1 00:00:07,120 --> 00:00:11,280 Speaker 1: It rings from the voices. Two guys, we really are 2 00:00:11,360 --> 00:00:12,960 Speaker 1: just two voices at the end of all this you 3 00:00:12,960 --> 00:00:13,640 Speaker 1: know about. 4 00:00:13,800 --> 00:00:16,720 Speaker 2: I mean, and we're lucky to have a voice in 5 00:00:16,760 --> 00:00:19,119 Speaker 2: so many ways. Would you say yes? 6 00:00:19,280 --> 00:00:22,600 Speaker 1: Once you learn to use yours and that question can 7 00:00:22,720 --> 00:00:25,080 Speaker 1: be whatever it means to you. 8 00:00:25,079 --> 00:00:27,200 Speaker 2: You know, I had good teachers. I had a good 9 00:00:27,240 --> 00:00:31,360 Speaker 2: choir teacher told me you're a baritone. I said, really, 10 00:00:32,760 --> 00:00:36,159 Speaker 2: this voice, this voice is a baritone. 11 00:00:36,400 --> 00:00:38,920 Speaker 1: You are one of the best baritones of our time. 12 00:00:39,360 --> 00:00:41,400 Speaker 2: Well, I might have dropped a couple octaves. 13 00:00:41,680 --> 00:00:46,839 Speaker 1: It happens. I'm life worn, road hard, put away wet 14 00:00:46,880 --> 00:00:49,040 Speaker 1: by this thing we call life. 15 00:00:48,960 --> 00:00:50,400 Speaker 2: By this thing we call life. 16 00:00:50,560 --> 00:00:50,720 Speaker 3: You know. 17 00:00:50,840 --> 00:00:54,480 Speaker 2: I feel like that's the grectly Gainus biopic title right there. 18 00:00:55,080 --> 00:00:55,960 Speaker 2: Road hard, put. 19 00:00:55,840 --> 00:00:59,520 Speaker 1: Away, hard, and put away wet by this thing called life. 20 00:01:00,280 --> 00:01:00,720 Speaker 1: I love it. 21 00:01:00,760 --> 00:01:03,800 Speaker 2: We're still pining after Greg luganis from our first discussion 22 00:01:03,800 --> 00:01:04,120 Speaker 2: of him. 23 00:01:04,240 --> 00:01:07,679 Speaker 1: Honey, when someone becomes a Google search with their name 24 00:01:07,800 --> 00:01:10,760 Speaker 1: and the word shirtless, or their name and the word hot, 25 00:01:10,880 --> 00:01:13,720 Speaker 1: or their name and the word speedo or their name 26 00:01:13,840 --> 00:01:18,000 Speaker 1: and the word fill in thirsty blank, that's just now 27 00:01:18,040 --> 00:01:21,800 Speaker 1: your computer knows okay, and your computer talks to your phone, 28 00:01:21,880 --> 00:01:24,840 Speaker 1: which talks to you know, the cosmos. 29 00:01:24,319 --> 00:01:27,320 Speaker 2: The cosmos, you know what. I'm terrified we'll make its 30 00:01:27,360 --> 00:01:28,600 Speaker 2: way out there, and so I'm just going to come 31 00:01:28,600 --> 00:01:29,160 Speaker 2: out ahead of it. 32 00:01:29,480 --> 00:01:30,600 Speaker 1: What are you so afraid of? 33 00:01:31,560 --> 00:01:35,360 Speaker 2: So around the same time as Greg Lugina's Shirtless in 34 00:01:35,400 --> 00:01:39,120 Speaker 2: My Youth, I was also discovering the website Broadway dot com, 35 00:01:39,640 --> 00:01:42,920 Speaker 2: and on Broadway dot Com you could learn more about 36 00:01:42,959 --> 00:01:45,120 Speaker 2: the shows that were on in and off Broadway, including 37 00:01:45,160 --> 00:01:47,080 Speaker 2: the show Naked Boy Singing. 38 00:01:47,319 --> 00:01:50,600 Speaker 1: Can I say it's one of the great sites if 39 00:01:50,640 --> 00:01:53,240 Speaker 1: you want to know what's on Broadway right now or 40 00:01:53,320 --> 00:01:57,200 Speaker 1: even coming up down the pike. Broadway dot Com discover 41 00:01:57,320 --> 00:02:00,880 Speaker 1: it now. I know Bowen discovered at a young formative age. Yeah, 42 00:02:00,920 --> 00:02:04,800 Speaker 1: but log on, but continue, log on, go off. 43 00:02:04,840 --> 00:02:09,560 Speaker 2: Add to car, I discovered Naked Boy Singing, the classic 44 00:02:09,840 --> 00:02:13,919 Speaker 2: off Broadway review that features you guessed it, Naked Boy Singing. 45 00:02:14,680 --> 00:02:18,640 Speaker 2: And some of these boys were and still are quite 46 00:02:19,560 --> 00:02:24,280 Speaker 2: titillating for a boy of pubescent age and post you know. 47 00:02:24,280 --> 00:02:27,680 Speaker 1: What, you certainly post and I'm going to reveal something 48 00:02:27,720 --> 00:02:31,200 Speaker 1: in a sec But you wouldn't book that job if 49 00:02:31,200 --> 00:02:34,840 Speaker 1: you weren't going to get up there and look delightful 50 00:02:34,960 --> 00:02:37,919 Speaker 1: singing in the nude. I when I was in college, 51 00:02:38,600 --> 00:02:41,800 Speaker 1: dated one of the naked boys singing, Oh my God, 52 00:02:42,120 --> 00:02:44,840 Speaker 1: very briefly, and I was like, I really want to 53 00:02:44,880 --> 00:02:48,240 Speaker 1: come see your show. He was mortified. He was like, 54 00:02:48,440 --> 00:02:51,359 Speaker 1: absolutely not. You may not tell him. He's like, it's 55 00:02:51,400 --> 00:02:53,800 Speaker 1: not He's like, it's not naked boy singing in like 56 00:02:53,840 --> 00:02:55,320 Speaker 1: a sexy way or the way I want you to 57 00:02:55,360 --> 00:02:58,639 Speaker 1: see me naked. It's goofy and silly and a. 58 00:02:58,560 --> 00:03:01,160 Speaker 2: Little a little corny. And then the way that we love, well, 59 00:03:01,200 --> 00:03:06,160 Speaker 2: it's foppish, it's popish. And I don't think he wanted 60 00:03:06,160 --> 00:03:10,240 Speaker 2: me to see him in the poppish ways, but I said, no, 61 00:03:10,360 --> 00:03:11,200 Speaker 2: I think that'll be good. 62 00:03:11,240 --> 00:03:13,080 Speaker 1: That'll be good. But I never did see him in 63 00:03:13,080 --> 00:03:14,880 Speaker 1: the show, and I never did see him naked. 64 00:03:15,120 --> 00:03:17,799 Speaker 2: Well, that first part is going to say, good for 65 00:03:17,919 --> 00:03:21,000 Speaker 2: you for respecting boundaries. That second part I go, well, 66 00:03:21,000 --> 00:03:23,040 Speaker 2: that's a shame. If you wanted to see him naked. 67 00:03:23,160 --> 00:03:25,880 Speaker 1: I know, and I never did. But basically, when I 68 00:03:25,919 --> 00:03:27,920 Speaker 1: talk about adversity, bo just to bring it back to 69 00:03:27,960 --> 00:03:33,600 Speaker 1: Paris and we got to be sh Carrie Richardson has 70 00:03:33,840 --> 00:03:35,320 Speaker 1: solidified her spot. 71 00:03:35,400 --> 00:03:38,760 Speaker 2: It's a dream deferred, but it tastes just as sweet. 72 00:03:39,360 --> 00:03:44,520 Speaker 1: My god, you are one of the most beautiful speakers 73 00:03:45,280 --> 00:03:45,640 Speaker 1: I learned. 74 00:03:45,720 --> 00:03:50,040 Speaker 2: Geez my voice. Thank you, choir, thank you all statements, choir. 75 00:03:50,440 --> 00:03:55,280 Speaker 2: Thank you. Because Bowen Yang always had the tambour, you 76 00:03:55,320 --> 00:04:03,520 Speaker 2: didn't always have the words. Thank you, teachers, t thank 77 00:04:03,560 --> 00:04:08,000 Speaker 2: you teachers. Let's celebrate and coaches. Let's celebrate Shakii Richardson, 78 00:04:08,200 --> 00:04:11,680 Speaker 2: her coaches, her teachers. She is the clear favorite for 79 00:04:12,280 --> 00:04:15,080 Speaker 2: the women's one hundred two in the gold. We are 80 00:04:15,200 --> 00:04:17,840 Speaker 2: so thrilled for Shakri Legend. 81 00:04:18,760 --> 00:04:22,280 Speaker 1: We love you, a world leader in this event. Ten 82 00:04:22,480 --> 00:04:27,840 Speaker 1: point seventy one seconds literally ten seconds, literally quite literally. 83 00:04:28,040 --> 00:04:30,560 Speaker 1: You say I'll be there in ten seconds, and everyone 84 00:04:30,600 --> 00:04:33,039 Speaker 1: always sort of tosses that off as meaning I'll be 85 00:04:33,240 --> 00:04:37,040 Speaker 1: literally right there. She was one spot in the track 86 00:04:37,080 --> 00:04:38,600 Speaker 1: to the next in ten seconds. 87 00:04:38,839 --> 00:04:40,880 Speaker 2: If you say I'll be there in ten seconds, your 88 00:04:40,960 --> 00:04:45,800 Speaker 2: name better be shad Carry Richardson, because otherwise you're a liar. 89 00:04:45,880 --> 00:04:47,960 Speaker 2: And I don't want to make a liar out of you. 90 00:04:48,000 --> 00:04:50,640 Speaker 1: No, no, And this is what we were saying about 91 00:04:50,839 --> 00:04:54,240 Speaker 1: it being down to the milliseconds because it feels commanding. 92 00:04:54,320 --> 00:04:57,000 Speaker 1: I mean like she is the front runner, but Melissa 93 00:04:57,080 --> 00:05:01,120 Speaker 1: Jefferson also clinched her place in Paris, taking second place 94 00:05:01,839 --> 00:05:05,680 Speaker 1: with ten point eight seconds, as did twenty Sha Terry, 95 00:05:05,920 --> 00:05:08,120 Speaker 1: who held on for a third ten point eight nine. 96 00:05:08,320 --> 00:05:10,440 Speaker 1: So let's just say something right now. All these girls 97 00:05:10,440 --> 00:05:11,840 Speaker 1: will be there in ten seconds. 98 00:05:12,040 --> 00:05:14,680 Speaker 2: If they say they will be there in ten seconds, 99 00:05:14,720 --> 00:05:20,400 Speaker 2: within oh point one eight seconds of each other. It 100 00:05:20,480 --> 00:05:22,760 Speaker 2: is a photo finish, as we call it in the biz. 101 00:05:22,800 --> 00:05:23,880 Speaker 2: It is a dead heat. 102 00:05:24,279 --> 00:05:27,119 Speaker 1: It is a dead heat across the board, across the board. 103 00:05:27,800 --> 00:05:33,240 Speaker 2: These girls are touching the line at around the same time. 104 00:05:33,400 --> 00:05:36,200 Speaker 1: At right around the same time. Do you think there 105 00:05:36,279 --> 00:05:38,240 Speaker 1: is a sisterhood amongst them? 106 00:05:38,520 --> 00:05:42,520 Speaker 2: I think Tanisha and Melissa and Sha Carrie go out 107 00:05:42,520 --> 00:05:45,120 Speaker 2: for drinks and they go, we need a fourth. We 108 00:05:45,160 --> 00:05:49,919 Speaker 2: need to complete the Sex and the City quadrillo quartel. 109 00:05:49,560 --> 00:05:52,480 Speaker 1: My god, oh my god, they really do they need 110 00:05:52,520 --> 00:05:56,000 Speaker 1: a fourth? They need a fourth so rough to be 111 00:05:56,120 --> 00:05:58,320 Speaker 1: like in a four and know that only three of 112 00:05:58,360 --> 00:06:00,760 Speaker 1: you can go on, you know what I mean? 113 00:06:00,960 --> 00:06:04,520 Speaker 2: Like ough, you need them to clink a Cosmo glassgow. 114 00:06:04,839 --> 00:06:07,240 Speaker 2: Why do we stop drinking these? You need a fourth 115 00:06:07,240 --> 00:06:09,200 Speaker 2: one to go because everyone else started? 116 00:06:10,000 --> 00:06:13,000 Speaker 1: And can I say you delivered that in a way 117 00:06:13,040 --> 00:06:16,520 Speaker 1: that Candace Bushnell could never because she's behind the scenes. 118 00:06:16,880 --> 00:06:20,480 Speaker 1: But my girl is a huge star, and he took 119 00:06:20,560 --> 00:06:24,920 Speaker 1: those lines written by an iconic woman and delivered by 120 00:06:25,120 --> 00:06:27,840 Speaker 1: iconic women. I have to say, who do you think 121 00:06:27,880 --> 00:06:31,360 Speaker 1: would win in one hundred meter race, Carrie, Miranda, Charlotte 122 00:06:31,640 --> 00:06:32,840 Speaker 1: or the iconic Samantha. 123 00:06:33,839 --> 00:06:40,480 Speaker 2: I think the easy answer is Miranda, But I think 124 00:06:40,560 --> 00:06:43,080 Speaker 2: Charlotte comes in out of nowhere. 125 00:06:43,800 --> 00:06:47,800 Speaker 1: I think Charlotte is so prepared. I think Charlotte is 126 00:06:47,839 --> 00:06:51,520 Speaker 1: going to be She also was always on her exercise game. 127 00:06:51,560 --> 00:06:54,039 Speaker 1: When she's always walking around the city, She's always moving. 128 00:06:54,120 --> 00:06:56,640 Speaker 1: She's a cardio queen like and they build that into 129 00:06:56,640 --> 00:06:59,359 Speaker 1: the show. It's not explicit, but she is a queen. 130 00:07:00,080 --> 00:07:05,080 Speaker 2: But Charlotte's sex scenes were always the most aerobic. Everyone's like, oh, 131 00:07:05,120 --> 00:07:09,160 Speaker 2: it's Samantha was the big fluozy or whatever. But Charlotte 132 00:07:09,200 --> 00:07:10,920 Speaker 2: can put it down. 133 00:07:11,320 --> 00:07:13,760 Speaker 1: Yeah. I think that it's going to be between her 134 00:07:14,120 --> 00:07:20,720 Speaker 1: and Samantha, because Samantha, you know, she's very limber, like 135 00:07:20,800 --> 00:07:24,880 Speaker 1: she keeps herself. I think Samantha keeps it squeaky. To 136 00:07:24,960 --> 00:07:29,360 Speaker 1: put it quitely, and to quote the legend Ari she's. 137 00:07:29,160 --> 00:07:33,120 Speaker 2: Been drinking coffee and she keeps it squeaky. She's been 138 00:07:33,160 --> 00:07:35,440 Speaker 2: eating healthy. I feel like she you know, she has 139 00:07:35,480 --> 00:07:38,560 Speaker 2: a very high intensity job. She's a big publicist. She's 140 00:07:38,680 --> 00:07:43,080 Speaker 2: drinking water, she's staying stretched. She lives such a physical, 141 00:07:43,560 --> 00:07:46,040 Speaker 2: kernal life that I think she's going to go for 142 00:07:46,080 --> 00:07:50,880 Speaker 2: the gold in a major way. Mmm. I just do 143 00:07:51,000 --> 00:07:54,000 Speaker 2: we ever talk about this not to reference our other podcasts? 144 00:07:54,160 --> 00:08:00,440 Speaker 2: What Samantha's a publicist, Yeah, Charlotte's Katy, Miranda the reader, 145 00:08:00,440 --> 00:08:05,680 Speaker 2: And I guess Carrie is a finalists? Well, canst and 146 00:08:05,680 --> 00:08:06,280 Speaker 2: then carry rand? 147 00:08:07,600 --> 00:08:10,280 Speaker 1: I think I think Carrie is a finalist because we 148 00:08:10,320 --> 00:08:12,560 Speaker 1: have to file into the different categories. But I will 149 00:08:12,600 --> 00:08:16,440 Speaker 1: say this in this context, Carrie Bradshaw is gonna be 150 00:08:16,520 --> 00:08:18,360 Speaker 1: fourth place in the race, and she's not going to 151 00:08:18,440 --> 00:08:20,720 Speaker 1: qualify for the Paris Olympics, which first of all. 152 00:08:20,920 --> 00:08:23,440 Speaker 2: She doesn't make her literally doesn't make her finalist. 153 00:08:23,560 --> 00:08:25,480 Speaker 1: She's not a finalist in this Regardo. So I think 154 00:08:25,520 --> 00:08:27,680 Speaker 1: we know she wouldn't really want to go back to Paris. 155 00:08:27,680 --> 00:08:29,960 Speaker 1: Probably would be very triggering if you watched the last season. 156 00:08:30,440 --> 00:08:33,800 Speaker 1: But I do want to say her arches are destroyed. 157 00:08:34,000 --> 00:08:38,240 Speaker 1: The Manolo Blaniks have destroyed her feet, and Carrie Richardson, 158 00:08:38,360 --> 00:08:41,160 Speaker 1: I bet she has gorgeous arches such that would carry 159 00:08:41,200 --> 00:08:43,440 Speaker 1: her over the finish line and into the gold medal position, 160 00:08:43,480 --> 00:08:47,800 Speaker 1: hopefully in the Paris Games. But Carrie's arches are destroyed. 161 00:08:48,480 --> 00:08:51,080 Speaker 2: So sorry, Carrie, you will not be going to Paris. 162 00:08:51,280 --> 00:08:54,040 Speaker 2: You will always be known like Lauren Conrad, as the 163 00:08:54,080 --> 00:08:56,560 Speaker 2: girl who didn't go to Paris, but you did. You 164 00:08:56,600 --> 00:08:57,600 Speaker 2: actually did in the end. 165 00:08:58,000 --> 00:08:59,840 Speaker 1: And I think that Miranda would throw. 166 00:08:59,679 --> 00:09:03,400 Speaker 2: Diss Miranda would be discussed. She would want to harken 167 00:09:03,480 --> 00:09:04,280 Speaker 2: back to antiquity. 168 00:09:04,679 --> 00:09:06,640 Speaker 1: Yes, and I'm happy that you made it about that 169 00:09:06,720 --> 00:09:09,120 Speaker 1: and not about the obvious lesbian thing, because there is 170 00:09:09,240 --> 00:09:11,480 Speaker 1: obviously an obvious lesbian thing. 171 00:09:11,520 --> 00:09:13,679 Speaker 2: To say, lesbian's played Frisbee. 172 00:09:14,040 --> 00:09:18,640 Speaker 1: I certainly think that they are more shot put discus people. 173 00:09:18,440 --> 00:09:20,239 Speaker 2: Than Frisbye is for everybody. 174 00:09:20,360 --> 00:09:23,160 Speaker 1: I don't know. I don't mean to center any sexual 175 00:09:23,200 --> 00:09:26,280 Speaker 1: orientation around these events. I guess as a former track 176 00:09:26,320 --> 00:09:28,680 Speaker 1: athlete who ran a mile in four minutes and thirty 177 00:09:28,720 --> 00:09:32,160 Speaker 1: six seconds at my best at age fifteen, I just 178 00:09:32,360 --> 00:09:34,880 Speaker 1: kind of the girls I knew, like, let's just say, 179 00:09:35,160 --> 00:09:37,719 Speaker 1: in the future, they would come out. They would come 180 00:09:37,720 --> 00:09:41,240 Speaker 1: out of the closet as LGBTQ plus the shot putters 181 00:09:41,240 --> 00:09:42,320 Speaker 1: and the disc throwers. 182 00:09:42,960 --> 00:09:46,559 Speaker 2: I want to first of all, that is huge insight. 183 00:09:46,600 --> 00:09:47,679 Speaker 2: Thank you for educating me. 184 00:09:48,320 --> 00:09:50,440 Speaker 1: I'm just trying to be anthropological about this. 185 00:09:50,760 --> 00:09:52,600 Speaker 2: And you are and you always have been. Thank you 186 00:09:52,720 --> 00:09:56,760 Speaker 2: speaking which I want to preview something I want to 187 00:09:56,760 --> 00:09:59,120 Speaker 2: bring to our other podcast, Hospitalistists, but I want to 188 00:09:59,160 --> 00:10:00,600 Speaker 2: sort of like test out here. 189 00:10:01,480 --> 00:10:02,320 Speaker 1: Do I know about it? 190 00:10:02,880 --> 00:10:05,160 Speaker 2: No? Oh, And I've actually been waiting for the right mind. 191 00:10:05,160 --> 00:10:06,040 Speaker 2: Went to share this with you. 192 00:10:06,679 --> 00:10:08,040 Speaker 1: We're working it out on the remix. 193 00:10:08,280 --> 00:10:13,480 Speaker 2: It's working out on the remix. I am really getting 194 00:10:13,559 --> 00:10:18,320 Speaker 2: a little sick of watching everybody, including queer people, stumble 195 00:10:18,480 --> 00:10:23,280 Speaker 2: on the letters of LGBTQ plus. It just makes everybody uncomfortable, 196 00:10:23,520 --> 00:10:25,760 Speaker 2: like we all kind of short circuit. We're just it's 197 00:10:25,760 --> 00:10:28,240 Speaker 2: like it's like, really, those are letters that are all 198 00:10:28,400 --> 00:10:34,080 Speaker 2: very tough on the the addiction, the elocution. It's hard 199 00:10:34,080 --> 00:10:37,520 Speaker 2: to really like blow past it, right, yes, especially if 200 00:10:37,559 --> 00:10:41,840 Speaker 2: you're like kind of talking talking talking, your words permitted 201 00:10:41,920 --> 00:10:44,240 Speaker 2: are set, and then it slows you down. That bottle 202 00:10:44,280 --> 00:10:45,720 Speaker 2: next to you was when you say the word, When 203 00:10:45,720 --> 00:10:50,280 Speaker 2: you say LGBTQ plus. I want us to create a 204 00:10:50,320 --> 00:10:57,560 Speaker 2: new word Lygibatique legibautique. Thank you for this already. I 205 00:10:57,559 --> 00:11:00,320 Speaker 2: want you to know my immediate instinct is to accept 206 00:11:00,360 --> 00:11:03,640 Speaker 2: it with arms wide open into my life and the 207 00:11:03,679 --> 00:11:04,760 Speaker 2: greater consciousness. 208 00:11:04,840 --> 00:11:07,920 Speaker 1: That is my immediate response. 209 00:11:08,360 --> 00:11:10,679 Speaker 2: And as a French sounding word, I think Paris. I 210 00:11:10,720 --> 00:11:13,040 Speaker 2: think the Olympics is a great place to debut it 211 00:11:13,240 --> 00:11:16,200 Speaker 2: for the culture Legiabetique. 212 00:11:17,000 --> 00:11:22,320 Speaker 1: Batique. The Legia Batique community is back now with this, 213 00:11:22,640 --> 00:11:25,120 Speaker 1: we are so back. I have to tell you. I 214 00:11:25,120 --> 00:11:27,960 Speaker 1: can see luminaries saying this word. I can see Chloe 215 00:11:27,960 --> 00:11:31,840 Speaker 1: Sevani saying, are we not luminaries ourselves? Well, first of all, 216 00:11:31,880 --> 00:11:33,320 Speaker 1: I just want to say the fact that you, with 217 00:11:33,440 --> 00:11:37,480 Speaker 1: that baritone and this background and this training, the fact 218 00:11:37,480 --> 00:11:39,360 Speaker 1: that you were the one to bring this forward, I 219 00:11:39,400 --> 00:11:44,880 Speaker 1: think means something. And I think leisure Bautique, that's certainly 220 00:11:44,920 --> 00:11:46,120 Speaker 1: the community I'm a part of. 221 00:11:46,440 --> 00:11:47,559 Speaker 2: I'm Elizabetique. 222 00:11:47,760 --> 00:11:50,280 Speaker 1: Down is shau Carrie part of the Elizabetique. 223 00:11:50,679 --> 00:11:54,040 Speaker 2: I think so. Greg Lugainis was one of the first 224 00:11:54,080 --> 00:11:59,319 Speaker 2: Eligabatique icons at the Olympics who was out Shakarrie Richardson legabetique, legend. 225 00:11:59,400 --> 00:12:02,600 Speaker 1: Elizabet legend. Queer woman Shaky Richardson is now fastest woman 226 00:12:02,600 --> 00:12:06,640 Speaker 1: in the world. She's the fastest elizap batique individual on 227 00:12:06,800 --> 00:12:07,439 Speaker 1: planet Earth. 228 00:12:07,760 --> 00:12:08,559 Speaker 2: That's amazing. 229 00:12:08,840 --> 00:12:12,760 Speaker 1: It's raining greatness. I have to say that with my 230 00:12:12,880 --> 00:12:15,280 Speaker 1: full chest. 231 00:12:16,080 --> 00:12:19,400 Speaker 2: Are so here to say it is raining greatness. I 232 00:12:19,440 --> 00:12:23,160 Speaker 2: don't even care that this is for everyone. 233 00:12:23,200 --> 00:12:23,920 Speaker 1: It's four gays. 234 00:12:24,120 --> 00:12:27,040 Speaker 2: Now, it's four gays. It's for legitbatiques, dead ass. Do 235 00:12:27,120 --> 00:12:29,040 Speaker 2: you think legibatique has legs. 236 00:12:29,400 --> 00:12:32,240 Speaker 1: One hundred percent? I want you to know I feel 237 00:12:32,520 --> 00:12:34,920 Speaker 1: not only excited about it, but inspired by it. 238 00:12:34,960 --> 00:12:35,760 Speaker 2: Thank you. 239 00:12:35,800 --> 00:12:36,959 Speaker 1: Please spell it well. 240 00:12:36,960 --> 00:12:39,840 Speaker 2: First of all, I think if anyone sees imprint on 241 00:12:40,000 --> 00:12:44,800 Speaker 2: paper on screen the letters LGBTQ plus, you can read 242 00:12:44,800 --> 00:12:47,959 Speaker 2: that as legibatique. Yes, but if you want to like 243 00:12:48,080 --> 00:12:50,720 Speaker 2: create a distinct word for it, you know, because for 244 00:12:50,840 --> 00:12:55,240 Speaker 2: linguistic reasons, the word represents the concept. And so L 245 00:12:55,520 --> 00:13:00,520 Speaker 2: E G E b A t i q you e. 246 00:13:00,920 --> 00:13:03,560 Speaker 1: You threw an a in there that I did not expect, 247 00:13:03,640 --> 00:13:07,719 Speaker 1: but very queer leisure bautique. For some reason, I was 248 00:13:07,760 --> 00:13:11,000 Speaker 1: seeing L E G E B E t i q 249 00:13:11,200 --> 00:13:14,240 Speaker 1: u E leisabatique. But it's eat to me because I'm 250 00:13:14,280 --> 00:13:16,920 Speaker 1: not the creator. You threw the first brick, I did, 251 00:13:17,320 --> 00:13:19,080 Speaker 1: you laid the first letters. 252 00:13:19,960 --> 00:13:23,360 Speaker 2: Thank you? Can I say this The bricks were already there, 253 00:13:23,440 --> 00:13:26,240 Speaker 2: the letters. I just look the more I put the 254 00:13:26,320 --> 00:13:27,800 Speaker 2: mortar around the bricks. 255 00:13:28,120 --> 00:13:30,280 Speaker 1: I'm always so proud of you, the way that you 256 00:13:30,320 --> 00:13:33,440 Speaker 1: carry the legacy of our ancestors forward. But when you 257 00:13:33,480 --> 00:13:35,520 Speaker 1: said Lejah Batique, and I want you to hear this, 258 00:13:36,080 --> 00:13:40,160 Speaker 1: you really did something there. And to be told that 259 00:13:40,200 --> 00:13:43,959 Speaker 1: by another game personally that you really did something there. 260 00:13:46,600 --> 00:13:48,199 Speaker 2: Oh my god, this is one of this is I 261 00:13:48,480 --> 00:13:50,439 Speaker 2: this is one of the biggest honors of my life 262 00:13:50,600 --> 00:13:51,120 Speaker 2: to hear you. 263 00:13:51,080 --> 00:13:53,839 Speaker 1: Say that you There should be an award for when 264 00:13:53,880 --> 00:13:56,160 Speaker 1: someone really does something there, like you remember when you 265 00:13:56,200 --> 00:13:59,800 Speaker 1: won the Human Rights Campaign Award for visibility. I do 266 00:14:00,040 --> 00:14:02,520 Speaker 1: because I gave the speech. We need to go back 267 00:14:02,559 --> 00:14:04,800 Speaker 1: in time to make it that this year someone really 268 00:14:04,800 --> 00:14:07,520 Speaker 1: did something there. About the Cultural Awards next year, we 269 00:14:07,640 --> 00:14:09,320 Speaker 1: have to have this is the award for someone that 270 00:14:09,360 --> 00:14:11,400 Speaker 1: really did something that wins. 271 00:14:11,640 --> 00:14:14,800 Speaker 2: Shakirie. Oh I got Cari, please come to the Culture Awards. Okay, 272 00:14:14,800 --> 00:14:16,040 Speaker 2: we are getting so off track. 273 00:14:16,280 --> 00:14:31,080 Speaker 1: We got to bring it back to Paris. Today we're 274 00:14:31,120 --> 00:14:36,120 Speaker 1: here to talk about basically if you thought we've even 275 00:14:36,160 --> 00:14:38,640 Speaker 1: breached the surface of the athletes that we can look 276 00:14:38,680 --> 00:14:40,840 Speaker 1: forward to seeing. Like I mean, we're popping off about 277 00:14:40,880 --> 00:14:44,000 Speaker 1: Shakarry because there's big news like she is a qualifier, 278 00:14:44,880 --> 00:14:49,320 Speaker 1: but there are so many more top athletes to talk about. 279 00:14:49,440 --> 00:14:51,720 Speaker 2: And this is what we're doing today on this episode 280 00:14:51,720 --> 00:14:54,760 Speaker 2: of Two Guys, Five Rings. We got to bring it 281 00:14:54,800 --> 00:14:58,520 Speaker 2: back to Paris. There are some stars in the making, 282 00:14:58,800 --> 00:15:01,840 Speaker 2: if not already stars is born out of the dust 283 00:15:01,960 --> 00:15:02,600 Speaker 2: and space. 284 00:15:03,280 --> 00:15:03,680 Speaker 1: Mm hmm. 285 00:15:04,200 --> 00:15:06,760 Speaker 2: I want to talk about our bee boy and b 286 00:15:06,960 --> 00:15:12,400 Speaker 2: girl legends. Yep, Victor Montalvo and Sonny Choi, who is 287 00:15:12,440 --> 00:15:13,920 Speaker 2: the coolest girl. 288 00:15:14,160 --> 00:15:18,160 Speaker 1: In the world confirmed in a first hand type of way. 289 00:15:18,120 --> 00:15:21,080 Speaker 2: From you confirmed cool girl lives for sure. 290 00:15:21,440 --> 00:15:24,160 Speaker 1: Talk to us about Victor Montalvo, known as bee Boy 291 00:15:24,240 --> 00:15:28,280 Speaker 1: Victor and Sonny Choi, who is the legend you've met? 292 00:15:28,320 --> 00:15:30,960 Speaker 1: What are they going to bring to breaking an Olympic sport. 293 00:15:31,480 --> 00:15:33,720 Speaker 2: Victor is the first American ever to qualify for the 294 00:15:33,760 --> 00:15:36,360 Speaker 2: Olympics and breaking. He's the favorite to win the gold 295 00:15:36,400 --> 00:15:39,760 Speaker 2: medal in the Olympic debut of men's breaking. I think 296 00:15:39,800 --> 00:15:42,600 Speaker 2: this man is gonna walk home with a heavy neck. 297 00:15:43,000 --> 00:15:43,360 Speaker 1: B boy. 298 00:15:43,400 --> 00:15:46,800 Speaker 2: Victor got into the sport through his father, Victor. I 299 00:15:46,880 --> 00:15:48,080 Speaker 2: think we have a junior here. 300 00:15:48,440 --> 00:15:49,680 Speaker 1: I think we've got a junior here. 301 00:15:49,880 --> 00:15:52,600 Speaker 2: I think we got a junior here. And uncle Hector Bermudez, 302 00:15:52,920 --> 00:15:55,880 Speaker 2: his twin brother, father's twin brother. Ooh, if I had 303 00:15:55,880 --> 00:16:00,160 Speaker 2: a twin uncle, if my dad had a twin, I'd say, 304 00:16:01,760 --> 00:16:05,000 Speaker 2: hold on now, now, which one. 305 00:16:04,840 --> 00:16:07,760 Speaker 1: Of you is? Which one are you? Now? Are you 306 00:16:07,880 --> 00:16:10,520 Speaker 1: dad of your uncle? Because let me tell you something 307 00:16:11,000 --> 00:16:12,880 Speaker 1: Todd out here too, tell. 308 00:16:14,280 --> 00:16:16,320 Speaker 2: And they and so these are both be boy legends 309 00:16:16,320 --> 00:16:19,760 Speaker 2: from Mexico. They discovered breaking through a friend's cousin homemade 310 00:16:19,760 --> 00:16:24,880 Speaker 2: Breaking documentary, which they watched on VCR. Here we go, Matt, 311 00:16:24,920 --> 00:16:27,120 Speaker 2: you certainly had a VCR and you could have had 312 00:16:27,160 --> 00:16:30,360 Speaker 2: the same gateway to breaking as Victor and Hector and 313 00:16:30,440 --> 00:16:33,000 Speaker 2: Victor Junior. But that's not how my life panned out. 314 00:16:33,040 --> 00:16:38,280 Speaker 2: And that's okay, that's okay. Victor said his father was 315 00:16:38,320 --> 00:16:42,080 Speaker 2: the quote only one who truly believed in him, And 316 00:16:42,160 --> 00:16:44,440 Speaker 2: we just want to stay here and now on two guys, 317 00:16:44,520 --> 00:16:47,520 Speaker 2: five rings. That is no longer true. 318 00:16:47,800 --> 00:16:49,880 Speaker 1: Now we believe in you too. We are your father 319 00:16:50,000 --> 00:16:53,000 Speaker 1: now It's like from the movie Precious when Paula Patton, 320 00:16:53,080 --> 00:16:59,240 Speaker 1: the teacher says you, that's us. That is so us 321 00:16:59,280 --> 00:17:01,080 Speaker 1: coded towards we. 322 00:17:01,040 --> 00:17:03,240 Speaker 2: Are Paula Patten and we are Mariah Carey. 323 00:17:03,640 --> 00:17:06,159 Speaker 1: I mean, you know who believes in sunny CHOI me 324 00:17:06,800 --> 00:17:07,679 Speaker 1: Wharton School. 325 00:17:08,480 --> 00:17:11,119 Speaker 2: Wharton. Oh my god, did. 326 00:17:11,000 --> 00:17:13,800 Speaker 1: You know that sunny CHOI graduated with a Bachelor of 327 00:17:13,800 --> 00:17:17,520 Speaker 1: Science in marketing in twenty eleven from Penn's Wharton School. 328 00:17:17,520 --> 00:17:18,480 Speaker 1: That is intense. 329 00:17:18,960 --> 00:17:22,520 Speaker 2: For her to get a Bachelor of Science in marketing 330 00:17:22,840 --> 00:17:25,840 Speaker 2: is like me getting And this is actually what happened. 331 00:17:26,440 --> 00:17:32,399 Speaker 2: I have a Bachelor of Arts in Chemistry, not a bachelor. Now, 332 00:17:32,520 --> 00:17:35,720 Speaker 2: most people who were in the program graduated with a 333 00:17:35,720 --> 00:17:39,960 Speaker 2: Bachelor in Science. I did not qualify with my grades 334 00:17:40,000 --> 00:17:42,760 Speaker 2: and credits to get a BS, and so I had 335 00:17:42,800 --> 00:17:46,640 Speaker 2: a Bachelor in Arts. Bachelor of Arts and chemistry famously 336 00:17:46,680 --> 00:17:48,120 Speaker 2: not an art and more of a science. 337 00:17:48,119 --> 00:17:51,919 Speaker 1: I would say, I would totally disagree that chemistry is 338 00:17:51,960 --> 00:17:56,560 Speaker 1: not an art. See this podcast for example, Girl, this 339 00:17:56,600 --> 00:18:01,960 Speaker 1: is an art. What we do. This chemistry is artful. 340 00:18:02,600 --> 00:18:03,719 Speaker 2: It's an art. 341 00:18:04,119 --> 00:18:07,240 Speaker 4: I know you're good because you can really do it 342 00:18:08,280 --> 00:18:12,520 Speaker 4: with a broken heart. I know you're good because you 343 00:18:12,600 --> 00:18:16,600 Speaker 4: can really do it with a broken heart. 344 00:18:16,920 --> 00:18:20,560 Speaker 2: There you go. In January twenty twenty three, Sonny quit 345 00:18:20,600 --> 00:18:23,760 Speaker 2: her job as the director of Global Creative Operations at 346 00:18:23,880 --> 00:18:28,360 Speaker 2: as Stay Lauder to focus on breaking full time. This 347 00:18:28,400 --> 00:18:32,119 Speaker 2: is a girl who said, honey, get the lipstick off, 348 00:18:32,400 --> 00:18:35,879 Speaker 2: wipe off the concealer's watches. I'm putting on loose fitting 349 00:18:35,880 --> 00:18:38,600 Speaker 2: clothes and breaking for my job. 350 00:18:38,960 --> 00:18:42,720 Speaker 1: I love this. This is aspirational af Imagine being the 351 00:18:42,800 --> 00:18:47,000 Speaker 1: coolest person everyone knows. And you're Sonny and you're the 352 00:18:47,040 --> 00:18:49,920 Speaker 1: director of Global Creative Operations at Esta Lauder and you 353 00:18:49,960 --> 00:18:53,719 Speaker 1: went to Pennswarton School. You're like unbothered. Of course you 354 00:18:53,840 --> 00:18:57,000 Speaker 1: can break, but you don't do it. And then you're 355 00:18:57,040 --> 00:18:59,440 Speaker 1: already this person that's a full icon and you say, 356 00:18:59,480 --> 00:19:02,320 Speaker 1: you know what, I'm leveling up even more. I'm actually 357 00:19:02,320 --> 00:19:04,520 Speaker 1: going to the Olympics and I'm not just gonna go. 358 00:19:04,640 --> 00:19:07,360 Speaker 1: I'm gonna be the person everyone talks about. And at 359 00:19:07,359 --> 00:19:09,960 Speaker 1: an event surrounding all this, I'm gonna meet Bowen Yang 360 00:19:10,320 --> 00:19:15,359 Speaker 1: girl who's leisure boutique, who's legabatique, and she's an ally 361 00:19:15,960 --> 00:19:18,000 Speaker 1: what I thought you were gonna say. She was also 362 00:19:18,080 --> 00:19:19,960 Speaker 1: leisure boutique, and then I would have fallen off my 363 00:19:20,119 --> 00:19:22,760 Speaker 1: chair because we really it really would be rating greatness 364 00:19:22,800 --> 00:19:23,359 Speaker 1: at that point. 365 00:19:23,600 --> 00:19:26,440 Speaker 2: No, she is one of our best straits. 366 00:19:26,480 --> 00:19:27,040 Speaker 1: That's okay. 367 00:19:27,280 --> 00:19:29,920 Speaker 2: Oh, it's more than we celebrate. That's not just okay, man. 368 00:19:30,560 --> 00:19:32,520 Speaker 2: That's like saying I tolerate gay people. 369 00:19:32,680 --> 00:19:34,520 Speaker 1: No, no, no, I would don't do that. Well, I do 370 00:19:34,640 --> 00:19:38,679 Speaker 1: tolerate gay people. Just to be I do tolerate gay people. 371 00:19:39,440 --> 00:19:42,520 Speaker 1: Gay guys they don't just want attention, you know, they 372 00:19:42,520 --> 00:19:44,800 Speaker 1: don't actually want to date you. They just want your attention. 373 00:19:44,920 --> 00:19:48,119 Speaker 1: They want you to engage with them in a way 374 00:19:48,200 --> 00:19:51,080 Speaker 1: that would suggest something happened. But then they don't actually 375 00:19:51,119 --> 00:19:53,600 Speaker 1: want anything to happen. They just want the attention and 376 00:19:53,920 --> 00:19:58,399 Speaker 1: to do the little bait and fish. Anyway, single girls 377 00:19:58,440 --> 00:20:02,280 Speaker 1: here on the podcast. You know who else is? Well, 378 00:20:02,320 --> 00:20:04,400 Speaker 1: I don't know if she's single, but she's certainly next 379 00:20:04,440 --> 00:20:06,800 Speaker 1: on the list of people were going to talk about CARRISA. Moore, 380 00:20:07,400 --> 00:20:11,960 Speaker 1: the surfer Tokyo Olympic gold medalist Carisa More. You'll recall 381 00:20:12,000 --> 00:20:14,679 Speaker 1: from a previous episode we did the surfing competition for 382 00:20:14,720 --> 00:20:16,359 Speaker 1: the twenty twenty four Paris Game is actually going to 383 00:20:16,400 --> 00:20:18,480 Speaker 1: take place in Tahiti. So that's why you have to 384 00:20:18,480 --> 00:20:20,520 Speaker 1: be a completist about listening to this, because in order 385 00:20:20,520 --> 00:20:22,240 Speaker 1: to know that information, you would have had to listen 386 00:20:22,480 --> 00:20:24,480 Speaker 1: like you would have been without that. She's a five 387 00:20:24,520 --> 00:20:26,960 Speaker 1: time world champion. She'll be in Tahiti. This is the 388 00:20:27,040 --> 00:20:29,560 Speaker 1: end of the road for her. She will be retiring 389 00:20:29,600 --> 00:20:33,200 Speaker 1: from competitive surfing this year. The Olympics are her final event. 390 00:20:33,280 --> 00:20:35,439 Speaker 1: She has a chance to win a second Olympic title. 391 00:20:35,720 --> 00:20:38,080 Speaker 1: She's part of a strong three woman contingent for the 392 00:20:38,200 --> 00:20:41,119 Speaker 1: US with Caroline Marks and Caitlin Simmers, which I have 393 00:20:41,160 --> 00:20:44,119 Speaker 1: to say are iconic names for people that are going 394 00:20:44,160 --> 00:20:48,280 Speaker 1: to be in the water. As someone who mostly remembers 395 00:20:48,720 --> 00:20:52,080 Speaker 1: what was her name, Susan not Suzanne Summers, Summer Sanders. 396 00:20:52,119 --> 00:20:56,560 Speaker 1: Remember Summer Sanders, I don't Summer Sanders is the host 397 00:20:56,560 --> 00:20:58,760 Speaker 1: to figure it out on Nickelodeon. And then I was like, wow, 398 00:20:58,760 --> 00:21:00,440 Speaker 1: who is this. My mom was like, oh, I think 399 00:21:00,440 --> 00:21:02,840 Speaker 1: she's an Olympic swimmer. I was like, oh cool. 400 00:21:03,800 --> 00:21:05,720 Speaker 2: I think this has the beginnings of a rom come 401 00:21:06,680 --> 00:21:10,440 Speaker 2: the Olympics. No Carissa being like this is my last year. 402 00:21:10,560 --> 00:21:11,480 Speaker 1: Oh yeah, that's good. 403 00:21:11,680 --> 00:21:14,960 Speaker 2: I'm not doing this anymore. But then she falls in 404 00:21:15,000 --> 00:21:20,560 Speaker 2: love with a gorgeous person in Tahiti who not only 405 00:21:20,640 --> 00:21:23,640 Speaker 2: lights of fire romantically, but lights of fire for her 406 00:21:23,760 --> 00:21:30,119 Speaker 2: love of surfing, of competitive surfing. And she boards the 407 00:21:30,119 --> 00:21:33,479 Speaker 2: plane and Tahiti to go to Paris for the closing 408 00:21:33,520 --> 00:21:36,639 Speaker 2: ceremonies and to hang it all up. But this person 409 00:21:36,640 --> 00:21:41,520 Speaker 2: that she's met, maybe it's a mermaid in the water, goes. 410 00:21:41,560 --> 00:21:44,879 Speaker 2: Don't go to Paris, stay in Tahaitis surf with me. 411 00:21:46,280 --> 00:21:47,200 Speaker 2: I think we should write it. 412 00:21:47,359 --> 00:21:51,359 Speaker 1: He was Tahiti along. That was sort of me trying 413 00:21:51,359 --> 00:21:54,399 Speaker 1: to make it like like I was here all along work. 414 00:21:54,840 --> 00:21:57,000 Speaker 1: I don't think that really did. Who would you cast 415 00:21:57,000 --> 00:21:59,080 Speaker 1: in this part? Sydney's REENI should we just do that 416 00:21:59,119 --> 00:21:59,840 Speaker 1: and hang it up? 417 00:22:00,200 --> 00:22:03,920 Speaker 2: I think Sidney should be Carissa. I think you would 418 00:22:03,920 --> 00:22:07,200 Speaker 2: be the Mermaian. You think people would love to see 419 00:22:07,200 --> 00:22:07,960 Speaker 2: you as the Mermian. 420 00:22:08,240 --> 00:22:11,000 Speaker 1: Do you think me and sid Swain would have romantic chemistry? 421 00:22:11,119 --> 00:22:15,000 Speaker 2: Oh? My god? Like you wouldn't if she and I. 422 00:22:15,119 --> 00:22:18,920 Speaker 2: She she was convincing. She's so good of an actor 423 00:22:19,760 --> 00:22:23,040 Speaker 2: that she made it believable that we would have any chemistry. 424 00:22:24,000 --> 00:22:26,840 Speaker 1: No problem, you have a Bachelor of Arts and Chemistry. 425 00:22:26,840 --> 00:22:28,920 Speaker 1: About when you have chemistry with anyone. It is what 426 00:22:29,000 --> 00:22:32,720 Speaker 1: you what's what do you went to school for? 427 00:22:34,400 --> 00:22:40,000 Speaker 2: I think you and sid Sween would get along gangbusters hope. 428 00:22:40,000 --> 00:22:42,199 Speaker 1: So I couldn't like her. I kind of have a 429 00:22:42,240 --> 00:22:46,760 Speaker 1: crush on her. My celebrity crush is Sidney Sweeney. 430 00:22:47,080 --> 00:22:49,080 Speaker 2: I gotta tell you something. See, this is when we're 431 00:22:49,119 --> 00:22:52,760 Speaker 2: not Elizabetigue. Is when we're the Thursday After Assists woman 432 00:22:52,880 --> 00:22:55,760 Speaker 2: we go she's she's really gorgeous. 433 00:22:55,840 --> 00:22:59,080 Speaker 1: She's really gorgeous. Anyway, I do think she should play 434 00:22:59,119 --> 00:23:01,879 Speaker 1: Charissa Moore. I think that'd be great. Also, iconic name 435 00:23:02,000 --> 00:23:04,840 Speaker 1: carisam Moore. Did I make that up? Or what Kisa 436 00:23:04,960 --> 00:23:06,240 Speaker 1: Moore is a name I would make out. 437 00:23:06,880 --> 00:23:09,280 Speaker 2: No, it sounds like she's part of the X menme 438 00:23:09,560 --> 00:23:12,320 Speaker 2: Jean Gray, Madeline bryor carrisam Moore. 439 00:23:12,600 --> 00:23:14,719 Speaker 1: When she goes into the water, she turns into a 440 00:23:14,760 --> 00:23:20,080 Speaker 1: shark woman. She hears our mutant friend weakscept her. Sometimes 441 00:23:20,119 --> 00:23:23,040 Speaker 1: these outsiders are just looking for acceptance. Do you ever 442 00:23:23,080 --> 00:23:23,600 Speaker 1: think about that? 443 00:23:26,200 --> 00:23:38,879 Speaker 3: Not very leisure fautiguuld be not very legend batique. 444 00:23:41,320 --> 00:23:44,200 Speaker 1: You know this is just like okay, by the way, 445 00:23:44,800 --> 00:23:48,320 Speaker 1: I actually so we're looking now at the document, because 446 00:23:48,320 --> 00:23:50,400 Speaker 1: I want to tell you something, nothing gets done without 447 00:23:50,400 --> 00:23:52,640 Speaker 1: a document in podcasting. Everyone out. That's a peak behind 448 00:23:52,640 --> 00:23:54,440 Speaker 1: the curtain. So we sort of have a guide here 449 00:23:54,440 --> 00:23:58,159 Speaker 1: that the producers have made and the question before they 450 00:23:58,280 --> 00:24:03,240 Speaker 1: they suggested some possible conversation prompts, which I think is 451 00:24:03,400 --> 00:24:06,560 Speaker 1: adorable of them, because like, imagine us coming on here 452 00:24:06,600 --> 00:24:09,239 Speaker 1: and not having things to flap our trap about, and 453 00:24:09,280 --> 00:24:12,359 Speaker 1: they suggested things for us to chat about. Bo I 454 00:24:12,359 --> 00:24:13,840 Speaker 1: think it is the sweetest. 455 00:24:14,280 --> 00:24:16,000 Speaker 2: So I was going to say it is an act 456 00:24:16,040 --> 00:24:20,560 Speaker 2: of pure generosity and kindness m hm, that they are 457 00:24:20,720 --> 00:24:25,720 Speaker 2: giving us some structures, some way into let's just say, 458 00:24:25,720 --> 00:24:27,320 Speaker 2: bringing it back to Paris. 459 00:24:27,680 --> 00:24:32,080 Speaker 1: Well, the possible question topic to start this and then 460 00:24:32,119 --> 00:24:33,920 Speaker 1: we're going to bring it right back to Paris was, Matt, 461 00:24:33,960 --> 00:24:37,040 Speaker 1: what songs were in heavy rotation on your iPod nano 462 00:24:37,480 --> 00:24:40,600 Speaker 1: during your storied four thirty six mile. By the way, 463 00:24:40,640 --> 00:24:43,199 Speaker 1: their attempt to try to date me with the iPod 464 00:24:43,280 --> 00:24:45,960 Speaker 1: nano is fruitless. I didn't have an iPod nano. I 465 00:24:46,000 --> 00:24:48,160 Speaker 1: had a big one, in fact, one that was too 466 00:24:48,200 --> 00:24:51,239 Speaker 1: big and was laborious when I tried to run with it, 467 00:24:51,280 --> 00:24:54,880 Speaker 1: but we were not yet technologically advanced enough in terms 468 00:24:54,880 --> 00:24:58,200 Speaker 1: of comfort regarding where you put your iPod while you ran. 469 00:24:58,640 --> 00:25:01,080 Speaker 1: But I did not have a nano regular iPod, and 470 00:25:01,119 --> 00:25:05,639 Speaker 1: the album that was hitting the hardest was Breakaway by 471 00:25:05,720 --> 00:25:10,600 Speaker 1: Kelly Clarkson, an iconic cardio album. Yes, the girls know 472 00:25:10,720 --> 00:25:15,200 Speaker 1: what I'm talking about, Oh yes. And I also want 473 00:25:15,240 --> 00:25:18,240 Speaker 1: to say behind the Hazel Eyes they might have just 474 00:25:18,280 --> 00:25:21,320 Speaker 1: renamed it Matt Get Up this Hill, because what was 475 00:25:21,359 --> 00:25:25,320 Speaker 1: I listening to while I had to traverse planes, doing 476 00:25:25,359 --> 00:25:29,800 Speaker 1: cross country, doing winter track. It was behind the Hazel Eyes, 477 00:25:29,960 --> 00:25:32,240 Speaker 1: that is behind the scenes. 478 00:25:32,920 --> 00:25:37,800 Speaker 2: I want you to describe what you were seeing, what 479 00:25:37,840 --> 00:25:41,280 Speaker 2: you were feeling at what point in the mile or 480 00:25:41,280 --> 00:25:44,639 Speaker 2: in the run, or in the event, whatever is tied 481 00:25:44,720 --> 00:25:50,440 Speaker 2: to Kelly singing no, I don't cry on the outside anymore. 482 00:25:50,880 --> 00:25:54,199 Speaker 1: I'm so happy you said that literal part, because of 483 00:25:54,240 --> 00:25:57,479 Speaker 1: course real fans know, and everyone that listens to this 484 00:25:57,520 --> 00:26:00,199 Speaker 1: podcast tuned in so that hopefully we talk about this 485 00:26:00,320 --> 00:26:03,719 Speaker 1: very topic. I know that total one to one with 486 00:26:03,760 --> 00:26:06,359 Speaker 1: what this podcast is supposed to be. But there's a 487 00:26:06,400 --> 00:26:08,639 Speaker 1: part in the bridge when Kelly in the music video 488 00:26:09,080 --> 00:26:11,840 Speaker 1: is in a white wedding dress. They're commonly white, and 489 00:26:11,920 --> 00:26:14,840 Speaker 1: she's absolutely running through the woods and she's getting fifth 490 00:26:14,880 --> 00:26:17,920 Speaker 1: feet dirty and she looks so stunning. She's in the mud. 491 00:26:18,000 --> 00:26:19,520 Speaker 1: She falls in the mud, and then her from the 492 00:26:19,600 --> 00:26:21,879 Speaker 1: future comes and like picture up off the ground and 493 00:26:22,040 --> 00:26:24,600 Speaker 1: is like, I don't cry on the outside anymore. And 494 00:26:24,600 --> 00:26:27,440 Speaker 1: it's two Kelly's like consoling each other, the one who's 495 00:26:27,480 --> 00:26:30,840 Speaker 1: been like dejected, Oh my God, and the one who's 496 00:26:30,920 --> 00:26:33,080 Speaker 1: who's from the future ready to give you her salvation 497 00:26:33,560 --> 00:26:37,400 Speaker 1: because all she really needed was herself. And when I 498 00:26:37,480 --> 00:26:40,919 Speaker 1: was running in cross country through the woods, just like 499 00:26:41,000 --> 00:26:44,040 Speaker 1: Kelly was running through the woods, you couldn't have told 500 00:26:44,160 --> 00:26:49,000 Speaker 1: me that I wasn't Kelly Clarkson herself leaving her own 501 00:26:49,040 --> 00:26:51,119 Speaker 1: wedding to run through the forests. 502 00:26:51,920 --> 00:26:57,440 Speaker 5: I was gay, then I am gay now. Leja battique, 503 00:26:58,040 --> 00:27:02,720 Speaker 5: les je batique. That is my leisure batique story. 504 00:27:03,080 --> 00:27:05,680 Speaker 2: Let's bring it back to Paris. Thank you for sharing that. 505 00:27:06,040 --> 00:27:08,320 Speaker 1: We have to give out the medals between Carrissa Moore, 506 00:27:08,400 --> 00:27:11,000 Speaker 1: Sonny Choy and b Boy Victor, Like we have to 507 00:27:11,200 --> 00:27:13,080 Speaker 1: like this is it's the time of the episode where 508 00:27:13,119 --> 00:27:15,120 Speaker 1: we have to start making big decisions. 509 00:27:15,600 --> 00:27:21,840 Speaker 2: Okay, you know what, I love Victor. He is going 510 00:27:21,880 --> 00:27:24,119 Speaker 2: to be a star. He is guaranteed to win the gold. 511 00:27:24,240 --> 00:27:26,560 Speaker 2: He doesn't need our gold. I'm gonna give him the bronze. 512 00:27:27,040 --> 00:27:29,200 Speaker 1: Yeah, I was gonna say the same thing. I mean, 513 00:27:29,480 --> 00:27:32,639 Speaker 1: Victor again, we love you and we believe in you, 514 00:27:32,760 --> 00:27:34,879 Speaker 1: just like your father. You just get the bronze today. 515 00:27:35,160 --> 00:27:36,360 Speaker 1: That's It's okay. 516 00:27:36,520 --> 00:27:40,000 Speaker 2: But you're leaving Paris with at least one gold in 517 00:27:40,080 --> 00:27:44,359 Speaker 2: the debut event of men's breaking. 518 00:27:44,480 --> 00:27:49,119 Speaker 1: So congratulations, congrats on that. Now the silver medal, I 519 00:27:49,119 --> 00:27:51,199 Speaker 1: think we have to give that. Who do you think 520 00:27:51,560 --> 00:27:53,080 Speaker 1: this is close? This is milliseconds. 521 00:27:53,960 --> 00:27:57,840 Speaker 2: I'm gonna give it to Carissa. Yeah. I can'tnot get 522 00:27:57,840 --> 00:28:01,360 Speaker 2: my girl Sonny the gold. That is a star. And 523 00:28:01,680 --> 00:28:04,199 Speaker 2: you got excited at the potential of her being leisure fatigue, 524 00:28:04,200 --> 00:28:04,720 Speaker 2: but she is not. 525 00:28:05,160 --> 00:28:07,720 Speaker 1: That's okay. I think that I'm still okay with giving 526 00:28:07,760 --> 00:28:09,880 Speaker 1: straight people the medals, even though I'm so excited about 527 00:28:09,880 --> 00:28:12,760 Speaker 1: shir Carrie and like you know, we talk a lot 528 00:28:12,800 --> 00:28:15,320 Speaker 1: about Greg Like, well, I'm still okay with straight people 529 00:28:15,320 --> 00:28:17,520 Speaker 1: winning the medals. I just don't think the Olympics are 530 00:28:17,680 --> 00:28:20,439 Speaker 1: for them anymore. They're for us now. But I can 531 00:28:20,440 --> 00:28:21,960 Speaker 1: they still win a medal here or there. 532 00:28:22,119 --> 00:28:25,600 Speaker 2: Don't displace or don't you're gentrifying the Olympics. 533 00:28:26,200 --> 00:28:28,440 Speaker 1: Okay, damn it. I was really trying hard not to 534 00:28:28,480 --> 00:28:29,760 Speaker 1: do that on this podcast. 535 00:28:29,920 --> 00:28:32,520 Speaker 2: Gay guys, we gentrify and we just have to reckon 536 00:28:32,560 --> 00:28:32,840 Speaker 2: with that. 537 00:28:34,600 --> 00:28:38,360 Speaker 1: Leisure fatigue is so complicated to be so I guess 538 00:28:38,360 --> 00:28:39,600 Speaker 1: we're giving Sunny Troy the gold. 539 00:28:39,680 --> 00:28:43,479 Speaker 2: Huh, Sonny gets the gold. This girl was working at 540 00:28:43,560 --> 00:28:48,160 Speaker 2: s day Lauder running the pop ups and the activations 541 00:28:48,280 --> 00:28:52,160 Speaker 2: and figuring out how to get a booth at the 542 00:28:52,200 --> 00:28:58,160 Speaker 2: mall Global Creative Operations. That is a huge, huge responsibility 543 00:28:58,240 --> 00:29:01,680 Speaker 2: for a I'm sorry, disc big global company. 544 00:29:02,080 --> 00:29:06,640 Speaker 1: So let me tell you something. She It's like when 545 00:29:06,680 --> 00:29:09,960 Speaker 1: someone is so good at living life that they I 546 00:29:09,960 --> 00:29:13,640 Speaker 1: guess you could say she shreds. She shreds. Sunny shreds. 547 00:29:13,960 --> 00:29:17,240 Speaker 2: Sunny shreds the endgame for her and this is is 548 00:29:17,240 --> 00:29:21,880 Speaker 2: actually from her. She wants to open up a nonprofit 549 00:29:22,000 --> 00:29:25,880 Speaker 2: dance studio and just pay it forward. She is the 550 00:29:25,880 --> 00:29:28,000 Speaker 2: Alicia Edwards of the Olympics. We have to give her 551 00:29:28,040 --> 00:29:28,400 Speaker 2: the gold. 552 00:29:29,160 --> 00:29:32,120 Speaker 1: She has the gold. Congratulations, Sonny, you earn the medal 553 00:29:32,160 --> 00:29:34,880 Speaker 1: that matches the hue of your name and you were 554 00:29:34,920 --> 00:29:35,960 Speaker 1: born for this moment. 555 00:29:36,880 --> 00:29:44,360 Speaker 2: Sonny congratulations, that was beautiful, That was poet. 556 00:29:44,120 --> 00:29:46,120 Speaker 1: Thank you, thank you. You know I learned to use 557 00:29:46,160 --> 00:29:49,080 Speaker 1: my voice too many years ago. Can't get into it now, though, 558 00:29:49,120 --> 00:29:52,160 Speaker 1: because while we're wrapping up the episode and we want 559 00:29:52,160 --> 00:29:54,920 Speaker 1: to thank everyone for being here yet again and invite 560 00:29:54,960 --> 00:29:57,000 Speaker 1: you to watch every moment of the twenty twenty four 561 00:29:57,040 --> 00:30:00,760 Speaker 1: paras Olympics beginning July twenty six on NBCNP and for 562 00:30:00,800 --> 00:30:03,000 Speaker 1: the first time, you can stream the twenty twenty four 563 00:30:03,040 --> 00:30:04,720 Speaker 1: parischemes on the iHeartRadio app. 564 00:30:04,960 --> 00:30:08,440 Speaker 2: We hope you enjoyed this episode. We hope you use 565 00:30:08,960 --> 00:30:11,480 Speaker 2: Elizabeth Chief in the real world. Do you really want 566 00:30:11,520 --> 00:30:12,320 Speaker 2: this to be a movement? 567 00:30:12,720 --> 00:30:13,560 Speaker 1: We finally did it. 568 00:30:13,720 --> 00:30:15,280 Speaker 2: We finally did it. I think we solved something.