1 00:00:00,720 --> 00:00:09,600 Speaker 1: I Am all in Again, I. 2 00:00:17,440 --> 00:00:22,320 Speaker 2: Am all in Again with Scott Patterson and iHeartRadio Podcast. 3 00:00:22,600 --> 00:00:25,800 Speaker 1: Hey everybody, Scott Patterson, I Am all in podcast. Actually 4 00:00:25,800 --> 00:00:29,280 Speaker 1: that's the I Am all In Again podcast is a 5 00:00:29,280 --> 00:00:35,440 Speaker 1: second go round water Leven Productions. iHeartRadio Media, iHeart Podcasts. 6 00:00:36,120 --> 00:00:40,320 Speaker 1: We are going to break down Season three, Episode three, 7 00:00:40,479 --> 00:00:50,400 Speaker 1: Application Anxiety with Stacy or Astano. Hi, Stacy, how you doing? 8 00:00:50,479 --> 00:00:53,080 Speaker 1: Let me let me thanks for coming. You're an actress, 9 00:00:53,120 --> 00:00:55,840 Speaker 1: part of a year in the life Fall. You're portrayed Ali, 10 00:00:55,920 --> 00:00:59,520 Speaker 1: one of the ladies Lorli meets on her Wild Journey 11 00:00:59,560 --> 00:01:02,200 Speaker 1: might also or from her Rolla's Mindy Riggins on the 12 00:01:02,200 --> 00:01:05,800 Speaker 1: television series Friday Night Lights and starring on ABC's Families 13 00:01:06,240 --> 00:01:09,360 Speaker 1: butN Heads as Truly Stone. She also had a guest 14 00:01:09,360 --> 00:01:11,640 Speaker 1: starring roles in Grace, Anatomy, Shameless, and Bull. You can 15 00:01:11,640 --> 00:01:16,959 Speaker 1: also catch her recently on the Netflix series Kaleiscope. Stacey Welcome, 16 00:01:17,120 --> 00:01:17,640 Speaker 1: How are you? 17 00:01:18,120 --> 00:01:20,640 Speaker 2: I'm good? Thanks? That As a rundown, I like it. 18 00:01:20,920 --> 00:01:26,600 Speaker 1: They were you are well ensconced inside the the the 19 00:01:26,600 --> 00:01:28,360 Speaker 1: Amy Sharn Palladino universe. 20 00:01:28,959 --> 00:01:31,800 Speaker 2: I couldn't be happier to be in it. 21 00:01:32,440 --> 00:01:38,200 Speaker 1: And just grateful to have you. Rory and her mother 22 00:01:38,720 --> 00:01:41,479 Speaker 1: seek advice on filling out an application of Harvard. Lane 23 00:01:41,520 --> 00:01:45,240 Speaker 1: falls for a guy who answers her advertisement for a musician, 24 00:01:45,280 --> 00:01:49,320 Speaker 1: the One and Only Adam Brody, and Taylor urges Luke 25 00:01:49,360 --> 00:01:53,480 Speaker 1: to open a soda fountain. Directed by Gail Mancuso and 26 00:01:53,640 --> 00:01:58,120 Speaker 1: written by Daniel Palladino, There's a lot to cover here. 27 00:02:00,440 --> 00:02:03,560 Speaker 1: Rory gets her Harvard application in the mail and she 28 00:02:03,600 --> 00:02:06,240 Speaker 1: and Laura l are are going over it like it's 29 00:02:06,840 --> 00:02:09,160 Speaker 1: like it's no big deal. Actually they were. It was 30 00:02:09,200 --> 00:02:13,040 Speaker 1: like a big deal. So you think Rory and Laura 31 00:02:13,080 --> 00:02:14,959 Speaker 1: La I are now starting to realize how hard it 32 00:02:15,040 --> 00:02:17,880 Speaker 1: might be to thrive in the real world outside of 33 00:02:18,000 --> 00:02:19,600 Speaker 1: stars Hollow. 34 00:02:19,480 --> 00:02:22,720 Speaker 2: Gosh, thrive in the real world. And then also the 35 00:02:22,760 --> 00:02:26,400 Speaker 2: reality of like, oh, this is a thing, this thing, this, 36 00:02:26,400 --> 00:02:27,800 Speaker 2: this is a thing that might happen. I do have 37 00:02:27,800 --> 00:02:30,320 Speaker 2: to tell you, when I first started watching last night 38 00:02:30,360 --> 00:02:33,520 Speaker 2: this episode, I put it in and it was this 39 00:02:33,520 --> 00:02:35,840 Speaker 2: this episode and they got the application, and then like 40 00:02:35,919 --> 00:02:39,440 Speaker 2: when Netflix, I guess jumped and all of a sudden 41 00:02:39,480 --> 00:02:42,880 Speaker 2: it was like she was just meeting Dean and we 42 00:02:42,880 --> 00:02:45,840 Speaker 2: were just meeting the mother, and I was like, this 43 00:02:45,880 --> 00:02:48,920 Speaker 2: feels weird because I've watched Gilmore Girls like eight hundred 44 00:02:48,960 --> 00:02:50,840 Speaker 2: times and I was like and I was like, oh, okay, 45 00:02:50,880 --> 00:02:52,280 Speaker 2: I get it. Noe. So I had gone back to 46 00:02:52,280 --> 00:02:54,440 Speaker 2: the pilot like Netflix had, and so I had to 47 00:02:54,480 --> 00:02:56,560 Speaker 2: go back and I was like, Okay, this feels much 48 00:02:56,600 --> 00:02:59,560 Speaker 2: more like calm, and I understand where we are right now. 49 00:02:59,639 --> 00:03:01,440 Speaker 2: So then I was like back into the world and 50 00:03:01,520 --> 00:03:03,519 Speaker 2: I'm like, no, okay, everybody's where I need them to be. 51 00:03:04,240 --> 00:03:06,639 Speaker 2: I'm going to Harvard. I'm back in I can't. 52 00:03:08,000 --> 00:03:12,280 Speaker 1: And Paris and Rory air holding a seminar on applying 53 00:03:12,280 --> 00:03:15,600 Speaker 1: to college, and the advisors are sharing mistakes Africans make. 54 00:03:16,360 --> 00:03:19,280 Speaker 1: They get Rory worried because she was going to do 55 00:03:19,360 --> 00:03:21,800 Speaker 1: exactly what they mentioned not to. 56 00:03:23,280 --> 00:03:26,799 Speaker 2: I would write an essay on Hillary Clinton. I love 57 00:03:26,880 --> 00:03:27,399 Speaker 2: I do say. 58 00:03:27,400 --> 00:03:27,760 Speaker 3: I love that. 59 00:03:27,840 --> 00:03:30,520 Speaker 2: Paris says that when she first started writing her her 60 00:03:30,560 --> 00:03:33,360 Speaker 2: first trial essay at twelve, because of course Paris would 61 00:03:33,360 --> 00:03:33,720 Speaker 2: do that. 62 00:03:34,160 --> 00:03:37,040 Speaker 1: Right, right, right. And Emily's trying to get involved in 63 00:03:37,120 --> 00:03:41,160 Speaker 1: Rory's college application. Rory arrives late Friday night dinner, freaking 64 00:03:41,200 --> 00:03:44,440 Speaker 1: out that she isn't getting in because she's become a 65 00:03:44,560 --> 00:03:47,600 Speaker 1: I guess in her eyes a cliche to the admissions 66 00:03:47,960 --> 00:03:52,440 Speaker 1: office at Harvard, and Laurel I starts to freak out too. 67 00:03:52,480 --> 00:03:55,080 Speaker 1: You know, that scene in the in Richard's office was 68 00:03:55,120 --> 00:03:57,960 Speaker 1: really great. It was one of the It was one 69 00:03:58,000 --> 00:04:00,200 Speaker 1: of the more fun scenes I've seen those two do 70 00:04:01,320 --> 00:04:02,880 Speaker 1: what they're freaking out about. 71 00:04:04,960 --> 00:04:07,960 Speaker 2: Any anytime you get them on screen. I do. I 72 00:04:08,200 --> 00:04:10,800 Speaker 2: want to know what I'm stuck on Paris. I want 73 00:04:10,800 --> 00:04:12,760 Speaker 2: to know what Paris's essay is about, Like, who's she 74 00:04:12,840 --> 00:04:17,359 Speaker 2: writing about? What of her thirty essays? Who is she 75 00:04:17,400 --> 00:04:18,000 Speaker 2: writing about? 76 00:04:18,160 --> 00:04:22,360 Speaker 1: I don't know who was who was she? I don't 77 00:04:22,400 --> 00:04:25,599 Speaker 1: know that they revealed that there's so many places you 78 00:04:25,640 --> 00:04:27,760 Speaker 1: could go. I mean, should we speculate? 79 00:04:28,400 --> 00:04:31,120 Speaker 2: Oh my god, I'm not that smart. That's the thing. 80 00:04:31,920 --> 00:04:33,760 Speaker 1: Who do you think she's? Who do you think she 81 00:04:33,960 --> 00:04:34,479 Speaker 1: looks up to? 82 00:04:34,520 --> 00:04:37,360 Speaker 2: It? She wants to he's so obscure. 83 00:04:37,000 --> 00:04:38,600 Speaker 1: Or Tom Stalin? 84 00:04:38,680 --> 00:04:41,479 Speaker 2: Who somebody like that? Or in the most charming way, 85 00:04:41,520 --> 00:04:46,960 Speaker 2: it's herself, but like in a way that is perfect. 86 00:04:46,520 --> 00:04:50,640 Speaker 1: Lizzie Borden who Reilly? 87 00:04:52,600 --> 00:04:52,760 Speaker 4: You know? 88 00:04:52,839 --> 00:04:56,320 Speaker 1: Laurela meets with Headmaster Charles and he passed along Harvard 89 00:04:56,360 --> 00:04:59,440 Speaker 1: alumnus contact and they go to Darren Springsteen's house to 90 00:04:59,480 --> 00:05:04,240 Speaker 1: have lunch. Wh this was this was pretty good. One 91 00:05:04,240 --> 00:05:08,400 Speaker 1: of the Springsteen kids isn't on the Harvard bound conveyor belt. 92 00:05:08,800 --> 00:05:11,640 Speaker 1: You think Rory recognizes her? What was her name? Mary? 93 00:05:11,880 --> 00:05:14,520 Speaker 1: I think Mary as someone similar to her own mother 94 00:05:15,480 --> 00:05:17,600 Speaker 1: when she meets her, putting on her bunny costume. 95 00:05:18,000 --> 00:05:21,560 Speaker 2: Mother mother and a little bit herself too, like in 96 00:05:21,960 --> 00:05:25,760 Speaker 2: a weird way, because she gets the funny the funny references, right, 97 00:05:27,040 --> 00:05:29,360 Speaker 2: Is it okay to say creepy? The brother and the 98 00:05:29,400 --> 00:05:39,720 Speaker 2: sister coming in from tennis were a little creepy, creepy. 99 00:05:38,400 --> 00:05:40,000 Speaker 1: And they play that game at lunch. 100 00:05:40,120 --> 00:05:42,360 Speaker 2: You know, I can't fathom. I was thinking about if 101 00:05:42,440 --> 00:05:44,680 Speaker 2: I was at that lunch, how awkward I would be. 102 00:05:44,839 --> 00:05:46,040 Speaker 2: I can do it? 103 00:05:46,720 --> 00:05:51,839 Speaker 1: Yeah, yeah, that's that was something, all right. Now Dean 104 00:05:51,920 --> 00:05:55,160 Speaker 1: gets insecure about him only going to junior college, and 105 00:05:55,200 --> 00:05:58,960 Speaker 1: this is is this the beginning really of the destruction 106 00:05:59,040 --> 00:06:02,840 Speaker 1: of Dean? It's the first Is this the first time 107 00:06:02,880 --> 00:06:08,640 Speaker 1: we've seen Dean really start getting a little whiny because 108 00:06:08,680 --> 00:06:13,240 Speaker 1: I haven't. He's been great so far, right, and then boy, 109 00:06:13,360 --> 00:06:16,920 Speaker 1: he really just goes down, down, down, suggests that they 110 00:06:16,960 --> 00:06:19,840 Speaker 1: break up if she goes off to college. Rory convinces 111 00:06:19,920 --> 00:06:22,880 Speaker 1: him she won't. They brush it off and they continue 112 00:06:22,880 --> 00:06:27,920 Speaker 1: their date. But she's really like she's a little startled, 113 00:06:28,000 --> 00:06:31,200 Speaker 1: isn't she. She's like, Wow, where did that come from? 114 00:06:31,440 --> 00:06:34,720 Speaker 1: Where did that big dose of insecurity coming out of Dean? 115 00:06:35,040 --> 00:06:40,040 Speaker 2: It seems early to have that talk too, Yeah, going 116 00:06:40,160 --> 00:06:42,960 Speaker 2: to Harvard yet, Like, what would that be that? Where 117 00:06:43,040 --> 00:06:46,000 Speaker 2: are we in the timeline? It's still like what the 118 00:06:46,000 --> 00:06:49,000 Speaker 2: beginning semester of schools? 119 00:06:50,760 --> 00:06:54,200 Speaker 1: Buddy, you gotta calm down, you know. And I think 120 00:06:54,360 --> 00:06:58,360 Speaker 1: how you know her fix? Well, I'll study during the 121 00:06:58,400 --> 00:07:00,719 Speaker 1: week and then I'll come home. I think I think 122 00:07:00,760 --> 00:07:03,560 Speaker 1: her fix for that was completely unrealistic, which is why 123 00:07:03,600 --> 00:07:06,120 Speaker 1: we have that scene. You know, she's not going to 124 00:07:06,200 --> 00:07:08,320 Speaker 1: do that. She's not going to come home every weekend. 125 00:07:08,360 --> 00:07:11,000 Speaker 1: She won't be able to. She'll make friends, she'll be busy, 126 00:07:11,080 --> 00:07:13,800 Speaker 1: she'll be in clubs, she'll be doing a lot of 127 00:07:13,840 --> 00:07:15,800 Speaker 1: reading and a lot of homework over the weekend. It's 128 00:07:15,800 --> 00:07:18,600 Speaker 1: the only time she probably can do it. So, Yeah, 129 00:07:18,640 --> 00:07:20,520 Speaker 1: he was seeing the handwriting on the wall. 130 00:07:20,760 --> 00:07:23,640 Speaker 2: He just wanted to God bless him, Like maybe he's. 131 00:07:23,400 --> 00:07:26,400 Speaker 1: Not wrong, but he's not wrong, But it's like, not 132 00:07:26,560 --> 00:07:29,960 Speaker 1: the way to play it. I guess tough for a kid, right. 133 00:07:30,920 --> 00:07:33,960 Speaker 1: And then there's more red flags with Dean, but you know, 134 00:07:34,160 --> 00:07:38,760 Speaker 1: he brings up their relationship status when she leavesn't and 135 00:07:39,160 --> 00:07:41,760 Speaker 1: to suggest they break up. I mean this is to 136 00:07:41,840 --> 00:07:45,080 Speaker 1: even bring that into the universe. I think it's not 137 00:07:45,520 --> 00:07:47,840 Speaker 1: the smartest thing in the world. But I guess he 138 00:07:47,840 --> 00:07:50,000 Speaker 1: trusts her and he wants to talk openly about it 139 00:07:50,040 --> 00:07:52,320 Speaker 1: and it's on his mind and he feels comfortable with her, 140 00:07:52,320 --> 00:07:55,920 Speaker 1: and why not, right, I mean, the difference in priorities 141 00:07:55,960 --> 00:07:58,080 Speaker 1: is a recipe for disaster coming. Why do you think 142 00:07:58,160 --> 00:08:01,720 Speaker 1: Rory continues to anr the red flags with Dean? 143 00:08:02,800 --> 00:08:05,040 Speaker 2: Oh gosh, because when you're that age, you don't see 144 00:08:05,080 --> 00:08:08,240 Speaker 2: them as red flags, right, You just it's popularve and 145 00:08:08,280 --> 00:08:10,920 Speaker 2: you love the boy and he's very very cute and 146 00:08:10,960 --> 00:08:13,120 Speaker 2: he's very very sweet, I think. 147 00:08:14,800 --> 00:08:15,160 Speaker 4: Is right. 148 00:08:15,800 --> 00:08:19,840 Speaker 1: He's like he's he's like the perfect boyfriend. Is he's 149 00:08:20,000 --> 00:08:24,800 Speaker 1: acting like a mature man in an an evolved adult 150 00:08:24,920 --> 00:08:29,560 Speaker 1: relationship and being great and he's a kid and he's 151 00:08:29,560 --> 00:08:31,640 Speaker 1: doing it. That's really not the time to do it, 152 00:08:31,680 --> 00:08:34,000 Speaker 1: is it. 153 00:08:33,920 --> 00:08:36,600 Speaker 2: It's impulsive, impetuous. 154 00:08:35,960 --> 00:08:36,920 Speaker 4: And really. 155 00:08:48,080 --> 00:08:52,240 Speaker 1: Elene is looking for a bandmate, and she places an 156 00:08:52,240 --> 00:08:58,960 Speaker 1: ad for a bandmate. She's being particular about her influences. Uh, 157 00:09:00,000 --> 00:09:03,800 Speaker 1: She's getting phone calls at Rory and Laurel's house. And finally, 158 00:09:03,880 --> 00:09:09,560 Speaker 1: Dave Rigalski Okay leaves a messaged and and he and 159 00:09:09,640 --> 00:09:12,480 Speaker 1: he approaches her Lane at the town after a town meeting, 160 00:09:12,480 --> 00:09:16,160 Speaker 1: and she's very impressed with him. He lets her listen 161 00:09:16,200 --> 00:09:19,320 Speaker 1: to a demo of his band and she lets slip 162 00:09:19,360 --> 00:09:23,640 Speaker 1: out that she loves him. So she's finally following through 163 00:09:23,720 --> 00:09:25,600 Speaker 1: on her musical dreams. How do you think she's pulling 164 00:09:25,600 --> 00:09:28,600 Speaker 1: this off from missus Kim? I mean, she's hiding all 165 00:09:28,600 --> 00:09:30,280 Speaker 1: this from her mother. How's she doing that? 166 00:09:31,120 --> 00:09:36,080 Speaker 2: This Lane's musical taste is so impressive? And this is 167 00:09:36,080 --> 00:09:38,920 Speaker 2: how I know that Dan Dan Sherman Palladino wrote this 168 00:09:39,000 --> 00:09:42,079 Speaker 2: episode because I can hear his voice and his musical 169 00:09:42,120 --> 00:09:45,880 Speaker 2: influences in it. But like Lane listens to a lot 170 00:09:45,920 --> 00:09:48,880 Speaker 2: of music that her mother never finds out about. It's 171 00:09:49,080 --> 00:09:52,559 Speaker 2: actually really impressive. But then, of course, like has Adam 172 00:09:52,600 --> 00:09:58,040 Speaker 2: Brodie ever not been completely adorable? Like he's he's very 173 00:09:58,120 --> 00:09:58,760 Speaker 2: very good at that. 174 00:10:00,160 --> 00:10:06,400 Speaker 1: Mm hmm right, I love him right, Well, there's instant 175 00:10:06,400 --> 00:10:09,400 Speaker 1: sparks between the two of them, and I think we 176 00:10:09,480 --> 00:10:12,280 Speaker 1: know what your first impression of him is. Yeah, he 177 00:10:12,400 --> 00:10:15,360 Speaker 1: just came on and killed it and uh, you know, 178 00:10:15,480 --> 00:10:18,720 Speaker 1: became that character that they wanted to retain. But I 179 00:10:18,760 --> 00:10:23,120 Speaker 1: think the o c scooped him up before the Warners 180 00:10:23,120 --> 00:10:26,319 Speaker 1: had a chance to to sign him to a deal. 181 00:10:26,400 --> 00:10:28,480 Speaker 1: I guess you know, it's all those young guys. They 182 00:10:28,520 --> 00:10:31,920 Speaker 1: all left the show, right, They all tried, They went 183 00:10:31,920 --> 00:10:35,960 Speaker 1: off to bigger and better things, left us all holding 184 00:10:35,960 --> 00:10:40,680 Speaker 1: the bag. You know, here we are. We'll just take 185 00:10:40,720 --> 00:10:45,040 Speaker 1: it from here. Guys, thanks a lot, Thanks for coming. 186 00:10:46,800 --> 00:10:49,560 Speaker 1: All right, so now we can deal with Luke and 187 00:10:49,679 --> 00:10:52,400 Speaker 1: the building next door. Lucy's Taylor taking photos of the 188 00:10:52,400 --> 00:10:55,200 Speaker 1: building next door, which Luke's own. I thought that was 189 00:10:55,200 --> 00:11:01,640 Speaker 1: particularly funny when when together, isn't that just one. 190 00:11:01,920 --> 00:11:05,559 Speaker 3: It's just he's so great, He's so funny. 191 00:11:05,880 --> 00:11:08,160 Speaker 1: Isn't Taylor just the best? And when he gets caught 192 00:11:08,200 --> 00:11:10,920 Speaker 1: when he sees me spying on him, he just stands 193 00:11:10,960 --> 00:11:11,480 Speaker 1: straight up. 194 00:11:13,640 --> 00:11:17,720 Speaker 2: So good two are good foes together. That's a good 195 00:11:17,960 --> 00:11:20,640 Speaker 2: head to head match. I do love that Luke knew 196 00:11:20,679 --> 00:11:24,280 Speaker 2: what what was it? A chocolate phosphorus was but not 197 00:11:24,360 --> 00:11:27,360 Speaker 2: an egg cream or a black cow, or maybe Luke. 198 00:11:27,280 --> 00:11:29,959 Speaker 1: Was just chocolate phosphate. That is it a phosphate or 199 00:11:29,960 --> 00:11:30,719 Speaker 1: a phosphorus. 200 00:11:30,800 --> 00:11:31,800 Speaker 2: I've never heard of it. 201 00:11:32,840 --> 00:11:35,400 Speaker 1: You think Taylor's being too harsh about the soda shop, 202 00:11:35,480 --> 00:11:40,000 Speaker 1: you think he's being too persistent. It's Taylor, Yeah, that's Taylor, 203 00:11:40,080 --> 00:11:44,360 Speaker 1: right maybe, but also now I think both of them 204 00:11:44,360 --> 00:11:46,200 Speaker 1: are a little harsh, right, which makes it work. 205 00:11:46,280 --> 00:11:49,760 Speaker 2: So well, that's a hard headed man against a hard 206 00:11:49,760 --> 00:11:50,360 Speaker 2: headed man. 207 00:11:50,559 --> 00:11:54,520 Speaker 1: Right exactly. And you know, these kids come in start 208 00:11:54,800 --> 00:11:59,360 Speaker 1: ordering these you know, throwback soda drinks, and Kirk comes in, 209 00:11:59,480 --> 00:12:02,840 Speaker 1: he orders a soda fountain drink, and then it comes 210 00:12:02,840 --> 00:12:05,880 Speaker 1: to the diner, and then Luke catches on finally, so 211 00:12:06,400 --> 00:12:10,000 Speaker 1: he confronts Taylor about it, and Taylor tries to convince 212 00:12:10,040 --> 00:12:12,200 Speaker 1: him to open a soda shop, and Luke says, no way. 213 00:12:12,320 --> 00:12:12,880 Speaker 1: Great scene. 214 00:12:12,920 --> 00:12:15,079 Speaker 2: By the way, yeah, that's when we first find out 215 00:12:15,080 --> 00:12:17,880 Speaker 2: that you own that right space, right right? 216 00:12:18,120 --> 00:12:20,480 Speaker 1: Yeah? Yeah, I don't know why he's so upset about it. 217 00:12:20,480 --> 00:12:25,559 Speaker 1: He owns the space, it's empty, rented out. What's the problem. 218 00:12:26,080 --> 00:12:31,600 Speaker 2: It's because it's Taylor. Anybody but Taylor, anything but that. 219 00:12:32,240 --> 00:12:35,199 Speaker 1: Yeah, And then we get the town meeting. That was 220 00:12:35,240 --> 00:12:36,040 Speaker 1: a good town meeting. 221 00:12:36,760 --> 00:12:38,840 Speaker 2: I love the town meeting. I think about it if 222 00:12:38,880 --> 00:12:40,319 Speaker 2: I was in the show, how much I would love 223 00:12:40,320 --> 00:12:42,480 Speaker 2: to film those, although I bet they were probably like 224 00:12:43,559 --> 00:12:46,199 Speaker 2: also not fun at the same time, just having everybody in. 225 00:12:46,120 --> 00:12:47,880 Speaker 1: The Why do you think they weren't fun? 226 00:12:48,040 --> 00:12:49,560 Speaker 2: Because it's a lot of people and a lot of 227 00:12:49,640 --> 00:12:52,360 Speaker 2: just sitting, right, like a day of shooting. Way to 228 00:12:52,440 --> 00:12:54,320 Speaker 2: do that in the football stands and Friday night lights 229 00:12:54,320 --> 00:12:59,160 Speaker 2: and it was just like the stands forever, everybody's together 230 00:12:59,240 --> 00:12:59,959 Speaker 2: in the same place. 231 00:13:00,360 --> 00:13:03,440 Speaker 1: But you're it's a nighttime. You're usually filling Friday night lights. 232 00:13:03,440 --> 00:13:06,800 Speaker 2: It's all in the nighttime, full like full nights in 233 00:13:06,840 --> 00:13:07,280 Speaker 2: the morning. 234 00:13:07,559 --> 00:13:12,680 Speaker 1: Right, So it's so it's cold, right, it's cold at 235 00:13:12,760 --> 00:13:15,640 Speaker 1: night in Texas, right, it can be. It can be. 236 00:13:15,760 --> 00:13:19,560 Speaker 1: So you're sitting there all night doing those all those crowd. 237 00:13:19,200 --> 00:13:21,400 Speaker 2: Scenes, reaction shots. 238 00:13:20,800 --> 00:13:23,600 Speaker 1: Reaction shots all. Yeah, it takes forever. It takes forever. 239 00:13:24,160 --> 00:13:26,280 Speaker 1: The thing about the thing about the town hall meetings 240 00:13:26,360 --> 00:13:30,640 Speaker 1: is it's it's intensely hot in there because they you know, 241 00:13:30,640 --> 00:13:32,520 Speaker 1: they shoot during the day and they shoot all day, 242 00:13:32,520 --> 00:13:36,000 Speaker 1: so they tint it off and it's you know, it's Burbank. 243 00:13:36,000 --> 00:13:39,080 Speaker 1: It's one hundred degrees. You're in winter clothes. It's it's 244 00:13:39,120 --> 00:13:41,160 Speaker 1: one hundred and twenty one hundred and thirty degrees in there. 245 00:13:41,240 --> 00:13:45,319 Speaker 1: It's really it was really like, yeah, a lot of tissue. 246 00:13:45,400 --> 00:13:49,000 Speaker 1: They're going through a lot of tissue, just dabbing people. Yeah, 247 00:13:49,040 --> 00:13:52,760 Speaker 1: blooding everybody, all right, And now we get to this uh, 248 00:13:53,160 --> 00:13:59,160 Speaker 1: this wonderful Darren Springsteen arc. He leaves a message for 249 00:13:59,280 --> 00:14:03,720 Speaker 1: Rory saying she is the perfect candidate and that she 250 00:14:03,920 --> 00:14:08,840 Speaker 1: is basically in Harvard, and it's this this last beat 251 00:14:08,960 --> 00:14:11,600 Speaker 1: Rory and Laurla I start to realize she's she's gonna 252 00:14:11,679 --> 00:14:15,200 Speaker 1: leave it, and how will her being away from college 253 00:14:15,200 --> 00:14:19,240 Speaker 1: affect their dynamic? And there's that that Laura l after 254 00:14:19,240 --> 00:14:21,440 Speaker 1: the town hall meeting looking after a daughter, and Dean 255 00:14:21,520 --> 00:14:24,200 Speaker 1: walking into Luke's and realizing she's going to be gone. 256 00:14:24,240 --> 00:14:27,840 Speaker 1: So it's a nice moment. 257 00:14:27,200 --> 00:14:31,520 Speaker 2: That's the through line of this episode. It's like jan 258 00:14:31,640 --> 00:14:34,400 Speaker 2: realizes and then Jackson wants to use her room and 259 00:14:34,440 --> 00:14:35,760 Speaker 2: put his tools. 260 00:14:35,360 --> 00:14:38,480 Speaker 1: In there, and like, oh my god, like it's so 261 00:14:38,560 --> 00:14:42,800 Speaker 1: pick too. I like to put my my ancient hose 262 00:14:42,960 --> 00:14:44,760 Speaker 1: and shovels and picks in. 263 00:14:44,720 --> 00:14:46,320 Speaker 2: Your like the heavy. 264 00:14:46,720 --> 00:14:48,520 Speaker 1: Can I store them in Rory's room? Well you're not 265 00:14:48,520 --> 00:14:49,000 Speaker 1: going to need it? 266 00:14:50,040 --> 00:14:53,800 Speaker 2: God, yeah, put my rusty old tools in your. 267 00:14:53,760 --> 00:15:00,240 Speaker 1: Daughter's mister sensitive. Right, Thanks a lot there, Jackson. 268 00:15:01,960 --> 00:15:04,680 Speaker 2: Parking. Theme of this seems to be like everyone is 269 00:15:04,680 --> 00:15:06,840 Speaker 2: starting to realize, like is going to go away. 270 00:15:07,400 --> 00:15:13,280 Speaker 1: Huh. But that's a Dan Palladino episode. I love his episode. 271 00:15:13,480 --> 00:15:19,600 Speaker 2: It's Dan Palladino episode. Dan used to on. Buttheads loved 272 00:15:19,800 --> 00:15:23,280 Speaker 2: to give me a list and it was just a 273 00:15:23,320 --> 00:15:25,640 Speaker 2: list of whatever. Like one time it was a list 274 00:15:25,640 --> 00:15:28,680 Speaker 2: of news anchors or a list of like things that 275 00:15:28,720 --> 00:15:30,400 Speaker 2: I loved, and it would be half a page. And 276 00:15:30,440 --> 00:15:32,120 Speaker 2: he told me that he did it because it made 277 00:15:32,200 --> 00:15:34,360 Speaker 2: him laugh to see me try to like memorize it, 278 00:15:34,840 --> 00:15:37,240 Speaker 2: and like that was his that was his thing that 279 00:15:37,280 --> 00:15:38,600 Speaker 2: he would do with me. So I would get a 280 00:15:38,600 --> 00:15:40,280 Speaker 2: script and I'd be like, oh, God, here we go. 281 00:15:40,400 --> 00:15:42,400 Speaker 2: What am I doing? What am I doing? This time? 282 00:15:42,520 --> 00:15:46,600 Speaker 2: Dan just loved to like throw lots of words. 283 00:15:47,120 --> 00:15:51,480 Speaker 1: Well you you went to college, right? Uh? And you 284 00:15:51,520 --> 00:15:53,280 Speaker 1: went you went to college in the UK? 285 00:15:53,480 --> 00:15:53,680 Speaker 4: Right? 286 00:15:53,800 --> 00:15:55,560 Speaker 2: I did it? Went to a University of Manchester. 287 00:15:56,080 --> 00:15:58,480 Speaker 1: You remember all about the application process? What was that? 288 00:15:58,640 --> 00:16:03,160 Speaker 2: Like? I did a lot of application process in America 289 00:16:03,240 --> 00:16:05,560 Speaker 2: because I assumed that's where I was going, So I 290 00:16:05,560 --> 00:16:07,320 Speaker 2: did a lot of the essays and the sets and 291 00:16:07,360 --> 00:16:10,840 Speaker 2: all of that. But I did this Thespian Convention audition 292 00:16:10,960 --> 00:16:14,960 Speaker 2: and I won first place in a scholarship and from there, 293 00:16:15,120 --> 00:16:18,000 Speaker 2: the dean of the Acting Center at the University of 294 00:16:18,080 --> 00:16:20,720 Speaker 2: Manchester asked me if I wanted to maybe go there, 295 00:16:21,800 --> 00:16:24,280 Speaker 2: and I said no because it sounded like really scary 296 00:16:24,320 --> 00:16:25,800 Speaker 2: and I was going to go to TCU with all 297 00:16:25,840 --> 00:16:27,160 Speaker 2: my friends and my dad was like. 298 00:16:27,520 --> 00:16:31,680 Speaker 1: No, You're going to go really really And what was 299 00:16:31,720 --> 00:16:33,800 Speaker 1: that like? Going to Manchester, UK? 300 00:16:34,640 --> 00:16:37,960 Speaker 2: Terrifying? I'm from Texas and I like never left Texas 301 00:16:38,040 --> 00:16:42,080 Speaker 2: and right, yeah, I'd definitely never been out of the country. 302 00:16:42,240 --> 00:16:45,680 Speaker 2: But big culture, huge culture shock. But it took me 303 00:16:45,960 --> 00:16:49,120 Speaker 2: two weeks to completely fall in love with the people 304 00:16:49,280 --> 00:16:52,920 Speaker 2: and the style of acting and everything that I was 305 00:16:52,960 --> 00:16:53,440 Speaker 2: doing there. 306 00:16:53,520 --> 00:17:03,920 Speaker 3: I didn't want to, right. 307 00:17:05,480 --> 00:17:09,080 Speaker 1: So You're a part of Year in Life, Laureli heads 308 00:17:09,080 --> 00:17:12,639 Speaker 1: Off in the Wild and you renewed reunited with Amy 309 00:17:13,320 --> 00:17:15,720 Speaker 1: Palladina after being part of the main cast of Bunheads. 310 00:17:15,960 --> 00:17:21,280 Speaker 1: How did it feel to join the Gilmour universe I. 311 00:17:21,240 --> 00:17:25,960 Speaker 2: Remember going to that table aid and I am such it. 312 00:17:26,920 --> 00:17:29,840 Speaker 2: So when I first got onto Bunheads, do you remember 313 00:17:29,960 --> 00:17:33,159 Speaker 2: like years and years ago when actors would have generals 314 00:17:33,200 --> 00:17:35,600 Speaker 2: with casting directors, Like we would have a general meeting 315 00:17:35,640 --> 00:17:37,400 Speaker 2: and it wasn't like an audition. You would just meet 316 00:17:37,440 --> 00:17:40,359 Speaker 2: with a casting director in chat. Then a casting director 317 00:17:40,359 --> 00:17:44,800 Speaker 2: for Bunheads was like, hey, so there's this show coming up. 318 00:17:44,840 --> 00:17:47,440 Speaker 2: It's like Amy Sherman Palladino and it's about ballet. And 319 00:17:47,480 --> 00:17:49,600 Speaker 2: I was like, you just said two of my favorite things. 320 00:17:50,760 --> 00:17:53,040 Speaker 2: Then later she brought me in for the audition for 321 00:17:53,080 --> 00:17:55,679 Speaker 2: Bunheads and she was like, oh, also Sutton Foster and 322 00:17:55,720 --> 00:17:58,960 Speaker 2: I was like, stop saying things that I love doing 323 00:17:58,960 --> 00:18:01,639 Speaker 2: that show was amazing. And then so going to the 324 00:18:01,680 --> 00:18:04,920 Speaker 2: table read for Gilmour Girls, which was like two or 325 00:18:04,920 --> 00:18:08,280 Speaker 2: three years after that, I was fan girling out because 326 00:18:08,320 --> 00:18:09,480 Speaker 2: I was such a fan. 327 00:18:09,840 --> 00:18:11,400 Speaker 1: Oh wait, so you were in that room. 328 00:18:11,840 --> 00:18:14,280 Speaker 2: Yeah, in the table raid for what was it? 329 00:18:14,320 --> 00:18:17,680 Speaker 1: Autumn was the one that I did, So that were you? 330 00:18:19,440 --> 00:18:21,000 Speaker 1: So it was in the it was in the uh 331 00:18:23,680 --> 00:18:27,400 Speaker 1: you know, you came to the executive suites and went upstairs, 332 00:18:27,400 --> 00:18:29,480 Speaker 1: went in that conference room. Wasn't a huge conference room, 333 00:18:29,520 --> 00:18:30,160 Speaker 1: but it was big enough. 334 00:18:30,320 --> 00:18:31,720 Speaker 2: It was there was a lot of people there. 335 00:18:31,880 --> 00:18:36,120 Speaker 1: That was the initial table read seeing you and oh 336 00:18:36,320 --> 00:18:38,400 Speaker 1: okay okay. 337 00:18:38,200 --> 00:18:40,240 Speaker 2: And all of these people that I loved, And I 338 00:18:40,320 --> 00:18:42,920 Speaker 2: clung onto Kelly Bishop with all of my mc because 339 00:18:42,920 --> 00:18:44,800 Speaker 2: she was the only person in the room that I knew, 340 00:18:44,880 --> 00:18:46,439 Speaker 2: and I loved it with all of my heart. And 341 00:18:46,480 --> 00:18:48,439 Speaker 2: I was like, I was like, I don't know what 342 00:18:48,480 --> 00:18:50,800 Speaker 2: I'm doing in Shi goes Stacy, you belong here, And 343 00:18:50,840 --> 00:18:55,320 Speaker 2: I was like, oh my god, I was fan girling 344 00:18:55,320 --> 00:18:56,120 Speaker 2: the entire time. 345 00:18:56,600 --> 00:18:57,280 Speaker 1: Is so cool. 346 00:18:57,560 --> 00:18:57,760 Speaker 4: It was. 347 00:18:59,680 --> 00:19:01,680 Speaker 1: Uh yeah, that was a nice That was a nice 348 00:19:01,680 --> 00:19:06,560 Speaker 1: table read. That was like fancy table reading. All right, 349 00:19:06,600 --> 00:19:09,080 Speaker 1: So it's the twenty fifth anniversary Gilmore Girls this year. 350 00:19:09,640 --> 00:19:11,320 Speaker 1: Have you watched all of. 351 00:19:11,280 --> 00:19:14,440 Speaker 2: The series at least five times over. 352 00:19:14,560 --> 00:19:16,000 Speaker 1: At least five times? 353 00:19:16,440 --> 00:19:19,480 Speaker 2: Go This and West Wing are my my go back 354 00:19:19,520 --> 00:19:21,639 Speaker 2: comfort shows, Like I mean, you need something that you 355 00:19:21,720 --> 00:19:24,359 Speaker 2: know really well and the world is a little too 356 00:19:24,440 --> 00:19:27,840 Speaker 2: much and you just want to like get cozy. Yeah, 357 00:19:27,880 --> 00:19:28,280 Speaker 2: I'm fan. 358 00:19:29,160 --> 00:19:32,680 Speaker 1: And you were also on Friday Night Lights, another iconic show. 359 00:19:32,720 --> 00:19:37,080 Speaker 1: You were Mindy. That is another like you know, super 360 00:19:37,119 --> 00:19:43,000 Speaker 1: fan driven show. So let's compare which fans are more dedicated. 361 00:19:43,720 --> 00:19:45,520 Speaker 1: Friday Night Lights fans are Gilmore. 362 00:19:45,160 --> 00:19:48,520 Speaker 2: Girls fans girls fans. Yeah, yeah, Friday Night Lights fans 363 00:19:48,520 --> 00:19:51,600 Speaker 2: are super cool and chill and it's just like a 364 00:19:51,680 --> 00:19:54,720 Speaker 2: head nud like hair, like the show. I really like 365 00:19:54,800 --> 00:19:57,200 Speaker 2: Friday Night Lights. But like you More Girls fans, they 366 00:19:57,240 --> 00:20:00,399 Speaker 2: go to the like festivals and they I want to 367 00:20:00,440 --> 00:20:03,760 Speaker 2: like meet your guys and like they're they're in it. 368 00:20:03,840 --> 00:20:05,680 Speaker 2: They had you guys for so much longer too. 369 00:20:05,800 --> 00:20:06,840 Speaker 3: We went around. 370 00:20:06,960 --> 00:20:08,000 Speaker 2: We weren't around that long. 371 00:20:08,560 --> 00:20:10,720 Speaker 1: How many How many seasons did you shoot? To that 372 00:20:10,720 --> 00:20:11,320 Speaker 1: show live? 373 00:20:11,400 --> 00:20:15,760 Speaker 2: But we got struck by the writers strike the second season, 374 00:20:15,800 --> 00:20:19,160 Speaker 2: so the rest of our seasons were only sixteen episodes. 375 00:20:19,400 --> 00:20:23,920 Speaker 1: Okay, wow, how often do you get recognized as mindy. 376 00:20:24,080 --> 00:20:26,600 Speaker 2: Less and less? Because I'm older? But when I'm around 377 00:20:26,720 --> 00:20:29,960 Speaker 2: my best friend Derek Phillips, who played my husband Billy Riggins, 378 00:20:30,000 --> 00:20:35,480 Speaker 2: when we're together, you recognized more. Right, Oh, you know 379 00:20:35,520 --> 00:20:37,600 Speaker 2: what I get A lot like this is what I get. 380 00:20:38,080 --> 00:20:40,480 Speaker 2: I know you did we go to high school together? 381 00:20:40,640 --> 00:20:43,760 Speaker 2: And I don't know, probably not, but I never wanted 382 00:20:43,760 --> 00:20:44,840 Speaker 2: to be like I was on. 383 00:20:46,320 --> 00:20:50,200 Speaker 1: I'm like, no, no, no, Well, Gilmore Girls was able to 384 00:20:50,359 --> 00:20:54,200 Speaker 1: come back for revivals. Do you think you'd be open 385 00:20:54,280 --> 00:20:56,320 Speaker 1: to the same thing for Friday Night Lights? Is there 386 00:20:56,320 --> 00:20:56,920 Speaker 1: any talk of it? 387 00:20:57,359 --> 00:21:00,399 Speaker 2: We talked about it a lot. There was this script 388 00:21:00,520 --> 00:21:05,720 Speaker 2: floating around of the like the same crew coming back 389 00:21:05,760 --> 00:21:08,399 Speaker 2: and we're sort of to split into two camps of 390 00:21:09,000 --> 00:21:12,040 Speaker 2: yes and a no. And as much as I couldn't 391 00:21:12,080 --> 00:21:15,359 Speaker 2: turn down the job, I don't want to tell any 392 00:21:15,359 --> 00:21:18,000 Speaker 2: more of that story. Our series finale to me was 393 00:21:18,160 --> 00:21:21,160 Speaker 2: perfect and it's a perfect ending, and I think that's 394 00:21:21,200 --> 00:21:23,960 Speaker 2: it for that story. I don't think anyone needs to be. 395 00:21:23,920 --> 00:21:32,600 Speaker 1: Told right right right now. You're also a podcaster. It's 396 00:21:32,640 --> 00:21:37,240 Speaker 1: called Clear Eyes, Full Heart, Friday Nights, Friday Night Lights rewatch. 397 00:21:39,800 --> 00:21:41,760 Speaker 1: What was it like going through all that? Again? 398 00:21:42,320 --> 00:21:46,760 Speaker 2: I do not watch anything that I'm in, so we 399 00:21:46,800 --> 00:21:51,680 Speaker 2: share that I never watched Friday Night Lights. And Derek, 400 00:21:51,720 --> 00:21:53,840 Speaker 2: who plays my husband, my best friend. We got offered 401 00:21:53,880 --> 00:21:56,520 Speaker 2: this podcast and it was during pandemic and like we 402 00:21:56,520 --> 00:22:00,080 Speaker 2: weren't working and it was an opportunity for us to 403 00:22:00,119 --> 00:22:02,680 Speaker 2: connect every week and like chat and then we brought 404 00:22:02,680 --> 00:22:04,800 Speaker 2: on our friends and chatted to them on the show. 405 00:22:04,840 --> 00:22:06,560 Speaker 2: So it was like, yeah, I think I want to 406 00:22:06,560 --> 00:22:08,440 Speaker 2: do this, so I did. I had to sit down 407 00:22:08,440 --> 00:22:10,800 Speaker 2: and watch the show, and it was probably eight ten 408 00:22:10,880 --> 00:22:13,480 Speaker 2: years after we had done it, so it was enough 409 00:22:13,520 --> 00:22:16,439 Speaker 2: that I wasn't like freaking out, except then I was like, 410 00:22:16,960 --> 00:22:21,200 Speaker 2: holy crap, it's a really good show. Like I knew 411 00:22:21,240 --> 00:22:23,240 Speaker 2: it was good, but I didn't know it was that good, 412 00:22:23,480 --> 00:22:25,879 Speaker 2: and I was so fully invested in it. It's a 413 00:22:26,000 --> 00:22:26,879 Speaker 2: really good show. 414 00:22:27,480 --> 00:22:30,040 Speaker 1: I had the same experience with Gi. I had no 415 00:22:30,080 --> 00:22:31,280 Speaker 1: idea how good the show was. 416 00:22:31,680 --> 00:22:32,240 Speaker 2: You love it? 417 00:22:32,560 --> 00:22:36,359 Speaker 1: Oh, yeah, I too. It's like, wow, I think it's great. 418 00:22:36,640 --> 00:22:41,040 Speaker 1: It's it's always a really fun forty minutes it does. 419 00:22:41,080 --> 00:22:43,520 Speaker 2: It goes my fast because it's so quick I was watching. 420 00:22:44,400 --> 00:22:47,280 Speaker 2: I sometimes put on close captioning just because I'm getting 421 00:22:47,320 --> 00:22:51,960 Speaker 2: older now and Gilmore girls sometimes, especially when it's Laura Lies. 422 00:22:52,040 --> 00:22:54,640 Speaker 2: She talks so fast that the closed captioning can't keep 423 00:22:54,720 --> 00:22:57,040 Speaker 2: up with it. And it makes my heart happy because I'm. 424 00:23:00,040 --> 00:23:04,760 Speaker 1: Alogy has not been updated to deal with Laurla. That's funny. 425 00:23:06,000 --> 00:23:08,960 Speaker 1: Well listen, it was great having you on. Appreciate the time. 426 00:23:09,480 --> 00:23:11,879 Speaker 1: Good luck with a podcast and anything that's coming up 427 00:23:11,880 --> 00:23:17,040 Speaker 1: in the future. Remember Clear Eyes, Full Hearts, Friday Night 428 00:23:17,119 --> 00:23:22,160 Speaker 1: Lights rewatch, Stacy, thank you so much, and the best 429 00:23:22,160 --> 00:23:25,439 Speaker 1: fans on the planet and Stacy confirmed it best fans 430 00:23:25,480 --> 00:23:29,480 Speaker 1: on the planet. Keep those cards and letters coming, Thanks 431 00:23:29,480 --> 00:23:33,080 Speaker 1: for all the downloads, and remember where you lead. We 432 00:23:33,119 --> 00:23:37,280 Speaker 1: will finally see you next time. Season three, episode four, 433 00:23:37,320 --> 00:23:41,639 Speaker 1: One's got class and the other one dies. Remember to 434 00:23:41,720 --> 00:23:43,160 Speaker 1: stay safe, all the best. 435 00:24:00,359 --> 00:24:12,920 Speaker 4: June, Hey, everybody to forget. 436 00:24:12,960 --> 00:24:17,040 Speaker 1: Follow us on Instagram at I Am all In podcast 437 00:24:17,119 --> 00:24:31,200 Speaker 1: and email us at Gilmore at iHeartRadio dot com.