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Speaker 1: So I don't know. It's just such a I don't

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Speaker 1: know what to do with, like this huge fight this

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Speaker 1: morning with Carrie and Moss. She she has been saying

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Speaker 1: that I have been doing too many experiments with the

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Speaker 1: ice machine. Oh please, that's what it's there for, making

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Speaker 1: a different colors. Yeah, different shapes, different flavors, yes, and

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Speaker 1: like the steamy kind. You know steamy ice? Do I

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Speaker 1: know steamy ice? Who are you talking to you? Okay,

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Speaker 1: I'm sorry, I'm sorry, I'm I'm just so shaken up

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Speaker 1: because she's yelling at me about my experiments, which some

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Speaker 1: of them have even worked. And I didn't see her

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Speaker 1: complaining when she had like funny blue ice and her

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Speaker 1: root beer. No I didn't. It wasn't very easy to

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Speaker 1: see in the room.

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Speaker 2: Beer.

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Speaker 3: But no, yeah, drink, yeah, maybe a sprite or something healthy.

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Speaker 1: I've been trying to get her to not drink so

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Speaker 1: much root beer by having funny colored ice inside, so

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Speaker 1: she'll maybe drink a nice sprite.

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Speaker 3: Can see that for having a sprite, remiss, And.

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Speaker 1: Maybe I can have some root beer every once in

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Speaker 1: a while. So she's yelling at me about you know,

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Speaker 1: she's like, what do you even try to do, I say,

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Speaker 1: trying to figure out a way to defrost that pussy of.

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Speaker 3: Yours, which she's like, she must have had a positive

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Speaker 3: reaction to that.

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Speaker 1: No, she she was like, why what do you mean?

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Speaker 1: You're like, why would working with ice? It's like the

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Speaker 1: opposite of what you mean if you're trying to defrost something.

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Speaker 1: But it would be like for the microwave.

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Speaker 3: But regardless of the method, that's a really positive thing

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Speaker 3: you're talking about doing for someone. So I mean, just

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Speaker 3: having an understanding of ice would probably give you an

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Speaker 3: understanding of like a frozen pussy.

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Speaker 1: So it's like to me, I.

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Speaker 3: Would think just the thought behind it, more so than

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Speaker 3: what you were doing with ice would have her pretty

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Speaker 3: flattered and pretty excited.

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Speaker 1: She destroyed me. Oh hey, she beat me up so bad.

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Speaker 1: Oh heyesse she nursed me back to health and she

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Speaker 1: beat me up again.

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Speaker 3: I see that you're missing one of your shoes, yes,

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Speaker 3: and it's somewhere else.

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Speaker 1: Yeah. She flipped me upside down, sort of shook the

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Speaker 1: change out of your pockets. Yes, and she had her

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Speaker 1: associate waiting down there to gather my change. No, Johnny rumba, Yeah,

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Speaker 1: And then what a bird that was on the roof

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Speaker 1: sort of took my shoe.

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Speaker 3: For people who don't know, Carrie an Moss has an

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Speaker 3: assistant named Johnny Rumba who's like a small guy who

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Speaker 3: around on a little room.

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Speaker 1: But he's a thing. No, he's not something. He's not

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Speaker 1: on a real he just he just moves that way. Oh,

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Speaker 1: I see, it looks like he's on a room, but

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Speaker 1: that's just that he's.

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Speaker 3: Always sucking up things on the floor, like with your

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Speaker 3: change falls out.

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Speaker 1: Yes, but that's just the way he sort of naturally

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Speaker 1: moves around.

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Speaker 3: But anyway, I don't know if he's a human being

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Speaker 3: or some sort of animal, but he's definitely not friendly,

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Speaker 3: so that I.

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Speaker 1: Don't know if I'm if I am weird today, it's

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Speaker 1: just like I don't think you're weird. I don't think

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Speaker 1: you're weird. Well, just like moving forward today, if I

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Speaker 1: become weird, it's coming from that. Well, I keep that

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Speaker 1: in mind. Place.

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Speaker 3: Well, we wanted to talk about something cool and that

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Speaker 3: would be great for me. Oh actually, first, welcome to Hollywood.

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Speaker 3: Hamburg is the entire guy kicking my drum na.

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Speaker 1: Thank you. I'm always industry. We call show biz. I

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Speaker 1: would love for you to do and so that's that's great.

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Speaker 3: Yeah, and so that's our show and we're here. You're

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Speaker 3: here with us and listening. Oh, maybe you're in your car.

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Speaker 3: Maybe you're in bed with your wife and her best friend.

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Speaker 1: Uh, and they don't know.

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Speaker 3: Oh yeah, No, it's a huge bed with dividers. So

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Speaker 3: we always encourage that. Well, I wanted to talk about

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Speaker 3: it is something cool and I hope Hayes doesn't feel

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Speaker 3: too weird to talk about this.

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Speaker 1: But it's something called the earth. Yes, that is so

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Speaker 1: great to talk about for me today because thinking about

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Speaker 1: different ways to do activities and to relax, but also

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Speaker 1: to be doing something creative and seductive and to be

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Speaker 1: safe and not be scared. We talk about using the

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Speaker 1: earth in an interesting way, not stepping on it.

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Speaker 3: No, and it's not just for standing on it, Haulds,

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Speaker 3: you up, and that's all it can do.

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Speaker 1: Yeah, the earth, if you treat it right, we'll cook

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Speaker 1: your dinner. Yes, and it takes a long time. We're talking,

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Speaker 1: of course, of herb gardens.

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Speaker 3: Yeah.

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Speaker 1: I guess you probably knew.

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Speaker 3: Yes, Hayes and I are obsessed and clinically insane for

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Speaker 3: herb gardens. And you could lock us in an institution.

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Speaker 3: But then you wouldn't get any of these tasty herbs. Yes,

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Speaker 3: because we have green thumbs and a red hot passion.

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Speaker 3: And you guys probably say, what do you guys would

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Speaker 3: do one herb? Actually, we do a whole bunch of

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Speaker 3: different herbs. No, we do four herbs. So to me,

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Speaker 3: people who do one herb are joke. Yeah, because we've

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Speaker 3: actually found out about four of them, and one of

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Speaker 3: them's dill. So if you think you're gonna get the

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Speaker 3: other herbs out of us that easy, please please. We're

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Speaker 3: not amateurs. We've been doing this for a while. And

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Speaker 3: what we wanted to do in the interest of trying

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Speaker 3: to help some of you guys, maybe make the planet

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Speaker 3: cook you dinner instead of just having it be this

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Speaker 3: place where you stomp around.

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Speaker 1: Yes, like an ogre. We could teach you how to

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Speaker 1: make plants. Yeah, well help you make plants. So find water.

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Speaker 1: Mm hmm.

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Speaker 3: It's in the sink. You gotta sink full of this stuff.

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Speaker 3: You might have to sort of jimmy it around a

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Speaker 3: little bit. Yeah, I know we did. But once you

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Speaker 3: get it going, as long as you don't touch anything,

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Speaker 3: it'll keep giving you water. Yes, so we have you

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Speaker 3: know not. Since we first got it on, we haven't

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Speaker 3: had that problem again.

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Speaker 1: The other step is to buy some dirt.

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Speaker 3: You're gonna need it, and you're gonna need more than

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Speaker 3: a flat plates worth. Yes, if you're starting out with

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Speaker 3: dirt on a paper plate, what you're gonna find out

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Speaker 3: pretty quickly is.

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Speaker 1: This is not enough dirt. Where to get They have

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Speaker 1: to get the dirt first. Yeah, it's outside the store.

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Speaker 1: You go into almost any store. Yeah, and there's all

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Speaker 1: the stuff on the shows for you to buy the

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Speaker 1: shack radio shack. Yes, it's outside the radio shack. And

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Speaker 1: so you pick some of it up and you take

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Speaker 1: that inside and you say how much is this? And

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Speaker 1: you put it on the.

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Speaker 3: Let's talk about another stumbling block we had, is all dirt.

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Speaker 3: The dirt we're talking about. No, because if you go

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Speaker 3: to the radio shack at Venice Beach, some of the

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Speaker 3: sand dirt it's too yellow, and the plants hate it.

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Speaker 1: They hate the yellow dirt. They're pissed.

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Speaker 3: So you need more than the plate's worth, and it

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Speaker 3: has to be probably the kind of dirt work picturing.

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Speaker 1: Is darker, yes, which is more expensive. Unfortunately, Then you

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Speaker 1: moosh it up.

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Speaker 3: And then smish it around, scoop it, squash it, slam it,

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Speaker 3: flip it, spin it, put it in the not would

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Speaker 3: we want to put it in a cup or something?

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Speaker 1: Put the dirt in a cup? Yes, yes, which is

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Speaker 1: like a deep plate. Yes.

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Speaker 3: Oh, I'm sorry, I'm just I take so much for granted.

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Speaker 3: A cup is like if you took a plate.

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Speaker 1: And curved it.

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Speaker 3: I almost set around a cup, curved it in a

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Speaker 3: shape so it could hold bore dirt.

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Speaker 1: So now it's time to find the seeds.

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Speaker 4: Mm hmmm.

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Speaker 1: They were so you bought them, and they're so small

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Speaker 1: and so easy to lose. Yes.

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Speaker 3: And one of the mistakes I had was we were

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Speaker 3: so excited to get home with the seeds that we

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Speaker 3: did have a party where we were sort of making

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Speaker 3: it rain. We did play with the seeds, and uh,

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Speaker 3: we did need to get more. And if you are

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Speaker 3: like us and the store is closed by the time

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Speaker 3: you go to get the new seeds, you can't steal.

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Speaker 1: Them from a bird.

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Speaker 3: The birds are not going to want you to have

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Speaker 3: their seeds. This might explain the shoe situation that why

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Speaker 3: he took the shoe. I didn't want to say, but

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Speaker 3: it had to be the same guy.

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Speaker 1: Huh that we took out of his bird feeder.

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Speaker 4: Mm hmm.

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Speaker 3: You can get them from a bird. They're going to

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Speaker 3: have them. And if you you know, if you see

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Speaker 3: a bird and he's not in your seeds, just fall

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Speaker 3: him around a little bit. He's heading for him, and

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Speaker 3: he don't let him see you. Your fiends for it.

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Speaker 3: Oh yeah, because he's going to try to take you on.

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Speaker 3: And oh yes, crazy reading. That's why he's reading a newspaper.

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Speaker 3: That's why it's called goose chase. Yes, it should be,

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Speaker 3: because if the goose sees you, then he'll send you

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Speaker 3: on wild goose.

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Speaker 1: Chairs should be secret goose follow mm hmm.

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Speaker 3: Yeah, you got to sneak up and don't do a

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Speaker 3: goose too big of bird and they don't eat.

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Speaker 1: The seed that they're eating is bread. Yeah, it's rye bread.

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Speaker 3: So anyway, when you've caught the seeds from the bird,

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Speaker 3: and then hopefully you can get away with both shoes,

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Speaker 3: then you're gonna need to just cool out for a

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Speaker 3: little bit, let the heat blow over. Don't call anybody.

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Speaker 3: It's good to have a safe house, yeah, heyes, And

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Speaker 3: I have a well up in the woods and we

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Speaker 3: get down in that mother. It's empty. It's like dry

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Speaker 3: it out and the acoustics are sick.

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Speaker 1: But be quiet. You have to be quiet, unfortunately.

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Speaker 3: So we'll sort of quietly sing some of the songs

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Speaker 3: that we like in the bottom of the well until

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Speaker 3: we feel like the bird has forgotten our faces.

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Speaker 1: Then it's time to go where the sun can hit

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Speaker 1: the smooshed up seeds, dirt water.

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Speaker 3: Yes, you've combined all your elements, and now you invite

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Speaker 3: the sun.

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Speaker 1: If your house is underground, like your house is, yeah,

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Speaker 1: well it's a basement condominium and yes it's and the

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Speaker 1: sun only you know, there's a window sort of peeking

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Speaker 1: out above the ground and the sun like slips through

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Speaker 1: it about ninety seconds a day.

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Speaker 3: What do you do in that situation? Most of that

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Speaker 3: ninety second you don't have a TV. HM, So maybe

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Speaker 3: where a TV would normally go is you create a

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Speaker 3: false sun. And that, in my estimation, is a heat lamp, now,

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Speaker 3: which can just be all lamps are. All lamps are heat.

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Speaker 3: If you leave moms, they tell you, yeah, so you

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Speaker 3: turn a lamp upside down. We've got like a sort

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Speaker 3: of suspension system hanging there. It's and the whatever you

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Speaker 3: want to call it, you know, I don't want to

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Speaker 3: get too technical. And the bulb is in the dirt

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Speaker 3: on hot sort of mushing around the dirt, spinning and

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Speaker 3: it sort.

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Speaker 1: Of simulates the way the sun move around in the sky. Planet. Yeah, so.

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Speaker 3: That is why we have such good herbs, four of them.

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Speaker 3: And for somebody who is gormand and wants to taste

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Speaker 3: only the finest delicacies, you can have the planet do

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Speaker 3: this for you if you do these five simple steps.

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Speaker 1: How many do we do? It's different every time, Honestly,

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Speaker 1: it is very different. Hey, if you want to count steps,

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Speaker 1: go get a fit bit. We're not about the number

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Speaker 1: of steps. We're about the simplicity of the instruction and

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Speaker 1: the accuracy and how good it works. And we have

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Speaker 1: a guest coming up on Hollywood Handbook by Hollywood Handbook.

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Speaker 1: So I'm making valentines for everyone in my neighborhood, distributing

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Speaker 1: them in the mailboxes. I get to Ashley Simpson house,

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Speaker 1: m drop off the valentine. Her dad comes out and

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Speaker 1: is like, what are you? What's this? This is Joe? Yes, Joe,

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Speaker 1: you know, has I think been waiting for me?

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Speaker 3: Right?

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Speaker 1: And so he comes out it is like, what is

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Speaker 1: what are you doing? What is this because at the

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Speaker 1: time she was a baby. She was like, yeah, a baby,

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Speaker 1: she had just been born, uh huh. And this had

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Speaker 1: been an ongoing thing with me, like giving her presents

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Speaker 1: and stuff, right, which is like one of the nicest

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Speaker 1: thing a neighbor could do. That's what I said. And

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Speaker 1: I was like, everyone's getting about, you know, like these

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Speaker 1: are for everyone in the neighborhood. And he's like, it's

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Speaker 1: not Valentine's Day, Like yeah, because I forgot to do

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Speaker 1: it of Valentine's Day. And he was like, what they're

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Speaker 1: not for everyone because you can get one for me.

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Speaker 1: Oh okay, right, Joe, come up. So that that's how

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Speaker 1: I know it is. That's how I know it is

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Speaker 1: coming from a place of jealousy.

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Speaker 3: And if it's for your kid, it is for you.

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Speaker 3: I mean, that's a part of you, Joe. I never

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Speaker 3: see him without him seeing me first. By the way,

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Speaker 3: do you know what I mean? Like you said you

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Speaker 3: felt like he was.

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Speaker 1: Waiting for you. You mean yes, it's never yes, it's

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Speaker 1: always him like oh you know, like here I am

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Speaker 1: m hm. And it's not like when I say it's

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Speaker 1: for everybody. The neighborhood. It's for the girls. Yeah, it's

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Speaker 1: not for the guys. That's for that is for gay

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Speaker 1: guys to.

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Speaker 3: Do, which great, it's awesome. I hope they do it.

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Speaker 3: I love that and I think they should. But I'm

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Speaker 3: just saying, like the best. But for you to do that,

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Speaker 3: like now, you're on their corner and they'd be justifiably pissed.

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Speaker 1: That's their stuff to like giving rough you up. Giving

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Speaker 1: a boy Valentine's is their thing. Yeah, and for girls

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Speaker 1: who aren't it does work the same way for girls,

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Speaker 1: uh huh. And so the way we resolved it is

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Speaker 1: we never really did. I just kept giving giving the

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Speaker 1: baby presents for every holiday. Up. What Up? Hey, Welcome

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Speaker 1: to Hollywood Handbook and Insider's Guide to a kicking button

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Speaker 1: dropping names in the red carpet lineback hallways of this

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Speaker 1: industry we call showbiz. We've done a lot of different

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Speaker 1: things on the show with movies and music and TV

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Speaker 1: and books, and this is one of the books ones.

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Speaker 1: It's yeah, so great intro and what Up.

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Speaker 3: And we've done so much with music, movies, TV, we've

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Speaker 3: talked about books, yeah, and this one will be more

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Speaker 3: on the books and we yeah, I want a great

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Speaker 3: guest to do it with a big, huge guest and

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Speaker 3: a funny guest and a smart guest, nice nice friend

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Speaker 3: who's a nice friend, who's one of our friends, who

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Speaker 3: we like, who we think is good, who's talented and

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Speaker 3: create and outside of all that, Yeah, just as a

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Speaker 3: good guy. Yes, and so and that's John Dale, John Daily.

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Speaker 3: Hey guys, Hey, welcome.

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Speaker 1: How's it going? Oh so good? Now they're here.

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Speaker 5: So sorry I was late, you know, I was uh, yeah,

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Speaker 5: I was late. I was about an hour late there,

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Speaker 5: really sorry. I built a book myself. I had this

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Speaker 5: float tank you had.

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Speaker 1: I would never owe you were in the tank.

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Speaker 5: I had a tank morning and I just felt really floaty.

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Speaker 1: I would never want to interfere with your tank time.

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Speaker 5: Yeah, well thank you, but yeah, I'm really sorry to

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Speaker 5: waste your time. And yeah, I I I do the

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Speaker 5: same thing.

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Speaker 1: Ashley Simpson is a good friend. You also give give

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Speaker 1: her Valentines for her whole life?

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Speaker 5: Well I did, but I we had a little thing

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Speaker 5: because I mentioned SNL you know, Oh, don't bring it

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Speaker 5: up around.

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Speaker 1: Yeah, I was talking about the Keating five. Oh, the

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Speaker 1: savings and loans.

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Speaker 5: Yeah, and she you know that I'm trying to get

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Speaker 5: into it because I'm optioning a movie.

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Speaker 1: I'm trying to I'm.

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Speaker 3: Trying to rich area. Finally, somebody doing the Big Short

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Speaker 3: but different.

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Speaker 5: Yeah, the Big Short from the other side.

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Speaker 1: From the y. Yeah, it's coming back around. There's two

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Speaker 1: sides to every story.

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Speaker 5: Two sides, and mine has heroes, the Big.

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Speaker 1: Short side, your side and the truth. Yeah, exactly. So

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Speaker 1: your thing is shakes out. Is these guys got railroaded? Yeah, yeah,

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Speaker 1: full crap. Oh man, anyway, come.

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Speaker 3: On, man, and I help money monster, get some of

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Speaker 3: that taken care of.

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Speaker 1: Yeah, I think it will. I think it will.

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Speaker 5: And Julia is just so she's at this point, she's

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Speaker 5: just lucky to be working.

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Speaker 1: What is she fifty eight? Get a fucking Oh sorry,

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Speaker 1: can I swear time? Fuck?

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Speaker 5: Thank you, Julia Roberts.

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Speaker 1: Okay, no, it is time to retire and we are sick.

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Speaker 1: She's the bad guy in it, right, Yeah, she must

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Speaker 1: be the money so yeah, she's a monster.

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Speaker 3: She's the monster keeps wanting money. Well they were not

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Speaker 3: sexually viable anymore.

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Speaker 1: Yeah, goodbye. But enough about movies. What about books?

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Speaker 5: Oh yeah, the book space is really rich.

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Speaker 1: John.

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Speaker 3: That's one thing that you always say to us and

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Speaker 3: we go, well, come on the show and talk about this.

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Speaker 5: Well, yeah, I mean but yeah, I mean, it wasn't

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Speaker 5: until not. Yeah, I'm just I'm really trying to get

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Speaker 5: into that space. And it's been a really you know,

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Speaker 5: I see so many I'm an actor that does comedy

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Speaker 5: and drama, so I can definitely do a heartfelt yet

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Speaker 5: whimsical kind of children's getting the children's space, and the.

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Speaker 3: Kids are important and the sort of entertainment we feed

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Speaker 3: them is going to result in what they become.

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Speaker 1: Like a mastery of comedy and drama is so important

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Speaker 1: to being able to write a children's book. Well, yeah,

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Speaker 1: it's got to teach the story. But it's going to

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Speaker 1: teach them you like to have fun.

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Speaker 5: Yeah, I'm trying to teach them story.

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Speaker 1: You know what.

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Speaker 5: Then no kids, no story, They're just like yeah, and

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Speaker 5: then it's a happy ending. Kids are so stupid, so

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Speaker 5: it's yeah, it's a.

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Speaker 1: Very important thing to just teach them some hard lessons.

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Speaker 1: Let's shake them up.

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Speaker 3: A little bit, yeah, and take them up. It's not

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Speaker 3: necessarily a happy ending.

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Speaker 1: Yeah, you know, And I wanted to shake my thing

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Speaker 1: up because I've I've written memoirs. Yeah, and just haven't.

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Speaker 1: The manuscripts are just burning a hole in my basement.

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Speaker 5: But I I've never really gotten into the idea that

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Speaker 5: you know, and I think I.

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Speaker 1: Just sorry memoir finish basement, finish base. Oh yeah, that's great.

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Speaker 1: It's a it's it's yeah, it's very Norwegian.

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Speaker 3: Yeah, mine's kind of got like a little sort of

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Speaker 3: studio corner. But I live in kind of a sick

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Speaker 3: ass like basement condo.

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Speaker 1: Cool. Yeah, my my part. My do you have an

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Speaker 1: house of a name? Well, it's my dad's name is

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Speaker 1: on the lease.

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Speaker 5: What do you really Oh no, I just live in

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Speaker 5: the house in the Hollywood.

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Speaker 1: It's got a name. Oh right, clean Lines.

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Speaker 5: That's the name, Clean Lines, because it's all clean, clean lines.

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Speaker 1: Yeah. You can't even see. They just like terminate at

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Speaker 1: a point. Yeah, they go so far. Yeah, it's a

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00:20:13,560 --> 00:20:16,159
Speaker 1: vanishing point and it actually just vanishes.

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Speaker 5: It's so modern that it's just a hallway. Oh wow,

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00:20:21,240 --> 00:20:24,560
Speaker 5: it's like six hallways clean. Yeah, but there's a door

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Speaker 5: and it's great. Yeah, it's like a girlfriend experience, the

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Speaker 5: kitchens in the hall the girlfriend. Yeah, it's like the

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Speaker 5: girlfriend experience essentially for that film.

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Speaker 1: So we listened to you. We sort of went down

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Speaker 1: the road on the book stuff, right, read a children's book,

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Speaker 1: put it in the mail to get the contract.

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Speaker 3: Well, when I was a kid, I was a little advanced,

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Speaker 3: I hate to admit this, and I read a lot

385
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Speaker 3: of adult books, so I felt like I kind of

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Speaker 3: miss children's books a little bit.

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Speaker 1: Right, And that's an interesting distinction, because books like Harry

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Speaker 1: Potter not actually for just kids. You can be a

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Speaker 1: grown up and love them as well. And we love

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Speaker 1: to nerd out about that stuff. And we know you,

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Speaker 1: John are also a huge, famous fan of and you

392
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Speaker 1: hate you famously hate being a Muggle.

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Speaker 5: I hate being a Muggle and I wish that I

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00:21:10,640 --> 00:21:12,520
Speaker 5: so much wish that I was a wizard. And I

395
00:21:12,560 --> 00:21:16,000
Speaker 5: just went to Harry pottle potter Land. Yeah you got studios,

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Speaker 5: And of course I went at seven thirty in the

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Speaker 5: morning because it's the only time I can go, and

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Speaker 5: got just you know, led around and went on all

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Speaker 5: the went to the castle ride.

400
00:21:25,040 --> 00:21:28,720
Speaker 1: Oh you did the castle ride. Yeah it was nauseating

401
00:21:28,760 --> 00:21:30,040
Speaker 1: but amazing.

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Speaker 4: Wow.

403
00:21:30,640 --> 00:21:33,360
Speaker 3: What house do we think Brett would have gotten from

404
00:21:33,400 --> 00:21:35,639
Speaker 3: the freaking switching hat or whatever?

405
00:21:36,000 --> 00:21:36,960
Speaker 1: Right, Slytherin?

406
00:21:37,200 --> 00:21:40,320
Speaker 3: Yeah, okay, Hufflepuff, Yeah, definitely.

407
00:21:40,320 --> 00:21:42,320
Speaker 1: And engineer Brett, what house are you do? You know?

408
00:21:43,680 --> 00:21:45,720
Speaker 1: I think I'm a huffle huffle buff?

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Speaker 3: Okay, and is that just the last thing you heard

410
00:21:48,119 --> 00:21:49,919
Speaker 3: and that's all the only reason you said it?

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Speaker 1: Hey, Brett wickab of course. How about his Harry's little

412
00:21:55,119 --> 00:21:57,680
Speaker 1: girlfriend Herman. She's pretty easy on the eyes.

413
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Speaker 5: Oh dude, I wouldn't mind getting her going on a

414
00:22:02,240 --> 00:22:04,360
Speaker 5: date with her going.

415
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Speaker 1: On a date? Oh yeah, somebody the big Ore Shrek

416
00:22:09,040 --> 00:22:14,560
Speaker 1: and Rafar Yeah why not? Yeah, no, I would. I

417
00:22:14,600 --> 00:22:17,919
Speaker 1: wouldn't date muggle free.

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Speaker 3: Zone please, yeah, yeah, Bella, so to me.

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00:22:24,200 --> 00:22:24,440
Speaker 1: Yes.

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Speaker 3: The thing that we're learning, even from talking about this

421
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Speaker 3: is every book starts with a great character.

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00:22:30,400 --> 00:22:30,800
Speaker 1: Yeah.

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00:22:30,840 --> 00:22:33,000
Speaker 3: And for children's books, you probably want the character to

424
00:22:33,040 --> 00:22:35,160
Speaker 3: be some crazy ship you don't think could talk?

425
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Speaker 1: Is talking running around?

426
00:22:37,080 --> 00:22:38,680
Speaker 5: Oh like an inanimate object?

427
00:22:39,040 --> 00:22:43,280
Speaker 1: Okay you said it not? Or a cat? Or or yes?

428
00:22:43,480 --> 00:22:46,520
Speaker 5: How about cats are pretty? Cats can? Cats are pretty?

429
00:22:46,600 --> 00:22:49,520
Speaker 5: They can their magical and their house and domestications.

430
00:22:49,520 --> 00:22:52,399
Speaker 3: Okay, so the cat and it's a cat okay, and

431
00:22:52,440 --> 00:22:53,959
Speaker 3: it's best friends with the pineapple?

432
00:22:54,560 --> 00:22:58,080
Speaker 5: Best friends with the pineapple? Is that too, SpongeBob?

433
00:22:58,320 --> 00:22:58,760
Speaker 1: Okay?

434
00:22:58,800 --> 00:23:03,080
Speaker 3: Well great, great, No, we don't want to get a lawsuit.

435
00:23:03,480 --> 00:23:04,879
Speaker 5: Then you're in the SpongeBob space.

436
00:23:05,400 --> 00:23:07,679
Speaker 1: We're always accidentally getting into that space.

437
00:23:07,840 --> 00:23:11,800
Speaker 5: Well, he lives in the pineapple so no, no, no pineapples.

438
00:23:11,840 --> 00:23:15,240
Speaker 1: No good, you're right right? Can we do cantalo cheese greater?

439
00:23:15,359 --> 00:23:16,640
Speaker 1: Kind of looks like a pineapple?

440
00:23:16,640 --> 00:23:20,879
Speaker 3: Oh wow, Hayes from left Field to a cheese grater

441
00:23:21,400 --> 00:23:23,400
Speaker 3: that has the personality of Jennifer Lawrence.

442
00:23:23,720 --> 00:23:27,000
Speaker 1: Uh uh wow. Cat, that is very down to earth

443
00:23:27,119 --> 00:23:27,680
Speaker 1: cheese grater.

444
00:23:27,840 --> 00:23:30,280
Speaker 5: The cat can be a boy, but I like a

445
00:23:30,359 --> 00:23:32,560
Speaker 5: grumpy cat like Garfield.

446
00:23:32,680 --> 00:23:36,359
Speaker 3: Okay, well, I hate Are we now in the world

447
00:23:36,880 --> 00:23:38,400
Speaker 3: grumpy cat and Garfield?

448
00:23:38,480 --> 00:23:41,680
Speaker 5: Oh man, we're not trying to win webbies here right

449
00:23:41,760 --> 00:23:45,120
Speaker 5: now with a grumpy cat. Let's go into the Yeah. Well,

450
00:23:45,560 --> 00:23:48,080
Speaker 5: they live in a house. This is too muggle for

451
00:23:48,119 --> 00:23:50,639
Speaker 5: me already. There's no magic happening at all. This is

452
00:23:50,760 --> 00:23:52,119
Speaker 5: very domestic house.

453
00:23:52,280 --> 00:23:53,399
Speaker 1: The house is a cat.

454
00:23:53,520 --> 00:23:57,240
Speaker 5: Let's call her, let's call him Grimsby.

455
00:23:57,800 --> 00:24:00,680
Speaker 1: Okay, I can see that A.

456
00:24:00,480 --> 00:24:03,199
Speaker 5: Little bit saw that movie, so I feel like we

457
00:24:03,200 --> 00:24:06,159
Speaker 5: can just do it. The title is not the problem

458
00:24:06,280 --> 00:24:08,200
Speaker 5: with that, No, it wasn't. It was a good title.

459
00:24:08,400 --> 00:24:09,880
Speaker 1: Yeah, we can agree on that.

460
00:24:10,119 --> 00:24:12,280
Speaker 5: Yeah, but yeah, let's call him Grimsby and he's a

461
00:24:12,280 --> 00:24:15,760
Speaker 5: little cat. And let's thank Thomas Hayden Church for that.

462
00:24:16,280 --> 00:24:18,320
Speaker 1: Okay, it sounds like that kind of.

463
00:24:18,760 --> 00:24:23,479
Speaker 5: Rag tag ruffle puffle pardon my French, kind of just

464
00:24:23,680 --> 00:24:27,480
Speaker 5: you know, uh.

465
00:24:25,880 --> 00:24:29,560
Speaker 1: Slouchy and his hair slouchy. His real hair on the

466
00:24:29,640 --> 00:24:30,359
Speaker 1: cat as well.

467
00:24:30,840 --> 00:24:31,040
Speaker 3: Yeah.

468
00:24:31,320 --> 00:24:35,480
Speaker 1: Great, Church's real hair and he's sort of like real gush.

469
00:24:35,600 --> 00:24:40,040
Speaker 5: Yeah, yeah, and that's great. Yeah, and I think that

470
00:24:40,080 --> 00:24:44,280
Speaker 5: could really pop with tweens. Tweens love it talking. I

471
00:24:44,320 --> 00:24:47,400
Speaker 5: remember Banikula. When I was a kid, there was a

472
00:24:47,520 --> 00:24:48,439
Speaker 5: vampire buddy.

473
00:24:48,800 --> 00:24:52,159
Speaker 3: Wow. Whatever, what an interesting pronunciation banicula.

474
00:24:52,320 --> 00:24:55,960
Speaker 1: Banicula. Yeah, well the animal was a beanie. It was.

475
00:24:56,240 --> 00:24:57,560
Speaker 1: It was a beanie rabbit. Hm.

476
00:24:58,359 --> 00:25:01,240
Speaker 3: Remember when he would eat a carrot but it would

477
00:25:01,280 --> 00:25:04,280
Speaker 3: just turn white, right because he'd suck out the characters

478
00:25:04,760 --> 00:25:05,480
Speaker 3: orange blood.

479
00:25:05,920 --> 00:25:08,400
Speaker 1: Right. What a clever thing.

480
00:25:09,119 --> 00:25:11,440
Speaker 3: Really, one of the many elements that made that book

481
00:25:11,480 --> 00:25:14,000
Speaker 3: work and why it's still big today, Harry Potter big.

482
00:25:14,240 --> 00:25:14,560
Speaker 1: Yeah.

483
00:25:14,640 --> 00:25:16,480
Speaker 5: Now, one thing I want to do is put a

484
00:25:16,480 --> 00:25:18,800
Speaker 5: cliff notes version of the book that we write before

485
00:25:18,920 --> 00:25:21,399
Speaker 5: the book in the book, so the kids who are

486
00:25:21,440 --> 00:25:24,280
Speaker 5: doing book reports on this book can just spit it out,

487
00:25:24,560 --> 00:25:26,720
Speaker 5: or maybe just a book report on the book. We'll

488
00:25:26,720 --> 00:25:28,480
Speaker 5: do a book report with just.

489
00:25:29,480 --> 00:25:32,040
Speaker 3: That's maybe even better because cliffs notes even leave a

490
00:25:32,119 --> 00:25:33,400
Speaker 3: little bit too much.

491
00:25:33,200 --> 00:25:35,440
Speaker 1: And it already has and it already has a plus on.

492
00:25:35,440 --> 00:25:38,080
Speaker 5: It, it already has a teacher.

493
00:25:38,160 --> 00:25:39,960
Speaker 1: Try to grade it already have it? Do we put

494
00:25:39,960 --> 00:25:41,639
Speaker 1: a diploma in the front of the book.

495
00:25:41,760 --> 00:25:44,000
Speaker 5: Oh well, you know that's up to the states. We

496
00:25:44,080 --> 00:25:46,200
Speaker 5: got to leave that up to the states. Okay, yeah,

497
00:25:46,200 --> 00:25:47,800
Speaker 5: we mandate on that.

498
00:25:47,920 --> 00:25:48,280
Speaker 1: States.

499
00:25:48,480 --> 00:25:50,520
Speaker 5: You're a big states, right, I'm a big states right.

500
00:25:51,000 --> 00:25:53,919
Speaker 5: When it comes to just homosexuality and children.

501
00:25:53,720 --> 00:25:54,600
Speaker 1: Government's too big.

502
00:25:54,720 --> 00:26:00,720
Speaker 6: Huh yeah, huge, huge homosexually. So, but what about chicks

503
00:26:00,760 --> 00:26:03,200
Speaker 6: don't want to have their baby? You're just fine with that.

504
00:26:03,320 --> 00:26:04,720
Speaker 6: Isn't that a state by state issue?

505
00:26:04,760 --> 00:26:07,280
Speaker 1: Oh no, that should be states. Yeah, states rights.

506
00:26:07,400 --> 00:26:09,840
Speaker 5: I feel like the main in my favorite states when

507
00:26:09,880 --> 00:26:11,560
Speaker 5: it comes to that are Mississippian elements.

508
00:26:11,560 --> 00:26:13,520
Speaker 3: I think they should do whatever they want as long

509
00:26:13,560 --> 00:26:16,159
Speaker 3: as the state agrees with them. Yeah, but who am

510
00:26:16,240 --> 00:26:18,080
Speaker 3: I to think I know more than any given in

511
00:26:18,119 --> 00:26:19,720
Speaker 3: a state, in whole state.

512
00:26:19,480 --> 00:26:22,639
Speaker 5: That's a lot of people, and people. You gotta figure

513
00:26:22,680 --> 00:26:25,119
Speaker 5: our doctors, lawyers, are smarter than I'm sorry, it's a

514
00:26:25,119 --> 00:26:26,480
Speaker 5: little thing called humility.

515
00:26:26,800 --> 00:26:30,120
Speaker 3: Yeah, do I think I'm Look, I'm a pretty smart guy.

516
00:26:30,200 --> 00:26:32,239
Speaker 3: Like I said, I was advanced read adult books as

517
00:26:32,280 --> 00:26:35,320
Speaker 3: a kid. But at the same time, am I smarter

518
00:26:35,440 --> 00:26:37,040
Speaker 3: than an entire state?

519
00:26:37,320 --> 00:26:39,240
Speaker 1: Yeah? No, I mean it depends on the state.

520
00:26:39,320 --> 00:26:41,919
Speaker 5: But no, no, how many people are in Alaska, like

521
00:26:42,000 --> 00:26:44,760
Speaker 5: forty thousand or something, you're probably smarter everyone there.

522
00:26:45,040 --> 00:26:46,040
Speaker 1: That's way more than me.

523
00:26:46,200 --> 00:26:49,560
Speaker 5: But regardless, let's leave these issues to the state. And

524
00:26:50,280 --> 00:26:52,120
Speaker 5: and I know what, I.

525
00:26:52,040 --> 00:26:55,240
Speaker 1: Think we get married would be really good abortions, but.

526
00:26:55,280 --> 00:26:57,320
Speaker 3: I can't take that issue if I'm going to be

527
00:26:57,720 --> 00:27:01,359
Speaker 3: face to face with a state, No way.

528
00:27:01,800 --> 00:27:04,480
Speaker 5: Yeah, And if they're just trying to boil down the

529
00:27:04,560 --> 00:27:08,640
Speaker 5: number of abortion clinics, then that's just something they need

530
00:27:08,720 --> 00:27:08,960
Speaker 5: to do.

531
00:27:09,240 --> 00:27:12,520
Speaker 3: Well, it depends what the building's going to become, right,

532
00:27:12,680 --> 00:27:14,640
Speaker 3: Like you're gonna make it into like a CB two.

533
00:27:15,280 --> 00:27:18,119
Speaker 3: Then all of a sudden, I'm thinking I'm gonna have

534
00:27:18,200 --> 00:27:19,680
Speaker 3: more nice bookstore.

535
00:27:19,760 --> 00:27:21,680
Speaker 1: I mean, we are talking about books, but like it's

536
00:27:21,720 --> 00:27:23,800
Speaker 1: so nice to just walk into a bookstore and smell

537
00:27:23,920 --> 00:27:26,280
Speaker 1: the books. Sometimes books.

538
00:27:26,400 --> 00:27:29,240
Speaker 5: Yeah, I've had girlfriends need an abortion. I've just tooken

539
00:27:29,240 --> 00:27:32,919
Speaker 5: them shopping for Lenny Kravitzs furniture before mm hmmm, instead

540
00:27:32,960 --> 00:27:35,359
Speaker 5: of getting that abortion, because that's not it's not a

541
00:27:35,359 --> 00:27:36,199
Speaker 5: statemented thing.

542
00:27:36,280 --> 00:27:39,080
Speaker 1: We cross state lines to do all kinds of crazy stuff. Yeah,

543
00:27:39,119 --> 00:27:42,160
Speaker 1: and those states are invisible, so no one could really

544
00:27:42,200 --> 00:27:44,920
Speaker 1: tell you what state you're in it. Yeah, at any time.

545
00:27:45,040 --> 00:27:47,280
Speaker 1: This is the thing that it's entrapment if they try

546
00:27:47,320 --> 00:27:49,639
Speaker 1: to tell you, because the lions are actually not something

547
00:27:49,640 --> 00:27:55,199
Speaker 1: you can see, right, So, yes, exactly, So who are

548
00:27:55,240 --> 00:27:57,760
Speaker 1: you going to believe in terms of like which what

549
00:27:57,840 --> 00:27:59,160
Speaker 1: the laws are where you are?

550
00:27:59,680 --> 00:27:59,880
Speaker 2: Yeah?

551
00:28:00,040 --> 00:28:02,480
Speaker 1: At the you know, age of the witches and.

552
00:28:02,440 --> 00:28:04,600
Speaker 3: Why speaking of someone who moved around a lot, I

553
00:28:04,600 --> 00:28:08,439
Speaker 3: may as well have been holding still. So I would say,

554
00:28:09,520 --> 00:28:11,719
Speaker 3: all right, we got this book. Maybe there's a diploma

555
00:28:11,760 --> 00:28:14,960
Speaker 3: and maybe there's not. There's a grumpy cat.

556
00:28:15,400 --> 00:28:19,560
Speaker 1: We should run another phrase for that, Grimsby cat. Grimsby cat.

557
00:28:20,280 --> 00:28:21,680
Speaker 1: Come on, yeah, god.

558
00:28:21,640 --> 00:28:24,159
Speaker 5: You know who's really like popping in the bankability market?

559
00:28:24,520 --> 00:28:27,440
Speaker 5: You know what's been bankable for about forty years, believe

560
00:28:27,440 --> 00:28:27,760
Speaker 5: it or not?

561
00:28:27,840 --> 00:28:32,560
Speaker 1: Think about this rolled doll, Oh yeah, doll, Charlie. The

562
00:28:32,640 --> 00:28:35,720
Speaker 1: chocolate facts we should have We should put his name

563
00:28:35,760 --> 00:28:36,640
Speaker 1: on the book as the writer.

564
00:28:37,000 --> 00:28:40,120
Speaker 5: Yeah, well can you do that? That should be left

565
00:28:40,160 --> 00:28:42,280
Speaker 5: up of the states. But can we do that in

566
00:28:42,320 --> 00:28:43,920
Speaker 5: this state? I feel like you have.

567
00:28:43,840 --> 00:28:46,600
Speaker 3: To be able to in California probably you can't do

568
00:28:46,640 --> 00:28:49,480
Speaker 3: it in his state, which was like Rhode Island or something.

569
00:28:49,480 --> 00:28:50,400
Speaker 5: Can we put it in quotes?

570
00:28:52,320 --> 00:28:53,160
Speaker 1: Quit his name?

571
00:28:53,240 --> 00:28:55,560
Speaker 3: And because what you're saying is like it's a roll

572
00:28:55,760 --> 00:28:58,920
Speaker 3: Doll type book, roll Doll, Yeah, and I think it

573
00:28:58,960 --> 00:28:59,240
Speaker 3: will be.

574
00:28:59,720 --> 00:29:02,480
Speaker 1: I think it will be yeah by Ish Roald Dall.

575
00:29:02,960 --> 00:29:07,720
Speaker 5: Yeah, what's roll Doll? It's stories about a hero. It's

576
00:29:07,760 --> 00:29:10,800
Speaker 5: the hero's journey, but they go into a giant.

577
00:29:10,480 --> 00:29:15,400
Speaker 1: Peach, right, and it's some anti semitism. Right he hated Jews?

578
00:29:15,480 --> 00:29:22,400
Speaker 1: Yeah right he did. Witches are bugs? The twits? Yeah,

579
00:29:22,160 --> 00:29:26,120
Speaker 1: the twitters, that's about Jews, right, and how they they're

580
00:29:26,120 --> 00:29:28,120
Speaker 1: sneak and you respect more likely than not.

581
00:29:28,640 --> 00:29:30,000
Speaker 5: Actually that's true.

582
00:29:30,080 --> 00:29:30,320
Speaker 1: Yeah.

583
00:29:30,520 --> 00:29:35,160
Speaker 5: And the Witches is about female presumably Jews. Yeah, that

584
00:29:35,200 --> 00:29:37,840
Speaker 5: are that are Wow? That's real.

585
00:29:37,960 --> 00:29:39,480
Speaker 1: That seems like it might be true.

586
00:29:39,680 --> 00:29:41,880
Speaker 3: I don't know how much we want to get into

587
00:29:41,920 --> 00:29:45,920
Speaker 3: that well in this book just because of a page

588
00:29:45,920 --> 00:29:46,480
Speaker 3: count issue.

589
00:29:46,480 --> 00:29:49,480
Speaker 1: People we can have resist what the market? What the market?

590
00:29:49,480 --> 00:29:51,920
Speaker 3: Wants. Yeah, he's got some of the most successful children's

591
00:29:51,920 --> 00:29:52,400
Speaker 3: book of all.

592
00:29:52,520 --> 00:29:55,640
Speaker 1: So are we going to completely ignore that? Yeah? Maybe

593
00:29:55,800 --> 00:29:57,680
Speaker 1: kids inherently know about it.

594
00:29:57,960 --> 00:30:01,440
Speaker 3: And if anyone, if anyone gets upset, you know, John, really,

595
00:30:01,480 --> 00:30:02,479
Speaker 3: your name's not on it.

596
00:30:02,960 --> 00:30:06,120
Speaker 1: Yeah, it's roll doll, bish roll doll. They can yell

597
00:30:06,120 --> 00:30:10,600
Speaker 1: at his daughter maybe or whatever I heard biish roll

598
00:30:10,680 --> 00:30:13,280
Speaker 1: doll or whatever I heard that his His daughter's response

599
00:30:13,320 --> 00:30:16,160
Speaker 1: to his anti semitism was her just going like, oh, yeah,

600
00:30:16,200 --> 00:30:16,920
Speaker 1: there was that.

601
00:30:17,720 --> 00:30:21,120
Speaker 5: She said that in a very British way, basically negating.

602
00:30:20,640 --> 00:30:24,760
Speaker 3: It was that daughter doesn't mind.

603
00:30:24,800 --> 00:30:26,000
Speaker 1: Who am I to be upset?

604
00:30:26,120 --> 00:30:28,440
Speaker 5: Yeah, she's coming on a pile of money.

605
00:30:28,680 --> 00:30:31,920
Speaker 3: Now if a state comes to me, they're pissed off.

606
00:30:32,520 --> 00:30:35,840
Speaker 1: Take another look at this thing. Yeah, Pennsylvania. Uh oh

607
00:30:35,840 --> 00:30:36,720
Speaker 1: that's a big state.

608
00:30:36,960 --> 00:30:41,360
Speaker 5: Yeah, the Poconos, especially one of these swing states. Sure,

609
00:30:41,600 --> 00:30:43,760
Speaker 5: the more swing in the state, the more I care.

610
00:30:44,400 --> 00:30:47,920
Speaker 4: If this state is the swinging don't bring your thing

611
00:30:48,560 --> 00:30:53,320
Speaker 4: and don't bring something going down clown the at midnight

612
00:30:53,360 --> 00:30:58,160
Speaker 4: thermist John, Yeah, this is I was on at midnight

613
00:30:58,960 --> 00:31:01,360
Speaker 4: and this is actually one of the highest quality.

614
00:31:01,880 --> 00:31:02,960
Speaker 1: There's an X on it.

615
00:31:03,200 --> 00:31:06,000
Speaker 5: This is a thermis that I've never stopped using since

616
00:31:06,040 --> 00:31:09,000
Speaker 5: I got it at midnight. They usually give it I'm

617
00:31:09,000 --> 00:31:12,040
Speaker 5: on at midnight quite a bit. They love my jokes

618
00:31:12,320 --> 00:31:15,040
Speaker 5: and how I look handsome on it and you and

619
00:31:15,080 --> 00:31:17,320
Speaker 5: the points ain't bad either, huh, points ain't bad.

620
00:31:17,360 --> 00:31:17,480
Speaker 1: You know.

621
00:31:17,520 --> 00:31:19,080
Speaker 5: I get a lot of points for that show. On

622
00:31:19,120 --> 00:31:22,479
Speaker 5: that show, and they give you swags. Sometimes it's banana Grams,

623
00:31:22,480 --> 00:31:24,440
Speaker 5: which I've never played but I've heard is great.

624
00:31:25,360 --> 00:31:28,160
Speaker 1: Then they give you a box making cookies that are

625
00:31:28,160 --> 00:31:30,120
Speaker 1: a little rich. Sorry, make you and crustaler puzzle.

626
00:31:30,240 --> 00:31:33,680
Speaker 5: Yeah, exactly, Yeah, make your crustaler puzzle. But yeah, this

627
00:31:33,800 --> 00:31:36,520
Speaker 5: is a great This is a great swag, you know.

628
00:31:36,960 --> 00:31:40,080
Speaker 5: And usually, like I don't do shwag a lot, you know,

629
00:31:40,200 --> 00:31:40,520
Speaker 5: I don't.

630
00:31:40,600 --> 00:31:41,360
Speaker 1: I'm not just like.

631
00:31:41,400 --> 00:31:46,360
Speaker 5: Wearing my uh, you know, Conan north face and my

632
00:31:47,440 --> 00:31:48,560
Speaker 5: you know, I'm never don Conan.

633
00:31:48,360 --> 00:31:49,000
Speaker 1: Don't stop that.

634
00:31:49,160 --> 00:31:54,080
Speaker 5: You're Crystella pants, my Chris, Yeah, my Crystella pants, my

635
00:31:54,240 --> 00:31:55,200
Speaker 5: undateable hat.

636
00:31:55,280 --> 00:31:57,760
Speaker 3: I'm not necessarily yeah, I'm not necessarily coming in here

637
00:31:57,760 --> 00:32:00,680
Speaker 3: with my life in pieces, scar wrapped around my neck.

638
00:32:00,840 --> 00:32:01,160
Speaker 1: Yeah.

639
00:32:01,320 --> 00:32:04,440
Speaker 3: Yeah, but you know that's not to say I.

640
00:32:04,360 --> 00:32:05,520
Speaker 1: Don't have that option.

641
00:32:05,760 --> 00:32:08,040
Speaker 5: Yeah, I do have that option. I could wear all shwag,

642
00:32:08,120 --> 00:32:10,800
Speaker 5: but what would I wear for shoes? Nobody's given out

643
00:32:11,040 --> 00:32:13,200
Speaker 5: swag shoes these days, you know, because you have to

644
00:32:13,240 --> 00:32:14,320
Speaker 5: have a specific size.

645
00:32:14,400 --> 00:32:16,760
Speaker 3: Perhaps some Merle shoes off the wall. There's like four

646
00:32:17,120 --> 00:32:18,800
Speaker 3: Engineer Cody shoes you could put on.

647
00:32:18,960 --> 00:32:23,280
Speaker 1: Oh wow, cool, I love all these vans. So is

648
00:32:23,320 --> 00:32:27,040
Speaker 1: that just like taking inspiration from the bottle as they do?

649
00:32:27,200 --> 00:32:29,600
Speaker 1: Is like? Is that something? But part of the journey

650
00:32:29,600 --> 00:32:36,200
Speaker 1: for this cat, right is to potentially compete on at Midnight. Yeah,

651
00:32:36,320 --> 00:32:39,600
Speaker 1: and that's a great multi time loser on at midnight, right,

652
00:32:39,680 --> 00:32:41,400
Speaker 1: something for the adults to enjoy too.

653
00:32:41,920 --> 00:32:44,240
Speaker 5: Well, you know what he could have The whole thing

654
00:32:44,240 --> 00:32:48,040
Speaker 5: could start with him saying something racially or sexually inappropriate

655
00:32:48,120 --> 00:32:52,040
Speaker 5: on at midnight, and somehow they don't. It doesn't get

656
00:32:52,080 --> 00:32:55,160
Speaker 5: past the sensors and it explodes. Like, let's say he's

657
00:32:55,160 --> 00:32:57,440
Speaker 5: on with two of the best at Midnight guests. Ron

658
00:32:57,440 --> 00:33:00,800
Speaker 5: Funch is a Nickki Glazer, so they're like premier guests.

659
00:33:00,880 --> 00:33:03,160
Speaker 1: Good look getting any points some of those two? Yeah,

660
00:33:03,160 --> 00:33:04,640
Speaker 1: Well they're likable and hilarious.

661
00:33:04,640 --> 00:33:06,720
Speaker 5: So it's just a matter of you know what, what

662
00:33:06,760 --> 00:33:08,360
Speaker 5: are you going to bring to the table at that point?

663
00:33:08,400 --> 00:33:11,400
Speaker 5: And so there's a cat there and they're just messing

664
00:33:11,480 --> 00:33:13,400
Speaker 5: up on a lot of the you know, cats don't

665
00:33:13,400 --> 00:33:15,760
Speaker 5: have that much perspective on comedy blah blah blah.

666
00:33:16,160 --> 00:33:19,160
Speaker 3: So maybe around I've got a quick pitch just because

667
00:33:19,200 --> 00:33:21,400
Speaker 3: I feel like the talking cheese Grader has fallen out

668
00:33:21,440 --> 00:33:22,480
Speaker 3: of the story a little bit.

669
00:33:22,640 --> 00:33:24,800
Speaker 1: Yeah, maybe the talking cheese.

670
00:33:24,560 --> 00:33:30,160
Speaker 3: Grater is in talks to negotiate a hashtag peace treaty,

671
00:33:30,720 --> 00:33:34,520
Speaker 3: right uh, and the wars once and for all. Both

672
00:33:34,520 --> 00:33:38,040
Speaker 3: sides can't seem to agree. But there's a ticking clock

673
00:33:38,160 --> 00:33:41,640
Speaker 3: on that right right, because if the cheese grader can

674
00:33:41,640 --> 00:33:44,200
Speaker 3: get that accomplished before Grimby, and I guess the cheese

675
00:33:44,240 --> 00:33:45,880
Speaker 3: greater's name would be.

676
00:33:46,800 --> 00:33:50,680
Speaker 1: And we should be casting the cheese greater as well.

677
00:33:50,800 --> 00:33:54,760
Speaker 1: I feel about Robert Robert, Okay, Robert, Yeah.

678
00:33:54,640 --> 00:33:57,480
Speaker 5: I was Che's greater named Robert. I like that That's a

679
00:33:57,680 --> 00:33:59,040
Speaker 5: solid American name.

680
00:34:01,080 --> 00:34:01,280
Speaker 4: Or not.

681
00:34:01,520 --> 00:34:03,440
Speaker 5: You know, I'm a Blue Sky's Blue Scots.

682
00:34:03,520 --> 00:34:05,800
Speaker 1: No, no, no, it does feel like Sean is. You know,

683
00:34:05,840 --> 00:34:08,320
Speaker 1: he's pretending that he likes it, but it does seem.

684
00:34:08,040 --> 00:34:10,680
Speaker 5: To have Yeah, he seemed that hesitation didn't Still it wasn't,

685
00:34:10,719 --> 00:34:12,640
Speaker 5: but you know, Blue Skuy's on that name. Let's forget

686
00:34:12,640 --> 00:34:14,200
Speaker 5: about that. Let's come back to the Cheese Greater name.

687
00:34:14,239 --> 00:34:17,160
Speaker 1: Put a pin in the name. In the name Cheese Greater.

688
00:34:17,640 --> 00:34:19,920
Speaker 3: He's trying to negotiate, and if he can get the

689
00:34:20,160 --> 00:34:23,680
Speaker 3: uh Pea Street he signed in time, he could potentially

690
00:34:23,760 --> 00:34:28,120
Speaker 3: save Grimsby the Cat from having his racially insensitive.

691
00:34:27,560 --> 00:34:30,520
Speaker 1: Comments like Jesse Plemmons for the Cheese Greater. I like

692
00:34:30,600 --> 00:34:32,719
Speaker 1: Jesse Plemmons for the Cheese was good and everything, and

693
00:34:32,760 --> 00:34:35,399
Speaker 1: he had Thomas Hayden Church I think would really that's

694
00:34:35,440 --> 00:34:39,680
Speaker 1: about yeah, the two of them get just back up, get.

695
00:34:39,560 --> 00:34:42,560
Speaker 5: Jesse Plemons for the Cheese Greater, and then can we

696
00:34:42,600 --> 00:34:46,759
Speaker 5: get Lito in there? Letto Jared Letto can I.

697
00:34:46,680 --> 00:34:51,400
Speaker 1: Would be concerned, really too edgy since he's been infected

698
00:34:51,400 --> 00:34:54,840
Speaker 1: with the with the Jokers person he embrace Chao.

699
00:34:56,280 --> 00:34:59,239
Speaker 3: And roscily, taking it to an extent that no one

700
00:34:59,280 --> 00:35:00,880
Speaker 3: ever dreamed of two anarchy.

701
00:35:00,960 --> 00:35:04,480
Speaker 1: Maybe the specter of Letto could be well, okay, you're right.

702
00:35:04,520 --> 00:35:06,919
Speaker 3: We might get halfway through the book thinking that Letto

703
00:35:07,040 --> 00:35:08,879
Speaker 3: is going to be a good little boy and that's

704
00:35:08,920 --> 00:35:14,520
Speaker 3: exactly what he wanted, and then.

705
00:35:13,640 --> 00:35:15,680
Speaker 1: Yeah, oh that's cool. It's Bob a Duke's style.

706
00:35:16,120 --> 00:35:18,320
Speaker 5: So the war that's going on you're talking about, remind

707
00:35:18,360 --> 00:35:20,879
Speaker 5: me this is, oh the hashtag war.

708
00:35:21,120 --> 00:35:21,680
Speaker 1: I'm sorry.

709
00:35:21,719 --> 00:35:24,400
Speaker 5: I was thinking more of a Doctor Susian kind of

710
00:35:24,480 --> 00:35:27,759
Speaker 5: butter battle where the main war that's going on in

711
00:35:27,800 --> 00:35:31,200
Speaker 5: the world is a butter battle where some people butter

712
00:35:31,239 --> 00:35:33,120
Speaker 5: their bread on the top side and some on the

713
00:35:33,120 --> 00:35:33,800
Speaker 5: bottom side.

714
00:35:33,880 --> 00:35:36,560
Speaker 1: I'm open to it, John, Yeah, But also.

715
00:35:36,520 --> 00:35:39,040
Speaker 5: Whereoul the hashtag fit into that? Maybe it's one of

716
00:35:39,080 --> 00:35:42,080
Speaker 5: those toasters where you can put a hashtag on your

717
00:35:42,160 --> 00:35:44,640
Speaker 5: toe on your toaster, maybe a midnight symbol.

718
00:35:45,120 --> 00:35:48,120
Speaker 3: Oh wow, yeah, one slot is an at midnight symbol.

719
00:35:48,120 --> 00:35:50,280
Speaker 1: On the other side is a hashtag. Yeah.

720
00:35:50,440 --> 00:35:54,040
Speaker 3: And then your toast is so fun, like your favorite

721
00:35:54,040 --> 00:35:54,640
Speaker 3: favorite show.

722
00:35:55,080 --> 00:35:59,000
Speaker 5: You're eating a part of your favorite show. Toast points.

723
00:35:59,360 --> 00:36:03,000
Speaker 5: Toast point, Oh why god, whoa whoa r on fire?

724
00:36:03,080 --> 00:36:04,640
Speaker 1: Are we writing this down? This book?

725
00:36:05,000 --> 00:36:06,640
Speaker 3: And you hear Brett, you're getting all this right, This

726
00:36:06,680 --> 00:36:07,960
Speaker 3: book's coming out really well?

727
00:36:08,280 --> 00:36:11,040
Speaker 1: Can we get can we get this back? Brett? Toast points,

728
00:36:11,160 --> 00:36:13,080
Speaker 1: do you run this back to us real quick? Brett?

729
00:36:14,400 --> 00:36:16,920
Speaker 1: Am I supposed to be writing this and the host

730
00:36:17,000 --> 00:36:20,439
Speaker 1: is bread Chris Wick, right, because Bread Chris Wick.

731
00:36:21,040 --> 00:36:25,080
Speaker 5: It's a bread based hashtag war and the schwag they

732
00:36:25,120 --> 00:36:30,560
Speaker 5: give you is gonna be toast. So yeah, definitely, definitely

733
00:36:30,680 --> 00:36:31,280
Speaker 5: yeah bread.

734
00:36:31,600 --> 00:36:34,280
Speaker 1: Yeah, you need bread, and then you do need somewhere

735
00:36:34,320 --> 00:36:35,520
Speaker 1: to put the Chris.

736
00:36:35,880 --> 00:36:37,880
Speaker 3: Yeah, and then bred in the first name, but you

737
00:36:37,920 --> 00:36:39,560
Speaker 3: need the first name in the last name.

738
00:36:39,520 --> 00:36:42,560
Speaker 5: Bred Chris Wick and then and then you it's pretty clear.

739
00:36:42,600 --> 00:36:44,760
Speaker 5: That's yeah, it's pretty clear. But but it's a still

740
00:36:44,800 --> 00:36:47,560
Speaker 5: a stand in, you know. And so there's this is

741
00:36:47,600 --> 00:36:49,920
Speaker 5: all the backdrop is the specter of the butter battle.

742
00:36:50,480 --> 00:36:53,640
Speaker 5: We gotta we got and then this is a but

743
00:36:53,719 --> 00:36:56,040
Speaker 5: there should be some harsh punishment if you lose at

744
00:36:56,080 --> 00:36:59,040
Speaker 5: midnight in this world, is just takes a little more

745
00:36:59,320 --> 00:37:02,640
Speaker 5: the future, right, Like you're deleted from Twitter.

746
00:37:02,680 --> 00:37:04,600
Speaker 1: You have to delete your account. That's the punishment.

747
00:37:05,360 --> 00:37:10,120
Speaker 5: Oh wow, yeah, or yeah, okay, where's your voice? Now?

748
00:37:10,280 --> 00:37:11,120
Speaker 1: You have no voice?

749
00:37:11,480 --> 00:37:14,400
Speaker 3: Right, You're relegated to snapchat or something.

750
00:37:14,280 --> 00:37:20,080
Speaker 5: Right, snapchat the past clearly clearly Okay, so future.

751
00:37:19,800 --> 00:37:22,520
Speaker 1: So Grimsby, I guess we could show like come in

752
00:37:22,760 --> 00:37:26,399
Speaker 1: and he's getting obliterated by Ryn Puns and Nicky Glazer. Yeah,

753
00:37:26,400 --> 00:37:29,520
Speaker 1: and his punishment is that he has to delete his account.

754
00:37:29,400 --> 00:37:33,560
Speaker 5: Well, like gleefully obliterated by like gleeful fun Like it's

755
00:37:33,600 --> 00:37:37,200
Speaker 5: like it's like being stabbed by a fucking.

756
00:37:36,920 --> 00:37:40,319
Speaker 1: Claim they're playing with. Yeah, it's like their food. Yeah,

757
00:37:40,360 --> 00:37:42,480
Speaker 1: it's like evil yeah, evil glee.

758
00:37:42,800 --> 00:37:45,120
Speaker 3: Yeah, he's the mouse and the cat and mouse, sort

759
00:37:45,160 --> 00:37:47,520
Speaker 3: of traditional unusual position for him.

760
00:37:47,719 --> 00:37:51,080
Speaker 5: Right, yes, so we're on like page thirty h Right,

761
00:37:51,160 --> 00:37:52,320
Speaker 5: so what's the big twister?

762
00:37:53,040 --> 00:37:56,320
Speaker 3: Yeah, well, let's go back to our story structure lessons,

763
00:37:56,400 --> 00:38:00,640
Speaker 3: which is if and therefore. Okay, so here we go,

764
00:38:00,719 --> 00:38:03,120
Speaker 3: and now we got something going on. Back up, Wait

765
00:38:03,160 --> 00:38:08,160
Speaker 3: a second, all right, backfire twist. Yeah, solution solution applied

766
00:38:08,840 --> 00:38:12,799
Speaker 3: button climax problem denomont.

767
00:38:13,680 --> 00:38:17,759
Speaker 1: So if we so where structure? Yeah, we definitely have

768
00:38:17,800 --> 00:38:21,680
Speaker 1: something going on already. Well, have we backed it up?

769
00:38:22,239 --> 00:38:23,640
Speaker 1: I think we've backed it up.

770
00:38:23,960 --> 00:38:26,600
Speaker 3: I think we may have even solved it, but we

771
00:38:26,640 --> 00:38:27,880
Speaker 3: haven't applied our solutions.

772
00:38:27,880 --> 00:38:29,040
Speaker 1: Okay, do we believe it?

773
00:38:29,960 --> 00:38:31,839
Speaker 5: Should we back in this and do it back write

774
00:38:31,840 --> 00:38:36,440
Speaker 5: it backwards like Trumbo used to do. Always started with

775
00:38:36,600 --> 00:38:39,920
Speaker 5: the denomon and then he go to the climax, and

776
00:38:39,920 --> 00:38:41,560
Speaker 5: then he go to the back it up, and then

777
00:38:41,560 --> 00:38:43,319
Speaker 5: he go to the prove it and then he go

778
00:38:43,400 --> 00:38:46,160
Speaker 5: to the back and then eventually you get to that

779
00:38:46,239 --> 00:38:47,120
Speaker 5: inciting incident.

780
00:38:48,320 --> 00:38:54,160
Speaker 1: Yeah. Well, and he missed his own birthday Trumbo because

781
00:38:54,160 --> 00:38:56,920
Speaker 1: he was writing too much and the tub Yeah Dumbo,

782
00:38:57,640 --> 00:39:01,760
Speaker 1: And yeah, who misses their own birthday anyway?

783
00:39:02,520 --> 00:39:05,160
Speaker 5: Yeah, Communists don't care about anything, especially holidays.

784
00:39:05,600 --> 00:39:06,640
Speaker 1: Well, here's the thing.

785
00:39:06,760 --> 00:39:09,800
Speaker 3: It's like he talked like a radical, but he lived

786
00:39:09,880 --> 00:39:10,840
Speaker 3: like a rich person.

787
00:39:11,640 --> 00:39:12,680
Speaker 1: Anybody else feel that.

788
00:39:13,480 --> 00:39:15,239
Speaker 5: Yeah, you can have your cakre and eat it too

789
00:39:15,280 --> 00:39:17,960
Speaker 5: when you're living at the Garden of Alla out on

790
00:39:18,239 --> 00:39:22,640
Speaker 5: fucking uh you know Slasienega with Ronald Reagan and his

791
00:39:22,880 --> 00:39:28,839
Speaker 5: cocksucking wife Nancy or whatever.

792
00:39:27,040 --> 00:39:30,799
Speaker 1: Nancy or something, Ye who cares? Yeah or something? Yeah,

793
00:39:30,800 --> 00:39:34,200
Speaker 1: it was just a big zodiac orgy back then. I

794
00:39:34,200 --> 00:39:36,799
Speaker 1: think Luis King, that movie is the saddest movie death.

795
00:39:36,840 --> 00:39:40,319
Speaker 1: Agree or disagree? Didn't see it. I haven't seen it too,

796
00:39:40,400 --> 00:39:43,120
Speaker 1: scared of the big said, how did he? I might cry?

797
00:39:43,400 --> 00:39:45,640
Speaker 1: How did he die? With you? A? Communists got sick?

798
00:39:46,200 --> 00:39:50,400
Speaker 1: He got sick with what I don't really know, polio? Yeah,

799
00:39:50,440 --> 00:39:55,640
Speaker 1: probably back then, probably sick from a wound. Yeah, bullet wound. God,

800
00:39:56,160 --> 00:40:00,759
Speaker 1: he lost how much is he in the hole? Yeah?

801
00:40:00,840 --> 00:40:04,320
Speaker 5: Horace and p's got c K in the whole and

802
00:40:04,520 --> 00:40:07,200
Speaker 5: uh Kanye is in the whole fifty three mil bill?

803
00:40:07,320 --> 00:40:09,040
Speaker 5: Or am I late to the party on that because

804
00:40:09,040 --> 00:40:10,719
Speaker 5: I haven't tweeted in a while.

805
00:40:10,800 --> 00:40:13,960
Speaker 1: We actually, we're we're behind on it. We're behind. Yeah,

806
00:40:14,000 --> 00:40:16,520
Speaker 1: we've been scared to address it. It's been on our

807
00:40:16,520 --> 00:40:17,680
Speaker 1: list for a long time.

808
00:40:17,920 --> 00:40:21,359
Speaker 3: Sort of certain words get whispered around our house, you know, right,

809
00:40:21,560 --> 00:40:24,640
Speaker 3: like his voices become hush, and then you have, you know,

810
00:40:24,760 --> 00:40:27,800
Speaker 3: because it's you are almost wishing it upon yourself because

811
00:40:27,880 --> 00:40:29,120
Speaker 3: I you know, I can wake up tomorrow.

812
00:40:29,160 --> 00:40:31,600
Speaker 1: I accidentally make Horace and Pete. Yeah.

813
00:40:32,000 --> 00:40:33,680
Speaker 5: Yeah, on your website, you.

814
00:40:33,600 --> 00:40:36,040
Speaker 3: Have not a single one of us who hasn't almost

815
00:40:36,080 --> 00:40:40,959
Speaker 3: made anytime night out of the wake up the next morning.

816
00:40:41,520 --> 00:40:41,920
Speaker 4: Mm hmm.

817
00:40:42,000 --> 00:40:44,040
Speaker 1: The guy had a little too much Horice and Pete.

818
00:40:44,320 --> 00:40:45,520
Speaker 5: Yeah, drank a little too much.

819
00:40:45,520 --> 00:40:47,239
Speaker 3: When we get some hair of the dog, I'll make

820
00:40:47,280 --> 00:40:49,040
Speaker 3: four more episodes out of pocket.

821
00:40:49,280 --> 00:40:53,000
Speaker 1: Yeah yeah, turn around one shot, Yeah, the first series

822
00:40:53,080 --> 00:40:55,200
Speaker 1: is one shot. First, just a little horse it pede

823
00:40:55,200 --> 00:40:56,600
Speaker 1: to go to the leap mm hmm.

824
00:40:57,080 --> 00:40:59,279
Speaker 3: Yeah, but your tolerance builds up and you need even

825
00:40:59,320 --> 00:41:02,440
Speaker 3: more Horse and Pete just to just to feel normal.

826
00:41:02,760 --> 00:41:04,960
Speaker 5: Yeah, porous and heat.

827
00:41:05,040 --> 00:41:07,040
Speaker 1: That's how I felt about my skin after this float

828
00:41:07,080 --> 00:41:11,120
Speaker 1: tank this morning. Oh brother, what did you say? Where'd

829
00:41:11,160 --> 00:41:11,520
Speaker 1: you go?

830
00:41:12,239 --> 00:41:14,360
Speaker 5: A place called float?

831
00:41:14,960 --> 00:41:20,800
Speaker 1: What was it called? Just float advertising? Yeah? Just float?

832
00:41:20,800 --> 00:41:22,959
Speaker 5: That's what you do and you shut it all off.

833
00:41:23,040 --> 00:41:25,960
Speaker 5: And that's when stories really pop into my mind.

834
00:41:26,080 --> 00:41:29,759
Speaker 3: Oh right, Oh so you've already seen what Grimsby ends

835
00:41:29,840 --> 00:41:30,239
Speaker 3: up being.

836
00:41:30,640 --> 00:41:32,400
Speaker 1: Yeah, I mean I've seen it. I just have to

837
00:41:33,080 --> 00:41:34,399
Speaker 1: divine it, you know.

838
00:41:35,520 --> 00:41:39,080
Speaker 5: So anyway, here we are. We got this backdrop of

839
00:41:39,120 --> 00:41:41,680
Speaker 5: the bread Wars. We got you know, we got bread

840
00:41:41,800 --> 00:41:46,399
Speaker 5: Chris Wick. So what's the big what's the turn we need?

841
00:41:46,520 --> 00:41:46,880
Speaker 4: Uh?

842
00:41:47,880 --> 00:41:50,280
Speaker 1: At this point he's a muggle right, still a muggle,

843
00:41:50,320 --> 00:41:51,600
Speaker 1: which is pissing me off.

844
00:41:51,640 --> 00:41:55,319
Speaker 5: So is there a train that comes past Hollywood Studios

845
00:41:55,600 --> 00:41:59,760
Speaker 5: where at midnight is filmed? Is Chris Hardwick some kind.

846
00:41:59,600 --> 00:42:04,279
Speaker 1: Of uh uh you know Rendezvous guy? Is he?

847
00:42:04,560 --> 00:42:06,960
Speaker 5: Is he a guy that's you know, should he do

848
00:42:07,000 --> 00:42:09,160
Speaker 5: the cat and just like, don't worry about Punches and

849
00:42:09,200 --> 00:42:10,439
Speaker 5: Glazer come with.

850
00:42:10,400 --> 00:42:14,440
Speaker 1: Me, you know, and he delivers at his darkest hour.

851
00:42:14,600 --> 00:42:20,160
Speaker 3: So okay, So Grimsey has been annihilated, right, Funch has

852
00:42:20,239 --> 00:42:23,040
Speaker 3: turned this guy in a fucking grease spot on the

853
00:42:23,080 --> 00:42:27,520
Speaker 3: middle of the stage. Yeah, he's funches now owns the

854
00:42:27,560 --> 00:42:31,040
Speaker 3: internet rules it the throne next to his queen, Nikky.

855
00:42:30,920 --> 00:42:34,080
Speaker 1: Glazer, who bawled up Grimsby cat and dunked him like

856
00:42:34,440 --> 00:42:38,560
Speaker 1: a basketball, shattered the backboard Grimsey Grimsy's bathed.

857
00:42:38,280 --> 00:42:39,719
Speaker 5: In red light.

858
00:42:40,480 --> 00:42:43,200
Speaker 1: So if you know anything about cats and don't like bathing.

859
00:42:42,960 --> 00:42:48,000
Speaker 3: So m yeah, yes, yeah, and it's and so Grimsby

860
00:42:48,040 --> 00:42:50,800
Speaker 3: starts following a little laser pointer he sees on the floor.

861
00:42:51,360 --> 00:42:54,840
Speaker 5: Right Bart Coleman walks by, Hey, can we just something

862
00:42:54,880 --> 00:42:55,680
Speaker 5: for the snapschat?

863
00:42:55,680 --> 00:42:58,399
Speaker 3: But he just disappeared right right right famous at midnight

864
00:42:58,440 --> 00:43:05,239
Speaker 3: booker Buck and so Grimsby, you know, almost get stept

865
00:43:05,320 --> 00:43:07,960
Speaker 3: on by Bart Coleman following the laser pointer, which is

866
00:43:08,080 --> 00:43:09,960
Speaker 3: mean to do your cats, by the way, because they

867
00:43:09,960 --> 00:43:14,000
Speaker 3: never get the satisfaction of catching it. It's psychologically damaging.

868
00:43:14,160 --> 00:43:15,480
Speaker 3: You shouldn't do it.

869
00:43:14,920 --> 00:43:22,120
Speaker 1: So ultimately arriving in this sort of grain elevator, going like,

870
00:43:22,200 --> 00:43:22,960
Speaker 1: how do I get in here?

871
00:43:23,080 --> 00:43:27,480
Speaker 3: And bred Chris Wick pulls the lever. Yeah, they're dropped

872
00:43:27,520 --> 00:43:29,480
Speaker 3: into some subterranean world.

873
00:43:29,760 --> 00:43:32,680
Speaker 1: Boom boom. That's good. That's how we get away from

874
00:43:32,680 --> 00:43:36,040
Speaker 1: the Harry Potter stuff because that is on top of

875
00:43:36,080 --> 00:43:39,360
Speaker 1: the earth and now this special wizard war would be inside.

876
00:43:39,800 --> 00:43:43,880
Speaker 5: Is that some kind of bread nerdists world? Or it

877
00:43:43,880 --> 00:43:47,480
Speaker 5: has nothing to do with bread? Bread, Chris break, Chris

878
00:43:47,520 --> 00:43:47,920
Speaker 5: wick at all?

879
00:43:48,120 --> 00:43:50,520
Speaker 1: Right, it's not bread. Well it's a grain elevator.

880
00:43:50,680 --> 00:43:52,840
Speaker 5: Right, that is true, But that just means well that

881
00:43:52,840 --> 00:43:55,440
Speaker 5: could be yeah, it could be. Yeah, so it's Willie

882
00:43:55,480 --> 00:43:59,480
Speaker 5: walk up. But it's all breads. Yes, that are growing,

883
00:43:59,520 --> 00:44:04,040
Speaker 5: pumper and ye flowers that are toast points.

884
00:44:04,080 --> 00:44:10,200
Speaker 1: There are hashtags everywhere. But it's a crunch river. Yeah there. Yeah,

885
00:44:10,480 --> 00:44:16,520
Speaker 1: there's you know the white bread waterfall of just bread

886
00:44:17,239 --> 00:44:21,560
Speaker 1: and flower. That's great. Yes, the grass is bread. What

887
00:44:21,600 --> 00:44:27,040
Speaker 1: about squab bread? Okay, well, what do you mean that's squab?

888
00:44:28,000 --> 00:44:30,919
Speaker 1: What do you mean? Yeah, that's a bread squab bread?

889
00:44:30,960 --> 00:44:33,640
Speaker 1: Is that a joke about me? Native American? Is that

890
00:44:33,840 --> 00:44:35,520
Speaker 1: supposed to be about Seawn's wife?

891
00:44:36,320 --> 00:44:38,759
Speaker 5: That's not where I was going with that.

892
00:44:38,880 --> 00:44:41,080
Speaker 1: I just bring.

893
00:44:42,480 --> 00:44:44,040
Speaker 5: I just wanted to say one way we could make

894
00:44:44,040 --> 00:44:46,560
Speaker 5: this slightly anti semitic is with unleavened bread.

895
00:44:46,840 --> 00:44:50,040
Speaker 1: Oh okay, if there's a tree in the corner and

896
00:44:50,080 --> 00:44:52,720
Speaker 1: they're like rats eating it, there's like a Mozza zone

897
00:44:52,840 --> 00:44:53,720
Speaker 1: or whatever.

898
00:44:53,760 --> 00:44:56,400
Speaker 5: A Mozza zone, and then we could meet a character

899
00:44:56,480 --> 00:44:59,480
Speaker 5: that's kind of like the Umpa Lumpa.

900
00:45:00,200 --> 00:45:03,520
Speaker 3: But if there was like a Cinderella type character who

901
00:45:03,640 --> 00:45:05,560
Speaker 3: lived in the Matsuzo, she was Mozzarella.

902
00:45:05,920 --> 00:45:09,840
Speaker 5: Mozzarella, that is more Well, that might be problem.

903
00:45:10,000 --> 00:45:14,000
Speaker 1: Well they could be Jewish. It's the best I've heard today.

904
00:45:14,080 --> 00:45:18,080
Speaker 1: If you've ever the movie with that famous clown, yeah,

905
00:45:18,520 --> 00:45:21,120
Speaker 1: Yental was originally called Mozzarella. Right.

906
00:45:24,680 --> 00:45:27,520
Speaker 3: So okay, so this is a rich world we're filling it.

907
00:45:28,719 --> 00:45:31,240
Speaker 3: I love that we didn't box ourselves into one story.

908
00:45:31,760 --> 00:45:35,520
Speaker 1: No, it's getting work. Yeah, I think this is page ninety. Yeah,

909
00:45:35,560 --> 00:45:36,400
Speaker 1: it's sprawling.

910
00:45:36,560 --> 00:45:40,080
Speaker 5: But this movie we're already in the world. And so

911
00:45:40,160 --> 00:45:42,000
Speaker 5: within this world there has to be some sort of

912
00:45:42,000 --> 00:45:42,760
Speaker 5: wizard school.

913
00:45:43,680 --> 00:45:46,600
Speaker 1: Oh yeah, that's right. We'd be fools. We did forget

914
00:45:46,600 --> 00:45:47,360
Speaker 1: the wizard school.

915
00:45:47,440 --> 00:45:52,000
Speaker 5: Yeah, because what's more fun than that? Yeah, wizard school stuff?

916
00:45:52,280 --> 00:45:55,160
Speaker 1: Is there any way to innovate on the wizard school?

917
00:45:55,360 --> 00:46:00,160
Speaker 1: What if it's like a for profit wizard school, like

918
00:46:00,320 --> 00:46:02,720
Speaker 1: a for profit online.

919
00:46:02,120 --> 00:46:06,080
Speaker 5: Half online half but like when you show up, you

920
00:46:06,160 --> 00:46:09,600
Speaker 5: take a picture with bread Chris Wick like, but.

921
00:46:09,520 --> 00:46:12,080
Speaker 1: If you go once you go one time. It's a

922
00:46:12,120 --> 00:46:12,640
Speaker 1: fold up.

923
00:46:12,800 --> 00:46:15,560
Speaker 5: Yes, it's one of those fat heads of Chris Bred

924
00:46:15,640 --> 00:46:18,640
Speaker 5: Chris Wick, and you just get in front of it. Yeah,

925
00:46:18,719 --> 00:46:23,480
Speaker 5: and your graduation actually puts you in worse standing in

926
00:46:23,520 --> 00:46:23,960
Speaker 5: the world.

927
00:46:24,640 --> 00:46:26,840
Speaker 1: Yes, it hurts you, and it's and it costs you

928
00:46:26,840 --> 00:46:28,759
Speaker 1: a lot of money. It's a hashtag against.

929
00:46:28,520 --> 00:46:31,759
Speaker 3: You and you learn like one card trick, but it's

930
00:46:31,800 --> 00:46:36,080
Speaker 3: where you make people count a lot, like you go like, okay,

931
00:46:36,120 --> 00:46:38,399
Speaker 3: he's fourteen cards over here, all right, give it back,

932
00:46:38,400 --> 00:46:40,040
Speaker 3: No way, you did it wrong, and you have to

933
00:46:40,080 --> 00:46:41,080
Speaker 3: blame the other person a lot.

934
00:46:41,320 --> 00:46:43,360
Speaker 1: Yeah, trick's not working. It's a very.

935
00:46:43,360 --> 00:46:47,359
Speaker 5: Blaming card trick where you just shame people for not knowing.

936
00:46:47,480 --> 00:46:49,799
Speaker 3: No wait, no, I told you don't know. Don't turn

937
00:46:49,840 --> 00:46:53,520
Speaker 3: it over you have to. And so it's sort of that. Yeah,

938
00:46:53,840 --> 00:46:56,120
Speaker 3: just so there is some magic involved.

939
00:46:55,880 --> 00:46:58,799
Speaker 1: Right, Yeah, that's a good amount of magic to me.

940
00:46:58,920 --> 00:47:03,000
Speaker 5: It's enough because now kids don't like magic, you know,

941
00:47:03,200 --> 00:47:05,920
Speaker 5: these Batman things, It's like, no, take the magic out

942
00:47:05,960 --> 00:47:06,560
Speaker 5: of Batman.

943
00:47:07,040 --> 00:47:10,440
Speaker 3: Yeah, hardcore, let's get real, let's get gritty.

944
00:47:10,920 --> 00:47:13,040
Speaker 5: Nolan is Nolan directing this book?

945
00:47:13,080 --> 00:47:17,480
Speaker 1: No, I want Burton, who's the next Nolan Burton Burton,

946
00:47:17,760 --> 00:47:20,160
Speaker 1: Batman and Superman were better when the guys were like

947
00:47:20,239 --> 00:47:23,720
Speaker 1: little elves that like appeared out of nowhere and we're

948
00:47:23,760 --> 00:47:26,359
Speaker 1: just like taunting them and stuff. Yeah, and put them

949
00:47:26,360 --> 00:47:28,719
Speaker 1: in like a hall of mirrors and things like that, right,

950
00:47:28,840 --> 00:47:31,520
Speaker 1: you know, like mister Muskibble looks, Yeah, mister.

951
00:47:31,480 --> 00:47:36,640
Speaker 5: Miskiblocks, you had to say his name, and yeah, when bad.

952
00:47:35,920 --> 00:47:38,719
Speaker 1: I should be like rumpel Stiltskin in comics and not

953
00:47:39,160 --> 00:47:41,240
Speaker 1: so like actually scary.

954
00:47:41,480 --> 00:47:43,799
Speaker 3: I'm just confused about rumplel Stiltskin. He didn't have to

955
00:47:43,840 --> 00:47:44,600
Speaker 3: offer that deal.

956
00:47:45,520 --> 00:47:47,200
Speaker 1: You know. That's kind of a sweetheart deal.

957
00:47:47,640 --> 00:47:49,680
Speaker 5: This is a year, but he wants to have friends.

958
00:47:49,960 --> 00:47:52,440
Speaker 1: It was one of your things. Oh, I'm just saying

959
00:47:52,520 --> 00:47:54,279
Speaker 1: I thought I shouldn't brought up prumple Stills. What do

960
00:47:54,280 --> 00:47:56,080
Speaker 1: you mean one of my things? I just know it's

961
00:47:56,120 --> 00:48:00,439
Speaker 1: like a real sore point for you. It's so real.

962
00:48:01,560 --> 00:48:03,319
Speaker 1: Didn't have to people hold it up like it's some

963
00:48:03,400 --> 00:48:07,280
Speaker 1: great story. Rumble had all the cards, right, who.

964
00:48:07,160 --> 00:48:10,719
Speaker 5: Named him rumple Stiltskin? Okay, you know himself.

965
00:48:10,480 --> 00:48:13,600
Speaker 3: That that's another hole in it where it's like you

966
00:48:13,680 --> 00:48:15,880
Speaker 3: don't appear to have apparent Yeah, I guess my name.

967
00:48:16,560 --> 00:48:18,279
Speaker 1: And he could have honestly, she didn't know what his

968
00:48:18,360 --> 00:48:20,480
Speaker 1: name was, and when she did guess it, he could

969
00:48:20,480 --> 00:48:23,680
Speaker 1: have honestly just been like, no, right, yeah she.

970
00:48:23,640 --> 00:48:26,720
Speaker 5: Did know, she says, rumpel Stiltskin. That's her first guess.

971
00:48:26,960 --> 00:48:29,160
Speaker 1: No, it didn't make him like turn into smoke.

972
00:48:29,280 --> 00:48:30,840
Speaker 5: It makes him able to suck his own dick for

973
00:48:30,880 --> 00:48:31,400
Speaker 5: ten minutes.

974
00:48:31,440 --> 00:48:35,080
Speaker 1: Oh wow, Well that aspect of the story I forgot. Yeah.

975
00:48:35,120 --> 00:48:38,200
Speaker 5: Well that, and then there's it does turn into gold, right,

976
00:48:38,239 --> 00:48:42,080
Speaker 5: it's dick something yeah, yeah, but that's all made up too.

977
00:48:42,120 --> 00:48:44,640
Speaker 1: It's like blasting gold. Yeah.

978
00:48:44,680 --> 00:48:46,800
Speaker 5: And also the troll bridge and all that stuff.

979
00:48:46,800 --> 00:48:50,359
Speaker 1: They didn't do it, Yeah, don't do it. It's all yeah,

980
00:48:50,400 --> 00:48:55,520
Speaker 1: think about it. That'stel Hey, don't do it. Don't do it.

981
00:48:55,600 --> 00:48:56,439
Speaker 1: Don't do it.

982
00:48:56,840 --> 00:48:58,200
Speaker 5: Don't follow your wood cutter fone.

983
00:48:58,280 --> 00:49:01,360
Speaker 1: Take a beat, yeah, take eat.

984
00:49:03,360 --> 00:49:05,040
Speaker 3: And by that same toe, I mean, is there a

985
00:49:05,120 --> 00:49:08,120
Speaker 3: lesson for Grimsby somehow, Well.

986
00:49:08,040 --> 00:49:10,280
Speaker 5: The lesson he's learning. He's just on a life adventure.

987
00:49:10,320 --> 00:49:13,600
Speaker 5: Now at this point, he's in a Willy Wonka's chocolate factory.

988
00:49:13,680 --> 00:49:16,359
Speaker 1: That is bread. Yes, well he's not supposed to eat

989
00:49:16,400 --> 00:49:18,799
Speaker 1: the bread, but that's okay because it's not something. He's

990
00:49:18,800 --> 00:49:20,160
Speaker 1: a cat. He hates bread.

991
00:49:20,320 --> 00:49:22,640
Speaker 3: Oh yeah, he can't eat a bit of it, and

992
00:49:22,719 --> 00:49:24,600
Speaker 3: honestly a lot of it's got gluten.

993
00:49:24,760 --> 00:49:26,879
Speaker 1: Ready, Yeah, there should be a.

994
00:49:26,800 --> 00:49:28,920
Speaker 5: Gluten thing that gets him out of the out of

995
00:49:28,960 --> 00:49:36,600
Speaker 5: the uh chocolate facts. Glutanjury, Augustus gluten good, Yeah, Augustus glutent.

996
00:49:37,160 --> 00:49:39,200
Speaker 3: Can we stop for a second and just think about

997
00:49:39,360 --> 00:49:41,719
Speaker 3: what is a lesson? Just so we know where we're headed.

998
00:49:41,760 --> 00:49:45,120
Speaker 3: What is a lesson we wish today's children would learn

999
00:49:45,320 --> 00:49:48,680
Speaker 3: or we're more aware of. Is it just about states

1000
00:49:48,800 --> 00:49:53,040
Speaker 3: right and kind of drilling that home at an early age, sure?

1001
00:49:53,880 --> 00:49:56,400
Speaker 3: Or is it something outside? Is there something happened to

1002
00:49:56,400 --> 00:49:57,759
Speaker 3: you as a kid where you go? I wish I

1003
00:49:57,840 --> 00:49:58,600
Speaker 3: knew better than this.

1004
00:49:59,120 --> 00:50:01,279
Speaker 5: I want to say, if you fuck up once, the

1005
00:50:01,360 --> 00:50:02,719
Speaker 5: internet will destroy you.

1006
00:50:03,400 --> 00:50:08,880
Speaker 1: That's and that's justin that's right. Yeah, that's street justice. Baby. Yeah.

1007
00:50:08,920 --> 00:50:12,040
Speaker 5: So watch what red carpets you are in blackface on.

1008
00:50:12,280 --> 00:50:14,120
Speaker 1: That's the main thing I want to.

1009
00:50:14,520 --> 00:50:17,800
Speaker 5: Impart to kids is like, if you're on the right carpet,

1010
00:50:18,280 --> 00:50:22,080
Speaker 5: like let's say you're Manny from Modern Family, Okay, don't

1011
00:50:22,120 --> 00:50:26,680
Speaker 5: do blackface or even like that half ass blackface that

1012
00:50:26,800 --> 00:50:27,640
Speaker 5: Julianne Huff.

1013
00:50:27,840 --> 00:50:30,839
Speaker 1: Juliana Huff did it's like not even like it. Also,

1014
00:50:30,920 --> 00:50:32,640
Speaker 1: you're gonna do it like put some time and do

1015
00:50:32,800 --> 00:50:35,279
Speaker 1: it like since you only get one yea.

1016
00:50:35,800 --> 00:50:38,239
Speaker 5: If you're really gonna do the lessons, do a real

1017
00:50:38,320 --> 00:50:41,880
Speaker 5: Al Jolson movie level job. If you're gonna do it,

1018
00:50:42,000 --> 00:50:44,399
Speaker 5: or else people will be like, you're lazy and race.

1019
00:50:44,600 --> 00:50:46,120
Speaker 1: Can I say, if you're gonna do it, work on

1020
00:50:46,160 --> 00:50:48,760
Speaker 1: the voice.

1021
00:50:47,920 --> 00:50:51,600
Speaker 5: Yeah, do the voice. Yeah, Yeah, what are you gonna do?

1022
00:50:51,760 --> 00:50:54,480
Speaker 5: Just you're you're a picture with that. This is the

1023
00:50:54,560 --> 00:50:56,480
Speaker 5: age of moving pictures. I think we've been in this

1024
00:50:56,560 --> 00:50:57,920
Speaker 5: age since the late twenties.

1025
00:50:58,040 --> 00:51:02,200
Speaker 1: Yeah, I seem to recall that opening a little while back. Yeah,

1026
00:51:02,360 --> 00:51:04,880
Speaker 1: this book should be yes for Manny specific if we

1027
00:51:04,880 --> 00:51:07,839
Speaker 1: could get Manny to read this book, Yeah, that book

1028
00:51:07,920 --> 00:51:11,400
Speaker 1: on tape, that would be heuge. We that is Tomorrow's uh,

1029
00:51:11,800 --> 00:51:14,520
Speaker 1: you know, industry leaders. That's Manny. It's Manny.

1030
00:51:14,719 --> 00:51:16,920
Speaker 5: I don't want to see a hard copy or a

1031
00:51:17,000 --> 00:51:20,560
Speaker 5: paperback of this book. It's an MP three. This book

1032
00:51:20,680 --> 00:51:24,359
Speaker 5: is a thumb drive, Okay, a whimsical looking thumb drive

1033
00:51:24,480 --> 00:51:27,440
Speaker 5: that we give to parents who they share it with

1034
00:51:27,520 --> 00:51:27,959
Speaker 5: their kids.

1035
00:51:28,200 --> 00:51:32,400
Speaker 1: Is that stupid? Yeah, it could look like that stupid

1036
00:51:32,719 --> 00:51:35,640
Speaker 1: It could like of course, yeah, is it stupid like

1037
00:51:35,680 --> 00:51:37,759
Speaker 1: an actual thumb? It could pay like you could pay

1038
00:51:37,840 --> 00:51:44,520
Speaker 1: like a real thumb on it. That's cool. Yes, Like movies, Yeah,

1039
00:51:44,640 --> 00:51:49,759
Speaker 1: like Kung Pau Enter the Fifth right, remember, yes, I

1040
00:51:49,880 --> 00:51:50,239
Speaker 1: saw that.

1041
00:51:51,320 --> 00:51:55,120
Speaker 5: So hits today do need to learn about public shaming.

1042
00:51:55,280 --> 00:51:59,600
Speaker 1: They need to learn about I would like some kind

1043
00:51:59,600 --> 00:52:04,320
Speaker 1: of message about how if you buy a child alcohol,

1044
00:52:05,120 --> 00:52:08,840
Speaker 1: it's like the child. It's a child's responsibility not to

1045
00:52:09,200 --> 00:52:11,320
Speaker 1: like drink the alcohol or to go too crazy.

1046
00:52:11,440 --> 00:52:14,440
Speaker 2: It's not like it's not the adult's fault. Yes, for like,

1047
00:52:14,760 --> 00:52:17,400
Speaker 2: just like giving you this thing, I'm for you to

1048
00:52:17,560 --> 00:52:20,200
Speaker 2: hold until you can handle it. If you make you

1049
00:52:20,280 --> 00:52:22,000
Speaker 2: handle drink it, that's not on me.

1050
00:52:22,440 --> 00:52:22,640
Speaker 1: Yes.

1051
00:52:22,800 --> 00:52:27,279
Speaker 3: And if the child's Ashley Simpson, okay, whatever, like a

1052
00:52:27,400 --> 00:52:28,280
Speaker 3: gift is a gift?

1053
00:52:28,760 --> 00:52:30,960
Speaker 5: Seen her lately? She's not a child anymore. Man, she's

1054
00:52:31,000 --> 00:52:35,440
Speaker 5: all growed up. Oh a woman, yes, popping out all

1055
00:52:35,520 --> 00:52:38,480
Speaker 5: over the place springtime us.

1056
00:52:40,200 --> 00:52:42,920
Speaker 1: No, it is is she OJ's daughter or is she?

1057
00:52:43,800 --> 00:52:47,000
Speaker 1: Where does she come from? I think she originally? Yeah?

1058
00:52:48,000 --> 00:52:51,239
Speaker 1: And what's her connection to Bart as well? She had

1059
00:52:51,280 --> 00:52:54,560
Speaker 1: that blonde connection right, Yes, she does kind of look

1060
00:52:54,920 --> 00:52:58,120
Speaker 1: or no, she's not more like bart. No, she's not

1061
00:52:58,520 --> 00:53:03,239
Speaker 1: not at all. Yeah, well she'll probably never do her

1062
00:53:03,320 --> 00:53:04,800
Speaker 1: music on U, S and L again, that can be

1063
00:53:04,920 --> 00:53:05,279
Speaker 1: for sure.

1064
00:53:05,600 --> 00:53:09,520
Speaker 5: Oh yeah, well that was a thing. Well, I see,

1065
00:53:09,560 --> 00:53:12,880
Speaker 5: I didn't even know. I'm sitting here monologuing on my

1066
00:53:13,080 --> 00:53:16,640
Speaker 5: anti Big Short thing. I'm trying to like just negate.

1067
00:53:16,560 --> 00:53:19,080
Speaker 1: The Big Short, I mean, undo some of the work

1068
00:53:19,160 --> 00:53:21,440
Speaker 1: that day. Yeah, we did your side of the story.

1069
00:53:21,640 --> 00:53:24,160
Speaker 5: So you know, they had Margot Robbie in that bathtub.

1070
00:53:25,200 --> 00:53:30,640
Speaker 5: I've got you looking at I've got Robbie Williams in

1071
00:53:30,800 --> 00:53:34,320
Speaker 5: that bathtub and he's describing it in his kind of

1072
00:53:34,360 --> 00:53:37,560
Speaker 5: like cool pop star way, how you know, we shouldn't

1073
00:53:37,640 --> 00:53:41,919
Speaker 5: regulate And it's kind of a libertarian ultra libertarian movie.

1074
00:53:42,080 --> 00:53:46,959
Speaker 3: The ego has landed. Hey, hey, is he in Trumbo's tub?

1075
00:53:48,320 --> 00:53:48,360
Speaker 1: That?

1076
00:53:49,239 --> 00:53:49,479
Speaker 3: Wow?

1077
00:53:49,800 --> 00:53:53,040
Speaker 1: Is that interesting wall tub?

1078
00:53:53,280 --> 00:53:57,799
Speaker 5: Yeah, he could be in Trumbo's tub, and Trumbo's breaking bad, right,

1079
00:53:57,960 --> 00:54:01,560
Speaker 5: So it's like they could be on any drug and

1080
00:54:01,640 --> 00:54:04,279
Speaker 5: so that's a justification for any behavior. So that's a

1081
00:54:04,360 --> 00:54:05,880
Speaker 5: really cool little out for us.

1082
00:54:06,360 --> 00:54:06,600
Speaker 3: Yeah.

1083
00:54:06,840 --> 00:54:10,719
Speaker 1: No, that's sort of our magic. Yeah, that's our magic. Yeah,

1084
00:54:10,880 --> 00:54:14,160
Speaker 1: that's a very clean sort of sting in Trumbo's tub

1085
00:54:14,200 --> 00:54:16,799
Speaker 1: and the fact that Trump's breaking bad really opens up

1086
00:54:16,840 --> 00:54:17,200
Speaker 1: a lot.

1087
00:54:17,360 --> 00:54:21,400
Speaker 5: Yeah, yeah, it's it really what's in that water you

1088
00:54:21,480 --> 00:54:24,160
Speaker 5: can just see it. And I feel like this is

1089
00:54:24,360 --> 00:54:27,120
Speaker 5: a This isn't a story arc, this is a story

1090
00:54:27,440 --> 00:54:31,120
Speaker 5: sin wave. Yes, this is a wave that goes down

1091
00:54:31,440 --> 00:54:35,560
Speaker 5: up around the Coen Brothers would be proud.

1092
00:54:35,400 --> 00:54:37,799
Speaker 1: Like a sign. Yeah, like a sign just goes all

1093
00:54:37,840 --> 00:54:43,320
Speaker 1: over the place, right, crazy squiggle just in sanity. Wiggle, yeah, insanity.

1094
00:54:43,640 --> 00:54:45,920
Speaker 1: I feel like this is gonna be for kids of

1095
00:54:46,120 --> 00:54:49,879
Speaker 1: all ages. Yes, well, because I'm a big kid at heart. Yeah,

1096
00:54:49,920 --> 00:54:50,960
Speaker 1: I forgot to mention.

1097
00:54:51,160 --> 00:54:54,280
Speaker 5: We want to have some of that slick, rowling jokes

1098
00:54:54,360 --> 00:54:59,720
Speaker 5: for the adults, Like she would have like overtly sexual

1099
00:54:59,760 --> 00:55:02,880
Speaker 5: disc descriptions of hermione, right, and that's why hermione is

1100
00:55:02,920 --> 00:55:07,000
Speaker 5: so hot. Now, Yes, yes, her name is Herman, but yes,

1101
00:55:07,160 --> 00:55:09,560
Speaker 5: she's right Herman. Sorry, she'd be like Herman's about to

1102
00:55:09,680 --> 00:55:13,000
Speaker 5: pop off. Yep, she's seventeen, but she looks like she's

1103
00:55:13,200 --> 00:55:15,600
Speaker 5: in her twenties. And the kids are like, wow, yeah,

1104
00:55:15,680 --> 00:55:18,480
Speaker 5: she wouldn't get carted anywhere. Yeah, because kids are a

1105
00:55:18,480 --> 00:55:20,840
Speaker 5: little perverted pieces of garbage.

1106
00:55:20,960 --> 00:55:22,520
Speaker 1: When I was a kid, all I thought about was

1107
00:55:22,800 --> 00:55:26,080
Speaker 1: a pusse, you know what I mean. So you know,

1108
00:55:26,760 --> 00:55:29,000
Speaker 1: I was just dealing with my thing.

1109
00:55:29,800 --> 00:55:32,120
Speaker 5: Yeah, I was just like experimenting with different ways to

1110
00:55:32,200 --> 00:55:34,239
Speaker 5: make myself come so many and when with a book,

1111
00:55:34,480 --> 00:55:37,000
Speaker 5: especially like with a sexy book, you take the side

1112
00:55:37,120 --> 00:55:39,160
Speaker 5: of the book and you sort of like go down

1113
00:55:39,200 --> 00:55:40,880
Speaker 5: on it with you're a kid, that's right, that's what

1114
00:55:41,000 --> 00:55:41,200
Speaker 5: you do.

1115
00:55:41,520 --> 00:55:46,360
Speaker 3: Oh yeah, right, so yeah, you can turn the pages,

1116
00:55:47,000 --> 00:55:48,520
Speaker 3: remember without moving your head.

1117
00:55:48,800 --> 00:55:53,120
Speaker 5: Remember that book, Fucked this Book? Yeaheah, there's a monster

1118
00:55:53,239 --> 00:55:54,479
Speaker 5: at the end of Fuck This Book.

1119
00:55:54,600 --> 00:55:57,399
Speaker 1: Mm hmmm. Yeah, with Grover and everything. That was great. Yeah,

1120
00:55:57,400 --> 00:56:00,279
Speaker 1: that was some counterculture all right.

1121
00:56:00,400 --> 00:56:02,800
Speaker 5: So we got the forward. That's just the mini version

1122
00:56:02,840 --> 00:56:06,480
Speaker 5: of the book. We started in Garfield's house and it's

1123
00:56:06,520 --> 00:56:08,800
Speaker 5: Grimsby and the cheese Graters.

1124
00:56:09,040 --> 00:56:11,799
Speaker 1: Robert. We got a pin in that. But Sean needs

1125
00:56:11,840 --> 00:56:12,440
Speaker 1: to decide.

1126
00:56:12,640 --> 00:56:16,400
Speaker 5: Okay, he gets picked up by bls limousine service and

1127
00:56:16,480 --> 00:56:18,400
Speaker 5: he gets taken to see Bart Coleman.

1128
00:56:18,520 --> 00:56:22,840
Speaker 1: Does Robbie Williams step on Robert being the name of

1129
00:56:22,880 --> 00:56:25,120
Speaker 1: the cheethat does Robbie? Oh you know what, well, he

1130
00:56:25,320 --> 00:56:29,839
Speaker 1: is not this book. Oh sorry, Sean gets his way.

1131
00:56:30,200 --> 00:56:34,960
Speaker 5: Robbie Williams is to Robs in this Yeah, I mean,

1132
00:56:35,080 --> 00:56:36,600
Speaker 5: well that's it just depends.

1133
00:56:36,760 --> 00:56:38,960
Speaker 1: It just depends. Oh are we not? I'm sorry?

1134
00:56:39,040 --> 00:56:41,799
Speaker 3: I thought the sn L movie was sort of one

1135
00:56:41,840 --> 00:56:42,279
Speaker 3: in the same.

1136
00:56:42,360 --> 00:56:44,960
Speaker 1: Oh that's well, that's shot out as far as I thought.

1137
00:56:44,960 --> 00:56:48,719
Speaker 1: You wrapped on that. We wrapped. Okay, we're wrapped. That's

1138
00:56:48,719 --> 00:56:51,719
Speaker 1: where Robbie Williams is in Trumbo's dub. And he's also

1139
00:56:51,800 --> 00:56:53,800
Speaker 1: breaking bed any.

1140
00:56:53,719 --> 00:56:56,920
Speaker 5: Drugs, yeah, Trumbo, Yeah, breaking bad of it all will

1141
00:56:57,000 --> 00:57:00,279
Speaker 5: help us to just go anywhere. Yes, anyway, I want

1142
00:57:00,320 --> 00:57:03,520
Speaker 5: to start this movie by being directed, or this book

1143
00:57:03,719 --> 00:57:05,640
Speaker 5: should just be directed by Burton.

1144
00:57:05,840 --> 00:57:06,120
Speaker 1: First.

1145
00:57:06,960 --> 00:57:08,880
Speaker 5: He shouldn't do a re you know, he shouldn't do

1146
00:57:08,880 --> 00:57:11,240
Speaker 5: a redo of it like you did with Alice in Wonderland.

1147
00:57:11,320 --> 00:57:15,239
Speaker 5: He took that beautiful movie of a book and made

1148
00:57:15,239 --> 00:57:17,440
Speaker 5: it into what it was. I just want to streamline

1149
00:57:17,480 --> 00:57:18,040
Speaker 5: it to Burton.

1150
00:57:18,400 --> 00:57:18,680
Speaker 3: Make it.

1151
00:57:20,520 --> 00:57:23,720
Speaker 5: Burton's take on bart Coleman, Burton's take on Barton Coleman.

1152
00:57:23,840 --> 00:57:27,120
Speaker 1: How does Burton more like bat Coleman Barton? Okay? And

1153
00:57:27,240 --> 00:57:29,520
Speaker 1: that might be he would to make it spooctacular.

1154
00:57:29,760 --> 00:57:35,040
Speaker 5: I want Johnny Depp in Volve You know, and I

1155
00:57:35,160 --> 00:57:37,240
Speaker 5: want Marilyn Manson just because I want to hang out

1156
00:57:37,280 --> 00:57:37,840
Speaker 5: with Manson.

1157
00:57:38,160 --> 00:57:41,320
Speaker 1: Mm hmmm. So lots, yeah, lots of white makeup, I

1158
00:57:41,400 --> 00:57:43,080
Speaker 1: guess is what you have in mind.

1159
00:57:43,360 --> 00:57:46,600
Speaker 5: Yeah, white makeup, white everything's on a white psyke. You

1160
00:57:46,680 --> 00:57:49,040
Speaker 5: know what a white psych is like they shoot those Well.

1161
00:57:48,960 --> 00:57:53,080
Speaker 3: That'll make the blackface scene hit even harder. Yeah, yeah,

1162
00:57:53,240 --> 00:57:56,040
Speaker 3: when Manny finally or Grimsby, But it's Manny.

1163
00:57:57,960 --> 00:58:00,280
Speaker 5: We're in this bred wonderland. Where are we get to do?

1164
00:58:00,480 --> 00:58:02,920
Speaker 1: What's the that's right? I mean I feel like it's

1165
00:58:03,440 --> 00:58:06,560
Speaker 1: the finish. The Daniu Mott were hurtling towards it.

1166
00:58:06,720 --> 00:58:08,920
Speaker 3: It seems like a race to the finish at this stage.

1167
00:58:09,240 --> 00:58:12,720
Speaker 1: Right, it's a mouse trap type what's that movie?

1168
00:58:12,840 --> 00:58:15,640
Speaker 5: Mouse run, mouse Hunt, mouse mouse Hunt. Yeah, it's kind

1169
00:58:15,680 --> 00:58:18,880
Speaker 5: of a mouse hunt thing with different celebrities that we

1170
00:58:18,960 --> 00:58:22,280
Speaker 5: could plug in to just come into the like midpoint.

1171
00:58:21,840 --> 00:58:23,600
Speaker 1: Of the movie. Right, but we just got to get

1172
00:58:23,640 --> 00:58:24,840
Speaker 1: them all in now, I guess.

1173
00:58:25,360 --> 00:58:25,520
Speaker 3: Right.

1174
00:58:25,840 --> 00:58:28,200
Speaker 1: So Ricky's r Vase is big.

1175
00:58:28,560 --> 00:58:34,240
Speaker 3: Huge special correspondence can get away from like some of

1176
00:58:34,280 --> 00:58:38,000
Speaker 3: the Verizon stuff he's been doing is very edgy, right, Uh,

1177
00:58:39,040 --> 00:58:43,320
Speaker 3: And it is Hollywood going to accept that, Like, is

1178
00:58:43,360 --> 00:58:45,320
Speaker 3: he going to be a lack movie?

1179
00:58:45,360 --> 00:58:48,360
Speaker 1: I'd like it to have funding. It might be it.

1180
00:58:48,520 --> 00:58:50,560
Speaker 3: Because like he's taking on the gold gloves, he's teasing

1181
00:58:50,600 --> 00:58:53,080
Speaker 3: his buddies. But when he goes into Verizon and he

1182
00:58:53,200 --> 00:58:56,240
Speaker 3: basically saying, like, look, some of these guys on these

1183
00:58:56,280 --> 00:58:58,520
Speaker 3: other companies, who by the way, these are big, multimly

1184
00:58:58,560 --> 00:59:01,040
Speaker 3: not companies, are lying. One of them said they were

1185
00:59:01,080 --> 00:59:03,600
Speaker 3: four times better. We said, oh yeah, four times better

1186
00:59:03,680 --> 00:59:06,000
Speaker 3: than what they said, well, oh, four times better than.

1187
00:59:05,920 --> 00:59:06,480
Speaker 1: We used to be.

1188
00:59:06,920 --> 00:59:09,760
Speaker 3: And he's like, if your tagline is your four times

1189
00:59:09,840 --> 00:59:12,960
Speaker 3: better and you're not the best, then you should just

1190
00:59:13,000 --> 00:59:14,720
Speaker 3: say not as rubbish as we used to be.

1191
00:59:15,200 --> 00:59:17,080
Speaker 1: Do you remember when he said that? He said not

1192
00:59:17,160 --> 00:59:17,800
Speaker 1: as rubbish.

1193
00:59:18,000 --> 00:59:20,000
Speaker 3: Yeah, he's like, that's what your tagline should be. He's

1194
00:59:20,040 --> 00:59:22,160
Speaker 3: saying that, and I think he's talking about Sprint. Maybe

1195
00:59:22,400 --> 00:59:26,080
Speaker 3: he's saying that Sprint should have a tagline not as

1196
00:59:26,160 --> 00:59:28,680
Speaker 3: rubbish as we used to be. This is a big company.

1197
00:59:29,480 --> 00:59:31,680
Speaker 3: I'm sorry, but I just don't think we're gonna be

1198
00:59:31,680 --> 00:59:33,920
Speaker 3: able to get him on camera and still get funding

1199
00:59:34,000 --> 00:59:36,680
Speaker 3: for this movie. Now. It's brave as fuck. I'm glad

1200
00:59:36,760 --> 00:59:38,200
Speaker 3: somebody's out there to be that voice.

1201
00:59:38,440 --> 00:59:41,640
Speaker 5: Yeah, well, you know what he's up against. The spokesman

1202
00:59:41,720 --> 00:59:46,160
Speaker 5: for Sprint is many colored balls, you know, so he's

1203
00:59:46,200 --> 00:59:50,080
Speaker 5: at least a spokesman. You be like, did they say

1204
00:59:50,720 --> 00:59:52,120
Speaker 5: many colored bowls?

1205
00:59:52,920 --> 00:59:54,720
Speaker 1: Come on, look at me.

1206
00:59:54,880 --> 00:59:59,680
Speaker 5: I'm crucified because I don't care about the christ Smith, because.

1207
00:59:59,400 --> 01:00:01,560
Speaker 1: It's all hook him. He's mad at God.

1208
01:00:02,080 --> 01:00:07,200
Speaker 5: He's mad at God for making him a billionaire, unbelievably wealthy,

1209
01:00:09,480 --> 01:00:12,720
Speaker 5: smarter than all of us religion. He's basically he should

1210
01:00:12,760 --> 01:00:16,520
Speaker 5: just say I was smarter than all Christians and then

1211
01:00:16,640 --> 01:00:17,720
Speaker 5: hang light off a cliff.

1212
01:00:18,760 --> 01:00:20,800
Speaker 1: Right, So that's a cool part of the movie.

1213
01:00:21,160 --> 01:00:24,040
Speaker 3: Yeah, maybe he comes and gives his take on stand up,

1214
01:00:24,120 --> 01:00:26,480
Speaker 3: like he explains to Chris Rock what stand up is

1215
01:00:26,640 --> 01:00:27,000
Speaker 3: or something.

1216
01:00:27,120 --> 01:00:29,000
Speaker 1: Oh yeah, I like that about it? Be cool?

1217
01:00:29,760 --> 01:00:29,880
Speaker 3: Uh?

1218
01:00:30,240 --> 01:00:32,240
Speaker 1: He paid his dues in that world. Not as rubbish

1219
01:00:32,280 --> 01:00:36,720
Speaker 1: as he used to be. So as rubbish as he

1220
01:00:36,880 --> 01:00:42,000
Speaker 1: used to be? Okay, ma, per I'm a worst, He's

1221
01:00:42,040 --> 01:00:44,640
Speaker 1: not the worst. He's great. He's made some very good

1222
01:00:46,080 --> 01:00:49,240
Speaker 1: here's what I love extors. I didn't watch the other ones,

1223
01:00:49,320 --> 01:00:52,480
Speaker 1: but I'm sure they're probably good. Probably. Yeah. So now

1224
01:00:52,560 --> 01:00:55,800
Speaker 1: do we just run the book backwards from where from

1225
01:00:55,840 --> 01:00:57,680
Speaker 1: where it is at this point. So they're in the

1226
01:00:57,760 --> 01:01:00,480
Speaker 1: bread world and now they're taking out trains going backwards

1227
01:01:00,520 --> 01:01:02,440
Speaker 1: out of the bread work. We just press rewind on

1228
01:01:02,520 --> 01:01:02,800
Speaker 1: the book.

1229
01:01:02,960 --> 01:01:05,960
Speaker 5: Yes, yeah, And then Gervaise as Derek comes in.

1230
01:01:07,560 --> 01:01:11,080
Speaker 1: Fully underbite that is we could get away with if

1231
01:01:11,080 --> 01:01:13,960
Speaker 1: he's being Derek, that's cute.

1232
01:01:14,000 --> 01:01:15,600
Speaker 5: Who's going to be mad at Derek. It's like being

1233
01:01:15,640 --> 01:01:16,240
Speaker 5: mad at Dustin.

1234
01:01:16,320 --> 01:01:18,480
Speaker 1: I just want to even sprint. Got to give it

1235
01:01:18,560 --> 01:01:21,000
Speaker 1: up for Derek. Yeah, they're not going to throw colored

1236
01:01:21,000 --> 01:01:21,560
Speaker 1: balls on him.

1237
01:01:22,640 --> 01:01:28,480
Speaker 5: So then Derek comes in, Hey, hey, I imagine he's like, pudding,

1238
01:01:28,920 --> 01:01:30,120
Speaker 5: you got your pudding.

1239
01:01:30,040 --> 01:01:31,080
Speaker 1: You have me pudding.

1240
01:01:31,920 --> 01:01:36,040
Speaker 5: You got some nummy nummy grubbins, And and then he

1241
01:01:36,360 --> 01:01:38,920
Speaker 5: he lures him away with the promise of dessert. Now,

1242
01:01:38,960 --> 01:01:41,640
Speaker 5: this guy's been in a bread dessert for days.

1243
01:01:42,360 --> 01:01:45,000
Speaker 1: His mouth is all goofy, His mouth is all goofy

1244
01:01:45,040 --> 01:01:46,960
Speaker 1: and gluteny, and there's not a whole lot of water

1245
01:01:47,080 --> 01:01:50,680
Speaker 1: in there, and so he's dying for some dessert. He's

1246
01:01:50,720 --> 01:01:52,320
Speaker 1: got to mix it up, just to mix it up,

1247
01:01:52,600 --> 01:01:57,120
Speaker 1: you know. Sure paints a picture Derek Gervaises Ricky with

1248
01:01:57,280 --> 01:02:02,600
Speaker 1: Grimsby and the cheese greater Robert. Possibly we will.

1249
01:02:03,400 --> 01:02:05,760
Speaker 5: He takes them out, He takes them out right, and

1250
01:02:06,040 --> 01:02:08,560
Speaker 5: he's got to say, do you want to go back

1251
01:02:09,240 --> 01:02:11,760
Speaker 5: to the real world or do you want to stay

1252
01:02:12,560 --> 01:02:17,440
Speaker 5: here in the magic world as a non muggle, because

1253
01:02:17,440 --> 01:02:20,000
Speaker 5: at this point he should be some sort of magical cat.

1254
01:02:20,560 --> 01:02:23,920
Speaker 1: He's gotta have not he can't. I think it's just

1255
01:02:24,000 --> 01:02:25,920
Speaker 1: assumed that at some point in the bread world he

1256
01:02:25,960 --> 01:02:27,080
Speaker 1: stopped being a muggle.

1257
01:02:27,320 --> 01:02:30,680
Speaker 3: Maybe he learned and ate them the magic. Yeah, he

1258
01:02:30,760 --> 01:02:35,000
Speaker 3: finally got hung the magic is exactly right.

1259
01:02:35,160 --> 01:02:36,720
Speaker 1: Some pumper nick Funker Nickel.

1260
01:02:37,360 --> 01:02:39,160
Speaker 5: And then and then he becomes like one of the

1261
01:02:39,280 --> 01:02:42,919
Speaker 5: musicians of Bremen, you know, like the bunny and the cat.

1262
01:02:43,000 --> 01:02:44,720
Speaker 5: They're brilliant musicians in Germany.

1263
01:02:45,240 --> 01:02:47,240
Speaker 1: That's right, you know, So maybe he just picks up

1264
01:02:47,280 --> 01:02:49,560
Speaker 1: and he should become one of the musicians of bre

1265
01:02:49,960 --> 01:02:50,360
Speaker 1: for sure.

1266
01:02:50,600 --> 01:02:53,960
Speaker 5: Well, we need that element. We need that classic, super

1267
01:02:54,200 --> 01:02:57,360
Speaker 5: classic ultra story that's like the Shakespeare free.

1268
01:02:59,440 --> 01:03:01,920
Speaker 1: Yes, that you can just do new pictures.

1269
01:03:01,560 --> 01:03:05,680
Speaker 3: Of yeah Mozart in the jungle style, yeah like yeah, yeah,

1270
01:03:06,240 --> 01:03:10,080
Speaker 3: uh so, And were you going to say that Ricky

1271
01:03:10,120 --> 01:03:12,760
Speaker 3: gervasas Derek puts a gun to the back of the

1272
01:03:12,840 --> 01:03:13,400
Speaker 3: cat's head.

1273
01:03:13,560 --> 01:03:17,840
Speaker 1: Yeah, that's interesting. And he's got a cat penis, so

1274
01:03:18,000 --> 01:03:18,640
Speaker 1: it's barbed.

1275
01:03:19,280 --> 01:03:23,160
Speaker 5: Oh right, and what the cat could do is then

1276
01:03:24,080 --> 01:03:28,840
Speaker 5: do a flip and stick his barbed penis through serves

1277
01:03:29,080 --> 01:03:33,880
Speaker 5: as Derek's face hitting his brain and making him non retarded.

1278
01:03:34,160 --> 01:03:39,320
Speaker 1: You know what else's penis is barbed? Who? George Bush?

1279
01:03:43,480 --> 01:03:48,760
Speaker 5: Yeah, I'm sorry, Penis gets barbed bout every night.

1280
01:03:48,960 --> 01:03:55,840
Speaker 1: Yeah, she's getting barbed like crazy. I know who she's endorsing,

1281
01:03:57,720 --> 01:04:03,400
Speaker 1: husband Dick. It's not I don't want to get a

1282
01:04:03,440 --> 01:04:07,880
Speaker 1: political Yeah, yeah, we don't. Like it's not the kind

1283
01:04:07,880 --> 01:04:08,400
Speaker 1: of show.

1284
01:04:09,480 --> 01:04:15,160
Speaker 5: Keep at this juncture? Would Pruden love Dana? Can we

1285
01:04:15,200 --> 01:04:19,040
Speaker 5: get Dana Dana doing something? He's one of these San

1286
01:04:19,160 --> 01:04:21,439
Speaker 5: Fran guys, Dana Bred Chris Wick.

1287
01:04:22,400 --> 01:04:25,440
Speaker 1: Dana could play Bred Chris Wick. We should offer this

1288
01:04:25,560 --> 01:04:31,520
Speaker 1: the actual Chris Hardwick. Yeah right, Yeah, And then and

1289
01:04:31,560 --> 01:04:36,040
Speaker 1: then when he says yes, say never mind, right, oh

1290
01:04:36,200 --> 01:04:38,400
Speaker 1: that's what we wanted. Yeah, we're sort of like he.

1291
01:04:38,440 --> 01:04:40,760
Speaker 5: Says, yes, we're we're abandoning that.

1292
01:04:41,120 --> 01:04:44,360
Speaker 1: Yeah, we're saying, actually, forget it. We go, oh dude,

1293
01:04:44,840 --> 01:04:48,080
Speaker 1: we were kidding. Dude, you actually you thought like we

1294
01:04:48,320 --> 01:04:50,760
Speaker 1: like wanted Oh my god, oh my god. Oh I'm

1295
01:04:50,840 --> 01:04:54,360
Speaker 1: so sorry. I thought you knew. We were like, yeah kidding, yes,

1296
01:04:54,440 --> 01:04:57,479
Speaker 1: so we just like gaslight them. Such a nice guy

1297
01:04:58,400 --> 01:04:59,120
Speaker 1: is a nice.

1298
01:04:58,920 --> 01:05:02,160
Speaker 5: Guy, you know, really money too. Yeah, we gaslight because

1299
01:05:02,200 --> 01:05:07,440
Speaker 5: we're just abusive. Well that seems right, yeah, menonists. Yes, again,

1300
01:05:07,600 --> 01:05:09,600
Speaker 5: it's all about just teaching lessons.

1301
01:05:09,720 --> 01:05:11,360
Speaker 1: How do we actually how do we teach like a

1302
01:05:11,520 --> 01:05:18,520
Speaker 1: really important lesson about acceptance, that being woke? Being like

1303
01:05:19,040 --> 01:05:22,360
Speaker 1: being woke? Well, every character, oh yeah, every character in

1304
01:05:23,200 --> 01:05:25,720
Speaker 1: every character is a man, and they should all be

1305
01:05:25,840 --> 01:05:28,800
Speaker 1: like woke men. Yes, Grimsby's woke as fuck.

1306
01:05:29,280 --> 01:05:33,200
Speaker 5: Wait, at some point they should be like where are

1307
01:05:33,480 --> 01:05:36,640
Speaker 5: the women? And then they just start looking at pictures

1308
01:05:36,720 --> 01:05:37,080
Speaker 5: of women?

1309
01:05:38,120 --> 01:05:38,280
Speaker 3: Right?

1310
01:05:38,520 --> 01:05:40,400
Speaker 1: That's great? Yeah, or we.

1311
01:05:40,480 --> 01:05:41,680
Speaker 5: Introduce a female character.

1312
01:05:42,400 --> 01:05:44,120
Speaker 1: I think they should be looking at the picture. I

1313
01:05:44,240 --> 01:05:45,960
Speaker 1: like the picture.

1314
01:05:46,040 --> 01:05:49,000
Speaker 3: Wise, just for the budget, that's going to be easier.

1315
01:05:49,360 --> 01:05:52,600
Speaker 1: Yeah, because women, well, women do make seventy seven percent?

1316
01:05:53,640 --> 01:05:55,960
Speaker 1: Is it seventy seven? But it's feeling like that's not

1317
01:05:56,120 --> 01:05:57,440
Speaker 1: I feel like I'm going there.

1318
01:05:57,480 --> 01:05:59,880
Speaker 5: I don't want to go there. I love women.

1319
01:06:00,640 --> 01:06:05,000
Speaker 3: Oh gosh, yeah, men, oh I'm crazy for women, but

1320
01:06:05,160 --> 01:06:08,440
Speaker 3: unbelieved you're doing amazing things they're unbelievable.

1321
01:06:08,800 --> 01:06:11,840
Speaker 1: The fact that they are doing they can with what

1322
01:06:12,000 --> 01:06:14,640
Speaker 1: they're working with. Some of the stuff they're doing is

1323
01:06:15,680 --> 01:06:18,200
Speaker 1: and look at Mary Leaky, She's way better than Lewis

1324
01:06:18,240 --> 01:06:22,000
Speaker 1: Leaky anthropology. She's kicking his as.

1325
01:06:22,320 --> 01:06:25,800
Speaker 5: Look at Leak Lee hersus Jason Lee. Look at Marie

1326
01:06:25,880 --> 01:06:29,600
Speaker 5: Curry versus the other fucking dude she killed. Dude kicked

1327
01:06:29,640 --> 01:06:31,280
Speaker 5: his ass, ripping ship.

1328
01:06:31,480 --> 01:06:34,800
Speaker 1: Now, dude, was it pussy? Dude sucks? Dude sucks. There's

1329
01:06:34,840 --> 01:06:37,440
Speaker 1: probably dudes who would have in that same scenario been

1330
01:06:37,480 --> 01:06:44,360
Speaker 1: able to yeahs around her. Yeah, yeah, well and so yeah,

1331
01:06:44,520 --> 01:06:46,200
Speaker 1: that's yeah, kind of a smart guy.

1332
01:06:46,440 --> 01:06:49,040
Speaker 5: Anyway, we need to make it clear that they are

1333
01:06:49,280 --> 01:06:52,480
Speaker 5: woke bays in how they tweet. If we're not going

1334
01:06:52,560 --> 01:06:54,160
Speaker 5: to have so they can have they can look at

1335
01:06:54,200 --> 01:06:55,880
Speaker 5: pictures of women online and be like.

1336
01:06:56,240 --> 01:06:59,560
Speaker 1: Oh my god, doesn't she look beautiful like old slightly

1337
01:06:59,680 --> 01:07:02,640
Speaker 1: old aging women like you're Julia Roberts. They can be like,

1338
01:07:02,720 --> 01:07:05,440
Speaker 1: you know what, we now are deciding good that she's

1339
01:07:05,440 --> 01:07:07,360
Speaker 1: still in movies. Yeah, And they could be like, I'd

1340
01:07:07,400 --> 01:07:09,520
Speaker 1: still fuck her, hey, I'd still fuck her? Hey? Man,

1341
01:07:09,840 --> 01:07:12,360
Speaker 1: you know, hey, fucking is it a probub in three holes,

1342
01:07:12,440 --> 01:07:15,760
Speaker 1: don't she Yeah, yeah, at least, So is it bad

1343
01:07:15,840 --> 01:07:18,040
Speaker 1: that Grisby Cat isn't Is that the conflict that he's

1344
01:07:18,080 --> 01:07:20,640
Speaker 1: not on Twitter anymore? So he like because he was

1345
01:07:20,760 --> 01:07:23,280
Speaker 1: banned because he watched so he can't even be Woke's

1346
01:07:24,440 --> 01:07:27,480
Speaker 1: way to be woke? That's so dude, you're the master

1347
01:07:27,760 --> 01:07:32,560
Speaker 1: of contact. Yes, that is oh con ing and where's

1348
01:07:32,600 --> 01:07:33,520
Speaker 1: my crown baby?

1349
01:07:33,680 --> 01:07:36,640
Speaker 5: And that's where Burton is going to be, like so

1350
01:07:36,760 --> 01:07:38,880
Speaker 5: excited to get involved in this because he's the master

1351
01:07:39,240 --> 01:07:44,480
Speaker 5: of just aesthetic twist because at this point, if he

1352
01:07:44,520 --> 01:07:47,920
Speaker 5: doesn't have a Twitter, he's gonna have to start buying

1353
01:07:48,000 --> 01:07:49,360
Speaker 5: some bot followers.

1354
01:07:49,560 --> 01:07:52,040
Speaker 1: He's gonna have to start a new Twitter. He's an

1355
01:07:52,160 --> 01:07:57,040
Speaker 1: egg and start from scratch. He's got to start from

1356
01:07:57,080 --> 01:07:59,600
Speaker 1: scratch and just start. But if you start, try to

1357
01:07:59,600 --> 01:08:00,520
Speaker 1: sit up. Here's the thing.

1358
01:08:00,560 --> 01:08:03,640
Speaker 5: If you're just aggressively woke, yeah, and just write things,

1359
01:08:03,760 --> 01:08:04,800
Speaker 5: people will be suspect.

1360
01:08:04,880 --> 01:08:07,560
Speaker 1: So he's got to write some jokes too, some woke jokes.

1361
01:08:08,200 --> 01:08:13,080
Speaker 5: Yes, it sucks that Leedo is just completely joker his

1362
01:08:13,400 --> 01:08:16,120
Speaker 5: entire exists because he could be really woke.

1363
01:08:18,760 --> 01:08:22,560
Speaker 1: Well, ever since he played the freaking I don't know

1364
01:08:22,600 --> 01:08:23,559
Speaker 1: what the word is for them.

1365
01:08:23,720 --> 01:08:25,920
Speaker 5: It might be too much good. It might be like

1366
01:08:26,160 --> 01:08:29,080
Speaker 5: having dessert for dinner and dessert for dessert.

1367
01:08:28,840 --> 01:08:32,160
Speaker 1: And your belly hurt. Ouch. Does it even out that

1368
01:08:32,360 --> 01:08:35,519
Speaker 1: you do something so good as play a woman and

1369
01:08:35,720 --> 01:08:38,080
Speaker 1: then you have to like bring yourself back to earth

1370
01:08:38,120 --> 01:08:40,080
Speaker 1: by being the worst thing you can possibly be, which

1371
01:08:40,120 --> 01:08:40,639
Speaker 1: is the Joker?

1372
01:08:41,479 --> 01:08:46,439
Speaker 5: Yeah, who is addicted to chaos and only aroused by.

1373
01:08:48,000 --> 01:08:50,519
Speaker 3: And the thing is that chaos fine if there's a

1374
01:08:50,560 --> 01:08:53,360
Speaker 3: purpose to it, but it's actually for its own sake. Yeah.

1375
01:08:53,920 --> 01:08:55,599
Speaker 1: Yeah, I mean you look at Leto and you can

1376
01:08:55,720 --> 01:08:58,120
Speaker 1: just hear the yeah. Oh yeah.

1377
01:08:59,120 --> 01:09:03,439
Speaker 3: Oh I wake up in a cold sweat hearing him going,

1378
01:09:03,960 --> 01:09:07,560
Speaker 3: just going, why are you being so serious for me?

1379
01:09:08,040 --> 01:09:08,799
Speaker 3: So serious?

1380
01:09:09,040 --> 01:09:13,080
Speaker 1: Yeah, I'm not serious. Oh I wasn't being that serious.

1381
01:09:13,240 --> 01:09:16,640
Speaker 1: That candy cane is a knife. That candy cane is

1382
01:09:16,720 --> 01:09:17,160
Speaker 1: a knife.

1383
01:09:17,720 --> 01:09:19,799
Speaker 5: That's That's what it comes down to for the Joker

1384
01:09:20,040 --> 01:09:21,559
Speaker 5: most of the time of Christmas.

1385
01:09:22,160 --> 01:09:25,200
Speaker 1: Oh no, you thought that I was gonna eat a

1386
01:09:25,240 --> 01:09:28,200
Speaker 1: peppermint tree. You thought this was a clad thing.

1387
01:09:28,280 --> 01:09:29,720
Speaker 5: It's a knife, oh dad.

1388
01:09:30,760 --> 01:09:35,400
Speaker 1: Anyway, that Reese's peanut butter cup is a ninja star. Yeah, guys,

1389
01:09:35,600 --> 01:09:38,760
Speaker 1: I think uh, you think the books finish it. Yeah,

1390
01:09:39,080 --> 01:09:42,240
Speaker 1: well it feels like we cracked it. I think, yeah,

1391
01:09:42,320 --> 01:09:46,200
Speaker 1: we might have. Uh we are out of page probably, yes,

1392
01:09:46,240 --> 01:09:46,960
Speaker 1: we're out of pages.

1393
01:09:47,040 --> 01:09:49,719
Speaker 3: Do we want to just do some acknowledgments and maybe

1394
01:09:49,760 --> 01:09:50,960
Speaker 3: a quick about the author?

1395
01:09:51,760 --> 01:09:52,000
Speaker 1: Yeah?

1396
01:09:52,720 --> 01:09:55,320
Speaker 5: I don't know what that is, but yeah, build the acknowledgement.

1397
01:09:55,400 --> 01:09:57,400
Speaker 1: It was just so fancy work for a library.

1398
01:09:58,920 --> 01:10:01,760
Speaker 3: Acknowledgments. I guess if we don't do engineer bread, it's

1399
01:10:01,800 --> 01:10:02,479
Speaker 3: gonna be a whole thing.

1400
01:10:03,080 --> 01:10:07,639
Speaker 1: Yeah. Bad. Hey Adam Sachs, CEO of you know where

1401
01:10:07,760 --> 01:10:08,400
Speaker 1: we are using.

1402
01:10:08,280 --> 01:10:11,519
Speaker 5: His you pressed record real good over there, dude, Yeah, thanks.

1403
01:10:12,200 --> 01:10:14,000
Speaker 1: I actually didn't even think he did that good of

1404
01:10:14,040 --> 01:10:18,040
Speaker 1: a jet, Like, there's no ceremony, there's nothing special about it.

1405
01:10:18,360 --> 01:10:21,400
Speaker 1: There's no like, you know what, like am I supposed

1406
01:10:21,400 --> 01:10:22,880
Speaker 1: to like really get it up for like the way

1407
01:10:22,960 --> 01:10:24,080
Speaker 1: he pushes record.

1408
01:10:23,800 --> 01:10:26,439
Speaker 5: Which is just like yeah, back in the early days,

1409
01:10:26,479 --> 01:10:29,920
Speaker 5: the magic days of early radio, they go and they

1410
01:10:30,080 --> 01:10:33,360
Speaker 5: go real big ceremony for it.

1411
01:10:33,600 --> 01:10:35,640
Speaker 1: Yeah, and that you remember, like even when we were

1412
01:10:35,640 --> 01:10:38,080
Speaker 1: first doing podcasts, it would be like the engineer would

1413
01:10:38,080 --> 01:10:41,559
Speaker 1: do a little song and be like we're ready, We're ready, We're.

1414
01:10:41,400 --> 01:10:44,920
Speaker 5: Ready, guys. For jokes, we forgot to name the book.

1415
01:10:45,960 --> 01:10:50,000
Speaker 1: Oh wow, this is a really that's a big issue.

1416
01:10:50,240 --> 01:10:54,880
Speaker 5: We got the story obviously, because we're story. I mean,

1417
01:10:55,000 --> 01:10:56,599
Speaker 5: I grew up with comic books. I don't know about

1418
01:10:56,600 --> 01:10:57,000
Speaker 5: you guys, but.

1419
01:10:59,080 --> 01:11:03,519
Speaker 1: Stories, don't you know, John, I didn't know that about you. Yeah,

1420
01:11:03,600 --> 01:11:06,760
Speaker 1: you were comic books stories in my bones. I got

1421
01:11:06,800 --> 01:11:09,600
Speaker 1: talking about the ones from the store with the like

1422
01:11:09,760 --> 01:11:12,640
Speaker 1: that with the Staples. Yes, yes, Staples.

1423
01:11:12,720 --> 01:11:16,520
Speaker 5: I'm talking Dark Knight series, my fucking story.

1424
01:11:16,840 --> 01:11:20,560
Speaker 1: Green Man and the Power You kidding me?

1425
01:11:20,880 --> 01:11:21,040
Speaker 4: Yeah?

1426
01:11:21,160 --> 01:11:24,920
Speaker 1: These Marvel people need to be coming ap. Oh god, God,

1427
01:11:26,280 --> 01:11:28,680
Speaker 1: I'm such a nerd and I love that nerds are

1428
01:11:28,800 --> 01:11:33,160
Speaker 1: king now I still read one I have. Yeah, I

1429
01:11:33,280 --> 01:11:34,360
Speaker 1: love that nerds are king too.

1430
01:11:34,400 --> 01:11:38,400
Speaker 5: It's so great. And I love that their their favorite

1431
01:11:38,439 --> 01:11:40,080
Speaker 5: thing is superheroes.

1432
01:11:40,840 --> 01:11:43,919
Speaker 1: Yes, that's my favorite part of it as well, especially Deadpool,

1433
01:11:44,160 --> 01:11:45,240
Speaker 1: the MRK with a mouth.

1434
01:11:45,360 --> 01:11:47,720
Speaker 5: He's got a little bit of dude and he's not

1435
01:11:47,840 --> 01:11:49,200
Speaker 5: going to be afraid a little.

1436
01:11:49,640 --> 01:11:49,840
Speaker 3: Yeah.

1437
01:11:50,120 --> 01:11:52,600
Speaker 1: We also forgot the title, and we forgot to have

1438
01:11:52,680 --> 01:11:55,559
Speaker 1: Deadpool invade the book. Maybe we could call it. Wait,

1439
01:11:55,760 --> 01:11:57,560
Speaker 1: did we forget the title or do we title it?

1440
01:11:57,640 --> 01:12:01,559
Speaker 1: I forget because just invade the title the waybade the title.

1441
01:12:01,720 --> 01:12:04,160
Speaker 3: Is it like a Deadpool Presents kind of thing, or like,

1442
01:12:04,240 --> 01:12:07,080
Speaker 3: do we start Pool Presents is a great way to start?

1443
01:12:07,280 --> 01:12:09,320
Speaker 1: Or but if he's invading it, if it's like the

1444
01:12:09,880 --> 01:12:12,880
Speaker 1: story of Grimsby, the Cat and the Dot Dot Dot. Hey,

1445
01:12:12,960 --> 01:12:15,800
Speaker 1: it's me Deadpool. Yeah, I bet I.

1446
01:12:15,840 --> 01:12:16,920
Speaker 3: Thought you were going to hear the rest of this

1447
01:12:17,040 --> 01:12:21,200
Speaker 3: book title. Well, yeah, the only book I'm interested.

1448
01:12:20,880 --> 01:12:21,880
Speaker 4: In is uh.

1449
01:12:23,520 --> 01:12:26,640
Speaker 1: Or the only title. The only title I'm interested in

1450
01:12:26,880 --> 01:12:28,840
Speaker 1: is the t because it looks like tittles if you

1451
01:12:28,920 --> 01:12:31,640
Speaker 1: are just reading it does look like is the Tittles on?

1452
01:12:31,920 --> 01:12:32,519
Speaker 1: Kate Upton?

1453
01:12:33,280 --> 01:12:33,479
Speaker 2: Yeah?

1454
01:12:34,280 --> 01:12:38,360
Speaker 1: You know Kate Upton? Can she be in our book

1455
01:12:38,520 --> 01:12:41,920
Speaker 1: or the movie? God? I feel like she's still looking

1456
01:12:41,960 --> 01:12:44,719
Speaker 1: at pictures of her. She's like the hot Margot Robbie

1457
01:12:44,840 --> 01:12:48,120
Speaker 1: or are they both hot? I don't know. That's really

1458
01:12:48,400 --> 01:12:51,160
Speaker 1: not for me to decide. That's a Jervais question. I'm

1459
01:12:51,160 --> 01:13:01,280
Speaker 1: always forgetting. He'd be like, oh, they're both quite chumming birds. Okay,

1460
01:13:01,400 --> 01:13:08,920
Speaker 1: so that's a good. We got the stone, yeah, Deadpool? Yeah,

1461
01:13:09,000 --> 01:13:11,240
Speaker 1: that's good. I don't remember what the title was, but

1462
01:13:11,360 --> 01:13:14,200
Speaker 1: that's fine. Can you tell me what's it? The title

1463
01:13:14,320 --> 01:13:16,479
Speaker 1: was the Story of the Cat and Dot Dot Dot.

1464
01:13:16,640 --> 01:13:18,680
Speaker 1: Hey it's me Deadpool. Bet you thought you were going

1465
01:13:18,760 --> 01:13:20,200
Speaker 1: to hear the rest of this title. But the only

1466
01:13:20,280 --> 01:13:24,560
Speaker 1: title I'm interested in is the titles in Kate Epton's.

1467
01:13:24,160 --> 01:13:28,800
Speaker 5: Bra Right, thank you, Yes, hey, this story of the cat,

1468
01:13:28,920 --> 01:13:31,320
Speaker 5: and hey, what's up? It's me Deadpool. That's so good,

1469
01:13:31,640 --> 01:13:35,120
Speaker 5: and then yeah, I mean it just yeah, and there's

1470
01:13:35,160 --> 01:13:37,960
Speaker 5: this should be just a picture of kids and adults

1471
01:13:38,000 --> 01:13:41,040
Speaker 5: are both having fun. There's a double image of Deadpool.

1472
01:13:41,080 --> 01:13:43,120
Speaker 5: And then you tilt the book and there's a cat.

1473
01:13:43,680 --> 01:13:47,240
Speaker 1: Yeah. Can you eat it up? The book? This book?

1474
01:13:47,640 --> 01:13:51,519
Speaker 1: Can you eat Is it thick enough? You want to

1475
01:13:51,560 --> 01:13:58,479
Speaker 1: shout it like a yeah? Yeah, we could do that. Yeah, yeah,

1476
01:13:58,760 --> 01:14:02,000
Speaker 1: yeah fuck yeah. It should be warm. A lot of

1477
01:14:02,040 --> 01:14:03,920
Speaker 1: these books they're so cold.

1478
01:14:04,560 --> 01:14:09,000
Speaker 3: Yeah. Well and sharp, yes, and sharp, stiff, sharp called.

1479
01:14:09,160 --> 01:14:11,200
Speaker 3: This is not what we want from our book. We

1480
01:14:11,320 --> 01:14:15,599
Speaker 3: want a nice, plush warm yeah, welcoming book.

1481
01:14:15,960 --> 01:14:19,040
Speaker 1: Yeah, it's something I can take in the bath as well. Oh,

1482
01:14:19,160 --> 01:14:21,240
Speaker 1: it has to be ready for it has to be

1483
01:14:21,320 --> 01:14:23,160
Speaker 1: ready for the bath or for saltwater pool.

1484
01:14:23,240 --> 01:14:25,960
Speaker 5: Yeah, it would be one of those floaty plastic books.

1485
01:14:26,360 --> 01:14:29,479
Speaker 1: But a lot of pages, it's like one hundred and

1486
01:14:29,560 --> 01:14:33,240
Speaker 1: twenty very thick pages that are like balloons.

1487
01:14:33,320 --> 01:14:35,280
Speaker 5: And speaking of merch, we should have some merch in

1488
01:14:35,439 --> 01:14:39,439
Speaker 5: the book, like a CD of merch with the merch

1489
01:14:39,520 --> 01:14:41,920
Speaker 5: of mouth, the merch with a mouth. Maybe it's a

1490
01:14:42,439 --> 01:14:43,439
Speaker 5: mask with a mouth.

1491
01:14:43,520 --> 01:14:45,320
Speaker 1: It's the merch with a mouth, somebody.

1492
01:14:46,680 --> 01:14:52,080
Speaker 5: Or not, I don't know, you guys, So can we

1493
01:14:52,120 --> 01:14:55,040
Speaker 5: set up a meeting with like some somebody's pod or something.

1494
01:14:55,200 --> 01:14:57,439
Speaker 1: Can we just pitch this or you don't want to

1495
01:14:57,479 --> 01:15:00,559
Speaker 1: do it? Out of wolf cool? Wolf Cool? That's our

1496
01:15:01,560 --> 01:15:03,960
Speaker 1: oh cool, Yeah, no, I'll do of course I'll do it.

1497
01:15:04,000 --> 01:15:05,840
Speaker 1: Doible Remember when they try to do wolf pop?

1498
01:15:05,960 --> 01:15:08,400
Speaker 5: Well this is yeah, this is is that not happening anymore?

1499
01:15:09,439 --> 01:15:09,600
Speaker 2: Is it?

1500
01:15:09,640 --> 01:15:13,360
Speaker 1: Wolf Cool? Now? Okay? Well we yeah, that's that's wound

1501
01:15:13,439 --> 01:15:15,439
Speaker 1: up being the one. We started ours around the same

1502
01:15:15,520 --> 01:15:18,960
Speaker 1: time as theirs. Coincidental working. Just so happens that ours

1503
01:15:19,040 --> 01:15:19,880
Speaker 1: is alive and.

1504
01:15:20,800 --> 01:15:24,640
Speaker 5: Right, wolf Cool was defeated. Wolves are Cool, but they

1505
01:15:24,720 --> 01:15:27,280
Speaker 5: also pop. Yeah, it's pretty good titles on both ends.

1506
01:15:27,400 --> 01:15:32,120
Speaker 1: Yeah, they're both. We both were content. Okay, So this

1507
01:15:32,439 --> 01:15:35,519
Speaker 1: was a meeting where we did so essentially I was

1508
01:15:35,600 --> 01:15:38,720
Speaker 1: hoping for a pitch me. This was the meeting. This

1509
01:15:38,920 --> 01:15:40,720
Speaker 1: was the meeting and the publication.

1510
01:15:41,280 --> 01:15:43,800
Speaker 3: We'll send bread off and he'll hopefully have this book

1511
01:15:43,880 --> 01:15:45,639
Speaker 3: turned around in the next couple of days.

1512
01:15:46,479 --> 01:15:49,240
Speaker 1: Yeah, and then it's just a matter of.

1513
01:15:49,400 --> 01:15:55,920
Speaker 5: Like we could probably manufactus fox con or something like that. Sure,

1514
01:15:56,200 --> 01:15:59,200
Speaker 5: you know, like China make it really cheap and you know,

1515
01:15:59,840 --> 01:16:00,320
Speaker 5: I don't know.

1516
01:16:00,400 --> 01:16:03,439
Speaker 1: Get the guys. They have special guys there with three

1517
01:16:03,600 --> 01:16:09,280
Speaker 1: finger like thumb, middle finger and pinky yeah, and like

1518
01:16:09,320 --> 01:16:10,840
Speaker 1: the other one so they don't get all like tied

1519
01:16:10,920 --> 01:16:15,080
Speaker 1: up as they're making the pages. Fingers is extra fingers.

1520
01:16:15,240 --> 01:16:17,040
Speaker 5: Yeah, they remove them when they're children. It's not like

1521
01:16:17,080 --> 01:16:18,840
Speaker 5: they're feeling it. It's like being forced.

1522
01:16:19,000 --> 01:16:20,720
Speaker 3: No, it's not like they lose them as adults and

1523
01:16:20,800 --> 01:16:23,519
Speaker 3: they miss them. There's no like phantom pain. Yeah, they're

1524
01:16:23,680 --> 01:16:27,560
Speaker 3: just dempsters need them. So here it's the ones that

1525
01:16:27,680 --> 01:16:28,519
Speaker 3: you actually use.

1526
01:16:29,120 --> 01:16:31,000
Speaker 5: Can you believe the audacity of these people to still

1527
01:16:31,040 --> 01:16:34,080
Speaker 5: commit suicide or try to? They got caught in our

1528
01:16:34,120 --> 01:16:38,360
Speaker 5: circus nets that yes, trapeze nets that we put outside.

1529
01:16:39,000 --> 01:16:45,120
Speaker 3: That to me, the suicide attempt is like the just Hubris, Yeah, Rob,

1530
01:16:45,160 --> 01:16:46,160
Speaker 3: you're so important.

1531
01:16:46,240 --> 01:16:55,880
Speaker 1: Yeah, Rob Hubris by hand book is brought to you

1532
01:16:56,000 --> 01:17:02,920
Speaker 1: that Wolf Cool production to subsidiary of ups Our Baby

1533
01:17:07,439 --> 01:17:07,479
Speaker 3: H