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Speaker 1: So I'm back here in my childhood bedroom in beautiful Connecticut.

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Speaker 1: Let the jokes begin in the wonderful snowy. Is that

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Speaker 1: a pink Floyd poster behind you? It is? I'm been

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Speaker 1: my childhood of course. And uh, as I do every

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Speaker 1: night when I can't sleep and I'm here, I go

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Speaker 1: through some of my old stuff. And what do I

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Speaker 1: stumble upon but the Hartford Current, from which is the

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Speaker 1: oldest newspaper in them from September fifth, nineteen ninety three, okay,

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Speaker 1: and it is the Surprises or Snoozer's edition of what's

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Speaker 1: coming out on TV? What's gonna be good? What's gonna

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Speaker 1: be terrible? According to I won't say his name from

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Speaker 1: the Harvard Current. Oh, you should definitely say his name

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Speaker 1: from thirty years in print. He put it in print.

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Speaker 1: He should stand by his opinion. James Enderst is his name, okay.

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Speaker 1: And if you go to uh, we go to G

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Speaker 1: seven people and we go you have to turn pages,

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Speaker 1: have to turn pages. Wow. Right below the headline how

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Speaker 1: did these shows make it to TV? There is number

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Speaker 1: four Boy meets whirld Yes, I shall read you what

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Speaker 1: mister Innst said about our show. Thank you a show

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Speaker 1: that makes you want to bring corporal punishment back to

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Speaker 1: the classroom. Oh my god, bench Aavage Wild Palms is

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Speaker 1: the supposedly ankst ridden eleven year old kid. We think

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Speaker 1: he's faking it. And William Daniels Saint Elsewhere is the

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Speaker 1: teacher with the less than tender touch, who, of course

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Speaker 1: is a softie deep down inside. Another three kid sitcom,

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Speaker 1: this time from Dinosaurs producer Michael j Michael Jacobs. It's

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Speaker 1: no Wonder Years, that's for sure. What that is our review?

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Speaker 1: Now the shows that this same guy said we're smash

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Speaker 1: hits and we should be looking out for Oh good, yeah, yeah,

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Speaker 1: let's hear Dave's World what Bakersfield PD. No, that didn't last,

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Speaker 1: the John Larrichette show okay sure, and one of the

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Speaker 1: other ones, The Mommies, My Brother's show. Amazing. Yeah, well

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Speaker 1: we could. We could live in an alternate world where

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Speaker 1: James got his way and my brother would be doing

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Speaker 1: his rewatch podcast for the legendary sitcom on The Mommies,

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Speaker 1: which lasted two seasons. Wow, that's so funny. If you

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Speaker 1: go back to what we were talking about before with

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Speaker 1: my father, who is not at all a stage dad,

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Speaker 1: apparently he wrote this guy a letter of when okay,

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Speaker 1: So so I did think we need to start revising.

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Speaker 1: This is not the stage dad, he is the ultimately mister,

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Speaker 1: and a letter kind of saying, what are you thinking?

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Speaker 1: That's my my son show? It will be It'll be brilliant.

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Speaker 1: Oh god? Did he think he would sway the guy's opinion?

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Speaker 1: Like yet, what would do is make the guy dig

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Speaker 1: his heels in more like yeah, this is what um.

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Speaker 1: By the way, I should have also started by saying

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Speaker 1: that I need to hop off this zoom faster than

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Speaker 1: normal tonight because there's a Bakersfield PD rerun I want

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Speaker 1: to catch sure, Sure, sure, yeah, absolutely huge show. It's

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Speaker 1: funny to think about how it kind of used to be,

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Speaker 1: like if you were a critic in America, even a

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Speaker 1: television critic, you were kind of down on the entire medium, right,

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Speaker 1: Like if something was popular, you just trashed it, like

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Speaker 1: in this. We've talked about this before that we always

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Speaker 1: felt like culturally insignificant when was on the air, and

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Speaker 1: it was partly because we were we were compared to

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Speaker 1: Wonder Years, which is totally unfair in retrospect, like they're

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Speaker 1: completely different shows. But I guess the Ben Savage Fred

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Speaker 1: Savage connection just invited that, of course a coming of

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Speaker 1: age story. But it's like, but one is a sitcom

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Speaker 1: in front of a live studio audience, which is clearly

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Speaker 1: more you know, one foot steadily in the theater theatrical tradition,

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Speaker 1: and the other was like trying to be a movie

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Speaker 1: every week with voiceover and single camera, like not even

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Speaker 1: really a comedy. It's you know, mostly a drama. So

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Speaker 1: it's so weird that that. But I felt that, like,

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Speaker 1: didn't we feel that. Didn't we feel like we were

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Speaker 1: making something that was sort of i don't know, like

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Speaker 1: not critically certainly not critically acclaimed, and not even really

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Speaker 1: recognized as like real art or real like anything of

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Speaker 1: lasting value. I felt like we were making like popcorn,

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Speaker 1: you know. It was like this this little kids show. Um.

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Speaker 1: And of course the irony is that our show is

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Speaker 1: still being talked about and we have this incredible fan base. Yeah,

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Speaker 1: I'm I'm okay with When we were on the air,

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Speaker 1: we were kind of always overlooked and it was all

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Speaker 1: about the other shows on TJF and all the other shows.

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Speaker 1: I'm totally okay with that. What is starting to miss

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Speaker 1: me a little bit is when there's all these kind

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Speaker 1: of look back at the nineties, we're still never mentioned it,

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Speaker 1: really never. It's every other show like they did, like

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Speaker 1: TV of the Nineties on CNN they did kind of

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Speaker 1: like all these different retrospectives. They never talk about boy Mutral,

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Speaker 1: it's dotink, even like the puzzles, like Sue loves doing puzzles.

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Speaker 1: They did like Phoebe in the nineties, and there's one

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Speaker 1: tiny picture of coreing to Panga, and then it's every

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Speaker 1: other nineties show is like this giant thing. So now

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Speaker 1: I'm starting to get miffed when I wasn't there. Well,

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Speaker 1: you know, we did get asked to do that CNN show,

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Speaker 1: by the way, I think we said that, which is

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Speaker 1: maybe why they then did it include us. I didn't

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Speaker 1: get asked, would have done it? Oh well, you know, well,

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Speaker 1: I think my favorite part of that story is that

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Speaker 1: you even hoarded bad reviews of yourself, right, you were like,

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Speaker 1: you know what, this is a terrible review, saving it.

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Speaker 1: I'm keeping it, keep it. I honestly can't remember. Well,

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Speaker 1: I guess I wasn't tapped in enough to even read reviews,

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Speaker 1: but I don't remember ever hearing a good review except

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Speaker 1: one time. Do you guys remember when Michael read a

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Speaker 1: good review of our show to us all at the

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Speaker 1: table read when we were like in seasons vaguely yeah, yeah, yeah.

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Speaker 1: It was like some critics somewhere picked up on our

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Speaker 1: show out of nowhere, I forget what publication, and they

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Speaker 1: they wrote this like very extensive, like hey, this is

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Speaker 1: the show that no one's talking about but actually deserves

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Speaker 1: a lot of credit. And Michael was very proud of

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Speaker 1: it because it, you know, recognized all the things that

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Speaker 1: he felt he was putting into the show and that

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Speaker 1: we were all doing. So he read it to us

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Speaker 1: at the table read like at one time, and I

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Speaker 1: remember being like, wow, somebody's actually somebody got it us. Yeah,

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Speaker 1: and it is and is picking up on all the

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Speaker 1: things we are talking about that we want to be doing,

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Speaker 1: Like somebody actually tapped into all of those things, and

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Speaker 1: so it really must be there. It's not just for

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Speaker 1: us right now. The one I remember that Michael did

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Speaker 1: at the table read was he said, you know you're

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Speaker 1: becoming popular when the title of your show starts to

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Speaker 1: become part of the lexicon. And he said, I saw

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Speaker 1: this the first time with King Charles or with Prince

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Speaker 1: Charles in England when one of the titles he started,

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Speaker 1: he did this big thing and it was Charles in Charge.

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Speaker 1: He went, wow, my show is really me. So he said,

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Speaker 1: I wanted to show you this article and it was

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Speaker 1: some big skiing magazine and the cover said boy meets

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Speaker 1: Matterhorn and he went, so we're making it, We're making it.

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Speaker 1: I remember going like, that's kind yeah, because boy meets

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Speaker 1: Girl is like a saying, right, that's ridiculous, right, So

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Speaker 1: I kind of like, oh, he's reaching to make us

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Speaker 1: feel better. I appreciate, will take credit for every boy

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Speaker 1: meets headline. Ever, every boy meets something is totally because

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Speaker 1: of us, right, even if it predates us pretty much. Yeah, Well,

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Speaker 1: welcome to boy meets Pod meets World. I'm Danielle Fishel,

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Speaker 1: I'm Rider Strong, and I'm Wilfredell. So we are here

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Speaker 1: today to talk about season two, episode twelve, The Turnaround.

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Speaker 1: It originally aired December sixteenth, nineteen ninety four. The synopsis

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Speaker 1: is when Corey mistakenly agrees to take a nerdy girl

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Speaker 1: to the dance. He and Sean decide to give her

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Speaker 1: a makeover and hopes that she'll become more popular. It

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Speaker 1: was directed by David Trayner. It was written by Michelle

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Speaker 1: Palermo new writer Alert. Yes, I think this was one

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Speaker 1: of our spec scripts. I think this is an outside

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Speaker 1: script because I don't remember anybody named Michelle Palermo. No

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Speaker 1: mean either. Yeah. So guest starring Darlene Vogel, who returns

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Speaker 1: as Katherine kat Tompkins, Natania Ross as Ingrid Iverson. She

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Speaker 1: would go on to play Robin Russo on The Secret

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Speaker 1: World of Alex mac Marnette Patterson as Alison Cheever, Jennifer

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Speaker 1: Banko as Becky Schultz, and the introduction of Will Estes

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Speaker 1: as Alex, who will appear on three Boy Meats World

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Speaker 1: episodes and has now been on the TV show Blue

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Speaker 1: Bloods for almost three hundred episodes. He did three episodes

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Speaker 1: of our show. I was like, oh my god, Yeah

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Speaker 1: he was around. Yes, Yeah, that's exactly right. Natania's coming

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Speaker 1: on the Natania Catania is coming on. Yeah. She came

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Speaker 1: up to me and Will. We were at a convention

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Speaker 1: h three year years ago, right, it was right during

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Speaker 1: like right, the first convention I did after the pandemic,

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Speaker 1: and she walked right up to us, and she has

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Speaker 1: like very fond memories of being on the show. And um,

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Speaker 1: and and we we have a mutual friend in Larissa

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Speaker 1: Oleanik who was on Alex Mac with her and they're

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Speaker 1: still like best friends. So it was it was good

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Speaker 1: to reconnect with her. I can't wait to have her

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Speaker 1: on the show. So yes, it will be great to

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Speaker 1: have Natania Ross on the show when she comes to

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Speaker 1: visit us. UM. So let's jump into our recap. We

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Speaker 1: start in the school hallway. Mister Feenie is putting up

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Speaker 1: posters for the Turnaround dance, when mister Turner in quite

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Speaker 1: a tie. Oh it's all, but it's always the tie

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Speaker 1: with the shirt, right, it's always the like pattern on

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Speaker 1: a pattern that's just spectacular. It's so busy and and

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Speaker 1: and like you said, writer, I so badly want to

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Speaker 1: be in high definition because even when I posit to

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Speaker 1: try and like see what the tie is, it blurs.

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Speaker 1: It's like, yeah, yeah, what it is? It looks you're

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Speaker 1: just squinting at the screen. It looks like Jack and

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Speaker 1: the Beanstalk with like a boy climbing up a massive tree.

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Speaker 1: I have no idea what it was. I just think

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Speaker 1: that now ninety percent of his ties just have some

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Speaker 1: sort of a fish theme and I just go with that. Okay.

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Speaker 1: They can kind of all look like fishes a little bit,

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Speaker 1: so it's like, okay, maybe you meant like fishes in

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Speaker 1: the band fish like drugs, like nice just swirls and

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Speaker 1: weird colors. I love that is Yeah, it's absolutely it's

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Speaker 1: it's a picture a nectar tie for all that sort,

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Speaker 1: for all the fish heads out there. Wow, no idea

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Speaker 1: what that means album picture a nectar, great album. It's

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Speaker 1: a down with the Seas tie. No, okay, good, okay,

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Speaker 1: all right? Wow? So uh yeah Turner. Mister Turner pokes

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Speaker 1: fun at Phoene, saying he's surprised no one is helping

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Speaker 1: him with this grunt work, and then Phoene hands Turner.

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Speaker 1: The rest of the posters should have seen that one coming.

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Speaker 1: Mister Phoenie explains that the turnaround dances when girls ask

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Speaker 1: the guys, and mister Turner says, oh boy, he's glad

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Speaker 1: those days are over. Um. We used to at our

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Speaker 1: school we called this dance the vice dance, which stood

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Speaker 1: for vice versa. Oh okay, and then isn't also a

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Speaker 1: sad Hawkins? Why why Sadie Hawkins? Who Sadie Hawkins. What's

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Speaker 1: that mean? She was? It's so funny. I don't remember

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Speaker 1: in what context. But Sue and I actually had the

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Speaker 1: same converse when we first started dating, like fourteen years ago,

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Speaker 1: and we looked it up and now I can't remember

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Speaker 1: what it was. It was like a woman new cool story,

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Speaker 1: Yeah somebody else not all going to be winners, Danielle

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Speaker 1: hang bro Im. I thought you were sure this conversation,

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Speaker 1: so I have the perfect answer and interesting enough for

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Speaker 1: me to remember. We couldn't remember, and we looked it up,

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Speaker 1: but we learned it, and now I can't remember. Is

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Speaker 1: this still a thing? Do you think? Do? Do? Do

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Speaker 1: school still do? Why do they call it a Sadie

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Speaker 1: Hawkins dance? The Sadie Hawkins Dance is named after the

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Speaker 1: Little Abner comic strip character Sadie Hawkins, created by cartoonist

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Speaker 1: Al cap. In the strip, Sadie Hawkins Day fell on

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Speaker 1: a given day in November, but it was never specified

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Speaker 1: which day. Hmm, that doesn't seem to make any sense.

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Speaker 1: So she was just a female character in a comic strip,

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Speaker 1: you guess, So yeah, maybe she was. Yeah, I always

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Speaker 1: called I referred to these There was a dance at

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Speaker 1: school last weekend. Yeah, it is still so shocking to

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Speaker 1: me that you weren't. It's so interesting that, like in

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Speaker 1: your school everyone was apparently blind, and in Hollywood you

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Speaker 1: were literally plucked out as being like, here's obviously the

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Speaker 1: guy who's going to play the world's most handsome, cool

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Speaker 1: older brother. I also wonder how much of that was

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Speaker 1: because you were going in a way like you were

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Speaker 1: going to New York. Yeah, your energies were elsewhere there. See,

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Speaker 1: that's what they That's what everyone says when I talk

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Speaker 1: to them now about it. But it just wasn't the case.

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Speaker 1: I just it's also it's different. I mean you you

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Speaker 1: you know this more than Danielle's probably right, because you

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Speaker 1: grew up in a smaller town. When you grow up

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Speaker 1: with people that you've known since you know, kindergarten or

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Speaker 1: second grade, you go through kind of ebbs and flows

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Speaker 1: of your friends with them, you're not friends with them,

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Speaker 1: you date somebody, you don't date them. My flow was

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Speaker 1: done by sixth grade, right sixteen. Gosh, I was so

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Speaker 1: cool and I didn't think I was cool, but sixteen. Yeah,

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Speaker 1: it's been it's been a real struggle since we got

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Speaker 1: that on the time Machine list. Right, we got that

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Speaker 1: on the time Machine list absolutely all right, so uh

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Speaker 1: miss missus chart. Well, my question that I was asking,

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Speaker 1: do do you think do schools still do this? Do

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Speaker 1: they still have a girls ass guys? Is that even

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Speaker 1: still a thing? It seems like gender wouldn't be put

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Speaker 1: into anything nowadays in a school, right, I would it

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Speaker 1: would just be have a dance. Yeah, we're having a

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Speaker 1: dance whenever. Yeah. I wonder if dances are even still popular.

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Speaker 1: I think actually would be right, yeah, yeah, yeah, we

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Speaker 1: need virtualize dating, you know, to like get people to

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Speaker 1: sort of out of their shells, and especially nowadays because

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Speaker 1: it's a couple hours, maybe not on your phone, not

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Speaker 1: on social media, not on this tex Stoe, if you're

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Speaker 1: actually with people and doing getting going into a room together.

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Speaker 1: I would actually be shocked if this is not still

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Speaker 1: very popular in most schools across the country. I mean,

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Speaker 1: it may be something that's starting to be phased out,

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Speaker 1: but I bet I bet the trade are still are

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Speaker 1: still continuing on. So I bet this is probably still

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Speaker 1: something that happens where sounds dangerous though it does in

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Speaker 1: Miami Vice. I'm imagining like in the back, crazy foul

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Speaker 1: so miss Tompkins walks up and Phoene asks her to

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Speaker 1: chaperone the dance and says that she can invite a gentleman.

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Speaker 1: It looks like she's going to ask mister Turner, but

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Speaker 1: instead she tells him to raise the poster just a

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Speaker 1: little bit on the right, and Corey and Sean walk

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Speaker 1: to the lockers. Corey is happy the pressure is off

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Speaker 1: because now the girls have to ask the guys. Eric

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Speaker 1: overhears them and ask if that's what they really think.

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Speaker 1: He tells them the turnaround dance determines where they stand

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Speaker 1: and the type of girl that asks you tells you

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Speaker 1: who you are, which I thought was a um. I

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Speaker 1: thought that was a really smart premise for Eric to

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Speaker 1: bring into the situation like a whole new not just

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Speaker 1: about oh man, it's you know, you have to worry

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Speaker 1: about whether or not you're going to get asked, but

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Speaker 1: then who who do you end up going with? Because

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Speaker 1: that tells you where you are and the I thought

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Speaker 1: that was really clever. Well this is it struck me

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Speaker 1: that we were definitely throughout season two and it seems

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Speaker 1: like this has happened a bunch and will probably continue

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Speaker 1: to happen. Eric is is this figure in the script

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Speaker 1: who's like the thesis statement guy, like you know what

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Speaker 1: I mean, Like he comes in and says like, this

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Speaker 1: is the rule, this is the way it always is,

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Speaker 1: and then of course we watch that either play out

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Speaker 1: or not. It's sort of like in Seinfeld whenever they

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Speaker 1: would have a situation then to be like, you know, well,

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Speaker 1: the guy, you know, this is the rule, this is

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Speaker 1: the way it always is. You do this, and then

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Speaker 1: this happens, and then of course you watch that gets

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Speaker 1: subverted Eric, like will your role in the show has

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Speaker 1: been to be sort of the authority for better or worse,

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Speaker 1: who like makes this bold thesis statement that then becomes

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Speaker 1: the logic of the entire episode, and all the comedy

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Speaker 1: and all the situations sort of revolve around whatever that

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Speaker 1: logic statement that you made to open the show with.

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Speaker 1: It's it's it's kind of a thankless position. It's like

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Speaker 1: it's interesting. Well, first of all, I couldn't tell if

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Speaker 1: you were doing Jerry or George, but it's the I've

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Speaker 1: seen four episodes of your person will work on that

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Speaker 1: um but the uh, it also was the appression we

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Speaker 1: used to do a Siefeld depression, which was a line

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Speaker 1: from Boy Meats World that we would do it in

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Speaker 1: Seinfeld's voice to remember. I think it was a line

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Speaker 1: for Boys in the Shower I'm gap, I'm gap. Oh yeah, what,

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Speaker 1: I don't remember what it was like at I'm always

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Speaker 1: gap in the shower of the gap, and then you

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Speaker 1: did it used to do it as Jerry Seinsfolk. What

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Speaker 1: I mean, I'm gap. Of course I'm gaping. I'm good.

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Speaker 1: The thing I liked about this episode, well, first of all,

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Speaker 1: they are trying to make Sean and Corey and then

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Speaker 1: Eric kind of work together the first time that I'd

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Speaker 1: ever really seen that happen, which is which is kind

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Speaker 1: of cool. Yes, but it does. It seems like they

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Speaker 1: were doing levels of adulthood in this episode, if that

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Speaker 1: makes sense, where it was one level above Corey and

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Speaker 1: Sean is Eric kind of like I've been there right

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Speaker 1: where you are, but only a year or two ago. Yeah,

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Speaker 1: and then it's Turner and the new teacher, and then

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Speaker 1: it's Phoenie and then while you're also forgetting and Allan

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Speaker 1: and Allen. Yes, So they did these kind of levels

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Speaker 1: of dating or relationship hood in this episode, which I

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Speaker 1: thought was was kind of interesting. Yeah, and I'm not.

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Speaker 1: It really worked. I loved the three of you guys together,

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Speaker 1: and yeah, I thought I thought it was really beautiful,

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Speaker 1: so too, I thought it was good. It was a

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Speaker 1: good episode. So Eric tells Coorey and Sean if they

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Speaker 1: want a cool girl, they have to position themselves, stand

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Speaker 1: near their lockers and make sure they're seen. Eric positions

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Speaker 1: himself literally in the way of Jacqueline while holding his

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Speaker 1: favorite folder. You were holding those, I never I never

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00:19:01,400 --> 00:19:06,080
Speaker 1: miss it when you have one of those. I think

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00:19:06,200 --> 00:19:09,639
Speaker 1: it really is and just tackles the girl as she

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00:19:09,680 --> 00:19:12,320
Speaker 1: walks by. Well, she just basically tackles you, and you

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00:19:12,359 --> 00:19:14,480
Speaker 1: just go right with her. Just here we go. I'm

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00:19:14,520 --> 00:19:17,480
Speaker 1: going this direction too. It worked. Yeah, it worked, and

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00:19:17,480 --> 00:19:20,120
Speaker 1: it was very funny. So Corey tries the same type

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Speaker 1: of positioning, but to no avail, and that's when Becky

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00:19:23,000 --> 00:19:25,399
Speaker 1: comes up and asks Sean to the dance. Corey is

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Speaker 1: impressed because she's like the third coolest girl in school.

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Speaker 1: Did you guys think this was like her looking at

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Speaker 1: your butt? Okay, no, I was more like, why is

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00:19:37,400 --> 00:19:43,080
Speaker 1: my head? I actually think it was part of the joke,

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00:19:43,200 --> 00:19:47,040
Speaker 1: because again, yes, rider, your locker was now the bottom

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Speaker 1: locker and you were bent over and Ben comes up

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Speaker 1: to you. Corey says, what kind of girl do you

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Speaker 1: think you're going to get from this position? And then

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Speaker 1: she comes and asks you a question. And when she

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Speaker 1: walks away, she checks out your booty. Well, nobody, that's

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00:20:01,800 --> 00:20:06,560
Speaker 1: the thing. No, no no, no, Unfortunately she checks him out

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Speaker 1: when he's really he's in the locker, she checks out

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00:20:09,200 --> 00:20:13,719
Speaker 1: his butt. Okay, when she's leaving, he's facing her and

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00:20:13,840 --> 00:20:24,320
Speaker 1: she's checking out his crotch. Just my crot Okay, it's all.

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Speaker 1: It looked like she checked out your junk, nodded and

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Speaker 1: walked away. Well then I needed to be wearing Tony's

358
00:20:30,560 --> 00:20:35,880
Speaker 1: pants clearly needed to be needed. Screw these baggy jinkos.

359
00:20:35,960 --> 00:20:39,720
Speaker 1: I needed to really emphasized in the paint game. So

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Speaker 1: I do think that was It literally was that it

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Speaker 1: was a It was a booty joke, which you know. Okay,

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00:20:46,040 --> 00:20:48,000
Speaker 1: so I didn't tell you guys this, But we're watching

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Speaker 1: an episode Alex and I don't remember which episode, and

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00:20:52,119 --> 00:20:54,280
Speaker 1: Tony walked out of the classroom the allway and she

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Speaker 1: just went and I was like what, and she's like,

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Speaker 1: it's just some tight pants for a teacher to beware

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Speaker 1: and I was like, oh okay, I thought maybe you

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00:21:05,920 --> 00:21:07,679
Speaker 1: just out of attractive, and she's like, no, it's the

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00:21:07,760 --> 00:21:11,080
Speaker 1: parents are a little much. Yeah, oh my god, in

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Speaker 1: the hair love it. Oh my gosh, thank god. We

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Speaker 1: love Tony. We do. And then Topanga walks up to

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Speaker 1: Corey and Sean and she knows that they're waiting for

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Speaker 1: a girl to walk by and ask them to the dance.

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Speaker 1: Topanga reveals she's not going to the dance. It's a

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Speaker 1: protest because of gender bias. And then's back for a moment.

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Speaker 1: We get some old Topanga. I mean, it's like it's

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Speaker 1: new new, old Topanga. It's like, stay taking it all,

378
00:21:38,640 --> 00:21:40,040
Speaker 1: you know, this is the best of it. This is

379
00:21:40,040 --> 00:21:41,800
Speaker 1: the way it probably should have been from the moment

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Speaker 1: Season two started. Yeah, keep those lines, keep that perspective.

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Speaker 1: But then of course it's matured into, you know, something

382
00:21:48,040 --> 00:21:50,080
Speaker 1: slightly different, and this is a great use of that.

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Speaker 1: I thought it was perfect. It also changes instantly when

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Speaker 1: she's like, you know, and then my dad, he's taking

385
00:21:55,080 --> 00:21:57,200
Speaker 1: me to New York to go she's happy for Christmas,

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00:21:58,080 --> 00:22:01,680
Speaker 1: and I call him my daddy, which is the first

387
00:22:01,680 --> 00:22:06,960
Speaker 1: time I don't call him Jedediah. Yeah. Also, I'm not

388
00:22:07,040 --> 00:22:09,080
Speaker 1: needed in this episode. Get me out of here? Why

389
00:22:09,080 --> 00:22:11,879
Speaker 1: are you? You don't come back, do you? I'm in

390
00:22:12,000 --> 00:22:14,879
Speaker 1: I'm in Turner's classroom later to like mumble something and

391
00:22:14,920 --> 00:22:19,080
Speaker 1: then with the lightning speed of the flash, I am

392
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Speaker 1: out of the classroom the minute the bell rings. I'm

393
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Speaker 1: literally the first person out. The bell rings and I'm

394
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Speaker 1: like go and I just out. Yeah, not needed in

395
00:22:27,000 --> 00:22:29,040
Speaker 1: this episode? Why was I here? I can't believe they

396
00:22:29,119 --> 00:22:31,359
Speaker 1: kept this take because I don't know if it bothered

397
00:22:31,400 --> 00:22:33,760
Speaker 1: you guys, but your jacket being hung up on your

398
00:22:35,160 --> 00:22:37,520
Speaker 1: I couldn't take my eyes off it. I just fix

399
00:22:37,560 --> 00:22:40,240
Speaker 1: your jacket, Fix your jacket. Well, we're gonna cut to

400
00:22:40,240 --> 00:22:42,399
Speaker 1: a different take, right, It's like no, So it's like

401
00:22:42,640 --> 00:22:45,000
Speaker 1: just staring at your ja. It's one of those stupid

402
00:22:45,200 --> 00:22:48,840
Speaker 1: television things. It's like, this is why you know people, Um,

403
00:22:49,160 --> 00:22:52,800
Speaker 1: people probably don't understand that there's when you're making a

404
00:22:52,800 --> 00:22:56,320
Speaker 1: TV show, there is a wardrobe or any any content

405
00:22:56,480 --> 00:22:59,920
Speaker 1: there's there. There's always makeup and hair people and wardrobe.

406
00:23:00,040 --> 00:23:02,399
Speaker 1: But on set, so they don't just get you ready

407
00:23:02,440 --> 00:23:05,439
Speaker 1: before you go out to shoot. They are there on

408
00:23:05,520 --> 00:23:08,040
Speaker 1: set just to fix stuff like this, just to make

409
00:23:08,040 --> 00:23:10,400
Speaker 1: sure like a hair isn't fallen in front of your face.

410
00:23:10,560 --> 00:23:13,159
Speaker 1: And it's one of those kind of superficial things. I

411
00:23:13,160 --> 00:23:18,000
Speaker 1: remember I was directing something years ago and the person

412
00:23:18,119 --> 00:23:20,119
Speaker 1: hiring me to direct it was like, we don't need

413
00:23:20,160 --> 00:23:22,240
Speaker 1: a makeup person because we want this to look real.

414
00:23:22,400 --> 00:23:24,359
Speaker 1: And I was like, well, you are an amateur, Like

415
00:23:24,400 --> 00:23:26,960
Speaker 1: you don't understand that, like looking real does not mean

416
00:23:27,000 --> 00:23:30,760
Speaker 1: not having makeup. Even if you want things to look

417
00:23:30,920 --> 00:23:35,160
Speaker 1: rugged or real or natural, you need just because otherwise

418
00:23:35,200 --> 00:23:38,320
Speaker 1: the human eye will gravitate towards mistakes or like hairs

419
00:23:38,359 --> 00:23:40,320
Speaker 1: in the face or like all these weird things. And

420
00:23:40,359 --> 00:23:42,119
Speaker 1: so this was a perfect case of like why did

421
00:23:42,119 --> 00:23:44,240
Speaker 1: they use this take? I can't I can't stop looking

422
00:23:44,240 --> 00:23:47,640
Speaker 1: at her jacket. I know it definitely, Yeah, it threw

423
00:23:47,640 --> 00:23:50,840
Speaker 1: me too, but also just not needed in the episode.

424
00:23:50,840 --> 00:23:52,680
Speaker 1: Get me out of here, Get me out of this episode.

425
00:23:52,680 --> 00:23:54,560
Speaker 1: See that's her outfit. Is not what threw me in

426
00:23:54,560 --> 00:23:55,959
Speaker 1: this scene. What threw me in the scene is when

427
00:23:56,000 --> 00:23:59,080
Speaker 1: they're cutting every time to the other angle, there was

428
00:23:59,119 --> 00:24:02,919
Speaker 1: a giant sign behind everyone that said sex. It was

429
00:24:03,040 --> 00:24:06,800
Speaker 1: right above Jessica Jessica's head. Yes, yeah, because it said

430
00:24:06,880 --> 00:24:09,800
Speaker 1: sex ed, but her head was black blocking the edge,

431
00:24:09,880 --> 00:24:11,879
Speaker 1: so it just said sex the whole scene right over

432
00:24:11,880 --> 00:24:14,719
Speaker 1: everybody's shoulder. And I noticed that too. My jacket and

433
00:24:14,760 --> 00:24:19,160
Speaker 1: sex were the two things I noticed. So uh, Now,

434
00:24:19,160 --> 00:24:24,119
Speaker 1: with Tapeca off the list, Dass rights exactly everything was ruined.

435
00:24:25,240 --> 00:24:28,640
Speaker 1: This was the moment Topanga says her daddy is also

436
00:24:28,720 --> 00:24:30,000
Speaker 1: taking her to New York for the weekend to go

437
00:24:30,080 --> 00:24:32,560
Speaker 1: Christmas shopping. And now with Topanga off the list, Corey

438
00:24:32,640 --> 00:24:36,120
Speaker 1: daydreams a popular girl, Alison Cheever, will ask him out,

439
00:24:36,359 --> 00:24:38,919
Speaker 1: but Shan says, says, if a bomb hit the school

440
00:24:38,960 --> 00:24:42,360
Speaker 1: and only Corey survived, she'd probably ask the most popular

441
00:24:42,520 --> 00:24:45,199
Speaker 1: dead guy. And then Sean goes off to class, but

442
00:24:45,240 --> 00:24:47,560
Speaker 1: Corey sticks around to get asked, and then, in an

443
00:24:47,600 --> 00:24:52,480
Speaker 1: almost dream like segment, with so much wind, so much

444
00:24:52,600 --> 00:25:02,400
Speaker 1: much wind, she can't keep her eyes. It was they

445
00:25:02,440 --> 00:25:05,040
Speaker 1: could have toned the wind down by just a little bit.

446
00:25:05,080 --> 00:25:08,359
Speaker 1: It's still would have been good. But there's the exact

447
00:25:08,480 --> 00:25:11,359
Speaker 1: same shot from when we did the slow mo invitation

448
00:25:11,400 --> 00:25:17,119
Speaker 1: hand out thing. It's like yep, down the stairs towards Corey. Yeah,

449
00:25:17,200 --> 00:25:20,560
Speaker 1: So Corey ends up saying yes to Allison and then

450
00:25:20,720 --> 00:25:24,159
Speaker 1: the dream ends and Ingrid is revealed she is a

451
00:25:24,280 --> 00:25:27,800
Speaker 1: very nerdy girl who has actually asked him out and

452
00:25:27,920 --> 00:25:32,760
Speaker 1: he has now said yes to her. Womp, whomp, oh no,

453
00:25:33,119 --> 00:25:39,879
Speaker 1: oh no, party, that's right, bold st. I have a

454
00:25:39,960 --> 00:25:42,320
Speaker 1: question if anybody notices, because I could be wrong. At

455
00:25:42,359 --> 00:25:45,800
Speaker 1: this point in the episode, there is nothing whatsoever to

456
00:25:45,840 --> 00:25:49,119
Speaker 1: indicate it is a holiday episode. Correct, nothing, No, I

457
00:25:51,160 --> 00:25:55,040
Speaker 1: don't know. Hold on. The Turnaround Dance Flyers have Frosty

458
00:25:55,240 --> 00:25:58,000
Speaker 1: like a snowman, like a Frosty the snowman thing, which

459
00:25:58,040 --> 00:25:59,520
Speaker 1: is actually one of the things I was thinking is

460
00:25:59,520 --> 00:26:03,160
Speaker 1: that maybe mister Turner's tie was somehow Christmas related. Okay,

461
00:26:03,280 --> 00:26:06,000
Speaker 1: so the Turnaround Dance Signs do have a snowman with

462
00:26:06,040 --> 00:26:08,639
Speaker 1: like a with like a Santa hat on or something. Yeah, okay.

463
00:26:09,160 --> 00:26:11,840
Speaker 1: My take is that this is clearly a script that

464
00:26:11,880 --> 00:26:14,160
Speaker 1: they purchased from outside of the writer's room, and then

465
00:26:14,200 --> 00:26:18,280
Speaker 1: they just Christmas. Ye just sprinkled some Christmas because they

466
00:26:18,280 --> 00:26:19,840
Speaker 1: were like, oh, well, we're right around the holidays and

467
00:26:19,840 --> 00:26:23,400
Speaker 1: we need a Christmas episode. Boom, plug and play. Yep, exactly.

468
00:26:26,000 --> 00:26:28,679
Speaker 1: And also Ben's eventual outfit that he wears with the

469
00:26:28,680 --> 00:26:32,560
Speaker 1: white turtleneck and the green Christmas sweater. Oh geez, is

470
00:26:32,560 --> 00:26:34,440
Speaker 1: that what? I didn't know if they were trying to

471
00:26:34,440 --> 00:26:37,160
Speaker 1: make him look sweet Swedish. Yeah, that's him being Swedish.

472
00:26:37,200 --> 00:26:39,679
Speaker 1: But it's like green Christmas trees. It's like it is

473
00:26:39,680 --> 00:26:43,280
Speaker 1: actually Christmas trees. Also, his shirts are so long. Did

474
00:26:43,320 --> 00:26:48,000
Speaker 1: you guys notice the amount of bulking at the wrist? Yeah? Okay. Anyway,

475
00:26:48,040 --> 00:26:50,840
Speaker 1: we're in the Matthews kitchen. Corey is practicing turning down

476
00:26:51,000 --> 00:26:53,560
Speaker 1: Ingrid blaming a look alike pretending to be him, and

477
00:26:53,680 --> 00:26:56,479
Speaker 1: Alan watches from the stairs. Corey fills his dad in

478
00:26:56,520 --> 00:26:58,760
Speaker 1: and says um and Alan says he needs to go

479
00:26:58,800 --> 00:27:00,920
Speaker 1: with the girl he said yes to, no matter her

480
00:27:00,960 --> 00:27:05,200
Speaker 1: social standing. Corey then ask asks Eric to help him

481
00:27:05,200 --> 00:27:07,360
Speaker 1: get out of the date, but he says he agrees

482
00:27:07,359 --> 00:27:09,720
Speaker 1: with dad and Corey has to go with Ingrid. If

483
00:27:09,720 --> 00:27:12,920
Speaker 1: he bails, all girls will know because they communicate all

484
00:27:12,920 --> 00:27:16,760
Speaker 1: the time, and then they will all hate you. Some

485
00:27:16,840 --> 00:27:20,000
Speaker 1: prop act in here with the red stuff, with the

486
00:27:20,040 --> 00:27:23,320
Speaker 1: red stuff juice, You're like shake, I shook, and then

487
00:27:23,320 --> 00:27:25,600
Speaker 1: I open it and then I put the cap in

488
00:27:25,720 --> 00:27:32,320
Speaker 1: my pocket. Cap and you never as no, of course not.

489
00:27:32,400 --> 00:27:37,439
Speaker 1: We need it for the next weake true professional. Morgan

490
00:27:37,520 --> 00:27:39,640
Speaker 1: walks in and grabs something from the fridge, and Eric

491
00:27:39,680 --> 00:27:43,119
Speaker 1: mentions he likes Amy's chili from the night before, and

492
00:27:43,160 --> 00:27:45,360
Speaker 1: then Amy walks in and is so happy to hear

493
00:27:45,480 --> 00:27:48,680
Speaker 1: Eric liked your chili, proving Eric's point that women are

494
00:27:48,720 --> 00:27:52,119
Speaker 1: in constant communication. But just notice the use of the

495
00:27:52,119 --> 00:28:00,000
Speaker 1: word online. Yes, yes, tomorrow online. It's an East Coast thing. Yeah, yeah,

496
00:28:00,080 --> 00:28:05,880
Speaker 1: you don't say waiting in line, right, Internet thing? It's not.

497
00:28:06,040 --> 00:28:08,440
Speaker 1: But it's not quite what you're thinking either, Danielle, because

498
00:28:08,440 --> 00:28:10,159
Speaker 1: I don't think he meant that like women are in

499
00:28:10,200 --> 00:28:14,159
Speaker 1: a line. It meant that that they're in a communication network.

500
00:28:14,840 --> 00:28:17,840
Speaker 1: But it predates the Internet in a lot of ways.

501
00:28:17,920 --> 00:28:21,520
Speaker 1: Or then I think, so it's sort of like the network.

502
00:28:21,880 --> 00:28:23,639
Speaker 1: I don't know. It was super interesting. I was like,

503
00:28:23,680 --> 00:28:26,600
Speaker 1: how does is this being used? This word online is

504
00:28:26,600 --> 00:28:29,639
Speaker 1: being used correctly as if we're sharing it online, but

505
00:28:29,680 --> 00:28:34,320
Speaker 1: he means it completely metaphorically as we create the online

506
00:28:35,000 --> 00:28:40,920
Speaker 1: meets online wed Wow, guys, it was created by Hawkins.

507
00:28:40,920 --> 00:28:45,080
Speaker 1: I can't remember why Will and I had this conversation once.

508
00:28:45,400 --> 00:28:50,120
Speaker 1: I don't remember the album. I don't remember. Then we're

509
00:28:50,120 --> 00:28:53,520
Speaker 1: in mister Turner's classroom at slash the school hallway, mister

510
00:28:53,600 --> 00:28:57,120
Speaker 1: Turner is teaching Shaw's play Pigmalion, and no one in

511
00:28:57,160 --> 00:29:00,200
Speaker 1: class is responding to it. He explains that what you

512
00:29:00,200 --> 00:29:01,920
Speaker 1: can learn from the book is how you act, how

513
00:29:01,960 --> 00:29:04,920
Speaker 1: you speak, and prejudices about class can determine what you

514
00:29:05,000 --> 00:29:08,400
Speaker 1: do in life. You're turning a list of all the

515
00:29:08,440 --> 00:29:12,040
Speaker 1: books and literature referenced on Boymat's world, because it is

516
00:29:12,120 --> 00:29:16,080
Speaker 1: pretty interesting and it is extensive. We've we've done Hamlet

517
00:29:16,280 --> 00:29:21,200
Speaker 1: multiple times, but Pigmalion. I've never read Pigmalion. I've never read. Yeah,

518
00:29:21,240 --> 00:29:22,960
Speaker 1: I had to look it up and find some information

519
00:29:23,000 --> 00:29:25,160
Speaker 1: about it. Is the basis for My Fair Lady, so

520
00:29:25,200 --> 00:29:28,320
Speaker 1: that's the more popular version of it. But Pygmalion is

521
00:29:28,360 --> 00:29:32,080
Speaker 1: a play from the early twentieth century. Um and it's

522
00:29:32,160 --> 00:29:37,200
Speaker 1: taking someone ugly and making them better looking. No, it's

523
00:29:37,240 --> 00:29:43,440
Speaker 1: taking somebody unrefined and teaching them. And you're trying to

524
00:29:43,480 --> 00:29:45,200
Speaker 1: get into it, and neither of you have read it.

525
00:29:45,280 --> 00:29:47,800
Speaker 1: Don't tell me what it's about. Let's read it and

526
00:29:47,880 --> 00:29:51,640
Speaker 1: then yes, I would love to write. Okay, it's dressing

527
00:29:52,480 --> 00:29:55,800
Speaker 1: DiCaprio in and bringing him to the captain's table in Titanic.

528
00:29:56,880 --> 00:30:01,120
Speaker 1: That's PIGMAILI, so, well, you're original. Pigmailian myth is that

529
00:30:01,880 --> 00:30:04,640
Speaker 1: a guy makes a statue and then it comes to life,

530
00:30:04,640 --> 00:30:07,800
Speaker 1: like he makes the perfect woman out of us, like marble,

531
00:30:07,880 --> 00:30:11,080
Speaker 1: and then that statue comes to life and he marries it.

532
00:30:11,360 --> 00:30:14,520
Speaker 1: Huh yeah, of course by okay stilling it. And once again,

533
00:30:14,560 --> 00:30:17,440
Speaker 1: nobody's read the book. No, It's kind of every episode

534
00:30:17,520 --> 00:30:19,719
Speaker 1: is like, here's the book. What nobody's read it? Come on,

535
00:30:19,840 --> 00:30:21,440
Speaker 1: let me tell you what it's about. It's like, okay,

536
00:30:21,600 --> 00:30:22,959
Speaker 1: some of these some of these kids got to read

537
00:30:23,000 --> 00:30:26,440
Speaker 1: the book eventually, you'd think. Speaking of Tony does say

538
00:30:26,560 --> 00:30:33,880
Speaker 1: his stallone. Yeah, mister Turner says, what if I walked

539
00:30:33,880 --> 00:30:36,000
Speaker 1: into class one day and said, hey, how you doing.

540
00:30:36,080 --> 00:30:37,880
Speaker 1: I'll miss the Turner and I'm going to be learning

541
00:30:37,960 --> 00:30:41,000
Speaker 1: you skuys some good English? What would we only think

542
00:30:41,000 --> 00:30:43,040
Speaker 1: of him that far off from how he first came

543
00:30:43,080 --> 00:30:46,239
Speaker 1: into the show. It's like, it's like, yeah, it's it's

544
00:30:46,240 --> 00:30:48,240
Speaker 1: a couple degrees, But I feel like the correct response

545
00:30:48,280 --> 00:30:50,680
Speaker 1: would have been like, well you kind of did, buddy, Yeah,

546
00:30:50,800 --> 00:30:53,640
Speaker 1: we could have said that. Yeah. Sean says he thinks

547
00:30:53,640 --> 00:30:55,400
Speaker 1: he'd actually have a shot of getting an A and

548
00:30:55,480 --> 00:30:57,840
Speaker 1: Turner explains how you speak and how you look can

549
00:30:57,880 --> 00:31:00,600
Speaker 1: affect people's perceptions of who you are. And then the

550
00:31:00,640 --> 00:31:03,680
Speaker 1: bell rings and I bolt out, like the flash, I'm

551
00:31:03,680 --> 00:31:05,720
Speaker 1: the fastest I've ever been in my entire life. There

552
00:31:07,200 --> 00:31:08,800
Speaker 1: the show that week, did you have like, Oh, I

553
00:31:08,800 --> 00:31:12,080
Speaker 1: gotta I gotta go do home improvement exactly? Sean says

554
00:31:12,160 --> 00:31:14,480
Speaker 1: he figured out how to make Corey's date with Ingrid work,

555
00:31:14,720 --> 00:31:17,800
Speaker 1: changing her to make her cool. It's all here in

556
00:31:17,840 --> 00:31:23,560
Speaker 1: the pig play, which it was funny. I said, I

557
00:31:23,680 --> 00:31:28,280
Speaker 1: love dumb Sean. I really like dumb Sean the way

558
00:31:28,320 --> 00:31:31,000
Speaker 1: he is in this episode, if that makes sense, the

559
00:31:31,000 --> 00:31:33,480
Speaker 1: way I've been in other episodes. I'm like like over,

560
00:31:33,680 --> 00:31:35,840
Speaker 1: but this was. I thought this was fun, Like this

561
00:31:35,960 --> 00:31:38,120
Speaker 1: just makes sense, like this creates the dynamic. I didn't

562
00:31:38,120 --> 00:31:40,840
Speaker 1: feel like I was pushing it too hard. It's yeah, no,

563
00:31:40,920 --> 00:31:44,320
Speaker 1: I agree, there's this This was. I love this episode.

564
00:31:44,360 --> 00:31:46,600
Speaker 1: I thought it was really good. Yeah, it was a

565
00:31:46,640 --> 00:31:50,160
Speaker 1: good episode, not like super funny. But that's why. That

566
00:31:50,240 --> 00:31:51,400
Speaker 1: is the one thing I thought. I was like, I

567
00:31:51,400 --> 00:31:53,560
Speaker 1: don't necessarily know that I laughed a whole lot, but

568
00:31:53,640 --> 00:31:55,960
Speaker 1: I was. I was super engaged and I liked that

569
00:31:56,080 --> 00:31:59,120
Speaker 1: it had a great flow. Um, it felt really nice.

570
00:31:59,240 --> 00:32:02,560
Speaker 1: I felt comfort yeah, and it's yeah, it felt warm

571
00:32:02,600 --> 00:32:04,480
Speaker 1: and fuzzy and all the right ways. It was a

572
00:32:04,480 --> 00:32:08,160
Speaker 1: good and great moments for all of the adults, Like

573
00:32:08,200 --> 00:32:10,560
Speaker 1: all of the adults had their own kind of things

574
00:32:10,600 --> 00:32:13,360
Speaker 1: going on by themselves, and it was great. I loved it.

575
00:32:14,000 --> 00:32:16,720
Speaker 1: I think sometimes, you know, our storylines boy Mets World

576
00:32:16,920 --> 00:32:20,080
Speaker 1: in general, but what I've noticed with season two, they

577
00:32:20,160 --> 00:32:22,719
Speaker 1: kind of get a little convoluted, Like yeah, it's like

578
00:32:23,080 --> 00:32:26,800
Speaker 1: it's like six too many ideas, or it's like, you know,

579
00:32:27,000 --> 00:32:29,160
Speaker 1: one turn and then it turns, and then it turns

580
00:32:29,240 --> 00:32:31,240
Speaker 1: and then it and it's like I kind of feel

581
00:32:31,240 --> 00:32:33,760
Speaker 1: like we're twisting us, Like when we talk about the

582
00:32:33,760 --> 00:32:36,560
Speaker 1: Turner Phenee dynamics, they get twisted in knots too many times,

583
00:32:36,560 --> 00:32:38,800
Speaker 1: so you're like I've lost track of like who's supposed

584
00:32:38,800 --> 00:32:40,720
Speaker 1: to win this argument or or how I'm supposed to

585
00:32:40,720 --> 00:32:43,200
Speaker 1: feel about it. Whereas this felt very straightforward and yet

586
00:32:43,240 --> 00:32:46,600
Speaker 1: still had like you know with Ingrid, especially you know,

587
00:32:46,680 --> 00:32:48,640
Speaker 1: like her like little zingers at the end, and she

588
00:32:48,680 --> 00:32:50,640
Speaker 1: still kind of walks away and screws Cory over. But

589
00:32:50,640 --> 00:32:52,520
Speaker 1: it didn't feel like we had gone through too many

590
00:32:52,560 --> 00:32:54,560
Speaker 1: storylines to get there. It was just like, oh, we

591
00:32:54,640 --> 00:32:57,280
Speaker 1: went through the kind of predictable thing, but we did

592
00:32:57,280 --> 00:33:00,240
Speaker 1: it well and we still got it, so it wasn't

593
00:33:00,280 --> 00:33:02,840
Speaker 1: It didn't feel predictable, didn't feel so easy, And like

594
00:33:02,920 --> 00:33:05,560
Speaker 1: with the Turner Phoenie stuff here, it felt effortless, like, yeah,

595
00:33:05,600 --> 00:33:08,040
Speaker 1: they're still jabbing each other, they still change each other.

596
00:33:08,160 --> 00:33:11,000
Speaker 1: It's just enough. I don't know, it felt very straightforward

597
00:33:11,040 --> 00:33:15,120
Speaker 1: and contained. It just felt tight. Yeah. Yeah. And the

598
00:33:15,200 --> 00:33:16,880
Speaker 1: and the fact that the three of you guys were

599
00:33:16,920 --> 00:33:19,680
Speaker 1: now together and each having your own storylines and we

600
00:33:19,760 --> 00:33:21,720
Speaker 1: knew exactly who you were and we didn't need a

601
00:33:21,720 --> 00:33:24,640
Speaker 1: lot of like backstory to figure it out. I agree

602
00:33:24,640 --> 00:33:26,440
Speaker 1: it was great, which became a thing because I think

603
00:33:26,480 --> 00:33:28,960
Speaker 1: the opening title sequence of season three is just the

604
00:33:29,040 --> 00:33:32,200
Speaker 1: three of us are like playing cool at Chubbies, and

605
00:33:32,240 --> 00:33:34,840
Speaker 1: it's like they were trying to focus the show in

606
00:33:34,840 --> 00:33:36,680
Speaker 1: a different way, and this is kind of seemed like

607
00:33:36,720 --> 00:33:49,560
Speaker 1: the genesis of that. Yeah, well, since the boys don't

608
00:33:49,560 --> 00:33:52,280
Speaker 1: know what's cool, Sean says his date Becky, can give

609
00:33:52,800 --> 00:33:55,840
Speaker 1: Ingrid the makeover. Then in the hallway, mister Turner asks

610
00:33:55,920 --> 00:33:58,320
Speaker 1: miss Tompkins what she's doing over the weekend, and she

611
00:33:58,480 --> 00:34:01,840
Speaker 1: tells him she's chaperoning the dance, but she still doesn't

612
00:34:01,880 --> 00:34:05,680
Speaker 1: ask him. He's bugging out, And then we are in

613
00:34:05,720 --> 00:34:08,719
Speaker 1: the Matthew's kitchen, Corey and Sean are picking what Ingrid

614
00:34:08,760 --> 00:34:11,560
Speaker 1: should look like from magazines. Corey gives a picture to

615
00:34:11,600 --> 00:34:14,799
Speaker 1: Morgan to run upstairs to Becky and Ingrid. Which this

616
00:34:14,960 --> 00:34:20,280
Speaker 1: is very weird science, yes, isn't it? Yeah, like that,

617
00:34:20,560 --> 00:34:23,400
Speaker 1: and it makes me so uncomfortable. This whole idea of

618
00:34:23,440 --> 00:34:26,960
Speaker 1: like piecing together the perfect girl like weird science, just

619
00:34:27,040 --> 00:34:29,719
Speaker 1: ages horrifically. I don't know. It's such a good movie though,

620
00:34:30,600 --> 00:34:32,520
Speaker 1: it's such a good concept for a movie. But it's

621
00:34:32,600 --> 00:34:34,800
Speaker 1: such a good movie. No, dude, you're just such a

622
00:34:34,880 --> 00:34:37,680
Speaker 1: child at the age. It's a great it's a great,

623
00:34:37,760 --> 00:34:41,120
Speaker 1: great movie. Yes it is. Oh, it's a great, great movie.

624
00:34:42,640 --> 00:34:46,600
Speaker 1: A movie. It's it's it's about but it's it's a

625
00:34:46,640 --> 00:34:50,719
Speaker 1: great movie. The characters are so there's the characters are

626
00:34:50,800 --> 00:34:55,640
Speaker 1: so charactery and ridiculous and amazing that it's, oh god,

627
00:34:55,640 --> 00:34:58,920
Speaker 1: it's I disagree hundred percent. It's great film, great film. Well,

628
00:34:59,000 --> 00:35:01,239
Speaker 1: in this case, at least I agree with you writer

629
00:35:01,560 --> 00:35:03,840
Speaker 1: that it's that it doesn't age very well. But the

630
00:35:03,880 --> 00:35:06,000
Speaker 1: great news is that Amy walks up and says these

631
00:35:06,040 --> 00:35:10,200
Speaker 1: aren't even good representations of women, they're unrealistic portrayals. And

632
00:35:10,239 --> 00:35:12,520
Speaker 1: then she asks where they got these, and Corey says

633
00:35:12,760 --> 00:35:16,160
Speaker 1: from the magazines on your nightstands, which which is great, great,

634
00:35:16,280 --> 00:35:19,040
Speaker 1: just a great thing. And then Amy becomes nervous and says,

635
00:35:19,360 --> 00:35:22,080
Speaker 1: you didn't open the drawer, did you? Great joke, A

636
00:35:22,280 --> 00:35:25,959
Speaker 1: great joke. It's a great joke. I mean it brought

637
00:35:26,040 --> 00:35:28,160
Speaker 1: back some of the stuff we had talked about where

638
00:35:28,280 --> 00:35:32,399
Speaker 1: you know, really no kids understand that joke at all.

639
00:35:32,400 --> 00:35:35,360
Speaker 1: It goes right over the head. You don't have to

640
00:35:35,400 --> 00:35:37,279
Speaker 1: worry about even a kid picking up on like hey,

641
00:35:37,280 --> 00:35:39,080
Speaker 1: what does that mean? Like you know, just it's just

642
00:35:39,120 --> 00:35:41,120
Speaker 1: like okay, no, I don't know when the draw or whatever.

643
00:35:41,600 --> 00:35:43,920
Speaker 1: But it's such a great joke for adults. So you're

644
00:35:43,960 --> 00:35:46,640
Speaker 1: really funny. Really, I have a question, do you think

645
00:35:46,680 --> 00:35:50,759
Speaker 1: that the fact that it wasn't Corey and like they

646
00:35:50,840 --> 00:35:53,239
Speaker 1: easily could have done the scene where it's Corey and

647
00:35:53,320 --> 00:35:56,839
Speaker 1: Sean pulling out the dresses and trying to dress her

648
00:35:56,920 --> 00:35:58,840
Speaker 1: up and hear something, but they didn't. They made it

649
00:35:58,880 --> 00:36:01,799
Speaker 1: where it was the the female character who was kind

650
00:36:01,800 --> 00:36:04,879
Speaker 1: of up there in charge of everything. Do you think

651
00:36:04,920 --> 00:36:07,399
Speaker 1: that softened it at all a little bit that it wasn't,

652
00:36:07,440 --> 00:36:08,960
Speaker 1: you know, because it could have it could have been

653
00:36:09,000 --> 00:36:11,319
Speaker 1: a lot weirder. I thought if it was like, well

654
00:36:11,360 --> 00:36:13,319
Speaker 1: here in very sitcom, for it to be like Coorey

655
00:36:13,360 --> 00:36:16,160
Speaker 1: and Sean like try this dress, you know, Yeah, that's

656
00:36:16,200 --> 00:36:19,919
Speaker 1: a good point. I I actually really miss I feel

657
00:36:19,920 --> 00:36:22,600
Speaker 1: like there's a missing scene between the last one and

658
00:36:22,640 --> 00:36:25,000
Speaker 1: this one, which is the scene where we talked to

659
00:36:25,200 --> 00:36:29,319
Speaker 1: Ingrid about right yeah, And I was really uncomfortable with

660
00:36:29,360 --> 00:36:33,640
Speaker 1: the lack of sort of understanding of what we're like

661
00:36:33,719 --> 00:36:36,279
Speaker 1: conversation with It's like she is literally a prop that

662
00:36:36,320 --> 00:36:39,480
Speaker 1: we are dressing, right Obviously, by the end of the episode,

663
00:36:39,480 --> 00:36:42,360
Speaker 1: it saved like she even want a scene. She says,

664
00:36:42,400 --> 00:36:45,400
Speaker 1: I want to be popular, which to me, I was like, Okay,

665
00:36:45,440 --> 00:36:47,879
Speaker 1: I'm I'm totally obviously I'm cool. At the same point,

666
00:36:48,120 --> 00:36:50,040
Speaker 1: and the show the show that like in a lot,

667
00:36:50,120 --> 00:36:51,960
Speaker 1: like like a lot of Boy Meets World episode, a

668
00:36:52,000 --> 00:36:54,319
Speaker 1: lot of Boy Mets World second season episodes, it does

669
00:36:54,440 --> 00:36:57,400
Speaker 1: arrive somewhere that I think is really nice and nuanced,

670
00:36:57,719 --> 00:37:00,600
Speaker 1: but it kind of in getting there, you're like and

671
00:37:00,840 --> 00:37:03,000
Speaker 1: for me, even after the end of the episode, I

672
00:37:03,120 --> 00:37:06,160
Speaker 1: really wish there had been a scene with Ingrid right

673
00:37:06,200 --> 00:37:08,640
Speaker 1: and Becky, I guess where we sort of just discussed

674
00:37:08,719 --> 00:37:11,200
Speaker 1: the plan or we all are on the same page.

675
00:37:11,239 --> 00:37:13,440
Speaker 1: Because the way that this scene is laid out, it's

676
00:37:13,960 --> 00:37:15,880
Speaker 1: I don't know, you're not sure how they Yeah, you're not.

677
00:37:15,960 --> 00:37:17,560
Speaker 1: I agree with you. This scene made me feel a

678
00:37:17,560 --> 00:37:19,319
Speaker 1: little icky, and I think that's exactly what it was,

679
00:37:19,400 --> 00:37:22,399
Speaker 1: is that you're not sure whether or not there, how

680
00:37:22,440 --> 00:37:24,560
Speaker 1: they're feeling when they come down the stairs, Like you

681
00:37:24,640 --> 00:37:27,080
Speaker 1: get Becky, you get kind of Becky's into it because

682
00:37:27,120 --> 00:37:29,680
Speaker 1: she comes down, she's like really performative, she's excited to introduce.

683
00:37:30,040 --> 00:37:31,880
Speaker 1: But then Ingrid comes down and you're a little like,

684
00:37:32,120 --> 00:37:34,440
Speaker 1: how do you feel about this? Yeah? And then I

685
00:37:34,800 --> 00:37:37,360
Speaker 1: miss her, which is like made it even worse, and

686
00:37:37,400 --> 00:37:39,799
Speaker 1: I was like, uh, but yeah, again, I think that

687
00:37:39,800 --> 00:37:43,120
Speaker 1: that's in some ways good, that the path is right,

688
00:37:43,360 --> 00:37:45,000
Speaker 1: you know. I think it's supposed to make you feel that.

689
00:37:45,080 --> 00:37:46,719
Speaker 1: I just wanted to a little bit because when she

690
00:37:46,760 --> 00:37:48,400
Speaker 1: grabs him and says I want to be popular, I

691
00:37:48,480 --> 00:37:51,759
Speaker 1: was like, that's great. Yeah, that's on board with this. Yes,

692
00:37:51,800 --> 00:37:53,520
Speaker 1: if you get where it's like, look, I know this

693
00:37:53,640 --> 00:37:55,520
Speaker 1: might sound weird, but if we make you cool, yes,

694
00:37:55,800 --> 00:37:58,040
Speaker 1: make me cool? Yes? Please? Yeah, that would be it

695
00:37:58,120 --> 00:38:02,080
Speaker 1: and you'd be on board then for everything totally. Yeah.

696
00:38:02,120 --> 00:38:06,399
Speaker 1: And in fact, having to ask her is an awkward scene,

697
00:38:06,400 --> 00:38:08,960
Speaker 1: which would have been great awkwardness for Corey and you know,

698
00:38:09,000 --> 00:38:11,200
Speaker 1: like like having to know how to get her. How

699
00:38:11,239 --> 00:38:12,920
Speaker 1: are we going to sell this to her? And then

700
00:38:12,960 --> 00:38:15,080
Speaker 1: he tries to sell it and it doesn't work, and

701
00:38:15,080 --> 00:38:16,960
Speaker 1: then he just is honest and then she's on board.

702
00:38:16,960 --> 00:38:18,920
Speaker 1: Like that would have been a great scene, like now

703
00:38:18,960 --> 00:38:22,120
Speaker 1: could I pay for the Animal's Advocate? Is she supposed

704
00:38:22,120 --> 00:38:25,560
Speaker 1: to be the statue from Pygmalion? So the statue didn't

705
00:38:25,640 --> 00:38:29,680
Speaker 1: choose to be carved so but in the play a

706
00:38:29,800 --> 00:38:33,920
Speaker 1: play in the play, apparently the girl does actively pursue.

707
00:38:33,600 --> 00:38:37,239
Speaker 1: She does, okay, okay, got you got you got? She says,

708
00:38:38,120 --> 00:38:42,160
Speaker 1: we gotta read it. Yeah, we gotta do it. New podcast.

709
00:38:42,880 --> 00:38:46,200
Speaker 1: Uh Ingrid comes down looking pretty, but Sean isn't impressed. No,

710
00:38:46,400 --> 00:38:49,200
Speaker 1: it doesn't work. Corey thinks she looks gorgeous, but Sean

711
00:38:49,280 --> 00:38:52,240
Speaker 1: says she just looks pretty, but cool is more than looks.

712
00:38:52,320 --> 00:38:55,280
Speaker 1: It's a feel. Sean is looking for someone more exotic,

713
00:38:55,360 --> 00:38:57,520
Speaker 1: like in the magazines, you need to have an exotic

714
00:38:57,520 --> 00:39:02,799
Speaker 1: foreign name, and Ingrid says her family is from Sweden alcohols.

715
00:39:02,960 --> 00:39:05,719
Speaker 1: Did you guys notice that? Yeah, well it was such

716
00:39:05,760 --> 00:39:07,880
Speaker 1: a such a high level joke. It was like, I

717
00:39:07,880 --> 00:39:10,400
Speaker 1: don't know, but I only knew like one of them.

718
00:39:10,440 --> 00:39:15,800
Speaker 1: But then I was like, Amaretto, but I don't know

719
00:39:15,840 --> 00:39:21,080
Speaker 1: what I think one was. Wait, which ones did you say?

720
00:39:21,480 --> 00:39:24,680
Speaker 1: I think he was like Frangelic something. I think it's

721
00:39:24,680 --> 00:39:27,840
Speaker 1: an It's an alcoholic, Like, oh, this is such a

722
00:39:27,880 --> 00:39:30,880
Speaker 1: subtle like this is Sean's reference points are like what

723
00:39:31,040 --> 00:39:40,920
Speaker 1: his mom keeps on the shelf. Yeah, exactly. Yeah, oh

724
00:39:40,920 --> 00:39:44,640
Speaker 1: that's so funny. So Sean starts a freaking out about this.

725
00:39:44,920 --> 00:39:48,000
Speaker 1: He asks if they have nude beaches there, and Ingrid

726
00:39:48,080 --> 00:39:51,239
Speaker 1: says yes, And then Sean has a plan to make

727
00:39:51,320 --> 00:39:56,680
Speaker 1: both Ingrid and Corey very popular. And then Sean and

728
00:39:56,719 --> 00:39:59,080
Speaker 1: Becky are talking to people in the hallway about Ingrid's

729
00:39:59,080 --> 00:40:02,400
Speaker 1: family being from swed and in Sweden they sunbathe in

730
00:40:02,400 --> 00:40:05,399
Speaker 1: the nude. Actually they do everything in the nude. Okay,

731
00:40:05,560 --> 00:40:09,279
Speaker 1: one of my favorite things in all of life, but

732
00:40:09,800 --> 00:40:15,680
Speaker 1: is fake bad acting. I just there's nothing I love

733
00:40:15,800 --> 00:40:18,640
Speaker 1: more than than than than doing it, than like being

734
00:40:18,680 --> 00:40:21,960
Speaker 1: asked to be a bad actor and then watching good

735
00:40:22,000 --> 00:40:24,960
Speaker 1: actors be bad actors. Yeah, we used to do this

736
00:40:25,040 --> 00:40:26,879
Speaker 1: all the time on board, you guys, remember we used

737
00:40:26,880 --> 00:40:31,200
Speaker 1: to do there's a there's there's the scene from the

738
00:40:31,239 --> 00:40:35,000
Speaker 1: movie Parenthood where the kids mess up the lines and

739
00:40:35,000 --> 00:40:36,799
Speaker 1: then they're on stage. They're like little five year olds

740
00:40:36,840 --> 00:40:40,120
Speaker 1: on stage. Yeah, and the line is the line is

741
00:40:40,200 --> 00:40:46,759
Speaker 1: you know they're not they're they're stolen away, and then

742
00:40:46,760 --> 00:40:50,480
Speaker 1: the teachers whispering they're not stolen, they're put away. And

743
00:40:50,560 --> 00:40:54,320
Speaker 1: I think as actors, you just gravitate towards loving bad actors.

744
00:40:54,760 --> 00:40:56,799
Speaker 1: I love Boogie Nights for this reason when they do

745
00:40:56,920 --> 00:40:59,600
Speaker 1: like they're all these amazing actors, Julianne Moore and then

746
00:40:59,600 --> 00:41:02,080
Speaker 1: the second she's on camera in her porn movie, she

747
00:41:02,160 --> 00:41:04,960
Speaker 1: becomes the worst porn actor you've ever seen. And uh,

748
00:41:05,000 --> 00:41:06,920
Speaker 1: and what's his name? Doing bad singing when he has

749
00:41:07,000 --> 00:41:11,399
Speaker 1: to you know, feel feel feel you got you got

750
00:41:11,400 --> 00:41:14,520
Speaker 1: the touch? Oh, I just like and so when I

751
00:41:14,560 --> 00:41:16,400
Speaker 1: saw this, I was died. I was like this is

752
00:41:16,480 --> 00:41:19,520
Speaker 1: so great, And I honestly don't really remember this this

753
00:41:19,640 --> 00:41:21,799
Speaker 1: actress who plays Becky. I remember, like when I saw

754
00:41:21,800 --> 00:41:23,359
Speaker 1: her face, it was like, of course, but I don't

755
00:41:23,360 --> 00:41:25,399
Speaker 1: remember her name or like really hanging out with her.

756
00:41:25,480 --> 00:41:27,440
Speaker 1: But I just love that she brought it for this

757
00:41:27,560 --> 00:41:29,960
Speaker 1: moment because I just think, like, the bad acting thing

758
00:41:30,040 --> 00:41:36,839
Speaker 1: is so fun. Yes, and there Ricky, Yeah, absolutely, which,

759
00:41:36,840 --> 00:41:39,200
Speaker 1: by the way, So I texted the guys last night

760
00:41:39,200 --> 00:41:41,400
Speaker 1: because I knew Ricky looked familiar to me, but I

761
00:41:41,440 --> 00:41:43,239
Speaker 1: didn't remember that his name was Ricky or that that

762
00:41:43,280 --> 00:41:46,200
Speaker 1: was Ricky. And Ricky looks a lot like Speck. Do

763
00:41:46,239 --> 00:41:51,120
Speaker 1: you guys remember spec Ye. Speck was a third teacher

764
00:41:51,280 --> 00:41:54,000
Speaker 1: they brought in later who helped me with me, a

765
00:41:54,080 --> 00:41:58,319
Speaker 1: maths brought in for Ben and Danielle, and he worked

766
00:41:58,320 --> 00:42:00,400
Speaker 1: with me for a little bit but not but he

767
00:42:00,440 --> 00:42:03,960
Speaker 1: was a math tutor. Yeah, David Speck, David Spack. We

768
00:42:04,040 --> 00:42:07,120
Speaker 1: called him Spec And I thought maybe it was I thought,

769
00:42:07,200 --> 00:42:09,239
Speaker 1: so I thought maybe Ricky was Speck. But then I

770
00:42:09,280 --> 00:42:12,320
Speaker 1: also thought maybe Ricky was Noose because we had talked

771
00:42:12,360 --> 00:42:15,160
Speaker 1: about the background actor or Noose whose real name was

772
00:42:15,320 --> 00:42:19,440
Speaker 1: you just learned Michelle Michel, So I then texted the

773
00:42:19,440 --> 00:42:22,160
Speaker 1: group and he said a noose or speck and then

774
00:42:22,280 --> 00:42:28,560
Speaker 1: either neither one. It's Ricky. So anyway, I was a

775
00:42:28,640 --> 00:42:31,200
Speaker 1: very close friend of mine. Like I said, he taught me.

776
00:42:31,440 --> 00:42:33,520
Speaker 1: He taught me to play D and D. He lived

777
00:42:33,560 --> 00:42:35,759
Speaker 1: with the We did theater together back when I was

778
00:42:36,120 --> 00:42:39,000
Speaker 1: like before. I think we did theater together before I

779
00:42:39,000 --> 00:42:41,200
Speaker 1: did LAMI. So I knew Ricky when I was eight

780
00:42:41,280 --> 00:42:43,719
Speaker 1: years old. Weren't really in touch anymore. I know. He

781
00:42:43,760 --> 00:42:47,480
Speaker 1: teaches in Hawaii. He's an acting he teaches acting in

782
00:42:47,520 --> 00:42:49,160
Speaker 1: a way. He's a big theater guy. He went to

783
00:42:49,200 --> 00:42:51,799
Speaker 1: the Idlewild School for the Arts, which I always wanted

784
00:42:51,800 --> 00:42:53,920
Speaker 1: to go to. It's a boarding school in Idlewild, which

785
00:42:53,960 --> 00:42:57,640
Speaker 1: is mountain town up in um right outside of Los Angeles.

786
00:42:57,640 --> 00:42:59,359
Speaker 1: And I always wanted to go to school there because

787
00:42:59,400 --> 00:43:03,160
Speaker 1: all they do is acting, dancing, and music and you

788
00:43:03,280 --> 00:43:05,719
Speaker 1: live there in the woods. It's like a dream come true.

789
00:43:05,719 --> 00:43:07,600
Speaker 1: But they wouldn't let you go if you were also

790
00:43:07,800 --> 00:43:10,600
Speaker 1: a professional actor, Like you couldn't while go in there.

791
00:43:11,000 --> 00:43:12,960
Speaker 1: So I but I was like always my dream, like

792
00:43:13,000 --> 00:43:15,120
Speaker 1: we can live in the woods and just do acting

793
00:43:17,840 --> 00:43:19,239
Speaker 1: was perfect for you. Now you'd just be like I

794
00:43:19,280 --> 00:43:20,960
Speaker 1: just want the woods part. I don't need the acting part.

795
00:43:20,960 --> 00:43:22,520
Speaker 1: I just want Well, now I want to go teach there,

796
00:43:22,600 --> 00:43:26,799
Speaker 1: so if you're listening, that would be so fun. Oh

797
00:43:26,880 --> 00:43:38,560
Speaker 1: my god. Yeah. Well, then Ingrid walks down the hall

798
00:43:38,560 --> 00:43:41,560
Speaker 1: in traditional Swedish garb and everyone is looking at her

799
00:43:41,560 --> 00:43:45,880
Speaker 1: and says she's so cool. Will Estes wonders why she's dressed,

800
00:43:45,920 --> 00:43:51,279
Speaker 1: and Sean says that underneath the clothes she's nude. Three

801
00:43:51,680 --> 00:43:56,719
Speaker 1: great fun. I literally wrote, I love dumb Sean. Yeah,

802
00:43:56,760 --> 00:44:00,560
Speaker 1: I do. I know. It's so great, it's awesome. And

803
00:44:00,560 --> 00:44:02,680
Speaker 1: then when Sean is asked if they're buying it, he says,

804
00:44:02,800 --> 00:44:06,120
Speaker 1: oh jaw, which I then remembered of course, you guys

805
00:44:06,160 --> 00:44:09,320
Speaker 1: saying this week. Uh. And then we are in the

806
00:44:09,360 --> 00:44:12,000
Speaker 1: school cafeteria. Sean tells mister Feeney that it was him

807
00:44:12,040 --> 00:44:15,359
Speaker 1: and Corey that changed English. Look, where's Topanga? That would

808
00:44:15,360 --> 00:44:19,400
Speaker 1: have been a great scene for Topanga to be shouldn't

809
00:44:19,440 --> 00:44:22,440
Speaker 1: have been in this episode. It was waste of paying

810
00:44:22,480 --> 00:44:25,359
Speaker 1: for me, right, Yeah, we just thought have been nice

811
00:44:25,360 --> 00:44:27,839
Speaker 1: to have a chapanga perspective. Because you called you could

812
00:44:27,880 --> 00:44:30,440
Speaker 1: have also called us out on like like why aren't

813
00:44:30,440 --> 00:44:33,200
Speaker 1: you Becky like helping dress out, you know, like like

814
00:44:33,760 --> 00:44:35,800
Speaker 1: it could have easily been to Panga, because then we

815
00:44:35,840 --> 00:44:38,759
Speaker 1: could have had you sort of calling us out for

816
00:44:38,880 --> 00:44:42,840
Speaker 1: like being sexist and treating her like a doll or whatever.

817
00:44:42,920 --> 00:44:44,560
Speaker 1: You know, you could have said all these things and

818
00:44:44,600 --> 00:44:46,759
Speaker 1: we could have had those conversations and have it out

819
00:44:46,800 --> 00:44:49,839
Speaker 1: and still done the stuffy like had the same storyline,

820
00:44:50,040 --> 00:44:52,120
Speaker 1: but had a little bit of perspective, which would have

821
00:44:52,120 --> 00:44:54,200
Speaker 1: been what we would do later, you know, by fifth season.

822
00:44:54,200 --> 00:44:56,200
Speaker 1: That's exactly what would have happened. And they could have

823
00:44:56,280 --> 00:44:58,160
Speaker 1: changed the comedy up where it would have been Danielle

824
00:44:58,200 --> 00:45:00,000
Speaker 1: saying like, you know, this is sexist and blah blah

825
00:45:00,040 --> 00:45:04,399
Speaker 1: them and I hate the shoes like that. It would

826
00:45:04,440 --> 00:45:06,240
Speaker 1: do stuff like that where it would be really funny,

827
00:45:06,280 --> 00:45:08,680
Speaker 1: but it would still be her kind of thing, you know. Yeah, yeah,

828
00:45:08,800 --> 00:45:11,560
Speaker 1: time Machine. Yeah. I guess it's mostly because they had

829
00:45:11,560 --> 00:45:14,399
Speaker 1: probably I was my contract was like guaranteed thirteen out

830
00:45:14,400 --> 00:45:16,160
Speaker 1: of twenty one, so they were paying me anyway, and

831
00:45:16,160 --> 00:45:18,680
Speaker 1: they were like, let's plus you plug me in, and

832
00:45:18,719 --> 00:45:20,680
Speaker 1: then they maybe they didn't want to pay it to

833
00:45:20,680 --> 00:45:22,759
Speaker 1: be one of the cool girls, so they didn't want

834
00:45:22,800 --> 00:45:24,160
Speaker 1: me to be a part of that group, so I

835
00:45:24,200 --> 00:45:27,880
Speaker 1: had to be out of town. I don't know um anyway.

836
00:45:27,880 --> 00:45:31,360
Speaker 1: Phoene then corrects Sean's grammar and says Corey and I,

837
00:45:31,880 --> 00:45:34,879
Speaker 1: to which Sean says, great. Now everyone wants to take

838
00:45:34,920 --> 00:45:38,640
Speaker 1: credit and again it's just another opportunity for dumb Sean

839
00:45:38,719 --> 00:45:42,359
Speaker 1: and it's it's just so funny. Also, Corey in that

840
00:45:42,440 --> 00:45:45,520
Speaker 1: winter sweater and that white turtleneck is quite a look.

841
00:45:47,440 --> 00:45:49,960
Speaker 1: He's trying to be Swedish, right, is that what's happening?

842
00:45:50,080 --> 00:45:52,640
Speaker 1: That's all? But I actually think Corey should have been

843
00:45:52,719 --> 00:45:55,399
Speaker 1: dressing like this more often. I like it. Actually, if

844
00:45:55,400 --> 00:45:58,040
Speaker 1: you think about Corey's character, that he would like want

845
00:45:58,080 --> 00:46:00,719
Speaker 1: to be a little like nice are put together in

846
00:46:00,760 --> 00:46:04,160
Speaker 1: a sort of like old old man way makes sense, yeah,

847
00:46:04,200 --> 00:46:08,640
Speaker 1: and like yeah, he just so desperately wants to be

848
00:46:08,680 --> 00:46:11,640
Speaker 1: cool though, and as the character on the show, but

849
00:46:11,719 --> 00:46:14,160
Speaker 1: you're right, that's what he would naturally gravitate toward. That

850
00:46:14,160 --> 00:46:17,360
Speaker 1: would probably have been in So Corey invited Ingrid and

851
00:46:17,400 --> 00:46:19,799
Speaker 1: her friends to his house for a pre dance Smorgesborg,

852
00:46:19,880 --> 00:46:22,680
Speaker 1: but Ingrid says she needs to talk to Corey alone.

853
00:46:23,400 --> 00:46:25,320
Speaker 1: Ingrid tells Corey she can't go to the dance with

854
00:46:25,400 --> 00:46:28,319
Speaker 1: him anymore because she's cool now and Rick Lawler. She

855
00:46:28,360 --> 00:46:31,720
Speaker 1: asked Rick Lawler to the dance instead, Ingrid thanks Corey

856
00:46:31,719 --> 00:46:34,320
Speaker 1: for his help, and he is very deflated. She leaves

857
00:46:34,320 --> 00:46:36,680
Speaker 1: and gives him a kiss on the cheek. Sean comes

858
00:46:36,680 --> 00:46:39,319
Speaker 1: over and says, well, just heard what happened, and he's

859
00:46:39,360 --> 00:46:42,240
Speaker 1: tapped into the women's network, which is a really funny

860
00:46:42,320 --> 00:46:44,319
Speaker 1: runner we get from the rest of the episode. It's

861
00:46:44,360 --> 00:46:47,200
Speaker 1: a great runner though, So it's a great runner. But

862
00:46:47,400 --> 00:46:50,360
Speaker 1: Ryder comes over and says, so, hey, you know, I

863
00:46:50,400 --> 00:46:53,520
Speaker 1: just hear you got dumped, and for some reason, Ben

864
00:46:53,560 --> 00:46:58,320
Speaker 1: takes a really long pause before saying it just happened.

865
00:46:58,800 --> 00:47:00,920
Speaker 1: Oh really, there's kind of a weird like he was

866
00:47:00,960 --> 00:47:03,200
Speaker 1: waiting for a camera move or something, but it was

867
00:47:03,239 --> 00:47:07,640
Speaker 1: like an unnatural amount of time before he actually throws

868
00:47:07,640 --> 00:47:10,520
Speaker 1: the joke back. It was really bizarre, Like, wow, that

869
00:47:10,560 --> 00:47:14,160
Speaker 1: was funny. Strangely long pause. I didn't notice it. Yeah,

870
00:47:14,239 --> 00:47:17,719
Speaker 1: that's weird, it's funny. Well, justice Corey is set with

871
00:47:17,760 --> 00:47:20,400
Speaker 1: being average and dateless. Allison comes up to Corey and

872
00:47:20,520 --> 00:47:24,040
Speaker 1: asks him to the dance. Corey first make sure this

873
00:47:24,160 --> 00:47:26,680
Speaker 1: is real that Sean sees her too, and then says

874
00:47:26,800 --> 00:47:31,000
Speaker 1: yes and hugs her legs in the most desperate hug

875
00:47:31,040 --> 00:47:34,480
Speaker 1: of all time. And then we're in the Matthews living room.

876
00:47:34,520 --> 00:47:37,040
Speaker 1: Alan and Amy are decorating the Christmas tree. Eric comes

877
00:47:37,080 --> 00:47:38,759
Speaker 1: down to wait for his date to come to the door,

878
00:47:38,800 --> 00:47:42,200
Speaker 1: but she just honks from her car and he feels cheap,

879
00:47:42,640 --> 00:47:46,000
Speaker 1: but he also kind of likes it. It's a great

880
00:47:46,239 --> 00:47:48,480
Speaker 1: creep and that's why I saw the Christmas tree. I

881
00:47:48,520 --> 00:47:52,160
Speaker 1: was like, oh, Christmas episode, right, Christmas, there's Christmas tree.

882
00:47:52,200 --> 00:47:55,719
Speaker 1: Guess we're doing a holiday episode that's the same thing. Yeah,

883
00:47:55,719 --> 00:47:59,120
Speaker 1: It's like okay, And then Eric calls for Corey as

884
00:47:59,200 --> 00:48:01,760
Speaker 1: rides leaving. Corey comes down to leave for the dance,

885
00:48:01,960 --> 00:48:04,279
Speaker 1: and Alan quickly pushes Corey out the door so that

886
00:48:04,360 --> 00:48:06,880
Speaker 1: he and Amy can be alone. They sit on the

887
00:48:06,880 --> 00:48:09,160
Speaker 1: couch ready to drink wine and eat cheese, and he

888
00:48:09,200 --> 00:48:13,200
Speaker 1: starts massaging her shoulders. And then we're at the Turnaround dance.

889
00:48:13,239 --> 00:48:15,719
Speaker 1: Corey walks in with Alison. I mean, just I know

890
00:48:15,760 --> 00:48:17,440
Speaker 1: we've hit this a bunch, but like, I just love

891
00:48:17,520 --> 00:48:21,919
Speaker 1: Rusty and Betsy being clear great. I know, talk about

892
00:48:21,920 --> 00:48:23,359
Speaker 1: the adults stuff in this episode, there are a lot

893
00:48:23,400 --> 00:48:27,120
Speaker 1: of little asides between the adults. That were great. Yeah,

894
00:48:27,160 --> 00:48:28,920
Speaker 1: all the adults in this episode had a lot of

895
00:48:29,040 --> 00:48:34,600
Speaker 1: fun stuff that is relatable to all of us olds. Now. Yeah,

896
00:48:34,600 --> 00:48:37,160
Speaker 1: So Corey walks in with Alison, but then Alison thanks

897
00:48:37,200 --> 00:48:39,560
Speaker 1: him for bringing her and she starts to walk off.

898
00:48:39,840 --> 00:48:42,680
Speaker 1: Alison says she's dating Danny, but her parents won't let

899
00:48:42,680 --> 00:48:44,600
Speaker 1: her go out with ninth graders, so she needed Corey

900
00:48:44,640 --> 00:48:46,880
Speaker 1: to physically take her to the dance, and then he

901
00:48:46,960 --> 00:48:50,360
Speaker 1: stops her from giving him another pity kiss on the cheek.

902
00:48:50,960 --> 00:48:53,440
Speaker 1: Sean immediately comes over to say he just heard what happened.

903
00:48:54,239 --> 00:48:56,759
Speaker 1: Did you see the girl in the background. No, No,

904
00:48:57,000 --> 00:48:59,880
Speaker 1: there's a great group of kids in the background. So

905
00:49:00,120 --> 00:49:02,680
Speaker 1: they're like towards the door. So it's when they're cutting too.

906
00:49:02,680 --> 00:49:07,480
Speaker 1: I think it's Corey's close up, and it's like three

907
00:49:07,719 --> 00:49:11,120
Speaker 1: of the four people decided we're going to be the

908
00:49:11,120 --> 00:49:14,080
Speaker 1: group just standing here having a conversation, and one of

909
00:49:14,080 --> 00:49:15,680
Speaker 1: them went, no, I'm going to be at the dance

910
00:49:18,280 --> 00:49:20,040
Speaker 1: in the middle of the conversation, and there's one just

911
00:49:20,440 --> 00:49:23,240
Speaker 1: dancing it up. Of the three, it is the great

912
00:49:23,239 --> 00:49:26,400
Speaker 1: It's like they all got different direction and it was phenomenal.

913
00:49:26,440 --> 00:49:30,319
Speaker 1: It was great. So I think this is the moment

914
00:49:30,320 --> 00:49:32,640
Speaker 1: when Sean says he heard what happened, and Corey says

915
00:49:32,640 --> 00:49:34,560
Speaker 1: the women's new work, and he goes, no, I was

916
00:49:34,600 --> 00:49:39,560
Speaker 1: just standing right here, which is really funny. And then

917
00:49:39,560 --> 00:49:42,440
Speaker 1: Sewan says he's gonna go get punch and cookies. And

918
00:49:42,480 --> 00:49:45,560
Speaker 1: then mister Feeney is lecturing missus Tompkins and mister Turner

919
00:49:45,600 --> 00:49:48,840
Speaker 1: to behave even though they were just talking. Miss Tompkins

920
00:49:48,840 --> 00:49:51,600
Speaker 1: admits she didn't ask mister Turner out all week because

921
00:49:51,600 --> 00:49:54,680
Speaker 1: she wanted to watch him squirm. She told the Girls Network, though,

922
00:49:54,719 --> 00:49:56,520
Speaker 1: not to ask him out, so she had it covered.

923
00:49:56,719 --> 00:49:59,520
Speaker 1: Miss Tompkins eventually asks him to dance. Actually, that's not

924
00:49:59,560 --> 00:50:02,439
Speaker 1: what happens. He completely hints to her that he wants

925
00:50:02,440 --> 00:50:04,279
Speaker 1: to go dance, and she finally says, are you saying

926
00:50:04,280 --> 00:50:06,960
Speaker 1: you want to go dance? And yeah, which is They

927
00:50:06,960 --> 00:50:09,000
Speaker 1: were great in this scene, like the way they played

928
00:50:09,000 --> 00:50:11,600
Speaker 1: off each other and him like setting yeah that like

929
00:50:12,239 --> 00:50:15,200
Speaker 1: maybe we could look different directions and she's like, you

930
00:50:15,239 --> 00:50:19,040
Speaker 1: want to dance? Yes? Yes, remember together did more than

931
00:50:19,080 --> 00:50:21,439
Speaker 1: one episode. I'm glad she did. She was great, She's great.

932
00:50:21,480 --> 00:50:24,120
Speaker 1: I really yeah, I liked it. I thought Tony was

933
00:50:24,120 --> 00:50:26,520
Speaker 1: the best he's been in this episode. I mean, this was, like,

934
00:50:26,560 --> 00:50:30,160
Speaker 1: I think, the best mister Turner I've seen. I agree.

935
00:50:30,200 --> 00:50:34,920
Speaker 1: I agree, relaxed and really relaxed and casual. And I

936
00:50:34,960 --> 00:50:37,799
Speaker 1: think also there was a little less um like we

937
00:50:37,840 --> 00:50:40,359
Speaker 1: talked about with the Phoene stuff, there was less of

938
00:50:40,400 --> 00:50:45,080
Speaker 1: the um. They they kind of dropped the idea that

939
00:50:45,120 --> 00:50:47,480
Speaker 1: he's scared of mister Phoenie at all, and now they

940
00:50:47,520 --> 00:50:50,600
Speaker 1: are just contemporaries. And so even the way they interact

941
00:50:50,640 --> 00:50:53,640
Speaker 1: with each other makes him feel like he's aye more

942
00:50:53,640 --> 00:50:55,720
Speaker 1: in a playful way. And maybe he has this playful

943
00:50:55,760 --> 00:50:58,799
Speaker 1: relationship with her, and he has a playful relationship with

944
00:50:58,840 --> 00:51:01,000
Speaker 1: the students. So it's just kind of that fun mister

945
00:51:01,120 --> 00:51:04,359
Speaker 1: Turner instead of there being any anxiety like anxiousness around him.

946
00:51:04,400 --> 00:51:06,480
Speaker 1: It was really great. I thought it felt really good.

947
00:51:08,000 --> 00:51:11,160
Speaker 1: So Ingrid then comes over to Corey and she is

948
00:51:11,320 --> 00:51:14,080
Speaker 1: soaking wet covered in its howel all the cool kids

949
00:51:14,080 --> 00:51:16,200
Speaker 1: were talking about jumping in the pool, but then Ingrid

950
00:51:16,360 --> 00:51:19,080
Speaker 1: actually jumped in. She didn't know that that wasn't cool

951
00:51:19,120 --> 00:51:22,640
Speaker 1: to actually jump jump in as a story beat, Like,

952
00:51:22,760 --> 00:51:25,239
Speaker 1: I just think it's so great in a weird way,

953
00:51:25,280 --> 00:51:28,440
Speaker 1: I kind of wish that that this was a Topanga

954
00:51:28,520 --> 00:51:33,440
Speaker 1: storyline or like, because that's like a really endearing, cool moment,

955
00:51:33,520 --> 00:51:35,440
Speaker 1: like and I think that there's truth to that, right,

956
00:51:35,480 --> 00:51:37,360
Speaker 1: Like here's the kids who just talk about it, and

957
00:51:37,400 --> 00:51:39,600
Speaker 1: then there's like somebody who's like, okay, and take some

958
00:51:39,880 --> 00:51:41,640
Speaker 1: for safe based value, and I'm going to do it,

959
00:51:41,680 --> 00:51:43,560
Speaker 1: and then everybody makes fun of them for it. Why

960
00:51:43,719 --> 00:51:47,520
Speaker 1: I love that idea. And and you know, obviously Ingrid's

961
00:51:47,520 --> 00:51:49,560
Speaker 1: only here for the one episode. Natania was only there,

962
00:51:49,640 --> 00:51:52,080
Speaker 1: so it doesn't last. But I really like that that's

963
00:51:52,120 --> 00:51:54,720
Speaker 1: such a that could be such a great bonding character

964
00:51:54,840 --> 00:51:58,520
Speaker 1: moment for Corey and somebody. Um In a weird way,

965
00:51:58,520 --> 00:52:00,080
Speaker 1: I feel it was kind of a bummer that that

966
00:52:00,160 --> 00:52:02,879
Speaker 1: good of a story beat was wasted on this, like right,

967
00:52:03,120 --> 00:52:06,480
Speaker 1: you know, because it's you know, immediately gets reverted where

968
00:52:06,520 --> 00:52:08,880
Speaker 1: she's like, you know, leaves him to us the second

969
00:52:08,880 --> 00:52:11,120
Speaker 1: a guy comes. That didn't but that that through me.

970
00:52:11,239 --> 00:52:12,520
Speaker 1: It wasn't a big I know why they did it,

971
00:52:12,560 --> 00:52:14,759
Speaker 1: but that's where I literally wrote down, like, oh man,

972
00:52:14,800 --> 00:52:16,400
Speaker 1: that was such a nice scene between her and Corey,

973
00:52:16,440 --> 00:52:18,839
Speaker 1: like they're apologizing to each other and they're no, and

974
00:52:18,840 --> 00:52:22,920
Speaker 1: then and she's like yeah, and as I know, she

975
00:52:23,040 --> 00:52:25,680
Speaker 1: really she you know, and she she takes this character

976
00:52:25,760 --> 00:52:27,040
Speaker 1: all the way through, right, I mean she has to

977
00:52:27,080 --> 00:52:29,839
Speaker 1: play the sort of like nerd like over the top

978
00:52:29,880 --> 00:52:32,800
Speaker 1: glasses pigtails thing in the beginning, and then she really

979
00:52:33,440 --> 00:52:36,799
Speaker 1: inhabits this every version of this character she inhabits really well.

980
00:52:37,120 --> 00:52:39,279
Speaker 1: And that it's a nice scene, and it's it's kind

981
00:52:39,280 --> 00:52:41,839
Speaker 1: of you know, it is interesting, like we've seen this

982
00:52:42,120 --> 00:52:44,520
Speaker 1: a lot this season. They bring in a girl for

983
00:52:44,600 --> 00:52:47,840
Speaker 1: Corey for one episode and then it's not gonna be

984
00:52:47,920 --> 00:52:55,280
Speaker 1: continued because of that Topanga girl. No, it's just interesting

985
00:52:55,280 --> 00:52:57,759
Speaker 1: that you know, they weren't obviously, they weren't ready to

986
00:52:59,120 --> 00:53:02,560
Speaker 1: really like have Sean have storylines with a girl, which

987
00:53:02,600 --> 00:53:06,040
Speaker 1: you know, yeah, it was still so much about Corey

988
00:53:06,120 --> 00:53:09,239
Speaker 1: that every every guest star that's going to have this

989
00:53:09,440 --> 00:53:11,680
Speaker 1: intense of a storyline or this much of an arc

990
00:53:12,000 --> 00:53:14,799
Speaker 1: has to be with Corey. When you know, I think

991
00:53:14,880 --> 00:53:18,080
Speaker 1: later we start spreading those storylines out, so like Eric

992
00:53:18,160 --> 00:53:21,360
Speaker 1: has girl girls say he's dating you know, better hopefully

993
00:53:21,440 --> 00:53:24,080
Speaker 1: more developed than Desiree or whatever her name was. And

994
00:53:24,080 --> 00:53:27,239
Speaker 1: then you know, Sean obviously has relationships, so but we're

995
00:53:27,280 --> 00:53:29,040
Speaker 1: still in this like zone where we have to like

996
00:53:29,080 --> 00:53:32,160
Speaker 1: put to Benga an old Brian the cool character, create

997
00:53:32,239 --> 00:53:35,719
Speaker 1: this awesome storyline and then just bail onset and throw

998
00:53:35,719 --> 00:53:39,040
Speaker 1: it away. Yeah yeah, And I do think how maybe

999
00:53:39,040 --> 00:53:41,240
Speaker 1: this episode, like you guys said, was maybe the impetus

1000
00:53:41,280 --> 00:53:43,520
Speaker 1: for trying to get all of what happens in season

1001
00:53:43,560 --> 00:53:45,799
Speaker 1: three where they try to get you guys together a lot.

1002
00:53:45,960 --> 00:53:48,320
Speaker 1: It also, to writer's point, is a good this is

1003
00:53:48,360 --> 00:53:50,120
Speaker 1: a good episode for that where it's like, what's the

1004
00:53:50,160 --> 00:53:53,399
Speaker 1: storyline with Eric's state, what's the storyline with Sean's date,

1005
00:53:53,440 --> 00:53:57,359
Speaker 1: what's the storyline with Corey's date? And in this episode, unfortunately,

1006
00:53:57,400 --> 00:54:00,200
Speaker 1: there wasn't room. It was so focused on Corey's date.

1007
00:54:00,320 --> 00:54:03,440
Speaker 1: But late in later we can write episodes about all

1008
00:54:03,480 --> 00:54:05,960
Speaker 1: of your different relationships. It doesn't have to just focus

1009
00:54:06,000 --> 00:54:08,600
Speaker 1: around the world of Corey. But when you're still a

1010
00:54:08,640 --> 00:54:11,799
Speaker 1: newer show that's a success, it's a little hard to

1011
00:54:11,840 --> 00:54:14,399
Speaker 1: like break out of that mold and do now we're

1012
00:54:14,400 --> 00:54:16,600
Speaker 1: going to do an whole episode about Shawn's relationship. But

1013
00:54:16,640 --> 00:54:19,440
Speaker 1: what this is the show about Corey? And you get

1014
00:54:19,520 --> 00:54:21,520
Speaker 1: you get the network and the studio and all the

1015
00:54:21,560 --> 00:54:23,759
Speaker 1: people kind of point making that note, can this be

1016
00:54:23,760 --> 00:54:27,319
Speaker 1: about Corey? So yeah, you know, moving forward, we kind

1017
00:54:27,320 --> 00:54:30,719
Speaker 1: of we kind of branch out. So Ingrid says her

1018
00:54:31,280 --> 00:54:33,680
Speaker 1: her contacts fell out, and then Corey helps her put

1019
00:54:33,680 --> 00:54:36,680
Speaker 1: her glasses on so she can see, and Ingrid's date

1020
00:54:36,760 --> 00:54:39,799
Speaker 1: left with the popular kids. Corey apologizes to Ingrid for

1021
00:54:39,880 --> 00:54:42,399
Speaker 1: changing her into a cool kid, and then she apologizes

1022
00:54:42,440 --> 00:54:45,640
Speaker 1: for dumping him, even though she knows his intentions were selfish.

1023
00:54:45,760 --> 00:54:47,759
Speaker 1: Corey thinks they probably would have had fun if they

1024
00:54:47,760 --> 00:54:50,279
Speaker 1: had just come to the dances themselves, and then Ingrid

1025
00:54:50,360 --> 00:54:52,560
Speaker 1: leaves with another guy to dance who thought her jumping

1026
00:54:52,560 --> 00:54:56,560
Speaker 1: into the pool was cool, and I wondered if you know,

1027
00:54:56,600 --> 00:54:58,560
Speaker 1: I know you. We talked about whether or not we

1028
00:54:58,560 --> 00:55:00,359
Speaker 1: were a little bummed that she kind of just like

1029
00:55:00,400 --> 00:55:02,440
Speaker 1: threw it away even though they had this nice moment.

1030
00:55:02,480 --> 00:55:05,759
Speaker 1: But it's also kind of commentary on um, when you

1031
00:55:05,800 --> 00:55:08,840
Speaker 1: don't have a friend like Sean, what who would Cory

1032
00:55:08,960 --> 00:55:12,160
Speaker 1: be if he didn't have a Sean? Right? She founding

1033
00:55:12,200 --> 00:55:15,560
Speaker 1: around from social group to social group, chasing status constantly,

1034
00:55:15,800 --> 00:55:18,560
Speaker 1: instead of someone saying, you just be Cory and I'll

1035
00:55:18,600 --> 00:55:20,800
Speaker 1: just be Sean and that's all we need, and so

1036
00:55:21,080 --> 00:55:23,839
Speaker 1: she doesn't have that in this moment. I mean it's

1037
00:55:23,840 --> 00:55:26,439
Speaker 1: not not even just Sean, but Eric too. Like when

1038
00:55:26,520 --> 00:55:28,680
Speaker 1: the three of them sit down at this table together,

1039
00:55:28,880 --> 00:55:34,640
Speaker 1: it was so comforting. It was I remember this scene,

1040
00:55:34,640 --> 00:55:36,240
Speaker 1: but I don't want to sit there at that table.

1041
00:55:36,239 --> 00:55:40,279
Speaker 1: I want to be a part of that table. Character. Yeah,

1042
00:55:40,480 --> 00:55:42,840
Speaker 1: me too felt the same way. Yeah, it felt. It

1043
00:55:42,840 --> 00:55:44,399
Speaker 1: felt really good to see the three of us sitting

1044
00:55:44,400 --> 00:55:47,720
Speaker 1: there together. It did. It was like even in story

1045
00:55:47,960 --> 00:55:50,600
Speaker 1: him saying, yeah, you take a picture of us. Twenty

1046
00:55:50,640 --> 00:55:52,359
Speaker 1: years from now, we'll talk about We'll just say our

1047
00:55:52,440 --> 00:55:55,440
Speaker 1: dates were in the bathroom. And I thought, those those

1048
00:55:55,520 --> 00:55:58,640
Speaker 1: are the things, because that's exactly what life is. Take

1049
00:55:58,680 --> 00:56:02,360
Speaker 1: the picture because in twenty years you won't remember the

1050
00:56:02,480 --> 00:56:07,240
Speaker 1: date stories, but you will remember those friendships and those moments,

1051
00:56:07,320 --> 00:56:09,000
Speaker 1: and those are going to be the things that means

1052
00:56:09,000 --> 00:56:11,799
Speaker 1: something to you. Um. And so it did. It was

1053
00:56:11,880 --> 00:56:14,160
Speaker 1: just everything you guys said. It's so. It was comforting

1054
00:56:14,160 --> 00:56:16,040
Speaker 1: and warm, and I loved it and I wish we

1055
00:56:16,120 --> 00:56:18,600
Speaker 1: had more of it. I wanted I just want to

1056
00:56:18,600 --> 00:56:22,160
Speaker 1: see that. Um. And then Shan woks up again, saying

1057
00:56:22,160 --> 00:56:24,440
Speaker 1: he heard about Corey and Ingrid and his date is

1058
00:56:24,480 --> 00:56:26,880
Speaker 1: in the bathroom. Corey asks if it was the Women's Network,

1059
00:56:26,880 --> 00:56:28,600
Speaker 1: and Shawn says, no, I was standing right here, so

1060
00:56:28,640 --> 00:56:30,360
Speaker 1: it was the Okay. This is the moment where he

1061
00:56:30,400 --> 00:56:33,960
Speaker 1: says that yeah, yeah, the runner pays off in the end. No,

1062
00:56:34,080 --> 00:56:36,920
Speaker 1: I was just standing right here, which is so cute.

1063
00:56:37,480 --> 00:56:39,920
Speaker 1: And then Eric wanders by shocked that Corey was dumped

1064
00:56:40,000 --> 00:56:43,439
Speaker 1: three times at the dance, but then admits his date's

1065
00:56:43,480 --> 00:56:45,840
Speaker 1: old boyfriend came back into town, so she he doesn't

1066
00:56:45,840 --> 00:56:48,279
Speaker 1: have a date either. Corey, Eric and Shawn take a

1067
00:56:48,320 --> 00:56:50,400
Speaker 1: group picture to remember the dance and if twenty year

1068
00:56:50,440 --> 00:56:52,680
Speaker 1: and in twenty years, if anyone asks, their dates were

1069
00:56:52,680 --> 00:56:55,319
Speaker 1: all in the bathroom. And then the picture of you

1070
00:56:55,360 --> 00:56:57,560
Speaker 1: guys appears on screen and I love that you have

1071
00:56:57,600 --> 00:57:01,680
Speaker 1: to say dumped, dumped, and Sean says, you know, geez,

1072
00:57:02,640 --> 00:57:05,640
Speaker 1: and the picture how the episodes of Boy's World end,

1073
00:57:07,000 --> 00:57:09,160
Speaker 1: and then how many episodes end in freeze frame that

1074
00:57:09,200 --> 00:57:12,360
Speaker 1: turns into a picture. I'm genuinely curious. This is like no,

1075
00:57:13,040 --> 00:57:15,600
Speaker 1: I mean, and then I love that it's this happy

1076
00:57:15,640 --> 00:57:19,920
Speaker 1: Holidays from Boy. It's like so um meta, I don't know,

1077
00:57:19,920 --> 00:57:23,360
Speaker 1: it's just really really interesting, like and and it takes

1078
00:57:23,360 --> 00:57:28,840
Speaker 1: you back to the network television days, right, like when

1079
00:57:28,840 --> 00:57:30,920
Speaker 1: it was just going to air once and you aired

1080
00:57:30,920 --> 00:57:33,880
Speaker 1: it on this date to say happy Holidays from our show.

1081
00:57:34,000 --> 00:57:38,480
Speaker 1: It was like sort of message into the television waves

1082
00:57:38,520 --> 00:57:41,000
Speaker 1: like it just doesn't this doesn't happen anymore, you know,

1083
00:57:41,640 --> 00:57:45,200
Speaker 1: and it sho so nice. It's just such a nice,

1084
00:57:45,920 --> 00:57:49,880
Speaker 1: warm blanket of sitcom. Yeah and again, but for something

1085
00:57:49,920 --> 00:57:51,880
Speaker 1: that at the end of the day had nothing to

1086
00:57:51,920 --> 00:57:56,400
Speaker 1: do with the holidays at all. Not a holiday dance. No,

1087
00:57:56,880 --> 00:58:00,240
Speaker 1: it was just regular show. Put up a Christmas tree.

1088
00:58:00,320 --> 00:58:03,720
Speaker 1: Happy Holidays, that's all. Kin kind of like it too.

1089
00:58:04,960 --> 00:58:07,400
Speaker 1: I like it all holiday beamed stuff. I'm such a

1090
00:58:07,400 --> 00:58:09,680
Speaker 1: socker for that stuff like that. I just love Christmas

1091
00:58:09,760 --> 00:58:11,720
Speaker 1: lighting and I love it all so for me, Like

1092
00:58:11,880 --> 00:58:13,640
Speaker 1: I was like, yeah, this feels warm and fuzzy. I like,

1093
00:58:13,840 --> 00:58:16,080
Speaker 1: I'll take it for me too, me too. I love it.

1094
00:58:16,880 --> 00:58:18,720
Speaker 1: So we end the show in the Matthews living room.

1095
00:58:18,800 --> 00:58:20,800
Speaker 1: Eric and Corey return home from the dance and see

1096
00:58:20,800 --> 00:58:23,360
Speaker 1: that Alan and Amy fell asleep in the same shoulder

1097
00:58:23,400 --> 00:58:26,920
Speaker 1: massaging position when the kids left. Eric steals a cookie

1098
00:58:26,920 --> 00:58:29,400
Speaker 1: from their wine plate and throws it at Alan. He

1099
00:58:29,480 --> 00:58:35,760
Speaker 1: realizes he was massaging her for six hours and that's

1100
00:58:35,800 --> 00:58:40,240
Speaker 1: the end of our episode. Oh man, um, really really

1101
00:58:40,320 --> 00:58:43,240
Speaker 1: fun episode. I feel like we've really hit a great

1102
00:58:43,360 --> 00:58:46,600
Speaker 1: groove of episodes me too. We've had a row now

1103
00:58:46,640 --> 00:58:50,320
Speaker 1: that are that are great. Yeah, I I'm loving season

1104
00:58:50,360 --> 00:58:52,920
Speaker 1: two now. And I'll tell you I didn't think I

1105
00:58:52,960 --> 00:58:57,840
Speaker 1: was going to say that, miss and I missed it

1106
00:58:57,960 --> 00:59:00,280
Speaker 1: again for this episode. It's been a few now. I

1107
00:59:00,320 --> 00:59:03,920
Speaker 1: feel like I am starting to miss the Poenie wisdom

1108
00:59:04,000 --> 00:59:07,720
Speaker 1: a little bit. He's just he's he's Bill's not in

1109
00:59:07,760 --> 00:59:09,920
Speaker 1: it as much as he was. So other than that,

1110
00:59:10,000 --> 00:59:11,760
Speaker 1: I think we're all starting to hit our groove. I

1111
00:59:11,760 --> 00:59:14,000
Speaker 1: think we're starting to partner up the way we're supposed to.

1112
00:59:14,120 --> 00:59:16,640
Speaker 1: I think the writing's really crisp. But I'm kind of

1113
00:59:16,640 --> 00:59:19,240
Speaker 1: going like, starting Miss Fenie a little bit, starting Miss

1114
00:59:19,240 --> 00:59:21,320
Speaker 1: Phenie a little bit. He's not a defence hasn't been

1115
00:59:21,320 --> 00:59:23,480
Speaker 1: a defence line anymore in a little while. He hasn't,

1116
00:59:23,480 --> 00:59:27,120
Speaker 1: you know, the classroom is we haven't had the boy's

1117
00:59:27,160 --> 00:59:29,760
Speaker 1: bedroom for a long time either. That set was already

1118
00:59:29,800 --> 00:59:32,680
Speaker 1: gone because I mean, obviously when you're changing, like she

1119
00:59:32,720 --> 00:59:34,160
Speaker 1: could have been coming out of the bathroom in the

1120
00:59:34,160 --> 00:59:36,560
Speaker 1: boy's bedroom. But the fact the Wolf wasn't that long

1121
00:59:36,560 --> 00:59:38,560
Speaker 1: and Corey Wolf was the last one, right, Yeah, it

1122
00:59:38,720 --> 00:59:42,600
Speaker 1: was a couple three or four episodes. Yeah, yeah, it's

1123
00:59:42,640 --> 00:59:45,600
Speaker 1: three or four two o eight and we're on two twelve,

1124
00:59:45,680 --> 00:59:48,160
Speaker 1: so yeah, yeah, it has been a while. But I'm

1125
00:59:48,200 --> 00:59:50,439
Speaker 1: starting to miss Phenie a little bit. That makes sense.

1126
00:59:50,480 --> 00:59:53,680
Speaker 1: You're right, I can see really come back as strong

1127
00:59:53,720 --> 00:59:56,000
Speaker 1: as he did, though I don't know. I think maybe

1128
00:59:56,000 --> 00:59:58,880
Speaker 1: that first season is kind of that was the pinnacle

1129
00:59:58,920 --> 01:00:01,160
Speaker 1: of Poenie. You know, he and then he's there and

1130
01:00:01,160 --> 01:00:03,600
Speaker 1: he's always a presence. But will he have those kinds

1131
01:00:03,640 --> 01:00:06,480
Speaker 1: of like he's actually changing the storyline or engaging with

1132
01:00:06,480 --> 01:00:09,560
Speaker 1: the central the a story to that degree. The only

1133
01:00:09,600 --> 01:00:12,680
Speaker 1: thing I'm wondering is when they get a horrible way

1134
01:00:12,680 --> 01:00:14,680
Speaker 1: to say it, but when they get rid of Tony's

1135
01:00:14,800 --> 01:00:17,840
Speaker 1: character and get rid of Alex's character and Bill is

1136
01:00:17,880 --> 01:00:21,000
Speaker 1: once again the only teacher teacher, maybe they bring it

1137
01:00:21,040 --> 01:00:25,600
Speaker 1: back then, But by that point four or five is

1138
01:00:25,640 --> 01:00:28,680
Speaker 1: that when, yeah, so does he become the teacher again

1139
01:00:28,960 --> 01:00:32,840
Speaker 1: in high school. I've never seen the show. I can't

1140
01:00:32,840 --> 01:00:36,080
Speaker 1: I honestly don't remember. Oh hear send all your emails

1141
01:00:36,080 --> 01:00:41,960
Speaker 1: directly to Daniel Fishell. But he's the dean of the college.

1142
01:00:42,280 --> 01:00:44,520
Speaker 1: I'm right, but I can't remember if he's just stays

1143
01:00:44,600 --> 01:00:47,160
Speaker 1: the principle or if he becomes the teacher again, I

1144
01:00:47,200 --> 01:00:49,320
Speaker 1: have no idea. Well, no, he's the principal at this

1145
01:00:49,400 --> 01:00:50,920
Speaker 1: high school, and this high school is all with your

1146
01:00:51,000 --> 01:00:53,240
Speaker 1: high school. So yeah, we don't change, so he doesn't go.

1147
01:00:53,320 --> 01:00:54,959
Speaker 1: I don't think he needs I don't think he becomes.

1148
01:00:55,000 --> 01:00:57,600
Speaker 1: Although we did see him teaching us last week, right

1149
01:00:57,680 --> 01:01:01,200
Speaker 1: or two episodes ago. Yeah, yeah, he teaches the class too. Okay,

1150
01:01:01,520 --> 01:01:04,600
Speaker 1: I'm wonderfu'll see that more. Well. Join us for our

1151
01:01:04,640 --> 01:01:08,400
Speaker 1: next episode, season two, episode thirteen, Serano, which originally aired

1152
01:01:08,480 --> 01:01:11,760
Speaker 1: January sixth, nineteen ninety five. Thank you all for joining

1153
01:01:11,800 --> 01:01:13,760
Speaker 1: us for this episode of Pod Meets World. You can

1154
01:01:13,760 --> 01:01:16,120
Speaker 1: follow us on Instagram pod Meets World Show. You can

1155
01:01:16,160 --> 01:01:18,480
Speaker 1: send us your emails pod Meets World Show at gmail

1156
01:01:18,520 --> 01:01:24,560
Speaker 1: dot com. And we have merch It's March, it's Greg.

1157
01:01:24,800 --> 01:01:32,080
Speaker 1: It's great. That's from a different episode. Yes, we can't

1158
01:01:32,080 --> 01:01:41,959
Speaker 1: do that. We'll do it scary podcasworldshow dot com. Thank

1159
01:01:42,000 --> 01:01:45,000
Speaker 1: you guys for listening. Writer send us out. We love

1160
01:01:45,040 --> 01:01:49,560
Speaker 1: you all. Pod dismissed. Pod Meets World is an iHeart

1161
01:01:49,600 --> 01:01:52,480
Speaker 1: podcast produced and hosted by Danielle Fischel, Will Furnell and

1162
01:01:52,640 --> 01:01:56,560
Speaker 1: Ryder Strong executive producers, Jensen Carp and Amy Sugarman Executive

1163
01:01:56,560 --> 01:02:00,040
Speaker 1: in charge of production, Danielle Romo, producer and editor, A

1164
01:02:00,320 --> 01:02:03,880
Speaker 1: suit Box producer, Jackie Rodriguez engineer and Boy Meets World

1165
01:02:03,920 --> 01:02:07,120
Speaker 1: superfan Easton Allen. Our theme song is by Kyle Morton

1166
01:02:07,160 --> 01:02:10,040
Speaker 1: of Typhoon. You can follow us on Instagram at Podmeats

1167
01:02:10,080 --> 01:02:12,760
Speaker 1: World Show or send us an email at pod Meets

1168
01:02:12,800 --> 01:02:15,720
Speaker 1: World Show at gmail dot com.