1 00:00:01,320 --> 00:00:04,320 Speaker 1: Pulling off the fountain, then the ball and I'm a 2 00:00:04,320 --> 00:00:08,320 Speaker 1: true So we're gonna do a phone interview a little 3 00:00:08,320 --> 00:00:16,480 Speaker 1: Real right quick. That's him? Hello, Hello, Hello, Hello, hello 4 00:00:16,600 --> 00:00:20,360 Speaker 1: Hello Yeah claik, we can do it well? Is he 5 00:00:20,480 --> 00:00:30,160 Speaker 1: on the work eighty eight? Hello? What up? What up? 6 00:00:30,280 --> 00:00:32,400 Speaker 1: Little Real? What's up? Man? Welcome to the eighty five 7 00:00:32,479 --> 00:00:36,239 Speaker 1: South Show. How you doing fine? Good with your man? 8 00:00:36,280 --> 00:00:38,520 Speaker 1: You know I'm chilling, just being calos and Ship out 9 00:00:38,520 --> 00:00:45,760 Speaker 1: here getting the podcast jumped off my nigger? How you? Uh? Ship? 10 00:00:46,120 --> 00:00:49,560 Speaker 1: I'm doing good though? Man? Hell yeah, man? This Hey, 11 00:00:49,600 --> 00:00:52,120 Speaker 1: congratulations on the Car Michael Show. I see y'all just 12 00:00:52,159 --> 00:00:55,680 Speaker 1: got picked up again. And Ship, this show is amazing. 13 00:00:55,760 --> 00:00:57,960 Speaker 1: You play a funny as character on there. Tell us 14 00:00:57,960 --> 00:01:00,520 Speaker 1: about that ship real, tell us about this ship? Really? 15 00:01:02,600 --> 00:01:04,640 Speaker 1: I mean it's uh, you know, it's a dope ass 16 00:01:04,680 --> 00:01:08,360 Speaker 1: show that Gerard created. And you know he's a master 17 00:01:08,440 --> 00:01:12,160 Speaker 1: mind behind everything. Man either workinghole look and he dope 18 00:01:12,640 --> 00:01:14,040 Speaker 1: And it's just fun, you know what I'm saying. It's 19 00:01:14,200 --> 00:01:17,880 Speaker 1: it's a literally fun. It's a real fun show. I mean, 20 00:01:17,880 --> 00:01:20,200 Speaker 1: I don't want to sound corny about it, but it's 21 00:01:20,200 --> 00:01:23,559 Speaker 1: just dope ship. Yeah. So that's I mean, I watched 22 00:01:23,560 --> 00:01:25,560 Speaker 1: the show and it it actually looked like you're having fun. 23 00:01:25,600 --> 00:01:26,960 Speaker 1: So that's what I was gonna ask you, Like, how 24 00:01:26,959 --> 00:01:28,600 Speaker 1: did how did you and Gerard link up? Was that 25 00:01:28,640 --> 00:01:31,200 Speaker 1: one of your partners before or y'all met up through 26 00:01:31,200 --> 00:01:34,480 Speaker 1: the industry of what we've met at the last factory, 27 00:01:34,600 --> 00:01:37,240 Speaker 1: like like six or seven years ago something like that, 28 00:01:37,440 --> 00:01:40,120 Speaker 1: maybe something like that. And he walked up to me, 29 00:01:40,120 --> 00:01:42,200 Speaker 1: I'm some fans ship, like, yeah, I'm a big fan 30 00:01:42,240 --> 00:01:44,440 Speaker 1: of your work, And I'm like, who is you? You 31 00:01:44,480 --> 00:01:46,640 Speaker 1: know what I mean? Yeah, because he was he was 32 00:01:46,720 --> 00:01:50,520 Speaker 1: seeking about It's kind of weird ship. He's like, Oh, 33 00:01:51,200 --> 00:01:54,600 Speaker 1: you're the mothercker to keep mentioning all these meetings. Yeah, 34 00:01:55,240 --> 00:01:57,080 Speaker 1: so that should be. That should weird to you. You know, 35 00:01:57,120 --> 00:01:59,320 Speaker 1: a lot of comedians are a little real fans my 36 00:01:59,400 --> 00:02:02,320 Speaker 1: nigga like should be. It's still like weird to you 37 00:02:02,320 --> 00:02:04,920 Speaker 1: when niggas be like, I'm a fan. Well, now it's 38 00:02:05,000 --> 00:02:07,240 Speaker 1: different because it's been a while. You know what I'm saying, 39 00:02:07,240 --> 00:02:09,440 Speaker 1: I've done more. But at that time, you just had 40 00:02:09,480 --> 00:02:12,880 Speaker 1: to literally be a comedy person, you know that. I 41 00:02:12,919 --> 00:02:14,679 Speaker 1: mean only thing like who got jokes and bad boys 42 00:02:14,720 --> 00:02:17,520 Speaker 1: and comedy and all that. It wasn't the resume I got. Now, 43 00:02:17,600 --> 00:02:19,080 Speaker 1: you know what I'm saying. Now, let's talk about that 44 00:02:19,080 --> 00:02:21,160 Speaker 1: ship for a minute, because you know, I am also 45 00:02:21,440 --> 00:02:24,320 Speaker 1: who's got jokes at love them now. But the ship 46 00:02:24,400 --> 00:02:26,760 Speaker 1: that you did on your season, man, I felt like 47 00:02:26,960 --> 00:02:29,200 Speaker 1: that was that was a breaking point in comedy, Like 48 00:02:29,240 --> 00:02:32,919 Speaker 1: you changed the way niggas approached the whole comedy ship, 49 00:02:33,000 --> 00:02:35,760 Speaker 1: Like your your style was so raw in original. I 50 00:02:35,800 --> 00:02:41,920 Speaker 1: saw your influence after that ship aired, Nigga. It's one 51 00:02:41,960 --> 00:02:44,760 Speaker 1: of those things where it's like, um and as a 52 00:02:44,800 --> 00:02:47,360 Speaker 1: comedy saying, I can look at it like there like damn, 53 00:02:47,360 --> 00:02:52,880 Speaker 1: I awkwardly like nobody ever know unless you're a comedy person. Yeah, 54 00:02:53,000 --> 00:02:56,440 Speaker 1: I've had some influence and it's kind of weird. It 55 00:02:56,560 --> 00:02:58,839 Speaker 1: was like all it's kind of like how Bernie too 56 00:02:58,880 --> 00:03:02,520 Speaker 1: man Like Bernie had is like he helped changed the 57 00:03:02,520 --> 00:03:04,519 Speaker 1: game when he was really killing it, you know what 58 00:03:04,520 --> 00:03:07,920 Speaker 1: I'm saying, even just the way he approached acting, you 59 00:03:07,960 --> 00:03:11,640 Speaker 1: know Bernie really, So I'm not comparing myself to Bernie 60 00:03:11,680 --> 00:03:13,959 Speaker 1: in them, but I mean I get like that raw ship, 61 00:03:14,080 --> 00:03:16,440 Speaker 1: you know what I'm saying. And then somebody like I 62 00:03:16,440 --> 00:03:18,359 Speaker 1: mean not like that, but like somebody like you too, 63 00:03:18,440 --> 00:03:20,760 Speaker 1: you know what I'm saying, Like you see the like 64 00:03:21,120 --> 00:03:25,120 Speaker 1: it's just interesting. I watched everything, so I see when 65 00:03:25,160 --> 00:03:28,160 Speaker 1: people start to like when the raw you are, the 66 00:03:28,200 --> 00:03:30,480 Speaker 1: more influence you're don't have in comedy. And I mean, 67 00:03:30,560 --> 00:03:34,200 Speaker 1: and that's the don't think about comics that who are themselves? 68 00:03:34,240 --> 00:03:35,800 Speaker 1: You know what I'm saying, Like I'm myself, but I 69 00:03:35,800 --> 00:03:38,760 Speaker 1: don't you know, I don't lie about nothing. I tell 70 00:03:38,840 --> 00:03:42,200 Speaker 1: my stories. If I losing that, Yeah, Like I feel 71 00:03:42,240 --> 00:03:44,200 Speaker 1: like a lot of comedians sit back and wait for 72 00:03:44,280 --> 00:03:47,360 Speaker 1: other comedians to take the chances and then to be like, okay, 73 00:03:47,440 --> 00:03:50,520 Speaker 1: nice safe because somebody else already did that ship And 74 00:03:50,600 --> 00:03:53,480 Speaker 1: that ain't how you That's not innovative to me. It's 75 00:03:53,520 --> 00:03:56,480 Speaker 1: not innovative. It won't make you stand out on anything, 76 00:03:56,640 --> 00:03:59,360 Speaker 1: you know what I'm saying. And you end up chasing 77 00:03:59,360 --> 00:04:02,480 Speaker 1: that person you kind of because you're waiting on them 78 00:04:02,480 --> 00:04:05,000 Speaker 1: to do it, right, Yeah, you're chasing it and you're not. 79 00:04:05,280 --> 00:04:07,360 Speaker 1: You could be on the same level if you be yourself. 80 00:04:07,960 --> 00:04:09,480 Speaker 1: And I think that's one of the things I respect 81 00:04:09,520 --> 00:04:13,680 Speaker 1: about like a girard and and you know, even want Hannival. 82 00:04:13,880 --> 00:04:17,159 Speaker 1: It's a lot of comments I respect you know that 83 00:04:17,400 --> 00:04:19,680 Speaker 1: don't even get looked at like that, just like they're 84 00:04:19,680 --> 00:04:22,039 Speaker 1: just doing their own thing. And I respect that, you 85 00:04:22,040 --> 00:04:24,559 Speaker 1: know what I'm saying. Yeah, let me let's talk about 86 00:04:24,560 --> 00:04:26,400 Speaker 1: this for a minute. You know, jokes and notes just 87 00:04:26,480 --> 00:04:29,120 Speaker 1: recently clothes man and that's your home club. How you 88 00:04:29,160 --> 00:04:34,000 Speaker 1: feel about that? Man? That was I mean, the thing married, 89 00:04:34,200 --> 00:04:36,120 Speaker 1: you know, like my second mom. What I'm saying. I'm 90 00:04:36,160 --> 00:04:38,880 Speaker 1: really close to Mary Lanzie and she's been talking about 91 00:04:38,880 --> 00:04:41,479 Speaker 1: it for a few months now, you know, and she 92 00:04:41,520 --> 00:04:42,920 Speaker 1: had hit me up and we talked that, We said 93 00:04:42,960 --> 00:04:46,720 Speaker 1: out and talked about it, and I understand why she's 94 00:04:46,760 --> 00:04:48,800 Speaker 1: doing it. And it's just very interesting that because you know, 95 00:04:48,800 --> 00:04:51,880 Speaker 1: you've got comedians at all. Man, Mary, we know, blah 96 00:04:51,920 --> 00:04:56,360 Speaker 1: blah blah. But it's like to me, and that's it's 97 00:04:56,400 --> 00:04:58,240 Speaker 1: gonna sound like that sound I guess I don't care. 98 00:04:58,320 --> 00:05:02,000 Speaker 1: But the group that's in there now I don't think 99 00:05:02,040 --> 00:05:04,000 Speaker 1: took advantage of the club like it should have been. 100 00:05:04,640 --> 00:05:06,239 Speaker 1: You know, it's a business, you know what I'm saying. 101 00:05:06,279 --> 00:05:10,920 Speaker 1: And if if if the comics are not pushing it 102 00:05:10,960 --> 00:05:13,640 Speaker 1: as much as she like, Mary flopped people in to 103 00:05:13,839 --> 00:05:17,840 Speaker 1: see us from those festivals, from these TV shows all 104 00:05:17,880 --> 00:05:23,200 Speaker 1: that stuff, and both clubs don't do that right. Club 105 00:05:23,279 --> 00:05:25,680 Speaker 1: like that, you know, I think that's focus. Like when 106 00:05:25,720 --> 00:05:27,600 Speaker 1: I was there, I took full advantage of jokes and 107 00:05:27,680 --> 00:05:30,680 Speaker 1: knows straight up, that was my home court. That's what 108 00:05:30,800 --> 00:05:33,760 Speaker 1: I had. I became a beast there. I promoted the 109 00:05:33,800 --> 00:05:36,400 Speaker 1: mess out the club. How they go to little bars 110 00:05:36,400 --> 00:05:38,720 Speaker 1: and stuff like there. Why why deal with that when 111 00:05:38,720 --> 00:05:41,200 Speaker 1: you got a club that's already established. And it was 112 00:05:41,240 --> 00:05:43,599 Speaker 1: just because she has structure, you know that if people 113 00:05:43,640 --> 00:05:47,080 Speaker 1: don't like dealing with roots. And you know, I'm thankful 114 00:05:47,120 --> 00:05:49,520 Speaker 1: to Hal came up in that club. Mary taught me 115 00:05:49,560 --> 00:05:51,480 Speaker 1: a lot about the business and taught me a lot 116 00:05:51,480 --> 00:05:54,000 Speaker 1: about being professional in this business, you know what I'm saying. 117 00:05:55,160 --> 00:05:57,720 Speaker 1: But you know, the cat's kind of like this. It 118 00:05:57,880 --> 00:06:00,240 Speaker 1: was just on her. Everybody had their hands down. I 119 00:06:00,240 --> 00:06:03,920 Speaker 1: didn't want to grind it out, help out. Get me 120 00:06:03,960 --> 00:06:08,159 Speaker 1: to break down the Chicago landscape, the comedy landscape for me. 121 00:06:08,240 --> 00:06:10,039 Speaker 1: Man for the people who are not familiar with the 122 00:06:10,120 --> 00:06:13,200 Speaker 1: Chicago comedy scene, walk us through it real quick. Well, 123 00:06:13,279 --> 00:06:15,719 Speaker 1: it's different different, It was different at different times, you 124 00:06:15,720 --> 00:06:19,200 Speaker 1: know what I'm saying. I came up, you know, it 125 00:06:19,240 --> 00:06:21,279 Speaker 1: was all about being original, you know what I'm saying. 126 00:06:21,400 --> 00:06:23,680 Speaker 1: And I remember when I first started, you had like 127 00:06:23,680 --> 00:06:27,760 Speaker 1: the b Codes, Dianco's, the d Ray's, Jeff B's, uh, 128 00:06:28,640 --> 00:06:31,280 Speaker 1: Damon Williams. It was a bunch of people, j D 129 00:06:31,640 --> 00:06:33,520 Speaker 1: and they will all go up on the same night. 130 00:06:34,480 --> 00:06:36,960 Speaker 1: So you had to go up, Corey, like you have 131 00:06:37,080 --> 00:06:39,480 Speaker 1: to go back to all these dudes, and they all 132 00:06:39,680 --> 00:06:43,800 Speaker 1: was different, always written, it just was, it was. It was. 133 00:06:44,600 --> 00:06:46,280 Speaker 1: It was a dope time to be honest with you, 134 00:06:46,320 --> 00:06:49,240 Speaker 1: because you had to get better, you know what I mean. 135 00:06:49,360 --> 00:06:52,000 Speaker 1: You gotta follow Jade, you don't do and they getting 136 00:06:52,040 --> 00:06:55,760 Speaker 1: stick people stopping eight crimes. Yeah, and you you're naming 137 00:06:55,800 --> 00:06:58,719 Speaker 1: comedians that actually write jokes, you know what I mean? 138 00:06:58,800 --> 00:07:01,280 Speaker 1: Like that was like every about you named like those 139 00:07:01,320 --> 00:07:04,840 Speaker 1: are real writers and ship like that. I completely understand 140 00:07:04,920 --> 00:07:06,880 Speaker 1: what you're talking about, having to go up after all 141 00:07:06,960 --> 00:07:10,240 Speaker 1: that heat, you know what I mean, and Dion through 142 00:07:10,280 --> 00:07:12,440 Speaker 1: and he working on some ship for the special and 143 00:07:12,640 --> 00:07:17,520 Speaker 1: everybody grinding. Atlanta was the same way exactly when Bruce 144 00:07:17,600 --> 00:07:20,600 Speaker 1: was still like it was it was has been comedy. 145 00:07:20,640 --> 00:07:23,800 Speaker 1: I mean Chicago, Atlanta, New York, the prime places. But 146 00:07:23,840 --> 00:07:26,680 Speaker 1: if you think about that time, and who were the 147 00:07:26,600 --> 00:07:28,600 Speaker 1: the you know what I mean. You think about the 148 00:07:28,640 --> 00:07:33,920 Speaker 1: guys like a touring right yea or or talent. That's 149 00:07:34,000 --> 00:07:37,960 Speaker 1: that group. And they all protated each other through Chicago, Atlanta, 150 00:07:38,040 --> 00:07:41,160 Speaker 1: New York. You know what I'm saying. Yeah about that 151 00:07:41,240 --> 00:07:45,000 Speaker 1: Atlanta ship. Every nigga who was on Comic View moved 152 00:07:45,000 --> 00:07:47,480 Speaker 1: to Atlanta after Comic View niggas, So we went up 153 00:07:47,520 --> 00:07:54,040 Speaker 1: after one hundred and seventy one Comic View veterans nigga, 154 00:07:54,600 --> 00:07:57,600 Speaker 1: every show that you've seen some black comedians on. All 155 00:07:57,680 --> 00:08:02,840 Speaker 1: them niggas lived in Atlanta. And that's real. That's what 156 00:08:03,120 --> 00:08:06,840 Speaker 1: That's exactly what it was. Rather that Rickie Smiley, Yeah, 157 00:08:11,280 --> 00:08:13,119 Speaker 1: it was casting when here coming home at the taping, 158 00:08:13,200 --> 00:08:15,200 Speaker 1: like you know, So that's just what it is. Man, 159 00:08:15,240 --> 00:08:16,760 Speaker 1: I see you about to jump out here in the 160 00:08:16,760 --> 00:08:20,040 Speaker 1: movie game. What's that like? That's dope. I mean, I'm 161 00:08:21,320 --> 00:08:23,200 Speaker 1: you know, I'm in a horror film to get out. 162 00:08:23,680 --> 00:08:27,040 Speaker 1: Horror film called get Out. Yeah, I'll get Out was 163 00:08:27,080 --> 00:08:29,440 Speaker 1: written and directed by Jordan Peel from Ki and Peel 164 00:08:29,840 --> 00:08:32,040 Speaker 1: Shout Out the Key and Peel Man, I've been seeing 165 00:08:32,080 --> 00:08:34,640 Speaker 1: so many niggers trying to slick hate on Key and 166 00:08:34,720 --> 00:08:36,760 Speaker 1: Peel though, what the fund is up with that? Bro? 167 00:08:37,400 --> 00:08:40,000 Speaker 1: I don't know. I really don't because to be honest 168 00:08:40,040 --> 00:08:43,880 Speaker 1: with you, they're gonna be intricate part of putting comics 169 00:08:43,960 --> 00:08:46,600 Speaker 1: on the big screen, and they have been. You know, 170 00:08:46,640 --> 00:08:49,560 Speaker 1: they like when Tiffany happens, just Ben kew the other 171 00:08:49,559 --> 00:08:53,520 Speaker 1: movie they did shout out the Man I love Me 172 00:08:53,559 --> 00:08:55,440 Speaker 1: to tell. She killed it and they gave her a 173 00:08:55,440 --> 00:08:57,480 Speaker 1: straight roll and they didn't give a silly roll. You 174 00:08:57,520 --> 00:08:59,360 Speaker 1: know what I'm saying. Her character had to be more 175 00:08:59,400 --> 00:09:01,960 Speaker 1: straight now. So then that opened up more doors for 176 00:09:02,160 --> 00:09:05,640 Speaker 1: She just booked another movie called Girls Trip for Queen Latifa, 177 00:09:06,200 --> 00:09:11,560 Speaker 1: Jada Pickett, her and Regina Hall go crazy. Yeah, but 178 00:09:11,640 --> 00:09:14,640 Speaker 1: that's what I'm saying. Like Jordan's man, who dudes, many 179 00:09:15,080 --> 00:09:18,480 Speaker 1: they are genius, especially George Jordan is so smart. He's 180 00:09:18,520 --> 00:09:23,479 Speaker 1: a great writer. He's you know, he's really the mastermind. 181 00:09:23,520 --> 00:09:26,080 Speaker 1: But he's a He's a genius man. You know they 182 00:09:26,120 --> 00:09:28,720 Speaker 1: got the Police Academy series, bro, Because if I was 183 00:09:28,840 --> 00:09:30,800 Speaker 1: to me, you know, I'll be I wouldn't be talking crazy. 184 00:09:31,120 --> 00:09:33,440 Speaker 1: I feel you Monday. Next time you let them nigga 185 00:09:33,480 --> 00:09:36,520 Speaker 1: tell him my mouth here too. They'll they see you 186 00:09:36,520 --> 00:09:38,600 Speaker 1: so it's just all about making the right things where 187 00:09:38,600 --> 00:09:40,880 Speaker 1: they can bring all of us together to one thing. 188 00:09:41,559 --> 00:09:43,480 Speaker 1: I'm in my first movie because of them. I wasn't 189 00:09:43,480 --> 00:09:47,720 Speaker 1: on the show or nothing like that. Yeah, Clayton, Clayton 190 00:09:47,800 --> 00:09:52,160 Speaker 1: just walked in the studio fail. What looks good? Many. 191 00:09:52,400 --> 00:09:54,200 Speaker 1: I gotta shout you out, man, because when I did 192 00:09:54,240 --> 00:09:57,400 Speaker 1: my thing, this man tweeted me in the air he 193 00:09:57,440 --> 00:10:00,880 Speaker 1: put he switched it off airplane mode, sitting out the tweet. 194 00:10:00,920 --> 00:10:03,199 Speaker 1: He said he was in there. That was dope, man. Man, 195 00:10:03,240 --> 00:10:04,679 Speaker 1: that's my dude. Man, I just want to hoilight you. 196 00:10:04,720 --> 00:10:06,040 Speaker 1: I just popped in here, but you know you'd be 197 00:10:06,080 --> 00:10:08,600 Speaker 1: doing your thing. But go ahead. I'm still listening. Hit 198 00:10:08,640 --> 00:10:10,720 Speaker 1: me out. Congress to you. Man. You killed it and 199 00:10:10,760 --> 00:10:14,240 Speaker 1: you earned it. Bro. You know it's not easy. No, 200 00:10:14,480 --> 00:10:18,280 Speaker 1: I mean it happened, and I'm just I'm just glad. 201 00:10:18,320 --> 00:10:20,320 Speaker 1: I like to see everybody up. Man. I remember when 202 00:10:20,320 --> 00:10:22,040 Speaker 1: I seen him at what you called. I've seen him 203 00:10:22,040 --> 00:10:24,840 Speaker 1: outside the uh. I think it was a comedy store 204 00:10:24,840 --> 00:10:26,960 Speaker 1: in l A. And she felt like a good little 205 00:10:27,000 --> 00:10:32,000 Speaker 1: paid in full moment, you know what I'm saying. Look 206 00:10:32,040 --> 00:10:37,440 Speaker 1: at the leather jacket. Ship is fresh, got two chains 207 00:10:37,480 --> 00:10:40,160 Speaker 1: on that got you know what I'm saying, like, yeah 208 00:10:40,200 --> 00:10:41,840 Speaker 1: that she was a good little pain to full bo. 209 00:10:42,840 --> 00:10:44,800 Speaker 1: What's up man, not to Let's get back to the 210 00:10:44,800 --> 00:10:46,600 Speaker 1: movie ship real quick, because you said you got a 211 00:10:46,640 --> 00:10:49,080 Speaker 1: horrid movie coming out called get Out. I want to 212 00:10:49,120 --> 00:10:51,280 Speaker 1: make sure everybody who listened to the show got all 213 00:10:51,320 --> 00:10:54,520 Speaker 1: the details. Man, go ahead, go into that ship real. Yeah, 214 00:10:54,520 --> 00:11:00,360 Speaker 1: it's a it's a it's a man because the people 215 00:11:00,440 --> 00:11:05,000 Speaker 1: nothing to want to do that. So I almost think 216 00:11:05,000 --> 00:11:07,800 Speaker 1: it's gonna be a little controversial, I guess, but it's 217 00:11:07,920 --> 00:11:11,080 Speaker 1: very interesting by Alison Williams in the movie from Girls, 218 00:11:11,120 --> 00:11:13,800 Speaker 1: Who's Who's an amazing actress and she's killing the game, 219 00:11:14,440 --> 00:11:17,120 Speaker 1: and it's just it's a dope. It's it's one of 220 00:11:17,160 --> 00:11:20,480 Speaker 1: those things wh I couldn't believe. I mean I wanted 221 00:11:20,520 --> 00:11:22,320 Speaker 1: it really bad too though. It was a lot of cats. 222 00:11:22,360 --> 00:11:26,000 Speaker 1: I knew that. So but you're going to we just 223 00:11:26,080 --> 00:11:29,439 Speaker 1: scripted you just you own it. When I when I 224 00:11:29,400 --> 00:11:31,760 Speaker 1: ill did you, how quiet was? It was like a 225 00:11:31,800 --> 00:11:36,480 Speaker 1: serious thing. It was just quiet? Yeah, Man, tell us 226 00:11:36,520 --> 00:11:39,880 Speaker 1: about the I see the special doing good Man Relevant. 227 00:11:39,920 --> 00:11:47,440 Speaker 1: It's on Netflix now. Mane that dope out of it. Man, 228 00:11:47,520 --> 00:11:49,880 Speaker 1: you know what I mean like it's it's um, I 229 00:11:49,920 --> 00:11:51,199 Speaker 1: wanted to you know what I wanted to do on 230 00:11:51,640 --> 00:11:53,520 Speaker 1: the Real, Tough said, I just wanted to put pressure 231 00:11:53,520 --> 00:11:56,920 Speaker 1: on other people to make dope specials again. You know, 232 00:11:56,960 --> 00:11:59,760 Speaker 1: I think everybody kind of just was making specials. But 233 00:11:59,800 --> 00:12:02,040 Speaker 1: when making it special. You know what I'm saying. You 234 00:12:02,160 --> 00:12:06,160 Speaker 1: saying that it's specially supposed to be special, to be special? Man? Yeah, 235 00:12:06,320 --> 00:12:09,439 Speaker 1: what you doing if it ain't special was great? It's 236 00:12:09,480 --> 00:12:13,360 Speaker 1: special is dope. Like I watched the other day, I'm like, 237 00:12:13,520 --> 00:12:17,599 Speaker 1: this is special. Hey, Hey, what's the release date on 238 00:12:17,640 --> 00:12:20,640 Speaker 1: the movie? Real? Uh, we don't. We don't have a 239 00:12:20,640 --> 00:12:22,199 Speaker 1: release date. Yeah, I think it's gonna be out some 240 00:12:22,280 --> 00:12:24,840 Speaker 1: time like in this winner. Man, it's a horrible easy 241 00:12:24,840 --> 00:12:27,760 Speaker 1: to shoot them out fast, So like November December, because 242 00:12:27,760 --> 00:12:29,000 Speaker 1: I actually got to go to New York in a 243 00:12:29,040 --> 00:12:32,400 Speaker 1: couple of weeks to do some pickups. So that's what's up, man. 244 00:12:32,440 --> 00:12:36,160 Speaker 1: You're working on the follow up, The Relevant? Yeah, I 245 00:12:36,200 --> 00:12:39,439 Speaker 1: mean I'm touring now just to work on that set again. 246 00:12:39,480 --> 00:12:41,880 Speaker 1: But I have a another idea of a special I 247 00:12:41,960 --> 00:12:44,000 Speaker 1: want to do again. Like hello, I'm a big fan, 248 00:12:44,440 --> 00:12:48,360 Speaker 1: I'm a time of the partners held on, hold on, 249 00:12:50,720 --> 00:12:56,960 Speaker 1: be still, be still, stand by the window. Stand by 250 00:12:57,000 --> 00:13:04,480 Speaker 1: the window. You you're playing too, I'm about to wet 251 00:13:04,640 --> 00:13:08,200 Speaker 1: for real. You know, outside of here, all the Hispanics 252 00:13:08,200 --> 00:13:13,360 Speaker 1: in the pool over here. Exclusive? Do you have a 253 00:13:13,480 --> 00:13:17,040 Speaker 1: title that you made that you might call your follow up? 254 00:13:17,080 --> 00:13:18,959 Speaker 1: You know we love Exclusive ship for the eighty five 255 00:13:19,040 --> 00:13:22,079 Speaker 1: self Show. I mean, I don't know about the title, 256 00:13:22,160 --> 00:13:24,680 Speaker 1: but the material don't be like, you know, I recently 257 00:13:24,720 --> 00:13:28,040 Speaker 1: got to do some stuff and so I wasn't I was. 258 00:13:28,360 --> 00:13:31,320 Speaker 1: I wasn't gonna ask you about that ship, but I 259 00:13:31,360 --> 00:13:33,199 Speaker 1: was gonna ask you about that ship. You know what 260 00:13:33,280 --> 00:13:36,280 Speaker 1: I'm saying. I mean, you know it's I guess it's 261 00:13:36,400 --> 00:13:40,599 Speaker 1: some things I can't say. I was really surprised. I 262 00:13:40,600 --> 00:13:44,640 Speaker 1: don't think I was that favor that TMZ was. I 263 00:13:44,679 --> 00:13:48,880 Speaker 1: won't even make up a story about it, but I 264 00:13:49,040 --> 00:13:52,240 Speaker 1: made it up. They made it up though, that's that's 265 00:13:52,280 --> 00:13:55,720 Speaker 1: the key word. You just said. Yeah, they over exaggerate. 266 00:13:55,760 --> 00:13:57,719 Speaker 1: They made it sound a road rage and honest, and 267 00:13:57,800 --> 00:14:00,680 Speaker 1: that's not what happened. You didn't realize how famous you were. Man, 268 00:14:01,320 --> 00:14:05,040 Speaker 1: I was waking up packing. I'm like, we don't like man, 269 00:14:05,160 --> 00:14:08,240 Speaker 1: you know your old TM like no, I'm not. You 270 00:14:08,320 --> 00:14:12,240 Speaker 1: are what. I'm on my way to the airport. Man, 271 00:14:12,240 --> 00:14:14,240 Speaker 1: that ship was so funny trying to watch that little 272 00:14:14,240 --> 00:14:21,520 Speaker 1: white ladist like little rail. It was weird, man, I 273 00:14:21,560 --> 00:14:24,400 Speaker 1: mean it was Yeah, I mean, but this is just 274 00:14:24,480 --> 00:14:27,360 Speaker 1: adviceful all of us though. Man, we gotta you can't 275 00:14:27,360 --> 00:14:29,360 Speaker 1: do the same things. Man, once you once you start 276 00:14:29,400 --> 00:14:33,200 Speaker 1: moving up these levels, Man, you gotta change your You're 277 00:14:33,240 --> 00:14:36,280 Speaker 1: around too, you know. That's that's the bazing I learned. 278 00:14:36,320 --> 00:14:38,160 Speaker 1: I couldn't move around like I used to in Chicago. 279 00:14:38,200 --> 00:14:40,200 Speaker 1: You know what I'm saying. It was kind of weird 280 00:14:40,240 --> 00:14:43,280 Speaker 1: because it's the only time I felt at home. I 281 00:14:43,320 --> 00:14:45,240 Speaker 1: felt like I felt kind of uncomfortable because I was 282 00:14:45,280 --> 00:14:47,800 Speaker 1: getting way too much attention this last trip, and it 283 00:14:47,880 --> 00:14:50,240 Speaker 1: made me. It made me a little nervous, like, damn 284 00:14:50,360 --> 00:14:55,320 Speaker 1: you was trying to do. Yeah, you can't do that 285 00:14:55,400 --> 00:14:57,880 Speaker 1: no more. No, you gotta do all the type of 286 00:14:57,920 --> 00:15:01,800 Speaker 1: weird ship. Walk a goose, get a goose on the leash. 287 00:15:02,880 --> 00:15:06,760 Speaker 1: Let him know. I gotta hang out at a resort 288 00:15:06,800 --> 00:15:12,960 Speaker 1: in Chicago. Don't leave. He wake up to his toes 289 00:15:12,960 --> 00:15:17,400 Speaker 1: getting my side. Hey, that's that life. Hey, if you 290 00:15:17,520 --> 00:15:19,280 Speaker 1: just if you, I don't know how to funk. You 291 00:15:19,360 --> 00:15:21,920 Speaker 1: just tuning in. But this is my hey. We got 292 00:15:21,920 --> 00:15:23,960 Speaker 1: my nigg a little rail on the line today, man 293 00:15:24,640 --> 00:15:28,640 Speaker 1: right here, and a busy dude to hey. But that's 294 00:15:28,640 --> 00:15:31,560 Speaker 1: what I'm saying though, this is my real motherfucking partner. Man, 295 00:15:31,600 --> 00:15:33,120 Speaker 1: You know what I mean. We didn't grind it out 296 00:15:33,880 --> 00:15:36,280 Speaker 1: when it wasn't no TV and chip, When when nigga's 297 00:15:36,320 --> 00:15:39,680 Speaker 1: just had hopes and dreams. Yeah right now now, now 298 00:15:39,840 --> 00:15:46,640 Speaker 1: Nigga's got groom beard. Many in the game for a minute. 299 00:15:46,640 --> 00:15:48,960 Speaker 1: Ain't it funny to see get success and how they 300 00:15:48,960 --> 00:15:52,400 Speaker 1: started changing the niggas go vegan and start drinking call juicing. 301 00:15:53,040 --> 00:15:55,920 Speaker 1: Nigga's only want to smoke sea through weed papers and 302 00:15:55,960 --> 00:15:58,200 Speaker 1: ship like nig ain't no way to smoke healthy weed? 303 00:15:58,280 --> 00:16:00,320 Speaker 1: What the fun is wrong with you niggas? With these 304 00:16:00,360 --> 00:16:04,240 Speaker 1: little last circus paper they can start going to brunch. 305 00:16:05,920 --> 00:16:07,840 Speaker 1: You start. You can tell when the nigger got a show. 306 00:16:07,880 --> 00:16:10,960 Speaker 1: He started winning watches and all type of accessories and ship. 307 00:16:11,200 --> 00:16:16,480 Speaker 1: You had a chacouderie board before you had a jaccouderie board. 308 00:16:16,560 --> 00:16:19,360 Speaker 1: Oh man, I tell these motherfucker's they ain't living unless 309 00:16:19,360 --> 00:16:23,600 Speaker 1: they give him Clayton he wanted the last comedy standing. 310 00:16:23,680 --> 00:16:25,560 Speaker 1: Now he thinks he supposed to have a whole goddamn 311 00:16:25,640 --> 00:16:29,280 Speaker 1: correct of orange all the time Niggers at Hoop ordering 312 00:16:29,360 --> 00:16:32,600 Speaker 1: correct like carts and ship you know what I mean, 313 00:16:32,680 --> 00:16:39,000 Speaker 1: everywhere we go it's a buffet. Now. Man, that is hilarious. 314 00:16:39,040 --> 00:16:41,480 Speaker 1: But that's good, But that's accepting. I'm gonna say, this 315 00:16:41,600 --> 00:16:45,560 Speaker 1: is exciting to see like bill boards and commercials and stuff, 316 00:16:45,600 --> 00:16:47,640 Speaker 1: and you see people who you grind it with, people 317 00:16:47,680 --> 00:16:50,400 Speaker 1: that you really know, who you really know who saw 318 00:16:50,520 --> 00:16:54,040 Speaker 1: that circule when you saw that this is gonna beyond comedy. 319 00:16:54,160 --> 00:16:57,640 Speaker 1: This ain't even just hating. Just like motherfucker's be happy 320 00:16:57,680 --> 00:17:01,760 Speaker 1: for up, motherfucker's getting it. Yeah, man, I still get 321 00:17:01,760 --> 00:17:05,040 Speaker 1: excited for even like Kanye and stuff like that, Like 322 00:17:05,040 --> 00:17:08,280 Speaker 1: like I don't wor people where like I could be excited. 323 00:17:08,320 --> 00:17:12,080 Speaker 1: I think that's why, you know, which is why with me, 324 00:17:12,119 --> 00:17:14,600 Speaker 1: I got to control my niceness. Yeah, you know, I 325 00:17:14,600 --> 00:17:17,760 Speaker 1: mean like I was in my crazy situation again, that's 326 00:17:17,800 --> 00:17:21,400 Speaker 1: funny because I was just about you still fun with Kanye, 327 00:17:21,440 --> 00:17:24,360 Speaker 1: even if you even after the classic incident you had 328 00:17:24,440 --> 00:17:26,720 Speaker 1: with Kanye body Guard. That joke was one of my 329 00:17:26,800 --> 00:17:29,720 Speaker 1: favorite little real jokes. They had to fire that dude 330 00:17:30,200 --> 00:17:33,160 Speaker 1: because he did it again. Hold up for the people 331 00:17:33,160 --> 00:17:37,760 Speaker 1: who don't know, just talking about hold up, that's the headline. 332 00:17:37,840 --> 00:17:42,520 Speaker 1: Let's talk about that ship. No, no, real, this podcast 333 00:17:42,520 --> 00:17:44,359 Speaker 1: ship right here. Really, this is the type of ship 334 00:17:44,400 --> 00:17:48,159 Speaker 1: that makes podcasts go finral for anything. He had to 335 00:17:48,200 --> 00:17:50,960 Speaker 1: have three more beat ups before they let that dude. 336 00:17:51,800 --> 00:17:55,080 Speaker 1: He got beat up. He should have been fast. No no, no, 337 00:17:55,080 --> 00:17:56,720 Speaker 1: no no. He gave trying to get three more people 338 00:17:56,760 --> 00:18:00,360 Speaker 1: to business. He was. He had an attitude from man, 339 00:18:00,840 --> 00:18:03,600 Speaker 1: you know, you gotta be a bodyguard attitude. You gotta 340 00:18:04,119 --> 00:18:07,320 Speaker 1: you gotta have some type of like patients like Kevin 341 00:18:07,359 --> 00:18:09,639 Speaker 1: Hard got the best bodyguards. I'm saying, anybody has to 342 00:18:09,680 --> 00:18:13,720 Speaker 1: be quite security. Its top notch. They're cool, you know, 343 00:18:13,800 --> 00:18:15,440 Speaker 1: but then you could tell them something happen. They're gonna 344 00:18:15,440 --> 00:18:21,679 Speaker 1: be breaking in. They don't around like to CIA agents. 345 00:18:21,720 --> 00:18:23,840 Speaker 1: You know what I'm saying, Like they bleed in, that's 346 00:18:23,880 --> 00:18:25,560 Speaker 1: what you want. They got the ship in their ear. 347 00:18:25,640 --> 00:18:28,600 Speaker 1: It ain't connected to nothing, but it's in their ear. Nigger. 348 00:18:28,680 --> 00:18:31,920 Speaker 1: I was at the BT Awards this weekend. Floyd Mayweather 349 00:18:32,000 --> 00:18:35,680 Speaker 1: bodyguard got a motherfucking bodyguard. I was like these niggas 350 00:18:35,720 --> 00:18:40,200 Speaker 1: got for the protection. It was a big nigga standing 351 00:18:40,240 --> 00:18:43,240 Speaker 1: to a little nigga. Next, I was like, that's his bodyguard. 352 00:18:43,320 --> 00:18:49,600 Speaker 1: God damn, there will be no breaches and that security. 353 00:18:50,080 --> 00:18:52,120 Speaker 1: That's what that's it. But you gotta do that stuff though. 354 00:18:52,160 --> 00:18:54,639 Speaker 1: Like that. Once again, it was one of those things 355 00:18:54,640 --> 00:18:56,800 Speaker 1: like and I never wanted to do that type of thing, 356 00:18:56,840 --> 00:18:58,600 Speaker 1: but you you know, I gotta have at least one 357 00:18:58,640 --> 00:19:00,800 Speaker 1: person with me, you know what I'm saying, Especially at 358 00:19:01,119 --> 00:19:03,280 Speaker 1: the career. I like, come on, man, I ain't got 359 00:19:03,359 --> 00:19:08,000 Speaker 1: to do that, right you flash ship on Instagram. Man, 360 00:19:08,040 --> 00:19:10,399 Speaker 1: you you got your own private plane. You'll be flying 361 00:19:10,440 --> 00:19:13,840 Speaker 1: private jets and ship. They're funny to private the private 362 00:19:13,920 --> 00:19:15,879 Speaker 1: jet pitches that everybody. But it was just but it 363 00:19:15,960 --> 00:19:18,800 Speaker 1: was just sitting there and they were just you wouldn't 364 00:19:18,800 --> 00:19:20,879 Speaker 1: he supposed to be on it? No? It was no, no, 365 00:19:20,960 --> 00:19:22,480 Speaker 1: it was pitching it to me. It was pitching it 366 00:19:22,720 --> 00:19:24,560 Speaker 1: like the guy was showing me and said, if you 367 00:19:24,560 --> 00:19:26,280 Speaker 1: haven't needed service, I was. I was actually getting the 368 00:19:26,280 --> 00:19:28,800 Speaker 1: water night from the Urban League and it was just 369 00:19:28,840 --> 00:19:31,159 Speaker 1: a jet there. They just you know how many they 370 00:19:31,200 --> 00:19:32,760 Speaker 1: told me what the jet does and how much it 371 00:19:32,760 --> 00:19:35,200 Speaker 1: would call and stuff like that. So I mean that 372 00:19:35,320 --> 00:19:38,240 Speaker 1: probably jet thing could come soon. I think. So that's 373 00:19:39,080 --> 00:19:41,239 Speaker 1: how much, just how much if I wanted to go 374 00:19:41,400 --> 00:19:43,840 Speaker 1: like just down the street. It depends on where you're 375 00:19:43,840 --> 00:19:47,240 Speaker 1: going down the street, like like like from Birmingham from Atlanta. 376 00:19:47,280 --> 00:19:49,080 Speaker 1: I ain't trying to go real far. I just don't 377 00:19:49,160 --> 00:19:54,159 Speaker 1: think about folk whole five hundred. If you cool, it 378 00:19:54,520 --> 00:19:59,000 Speaker 1: may be likely go all right, Nick, you might as 379 00:19:59,040 --> 00:20:02,439 Speaker 1: well drive money. I am a little real. Do me 380 00:20:02,480 --> 00:20:05,040 Speaker 1: a favor, man, shout out your social media, because you know, 381 00:20:05,080 --> 00:20:07,239 Speaker 1: we got a whole bunch of people who listen to 382 00:20:07,280 --> 00:20:10,960 Speaker 1: this ship, all who work in warehouses and draft trucks 383 00:20:11,000 --> 00:20:13,359 Speaker 1: over the road. We got all the girls who work 384 00:20:13,400 --> 00:20:15,960 Speaker 1: at the call center. Not the latest who nurses, but 385 00:20:16,000 --> 00:20:17,520 Speaker 1: you know the girls who get the pills out at 386 00:20:17,560 --> 00:20:21,359 Speaker 1: the hospital. They listened to this show, um whooping Goldberg 387 00:20:21,480 --> 00:20:24,480 Speaker 1: be catching every other episode, this ship going like we've 388 00:20:24,480 --> 00:20:26,800 Speaker 1: been we hood platinum. Really, So if you want to 389 00:20:26,800 --> 00:20:29,919 Speaker 1: give a couple of problems, gonna throw you out. I 390 00:20:30,000 --> 00:20:32,639 Speaker 1: know how popularly well. I had to call in, like, 391 00:20:33,119 --> 00:20:36,919 Speaker 1: first of all, I love I love your podcast, Thank you, 392 00:20:37,040 --> 00:20:38,919 Speaker 1: thank you very much. So I couldn't wait to do 393 00:20:38,960 --> 00:20:41,520 Speaker 1: this ship. So uh you can know. Follow the on 394 00:20:41,520 --> 00:20:44,679 Speaker 1: Instagram at Comedian A Little Real at Comedian l I 395 00:20:44,880 --> 00:20:48,159 Speaker 1: L R E L. I'm on Snapchat. I don't I 396 00:20:48,200 --> 00:20:50,800 Speaker 1: think on Comedian Little Real on Snapchat. I don't know. 397 00:20:50,840 --> 00:20:52,800 Speaker 1: I'm old like this is too. I got too many 398 00:20:52,800 --> 00:20:57,000 Speaker 1: things now, like you understand you yeah, man, this but 399 00:20:57,080 --> 00:20:59,080 Speaker 1: I can't go. If I ever long, I never get 400 00:20:59,119 --> 00:21:04,399 Speaker 1: back that ship. Funny because this little nigga sitting there 401 00:21:04,440 --> 00:21:06,439 Speaker 1: to me called me old because I was drinking a coke. Man. 402 00:21:06,480 --> 00:21:09,800 Speaker 1: We got this little nigga from the rescue thing. We're 403 00:21:09,800 --> 00:21:11,800 Speaker 1: trying to get his life any like, is there any 404 00:21:11,800 --> 00:21:14,640 Speaker 1: advice you would give to a young fifteen yeold African 405 00:21:14,680 --> 00:21:18,639 Speaker 1: boy who makes season DEDs anything. I'm just saying, like, 406 00:21:18,680 --> 00:21:21,000 Speaker 1: because we're really trying to get him around some positivity. 407 00:21:21,080 --> 00:21:23,920 Speaker 1: He thinks we broke to get it together though you 408 00:21:24,000 --> 00:21:28,000 Speaker 1: got it. I don't know right. He was one of 409 00:21:28,000 --> 00:21:30,119 Speaker 1: them scared straight niggas. He ain't in trouble yet, but 410 00:21:30,160 --> 00:21:33,120 Speaker 1: I believe he wanted to do some ship like this. 411 00:21:33,119 --> 00:21:35,280 Speaker 1: This is we're trying to keep that nigger from doing 412 00:21:35,320 --> 00:21:37,840 Speaker 1: this ship like like if our help don't help, this 413 00:21:37,920 --> 00:21:41,960 Speaker 1: nigga is gonna be out there, nigga. Nigga hands and 414 00:21:42,000 --> 00:21:45,159 Speaker 1: ship big. I don't trust him. Then nobody asked if 415 00:21:45,200 --> 00:21:47,600 Speaker 1: the little nigga still or nothing. I don't put my 416 00:21:47,680 --> 00:21:51,600 Speaker 1: ship in the car. I don't know the nigga might 417 00:21:51,640 --> 00:21:53,600 Speaker 1: be grown. I don't ain't nobody to ask him a 418 00:21:53,800 --> 00:21:58,119 Speaker 1: lunch card or nothing. He disrespectful that they had to 419 00:21:58,119 --> 00:22:00,240 Speaker 1: tell him to quit custom. They called everybody else here 420 00:22:00,240 --> 00:22:05,840 Speaker 1: a bit. I wanted to hit the little nigger. He said. 421 00:22:05,840 --> 00:22:12,119 Speaker 1: He gonna cat Williams me, ain't that ship crazy? Shoot 422 00:22:12,160 --> 00:22:15,440 Speaker 1: the ship out this little I'm trying to save him, though. 423 00:22:16,359 --> 00:22:19,560 Speaker 1: You know what's funny. Before I get to my incident, 424 00:22:19,560 --> 00:22:22,800 Speaker 1: I checked like three days before, and then they put 425 00:22:22,840 --> 00:22:25,080 Speaker 1: the He put that right then they can put the 426 00:22:25,200 --> 00:22:27,760 Speaker 1: roots on you. Man. I was supposed to pray right 427 00:22:27,840 --> 00:22:31,840 Speaker 1: after that. I ain't do it, But I said the 428 00:22:31,880 --> 00:22:33,800 Speaker 1: cat wins. He was when I saw him at who 429 00:22:33,840 --> 00:22:36,560 Speaker 1: was at a Sparks game, l a Sparks game whatever. 430 00:22:36,720 --> 00:22:39,600 Speaker 1: And I love women's about nigga. That is something nobody 431 00:22:39,640 --> 00:22:42,840 Speaker 1: knew about a little rel You love women's basketball because 432 00:22:42,840 --> 00:22:47,160 Speaker 1: I love basketball, just basket whoever playing whoever. I think 433 00:22:47,200 --> 00:22:50,000 Speaker 1: it's just like a good game I watched. I was 434 00:22:50,119 --> 00:22:53,440 Speaker 1: about eight old white men play. If if that's all 435 00:22:53,720 --> 00:22:56,800 Speaker 1: that's all I can see on the basketball. Oh man, 436 00:22:57,680 --> 00:23:01,280 Speaker 1: I saw one woman's basketball game and she missed the dunk, 437 00:23:01,359 --> 00:23:04,280 Speaker 1: and I never saw no more woman basketball. Hey, since 438 00:23:04,320 --> 00:23:06,320 Speaker 1: you're such a big basketball fan, how you feel about 439 00:23:06,400 --> 00:23:10,119 Speaker 1: d Rods leaving Chicago? I know that's your team, Yeah, 440 00:23:09,359 --> 00:23:12,919 Speaker 1: it's it's it's heartbreaking. But at the same time, as 441 00:23:12,960 --> 00:23:16,359 Speaker 1: a d Roles fan, and you know, I love his family. 442 00:23:16,359 --> 00:23:18,720 Speaker 1: They're good people. He needed to change the scenity and 443 00:23:18,880 --> 00:23:20,760 Speaker 1: go to what people gonna appreciate. You man, you know 444 00:23:20,760 --> 00:23:23,080 Speaker 1: what I'm saying. You ain't appreciate that the crib man, 445 00:23:23,080 --> 00:23:26,480 Speaker 1: get out. That's what it is, right, you go, it's 446 00:23:26,480 --> 00:23:28,639 Speaker 1: gonna be sad when you started bawling up, that's what's 447 00:23:28,680 --> 00:23:33,080 Speaker 1: gonna be sad. Yeah, man, y'all got butt. Let I mean, 448 00:23:33,280 --> 00:23:35,960 Speaker 1: but they're trying to they're trying to train him. Are 449 00:23:36,040 --> 00:23:41,040 Speaker 1: they don't still get me? Thought about that? Yeah, I'm 450 00:23:41,160 --> 00:23:44,280 Speaker 1: very passionate about that. Like I don't like Fred Hooiberg, 451 00:23:44,440 --> 00:23:48,720 Speaker 1: you know I don't. Hey, man, that's all right, rare 452 00:23:48,760 --> 00:23:50,960 Speaker 1: you feel about a team, man, funk all that ship. Man, 453 00:23:51,760 --> 00:23:54,520 Speaker 1: that's my dream. I ain't gonna at least get a 454 00:23:54,560 --> 00:23:58,880 Speaker 1: piece I let you get. You'll never get the piece 455 00:23:58,920 --> 00:24:00,600 Speaker 1: of bulls. They would let my get a piece of 456 00:24:00,600 --> 00:24:06,960 Speaker 1: the bulls. Ain't just a little black media stature front 457 00:24:06,960 --> 00:24:10,520 Speaker 1: of the place. Yeah, that's a good guy. Damn point man. 458 00:24:10,840 --> 00:24:12,640 Speaker 1: We're gonna put it, man. I ain't gonna ain't gonna 459 00:24:12,640 --> 00:24:14,560 Speaker 1: putt nothing pass none of us, man, because I know 460 00:24:14,600 --> 00:24:15,879 Speaker 1: I can get some of the Hawks. I can go 461 00:24:15,920 --> 00:24:18,320 Speaker 1: get some of the Hawks right now for like three 462 00:24:18,400 --> 00:24:21,320 Speaker 1: fifty and like some cupas to Chick fil A, like 463 00:24:21,440 --> 00:24:24,520 Speaker 1: the Hawks is like that ship is cheap. That's that's 464 00:24:24,560 --> 00:24:26,560 Speaker 1: what I would buy. Like I would go and try 465 00:24:26,560 --> 00:24:29,080 Speaker 1: to get the Hawks like that would be. You know, 466 00:24:29,840 --> 00:24:32,600 Speaker 1: come on, man, let's get up together. Hey man, Chicago 467 00:24:32,720 --> 00:24:35,160 Speaker 1: one of my favorite cities in America. Man, y'all got 468 00:24:35,200 --> 00:24:39,480 Speaker 1: some of the funniest fucking crackheads I ever seen. But 469 00:24:39,600 --> 00:24:42,000 Speaker 1: little real, no bullshit, nigga. I was on seven and 470 00:24:42,080 --> 00:24:45,280 Speaker 1: Knife and what hosted one time. I believe it's what 471 00:24:45,320 --> 00:24:47,520 Speaker 1: it was. This motherfucking crackhead tried to send me a 472 00:24:47,560 --> 00:24:49,560 Speaker 1: whole bunch of screw drivers. My nigger. It was. They 473 00:24:49,560 --> 00:24:51,159 Speaker 1: were still in the box. But it was like forty 474 00:24:51,280 --> 00:24:59,760 Speaker 1: goddamn screw drivers. Man. Wow, electric electric tooth brush. Man, 475 00:25:00,359 --> 00:25:03,080 Speaker 1: I'm not buying the electric two brush from the homeless person. 476 00:25:03,960 --> 00:25:05,760 Speaker 1: But didn't have it, but it covered up. It was 477 00:25:05,800 --> 00:25:07,720 Speaker 1: in the plastic, but he had touched it. I mean 478 00:25:07,760 --> 00:25:15,800 Speaker 1: the germs. The germs was only plastic. My Nina, Hey real, 479 00:25:15,880 --> 00:25:18,640 Speaker 1: I damn. I'll appreciate you calling in, man and just 480 00:25:18,720 --> 00:25:20,320 Speaker 1: you know what, you can call in and fun with 481 00:25:20,400 --> 00:25:22,359 Speaker 1: us whenever you want to. Man, anytime you've got some 482 00:25:22,359 --> 00:25:25,360 Speaker 1: ship to promote, you come into the city. You got 483 00:25:25,359 --> 00:25:29,800 Speaker 1: any tour dates you want to drop? Uh yeah, I do, actually, man, 484 00:25:30,200 --> 00:25:33,800 Speaker 1: so irrespossible, But I would say that is that, uh 485 00:25:34,320 --> 00:25:35,919 Speaker 1: you know, just catch me in your city. I'll be 486 00:25:35,920 --> 00:25:38,080 Speaker 1: a Caroline in August, I believe the first we can 487 00:25:38,119 --> 00:25:41,000 Speaker 1: all the cairlines or and then I'll be at the 488 00:25:41,000 --> 00:25:44,639 Speaker 1: Montreal Comedy Festival in a few weeks hosting about the 489 00:25:44,720 --> 00:25:48,280 Speaker 1: shows and I'm excited about that. And then um also 490 00:25:48,359 --> 00:25:50,680 Speaker 1: really quick, I gotta show U. MTV called get Out 491 00:25:51,600 --> 00:25:55,040 Speaker 1: Shoot act Out. See, I got too much. Everything's too much. 492 00:25:55,040 --> 00:25:58,120 Speaker 1: Suff We're out at the end of it. But I'm 493 00:25:58,160 --> 00:26:00,520 Speaker 1: hosting the new show MTV called Acting Out is their 494 00:26:00,520 --> 00:26:04,040 Speaker 1: first stand up series where uh, the stand ups are 495 00:26:04,040 --> 00:26:06,440 Speaker 1: doing anything that their jokes will be acting out of 496 00:26:06,480 --> 00:26:09,399 Speaker 1: sketch form. So it's real dope. We just finished shoot 497 00:26:09,400 --> 00:26:12,520 Speaker 1: ten episodes of that really exist for my kids, and 498 00:26:12,600 --> 00:26:14,760 Speaker 1: one of these sketches where they played themselves and hey man, 499 00:26:14,800 --> 00:26:16,760 Speaker 1: your kids funny is hell. I'll be seeing them on 500 00:26:16,800 --> 00:26:20,080 Speaker 1: Instagram and ship they so they so my son, he's 501 00:26:20,119 --> 00:26:22,919 Speaker 1: such a He's a natural. Though. Man. It's almost scary 502 00:26:23,040 --> 00:26:25,520 Speaker 1: light because I knew I think he was doing so well. 503 00:26:25,520 --> 00:26:26,960 Speaker 1: They're like, oh my god, he should be a more 504 00:26:27,240 --> 00:26:29,399 Speaker 1: like I'm not not. I want him to be a 505 00:26:29,480 --> 00:26:31,280 Speaker 1: kid for a little while, longer than you know, it's business. 506 00:26:31,320 --> 00:26:33,320 Speaker 1: Could just stuck these kids in and spit them out. 507 00:26:34,400 --> 00:26:38,000 Speaker 1: I want my babysit to do theirselves for kids. Hey man, 508 00:26:38,080 --> 00:26:40,240 Speaker 1: I got much respect for that. Salute to all the 509 00:26:40,280 --> 00:26:44,000 Speaker 1: real fathers across the world doing that ship. Man making 510 00:26:44,040 --> 00:26:47,760 Speaker 1: that ship, making that ship. Daddy life is where is 511 00:26:47,800 --> 00:26:50,919 Speaker 1: that man? Keeps she balanced? I love being a father, bro. 512 00:26:51,320 --> 00:26:54,120 Speaker 1: Hell yeah, man, you can't turn that ship off. That's 513 00:26:54,119 --> 00:26:57,240 Speaker 1: why I'm trying to help Abraham, trying to help this 514 00:26:57,320 --> 00:27:01,600 Speaker 1: nigger stay up. The streets. It's his name. I didn't 515 00:27:01,640 --> 00:27:08,480 Speaker 1: name him. I didn't name him. Yeah, man Abraham with 516 00:27:08,520 --> 00:27:15,040 Speaker 1: the seeds. Man, that's what I'm saying. He's not living 517 00:27:15,160 --> 00:27:19,560 Speaker 1: up to the name. And the name got three full 518 00:27:19,600 --> 00:27:21,680 Speaker 1: as in and he can't even get three full a's 519 00:27:21,800 --> 00:27:26,919 Speaker 1: that ship crazy? No, Man, he's a good he's a 520 00:27:26,920 --> 00:27:34,680 Speaker 1: good kid, I think. Aham, Yeah, he's a good kid. Man. 521 00:27:34,720 --> 00:27:38,080 Speaker 1: He's a cool little dude. Man. We're gonna help him out. Man, Hey, 522 00:27:38,240 --> 00:27:40,760 Speaker 1: my nigga, real appreciate you for calling in. This is 523 00:27:40,800 --> 00:27:44,119 Speaker 1: the eighty five South Show. This is a podcast for 524 00:27:44,240 --> 00:27:46,840 Speaker 1: girls who got two baby daddies and they all cool. 525 00:27:46,880 --> 00:27:48,760 Speaker 1: They just sit around and smoking blood and watch the 526 00:27:48,840 --> 00:27:51,119 Speaker 1: kids play. That's the type of that's the type of 527 00:27:51,119 --> 00:27:53,680 Speaker 1: people that we reached with this show right here, A 528 00:27:53,720 --> 00:27:56,280 Speaker 1: little real, This is the eighty five South Show. This 529 00:27:56,359 --> 00:27:59,920 Speaker 1: is a podcast for a bit with a ninety nine being. 530 00:28:00,320 --> 00:28:02,200 Speaker 1: But you can't tell it that bitch ain't brand new. 531 00:28:02,240 --> 00:28:05,879 Speaker 1: I'm telling you, dog, This podcast right here is for 532 00:28:05,920 --> 00:28:09,040 Speaker 1: the women who went natural but they still perm their edges. 533 00:28:09,200 --> 00:28:16,359 Speaker 1: That's who we're talking to on the eighty five South Show. Bro, 534 00:28:16,480 --> 00:28:18,320 Speaker 1: you don't know who listened to that what I'm talking 535 00:28:18,359 --> 00:28:20,800 Speaker 1: to All the bad bitches who don't never wash dishes 536 00:28:20,840 --> 00:28:24,000 Speaker 1: until they all get dirty. Then that's who we're talking to. Real, 537 00:28:24,400 --> 00:28:26,439 Speaker 1: talking about bitches who got three or four to go 538 00:28:26,600 --> 00:28:36,200 Speaker 1: boxes and the refrigerator right now, man, I got like 539 00:28:37,320 --> 00:28:39,959 Speaker 1: the club. Real, I'm talking to all the niggas who 540 00:28:40,040 --> 00:28:42,040 Speaker 1: go by air force once from the fleet market. We 541 00:28:42,160 --> 00:28:44,480 Speaker 1: them bitches twice and just throw them into garbage. That's 542 00:28:44,480 --> 00:28:51,280 Speaker 1: who we talked to on the eighty five. Yeah, rich Nick, 543 00:28:51,360 --> 00:28:53,360 Speaker 1: we're talking to rich Broke niggers man. We're talking to 544 00:28:53,440 --> 00:28:55,800 Speaker 1: niggas who go to the coachman about two dime bags 545 00:28:55,800 --> 00:29:02,239 Speaker 1: and just hang out for an hour talking to a 546 00:29:02,240 --> 00:29:04,640 Speaker 1: little man. This day the five South Show, we're talking 547 00:29:04,680 --> 00:29:07,040 Speaker 1: to all the real women who smell, they pushed before 548 00:29:07,040 --> 00:29:16,120 Speaker 1: they give you something. That's who we're talking to you. No, no, 549 00:29:16,360 --> 00:29:18,520 Speaker 1: she don't sneaked to the bathroom and you know, white 550 00:29:18,520 --> 00:29:20,840 Speaker 1: pulls up with a stock real quick, well your sock going. 551 00:29:22,200 --> 00:29:24,120 Speaker 1: She didn't want to ask for a town and sneaking 552 00:29:24,320 --> 00:29:26,080 Speaker 1: pulls up with a sock. I don't know why she 553 00:29:26,080 --> 00:29:28,320 Speaker 1: could have took a whole shower, but whatever. This day 554 00:29:28,360 --> 00:29:31,120 Speaker 1: the Five South Show, nobody has left out a little real. 555 00:29:31,800 --> 00:29:39,760 Speaker 1: Oh god, that woman like that, bro, if she don't 556 00:29:39,800 --> 00:29:42,200 Speaker 1: give a if the busses things before you get it. 557 00:29:42,520 --> 00:29:48,960 Speaker 1: She she's awful. Hey man, you came up in the world. 558 00:29:49,160 --> 00:29:51,640 Speaker 1: What what are those Hollywood girls like? A little real? 559 00:29:51,800 --> 00:29:54,360 Speaker 1: Not that I don't know. I'm just asking you. Well, 560 00:29:54,400 --> 00:29:57,000 Speaker 1: I'm gonna say this. I don't they slanky. I say 561 00:29:57,040 --> 00:30:02,120 Speaker 1: that I've ever met bro l a want of the 562 00:30:02,160 --> 00:30:04,480 Speaker 1: realest places ever. I was in l A one time, 563 00:30:05,040 --> 00:30:06,800 Speaker 1: the ship out. This girl. She looked at me and said, 564 00:30:06,800 --> 00:30:08,960 Speaker 1: you want me to call you a uber? I was like, bitch, 565 00:30:09,080 --> 00:30:11,640 Speaker 1: this ain't uber type. Dick. You're gonna drive me back 566 00:30:11,640 --> 00:30:14,680 Speaker 1: to my hotel? The fund is wrong with you? Yes, 567 00:30:14,760 --> 00:30:16,560 Speaker 1: she's talking about you want me to pay for your 568 00:30:16,920 --> 00:30:20,280 Speaker 1: no bitch ship at you you're driving me. I don't 569 00:30:20,320 --> 00:30:22,440 Speaker 1: give a funk if you lose your pocket spot, you're 570 00:30:22,480 --> 00:30:26,000 Speaker 1: about to drop me off? Fun You talking about that 571 00:30:26,320 --> 00:30:29,520 Speaker 1: l A ship different? Man, No, she had to drop 572 00:30:29,520 --> 00:30:31,600 Speaker 1: me off. Man, I'm not bro. She's not about to 573 00:30:31,680 --> 00:30:34,760 Speaker 1: disrespect me like that breast two thousand six teams. What 574 00:30:34,800 --> 00:30:43,680 Speaker 1: if she drove? I don't give a fuck whatever, YEA 575 00:30:44,440 --> 00:30:47,360 Speaker 1: A women different. I don't Dick. I'm vegan. This just 576 00:30:47,440 --> 00:30:54,160 Speaker 1: Dick gluten free talking about sid a little stupid. Hey, man, 577 00:30:54,200 --> 00:30:55,920 Speaker 1: you watch the b till one this last it. I'm 578 00:30:55,920 --> 00:30:58,240 Speaker 1: gonna ask you, man, I got yeah because they're looking 579 00:30:58,280 --> 00:31:00,880 Speaker 1: like yeah, I figured you had ship to do. But man, ship, 580 00:31:01,400 --> 00:31:03,440 Speaker 1: let me ask you about the bet at wards right right? 581 00:31:03,520 --> 00:31:06,560 Speaker 1: You in this motherfucker? So what Me and Gerard car 582 00:31:06,640 --> 00:31:09,040 Speaker 1: Michael watched it over the phone talking to He's doing 583 00:31:09,080 --> 00:31:13,280 Speaker 1: a new Transformers movie. Crazy nigger. They got a black trend. 584 00:31:13,360 --> 00:31:16,600 Speaker 1: Hold up, wait, they got a black Transformer. Now we're 585 00:31:16,600 --> 00:31:19,320 Speaker 1: inside fiction now. But no, he I think he's gonna 586 00:31:19,320 --> 00:31:22,760 Speaker 1: be like, what was Damn I was? I was hoping 587 00:31:22,760 --> 00:31:24,880 Speaker 1: you beout to this nig is a ninety six in 588 00:31:25,040 --> 00:31:29,800 Speaker 1: Paula damn mother. I thought we had then made it 589 00:31:30,280 --> 00:31:34,400 Speaker 1: into this nigga turned into her something. The motherfucker's with 590 00:31:34,560 --> 00:31:45,600 Speaker 1: twenty twos on the Niger For the nonbelievers. Shout out 591 00:31:45,680 --> 00:31:47,640 Speaker 1: to my dog, Gerd car Michael, Shout out to the 592 00:31:47,680 --> 00:31:50,120 Speaker 1: whole cash of the car Michael, show little real. Next 593 00:31:50,200 --> 00:31:52,400 Speaker 1: time you and Atlanta come to the studio and do 594 00:31:52,520 --> 00:31:55,680 Speaker 1: this ship lab was my nigga? You hit me? Come 595 00:31:55,760 --> 00:31:58,240 Speaker 1: hang out, man, like this. It's a real studio. It's nice. 596 00:31:59,200 --> 00:32:01,640 Speaker 1: I know, I saw it looks it looks. I mean, 597 00:32:01,720 --> 00:32:05,120 Speaker 1: I want it's not it's not it's not ours. It ain't. 598 00:32:05,680 --> 00:32:10,760 Speaker 1: We ain't got nothing, no, hey man, as long as 599 00:32:10,840 --> 00:32:12,480 Speaker 1: we cleaned it up real good. Don't know about to 600 00:32:12,520 --> 00:32:15,200 Speaker 1: say ship, bro, It's like you know what I'm saying. 601 00:32:15,840 --> 00:32:17,840 Speaker 1: It's to wash your hands where you open the door. 602 00:32:17,960 --> 00:32:21,000 Speaker 1: But everything. Yeah, man, it's cool. Don't leave no paper 603 00:32:21,080 --> 00:32:23,000 Speaker 1: out here. It's all we're saying, like we gotta it's 604 00:32:23,040 --> 00:32:25,040 Speaker 1: gotta be clean. Like you know, we take a picture 605 00:32:25,040 --> 00:32:32,080 Speaker 1: of the ship when we come here, just like it. Hey, yeah, man, 606 00:32:32,320 --> 00:32:34,320 Speaker 1: this the eight Fast South. She appreciate your calling me 607 00:32:34,400 --> 00:32:36,320 Speaker 1: a little real. You've ever got our support. You wanted 608 00:32:36,360 --> 00:32:39,640 Speaker 1: the realist niggas out here with my nigga. I appreciate that. 609 00:32:40,080 --> 00:32:41,480 Speaker 1: A right, my nigga, We're gonna kick you on the 610 00:32:41,800 --> 00:32:50,160 Speaker 1: other side. Bright bro. Oh that was dope man again. 611 00:32:50,200 --> 00:33:00,440 Speaker 1: I'm sorry. I'm you know, Matt, what's up, BROI fod 612 00:33:00,680 --> 00:33:00,720 Speaker 1: ho