I need a coma, yeah, big time.

1753
01:27:35,120 --> 01:27:46,599
Speaker 8: I I see you in coma, George, Yes, okay, because

1754
01:27:46,600 --> 01:27:48,480
Speaker 8: we have to get to the testament of band Lee.

1755
01:27:48,200 --> 01:27:52,000
Speaker 4: Honey, I know, Oh my god, it's an hour record

1756
01:27:52,000 --> 01:27:54,760
Speaker 4: a video. Fuck, we can record it. I'll be quick

1757
01:27:54,760 --> 01:27:55,680
Speaker 4: with whatever I'm shouting out.

1758
01:27:55,680 --> 01:27:59,200
Speaker 5: Okay, I want to give a shout out to Trader

1759
01:27:59,320 --> 01:28:02,760
Speaker 5: Joe's because I so, I'm staying in this apartment by

1760
01:28:02,760 --> 01:28:04,120
Speaker 5: myself all month without my husband.

1761
01:28:04,160 --> 01:28:06,599
Speaker 4: I'm living in a sort of bachelor lifestyle.

1762
01:28:06,960 --> 01:28:10,560
Speaker 5: Trader Joe's food, It's amazing what they're doing. It's I

1763
01:28:10,600 --> 01:28:13,720
Speaker 5: would say, sixty percent food. It's like, if you ever

1764
01:28:13,760 --> 01:28:16,760
Speaker 5: want to feel sixty percent the experience of consuming real,

1765
01:28:16,840 --> 01:28:20,120
Speaker 5: nutritious food, go to Trader Joe's. I have been. I

1766
01:28:20,200 --> 01:28:23,800
Speaker 5: bought this pre marinated chicken. It tastes like if you

1767
01:28:24,760 --> 01:28:28,479
Speaker 5: if you kind of did stem cell research where you

1768
01:28:28,520 --> 01:28:31,160
Speaker 5: combined real chicken with a rubber chicken, and then the

1769
01:28:31,240 --> 01:28:33,920
Speaker 5: thing that came out actually like gran tests and it's like, oh,

1770
01:28:33,960 --> 01:28:37,679
Speaker 5: it's basically edible, like you can technically eat it. I'm

1771
01:28:37,720 --> 01:28:40,320
Speaker 5: making it. It is like five servings. I'm making it

1772
01:28:40,360 --> 01:28:42,479
Speaker 5: and I'm putting it. I'm doing like five days in

1773
01:28:42,479 --> 01:28:43,840
Speaker 5: a row of this disgusting.

1774
01:28:43,920 --> 01:28:45,800
Speaker 4: I mean, I'm like closing my nose and be like

1775
01:28:47,840 --> 01:28:50,839
Speaker 4: putting it in case idias affordable.

1776
01:28:50,880 --> 01:28:53,320
Speaker 5: By the way, the entire chicken probably like twelve dollars

1777
01:28:53,360 --> 01:28:57,120
Speaker 5: for like full five days. I don't remember what real

1778
01:28:57,160 --> 01:28:59,320
Speaker 5: food tastes like. I keep being like, you know, I'm

1779
01:28:59,320 --> 01:29:00,960
Speaker 5: gonna actually cook for myself. But it's like, well, I'm

1780
01:29:00,960 --> 01:29:02,200
Speaker 5: only here for one more week. What am I going

1781
01:29:02,280 --> 01:29:05,000
Speaker 5: to do? Like go buy ingredients. So if you were

1782
01:29:05,080 --> 01:29:07,839
Speaker 5: ever by yourself for a full month without your husband

1783
01:29:07,960 --> 01:29:10,880
Speaker 5: and want to kind of forget what it means to

1784
01:29:10,920 --> 01:29:13,360
Speaker 5: be fully human and just be like almost human, I

1785
01:29:13,479 --> 01:29:14,400
Speaker 5: highly recommend going.

1786
01:29:14,280 --> 01:29:16,920
Speaker 4: To try to do this. Yeah, I've got to get

1787
01:29:16,920 --> 01:29:21,599
Speaker 4: into The trade is so bad, it's crazy. Son's perfect

1788
01:29:21,600 --> 01:29:21,800
Speaker 4: for me.

1789
01:29:21,800 --> 01:29:25,559
Speaker 5: You're talking frozen on trace. This chicken is not frozen. Actually,

1790
01:29:25,600 --> 01:29:28,680
Speaker 5: it is a pre marinated like and you and you.

1791
01:29:28,640 --> 01:29:30,880
Speaker 1: Put it on the is the hardest parts to take

1792
01:29:30,880 --> 01:29:31,040
Speaker 1: care of?

1793
01:29:31,120 --> 01:29:37,920
Speaker 4: That well kind of honestly, Yeah, I love it. I

1794
01:29:37,920 --> 01:29:40,200
Speaker 4: mean for me, I'm just gonna recommend bath ballb Do

1795
01:29:40,200 --> 01:29:43,160
Speaker 4: you understand I bath bombs bath Ball? Oh yeah, like

1796
01:29:43,240 --> 01:29:45,720
Speaker 4: the I got it. Yeah, I do one to day

1797
01:29:45,840 --> 01:29:48,760
Speaker 4: from Lush. No. I walked into the door of a

1798
01:29:48,840 --> 01:29:51,479
Speaker 4: Lush once because it was such a clean glass. Oh

1799
01:29:51,560 --> 01:29:54,360
Speaker 4: you walked into the door, it's so it's such a

1800
01:29:54,439 --> 01:29:57,519
Speaker 4: velocity that shook the whole Lush everyone in the store.

1801
01:29:57,600 --> 01:29:57,640
Speaker 6: No.

1802
01:29:57,760 --> 01:29:59,639
Speaker 4: So it was in Harvard Square right by the Comedy studio.

1803
01:29:59,680 --> 01:30:02,760
Speaker 4: Wo oh, I remember that lush. Yeah. Yeah, Now it's

1804
01:30:02,800 --> 01:30:04,120
Speaker 4: where the New Comedy Studio is.

1805
01:30:04,520 --> 01:30:05,760
Speaker 1: So you're still taking a bath every day?

1806
01:30:05,920 --> 01:30:07,960
Speaker 4: Oh, at least one day? Sorry? How long? If I

1807
01:30:07,960 --> 01:30:13,280
Speaker 4: don't please? How long? Time doesn't pass the way? I

1808
01:30:13,280 --> 01:30:13,640
Speaker 4: don't know.

1809
01:30:13,760 --> 01:30:15,080
Speaker 1: So bath is your gym?

1810
01:30:15,640 --> 01:30:20,439
Speaker 4: Yeah, my church math is my gym and a bath

1811
01:30:20,479 --> 01:30:22,720
Speaker 4: bomb and I'm telling you that they're making them fun.

1812
01:30:22,760 --> 01:30:25,840
Speaker 4: They're at Whole Foods or at a grocery store. What

1813
01:30:26,040 --> 01:30:29,960
Speaker 4: sort of flavors? Oh, I there's a really good one.

1814
01:30:29,960 --> 01:30:35,240
Speaker 4: They're always weird combinations of eucalyptus. Yeah, it's like petuli jasmine,

1815
01:30:35,360 --> 01:30:40,800
Speaker 4: tomato leaf, tomato leaf. I know, it's like I don't

1816
01:30:40,800 --> 01:30:41,840
Speaker 4: think I've smelled tomato leave.

1817
01:30:41,920 --> 01:30:43,639
Speaker 1: Actually, people are shoving it down my fill.

1818
01:30:43,680 --> 01:30:46,280
Speaker 4: You're allegedly smelling it constantly because everything is tomato. If

1819
01:30:46,320 --> 01:30:49,240
Speaker 4: sent it I have, Okay, I haven't even to this.

1820
01:30:49,240 --> 01:30:50,040
Speaker 1: It's a silent killer.

1821
01:30:50,080 --> 01:30:51,160
Speaker 4: It's a silent killer.

1822
01:30:52,640 --> 01:30:55,560
Speaker 1: They should make a bath bomb that you can drink. Anyway,

1823
01:30:58,040 --> 01:30:59,280
Speaker 1: This has been such a pleasure.

1824
01:31:00,080 --> 01:31:01,719
Speaker 4: Where can people find you online?

1825
01:31:01,840 --> 01:31:03,679
Speaker 1: And what do you do? Want to promote anything at all?

1826
01:31:03,840 --> 01:31:07,000
Speaker 4: Oh? What's your job? Yeah, what's your job? I'm an engineer.

1827
01:31:09,280 --> 01:31:13,240
Speaker 4: I've especially coming out end of February. Wow, why this

1828
01:31:13,280 --> 01:31:15,960
Speaker 4: coming out? HBO? Yeah, when it was coming out this week,

1829
01:31:15,960 --> 01:31:17,840
Speaker 4: could come out whenever you want. This will probably be

1830
01:31:17,960 --> 01:31:19,719
Speaker 4: mid to late feb You'll be joking.

1831
01:31:19,720 --> 01:31:21,639
Speaker 5: Get us with Peaches because she has an album coming

1832
01:31:21,680 --> 01:31:24,400
Speaker 5: out February twenty f Peaches coming in Yeah sure.

1833
01:31:24,760 --> 01:31:30,000
Speaker 4: Okay, Well subscribe to Bye Bye podcast ends now for

1834
01:31:30,080 --> 01:31:33,040
Speaker 4: our visual learners. You can watch full video episodes on

1835
01:31:33,080 --> 01:31:34,280
Speaker 4: our YouTube channel.

1836
01:31:34,240 --> 01:31:37,360
Speaker 1: And subscribe to our Patreon for two extra episodes a month.

1837
01:31:37,560 --> 01:31:40,040
Speaker 4: At patreon dot com. Slash Stradio Lab.

1838
01:31:40,439 --> 01:31:42,760
Speaker 1: Stradio Lab is a production by Will Ferrell's Big Money

1839
01:31:42,760 --> 01:31:44,560
Speaker 1: Players Network and iHeart Podcasts.

1840
01:31:44,640 --> 01:31:47,720
Speaker 4: Created and hosted by me George Savers and Sam Taggart.

1841
01:31:47,880 --> 01:31:51,640
Speaker 1: Executive produced by Jenna Cagel, co produced by Becca Ramos.

1842
01:31:51,280 --> 01:31:54,000
Speaker 4: Edited by Laurence Thump, and mixed and mastered by Doug Bain.

1843
01:31:54,479 --> 01:31:57,120
Speaker 1: Artwork by Michael Failes and Matt Grubb. Theme music by

1844
01:31:57,120 --> 01:31:57,599
Speaker 1: Ben Kling