WEBVTT - Two Deloreans and a Blues Brothers Car

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<v Speaker 1>It's twelve am in the dark and murky waters of

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<v Speaker 1>the White Sea, and you're listening Tonight Call. Welcome to Nightcall,

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<v Speaker 1>a podcast keep you company on those strange dates and

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<v Speaker 1>lonely nights. My name is Emily Ushida. I am in

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<v Speaker 1>New York and with me on the other end of

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<v Speaker 1>the line in California, it is okay, fine, I'll go first.

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<v Speaker 1>It's Tests Lynch and with me is Molly Lambert. Hey, everybody, Hi,

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<v Speaker 1>Welcome to the holiday season. We're officially on the holiday

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<v Speaker 1>season with the real Higa season? Is that how I

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<v Speaker 1>always thought it was higgy? And then that commercial where

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<v Speaker 1>it like walks you through the pronunciation really kind of

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<v Speaker 1>shook me. But I don't he is it higa or

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<v Speaker 1>like uga? It's a hookah whoga is what I would

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<v Speaker 1>trust because it makes the least amount. And it's a

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<v Speaker 1>Scandinavian lingo. I mean it's just like cozy, right, Yeah,

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<v Speaker 1>it has like a meaning though that's deeper than cozy.

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<v Speaker 1>It's a Danish and Norwegian word for a mood of

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<v Speaker 1>coziness and comfortable conviviality, with feelings of wellness and contentment.

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<v Speaker 1>That's great. I'm going to completely batch it, but there's

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<v Speaker 1>like the Japanese concept where it's like you're you're both

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<v Speaker 1>successful in your career and happy with your personal life

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<v Speaker 1>and like everything's working at It's like basically Nirvana, but

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<v Speaker 1>it's like earthly Nirvana, a German version of what do

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<v Speaker 1>you What are your guys favorite cozy things to do

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<v Speaker 1>during the holiday season? Where it's about eighty five degrees

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<v Speaker 1>here in Los angele it oh, it sure is. I

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<v Speaker 1>went to the Hollywood Christmas Parade yesterday. It was the

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<v Speaker 1>eighty ninth year of this celebration. I don't even know. Okay,

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<v Speaker 1>I had never been to it before I knew about it.

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<v Speaker 1>It's like a local parade and they show it on TV.

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<v Speaker 1>I was trying to explain it to my friend. I

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<v Speaker 1>just got into the dude oh parade, and then I

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<v Speaker 1>realized I like to go to parades apparently, And I

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<v Speaker 1>was like, the dude Oh Parade is to the Rose Parade,

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<v Speaker 1>as the Hollywood Christmas Parade is to the Macy's Thanksgiving

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<v Speaker 1>Day Parade. It is like an extremely bootleg Christmas parade.

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<v Speaker 1>It is so bootleg you would not believe. Tell us why, well,

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<v Speaker 1>I don't exactly know why, but it's kind of amazing.

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<v Speaker 1>It's like, first of all, it happens now before it's

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<v Speaker 1>even December. And I explained to someone that that's so

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<v Speaker 1>they can film it and show it later. Oh my god, guys,

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<v Speaker 1>don't you know that the holiday shopping season starts the

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<v Speaker 1>day like Thanksgiving Day? It's it's Chris it And it's

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<v Speaker 1>just like they filmed this. They filmed this parade. It

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<v Speaker 1>was hosted by Eric Estrada, and they got a real

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<v Speaker 1>late start. Um. And it's basically like if Marty Grass

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<v Speaker 1>were like a quarter full, if Marty Grass sucked, No,

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<v Speaker 1>because it doesn't suck. I mean it's like you can't

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<v Speaker 1>like have a beer while you're watching. You can't. You can't,

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<v Speaker 1>definitely you cannot. But you can like buy an led

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<v Speaker 1>wand and sit on the It's like not crowded. If

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<v Speaker 1>what you want out of a parade is to be

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<v Speaker 1>in a not crowded place, it's a good parade for that.

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<v Speaker 1>What were the floats? Like, the floats are what make

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<v Speaker 1>it kind of junkie. Um. There was like one giant

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<v Speaker 1>inflatable that I saw that was a cat in the

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<v Speaker 1>hat balloon and it was actually amazing to see a

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<v Speaker 1>giant inflatable balloon in real life and made the whole

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<v Speaker 1>thing worth it. But it was also the slowest parade

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<v Speaker 1>and I kind of like walked down the line before

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<v Speaker 1>it started to see what it was. And the main

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<v Speaker 1>thing that I did see. First of all, it started

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<v Speaker 1>with like a million cops doing a sort of like

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<v Speaker 1>terrifying demonstration of power where they like ride motorcycles around

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<v Speaker 1>in crazy curly cues informations. Um. But then it was

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<v Speaker 1>weird to know they have a lot of time to

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<v Speaker 1>practice therapy, right. It's like, first of all the police

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<v Speaker 1>cars drive through, and then all the fire trucks drive through,

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<v Speaker 1>and then after that came a fleet of cars from

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<v Speaker 1>TV and film because I saw the Two Deloreans and

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<v Speaker 1>just like many but it was all like I think

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<v Speaker 1>in advertisement for a company that will rent you famous

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<v Speaker 1>cars or doppelgangers, the two Deloreans that are frequently seen

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<v Speaker 1>around the Hollywood and Los Filas areas. Yeah, I'd also

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<v Speaker 1>seen the Blues Brothers car before for sure, and I

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<v Speaker 1>just in my mind was like, there's just guys who

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<v Speaker 1>have a Blues Brothers car, because that was a thing

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<v Speaker 1>in Providence. But this is more of a like for

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<v Speaker 1>profit Blues Brothers Venture. Um, so, yeah, it's a really

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<v Speaker 1>silly parade and I saw about an hour of it

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<v Speaker 1>and that was about it. But if you like free

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<v Speaker 1>public experiences and spectacle, I think the big star was

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<v Speaker 1>Ernie Hudson from Ghostbusters was like the mayor of the parade.

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<v Speaker 1>Actually it was. I mean, it's not bad. It's like

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<v Speaker 1>true to its roots. I think it was like the

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<v Speaker 1>first place Sonny and Share ever performed. Like the fact

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<v Speaker 1>that it's almost ninety years old to me makes it

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<v Speaker 1>you know, it's hilarious old, but it's not like a

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<v Speaker 1>very big thing. Um, I mean, are there any new parades?

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<v Speaker 1>Like what's the most recent major parade that was starting?

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<v Speaker 1>Is it's really hard to think about parades in our

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<v Speaker 1>modern era, Like it's easy to imagine being like, yeah, parade,

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<v Speaker 1>that's what we'll do. Parade started in the seventies and

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<v Speaker 1>the Dude Parade is the most seventies parade because it

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<v Speaker 1>was started to start a grosse parade paroity parade. And

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<v Speaker 1>that parade is also free, and I guess most parades

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<v Speaker 1>are free. It's free to like it's like ten bucks

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<v Speaker 1>a person to participate in. Anyone can and it's all

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<v Speaker 1>super weird stuff. Um. But my friend was like the

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<v Speaker 1>theme of this parade is everybody smoke Swede, And I

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<v Speaker 1>was like, yes, that's definitely what connects all the floats

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<v Speaker 1>in this parade. I feel like those are two incongruous

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<v Speaker 1>themes though, like a parade, it's like like a kind

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<v Speaker 1>of like fake military exercise, like I don't know what,

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<v Speaker 1>and getting sucked up is against it. Yeah, it feels

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<v Speaker 1>like like getting in order or doing formations or like

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<v Speaker 1>caring you my friend should come to New Orleans eight

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<v Speaker 1>and data rates may apply. Nine twenty eighteen nineteen. I

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<v Speaker 1>did also go to Marty Gras because it turns out

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<v Speaker 1>I'm such a parade head, and that's I think I

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<v Speaker 1>was like missing the Disneyland Christmas Parade is why I

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<v Speaker 1>wanted to see the Hollywood Christmas Parade, which is less

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<v Speaker 1>impressive but also free. Um Marty Gras is like truly

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<v Speaker 1>an amazing parade and like a crazy, giant spectacle of

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<v Speaker 1>being overwhelmed by just like human beings capacity to make

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<v Speaker 1>weird things and be excited. And the floats aren't corporate.

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<v Speaker 1>My boyfriends from New Orleans, he's pointing that out yesterday.

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<v Speaker 1>He was like, those floats aren't corporate. They're like sat

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<v Speaker 1>satirical and sometimes very weird, because like I went right

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<v Speaker 1>around the election and it was like very strange. They

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<v Speaker 1>were like politics themed floats and they were just creepy

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<v Speaker 1>because they're just like giant you know the ways that

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<v Speaker 1>like giant effigies of politicians are creepy, and they do

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<v Speaker 1>that more in England. They love to do well, we've

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<v Speaker 1>imported that. We've totally you know the Genesis video with

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<v Speaker 1>the scary puppets that are all the oh, they love that.

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<v Speaker 1>It was like that. It was like some there was

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<v Speaker 1>like a Bernie float and a Hillary float and a

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<v Speaker 1>Trump float and they were all like mocking them, you know.

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<v Speaker 1>And then there's just some weird things about Marty grab

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<v Speaker 1>because it's so old that some of it is just

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<v Speaker 1>very feels very like you're in like an eyes wide

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<v Speaker 1>shut parade, you know, where you're like, this is gonna

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<v Speaker 1>end with like some kind of a really cool like

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<v Speaker 1>pagan thing that we all do because it feels very

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<v Speaker 1>like older than time or like, um, it's great, I

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<v Speaker 1>recommend it, but it's it's like many days of parades.

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<v Speaker 1>And what's cool about is everybody gets like the week

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<v Speaker 1>off from school. We should read we should revisit this

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<v Speaker 1>when it's actually Marty season. But the sounds called Marty

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<v Speaker 1>Gras corporate sponsors send us to Marty Gras. Yeah, put

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<v Speaker 1>us on a float. We should just have like a

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<v Speaker 1>giant phone, like a nightscape. What's your dream, slow, what

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<v Speaker 1>would you like to ride on tested a giant phone? Well, no,

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<v Speaker 1>I was thinking like a landline, and I do kind

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<v Speaker 1>of like that idea, but I really like the idea

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<v Speaker 1>of being inside a clam that opened and shut. Yeah,

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<v Speaker 1>I just I just think it's I was going to

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<v Speaker 1>say a moon pie. Oh, that's a good one. I

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<v Speaker 1>would like something I could close myself up in if

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<v Speaker 1>I got shy. When I went to Marty Gras, I

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<v Speaker 1>saw Solinge was the the Grand Marshall. I think it's

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<v Speaker 1>called a parade, and she was in a giant shoe.

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<v Speaker 1>That's a parade whose theme is a giant high heel shoe.

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<v Speaker 1>That's like the women's parade. It's the best parade, is

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<v Speaker 1>that like her? The crew, Yeah, the crew is muses

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<v Speaker 1>and it's like the all female crew and their thing

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<v Speaker 1>is like a high heeled shoe. So she rode in

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<v Speaker 1>a giant high heeled shoe. And she actually lost her

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<v Speaker 1>wedding or engagement ring because she was doing throws all

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<v Speaker 1>night and at some point, like accidentally, her ring came

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<v Speaker 1>off while she was like throwing beads and stuff. Emily,

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<v Speaker 1>what's your dream float? I was in a float when

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<v Speaker 1>I was a kid. This is like a very early

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<v Speaker 1>childhood money. But there's there's a kind of funky parade

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<v Speaker 1>in Seattle called the Seafair Parade. It's kind of like

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<v Speaker 1>well known around there isn't but my mom was a

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<v Speaker 1>part of a Habitat for Humanity float and they made

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<v Speaker 1>like a like a house, like a big kind of

0:11:39.720 --> 0:11:42.960
<v Speaker 1>crazy house float and I was in it, Like I

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<v Speaker 1>rode in the float and kind of was like in

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<v Speaker 1>one of the top like little windows, the window. Yeah yeah,

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<v Speaker 1>it kind of was this the real thing of like

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<v Speaker 1>a trailer house, um being you know, taken down the road. Um,

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<v Speaker 1>like the kind of weird dreamy thing of being in

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<v Speaker 1>a house. But it's a movie sort of wizard um.

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<v Speaker 1>But I had a very cool memory of why so,

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<v Speaker 1>I guess any kind of house thing they I think

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<v Speaker 1>the Thanksgiving Day Pride they have like an old Mother

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<v Speaker 1>Hubbard float that's like the shoe house, that one miniature golf. Yeah. Well,

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<v Speaker 1>speaking of British puppets, speaking of British people and their puppets. Yeah,

0:12:25.720 --> 0:12:29.400
<v Speaker 1>and the Holidays. This this topic came as a suggestion

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<v Speaker 1>to us um on Twitter because I was sort of

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<v Speaker 1>on this kick that we had been from uh from

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<v Speaker 1>doing the Big Chill episode and then talking about Phantom

0:12:40.720 --> 0:12:43.480
<v Speaker 1>of the Opera. And there are a lot of things

0:12:43.520 --> 0:12:48.040
<v Speaker 1>that could qualify as eighties themed themes, but they're like

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<v Speaker 1>sensations where I genuinely I can't really understand why they

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<v Speaker 1>were so popular. Guys, Big Chill is great. I don't

0:12:55.440 --> 0:12:57.560
<v Speaker 1>know it's great. I'm not saying it's not great, but

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<v Speaker 1>I'm s a sensation. No, yeah, yeah. I mean it's

0:13:03.559 --> 0:13:06.120
<v Speaker 1>hard to imagine any movie that's like about real people,

0:13:07.320 --> 0:13:11.480
<v Speaker 1>right just being have superpowers, yeah, or are animated being

0:13:11.480 --> 0:13:13.960
<v Speaker 1>like a huge, huge hit. So we had a we

0:13:13.960 --> 0:13:17.040
<v Speaker 1>had a suggestion from a Twitter They did suggest to

0:13:17.120 --> 0:13:19.400
<v Speaker 1>it talking about charity songs, which I was just like,

0:13:19.480 --> 0:13:23.120
<v Speaker 1>oh yeah, that's one of these other things where when

0:13:23.120 --> 0:13:26.560
<v Speaker 1>I think about any of those songs like We're the

0:13:26.640 --> 0:13:30.640
<v Speaker 1>World or in this case, do they know it's Christmas? Charting,

0:13:31.120 --> 0:13:33.360
<v Speaker 1>especially in those days when charting was based off of

0:13:33.640 --> 0:13:38.160
<v Speaker 1>buying a single and radio play, I guess I can't

0:13:38.160 --> 0:13:42.240
<v Speaker 1>imagine those songs Pizza, Like, who would buy the single

0:13:42.400 --> 0:13:46.120
<v Speaker 1>of do they know it's Christmas? I mean, I'm glad

0:13:46.160 --> 0:13:51.360
<v Speaker 1>they did because I think there's what I think. Let's

0:13:51.360 --> 0:13:53.679
<v Speaker 1>talk sports again like we did last week. We love

0:13:54.040 --> 0:13:59.079
<v Speaker 1>we love to talk sports. Spot Hearts Take It's like

0:13:59.120 --> 0:14:02.800
<v Speaker 1>a super team. It's like just because you put all

0:14:02.840 --> 0:14:06.160
<v Speaker 1>of the greatest players in history on a team, like

0:14:06.200 --> 0:14:10.120
<v Speaker 1>they might be a terrible team. Uh. There's something about

0:14:10.120 --> 0:14:12.200
<v Speaker 1>the idea of like putting all these stars on a

0:14:12.280 --> 0:14:16.400
<v Speaker 1>track together. Well, It's also interesting because if it's for charity,

0:14:16.440 --> 0:14:19.600
<v Speaker 1>if you say no, and then that becomes public knowledge,

0:14:20.240 --> 0:14:24.640
<v Speaker 1>it's obviously like yeah, and and maybe rightfully because you're like, well,

0:14:24.640 --> 0:14:27.600
<v Speaker 1>it was recorded in a day, so it literally took

0:14:27.640 --> 0:14:29.600
<v Speaker 1>like a couple of hours of time. Then it did

0:14:29.640 --> 0:14:31.960
<v Speaker 1>generate a bunch of money, but it also created one

0:14:31.960 --> 0:14:36.080
<v Speaker 1>of the worst right. It depends who's running the charity

0:14:36.120 --> 0:14:37.640
<v Speaker 1>and where the money actually goes. I knew it was

0:14:37.680 --> 0:14:43.640
<v Speaker 1>a Bob Geldoff joint. Yeah, it was above or uri Urie,

0:14:43.800 --> 0:14:48.200
<v Speaker 1>Let's go Urie. And it is a terrible song. It's

0:14:48.400 --> 0:14:51.320
<v Speaker 1>so bad. You guys think it's better or worse than

0:14:51.320 --> 0:14:56.320
<v Speaker 1>the version about Ebola. So I was just listening to

0:14:56.960 --> 0:15:00.760
<v Speaker 1>fourteen a version. It's so funny because it's tough, yes,

0:15:00.880 --> 0:15:05.080
<v Speaker 1>and it was Ellie Goldine And I don't even know

0:15:05.120 --> 0:15:09.160
<v Speaker 1>about the mean It's like, I think there's something about

0:15:09.200 --> 0:15:13.400
<v Speaker 1>that song in particular. What makes it so offensive is

0:15:13.480 --> 0:15:17.200
<v Speaker 1>that it's like so colonial lists. Oh, it's so colonialist.

0:15:17.280 --> 0:15:19.640
<v Speaker 1>It's like the craziest and it's the thing of like

0:15:19.680 --> 0:15:22.360
<v Speaker 1>you're like, you're you should know better than this by now.

0:15:23.360 --> 0:15:27.120
<v Speaker 1>The the kind of the rampant, the rampant cluelessness feels

0:15:27.440 --> 0:15:31.040
<v Speaker 1>feels shocking now. Um. Also, I mean it, it is

0:15:31.080 --> 0:15:33.800
<v Speaker 1>one of those things that feels like it would be

0:15:33.840 --> 0:15:35.920
<v Speaker 1>a song in a South Park episode without a single

0:15:35.960 --> 0:15:39.080
<v Speaker 1>lyrics exactly. You know, we all spent time in the eighties,

0:15:39.360 --> 0:15:41.760
<v Speaker 1>which is what differential we did our time in the eighties,

0:15:41.920 --> 0:15:45.880
<v Speaker 1>what differentiates us from from the young millennials. Um, because

0:15:45.880 --> 0:15:49.120
<v Speaker 1>the eighties are the weirdest decade by far to me. Like,

0:15:49.280 --> 0:15:52.920
<v Speaker 1>when you look at things from the eighties, they're so

0:15:53.000 --> 0:15:56.720
<v Speaker 1>weird because they purport to be wholesome. It's like trying

0:15:56.720 --> 0:15:59.720
<v Speaker 1>to reset things to the fifties and well, bizarro fIF

0:15:59.800 --> 0:16:02.720
<v Speaker 1>it's bizarrot, but things are like, things are so dystopian

0:16:02.840 --> 0:16:06.560
<v Speaker 1>and weird, and that was very apparent. What's strange is

0:16:06.600 --> 0:16:10.000
<v Speaker 1>that I remember this song. Obviously it's still plays, but

0:16:10.080 --> 0:16:12.200
<v Speaker 1>I remember it as if I were there when it

0:16:12.280 --> 0:16:14.360
<v Speaker 1>came out. But I was one year old when did

0:16:14.360 --> 0:16:18.360
<v Speaker 1>it come Okay, I just remember like the SMaL parody. Yeah,

0:16:18.400 --> 0:16:20.160
<v Speaker 1>you know, like I feel like I was more aware

0:16:20.200 --> 0:16:22.920
<v Speaker 1>of the parodies than the thing itself. Well, there's this

0:16:22.960 --> 0:16:25.760
<v Speaker 1>weird thing where I feel like if someone plays the

0:16:25.880 --> 0:16:29.360
<v Speaker 1>like bells, you know, of the like like ding ding ding,

0:16:29.680 --> 0:16:31.600
<v Speaker 1>you know, like any kind of like Christmas e bell

0:16:32.040 --> 0:16:34.600
<v Speaker 1>or a whistle or a handclap, like I will listen

0:16:34.640 --> 0:16:37.240
<v Speaker 1>to the song, you know, I'll give it a heavily

0:16:37.400 --> 0:16:41.160
<v Speaker 1>synthesized yes. And I actually think that musically this song

0:16:41.240 --> 0:16:44.400
<v Speaker 1>isn't that bad, right, just the lyrics are. It's the

0:16:44.480 --> 0:16:46.800
<v Speaker 1>lyrics that are terrible. And then okay, So the thing

0:16:46.840 --> 0:16:49.880
<v Speaker 1>going back to the super super team thing. I think

0:16:49.880 --> 0:16:52.880
<v Speaker 1>the super team thing works in sports because you're tuning

0:16:52.920 --> 0:16:55.520
<v Speaker 1>into an event and you're like watching to see how

0:16:55.600 --> 0:17:00.240
<v Speaker 1>something plays out in real time. Yeah. So now I

0:17:00.240 --> 0:17:02.240
<v Speaker 1>feel like instead of these songs, we don't really get

0:17:02.360 --> 0:17:05.360
<v Speaker 1>charity songs anymore, but like we have the big like

0:17:05.359 --> 0:17:08.720
<v Speaker 1>like fifty people fifty big stars singing at the Grammys

0:17:08.800 --> 0:17:11.280
<v Speaker 1>or whatever, which is like you don't really want to

0:17:11.280 --> 0:17:13.880
<v Speaker 1>ever like go back and watch that again or listen

0:17:13.880 --> 0:17:19.000
<v Speaker 1>to the counting. Yeah, the Lucky lou aspect of it

0:17:19.119 --> 0:17:21.120
<v Speaker 1>and that kind of stuff. I kind of I think

0:17:21.160 --> 0:17:24.359
<v Speaker 1>it's usually kind of boringly done on the Grammys. I

0:17:24.359 --> 0:17:27.120
<v Speaker 1>mean there's some exceptions, and sometimes the combinations are so

0:17:27.440 --> 0:17:29.480
<v Speaker 1>WHA could do that you kind of just have to

0:17:29.480 --> 0:17:32.320
<v Speaker 1>watch with your jaw open. But one of my earliest

0:17:32.320 --> 0:17:35.840
<v Speaker 1>writing jobs was was recappying The Voice for the A

0:17:35.960 --> 0:17:39.000
<v Speaker 1>V Club, Like when The Voice was new and I

0:17:39.040 --> 0:17:42.439
<v Speaker 1>had been doing American Idol stuff before then, and I

0:17:42.520 --> 0:17:44.639
<v Speaker 1>was like, well, this show is fun because they have

0:17:44.960 --> 0:17:48.719
<v Speaker 1>the battle rounds where people are just sing fighting, and

0:17:48.800 --> 0:17:51.159
<v Speaker 1>that's always kind of entertaining, like when people are just

0:17:51.240 --> 0:17:53.480
<v Speaker 1>in real time trying to one up each the love

0:17:53.480 --> 0:17:56.400
<v Speaker 1>the battle rounds. Yeah, and that's when people like about

0:17:56.440 --> 0:17:58.680
<v Speaker 1>charity singles. I think you're right, is there's an element

0:17:58.720 --> 0:18:00.600
<v Speaker 1>of like all these stars trying to be leading, who

0:18:00.600 --> 0:18:03.919
<v Speaker 1>will be the memorable person? Yeah, but I think it's not.

0:18:04.080 --> 0:18:06.080
<v Speaker 1>It's not it's no, it's no VH one Diva. Yeah,

0:18:06.119 --> 0:18:10.199
<v Speaker 1>that's true. Just because you mentioned the Voice, I have

0:18:10.320 --> 0:18:12.280
<v Speaker 1>to say like in the early days of The Voice,

0:18:12.359 --> 0:18:14.000
<v Speaker 1>I was like, I'll give this show a shot, and

0:18:14.040 --> 0:18:17.000
<v Speaker 1>I really liked the Battle rounds, but that that show

0:18:17.119 --> 0:18:21.359
<v Speaker 1>is such a pale, like awful substitute for American Idol.

0:18:21.440 --> 0:18:24.000
<v Speaker 1>Guys have strong Idol strong. This is like when we

0:18:24.040 --> 0:18:26.359
<v Speaker 1>talked about astrology the other week and I just dropped

0:18:26.400 --> 0:18:29.959
<v Speaker 1>out for ten minutes. You you are not into I

0:18:30.000 --> 0:18:31.960
<v Speaker 1>was like, I don't think this has ever happened before

0:18:32.000 --> 0:18:34.400
<v Speaker 1>that I've stopped talking for that long on the podcast.

0:18:34.600 --> 0:18:36.359
<v Speaker 1>I mean it feels of a piece with them. I

0:18:36.359 --> 0:18:39.800
<v Speaker 1>mean American also has that creepy thing of like trying

0:18:39.800 --> 0:18:42.400
<v Speaker 1>to recapture something from the phase like American. They all

0:18:42.400 --> 0:18:46.760
<v Speaker 1>exist in the same like Paul Verhoven universe. Yeah, yeah,

0:18:46.840 --> 0:18:50.480
<v Speaker 1>that informed us all as people. Bob Geldoff, by the way,

0:18:50.680 --> 0:18:53.680
<v Speaker 1>in said that he was responsible for two of the

0:18:53.720 --> 0:18:56.240
<v Speaker 1>worst songs in history, and one was do they Know

0:18:56.280 --> 0:18:58.119
<v Speaker 1>It's Christmas? And the other as we Are the World?

0:18:59.119 --> 0:19:04.160
<v Speaker 1>Like admitted it. What about one day taking no responsibility

0:19:04.200 --> 0:19:07.040
<v Speaker 1>the world is incredible. I was more aware of we

0:19:07.119 --> 0:19:08.960
<v Speaker 1>Are the World when I was a kid than then.

0:19:09.080 --> 0:19:11.400
<v Speaker 1>Which came first? That's a question. I was just gonna say,

0:19:11.520 --> 0:19:13.800
<v Speaker 1>do they know It's Christmas? I think came first. Here's

0:19:13.800 --> 0:19:16.320
<v Speaker 1>what I was saying to you guys also in an email,

0:19:16.480 --> 0:19:18.480
<v Speaker 1>is that I feel like I knew for some reason

0:19:18.520 --> 0:19:21.480
<v Speaker 1>that the race to get a number one for Christmas.

0:19:21.680 --> 0:19:24.960
<v Speaker 1>It's a huge thing in England, much more so than

0:19:25.000 --> 0:19:28.920
<v Speaker 1>in America, I think, and it's always like it's sort

0:19:28.920 --> 0:19:30.959
<v Speaker 1>of like a eurovisiony thing where it's like, you know,

0:19:31.080 --> 0:19:34.280
<v Speaker 1>the favorite and like somebody will do and it's always

0:19:34.280 --> 0:19:37.879
<v Speaker 1>people doing like sentimental covers of songs. I feel like

0:19:37.920 --> 0:19:41.120
<v Speaker 1>Adele has just like one with if she song out

0:19:41.119 --> 0:19:44.600
<v Speaker 1>it wins for her and Sam Smith have just been owning.

0:19:44.640 --> 0:19:47.320
<v Speaker 1>I feel like Ed Sheeron like really wanted it one

0:19:47.440 --> 0:19:49.720
<v Speaker 1>year and got it. But then there was a year

0:19:49.760 --> 0:19:52.440
<v Speaker 1>when everybody just got totally one up by a song

0:19:52.600 --> 0:19:56.000
<v Speaker 1>from a tea commercial that has really cuddley polar Bear.

0:19:56.880 --> 0:19:59.440
<v Speaker 1>It was awesome. It was like everybody was like no, no,

0:19:59.680 --> 0:20:01.879
<v Speaker 1>the by like the no name band from like the

0:20:01.920 --> 0:20:04.520
<v Speaker 1>cuddly polar Bear t commercial that all of England has

0:20:04.520 --> 0:20:06.600
<v Speaker 1>fallen in love with. It captured their heart like the

0:20:06.640 --> 0:20:11.240
<v Speaker 1>crazy Frog. The funny thing about the most recent do

0:20:11.320 --> 0:20:14.000
<v Speaker 1>they know it's Christmas? Did you see? I guess it

0:20:14.040 --> 0:20:17.080
<v Speaker 1>would be like on a four year yeah, um, is

0:20:17.119 --> 0:20:19.520
<v Speaker 1>that it feels even more British than the first one

0:20:19.560 --> 0:20:22.800
<v Speaker 1>for some reason. Uh, A lot of the people who

0:20:22.800 --> 0:20:24.520
<v Speaker 1>pop up on it, you kind of do this weird

0:20:24.560 --> 0:20:26.320
<v Speaker 1>thing of like who's that person because you know them

0:20:26.320 --> 0:20:29.080
<v Speaker 1>from like exactly one song, like whatever the one song

0:20:29.240 --> 0:20:31.600
<v Speaker 1>was that came to the States, so like the guy

0:20:31.720 --> 0:20:36.639
<v Speaker 1>from POMPEII, the Bastilda, so I can't even yeah, and

0:20:36.680 --> 0:20:38.760
<v Speaker 1>he has a really distinctive voice, but I've never heard

0:20:38.800 --> 0:20:41.080
<v Speaker 1>another song by them ever again. And so he pops

0:20:41.119 --> 0:20:44.240
<v Speaker 1>up on this song and I'm like, who's that? You

0:20:44.359 --> 0:20:49.720
<v Speaker 1>call him? Who's who? Of Who's It's yes exactly because

0:20:49.760 --> 0:20:55.359
<v Speaker 1>that's great. You like like we do talking about minor

0:20:55.400 --> 0:20:58.320
<v Speaker 1>British pop stars that other people might not care about,

0:20:58.440 --> 0:21:04.960
<v Speaker 1>but you obsessively follow the details, like j j Dating

0:21:05.080 --> 0:21:09.320
<v Speaker 1>Channing Tatum is talking about how she looks just like

0:21:09.400 --> 0:21:14.600
<v Speaker 1>Jenna Dowan. Yea, um, yeah, yeah it is um and

0:21:14.680 --> 0:21:17.440
<v Speaker 1>she like went on a Chinese The Voice and one

0:21:17.880 --> 0:21:26.400
<v Speaker 1>she was she was on either X Factor and yeah

0:21:26.440 --> 0:21:29.399
<v Speaker 1>it was amazing. If you have been riveted by this

0:21:29.440 --> 0:21:33.680
<v Speaker 1>discussion of Jesse Jay's cast, you will love Who Weekly,

0:21:34.320 --> 0:21:37.320
<v Speaker 1>a podcast from Lindsay Webber and Bobby Finger that we

0:21:37.400 --> 0:21:40.160
<v Speaker 1>all love, love it so much. I can actually say

0:21:40.200 --> 0:21:43.040
<v Speaker 1>that it's better for celebrities where you just keep seeing

0:21:43.080 --> 0:21:45.919
<v Speaker 1>their name. So I put celebrities in air quotes but

0:21:45.960 --> 0:21:48.720
<v Speaker 1>you can't see it. But they're all of these people

0:21:49.080 --> 0:21:51.920
<v Speaker 1>where you just keep seeing them mentioned and you know

0:21:52.080 --> 0:21:54.840
<v Speaker 1>that you'll never find out who they are. And then

0:21:54.880 --> 0:21:58.000
<v Speaker 1>just having someone else acknowledged that there are who, You're like, yeah,

0:21:58.119 --> 0:22:01.159
<v Speaker 1>I don't have to know who they are there I

0:22:01.200 --> 0:22:03.240
<v Speaker 1>love I think it's a great pairing. If you're a

0:22:03.280 --> 0:22:06.760
<v Speaker 1>big blind items reader, crazy Days and tights reader, like

0:22:06.920 --> 0:22:09.960
<v Speaker 1>to have both of those um info streams going in

0:22:10.000 --> 0:22:13.120
<v Speaker 1>tandem because then you kind of can understand who half

0:22:13.119 --> 0:22:15.120
<v Speaker 1>the people are that he talks about that Otherwise you'd

0:22:15.160 --> 0:22:17.879
<v Speaker 1>be like, who is Matthew? Like me, are deeply invested

0:22:17.960 --> 0:22:22.160
<v Speaker 1>in the careers of stars like Bella Thorne. The Hudgens.

0:22:22.160 --> 0:22:26.960
<v Speaker 1>The Christmas switch is Vanessa Hudgens and who. Well, this

0:22:27.000 --> 0:22:30.040
<v Speaker 1>would be a great Who Weekly debate because she's not

0:22:30.119 --> 0:22:31.919
<v Speaker 1>a who, but she's sort of. She just did a

0:22:31.960 --> 0:22:35.879
<v Speaker 1>Netflix Christmas movie, which will bring us back to her

0:22:35.920 --> 0:22:39.639
<v Speaker 1>main topic again, um about a princess. It's like she

0:22:39.720 --> 0:22:43.000
<v Speaker 1>and a princess, which places or something within the Christmas

0:22:43.000 --> 0:22:47.840
<v Speaker 1>movie they acknowledge the Netflix Christmas Movies universe. There's a

0:22:47.880 --> 0:22:51.040
<v Speaker 1>moment in this Vanessa Hudgens Netflix Christmas movie where they

0:22:51.080 --> 0:22:54.520
<v Speaker 1>watch another Netflix Christmas movie and she's like, I love

0:22:54.600 --> 0:22:57.480
<v Speaker 1>these movies. Does that mean are you arguing that that

0:22:57.520 --> 0:22:59.280
<v Speaker 1>makes her more of a who? Or is that just a.

0:23:00.000 --> 0:23:04.480
<v Speaker 1>It's definitely there's something like if you decided that you can,

0:23:04.560 --> 0:23:07.200
<v Speaker 1>you can corner the Netflix Christmas movie market. I mean

0:23:07.320 --> 0:23:10.080
<v Speaker 1>a lot of people. It is a route for an

0:23:10.080 --> 0:23:13.320
<v Speaker 1>actress that I respect. A lot of people do Christmas movie.

0:23:13.520 --> 0:23:16.119
<v Speaker 1>The Calix Movies says she'd been in now because she

0:23:16.240 --> 0:23:18.840
<v Speaker 1>was in that one rave movie XO x so she's

0:23:18.880 --> 0:23:22.679
<v Speaker 1>amazing and spring Breakers the thing that's why I do

0:23:22.880 --> 0:23:25.440
<v Speaker 1>more serious now. It wasn't she wasn't in that movie.

0:23:25.680 --> 0:23:28.199
<v Speaker 1>I'm sorry for spiring smirching her name. I think that

0:23:28.240 --> 0:23:32.399
<v Speaker 1>was Sarah Highland who was Oh can I share my

0:23:32.520 --> 0:23:35.719
<v Speaker 1>one favorite tidbit from the Wikipedia entry for do they

0:23:35.720 --> 0:23:38.720
<v Speaker 1>Know It's Christmas? Though? Before we move on, I think

0:23:38.760 --> 0:23:41.480
<v Speaker 1>it was Simon Labond who like showed up like having

0:23:41.560 --> 0:23:45.040
<v Speaker 1>not like just come from a party, like not having

0:23:45.040 --> 0:23:48.200
<v Speaker 1>slept the night before, and like how many people recording

0:23:48.240 --> 0:23:51.919
<v Speaker 1>that song knew it was Christmas? Yeah yeah, or like

0:23:52.000 --> 0:23:55.080
<v Speaker 1>we're aware of much may not be snow in Africa,

0:23:55.160 --> 0:23:59.399
<v Speaker 1>but there was snow yeah yeah, well yeah, he dumped

0:23:59.400 --> 0:24:01.680
<v Speaker 1>out a bag of cocaine on the table and everybody

0:24:01.720 --> 0:24:04.480
<v Speaker 1>partook um. And then fast forward to I think the

0:24:04.480 --> 0:24:07.359
<v Speaker 1>one that was recorded in the nineties and it was

0:24:07.400 --> 0:24:10.280
<v Speaker 1>like Damon Alburn was there, but he wasn't even a

0:24:10.320 --> 0:24:12.440
<v Speaker 1>part of the track. He was just there to serve everybody.

0:24:12.520 --> 0:24:18.600
<v Speaker 1>T is what you're saying. I love him. That might

0:24:18.680 --> 0:24:22.800
<v Speaker 1>be the official night Call crush, I mean, is it?

0:24:22.840 --> 0:24:27.000
<v Speaker 1>I think I think we might all just see that one. Yeah,

0:24:27.240 --> 0:24:32.240
<v Speaker 1>he has the boyish we like British novelty songs. I

0:24:32.280 --> 0:24:36.920
<v Speaker 1>mean British like anything that they're probably sick of in England.

0:24:37.119 --> 0:24:40.160
<v Speaker 1>Like I'm like, bring it to me, I will take it. Yeah,

0:24:40.200 --> 0:24:42.960
<v Speaker 1>but there is some stuff that's like not quite good

0:24:43.040 --> 0:24:47.400
<v Speaker 1>enough to actually crossover that I'll listen to. But I

0:24:47.440 --> 0:24:50.000
<v Speaker 1>feel like lucky that we are spared it like the

0:24:50.000 --> 0:24:52.800
<v Speaker 1>work of Sheryl Tweety. What is the best Christmas song

0:24:52.840 --> 0:24:59.640
<v Speaker 1>of that? There's no other answer. Do you like Christmas music? Um?

0:24:59.720 --> 0:25:01.720
<v Speaker 1>I know it's probably not cool, but yeah I do.

0:25:02.000 --> 0:25:05.879
<v Speaker 1>There are certain that you like it. I just do

0:25:06.119 --> 0:25:08.440
<v Speaker 1>like it. I've been listening to the country station out

0:25:08.480 --> 0:25:10.719
<v Speaker 1>here Go Country one oh five one because they started

0:25:10.720 --> 0:25:14.280
<v Speaker 1>playing the Christmas music like about three weeks ago, if

0:25:14.320 --> 0:25:16.600
<v Speaker 1>memory serves, But there are a few that make me

0:25:16.640 --> 0:25:19.760
<v Speaker 1>like deeply depressed. I'll just turn those off, like see

0:25:19.760 --> 0:25:23.280
<v Speaker 1>you like a happy Christmas? I like the Zippy Ones,

0:25:23.400 --> 0:25:26.640
<v Speaker 1>what about you, Emily? Um, I mean I'm a big

0:25:26.680 --> 0:25:29.960
<v Speaker 1>fan of the Phil Specter Christmas just kind of like

0:25:30.000 --> 0:25:33.360
<v Speaker 1>it doesn't it doesn't never get old. But my real favorite,

0:25:33.359 --> 0:25:36.760
<v Speaker 1>and this is just like a sentimental favorite, is um

0:25:37.119 --> 0:25:41.439
<v Speaker 1>a Steven Eadie recording of Let It Snow? Do you

0:25:41.480 --> 0:25:45.320
<v Speaker 1>like the Christmas music? Do I like the Christmas music

0:25:45.320 --> 0:25:48.880
<v Speaker 1>in general? Not really, I'm not a big Christmas music fan.

0:25:49.040 --> 0:25:51.560
<v Speaker 1>There's like this one tape that we just have had

0:25:51.640 --> 0:25:53.919
<v Speaker 1>since I was a kid that has it's kind of

0:25:53.960 --> 0:25:59.159
<v Speaker 1>a very sixties seventies Christmas tape Pencil Steven Eadie, And

0:25:59.200 --> 0:26:03.119
<v Speaker 1>there's like Julie Andrew singing a ballad, a Christmas ballad

0:26:03.280 --> 0:26:05.800
<v Speaker 1>I can't remember. And then yeah, it's just a very

0:26:05.920 --> 0:26:09.760
<v Speaker 1>kind of like like the Mormon Tabernacle Choir is on it,

0:26:10.000 --> 0:26:11.760
<v Speaker 1>and and that one I just have a soft spot

0:26:11.800 --> 0:26:13.840
<v Speaker 1>for because every single one of those tracks I just

0:26:14.320 --> 0:26:17.000
<v Speaker 1>have imprinted on my brain. But I'm not a big

0:26:17.000 --> 0:26:18.439
<v Speaker 1>like I'm not one of those people. I think a

0:26:18.440 --> 0:26:21.919
<v Speaker 1>lot of people are like like Thanksgivings over, time to

0:26:21.960 --> 0:26:25.639
<v Speaker 1>break out the Christmas music, time to play Mariah Carey

0:26:25.840 --> 0:26:29.560
<v Speaker 1>like five times a day, and well, I mean it's

0:26:29.560 --> 0:26:31.600
<v Speaker 1>a it's a it's a good one. I feel like

0:26:31.640 --> 0:26:35.359
<v Speaker 1>everybody in the modern day, if there's a contemporary pop

0:26:35.440 --> 0:26:38.479
<v Speaker 1>star who is trying to do a Christmas track, everybody

0:26:38.520 --> 0:26:43.320
<v Speaker 1>is kind of secretly just trying to to best Maria. No,

0:26:43.600 --> 0:26:46.640
<v Speaker 1>I don't ever do that much because I'm like generally

0:26:46.680 --> 0:26:49.360
<v Speaker 1>a little lukewarm on the diva's But for Christmas, make

0:26:49.359 --> 0:26:54.840
<v Speaker 1>an accept Christmas diva Christmas. I love Maria. I She's

0:26:54.880 --> 0:26:59.920
<v Speaker 1>my favorite. Ever. I will worry about this forever. I

0:27:00.040 --> 0:27:03.560
<v Speaker 1>so glad the Lamb's got the Glitter soundtrack to the

0:27:03.600 --> 0:27:06.840
<v Speaker 1>original Stars Born got it to number one. Good job,

0:27:06.920 --> 0:27:11.600
<v Speaker 1>Lamily as a Lambert identified with the Lambs. Um. I

0:27:11.640 --> 0:27:13.600
<v Speaker 1>like Christmas cheese. I was gonna say, I like the

0:27:13.640 --> 0:27:19.480
<v Speaker 1>melancholy Christmas music. I like the Charlie Brown Christmas. I

0:27:19.560 --> 0:27:23.080
<v Speaker 1>also just rewatched Charlie Brown Christmas. I mean Charlie Brown

0:27:23.119 --> 0:27:25.639
<v Speaker 1>Thanksgiving with my kids. Uh. And it was like the

0:27:25.680 --> 0:27:29.119
<v Speaker 1>hardest thing in the world. Convinced that they seem to

0:27:29.160 --> 0:27:33.200
<v Speaker 1>think it was from like the sixteen hundreds. It was that, Yeah,

0:27:33.920 --> 0:27:37.600
<v Speaker 1>they were like these that makes me stoons and I

0:27:37.680 --> 0:27:40.400
<v Speaker 1>was like, yeah, why are they flat? They don't look

0:27:40.440 --> 0:27:43.480
<v Speaker 1>like like why why is their hair that way? And

0:27:43.520 --> 0:27:46.159
<v Speaker 1>I was like, you guys watched like you know, Captain

0:27:46.280 --> 0:27:50.800
<v Speaker 1>Underpants like that way. Yeah, it's experimental. It's hard. It

0:27:50.880 --> 0:27:52.960
<v Speaker 1>must be hard to want to pass on those traditions

0:27:52.960 --> 0:27:55.520
<v Speaker 1>and the your kids are like, oh god, it's so hard.

0:27:55.600 --> 0:27:57.720
<v Speaker 1>I mean, I just remember my dad doing the same thing.

0:27:58.040 --> 0:28:05.000
<v Speaker 1>It's like, no, it's not cool, right. I love the

0:28:05.040 --> 0:28:12.520
<v Speaker 1>Peanuts like all people Millennials. Well, it wasn't contemporary for

0:28:12.640 --> 0:28:14.520
<v Speaker 1>us either, but I feel like everybody in our generation

0:28:14.600 --> 0:28:17.520
<v Speaker 1>loves loves the Charlie Brown Christmas and all the Charlie

0:28:17.520 --> 0:28:20.399
<v Speaker 1>Brown movies in general. Right, And I think on some

0:28:20.560 --> 0:28:23.360
<v Speaker 1>level we have like a deep need to forge tradition,

0:28:23.440 --> 0:28:26.040
<v Speaker 1>and that is one of them that we're all agree

0:28:26.119 --> 0:28:28.360
<v Speaker 1>that there are certain things that are good. That's one

0:28:28.400 --> 0:28:31.119
<v Speaker 1>of them. Sesame streets one things that you would like

0:28:31.280 --> 0:28:34.760
<v Speaker 1>want your children to be into because they're like, they

0:28:34.800 --> 0:28:39.959
<v Speaker 1>teach fine lessons and they're they're hegan, they're very heagon

0:28:40.800 --> 0:28:43.560
<v Speaker 1>about the flat two D animation thing. Um. I was

0:28:43.600 --> 0:28:48.400
<v Speaker 1>a screening of Mary Poppin's Return, Oh shit, And and

0:28:48.960 --> 0:28:52.040
<v Speaker 1>there's a part where they do kind of like try

0:28:52.080 --> 0:28:55.200
<v Speaker 1>to redo the super califragilistic against like with where they

0:28:55.200 --> 0:28:58.880
<v Speaker 1>go into an animated world and even even being me

0:28:59.040 --> 0:29:01.200
<v Speaker 1>like a person who grew up with with two D

0:29:01.320 --> 0:29:04.280
<v Speaker 1>animation and do not find it alarming. I was like,

0:29:04.520 --> 0:29:07.160
<v Speaker 1>children are going to be I don't know what to

0:29:07.240 --> 0:29:12.400
<v Speaker 1>make of this, especially because the style of the animation

0:29:12.480 --> 0:29:15.600
<v Speaker 1>they totally go back to like the sixties Disney style

0:29:15.720 --> 0:29:19.080
<v Speaker 1>with like these kind of kind of spinley like animal

0:29:19.240 --> 0:29:21.400
<v Speaker 1>characters and stuff, and like they have the penguins there

0:29:21.760 --> 0:29:24.720
<v Speaker 1>and it's very cute, it's fun, but it's like kids

0:29:24.760 --> 0:29:26.560
<v Speaker 1>are not going to be able to wrap their heads

0:29:26.600 --> 0:29:29.640
<v Speaker 1>around the dimensionality of this. I just want to say

0:29:29.760 --> 0:29:34.000
<v Speaker 1>that we had who Framed Roger Rabbit, which is a

0:29:34.280 --> 0:29:38.600
<v Speaker 1>terrifying children's movie that we also all love that goes

0:29:38.640 --> 0:29:42.960
<v Speaker 1>in the damon albarn Uh and I call ven diagram.

0:29:43.000 --> 0:29:45.720
<v Speaker 1>We should have like a like a virtual Hall of Famer,

0:29:46.640 --> 0:29:51.400
<v Speaker 1>a list of things we all. It's just a website,

0:29:51.560 --> 0:29:54.280
<v Speaker 1>but it's a museum for things we like that our

0:29:54.400 --> 0:29:57.720
<v Speaker 1>old Wait. I want to know about Mary Poppins. Can

0:29:57.760 --> 0:30:01.440
<v Speaker 1>you tell us since you saw it already, was it good? Um?

0:30:01.600 --> 0:30:05.280
<v Speaker 1>Will it bring the musical back again. All the songs

0:30:05.360 --> 0:30:07.680
<v Speaker 1>are cute when you're listening to them, and they all

0:30:07.680 --> 0:30:10.640
<v Speaker 1>started to run together for me, um, I had thought

0:30:10.640 --> 0:30:13.960
<v Speaker 1>that Limnuel Miranda like wrote on them or something, but

0:30:14.000 --> 0:30:15.680
<v Speaker 1>I don't think he did. I'm not. I actually have

0:30:15.720 --> 0:30:18.720
<v Speaker 1>to fact check on that, but I mean, she's great

0:30:18.720 --> 0:30:20.760
<v Speaker 1>in it, Like it kind of feels I'm like a

0:30:20.800 --> 0:30:23.120
<v Speaker 1>little bittersweet about the fact that, like, finally it feels

0:30:23.200 --> 0:30:25.720
<v Speaker 1>like there's been justice for Emily Blunt. Well. I was

0:30:25.760 --> 0:30:27.960
<v Speaker 1>gonna say, I feel like she's kind of a genius

0:30:28.000 --> 0:30:30.640
<v Speaker 1>because I was like, Mary Poppins is more famous than

0:30:30.680 --> 0:30:34.640
<v Speaker 1>Black Widow, Like she she made a right choice by

0:30:34.680 --> 0:30:37.360
<v Speaker 1>holding out on all the superheroes until she got fucking

0:30:37.440 --> 0:30:41.120
<v Speaker 1>Mary Poppins. Yeah, that franchise will go forever. And she's

0:30:41.200 --> 0:30:44.240
<v Speaker 1>so perfect in it, Like she's just picture perfect in

0:30:44.240 --> 0:30:47.400
<v Speaker 1>it and like perfect. Yeah, she was practically perfect and

0:30:47.440 --> 0:30:50.760
<v Speaker 1>every way. And I my my weird hot take. While

0:30:50.800 --> 0:30:52.240
<v Speaker 1>I was watching it, I was kind of crossing my

0:30:52.280 --> 0:30:53.760
<v Speaker 1>mind and I was like, I don't really think this,

0:30:53.840 --> 0:30:56.520
<v Speaker 1>do I, But I think I do. It's like, is

0:30:56.560 --> 0:31:01.080
<v Speaker 1>Mary Poppins hot? Like she's buttoned up, so you know,

0:31:01.160 --> 0:31:06.280
<v Speaker 1>I meant as Julie Andrews, because you know, Julian is hot,

0:31:06.320 --> 0:31:09.640
<v Speaker 1>but Andrews was like de sexualized in all of her movies,

0:31:09.720 --> 0:31:12.720
<v Speaker 1>which is why then there's a movie where she shows

0:31:12.400 --> 0:31:15.280
<v Speaker 1>her shows her boobs later on? Why do you whisper that?

0:31:15.360 --> 0:31:18.560
<v Speaker 1>Because it's like anybody It's like, isn't there a movie

0:31:18.560 --> 0:31:20.760
<v Speaker 1>also where you, like Mary Tyler Moore's boobs where you're like,

0:31:20.760 --> 0:31:23.200
<v Speaker 1>there's something that feels like you're seeing like your friends

0:31:23.240 --> 0:31:26.840
<v Speaker 1>moms that you're not supposed to see, you know, um,

0:31:26.920 --> 0:31:29.959
<v Speaker 1>Julie Andrews. I don't feel like it's supposed to be

0:31:30.040 --> 0:31:34.880
<v Speaker 1>hot in Mary Poppins, but I don't think anyone's supposed

0:31:34.880 --> 0:31:37.280
<v Speaker 1>to be I think that Mary, well, she's I was

0:31:37.320 --> 0:31:39.760
<v Speaker 1>just trying to think about the appeal of Mary Poppins

0:31:39.760 --> 0:31:43.200
<v Speaker 1>because it's really peculiar, right, She's like super hardass, but

0:31:43.280 --> 0:31:46.360
<v Speaker 1>she also is like a total hedonist, like I remember

0:31:46.360 --> 0:31:48.600
<v Speaker 1>in the original one where she she makes the children's

0:31:48.640 --> 0:31:52.960
<v Speaker 1>medicine taste better mixed up in my mind with Mrs Pigglewiggle.

0:31:53.680 --> 0:31:56.320
<v Speaker 1>Oh I love Mrs Pigglewiggle too. Yeah, is there any

0:31:56.400 --> 0:31:58.640
<v Speaker 1>politics in this one? Because I feel like what makes

0:31:58.640 --> 0:32:01.959
<v Speaker 1>the first one Petty Good. Is there some politics in it? Yeah?

0:32:02.280 --> 0:32:06.160
<v Speaker 1>So in this one, um with Jane, she's the girl. Um,

0:32:06.200 --> 0:32:10.000
<v Speaker 1>she's played by m Emily Mortimer. In this one she

0:32:10.480 --> 0:32:16.680
<v Speaker 1>is a labor organizer. Uh Okay. This is a thing

0:32:16.680 --> 0:32:18.880
<v Speaker 1>about Disney movies that I've noticed, is there are like

0:32:19.000 --> 0:32:22.920
<v Speaker 1>a bunch of Disney movies about labor organizing. Yeah. Yeah,

0:32:23.040 --> 0:32:27.680
<v Speaker 1>and the Yeah it's really weird. Like the Christopher Robin

0:32:27.800 --> 0:32:31.560
<v Speaker 1>movie is all about like benefits for workers, and yeah,

0:32:31.600 --> 0:32:35.480
<v Speaker 1>that's about too. And I was like, this is very

0:32:35.560 --> 0:32:39.800
<v Speaker 1>weird because this is not in line, right, y'all like

0:32:39.920 --> 0:32:42.880
<v Speaker 1>to behave. I think Mary Poppins there is this kind

0:32:42.920 --> 0:32:46.240
<v Speaker 1>of like she's just mysterious. She's well, she's mystical because

0:32:46.280 --> 0:32:50.320
<v Speaker 1>someone you guys probably didn't ever watch Supernanny. It's interesting

0:32:50.400 --> 0:32:52.520
<v Speaker 1>because it kind of like is a horror movie for

0:32:52.600 --> 0:32:54.680
<v Speaker 1>parents in a way of like you could hire someone

0:32:55.200 --> 0:32:58.479
<v Speaker 1>who like presumably has no children because they've got all

0:32:58.520 --> 0:33:01.040
<v Speaker 1>this time, and then nation show up and they're better

0:33:01.240 --> 0:33:04.440
<v Speaker 1>parent than you, and they like they almost have this

0:33:04.520 --> 0:33:08.720
<v Speaker 1>like magical ability to transfix your children. Well, it's also

0:33:08.800 --> 0:33:11.720
<v Speaker 1>like they're somebody don't form an attachment to your children

0:33:11.760 --> 0:33:14.160
<v Speaker 1>that that would keep them there forever. Otherwise it would

0:33:14.160 --> 0:33:17.360
<v Speaker 1>be just like a real horror movie. It's just interesting

0:33:17.400 --> 0:33:19.360
<v Speaker 1>to think about when you're like Mary Poppins, like she

0:33:19.440 --> 0:33:22.440
<v Speaker 1>came and she like bewitched the children and was like

0:33:22.560 --> 0:33:25.480
<v Speaker 1>really good at like parenting them basically, and then was

0:33:25.520 --> 0:33:27.800
<v Speaker 1>like peace. But isn't it also like this fantasy of

0:33:27.800 --> 0:33:29.840
<v Speaker 1>like she has no inner life, She's just there to

0:33:29.920 --> 0:33:34.000
<v Speaker 1>like serve. Yeah, and the children are like they grow

0:33:34.080 --> 0:33:37.240
<v Speaker 1>up to think they imagined everything that they wait is

0:33:37.240 --> 0:33:39.719
<v Speaker 1>there and does it imply that she might just be

0:33:39.760 --> 0:33:42.880
<v Speaker 1>a figment of their imagine? So it is a horror movie. Well,

0:33:42.920 --> 0:33:45.600
<v Speaker 1>it's funny they buried the nutcracker because I was like,

0:33:45.640 --> 0:33:49.440
<v Speaker 1>they must really be betting at all on Mary Poppins nutcrackers.

0:33:49.520 --> 0:33:54.320
<v Speaker 1>Real bad. I had to see both of those. Speaking

0:33:54.360 --> 0:33:57.960
<v Speaker 1>of Emily Blunt, we got an email referencing the Double

0:33:58.000 --> 0:34:01.840
<v Speaker 1>Wares product and about our last week's episode People Got

0:34:01.880 --> 0:34:04.680
<v Speaker 1>Takes on You've Got People Got Takes this night. Email

0:34:04.840 --> 0:34:08.880
<v Speaker 1>comes from Stephen. I grew up in Winston Salem, North Carolina,

0:34:08.920 --> 0:34:11.320
<v Speaker 1>which was a series of mostly empty strip malls surrounding

0:34:11.320 --> 0:34:15.080
<v Speaker 1>and economically depressed downtown in the nineties. I distinctly remember

0:34:15.080 --> 0:34:17.320
<v Speaker 1>when we got our first Starbucks and Barnes and Noble,

0:34:17.640 --> 0:34:19.799
<v Speaker 1>and how excited the adults in my life for as

0:34:19.840 --> 0:34:22.719
<v Speaker 1>a result. I remember my mom telling me about all

0:34:22.719 --> 0:34:25.360
<v Speaker 1>of the new variations of coffee she could try, and

0:34:25.360 --> 0:34:27.680
<v Speaker 1>how we could now buy virtually any book we wanted.

0:34:28.440 --> 0:34:30.279
<v Speaker 1>I had never been to New York or any other

0:34:30.320 --> 0:34:33.200
<v Speaker 1>cultural center, so in my mind, this was exactly what

0:34:33.239 --> 0:34:36.839
<v Speaker 1>Winston Salem was missing out on. Seeing successful, charming New

0:34:36.920 --> 0:34:39.600
<v Speaker 1>Yorkers and You've Got Mail hang out in Starbucks and

0:34:39.600 --> 0:34:42.400
<v Speaker 1>Fox and Sons affirm disbelief, and I felt like I

0:34:42.440 --> 0:34:45.799
<v Speaker 1>finally had access to a richer world. Watching You've Got

0:34:45.840 --> 0:34:50.680
<v Speaker 1>Mail in still stirs those feelings. I also rewatched the

0:34:50.719 --> 0:34:53.000
<v Speaker 1>Double Wares product recently and was struck by how much

0:34:53.000 --> 0:34:56.080
<v Speaker 1>of a prerecession movie it is. I can't believe all

0:34:56.080 --> 0:34:58.400
<v Speaker 1>the rasing and Hathaway gets for taking a job that

0:34:58.520 --> 0:35:01.759
<v Speaker 1>is not in line with her interests, even though it

0:35:01.880 --> 0:35:04.080
<v Speaker 1>is explicit that it could help her career in the

0:35:04.120 --> 0:35:07.359
<v Speaker 1>long run. It's peak, you went to college, so now

0:35:07.400 --> 0:35:10.160
<v Speaker 1>the world will give you whatever you want. I watched

0:35:10.200 --> 0:35:11.640
<v Speaker 1>it when it came out and was fully on her

0:35:11.680 --> 0:35:15.320
<v Speaker 1>friend's side. On my watch, I was team anne Hathaway

0:35:15.360 --> 0:35:19.040
<v Speaker 1>all the way. The job you gotta take. Well, I

0:35:19.080 --> 0:35:21.040
<v Speaker 1>hate the Devil Works. I was just going to say

0:35:21.040 --> 0:35:25.560
<v Speaker 1>I hated the Devil Works for Emily Bloody. Emily blood

0:35:25.560 --> 0:35:29.080
<v Speaker 1>is amazing. That was her big entree. Yeah. I know

0:35:29.120 --> 0:35:31.440
<v Speaker 1>everybody came away from that loving Meryl Street, but I

0:35:31.520 --> 0:35:33.960
<v Speaker 1>remember being like, Emily blood is the best part of this.

0:35:34.200 --> 0:35:36.239
<v Speaker 1>I don't like to hate on Anne Hathaway, so I

0:35:36.280 --> 0:35:39.120
<v Speaker 1>won't do it. But there's something about the Devil Wares

0:35:39.160 --> 0:35:41.680
<v Speaker 1>product where I was like, it just it takes all

0:35:41.760 --> 0:35:44.000
<v Speaker 1>the boxes of my least favorite things and I put

0:35:44.000 --> 0:35:45.520
<v Speaker 1>them in a blender and was like here you go,

0:35:45.719 --> 0:35:48.440
<v Speaker 1>sit and sit and need it and wait. Okay, well

0:35:48.480 --> 0:35:50.120
<v Speaker 1>it's been a second since I watched it, but I

0:35:50.200 --> 0:35:53.120
<v Speaker 1>kind of like it. Can you explain to explain the

0:35:53.160 --> 0:35:56.279
<v Speaker 1>hate for it, because I also don't remember. I feel

0:35:56.360 --> 0:35:59.880
<v Speaker 1>like it's like the Tertiary characters are good and like

0:36:00.120 --> 0:36:03.520
<v Speaker 1>interesting and well acted and written, and then Anne Hathaway

0:36:03.600 --> 0:36:05.200
<v Speaker 1>is just kind of like a Merry Sue where it's

0:36:05.239 --> 0:36:09.640
<v Speaker 1>like she's this person working for this like crazy boss.

0:36:10.280 --> 0:36:14.279
<v Speaker 1>If I remember correctly, it's like you have to like

0:36:14.600 --> 0:36:18.960
<v Speaker 1>humanize in a win tour by showing that like she

0:36:19.360 --> 0:36:24.839
<v Speaker 1>is sad sometimes too um, but she she ended up

0:36:24.840 --> 0:36:28.279
<v Speaker 1>being like a kind person. I don't remember that being

0:36:28.760 --> 0:36:32.080
<v Speaker 1>the takeaway. It's like it acknowledges that she's sad, but

0:36:32.200 --> 0:36:35.440
<v Speaker 1>does she end up like being redeemed at all? I

0:36:35.440 --> 0:36:37.520
<v Speaker 1>remember there were like some I just remember there were

0:36:37.560 --> 0:36:40.120
<v Speaker 1>a lot, like the love interest is very boring, and yeah,

0:36:40.120 --> 0:36:42.319
<v Speaker 1>the love interest is like the least. Yeah, I can't

0:36:42.360 --> 0:36:45.440
<v Speaker 1>really it's like so uninteresting to like watch a movie

0:36:45.480 --> 0:36:50.000
<v Speaker 1>about the fashion industry just for some reason. It's it's

0:36:50.920 --> 0:36:53.960
<v Speaker 1>how do you feel about zoo Lander that I will

0:36:54.000 --> 0:36:57.560
<v Speaker 1>watch a parody for of anything. There was a whole

0:36:57.640 --> 0:37:00.160
<v Speaker 1>series of like two thout I think exactly what this

0:37:00.280 --> 0:37:02.799
<v Speaker 1>is what this night caller is talking about. It's like

0:37:02.840 --> 0:37:05.680
<v Speaker 1>that these two thousands movies that were about being like

0:37:05.760 --> 0:37:08.640
<v Speaker 1>a career girl who's like out in the big city

0:37:08.719 --> 0:37:11.920
<v Speaker 1>to make a ton of money and like smash the

0:37:11.960 --> 0:37:15.880
<v Speaker 1>glass ceiling a terrible company and do so by like

0:37:15.920 --> 0:37:19.400
<v Speaker 1>buying a lot of name brand things can be accepted

0:37:19.440 --> 0:37:21.960
<v Speaker 1>by you. But Stanley Tucci is so good. He's really

0:37:21.960 --> 0:37:25.319
<v Speaker 1>good at so that one. I love Stanley. He's good

0:37:25.360 --> 0:37:28.600
<v Speaker 1>at everything. I mean it's like, so that one's like

0:37:28.600 --> 0:37:30.360
<v Speaker 1>the best one. But then there was like Confessions of

0:37:30.360 --> 0:37:33.640
<v Speaker 1>a Acoholic, which some people like, and she doesn't even job.

0:37:33.719 --> 0:37:39.640
<v Speaker 1>The Nanny Diaries. This was like peak people being like,

0:37:39.640 --> 0:37:42.839
<v Speaker 1>like so peak. But there's something about some of these

0:37:42.880 --> 0:37:45.160
<v Speaker 1>movies that make me feel like they like think women

0:37:45.200 --> 0:37:47.960
<v Speaker 1>are really dumb, you know where it's like, here's what

0:37:48.040 --> 0:37:53.320
<v Speaker 1>women like. Like. That was when the term chick lit became.

0:37:54.239 --> 0:37:56.920
<v Speaker 1>Was like four books, like double Wares product. There are

0:37:57.040 --> 0:37:59.040
<v Speaker 1>enough good things in that movie. I don't know. I mean,

0:37:59.120 --> 0:38:01.279
<v Speaker 1>I know people like Get, but for me, it's never

0:38:01.320 --> 0:38:02.920
<v Speaker 1>been I watched it once and I've never felt the

0:38:03.000 --> 0:38:06.520
<v Speaker 1>need to revisit it. Life is short. If you love

0:38:06.560 --> 0:38:09.520
<v Speaker 1>the devil Wares product or give us a show the

0:38:09.560 --> 0:38:14.080
<v Speaker 1>Mary Poppins franchise or the alternate universe Mary Poppins that

0:38:14.160 --> 0:38:16.160
<v Speaker 1>might be in the center of the Night Call ven Diagram,

0:38:16.200 --> 0:38:20.560
<v Speaker 1>Badknops and Broomsticks, which also has an animated part. Hope

0:38:20.640 --> 0:38:22.320
<v Speaker 1>that they do it. I hope they do a sequel

0:38:22.320 --> 0:38:32.479
<v Speaker 1>to Mary Poppins Returns called Mary Poppins Forever. Okay, you guys,

0:38:32.480 --> 0:38:34.680
<v Speaker 1>we have a night call And this is kind of

0:38:34.680 --> 0:38:38.879
<v Speaker 1>a corrections Desk Nightcall. This comes from Hannah high night Call.

0:38:39.080 --> 0:38:41.080
<v Speaker 1>I'm sure other people have pointed this out. They have,

0:38:41.480 --> 0:38:44.600
<v Speaker 1>but according to the waffle House website, twenty five states

0:38:44.600 --> 0:38:48.040
<v Speaker 1>have waffle House locations in them, including Colorado and Pennsylvania,

0:38:48.160 --> 0:38:51.200
<v Speaker 1>neither of which I would consider Southern states, never having

0:38:51.200 --> 0:38:53.640
<v Speaker 1>been to a waffle house. I've lived in Washington, New York,

0:38:53.640 --> 0:38:56.600
<v Speaker 1>in Alaska. I guess I hop would be considered the

0:38:56.600 --> 0:38:59.960
<v Speaker 1>waffle house equivalent in non waffle house states, or Denny's.

0:39:00.320 --> 0:39:04.400
<v Speaker 1>Maybe Sherry's. By the way, I've never heard of shapes Sherry's, Okay, Sherry's.

0:39:05.000 --> 0:39:07.759
<v Speaker 1>Literally my only interaction with waffle house comes from a

0:39:07.840 --> 0:39:10.520
<v Speaker 1>John Green short story, so I have almost zero frame

0:39:10.560 --> 0:39:14.240
<v Speaker 1>of reference. I have heard of the waffle House Index, though,

0:39:14.320 --> 0:39:17.799
<v Speaker 1>which is a female rating system that categorizes storms based

0:39:17.840 --> 0:39:20.080
<v Speaker 1>on whether or not the waffle house in the area

0:39:20.360 --> 0:39:23.120
<v Speaker 1>is open. I'm off to find some waffles now because

0:39:23.160 --> 0:39:27.360
<v Speaker 1>I'm hungry, happy, haunting. So that is like a very

0:39:27.400 --> 0:39:31.680
<v Speaker 1>strange thing that the waffle House weather Index exists. I mean,

0:39:32.040 --> 0:39:34.920
<v Speaker 1>but this this goes back to I will explain Sherry's

0:39:34.960 --> 0:39:37.040
<v Speaker 1>for you for a second. I mean, it is basically

0:39:37.040 --> 0:39:39.160
<v Speaker 1>just a diner like it's a Denny's style diner. It

0:39:39.200 --> 0:39:41.960
<v Speaker 1>feels like more seventies, Like at least when I was

0:39:42.000 --> 0:39:43.840
<v Speaker 1>a kid, it felt very even at the time in

0:39:43.840 --> 0:39:46.600
<v Speaker 1>the nineties it felt seventies. But it's just a diner.

0:39:46.640 --> 0:39:49.840
<v Speaker 1>But it's in Washington, And I remember Sherry's being the

0:39:49.880 --> 0:39:53.120
<v Speaker 1>one place in town when there was this freak blizzard

0:39:53.440 --> 0:39:55.520
<v Speaker 1>and all the power went out for like two weeks,

0:39:56.080 --> 0:39:58.800
<v Speaker 1>and Sherry's was one of the few places in town

0:39:58.880 --> 0:40:01.200
<v Speaker 1>that was like on a generator, like a public place

0:40:01.200 --> 0:40:02.799
<v Speaker 1>on a generator that you could go to if you

0:40:02.800 --> 0:40:05.080
<v Speaker 1>wanted to. So like that kind of holds water, like

0:40:05.160 --> 0:40:09.000
<v Speaker 1>being the light in the storm, because like, if Sherry's

0:40:09.080 --> 0:40:12.000
<v Speaker 1>is open again, this is twenty four hour establishments are

0:40:12.000 --> 0:40:16.040
<v Speaker 1>the best. I mean we're missing, Like was do parts

0:40:16.080 --> 0:40:18.719
<v Speaker 1>twenty four hours? I thought, No, it's only stood up

0:40:18.760 --> 0:40:20.680
<v Speaker 1>until three to a certain point. We we are losing

0:40:20.719 --> 0:40:25.880
<v Speaker 1>some diners, but new ones norms just moving to ventur Bolevard,

0:40:26.239 --> 0:40:31.359
<v Speaker 1>loses Cafe Fifties on Vermons Up and we could talk

0:40:31.400 --> 0:40:34.000
<v Speaker 1>about this part of all day. First of all, I

0:40:34.080 --> 0:40:36.399
<v Speaker 1>just want to say, I hope it's not as good

0:40:36.400 --> 0:40:39.640
<v Speaker 1>as waffle House. I hope it's not great. You don't

0:40:39.640 --> 0:40:43.120
<v Speaker 1>refer Denny's or I hopan but I don't really like

0:40:43.200 --> 0:40:45.520
<v Speaker 1>either of them. There's an Eyehop kind of near me

0:40:45.600 --> 0:40:48.200
<v Speaker 1>that I go to more than the Denny's. But I

0:40:48.280 --> 0:40:50.560
<v Speaker 1>just mind it strange because of all the things that

0:40:50.600 --> 0:40:53.239
<v Speaker 1>are that you could like eat at a restaurant or

0:40:53.320 --> 0:40:55.560
<v Speaker 1>make at home. It's like, so it's so easy to

0:40:55.600 --> 0:41:00.520
<v Speaker 1>make pancakes. It's so easy to make pancakes. Even had

0:41:00.520 --> 0:41:03.480
<v Speaker 1>a spray molly that looked like ready whip and you

0:41:03.520 --> 0:41:05.960
<v Speaker 1>could just spray it into the pan and it was like, no,

0:41:07.239 --> 0:41:11.000
<v Speaker 1>it was good. It was. It blew my mind. International House.

0:41:12.200 --> 0:41:13.919
<v Speaker 1>It's just not as good as waffle House in terms

0:41:13.920 --> 0:41:16.480
<v Speaker 1>of twenty four hour diners. I like the no frills

0:41:16.560 --> 0:41:20.759
<v Speaker 1>aspect of waffle House. A lot Um Village in was

0:41:20.800 --> 0:41:23.680
<v Speaker 1>the chain in Iowa that and Perkins. Perkins was twenty

0:41:23.719 --> 0:41:26.879
<v Speaker 1>four hours and their specialty with muffins, so you could

0:41:26.880 --> 0:41:29.279
<v Speaker 1>always go get a muffins, you always bring it back

0:41:29.320 --> 0:41:35.239
<v Speaker 1>to muffin. This is an Iowa muffin. But it wasn't

0:41:35.239 --> 0:41:37.120
<v Speaker 1>at all open twenty four hours. In fact, it had

0:41:37.160 --> 0:41:40.120
<v Speaker 1>like really limited hours. If I recall, because everything in

0:41:40.120 --> 0:41:43.560
<v Speaker 1>New England does. But I always loved Friendlies. Friendlies is

0:41:43.600 --> 0:41:46.239
<v Speaker 1>like friends, such a good diner. I mean, I've only

0:41:46.320 --> 0:41:49.160
<v Speaker 1>been to one Friendlies, and I think it was in Hawaii. Weirdly,

0:41:49.360 --> 0:41:52.400
<v Speaker 1>there's Friendlies in Honolulu. I think I went to a

0:41:52.440 --> 0:41:54.880
<v Speaker 1>diner a twenty four hour dinner in Vegas with Emily

0:41:54.920 --> 0:41:57.400
<v Speaker 1>called the pepper Mill. The pepper Mill is like the

0:41:59.400 --> 0:42:05.040
<v Speaker 1>in Vegas. There's something this is fantastic. Which club's close?

0:42:06.040 --> 0:42:08.600
<v Speaker 1>Some things do close. I mean this was I don't

0:42:08.600 --> 0:42:10.600
<v Speaker 1>even remember what I had, but I had a great time.

0:42:10.640 --> 0:42:12.840
<v Speaker 1>That's what I had. Oh Ship Molly. What was the

0:42:12.840 --> 0:42:16.959
<v Speaker 1>place in Seacock, Massachusetts that was? There's a really great

0:42:17.000 --> 0:42:19.000
<v Speaker 1>diner in Sea Cock. I think it was in Sea

0:42:19.000 --> 0:42:21.600
<v Speaker 1>conk right. It was nothing in nothing in Rhode Island,

0:42:21.600 --> 0:42:23.560
<v Speaker 1>I think was. I can't remember, but there was this

0:42:23.600 --> 0:42:26.280
<v Speaker 1>one in Sea conk Um that we would drive to

0:42:26.680 --> 0:42:31.040
<v Speaker 1>our senior year. That was a really good diner. What

0:42:31.080 --> 0:42:33.920
<v Speaker 1>are your favorite night colors? If you have a favorite

0:42:33.920 --> 0:42:35.879
<v Speaker 1>twenty four hour diner, you'd like to alert us too,

0:42:36.080 --> 0:42:38.560
<v Speaker 1>or non twenty four hour diner or a twenty four

0:42:38.560 --> 0:42:41.160
<v Speaker 1>hour anything, give us a call at to four oh

0:42:41.200 --> 0:42:45.040
<v Speaker 1>for six night. We did get several several emails pointing

0:42:45.040 --> 0:42:48.160
<v Speaker 1>out that there are waffle houses in non Southern states,

0:42:48.320 --> 0:42:51.279
<v Speaker 1>So I was thinking of that more as I said,

0:42:51.320 --> 0:42:52.960
<v Speaker 1>I think when I said it originally it was more

0:42:53.040 --> 0:42:56.280
<v Speaker 1>a heart feeling, more spiritual feeling, less of factual feeling.

0:42:56.640 --> 0:43:00.239
<v Speaker 1>So I think we said we can, yeah, yeah, so can.

0:43:00.520 --> 0:43:03.680
<v Speaker 1>I will acknowledge that I was wrong about that, however,

0:43:05.160 --> 0:43:07.800
<v Speaker 1>because I've discussed this with several people off the pod,

0:43:08.120 --> 0:43:10.480
<v Speaker 1>just like, is Missouri as southern state? And I think

0:43:10.560 --> 0:43:13.880
<v Speaker 1>I've really come to the conclusion that if you had slavery,

0:43:14.400 --> 0:43:18.320
<v Speaker 1>you have to be a southern state forever. But you it,

0:43:19.320 --> 0:43:22.600
<v Speaker 1>you feel like you're really Midwestern if you had wasn't it.

0:43:22.680 --> 0:43:25.640
<v Speaker 1>This is a Missouri compromise that we have talked about.

0:43:25.760 --> 0:43:28.080
<v Speaker 1>This is the whole thing. I believe it is like

0:43:28.600 --> 0:43:31.440
<v Speaker 1>sort of was up for debate where Missouri was going

0:43:31.480 --> 0:43:35.279
<v Speaker 1>to go. But from what I've heard from Missourians, it's

0:43:35.320 --> 0:43:40.640
<v Speaker 1>the Midwest wish they wish. I'll give it to them.

0:43:41.400 --> 0:43:45.240
<v Speaker 1>There's been some discussion of like, are we too coastally elite,

0:43:45.280 --> 0:43:48.759
<v Speaker 1>even though Emily is obviously you know, has has spent

0:43:48.840 --> 0:43:50.719
<v Speaker 1>a lot of time in the middle the only one

0:43:50.800 --> 0:43:53.759
<v Speaker 1>of us who've been to have been to Branson so exactly,

0:43:54.080 --> 0:43:57.279
<v Speaker 1>so I think we should honor the folks from Missouri

0:43:57.719 --> 0:44:01.319
<v Speaker 1>being whatever they want. And also, oh yeah there's I mean,

0:44:01.680 --> 0:44:04.960
<v Speaker 1>if you can go to waffle House exactly, this is

0:44:05.000 --> 0:44:07.319
<v Speaker 1>also a waffle house. This is the main takeaway at

0:44:07.440 --> 0:44:11.239
<v Speaker 1>waffle House. Please sponsor Nightcall so we can go to

0:44:11.280 --> 0:44:13.080
<v Speaker 1>waffle House all the time and it can be our

0:44:13.160 --> 0:44:18.600
<v Speaker 1>our headquarters corporate flagship. Well, I think that does it

0:44:18.719 --> 0:44:22.680
<v Speaker 1>for today, guys. Yeah, We'll see you guys next week.

0:44:22.920 --> 0:44:25.799
<v Speaker 1>As always, give us a night Call one two four

0:44:25.840 --> 0:44:29.720
<v Speaker 1>oh four six night follow us on Facebook Night Called Podcast,

0:44:30.560 --> 0:44:33.920
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0:44:34.480 --> 0:44:37.560
<v Speaker 1>Email us at Night Called Podcast at gmail dot com.

0:44:37.800 --> 0:44:40.240
<v Speaker 1>And if it's not too much to ask, please rate, review,

0:44:40.239 --> 0:44:43.000
<v Speaker 1>and subscribe to our podcast on whatever platform you listen

0:44:43.120 --> 0:44:46.120
<v Speaker 1>to it on and tell us your favorite Christmas songs

0:44:46.160 --> 0:44:50.000
<v Speaker 1>that will make us rethink how much Christmas. This is

0:44:50.000 --> 0:44:53.120
<v Speaker 1>the longest goodbye, guys. We are the pod. We are

0:44:53.200 --> 0:44:57.840
<v Speaker 1>the po See you next week. We are the Pod.

0:45:01.320 --> 0:45:03.160
<v Speaker 1>All rom