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Speaker 1: I listened to The Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen are hot.

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Speaker 2: It breaks it down to the bone gristle. I'll speaking

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Speaker 2: scud missile, heat seeking, Johnny Blaze in nightmares like Wes Craven,

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Speaker 2: Nigga's gunning my third. I've seen it coming before it happened.

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Speaker 2: You know about them fucking stagging kids, They smashing everything

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Speaker 2: in any shape form of fashion. Now everybody talking about

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Speaker 2: they blasted. If your bust is Steller, is you flashing hmmm?

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Speaker 2: Talking out your ass whole? You should have learned about

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Speaker 2: the flow. Pzf ro to KLi and Stallion cheeky eye

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Speaker 2: snop nos. Hey, welcome to The Black Guy Who Tips podcasts.

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Speaker 2: Your host Rod and Karen, and we're in the house

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Speaker 2: on a Sunday getting the week started. Yes we are

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Speaker 2: ten thirty, got a little late start, but it's just

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Speaker 2: me and Karen, so you know, hopefully you got to

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Speaker 2: hang out in the chat room.

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Speaker 3: And listening to some old jams and have fun.

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Speaker 2: Oh yeah, I've been having fun this morning, so hopefully

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Speaker 2: y'all can join in it. All right, this is You

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Speaker 2: can find a show on iTunes the stitcher to search

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Speaker 2: The Black Guy Who tips. Leave us a five star view,

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Speaker 2: we'll read it on the show on Saturday. Leave us

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Speaker 2: a five star review for Christmas. Shall Okay, that's all

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Speaker 2: we want from you for the holidays.

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Speaker 3: Yes, yes, even if you don't believe in it right.

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Speaker 4: And also for those of you that wants to receive

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Speaker 4: a card from us, if you email us your Melanie address,

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Speaker 4: we'll actually send you a card for Christmas.

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Speaker 1: Mm hmmmm, So.

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Speaker 3: Make sure you guys do that.

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Speaker 2: And the email address is the Blackout Tips at gmail

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Speaker 2: dot com. And what else do I have to say?

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Speaker 2: Also the blackout Tips dot com. Go there, click on

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Speaker 2: things like stuff, become a premium listener. Like I said,

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Speaker 2: if you have any issues with that, email me the

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Speaker 2: black Out Tips at gmail dot com.

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Speaker 3: Very simple stuff.

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Speaker 2: Also, today's show UH is as always filled with the

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Speaker 2: official weapon, which is the Sport and Bulletball Extreme And

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Speaker 2: today's podcast is brought to you by Shadow Dog Productions.

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Speaker 2: We have an album out called Modern Relics, which is complete,

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Speaker 2: a complete album long audio play about three teenagers who

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Speaker 2: We appreciate everybody takes the time out to do that.

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Speaker 6: Let's don't go.

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Speaker 7: Man, find you the past. Pretty girls don't dance duff.

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Speaker 8: Team fast talk, pretty girl, don't guess tuck.

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Speaker 3: All right, let's talk about things, guys.

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Speaker 1: Let's talk about things.

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Speaker 2: To go see a black movie last night, and I'm

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Speaker 2: not talking about Exodus, No, I mean I do want

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Speaker 2: to kind of go see Exodus, but black people have

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Speaker 2: talked me out of it with that hypocrisy. Oh, y'all

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Speaker 2: want Exodus to have black people in it? You want

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Speaker 2: to Buyble to have all the black people in it? Oh,

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Speaker 2: which guess what, you don't want it to be directed

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Speaker 2: by Tyler Perry.

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Speaker 3: You fucking hipocrites, terrible, terrible people.

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Speaker 2: Anyway, we wanted to go see Top five, Yes, and

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Speaker 2: it was fun.

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Speaker 1: It was. It was a lot of fun.

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Speaker 4: Yeah, because in that version Media would be part in

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Speaker 4: the water, which she fired on some shit, no thank you.

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Speaker 2: And if you did see the trailer and you got

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Speaker 2: to get while this would be that funny. It's rated

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Speaker 2: R and it's one of the few rated art comedies

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Speaker 2: that you know, did a good job with the trailer.

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Speaker 3: They have to leave all the funny shit.

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Speaker 2: Out correct, correct, but it's but it is really fucking good.

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Speaker 2: It's definitely, in my opinion, pro Chris Rock's best movie

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Speaker 2: starring him.

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Speaker 4: Yes, because he has some faces where I was like, yes,

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Speaker 4: that was funny.

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Speaker 2: I think it's worked because he got to play himself.

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Speaker 2: He didn't have to act at all, not at all.

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Speaker 2: But he didn't have to be like some other.

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Speaker 3: Character.

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Speaker 2: He's not like Chris Rock. The accountant. He's you know,

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Speaker 2: Andre Allen, big time comedian. You know, uh so he

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Speaker 2: you know he man.

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Speaker 3: He killed it. You guys should all go check it out.

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Speaker 2: And the reason it's called top five is because they

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Speaker 2: talked throughout the show about throughout the movie about you know,

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Speaker 2: who's the top five.

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Speaker 3: Rappers?

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Speaker 2: You know, who's in your top five rappers? And everybody

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Speaker 2: kind of gives theirs, and you know, you get to

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Speaker 2: see like different people's, you know.

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Speaker 3: Top five.

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Speaker 2: And when I got out Man the Theodore, I was thinking, like,

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Speaker 2: oh yeah, I would like to know tell my top five.

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Speaker 3: I thought about it.

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Speaker 2: I was like, wait a minute, something bigger here, and

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Speaker 2: I just started on kind of a whim this morning.

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Speaker 2: Who's in your bottom five? Who's in your bottom five rappers?

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Speaker 2: I just said it because I was thinking about it.

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Speaker 2: I said, man, fuck the top five. Everybody does that

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Speaker 2: and you can never agree Nope, but the bottom five

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Speaker 2: it's taking off like hotcakes.

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Speaker 4: Can right, everybody has I can give you mine. Mine

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Speaker 4: is silk to shackle. He's ilk, he's terrible, and he's

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Speaker 4: off beat. I don't know what he is, but his

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Speaker 4: beat is different than the beat. This acting on the

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Speaker 4: record all the time. So he's like, though white people

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Speaker 4: clapping that truck. She's always the middlesecond off where you're like,

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Speaker 4: come on, get on beat.

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Speaker 3: Let's hear some silk the shaka. This is miss my

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Speaker 3: homies want to play this. Wait silk the shaka has

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Speaker 3: a best of silk the shaka. Oh ship, I didn't

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Speaker 3: know that. Why would you do this Spotify? It didn't

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Speaker 3: make sense.

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Speaker 4: No, it doesn't because it's no best. They're all bad

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Speaker 4: of silk the shaka.

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Speaker 3: Yeah, anyway, here's uh, let me play this.

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Speaker 7: Really half my fault crazy.

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Speaker 3: It ain't my fault.

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Speaker 6: It ain't my fault made bob Boa.

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Speaker 3: Then I do that.

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Speaker 1: That's not my meeting.

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Speaker 2: Potatoes come from my difficult day when I do my No,

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Speaker 2: I don't put the bread and don't come back.

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Speaker 3: Man, I'm hey, go chat, check up the painting. Nothing

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Speaker 3: up till I'm ana say it, like start happing, damn

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Speaker 3: nigga about gonna do how to gonna ruin my dad?

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Speaker 7: Nine nigga bi crying up and then come on away?

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Speaker 1: What am I fight?

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Speaker 4: Cha? You left?

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Speaker 7: I make them fight.

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Speaker 3: It's hardest trip for presous want my tack.

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Speaker 2: I'm straight as I'm surprised Misgol didn't make anybody's listen

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Speaker 2: just because the style was kind of unorthodox.

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Speaker 3: But let me get your silk go my paket finished.

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Speaker 7: Tell you I'm going to war.

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Speaker 9: He bob, I do that.

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Speaker 10: He made bomb po, Then I do that, made Bob pol.

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Speaker 3: Then I do that, then start it.

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Speaker 1: Can't finish.

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Speaker 6: Tell you I'm going to war.

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Speaker 3: You know you can't win it. Wenna make that money?

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Speaker 3: No kay my old kimmick the pat Kimi on my

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Speaker 3: fake I'm gold limit.

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Speaker 1: I don't know where to be probably probably right, but

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Speaker 1: every problem let's make one sixteen to one thirty two.

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Speaker 1: I don't know what a beat is. You can't follow.

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Speaker 6: To test.

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Speaker 1: It ain't his pot y'all.

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Speaker 3: Oh my god, he's the words.

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Speaker 4: Right because he's like he speed up, he slowed down.

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Speaker 4: It's like where is the you know how a lot

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Speaker 4: of times you go okay, one to one to a

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Speaker 4: one two three four one two three four one through

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Speaker 4: four like like cause you know, because I play in

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Speaker 4: the band, so you have to have like a beat

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Speaker 4: that you're trying to follow, even when you're doing your sixteenth.

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Speaker 1: It's no beat pattern.

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Speaker 4: He's just fuck it, I'm he said, go and he

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Speaker 4: just went and there, you know, I think he goes

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Speaker 4: in there with no music he got to.

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Speaker 2: I feel like they just don't they like we'll add

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Speaker 2: the music in later, because it's just tripping you up right.

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Speaker 3: It's not helping to add.

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Speaker 1: The music, right, it's just fucking your real bad. Well.

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Speaker 1: That's that's one. The other one is Crazy Loupe. I

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Speaker 1: love Lupe.

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Speaker 4: When Lupe was saying with you know, kick push, you

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Speaker 4: know and all that ship, but when Lupe got crazy,

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Speaker 4: so that means his more recent music.

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Speaker 3: All right, let me find some Loope.

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Speaker 10: M h uh.

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Speaker 3: Uh yeah. I feel like he definitely fell off right

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Speaker 3: on his newest ship.

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Speaker 2: It's weird because some of this ship is very popular

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Speaker 2: on Twitter, I mean on Spotify, like battle Scars, and

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Speaker 2: I think Battlescars is like one of the worst songs

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Speaker 2: I ever heard because it got that whack Corse.

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Speaker 3: Hells, but it never does. That's because you went with

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Speaker 3: ever gone away, never got a change.

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Speaker 7: Never let a roone ruin me.

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Speaker 1: But I feel like ruins wooing me.

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Speaker 11: Hero Holse that never closed from you been on a

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Speaker 11: shooting spree, feeling stupid because I know it ain't no

223
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Speaker 11: you and men. But when you're trying to beat the

224
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Speaker 11: odds up and trying to keep your dogs something you

225
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Speaker 11: know that you should know and let it go. But

226
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Speaker 11: the ferity, the love of song sends you back into

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Speaker 11: the soul.

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Speaker 2: Yeah, it's it's almost like you have to listen to

229
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Speaker 2: the old ship that he used to do to understand.

230
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Speaker 1: Why that's not right, that's not his best shit.

231
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Speaker 4: Yeah, like he's oh, it's it's no feeling like, uh

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Speaker 4: what it's little soldiers, like that's all right there, little weapons.

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Speaker 1: I'm sorry.

234
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Speaker 4: Where he basically rapped out children that are weapons. It's

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Speaker 4: one of those things where you almost could feel him

236
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Speaker 4: rapping and but now there's no feeling.

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Speaker 1: That's like he's doing it.

238
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Speaker 3: I used to just put more.

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Speaker 2: You can also tell you he's to put more into

240
00:12:59,080 --> 00:13:01,480
Speaker 2: the bar, like he's a very simple bar for him,

241
00:13:01,520 --> 00:13:08,240
Speaker 2: like here's American terrorist. Let me so, I'm gonna skip

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Speaker 2: to the part where he's rapping because you can just

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Speaker 2: hear him rapping more.

244
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Speaker 1: Civilians and their children. This is specialty home camouflage.

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Speaker 11: Talking to Bibles and Glover and just cabas, the books

246
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Speaker 11: that take you that have.

247
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Speaker 6: Been there that you need them, them have becoming into for.

248
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Speaker 9: Taking reasons for more, ben rereading with blind eyes.

249
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Speaker 1: I can't retee you this. Morm ben Rich must be

250
00:13:26,960 --> 00:13:30,680
Speaker 1: blind because they ain't seen them. Ye, Ni can opening

251
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Speaker 1: up a park?

252
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Speaker 3: Just close test schools?

253
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Speaker 6: We don't need them.

254
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Speaker 12: Can you please call the fly your party?

255
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Speaker 1: Dick damn here and watch him for Freedom Murder. He's

256
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Speaker 1: on the teacher.

257
00:13:41,600 --> 00:13:43,760
Speaker 3: It's like there's so much in those bars you can

258
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Speaker 3: barely keep up with talking about.

259
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Speaker 1: You would have to listen.

260
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Speaker 2: Lily and the other joint, He's like he slowed down.

261
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Speaker 2: Who else you got care?

262
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Speaker 1: I got?

263
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Speaker 2: Uh?

264
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Speaker 1: Jacob?

265
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Speaker 4: I don't like Jacob, all right, I'm not gonna do

266
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Speaker 4: that to Jacob, okay, but so you can pick anything

267
00:13:58,480 --> 00:14:01,160
Speaker 4: I know? And Crazy Lauren Hill.

268
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Speaker 3: Oh my god, crazy Lawn Hill.

269
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Speaker 4: And I'm specifically saying crazy because it's like, prior to that,

270
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Speaker 4: I love that ship, but once they got on that

271
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Speaker 4: crazy ship, the ship was just terrible.

272
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Speaker 13: Yeah.

273
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Speaker 2: I don't even know which song of hers to play

274
00:14:15,600 --> 00:14:18,160
Speaker 2: because I didn't listen to her crazy ship as much

275
00:14:18,320 --> 00:14:19,760
Speaker 2: as as much as her real ship.

276
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Speaker 3: What else you got is that?

277
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Speaker 4: It?

278
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Speaker 14: Uh?

279
00:14:23,360 --> 00:14:23,880
Speaker 1: And Iggy?

280
00:14:24,640 --> 00:14:26,640
Speaker 3: Oh yeah, how you do that?

281
00:14:27,120 --> 00:14:27,320
Speaker 2: Yeah?

282
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Speaker 1: Now her beats go hard, but she can't rap.

283
00:14:31,040 --> 00:14:36,480
Speaker 3: But it's obvious. I mean fancy, I like her beast, but.

284
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Speaker 4: She can't rap.

285
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Speaker 1: First things, just letting the whole world. And I'm still

286
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Speaker 1: letting the murder.

287
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Speaker 15: Bennis liked even listen to physics, right. You want a

288
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Speaker 15: bad dish like this, no one pick it up, just

289
00:14:54,000 --> 00:14:57,560
Speaker 15: like this couple a ghost cup of Chris, I hell

290
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Speaker 15: something with the ticket on my wrists, living straight Chase

291
00:15:03,440 --> 00:15:04,520
Speaker 15: like we're bringing it up.

292
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Speaker 1: B So fan say, oh yeah, yeah, her rapping is

293
00:15:17,280 --> 00:15:18,160
Speaker 1: rapping is terrible.

294
00:15:18,240 --> 00:15:22,480
Speaker 4: And I heard I don't know if it's true or not. Baby,

295
00:15:22,600 --> 00:15:25,960
Speaker 4: let me know if this is true. People are saying

296
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Speaker 4: in the street that the new j Cole is kind

297
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Speaker 4: of I.

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Speaker 3: I don't know. I haven't listened to it. I'm not

299
00:15:31,640 --> 00:15:34,720
Speaker 3: a big Jafan me either, so I wouldn't.

300
00:15:34,840 --> 00:15:37,120
Speaker 1: Okay, I don't know, but I hear people talk about it.

301
00:15:37,200 --> 00:15:41,560
Speaker 9: But and then.

302
00:15:43,520 --> 00:15:47,000
Speaker 3: Well, uh, I had, I had my bottom five at

303
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Speaker 3: I had.

304
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Speaker 1: Uh.

305
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Speaker 3: I think I know. I had Magool can't rap.

306
00:15:53,560 --> 00:15:55,280
Speaker 1: The beasts go hard, but no, he can't rap.

307
00:15:55,560 --> 00:15:55,920
Speaker 3: I gotta.

308
00:15:56,200 --> 00:16:00,000
Speaker 2: I can't remember what song it was, but it's really

309
00:16:00,360 --> 00:16:03,680
Speaker 2: I mean, you could pick the song, but here's here's

310
00:16:03,760 --> 00:16:04,720
Speaker 2: cop that ship.

311
00:16:06,240 --> 00:16:09,320
Speaker 16: A players long to the Nations and the clips picking

312
00:16:09,680 --> 00:16:12,720
Speaker 16: legs were breaking off both of your legs. The underrated

313
00:16:12,800 --> 00:16:16,480
Speaker 16: Maga no coming with the un the spectrum runaway slave, Hi,

314
00:16:16,640 --> 00:16:19,640
Speaker 16: mistermeanor it's even from more your frontilent players.

315
00:16:20,240 --> 00:16:23,800
Speaker 3: But mister Moses, it's been.

316
00:16:23,760 --> 00:16:24,600
Speaker 9: A long time time.

317
00:16:24,800 --> 00:16:27,600
Speaker 3: I shouldn't have left without some little nieces in the

318
00:16:27,840 --> 00:16:29,360
Speaker 3: US to come on the beats in the.

319
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Speaker 1: Times up.

320
00:16:31,960 --> 00:16:39,320
Speaker 3: That's Timbaland and he's terrible this ship like the remakes

321
00:16:39,360 --> 00:16:41,120
Speaker 3: though that's not even the right version.

322
00:16:41,480 --> 00:16:42,120
Speaker 1: Let me see if I.

323
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Speaker 2: Can find what is the name of the song where

324
00:16:45,600 --> 00:16:49,120
Speaker 2: he's where he's like I some something like Orgi's and

325
00:16:49,240 --> 00:16:50,400
Speaker 2: bats or something.

326
00:16:54,400 --> 00:16:55,200
Speaker 3: That's not dropped.

327
00:16:55,360 --> 00:16:56,760
Speaker 1: It's when he did with his song we Got You

328
00:16:57,680 --> 00:16:58,160
Speaker 1: to Love You?

329
00:16:59,000 --> 00:16:59,160
Speaker 4: Is it?

330
00:16:59,520 --> 00:17:02,920
Speaker 1: Property is the song you did with missy Uh that

331
00:17:03,280 --> 00:17:04,960
Speaker 1: he did everything in the day.

332
00:17:05,480 --> 00:17:08,480
Speaker 2: Let me say if I can find Missy's uh song

333
00:17:09,160 --> 00:17:10,760
Speaker 2: feature magool and see if we can.

334
00:17:10,720 --> 00:17:13,879
Speaker 1: Maybe fine, Yeah, I think that's what it is. I

335
00:17:14,000 --> 00:17:15,600
Speaker 1: think it is. I don't know if love to love

336
00:17:15,600 --> 00:17:17,359
Speaker 1: You is actually the name of the song.

337
00:17:17,960 --> 00:17:20,959
Speaker 3: Okay, is that what the saying chatter now?

338
00:17:21,800 --> 00:17:23,119
Speaker 4: I don't know do y'all know the name of the

339
00:17:23,160 --> 00:17:25,000
Speaker 4: song we try to talk about, y'all because I have

340
00:17:25,160 --> 00:17:27,280
Speaker 4: no idea up jump the boogie.

341
00:17:27,520 --> 00:17:27,879
Speaker 7: That's it.

342
00:17:28,800 --> 00:17:32,560
Speaker 1: Thank you y'all. Yeah, I don't could tell you can

343
00:17:32,640 --> 00:17:33,959
Speaker 1: tell you how much I paid attention?

344
00:17:34,600 --> 00:17:37,919
Speaker 3: Uh they Oh they don't even have it on Spotify?

345
00:17:38,119 --> 00:17:42,399
Speaker 3: What how could you not have jump on Spotify?

346
00:17:42,720 --> 00:17:46,240
Speaker 1: I gotta go find it on all right, Okay they

347
00:17:46,359 --> 00:17:47,880
Speaker 1: have it but not but not with that one.

348
00:17:47,960 --> 00:17:51,879
Speaker 2: Yeah, uh yeah, I got you have just because I

349
00:17:52,040 --> 00:17:56,400
Speaker 2: need you all to hear this verse specifically because it's

350
00:17:56,520 --> 00:17:57,119
Speaker 2: so bad.

351
00:17:59,240 --> 00:18:03,840
Speaker 4: Oh yeah, and there are other people have to write

352
00:18:03,880 --> 00:18:05,520
Speaker 4: to do his There are other people we probably go

353
00:18:05,600 --> 00:18:07,440
Speaker 4: through who was like consistence that every A lot of

354
00:18:07,480 --> 00:18:08,760
Speaker 4: people say these people are terrible.

355
00:18:09,040 --> 00:18:31,640
Speaker 17: Yeah, my foot for all like drugs, jump, pull strips, soap, PI,

356
00:18:31,800 --> 00:18:33,360
Speaker 17: next man, head.

357
00:18:33,000 --> 00:18:37,200
Speaker 18: Men work some things like Bob was in hand cut

358
00:18:37,320 --> 00:18:39,920
Speaker 18: on flat which in the gen my friend should be

359
00:18:41,119 --> 00:18:43,840
Speaker 18: get praise of Blaze play Sweep, which und genius of

360
00:18:44,000 --> 00:18:47,280
Speaker 18: foul you waitness trap say here genius.

361
00:18:47,840 --> 00:18:52,440
Speaker 1: Because yeah, Hi Joe talk rack, you smoke crack. You

362
00:18:52,600 --> 00:18:55,600
Speaker 1: must drive crazy money.

363
00:18:55,640 --> 00:19:01,840
Speaker 3: You smoke CRACKA that's original.

364
00:19:03,880 --> 00:19:08,840
Speaker 1: Off he knew somebody on the way he could rap

365
00:19:08,920 --> 00:19:09,240
Speaker 1: man and.

366
00:19:12,080 --> 00:19:17,119
Speaker 3: So yeah, mag Maggie Loue made my my bottom five. Okay,

367
00:19:17,200 --> 00:19:21,440
Speaker 3: it's terrible. Uh riff Raft made my bottom five.

368
00:19:21,960 --> 00:19:23,840
Speaker 1: Riff Raft, I probably have it, just don't know who

369
00:19:23,880 --> 00:19:24,159
Speaker 1: they are.

370
00:19:25,440 --> 00:19:29,240
Speaker 2: Uh I played this song before starting to show sometimes

371
00:19:29,280 --> 00:19:32,280
Speaker 2: the jokes, but his his his song.

372
00:19:41,760 --> 00:19:54,399
Speaker 13: Yeah yeah, Tip toe my George, time, my George, just

373
00:19:54,760 --> 00:19:57,879
Speaker 13: cot the porch, tipped to in him my phone and.

374
00:19:59,480 --> 00:19:59,840
Speaker 4: What was it?

375
00:20:00,160 --> 00:20:00,600
Speaker 1: Don't do that?

376
00:20:01,680 --> 00:20:02,600
Speaker 7: Fucker's born?

377
00:20:02,720 --> 00:20:04,000
Speaker 1: Then you sleeping on me?

378
00:20:04,160 --> 00:20:04,520
Speaker 7: Snore?

379
00:20:04,920 --> 00:20:10,800
Speaker 12: Don't boss to live my jawn all kind of cane down.

380
00:20:10,720 --> 00:20:14,920
Speaker 7: Tip to there my jawe just cot the porch, tip

381
00:20:15,200 --> 00:20:18,600
Speaker 7: to wing my phone, then your mother fucker's boom.

382
00:20:18,720 --> 00:20:22,520
Speaker 1: Then you sleeping on me? Snoore? What's up to my my?

383
00:20:23,200 --> 00:20:24,480
Speaker 1: What's up to my hate?

384
00:20:24,720 --> 00:20:24,880
Speaker 14: Hey?

385
00:20:25,280 --> 00:20:27,680
Speaker 12: How to fuck the rider? Sing on hook like I

386
00:20:27,800 --> 00:20:32,880
Speaker 12: need a baker? Why men? Fifty seven City Torment talk

387
00:20:33,000 --> 00:20:37,000
Speaker 12: on First Classic Spain. You still buying Ralph blowing fold on,

388
00:20:37,280 --> 00:20:40,600
Speaker 12: Mike rock her rochets off flipp photo Porsch, big body,

389
00:20:41,000 --> 00:20:44,160
Speaker 12: my shirt say besides you TV screen in my left

390
00:20:44,240 --> 00:20:48,600
Speaker 12: pocket pocket. I'm from California, but I gotta moved to Texas.

391
00:20:49,000 --> 00:20:49,480
Speaker 7: My bad.

392
00:20:49,720 --> 00:20:53,560
Speaker 12: I'm just lexic in the four DOMAINO lexus at.

393
00:20:53,480 --> 00:20:55,760
Speaker 7: The tidy Barn or I ain't nothing.

394
00:20:55,920 --> 00:21:01,800
Speaker 1: That's thank you first and last time for me.

395
00:21:02,119 --> 00:21:04,479
Speaker 3: Oh this is my best idea ever man. And then

396
00:21:04,600 --> 00:21:06,200
Speaker 3: my fifth is Pete Rock.

397
00:21:06,359 --> 00:21:08,200
Speaker 2: Now a lot of people upset with the Pete Rock

398
00:21:08,359 --> 00:21:10,520
Speaker 2: Lender Brothers came on my Facebook.

399
00:21:10,320 --> 00:21:11,880
Speaker 3: And said, damn you put Pete in there.

400
00:21:12,359 --> 00:21:12,480
Speaker 14: L O.

401
00:21:12,600 --> 00:21:14,679
Speaker 3: Well, he's no rapper, but he's way better than all

402
00:21:14,760 --> 00:21:17,240
Speaker 3: these niggas they be trying. Pete just does it for fun.

403
00:21:18,119 --> 00:21:19,880
Speaker 3: He knows he's a DJ and producer.

404
00:21:19,960 --> 00:21:24,520
Speaker 2: First and I replied, nigga, shut up, Lender Brothers, Pete

405
00:21:24,600 --> 00:21:27,680
Speaker 2: Rock is the worst rapper shit be signing out clunky

406
00:21:27,800 --> 00:21:29,679
Speaker 2: stick to the beats, You whack ass nigga.

407
00:21:30,480 --> 00:21:33,280
Speaker 3: Here's Pete Rock from Don't Curse Definitely don't.

408
00:21:45,520 --> 00:21:48,240
Speaker 2: By the way, only in nineteen ninety one, because someone

409
00:21:48,280 --> 00:21:50,760
Speaker 2: make a rap song called Don't Curse and be a

410
00:21:50,800 --> 00:21:54,160
Speaker 2: popular person heavy D like, could you imagine what rapper

411
00:21:54,160 --> 00:21:56,320
Speaker 2: could make the Don't Curse song in twenty fourteen?

412
00:21:57,080 --> 00:21:59,600
Speaker 3: Only second, Pete.

413
00:21:59,440 --> 00:22:02,600
Speaker 7: Rock make it c I can expect.

414
00:22:02,760 --> 00:22:07,359
Speaker 3: Let them into a sweat, come down to the set.

415
00:22:08,200 --> 00:22:12,120
Speaker 2: Juggle lyrics in the verse to make amus the sensitionship

416
00:22:12,160 --> 00:22:12,639
Speaker 2: is jellman with.

417
00:22:12,720 --> 00:22:15,040
Speaker 19: Your problem because on the doors the white you can't

418
00:22:15,119 --> 00:22:15,560
Speaker 19: solve them.

419
00:22:16,280 --> 00:22:17,919
Speaker 3: Say I'm curious, g Let's just.

420
00:22:17,920 --> 00:22:21,280
Speaker 7: Say honey, let me lady made fund me anyway.

421
00:22:21,320 --> 00:22:23,600
Speaker 3: Say want to say, but that's every day. I'm fine

422
00:22:23,640 --> 00:22:23,920
Speaker 3: with him.

423
00:22:24,080 --> 00:22:28,600
Speaker 1: Oh yeah, don't gets bro want to curse, I'm taking.

424
00:22:29,080 --> 00:22:30,120
Speaker 7: Waiter, Just say cool.

425
00:22:30,600 --> 00:22:31,480
Speaker 3: Let me get to Pete.

426
00:22:31,520 --> 00:22:33,520
Speaker 2: I think Pete would last, by the way, and hip

427
00:22:33,560 --> 00:22:36,720
Speaker 2: hop when they put a nigga last, he's either the

428
00:22:36,880 --> 00:22:39,480
Speaker 2: absolute garbage worst or he the best.

429
00:22:39,760 --> 00:22:40,280
Speaker 1: That's the right.

430
00:22:40,760 --> 00:22:42,080
Speaker 10: Yeah, we didn't have to curse.

431
00:22:43,000 --> 00:22:47,760
Speaker 3: They say they curse.

432
00:22:47,600 --> 00:22:50,360
Speaker 2: God's blessed, but I can't mess surround with the curse.

433
00:22:50,760 --> 00:22:53,560
Speaker 7: Wama kids versus or purse sold up the.

434
00:22:53,600 --> 00:22:56,080
Speaker 3: Number one to get a kick fletch looking like before

435
00:22:56,240 --> 00:22:57,240
Speaker 3: and produce crazy es.

436
00:22:57,560 --> 00:23:00,399
Speaker 2: You on my back, broom less than the FLOEA kick

437
00:23:00,400 --> 00:23:01,200
Speaker 2: a class of stop.

438
00:23:06,480 --> 00:23:07,000
Speaker 1: You gotta go.

439
00:23:11,119 --> 00:23:19,080
Speaker 2: Merying trying to extend them vowels out. I gotta flow,

440
00:23:19,440 --> 00:23:23,320
Speaker 2: So I gotta go and you get one moved because

441
00:23:23,760 --> 00:23:25,600
Speaker 2: he said so, you.

442
00:23:26,080 --> 00:23:27,120
Speaker 1: May do sixteen bars.

443
00:23:28,640 --> 00:23:30,800
Speaker 7: You're gonna drive. Let's stump up clothes.

444
00:23:30,840 --> 00:23:32,320
Speaker 3: I'm gonna kick a class fool to stop for.

445
00:23:33,280 --> 00:23:34,639
Speaker 7: I can't curse because.

446
00:23:37,080 --> 00:23:39,120
Speaker 1: Now I'm gonna get back to the sub check.

447
00:23:39,200 --> 00:23:41,560
Speaker 9: Keeprectly can take them luck and just chucked you.

448
00:23:42,240 --> 00:23:45,199
Speaker 6: You got to see y'all sting Serby down the le.

449
00:23:45,200 --> 00:23:48,280
Speaker 2: Didn't have to curse and they gave him like three bars. Damn,

450
00:23:48,359 --> 00:23:51,240
Speaker 2: that's fucked up. Oh but yeah, he Rocke was on

451
00:23:51,359 --> 00:23:51,760
Speaker 2: my list.

452
00:23:51,920 --> 00:23:53,200
Speaker 1: Okay, who else on your list?

453
00:23:53,320 --> 00:23:55,960
Speaker 3: And then I had honorable mention obviously even tho I okay,

454
00:23:55,960 --> 00:23:57,080
Speaker 3: I got on to.

455
00:23:57,440 --> 00:24:01,159
Speaker 2: Yeah because everybody always you know, mentions Vanilla Ice and

456
00:24:01,240 --> 00:24:05,160
Speaker 2: they always play his one great hit Ice Baby.

457
00:24:06,480 --> 00:24:09,240
Speaker 3: What about all the wax ship that was on his

458
00:24:09,480 --> 00:24:11,800
Speaker 3: autum lot of wack ship?

459
00:24:12,000 --> 00:24:17,399
Speaker 8: I mean, good God man put a lot of music out, like,

460
00:24:17,560 --> 00:24:22,200
Speaker 8: for example, Juice to get loose boy ship that was

461
00:24:22,240 --> 00:24:23,240
Speaker 8: an eight second interview.

462
00:24:23,800 --> 00:24:26,600
Speaker 3: Uh but uh what's what's that one?

463
00:24:28,400 --> 00:24:28,520
Speaker 6: Uh?

464
00:24:29,400 --> 00:24:30,040
Speaker 3: I love you.

465
00:24:37,359 --> 00:24:48,879
Speaker 1: Sh light boy? Who got the sing? Hey girl, come

466
00:24:48,920 --> 00:24:52,440
Speaker 1: on over here to night. I'm sorry I slept with

467
00:24:52,520 --> 00:24:59,480
Speaker 1: your sister. Please forgive me, girl. See feel your arms.

468
00:25:00,160 --> 00:25:03,520
Speaker 2: God, you just no one that you want buy your

469
00:25:03,720 --> 00:25:07,080
Speaker 2: sod mellows my mom and the answers, my father.

470
00:25:07,960 --> 00:25:10,040
Speaker 7: I need you more and more each day.

471
00:25:10,960 --> 00:25:12,640
Speaker 16: One I tell you I'm.

472
00:25:12,320 --> 00:25:15,080
Speaker 7: Here to stay. I don't catch it by your whack

473
00:25:15,160 --> 00:25:17,440
Speaker 7: you for his farm, you den stay.

474
00:25:19,760 --> 00:25:23,960
Speaker 1: I love you. I love you girl.

475
00:25:25,600 --> 00:25:26,760
Speaker 7: Because I love you.

476
00:25:27,560 --> 00:25:31,480
Speaker 3: I might have to move. I used to watch five Dog.

477
00:25:32,080 --> 00:25:32,920
Speaker 1: I might have to move.

478
00:25:32,960 --> 00:25:36,080
Speaker 3: P Rock back out man, I'm someone gotta come out. Man.

479
00:25:36,280 --> 00:25:39,600
Speaker 3: Oh my god, I forgot how value was. Oh he

480
00:25:39,760 --> 00:25:42,320
Speaker 3: was terrible because I love you girl.

481
00:25:44,560 --> 00:25:48,600
Speaker 4: Oh, while we're talking about honorable mention, My honorable mention

482
00:25:49,160 --> 00:25:54,000
Speaker 4: is uh drugged upl Wayne once he got on that

483
00:25:54,119 --> 00:25:54,679
Speaker 4: good stuff.

484
00:25:55,000 --> 00:25:57,320
Speaker 3: Yeah, I can really pick like any song.

485
00:25:57,520 --> 00:25:59,520
Speaker 1: Because I used to. I got to fuck with lo Wayne.

486
00:25:59,600 --> 00:26:02,080
Speaker 1: But I the while, you be like, I don't.

487
00:26:02,040 --> 00:26:05,639
Speaker 3: Understand how he's still popular. It's very weird to.

488
00:26:05,680 --> 00:26:08,800
Speaker 4: Me can be on the stage with lip of print

489
00:26:08,920 --> 00:26:11,440
Speaker 4: leggings on MTV tming my ship come out at midnight

490
00:26:11,480 --> 00:26:13,000
Speaker 4: and being nob but want to like, what the fuck nigga?

491
00:26:13,160 --> 00:26:16,200
Speaker 3: Like white people just must not care? Correct like he

492
00:26:16,520 --> 00:26:18,560
Speaker 3: You know. This is from his latest album I'm Not

493
00:26:18,600 --> 00:26:19,360
Speaker 3: a Human Being. Two.

494
00:26:19,520 --> 00:26:22,280
Speaker 2: I'll just pick a random one. Let's see, he got

495
00:26:22,359 --> 00:26:24,719
Speaker 2: a song with Soldier Boy two chains.

496
00:26:24,800 --> 00:26:25,280
Speaker 3: Two songs.

497
00:26:26,320 --> 00:26:30,479
Speaker 4: Yeah, talking about he put his called her fifteen coming out,

498
00:26:30,520 --> 00:26:32,000
Speaker 4: and I was like, well, I'm not asking for what.

499
00:26:39,359 --> 00:26:44,120
Speaker 1: Yeah, running ain't ship, bitches ain't neither.

500
00:26:44,680 --> 00:26:45,919
Speaker 7: No, I'm on that grass.

501
00:26:46,320 --> 00:26:49,160
Speaker 20: Don't cut on the sprinkling drinking, but sitting on my mind,

502
00:26:49,320 --> 00:26:51,720
Speaker 20: on my bread and on my fingers. Niggas try to

503
00:26:51,760 --> 00:26:55,040
Speaker 20: fight my style, my style of paint or why being

504
00:26:55,320 --> 00:27:01,080
Speaker 20: at Jane tru Pocket running tops nigga a man of dissip.

505
00:27:01,119 --> 00:27:03,919
Speaker 1: Fu know, all my benchres banner and all my set

506
00:27:03,960 --> 00:27:04,879
Speaker 1: go hard, but that's about it.

507
00:27:05,200 --> 00:27:08,160
Speaker 21: This ship like cattle, that's my word. Like scramble, ain't

508
00:27:08,200 --> 00:27:10,679
Speaker 21: you land girl of the hot I go wing swirling,

509
00:27:10,800 --> 00:27:13,640
Speaker 21: I thut she swallows, olling and nuts you around fine,

510
00:27:13,680 --> 00:27:16,399
Speaker 21: squirreling my throat. I go take burman that house that

511
00:27:16,560 --> 00:27:19,119
Speaker 21: my snake's worming that house, and we take turns of

512
00:27:19,160 --> 00:27:19,520
Speaker 21: that house.

513
00:27:20,000 --> 00:27:21,240
Speaker 1: It are so green eck glow.

514
00:27:21,440 --> 00:27:23,399
Speaker 3: I you remember that saying, since wen't pushing them on

515
00:27:23,440 --> 00:27:24,359
Speaker 3: my private on my.

516
00:27:27,359 --> 00:27:31,240
Speaker 1: Blue wine is looking horrible. Yeah, could play his older stuff.

517
00:27:31,840 --> 00:27:36,480
Speaker 4: Okay, look up, because it's a big difference between that

518
00:27:36,680 --> 00:27:37,960
Speaker 4: and the ship that I used to.

519
00:27:37,960 --> 00:27:42,640
Speaker 3: Fuck with, like from the Carter two or Card one.

520
00:27:42,760 --> 00:27:45,359
Speaker 1: Yeah, Carter two cardoon Wan just just some other than

521
00:27:45,440 --> 00:27:46,080
Speaker 1: that bullshit.

522
00:27:47,960 --> 00:27:50,040
Speaker 3: Okay, I'm finally perfect.

523
00:27:50,880 --> 00:27:50,960
Speaker 4: JA.

524
00:27:51,760 --> 00:27:53,200
Speaker 3: Y'all already know what all right.

525
00:27:56,200 --> 00:28:00,560
Speaker 1: Up, it's between turn in Vegas right about.

526
00:28:00,680 --> 00:28:02,000
Speaker 7: Now, here's your boy and.

527
00:28:02,080 --> 00:28:08,360
Speaker 9: You heard back again. D J man fresh fresh, yeah.

528
00:28:08,359 --> 00:28:10,480
Speaker 19: Friend, fresh, big fresh.

529
00:28:11,400 --> 00:28:16,280
Speaker 22: Fresh, big fresh fresh, big fresh.

530
00:28:17,080 --> 00:28:17,879
Speaker 2: Go d J.

531
00:28:18,560 --> 00:28:19,440
Speaker 7: That's my d J.

532
00:28:20,119 --> 00:28:20,920
Speaker 4: Go d J.

533
00:28:21,600 --> 00:28:23,960
Speaker 7: That's my d J. Go d J.

534
00:28:24,600 --> 00:28:25,520
Speaker 4: That's my d J.

535
00:28:26,600 --> 00:28:30,120
Speaker 9: D J jail what we step up.

536
00:28:30,040 --> 00:28:30,800
Speaker 7: Putting my dude?

537
00:28:31,200 --> 00:28:35,320
Speaker 1: You hey, gentlemen, what you have man, it's funny courtesy.

538
00:28:35,000 --> 00:28:37,359
Speaker 7: Of the young man young color and the great man

539
00:28:37,440 --> 00:28:38,120
Speaker 7: many freshman.

540
00:28:38,200 --> 00:28:39,600
Speaker 1: So what I want y'all out there to do for

541
00:28:39,760 --> 00:28:44,320
Speaker 1: me is say this, say go d J. That's my JA,

542
00:28:44,480 --> 00:28:46,800
Speaker 1: go d J, my J.

543
00:28:47,280 --> 00:28:48,320
Speaker 6: Say come d J.

544
00:28:48,760 --> 00:28:49,840
Speaker 5: God damn I d e J.

545
00:28:50,960 --> 00:28:51,360
Speaker 9: D J.

546
00:28:51,840 --> 00:28:56,360
Speaker 1: Let on the hottest nick under the sun.

547
00:28:56,640 --> 00:29:00,760
Speaker 23: I come from under. By that time, from that your

548
00:29:00,840 --> 00:29:05,080
Speaker 23: gone and your arm hit power one. You know he

549
00:29:05,280 --> 00:29:08,040
Speaker 23: did not your No, I play like a pro in

550
00:29:08,120 --> 00:29:08,560
Speaker 23: the game.

551
00:29:08,840 --> 00:29:11,520
Speaker 3: No better yet, I better ran a hall of fame.

552
00:29:11,640 --> 00:29:12,400
Speaker 5: I got that matter.

553
00:29:13,400 --> 00:29:15,560
Speaker 1: Then call the names. Hey, its cash?

554
00:29:15,960 --> 00:29:18,600
Speaker 3: Did I forget? I think I left prize out? Okay,

555
00:29:18,720 --> 00:29:20,480
Speaker 3: but he was in my top my bottom file.

556
00:29:20,560 --> 00:29:22,120
Speaker 1: Okay, yes, you did you want to play some of

557
00:29:22,160 --> 00:29:22,560
Speaker 1: his stuff?

558
00:29:23,320 --> 00:29:28,000
Speaker 3: Yes, because he's the dude I think on a lot.

559
00:29:27,880 --> 00:29:28,400
Speaker 1: Of people list.

560
00:29:28,640 --> 00:29:32,640
Speaker 2: He always went last on the Foozies tracks because he

561
00:29:32,760 --> 00:29:33,400
Speaker 2: can't rap.

562
00:29:34,120 --> 00:29:34,360
Speaker 5: Ah.

563
00:29:36,320 --> 00:29:37,120
Speaker 7: Let me skip to his.

564
00:29:39,400 --> 00:29:44,840
Speaker 24: On the trump Fly in my Farm, other Ship off Flowers,

565
00:29:45,080 --> 00:29:50,400
Speaker 24: super Fly July only fly with my black high alright,

566
00:29:50,480 --> 00:29:52,440
Speaker 24: Refuge from number Faith.

567
00:29:52,800 --> 00:29:58,680
Speaker 3: That's all Runner border like, I'm cash man, I love

568
00:29:58,760 --> 00:30:03,160
Speaker 3: that dude. That was a long enough. Let me say

569
00:30:03,160 --> 00:30:04,120
Speaker 3: if I can find another one to.

570
00:30:04,240 --> 00:30:06,719
Speaker 25: The Shop of heart Roads while you munching at your

571
00:30:06,760 --> 00:30:08,920
Speaker 25: lunch and I'll be playing in your assassination.

572
00:30:09,400 --> 00:30:09,800
Speaker 11: Remember this.

573
00:30:10,880 --> 00:30:13,680
Speaker 1: I compressed sound sets with my WRAPDBX.

574
00:30:13,800 --> 00:30:16,320
Speaker 25: Then throw vote was on my four five six am

575
00:30:16,480 --> 00:30:19,160
Speaker 25: packed springing terror to the Shop of heart Rocks, that

576
00:30:19,200 --> 00:30:22,400
Speaker 25: stoly cried me up all the phantom dods in the

577
00:30:22,560 --> 00:30:26,120
Speaker 25: op pod and to the youngest carry jackets and killed

578
00:30:26,240 --> 00:30:27,200
Speaker 25: six days a week.

579
00:30:27,560 --> 00:30:28,800
Speaker 6: The rest on the side.

580
00:30:29,840 --> 00:30:31,680
Speaker 1: This ain't necessary.

581
00:30:31,360 --> 00:30:33,960
Speaker 25: Unless you bet we didn't get very like the Great

582
00:30:34,080 --> 00:30:36,959
Speaker 25: Musule the point your black echelis.

583
00:30:38,280 --> 00:30:43,760
Speaker 4: Didn't be wrong, all right, But anyway, man, Yeah, there

584
00:30:43,840 --> 00:30:46,440
Speaker 4: anybody else that is on somebody else's list that you

585
00:30:46,520 --> 00:30:46,760
Speaker 4: I was.

586
00:30:46,760 --> 00:30:48,880
Speaker 3: Gonna get to it, but I put a list.

587
00:30:49,480 --> 00:30:52,400
Speaker 2: I put the question out on our Facebook page, okay,

588
00:30:52,680 --> 00:30:56,040
Speaker 2: on my Twitter okay, and so many people are chiming in,

589
00:30:56,160 --> 00:30:58,400
Speaker 2: like we honestly could do the whole show this way.

590
00:30:58,880 --> 00:31:00,440
Speaker 3: And we do have other ships talk.

591
00:31:00,320 --> 00:31:04,040
Speaker 2: About, but they reminded me of so many whack ass niggas.

592
00:31:04,920 --> 00:31:12,720
Speaker 2: Rico Suave, oh ship, Yeah, I remember Rico, Reco.

593
00:31:13,080 --> 00:31:17,720
Speaker 1: Swabby, Oh that got Yeah, that's that's that goes show?

594
00:31:17,800 --> 00:31:19,160
Speaker 4: How oh we are got gonna know what some people

595
00:31:19,200 --> 00:31:21,600
Speaker 4: in the twenties going, Who the fuck are they talking about?

596
00:31:21,960 --> 00:31:22,160
Speaker 7: Yeah?

597
00:31:23,200 --> 00:31:26,120
Speaker 2: Wait, there's an album named Rico. That's not what I'm

598
00:31:26,160 --> 00:31:29,320
Speaker 2: talking about? Looking for the artist?

599
00:31:30,560 --> 00:31:31,280
Speaker 3: Is this the song?

600
00:31:41,080 --> 00:31:41,240
Speaker 7: Yes?

601
00:31:46,360 --> 00:31:48,920
Speaker 3: Yes, Swave.

602
00:31:50,480 --> 00:31:51,400
Speaker 1: I forgot about him?

603
00:31:54,280 --> 00:31:55,520
Speaker 3: Was rolling the ship out of that arm?

604
00:31:57,080 --> 00:31:57,760
Speaker 1: Swavey?

605
00:31:58,640 --> 00:32:01,680
Speaker 7: What you doing out of them? So you can don't cheat?

606
00:32:03,640 --> 00:32:06,560
Speaker 6: See Diel you know saving I'm in fetle.

607
00:32:06,800 --> 00:32:09,200
Speaker 3: I don't drink or smoking, then don't What kind of

608
00:32:09,400 --> 00:32:10,040
Speaker 3: coach you ask me?

609
00:32:10,120 --> 00:32:11,440
Speaker 1: How do I do what I coat?

610
00:32:11,600 --> 00:32:14,440
Speaker 26: My only addiction have to do with a female species

611
00:32:14,520 --> 00:32:17,880
Speaker 26: that you don't run like no man who turns more.

612
00:32:17,920 --> 00:32:20,240
Speaker 7: There's nothing mean, there's no your fed more.

613
00:32:20,520 --> 00:32:21,480
Speaker 1: Everybody is your too.

614
00:32:21,600 --> 00:32:24,480
Speaker 26: I mean, when not good no, many not know what

615
00:32:24,600 --> 00:32:27,320
Speaker 26: I so, please don't judge your boy by its cover

616
00:32:27,720 --> 00:32:30,280
Speaker 26: this morning. Being in that love, you gotta know how

617
00:32:30,320 --> 00:32:32,320
Speaker 26: to deal with the woman that won't let go the

618
00:32:32,400 --> 00:32:33,040
Speaker 26: price you pay for.

619
00:32:33,080 --> 00:32:39,840
Speaker 1: Being a jiggle low for being somebody. Uh they chatroo

620
00:32:39,880 --> 00:32:42,280
Speaker 1: which I forgot about him? Snow the informal. Didn't anybody

621
00:32:42,360 --> 00:32:43,160
Speaker 1: have that on their list?

622
00:32:43,360 --> 00:32:43,560
Speaker 2: Yeah?

623
00:32:43,720 --> 00:32:56,080
Speaker 3: Yeah people there, uh obviously informal and try to fire

624
00:32:56,360 --> 00:32:57,480
Speaker 3: a mile off on the block.

625
00:32:57,560 --> 00:32:59,080
Speaker 1: You know what I'm saying your show.

626
00:32:59,120 --> 00:33:00,680
Speaker 3: They came around, look can put you to the off

627
00:33:00,720 --> 00:33:01,160
Speaker 3: the day.

628
00:33:12,680 --> 00:33:13,560
Speaker 24: In Farmer.

629
00:33:13,960 --> 00:33:15,760
Speaker 7: Then I say that I saw Manyama blam.

630
00:33:16,160 --> 00:33:18,440
Speaker 1: I don't keep them bone down, take them my mess.

631
00:33:18,760 --> 00:33:20,560
Speaker 19: Then I'm a stom stops somewhere down there.

632
00:33:21,040 --> 00:33:23,400
Speaker 6: I just keep going on Nam and Farmer.

633
00:33:23,720 --> 00:33:26,120
Speaker 19: Then I say that snow May i'mna blam. I need

634
00:33:26,160 --> 00:33:28,479
Speaker 19: to keep boom boom, now take down my message. Say

635
00:33:28,520 --> 00:33:30,040
Speaker 19: then my stomach stops somewhere.

636
00:33:29,800 --> 00:33:30,360
Speaker 4: Down the lamb.

637
00:33:30,840 --> 00:33:32,080
Speaker 7: I keep boom boom down.

638
00:33:32,560 --> 00:33:35,920
Speaker 19: Stat man, this bow down the door bringing about you

639
00:33:36,160 --> 00:33:38,440
Speaker 19: you my end. No, so they put many never the car.

640
00:33:38,600 --> 00:33:41,239
Speaker 1: I just stay shucking from my point time. But that's

641
00:33:41,240 --> 00:33:42,200
Speaker 1: how it's chumpling it.

642
00:33:42,280 --> 00:33:44,120
Speaker 2: This was back before the internet, so nobody knew this

643
00:33:44,200 --> 00:33:47,040
Speaker 2: dude was a white dude from Canada, right, We like, man,

644
00:33:47,080 --> 00:33:48,080
Speaker 2: this Jamaican.

645
00:33:47,800 --> 00:33:50,520
Speaker 1: Dude is all right? Then I was like, wait a minute,

646
00:33:52,480 --> 00:33:54,040
Speaker 1: but to who else you got on your list.

647
00:33:54,040 --> 00:33:56,640
Speaker 3: Of people got? Uh, let's see who else they got?

648
00:33:58,080 --> 00:34:00,360
Speaker 3: Pit Bull? That's all this one.

649
00:34:00,480 --> 00:34:02,920
Speaker 1: My wife was love fucking pit Bull. He'd be half

650
00:34:03,000 --> 00:34:05,080
Speaker 1: timing on everything. I was like, nobody gave you all

651
00:34:05,080 --> 00:34:06,360
Speaker 1: the memo that this nigga whax.

652
00:34:06,720 --> 00:34:12,279
Speaker 2: A lot of people had a bird man. Yes, I

653
00:34:12,360 --> 00:34:18,120
Speaker 2: wonder if I have a bird man a verse bird man. Uh,

654
00:34:19,960 --> 00:34:22,240
Speaker 2: let's see uh stunning like my daddy.

655
00:34:24,400 --> 00:34:28,399
Speaker 1: I like this beat. Now, I ain't gonna lie hitting, hitting,

656
00:34:29,320 --> 00:34:29,960
Speaker 1: doing hating.

657
00:34:30,200 --> 00:34:33,840
Speaker 22: They know the crowdcast money's still a pupping that bitch.

658
00:34:33,640 --> 00:34:37,480
Speaker 4: And my bau and stunting like mcmadic, studying like my daddy,

659
00:34:37,800 --> 00:34:38,920
Speaker 4: studying like my daddy.

660
00:34:38,960 --> 00:34:44,400
Speaker 1: Beat the stones like my daddy, Casey starting up, starting, starting.

661
00:34:44,280 --> 00:34:48,680
Speaker 21: Leaving dad stop, lad, bitch a bake, That's all I

662
00:34:48,760 --> 00:34:49,359
Speaker 21: gotta say.

663
00:34:49,560 --> 00:34:52,319
Speaker 12: Kate sing little niggas put the money in the way,

664
00:34:52,560 --> 00:34:55,759
Speaker 12: and I'm sitting black against the ride blazing and the

665
00:34:55,880 --> 00:34:57,120
Speaker 12: I'm ride fl and.

666
00:34:57,400 --> 00:34:59,440
Speaker 3: Ma, let's get that.

667
00:34:59,560 --> 00:35:01,600
Speaker 2: Let's get the bird man part. Hold on, Yeah, I

668
00:35:01,760 --> 00:35:07,520
Speaker 2: love that being cooking on start the dollar not hit you.

669
00:35:08,160 --> 00:35:11,160
Speaker 2: They don't want payton on them, but they know the broadcast. Man,

670
00:35:11,200 --> 00:35:12,400
Speaker 2: it's still the cupping.

671
00:35:12,160 --> 00:35:12,800
Speaker 1: And get.

672
00:35:16,360 --> 00:35:19,640
Speaker 3: Wait maybe the only little Wayne on this bird man.

673
00:35:20,560 --> 00:35:24,480
Speaker 25: Man, what you know about paying RECs their man stuff

674
00:35:25,080 --> 00:35:26,759
Speaker 25: like the mother cair man.

675
00:35:27,040 --> 00:35:29,719
Speaker 3: I remember throwing my farm fewhere man.

676
00:35:30,560 --> 00:35:32,160
Speaker 2: No, I don't hear him out here. Let me find

677
00:35:33,239 --> 00:35:34,960
Speaker 2: Let me fine, see if I can find one with

678
00:35:35,080 --> 00:35:39,760
Speaker 2: him with him rapping, because he is pretty terrible.

679
00:35:40,280 --> 00:35:41,960
Speaker 1: He makes the best gift though.

680
00:35:42,120 --> 00:35:49,120
Speaker 22: Yeah, baby out the palm, looking through the skyline.

681
00:35:49,920 --> 00:35:59,120
Speaker 7: Ah wait, Sam beach water, purple Grave, young day, silly

682
00:36:02,320 --> 00:36:02,839
Speaker 7: jumping out.

683
00:36:06,640 --> 00:36:09,080
Speaker 12: Yeah, they got to do in the background new pearl

684
00:36:09,120 --> 00:36:10,400
Speaker 12: and on the diamond cluster.

685
00:36:10,960 --> 00:36:15,680
Speaker 22: More money, and we shining like motherfucker from the bottom

686
00:36:15,760 --> 00:36:16,359
Speaker 22: where we had.

687
00:36:16,480 --> 00:36:17,440
Speaker 1: I don't like motherfucker.

688
00:36:17,480 --> 00:36:22,759
Speaker 3: Ain't shine, not like a motherfucker. We shining like motherfucker.

689
00:36:23,000 --> 00:36:28,359
Speaker 22: Something cash floating money on the dashboard, money in the dashboards,

690
00:36:28,440 --> 00:36:30,680
Speaker 22: sitting highe riding low rider.

691
00:36:31,200 --> 00:36:33,960
Speaker 2: Put a hundrying on my son, flowing hundred on some

692
00:36:34,120 --> 00:36:35,640
Speaker 2: punds of blow hungry on the.

693
00:36:35,719 --> 00:36:40,520
Speaker 22: Marble flow so we higher than the bright light Sunday day,

694
00:36:40,680 --> 00:36:44,520
Speaker 22: Sunday night, pustling light all night, doing it till the sunlight.

695
00:36:44,640 --> 00:36:46,880
Speaker 2: They put some people out here. I agree with trinid dad,

696
00:36:47,040 --> 00:36:51,320
Speaker 2: James with your dad. But yeah, man, it's it's a

697
00:36:51,400 --> 00:36:51,960
Speaker 2: fun topic.

698
00:36:52,040 --> 00:36:52,200
Speaker 10: Man.

699
00:36:52,280 --> 00:36:54,200
Speaker 2: You follow us on Twitter and social media, man, get

700
00:36:54,239 --> 00:36:57,800
Speaker 2: involved because it's marking some pretty good arguments.

701
00:36:58,200 --> 00:37:00,360
Speaker 1: Uh well, actually agreements, had.

702
00:37:00,239 --> 00:37:03,759
Speaker 2: Some pretty good agreements to even bo did his bottom five.

703
00:37:05,960 --> 00:37:10,320
Speaker 2: Let me go look up both bottom five. I know

704
00:37:13,360 --> 00:37:15,399
Speaker 2: people got mad because he said easy he was whack,

705
00:37:15,480 --> 00:37:17,719
Speaker 2: but easy he was whack, but he wasn't in the

706
00:37:17,760 --> 00:37:18,359
Speaker 2: bottom five.

707
00:37:20,160 --> 00:37:24,520
Speaker 3: Let's see. Uh people visit Fred Okay, South Park Mexican.

708
00:37:25,320 --> 00:37:26,640
Speaker 1: Oh, I don't even know who that is.

709
00:37:27,080 --> 00:37:28,360
Speaker 3: Uh well, you look.

710
00:37:28,280 --> 00:37:33,680
Speaker 2: About South Park, Mexican. I must be high as a

711
00:37:33,840 --> 00:37:34,480
Speaker 2: number one song.

712
00:37:45,239 --> 00:37:49,439
Speaker 10: I'm damned, infad and damned def don't houck the world

713
00:37:49,520 --> 00:37:52,040
Speaker 10: on my chest full of smoke, I choke on my

714
00:37:52,160 --> 00:37:56,040
Speaker 10: breakfast and end my necklace. Say dope, House records, school

715
00:37:56,120 --> 00:38:00,560
Speaker 10: Stone chests, the diamonds and like a puss, you can

716
00:38:00,680 --> 00:38:03,520
Speaker 10: keep the lenses. Because I got two gents and your

717
00:38:03,600 --> 00:38:07,640
Speaker 10: girlfriends is in tests. Because I buy the tool dresses.

718
00:38:07,360 --> 00:38:08,760
Speaker 7: And some contact lenses.

719
00:38:08,800 --> 00:38:11,000
Speaker 10: Got a message in the bottle, hit the throttle and

720
00:38:11,160 --> 00:38:14,080
Speaker 10: Marcado clicking like my Semiado because I'm trying to see

721
00:38:14,120 --> 00:38:16,799
Speaker 10: tomato by the condo from my topo. Because you work

722
00:38:16,880 --> 00:38:19,880
Speaker 10: in that taco is the top selling Paco twenty three's

723
00:38:19,960 --> 00:38:23,600
Speaker 10: on the top TV screens. Margarita Machines with street Marines.

724
00:38:23,640 --> 00:38:26,399
Speaker 10: Got love for the Crypts and Bloods and Latin King

725
00:38:26,520 --> 00:38:29,640
Speaker 10: if it means anything, just for all my jeez, I'm

726
00:38:29,719 --> 00:38:32,920
Speaker 10: in jail because I forgot my fucking ABC another d

727
00:38:33,360 --> 00:38:36,239
Speaker 10: w Y drunk and fucking high. Y'all be yap before

728
00:38:36,320 --> 00:38:38,120
Speaker 10: the motherfucker sunk and touch the sky.

729
00:38:38,320 --> 00:38:39,040
Speaker 5: You know me, y'all?

730
00:38:39,160 --> 00:38:44,839
Speaker 3: He fucked up the Okay? Who got master p in there?

731
00:38:47,160 --> 00:38:48,959
Speaker 1: Oh yeah, I know mass people on a lot of people.

732
00:38:49,040 --> 00:38:50,680
Speaker 3: Li yeah, let me see we can get some.

733
00:38:50,840 --> 00:38:52,960
Speaker 1: He was better than a silk the chakra thover. Yess,

734
00:38:53,000 --> 00:38:53,439
Speaker 1: he's bad.

735
00:38:54,920 --> 00:38:56,279
Speaker 3: I mean you ever had one of them?

736
00:38:56,360 --> 00:38:56,480
Speaker 25: All?

737
00:38:56,640 --> 00:38:57,520
Speaker 3: I said, you ain't.

738
00:38:57,320 --> 00:39:00,239
Speaker 1: Playing the favorite in the nine and nine Like, I mean,

739
00:39:00,280 --> 00:39:00,839
Speaker 1: I like that song.

740
00:39:00,880 --> 00:39:01,440
Speaker 3: You want to play that?

741
00:39:02,280 --> 00:39:03,279
Speaker 1: That's my jam right there?

742
00:39:03,719 --> 00:39:06,680
Speaker 3: I mean, that's that's his best verse on the Colonel.

743
00:39:06,840 --> 00:39:08,240
Speaker 3: That motherfucking tank.

744
00:39:10,200 --> 00:39:10,719
Speaker 1: They killed.

745
00:39:16,600 --> 00:39:21,480
Speaker 3: No, that motherfucking tank. Don't have to big you have

746
00:39:21,600 --> 00:39:22,600
Speaker 3: to big bang.

747
00:39:26,840 --> 00:39:31,640
Speaker 25: They killed, never gave a hole, no riches and niggas

748
00:39:31,719 --> 00:39:32,520
Speaker 25: come shot.

749
00:39:33,640 --> 00:39:34,480
Speaker 1: A stayed on pa.

750
00:39:34,680 --> 00:39:37,919
Speaker 6: So I was like, okay, fucking dag and boy running blown.

751
00:39:38,000 --> 00:39:39,399
Speaker 3: Nigga, I'm knocking out from teeth.

752
00:39:39,560 --> 00:39:42,600
Speaker 2: I'm down here staging bowling with these others and you're

753
00:39:42,600 --> 00:39:43,960
Speaker 2: trying to get the print on you.

754
00:39:44,000 --> 00:39:45,000
Speaker 7: Hated and you bother.

755
00:39:45,680 --> 00:39:49,960
Speaker 3: You know, niggas bo has the dragon.

756
00:39:51,200 --> 00:39:52,279
Speaker 1: That some of the worst ship ever.

757
00:39:52,400 --> 00:39:55,319
Speaker 2: Dragon had one of the worst most offensive lyrics ever.

758
00:39:55,360 --> 00:39:57,160
Speaker 2: We talked about killing the mom in front of their kid.

759
00:39:57,280 --> 00:39:59,439
Speaker 1: That was the worst, right, but the beat go hard now.

760
00:40:00,880 --> 00:40:02,759
Speaker 24: Little bitch yo yo.

761
00:40:03,239 --> 00:40:04,560
Speaker 19: This nigga dragged on her.

762
00:40:04,680 --> 00:40:08,759
Speaker 2: Niggas same niggas talkiggs salt, niggas.

763
00:40:10,200 --> 00:40:12,000
Speaker 1: Any complex, flambay niggas.

764
00:40:13,040 --> 00:40:16,080
Speaker 2: He spit racist and keep going faces like the hear

765
00:40:16,960 --> 00:40:19,279
Speaker 2: aye b south crossed the throat.

766
00:40:19,400 --> 00:40:21,080
Speaker 3: Couldn't say that he gave his mouth to mouth.

767
00:40:21,160 --> 00:40:23,200
Speaker 10: That'll keep your cheese together because when we put our

768
00:40:23,280 --> 00:40:25,640
Speaker 10: youth together, we talk my wiki pass and hit him

769
00:40:25,680 --> 00:40:26,080
Speaker 10: up on it.

770
00:40:26,120 --> 00:40:26,560
Speaker 7: In chests.

771
00:40:26,600 --> 00:40:30,560
Speaker 23: We stopped buns shrick on pitches fucking pitches, even pitchers.

772
00:40:30,640 --> 00:40:33,239
Speaker 3: Don't hand up all them bucking bitches, chilling chicks still

773
00:40:33,320 --> 00:40:35,719
Speaker 3: from my tread fight in front of a child with no.

774
00:40:35,880 --> 00:40:36,800
Speaker 7: Feel for the kids.

775
00:40:36,880 --> 00:40:39,880
Speaker 2: Don't kill that bitch, not now, but right now, you

776
00:40:40,360 --> 00:40:43,200
Speaker 2: nigga Joye all up in the nightgown.

777
00:40:43,400 --> 00:40:45,440
Speaker 3: That's right. He's talking about killing a mother in.

778
00:40:45,520 --> 00:40:49,080
Speaker 4: Front of her own child, right because she stole from

779
00:40:49,120 --> 00:40:50,560
Speaker 4: his house right nowadays.

780
00:40:51,000 --> 00:40:53,520
Speaker 1: Uh, there would be think pieces glow on this nigga.

781
00:40:54,239 --> 00:40:57,680
Speaker 3: Yeah, he would definitely me. And then he has prize

782
00:40:57,719 --> 00:40:59,520
Speaker 3: and silk the shakers. So it did.

783
00:40:59,640 --> 00:41:02,240
Speaker 2: And what when he moved somebody out and put Magoo

784
00:41:02,320 --> 00:41:07,799
Speaker 2: in there? So and uh yeah, I uh and someone

785
00:41:07,880 --> 00:41:10,239
Speaker 2: came to him and tried to throw mystical in there.

786
00:41:10,480 --> 00:41:12,640
Speaker 2: Like I said, I don't agree with it, but I

787
00:41:12,800 --> 00:41:14,680
Speaker 2: was wondering when somebody's gonna do that because I know

788
00:41:14,760 --> 00:41:17,520
Speaker 2: a lot of people that hate fucking mystical.

789
00:41:17,600 --> 00:41:17,799
Speaker 9: Man.

790
00:41:20,600 --> 00:41:23,120
Speaker 3: All right, Uh, let's get to the show.

791
00:41:25,200 --> 00:41:27,200
Speaker 1: Said I do this all day, But I said, who else?

792
00:41:27,239 --> 00:41:28,239
Speaker 1: Got some some list?

793
00:41:29,000 --> 00:41:30,600
Speaker 2: Yeah, we're re dealing the ship all day and we

794
00:41:30,719 --> 00:41:36,440
Speaker 2: did that. Let's talk about this, Sony league, Sony got hacked.

795
00:41:36,600 --> 00:41:39,040
Speaker 1: Something keep coming out every day about that ship.

796
00:41:39,200 --> 00:41:40,000
Speaker 3: Sony got hacked.

797
00:41:40,040 --> 00:41:44,160
Speaker 2: Now, many people speculate that, you know, Sony got hacked

798
00:41:44,200 --> 00:41:47,160
Speaker 2: because they made the song The Interview.

799
00:41:47,960 --> 00:41:50,480
Speaker 3: Made the song, I made movie. They made a movie

800
00:41:50,520 --> 00:41:52,040
Speaker 3: called The Interview, and.

801
00:41:53,640 --> 00:41:55,879
Speaker 2: North Korea was like, hey, let's go ahead and hack

802
00:41:55,960 --> 00:41:58,839
Speaker 2: these niggas and leak all the information. North Korea said, hey,

803
00:41:58,920 --> 00:42:00,640
Speaker 2: we had nothing to do with it, but hey, it's

804
00:42:00,680 --> 00:42:01,560
Speaker 2: a blessing from God.

805
00:42:01,640 --> 00:42:02,560
Speaker 3: Were glad it happened.

806
00:42:03,880 --> 00:42:07,800
Speaker 2: Here's some of the things that's happened. Somebody has a

807
00:42:08,200 --> 00:42:10,719
Speaker 2: vulture dot com has like a timeline.

808
00:42:10,200 --> 00:42:11,160
Speaker 3: Of all elite things.

809
00:42:12,400 --> 00:42:15,960
Speaker 2: Uh So, roughly two weeks ago, earily adept cyber criminals

810
00:42:16,000 --> 00:42:20,000
Speaker 2: hacked into Sony's computer systems, paralyzed their operations, had tapped

811
00:42:20,000 --> 00:42:23,120
Speaker 2: into a troll for hypersensitive internal information. Since the initial attack,

812
00:42:23,200 --> 00:42:27,000
Speaker 2: steady flow of revelations, including top employee salaries, nasty Hollywood

813
00:42:27,040 --> 00:42:30,840
Speaker 2: hardball emails, and illicit movie downloads, has trickled into news,

814
00:42:31,440 --> 00:42:34,120
Speaker 2: news reports and foul sharing sits. Sony is working with

815
00:42:34,200 --> 00:42:36,480
Speaker 2: multiple authorities to pinpoint to who the hackers are, but

816
00:42:36,600 --> 00:42:40,560
Speaker 2: for now, the relentless hackers, dubbed Guardians of Peace, have

817
00:42:40,760 --> 00:42:43,400
Speaker 2: made it clear that They're not done tormenting the company

818
00:42:43,719 --> 00:42:47,200
Speaker 2: and won't stop until Sony meets the demands. The attackers

819
00:42:47,239 --> 00:42:50,040
Speaker 2: have also gone as far as threatening the family of

820
00:42:50,160 --> 00:42:51,080
Speaker 2: Sony employees.

821
00:42:51,160 --> 00:42:53,680
Speaker 3: Here's a list to be updated of everything revealing the

822
00:42:53,880 --> 00:42:54,440
Speaker 3: hack so far.

823
00:42:55,760 --> 00:42:58,120
Speaker 2: So far, the hackers have released reports that three batches

824
00:42:58,120 --> 00:43:01,520
Speaker 2: of documents, which many out lists are still sifting through.

825
00:43:01,960 --> 00:43:05,320
Speaker 2: Although investigators have not presently identified the coopers. The attackers

826
00:43:05,400 --> 00:43:08,760
Speaker 2: reportedly worked from a hotel in Thailand, despite the speculation

827
00:43:08,880 --> 00:43:11,120
Speaker 2: in North Korea could be involved in that Sony's upcoming

828
00:43:11,200 --> 00:43:13,160
Speaker 2: film the Interview was the root of the problem. The

829
00:43:13,239 --> 00:43:16,680
Speaker 2: company is denied involvement and according to Variety, Sony still

830
00:43:16,800 --> 00:43:19,960
Speaker 2: playing the country's denied involvement. According to Variety, Sony still

831
00:43:20,000 --> 00:43:22,560
Speaker 2: plans on releasing The Rogan Franko pick on Christmas Day.

832
00:43:22,680 --> 00:43:26,200
Speaker 2: Of course, gender paytasterarities. According to The Daily Beats, another

833
00:43:26,280 --> 00:43:32,120
Speaker 2: round of Amy Pascal emails ray reveals that Jennifer Lawrence

834
00:43:32,160 --> 00:43:35,560
Speaker 2: and Amy Adams received less back end conversation for American

835
00:43:35,680 --> 00:43:39,120
Speaker 2: Hustle than the film's mail stars did early, only earning

836
00:43:39,239 --> 00:43:43,359
Speaker 2: only seven points to Bradley Cooper, Jeremy Renner, and uh

837
00:43:43,920 --> 00:43:45,320
Speaker 2: Jeremy renders nine points.

838
00:43:46,160 --> 00:43:48,359
Speaker 1: I believe that because they always pay women less.

839
00:43:49,040 --> 00:43:52,880
Speaker 2: Coloney Colooney's own Citizen k and it's ironic twist. More

840
00:43:52,920 --> 00:43:56,640
Speaker 2: hacked emails revealed George Clooney crowing about how his movie

841
00:43:57,520 --> 00:44:01,080
Speaker 2: about the News Corp Phone hacking scandal will be. How

842
00:44:01,719 --> 00:44:04,000
Speaker 2: much fun are we gonna have? Cloney tow Pascal. The

843
00:44:04,040 --> 00:44:07,319
Speaker 2: states are higher than Citizen Kane. Everything will be double source,

844
00:44:07,400 --> 00:44:10,880
Speaker 2: So come on with their lawsuit fuckers. Oh so he

845
00:44:11,080 --> 00:44:14,239
Speaker 2: was saying that, you know, he wants to get a

846
00:44:14,400 --> 00:44:18,400
Speaker 2: movie about the leaks for News Court where they were

847
00:44:18,440 --> 00:44:20,080
Speaker 2: hacking into people's phones and all that shit.

848
00:44:21,040 --> 00:44:22,200
Speaker 3: Ghostbuster rumors.

849
00:44:23,200 --> 00:44:26,479
Speaker 2: Like everyone else on the internet, Sony executives soon again

850
00:44:26,600 --> 00:44:30,560
Speaker 2: dreamcasting their own perfect lineups for pofees all women Ghostbusters.

851
00:44:31,040 --> 00:44:35,360
Speaker 2: In October, Pascal emailed Irvin Wrightman to tell him the

852
00:44:35,400 --> 00:44:38,160
Speaker 2: studio was aiming for Jennifer Lawrence, Emma Stone, Melissa McCarthy,

853
00:44:38,239 --> 00:44:41,360
Speaker 2: and Lizzie Kaplan, all of the women who have reportedly

854
00:44:41,440 --> 00:44:45,000
Speaker 2: expressed interests. Weeks later, the studio's legal department debated whether

855
00:44:45,080 --> 00:44:47,000
Speaker 2: or not to sue Bill Murray to make him uppear

856
00:44:47,040 --> 00:44:51,440
Speaker 2: in the film. Shit Hitler jokes another league email reveals

857
00:44:51,440 --> 00:44:54,400
Speaker 2: Scott Rudin getting into point a pretty decent burn on

858
00:44:54,560 --> 00:44:57,880
Speaker 2: David Fincher after Angelina Joe Lee told Rooting and Pascal

859
00:44:57,960 --> 00:45:01,399
Speaker 2: that she was considering Fincher for her Cleopatrick film even

860
00:45:01,440 --> 00:45:04,320
Speaker 2: though he may be difficult, Ruden responded, may be difficult

861
00:45:04,440 --> 00:45:06,200
Speaker 2: like Hitler may be anti Semitic.

862
00:45:07,080 --> 00:45:09,400
Speaker 3: So that was actually a shot at David Fincher.

863
00:45:11,719 --> 00:45:14,040
Speaker 2: They and then at one point I believe they called

864
00:45:14,120 --> 00:45:16,680
Speaker 2: her like talentless or some shit to overrat it.

865
00:45:17,480 --> 00:45:18,840
Speaker 3: Let's see snowd in Gangs.

866
00:45:18,960 --> 00:45:23,560
Speaker 2: Sony owns the rights to Glenn Grenwalls Greenwald's Edward Snowden book,

867
00:45:23,840 --> 00:45:26,800
Speaker 2: but executives in the company are wary of making it

868
00:45:27,000 --> 00:45:29,480
Speaker 2: due to the competition with Alva stone Snowden bio pic

869
00:45:29,960 --> 00:45:33,560
Speaker 2: with Joseph Gordon Levitt as the NSA whistleblower. Even so,

870
00:45:33,840 --> 00:45:35,799
Speaker 2: they don't think the Stone film will be any good.

871
00:45:35,880 --> 00:45:37,719
Speaker 2: I love the first act, but it just never kicks

872
00:45:37,760 --> 00:45:41,799
Speaker 2: in the high gear. And I worry about spe Motion

873
00:45:42,120 --> 00:45:45,040
Speaker 2: Picture Group president Doug Belgrad said in the leaked email,

874
00:45:45,360 --> 00:45:47,719
Speaker 2: And I worry about that the world will have very

875
00:45:47,760 --> 00:45:50,879
Speaker 2: mixed feelings about him. At fifty million. The movie has

876
00:45:50,920 --> 00:45:54,759
Speaker 2: to be great and totally satisfying. Boba Fett and Star Wars.

877
00:45:54,880 --> 00:45:56,920
Speaker 2: Like everything else on, the executives are in the dark

878
00:45:56,920 --> 00:46:00,279
Speaker 2: about Disney's upcoming Star Wars films. However, emails are the

879
00:46:00,360 --> 00:46:03,200
Speaker 2: rumors going around upper echelnes of Hollywood about the project,

880
00:46:03,280 --> 00:46:05,719
Speaker 2: most notably that one of the standalone Star Wars films

881
00:46:05,719 --> 00:46:08,479
Speaker 2: directed by Gareth Edwards and Josh Frank might be about

882
00:46:08,520 --> 00:46:12,080
Speaker 2: Bob A Fat Drake might return to acting. According to

883
00:46:12,120 --> 00:46:14,840
Speaker 2: an email from Spike Lee's agent, the former Jimmy Brooks

884
00:46:15,000 --> 00:46:18,840
Speaker 2: may appear in Lee's School Days Too, a sequel to

885
00:46:19,160 --> 00:46:21,480
Speaker 2: director's nineteen eighty eight film. Drake would start as a

886
00:46:21,560 --> 00:46:25,200
Speaker 2: character named p Niss, alongside Kevin Hart.

887
00:46:26,120 --> 00:46:31,640
Speaker 3: What more Sorking drama and a blistering email.

888
00:46:31,719 --> 00:46:35,520
Speaker 2: Pascal slams bunch of Sony's upcoming slate, including multiple films

889
00:46:35,560 --> 00:46:39,439
Speaker 2: by Aaron Sorkin and Cameron Crows, Bradley Cooper, Emma Stone film.

890
00:46:39,960 --> 00:46:43,840
Speaker 2: Cameron never changed anything about the script, she says. People

891
00:46:43,960 --> 00:46:46,799
Speaker 2: don't like people. People don't like people in movies who

892
00:46:46,840 --> 00:46:49,280
Speaker 2: flirt with married people or married people who flirt Sorkin.

893
00:46:50,120 --> 00:46:52,279
Speaker 2: She says, coast the studio cost the studio a lot

894
00:46:52,280 --> 00:46:54,520
Speaker 2: of money with his insane fee because he is broke

895
00:46:54,840 --> 00:46:56,000
Speaker 2: and just wants to get paid.

896
00:46:57,360 --> 00:46:58,040
Speaker 1: I got jokes.

897
00:46:58,160 --> 00:46:58,719
Speaker 3: I'm telling you.

898
00:46:58,920 --> 00:47:02,080
Speaker 2: I Well, I'll say it at the end, but remind

899
00:47:02,120 --> 00:47:05,800
Speaker 2: me to say something about Sony movie. Apatow is angry

900
00:47:05,920 --> 00:47:08,880
Speaker 2: Judd Appatole. How do you make a friendly Hollywood dad?

901
00:47:08,960 --> 00:47:11,520
Speaker 2: Jud Appato mad as Pascal found out, the answer is

902
00:47:11,560 --> 00:47:14,279
Speaker 2: schedule one of his good buddy Adam Sandler's films to

903
00:47:14,400 --> 00:47:17,319
Speaker 2: open on the same day as his next movie. Why

904
00:47:17,360 --> 00:47:19,799
Speaker 2: did you move your movie into my day? Appatitle asked

905
00:47:19,840 --> 00:47:22,200
Speaker 2: for her over email. I never put my movies on

906
00:47:22,320 --> 00:47:25,520
Speaker 2: Sandlor's dates. Never, he had neither. We all respect each other.

907
00:47:25,680 --> 00:47:29,719
Speaker 2: We don't try to hurt each other, so that was

908
00:47:29,760 --> 00:47:35,480
Speaker 2: a fuck up. Will Ferrell is Donald Sterling what dazing

909
00:47:35,600 --> 00:47:38,120
Speaker 2: reports to Sony executives knocked around the idea of remaking

910
00:47:38,160 --> 00:47:40,960
Speaker 2: the nineteen eighty six David de Vito comedy Ruthless People

911
00:47:41,000 --> 00:47:44,480
Speaker 2: with Will Ferrell as Donald Sterling type on her kidnapped

912
00:47:44,480 --> 00:47:46,719
Speaker 2: the week before the Super Bowl. It is unclear how

913
00:47:46,760 --> 00:47:50,520
Speaker 2: far discussion around the project advance. Obama is quote unquote

914
00:47:50,680 --> 00:47:53,760
Speaker 2: favorite movies, and another alleged email Amy Pascual and Scott

915
00:47:53,840 --> 00:47:56,719
Speaker 2: Rudini email exchange. This one at least by buzz visit

916
00:47:56,760 --> 00:47:59,200
Speaker 2: two try to guess what President Obama's.

917
00:47:58,760 --> 00:47:59,480
Speaker 3: Favorite movies are.

918
00:48:00,000 --> 00:48:03,960
Speaker 2: This include Django, Unchain, Twelve Years of Slave, and Ride Along,

919
00:48:04,080 --> 00:48:09,280
Speaker 2: among others. By by budget, the next James Bond movie, Specter,

920
00:48:09,360 --> 00:48:11,360
Speaker 2: could end up being one of the most expensive films

921
00:48:11,400 --> 00:48:15,920
Speaker 2: ever made. The site of Seeing In Money earthed internal

922
00:48:16,040 --> 00:48:19,040
Speaker 2: MGM Sony memos that say the current budget sits in

923
00:48:19,160 --> 00:48:22,440
Speaker 2: amid three hundred millions, and it reveals a handful of

924
00:48:22,520 --> 00:48:26,840
Speaker 2: potential character and plot details. No exploding face please warning

925
00:48:26,920 --> 00:48:28,919
Speaker 2: spoilers for the interview for her Head.

926
00:48:29,040 --> 00:48:29,839
Speaker 3: Okay, Yeah, they.

927
00:48:30,280 --> 00:48:34,600
Speaker 2: Basically planned to kill Kim John Ill in the movie somehow,

928
00:48:34,880 --> 00:48:39,080
Speaker 2: and Kim John un and Sony told them to die

929
00:48:39,160 --> 00:48:39,680
Speaker 2: that shit.

930
00:48:39,640 --> 00:48:42,120
Speaker 3: Back because shit was gonna be too too fucked up.

931
00:48:43,080 --> 00:48:47,480
Speaker 2: Spider Man crossover, it's been a big one. They discussed

932
00:48:47,719 --> 00:48:50,400
Speaker 2: new plans for Sony Spidery. One emaal reportly referenced that

933
00:48:50,480 --> 00:48:53,840
Speaker 2: Marvel produced trilogy, and another let loose that the comic

934
00:48:54,000 --> 00:48:56,680
Speaker 2: Giant wanted Spider Man in his third Captain America movie.

935
00:48:57,160 --> 00:48:59,960
Speaker 2: One of the journals sources said that Marvel eventually put

936
00:49:00,239 --> 00:49:02,440
Speaker 2: out and that Sony is now going forward with its

937
00:49:02,480 --> 00:49:05,640
Speaker 2: own plan. Part of said plan is an animated comedy

938
00:49:05,880 --> 00:49:08,640
Speaker 2: for the superhero. It will be produced by twenty two

939
00:49:08,719 --> 00:49:09,480
Speaker 2: John Streets.

940
00:49:09,239 --> 00:49:10,359
Speaker 3: Chris Miller, and Phil Lord.

941
00:49:12,360 --> 00:49:14,680
Speaker 2: They're also talking about if they did some of this,

942
00:49:14,840 --> 00:49:17,000
Speaker 2: Andrew Garfield will be out of Spider Man just a

943
00:49:17,040 --> 00:49:18,040
Speaker 2: bunch of shit, right.

944
00:49:17,920 --> 00:49:20,839
Speaker 4: Because he's older, which makes sense. And it's just one

945
00:49:20,840 --> 00:49:24,520
Speaker 4: of those things where Marvels like, hey, y'all been making this,

946
00:49:24,840 --> 00:49:27,520
Speaker 4: y'all hadn't been making the money that y'all. Y'all making money,

947
00:49:27,600 --> 00:49:31,040
Speaker 4: but y'all not making the money that y'all could make.

948
00:49:32,719 --> 00:49:34,200
Speaker 1: So we want to do it.

949
00:49:34,320 --> 00:49:37,759
Speaker 4: But they're like, if you don't like like it, don't

950
00:49:37,800 --> 00:49:39,640
Speaker 4: bother them either way. It's one of those things where

951
00:49:39,760 --> 00:49:41,439
Speaker 4: we do it cool, we don't cool.

952
00:49:41,680 --> 00:49:44,240
Speaker 2: At this point, they just have to keep making money movies,

953
00:49:44,480 --> 00:49:47,319
Speaker 2: movies so they can have the Spider Man license, which

954
00:49:47,360 --> 00:49:50,120
Speaker 2: may be even more valuable than the profit making movie.

955
00:49:50,360 --> 00:49:50,880
Speaker 3: Correct, and the.

956
00:49:50,920 --> 00:49:53,759
Speaker 2: Movies do make money, I mean, people were shitting on

957
00:49:53,880 --> 00:49:56,719
Speaker 2: Spider Man. They made Spider Man two, but it was

958
00:49:56,800 --> 00:50:01,280
Speaker 2: a top five finish in money for the year, top five.

959
00:50:01,560 --> 00:50:04,560
Speaker 1: Well, I guess the line that people go, if you

960
00:50:04,640 --> 00:50:05,400
Speaker 1: don't make it to this.

961
00:50:06,600 --> 00:50:09,480
Speaker 2: It's all it's all arbitrary bullshit that people want to

962
00:50:09,640 --> 00:50:12,160
Speaker 2: like ship on the movies they don't like, so they

963
00:50:12,200 --> 00:50:13,880
Speaker 2: start talking about budget when they don't talk about it

964
00:50:13,960 --> 00:50:18,000
Speaker 2: with other movies. Correct information about Aaron Sorkin Steve Jobs

965
00:50:18,080 --> 00:50:21,920
Speaker 2: film was released Tuesday in the form of acerbic emails.

966
00:50:22,320 --> 00:50:25,719
Speaker 2: Gawker posted a string of correspondences between Sony Pictures CoA

967
00:50:25,760 --> 00:50:30,160
Speaker 2: chairman Amy Pascual and producers Scott Ruden that purportedly details

968
00:50:30,160 --> 00:50:33,120
Speaker 2: how Sony lost control of the project. The exchanges uh

969
00:50:33,320 --> 00:50:36,520
Speaker 2: the site posted reveal almost a year's worth of incense

970
00:50:36,560 --> 00:50:40,880
Speaker 2: Hollywood hardball, including some Angelina bashing, Adilie, Joe Lee bashing

971
00:50:41,239 --> 00:50:46,120
Speaker 2: Michael Fastman, the Penis appreciating. Even David Fincher got in

972
00:50:46,280 --> 00:50:50,600
Speaker 2: on the fund with an Adam Driver slam ours Tekenah.

973
00:50:50,960 --> 00:50:53,640
Speaker 2: Technika got his hands on another portion of the exchange

974
00:50:53,680 --> 00:50:56,239
Speaker 2: that has Sorkin lobbying for Tom Cruise to try to

975
00:50:56,320 --> 00:50:59,600
Speaker 2: lead role monetary demands. For the first few weeks, it

976
00:50:59,640 --> 00:51:02,560
Speaker 2: was unknow what the hackers wanted from Sony. Mashabelle Iver

977
00:51:02,680 --> 00:51:04,920
Speaker 2: tracked down and extortion email sent to the top studio

978
00:51:04,960 --> 00:51:07,600
Speaker 2: exacts three dates for their taxi reads We've got great

979
00:51:07,680 --> 00:51:10,719
Speaker 2: damage by Sony Pictures. The conversation for monetary conversation. We

980
00:51:10,840 --> 00:51:13,520
Speaker 2: want pay the damage or Sony Pictures will be bombarded

981
00:51:13,560 --> 00:51:14,040
Speaker 2: as a whole.

982
00:51:14,120 --> 00:51:16,160
Speaker 3: You know us very well. We will never wait long.

983
00:51:16,719 --> 00:51:21,480
Speaker 2: You better behave wisely from God's Abstoles Apostles.

984
00:51:21,520 --> 00:51:21,799
Speaker 13: I guess.

985
00:51:22,280 --> 00:51:24,719
Speaker 2: As Matshaville pointed out, it has not been possible to

986
00:51:24,719 --> 00:51:27,640
Speaker 2: confront The letter was from God's Apostles, who wholly related

987
00:51:27,719 --> 00:51:31,160
Speaker 2: to the ensuing Guardians of Peace hack. This tweet email

988
00:51:31,760 --> 00:51:33,959
Speaker 2: makes things a little more confusing, but one thing is certain.

989
00:51:33,960 --> 00:51:37,120
Speaker 2: Whether it's one group or several, A seemingly global force

990
00:51:37,200 --> 00:51:42,200
Speaker 2: is pissed off of Sony celebrity aliases. Fusion was able

991
00:51:42,239 --> 00:51:46,560
Speaker 2: to track down a folder label public Publicity Bibbles, which

992
00:51:46,600 --> 00:51:50,399
Speaker 2: included cast and crew contact directories for recently for Lease

993
00:51:50,480 --> 00:51:53,240
Speaker 2: Sony films. The files blew the cover of the secret

994
00:51:53,280 --> 00:51:56,440
Speaker 2: aliases of some of the studios movie stars that they

995
00:51:56,560 --> 00:51:58,400
Speaker 2: used to do normal people things you like check it

996
00:51:58,440 --> 00:52:02,560
Speaker 2: to a hotel and stuff. Tom Hanks goes by Harry

997
00:52:02,640 --> 00:52:07,240
Speaker 2: Latter and Johnny Madrid, Jessica Auwer goes by cash Money.

998
00:52:08,040 --> 00:52:11,560
Speaker 1: Ah, what cash money? How is that? Even that didn't

999
00:52:11,560 --> 00:52:14,799
Speaker 1: even make sense right? Those nobody questions that it's not.

1000
00:52:14,880 --> 00:52:19,239
Speaker 2: Even niggas figures at all when as a sign in

1001
00:52:19,400 --> 00:52:24,680
Speaker 2: as I'm famous catch money, Natalie Portman goes by Lauren Brown,

1002
00:52:24,840 --> 00:52:25,479
Speaker 2: among others.

1003
00:52:25,520 --> 00:52:26,799
Speaker 3: Top secret profitability.

1004
00:52:27,120 --> 00:52:30,840
Speaker 2: Among the thousand documents folding around, the Hollywood Reporter found

1005
00:52:31,040 --> 00:52:33,960
Speaker 2: top secret letters that knowe details about production spending and

1006
00:52:34,080 --> 00:52:36,880
Speaker 2: ultimate profitability in some of the last year's films and

1007
00:52:37,000 --> 00:52:39,560
Speaker 2: slewer projects, including This Is the End fifty million, Grown

1008
00:52:39,640 --> 00:52:42,080
Speaker 2: Ups forty eight million, Captain Phillers thirty nine million, and

1009
00:52:42,160 --> 00:52:45,279
Speaker 2: American Hustle twenty seven will end up in profit, among others.

1010
00:52:46,160 --> 00:52:49,359
Speaker 2: Don't forget about TV reporters a matchable review the number

1011
00:52:49,360 --> 00:52:52,160
Speaker 2: of documents too, some having to do with Sony's television

1012
00:52:52,280 --> 00:52:55,080
Speaker 2: arm that found that Sony three year Seinfeld syndication deal

1013
00:52:55,200 --> 00:52:58,000
Speaker 2: for local affiliate stations will earn the company at least

1014
00:52:58,040 --> 00:53:00,200
Speaker 2: eighteen and a half million. Pilot scripts for two out

1015
00:53:00,239 --> 00:53:02,640
Speaker 2: of fourteen TV season will also leaked. One of the

1016
00:53:02,760 --> 00:53:08,600
Speaker 2: juiciest was Vince Gilligan's Battle Creek. A problem with Adam

1017
00:53:08,640 --> 00:53:12,600
Speaker 2: Sandler movies. We talked about this earlier whack Yeah, so

1018
00:53:12,719 --> 00:53:15,799
Speaker 2: we won't have to cover that again, but they basically.

1019
00:53:15,480 --> 00:53:16,200
Speaker 3: Said they was bad.

1020
00:53:18,280 --> 00:53:21,800
Speaker 2: James Franco and Seth Rogan's pay day adding to a breach,

1021
00:53:22,200 --> 00:53:25,680
Speaker 2: exposed the salaries of Delte Touche Toach, I don't know

1022
00:53:25,760 --> 00:53:29,760
Speaker 2: that person, deu Toach, I don't know and top Sony

1023
00:53:29,840 --> 00:53:33,840
Speaker 2: execs credit card number the hackers. Also released in the

1024
00:53:34,200 --> 00:53:37,239
Speaker 2: interview's budget include documents that it took roughly forty four

1025
00:53:37,280 --> 00:53:39,360
Speaker 2: million dollars to make the movie, with Seth Rogan receiving

1026
00:53:39,440 --> 00:53:42,359
Speaker 2: eight point four million and James Franco getting six point

1027
00:53:42,400 --> 00:53:45,080
Speaker 2: five million. The documents also cut all out the conversation

1028
00:53:45,239 --> 00:53:49,080
Speaker 2: racist so security number for other celebrities tied to the studio, including.

1029
00:53:48,760 --> 00:53:53,880
Speaker 3: Sevester Stallon and Judd Appatoo. Let's see what else.

1030
00:53:53,880 --> 00:53:57,919
Speaker 2: Silver linings uh trying to find some optimism a million

1031
00:53:57,960 --> 00:54:00,719
Speaker 2: of policy mugs. Sony told Deadline a few days after

1032
00:54:00,760 --> 00:54:03,800
Speaker 2: the first leagus that its computer systems were coposedic and

1033
00:54:03,880 --> 00:54:05,400
Speaker 2: that it was working out a deal to create a

1034
00:54:05,480 --> 00:54:09,560
Speaker 2: narrative feature of Tiller Russell's The seven to five, essentially

1035
00:54:09,600 --> 00:54:12,439
Speaker 2: the corrupt cop version of good Fellas. The site also

1036
00:54:12,520 --> 00:54:15,719
Speaker 2: reported Sony Social accounts for the company and its compromised

1037
00:54:15,800 --> 00:54:19,360
Speaker 2: movies surged with new subscribers. The official Sony page grabbed

1038
00:54:19,640 --> 00:54:22,120
Speaker 2: one point six million likes on Thanksgiving.

1039
00:54:21,719 --> 00:54:25,600
Speaker 3: Day, watermark screeners and forthcoming films.

1040
00:54:25,680 --> 00:54:29,240
Speaker 2: Soon after Sony System went down, Award season screeners for Fury,

1041
00:54:29,400 --> 00:54:32,440
Speaker 2: Annie Still Allie, and Mister Turner, as well as a

1042
00:54:32,480 --> 00:54:35,040
Speaker 2: cut of the twenty fifteen film The Right to Love

1043
00:54:35,120 --> 00:54:38,359
Speaker 2: on Her Arms, were disseminated on the legal foul sharing sites.

1044
00:54:38,400 --> 00:54:42,880
Speaker 2: The films immediately became early Christmas presents for piracy site frequenters.

1045
00:54:43,200 --> 00:54:46,080
Speaker 2: According to Variety, Fury was downloaded more than one million

1046
00:54:46,160 --> 00:54:50,439
Speaker 2: times one day after the leagues. Yeah, and Annie hasn't

1047
00:54:50,480 --> 00:54:52,239
Speaker 2: even come out yet. I hope that doesn't kill the

1048
00:54:52,360 --> 00:54:55,360
Speaker 2: sales me, because I really would hate for convension.

1049
00:54:55,880 --> 00:54:58,120
Speaker 3: You know, I have to suffer like that. Correct.

1050
00:54:59,280 --> 00:55:02,080
Speaker 2: Chanting Tatum got a leaked email that he wrote to

1051
00:55:02,520 --> 00:55:08,120
Speaker 2: Sony at the twenty two Jump Street came in between

1052
00:55:08,160 --> 00:55:11,759
Speaker 2: all so, it says a celebratory A celebratory email from

1053
00:55:11,840 --> 00:55:14,520
Speaker 2: Channing Tatum to his twenty two Jump Street tween.

1054
00:55:14,840 --> 00:55:15,400
Speaker 3: He writes the.

1055
00:55:15,440 --> 00:55:19,960
Speaker 2: Email like you think he would write an email, It

1056
00:55:20,040 --> 00:55:24,960
Speaker 2: says f you ted for insflamation Park marks second of

1057
00:55:25,080 --> 00:55:25,720
Speaker 2: all time.

1058
00:55:27,000 --> 00:55:30,400
Speaker 3: Bach, come on, Jump streeters.

1059
00:55:30,440 --> 00:55:34,600
Speaker 2: We got Kate Blanchett with this box office bitches and

1060
00:55:34,800 --> 00:55:38,920
Speaker 2: then literally over a page and I have of ha

1061
00:55:39,120 --> 00:55:39,360
Speaker 2: ha ha ha.

1062
00:55:40,480 --> 00:55:42,960
Speaker 1: Oh my god, oh my are you s yes? And

1063
00:55:43,040 --> 00:55:43,840
Speaker 1: that's the whole email.

1064
00:55:44,000 --> 00:55:44,880
Speaker 3: That's the whole email.

1065
00:55:45,000 --> 00:55:45,319
Speaker 21: I love.

1066
00:55:45,480 --> 00:55:47,640
Speaker 1: Oh my god, that is hilarious.

1067
00:55:48,040 --> 00:55:52,040
Speaker 3: Chanitatum is the freaking greatest. I love that, dude, and it.

1068
00:55:52,160 --> 00:55:55,879
Speaker 4: Lily has like a thousand million highs on the way down.

1069
00:55:57,160 --> 00:55:57,640
Speaker 3: I'll put it.

1070
00:55:57,840 --> 00:56:01,319
Speaker 2: I'll put it in the links. You guys can see

1071
00:56:01,360 --> 00:56:03,839
Speaker 2: it for yourself. You can see the leak.

1072
00:56:03,960 --> 00:56:09,239
Speaker 3: But oh, it is such a meet head fucking thing

1073
00:56:09,360 --> 00:56:11,399
Speaker 3: to say, I love it. Oh my god.

1074
00:56:11,600 --> 00:56:14,799
Speaker 2: Ah wait till you see all those has. You can't

1075
00:56:14,840 --> 00:56:18,440
Speaker 2: even scroll long enough to see them, all right. It

1076
00:56:18,520 --> 00:56:20,600
Speaker 2: grossed over one hundred ninety million in the United States.

1077
00:56:20,640 --> 00:56:24,560
Speaker 2: According to other leaked emails. Sony is considered murdering the

1078
00:56:24,640 --> 00:56:28,440
Speaker 2: men in Black franchise with the Jump Street franchise and

1079
00:56:28,560 --> 00:56:31,759
Speaker 2: ambitious reimagining of tatums. Jump Street co star Jonah Hill

1080
00:56:32,200 --> 00:56:37,160
Speaker 2: describes as no joke, clean and rat and powerful, So

1081
00:56:37,480 --> 00:56:40,680
Speaker 2: that would be interesting. Black twenty One Jump Street and

1082
00:56:40,880 --> 00:56:45,279
Speaker 2: Men in Black Lisa Kudro on the Sony emails. Executives

1083
00:56:45,360 --> 00:56:50,400
Speaker 2: need boundaries and accountability. Here's the thing this is, this

1084
00:56:50,600 --> 00:56:55,920
Speaker 2: is such a beautiful thing that happened. Because we know

1085
00:56:56,680 --> 00:56:58,040
Speaker 2: stars can be temperamental.

1086
00:56:58,239 --> 00:56:58,680
Speaker 27: We know that.

1087
00:56:58,880 --> 00:56:59,880
Speaker 3: You know, we've watched ento.

1088
00:57:00,320 --> 00:57:02,560
Speaker 2: We all think this shit happens behind the scenes, but

1089
00:57:02,640 --> 00:57:05,040
Speaker 2: it's almost like until it comes out, people are like,

1090
00:57:05,400 --> 00:57:07,520
Speaker 2: oh wait, yeah, I guess that is how it goes.

1091
00:57:08,360 --> 00:57:10,360
Speaker 2: They don't like these people, and these people are temperamental,

1092
00:57:10,400 --> 00:57:11,120
Speaker 2: are hard to deal with.

1093
00:57:11,400 --> 00:57:13,759
Speaker 4: Right, They deal with them because everybody's making money, but

1094
00:57:14,040 --> 00:57:15,280
Speaker 4: not because they're nice people.

1095
00:57:15,640 --> 00:57:18,400
Speaker 2: And so many people like when the racist shit came out,

1096
00:57:18,440 --> 00:57:22,000
Speaker 2: so many people were like, no, these are their private emails.

1097
00:57:22,120 --> 00:57:23,240
Speaker 3: You're at work, motherfucker.

1098
00:57:23,520 --> 00:57:26,720
Speaker 2: Correct at work, This isn't your home that they didn't

1099
00:57:26,760 --> 00:57:29,360
Speaker 2: hack your Gmail, motherfucker they cacked y'all.

1100
00:57:29,600 --> 00:57:31,959
Speaker 1: Y'all felt that's what they hacked.

1101
00:57:32,280 --> 00:57:36,120
Speaker 2: Y'all felt comfortable sending racist emails and shit like that.

1102
00:57:36,280 --> 00:57:37,080
Speaker 3: Y'all feel that way.

1103
00:57:37,120 --> 00:57:39,560
Speaker 4: It's not your hotmail, your y'allhoo yo, Google Plus, this

1104
00:57:39,720 --> 00:57:42,240
Speaker 4: is your company associated email.

1105
00:57:42,960 --> 00:57:46,160
Speaker 2: So Lisa Kudro said, don't write anything you don't want broadcasts.

1106
00:57:46,960 --> 00:57:49,280
Speaker 2: How come I know you don't write anything you don't

1107
00:57:49,320 --> 00:57:50,800
Speaker 2: want broadcasts in an email?

1108
00:57:50,920 --> 00:57:53,120
Speaker 3: How come I know that who's advising people?

1109
00:57:53,680 --> 00:57:55,720
Speaker 2: I think we need more boundaries and accountability and a

1110
00:57:55,800 --> 00:57:57,640
Speaker 2: little personal responsibility for what we say.

1111
00:57:59,120 --> 00:58:01,120
Speaker 3: So you know, all these started calling up there like

1112
00:58:01,200 --> 00:58:02,120
Speaker 3: I want this vibe.

1113
00:58:02,160 --> 00:58:04,680
Speaker 4: I got fired right because there was like, I don't

1114
00:58:04,680 --> 00:58:06,480
Speaker 4: want my personal shit out in the public.

1115
00:58:06,880 --> 00:58:12,080
Speaker 2: No one tells talks about me this way. Leonardo DiCaprio

1116
00:58:12,200 --> 00:58:17,680
Speaker 2: got called despicable. So it says that a while lead

1117
00:58:18,000 --> 00:58:20,960
Speaker 2: is wildly known that Leonardo DiCaprio was originally supposed to

1118
00:58:20,960 --> 00:58:23,600
Speaker 2: play Steve Jobs in the upcoming movie from Aaron Sorkin,

1119
00:58:23,880 --> 00:58:26,720
Speaker 2: what is a common knowledge is how Amy Pascual and

1120
00:58:26,840 --> 00:58:31,800
Speaker 2: the film's producer took the news horrible behavior. Producer Mark

1121
00:58:31,880 --> 00:58:37,040
Speaker 2: Gordon wrote, actually despicable. Pascal corrected him. According to stolen

1122
00:58:37,080 --> 00:58:39,720
Speaker 2: emails published a by The Daily Beast on Saturday, Gordon

1123
00:58:40,160 --> 00:58:43,200
Speaker 2: had asked the Sony Pictures Chuck CoA chairman, whether DiCaprio's

1124
00:58:43,240 --> 00:58:45,880
Speaker 2: decision to pull out the Apple Bio pic was based

1125
00:58:45,920 --> 00:58:50,440
Speaker 2: on money or not, and Pascal's applied the latter. Sony

1126
00:58:50,480 --> 00:58:52,720
Speaker 2: declined to comment on the story. It's the latest in

1127
00:58:52,760 --> 00:58:57,760
Speaker 2: the fallout. Let's see what else it says. Also limb

1128
00:58:57,840 --> 00:59:01,120
Speaker 2: based in the newest emails or Willow Jaden Smith.

1129
00:59:01,120 --> 00:59:03,920
Speaker 3: God damn they know no bounds.

1130
00:59:04,600 --> 00:59:08,520
Speaker 2: According to The Daily VI's Tom Robbidy, Tom Rothman, head

1131
00:59:08,560 --> 00:59:11,560
Speaker 2: a Trostar Production, sent a message to Pascal November eighteen,

1132
00:59:11,600 --> 00:59:14,000
Speaker 2: following the release of Willow and Jason Smith's now infamous

1133
00:59:14,280 --> 00:59:15,440
Speaker 2: team magazine.

1134
00:59:15,040 --> 00:59:16,760
Speaker 3: Interview one read this.

1135
00:59:17,040 --> 00:59:20,880
Speaker 2: The email, which forwarded the link read two. They are homeschooled.

1136
00:59:20,880 --> 00:59:25,720
Speaker 2: Don't let this family date your movies. Damn going in

1137
00:59:25,880 --> 00:59:30,600
Speaker 2: on Black Royalty. Meanwhile, changes between Pascal and Goslin's talent

1138
00:59:30,720 --> 00:59:34,920
Speaker 2: manager Aileen Fellman had a much different tone. Ryan absolutely

1139
00:59:35,000 --> 00:59:37,720
Speaker 2: loved you fail mean ro on October third said it

1140
00:59:37,840 --> 00:59:39,880
Speaker 2: was like speed Day because he was late after hitting

1141
00:59:39,920 --> 00:59:43,320
Speaker 2: every wrong gate on the lot. Not if not, it

1142
00:59:43,400 --> 00:59:46,800
Speaker 2: should turn to marriage. He really wants to do something

1143
00:59:46,880 --> 00:59:47,120
Speaker 2: with you.

1144
00:59:47,680 --> 00:59:51,360
Speaker 3: Wow. So he's trying to say trying to fuck Zoom

1145
00:59:51,640 --> 00:59:53,560
Speaker 3: may or maybe means he wants to do something with

1146
00:59:53,640 --> 00:59:55,080
Speaker 3: the studio possible.

1147
00:59:55,680 --> 00:59:58,760
Speaker 2: Pascal then looked into what project Gotson was interested in pursuing,

1148
00:59:58,800 --> 01:00:04,720
Speaker 2: which is allegedly Paul for Ghostbusters film reboot. There's one

1149
01:00:05,160 --> 01:00:09,560
Speaker 2: May mail Park Paul is planning. How insane would that be?

1150
01:00:09,720 --> 01:00:14,080
Speaker 2: He also wants Jennifer and Emma, he later wrote to

1151
01:00:14,360 --> 01:00:18,680
Speaker 2: Hannah Miguela, the other co president production in Columbia. Other

1152
01:00:18,760 --> 01:00:22,880
Speaker 2: exchanges also showed that Sony also pursued the Notebook actor

1153
01:00:23,000 --> 01:00:26,720
Speaker 2: for the Senator six and jobs. Another email chain containing

1154
01:00:26,760 --> 01:00:29,560
Speaker 2: apology from George Clooney to Pascal by his lack of

1155
01:00:29,640 --> 01:00:31,800
Speaker 2: confidence in the Monuments Man.

1156
01:00:34,440 --> 01:00:37,520
Speaker 3: So George, okay. Her reassurance to the Oscar winning box

1157
01:00:37,600 --> 01:00:38,800
Speaker 3: office is the best revenge.

1158
01:00:40,680 --> 01:00:43,000
Speaker 2: See what else they got? Man, It's so good. I

1159
01:00:43,200 --> 01:00:46,840
Speaker 2: love learning all this bull shit. Kevin Hard is pissed.

1160
01:00:48,360 --> 01:00:50,240
Speaker 3: Because he do a lot of work.

1161
01:00:50,280 --> 01:00:51,480
Speaker 1: She did do work with everybody.

1162
01:00:52,080 --> 01:00:57,760
Speaker 3: They leaked that they had some problems with him. The

1163
01:00:58,800 --> 01:01:00,360
Speaker 3: Kevin Hart's uh.

1164
01:01:01,760 --> 01:01:02,160
Speaker 20: What is this?

1165
01:01:02,400 --> 01:01:02,520
Speaker 28: Uh?

1166
01:01:02,920 --> 01:01:04,640
Speaker 2: Okay, it's a picture. I gotta wait on this ship.

1167
01:01:04,720 --> 01:01:08,000
Speaker 2: The load from Instagram. But basically he was called a

1168
01:01:08,040 --> 01:01:11,560
Speaker 2: whore by top Tony's, by top Sony Execs.

1169
01:01:11,520 --> 01:01:12,720
Speaker 3: In a series of emails.

1170
01:01:13,320 --> 01:01:13,720
Speaker 24: Mm hmm.

1171
01:01:14,200 --> 01:01:17,760
Speaker 2: The stand up actor took to Instagram and defindis actions

1172
01:01:17,760 --> 01:01:20,240
Speaker 2: of reputation because basically they called him a Whrror because

1173
01:01:20,280 --> 01:01:23,120
Speaker 2: he got paid for the movie a certain amount that

1174
01:01:23,200 --> 01:01:23,760
Speaker 2: he agreed upon.

1175
01:01:24,080 --> 01:01:25,480
Speaker 3: But he was like, y'all want me to put this

1176
01:01:25,600 --> 01:01:26,000
Speaker 3: on Twitter.

1177
01:01:26,120 --> 01:01:32,520
Speaker 2: I've cultivated the social media's following, you know, don't you know,

1178
01:01:32,720 --> 01:01:35,600
Speaker 2: don't try to pigeonhole me in with this bullshit that's

1179
01:01:35,640 --> 01:01:38,000
Speaker 2: gonna cause extra because I developed that my own.

1180
01:01:38,920 --> 01:01:40,760
Speaker 1: And you know it, and I don't blame him.

1181
01:01:41,160 --> 01:01:43,840
Speaker 3: That point was, look, you your.

1182
01:01:43,800 --> 01:01:47,040
Speaker 2: Next three films are with us, so if you don't

1183
01:01:47,080 --> 01:01:51,520
Speaker 2: promote it, you just hurting yourself. So it's you know,

1184
01:01:51,800 --> 01:01:54,120
Speaker 2: I can understand both sides, to be honest, I too.

1185
01:01:55,320 --> 01:01:57,440
Speaker 1: Because in his mind, is a form of promotion, just

1186
01:01:57,520 --> 01:02:00,000
Speaker 1: like I go on this other stuff.

1187
01:02:00,400 --> 01:02:01,920
Speaker 4: If you want me to push in promote, I need

1188
01:02:01,960 --> 01:02:03,680
Speaker 4: to get paid extra when I go on these TV

1189
01:02:03,720 --> 01:02:04,480
Speaker 4: interviews and things like that.

1190
01:02:04,800 --> 01:02:06,320
Speaker 3: No, No, no TV interviews.

1191
01:02:06,360 --> 01:02:08,280
Speaker 2: He was fine with that's all part of just the

1192
01:02:08,360 --> 01:02:11,640
Speaker 2: tweets and social media because he's cultivated a big brand

1193
01:02:11,760 --> 01:02:14,240
Speaker 2: in social media, and he's like, you need to pay

1194
01:02:14,280 --> 01:02:14,640
Speaker 2: me for that.

1195
01:02:14,880 --> 01:02:17,520
Speaker 4: Because I'll actually probably reach more people this way than

1196
01:02:17,560 --> 01:02:19,160
Speaker 4: if we're on the other formats.

1197
01:02:19,280 --> 01:02:22,080
Speaker 2: Knowing your self worth is extremely important people. I worked

1198
01:02:22,280 --> 01:02:24,160
Speaker 2: very hard to get to where I am today. I

1199
01:02:24,320 --> 01:02:25,960
Speaker 2: look at myself as a brand, and because of that,

1200
01:02:26,000 --> 01:02:28,000
Speaker 2: I will never allow myself to be taking advantage of

1201
01:02:28,560 --> 01:02:29,560
Speaker 2: I own my brand.

1202
01:02:29,640 --> 01:02:32,160
Speaker 3: I make smart decisions for my brand. I protect my brand.

1203
01:02:32,480 --> 01:02:34,360
Speaker 2: This is why I'm able to brush ignorance off of

1204
01:02:34,640 --> 01:02:36,160
Speaker 2: my shoulder and continue to move forward.

1205
01:02:36,440 --> 01:02:37,800
Speaker 3: I refuse to be broken people.

1206
01:02:38,200 --> 01:02:40,240
Speaker 2: With that being said, is now time for me to

1207
01:02:40,280 --> 01:02:43,280
Speaker 2: get back to building this empire that I've always dreamed of.

1208
01:02:43,480 --> 01:02:47,920
Speaker 2: Hashtag know your self worth, hashtag hustle hert, hashtag mobile mindset.

1209
01:02:48,320 --> 01:02:51,960
Speaker 4: I understand both perspectives, but I'm always unless it's something

1210
01:02:52,000 --> 01:02:56,040
Speaker 4: ignorant on the side of the employee, because he's like, yeah,

1211
01:02:56,640 --> 01:02:58,280
Speaker 4: I built this, this, you put out this.

1212
01:02:58,920 --> 01:03:02,480
Speaker 1: Y'all act like y'all found me. You know you didn't

1213
01:03:02,560 --> 01:03:02,920
Speaker 1: find me.

1214
01:03:03,240 --> 01:03:06,200
Speaker 2: I think it's ironic that in the top five he's

1215
01:03:06,320 --> 01:03:11,800
Speaker 2: talking as he plays Chris Rocks like Hollywood agent, and

1216
01:03:12,200 --> 01:03:17,160
Speaker 2: that seems so ironic thinking about how this played out

1217
01:03:17,240 --> 01:03:23,200
Speaker 2: for him because these Sonny execs. Clint Colepepper said Hart

1218
01:03:23,320 --> 01:03:24,880
Speaker 2: and he was talking about these emails. He said, I'm

1219
01:03:24,920 --> 01:03:27,240
Speaker 2: not saying he's a whore, but he's a whore. It's

1220
01:03:27,320 --> 01:03:29,560
Speaker 2: not as if we pay him three million and four million,

1221
01:03:29,600 --> 01:03:32,800
Speaker 2: respectively for the last two films, thinking he might be nominated.

1222
01:03:33,440 --> 01:03:35,400
Speaker 2: We pay him for his ability to open a film

1223
01:03:35,440 --> 01:03:37,200
Speaker 2: which includes his social media savvy.

1224
01:03:38,480 --> 01:03:38,680
Speaker 1: Yeah.

1225
01:03:38,720 --> 01:03:41,040
Speaker 4: Because the problem and I guess for me and maybe

1226
01:03:41,080 --> 01:03:42,520
Speaker 4: just the way I look at the problem is has

1227
01:03:42,520 --> 01:03:43,920
Speaker 4: anybody else ever demanded this?

1228
01:03:45,520 --> 01:03:47,520
Speaker 3: I don't know. I don't know, but a lot of

1229
01:03:47,560 --> 01:03:49,360
Speaker 3: stars don't really do social media.

1230
01:03:49,200 --> 01:03:51,160
Speaker 1: Well because they don't really understand it.

1231
01:03:51,400 --> 01:03:53,840
Speaker 2: He is a guy that stands out correct. I can

1232
01:03:53,960 --> 01:03:56,840
Speaker 2: understand him being like, no, that's different, right, I.

1233
01:03:56,960 --> 01:03:58,919
Speaker 1: Do the other shit, but for this right here? Yeah,

1234
01:03:59,120 --> 01:04:00,880
Speaker 1: because this is going to reach a lot more people.

1235
01:04:01,640 --> 01:04:03,640
Speaker 3: Yeah. Uh, let's see.

1236
01:04:04,080 --> 01:04:07,439
Speaker 4: Uh and that's that smart, you know. Like I said,

1237
01:04:07,440 --> 01:04:09,560
Speaker 4: I see both sides, but I don't blame them.

1238
01:04:10,040 --> 01:04:12,000
Speaker 2: Mm hmm, yeah, yeah, I don't blame me either, just

1239
01:04:12,080 --> 01:04:15,800
Speaker 2: saying you know, it's funny. Let's see what else.

1240
01:04:18,000 --> 01:04:18,880
Speaker 3: Okay we did that?

1241
01:04:19,600 --> 01:04:25,480
Speaker 2: Uh oh uh leaks on the email legis racism and

1242
01:04:25,920 --> 01:04:27,080
Speaker 2: uh some sexism.

1243
01:04:28,680 --> 01:04:29,400
Speaker 3: Let me see here.

1244
01:04:30,440 --> 01:04:35,720
Speaker 2: Close back all right, browsers moving a little slow right now?

1245
01:04:38,680 --> 01:04:40,920
Speaker 3: Just take your time, browser. I mean what, it's just

1246
01:04:41,040 --> 01:04:41,720
Speaker 3: embarrassing me.

1247
01:04:43,800 --> 01:04:47,760
Speaker 1: In front of all these people. Just got people randomly waiting.

1248
01:04:47,840 --> 01:04:50,360
Speaker 2: Okay, here's another person that got voted. Wack wrapper G

1249
01:04:50,480 --> 01:04:54,240
Speaker 2: dep Yeah, yeah.

1250
01:04:53,760 --> 01:05:01,160
Speaker 3: Yeah, check this out, Check this out.

1251
01:05:01,360 --> 01:05:09,120
Speaker 1: I go by the neck by the name, Oh, motherfucking jo.

1252
01:05:10,400 --> 01:05:12,840
Speaker 1: Yeah yeah, it was by the name by the name.

1253
01:05:15,480 --> 01:05:19,200
Speaker 7: G motherfucker the deputy.

1254
01:05:19,920 --> 01:05:22,640
Speaker 12: And I'm here, and I'm here to set the records straight,

1255
01:05:22,720 --> 01:05:23,320
Speaker 12: record straight.

1256
01:05:23,960 --> 01:05:24,400
Speaker 23: I'm here.

1257
01:05:28,920 --> 01:05:30,000
Speaker 3: Yeah, I'm still here.

1258
01:05:30,440 --> 01:05:31,320
Speaker 1: He's still head.

1259
01:05:42,320 --> 01:05:43,080
Speaker 12: This is rapping.

1260
01:05:43,640 --> 01:05:45,760
Speaker 3: I never knew it took this long for the song.

1261
01:05:45,840 --> 01:05:47,240
Speaker 3: The start six min thirty seconds.

1262
01:05:47,440 --> 01:05:52,439
Speaker 2: All right, here we go, buried them on emails among

1263
01:05:52,520 --> 01:05:55,400
Speaker 2: thousand messages in the mailbox Sonny Pictures chief counsel Leah Well.

1264
01:05:56,280 --> 01:05:58,880
Speaker 3: It is a long, upsetting accusation of abuse.

1265
01:05:58,920 --> 01:06:00,920
Speaker 2: The claim comes from a form I'm a female employee

1266
01:06:00,960 --> 01:06:05,240
Speaker 2: on top of top Sony executive Keith LeGoy At details

1267
01:06:05,320 --> 01:06:08,560
Speaker 2: years of threats, insulcis, racism and nasty harassing. The emails,

1268
01:06:08,640 --> 01:06:12,640
Speaker 2: sent to will Sony Pictures chairman Michael Linton and Sony

1269
01:06:12,680 --> 01:06:16,440
Speaker 2: Pictures Television president Steve Moscow, comes just three days after

1270
01:06:16,480 --> 01:06:17,880
Speaker 2: the employee was terminated.

1271
01:06:18,880 --> 01:06:22,560
Speaker 3: Oh yeah, let me see if I can make this

1272
01:06:22,760 --> 01:06:23,160
Speaker 3: big shit.

1273
01:06:23,280 --> 01:06:24,240
Speaker 1: This might be a lawsuit.

1274
01:06:24,360 --> 01:06:25,440
Speaker 3: Hello, Michael, Stephen Lee.

1275
01:06:25,600 --> 01:06:27,920
Speaker 2: Yesterday, three days after returning from being on leave for

1276
01:06:27,960 --> 01:06:30,280
Speaker 2: two and a half months, filing a workers comp claim

1277
01:06:30,440 --> 01:06:32,920
Speaker 2: having been harassed, retaliated and discriminated against.

1278
01:06:32,960 --> 01:06:33,600
Speaker 3: I was fired.

1279
01:06:33,920 --> 01:06:37,760
Speaker 2: The reason Colin Forgham gave me was the following, because

1280
01:06:37,800 --> 01:06:40,200
Speaker 2: of all this stuff that's been going on, Keith doesn't

1281
01:06:40,200 --> 01:06:41,800
Speaker 2: want you on his desk. Some of the stuff of

1282
01:06:41,880 --> 01:06:45,400
Speaker 2: which she speaks is worker comp leave, complaining of harassing

1283
01:06:45,440 --> 01:06:48,480
Speaker 2: and retaliation working on the project that keeps sanctioned, and

1284
01:06:48,560 --> 01:06:51,600
Speaker 2: complimented me for working on in my review, asking Keith

1285
01:06:51,640 --> 01:06:54,040
Speaker 2: for my admin for a title, which is the title

1286
01:06:54,120 --> 01:06:56,520
Speaker 2: for the job I have done for almost three years,

1287
01:06:56,560 --> 01:06:59,360
Speaker 2: and asking about having equal opportunity, both written at verbally.

1288
01:07:00,640 --> 01:07:03,200
Speaker 2: Jessica Paris is in possession of the original sign and

1289
01:07:03,400 --> 01:07:06,760
Speaker 2: one sign copy should you require them. It's possible that

1290
01:07:06,840 --> 01:07:11,520
Speaker 2: they read this letter the day before yesterday and it

1291
01:07:11,600 --> 01:07:14,040
Speaker 2: said what follows a long statement of wrongdoing aim at

1292
01:07:14,120 --> 01:07:17,520
Speaker 2: LeGoy toa concern. I worked for executives at Sony for

1293
01:07:17,640 --> 01:07:19,840
Speaker 2: proximately seven years, the last five plus of which are

1294
01:07:19,880 --> 01:07:22,960
Speaker 2: being in the International Distribution assistant Keith LeGoy.

1295
01:07:23,240 --> 01:07:23,960
Speaker 3: My experience in the.

1296
01:07:23,960 --> 01:07:27,960
Speaker 2: International Distribution Department has been marred by disparate and unfair

1297
01:07:28,040 --> 01:07:32,080
Speaker 2: treatment and promotion and hiring practices, harassment, retaliation, bullying women,

1298
01:07:32,240 --> 01:07:35,680
Speaker 2: name calling, offensive language threats, blocking my advancing and transferred

1299
01:07:35,760 --> 01:07:40,240
Speaker 2: withholding information to paying a negative opinion, maligning, unsolicited hugs

1300
01:07:40,280 --> 01:07:43,600
Speaker 2: and invitations resulting in sexual harassment, and drinking during work

1301
01:07:43,640 --> 01:07:47,640
Speaker 2: hours in the office. Oh, despite my repeaterd conversations that

1302
01:07:47,680 --> 01:07:50,400
Speaker 2: complaints foleance with ethics and HR, nothing has been done

1303
01:07:50,440 --> 01:07:54,120
Speaker 2: to abate the problematic environment. In fact, it has returned

1304
01:07:54,480 --> 01:07:57,040
Speaker 2: to the level of hostility it was in January two

1305
01:07:57,080 --> 01:08:00,360
Speaker 2: thousand and nine. We should add that the discriminatory actices

1306
01:08:00,360 --> 01:08:03,919
Speaker 2: in our department are now grossly evident. Before I joined

1307
01:08:03,960 --> 01:08:06,600
Speaker 2: International Distribution and Sony, my childhood patched for TV, had

1308
01:08:06,640 --> 01:08:09,640
Speaker 2: been home by working for a tough partner at William

1309
01:08:09,720 --> 01:08:13,720
Speaker 2: Morris and SVP at Lionsgate and assisting and executive and

1310
01:08:13,840 --> 01:08:17,400
Speaker 2: legal as Sony. Despite my experience by lingual ability and

1311
01:08:17,439 --> 01:08:20,920
Speaker 2: four year degree, Monica Howe, a Caucasian female who has

1312
01:08:21,000 --> 01:08:25,280
Speaker 2: less seniority than I, no four year degree, far less

1313
01:08:25,360 --> 01:08:28,800
Speaker 2: entertainment experience, by her own admission, work less for her

1314
01:08:28,920 --> 01:08:32,439
Speaker 2: two SVPs than I did for my busy EVP and

1315
01:08:32,600 --> 01:08:35,519
Speaker 2: had less of an overall contribution to the office, was

1316
01:08:35,560 --> 01:08:38,720
Speaker 2: promoted to analyst in our department within eighteen months, leapfrogging

1317
01:08:38,760 --> 01:08:42,000
Speaker 2: over me. So the situation is a Caucasian person promoted

1318
01:08:42,040 --> 01:08:46,240
Speaker 2: twice above the more experienced, more senior African American person,

1319
01:08:46,320 --> 01:08:49,080
Speaker 2: and African American who has yet to get the title

1320
01:08:49,160 --> 01:08:51,439
Speaker 2: for the job she actually does. My case is an

1321
01:08:51,479 --> 01:08:55,120
Speaker 2: isolated My African American tubmate works for the Save SVP.

1322
01:08:55,320 --> 01:08:58,479
Speaker 2: Now EVP, who promoted Monica at eighteen months has not

1323
01:08:58,680 --> 01:09:01,400
Speaker 2: given her the African America assistant the classification for the

1324
01:09:01,479 --> 01:09:02,280
Speaker 2: job she is doing.

1325
01:09:02,360 --> 01:09:03,080
Speaker 3: Admin three.

1326
01:09:03,760 --> 01:09:05,840
Speaker 2: The only other African American in our department in the

1327
01:09:05,920 --> 01:09:08,000
Speaker 2: last ten years was Paul bleded So, who was laid

1328
01:09:08,040 --> 01:09:10,200
Speaker 2: off in two thousand and nine after ten years of

1329
01:09:10,320 --> 01:09:12,719
Speaker 2: manager I asked to take over some of his duties

1330
01:09:12,760 --> 01:09:16,559
Speaker 2: and learn more and was rebuffed. Another Caucasian was hired

1331
01:09:16,560 --> 01:09:19,439
Speaker 2: five months later. Additionally, in twenty eleven, I have not

1332
01:09:19,560 --> 01:09:22,519
Speaker 2: received a bonus, nor has the only other African American

1333
01:09:22,520 --> 01:09:23,200
Speaker 2: in our department.

1334
01:09:23,560 --> 01:09:26,640
Speaker 3: I would guess that in our thriving department, everyone.

1335
01:09:26,400 --> 01:09:29,760
Speaker 2: Else, including the assistant who received the preferential treatment from

1336
01:09:29,800 --> 01:09:32,280
Speaker 2: her SVP boss left the company after one and a

1337
01:09:32,320 --> 01:09:34,439
Speaker 2: half years on the heels of her SVP yelling at

1338
01:09:34,479 --> 01:09:37,960
Speaker 2: the other African American assistant for an innocuous email she

1339
01:09:38,080 --> 01:09:41,479
Speaker 2: sent to his pampered assistant also received a bonus. In

1340
01:09:41,520 --> 01:09:44,560
Speaker 2: twenty ten, when Keith left for vacation, having negotiated and

1341
01:09:44,640 --> 01:09:48,760
Speaker 2: signed everyone's deals and increases except mine, I called the

1342
01:09:48,840 --> 01:09:52,720
Speaker 2: new HR partner, Jessica Paris, to inquire, and I said, parenthetically,

1343
01:09:53,240 --> 01:09:56,320
Speaker 2: he's still He's still retaliated against me for having reported

1344
01:09:56,360 --> 01:09:57,040
Speaker 2: his harassingment.

1345
01:09:57,160 --> 01:09:59,679
Speaker 3: She laughed, thinking I was joking, or perhaps she knew

1346
01:10:00,160 --> 01:10:01,240
Speaker 3: didn't find it valuable.

1347
01:10:01,600 --> 01:10:01,800
Speaker 24: Oh.

1348
01:10:02,880 --> 01:10:05,160
Speaker 2: In January two thousand and nine, Keith harassment while yelling

1349
01:10:05,200 --> 01:10:07,839
Speaker 2: at me, charging at my dash for dilling in structures

1350
01:10:07,880 --> 01:10:10,639
Speaker 2: after providing them. I hatened out and he chased block.

1351
01:10:10,720 --> 01:10:13,280
Speaker 2: He chased and blocked my exit, threatened me not to

1352
01:10:13,360 --> 01:10:16,240
Speaker 2: take overtime in front of several witnesses. I was terrified

1353
01:10:16,640 --> 01:10:19,320
Speaker 2: this anger was in retaliation for my having reported him

1354
01:10:19,360 --> 01:10:22,240
Speaker 2: to the Ethics hotline. Three weeks later, when he called

1355
01:10:22,360 --> 01:10:26,559
Speaker 2: me fucking useless and slammed his computer down for emphasis

1356
01:10:26,600 --> 01:10:29,080
Speaker 2: in front of a female VP, I reported it to

1357
01:10:29,280 --> 01:10:32,000
Speaker 2: all reported all the ethics and he received little more

1358
01:10:32,000 --> 01:10:34,400
Speaker 2: than a slap on the wrist. Harassment training for half

1359
01:10:34,439 --> 01:10:38,240
Speaker 2: a day at HR counseling a continuing pattern of abuse, harassment,

1360
01:10:38,280 --> 01:10:43,040
Speaker 2: be saging homophobia, emphasis added Bill Keith bullied and threatened me,

1361
01:10:43,160 --> 01:10:46,879
Speaker 2: and bullied Natalie Garcia, threatened her not to poach his assistant,

1362
01:10:46,960 --> 01:10:50,519
Speaker 2: bullied in the open Marie Jacobson about his money, but

1363
01:10:50,760 --> 01:10:53,360
Speaker 2: she brought him back to his office and rifle and

1364
01:10:53,520 --> 01:10:56,680
Speaker 2: rifle back and monishing him for his temper tantrum, and

1365
01:10:56,760 --> 01:10:59,920
Speaker 2: that ended their previously close relationship. He bullied the don

1366
01:11:00,240 --> 01:11:03,240
Speaker 2: for Ambassador Services and me on July six, twenty six,

1367
01:11:03,320 --> 01:11:07,080
Speaker 2: twenty eleven, the very day, and within fifteen minutes of

1368
01:11:07,240 --> 01:11:09,439
Speaker 2: mind forming him that I might have a serious illness.

1369
01:11:09,760 --> 01:11:12,320
Speaker 2: I had to go to the hospital for my oncologist.

1370
01:11:12,720 --> 01:11:15,120
Speaker 2: Keith agreed that I should go, but first get Ambassador

1371
01:11:15,120 --> 01:11:17,600
Speaker 2: Services on the line about his passport renewal. He was

1372
01:11:17,680 --> 01:11:19,599
Speaker 2: leaving for vacation in a week, and he his passport

1373
01:11:19,600 --> 01:11:22,759
Speaker 2: renewal expedited. I had done so four weeks earlier because

1374
01:11:22,760 --> 01:11:25,160
Speaker 2: they hadn't fulfilled their promise. They blamed me for having

1375
01:11:25,320 --> 01:11:29,120
Speaker 2: given him the wrong expectations. He agreed, but the website

1376
01:11:29,160 --> 01:11:31,760
Speaker 2: confirmed my explanation. He had a tantrum, banging on the desk,

1377
01:11:32,080 --> 01:11:34,400
Speaker 2: stamping his feet, yelling at both Ladon and me, don't

1378
01:11:34,439 --> 01:11:37,720
Speaker 2: interrupt me while I'm ranting. Then he bullied, yelled, and

1379
01:11:37,760 --> 01:11:40,439
Speaker 2: cut off La Donna's as she attempted to give him

1380
01:11:40,479 --> 01:11:44,080
Speaker 2: the exceptions and rules to the one year temporary passport

1381
01:11:44,160 --> 01:11:45,759
Speaker 2: he would need for the British Consulate.

1382
01:11:46,160 --> 01:11:48,080
Speaker 3: This kind of bullying was reserved for women.

1383
01:11:49,360 --> 01:11:51,679
Speaker 2: I'm offended by the language of manna that Keith speaks

1384
01:11:51,720 --> 01:11:53,800
Speaker 2: to me and uses of the concert F word his

1385
01:11:53,920 --> 01:11:59,439
Speaker 2: derogatory language, once calling a president Mary President a fucking

1386
01:11:59,560 --> 01:12:04,000
Speaker 2: faggot and another high level executive a dyke forty year

1387
01:12:04,080 --> 01:12:07,920
Speaker 2: old women need tits regarding a high executive. Was that

1388
01:12:08,120 --> 01:12:10,559
Speaker 2: before after she wiped the coke off her upper lip,

1389
01:12:10,720 --> 01:12:14,680
Speaker 2: accused another merry high level executive of sexual alliances with

1390
01:12:14,760 --> 01:12:18,400
Speaker 2: an international star his own indiscretions and calling me a bitch,

1391
01:12:18,560 --> 01:12:21,519
Speaker 2: referring to me as dumb bitch and calling me queen

1392
01:12:21,600 --> 01:12:24,400
Speaker 2: bitch in the open for years despite my telling him

1393
01:12:24,479 --> 01:12:27,519
Speaker 2: that it is his covert and now overt way of

1394
01:12:27,640 --> 01:12:28,400
Speaker 2: calling me a bitch.

1395
01:12:29,120 --> 01:12:32,920
Speaker 3: His response to me is it to shoe fix. I

1396
01:12:33,040 --> 01:12:34,559
Speaker 3: asked him in demand it that he stopped.

1397
01:12:34,720 --> 01:12:38,240
Speaker 2: Complained about most of the above to HR, and little

1398
01:12:38,280 --> 01:12:40,160
Speaker 2: happened in the beginnings of sexual abuses counting in two

1399
01:12:40,160 --> 01:12:42,360
Speaker 2: thousand and seven. We asked me to join him while

1400
01:12:42,360 --> 01:12:45,680
Speaker 2: he serenaded HR operations manager in the demned office. I

1401
01:12:45,760 --> 01:12:47,760
Speaker 2: refused him twice, said that I had an abundance of

1402
01:12:47,800 --> 01:12:50,080
Speaker 2: work to complete. The final time he asked, he offered

1403
01:12:50,120 --> 01:12:53,560
Speaker 2: me a view clickote. I don't know what that is

1404
01:12:53,640 --> 01:12:56,560
Speaker 2: with HR, I told him, and knowing certain terms, I

1405
01:12:56,640 --> 01:13:00,280
Speaker 2: don't drink. Oh so somehow alcohol. He yelled, slapping at me,

1406
01:13:00,640 --> 01:13:04,040
Speaker 2: and then you're not on my team. Initially it seemed

1407
01:13:04,080 --> 01:13:06,000
Speaker 2: like a joke. Later became a parent with the comments

1408
01:13:06,240 --> 01:13:09,240
Speaker 2: like I'm imperious, and then he would get calling me

1409
01:13:09,280 --> 01:13:13,040
Speaker 2: a bitch in so many incarnations, and that became ded

1410
01:13:13,120 --> 01:13:14,360
Speaker 2: Rigard in the office.

1411
01:13:15,040 --> 01:13:17,920
Speaker 3: The letter is almost resigned know to fear and despair.

1412
01:13:18,040 --> 01:13:20,680
Speaker 2: I'm afraid that of this written complaint I will be

1413
01:13:20,760 --> 01:13:23,800
Speaker 2: the target of further retaliation. My concerns I've been communicated

1414
01:13:23,840 --> 01:13:26,000
Speaker 2: to HR in my work environment has not improved.

1415
01:13:26,400 --> 01:13:28,479
Speaker 3: I need someone to protect me from Keith. Thanks for

1416
01:13:28,520 --> 01:13:29,200
Speaker 3: your assistance.

1417
01:13:29,479 --> 01:13:31,720
Speaker 1: Oh that's a lawsuit and what is this fucking mad men?

1418
01:13:34,960 --> 01:13:39,800
Speaker 2: Right? I mean, well that's the thing, man, the privilege

1419
01:13:39,960 --> 01:13:44,120
Speaker 2: and the just pure ignorance that some people operate with

1420
01:13:44,360 --> 01:13:46,960
Speaker 2: in their jobs. Like I've always hated one of the

1421
01:13:47,000 --> 01:13:49,920
Speaker 2: things I hate about the office was these people who

1422
01:13:50,040 --> 01:13:53,960
Speaker 2: had this idea of as a man, running around ranting

1423
01:13:54,000 --> 01:13:58,400
Speaker 2: and being angry all the time and bullying your people

1424
01:13:58,439 --> 01:14:00,840
Speaker 2: that work for you and work with them. Yeah, that

1425
01:14:01,040 --> 01:14:03,519
Speaker 2: somehow that adds to manliness. But when women do it,

1426
01:14:03,640 --> 01:14:06,559
Speaker 2: she's a bitch and you know needs to be fired.

1427
01:14:06,760 --> 01:14:09,760
Speaker 2: You know, it's so like it's like it's like some

1428
01:14:10,120 --> 01:14:12,599
Speaker 2: somehow being temperamental is like a strength in the office.

1429
01:14:12,640 --> 01:14:15,320
Speaker 2: And I never understood that, like me, that that kind

1430
01:14:15,320 --> 01:14:17,040
Speaker 2: of behavior should not be rewarded. I don't know what

1431
01:14:17,280 --> 01:14:20,519
Speaker 2: industry that's supposed to be acceptable. And but you know,

1432
01:14:20,640 --> 01:14:25,759
Speaker 2: everybody thinks they're fucking ari from uh from uh entourage correct.

1433
01:14:25,800 --> 01:14:28,720
Speaker 4: And I've seen it happen before and I was, uh,

1434
01:14:30,680 --> 01:14:32,920
Speaker 4: upper management boss was talking to employee and it's then

1435
01:14:32,960 --> 01:14:35,280
Speaker 4: you know, you heard his voice like rise, you literally

1436
01:14:35,320 --> 01:14:37,040
Speaker 4: could hear it through the floor. And I was like, well,

1437
01:14:37,120 --> 01:14:39,559
Speaker 4: god damn, you know, and it's just one of those things.

1438
01:14:39,600 --> 01:14:45,240
Speaker 4: But it's disrespectful and it's and it's disrespectful and it

1439
01:14:45,400 --> 01:14:49,040
Speaker 4: also shows yo because because the department, the reflection of

1440
01:14:49,080 --> 01:14:51,360
Speaker 4: the department starts for the management and it kind of

1441
01:14:51,400 --> 01:14:54,200
Speaker 4: trickles down. So it's just one of those things where

1442
01:14:54,479 --> 01:14:58,000
Speaker 4: if your upper management is ass wholes, all your supervisors

1443
01:14:58,040 --> 01:15:00,200
Speaker 4: and everybody beneath them gonna be ass hosing. It just

1444
01:15:00,320 --> 01:15:02,360
Speaker 4: kind of floats down from there. And a lot of

1445
01:15:02,439 --> 01:15:04,720
Speaker 4: times it makes department stressful because a lot of those

1446
01:15:04,720 --> 01:15:06,800
Speaker 4: people aren't very pleasant to be around and pleasant to

1447
01:15:06,840 --> 01:15:08,920
Speaker 4: work with, and it's just one of those things where

1448
01:15:08,960 --> 01:15:13,680
Speaker 4: it creates this horrible working environment. Then they wonder why

1449
01:15:13,760 --> 01:15:15,400
Speaker 4: a lot of times they can't keep people. You have

1450
01:15:15,520 --> 01:15:17,720
Speaker 4: high turnop rate and all that shit, because people don't

1451
01:15:17,720 --> 01:15:21,040
Speaker 4: want to deal with that. Especially with the economy kind

1452
01:15:21,120 --> 01:15:23,519
Speaker 4: of recovering. People's like, fuck that I would go somewhere

1453
01:15:23,560 --> 01:15:27,560
Speaker 4: where where I'm treated like somebody I don't have to

1454
01:15:27,640 --> 01:15:28,160
Speaker 4: deal with it.

1455
01:15:28,560 --> 01:15:31,200
Speaker 2: Yeah, I just don't get why people consider that good

1456
01:15:31,280 --> 01:15:32,320
Speaker 2: leadership in the first place.

1457
01:15:32,439 --> 01:15:37,360
Speaker 3: I don't, but it's just amazing that that happens.

1458
01:15:38,280 --> 01:15:41,400
Speaker 2: Thousands flood the street of DC and New York city

1459
01:15:41,439 --> 01:15:45,639
Speaker 2: to protest police brutality, and there was a lot of people.

1460
01:15:45,760 --> 01:15:49,880
Speaker 4: Man, I think people underestimate how bad people are. Like

1461
01:15:50,040 --> 01:15:53,120
Speaker 4: I think people just think that they really thought that

1462
01:15:54,280 --> 01:15:56,479
Speaker 4: this was just gonna go away, like I think a

1463
01:15:56,520 --> 01:15:59,639
Speaker 4: lot of people did. But I think because of the video,

1464
01:16:00,400 --> 01:16:04,080
Speaker 4: because people just people, period, have empathy and sympathy for

1465
01:16:04,200 --> 01:16:07,120
Speaker 4: a human life, regardless of the color of skin.

1466
01:16:07,479 --> 01:16:09,160
Speaker 1: And not only that, people all over the world.

1467
01:16:09,200 --> 01:16:13,080
Speaker 4: I think social media is making for the first time

1468
01:16:13,160 --> 01:16:16,439
Speaker 4: America have to look at itself and the ship that

1469
01:16:16,600 --> 01:16:18,920
Speaker 4: we criticize other people for the shit that we go

1470
01:16:19,000 --> 01:16:21,360
Speaker 4: over there and fight quote unquote for their democracy and

1471
01:16:21,439 --> 01:16:25,679
Speaker 4: their freedoms and their rights, that same shit we don't

1472
01:16:25,720 --> 01:16:28,800
Speaker 4: even apply that to our own citizens. So we're actually hypocrites.

1473
01:16:28,800 --> 01:16:30,360
Speaker 4: But when you tell people that, people don't want to

1474
01:16:30,400 --> 01:16:32,439
Speaker 4: hear that bullshit, but that's true. How can you go

1475
01:16:32,600 --> 01:16:35,320
Speaker 4: over to another country that you don't know motherfucking thing about,

1476
01:16:35,360 --> 01:16:37,280
Speaker 4: can't even speak the goddamn language. You tell them how

1477
01:16:37,280 --> 01:16:38,800
Speaker 4: to run shit, but you don't know how to run

1478
01:16:38,800 --> 01:16:40,160
Speaker 4: shit in your own fucking country.

1479
01:16:40,960 --> 01:16:42,799
Speaker 3: Uh, that's white people in the front of this picture,

1480
01:16:42,880 --> 01:16:43,920
Speaker 3: so obviously that's wrong.

1481
01:16:45,280 --> 01:16:51,559
Speaker 2: But yeah, the new York Post reported that three hundred

1482
01:16:51,600 --> 01:16:54,120
Speaker 2: New Yorkers travel to DC the joint protest there and

1483
01:16:54,280 --> 01:16:56,080
Speaker 2: that was led by Reverend Sharpton.

1484
01:16:56,479 --> 01:17:04,080
Speaker 3: The DC protest. It's funny because already there's.

1485
01:17:03,960 --> 01:17:06,639
Speaker 2: Dissension, and there's for black people we know, and that's

1486
01:17:06,640 --> 01:17:10,479
Speaker 2: been dissensioned for a long time anyway, if you've been

1487
01:17:10,479 --> 01:17:15,800
Speaker 2: paying attention, but apparently young the younger and I don't

1488
01:17:15,840 --> 01:17:17,639
Speaker 2: even like they're deeming them young.

1489
01:17:18,160 --> 01:17:22,000
Speaker 3: I would say like almost newer and outside.

1490
01:17:22,600 --> 01:17:30,920
Speaker 2: Yeah, but the younger protesters are kind of separating and

1491
01:17:31,320 --> 01:17:35,280
Speaker 2: upset with Reverend Al Sharpton. Many feel he's co opting

1492
01:17:35,360 --> 01:17:38,559
Speaker 2: that movement. Uh he should play the background, maybe provide

1493
01:17:38,680 --> 01:17:42,760
Speaker 2: operational support if anything. Uh word on the street, that

1494
01:17:42,840 --> 01:17:46,479
Speaker 2: is harrybell Fonte is providing like report in the background

1495
01:17:46,560 --> 01:17:50,920
Speaker 2: for these kids, these younger people. And I only say

1496
01:17:51,040 --> 01:17:53,320
Speaker 2: kids because compared to our Sharpton, because he owed. But

1497
01:17:54,479 --> 01:17:56,160
Speaker 2: you know, and I do think there's something to the

1498
01:17:56,240 --> 01:17:58,200
Speaker 2: fact that the changing of the guard never really took

1499
01:17:58,240 --> 01:18:01,519
Speaker 2: place with black leadership. But it's funny though, because for

1500
01:18:01,720 --> 01:18:04,839
Speaker 2: years black people have said they don't want leaders.

1501
01:18:05,880 --> 01:18:07,000
Speaker 3: You know, we don't want a.

1502
01:18:08,680 --> 01:18:10,639
Speaker 2: Leader of other black people. We don't want our sharp

1503
01:18:10,680 --> 01:18:12,320
Speaker 2: then that's the spokesman of the black people. We don't

1504
01:18:12,320 --> 01:18:15,719
Speaker 2: have Jesse Jackson's spokesman of black people. Speak for yourselves.

1505
01:18:16,680 --> 01:18:20,479
Speaker 3: And it's presented some very interesting quandaries for me because

1506
01:18:21,320 --> 01:18:22,880
Speaker 3: you know, these younger people.

1507
01:18:24,240 --> 01:18:29,160
Speaker 2: That are new and I wonder what their aspirations are, Like,

1508
01:18:30,120 --> 01:18:34,240
Speaker 2: you know, we I think ultimately we have Ferguson, we

1509
01:18:34,400 --> 01:18:37,880
Speaker 2: have you know, Mike Brown, we have ta Mere right like,

1510
01:18:37,960 --> 01:18:42,479
Speaker 2: we have some some certain things going on just for

1511
01:18:42,720 --> 01:18:46,800
Speaker 2: right now. But what what's their plan for like three

1512
01:18:46,880 --> 01:18:49,639
Speaker 2: years from now? What is their plan if something happens

1513
01:18:49,680 --> 01:18:52,120
Speaker 2: in Florida? Are they gonna fly down there like.

1514
01:18:54,360 --> 01:18:54,800
Speaker 1: It does?

1515
01:18:55,000 --> 01:18:59,240
Speaker 3: Are they gonna start forming their own coalitions? And are

1516
01:18:59,240 --> 01:19:02,760
Speaker 3: they are they gonna think about forming you know, you

1517
01:19:02,840 --> 01:19:04,280
Speaker 3: know nonprofits?

1518
01:19:04,720 --> 01:19:07,280
Speaker 2: You know, like these are legit questions to ask because

1519
01:19:07,320 --> 01:19:09,479
Speaker 2: I feel like part of the reasons Al Sharpton and

1520
01:19:09,560 --> 01:19:13,679
Speaker 2: these guys are scrutinized so heavily is because they consider insiders.

1521
01:19:13,720 --> 01:19:16,559
Speaker 2: And I think they I think that's a legitimate point

1522
01:19:16,640 --> 01:19:19,160
Speaker 2: that they are insiders. They you know, Al Sharpton can

1523
01:19:19,240 --> 01:19:21,519
Speaker 2: get up, can get President Obama on the phone. These

1524
01:19:21,640 --> 01:19:25,400
Speaker 2: these kids really can't correct or these these young people

1525
01:19:25,560 --> 01:19:29,840
Speaker 2: really can't they until I mean, the President did legitimize

1526
01:19:30,000 --> 01:19:31,880
Speaker 2: many of them to meet with them, but you know,

1527
01:19:32,080 --> 01:19:34,639
Speaker 2: many of them went right to Twitter and talked about

1528
01:19:34,640 --> 01:19:38,000
Speaker 2: the President talked it about Al Sharpton after this meeting.

1529
01:19:38,360 --> 01:19:42,680
Speaker 2: While it's understandable, it does kind of reak of a

1530
01:19:42,760 --> 01:19:46,360
Speaker 2: certain rawness like this might not be the best way

1531
01:19:46,720 --> 01:19:50,800
Speaker 2: to pursue something, you know, or like what is your

1532
01:19:50,880 --> 01:19:51,599
Speaker 2: ultimate goal?

1533
01:19:52,040 --> 01:19:53,280
Speaker 3: Like what is the thing that you want?

1534
01:19:54,479 --> 01:19:56,120
Speaker 2: And it's gonna be interesting to see what that is

1535
01:19:56,240 --> 01:20:00,719
Speaker 2: because while uh, you know, in a certain extent, everybody's

1536
01:20:00,760 --> 01:20:04,200
Speaker 2: kind of rooting for these people, it's also one of

1537
01:20:04,200 --> 01:20:06,760
Speaker 2: those things where they haven't really had the scrutiny yet

1538
01:20:07,600 --> 01:20:11,559
Speaker 2: that you get from actually being like in the forefront, right,

1539
01:20:11,880 --> 01:20:15,120
Speaker 2: like they're not going through your tax records, your criminal records,

1540
01:20:15,160 --> 01:20:15,439
Speaker 2: they're not.

1541
01:20:15,680 --> 01:20:18,280
Speaker 1: Right going through your history. They're not shaking you down.

1542
01:20:18,479 --> 01:20:21,960
Speaker 2: Fox News isn't running a segment on like you know, hey,

1543
01:20:22,160 --> 01:20:25,160
Speaker 2: she's she's got a kid and the baby that is

1544
01:20:25,240 --> 01:20:26,479
Speaker 2: in prison, Like they're not doing that.

1545
01:20:26,640 --> 01:20:29,880
Speaker 1: You're like, it's a lot behind it.

1546
01:20:29,960 --> 01:20:34,960
Speaker 4: And also these are very legitimate questions too, because once

1547
01:20:35,160 --> 01:20:37,400
Speaker 4: time moves on and like you said, and the next

1548
01:20:37,520 --> 01:20:40,519
Speaker 4: incident happened, and people come looking for you. Like after

1549
01:20:40,560 --> 01:20:43,920
Speaker 4: a while, once you become the face of things, people

1550
01:20:44,000 --> 01:20:46,439
Speaker 4: will begun to look at you. People begin to call

1551
01:20:46,560 --> 01:20:49,439
Speaker 4: you and email you, People begin to ask you for help,

1552
01:20:49,479 --> 01:20:51,960
Speaker 4: People begin to ask you for to support, Like this

1553
01:20:52,120 --> 01:20:54,120
Speaker 4: is the kind of shit that our shopped and constantly

1554
01:20:54,200 --> 01:20:57,080
Speaker 4: deals with. Will you be prepared or will you be like, well, nah,

1555
01:20:57,080 --> 01:20:59,840
Speaker 4: I'm just here for this incident because this directly affect me.

1556
01:21:00,240 --> 01:21:02,680
Speaker 4: Fuck all these other situations, like I don't you know,

1557
01:21:02,840 --> 01:21:05,439
Speaker 4: you don't know how people are gonna respond, but you know,

1558
01:21:06,000 --> 01:21:08,000
Speaker 4: it's like one of those things where you have to

1559
01:21:08,080 --> 01:21:09,559
Speaker 4: be prepared for the long haul.

1560
01:21:09,680 --> 01:21:10,280
Speaker 1: Because when it.

1561
01:21:10,360 --> 01:21:16,439
Speaker 4: Comes to social justice, social rights, fighting for any major

1562
01:21:16,640 --> 01:21:19,240
Speaker 4: calls like this the number one thing it takes, and

1563
01:21:19,280 --> 01:21:21,000
Speaker 4: people have a tendency to overlook its money.

1564
01:21:21,040 --> 01:21:23,840
Speaker 1: It takes a lot of goddamn money. Not only money.

1565
01:21:23,920 --> 01:21:25,960
Speaker 4: Takes a lot of money, a lot of people, a

1566
01:21:26,000 --> 01:21:30,160
Speaker 4: lot of volunteers, a lot of countless hours, you know, and.

1567
01:21:30,240 --> 01:21:32,519
Speaker 1: Then it's not an easy task to do.

1568
01:21:33,960 --> 01:21:36,720
Speaker 4: It's not easy to constantly be on the ground, it's

1569
01:21:36,760 --> 01:21:40,640
Speaker 4: not easy to constantly launch and constantly protest. And this

1570
01:21:40,800 --> 01:21:42,799
Speaker 4: is one of those things where people forget there's always

1571
01:21:42,840 --> 01:21:45,479
Speaker 4: two sides quote unquote in our country now to every story.

1572
01:21:45,600 --> 01:21:48,280
Speaker 4: So as time goes along, you begin to be the

1573
01:21:48,360 --> 01:21:50,880
Speaker 4: face in the forefront and you begin to fight for

1574
01:21:51,000 --> 01:21:53,719
Speaker 4: these causes. Is like, like you said, are you gonna

1575
01:21:53,720 --> 01:21:55,519
Speaker 4: be willing to deal with the scrutiny? Are you gonna

1576
01:21:55,520 --> 01:21:58,080
Speaker 4: be willing to deal with being on the front page

1577
01:21:58,160 --> 01:22:02,000
Speaker 4: of things and people questioning your character, crestening your family's character,

1578
01:22:02,120 --> 01:22:05,720
Speaker 4: creestioning your history, your criminal record if you have one,

1579
01:22:06,120 --> 01:22:08,639
Speaker 4: questioning you know your children. Are you gonna be able

1580
01:22:08,680 --> 01:22:10,960
Speaker 4: to handle these things? Because this goes along with the

1581
01:22:11,360 --> 01:22:14,200
Speaker 4: territory and when you put yourself to the forefront of anything,

1582
01:22:14,320 --> 01:22:17,920
Speaker 4: especially when you're talking about social causes and social injustices.

1583
01:22:18,000 --> 01:22:20,360
Speaker 4: Are you gonna be able to do with constantly being interviewed,

1584
01:22:20,439 --> 01:22:23,720
Speaker 4: constantly being phone call when something happens going, well, hey,

1585
01:22:23,800 --> 01:22:25,040
Speaker 4: this situation over here.

1586
01:22:25,000 --> 01:22:26,720
Speaker 1: Well we haven't heard from you, you know.

1587
01:22:26,880 --> 01:22:29,200
Speaker 4: Are you gonna be willing to deal with the same

1588
01:22:29,439 --> 01:22:32,839
Speaker 4: criticism that you give Al Shopton and Jesse Jackson?

1589
01:22:32,880 --> 01:22:34,560
Speaker 1: Are you gonna be willing to deal with it?

1590
01:22:34,680 --> 01:22:36,960
Speaker 4: Because when it's you, all of a sudden, it's an

1591
01:22:36,960 --> 01:22:38,480
Speaker 4: excuse all of a sudden.

1592
01:22:38,400 --> 01:22:40,280
Speaker 1: You know, it's a reason why you can't do this

1593
01:22:40,400 --> 01:22:41,920
Speaker 1: and why you can't do that, But you.

1594
01:22:41,960 --> 01:22:44,400
Speaker 4: Don't want to extend that same empathy and sympathy to

1595
01:22:44,600 --> 01:22:46,519
Speaker 4: other people that have been through these things, not that

1596
01:22:46,600 --> 01:22:49,360
Speaker 4: they're right on everything they do, because I don't agree

1597
01:22:49,400 --> 01:22:50,439
Speaker 4: with everything they do either.

1598
01:22:50,800 --> 01:22:52,599
Speaker 1: But also, whenever you're.

1599
01:22:52,479 --> 01:22:55,240
Speaker 4: Doing things, you do need to consult people and have

1600
01:22:55,439 --> 01:22:58,400
Speaker 4: people help guide you along the way, even though the

1601
01:22:58,520 --> 01:23:01,479
Speaker 4: ultimate choice and decision is yours, because nobody knows all

1602
01:23:01,600 --> 01:23:05,040
Speaker 4: the answers, and they can help you help prevent you

1603
01:23:05,200 --> 01:23:08,160
Speaker 4: being pitfalls. You know, do you have people to to

1604
01:23:08,400 --> 01:23:11,479
Speaker 4: help you do public relations? Do you have people to

1605
01:23:11,600 --> 01:23:14,840
Speaker 4: sit down and help you say the right things on interviews?

1606
01:23:14,880 --> 01:23:17,240
Speaker 4: When you go on these things like this ship costs money?

1607
01:23:17,280 --> 01:23:21,160
Speaker 4: And I think people are underestimating what out it takes

1608
01:23:21,240 --> 01:23:23,040
Speaker 4: to do this because I say, I'm on the outside

1609
01:23:23,080 --> 01:23:25,639
Speaker 4: looking in, but I do understand that it takes a lot.

1610
01:23:25,720 --> 01:23:28,240
Speaker 1: It takes a whole lot more than people are willing

1611
01:23:28,320 --> 01:23:29,880
Speaker 1: to say that it takes.

1612
01:23:30,560 --> 01:23:35,800
Speaker 3: Yeah, I just think, also, you know, or is that

1613
01:23:35,920 --> 01:23:36,920
Speaker 3: something they even want to do?

1614
01:23:37,040 --> 01:23:39,960
Speaker 2: Because people are asking all these questions and assuming that

1615
01:23:40,240 --> 01:23:42,519
Speaker 2: this is what they want to do, and some people

1616
01:23:42,600 --> 01:23:43,000
Speaker 2: got mad.

1617
01:23:43,560 --> 01:23:45,559
Speaker 3: The dude got mad at me for just asking, like.

1618
01:23:45,720 --> 01:23:51,120
Speaker 2: Do y'all know that, you know, uh Netta or awkwarduct

1619
01:23:51,240 --> 01:23:53,160
Speaker 2: that that's that's what they want to do with their lives,

1620
01:23:53,280 --> 01:23:57,280
Speaker 2: is like dedicated to fighting civil rights forever. Like they

1621
01:23:57,360 --> 01:24:00,320
Speaker 2: want to you know, hey, I'm not planning on going,

1622
01:24:01,320 --> 01:24:04,080
Speaker 2: you know, having a career in anything else. You know,

1623
01:24:04,360 --> 01:24:07,200
Speaker 2: like do they want to set up a National Action

1624
01:24:07,360 --> 01:24:11,720
Speaker 2: Network type style thing? Like we don't know, Like these

1625
01:24:11,840 --> 01:24:15,240
Speaker 2: problems landing on the front doorstep and a lot of

1626
01:24:15,280 --> 01:24:19,080
Speaker 2: people took leadership roles and they like organized, but you know,

1627
01:24:19,680 --> 01:24:21,720
Speaker 2: people are just kind of assuming that they're going to

1628
01:24:21,760 --> 01:24:24,760
Speaker 2: follow the same path and we don't know that.

1629
01:24:24,960 --> 01:24:29,240
Speaker 3: And also, you know, they do have less scrutiny on

1630
01:24:29,439 --> 01:24:30,680
Speaker 3: what they do because.

1631
01:24:30,439 --> 01:24:36,760
Speaker 2: It's like they're not considered, you know, necessarily, they're not

1632
01:24:36,880 --> 01:24:40,200
Speaker 2: really being considered as of yet. The quote unquote enemy,

1633
01:24:40,240 --> 01:24:42,519
Speaker 2: which I think Al Sharpton catches it from both sides

1634
01:24:42,520 --> 01:24:44,960
Speaker 2: because you have, you know, these younger people who are like,

1635
01:24:45,040 --> 01:24:47,240
Speaker 2: I'm not you know, he's never reached out and really

1636
01:24:47,439 --> 01:24:50,720
Speaker 2: like embraced us, and he's never really tried to give

1637
01:24:50,800 --> 01:24:53,760
Speaker 2: avail us of his resources and let us do our thing,

1638
01:24:53,840 --> 01:24:57,000
Speaker 2: which you know, I which I can understand from both sides.

1639
01:24:57,040 --> 01:24:58,880
Speaker 2: I can understand why he would be like, I built

1640
01:24:58,920 --> 01:25:02,599
Speaker 2: this network. I'm not ever handing it over to someone

1641
01:25:02,680 --> 01:25:04,960
Speaker 2: else because they have a cause. Like I'll help you,

1642
01:25:05,120 --> 01:25:09,439
Speaker 2: I'll join your cause. I will, you know, provide my

1643
01:25:09,640 --> 01:25:14,280
Speaker 2: face and my resources. But at the same time, I

1644
01:25:14,640 --> 01:25:17,880
Speaker 2: also understand people being like, well, if you think we

1645
01:25:17,960 --> 01:25:19,800
Speaker 2: have a good cause, why don't you just sit back

1646
01:25:20,000 --> 01:25:23,000
Speaker 2: and let us talk and like we've been doing, it's

1647
01:25:23,040 --> 01:25:25,080
Speaker 2: obviously risen to your awareness, you know, like I could

1648
01:25:25,120 --> 01:25:29,040
Speaker 2: get both me too. But he faced heavy criticism in

1649
01:25:29,080 --> 01:25:31,880
Speaker 2: the days leading up to the rally in Washington, d C.

1650
01:25:32,360 --> 01:25:34,680
Speaker 2: Primary concern amount critics is what appears to be the

1651
01:25:34,720 --> 01:25:39,320
Speaker 2: purposal distancing of Saturday's March from the revolutionary movement that's

1652
01:25:39,400 --> 01:25:41,840
Speaker 2: begin in August after the State Section shooting death of

1653
01:25:41,880 --> 01:25:45,120
Speaker 2: eighteen year old Michael Brown by former Ferguson police officers

1654
01:25:45,160 --> 01:25:50,000
Speaker 2: Darren Wilson, while simultaneously benefiting from its momentum. And this

1655
01:25:50,040 --> 01:25:52,640
Speaker 2: has been the thing going on. I remember when I

1656
01:25:52,720 --> 01:25:57,080
Speaker 2: can't remember who it was Steen Fox, I think on

1657
01:25:57,240 --> 01:25:59,240
Speaker 2: Twitter started this, Hey, what were you wearing when you

1658
01:25:59,320 --> 01:26:03,080
Speaker 2: got sexualist all that trend, and the media hopped on it.

1659
01:26:03,240 --> 01:26:05,519
Speaker 2: They thought they were helping. Many of them were like, hey,

1660
01:26:05,880 --> 01:26:08,400
Speaker 2: look what's happening on Twitter. This is so powerful, and

1661
01:26:08,600 --> 01:26:10,479
Speaker 2: then it's like they had to go back and she

1662
01:26:10,600 --> 01:26:11,680
Speaker 2: was like, I didn't vet this.

1663
01:26:11,920 --> 01:26:13,000
Speaker 3: You guys didn't interview me.

1664
01:26:13,160 --> 01:26:17,040
Speaker 2: You guys didn't talk about which women wanted that shit

1665
01:26:17,080 --> 01:26:18,360
Speaker 2: out there and which women didn't.

1666
01:26:18,400 --> 01:26:20,240
Speaker 3: They didn't give you permission to be in this article.

1667
01:26:20,400 --> 01:26:20,679
Speaker 1: Nope.

1668
01:26:20,840 --> 01:26:23,479
Speaker 2: And then it became a huge argument over hey, what

1669
01:26:23,920 --> 01:26:27,080
Speaker 2: is public and with the media, what can be published.

1670
01:26:26,720 --> 01:26:30,160
Speaker 3: What can't, What, what ethically and morally is incorrect?

1671
01:26:30,280 --> 01:26:30,320
Speaker 15: What?

1672
01:26:30,520 --> 01:26:31,839
Speaker 3: You know, like all this shit.

1673
01:26:33,120 --> 01:26:36,200
Speaker 2: Because people do kind of like hop on this viral

1674
01:26:36,680 --> 01:26:39,040
Speaker 2: the viralness of these movements, and they go all right,

1675
01:26:39,800 --> 01:26:41,280
Speaker 2: you know, now it's my turn.

1676
01:26:41,400 --> 01:26:42,320
Speaker 3: I'll take over from here.

1677
01:26:43,720 --> 01:26:47,080
Speaker 2: So I could understand the offense on the parties who

1678
01:26:47,120 --> 01:26:50,639
Speaker 2: were like, we organized all this stuff for New York

1679
01:26:50,720 --> 01:26:52,639
Speaker 2: and whatnot, and now here you go with your DC

1680
01:26:52,840 --> 01:26:53,280
Speaker 2: March on the.

1681
01:26:53,280 --> 01:26:56,280
Speaker 3: Same day, kind of take some type of you know,

1682
01:26:56,439 --> 01:26:56,880
Speaker 3: credit for.

1683
01:26:58,439 --> 01:26:58,559
Speaker 7: Though.

1684
01:26:58,600 --> 01:27:01,320
Speaker 2: There were moments of great emotion Saturday's Justice for All March,

1685
01:27:01,400 --> 01:27:04,639
Speaker 2: particularly when the families of Trayvon, Martin Tima, ris A Key, Gurly,

1686
01:27:05,640 --> 01:27:09,679
Speaker 2: Jonathan Crawford the Third and I'm gonna do Diallo, Brown

1687
01:27:09,840 --> 01:27:12,720
Speaker 2: and Gardner voice their gratitude for Sharpton and to see

1688
01:27:12,720 --> 01:27:15,200
Speaker 2: of supporters who have kept their loved ones names alive.

1689
01:27:16,000 --> 01:27:18,280
Speaker 2: This is another reason I hate to see the end fight.

1690
01:27:18,320 --> 01:27:21,679
Speaker 2: And I understand it's gonna just be necessary. And certain

1691
01:27:21,720 --> 01:27:25,880
Speaker 2: people they're not polished enough yet, you know, they're gonna learn.

1692
01:27:25,960 --> 01:27:28,240
Speaker 2: I think some people will look back and regret some

1693
01:27:28,280 --> 01:27:29,680
Speaker 2: of this shit. Some people are gonna look back and

1694
01:27:29,720 --> 01:27:33,400
Speaker 2: black Glad. I stood up to that motherfucker. But it

1695
01:27:33,600 --> 01:27:36,400
Speaker 2: sucks because at the end of this is a real tragedy,

1696
01:27:36,720 --> 01:27:40,000
Speaker 2: and if the assumption is that everyone's trying to help,

1697
01:27:40,800 --> 01:27:43,599
Speaker 2: it sucks that it's become a fight about who's trying

1698
01:27:43,640 --> 01:27:46,120
Speaker 2: to help in what ways, because correct, you know, the

1699
01:27:46,240 --> 01:27:49,559
Speaker 2: families are there, and here we have a fight about

1700
01:27:49,800 --> 01:27:52,960
Speaker 2: who should be getting credit for for this, you know,

1701
01:27:53,479 --> 01:27:54,160
Speaker 2: which is sad.

1702
01:27:54,280 --> 01:27:55,400
Speaker 3: It's sad on both sides.

1703
01:27:55,400 --> 01:27:57,240
Speaker 2: It's sad that someone would try to take the credit,

1704
01:27:57,640 --> 01:28:00,479
Speaker 2: and it's sad that at that moment you have to

1705
01:28:00,520 --> 01:28:01,479
Speaker 2: fight for it, you know.

1706
01:28:01,880 --> 01:28:02,280
Speaker 1: Correct.

1707
01:28:02,439 --> 01:28:04,960
Speaker 2: The criticism has followed the event largely proved to be true,

1708
01:28:05,000 --> 01:28:07,240
Speaker 2: and young protesters all the way from Ferguson.

1709
01:28:06,920 --> 01:28:08,640
Speaker 3: Missouri made sure to let the world know it.

1710
01:28:09,240 --> 01:28:12,759
Speaker 2: Janetta l Z twenty five and activists on the ground

1711
01:28:12,800 --> 01:28:15,840
Speaker 2: of Ferguson to Saint Louis, who has emerged the leading

1712
01:28:15,880 --> 01:28:18,800
Speaker 2: voice in the movement, stormed the stage with other young

1713
01:28:18,920 --> 01:28:25,160
Speaker 2: protesters after National Action Network officials or poorly denied them access.

1714
01:28:26,000 --> 01:28:29,000
Speaker 2: When I caught up with Elsie via phone after the march,

1715
01:28:29,080 --> 01:28:31,400
Speaker 2: she said that they came to participate in a protest,

1716
01:28:31,520 --> 01:28:33,840
Speaker 2: not be denied access to a VIP section.

1717
01:28:34,800 --> 01:28:36,400
Speaker 3: When we got there two.

1718
01:28:36,320 --> 01:28:39,360
Speaker 2: People from National Air When National Action Network told us

1719
01:28:39,400 --> 01:28:41,880
Speaker 2: we need a VIP pass or a press pass to

1720
01:28:42,040 --> 01:28:45,360
Speaker 2: sit on the ledge, said Elsie, and disbelieve the frustration

1721
01:28:45,479 --> 01:28:48,000
Speaker 2: still resonated in a voice. If it's a protest, why

1722
01:28:48,040 --> 01:28:51,679
Speaker 2: do we need a VIP past Elsie's friend and protest

1723
01:28:51,720 --> 01:28:54,680
Speaker 2: to Erica Toten, got them both a pass to be

1724
01:28:54,760 --> 01:28:55,320
Speaker 2: on the program.

1725
01:28:55,720 --> 01:28:58,000
Speaker 3: They gave us badges but didn't write our names down.

1726
01:28:58,040 --> 01:29:00,720
Speaker 2: They never intended to let us speak, so when Erica

1727
01:29:00,800 --> 01:29:03,720
Speaker 2: said so, when Erica said the follow on stage, we did.

1728
01:29:04,439 --> 01:29:07,280
Speaker 2: I was glad to get the support. I guess it's

1729
01:29:07,360 --> 01:29:21,679
Speaker 2: a vine where I guess people took the stage. Okay,

1730
01:29:21,840 --> 01:29:25,760
Speaker 2: so yeah, they had they won, used the stage and

1731
01:29:26,360 --> 01:29:28,800
Speaker 2: got the audience to be like, hey, give them a

1732
01:29:28,920 --> 01:29:31,880
Speaker 2: chance to speak too. You know, they did all this groundwork,

1733
01:29:31,960 --> 01:29:35,880
Speaker 2: and you guys are kind of mushing them to the side,

1734
01:29:36,560 --> 01:29:39,759
Speaker 2: appropriating that movement correct. According to Elzie, once she finally

1735
01:29:39,800 --> 01:29:42,599
Speaker 2: did get a chance to speak, they cut her microphone. Oh,

1736
01:29:43,120 --> 01:29:44,680
Speaker 2: I was glad to get support of some of the

1737
01:29:44,680 --> 01:29:46,439
Speaker 2: crowd who trying to let them speak. One lady in

1738
01:29:46,479 --> 01:29:48,920
Speaker 2: the crowd said, I was being disrespectful. I think it's

1739
01:29:48,920 --> 01:29:51,519
Speaker 2: disrespectful that black people are getting killed every twenty eight hours.

1740
01:29:51,560 --> 01:29:53,880
Speaker 2: So what they're telling me does not matter. It's not

1741
01:29:54,000 --> 01:29:56,360
Speaker 2: our joy to convince them that all black lives matter.

1742
01:29:57,880 --> 01:30:01,400
Speaker 2: Elsie's feelings come from a place that has always been

1743
01:30:02,160 --> 01:30:04,639
Speaker 2: hop pronouncing the names right, but has always been part

1744
01:30:04,680 --> 01:30:07,760
Speaker 2: of every civil rights movement, for every peaceful speech giving

1745
01:30:07,800 --> 01:30:09,639
Speaker 2: may Martin Luther King does an image of gun told

1746
01:30:10,040 --> 01:30:11,519
Speaker 2: Malcolm X peeking out the window.

1747
01:30:11,960 --> 01:30:13,720
Speaker 3: Both are extreme narrators in the same fight.

1748
01:30:13,880 --> 01:30:16,000
Speaker 2: In the months that follow Brown's death, the rally and

1749
01:30:16,080 --> 01:30:18,040
Speaker 2: cryd hands Up, Don't Shoot was quickly joined by I

1750
01:30:18,120 --> 01:30:20,639
Speaker 2: can't breathe the last word spoken about forty three yearld

1751
01:30:20,640 --> 01:30:23,439
Speaker 2: Statn Nolan, father of six, Eric Garner, when it was

1752
01:30:23,479 --> 01:30:28,880
Speaker 2: a termine that NYPD officer Daniel pente Up Pentaleo would

1753
01:30:29,000 --> 01:30:34,760
Speaker 2: face no consequences in Garner's death. So this so she

1754
01:30:34,880 --> 01:30:36,519
Speaker 2: goes on and say, this is a generation of black

1755
01:30:36,560 --> 01:30:39,479
Speaker 2: activists for home rage is something to be neither quieted

1756
01:30:39,560 --> 01:30:41,840
Speaker 2: nor shamed in the face or continue as salts on

1757
01:30:41,920 --> 01:30:44,560
Speaker 2: black lives. When I asked Elsie about the future of

1758
01:30:44,600 --> 01:30:46,960
Speaker 2: the movement, she said, despite challenges that young people have

1759
01:30:47,120 --> 01:30:49,679
Speaker 2: no direction, they're doing what they've been doing since the beginning.

1760
01:30:50,080 --> 01:30:53,400
Speaker 2: There's coalition building happening, there are things happening all the time.

1761
01:30:53,479 --> 01:30:55,720
Speaker 2: We're working to make sure officers are held accountable for

1762
01:30:55,840 --> 01:30:59,080
Speaker 2: still trying to use the five second rule, Elsie continue,

1763
01:30:59,760 --> 01:31:02,639
Speaker 2: every thing just takes time. We're attacking it from all levels.

1764
01:31:03,120 --> 01:31:06,040
Speaker 2: In short, there will be no more business usual business

1765
01:31:06,160 --> 01:31:10,160
Speaker 2: usuals to refuse to acknowledge the primary function of peaceful

1766
01:31:10,160 --> 01:31:12,160
Speaker 2: protests to allow some white people to feel safe in

1767
01:31:12,200 --> 01:31:15,519
Speaker 2: the face of black rage. Business usual is to hold

1768
01:31:15,560 --> 01:31:18,000
Speaker 2: in march on the nation's capital against police brutality and

1769
01:31:18,080 --> 01:31:20,360
Speaker 2: not mentioned the name of one black woman who's been

1770
01:31:20,439 --> 01:31:24,880
Speaker 2: killed by police. What the Ferguson organizers proved today is

1771
01:31:24,920 --> 01:31:28,040
Speaker 2: that the streets of the nation's capital, they they will

1772
01:31:28,080 --> 01:31:30,080
Speaker 2: shut it down, that business usual will not go on

1773
01:31:30,200 --> 01:31:33,240
Speaker 2: challenge and for that absolute them, I think we all

1774
01:31:33,320 --> 01:31:39,679
Speaker 2: should so. And that was written by you, Kirsten West,

1775
01:31:39,760 --> 01:31:44,080
Speaker 2: civilian on the route. But yeah, I mean there's an obvious,

1776
01:31:44,439 --> 01:31:48,440
Speaker 2: like you know, there's an obviously obvious disconnect between.

1777
01:31:48,400 --> 01:31:51,760
Speaker 3: Old guard and the new guard and what the new

1778
01:31:51,840 --> 01:31:52,400
Speaker 3: guard is.

1779
01:31:52,479 --> 01:31:54,599
Speaker 2: Even gonna be or look like it's gonna be interesting

1780
01:31:54,680 --> 01:31:59,240
Speaker 2: to see the transition to criticism, yes, from our shocking

1781
01:31:59,280 --> 01:32:01,600
Speaker 2: to them, because like I think what people don't realize is,

1782
01:32:01,640 --> 01:32:04,400
Speaker 2: once you it's not how to go Like you want

1783
01:32:04,439 --> 01:32:06,439
Speaker 2: to beat the man, you gotta beat the man. Like

1784
01:32:06,600 --> 01:32:09,400
Speaker 2: once you become the man, you gotta you take you

1785
01:32:09,479 --> 01:32:11,240
Speaker 2: get you get it from both barrels.

1786
01:32:10,920 --> 01:32:14,960
Speaker 4: Too, you know, correct and look saying it's when you

1787
01:32:15,120 --> 01:32:17,920
Speaker 4: go through this transition to changes to sides. You have

1788
01:32:18,160 --> 01:32:23,519
Speaker 4: a lot of older people that don't want to releaklish power.

1789
01:32:23,600 --> 01:32:25,720
Speaker 4: They don't want to give it up. They feel like,

1790
01:32:26,560 --> 01:32:29,760
Speaker 4: how dare you come in here and tell us how

1791
01:32:29,800 --> 01:32:31,920
Speaker 4: to run shit? We've been doing it like this for years.

1792
01:32:32,840 --> 01:32:34,479
Speaker 4: But you also have to look at it from the

1793
01:32:34,520 --> 01:32:38,920
Speaker 4: youth perspective too. They've been okay, we have done it, y'all, wigh,

1794
01:32:39,000 --> 01:32:41,240
Speaker 4: and nothing has changed. We have set back and not

1795
01:32:41,439 --> 01:32:45,120
Speaker 4: said nothing. We have you know, let this abuse happen

1796
01:32:45,200 --> 01:32:48,040
Speaker 4: and not said anything. But it's not downing it down.

1797
01:32:48,200 --> 01:32:52,360
Speaker 4: All the talking, all the negotiating, all the meetings, all

1798
01:32:52,479 --> 01:32:55,240
Speaker 4: the emails, all the phone calls, and I still have

1799
01:32:55,320 --> 01:32:57,200
Speaker 4: to look and watch people die, you know.

1800
01:32:57,360 --> 01:32:58,919
Speaker 1: And it's one of those things where.

1801
01:33:00,200 --> 01:33:04,120
Speaker 4: I am proud of youth stepping up and saying I

1802
01:33:04,560 --> 01:33:07,040
Speaker 4: will not stand for this and there has to be

1803
01:33:07,120 --> 01:33:07,720
Speaker 4: another way.

1804
01:33:08,040 --> 01:33:09,960
Speaker 1: And the thing is like there's different ways.

1805
01:33:10,120 --> 01:33:14,200
Speaker 4: Everybody might not be a quote unquote person that has

1806
01:33:14,280 --> 01:33:17,200
Speaker 4: a voice, but you know what, they do the best

1807
01:33:17,240 --> 01:33:19,240
Speaker 4: that they can. But in that process, it's still a

1808
01:33:19,360 --> 01:33:21,479
Speaker 4: learning curve and all that stuff. And I think that

1809
01:33:22,000 --> 01:33:24,839
Speaker 4: instead of both sides learning from each other, it's almost

1810
01:33:24,960 --> 01:33:28,280
Speaker 4: like a excuse me, a young versus old thing, the

1811
01:33:28,360 --> 01:33:30,760
Speaker 4: old people going fuck you young people, the young people

1812
01:33:30,760 --> 01:33:33,280
Speaker 4: going fuck you old people, when actually they actually need

1813
01:33:33,360 --> 01:33:33,720
Speaker 4: each other.

1814
01:33:34,040 --> 01:33:36,240
Speaker 1: But it's hard to get people to get to that

1815
01:33:36,400 --> 01:33:38,960
Speaker 1: point when you don't even agree on how things should

1816
01:33:38,960 --> 01:33:39,599
Speaker 1: be handled.

1817
01:33:39,960 --> 01:33:41,639
Speaker 2: Well, you know what's funny to me is I don't

1818
01:33:41,640 --> 01:33:45,639
Speaker 2: think I think people are framing it as young versus old,

1819
01:33:45,640 --> 01:33:49,040
Speaker 2: and I think that's a big mistake. The things outsiders

1820
01:33:49,120 --> 01:33:53,160
Speaker 2: versus insiders, people with influence that have a way and

1821
01:33:53,320 --> 01:33:57,840
Speaker 2: access to power, brokers that have you know, truth, And

1822
01:33:58,200 --> 01:34:00,840
Speaker 2: I think that's a big part of this now, the young,

1823
01:34:01,040 --> 01:34:03,640
Speaker 2: the youth part of it is more about inexperienced than

1824
01:34:03,680 --> 01:34:07,519
Speaker 2: it is youth. Like, you know, you're you're now angling

1825
01:34:07,720 --> 01:34:11,160
Speaker 2: for a level of influence that you've never had before,

1826
01:34:11,680 --> 01:34:14,560
Speaker 2: and there's quote unquote rules to this influence and you're like,

1827
01:34:14,680 --> 01:34:19,439
Speaker 2: fuck those rules, which I think traditionally, I feel like

1828
01:34:19,800 --> 01:34:23,519
Speaker 2: that means you will ultimately always be marginalized because you

1829
01:34:23,600 --> 01:34:26,559
Speaker 2: do have to quote unquote play the game in certain

1830
01:34:26,640 --> 01:34:31,760
Speaker 2: areas to get on, Like like if you bum rust

1831
01:34:31,800 --> 01:34:34,840
Speaker 2: your stage, they cut your mic, if the audience starts chatting, they.

1832
01:34:34,760 --> 01:34:35,439
Speaker 3: Cut the footage.

1833
01:34:35,520 --> 01:34:38,200
Speaker 2: If you're you know, like, there's always gonna be a

1834
01:34:38,320 --> 01:34:41,080
Speaker 2: way that they go, no, you're you're your own worst enemy,

1835
01:34:41,800 --> 01:34:45,200
Speaker 2: and that that's why you know we're not gonna feature you.

1836
01:34:45,560 --> 01:34:47,000
Speaker 3: You know, I'm not saying it's right.

1837
01:34:47,200 --> 01:34:50,360
Speaker 2: Obviously I don't think it is, but you know, I

1838
01:34:50,600 --> 01:34:54,240
Speaker 2: feel like that's a huge part of this is, you know,

1839
01:34:55,160 --> 01:34:58,200
Speaker 2: you're not playing the game to get in to whatever,

1840
01:34:58,400 --> 01:35:00,400
Speaker 2: and their point is we don't have have to play

1841
01:35:00,400 --> 01:35:02,760
Speaker 2: the game, you know, And and they have and they

1842
01:35:02,920 --> 01:35:05,880
Speaker 2: and I would think it would be more powerful if

1843
01:35:05,920 --> 01:35:09,200
Speaker 2: they could combine, but I think they're diametrically opposed on

1844
01:35:09,280 --> 01:35:11,519
Speaker 2: certain things. I think if you added the social media

1845
01:35:11,640 --> 01:35:16,200
Speaker 2: aspect of what has gone on with Ferguson to the

1846
01:35:16,560 --> 01:35:22,080
Speaker 2: some of the old guards, like older ways, antique ways

1847
01:35:22,160 --> 01:35:26,040
Speaker 2: of like communicating and gathering people and ship, it would

1848
01:35:26,120 --> 01:35:29,400
Speaker 2: be dope. But it's a huge disconnect between them and

1849
01:35:29,520 --> 01:35:32,639
Speaker 2: the community because I think to a large part they're

1850
01:35:32,720 --> 01:35:36,160
Speaker 2: kind of scared of that anger and fear of these

1851
01:35:36,240 --> 01:35:39,320
Speaker 2: new people that don't want to play by the rules.

1852
01:35:39,000 --> 01:35:41,479
Speaker 3: Of hey, let's all go meet at the church in

1853
01:35:41,600 --> 01:35:42,559
Speaker 3: our suits, and.

1854
01:35:43,080 --> 01:35:46,559
Speaker 4: You know, they feel like, why why should I waste

1855
01:35:46,640 --> 01:35:50,080
Speaker 4: my time doing these things? And nothing's changed.

1856
01:35:50,120 --> 01:35:52,320
Speaker 2: Well, part of it is weird because part of it

1857
01:35:52,600 --> 01:35:55,920
Speaker 2: is that racism is not a black problem. The song

1858
01:35:56,920 --> 01:36:02,160
Speaker 2: and the the old way is look, show white people

1859
01:36:02,240 --> 01:36:04,400
Speaker 2: that you're not threatening, correct, and.

1860
01:36:04,520 --> 01:36:07,320
Speaker 3: Then white people will change because white people have to change.

1861
01:36:07,360 --> 01:36:09,880
Speaker 2: It's not us and the new way is like fuck

1862
01:36:09,960 --> 01:36:12,000
Speaker 2: that we were scared these motherfuckers into doing what we

1863
01:36:12,160 --> 01:36:14,320
Speaker 2: say if it's you know, like we were ready, like

1864
01:36:14,360 --> 01:36:16,479
Speaker 2: we're tired of this ship. We don't care be scared

1865
01:36:16,520 --> 01:36:18,920
Speaker 2: if you're gonna be scared, but give us our rights.

1866
01:36:19,040 --> 01:36:21,880
Speaker 2: And I think that's what you know, you get it

1867
01:36:21,960 --> 01:36:23,120
Speaker 2: to it. And you know, there's a lot of people

1868
01:36:23,120 --> 01:36:25,760
Speaker 2: speaking in platitudes. One dude told me because I said,

1869
01:36:25,840 --> 01:36:29,240
Speaker 2: we don't know what these people want yet, like out

1870
01:36:29,280 --> 01:36:31,760
Speaker 2: of life, like they're still figuring it out. We all

1871
01:36:31,840 --> 01:36:34,920
Speaker 2: are at that age. And then the guy was like,

1872
01:36:35,120 --> 01:36:37,120
Speaker 2: they want what all young people want. Freedom And I

1873
01:36:37,240 --> 01:36:39,360
Speaker 2: was like, well, if we're not gonna have a real conversation,

1874
01:36:39,920 --> 01:36:40,760
Speaker 2: then I can move on.

1875
01:36:40,920 --> 01:36:45,160
Speaker 1: Yeah, because they're young, who knows decide to step out

1876
01:36:45,240 --> 01:36:45,760
Speaker 1: and do something.

1877
01:36:46,360 --> 01:36:50,639
Speaker 2: Yeah, that's just speaking in platitudes. Well they all want equalities. Okay, cool,

1878
01:36:50,840 --> 01:36:53,200
Speaker 2: Well that that fine, you know what I mean. But

1879
01:36:53,320 --> 01:36:55,920
Speaker 2: that's not that's not a specific that's not how you're

1880
01:36:55,920 --> 01:36:58,840
Speaker 2: gonna get it. That's not you know, I'm talking specifics.

1881
01:36:58,880 --> 01:37:01,160
Speaker 2: Maybe they want to start an organization, Maybe they want

1882
01:37:01,200 --> 01:37:04,000
Speaker 2: to uh, you know, start fundraising. Maybe they want to

1883
01:37:04,040 --> 01:37:07,360
Speaker 2: travel around and you know, do you think do the

1884
01:37:07,439 --> 01:37:09,280
Speaker 2: things Sharpton was doing, but do it their own way,

1885
01:37:09,479 --> 01:37:11,719
Speaker 2: Like maybe they want to you know, speak for families

1886
01:37:11,760 --> 01:37:15,040
Speaker 2: and offer their services. I don't know, you know, I

1887
01:37:15,160 --> 01:37:20,080
Speaker 2: just I just think it sucks that that they I

1888
01:37:20,200 --> 01:37:22,439
Speaker 2: think it sucks that a lot of young people feel

1889
01:37:22,520 --> 01:37:26,680
Speaker 2: like Al Sharpton is the enemy. And I think it

1890
01:37:26,800 --> 01:37:28,560
Speaker 2: sucks that a lot of young people feel like the

1891
01:37:28,640 --> 01:37:31,320
Speaker 2: president is the enemy. And I think it sucks that

1892
01:37:31,560 --> 01:37:33,320
Speaker 2: a lot of people feel like Jesse Jackson is the

1893
01:37:33,520 --> 01:37:38,839
Speaker 2: enemy because you know, uh, while I can understand disagreeing

1894
01:37:38,840 --> 01:37:40,200
Speaker 2: with some of the stuff that they've.

1895
01:37:40,040 --> 01:37:44,519
Speaker 3: Done, I can't really get behind them being like.

1896
01:37:46,880 --> 01:37:50,960
Speaker 2: Like because to me, like so, that's the same ship

1897
01:37:51,479 --> 01:37:55,080
Speaker 2: that Republicans say, that's the same reason that conservatives hate

1898
01:37:55,120 --> 01:37:55,599
Speaker 2: these people.

1899
01:37:55,720 --> 01:37:57,960
Speaker 3: That's the same reason that you know, it just seems

1900
01:37:58,040 --> 01:38:01,320
Speaker 3: like it seemed like the message to me is don't

1901
01:38:01,720 --> 01:38:07,080
Speaker 3: become don't don't become good at.

1902
01:38:09,600 --> 01:38:14,160
Speaker 2: At being successful in areas of social justice, because once

1903
01:38:14,240 --> 01:38:17,400
Speaker 2: you do, it's just about taking you down to from

1904
01:38:17,439 --> 01:38:18,040
Speaker 2: both sides.

1905
01:38:18,960 --> 01:38:21,439
Speaker 4: Yeah, And they gotta be frustrating because when when people

1906
01:38:21,640 --> 01:38:25,400
Speaker 4: say that it somewhat upsets me because you're going, well,

1907
01:38:25,479 --> 01:38:28,400
Speaker 4: fuck all the good causes, Fuck all the progress they've made,

1908
01:38:28,960 --> 01:38:31,280
Speaker 4: fuck all you know, some of the laws and some

1909
01:38:31,439 --> 01:38:34,040
Speaker 4: of the legislations, some of the some of the freedoms

1910
01:38:34,040 --> 01:38:35,880
Speaker 4: that you have are due to a lot of these

1911
01:38:35,960 --> 01:38:38,840
Speaker 4: people marching and protesting and all this shit. So when

1912
01:38:38,840 --> 01:38:41,200
Speaker 4: you go there, you go, fuck all that. But it's

1913
01:38:41,240 --> 01:38:43,920
Speaker 4: one of those things where you depend on your age.

1914
01:38:43,920 --> 01:38:45,800
Speaker 4: You weren't even around when a lot of this with

1915
01:38:45,920 --> 01:38:48,320
Speaker 4: the bulk when they did the book their activism, So

1916
01:38:48,479 --> 01:38:51,599
Speaker 4: it's just one of those things where I understand everybody's

1917
01:38:51,640 --> 01:38:54,160
Speaker 4: activism is going to be different. But just like the

1918
01:38:54,280 --> 01:38:57,639
Speaker 4: youth don't want their activism being marginalized, old people don't

1919
01:38:57,640 --> 01:39:00,439
Speaker 4: want their activism being marginalized. And they also don't feel

1920
01:39:00,439 --> 01:39:02,040
Speaker 4: like you're just gonna put push them to the sign

1921
01:39:02,040 --> 01:39:04,439
Speaker 4: and forget about them and forget about all the things

1922
01:39:04,439 --> 01:39:08,800
Speaker 4: that they've done. Also like they didn't set the groundwork

1923
01:39:08,920 --> 01:39:10,599
Speaker 4: for some of the things that you're doing right now.

1924
01:39:11,360 --> 01:39:13,960
Speaker 2: Yeah, and but I can you know, like I said,

1925
01:39:14,000 --> 01:39:17,679
Speaker 2: I can understand the frustration. It just kind of all sucks.

1926
01:39:19,400 --> 01:39:21,360
Speaker 2: And I'll give that a hundred because I feel fucked with,

1927
01:39:21,640 --> 01:39:23,880
Speaker 2: not gonna sing the song. We gotta move on, of course,

1928
01:39:24,920 --> 01:39:29,600
Speaker 2: R and B star Jeremi. He's going our rids. Jeremiah,

1929
01:39:30,040 --> 01:39:34,559
Speaker 2: it's Jeremy. I'm right, y'all wrong. He doesn't know how

1930
01:39:34,560 --> 01:39:37,280
Speaker 2: to pronounce his own name. Him and two others are

1931
01:39:37,320 --> 01:39:39,160
Speaker 2: facing charges in New Jersey after one of the men

1932
01:39:39,200 --> 01:39:41,760
Speaker 2: allegedly open a door to a boarding ramp at an

1933
01:39:41,800 --> 01:39:44,799
Speaker 2: airport after they had been closed to prepare for takeoff.

1934
01:39:46,800 --> 01:39:48,200
Speaker 3: The Port Authority.

1935
01:39:47,840 --> 01:39:50,080
Speaker 2: Police say a member of the twenty seven year old

1936
01:39:50,160 --> 01:39:53,000
Speaker 2: Don't Tell Them Singers party tried to open the door

1937
01:39:53,120 --> 01:39:55,479
Speaker 2: Friday and an attempt to get his tardy fellow travelers

1938
01:39:55,880 --> 01:40:01,080
Speaker 2: on board of Phoenix bound flight. Jeremy, who police identify

1939
01:40:01,320 --> 01:40:06,679
Speaker 2: as Tudah Jeremy Felton, I was right. His name is Jeremy.

1940
01:40:07,160 --> 01:40:11,160
Speaker 2: His mama named Jeremy. I'ma name of Jeremy. He was

1941
01:40:11,280 --> 01:40:16,479
Speaker 2: charged with this oilerly conduct an obstruction of administration of law.

1942
01:40:17,280 --> 01:40:20,559
Speaker 2: A second man faces the same charges, while the third

1943
01:40:20,680 --> 01:40:24,479
Speaker 2: is charged the defined trespass for allegedly opening the door.

1944
01:40:24,560 --> 01:40:27,479
Speaker 2: Spokesman for Port Authority Police say all three men will

1945
01:40:27,520 --> 01:40:29,639
Speaker 2: released without incident in order to appear for a Judge.

1946
01:40:30,120 --> 01:40:32,519
Speaker 2: An email to a representative at his label, death Cham

1947
01:40:32,600 --> 01:40:37,000
Speaker 2: was not immediately returned. So yeah, Jeremy fucking up.

1948
01:40:37,960 --> 01:40:39,479
Speaker 1: Mm hmm, you should charge him?

1949
01:40:41,160 --> 01:40:47,240
Speaker 2: All right, Let's uh play our game. Where's my music?

1950
01:40:48,240 --> 01:40:50,640
Speaker 2: We got about twenty minutes? Oh well no, I might

1951
01:40:50,680 --> 01:40:51,920
Speaker 2: get stretched about twenty five.

1952
01:40:52,080 --> 01:40:53,599
Speaker 1: Let's una Cosby.

1953
01:40:54,680 --> 01:40:56,439
Speaker 2: No, we're not gonna do cosey, we go up. We

1954
01:40:56,439 --> 01:40:59,720
Speaker 2: gotta play these games, Karen, and we don't have time

1955
01:40:59,760 --> 01:41:03,479
Speaker 2: for today. We'll do something tomorrow with Rad. Okay, I'm

1956
01:41:03,520 --> 01:41:07,160
Speaker 2: sure Red probably thinks he's innocent, all right, bet she does.

1957
01:41:07,479 --> 01:41:10,280
Speaker 2: Let's play Actually, let's play one fucking with black people,

1958
01:41:19,000 --> 01:41:21,479
Speaker 2: fucking with these black people, all with just fucking with

1959
01:41:21,640 --> 01:41:26,000
Speaker 2: these blacks. We're just fucking with fucking with black people.

1960
01:41:26,400 --> 01:41:28,800
Speaker 2: That's right, guy, it's time for fucking with black people. Well,

1961
01:41:28,840 --> 01:41:29,800
Speaker 2: you guys know you hate it.

1962
01:41:29,960 --> 01:41:30,559
Speaker 3: I hate it too.

1963
01:41:31,560 --> 01:41:33,800
Speaker 2: Let's go ahead and give me a number from the

1964
01:41:33,920 --> 01:41:37,479
Speaker 2: chat room from one to about twenty five, and we

1965
01:41:37,680 --> 01:41:41,560
Speaker 2: will use that number to play a story that we

1966
01:41:41,680 --> 01:41:42,360
Speaker 2: all will hate.

1967
01:41:43,360 --> 01:41:50,200
Speaker 3: Twenty five, said Lord Jesus. Let's see five, eight eleven.

1968
01:41:50,120 --> 01:41:56,800
Speaker 2: Fourteen, seveneen, no, fourteen, sixteen, nineteen.

1969
01:41:57,960 --> 01:42:03,479
Speaker 3: Twenty one. Really are twenty five, twenty four, twenty five.

1970
01:42:04,479 --> 01:42:07,800
Speaker 2: Really Scott addresses Exodus casting controversy.

1971
01:42:08,200 --> 01:42:13,240
Speaker 3: Oh shit, he said Egypt. Let me see, Wait what

1972
01:42:13,320 --> 01:42:13,680
Speaker 3: do he say?

1973
01:42:14,280 --> 01:42:17,559
Speaker 2: He says, I can't mount a film of this budget

1974
01:42:18,800 --> 01:42:20,880
Speaker 2: where I have to rely on tax rebates in Spain

1975
01:42:21,040 --> 01:42:23,120
Speaker 2: and say that my lead actor is Muhammad so and

1976
01:42:23,240 --> 01:42:26,479
Speaker 2: so from such and such. I'm just not going to

1977
01:42:26,520 --> 01:42:28,840
Speaker 2: get it financed. So the question doesn't even come up.

1978
01:42:32,120 --> 01:42:34,240
Speaker 2: So what do you think about that?

1979
01:42:34,360 --> 01:42:34,519
Speaker 9: Can?

1980
01:42:38,960 --> 01:42:44,799
Speaker 1: That's one hundred and for me too. Everybody's racist?

1981
01:42:45,680 --> 01:42:45,880
Speaker 3: Yeah?

1982
01:42:46,040 --> 01:42:50,160
Speaker 2: Uh fuck, really Scott, he wrong, not about the budget shit,

1983
01:42:50,320 --> 01:42:53,360
Speaker 2: but the dismissive Muhammad so and so and from such

1984
01:42:53,400 --> 01:42:57,479
Speaker 2: and such. You couldn't name one brown person. You couldn't

1985
01:42:57,520 --> 01:42:59,920
Speaker 2: name one, and you just a Muhammed and so on,

1986
01:43:00,160 --> 01:43:03,479
Speaker 2: So like, there's no fucking good actors that could that

1987
01:43:03,640 --> 01:43:08,480
Speaker 2: look Egyptian in uh or Muslim in fucking Hollywood.

1988
01:43:08,920 --> 01:43:10,439
Speaker 3: It's such a dismissive thing to say.

1989
01:43:10,560 --> 01:43:11,160
Speaker 1: I agree.

1990
01:43:11,960 --> 01:43:16,160
Speaker 2: I agree that the problem is that audiences are racist,

1991
01:43:16,200 --> 01:43:19,600
Speaker 2: not necessarily just Hollywood, and that the film would not

1992
01:43:19,880 --> 01:43:22,280
Speaker 2: be able to get a budget that did if it

1993
01:43:22,360 --> 01:43:26,560
Speaker 2: didn't have a mainstream, big name, big lead actor. I

1994
01:43:26,680 --> 01:43:30,120
Speaker 2: agree it may be Will Smith for Denzel, but like,

1995
01:43:30,240 --> 01:43:32,600
Speaker 2: you're not gonna find you're not gonna be able to

1996
01:43:32,640 --> 01:43:37,120
Speaker 2: cast a relatively unknown actor for the part. I get that,

1997
01:43:39,760 --> 01:43:42,920
Speaker 2: but not casting a person of color uh as the

1998
01:43:43,040 --> 01:43:46,519
Speaker 2: lead in this to me says you're not really about

1999
01:43:46,640 --> 01:43:48,000
Speaker 2: historical accuracy.

2000
01:43:49,240 --> 01:43:51,400
Speaker 3: And the other part of this I have a problem with.

2001
01:43:52,360 --> 01:43:54,479
Speaker 3: I was talking to this guy last night on Twitter.

2002
01:43:54,760 --> 01:43:55,960
Speaker 3: He's a film.

2003
01:43:57,160 --> 01:43:59,840
Speaker 2: He's actually like a like a movie producer, a film

2004
01:44:00,160 --> 01:44:03,360
Speaker 2: or something like that, and he was saying how he

2005
01:44:03,760 --> 01:44:07,559
Speaker 2: I said that I don't want to see Blade Runner too.

2006
01:44:08,120 --> 01:44:10,120
Speaker 2: I've seen Blade Runner one. I thought it was terrible,

2007
01:44:10,840 --> 01:44:13,400
Speaker 2: and he kind of was, you know, a bit dismissive

2008
01:44:13,439 --> 01:44:15,000
Speaker 2: of me, like, wow, I didn't have c g I

2009
01:44:15,120 --> 01:44:17,880
Speaker 2: and the action. I was like, not really, that's part

2010
01:44:17,960 --> 01:44:20,679
Speaker 2: of you know, the thing for me isn't the CGIB.

2011
01:44:20,760 --> 01:44:22,320
Speaker 2: I did think the action was bad. I thought the

2012
01:44:22,400 --> 01:44:25,840
Speaker 2: acting was woulden the conceit that you have to give

2013
01:44:26,240 --> 01:44:32,040
Speaker 2: that the Harrison Ford's character, Deckard falls in love with

2014
01:44:32,520 --> 01:44:36,400
Speaker 2: this special robot lady just didn't work.

2015
01:44:36,280 --> 01:44:36,920
Speaker 11: For me, Like.

2016
01:44:39,880 --> 01:44:41,200
Speaker 3: So my problem.

2017
01:44:41,320 --> 01:44:43,080
Speaker 2: But I realized as I was talking to him, my

2018
01:44:43,160 --> 01:44:45,000
Speaker 2: problem was actually much much deeper than that.

2019
01:44:45,960 --> 01:44:47,519
Speaker 3: It's also directed by Really Scott.

2020
01:44:48,520 --> 01:44:51,160
Speaker 2: Really Scott doesn't understand race, and he doesn't understand how

2021
01:44:51,240 --> 01:44:54,000
Speaker 2: much it means. And that movie is basically a slave

2022
01:44:54,120 --> 01:45:00,360
Speaker 2: movie about slave uprising, and we're watching a person whose

2023
01:45:00,520 --> 01:45:03,040
Speaker 2: lens of white privilege is incapable of seeing it from

2024
01:45:03,080 --> 01:45:06,760
Speaker 2: any other angle. So in his mind it's Harrison Ford

2025
01:45:06,880 --> 01:45:10,120
Speaker 2: meets the good slave and decides to save her while

2026
01:45:10,240 --> 01:45:11,120
Speaker 2: killing Nat Turner.

2027
01:45:11,560 --> 01:45:14,000
Speaker 3: And Nat Turner's the fucking hero, you know what I mean?

2028
01:45:14,080 --> 01:45:15,479
Speaker 3: Like Nat Turner is.

2029
01:45:15,520 --> 01:45:19,200
Speaker 2: The guy that we all should be like Roy, He's

2030
01:45:19,240 --> 01:45:21,160
Speaker 2: the guy that we all should be rooting for, because

2031
01:45:21,200 --> 01:45:26,400
Speaker 2: he's basically saying, you can't keep creating us robots or

2032
01:45:26,560 --> 01:45:29,840
Speaker 2: you know, fake life for life, what do you call it,

2033
01:45:29,960 --> 01:45:33,360
Speaker 2: like cyborgs. You can't keep creating us cyborgs, giving us

2034
01:45:33,400 --> 01:45:38,559
Speaker 2: sentience and all this shit and then basically making us

2035
01:45:38,720 --> 01:45:43,920
Speaker 2: die by by giving us a life cycle that kills

2036
01:45:44,000 --> 01:45:46,680
Speaker 2: us off and drives us crazy. And then you know,

2037
01:45:46,840 --> 01:45:49,759
Speaker 2: they have these cops who just basically they go around

2038
01:45:49,800 --> 01:45:53,400
Speaker 2: as bounty hunters killing the robots, and so the story

2039
01:45:53,479 --> 01:45:58,280
Speaker 2: becomes well, Harrison Ford meets the one robot and lady

2040
01:45:58,400 --> 01:46:00,519
Speaker 2: and he feels empathy for and falls and love and

2041
01:46:00,560 --> 01:46:02,519
Speaker 2: they go off and live in the fucking tent for

2042
01:46:02,640 --> 01:46:04,760
Speaker 2: the rest of their lives. And that's supposed to be

2043
01:46:04,800 --> 01:46:07,599
Speaker 2: a happy ending. That's the end of the movie. Meanwhile,

2044
01:46:08,400 --> 01:46:10,360
Speaker 2: I think if it would have had a director of color,

2045
01:46:10,960 --> 01:46:13,880
Speaker 2: a director who had some sort of at least understanding

2046
01:46:13,960 --> 01:46:16,479
Speaker 2: of race and the role that it plays, that movie

2047
01:46:16,520 --> 01:46:21,040
Speaker 2: should be about a slave uprising. That movie is really about,

2048
01:46:21,479 --> 01:46:24,559
Speaker 2: you know, the fact that the dominant society views people

2049
01:46:24,640 --> 01:46:27,680
Speaker 2: as views these robot people as less than human and

2050
01:46:27,880 --> 01:46:32,120
Speaker 2: only for manufacturing and simple task. But they gave them

2051
01:46:32,240 --> 01:46:36,000
Speaker 2: the same sentience that a person deserves, and you know,

2052
01:46:36,280 --> 01:46:38,639
Speaker 2: it's kind of gets to that theme of I think

2053
01:46:38,680 --> 01:46:41,560
Speaker 2: therefore I am. Now those themes are kind of in

2054
01:46:41,760 --> 01:46:44,240
Speaker 2: the movie, but they're not really what the movie is about.

2055
01:46:44,720 --> 01:46:46,960
Speaker 2: And that's the problem with the fucking movie is why

2056
01:46:46,960 --> 01:46:50,439
Speaker 2: I've never liked that movie. You know, it just missed

2057
01:46:50,479 --> 01:46:52,680
Speaker 2: the point. It feels like a wasted opportunity to me.

2058
01:46:53,600 --> 01:46:56,200
Speaker 2: All that to go back to say, really, Scott doesn't

2059
01:46:56,200 --> 01:46:59,280
Speaker 2: get race, and that's why that fucking movie is not

2060
01:46:59,400 --> 01:47:02,719
Speaker 2: good to me. And that's why or it's just extremely

2061
01:47:02,800 --> 01:47:05,280
Speaker 2: flawed and I don't like it, and that's why he

2062
01:47:05,280 --> 01:47:06,519
Speaker 2: would say some dumb shit.

2063
01:47:06,479 --> 01:47:09,920
Speaker 1: Like this, because yeah, you will only say that out

2064
01:47:09,960 --> 01:47:10,519
Speaker 1: of ignorance.

2065
01:47:10,640 --> 01:47:14,600
Speaker 2: Yeah, you just don't understand, like fine, like oh you

2066
01:47:14,680 --> 01:47:16,720
Speaker 2: know if I just get mohammed so and so, like

2067
01:47:16,840 --> 01:47:18,160
Speaker 2: that's not what people are asking you.

2068
01:47:18,400 --> 01:47:21,080
Speaker 1: No, that's not you know, and that's being dismissive to

2069
01:47:21,160 --> 01:47:22,000
Speaker 1: what they're even asking.

2070
01:47:22,080 --> 01:47:25,439
Speaker 2: Yeah, you claim this is a historically accurate fucking Bible movie,

2071
01:47:25,560 --> 01:47:28,920
Speaker 2: which you know, quotations all around, put the words you

2072
01:47:28,960 --> 01:47:32,840
Speaker 2: want to put quotations around. But you're also, you know,

2073
01:47:33,120 --> 01:47:36,280
Speaker 2: completely ignoring race in this and you know that's that's

2074
01:47:36,320 --> 01:47:37,639
Speaker 2: the height of white privilege right there.

2075
01:47:38,520 --> 01:47:39,840
Speaker 3: Let's play our other game.

2076
01:47:40,479 --> 01:47:46,719
Speaker 5: Okay, now that is time for some guests stove race.

2077
01:47:47,560 --> 01:47:52,080
Speaker 5: That's right, this guest the Race time. Now that it

2078
01:47:52,160 --> 01:47:55,920
Speaker 5: is time for some guests tho race. That's right, this

2079
01:47:56,160 --> 01:47:57,400
Speaker 5: guest no race time.

2080
01:47:59,439 --> 01:47:59,840
Speaker 3: That's right.

2081
01:47:59,880 --> 01:48:03,639
Speaker 2: It's time for guest the Race, the number one game

2082
01:48:03,720 --> 01:48:05,760
Speaker 2: show going across all the podcast man where we read

2083
01:48:05,800 --> 01:48:07,960
Speaker 2: a play news article from all over the globe and

2084
01:48:08,080 --> 01:48:11,080
Speaker 2: we asked our contestants today the chat room to guess

2085
01:48:11,520 --> 01:48:14,839
Speaker 2: the race, and the chat room is racist.

2086
01:48:15,360 --> 01:48:16,679
Speaker 3: They aren't racist as hell.

2087
01:48:17,040 --> 01:48:17,479
Speaker 4: They are.

2088
01:48:19,640 --> 01:48:21,880
Speaker 3: Let's see, how about.

2089
01:48:23,280 --> 01:48:23,720
Speaker 7: This one.

2090
01:48:24,880 --> 01:48:28,479
Speaker 3: A father has been charged in the death of his son.

2091
01:48:29,240 --> 01:48:31,120
Speaker 3: Oh sh a four year old son?

2092
01:48:33,080 --> 01:48:33,880
Speaker 7: What is his name?

2093
01:48:34,680 --> 01:48:36,280
Speaker 3: Joseph Blocker is name.

2094
01:48:36,400 --> 01:48:38,839
Speaker 14: The police are trying to figure out exactly what happened

2095
01:48:38,840 --> 01:48:41,120
Speaker 14: inside a Garland home after a four year old was

2096
01:48:41,160 --> 01:48:44,599
Speaker 14: found dead with injuries from a washing machine to night sap.

2097
01:48:44,680 --> 01:48:47,360
Speaker 14: Boy's father, Joseph Blocker, is charged.

2098
01:48:47,120 --> 01:48:48,040
Speaker 7: With capital murder.

2099
01:48:48,360 --> 01:48:50,280
Speaker 14: He called nine one one to report that his son

2100
01:48:50,400 --> 01:48:54,080
Speaker 14: was unconscious, but when rescuers arrived, they say Coda Blocker

2101
01:48:54,240 --> 01:48:56,920
Speaker 14: was already dead. Neighbors are stunned.

2102
01:48:58,280 --> 01:48:59,919
Speaker 1: It's horrible, it's heartbreak.

2103
01:49:00,880 --> 01:49:03,320
Speaker 27: I don't know how anyone could ever harm another person,

2104
01:49:03,520 --> 01:49:05,840
Speaker 27: and to harm a child, an innocent child.

2105
01:49:06,439 --> 01:49:08,720
Speaker 1: They're innocent. They're God's little angels.

2106
01:49:09,960 --> 01:49:13,599
Speaker 14: Detectives believe the family's frontloading washing machine played a part

2107
01:49:13,720 --> 01:49:16,120
Speaker 14: in the little boy's death. They say someone has to

2108
01:49:16,200 --> 01:49:18,400
Speaker 14: shut the door and then push a button to start

2109
01:49:18,439 --> 01:49:18,920
Speaker 14: the machine.

2110
01:49:23,200 --> 01:49:27,200
Speaker 1: So I watched old I watched the machine in front. No,

2111
01:49:27,320 --> 01:49:28,920
Speaker 1: baby probably couldn't eve climb his airs in there.

2112
01:49:29,400 --> 01:49:32,120
Speaker 3: Guess the race of Joseph Blocker? Well, caaren you? So

2113
01:49:32,240 --> 01:49:36,000
Speaker 3: you're assuming that the baby killed himself by climbing in there.

2114
01:49:36,240 --> 01:49:37,280
Speaker 1: No no, no, no, no no no.

2115
01:49:37,840 --> 01:49:39,880
Speaker 4: They they're saying that that somebody has to push the

2116
01:49:39,960 --> 01:49:42,400
Speaker 4: door and hit the button. I say, because the way

2117
01:49:42,479 --> 01:49:44,120
Speaker 4: ours is, the baby wouldn't even to be able to

2118
01:49:44,160 --> 01:49:47,760
Speaker 4: climb into it. If the baby chair climbed into it.

2119
01:49:47,800 --> 01:49:48,960
Speaker 4: He probably put the baby in there.

2120
01:49:49,400 --> 01:49:52,280
Speaker 2: Yeah, well yeah, he probably killed the killing him of

2121
01:49:52,360 --> 01:49:55,240
Speaker 2: killing the kid does has nothing to do with how

2122
01:49:55,320 --> 01:49:56,479
Speaker 2: a kid would get in there.

2123
01:49:56,560 --> 01:49:59,360
Speaker 3: He I mean, throw the kid in there.

2124
01:49:59,400 --> 01:50:03,519
Speaker 1: He put that. You know what, I want you to

2125
01:50:03,600 --> 01:50:03,960
Speaker 1: dry them.

2126
01:50:04,800 --> 01:50:08,200
Speaker 2: Let's take the chat room for the guesses whiter than

2127
01:50:08,280 --> 01:50:09,639
Speaker 2: sheets fresh out of the dry.

2128
01:50:11,040 --> 01:50:11,280
Speaker 1: Star.

2129
01:50:11,400 --> 01:50:13,920
Speaker 3: As the lead actor in Ridley Scott's Adrian.

2130
01:50:13,680 --> 01:50:19,840
Speaker 2: Peterson story, Ah's White Little House on the Prairie, wash

2131
01:50:19,920 --> 01:50:21,760
Speaker 2: white handwa wash white white.

2132
01:50:22,040 --> 01:50:23,880
Speaker 3: He used the bleach because it gains your white's whiter

2133
01:50:24,000 --> 01:50:24,559
Speaker 3: white white.

2134
01:50:25,040 --> 01:50:27,599
Speaker 2: He had access to the son and the washing machine

2135
01:50:27,600 --> 01:50:29,600
Speaker 2: whiter than the bleach he would have he would have

2136
01:50:29,760 --> 01:50:32,559
Speaker 2: to use as white as that washing machine. He found

2137
01:50:32,560 --> 01:50:34,439
Speaker 2: out his son wasn't his and was a half free

2138
01:50:34,520 --> 01:50:37,840
Speaker 2: mulatto white white permanent press cracker cub.

2139
01:50:38,040 --> 01:50:39,360
Speaker 3: The correct answer is.

2140
01:50:41,200 --> 01:50:42,439
Speaker 7: He is white.

2141
01:50:55,000 --> 01:50:56,519
Speaker 2: Well, let me put his picture in the chat for

2142
01:50:56,600 --> 01:50:58,920
Speaker 2: you guys, so you can see what Joseph Blocker looks like.

2143
01:51:00,600 --> 01:51:04,920
Speaker 3: But you guys all got that right. Let's say, don't

2144
01:51:04,960 --> 01:51:06,120
Speaker 3: mix your wiites with your colors.

2145
01:51:07,800 --> 01:51:08,360
Speaker 1: What the dail you?

2146
01:51:08,720 --> 01:51:11,800
Speaker 3: That was what they saying. Uh, let me see it

2147
01:51:11,880 --> 01:51:13,439
Speaker 3: like a fine Okay. Here's one.

2148
01:51:14,479 --> 01:51:18,759
Speaker 2: Political activist Amy Elizabeth Barnes has been awarded one hundred

2149
01:51:18,880 --> 01:51:20,439
Speaker 2: thousand dollars this week.

2150
01:51:21,880 --> 01:51:26,519
Speaker 3: For shouting fuck the police following her twenty twelve arrests.

2151
01:51:26,560 --> 01:51:29,840
Speaker 2: By shouting explets that cops claimed incited an immediate breach

2152
01:51:29,880 --> 01:51:34,160
Speaker 2: of the piece. Barnes was arrested by police aistress twenty twelve.

2153
01:51:34,479 --> 01:51:37,800
Speaker 2: She reportedly rode her bike pass two police officers who

2154
01:51:37,880 --> 01:51:40,599
Speaker 2: were questioning a black suspect outside of a convenience store.

2155
01:51:41,040 --> 01:51:44,920
Speaker 2: She shouted cob police, suck and fucked the police, giving

2156
01:51:45,000 --> 01:51:46,160
Speaker 2: them the bird and rode off.

2157
01:51:46,200 --> 01:51:48,640
Speaker 3: Police followed and arrest at her. They came after me

2158
01:51:48,760 --> 01:51:51,360
Speaker 3: like it was some action movie, she told WSBTV.

2159
01:51:51,880 --> 01:51:54,720
Speaker 2: The TV station also reports that following barnes arrest, she

2160
01:51:54,800 --> 01:51:56,600
Speaker 2: was placing in solitary confinement.

2161
01:51:56,240 --> 01:52:01,200
Speaker 3: For twenty three hours. Shit yeah, fuckers were not fucking around,

2162
01:52:01,240 --> 01:52:02,880
Speaker 3: were they? Miss?

2163
01:52:02,960 --> 01:52:05,120
Speaker 2: Barnes comments to the police may have been offensive, but

2164
01:52:05,200 --> 01:52:06,880
Speaker 2: no one in the United States of America should be

2165
01:52:06,960 --> 01:52:09,639
Speaker 2: chased out and arrested for their free speech, Barnes lawyer

2166
01:52:09,720 --> 01:52:13,800
Speaker 2: Synthony Counts told the Atlantic General Constitution. The officers argued

2167
01:52:13,840 --> 01:52:15,960
Speaker 2: that it was a bad neighborhood and you shouldn't dispect

2168
01:52:15,960 --> 01:52:21,320
Speaker 2: the police because it could create issues. The activist was

2169
01:52:21,320 --> 01:52:24,160
Speaker 2: acquitted in a criminal trial against Kyle County last year,

2170
01:52:24,560 --> 01:52:25,400
Speaker 2: with the judge.

2171
01:52:25,120 --> 01:52:27,280
Speaker 3: Pointing out that Barnes never confronted the officers.

2172
01:52:27,560 --> 01:52:29,839
Speaker 2: The evidence that trials showed the defendant was not engaged

2173
01:52:29,840 --> 01:52:32,120
Speaker 2: in the face to face confrontation with the officers, which

2174
01:52:32,200 --> 01:52:34,200
Speaker 2: tended to incite an immediate breach of the peace when

2175
01:52:34,200 --> 01:52:36,720
Speaker 2: the words were spoken. Judge Melody Clayton wrote in her

2176
01:52:36,800 --> 01:52:39,360
Speaker 2: judgment of the criminal trial, in addition, the words suck

2177
01:52:39,800 --> 01:52:43,320
Speaker 2: using an everthat is now common enough in modern society

2178
01:52:43,680 --> 01:52:47,040
Speaker 2: that it cannot reasonably provoke a threat of violence the

2179
01:52:47,280 --> 01:52:51,559
Speaker 2: defendants or other statement fuck the police was a fleeting

2180
01:52:51,640 --> 01:52:54,800
Speaker 2: epithat that was insulting and inappropriate, but it did not

2181
01:52:54,960 --> 01:52:58,560
Speaker 2: create an immediate threat to danger of violence. Guess the

2182
01:52:58,720 --> 01:53:02,519
Speaker 2: race of ab me Elizabeth Barnes, who's now one hundred

2183
01:53:02,640 --> 01:53:06,800
Speaker 2: thousand dollars richer for saying fuk the police. This nigga

2184
01:53:06,840 --> 01:53:10,719
Speaker 2: don't got it bad because she ain't brown, white white.

2185
01:53:10,800 --> 01:53:14,840
Speaker 2: If she was black, she would be dead. She'd be

2186
01:53:14,920 --> 01:53:17,559
Speaker 2: playing by Angela Bassis black. She'll be played by Angela

2187
01:53:17,600 --> 01:53:20,960
Speaker 2: bassist black. She didn't fit the description, so her arrest

2188
01:53:21,120 --> 01:53:25,160
Speaker 2: was delayed. White anti car and Arkansas training, white, whiter

2189
01:53:25,280 --> 01:53:29,160
Speaker 2: than the Sunny exacts emailing Kwanza cars. That's Lord Jeeves,

2190
01:53:29,520 --> 01:53:31,600
Speaker 2: one who says fuck the police that gets paid for

2191
01:53:31,720 --> 01:53:35,640
Speaker 2: the possible white woman Latino black of the Jada fires Ariolas.

2192
01:53:35,720 --> 01:53:54,120
Speaker 2: The correct answer is she was a white woman. A

2193
01:53:54,240 --> 01:53:56,840
Speaker 2: few of you did miss it, though, so I don't

2194
01:53:56,840 --> 01:54:11,200
Speaker 2: know what you wore. And the clue was, of course,

2195
01:54:11,320 --> 01:54:13,639
Speaker 2: only a white person can get paid for saying the police.

2196
01:54:13,680 --> 01:54:16,800
Speaker 3: Come on, niggas would be rich as shit.

2197
01:54:16,960 --> 01:54:19,000
Speaker 2: I'd be walking down the street talking about police right

2198
01:54:19,080 --> 01:54:21,880
Speaker 2: now if I thought I could do that ship, I mean,

2199
01:54:21,960 --> 01:54:26,080
Speaker 2: come on, let's go to the bonus round.

2200
01:54:26,160 --> 01:54:27,280
Speaker 3: Where's my bonus round?

2201
01:54:27,600 --> 01:54:42,400
Speaker 7: Music saying the race, double the port and the race.

2202
01:54:43,440 --> 01:54:45,800
Speaker 2: That's right, double the points, double the race for I

2203
01:54:45,880 --> 01:54:48,680
Speaker 2: guess the race? Uh in the bonus round? So far

2204
01:54:48,720 --> 01:54:49,520
Speaker 2: everybody's all.

2205
01:54:49,400 --> 01:54:50,640
Speaker 3: Over the place. Let's see where they go.

2206
01:54:51,920 --> 01:54:53,920
Speaker 2: Uh, here's a story about a girl who took some

2207
01:54:54,040 --> 01:54:57,800
Speaker 2: money from her grandmama and took a cross country cab ride.

2208
01:54:58,200 --> 01:54:59,920
Speaker 1: Trust don't have a dyke.

2209
01:55:00,520 --> 01:55:08,520
Speaker 2: Well, first, let's get the advertisement about somebody having issues.

2210
01:55:08,520 --> 01:55:10,040
Speaker 2: I don't know what the fuck that apps for.

2211
01:55:10,280 --> 01:55:12,360
Speaker 3: The man won't care. Okay, there you go.

2212
01:55:13,600 --> 01:55:16,960
Speaker 9: Boys, you know, just think the worst terrifying moments. When

2213
01:55:17,080 --> 01:55:20,720
Speaker 9: family members woke up to find eleven year old Alexis

2214
01:55:20,840 --> 01:55:22,520
Speaker 9: Waller gone.

2215
01:55:22,440 --> 01:55:26,480
Speaker 27: I just thought maybe some guy had come and scooped

2216
01:55:26,520 --> 01:55:26,840
Speaker 27: her up.

2217
01:55:27,000 --> 01:55:30,760
Speaker 9: Alexis swipe ten thousand dollars in cash from her grandmother's

2218
01:55:30,840 --> 01:55:33,800
Speaker 9: sock drawer in the middle of the night, she snuck out,

2219
01:55:34,280 --> 01:55:37,120
Speaker 9: walked to a Bryant gas station and hitched a ride

2220
01:55:37,240 --> 01:55:41,000
Speaker 9: from a stranger to Little Rock. From there, she called

2221
01:55:41,080 --> 01:55:41,640
Speaker 9: a taxi.

2222
01:55:42,760 --> 01:55:45,400
Speaker 1: He didn't really ask anything, He just asked where I

2223
01:55:45,520 --> 01:55:46,000
Speaker 1: needed to go.

2224
01:55:46,560 --> 01:55:48,800
Speaker 9: She wanted to go see a boy she met on

2225
01:55:49,000 --> 01:55:52,600
Speaker 9: vacation and kept in touch with over the last two years.

2226
01:55:52,960 --> 01:55:56,520
Speaker 5: Oh, Jasonville, Florida is like, do you have money? I guess.

2227
01:55:56,760 --> 01:55:59,400
Speaker 9: When Bryant police got a frantic call from the parents,

2228
01:56:00,320 --> 01:56:04,839
Speaker 9: everything and began a search. After obtaining cell phone records,

2229
01:56:04,880 --> 01:56:08,760
Speaker 9: police discovered Alexis's call to the cab company. Soon they

2230
01:56:08,800 --> 01:56:11,360
Speaker 9: were on the phone with the driver, who told them

2231
01:56:11,560 --> 01:56:15,560
Speaker 9: they were just outside Atlanta, Georgia. See, I'm actually glad

2232
01:56:15,640 --> 01:56:19,040
Speaker 9: I got found because I knew I made a mistake

2233
01:56:19,120 --> 01:56:21,080
Speaker 9: after a while, and I didn't have a phone. Her

2234
01:56:21,200 --> 01:56:24,320
Speaker 9: parents drove nine hours through the night to pick her up.

2235
01:56:24,840 --> 01:56:27,440
Speaker 9: When they finally laid eyes on her, they were angry,

2236
01:56:28,040 --> 01:56:29,320
Speaker 9: but also really.

2237
01:56:29,200 --> 01:56:32,840
Speaker 27: At the same time, you have, you know, the rest

2238
01:56:32,920 --> 01:56:37,960
Speaker 27: of her life to punish her, and you just, you know,

2239
01:56:38,080 --> 01:56:39,640
Speaker 27: you just want to you just want to hug her

2240
01:56:41,160 --> 01:56:43,720
Speaker 27: and just love her because you got her back.

2241
01:56:43,840 --> 01:56:49,760
Speaker 3: You know that's what's important, all right.

2242
01:56:50,000 --> 01:56:54,480
Speaker 2: So I guess the race of Alexis Waller who stole

2243
01:56:54,560 --> 01:56:58,280
Speaker 2: ten thousand dollars and ran away a cab picked up

2244
01:56:58,320 --> 01:57:02,200
Speaker 2: and her parents didn't beat her ass White, says Marcus Ford. Uh,

2245
01:57:02,640 --> 01:57:05,960
Speaker 2: taxi actually came to pick her up. Police plarents actually

2246
01:57:06,000 --> 01:57:06,520
Speaker 2: searched for her.

2247
01:57:06,600 --> 01:57:08,880
Speaker 3: White. We know niggas can't catch calves.

2248
01:57:08,880 --> 01:57:11,640
Speaker 2: White driving a little bit crazy, driving a little bits

2249
01:57:11,720 --> 01:57:18,080
Speaker 2: daisy White, Uh, honey booboos cross country Oyssey Future Romantic

2250
01:57:18,160 --> 01:57:22,160
Speaker 2: comedy protagonists white Justin bieber fan white white. No black

2251
01:57:22,240 --> 01:57:25,320
Speaker 2: grandmom has ten thousand dollars sitting around white because of

2252
01:57:25,400 --> 01:57:28,200
Speaker 2: black grand he would have killed that girl, Christine, precious

2253
01:57:28,240 --> 01:57:30,160
Speaker 2: little Becky. If she were black, her parents would have

2254
01:57:30,160 --> 01:57:32,880
Speaker 2: whooped her ass on site. White as fuck, ten grand

2255
01:57:32,920 --> 01:57:35,600
Speaker 2: disposed with income cash white. The correct answer is you

2256
01:57:35,640 --> 01:57:36,160
Speaker 2: all got it.

2257
01:57:36,960 --> 01:57:40,080
Speaker 3: It was white. Everybody involved was white.

2258
01:57:40,840 --> 01:57:43,600
Speaker 1: Yeah, but they drove nine hours and killed that child.

2259
01:57:43,760 --> 01:57:44,080
Speaker 5: Hold on.

2260
01:57:47,120 --> 01:57:48,920
Speaker 3: There during the show a long time. Can y'all know

2261
01:57:49,000 --> 01:57:49,680
Speaker 3: to wait for the clap.

2262
01:57:50,840 --> 01:57:53,520
Speaker 1: They'd be like that family drove nine hours, and now

2263
01:57:53,600 --> 01:57:55,080
Speaker 1: we really have to report a murder.

2264
01:57:55,520 --> 01:57:58,120
Speaker 3: I know they snatched her soul out of her chest.

2265
01:57:58,160 --> 01:58:01,080
Speaker 3: We didn't even know as possible.

2266
01:58:01,120 --> 01:58:04,040
Speaker 1: Right, but I like she seems not to be injured.

2267
01:58:04,080 --> 01:58:05,839
Speaker 1: She's just not speaking, she's breathing.

2268
01:58:06,600 --> 01:58:08,920
Speaker 3: Yeah, yeah, I agree.

2269
01:58:09,400 --> 01:58:15,160
Speaker 2: Oh but yeah, ten thousand dollars stolen from grandmama, right,

2270
01:58:15,960 --> 01:58:18,560
Speaker 2: you know what I'm saying? All right, before we get

2271
01:58:18,600 --> 01:58:22,600
Speaker 2: out of here, we got some sored ratchetness. And also

2272
01:58:22,800 --> 01:58:26,480
Speaker 2: I wanted to play. Apparently Keenan had another hit last

2273
01:58:26,600 --> 01:58:29,680
Speaker 2: night on that on that SNL care.

2274
01:58:30,600 --> 01:58:31,880
Speaker 1: Okay, all right, here we go.

2275
01:58:35,680 --> 01:58:38,880
Speaker 7: Oh, hold up man, that was the concert sucked. I

2276
01:58:38,960 --> 01:58:41,360
Speaker 7: mean my buddies got busted for drinking in the parking lot.

2277
01:58:41,720 --> 01:58:43,480
Speaker 7: Sanna's not bringing me anything this year.

2278
01:58:44,040 --> 01:58:46,120
Speaker 3: I don't worry about it. Man, you always get a

2279
01:58:46,200 --> 01:58:47,320
Speaker 3: visit from something clause.

2280
01:58:47,920 --> 01:58:48,280
Speaker 7: Who's that?

2281
01:58:50,880 --> 01:58:51,080
Speaker 4: Yeah?

2282
01:58:52,320 --> 01:58:56,320
Speaker 3: Everybody getting southbody.

2283
01:58:54,800 --> 01:59:03,480
Speaker 1: Getting if you can't come.

2284
01:59:04,720 --> 01:59:08,880
Speaker 18: Oh what's a girl named Sheila had a man with

2285
01:59:09,000 --> 01:59:09,360
Speaker 18: a van.

2286
01:59:10,240 --> 01:59:12,760
Speaker 29: They were supposed to go to dinner, but he had

2287
01:59:12,840 --> 01:59:17,400
Speaker 29: other players. He said, she puts diamond. Iverage tried to

2288
01:59:17,560 --> 01:59:20,800
Speaker 29: take her diamond. Iverage said that she was from Forgiffic,

2289
01:59:21,040 --> 01:59:24,320
Speaker 29: so he with deep disappeared. She got mad, was on

2290
01:59:24,400 --> 01:59:28,760
Speaker 29: the bone to night Fastist talents went to the Bryan

2291
01:59:28,840 --> 01:59:31,480
Speaker 29: Bud I said, you know nothing problems fire, but you

2292
01:59:31,560 --> 01:59:39,040
Speaker 29: know what I say, everybody's getting some. The ma ain't

2293
01:59:39,040 --> 01:59:42,560
Speaker 29: coming out to no cars. I give cash the last

2294
01:59:42,640 --> 01:59:46,080
Speaker 29: rumble on the field, which one is sometimes fixed cash.

2295
01:59:46,560 --> 01:59:47,880
Speaker 18: The where am I getting this cash?

2296
01:59:47,960 --> 01:59:49,800
Speaker 29: The man, we don't need to talk about that.

2297
01:59:54,880 --> 01:59:55,640
Speaker 9: If you think.

2298
01:59:57,040 --> 01:59:59,040
Speaker 1: He ain't come something they was going out.

2299
01:59:59,120 --> 02:00:03,520
Speaker 29: Bas hates working for the men, work super long hourbus

2300
02:00:04,320 --> 02:00:07,960
Speaker 29: does everything he can. When he gave me that, oh

2301
02:00:08,080 --> 02:00:10,880
Speaker 29: he can hand them through up and cause the stand them,

2302
02:00:11,040 --> 02:00:12,839
Speaker 29: don't kiss them, writa into shambles.

2303
02:00:12,920 --> 02:00:13,720
Speaker 7: The mess he made.

2304
02:00:13,720 --> 02:00:17,360
Speaker 29: It was myself dat got fired, got arrested, got th

2305
02:00:17,600 --> 02:00:20,760
Speaker 29: after we contestant said said, man who get the gatic?

2306
02:00:20,840 --> 02:00:27,720
Speaker 29: But you know what I say, everybody's getting silent. I'm

2307
02:00:27,760 --> 02:00:31,040
Speaker 29: swearing Santa Bear ninety us. What you thought y'all was friends?

2308
02:00:31,520 --> 02:00:32,960
Speaker 29: He sees you when you sleeping.

2309
02:00:33,200 --> 02:00:33,720
Speaker 1: That's weird.

2310
02:00:34,040 --> 02:00:34,640
Speaker 18: I'm gonna tell you.

2311
02:00:34,640 --> 02:00:35,240
Speaker 5: The city wall.

2312
02:00:35,800 --> 02:00:38,280
Speaker 3: He hits somebody with the slave. Don't black to talking.

2313
02:00:39,040 --> 02:00:44,200
Speaker 7: Oh lord, if you.

2314
02:00:46,320 --> 02:00:48,440
Speaker 3: Come some po very day us dogs.

2315
02:00:49,400 --> 02:00:50,200
Speaker 1: Was a long time ago.

2316
02:00:51,160 --> 02:00:54,360
Speaker 29: I used to work for Santa up as a north pope.

2317
02:00:55,760 --> 02:00:58,240
Speaker 29: One day I was working at my station. This is

2318
02:00:58,280 --> 02:01:01,720
Speaker 29: called started our conversation, both of us a sweet sensation.

2319
02:01:02,320 --> 02:01:07,280
Speaker 29: We agreed on recreation. Brob me upside something I'm getting

2320
02:01:07,320 --> 02:01:09,760
Speaker 29: a Soto saying to walk in and said, that's a noo.

2321
02:01:09,880 --> 02:01:10,760
Speaker 1: But you know what I say.

2322
02:01:14,280 --> 02:01:15,160
Speaker 29: Everybody's getting some.

2323
02:01:19,160 --> 02:01:22,360
Speaker 6: Everybody's been naughty, everybody's got thought.

2324
02:01:22,880 --> 02:01:28,160
Speaker 1: If you think frost Santences get come something that I'm

2325
02:01:28,200 --> 02:01:28,720
Speaker 1: talking about.

2326
02:01:28,760 --> 02:01:32,880
Speaker 18: Everybody just a leave of getting something, and all I

2327
02:01:33,000 --> 02:01:36,840
Speaker 18: be getting something, getting so.

2328
02:01:38,080 --> 02:01:39,800
Speaker 1: Shouting light, getting south.

2329
02:01:40,960 --> 02:01:42,880
Speaker 29: Heman thinking and killing.

2330
02:01:42,680 --> 02:01:45,000
Speaker 7: Side telling thank you all record.

2331
02:01:45,480 --> 02:01:46,840
Speaker 3: He's just my homit.

2332
02:01:54,920 --> 02:01:55,240
Speaker 24: Ha ha.

2333
02:02:00,800 --> 02:02:02,320
Speaker 3: He mounted I got you.

2334
02:02:05,400 --> 02:02:09,280
Speaker 1: Man, I'm missing where he going.

2335
02:02:09,520 --> 02:02:12,640
Speaker 3: Keenan has been on us hot streak man.

2336
02:02:13,040 --> 02:02:16,960
Speaker 2: Oh my god, he's killing this last year dog. All right,

2337
02:02:17,040 --> 02:02:20,200
Speaker 2: so uh we got a little time for sword ratchetness.

2338
02:02:20,400 --> 02:02:21,800
Speaker 2: Let me fly with sword songs.

2339
02:02:41,680 --> 02:02:43,280
Speaker 3: Oh, and that's how it happens every.

2340
02:02:43,160 --> 02:02:46,720
Speaker 2: Time, every time a sored Wilder man stabs to in

2341
02:02:46,800 --> 02:02:47,680
Speaker 2: a Florida home.

2342
02:02:48,000 --> 02:02:48,200
Speaker 4: Oh.

2343
02:02:49,520 --> 02:02:52,120
Speaker 3: We begin tonight with breaking news in Deltona. Deputies are

2344
02:02:52,160 --> 02:02:53,680
Speaker 3: investigating a double stabbing.

2345
02:02:53,840 --> 02:02:55,560
Speaker 28: We first brought you this story as it was breaking

2346
02:02:55,600 --> 02:02:57,440
Speaker 28: on I would just NEOs at ten and since then

2347
02:02:57,760 --> 02:02:59,960
Speaker 28: Channel Nymes. Ryan Hughes has spoken with people at the

2348
02:03:00,160 --> 02:03:03,320
Speaker 28: crumb Sceed off Elkam Boulevard, and Ryan deputies say the

2349
02:03:03,400 --> 02:03:05,040
Speaker 28: two were stabbed with a sword.

2350
02:03:07,400 --> 02:03:10,800
Speaker 30: Sure's deputy said, an ex husband stabbed two people inside

2351
02:03:10,840 --> 02:03:14,200
Speaker 30: the home behind me with a sword. It happened around

2352
02:03:14,240 --> 02:03:16,680
Speaker 30: eight forty five tonight. You can see still a very

2353
02:03:16,800 --> 02:03:19,120
Speaker 30: active scene out here in Deltona. We have some video

2354
02:03:19,200 --> 02:03:21,360
Speaker 30: of the scene to show you. Deputies went through the

2355
02:03:21,400 --> 02:03:24,200
Speaker 30: neighborhood with guns drawn in a canine unit, trying to

2356
02:03:24,280 --> 02:03:27,400
Speaker 30: find the suspect. They had a helicopter searching from above,

2357
02:03:27,480 --> 02:03:29,480
Speaker 30: but still no sign of the man who deputy said

2358
02:03:29,520 --> 02:03:32,480
Speaker 30: stabbed his ex wife and her boyfriend in a home

2359
02:03:32,480 --> 02:03:37,040
Speaker 30: along Elkam Boulevard. Both victims were stabbed multiple times. A

2360
02:03:37,120 --> 02:03:39,640
Speaker 30: neighbor told me the boyfriend grabbed the sword to try

2361
02:03:39,680 --> 02:03:42,760
Speaker 30: to thwart the attack and badly cut some of his fingers.

2362
02:03:43,160 --> 02:03:45,240
Speaker 30: That's when the victims stumbled to the street to get

2363
02:03:45,280 --> 02:03:47,960
Speaker 30: help from neighbors. One was flown to a hospital in

2364
02:03:48,040 --> 02:03:50,960
Speaker 30: Daytona Beach, the other was taken by ambulance. Now, a

2365
02:03:51,000 --> 02:03:53,640
Speaker 30: neighbor just told me she heard a helicopter circling above

2366
02:03:53,640 --> 02:03:57,160
Speaker 30: around eight forty five tonight and knew something bad had happened.

2367
02:03:58,240 --> 02:04:00,480
Speaker 2: It's not something you want to look foward to in

2368
02:04:00,520 --> 02:04:04,280
Speaker 2: your neighborhood, but it is Deltona, so it's something you expect.

2369
02:04:06,760 --> 02:04:10,200
Speaker 30: And again, the search for that suspect is still ongoing

2370
02:04:10,400 --> 02:04:12,760
Speaker 30: at this hour. We are still waiting for the conditions

2371
02:04:12,800 --> 02:04:14,320
Speaker 30: of the victims as well as their names.

2372
02:04:14,600 --> 02:04:15,320
Speaker 1: Once we get that.

2373
02:04:15,440 --> 02:04:18,400
Speaker 30: If we get that information in this newscast, we'll certainly.

2374
02:04:18,200 --> 02:04:18,560
Speaker 24: Let you know.

2375
02:04:18,720 --> 02:04:21,400
Speaker 30: For now, though we're live in Deltona in Volusia County,

2376
02:04:21,400 --> 02:04:23,520
Speaker 30: I'm Ryan Hughes, Channel nine Eyewitness KNOOW.

2377
02:04:23,680 --> 02:04:26,879
Speaker 3: It is Deltona, so it's something you expect. Oh Florida.

2378
02:04:29,440 --> 02:04:33,160
Speaker 2: Anyway, guys, we'll be back tomorrow with the wret Black,

2379
02:04:33,200 --> 02:04:38,400
Speaker 2: Amus Chick and nine PM. Don't forget Shadowed Out Productions.

2380
02:04:39,400 --> 02:04:42,920
Speaker 2: They have an audio play album right now. It's out

2381
02:04:42,960 --> 02:04:46,000
Speaker 2: there on iTunes. It's called Modern Relic. Go by it,

2382
02:04:46,200 --> 02:04:48,640
Speaker 2: leave it a five star review. Yes, and make sure

2383
02:04:48,680 --> 02:04:49,880
Speaker 2: you guys go to Adam.

2384
02:04:49,600 --> 02:04:50,240
Speaker 3: And Eve dot com.

2385
02:04:50,360 --> 02:04:55,200
Speaker 2: You's called TBGWT. Until tomorrow, everybody's getting something.

2386
02:04:55,400 --> 02:04:57,360
Speaker 3: I love you, Na,