1 00:00:00,160 --> 00:00:02,880 Speaker 1: One eight hundred d ui Away now offering free remote 2 00:00:02,880 --> 00:00:06,280 Speaker 1: consultations by phone or video conference for any criminal offense. 3 00:00:06,360 --> 00:00:09,000 Speaker 1: Trust Brooke, Jeffrey and Jose's friends with a free remote 4 00:00:09,000 --> 00:00:12,600 Speaker 1: consultation from Bradley Johnson Lawyers. Visit one eight hundred Duyowa 5 00:00:12,720 --> 00:00:16,440 Speaker 1: dot com or call eight hundred duy Away. I think 6 00:00:16,440 --> 00:00:19,560 Speaker 1: I speak for everybody in this room. Whenever Brooke tries 7 00:00:19,600 --> 00:00:22,200 Speaker 1: to act a certain way in front of other people, 8 00:00:23,000 --> 00:00:27,840 Speaker 1: it ends up backfiring on her big time. I'm just 9 00:00:27,920 --> 00:00:31,120 Speaker 1: telling you, like, behind the scenes stuff here, sometimes Brooke 10 00:00:31,240 --> 00:00:34,760 Speaker 1: tries to act too cool about stuff. Yeah, and then 11 00:00:34,800 --> 00:00:38,760 Speaker 1: she gets loud and her eyes get really why and 12 00:00:38,840 --> 00:00:41,720 Speaker 1: she's like what what? I'm just telling you? Shoulder pads 13 00:00:41,720 --> 00:00:49,479 Speaker 1: are back in sty You're the uncool ones now, It's true. 14 00:00:49,840 --> 00:00:52,320 Speaker 1: And you know, I've not heard the phone tap yet, 15 00:00:52,360 --> 00:00:56,280 Speaker 1: but I did hear that Brooke tries to act young 16 00:00:56,400 --> 00:01:01,480 Speaker 1: and sexy, which are really things. So much I do 17 00:01:01,640 --> 00:01:04,160 Speaker 1: not have to try. That has come after me in 18 00:01:04,160 --> 00:01:06,959 Speaker 1: my entire life. Give us your best sex to talk 19 00:01:07,040 --> 00:01:15,080 Speaker 1: right now. Go ahead, hello, boys. He like I said, 20 00:01:15,200 --> 00:01:18,399 Speaker 1: not really her thing. But sometimes that's why these are 21 00:01:18,400 --> 00:01:21,319 Speaker 1: so funny, because we play people that aren't our true selves. 22 00:01:21,319 --> 00:01:24,160 Speaker 1: So we're gonna hear how Brooke does with it in 23 00:01:24,240 --> 00:01:34,000 Speaker 1: your brand new phone tap right now the twenties. Hello, Hi, 24 00:01:34,400 --> 00:01:37,720 Speaker 1: is this piper that lives in Unit six Z two? Yes? 25 00:01:38,120 --> 00:01:40,840 Speaker 1: Who is it? Oh? We haven't spoken before, but my 26 00:01:40,920 --> 00:01:43,280 Speaker 1: name is Lucy and I work in the Lacy office 27 00:01:43,319 --> 00:01:48,440 Speaker 1: of the complex. Okay, I was just calling because there 28 00:01:48,480 --> 00:01:51,320 Speaker 1: have been a couple of complaints when you're walking your 29 00:01:51,360 --> 00:01:57,920 Speaker 1: dog about me. Yes, I don't understand. I always pick 30 00:01:58,040 --> 00:02:01,160 Speaker 1: up his poop. I never just leave it. No, no, no, no, no, 31 00:02:01,200 --> 00:02:03,680 Speaker 1: it's not so much about your dog. The complaints have 32 00:02:03,720 --> 00:02:07,040 Speaker 1: to do with you while you're walking your dog. I 33 00:02:07,360 --> 00:02:11,840 Speaker 1: don't understand. I can't get too specific, unfortunately, but let's 34 00:02:11,919 --> 00:02:14,880 Speaker 1: just say this, Okay. Some of the men around the 35 00:02:14,919 --> 00:02:17,320 Speaker 1: complex have been saying that you look at them in 36 00:02:17,360 --> 00:02:22,519 Speaker 1: a certain way and it makes them uncomfortable. I am 37 00:02:22,600 --> 00:02:25,320 Speaker 1: so confused. I don't know what you're talking about. What 38 00:02:25,360 --> 00:02:27,760 Speaker 1: are you talking about? You know the gym on the 39 00:02:27,800 --> 00:02:30,079 Speaker 1: first floor that you walk by when you take your 40 00:02:30,080 --> 00:02:33,880 Speaker 1: dog out. Yeah, but I don't even pay attention to it. Look, 41 00:02:34,200 --> 00:02:37,560 Speaker 1: I get it. Okay. A couple of attractive single ladies 42 00:02:37,600 --> 00:02:42,040 Speaker 1: like ourselves surrounded by shirtless honks pumping iron. I mean 43 00:02:43,280 --> 00:02:47,799 Speaker 1: it's hard not to, you know, window shop. I am 44 00:02:47,840 --> 00:02:53,280 Speaker 1: not window shopping. And who's complaining about me? Well, I 45 00:02:53,360 --> 00:02:57,480 Speaker 1: can't tell you specific names, but do you know Michael? No, 46 00:02:57,720 --> 00:03:01,400 Speaker 1: who's Michael? I don't know him. Michael, Oh you should. 47 00:03:01,520 --> 00:03:04,280 Speaker 1: He's the buffed latino hottie over on the sixth floor. 48 00:03:05,240 --> 00:03:08,040 Speaker 1: I do not know who that is. Okay, I don't 49 00:03:08,040 --> 00:03:10,919 Speaker 1: know any Michael. Of course you don't know Okay, yes, 50 00:03:11,000 --> 00:03:14,680 Speaker 1: because you've never looked at his face. You're probably staring 51 00:03:14,720 --> 00:03:18,160 Speaker 1: at those gorgeous pecks of his Oh my god, So 52 00:03:18,280 --> 00:03:25,359 Speaker 1: this is unbelievable. Oh, I agree, his rippling biceps are unbelievable. 53 00:03:25,960 --> 00:03:28,639 Speaker 1: You are speaking my language. Girlfriend. I don't know what 54 00:03:28,639 --> 00:03:31,480 Speaker 1: you're saying, but it sounds really inappropriate. And you're trying 55 00:03:31,520 --> 00:03:33,240 Speaker 1: to say that you and I are like looking at 56 00:03:33,280 --> 00:03:35,800 Speaker 1: these guys. I don't even know who you are, and 57 00:03:35,840 --> 00:03:38,800 Speaker 1: I'm not looking at anyone. And you're seeing that someone's 58 00:03:38,800 --> 00:03:42,120 Speaker 1: complaining about me now, and then they're making I make 59 00:03:42,200 --> 00:03:45,240 Speaker 1: them feel uncomfortable. Listen, Piper, I mean, can I call 60 00:03:45,280 --> 00:03:48,360 Speaker 1: you Pipes? I'll just say this, even though you and 61 00:03:48,400 --> 00:03:53,120 Speaker 1: I are dime pieces dying, Pep. You did not just 62 00:03:53,160 --> 00:03:56,520 Speaker 1: say that, Oh I did. Yeah, and us dimes. We 63 00:03:56,600 --> 00:04:00,240 Speaker 1: have to be respectable women and keep our eyes to ourselves. 64 00:04:00,520 --> 00:04:04,440 Speaker 1: I'm just walking my dog, That's it. I'm not scaring 65 00:04:04,480 --> 00:04:07,560 Speaker 1: at anyone as him. I don't know any Michael Pipes. 66 00:04:07,840 --> 00:04:12,240 Speaker 1: That's not what Sean says. Oh you do, Sean, if 67 00:04:12,240 --> 00:04:16,719 Speaker 1: you saw him on Tuesdays, I sneak down to hide 68 00:04:16,760 --> 00:04:19,159 Speaker 1: in my hun day and watch him on the bench press. 69 00:04:19,240 --> 00:04:22,760 Speaker 1: Oh my good, mamma, like you are the one with 70 00:04:22,880 --> 00:04:24,839 Speaker 1: the problem. You're the one who's staring at them and 71 00:04:24,880 --> 00:04:28,560 Speaker 1: making them uncomfortable. I'm just walking. It takes everything and 72 00:04:28,720 --> 00:04:31,320 Speaker 1: me not to go up and just say I wish 73 00:04:31,400 --> 00:04:34,800 Speaker 1: I was that bench Okay, you are the weird one. 74 00:04:35,040 --> 00:04:37,360 Speaker 1: You're the one who's probably making all these guys uncomfortable, 75 00:04:37,640 --> 00:04:40,080 Speaker 1: and you are making me uncomfortable right now. You know 76 00:04:40,120 --> 00:04:42,560 Speaker 1: what it's taken. It's taking everything in me not to 77 00:04:42,560 --> 00:04:44,599 Speaker 1: whisper in your ear that you just got set up 78 00:04:44,640 --> 00:04:48,560 Speaker 1: for a break phone call. What this is actually broke 79 00:04:48,600 --> 00:04:50,560 Speaker 1: from the radio show Brooke and Jeffrey in the morning. 80 00:04:50,560 --> 00:04:53,400 Speaker 1: We're doing a phone tap on you. Oh my god, 81 00:04:54,080 --> 00:04:59,039 Speaker 1: Oh my God, remember even told us that you were 82 00:04:59,080 --> 00:05:01,120 Speaker 1: talking about all the hot eyes are on your complex, 83 00:05:01,120 --> 00:05:03,840 Speaker 1: and she said that sometimes you sneak a peek when 84 00:05:03,839 --> 00:05:06,679 Speaker 1: passing by the gym. I do, but she wasn't supposed 85 00:05:06,680 --> 00:05:11,800 Speaker 1: to tell anyone. Oh, don't worry, your secrets safe with me. 86 00:05:11,880 --> 00:05:14,320 Speaker 1: I mean us, dimes have to stick together, am I right? 87 00:05:14,680 --> 00:05:20,520 Speaker 1: Oh yeah, oh yeah, dimes have to stick together. Wake 88 00:05:20,640 --> 00:05:23,760 Speaker 1: up every morning with funk taps weekday mornings on the twenties,