WEBVTT - Convos About Thhe Festival

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<v Speaker 1>WA's up and welcome back to another episode of No

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<v Speaker 1>Sinner's Podcast with your host. Now, fuck that with your

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<v Speaker 1>load glasses, Malone, all.

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<v Speaker 2>Right, not tell me?

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<v Speaker 3>All right? So Harvey Weinstein had his conviction overturned thrown

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<v Speaker 3>out of court in New York and appeals last week.

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<v Speaker 3>And I didn't pay attention to what the actual act

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<v Speaker 3>was that he committed. And I guess he got convicted

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<v Speaker 3>of not raping this woman, but of sexually assaulting her

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<v Speaker 3>by virtue of going down on her against her will

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<v Speaker 3>while she was on her period with a tampon in.

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<v Speaker 2>That make a sick.

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<v Speaker 3>That is something that is the equivalent to like Plexico

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<v Speaker 3>Buris shooting himself in the leg and having to go

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<v Speaker 3>do time for it. H He is the victim and

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<v Speaker 3>the perpetrator at the same time.

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<v Speaker 2>Oh hop, I hope that's not what got overtime.

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<v Speaker 3>It's not. Yeah, that's crime.

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<v Speaker 1>He forcefully orally assaulted a woman while she was on

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<v Speaker 1>her period. Correct, Hey, bro, they should throw the fucking

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<v Speaker 1>key away. My boy is a fucking savage.

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<v Speaker 3>Yeah. That I was telling Malcolm, like if I had

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<v Speaker 3>gotten taken into custody by a foreign government that thought

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<v Speaker 3>I was like a spy involved us some espionage, and

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<v Speaker 3>they rolled some women in like in those stirrups like

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<v Speaker 3>at the obg y N and were like, you're gonna

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<v Speaker 3>tell us who you work for, or you're gonna go

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<v Speaker 3>eat that woman out of a period right now. And

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<v Speaker 3>they started a wheeler toward me. I'd be like, it

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<v Speaker 3>was a Cia.

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<v Speaker 1>It was the Cia, bro vampire, Like, vampires are a

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<v Speaker 1>real thing, bro, Like that's what we call dudes who

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<v Speaker 1>eat vagina on periods. Vampires. Yes, vampires are a real thing.

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<v Speaker 1>I did not know that that man was a vampire.

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<v Speaker 1>You would have never told me a man getting that

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<v Speaker 1>kind of money, with that type of access to women

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<v Speaker 1>an opportunity as far as his choice of ladies was

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<v Speaker 1>a vampire.

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<v Speaker 2>That's crazy as hell.

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<v Speaker 1>He's sexually orally assaulting women on their period.

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<v Speaker 3>I wonder if he had a role in the production

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<v Speaker 3>or casting of that movie. Interview with the Vampire, because

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<v Speaker 3>it totally changes the meaning. You know now that people

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<v Speaker 3>women are going to try to meet with him to

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<v Speaker 3>get jobs.

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<v Speaker 1>Yeah, that's just crazy. I realized something. I think we

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<v Speaker 1>talked about it, but freak. A freak is a man

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<v Speaker 1>who do gay ship with women.

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<v Speaker 3>This you had mentioned to that we talked about this, right,

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<v Speaker 3>I don't know if we talked about it on air.

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<v Speaker 1>Yeah, I realized that that's what it is a man

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<v Speaker 1>who does gay ship with women like men who like

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<v Speaker 1>to be pegged by women gay.

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<v Speaker 2>I mean freaky. Excuse me, men.

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<v Speaker 1>Who liked to get they who like they salad tossed

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<v Speaker 1>by women gay mhm, excuse me, freaky. I'm losing my

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<v Speaker 1>fucking trying to thok'.

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<v Speaker 2>It's my boy is a real vampire. That's crazy.

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<v Speaker 4>Yeah, that's next level shit, no seiling gl my man, Peter,

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<v Speaker 4>So tell me what you felt about Atlanta?

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<v Speaker 2>What was your what was.

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<v Speaker 1>Your Uh, you're just of the black effect, you know

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<v Speaker 1>the podcast I managed.

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<v Speaker 3>Well quite Frankly, I thought the entire experience was a

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<v Speaker 3>washed because I didn't get to go to Rodney Scott's

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<v Speaker 3>whole Hunt Barbecue.

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<v Speaker 2>That's what you go to in Atlanta.

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<v Speaker 3>Yeah, they cooked the whole pigs in the back.

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<v Speaker 1>You didn't even tell me we would have went over there.

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<v Speaker 1>At least I would have watched it. Even if I

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<v Speaker 1>didn't eat.

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<v Speaker 3>Well, I wasn't gonna try to drag he would still

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<v Speaker 3>neither of him eat pork, especially.

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<v Speaker 2>Still stop eating pork. Still eat pork?

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<v Speaker 3>Uh uh, yes, he fucking do he He said when

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<v Speaker 3>he was in Miami he doesn't need pork, and I

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<v Speaker 3>asked him in Atlanta.

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<v Speaker 1>Damn lie, still eat pork? That nigga be baking and

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<v Speaker 1>ship and sending it to me on facetim heat.

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<v Speaker 3>But he's one of those idiots who like, I don't

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<v Speaker 3>eat pork, but I eat bacon. How many girls I

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<v Speaker 3>know say that crap? They try to sound about blush.

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<v Speaker 3>I don't eat pork, I mean, but I eat baking

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<v Speaker 3>at breakfast.

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<v Speaker 1>Yeah, I didn't know that was a real thing. I

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<v Speaker 1>can't imagine, God, damn Stunie Musclims. I can't imagine the

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<v Speaker 1>human being saying they don't eat pork but they eat baking.

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<v Speaker 2>It's crazy.

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<v Speaker 3>I've heard that a lot, mostly from girls because they

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<v Speaker 3>have no concept of reality. But what are you gonna do?

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<v Speaker 2>Okay, so back to this, back to this, back to

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<v Speaker 2>the actual topic.

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<v Speaker 1>Well, well, uh so Weinstein is a vampire. He was

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<v Speaker 1>eating with Gina forcefully while a woman was on her period.

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<v Speaker 2>So Harvey, as I understand it, So Harvey cuhen, Yeah,

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<v Speaker 2>that is crazy.

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<v Speaker 3>And he's a hairy that's sob so. I don't know

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<v Speaker 3>if he's less of a vampire and more of a

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<v Speaker 3>werewolf or what's going on over there.

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<v Speaker 1>If you eating vagina pier, you probably a hybrid. You

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<v Speaker 1>a different kind of dude.

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<v Speaker 2>Yeah. I can't believe somebody let him do that.

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<v Speaker 1>I mean she didn't, obviously not the women who he

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<v Speaker 1>forcefully did.

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<v Speaker 2>But yo, be.

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<v Speaker 1>He gave up with his face looking like that. That

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<v Speaker 1>that's the funniest craziness.

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<v Speaker 3>Dude, and the and the lady didn't bring it to

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<v Speaker 3>the police until way later. I wish she ran out

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<v Speaker 3>and called the police. So they came up banging on

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<v Speaker 3>the hotel room door. Mister White said, he walks to

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<v Speaker 3>open the door. Yes, like he just finished a pack

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<v Speaker 3>of dry coolater. Some shit teeth already.

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<v Speaker 2>Shit, that's crazy.

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<v Speaker 3>I don't know sure you're runner arrest? What did I do?

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<v Speaker 2>Sir? Sir?

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<v Speaker 3>You know godn't got that, won't you?

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<v Speaker 2>That's crazy.

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<v Speaker 1>I guess what I liked about the convention the most

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<v Speaker 1>is like, like I love when I go to any

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<v Speaker 1>big event, you know what I mean. I like being

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<v Speaker 1>in the crowd. I like seeing how people are really

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<v Speaker 1>consuming the event, you know what I mean. Honestly, I'm

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<v Speaker 1>really just a people's person, like I will have the

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<v Speaker 1>normal artist fear of being around people, you know what

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<v Speaker 1>I mean, Like I just I think I flourish in

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<v Speaker 1>those places.

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<v Speaker 3>Definitely I get that.

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<v Speaker 1>But watching it, I was telling Charlotte Mane, I thought

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<v Speaker 1>it was like Jack the Rapper for podcasts.

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<v Speaker 2>Like I told you, Jack the Rapper is this.

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<v Speaker 1>Hip hop conference they used to have in the late

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<v Speaker 1>eighties early nineties where they taught people how to.

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<v Speaker 2>Make records, you know what I mean.

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<v Speaker 1>They gave game or how to make records and how

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<v Speaker 1>to open a record business.

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<v Speaker 3>Did anybody come out of that if note.

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<v Speaker 2>I don't know because it's before my time.

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<v Speaker 1>But one of the biggest moments, like I told you

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<v Speaker 1>when it straight out the content movie, is when you

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<v Speaker 1>see ice Cube getting in a fight when he's coming

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<v Speaker 1>down the escalator that was at the event called Jack

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<v Speaker 1>the Rapper.

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<v Speaker 2>It was with above the Luck.

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<v Speaker 3>Got it. I think that sounds like a pretty good comparison.

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<v Speaker 2>So I loved it. I loved seeing how people taking

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<v Speaker 2>into information. It was dope.

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<v Speaker 1>Like I said, Wallow for Wallow to buy all the

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<v Speaker 1>rest of my CDs, you know what I mean, and

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<v Speaker 1>give them a way.

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<v Speaker 2>Out like that Wallow is that kind of dude.

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<v Speaker 1>Gilly and Wallow, Like I said, they have a adupe.

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<v Speaker 1>It's almost like a comedy routine, but it's so like

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<v Speaker 1>it's so much game and encouragement.

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<v Speaker 2>And then to watch.

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<v Speaker 1>Mandy and Weezy, you know what I mean, horrible decisions

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<v Speaker 1>and I was just tripping off, like they really got

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<v Speaker 1>girls calling themself the horror hide like a high full

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<v Speaker 1>of whores And I guess it's a level of owning

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<v Speaker 1>your sexuality, but.

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<v Speaker 2>I don't know.

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<v Speaker 1>But it's crazy to watch them have that type of following.

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<v Speaker 2>Where people is just you know, intrigued by it. It's dope.

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<v Speaker 1>When you go to these type of conferences and you

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<v Speaker 1>find your place in the conference, you're like, oh, I

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<v Speaker 1>see what's wrong?

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<v Speaker 2>Like, what's dope, Peter's.

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<v Speaker 1>I can help everybody else, but it's so hard for

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<v Speaker 1>me to see what it looks like from the outside

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<v Speaker 1>of me. And I could tell you how to do

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<v Speaker 1>what I could tell my outcome. I could see it

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<v Speaker 1>from the outside, but looking you know what I mean,

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<v Speaker 1>trying to figure it out when I'm me is a challenge.

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<v Speaker 1>I'm almost to the point where I got it figured out, Man,

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<v Speaker 1>it's kicking the shit out of me. But even with

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<v Speaker 1>no ceilings, you know what I mean, Like I told you,

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<v Speaker 1>I realized firsthand.

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<v Speaker 2>You know, everybody else has.

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<v Speaker 1>A stick, you know what I'm saying, where you can

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<v Speaker 1>see what they you know, you can see what they sell.

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<v Speaker 1>You don't have to be into Mandy and Weezy or

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<v Speaker 1>horrible decisions to sponsor their show. Like if with that show,

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<v Speaker 1>you know, Trojan could come to them and say, hey,

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<v Speaker 1>you know, I want to do a deal, you know

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<v Speaker 1>what I mean, or Plan B, you know, the the morning.

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<v Speaker 2>After peel or even a liquor comes from.

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<v Speaker 1>Even though they really I know they said they don't

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<v Speaker 1>really fuck with tobacco companies or certain companies, but you

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<v Speaker 1>could see the niche whether or not you know, you

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<v Speaker 1>in the business of whores or not. And like I

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<v Speaker 1>look at I look at our shit right no ceilings,

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<v Speaker 1>and I realize it's the brand of glasses.

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<v Speaker 2>And figure it out.

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<v Speaker 1>Who wants to do business with the crip and people

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<v Speaker 1>who enjoy intellectual standpoints from you know, a brother from

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<v Speaker 1>Wrange County and the cryp is really interesting to figure out.

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<v Speaker 2>Indeed, indeed, what is your biggest takeaway from it.

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<v Speaker 3>To me watching everyone do the shows live and it

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<v Speaker 3>kind of clicked, like, like the coolest thing that I heard,

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<v Speaker 3>like specifically, was like the opening kind of chapter whatever

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<v Speaker 3>of Wallow Wallow and Gilly. We're talking about the how

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<v Speaker 3>they got started and getting sponsorships from like a funeral

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<v Speaker 3>home and a car lot, like your sponsors are you

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<v Speaker 3>know all there were? You what you see every day

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<v Speaker 3>and watching them for you know, record live watching just

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<v Speaker 3>hilarious watching all these other people, and I was like,

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<v Speaker 3>you know what the the make or break factor with

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<v Speaker 3>these guys is. They're kind of it brought to life

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<v Speaker 3>the expression like perspiration, you know, just like the effort,

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<v Speaker 3>the consistency of self marketing, and also really embracing sponsorship.

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<v Speaker 3>I mean, if you can command, you can promote yourself

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<v Speaker 3>up to command a listenership and command a certain amount

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<v Speaker 3>of revenue bootstrapped, that elevates the value. Like they transition

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<v Speaker 3>from saying they had gotten all these sponsorships locally on

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<v Speaker 3>their own to getting an offer from barstool for seven

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<v Speaker 3>figures and the link between being able to demonstrate you know,

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<v Speaker 3>we have you know, X hundred thousand dollars per year,

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<v Speaker 3>per month or whatever in our own local advertising. That

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<v Speaker 3>that's a demonstrable proof of concept value that completely leverages in,

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<v Speaker 3>you know, in multiples, the value of your showing your

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<v Speaker 3>own content by virtue having that established.

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<v Speaker 1>Well even to package all of that up in a

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<v Speaker 1>simple conversation, I think we have to be as creative

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<v Speaker 1>with looking for partners as we are with the actual

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<v Speaker 1>material of the podcast itself. And so I'm starting to

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<v Speaker 1>really believe in the record business the same thing is that,

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<v Speaker 1>you know, the same thing is expected at this point,

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<v Speaker 1>Like you know, when I'm shooting a music video, being

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<v Speaker 1>a lot more creative with how I'm going about it.

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<v Speaker 1>Like this whole generic idea of let me pay for

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<v Speaker 1>this music video and then I'll put it on YouTube,

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<v Speaker 1>it's probably a fleeing idea, especially with brands being so

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<v Speaker 1>willing to get involved with street urban content, you know

0:13:47.080 --> 0:13:50.240
<v Speaker 1>what I mean, whether it's a podcast, whether it's a song,

0:13:50.520 --> 0:13:53.720
<v Speaker 1>any of the things above. But I think we have

0:13:53.840 --> 0:13:56.520
<v Speaker 1>to get just as creative with the business as we

0:13:56.600 --> 0:13:57.720
<v Speaker 1>do with the artist self.

0:14:00.360 --> 0:14:06.679
<v Speaker 3>Yeah, I was much more impressed by anybody's like from

0:14:06.720 --> 0:14:08.719
<v Speaker 3>anyone that I saw, I was much more impressed by

0:14:08.800 --> 0:14:13.040
<v Speaker 3>their process than their product. Sure, and I'm not knocking

0:14:13.120 --> 0:14:16.640
<v Speaker 3>their products, but more so the fact that I was

0:14:16.720 --> 0:14:18.960
<v Speaker 3>just like, they're really pros.

0:14:19.360 --> 0:14:23.560
<v Speaker 1>Yeah, but it's funny having this conversation, whether it's music

0:14:23.680 --> 0:14:28.480
<v Speaker 1>or podcasting, right, it comes into a space where it's like, Okay,

0:14:28.640 --> 0:14:32.280
<v Speaker 1>you start doing this thing for some level of artistic merit,

0:14:32.560 --> 0:14:37.400
<v Speaker 1>but if you started from a business perspective, you know,

0:14:37.520 --> 0:14:40.320
<v Speaker 1>you probably would have more success as a business. You

0:14:40.320 --> 0:14:42.280
<v Speaker 1>know what I mean, if you understood how to do

0:14:42.360 --> 0:14:48.040
<v Speaker 1>business entirely. Yeah, I know that's a bit sounds a

0:14:48.040 --> 0:14:51.160
<v Speaker 1>bit fundamental, but it's true. I think so many people

0:14:51.160 --> 0:14:53.840
<v Speaker 1>get in front of these mics and really be looking

0:14:53.840 --> 0:14:57.920
<v Speaker 1>for a therapeutic experience and then decide, oh, well, because

0:14:58.480 --> 0:15:00.760
<v Speaker 1>I'm sharing myself, I deserve get paid.

0:15:01.320 --> 0:15:02.680
<v Speaker 2>I told still the same thing.

0:15:02.760 --> 0:15:06.600
<v Speaker 1>I was like, bro, hip hop, like pop music is

0:15:06.640 --> 0:15:10.040
<v Speaker 1>the business of me, hip hop is the business of us,

0:15:10.520 --> 0:15:11.840
<v Speaker 1>you know what I mean, Like it's the it's the

0:15:12.480 --> 0:15:16.440
<v Speaker 1>it's the business of us representing multiple people. And you

0:15:16.480 --> 0:15:20.280
<v Speaker 1>know what I mean, even in business in general, I mean,

0:15:20.320 --> 0:15:23.520
<v Speaker 1>how do you not take in it to account your customers?

0:15:26.120 --> 0:15:28.000
<v Speaker 1>And there is a space to where like I was

0:15:28.040 --> 0:15:30.520
<v Speaker 1>talking to a dude on Twitter today and I had

0:15:31.600 --> 0:15:37.600
<v Speaker 1>retweeted the International Players anthem video right, and I was like, yo,

0:15:37.760 --> 0:15:41.880
<v Speaker 1>every verse on this song is a ten. You know,

0:15:42.000 --> 0:15:45.400
<v Speaker 1>the every verse you know, Andre three thousands verse right,

0:15:45.480 --> 0:15:51.920
<v Speaker 1>Pimps verse right, bun Bee's verse right, and Big Boys verse.

0:15:51.960 --> 0:15:56.640
<v Speaker 1>It's all a ten. And a dude was like, oh no,

0:15:56.800 --> 0:15:58.640
<v Speaker 1>Andre three thousand carried the song.

0:16:00.760 --> 0:16:03.960
<v Speaker 2>I said, that's ridiculous. He said you should ask your followers.

0:16:04.440 --> 0:16:06.640
<v Speaker 1>And I said, why would I ask my followers when

0:16:06.640 --> 0:16:12.640
<v Speaker 1>I'm the specialist. You know, imagine me asking my followers

0:16:12.840 --> 0:16:15.400
<v Speaker 1>who had the best verse. They can tell me which

0:16:15.480 --> 0:16:17.920
<v Speaker 1>verse they enjoyed. They can't tell me what's the best verse.

0:16:18.520 --> 0:16:21.000
<v Speaker 1>If I listen to the general public, they would have

0:16:21.080 --> 0:16:25.680
<v Speaker 1>you thinking McDonald's it's the best food in the world, right,

0:16:25.720 --> 0:16:29.000
<v Speaker 1>because that's the most consuming food in the world. Correct, Like,

0:16:29.160 --> 0:16:33.400
<v Speaker 1>is there a restaurant consume more than fucking McDonald's around

0:16:33.400 --> 0:16:33.960
<v Speaker 1>the globe?

0:16:35.040 --> 0:16:38.280
<v Speaker 2>No? So I was such, I don't know.

0:16:38.440 --> 0:16:41.240
<v Speaker 3>Huh, here's some Chinese noodle house. I don't know.

0:16:41.440 --> 0:16:44.360
<v Speaker 1>Yeah, but I'm saying on a global scale, like McDonald's

0:16:44.440 --> 0:16:46.720
<v Speaker 1>probably sells more fucking food than anybody.

0:16:47.080 --> 0:16:47.920
<v Speaker 2>I don't think it's.

0:16:47.760 --> 0:16:50.640
<v Speaker 1>The best because the public says that I think people

0:16:50.760 --> 0:16:55.480
<v Speaker 1>find reasons to be into something. Yeah, they find reasons.

0:16:55.520 --> 0:16:58.320
<v Speaker 1>Like I've listened to enough Little UZI to know he's

0:16:58.360 --> 0:17:01.520
<v Speaker 1>not really good. Not but he's not really good. He

0:17:01.560 --> 0:17:05.160
<v Speaker 1>don't have a consistent style of making records. People are

0:17:05.200 --> 0:17:08.720
<v Speaker 1>in love with him, so his product, as far as

0:17:08.720 --> 0:17:11.240
<v Speaker 1>the music, just becomes an extension of who he is.

0:17:12.960 --> 0:17:14.879
<v Speaker 1>But you know, it's even weird to say you in

0:17:14.880 --> 0:17:16.639
<v Speaker 1>love with him, you know what I mean, It's just

0:17:16.680 --> 0:17:17.360
<v Speaker 1>a different out.

0:17:20.200 --> 0:17:22.520
<v Speaker 3>Yeah, I mean even on that song, that's like I

0:17:22.560 --> 0:17:24.600
<v Speaker 3>think to say that the dude carried the song with

0:17:24.760 --> 0:17:28.520
<v Speaker 3>his portion of the song. His contribution was over before

0:17:28.560 --> 0:17:29.359
<v Speaker 3>the first drum.

0:17:29.600 --> 0:17:34.199
<v Speaker 1>Sure, sure, but again, man, it is you have to

0:17:34.240 --> 0:17:35.919
<v Speaker 1>find I was saying all that to say, you have

0:17:35.960 --> 0:17:38.880
<v Speaker 1>to find that sweet spot in business where you're listening

0:17:38.920 --> 0:17:42.080
<v Speaker 1>to your consumer, but you also understand your job is

0:17:42.119 --> 0:17:44.080
<v Speaker 1>to guide them where.

0:17:43.840 --> 0:17:44.640
<v Speaker 2>You want them to go.

0:17:45.600 --> 0:17:49.600
<v Speaker 1>Like what I what I've started doing more than anything

0:17:49.600 --> 0:17:52.920
<v Speaker 1>when I'm doing the business of hip hop records is.

0:17:55.760 --> 0:17:58.920
<v Speaker 2>Like I try to see where.

0:17:58.760 --> 0:18:01.000
<v Speaker 1>The public is at, where me and the public can

0:18:01.119 --> 0:18:03.679
<v Speaker 1>share a topic that matters to us all at the

0:18:03.760 --> 0:18:08.520
<v Speaker 1>same time, and then I actually decide where I want

0:18:08.560 --> 0:18:11.480
<v Speaker 1>to be at, you know, of that subject matter, right.

0:18:11.359 --> 0:18:12.879
<v Speaker 2>So like we cancel these nuts.

0:18:13.240 --> 0:18:15.440
<v Speaker 1>Like if I see a bunch of people wearing purses

0:18:15.920 --> 0:18:19.480
<v Speaker 1>and that's where society is at at that time, I'll like,

0:18:19.920 --> 0:18:23.720
<v Speaker 1>whatever my stance is, We'll have that conversation there. Like

0:18:23.800 --> 0:18:26.920
<v Speaker 1>I try to meet society where it's at, and then

0:18:26.960 --> 0:18:30.280
<v Speaker 1>I actually address where society is at from the street

0:18:30.440 --> 0:18:35.320
<v Speaker 1>urban perspective obviously, and then the more creative I get

0:18:35.359 --> 0:18:38.920
<v Speaker 1>with it, you feel me it's like that's what makes

0:18:38.920 --> 0:18:41.920
<v Speaker 1>a really great idea. And then you know, the scientist

0:18:42.359 --> 0:18:45.360
<v Speaker 1>executing a catchy record and music, you know that shit

0:18:45.440 --> 0:18:50.479
<v Speaker 1>comes into play. Podcasts is a much different space, and

0:18:50.720 --> 0:18:54.920
<v Speaker 1>I really feel like we were underutilizing what it is.

0:18:55.680 --> 0:19:00.520
<v Speaker 1>Like we are at a place to where we want

0:19:00.560 --> 0:19:03.359
<v Speaker 1>to be entertained by each other's life. Like we're not

0:19:03.400 --> 0:19:07.080
<v Speaker 1>even asking people to be talented anymore, you know what

0:19:07.080 --> 0:19:09.040
<v Speaker 1>I mean, Like with a lot of people that we

0:19:09.200 --> 0:19:13.640
<v Speaker 1>celebrate or celebrities that don't really have talent. I said,

0:19:13.720 --> 0:19:18.320
<v Speaker 1>Kim Kardashian doesn't have talent. I mean, it's a lot

0:19:18.400 --> 0:19:22.919
<v Speaker 1>of people that don't have no fucking talent, yet they're celebrated.

0:19:22.400 --> 0:19:22.960
<v Speaker 2>All the same.

0:19:23.840 --> 0:19:27.440
<v Speaker 3>It's funny. I was talking about hearing my dad earlier today.

0:19:27.480 --> 0:19:29.520
<v Speaker 3>He was asking some questions about this, and I had

0:19:29.520 --> 0:19:35.080
<v Speaker 3>said to him, I was like going through everyone the

0:19:35.119 --> 0:19:38.879
<v Speaker 3>shows to talk about how much process was more than products.

0:19:38.920 --> 0:19:42.080
<v Speaker 3>It's all, yeah, people have no product at all. Like

0:19:42.080 --> 0:19:44.560
<v Speaker 3>when you look at the Kardashians, one skill, I will

0:19:44.560 --> 0:19:50.240
<v Speaker 3>say that those people have somebody in that group has

0:19:50.320 --> 0:19:59.080
<v Speaker 3>a remarkable eye for projecting trend, particularly on the visual side.

0:20:00.359 --> 0:20:02.000
<v Speaker 1>Where do you think where do you think they really

0:20:02.000 --> 0:20:04.600
<v Speaker 1>get busy on the visual side to make you say that.

0:20:06.960 --> 0:20:09.800
<v Speaker 3>Because they never really do much that misses like the

0:20:10.240 --> 0:20:17.719
<v Speaker 3>whatever it is that they where or carry or wherever

0:20:17.760 --> 0:20:21.800
<v Speaker 3>they go, whatever it is they always tend to hit,

0:20:22.960 --> 0:20:26.359
<v Speaker 3>you know, like over the course of time.

0:20:27.800 --> 0:20:30.159
<v Speaker 2>Yeah, I don't know. I don't really know a trend

0:20:30.160 --> 0:20:32.960
<v Speaker 2>that they started, not.

0:20:33.040 --> 0:20:37.280
<v Speaker 3>That they started, but that they tend to like be.

0:20:40.600 --> 0:20:44.560
<v Speaker 2>On early. I never seen nothing they was really ill early.

0:20:46.359 --> 0:20:51.480
<v Speaker 3>I think the closest to their fashion stuff absolutely all

0:20:51.520 --> 0:20:53.480
<v Speaker 3>their fashion stuff all across the bord.

0:20:53.520 --> 0:20:55.720
<v Speaker 1>Yeah, but I don't think they really are fashionable people

0:20:55.760 --> 0:20:58.840
<v Speaker 1>in that regard. Like I think even Kim, who probably

0:20:58.840 --> 0:21:01.120
<v Speaker 1>gets the most credit, is more a product of Kanye.

0:21:01.840 --> 0:21:03.560
<v Speaker 1>I mean I don't think the rest of them really

0:21:03.600 --> 0:21:04.639
<v Speaker 1>have a fashion trend.

0:21:04.800 --> 0:21:05.400
<v Speaker 2>I think.

0:21:07.760 --> 0:21:12.240
<v Speaker 1>If I create it, I'm saying even where they're at

0:21:12.320 --> 0:21:14.480
<v Speaker 1>fashion wise, I don't see them really being.

0:21:14.440 --> 0:21:16.320
<v Speaker 2>Like a fashion icon in that sense.

0:21:17.960 --> 0:21:22.040
<v Speaker 1>Really, they're more popular for not wearing clothes, you know

0:21:22.080 --> 0:21:23.960
<v Speaker 1>what I mean, Like, yeah.

0:21:23.760 --> 0:21:26.000
<v Speaker 3>There's been there's been a million slust that ran around

0:21:26.000 --> 0:21:28.879
<v Speaker 3>and didn't wear clothes, that didn't sustain a career for it.

0:21:29.080 --> 0:21:30.600
<v Speaker 3>But I think half twenty years.

0:21:31.080 --> 0:21:35.960
<v Speaker 1>But I think also it's that dynamic takes a little

0:21:36.000 --> 0:21:39.280
<v Speaker 1>bit more work. I don't think it's really about even

0:21:39.280 --> 0:21:41.800
<v Speaker 1>from a fashion perspective, I don't really think they're early.

0:21:41.840 --> 0:21:45.720
<v Speaker 2>Ain't on the trends or anything. I think I mean from.

0:21:45.520 --> 0:21:47.320
<v Speaker 1>What I saw so far with them is they take

0:21:47.359 --> 0:21:49.880
<v Speaker 1>a lot of things from urban perspective and then they

0:21:49.880 --> 0:21:55.960
<v Speaker 1>bring it to the pop world, like like they'll wear

0:21:56.040 --> 0:21:58.680
<v Speaker 1>box braids or pendletons, you know what I mean, and

0:21:59.400 --> 0:22:01.880
<v Speaker 1>they'll bring them to the pop world. But the pop

0:22:01.960 --> 0:22:04.320
<v Speaker 1>world wasn't just familiar with the urban things. So I

0:22:04.359 --> 0:22:05.360
<v Speaker 1>don't know if it's.

0:22:05.600 --> 0:22:07.720
<v Speaker 3>You know, I think that's I think that's a small

0:22:07.720 --> 0:22:11.600
<v Speaker 3>wrinkler what they do. I think they really are. They're

0:22:11.680 --> 0:22:18.280
<v Speaker 3>like luxury product identifiers almost like the way it's not

0:22:18.480 --> 0:22:20.920
<v Speaker 3>dissimilar to the way like Donald Trump puts his name

0:22:20.960 --> 0:22:23.320
<v Speaker 3>on a thing that he identified. Oh this is a

0:22:23.359 --> 0:22:25.320
<v Speaker 3>great luxury item. I'm gonna be just buy it, put

0:22:25.359 --> 0:22:27.320
<v Speaker 3>my name on it. They don't buy and put their

0:22:27.359 --> 0:22:29.080
<v Speaker 3>name on it. They just buying.

0:22:29.240 --> 0:22:33.920
<v Speaker 1>But like what example, like like like skims, like the

0:22:34.080 --> 0:22:34.680
<v Speaker 1>kim Brand.

0:22:35.560 --> 0:22:37.600
<v Speaker 3>I'm not talking about anything she produces.

0:22:38.680 --> 0:22:43.199
<v Speaker 1>She don't produce anything. I'm saying, I'm talking about what

0:22:43.280 --> 0:22:46.800
<v Speaker 1>she sees like. I still don't see the connection and

0:22:46.840 --> 0:22:49.160
<v Speaker 1>what you see what she sees as far as being

0:22:49.200 --> 0:22:51.920
<v Speaker 1>translating to creating any sense of trend like, I don't.

0:22:52.160 --> 0:22:55.080
<v Speaker 1>I don't think they're mean. I can't say they're like

0:22:55.119 --> 0:23:00.320
<v Speaker 1>without fashion. You know, they're not completely unfashionable, but they're

0:23:00.359 --> 0:23:03.520
<v Speaker 1>not like fashion icons in the sense where they're early

0:23:03.560 --> 0:23:04.040
<v Speaker 1>on trend.

0:23:04.240 --> 0:23:07.560
<v Speaker 2>I don't know, because I don't see it. Like we

0:23:07.680 --> 0:23:10.120
<v Speaker 2>probably need a really great you.

0:23:10.080 --> 0:23:13.399
<v Speaker 1>Know, publishers and marketing person to break down exactly why

0:23:13.440 --> 0:23:16.639
<v Speaker 1>they are famous, because I agree with you, it's a

0:23:16.680 --> 0:23:21.560
<v Speaker 1>lot of women who suck some you know, successful men

0:23:21.680 --> 0:23:24.600
<v Speaker 1>penists that are not as successful as them, you know,

0:23:24.640 --> 0:23:27.119
<v Speaker 1>But I'm sure there's a few things going into it.

0:23:27.160 --> 0:23:30.399
<v Speaker 1>I don't know if it's I couldn't really identify their

0:23:30.440 --> 0:23:34.240
<v Speaker 1>true talent. Like obviously the Moms is tough. I mean,

0:23:34.320 --> 0:23:37.119
<v Speaker 1>she's a thinker, But I don't I don't know their brand.

0:23:37.520 --> 0:23:38.600
<v Speaker 2>I don't. I don't get it.

0:23:38.640 --> 0:23:43.399
<v Speaker 1>Like, really, their brand is pretty much, you know, the

0:23:43.440 --> 0:23:45.120
<v Speaker 1>worst type of brands a woman could have.

0:23:47.880 --> 0:23:50.040
<v Speaker 3>Kind of like when I like the women I've talked

0:23:50.040 --> 0:23:53.880
<v Speaker 3>to about them that are into them, they almost look

0:23:53.920 --> 0:24:00.480
<v Speaker 3>at their greater apparatus or their their little you know,

0:24:01.840 --> 0:24:12.040
<v Speaker 3>Kardashian Inc. As like an easy one stop shop of

0:24:12.160 --> 0:24:19.240
<v Speaker 3>like what, you know, what what handbag should I buy

0:24:20.480 --> 0:24:22.800
<v Speaker 3>at the end of this pay cycle? Well, which one

0:24:22.800 --> 0:24:26.000
<v Speaker 3>were they carrying around? Oh, I'll get that one.

0:24:25.880 --> 0:24:27.320
<v Speaker 2>You'll see. And that's what I'm saying.

0:24:27.320 --> 0:24:30.840
<v Speaker 1>I don't know no sisters who look at the Kardashians

0:24:30.960 --> 0:24:32.840
<v Speaker 1>as their guide.

0:24:32.960 --> 0:24:35.960
<v Speaker 3>Because they're a blip of an audience. That's not they're

0:24:36.000 --> 0:24:38.320
<v Speaker 3>a blip of an audience. They're not enough to generate

0:24:38.400 --> 0:24:42.840
<v Speaker 3>that kind of brand formidability. They're not. That's not who

0:24:42.880 --> 0:24:44.080
<v Speaker 3>their audience is.

0:24:44.640 --> 0:24:46.880
<v Speaker 2>But who is their audience? Like mid level white.

0:24:46.640 --> 0:24:51.120
<v Speaker 3>Folks their audience. Yeah, they're they're a pop brand. They're

0:24:51.119 --> 0:24:52.960
<v Speaker 3>not a hip hop brand. They're a pop brand.

0:24:53.160 --> 0:24:54.520
<v Speaker 2>But but that's what I'm saying to you.

0:24:54.640 --> 0:24:57.600
<v Speaker 1>What they do is are you saying that they take

0:24:57.680 --> 0:25:00.359
<v Speaker 1>hip hop ideas and translate them to pop people?

0:25:01.160 --> 0:25:01.560
<v Speaker 3>Mm hmm.

0:25:02.600 --> 0:25:05.119
<v Speaker 2>I can't see a trend or brand that they started

0:25:05.200 --> 0:25:05.920
<v Speaker 2>or made popular.

0:25:06.040 --> 0:25:08.119
<v Speaker 3>They just live. No, they don't. I think they're just

0:25:08.200 --> 0:25:12.080
<v Speaker 3>they live a rich girl lifestyle that the girls that

0:25:12.160 --> 0:25:14.920
<v Speaker 3>are less rich want to live. And then by less rich,

0:25:15.440 --> 0:25:16.160
<v Speaker 3>not by a ton.

0:25:19.520 --> 0:25:23.560
<v Speaker 1>But I get the concept right of you saying that

0:25:23.600 --> 0:25:26.119
<v Speaker 1>they live a rich girl lifestyle. And so it's just

0:25:26.160 --> 0:25:28.160
<v Speaker 1>people following somebody that they think as wealthy.

0:25:30.560 --> 0:25:32.560
<v Speaker 2>Yeah, like Donald Trump.

0:25:34.720 --> 0:25:37.280
<v Speaker 3>Yeah, but not that wears the same outfit every day

0:25:37.760 --> 0:25:43.560
<v Speaker 3>and isn't always demonstrating their consumption. Donald Trump's a producer.

0:25:43.640 --> 0:25:46.760
<v Speaker 3>The Coardashis are consumers.

0:25:50.280 --> 0:25:53.879
<v Speaker 1>Yeah, it still don't make sense to me much above

0:25:53.960 --> 0:25:58.760
<v Speaker 1>my Uh, whatever's going on is completely beyond me. O,

0:25:58.840 --> 0:26:03.719
<v Speaker 1>what's beyond me? So I couldn't I actually get what

0:26:03.800 --> 0:26:08.840
<v Speaker 1>Donald Trump does. Donald Trump has sold this country, in

0:26:08.880 --> 0:26:12.240
<v Speaker 1>this world wealth for a long time, and things that

0:26:12.280 --> 0:26:16.680
<v Speaker 1>he associates with his name are kind of the concept

0:26:16.760 --> 0:26:19.280
<v Speaker 1>of luxury and success. Right, That's what he was able

0:26:19.280 --> 0:26:22.320
<v Speaker 1>to do. So maybe the Kardashians do the same, but

0:26:23.440 --> 0:26:24.480
<v Speaker 1>I think that they do.

0:26:24.520 --> 0:26:27.320
<v Speaker 3>They do the same thing for the fourth figure purchase

0:26:27.440 --> 0:26:29.280
<v Speaker 3>that he does for the seventh figure purchase.

0:26:36.960 --> 0:26:39.360
<v Speaker 2>But was it that they were rich? Is that? Well?

0:26:39.359 --> 0:26:42.240
<v Speaker 2>I guess they brand was because the dad wasn't was

0:26:42.280 --> 0:26:42.760
<v Speaker 2>some kind.

0:26:42.640 --> 0:26:46.520
<v Speaker 3>Of I mean, like she got started before she was

0:26:46.600 --> 0:26:49.520
<v Speaker 3>running around with Ray J. She was pseudo known for

0:26:49.640 --> 0:26:51.720
<v Speaker 3>running around with Paris Hilton and the party circuit.

0:26:51.800 --> 0:26:56.200
<v Speaker 1>Just chruing is considered because she's connected city Hillton Hotel.

0:26:56.280 --> 0:26:59.159
<v Speaker 1>She's considered like rich snob, rich white snob.

0:27:01.600 --> 0:27:03.119
<v Speaker 3>Yeah, I guess I don't know she was a snob.

0:27:03.200 --> 0:27:05.960
<v Speaker 1>She was just looking at the constant rich party girl.

0:27:06.040 --> 0:27:08.240
<v Speaker 1>I picked it up somewhere, like I see what you're

0:27:08.240 --> 0:27:09.080
<v Speaker 1>talking about.

0:27:09.520 --> 0:27:12.760
<v Speaker 3>Sure, So I guess they just run amok through sunset,

0:27:12.920 --> 0:27:16.760
<v Speaker 3>just beacons of excess.

0:27:17.000 --> 0:27:19.400
<v Speaker 1>Yes, so I guess they are. I guess they are

0:27:19.520 --> 0:27:23.520
<v Speaker 1>Donald Trump for Subadan woman.

0:27:25.760 --> 0:27:28.359
<v Speaker 3>Yeah, and and and also for like younger people that

0:27:28.480 --> 0:27:33.560
<v Speaker 3>don't have like you know, there's like across the bridge

0:27:33.560 --> 0:27:36.320
<v Speaker 3>for me, there's like all these Trump properties on sunny aisles.

0:27:38.080 --> 0:27:41.720
<v Speaker 3>A twenty two year old watching TV trying to you know,

0:27:42.160 --> 0:27:43.760
<v Speaker 3>have a nice time. Is it going to go buy

0:27:43.760 --> 0:27:46.840
<v Speaker 3>a nine million dollar penthouse and Trump Tower, but they

0:27:46.840 --> 0:27:53.280
<v Speaker 3>can go buy two thousand dollars handbag. Put their mind

0:27:53.359 --> 0:27:53.600
<v Speaker 3>to it.

0:27:54.920 --> 0:28:01.320
<v Speaker 2>Yeah. Yeah, it's like in my penises, yeah.

0:28:00.240 --> 0:28:01.680
<v Speaker 3>Or the right one.

0:28:02.600 --> 0:28:05.639
<v Speaker 2>That's a big business, though, big business right now. Selling wealth.

0:28:06.080 --> 0:28:08.320
<v Speaker 1>I don't think everybody does a great job of it,

0:28:08.920 --> 0:28:10.000
<v Speaker 1>but it's a big business.

0:28:10.040 --> 0:28:11.800
<v Speaker 2>I watch a lot of hip hop artists try to

0:28:11.800 --> 0:28:13.000
<v Speaker 2>sell wealth, selles success.

0:28:13.960 --> 0:28:15.800
<v Speaker 3>Yeah, That's been a thing for a long time in

0:28:15.800 --> 0:28:16.280
<v Speaker 3>the genre.

0:28:17.119 --> 0:28:19.879
<v Speaker 1>And it's crazy because the West got successful without that.

0:28:20.280 --> 0:28:22.879
<v Speaker 1>You know, the West was the most successful brand and

0:28:22.960 --> 0:28:25.240
<v Speaker 1>hip hop for a long time because they wasn't trying

0:28:25.280 --> 0:28:28.600
<v Speaker 1>to sell that. They were selling the common man. Like

0:28:28.640 --> 0:28:31.119
<v Speaker 1>I've been thinking about no seelings, and one of the

0:28:31.160 --> 0:28:33.760
<v Speaker 1>most important things I thought was important is I wanted

0:28:33.800 --> 0:28:37.080
<v Speaker 1>to start having a conversation up with people who just.

0:28:37.080 --> 0:28:41.280
<v Speaker 2>Live regular lodge, right, like the worker at Outback Steakhouse.

0:28:41.880 --> 0:28:43.800
<v Speaker 1>That's the type of guests I would like to add

0:28:44.720 --> 0:28:46.920
<v Speaker 1>where we talk about just existing, you know.

0:28:46.920 --> 0:28:50.320
<v Speaker 2>What I mean, in life a meter maid, you know

0:28:50.360 --> 0:28:50.840
<v Speaker 2>what I'm saying.

0:28:50.920 --> 0:28:55.080
<v Speaker 1>I always thought those type of conversations is really what

0:28:55.160 --> 0:28:58.760
<v Speaker 1>the world should want to listen to, versus me trying

0:28:58.800 --> 0:29:03.600
<v Speaker 1>to keep finding the most successful people who I actually

0:29:03.640 --> 0:29:06.000
<v Speaker 1>know ain't that fucking successful in the first place. They

0:29:06.160 --> 0:29:12.640
<v Speaker 1>just more successful than the listener. Sure, but when you

0:29:12.720 --> 0:29:16.800
<v Speaker 1>listen to podcasts and coming back from you know that

0:29:16.880 --> 0:29:21.080
<v Speaker 1>whole convention, that that whole Black Effects convention was, it

0:29:21.240 --> 0:29:25.560
<v Speaker 1>just made me think, like, yo, we at that we

0:29:25.680 --> 0:29:29.080
<v Speaker 1>in the eighties of hip hop. For podcasting, this is

0:29:29.120 --> 0:29:32.360
<v Speaker 1>the eighties, this is the this is the this is

0:29:32.400 --> 0:29:35.680
<v Speaker 1>the build up time for podcasts, and like we're not

0:29:35.840 --> 0:29:38.840
<v Speaker 1>doing enough, Like we're not spinning enough ideas off into

0:29:38.880 --> 0:29:42.920
<v Speaker 1>smaller ideas and smaller conversations. We're not doing lives after

0:29:43.000 --> 0:29:47.120
<v Speaker 1>the podcasts to cultivate the audience that's growing with us

0:29:47.160 --> 0:29:48.800
<v Speaker 1>and sharing these conversations.

0:29:53.000 --> 0:29:55.160
<v Speaker 2>Like we're not working. You know, we're not.

0:29:55.400 --> 0:29:58.600
<v Speaker 3>I agree, I would say we were lacking in all faces.

0:29:58.760 --> 0:30:01.880
<v Speaker 3>We're because they just did the NFL Draft last week.

0:30:02.920 --> 0:30:07.640
<v Speaker 3>We're the team with like the number two pick in

0:30:07.760 --> 0:30:11.400
<v Speaker 3>every round and if you were to say what position

0:30:11.440 --> 0:30:15.960
<v Speaker 3>do they need to fill most someone audi ESPN's panel

0:30:15.960 --> 0:30:18.040
<v Speaker 3>will go, well, all of them. That's why they have

0:30:18.080 --> 0:30:21.880
<v Speaker 3>the number two pick. You know, I think I think

0:30:21.920 --> 0:30:25.920
<v Speaker 3>we need to just elevate in the way we distribute

0:30:26.640 --> 0:30:32.760
<v Speaker 3>the diversity of platforms upon which we promote the consistency

0:30:32.960 --> 0:30:36.040
<v Speaker 3>of engagement from a time standpoint, so that there's not

0:30:36.320 --> 0:30:40.880
<v Speaker 3>so many hours between our engagement with our audience.

0:30:40.520 --> 0:30:46.360
<v Speaker 1>All that kind of stuff, and also just building outside

0:30:46.360 --> 0:30:52.760
<v Speaker 1>of what we have moving. Yeah, I mean, so many

0:30:52.800 --> 0:30:56.920
<v Speaker 1>people would be doing this every day. There's people doing

0:30:56.960 --> 0:31:00.800
<v Speaker 1>this every day. Like it's people who have live streams

0:31:00.800 --> 0:31:03.400
<v Speaker 1>that they call podcasts because they don't know the difference.

0:31:03.680 --> 0:31:09.680
<v Speaker 2>But it's like people want to be entertained all fucking day.

0:31:10.960 --> 0:31:12.400
<v Speaker 3>Yeah, because life sucks.

0:31:13.920 --> 0:31:15.760
<v Speaker 2>But my life doesn't suck.

0:31:16.400 --> 0:31:22.080
<v Speaker 3>But you're not listening, you're talking. I'm I'm the unique

0:31:22.160 --> 0:31:26.040
<v Speaker 3>bridge component to this whole experience because my life sucks

0:31:26.200 --> 0:31:31.480
<v Speaker 3>and I'm talking. But yeah, all day long, there's there's

0:31:31.520 --> 0:31:35.120
<v Speaker 3>there's a lot of long commutes every day. There's a

0:31:35.200 --> 0:31:36.840
<v Speaker 3>lot of jobs every day where you don't have to

0:31:36.920 --> 0:31:39.320
<v Speaker 3>interact with somebody. You can have headphones on. There's a

0:31:39.320 --> 0:31:45.240
<v Speaker 3>lot of hours of dead air time, you know, all

0:31:45.320 --> 0:31:50.600
<v Speaker 3>told that that can be filled with something better than silence, hopefully.

0:31:53.280 --> 0:31:54.880
<v Speaker 1>So if you did, I have to spend off and

0:31:55.000 --> 0:31:57.720
<v Speaker 1>add a podcast onto no siblings, right, and there's no

0:31:57.800 --> 0:32:00.600
<v Speaker 1>siblings present, and you had to do a people podcast,

0:32:01.400 --> 0:32:03.560
<v Speaker 1>and what would it really be on? What do what

0:32:03.600 --> 0:32:06.240
<v Speaker 1>would you really want to talk about? Like what problem rale?

0:32:06.320 --> 0:32:06.440
<v Speaker 2>Right?

0:32:06.520 --> 0:32:10.080
<v Speaker 1>Let's say our listener is it does have a suburban element,

0:32:10.120 --> 0:32:12.160
<v Speaker 1>but it is an urban person, right, who's trying to

0:32:12.160 --> 0:32:15.080
<v Speaker 1>elevate theyfe in their existence. I noticed when we have

0:32:15.200 --> 0:32:17.960
<v Speaker 1>conversations bro like the other one when we were talking

0:32:18.000 --> 0:32:21.080
<v Speaker 1>about which station sled humans move to, like men to

0:32:21.080 --> 0:32:24.280
<v Speaker 1>move their family to, to actually really be ahead of the opportunity,

0:32:24.280 --> 0:32:26.160
<v Speaker 1>how many people reached out to me and thought that

0:32:26.240 --> 0:32:29.240
<v Speaker 1>was a dope ass conversation. I mean, people are so

0:32:29.480 --> 0:32:33.000
<v Speaker 1>intrigued with how you saw finances and you know how

0:32:33.000 --> 0:32:35.400
<v Speaker 1>you were able to take the history of America and

0:32:35.960 --> 0:32:38.520
<v Speaker 1>wrap it up into a conversation of today, you know

0:32:38.520 --> 0:32:40.520
<v Speaker 1>what I mean? So if you had to do a

0:32:40.640 --> 0:32:43.920
<v Speaker 1>No Seilings Presents podcast, like, what would it even be about?

0:32:43.960 --> 0:32:44.920
<v Speaker 2>At that point?

0:32:45.400 --> 0:32:50.320
<v Speaker 3>I would like to do, you know, micro and macroeconomics

0:32:50.400 --> 0:32:58.640
<v Speaker 3>kind of sort of thing, like, uh, a mixture conversation

0:32:59.400 --> 0:33:05.200
<v Speaker 3>of kind of cool innovative like big picture trends or

0:33:05.240 --> 0:33:10.200
<v Speaker 3>like unique outliers of stuff that's going on like within

0:33:11.800 --> 0:33:17.160
<v Speaker 3>you know, capital markets or technological innovations, and also kind

0:33:17.200 --> 0:33:22.239
<v Speaker 3>of talk about like everything through the prism of just

0:33:22.320 --> 0:33:29.560
<v Speaker 3>like a regular guy and your just general personal financial

0:33:29.640 --> 0:33:32.400
<v Speaker 3>vision as a person, as a as a couple, and

0:33:32.480 --> 0:33:36.560
<v Speaker 3>kind of the psychology of balancing a budget. How do

0:33:37.040 --> 0:33:41.040
<v Speaker 3>you know what are your priorities? You know you're when

0:33:41.080 --> 0:33:46.040
<v Speaker 3>does it make sense to you to say, screw the

0:33:46.080 --> 0:33:48.840
<v Speaker 3>five thousand dollars into the whatever the hell fund? I

0:33:48.880 --> 0:33:51.000
<v Speaker 3>want to take the family to Disney World because I'm

0:33:51.000 --> 0:33:53.280
<v Speaker 3>gonna spend up time with my kids or or whatever

0:33:53.320 --> 0:33:56.800
<v Speaker 3>that might be kind of like I just want to

0:33:56.840 --> 0:34:02.480
<v Speaker 3>have a conversation about value, value of time and value

0:34:02.560 --> 0:34:05.719
<v Speaker 3>of commodities.

0:34:06.920 --> 0:34:10.880
<v Speaker 1>And what type of being that you could identify the

0:34:10.920 --> 0:34:16.160
<v Speaker 1>stick of the conversation. Where do you think we would

0:34:16.160 --> 0:34:18.319
<v Speaker 1>actually find like where would the partners be at in

0:34:18.400 --> 0:34:19.440
<v Speaker 1>that kind of conversation.

0:34:24.080 --> 0:34:31.360
<v Speaker 3>I think like the low hanging fruit would be, although

0:34:31.520 --> 0:34:35.120
<v Speaker 3>like anything with a bank or a credit card. And

0:34:35.160 --> 0:34:40.000
<v Speaker 3>then like there's there's all kinds of people trying to

0:34:40.040 --> 0:34:44.560
<v Speaker 3>sell hedges that are looking for audiences, like we're not audiences,

0:34:44.600 --> 0:34:49.200
<v Speaker 3>but that they're looking for kind of more small level investors.

0:34:49.280 --> 0:34:54.880
<v Speaker 3>Like all these gold companies or like red companies that

0:34:54.960 --> 0:34:58.120
<v Speaker 3>have low level buy ins, or different pre ipo platforms

0:34:58.120 --> 0:35:00.400
<v Speaker 3>that offer you people the opportunity to buy like a

0:35:00.440 --> 0:35:02.959
<v Speaker 3>minimum of like one hundred or a couple hundred dollars

0:35:03.040 --> 0:35:05.440
<v Speaker 3>in a small company before it goes public, and if

0:35:05.440 --> 0:35:07.200
<v Speaker 3>you've got one hundred bucks, you can throw it at

0:35:07.200 --> 0:35:11.680
<v Speaker 3>it and whatever. Maybe in three years it gets consumed,

0:35:12.480 --> 0:35:15.440
<v Speaker 3>sold out to another entity, and your hundred bucksterns into

0:35:15.480 --> 0:35:18.720
<v Speaker 3>it like twelve hundred bucks. It's not like the greatest

0:35:18.719 --> 0:35:20.919
<v Speaker 3>windfall of cash everybody. If you just kind of you know, say,

0:35:20.920 --> 0:35:23.400
<v Speaker 3>you know, every week, I'm just gonna throw another one

0:35:23.480 --> 0:35:25.879
<v Speaker 3>hundred dollars or whatever the new release thing is on,

0:35:26.120 --> 0:35:27.719
<v Speaker 3>like the thing I get emails from all the times

0:35:27.760 --> 0:35:32.640
<v Speaker 3>called Republic just every day for a year, just chiped

0:35:32.640 --> 0:35:34.680
<v Speaker 3>one hundred bucks off to do the minimum and whatever

0:35:34.680 --> 0:35:36.840
<v Speaker 3>the new company is. They have a whole bevy of

0:35:36.880 --> 0:35:39.680
<v Speaker 3>different companies. Yeah, some of them are gonna hit you know.

0:35:39.760 --> 0:35:42.440
<v Speaker 3>I mean, I think that's more interesting to me personally

0:35:42.480 --> 0:35:45.320
<v Speaker 3>than standing behind six people in line at seven to

0:35:45.320 --> 0:35:51.400
<v Speaker 3>eleven who are buying scratchers, especially because they take so

0:35:51.520 --> 0:35:52.160
<v Speaker 3>fucking long.

0:35:53.280 --> 0:35:55.719
<v Speaker 2>But you know it was a crazy question for you.

0:35:56.920 --> 0:36:00.400
<v Speaker 1>If I'm gonna do another podcast right to field on

0:36:00.440 --> 0:36:02.839
<v Speaker 1>the No Seller's brand, it's No Siblings Presents, and then

0:36:02.840 --> 0:36:06.520
<v Speaker 1>it's this extra podcast that I'm doing. What do you

0:36:06.560 --> 0:36:08.680
<v Speaker 1>think the stick that I should talk about? What do

0:36:08.719 --> 0:36:11.319
<v Speaker 1>you think the average fan would expect for me? You

0:36:11.400 --> 0:36:14.680
<v Speaker 1>know people that know me personally, you know fans who

0:36:14.840 --> 0:36:18.000
<v Speaker 1>just know me from a distance. What do people want

0:36:18.040 --> 0:36:21.120
<v Speaker 1>to hear me talk about that I have the utmost

0:36:21.239 --> 0:36:25.480
<v Speaker 1>knowledge in or or even shed some level of insight into.

0:36:27.200 --> 0:36:31.279
<v Speaker 3>That's really interesting because to separate that idea from what

0:36:31.280 --> 0:36:33.839
<v Speaker 3>we're already doing is kind of hard because you call

0:36:33.880 --> 0:36:37.600
<v Speaker 3>the topics and it's and there's obviously an interesting people listening.

0:36:38.480 --> 0:36:40.200
<v Speaker 2>But I'm saying, if I had the niche, if I

0:36:40.200 --> 0:36:41.040
<v Speaker 2>had the niche.

0:36:40.920 --> 0:36:51.640
<v Speaker 3>Yeah, I think that, Like, it's pretty interesting. You spend

0:36:51.640 --> 0:36:54.920
<v Speaker 3>a lot of time talking about like the construction of

0:36:54.960 --> 0:37:02.160
<v Speaker 3>a song, you know, and doing an episode about out

0:37:03.000 --> 0:37:05.480
<v Speaker 3>bass drums or the bass. We had a conversation over

0:37:05.520 --> 0:37:09.600
<v Speaker 3>the weekend about how bass lines are gone from hip hop, sure,

0:37:10.280 --> 0:37:12.439
<v Speaker 3>you know, or just little stuff like that people could

0:37:12.520 --> 0:37:15.080
<v Speaker 3>learn about, like what makes music? How does music work?

0:37:15.120 --> 0:37:17.440
<v Speaker 3>How do you layer things? Why does this sound different

0:37:17.480 --> 0:37:19.640
<v Speaker 3>than that or better than this? And blah blah blah.

0:37:19.680 --> 0:37:23.120
<v Speaker 3>You knows how does a rhythm work? How does a

0:37:23.200 --> 0:37:23.799
<v Speaker 3>drum work?

0:37:26.480 --> 0:37:31.360
<v Speaker 2>It is something I vested in and I have extensive information.

0:37:31.520 --> 0:37:34.160
<v Speaker 3>Then yeah, I think there's a ton of ways you

0:37:34.200 --> 0:37:38.160
<v Speaker 3>could do that because you could talk about like samples,

0:37:38.200 --> 0:37:42.880
<v Speaker 3>how like songs that you wouldn't think came from another

0:37:43.040 --> 0:37:46.719
<v Speaker 3>like this song came from that, and then almost do

0:37:46.880 --> 0:37:49.720
<v Speaker 3>like a whiteboard of like here's how the song started,

0:37:49.800 --> 0:37:51.560
<v Speaker 3>like the song we were listening to it, thank you

0:37:51.640 --> 0:37:54.920
<v Speaker 3>for playing on loop in the car such that it

0:37:55.000 --> 0:37:57.040
<v Speaker 3>was stuck in my head until about an hour and

0:37:57.080 --> 0:38:03.399
<v Speaker 3>a half ago. But like start with that and then

0:38:03.719 --> 0:38:07.600
<v Speaker 3>like you know how you have the like in the studio,

0:38:07.640 --> 0:38:13.320
<v Speaker 3>there's the program where there's the different like lot not lines,

0:38:13.360 --> 0:38:15.880
<v Speaker 3>but you know you know what I mean, like the

0:38:15.880 --> 0:38:19.640
<v Speaker 3>the ship where you can see the sound waves layered

0:38:19.680 --> 0:38:26.360
<v Speaker 3>like this and really yeah really likes yeah, yeah, like

0:38:26.400 --> 0:38:29.680
<v Speaker 3>show people how that works. How there's like five layers

0:38:29.680 --> 0:38:32.040
<v Speaker 3>in the original song. Okay, well we're gonna take these

0:38:32.080 --> 0:38:36.919
<v Speaker 3>two that we want. It's eight measures long. These two

0:38:36.920 --> 0:38:39.600
<v Speaker 3>measures we're gonna keep. We're gonna loop those, we're gonna

0:38:39.640 --> 0:38:41.160
<v Speaker 3>do it like this Da da da da da da

0:38:41.239 --> 0:38:43.680
<v Speaker 3>da da and explain to people how that works. And

0:38:43.680 --> 0:38:47.040
<v Speaker 3>you could do you know, you could do it that way.

0:38:47.080 --> 0:38:50.960
<v Speaker 3>You could talk about the evolution of like like how

0:38:51.200 --> 0:38:55.120
<v Speaker 3>I feel like high hats and hip hop kind of

0:38:55.160 --> 0:38:57.279
<v Speaker 3>we're like there. But I really started hearing them with

0:38:57.360 --> 0:39:00.439
<v Speaker 3>Manny Fresh and Early No Limit, ear Early Cash, I mean,

0:39:00.600 --> 0:39:04.239
<v Speaker 3>and then when they start they changed sound again. I

0:39:04.280 --> 0:39:07.160
<v Speaker 3>felt like somewhere in like the earlier part of maybe

0:39:07.160 --> 0:39:10.520
<v Speaker 3>like Rick Ross's stuff, where they went from sounded like

0:39:10.520 --> 0:39:13.600
<v Speaker 3>there was a guy in the studio, you know, actually

0:39:13.719 --> 0:39:16.120
<v Speaker 3>hitting them on Manny's stuff, and then it was just

0:39:16.160 --> 0:39:19.320
<v Speaker 3>like that, like you could tell it was digital.

0:39:18.960 --> 0:39:21.160
<v Speaker 1>When the trap had when they called them trap haads,

0:39:21.160 --> 0:39:22.200
<v Speaker 1>when the trap has hit.

0:39:22.760 --> 0:39:26.520
<v Speaker 3>Exactly, they're just different. Stuff like that. You could you

0:39:26.520 --> 0:39:28.520
<v Speaker 3>could riff on that all the god damn day long

0:39:28.600 --> 0:39:29.800
<v Speaker 3>for a thousand episodes.

0:39:31.760 --> 0:39:32.520
<v Speaker 2>I got an idea.

0:39:32.520 --> 0:39:35.759
<v Speaker 1>I had an idea a while ago, but it's it's

0:39:35.800 --> 0:39:39.839
<v Speaker 1>probably time to bring it into fruition. Or was that

0:39:40.880 --> 0:39:44.040
<v Speaker 1>I just wanted to do a conversation about really great

0:39:44.239 --> 0:39:47.440
<v Speaker 1>you know, instrumentals and records, like I think what's happening

0:39:47.480 --> 0:39:50.399
<v Speaker 1>in hip hop specifically, or even in music is people

0:39:50.440 --> 0:39:53.680
<v Speaker 1>are getting so carried away with the lyrics of songs

0:39:53.719 --> 0:39:57.200
<v Speaker 1>that they forget it's about the music itself. And every

0:39:57.200 --> 0:39:59.359
<v Speaker 1>time I talk to somebody and I expressed to him,

0:39:59.360 --> 0:40:02.040
<v Speaker 1>I was explaining this to Joey, I'm like, most people

0:40:02.040 --> 0:40:03.320
<v Speaker 1>don't know how hip hop.

0:40:03.120 --> 0:40:03.600
<v Speaker 2>Started, right.

0:40:03.719 --> 0:40:06.720
<v Speaker 1>Hip Hop didn't start with the MC. Hip Hop started

0:40:06.760 --> 0:40:11.160
<v Speaker 1>because people started to move a certain way, right, And

0:40:11.200 --> 0:40:13.239
<v Speaker 1>when certain records would come on and they would get

0:40:13.239 --> 0:40:15.759
<v Speaker 1>to these parts of the records, you would see these

0:40:15.800 --> 0:40:20.280
<v Speaker 1>young people starting to really move and it's really funky

0:40:20.400 --> 0:40:23.239
<v Speaker 1>different way that people had never moved before, like as

0:40:23.239 --> 0:40:26.839
<v Speaker 1>far as dancing, like which became what people called bee boy,

0:40:27.400 --> 0:40:30.279
<v Speaker 1>where they would just fuck it up. And you know,

0:40:30.560 --> 0:40:32.359
<v Speaker 1>on a certain part of the record they call it

0:40:32.400 --> 0:40:35.040
<v Speaker 1>the break, it's the drum break is the full expression.

0:40:35.080 --> 0:40:38.680
<v Speaker 1>But when that music get away and the melodies get

0:40:38.719 --> 0:40:45.239
<v Speaker 1>away in that boom.

0:40:42.520 --> 0:40:44.439
<v Speaker 2>And you just start seeing people fuck it up.

0:40:44.800 --> 0:40:49.000
<v Speaker 1>And DJ saw that happening, and they got another turntable

0:40:49.080 --> 0:40:52.320
<v Speaker 1>and they started to fucking keep looping that part.

0:40:53.040 --> 0:41:00.520
<v Speaker 5>M boom poch boom, boom, boom, pinch boom boom, boom boom,

0:41:00.840 --> 0:41:02.240
<v Speaker 5>and people just could keep.

0:41:02.080 --> 0:41:05.000
<v Speaker 1>Sucking it up and it had the party hype. And

0:41:05.040 --> 0:41:09.360
<v Speaker 1>then the MC came around after to keep the party hype,

0:41:09.880 --> 0:41:13.200
<v Speaker 1>but it was already a relationship between the music and

0:41:13.280 --> 0:41:17.479
<v Speaker 1>people dancing. And dancing is what really moves hip hop.

0:41:17.760 --> 0:41:19.799
<v Speaker 1>And let me wrong, there's a there's a lot of

0:41:19.880 --> 0:41:22.520
<v Speaker 1>conversations about different things, and there's a lot of great

0:41:22.560 --> 0:41:25.080
<v Speaker 1>things that people don't dance to in hip hop. But

0:41:25.239 --> 0:41:28.640
<v Speaker 1>the cornerstone of this motherfucker is for the way the

0:41:28.719 --> 0:41:31.600
<v Speaker 1>streets are moving at that time, the way street urban

0:41:31.600 --> 0:41:34.200
<v Speaker 1>culture is moving. You look at like I said, you

0:41:34.239 --> 0:41:38.160
<v Speaker 1>look at what's going on in Milwaukee with JP and

0:41:38.160 --> 0:41:42.040
<v Speaker 1>and four one four Frank and Maya p and and

0:41:42.080 --> 0:41:44.719
<v Speaker 1>it's it's so many different the stoner you know, and

0:41:44.760 --> 0:41:48.040
<v Speaker 1>you look at how they're moving. And now the producers

0:41:48.080 --> 0:41:52.680
<v Speaker 1>in Milwaukee right are making music. They're making music.

0:41:52.400 --> 0:41:55.680
<v Speaker 2>For people to move the way that they move. You

0:41:55.719 --> 0:41:56.280
<v Speaker 2>know what I'm saying.

0:41:56.400 --> 0:42:00.560
<v Speaker 1>And you you know, uh, you ever told bitch I

0:42:00.760 --> 0:42:01.560
<v Speaker 1>got jeez?

0:42:01.920 --> 0:42:04.440
<v Speaker 2>You ever make a bit of here their knees? Well,

0:42:04.520 --> 0:42:06.400
<v Speaker 2>guess what an JP you know?

0:42:06.719 --> 0:42:10.000
<v Speaker 1>And you see him moving and that's the cornerstone of

0:42:10.080 --> 0:42:12.840
<v Speaker 1>hip hop, and that's why you see what's going on

0:42:12.880 --> 0:42:15.680
<v Speaker 1>in Milwaukee starting to move throughout the country. You know,

0:42:15.760 --> 0:42:19.200
<v Speaker 1>these little dudes is getting booked everywhere because they are

0:42:19.280 --> 0:42:20.280
<v Speaker 1>controlling how.

0:42:20.160 --> 0:42:20.960
<v Speaker 2>People are moving.

0:42:21.000 --> 0:42:23.640
<v Speaker 1>They're showing people how to move, and they're creating the

0:42:23.760 --> 0:42:26.840
<v Speaker 1>music that people move to. Now, is it gonna go

0:42:26.880 --> 0:42:29.400
<v Speaker 1>to a corporate level? Is it produced well enough to

0:42:29.480 --> 0:42:33.960
<v Speaker 1>get into, you know, a mainstream space. It's probably still behind.

0:42:34.760 --> 0:42:37.759
<v Speaker 1>But that's not what hip hop is about. Hip Hop

0:42:37.840 --> 0:42:42.360
<v Speaker 1>is about that right there, you know that thing right there,

0:42:43.000 --> 0:42:45.320
<v Speaker 1>And you know, I listen to a lot of people

0:42:45.440 --> 0:42:47.799
<v Speaker 1>talk about it and they don't get that simple part

0:42:47.880 --> 0:42:51.320
<v Speaker 1>right and again because they're not focused on the music.

0:42:51.680 --> 0:42:53.919
<v Speaker 2>They're focused on you know, rappers are.

0:42:53.880 --> 0:42:57.279
<v Speaker 1>Hella arrogant and they make it about themselves. Oh it's

0:42:57.320 --> 0:42:59.440
<v Speaker 1>about me. People want to hear me, No man, we

0:42:59.480 --> 0:43:02.960
<v Speaker 1>want to hear it, shit jam. We want to hear

0:43:03.000 --> 0:43:05.040
<v Speaker 1>this ship move. We want to see people having a

0:43:05.040 --> 0:43:08.759
<v Speaker 1>good time. We want that energy, that festive energy. So

0:43:09.640 --> 0:43:16.160
<v Speaker 1>I thought about doing something that really focuses on the

0:43:16.320 --> 0:43:20.440
<v Speaker 1>music behind hip hop, not so much the rap, but

0:43:20.600 --> 0:43:27.360
<v Speaker 1>the music. You know, taking Michael McDonald's you know, I

0:43:27.440 --> 0:43:29.640
<v Speaker 1>keep forgetting and turning it into.

0:43:29.440 --> 0:43:33.719
<v Speaker 2>The beat that's regulating. Yeah, taking than Haywood.

0:43:34.440 --> 0:43:36.960
<v Speaker 1>You know, I want to do something freaky and turning

0:43:37.040 --> 0:43:38.520
<v Speaker 1>it into nothing but the g thing.

0:43:39.480 --> 0:43:42.880
<v Speaker 3>Yeahven Like my favorite example is let Me Ride, Like

0:43:42.960 --> 0:43:45.200
<v Speaker 3>that song that they took that from. It's like seven

0:43:45.239 --> 0:43:47.440
<v Speaker 3>minutes long.

0:43:49.080 --> 0:43:51.880
<v Speaker 1>It's a Parliament song, Mothership Connection, and that part of

0:43:51.920 --> 0:43:53.960
<v Speaker 1>the song is five minutes into the song.

0:43:54.840 --> 0:44:02.160
<v Speaker 5>Yeah, you know what I'm saying. So it is it's

0:44:02.239 --> 0:44:05.000
<v Speaker 5>tough because you know, for so.

0:44:05.120 --> 0:44:07.839
<v Speaker 1>Long the rapper has been in the forefront of hip

0:44:07.880 --> 0:44:10.799
<v Speaker 1>hop that people really think it's about the rapper, but

0:44:11.440 --> 0:44:16.359
<v Speaker 1>the consistent successes in the hip hop somewhere along the line,

0:44:16.400 --> 0:44:18.280
<v Speaker 1>somebody understand this about the music.

0:44:18.640 --> 0:44:25.799
<v Speaker 3>Yeah, I mean I think that really hip hop it's

0:44:25.840 --> 0:44:28.680
<v Speaker 3>like a car. A lot the rappers, the salesman, the

0:44:28.800 --> 0:44:29.680
<v Speaker 3>music of the cars.

0:44:30.000 --> 0:44:33.239
<v Speaker 2>There you go. That's it simple as that.

0:44:34.239 --> 0:44:37.040
<v Speaker 1>And you know, it's nothing like buying a good car

0:44:37.120 --> 0:44:39.880
<v Speaker 1>from a good salesman. But most of these niggas is

0:44:39.920 --> 0:44:41.960
<v Speaker 1>selling you lemons.

0:44:42.920 --> 0:44:45.719
<v Speaker 3>They are or or they're just standing on the right

0:44:45.800 --> 0:44:49.360
<v Speaker 3>lot and people. They're just basically standing between the person

0:44:49.440 --> 0:44:50.319
<v Speaker 3>and the car they want.

0:44:50.600 --> 0:44:53.480
<v Speaker 1>Everybody just want to drive something they don't give and

0:44:54.200 --> 0:44:56.440
<v Speaker 1>go and that goes back to my point that I

0:44:56.480 --> 0:44:58.319
<v Speaker 1>was having with the dude earlier when we was talking

0:44:58.320 --> 0:45:02.040
<v Speaker 1>about international players Anthem and oh well, Andre three thousand

0:45:02.160 --> 0:45:02.839
<v Speaker 1>carried the song.

0:45:03.320 --> 0:45:03.560
<v Speaker 2>Bro.

0:45:04.400 --> 0:45:06.799
<v Speaker 3>I thought Pimp C's first like hit that when that

0:45:06.920 --> 0:45:07.880
<v Speaker 3>drum hit and he did it.

0:45:08.400 --> 0:45:14.360
<v Speaker 1>Damn man, they love that made the song to me.

0:45:14.719 --> 0:45:17.560
<v Speaker 1>But that's the point. All the verses were ten. You

0:45:17.640 --> 0:45:20.440
<v Speaker 1>know why, because you can't fucking go wrong with that

0:45:20.520 --> 0:45:25.799
<v Speaker 1>fucking break. That fucking break that that I choose you

0:45:25.920 --> 0:45:28.920
<v Speaker 1>break is crazy. That would hutch break. Shout out to

0:45:29.360 --> 0:45:32.800
<v Speaker 1>HUDs from above the low. I think that's his uncle

0:45:33.040 --> 0:45:35.520
<v Speaker 1>or his father. It might even be his father. I

0:45:35.560 --> 0:45:37.799
<v Speaker 1>got to do my homework, but you know what I mean,

0:45:38.040 --> 0:45:40.640
<v Speaker 1>really hunted like that I choose you break. They got

0:45:40.640 --> 0:45:43.759
<v Speaker 1>it just right. And if I understand correctly, three six

0:45:43.840 --> 0:45:44.600
<v Speaker 1>did the music.

0:45:44.680 --> 0:45:45.400
<v Speaker 2>So it's like.

0:45:48.239 --> 0:45:52.399
<v Speaker 3>PIMPC did a song over that track on I think

0:45:52.480 --> 0:45:56.000
<v Speaker 3>like laying the SmackDown or something like that, and it

0:45:56.040 --> 0:45:58.399
<v Speaker 3>didn't go so wealth for him. And I'm a huge

0:45:58.440 --> 0:46:01.239
<v Speaker 3>pat fan, man, but to get that other song went

0:46:01.320 --> 0:46:02.520
<v Speaker 3>really well for those guys.

0:46:02.760 --> 0:46:04.480
<v Speaker 2>You better get that ship right, man.

0:46:04.880 --> 0:46:08.319
<v Speaker 1>And then so definitely it's starting to get to a

0:46:08.360 --> 0:46:11.160
<v Speaker 1>space to where like, you know, we're starting to understand

0:46:11.160 --> 0:46:13.920
<v Speaker 1>a podcast space, and I could see we're going to

0:46:14.040 --> 0:46:17.520
<v Speaker 1>really get into a much serious, a much more serious

0:46:18.360 --> 0:46:22.000
<v Speaker 1>kind of approach to this, where not only are we

0:46:22.080 --> 0:46:25.920
<v Speaker 1>making much greater you know, art as far as the

0:46:25.960 --> 0:46:30.000
<v Speaker 1>pod themselves go, but even just doing better business with

0:46:30.080 --> 0:46:33.800
<v Speaker 1>it to where people can people want to organize under

0:46:33.800 --> 0:46:37.680
<v Speaker 1>great business and they want to support great business. They

0:46:37.680 --> 0:46:39.960
<v Speaker 1>want to support something successful so they could run into

0:46:40.000 --> 0:46:42.000
<v Speaker 1>their friends that they was one of the earliest people

0:46:42.160 --> 0:46:42.440
<v Speaker 1>on it.

0:46:42.480 --> 0:46:45.400
<v Speaker 2>You know what I'm saying. That's a big thing, especially in.

0:46:46.080 --> 0:46:54.120
<v Speaker 1>My following sure, So I just I just think being there, man,

0:46:56.320 --> 0:47:00.839
<v Speaker 1>it was it was eye opening and glad you came, bro,

0:47:00.960 --> 0:47:05.120
<v Speaker 1>because like you needed to see what's going on so

0:47:05.200 --> 0:47:09.080
<v Speaker 1>you can see what's possible, you know me, Because I still,

0:47:09.080 --> 0:47:11.799
<v Speaker 1>like I said, we were so early in like we're

0:47:11.840 --> 0:47:14.040
<v Speaker 1>not even in ninety two ninety three yet of the

0:47:14.080 --> 0:47:20.360
<v Speaker 1>podcasting space. Like we're probably at like nineteen ninety maybe

0:47:20.520 --> 0:47:25.239
<v Speaker 1>ninety one if we get lucky ninety one, we're not

0:47:25.360 --> 0:47:27.680
<v Speaker 1>even to the boom of where deth Ro and bad

0:47:27.719 --> 0:47:31.320
<v Speaker 1>Boy came and really expanded the game as two brands

0:47:31.360 --> 0:47:32.000
<v Speaker 1>going crazy.

0:47:32.719 --> 0:47:38.120
<v Speaker 3>I think we're in that year where Onyx won the

0:47:38.160 --> 0:47:42.880
<v Speaker 3>Grammy instead of the Chronic where it was like that

0:47:43.120 --> 0:47:46.040
<v Speaker 3>one paradigm had just about run its course and the

0:47:46.080 --> 0:47:49.640
<v Speaker 3>other one was was just but it hadn't hit critical

0:47:49.680 --> 0:47:51.480
<v Speaker 3>mass yet enough to be appreciated.

0:47:52.200 --> 0:47:55.640
<v Speaker 2>I think a little bit before that, I think we are.

0:48:00.120 --> 0:48:04.640
<v Speaker 1>Wa loses ice Cube, but yet they're about to drop

0:48:05.280 --> 0:48:08.160
<v Speaker 1>you know, Niggas for Life and ice Cubes on the

0:48:08.280 --> 0:48:12.160
<v Speaker 1>verse of dropping kill a Wheel or America's most you

0:48:12.200 --> 0:48:14.640
<v Speaker 1>see public enemy. So this is how you think hip

0:48:14.680 --> 0:48:17.359
<v Speaker 1>hop is going to go. Like you're looking at the

0:48:17.400 --> 0:48:19.279
<v Speaker 1>pod spaces, You're like, oh, it's gonna go like this.

0:48:19.960 --> 0:48:24.520
<v Speaker 1>But you are on the eve of the Bad Boy

0:48:24.560 --> 0:48:27.680
<v Speaker 1>and the Death Row moment where they just really redefine

0:48:28.320 --> 0:48:31.800
<v Speaker 1>everything we knew about hip hop at that point and

0:48:32.640 --> 0:48:36.120
<v Speaker 1>really took hip hop into a consistent space to compete

0:48:36.160 --> 0:48:40.000
<v Speaker 1>with the greatest mediums and all of entertainment.

0:48:40.000 --> 0:48:42.600
<v Speaker 2>At that point, you know what I mean, period, they

0:48:42.760 --> 0:48:43.040
<v Speaker 2>was just.

0:48:43.040 --> 0:48:46.200
<v Speaker 1>Competing, and it went from hip hop just competing with

0:48:46.280 --> 0:48:50.880
<v Speaker 1>itself and having an occasional breakthrough to where every time

0:48:51.760 --> 0:48:54.400
<v Speaker 1>music came out from these two labels, they were competing

0:48:54.440 --> 0:48:59.720
<v Speaker 1>with every last facet of you know, the music business itself,

0:48:59.800 --> 0:49:03.479
<v Speaker 1>like Innerscope was competing with Sony, you know what I'm saying,

0:49:03.600 --> 0:49:07.960
<v Speaker 1>Like Doctor Dre Records was beating out you know, Suzanne

0:49:08.000 --> 0:49:10.440
<v Speaker 1>Summers or you know what I mean, or Share or

0:49:10.480 --> 0:49:12.440
<v Speaker 1>some shit, you know, I mean, it was a problem.

0:49:12.920 --> 0:49:15.520
<v Speaker 1>And I think we're right before that. I think we're

0:49:15.560 --> 0:49:19.800
<v Speaker 1>at that space in the podcast era where, like I said, where.

0:49:19.440 --> 0:49:24.719
<v Speaker 2>You're seeing what's around the corner. You know what I'm saying.

0:49:24.719 --> 0:49:27.200
<v Speaker 1>You don't see what's around the corner yet, but you

0:49:27.239 --> 0:49:31.959
<v Speaker 1>could feel this coming. So I'm interested it was gonna happen,

0:49:32.000 --> 0:49:35.480
<v Speaker 1>and I'm looking forward to pulling.

0:49:35.120 --> 0:49:36.040
<v Speaker 2>This shit out for real.

0:49:36.400 --> 0:49:42.680
<v Speaker 3>Absolutely good looking out for.

0:49:42.640 --> 0:49:46.640
<v Speaker 1>Tuning into The note Seller's Podcast. Please do us a favorite, subscribe, rate,

0:49:46.719 --> 0:49:49.799
<v Speaker 1>commentist share. This episode was recorded right here on the

0:49:49.840 --> 0:49:52.439
<v Speaker 1>West Coast of the USA and produced by the Black

0:49:52.440 --> 0:49:55.000
<v Speaker 1>Effect Podcast Network and Not Hard Radio.

0:49:55.520 --> 0:49:56.600
<v Speaker 2>Yeah