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Speaker 1: Okay, hey man, he's in my face.

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Speaker 2: It don't matter if you would buy an inch or

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Speaker 2: mind women, I don't have friends, okay.

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Speaker 1: Friendly, yeah, vroom, vroom. Welcome back to Fast Friends, the

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Speaker 1: No Donk summer podcast series, where we've decided to watch

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Speaker 1: and break down every action film from the Fast and

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Speaker 1: Furious franchise. Why because we're local. Man, I'm still I'm still.

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Speaker 2: J E.

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Speaker 1: Skeets Ready to discuss too Fast, Too Furious with our

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Speaker 1: double f expert, a man who's always hungry, Trey Kirby. Hey,

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Speaker 1: hey man, we've got our super producer. We're gonna call

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Speaker 1: him the Jimmy of the bunch. Here tinkering under the

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Speaker 1: podcast hood. It's JD.

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Speaker 3: Hello. Yeah, where am i Macai shared today? I was inspired?

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Speaker 2: Very nice.

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Speaker 1: If you're back listening to Fast Friends, thank you so much.

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Speaker 1: I guess you enjoyed us talking about the original movie

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Speaker 1: enough to join us again here for the sequel. Thanks

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Speaker 1: to everybody who tweeted at us and emailed in and

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Speaker 1: most importantly left us that five star rating and review

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Speaker 1: on Apple Podcasts, or finally decided to subscribe to No

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Speaker 1: Dunks on YouTube. Much love, JD. Do you have a

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Speaker 1: Corona today. I decided against it because we got.

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Speaker 3: No Dom, Yeah, exactly of grade point. I don't have

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Speaker 3: any I forgot Actually they were going to do that,

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Speaker 3: but then you pointing that out just let me off

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Speaker 3: the hook. So thank you for that. Ye all right?

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Speaker 3: So now, Dom, what's the point in fact, did we

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Speaker 3: see any corona in this movie?

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Speaker 1: Not a single corona, not a single snapple was consumed.

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Speaker 1: All you need to know there was a few Pepsi

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Speaker 1: product placements. I noticed. I did see that. We should

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Speaker 1: have grabbed one of those. But I hate Pepsi.

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Speaker 2: Can't drink it down here in Atlanta. They don't let you.

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Speaker 2: They don't even sell it.

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Speaker 1: That's right, that's right. So we are going to get

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Speaker 1: to Too Fast and Too Furious. But but but TK

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Speaker 1: let us know in the last episode of Fast Friends

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Speaker 1: that there's this six minute short that details the events

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Speaker 1: prior to the sequel where runaway fugitive Brian O'Connor Paul Walker,

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Speaker 1: of course, leaves La in order to evade police capture.

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Speaker 1: This thing is on YouTube, you can look it up.

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Speaker 1: It's called the Turbocharged Prelude for Too Fast and Too Furious.

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Speaker 1: It's so turbocharged. TK that there's no goddamn dialogue in

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Speaker 1: this thing, no time. It is so weird, it is

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Speaker 1: really pointless. I was I watched it twice because I

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Speaker 1: was like, what did I just watch Bay that back? Yeah?

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Speaker 1: I know, just for those that have never seen it

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Speaker 1: like this, the plot of this little short is so simple.

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Speaker 1: It's Brian Packing's banks leaving LA before the cops arrive

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Speaker 1: to arrest them, which we got to get into because

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Speaker 1: I got a bunch of questions about that. The FBI

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Speaker 1: launches a national manhunt for him. He's traveling across Arizona,

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Speaker 1: New Mexico, Texas. What's he doing while he's going across

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Speaker 1: the country. He's winning every damn street race he goes in.

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Speaker 1: For sure. He's got a red Dodge Stealth. Where'd that

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Speaker 1: come from? Who knows. However, he's forced to ditch his

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Speaker 1: car at a motel in San Antonio. When police officers

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Speaker 1: they find out he's there, they're notified of his presence

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Speaker 1: when it's so ridiculous. When they collect his car, perfect timing,

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Speaker 1: he manages to hitch a ride from an unknown woman

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Speaker 1: that he's seen at the diner. You know they've traded

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Speaker 1: a look with each other. She knows that he's a fugitive.

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Speaker 1: I think that he's on the road. Well, yeah, she

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Speaker 1: definitely does.

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Speaker 2: She has the paper. He's got the paper. Yea, she reads.

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Speaker 2: She keeps up to date in the news.

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Speaker 1: This unnamed woman drops Brian off a at a youth

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Speaker 1: car lot. Okay, buys a car and modifies it, and

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Speaker 1: you know, he paints it silver and then he tries

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Speaker 1: ravel to Miami where he sees somebody's wheels before the

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Speaker 1: screen reads to be continued. That's it. That's the six

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Speaker 1: minutes short. I guess one question, why why did they

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Speaker 1: make this? Like, what was the point of this? TK?

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Speaker 2: I told you didn't need to watch it, skeets and

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Speaker 2: he went and watched it twice. I've been a fan

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Speaker 2: of this franchise for twenty years, and I think the

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Speaker 2: first time I saw it was last week, just getting

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Speaker 2: ready for this podcast, and I was like, Wow, there's

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Speaker 2: a reason nobody talks about this, because nobody talks in it.

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Speaker 2: I suppose you do learn three things. Brian left because

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Speaker 2: the cops were chasing him. What. Not sure how the

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Speaker 2: cops knew to chase him. I'm not sure why he

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Speaker 2: didn't just tell him some kind of lie. Yeah, the

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Speaker 2: last time I saw Dom, he had a massive gun

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Speaker 2: and he threatened to take my car, so I let him.

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Speaker 2: You probably could have gotten away with something there. We

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Speaker 2: also learn how Brian got his skyline. Okay, I mean, okay,

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Speaker 2: that's good to know. He barely drives the skyline in

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Speaker 2: the next movie. And we also learned that Brian does

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Speaker 2: have a rep, or at least why he has a

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Speaker 2: rep as a street racing legend, going from coast to coast, winning, winning,

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Speaker 2: winning again. We had just seen an hour and a

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Speaker 2: half of Brian being a baller driver. We don't necessarily

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Speaker 2: need the origin story of Brian being a good driver

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Speaker 2: if we already know that he's a good driver. This

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Speaker 2: was This is a weird one. This is a weird one,

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Speaker 2: So it goes only.

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Speaker 1: JD What did you make of this thing?

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Speaker 2: Like?

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Speaker 1: I guess it appeared on the DVD and then maybe

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Speaker 1: they released it in theaters like right prior to Too Fast,

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Speaker 1: Too Furious, or I don't know, maybe it I don't know.

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Speaker 1: It's a little confusing. Where the hell this thing actually aired?

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Speaker 3: Yeah? I heard that it was a DVD extra, which

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Speaker 3: made me think that they must have shot all of

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Speaker 3: this for the movie, right, like for the sequel, well

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Speaker 3: for a two Fast, Few three Furious, like it was

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Speaker 3: part of the movie. Sure, that's what I thought, And

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Speaker 3: they were like, well, we can't have all of this

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Speaker 3: him driving across you know, Like, yeah, the story starts

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Speaker 3: in Miami. So that's what I figured, because otherwise for

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Speaker 3: them to just go out and make this like from scratch,

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Speaker 3: is how expensive would it have been? I mean, how

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Speaker 3: many races were there? I mean, you got Minka Kelly's

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Speaker 3: in it for Christy like it just made it made

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Speaker 3: no sense other than hey, we got this footage, you

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Speaker 3: might as well, you know, make it a DVD extra.

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Speaker 3: That's the only thing that makes sense to me.

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Speaker 1: But who knows.

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Speaker 3: It's a crazy universe. This, this Fast and Furious world

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Speaker 3: is just strange and.

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Speaker 2: Got to know the lore. How could you possibly watch

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Speaker 2: the second movie without knowing how Brian made his way

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Speaker 2: from coast to coast getting cars. But you're right, the

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Speaker 2: only way it makes sense is if this should have

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Speaker 2: been like the opening scene of Too Fast, Too Furious,

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Speaker 2: like it at least links up there. But like you're saying,

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Speaker 2: imagine they started a movie with this six minutes. People

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Speaker 2: would leave, see no talking.

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Speaker 1: We're here. Yeah, it's so bad again, Still confuse why

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Speaker 1: he couldn't have come up with a lie to the

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Speaker 1: actual cops, Like yeah, Dom had me at gunpoint, I

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Speaker 1: had to give him my car, like done. I think

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Speaker 1: they would have believed it, you know, But instead he's

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Speaker 1: on the run, leaves his badge in the bathroom, just

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Speaker 1: hangs it on the corner of the mirror. Though I

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Speaker 1: laughed out loud. The reason I actually watched it the

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Speaker 1: second time he has cars in his bathroom. This guy

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Speaker 1: loves cars so much. Got two photos and cars. Cars

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Speaker 1: can't stop.

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Speaker 2: You can't stop thinking of cars.

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Speaker 1: Our Yeah, anyway, it's it's really pointless. Tk's right. You

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Speaker 1: do not need to go watch this by any means.

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Speaker 1: But if you're listening to a podcast where we're talking

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Speaker 1: about a movie twenty years later, why not?

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Speaker 2: Sure?

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Speaker 1: Sure, he got six minutes to spare. Okay, let's get

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Speaker 1: to uh too fast. Too Furious released in the US

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Speaker 1: on June sixth, two thousand and three. Budget basically doubled, right,

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Speaker 1: seventy six million dollars for this one. Box office did

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Speaker 1: two thirty six million worldwide. I think that's pretty similar

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Speaker 1: to the first one, the skinny. I mean, we sort

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Speaker 1: of already told you where it's going, but former cop

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Speaker 1: Brian O'Connor called upon to bust a dangerous criminal with

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Speaker 1: the help of a former childhood friend and street racer

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Speaker 1: who has a chance to redeem himself. That is Tyresee

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Speaker 1: he's in it. Paul Walker, of course, Eva Mendez, and

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Speaker 1: many others that we'll get to. Directed by John Singleton.

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Speaker 1: I did not know this at all. JD. Did you

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Speaker 1: know that the famous director from Boys in the Hood

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Speaker 1: did this movie?

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Speaker 3: You had no idea at all. I was and I

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Speaker 3: would never have guessed after watching the movie that John

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Speaker 3: Singleton directed it. But there you go, allan, Hey, he

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Speaker 3: he's versatile. I guess you.

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Speaker 1: Know, I guess so. I mean, I hope they paid

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Speaker 1: him a lot of money for this. I'm assuming they did. Trey.

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Speaker 1: Before we get into the actual plot and the recap

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Speaker 1: of the movie, what do you remember that the first

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Speaker 1: time you saw Too Fast, Too Furious?

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Speaker 2: This would have been after my sophomore year of college.

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Speaker 2: I'm pretty sure I saw with my college girlfriend and

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Speaker 2: a theater in Lamont's, Illinois. But Skeets, you were listing

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Speaker 2: off all these stars Paul Walker, Tyrese Eva Mendez, directed

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Speaker 2: by John Singleton.

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Speaker 1: No Van Diesel.

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Speaker 2: Oh, and that's what I mostly remember about this movie,

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Speaker 2: being less hyped to see this without Van Diesel being

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Speaker 2: more excited. I'm not sure I've seen conflicting information if

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Speaker 2: he was doing Chronicles of Ritick or Triple X at

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Speaker 2: the time, but I was very excited for Triple X

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Speaker 2: to be coming on. But I still wanted to see

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Speaker 2: this in theaters because I was a Paul Walker fan.

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Speaker 2: He was great in Varsity Blues. He was the star

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Speaker 2: of the first Fast movie. But I had to pull

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Speaker 2: deep for these memories, not nearly as vivid as the

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Speaker 2: first one. Wasn't doing burning burnouts in the parking lot afterwards,

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Speaker 2: had somewhat different interests being a sophomore in college. So

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Speaker 2: it just didn't hit the same man, just hit different

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Speaker 2: and not in a good way.

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Speaker 1: Yeah. Well again, we'll grde it later on. I guess. Yeah,

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Speaker 1: this movie's notable sort of because of who's not in it,

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Speaker 1: not only Vin Diesel turning down this role and something

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Speaker 1: he said he's regret he regrets now. He said he

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Speaker 1: hated the script though, and all that fair enough, maybe,

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Speaker 1: But Joe Rule too not in this, and I read

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Speaker 1: that he was supposed to be. They offered him half

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Speaker 1: a million dollars to be in Too Fast, Too Furious,

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Speaker 1: and he turned it down. He thought he was worth more,

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Speaker 1: and so that is why it ended up going to Ludacris,

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Speaker 1: who I don't think I'm wrong here. He ends up

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Speaker 1: sticking around, does he not? Ludacris is in a lot

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Speaker 1: of these movies.

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Speaker 2: Oh yeah, I think this was maybe his first or

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Speaker 2: one of his earliest acting credits. He's still ludicrous at

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Speaker 2: this point rather than Chris Bridges as he would become.

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Speaker 2: But yeah, this kind of like launched him. And I

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Speaker 2: think the story goes that jaw Rule could have had

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Speaker 2: the ludicrous role, but he didn't want the ludicrous role, right,

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Speaker 2: He wanted the Tyresee role. He wanted to be not

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Speaker 2: a secondary character like one of the stars of the movie.

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Speaker 2: So he's either saying, yeah, maybe pay me a little more,

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Speaker 2: give me a bigger role, or pay me a little

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Speaker 2: more and I'll take this role.

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Speaker 1: Either way.

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Speaker 2: Talk about your all time major backfires, Jah Rule, Yeah,

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Speaker 2: would have paid off in the long run to stick around.

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Speaker 1: Oh exactly. I mean I said this to Nora. This

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Speaker 1: little fact and she's like, well, John Rule was probably

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Speaker 1: at the height of his popularity in the early two thousands.

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Speaker 1: I mean he was like it felt like he was

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Speaker 1: on every you know, radio station playing and he saw

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Speaker 1: he was like the he was, you know, a featured

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Speaker 1: guest on so many songs or whatever. I was like, yeah,

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Speaker 1: I guess he was big, but still and he just

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Speaker 1: turned out half a million dollars to like be in

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Speaker 1: like what eight scenes in this movie, Like little Chris

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Speaker 1: is not in it all?

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Speaker 2: Then not a ton.

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Speaker 1: He's actually pretty good and I like that he sticks

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Speaker 1: around for this series. But yeah, Joe Rule, ooh, I'm

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Speaker 1: sure he wishes he had that one back. Anyway, let's

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Speaker 1: get into the movie starts with a universal logo turning

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Speaker 1: into a wheel.

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Speaker 3: That was cringed right away. Right away. I was just like,

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Speaker 3: oh god, no, here we go. And I like it

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Speaker 3: when movies do that. I like it when the logo

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Speaker 3: morphs into something. I don't know. My one of my

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Speaker 3: favorite movies of all time, right, is it a lot

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Speaker 3: of stark The Columbia Mountain becomes the mountain in Columbia

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Speaker 3: or where right, which is which was awesome? And I

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Speaker 3: love that stuff. But this time it was so over

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Speaker 3: the top and looked bad. It just like the CG whatever.

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Speaker 3: The the animation of it was awful, like and it's

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Speaker 3: just and then it just after all everything, it just

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Speaker 3: dissolves into a wheel and what was the point of it?

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Speaker 3: Like oh, and then and then immediately after like whatever,

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Speaker 3: a couple of couple of frames later, the animated swirling

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Speaker 3: too Fast, too furious comes in and that was like

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Speaker 3: a like a complete laser tag match. We're like right there,

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Speaker 3: like it's like okay, okay, we get.

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Speaker 1: It, we get showing off. We got a bigger budget.

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Speaker 1: Let's go. We got some money to play with here

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Speaker 1: to throw into these into these logos, in these mones

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Speaker 1: in this intro. All right, so it does basically start

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Speaker 1: and we'll go through this sort of scene by scene

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Speaker 1: again we can all jump in. We'll eventually get to

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Speaker 1: the fast portion of our show. Things we like, our

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Speaker 1: favorite quotes, favorite cars, the furious part, things that upset us,

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Speaker 1: things that made no sense we got. We'll turn to

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Speaker 1: one of our wives or one of their questions when

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Speaker 1: we go to it's all about family on this podcast,

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Speaker 1: and then any random observations that we have. But Brian O'Connor,

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Speaker 1: Paul Walker. He relocates to Miami. You know we're right there,

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Speaker 1: and he we learned that he's making a living participating

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Speaker 1: still in illegal street races. He is driving a heavily

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Speaker 1: modified silver Nissan Skyline GTR.

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Speaker 2: How did he get it? How did he get it?

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Speaker 2: Hold on, how did he get this? Well? I just

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Speaker 2: remember the first time I saw this in the theater,

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Speaker 2: I was like, where did Brian get his car? I

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Speaker 2: didn't know about the short at that point, so kind

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Speaker 2: of ruined it for everyone.

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Speaker 1: Yeah, yeah, buying it in a garage, flipping it. The

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Speaker 1: races are organized by his local mechanic friend Ted Parker,

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Speaker 1: who is who is ludicrous. And we're sort of quickly

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Speaker 1: right into a race. That's what the Fast and Furious

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Speaker 1: franchise likes to do, at least so far through two movies.

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Speaker 1: And we get this race. We get this race set up.

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Speaker 1: My very part is ludicrous. He won't start a race

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Speaker 1: with only three drivers. Gotta have a fourth. It's like

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Speaker 1: a rule. It's like, we gotta have a fourth. And

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Speaker 1: that is where he calls Brian and says, hey, get

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Speaker 1: over here, you got four minutes. Four loves the number four,

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Speaker 1: like why and he gets there and he ends up

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Speaker 1: winning this race, and a lot goes down to this.

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Speaker 1: So let's get into this this first one. JD get

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Speaker 1: Us started, what did you think about the opening to

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Speaker 1: this movie? And yeah, the first race sequence.

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Speaker 3: Well, the first thing about the race is they up

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Speaker 3: the stakes to thirty five large, So that means that

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Speaker 3: everybody's putting into thirty five thousand dollar and so that

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Speaker 3: the winner is walking away with one hundred and five

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Speaker 3: thousand dollars.

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Speaker 1: Oh, that's funny you asked that, because why are they

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Speaker 1: so hell bent to Like Suki, one of the female

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Speaker 1: drivers this, she's like racing for second or thrown. At

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Speaker 1: one point is maybe there's a payout structure. JD.

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Speaker 3: Is amazing possible, I guess, but I was just I

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Speaker 3: was blown away, and I was to the point where

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Speaker 3: I googled thirty five large, like what is it? Is

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Speaker 3: that what I think it is because all these years

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Speaker 3: I thought large meant thousands, So thirty five thousand dollars.

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Speaker 3: So you're you're you're Orange Julius. Awesome name, probably the

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Speaker 3: best name in the franchise so far. Orange Julius is like, hello,

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Speaker 3: I didn't say it. I didn't agree to him upping

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Speaker 3: the stakes to thirty five thousand dollars. Can you imagine, Okay,

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Speaker 3: he just has it on him. They all have it

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Speaker 3: all of a sudden, And what was it before?

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Speaker 2: Anyway, I think, doesn't Brian say something like, let's bump

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Speaker 2: it a nickel? So he's raising it five thousand dollars.

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Speaker 2: So they were all showing up expecting to race for

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Speaker 2: thirty k Brian shows up and says, let's race for

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Speaker 2: thirty five. And I think it was Orange Julius. It

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Speaker 2: was like, I don't know, too rich for Yeah, you

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Speaker 2: showed up ready to race for thirty, but thirty five

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Speaker 2: you're like, I don't know, I don't know.

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Speaker 1: That's just a little bit too far.

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Speaker 2: But also the first race, in the very first, The

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Speaker 2: Fast and the Furious, they're racing for two thousand dollars

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Speaker 2: a piece. That's the entry fee. And honestly, like you

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Speaker 2: can tell so much the difference in these two movies

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Speaker 2: from this first race. A, they're racing for twenty times

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Speaker 2: more money. That's huge. B there's twenty times more racing.

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Speaker 2: We're not racing a quarter mile at a time. Here,

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Speaker 2: they're driving like laps At this point, they're swerving left

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Speaker 2: and right. There are corners, there are things to turn around,

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Speaker 2: there are passing opportunities, and of course a ludicrous has

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Speaker 2: a surprise in his back pocket. I gotta say, too

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Speaker 2: big of a surprise.

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Speaker 3: Again again Orange Julius being the voice of reason, going, no,

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Speaker 3: I am not jumping over this bridge that we've ever discussed.

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Speaker 1: This was not discussed.

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Speaker 3: We're gonna go over the bridge, and that's the finish line.

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Speaker 3: But uh oh, ludicrous is raising the bridge so now

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Speaker 3: where dukes have hazarding it over, No, I'm not doing it.

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Speaker 3: I'm not doing it. That's how I would be, That's

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Speaker 3: how I think everybody would be.

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Speaker 1: Just oh, im on the brakes one hundred percent. Yeah, this,

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Speaker 1: you're right. You nailed it there, Tray. It's a hell

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Speaker 1: of a race to the point where they're like there's

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Speaker 1: a quick shot of them like shutting down streets like

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Speaker 1: with like caution and like pylons. I can't go down.

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Speaker 1: So they've mapped off this portion of Miami and then yeah,

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Speaker 1: broken into this like I don't know what would you

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Speaker 1: call that control center for the drawbridge or whatever. Yeah,

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Speaker 1: and they go in, Yeah, they crank it up and

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Speaker 1: this is when we get the first like, what the

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Speaker 1: hell where the car jumps over the car, I mean,

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Speaker 1: Brian's car with the help of nos jumps over who

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Speaker 1: does he jump over there? Slapjack I can't.

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Speaker 2: Remember, Slapjack, Yeah, Slapjack, Slapjack Sukie and Orange is lying.

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Speaker 1: Yeah, because we got a big chunk of the race

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Speaker 1: where oj Is is battling Sukie again, like, we get

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Speaker 1: a lot of like It's like, for a second, I

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Speaker 1: thought I was watching an F one race. It's like,

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Speaker 1: why do I care so much about who's in third

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Speaker 1: and fourth.

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Speaker 3: In this race?

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Speaker 1: Got to get the points, I know, I think, so. Yeah,

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Speaker 1: so it is Brian that jumps over Slapjack again with

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Speaker 1: the help of the nice drum, and man, it's like,

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Speaker 1: oh oh, this is where we're going immediately with the

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Speaker 1: with the franchise here because I fell like the first one.

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Speaker 1: Now it's ridiculous, as we talked about, but sort of

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Speaker 1: realistic at least what's going on and this one, you know,

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Speaker 1: we got cars jumping over cars, cars jumping onto boats,

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Speaker 1: and it's like, Okay, I've seen the trailers for the movies.

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Speaker 1: As this series goes on, it gets crazier and crazy

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Speaker 1: and crazy, and it's like, okay, we're right into it.

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Speaker 1: Is that is that fair tk to assume that?

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Speaker 2: Yeah, one hundred percent. Uh you mentioned it earlier. The

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Speaker 2: budget doubled, and you can tell right like, it looks

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Speaker 2: a lot crazier. Things are a lot more hyped up.

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Speaker 2: There's a lot more flash all around. You know. The

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Speaker 2: first one was kind of a smaller movie, the gritty

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Speaker 2: in and out of the La Street racing scene, and

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Speaker 2: now it's the glitz of Miami, and you know, everything's

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Speaker 2: bigger and badder at this point, from the payouts of

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Speaker 2: the races to the actual races themselves. I love that

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Speaker 2: anytime a race ends the way, you really congratulate people.

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Speaker 2: What's up up?

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Speaker 1: Yeah, that's how you know you won.

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Speaker 2: Brian's throwing mad blossops as soon as he comes across

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Speaker 2: the finish line. Yeah yeah, yeah, Brian's back bullet. They're

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Speaker 2: calling him bullet.

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Speaker 1: Now. Any scene where they're out of their cars and

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Speaker 1: there's one hundred, two hundred, five hundred people around, and

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Speaker 1: those people fifty yards away can hear their conversation perfectly

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Speaker 1: despite their being like the loudest cars imaginable. All these

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Speaker 1: sound systems bumping. It's like everybody can just hear what

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Speaker 1: these two guys are saying and then are reacting accordingly.

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Speaker 1: It makes me laugh every time because we did get

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Speaker 1: a quick hell of a sound system product placement there

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Speaker 1: at the beginning before the race, we like panned to

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Speaker 1: three different cars to see what they had in their

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Speaker 1: trunk there wherever you put those in your I think

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Speaker 1: they go in your trunk. I don't know, I know anyway, Yeah,

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Speaker 1: crazy race to get us started here, and this is

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Speaker 1: where we get our first introduction of Eva Mendez, who

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Speaker 1: is we learn is Monica. She's an undercover cop, but

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Speaker 1: they have a look JD. And you know, there's a

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Speaker 1: lot of like I don't know the chemistry between Brian

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Speaker 1: and then Monica, this love relationship, I guess, or this

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Speaker 1: attraction to each other. I mean, as the movie goes

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Speaker 1: on here, we'll get into each scene, but it's like

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Speaker 1: this instantaneously, I guess, you just fall into those walker eyes.

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Speaker 3: You can't help yourself. Yeah, I guess, so, you know.

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Speaker 3: And Eva Mendez no slouch, oh a wautiful woman, you know,

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Speaker 3: so it makes sense. Although I would I wouldn't go

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Speaker 3: so far as to say they have chemistry, I mean no,

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Speaker 3: and it was very hard to tell the nature of

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Speaker 3: their relationship. And did they recognize each other at the

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Speaker 3: very beginning or was it just like there's a hot

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Speaker 3: woman staring directly at right now?

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Speaker 1: Okay, right right, I still got it. I guess even

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Speaker 1: though these baggy shirts that I'm wearing down here in Miami.

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Speaker 2: The chicks still dig me, all right, So, I mean,

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Speaker 2: they really do make use of Paul Walker's eyes in

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Speaker 2: this one, right, there's several scenes of him staring and

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Speaker 2: I guess when you got him on the payroll, you

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Speaker 2: gotta show.

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Speaker 1: Those those digits. Man. So after this crazy race scene

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Speaker 1: where he gets this huge payout, gives gives his buddy

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Speaker 1: Ludacris some money, we're gonna be doing this thing like

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Speaker 1: we did with Dom and Vin I know it here

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00:21:57,440 --> 00:22:02,919
Speaker 1: with especially Ludacris, and his name is te that's right, yes, yeah, yeah,

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Speaker 1: he pays him off a little bit. Anyway, the cops

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Speaker 1: show up, of course, just like the first one, exactly

431
00:22:10,119 --> 00:22:12,920
Speaker 1: like it. Here they come and Brian is arrested though,

432
00:22:13,040 --> 00:22:14,960
Speaker 1: and he's taken into custody and you're like, well, where

433
00:22:15,000 --> 00:22:15,480
Speaker 1: is this going?

434
00:22:16,000 --> 00:22:16,080
Speaker 4: Uh?

435
00:22:16,359 --> 00:22:18,880
Speaker 1: Oh, this is where we see the first Harpoon, right.

436
00:22:19,000 --> 00:22:22,080
Speaker 2: The first electronics grappling hook or whatever that thing is.

437
00:22:22,520 --> 00:22:26,400
Speaker 1: Oh my god, I mean fast than Furious franchise movies,

438
00:22:26,440 --> 00:22:30,480
Speaker 1: so far too for two And Harpoon's playing first with

439
00:22:30,640 --> 00:22:33,160
Speaker 1: the trucks and now it's with like cops firing them

440
00:22:33,400 --> 00:22:37,720
Speaker 1: cars to like what I guess, like screw up the

441
00:22:35,880 --> 00:22:38,560
Speaker 1: uh the electronics.

442
00:22:38,800 --> 00:22:45,040
Speaker 2: Yeah, yeah, apparently this is gonna blow your minds. Apparently

443
00:22:45,080 --> 00:22:48,760
Speaker 2: that device doesn't exist in real life. Yeah, that's a

444
00:22:48,840 --> 00:22:50,280
Speaker 2: movie invention, believe it or not.

445
00:22:50,359 --> 00:22:53,280
Speaker 3: Okay, okay, so no, no taser for cars.

446
00:22:53,680 --> 00:22:58,080
Speaker 2: No, your cars really acted. I've just blasted what it is.

447
00:22:58,119 --> 00:23:00,960
Speaker 1: You're right. So there, So they're taking into custy. He's

448
00:23:00,960 --> 00:23:04,480
Speaker 1: taking into custody. But but but he is given a

449
00:23:04,520 --> 00:23:07,199
Speaker 1: deal very quickly, I might add by his former boss,

450
00:23:07,600 --> 00:23:11,600
Speaker 1: FBI agent Bilkins. He is back baby, very excited about that,

451
00:23:11,760 --> 00:23:15,560
Speaker 1: and a new character, US Customs agent Markham. They say

452
00:23:15,600 --> 00:23:18,160
Speaker 1: to Brian, you gotta go undercover again. Man, we need

453
00:23:18,160 --> 00:23:21,119
Speaker 1: your help again. I know you're on the run. There

454
00:23:21,200 --> 00:23:25,000
Speaker 1: was a full blown man hunt for you, but hey, man,

455
00:23:25,040 --> 00:23:29,760
Speaker 1: we need you because you know cars, and what they

456
00:23:29,760 --> 00:23:33,160
Speaker 1: need is help with is bringing down this Argentinian drug

457
00:23:33,200 --> 00:23:38,280
Speaker 1: lord Carter Verone. In exchange they will clear his criminal record.

458
00:23:38,320 --> 00:23:41,040
Speaker 1: Like not a bad deal. And again they got to

459
00:23:41,080 --> 00:23:45,080
Speaker 1: it so quickly in the movie we got you. You're underrest,

460
00:23:45,200 --> 00:23:47,719
Speaker 1: need your help, buddy, and he's like, okay, let's do it.

461
00:23:48,400 --> 00:23:51,320
Speaker 1: So that's where we meet agent Monica Fuentes, who's Eva

462
00:23:51,480 --> 00:23:55,560
Speaker 1: Eva mendezxcuse me. She's under cover. She's under a Verone.

463
00:23:55,560 --> 00:23:57,760
Speaker 1: There's been there a year, they tell us, and she

464
00:23:57,840 --> 00:24:02,600
Speaker 1: agrees to assist Brian full him into the organization. But but,

465
00:24:02,600 --> 00:24:05,639
Speaker 1: but but they say, you're gonna get this cop, this

466
00:24:05,680 --> 00:24:10,880
Speaker 1: guy named Done drinking a slurpie or something and.

467
00:24:12,440 --> 00:24:14,040
Speaker 2: A lot more professional here done.

468
00:24:14,200 --> 00:24:19,560
Speaker 1: Yeah, him right away, test him on his engine knowledge

469
00:24:20,320 --> 00:24:24,720
Speaker 1: and he fails. Yeah, And so Brian's like, we can't

470
00:24:24,720 --> 00:24:26,439
Speaker 1: do it. I'm not doing it with this guy. This

471
00:24:26,480 --> 00:24:29,080
Speaker 1: guy doesn't know shit about cars. So he agreed, he

472
00:24:29,119 --> 00:24:31,520
Speaker 1: agrees he'll do it under the condition he gets to

473
00:24:31,520 --> 00:24:33,959
Speaker 1: pick his own partner. And then and this is this

474
00:24:34,040 --> 00:24:36,359
Speaker 1: is where we then of course get to uh to

475
00:24:36,520 --> 00:24:39,280
Speaker 1: Roman to Tyresse. But yeah, what were you excited to

476
00:24:39,280 --> 00:24:41,080
Speaker 1: see Bilkins back in the mixt gd I.

477
00:24:43,600 --> 00:24:47,600
Speaker 3: Love Bilkins? Uh I can't remember if he sticks around though.

478
00:24:48,680 --> 00:24:52,400
Speaker 3: So Yeah, but he's a great character. He's he's awesome,

479
00:24:52,440 --> 00:24:56,520
Speaker 3: he's uh, he's a likable guy. He's just uh, you know,

480
00:24:56,800 --> 00:24:59,840
Speaker 3: his old boss, and it seems like he's in his corners.

481
00:25:00,000 --> 00:25:02,600
Speaker 3: I'm happy. Yeah, it was nice. It's nice to add

482
00:25:02,600 --> 00:25:04,520
Speaker 3: that Paul Walker has some money in his corner.

483
00:25:05,080 --> 00:25:06,800
Speaker 1: I thought he was. I thought he was like used

484
00:25:06,800 --> 00:25:10,000
Speaker 1: a little bit more for comedic relief in the too. Yeah,

485
00:25:10,040 --> 00:25:11,919
Speaker 1: because like even like the fight scene coming up here,

486
00:25:11,920 --> 00:25:14,119
Speaker 1: he's like, oh, let me eat my sandwich unless these

487
00:25:14,160 --> 00:25:17,080
Speaker 1: guys throwed out. It's got all these little quips. He's

488
00:25:17,119 --> 00:25:19,440
Speaker 1: just uh, he's just loving it. He's gotta help this

489
00:25:19,640 --> 00:25:23,000
Speaker 1: Ya is such a great driver. We're gonna help him out.

490
00:25:23,640 --> 00:25:26,399
Speaker 1: But yeah, TK anything to add from this set up

491
00:25:26,400 --> 00:25:28,959
Speaker 1: here seeing Bilkins again, Monica, the whole setup where we're

492
00:25:29,000 --> 00:25:32,600
Speaker 1: going to eventually uh travel and find Roman.

493
00:25:33,400 --> 00:25:35,320
Speaker 2: Uh not too much. I do like how quick they

494
00:25:35,320 --> 00:25:37,320
Speaker 2: get into it. And I definitely had a oh shit,

495
00:25:37,480 --> 00:25:40,080
Speaker 2: it's Bilkins because I forgot I kind of forgot he

496
00:25:40,160 --> 00:25:43,000
Speaker 2: came back. Maybe he keeps coming back every single time.

497
00:25:43,160 --> 00:25:47,000
Speaker 2: He knows one good driver in all of America anytime

498
00:25:47,000 --> 00:25:50,480
Speaker 2: there's a job with drive and he's like, well, we're

499
00:25:50,480 --> 00:25:53,280
Speaker 2: going O'Connor again. I guess we're going O'Connor find him.

500
00:25:53,200 --> 00:25:56,160
Speaker 1: Wherever he is. Yeah, it is like a little strange,

501
00:25:56,200 --> 00:25:58,760
Speaker 1: like wouldn't that have been the perfect spot to like,

502
00:25:59,840 --> 00:26:03,560
Speaker 1: uh like tie up loose ends in the sense of Bilkins, Like,

503
00:26:03,600 --> 00:26:06,200
Speaker 1: hey man, what was what happened out there with Dom?

504
00:26:06,400 --> 00:26:11,080
Speaker 1: Like you know, like like just something about the past

505
00:26:10,880 --> 00:26:12,520
Speaker 1: all like it was.

506
00:26:12,520 --> 00:26:14,920
Speaker 2: Kind of just like here's Bilkins, remember him from the

507
00:26:14,960 --> 00:26:18,280
Speaker 2: first movie. These movies are related, but he doesn't give

508
00:26:18,320 --> 00:26:20,800
Speaker 2: you much backstory Like that would have been a perfect

509
00:26:20,840 --> 00:26:23,639
Speaker 2: plan to or a perfect place to basically do the

510
00:26:23,680 --> 00:26:26,760
Speaker 2: prelude right and say, so what happened? Oh, I drove

511
00:26:26,800 --> 00:26:29,600
Speaker 2: all the way across America winning races or whatever. He says, Well,

512
00:26:30,000 --> 00:26:33,400
Speaker 2: you just you get six minutes of sea wordless dialogue,

513
00:26:33,400 --> 00:26:36,200
Speaker 2: take taken care of in like three scenes or something

514
00:26:36,240 --> 00:26:38,639
Speaker 2: like that. But yeah, there was definitely more to be

515
00:26:38,720 --> 00:26:42,760
Speaker 2: done there, but it was all worth it for Brian

516
00:26:42,880 --> 00:26:46,920
Speaker 2: to show done that he knows absolutely nothing about motors?

517
00:26:46,920 --> 00:26:49,680
Speaker 2: Are you kidding me? Of course, you remember Brian when

518
00:26:49,720 --> 00:26:52,639
Speaker 2: he was getting into undercover street racing almost drove his

519
00:26:52,720 --> 00:26:55,960
Speaker 2: car off a cliff in the very first time. Looked

520
00:26:55,960 --> 00:26:58,560
Speaker 2: like a super amateur. But this guy's like, no way,

521
00:26:58,600 --> 00:26:59,800
Speaker 2: no way, totally big time in.

522
00:27:00,640 --> 00:27:02,600
Speaker 3: It's true. I forgot about that. That he was just

523
00:27:02,680 --> 00:27:06,960
Speaker 3: practicing driving in like an empty parking lodder or racetrack

524
00:27:07,080 --> 00:27:10,359
Speaker 3: or whatever and loses control of the car just trying

525
00:27:10,400 --> 00:27:11,320
Speaker 3: to turn a corner.

526
00:27:11,440 --> 00:27:13,560
Speaker 2: So sure, yeah he's pissed.

527
00:27:14,560 --> 00:27:17,480
Speaker 1: Good point, all right, So yeah we're not taking done.

528
00:27:17,720 --> 00:27:21,880
Speaker 1: I need my guy. So this prompts Brian with Bokins

529
00:27:22,160 --> 00:27:26,560
Speaker 1: to travel to Barstow. Where is Barstow? I thought it

530
00:27:26,600 --> 00:27:27,320
Speaker 1: was in California.

531
00:27:28,320 --> 00:27:30,080
Speaker 2: I think they said South Carolina.

532
00:27:30,720 --> 00:27:34,800
Speaker 1: Okay, that makes makes sense. I think I'm positive there's

533
00:27:34,800 --> 00:27:37,560
Speaker 1: a Barstow California. But I'm sure there's many other ones.

534
00:27:37,600 --> 00:27:40,679
Speaker 1: So yeah, it was a little unclear. Anyway, they go

535
00:27:40,760 --> 00:27:43,520
Speaker 1: there he and lists Brian does the help of his

536
00:27:43,600 --> 00:27:47,040
Speaker 1: childhood friend Roman Pierce. This is Tyresee, who we learned

537
00:27:47,119 --> 00:27:50,720
Speaker 1: serve jail time for housing stolen cars and he's currently

538
00:27:50,760 --> 00:27:54,640
Speaker 1: making a living as a demolition derby driver. A quick

539
00:27:54,720 --> 00:27:59,080
Speaker 1: pause here, JD, have you ever been to a demolition derby? No, match,

540
00:27:59,119 --> 00:28:01,720
Speaker 1: you haven't happen, man.

541
00:28:01,800 --> 00:28:05,680
Speaker 3: I know it's uh yeah, it's never not something I've

542
00:28:05,720 --> 00:28:08,800
Speaker 3: ever thought to go to, but yeah, they have them

543
00:28:08,800 --> 00:28:11,520
Speaker 3: all over Ontario, don't Oh yeah yeah, my uncle al

544
00:28:11,680 --> 00:28:14,720
Speaker 3: like every not every weekend, but it felt like maybe

545
00:28:14,960 --> 00:28:16,440
Speaker 3: once a month or something like that.

546
00:28:17,280 --> 00:28:18,800
Speaker 1: And I'm sure it wasn't even that much because I

547
00:28:18,840 --> 00:28:20,879
Speaker 1: was a kid. It was probably like around the fair,

548
00:28:21,080 --> 00:28:22,800
Speaker 1: so it probably happened like once or twice, but he

549
00:28:22,840 --> 00:28:26,359
Speaker 1: would go in it. He won once really, which was awesome. Yeah,

550
00:28:26,400 --> 00:28:27,840
Speaker 1: and I was a little bit older and I had

551
00:28:27,840 --> 00:28:29,760
Speaker 1: like helped paint the car, so it felt like I

552
00:28:29,840 --> 00:28:32,760
Speaker 1: was like a part of the team and stuff like that. Yeah,

553
00:28:32,800 --> 00:28:35,360
Speaker 1: they are fun. TK. Do you ever go to any

554
00:28:35,640 --> 00:28:38,280
Speaker 1: demolition derby's. I guess they're called like once.

555
00:28:38,160 --> 00:28:41,680
Speaker 2: A year, yeah, just like you, Yeah, exactly. The Sandwich

556
00:28:41,720 --> 00:28:44,320
Speaker 2: Fair was the fair that we always went to, and

557
00:28:44,680 --> 00:28:48,360
Speaker 2: that was like one night's event was a demolition derby

558
00:28:48,360 --> 00:28:50,040
Speaker 2: and the next night was like a past their prime

559
00:28:50,080 --> 00:28:52,480
Speaker 2: country star So you could go see you know, like

560
00:28:52,560 --> 00:28:55,440
Speaker 2: your dad's your friend's dad just like smash a car

561
00:28:55,520 --> 00:28:57,320
Speaker 2: into your other friend's dad, and then the next night

562
00:28:57,400 --> 00:29:01,640
Speaker 2: go see Charlie Daniels. Great times, great times, awesome.

563
00:29:01,640 --> 00:29:03,960
Speaker 1: That does sound fun. Okay, so that's where we meet Roman.

564
00:29:04,560 --> 00:29:07,440
Speaker 1: He's currently on parole. He's got the the oh what

565
00:29:07,440 --> 00:29:07,959
Speaker 1: do you call it?

566
00:29:08,040 --> 00:29:12,320
Speaker 3: The bracelet or the ankle guard or whatever.

567
00:29:12,520 --> 00:29:14,640
Speaker 1: Yeah, I thought there was an actual term for it,

568
00:29:14,680 --> 00:29:19,000
Speaker 1: but yeah, keep monitor, I guess. Yeah, it's a strapped

569
00:29:19,000 --> 00:29:21,440
Speaker 1: onto his leg there. And then these two guys, Brian

570
00:29:21,760 --> 00:29:24,360
Speaker 1: and Roman, they got history and they get into a

571
00:29:24,400 --> 00:29:29,640
Speaker 1: fight and he Roman blames Brian for his arrest, but

572
00:29:30,360 --> 00:29:33,600
Speaker 1: he reluctantly agrees to help in exchange for basically the

573
00:29:33,600 --> 00:29:35,520
Speaker 1: same deal Brian has, you know, like get this thing

574
00:29:35,560 --> 00:29:38,440
Speaker 1: off me and clear my record, and you know Bob's

575
00:29:38,440 --> 00:29:41,840
Speaker 1: your uncle. What what did you make of their chemistry

576
00:29:41,840 --> 00:29:45,920
Speaker 1: in this movie? Overall, tk between Roman and Brian, Paul

577
00:29:45,920 --> 00:29:47,120
Speaker 1: Walker and Tyrese.

578
00:29:46,800 --> 00:29:51,959
Speaker 2: Believable, believable because I think Tyresee is so good. I

579
00:29:51,960 --> 00:29:54,760
Speaker 2: think he's got like so much charism in this movie.

580
00:29:54,760 --> 00:29:56,880
Speaker 2: He's got the gift of gab and I think that

581
00:29:56,880 --> 00:30:00,120
Speaker 2: that brings it, uh, brings the relationship a long way,

582
00:30:00,160 --> 00:30:02,600
Speaker 2: because I don't necessarily know that, or I don't feel

583
00:30:02,600 --> 00:30:04,880
Speaker 2: like you get the sense that these guys are like

584
00:30:05,040 --> 00:30:07,720
Speaker 2: Dom's crew, where they've known each other for twenty years

585
00:30:07,760 --> 00:30:10,000
Speaker 2: before we're seeing them together for the first time. I

586
00:30:10,000 --> 00:30:12,320
Speaker 2: don't feel like that. You do get that sense. But

587
00:30:13,040 --> 00:30:16,040
Speaker 2: they definitely have an ease amongst each other, you know,

588
00:30:16,120 --> 00:30:18,400
Speaker 2: going back and forth, joking with each other, the rapport

589
00:30:18,440 --> 00:30:19,719
Speaker 2: that they have, and I think a lot of that

590
00:30:20,040 --> 00:30:23,680
Speaker 2: comes from Tyree's just he's great. I think he's the

591
00:30:23,680 --> 00:30:26,200
Speaker 2: best part of this movie. He's the funniest guy. He

592
00:30:26,240 --> 00:30:28,680
Speaker 2: gives the best performances, and I think it's him that

593
00:30:28,760 --> 00:30:29,960
Speaker 2: really carries the relationship.

594
00:30:30,080 --> 00:30:32,880
Speaker 1: Yeah, it is. Uh, it's tough to imagine jah rule

595
00:30:33,120 --> 00:30:36,360
Speaker 1: or even ludicrous for that matter, in Tyresee's role in

596
00:30:36,400 --> 00:30:39,160
Speaker 1: this movie, which is actually pretty important. Oh. I mean,

597
00:30:39,240 --> 00:30:40,719
Speaker 1: the movie is not all that good to begin with,

598
00:30:40,760 --> 00:30:42,600
Speaker 1: but it would be brutal if that was the case,

599
00:30:42,600 --> 00:30:44,640
Speaker 1: because Tyre's I think, is awesome. I actually think they

600
00:30:44,640 --> 00:30:47,840
Speaker 1: do have a pretty good on screen chemistry. JD a

601
00:30:47,880 --> 00:30:49,920
Speaker 1: lot more than him and Eva.

602
00:30:50,040 --> 00:30:53,200
Speaker 3: Oh totally. I was buying that love affair for sure.

603
00:30:56,040 --> 00:31:00,200
Speaker 1: Yeah. You think they when they were younger, they dabbled, man, and.

604
00:31:00,160 --> 00:31:03,600
Speaker 3: You saw them, you saw them wrestling in the desk.

605
00:31:03,680 --> 00:31:05,040
Speaker 3: It's just like I did.

606
00:31:06,320 --> 00:31:08,800
Speaker 1: Wilkins was digging it too. I think he really enjoyed

607
00:31:08,800 --> 00:31:12,720
Speaker 1: that that demolition derby between those two hunks. Yeah, they're

608
00:31:12,800 --> 00:31:15,200
Speaker 1: rolling around in the dirt, got very very muddy. But

609
00:31:15,560 --> 00:31:18,800
Speaker 1: again he agrees, all right, let's do this, okay. For

610
00:31:18,880 --> 00:31:24,440
Speaker 1: their mission, they're issued two confiscated modified cars, a Midsubishi

611
00:31:24,640 --> 00:31:29,920
Speaker 1: Lancer Evolution and amid Subishi Eclipse Spider GTS. Which one

612
00:31:29,960 --> 00:31:34,520
Speaker 1: is which god? One's purple and one's uh, what is it?

613
00:31:34,520 --> 00:31:39,400
Speaker 3: Sort of green yellow mustard mustard, and one's a convertible.

614
00:31:39,480 --> 00:31:40,560
Speaker 3: One's converting the O.

615
00:31:40,600 --> 00:31:42,760
Speaker 1: The purple one is the convertible. That's the one that, uh,

616
00:31:43,200 --> 00:31:46,320
Speaker 1: that Roman wants. And we learned very quickly that they're bugged.

617
00:31:46,920 --> 00:31:49,040
Speaker 1: That's a big part that so they can track them.

618
00:31:49,080 --> 00:31:52,600
Speaker 1: The cops came out. One of the cars has hater plates.

619
00:31:53,560 --> 00:31:56,600
Speaker 2: Oh yeah, it just has a normal plate, just a

620
00:31:56,720 --> 00:32:00,640
Speaker 2: normal license plate. And I think I think that Roman

621
00:32:00,800 --> 00:32:03,560
Speaker 2: goes for he goes for the convertible, right because he says,

622
00:32:05,240 --> 00:32:09,120
Speaker 2: he says to Brian, don't even think about taking the convertible.

623
00:32:09,520 --> 00:32:14,320
Speaker 2: It might loosen your moose. It might loosen your moose.

624
00:32:14,360 --> 00:32:18,440
Speaker 2: I guess having the convertible toppo but blowing in Brian's hair,

625
00:32:18,840 --> 00:32:22,600
Speaker 2: you know, and those curls fly free. But there's a

626
00:32:22,640 --> 00:32:26,200
Speaker 2: lot of convertibles in street Racing movie and these two

627
00:32:26,200 --> 00:32:28,680
Speaker 2: street racing movies, and they seem like they would go

628
00:32:28,800 --> 00:32:33,480
Speaker 2: slower just from a narrow dynamics standpoint. But I don't know.

629
00:32:33,560 --> 00:32:35,680
Speaker 2: I also, you know, I've been a little critical of

630
00:32:35,720 --> 00:32:38,360
Speaker 2: the government with regards to how they've been spending their

631
00:32:38,400 --> 00:32:40,080
Speaker 2: money in these first two movies.

632
00:32:40,080 --> 00:32:40,600
Speaker 1: How about this.

633
00:32:40,800 --> 00:32:44,320
Speaker 2: They just completely repossessed these cars that we learn in

634
00:32:44,320 --> 00:32:47,440
Speaker 2: the first movie are eighty to one hundred thousand dollars

635
00:32:47,520 --> 00:32:49,320
Speaker 2: and they just give them these guys. They're like, hey,

636
00:32:49,600 --> 00:32:53,120
Speaker 2: we just got these. They're totally conspicuous. You drive them,

637
00:32:53,240 --> 00:32:54,000
Speaker 2: You drive them?

638
00:32:54,120 --> 00:32:56,560
Speaker 1: Yeah, And this is then we get the scene where

639
00:32:58,280 --> 00:33:01,760
Speaker 1: Monica drives with them, right, she drives with Brian and

640
00:33:02,760 --> 00:33:05,640
Speaker 1: Roman makes a big deal of that, and uh, we

641
00:33:05,720 --> 00:33:08,920
Speaker 1: get the staring drive line where he stares at her.

642
00:33:09,040 --> 00:33:10,960
Speaker 1: You're back to your staring. Yeah, it's the whole part

643
00:33:11,000 --> 00:33:13,360
Speaker 1: of this, uh, you know, just because I guess he's

644
00:33:13,360 --> 00:33:16,120
Speaker 1: showing that he's he's such a badass driver he doesn't

645
00:33:16,120 --> 00:33:18,160
Speaker 1: need to look at the road. He feels where the

646
00:33:18,200 --> 00:33:22,480
Speaker 1: stop sign is anyway, And it's to build the the

647
00:33:22,680 --> 00:33:26,360
Speaker 1: this weird relationship whatever the hell it is between Monica

648
00:33:26,440 --> 00:33:29,880
Speaker 1: and Brian that they that they share between each other JD.

649
00:33:30,600 --> 00:33:33,760
Speaker 3: Yeah, I guess. I mean again, it's just sort of

650
00:33:35,200 --> 00:33:37,480
Speaker 3: it seems like they're had any in that direction, but

651
00:33:37,680 --> 00:33:40,400
Speaker 3: I never felt that it got it paid off. It

652
00:33:40,440 --> 00:33:43,920
Speaker 3: was never clear to me that they were together or

653
00:33:43,960 --> 00:33:47,600
Speaker 3: even liked each other. And and that whole staring thing,

654
00:33:48,280 --> 00:33:51,200
Speaker 3: you know, taking a step back and knowing that Paul

655
00:33:51,240 --> 00:33:53,640
Speaker 3: Walker died in a car accident, and I'm not saying

656
00:33:53,680 --> 00:33:57,760
Speaker 3: that he was reckless about it or whatever the circumstances

657
00:33:57,760 --> 00:34:01,400
Speaker 3: of him actually dying in a car, whatever the reasons are,

658
00:34:01,720 --> 00:34:06,400
Speaker 3: these scenes make me so uncomfortable when they're doing these

659
00:34:07,080 --> 00:34:13,960
Speaker 3: just totally reckless, unnecessary, you know, foolish stunts basically, you know,

660
00:34:14,160 --> 00:34:15,680
Speaker 3: it just it kind of takes me out of the

661
00:34:15,680 --> 00:34:18,680
Speaker 3: movie a bit, Like I get that, you know, it's

662
00:34:18,840 --> 00:34:20,920
Speaker 3: all part of the world and stuff, but it's still

663
00:34:21,200 --> 00:34:23,840
Speaker 3: that part. I was just like made my palm sweaty,

664
00:34:23,920 --> 00:34:26,120
Speaker 3: like just just look at the road man, you know

665
00:34:26,520 --> 00:34:27,200
Speaker 3: that kind of thing.

666
00:34:27,320 --> 00:34:29,080
Speaker 1: So I hadn't even thought about that. Now you're taking

667
00:34:29,120 --> 00:34:35,279
Speaker 1: me out of the podcast. Oh sorry, Monica gets them

668
00:34:35,320 --> 00:34:39,560
Speaker 1: in this organization, Roman and Brian they're hired by Veron.

669
00:34:39,760 --> 00:34:45,280
Speaker 1: Is it Verona or Varoni? Yeah, okay, and he gives

670
00:34:45,320 --> 00:34:49,520
Speaker 1: them this task, the duo to compete against rival drivers

671
00:34:49,600 --> 00:34:53,440
Speaker 1: to obtain a package from a confiscated ferrari located in

672
00:34:53,520 --> 00:34:55,880
Speaker 1: a lot. Now I was happy about this because I

673
00:34:55,960 --> 00:35:01,359
Speaker 1: was like, this guy's an Argentinian drug lord and he

674
00:35:01,400 --> 00:35:03,960
Speaker 1: can't get his ferrari back from the pound. I was

675
00:35:04,000 --> 00:35:07,040
Speaker 1: like what. But you know it pays off because it's

676
00:35:07,120 --> 00:35:09,200
Speaker 1: like it's all a setup, it's all just a test.

677
00:35:09,640 --> 00:35:13,000
Speaker 1: So they race there, uh you know, the these uh

678
00:35:13,160 --> 00:35:15,520
Speaker 1: these henchmen that we'll get to know a little bit better,

679
00:35:15,640 --> 00:35:18,759
Speaker 1: and a bunch of other guys and then Roman and Brian.

680
00:35:18,800 --> 00:35:22,640
Speaker 1: They're all racing to get to this ferrari and some

681
00:35:22,719 --> 00:35:25,640
Speaker 1: of them get injured, and there's some trucks involved and

682
00:35:25,680 --> 00:35:33,320
Speaker 1: all that, some more faceless truck drivers. Yeah. But Markham

683
00:35:33,320 --> 00:35:36,960
Speaker 1: mistakenly he's the he's the customs agent, remember, like the cop.

684
00:35:37,200 --> 00:35:40,040
Speaker 1: He mistakenly thinks that the duo Roman and Brian are

685
00:35:40,040 --> 00:35:42,080
Speaker 1: trying to like flee, so he shows up at the

686
00:35:42,120 --> 00:35:44,880
Speaker 1: lot because they get there first, they op maneuver the

687
00:35:44,880 --> 00:35:46,880
Speaker 1: other guys. They get there, they just bust through a

688
00:35:46,920 --> 00:35:50,919
Speaker 1: gate to get there, and he basically likes, like, starts

689
00:35:50,920 --> 00:35:53,360
Speaker 1: shooting at them, right, well, no, he shoot at them.

690
00:35:53,239 --> 00:35:58,839
Speaker 3: First with no quest, no nothing, just oh my god,

691
00:35:58,880 --> 00:36:04,080
Speaker 3: the cops like this. This whole sequence was so dumb

692
00:36:04,160 --> 00:36:07,080
Speaker 3: to me because it's like, Okay, let's get this cop.

693
00:36:07,280 --> 00:36:12,200
Speaker 3: We need drivers, like two drivers. Let's get them their outlaws. Okay,

694
00:36:12,280 --> 00:36:15,080
Speaker 3: we'll put trackers in their cars. Okay, we're getting them

695
00:36:15,280 --> 00:36:19,880
Speaker 3: to be undercover as drivers. Oh sir, they're driving. They're driving.

696
00:36:20,280 --> 00:36:20,799
Speaker 1: I knew it.

697
00:36:21,360 --> 00:36:26,000
Speaker 3: They're running. What are you talking about? What are you

698
00:36:26,080 --> 00:36:28,560
Speaker 3: talking about? And then they get then they end up

699
00:36:28,600 --> 00:36:31,359
Speaker 3: at the pound and uh, where are the cars? It's

700
00:36:31,360 --> 00:36:32,279
Speaker 3: all boats. It's all boats.

701
00:36:32,280 --> 00:36:35,480
Speaker 1: It's all boats. Where the cars? Where the cars?

702
00:36:35,520 --> 00:36:38,400
Speaker 3: And then oh, the single Ferrari parked in the middle

703
00:36:38,440 --> 00:36:42,279
Speaker 3: of the boats. And then they're like, okay, we go,

704
00:36:42,440 --> 00:36:44,520
Speaker 3: we we go get it. And then call back to

705
00:36:44,560 --> 00:36:49,719
Speaker 3: the hater. Uh the hater license plate because uh uh

706
00:36:50,080 --> 00:36:53,799
Speaker 3: I'm calling him Tyrese but it's it's Roman. Takes off

707
00:36:53,840 --> 00:36:57,800
Speaker 3: his shirt. Rachel's like, all right, then takes off his shirt.

708
00:36:58,440 --> 00:37:03,320
Speaker 3: You punches through the Ferrari glass. They find the package yep,

709
00:37:03,520 --> 00:37:06,000
Speaker 3: and then uh and then Paul Walker says, put your

710
00:37:06,040 --> 00:37:12,480
Speaker 3: buss back on, and then he says, you're a hater. Okay, fine,

711
00:37:12,760 --> 00:37:16,160
Speaker 3: Then the cops show up. They're like, you just you

712
00:37:16,280 --> 00:37:20,080
Speaker 3: broke into a You busted through in broad daylight into

713
00:37:20,360 --> 00:37:20,880
Speaker 3: the Pound.

714
00:37:21,200 --> 00:37:21,439
Speaker 1: Yep.

715
00:37:21,520 --> 00:37:23,120
Speaker 3: Of course the cops are going to show up, like

716
00:37:23,160 --> 00:37:25,759
Speaker 3: and they're like, what what the hell are they doing there?

717
00:37:26,880 --> 00:37:29,640
Speaker 5: Roman Bang Ban Ban Ban Bank Bank bank ban right

718
00:37:29,680 --> 00:37:33,600
Speaker 5: away without even Yeah, it's like, did you forget that

719
00:37:33,680 --> 00:37:36,279
Speaker 5: you're working with the police, Like you're shooting at the

720
00:37:36,320 --> 00:37:38,560
Speaker 5: guy who literally hired you anyway.

721
00:37:38,640 --> 00:37:41,279
Speaker 1: Yeah, but he says like, I had to do that

722
00:37:41,360 --> 00:37:43,839
Speaker 1: because those other goons were there, so I had to

723
00:37:43,880 --> 00:37:45,920
Speaker 1: show them. I had to. I had to shoot at

724
00:37:45,960 --> 00:37:48,839
Speaker 1: you to help maintain my cover. That is smart thinking there,

725
00:37:48,880 --> 00:37:50,840
Speaker 1: And he didn't. He didn't hit him or anything. I

726
00:37:50,840 --> 00:37:52,440
Speaker 1: think he just shot the car and maybe he shot

727
00:37:52,480 --> 00:37:55,200
Speaker 1: some boats behind them. I'm not sure it's all boats,

728
00:37:55,960 --> 00:37:58,600
Speaker 1: but you're right, there's a lot to unpack their tray

729
00:37:58,800 --> 00:38:01,520
Speaker 1: from this this race to get there, which I definitely

730
00:38:01,600 --> 00:38:04,640
Speaker 1: just glossed over. And then yeah, in this Pound and

731
00:38:04,640 --> 00:38:05,640
Speaker 1: then the cop showing.

732
00:38:05,480 --> 00:38:09,279
Speaker 2: Up, Yeah about the race to get there, we see

733
00:38:09,280 --> 00:38:12,399
Speaker 2: our only death in this Fast and Furious movie when

734
00:38:12,480 --> 00:38:15,759
Speaker 2: some rando decides to go underneath a semi truck and

735
00:38:15,800 --> 00:38:19,560
Speaker 2: it does not go well for that fella. We also

736
00:38:19,560 --> 00:38:22,719
Speaker 2: get an incredible stunt driving move from Brian turns his

737
00:38:22,800 --> 00:38:26,400
Speaker 2: car around backwards to give the finger while going high speed.

738
00:38:26,600 --> 00:38:30,879
Speaker 2: Incredible stuff, yep, But it feels like a little bit

739
00:38:30,920 --> 00:38:33,120
Speaker 2: of one hand doesn't know what the other one's doing

740
00:38:33,160 --> 00:38:35,640
Speaker 2: with regards to this whole setup here, Like Bilkens get

741
00:38:35,680 --> 00:38:38,640
Speaker 2: on the phone and like, let the people on the ground. No,

742
00:38:38,760 --> 00:38:41,840
Speaker 2: we've got we got some street racers out there. Guaranteed

743
00:38:41,840 --> 00:38:44,640
Speaker 2: they're gonna be breaking some laws, but they're on our side.

744
00:38:44,680 --> 00:38:47,520
Speaker 2: We're playing the long game here. They should have filled

745
00:38:47,560 --> 00:38:48,680
Speaker 2: everybody in on the plane.

746
00:38:48,840 --> 00:38:51,080
Speaker 1: Oh yeah, Like it would have almost made more sense

747
00:38:51,200 --> 00:38:54,680
Speaker 1: if the cop that arrived at the Pound was some

748
00:38:54,840 --> 00:38:57,879
Speaker 1: random cop. It's like, oh damn, they just broke in here,

749
00:38:58,120 --> 00:39:01,319
Speaker 1: and they just broke the gl this Ferrari and like,

750
00:39:01,920 --> 00:39:04,960
Speaker 1: but it's it's it's Markham. It's it's the guy that

751
00:39:05,120 --> 00:39:07,719
Speaker 1: knows the damn plan. Yeah, it's very rare. But I

752
00:39:07,760 --> 00:39:10,319
Speaker 1: guess he thought they were they were fleeing and he

753
00:39:10,400 --> 00:39:13,319
Speaker 1: didn't trust them. Bilkins does anyway, Brian's able to, I guess,

754
00:39:13,400 --> 00:39:17,360
Speaker 1: salvage this whole situation. And he tells Bilkans that Verrone

755
00:39:17,440 --> 00:39:21,080
Speaker 1: is allegedly aiming to launder his money in Miami before

756
00:39:21,239 --> 00:39:24,719
Speaker 1: escaping on a private jet. Right, he relays that information,

757
00:39:24,840 --> 00:39:28,920
Speaker 1: so he's he's got that. But we now get the guys.

758
00:39:28,920 --> 00:39:31,080
Speaker 1: They got to go back to Verme. They have this package.

759
00:39:31,680 --> 00:39:34,800
Speaker 1: You know, they get out of this jam because Roman's

760
00:39:34,800 --> 00:39:39,160
Speaker 1: just firing at the cops and they go back. Oh

761
00:39:39,239 --> 00:39:41,640
Speaker 1: my god. We get the whole pool scene. We get

762
00:39:41,680 --> 00:39:44,040
Speaker 1: really uh, you know, Verone sort of like talking to

763
00:39:44,080 --> 00:39:46,440
Speaker 1: them at the table. There. There's a lot going on.

764
00:39:46,560 --> 00:39:49,719
Speaker 1: At one point we see Verne's like security system on

765
00:39:49,760 --> 00:39:54,640
Speaker 1: an elaborate gold stand and you guys see them incredible.

766
00:39:54,840 --> 00:39:56,560
Speaker 1: I wish I took a screen that I should have

767
00:39:56,560 --> 00:39:59,960
Speaker 1: done it. Anyway, it was all a test, Like I said,

768
00:40:00,560 --> 00:40:03,359
Speaker 1: Roone was just testing them. It was all for a

769
00:40:03,480 --> 00:40:08,879
Speaker 1: damn cigar that he definitely cut and maybe took one

770
00:40:08,960 --> 00:40:13,040
Speaker 1: puff of I think, yeah, maybe, yeah, yeah, one, maybe two,

771
00:40:13,880 --> 00:40:15,600
Speaker 1: and then gets rid of it. So this is where

772
00:40:15,640 --> 00:40:19,279
Speaker 1: they they're all sitting there at the table, you know,

773
00:40:19,320 --> 00:40:21,360
Speaker 1: and he's telling them me it's all it's just I'm testing.

774
00:40:21,360 --> 00:40:22,480
Speaker 1: I was just testing you guys.

775
00:40:22,840 --> 00:40:25,239
Speaker 2: We did this all for a cigar. You did this

776
00:40:25,280 --> 00:40:25,920
Speaker 2: for a job.

777
00:40:26,160 --> 00:40:27,160
Speaker 1: Yeah, that's right, that's right.

778
00:40:27,280 --> 00:40:27,520
Speaker 2: Right.

779
00:40:28,800 --> 00:40:30,520
Speaker 1: Let's ask you here, Jad, what did you think of

780
00:40:30,719 --> 00:40:33,759
Speaker 1: Roon as a as a bad guy, as a as

781
00:40:33,760 --> 00:40:34,440
Speaker 1: a drug lord?

782
00:40:35,080 --> 00:40:39,959
Speaker 3: Awful? Like, oh my god, one of the worst villains ever,

783
00:40:40,040 --> 00:40:46,520
Speaker 3: I would say, like, so not scary, the most milk toast, bland,

784
00:40:47,920 --> 00:40:54,200
Speaker 3: zero personality, one dimensional. I mean, I just I hated him.

785
00:40:54,400 --> 00:40:56,920
Speaker 3: I hated him, That's what I thought.

786
00:40:57,000 --> 00:41:00,640
Speaker 1: I found him a little scary. I'm not really maybe, yeah, yeah,

787
00:41:00,680 --> 00:41:04,160
Speaker 1: there was something like, look, he was the most cliche

788
00:41:04,640 --> 00:41:10,560
Speaker 1: drug lords, silk shirts, mansion, fast cars, beautiful women. Anything

789
00:41:10,600 --> 00:41:12,960
Speaker 1: I say goes. I've got my handshrit like we've seen

790
00:41:13,000 --> 00:41:15,640
Speaker 1: that a hundred times in movies. But I mean, I

791
00:41:15,719 --> 00:41:18,799
Speaker 1: thought the guy playing him was I don't know. I

792
00:41:18,840 --> 00:41:21,799
Speaker 1: was sort of scared of this.

793
00:41:21,920 --> 00:41:22,920
Speaker 2: Guy hates rats.

794
00:41:23,000 --> 00:41:23,640
Speaker 3: He hates them.

795
00:41:23,920 --> 00:41:26,480
Speaker 1: I don't do not like rats. We're getting to that

796
00:41:26,520 --> 00:41:27,040
Speaker 1: in a second.

797
00:41:27,040 --> 00:41:31,759
Speaker 3: But this guy made a huge point, ended up killing

798
00:41:31,800 --> 00:41:34,279
Speaker 3: at least one person just to get his cigar in

799
00:41:34,360 --> 00:41:38,239
Speaker 3: his little cigar cutter. Yeah, and there's later in the

800
00:41:38,239 --> 00:41:41,760
Speaker 3: movie there's a torture scene. Why not use the cigar cutter.

801
00:41:42,000 --> 00:41:43,200
Speaker 1: I totally thought he was going to.

802
00:41:43,520 --> 00:41:47,600
Speaker 3: Yeah, sure, he definitely should have. Instead, he brought a

803
00:41:47,719 --> 00:41:53,440
Speaker 3: rat into a nightclub and a bucket. Gross, very gross,

804
00:41:53,560 --> 00:41:56,359
Speaker 3: very stupid. Yeah, I mean, look at this guy here,

805
00:41:56,400 --> 00:41:59,200
Speaker 3: he is getting into his car. Look at what he's wearing.

806
00:41:59,360 --> 00:42:01,680
Speaker 2: Yeah, come on, that looks comfortable though.

807
00:42:02,360 --> 00:42:06,359
Speaker 3: Very looks very comfortable, but it doesn't look scary. Look

808
00:42:06,360 --> 00:42:08,719
Speaker 3: at how packed his pockets are. He's wearing like an

809
00:42:08,760 --> 00:42:14,520
Speaker 3: oversized silk shirt, linen pants, I'm assuming. And then look

810
00:42:14,560 --> 00:42:16,600
Speaker 3: at him getting into the car. Look at his shoes.

811
00:42:17,200 --> 00:42:29,480
Speaker 3: He's wearing sketchers or something, and like ankle socks.

812
00:42:26,400 --> 00:42:33,200
Speaker 1: Detail right there. Well, okay, so in this scene I

813
00:42:33,200 --> 00:42:37,279
Speaker 1: forgot about this almost Roman attempts to steal the cigar cutter. Yeap,

814
00:42:39,160 --> 00:42:43,480
Speaker 1: what like hold on? Like did we were we even told?

815
00:42:43,520 --> 00:42:45,400
Speaker 1: Like we know he has a you know, we know

816
00:42:45,440 --> 00:42:47,600
Speaker 1: he's on parole, we know he's he's got a record,

817
00:42:47,640 --> 00:42:51,200
Speaker 1: but it wasn't for even stealing cars. I don't think

818
00:42:51,760 --> 00:42:58,000
Speaker 1: like that. He's not even like a crypto, like crypto crypto, klepto.

819
00:42:59,600 --> 00:43:02,680
Speaker 1: I got much NFTs on the bridge was crazy. The

820
00:43:02,719 --> 00:43:08,400
Speaker 1: last couple of months that crypto. It was so like,

821
00:43:08,480 --> 00:43:11,600
Speaker 1: why is he stealing this? And then it gets caught

822
00:43:12,000 --> 00:43:12,440
Speaker 1: and then.

823
00:43:12,520 --> 00:43:15,200
Speaker 2: Like a detective right now reviewing my own notes to

824
00:43:15,200 --> 00:43:17,839
Speaker 2: see if I can figure out what Roman Pierce went

825
00:43:17,880 --> 00:43:20,640
Speaker 2: to jail for three years from him. It's out there somewhere.

826
00:43:20,719 --> 00:43:26,720
Speaker 1: I thought it was just for housing vehicles, and like, yeah,

827
00:43:26,760 --> 00:43:28,760
Speaker 1: but maybe there's stuff being stolen.

828
00:43:28,800 --> 00:43:29,040
Speaker 3: I get.

829
00:43:29,040 --> 00:43:32,240
Speaker 1: I was just so weird that part. I guess it.

830
00:43:32,480 --> 00:43:35,040
Speaker 3: I think it. I mean, I could be wrong, but

831
00:43:35,280 --> 00:43:37,560
Speaker 3: are they setting up that the guy he's good at

832
00:43:37,600 --> 00:43:39,840
Speaker 3: lifting stuff and at the very end of the movie,

833
00:43:39,880 --> 00:43:42,520
Speaker 3: he's got all that cash stuffed into his pants without

834
00:43:42,880 --> 00:43:44,080
Speaker 3: anyone finding out.

835
00:43:44,560 --> 00:43:48,720
Speaker 1: Yeah, that's that's the payoff, is it? I guess.

836
00:43:49,239 --> 00:43:49,759
Speaker 3: I don't know.

837
00:43:49,960 --> 00:43:51,799
Speaker 2: Does he say does he is that when he says

838
00:43:51,800 --> 00:43:54,319
Speaker 2: that his pockets are hungry? Is that around the same time,

839
00:43:54,360 --> 00:43:56,880
Speaker 2: because that's obviously a callback later on. I don't know

840
00:43:57,040 --> 00:43:58,319
Speaker 2: who I should wrote that one down.

841
00:43:59,120 --> 00:44:01,680
Speaker 1: So it's like, this is the equation of like, you know,

842
00:44:01,719 --> 00:44:03,440
Speaker 1: if you can dog, if you can dodge a wrench,

843
00:44:03,440 --> 00:44:05,000
Speaker 1: you can dodge a ball. Well, if you can steal

844
00:44:05,000 --> 00:44:07,200
Speaker 1: his cigar cutter, you can steal a good. I don't

845
00:44:07,239 --> 00:44:10,400
Speaker 1: know fifty k from from basically the Cops out of

846
00:44:10,400 --> 00:44:15,080
Speaker 1: a Duffel bag spoiler alert. Okay, anyway, JD's not convinced

847
00:44:15,080 --> 00:44:18,080
Speaker 1: of verone Trey. You seem to come around after you

848
00:44:18,120 --> 00:44:20,719
Speaker 1: saw his ankle, socks and shoes. You don't think he's

849
00:44:20,719 --> 00:44:21,520
Speaker 1: not intimidating.

850
00:44:21,719 --> 00:44:25,239
Speaker 2: Yeah, once you see a man's shins, hard to be

851
00:44:25,320 --> 00:44:29,200
Speaker 2: scared of him. But I think you're both right. Like

852
00:44:29,239 --> 00:44:32,759
Speaker 2: skeets are saying, he's a cliche, cookie cutter villain, Yeah,

853
00:44:32,760 --> 00:44:35,600
Speaker 2: and I think that's exactly right. And you know, there

854
00:44:35,600 --> 00:44:37,839
Speaker 2: are parts when he's menacing, but it feels like something

855
00:44:37,880 --> 00:44:42,000
Speaker 2: that we've seen a million times before. And I don't know,

856
00:44:42,120 --> 00:44:44,480
Speaker 2: maybe maybe he's got too much stuff in his pockets.

857
00:44:44,520 --> 00:44:46,680
Speaker 2: That's another one that's throwing me off from the waist down.

858
00:44:46,719 --> 00:44:50,080
Speaker 2: He's not scary. He's got very full pockets, very baggy pants,

859
00:44:51,360 --> 00:44:52,360
Speaker 2: and a pair of sketchers.

860
00:44:52,560 --> 00:44:56,120
Speaker 1: Yeah all right, Well, Brian and Roman, this is like

861
00:44:56,120 --> 00:44:59,600
Speaker 1: a little side angle to this plot. They challenge a

862
00:44:59,640 --> 00:45:03,080
Speaker 1: pair of muscle car drivers, same guys they raced when

863
00:45:03,120 --> 00:45:07,480
Speaker 1: competing for Roon's hiring, for pink slips to their cars. Again.

864
00:45:07,600 --> 00:45:10,040
Speaker 1: Gotta I love all these themes they keep running back

865
00:45:10,040 --> 00:45:12,359
Speaker 1: here in this in the sequel, it's you know, now

866
00:45:12,400 --> 00:45:15,160
Speaker 1: we had what was the kid's name? I called him

867
00:45:15,200 --> 00:45:18,200
Speaker 1: mouse in the first one, who was Jesse? Yeah, yeah,

868
00:45:18,400 --> 00:45:20,440
Speaker 1: putting the pink slip on the line there where his

869
00:45:20,440 --> 00:45:22,399
Speaker 1: car and then just drove off into the sunset after

870
00:45:22,440 --> 00:45:26,160
Speaker 1: he lost. But anyway, we're raising for cars, and despite

871
00:45:26,280 --> 00:45:32,359
Speaker 1: engine and power output handicaps, Brian and Roman they win

872
00:45:32,680 --> 00:45:35,000
Speaker 1: this race and they get these cars, a sixty nine

873
00:45:35,640 --> 00:45:40,360
Speaker 1: Camaro and a seventy Dodge Challenger, some nice American muscle cars,

874
00:45:40,320 --> 00:45:43,400
Speaker 1: American that we'll see a little bit later in the movie.

875
00:45:43,480 --> 00:45:45,960
Speaker 1: But yeah, we got another race here. This is like

876
00:45:46,360 --> 00:45:49,560
Speaker 1: it's basically a tag team match tray where it's like

877
00:45:49,920 --> 00:45:51,840
Speaker 1: the two guys will go first and then you gotta

878
00:45:52,080 --> 00:45:54,719
Speaker 1: tag them in, uh, and then you're off and uh,

879
00:45:55,160 --> 00:45:57,080
Speaker 1: you know, Brian has to bring them back from the dead.

880
00:45:57,320 --> 00:46:01,799
Speaker 1: Roman did a terrible job way behind clutch.

881
00:46:01,560 --> 00:46:04,719
Speaker 2: Driving by Brian right here bringing it home, winning two

882
00:46:04,840 --> 00:46:06,920
Speaker 2: cars and saving two cars. Really this is a four

883
00:46:07,000 --> 00:46:11,200
Speaker 2: car swing. I like seeing Roman driving in an Alan

884
00:46:11,280 --> 00:46:14,960
Speaker 2: iverson the answer sweat band on his arm. But like

885
00:46:15,000 --> 00:46:17,640
Speaker 2: you're saying, a terrible lap a terrible lap to the

886
00:46:17,680 --> 00:46:20,720
Speaker 2: point that Brian has to play chicken with I believe

887
00:46:20,760 --> 00:46:24,560
Speaker 2: it's Phonsie of Pansie and Fabio here stares him down.

888
00:46:24,560 --> 00:46:25,920
Speaker 2: He ain't gonna do it. He ain't gonna do it.

889
00:46:25,920 --> 00:46:28,480
Speaker 2: He's gonna swerve out of the way. Brian doesn't swerve,

890
00:46:28,560 --> 00:46:32,520
Speaker 2: and then he still completes the lap. Great driving by Brian.

891
00:46:33,320 --> 00:46:34,960
Speaker 2: This is gonna be one of my takes for later on.

892
00:46:35,040 --> 00:46:38,759
Speaker 2: But major glow up from Brian driving wise in this

893
00:46:38,920 --> 00:46:39,480
Speaker 2: here movie.

894
00:46:39,560 --> 00:46:42,960
Speaker 1: Yeah yeah, really really showing off his driving skills here.

895
00:46:42,960 --> 00:46:46,319
Speaker 1: And they get these cars, these these older cars for

896
00:46:47,200 --> 00:46:49,080
Speaker 1: you know, most of these two movies, these have been

897
00:46:49,120 --> 00:46:50,719
Speaker 1: all like well, I don't know, I don't know what

898
00:46:50,800 --> 00:46:52,879
Speaker 1: year the cars are on all these cars we've seen

899
00:46:52,960 --> 00:46:54,480
Speaker 1: them the last two, but they're definitely not from the

900
00:46:54,520 --> 00:46:57,879
Speaker 1: sixties and seventies JD. So we got some classics here.

901
00:46:57,920 --> 00:46:59,960
Speaker 1: Maybe they wanted to draw in a different fan base

902
00:47:00,239 --> 00:47:00,879
Speaker 1: into this one.

903
00:47:01,719 --> 00:47:03,800
Speaker 3: Well, this is where we're headed though, right, the American

904
00:47:03,920 --> 00:47:07,560
Speaker 3: muscle so in the franchise in general, I believe.

905
00:47:07,680 --> 00:47:10,520
Speaker 1: But let me see, I didn't I didn't even know that.

906
00:47:10,640 --> 00:47:13,240
Speaker 1: Oh great, I'm looking forward to the cars getting older,

907
00:47:13,560 --> 00:47:16,400
Speaker 1: just like me. Okay, Now we get to the nightclub

908
00:47:16,880 --> 00:47:22,160
Speaker 1: VIP section here the Pearl I believe it's called Brian

909
00:47:22,239 --> 00:47:25,400
Speaker 1: and well, there's some flirting going on, more flirting, I

910
00:47:25,440 --> 00:47:28,520
Speaker 1: guess if you want to call it that between between

911
00:47:28,560 --> 00:47:31,920
Speaker 1: Monica and Brian. I mean, she has very little lines

912
00:47:31,920 --> 00:47:34,560
Speaker 1: on this movie overall, Like she says next to nothing.

913
00:47:35,360 --> 00:47:38,600
Speaker 1: But anyway, Barone sort of sees it, and that'll come

914
00:47:38,600 --> 00:47:42,040
Speaker 1: into play it. But Brian and Roman they witness Maroone

915
00:47:42,040 --> 00:47:45,520
Speaker 1: torturing Detective Whitworth and this is where we get the

916
00:47:45,560 --> 00:47:48,880
Speaker 1: old rat and a bucket, blowtorch torture move and they

917
00:47:48,920 --> 00:47:50,839
Speaker 1: just got to sit there like two feet from him

918
00:47:50,880 --> 00:47:53,319
Speaker 1: and watch it because they want this. I guess they

919
00:47:53,400 --> 00:47:58,080
Speaker 1: want this detective to give Verone and his men like

920
00:47:58,120 --> 00:48:01,480
Speaker 1: a window of opportunity right to make their getaway. Is that?

921
00:48:01,600 --> 00:48:02,760
Speaker 1: Do I have that correct?

922
00:48:03,840 --> 00:48:08,719
Speaker 3: That is correct? It's the it's it's one of the

923
00:48:08,920 --> 00:48:12,880
Speaker 3: many cogs in the very cockamamy scheme to move his

924
00:48:13,080 --> 00:48:16,840
Speaker 3: money to the plane right from this trailer park to

925
00:48:17,280 --> 00:48:22,080
Speaker 3: the plane right that he's laundering. But yeah, he's he's agreeing.

926
00:48:22,520 --> 00:48:25,799
Speaker 3: He doesn't want to, but he's agreeing to. He ends

927
00:48:25,880 --> 00:48:29,400
Speaker 3: up agreeing to basically giving them a fifteen minute window

928
00:48:30,000 --> 00:48:34,399
Speaker 3: by telling everybody to not chase after them, I guess,

929
00:48:34,560 --> 00:48:38,200
Speaker 3: or to ignore any signs of disturbance or I don't

930
00:48:38,200 --> 00:48:40,560
Speaker 3: know any cop that would have that sort of power

931
00:48:40,680 --> 00:48:41,359
Speaker 3: to be like.

932
00:48:41,920 --> 00:48:44,800
Speaker 2: He is pulling in every favor all right, I haven't

933
00:48:44,800 --> 00:48:47,000
Speaker 2: asked you for anything in a while. I need every

934
00:48:47,080 --> 00:48:49,399
Speaker 2: single person I've ever asked a favor from to come

935
00:48:49,440 --> 00:48:51,240
Speaker 2: through here for fifteen minutes.

936
00:48:51,320 --> 00:48:51,560
Speaker 1: Yeah.

937
00:48:51,600 --> 00:48:55,200
Speaker 2: Not a great plan. So weird, very weird. And uh,

938
00:48:55,520 --> 00:48:58,480
Speaker 2: the torture, I don't know. I don't well, the old

939
00:48:58,560 --> 00:48:59,280
Speaker 2: rat in a bucket.

940
00:48:59,480 --> 00:48:59,800
Speaker 1: Yeah.

941
00:49:00,160 --> 00:49:02,360
Speaker 3: And also if you're that guy, if you're the cop,

942
00:49:03,160 --> 00:49:06,520
Speaker 3: lie right, like I mean, it's okay, okay, I won't

943
00:49:06,600 --> 00:49:09,680
Speaker 3: I won't do it. And then you bring every single

944
00:49:09,760 --> 00:49:12,600
Speaker 3: cop that you have at your disposal down to arrest

945
00:49:13,200 --> 00:49:16,719
Speaker 3: ver own or whatever, like I don't know, like or

946
00:49:16,880 --> 00:49:18,759
Speaker 3: just lie and get out of it because in the end,

947
00:49:19,040 --> 00:49:20,400
Speaker 3: I guess what, he didn't do it.

948
00:49:20,560 --> 00:49:23,000
Speaker 1: No, he's like his conscience got.

949
00:49:22,840 --> 00:49:23,440
Speaker 3: The better of you.

950
00:49:23,560 --> 00:49:26,840
Speaker 1: He literally looks at a photo of his wife and

951
00:49:26,920 --> 00:49:34,360
Speaker 1: kid and he's like, rat them go nuts. Not happy

952
00:49:35,239 --> 00:49:37,640
Speaker 1: right now? Down at the Pearl nightclub, you know, hitting

953
00:49:37,640 --> 00:49:42,240
Speaker 1: on younger women not getting it at home. My kids

954
00:49:42,239 --> 00:49:45,840
Speaker 1: are real pain in the ass. Yeah, just just go

955
00:49:45,880 --> 00:49:48,480
Speaker 1: ahead and rad them. I did get excited though with

956
00:49:48,840 --> 00:49:51,879
Speaker 1: the detective in the nightclub. This was me because I've

957
00:49:51,880 --> 00:49:54,200
Speaker 1: watched Sons of Anarchy. That was me pointing. I was

958
00:49:54,239 --> 00:49:56,440
Speaker 1: the way one achy.

959
00:49:57,920 --> 00:50:02,600
Speaker 2: I like that actors, but everybody always says I look

960
00:50:02,719 --> 00:50:07,720
Speaker 2: like that guy. So yeah, he's got similar beard coloring,

961
00:50:07,719 --> 00:50:10,200
Speaker 2: and he's kind of got curly grays as well. Uh,

962
00:50:10,520 --> 00:50:12,479
Speaker 2: not my favorite comparison to get now.

963
00:50:13,280 --> 00:50:15,279
Speaker 3: He was also a corrupt cop in one of the

964
00:50:15,320 --> 00:50:16,040
Speaker 3: Batman movies.

965
00:50:16,520 --> 00:50:18,880
Speaker 1: Yeah, you're right, you're right, you're right. We really should

966
00:50:18,960 --> 00:50:21,239
Speaker 1: know his name is right after you see him in

967
00:50:21,280 --> 00:50:22,000
Speaker 1: a lot of movies.

968
00:50:22,600 --> 00:50:25,160
Speaker 2: I think his name has Mark and Boone in it.

969
00:50:25,200 --> 00:50:27,000
Speaker 2: I don't know if his name is Mark David Boone

970
00:50:27,080 --> 00:50:27,879
Speaker 2: or something.

971
00:50:27,600 --> 00:50:30,200
Speaker 1: Like that, but I feel like it's gone. I'll look

972
00:50:30,200 --> 00:50:35,600
Speaker 1: it up. Okay. Well, yeah, after this crazy torture scene

973
00:50:36,000 --> 00:50:38,279
Speaker 1: where maybe he was just like he didn't lie right

974
00:50:38,280 --> 00:50:40,400
Speaker 1: away JD, because he was like, hold on, it's just

975
00:50:40,520 --> 00:50:44,919
Speaker 1: rat actually gonna keep through my body. Let me see

976
00:50:45,000 --> 00:50:48,400
Speaker 1: for a second. You know, he started scratching like okay, okay,

977
00:50:48,440 --> 00:50:48,880
Speaker 1: you got me.

978
00:50:50,000 --> 00:50:53,160
Speaker 4: He wanted to give up that info, right, Like, I

979
00:50:53,239 --> 00:50:56,960
Speaker 4: kind of think he was lying because the damage on

980
00:50:57,000 --> 00:51:00,560
Speaker 4: his stomach wasn't that serious, were super fish wounds. And

981
00:51:00,600 --> 00:51:04,279
Speaker 4: he's like, ah, all right, okay, okay, my kid's my

982
00:51:04,400 --> 00:51:05,360
Speaker 4: kid and my wife.

983
00:51:05,080 --> 00:51:11,960
Speaker 1: They can handle this, all right. Well, the next morning,

984
00:51:12,000 --> 00:51:16,759
Speaker 1: I guess I'll just jump there. Monica shows up at

985
00:51:16,960 --> 00:51:21,880
Speaker 1: Brian's boathouse to warn him that they're going to be

986
00:51:21,960 --> 00:51:24,319
Speaker 1: killed once this this drop is made, that you're gonna

987
00:51:24,320 --> 00:51:27,000
Speaker 1: do for barone he I've heard. I guess maybe she

988
00:51:27,120 --> 00:51:31,359
Speaker 1: overheard him talking or whatever. I don't think he told

989
00:51:31,360 --> 00:51:33,440
Speaker 1: her directly at the nightclub, did he. He had that

990
00:51:33,440 --> 00:51:36,600
Speaker 1: that weird kiss with her, and I can't He's like

991
00:51:36,680 --> 00:51:37,040
Speaker 1: sort of.

992
00:51:38,480 --> 00:51:42,120
Speaker 3: Friends her, but like if if another man touches you up, yeah.

993
00:51:42,080 --> 00:51:45,479
Speaker 1: I'll tell you something like that. Right. So Monica again

994
00:51:45,520 --> 00:51:48,120
Speaker 1: goes to tell Brian this. At the boat house, there's

995
00:51:48,160 --> 00:51:53,520
Speaker 1: a kiss. They suddenly kiss. Uh, they're in bed and

996
00:51:53,520 --> 00:51:55,359
Speaker 1: again like they weren't sleeping together, but she had showed

997
00:51:55,400 --> 00:51:58,920
Speaker 1: up in the morning. He's in bed. Roman's there, right,

998
00:51:59,080 --> 00:52:01,600
Speaker 1: Romans sees them. There's a lot going on in this

999
00:52:01,640 --> 00:52:06,200
Speaker 1: one too. Then those two henchmen show up and then

1000
00:52:06,239 --> 00:52:09,120
Speaker 1: they all get into a fight. Oh yeah, that Monica

1001
00:52:09,160 --> 00:52:12,320
Speaker 1: like escapes because they can't know that she's there, right,

1002
00:52:12,520 --> 00:52:15,799
Speaker 1: And then suddenly everybody's at this boat house in them

1003
00:52:15,840 --> 00:52:18,480
Speaker 1: in a matter of like ten minutes. Uh, and he

1004
00:52:18,520 --> 00:52:19,960
Speaker 1: sort of tells them to cut it all out and

1005
00:52:21,000 --> 00:52:21,479
Speaker 1: that's it.

1006
00:52:23,920 --> 00:52:28,680
Speaker 3: Yeah, what one detail you glassed over? Yeah? Uh, Monica

1007
00:52:29,239 --> 00:52:30,960
Speaker 3: soaking wet when she comes in.

1008
00:52:31,120 --> 00:52:32,319
Speaker 1: Yeah, did she swim there?

1009
00:52:32,920 --> 00:52:36,840
Speaker 3: They never address it. She's just completely drenched, has not raining,

1010
00:52:37,400 --> 00:52:45,760
Speaker 3: so she must have swam somehow, but they never say like.

1011
00:52:45,680 --> 00:52:48,120
Speaker 1: Yeah, and we never hear like a splash. She doesn't

1012
00:52:48,200 --> 00:52:51,239
Speaker 1: jump back into the water, Nope, to swim away. She

1013
00:52:51,400 --> 00:52:55,040
Speaker 1: somehow escapes when again the uh what are their names?

1014
00:52:55,040 --> 00:52:58,360
Speaker 1: I think it's like Robert and Enrique or something, Roberto

1015
00:52:58,440 --> 00:53:02,520
Speaker 1: in Enrique the bald guy, and the other guy that

1016
00:53:02,520 --> 00:53:05,680
Speaker 1: that end up like partnering with those two, and those

1017
00:53:05,680 --> 00:53:09,880
Speaker 1: two actually become impressed with the driving of Bright Actually

1018
00:53:10,080 --> 00:53:13,760
Speaker 1: they're like, respect, you guys are pretty damn good drivers. Okay,

1019
00:53:13,760 --> 00:53:16,520
Speaker 1: So that whole bo seed is just freaking weird. Even

1020
00:53:16,560 --> 00:53:18,560
Speaker 1: the kiss I find strange. I mean again, Jad, it

1021
00:53:18,680 --> 00:53:21,600
Speaker 1: just feels like we are we're trying to be told

1022
00:53:21,719 --> 00:53:24,759
Speaker 1: that they have this instant chemistry, but like outside of

1023
00:53:24,800 --> 00:53:28,480
Speaker 1: like looking at each other and the tiniest bit of

1024
00:53:28,520 --> 00:53:31,000
Speaker 1: flirting at the nightclub, it's like, well we're moving all right,

1025
00:53:31,040 --> 00:53:31,839
Speaker 1: We're right into it.

1026
00:53:32,200 --> 00:53:32,480
Speaker 3: Yeah.

1027
00:53:32,600 --> 00:53:34,640
Speaker 1: I guess maybe she thinks he's gonna die and was like, well,

1028
00:53:34,680 --> 00:53:35,440
Speaker 1: let me get a kiss in.

1029
00:53:36,440 --> 00:53:40,640
Speaker 3: Maybe maybe maybe that's just how women act around Paul Walker,

1030
00:53:40,719 --> 00:53:45,640
Speaker 3: because the guy's gorgeous, He's stunning. And there was also

1031
00:53:45,719 --> 00:53:51,080
Speaker 3: a throwaway line I think from uh Tyrese Roman uh

1032
00:53:51,360 --> 00:53:53,920
Speaker 3: something like oh you and the women, Brian and the

1033
00:53:53,920 --> 00:53:57,440
Speaker 3: women always get messing up with the women. So maybe

1034
00:53:57,480 --> 00:54:00,000
Speaker 3: that they were trying to up that a bit or

1035
00:54:00,080 --> 00:54:02,120
Speaker 3: or play that up a bit, or maybe there was

1036
00:54:02,160 --> 00:54:05,200
Speaker 3: a part of that story that just got cut. But yeah,

1037
00:54:05,400 --> 00:54:10,680
Speaker 3: it was the strangest non chemistry sort of romance that

1038
00:54:10,719 --> 00:54:11,839
Speaker 3: I've seen in a long time.

1039
00:54:12,160 --> 00:54:14,440
Speaker 1: Yeah, I guess they're trying to really drive home the

1040
00:54:14,440 --> 00:54:16,600
Speaker 1: fact that we got to set it up that he'll

1041
00:54:16,640 --> 00:54:20,319
Speaker 1: do anything to save her too. I mean, I mean,

1042
00:54:20,320 --> 00:54:22,960
Speaker 1: he's a cop. He should be just wanting to stop

1043
00:54:22,960 --> 00:54:25,279
Speaker 1: in our Argentinian drug lord. But I guess he's sort

1044
00:54:25,280 --> 00:54:27,480
Speaker 1: of a crooked cop. So like in theory he could

1045
00:54:27,520 --> 00:54:30,680
Speaker 1: have just let Veron sail off, and it's like, okay,

1046
00:54:30,719 --> 00:54:32,400
Speaker 1: well we did our part, you know, we tried, but

1047
00:54:33,040 --> 00:54:36,160
Speaker 1: gotta save her because he knows that she's going to

1048
00:54:36,200 --> 00:54:39,320
Speaker 1: be killed by him. Maybe. Anyway, let's get to the

1049
00:54:39,400 --> 00:54:42,799
Speaker 1: day of the mission. Here, Brian and Roman they begin

1050
00:54:42,920 --> 00:54:48,319
Speaker 1: transporting the Duffel bags of Veron's money with those associates.

1051
00:54:48,320 --> 00:54:50,520
Speaker 1: Will call them Enrique and Roberto. I do have it

1052
00:54:50,560 --> 00:54:52,400
Speaker 1: in the notes here, shout out to Wikipedia. That is

1053
00:54:52,440 --> 00:54:55,560
Speaker 1: their names. Which one is the bold guy, Let's call

1054
00:54:55,600 --> 00:54:59,160
Speaker 1: him Enrique. I don't know who knows. But they're riding

1055
00:54:59,200 --> 00:55:01,480
Speaker 1: alongside them because they're like, we are we got we

1056
00:55:01,480 --> 00:55:03,000
Speaker 1: gotta ride with you. I guess that is the one

1057
00:55:03,000 --> 00:55:05,920
Speaker 1: thing we learned at the houseboat scene the day before.

1058
00:55:05,960 --> 00:55:11,880
Speaker 1: It's like, well, they're coming with you. Before you know,

1059
00:55:11,920 --> 00:55:15,399
Speaker 1: the window is set. Whitworth, whitworth excuse me? The guy

1060
00:55:15,400 --> 00:55:17,680
Speaker 1: from Sons of Anarchy, he decides to call in the police.

1061
00:55:17,680 --> 00:55:20,080
Speaker 1: So yeah, after all that, after all the bucket and

1062
00:55:20,080 --> 00:55:22,839
Speaker 1: all the threats, he's like, ah, scirt, So he calls

1063
00:55:22,840 --> 00:55:24,440
Speaker 1: in the cops to move and then we get the

1064
00:55:24,520 --> 00:55:27,760
Speaker 1: high speed chase here across the city and the duo

1065
00:55:28,320 --> 00:55:32,600
Speaker 1: leads the police to a warehouse, and they have talked

1066
00:55:32,640 --> 00:55:37,520
Speaker 1: about this in advance with Ludacris Teja, like this is

1067
00:55:37,560 --> 00:55:41,360
Speaker 1: their big plan, all right. They go to this warehouse,

1068
00:55:42,520 --> 00:55:46,200
Speaker 1: they pull in garage doors close. I mean they're surrounded

1069
00:55:46,200 --> 00:55:48,919
Speaker 1: by cops because they know they're in there, and their

1070
00:55:48,960 --> 00:55:53,799
Speaker 1: plan is to open up all the garage doors. First off,

1071
00:55:53,880 --> 00:55:56,600
Speaker 1: have about four like souped up pickup trucks just come

1072
00:55:56,640 --> 00:55:58,960
Speaker 1: and ram the hell out of the cops. Like how

1073
00:55:59,000 --> 00:56:00,120
Speaker 1: much are these people getting paid?

1074
00:56:00,600 --> 00:56:01,120
Speaker 3: Yeah?

1075
00:56:01,239 --> 00:56:03,359
Speaker 1: Like I guess they got the money because they're winning

1076
00:56:03,360 --> 00:56:06,720
Speaker 1: these like high stakes races. But they just like barrel

1077
00:56:06,719 --> 00:56:09,520
Speaker 1: in all those cops parked there. And then here come

1078
00:56:09,640 --> 00:56:13,359
Speaker 1: all the cars and we get this crazy scramble with

1079
00:56:13,440 --> 00:56:16,279
Speaker 1: like I don't know, it looks like what forty cars?

1080
00:56:16,360 --> 00:56:20,840
Speaker 1: I feel forty fifty cars. It feels like there's cards tons. Yeah,

1081
00:56:21,520 --> 00:56:21,799
Speaker 1: and it.

1082
00:56:21,880 --> 00:56:26,200
Speaker 3: Disorients ten ten ten or so pickup trucks out the

1083
00:56:26,280 --> 00:56:29,759
Speaker 3: gate right away, all different colors, smashing the cop cars.

1084
00:56:29,800 --> 00:56:32,160
Speaker 3: And then I would say, there's probably eighty ninety cars.

1085
00:56:32,200 --> 00:56:34,200
Speaker 1: Oh you think it's that y, Yeah, it's possible.

1086
00:56:35,760 --> 00:56:39,319
Speaker 3: But back up for a second, just because that's That's

1087
00:56:39,440 --> 00:56:44,440
Speaker 3: crucial in the plot because with their plan is to

1088
00:56:45,239 --> 00:56:49,600
Speaker 3: the cops, plan is to sting Varne at the airstrip, right,

1089
00:56:50,160 --> 00:56:53,839
Speaker 3: but Brian and Roman have this other plan where they're

1090
00:56:53,840 --> 00:56:55,600
Speaker 3: just going to run off with the money, right like that?

1091
00:56:55,800 --> 00:56:56,919
Speaker 1: Yeah, I think?

1092
00:56:57,400 --> 00:57:00,839
Speaker 3: And so was that how they convinced all these people, say,

1093
00:57:00,840 --> 00:57:04,600
Speaker 3: one hundred people, sure, we're gonna split million this whatever

1094
00:57:04,640 --> 00:57:07,400
Speaker 3: this jackpot is, We're going we're gonna split it with you.

1095
00:57:07,880 --> 00:57:12,080
Speaker 3: If you basically agree to being arrested, you have a

1096
00:57:12,239 --> 00:57:15,400
Speaker 3: very very good chance of being arrested so that we

1097
00:57:15,520 --> 00:57:17,280
Speaker 3: can get away with all the money.

1098
00:57:17,320 --> 00:57:19,720
Speaker 2: Right, Like that's kind of a good point.

1099
00:57:19,880 --> 00:57:23,720
Speaker 3: That's the logic there's And oh, by the way, you're

1100
00:57:23,720 --> 00:57:25,360
Speaker 3: probably gonna smash your car as well.

1101
00:57:26,280 --> 00:57:29,080
Speaker 2: Yeah yeah, your prize possession. You're gonna drive it straight

1102
00:57:29,120 --> 00:57:31,640
Speaker 2: into the police when you will be arrested as an

1103
00:57:31,680 --> 00:57:34,520
Speaker 2: accessory to a crime. But we'll give you a kickback

1104
00:57:34,560 --> 00:57:38,600
Speaker 2: a little bit later. Very strange, Uh, you mentioned skeets

1105
00:57:39,560 --> 00:57:42,000
Speaker 2: it's a scramble. You can tell it's a scramble because

1106
00:57:42,000 --> 00:57:47,560
Speaker 2: somebody says it's a scramble, baby, that's true. I would

1107
00:57:47,560 --> 00:57:52,040
Speaker 2: have called it that on the somebody says it's a scramble,

1108
00:57:53,400 --> 00:57:55,680
Speaker 2: I guess it is. Here's all I thought about doing

1109
00:57:55,720 --> 00:57:56,360
Speaker 2: that scene.

1110
00:57:56,920 --> 00:57:59,680
Speaker 1: All I could think about was listen to man Way

1111
00:58:00,080 --> 00:58:05,040
Speaker 1: all run too, Cinnaman, where you going run to Doom

1112
00:58:05,080 --> 00:58:09,000
Speaker 1: Doom Doom do. It was the Thomas Crown Affair. It

1113
00:58:09,120 --> 00:58:13,720
Speaker 1: was the confusion move where everybody dresses the same thing

1114
00:58:14,080 --> 00:58:16,160
Speaker 1: and you don't know who's the real one, and then

1115
00:58:16,240 --> 00:58:18,080
Speaker 1: just let them all loose in the art gallery and

1116
00:58:18,200 --> 00:58:20,600
Speaker 1: they got cinner Man going. They should have played it

1117
00:58:20,680 --> 00:58:22,840
Speaker 1: during the scene that was a couple of years prior

1118
00:58:22,920 --> 00:58:24,760
Speaker 1: to the filming of this movie. It would have worked out.

1119
00:58:25,240 --> 00:58:26,640
Speaker 1: That's immediately what I thought.

1120
00:58:26,720 --> 00:58:27,600
Speaker 3: I was like, oh, the.

1121
00:58:27,560 --> 00:58:31,960
Speaker 1: Classic scramble Thomas Crown Affair move, play cinner Man, let's go,

1122
00:58:32,080 --> 00:58:37,000
Speaker 1: because yeah, with the cops are all disoriented here following

1123
00:58:37,000 --> 00:58:42,120
Speaker 1: this scramble, they do manage to pull over the two cars,

1124
00:58:42,320 --> 00:58:45,880
Speaker 1: the Evil and the Eclipse. But a ha ha, it's

1125
00:58:45,960 --> 00:58:49,520
Speaker 1: not Brian, it's not Roman, it's Tej and it's Suki,

1126
00:58:49,720 --> 00:58:51,680
Speaker 1: which also is a great part. Maybe, Like I hope

1127
00:58:51,680 --> 00:58:55,360
Speaker 1: they're getting paid more for that for that role. You know,

1128
00:58:55,360 --> 00:58:57,040
Speaker 1: they could have given that to anybody, but it's got

1129
00:58:57,080 --> 00:58:59,240
Speaker 1: to be them. And as it turns out, the dual

1130
00:58:59,320 --> 00:59:01,360
Speaker 1: they switched the car when they were in there, and

1131
00:59:01,480 --> 00:59:04,720
Speaker 1: they escaped there in the two muscle cars that they

1132
00:59:04,760 --> 00:59:09,200
Speaker 1: won earlier. Anything to add.

1133
00:59:09,200 --> 00:59:12,520
Speaker 2: This, well, they didn't just win those cars earlier skates,

1134
00:59:12,560 --> 00:59:15,840
Speaker 2: they also upgraded those cars for part of a mission

1135
00:59:15,840 --> 00:59:18,440
Speaker 2: that they're gonna need here in.

1136
00:59:18,440 --> 00:59:23,000
Speaker 1: A few minutes. This is an elaborate plan, my god.

1137
00:59:22,760 --> 00:59:26,800
Speaker 2: By Brian and Roman, Like they brought in another let's

1138
00:59:26,800 --> 00:59:31,040
Speaker 2: say fifty people. They're going through all of these negotiation

1139
00:59:31,400 --> 00:59:34,040
Speaker 2: or modifications to their car to make it so they

1140
00:59:34,040 --> 00:59:37,600
Speaker 2: have ejector seats. They're really I mean, how much is

1141
00:59:37,640 --> 00:59:41,640
Speaker 2: this payday gonna be from stealing from varone? Because at

1142
00:59:41,640 --> 00:59:43,680
Speaker 2: the end when they walk away, they're not walking away

1143
00:59:43,720 --> 00:59:46,240
Speaker 2: with enough money to be paying these people back, you know,

1144
00:59:46,320 --> 00:59:48,919
Speaker 2: like they're they're gonna like give everybody two hundred bucks

1145
00:59:48,960 --> 00:59:51,080
Speaker 2: and be like, well that's it.

1146
00:59:52,880 --> 00:59:55,880
Speaker 1: There was a lot of overhead for this. Yeah, yeah,

1147
00:59:55,920 --> 00:59:59,040
Speaker 1: And I mean like even still you said that you

1148
00:59:59,080 --> 01:00:02,200
Speaker 1: said the plan JD to drive away like to take

1149
01:00:02,240 --> 01:00:02,840
Speaker 1: all the money.

1150
01:00:03,000 --> 01:00:03,720
Speaker 3: I mean, is it?

1151
01:00:03,760 --> 01:00:04,440
Speaker 1: But but is it?

1152
01:00:04,480 --> 01:00:05,520
Speaker 3: Because it was.

1153
01:00:07,120 --> 01:00:10,120
Speaker 1: Maybe? Do you think that I can't remember the order now?

1154
01:00:10,160 --> 01:00:13,480
Speaker 1: In the movie of then when like they devised the

1155
01:00:13,560 --> 01:00:15,520
Speaker 1: plan that we're not told about at the time, but

1156
01:00:15,560 --> 01:00:17,439
Speaker 1: they're talking to Tej about it and they're walking over

1157
01:00:17,480 --> 01:00:20,000
Speaker 1: that like that bridge right by the way. I thought

1158
01:00:20,040 --> 01:00:21,760
Speaker 1: the bridge was gonna have something to do with it.

1159
01:00:22,160 --> 01:00:24,440
Speaker 1: E when they're in that tunnel bridge like that, I'm like, Oh,

1160
01:00:24,440 --> 01:00:26,640
Speaker 1: somebody's gonna jump out of it or something like, No,

1161
01:00:26,760 --> 01:00:30,280
Speaker 1: it's just this warehouse place. But does that come before

1162
01:00:30,560 --> 01:00:33,720
Speaker 1: then Veron's saying, these two guys are gonna be with you,

1163
01:00:34,720 --> 01:00:38,280
Speaker 1: like the two henchmen. I can't remember the order there.

1164
01:00:38,320 --> 01:00:40,280
Speaker 1: So maybe it's sort of like their their plan, their

1165
01:00:40,280 --> 01:00:42,800
Speaker 1: perfect plan is blown up a little bit because those

1166
01:00:42,800 --> 01:00:44,920
Speaker 1: guys are gonna be involved. Though. Then Trey said they

1167
01:00:44,920 --> 01:00:48,400
Speaker 1: put in the ejector seats. Yeah, yeah, I don't know

1168
01:00:48,440 --> 01:00:49,960
Speaker 1: what they're doing. They think they're just gonna get a

1169
01:00:50,000 --> 01:00:52,680
Speaker 1: bunch of money. Yeah, that's the ultimate plan.

1170
01:00:52,800 --> 01:00:55,200
Speaker 3: Well, either way, even if it goes, if they stick

1171
01:00:55,240 --> 01:00:58,280
Speaker 3: with the cops plan, they're each getting one hundred grand, right,

1172
01:00:58,640 --> 01:01:00,479
Speaker 3: was that part of it as well? Did I dream

1173
01:01:00,560 --> 01:01:03,120
Speaker 3: that they were I don't know, Oh no, they were

1174
01:01:03,120 --> 01:01:03,920
Speaker 3: just getting there.

1175
01:01:05,400 --> 01:01:10,280
Speaker 1: Yeah, okay, wiped anyway, So they are in the muscle cars,

1176
01:01:10,400 --> 01:01:13,040
Speaker 1: and they still got these guys with them. So Brian,

1177
01:01:13,400 --> 01:01:17,720
Speaker 1: he approaches the destination point. He's in the Camaro. But Enrique,

1178
01:01:18,320 --> 01:01:21,120
Speaker 1: it isn't Rique, that's the bolt guy. He tells them

1179
01:01:21,520 --> 01:01:24,720
Speaker 1: to take a different exit. Hey, we're going to the marina,

1180
01:01:25,040 --> 01:01:29,840
Speaker 1: the Tarpon Point Marina. Oh boy boy, we're not going there.

1181
01:01:31,000 --> 01:01:33,560
Speaker 1: Thought we were going there. In fact, if anything, hell

1182
01:01:33,600 --> 01:01:37,920
Speaker 1: of a callback to the boats. Boats, boats boats boats

1183
01:01:37,960 --> 01:01:40,840
Speaker 1: in the It was right there. He was telling you

1184
01:01:41,000 --> 01:01:43,800
Speaker 1: how he was going to escape this Argentinian drug Look.

1185
01:01:44,480 --> 01:01:47,600
Speaker 1: So meanwhile, Roman he gets rid of Roberto.

1186
01:01:47,920 --> 01:01:48,040
Speaker 3: Uh.

1187
01:01:48,280 --> 01:01:53,040
Speaker 1: He uses the improvised ejector seat in his challenger peace out.

1188
01:01:53,520 --> 01:01:55,920
Speaker 1: So he's okay, he's got rid of his guy. But

1189
01:01:56,040 --> 01:01:59,560
Speaker 1: at the airfield, we got the custom agents. You know,

1190
01:01:59,600 --> 01:02:04,800
Speaker 1: they've got the plane surrounded, only to discover they've been duped.

1191
01:02:04,920 --> 01:02:08,480
Speaker 1: It's a decoy. Roone and his sketchers are at the

1192
01:02:08,520 --> 01:02:12,439
Speaker 1: boatyard's several miles away, and Maroon reveals that he knew

1193
01:02:12,440 --> 01:02:15,400
Speaker 1: Monica was an undercover agent and purposely gave her wrong

1194
01:02:15,440 --> 01:02:18,160
Speaker 1: information on the destination point. That was a slick move

1195
01:02:18,200 --> 01:02:18,560
Speaker 1: by him.

1196
01:02:18,600 --> 01:02:20,720
Speaker 3: You gotta, yeah, gotta hand it to him.

1197
01:02:20,800 --> 01:02:22,840
Speaker 1: Yeah, you gotta respect him there. Maybe that's what he

1198
01:02:23,200 --> 01:02:26,200
Speaker 1: had that in one of his deep pockets. He has

1199
01:02:26,280 --> 01:02:30,640
Speaker 1: that because he knew this guy picks up. This guy

1200
01:02:30,720 --> 01:02:33,040
Speaker 1: be good on Survivor. He sees like small towels and

1201
01:02:33,040 --> 01:02:36,320
Speaker 1: he's like, uh yeah, I only told one person. And

1202
01:02:36,320 --> 01:02:39,240
Speaker 1: then suddenly somebody else knew. So it was you.

1203
01:02:39,680 --> 01:02:42,600
Speaker 2: It was you had me eleven and a half months.

1204
01:02:42,720 --> 01:02:46,320
Speaker 1: You slipped once. Geez, that's all It'll take us once. Yeah,

1205
01:02:46,320 --> 01:02:48,040
Speaker 1: that's right, that's right. And he was all over it.

1206
01:02:48,120 --> 01:02:54,000
Speaker 1: So Brian arrives at the Marina Verroon, forces Monica onto

1207
01:02:54,400 --> 01:02:57,880
Speaker 1: his private yacht and then orders Enrique to kill Brian

1208
01:02:57,960 --> 01:03:01,920
Speaker 1: because he's still there is his Uh well, wait, do

1209
01:03:02,000 --> 01:03:03,840
Speaker 1: we know if his seat works yet? Has he tried

1210
01:03:03,880 --> 01:03:06,880
Speaker 1: his seat at this point? I guess he hasn't yeh.

1211
01:03:06,720 --> 01:03:09,200
Speaker 3: He wait, he waits. That was sort of the weird

1212
01:03:09,280 --> 01:03:13,240
Speaker 3: part too, because Roman does it works great, went sideways.

1213
01:03:13,400 --> 01:03:16,000
Speaker 3: Wasn't expecting that, wasn't expecting on the plane at the

1214
01:03:16,160 --> 01:03:18,760
Speaker 3: side of the car, so that was kind of cool.

1215
01:03:18,920 --> 01:03:20,800
Speaker 3: And then he gets on the horn and he's lists like,

1216
01:03:20,840 --> 01:03:23,320
Speaker 3: hey man, I just ejected my guy. It was awesome.

1217
01:03:23,360 --> 01:03:25,480
Speaker 3: He just went flying and did you eject your guy

1218
01:03:25,560 --> 01:03:28,960
Speaker 3: yet he was He's holding him up like it's not

1219
01:03:29,080 --> 01:03:31,080
Speaker 3: in his ear or anything. The guy is sitting right

1220
01:03:31,120 --> 01:03:34,520
Speaker 3: next to him. Did he not hear the whole cart?

1221
01:03:34,560 --> 01:03:38,160
Speaker 3: Like not be like, but he doesn't react at all,

1222
01:03:38,360 --> 01:03:40,520
Speaker 3: so hey, hey change the plans were going to the marina.

1223
01:03:40,560 --> 01:03:42,880
Speaker 3: But and then I think he sort of lays off.

1224
01:03:43,360 --> 01:03:45,680
Speaker 3: When does he when does he try to eject him?

1225
01:03:45,720 --> 01:03:49,120
Speaker 1: Like I think that's like when Enrique is going to

1226
01:03:49,200 --> 01:03:49,840
Speaker 1: kill him.

1227
01:03:49,880 --> 01:03:53,640
Speaker 3: Right, So they're standing still, yeah, yeah.

1228
01:03:53,200 --> 01:03:56,080
Speaker 1: And he's like it's like, yeah, it's like it's not working.

1229
01:03:56,120 --> 01:04:00,920
Speaker 1: He's trying to buzz in on Jeopardy disabled on this

1230
01:04:01,000 --> 01:04:03,240
Speaker 1: ejector seat. Oh, I guess I forgot too. We got

1231
01:04:03,240 --> 01:04:05,200
Speaker 1: another harpoon at some point, right.

1232
01:04:05,640 --> 01:04:07,520
Speaker 2: Oh there was a harpoon on the highway chase for it.

1233
01:04:07,680 --> 01:04:13,880
Speaker 1: Yeah yeah, And that's when that's when Brian is telling, uh, Enrique, like,

1234
01:04:13,920 --> 01:04:19,120
Speaker 1: you gotta drive, man, I'll keep life on the pedal though,

1235
01:04:19,280 --> 01:04:21,320
Speaker 1: don't worry. Yeah, you're not gonna be able to get

1236
01:04:21,320 --> 01:04:22,160
Speaker 1: over into my seat.

1237
01:04:22,240 --> 01:04:22,760
Speaker 2: I got this.

1238
01:04:23,360 --> 01:04:27,200
Speaker 3: It doesn't Enrique say I can't drive. I can't drive.

1239
01:04:29,520 --> 01:04:32,880
Speaker 3: That's into it, man, it just goes straight.

1240
01:04:33,560 --> 01:04:36,160
Speaker 2: I can't drive. You really don't need to drive, just

1241
01:04:36,240 --> 01:04:38,960
Speaker 2: literally just push the gas man, push your foot down.

1242
01:04:38,840 --> 01:04:41,680
Speaker 1: You know how to stand up. But that's so but

1243
01:04:41,800 --> 01:04:44,240
Speaker 1: you said it, Tray. He doesn't even slide over to

1244
01:04:44,240 --> 01:04:46,240
Speaker 1: put his foot on the gas. They actually go to

1245
01:04:46,320 --> 01:04:50,960
Speaker 1: a close up of Brian's like Converse was still pressing

1246
01:04:51,000 --> 01:04:53,240
Speaker 1: it while he's reaching on the side of his car

1247
01:04:53,320 --> 01:04:57,200
Speaker 1: to pull out this damn harpoon that doesn't even exist

1248
01:04:57,240 --> 01:05:01,800
Speaker 1: in real life. Oh what a see anyway, back to

1249
01:05:01,840 --> 01:05:04,280
Speaker 1: the marina, So yeah, I love it. They hit him

1250
01:05:04,320 --> 01:05:05,000
Speaker 1: with the harpoon.

1251
01:05:05,160 --> 01:05:07,800
Speaker 2: It slows the car down to forty miles an hour,

1252
01:05:08,040 --> 01:05:11,480
Speaker 2: like they're showing this phenometer, and the cops still like

1253
01:05:11,880 --> 01:05:12,800
Speaker 2: cannot catch him.

1254
01:05:12,800 --> 01:05:15,640
Speaker 1: Man like, oh man, forty I don't know. I don't know.

1255
01:05:16,040 --> 01:05:18,320
Speaker 1: I don't know how to drive. Yeah, if you're if

1256
01:05:18,360 --> 01:05:21,440
Speaker 1: you're the the cops in Miami there or the FBI,

1257
01:05:21,520 --> 01:05:23,600
Speaker 1: I guess it sort of is like stop putting so

1258
01:05:23,680 --> 01:05:26,840
Speaker 1: much money into these like like harpoons that like try

1259
01:05:26,840 --> 01:05:29,240
Speaker 1: and take the car down, like get your wheels better,

1260
01:05:29,320 --> 01:05:31,480
Speaker 1: like so you can go a little faster than a

1261
01:05:31,600 --> 01:05:36,160
Speaker 1: forty mile per hour car. Yeah, Enrique prepares to kill Brian.

1262
01:05:36,520 --> 01:05:40,960
Speaker 1: The injector seat fails, but Roman suddenly appears and just

1263
01:05:41,000 --> 01:05:42,240
Speaker 1: like basically rearends him.

1264
01:05:42,320 --> 01:05:42,440
Speaker 2: Right.

1265
01:05:42,480 --> 01:05:46,760
Speaker 1: He just like like hits the car. Helped Brian to

1266
01:05:47,000 --> 01:05:50,000
Speaker 1: uh to take out Enrique because he sort of phased.

1267
01:05:51,360 --> 01:05:55,080
Speaker 1: Roon's making his escape on his super yacht. And I'll

1268
01:05:55,120 --> 01:05:58,240
Speaker 1: just jump right to it, just like they do. Brian

1269
01:05:58,280 --> 01:06:02,480
Speaker 1: and Roman just drive a I mean, we don't even

1270
01:06:02,520 --> 01:06:04,439
Speaker 1: really see a ramp. I love this part.

1271
01:06:04,520 --> 01:06:07,840
Speaker 3: They're just like, well we literally see him crash into

1272
01:06:07,880 --> 01:06:10,320
Speaker 3: a gate or like through a boat house or something.

1273
01:06:10,400 --> 01:06:12,720
Speaker 3: It's yeah, it's car point of view, and then it

1274
01:06:12,880 --> 01:06:15,919
Speaker 3: just goes into It's not a dock, it's not a pier,

1275
01:06:16,040 --> 01:06:18,320
Speaker 3: and it just seems to be a gate or some

1276
01:06:18,440 --> 01:06:21,760
Speaker 3: sort of wall with water behind it. So he would

1277
01:06:21,800 --> 01:06:24,360
Speaker 3: have had to crash through that. I mean, can you

1278
01:06:24,400 --> 01:06:27,240
Speaker 3: imagine Can you imagine in real life you're driving along

1279
01:06:27,320 --> 01:06:31,600
Speaker 3: and you're just decide, split second, I gotta get this

1280
01:06:31,720 --> 01:06:36,520
Speaker 3: car onto that boat. Can you like just the physicals

1281
01:06:36,640 --> 01:06:40,120
Speaker 3: wrapping your head around. I've never been down this road before.

1282
01:06:40,240 --> 01:06:43,120
Speaker 3: All I know is that the boat's there and I

1283
01:06:43,400 --> 01:06:44,680
Speaker 3: here seems like a good place.

1284
01:06:45,440 --> 01:06:46,960
Speaker 1: Yeah, like and yeah.

1285
01:06:46,840 --> 01:06:47,760
Speaker 2: I'm going for it.

1286
01:06:47,880 --> 01:06:50,720
Speaker 1: I mean he just like gets so damn lucky with

1287
01:06:50,800 --> 01:06:53,240
Speaker 1: the way the boat is lined up in the water,

1288
01:06:53,560 --> 01:06:56,439
Speaker 1: and then where the ramp. First off, they're just being

1289
01:06:56,480 --> 01:06:59,920
Speaker 1: a ramp into the water. Why no one knows that

1290
01:07:00,040 --> 01:07:02,800
Speaker 1: it goes up? And then uh yeah, he just he

1291
01:07:02,880 --> 01:07:04,840
Speaker 1: just places that bad boy right on top of that

1292
01:07:04,880 --> 01:07:06,400
Speaker 1: boat basically perfect tray.

1293
01:07:06,880 --> 01:07:09,200
Speaker 2: Yeah. Did he even hit the nas? I don't think

1294
01:07:09,240 --> 01:07:11,120
Speaker 2: he even hits to be able to boost and get

1295
01:07:11,200 --> 01:07:15,080
Speaker 2: us super jump. You would think you would need that, man,

1296
01:07:16,000 --> 01:07:19,640
Speaker 2: I can't believe this. Did they have ludicrous open up

1297
01:07:19,680 --> 01:07:23,479
Speaker 2: the bridge in the first race so that we could

1298
01:07:23,480 --> 01:07:26,400
Speaker 2: know Brian is a car jumping machine?

1299
01:07:27,160 --> 01:07:30,360
Speaker 1: That is absolutely He must have danged nitro.

1300
01:07:30,680 --> 01:07:33,280
Speaker 2: He must wants Yeah, he had to.

1301
01:07:33,320 --> 01:07:35,360
Speaker 3: I don't think there was any knightstro left because they

1302
01:07:35,520 --> 01:07:37,560
Speaker 3: used it for the ejection and.

1303
01:07:39,160 --> 01:07:41,800
Speaker 2: His ejection seat was clearly failing too, right, Like he's like,

1304
01:07:42,440 --> 01:07:44,480
Speaker 2: so he couldn't access the second one.

1305
01:07:45,240 --> 01:07:48,880
Speaker 3: That's American muscle for true, true, true.

1306
01:07:49,040 --> 01:07:50,520
Speaker 1: Yeah. So he gets it up on top of the

1307
01:07:50,600 --> 01:07:55,000
Speaker 1: yacht and then Brian shoots and wounds verone who had

1308
01:07:55,000 --> 01:07:57,800
Speaker 1: a gun too. He had a shotgun, I think because

1309
01:07:57,800 --> 01:07:59,600
Speaker 1: he was about to shoot them. But he gets them

1310
01:07:59,640 --> 01:08:02,400
Speaker 1: in the should takes him down and then he's arrested

1311
01:08:02,400 --> 01:08:05,840
Speaker 1: by Monica and then you know, to wrap it up,

1312
01:08:06,160 --> 01:08:09,200
Speaker 1: Mark them grants Brian and Roman full pardons. That's great.

1313
01:08:09,640 --> 01:08:14,800
Speaker 1: In return, Roman turns over the second half of Varone's money.

1314
01:08:14,600 --> 01:08:19,800
Speaker 1: This gets really weird here, so he just like just

1315
01:08:19,800 --> 01:08:22,720
Speaker 1: wants to clear his conscience. I guess, Or it's all

1316
01:08:22,880 --> 01:08:26,519
Speaker 1: part of the plan, Like if I give this bunch

1317
01:08:26,520 --> 01:08:30,240
Speaker 1: of money back, which I don't know why the cops

1318
01:08:30,240 --> 01:08:34,120
Speaker 1: wouldn't have known existed anyway, Like there's two cars, your

1319
01:08:34,120 --> 01:08:36,439
Speaker 1: goal is to transport this money to Vone, which we

1320
01:08:36,439 --> 01:08:38,960
Speaker 1: thought was gonna be the airfield, like anyway, But maybe

1321
01:08:39,000 --> 01:08:41,000
Speaker 1: it's the plan is like if I if we just

1322
01:08:41,040 --> 01:08:44,920
Speaker 1: go ahead and say, hey, here's the here's the second

1323
01:08:45,040 --> 01:08:47,680
Speaker 1: set of Duffel bags with all the money, and that

1324
01:08:47,800 --> 01:08:52,280
Speaker 1: allows them to then secretly pocket a bunch of money

1325
01:08:52,320 --> 01:08:55,040
Speaker 1: in their drawers. I guess, I guess, because that's what

1326
01:08:55,080 --> 01:08:57,479
Speaker 1: they do. That's what we see at the end. The

1327
01:08:57,520 --> 01:09:00,400
Speaker 1: two agree to stay in Miami, Brian and Roman their

1328
01:09:00,439 --> 01:09:05,839
Speaker 1: buddies again. He suggests opening a garage, you know, funded

1329
01:09:05,840 --> 01:09:08,720
Speaker 1: by a cut of Varon's money there that they that

1330
01:09:08,840 --> 01:09:11,920
Speaker 1: Roman kept for themselves. He stole a cigar cutter, he

1331
01:09:11,920 --> 01:09:15,280
Speaker 1: can steal a bunch of money, and that's that's the movie.

1332
01:09:15,760 --> 01:09:20,200
Speaker 3: It is interesting that that whole part was so awkward, right, like, oh,

1333
01:09:20,240 --> 01:09:23,240
Speaker 3: here are the three bags of money. Wait one second,

1334
01:09:24,000 --> 01:09:26,040
Speaker 3: they take the time to shoot all of this. It's like,

1335
01:09:27,560 --> 01:09:29,600
Speaker 3: you gotta just said there was an extra bag and

1336
01:09:29,640 --> 01:09:31,519
Speaker 3: we have it. Yeah, Like what's the difference.

1337
01:09:31,600 --> 01:09:33,680
Speaker 1: I mean, I know, why wouldn't I thought they were

1338
01:09:33,720 --> 01:09:36,200
Speaker 1: gonna this is where my mind was going. I was like, oh,

1339
01:09:36,720 --> 01:09:40,519
Speaker 1: in the Mad Scramble, they've like planted different bags or

1340
01:09:40,560 --> 01:09:43,760
Speaker 1: something like that, you know, in other cars, or put

1341
01:09:43,800 --> 01:09:46,040
Speaker 1: other things in the bag like we've seen in a

1342
01:09:46,080 --> 01:09:50,200
Speaker 1: million movies before too. But yeah, instead it was just like, hey,

1343
01:09:50,320 --> 01:09:54,040
Speaker 1: you know what, here's the other cars trunkload of money.

1344
01:09:55,560 --> 01:09:57,800
Speaker 1: And then they walk away and like, by the way,

1345
01:09:57,840 --> 01:10:00,720
Speaker 1: like wait until you're like more than two away from

1346
01:10:00,760 --> 01:10:05,640
Speaker 1: the cops to be like it's like they can hear

1347
01:10:05,840 --> 01:10:08,640
Speaker 1: me too, me too, if we've learned anything. Like I

1348
01:10:08,680 --> 01:10:10,800
Speaker 1: said at the start of this podcast, people can be

1349
01:10:10,840 --> 01:10:13,599
Speaker 1: five hundred yards away with ten cars reving their engines

1350
01:10:13,640 --> 01:10:15,360
Speaker 1: and they can hear whatever the hell you're saying. So

1351
01:10:15,400 --> 01:10:18,439
Speaker 1: I'm sure the cops heard you guys, but yeah, that's

1352
01:10:18,560 --> 01:10:21,160
Speaker 1: that's the movie. That's the entire plot.

1353
01:10:20,920 --> 01:10:24,000
Speaker 3: There, for the most part, for a climax of a

1354
01:10:24,040 --> 01:10:27,840
Speaker 3: fast and furious movie. Having seen the ones down the Road,

1355
01:10:28,400 --> 01:10:34,559
Speaker 3: a little anti climatic, very totally like what the stunt

1356
01:10:34,680 --> 01:10:38,800
Speaker 3: or the the the sequence of the car jumping and

1357
01:10:38,880 --> 01:10:42,040
Speaker 3: landing on the boat was pretty spectacular for the budget

1358
01:10:42,160 --> 01:10:45,160
Speaker 3: for the time, you know. But then there's this then

1359
01:10:45,200 --> 01:10:46,920
Speaker 3: they just sit and they literally just sit in the

1360
01:10:46,960 --> 01:10:48,920
Speaker 3: car once it's on the boat, right, and there's this

1361
01:10:49,000 --> 01:10:52,080
Speaker 3: sort of a long time of them just sort of

1362
01:10:52,120 --> 01:10:55,800
Speaker 3: recovering from the actual crashing of into the boat, right,

1363
01:10:55,880 --> 01:11:00,439
Speaker 3: like yep, Brian's just like, oh god, it is his

1364
01:11:00,520 --> 01:11:03,400
Speaker 3: nose broken. He's not bleeding or anything. And then and

1365
01:11:03,439 --> 01:11:06,680
Speaker 3: then they got broke my arm, you know. And then

1366
01:11:06,680 --> 01:11:08,880
Speaker 3: again he just peeks over the top and they shoot

1367
01:11:08,920 --> 01:11:11,559
Speaker 3: him right and then and then it's just like okay,

1368
01:11:11,680 --> 01:11:13,439
Speaker 3: all right, here we go, here we go. Here's the

1369
01:11:13,680 --> 01:11:16,920
Speaker 3: final climactic scene. And it's like, nah, no, got him,

1370
01:11:17,000 --> 01:11:19,800
Speaker 3: Monica's got the gun, and it's over.

1371
01:11:20,200 --> 01:11:22,960
Speaker 1: It was quick, you're right. Then we're basically just like

1372
01:11:23,080 --> 01:11:25,840
Speaker 1: shaking hands between the cops and the guys. Everybody's good.

1373
01:11:25,920 --> 01:11:28,640
Speaker 1: You guys are clear, and we're off, and there's like

1374
01:11:29,080 --> 01:11:34,080
Speaker 1: there's also like no nothing unless I'm forgetting it. Monica

1375
01:11:34,080 --> 01:11:37,680
Speaker 1: and Brian, do they even have like a goodbye? Like

1376
01:11:37,880 --> 01:11:38,439
Speaker 1: do they see it?

1377
01:11:38,479 --> 01:11:38,559
Speaker 2: Like?

1378
01:11:38,760 --> 01:11:39,080
Speaker 3: Really?

1379
01:11:39,520 --> 01:11:40,080
Speaker 2: Not? Really?

1380
01:11:40,840 --> 01:11:44,200
Speaker 1: I was like, all right, could working with you? Work

1381
01:11:44,280 --> 01:11:44,719
Speaker 1: with you?

1382
01:11:44,720 --> 01:11:44,920
Speaker 2: Thanks?

1383
01:11:45,160 --> 01:11:46,840
Speaker 1: Thanks for the kiss that one time. Hey, by the way,

1384
01:11:46,840 --> 01:11:49,080
Speaker 1: did you jump in the water to swim to my bat?

1385
01:11:50,200 --> 01:11:52,840
Speaker 1: Did you have a shower while I was sleeping the clothes?

1386
01:11:53,920 --> 01:11:57,160
Speaker 1: What's going on there? Yeah? No, they just they just

1387
01:11:57,200 --> 01:11:59,160
Speaker 1: wrap it up anyway. That's too fast, too furious. So

1388
01:11:59,200 --> 01:11:59,839
Speaker 1: that's the other.

1389
01:11:59,720 --> 01:12:04,160
Speaker 2: Question I had about the jump from the car onto

1390
01:12:04,200 --> 01:12:09,240
Speaker 2: the boat. Nobody else on the boat just Harder and Monica,

1391
01:12:09,520 --> 01:12:12,080
Speaker 2: nobody else is coming up to see what happened. Is

1392
01:12:12,080 --> 01:12:14,880
Speaker 2: Carter the one piloting the boat? Is he the captain here?

1393
01:12:14,920 --> 01:12:17,160
Speaker 2: And now that he's been taking out this thing is

1394
01:12:17,200 --> 01:12:18,839
Speaker 2: just going down the ocean.

1395
01:12:19,320 --> 01:12:20,160
Speaker 3: Yeah, it's great point.

1396
01:12:20,240 --> 01:12:22,360
Speaker 2: It's a strange plan. They're like, we're gonna jump on

1397
01:12:22,400 --> 01:12:25,799
Speaker 2: there and then we'll be there, we'll see what happens,

1398
01:12:26,040 --> 01:12:27,559
Speaker 2: we'll wing it from there, which you know, I mean,

1399
01:12:27,600 --> 01:12:30,439
Speaker 2: I guess that's kind of the point of fast and furious.

1400
01:12:30,439 --> 01:12:35,479
Speaker 2: But you gotta have some backup. If you're international drug

1401
01:12:35,520 --> 01:12:38,559
Speaker 2: lord trying to escape the country with millions of dollars

1402
01:12:39,000 --> 01:12:42,200
Speaker 2: on a massive boat, you should have one other person there,

1403
01:12:42,360 --> 01:12:43,559
Speaker 2: one other person you can trust.

1404
01:12:45,160 --> 01:12:47,799
Speaker 1: All right, Well, let's get to the fast favorite scene

1405
01:12:47,840 --> 01:12:50,040
Speaker 1: car or quote JD. You can start us off here

1406
01:12:50,080 --> 01:12:50,640
Speaker 1: where you want to go.

1407
01:12:51,400 --> 01:12:55,400
Speaker 3: My favorite scene is the the relay race. I enjoyed

1408
01:12:55,439 --> 01:12:58,920
Speaker 3: that the relay when they're trying to get the muscle

1409
01:12:58,960 --> 01:13:02,360
Speaker 3: cars again against Phonsie and what's the other fabio fabio

1410
01:13:02,400 --> 01:13:09,080
Speaker 3: on Phonsie. I thought that sequence. The first race is spectacular,

1411
01:13:09,360 --> 01:13:12,840
Speaker 3: visually stunning and a big stunt at the end. But

1412
01:13:12,960 --> 01:13:17,200
Speaker 3: this one, yeah, I thought it. The pacing of it

1413
01:13:17,280 --> 01:13:21,559
Speaker 3: was awesome. I loved seeing Roman fuck up and then

1414
01:13:21,760 --> 01:13:25,000
Speaker 3: and then uh, Paul Walker has to bail him out,

1415
01:13:25,080 --> 01:13:28,719
Speaker 3: and he does so in a spectacular fashion by playing chicken,

1416
01:13:28,800 --> 01:13:33,120
Speaker 3: like old fashioned chicken. You know, and you knew where

1417
01:13:33,439 --> 01:13:37,120
Speaker 3: where everybody was and liked a lot of the races

1418
01:13:37,160 --> 01:13:39,559
Speaker 3: and a lot of a lot of stuff that happens.

1419
01:13:39,560 --> 01:13:41,400
Speaker 3: I'm sort of it just kind of washes over me.

1420
01:13:41,479 --> 01:13:44,599
Speaker 3: It's just like, I don't know, it's just like like

1421
01:13:44,600 --> 01:13:48,120
Speaker 3: like something, it's totally disorienting. But this this one, I

1422
01:13:48,160 --> 01:13:51,360
Speaker 3: knew exactly what was happened happening. I knew exactly what

1423
01:13:51,439 --> 01:13:55,000
Speaker 3: was at stake, and I thought it was quite well done. Actually,

1424
01:13:55,080 --> 01:13:56,600
Speaker 3: so shout out to John Singleton.

1425
01:13:57,000 --> 01:13:59,360
Speaker 1: Yeah. I like that race too. I liked how they

1426
01:13:59,760 --> 01:14:02,840
Speaker 1: even like how the like the second set of cars

1427
01:14:02,840 --> 01:14:04,519
Speaker 1: that were ready to race were like sort of off

1428
01:14:04,560 --> 01:14:07,439
Speaker 1: to the side. Yeah, the first cars could scream back

1429
01:14:07,479 --> 01:14:09,519
Speaker 1: and then and then you got to uh to go.

1430
01:14:09,640 --> 01:14:10,960
Speaker 1: Just the way that was set up was good and

1431
01:14:10,960 --> 01:14:13,080
Speaker 1: I'm all cheering them on. Okay, do you have a

1432
01:14:13,080 --> 01:14:14,120
Speaker 1: favorite car? Ud quote?

1433
01:14:14,120 --> 01:14:14,240
Speaker 2: Then?

1434
01:14:14,760 --> 01:14:17,600
Speaker 3: My favorite car is Shuckie's car. I'd just love to

1435
01:14:17,640 --> 01:14:20,040
Speaker 3: know how she got pink flames to come out of

1436
01:14:20,080 --> 01:14:25,040
Speaker 3: that thing. And you notice that the actual flames were pink.

1437
01:14:26,360 --> 01:14:30,040
Speaker 3: Oh and my favorite quote, I rewound this three times

1438
01:14:30,240 --> 01:14:33,840
Speaker 3: at My family was going to kill me. But we

1439
01:14:33,920 --> 01:14:37,519
Speaker 3: show up at the warehouse and Bilkins shows up in

1440
01:14:37,560 --> 01:14:42,880
Speaker 3: this shirt and Brian says to him, hey, nice shirt.

1441
01:14:43,560 --> 01:14:51,880
Speaker 3: All he says is it's my day off. Great, great,

1442
01:14:52,439 --> 01:14:54,599
Speaker 3: Oh my god. I laughed so hard.

1443
01:14:55,160 --> 01:14:57,760
Speaker 1: And there's done in a shirt with a car on

1444
01:14:58,040 --> 01:14:59,400
Speaker 1: try like poser.

1445
01:14:59,240 --> 01:15:01,559
Speaker 2: And we don't believe you're done.

1446
01:15:01,960 --> 01:15:05,559
Speaker 1: There, You're done, all right? Great stuff, TK, same three

1447
01:15:05,640 --> 01:15:06,160
Speaker 1: questions for you.

1448
01:15:06,760 --> 01:15:10,040
Speaker 2: Well as a gearhead, I also loved a car chase scene.

1449
01:15:10,080 --> 01:15:13,920
Speaker 2: I love the highway escape chase from when they leave

1450
01:15:14,120 --> 01:15:16,760
Speaker 2: to Tarpen Points or whatever you would call it. It's

1451
01:15:17,040 --> 01:15:19,680
Speaker 2: the car driving is great, lots of action, and I

1452
01:15:19,720 --> 01:15:23,800
Speaker 2: think there's the added tension of having Enrique and Roberto

1453
01:15:24,160 --> 01:15:28,360
Speaker 2: sitting right next to Roman and Brian, which then gives

1454
01:15:28,360 --> 01:15:32,120
Speaker 2: you some great comic relief. One of my favorite lines

1455
01:15:32,400 --> 01:15:34,519
Speaker 2: in the whole movie is when Brian pulls off some

1456
01:15:34,680 --> 01:15:36,920
Speaker 2: crazy move and the henchman sitting next to him says,

1457
01:15:37,439 --> 01:15:44,200
Speaker 2: you're a good driver, man. I know by I thought

1458
01:15:44,240 --> 01:15:46,599
Speaker 2: that was great. I thought those two guys were actually

1459
01:15:46,680 --> 01:15:49,080
Speaker 2: hilarious there. Yeah, they got some lines in. For sure,

1460
01:15:49,080 --> 01:15:51,639
Speaker 2: they don't have much to do but be the intimidating henchman,

1461
01:15:51,680 --> 01:15:53,840
Speaker 2: but at least they get some jokes in. I also

1462
01:15:53,920 --> 01:15:56,400
Speaker 2: another one of my favorite lines happens in that same

1463
01:15:56,479 --> 01:16:00,920
Speaker 2: scene when Roman finally uses his eject her seat, or

1464
01:16:00,920 --> 01:16:02,800
Speaker 2: as he calls it.

1465
01:16:02,280 --> 01:16:07,759
Speaker 1: Injectocito ejecto cito.

1466
01:16:09,280 --> 01:16:12,360
Speaker 2: I thought that was great, very funny, and then it

1467
01:16:12,400 --> 01:16:16,519
Speaker 2: obviously goes into this totally absurd set piece where fifty

1468
01:16:16,600 --> 01:16:20,120
Speaker 2: drivers are coming out, risking their livelihoods and also their

1469
01:16:20,160 --> 01:16:25,760
Speaker 2: freedom for Roman, who got to Miami a couple of

1470
01:16:25,760 --> 01:16:28,720
Speaker 2: weeks earlier. They barely know Brian. He hasn't been there

1471
01:16:28,760 --> 01:16:31,040
Speaker 2: for that long. They can't know Roman very long, but

1472
01:16:31,040 --> 01:16:33,000
Speaker 2: they're all willing to risk it for these two guys.

1473
01:16:33,320 --> 01:16:36,880
Speaker 2: I thought that action, the highway chase scene up until

1474
01:16:36,920 --> 01:16:39,439
Speaker 2: they get to the garage, that's my favorite part of

1475
01:16:39,439 --> 01:16:40,120
Speaker 2: the movie for sure.

1476
01:16:40,320 --> 01:16:42,600
Speaker 1: I'll just go right to my favorite quote because it is.

1477
01:16:43,360 --> 01:16:45,880
Speaker 1: It's near the end. It's the scramble. It's the big

1478
01:16:45,920 --> 01:16:48,639
Speaker 1: plan where they're all coming out. There's eighty to ninety

1479
01:16:48,640 --> 01:16:51,400
Speaker 1: one hundred cars. How many cars it are? They go

1480
01:16:51,479 --> 01:16:55,679
Speaker 1: to the woman in the chopper and she goes, holy shit,

1481
01:16:58,000 --> 01:17:03,840
Speaker 1: that's all she says, And I laughed so hard. She's like,

1482
01:17:04,360 --> 01:17:08,120
Speaker 1: never seen this many cars. I guess before you're in

1483
01:17:08,160 --> 01:17:10,759
Speaker 1: a chopper you're seeing that many cars all the time.

1484
01:17:11,479 --> 01:17:14,040
Speaker 1: But I show name, you'd never seen a scramble like

1485
01:17:14,080 --> 01:17:18,000
Speaker 1: that before. They actually there's a couple I noticed lines

1486
01:17:18,040 --> 01:17:20,240
Speaker 1: where they go to cops that we've never met, we

1487
01:17:20,240 --> 01:17:22,719
Speaker 1: don't know their names of like her there's another guy,

1488
01:17:23,600 --> 01:17:26,040
Speaker 1: and like they have just like these reaction lines like

1489
01:17:26,360 --> 01:17:28,160
Speaker 1: that they've given like them one or two lines and

1490
01:17:28,400 --> 01:17:31,439
Speaker 1: they made me laugh every single time. So I like that.

1491
01:17:31,600 --> 01:17:33,400
Speaker 1: I like that he did the stare and drive. I

1492
01:17:33,520 --> 01:17:38,360
Speaker 1: like that whole nonsense. And honestly, the nightclub was so

1493
01:17:38,360 --> 01:17:42,080
Speaker 1: so funny to me, Like it was so weird the nightclub,

1494
01:17:42,479 --> 01:17:45,160
Speaker 1: Nora pointed out, Like they're sitting in chairs that look

1495
01:17:45,240 --> 01:17:48,479
Speaker 1: like crab legs. Yeah, when they are flirting the one

1496
01:17:48,479 --> 01:17:51,800
Speaker 1: time Brian and Monica this the decoor. The decor is

1497
01:17:51,800 --> 01:17:55,040
Speaker 1: like just insane. And I I mean, if I could

1498
01:17:55,080 --> 01:17:57,240
Speaker 1: pick any role in these movies so far, I've only

1499
01:17:57,240 --> 01:17:58,960
Speaker 1: seen two of them. Excited for the rest of them.

1500
01:17:59,000 --> 01:18:01,519
Speaker 1: But I would have loved to have been a background dancer.

1501
01:18:03,280 --> 01:18:05,719
Speaker 1: I kept watching people in the background dancing.

1502
01:18:06,280 --> 01:18:07,519
Speaker 3: I love that role.

1503
01:18:07,600 --> 01:18:08,880
Speaker 1: I think it would just be a funny thing to

1504
01:18:08,920 --> 01:18:10,640
Speaker 1: say I was in Too Fast E Furious. I was

1505
01:18:10,680 --> 01:18:15,160
Speaker 1: a background dancer at the nightclubs.

1506
01:18:15,400 --> 01:18:19,040
Speaker 3: It's another one of those like written or imagined by

1507
01:18:19,040 --> 01:18:22,000
Speaker 3: someone who's never been to a nightclub before. Yeah, and

1508
01:18:22,840 --> 01:18:26,840
Speaker 3: I love as well, like they sort of portray when

1509
01:18:27,240 --> 01:18:31,839
Speaker 3: there's this great shot when they're entering. It's following Brian

1510
01:18:31,960 --> 01:18:37,040
Speaker 3: and Roman into the nightclub, two of maybe the two

1511
01:18:37,000 --> 01:18:39,559
Speaker 3: of the best looking guys on earth. But they're sort

1512
01:18:39,600 --> 01:18:42,280
Speaker 3: of like they sort of make them dopey and sort

1513
01:18:42,280 --> 01:18:45,360
Speaker 3: of like fish out of water. Like you know, the

1514
01:18:45,840 --> 01:18:48,240
Speaker 3: room would stop if those two walked in, right, Like,

1515
01:18:48,280 --> 01:18:52,000
Speaker 3: it's just their pure sex walking in. You put it

1516
01:18:52,040 --> 01:18:53,920
Speaker 3: doesn't matter how big of a shirt you put on.

1517
01:18:53,920 --> 01:18:57,840
Speaker 3: Paul Walker, the guy is a god. And you know,

1518
01:18:58,360 --> 01:19:01,960
Speaker 3: it's just this sort of insinuating that this is this

1519
01:19:02,000 --> 01:19:03,960
Speaker 3: is their fish out of water. It's not our scene

1520
01:19:04,040 --> 01:19:06,040
Speaker 3: kind of thing. And it's just like I don't think

1521
01:19:06,120 --> 01:19:08,800
Speaker 3: I'm not buying it. I'm just not buying it, you know, Like.

1522
01:19:08,960 --> 01:19:11,479
Speaker 1: Yeah, because Whitworth is there, like picking up tricks of

1523
01:19:11,520 --> 01:19:15,720
Speaker 1: the bar, hanging his own. That's a great point. Great point. Okay,

1524
01:19:15,800 --> 01:19:19,439
Speaker 1: let's get to the furious, dumbest scene other things you hated, Tray.

1525
01:19:19,520 --> 01:19:21,720
Speaker 1: Let's start with you. What made you furious with Too Fast?

1526
01:19:21,760 --> 01:19:22,280
Speaker 1: Too Furious?

1527
01:19:23,000 --> 01:19:26,160
Speaker 2: I think it's the rat torture. I think I don't know.

1528
01:19:26,200 --> 01:19:28,599
Speaker 2: I've been going back and forth so many times if

1529
01:19:28,640 --> 01:19:31,839
Speaker 2: I think it's awesome or if I think it's so stupid.

1530
01:19:32,520 --> 01:19:35,280
Speaker 2: All the respect in the world for upping the ante

1531
01:19:35,479 --> 01:19:38,040
Speaker 2: from just covering a guy's face and mouth in oil

1532
01:19:38,120 --> 01:19:40,639
Speaker 2: to putting a very angry rat on his stomach, coming

1533
01:19:40,720 --> 01:19:44,840
Speaker 2: up with like medieval tortures, oh mate, in the Fast

1534
01:19:44,880 --> 01:19:48,200
Speaker 2: and Furious franchise, Like, come on, guys, we can probably

1535
01:19:48,320 --> 01:19:50,640
Speaker 2: update your torture methods from something that's happened in the

1536
01:19:50,640 --> 01:19:54,000
Speaker 2: past five hundred years. But I kind of love it

1537
01:19:54,080 --> 01:19:56,640
Speaker 2: just because it's such a weird thing. I guess you

1538
01:19:56,680 --> 01:19:59,600
Speaker 2: get the little bit of add an intrigue of like

1539
01:19:59,720 --> 01:20:02,760
Speaker 2: Mono Bea is kind of gagging him right, like you're

1540
01:20:02,800 --> 01:20:05,479
Speaker 2: not letting Whitworth talk, and they're like, whoa, did you

1541
01:20:05,520 --> 01:20:08,960
Speaker 2: see that she enjoyed it? I was like, she looks

1542
01:20:08,960 --> 01:20:12,879
Speaker 2: like she was just helping.

1543
01:20:13,880 --> 01:20:18,760
Speaker 1: Yeah, she's got to play the part too, man, Like, Okay, I.

1544
01:20:18,680 --> 01:20:21,000
Speaker 3: Think that was part. I think that was supposed to

1545
01:20:21,040 --> 01:20:23,160
Speaker 3: be part of the tension of the story, right, like

1546
01:20:23,720 --> 01:20:27,720
Speaker 3: is she with Verona or isn't she right? I think

1547
01:20:27,760 --> 01:20:29,680
Speaker 3: that that's what they were going for. I don't think

1548
01:20:29,720 --> 01:20:32,840
Speaker 3: that they were effective at all, you know, because there's

1549
01:20:32,880 --> 01:20:35,720
Speaker 3: that scene where we first meet Verona and he kind

1550
01:20:35,720 --> 01:20:38,679
Speaker 3: of slaps her on her ass and they're just alone together,

1551
01:20:38,720 --> 01:20:40,880
Speaker 3: and it's like hmm as the audience is she with

1552
01:20:41,000 --> 01:20:43,519
Speaker 3: him or not? And they sort of allude to that

1553
01:20:44,040 --> 01:20:48,280
Speaker 3: at the beginning when when Brian is there first recruiting

1554
01:20:48,320 --> 01:20:50,639
Speaker 3: him and they're they're like, oh, you think she might

1555
01:20:50,680 --> 01:20:53,519
Speaker 3: have flipped and then Markham is like, no, no, no,

1556
01:20:53,680 --> 01:20:55,679
Speaker 3: she's one of mine. She would never flip or whatever.

1557
01:20:55,800 --> 01:20:59,439
Speaker 3: But there's always doubt sort of throughout the movie, and

1558
01:20:59,560 --> 01:21:01,479
Speaker 3: I think maybe that's what they were going for in

1559
01:21:01,520 --> 01:21:06,599
Speaker 3: the climax where he's wounded, Veron's wounded and these guys

1560
01:21:06,600 --> 01:21:09,599
Speaker 3: are stuck in the car and oh she shows up

1561
01:21:09,600 --> 01:21:14,760
Speaker 3: and she's actually a cop again. So I think that's

1562
01:21:14,960 --> 01:21:18,720
Speaker 3: part of it, but very poorly executed that part of

1563
01:21:18,760 --> 01:21:20,439
Speaker 3: the story in my opinion.

1564
01:21:21,080 --> 01:21:24,200
Speaker 1: JD. Is there anything that you actually hated or you

1565
01:21:24,240 --> 01:21:25,839
Speaker 1: thought was dumb made you furious?

1566
01:21:26,040 --> 01:21:28,960
Speaker 3: Oh? I hated most of this movie, Let's be honest.

1567
01:21:29,040 --> 01:21:33,560
Speaker 3: I mean, I don't like it when my intelligence is insulted,

1568
01:21:33,760 --> 01:21:38,080
Speaker 3: you know, so the whole plan, Like I can suspend

1569
01:21:38,120 --> 01:21:42,160
Speaker 3: my disbelief for so much, you know, there's only so much.

1570
01:21:42,560 --> 01:21:45,320
Speaker 3: Like if I'm a drug lord and I want to

1571
01:21:45,320 --> 01:21:48,639
Speaker 3: get my money out of Miami, I'm not hiring two

1572
01:21:49,400 --> 01:21:52,920
Speaker 3: fast car drivers, you know, to bomb through the city

1573
01:21:53,000 --> 01:21:56,559
Speaker 3: and get it to an airstrip. Like it's just it's

1574
01:21:56,600 --> 01:22:00,280
Speaker 3: the dumbest thing of all time. Like it's just you

1575
01:22:00,320 --> 01:22:03,599
Speaker 3: get somebody, an old lady in a chavette to very

1576
01:22:03,680 --> 01:22:06,200
Speaker 3: quietly take it out of the wall and then just

1577
01:22:06,400 --> 01:22:08,800
Speaker 3: putt putt it to the to the airport. I mean,

1578
01:22:09,000 --> 01:22:11,800
Speaker 3: but then there's no movie, right, so I think, but

1579
01:22:12,000 --> 01:22:14,839
Speaker 3: one of the I think there's a really a blown

1580
01:22:14,880 --> 01:22:21,920
Speaker 3: opportunity here with with Monica's character and Brian. Monica in

1581
01:22:22,000 --> 01:22:25,519
Speaker 3: the exact same situation that Brian was in for Fast

1582
01:22:25,560 --> 01:22:28,720
Speaker 3: and Furious. She is an undercover cop who may or

1583
01:22:28,760 --> 01:22:33,080
Speaker 3: may not have cozied too much up to this drug lord,

1584
01:22:33,800 --> 01:22:36,600
Speaker 3: you know, or and you know, for all we know,

1585
01:22:36,800 --> 01:22:39,559
Speaker 3: Von he could have been all about family too. He

1586
01:22:39,560 --> 01:22:43,920
Speaker 3: could have been you know, he's just misunderstood.

1587
01:22:43,080 --> 01:22:43,280
Speaker 2: You know.

1588
01:22:43,520 --> 01:22:46,040
Speaker 3: And then and then Brian and Monica could have been

1589
01:22:46,280 --> 01:22:49,680
Speaker 3: He's trying to pull her out, but she's She's in

1590
01:22:49,720 --> 01:22:51,720
Speaker 3: the exact same situation that he was in, and he

1591
01:22:51,800 --> 01:22:54,920
Speaker 3: ended up leaving the force because of it. So I

1592
01:22:54,960 --> 01:22:57,559
Speaker 3: thought that though, that would have been way more interesting

1593
01:22:57,600 --> 01:22:59,920
Speaker 3: than what they gave us. But It's not that kind

1594
01:22:59,920 --> 01:23:03,240
Speaker 3: of movie obviously, So you know, I guess I'm fie

1595
01:23:03,280 --> 01:23:06,200
Speaker 3: with it, But you know, again, what I hate him

1596
01:23:06,200 --> 01:23:09,800
Speaker 3: most was my intelligence being insulted. And I know that

1597
01:23:09,560 --> 01:23:12,519
Speaker 3: that that's going to happen more as we moved through

1598
01:23:12,560 --> 01:23:15,880
Speaker 3: this franchise. So I'm I guess I'm fine with it,

1599
01:23:15,920 --> 01:23:17,439
Speaker 3: but this one had sort of annoyed me.

1600
01:23:17,800 --> 01:23:21,439
Speaker 2: Yeah, and there's also you know, I can't believe these

1601
01:23:21,479 --> 01:23:24,320
Speaker 2: words are coming out of my mouth having seen the

1602
01:23:24,360 --> 01:23:29,439
Speaker 2: turbo charged prelude to Too Fast, Too Furious, where an

1603
01:23:29,600 --> 01:23:36,160
Speaker 2: uncredited voiceless Minka Kelly recognizes Brian O'Connor as the guy

1604
01:23:36,200 --> 01:23:40,960
Speaker 2: they're having a nationwide manhunt, right, A drug lord is like,

1605
01:23:42,200 --> 01:23:44,800
Speaker 2: never seen this guy before? What's hire this guy?

1606
01:23:45,040 --> 01:23:46,080
Speaker 1: Yeah?

1607
01:23:46,240 --> 01:23:47,880
Speaker 2: I mean, on one hand, maybe you're like, okay, he

1608
01:23:47,960 --> 01:23:50,360
Speaker 2: left the cops. You do know that part of his story,

1609
01:23:50,920 --> 01:23:53,559
Speaker 2: but still like, people are looking for this guy. It's

1610
01:23:53,640 --> 01:23:55,640
Speaker 2: quite obvious that people are looking for this guy, and

1611
01:23:55,680 --> 01:23:57,600
Speaker 2: he's not that hard to find. He's going to be

1612
01:23:57,680 --> 01:24:01,439
Speaker 2: driving the brightest, loudest fast car that's out there. There's

1613
01:24:01,439 --> 01:24:04,000
Speaker 2: gonna be eyeballs on Brian O'Connor. Come on, card Carter

1614
01:24:04,720 --> 01:24:05,479
Speaker 2: that's a great point.

1615
01:24:05,880 --> 01:24:07,640
Speaker 1: The thing I hated the most about this movie. It's

1616
01:24:07,680 --> 01:24:11,080
Speaker 1: a weird one. Why does Brian keep saying how about

1617
01:24:11,120 --> 01:24:11,799
Speaker 1: them apples?

1618
01:24:12,720 --> 01:24:13,519
Speaker 2: He says it twice?

1619
01:24:15,439 --> 01:24:17,000
Speaker 1: Like you're not from Boston?

1620
01:24:17,080 --> 01:24:19,519
Speaker 2: Man?

1621
01:24:19,200 --> 01:24:23,559
Speaker 3: He once, and I'm like, okay, oh he's from Barstow,

1622
01:24:23,600 --> 01:24:24,599
Speaker 3: that's right, not Boston.

1623
01:24:25,800 --> 01:24:27,599
Speaker 1: I was like he said once, and like all right,

1624
01:24:27,640 --> 01:24:30,920
Speaker 1: I'm fine. Whatever they threw it in there, shout out

1625
01:24:30,960 --> 01:24:33,880
Speaker 1: to Matt Damon. Then he says it again and I'm like,

1626
01:24:33,960 --> 01:24:39,240
Speaker 1: what the hell saying this straight it? Yeah, he just

1627
01:24:39,320 --> 01:24:39,880
Speaker 1: likes to say it.

1628
01:24:40,120 --> 01:24:42,439
Speaker 3: Well, I wonder because I did read that some of

1629
01:24:42,479 --> 01:24:48,080
Speaker 3: the dialogue for comedic effect was improvised, So what is

1630
01:24:48,160 --> 01:24:51,080
Speaker 3: Maybe that was just he had it chambered twice. Maybe

1631
01:24:51,479 --> 01:24:52,960
Speaker 3: it's slipped into the edit.

1632
01:24:53,000 --> 01:24:57,400
Speaker 2: But like Michael Scott at improv he can't stop pulling

1633
01:24:57,439 --> 01:25:00,720
Speaker 2: a gun on people. Paul Walker can't stop improm I

1634
01:25:01,000 --> 01:25:02,960
Speaker 2: like the apples, like Paul something else man.

1635
01:25:03,360 --> 01:25:06,439
Speaker 1: Yeah, okay, maybe that's a reason for it because he

1636
01:25:06,439 --> 01:25:08,880
Speaker 1: says it twice in this movie, and the second time

1637
01:25:09,000 --> 01:25:10,760
Speaker 1: really because I was like, come on, what is going

1638
01:25:10,840 --> 01:25:16,160
Speaker 1: on here? Okay? So me familia family is everything, guys.

1639
01:25:16,880 --> 01:25:18,920
Speaker 1: So this is where we get a question or maybe

1640
01:25:18,920 --> 01:25:22,320
Speaker 1: even just an observation from one of our wives. Could

1641
01:25:22,320 --> 01:25:24,679
Speaker 1: be Rachel, could be Nora, could be Laura. I think TK,

1642
01:25:24,760 --> 01:25:28,080
Speaker 1: we're gonna go with you. Did Laura watch this with

1643
01:25:28,120 --> 01:25:31,719
Speaker 1: you for your for your what would be your second

1644
01:25:31,760 --> 01:25:34,360
Speaker 1: or third watching of this movie? Or what was her takeaway?

1645
01:25:35,040 --> 01:25:40,160
Speaker 2: She had two observations. Number one, very excited to see

1646
01:25:40,240 --> 01:25:43,840
Speaker 2: Ludacris early let out a Luda oh much love?

1647
01:25:43,880 --> 01:25:47,000
Speaker 1: Did our generation talk about him much in this movie? Fine?

1648
01:25:47,439 --> 01:25:51,360
Speaker 2: It was fine? Yeah? And you know, I feel like

1649
01:25:51,400 --> 01:25:53,920
Speaker 2: he was as minor of a character in this movie

1650
01:25:54,280 --> 01:25:58,040
Speaker 2: as both jaw Rule in the first movie and Jesse

1651
01:25:58,160 --> 01:25:59,960
Speaker 2: in the first movie, right, Like I mean, Jesse does

1652
01:26:00,000 --> 01:26:02,960
Speaker 2: get involved in the drama like Johnny Tran eventually, but

1653
01:26:03,320 --> 01:26:07,400
Speaker 2: in general they're like background characters. Ludacris turns this into

1654
01:26:07,439 --> 01:26:09,880
Speaker 2: a career. He goes from being a rapper to an

1655
01:26:09,920 --> 01:26:13,599
Speaker 2: actor starting with this movie, which I think is pretty crazy,

1656
01:26:14,120 --> 01:26:18,200
Speaker 2: instrumental in the Fast verse. And her second observation Laura

1657
01:26:18,240 --> 01:26:20,160
Speaker 2: was that there's no way I'm watching too Fast and

1658
01:26:20,200 --> 01:26:22,439
Speaker 2: the Furious movies in a row, which is what I

1659
01:26:22,479 --> 01:26:25,080
Speaker 2: did when I watched these. I watched Fast one then

1660
01:26:25,080 --> 01:26:28,439
Speaker 2: fast two. So she got about three minutes into this

1661
01:26:28,479 --> 01:26:31,880
Speaker 2: one before pulling the plug, and I was like, come

1662
01:26:31,920 --> 01:26:34,240
Speaker 2: back for number four, just come back for number four. Minute.

1663
01:26:34,400 --> 01:26:37,200
Speaker 1: Oh jeez, don't even watch that. You're saying, we gotta

1664
01:26:37,240 --> 01:26:40,720
Speaker 1: lotch Tokyo drift. Oh boy, I've heard crazy things about it.

1665
01:26:41,000 --> 01:26:43,040
Speaker 1: Okay't wait, Okay, that's a that is a good point.

1666
01:26:43,040 --> 01:26:47,080
Speaker 1: And just like, speaking of Ludacris's character, how baller is

1667
01:26:47,120 --> 01:26:50,920
Speaker 1: that garage in Miami that it's on the water? Oh yeah,

1668
01:26:50,920 --> 01:26:53,400
Speaker 1: like location is everything? What a place?

1669
01:26:54,400 --> 01:26:59,120
Speaker 3: It was actually confusing because we see we see, we

1670
01:26:59,200 --> 01:27:04,400
Speaker 3: see Brian and Roman are reacting first right, and then

1671
01:27:04,439 --> 01:27:07,160
Speaker 3: they there's a shot to jet skis racing and like

1672
01:27:07,200 --> 01:27:08,800
Speaker 3: we're on the water. All of a sudden, I'm like,

1673
01:27:09,160 --> 01:27:12,479
Speaker 3: what is this? Weird? Probably where are we? And then

1674
01:27:12,520 --> 01:27:15,719
Speaker 3: you realize, now, no, the garage is on the water

1675
01:27:16,520 --> 01:27:18,960
Speaker 3: and they're betting on jet ski races, which is a

1676
01:27:19,160 --> 01:27:21,519
Speaker 3: guess a thing is that people do?

1677
01:27:24,479 --> 01:27:28,040
Speaker 2: Yeah, you gotta be I mean maybe it's a lucrative

1678
01:27:28,040 --> 01:27:34,280
Speaker 2: industry servicing luxury racing cars, but to but it doesn't

1679
01:27:34,280 --> 01:27:37,080
Speaker 2: feel like Ludacris is making a ton of money from that.

1680
01:27:37,479 --> 01:27:39,560
Speaker 2: So he's got to be able to be skimming a

1681
01:27:39,600 --> 01:27:41,960
Speaker 2: little on the gambling thing as well. Would you rather

1682
01:27:42,080 --> 01:27:45,160
Speaker 2: have if you were the owner of a garage, would

1683
01:27:45,200 --> 01:27:48,920
Speaker 2: you rather be a garage slash jet ski racing course

1684
01:27:49,560 --> 01:27:52,160
Speaker 2: like Tees was, or would you rather be a garage

1685
01:27:52,439 --> 01:27:58,000
Speaker 2: slash cafe like Don Toretto jet ski? Totally?

1686
01:27:58,080 --> 01:27:59,479
Speaker 3: I mean he's got like the.

1687
01:27:59,439 --> 01:28:03,280
Speaker 1: Setup this place is incredible. It's a huge garage and

1688
01:28:03,320 --> 01:28:06,120
Speaker 1: then yeah, like the back spills out on this body

1689
01:28:06,160 --> 01:28:09,920
Speaker 1: of water. It's like a patio. Yeah, it's incredible. I

1690
01:28:09,960 --> 01:28:11,920
Speaker 1: couldn't get over it. Like, where is this place? This

1691
01:28:12,040 --> 01:28:15,599
Speaker 1: is amazing. I've never ever seen a garage for cars

1692
01:28:15,680 --> 01:28:18,519
Speaker 1: on the water. Never put this guy.

1693
01:28:18,600 --> 01:28:20,679
Speaker 3: Why would you put a garage on the water.

1694
01:28:20,800 --> 01:28:25,080
Speaker 1: It doesn't make any place. Maybe he's also, you know,

1695
01:28:25,200 --> 01:28:27,360
Speaker 1: souping up boats on the other side. I don't know,

1696
01:28:27,400 --> 01:28:28,320
Speaker 1: maybe that's what he's doing.

1697
01:28:28,360 --> 01:28:31,200
Speaker 2: He should serve tuna sandwiches, you know, if you're gonna

1698
01:28:31,200 --> 01:28:33,479
Speaker 2: have a garage on the water, that's the perfect place

1699
01:28:33,479 --> 01:28:35,040
Speaker 2: to serve tuna sandwiches.

1700
01:28:35,320 --> 01:28:38,000
Speaker 1: That would have been such a funny throwaway lot, like

1701
01:28:38,479 --> 01:28:42,320
Speaker 1: do you serve tuna sandwiches? That would have been amazing.

1702
01:28:42,880 --> 01:28:46,519
Speaker 1: Any other random observations. Trey took one of mine, the

1703
01:28:47,120 --> 01:28:51,320
Speaker 1: Irison Answer wristband that that Roman Tyresee was wearing at

1704
01:28:51,360 --> 01:28:53,240
Speaker 1: one point. And the other thing like fashion related I

1705
01:28:53,280 --> 01:28:56,120
Speaker 1: saw was it was really early in the movie maybe

1706
01:28:56,160 --> 01:28:59,320
Speaker 1: been like the first scene we get the just like

1707
01:28:59,479 --> 01:29:02,920
Speaker 1: f F Y gotta have all these classic chicks just

1708
01:29:02,960 --> 01:29:05,800
Speaker 1: hanging out by cool cars, and we got them right away.

1709
01:29:05,840 --> 01:29:08,400
Speaker 1: In that first scene when Brian comes and races, two

1710
01:29:08,400 --> 01:29:14,680
Speaker 1: of them are wearing a fedora. Wow, Stanzo Brien, I heard,

1711
01:29:14,680 --> 01:29:17,760
Speaker 1: they're nice. Goodness, I couldn't believe it.

1712
01:29:18,160 --> 01:29:23,599
Speaker 3: There was also during that scene Sucki's Crew, a couple

1713
01:29:23,640 --> 01:29:27,920
Speaker 3: of them were wearing shirts that just said porn. Is that?

1714
01:29:28,120 --> 01:29:31,320
Speaker 3: Is that? Is that a Is that a brand or something?

1715
01:29:31,400 --> 01:29:33,080
Speaker 1: Or is it Barbie Crew or whatever?

1716
01:29:33,280 --> 01:29:36,400
Speaker 3: Yeah, one of just like a star and then porn.

1717
01:29:36,520 --> 01:29:41,080
Speaker 3: So maybe porn stars the is the connotation there. But yeah,

1718
01:29:41,080 --> 01:29:43,960
Speaker 3: I don't know. I'm just like, all right, sure she's in.

1719
01:29:44,080 --> 01:29:46,080
Speaker 3: She likes porn? Who doesn't.

1720
01:29:47,520 --> 01:29:50,920
Speaker 1: Suki I always actually laughed every time Brian and Suki

1721
01:29:50,920 --> 01:29:53,840
Speaker 1: would see each other. They just do a beautiful like

1722
01:29:53,840 --> 01:29:57,960
Speaker 1: like kiss on the cheek like they were European or

1723
01:29:58,000 --> 01:30:00,400
Speaker 1: something like that. They did every single time they saw

1724
01:30:00,439 --> 01:30:03,320
Speaker 1: each other. Maybe maybe chuckle Sukies she stick around? You

1725
01:30:03,360 --> 01:30:05,400
Speaker 1: can tell us Tray. Is she for the long run?

1726
01:30:05,479 --> 01:30:06,760
Speaker 2: No, I don't think she's been back.

1727
01:30:07,080 --> 01:30:08,439
Speaker 1: Oh, hashually made.

1728
01:30:08,520 --> 01:30:11,800
Speaker 2: I don't think so. Not a big role at least.

1729
01:30:12,280 --> 01:30:15,320
Speaker 1: Okay, I have to go about what about the mechanic?

1730
01:30:15,560 --> 01:30:18,120
Speaker 1: I like him too. I know it's really mc gin

1731
01:30:18,240 --> 01:30:21,759
Speaker 1: in real life. I forget his name in the movie. No, Jimmy, Jimmy.

1732
01:30:21,960 --> 01:30:24,040
Speaker 3: What about Orange Julius.

1733
01:30:24,640 --> 01:30:28,680
Speaker 1: I don't think Orange Julius. Maybe maybe he's had a cameo. Okay,

1734
01:30:28,840 --> 01:30:32,320
Speaker 1: i'd be nice. So we know Luda's sticking around. Luda's

1735
01:30:32,320 --> 01:30:33,200
Speaker 1: sticking around.

1736
01:30:33,720 --> 01:30:37,240
Speaker 2: Uh, that's all I'll say that from movie number two.

1737
01:30:38,439 --> 01:30:41,639
Speaker 1: Well, let's let's rank this. We've got two under our

1738
01:30:41,640 --> 01:30:44,640
Speaker 1: belt now, JD. I got two questions. One was this

1739
01:30:44,720 --> 01:30:46,720
Speaker 1: a good sequel? I think I know your answer to that?

1740
01:30:46,840 --> 01:30:49,559
Speaker 1: And then, well, I guess I got three questions too,

1741
01:30:49,600 --> 01:30:52,240
Speaker 1: How would you rate too Fast, too Furious? Out of ten?

1742
01:30:52,439 --> 01:30:55,360
Speaker 1: And then where does it fall in your in your leaderboards?

1743
01:30:55,680 --> 01:30:57,000
Speaker 1: With the first one?

1744
01:30:57,240 --> 01:31:01,599
Speaker 3: Okay, so is it a good sequel? I mean I'm

1745
01:31:01,600 --> 01:31:08,000
Speaker 3: gonna say no, because there's no Vin Diesel and I

1746
01:31:08,040 --> 01:31:12,080
Speaker 3: think that Vin's reasoning as I read it, and I

1747
01:31:12,080 --> 01:31:15,400
Speaker 3: could be wrong, but he his problem was that it

1748
01:31:15,400 --> 01:31:19,479
Speaker 3: didn't really progress the story. It was just basically a

1749
01:31:19,600 --> 01:31:23,200
Speaker 3: retelling in a different setting, right, which is what we got.

1750
01:31:23,240 --> 01:31:25,559
Speaker 3: It was sort of like true. I felt like it

1751
01:31:25,600 --> 01:31:28,680
Speaker 3: was like if Lifetime decided to make a Fast and

1752
01:31:28,720 --> 01:31:31,439
Speaker 3: Furious movie, this would be it. Like it just felt

1753
01:31:31,479 --> 01:31:36,439
Speaker 3: like a very LIGHTD version of Fast and Furious, sort

1754
01:31:36,439 --> 01:31:39,240
Speaker 3: of like an after school special or a romance almost,

1755
01:31:39,280 --> 01:31:42,200
Speaker 3: you know, with no romance in it. So now I

1756
01:31:42,240 --> 01:31:45,920
Speaker 3: wouldn't say it's a good sequel. My rating, I'm going

1757
01:31:45,960 --> 01:31:47,599
Speaker 3: to give it a I'm going to give it a one,

1758
01:31:48,320 --> 01:31:53,200
Speaker 3: just it's slow. I didn't not enjoy this movie. I was.

1759
01:31:54,200 --> 01:31:56,000
Speaker 3: You know, there's no way that I would have finished

1760
01:31:56,000 --> 01:31:58,400
Speaker 3: this movie if we weren't doing a podcast about it

1761
01:31:58,439 --> 01:32:01,000
Speaker 3: and I had to talk about it. There's no fucking

1762
01:32:01,000 --> 01:32:01,439
Speaker 3: way I would.

1763
01:32:01,680 --> 01:32:03,719
Speaker 1: When you have turned it off. Let's see.

1764
01:32:05,400 --> 01:32:09,519
Speaker 3: As soon as Ludacris rose that bridge in the first race,

1765
01:32:10,680 --> 01:32:14,600
Speaker 3: like I'm out, I'm at okay, uh so, yeah, the

1766
01:32:14,680 --> 01:32:18,800
Speaker 3: leaderboard is Fast and Furious number one, too fast, too

1767
01:32:18,840 --> 01:32:22,599
Speaker 3: Furious number two? Okay, it works out that way.

1768
01:32:22,640 --> 01:32:26,640
Speaker 1: Yeah, So far so good Trey specifically, where do you

1769
01:32:26,680 --> 01:32:29,400
Speaker 1: sort of how does this hold up to number one

1770
01:32:29,400 --> 01:32:29,920
Speaker 1: in your eyes?

1771
01:32:30,360 --> 01:32:34,400
Speaker 2: The best thing about this movie is the name Too Fast,

1772
01:32:34,479 --> 01:32:39,439
Speaker 2: Too Furious, a legendary name for a sequel. As a sequel,

1773
01:32:39,439 --> 01:32:41,840
Speaker 2: though I am with j D and I am with

1774
01:32:42,000 --> 01:32:44,760
Speaker 2: Vin Diesel, this is like the definition of a non

1775
01:32:44,840 --> 01:32:48,040
Speaker 2: essential sequel. I think Vin's quote is they didn't treat

1776
01:32:48,080 --> 01:32:51,479
Speaker 2: it like Francis Ford Coppola.

1777
01:32:52,720 --> 01:32:54,160
Speaker 3: That's that's a good point.

1778
01:32:54,479 --> 01:32:57,640
Speaker 2: He's right though, He's right, and honestly, like what becomes

1779
01:32:58,200 --> 01:33:01,200
Speaker 2: Fast and Furious, it becomes the saga where things are

1780
01:33:01,200 --> 01:33:03,719
Speaker 2: building on each other. But that was not the case

1781
01:33:03,760 --> 01:33:05,680
Speaker 2: for this movie. And you can tell right it just

1782
01:33:05,720 --> 01:33:08,439
Speaker 2: feels like I think Vin said, they treated it like

1783
01:33:08,520 --> 01:33:10,320
Speaker 2: an eighties or a ninety sequel where they just make

1784
01:33:10,360 --> 01:33:12,759
Speaker 2: another story and slap a name on it. And that's

1785
01:33:12,800 --> 01:33:14,680
Speaker 2: definitely what it feels like to me. I really think

1786
01:33:14,720 --> 01:33:18,040
Speaker 2: the movie is missing Vin's gravitas. You know, Paul Walker

1787
01:33:18,080 --> 01:33:21,720
Speaker 2: and Tyresee, they're both cool guys. Brin Vin brought that

1788
01:33:21,840 --> 01:33:24,679
Speaker 2: like the mystery, the brooding, and you kind of need

1789
01:33:24,680 --> 01:33:28,720
Speaker 2: that contrast between your main characters. And there's also like

1790
01:33:28,880 --> 01:33:32,080
Speaker 2: a severe lack of tension in this movie. I think

1791
01:33:32,120 --> 01:33:35,120
Speaker 2: in the first one, you're worried is don gonna find

1792
01:33:35,120 --> 01:33:36,840
Speaker 2: out that Brian is a cop? Like, that's a huge

1793
01:33:36,840 --> 01:33:39,599
Speaker 2: source of tension. Is Brian gonna find out that Dom

1794
01:33:39,720 --> 01:33:41,640
Speaker 2: is the guy in charge of the hijackings? That's a

1795
01:33:41,720 --> 01:33:44,519
Speaker 2: huge source of tension here, Like we're saying, the big

1796
01:33:44,560 --> 01:33:48,519
Speaker 2: tension is kind of like, is Carter Varone gonna find

1797
01:33:48,520 --> 01:33:51,760
Speaker 2: out that Monica is a cop? H Like that's the

1798
01:33:51,800 --> 01:33:56,240
Speaker 2: real big question again exactly, and she has almost nothing

1799
01:33:56,240 --> 01:33:59,080
Speaker 2: to do. You don't really know anything about their relationship.

1800
01:33:59,120 --> 01:34:01,519
Speaker 2: You don't even know if Ryan and Monica like each other,

1801
01:34:01,520 --> 01:34:03,680
Speaker 2: And that's like the biggest question in the movie. That

1802
01:34:03,920 --> 01:34:08,840
Speaker 2: is a problem to me. So I'm rating this Too Fast,

1803
01:34:09,000 --> 01:34:11,719
Speaker 2: Too Furious. I'll give it a four. It's number two

1804
01:34:12,080 --> 01:34:15,920
Speaker 2: on my Power rankings right now, and I think it's

1805
01:34:15,920 --> 01:34:18,040
Speaker 2: gonna stay at the bottom. This is the one that

1806
01:34:18,080 --> 01:34:21,880
Speaker 2: I look forward least look forward to rewatching every time

1807
01:34:21,920 --> 01:34:23,599
Speaker 2: it comes up, because this is not the first time

1808
01:34:23,600 --> 01:34:27,439
Speaker 2: I've re watched this, this franchise, and this is always

1809
01:34:27,520 --> 01:34:31,479
Speaker 2: this is always the biggest ask. Too Fast, Too Furious? Yeah,

1810
01:34:31,960 --> 01:34:32,559
Speaker 2: not my favorite.

1811
01:34:32,880 --> 01:34:35,280
Speaker 1: Ah well, I agree with you guys. The plot sucks

1812
01:34:35,439 --> 01:34:38,679
Speaker 1: this movie. That's that's the problem. Thank god tyresee, isn't it?

1813
01:34:38,760 --> 01:34:44,160
Speaker 1: Because I do find their chemistry, you know, at least enjoyable.

1814
01:34:44,880 --> 01:34:48,280
Speaker 1: It doesn't seem like too too fake between Brian and

1815
01:34:48,400 --> 01:34:51,240
Speaker 1: Roman there, so I like that part. But otherwise it's

1816
01:34:51,320 --> 01:34:53,719
Speaker 1: like what is going on half the time? I hate

1817
01:34:53,760 --> 01:34:58,120
Speaker 1: the fucking harpoons and that you can car. That's the

1818
01:34:58,160 --> 01:34:58,639
Speaker 1: other part.

1819
01:34:59,360 --> 01:35:00,800
Speaker 2: You get it up your car, It's fine.

1820
01:35:01,200 --> 01:35:04,760
Speaker 1: Yeah, it's like, come on, come on, I don't like

1821
01:35:04,840 --> 01:35:07,400
Speaker 1: I hate that more than a car jumping over another

1822
01:35:07,439 --> 01:35:09,840
Speaker 1: car off a bridge or a car jumping onto a boat.

1823
01:35:09,880 --> 01:35:12,760
Speaker 1: I actually do. It's like, there's something about that that

1824
01:35:12,840 --> 01:35:16,640
Speaker 1: drove me nuts. I will I'll put this one. I

1825
01:35:16,680 --> 01:35:18,120
Speaker 1: think I gave it a seven and a half to

1826
01:35:18,160 --> 01:35:20,840
Speaker 1: the first one. I'm gonna go low. I'm gonna go

1827
01:35:20,840 --> 01:35:22,839
Speaker 1: two and a half here for too Fast, Too Furious.

1828
01:35:23,000 --> 01:35:26,360
Speaker 1: I did see Roger Ebert, the Great Roger Ebert wrote

1829
01:35:26,880 --> 01:35:29,439
Speaker 1: it doesn't have a brain in its head, but it's

1830
01:35:29,479 --> 01:35:33,519
Speaker 1: made with skill and style, and boy it is fast

1831
01:35:33,600 --> 01:35:37,400
Speaker 1: and furious. It's the best thing about this movie is

1832
01:35:37,400 --> 01:35:40,519
Speaker 1: the name, of course, having fast and furious still in there,

1833
01:35:40,520 --> 01:35:42,880
Speaker 1: but the two Fast Too Furious. Nice poster too, my

1834
01:35:42,880 --> 01:35:45,519
Speaker 1: favorite poster so far. Good poster movies. It does look

1835
01:35:45,600 --> 01:35:48,639
Speaker 1: good like that Neon Miami Vibes is fun.

1836
01:35:48,680 --> 01:35:53,320
Speaker 3: But I read that the review by Ebert as well,

1837
01:35:53,360 --> 01:35:56,479
Speaker 3: and it reminded me why I love Roger Ebert is

1838
01:35:56,479 --> 01:36:00,439
Speaker 3: my favorite movie critic, and I usually agree with him,

1839
01:36:00,680 --> 01:36:05,400
Speaker 3: but goddamn, he reveals literally every plot point in his review,

1840
01:36:05,520 --> 01:36:11,639
Speaker 3: like everything, including the including the warehouse scramble, all of it.

1841
01:36:11,640 --> 01:36:15,320
Speaker 3: It's all there. He just doesn't give a fuck, Like is.

1842
01:36:15,320 --> 01:36:16,400
Speaker 1: That going to save you time?

1843
01:36:16,600 --> 01:36:19,720
Speaker 3: Just read the Yeah, but he recommended he gave it

1844
01:36:19,800 --> 01:36:20,400
Speaker 3: three stars.

1845
01:36:20,400 --> 01:36:24,000
Speaker 1: I think, oh my goodness, Wow, that's a That's.

1846
01:36:23,840 --> 01:36:26,000
Speaker 3: A great thing about Ebert. He would always judge a

1847
01:36:26,080 --> 01:36:29,320
Speaker 3: movie based on what it was, right, Like he would

1848
01:36:29,320 --> 01:36:32,360
Speaker 3: always if it was supposed to be a popcorn, you know,

1849
01:36:32,560 --> 01:36:34,640
Speaker 3: just a fun movie, that's how he would rate it.

1850
01:36:34,680 --> 01:36:37,639
Speaker 3: So I disagree with him on this one, but yeah,

1851
01:36:37,680 --> 01:36:41,559
Speaker 3: it's worth reading to that. Any review by Ebert is great,

1852
01:36:41,600 --> 01:36:43,519
Speaker 3: but the one for this is awesome.

1853
01:36:43,880 --> 01:36:48,840
Speaker 1: All right? Well, what's next? Third installment, The Fast and

1854
01:36:48,880 --> 01:36:53,479
Speaker 1: the Furious Tokyo drift from two thousand and six TK,

1855
01:36:54,200 --> 01:36:57,360
Speaker 1: What do we need to know heading into into this

1856
01:36:57,479 --> 01:37:00,000
Speaker 1: third movie, which, by the way, I don't know why

1857
01:37:00,080 --> 01:37:02,240
Speaker 1: thought Tokyo Drift was number four in this series, but

1858
01:37:02,280 --> 01:37:06,200
Speaker 1: here it is at number three. It's up next. Set

1859
01:37:06,240 --> 01:37:06,840
Speaker 1: it up for us.

1860
01:37:07,800 --> 01:37:11,840
Speaker 2: If you thought Too Fast, Too Furious was a weird sequel,

1861
01:37:12,560 --> 01:37:16,840
Speaker 2: just wait for Tokyo Drift. Not only are we in

1862
01:37:16,880 --> 01:37:21,160
Speaker 2: a different country, we've got different racing and an entirely

1863
01:37:21,360 --> 01:37:25,639
Speaker 2: new cast of characters, completely new.

1864
01:37:26,240 --> 01:37:30,040
Speaker 1: Really, hold on, Paul Walker's not even in the third one. Nope,

1865
01:37:30,920 --> 01:37:34,080
Speaker 1: what is going on in this franchise? We take away

1866
01:37:34,200 --> 01:37:36,559
Speaker 1: Dom's the best in the first one, they take away

1867
01:37:36,560 --> 01:37:39,320
Speaker 1: get on the second one, and then Paul's okay, he's fine.

1868
01:37:39,400 --> 01:37:41,920
Speaker 1: We got those baby blue eyes all day. He's gone.

1869
01:37:41,920 --> 01:37:42,920
Speaker 1: In the third one's going on?

1870
01:37:42,960 --> 01:37:45,639
Speaker 2: We're not even getting Tyrese. No, you're not even getting

1871
01:37:45,680 --> 01:37:46,560
Speaker 2: even Mendez.

1872
01:37:47,400 --> 01:37:53,160
Speaker 1: What about Nope? So it's an entirely new cat. Is

1873
01:37:53,200 --> 01:37:55,720
Speaker 1: there any connection at all?

1874
01:37:56,000 --> 01:38:00,000
Speaker 2: Well, that's the craziest thing about Tokyo Drift Skates. You see,

1875
01:38:00,520 --> 01:38:03,160
Speaker 2: I thought this was number four. It's number three on

1876
01:38:03,439 --> 01:38:09,160
Speaker 2: release order. However, it technically falls between the sixth movie

1877
01:38:09,280 --> 01:38:13,360
Speaker 2: and the seventh movie on the fast timeline.

1878
01:38:13,600 --> 01:38:13,960
Speaker 3: Really.

1879
01:38:14,600 --> 01:38:15,000
Speaker 1: Yeah.

1880
01:38:15,160 --> 01:38:21,280
Speaker 2: Okay, but it is a major shoehorning in between six

1881
01:38:21,400 --> 01:38:23,880
Speaker 2: and seven to make it work because we, like we've

1882
01:38:23,880 --> 01:38:26,160
Speaker 2: talked about a couple of times, like clearly this was

1883
01:38:26,200 --> 01:38:28,320
Speaker 2: not going to be a massive franchise that they made

1884
01:38:28,320 --> 01:38:31,559
Speaker 2: ten movies of, but they ended up Yeah, exactly, once

1885
01:38:31,600 --> 01:38:34,120
Speaker 2: they started with four, once they hit on that formula,

1886
01:38:34,439 --> 01:38:36,519
Speaker 2: they knew this is going to be a franchise. They

1887
01:38:36,520 --> 01:38:39,599
Speaker 2: had to figure out how things that happened in number

1888
01:38:39,640 --> 01:38:44,439
Speaker 2: three could eventually happen with the current timeline. But you

1889
01:38:44,479 --> 01:38:47,479
Speaker 2: don't need to know that at all to watch Tokyo

1890
01:38:47,560 --> 01:38:50,519
Speaker 2: Drift because they didn't know that at all. That's weird.

1891
01:38:50,880 --> 01:38:52,120
Speaker 1: It's weird. Wow.

1892
01:38:52,240 --> 01:38:58,200
Speaker 3: Okay, so guys, Hey, I'm super intrigued. This is great love.

1893
01:38:58,600 --> 01:39:00,920
Speaker 3: I love a season of Survivor and it's all new people,

1894
01:39:00,960 --> 01:39:03,759
Speaker 3: so that's what appeals game.

1895
01:39:04,160 --> 01:39:06,640
Speaker 1: Yeah. You know what, especially with the way we're tackling this,

1896
01:39:06,840 --> 01:39:09,599
Speaker 1: like with the binge watch, we could probably use this.

1897
01:39:09,920 --> 01:39:13,439
Speaker 1: You're a you know, like, what are we gonna see

1898
01:39:13,439 --> 01:39:15,360
Speaker 1: from Paul Walker at this point? Now? I mean he's

1899
01:39:15,479 --> 01:39:18,080
Speaker 1: he's Brian O'Connor. We love him, he's fine, but he's

1900
01:39:18,080 --> 01:39:20,000
Speaker 1: not gonna give us much else. So I'm Youre, I'm

1901
01:39:20,000 --> 01:39:22,160
Speaker 1: with you, JD. I'm actually excited for a for a

1902
01:39:22,200 --> 01:39:25,360
Speaker 1: whole new cast. And of course we're in Tokyo and uh,

1903
01:39:25,479 --> 01:39:30,280
Speaker 1: you know the Olympics there this summer, perfect absolutely perfect

1904
01:39:30,360 --> 01:39:32,920
Speaker 1: synergy if you ask me now, I think, guys, we

1905
01:39:32,920 --> 01:39:34,840
Speaker 1: want to watch this one with us. I believe you

1906
01:39:34,880 --> 01:39:37,360
Speaker 1: can stream it on Fubo TV, or you can rent

1907
01:39:37,400 --> 01:39:39,760
Speaker 1: or buy on Amazon, Google Play and iTunes. I don't

1908
01:39:39,760 --> 01:39:42,200
Speaker 1: think this one is on HBO Max like the first

1909
01:39:42,200 --> 01:39:42,599
Speaker 1: two were.

1910
01:39:43,120 --> 01:39:43,960
Speaker 3: Now definitely not.

1911
01:39:44,040 --> 01:39:45,800
Speaker 1: Yeah, gonna make it a little more difficult for all

1912
01:39:45,800 --> 01:39:48,160
Speaker 1: of us to get our hands on it. Trey probably

1913
01:39:48,160 --> 01:39:51,559
Speaker 1: has the DVD somewhere in his house, not anymore, not

1914
01:39:51,640 --> 01:39:56,040
Speaker 1: after moving. Oh okay, well we'll have to stream it online.

1915
01:39:56,080 --> 01:39:58,920
Speaker 1: But join us for the third installment. Here a fast Friends.

1916
01:39:58,920 --> 01:40:00,760
Speaker 1: We all we will be watching The Fast and the

1917
01:40:00,800 --> 01:40:03,200
Speaker 1: Furious Tokyo Drift from two thousand and six. If you

1918
01:40:03,240 --> 01:40:06,320
Speaker 1: have questions for Fast Friends, email them in no dunks

1919
01:40:06,320 --> 01:40:08,880
Speaker 1: at the Athletic dot Com. Just put fast Friends in

1920
01:40:09,000 --> 01:40:16,519
Speaker 1: the subject. Petter always a blast talking cars with you, guys. Harpoons, yachts,

1921
01:40:17,640 --> 01:40:22,360
Speaker 1: cash and fenoras on sexy women. What a series. I

1922
01:40:22,360 --> 01:40:24,240
Speaker 1: can't wait to talk about the third one. Everybody take

1923
01:40:24,280 --> 01:40:24,439
Speaker 1: care of