WEBVTT - Robert John Burke

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<v Speaker 1>Hi, my name is Robert John Burke and I played

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<v Speaker 1>Bart Bass on Gossip Girl. Welcome back, listeners to your

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<v Speaker 1>one and only source into all things gossip Grow you

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<v Speaker 1>know you love it. XO x O. Hello, Hello, and

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<v Speaker 1>welcome back to XO XO. With me Jessica's or today

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<v Speaker 1>we have quite the treat. The famous Bart Bass, also

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<v Speaker 1>known as Robert John Burke, is on the podcast. Now.

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<v Speaker 1>We all know Bart was not the best dad, proving

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<v Speaker 1>many times that you can't just buy a father of

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<v Speaker 1>the Year award. But Robert could not be further from

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<v Speaker 1>his character. I am telling you he's kind, humble, and

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<v Speaker 1>self described more of a rufus. This was such a

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<v Speaker 1>fun conversation. Robert and I talked about playing a character

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<v Speaker 1>so different from himself, working with Kelly Rutherford and Ed Westwick,

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<v Speaker 1>funny fan interactions, and of course what it was like

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<v Speaker 1>to die, come back to life and die again. Supposedly

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<v Speaker 1>you never really know with Bart. Here's Robert, now, can

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<v Speaker 1>you hear me? I can hear you, I can hear you.

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<v Speaker 1>I'm just really bad with technology. I just don't get it.

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<v Speaker 1>I would wear it as a badge of honor, just

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<v Speaker 1>I mean, it's just nuts. And it's so funny because

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<v Speaker 1>now in this day and age, you feel like everything's

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<v Speaker 1>at a click of a button and it should be easy,

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<v Speaker 1>but there's always like fifteen buttons to that one to

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<v Speaker 1>make it work, and I'm like, it's too much for me.

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<v Speaker 1>So I was just on the phone with my twenty

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<v Speaker 1>year old sons, one of whom took my Mac to

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<v Speaker 1>the city today, and I'm like, dude, how do I

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<v Speaker 1>do so unless I have those guys around, like my

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<v Speaker 1>little tech men? Yeah. No, technology is certainly not making

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<v Speaker 1>our lives easier. It's just promoting more stress. But that's okay.

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<v Speaker 1>We're here. I can hear you, Yes, I can hear you.

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<v Speaker 1>I'm excited to hear that very specific and beautiful voice

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<v Speaker 1>of yours. Yeah, it's been so long. I mean lately,

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<v Speaker 1>I've been seeing your face so much because I'm doing

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<v Speaker 1>these rewatches, which have been quite interesting and fun and

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<v Speaker 1>very wild to me because I just didn't I knew

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<v Speaker 1>what we were doing, but I also really didn't. I'm

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<v Speaker 1>on that same line. Yes, yeah, So wait, how old

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<v Speaker 1>are your kids now? Because that age twenty is like

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<v Speaker 1>very much what people still are very like dialed into

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<v Speaker 1>the to the show. Yeah, there's a whole new generation

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<v Speaker 1>I think dialed in. My oldest is twenty eight and

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<v Speaker 1>my youngest is twenty two. Amazing. That's fun. Yeah, when

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<v Speaker 1>my when my oldest was in high school, the show

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<v Speaker 1>was on and that brought him. You know. He's like,

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<v Speaker 1>he said to me one day, He's like, do you

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<v Speaker 1>really have to be on that show? And I was like,

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<v Speaker 1>what's the problem And he's like, I don't know. I

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<v Speaker 1>just you know, I said, Oh, are you getting scrutiny

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<v Speaker 1>or you getting He's like yeah, And I was like, dude,

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<v Speaker 1>if my father was on television, I wouldn't have a

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<v Speaker 1>problem with that, But apparently he's a very like low

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<v Speaker 1>key guy, and uh he did not, Like, you know,

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<v Speaker 1>you don't want anybody, I don't know if you're looking

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<v Speaker 1>into your life in a certain way, especially when it's

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<v Speaker 1>maybe a parent. But also like, this show wasn't just

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<v Speaker 1>like a show where your dad's on TV. You were

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<v Speaker 1>playing Chuck Bass's dad, Bart Bass, that's very flashy, very

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<v Speaker 1>well known, and everyone was very obsessed with that family.

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<v Speaker 1>So it was a very like big moment for you know, Yeah,

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<v Speaker 1>it was. And so you know, I've uh subsequently found

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<v Speaker 1>that you know, it's like there's a new generation of

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<v Speaker 1>people turning onto the show, and certainly with the pandemic,

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<v Speaker 1>people were watching and binging and so yeah, renewed interest

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<v Speaker 1>and uh and I think it holds up actually the truth.

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<v Speaker 1>So yeah, we keep finding that and each like each

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<v Speaker 1>of these rewatches and going back and watching, we're like, Wow,

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<v Speaker 1>there's just certain things where it was ahead of its

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<v Speaker 1>time or a lot of storylines that people can relate

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<v Speaker 1>to even outside of it being in this like flashy

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<v Speaker 1>gossip Girl Upper east Side world. But I'm gonna introduce

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<v Speaker 1>you quick, even though everyone on that the listening definitely

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<v Speaker 1>knows your voice and your name and who you who

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<v Speaker 1>you are, but just and because I'm just so excited

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<v Speaker 1>that you're here. We have Robert John Burke, who played

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<v Speaker 1>the amazing Bart Bass, this super rich, sometimes a villain,

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<v Speaker 1>but always complex Bart Bass on Gossip Girl. You've been

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<v Speaker 1>in television and film for over forty years, starring in

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<v Speaker 1>classic shows and movies and just been around in a

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<v Speaker 1>familiar face to so many people, and so many people

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<v Speaker 1>are such a big fans of your work on from

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<v Speaker 1>from a show like Gossip Girl or Tombstone to Good

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<v Speaker 1>Night and good luck shows like Rescue Me. So what

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<v Speaker 1>was your to acting? Why did you want to pursue

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<v Speaker 1>It's just kind of a weird uh stumbling into it. Um,

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<v Speaker 1>I wasn't much of a student in high school. I

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<v Speaker 1>wasn't really passionate about anything, you know. I wasn't a

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<v Speaker 1>good student history and English, yes, math and science is bad.

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<v Speaker 1>And then we there was this experimental improvisation class in

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<v Speaker 1>my high school. Um d Falco was like two years

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<v Speaker 1>younger than me, and she was in the class with me,

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<v Speaker 1>and so I kind of liked that. I kind of

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<v Speaker 1>responded to that. And then I I auditioned for scholarships

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<v Speaker 1>at different places and and I just oh, rather than

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<v Speaker 1>go to my senior year of high school, I travel

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<v Speaker 1>the country with this larked regional theater. And they couldn't

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<v Speaker 1>pay me because I was a student, but they gave me.

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<v Speaker 1>In seventy seven, they gave me a hundred and fifty

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<v Speaker 1>dollars in cash a day to eat with. That was

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<v Speaker 1>my per diem. And I was like, I couldn't. I

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<v Speaker 1>couldn't eat ten dollars worth the food, you know, a day.

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<v Speaker 1>So I came home with all this yea, and my

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<v Speaker 1>dad all my sisters and brothers were in medicine. He said,

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<v Speaker 1>what are you going to do? And I said, I'm

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<v Speaker 1>going to be an actor, and and the three famous

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<v Speaker 1>words where he said to me, he goes, A fucking

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<v Speaker 1>what And I said an actor and he goes, we

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<v Speaker 1>don't do that. We don't even know anybody who does that.

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<v Speaker 1>I said, well, I'm gonna try. He said, can you

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<v Speaker 1>go to school for that? And I said yes, And

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<v Speaker 1>I went to a couple of different colleges, but then

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<v Speaker 1>I settled at Sunni Purchase, which had a really strong

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<v Speaker 1>acting conservatory, and yes, I graduated from there. And then

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<v Speaker 1>I actually took five years away from acting. I was

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<v Speaker 1>a contractor. I was school teacher. That's incredible. I didn't

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<v Speaker 1>know you were a school teacher. I knew about being

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<v Speaker 1>a firefighter. Well, no, that came later. I was a

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<v Speaker 1>security guy at a club called Nels years ago. And

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<v Speaker 1>so then a guy I went to college with named

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<v Speaker 1>Hal Hartley. He was doing independent films. He was going

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<v Speaker 1>to shoot his first and he said, would you like to,

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<v Speaker 1>you know, do the lead? And I was like, yeah, sure.

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<v Speaker 1>I was built being a deck down on the battery

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<v Speaker 1>for a client. And I said, how long is this

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<v Speaker 1>going to take? You said eleven days. I was like, oh,

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<v Speaker 1>you know, that's a long time. So we did it

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<v Speaker 1>and then Mirramax bought it and I went on a

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<v Speaker 1>publicity thing and that was thirty six years ago. So

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<v Speaker 1>I've been really lucky just in terms of swimming in

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<v Speaker 1>the middle in my career and always working, you know,

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<v Speaker 1>and I like the autonomy of being able to do

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<v Speaker 1>what I want. You know. It's like, you can't play

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<v Speaker 1>a cyborg robot. Sure I can, you know, or you

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<v Speaker 1>can't play. So nobody really cared what I did, which

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<v Speaker 1>was fun because I got to do different things. But

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<v Speaker 1>that's also why they really did care because you know, yeah,

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<v Speaker 1>I guess because I'm meaning how talented you are. Well, No,

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<v Speaker 1>I've been, like I said, lucky. I think my luck

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<v Speaker 1>is the residue of just preparation, you know, just being

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<v Speaker 1>super prepared. That goes back to the conservatory training, never

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<v Speaker 1>being late, trying to be early, even for technical things

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<v Speaker 1>like this, which inevitably screw up on my end. It

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<v Speaker 1>was like, how do I know you were good? Because

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<v Speaker 1>trust me, you were fine. So yeah, that's how I

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<v Speaker 1>fell and I kind of just fell into it. I

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<v Speaker 1>was supposed to be a police officer. My parents were

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<v Speaker 1>both from Ireland. We were raised in Washington Heights in Manhattan.

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<v Speaker 1>So if you were like first generation Irish, like being

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<v Speaker 1>a firefighter wasn't even held up to you. Just you're

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<v Speaker 1>gonna You're gonna be a police officer and that's all

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<v Speaker 1>there is to it. And I was like, okay, so

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<v Speaker 1>I avoided that. I play a lot of police officers.

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<v Speaker 1>But yeah, I was lucky. I was lucky to be

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<v Speaker 1>an artist. I was lucky. Just so. I love your

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<v Speaker 1>whole story and and like how you fell into it

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<v Speaker 1>or got into it, or how you it became a

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<v Speaker 1>passion of yours in a way, and how you did

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<v Speaker 1>all these other jobs that you know, probably you learned

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<v Speaker 1>so much from as an actor, but are also really

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<v Speaker 1>great in life. You know. Yeah, I mean to be

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<v Speaker 1>a firefighter. And the firefighter came in in two thousand

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<v Speaker 1>and two. My best friend was a fire captain in

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<v Speaker 1>the city who fell one and that really hurt me.

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<v Speaker 1>That hurt everybody, obviously on a geopolitical scale. So I

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<v Speaker 1>thought to myself, what can I do, Like, what can

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<v Speaker 1>I do a p I'm not doing something bullshitty, And

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<v Speaker 1>you know, signing a check and saying that I'm going

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<v Speaker 1>to do something. I'm going to dedicate my life to

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<v Speaker 1>his memory. And that's what I did. I took you know,

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<v Speaker 1>in the volunteer Fire Service seventy percent. I think of

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<v Speaker 1>the country's volunteer and after nine eleven, you know, Osha, them,

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<v Speaker 1>Homeland Security, everybody piled on with all the certification and

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<v Speaker 1>so you know, gone where the days when old Jimmy

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<v Speaker 1>will show you what to do. And we have a

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<v Speaker 1>tremendous academy here in Suffo County, Long Island. The instructors

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<v Speaker 1>are all f D and Y guys, so you're getting

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<v Speaker 1>great instruction and it's a passion. That's another passion that

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<v Speaker 1>is so incredible though, Robert, I never thought I would

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<v Speaker 1>have the opportunity to do this, and I've been doing

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<v Speaker 1>it for twenty years now, so it's been great. That

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<v Speaker 1>is beautiful. Yeah, I'm like, wow, I need to do

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<v Speaker 1>are just volunteer and you just yeah, did you have

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<v Speaker 1>a new little one? I do. I have a little

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<v Speaker 1>little baby girl eighteen months. Congratulations a little Well, it's

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<v Speaker 1>a life changing, amazing enough. Well thanks for two years. Yeah, yeah, wow,

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<v Speaker 1>I know, it's it's so life changing and amazing. And

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<v Speaker 1>that's also kind of why I decided to do this

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<v Speaker 1>this podcast one, because the fans were so good and really,

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<v Speaker 1>you know, love this show so much and gave so

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<v Speaker 1>much support to us to the way they responded and

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<v Speaker 1>acted to it. And I had a new baby and

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<v Speaker 1>I was like, maybe I can do this with this

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<v Speaker 1>production team and my heart and still be able to

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<v Speaker 1>be by my baby girl instead of road so much

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<v Speaker 1>with her. But yeah, so this ended up working out.

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<v Speaker 1>But I think it's wild when you're talking about all

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<v Speaker 1>these You played police officers a lot, and you know

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<v Speaker 1>your firefighter, and then on Gossip Girl you play this

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<v Speaker 1>millionaire this you know and I have a We had

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<v Speaker 1>a lot of people right in asking did Robert model

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<v Speaker 1>Bart bass on any real life millionaire or ceo. No,

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<v Speaker 1>I'm gonna be very candid and say that I had

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<v Speaker 1>trouble playing that character. Of all the characters I've ever played,

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<v Speaker 1>I had the most trouble playing him. And the only

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<v Speaker 1>reason was because I kind of my upbringing in our

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<v Speaker 1>lives when I was young was so modest. Okay, like

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<v Speaker 1>what would I say modest? Like we didn't have a

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<v Speaker 1>lot of money, I mean modest and so there was

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<v Speaker 1>some part of me as an artist that just didn't

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<v Speaker 1>buy me as a billionaire, you know what I mean?

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<v Speaker 1>And no, I don't know, because you did such a

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<v Speaker 1>good job, like maybe he was insecure. Maybe Bart was.

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<v Speaker 1>I mean, guys who have that much money and really

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<v Speaker 1>need to um. There's an old saying he was an

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<v Speaker 1>ego maniac with an inferiority complex. You know, there's that

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<v Speaker 1>conflict always inside. But you know, I would have done

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<v Speaker 1>a lot differently, I think now when I look back

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<v Speaker 1>at hindsight, what do you mean though? You know, oh gosh,

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<v Speaker 1>I'm not going to be speaking or or bemoaned or anything.

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<v Speaker 1>But I just sometimes I look at some of the performances,

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<v Speaker 1>I said, well, why were you doing that? You should

0:12:14.559 --> 0:12:16.760
<v Speaker 1>have just done nothing. You should have just like you

0:12:16.800 --> 0:12:18.560
<v Speaker 1>were pushing or you know what I mean. I just

0:12:18.800 --> 0:12:22.360
<v Speaker 1>I don't know. I never had a full comfortable sense

0:12:22.960 --> 0:12:25.440
<v Speaker 1>of the carrot. Well, no that's not true. That's overstating it.

0:12:25.520 --> 0:12:27.800
<v Speaker 1>But I could have been more comfortable playing him. I

0:12:28.160 --> 0:12:31.280
<v Speaker 1>was uncomfortable. I don't know. It's hard to say. I

0:12:31.280 --> 0:12:34.600
<v Speaker 1>find that so interesting though, because it came across to

0:12:34.720 --> 0:12:37.240
<v Speaker 1>so many people. Anyone that watches it this, you know,

0:12:37.480 --> 0:12:39.920
<v Speaker 1>to me, you were that millionaire that's CEO. And when

0:12:40.000 --> 0:12:42.720
<v Speaker 1>people were writing in to ask that question, like did

0:12:42.720 --> 0:12:44.559
<v Speaker 1>he base anyone off of I didn't. I wasn't sure

0:12:44.559 --> 0:12:47.320
<v Speaker 1>because I'm like, he might have went and dug super

0:12:47.360 --> 0:12:50.480
<v Speaker 1>deep into some CEO you know that we all know of,

0:12:50.600 --> 0:12:52.680
<v Speaker 1>because you just played it so well, the way you

0:12:52.720 --> 0:12:56.640
<v Speaker 1>wore the suit, the way you talked. There was one guy, um, actually,

0:12:56.679 --> 0:13:00.240
<v Speaker 1>Ian Schrager. He's an hotel here and at restaurant tour

0:13:00.240 --> 0:13:03.200
<v Speaker 1>and I watched him once in a restaurant and just

0:13:03.280 --> 0:13:06.520
<v Speaker 1>the way he held himself and looked I thought, oh,

0:13:06.640 --> 0:13:09.520
<v Speaker 1>oh yeah, people work for that dude. And he was

0:13:09.600 --> 0:13:13.520
<v Speaker 1>very relaxed and very graceful. I should say, Um, twice

0:13:14.040 --> 0:13:16.520
<v Speaker 1>I was in an elevator where someone drunk got in

0:13:16.640 --> 0:13:20.240
<v Speaker 1>and said to me, Mr Schrager, I worked for you once,

0:13:20.280 --> 0:13:24.240
<v Speaker 1>and it's like, I'm the guys like fifteen years older,

0:13:24.320 --> 0:13:26.160
<v Speaker 1>but him, I did. Yeah. I thought he had like

0:13:26.200 --> 0:13:28.959
<v Speaker 1>a kind of an elan and you know, just this

0:13:29.600 --> 0:13:34.880
<v Speaker 1>like a masterful kind of poiser. So no, nobody specifically,

0:13:35.200 --> 0:13:39.439
<v Speaker 1>nobody specifically, right, Yeah, I just I felt like that.

0:13:39.480 --> 0:13:44.319
<v Speaker 1>And even your relationship with Chuck and how that affects,

0:13:44.600 --> 0:13:48.200
<v Speaker 1>you know, Chuck's how he interacts with people and his

0:13:48.320 --> 0:13:52.000
<v Speaker 1>behavior and his kind of like insecurities and things like that.

0:13:52.040 --> 0:13:55.600
<v Speaker 1>I feel like, we're so he did such a great

0:13:55.679 --> 0:13:58.600
<v Speaker 1>job playing Chuck, but I think it was played off

0:13:58.679 --> 0:14:01.120
<v Speaker 1>of how you brought part to life and such a

0:14:01.720 --> 0:14:05.680
<v Speaker 1>in such a way that it was bleeding into Chuck's storylines.

0:14:05.720 --> 0:14:08.600
<v Speaker 1>And we used to laugh when they yell cut. You know,

0:14:08.679 --> 0:14:13.000
<v Speaker 1>I'd say something really like really hurtful to him and

0:14:13.000 --> 0:14:15.160
<v Speaker 1>and he'd teld me to go, you know, f off,

0:14:15.200 --> 0:14:19.800
<v Speaker 1>and they'd say cut, and we just start laughing, and

0:14:19.800 --> 0:14:24.320
<v Speaker 1>it would be like fucking bost at Jesus uh, because

0:14:24.600 --> 0:14:26.960
<v Speaker 1>what we're doing is we're commenting on the writing and

0:14:27.000 --> 0:14:31.640
<v Speaker 1>how hurtful and how destructive and how dysfunctional, and of

0:14:31.680 --> 0:14:33.720
<v Speaker 1>course Chuck's the way he is, you know what I mean.

0:14:34.360 --> 0:14:37.440
<v Speaker 1>I mean it was just so it was deep and

0:14:37.440 --> 0:14:39.640
<v Speaker 1>it was there was definitely dark moments where I was like,

0:14:39.680 --> 0:14:42.360
<v Speaker 1>that's like hard. And I do feel like there's layers

0:14:42.440 --> 0:14:46.200
<v Speaker 1>of that relationship of it kind of shows where it's like, okay,

0:14:46.280 --> 0:14:49.000
<v Speaker 1>they they this kid drives a limo and can you

0:14:49.040 --> 0:14:51.960
<v Speaker 1>know they have a private investigator on speed dial. I

0:14:52.000 --> 0:14:55.400
<v Speaker 1>mean that's wild. Yeah, but that's the way those guys operate.

0:14:55.480 --> 0:14:58.640
<v Speaker 1>I mean there's family fixers and you know, uh, we

0:14:58.760 --> 0:15:00.680
<v Speaker 1>clean up the mess and me it ly and we

0:15:00.800 --> 0:15:03.000
<v Speaker 1>pay very handsomely for it. So a lot of that

0:15:03.120 --> 0:15:07.000
<v Speaker 1>running true, especially in um oh Brother where Bart though.

0:15:07.480 --> 0:15:10.480
<v Speaker 1>I think he had that fixer, Yeah, Andrew Tyler. I

0:15:10.520 --> 0:15:12.760
<v Speaker 1>think his name was, I can't remember his name. Yeah

0:15:12.760 --> 0:15:14.720
<v Speaker 1>he was yeah, yeah, I think he was your p

0:15:14.840 --> 0:15:16.720
<v Speaker 1>I and that's yeah. And then Ed tried to go

0:15:16.920 --> 0:15:18.640
<v Speaker 1>or Chuck tried to go by him to say, hey,

0:15:18.680 --> 0:15:21.440
<v Speaker 1>what what did my what did my dad want from you?

0:15:21.640 --> 0:15:23.640
<v Speaker 1>Before he got in the car to go get Lily.

0:15:23.840 --> 0:15:26.440
<v Speaker 1>And even the fixer for a price gives up the

0:15:26.640 --> 0:15:30.800
<v Speaker 1>you know, it's like everything, everything is mercenary, everything is capitalistic,

0:15:31.200 --> 0:15:33.880
<v Speaker 1>you know, and every man for himself. So I think

0:15:34.160 --> 0:15:36.960
<v Speaker 1>Chuck gets what he wants, and the fixer guy he

0:15:37.000 --> 0:15:40.280
<v Speaker 1>gets the money. And but yeah, Chuck, uh, Ed had

0:15:40.400 --> 0:15:43.800
<v Speaker 1>his work cut out for him, just in terms of yeah,

0:15:43.840 --> 0:15:47.720
<v Speaker 1>in general, in general, his mother dies early, his father

0:15:47.880 --> 0:15:51.320
<v Speaker 1>kind of blames him for it, and yeah, always in

0:15:51.360 --> 0:15:54.320
<v Speaker 1>the father's shadow, you when you contemplate that, of course

0:15:54.320 --> 0:15:56.120
<v Speaker 1>he's going to be kind of a mess trying to

0:15:56.160 --> 0:15:59.120
<v Speaker 1>struggle and scratch his way out of that. Yeah, but

0:15:59.280 --> 0:16:02.520
<v Speaker 1>Ed did great and was it was like so compelling.

0:16:03.000 --> 0:16:07.040
<v Speaker 1>You know, he had this this smoldering like he's going

0:16:07.080 --> 0:16:10.160
<v Speaker 1>to explode him it. Yeah, he was. He was terrific

0:16:10.440 --> 0:16:13.880
<v Speaker 1>and then you know, with an American accent and you'd

0:16:14.000 --> 0:16:16.080
<v Speaker 1>all cut and then he'd have this British accent. I

0:16:16.160 --> 0:16:19.760
<v Speaker 1>thought he just did a terrific job at all times,

0:16:19.840 --> 0:16:25.120
<v Speaker 1>you know, I agree absolutely, And and his there's almost

0:16:25.240 --> 0:16:28.720
<v Speaker 1>like there's a humor in his and Blair's storyline too,

0:16:28.800 --> 0:16:31.880
<v Speaker 1>because they're like so ridiculous with each other, but yet

0:16:32.280 --> 0:16:35.280
<v Speaker 1>you want them together so badly, and there's something to

0:16:35.320 --> 0:16:39.080
<v Speaker 1>be said to now even talking to you, like he

0:16:39.160 --> 0:16:41.880
<v Speaker 1>has this girl in front of him that loves him

0:16:42.000 --> 0:16:43.680
<v Speaker 1>so much and they don't want to say it to

0:16:43.720 --> 0:16:45.680
<v Speaker 1>each other, and then she kind of finally does. But

0:16:45.720 --> 0:16:48.600
<v Speaker 1>he needs to pull away, like he he doesn't want

0:16:48.680 --> 0:16:52.200
<v Speaker 1>to put all of his walls down and be vulnerable.

0:16:52.760 --> 0:16:55.760
<v Speaker 1>And you can't blame him because of you know, him

0:16:55.800 --> 0:16:58.360
<v Speaker 1>thinking it was his fault that his mom died. Now

0:16:58.520 --> 0:17:01.680
<v Speaker 1>his you know, right right around now in these rewatches,

0:17:02.200 --> 0:17:05.520
<v Speaker 1>now his dad died and he's you know, blaming Lily,

0:17:05.680 --> 0:17:09.560
<v Speaker 1>blaming Dan, blaming everyone. And you know it's something that CC,

0:17:09.680 --> 0:17:13.040
<v Speaker 1>the grandmother says at the funeral. It's okay for him

0:17:13.080 --> 0:17:14.680
<v Speaker 1>to feel any type of way today. I mean, he

0:17:14.760 --> 0:17:16.800
<v Speaker 1>just lost his dad. But let me ask you this,

0:17:16.920 --> 0:17:20.040
<v Speaker 1>what did you know, like early on that this was

0:17:20.160 --> 0:17:22.800
<v Speaker 1>going to happen or was this all of a sudden

0:17:22.840 --> 0:17:25.320
<v Speaker 1>You got a script and you're like, oh, Bart's getting

0:17:25.320 --> 0:17:28.760
<v Speaker 1>in an accident. Joe Lazarov came up to me because

0:17:28.840 --> 0:17:32.920
<v Speaker 1>I got a minute. It's like yeah, So no, they

0:17:32.960 --> 0:17:35.159
<v Speaker 1>came to me. I've had over the years, like in

0:17:35.280 --> 0:17:37.520
<v Speaker 1>different shows, people call me and say, did you get

0:17:37.560 --> 0:17:39.720
<v Speaker 1>to page thirty five? I get hit by a bus

0:17:39.720 --> 0:17:42.160
<v Speaker 1>and I'm like, well, you're nobody on this show unless

0:17:42.200 --> 0:17:44.159
<v Speaker 1>you come back as a ghost. Okay, you know what

0:17:44.200 --> 0:17:47.639
<v Speaker 1>I mean, Like, uh, but yeah, Joe, Joe, one of

0:17:47.640 --> 0:17:52.120
<v Speaker 1>the producers, Joe Lazarov, beautiful guy, came up to me, go, um,

0:17:52.160 --> 0:17:56.159
<v Speaker 1>you're gonna die. It's like okay, So I said, you know,

0:17:56.359 --> 0:18:00.200
<v Speaker 1>gracefully and yeah um and he said yes, and are

0:18:00.200 --> 0:18:02.600
<v Speaker 1>you okay with that? And I said, uh, you know,

0:18:02.680 --> 0:18:05.600
<v Speaker 1>as my wife would say, write your own show. I said,

0:18:05.640 --> 0:18:07.639
<v Speaker 1>I have to be okay with that. I've had fun.

0:18:08.320 --> 0:18:10.680
<v Speaker 1>I was doing two other shows at the time, or

0:18:10.800 --> 0:18:14.119
<v Speaker 1>three even um and I would do this kind of triangle,

0:18:14.600 --> 0:18:16.119
<v Speaker 1>you know, go from one show to the other, and

0:18:16.160 --> 0:18:19.920
<v Speaker 1>it kept life interesting and kept art interesting. But he said,

0:18:19.960 --> 0:18:22.320
<v Speaker 1>but we don't know if you really did. And I

0:18:22.440 --> 0:18:25.640
<v Speaker 1>was like, okay, you know, like when you figure that out,

0:18:25.800 --> 0:18:28.760
<v Speaker 1>let me know. And then he obviously came back and

0:18:28.800 --> 0:18:31.879
<v Speaker 1>had faked his death and and all that. But yeah, No,

0:18:32.160 --> 0:18:36.439
<v Speaker 1>they were very forthcoming. When I was killed that time

0:18:36.880 --> 0:18:40.040
<v Speaker 1>or what was it, died in a car accident, I think, yeah,

0:18:40.119 --> 0:18:43.080
<v Speaker 1>so they production and the producer did come to me

0:18:43.119 --> 0:18:44.919
<v Speaker 1>and tell him, tell me what was going to happen.

0:18:45.520 --> 0:19:01.840
<v Speaker 1>So I did know when you were first becoming Bart,

0:19:01.880 --> 0:19:04.520
<v Speaker 1>like in the very you know, when Barts first introduced

0:19:04.520 --> 0:19:06.560
<v Speaker 1>and you were meeting with Eric Damon and things like that,

0:19:06.840 --> 0:19:10.560
<v Speaker 1>did you right away because everyone is so obsessed and

0:19:10.600 --> 0:19:14.240
<v Speaker 1>like so grateful for how talented Eric was to you know,

0:19:14.520 --> 0:19:17.040
<v Speaker 1>put all of our costumes and stuff together. Did you

0:19:17.160 --> 0:19:20.280
<v Speaker 1>right away feel like everything that was pulled for for

0:19:20.440 --> 0:19:23.960
<v Speaker 1>Bart was just right on point because he looks so elegant,

0:19:24.160 --> 0:19:29.359
<v Speaker 1>so ceo, millionaire, billionaire, handsome. I think Eric would agree

0:19:29.359 --> 0:19:32.960
<v Speaker 1>that I had really good wardrobe, karma stuff fit. It

0:19:33.040 --> 0:19:35.680
<v Speaker 1>was his palette and and he say, what do you think?

0:19:35.720 --> 0:19:41.920
<v Speaker 1>And I usually agree. He is a master. He was

0:19:41.960 --> 0:19:44.600
<v Speaker 1>a complete artist. I would not want to have had

0:19:44.720 --> 0:19:47.960
<v Speaker 1>his job on this show. No, No, I mean I

0:19:48.000 --> 0:19:50.840
<v Speaker 1>show up with my one or two choices, you know,

0:19:50.960 --> 0:19:53.600
<v Speaker 1>in terms of my acting, but he has to have

0:19:54.119 --> 0:19:57.439
<v Speaker 1>you know, endless, endless. But he was terrific. He was

0:19:57.520 --> 0:20:01.119
<v Speaker 1>just effortless options and yeah, just he was terrific. And

0:20:01.160 --> 0:20:03.800
<v Speaker 1>he did. Everyone looked so so different. I mean, I

0:20:03.840 --> 0:20:06.399
<v Speaker 1>know that's part of it because it's all different characters,

0:20:06.400 --> 0:20:08.600
<v Speaker 1>but not really like in a show like this, a

0:20:08.600 --> 0:20:13.000
<v Speaker 1>lot of people could have, you know, had similar styles.

0:20:13.080 --> 0:20:15.720
<v Speaker 1>This everyone was very different, you know it it was,

0:20:15.800 --> 0:20:18.120
<v Speaker 1>and I think it helped everyone bring their their characters.

0:20:18.240 --> 0:20:22.240
<v Speaker 1>And I never, I don't remember ever seeing something where

0:20:22.280 --> 0:20:28.440
<v Speaker 1>you say to yourself, ridiculous doesn't work. Never, either it

0:20:28.520 --> 0:20:31.679
<v Speaker 1>was the actor or actress who was selling it and

0:20:31.720 --> 0:20:34.800
<v Speaker 1>making it work beautifully because of their character or but

0:20:34.880 --> 0:20:39.320
<v Speaker 1>I don't recall anybody whereas you know, you sit there

0:20:39.359 --> 0:20:42.199
<v Speaker 1>as a as a a fan or just watching go

0:20:42.320 --> 0:20:45.719
<v Speaker 1>Up does totally doesn't work totally. It never not worked.

0:20:45.920 --> 0:20:49.760
<v Speaker 1>I mean, no matter who showed up wearing what, it

0:20:49.840 --> 0:20:53.240
<v Speaker 1>looked great. I always thought, so that was Eric's artistry.

0:20:53.240 --> 0:20:56.000
<v Speaker 1>I think I thought it was so great. Did you

0:20:56.040 --> 0:20:57.879
<v Speaker 1>like filming in New York? I mean, I know you

0:20:57.960 --> 0:21:01.320
<v Speaker 1>had before, and oh yeah, you learn that's I was.

0:21:01.880 --> 0:21:04.000
<v Speaker 1>I was the local. I mean I loved it. I

0:21:04.040 --> 0:21:06.240
<v Speaker 1>could come home, I could coach basketball, I could coach

0:21:06.320 --> 0:21:08.960
<v Speaker 1>little league. I loved it. It was a ten amount

0:21:09.000 --> 0:21:12.199
<v Speaker 1>to nine to five. We shot at the Palace Hotel

0:21:12.240 --> 0:21:15.159
<v Speaker 1>a lot, and I remember that time he brought me

0:21:15.240 --> 0:21:17.280
<v Speaker 1>up to this room at the top. It was, you know,

0:21:17.920 --> 0:21:21.600
<v Speaker 1>a guest lounge that no one ever used, that had

0:21:21.640 --> 0:21:28.800
<v Speaker 1>its own chef and its own barista. And this was

0:21:28.880 --> 0:21:32.880
<v Speaker 1>for the hotel. And and the owner of the hotel said, so,

0:21:33.040 --> 0:21:35.399
<v Speaker 1>you're the actor playing the owner of the hotel. I

0:21:35.400 --> 0:21:37.919
<v Speaker 1>said yes, And he jokingly handed me a bunch of

0:21:37.920 --> 0:21:39.880
<v Speaker 1>his cards, and he's like, I'm leaving for an hour.

0:21:40.160 --> 0:21:43.439
<v Speaker 1>You know you're you're in charge. So one time his

0:21:43.520 --> 0:21:45.760
<v Speaker 1>assistant came to me and said, Ms. Burkan said, would

0:21:45.760 --> 0:21:47.879
<v Speaker 1>you like to just relax up? I said yeah, I

0:21:47.880 --> 0:21:49.240
<v Speaker 1>didn't know where I was going. And he brought me

0:21:49.280 --> 0:21:52.960
<v Speaker 1>to this lounge and you know, big buffet and overlooking

0:21:52.960 --> 0:21:55.119
<v Speaker 1>the city, and I was up there. I was up

0:21:55.160 --> 0:21:57.960
<v Speaker 1>there for like, I don't know, three or four months.

0:21:58.280 --> 0:22:03.080
<v Speaker 1>And then one day Chase and Ed come happening into

0:22:03.119 --> 0:22:05.600
<v Speaker 1>the room where they're like, you fuck when you've been

0:22:05.680 --> 0:22:08.480
<v Speaker 1>up here the whole star And I was like, oh, dude,

0:22:08.520 --> 0:22:10.920
<v Speaker 1>you know what's up. We're sitting down in our trailers.

0:22:11.119 --> 0:22:13.239
<v Speaker 1>You know what's going on. I was like, yeah, you know,

0:22:13.400 --> 0:22:15.760
<v Speaker 1>you just punched two two two four and today, yeah,

0:22:15.760 --> 0:22:18.800
<v Speaker 1>you'll be and we were laughing, and then you know,

0:22:18.960 --> 0:22:21.600
<v Speaker 1>the secret was at So that was only when we

0:22:21.600 --> 0:22:24.520
<v Speaker 1>were on location at the Palace Hotel. But it was fun.

0:22:24.560 --> 0:22:27.640
<v Speaker 1>It's always fun to to shoot in New York. Albeit

0:22:28.040 --> 0:22:30.399
<v Speaker 1>there were the young kids who would show up on

0:22:30.440 --> 0:22:33.400
<v Speaker 1>the set and that was daunting, I think sometimes for production.

0:22:33.560 --> 0:22:37.320
<v Speaker 1>And I remember one time it was either Chase or

0:22:37.359 --> 0:22:40.879
<v Speaker 1>Red or pen and something. They opened their camper door

0:22:41.760 --> 0:22:45.320
<v Speaker 1>and the kids who were outside let out this shriek

0:22:45.520 --> 0:22:48.479
<v Speaker 1>that was allah, you know, the Beatles kind of shriek.

0:22:49.240 --> 0:22:51.520
<v Speaker 1>And I was like, oh, that's what that sounds like,

0:22:51.600 --> 0:22:54.720
<v Speaker 1>you know, in real life. And so, you know, another

0:22:54.760 --> 0:22:56.560
<v Speaker 1>aspect of shooting in New York and the fact that

0:22:56.600 --> 0:22:59.960
<v Speaker 1>they were using social media to say hey, gossip or

0:23:00.080 --> 0:23:03.480
<v Speaker 1>shooting on you seven and second or wherever we were

0:23:03.480 --> 0:23:06.640
<v Speaker 1>at the time, and we'd skip around down to Soho,

0:23:06.840 --> 0:23:10.160
<v Speaker 1>Upper East, Upper West, you know, the museums. It was fun,

0:23:10.359 --> 0:23:12.760
<v Speaker 1>it was it was fun. Yeah, I learned. I mean

0:23:13.080 --> 0:23:16.680
<v Speaker 1>it became like my favorite city. But I also was like,

0:23:17.280 --> 0:23:19.720
<v Speaker 1>before I ever did the show, I wasn't well traveled.

0:23:19.760 --> 0:23:22.880
<v Speaker 1>I didn't have the money to to travel. So when

0:23:22.960 --> 0:23:25.280
<v Speaker 1>people would be like, oh my god, New York is

0:23:25.320 --> 0:23:27.320
<v Speaker 1>just it's the best city in the world. There's something

0:23:27.400 --> 0:23:31.560
<v Speaker 1>so special and magical and the energy, I'd be like, okay, cool. Yeah.

0:23:31.720 --> 0:23:33.800
<v Speaker 1>And then when we got to do this show, I

0:23:33.920 --> 0:23:36.159
<v Speaker 1>and then I got to travel more. I got it

0:23:36.160 --> 0:23:38.320
<v Speaker 1>when we were there, I'm like, wow, this really is something.

0:23:38.440 --> 0:23:41.600
<v Speaker 1>There's something very special here. But then when I went

0:23:41.720 --> 0:23:44.360
<v Speaker 1>to other cities around the world that were also beautiful

0:23:44.359 --> 0:23:47.119
<v Speaker 1>in their own way and special, they didn't have this

0:23:47.280 --> 0:23:49.760
<v Speaker 1>energy that New York has. There's something very different about

0:23:49.760 --> 0:23:52.040
<v Speaker 1>New York. And then I understood it that one day

0:23:52.040 --> 0:23:53.560
<v Speaker 1>I'm like I was in Europe and I'm like, Okay,

0:23:53.600 --> 0:23:55.879
<v Speaker 1>this is awesome and beautiful in its own way. But

0:23:55.960 --> 0:23:59.800
<v Speaker 1>now I completely understand the hundreds of people that told

0:23:59.800 --> 0:24:04.160
<v Speaker 1>me New York is its own thing. You're exactly right,

0:24:04.480 --> 0:24:06.840
<v Speaker 1>And I feel the exact same way no matter where

0:24:06.880 --> 0:24:09.359
<v Speaker 1>you go. And we were lucky too, because this was

0:24:09.480 --> 0:24:13.040
<v Speaker 1>pre you know, pandemic and all the stuff that's happening now,

0:24:13.200 --> 0:24:15.760
<v Speaker 1>all this stuff, it was really, uh, you know, when

0:24:15.800 --> 0:24:20.600
<v Speaker 1>we look back, a really special time and yeah, so

0:24:20.600 --> 0:24:24.200
<v Speaker 1>so to have experienced it in that way, um, certainly

0:24:24.200 --> 0:24:27.639
<v Speaker 1>it was special, so special. Speaking of filming around the

0:24:27.640 --> 0:24:30.280
<v Speaker 1>city and all that, where some are your favorite storylines

0:24:30.520 --> 0:24:33.240
<v Speaker 1>because watching these and the fact that we were doing

0:24:33.280 --> 0:24:37.640
<v Speaker 1>twenty two episodes and just the spider webs of all

0:24:37.680 --> 0:24:42.919
<v Speaker 1>the intertwining situations and relationships and all the stuff that

0:24:43.440 --> 0:24:45.920
<v Speaker 1>just kept going and going and going. I mean, it's

0:24:45.960 --> 0:24:48.399
<v Speaker 1>just so crazy. Even in the episodes that I'm at

0:24:48.480 --> 0:24:50.160
<v Speaker 1>right now and the rewatch I get to the end

0:24:50.160 --> 0:24:52.359
<v Speaker 1>and I'm like, I feel like, now, that would be

0:24:52.400 --> 0:24:55.520
<v Speaker 1>like four episodes of a show on HBO. This was

0:24:55.640 --> 0:24:58.720
<v Speaker 1>one episode of twenty two. You know what you're so

0:24:58.880 --> 0:25:02.280
<v Speaker 1>they packed so achin. They packed it in like you

0:25:02.359 --> 0:25:04.640
<v Speaker 1>were on the steps of the Metropolitan. You were here,

0:25:04.680 --> 0:25:06.080
<v Speaker 1>you were there, you were in the loft, you were

0:25:06.080 --> 0:25:08.359
<v Speaker 1>back out of the loft, you were at some amazing gala,

0:25:08.520 --> 0:25:10.720
<v Speaker 1>you were back. You know, it was a lot of

0:25:10.720 --> 0:25:13.920
<v Speaker 1>production value for a show runner, for a cast and crew.

0:25:14.440 --> 0:25:17.200
<v Speaker 1>But you're right, so I was just because there's always

0:25:17.240 --> 0:25:19.359
<v Speaker 1>so much. I'm like, how do you even pick a storyline?

0:25:19.440 --> 0:25:21.800
<v Speaker 1>Or I'm sure you had so much fun working with

0:25:21.880 --> 0:25:24.159
<v Speaker 1>Kelly because she's just such a lovely person. But was

0:25:24.200 --> 0:25:26.560
<v Speaker 1>there anything, anything in particular, it was one of your

0:25:26.560 --> 0:25:28.719
<v Speaker 1>favorite storylines that kind of stick out, maybe not your

0:25:28.720 --> 0:25:30.560
<v Speaker 1>favorite because it's so hard when there were so many.

0:25:30.600 --> 0:25:32.560
<v Speaker 1>I mean, even where I'm at and the rewatches there

0:25:32.600 --> 0:25:36.600
<v Speaker 1>there's someone who dies, there's a potential, you know, a

0:25:36.680 --> 0:25:41.280
<v Speaker 1>new relationship that comes to life. Um, someone's possibly pregnant,

0:25:41.400 --> 0:25:44.199
<v Speaker 1>someone else's tells them they love each other. I'm like,

0:25:44.200 --> 0:25:47.520
<v Speaker 1>this is all in one hour. I rewatched a Brother

0:25:47.600 --> 0:25:51.320
<v Speaker 1>where Bart thou and and I had the exact same impression.

0:25:51.720 --> 0:25:56.480
<v Speaker 1>So so Bart dies and it's his funeral, but Serena's

0:25:56.520 --> 0:26:01.320
<v Speaker 1>going to Brazil. Who's the new guy? Is okay with it?

0:26:01.400 --> 0:26:06.119
<v Speaker 1>Rufus is like angling the information dropped, Jenny's making address

0:26:06.160 --> 0:26:12.920
<v Speaker 1>for for the Jenny's Margaret and Wallace are getting married. Yeah,

0:26:13.320 --> 0:26:19.000
<v Speaker 1>meanwhile Whillace, his son is the one dating Serena. That's right,

0:26:19.119 --> 0:26:22.679
<v Speaker 1>and this is all within Yes, it's a lot. That

0:26:22.720 --> 0:26:25.960
<v Speaker 1>were two minutes. You were getting your money's worth out

0:26:25.960 --> 0:26:30.000
<v Speaker 1>of that show. For sure. It's an interesting observation that

0:26:30.480 --> 0:26:33.400
<v Speaker 1>perhaps they don't pack so much in that you could

0:26:33.400 --> 0:26:35.399
<v Speaker 1>have gotten three or four episodes, you know, in a

0:26:35.480 --> 0:26:39.000
<v Speaker 1>modern day episodic. But no, it was. It was fun

0:26:39.000 --> 0:26:42.720
<v Speaker 1>because it was like, you know, when that opening narrative

0:26:43.040 --> 0:26:46.480
<v Speaker 1>would happen, you were pretty much obliged to like, you know,

0:26:46.720 --> 0:26:50.680
<v Speaker 1>tighten your seatbelt because you know, you don't know where. Yeah,

0:26:50.760 --> 0:26:52.720
<v Speaker 1>it was, and it was. It was a total and

0:26:52.760 --> 0:26:54.919
<v Speaker 1>it was gonna look great and it was gonna you know,

0:26:54.960 --> 0:26:57.560
<v Speaker 1>the visual in terms of the you know, shooting on

0:26:57.720 --> 0:27:00.359
<v Speaker 1>location was going to be great. So it was definitely

0:27:00.320 --> 0:27:03.160
<v Speaker 1>going to be It's rawling for people who are wondering

0:27:04.000 --> 0:27:08.880
<v Speaker 1>what that lifestyle was, like I suppose yeah, And I

0:27:08.920 --> 0:27:12.879
<v Speaker 1>feel like because there was it was so flashy. But

0:27:12.920 --> 0:27:17.159
<v Speaker 1>then I really feel like, especially going back, everyone just

0:27:17.200 --> 0:27:19.840
<v Speaker 1>did such a great job with their with their roles.

0:27:19.880 --> 0:27:23.080
<v Speaker 1>Like you know, I know everyone listening has has heard

0:27:23.080 --> 0:27:25.720
<v Speaker 1>this many times in these episodes but you know, these

0:27:25.760 --> 0:27:29.800
<v Speaker 1>dynamics and the little humor and just just they did

0:27:29.840 --> 0:27:32.040
<v Speaker 1>so good. So it was not just like about going

0:27:32.040 --> 0:27:34.640
<v Speaker 1>in and watching this teen drama or just watching New

0:27:34.680 --> 0:27:37.240
<v Speaker 1>York City as a character in there. Everyone really brought

0:27:37.280 --> 0:27:40.320
<v Speaker 1>something super special to it. And maybe you know, at

0:27:40.320 --> 0:27:43.280
<v Speaker 1>the time, there was nothing like this on TV, you know,

0:27:43.400 --> 0:27:45.479
<v Speaker 1>and even when you went back to different shows like

0:27:45.760 --> 0:27:48.520
<v Speaker 1>nine O two one oh Beverly Hills, it's still there's

0:27:48.520 --> 0:27:51.320
<v Speaker 1>a different flavor and vibe because of New York City.

0:27:51.560 --> 0:27:55.359
<v Speaker 1>You know. It's like acting when you when you understand

0:27:55.359 --> 0:27:57.800
<v Speaker 1>your character and everything, and then you're asked to just

0:27:57.880 --> 0:28:01.000
<v Speaker 1>throw it away. So here you have these characters, these

0:28:01.040 --> 0:28:04.520
<v Speaker 1>situations against the backdrop of New York which is its

0:28:04.520 --> 0:28:07.639
<v Speaker 1>own character in the drama, and yet you're asked to

0:28:07.720 --> 0:28:10.200
<v Speaker 1>throw in a way like you know, you hail that cab,

0:28:10.320 --> 0:28:12.320
<v Speaker 1>or you walk up those museum steps or you know

0:28:12.359 --> 0:28:15.240
<v Speaker 1>whatever it is. You know, it's you wear it loosely

0:28:15.320 --> 0:28:18.040
<v Speaker 1>like a like a garment, and you're comfortable with it.

0:28:18.160 --> 0:28:22.439
<v Speaker 1>So that I think everything like complimented everything, you know,

0:28:22.480 --> 0:28:25.920
<v Speaker 1>in just in terms of advancing the story, but again

0:28:25.960 --> 0:28:31.240
<v Speaker 1>like really cemented these actors were in their characters. You know,

0:28:31.359 --> 0:28:36.320
<v Speaker 1>Blair very complex, Serena very complex in her own way,

0:28:36.560 --> 0:28:39.080
<v Speaker 1>you know it very consistent in terms of who she

0:28:39.200 --> 0:28:42.000
<v Speaker 1>is as a person. And then when she does have conflict,

0:28:42.040 --> 0:28:43.560
<v Speaker 1>you really see it, do you know what I mean?

0:28:43.920 --> 0:28:46.520
<v Speaker 1>In lieu of the money, in lieu of the fashion,

0:28:46.600 --> 0:28:49.440
<v Speaker 1>in lieu of the environment, she's still somebody you would

0:28:49.440 --> 0:28:53.200
<v Speaker 1>want to have as a friend. And then Blair mercurial all.

0:28:53.280 --> 0:28:57.680
<v Speaker 1>You know, I just Laten's acting. I always just enamored

0:28:57.800 --> 0:29:02.880
<v Speaker 1>and obviously Blake too, but they really just I I

0:29:03.080 --> 0:29:05.960
<v Speaker 1>just um just so compelling to watch them read the

0:29:05.960 --> 0:29:08.360
<v Speaker 1>phone Book to tell you the truth right, and and

0:29:08.400 --> 0:29:10.400
<v Speaker 1>the way they play off each other because they are

0:29:10.600 --> 0:29:14.080
<v Speaker 1>their characters are so different, like on paper, you wouldn't

0:29:14.080 --> 0:29:16.280
<v Speaker 1>put them as best friends almost, you know what I mean,

0:29:16.440 --> 0:29:21.200
<v Speaker 1>totally buy that they were together forever, that they really

0:29:21.240 --> 0:29:24.600
<v Speaker 1>are friends. And that's kind of It's very unique sometimes

0:29:24.600 --> 0:29:27.800
<v Speaker 1>because other well for me, for you were actors. We

0:29:27.800 --> 0:29:31.880
<v Speaker 1>we read into things, but they had an effortless relationship.

0:29:32.080 --> 0:29:36.080
<v Speaker 1>It was just so complimentary and uh it was it

0:29:36.160 --> 0:29:39.680
<v Speaker 1>was awesome. It was awesome to watch, you know, I

0:29:39.720 --> 0:29:43.640
<v Speaker 1>couldn't agree more. Yeah, how what are your thoughts of

0:29:43.920 --> 0:29:48.880
<v Speaker 1>Chuck and Blair's relationship. Chuck was his own worst enemy.

0:29:49.080 --> 0:29:52.520
<v Speaker 1>He he wanted the love, but he just to me,

0:29:52.560 --> 0:29:55.480
<v Speaker 1>it just seemed like he didn't know how to get there,

0:29:55.560 --> 0:29:57.480
<v Speaker 1>you know what I mean. Blair is like, I'm here,

0:29:57.520 --> 0:29:59.640
<v Speaker 1>I'm here. He's like, I know, I just don't know

0:29:59.640 --> 0:30:01.120
<v Speaker 1>how to get there. And once I'm there, I don't

0:30:01.120 --> 0:30:04.320
<v Speaker 1>know how to stay there because he didn't have the tools.

0:30:04.480 --> 0:30:07.280
<v Speaker 1>You know, his mother was gone, his father was a jerk.

0:30:07.560 --> 0:30:11.160
<v Speaker 1>Uh tumble, tumble tumble, so he never he was never

0:30:11.200 --> 0:30:14.360
<v Speaker 1>given those tools. He never saw it in his home.

0:30:15.400 --> 0:30:18.400
<v Speaker 1>There's a Shakespeare speech, you know, I spy a far

0:30:18.440 --> 0:30:21.600
<v Speaker 1>off shore where I would wish to be, and I

0:30:21.840 --> 0:30:23.800
<v Speaker 1>yell at the seed that keeps me from it, you

0:30:23.840 --> 0:30:25.480
<v Speaker 1>know what I mean, I just don't know how to

0:30:25.520 --> 0:30:28.480
<v Speaker 1>get there. And and she's like the siren going he

0:30:28.600 --> 0:30:30.600
<v Speaker 1>come here, come here, and he's like, I know, but

0:30:30.680 --> 0:30:32.600
<v Speaker 1>I just I just don't know how to get there.

0:30:32.600 --> 0:30:35.000
<v Speaker 1>Because I'm my own worst enemy. I was never shown

0:30:35.560 --> 0:30:38.040
<v Speaker 1>you know what true love is and uh and and

0:30:38.080 --> 0:30:41.200
<v Speaker 1>they just tore it up. They just totally tore it

0:30:41.320 --> 0:30:45.280
<v Speaker 1>up in terms of playing that that dance of going

0:30:45.360 --> 0:30:48.360
<v Speaker 1>back and forth and wanting to like they wanted each other,

0:30:48.360 --> 0:30:50.080
<v Speaker 1>but they wanted to tell each other no even though

0:30:50.120 --> 0:30:53.080
<v Speaker 1>they really didn't want to say no. If that makes sense?

0:30:53.280 --> 0:30:55.720
<v Speaker 1>Is there any better? Is there any better kind of love?

0:30:55.840 --> 0:30:59.440
<v Speaker 1>I mean, you know, that's where the passion comes. It's

0:30:59.440 --> 0:31:02.080
<v Speaker 1>like tearing piece of paper, one pieces going one way

0:31:02.160 --> 0:31:03.880
<v Speaker 1>or the other. And that sound you here in the

0:31:03.920 --> 0:31:07.120
<v Speaker 1>middle is like is somebody's heart. It's like every time

0:31:07.160 --> 0:31:09.120
<v Speaker 1>they would do that, it was just you know, just

0:31:09.200 --> 0:31:11.480
<v Speaker 1>just like you know, I'm a grown man and yet

0:31:11.520 --> 0:31:13.960
<v Speaker 1>I'm sitting here going, oh, maybe it's tonight, you know,

0:31:14.000 --> 0:31:17.760
<v Speaker 1>I like, yeah, but you know it's It's sweet because

0:31:18.160 --> 0:31:21.840
<v Speaker 1>I think everybody on whatever level of whatever kind of

0:31:21.880 --> 0:31:25.960
<v Speaker 1>relationship you've ever had, elementally you identify with some aspect

0:31:26.680 --> 0:31:30.920
<v Speaker 1>of their relationship. But the writing was impossibly good for

0:31:31.000 --> 0:31:34.040
<v Speaker 1>those two. I must say that also. It was so

0:31:34.080 --> 0:31:36.200
<v Speaker 1>on point, and the way they did it was also

0:31:36.280 --> 0:31:38.680
<v Speaker 1>like just nothing was missing for that. It kept you

0:31:38.720 --> 0:31:42.280
<v Speaker 1>going even even now, like right around where I'm at,

0:31:42.440 --> 0:31:45.360
<v Speaker 1>they're still like not fully together, and I'm like any

0:31:45.400 --> 0:31:48.120
<v Speaker 1>other show or any other characters, i'd be like over

0:31:48.560 --> 0:31:51.200
<v Speaker 1>watching it. But they did such a good job that

0:31:51.280 --> 0:31:53.760
<v Speaker 1>I'm like, I could keep doing this. You know, I

0:31:54.000 --> 0:31:57.560
<v Speaker 1>I rewatched brother ware art or Barta And at the

0:31:57.640 --> 0:32:00.680
<v Speaker 1>limo when she's like when she says, I love you

0:32:00.880 --> 0:32:04.640
<v Speaker 1>and I mean Layton, just the simplicity, you know what

0:32:04.640 --> 0:32:07.200
<v Speaker 1>I mean, she's she was such a great actress that

0:32:07.280 --> 0:32:10.040
<v Speaker 1>she would let you do the crying. It was just

0:32:10.120 --> 0:32:14.320
<v Speaker 1>the simplicity of it. I'm here and before you and again,

0:32:14.480 --> 0:32:16.600
<v Speaker 1>you know, in lieu of the fashion, in lieu of

0:32:16.640 --> 0:32:20.080
<v Speaker 1>the setting, in lieu of the limo, and and none

0:32:20.120 --> 0:32:22.520
<v Speaker 1>of that matters. Well, the only thing that matters is

0:32:22.520 --> 0:32:27.200
<v Speaker 1>her love for Forred of her Chuck. She says to him,

0:32:27.360 --> 0:32:29.840
<v Speaker 1>we're Chuck and Blair. Blair and Chuck. The worst thing

0:32:29.880 --> 0:32:32.440
<v Speaker 1>you've ever done, the darkest thought you've ever had. I

0:32:32.440 --> 0:32:34.920
<v Speaker 1>will stand by you through anything. I mean. And he says,

0:32:35.320 --> 0:32:36.840
<v Speaker 1>and why would you do that? Why would you do that?

0:32:36.880 --> 0:32:39.480
<v Speaker 1>Because I love you? And he says, I'm no, don't

0:32:39.480 --> 0:32:42.280
<v Speaker 1>tell me. Well that's too bad, too bad, you see,

0:32:42.320 --> 0:32:46.760
<v Speaker 1>that's just that's just immaturity. That's someone who who doesn't

0:32:46.800 --> 0:32:50.200
<v Speaker 1>have the tools, he's going to push away. The reason

0:32:50.440 --> 0:32:54.760
<v Speaker 1>people do that is fear, as as as as animals

0:32:54.880 --> 0:32:58.400
<v Speaker 1>as we're gonna fight, we're gonna run or we're gonna

0:32:58.440 --> 0:33:02.680
<v Speaker 1>do nothing, and he he pushes her away because he's afraid.

0:33:02.720 --> 0:33:06.080
<v Speaker 1>He It's it's almost like telling him, Chuck, I know

0:33:06.160 --> 0:33:07.680
<v Speaker 1>your dad just died. I know you have all this

0:33:07.680 --> 0:33:10.160
<v Speaker 1>stuff on your shoulders. Oh would you mind jumping off

0:33:10.160 --> 0:33:12.280
<v Speaker 1>this cliff and fall in love with this girl. He's

0:33:12.320 --> 0:33:14.520
<v Speaker 1>not going to do it because he just doesn't trust

0:33:14.920 --> 0:33:18.720
<v Speaker 1>himself or life. Life just kept kicking in the teeth,

0:33:18.800 --> 0:33:22.680
<v Speaker 1>so he's developed no trust. And uh, but the writing there,

0:33:22.840 --> 0:33:26.480
<v Speaker 1>that's what I meant. I didn't write like that for

0:33:26.560 --> 0:33:28.920
<v Speaker 1>Bart I'll tell you. Uh, you know, that was just

0:33:28.960 --> 0:33:31.960
<v Speaker 1>the simplicity, the beauty, the poetry in it. It was

0:33:32.000 --> 0:33:33.720
<v Speaker 1>just really kind of neat. It was. And if you're

0:33:33.760 --> 0:33:36.640
<v Speaker 1>a young gall or guy or whatever watching the show, yeah,

0:33:36.840 --> 0:33:39.920
<v Speaker 1>let me just as a sidebar, say, I've had like

0:33:39.960 --> 0:33:42.200
<v Speaker 1>a lot of young guys like I guess they'd be

0:33:42.240 --> 0:33:45.480
<v Speaker 1>in their thirties. Oh dude, gos girl. Yeah, I love

0:33:45.480 --> 0:33:49.120
<v Speaker 1>the show. Like really, good for you, Good for you

0:33:49.160 --> 0:33:52.000
<v Speaker 1>for saying you know, yeah, did you have people come

0:33:52.080 --> 0:33:54.280
<v Speaker 1>up to you and say, you know, I know someone

0:33:54.400 --> 0:33:56.600
<v Speaker 1>who was based off your character? You're based off my

0:33:56.680 --> 0:33:59.440
<v Speaker 1>dad's character. Because I found people in New York for

0:33:59.480 --> 0:34:01.440
<v Speaker 1>saying that to all everyone all the time. And we're like,

0:34:01.440 --> 0:34:03.120
<v Speaker 1>it was off of a book, you know, based off

0:34:03.160 --> 0:34:06.720
<v Speaker 1>a book. The books were written books I had friends

0:34:06.760 --> 0:34:09.719
<v Speaker 1>of mine. I never read the books. Actually was it

0:34:09.800 --> 0:34:13.640
<v Speaker 1>books or book? It was books? Yeah, books, and I

0:34:13.719 --> 0:34:15.840
<v Speaker 1>never read them. And you know, people would tell me

0:34:15.880 --> 0:34:18.080
<v Speaker 1>things like, oh, Chuck's character had a monkey, and I'm like,

0:34:18.160 --> 0:34:21.440
<v Speaker 1>we see, that's why I'm not reading it. Um. But

0:34:22.680 --> 0:34:24.960
<v Speaker 1>you know what, I can't say that somebody ever said.

0:34:25.120 --> 0:34:28.719
<v Speaker 1>It's been a while too. But yeah, But speaking of like,

0:34:29.400 --> 0:34:32.279
<v Speaker 1>you know, storylines and working with you know, some of

0:34:32.320 --> 0:34:35.759
<v Speaker 1>the other casts, what was it like and what were

0:34:35.800 --> 0:34:38.840
<v Speaker 1>some of your favorite storylines with Kelly? Because that's heavily

0:34:39.880 --> 0:34:43.640
<v Speaker 1>with Kelly, and any storyline with Kelly was fun. She's

0:34:43.719 --> 0:34:47.080
<v Speaker 1>she was this lovely human being, do you know what

0:34:47.120 --> 0:34:52.759
<v Speaker 1>I mean? Mature, graceful, gorgeous, prepared looks you in the

0:34:52.800 --> 0:34:54.799
<v Speaker 1>I a kind of acting, do you know what I mean?

0:34:55.080 --> 0:34:57.759
<v Speaker 1>And I used to love to play with her, you

0:34:57.760 --> 0:34:59.200
<v Speaker 1>know what I mean just in terms of like, well,

0:34:59.280 --> 0:35:01.280
<v Speaker 1>my acting teach and once said, because I was getting

0:35:01.280 --> 0:35:02.759
<v Speaker 1>so serious, he goes, why do you think they call

0:35:02.800 --> 0:35:05.279
<v Speaker 1>it a play? And I was like, Okay, yeah, that's

0:35:05.320 --> 0:35:07.879
<v Speaker 1>what we're doing. We're playing. So to play off off

0:35:07.920 --> 0:35:10.319
<v Speaker 1>of her, to play opposite her, it was just so

0:35:10.440 --> 0:35:13.160
<v Speaker 1>much fun. You were you knew you were gonna you

0:35:13.200 --> 0:35:15.600
<v Speaker 1>knew you were going to just achieve something in the scene,

0:35:15.640 --> 0:35:18.080
<v Speaker 1>and it just felt very good as an as an

0:35:18.120 --> 0:35:21.440
<v Speaker 1>actor to be opposite somebody like that. So she was

0:35:21.560 --> 0:35:25.040
<v Speaker 1>lovely and any you know, any time I was I

0:35:25.080 --> 0:35:28.120
<v Speaker 1>would say anytime I was acting with Kelly Rutherford was

0:35:28.120 --> 0:35:30.480
<v Speaker 1>a good day. We would have these galas where this

0:35:30.800 --> 0:35:32.799
<v Speaker 1>there would be these great things going on and she

0:35:32.880 --> 0:35:35.319
<v Speaker 1>and I would be having some kind of conflict or

0:35:35.880 --> 0:35:39.640
<v Speaker 1>resolution of conflict. There was always duplicity. There was always

0:35:39.800 --> 0:35:43.160
<v Speaker 1>some type of you know, hidden agenda, and I like

0:35:43.280 --> 0:35:45.319
<v Speaker 1>that because when there's more than one thing going on,

0:35:45.360 --> 0:35:47.720
<v Speaker 1>it just makes it more interesting for the actor, hopefully

0:35:47.760 --> 0:35:51.040
<v Speaker 1>for the But she was great any any I don't

0:35:51.080 --> 0:35:54.760
<v Speaker 1>specific can't speak specifically to any one storyline, but pretty

0:35:54.800 --> 0:35:58.680
<v Speaker 1>much any storyline with her was just fun. You know.

0:35:59.840 --> 0:36:02.640
<v Speaker 1>I have a question about this. There was a couple

0:36:02.719 --> 0:36:05.680
<v Speaker 1>episodes ago with might have been I can't even remember

0:36:05.719 --> 0:36:09.200
<v Speaker 1>which episode now, but Eric has a boyfriend in the

0:36:09.239 --> 0:36:12.560
<v Speaker 1>episode and you're having some big party again at the

0:36:12.640 --> 0:36:17.320
<v Speaker 1>vander Woodson Loft, and you kind of tell the boyfriend

0:36:17.520 --> 0:36:18.839
<v Speaker 1>you know, I'm not sure if you want to come

0:36:18.960 --> 0:36:21.640
<v Speaker 1>or not come, And you know, we kind of talked

0:36:21.640 --> 0:36:24.880
<v Speaker 1>about it, like do we think you were doing that

0:36:24.920 --> 0:36:27.640
<v Speaker 1>to actually protect Eric and the boyfriend so that it

0:36:27.680 --> 0:36:31.400
<v Speaker 1>didn't come out publicly for their sake or was Bart

0:36:31.680 --> 0:36:33.400
<v Speaker 1>kind of doing it to cover for Bart? Because I

0:36:33.440 --> 0:36:36.160
<v Speaker 1>was like, I don't think. I think he was doing

0:36:36.200 --> 0:36:38.560
<v Speaker 1>it to protect the kids in a sense of like

0:36:38.600 --> 0:36:40.719
<v Speaker 1>you it should be on you, guys, and this is

0:36:40.800 --> 0:36:43.200
<v Speaker 1>just I mean, this is all about a story in

0:36:43.239 --> 0:36:44.959
<v Speaker 1>the in a in a TV show, so we don't

0:36:44.960 --> 0:36:46.960
<v Speaker 1>really know the answer. But I was wondering if you

0:36:46.960 --> 0:36:50.200
<v Speaker 1>even remember that episode or like what you thought of that,

0:36:50.480 --> 0:36:52.759
<v Speaker 1>because I think I think Bart, as much as he

0:36:52.840 --> 0:36:54.880
<v Speaker 1>was hard and stuff like that, I do feel like

0:36:54.960 --> 0:36:56.960
<v Speaker 1>he had a big heart. There's a lot of times

0:36:56.960 --> 0:36:59.000
<v Speaker 1>I'm like, Oh, he's doing a really great thing and

0:36:59.000 --> 0:37:01.920
<v Speaker 1>then you go and pull some dossiers out on the

0:37:01.960 --> 0:37:05.360
<v Speaker 1>family and have this whole you know, you know, everyone's

0:37:05.360 --> 0:37:07.439
<v Speaker 1>secrets and stuff. But then you would do something where

0:37:07.480 --> 0:37:10.560
<v Speaker 1>I'm like, Wow, he's being he is sweet. He just

0:37:10.600 --> 0:37:14.279
<v Speaker 1>has a hard exterior kind of like Chuck, Yeah, you know,

0:37:14.400 --> 0:37:16.880
<v Speaker 1>if you're playing in New York billionaire, um, and I

0:37:16.880 --> 0:37:18.319
<v Speaker 1>think he was a billionaire. I think it's that he

0:37:18.400 --> 0:37:21.520
<v Speaker 1>was a billionaire, not a billionaire. Anyway, it speaks to

0:37:21.560 --> 0:37:27.200
<v Speaker 1>your having some sophistication, your worldly you're accepting, you're accepting

0:37:27.200 --> 0:37:30.960
<v Speaker 1>of someone's sexual orientation. However, what you're not accepting of

0:37:31.239 --> 0:37:33.640
<v Speaker 1>is anything that could damage the family name and the

0:37:33.680 --> 0:37:38.359
<v Speaker 1>family fortune. You're also being patriarchal in terms of these

0:37:38.440 --> 0:37:40.960
<v Speaker 1>kids don't know what they're talking about. They're leaving themselves

0:37:40.960 --> 0:37:45.759
<v Speaker 1>exposed to ridicule, to bigotry, and so there could have

0:37:45.760 --> 0:37:50.680
<v Speaker 1>been an element of that. I never specifically new. I

0:37:50.680 --> 0:37:54.000
<v Speaker 1>think I was. I was protecting the family and myself

0:37:54.800 --> 0:37:58.680
<v Speaker 1>visa V telling them, you guys are not on time

0:37:58.800 --> 0:38:01.680
<v Speaker 1>right now. You gotta at this be a little more chill,

0:38:01.719 --> 0:38:03.920
<v Speaker 1>because you don't want to hurt yourselves, you don't want

0:38:03.920 --> 0:38:07.120
<v Speaker 1>to hurt the family. So I think his motives are

0:38:07.120 --> 0:38:10.359
<v Speaker 1>a lot more selfish and self serving than they are altruistic,

0:38:10.440 --> 0:38:13.400
<v Speaker 1>and like, oh, I'm accepting of your sexual orientation, and

0:38:13.520 --> 0:38:16.560
<v Speaker 1>I don't think there's much of that, although you know,

0:38:16.880 --> 0:38:18.799
<v Speaker 1>I think it's all about the bottom line and the

0:38:18.840 --> 0:38:23.280
<v Speaker 1>company right, and and again speaking of working with everyone,

0:38:23.400 --> 0:38:25.680
<v Speaker 1>what about how how is that? How is the love

0:38:25.719 --> 0:38:27.279
<v Speaker 1>try and go? Basically is what I'm trying to ask

0:38:27.320 --> 0:38:30.520
<v Speaker 1>with you with you Rufus? And and how was it

0:38:30.560 --> 0:38:32.839
<v Speaker 1>working with Matt Matthew and that? Like I know, because

0:38:32.880 --> 0:38:35.440
<v Speaker 1>if you guys couldn't have played two more like total

0:38:35.440 --> 0:38:38.000
<v Speaker 1>opposite characters. Yeah, I mean like in real life, I'm

0:38:38.040 --> 0:38:40.320
<v Speaker 1>more like the Rufus guy. I never had the money,

0:38:40.719 --> 0:38:43.160
<v Speaker 1>and I was like, hey, you guys got a nice personality,

0:38:43.200 --> 0:38:45.560
<v Speaker 1>maybe you should go out with it. Um it was

0:38:45.600 --> 0:38:50.320
<v Speaker 1>fun because you knew it. Just it just creates tension

0:38:50.360 --> 0:38:53.160
<v Speaker 1>and dynamic and conflict. And these are the things like

0:38:53.680 --> 0:38:55.840
<v Speaker 1>you don't have to you didn't have to manufacture it.

0:38:56.360 --> 0:38:59.480
<v Speaker 1>If Rufus came into the room, I would wristle, do

0:38:59.520 --> 0:39:02.120
<v Speaker 1>you know what I mean? It just bristled, like like

0:39:02.239 --> 0:39:04.200
<v Speaker 1>no words even in my head. I would just want

0:39:04.200 --> 0:39:07.239
<v Speaker 1>to like just send out Prana to to get rid

0:39:07.239 --> 0:39:11.600
<v Speaker 1>of him. You know, he so threatened me. And the

0:39:11.600 --> 0:39:13.680
<v Speaker 1>fact that he didn't have money, and you know, they'd

0:39:13.719 --> 0:39:16.239
<v Speaker 1>say like, oh, he comes from Brooklyn, you know, like

0:39:16.560 --> 0:39:19.040
<v Speaker 1>like Brooklyn was some filthy place you know as if

0:39:19.040 --> 0:39:21.600
<v Speaker 1>you could afford to live in Williamsburg these days. But

0:39:21.640 --> 0:39:24.520
<v Speaker 1>at the same time, right exactly, so that that conflict

0:39:24.600 --> 0:39:27.440
<v Speaker 1>was built in and it was fun as hell, and

0:39:27.840 --> 0:39:31.080
<v Speaker 1>why part of me, part of Robert Berkeley's why I

0:39:31.080 --> 0:39:33.880
<v Speaker 1>couldn't literally have both, I mean really, but yeah, she

0:39:34.080 --> 0:39:36.000
<v Speaker 1>was great the way she would pain of what kind

0:39:36.000 --> 0:39:37.960
<v Speaker 1>of what her and I talked about last week. Oh,

0:39:38.160 --> 0:39:42.560
<v Speaker 1>really like her head and her practicality. You know, she

0:39:42.640 --> 0:39:44.960
<v Speaker 1>wants the dough and she wants like the good life,

0:39:44.960 --> 0:39:46.759
<v Speaker 1>but you know what, maybe she wants to love too.

0:39:46.840 --> 0:39:50.520
<v Speaker 1>So it's like, you know, good for literally for keeping

0:39:50.560 --> 0:40:06.640
<v Speaker 1>all possible options open to when we get the phone

0:40:06.640 --> 0:40:08.480
<v Speaker 1>call or when we see that there's a phone call

0:40:08.480 --> 0:40:11.880
<v Speaker 1>on something really dramatic has happened or tragic has happened

0:40:11.880 --> 0:40:16.480
<v Speaker 1>to Bart. That's like a devastating thing. As a viewer,

0:40:16.560 --> 0:40:19.640
<v Speaker 1>I feel like watching because now I'm dialed in removed

0:40:19.719 --> 0:40:22.560
<v Speaker 1>from the show years later, and I'm like, wait, Bart

0:40:22.640 --> 0:40:25.920
<v Speaker 1>can't leave. This is like not okay, Yeah it was.

0:40:26.000 --> 0:40:29.239
<v Speaker 1>It was kind of weird. Yeah, And and again I

0:40:29.320 --> 0:40:32.520
<v Speaker 1>don't know if they were onto something back then, like oh,

0:40:32.560 --> 0:40:35.560
<v Speaker 1>if you do, you know, kind of kill off someone

0:40:35.960 --> 0:40:39.480
<v Speaker 1>that everyone enjoys watching whether people didn't agree with some

0:40:39.520 --> 0:40:41.280
<v Speaker 1>of the things you did as a dad and stuff

0:40:41.320 --> 0:40:43.560
<v Speaker 1>like that. That makes a show interesting still though, you

0:40:43.600 --> 0:40:46.120
<v Speaker 1>know what I mean, watching colors that you were bringing

0:40:46.120 --> 0:40:48.760
<v Speaker 1>to the scenes with Ed and with Lily and Rufus.

0:40:48.880 --> 0:40:53.000
<v Speaker 1>But it was now people are killing off main characters,

0:40:53.120 --> 0:40:55.560
<v Speaker 1>you know, season one and a show. So to me,

0:40:55.600 --> 0:40:57.239
<v Speaker 1>I'm like, were they doing this for you know, a

0:40:57.280 --> 0:41:00.239
<v Speaker 1>shock value to you know, have everyone's mouth drop even

0:41:00.280 --> 0:41:03.480
<v Speaker 1>more so than they were the entire episode. I was

0:41:03.520 --> 0:41:06.160
<v Speaker 1>still like that he can't he can't go away. You know,

0:41:06.200 --> 0:41:08.560
<v Speaker 1>it was weird to me, and it was it still

0:41:08.640 --> 0:41:11.120
<v Speaker 1>kind of is weird in the story was they throw

0:41:11.239 --> 0:41:15.080
<v Speaker 1>Bart on the sword. Okay, now that said shock waves,

0:41:15.280 --> 0:41:17.120
<v Speaker 1>you know what I mean. But then they have Bart

0:41:17.200 --> 0:41:19.760
<v Speaker 1>back and then they throw him on the sword again,

0:41:20.040 --> 0:41:21.759
<v Speaker 1>and I was like, why are they I'm the old

0:41:21.760 --> 0:41:23.960
<v Speaker 1>guy on this like kids show. It's like, why have

0:41:24.080 --> 0:41:27.440
<v Speaker 1>I that you know, the crucible that upon which you know,

0:41:27.560 --> 0:41:32.920
<v Speaker 1>the drama gets shattered and the repercussions are felt thereof um,

0:41:32.960 --> 0:41:36.160
<v Speaker 1>I didn't mind. I I understood that for what it's

0:41:36.160 --> 0:41:39.279
<v Speaker 1>going to do to Chuck, this is going to have

0:41:39.440 --> 0:41:43.520
<v Speaker 1>lasting repercussions, and and so you know, as an actor,

0:41:43.560 --> 0:41:46.160
<v Speaker 1>I've been around long enough to know to appreciate every

0:41:46.160 --> 0:41:49.239
<v Speaker 1>moment I'm on the set, and then to say to myself,

0:41:49.280 --> 0:41:51.640
<v Speaker 1>you know, if this should continue, great, If it doesn't,

0:41:51.680 --> 0:41:54.759
<v Speaker 1>that's fine too. So when when Bart had to go,

0:41:54.880 --> 0:41:56.759
<v Speaker 1>Bart had to go, you know, I go onto the

0:41:56.800 --> 0:41:59.560
<v Speaker 1>next thing. And I'm always very grateful for having been

0:42:00.320 --> 0:42:02.439
<v Speaker 1>but I could see the wisdom in it in terms

0:42:02.480 --> 0:42:06.040
<v Speaker 1>of making the drama that much more compelling. You know,

0:42:06.320 --> 0:42:09.560
<v Speaker 1>people are texting, oh, Chuck's dad is dead. I'll tell

0:42:09.560 --> 0:42:13.359
<v Speaker 1>you a funny story that combines my fire service with

0:42:13.480 --> 0:42:16.600
<v Speaker 1>Gossip Girl. We had a false alarm in a hotel.

0:42:17.000 --> 0:42:19.600
<v Speaker 1>The hotel is emptying out. People are in their pajamas.

0:42:19.640 --> 0:42:21.920
<v Speaker 1>These girls are in their pajamas, and I'm walking in

0:42:22.000 --> 0:42:24.319
<v Speaker 1>with the hook like the big pole and the water can.

0:42:24.560 --> 0:42:27.040
<v Speaker 1>I have all my gear on. And as I'm walking

0:42:27.080 --> 0:42:29.480
<v Speaker 1>into the hotel, this girl is like she's two inches

0:42:29.520 --> 0:42:31.759
<v Speaker 1>from my face, walking past me, and she looks at me.

0:42:31.800 --> 0:42:34.239
<v Speaker 1>She goes, she goes, are you Chuck's dad? And I

0:42:34.280 --> 0:42:36.640
<v Speaker 1>looked at her so quickly. I looked at her, and

0:42:36.640 --> 0:42:40.160
<v Speaker 1>I literally a fire happening and that's her question. So

0:42:40.200 --> 0:42:41.440
<v Speaker 1>you Chucks. And I look at her and I go,

0:42:41.560 --> 0:42:44.080
<v Speaker 1>Chuck's dad is dead. And I keep walking and she

0:42:44.200 --> 0:42:46.239
<v Speaker 1>was like all right. She starts screaming and she like

0:42:46.320 --> 0:42:49.359
<v Speaker 1>kind of tripped and and fell, and her girlfriend's caught

0:42:49.360 --> 0:42:52.440
<v Speaker 1>her and she's pointing in my direction. She's like it's

0:42:52.960 --> 0:42:55.200
<v Speaker 1>and and her. I can hear the converse the friends.

0:42:55.440 --> 0:42:57.360
<v Speaker 1>What do you mean? What are you talking about? You know, Sharon?

0:42:57.360 --> 0:43:00.279
<v Speaker 1>Are you okay? Whatever? And and so finally I saw

0:43:00.320 --> 0:43:02.319
<v Speaker 1>her on the outside by the fire truck. I came

0:43:02.320 --> 0:43:04.520
<v Speaker 1>around the opposite end. She could never see me again,

0:43:04.520 --> 0:43:06.359
<v Speaker 1>and I left, you know what I mean. But when

0:43:06.400 --> 0:43:08.279
<v Speaker 1>she said to me, are you Chuck's dad, like just

0:43:08.320 --> 0:43:10.960
<v Speaker 1>like that, and I said, Chuck's dad is dead, like immediately,

0:43:11.480 --> 0:43:16.719
<v Speaker 1>she just freaked. Anyway, So I always remember that one.

0:43:17.160 --> 0:43:19.359
<v Speaker 1>By the way, did everyone everyone was okay in that fire?

0:43:19.480 --> 0:43:21.200
<v Speaker 1>There's no fire. It's just a false alarm. We were

0:43:21.200 --> 0:43:24.280
<v Speaker 1>just emptying out, you know. It's like, oh a FUSSI alarm. Okay,

0:43:24.320 --> 0:43:27.520
<v Speaker 1>that is hilarious, automatic alarm. And that happens like over

0:43:27.560 --> 0:43:30.040
<v Speaker 1>the years, like you'll show up and they're like, hey,

0:43:30.120 --> 0:43:32.440
<v Speaker 1>you look like the guy from Special But whatever. And

0:43:32.560 --> 0:43:35.120
<v Speaker 1>so when I first started, you're a schnook if you

0:43:35.160 --> 0:43:38.680
<v Speaker 1>don't say, oh hello, you speak to the people. And

0:43:38.719 --> 0:43:41.440
<v Speaker 1>then other firefights like dude, we're like twenty minutes like

0:43:41.480 --> 0:43:43.239
<v Speaker 1>getting back because you're like, I'm like, dude, you're the

0:43:43.280 --> 0:43:47.200
<v Speaker 1>one who told them that. And so now if somebody says, wait, wait,

0:43:47.320 --> 0:43:51.040
<v Speaker 1>is that the guy and and my guys they'll say, oh,

0:43:51.120 --> 0:43:53.920
<v Speaker 1>no, no no, he looks just like that guy. Yeah no, yeah, no,

0:43:54.160 --> 0:43:56.640
<v Speaker 1>that's not him. It looks just like him. He looks

0:43:56.719 --> 0:43:59.600
<v Speaker 1>just like bar Pass, but it's not him. Um, a

0:43:59.680 --> 0:44:01.560
<v Speaker 1>guy one night leaning on the side of the road,

0:44:01.600 --> 0:44:03.640
<v Speaker 1>he's like, are you Mickey from Rescuing me? And I

0:44:03.680 --> 0:44:06.000
<v Speaker 1>was like, I said, it's three thirty in the morning.

0:44:06.480 --> 0:44:08.279
<v Speaker 1>I was driving the ambulance. I said, if I was

0:44:08.320 --> 0:44:10.080
<v Speaker 1>Mickey from Rescue, why would I be here with you?

0:44:10.600 --> 0:44:13.359
<v Speaker 1>And he goes, wow, he goes, you look just like him.

0:44:13.400 --> 0:44:15.880
<v Speaker 1>And he goes and you sound like him too. It's like,

0:44:15.920 --> 0:44:21.160
<v Speaker 1>oh god, yeah, it happens. But I'm sure you know

0:44:21.440 --> 0:44:24.240
<v Speaker 1>that is just hilarious. Are you Chuck's dad? No, Chuck's

0:44:24.280 --> 0:44:28.640
<v Speaker 1>dad is dead. And she just she just her hands

0:44:28.680 --> 0:44:31.320
<v Speaker 1>went up to her face and started shaking like shaking.

0:44:31.320 --> 0:44:33.319
<v Speaker 1>It was. It was so weird. And then she was

0:44:33.360 --> 0:44:35.480
<v Speaker 1>trying the poor thing. She was trying to explain what

0:44:35.560 --> 0:44:38.320
<v Speaker 1>she had seen to her friends, and they were just thinking,

0:44:38.840 --> 0:44:42.760
<v Speaker 1>something's wrong with this something is wrong with this girl. Yeah,

0:44:42.840 --> 0:44:45.240
<v Speaker 1>and it was really bad. I wish I could just shook.

0:44:45.360 --> 0:44:47.319
<v Speaker 1>I wish a videotape of that. That would have been.

0:44:47.480 --> 0:44:51.759
<v Speaker 1>But anyway, hilarious, that is that is funny. It's it's

0:44:51.880 --> 0:44:54.880
<v Speaker 1>this show just affected so many of the fans in

0:44:54.920 --> 0:44:58.680
<v Speaker 1>such a way like it's actually quite sweet and you know,

0:44:58.960 --> 0:45:02.080
<v Speaker 1>but that's wild. There's an alarm going off and that happened.

0:45:02.600 --> 0:45:06.280
<v Speaker 1>Oh my goodness. I think I think that, like Serena

0:45:06.400 --> 0:45:09.640
<v Speaker 1>and Blair their relationship, just I think there was just

0:45:09.680 --> 0:45:13.319
<v Speaker 1>so much identification with it for two girls, girls at age. Yeah,

0:45:13.360 --> 0:45:18.400
<v Speaker 1>for girls at age, even irrespective of their affluence, because

0:45:18.560 --> 0:45:22.160
<v Speaker 1>the things they went through were just relevant and identifiable

0:45:22.160 --> 0:45:26.319
<v Speaker 1>at any you know, well, yeah, yeah, I really think that.

0:45:26.440 --> 0:45:30.360
<v Speaker 1>And you wanted to know that that these things have

0:45:30.880 --> 0:45:32.719
<v Speaker 1>somehow you were finding out that these things happen with

0:45:33.120 --> 0:45:37.239
<v Speaker 1>rich kids, poor kids, you know, and how they navigate

0:45:37.320 --> 0:45:39.960
<v Speaker 1>their world and their problems are just as real as

0:45:40.000 --> 0:45:44.640
<v Speaker 1>anybody else. A relative and real. Yeah, and it was

0:45:44.680 --> 0:45:48.200
<v Speaker 1>there was so many things. It was like their relationship

0:45:48.239 --> 0:45:50.919
<v Speaker 1>and their competitiveness, sometimes as best friends and then having

0:45:50.960 --> 0:45:54.280
<v Speaker 1>each other's backs and betraying each other but yet still

0:45:54.360 --> 0:45:57.279
<v Speaker 1>being each other's number one fan. And then you know,

0:45:57.400 --> 0:46:02.440
<v Speaker 1>mixed families and divorce and death, and it was it

0:46:02.600 --> 0:46:05.239
<v Speaker 1>was all there. It was all there, and how did

0:46:05.280 --> 0:46:08.200
<v Speaker 1>they how did they get through it? And it was

0:46:08.280 --> 0:46:12.280
<v Speaker 1>usually like, well, I think that's Serena's part, just honestly,

0:46:12.800 --> 0:46:14.360
<v Speaker 1>you know what I mean. She was always very honest,

0:46:14.440 --> 0:46:18.680
<v Speaker 1>opened and fourth right, she was not very duplicitous a

0:46:18.680 --> 0:46:20.759
<v Speaker 1>lot of the time. And if you pushed her and

0:46:20.880 --> 0:46:23.719
<v Speaker 1>like bothered her, she was going to push back and

0:46:24.120 --> 0:46:25.960
<v Speaker 1>stand up for herself. So there was a sense of

0:46:26.000 --> 0:46:29.040
<v Speaker 1>self worth. And you know, Blair was always a little

0:46:29.040 --> 0:46:33.759
<v Speaker 1>more mercurial and duplicitus somehow, but always wound up understanding

0:46:33.800 --> 0:46:37.160
<v Speaker 1>the lesson or you know, in life. And I just thought,

0:46:37.560 --> 0:46:40.400
<v Speaker 1>you want to talk about two actresses, two actors, actually

0:46:40.400 --> 0:46:43.120
<v Speaker 1>I should say who stepped into these roles? I mean

0:46:43.360 --> 0:46:47.200
<v Speaker 1>glove Fit day one, Yeah, from the pilot, Yeah, from

0:46:47.239 --> 0:46:51.640
<v Speaker 1>the pilot. It's just so it's so strange, it's beautiful,

0:46:51.680 --> 0:46:55.279
<v Speaker 1>to see actually, yeah, it's great. Yeah, And and then

0:46:55.360 --> 0:46:57.799
<v Speaker 1>even to like what the how different the three guys were.

0:46:57.880 --> 0:47:00.800
<v Speaker 1>I mean, you take you know, Dan to Chase, to

0:47:00.800 --> 0:47:04.720
<v Speaker 1>to Chuck, Dan, Nate to Chuck. It's this kid from Brooklyn.

0:47:04.760 --> 0:47:06.399
<v Speaker 1>And then you still have these two rich kids and

0:47:06.760 --> 0:47:08.799
<v Speaker 1>you know a lot of family stuff going on, but

0:47:09.000 --> 0:47:13.160
<v Speaker 1>there was a softness to Nate, like internally and externally.

0:47:13.440 --> 0:47:16.120
<v Speaker 1>And then there you know, them playing best friends. I mean,

0:47:16.280 --> 0:47:17.960
<v Speaker 1>they just did a great job. And then you kind

0:47:17.960 --> 0:47:20.520
<v Speaker 1>of had, you know, Jenny and I from Brooklyn, one

0:47:20.560 --> 0:47:23.000
<v Speaker 1>wanting to fit into that world so so badly, one

0:47:23.080 --> 0:47:25.640
<v Speaker 1>not wanting to and not getting it. So there was

0:47:25.680 --> 0:47:28.359
<v Speaker 1>that piece to the puzzle over here. And then I

0:47:28.400 --> 0:47:30.479
<v Speaker 1>really thought even and Kelly and I were just talking

0:47:30.520 --> 0:47:34.040
<v Speaker 1>about this last week, the dynamic of the parents so

0:47:34.080 --> 0:47:36.439
<v Speaker 1>to speak. You know, we were all adults at that point,

0:47:36.480 --> 0:47:38.120
<v Speaker 1>but I mean, they're still so young. But that the

0:47:38.200 --> 0:47:41.480
<v Speaker 1>parents in the show, they really did a good the humanity,

0:47:41.560 --> 0:47:44.920
<v Speaker 1>like what they did in all of the relationships there

0:47:44.719 --> 0:47:47.640
<v Speaker 1>were great even to the relationships with the kids, their

0:47:47.719 --> 0:47:50.920
<v Speaker 1>kids and their stepkids and each other and their parents.

0:47:50.960 --> 0:47:53.759
<v Speaker 1>Like Lily's relationship with CC is a whole another thing,

0:47:54.040 --> 0:47:56.240
<v Speaker 1>you know. C C. I think was only in about

0:47:56.360 --> 0:48:00.759
<v Speaker 1>ten episodes, and she's so memorable. She's she makes to presents.

0:48:00.760 --> 0:48:03.239
<v Speaker 1>It's wild. I looked that up the other day and

0:48:03.280 --> 0:48:05.360
<v Speaker 1>I was like, well, she must have been and it

0:48:05.440 --> 0:48:08.080
<v Speaker 1>was I think it was ten or something twelve. It

0:48:08.200 --> 0:48:10.480
<v Speaker 1>was something shocking because it felt like it was like

0:48:10.719 --> 0:48:13.399
<v Speaker 1>a couple of seasons and it wasn't even a full season. Yeah,

0:48:13.560 --> 0:48:16.120
<v Speaker 1>you must have done like quite a few. Yeah. I

0:48:16.120 --> 0:48:20.040
<v Speaker 1>mean I was in in and out like I was

0:48:20.280 --> 0:48:25.400
<v Speaker 1>ten of thirteen for four and a half seasons. Yeah,

0:48:25.600 --> 0:48:28.399
<v Speaker 1>but I mean some of the episodes Robert I had

0:48:28.400 --> 0:48:30.719
<v Speaker 1>come in and you know, go hand Nate a letter

0:48:30.760 --> 0:48:33.080
<v Speaker 1>and then like leave. Yeah, no, I believe me. I

0:48:33.160 --> 0:48:37.120
<v Speaker 1>used to call those the perfect crime, you know, because

0:48:37.120 --> 0:48:39.120
<v Speaker 1>I was getting paid whether I was there one scene

0:48:39.200 --> 0:48:42.040
<v Speaker 1>or forty two scenes, to get paid the same. So

0:48:42.080 --> 0:48:44.040
<v Speaker 1>it was a trip and I'd be liking to make

0:48:44.120 --> 0:48:46.600
<v Speaker 1>on the beach sometimes on my God, I know, the

0:48:46.640 --> 0:48:50.239
<v Speaker 1>perfect crime. We call it rescue me. Once I had

0:48:50.280 --> 0:48:52.960
<v Speaker 1>one word and and my buddy Lenny had one word,

0:48:53.200 --> 0:48:55.359
<v Speaker 1>and it was like din Sleary's characters up on top

0:48:55.400 --> 0:48:58.800
<v Speaker 1>of the bridge and we're like Tommy, no, he says Tommy,

0:48:58.800 --> 0:49:00.840
<v Speaker 1>and I say no, and we did it four times

0:49:00.880 --> 0:49:02.759
<v Speaker 1>and that was it, and he looked at me said

0:49:02.760 --> 0:49:06.400
<v Speaker 1>perfect crime. See you in the next episode. I was like, dude, wild, Yeah,

0:49:06.440 --> 0:49:08.319
<v Speaker 1>I was just gonna say it just was all you

0:49:08.320 --> 0:49:10.240
<v Speaker 1>know this, this is why I love doing this podcast,

0:49:10.239 --> 0:49:13.120
<v Speaker 1>because just talking to you is bringing back different feelings

0:49:13.120 --> 0:49:16.160
<v Speaker 1>and memories of the show. And also what's really neat

0:49:16.800 --> 0:49:19.359
<v Speaker 1>is you are character has never really worked together. There

0:49:19.440 --> 0:49:21.640
<v Speaker 1>was probably you know, one or two or you know,

0:49:21.680 --> 0:49:25.160
<v Speaker 1>a dozen gallons galas. I mean that we were probably

0:49:25.200 --> 0:49:27.040
<v Speaker 1>you know, my character had just walked out, well Bart

0:49:27.080 --> 0:49:29.400
<v Speaker 1>walked in or something, and we you know, we crossed

0:49:29.400 --> 0:49:31.480
<v Speaker 1>in the makeup room or something, but there wasn't a

0:49:31.480 --> 0:49:35.239
<v Speaker 1>lot that Vanessa and Bart. I don't think Bart spoke

0:49:35.239 --> 0:49:37.960
<v Speaker 1>to Vanessa. Yeah, I really don't think so either. So,

0:49:38.080 --> 0:49:39.840
<v Speaker 1>I mean, I know you and I talked on set

0:49:39.880 --> 0:49:42.799
<v Speaker 1>and you playing you know, Chuck's dad. You were there

0:49:42.800 --> 0:49:45.640
<v Speaker 1>a lot, and we've definitely crossed. But it's just so

0:49:45.760 --> 0:49:47.879
<v Speaker 1>nice to like hear and talk to you about because

0:49:47.920 --> 0:49:49.200
<v Speaker 1>even when we were doing the show, if you and

0:49:49.200 --> 0:49:51.319
<v Speaker 1>I had a conversation on on set, we weren't sitting

0:49:51.320 --> 0:49:54.000
<v Speaker 1>and talking about our characters and about what we're on.

0:49:54.120 --> 0:49:57.239
<v Speaker 1>You know, what you have to where are you? You know? Yeah,

0:49:57.600 --> 0:50:01.240
<v Speaker 1>what are you doing in New York? Is it fun? Yeah?

0:50:01.280 --> 0:50:04.759
<v Speaker 1>It is. It is interesting to hear it, and you know,

0:50:04.920 --> 0:50:07.600
<v Speaker 1>and because we're so removed, it's been so long that

0:50:07.719 --> 0:50:09.600
<v Speaker 1>it's kind of like different things come up. I'm like,

0:50:09.640 --> 0:50:11.279
<v Speaker 1>you know what I felt. Kind of I didn't know

0:50:11.320 --> 0:50:13.320
<v Speaker 1>I felt this way about Vanessa until now, or I

0:50:13.360 --> 0:50:15.959
<v Speaker 1>didn't know that I liked Blair and Chuck so much,

0:50:16.120 --> 0:50:18.160
<v Speaker 1>or you know, there's like a soft spot I have

0:50:18.280 --> 0:50:21.120
<v Speaker 1>for Bart. So it's it's kind of interesting too, like

0:50:21.600 --> 0:50:24.480
<v Speaker 1>there's there's something that I think when I returned to

0:50:24.520 --> 0:50:27.640
<v Speaker 1>the show, I can't remember. It was like the fourth season,

0:50:27.719 --> 0:50:30.520
<v Speaker 1>at the very end, and Blake said, oh, I heard

0:50:30.560 --> 0:50:33.439
<v Speaker 1>you didn't like this show, And I said, what she said,

0:50:33.480 --> 0:50:35.719
<v Speaker 1>I think that's what somebody said, And you know what,

0:50:35.800 --> 0:50:38.400
<v Speaker 1>I I really thought long and hard about that. What

0:50:38.880 --> 0:50:42.600
<v Speaker 1>I had shared with a couple of people was certainly

0:50:42.600 --> 0:50:44.120
<v Speaker 1>not that I didn't buy the show, but they didn't

0:50:44.120 --> 0:50:46.480
<v Speaker 1>buy me on it. That's what I think she heard,

0:50:47.000 --> 0:50:49.359
<v Speaker 1>and that hurts that. I was like, I felt bad.

0:50:49.400 --> 0:50:50.680
<v Speaker 1>I was like, oh, you know what, maybe I should

0:50:50.719 --> 0:50:53.279
<v Speaker 1>not even share that with anybody. But like going back

0:50:53.280 --> 0:50:56.000
<v Speaker 1>to the beginning of our conversation, I always had this

0:50:56.080 --> 0:51:00.960
<v Speaker 1>like nagging like, oh, why you know, never with the

0:51:01.080 --> 0:51:05.440
<v Speaker 1>character and not that we're never satisfied with anything. But

0:51:05.520 --> 0:51:07.719
<v Speaker 1>I I when I look back on the way I

0:51:08.719 --> 0:51:12.600
<v Speaker 1>trained art, I thought, oh, you're pushing you know, and

0:51:12.800 --> 0:51:14.880
<v Speaker 1>and I don't know, maybe it's just over speaking it.

0:51:15.000 --> 0:51:18.120
<v Speaker 1>But anyway, yeah, I I always felt that that she

0:51:18.200 --> 0:51:21.719
<v Speaker 1>had gotten like, you know, misinformation. Yeah, you know, that's

0:51:21.719 --> 0:51:25.239
<v Speaker 1>the game of telephone. Yeah, someone accidentally said something else.

0:51:25.280 --> 0:51:27.319
<v Speaker 1>But because listen, somebody said to me, oh, you don't

0:51:27.320 --> 0:51:29.319
<v Speaker 1>like gospel, I said, are you out of your mind?

0:51:29.400 --> 0:51:31.759
<v Speaker 1>I'm wearing a beautiful suit, i have a drink in

0:51:31.760 --> 0:51:34.200
<v Speaker 1>my hand, and I'm talking with beautiful women. What the

0:51:34.239 --> 0:51:37.480
<v Speaker 1>hell are you? And I'm getting paid and like my

0:51:38.200 --> 0:51:41.320
<v Speaker 1>c in New York City, I'm home, I'm coaching, I'm

0:51:41.360 --> 0:51:44.120
<v Speaker 1>with my boys. And I said, there, if there's a

0:51:44.200 --> 0:51:46.759
<v Speaker 1>downside here, I don't know what it is. You know,

0:51:46.960 --> 0:51:52.000
<v Speaker 1>never having never having you know, heavy heavy dialogue or

0:51:52.040 --> 0:51:55.160
<v Speaker 1>heavy schedule. And I've been on shows where people have

0:51:55.200 --> 0:51:57.799
<v Speaker 1>been like worked into the ground and their health is

0:51:58.239 --> 0:52:00.640
<v Speaker 1>compromise and stuff like that. So for me it was

0:52:00.719 --> 0:52:02.840
<v Speaker 1>just ideal. I come in, I touched the door, I

0:52:02.840 --> 0:52:07.080
<v Speaker 1>put on this beautiful suit and h and everyone. I mean, honestly,

0:52:07.320 --> 0:52:10.840
<v Speaker 1>you did so great with bart like you can't. I

0:52:10.840 --> 0:52:12.879
<v Speaker 1>mean now, at this point, it's just implanted in our head,

0:52:13.000 --> 0:52:15.320
<v Speaker 1>like your face, your body, your tone of your voice,

0:52:15.360 --> 0:52:18.239
<v Speaker 1>the way you know you had hit the walk. So

0:52:18.280 --> 0:52:21.240
<v Speaker 1>we obviously all of us, the cast or the fans

0:52:21.320 --> 0:52:24.040
<v Speaker 1>or viewers watching, you can't picture anyone else playing them.

0:52:24.040 --> 0:52:26.960
<v Speaker 1>But you know, us as artists were always our own

0:52:26.960 --> 0:52:29.120
<v Speaker 1>worst critic. Like you know, I say that sometimes you

0:52:29.160 --> 0:52:31.160
<v Speaker 1>can watch it, you know something back, Sometimes I don't

0:52:31.200 --> 0:52:33.160
<v Speaker 1>like watching stuff I do. But I said it was

0:52:33.200 --> 0:52:36.280
<v Speaker 1>like watching a soccer game. Back, I could have taken

0:52:36.280 --> 0:52:37.840
<v Speaker 1>the ball all the way up and crossed it and

0:52:37.880 --> 0:52:40.799
<v Speaker 1>passed it beautifully or scored, and I still will be like,

0:52:40.800 --> 0:52:42.560
<v Speaker 1>why I should have passed it, you know, took one

0:52:42.600 --> 0:52:45.399
<v Speaker 1>step less. So we're our own worst critics. So it's

0:52:45.520 --> 0:52:48.760
<v Speaker 1>you know that I totally understand you you thinking about

0:52:49.120 --> 0:52:51.000
<v Speaker 1>that in that way, But me telling you as like

0:52:51.040 --> 0:52:54.440
<v Speaker 1>a colleague or a friend or someone who you know,

0:52:54.920 --> 0:52:58.080
<v Speaker 1>me working with you. You made so many people happy

0:52:58.120 --> 0:53:01.000
<v Speaker 1>from the studio, to the people watching, even your co

0:53:01.120 --> 0:53:03.440
<v Speaker 1>stars like Kelly speaks so highly of you and Ed

0:53:03.520 --> 0:53:06.160
<v Speaker 1>speaks so highly of you. So but I also think

0:53:06.160 --> 0:53:08.680
<v Speaker 1>when we're hard on ourselves and think, oh, we should

0:53:08.680 --> 0:53:11.120
<v Speaker 1>play this, I think it also helps us grow. But

0:53:11.880 --> 0:53:13.600
<v Speaker 1>an acting coach one said to me too, don't be

0:53:13.640 --> 0:53:16.560
<v Speaker 1>too hard on yourself. But don't ever think you just

0:53:16.640 --> 0:53:19.360
<v Speaker 1>knocked it out of the park either. So I'm like, okay, yeah,

0:53:19.440 --> 0:53:22.560
<v Speaker 1>and very very rarely when I think that you or

0:53:22.600 --> 0:53:24.759
<v Speaker 1>I would think that we not get out of a park.

0:53:25.120 --> 0:53:26.960
<v Speaker 1>It's just not I don't know if I've ever really

0:53:26.960 --> 0:53:29.439
<v Speaker 1>had that. It's not the nature of what we do.

0:53:29.600 --> 0:53:31.600
<v Speaker 1>It's art, and you're going to have a good day

0:53:31.600 --> 0:53:33.000
<v Speaker 1>with it or you're gonna have a bad day. Because

0:53:33.000 --> 0:53:35.200
<v Speaker 1>that's like even with auditioning and things like that, I'd

0:53:35.200 --> 0:53:37.080
<v Speaker 1>always say to myself, good day or bad day, no

0:53:37.120 --> 0:53:39.880
<v Speaker 1>big deal. It's just art. And some days the painting

0:53:39.960 --> 0:53:42.319
<v Speaker 1>turns out well and some days not so good. And

0:53:42.360 --> 0:53:44.439
<v Speaker 1>it also depends on who's looking at the painting because

0:53:44.440 --> 0:53:47.959
<v Speaker 1>it's so you know, so subjectively one thinks it totally

0:53:48.000 --> 0:53:51.000
<v Speaker 1>totally and m but we're just so lucky to get

0:53:51.040 --> 0:53:54.080
<v Speaker 1>to do it. You know. That's what my bottom line

0:53:54.120 --> 0:53:57.920
<v Speaker 1>has always been. Yeah, yeah, yeah, I tell the story.

0:53:58.480 --> 0:54:01.520
<v Speaker 1>I was on Gossip Girl day long day, sixteen hour

0:54:01.600 --> 0:54:06.160
<v Speaker 1>day gala, and you know how they keep reapplying makeup, pancake, pancake,

0:54:06.239 --> 0:54:08.880
<v Speaker 1>you know, and a little anti shine, and so I

0:54:08.920 --> 0:54:11.600
<v Speaker 1>had eighty layers of this stuff on and I got home.

0:54:11.640 --> 0:54:13.719
<v Speaker 1>I didn't even wash my face. I have to my car.

0:54:13.760 --> 0:54:16.920
<v Speaker 1>I drove home and a fire alarm happened, and I

0:54:16.960 --> 0:54:18.799
<v Speaker 1>got to the station and then I hoped in the

0:54:18.840 --> 0:54:21.800
<v Speaker 1>truck and this firefighter sitting opposite me, and he was

0:54:21.840 --> 0:54:23.640
<v Speaker 1>gonna ask you a question, and I go, yeah, yeah,

0:54:23.640 --> 0:54:26.400
<v Speaker 1>we're on the way to a legitimate fire. And he goes,

0:54:26.640 --> 0:54:29.000
<v Speaker 1>he goes, do you have makeup on? And I go

0:54:30.200 --> 0:54:32.960
<v Speaker 1>yeah yeah, and he goes, oh yeah yeah, yeah no right,

0:54:33.000 --> 0:54:35.160
<v Speaker 1>like that's what you do, right, yeah, yeah yeah. And

0:54:35.200 --> 0:54:38.319
<v Speaker 1>I thought to myself, who in their career is ever

0:54:38.360 --> 0:54:40.640
<v Speaker 1>gonna like be in the situation. It was just so

0:54:40.680 --> 0:54:42.200
<v Speaker 1>funny the way he said it. And then he tried

0:54:42.239 --> 0:54:44.000
<v Speaker 1>to like back off, but he's like, well, yeah, that's

0:54:44.040 --> 0:54:47.120
<v Speaker 1>what you do, right. It's like to dot and in

0:54:47.160 --> 0:54:51.160
<v Speaker 1>his shoes. You can't blame him for thinking that's like

0:54:51.800 --> 0:54:53.400
<v Speaker 1>me and looking at me and look at me. It's like, bro,

0:54:53.520 --> 0:54:55.239
<v Speaker 1>do you have like makeup? And I was like, yeah,

0:54:55.280 --> 0:54:58.439
<v Speaker 1>I got tons of makeup. Um. But anyway, another little

0:54:58.480 --> 0:55:04.160
<v Speaker 1>funny sidebar of both of those lives intersecting. Yeah, you know,

0:55:04.480 --> 0:55:08.480
<v Speaker 1>looking at old brother ware bart out again. Yeah, and

0:55:08.760 --> 0:55:13.399
<v Speaker 1>the masonsm the whole scene of the funeral or at

0:55:13.440 --> 0:55:16.480
<v Speaker 1>the graveyard, and you know, I've seen a lot of

0:55:16.480 --> 0:55:19.680
<v Speaker 1>pictures of Gossip Girl and Gallus, but there was something

0:55:19.719 --> 0:55:24.120
<v Speaker 1>about what people were wearing that was just so iconic

0:55:24.160 --> 0:55:26.000
<v Speaker 1>to me. It was so I hate to use the

0:55:26.000 --> 0:55:29.200
<v Speaker 1>expression it was a funeral, but everybody looked everybody looked

0:55:29.239 --> 0:55:33.600
<v Speaker 1>so fucking cool. The style is timeless. I'd wear whatever

0:55:33.680 --> 0:55:37.200
<v Speaker 1>anybody was wearing today. It was just going back to Eric.

0:55:37.320 --> 0:55:40.120
<v Speaker 1>He was really iconic. And that was just so that

0:55:40.239 --> 0:55:42.920
<v Speaker 1>was such a home run the Black Loves. It was

0:55:43.000 --> 0:55:47.680
<v Speaker 1>just everything. But so Ei don't looked great. They looked beautiful.

0:55:47.680 --> 0:55:49.520
<v Speaker 1>I mean they look like off a runway going to

0:55:49.800 --> 0:55:52.759
<v Speaker 1>It was just it was fantastic. It was fantastic. But

0:55:52.800 --> 0:55:56.560
<v Speaker 1>you would expect nothing less. Well, yeah, there you are.

0:55:56.760 --> 0:55:59.040
<v Speaker 1>You know, although you know what now that you say

0:55:59.040 --> 0:56:02.839
<v Speaker 1>at one folk pah. I couldn't stand it. And Eric

0:56:02.880 --> 0:56:06.400
<v Speaker 1>went to the wall at Lily and Bart's wedding and

0:56:06.440 --> 0:56:09.560
<v Speaker 1>he made me wear tails. And I said, Eric, Eric,

0:56:09.840 --> 0:56:13.160
<v Speaker 1>listen to me, listen to me, and I said, I'm

0:56:13.200 --> 0:56:15.719
<v Speaker 1>not tall enough for tells me. He said, you have

0:56:15.800 --> 0:56:18.120
<v Speaker 1>to wear tails. I was like, why, why, why can't

0:56:18.120 --> 0:56:20.360
<v Speaker 1>I wear just like a you know, a cocktail jacketer

0:56:20.400 --> 0:56:22.239
<v Speaker 1>or a tucks or They said no, it has to

0:56:22.239 --> 0:56:25.279
<v Speaker 1>be tales and I said, please please, And in my

0:56:25.400 --> 0:56:29.239
<v Speaker 1>head Robert Burke the actor, told himself that unless you're

0:56:29.320 --> 0:56:32.600
<v Speaker 1>like six ft two or three or four, tails are

0:56:32.640 --> 0:56:35.839
<v Speaker 1>just you know, not happening. And I had to wear

0:56:35.840 --> 0:56:38.320
<v Speaker 1>the tails, and I was just like, oh, this is awful,

0:56:38.480 --> 0:56:40.600
<v Speaker 1>this is all. Did you end up loving it? And ya? No,

0:56:40.960 --> 0:56:43.520
<v Speaker 1>I never was. The one thing I hated him for

0:56:43.600 --> 0:56:45.719
<v Speaker 1>it was the tails. But I was like, I feel

0:56:45.719 --> 0:56:48.880
<v Speaker 1>like Liberaci, oh my god, please please don't and he's like,

0:56:49.239 --> 0:56:52.160
<v Speaker 1>they want this, They've approved it. Everything is. I was like, okay,

0:56:52.200 --> 0:56:55.920
<v Speaker 1>for you all, do it, but well you you're also

0:56:56.280 --> 0:56:59.640
<v Speaker 1>you were and are still in such good shape, so

0:57:00.320 --> 0:57:03.120
<v Speaker 1>you those suits didn't just fit because they were like

0:57:03.560 --> 0:57:07.840
<v Speaker 1>fitted to you and they are brilliant amazing, very detailed suits.

0:57:08.320 --> 0:57:10.960
<v Speaker 1>You also the way they fit your body, because you

0:57:10.960 --> 0:57:13.200
<v Speaker 1>you you have a great not to make it weird,

0:57:13.200 --> 0:57:15.240
<v Speaker 1>to be weird, you're very You're in very good shape,

0:57:15.320 --> 0:57:19.959
<v Speaker 1>so everything looked even better on you. So my first day,

0:57:20.240 --> 0:57:22.480
<v Speaker 1>my first day there, and we're going to do the fitting.

0:57:22.720 --> 0:57:26.200
<v Speaker 1>On the day it's the first episode, the agent calls.

0:57:26.240 --> 0:57:28.440
<v Speaker 1>He said, this is an offer, this is the show,

0:57:28.760 --> 0:57:31.000
<v Speaker 1>this is who you're playing. And I said, yeah, okay,

0:57:31.080 --> 0:57:34.440
<v Speaker 1>sounds okay, and I go there. It's at the Palace Hotel.

0:57:34.480 --> 0:57:38.360
<v Speaker 1>It's this luncheon and they give me the suit and

0:57:38.720 --> 0:57:42.120
<v Speaker 1>my twin brother. I have a twin brother who he's

0:57:42.160 --> 0:57:45.160
<v Speaker 1>a big clothes horse. I'm not you die if you

0:57:45.200 --> 0:57:48.640
<v Speaker 1>saw what I'm sitting in now. Anyway, he like, I

0:57:48.720 --> 0:57:51.200
<v Speaker 1>forgot that you're a twin Yeah. So he's like, you know,

0:57:51.320 --> 0:57:54.560
<v Speaker 1>Italian suits, London shirts, you know this. I mean, he's

0:57:54.600 --> 0:57:57.080
<v Speaker 1>just all over it, all over it. To this day,

0:57:57.080 --> 0:57:59.120
<v Speaker 1>he's all over it. So he comes with me on

0:57:59.160 --> 0:58:00.800
<v Speaker 1>my first day and they put on this suit. I

0:58:00.840 --> 0:58:05.480
<v Speaker 1>can't remember who it was, it's just he's like, bro, bro.

0:58:06.520 --> 0:58:10.000
<v Speaker 1>I was like, he said, this is just incredible, and

0:58:10.000 --> 0:58:12.640
<v Speaker 1>and I was like, yeah, it's really nice stuff. So

0:58:13.120 --> 0:58:15.880
<v Speaker 1>that was funny because that first day he's like, whoever

0:58:16.200 --> 0:58:19.640
<v Speaker 1>is you know doing your wardrobe really understands what's happening.

0:58:19.920 --> 0:58:21.600
<v Speaker 1>And then I was going. I remember having a fitting

0:58:21.600 --> 0:58:25.080
<v Speaker 1>at j Press one day on Madison Avenue and you know,

0:58:25.400 --> 0:58:28.680
<v Speaker 1>j Press, and I show up with like, you know,

0:58:28.720 --> 0:58:31.080
<v Speaker 1>dirty sneakers and dirty shorts and the baseball cap and

0:58:31.120 --> 0:58:34.960
<v Speaker 1>they're like hello. So but then but then I hopped

0:58:35.000 --> 0:58:36.520
<v Speaker 1>into the dressing room and I hopped back out and

0:58:36.600 --> 0:58:39.520
<v Speaker 1>I said, cleaned up pretty well. So anyway, wearing the

0:58:39.560 --> 0:58:42.919
<v Speaker 1>stuff that was the armor, that was the aesthetic armor

0:58:43.040 --> 0:58:46.200
<v Speaker 1>that that Eric was providing. And once I put the

0:58:46.240 --> 0:58:48.600
<v Speaker 1>suit on and the double winds are not and the

0:58:49.000 --> 0:58:53.280
<v Speaker 1>whatever it was, the handkerchief in the pocket and everything

0:58:53.320 --> 0:58:56.600
<v Speaker 1>and the pocket square that was that could be Bart

0:58:56.760 --> 0:58:58.720
<v Speaker 1>right there. Then I just started to feel like him

0:58:58.720 --> 0:59:01.360
<v Speaker 1>because I'm I'm not a suite guy. If I dress

0:59:01.440 --> 0:59:03.640
<v Speaker 1>up in a suit like my blade, that's wild to me.

0:59:04.440 --> 0:59:06.680
<v Speaker 1>He just looks so good. Oh well, it was fun,

0:59:06.680 --> 0:59:10.080
<v Speaker 1>I mean, but again, all praise and honor to Eric.

0:59:10.240 --> 0:59:14.280
<v Speaker 1>Eric uh he and you know what, Mike Fittings, chump, chump, chump, chump.

0:59:14.440 --> 0:59:17.520
<v Speaker 1>It was just so quick. Very rarely did he say no,

0:59:17.720 --> 0:59:20.440
<v Speaker 1>this is awful or this is a disaster. This can

0:59:20.480 --> 0:59:22.600
<v Speaker 1>you come back later and I'll pull more stuff. It

0:59:22.640 --> 0:59:26.080
<v Speaker 1>was always like, you know what, I had the same

0:59:26.080 --> 0:59:28.560
<v Speaker 1>experience with him. I don't think in all four and

0:59:28.600 --> 0:59:31.480
<v Speaker 1>a half years, I ever even was like I just

0:59:31.640 --> 0:59:33.320
<v Speaker 1>you always trusted him, And even if there was something

0:59:33.320 --> 0:59:35.880
<v Speaker 1>where I was like, whoa, this is like really out there,

0:59:36.160 --> 0:59:38.320
<v Speaker 1>he still somehow would be like then pull out an

0:59:38.320 --> 0:59:40.160
<v Speaker 1>earring and something else, And by the time it was done,

0:59:40.160 --> 0:59:42.720
<v Speaker 1>I'm like, I can't believe how you just even shape

0:59:42.760 --> 0:59:44.800
<v Speaker 1>that and it already looked good before, like he just

0:59:44.840 --> 0:59:47.280
<v Speaker 1>really had. It's definitely art. I mean, it's you know,

0:59:47.840 --> 0:59:50.920
<v Speaker 1>but but it's also your wardrobe karma I call it.

0:59:50.960 --> 0:59:53.120
<v Speaker 1>You know, if you have a good wardrobe, commrade, that

0:59:53.280 --> 0:59:55.360
<v Speaker 1>will chase you from job to job. And it's a

0:59:55.360 --> 0:59:58.600
<v Speaker 1>prooduct of of your saying in shape too, Jessica, I mean,

0:59:58.680 --> 1:00:01.280
<v Speaker 1>you know what I mean, and and seriously and being

1:00:01.320 --> 1:00:05.120
<v Speaker 1>able to think certain sizes and and and and then

1:00:05.200 --> 1:00:08.920
<v Speaker 1>having a certain posture or eylan or you know, to

1:00:09.560 --> 1:00:13.520
<v Speaker 1>manifest the look. Yeah, I agree. You know what's funny

1:00:13.560 --> 1:00:15.040
<v Speaker 1>that you say that I really do have a good

1:00:15.040 --> 1:00:17.840
<v Speaker 1>experience with wardrobes on all of my jobs. Knock come

1:00:17.880 --> 1:00:20.320
<v Speaker 1>wood now, but I'll tell you what I do. Feel

1:00:20.320 --> 1:00:22.000
<v Speaker 1>like you might be right that follows you job your job,

1:00:22.000 --> 1:00:25.200
<v Speaker 1>but i'll tell you right now. The tech stuff doesn't

1:00:25.240 --> 1:00:26.960
<v Speaker 1>even if the email is script. It's like half the

1:00:27.000 --> 1:00:29.520
<v Speaker 1>script comes when I'm doing this podcast, like someone's mic

1:00:29.560 --> 1:00:32.560
<v Speaker 1>isn't working. So I'm good in the wardrobe department. When

1:00:32.560 --> 1:00:34.520
<v Speaker 1>it comes to like emails and tech and all that

1:00:34.880 --> 1:00:39.320
<v Speaker 1>I've I've lost there and i'd rather the wardrobe. You see,

1:00:39.320 --> 1:00:41.560
<v Speaker 1>I'm sixty two. I can pleade like I'm an old

1:00:41.560 --> 1:00:43.760
<v Speaker 1>guy who knows nothing. I just don't get it. But

1:00:43.840 --> 1:00:47.479
<v Speaker 1>I'm telling you it produces stress. It's like, yeah, Bob,

1:00:47.480 --> 1:00:49.480
<v Speaker 1>they'll they'll be dialing in at two o'clock and you'll

1:00:49.520 --> 1:00:52.640
<v Speaker 1>be this, okay, okay, okay. And I'm trying to be

1:00:52.640 --> 1:00:56.560
<v Speaker 1>amenable to whatever the not at all. Certainly podcasts, but

1:00:56.640 --> 1:00:58.640
<v Speaker 1>I thought, you know, I do a lot of fire

1:00:58.720 --> 1:01:02.640
<v Speaker 1>service podcasts and first responder stuff and for charity this

1:01:02.680 --> 1:01:05.480
<v Speaker 1>stuff the other. But like the minute you know, oh

1:01:05.560 --> 1:01:07.960
<v Speaker 1>here's the link, and the links not opening, and I

1:01:08.080 --> 1:01:15.320
<v Speaker 1>just really it's just it's it's stressful. It's professionals, and

1:01:15.360 --> 1:01:16.640
<v Speaker 1>we want to do a good job. We want to

1:01:16.640 --> 1:01:20.640
<v Speaker 1>be earlier. And you know, yeah, I have no pretense

1:01:20.680 --> 1:01:22.560
<v Speaker 1>as to, oh I'll get to it when I get

1:01:22.560 --> 1:01:24.880
<v Speaker 1>to it, or I'm gonna be late. I would die before,

1:01:25.320 --> 1:01:27.320
<v Speaker 1>you know what I mean. I still want to do

1:01:27.360 --> 1:01:31.560
<v Speaker 1>the right thing. That's my emotional style. And even today

1:01:31.560 --> 1:01:34.720
<v Speaker 1>I was like so like, oh no, you know, and

1:01:34.800 --> 1:01:37.280
<v Speaker 1>but you were still you were still early on like

1:01:37.320 --> 1:01:39.200
<v Speaker 1>it was all good. The thing is is I almost

1:01:39.200 --> 1:01:41.520
<v Speaker 1>think on some of these like links and websites and

1:01:41.520 --> 1:01:45.680
<v Speaker 1>and all these apps and all the platforms whatever, I

1:01:45.720 --> 1:01:48.560
<v Speaker 1>almost think they try to make it so easy and

1:01:48.640 --> 1:01:52.280
<v Speaker 1>so many clicks that it's almost like backfires. Because even

1:01:52.400 --> 1:01:55.600
<v Speaker 1>still when you try to go on these apps and

1:01:55.600 --> 1:01:58.240
<v Speaker 1>and TikTok and Instagram and this and that, it's not

1:01:58.320 --> 1:02:00.240
<v Speaker 1>just like this filter and this is how you blow

1:02:00.320 --> 1:02:02.560
<v Speaker 1>the thing. It's like fifteen different things you gotta hit.

1:02:02.600 --> 1:02:04.800
<v Speaker 1>And I'm like, yo, this is too much. I'm good.

1:02:05.080 --> 1:02:08.360
<v Speaker 1>I FaceTime my two sons and I'm pointing in the

1:02:08.400 --> 1:02:12.040
<v Speaker 1>FaceTime at the screen. I'm like open the mic and

1:02:12.120 --> 1:02:15.240
<v Speaker 1>he goes with the mouthful of sandwich. He goes pres

1:02:15.440 --> 1:02:17.400
<v Speaker 1>you know, and I'm like where He's like down left,

1:02:17.400 --> 1:02:21.160
<v Speaker 1>I'm like, thank you. So those are my tech gers

1:02:21.360 --> 1:02:24.720
<v Speaker 1>um without, whom I hate. When they get indignant, they're

1:02:24.720 --> 1:02:27.120
<v Speaker 1>like move that's all they say, move right, Let me

1:02:27.160 --> 1:02:30.040
<v Speaker 1>just do it. My mom's like, well show me, show me.

1:02:30.080 --> 1:02:32.080
<v Speaker 1>I want to learn. I'm like, Mom, we gotta watch

1:02:32.120 --> 1:02:34.280
<v Speaker 1>my younger sister do it. I don't know. Oh my god,

1:02:34.600 --> 1:02:36.200
<v Speaker 1>it is what it is. You know, we we we

1:02:36.280 --> 1:02:39.360
<v Speaker 1>stumble to the goal. And you know it's no, it's

1:02:39.360 --> 1:02:42.960
<v Speaker 1>no reflection on anybody. If you're not tech savvy. Like

1:02:43.000 --> 1:02:44.960
<v Speaker 1>I said at the beginning, I where you know you

1:02:44.960 --> 1:02:46.920
<v Speaker 1>should wear it as a badge of courage. I'd rather

1:02:46.960 --> 1:02:49.160
<v Speaker 1>sit down with a good book, a real book, not

1:02:49.240 --> 1:03:04.760
<v Speaker 1>in the book. Right. Do you want to talk about

1:03:04.760 --> 1:03:07.280
<v Speaker 1>any of your charities or anything you want to us

1:03:07.320 --> 1:03:09.680
<v Speaker 1>to know about that you got going on, or that

1:03:09.720 --> 1:03:13.120
<v Speaker 1>we should can look into um for you before we

1:03:13.520 --> 1:03:16.000
<v Speaker 1>wrap up, because you just you have such an interesting

1:03:16.840 --> 1:03:19.440
<v Speaker 1>path and journey and life and and I knew that

1:03:19.520 --> 1:03:21.520
<v Speaker 1>about you, but there's it's also what also I think

1:03:21.560 --> 1:03:24.320
<v Speaker 1>it's so amazing is that there's things like no one

1:03:24.400 --> 1:03:26.680
<v Speaker 1>did know, like you know the reason of why you

1:03:26.720 --> 1:03:29.640
<v Speaker 1>went to become a firefighter. Like that's a really touching

1:03:30.520 --> 1:03:32.960
<v Speaker 1>you know, it makes me want to tear up. Twenty

1:03:33.040 --> 1:03:35.360
<v Speaker 1>years later, twenty one years later, and I get emotional

1:03:35.440 --> 1:03:38.040
<v Speaker 1>when I speak about it. It's this, how how much

1:03:38.720 --> 1:03:41.240
<v Speaker 1>that man he was the godfather of my children? Like

1:03:41.320 --> 1:03:43.320
<v Speaker 1>the room I'm sitting there in here now is like

1:03:43.360 --> 1:03:46.840
<v Speaker 1>this converted office space. And when I rented this house

1:03:47.040 --> 1:03:50.360
<v Speaker 1>like thirty years ago, I subsequently bought it, this was

1:03:50.440 --> 1:03:52.920
<v Speaker 1>his room, you know what I mean. So, like he

1:03:53.000 --> 1:03:54.960
<v Speaker 1>was such a like a he was like a Buddha.

1:03:55.240 --> 1:03:58.920
<v Speaker 1>He was marine in Vietnam. He was at black belt,

1:03:58.920 --> 1:04:01.640
<v Speaker 1>he was a golden glove boxer. He was a yogi.

1:04:02.240 --> 1:04:04.680
<v Speaker 1>He was doing yoga before anybody was ever doing yoga

1:04:04.720 --> 1:04:07.920
<v Speaker 1>down at Jeebuk Mouti. So he was this beautiful human

1:04:07.960 --> 1:04:11.080
<v Speaker 1>being and we had this great friendship and it really hurt.

1:04:11.640 --> 1:04:14.680
<v Speaker 1>And like somebody once said, I read, No I don't

1:04:14.680 --> 1:04:16.840
<v Speaker 1>know who said it, but I read it was the

1:04:16.880 --> 1:04:20.440
<v Speaker 1>thing that transformed my life. It said, grief is love

1:04:20.560 --> 1:04:24.200
<v Speaker 1>with nowhere to go. And so I figured I'd find

1:04:24.280 --> 1:04:27.200
<v Speaker 1>somewhere from my love for him to go. And it

1:04:27.240 --> 1:04:29.520
<v Speaker 1>was in the fire service. You know, why should it

1:04:29.560 --> 1:04:31.840
<v Speaker 1>be Joe. Why should it be Jim? Why should it

1:04:31.840 --> 1:04:34.360
<v Speaker 1>be Why can't it be me? These guys are all

1:04:34.400 --> 1:04:36.880
<v Speaker 1>putting down their job and their life and their family

1:04:37.280 --> 1:04:41.680
<v Speaker 1>to go and help down power lines, gas leaks, automatic alarms,

1:04:41.760 --> 1:04:45.360
<v Speaker 1>cardiac arrest, whatever it is. And I was forty one

1:04:45.520 --> 1:04:47.400
<v Speaker 1>and the people I went through the fire Academy with

1:04:47.440 --> 1:04:51.120
<v Speaker 1>for two years like twenty one, twenty three years old,

1:04:51.160 --> 1:04:54.360
<v Speaker 1>twenty four years old, and by virtue of my being older,

1:04:54.400 --> 1:04:56.960
<v Speaker 1>I was listening. Oh my god, I was listening. And

1:04:57.000 --> 1:04:59.800
<v Speaker 1>I'm not like a mechanically you know, inclines like oh

1:04:59.840 --> 1:05:01.720
<v Speaker 1>the psaw and the coupling and the you know, the

1:05:01.720 --> 1:05:04.680
<v Speaker 1>four I'm like, oh, ship. But I kept going and

1:05:05.040 --> 1:05:07.919
<v Speaker 1>I got through. I mean I didn't fine and then

1:05:08.320 --> 1:05:11.280
<v Speaker 1>rose through the ranks. I just stepped aside after twelve

1:05:11.360 --> 1:05:13.439
<v Speaker 1>years as a captain to let like a new guy

1:05:13.520 --> 1:05:17.120
<v Speaker 1>come up. And I still instruct like do fire training.

1:05:17.400 --> 1:05:20.280
<v Speaker 1>I was giving well. I went on a cardiac called

1:05:20.280 --> 1:05:22.640
<v Speaker 1>the other night that was really really you know, kind

1:05:22.640 --> 1:05:26.280
<v Speaker 1>of traumatic. But you know, I say to the universe, like,

1:05:26.320 --> 1:05:28.640
<v Speaker 1>how did I get here? I'll tell you a quick story.

1:05:28.680 --> 1:05:30.880
<v Speaker 1>When I when I was pushing my first fire, I

1:05:30.960 --> 1:05:33.360
<v Speaker 1>was on the hose and I'm pushing down the hallway

1:05:33.720 --> 1:05:36.560
<v Speaker 1>and I remember saying to myself, I didn't sign on

1:05:36.640 --> 1:05:39.240
<v Speaker 1>for this, and my friend's voice came to me and

1:05:39.280 --> 1:05:41.280
<v Speaker 1>he goes, this is exactly what you signed on for.

1:05:41.720 --> 1:05:44.360
<v Speaker 1>I was like, oh, ship. And then when the pandemic happened,

1:05:44.360 --> 1:05:46.400
<v Speaker 1>because I drive the ambulance, I was sent for the

1:05:46.520 --> 1:05:49.520
<v Speaker 1>vaccine like before anybody, and I was like, that's weird.

1:05:50.080 --> 1:05:52.040
<v Speaker 1>And when the pandemic came, I says, I'm going to

1:05:52.120 --> 1:05:55.040
<v Speaker 1>transport people with COVID. And then then I thought to myself,

1:05:55.040 --> 1:05:56.520
<v Speaker 1>We'll wait a minute. I didn't sign on for this.

1:05:57.280 --> 1:05:58.920
<v Speaker 1>His voice came to me again and said, this is

1:05:58.960 --> 1:06:01.959
<v Speaker 1>exactly what you signed on for. So if you get

1:06:02.000 --> 1:06:03.720
<v Speaker 1>out of the way, you know what I mean, and

1:06:03.840 --> 1:06:07.360
<v Speaker 1>your life opens up for you. And granted, uh, it's

1:06:07.400 --> 1:06:11.000
<v Speaker 1>not that I'm following another person's path, but I am

1:06:11.000 --> 1:06:15.360
<v Speaker 1>discovering and the opportunity, like because I think we're here

1:06:15.440 --> 1:06:18.120
<v Speaker 1>just pretty much to help each other. That's just the

1:06:18.160 --> 1:06:22.040
<v Speaker 1>way I am. The way my mother and father put

1:06:22.160 --> 1:06:26.320
<v Speaker 1>me together is hey, you gotta get out there and help.

1:06:26.600 --> 1:06:29.640
<v Speaker 1>And that's like my sisters are all like burn Care,

1:06:29.800 --> 1:06:35.560
<v Speaker 1>AIDS Care, Transplant, coordination cancer care, I mean heavy, heavy

1:06:35.600 --> 1:06:38.280
<v Speaker 1>stuff and for years, like my sister and Margaret did

1:06:38.360 --> 1:06:41.800
<v Speaker 1>um cancer care for forty one years. So there's that

1:06:42.200 --> 1:06:45.760
<v Speaker 1>your life force. What makes you feel alive And you

1:06:45.840 --> 1:06:48.680
<v Speaker 1>might not, well, oh it could be swimming, but like

1:06:48.720 --> 1:06:51.240
<v Speaker 1>what really makes you feel alive, you know, like being

1:06:51.240 --> 1:06:54.080
<v Speaker 1>a dad or being a mom. Of obviously that's just

1:06:54.600 --> 1:06:57.720
<v Speaker 1>locked in, but then there are these other things. And

1:06:57.920 --> 1:07:01.400
<v Speaker 1>it wasn't just the art, uh of acting. I found

1:07:01.400 --> 1:07:03.480
<v Speaker 1>out that the firefighting was one of the things. I

1:07:03.840 --> 1:07:07.000
<v Speaker 1>really enjoy it, the challenge of it, staying in shape,

1:07:07.080 --> 1:07:09.520
<v Speaker 1>like putting the gear on, and you know, I'm like,

1:07:09.560 --> 1:07:11.360
<v Speaker 1>oh boy, I wonder how many more years in this

1:07:11.480 --> 1:07:16.120
<v Speaker 1>I have left? Anyway, So I feel incredibly honored and

1:07:16.240 --> 1:07:19.080
<v Speaker 1>lucky and blessed to have had this path put in

1:07:19.120 --> 1:07:21.160
<v Speaker 1>front of me. And I don't say that like in

1:07:21.200 --> 1:07:25.560
<v Speaker 1>a smalty it's the that's my that's totally my truth.

1:07:26.040 --> 1:07:28.760
<v Speaker 1>And I'm so lucky that I still like it because

1:07:31.360 --> 1:07:33.600
<v Speaker 1>beautiful Robert. But I bitch and moan about it all

1:07:33.600 --> 1:07:37.000
<v Speaker 1>the time because there's only two things, you know, uh,

1:07:37.240 --> 1:07:39.520
<v Speaker 1>Like they say that acting there's only two times where

1:07:39.680 --> 1:07:41.960
<v Speaker 1>we complain when we're working and when we're not. You know,

1:07:42.360 --> 1:07:44.960
<v Speaker 1>but give an actor a job and they'll complain, Oh

1:07:45.040 --> 1:07:48.520
<v Speaker 1>my god, isn't that what they say? With firefighting? It's like,

1:07:49.400 --> 1:07:52.040
<v Speaker 1>but so yeah, that's that's pretty much. I worked with

1:07:52.240 --> 1:07:57.400
<v Speaker 1>several firefighter foundations, the Leery Firefighter Foundation, the Joseph de

1:07:57.560 --> 1:08:03.560
<v Speaker 1>Bernardo Memorial, Firefighter Nation for Firefighter Survival Training vet HACK,

1:08:03.680 --> 1:08:08.720
<v Speaker 1>which is a veterans organization and probably leaving somebody out,

1:08:09.360 --> 1:08:12.920
<v Speaker 1>but these are just guys who we get together, and

1:08:12.920 --> 1:08:16.920
<v Speaker 1>it's always something very cognitive, like it's not just giving

1:08:16.960 --> 1:08:19.479
<v Speaker 1>firefighters money, but it's training them on how to get

1:08:19.479 --> 1:08:23.439
<v Speaker 1>out of a building. The contents of everybody's room. Fifty

1:08:23.520 --> 1:08:28.160
<v Speaker 1>years ago, the contents used to be wood and cloth. Okay,

1:08:28.200 --> 1:08:32.679
<v Speaker 1>now the contents is plastic. Plastic burns eight times hotter,

1:08:33.160 --> 1:08:36.599
<v Speaker 1>and so the fire loads, that's what it's referred to,

1:08:37.520 --> 1:08:40.360
<v Speaker 1>has changed, and so the methods and the tactics have

1:08:40.520 --> 1:08:42.800
<v Speaker 1>to change, and it's a whole science. And the thing

1:08:42.840 --> 1:08:45.439
<v Speaker 1>I love most about the fire service is that it's

1:08:45.479 --> 1:08:49.519
<v Speaker 1>a learning culture. You're always learning, no nobody knows all,

1:08:50.520 --> 1:08:54.280
<v Speaker 1>and you're constantly in a in a constant cycle of learning.

1:08:54.320 --> 1:08:57.040
<v Speaker 1>And I love that because it's it's humbling, you know

1:08:57.040 --> 1:09:02.320
<v Speaker 1>what I mean, to continue learning everything and helping people.

1:09:02.360 --> 1:09:04.719
<v Speaker 1>There's I mean so many layers of that and helping

1:09:04.800 --> 1:09:08.760
<v Speaker 1>people and probably the everyone in your unit work like

1:09:09.240 --> 1:09:11.680
<v Speaker 1>how close you get. It's probably like a sport kind

1:09:11.720 --> 1:09:15.240
<v Speaker 1>of means. It's so funny and learning from each other

1:09:15.280 --> 1:09:17.400
<v Speaker 1>and helping each other. Then there's a sense of humor

1:09:17.439 --> 1:09:22.280
<v Speaker 1>that goes along with that's just really like whoa you know,

1:09:22.840 --> 1:09:25.120
<v Speaker 1>you hear people say anything. Sometimes you're like, uh, you know,

1:09:25.200 --> 1:09:28.519
<v Speaker 1>too soon, you're too costic or to modeling, or really

1:09:28.560 --> 1:09:33.360
<v Speaker 1>funny people who volunteer, because it's a lot to ask sometimes. Boy,

1:09:33.439 --> 1:09:36.679
<v Speaker 1>when you know, when you're a paid firefighter, you leave

1:09:36.760 --> 1:09:40.080
<v Speaker 1>the house and you go do your shift or you

1:09:40.160 --> 1:09:42.679
<v Speaker 1>do a twenty four hour and your kids say goodbye

1:09:42.680 --> 1:09:45.599
<v Speaker 1>to you. But when you're a volunteer firefighter, you're leaving

1:09:45.640 --> 1:09:48.880
<v Speaker 1>from your house right and you're kind of in your

1:09:48.880 --> 1:09:52.960
<v Speaker 1>own neighborhood, district, town, and your kids see you leave

1:09:53.000 --> 1:09:55.120
<v Speaker 1>the house and they hear the page or go off

1:09:55.640 --> 1:09:58.240
<v Speaker 1>and they hear that there's a working structure fire. So

1:09:58.880 --> 1:10:01.880
<v Speaker 1>you're taking a toll your family too, you know, But

1:10:02.479 --> 1:10:05.840
<v Speaker 1>that gets absorbed functionally, you know what I mean they

1:10:05.840 --> 1:10:07.840
<v Speaker 1>always say, hey, you know, be careful, and I'm like,

1:10:08.280 --> 1:10:12.320
<v Speaker 1>believe me, I will be right. But my friend was

1:10:12.760 --> 1:10:15.720
<v Speaker 1>famously quoted to say, you can do everything right on

1:10:15.760 --> 1:10:18.639
<v Speaker 1>this job and still get killed. And that's the truth too.

1:10:18.680 --> 1:10:22.559
<v Speaker 1>So if nothing's ever what it seems, you should treat

1:10:22.600 --> 1:10:26.080
<v Speaker 1>everything you know pretty seriously. And then on the E. M. S.

1:10:26.080 --> 1:10:28.400
<v Speaker 1>Side of it, or even the fire side, you should

1:10:28.439 --> 1:10:32.000
<v Speaker 1>treat everybody any house you respond to, they're calling you

1:10:32.040 --> 1:10:35.160
<v Speaker 1>because they're having a super bad day, and and treating

1:10:35.160 --> 1:10:38.559
<v Speaker 1>them as you would your family. It's a really great

1:10:38.600 --> 1:10:43.160
<v Speaker 1>formula for for being a first responder. Yeah wow, this

1:10:43.240 --> 1:10:46.240
<v Speaker 1>is like so incredible. Yeah, who knew bark bass shows

1:10:46.320 --> 1:10:51.679
<v Speaker 1>up if you're in real bad trouble. Oh my god,

1:10:51.840 --> 1:10:54.599
<v Speaker 1>Oh my gosh. Wait, I am going to go back

1:10:54.600 --> 1:10:57.240
<v Speaker 1>and listen obviously, but that quote before you started telling

1:10:57.240 --> 1:11:00.160
<v Speaker 1>me about all this grief is love? What did you say? Reef?

1:11:00.280 --> 1:11:02.800
<v Speaker 1>Is love with nowhere to go? And so if you

1:11:02.960 --> 1:11:06.400
<v Speaker 1>with I'm writing down, if you can find a place

1:11:06.520 --> 1:11:08.559
<v Speaker 1>to put it, because you know, I've lost a lot.

1:11:08.560 --> 1:11:12.040
<v Speaker 1>I'm sure you have, and you long and you yearn

1:11:12.120 --> 1:11:14.920
<v Speaker 1>for the person, But if you can really super like

1:11:15.040 --> 1:11:18.920
<v Speaker 1>put that love somewhere tangible where their spirit can see

1:11:18.920 --> 1:11:21.559
<v Speaker 1>it and your spirit can see it or feel it

1:11:21.720 --> 1:11:24.479
<v Speaker 1>or hear it or sense it. You're gonna be fine

1:11:25.000 --> 1:11:26.960
<v Speaker 1>because it comes in waves, do you know what I mean?

1:11:27.160 --> 1:11:29.920
<v Speaker 1>And you kind of ride the way. But again to

1:11:30.040 --> 1:11:33.000
<v Speaker 1>find out how to do it, that's it's tricky, you know,

1:11:33.040 --> 1:11:36.080
<v Speaker 1>it's it's a little tricky for sure. Man. I just

1:11:36.200 --> 1:11:38.160
<v Speaker 1>I loved you said that quote, and then you got

1:11:38.160 --> 1:11:40.240
<v Speaker 1>into telling me all about what you just did, and

1:11:40.240 --> 1:11:43.400
<v Speaker 1>I was like, this is like amazing. I love that

1:11:43.640 --> 1:11:46.920
<v Speaker 1>and and that is really what life's about. And you know,

1:11:47.040 --> 1:11:49.920
<v Speaker 1>even people listening to this today, you will touch them

1:11:49.920 --> 1:11:52.719
<v Speaker 1>in some sort of way with with just your story,

1:11:52.960 --> 1:11:55.920
<v Speaker 1>like who cares about the whole Gossip Girl? Yeah, I

1:11:55.920 --> 1:12:01.640
<v Speaker 1>mean they touched We act it's complimentary. They tuned in,

1:12:01.800 --> 1:12:04.280
<v Speaker 1>they were fans of the show. They gave their energy,

1:12:04.320 --> 1:12:07.120
<v Speaker 1>as you know, to us, and I think it's only

1:12:07.360 --> 1:12:11.040
<v Speaker 1>fitting that we reciprocate by you know, deep die, We

1:12:11.120 --> 1:12:16.840
<v Speaker 1>appreciate absolutely. They were like, it goes full circles for sure.

1:12:16.840 --> 1:12:18.840
<v Speaker 1>But I love it because you would never expect coming

1:12:18.840 --> 1:12:21.559
<v Speaker 1>on to listen to who played Bart Bath on XO

1:12:21.720 --> 1:12:24.439
<v Speaker 1>XO Gossip Girl? You know, No, I'm serious. A lot

1:12:24.439 --> 1:12:26.360
<v Speaker 1>of people are gonna be shocked and not because it

1:12:26.439 --> 1:12:28.880
<v Speaker 1>can't be done. And you just don't really hear of

1:12:28.920 --> 1:12:31.920
<v Speaker 1>people doing everything that you're doing or the reasoning why.

1:12:31.960 --> 1:12:34.519
<v Speaker 1>And it's a really beautiful thing. And that's what I

1:12:34.600 --> 1:12:37.559
<v Speaker 1>really like about life and about our jobs. I got

1:12:37.640 --> 1:12:39.280
<v Speaker 1>to do a really fun, cool TV show with you

1:12:39.280 --> 1:12:41.840
<v Speaker 1>in New York, and you're out here helping people and

1:12:42.080 --> 1:12:46.479
<v Speaker 1>taking on other things and just just even you Wow, yeah,

1:12:46.600 --> 1:12:49.760
<v Speaker 1>I don't I'm speechless. Well, I can't find the word.

1:12:50.200 --> 1:12:52.920
<v Speaker 1>I'm speechless that that you asked me to come on

1:12:53.000 --> 1:12:57.680
<v Speaker 1>and oh no, I'm so. I totally had fun. You know,

1:12:57.760 --> 1:13:00.679
<v Speaker 1>it's always it's always the best play the bad guy.

1:13:01.280 --> 1:13:02.800
<v Speaker 1>I was finally kind of boring to play the good

1:13:02.800 --> 1:13:04.920
<v Speaker 1>guy because I've never hired to play the good guy,

1:13:05.040 --> 1:13:07.000
<v Speaker 1>but like to come in there and really just you know,

1:13:07.200 --> 1:13:10.439
<v Speaker 1>break you know, hearts, and break contracts and break deals

1:13:10.439 --> 1:13:14.080
<v Speaker 1>and break trust with with actors like Kelly and and

1:13:14.520 --> 1:13:16.640
<v Speaker 1>and the rest of the cast. It was just I

1:13:16.680 --> 1:13:19.720
<v Speaker 1>had fun. It was fun. It was fun. Yeah, Well,

1:13:19.760 --> 1:13:22.360
<v Speaker 1>we loved we love watching you, and everyone always had

1:13:22.400 --> 1:13:25.320
<v Speaker 1>the best things to say about working with you and

1:13:25.320 --> 1:13:27.880
<v Speaker 1>and uh yeah, it's it's you know, doing these walk

1:13:27.880 --> 1:13:30.200
<v Speaker 1>down memory lanes and deep dives and stuff like that

1:13:30.280 --> 1:13:32.600
<v Speaker 1>is always so great because it just you know, it

1:13:32.680 --> 1:13:35.120
<v Speaker 1>also reminds me of like I never took it for granted.

1:13:35.880 --> 1:13:39.160
<v Speaker 1>I was always so pleased and so blessed and very appreciative.

1:13:39.240 --> 1:13:41.680
<v Speaker 1>But you know, when you look back and again, like

1:13:41.720 --> 1:13:44.439
<v Speaker 1>what I'm saying is our paths crossing and you being

1:13:44.439 --> 1:13:46.799
<v Speaker 1>able to share what, what and why you're doing everything

1:13:46.880 --> 1:13:49.479
<v Speaker 1>is like what is so beautiful about that the show

1:13:49.520 --> 1:13:52.360
<v Speaker 1>still has an effect on me personally. You get to

1:13:52.400 --> 1:13:55.240
<v Speaker 1>hear you know, your story now and all the things.

1:13:55.320 --> 1:13:58.559
<v Speaker 1>It's just it's really a beautiful thing that I'm very

1:13:58.600 --> 1:14:01.920
<v Speaker 1>blessed and I'm like so honored and like happy that

1:14:01.960 --> 1:14:04.720
<v Speaker 1>you came on and you so hopefully, well we'll see

1:14:04.760 --> 1:14:07.280
<v Speaker 1>each other in New York sometimes at some point, and

1:14:07.320 --> 1:14:09.400
<v Speaker 1>everyone that comes on is like, we have to actually

1:14:09.439 --> 1:14:11.679
<v Speaker 1>like get together in real life, not you know, because

1:14:11.720 --> 1:14:13.840
<v Speaker 1>everyone kind of may run, you know, I see Chase here,

1:14:13.920 --> 1:14:17.960
<v Speaker 1>I see Laton here, you know, see Kelly there would

1:14:17.960 --> 1:14:22.880
<v Speaker 1>be nice. Yeah, Chase with the boys right now, he's

1:14:23.200 --> 1:14:26.000
<v Speaker 1>kind of like a comic genius. Like it's like it's

1:14:26.080 --> 1:14:28.280
<v Speaker 1>so goddamn funny. I mean, it's just like we were

1:14:28.280 --> 1:14:32.759
<v Speaker 1>watching the other night and uh, he is just just killing.

1:14:33.000 --> 1:14:35.960
<v Speaker 1>He's killing. It's great. It's so much fun to watch

1:14:36.000 --> 1:14:40.400
<v Speaker 1>it and everybody, you know, Yeah, obviously there's like everything

1:14:40.400 --> 1:14:44.920
<v Speaker 1>she's doing her Yeah, yeah, Layton came on The Orville

1:14:45.000 --> 1:14:47.479
<v Speaker 1>last season and worked with her, and then Taylor with

1:14:47.520 --> 1:14:50.639
<v Speaker 1>her music, and Sebastian stand with the Marvel world and

1:14:51.280 --> 1:14:54.920
<v Speaker 1>Pen with you and yeah, everyone's really killing it. And

1:14:54.960 --> 1:14:57.080
<v Speaker 1>not just the main cast. There's a bunch of guests

1:14:57.120 --> 1:14:59.799
<v Speaker 1>casts that came on that are doing their things, Tony's

1:14:59.840 --> 1:15:03.040
<v Speaker 1>and you know, yeah, they were definitely some talent, a

1:15:03.120 --> 1:15:07.840
<v Speaker 1>talented group for sure. Yeah. Well, thank you for coming on.

1:15:07.920 --> 1:15:11.320
<v Speaker 1>I'll let you have your afternoon. Um, and I really

1:15:11.360 --> 1:15:12.880
<v Speaker 1>really hope to see you in person and give you

1:15:12.920 --> 1:15:14.559
<v Speaker 1>a hug one of these days. It would be great.

1:15:14.720 --> 1:15:17.120
<v Speaker 1>Thank you so much, and best to you and your

1:15:17.160 --> 1:15:22.200
<v Speaker 1>family and the continuation of this project and whatever else.

1:15:23.120 --> 1:15:32.080
<v Speaker 1>Thanks Jessica, Okay, bye, Robert. Thank you so much Robert

1:15:32.120 --> 1:15:35.040
<v Speaker 1>for joining me today. You are such a special person

1:15:35.160 --> 1:15:38.280
<v Speaker 1>with so much knowledge about the world. Was a great,

1:15:38.400 --> 1:15:40.960
<v Speaker 1>big heart that I wish everyone could just get a

1:15:41.040 --> 1:15:44.439
<v Speaker 1>little feel for because you are awesome. I'm so grateful

1:15:44.479 --> 1:15:47.400
<v Speaker 1>we reconnected and we need to make that happen in

1:15:47.439 --> 1:15:49.640
<v Speaker 1>person very soon. And I want to thank all of

1:15:49.640 --> 1:15:52.240
<v Speaker 1>you for listening. Make sure to subscribe wherever you get

1:15:52.280 --> 1:15:55.000
<v Speaker 1>your podcasts, and meet me back here next week for

1:15:55.000 --> 1:16:02.360
<v Speaker 1>an all new episode. XO x O. M XO XO

1:16:02.600 --> 1:16:05.439
<v Speaker 1>is produced by Propagate Content and Meat Jessica z Or.

1:16:05.800 --> 1:16:08.840
<v Speaker 1>Our show is executive produced by Lingley. Our producers are

1:16:08.880 --> 1:16:13.040
<v Speaker 1>Diego Tapia, Kristin Romilia, Emily Carr, and Hannah Harris. Original

1:16:13.120 --> 1:16:15.639
<v Speaker 1>music by Moxie and Lune, and the episode was mixed

1:16:15.640 --> 1:16:22.200
<v Speaker 1>by Setho Lansky