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Speaker 1: Hello, and welcome back to movie Mike's movie podcast. I

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Speaker 1: am your host Movie Mike joined with my wife and

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Speaker 1: co host Kelsey. How's that cold brew? It's delicious, sounds good,

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Speaker 1: I've already had one you contemplated having. I'm at that

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Speaker 1: point of the day where I'm like, do I need

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Speaker 1: a second coffee? Because sometimes I do it.

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Speaker 2: I don't think today's today, because.

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Speaker 1: Whenever I have a second coffee, my heart starts to

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Speaker 1: skip a little bit, like I can feel it fluttering,

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Speaker 1: and I'm going about the house like I'm a hummingbird.

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Speaker 1: But I love writing that wave.

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Speaker 2: It has been a long sounds and hearing colors. I

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Speaker 2: can take cold birds.

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Speaker 1: I can like hear my hair growing at that point,

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Speaker 1: but I decided not to go second coffee.

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Speaker 2: It's for the best.

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Speaker 1: We are here to talk about our best and worst

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Speaker 1: movies of the month. For the month of January, the

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Speaker 1: longest month. Yeah, every year. January is essentially two months

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Speaker 1: in my mind.

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Speaker 3: Every year, and as a January birthday, I am so

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Speaker 3: sorry to everyone for how long this month feels.

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Speaker 2: I like it.

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Speaker 1: Until January third, we watch more movies at home than

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Speaker 1: we did go to.

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Speaker 3: The I also coming off of Christmas vacation. I was like,

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Speaker 3: I actually don't want to leave the house. Like now

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Speaker 3: we're having to convince ourselves to leave the house. Like

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Speaker 3: I feel like towards the end of the year, we

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Speaker 3: were like, let's get out, let's go like shopping or

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Speaker 3: go out to dinner, and I'm normally the one that's

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Speaker 3: like we should got to eat.

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Speaker 2: I'm sick of being in the house.

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Speaker 3: And now Friday comes around, I'm like, you want to

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Speaker 3: cancel those dinner plans and get take out?

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Speaker 2: Like say less, I don't. I have so much TV

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Speaker 2: to catch up on.

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Speaker 1: My favorite thing to do is cancel plans with you,

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Speaker 1: Like not with you, but I.

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Speaker 2: Mean like you're like, I actually don't want to see

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Speaker 2: us together, like we have plans and the like you

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Speaker 2: not want to do that?

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Speaker 1: Oh I don't want to do that. All right, let's

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Speaker 1: cancel plans.

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Speaker 2: It's just and my plans.

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Speaker 1: It's literally just like going out to eat'd be crazy.

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Speaker 2: Or like we're like I don't want to go see

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Speaker 2: that movie. I don't feel like leaving.

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Speaker 1: But we'll give our best and worst. Of January, I

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Speaker 1: will give my movie review of Presents, which was a

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Speaker 1: horror movie. I was really looking forward to and in

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Speaker 1: the trailer park, I'm going to talk about the trail

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Speaker 1: aller you brought to my attention. Drop.

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Speaker 3: Yeah, I didn't know that I could kind of want

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Speaker 3: to see a scary movie and you're like.

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Speaker 1: Ooh, I might actually want to go see this one.

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Speaker 2: Yeah.

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Speaker 1: On a scale of one to ten, where are you

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Speaker 1: of wanting to see this in theaters?

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Speaker 2: I mean I'm kind of like a nine. Oh I

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Speaker 2: love it?

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Speaker 3: Yeah, I know I didn't, But I also just love

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Speaker 3: Megan Fatty. She's like one of my favorite actresses after

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Speaker 3: she did The Bold Type White Lotus, Perfect Couple.

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Speaker 1: Yeah, she's great. All right, So we might be going

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Speaker 1: to see this movie. I'll talk about that later.

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Speaker 3: I will be watching it like through my hands. Of

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Speaker 3: the scary parts, yeah, you can't see it, but I.

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Speaker 1: Don't think it's that scary.

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Speaker 2: I think it's more I don't do spence. You know that, Okay,

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Speaker 2: I don't.

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Speaker 3: I mute when like TV shows get suspensful and I

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Speaker 3: know something's coming and the sounds on, I'm like mute.

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Speaker 1: But thank you for being here, thank you for being subscribed.

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Speaker 1: Shout out to the Monday Morning Movie crew. And now

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Speaker 1: let's talk Movies from the Dustro.

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Speaker 4: Podcast, Networking Movie Mike Movie podcast.

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Speaker 1: All Right, gooda do are movies of the month for January,

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Speaker 1: The best, hand the Worst. Kick us off first with

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Speaker 1: the best movie from January.

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Speaker 2: I need a laugh.

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Speaker 3: I just feel like this month already, Like I said,

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Speaker 3: it's been long, it's been weird, and I needed a

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Speaker 3: giggle and that was provided to me by one of

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Speaker 3: them days and beginning of the year. Comedies are hit

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Speaker 3: or miss because they put those ones out in January

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Speaker 3: that they're not sure whether they're gonna like, do well

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Speaker 3: at the box office or kind of flop, and then

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Speaker 3: they can just be like, oh, it was a January flop.

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Speaker 1: Oh well, I would say as a whole any movie

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Speaker 1: that comes out in January, which is known as a

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Speaker 1: dumb month for movies, is hit or miss. But primarily

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Speaker 1: it's usually a comedy that's like, I don't know if

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Speaker 1: this is gonna be funny, or it's a horror movie

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Speaker 1: that I don't know if it's gonna be scary. But

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Speaker 1: when it came to one of them days, it was

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Speaker 1: really funny. It also did really well at the box office.

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Speaker 2: I laughed the whole time.

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Speaker 3: At one point it was what like certified fresh on

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Speaker 3: Rotten Tomatoes is still yeah, a really high score.

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Speaker 1: It got really good reviews and was also funny, So

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Speaker 1: it had a good critic score and a good audience score,

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Speaker 1: which is rare. And the movie is about two best friends.

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Speaker 1: One of their boyfriends spends their rent money on a

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Speaker 1: get rich quick scheme and then they have like eight

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Speaker 1: or ten hours to make that money back before getting evicted.

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Speaker 1: So it's a really simple plot drops right into it

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Speaker 1: and there's a lot of just I felt like it

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Speaker 1: had good writing. It wasn't all physical comedy.

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Speaker 3: I mean Keiki Palmer and says I also had like

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Speaker 3: incredible comedic timing.

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Speaker 1: Crazy that Sizza. This was the first time acting did

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Speaker 1: a really good job in it. And then also as

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Speaker 1: about to do the Super Bowl with Kendrick Lamar, but

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Speaker 1: she could really do it all.

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Speaker 2: Yeah.

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Speaker 1: I really enjoyed this one as well. I rated it

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Speaker 1: a four out of five. What did you give it?

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Speaker 2: You give it a four point five out of five.

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Speaker 1: So close to perfect, which is really high for a

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Speaker 1: ninety minute comedy.

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Speaker 2: Listen, it was also the perfect length.

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Speaker 3: I don't need my comedies to drag on because I

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Speaker 3: feel like at a certain point you just start like

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Speaker 3: kind of regurgitating things or making them like it also

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Speaker 3: just like wasn't necessarily believable, but like then you start

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Speaker 3: really dragging on. Also got to say, mad Apatow so

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Speaker 3: funny in it.

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Speaker 1: Oh yeah, she's the person who moves into their apartment.

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Speaker 2: Yes.

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Speaker 1: Yeah. I feel like right as this movie was wrapping up,

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Speaker 1: I would found myself to think, okay, this needs to

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Speaker 1: oh and it was over.

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Speaker 3: Yeah, right, when you're like all right, you can't really

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Speaker 3: make any more jokes, you can't drag it so out.

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Speaker 1: It's like, okay, the comedy movies that always go on

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Speaker 1: a little bit too long. I always think about, speaking

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Speaker 1: of the Appatitos jut Appatol, every jet hapaite movie goes

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Speaker 1: about thirty minutes too long, especially like Super Bad forty

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Speaker 1: year Old Virgin.

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Speaker 2: He does love it is forty.

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Speaker 3: His film's really equivalent of when people on TikTok are like,

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Speaker 3: I have to make this video a minute to get

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Speaker 3: into the creator fund to make money off of it.

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Speaker 3: That's jut Aptel's movies. It's like I gotta make this

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Speaker 3: two hours long.

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Speaker 1: His inability to edit himself is wild. He had made

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Speaker 1: a movie in a while, though, I feel like he's

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Speaker 1: gonna do one with all of his daughters. At this

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Speaker 1: point he only has two, all of his daughters and

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Speaker 1: his wife, which he's pretty much been putting in every

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Speaker 1: I guess he's already really done that.

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Speaker 2: Yeah, they've been in everything.

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Speaker 1: Yeah, it's like funny people I remember them being.

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Speaker 2: Kids are making money now he doesn't need Yeah, they're fine.

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Speaker 2: She's doing Euphorium movie, Plese. They're good.

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Speaker 1: The nepotism is strong in that family. So that's your best.

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Speaker 1: For my best, I'm gonna go with the Brutalist, and

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Speaker 1: I think it's.

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Speaker 2: Because very different the spectrum.

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Speaker 1: It's the one that I was a little hesitant going into,

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Speaker 1: just because it was three and a half hours long,

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Speaker 1: which is a long movie. It's a flight, Oh, it

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Speaker 1: is a flight. I am now a fan of the intermission,

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Speaker 1: which I thought I wasn't going to like. I thought,

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Speaker 1: you know me, I don't like stopping down while watching

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Speaker 1: a movie. I want to go all the way through.

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Speaker 1: If I have to go pee, I'll go pee real

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Speaker 1: quick and I'll come back. But I thought the idea

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Speaker 1: of taking a break and then coming back to it

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Speaker 1: was gonna offset me a little bit, but it actually

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Speaker 1: like reset me.

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Speaker 2: Yeah, walk around.

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Speaker 1: I was like, I'm gonna go walk around, I'm gonna

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Speaker 1: go get a drink. I'm gonna come back and feel refreshed.

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Speaker 1: And it was about an hour and forty minutes into it,

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Speaker 1: and then we had an hour forty to go. I

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Speaker 1: think it was also the fact that they included the

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Speaker 1: fifteen minute intermission in the run time, so that three

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Speaker 1: thirty five was also including the fifteen minutes. I thought

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Speaker 1: it was gonna be fifteen on top of that.

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Speaker 2: Oh, I guess I did too.

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Speaker 3: And I really didn't calculate the time after we got

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Speaker 3: out because it was just long in general.

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Speaker 1: Which then it would have been like four fifty plus

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Speaker 1: the ten fifteen minutes of previews. Then I was like, man,

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Speaker 1: that's gonna be like four hours and ten minutes at

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Speaker 1: the movies.

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Speaker 3: I also need to let everyone know you were very

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Speaker 3: concerned about eating before and after.

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Speaker 1: This is how I am. Anytime we go watch a

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Speaker 1: movie in the afternoon because we love them at Nay,

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Speaker 1: I would say, what's our percentage of going to evening

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Speaker 1: movies in afternoon movies?

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Speaker 2: Fifty to fifty because we'll go a lot on opening

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Speaker 2: night on a Friday.

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Speaker 1: On a Friday night. If not, we'll do Saturday afternoon. Sometimes,

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Speaker 1: especially with these long movies, I have to think about

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Speaker 1: when am I gonna eat, because if you go to

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Speaker 1: a movie at three that's two hours long, you're like,

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Speaker 1: I could eat a late lunch, I could eat a

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Speaker 1: early dinner.

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Speaker 3: I already don't follow a very normal eating schedule on

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Speaker 3: Saturday because I sleep in like a college student, and

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Speaker 3: so then I'm just saying, okay, I'll eat lunch and

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Speaker 3: dinner whenever. But you were like very like, okay, I

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Speaker 3: guess I eat dinner before or lunch before, and then

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Speaker 3: I guess we dinner ate when we get home. But

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Speaker 3: that puts us and I was like, I think we're

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Speaker 3: just gonna have to eat around it, and I think

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Speaker 3: it's gonna be okay. And then you were already talking

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Speaker 3: about your movie that you're gonna see this weekend, and

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Speaker 3: you're like, okay, i'll go at this time and then

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Speaker 3: I can eat after.

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Speaker 1: And it's one of those things that people don't think

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Speaker 1: about until it's an issue.

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Speaker 2: But then when we go on trips, you laugh at

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Speaker 2: me for how much time and effort I put into

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Speaker 2: looking up restaurants.

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Speaker 1: I feel differently about regular at home life than I

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Speaker 1: do in vacation. I think it's because I am that

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Speaker 1: way where I do want to plot out meals and

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Speaker 1: everything during the week or here at home that when

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Speaker 1: I'm on vacation where we're visiting a city, I want

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Speaker 1: to put that to the side and have a little

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Speaker 1: bit more spontaneity.

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Speaker 3: But you're also a vegan. We can't go into somewhere

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Speaker 3: and then your only fould be a salad. That's the

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Speaker 3: problem I have to hear for the rest of the

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Speaker 3: day all aaight was a salad.

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Speaker 2: So I can't win with you.

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Speaker 1: I can see where the difficulty lies. Is the situation.

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Speaker 2: Because if I don't research places and not only are

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Speaker 2: you a vegan, you like to eat, don't take like

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Speaker 2: small portions, like it takes a lot of food to

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Speaker 2: make you full.

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Speaker 1: People have a misconception of vegans and only eating salads

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Speaker 1: and only eating like small portions. That's just because I'm

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Speaker 1: a vegan doesn't mean I eat a piece of lettuce

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Speaker 1: and I'm good for this day exactly.

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Speaker 3: So I have to take you somewhere that has specific

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Speaker 3: like vegan meals that's not just you making a salad.

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Speaker 1: It is hard to find hardy vegan meals.

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Speaker 2: All right, I rest my case.

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Speaker 3: Okay, back to this movie and what my rabbit hole

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Speaker 3: of you needing to eat before.

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Speaker 1: But I feel after watching this, I am more inclined

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Speaker 1: to any movie that decides to embrace the intermission. I

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Speaker 1: don't think people will really embrace it a whole lot

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Speaker 1: because of that break. I think movie theaters have a

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Speaker 1: hard time because then you have all the people coming

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Speaker 1: out and then they get busy again. But I think

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Speaker 1: they want to get busy again right because the line

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Speaker 1: to the concessions got so long after it people getting

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Speaker 1: a second round refreshers.

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Speaker 3: But I also don't feel like a typical theater chain

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Speaker 3: set up for an intermission.

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Speaker 1: Yeah, we saw the Belcourt, smaller theater, so.

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Speaker 2: There's only a couple movies showing.

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Speaker 1: I think it would be harder in a big theater

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Speaker 1: like for Captain America, for everybody to exit and go

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Speaker 1: to the lobby. I think it would overwhelm some people

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Speaker 1: because I think right now, even when we get there,

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Speaker 1: sometimes during peak hours, we're waiting ten to fifteen minutes

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Speaker 1: to get popcorn.

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Speaker 2: Don't even get me started on the time that that

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Speaker 2: person complained, and I almost got a fight in line.

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Speaker 1: Yeah, people get they get so impatient.

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Speaker 3: People are doing their best, they're doing their job. It's

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Speaker 3: not their fault that the person true story in front

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Speaker 3: of you ordered eighty dollars worth of snacks, A lot

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Speaker 3: of snacks. There's literally one person. They can only get

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Speaker 3: so many popcorns, they can only get so many drinks.

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Speaker 3: And then if you're like, this line hasn't moved, I've

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Speaker 3: been here for twenty minutes, then get here twenty minutes

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Speaker 3: earlier next time.

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Speaker 1: Like, I don't know, people need to relax in line.

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Speaker 2: So I don't movies.

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Speaker 3: I don't think that an intermission would be good at

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Speaker 3: a regular theater because then everyone's gonna stand in line

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Speaker 3: for that long and then they're gonna be like, well,

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Speaker 3: now the movie's starting, and I missed it because I

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Speaker 3: took this intermission. Yeah.

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Speaker 1: I feel like it's kind of the recess vibes of

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Speaker 1: like trying to wrangle everybody after reesas like come on here,

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Speaker 1: come back inside. Oh I'm still on this swing set

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Speaker 1: feral children's yeah, running around, and then you have people

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Speaker 1: maybe who would like I want to go watch another

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Speaker 1: movie and they sneak into another movie. I enjoy it.

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Speaker 1: I don't think. I don't think there's gonna be that

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Speaker 1: many three hour movies that warrn't an intermission. It's very

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Speaker 1: rare that we get one. It's usually one a year

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Speaker 1: that we go to. If that like last year, Oppenheimer,

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Speaker 1: I feel like Avengers.

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Speaker 2: Actually the year before last.

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Speaker 1: Oh it's twenty twenty, Tang, I'm still living in twenty

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Speaker 1: twenty four. I know those two years ago.

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Speaker 2: I know.

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Speaker 1: So I would like to see more intermissions. I think

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Speaker 1: it would give some people because it is a daunting task,

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Speaker 1: like the Brutalist. Even though I enjoyed it, it's not

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Speaker 1: one that I'm going to recommend to people because seeing

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Speaker 1: three hours and thirty five minutes is like, I don't

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Speaker 1: want to go to that.

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Speaker 2: But I think it did eat up most of our sun.

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Speaker 2: Yeah that's what it was, and we were like, well, Saturday's.

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Speaker 1: Over, that's it, it's cashed. Yeah, it's gone. But I

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Speaker 1: really enjoyed it. I'm glad we spent the time to

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Speaker 1: watch it. I'm still not rooting for it to win

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Speaker 1: Best Picture. I still am leaning on wanting the substance

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Speaker 1: to do really well, but now I can appreciate a

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Speaker 1: little more. Moving on now to our worst, I think

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Speaker 1: we might have the same worst movie of the month.

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Speaker 1: What do you have?

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Speaker 2: Should we say it together? On the kind of three.

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Speaker 1: Yeap want two?

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Speaker 2: Three?

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Speaker 1: Back back in Action? It is the family action comedy

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Speaker 1: with Cameron Diaz and Jamie Fox.

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Speaker 2: Which only three of those snow, guys, Yeah, this.

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Speaker 1: Is I think that's what hurt this movie the most

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Speaker 1: for me is we just had this with Mark Wahlberg.

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Speaker 2: The Family Plan, same movie, same same movie, different cast.

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Speaker 1: So essentially they were spies agents fifteen years ago. They

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Speaker 1: went on this mission. They got double crossed. There's a

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Speaker 1: plane exploding, everybody thinks they die, but they survive and

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Speaker 1: go into hiding. But there was this key that everybody

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Speaker 1: wanted that could control all these weapons. And then they

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Speaker 1: go into hiding, start a family in the suburbs and

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Speaker 1: live the lame adult parent life I guess, and then

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Speaker 1: they get sucked back in to go back in action.

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Speaker 2: I gotta say, Cameron Diaz came out of retirement for this.

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Speaker 1: She well you know why she came out of retirement.

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Speaker 1: Netflix paid her forty five million dollars, not just for

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Speaker 1: this movie. I think it's two maybe three movies. She

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Speaker 1: signed this big deal forty five million dollars. I would

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Speaker 1: come out of retirement for forty five million dollars.

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Speaker 2: She's absolutely come out of retirement.

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Speaker 1: I don't think she's done a movie in ten fifteen years.

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Speaker 1: And she has worked with Jamie Fox before, so that

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Speaker 1: was part of it as well. But you gotta come

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Speaker 1: out of retirement for this. And the reason Netflix spends

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Speaker 1: that amount of money is because she is a big

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Speaker 1: name and the movie was number one on Netflix.

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Speaker 2: And I mean we watched it.

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Speaker 1: We did, And I think that's what you pay for

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Speaker 1: is that most people who have a Netflix account, they

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Speaker 1: see Cameron Diaz and Jamie Fox pop up there and

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Speaker 1: I thought, no, you're probably gonna watch it. You might

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Speaker 1: not like it in this case, really didn't like it.

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Speaker 2: But you're gonna watch it.

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Speaker 1: And I guess there is power in that. I guess

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Speaker 1: that's all they want is people to click it, watch it.

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Speaker 1: For the most part, they want people to complete it.

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Speaker 1: That's like the big way that they sell things, like

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Speaker 1: you need that completion rate, you need people to start it,

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Speaker 1: but also watch it for a certain amount of time.

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Speaker 1: And I guess you'd get that with this movie. But

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Speaker 1: if I would have seen this movie in theaters, I

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Speaker 1: would have revolted.

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Speaker 2: Yet this is not a theater movie, and it's weird that.

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Speaker 1: It kind of walks that line of being a little

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Speaker 1: bit more like bloody action shoot them up, and then

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Speaker 1: scaling it back to like their kids, it's kind of

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Speaker 1: a family movie. It just fell all over the place,

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Speaker 1: and I just thought her character and Jamie Foxx's character

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Speaker 1: overall were a little bit annoying.

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Speaker 2: Yeah.

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Speaker 3: I mean, I love Cameron Diaz, and I feel like

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Speaker 3: I would watch anything like.

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Speaker 2: I really only watched it because I was excited to

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Speaker 2: see her.

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Speaker 1: That's really why I cared about it as well, because

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Speaker 1: I haven't really seen her. I mean, yeah, nobody's seen

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Speaker 1: and anything in a while, and I wanted to know

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Speaker 1: what brought her out of retirement, same way with Jim Carrey,

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Speaker 1: the thing that brought him at a retirement, So not

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Speaker 1: like the Hedgehog. I think it's just money at this point.

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Speaker 3: Yeah, But then I was watching some like interviews with her,

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Speaker 3: and I was reminded, like super rich celebrities like that,

381
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Speaker 3: sometimes they just go down these like unrelatable tangents like

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Speaker 3: they were like, what's your morning routine? And she was

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Speaker 3: talking about the special coffee that she drinks because it's

384
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Speaker 3: not full of like mold and pesticides and how most

385
00:15:27,000 --> 00:15:28,720
Speaker 3: coffees are terrible for you. And I was like, just,

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Speaker 3: I don't know, let a girl drink her an espresso,

387
00:15:31,880 --> 00:15:34,400
Speaker 3: or let someone drink their Folgers or their cug Like,

388
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Speaker 3: stop with the mold and the pesticides in the coffee.

389
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Speaker 3: Like that's so unrelatable. It's probably like thirty dollars a coup.

390
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Speaker 1: I forget that she's married to Benji Madden from Good Charlotte.

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Speaker 3: And then that makes her in laws Nicole Ritchie and

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Speaker 3: Joel Madden, and then her sister in law's father is

393
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Speaker 3: Lionel Richie, and.

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Speaker 2: Then yeah, it's a whole this whole thing. It's a

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Speaker 2: very famous lineage.

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Speaker 1: That's the thing you're great at that I'm not. You know,

397
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Speaker 1: celebrity relationships.

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Speaker 2: Listen.

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Speaker 3: I've been reading people magazines since I could read, so

400
00:16:01,160 --> 00:16:02,200
Speaker 3: like the age of five.

401
00:16:02,120 --> 00:16:04,840
Speaker 1: Like I can connect what actors were and what movies

402
00:16:04,920 --> 00:16:08,240
Speaker 1: and directors, But when it comes to relationships, I'm like, oh,

403
00:16:08,320 --> 00:16:09,600
Speaker 1: I don't know. You have to remind me about the

404
00:16:09,640 --> 00:16:13,080
Speaker 1: guy who's married to the Mumford and sons guy every time, the.

405
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Speaker 3: Girl that's married to the girl, Yeah, Carrie Mulligan. And

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Speaker 3: what is his first name?

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00:16:17,600 --> 00:16:21,480
Speaker 1: Mumford Marcus Marcus Mumford, Yes, and sons Yes.

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00:16:21,800 --> 00:16:22,000
Speaker 2: Yeah.

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Speaker 3: I can tell you which celebrities have dated. I can

410
00:16:24,160 --> 00:16:25,800
Speaker 3: tell you which celebrities have kids together. I can tell

411
00:16:25,840 --> 00:16:29,160
Speaker 3: you which celebrity is dated that celebrities brother. It is

412
00:16:29,160 --> 00:16:34,720
Speaker 3: a skill. I actually I was working out today and

413
00:16:34,760 --> 00:16:37,200
Speaker 3: an old Acon song was on in the bathroom and

414
00:16:37,240 --> 00:16:38,720
Speaker 3: I like still knew it word for word. And I

415
00:16:38,760 --> 00:16:40,160
Speaker 3: turned around and looked another girl, and I was like,

416
00:16:40,200 --> 00:16:43,440
Speaker 3: do you wonder, like how much more productive we would

417
00:16:43,480 --> 00:16:45,400
Speaker 3: be as a society if we didn't all just have

418
00:16:45,480 --> 00:16:48,640
Speaker 3: these like random lyrics. Still like I knew every word

419
00:16:48,680 --> 00:16:51,080
Speaker 3: word for word, could like wrap the middle part of it.

420
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Speaker 3: I was like, it was a song dangerous Bacon.

421
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Speaker 1: My favorite Acon song. Nobody want to see to get it.

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00:16:58,920 --> 00:17:01,040
Speaker 3: But I was just like, Wow, if I could free

423
00:17:01,120 --> 00:17:03,840
Speaker 3: up the celebrity knowledge, Yeah, I do love a celebrity

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Speaker 3: love triangle or a NEPO family.

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Speaker 1: We were talking earlier about staying in more in January,

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Speaker 1: and there was one day in January where I watched

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Speaker 1: six movies collectively. I think we watched maybe three together.

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Speaker 2: We watched three feature films during Glenpell.

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Speaker 4: Oh.

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00:17:22,160 --> 00:17:24,160
Speaker 2: Yeah, it was a Glenn Pale day, Glenn Pell day.

431
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Speaker 1: But I wrote it down. The sixth movie Saturday took

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Speaker 1: place on January eleventh.

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Speaker 2: Yes, and the first after the first week back at work. Yeah,

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00:17:33,080 --> 00:17:35,160
Speaker 2: I just worked Fridays. I can't do.

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00:17:35,280 --> 00:17:36,800
Speaker 1: I need a chill for this day.

436
00:17:36,880 --> 00:17:37,320
Speaker 2: Please.

437
00:17:38,160 --> 00:17:40,480
Speaker 1: Here's what I say when it comes to watching a

438
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Speaker 1: lot of movies, just pick the movies before you want

439
00:17:44,160 --> 00:17:46,040
Speaker 1: to set a movie. They just pick the movies, because

440
00:17:46,119 --> 00:17:48,760
Speaker 1: right now, I think we are overwhelmed with having so

441
00:17:48,840 --> 00:17:51,199
Speaker 1: many options. If you just get on Netflix with no

442
00:17:52,119 --> 00:17:55,639
Speaker 1: direction whatsoever, you're gonna end up either not watching anything,

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00:17:55,800 --> 00:17:57,480
Speaker 1: or watching something that you don't like.

444
00:17:58,000 --> 00:18:00,040
Speaker 3: Or watching something you've already seen because you just go

445
00:18:00,160 --> 00:18:01,359
Speaker 3: back to the comfort movie.

446
00:18:01,480 --> 00:18:04,440
Speaker 1: So I made a list of the movies I wanted

447
00:18:04,480 --> 00:18:06,800
Speaker 1: to watch, and then you had a list. We combined

448
00:18:06,840 --> 00:18:10,280
Speaker 1: that and just once once ended, we started the next one. Yeah,

449
00:18:10,440 --> 00:18:12,080
Speaker 1: that's the way to do it. Just have a plan

450
00:18:12,200 --> 00:18:14,840
Speaker 1: and then commit yourself. This also probably works a lot

451
00:18:14,880 --> 00:18:17,560
Speaker 1: better if you are either single or don't have kids.

452
00:18:18,119 --> 00:18:22,719
Speaker 1: But this is an uninterrupted six movie Saturday. It started

453
00:18:22,760 --> 00:18:25,840
Speaker 1: out with Amelia Perez, which was the first movie I watched,

454
00:18:25,880 --> 00:18:27,479
Speaker 1: and I was like, I'm gonna watch this one because

455
00:18:27,640 --> 00:18:31,760
Speaker 1: I don't really have expectations. People have been saying it's terrible,

456
00:18:32,200 --> 00:18:33,879
Speaker 1: but I know it's going to be nominated for a

457
00:18:33,880 --> 00:18:36,440
Speaker 1: bunch of awards, so I had to in my head

458
00:18:36,440 --> 00:18:38,560
Speaker 1: get it out of the way. I ended up enjoying

459
00:18:38,560 --> 00:18:40,520
Speaker 1: it aside from the musical parts. I gave it a

460
00:18:40,520 --> 00:18:43,479
Speaker 1: three out of five. My biggest problem with Amelia Perez

461
00:18:43,560 --> 00:18:46,720
Speaker 1: it just doesn't feel Mexican because the director is not Mexican,

462
00:18:47,320 --> 00:18:50,160
Speaker 1: didn't really do a whole lot of research. Aside from

463
00:18:50,200 --> 00:18:53,760
Speaker 1: some scenes that look like Mexico, there just wasn't that

464
00:18:53,800 --> 00:18:56,000
Speaker 1: feeling of like, oh, this feels like a true Mexican,

465
00:18:56,080 --> 00:18:58,840
Speaker 1: authentic story. And I think for me wanting to see

466
00:18:58,920 --> 00:19:03,160
Speaker 1: my culture, wanting this my people on a big scale.

467
00:19:03,359 --> 00:19:05,199
Speaker 2: In a bit, it was just about the cartel, but

468
00:19:05,280 --> 00:19:07,560
Speaker 2: it was just about like the bad part people. It's

469
00:19:07,760 --> 00:19:08,760
Speaker 2: just a car like Tel.

470
00:19:09,200 --> 00:19:11,120
Speaker 1: You could do a movie about the cartel like Zacario,

471
00:19:11,240 --> 00:19:13,840
Speaker 1: Like I feel like that was more Mexico than this movie.

472
00:19:14,240 --> 00:19:16,800
Speaker 1: But I just want to see us taking a little

473
00:19:16,800 --> 00:19:19,600
Speaker 1: bit more seriously when it comes to critically acclaimed films

474
00:19:19,880 --> 00:19:22,720
Speaker 1: and seeing everybody just kind of drag this movie. It's like, Oh,

475
00:19:22,760 --> 00:19:25,800
Speaker 1: we finally got one, and it's one that people don't

476
00:19:25,840 --> 00:19:27,480
Speaker 1: want to win, that they hate the fact that it

477
00:19:27,480 --> 00:19:29,880
Speaker 1: has so many nominations. But I don't think it's as

478
00:19:29,960 --> 00:19:33,640
Speaker 1: bad as everybody is saying. It's not for the musical part.

479
00:19:33,880 --> 00:19:35,639
Speaker 1: Musical part I just can't get past. But that was

480
00:19:35,640 --> 00:19:38,240
Speaker 1: the first movie of this day. Next up, I watched

481
00:19:38,280 --> 00:19:42,000
Speaker 1: Wallace and Grommet's Most Foul. I gave that one a

482
00:19:42,040 --> 00:19:43,080
Speaker 1: three point five out of five.

483
00:19:43,119 --> 00:19:44,359
Speaker 2: It's also Oscar nominated.

484
00:19:44,520 --> 00:19:48,000
Speaker 1: All of the Wallace and Grommet movies and Chicken Run movies.

485
00:19:48,520 --> 00:19:52,040
Speaker 1: Everything that's claimation just reminds me of being an elementary school.

486
00:19:52,920 --> 00:19:54,919
Speaker 1: This one kind of had to do with AI a

487
00:19:54,920 --> 00:19:59,760
Speaker 1: little bit. Wallace is the dude, Grommet is the not

488
00:19:59,760 --> 00:20:03,600
Speaker 1: the with the dog, and Wallace has made this invention

489
00:20:03,800 --> 00:20:06,200
Speaker 1: that it's like this gnome who can do a bunch

490
00:20:06,200 --> 00:20:11,000
Speaker 1: of landscaping and essentially takes away jobs from Grommet, so

491
00:20:11,119 --> 00:20:13,680
Speaker 1: he doesn't like the AI nome. And then the AI

492
00:20:13,800 --> 00:20:16,560
Speaker 1: Nome gets hacked by a super villain and they got

493
00:20:16,560 --> 00:20:17,280
Speaker 1: to clear their name.

494
00:20:17,520 --> 00:20:18,359
Speaker 2: Thank you for that.

495
00:20:19,119 --> 00:20:23,640
Speaker 3: Very in depth synopsis of Willison Grammet.

496
00:20:22,560 --> 00:20:25,240
Speaker 1: Because it's a family children's movie.

497
00:20:25,359 --> 00:20:28,920
Speaker 2: But I AI know, yeah, sound very family friendly.

498
00:20:28,640 --> 00:20:31,200
Speaker 1: That replaces people. But I gave that one a three

499
00:20:31,200 --> 00:20:34,000
Speaker 1: point five out of five. Next up, also on Netflix.

500
00:20:34,040 --> 00:20:37,359
Speaker 1: These have all been Netflix movies. I watched Subservience, which

501
00:20:37,520 --> 00:20:41,640
Speaker 1: is also having to do with AI. It is Megan.

502
00:20:41,440 --> 00:20:43,080
Speaker 2: Fox, who oh yeah, I came in at the end

503
00:20:43,119 --> 00:20:43,720
Speaker 2: of that one.

504
00:20:44,119 --> 00:20:46,280
Speaker 1: Kind of weird, and she is an AI robot. It's

505
00:20:46,320 --> 00:20:49,439
Speaker 1: about this guy who his wife comes down with this

506
00:20:49,520 --> 00:20:52,800
Speaker 1: sudden illness. She's in the hospital, so he gets this

507
00:20:52,880 --> 00:20:55,560
Speaker 1: AI robot to help around the house, take care of

508
00:20:55,640 --> 00:20:59,000
Speaker 1: the kids, do the dishes, cook and do all those things.

509
00:20:59,480 --> 00:21:02,280
Speaker 1: But then and she starts to become attracted to him,

510
00:21:02,520 --> 00:21:05,359
Speaker 1: and it's all like this weird love triangle between a

511
00:21:05,480 --> 00:21:09,920
Speaker 1: dude AI and his real wife. I'm out, Yeah, overall

512
00:21:10,520 --> 00:21:12,880
Speaker 1: not what I was expecting, although I guess I don't

513
00:21:12,920 --> 00:21:15,760
Speaker 1: really expect a whole lot from anything with Megan Fox

514
00:21:15,840 --> 00:21:16,280
Speaker 1: right now.

515
00:21:16,600 --> 00:21:17,840
Speaker 2: She just sospired.

516
00:21:18,240 --> 00:21:21,560
Speaker 1: I really liked her in movies like of Course Transformers,

517
00:21:22,040 --> 00:21:24,840
Speaker 1: Jennifer's body. Yeah, but this was just not it. It

518
00:21:24,920 --> 00:21:27,040
Speaker 1: kind of felt like she needed to make some money

519
00:21:27,080 --> 00:21:29,439
Speaker 1: here probably, And right now she's like about to have

520
00:21:29,480 --> 00:21:32,840
Speaker 1: a baby with MGK and they're not speaking. Yeah, you

521
00:21:32,880 --> 00:21:34,919
Speaker 1: imagine that, about to have a kid with somebody and

522
00:21:34,960 --> 00:21:36,480
Speaker 1: you just won't speak to them.

523
00:21:36,600 --> 00:21:39,400
Speaker 3: A weird circle back to that of degrees of separation

524
00:21:40,280 --> 00:21:43,959
Speaker 3: her she was with Brian Oilson Greens Now with Sharna's

525
00:21:44,080 --> 00:21:46,800
Speaker 3: Bobby's partner on Dancing with the Stars, which you know, Sharna,

526
00:21:46,880 --> 00:21:49,440
Speaker 3: So you're like two degrees one degree of separation away

527
00:21:49,480 --> 00:21:51,080
Speaker 3: from Megan Fox and Machine Gun Kelly.

528
00:21:51,119 --> 00:21:53,879
Speaker 1: But I gave subservience a two point five out of

529
00:21:53,880 --> 00:21:57,760
Speaker 1: five and then we began the Glen run. What did

530
00:21:57,800 --> 00:21:58,480
Speaker 1: we watch first?

531
00:21:58,800 --> 00:22:02,200
Speaker 3: Top Gun two, which is still great. Yeah, we hadn't

532
00:22:02,200 --> 00:22:04,760
Speaker 3: seen it since we saw it in theaters. Yeah, holds up.

533
00:22:05,000 --> 00:22:05,640
Speaker 3: Still awesome.

534
00:22:06,160 --> 00:22:08,760
Speaker 1: And a big part of seeing Top Gun two in

535
00:22:08,840 --> 00:22:12,760
Speaker 1: theaters was seeing it on the big screen and feeling

536
00:22:12,800 --> 00:22:14,440
Speaker 1: like I was a part of the action because that's

537
00:22:14,440 --> 00:22:16,920
Speaker 1: how they filmed it, Like all the flight scenes of

538
00:22:16,960 --> 00:22:19,320
Speaker 1: like the camera angles like on the wings, they were

539
00:22:19,359 --> 00:22:21,960
Speaker 1: actually doing some of the flying, some of their own stunts.

540
00:22:22,800 --> 00:22:26,080
Speaker 1: I feel like that's still translated watching it at home,

541
00:22:26,720 --> 00:22:28,800
Speaker 1: and I kind of forgot just how good the story

542
00:22:28,880 --> 00:22:32,119
Speaker 1: is overall and how much I still believe it is

543
00:22:32,200 --> 00:22:34,760
Speaker 1: better than Top Gun one because it's a much different

544
00:22:34,800 --> 00:22:37,439
Speaker 1: story seeing an older Maverick kind of looking back on

545
00:22:37,480 --> 00:22:40,200
Speaker 1: those days and seeing him with like the new cast,

546
00:22:40,280 --> 00:22:43,880
Speaker 1: and the entire relationship between what's dude's name.

547
00:22:44,240 --> 00:22:47,240
Speaker 2: Uh, Rooster, Rooster Goose's son.

548
00:22:47,240 --> 00:22:49,920
Speaker 1: That whole dynamic I found more enjoyable, and I thought

549
00:22:49,920 --> 00:22:52,200
Speaker 1: I had a little bit more emotion. So of course

550
00:22:52,240 --> 00:22:54,199
Speaker 1: you have to have the first one to get to

551
00:22:54,280 --> 00:22:56,440
Speaker 1: this second one. But if I had to go back

552
00:22:56,440 --> 00:22:58,800
Speaker 1: and rewatch one again, I'm still going Top Gun two.

553
00:22:59,119 --> 00:23:02,520
Speaker 3: Also, I forgot that what Monica Barbaro isn't it? And

554
00:23:02,560 --> 00:23:05,879
Speaker 3: she is Oscar nominated for a complete unknown.

555
00:23:05,680 --> 00:23:07,399
Speaker 1: Yeah, when we saw her, I was like, isn't it

556
00:23:07,400 --> 00:23:10,040
Speaker 1: weird when you see a movie completely forget an actor,

557
00:23:10,080 --> 00:23:10,479
Speaker 1: isn't it?

558
00:23:10,600 --> 00:23:10,800
Speaker 2: Yeah?

559
00:23:11,040 --> 00:23:12,920
Speaker 1: Until they're in something else where they have a little

560
00:23:12,920 --> 00:23:14,600
Speaker 1: bit more of a prominent role. Even though she had

561
00:23:14,640 --> 00:23:16,720
Speaker 1: a pretty good role in this that you go back like, oh,

562
00:23:17,359 --> 00:23:19,920
Speaker 1: she wasn't in it too. I also felt that Glenn

563
00:23:19,920 --> 00:23:23,040
Speaker 1: Powell's role was a little bit more substantial than I remembered.

564
00:23:23,720 --> 00:23:25,120
Speaker 2: Yeah, I don't really think.

565
00:23:25,200 --> 00:23:26,920
Speaker 3: I didn't really have my finger on the pulse of

566
00:23:26,920 --> 00:23:28,560
Speaker 3: who Glenn Powell was when that movie came out.

567
00:23:28,600 --> 00:23:29,600
Speaker 2: That was my mistake.

568
00:23:29,840 --> 00:23:31,719
Speaker 1: And I think that's where he and Tom Cruise kind

569
00:23:31,760 --> 00:23:32,360
Speaker 1: of bonded.

570
00:23:32,520 --> 00:23:34,680
Speaker 2: Yeah, so now he gets the Tom Cruise coconut cake

571
00:23:34,720 --> 00:23:35,320
Speaker 2: at Christmas.

572
00:23:35,320 --> 00:23:38,199
Speaker 1: All he gets that does a famous cake. And I

573
00:23:38,240 --> 00:23:41,639
Speaker 1: think maybe because of them working together on this movie

574
00:23:42,200 --> 00:23:45,280
Speaker 1: could be the reason that he takes overform Mission Impossible,

575
00:23:45,400 --> 00:23:47,720
Speaker 1: if that's the direction they end up going in.

576
00:23:47,840 --> 00:23:51,119
Speaker 2: Tom Cruise came to like the London Twisters premiere, I

577
00:23:51,160 --> 00:23:52,680
Speaker 2: think like they're pals.

578
00:23:52,760 --> 00:23:55,480
Speaker 1: Yeah, I stand by my rating of that. I might

579
00:23:55,520 --> 00:23:58,000
Speaker 1: have rated it higher the second time around. I give

580
00:23:58,000 --> 00:23:59,840
Speaker 1: it a four point five out of five. All right

581
00:24:00,320 --> 00:24:03,320
Speaker 1: after that, we watched Anyone but you listen. I don't

582
00:24:03,320 --> 00:24:05,160
Speaker 1: know why people hated it so much. When it first

583
00:24:05,200 --> 00:24:07,760
Speaker 1: came out, people hated it. I don't remember all that.

584
00:24:07,920 --> 00:24:10,600
Speaker 3: Yeah, and then when like the like kind of promotion

585
00:24:10,760 --> 00:24:14,000
Speaker 3: of it on TikTok went Okay, people didn't like it

586
00:24:14,040 --> 00:24:15,240
Speaker 3: at first when it came out.

587
00:24:15,440 --> 00:24:18,239
Speaker 1: Yeah, it came out kind of subtly in theaters, and

588
00:24:18,280 --> 00:24:21,719
Speaker 1: it was all the things surrounding it that ramped up

589
00:24:21,760 --> 00:24:23,440
Speaker 1: people checking it out, and then.

590
00:24:23,359 --> 00:24:26,119
Speaker 3: They did a re release of it for Valentine's Day

591
00:24:26,160 --> 00:24:27,080
Speaker 3: last year, put it.

592
00:24:27,040 --> 00:24:30,320
Speaker 1: Back in theaters, and then kind of blew up again

593
00:24:30,440 --> 00:24:32,320
Speaker 1: once it went on to Netflix. So it's a movie

594
00:24:32,320 --> 00:24:33,879
Speaker 1: that's kind of had three different lives.

595
00:24:34,160 --> 00:24:34,760
Speaker 2: I love it.

596
00:24:35,080 --> 00:24:38,199
Speaker 3: I also, and we've talked about this, I think Sidney

597
00:24:38,240 --> 00:24:41,240
Speaker 3: Sweeney is so smart. I think she is much smarter

598
00:24:41,320 --> 00:24:42,680
Speaker 3: than Hollywood gives her credit for.

599
00:24:42,920 --> 00:24:45,880
Speaker 1: Because this was a Sony movie and essentially her kind

600
00:24:45,880 --> 00:24:49,679
Speaker 1: of forming that relationship with Sony because she ended up

601
00:24:49,680 --> 00:24:52,880
Speaker 1: doing Madame Web. I feel like that was a business decision.

602
00:24:52,960 --> 00:24:54,119
Speaker 2: Oh she's even said it was.

603
00:24:54,520 --> 00:24:56,720
Speaker 1: And now she has more movies coming out with Sony,

604
00:24:56,840 --> 00:24:57,119
Speaker 1: so I.

605
00:24:57,280 --> 00:24:57,840
Speaker 2: Deal with them.

606
00:24:57,920 --> 00:25:01,040
Speaker 3: Yeah, She's very smart and like she kind of drove

607
00:25:01,240 --> 00:25:04,840
Speaker 3: the like once one rumor spread online about her and Glynn,

608
00:25:04,840 --> 00:25:07,080
Speaker 3: even though she's engaged to someone else and nothing went

609
00:25:07,119 --> 00:25:08,960
Speaker 3: on between them, she was like, Okay, let's use this

610
00:25:09,000 --> 00:25:10,640
Speaker 3: to our advantage and let's market it that way.

611
00:25:10,640 --> 00:25:12,840
Speaker 2: Smart and then they did the whole.

612
00:25:12,680 --> 00:25:14,840
Speaker 3: I was saying, it's my favorite moment of SNL when

613
00:25:14,880 --> 00:25:18,760
Speaker 3: she hosted and she did her monologue, and she was like, yeah,

614
00:25:18,800 --> 00:25:21,600
Speaker 3: you know, like people thought and affa're with my co star,

615
00:25:21,720 --> 00:25:24,560
Speaker 3: but I'm like happily engaged my fiancees here and then

616
00:25:24,600 --> 00:25:26,040
Speaker 3: they like pan out to what you think is gonna

617
00:25:26,040 --> 00:25:27,040
Speaker 3: be your fiance in the audience.

618
00:25:27,080 --> 00:25:30,159
Speaker 2: It's in. It's Glenn Palell. Funny, great chemistry between the

619
00:25:30,160 --> 00:25:32,879
Speaker 2: two of them. Amazing rom com. So haring back to

620
00:25:32,880 --> 00:25:33,359
Speaker 2: the rom com.

621
00:25:33,400 --> 00:25:35,720
Speaker 1: I also think that her role in Madame Web didn't

622
00:25:35,720 --> 00:25:37,280
Speaker 1: really hurt her a whole lot.

623
00:25:37,440 --> 00:25:39,560
Speaker 3: No, she everyone was just kind of like, oh, you

624
00:25:39,600 --> 00:25:41,240
Speaker 3: were in this. It was more in to code Jhansi

625
00:25:41,359 --> 00:25:41,879
Speaker 3: at the front.

626
00:25:42,200 --> 00:25:45,920
Speaker 1: But anyone but you is an instant rom com classic.

627
00:25:46,200 --> 00:25:46,720
Speaker 2: Yeah.

628
00:25:46,800 --> 00:25:48,960
Speaker 1: It is so hard to make a good rom com

629
00:25:49,000 --> 00:25:53,120
Speaker 1: now because they're always predictable, they're always a little bit cheesy.

630
00:25:53,640 --> 00:25:55,880
Speaker 1: And this one, for me, I enjoyed it in theaters

631
00:25:55,920 --> 00:25:58,719
Speaker 1: and I enjoyed watching it again. And it has that

632
00:25:58,800 --> 00:26:02,080
Speaker 1: rewatchable factor which any good rom com does. You're supposed

633
00:26:02,119 --> 00:26:04,639
Speaker 1: to be able to watch a rom com ten times

634
00:26:04,680 --> 00:26:05,480
Speaker 1: and still enjoy it.

635
00:26:05,520 --> 00:26:07,680
Speaker 2: The way they meet in the coffee shop, so cute,

636
00:26:07,880 --> 00:26:09,200
Speaker 2: great rom com moment.

637
00:26:09,480 --> 00:26:12,439
Speaker 1: The thing you can't fake and you can't fabricate. You

638
00:26:12,440 --> 00:26:15,159
Speaker 1: can't use AI to create is chemistry, and they have

639
00:26:15,240 --> 00:26:17,560
Speaker 1: great chemistry. That's how you sell a rom com I.

640
00:26:18,160 --> 00:26:20,080
Speaker 2: And we'll talk about this in the next movie that

641
00:26:20,119 --> 00:26:20,600
Speaker 2: we watched.

642
00:26:20,760 --> 00:26:23,600
Speaker 3: I'm convinced he could have chemistry with just about anyone

643
00:26:23,640 --> 00:26:24,400
Speaker 3: these days.

644
00:26:24,920 --> 00:26:25,200
Speaker 2: Yeah.

645
00:26:25,240 --> 00:26:27,720
Speaker 1: I wondered that about some actors, like are you such

646
00:26:27,720 --> 00:26:31,040
Speaker 1: a good actor, then no matter who is standing across

647
00:26:31,040 --> 00:26:32,800
Speaker 1: from you, you can have chemistry.

648
00:26:32,320 --> 00:26:35,680
Speaker 3: With Sidney Sweeney. Next one we're about to talk about

649
00:26:35,680 --> 00:26:39,760
Speaker 3: I'm what' spoiled that? Yep, Daisy Edgar Jones. Ten out

650
00:26:39,760 --> 00:26:41,120
Speaker 3: of ten chemistry across the board.

651
00:26:41,240 --> 00:26:43,679
Speaker 1: It just sucks you in. But that's anyone but you.

652
00:26:44,040 --> 00:26:46,440
Speaker 1: We still watched it on Netflix, right, I think most

653
00:26:46,440 --> 00:26:49,359
Speaker 1: of these were Netflix except for Top Gun. Top Gun

654
00:26:49,520 --> 00:26:50,560
Speaker 1: we did have to purchase.

655
00:26:50,720 --> 00:26:53,199
Speaker 3: We ran to rent it, and I really had to

656
00:26:53,200 --> 00:26:55,159
Speaker 3: convince you to spend those four dollars. I had to

657
00:26:55,160 --> 00:26:56,600
Speaker 3: convince you so hard that I was like, oh, I

658
00:26:56,600 --> 00:26:59,560
Speaker 3: have a dollar fifty digital credit from Amazon for telling

659
00:26:59,600 --> 00:27:01,280
Speaker 3: them they could deliver a package later.

660
00:27:01,960 --> 00:27:04,400
Speaker 1: Yeah, dang, I didn't realize these were all on Netflix.

661
00:27:04,440 --> 00:27:08,239
Speaker 1: But the final movie in our six movie Saturday was

662
00:27:08,800 --> 00:27:10,840
Speaker 1: Set it Up, which you hadn't seen what is this

663
00:27:10,920 --> 00:27:13,879
Speaker 1: movie about. It is a rom com. It is Glenn

664
00:27:13,920 --> 00:27:15,760
Speaker 1: Powell and Zoe I think it's Deutsch.

665
00:27:16,480 --> 00:27:20,920
Speaker 3: Uh. Lucy Lou and Tay Diggs and Glenn and Zoe

666
00:27:21,160 --> 00:27:24,239
Speaker 3: are assistants. Lucy and Tay or the bosses, and they

667
00:27:24,320 --> 00:27:26,920
Speaker 3: like set up their bosses, but then of course they

668
00:27:26,920 --> 00:27:28,320
Speaker 3: in the process fall for each other.

669
00:27:28,400 --> 00:27:29,679
Speaker 1: They gotta set it up.

670
00:27:29,920 --> 00:27:33,159
Speaker 3: It's so cute. The writing is good. I think it

671
00:27:33,240 --> 00:27:34,800
Speaker 3: is such an underrated rom com.

672
00:27:35,040 --> 00:27:38,320
Speaker 1: This was one that was always like pitched to me.

673
00:27:38,320 --> 00:27:41,760
Speaker 1: You know how Netflix does different thumbnails for different people. Yes,

674
00:27:41,920 --> 00:27:43,919
Speaker 1: the way they tried to sell me and get me

675
00:27:44,000 --> 00:27:46,399
Speaker 1: to click on it is they put Pete Davidson's face

676
00:27:46,560 --> 00:27:47,400
Speaker 1: as the thumbnail.

677
00:27:47,440 --> 00:27:49,640
Speaker 2: Oh yeah, because he's his roommate, which he's like a.

678
00:27:49,600 --> 00:27:52,919
Speaker 1: Side character, has maybe like three four scenes overall. But

679
00:27:53,040 --> 00:27:55,199
Speaker 1: Netflix does that. They'll be like, Okay, this is a

680
00:27:55,240 --> 00:27:56,800
Speaker 1: male in his thirties, he's.

681
00:27:56,680 --> 00:27:57,760
Speaker 2: Problems a lot of comedies.

682
00:27:57,920 --> 00:28:00,840
Speaker 1: He probably likes Pete Davidson, Let's put him on the thumbnail.

683
00:28:00,880 --> 00:28:03,119
Speaker 1: If this movie was trying to be pitched to you

684
00:28:03,200 --> 00:28:05,359
Speaker 1: on your Netflix account, they probably put Glenn Powell.

685
00:28:05,640 --> 00:28:06,600
Speaker 2: It was Glenn Anzoey.

686
00:28:06,800 --> 00:28:08,959
Speaker 1: Yeah, they put them. Oh yeah, they sell the romance factor.

687
00:28:09,560 --> 00:28:11,720
Speaker 1: So it's interesting the way they do that. They'll take

688
00:28:11,760 --> 00:28:15,439
Speaker 1: anybody from the cast and think, what does this demographic?

689
00:28:16,000 --> 00:28:17,640
Speaker 1: What would they want to watch? And they change those

690
00:28:17,640 --> 00:28:19,800
Speaker 1: thumbnails And it could be deceptive a little bit because

691
00:28:20,240 --> 00:28:22,440
Speaker 1: I probably didn't click it because I thought, like, why

692
00:28:22,480 --> 00:28:24,520
Speaker 1: is Pete Davidson in this movie? And it told me

693
00:28:24,560 --> 00:28:25,199
Speaker 1: nothing about it?

694
00:28:25,320 --> 00:28:27,040
Speaker 2: Yeah you really go, yeah, Pete Davidson's in this I

695
00:28:27,119 --> 00:28:28,040
Speaker 2: was like, I don't remember that.

696
00:28:28,320 --> 00:28:30,600
Speaker 1: And that was the main selling point for me. Again,

697
00:28:30,640 --> 00:28:34,000
Speaker 1: this is a rom com that I feel was very predictable.

698
00:28:34,040 --> 00:28:36,119
Speaker 1: But even the fact that I knew what was coming,

699
00:28:36,520 --> 00:28:38,360
Speaker 1: you can tell it from the very beginning, like what

700
00:28:38,440 --> 00:28:41,040
Speaker 1: it's going to happen with these two characters. I still

701
00:28:41,120 --> 00:28:41,960
Speaker 1: enjoyed getting there.

702
00:28:42,320 --> 00:28:45,440
Speaker 2: The writing was so good we laughed out loud. It's

703
00:28:45,520 --> 00:28:46,520
Speaker 2: so many points.

704
00:28:46,600 --> 00:28:49,600
Speaker 1: Yeah, there's a funny side character, the janditor guy who

705
00:28:49,680 --> 00:28:52,640
Speaker 1: worked in the basement. This is a great character.

706
00:28:53,760 --> 00:28:55,960
Speaker 2: They call me creepy Tim.

707
00:28:56,160 --> 00:28:56,800
Speaker 4: I love it.

708
00:28:57,680 --> 00:28:59,600
Speaker 1: That's another thing, like how many movies do we watch

709
00:28:59,640 --> 00:29:00,520
Speaker 1: now that we quote?

710
00:29:01,000 --> 00:29:02,760
Speaker 2: Not very many. I did the thing.

711
00:29:03,000 --> 00:29:05,840
Speaker 1: Yeah, there's what was the one about goofing off?

712
00:29:05,880 --> 00:29:06,120
Speaker 4: Time?

713
00:29:06,680 --> 00:29:09,160
Speaker 2: Oh, I was gonna say it, but it's kind of curse.

714
00:29:09,520 --> 00:29:10,600
Speaker 1: Is that a cur I'll quack you?

715
00:29:11,280 --> 00:29:13,320
Speaker 2: Okay, He's like, I overdicked around.

716
00:29:13,560 --> 00:29:14,680
Speaker 1: Oh that's not a curse word.

717
00:29:14,880 --> 00:29:15,680
Speaker 2: Well I wasn't sure.

718
00:29:15,920 --> 00:29:18,200
Speaker 3: Like I don't know if someone's listening with their kid

719
00:29:18,240 --> 00:29:19,520
Speaker 3: in the car and they don't want their kid going

720
00:29:19,520 --> 00:29:22,040
Speaker 3: to school, being like, sorry, I'm later overdicked around.

721
00:29:22,680 --> 00:29:24,840
Speaker 1: But it's whenever they're like, oh, I have three hours,

722
00:29:24,960 --> 00:29:25,600
Speaker 1: so yeah.

723
00:29:25,520 --> 00:29:28,000
Speaker 2: She's doing that. She's like I was killing time and

724
00:29:28,000 --> 00:29:29,600
Speaker 2: then she's like I killed too much time.

725
00:29:30,040 --> 00:29:32,040
Speaker 1: Yeah, I know how that is. Sometimes, Like I'll get

726
00:29:32,040 --> 00:29:34,000
Speaker 1: to a place too early and I'm like, all right,

727
00:29:34,000 --> 00:29:35,960
Speaker 1: I'm gonna kill some time and watch some TikTok and

728
00:29:35,960 --> 00:29:37,960
Speaker 1: then I'm like, oh crap, it's no longer too early.

729
00:29:38,360 --> 00:29:41,680
Speaker 1: But yeah, that was me over dicking around. I love

730
00:29:41,760 --> 00:29:43,720
Speaker 1: this movie. I give it a four out of five,

731
00:29:43,760 --> 00:29:46,480
Speaker 1: which I think is pretty strong for a Netflix rom com.

732
00:29:46,560 --> 00:29:48,680
Speaker 2: I feel good about that because I have convinced you

733
00:29:48,760 --> 00:29:49,239
Speaker 2: to watch it.

734
00:29:49,440 --> 00:29:52,280
Speaker 1: So cause when I think Netflix rom com, I think

735
00:29:52,320 --> 00:29:55,200
Speaker 1: of them putting out things like the Reese Witherspoon and

736
00:29:55,240 --> 00:29:58,760
Speaker 1: Ashton Kutcher rom com that was terrible and talk about

737
00:29:58,840 --> 00:30:01,120
Speaker 1: people who don't have any chemistry whatsoever.

738
00:30:01,320 --> 00:30:04,480
Speaker 3: Speaking of which, we're about to watch her next comedy

739
00:30:04,520 --> 00:30:05,240
Speaker 3: that just came out.

740
00:30:05,400 --> 00:30:07,400
Speaker 1: We'll see how that goes. But that movie was a dud.

741
00:30:07,960 --> 00:30:10,400
Speaker 3: That movie was a dud. Yeah, and they didn't even

742
00:30:10,440 --> 00:30:13,440
Speaker 3: like film it in the same place. Yeah, you're right,

743
00:30:13,520 --> 00:30:15,480
Speaker 3: they could have had better chemistry at the door.

744
00:30:15,960 --> 00:30:19,320
Speaker 1: But that is our best and worst in our big

745
00:30:19,560 --> 00:30:23,880
Speaker 1: Saturday movie Extravaganza. Do you have anything else you want

746
00:30:23,880 --> 00:30:24,680
Speaker 1: to add? You usually do a.

747
00:30:24,680 --> 00:30:27,640
Speaker 2: Book and TV show, Yeah, oh the TV show. Well,

748
00:30:27,640 --> 00:30:31,240
Speaker 2: you do a joint TV show which is Slow Horses.

749
00:30:31,080 --> 00:30:34,320
Speaker 1: Which we watched season one and devoured it, really enjoyed it.

750
00:30:34,360 --> 00:30:36,040
Speaker 2: We thought there were more than six episodes that it

751
00:30:36,040 --> 00:30:38,400
Speaker 2: was a little disappointing, but I like the six episodes

752
00:30:38,400 --> 00:30:40,360
Speaker 2: season and that is the Apple model. I should have known.

753
00:30:40,480 --> 00:30:43,240
Speaker 1: It's less intimidating, it gets right to the point, and

754
00:30:43,280 --> 00:30:45,440
Speaker 1: then it's all wrapped up in a nice little package

755
00:30:45,480 --> 00:30:47,280
Speaker 1: by episode six, and then you move on to the

756
00:30:47,320 --> 00:30:47,800
Speaker 1: next season.

757
00:30:47,880 --> 00:30:50,800
Speaker 3: I'm glad we're behind on the show because season four

758
00:30:50,960 --> 00:30:52,959
Speaker 3: just premiered last fall, so we have some touching up

759
00:30:52,960 --> 00:30:53,160
Speaker 3: to do.

760
00:30:53,400 --> 00:30:53,520
Speaker 4: Well.

761
00:30:53,520 --> 00:30:54,040
Speaker 2: We just good.

762
00:30:54,120 --> 00:30:57,960
Speaker 1: We love that one. I am so close to finishing

763
00:30:58,040 --> 00:31:01,440
Speaker 1: Dragon Ball Super. There are one hundred and thirty one episodes.

764
00:31:01,520 --> 00:31:05,120
Speaker 1: I am on one thirteen or fourteen right now, so close.

765
00:31:05,280 --> 00:31:07,600
Speaker 1: And the reason that there's a fire under my butt

766
00:31:07,680 --> 00:31:09,560
Speaker 1: is because Hulu was about to get rid of all

767
00:31:09,600 --> 00:31:12,239
Speaker 1: their Dragon Ball stuff, and I think they worked out

768
00:31:12,240 --> 00:31:14,000
Speaker 1: a deal and it's going to stick around. But that

769
00:31:14,080 --> 00:31:16,640
Speaker 1: kind of ignited me to It was my goal to

770
00:31:16,640 --> 00:31:20,000
Speaker 1: finish it last year, but now I'm probably within a

771
00:31:20,000 --> 00:31:22,520
Speaker 1: week or two of finishing it because it's great.

772
00:31:22,880 --> 00:31:25,800
Speaker 2: Yeah. And then my solo show is The Pit on.

773
00:31:25,960 --> 00:31:30,040
Speaker 3: HBO Max with uh Noah Wiley who was Doctor Carter

774
00:31:30,160 --> 00:31:32,000
Speaker 3: on Er and I've sat on here before. That ar

775
00:31:32,200 --> 00:31:34,680
Speaker 3: is my comfort show and it's a very strange comfort show.

776
00:31:35,360 --> 00:31:35,680
Speaker 2: Love it.

777
00:31:35,960 --> 00:31:38,600
Speaker 3: The theme song just like zends me out, even though

778
00:31:38,600 --> 00:31:41,840
Speaker 3: it's chaotic show, which you don't like. When I watch

779
00:31:41,880 --> 00:31:43,440
Speaker 3: it and bed at night when you've already gone to sleep,

780
00:31:43,440 --> 00:31:45,640
Speaker 3: because you're like the beeping of the people talking the

781
00:31:45,680 --> 00:31:46,479
Speaker 3: medical jargon.

782
00:31:46,680 --> 00:31:48,640
Speaker 1: It's stressful to try to go to sleep too, so

783
00:31:48,840 --> 00:31:51,480
Speaker 1: the like blood Scalball and I'm like, I'm trying to

784
00:31:51,480 --> 00:31:52,080
Speaker 1: go to sleep.

785
00:31:52,120 --> 00:31:52,320
Speaker 2: Man.

786
00:31:53,320 --> 00:31:55,960
Speaker 3: The Pit is on HBO and it I think it's

787
00:31:55,960 --> 00:31:58,080
Speaker 3: going to be fifteen episodes and each episode is an

788
00:31:58,080 --> 00:32:01,720
Speaker 3: hour in this er, so each episode is like seven

789
00:32:01,720 --> 00:32:02,760
Speaker 3: to eight, eight to nine.

790
00:32:03,320 --> 00:32:06,280
Speaker 2: Really good. I just love seeing him back on my TV.

791
00:32:06,920 --> 00:32:07,600
Speaker 1: And then your book.

792
00:32:07,880 --> 00:32:10,240
Speaker 2: Chan was kind of a dud month.

793
00:32:10,600 --> 00:32:12,040
Speaker 1: It's a slow month all around.

794
00:32:12,680 --> 00:32:16,280
Speaker 3: Best Well, I'm rereading Harry Potter, so nothing tops that.

795
00:32:16,480 --> 00:32:19,160
Speaker 3: But I did read Ina Garten's memoir Be Ready When

796
00:32:19,200 --> 00:32:22,400
Speaker 3: the Lock Happens. Read it in a day just today,

797
00:32:22,480 --> 00:32:26,440
Speaker 3: sat down to read it before dinner, and then we

798
00:32:26,480 --> 00:32:28,040
Speaker 3: watched We ate dinner, we watched TV, and then I

799
00:32:28,040 --> 00:32:28,600
Speaker 3: got in bed.

800
00:32:28,480 --> 00:32:29,000
Speaker 2: And finished it.

801
00:32:29,080 --> 00:32:32,520
Speaker 3: And her life is very fascinating, like how she came

802
00:32:32,560 --> 00:32:33,800
Speaker 3: to be the Barefoot Contessa.

803
00:32:33,840 --> 00:32:34,640
Speaker 2: I had no clue.

804
00:32:34,720 --> 00:32:39,560
Speaker 3: I don't really follow any like food celebrities. That's not

805
00:32:39,600 --> 00:32:43,400
Speaker 3: the realm of celebrity that I'm in or into. But yeah,

806
00:32:43,400 --> 00:32:45,479
Speaker 3: I thought it was great, so I would recommend that.

807
00:32:46,240 --> 00:32:49,440
Speaker 1: Speaking of Harry Potter, next week we are doing our

808
00:32:50,200 --> 00:32:54,120
Speaker 1: rewatch and re ranking episode. We rewatched all eight movies.

809
00:32:54,560 --> 00:32:57,040
Speaker 2: I spoiler, we've already recorded it. I think it might

810
00:32:57,040 --> 00:32:58,240
Speaker 2: be one of the funniest episodes.

811
00:32:58,320 --> 00:33:00,800
Speaker 1: It's Yeah, if you love Harry Potter, we'll give you

812
00:33:00,840 --> 00:33:03,480
Speaker 1: an early spoiler running now. If you have time, go

813
00:33:03,520 --> 00:33:05,840
Speaker 1: watch Harry Potter movies if you have it, because we're

814
00:33:05,840 --> 00:33:07,160
Speaker 1: going to talk about them in depth.

815
00:33:07,440 --> 00:33:09,680
Speaker 3: Yeah, and there you'll have to tune in and find

816
00:33:09,680 --> 00:33:11,560
Speaker 3: out if our marriage survives that episode.

817
00:33:11,920 --> 00:33:14,480
Speaker 1: I don't feel like everybody's watched them. Who's gonna watch

818
00:33:14,520 --> 00:33:15,800
Speaker 1: them at this point, So I don't know if I

819
00:33:15,840 --> 00:33:18,720
Speaker 1: need to give a spoiler warning. We talk about everything, yeah,

820
00:33:18,800 --> 00:33:20,960
Speaker 1: but that is coming next week, and I'll come back

821
00:33:21,040 --> 00:33:26,840
Speaker 1: right now and talk about Presence. Let's get into it now.

822
00:33:26,920 --> 00:33:29,640
Speaker 1: A spoiler free movie review of Presence. This was a

823
00:33:29,680 --> 00:33:32,280
Speaker 1: movie that had me by the trailer what this movie

824
00:33:32,360 --> 00:33:35,360
Speaker 1: is about. Family moves into a house, figure out the

825
00:33:35,400 --> 00:33:38,560
Speaker 1: house is haunted. We've been here before time and time again.

826
00:33:38,920 --> 00:33:42,080
Speaker 1: But how Presence is different The way this movie set

827
00:33:42,080 --> 00:33:44,800
Speaker 1: itself apart, the way it sold itself in the trailer

828
00:33:44,840 --> 00:33:47,400
Speaker 1: and all the marketing. Instead of seeing it from the

829
00:33:47,440 --> 00:33:50,080
Speaker 1: family's point of view, you see it from the demonic

830
00:33:50,200 --> 00:33:52,920
Speaker 1: presence point of view, which I thought was fascinating. When

831
00:33:52,960 --> 00:33:56,080
Speaker 1: I saw the trailer, I initially thought that director Steven

832
00:33:56,120 --> 00:33:59,640
Speaker 1: Sodenberg had like a drone going in this house because

833
00:34:00,400 --> 00:34:03,520
Speaker 1: the camera just kind of levitates through every room, it

834
00:34:03,600 --> 00:34:06,920
Speaker 1: goes up the stairs, it comes back down very quickly

835
00:34:07,520 --> 00:34:09,880
Speaker 1: at moments where you see this demonic presence kind of

836
00:34:09,920 --> 00:34:12,920
Speaker 1: take over the screen starts shaking. I thought that was

837
00:34:12,960 --> 00:34:16,520
Speaker 1: such a unique and fascinating way to capture a movie

838
00:34:16,520 --> 00:34:20,040
Speaker 1: like this, And I love the house's haunted genre. Whenever

839
00:34:20,080 --> 00:34:22,000
Speaker 1: the house is haunted, I'm in. So that is why

840
00:34:22,040 --> 00:34:24,560
Speaker 1: I was excited going into this movie. I also love

841
00:34:24,600 --> 00:34:27,080
Speaker 1: movies that are made on a really low budget. This

842
00:34:27,280 --> 00:34:29,799
Speaker 1: entire movie costs two million dollars to make, and it

843
00:34:29,800 --> 00:34:33,319
Speaker 1: feels like that. I also kind of feel like you

844
00:34:33,440 --> 00:34:35,440
Speaker 1: have to know that it's only a two million dollar

845
00:34:35,600 --> 00:34:39,439
Speaker 1: movie going into it, because I think some people set

846
00:34:39,480 --> 00:34:41,839
Speaker 1: different standards, and I know you're still paying the same

847
00:34:41,920 --> 00:34:44,600
Speaker 1: ticket price, But when you go into something knowing that

848
00:34:44,640 --> 00:34:47,600
Speaker 1: it does have a lower budget and it's relying more

849
00:34:47,719 --> 00:34:50,759
Speaker 1: on the creativity of the filmmaker, I feel like you

850
00:34:50,840 --> 00:34:53,239
Speaker 1: have to judge it a little bit differently. And for me,

851
00:34:54,160 --> 00:34:57,000
Speaker 1: I also kind of have to remember that horror movies

852
00:34:57,400 --> 00:35:00,759
Speaker 1: don't always have to be scary every single time, and

853
00:35:00,840 --> 00:35:03,520
Speaker 1: I think if you look just in the last year

854
00:35:03,560 --> 00:35:07,400
Speaker 1: of how impactful scary movies in the horror genre of band.

855
00:35:07,400 --> 00:35:09,520
Speaker 1: I know people call them scary movies, people call horror movies.

856
00:35:09,960 --> 00:35:12,960
Speaker 1: They have been the most ambitious in their plots and

857
00:35:13,000 --> 00:35:15,920
Speaker 1: their style of filmmaking. That is where I think the

858
00:35:15,960 --> 00:35:19,080
Speaker 1: most original stories are coming from right now, because I

859
00:35:19,120 --> 00:35:21,160
Speaker 1: think you could have a lot of fun inside of

860
00:35:21,160 --> 00:35:24,880
Speaker 1: this genre. It's one that doesn't take itself too seriously.

861
00:35:25,360 --> 00:35:28,200
Speaker 1: If you don't go into every horror movie expecting it

862
00:35:28,239 --> 00:35:30,960
Speaker 1: to be scary and considering it a failure when it's

863
00:35:31,000 --> 00:35:34,120
Speaker 1: not scary, I think you're setting yourself up for more

864
00:35:34,920 --> 00:35:38,720
Speaker 1: just good times while watching horror movies. Because I really

865
00:35:38,800 --> 00:35:41,399
Speaker 1: think when it comes to the horror genre, it doesn't

866
00:35:41,480 --> 00:35:43,880
Speaker 1: mean I'm gonna go in here and there's gonna be

867
00:35:43,920 --> 00:35:45,760
Speaker 1: a bunch of frightening things and I'm gonna have nightmares.

868
00:35:45,840 --> 00:35:48,560
Speaker 1: I think you're going into something thinking stuff is gonna

869
00:35:48,560 --> 00:35:51,080
Speaker 1: go down in this movie. There is gonna be something

870
00:35:51,200 --> 00:35:54,360
Speaker 1: wrong that is not normal. That's kind of how I

871
00:35:54,360 --> 00:35:57,399
Speaker 1: see the horror genre now. There is something creepy going on,

872
00:35:57,880 --> 00:36:01,239
Speaker 1: There's something not quite of this world happening. That is

873
00:36:01,280 --> 00:36:03,759
Speaker 1: what I'm going into every horror movie thinking now and

874
00:36:04,080 --> 00:36:07,000
Speaker 1: kind of losing that mentality that we probably all gained

875
00:36:07,360 --> 00:36:11,239
Speaker 1: with the slasher films of the eighties and nineties and

876
00:36:11,280 --> 00:36:14,440
Speaker 1: a lot of the found footage horror movies from the

877
00:36:14,440 --> 00:36:17,960
Speaker 1: two thousands, everything that The Rings started in, all the

878
00:36:17,960 --> 00:36:21,600
Speaker 1: paranormal activity movies. I think horror is becoming so much

879
00:36:21,640 --> 00:36:24,520
Speaker 1: more creative. Look at movies like The Substance, look at

880
00:36:24,560 --> 00:36:27,960
Speaker 1: movies like Long Legs and Just The Last Year and Presence.

881
00:36:28,400 --> 00:36:32,000
Speaker 1: Although what it put in the same category of those movies,

882
00:36:32,480 --> 00:36:35,160
Speaker 1: it is still a movie that reminds me how beautiful

883
00:36:35,239 --> 00:36:39,080
Speaker 1: filmmaking is. Like the director of this movie, Steven Sodenberg,

884
00:36:39,440 --> 00:36:42,480
Speaker 1: would just walk around the house with this small camera,

885
00:36:42,600 --> 00:36:45,879
Speaker 1: not a big fancy camera. The movie felt very raw,

886
00:36:46,320 --> 00:36:50,000
Speaker 1: and it's not really intended to be a found footage movie,

887
00:36:50,239 --> 00:36:52,120
Speaker 1: but it felt like there was no lighting, and I

888
00:36:52,160 --> 00:36:54,080
Speaker 1: was like, how did they achieve this? Like how did

889
00:36:54,080 --> 00:36:56,759
Speaker 1: they get these scenes to look just right? And I

890
00:36:56,840 --> 00:36:59,960
Speaker 1: was right, there wasn't a big fancy crew to this movie.

891
00:37:00,040 --> 00:37:02,880
Speaker 1: It was really just him walking around with the camera.

892
00:37:02,960 --> 00:37:05,319
Speaker 1: I think at times he just had slippers on. He

893
00:37:05,320 --> 00:37:07,960
Speaker 1: would go as quietly as possible and these one shot

894
00:37:08,000 --> 00:37:11,759
Speaker 1: swoops to get this image that felt like you were

895
00:37:11,760 --> 00:37:14,320
Speaker 1: floating through the house. That you were that demonic presence,

896
00:37:14,360 --> 00:37:18,360
Speaker 1: so you, yourself, as the viewer, are kind of the demon

897
00:37:18,440 --> 00:37:22,040
Speaker 1: in this movie. It was incredibly intimate. Now, when it

898
00:37:22,080 --> 00:37:25,759
Speaker 1: comes to how much of the horror story this actually was,

899
00:37:26,400 --> 00:37:28,800
Speaker 1: I think the trailer did over sell it a little

900
00:37:28,800 --> 00:37:31,200
Speaker 1: bit because by the looks of this trailer it even

901
00:37:31,280 --> 00:37:36,640
Speaker 1: looked darker. The trailer itself had a much darker color

902
00:37:36,719 --> 00:37:39,960
Speaker 1: grade than the actual movie did, so I feel like

903
00:37:40,440 --> 00:37:43,040
Speaker 1: it was a little bit misleading. Even some of the

904
00:37:43,120 --> 00:37:45,840
Speaker 1: shots they chose to use made it seem like Stelf

905
00:37:45,960 --> 00:37:48,960
Speaker 1: was going to go down way more than it actually did.

906
00:37:49,200 --> 00:37:51,239
Speaker 1: It wasn't so much that this presence was ruining the

907
00:37:51,280 --> 00:37:54,239
Speaker 1: life of the family. I think my favorite case of

908
00:37:54,280 --> 00:37:57,280
Speaker 1: that has to be in the last fifteen years the conjury,

909
00:37:57,560 --> 00:37:59,919
Speaker 1: like that presence in that house was ruining the life

910
00:38:00,120 --> 00:38:03,440
Speaker 1: of that family. In this case, the presence was really

911
00:38:03,520 --> 00:38:06,560
Speaker 1: just observing this family, messing with them a little bit,

912
00:38:06,640 --> 00:38:08,880
Speaker 1: like you see in the trailer, But it was just

913
00:38:09,000 --> 00:38:12,520
Speaker 1: inhabiting this house and allowing you to see into the

914
00:38:12,560 --> 00:38:16,000
Speaker 1: life of this family. So I felt a little bit

915
00:38:16,000 --> 00:38:18,640
Speaker 1: misled just because it was a little bit more of

916
00:38:18,680 --> 00:38:21,480
Speaker 1: a family drama. You have Lucy Liu, who I feel

917
00:38:21,680 --> 00:38:24,520
Speaker 1: was the biggest name and also the strongest actor in

918
00:38:24,560 --> 00:38:27,200
Speaker 1: this movie. You also have Chris Sullivan, who you probably

919
00:38:27,239 --> 00:38:29,759
Speaker 1: know from This Is Us. They are parents to two

920
00:38:29,880 --> 00:38:32,279
Speaker 1: teenage kids. They are going through a very rough time

921
00:38:32,320 --> 00:38:35,000
Speaker 1: in their life. This purchase of this new house is

922
00:38:35,120 --> 00:38:38,480
Speaker 1: supposed to reset their life. Their teenage daughter just went

923
00:38:38,480 --> 00:38:41,560
Speaker 1: through something pretty traumatic by losing one of her best friends,

924
00:38:42,080 --> 00:38:45,560
Speaker 1: and all the details about how her friend died slowly

925
00:38:45,640 --> 00:38:48,840
Speaker 1: creep out through the story. And it's really just a

926
00:38:48,880 --> 00:38:52,880
Speaker 1: story about grief. It's a story about family, it's a

927
00:38:52,920 --> 00:38:55,840
Speaker 1: story about just dealing with awful things. And then on

928
00:38:55,920 --> 00:38:58,920
Speaker 1: top of that, you have the presence lurking here. So

929
00:38:59,040 --> 00:39:01,960
Speaker 1: really that was the focal point of this movie. That

930
00:39:02,120 --> 00:39:06,280
Speaker 1: was the story. The present itself was just the fourth

931
00:39:06,360 --> 00:39:09,479
Speaker 1: character there to observe it all and to really bring

932
00:39:09,520 --> 00:39:12,520
Speaker 1: the audience in. You really don't get a first big

933
00:39:12,560 --> 00:39:15,720
Speaker 1: scare until about thirty minutes into the movie, and every

934
00:39:15,719 --> 00:39:18,839
Speaker 1: other time that it happens, it's very calculated. Now. When

935
00:39:18,840 --> 00:39:21,200
Speaker 1: it came to the acting, I was a little bit

936
00:39:21,239 --> 00:39:23,920
Speaker 1: caught off guard. Lucy lewis perfect. I thought she completely

937
00:39:24,000 --> 00:39:27,400
Speaker 1: nailed her role. She by far showed that she is

938
00:39:27,440 --> 00:39:30,600
Speaker 1: the most seasoned actor in this movie, but everybody else

939
00:39:30,680 --> 00:39:33,560
Speaker 1: felt a little bit of a downgrade compared to her,

940
00:39:33,840 --> 00:39:36,080
Speaker 1: and I think that was intentional. I want to believe

941
00:39:36,160 --> 00:39:39,160
Speaker 1: that that was intentional because I think the story was

942
00:39:39,200 --> 00:39:42,640
Speaker 1: really trying to capture this family living in the suburbs,

943
00:39:42,719 --> 00:39:45,640
Speaker 1: interacting the way you would with your brother, with your sister,

944
00:39:45,719 --> 00:39:48,200
Speaker 1: with your mom and your dad. So I want to

945
00:39:48,200 --> 00:39:52,080
Speaker 1: feel that they chose this cast and chose the dialogue

946
00:39:52,120 --> 00:39:54,360
Speaker 1: as a way to represent that. You also have to

947
00:39:54,360 --> 00:39:57,160
Speaker 1: think that this movie only took eleven days to make,

948
00:39:57,239 --> 00:39:59,440
Speaker 1: which I felt that too, not in a bad way,

949
00:39:59,600 --> 00:40:01,399
Speaker 1: but you can can tell that it feels a little

950
00:40:01,400 --> 00:40:04,480
Speaker 1: bit more like a short story than your average feature

951
00:40:04,520 --> 00:40:06,839
Speaker 1: link film, which is why this movie is only an

952
00:40:06,880 --> 00:40:09,120
Speaker 1: hour and twenty minutes. And the other thing I did

953
00:40:09,200 --> 00:40:11,600
Speaker 1: enjoy about it that I felt this movie showed that

954
00:40:11,719 --> 00:40:15,239
Speaker 1: other haunted house movies don't quite get right, which, of course,

955
00:40:15,280 --> 00:40:17,120
Speaker 1: you always have to live in a big house. It's

956
00:40:17,200 --> 00:40:19,440
Speaker 1: never gonna be in an apartment. It's never gonna be

957
00:40:19,480 --> 00:40:22,120
Speaker 1: in a trailer park like where I grew up, because

958
00:40:22,160 --> 00:40:25,160
Speaker 1: that just doesn't work. That's just not scary. I don't

959
00:40:25,160 --> 00:40:27,800
Speaker 1: feel like there are enough rooms and twists and turns

960
00:40:27,800 --> 00:40:29,960
Speaker 1: that you could do. In those types of houses, it

961
00:40:29,960 --> 00:40:32,439
Speaker 1: always has to be a big house. So they still

962
00:40:32,480 --> 00:40:34,640
Speaker 1: had the big house in this movie, but there was

963
00:40:34,680 --> 00:40:39,080
Speaker 1: a moment where the family actually had to react to

964
00:40:39,920 --> 00:40:42,920
Speaker 1: realizing that there was something going on in the house,

965
00:40:43,960 --> 00:40:46,439
Speaker 1: and they actually reacted in a way that I think

966
00:40:46,480 --> 00:40:49,840
Speaker 1: a normal family would, because in most haunted house movies,

967
00:40:49,880 --> 00:40:52,200
Speaker 1: whenever things start to go down, there's always that one

968
00:40:52,280 --> 00:40:55,160
Speaker 1: big like, oh crap, this is actually a thing. For

969
00:40:55,200 --> 00:40:58,040
Speaker 1: the most part, those movies cut there and they come

970
00:40:58,080 --> 00:41:01,160
Speaker 1: back the very next day without address what happens after that.

971
00:41:01,520 --> 00:41:04,239
Speaker 1: This movie actually showed that that you would actually be

972
00:41:04,320 --> 00:41:07,480
Speaker 1: freaked out. You would not be wanting to stay in

973
00:41:07,480 --> 00:41:10,400
Speaker 1: this house, You would be questioning everything. I thought it

974
00:41:10,440 --> 00:41:13,160
Speaker 1: was cool to address that situation of how do you

975
00:41:13,200 --> 00:41:16,000
Speaker 1: sleep after this? How do you even feel comfortable in

976
00:41:16,040 --> 00:41:18,960
Speaker 1: this home you just bought after you just experienced something

977
00:41:19,040 --> 00:41:21,680
Speaker 1: so creepy. It reminded me of when I lived in

978
00:41:21,719 --> 00:41:23,799
Speaker 1: what I thought, at least at the time was a

979
00:41:23,840 --> 00:41:27,359
Speaker 1: haunted apartment. There was only ever one place I lived

980
00:41:27,400 --> 00:41:30,040
Speaker 1: in that I truly felt was haunted, where I had

981
00:41:30,080 --> 00:41:32,880
Speaker 1: these really weird vivid nightmares that it felt like at

982
00:41:32,960 --> 00:41:35,560
Speaker 1: times somebody was sitting on my chest, like I was

983
00:41:35,560 --> 00:41:39,720
Speaker 1: suffering from sleep paralysis. There were other things that happened

984
00:41:39,719 --> 00:41:41,719
Speaker 1: that were really weird, like one time my brother was

985
00:41:41,719 --> 00:41:45,000
Speaker 1: in the kitchen making dinner and the light fixture from overhead,

986
00:41:45,040 --> 00:41:47,520
Speaker 1: like that big glass thing you put over a light bulb,

987
00:41:47,760 --> 00:41:50,680
Speaker 1: fell right on his head. That thing could never move.

988
00:41:50,760 --> 00:41:53,000
Speaker 1: I don't think we even changed the light bulb at

989
00:41:53,000 --> 00:41:55,640
Speaker 1: that point. There was no reason for that thing to fall,

990
00:41:55,800 --> 00:41:57,920
Speaker 1: and we kind of stood there in silence, thinking like

991
00:41:58,520 --> 00:42:00,000
Speaker 1: that could have knocked me out. That could have been

992
00:42:00,120 --> 00:42:02,640
Speaker 1: really bad. But there were all these little things that

993
00:42:02,719 --> 00:42:06,120
Speaker 1: sometimes it just felt like there was something watching me.

994
00:42:06,320 --> 00:42:09,000
Speaker 1: And I remember one time sleeping in this apartment where

995
00:42:09,000 --> 00:42:11,000
Speaker 1: I swore there was like a dark figure up in

996
00:42:11,040 --> 00:42:13,160
Speaker 1: the corner just watching me as I slept in the

997
00:42:13,200 --> 00:42:16,120
Speaker 1: living room on a mattress that I slept in because

998
00:42:16,120 --> 00:42:17,960
Speaker 1: I didn't have a bedroom. I just slept on the floor.

999
00:42:18,520 --> 00:42:21,080
Speaker 1: So maybe I was an easy target. So I have

1000
00:42:21,120 --> 00:42:25,000
Speaker 1: to give this movie a lot of credit for creativity.

1001
00:42:25,040 --> 00:42:27,520
Speaker 1: This is the type of movie that excites me before

1002
00:42:27,560 --> 00:42:31,080
Speaker 1: I even step foot in that theater. I was genuinely

1003
00:42:31,160 --> 00:42:34,560
Speaker 1: excited to see this story unfold. I'm just happy that

1004
00:42:34,600 --> 00:42:37,560
Speaker 1: stuff like this can not only still get made but

1005
00:42:37,719 --> 00:42:40,920
Speaker 1: be seen in theaters across the country. And it's already

1006
00:42:40,920 --> 00:42:43,480
Speaker 1: made five million dollars, so it's made back its production

1007
00:42:43,600 --> 00:42:45,640
Speaker 1: costs and a little bit on top. And I think

1008
00:42:45,680 --> 00:42:48,879
Speaker 1: it's these types of stories that are going to pave

1009
00:42:49,000 --> 00:42:52,080
Speaker 1: the way for smaller directors. And this is kind of

1010
00:42:52,120 --> 00:42:54,080
Speaker 1: where that sweet spot is. If you can make a

1011
00:42:54,120 --> 00:42:58,200
Speaker 1: low budget movie and create an impact, that is where creativity,

1012
00:42:58,280 --> 00:43:00,719
Speaker 1: That is where filmmaking is going to contin you to rise,

1013
00:43:01,320 --> 00:43:05,400
Speaker 1: where studios aren't taking risks on fifty to sixty to

1014
00:43:05,440 --> 00:43:08,200
Speaker 1: one hundred million dollar movies that come back and make

1015
00:43:08,320 --> 00:43:11,359
Speaker 1: ten to fifteen million dollars at the box office. And

1016
00:43:11,400 --> 00:43:14,680
Speaker 1: I think the other thing, aside from just creating a spectacle,

1017
00:43:15,200 --> 00:43:17,319
Speaker 1: when it comes to kind of flipping the script on

1018
00:43:17,360 --> 00:43:21,360
Speaker 1: a story we've seen before, it was genuinely making characters

1019
00:43:21,400 --> 00:43:25,399
Speaker 1: that you started to feel for, and it was through

1020
00:43:25,440 --> 00:43:29,080
Speaker 1: the process of putting that camera in places where you

1021
00:43:29,200 --> 00:43:32,280
Speaker 1: don't normally expect it and seeing things through the eyes

1022
00:43:32,320 --> 00:43:34,840
Speaker 1: of somebody that's not supposed to be there. This movie

1023
00:43:34,880 --> 00:43:37,400
Speaker 1: is also exciting to me because I could think of

1024
00:43:37,520 --> 00:43:41,040
Speaker 1: me at maybe twelve thirteen years old, at a time

1025
00:43:41,080 --> 00:43:43,160
Speaker 1: where I was like, I want to be a film director.

1026
00:43:43,480 --> 00:43:46,880
Speaker 1: If I saw a movie like this, this would inspire me,

1027
00:43:47,760 --> 00:43:51,600
Speaker 1: much like movies like Halloween Paranormal Activity inspired me in

1028
00:43:51,640 --> 00:43:55,080
Speaker 1: the past, because it feels like just somebody with creativity

1029
00:43:55,560 --> 00:43:58,520
Speaker 1: and an idea, not a big fancy camera, not a

1030
00:43:58,560 --> 00:44:01,799
Speaker 1: big fancy crew, just that vision and that intent to

1031
00:44:01,840 --> 00:44:04,120
Speaker 1: want to make something creative that people are going to

1032
00:44:04,160 --> 00:44:06,640
Speaker 1: be talking about. People are good to want to see

1033
00:44:06,719 --> 00:44:09,880
Speaker 1: by somebody who just genuinely cares about the filmmaking process.

1034
00:44:10,200 --> 00:44:13,000
Speaker 1: That is inspiring to me. For presents, I give it

1035
00:44:13,040 --> 00:44:20,360
Speaker 1: three point five out of five suburban homes. It's time

1036
00:44:20,640 --> 00:44:24,480
Speaker 1: to head down to movie. Mike Traylor paus There is

1037
00:44:24,520 --> 00:44:28,000
Speaker 1: a fine line between running out of ideas and being innovative.

1038
00:44:28,760 --> 00:44:31,840
Speaker 1: That is how I feel about the new movie called Drop.

1039
00:44:32,480 --> 00:44:37,319
Speaker 1: It is a horror movie about air dropping. You know,

1040
00:44:37,360 --> 00:44:39,840
Speaker 1: when you send a file to somebody like here's some pictures,

1041
00:44:39,880 --> 00:44:41,880
Speaker 1: let me air drop it to you. I love air dropping.

1042
00:44:41,920 --> 00:44:46,120
Speaker 1: Air dropping has made my life so easy. But you

1043
00:44:46,160 --> 00:44:49,160
Speaker 1: always think about sometimes when I'm on a plane, I'll

1044
00:44:49,160 --> 00:44:50,680
Speaker 1: turn on my air drop and see all the people

1045
00:44:50,760 --> 00:44:53,440
Speaker 1: around me. I think a couple of times people have

1046
00:44:53,520 --> 00:44:56,000
Speaker 1: tried to air drop me something and I never accept

1047
00:44:56,000 --> 00:44:58,640
Speaker 1: it because it's probably gonna be something dirty. But what

1048
00:44:58,760 --> 00:45:01,000
Speaker 1: this movie is about, you have made he who plays

1049
00:45:01,000 --> 00:45:03,280
Speaker 1: a widowed mom. She goes out on a first date.

1050
00:45:03,520 --> 00:45:05,600
Speaker 1: She's very nervous about it. She meets the guy at

1051
00:45:05,640 --> 00:45:08,040
Speaker 1: the bar, who is also nervous. He is good looking.

1052
00:45:08,080 --> 00:45:10,799
Speaker 1: They're both like, oh, we're both so nervous. They sit

1053
00:45:10,880 --> 00:45:14,200
Speaker 1: down to have dinner at this fancy restaurant I'm talking

1054
00:45:14,280 --> 00:45:18,879
Speaker 1: super fancy restaurant, having conversation, and she looks down at

1055
00:45:18,880 --> 00:45:22,759
Speaker 1: her phone and she gets this mysterious air drop and

1056
00:45:22,800 --> 00:45:25,560
Speaker 1: it's a meme. It's the guy like rubbing his hands together.

1057
00:45:25,600 --> 00:45:28,399
Speaker 1: He's wearing like a suit, and it says planning the

1058
00:45:28,400 --> 00:45:31,560
Speaker 1: worst night of your life. Thinks nothing of it. But

1059
00:45:31,640 --> 00:45:35,320
Speaker 1: then the air drops keep coming, They get more threatening,

1060
00:45:35,840 --> 00:45:38,440
Speaker 1: ramps up to an entirely different level, and suddenly she

1061
00:45:38,600 --> 00:45:41,319
Speaker 1: is faced with this dilemma, which we'll get into here

1062
00:45:41,320 --> 00:45:42,960
Speaker 1: in a second. But before I do, I want to

1063
00:45:42,960 --> 00:45:45,120
Speaker 1: play the trailer and then talk about some red flags

1064
00:45:45,120 --> 00:45:47,440
Speaker 1: that I'm seeing based on it. But here is the

1065
00:45:47,480 --> 00:45:49,080
Speaker 1: trailer to drop.

1066
00:45:49,320 --> 00:45:50,879
Speaker 2: Okay, somebody sent me.

1067
00:45:50,800 --> 00:45:54,200
Speaker 4: This thumb kids trying to match with you. We can

1068
00:45:54,280 --> 00:45:56,640
Speaker 4: figure this out. I think you gotta be within fifty

1069
00:45:56,680 --> 00:46:12,719
Speaker 4: feet to send a drop. So someone in the restaurant file.

1070
00:46:13,239 --> 00:46:17,480
Speaker 1: Okay, So what she got on those air drops. The

1071
00:46:17,480 --> 00:46:19,600
Speaker 1: person on the other side of them basically told her

1072
00:46:19,640 --> 00:46:22,520
Speaker 1: you can't tell anybody, and if you do, I'm gonna

1073
00:46:22,560 --> 00:46:25,520
Speaker 1: murder your family. Because the person on the other side

1074
00:46:25,560 --> 00:46:27,239
Speaker 1: of the air drops tells her to open up her

1075
00:46:27,239 --> 00:46:30,000
Speaker 1: home security app. When she does, she sees her family

1076
00:46:30,040 --> 00:46:32,680
Speaker 1: there who had a babysitter. Then you see the guy

1077
00:46:32,680 --> 00:46:35,200
Speaker 1: in the hooded mask with a gun, and the air

1078
00:46:35,320 --> 00:46:39,040
Speaker 1: drops get more and more threatening, ultimately giving her the

1079
00:46:39,080 --> 00:46:42,520
Speaker 1: decision that in order for her to save her family,

1080
00:46:42,960 --> 00:46:46,439
Speaker 1: her young son, and her sister, she has to kill

1081
00:46:46,560 --> 00:46:48,920
Speaker 1: her date. And not only that, she can't tell the

1082
00:46:49,000 --> 00:46:52,160
Speaker 1: date anything that's going on. She can't tell anybody in

1083
00:46:52,200 --> 00:46:54,319
Speaker 1: the restaurant. So before I get to the things that

1084
00:46:54,400 --> 00:46:56,759
Speaker 1: I don't like, let's talk about the positive, the things

1085
00:46:56,760 --> 00:46:58,960
Speaker 1: that I do like. This movie is coming to us

1086
00:46:59,000 --> 00:47:02,160
Speaker 1: from Blumhouse. It is produced by Jason Blum, who has

1087
00:47:02,160 --> 00:47:05,600
Speaker 1: done movies like Five Knights at Freddy's. Megan It's also

1088
00:47:05,680 --> 00:47:08,160
Speaker 1: being produced by Michael Bay, who did, of course the

1089
00:47:08,200 --> 00:47:12,960
Speaker 1: Transformers movies. He produced a Quiet Place franchise. It is

1090
00:47:13,040 --> 00:47:16,719
Speaker 1: from director Christopher Landon, who did a movie in twenty

1091
00:47:16,760 --> 00:47:19,760
Speaker 1: twenty I like with Vince Vaughn called Freaky. He's also

1092
00:47:19,880 --> 00:47:22,680
Speaker 1: probably most famous from the two Death Day movies. He

1093
00:47:22,719 --> 00:47:25,640
Speaker 1: has a very distinct style, and it's really starting to

1094
00:47:25,680 --> 00:47:29,839
Speaker 1: show outside of that franchise in this movie. I do

1095
00:47:30,040 --> 00:47:32,520
Speaker 1: like how it starts out as a rom com and

1096
00:47:32,560 --> 00:47:36,080
Speaker 1: then quickly shifts tones the problem. Okay, I don't want

1097
00:47:36,080 --> 00:47:37,680
Speaker 1: to get to the negative, yet I do want to

1098
00:47:37,719 --> 00:47:41,040
Speaker 1: continue with the positive. I think this movie does look

1099
00:47:41,080 --> 00:47:43,680
Speaker 1: like a fun ride. It reminds me of the movie

1100
00:47:43,680 --> 00:47:47,560
Speaker 1: we just had in December, carry On. This is essentially

1101
00:47:47,760 --> 00:47:50,560
Speaker 1: carry On, but in a restaurant, on a first date.

1102
00:47:51,040 --> 00:47:55,080
Speaker 1: Carry On was essentially die Hard, but in an airport.

1103
00:47:55,640 --> 00:47:59,640
Speaker 1: Think about this movie carry On. Anything with a ridiculous

1104
00:47:59,640 --> 00:48:02,800
Speaker 1: premise like this, I always say to myself, why wouldn't

1105
00:48:02,840 --> 00:48:05,839
Speaker 1: I just not respond to it? I get a weird

1106
00:48:05,840 --> 00:48:09,440
Speaker 1: air drop, just don't look at it, delete it, decline

1107
00:48:09,800 --> 00:48:11,400
Speaker 1: And I know, I know if you did that, you

1108
00:48:11,440 --> 00:48:14,080
Speaker 1: wouldn't have a movie. But it just seems a little

1109
00:48:14,080 --> 00:48:16,480
Speaker 1: bit ridiculous. You start getting all these weird air drops

1110
00:48:16,480 --> 00:48:18,759
Speaker 1: and you're like, oh no, I have to open this

1111
00:48:19,440 --> 00:48:22,759
Speaker 1: during a date too, sitting there having a conversation from

1112
00:48:22,760 --> 00:48:26,000
Speaker 1: somebody that just five minutes ago you were so attracted to,

1113
00:48:26,400 --> 00:48:27,839
Speaker 1: and now you're like, well, let's see what's going on

1114
00:48:27,960 --> 00:48:32,040
Speaker 1: my phone. Oh my god, just don't look at your phone.

1115
00:48:32,080 --> 00:48:36,000
Speaker 1: Everybody put your phones down and enjoy each other's company,

1116
00:48:36,080 --> 00:48:40,040
Speaker 1: have your nice meal. But again, if you did that,

1117
00:48:40,080 --> 00:48:41,840
Speaker 1: you wouldn't have a movie, and I wouldn't have anything

1118
00:48:41,840 --> 00:48:43,879
Speaker 1: to talk about the whole other issue. But I do

1119
00:48:44,040 --> 00:48:46,080
Speaker 1: enjoy the fact that this looks like a movie that

1120
00:48:46,120 --> 00:48:48,400
Speaker 1: would be fun to see in theaters. I feel like

1121
00:48:48,440 --> 00:48:51,400
Speaker 1: this movie sparks maybe a healthy amount of anxiety when

1122
00:48:51,440 --> 00:48:54,279
Speaker 1: it comes to this type of horror movie, which is

1123
00:48:54,320 --> 00:48:57,400
Speaker 1: probably a little bit more digestible for people. The person

1124
00:48:57,400 --> 00:49:00,359
Speaker 1: who actually turned me on to this trailer was ke Elsey,

1125
00:49:00,360 --> 00:49:02,920
Speaker 1: who said, I don't like horror movies, but this is

1126
00:49:03,000 --> 00:49:05,319
Speaker 1: actually one that I would consider going to see in

1127
00:49:05,360 --> 00:49:08,000
Speaker 1: theaters because it doesn't look like it's going to be

1128
00:49:08,080 --> 00:49:10,840
Speaker 1: too violent, and now it's gonna lead me to the

1129
00:49:10,880 --> 00:49:13,640
Speaker 1: things I don't like about this trailer. The reason it

1130
00:49:13,680 --> 00:49:15,799
Speaker 1: doesn't look like it's gonna be too violent is the

1131
00:49:15,800 --> 00:49:18,920
Speaker 1: fact that it is PG thirteen, and I think you

1132
00:49:19,120 --> 00:49:23,600
Speaker 1: can walk that line between horror and thriller and suspense

1133
00:49:23,760 --> 00:49:27,560
Speaker 1: in a PG thirteen rating, and there are some elements

1134
00:49:27,560 --> 00:49:30,520
Speaker 1: of action. It seems like that's probably the Michael Bay

1135
00:49:30,680 --> 00:49:34,600
Speaker 1: influence where you see her at the end holding on

1136
00:49:34,680 --> 00:49:37,920
Speaker 1: to dear life about a fallout of this high story restaurant,

1137
00:49:38,560 --> 00:49:41,640
Speaker 1: which is another thing that I would say I'm a

1138
00:49:41,680 --> 00:49:43,439
Speaker 1: little bit hesitant about that.

1139
00:49:43,400 --> 00:49:46,319
Speaker 5: You watch this trailer and you've pretty much seen the

1140
00:49:46,480 --> 00:49:50,160
Speaker 5: entire movie. I think the fact that they even put

1141
00:49:50,200 --> 00:49:53,680
Speaker 5: in that shift change from rom com to horror movie

1142
00:49:54,200 --> 00:49:55,080
Speaker 5: and then show you.

1143
00:49:55,440 --> 00:49:58,520
Speaker 1: The advance in all the air drops and then show

1144
00:49:58,600 --> 00:50:01,799
Speaker 1: you basically the entire thing act of her hanging out

1145
00:50:01,800 --> 00:50:05,720
Speaker 1: of the restaurant, it kind of shows you every step

1146
00:50:05,800 --> 00:50:08,640
Speaker 1: of the process that she's going to go through. So

1147
00:50:08,680 --> 00:50:10,279
Speaker 1: if you don't want to go see this movie in

1148
00:50:10,320 --> 00:50:12,160
Speaker 1: theaters and you want a movie in about two and

1149
00:50:12,160 --> 00:50:14,640
Speaker 1: a half minutes, you can go watch it on YouTube.

1150
00:50:15,000 --> 00:50:17,720
Speaker 1: Doesn't mean it's not enjoyable. Just because the movie shows

1151
00:50:17,719 --> 00:50:21,040
Speaker 1: you the entire plot doesn't mean that going on that

1152
00:50:21,239 --> 00:50:24,600
Speaker 1: ride is going to be any less fun. I feel

1153
00:50:24,640 --> 00:50:27,960
Speaker 1: as a whole this movie already looks very predictable, so

1154
00:50:28,040 --> 00:50:30,480
Speaker 1: I don't think they were trying to sell you one

1155
00:50:30,560 --> 00:50:33,600
Speaker 1: thing and give you something else in theaters. So those

1156
00:50:33,600 --> 00:50:36,400
Speaker 1: are probably the two things that I don't like about

1157
00:50:36,400 --> 00:50:39,200
Speaker 1: the trailer. And the movie is an hour and forty

1158
00:50:39,280 --> 00:50:41,600
Speaker 1: six minutes, so it's probably not gonna waste a whole

1159
00:50:41,600 --> 00:50:44,880
Speaker 1: lot of time. I do feel like that's maybe fifteen

1160
00:50:44,960 --> 00:50:47,680
Speaker 1: minutes too long for a movie that I kind of

1161
00:50:47,680 --> 00:50:49,840
Speaker 1: already know all the beats that's going to go through.

1162
00:50:49,960 --> 00:50:51,520
Speaker 1: I just feel like this is a movie that should

1163
00:50:51,520 --> 00:50:54,640
Speaker 1: be a tight ninety minutes to really have its true

1164
00:50:54,719 --> 00:50:57,520
Speaker 1: impact and then not have you questioning a whole lot

1165
00:50:57,560 --> 00:50:59,520
Speaker 1: about well, why did they do this and why did

1166
00:50:59,600 --> 00:51:01,960
Speaker 1: they do this? It just has that feeling to me.

1167
00:51:02,160 --> 00:51:04,640
Speaker 1: I just feel that I'm going to be screaming at

1168
00:51:04,640 --> 00:51:07,239
Speaker 1: the screen for a majority of this movie. But again,

1169
00:51:07,320 --> 00:51:10,120
Speaker 1: the movie is called Drop. It's coming out in theaters

1170
00:51:10,200 --> 00:51:11,480
Speaker 1: on October eleven.

1171
00:51:11,840 --> 00:51:12,120
Speaker 4: Geez.

1172
00:51:12,200 --> 00:51:15,880
Speaker 2: And that was this week's edition of Movie Line tram

1173
00:51:15,960 --> 00:51:16,839
Speaker 2: or Bar and.

1174
00:51:16,840 --> 00:51:19,200
Speaker 1: That is going to do it for another episode here

1175
00:51:19,360 --> 00:51:21,759
Speaker 1: of the podcast. But before I go I gotta give

1176
00:51:21,800 --> 00:51:24,839
Speaker 1: my listeners shout out of the week. This week, I'm

1177
00:51:24,920 --> 00:51:28,239
Speaker 1: going over to TikTok and I'm shouting out Graham who

1178
00:51:28,320 --> 00:51:31,000
Speaker 1: left a comment on my last TikTok where I was

1179
00:51:31,040 --> 00:51:33,600
Speaker 1: talking about the use of AI and art while doing

1180
00:51:33,640 --> 00:51:37,480
Speaker 1: my Brutalist review from the last week's episode, and Graham said,

1181
00:51:37,760 --> 00:51:39,880
Speaker 1: you make a fair point, but I don't think people

1182
00:51:39,960 --> 00:51:42,960
Speaker 1: are saying that the AI usage in the Brutalist is

1183
00:51:43,000 --> 00:51:45,560
Speaker 1: all that egregious, which if you don't know, that word

1184
00:51:45,600 --> 00:51:48,120
Speaker 1: means shocking. I'm not acting like I'm really smart here.

1185
00:51:48,120 --> 00:51:49,880
Speaker 1: I had to look that up. Back to the comment,

1186
00:51:49,920 --> 00:51:53,279
Speaker 1: he said, they are more concerned about the precedent. If

1187
00:51:53,360 --> 00:51:57,000
Speaker 1: viewers don't take a strong stance now, Hollywood will just

1188
00:51:57,120 --> 00:51:59,560
Speaker 1: keep using a little more and a little more until

1189
00:51:59,600 --> 00:52:02,840
Speaker 1: it roos ruins the industry, which was the point I

1190
00:52:02,920 --> 00:52:05,560
Speaker 1: made in that review as well. So I appreciate you,

1191
00:52:05,680 --> 00:52:09,640
Speaker 1: Graham for sharing your thoughts. I said that eventually somebody

1192
00:52:10,360 --> 00:52:12,160
Speaker 1: is going to abuse it. I mean, you feel like

1193
00:52:12,320 --> 00:52:15,160
Speaker 1: some of these superhero movies, there have been cases where

1194
00:52:15,160 --> 00:52:19,759
Speaker 1: they have taken actors' faces and impose them on other

1195
00:52:19,960 --> 00:52:23,680
Speaker 1: people's bodies where that person wasn't even there for the reshoots.

1196
00:52:24,000 --> 00:52:27,839
Speaker 1: Yet they use this technology to put them there, and

1197
00:52:27,880 --> 00:52:29,960
Speaker 1: you call it special lot. Thanks, but you really use

1198
00:52:30,000 --> 00:52:32,239
Speaker 1: a lot of AI to map out their face. It's

1199
00:52:32,320 --> 00:52:35,719
Speaker 1: kind of the same thing. So I feel like we

1200
00:52:35,880 --> 00:52:38,799
Speaker 1: are getting a little bit too worried of something that

1201
00:52:38,880 --> 00:52:41,319
Speaker 1: hasn't fully happened yet. Like I said, we'll cross that

1202
00:52:41,400 --> 00:52:44,160
Speaker 1: bridge when we get there. I think there is a

1203
00:52:44,200 --> 00:52:46,760
Speaker 1: place for it. I just worry, kind of like you, Graham,

1204
00:52:46,800 --> 00:52:48,799
Speaker 1: about people getting lazy and just using it for the

1205
00:52:48,840 --> 00:52:50,960
Speaker 1: sake of Oh, we need to make this movie cheaper,

1206
00:52:50,960 --> 00:52:53,200
Speaker 1: we need to make it quicker, use AI and get

1207
00:52:53,239 --> 00:52:54,839
Speaker 1: it out the door, get it in theaters and get

1208
00:52:54,880 --> 00:52:57,960
Speaker 1: people's money. That'll be a problem. So I appreciate that.

1209
00:52:58,400 --> 00:53:00,600
Speaker 1: Thank you Graham for listening. Thank you, hell everybody for

1210
00:53:00,680 --> 00:53:04,239
Speaker 1: listening to this week's episode. Until next time, go out

1211
00:53:04,280 --> 00:53:07,279
Speaker 1: and watch good movies and I will talk to you later.